WEBVTT - Jabari Johnson

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<v Speaker 1>R and B money.

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<v Speaker 2>Honey, we are.

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<v Speaker 1>Thank ta Malati.

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<v Speaker 3>We are the authority on all things R and B.

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<v Speaker 1>Ladies and gentlemen.

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<v Speaker 3>My name is Tank and this is the rmy Money podcast,

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<v Speaker 3>the authority on all things.

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<v Speaker 4>Yeah, yeah, all.

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<v Speaker 1>Things A building R and B in the building, yeah,

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<v Speaker 1>hm hmmm.

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<v Speaker 4>Where you gonna put your army.

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<v Speaker 3>Sometimes you want to congregate, yeah, associate, Yeah, sometime they

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<v Speaker 3>want to grind.

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<v Speaker 1>They want to grind on you.

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<v Speaker 5>Yeah. Yeah.

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<v Speaker 1>And spaces where there's R and.

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<v Speaker 3>B only high You are good at this, man, it's

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<v Speaker 3>only R and B and we're gonna get into this

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<v Speaker 3>ship because you need to be in the place where

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<v Speaker 3>this shuts up with it.

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<v Speaker 1>The founder, Leona R and be on himself.

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<v Speaker 5>Happy to be here with my brothers.

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<v Speaker 1>This is it.

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<v Speaker 5>This is a long time coming.

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<v Speaker 1>Jabari Johnson bro.

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<v Speaker 3>I remember, yeah, I remember. It's like, yeah, you gotta come.

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<v Speaker 3>I want you to sing at this R and B

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<v Speaker 3>only thing. I was like, R and BE only. What

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<v Speaker 3>does this mean they're only doing R and B.

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<v Speaker 5>I was like, well, I love that.

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<v Speaker 3>But it's really just about the music. You're a surprise,

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<v Speaker 3>right right, It's just part of the experience. We're just

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<v Speaker 3>moving the music and everything that that that comes out

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<v Speaker 3>after that, anything that comes along along with that is

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<v Speaker 3>just the cool part of the curation to where since

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<v Speaker 3>you decided you wanted to be a part of R

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<v Speaker 3>and B only, here's our gift to you. And I

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<v Speaker 3>was able to come out on your stage twice Chicago

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<v Speaker 3>and La, you know, in front of your LED walls,

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<v Speaker 3>your DJ and your smoke in your lighting rigs and

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<v Speaker 3>get real R.

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<v Speaker 5>And B that we all own too that you.

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<v Speaker 3>Yeah, yeah, not as I said, your LED walls, your CDJ.

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<v Speaker 5>Yes, sir, yes, sir, yes, sir.

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<v Speaker 3>Say the boy got his own money and bro, what

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<v Speaker 3>an amazing thing that you have created.

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<v Speaker 6>Thank you, R and B. Thank you, Thank you. I'm

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<v Speaker 6>just grateful because you know I was. I was graciously let.

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<v Speaker 5>In to R and B.

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<v Speaker 6>You know what I mean, Like I'm always grew up

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<v Speaker 6>loving R and B. My mom played you know, I

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<v Speaker 6>always tell the story my mom used to have like

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<v Speaker 6>baduism on the on the counter, like like like it

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<v Speaker 6>like it was a piece of artwork, just because of

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<v Speaker 6>the way.

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<v Speaker 1>That album cover.

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<v Speaker 5>Yeah you know what I mean.

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<v Speaker 6>Like yeah, so like you know, but I grew up

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<v Speaker 6>on hip hop, you know what I mean. And that

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<v Speaker 6>was my first love. And R and B, man, is

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<v Speaker 6>just like it was something that was just really driven

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<v Speaker 6>in the household, you know what I mean, And it

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<v Speaker 6>was always being played from like the stuff in the

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<v Speaker 6>seventies to you know, the nineties when I grew up.

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<v Speaker 6>And then once I started to see what was sort

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<v Speaker 6>of lacking in the live space in R and B,

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<v Speaker 6>I felt like I was graciously let in by the fans,

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<v Speaker 6>you know what I mean, And like I just like

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<v Speaker 6>really don't take that for granted, you know what I mean?

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<v Speaker 6>And I try to try to really provide an experience

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<v Speaker 6>and value to the R and B community.

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<v Speaker 4>So what do you like to be called? Ye in

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<v Speaker 4>this whole thing?

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<v Speaker 1>Right?

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<v Speaker 4>Because you know, everybody's okay, well I'm a this or

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<v Speaker 4>I'm a what you do multiple things? Yeah, yeah, you're

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<v Speaker 4>doing well.

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<v Speaker 7>Appreciate it really well for yourself, you know what I'm saying.

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<v Speaker 7>So that's I like to you know, like to ask, like,

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<v Speaker 7>like what do you see yourself?

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<v Speaker 2>Ask?

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<v Speaker 5>That's a great question. Man.

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<v Speaker 6>I don't really get caught up in like labels and stuff,

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<v Speaker 6>but I think ultimately a creator, you know what I mean. Like,

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<v Speaker 6>just like because on the one hand, I am a founder,

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<v Speaker 6>you know, I am the CEO of my company. But

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<v Speaker 6>it's not just limited to that. I don't just sit

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<v Speaker 6>in a business hat all the time. You know, a

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<v Speaker 6>lot of stuff I do is creative, you know. I

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<v Speaker 6>executive produce series. You know, I'm literally like making records

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<v Speaker 6>right now with artists, you know, like I'm uh directing

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<v Speaker 6>videos sometimes, you know what I mean. But at the

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<v Speaker 6>same time, like I'm also balancing budgets, you know what

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<v Speaker 6>I mean. I'm also like, uh, you know, making sure

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<v Speaker 6>that payroll is clear and running. I'm also you know,

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<v Speaker 6>you know, making sure that everyone's four one K is

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<v Speaker 6>set up, that our employees in the company, you know.

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<v Speaker 5>So it's like it's just like creative hat, but as.

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<v Speaker 6>Well, I'm I'm a I'm a real business owner, you know,

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<v Speaker 6>and I really do this business thing for real. So

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<v Speaker 6>I just think like the word that can encapsulate all

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<v Speaker 6>of that is creator.

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<v Speaker 1>Mm hm. Why R and B?

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<v Speaker 3>Though, if you were raised so hip hop, yeah that

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<v Speaker 3>was your first thing, like your first mind?

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<v Speaker 1>Yeah, why R and B?

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<v Speaker 6>I think it's really one word. I think the genre

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<v Speaker 6>overall in the live space was underserved, and I think

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<v Speaker 6>that for years and years and years, people's view of

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<v Speaker 6>an R and B show was an artist on stage

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<v Speaker 6>with a microphone and maybe, if they were lucky.

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<v Speaker 5>A band behind them.

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<v Speaker 6>I don't think people before we came into the game,

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<v Speaker 6>I don't think people could conceptualize a show involving a DJ.

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<v Speaker 6>I think that they always thought that that was a party,

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<v Speaker 6>you know what I mean. If I'm going to a party,

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<v Speaker 6>it's a DJ there. And when I started going to

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<v Speaker 6>you know, electronic music shows, I started seeing like incredible

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<v Speaker 6>hip hop DJs alongside artists, like opening up for an artist,

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<v Speaker 6>you know what I mean, but having their own flow

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<v Speaker 6>and their own show. I said, Man, this isn't really

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<v Speaker 6>happening like this in the R and B space, you know,

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<v Speaker 6>Like like I said, it is just really filled with

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<v Speaker 6>a bunch of incredible artists doing their thing. But I

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<v Speaker 6>wanted to provide something where I thought people could have

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<v Speaker 6>that same experience of a concert but sort of have

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<v Speaker 6>it be a hybrid of a party. But I just

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<v Speaker 6>really wanted to make people pay attention to what was

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<v Speaker 6>going on on stage, but just from a DJ perspective,

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<v Speaker 6>like telling stories through music, and that's what I thought

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<v Speaker 6>was missing, And that's that's how R and B on.

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<v Speaker 3>It was really birthed and with this idea, with this thought,

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<v Speaker 3>what is your first move?

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<v Speaker 6>WHOA so well, really, I was doing hip hop parties

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<v Speaker 6>at first, and at the end of those parties I

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<v Speaker 6>would play R and B exactly and I would well,

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<v Speaker 6>I was hosting. I would always hire DJ. I never

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<v Speaker 6>was a DJ myself, but I would always hire DJs

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<v Speaker 6>and I would host the events. And I turned the

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<v Speaker 6>fader down one day, and sometimes the DJs would hate

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<v Speaker 6>this because I would like grab their yeah, yeah, I

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<v Speaker 6>would grab the fader from there right, turn it down,

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<v Speaker 6>and and so I would. I did that, and I

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<v Speaker 6>was like, if I did an R and B only event,

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<v Speaker 6>would you guys come? And I had noticed at some

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<v Speaker 6>point like we would play R and B in the

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<v Speaker 6>last hour and a half. But as these parties were

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<v Speaker 6>kept progressing, all of the women would really come. Like

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<v Speaker 6>for the R and B sets, they would be like, oh,

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<v Speaker 6>I know they're about to do R and B, Like

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<v Speaker 6>at the end, I don't want to be there. When

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<v Speaker 6>at the time, you know, this is like little UZI vert,

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<v Speaker 6>you know, asap ferg, Like this is like the era

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<v Speaker 6>of turn up hip hop, you know.

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<v Speaker 5>What I mean?

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<v Speaker 6>And the girls were just coming at a certain time

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<v Speaker 6>and they were just like enjoying it so much, and

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<v Speaker 6>the entire room just like erupted when I asked them

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<v Speaker 6>if they if they would come to something that was

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<v Speaker 6>on and be only. And so the first move was

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<v Speaker 6>just like, all right, book a small venue. And so

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<v Speaker 6>I booked a venue down the street from where I

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<v Speaker 6>was doing it. I was I was having my events

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<v Speaker 6>in La at this place called a Dragonfly on Santa

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<v Speaker 6>Monica Boulevard. And then we booked a really small venue

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<v Speaker 6>off Sunset. Maybe it held to like maybe about one

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<v Speaker 6>hundred and fifty two hundred people.

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<v Speaker 5>It wasn't even really like a venue. It was kind

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<v Speaker 5>of like a bar.

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<v Speaker 3>Hold on, let's get this because I want to get

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<v Speaker 3>because you're not You're just You're not just a creator. Yep,

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<v Speaker 3>you're a businessman.

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<v Speaker 5>Yep.

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<v Speaker 3>How do you book this venue? Do you do a

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<v Speaker 3>deal with the venue in terms of the door. Do

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<v Speaker 3>you say, hey, let me buy out your venue?

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<v Speaker 1>Yeah for the night? Like, how did you do that?

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<v Speaker 6>Ever since I started, I was always I it was

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<v Speaker 6>always important to me to have as much control as

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<v Speaker 6>I possibly could have. So I always and to this day,

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<v Speaker 6>we still only do rental deals. So I would say, hey,

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<v Speaker 6>I'll at the venue and maybe there's a fixed fee,

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<v Speaker 6>but maybe that you know, fee can go down if

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<v Speaker 6>we have some sort of bar participation. So like let's

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<v Speaker 6>say at this time, maybe the venue cost about like

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<v Speaker 6>twenty five hundred or something to rent, but if we

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<v Speaker 6>did x amount at the bar, that twenty five hundred

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<v Speaker 6>might go to like fifteen hundred. And then if we

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<v Speaker 6>did more at the bar, that fifteen hundred could go

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<v Speaker 6>to five hundred, and if we hit the highest tier, it.

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<v Speaker 5>Would be a free, free venue rental. Yeah.

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<v Speaker 6>So that was like how I started all of my deals.

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<v Speaker 6>And you know, it's evolved a lot now as we're

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<v Speaker 6>in like much larger capacities, but the spirit is still there.

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<v Speaker 1>You're betting on you're betting early people.

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<v Speaker 3>Yeah, absolutely, yeah, yes, you're hedging a real bad yeah.

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<v Speaker 5>Yeah.

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<v Speaker 6>And there and there's a there's a lot of skin

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<v Speaker 6>in the game, and there's a lot that can be

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<v Speaker 6>lost when you do that because it could rain and

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<v Speaker 6>nobody could show up. Yeah, and now you you you've

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<v Speaker 6>already paid that fifty percent deposit to the venue and

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<v Speaker 6>they don't care if it rains or not.

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<v Speaker 4>They had the staff.

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<v Speaker 5>Yeah.

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<v Speaker 6>Yeah, so yeah, you could, you could, uh and I

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<v Speaker 6>have many times you could.

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<v Speaker 8>Uh.

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<v Speaker 5>You could lose your shirt on some of these deals.

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<v Speaker 6>But at the end of the day, when you take

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<v Speaker 6>the most risk, naturally, when it works, you're going to

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<v Speaker 6>be able to have the most reward.

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<v Speaker 1>So your first your first one, yeah is Dragonfly is correct?

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<v Speaker 6>Well, well it wasn't Dragonfly, it was it was another

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<v Speaker 6>venue that I don't even down down the street. It

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<v Speaker 6>was I believe it was called the Lost Palmas or

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<v Speaker 6>something we recently. Yeah, it was all off of Lost Yeah. Yeah,

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<v Speaker 6>so it was there and that one cracked. Yeah, for sure,

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<v Speaker 6>for sure. Honestly, it was just under the amount of

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<v Speaker 6>people that were at the hip hop shows. And so

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<v Speaker 6>I was like, you know, but the thing is like

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<v Speaker 6>the hip hop the room was and the hip hop

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<v Speaker 6>stuff was ticketed. This one I made a free rs VP,

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<v Speaker 6>but it was free rs VP before a certain time.

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<v Speaker 6>It was like free rs VP, free rs VP before

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<v Speaker 6>nine thirty because I knew if I incentivized people to

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<v Speaker 6>get there early like that would that was that was

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<v Speaker 6>the payment for me. It was like, you don't have

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<v Speaker 6>to give me any money to come to this show.

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<v Speaker 6>But if you get here early. That's more time you

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<v Speaker 6>drinking at the bar, you know what I mean, that's

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<v Speaker 6>that's more time that that people. You know a lot

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<v Speaker 6>of times, especially in LA people want to get to

0:12:35.200 --> 0:12:37.439
<v Speaker 6>some place where it's already popping at They don't want

0:12:37.480 --> 0:12:38.000
<v Speaker 6>to be there.

0:12:38.120 --> 0:12:40.880
<v Speaker 4>They don't want to be the first people in the building.

0:12:40.960 --> 0:12:43.480
<v Speaker 6>Yeah, exactly right, And so like they didn't mind getting there.

