1 00:00:03,120 --> 00:00:06,000 Speaker 1: Welcome to Stuff to Blow Your Mind from how Stuff 2 00:00:06,000 --> 00:00:14,400 Speaker 1: Works dot com. Hey, welcome to Stuff to Blow your Mind. 3 00:00:14,440 --> 00:00:17,480 Speaker 1: My name is Robert Lamb and I'm Christian Sager. Hey. 4 00:00:17,520 --> 00:00:21,040 Speaker 1: Today we are going to be talking about some more 5 00:00:21,079 --> 00:00:24,480 Speaker 1: October Halloween related stuff. But before we get into it, 6 00:00:24,880 --> 00:00:26,760 Speaker 1: I want to remind you that at the end of 7 00:00:26,760 --> 00:00:30,639 Speaker 1: the month, we are going to be using periscope to 8 00:00:31,240 --> 00:00:34,879 Speaker 1: respond to our listener mail. So Joe, Robert and I 9 00:00:34,880 --> 00:00:37,839 Speaker 1: will be together in front of I'm assuming an iPhone 10 00:00:37,920 --> 00:00:42,879 Speaker 1: or something at broadcasting live reading your listener mail. So 11 00:00:42,920 --> 00:00:45,680 Speaker 1: if you want to participate in that or you just 12 00:00:45,720 --> 00:00:48,080 Speaker 1: want to watch it, and I believe you can interact 13 00:00:48,120 --> 00:00:51,000 Speaker 1: with us in real time on there, uh, follow us 14 00:00:51,000 --> 00:00:53,599 Speaker 1: on Twitter and then also you know, keep an eye 15 00:00:53,640 --> 00:00:56,960 Speaker 1: out on our other social media channels for announcements about 16 00:00:57,000 --> 00:00:59,880 Speaker 1: this upcoming periscope thing, and also check us out. Last 17 00:01:00,000 --> 00:01:03,560 Speaker 1: two weeks of October, we're gonna have Monster Science back up, 18 00:01:03,920 --> 00:01:08,200 Speaker 1: so that's gonna be some VHS late in daytime horror 19 00:01:08,240 --> 00:01:14,520 Speaker 1: themed explorations of the real science behind some notable film monsters. 20 00:01:14,680 --> 00:01:16,520 Speaker 1: So be sure to check check in on that. You 21 00:01:16,560 --> 00:01:19,000 Speaker 1: can find what links for that All over Stuff to 22 00:01:19,000 --> 00:01:21,679 Speaker 1: Blow your Mind dot com, as well as our Facebook 23 00:01:21,680 --> 00:01:25,000 Speaker 1: page and how stuff Works and Twitter and tumbler as well, 24 00:01:25,360 --> 00:01:28,360 Speaker 1: all of those social media channels where blow the mind. 25 00:01:28,760 --> 00:01:30,240 Speaker 1: And if you want to get in on the listener 26 00:01:30,240 --> 00:01:33,040 Speaker 1: mail action, remember that you can always email us that 27 00:01:33,200 --> 00:01:35,399 Speaker 1: blow the Mind at how stuff works dot com. But 28 00:01:35,480 --> 00:01:39,440 Speaker 1: today we're talking about creepy pasta, which I imagined there 29 00:01:39,440 --> 00:01:41,720 Speaker 1: are three different responses out there. Some people were probably 30 00:01:41,760 --> 00:01:44,440 Speaker 1: going to creepypasta, I love creepy pasta. Other people are 31 00:01:44,440 --> 00:01:47,280 Speaker 1: going creepypasta, what are you doing covering that? And other 32 00:01:47,319 --> 00:01:50,279 Speaker 1: people are just flat up asking what that is? Creepy 33 00:01:50,400 --> 00:01:54,160 Speaker 1: creepy pasta? Dente? Yeah? Is it? Is it the texture 34 00:01:54,280 --> 00:01:56,400 Speaker 1: or the is it posta that shaped like little ghosts? 35 00:01:56,680 --> 00:01:59,080 Speaker 1: That's what in my mind when I first started hearing 36 00:01:59,120 --> 00:02:04,000 Speaker 1: about it a few years back. But what, let's explain 37 00:02:04,080 --> 00:02:07,440 Speaker 1: what creepy pasta is for everyone who's not familiar. Right, Okay, 38 00:02:07,440 --> 00:02:11,400 Speaker 1: so I'm only recently familiar with this, uh phenomenon. But 39 00:02:11,480 --> 00:02:15,839 Speaker 1: apparently around two thousand six h a a sort of 40 00:02:16,720 --> 00:02:20,880 Speaker 1: fad I guess meme started up on the Internet called 41 00:02:20,960 --> 00:02:23,760 Speaker 1: copy pasta, and I think it originated on four Chan 42 00:02:24,360 --> 00:02:28,160 Speaker 1: and then splintered off into several different genres in different areas. 43 00:02:28,639 --> 00:02:33,119 Speaker 1: The basic idea, though, is that you're creating uh content 44 00:02:33,280 --> 00:02:36,480 Speaker 1: that's like copy and pasted into an email or maybe 45 00:02:36,520 --> 00:02:38,519 Speaker 1: on a blog or something like that. Right, It's something 46 00:02:38,560 --> 00:02:41,520 Speaker 1: that's like easily accessible and share able. Yeah, and it's 47 00:02:41,760 --> 00:02:45,000 Speaker 1: I think the two most ubiquitous examples of this first 48 00:02:45,000 --> 00:02:48,880 Speaker 1: of all, emails from your grandma or your uncle chain 49 00:02:49,040 --> 00:02:52,800 Speaker 1: like some sort of ridiculous story about you know, somebody's 50 00:02:52,840 --> 00:02:57,120 Speaker 1: putting disease needles into convenience store machines, you know, or 51 00:02:57,600 --> 00:03:01,160 Speaker 1: or watch out for hoodlums throwing eggs at your car, 52 00:03:01,440 --> 00:03:03,440 Speaker 1: or people turning their lights on and off. You know, 53 00:03:03,440 --> 00:03:06,080 Speaker 1: there's always some sort of like, oh it's gang activity 54 00:03:06,240 --> 00:03:08,320 Speaker 1: or or some sort of weird horror going on in 55 00:03:08,400 --> 00:03:11,560 Speaker 1: your daily life where you could possibly believe it, but 56 00:03:11,600 --> 00:03:13,560 Speaker 1: if you actually research it, you'll see, oh, this is 57 00:03:13,600 --> 00:03:17,320 Speaker 1: just a The same couple of paragraphs have been copy 58 00:03:17,360 --> 00:03:20,600 Speaker 1: and pasted throughout the history of the Internet, and we 59 00:03:20,680 --> 00:03:23,960 Speaker 1: just keep following for it again and again. And creepy 60 00:03:24,000 --> 00:03:27,639 Speaker 1: pasta is sort of the horror iteration of copy pasta, 61 00:03:28,040 --> 00:03:32,000 Speaker 1: and that it pretends to be like an urban legend 62 00:03:32,160 --> 00:03:36,480 Speaker 1: or like a pseudo real life event that happened, but 63 00:03:36,560 --> 00:03:39,200 Speaker 1: it's told as a horror story. Yeah, and I think 64 00:03:39,240 --> 00:03:41,920 Speaker 1: some of the you can definitely see some creepy pasta 65 00:03:42,840 --> 00:03:46,240 Speaker 1: in the copy pasta that you you see some of 66 00:03:46,280 --> 00:03:48,640 Speaker 1: those emails, you know, where it's ultimately you're talking about 67 00:03:48,920 --> 00:03:53,680 Speaker 1: some sort of folkloric modern folkloric horror theme, uh that's 68 00:03:53,760 --> 00:03:57,040 Speaker 1: wrapped in enough reality or pseudo reality that you buy 69 00:03:57,080 --> 00:03:59,200 Speaker 1: into it. Yeah. They all sort of play off of 70 00:03:59,240 --> 00:04:03,240 Speaker 1: these author ic aesthetics using like they mimic things like 71 00:04:03,320 --> 00:04:05,600 Speaker 1: documents of real life. It's almost like the found footage 72 00:04:05,600 --> 00:04:10,640 Speaker 1: of pros. Like, uh, there's diary entries, witness statements. Sometimes 73 00:04:10,640 --> 00:04:13,720 Speaker 1: there's image and video files. And as we're going to 74 00:04:13,800 --> 00:04:16,760 Speaker 1: talk about today, many of them take the shape of 75 00:04:16,800 --> 00:04:21,960 Speaker 1: scientific reports or like lab analysis. And so what we 76 00:04:22,000 --> 00:04:24,359 Speaker 1: thought we would do today is look at some of 77 00:04:24,360 --> 00:04:30,880 Speaker 1: the most popular scientific based creepy pastas and then look 78 00:04:30,920 --> 00:04:35,320 Speaker 1: at the the the plausibility and the real life connections 79 00:04:35,440 --> 00:04:38,320 Speaker 1: of the science that they pose it. Yeah, and I 80 00:04:38,400 --> 00:04:42,840 Speaker 1: want to definitely imagine some big quotation marks around scientifically 81 00:04:42,880 --> 00:04:45,560 Speaker 1: based there. Oh yeah, oh yeah, but as we'll get 82 00:04:45,600 --> 00:04:49,920 Speaker 1: into yeah, yeah, I mean there's some there's some very 83 00:04:50,000 --> 00:04:54,200 Speaker 1: loose stuff when they just say a stimulating gas was presented, right, 84 00:04:54,240 --> 00:04:56,960 Speaker 1: there's no they don't name the gas, they don't give 85 00:04:57,000 --> 00:04:59,479 Speaker 1: any methodology or anything. But some of them are better 86 00:04:59,480 --> 00:05:01,680 Speaker 1: than others. And well we'll get into that as well. 87 00:05:01,839 --> 00:05:04,560 Speaker 1: It's um one thing to keep in mind with copy 88 00:05:04,600 --> 00:05:07,599 Speaker 1: Pasta two and I'm especially creepy Pasta are the different 89 00:05:07,640 --> 00:05:10,320 Speaker 1: ways that you come across it online, Like, there are 90 00:05:10,400 --> 00:05:14,240 Speaker 1: definite creepy Pasta destinations for people who love reading it 91 00:05:14,320 --> 00:05:16,840 Speaker 1: and creating it, and they're just kind of wikis for this, 92 00:05:16,880 --> 00:05:18,880 Speaker 1: and we'll have some links to these stories on the 93 00:05:18,960 --> 00:05:20,600 Speaker 1: landing page for this episode. Stuff to blow your mind 94 00:05:20,600 --> 00:05:22,240 Speaker 1: out com so you can explore that on your own. 95 00:05:22,640 --> 00:05:24,960 Speaker 1: But you'll also see stuff showing up on social media 96 00:05:25,480 --> 00:05:28,680 Speaker 1: or you're doing, like we encountered this plenty of times, 97 00:05:28,680 --> 00:05:30,680 Speaker 1: you're doing some research, you're trying to find out about 98 00:05:30,680 --> 00:05:34,560 Speaker 1: certain actual experiments, and then you run across some creepyposta 99 00:05:35,000 --> 00:05:36,880 Speaker 1: and for a split second, you're like, what is this 100 00:05:36,960 --> 00:05:40,159 Speaker 1: experiment they're talking about? Oh, it's creepy pasta. Yeah, it 101 00:05:40,279 --> 00:05:43,520 Speaker 1: is kind of perfect. And especially researching this particular episode 102 00:05:43,600 --> 00:05:46,920 Speaker 1: was difficult because when you're trying to research the actual 103 00:05:47,000 --> 00:05:50,400 Speaker 1: scientific basis for some of these stories, you end up 104 00:05:50,800 --> 00:05:55,120 Speaker 1: finding either fake articles or or the actual story itself 105 00:05:55,160 --> 00:05:57,719 Speaker 1: popping up in a lot of your searches. I've also 106 00:05:57,839 --> 00:06:01,040 Speaker 1: seen like wiki questions and message boards, so you can 107 00:06:01,040 --> 00:06:02,680 Speaker 1: see this kind of stuff popping up there where someone 108 00:06:02,720 --> 00:06:06,680 Speaker 1: will have yeah, people have a legitimate question, and somebody 109 00:06:06,720 --> 00:06:08,960 Speaker 1: will decide to throw a slip a little pop down there, 110 00:06:09,040 --> 00:06:14,360 Speaker 1: you know, Like I've seen medical question sites, um, where 111 00:06:14,440 --> 00:06:16,880 Speaker 1: someone will be talking. I think I was writing something 112 00:06:17,080 --> 00:06:20,719 Speaker 1: that had to do with the about about prostates prostate exams, 113 00:06:21,360 --> 00:06:25,640 Speaker 1: and I ran across this message board where somebody was asking, Hey, 114 00:06:25,640 --> 00:06:27,440 Speaker 1: what can I expect when I go in there? And 115 00:06:27,440 --> 00:06:31,320 Speaker 1: then somebody had this ridiculous story shared, and then another 116 00:06:31,360 --> 00:06:34,400 Speaker 1: individual point it responded said, oh, this is pasta here's 117 00:06:34,440 --> 00:06:38,200 Speaker 1: an example of where it was previously uh rolled out. 118 00:06:38,240 --> 00:06:42,200 Speaker 1: I think that's where I first discovered the term copy puff. Yeah. 119 00:06:42,200 --> 00:06:45,960 Speaker 1: I mean like in today's age of like, uh, what 120 00:06:46,279 --> 00:06:51,080 Speaker 1: we are often told in our daily jobs is user 121 00:06:51,200 --> 00:06:55,360 Speaker 1: generated content, right, where like the user is commenting or 122 00:06:55,360 --> 00:06:58,200 Speaker 1: creating something on their own. This is the perfect kind 123 00:06:58,200 --> 00:07:01,240 Speaker 1: of thing to slip in there, right, like an Amazon review, 124 00:07:01,400 --> 00:07:04,000 Speaker 1: you could drop in some creepy pasta related to whatever 125 00:07:04,160 --> 00:07:07,120 Speaker 1: item it is that's a that's on sale, and you 126 00:07:07,200 --> 00:07:09,280 Speaker 1: give it a five star review, but let people know 127 00:07:09,320 --> 00:07:11,000 Speaker 1: that it was haunted or something when you got it 128 00:07:11,000 --> 00:07:12,920 Speaker 1: in the mail. Yeah, it's kind of like the creepy 129 00:07:13,000 --> 00:07:16,800 Speaker 1: mold that grows uh on, you know, on the structures 130 00:07:16,840 --> 00:07:19,239 Speaker 1: of the Internet and throughout the systems of the Internet, 131 00:07:19,520 --> 00:07:23,920 Speaker 1: and some of it is just merely mold, and sometimes 132 00:07:23,960 --> 00:07:26,600 Speaker 1: that sometimes it's exquisite and it's fun to look at 133 00:07:26,680 --> 00:07:30,240 Speaker 1: and feel, but I think so um, people who maybe 134 00:07:30,280 --> 00:07:35,600 Speaker 1: aren't familiar with the creepy pasta genre, you might actually know. 135 00:07:36,280 --> 00:07:39,920 Speaker 1: The most famous of the creepy pasta characters or stories 136 00:07:40,080 --> 00:07:43,320 Speaker 1: is the slender Man one. Uh And I don't know 137 00:07:43,360 --> 00:07:45,600 Speaker 1: a ton about slender Man other than what I've read 138 00:07:46,160 --> 00:07:50,400 Speaker 1: about him outside of the creepypastas he appears in. But 139 00:07:50,600 --> 00:07:52,600 Speaker 1: basically the idea is that he's kind of like a 140 00:07:53,400 --> 00:07:56,080 Speaker 1: he's on a horror story character, right, He's just as 141 00:07:56,160 --> 00:07:59,120 Speaker 1: much as like Jason Vorhees or Freddy Krueger, but he's 142 00:07:59,160 --> 00:08:04,720 Speaker 1: kind of like in a elongated, skinny, scary looking man 143 00:08:04,880 --> 00:08:08,040 Speaker 1: and like a suit. Yeah, you see to like, the 144 00:08:08,400 --> 00:08:10,600 Speaker 1: reason one of the reasons Slenderman is such a nice 145 00:08:10,640 --> 00:08:15,760 Speaker 1: example of copy pasta is that he's kind of collectively assembled. 