0:12:43.559 --> 0:12:46.000
<v Speaker 6>Now everybody got there at about nine to twenty five,

0:12:46.360 --> 0:12:48.480
<v Speaker 6>you know, and then the line is wrapped around the corner,

0:12:48.840 --> 0:12:51.679
<v Speaker 6>it looks and you know, so now it's like okay, cool,

0:12:52.760 --> 0:12:55.560
<v Speaker 6>once we got everybody in, and it goes from like

0:12:55.800 --> 0:13:01.000
<v Speaker 6>nine thirty until you know, two am. I just noticed that, like, wow,

0:13:02.080 --> 0:13:07.920
<v Speaker 6>this music, it has the key ingredients to storytell through

0:13:08.000 --> 0:13:11.480
<v Speaker 6>music throughout the night, right, and and those those ingredients

0:13:11.480 --> 0:13:17.120
<v Speaker 6>are it has to have a past president in the future, right,

0:13:17.200 --> 0:13:20.120
<v Speaker 6>So like there's an old school that people really want

0:13:20.160 --> 0:13:23.959
<v Speaker 6>to hear, but there's also a current like at the

0:13:24.160 --> 0:13:26.600
<v Speaker 6>at the at the current time, this is what the

0:13:26.720 --> 0:13:29.400
<v Speaker 6>music sounds like. And then there's like this up and

0:13:29.440 --> 0:13:31.640
<v Speaker 6>coming you know what I mean of the genre and

0:13:31.679 --> 0:13:34.440
<v Speaker 6>where it's going. And as long as we have that,

0:13:35.520 --> 0:13:38.120
<v Speaker 6>we can curate the music in a way where we

0:13:38.120 --> 0:13:41.520
<v Speaker 6>can take people on the journey, you know. And I

0:13:41.559 --> 0:13:43.920
<v Speaker 6>started all those wheels started turning in my head on

0:13:43.960 --> 0:13:44.520
<v Speaker 6>the first show.

0:13:44.640 --> 0:13:47.280
<v Speaker 4>So you were curating the DJ's playlist.

0:13:47.600 --> 0:13:50.800
<v Speaker 6>Yeah, yeah, definitely, definitely. I wouldn't just tell a DJ,

0:13:51.360 --> 0:13:53.959
<v Speaker 6>hey spin an R and B set, you know what

0:13:54.000 --> 0:13:55.840
<v Speaker 6>I mean? And that that's not even how it works

0:13:56.000 --> 0:13:59.320
<v Speaker 6>to this day. You know, like we really sit with music,

0:14:00.640 --> 0:14:03.840
<v Speaker 6>you know, I work with the music director and we

0:14:04.240 --> 0:14:07.120
<v Speaker 6>curate everything, and then there's a lot of like, you know,

0:14:07.160 --> 0:14:10.560
<v Speaker 6>we have moments in the show where we might we

0:14:10.640 --> 0:14:14.240
<v Speaker 6>might get the crowd interactive, and so we'll put you know,

0:14:14.400 --> 0:14:16.680
<v Speaker 6>actually we're doing it with one of your songs. In

0:14:16.760 --> 0:14:20.680
<v Speaker 6>this season, we have a we have a moment that

0:14:21.400 --> 0:14:26.760
<v Speaker 6>progresses from like baby making music or I think it's

0:14:26.800 --> 0:14:30.080
<v Speaker 6>love making music, baby making music, and then freak nasty music.

0:14:30.600 --> 0:14:33.960
<v Speaker 6>And we put a screen up and we have like

0:14:34.040 --> 0:14:37.480
<v Speaker 6>three options for each category and we get the crowd involved,

0:14:37.480 --> 0:14:40.360
<v Speaker 6>the nextra crowd to choose which songs they want to hear,

0:14:40.680 --> 0:14:44.760
<v Speaker 6>right yeah, And I think on freak Nasty that's when

0:14:45.120 --> 0:14:50.160
<v Speaker 6>one of the three options is when we and I

0:14:50.160 --> 0:14:52.920
<v Speaker 6>can't tell you how many times that song wins. Yeah,

0:14:53.240 --> 0:14:55.840
<v Speaker 6>And I always show you out when whenever, whenever, if

0:14:55.880 --> 0:14:57.960
<v Speaker 6>I'm on stage, if I'm hosting none of these shows,

0:14:57.960 --> 0:15:00.800
<v Speaker 6>I always say it's time to play big bro tanks joints.

0:15:01.560 --> 0:15:04.960
<v Speaker 6>It goes absolutely crazy nasty.

0:15:05.440 --> 0:15:06.240
<v Speaker 5>Yeah, and it's under.

0:15:06.080 --> 0:15:10.760
<v Speaker 3>Freaking appreciate you putting me in the right category.

0:15:11.680 --> 0:15:13.760
<v Speaker 5>You got stuff that can fit in every category.

0:15:13.800 --> 0:15:15.640
<v Speaker 3>But like I know, I get back make room for everybody.

0:15:15.720 --> 0:15:18.760
<v Speaker 3>Like the variety is what makes it dope. That's I

0:15:18.840 --> 0:15:21.920
<v Speaker 3>love that. What is like even when you're when you're

0:15:21.960 --> 0:15:25.240
<v Speaker 3>now when you're picking DJs, are you or were you

0:15:25.320 --> 0:15:28.560
<v Speaker 3>at that time? You know, did you have a database

0:15:28.600 --> 0:15:32.000
<v Speaker 3>of of of of DJs that you knew were well

0:15:32.080 --> 0:15:33.800
<v Speaker 3>versed in the R and B space or was it

0:15:33.880 --> 0:15:38.200
<v Speaker 3>something that you have to like now teach and and

0:15:38.200 --> 0:15:40.240
<v Speaker 3>and kind of curated you say, the playlist and all

0:15:40.240 --> 0:15:44.560
<v Speaker 3>of these things so that you can have now your

0:15:44.680 --> 0:15:48.280
<v Speaker 3>stable of DJs that understand your format.

0:15:48.400 --> 0:15:50.880
<v Speaker 6>No, No, it was definitely like I was rocking with

0:15:50.960 --> 0:15:56.360
<v Speaker 6>the people that I had known, and it was it

0:15:56.440 --> 0:15:59.480
<v Speaker 6>was a very different thing back then because at that

0:15:59.600 --> 0:16:03.600
<v Speaker 6>time it was really only males DJing at R and

0:16:03.640 --> 0:16:07.640
<v Speaker 6>B only shows. Now we're known for and it has

0:16:07.680 --> 0:16:10.440
<v Speaker 6>evolved into like, we only have women DJ at our

0:16:10.480 --> 0:16:12.840
<v Speaker 6>shows and very intentionally.

0:16:12.480 --> 0:16:14.960
<v Speaker 4>No, we did Chicago. It was a young lady, Yeah,

0:16:15.080 --> 0:16:16.040
<v Speaker 4>san Diego.

0:16:16.040 --> 0:16:18.720
<v Speaker 6>Da big shout out to Dasa. She was actually the

0:16:18.760 --> 0:16:22.880
<v Speaker 6>first women DJ that started working with me and it's

0:16:22.920 --> 0:16:24.080
<v Speaker 6>still rocking on.

0:16:24.040 --> 0:16:27.520
<v Speaker 5>The team to this day. Yeah yeah, So, but.

0:16:27.560 --> 0:16:31.120
<v Speaker 6>You know, like the way it started was it was

0:16:31.360 --> 0:16:34.760
<v Speaker 6>it was male DJs who were primarily known in the

0:16:34.840 --> 0:16:37.120
<v Speaker 6>hip hop space, but they had this R and B

0:16:37.240 --> 0:16:38.560
<v Speaker 6>knowledge and I will work with them.

0:16:38.400 --> 0:16:40.080
<v Speaker 5>To curate the sets.

0:16:40.400 --> 0:16:46.040
<v Speaker 6>But I started to realize as time went on, seventy

0:16:46.080 --> 0:16:48.080
<v Speaker 6>percent Because I'm a data guy. I'm a nerd, right,

0:16:48.120 --> 0:16:51.640
<v Speaker 6>so I'm always like I was making people select what

0:16:51.800 --> 0:16:54.160
<v Speaker 6>gender they are when they got a ticket, Like that

0:16:54.280 --> 0:16:56.440
<v Speaker 6>was something that I was doing super early so I

0:16:56.480 --> 0:16:59.400
<v Speaker 6>could get the data on what does the audience look

0:16:59.480 --> 0:17:03.920
<v Speaker 6>like and analytics, right, and I started to see like

0:17:04.160 --> 0:17:07.280
<v Speaker 6>seventy percent of the audience was women. So if seventy

0:17:07.320 --> 0:17:10.399
<v Speaker 6>percent of the audience as women, but it's a male

0:17:10.440 --> 0:17:13.440
<v Speaker 6>host and a male DJ up here, you know, we're

0:17:13.480 --> 0:17:17.800
<v Speaker 6>giving you guys what our perspective is, but really we

0:17:17.840 --> 0:17:21.680
<v Speaker 6>should be given what y'all's perspective is you know what

0:17:21.720 --> 0:17:25.280
<v Speaker 6>I mean? And so and then I really wanted women

0:17:25.520 --> 0:17:29.159
<v Speaker 6>to feel seen, like I wanted them to look on

0:17:29.200 --> 0:17:31.560
<v Speaker 6>the stages that we were on and see themselves there.

0:17:32.119 --> 0:17:34.560
<v Speaker 6>You know, And to this day, I don't think you

0:17:34.720 --> 0:17:39.240
<v Speaker 6>really see that many women DJs, you know, in front

0:17:39.240 --> 0:17:42.160
<v Speaker 6>of the size crowds that we're in front of, right,

0:17:42.480 --> 0:17:44.199
<v Speaker 6>and so you know that when you're coming to an

0:17:44.280 --> 0:17:47.080
<v Speaker 6>R and B only show, now, it's only going to

0:17:47.160 --> 0:17:50.920
<v Speaker 6>be women DJs because they're they're serving a crowd full

0:17:50.960 --> 0:17:51.320
<v Speaker 6>of women.

0:17:51.640 --> 0:17:53.520
<v Speaker 4>So you only have women DJs.

0:17:53.200 --> 0:17:55.439
<v Speaker 6>Now, Yeah, that's it. And that's been going on for

0:17:55.520 --> 0:18:04.320
<v Speaker 6>the past seven years. Yeah, I say, you find you women. Yeah,

0:18:04.400 --> 0:18:05.720
<v Speaker 6>and I got to give a big shout out to

0:18:06.080 --> 0:18:09.240
<v Speaker 6>all of them. But uh so we got Dasha, we

0:18:09.320 --> 0:18:16.040
<v Speaker 6>got Tierra Monique, we've got Magic, we've got Gap soul

0:18:17.000 --> 0:18:23.720
<v Speaker 6>h We've got Savage, and we've got dj Ashby. So

0:18:23.840 --> 0:18:26.199
<v Speaker 6>big shout out to all the women of R.

0:18:26.200 --> 0:18:28.760
<v Speaker 1>And B on I think I'm a steal savage.

0:18:28.720 --> 0:18:32.440
<v Speaker 6>Savage, savages, savages.

0:18:33.960 --> 0:18:38.640
<v Speaker 5>She gets the crowd going. Yeah.

0:18:38.800 --> 0:18:44.680
<v Speaker 3>When you when you're when you're going through the progressions

0:18:45.600 --> 0:18:48.680
<v Speaker 3>and of course you're doing these analytics and and figuring

0:18:48.680 --> 0:18:51.280
<v Speaker 3>out now attendance and all of these things. What are

0:18:51.320 --> 0:18:53.840
<v Speaker 3>the things that give you the indicators that Okay, now

0:18:53.880 --> 0:18:58.280
<v Speaker 3>it's time to move this from this club to now

0:18:58.320 --> 0:19:01.760
<v Speaker 3>this club. Now we can't even do clubs. Now we're

0:19:01.760 --> 0:19:05.239
<v Speaker 3>in palladiums and now we're in like you know, what

0:19:05.280 --> 0:19:06.639
<v Speaker 3>are the indicators that give you that?

0:19:07.200 --> 0:19:07.440
<v Speaker 1>Yeah?

0:19:07.480 --> 0:19:12.560
<v Speaker 6>So I think it's two things. The velocity in which

0:19:12.600 --> 0:19:16.760
<v Speaker 6>tickets sell when you drop them, right, So, like in

0:19:16.800 --> 0:19:20.760
<v Speaker 6>our industry, you guys know this, you have an announce

0:19:21.000 --> 0:19:23.439
<v Speaker 6>in an on sale. So an announce for those that

0:19:23.480 --> 0:19:27.879
<v Speaker 6>don't know, is when you announce a show or a tour,

0:19:28.440 --> 0:19:31.800
<v Speaker 6>that's just like essentially just like putting it out to

0:19:31.840 --> 0:19:34.639
<v Speaker 6>the public. Right then you have the date that the

0:19:34.680 --> 0:19:38.640
<v Speaker 6>tickets actually go on sale. And sometimes that could be

0:19:39.280 --> 0:19:40.760
<v Speaker 6>the next day, it could be two days later, it

0:19:40.800 --> 0:19:44.560
<v Speaker 6>could be two weeks later. But when you go on sale,

0:19:45.880 --> 0:19:51.639
<v Speaker 6>that really determines the interest of the people, you know

0:19:51.680 --> 0:19:54.120
<v Speaker 6>what I mean, Because like sometimes you have a situation

0:19:54.160 --> 0:19:57.040
<v Speaker 6>where you blow through the tickets and you sell you know,

0:19:57.080 --> 0:20:01.120
<v Speaker 6>the whole show out, or sometimes you might sell ten

0:20:01.119 --> 0:20:02.760
<v Speaker 6>percent of the venue, you know what I mean, And

0:20:02.800 --> 0:20:05.800
<v Speaker 6>you're like, WHOA, So I think the first thing we

0:20:05.880 --> 0:20:08.800
<v Speaker 6>look at is the velocity and the speed in which

0:20:09.240 --> 0:20:14.040
<v Speaker 6>tickets go on sale and how fast they sell. I

0:20:14.080 --> 0:20:18.000
<v Speaker 6>think the second thing, though, is sometimes you have markets

0:20:18.080 --> 0:20:21.360
<v Speaker 6>that are just you know, people people just.

0:20:21.800 --> 0:20:23.120
<v Speaker 5>By late, you know what I mean.

0:20:23.160 --> 0:20:26.600
<v Speaker 6>People, Yeah, people walk up, yeah yeah, people just like

0:20:26.920 --> 0:20:29.919
<v Speaker 6>you'd be surprised that how many tickets get sold in

0:20:29.920 --> 0:20:36.439
<v Speaker 6>the last forty eight hours. We would, And sometimes you know,

0:20:36.480 --> 0:20:39.919
<v Speaker 6>you're sweating, you're you're, you're, you are really wondering like

0:20:40.119 --> 0:20:42.040
<v Speaker 6>is this going to work? And then the last forty

0:20:42.080 --> 0:20:45.600
<v Speaker 6>eight hour hits and you know, it just just ticks up.

0:20:45.960 --> 0:20:46.280
<v Speaker 1>And so.

0:20:47.760 --> 0:20:53.639
<v Speaker 6>Ultimately between the on sale and the actual you know,

0:20:53.720 --> 0:20:57.960
<v Speaker 6>like the fully you know, after the show is completely done,

0:20:58.240 --> 0:21:01.440
<v Speaker 6>you have the data on like what has been done.

0:21:01.520 --> 0:21:05.440
<v Speaker 6>And typically if we're if we're selling out quick, then

0:21:05.480 --> 0:21:07.880
<v Speaker 6>we know that we need to move into a bigger room.

0:21:08.119 --> 0:21:10.440
<v Speaker 6>Yeah yeah, But if it's taking a little bit of time,

0:21:10.720 --> 0:21:13.080
<v Speaker 6>then we'll probably double back. We'll come back to that venue,

0:21:13.119 --> 0:21:14.680
<v Speaker 6>will know this is the right size that we need

0:21:14.720 --> 0:21:17.880
<v Speaker 6>to be in, you know, and then we'll just we'll

0:21:17.880 --> 0:21:19.280
<v Speaker 6>just assess it on the next run.

0:21:20.280 --> 0:21:22.520
<v Speaker 7>Like I know Tank is here, I know he's here,

0:21:23.280 --> 0:21:28.280
<v Speaker 7>right but what's the biggest record in R and B only?

0:21:28.960 --> 0:21:32.280
<v Speaker 5>Oh, I mean, it's so it's so many.

0:21:32.359 --> 0:21:34.879
<v Speaker 6>It's so many because you know, now we're in our

0:21:34.920 --> 0:21:38.080
<v Speaker 6>tenth year and we've thank you so much.

0:21:38.920 --> 0:21:42.760
<v Speaker 5>Spin. It's been incredible, incredible journey.

0:21:43.880 --> 0:21:47.159
<v Speaker 6>But I've seen I've seen I've seen records go like this,

0:21:47.240 --> 0:21:49.200
<v Speaker 6>and I've seen records go like that, right, I've seen.

0:21:50.520 --> 0:21:54.119
<v Speaker 6>But it's it always it always boils down to the classics.

0:21:54.720 --> 0:21:59.880
<v Speaker 6>And I can't I can't give like one political right now,

0:22:00.600 --> 0:22:12.080
<v Speaker 6>but one record see you, I think I think I've

0:22:13.320 --> 0:22:15.560
<v Speaker 6>I would have to, I would have to say something

0:22:15.600 --> 0:22:18.800
<v Speaker 6>along the lines of like like Fantasia when I see

0:22:18.840 --> 0:22:26.040
<v Speaker 6>you usher Superstar the way the way people just want

0:22:26.040 --> 0:22:30.000
<v Speaker 6>to sing that. Yeah, of course, you know.

0:22:32.760 --> 0:22:35.879
<v Speaker 5>Chris Brown say goodbye. You know, that's a that's a

0:22:36.000 --> 0:22:37.400
<v Speaker 5>that's one that is to be.

0:22:37.400 --> 0:22:41.080
<v Speaker 6>Surprised at, like the whole rooms, you know, just like

0:22:41.880 --> 0:22:48.879
<v Speaker 6>go crazy, Tevin Cable, can we talk? Is just like

0:22:49.359 --> 0:22:51.879
<v Speaker 6>we don't even really play that record anymore, just because

0:22:51.920 --> 0:22:55.040
<v Speaker 6>like you can hear it everywhere. Anybody that does R

0:22:55.119 --> 0:22:57.960
<v Speaker 6>and B anything is gonna you know, that's a that's

0:22:57.960 --> 0:23:04.680
<v Speaker 6>a go to. But it's still is what it does. Man,

0:23:07.440 --> 0:23:10.800
<v Speaker 6>those are the those are the ones like that. I

0:23:10.800 --> 0:23:13.679
<v Speaker 6>would say, I'm going down still yeah.

0:23:13.600 --> 0:23:16.600
<v Speaker 5>Yeah, yeah, s w V. I'm going oh no no

0:23:16.800 --> 0:23:19.320
<v Speaker 5>marry marry my bad Yeah no, what's the s w

0:23:19.480 --> 0:23:28.040
<v Speaker 5>V one though? No, no, no week week that's the way.

0:23:28.200 --> 0:23:33.880
<v Speaker 6>Love love, Yes, but I still that that one kind

0:23:33.880 --> 0:23:35.680
<v Speaker 6>of is in the same vein as the the Tevin

0:23:35.720 --> 0:23:39.480
<v Speaker 6>Campbell Like it's like it's like, yeah, just kind of

0:23:39.520 --> 0:23:40.440
<v Speaker 6>like played.

0:23:40.200 --> 0:23:42.280
<v Speaker 5>Out classics, but but but classic.

0:23:54.760 --> 0:23:58.119
<v Speaker 7>As you're curating these playlists and these shows, because yours

0:23:58.119 --> 0:24:03.119
<v Speaker 7>the shows, yours parties, and within a show, there is

0:24:03.160 --> 0:24:06.040
<v Speaker 7>a set list, absolutely right, So how do you how

0:24:06.080 --> 0:24:10.399
<v Speaker 7>do you say, like, maybe we don't play this huge

0:24:10.440 --> 0:24:12.199
<v Speaker 7>record because other people are playing it.

0:24:12.400 --> 0:24:14.840
<v Speaker 5>Yeah, we have to do that all because the.

0:24:14.840 --> 0:24:17.760
<v Speaker 7>People want to hear those records though, Bro, yeah yeah,

0:24:17.800 --> 0:24:19.000
<v Speaker 7>but I think I come and.

0:24:18.960 --> 0:24:22.560
<v Speaker 4>I don't hear love. I'm gonna have some hate for somebody.

0:24:22.359 --> 0:24:24.760
<v Speaker 6>That and tell you that, and it happens, and that happens,

0:24:24.760 --> 0:24:26.680
<v Speaker 6>and we catch and we catch a lot of hate.

0:24:26.720 --> 0:24:32.359
<v Speaker 6>Because it's impossible to please everybody. We cannot play every

0:24:32.520 --> 0:24:36.879
<v Speaker 6>because here's another problem with that, right, if we play

0:24:36.960 --> 0:24:41.000
<v Speaker 6>that every season, then why are you gonna come back again?

0:24:41.800 --> 0:24:42.360
<v Speaker 5>You know what I mean?

0:24:42.640 --> 0:24:45.080
<v Speaker 6>Now, what happens is it's only a small portion of

0:24:45.080 --> 0:24:47.879
<v Speaker 6>the show, but some of those records get weaved in

0:24:48.000 --> 0:24:50.960
<v Speaker 6>and out for each season, right We we we look

0:24:51.000 --> 0:24:53.960
<v Speaker 6>at the playlist and the set list for a particular season,

0:24:54.200 --> 0:24:55.280
<v Speaker 6>and then we have to say.

0:24:55.560 --> 0:24:58.280
<v Speaker 1>It's like a tour. It's like your set list for

0:24:58.280 --> 0:24:58.920
<v Speaker 1>for this tour.

0:24:59.040 --> 0:25:00.880
<v Speaker 5>Yeah, yeah, absolutely, going to run. Absolutely.

0:25:00.960 --> 0:25:05.320
<v Speaker 6>Yeah, we kind of have like those classics, there's gonna

0:25:05.359 --> 0:25:07.560
<v Speaker 6>be like three or four of them because we're playing

0:25:07.640 --> 0:25:11.200
<v Speaker 6>about one hundred twenty two, one hundred and fifty songs

0:25:11.240 --> 0:25:13.520
<v Speaker 6>every show, you know, because remember we're not staying in

0:25:13.600 --> 0:25:16.679
<v Speaker 6>songs for all three verses, right like sometimes we get

0:25:16.800 --> 0:25:21.280
<v Speaker 6>in and out. Yeah, but yeah, so you're you're there's

0:25:21.440 --> 0:25:24.880
<v Speaker 6>I will say, if you experience the show, it's definitely

0:25:24.920 --> 0:25:28.560
<v Speaker 6>something for everybody. And we and at the same time

0:25:28.720 --> 0:25:31.320
<v Speaker 6>with those classics, you know a lot of times there's

0:25:31.520 --> 0:25:33.919
<v Speaker 6>there's new classics, you know what I mean, Like and

0:25:33.960 --> 0:25:37.240
<v Speaker 6>there's stuff that people really want to hear that might

0:25:37.320 --> 0:25:40.720
<v Speaker 6>not be twenty to thirty years old, but it might

0:25:40.720 --> 0:25:42.240
<v Speaker 6>be ten years old, you know what I mean. And

0:25:42.640 --> 0:25:44.520
<v Speaker 6>it's like it's one of those new classics that people

0:25:44.520 --> 0:25:47.119
<v Speaker 6>are like, damn, you know what I mean, Like Bryson

0:25:47.200 --> 0:25:50.240
<v Speaker 6>Tiller Exchange, you know what I mean, Like that's that's

0:25:50.440 --> 0:25:54.080
<v Speaker 6>very much up there with some of those older classics

0:25:54.480 --> 0:25:56.000
<v Speaker 6>to a newer generation though.

0:25:56.280 --> 0:25:59.879
<v Speaker 7>Yeah, no, absolutely, but you better play Frankie Beverley.

0:26:00.119 --> 0:26:02.960
<v Speaker 6>Oh yeah, yeah, Frankie Beverly, so before I let go.

0:26:03.280 --> 0:26:05.800
<v Speaker 6>It's damn, They're always going to be played. That's a

0:26:05.800 --> 0:26:10.080
<v Speaker 6>confetti moment for us.

0:26:11.119 --> 0:26:15.040
<v Speaker 3>First of all, congratulations on ten years, really really, and

0:26:15.080 --> 0:26:18.040
<v Speaker 3>it's not just like there's not just ten years in business.

0:26:18.080 --> 0:26:23.240
<v Speaker 3>It's ten years of progressing and elevating in business and

0:26:23.400 --> 0:26:26.399
<v Speaker 3>growing in business like this not a you ain't just

0:26:26.440 --> 0:26:27.280
<v Speaker 3>here for ten years.

0:26:27.960 --> 0:26:29.639
<v Speaker 1>You're cooking for ten years.

0:26:29.440 --> 0:26:32.760
<v Speaker 3>Right, And as you approach this ten year anniversary anniversary,

0:26:33.800 --> 0:26:37.680
<v Speaker 3>what would the ten year guy say to the first

0:26:37.720 --> 0:26:40.879
<v Speaker 3>or second year guy like you wish you would have

0:26:41.040 --> 0:26:44.320
<v Speaker 3>known in that time. I mean, it was good to

0:26:44.320 --> 0:26:47.600
<v Speaker 3>get the lesson, but had you had that one or

0:26:47.680 --> 0:26:49.960
<v Speaker 3>two pieces of information.

0:26:50.680 --> 0:26:51.639
<v Speaker 5>That's such a good question.

0:26:51.720 --> 0:26:53.040
<v Speaker 4>Thank damn, if you'd have had an R and B

0:26:53.160 --> 0:26:53.960
<v Speaker 4>money podcast.

0:26:57.280 --> 0:27:01.439
<v Speaker 6>Honestly, I think it's gonna have to be a lesson

0:27:01.480 --> 0:27:07.120
<v Speaker 6>that I've learned over the recent years, and it's when

0:27:07.160 --> 0:27:10.000
<v Speaker 6>you have to have hard conversations, run to them and

0:27:10.080 --> 0:27:14.400
<v Speaker 6>have them quick, right. And that can be with employees,

0:27:15.000 --> 0:27:18.679
<v Speaker 6>that can be with partners in business, that can be

0:27:18.920 --> 0:27:22.560
<v Speaker 6>with you know, artists and managers.

0:27:22.600 --> 0:27:22.879
<v Speaker 5>You know what.

0:27:23.280 --> 0:27:26.200
<v Speaker 6>I've been in situations where like I've said, I had

0:27:26.280 --> 0:27:29.399
<v Speaker 6>this money for somebody to pop up, and then like

0:27:29.480 --> 0:27:32.000
<v Speaker 6>something happened in the business and I didn't have the

0:27:32.040 --> 0:27:34.160
<v Speaker 6>money anymore, and I have to just make that phone

0:27:34.200 --> 0:27:37.160
<v Speaker 6>call and be like, I don't got it on this round,

0:27:37.320 --> 0:27:37.880
<v Speaker 6>I don't have.

0:27:37.840 --> 0:27:38.600
<v Speaker 5>It right now.

0:27:39.240 --> 0:27:41.200
<v Speaker 6>And I know I said I was gonna you know

0:27:41.240 --> 0:27:43.040
<v Speaker 6>what I mean, and I wanted to make it happen.

0:27:43.119 --> 0:27:48.359
<v Speaker 6>But I rather my I rather my integrity be intact

0:27:48.440 --> 0:27:50.720
<v Speaker 6>with you. I'd rather be like, stand up and I'd rather,

0:27:51.240 --> 0:27:53.600
<v Speaker 6>you know, double back on it later. And so but

0:27:53.640 --> 0:27:55.199
<v Speaker 6>it's hard, you know what I mean, you have to have.

0:27:55.760 --> 0:27:59.160
<v Speaker 6>But the thing about hard conversations is that you're never

0:27:59.200 --> 0:28:02.240
<v Speaker 6>gonna have to stop them, you know, so you might

0:28:02.280 --> 0:28:05.359
<v Speaker 6>as well just run towards them, have them when you

0:28:05.440 --> 0:28:08.879
<v Speaker 6>need to have them, and iron it out. Because what

0:28:09.000 --> 0:28:11.320
<v Speaker 6>I found in my earlier years when I would put

0:28:11.320 --> 0:28:13.840
<v Speaker 6>stuff off and when I'd have to wait to have

0:28:13.960 --> 0:28:18.520
<v Speaker 6>hard conversations, like things would get blown way out of proportion,

0:28:19.160 --> 0:28:19.840
<v Speaker 6>you know what I mean.

0:28:19.880 --> 0:28:22.960
<v Speaker 3>And I was miss missed so much misunderstanding that can

0:28:23.000 --> 0:28:24.760
<v Speaker 3>happen without having the.