146 00:08:15,960 --> 00:08:19,440 Speaker 1: He's an amalgam of pop culture influences and and ultimately 147 00:08:19,480 --> 00:08:23,280 Speaker 1: the final forums very amorphous too, because because a lot 148 00:08:23,320 --> 00:08:25,680 Speaker 1: of it is about his depictions and individual pieces of 149 00:08:25,680 --> 00:08:29,760 Speaker 1: creepy pasta or especially in imagery and these various photoshop 150 00:08:29,800 --> 00:08:33,240 Speaker 1: contests that have contributed to to the myth though, right, Yeah, 151 00:08:33,280 --> 00:08:34,679 Speaker 1: that's one of the ones where there's a lot of 152 00:08:34,800 --> 00:08:38,120 Speaker 1: visual accompaniment. Yea, Like a lot of a lot of 153 00:08:38,120 --> 00:08:41,480 Speaker 1: slender Man revolves around the pictures that people have created 154 00:08:41,520 --> 00:08:44,079 Speaker 1: that are just terrifying. Yeah, and there's no real consensus 155 00:08:44,120 --> 00:08:46,960 Speaker 1: on like exactly what the story is. Like nobody said 156 00:08:47,040 --> 00:08:50,760 Speaker 1: this is what slender Man is slender many and that 157 00:08:50,800 --> 00:08:53,800 Speaker 1: helps to make it mysterious and and and weird. I mean, 158 00:08:53,800 --> 00:08:56,320 Speaker 1: that's one of the reasons that the Lovecraft's myth those 159 00:08:56,640 --> 00:09:00,520 Speaker 1: continues to resonate is that there's individuals have come along 160 00:09:00,559 --> 00:09:04,080 Speaker 1: and tried to create a boiler plate uh uh, you know, 161 00:09:04,200 --> 00:09:07,640 Speaker 1: mythos for him, But ultimately his mythos is shrouded in 162 00:09:07,679 --> 00:09:13,480 Speaker 1: mystery and contradictions absolutely and so included in that and 163 00:09:13,960 --> 00:09:16,640 Speaker 1: I'd be remiss if we'd or we'd be remiss if 164 00:09:16,640 --> 00:09:19,640 Speaker 1: we didn't include this is that you may have also 165 00:09:19,720 --> 00:09:24,160 Speaker 1: heard in the news that there was an inspired violent 166 00:09:24,200 --> 00:09:28,200 Speaker 1: assault by two twelve year old girls against another twelve 167 00:09:28,280 --> 00:09:32,480 Speaker 1: year old girl. They were trying to murder her in 168 00:09:32,480 --> 00:09:37,640 Speaker 1: inspiration they were inspired by slender Man. Uh and um, 169 00:09:37,679 --> 00:09:40,720 Speaker 1: you know. To clarify, like the owners of Creepy pasta 170 00:09:40,840 --> 00:09:42,960 Speaker 1: dot com, many of the people who were involved in 171 00:09:42,960 --> 00:09:46,360 Speaker 1: this community, they all you know, released a state statements 172 00:09:46,400 --> 00:09:48,679 Speaker 1: basically saying like they this was not their intention, They 173 00:09:48,720 --> 00:09:50,240 Speaker 1: didn't want to be connected this at all. It was 174 00:09:50,240 --> 00:09:52,360 Speaker 1: more just kind of a fun pop culture thing for 175 00:09:52,400 --> 00:09:56,920 Speaker 1: them to have a community around. But these girls somehow 176 00:09:57,040 --> 00:10:00,840 Speaker 1: took it internally and uh and ended up almost killing 177 00:10:00,840 --> 00:10:03,880 Speaker 1: their friend. Luckily she escaped and was I think she 178 00:10:03,960 --> 00:10:06,680 Speaker 1: was had like seventeen or nineteen times or something like that. 179 00:10:07,000 --> 00:10:08,720 Speaker 1: She was found by somebody on the Southern Road and 180 00:10:08,760 --> 00:10:10,640 Speaker 1: was able to get medical care. Well, I mean, it 181 00:10:10,679 --> 00:10:14,400 Speaker 1: just speaks to the power of storytelling us through the 182 00:10:14,440 --> 00:10:16,520 Speaker 1: power of folklore and the power of the power of symbols, 183 00:10:16,559 --> 00:10:19,840 Speaker 1: you know, I mean anybody can create a story, and 184 00:10:19,960 --> 00:10:22,439 Speaker 1: oftentimes the story is not going to be that good, 185 00:10:22,480 --> 00:10:25,360 Speaker 1: but you're playing with powerful elements when you start playing 186 00:10:25,400 --> 00:10:29,880 Speaker 1: with with established tropes and established symbols, established symbols of fear, 187 00:10:30,400 --> 00:10:34,720 Speaker 1: and uh, even you know, a very amateur creator can 188 00:10:34,840 --> 00:10:37,800 Speaker 1: end up creating something that strongly resonates. And I mean 189 00:10:37,800 --> 00:10:41,319 Speaker 1: that's the beauty of something like Creepy Pasta. It is. 190 00:10:41,520 --> 00:10:43,439 Speaker 1: And and I also, like, I think that it would 191 00:10:43,440 --> 00:10:47,280 Speaker 1: be really like off the mark to say that, like, oh, 192 00:10:47,320 --> 00:10:49,840 Speaker 1: it's because of slender Man that this happened, you know, 193 00:10:49,920 --> 00:10:52,080 Speaker 1: I mean clearly like there was something going on with 194 00:10:52,160 --> 00:10:55,840 Speaker 1: these girls anyways. Uh, that's like the argument that like 195 00:10:55,920 --> 00:10:58,920 Speaker 1: Ozzy Osbourne influenced teenagers to kill each other in the 196 00:10:58,960 --> 00:11:01,400 Speaker 1: eighties or something. You just I don't buy into it, 197 00:11:01,720 --> 00:11:03,800 Speaker 1: but I think it's important that we let the audience 198 00:11:03,840 --> 00:11:06,760 Speaker 1: know about that. Um. Creepy Pasta really kind of hit 199 00:11:06,800 --> 00:11:11,640 Speaker 1: its height in because the New York Times actually covered 200 00:11:11,679 --> 00:11:15,120 Speaker 1: it and did an article on it. Um. But you know, 201 00:11:15,200 --> 00:11:19,000 Speaker 1: a lot of it resembles what we we refer to 202 00:11:19,120 --> 00:11:21,839 Speaker 1: as weird fiction, right, yeah, you see, I mean it 203 00:11:21,880 --> 00:11:25,160 Speaker 1: kind of runs the gain because on one end of 204 00:11:25,160 --> 00:11:28,839 Speaker 1: the spectrum. You have creepy papsa that reads like a 205 00:11:30,120 --> 00:11:32,720 Speaker 1: either either like a Wikipedia article or p or a 206 00:11:32,760 --> 00:11:36,559 Speaker 1: poorly written Wikipedia article, where it's just very factual, very 207 00:11:36,559 --> 00:11:40,160 Speaker 1: grounded in this subjective reporting style. And then on the 208 00:11:40,160 --> 00:11:42,360 Speaker 1: other hand, stuff that is aspiring more and more to 209 00:11:42,440 --> 00:11:46,040 Speaker 1: resemble weird fiction, you know, something with more of a 210 00:11:46,160 --> 00:11:50,600 Speaker 1: narrative flow. Yeah. Absolutely. I mean, as a both a 211 00:11:50,640 --> 00:11:53,720 Speaker 1: fan of horror pros and somebody who writes horror pros, 212 00:11:54,200 --> 00:11:57,240 Speaker 1: I guess my personal literary criticism here is just that 213 00:11:57,840 --> 00:12:00,480 Speaker 1: the best of these always ends up still reading kind 214 00:12:00,480 --> 00:12:03,400 Speaker 1: of like a Wikipedia entry. Right. So there's no there's 215 00:12:03,400 --> 00:12:06,680 Speaker 1: no craft to the prose necessarily that you would find 216 00:12:06,679 --> 00:12:10,160 Speaker 1: in something that's designed for literature. It's mostly just a 217 00:12:10,200 --> 00:12:14,680 Speaker 1: summary of the plot. Um. However, it can be done artfully. 218 00:12:15,040 --> 00:12:18,000 Speaker 1: Um is so in such a way to make it 219 00:12:18,000 --> 00:12:20,880 Speaker 1: seem like it was a real thing. Right. Uh. If 220 00:12:20,920 --> 00:12:24,760 Speaker 1: it's done as such, then it can have a pretty 221 00:12:24,760 --> 00:12:28,800 Speaker 1: sustaining dread that goes along with it. Um. So there 222 00:12:28,840 --> 00:12:31,240 Speaker 1: are some of these that I like better than others, uh, 223 00:12:31,360 --> 00:12:35,679 Speaker 1: like any kind of you know, uh medium or storytelling. 224 00:12:36,200 --> 00:12:39,080 Speaker 1: But I have to say, and I want to warn 225 00:12:39,120 --> 00:12:40,880 Speaker 1: our listeners if you if you haven't read any of 226 00:12:40,920 --> 00:12:44,000 Speaker 1: these yet, A lot of the grammar and spelling is 227 00:12:44,640 --> 00:12:47,840 Speaker 1: just horrible in these, like they need a proof reader 228 00:12:47,880 --> 00:12:50,559 Speaker 1: to just go over reach these. Although I guess that 229 00:12:50,559 --> 00:12:54,160 Speaker 1: that could potentially be part of the charm, right, is 230 00:12:54,200 --> 00:12:57,280 Speaker 1: that like it's been written by somebody who hasn't taken 231 00:12:57,280 --> 00:13:00,760 Speaker 1: the time to proof read and go back and fixed errors, 232 00:13:00,800 --> 00:13:03,960 Speaker 1: and therefore it seems more authentic. Sometimes when you've been 233 00:13:04,000 --> 00:13:08,400 Speaker 1: horrified by your participation in a frightening paranormal experiment, you 234 00:13:08,400 --> 00:13:12,240 Speaker 1: know you're less a less attentive to grammar. That's that's 235 00:13:12,280 --> 00:13:16,080 Speaker 1: possible for sure. I do want to say one more thing. 236 00:13:16,080 --> 00:13:18,160 Speaker 1: I want to throw a plug out there for our colleagues. 237 00:13:18,320 --> 00:13:21,160 Speaker 1: So a lot of people don't know this, but our 238 00:13:21,240 --> 00:13:24,240 Speaker 1: how stuff works. Colleagues, including our producer Noel who's on 239 00:13:24,240 --> 00:13:28,800 Speaker 1: the board right now, Lauren Vogelbaum from Forward Thinking, and 240 00:13:29,120 --> 00:13:32,679 Speaker 1: Ben Bolan and Matt Frederick from Stuff they Don't Want 241 00:13:32,720 --> 00:13:36,160 Speaker 1: You to Know, all got together and put together what 242 00:13:36,320 --> 00:13:40,199 Speaker 1: I would call a creepy pasta audio play. It's called 243 00:13:40,360 --> 00:13:42,560 Speaker 1: See You Next Time, and they did it for the 244 00:13:42,600 --> 00:13:45,560 Speaker 1: Atlanta Fringe Festival, and it's about like a thirty minute 245 00:13:45,720 --> 00:13:48,680 Speaker 1: MP three that you can go and download from their site. 246 00:13:48,720 --> 00:13:50,800 Speaker 1: So if you're into that kind of thing, like if 247 00:13:50,800 --> 00:13:53,360 Speaker 1: you're like a Welcome to night Vale kind of person, uh, 248 00:13:53,520 --> 00:13:55,520 Speaker 1: go download that and check it out, because it's all 249 00:13:55,600 --> 00:13:59,320 Speaker 1: how stuff works, characters and personalities. In fact, Joe and 250 00:13:59,360 --> 00:14:02,480 Speaker 1: I both make very minor appearances in the story, just 251 00:14:02,520 --> 00:14:06,040 Speaker 1: as like kind of extras, but really well done and 252 00:14:06,080 --> 00:14:08,199 Speaker 1: it was like one of my favorite horror stories from 253 00:14:08,240 --> 00:14:10,719 Speaker 1: this past year. Cool. Yeah, we'll include a link to 254 00:14:10,760 --> 00:14:13,839 Speaker 1: that on landing page for this episode. Um. In terms 255 00:14:13,840 --> 00:14:17,560 Speaker 1: of back to the Creepy pasta though the like, I 256 00:14:17,640 --> 00:14:22,840 Speaker 1: find that the ones that are instantly grounded in more 257 00:14:22,840 --> 00:14:25,720 Speaker 1: of a traditional storytelling, like you know where the narrator 258 00:14:25,760 --> 00:14:27,960 Speaker 1: is saying what I have to relate to you about 259 00:14:27,960 --> 00:14:31,640 Speaker 1: this experiments to buying. You instantly know you're reading the story, 260 00:14:32,400 --> 00:14:34,560 Speaker 1: but I guess the the and then to your point, 261 00:14:34,600 --> 00:14:37,960 Speaker 1: if it reads entirely like a Wikipedia piece, then it's 262 00:14:37,960 --> 00:14:41,080 Speaker 1: it runs the risk of just being completely dry. Um, 263 00:14:41,120 --> 00:14:43,760 Speaker 1: you can still be engaging, but I think the probably 264 00:14:43,800 --> 00:14:46,680 Speaker 1: the sweet spot is if you can have it start 265 00:14:47,440 --> 00:14:51,640 Speaker 1: dry and seemingly factual and objective, and then have it 266 00:14:51,760 --> 00:14:57,440 Speaker 1: morph into something uh that that that is more elegantly written, 267 00:14:57,640 --> 00:15:02,320 Speaker 1: and then maybe steer back out of it. Yeah, it builds. Yeah. Yeah. 268 00:15:02,480 --> 00:15:04,720 Speaker 1: I think another thing that that is key with these 269 00:15:04,720 --> 00:15:08,080 Speaker 1: as well is is the format. So like the mimicking 270 00:15:08,160 --> 00:15:11,280 Speaker 1: of a of a particular kind of format, uh to 271 00:15:11,480 --> 00:15:15,120 Speaker 1: create the authenticity type thing, like like ones that mimic 272 00:15:15,160 --> 00:15:20,000 Speaker 1: actual Wikipedia entries are kind of using that format to 273 00:15:20,040 --> 00:15:23,200 Speaker 1: their advantage, right, Whereas like if it's just a chain 274 00:15:23,280 --> 00:15:25,680 Speaker 1: of prose that shows up an email sent to me 275 00:15:25,760 --> 00:15:29,360 Speaker 1: by my weird aunt, then I'm less likely to go, oh, 276 00:15:29,800 --> 00:15:33,360 Speaker 1: this could potentially be a thing. Yeah. And another thing 277 00:15:33,400 --> 00:15:36,160 Speaker 1: too that's probably worth noting is that like part of 278 00:15:36,160 --> 00:15:39,160 Speaker 1: our job for the podcast and other things is to 279 00:15:39,200 --> 00:15:44,440 Speaker 1: evaluate sources and evaluate validity of things, and so inherently, 280 00:15:44,480 --> 00:15:46,720 Speaker 1: I think for for people like us reading these things 281 00:15:46,760 --> 00:15:50,080 Speaker 1: were automatically like wait a minute, I need some more evidence, 282 00:15:50,120 --> 00:15:53,280 Speaker 1: I need more information where the sources cited. Yeah. One 283 00:15:53,280 --> 00:15:58,240 Speaker 1: of the early examples of just just recording folklore that 284 00:15:58,320 --> 00:16:00,680 Speaker 1: I think has some some potential ties into creepy pasta 285 00:16:01,080 --> 00:16:03,880 Speaker 1: is a book called The Strange Stories from a Chinese 286 00:16:03,920 --> 00:16:11,040 Speaker 1: Studio by lousy Z from eighteenth century China Uh, each 287 00:16:11,080 --> 00:16:14,920 Speaker 1: of these tales that that the author relates, they all 288 00:16:15,000 --> 00:16:16,560 Speaker 1: they all start the same, and they all kind of 289 00:16:16,640 --> 00:16:19,480 Speaker 1: end the same. Where he's saying, I knew this particular 290 00:16:19,520 --> 00:16:23,040 Speaker 1: individual and and he works over in this province and 291 00:16:23,240 --> 00:16:27,120 Speaker 1: works in this office, and he told me this story 292 00:16:27,160 --> 00:16:29,920 Speaker 1: about this encounter he had. And then the encounter might 293 00:16:29,960 --> 00:16:34,000 Speaker 1: be seeing a strange like pin dragon, or seeing or 294 00:16:34,080 --> 00:16:38,240 Speaker 1: encountering a horrifying ghost, or having some sort of mildly 295 00:16:38,320 --> 00:16:42,000 Speaker 1: body hilarious encounter. And then it will end again with 296 00:16:42,120 --> 00:16:45,560 Speaker 1: him firmly tucking it back into reality by saying, and 297 00:16:45,720 --> 00:16:48,640 Speaker 1: this particular acquaintance of mine he continued to have a 298 00:16:48,640 --> 00:16:50,960 Speaker 1: great career in this province, and I still hear from 299 00:16:51,040 --> 00:16:54,320 Speaker 1: some time to time. Yeah, the idea I think they're 300 00:16:55,080 --> 00:16:57,520 Speaker 1: maybe is conscious or not, was sort of taking the 301 00:16:57,640 --> 00:17:01,120 Speaker 1: oral tradition of folklore and trans aiding it into pros 302 00:17:01,200 --> 00:17:03,040 Speaker 1: And yeah, I think you see that with a lot 303 00:17:03,080 --> 00:17:06,239 Speaker 1: of early weird fiction as well, like Arthur Makin you 304 00:17:06,240 --> 00:17:10,760 Speaker 1: mentioned Lovecraft earlier, Uh, to an extent, like Algernon Blackwood, 305 00:17:10,920 --> 00:17:13,479 Speaker 1: things like that. Yeah, you have to sort of you 306 00:17:13,520 --> 00:17:16,040 Speaker 1: have this nugget of of the fantastic and you need 307 00:17:16,080 --> 00:17:19,600 Speaker 1: to to tuck it in firmly into the bed of 308 00:17:19,600 --> 00:17:22,720 Speaker 1: of our our informational system, really, and in this case 309 00:17:22,760 --> 00:17:26,520 Speaker 1: it's the Internet. Yeah, absolutely, they're using the medium to 310 00:17:26,560 --> 00:17:30,840 Speaker 1: its advantage. So okay, so we're gonna talk about three 311 00:17:31,000 --> 00:17:37,000 Speaker 1: particular creepy pasta science experiments and we'll we'll we'll give 312 00:17:37,000 --> 00:17:39,479 Speaker 1: you the premise, we'll lay it down for you. It's 313 00:17:39,520 --> 00:17:41,479 Speaker 1: going to be a very shorthand version of it, and 314 00:17:41,520 --> 00:17:43,440 Speaker 1: then you know, if you want to go read them 315 00:17:43,440 --> 00:17:46,040 Speaker 1: on the on your own, uh, and then we will 316 00:17:46,160 --> 00:17:49,600 Speaker 1: take a look at these science behind these Yeah. All right, Well, 317 00:17:49,640 --> 00:17:53,119 Speaker 1: let's kick it off with probably the more famous of 318 00:17:53,160 --> 00:17:54,920 Speaker 1: the three, the one, the one that seems to have 319 00:17:55,359 --> 00:17:56,920 Speaker 1: to hit up there at the top of the list 320 00:17:57,280 --> 00:18:01,359 Speaker 1: on most of these creepy pasta sites, the Russians EAP experiment. Right, 321 00:18:01,400 --> 00:18:03,520 Speaker 1: So okay, the premise of this, I'm gonna try to 322 00:18:03,560 --> 00:18:06,119 Speaker 1: go through this pretty quickly. Premise of this story is 323 00:18:06,160 --> 00:18:09,000 Speaker 1: that in the late nineteen forties, there was a Russian 324 00:18:09,480 --> 00:18:12,560 Speaker 1: researcher or it was a research team I believe, who 325 00:18:12,680 --> 00:18:16,760 Speaker 1: kept five people awake for fifteen days using what's only 326 00:18:16,800 --> 00:18:20,480 Speaker 1: referred to as an experimental gas based stimulants. So we 327 00:18:20,520 --> 00:18:24,880 Speaker 1: have no idea whatever this chemical was. The research team 328 00:18:24,960 --> 00:18:28,600 Speaker 1: kept them in a sealed environment and monitored their oxygen intake. 329 00:18:28,720 --> 00:18:30,919 Speaker 1: I don't know how, it's never explained in the story, 330 00:18:31,560 --> 00:18:34,800 Speaker 1: but basically because this gas was potentially I think it 331 00:18:34,880 --> 00:18:40,119 Speaker 1: was toxic and high concentrations. As the story goes, uh. 332 00:18:40,440 --> 00:18:43,440 Speaker 1: Because they didn't have video equipment at the time, they 333 00:18:43,520 --> 00:18:47,840 Speaker 1: watched these uh participants through portholes and they listened listened 334 00:18:47,880 --> 00:18:51,199 Speaker 1: in with microphones. But basically the chamber there in was 335 00:18:51,280 --> 00:18:53,360 Speaker 1: stocked up with you know, the things that they would need, 336 00:18:54,040 --> 00:18:57,000 Speaker 1: like books and cots, running water, a toilet. They had 337 00:18:57,080 --> 00:18:59,520 Speaker 1: enough dried food in there for a month. Uh. And 338 00:18:59,560 --> 00:19:02,960 Speaker 1: they were all political prisoners that were deemed enemy of 339 00:19:03,000 --> 00:19:06,040 Speaker 1: the state, enemies of the state during World War two. 340 00:19:07,200 --> 00:19:09,639 Speaker 1: But they were falsely told before they went in, Hey, 341 00:19:09,880 --> 00:19:12,000 Speaker 1: if you do this experiment and you can manage to 342 00:19:12,080 --> 00:19:15,800 Speaker 1: sleep not sleep for thirty days straight, then we will 343 00:19:16,280 --> 00:19:19,720 Speaker 1: free you and will forgive your actions. Uh. So the 344 00:19:19,760 --> 00:19:23,480 Speaker 1: story goes like this first five days, these people are fine. 345 00:19:24,280 --> 00:19:27,720 Speaker 1: After about day four, though, their conversations start to get 346 00:19:27,720 --> 00:19:30,800 Speaker 1: a little dark. They start getting paranoid of one another. 347 00:19:31,320 --> 00:19:34,960 Speaker 1: By day nine, one of them starts screaming and running 348 00:19:35,040 --> 00:19:37,760 Speaker 1: up and down the length of the chamber. And he 349 00:19:37,840 --> 00:19:41,080 Speaker 1: screams so loud that he physically tears the vocal cords 350 00:19:41,119 --> 00:19:45,240 Speaker 1: his vocal cords. The others begin to just start whispering 351 00:19:45,280 --> 00:19:49,000 Speaker 1: into the microphones, uh, not even acknowledging that the other 352 00:19:49,040 --> 00:19:52,159 Speaker 1: guy is screaming. Then a second one starts screaming and 353 00:19:52,240 --> 00:19:55,520 Speaker 1: running around. These two take the books that are in 354 00:19:55,560 --> 00:19:57,919 Speaker 1: the room, rip their pages out, cover them with their 355 00:19:57,960 --> 00:20:01,240 Speaker 1: own fee sas, and paste them up or the porthole windows. 356 00:20:01,920 --> 00:20:04,080 Speaker 1: Uh so the studio we're in right now actually has 357 00:20:04,080 --> 00:20:06,679 Speaker 1: a porthole windows. Yeah. We're actually just thinking this is 358 00:20:06,880 --> 00:20:08,919 Speaker 1: this is like what happens when you try to record 359 00:20:08,960 --> 00:20:12,760 Speaker 1: four podcast episodes in Yeah. Absolutely, I begin the screaming 360 00:20:12,760 --> 00:20:18,359 Speaker 1: and running around. Uh. Day twelve, all the sounds stop, uh, 361 00:20:18,400 --> 00:20:22,520 Speaker 1: and the oxygen consumption rate rises to what is uh, 362 00:20:22,800 --> 00:20:27,280 Speaker 1: you know, understood as heavy exercise levels for the five people. 363 00:20:28,160 --> 00:20:30,720 Speaker 1: On day fourteen, they use the intercom and they try 364 00:20:30,720 --> 00:20:33,239 Speaker 1: to you know, contact them and figure out what's going 365 00:20:33,280 --> 00:20:36,159 Speaker 1: on inside this room. They get one response, which is 366 00:20:36,240 --> 00:20:39,520 Speaker 1: we no longer want to be freed. On day fifteen, 367 00:20:39,600 --> 00:20:41,720 Speaker 1: they're finding like, all right, we're going in there. They 368 00:20:41,760 --> 00:20:44,640 Speaker 1: open up this chamber and they send soldiers in. They 369 00:20:44,640 --> 00:20:47,280 Speaker 1: find that one of the guys is dead. The rest 370 00:20:47,280 --> 00:20:51,400 Speaker 1: of them are all crazy. They've eaten themselves, ripped their 371 00:20:51,400 --> 00:20:54,199 Speaker 1: own skin off, removed some of their own organs from 372 00:20:54,240 --> 00:20:59,160 Speaker 1: their bodies, very like gory body horror type stuff. They 373 00:20:59,200 --> 00:21:01,760 Speaker 1: really wanted to go to stay in the chamber, like 374 00:21:01,800 --> 00:21:04,679 Speaker 1: they were addicted to this gas. One of them. The 375 00:21:04,720 --> 00:21:06,520 Speaker 1: minute they take him out of the chamber, he bleeds 376 00:21:06,520 --> 00:21:09,359 Speaker 1: to death immediately, and they find when they're trying to 377 00:21:09,440 --> 00:21:15,199 Speaker 1: resuscitate him he's utterly resistant to morphine. One assaults and 378 00:21:15,280 --> 00:21:17,159 Speaker 1: kills one of the soldier. I think there's like another 379 00:21:17,160 --> 00:21:20,119 Speaker 1: thing about, like another one like biting a soldier's leg 380 00:21:20,160 --> 00:21:21,879 Speaker 1: and taking a chunk out of it and then like 381 00:21:21,960 --> 00:21:25,280 Speaker 1: some more padding. That's like all of the soldiers committed 382 00:21:25,320 --> 00:21:29,000 Speaker 1: suicide within five days or something like that. Uh. And 383 00:21:29,040 --> 00:21:31,840 Speaker 1: then this part didn't make sense to me even in 384 00:21:31,880 --> 00:21:35,440 Speaker 1: then like narrative of the story. But they they sowed 385 00:21:35,520 --> 00:21:41,399 Speaker 1: the skin back onto one of these victims, yeah, to 386 00:21:41,520 --> 00:21:45,080 Speaker 1: try to save him, I guess, uh. And they tried 387 00:21:45,119 --> 00:21:47,560 Speaker 1: it with one of the others, the other survivors, but 388 00:21:47,600 --> 00:21:50,560 Speaker 1: they just kept laughing so much during the surgery process 389 00:21:50,600 --> 00:21:54,960 Speaker 1: that they couldn't pull it off. So uh, it ends 390 00:21:55,040 --> 00:21:57,520 Speaker 1: up with them being put back in the chamber because 391 00:21:57,560 --> 00:21:59,800 Speaker 1: there's some higher up who says, you know, we gotta 392 00:21:59,800 --> 00:22:01,240 Speaker 1: fig gure out what's going on. So they put these 393 00:22:01,240 --> 00:22:04,320 Speaker 1: guys back in the chamber. Uh, they turn up the gas. 394 00:22:04,920 --> 00:22:09,040 Speaker 1: Their brain waves start fluctuating between normal and then flatlining 395 00:22:09,080 --> 00:22:12,280 Speaker 1: as if they're dead. They try putting three of the 396 00:22:12,400 --> 00:22:14,919 Speaker 1: researchers in there with him, but one of the researchers 397 00:22:14,920 --> 00:22:18,520 Speaker 1: grabs a gun and shoots his commander and then shoots 398 00:22:18,600 --> 00:22:22,040 Speaker 1: the captives right before he kills the last captive. The 399 00:22:22,080 --> 00:22:26,040 Speaker 1: captive says this, we are you. We are the madness 400 00:22:26,080 --> 00:22:29,040 Speaker 1: that lurks within you, all begging to be free at 401 00:22:29,080 --> 00:22:32,239 Speaker 1: every moment in your deepest animal mind. We are what 402 00:22:32,320 --> 00:22:35,159 Speaker 1: you hide from in your beds every night. We are 403 00:22:35,240 --> 00:22:38,239 Speaker 1: what you sedate into silence and paralysis when you go 404 00:22:38,320 --> 00:22:42,480 Speaker 1: to the nocturnal haven where we cannot tread. And that's 405 00:22:42,520 --> 00:22:44,640 Speaker 1: the end of the creepy pasta, all right. Like most 406 00:22:44,640 --> 00:22:47,120 Speaker 1: of these experiments, it ends in madness and death and 407 00:22:47,560 --> 00:22:51,760 Speaker 1: and some inkling of the world beyond the veil. R. Yeah, 408 00:22:51,800 --> 00:22:53,480 Speaker 1: I think you're gonna find that. Like, there's a common 409 00:22:53,520 --> 00:22:57,840 Speaker 1: theme of science experiment, people go crazy, kill everybody, and 410 00:22:57,880 --> 00:23:00,359 Speaker 1: then say something eerie, Like we're saying if you if 411 00:23:00,400 --> 00:23:03,199 Speaker 1: you were to find the published, pure viewed studies for 412 00:23:03,240 --> 00:23:05,440 Speaker 1: each of these, you would be able to skip down 413 00:23:05,440 --> 00:23:08,240 Speaker 1: to the conclusions and it would say, and everybody went 414 00:23:08,240 --> 00:23:12,040 Speaker 1: mad and we had to put down the inmates, right right? Yeah, 415 00:23:12,119 --> 00:23:14,560 Speaker 1: what I'd love to see the i r B for these, 416 00:23:14,640 --> 00:23:17,960 Speaker 1: the Institutional Review Board like like looking at this, like, wait, 417 00:23:18,000 --> 00:23:22,560 Speaker 1: you're gonna do what now? Alright, So what's the basically 418 00:23:22,600 --> 00:23:24,480 Speaker 1: at hard here that we're dealing with the science of 419 00:23:24,520 --> 00:23:28,320 Speaker 1: sweep deprivation? There have been a number of studies that 420 00:23:28,359 --> 00:23:31,560 Speaker 1: have looked at this. So what happens when you stay 421 00:23:31,600 --> 00:23:34,520 Speaker 1: awake for extended periods of time? How can we make 422 00:23:34,560 --> 00:23:37,560 Speaker 1: ourselves stay awake for extended periods of time and and 423 00:23:37,600 --> 00:23:41,879 Speaker 1: still function properly? Right? So what we know about sleep deprivation? 424 00:23:42,000 --> 00:23:44,680 Speaker 1: And I'm sure many of you out there have experienced 425 00:23:44,960 --> 00:23:47,239 Speaker 1: some form or another of this, right, Like last night 426 00:23:47,280 --> 00:23:51,040 Speaker 1: I got one hour less than my normal. However many 427 00:23:51,080 --> 00:23:53,800 Speaker 1: eight hours a night that I get and I'm a 428 00:23:53,840 --> 00:23:58,119 Speaker 1: little uh, LOGI I think is the term this morning. 429 00:23:59,040 --> 00:24:01,760 Speaker 1: But the base sick breakdown of it goes like this. 430 00:24:02,520 --> 00:24:06,119 Speaker 1: We know that we are alertness lowers, right, we have 431 00:24:06,160 --> 00:24:10,479 Speaker 1: trouble concentrating. If you even lose ninety minutes of sleep 432 00:24:10,520 --> 00:24:13,680 Speaker 1: in one night compared to your average sleep schedule, you'll 433 00:24:13,720 --> 00:24:16,560 Speaker 1: be thirty two percent less alert the next day. So 434 00:24:16,680 --> 00:24:23,520 Speaker 1: I'm somewhere in that today. UM forty of us drivers 435 00:24:23,520 --> 00:24:26,080 Speaker 1: this is a scary part, scarier I think than the 436 00:24:26,080 --> 00:24:29,600 Speaker 1: creepy PASTA. Forty one percent of US drivers admit to 437 00:24:29,680 --> 00:24:32,920 Speaker 1: falling asleep behind the wheel because of this lack of alertness, 438 00:24:34,200 --> 00:24:38,320 Speaker 1: it also totally screws up our circadian rhythm. UH so 439 00:24:38,440 --> 00:24:41,040 Speaker 1: our body can't keep the correct time when we haven't 440 00:24:41,080 --> 00:24:43,320 Speaker 1: slept the right way. It's as if you're jet lagged, 441 00:24:43,960 --> 00:24:47,000 Speaker 1: which makes sense, and we actually on our sister show, 442 00:24:47,359 --> 00:24:49,920 Speaker 1: Brain Stuff, have done both episodes on what happens when 443 00:24:49,960 --> 00:24:52,680 Speaker 1: you don't sleep and what happens with jet lag, and 444 00:24:52,720 --> 00:24:55,880 Speaker 1: there's some really interesting stuff about jet lag in relation 445 00:24:55,960 --> 00:24:59,880 Speaker 1: to uh light entering our eyes and how it interacts 446 00:24:59,880 --> 00:25:02,360 Speaker 1: with our brains. So if you want to dive in more, 447 00:25:02,440 --> 00:25:06,600 Speaker 1: there's stuff there. But because the circadian rhythm is impaired. 448 00:25:06,800 --> 00:25:10,400 Speaker 1: Our motor skills are also impaired, and our hormones start 449 00:25:10,440 --> 00:25:13,560 Speaker 1: to rise and fall and these just very inappropriate ways. 450 00:25:14,680 --> 00:25:18,199 Speaker 1: We also lose memory. That's a common symptom of this. 451 00:25:18,440 --> 00:25:21,399 Speaker 1: So what we know is that when we sleep, it 452 00:25:21,440 --> 00:25:25,000 Speaker 1: consolidates our memories, basically takes the things that happened to us, 453 00:25:25,040 --> 00:25:26,920 Speaker 1: and it organizes it in such a way that helps 454 00:25:26,920 --> 00:25:29,639 Speaker 1: our cognitive function. It's kind of like a defragging of 455 00:25:29,680 --> 00:25:32,679 Speaker 1: the human absolute cuter. And if you're not running your 456 00:25:32,720 --> 00:25:37,400 Speaker 1: defragment defragg and if you're not running your defragger appropriately 457 00:25:37,440 --> 00:25:42,080 Speaker 1: and enough, then everything gets a bit screwed up up there. Yeah. Um. 458 00:25:42,119 --> 00:25:46,119 Speaker 1: In fact, like you start losing recall, you can even 459 00:25:46,119 --> 00:25:49,840 Speaker 1: create false memories, and it lowers your just general ability 460 00:25:49,880 --> 00:25:52,800 Speaker 1: to process information. Uh. And then this is a quote 461 00:25:52,840 --> 00:25:55,439 Speaker 1: directly from our house Stuff Works article on the effects 462 00:25:55,480 --> 00:25:59,119 Speaker 1: of sleep deprivation. Uh. Quote. When we learn and store 463 00:25:59,160 --> 00:26:03,359 Speaker 1: information in our memory, that information is moved from the hippocampus, 464 00:26:03,680 --> 00:26:06,600 Speaker 1: which we know is the memory creating region of our brain, 465 00:26:06,960 --> 00:26:12,040 Speaker 1: to the prefrontal cortex, specifically the neo cortex region, which 466 00:26:12,080 --> 00:26:14,800 Speaker 1: is where we form and store long term memories. So 467 00:26:14,840 --> 00:26:17,120 Speaker 1: you can see kind of biologically how this would start 468 00:26:17,119 --> 00:26:21,800 Speaker 1: to affect memory. There's also a process going on where 469 00:26:21,840 --> 00:26:26,320 Speaker 1: our body's glimphatic system cleans out our nervous system while 470 00:26:26,320 --> 00:26:29,960 Speaker 1: we're sleeping. But if you don't sleep, all of this waste, 471 00:26:30,000 --> 00:26:33,720 Speaker 1: I guess or trash starts to build up. And but 472 00:26:33,840 --> 00:26:37,320 Speaker 1: by trash, what I mean is it's cerebro spinal fluid 473 00:26:37,400 --> 00:26:40,600 Speaker 1: that's filled with proteins and toxins. It doesn't get flushed 474 00:26:40,600 --> 00:26:43,280 Speaker 1: out of your system, so subsequently you've got that stuff 475 00:26:43,280 --> 00:26:46,000 Speaker 1: floating around in there too. All of this can lead 476 00:26:46,040 --> 00:26:50,720 Speaker 1: to a speeding up of the progression of Alzheimer's and Parkinson's. Yeah, 477 00:26:50,760 --> 00:26:54,440 Speaker 1: it's it's important to note here and distress here that 478 00:26:54,760 --> 00:26:59,080 Speaker 1: when when, when sleep deprivation is taking place, it's really 479 00:26:59,160 --> 00:27:02,159 Speaker 1: messing with the chemistry of the brain, the functioning of 480 00:27:02,200 --> 00:27:07,320 Speaker 1: the brain, and ultimately our perceptions of reality, both objective 481 00:27:07,359 --> 00:27:11,679 Speaker 1: reality and subjective reality. Playing with our memories, our perceptions 482 00:27:11,680 --> 00:27:15,960 Speaker 1: of the past. Uh, hallucinations are absolutely a symptom. Yeah, 483 00:27:16,040 --> 00:27:21,040 Speaker 1: so we're we're it's it's it's ultimately a very nightmarck scenario, 484 00:27:21,280 --> 00:27:23,879 Speaker 1: not you know, certainly not out of keeping with the 485 00:27:23,920 --> 00:27:27,040 Speaker 1: realm of creepy plasta and horror. Oh yeah, certainly. I mean, 486 00:27:27,119 --> 00:27:29,640 Speaker 1: I think that's one of the things that's probably why 487 00:27:29,640 --> 00:27:31,879 Speaker 1: this particular one is one of the most popular, is 488 00:27:31,920 --> 00:27:35,280 Speaker 1: that it's something at their core. The science c Creepypasta's 489 00:27:35,320 --> 00:27:38,399 Speaker 1: work best when it's something that almost everyone can identify with. 490 00:27:38,520 --> 00:27:41,639 Speaker 1: So lack of sleep is something that I think every 491 00:27:41,680 --> 00:27:44,359 Speaker 1: person reading it can kind of imagine. Yeah, sleep is 492 00:27:44,400 --> 00:27:47,800 Speaker 1: that realm of mystery, and there there is enough science 493 00:27:47,840 --> 00:27:50,480 Speaker 1: out there even if one is not that familiar with it, 494 00:27:50,480 --> 00:27:52,679 Speaker 1: it's you can you can certainly at least see it 495 00:27:52,760 --> 00:27:54,639 Speaker 1: there on the internet. You know that there have been 496 00:27:54,840 --> 00:27:56,680 Speaker 1: there's been research into sleep. You know, they are sleep 497 00:27:56,720 --> 00:28:01,040 Speaker 1: institutes that that work with people who have trouble. UM. 498 00:28:01,160 --> 00:28:05,760 Speaker 1: One of the side effects of the sleep deprivation, as 499 00:28:05,760 --> 00:28:08,240 Speaker 1: well as something that we've covered here on the show before, 500 00:28:08,720 --> 00:28:11,479 Speaker 1: is sleep paralysis. So I know you've done a video 501 00:28:11,600 --> 00:28:14,560 Speaker 1: on it, and was there a previous podcast episode about sleep. 