0:28:24.760 --> 0:28:29.239
<v Speaker 7>Actual yes, and that's time progressive, yes, yeah, because then

0:28:29.280 --> 0:28:34.119
<v Speaker 7>you put people in position where they can't adjust boom,

0:28:34.440 --> 0:28:36.760
<v Speaker 7>and then and then it starts to feel like, oh

0:28:36.800 --> 0:28:38.680
<v Speaker 7>you just fucking yeah, yeah, you know what I mean.

0:28:38.720 --> 0:28:41.760
<v Speaker 7>You played me this whole time, So then it's like, okay,

0:28:41.760 --> 0:28:44.560
<v Speaker 7>so when did you realize that you have all my money?

0:28:44.720 --> 0:28:44.880
<v Speaker 4>Yes?

0:28:48.000 --> 0:28:49.560
<v Speaker 5>Yeah, yeah, yeah, exactly, you know what I mean.

0:28:49.840 --> 0:28:57.680
<v Speaker 7>Because and in business altogether, especially in promotions, right, I

0:28:57.720 --> 0:29:00.520
<v Speaker 7>think there's a stigma that comes along with it from

0:29:00.520 --> 0:29:04.280
<v Speaker 7>the beginning that you have to work against. Oh the

0:29:04.320 --> 0:29:07.600
<v Speaker 7>first thing people say, JANKI promoter. They made the movie

0:29:07.600 --> 0:29:09.959
<v Speaker 7>about it, you know what I'm saying. But it is

0:29:10.000 --> 0:29:13.080
<v Speaker 7>the first thing, because it's been so much bad promotion

0:29:13.200 --> 0:29:16.360
<v Speaker 7>and bad business done from people since the beginning of

0:29:16.360 --> 0:29:20.280
<v Speaker 7>the time that you know, for a young man like

0:29:20.320 --> 0:29:23.840
<v Speaker 7>yourself getting into this game, you had to be mindful

0:29:23.840 --> 0:29:24.040
<v Speaker 7>of that.

0:29:24.560 --> 0:29:24.840
<v Speaker 5>Yeah.

0:29:24.880 --> 0:29:27.080
<v Speaker 6>And the thing is I didn't even know right, like,

0:29:27.120 --> 0:29:29.560
<v Speaker 6>because I don't to this day, I don't really look

0:29:29.560 --> 0:29:30.280
<v Speaker 6>at myself as.

0:29:30.200 --> 0:29:32.360
<v Speaker 5>A promoter, you know what I mean, Like you're definitely

0:29:32.360 --> 0:29:36.840
<v Speaker 5>a promoter too. Oh it's an element, yeah, yeah, no

0:29:36.920 --> 0:29:38.120
<v Speaker 5>doubt about it. Yeah.

0:29:38.320 --> 0:29:41.920
<v Speaker 6>But I come from the content creation world, you know

0:29:41.960 --> 0:29:44.760
<v Speaker 6>what I mean. Like I come from like making YouTube videos,

0:29:44.840 --> 0:29:52.000
<v Speaker 6>interviewing artists, like making media and so in that world, true,

0:29:52.240 --> 0:29:55.400
<v Speaker 6>I was always like marketing stuff and promoting stuff, and

0:29:55.640 --> 0:29:59.440
<v Speaker 6>you know, but then it's like promoting shows and when

0:29:59.440 --> 0:30:02.880
<v Speaker 6>there's money involved, you know, there's a lot of people

0:30:03.160 --> 0:30:07.520
<v Speaker 6>on every front that were like who is this guy?

0:30:07.800 --> 0:30:09.800
<v Speaker 6>You know what I mean, Like, because it's the venues

0:30:09.880 --> 0:30:13.040
<v Speaker 6>that are like, we've been screwed over before. It's the

0:30:13.320 --> 0:30:17.440
<v Speaker 6>fans like oh when you imagine, Like it's easy to

0:30:17.480 --> 0:30:19.880
<v Speaker 6>talk about all the stuff right now, but imagine when

0:30:19.880 --> 0:30:23.120
<v Speaker 6>you start in the show and there's no talent involved,

0:30:23.120 --> 0:30:26.520
<v Speaker 6>traditional talent involved, right and you don't have a huge

0:30:26.560 --> 0:30:30.720
<v Speaker 6>Instagram following, and all you have is an idea or

0:30:30.760 --> 0:30:33.200
<v Speaker 6>a few pictures from the last event. You have to

0:30:33.320 --> 0:30:36.360
<v Speaker 6>like use the few pictures that you got from the

0:30:36.400 --> 0:30:38.760
<v Speaker 6>last event and videos to like promote the next event

0:30:38.800 --> 0:30:41.400
<v Speaker 6>and keep going. And when people hit an Instagram page

0:30:41.440 --> 0:30:45.280
<v Speaker 6>that they've never seen before, and they're like, oh, R

0:30:45.280 --> 0:30:47.040
<v Speaker 6>and B on the show happened in there, and they're like,

0:30:47.840 --> 0:30:49.719
<v Speaker 6>I don't know, this looks like a scam. I mean

0:30:49.760 --> 0:30:52.640
<v Speaker 6>people still say that to this day about our shows that.

0:30:52.600 --> 0:30:53.400
<v Speaker 5>Have never been before.

0:30:53.440 --> 0:30:55.680
<v Speaker 6>I mean, and we have all this media, we have

0:30:55.840 --> 0:31:00.080
<v Speaker 6>all these testimonials, we have everything to prove that it

0:31:00.120 --> 0:31:03.040
<v Speaker 6>is a legitimate business and real but people have been

0:31:03.080 --> 0:31:08.120
<v Speaker 6>screwed over so much by Jankie promoters that you know,

0:31:08.240 --> 0:31:11.840
<v Speaker 6>if it's new to somebody, people just automatically go to like,

0:31:13.080 --> 0:31:15.000
<v Speaker 6>I don't know if I'm gonna spend my money with that.

0:31:15.160 --> 0:31:17.680
<v Speaker 6>And then and then when we had COVID, oh my gosh,

0:31:17.880 --> 0:31:21.000
<v Speaker 6>that just made everything crazy because.

0:31:20.920 --> 0:31:21.800
<v Speaker 4>Everybody was scamming.

0:31:22.520 --> 0:31:26.480
<v Speaker 6>I mean people, people, people were putting putting tickets on sale,

0:31:26.520 --> 0:31:28.520
<v Speaker 6>and then they were not you know, the shows weren't happening.

0:31:28.560 --> 0:31:31.680
<v Speaker 6>They were being like, it's postponed indefinitely, you know what

0:31:31.760 --> 0:31:32.040
<v Speaker 6>I mean.

0:31:33.840 --> 0:31:37.880
<v Speaker 5>Yeah, it's just right. Those two don't even go together.

0:31:39.320 --> 0:31:43.960
<v Speaker 5>So there was a lot that we had to overcome.

0:31:43.560 --> 0:31:44.640
<v Speaker 4>For sure, absolutely.

0:31:44.600 --> 0:31:48.320
<v Speaker 7>And what I'll say, Bro, is we've done business with you,

0:31:48.880 --> 0:31:50.200
<v Speaker 7>and I'll put that out there.

0:31:50.280 --> 0:31:51.480
<v Speaker 4>You are a great business man.

0:31:51.640 --> 0:31:53.960
<v Speaker 7>Think when you handle your business and you take care

0:31:54.000 --> 0:31:57.280
<v Speaker 7>of people the same way when you when you present

0:31:57.320 --> 0:31:59.200
<v Speaker 7>it to them, it's the same way when they get

0:31:59.200 --> 0:31:59.840
<v Speaker 7>there and what.

0:32:00.040 --> 0:32:00.520
<v Speaker 4>Comes from it.

0:32:00.600 --> 0:32:01.920
<v Speaker 5>Yeah, that's super important.

0:32:01.920 --> 0:32:03.520
<v Speaker 4>We were never on the other side.

0:32:03.280 --> 0:32:10.720
<v Speaker 5>Of the hey guys, luckily, and it's.

0:32:10.560 --> 0:32:16.200
<v Speaker 3>Like, you know, you know, attitude reflect leadership, right, and

0:32:16.240 --> 0:32:20.880
<v Speaker 3>so yes, you are. You are a great reflection of

0:32:21.640 --> 0:32:24.440
<v Speaker 3>even the people you surrounded, your staff and everybody, like

0:32:25.080 --> 0:32:30.120
<v Speaker 3>everybody around it's a pleasant, pleasant, cordial and professional like

0:32:30.200 --> 0:32:34.280
<v Speaker 3>it's I'm very blessed. Yeah, man, super cool. Love it's crazy.

0:32:34.320 --> 0:32:34.480
<v Speaker 5>Man.

0:32:34.520 --> 0:32:37.800
<v Speaker 3>So you you did a very very amazing job with

0:32:37.840 --> 0:32:39.800
<v Speaker 3>that part of it, because that's hard to maintain.

0:32:40.440 --> 0:32:43.040
<v Speaker 5>Extremely extremely man. Yeah, I think.

0:32:43.600 --> 0:32:46.800
<v Speaker 3>There's always like somebody that wants to be an asshole

0:32:47.240 --> 0:32:48.600
<v Speaker 3>because they want to be you show.

0:32:48.880 --> 0:32:53.640
<v Speaker 1>Yeah, I don't care who you are, you're getting it.

0:32:55.600 --> 0:33:02.120
<v Speaker 5>So if I called your bar, yeah, because we'll call it.

0:33:02.520 --> 0:33:06.760
<v Speaker 6>I think I think that comes from, you know, just

0:33:06.800 --> 0:33:13.040
<v Speaker 6>having people who their their goal is to like change

0:33:13.080 --> 0:33:16.520
<v Speaker 6>the game and do something different. It's not to be

0:33:16.840 --> 0:33:19.160
<v Speaker 6>next to the celebrity, you know what I mean. It's

0:33:19.200 --> 0:33:22.360
<v Speaker 6>not necessarily to just like be on and be seen

0:33:22.480 --> 0:33:26.959
<v Speaker 6>It's like I've been able to curate like such an

0:33:27.320 --> 0:33:33.160
<v Speaker 6>amazing staff because all of them they were like they

0:33:33.160 --> 0:33:35.720
<v Speaker 6>were just hungry. At one point, like literally we got

0:33:35.720 --> 0:33:39.280
<v Speaker 6>ten full time employees and about another forty contractors that

0:33:39.320 --> 0:33:42.960
<v Speaker 6>work with us, and so but every all of the

0:33:42.960 --> 0:33:46.479
<v Speaker 6>full time employees started as like an independent contractor. They

0:33:46.480 --> 0:33:49.120
<v Speaker 6>were just like, hey, I'm available. They I'll do whatever,

0:33:49.200 --> 0:33:50.959
<v Speaker 6>I'll do this at a show, I'll do this.

0:33:51.480 --> 0:33:53.360
<v Speaker 5>And they didn't.

0:33:53.520 --> 0:33:56.680
<v Speaker 6>They didn't like get their jobs from like applying on

0:33:56.720 --> 0:34:00.160
<v Speaker 6>the website. They got their jobs from like doing what

0:34:00.280 --> 0:34:03.120
<v Speaker 6>was necessary and showing what they could do. And then

0:34:03.200 --> 0:34:06.640
<v Speaker 6>that evolved and you know, got them their full time position.

0:34:07.560 --> 0:34:07.880
<v Speaker 1>Fire.

0:34:08.600 --> 0:34:14.919
<v Speaker 3>Another question, as we spoke on earlier that equipment and ship,

0:34:15.440 --> 0:34:17.680
<v Speaker 3>Oh yeah is yours?

0:34:18.080 --> 0:34:18.360
<v Speaker 5>Yes?

0:34:19.360 --> 0:34:25.960
<v Speaker 3>When do you say renting this ship is not adding up?

0:34:26.360 --> 0:34:27.360
<v Speaker 5>Yeah? Yeah?

0:34:27.400 --> 0:34:30.040
<v Speaker 1>When does that? When does that hit you in the face?

0:34:31.920 --> 0:34:34.480
<v Speaker 5>So it was probably year.

0:34:35.800 --> 0:34:39.880
<v Speaker 6>Three or four when I was just you know, I

0:34:39.880 --> 0:34:44.399
<v Speaker 6>mean we didn't always have led screens, right, So like, man,

0:34:44.440 --> 0:34:47.600
<v Speaker 6>I remember days where we were walking around going from

0:34:47.600 --> 0:34:51.680
<v Speaker 6>city to city in a sprinter van with projectors and

0:34:52.320 --> 0:34:57.520
<v Speaker 6>fast fold projection uh screens there, you know, and uh

0:34:58.160 --> 0:35:00.080
<v Speaker 6>and you know having to make sure that the that

0:35:00.160 --> 0:35:03.520
<v Speaker 6>the that the amount of lumins on the projector were

0:35:03.560 --> 0:35:07.000
<v Speaker 6>bright enough so that people could see it, right, see your.

0:35:07.000 --> 0:35:07.920
<v Speaker 5>Visuals on the screen.

0:35:08.040 --> 0:35:11.480
<v Speaker 6>And I'm downloading, by the way, visuals right like I'm

0:35:11.520 --> 0:35:16.600
<v Speaker 6>downloading stuff from YouTube, putting them on a broke ass laptop,

0:35:16.920 --> 0:35:18.920
<v Speaker 6>you know what I mean, having somebody else run it

0:35:18.920 --> 0:35:21.480
<v Speaker 6>while I'm on stage, right and like and that that

0:35:21.560 --> 0:35:22.040
<v Speaker 6>was that was.

0:35:21.960 --> 0:35:25.880
<v Speaker 5>Our visuals here, right for sure.

0:35:26.320 --> 0:35:28.439
<v Speaker 6>And so but at a certain point when I wanted

0:35:28.480 --> 0:35:30.720
<v Speaker 6>to elevate up and I said, oh, we need LED.

0:35:31.360 --> 0:35:33.680
<v Speaker 5>This is the future of all live shows, Like.

0:35:34.440 --> 0:35:38.319
<v Speaker 6>You know, the LED is gonna be what really keeps

0:35:38.360 --> 0:35:41.880
<v Speaker 6>people's eyes locked in, you know, because a DJ is djaying,

0:35:42.000 --> 0:35:45.080
<v Speaker 6>but you know, they can only they can only be

0:35:45.360 --> 0:35:48.600
<v Speaker 6>so entertaining and still have to be a technician, you

0:35:48.640 --> 0:35:50.680
<v Speaker 6>know what I mean. So you need some other sort

0:35:50.719 --> 0:35:55.800
<v Speaker 6>of visual to keep people's attention. And so I started

0:35:55.840 --> 0:36:01.239
<v Speaker 6>renting the LED, and you know, man, it was so expensive,

0:36:01.360 --> 0:36:03.719
<v Speaker 6>and I was just like, you know, I have I

0:36:03.719 --> 0:36:07.160
<v Speaker 6>have a really funny story about this, but uh not funny.