502 00:28:15,080 --> 00:28:17,400 Speaker 1: It's come up. It's come up a lot, Like anytime 503 00:28:18,200 --> 00:28:23,520 Speaker 1: I've covered something related to supernatural experience. UM, sleep paralys 504 00:28:23,640 --> 00:28:26,159 Speaker 1: is always always up there as a possible explanation for 505 00:28:26,280 --> 00:28:29,800 Speaker 1: encounters with aliens, encounters with ghosts. Uh and and I'll 506 00:28:29,840 --> 00:28:31,560 Speaker 1: make sure we link to some resources in the landing 507 00:28:31,600 --> 00:28:33,600 Speaker 1: page for this episode. But you know, essentially it's a 508 00:28:33,680 --> 00:28:36,440 Speaker 1: situation where when you go to sleep, your body is 509 00:28:36,440 --> 00:28:38,280 Speaker 1: put on lockdown, so that if you get in a 510 00:28:38,360 --> 00:28:40,520 Speaker 1: kung fu fight with a bear in your dream, you 511 00:28:40,600 --> 00:28:43,920 Speaker 1: won't throw any kung fu strikes at the person sleeping 512 00:28:43,920 --> 00:28:46,640 Speaker 1: next to you. But in sleep paralysis, you wake up 513 00:28:47,480 --> 00:28:49,560 Speaker 1: with your mind your eyes open, but your body is 514 00:28:49,560 --> 00:28:51,960 Speaker 1: still on lockdown, and you're in this this also in 515 00:28:51,960 --> 00:28:56,000 Speaker 1: this weird phase between dream and reality where you're highly 516 00:28:56,040 --> 00:28:59,880 Speaker 1: susceptible to hallucination. Yeah, and in fact, I haven't seen it, 517 00:29:00,120 --> 00:29:02,320 Speaker 1: but I'm hoping to watch it this week. Um, have 518 00:29:02,360 --> 00:29:05,360 Speaker 1: you heard about The Nightmare? It's this documentary that's all 519 00:29:05,440 --> 00:29:07,640 Speaker 1: about sleep paralysis. This is the one from the guys 520 00:29:07,640 --> 00:29:10,400 Speaker 1: that did the Room two thirty seven. Yeah, it's the 521 00:29:10,480 --> 00:29:13,000 Speaker 1: same creative team from Room two thirty seven. And I've 522 00:29:13,000 --> 00:29:16,240 Speaker 1: heard that it is horrifying. It's a documentary. This is 523 00:29:16,280 --> 00:29:19,400 Speaker 1: not a fictional film. But as we know from you know, 524 00:29:19,520 --> 00:29:23,080 Speaker 1: researching sleep paralysis in the past, just the examples of 525 00:29:23,120 --> 00:29:27,320 Speaker 1: what people think is happening to them can be utterly terrifying. Yeah, 526 00:29:27,360 --> 00:29:29,520 Speaker 1: because you're you often have to your brain is referring 527 00:29:29,560 --> 00:29:33,560 Speaker 1: back to pre existing scripts for what you're encountering. You're 528 00:29:33,560 --> 00:29:36,600 Speaker 1: hearing or seeing something out of the ordinary, and your 529 00:29:36,600 --> 00:29:38,960 Speaker 1: brain has to make sense of it, and so it 530 00:29:39,080 --> 00:29:41,840 Speaker 1: will turn to that, uh, that episode of the X 531 00:29:41,880 --> 00:29:44,840 Speaker 1: Files that you saw, or maybe it will think back 532 00:29:44,880 --> 00:29:47,240 Speaker 1: to some creepy pops if you read on the internet, 533 00:29:47,360 --> 00:29:51,120 Speaker 1: and use that to inform what you're experiencing. So before 534 00:29:51,160 --> 00:29:54,840 Speaker 1: I go into more symptoms about I guess sleep depth, 535 00:29:55,160 --> 00:29:57,600 Speaker 1: let's tie back to that creepypasta story about the Russian 536 00:29:57,600 --> 00:30:02,480 Speaker 1: sleep experiment, and so, yes, hallucis nations are possible. Uh 537 00:30:02,600 --> 00:30:05,000 Speaker 1: so I guess you could say that there's a potential 538 00:30:05,120 --> 00:30:08,080 Speaker 1: for going crazy or at least losing the ability to 539 00:30:08,160 --> 00:30:14,880 Speaker 1: distinguish reality from fantasy. Um. And then sleep paralysis plays 540 00:30:14,920 --> 00:30:17,080 Speaker 1: into that as well, although they wouldn't be like tearing 541 00:30:17,120 --> 00:30:19,200 Speaker 1: their own organs out and stuff like that if they 542 00:30:19,240 --> 00:30:21,480 Speaker 1: had sleep paralysis. Yeah, I don't think you'd go full 543 00:30:21,480 --> 00:30:26,240 Speaker 1: hell right right? So Okay, the other really big thing 544 00:30:26,320 --> 00:30:29,480 Speaker 1: that has a multiple effects on your body when you 545 00:30:29,520 --> 00:30:33,120 Speaker 1: don't get sleep is that your genes aren't as efficient 546 00:30:33,240 --> 00:30:35,479 Speaker 1: at handing out instructions to your body. So we call 547 00:30:35,560 --> 00:30:39,720 Speaker 1: this genetic expression, and it causes all kinds of things. 548 00:30:39,760 --> 00:30:43,800 Speaker 1: There's weight fluctuations. In fact, there's study that showed that 549 00:30:43,840 --> 00:30:46,760 Speaker 1: people who have less than seven to nine hours a 550 00:30:46,880 --> 00:30:49,840 Speaker 1: night of sleep are more likely to be overweight. Uh 551 00:30:49,880 --> 00:30:52,160 Speaker 1: and and I won't go into all the numbers here, 552 00:30:52,200 --> 00:30:54,520 Speaker 1: but basically the idea is like, the less sleep you get, 553 00:30:54,520 --> 00:30:57,960 Speaker 1: the more likely you are to be overweight. When you're 554 00:30:58,000 --> 00:31:00,479 Speaker 1: forced to stay awake, what happens is your body has 555 00:31:00,560 --> 00:31:04,160 Speaker 1: trouble processing blood sugar and leptin, which is this protein 556 00:31:04,280 --> 00:31:08,680 Speaker 1: hormone that regulates our appetite and our metabolism. Uh and 557 00:31:08,760 --> 00:31:11,720 Speaker 1: this can lead to type two diabetes, can lead to 558 00:31:11,720 --> 00:31:15,560 Speaker 1: weight gain, and due to your decreased ability to process sugar, 559 00:31:16,000 --> 00:31:19,280 Speaker 1: you're not as easily able to suppress your food craving. 560 00:31:19,440 --> 00:31:21,520 Speaker 1: So you know, if you're like me, you're going to 561 00:31:21,600 --> 00:31:23,720 Speaker 1: the fridge and having a lot of ice cream late 562 00:31:23,760 --> 00:31:27,520 Speaker 1: at night. Uh. It can also lead to illness. So 563 00:31:27,840 --> 00:31:31,600 Speaker 1: sleep deprivation diminishes our immune system, which sometimes leads to 564 00:31:31,680 --> 00:31:35,800 Speaker 1: serious or chronic illness. Blood pressure becomes a problem if 565 00:31:35,840 --> 00:31:37,840 Speaker 1: you have less than six hours of sleep at night. 566 00:31:37,880 --> 00:31:40,760 Speaker 1: It puts you at high risk for high blood pressure. 567 00:31:41,120 --> 00:31:44,200 Speaker 1: This starts over at taxing your heart. Also, your brain 568 00:31:44,280 --> 00:31:46,960 Speaker 1: doesn't have as much time to regulate the stress hormones 569 00:31:47,000 --> 00:31:49,800 Speaker 1: that are moving around in there, which also leads to 570 00:31:49,880 --> 00:31:55,280 Speaker 1: higher blood pressure. And then finally, death is a symptom 571 00:31:55,480 --> 00:31:58,840 Speaker 1: of not sleeping. So and I don't mean that like 572 00:31:58,880 --> 00:32:01,720 Speaker 1: if you don't sleep, you'll just dropped dead. In fact, 573 00:32:02,080 --> 00:32:05,360 Speaker 1: you die at a rate of two times faster than 574 00:32:05,400 --> 00:32:08,760 Speaker 1: people who have normal sleeping patterns if you're sleep deprived. 575 00:32:09,480 --> 00:32:11,480 Speaker 1: And we can look to certain experiments with animals and 576 00:32:11,560 --> 00:32:15,360 Speaker 1: if some animals certainly die without proper sleep, sleep deprivation 577 00:32:15,360 --> 00:32:18,400 Speaker 1: and rodents and flies can cause death more quickly than 578 00:32:18,480 --> 00:32:23,160 Speaker 1: food deprivation. Uh, specifically, two weeks without sleep can kill 579 00:32:23,200 --> 00:32:27,360 Speaker 1: a lap rat. Okay, So, and that's about as long 580 00:32:27,400 --> 00:32:30,400 Speaker 1: as the Creepy Pasta experiment went on for. They were 581 00:32:30,400 --> 00:32:33,560 Speaker 1: in there for about fifteen days before they started ripping 582 00:32:33,560 --> 00:32:36,320 Speaker 1: their skin off. And there was all kinds of super 583 00:32:36,320 --> 00:32:40,680 Speaker 1: gory stuff in that story that also inappropriate Amazon purchases. 584 00:32:40,760 --> 00:32:45,360 Speaker 1: That was another really experience they had Internet in thee 585 00:32:46,960 --> 00:32:51,280 Speaker 1: with the skin off, they started making inappropriate online purchases 586 00:32:51,600 --> 00:32:55,640 Speaker 1: just because they believe an altered state they're buying like 587 00:32:55,720 --> 00:33:01,560 Speaker 1: curtains made of human skin. Okay. So there's another scientific 588 00:33:01,600 --> 00:33:04,000 Speaker 1: aspect to this story as well, right, and that is 589 00:33:04,400 --> 00:33:08,280 Speaker 1: the quote experimental gas based stimulant, Okay, which could I 590 00:33:08,280 --> 00:33:10,600 Speaker 1: guess the almost anything. It could be anything, And so 591 00:33:10,760 --> 00:33:13,400 Speaker 1: it's a little difficult for us to kind of narrow 592 00:33:13,400 --> 00:33:15,840 Speaker 1: it down and say, well, the actual effects would be this, 593 00:33:15,920 --> 00:33:17,800 Speaker 1: but I thought it was worth just kind of touching 594 00:33:17,840 --> 00:33:21,880 Speaker 1: on what gas does to our bodies. Right, So, any 595 00:33:21,920 --> 00:33:29,160 Speaker 1: type of gas, chlorine, sulfur dioxide, hydrogen sulfide, nitrogen dioxide, ammonia, 596 00:33:29,280 --> 00:33:32,880 Speaker 1: you name it, they're going to irritate your lungs. And 597 00:33:32,960 --> 00:33:36,600 Speaker 1: some of them dissolve immediately, and uh, you know that's 598 00:33:36,800 --> 00:33:39,840 Speaker 1: when you experience the irritation your mouth, nose, and throat. 599 00:33:39,880 --> 00:33:41,800 Speaker 1: I mean, like if you think about it, like when 600 00:33:41,800 --> 00:33:44,040 Speaker 1: you go to the gas station, you're pumping your gas 601 00:33:44,040 --> 00:33:48,760 Speaker 1: and you're inhaling stuff. That's kind of a version of this, right, Um. 602 00:33:48,800 --> 00:33:52,200 Speaker 1: But the ones that don't easily dissolve, they don't produce 603 00:33:52,280 --> 00:33:56,160 Speaker 1: early warning signs, and this can lead to things like 604 00:33:56,280 --> 00:34:00,000 Speaker 1: fluid developing your lungs and airway. They can also tree 605 00:34:00,040 --> 00:34:04,120 Speaker 1: your allergic responses. These kind of responses can scar your lungs, 606 00:34:04,200 --> 00:34:07,920 Speaker 1: maybe leading to chronic bronchitis. If the gas is radioactive, 607 00:34:07,960 --> 00:34:11,319 Speaker 1: of course it can lead to cancer. And if there's 608 00:34:11,360 --> 00:34:14,719 Speaker 1: body poisoning, it's gonna poison your body cells, right, So 609 00:34:14,760 --> 00:34:17,040 Speaker 1: if it's a poisonous gas, that's going to be lethal 610 00:34:17,080 --> 00:34:19,880 Speaker 1: to you as well. Uh, and it'll what will end 611 00:34:19,960 --> 00:34:22,760 Speaker 1: up doing is displacing the oxygen that's in your blood, 612 00:34:22,760 --> 00:34:27,120 Speaker 1: so you have less oxygen reaching your tissues. Carbon monoxide 613 00:34:27,160 --> 00:34:30,600 Speaker 1: itself doesn't appear to have any kind of neurological effects, 614 00:34:30,640 --> 00:34:34,560 Speaker 1: but levels below of like if you're exposed to it 615 00:34:34,880 --> 00:34:38,680 Speaker 1: can to decrease your mental performance. And one other study 616 00:34:38,719 --> 00:34:42,080 Speaker 1: that I found said that mustard gas affects mental health 617 00:34:42,320 --> 00:34:44,799 Speaker 1: even for people who have been exposed to it, like 618 00:34:45,120 --> 00:34:48,920 Speaker 1: up to twenty five years after their exposure. However, they 619 00:34:49,000 --> 00:34:53,080 Speaker 1: usually qualify that as like PTSD because their exposure to 620 00:34:53,120 --> 00:34:58,560 Speaker 1: the mustard gas was probably in a traumatic situation like war. Um. 621 00:34:58,760 --> 00:35:02,000 Speaker 1: So all that is to say is that yes, gas 622 00:35:02,120 --> 00:35:05,800 Speaker 1: has physical effects on your body, and there are some 623 00:35:05,920 --> 00:35:10,919 Speaker 1: connections to mental problems, I guess, but but not like 624 00:35:11,080 --> 00:35:15,160 Speaker 1: within fifteen days you'd go absolutely insane and start ripping 625 00:35:15,200 --> 00:35:18,040 Speaker 1: off your skin. Maybe we just haven't found the right 626 00:35:18,080 --> 00:35:20,560 Speaker 1: chemical yet. Maybe so we you know, we haven't stumbled 627 00:35:20,560 --> 00:35:27,239 Speaker 1: across the right experiment. Declassified experiment from World War two 628 00:35:27,239 --> 00:35:31,600 Speaker 1: era Russian history. Now this next bit of creepy pasta, 629 00:35:32,040 --> 00:35:33,759 Speaker 1: I found this one a lot of fun. This is 630 00:35:33,840 --> 00:35:35,960 Speaker 1: I think I probably like this one the most of 631 00:35:36,040 --> 00:35:39,080 Speaker 1: the ones that we looked at here in this episode. Uh. 632 00:35:39,120 --> 00:35:43,440 Speaker 1: In short, this one involves a supposed nineteen four British 633 00:35:43,480 --> 00:35:48,719 Speaker 1: Secret Intelligence Service experiment aimed at modifying human blood. Here's 634 00:35:48,719 --> 00:35:52,520 Speaker 1: a quote. The chemical would modify the blood's chemical properties 635 00:35:52,520 --> 00:35:55,320 Speaker 1: and structure so that they've shot or cut, the blood 636 00:35:55,320 --> 00:35:59,080 Speaker 1: would have the ability to freeze or solidify to where 637 00:35:59,120 --> 00:36:02,600 Speaker 1: the person would This would stop bleeding and can make 638 00:36:02,640 --> 00:36:06,919 Speaker 1: a person far stronger than an average human being. Now, 639 00:36:07,000 --> 00:36:09,640 Speaker 1: of course, as you as you you can expect, the 640 00:36:09,680 --> 00:36:13,960 Speaker 1: experiment gets all dark and monstrous, turning the test subjects 641 00:36:13,960 --> 00:36:18,960 Speaker 1: into gray skin, blood eyed, jelly blooded, thick skinned cannibals 642 00:36:19,040 --> 00:36:21,640 Speaker 1: that run them up, and as such, they end up 643 00:36:21,640 --> 00:36:24,560 Speaker 1: putting them all down, shutting down the experiment and deciding 644 00:36:24,640 --> 00:36:28,799 Speaker 1: not to um alter the blood of British soldiers. So 645 00:36:28,920 --> 00:36:30,759 Speaker 1: I think I might have read a different version than you, 646 00:36:30,840 --> 00:36:34,120 Speaker 1: because mine ended with them escaping and it was like, 647 00:36:34,440 --> 00:36:38,399 Speaker 1: these crazy super soldiers are out there somewhere and they're 648 00:36:38,440 --> 00:36:40,360 Speaker 1: homicidal and they could get you. Maybe there are a 649 00:36:40,360 --> 00:36:43,399 Speaker 1: couple of versions of it. That's the beauty of Creepypostat that. Yeah, 650 00:36:43,719 --> 00:36:46,839 Speaker 1: it can change. It's a morphous it's it's a collective, 651 00:36:47,719 --> 00:36:51,719 Speaker 1: creative scenario. I kept thinking of them as being basically 652 00:36:51,719 --> 00:36:55,359 Speaker 1: Wolverine from the X Men, like like they they all 653 00:36:55,400 --> 00:36:59,440 Speaker 1: their wounds heal immediately, right, because the I think one 654 00:36:59,440 --> 00:37:02,239 Speaker 1: of the things is like immediately after this test, they 655 00:37:02,280 --> 00:37:04,279 Speaker 1: like stab him in the leg and then shoot him 656 00:37:04,280 --> 00:37:06,560 Speaker 1: in the arm to see what happens, and like the 657 00:37:06,600 --> 00:37:09,920 Speaker 1: wounds seal up immediately, right. But it also makes them 658 00:37:09,960 --> 00:37:13,439 Speaker 1: kind of feral and crazy and try to kill everybody. Yeah. 659 00:37:13,480 --> 00:37:16,080 Speaker 1: I kind of pictured him looking like creatures from a 660 00:37:16,080 --> 00:37:19,480 Speaker 1: tool video running them up. Yeah. Yeah. Well. One of 661 00:37:19,520 --> 00:37:21,840 Speaker 1: the things I loved about this particular one is is 662 00:37:21,880 --> 00:37:24,879 Speaker 1: how much it adhered to the idea of it being 663 00:37:24,880 --> 00:37:27,319 Speaker 1: an actual lab report. It said a copy of this 664 00:37:27,400 --> 00:37:29,960 Speaker 1: lab report can be found somewhere deep within the old 665 00:37:30,120 --> 00:37:33,080 Speaker 1: m I five building in London. I like that the idea, like, 666 00:37:33,160 --> 00:37:35,719 Speaker 1: everybody who lives in London knows about the old m 667 00:37:35,719 --> 00:37:37,800 Speaker 1: I five building and you can just pop by and 668 00:37:37,880 --> 00:37:40,080 Speaker 1: let's go down and check out the file. Yeah, that's 669 00:37:40,080 --> 00:37:43,400 Speaker 1: why they're there. Uh. And they actually name three chemicals 670 00:37:43,760 --> 00:37:46,040 Speaker 1: as opposed to the Russian study, they actually name the 671 00:37:46,080 --> 00:37:49,600 Speaker 1: chemicals that these guys are exposed to no mo fungan, 672 00:37:50,280 --> 00:37:56,440 Speaker 1: peppro for a, midadine, and communison. However, in my version 673 00:37:56,480 --> 00:37:59,440 Speaker 1: it was misspelled as communism, so it was like they 674 00:37:59,440 --> 00:38:04,720 Speaker 1: were exposed of these two chemicals and communism Commune isn't 675 00:38:04,840 --> 00:38:08,080 Speaker 1: wait what is it? Commune sin? Maybe commune saint is 676 00:38:08,400 --> 00:38:13,239 Speaker 1: uh is a a drug that causes communism communism inducing 677 00:38:14,480 --> 00:38:18,200 Speaker 1: you know what? That would possibly have as much validity 678 00:38:18,200 --> 00:38:20,440 Speaker 1: as the rest of this story. Yeah, I feel like 679 00:38:20,440 --> 00:38:22,359 Speaker 1: like that was one of the drugs in RoboCop two 680 00:38:22,440 --> 00:38:25,560 Speaker 1: or something, right. Yeah, Well, the idea that they said 681 00:38:25,600 --> 00:38:29,600 Speaker 1: here was that those chemicals modified human blood chemical properties, 682 00:38:29,840 --> 00:38:33,880 Speaker 1: allowing them to solidify or freeze when the body is damaged. 