0:36:07.160 --> 0:36:08.560
<v Speaker 5>It was just crazy.

0:36:10.120 --> 0:36:10.400
<v Speaker 1>I was.

0:36:10.480 --> 0:36:13.080
<v Speaker 5>I was spending so much money on the rentals. And

0:36:13.120 --> 0:36:14.040
<v Speaker 5>then at the time.

0:36:15.800 --> 0:36:20.799
<v Speaker 6>One of my DJs was opening open not opening, but

0:36:20.800 --> 0:36:25.880
<v Speaker 6>we we This is back when Rihanna first launched fenty

0:36:26.719 --> 0:36:31.840
<v Speaker 6>and she has an opening party for the for the

0:36:32.600 --> 0:36:36.760
<v Speaker 6>fentie Just brand and it was her holiday party actually,

0:36:37.239 --> 0:36:40.799
<v Speaker 6>and so we we we DJ the holiday party and

0:36:40.920 --> 0:36:44.080
<v Speaker 6>get there early. She comes to the booth and she's

0:36:44.120 --> 0:36:47.600
<v Speaker 6>like telling us, Hey, this is sort of like you know,

0:36:47.719 --> 0:36:49.520
<v Speaker 6>curating the night. This is the type of music I

0:36:49.520 --> 0:36:52.160
<v Speaker 6>want to hear. Boom boom boom. And first off, I'm

0:36:52.239 --> 0:36:54.920
<v Speaker 6>just like gosh that this is you know, Rihanna's talking

0:36:55.200 --> 0:36:57.080
<v Speaker 6>telling us like what music to play.

0:36:56.840 --> 0:36:58.320
<v Speaker 5>And I'm just like this is crazy.

0:36:58.880 --> 0:37:03.520
<v Speaker 6>And so I start like just mingling meeting people, and uh,

0:37:04.320 --> 0:37:07.000
<v Speaker 6>I said, you know, I really love that all your

0:37:07.120 --> 0:37:09.120
<v Speaker 6>staff is women. This is before I even have like

0:37:09.320 --> 0:37:12.640
<v Speaker 6>female DJs. And she was like, oh, you know, I'm

0:37:12.680 --> 0:37:14.520
<v Speaker 6>going to introduce you to them, like that's that's really

0:37:14.680 --> 0:37:16.600
<v Speaker 6>that's that's nice that you even noticed that. You know,

0:37:16.719 --> 0:37:18.960
<v Speaker 6>like so much of her like high up staff was

0:37:19.000 --> 0:37:23.799
<v Speaker 6>like all women. And she starts introducing me to folks

0:37:23.840 --> 0:37:26.120
<v Speaker 6>and you know, she said, hey, you need to talk

0:37:26.160 --> 0:37:27.000
<v Speaker 6>to this woman right here.

0:37:27.080 --> 0:37:30.840
<v Speaker 5>She handles like all of the uh, all of the

0:37:32.680 --> 0:37:35.120
<v Speaker 5>manufacturing for the Puma deal.

0:37:35.280 --> 0:37:36.960
<v Speaker 6>Right, And this is why it's super important to get

0:37:36.960 --> 0:37:39.600
<v Speaker 6>to places early, right, because like nobody's in there at

0:37:39.600 --> 0:37:41.759
<v Speaker 6>this time, right, And so like I actually got to

0:37:41.840 --> 0:37:44.480
<v Speaker 6>have like, you know, the five ten minutes with her

0:37:45.040 --> 0:37:48.920
<v Speaker 6>and meet some some interesting folks. I start telling the

0:37:49.640 --> 0:37:52.520
<v Speaker 6>head of the Puma manufacturing about my shows on what

0:37:52.560 --> 0:37:55.960
<v Speaker 6>I'm doing, and I said, I'm saying, I'm showing her

0:37:56.000 --> 0:37:59.000
<v Speaker 6>pictures and she's like, oh, like, do you do you

0:37:59.040 --> 0:38:02.200
<v Speaker 6>rent those LED war And I was like, yeah, it's

0:38:02.239 --> 0:38:03.480
<v Speaker 6>like crazy expensive.

0:38:04.280 --> 0:38:04.680
<v Speaker 5>No. Lie.

0:38:04.719 --> 0:38:07.879
<v Speaker 6>This woman goes My husband is at this like he's

0:38:07.880 --> 0:38:11.360
<v Speaker 6>about to go to this conference it's called LED China.

0:38:12.120 --> 0:38:14.480
<v Speaker 6>And I was like what and she was like yeah,

0:38:14.520 --> 0:38:17.319
<v Speaker 6>it's like he goes through it every years, this.

0:38:17.280 --> 0:38:19.839
<v Speaker 5>Conference where like all the manufacturers for the.

0:38:19.920 --> 0:38:23.359
<v Speaker 6>LED screens, like they all meet and they all it's

0:38:23.400 --> 0:38:26.000
<v Speaker 6>a marketplace and you like buy and sell LED screens there.

0:38:26.600 --> 0:38:29.319
<v Speaker 5>And I was like, can you like leave me with them?

0:38:29.520 --> 0:38:29.759
<v Speaker 1>Yeah.

0:38:29.920 --> 0:38:33.560
<v Speaker 6>She puts me on a WhatsApp with her husband. This

0:38:33.640 --> 0:38:38.760
<v Speaker 6>guy sends like a bunch of business cards like this person,

0:38:38.880 --> 0:38:41.800
<v Speaker 6>this person, like all these companies that manufacture LED screens,

0:38:42.680 --> 0:38:47.160
<v Speaker 6>never heard of these companies. This is out of shen Zhen, China, right, Yeah.

0:38:47.239 --> 0:38:51.239
<v Speaker 6>So then it's like he's like, oh, the next the

0:38:51.280 --> 0:38:53.400
<v Speaker 6>next conference is coming up like on this day, and

0:38:53.440 --> 0:38:55.800
<v Speaker 6>it's like a month away, and I'm thinking to myself,

0:38:55.800 --> 0:38:58.279
<v Speaker 6>I'm like, whoa, Like what we got to go out here, man,

0:38:58.320 --> 0:39:01.560
<v Speaker 6>because like we're spending you know, depending on the size,

0:39:01.640 --> 0:39:04.680
<v Speaker 6>like five to ten grand to rent these things at

0:39:04.680 --> 0:39:09.120
<v Speaker 6>every every show, you know. And so I'm like, all right,

0:39:09.280 --> 0:39:13.120
<v Speaker 6>let's book the flights, you know, I just me my

0:39:13.200 --> 0:39:16.840
<v Speaker 6>DJ and then another guy that that I know that

0:39:17.000 --> 0:39:22.959
<v Speaker 6>was like selling fake clothes out of China. So that's why,

0:39:23.360 --> 0:39:30.560
<v Speaker 6>like he he was like, yo, I'll pull up with you.

0:39:30.560 --> 0:39:31.120
<v Speaker 5>Where are you going?

0:39:32.239 --> 0:39:37.479
<v Speaker 1>Oh yeah, I I need the gate, So US three

0:39:37.600 --> 0:39:39.280
<v Speaker 1>I need your listen.

0:39:39.760 --> 0:39:45.879
<v Speaker 6>Yeah yet, So US three get on a flight, three

0:39:45.880 --> 0:39:49.680
<v Speaker 6>black dudes in the middle of the engine and we're

0:39:49.680 --> 0:39:52.799
<v Speaker 6>at LED trying to and I mean this is where

0:39:52.840 --> 0:39:55.400
<v Speaker 6>my mind was blown, and like, this is this is

0:39:55.440 --> 0:39:59.000
<v Speaker 6>how I started to know, oh, you have to own

0:39:59.040 --> 0:40:01.680
<v Speaker 6>this stuff. And I had cut the middleman out and

0:40:01.719 --> 0:40:03.160
<v Speaker 6>I did a deal. I think I might have the

0:40:03.160 --> 0:40:05.200
<v Speaker 6>first LED. I mean I've been back there so many

0:40:05.200 --> 0:40:07.480
<v Speaker 6>times now and I have the direct relationship with them

0:40:07.520 --> 0:40:11.240
<v Speaker 6>now with various companies, but at this time, I probably

0:40:11.280 --> 0:40:15.680
<v Speaker 6>spent like maybe maybe about like eighty to one hundred

0:40:16.000 --> 0:40:21.640
<v Speaker 6>on the on my first screen, and I, you know,

0:40:21.800 --> 0:40:22.919
<v Speaker 6>got it shipped over here.

0:40:23.560 --> 0:40:24.200
<v Speaker 5>Uh it.

0:40:24.520 --> 0:40:28.879
<v Speaker 6>It went to the to like a shipping place by

0:40:29.000 --> 0:40:31.719
<v Speaker 6>LAX And I didn't even know that these things came

0:40:31.760 --> 0:40:32.520
<v Speaker 6>in like road case.

0:40:32.560 --> 0:40:33.840
<v Speaker 5>I mean, I didn't know anything, you know.

0:40:33.920 --> 0:40:36.840
<v Speaker 6>I was just like I had to wait there and

0:40:36.880 --> 0:40:39.680
<v Speaker 6>I had to wait for the parcel to clear customs.

0:40:39.960 --> 0:40:42.600
<v Speaker 6>I didn't even know that, like you had to have

0:40:42.760 --> 0:40:45.320
<v Speaker 6>a customs broker and all this type of stuff.

0:40:45.320 --> 0:40:47.000
<v Speaker 5>When you're when you're just freaking that.

0:40:47.480 --> 0:40:54.160
<v Speaker 9>Yeah, I'm thinking it is, yeah, like wall, Yeah, that's

0:40:54.200 --> 0:40:57.279
<v Speaker 9>literally because I had to wait, I had to go

0:40:57.320 --> 0:40:58.960
<v Speaker 9>and I had to go figure out a broker.

0:40:59.040 --> 0:40:59.919
<v Speaker 5>I had to come back.

0:41:00.719 --> 0:41:03.839
<v Speaker 6>Man, I didn't even have a way to transport this stuff, right,

0:41:03.880 --> 0:41:06.879
<v Speaker 6>So like I had to meet and my buddy shout

0:41:06.880 --> 0:41:09.560
<v Speaker 6>out to Mario man who's who's our production manager now,

0:41:09.600 --> 0:41:11.879
<v Speaker 6>but at the time he was just a driver. And

0:41:12.640 --> 0:41:14.839
<v Speaker 6>we had to go to Hurts by l a X

0:41:15.200 --> 0:41:17.799
<v Speaker 6>and we had to take out the seats of a

0:41:17.840 --> 0:41:22.319
<v Speaker 6>cargo van and put like road cases in it and

0:41:22.320 --> 0:41:24.680
<v Speaker 6>and like one at a time, and we were just

0:41:24.719 --> 0:41:28.160
<v Speaker 6>like put taking the road cases in, putting it in

0:41:28.200 --> 0:41:30.360
<v Speaker 6>the cargo van, taking.

0:41:30.120 --> 0:41:30.840
<v Speaker 5>It to our office.

0:41:30.960 --> 0:41:33.080
<v Speaker 6>We didn't even have a proper space for this thing.

0:41:33.840 --> 0:41:37.960
<v Speaker 6>And uh, that's when I learned about like equipment and ownership.

0:41:38.000 --> 0:41:40.759
<v Speaker 6>But it was it was when we started doing the

0:41:40.800 --> 0:41:42.680
<v Speaker 6>next few shows, and then then we had to learn

0:41:42.680 --> 0:41:46.640
<v Speaker 6>how to work these things.

0:41:46.680 --> 0:41:48.600
<v Speaker 5>But what I started, and then we.

0:41:50.239 --> 0:41:52.239
<v Speaker 6>Had a we had a show in San Francisco, and

0:41:52.239 --> 0:41:55.000
<v Speaker 6>I'll never forget this is this is your hometown up

0:41:55.040 --> 0:41:55.480
<v Speaker 6>in the Bay.

0:41:55.480 --> 0:41:59.400
<v Speaker 5>Man. We were at the I want to say it

0:41:59.440 --> 0:42:01.480
<v Speaker 5>was the the.

0:42:00.760 --> 0:42:05.960
<v Speaker 6>Regent or the Regency, and we had to get these

0:42:06.040 --> 0:42:09.759
<v Speaker 6>cranes to lift the screen up like and then one

0:42:09.760 --> 0:42:12.640
<v Speaker 6>of them snapped and then the screen is like this

0:42:12.960 --> 0:42:17.120
<v Speaker 6>like on an angle, and we couldn't open doors because

0:42:17.120 --> 0:42:20.600
<v Speaker 6>the screen is hanging off and it's cold up in

0:42:20.640 --> 0:42:22.480
<v Speaker 6>the Bay and people in the Bay.

0:42:22.520 --> 0:42:23.080
<v Speaker 5>I love the Bay.

0:42:23.120 --> 0:42:25.759
<v Speaker 6>It's like one of one of our top audiences. And

0:42:26.239 --> 0:42:28.920
<v Speaker 6>we let them in. We let the audience into like

0:42:29.000 --> 0:42:33.000
<v Speaker 6>the sort of like like a like a lobby area

0:42:33.040 --> 0:42:36.799
<v Speaker 6>of the venue and they're banging on the door like

0:42:36.960 --> 0:42:37.919
<v Speaker 6>let us in.

0:42:38.440 --> 0:42:39.839
<v Speaker 5>Let us in and.

0:42:39.800 --> 0:42:42.120
<v Speaker 6>I'm like, yo, the show is like two and a

0:42:42.120 --> 0:42:44.960
<v Speaker 6>half hours late, and I'm like, man, are we gonna

0:42:45.000 --> 0:42:47.680
<v Speaker 6>have this show with the screen hanging like this? And

0:42:48.280 --> 0:42:49.799
<v Speaker 6>we just didn't know how to work anything. And I

0:42:49.840 --> 0:42:52.319
<v Speaker 6>just said, fuck it, let them in. And so we

0:42:52.440 --> 0:42:54.359
<v Speaker 6>let these people in. Man, the screen is like this,

0:42:55.120 --> 0:43:03.080
<v Speaker 6>like it's just madness. But the silver lining was when

0:43:03.120 --> 0:43:05.920
<v Speaker 6>I was looking at those expense sheets, you know, and

0:43:05.960 --> 0:43:08.400
<v Speaker 6>I was looking at the settlements after the shows, that

0:43:08.600 --> 0:43:10.920
<v Speaker 6>line item of LED rental was not.

0:43:10.800 --> 0:43:12.560
<v Speaker 5>On there anymore, you know what I mean.

0:43:12.600 --> 0:43:15.719
<v Speaker 6>And it's like now that I was using my own gear,

0:43:16.760 --> 0:43:18.920
<v Speaker 6>the margins were just growing, you know what I mean.

0:43:18.960 --> 0:43:21.160
<v Speaker 6>And I was like, Okay, this is going to make

0:43:21.200 --> 0:43:25.880
<v Speaker 6>itself back in you know, twenty shows and then boom,

0:43:26.040 --> 0:43:28.120
<v Speaker 6>That's what happened. And then I started to invest more

0:43:28.239 --> 0:43:30.600
<v Speaker 6>and more and more, and you know, now we have

0:43:30.640 --> 0:43:34.560
<v Speaker 6>a warehouse in Nashville, Tennessee. We have a fleet of

0:43:34.640 --> 0:43:39.920
<v Speaker 6>three trucks so we do our own logistics drivers. We

0:43:39.960 --> 0:43:46.280
<v Speaker 6>have multiple LED screens, we have multiple special effects lighting, cryo,

0:43:46.840 --> 0:43:51.000
<v Speaker 6>you know, confetti. I have another order coming from China

0:43:51.040 --> 0:43:55.520
<v Speaker 6>actually in a few weeks. Just re upped on some

0:43:55.560 --> 0:43:56.480
<v Speaker 6>more led, so.

0:43:57.040 --> 0:44:02.600
<v Speaker 1>Yeah, more.

0:44:02.520 --> 0:44:03.919
<v Speaker 4>We talking about buying sniagas and shit.

0:44:06.040 --> 0:44:08.480
<v Speaker 6>Yeah, and these are the ones that curve too, so

0:44:08.520 --> 0:44:10.680
<v Speaker 6>we're gonna be able to do some really cool stays

0:44:10.680 --> 0:44:12.879
<v Speaker 6>design yeah yeah, yeah, yeah yeah.

0:44:12.920 --> 0:44:15.439
<v Speaker 4>How many shows have y'all done? Do you have a count?

0:44:15.520 --> 0:44:16.279
<v Speaker 5>I do have a count.

0:44:17.440 --> 0:44:18.720
<v Speaker 4>You said you were a NERD earlier.

0:44:18.800 --> 0:44:20.600
<v Speaker 5>Yeah, yeh yeah, I have checking your nerd right now.

0:44:20.640 --> 0:44:25.239
<v Speaker 6>At this point, we are over four one hundred and

0:44:25.680 --> 0:44:28.480
<v Speaker 6>I think we're about four fifty right now. We've just

0:44:28.520 --> 0:44:30.760
<v Speaker 6>scaled up to the point where we're doing about eighty

0:44:30.920 --> 0:44:34.440
<v Speaker 6>to one hundred shows a year now. That started that

0:44:34.520 --> 0:44:35.800
<v Speaker 6>started last year.

0:44:36.080 --> 0:44:40.800
<v Speaker 5>In twenty three. This year, I think we're gonna crack.

0:44:41.719 --> 0:44:43.960
<v Speaker 6>I think we're gonna crack eighty and twenty four and

0:44:44.000 --> 0:44:46.400
<v Speaker 6>now we're really just going eighty to eighty to one

0:44:46.480 --> 0:44:48.759
<v Speaker 6>hundred every year from here on out.

0:44:50.680 --> 0:44:53.759
<v Speaker 5>Yeah. So it's been it's been crazy.

0:44:53.440 --> 0:44:58.640
<v Speaker 6>And we're in a we're in fifty five cities, I

0:44:58.640 --> 0:45:02.239
<v Speaker 6>want to say, in North America and well this is

0:45:02.320 --> 0:45:05.520
<v Speaker 6>a RB Money exclusive, but next year we'll also do

0:45:05.600 --> 0:45:07.960
<v Speaker 6>a UK tour as well.

0:45:08.040 --> 0:45:10.600
<v Speaker 1>That yeah yeah, yeah, get international.

0:45:10.719 --> 0:45:13.680
<v Speaker 6>Yeah yeah, We've already done London, but we need to

0:45:13.760 --> 0:45:16.400
<v Speaker 6>really just like crush the whole building and just do

0:45:16.600 --> 0:45:18.600
<v Speaker 6>like full on UK run.

0:45:20.719 --> 0:45:23.360
<v Speaker 4>Yeah, you get into it, getting to it.

0:45:23.440 --> 0:45:25.920
<v Speaker 1>You got people singing in the shower and ship.

0:45:26.320 --> 0:45:29.880
<v Speaker 5>Yes, you know, we wait for you to come in,

0:45:31.120 --> 0:45:31.839
<v Speaker 5>wait for you to come.

0:45:32.960 --> 0:45:35.920
<v Speaker 3>My chest's gonna be out.

0:45:37.239 --> 0:45:38.439
<v Speaker 1>I ain't gonna have nothing but the town.

0:45:40.840 --> 0:45:43.840
<v Speaker 6>Maybe that's gonna make the internet the Internet the Internet.

0:45:55.440 --> 0:45:55.759
<v Speaker 2>M M.

0:45:56.719 --> 0:46:01.640
<v Speaker 7>But the lower level, the entry level, is just the

0:46:01.719 --> 0:46:04.279
<v Speaker 7>tricky part. And so now artists just think well I

0:46:04.280 --> 0:46:06.759
<v Speaker 7>can just get in. You shouldn't just think you can

0:46:06.760 --> 0:46:10.920
<v Speaker 7>get in. You should see Chris and say how do

0:46:11.000 --> 0:46:14.560
<v Speaker 7>I get there? See Beyonce and you should watch her

0:46:14.560 --> 0:46:15.520
<v Speaker 7>talking about eating air.

0:46:15.640 --> 0:46:16.520
<v Speaker 5>Look at the backstory.

0:46:17.000 --> 0:46:21.120
<v Speaker 7>You should watch Rihanna go from the little girl to

0:46:21.239 --> 0:46:23.880
<v Speaker 7>the superstar. You should you know what I'm saying, Like

0:46:24.200 --> 0:46:26.799
<v Speaker 7>you gotta watch Taylor Swift be able to perform for.

0:46:26.760 --> 0:46:30.239
<v Speaker 1>Three hours, you know what I mean?

0:46:31.040 --> 0:46:36.400
<v Speaker 7>Those things that is the disconnect steps, the skipping of

0:46:36.440 --> 0:46:38.560
<v Speaker 7>the steps, and people thinking that you're going to because

0:46:38.560 --> 0:46:41.120
<v Speaker 7>you're gonna Yes, you might get in, you might get in,

0:46:41.760 --> 0:46:45.160
<v Speaker 7>but this door will push your ass out so fast.

0:46:45.719 --> 0:46:49.719
<v Speaker 7>Yeah on you you be knocking at it.

0:46:49.760 --> 0:46:57.880
<v Speaker 1>I can see line. Now you're good that horse keep bucking.

0:46:58.800 --> 0:47:00.520
<v Speaker 1>You can get on the horse hopefully.

0:47:00.920 --> 0:47:01.120
<v Speaker 5>Yeah.

0:47:02.160 --> 0:47:04.479
<v Speaker 6>But that's why I wanted to I wanted to save

0:47:04.520 --> 0:47:06.759
<v Speaker 6>it for here man, because I knew you guys would

0:47:06.760 --> 0:47:07.560
<v Speaker 6>have the perspective.

0:47:08.239 --> 0:47:11.080
<v Speaker 3>Yeah it's us man, we can do it, yea.

0:47:12.600 --> 0:47:14.040
<v Speaker 4>And now he's going to go be talented.

0:47:14.160 --> 0:47:16.400
<v Speaker 5>Oh no, here we go. You spoke of R and

0:47:16.400 --> 0:47:23.120
<v Speaker 5>B when the keys come. Yeah, you know you and your.

0:47:24.800 --> 0:47:27.359
<v Speaker 1>You and your R and B only love the name,

0:47:27.520 --> 0:47:28.160
<v Speaker 1>love the name.

0:47:30.280 --> 0:47:32.680
<v Speaker 3>Ioul curate this R and B, my brother, you are

0:47:34.960 --> 0:47:40.200
<v Speaker 3>playlists to the tune of one hundred and fifty injuries,

0:47:40.239 --> 0:47:45.360
<v Speaker 3>my brother you you know what R and B supposed

0:47:45.400 --> 0:47:46.160
<v Speaker 3>to found.

0:47:48.840 --> 0:47:55.000
<v Speaker 1>And with all the R and B you've heard, sorry,

0:47:55.000 --> 0:47:55.960
<v Speaker 1>this is feeling amazing.

0:47:56.000 --> 0:47:56.799
<v Speaker 5>Depend on.

0:48:00.440 --> 0:48:04.120
<v Speaker 3>What is the music that resonates with you, the music

0:48:04.160 --> 0:48:06.560
<v Speaker 3>that has made you come to the conclusion that it

0:48:06.600 --> 0:48:10.840
<v Speaker 3>should be R and B, Oly Barry huts.

0:48:11.960 --> 0:48:12.760
<v Speaker 5>What is your.

0:48:15.040 --> 0:48:16.360
<v Speaker 2>Top five?

0:48:19.480 --> 0:48:29.040
<v Speaker 1>Your top five, A five? Your top five.

0:48:30.560 --> 0:48:31.040
<v Speaker 5>Single?

0:48:33.480 --> 0:48:34.239
<v Speaker 2>Are me?

0:48:34.520 --> 0:48:38.360
<v Speaker 5>So we got to know?

0:48:39.239 --> 0:48:41.440
<v Speaker 1>We thought you gore?

0:48:41.600 --> 0:48:44.040
<v Speaker 10>Are you to Barry nothing?

0:48:44.200 --> 0:48:44.239
<v Speaker 3>Go?

0:48:48.680 --> 0:48:59.399
<v Speaker 10>Yeah?

0:49:00.200 --> 0:49:18.239
<v Speaker 2>You mm hm.

0:49:20.400 --> 0:49:24.359
<v Speaker 5>Man, you know I watched this show so like, I

0:49:24.400 --> 0:49:27.920
<v Speaker 5>love when you do that. But now being here.

0:49:28.280 --> 0:49:29.359
<v Speaker 4>Like so much better.

0:49:29.400 --> 0:49:32.719
<v Speaker 5>It's incredible, incredible, he live.

0:49:34.480 --> 0:49:39.960
<v Speaker 3>Oh my gosh, Man, Jabari Johnson your top five R

0:49:40.040 --> 0:49:41.880
<v Speaker 3>and B singers.

0:49:41.840 --> 0:49:46.560
<v Speaker 6>All right, so top five it is not in any order, right,

0:49:47.000 --> 0:49:56.520
<v Speaker 6>all right? Uhsher mm hmmm yeah, Chris mm hmm. Jasmine,

0:49:59.719 --> 0:50:02.440
<v Speaker 6>I've never heard anybody on this show say this one, but.

0:50:04.160 --> 0:50:08.480
<v Speaker 5>Sanpha mm hmm yeah, sanfa Is.

0:50:09.840 --> 0:50:14.080
<v Speaker 6>I just saw him live in Austin, Man crazy, just

0:50:14.120 --> 0:50:18.120
<v Speaker 6>like writing, just just what he does, like from a

0:50:18.160 --> 0:50:23.799
<v Speaker 6>production standpoint, mixed with just like his vocal is so unique.

0:50:23.640 --> 0:50:24.200
<v Speaker 5>You know what I mean.

0:50:26.200 --> 0:50:37.040
<v Speaker 6>And I got one more I'm gonna have. I'm gonna

0:50:37.040 --> 0:50:39.800
<v Speaker 6>have to go with a new school. I'm gonna have

0:50:39.800 --> 0:50:43.640
<v Speaker 6>to go with Brison mm hmm yeah, just because I

0:50:43.800 --> 0:50:48.040
<v Speaker 6>and I feel like I didn't have like any sort

0:50:48.040 --> 0:50:50.960
<v Speaker 6>of like old like I didn't have Luther in my

0:50:51.080 --> 0:50:53.360
<v Speaker 6>list oring that type of thing. But I just have

0:50:53.440 --> 0:50:56.800
<v Speaker 6>to be what's real to me, what music like connected

0:50:56.920 --> 0:50:57.200
<v Speaker 6>to me?

0:50:59.840 --> 0:51:01.600
<v Speaker 5>Hey you know what I'm saying, but.

0:51:03.080 --> 0:51:06.640
<v Speaker 6>Kick you, but but that's mine, you know what I mean?

0:51:06.760 --> 0:51:09.120
<v Speaker 6>And uh yeah, it's like if I'm if I'm talking

0:51:09.120 --> 0:51:11.520
<v Speaker 6>about artists that I can just go bar for Barr

0:51:11.600 --> 0:51:14.080
<v Speaker 6>and I like know the discography and you know what

0:51:14.120 --> 0:51:14.399
<v Speaker 6>I mean.

0:51:14.800 --> 0:51:17.040
<v Speaker 5>Yeah, that's mine.

0:51:16.760 --> 0:51:18.920
<v Speaker 1>Top five R and B songs.

0:51:19.320 --> 0:51:21.919
<v Speaker 5>Okay, I had this one written down, all right, Sorry,

0:51:22.000 --> 0:51:23.400
<v Speaker 5>so I'm pulling.

0:51:23.239 --> 0:51:25.360
<v Speaker 1>Out re organized business.

0:51:25.800 --> 0:51:31.480
<v Speaker 6>Yeah, so all right, Top five R and B songs. Now,

0:51:31.480 --> 0:51:33.919
<v Speaker 6>I do have a classic on here. I like that

0:51:34.400 --> 0:51:39.640
<v Speaker 6>Isley Brothers Between the Sheets Welcome, that's just super classic.

0:51:40.600 --> 0:51:45.960
<v Speaker 6>Alita rocked a bout yeah, Sampa Dancing Circles. A lot

0:51:45.960 --> 0:51:50.680
<v Speaker 6>of people might not know that one Bryson Tiller exchange.

0:51:52.200 --> 0:51:56.600
<v Speaker 6>And you know, this is this is kind of crazy

0:51:56.640 --> 0:51:59.480
<v Speaker 6>because I mean most people would not mention this as

0:51:59.520 --> 0:52:02.000
<v Speaker 6>this art this song, but this is this is my

0:52:02.040 --> 0:52:06.520
<v Speaker 6>favorite song from this guy, just because of lyric, lyrically

0:52:06.520 --> 0:52:09.279
<v Speaker 6>and what it's about. I just love the storytelling. But

0:52:09.640 --> 0:52:13.560
<v Speaker 6>Usher Papers, hmmm, yeah, I love that record.

0:52:13.960 --> 0:52:18.440
<v Speaker 7>You know, like it's just like he's going he wrote it.

0:52:18.600 --> 0:52:21.600
<v Speaker 6>Yeah, he's going in about his divorce.

0:52:21.719 --> 0:52:21.880
<v Speaker 5>You know.