683 00:38:34,160 --> 00:38:35,759 Speaker 1: And they list a couple of other things that they 684 00:38:35,760 --> 00:38:37,640 Speaker 1: do to solidify the blood. So I just want to 685 00:38:37,640 --> 00:38:40,200 Speaker 1: mention these quickly because this is kind of their scientific 686 00:38:40,239 --> 00:38:43,960 Speaker 1: basis for things. Uh. They increased the blood plasma in 687 00:38:43,960 --> 00:38:48,799 Speaker 1: the subjects, removed the thromba sites from their blood, modified 688 00:38:48,880 --> 00:38:51,680 Speaker 1: the medulla oblongata in their brains so that it would 689 00:38:51,719 --> 00:38:54,719 Speaker 1: be familiar with the modified blood cells. And then they 690 00:38:54,760 --> 00:38:58,920 Speaker 1: removed foward four to six percent of their blood volume 691 00:38:59,320 --> 00:39:01,799 Speaker 1: because I us the idea of being that once they've 692 00:39:01,800 --> 00:39:04,480 Speaker 1: done all this other stuff, their blood is thicker and 693 00:39:04,520 --> 00:39:09,600 Speaker 1: subsequently like takes up more space in their circulatory system. Uh. 694 00:39:09,640 --> 00:39:12,480 Speaker 1: And they also said that they weren't allowed to give 695 00:39:12,520 --> 00:39:15,759 Speaker 1: any food or painkillers to the subjects for at least 696 00:39:15,760 --> 00:39:18,719 Speaker 1: twenty four hours, which I like because that's basically what 697 00:39:18,760 --> 00:39:20,520 Speaker 1: they do to you when you like go in for 698 00:39:20,760 --> 00:39:26,080 Speaker 1: prep surgery anyways. Uh. And then um, the doctors after 699 00:39:26,120 --> 00:39:29,880 Speaker 1: the experiment determined that the pH value of the blood 700 00:39:30,200 --> 00:39:33,359 Speaker 1: in these guys was lower than normal. Uh. And they 701 00:39:33,400 --> 00:39:38,360 Speaker 1: think the chemical caused aggression by modifying the medulla oblong gata. 702 00:39:38,960 --> 00:39:40,520 Speaker 1: So this is where I want to start with the 703 00:39:40,560 --> 00:39:44,279 Speaker 1: science on this one, because I, you know, within five 704 00:39:44,320 --> 00:39:46,839 Speaker 1: minutes was able to look up that the medulla oblongata 705 00:39:46,920 --> 00:39:48,759 Speaker 1: doesn't really have a whole lot to do with our 706 00:39:48,800 --> 00:39:51,920 Speaker 1: emotion and aggression in fact, this is the you know, 707 00:39:51,960 --> 00:39:54,440 Speaker 1: it's commonly known as the brain stem. It controls our 708 00:39:54,480 --> 00:39:59,600 Speaker 1: reflexes and autonomic functions, uh, limb movements of this role functions. 709 00:40:00,160 --> 00:40:03,319 Speaker 1: It's basically you know, things like blood pressure, breathe there 710 00:40:03,320 --> 00:40:12,920 Speaker 1: you gossures the aggression. But so uh yeah, unless they're like, uh, 711 00:40:13,200 --> 00:40:15,880 Speaker 1: you know, discovering new things about that part of the 712 00:40:15,920 --> 00:40:18,360 Speaker 1: brain that we don't necessarily know. I don't know that 713 00:40:18,480 --> 00:40:20,840 Speaker 1: that that would have been the cause. If I was 714 00:40:20,880 --> 00:40:25,360 Speaker 1: on the review committee for this academic article, I would 715 00:40:25,360 --> 00:40:29,680 Speaker 1: probably point that out now. It's also worth noting here 716 00:40:29,719 --> 00:40:32,160 Speaker 1: that this is not to be confused with the Luftwaffe 717 00:40:32,200 --> 00:40:36,560 Speaker 1: as freezing experiments hypothermia that took place at doc al 718 00:40:36,640 --> 00:40:40,919 Speaker 1: and Offfitch uh during the Second World War. Uh. Those 719 00:40:40,960 --> 00:40:44,280 Speaker 1: were actually dealing with what happens when the bloody body freezes. 720 00:40:44,920 --> 00:40:49,319 Speaker 1: This is ultimately about coagulation, right and healing and what 721 00:40:49,400 --> 00:40:51,640 Speaker 1: how how our our bodies heal and what we can 722 00:40:51,680 --> 00:40:54,799 Speaker 1: do to speed that process up, especially as far as 723 00:40:54,920 --> 00:40:59,400 Speaker 1: internal bleeding goes. And there has been some interesting research 724 00:40:59,440 --> 00:41:02,160 Speaker 1: in this area of researchers trying to figure out ways 725 00:41:02,200 --> 00:41:06,480 Speaker 1: to to speed up coagulation, speed up healing and and deal, 726 00:41:06,719 --> 00:41:09,560 Speaker 1: especially with military scenarios where you need to you need 727 00:41:09,600 --> 00:41:11,759 Speaker 1: to take care of either a need for blood or 728 00:41:11,800 --> 00:41:14,680 Speaker 1: a need for for blood to do its job deep down. 729 00:41:14,760 --> 00:41:17,239 Speaker 1: If you follow like science and tech feeds, like like 730 00:41:17,520 --> 00:41:19,680 Speaker 1: like we do for work, you end up seeing a 731 00:41:19,680 --> 00:41:21,200 Speaker 1: lot of these. I'd say at least once a week 732 00:41:21,239 --> 00:41:24,839 Speaker 1: there's some kind of update on uh, either something that's 733 00:41:24,880 --> 00:41:28,240 Speaker 1: designed to seal a wound faster or you know, affect 734 00:41:28,280 --> 00:41:31,759 Speaker 1: the blood as such. Yeah, always showing up in our video. Yes, 735 00:41:32,320 --> 00:41:35,200 Speaker 1: I started playing the latest metal gear thing. Oh yeah, 736 00:41:35,239 --> 00:41:37,480 Speaker 1: Phantom Pain is that what it's called? Yeah, where it's 737 00:41:37,520 --> 00:41:40,879 Speaker 1: like ground zero. I think it's the one like free 738 00:41:40,960 --> 00:41:43,479 Speaker 1: this month, So I checked it out. And you get 739 00:41:43,520 --> 00:41:45,200 Speaker 1: wounded to a certain amount and you like spray your 740 00:41:45,200 --> 00:41:50,279 Speaker 1: wound with a little area. Yeah. But the first bit 741 00:41:50,280 --> 00:41:53,200 Speaker 1: to discuss here about blood science and kind of cool 742 00:41:53,239 --> 00:41:56,880 Speaker 1: blood science is there's a Cleveland, Ohio biotech firm called 743 00:41:57,440 --> 00:41:59,879 Speaker 1: Arterial Side, and they made headlines in two thousand ten 744 00:42:00,040 --> 00:42:04,120 Speaker 1: with the development of an artificial, genetically engineered blood for 745 00:42:04,280 --> 00:42:07,719 Speaker 1: use on the battlefield. So we're talking typo negative of 746 00:42:07,719 --> 00:42:11,240 Speaker 1: course here, universal blood donor because you're gonna make artificial blood. 747 00:42:12,120 --> 00:42:14,680 Speaker 1: Everybody should be able to use it. Yeah, and this 748 00:42:14,719 --> 00:42:17,759 Speaker 1: would allow for mobile blood banks and war zones. You 749 00:42:17,760 --> 00:42:21,080 Speaker 1: wouldn't have to worry about shortages back home and then 750 00:42:21,239 --> 00:42:23,880 Speaker 1: length the shipments that decrease the shelf life for the 751 00:42:23,880 --> 00:42:27,480 Speaker 1: blood samples you need. You need blood on the on 752 00:42:27,520 --> 00:42:30,720 Speaker 1: the field, say in Afghanistan, then you have a machine 753 00:42:30,800 --> 00:42:33,520 Speaker 1: that will help create it right now, presumably. Yeah, That's 754 00:42:33,560 --> 00:42:36,000 Speaker 1: my question I guess, is that, like, are they creating 755 00:42:36,040 --> 00:42:39,920 Speaker 1: this on site in the in a battlefield scenario or 756 00:42:40,000 --> 00:42:42,359 Speaker 1: is it like they created in America and then they 757 00:42:42,440 --> 00:42:45,320 Speaker 1: shipped just all of this genetically engineered blood to wherever 758 00:42:45,360 --> 00:42:47,720 Speaker 1: the war zone is. I think the latter is probably 759 00:42:47,719 --> 00:42:52,359 Speaker 1: the more immediate goal. But my understanding based on the reading, 760 00:42:52,400 --> 00:42:54,239 Speaker 1: is that ultimately that's where they want to get. It's 761 00:42:54,280 --> 00:42:56,760 Speaker 1: to where you can have at least a local blood hub, 762 00:42:57,239 --> 00:42:59,400 Speaker 1: you know, whereas if it's like a three D printer 763 00:42:59,480 --> 00:43:01,319 Speaker 1: of blood. Yeah, like at the very least you're like 764 00:43:01,320 --> 00:43:04,520 Speaker 1: shivving it in from the closest military base as opposed 765 00:43:04,520 --> 00:43:07,240 Speaker 1: to all the way around the world. Um. They received 766 00:43:07,600 --> 00:43:13,200 Speaker 1: one million dollars stuff for the project through DARPA and 767 00:43:13,880 --> 00:43:17,080 Speaker 1: lasted that it was really reported on. They had shipped 768 00:43:17,120 --> 00:43:20,240 Speaker 1: off samples to DARPA, and we're hoping to up production 769 00:43:20,280 --> 00:43:23,959 Speaker 1: to bring costs down from five thousand dollars per unit 770 00:43:24,000 --> 00:43:26,839 Speaker 1: of blood to around one thousand per unit. And just 771 00:43:26,880 --> 00:43:29,239 Speaker 1: to give yourvone a reminder, one unit equals about a 772 00:43:29,239 --> 00:43:31,760 Speaker 1: point in the average human contains eight to ten points. 773 00:43:33,040 --> 00:43:37,680 Speaker 1: So in order to make enough for humanits, it's like, 774 00:43:38,400 --> 00:43:40,640 Speaker 1: at their low end, going to be eight to ten 775 00:43:40,719 --> 00:43:43,960 Speaker 1: thousand dollars worth of blood. Yeah, and the average soldier 776 00:43:44,000 --> 00:43:47,120 Speaker 1: needs six units during trauma treatment, you know, because you're 777 00:43:47,120 --> 00:43:49,040 Speaker 1: talking about situations with a lot of blood is lost. 778 00:43:49,200 --> 00:43:51,279 Speaker 1: I wonder how that compares to just to let good 779 00:43:51,280 --> 00:43:54,839 Speaker 1: old you know, Red Cross, you know, going and giving 780 00:43:54,880 --> 00:43:57,919 Speaker 1: your blood volunteer type thing. Well, I mean, of course, 781 00:43:58,000 --> 00:44:00,319 Speaker 1: then again you're dealing with all different blood types. Yeah, 782 00:44:00,360 --> 00:44:02,640 Speaker 1: that's true. And and then and then a rigorous screening 783 00:44:02,680 --> 00:44:07,280 Speaker 1: process to figure out which samples are appliable and shipping, Yeah, 784 00:44:07,400 --> 00:44:10,520 Speaker 1: and shipping, which again hurts the shelf life. So the 785 00:44:10,560 --> 00:44:14,000 Speaker 1: process here is pretty interesting. Scientists harvest hemeo to pedic 786 00:44:14,280 --> 00:44:18,440 Speaker 1: cells from the umbilical cords and via a process called farming, 787 00:44:18,520 --> 00:44:20,919 Speaker 1: that's p h A r M I N g Uh. 788 00:44:21,120 --> 00:44:25,840 Speaker 1: They turn one umbilical cord into twenty units of of 789 00:44:25,920 --> 00:44:29,240 Speaker 1: package blood. This takes place of the course of three days, 790 00:44:29,640 --> 00:44:33,640 Speaker 1: according to initial reports through Wired magazine, where they getting 791 00:44:33,640 --> 00:44:38,080 Speaker 1: all the umbilical cords from babies. Man, if you can 792 00:44:38,120 --> 00:44:40,520 Speaker 1: if baby, if you find babies where the parents are 793 00:44:40,560 --> 00:44:43,120 Speaker 1: not going to you know, dry it and get it 794 00:44:43,360 --> 00:44:46,759 Speaker 1: or eat it themselves, Uh, then yeah. The umbilical cord 795 00:44:46,840 --> 00:44:49,480 Speaker 1: is a has a lot of valuable material in it. 796 00:44:49,560 --> 00:44:52,120 Speaker 1: So this is a thing that as a someone who 797 00:44:52,200 --> 00:44:54,799 Speaker 1: doesn't have kids that I'm willfully unaware of. That's like 798 00:44:55,040 --> 00:44:58,040 Speaker 1: when you go in and have the procedure and everything 799 00:44:58,120 --> 00:45:00,319 Speaker 1: for giving birth is they're just like a you know, 800 00:45:00,360 --> 00:45:02,520 Speaker 1: in the paperwork, there's a box that you check that's 801 00:45:02,560 --> 00:45:06,520 Speaker 1: something like I want the umbilical cord, I assume. I mean, 802 00:45:07,200 --> 00:45:08,920 Speaker 1: we did not go through that process with my son, 803 00:45:09,040 --> 00:45:11,759 Speaker 1: so I'm not I'm not exactly sure how it rolls 804 00:45:11,760 --> 00:45:14,640 Speaker 1: out in real time, but I'm guessing there's a box 805 00:45:14,680 --> 00:45:18,560 Speaker 1: that you in a panic to you know, pre birthdays, 806 00:45:18,600 --> 00:45:20,839 Speaker 1: you check or you don't. Otherwise there's just like a 807 00:45:20,840 --> 00:45:25,320 Speaker 1: biohazard bag filled with umbilical cords that they then ship 808 00:45:25,360 --> 00:45:28,840 Speaker 1: off to this, so ultimately that we're talking about the 809 00:45:28,920 --> 00:45:33,160 Speaker 1: rapid expansion of umbilical cord blood sped up even more 810 00:45:33,200 --> 00:45:36,200 Speaker 1: through the use of what's called nanex technology. This is 811 00:45:36,239 --> 00:45:40,000 Speaker 1: a nano fiber based structure that mimics bone marrow and 812 00:45:40,080 --> 00:45:44,000 Speaker 1: bone marrows where blood cells generally multiply and at a 813 00:45:44,040 --> 00:45:48,960 Speaker 1: greater rate. So yeah, that's pretty impressive. Yeah, I think so. 814 00:45:49,120 --> 00:45:52,040 Speaker 1: I mean, it's it's crazy science fiction e and and 815 00:45:52,200 --> 00:45:54,240 Speaker 1: I think would lend itself well to a little tweaking. 