0:52:22.520 --> 0:52:24.560
<v Speaker 6>I just I just thought that was like such a

0:52:24.640 --> 0:52:27.960
<v Speaker 6>real and vulnerable record from him, and so like that's

0:52:28.000 --> 0:52:30.120
<v Speaker 6>one of my favorite all time of Russia.

0:52:30.239 --> 0:52:33.040
<v Speaker 3>Yeah, let's build a ould trum. Let's build your super

0:52:33.120 --> 0:52:35.920
<v Speaker 3>R and B artists, the artists that you're gonna get

0:52:35.920 --> 0:52:40.480
<v Speaker 3>the attributes from all the cool ship yo artist since

0:52:40.520 --> 0:52:45.040
<v Speaker 3>the beginning of time, the vocal, the performance style, the styling,

0:52:46.480 --> 0:52:49.480
<v Speaker 3>and the passion of the artists. Who you gonna get

0:52:49.480 --> 0:52:51.280
<v Speaker 3>the vocal from that one vocal?

0:52:52.560 --> 0:52:52.920
<v Speaker 1>All right?

0:52:53.000 --> 0:52:57.279
<v Speaker 6>All right for vocal, I'm gonna I'm gonna go Jasmine

0:52:57.320 --> 0:52:58.400
<v Speaker 6>Sullivan for the vocal.

0:52:59.400 --> 0:53:00.040
<v Speaker 1>You want that.

0:53:00.239 --> 0:53:04.200
<v Speaker 6>Yeah, that's just like Soul Church, you know what I mean, Like,

0:53:04.239 --> 0:53:05.680
<v Speaker 6>that's that so saving?

0:53:05.840 --> 0:53:08.319
<v Speaker 1>Yeah, yeah, yeah, lives to be changed, I got it.

0:53:08.440 --> 0:53:09.360
<v Speaker 5>Yeah.

0:53:09.800 --> 0:53:19.000
<v Speaker 6>Performance style, performance style, I'm going to I'm probably gonna

0:53:19.040 --> 0:53:22.440
<v Speaker 6>go with Chris Brown for the performance just because like

0:53:23.880 --> 0:53:29.080
<v Speaker 6>the stamina, the back flipping, just like the ability to

0:53:29.520 --> 0:53:34.959
<v Speaker 6>have dancers to rock out solo, you know what I mean. Like, yeah,

0:53:35.000 --> 0:53:38.880
<v Speaker 6>so like full show, you know, like I've seen like

0:53:39.040 --> 0:53:43.799
<v Speaker 6>the last four tours he's been on, and even even

0:53:43.800 --> 0:53:45.879
<v Speaker 6>when he's like next to like going back and forth

0:53:45.920 --> 0:53:49.399
<v Speaker 6>a little baby, you're like, you know what I mean,

0:53:49.520 --> 0:53:52.759
<v Speaker 6>Like even when he's with a rapper, it's like it's

0:53:52.800 --> 0:53:56.320
<v Speaker 6>a different There's a reason he's been here for this song,

0:53:56.600 --> 0:54:08.960
<v Speaker 6>you know. Styling, styling, the drip, that's a that's a

0:54:09.000 --> 0:54:16.960
<v Speaker 6>tough one. But I might have to go, Like now,

0:54:17.000 --> 0:54:18.960
<v Speaker 6>this one, I might have to go somebody like.

0:54:22.360 --> 0:54:23.120
<v Speaker 5>Back in the day.

0:54:24.360 --> 0:54:29.279
<v Speaker 6>And I mean, I know he's the king of pop,

0:54:29.320 --> 0:54:31.520
<v Speaker 6>but I just feel like Michael Jackson with the styling.

0:54:32.160 --> 0:54:32.879
<v Speaker 5>You know what I'm saying?

0:54:33.280 --> 0:54:33.760
<v Speaker 4>Popular?

0:54:36.000 --> 0:54:40.120
<v Speaker 6>Yeah, okay, yeah yeah, So I mean, yeah, it's just

0:54:40.200 --> 0:54:44.359
<v Speaker 6>like this guy. I heard somebody say this the other day.

0:54:44.360 --> 0:54:48.000
<v Speaker 6>But it's like, imagine if imagine if he was selling

0:54:48.080 --> 0:54:51.600
<v Speaker 6>gloves as much, Like, how many would he have moved?

0:54:52.040 --> 0:54:55.880
<v Speaker 1>Think about how many Just think about how many gloves moved,

0:54:56.480 --> 0:54:59.040
<v Speaker 1>just huge, just period, all over the world.

0:55:00.160 --> 0:55:06.239
<v Speaker 3>How many Red Thriller jackets moved, how many Beat It

0:55:06.480 --> 0:55:10.759
<v Speaker 3>jackets moved. How many Penny Loafers got ahead.

0:55:10.719 --> 0:55:11.680
<v Speaker 4>Promoted on the ground.

0:55:11.760 --> 0:55:15.000
<v Speaker 1>Imagine Jesus Rice.

0:55:15.520 --> 0:55:20.080
<v Speaker 5>Wipe up, kids, come on out of here.

0:55:20.680 --> 0:55:23.120
<v Speaker 1>Yeah, he would have done a billion.

0:55:22.719 --> 0:55:24.759
<v Speaker 5>In that's it.

0:55:25.640 --> 0:55:29.640
<v Speaker 6>Like they weren't even like merch wasn't even really done.

0:55:30.280 --> 0:55:35.520
<v Speaker 3>He probably did a billion in March, yeah and not

0:55:35.680 --> 0:55:37.480
<v Speaker 3>and couldn't didn't collect no money on it.

0:55:40.160 --> 0:55:43.800
<v Speaker 1>You got the passion of the artists, the passion of

0:55:43.840 --> 0:55:45.200
<v Speaker 1>the artists, who means.

0:55:48.640 --> 0:55:52.319
<v Speaker 5>The passion man like I'm trying to think of like

0:55:52.840 --> 0:55:57.200
<v Speaker 5>who I feel like.

0:55:57.239 --> 0:56:02.680
<v Speaker 6>Aretha, like that like Aretha too, like Aretha's like that's that,

0:56:02.680 --> 0:56:03.880
<v Speaker 6>that's that music that.

0:56:04.239 --> 0:56:05.960
<v Speaker 1>You have jazz singing it.

0:56:06.080 --> 0:56:10.240
<v Speaker 6>Yeah, but with Aretha's passion, you know, like that's that,

0:56:10.239 --> 0:56:12.680
<v Speaker 6>that's that for your soul music, Like that's food for

0:56:12.719 --> 0:56:18.320
<v Speaker 6>the soul. Yeah yes, yeah, yeah yeah.

0:56:18.120 --> 0:56:20.040
<v Speaker 5>So I know y'all might have killed me from my

0:56:20.600 --> 0:56:21.359
<v Speaker 5>top five, but.

0:56:21.360 --> 0:56:22.719
<v Speaker 1>You redeem your.

0:56:25.080 --> 0:56:27.200
<v Speaker 5>The vultrying the Vultron was vultroyning.

0:56:28.800 --> 0:56:34.880
<v Speaker 7>So I'm gonna call you see what just gonna tap in.

0:56:37.080 --> 0:56:42.440
<v Speaker 4>Man, my brother, Thanks for Yeah, I.

0:56:42.360 --> 0:56:45.520
<v Speaker 3>Ain't saying no next day, Ain't saying no names. I

0:56:45.520 --> 0:56:52.000
<v Speaker 3>ain't saying no names. Ain't saying no need what you did?

0:56:52.600 --> 0:56:53.319
<v Speaker 3>Don't see she.

0:56:56.600 --> 0:57:06.640
<v Speaker 8>He's saying, I already know what we're here.

0:57:08.320 --> 0:57:09.319
<v Speaker 4>You've been thinking about you.

0:57:09.560 --> 0:57:11.680
<v Speaker 5>I've been thinking about this all week. I've been thinking about.

0:57:12.280 --> 0:57:14.799
<v Speaker 7>Part of the show Man airportant segment called I Ain't

0:57:14.800 --> 0:57:19.000
<v Speaker 7>Saying no Names tells the story funny, I fucked up,

0:57:19.240 --> 0:57:20.920
<v Speaker 7>funny and fucked up.

0:57:21.960 --> 0:57:22.200
<v Speaker 5>You know.

0:57:23.200 --> 0:57:26.560
<v Speaker 7>I hope that nobody ever, you know, tried to kidnap

0:57:26.600 --> 0:57:28.080
<v Speaker 7>you at the show and get the.

0:57:28.000 --> 0:57:29.280
<v Speaker 4>Money out of you and that type of ship.

0:57:29.360 --> 0:57:31.920
<v Speaker 1>But you know, listen, take the wall.

0:57:32.440 --> 0:57:40.040
<v Speaker 5>Just won't please please please you have it.

0:57:40.640 --> 0:57:43.960
<v Speaker 6>Oh man, you're here, tell us your okay, my iron

0:57:44.040 --> 0:57:49.160
<v Speaker 6>saying names is uh all right. So we were we

0:57:49.200 --> 0:57:53.600
<v Speaker 6>were getting into producing our own festivals, and so we

0:57:53.680 --> 0:57:57.640
<v Speaker 6>had a really big show in Atlanta and this is

0:57:57.680 --> 0:58:04.400
<v Speaker 6>our i think, our second time doing this, but it

0:58:04.520 --> 0:58:07.400
<v Speaker 6>was just like a way bigger production, so you know,

0:58:07.920 --> 0:58:08.800
<v Speaker 6>a list talent.

0:58:09.920 --> 0:58:11.440
<v Speaker 5>This wasn't surprise guests.

0:58:11.640 --> 0:58:19.040
<v Speaker 6>These were like announced the names, you know, household household names.

0:58:19.080 --> 0:58:23.640
<v Speaker 6>And first off, the show was just running super late.

0:58:24.200 --> 0:58:24.680
<v Speaker 5>We had a.

0:58:26.240 --> 0:58:30.880
<v Speaker 6>We didn't have the best production team, and I don't

0:58:30.920 --> 0:58:33.400
<v Speaker 6>even want to blame them, like I take full responsibility

0:58:33.440 --> 0:58:34.880
<v Speaker 6>because like at the end of the day, it was

0:58:35.400 --> 0:58:38.480
<v Speaker 6>me who hired them, you know, And so things weren't

0:58:39.000 --> 0:58:42.520
<v Speaker 6>things weren't going on schedule. You know, when this happens,

0:58:42.560 --> 0:58:46.040
<v Speaker 6>like when the doors get pushed and then the first

0:58:46.120 --> 0:58:48.800
<v Speaker 6>act gets pushed, and then our DJs start getting pushed,

0:58:49.240 --> 0:58:53.960
<v Speaker 6>and then it's just a snowball effect. Right, So we

0:58:54.040 --> 0:58:58.200
<v Speaker 6>start getting into like really later in the night, and

0:58:59.120 --> 0:59:03.840
<v Speaker 6>I'm having to basically cut all of our DJ sets, right, so,

0:59:03.960 --> 0:59:08.800
<v Speaker 6>like again we're known for that, and so now we

0:59:08.880 --> 0:59:11.840
<v Speaker 6>added all these artists, but I'm having to accommodate to

0:59:11.880 --> 0:59:16.360
<v Speaker 6>the artist needs and everything that they need. And you know,

0:59:16.640 --> 0:59:20.320
<v Speaker 6>I'm having to say, like, well, either it's my team

0:59:20.440 --> 0:59:22.479
<v Speaker 6>that's not going to perform, or some of these artists

0:59:22.480 --> 0:59:25.200
<v Speaker 6>are not going to perform, and like I don't want that,

0:59:25.360 --> 0:59:27.880
<v Speaker 6>Like my team is able to perform the next show

0:59:27.880 --> 0:59:29.280
<v Speaker 6>and the next show and the next show.

0:59:30.000 --> 0:59:33.000
<v Speaker 5>And so we had a.

0:59:34.880 --> 0:59:36.680
<v Speaker 6>People can figure this out, but I'm still not going

0:59:36.760 --> 0:59:40.000
<v Speaker 6>to say their name, but we had a co headlining situation. Right,

0:59:40.120 --> 0:59:43.520
<v Speaker 6>So it's two artists at the end of the at

0:59:43.520 --> 0:59:48.480
<v Speaker 6>the show, and I'll never forget we got to the

0:59:49.080 --> 0:59:53.840
<v Speaker 6>to the we were way past curfew and at this

0:59:53.960 --> 1:00:00.760
<v Speaker 6>point it's one thousand dollars per minute minute that you're.

1:00:00.720 --> 1:00:02.680
<v Speaker 5>Over curfewt oh yeah.

1:00:02.720 --> 1:00:05.080
<v Speaker 6>And I'm just like, you know, first of all, I

1:00:05.120 --> 1:00:08.919
<v Speaker 6>already lost money on the show, like before the curfew, right,

1:00:09.000 --> 1:00:13.520
<v Speaker 6>so I'm in the red on this show. And this

1:00:13.640 --> 1:00:17.440
<v Speaker 6>artist is just like they're an artist, and they want

1:00:18.000 --> 1:00:20.440
<v Speaker 6>they this ain't their fault, you know what I mean, Like,

1:00:21.160 --> 1:00:24.920
<v Speaker 6>there's your fault. So they don't want to, you know,

1:00:25.080 --> 1:00:31.120
<v Speaker 6>diminish their performance or their brand because you're going over

1:00:31.560 --> 1:00:34.520
<v Speaker 6>you know, and they're gonna get paid regardless whether it's

1:00:34.560 --> 1:00:37.960
<v Speaker 6>you know, they did, they did their show, they did

1:00:38.000 --> 1:00:40.160
<v Speaker 6>what they were contractually obligated.

1:00:39.640 --> 1:00:40.160
<v Speaker 5>To do with me.

1:00:41.600 --> 1:00:43.920
<v Speaker 6>And the time is going and I mean, now I'm

1:00:43.920 --> 1:00:47.640
<v Speaker 6>looking at my watch, it's like thirty minutes over, it

1:00:47.680 --> 1:00:49.440
<v Speaker 6>gets to forty minutes over.

1:00:50.520 --> 1:00:51.920
<v Speaker 5>We now are at.

1:00:51.640 --> 1:00:54.880
<v Speaker 6>An hour over, and it seems like this artist is

1:00:54.960 --> 1:00:56.720
<v Speaker 6>just never gonna stop, you.

1:00:56.640 --> 1:00:57.240
<v Speaker 5>Know what I'm saying.