816 00:45:54,280 --> 00:45:58,400 Speaker 1: I mean, you're talking about, ultimately the discarded pieces of 817 00:45:58,400 --> 00:46:01,640 Speaker 1: a baby that are used to the eight blood for 818 00:46:01,760 --> 00:46:05,880 Speaker 1: soldiers in the field and potentially vampires, right right, Yeah, 819 00:46:05,920 --> 00:46:08,080 Speaker 1: I mean, well that's where this would naturally ahead as 820 00:46:08,080 --> 00:46:12,000 Speaker 1: a daybreakers situation. You make these soldiers, they become vampires, 821 00:46:12,040 --> 00:46:13,960 Speaker 1: and then they vampiize the rest of the population. So 822 00:46:14,040 --> 00:46:17,000 Speaker 1: as a planet of vampires, I wonder vampires prefer oh 823 00:46:17,080 --> 00:46:19,640 Speaker 1: negative as a universal donor or does that mean it's 824 00:46:19,719 --> 00:46:25,320 Speaker 1: probably too common? Right, It's like the Coca cola blood alright, 825 00:46:25,360 --> 00:46:28,799 Speaker 1: So that's artificial blood. But then there's the use of 826 00:46:29,280 --> 00:46:32,680 Speaker 1: healing factor nanoparticles in the blood. All right, So this 827 00:46:32,719 --> 00:46:36,080 Speaker 1: is straight up wolverine healing factor is right out of 828 00:46:36,080 --> 00:46:38,560 Speaker 1: the X men exactly. This is where we're getting into, 829 00:46:39,280 --> 00:46:42,359 Speaker 1: at least the near future version of that UM. So 830 00:46:42,400 --> 00:46:45,200 Speaker 1: there are different substances that can be used as a 831 00:46:45,200 --> 00:46:48,160 Speaker 1: coagulant to help with excessive bleeding. Of course, the best 832 00:46:48,640 --> 00:46:51,000 Speaker 1: way to deal with excessive bleeding on the surfaces to 833 00:46:51,040 --> 00:46:54,080 Speaker 1: apply pressure when it's a wound that can be treated 834 00:46:54,080 --> 00:46:57,840 Speaker 1: in that manager to die or a wound UM. But 835 00:46:57,920 --> 00:47:00,320 Speaker 1: a two thousand nine study publish in the journal Science 836 00:47:00,360 --> 00:47:05,600 Speaker 1: Translational Medicine introduced the use of injectable synthetic nanoparticles or 837 00:47:05,719 --> 00:47:10,560 Speaker 1: nano platelets that curb bleeding. So normally blood platelets at 838 00:47:10,560 --> 00:47:13,839 Speaker 1: a wound site buying together in order to plug that wound. Right, 839 00:47:14,400 --> 00:47:17,480 Speaker 1: these these nano platelets, what they do is they mimic 840 00:47:17,560 --> 00:47:21,400 Speaker 1: platelet structure, so they augment the process bonding with natural 841 00:47:21,440 --> 00:47:25,000 Speaker 1: blood platelets and acting as a nanostructure. So it's like 842 00:47:25,040 --> 00:47:29,040 Speaker 1: throwing in a bunch of a bunch of extras. To say, 843 00:47:29,040 --> 00:47:31,560 Speaker 1: you're to television taping and the crowds looking kind of thin, 844 00:47:31,800 --> 00:47:33,640 Speaker 1: get some extras in there, make it look nice and 845 00:47:33,680 --> 00:47:36,080 Speaker 1: thick for the cameras. So yeah, that's what I'm kind 846 00:47:36,080 --> 00:47:38,760 Speaker 1: of thinking that it's like a thickening process, like almost 847 00:47:38,800 --> 00:47:44,080 Speaker 1: like a blood plasma and just kind of And what's more, though, 848 00:47:44,239 --> 00:47:46,919 Speaker 1: this the best part about this is again not the 849 00:47:47,040 --> 00:47:49,279 Speaker 1: use of this at at the skin level, but the 850 00:47:49,360 --> 00:47:53,839 Speaker 1: ability to to get down and stop deep and internal 851 00:47:53,920 --> 00:47:57,880 Speaker 1: bleeding more easily. Again, you can't just apply pressure if 852 00:47:57,880 --> 00:48:02,000 Speaker 1: you're dealing with bleeding inside the body. Yeah, there's got 853 00:48:02,000 --> 00:48:06,279 Speaker 1: to be so many potential hazards with this though, too. 854 00:48:06,320 --> 00:48:09,520 Speaker 1: I would imagine given the like I mean, like our 855 00:48:09,560 --> 00:48:12,600 Speaker 1: blood is like it's got that Goldilocks factor to it, right, 856 00:48:12,680 --> 00:48:15,560 Speaker 1: it has to be like just right. It can't be 857 00:48:15,600 --> 00:48:18,240 Speaker 1: too thick and it can't be too thin otherwise there's 858 00:48:18,239 --> 00:48:20,080 Speaker 1: all there's a whole host of problems I'll get into 859 00:48:20,160 --> 00:48:23,560 Speaker 1: later that you know, can affect your body. Oh yeah, 860 00:48:23,640 --> 00:48:27,120 Speaker 1: Like I'm instantly thinking back to last season of The Nick. 861 00:48:27,800 --> 00:48:30,080 Speaker 1: Oh I've only seen a couple episodes. Yeah, there's some 862 00:48:30,080 --> 00:48:33,360 Speaker 1: pretty horrific It's like, you know, turn of the century hospital, 863 00:48:33,800 --> 00:48:36,000 Speaker 1: brilliant surgeon and at one point he gets obsessed with 864 00:48:36,000 --> 00:48:38,400 Speaker 1: blood transfus and trying to figure out like what's the 865 00:48:38,480 --> 00:48:43,600 Speaker 1: key and right, it's really rough stuff. But but in 866 00:48:43,640 --> 00:48:47,480 Speaker 1: this case with these particularly particular nano platelets, they found 867 00:48:47,520 --> 00:48:51,080 Speaker 1: that the stuff has had bleeding time and wounded rats. 868 00:48:52,080 --> 00:48:53,760 Speaker 1: And just a couple of years later, in two thousand 869 00:48:53,760 --> 00:48:57,160 Speaker 1: and eleven, the massachuse A General Hospital Center for Engineering 870 00:48:57,160 --> 00:49:01,200 Speaker 1: and Medicine developed a way to deliver nano spheres containing 871 00:49:01,719 --> 00:49:06,960 Speaker 1: keratinisite growth factor or KGF, suspended in a fibrin gel. 872 00:49:07,440 --> 00:49:10,319 Speaker 1: Uh So, again, the advantage here would be to deal 873 00:49:10,320 --> 00:49:13,799 Speaker 1: with the targeted treatment of deep wounds as opposed to 874 00:49:14,120 --> 00:49:16,279 Speaker 1: trying to treat the whole body and just get at 875 00:49:16,320 --> 00:49:19,960 Speaker 1: it um So this is right. So the difference between 876 00:49:19,960 --> 00:49:22,120 Speaker 1: this and Wolverine is that like you don't just heal 877 00:49:22,320 --> 00:49:26,319 Speaker 1: immediately from any wound. You have a wound and then 878 00:49:26,360 --> 00:49:29,839 Speaker 1: they apply these nano spheres to you, and the same 879 00:49:29,880 --> 00:49:32,520 Speaker 1: with the nanoplateist to right, It wouldn't be a matter 880 00:49:32,560 --> 00:49:35,000 Speaker 1: of as we see in the creepy pasta. It wouldn't 881 00:49:35,000 --> 00:49:37,719 Speaker 1: be like we've changed the blood of the soldiers, you know. 882 00:49:37,840 --> 00:49:39,640 Speaker 1: It's this is a way to treat the blood of 883 00:49:39,640 --> 00:49:42,920 Speaker 1: a soldier at a wound site and try to speed 884 00:49:43,000 --> 00:49:47,040 Speaker 1: up the healing. Well, okay, so you may recall that 885 00:49:47,080 --> 00:49:49,719 Speaker 1: at the top of when we were talking about this experiment, 886 00:49:49,760 --> 00:49:53,520 Speaker 1: I mentioned they had three particular chemicals that they mentioned. 887 00:49:53,880 --> 00:49:56,919 Speaker 1: I assumed these were fictional, but I decided to look 888 00:49:56,960 --> 00:50:03,040 Speaker 1: them up. No more funking pepper, formidadine, and commune Sin. 889 00:50:04,040 --> 00:50:06,160 Speaker 1: Turns out, at least as far as I can tell, 890 00:50:06,200 --> 00:50:10,560 Speaker 1: that they are real things. However, there were a few 891 00:50:10,640 --> 00:50:14,120 Speaker 1: links that definitely looked like they were fake. That we're 892 00:50:14,239 --> 00:50:18,799 Speaker 1: potential Uh, I'm gonna guess like fake sources to back 893 00:50:18,880 --> 00:50:22,200 Speaker 1: up the creepy pasta story. But then there were a 894 00:50:22,200 --> 00:50:26,319 Speaker 1: lot of legitimate academic chemistry articles about these that were 895 00:50:26,360 --> 00:50:29,120 Speaker 1: behind firewalls I couldn't access. But I did get access 896 00:50:29,160 --> 00:50:33,000 Speaker 1: to one that was called Synthetic Studies towards Commune Sin's 897 00:50:33,360 --> 00:50:36,920 Speaker 1: and it was published in the Israel Israel Journal of Chemistry. 898 00:50:37,080 --> 00:50:42,000 Speaker 1: In this I could barely understand it because it was 899 00:50:42,000 --> 00:50:46,840 Speaker 1: written in such deep chemistry language. However, this is what 900 00:50:46,920 --> 00:50:50,440 Speaker 1: I got out of it. Uh, these are basically the 901 00:50:50,520 --> 00:50:56,520 Speaker 1: same chemicals. They're like synthesized chemicals that are isolated from 902 00:50:56,520 --> 00:51:02,319 Speaker 1: a marine fungal strain of a penicilla uh Penicillum species, 903 00:51:03,120 --> 00:51:06,400 Speaker 1: and that there's a possible use for these as an insecticide. 904 00:51:06,800 --> 00:51:11,120 Speaker 1: They're also cytotoxic against certain tumor cells. So I think 905 00:51:11,120 --> 00:51:15,960 Speaker 1: that they're being investigated for those possible applications. Uh. And 906 00:51:16,000 --> 00:51:21,720 Speaker 1: then they were first isolated in so yeah, they really exist. 907 00:51:21,760 --> 00:51:24,959 Speaker 1: It sounds like it doesn't sound like their usage though, 908 00:51:25,080 --> 00:51:28,520 Speaker 1: is to you know, plug up blood or make blood 909 00:51:28,520 --> 00:51:30,560 Speaker 1: freeze or anything like that. But I mean, I guess 910 00:51:30,560 --> 00:51:33,360 Speaker 1: we're looking at the standard trick here, right. You you 911 00:51:33,440 --> 00:51:36,120 Speaker 1: draw a little science terminology out, you throw it in 912 00:51:36,160 --> 00:51:38,839 Speaker 1: there in a way where you're not too specific, and 913 00:51:39,000 --> 00:51:42,319 Speaker 1: it's harder for the average reader to look at it 914 00:51:42,400 --> 00:51:45,360 Speaker 1: and call bs uh. And so it gives it that 915 00:51:45,440 --> 00:51:48,000 Speaker 1: science vibe and let me to invest a little more 916 00:51:48,000 --> 00:51:50,560 Speaker 1: of the creepy bust. They did a great job. Whoever 917 00:51:50,600 --> 00:51:54,640 Speaker 1: wrote this did a great job with the that application 918 00:51:54,719 --> 00:51:57,960 Speaker 1: of these chemicals, because not only were they like difficult 919 00:51:58,000 --> 00:52:02,360 Speaker 1: to find information on, but also they're so relatively new 920 00:52:02,480 --> 00:52:04,879 Speaker 1: in in in the research that's being done on them 921 00:52:04,880 --> 00:52:06,600 Speaker 1: that there isn't a whole lot out there. I guess 922 00:52:06,640 --> 00:52:09,319 Speaker 1: it could be plausible that, you know, somebody comes up 923 00:52:09,360 --> 00:52:12,200 Speaker 1: with his magical synthetic chemical that can freeze your blood 924 00:52:13,000 --> 00:52:16,200 Speaker 1: um and real quick let's just talk about what happens 925 00:52:16,800 --> 00:52:20,680 Speaker 1: when your blood is thickened or frozen in certain situations. 926 00:52:21,320 --> 00:52:26,120 Speaker 1: First of all, it's very rare that you could freeze 927 00:52:26,520 --> 00:52:29,320 Speaker 1: human beings blood while it was still inside their body. 928 00:52:29,640 --> 00:52:33,120 Speaker 1: The hypothalamus constantly tries to keep the core of our 929 00:52:33,120 --> 00:52:37,360 Speaker 1: body is warm, so it constricts our blood supprise supply 930 00:52:37,880 --> 00:52:42,520 Speaker 1: to the core of our bodies, essentially removing it from 931 00:52:42,719 --> 00:52:44,839 Speaker 1: the extremities if necessary. So that's why you get those 932 00:52:44,840 --> 00:52:47,520 Speaker 1: instances of like frostbite, where people's fingers or toes fall 933 00:52:47,560 --> 00:52:51,040 Speaker 1: off and stuff like that. Um. But even in cryonics 934 00:52:51,080 --> 00:52:54,680 Speaker 1: when they're going to freeze somebody's body, your blood isn't 935 00:52:54,719 --> 00:52:58,120 Speaker 1: frozen from what I understand reading about it. Your body 936 00:52:58,239 --> 00:53:02,239 Speaker 1: is usually injected with something called hepperin, which is an anticoagulant, 937 00:53:02,520 --> 00:53:05,279 Speaker 1: and the reason why is to prevent blood clotting while 938 00:53:05,280 --> 00:53:09,800 Speaker 1: you're under I don't know what's the proper term under 939 00:53:09,840 --> 00:53:17,520 Speaker 1: freeze the freezer. Um. And then lastly, there is a 940 00:53:18,000 --> 00:53:21,359 Speaker 1: there there are a couple of different diseases that lead 941 00:53:21,400 --> 00:53:24,960 Speaker 1: to blood thickening. One in particular is called Hughes syndrome, 942 00:53:25,480 --> 00:53:29,040 Speaker 1: and that's an abnormal immune system response that causes your 943 00:53:29,080 --> 00:53:31,800 Speaker 1: blood to thicken. Basically. The idea here is it sounds 944 00:53:31,840 --> 00:53:34,920 Speaker 1: similar to the nanotech we were talking about earlier. It 945 00:53:34,960 --> 00:53:38,359 Speaker 1: causes your blood platelets to clump together. But this can 946 00:53:38,400 --> 00:53:41,640 Speaker 1: be very dangerous, like I was saying earlier, because it 947 00:53:41,680 --> 00:53:45,040 Speaker 1: can lead to thrombosis, which can subsequently lead to something 948 00:53:45,040 --> 00:53:47,280 Speaker 1: like a heart attack or a stroke or I suppose 949 00:53:47,320 --> 00:53:51,560 Speaker 1: even an aneurysm. But no cannibalism. Nope, they don't have 950 00:53:51,600 --> 00:53:55,080 Speaker 1: that yet. Alright, alright, well, now we're gonna turn to 951 00:53:55,440 --> 00:53:57,600 Speaker 1: the third section here and and this one we're really 952 00:53:57,680 --> 00:54:01,879 Speaker 1: drawing on two different uh cre bepastas, which will will 953 00:54:02,000 --> 00:54:04,680 Speaker 1: refer to here in short. One is the Harbinger experiment 954 00:54:04,760 --> 00:54:06,640 Speaker 1: and the other one is Gateway of the Mind. And 955 00:54:06,640 --> 00:54:11,600 Speaker 1: they both resolve and they both revolve around the same thing. Really, yeah, 956 00:54:11,920 --> 00:54:16,200 Speaker 1: so the Harbinger Experiment, this creepy pasta is this was 957 00:54:16,239 --> 00:54:18,120 Speaker 1: a bit long, and it it kind of reads like, 958 00:54:18,440 --> 00:54:22,440 Speaker 1: you know, average weird fiction story. Really, the basics here 959 00:54:22,480 --> 00:54:26,480 Speaker 1: is it's some manner prolonged isolation experiment with an occult twist, 960 00:54:26,719 --> 00:54:30,720 Speaker 1: some entity that's summoned into the bodies of the patients 961 00:54:30,760 --> 00:54:34,279 Speaker 1: by this mysterious doctor Zimmerman. Zimmerman wants to prove the 962 00:54:34,320 --> 00:54:36,840 Speaker 1: existence of the spirit realm by trapping a spirit in 963 00:54:36,880 --> 00:54:39,840 Speaker 1: a human body, a human body that he's injected with 964 00:54:39,880 --> 00:54:43,600 Speaker 1: a compound that somehow prevents the spirit from leaving again 965 00:54:43,640 --> 00:54:46,640 Speaker 1: while the host is still alive, right, right, And yeah, 966 00:54:46,960 --> 00:54:49,359 Speaker 1: if I remember this one correctly, like Zimmerman is like 967 00:54:49,880 --> 00:54:54,040 Speaker 1: fantastically rich and like does all of this at like 968 00:54:54,080 --> 00:54:58,080 Speaker 1: an off site, hidden bunker underground where he's like hired 969 00:54:58,120 --> 00:55:01,440 Speaker 1: his own private army and team of researchers. Right, so 970 00:55:01,440 --> 00:55:03,759 Speaker 1: you can imagine how it ends up, right, right, And 971 00:55:04,000 --> 00:55:08,719 Speaker 1: it's just like, yeah, and now the the other one 972 00:55:08,920 --> 00:55:12,239 Speaker 1: is Gateway of the Mind. Do you want to roll 973 00:55:12,320 --> 00:55:14,600 Speaker 1: the Yeah, this one is an interesting one. So the 974 00:55:14,640 --> 00:55:17,680 Speaker 1: idea with this is that in ninety three there's this 975 00:55:17,719 --> 00:55:20,920 Speaker 1: team of scientists. The story refers to them as deeply 976 00:55:21,040 --> 00:55:24,440 Speaker 1: pious scientists, uh, and that the idea is that they 977 00:55:24,440 --> 00:55:27,400 Speaker 1: want to prove the existence of God. So their theory 978 00:55:27,560 --> 00:55:31,719 Speaker 1: is that without sensory input, that human beings would be 979 00:55:31,719 --> 00:55:34,640 Speaker 1: able to perceive the presence of God. So and that 980 00:55:34,680 --> 00:55:37,560 Speaker 1: they interfere with some kind of holy signal. Right, So 981 00:55:37,640 --> 00:55:40,799 Speaker 1: what they do is they take this elderly volunteer, and 982 00:55:40,840 --> 00:55:45,320 Speaker 1: they surgically cut out nerves so he can't see here, taste, smell, 983 00:55:45,520 --> 00:55:49,799 Speaker 1: or feel. Uh, and he can he can't communicate, but 984 00:55:49,840 --> 00:55:52,319 Speaker 1: he can, like you're can clearly talk. He's sort of 985 00:55:52,360 --> 00:55:54,600 Speaker 1: like yells Yeah, I don't think he knows what's going 986 00:55:54,640 --> 00:55:56,839 Speaker 1: on around him, but he like yells out things about 987 00:55:56,840 --> 00:56:00,320 Speaker 1: what he's experiencing. But he's basically alone with his thoughts, 988 00:56:00,800 --> 00:56:04,160 Speaker 1: and Yeah, what happens is he goes totally crazy. He 989 00:56:04,200 --> 00:56:06,759 Speaker 1: says that he's talking to ghosts. He's able to like 990 00:56:07,600 --> 00:56:11,439 Speaker 1: use information from the ghosts to like prove that there's 991 00:56:11,480 --> 00:56:14,279 Speaker 1: something supernatural going on to the researchers right by like 992 00:56:14,320 --> 00:56:17,239 Speaker 1: revealing secrets about them that nobody else would know. And 993 00:56:17,280 --> 00:56:19,239 Speaker 1: then at the very end, he tells them that he's 994 00:56:19,320 --> 00:56:22,440 Speaker 1: a he's had a conversation with God and God has 995 00:56:22,480 --> 00:56:26,680 Speaker 1: abandoned us. Okay, well, I feel like it kind of 996 00:56:26,680 --> 00:56:29,719 Speaker 1: loses a little steam there at the end, with like 997 00:56:29,719 --> 00:56:33,120 Speaker 1: like maybe maybe the message that he revealed shouldn't be 998 00:56:33,480 --> 00:56:36,120 Speaker 1: so explicit, but I'm I'm I'm not picking him. Yeah, 999 00:56:36,120 --> 00:56:40,040 Speaker 1: they sort of like this the author or authors of 1000 00:56:40,120 --> 00:56:42,799 Speaker 1: this creepy pasta, it seems like God is sort of 1001 00:56:43,280 --> 00:56:46,000 Speaker 1: kg about getting in touch with this guy who doesn't 1002 00:56:46,040 --> 00:56:48,760 Speaker 1: have his five senses. Like the ghosts show up pretty quickly, 1003 00:56:49,239 --> 00:56:52,560 Speaker 1: but God like waits until like the absolute last minute, 1004 00:56:52,560 --> 00:56:55,600 Speaker 1: and all he does is to say, like, hey, I've 1005 00:56:55,640 --> 00:56:58,480 Speaker 1: abandoned you guys. I'm on vacation out of the week. 1006 00:56:59,800 --> 00:57:03,120 Speaker 1: So both of these, on one level, they deal with 1007 00:57:03,160 --> 00:57:06,320 Speaker 1: this idea of like, let's scientifically prove the afterlife, and 1008 00:57:06,320 --> 00:57:08,640 Speaker 1: and there have been a number of experiments and sort 1009 00:57:08,640 --> 00:57:10,600 Speaker 1: of studio experiments that have gone into that. We have 1010 00:57:10,640 --> 00:57:12,320 Speaker 1: a whole episode of stuff to blow your mind to 1011 00:57:12,360 --> 00:57:15,319 Speaker 1: deals with soul weighing experiments that tried to show that 1012 00:57:15,400 --> 00:57:17,880 Speaker 1: the soul has weight and therefore there is a soul, 1013 00:57:17,920 --> 00:57:21,160 Speaker 1: there is some part of us that's immortal and to death. Um, 1014 00:57:21,320 --> 00:57:23,560 Speaker 1: there there's real science behind that too, Isn't there like 1015 00:57:23,600 --> 00:57:26,960 Speaker 1: a particular like I remember like that there's like a 1016 00:57:27,080 --> 00:57:30,160 Speaker 1: very specific weight that they said that oh yeah, there's 1017 00:57:30,480 --> 00:57:33,120 Speaker 1: disappears when you die or something like that. Right, Yeah, 1018 00:57:33,120 --> 00:57:36,080 Speaker 1: I think twenty one Grahams is the number of those 1019 00:57:36,600 --> 00:57:39,400 Speaker 1: as we discussed in that episode, which I'll link to 1020 00:57:39,400 --> 00:57:41,720 Speaker 1: on the landing page of this episode. Uh, you know, 1021 00:57:41,760 --> 00:57:44,240 Speaker 1: there's some science applied. It's very rough and even there 1022 00:57:44,240 --> 00:57:47,400 Speaker 1: are a lot of problems. There's some more recent theories 1023 00:57:47,440 --> 00:57:50,720 Speaker 1: that are interesting. But both of these experiments ultimately deal 1024 00:57:51,000 --> 00:57:56,320 Speaker 1: with isolation. Right, what happens when someone is isolated from 1025 00:57:56,640 --> 00:58:00,440 Speaker 1: from sensory input. Particularly in the case of the experience 1026 00:58:00,480 --> 00:58:02,080 Speaker 1: we're gonna discuss here, you put them in a room, 1027 00:58:02,120 --> 00:58:04,880 Speaker 1: you put them in solitary confined Yeah, what happens when 1028 00:58:04,880 --> 00:58:08,000 Speaker 1: you deprive us of our environment that we've evolved to 1029 00:58:08,280 --> 00:58:11,360 Speaker 1: thrive within. What happens to the mind? Yeah, And so 1030 00:58:11,440 --> 00:58:14,680 Speaker 1: I think it's worth mentioning here before we get into 1031 00:58:14,680 --> 00:58:17,760 Speaker 1: the science of it, of what happens when you're deprived 1032 00:58:17,760 --> 00:58:22,280 Speaker 1: of your senses and for that matters social interaction. That 1033 00:58:22,320 --> 00:58:26,480 Speaker 1: both Robert and I have gone into sensory deprivation tanks before, 1034 00:58:26,560 --> 00:58:30,360 Speaker 1: so we have personal experience with this. Uh. In my case, 1035 00:58:31,200 --> 00:58:34,600 Speaker 1: I didn't hallucinate, which seems to be a common symptom 1036 00:58:34,640 --> 00:58:37,760 Speaker 1: that people have. But it was enjoyable. It was peaceful. 1037 00:58:38,440 --> 00:58:43,760 Speaker 1: You basically lay inside a big tank that's dark, laying 1038 00:58:43,800 --> 00:58:46,600 Speaker 1: on top of salt water. Uh. For in my case, 1039 00:58:46,600 --> 00:58:51,320 Speaker 1: it was about an hour long. UH. And um, you know, 1040 00:58:51,520 --> 00:58:53,520 Speaker 1: because of the water. Your ears are plugged out. Oh no, 1041 00:58:53,640 --> 00:58:56,640 Speaker 1: you I wore ear plugs. But there the water also 1042 00:58:56,720 --> 00:58:59,560 Speaker 1: keeps you from really being able to hear anything. You 1043 00:58:59,600 --> 00:59:02,680 Speaker 1: can't see anything, you don't really feel anything other than 1044 00:59:02,720 --> 00:59:08,400 Speaker 1: the water. Uh, and the taste of salty air. Yeah. 1045 00:59:08,440 --> 00:59:10,320 Speaker 1: When I went into it, I wasn't really thinking about 1046 00:59:10,520 --> 00:59:13,360 Speaker 1: how salty it was gonna be, and how that there's 1047 00:59:13,400 --> 00:59:16,560 Speaker 1: a good point, a good portion of the float experience 1048 00:59:16,560 --> 00:59:20,040 Speaker 1: that has spent reacting to the feel of the salt water, 1049 00:59:20,320 --> 00:59:22,680 Speaker 1: the smell of the salt water, and and just sort 1050 00:59:22,720 --> 00:59:25,080 Speaker 1: of getting past that. Yeah, I guess I should clarify 1051 00:59:25,160 --> 00:59:27,520 Speaker 1: that there's so much salt water that you float to 1052 00:59:27,600 --> 00:59:30,680 Speaker 1: the top like you're not just laying in it, Like 1053 00:59:30,760 --> 00:59:34,600 Speaker 1: you instantly are acquainted with any random nix or scratches 1054 00:59:34,680 --> 00:59:37,000 Speaker 1: or itches on your body because now they have tons 1055 00:59:37,040 --> 00:59:39,440 Speaker 1: of salt pressing up against them. So we've had a 1056 00:59:39,520 --> 00:59:43,040 Speaker 1: number of of studies that have looked at at what 1057 00:59:43,200 --> 00:59:46,840 Speaker 1: happens when you put somebody in solitary confinement, when you 1058 00:59:46,880 --> 00:59:51,160 Speaker 1: isolate someone from stimuli. Uh. There's a two on from 1059 00:59:51,160 --> 00:59:55,960 Speaker 1: Wire magazine by Brandon Kime titled The Horrible Psychology of 1060 00:59:56,000 --> 01:00:00,000 Speaker 1: solitary confinement, and it takes a nice look at horror 1061 01:00:00,040 --> 01:00:02,800 Speaker 1: fine topic pointing out the solitary confinement has been shown 1062 01:00:02,800 --> 01:00:06,760 Speaker 1: to make prisoners extremely anxious, to make them angry, make 1063 01:00:06,800 --> 01:00:10,760 Speaker 1: them hallucinate, experienced mood swings and flatness, the loss of 1064 01:00:10,840 --> 01:00:14,360 Speaker 1: impulse control, and this is all on top of aggravating 1065 01:00:14,400 --> 01:00:19,439 Speaker 1: any pre existing mental illnesses. Um. So they We've looked 1066 01:00:19,480 --> 01:00:23,280 Speaker 1: at solitary confinement many times from a scientific standpoint in 1067 01:00:23,640 --> 01:00:26,280 Speaker 1: the past, and it generally comes in waves responding to 1068 01:00:26,360 --> 01:00:30,000 Speaker 1: trends and concerns related to modern and carson incarceration. So 1069 01:00:30,320 --> 01:00:32,920 Speaker 1: the mid eighteen hundreds or concern and interest in this. 1070 01:00:33,160 --> 01:00:35,360 Speaker 1: In the nineteen fifties, it popped up again due in 1071 01:00:35,480 --> 01:00:39,320 Speaker 1: part as a reaction to the Korean War um prisoners 1072 01:00:39,320 --> 01:00:42,320 Speaker 1: of war and how they were allegedly treated, and then 1073 01:00:42,360 --> 01:00:45,240 Speaker 1: it rose up again in the nineteen eighties with you know, 1074 01:00:45,280 --> 01:00:47,280 Speaker 1: some research spread out in between, but those are sort 1075 01:00:47,280 --> 01:00:50,840 Speaker 1: of the big periods. So I have to say, like 1076 01:00:50,880 --> 01:00:54,200 Speaker 1: every time, like I read a fictional account or watch 1077 01:00:54,200 --> 01:00:57,480 Speaker 1: a TV shower movie where it's a prison setting and 1078 01:00:57,600 --> 01:01:00,800 Speaker 1: somebody does something wrong and get sent to solitary arry, 1079 01:01:01,240 --> 01:01:04,280 Speaker 1: my first thought is always like that sounds great. Yeah, like, 1080 01:01:04,440 --> 01:01:06,360 Speaker 1: oh yeah, you get to be away from all the 1081 01:01:06,400 --> 01:01:09,040 Speaker 1: craziness and do you sit all by yourself in a 1082 01:01:09,120 --> 01:01:11,360 Speaker 1: room and hang out and sleep and you're alone with 1083 01:01:11,400 --> 01:01:14,240 Speaker 1: your thoughts. However, I don't think it's as peaceful as 1084 01:01:14,280 --> 01:01:17,480 Speaker 1: I'm imagining it to be based on these experiments, right, 1085 01:01:17,520 --> 01:01:19,880 Speaker 1: and also on other things we know, and it's based 1086 01:01:19,880 --> 01:01:22,040 Speaker 1: on accounts for people to talk about. It is just 1087 01:01:22,080 --> 01:01:27,440 Speaker 1: this brutalization of the mind. Essentially in absence of stimuli, 1088 01:01:27,880 --> 01:01:31,160 Speaker 1: we focus on what little stimuli there is. Our brains 1089 01:01:31,160 --> 01:01:33,400 Speaker 1: are made for a world of you know, fixed and 1090 01:01:33,440 --> 01:01:38,600 Speaker 1: moving objects of varied environmental actions going on, not a 1091 01:01:38,640 --> 01:01:40,760 Speaker 1: limited cell. So you get in there, your brain end 1092 01:01:40,840 --> 01:01:43,800 Speaker 1: up chewing on itself. Uh. May maybe it's some detail 1093 01:01:43,840 --> 01:01:47,200 Speaker 1: in the cell. Maybe it's um, it's something in your 1094 01:01:47,200 --> 01:01:50,560 Speaker 1: memory that your brain finds something to focus on and 1095 01:01:50,600 --> 01:01:53,400 Speaker 1: sort of recreate the world you've been robbed off out 1096 01:01:53,440 --> 01:01:56,240 Speaker 1: of its limited pieces. And this is the Hannibal Lecter style, 1097 01:01:56,520 --> 01:02:00,439 Speaker 1: like like forming what does he call it his memory palace? Yeah? 1098 01:02:00,480 --> 01:02:03,400 Speaker 1: I think he doesn't. He paint the walls with to 1099 01:02:03,680 --> 01:02:06,760 Speaker 1: resemble Florence or something. It depends on the iteration of Hannibal. 1100 01:02:06,840 --> 01:02:11,880 Speaker 1: But yeah, in the TV show which just ended, I 1101 01:02:11,920 --> 01:02:15,960 Speaker 1: believe once they actually incarceerate him, like he just constructs 1102 01:02:16,000 --> 01:02:19,000 Speaker 1: it all inside it like he can, like because he's 1103 01:02:19,040 --> 01:02:22,040 Speaker 1: such a crazed genius, he can like go inside his 1104 01:02:22,080 --> 01:02:25,600 Speaker 1: memory palace and it's like he's in a church in 1105 01:02:25,640 --> 01:02:27,800 Speaker 1: Florence or something like that. Yeah. So, like basically that's 1106 01:02:27,800 --> 01:02:30,880 Speaker 1: what your brain wants to do, but oftentimes you don't 1107 01:02:30,880 --> 01:02:33,400 Speaker 1: have and you don't have that rich tapestry to to 1108 01:02:33,400 --> 01:02:36,600 Speaker 1: to draw on. What you have are maybe some traumatic 1109 01:02:36,640 --> 01:02:40,200 Speaker 1: memories from your incarceration. Maybe it's you know, some weird 1110 01:02:40,280 --> 01:02:42,680 Speaker 1: markings on the wall or something that's troubling you in 1111 01:02:42,720 --> 01:02:46,400 Speaker 1: the back of your mind, and that's what gets fixed up. 1112 01:02:46,560 --> 01:02:50,920 Speaker 1: That's what he is, blown out into your new virtual world. Yeah, well, 1113 01:02:51,080 --> 01:02:53,000 Speaker 1: so I own I and actually has a really nice 1114 01:02:53,040 --> 01:02:56,880 Speaker 1: summary piece less about um, the isolation part, but more 1115 01:02:56,920 --> 01:03:01,080 Speaker 1: about the sensory deprivation. And guess who came up at 1116 01:03:01,120 --> 01:03:04,120 Speaker 1: the beginning of their article. It was the good old 1117 01:03:04,320 --> 01:03:08,480 Speaker 1: John C. Lily Uh character that often seems to come 1118 01:03:08,520 --> 01:03:10,000 Speaker 1: up on stuff to blow your mind. In fact, we've 1119 01:03:10,000 --> 01:03:12,920 Speaker 1: talked recently about maybe doing an episode just about him. 1120 01:03:12,920 --> 01:03:14,640 Speaker 1: And you you were the one who told me. I 1121 01:03:14,680 --> 01:03:18,000 Speaker 1: think that. Uh. He was the inspiration for Altered States, right, 1122 01:03:18,400 --> 01:03:21,640 Speaker 1: which is kind of my go to, uh pop culture 1123 01:03:21,640 --> 01:03:27,360 Speaker 1: movie reference for sensory deprivation tanks. He claimed that when 1124 01:03:27,400 --> 01:03:30,240 Speaker 1: he was in a sensory deprivation tank, it allowed him 1125 01:03:30,280 --> 01:03:33,720 Speaker 1: to make contact with creatures from another dimension. Uh. And 1126 01:03:33,760 --> 01:03:36,080 Speaker 1: they're from a civilization that was far more advanced than 1127 01:03:36,120 --> 01:03:39,920 Speaker 1: our own. Uh. So that is, I guess kind of 1128 01:03:39,920 --> 01:03:44,520 Speaker 1: close to the Harbinger story. Although I don't know necessarily 1129 01:03:45,240 --> 01:03:50,200 Speaker 1: that John C. Lily is a reliable source. Um. He is. 1130 01:03:50,400 --> 01:03:54,080 Speaker 1: He's a kind of a problematic source, but a fascinating one. Um. 1131 01:03:54,280 --> 01:03:59,120 Speaker 1: But hallucinations are absolutely real, um people. We definitely know 1132 01:03:59,200 --> 01:04:02,680 Speaker 1: people have hallucine nations when they're deprived of their senses. 1133 01:04:03,400 --> 01:04:06,920 Speaker 1: Renowned physicist Richard Feynman has described having them when he 1134 01:04:06,960 --> 01:04:09,760 Speaker 1: was in a sensory deprivation chamber. We have lots of 1135 01:04:09,800 --> 01:04:14,200 Speaker 1: examples of studies that have been done. Uh. Both meditation 1136 01:04:14,360 --> 01:04:18,600 Speaker 1: and senor sensory deprivation are linked to decreased alpha waves 1137 01:04:18,960 --> 01:04:22,480 Speaker 1: and increased theta waves within our brains. These are the 1138 01:04:22,520 --> 01:04:24,480 Speaker 1: same things that we we find when we're in a 1139 01:04:24,520 --> 01:04:27,160 Speaker 1: sleeping state. And in fact, we're going to find as 1140 01:04:27,200 --> 01:04:29,760 Speaker 1: we kind of go through the sensory deprivation stuff that 1141 01:04:29,760 --> 01:04:31,240 Speaker 1: there's a lot of connections to what we were talking 1142 01:04:31,280 --> 01:04:35,560 Speaker 1: about earlier with the Russian sleep experiment story of sleep. 1143 01:04:35,680 --> 01:04:38,640 Speaker 1: So there's a connection between the isolation and the sleep stuff, 1144 01:04:39,160 --> 01:04:43,280 Speaker 1: at least in how our brains work. Uh. There's an investigation, 1145 01:04:43,920 --> 01:04:47,320 Speaker 1: uh in two thousand nine that showed that some people 1146 01:04:47,360 --> 01:04:54,320 Speaker 1: within fifteen minutes of sensory deprivation will have hallucinations triggered. Uh. 1147 01:04:54,320 --> 01:04:58,000 Speaker 1: And however, I will qualify it by saying that this 1148 01:04:58,080 --> 01:05:02,360 Speaker 1: particular study, they the people that they got for this 1149 01:05:02,440 --> 01:05:05,600 Speaker 1: study purposely were scored low on what is called a 1150 01:05:05,720 --> 01:05:09,160 Speaker 1: revised hallucination scale. I'd love to know that test, how they, 1151 01:05:09,280 --> 01:05:11,960 Speaker 1: how they how they determined that basically what this man 1152 01:05:12,080 --> 01:05:13,360 Speaker 1: was like these people, I think we're in like the 1153 01:05:13,400 --> 01:05:17,960 Speaker 1: lower twenty percentile of people who are are likely to 1154 01:05:17,960 --> 01:05:22,600 Speaker 1: have hallucinations. Now, it's also worth noting that that this 1155 01:05:22,680 --> 01:05:25,960 Speaker 1: kind of isolation warps our perception of time, and you know, 1156 01:05:26,000 --> 01:05:27,520 Speaker 1: part of that you get into the whole just a 1157 01:05:27,600 --> 01:05:30,600 Speaker 1: of relative nature of time. Right. An hour spent in 1158 01:05:30,600 --> 01:05:33,400 Speaker 1: a boring waiting room is is far different than an 1159 01:05:33,400 --> 01:05:39,480 Speaker 1: hour spent at the carnival. Right. Sociologist and caving enthusiast 1160 01:05:39,760 --> 01:05:43,880 Speaker 1: Maresio Mantobini spent three hundred and sixty six days in 1161 01:05:43,920 --> 01:05:47,800 Speaker 1: an Italian cave to replicate a long solitary space flight. 1162 01:05:48,160 --> 01:05:51,040 Speaker 1: You know, what would be the experience of staying in 1163 01:05:51,080 --> 01:05:53,880 Speaker 1: a little tube on your way to Mars. Right Um. 1164 01:05:54,120 --> 01:05:56,960 Speaker 1: When he emerged, he was convinced only two hundred and 1165 01:05:57,040 --> 01:06:00,680 Speaker 1: nineteen days had passed uh instead of three hundred and 1166 01:06:00,680 --> 01:06:04,240 Speaker 1: sixty six, So sweep wave cycles had nearly doubled in 1167 01:06:04,320 --> 01:06:07,600 Speaker 1: this in this scenario. So there's another connection. Your senses 1168 01:06:07,640 --> 01:06:10,880 Speaker 1: are inherently connected, I guess to your circadian rhythm. That 1169 01:06:10,920 --> 01:06:13,160 Speaker 1: gets back to what I was talking about earlier with 1170 01:06:13,280 --> 01:06:18,520 Speaker 1: light and jet lag. Uh. There's another crazy story that 1171 01:06:18,600 --> 01:06:21,400 Speaker 1: we have that's an instance of this. In nineteen sixty one, 1172 01:06:21,760 --> 01:06:26,120 Speaker 1: it's a French geologist named Michel Sifra who studied an 1173 01:06:26,160 --> 01:06:29,960 Speaker 1: underground glacier beneath the French Alps, and he ended up 1174 01:06:30,000 --> 01:06:35,000 Speaker 1: staying for two months instead of his anticipated two weeks. 