1:00:57.280 --> 1:00:59.919
<v Speaker 6>I'm like, oh, she ain't even get to the hit yet,

1:01:00.160 --> 1:01:02.720
<v Speaker 6>Like what is going on? And I'm on the radio,

1:01:03.440 --> 1:01:06.160
<v Speaker 6>I'm like, I mean, it's damn near tears coming down

1:01:06.200 --> 1:01:07.640
<v Speaker 6>my eyes, you know what I mean. I'm in front

1:01:07.680 --> 1:01:10.240
<v Speaker 6>of house and I'm just like I'm talking to her

1:01:10.280 --> 1:01:13.280
<v Speaker 6>production manager, you know, and I'm just like I'm on

1:01:13.320 --> 1:01:16.720
<v Speaker 6>the radio, like please somebody stop her, please, Like this

1:01:16.920 --> 1:01:20.240
<v Speaker 6>is I don't want, Like I don't want to have

1:01:20.320 --> 1:01:21.920
<v Speaker 6>to cut the mic, you know what I mean. Like

1:01:22.040 --> 1:01:25.200
<v Speaker 6>I just it's not going to be me to do that,

1:01:25.400 --> 1:01:27.360
<v Speaker 6>you know what I mean. But like I'm just begging,

1:01:27.400 --> 1:01:31.840
<v Speaker 6>like does she have to do her closing record? And

1:01:33.000 --> 1:01:37.720
<v Speaker 6>I think production manager actually made the call and he

1:01:37.880 --> 1:01:40.280
<v Speaker 6>was like, you know, like let's cut it, and and

1:01:40.320 --> 1:01:42.480
<v Speaker 6>then you know, gave that sort of like signal to

1:01:42.640 --> 1:01:50.200
<v Speaker 6>the to the like monitor guy.

1:01:47.640 --> 1:01:49.480
<v Speaker 5>And so like.

1:01:50.920 --> 1:01:53.720
<v Speaker 6>The mic didn't go out while this artist was performing.

1:01:54.560 --> 1:01:57.760
<v Speaker 6>But I think somebody told it, might have told her

1:01:57.760 --> 1:01:59.360
<v Speaker 6>in her ears or something like that. It was like

1:01:59.440 --> 1:02:01.400
<v Speaker 6>this is like but but the call was not made

1:02:01.400 --> 1:02:04.800
<v Speaker 6>from me. The call was made from the production manager

1:02:05.080 --> 1:02:12.560
<v Speaker 6>on her team. And uh, you know, the everybody knew

1:02:12.640 --> 1:02:14.560
<v Speaker 6>what this art, what song this artist was going to

1:02:14.640 --> 1:02:15.040
<v Speaker 6>close with.

1:02:15.520 --> 1:02:18.120
<v Speaker 5>She didn't perform that record, and.

1:02:19.440 --> 1:02:21.760
<v Speaker 6>I think, and I'm looking at the setlist and and

1:02:21.840 --> 1:02:23.360
<v Speaker 6>she had like two more to go, and like that

1:02:23.440 --> 1:02:27.960
<v Speaker 6>song was on the last song, and artist looks to

1:02:28.000 --> 1:02:32.120
<v Speaker 6>the right to the left says like, hey, I want

1:02:32.120 --> 1:02:35.160
<v Speaker 6>to thank you guys for everything. Thanks the crowd, you know,

1:02:35.360 --> 1:02:37.280
<v Speaker 6>I mean like a like a like a true professional.

1:02:38.560 --> 1:02:44.720
<v Speaker 6>But then says, uh, they're cutting my time short. And

1:02:44.800 --> 1:02:48.240
<v Speaker 6>I just want to say to everybody running this ship,

1:02:49.400 --> 1:02:54.840
<v Speaker 6>fuck you, fuck you, fuck you. That's my time.

1:02:55.480 --> 1:02:56.160
<v Speaker 5>Who's next?

1:02:57.800 --> 1:02:59.880
<v Speaker 6>And and and then the show ended, and then like

1:03:00.080 --> 1:03:03.120
<v Speaker 6>we couldn't even get back on stage and close the show, like.

1:03:03.360 --> 1:03:04.360
<v Speaker 5>We couldn't, you know what I mean?

1:03:04.400 --> 1:03:07.520
<v Speaker 6>And like I got my whole family at this festival,

1:03:07.680 --> 1:03:10.520
<v Speaker 6>like it was and I was just just like.

1:03:12.720 --> 1:03:14.640
<v Speaker 5>She just basically said f me.

1:03:15.640 --> 1:03:20.120
<v Speaker 6>And I mean I just like and and so so

1:03:20.160 --> 1:03:25.919
<v Speaker 6>mind you, I'm already like sixty thousand down from this right,

1:03:26.440 --> 1:03:30.160
<v Speaker 6>not from this part, because I've already lost money on

1:03:30.160 --> 1:03:34.640
<v Speaker 6>the show, got cursed out by by you know, the

1:03:34.800 --> 1:03:38.040
<v Speaker 6>artist that I love in the door. And then I'm

1:03:38.080 --> 1:03:40.680
<v Speaker 6>just walking backstage, you know, the night is over and

1:03:40.720 --> 1:03:43.400
<v Speaker 6>I'm walking backstage to my dressing room. And then I

1:03:43.600 --> 1:03:46.600
<v Speaker 6>like cross paths with the artists, and so I'm like,

1:03:47.400 --> 1:03:50.760
<v Speaker 6>what do I do now? Like do I say thank you?

1:03:50.760 --> 1:03:55.200
<v Speaker 5>You know? Is what do I do?

1:03:55.280 --> 1:03:57.640
<v Speaker 6>And so I just said, you know what, let me

1:03:57.640 --> 1:04:00.680
<v Speaker 6>take the high road. I said, thank you so much

1:04:00.800 --> 1:04:03.640
<v Speaker 6>for performing. I want to apologize, you know, and I

1:04:03.680 --> 1:04:07.479
<v Speaker 6>just took all the responsibility. And you would think that

1:04:08.960 --> 1:04:11.680
<v Speaker 6>this you would think that nothing happened, you know, like

1:04:11.720 --> 1:04:13.520
<v Speaker 6>you would think that she didn't just say like if

1:04:13.560 --> 1:04:16.280
<v Speaker 6>you f you f you, Like it was just like,

1:04:16.680 --> 1:04:21.600
<v Speaker 6>oh baby, you found I had watch an amazing time,

1:04:21.760 --> 1:04:24.160
<v Speaker 6>like thank you so much, like we gotta do something again.

1:04:26.400 --> 1:04:28.840
<v Speaker 6>And I was just like, you know what I'm saying,

1:04:28.840 --> 1:04:32.000
<v Speaker 6>because I was like, what is that just a stage?

1:04:34.000 --> 1:04:34.600
<v Speaker 5>You know what I'm saying?

1:04:34.680 --> 1:04:37.960
<v Speaker 6>Like and it gave me the biggest hug everything, and

1:04:38.000 --> 1:04:41.080
<v Speaker 6>I was just like, wow, you know, but.

1:04:43.280 --> 1:04:43.920
<v Speaker 5>That's my story.

1:04:44.320 --> 1:04:47.160
<v Speaker 4>Wow, the great story, the great story.

1:04:47.280 --> 1:04:51.920
<v Speaker 1>And it's very familiar.

1:04:52.760 --> 1:05:00.439
<v Speaker 3>Yeah, listen, if you have a heart out and I'm

1:05:00.480 --> 1:05:03.680
<v Speaker 3>headlining your show, I'm your friend.

1:05:07.280 --> 1:05:12.120
<v Speaker 1>What did you say? We got twelve minutes? I got you.

1:05:14.720 --> 1:05:17.160
<v Speaker 5>When we to X speed.

1:05:18.520 --> 1:05:18.880
<v Speaker 1>Get over.

1:05:19.080 --> 1:05:25.720
<v Speaker 3>Yeah, promise we get you out of here please.

1:05:26.080 --> 1:05:26.240
<v Speaker 2>Yeah.

1:05:26.320 --> 1:05:27.240
<v Speaker 1>We don't go drink.

1:05:27.800 --> 1:05:30.600
<v Speaker 5>Yeah yeah, so I know now.

1:05:31.560 --> 1:05:34.160
<v Speaker 3>But you know what, it's just it's it's it's those

1:05:34.240 --> 1:05:37.800
<v Speaker 3>learning curves broy and and doing a doing People don't

1:05:37.880 --> 1:05:40.840
<v Speaker 3>understand doing a show like we just did our own tour,

1:05:41.640 --> 1:05:47.280
<v Speaker 3>like we the tour from top to bottom, from security

1:05:47.320 --> 1:05:50.000
<v Speaker 3>to catering to production.

1:05:49.760 --> 1:05:57.480
<v Speaker 6>To us Congress. We wet.

1:05:58.640 --> 1:05:59.920
<v Speaker 1>We don't start.

1:06:00.720 --> 1:06:05.479
<v Speaker 4>No big shot, big shot knock on your.

1:06:08.480 --> 1:06:12.439
<v Speaker 1>Big shot works for me. He knocking on my door,

1:06:13.680 --> 1:06:16.880
<v Speaker 1>It's time to go on shot. You don't talk to

1:06:16.920 --> 1:06:17.280
<v Speaker 1>me like that.

1:06:18.440 --> 1:06:27.360
<v Speaker 3>He shot has all the tools to make you slightly

1:06:27.400 --> 1:06:28.280
<v Speaker 3>afraid to be late.

1:06:28.680 --> 1:06:30.000
<v Speaker 1>Man, I'm coming. It's my show.

1:06:30.480 --> 1:06:33.640
<v Speaker 3>But you know it's it's not an easy feed, bro,

1:06:34.280 --> 1:06:36.280
<v Speaker 3>It's not an easy feed. It's a real business. And

1:06:36.280 --> 1:06:41.000
<v Speaker 3>we commend you because you know, you're the conversation about

1:06:41.080 --> 1:06:44.040
<v Speaker 3>RMB only there's there's it's only a great conversation.

1:06:44.280 --> 1:06:45.840
<v Speaker 5>Yeah, that's azing.

1:06:45.880 --> 1:06:49.240
<v Speaker 3>I've never heard anything bad about ARMB only ever. And

1:06:49.640 --> 1:06:52.240
<v Speaker 3>that's hard to do. When you're doing so many events,

1:06:52.240 --> 1:06:55.320
<v Speaker 3>there's always something bound to go wrong. It's always bound

1:06:55.320 --> 1:06:57.920
<v Speaker 3>for you know, somebody not to be happy and to

1:06:57.960 --> 1:07:01.200
<v Speaker 3>make a stink and go live and hit the Shade'm

1:07:01.240 --> 1:07:06.080
<v Speaker 3>like never and that's hard to do. So congratulations on

1:07:06.120 --> 1:07:06.720
<v Speaker 3>that alone.

1:07:06.760 --> 1:07:07.880
<v Speaker 5>Thank you.

1:07:08.400 --> 1:07:11.880
<v Speaker 3>Keep making keep keep keep doing that, bro, keep making

1:07:11.920 --> 1:07:14.600
<v Speaker 3>spaces for us. Man, like I thank you, he thanks

1:07:14.600 --> 1:07:15.880
<v Speaker 3>you absolutely.

1:07:15.360 --> 1:07:17.600
<v Speaker 5>Thank you. Man.

1:07:18.320 --> 1:07:21.000
<v Speaker 6>I remember, man, and I'll say this before we get

1:07:21.000 --> 1:07:23.480
<v Speaker 6>out of here, Like when you guys took me to dinner,

1:07:24.160 --> 1:07:27.000
<v Speaker 6>you know, you guys took me to sower House. I

1:07:27.040 --> 1:07:31.600
<v Speaker 6>think it was yep hmm, And it was just like

1:07:32.960 --> 1:07:37.600
<v Speaker 6>y'all were the first people in the space to like

1:07:37.680 --> 1:07:40.320
<v Speaker 6>embrace me, you know what I'm saying, And like I

1:07:40.440 --> 1:07:42.720
<v Speaker 6>just I just never forget it, you know what I mean.

1:07:42.760 --> 1:07:44.880
<v Speaker 6>I mean, even I remember when you told me that

1:07:45.560 --> 1:07:47.760
<v Speaker 6>you guys were starting this podcast, you know what I mean,

1:07:47.840 --> 1:07:51.000
<v Speaker 6>And I was just like, that's going to be something

1:07:51.160 --> 1:07:57.840
<v Speaker 6>so important for the game overall because you guys. I

1:07:57.840 --> 1:08:00.440
<v Speaker 6>know you guys say it, but you guys are really

1:08:00.640 --> 1:08:04.600
<v Speaker 6>the authority, you know what I mean. Generation like you guys.

1:08:06.080 --> 1:08:07.800
<v Speaker 6>As long as you guys are here, I feel like

1:08:07.840 --> 1:08:11.320
<v Speaker 6>the genre is in good hands. And I just want

1:08:11.360 --> 1:08:14.160
<v Speaker 6>to say, man, appreciate y'all for everything that you guys

1:08:14.200 --> 1:08:16.800
<v Speaker 6>have done, because you guys really embraced me and wrapped

1:08:16.800 --> 1:08:18.920
<v Speaker 6>your arms around me when a lot of other people

1:08:18.920 --> 1:08:19.559
<v Speaker 6>weren't doing that.

1:08:19.800 --> 1:08:22.240
<v Speaker 1>There it is absolutely we love you, brother.

1:08:26.280 --> 1:08:30.840
<v Speaker 3>And this is the Army Money podcast, the authority on

1:08:30.960 --> 1:08:36.639
<v Speaker 3>all things R and B. We don't We're not mad

1:08:36.680 --> 1:08:40.439
<v Speaker 3>at nobody else. We're not mad at your job. But

1:08:40.560 --> 1:08:42.559
<v Speaker 3>this just happens to be. R.

1:08:42.840 --> 1:08:49.200
<v Speaker 6>B joson Concern in the Building, R and B Only Time,

1:08:49.400 --> 1:08:53.520
<v Speaker 6>RB Money, Get It, R and B Money.

1:08:54.160 --> 1:08:55.960
<v Speaker 7>R and B Money is a production of the Black

1:08:55.960 --> 1:09:00.599
<v Speaker 7>Effect podcast Network. For more podcasts from iHeart Radio, visit

1:09:00.680 --> 1:09:04.519
<v Speaker 7>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:09:04.560 --> 1:09:08.080
<v Speaker 7>your favorite shows. Don't forget to subscribe to and rate

1:09:08.160 --> 1:09:10.639
<v Speaker 7>our show, and you can connect with us on social

1:09:10.680 --> 1:09:14.280
<v Speaker 7>media at Jy Valentine and at the Real Tank. For

1:09:14.400 --> 1:09:19.640
<v Speaker 7>the extended episode, subscribe to YouTube dot com forward slash

1:09:19.880 --> 1:09:20.599
<v Speaker 7>R and B money