1175 01:06:35,480 --> 01:06:38,200 Speaker 1: And what happened was he basically decided to stop doing 1176 01:06:38,240 --> 01:06:41,680 Speaker 1: his study and live like an animal. That's quote. I 1177 01:06:41,680 --> 01:06:45,120 Speaker 1: think that's his quote, live like an animal. And when 1178 01:06:45,160 --> 01:06:47,919 Speaker 1: he was tested back on the surface, when his team 1179 01:06:47,920 --> 01:06:50,200 Speaker 1: finally got him out, they found that it took him 1180 01:06:50,360 --> 01:06:54,720 Speaker 1: five minutes to count to one twenty seconds. So it 1181 01:06:54,880 --> 01:06:58,680 Speaker 1: definitely interferes with our perceptions of time. Yeah, and therefore 1182 01:06:58,720 --> 01:07:02,280 Speaker 1: also ends up our sleep and in the the way 1183 01:07:02,320 --> 01:07:05,280 Speaker 1: that plays into how we use our time for reasons 1184 01:07:05,280 --> 01:07:07,920 Speaker 1: that we're still not sure about it. It. Uh, it 1185 01:07:08,000 --> 01:07:11,480 Speaker 1: really blows out your sleep cycle. So most underground dwellers 1186 01:07:11,520 --> 01:07:14,920 Speaker 1: shift to a forty eight hour cycle, thirty six hours 1187 01:07:14,920 --> 01:07:18,919 Speaker 1: of activity followed by twelve hours of sleep. I don't 1188 01:07:18,920 --> 01:07:20,920 Speaker 1: know if well, I suppose if I was in the 1189 01:07:21,000 --> 01:07:23,080 Speaker 1: right environment, I would shift over to that, but I 1190 01:07:23,080 --> 01:07:25,680 Speaker 1: don't know that I could be awake for thirty six 1191 01:07:25,680 --> 01:07:30,040 Speaker 1: hours straight. Um. One of the key series of experiments 1192 01:07:30,080 --> 01:07:32,240 Speaker 1: here and again I mentioned the you know, the different 1193 01:07:32,600 --> 01:07:37,880 Speaker 1: boom periods for for isolation experimentation. UH. This was McGill 1194 01:07:38,000 --> 01:07:42,640 Speaker 1: University Medical Center in Montreal, where psychologist Donald Hebb led 1195 01:07:42,760 --> 01:07:45,520 Speaker 1: several key isolation experiments in the late fifties. Again, this 1196 01:07:45,560 --> 01:07:48,200 Speaker 1: is after the Korean Wars. Find to to some po 1197 01:07:48,200 --> 01:07:52,360 Speaker 1: dew treatment. UH. Volunteer students were put in soundproof cubicles. 1198 01:07:52,400 --> 01:07:58,000 Speaker 1: They even gave them translucent advisors, cotton gloves, cardboard cuffs 1199 01:07:58,000 --> 01:08:00,720 Speaker 1: to you know, keep them from feeling way that doesn't 1200 01:08:00,720 --> 01:08:04,600 Speaker 1: involve slicing nerves. They have hm U shaped pillows turn 1201 01:08:04,640 --> 01:08:06,800 Speaker 1: on some white noise, and they found that the test 1202 01:08:06,840 --> 01:08:09,360 Speaker 1: stuff just became restless and mirror hours and in some 1203 01:08:09,400 --> 01:08:13,400 Speaker 1: cases became anxious and emotional. Their abilities in arithmetic and 1204 01:08:13,480 --> 01:08:17,759 Speaker 1: word association tests quickly took a dive. And then uh, 1205 01:08:17,840 --> 01:08:22,679 Speaker 1: the hallucinations points of light lines or shapes eventually bizarre 1206 01:08:22,800 --> 01:08:26,520 Speaker 1: seen such ads and these are at actual scenes. Hallucinations 1207 01:08:26,600 --> 01:08:29,519 Speaker 1: are crazy? Is there like the kind of urban legend 1208 01:08:29,640 --> 01:08:32,880 Speaker 1: hallucinations you hear? Like, well, such and such kid took 1209 01:08:33,000 --> 01:08:35,040 Speaker 1: LSD and then he saw this for the rest of 1210 01:08:35,040 --> 01:08:37,960 Speaker 1: his life or whatever, right, like these are nuts? Yeah, 1211 01:08:38,120 --> 01:08:41,040 Speaker 1: And speaking of nuts, they have the first squirrels marching 1212 01:08:41,040 --> 01:08:45,200 Speaker 1: with sacks over their shoulders. Another one processions of eyeglasses 1213 01:08:45,240 --> 01:08:48,960 Speaker 1: filing down a street. One one person only saw dogs, 1214 01:08:48,960 --> 01:08:52,000 Speaker 1: another one only saw babies. Um, and they had no 1215 01:08:52,040 --> 01:08:54,880 Speaker 1: control over the visuals are just rolled them out. So 1216 01:08:54,960 --> 01:08:57,320 Speaker 1: this this reminds me of two things. I mean First 1217 01:08:57,320 --> 01:08:59,799 Speaker 1: of all, what we said earlier about the brain focusing 1218 01:08:59,800 --> 01:09:02,400 Speaker 1: on one little thing, it just it has to fill 1219 01:09:02,479 --> 01:09:04,519 Speaker 1: up your world, and it ends up filling your world 1220 01:09:04,600 --> 01:09:07,680 Speaker 1: up with a baby baby. Just yeah, And I know, 1221 01:09:07,880 --> 01:09:10,320 Speaker 1: I think it was like lots of babies. It wasn't 1222 01:09:10,360 --> 01:09:12,479 Speaker 1: just like a baby or two. It was like, I 1223 01:09:12,520 --> 01:09:16,760 Speaker 1: think this person was just hallucinating hordes of babies, which 1224 01:09:16,800 --> 01:09:20,639 Speaker 1: sounds like the scariest horror movie never made. And again, 1225 01:09:20,680 --> 01:09:22,439 Speaker 1: it's like they had no control over. So this is 1226 01:09:22,439 --> 01:09:25,320 Speaker 1: the kind of perhaps some people who engage in meditation 1227 01:09:25,400 --> 01:09:28,639 Speaker 1: or yoga can relate to this. But when I am 1228 01:09:28,680 --> 01:09:32,280 Speaker 1: finishing yoga, sometimes when I'm in shovasana, I get to 1229 01:09:32,320 --> 01:09:36,639 Speaker 1: experience some level of hallucination that I don't have control over. 1230 01:09:36,680 --> 01:09:39,320 Speaker 1: It's often just lights and stuff, you know, but you're 1231 01:09:39,360 --> 01:09:42,760 Speaker 1: just sort of watching it transpire. You're not directly influencing 1232 01:09:42,760 --> 01:09:46,679 Speaker 1: what you're seeing. Yeah, absolutely, I've I've had similar situations before, 1233 01:09:46,960 --> 01:09:50,400 Speaker 1: although nothing audible, which is apparently what happened in this 1234 01:09:50,560 --> 01:09:53,439 Speaker 1: McGill's study. Right, Yeah, there were some audible hallucinations or 1235 01:09:53,479 --> 01:09:57,960 Speaker 1: hearing music, they're hearing sounds, tactile hallucinations where they touched 1236 01:09:58,000 --> 01:09:59,759 Speaker 1: the door knob and they think they feel a shock. 1237 01:10:00,080 --> 01:10:04,439 Speaker 1: Another person said that they felt Palett's hitting their skin. Yeah. 1238 01:10:04,479 --> 01:10:06,759 Speaker 1: So basically the gist of this is that they weren't 1239 01:10:06,760 --> 01:10:08,920 Speaker 1: even able to finish this study. They wanted it to 1240 01:10:08,920 --> 01:10:12,840 Speaker 1: be several weeks long, but everyone became so distressed and 1241 01:10:12,880 --> 01:10:16,320 Speaker 1: had so much trouble that they just ended the study. Uh, 1242 01:10:16,720 --> 01:10:19,479 Speaker 1: they only lasted a few days in isolation. None of 1243 01:10:19,520 --> 01:10:22,280 Speaker 1: them lasted more than a week, and they reported, you know, 1244 01:10:22,360 --> 01:10:24,920 Speaker 1: they were unable to think clearly the whole time. They 1245 01:10:24,960 --> 01:10:29,920 Speaker 1: were actually more susceptible to suggestion after they got out. So, 1246 01:10:30,000 --> 01:10:31,760 Speaker 1: for instance, one of the things that they did was 1247 01:10:31,840 --> 01:10:36,120 Speaker 1: suggest to them, uh, while they were sorry, while they 1248 01:10:36,200 --> 01:10:40,080 Speaker 1: their their senses were deprived, they suggested to them that 1249 01:10:40,120 --> 01:10:43,040 Speaker 1: ghosts were real. And then when they got out of 1250 01:10:43,080 --> 01:10:47,200 Speaker 1: the situation, they asked them questions about the paranormal and 1251 01:10:47,240 --> 01:10:49,799 Speaker 1: these people were now more likely to think that ghosts 1252 01:10:49,800 --> 01:10:54,120 Speaker 1: were real, which lent credence to this idea that, you know, 1253 01:10:54,120 --> 01:10:57,280 Speaker 1: there was this paranoid idea that the Soviets were using 1254 01:10:57,320 --> 01:11:00,479 Speaker 1: sensory deprivation in some kind of way to brainway people 1255 01:11:00,479 --> 01:11:03,360 Speaker 1: write like a man Churian candidate kind of situation, and 1256 01:11:03,400 --> 01:11:07,200 Speaker 1: so that subsequently led to even more research in this area, 1257 01:11:07,560 --> 01:11:12,120 Speaker 1: also done at at McGill. This guy d Ewen Cameron. 1258 01:11:12,280 --> 01:11:15,000 Speaker 1: He was the head of McGill's psychiatry department in the 1259 01:11:15,040 --> 01:11:18,280 Speaker 1: fifties and he was inspired by Heav's work, so he 1260 01:11:18,320 --> 01:11:22,120 Speaker 1: began employing sensory deprivation as part of a technique called 1261 01:11:22,400 --> 01:11:24,840 Speaker 1: psychic driving. This is something we should probably do an 1262 01:11:24,840 --> 01:11:29,960 Speaker 1: episode on UH and his unsuccessful attempt to reprogram the 1263 01:11:30,000 --> 01:11:34,920 Speaker 1: minds of mentally ill patients. So basically he justified this saying, 1264 01:11:34,960 --> 01:11:37,439 Speaker 1: you know this, this was something that was sort of 1265 01:11:37,479 --> 01:11:39,800 Speaker 1: necessary so that we could better understand the mind and 1266 01:11:39,880 --> 01:11:46,240 Speaker 1: lieu of the Soviet brainwashed characters. UM. Ultimately the patients 1267 01:11:46,240 --> 01:11:50,200 Speaker 1: some of them ended up suing him afterwards, and UH 1268 01:11:50,240 --> 01:11:53,360 Speaker 1: in nineteen fifties six he wrote in the American Journal 1269 01:11:53,360 --> 01:11:58,559 Speaker 1: of Psychiatry that he would hypnotize schizophrenic patients under the 1270 01:11:58,680 --> 01:12:04,040 Speaker 1: stimulant drugs and after prolonged psychological isolation. So, like we 1271 01:12:04,040 --> 01:12:07,200 Speaker 1: were saying earlier, like let's say you're a prisoner and 1272 01:12:07,200 --> 01:12:10,439 Speaker 1: you're putting solitary confinement and you're already mentally ill, like 1273 01:12:10,560 --> 01:12:12,760 Speaker 1: that's not going to help the situation. This guy was 1274 01:12:12,840 --> 01:12:16,200 Speaker 1: like doing that to people on purpose and then throwing 1275 01:12:16,280 --> 01:12:20,519 Speaker 1: drugs into the mix. Uh, and then finally, uh, you know, 1276 01:12:20,960 --> 01:12:23,920 Speaker 1: ultimately like this is a real ethics violation. I think 1277 01:12:23,920 --> 01:12:26,760 Speaker 1: this is one of those things that probably led to 1278 01:12:27,080 --> 01:12:31,280 Speaker 1: the strict adherence to institutional review boards that we have nowadays. 1279 01:12:31,400 --> 01:12:34,719 Speaker 1: In most studies, these people were sick, they had mental illness, 1280 01:12:34,760 --> 01:12:36,920 Speaker 1: and they wanted to get help, but instead they were 1281 01:12:36,960 --> 01:12:40,839 Speaker 1: just subjected to this kind of brutal research that seemed 1282 01:12:40,840 --> 01:12:45,200 Speaker 1: to be largely stimulated by the Cold War. Just have 1283 01:12:45,360 --> 01:12:47,639 Speaker 1: one more study on all this. In two thousand and eight, 1284 01:12:47,640 --> 01:12:52,760 Speaker 1: psychologist Ian Robbins created recreated HEBBS experiments and in collaboration 1285 01:12:52,840 --> 01:12:55,800 Speaker 1: with the BBC, and in this they isolated six volunteers 1286 01:12:55,800 --> 01:12:58,880 Speaker 1: for forty eight hours and sound proof rooms, all this 1287 01:12:59,040 --> 01:13:03,639 Speaker 1: taking place in a former UM nuclear bunker. This sounds 1288 01:13:03,640 --> 01:13:07,160 Speaker 1: fairly close to the Harbinger. It does, and they've had 1289 01:13:07,200 --> 01:13:12,800 Speaker 1: similar results the anxiety, extreme emotions, paranoia, significant deterioration in 1290 01:13:12,840 --> 01:13:16,680 Speaker 1: their mental functioning, and of course crazy hallucinations. Yeah, so 1291 01:13:16,720 --> 01:13:19,160 Speaker 1: that I wanted to list these hallucinations because they're just 1292 01:13:19,240 --> 01:13:23,320 Speaker 1: as bonkers. Isn't a perspetch one? Person hallucinated a heap 1293 01:13:23,400 --> 01:13:26,680 Speaker 1: of five thousand empty oyster shells, and then there are 1294 01:13:26,720 --> 01:13:30,599 Speaker 1: other things like a snake, zebras, tiny cars the room 1295 01:13:30,600 --> 01:13:33,920 Speaker 1: taking off I think, like flying a bunch of mosquitoes, 1296 01:13:33,920 --> 01:13:37,320 Speaker 1: and then this one that there are fighter planes flying 1297 01:13:37,360 --> 01:13:42,040 Speaker 1: and buzzing around within the room. So yeah, so the 1298 01:13:42,080 --> 01:13:46,080 Speaker 1: deprivation can definitely uh twist your mind. Yeah, you remove 1299 01:13:46,520 --> 01:13:49,040 Speaker 1: human from its natural sweep cycles, You remove a human 1300 01:13:49,080 --> 01:13:53,040 Speaker 1: from its natural environment, and you change the expression of 1301 01:13:53,040 --> 01:13:57,200 Speaker 1: the mind, You change our experience of reality, and that 1302 01:13:57,360 --> 01:14:00,559 Speaker 1: is ultimately a very terrifying concept to wrap our heads 1303 01:14:00,560 --> 01:14:07,880 Speaker 1: around and lends itself so well to uh to too horror. Yeah, absolutely, Yeah, Yeah, 1304 01:14:07,920 --> 01:14:10,000 Speaker 1: I guess like ultimately, what I come back to the 1305 01:14:10,000 --> 01:14:12,880 Speaker 1: Harbinger and the Gateway of the mind is the idea 1306 01:14:12,880 --> 01:14:16,240 Speaker 1: of being able to just sever our connections to our 1307 01:14:16,360 --> 01:14:24,440 Speaker 1: senses from our consciousness. That is very scary. Um yeah, 1308 01:14:24,880 --> 01:14:26,160 Speaker 1: to the point that I don't know that I can 1309 01:14:26,240 --> 01:14:30,840 Speaker 1: imagine it. Yeah, I mean, it significantly changes what it 1310 01:14:30,920 --> 01:14:34,240 Speaker 1: is to be human. And that's you know, ultimately, stories 1311 01:14:34,240 --> 01:14:36,200 Speaker 1: like this, that's what it's about. It's about exploring the 1312 01:14:36,280 --> 01:14:40,360 Speaker 1: human condition. Uh, though taking a more frightening approach to 1313 01:14:40,439 --> 01:14:42,920 Speaker 1: that exploration. In a lot of ways, it's connected to 1314 01:14:42,960 --> 01:14:45,599 Speaker 1: the episodes that we did on feral children and their 1315 01:14:45,680 --> 01:14:50,320 Speaker 1: social isolation and sort of what resulted from that. Yeah, exactly, 1316 01:14:51,520 --> 01:14:55,160 Speaker 1: all right, So there you have it, creepy pasta apasta experiment. 1317 01:14:55,760 --> 01:14:58,439 Speaker 1: So that's just three of these creepy pasta stories. I mean, 1318 01:14:58,479 --> 01:15:01,519 Speaker 1: my impression is that there are thousands of youngs out there, 1319 01:15:01,520 --> 01:15:04,320 Speaker 1: and and even just within the like sort of sub 1320 01:15:04,520 --> 01:15:08,200 Speaker 1: genre of science e creepy pastas, there's probably hundreds, right. Yeah, 1321 01:15:08,240 --> 01:15:11,120 Speaker 1: if everyone liked this particular episode and you want more, 1322 01:15:11,200 --> 01:15:14,720 Speaker 1: we could probably do another couple of creepy pasta episodes 1323 01:15:15,479 --> 01:15:18,759 Speaker 1: to illuminate the science behind the scares. Yeah. In fact, 1324 01:15:18,920 --> 01:15:21,800 Speaker 1: so if there is a creepy pasta story out there 1325 01:15:21,800 --> 01:15:24,280 Speaker 1: that you think is particularly good for us to cover, 1326 01:15:24,640 --> 01:15:27,679 Speaker 1: we'd like to hear about it. Let us know over 1327 01:15:27,720 --> 01:15:30,920 Speaker 1: our social media channels. Again, we're on Facebook, Twitter, and 1328 01:15:30,960 --> 01:15:34,280 Speaker 1: tumbler uh, and we're Blow the Mind on all of 1329 01:15:34,320 --> 01:15:37,719 Speaker 1: those channels. And then of course you can always write 1330 01:15:37,760 --> 01:15:41,600 Speaker 1: and let us know about your creepy pastas or potential 1331 01:15:41,960 --> 01:15:45,439 Speaker 1: science that's connected to creepy pastas that you've read at 1332 01:15:45,560 --> 01:15:51,439 Speaker 1: Blow the mind at how stuff works dot com for 1333 01:15:51,600 --> 01:15:53,920 Speaker 1: more on this and thousands of other topics, because it 1334 01:15:54,000 --> 01:16:01,200 Speaker 1: how stuff works dot Com