1 00:00:00,960 --> 00:00:03,760 Speaker 1: On the beck dol Cast, the questions asked if movies 2 00:00:03,840 --> 00:00:07,440 Speaker 1: have women in them? Are all their discussions just boyfriends 3 00:00:07,480 --> 00:00:12,400 Speaker 1: and husbands? Do they have individualism? The patriarchy? Zef invest 4 00:00:12,800 --> 00:00:17,239 Speaker 1: start changing it with the Bechdel Cast. Hello and welcome 5 00:00:17,280 --> 00:00:20,680 Speaker 1: to the Bechdel Cast. My name is Caitlin Durante Amie Loftus, 6 00:00:21,120 --> 00:00:25,520 Speaker 1: and we talk about the representation of women in movie True. 7 00:00:25,600 --> 00:00:27,560 Speaker 1: This is the podcast where we do it. We've been 8 00:00:27,600 --> 00:00:30,760 Speaker 1: doing it for years at this point. Wild It's true, 9 00:00:31,080 --> 00:00:35,080 Speaker 1: and we use the Bechdel test and we're heard of it, 10 00:00:35,440 --> 00:00:40,040 Speaker 1: which is a media metric developed by cartoonist Alison Bechdel. 11 00:00:40,280 --> 00:00:43,280 Speaker 1: Ever heard of her? Also sometimes done as the Bechdel 12 00:00:43,320 --> 00:00:47,160 Speaker 1: Wallace test, which we always forget to say. We're done 13 00:00:47,159 --> 00:00:50,479 Speaker 1: with Wallace erature over here? Yeah, um, but yeah. The 14 00:00:50,520 --> 00:00:52,960 Speaker 1: Bechtel test, if you don't know, is a media metric 15 00:00:53,400 --> 00:00:59,160 Speaker 1: that requires there be a scene that includes two named 16 00:00:59,280 --> 00:01:02,720 Speaker 1: female identa find characters who talked to each other about 17 00:01:02,800 --> 00:01:07,120 Speaker 1: something other than man. Most of the biggest franchises that 18 00:01:07,160 --> 00:01:11,400 Speaker 1: have ever been released don't passes. Wait can we do 19 00:01:11,440 --> 00:01:14,520 Speaker 1: a test run of it? Let's do it, Hey, Jamie, Caitlin, 20 00:01:15,160 --> 00:01:23,000 Speaker 1: why so? Serious, K, maybe just need to go back 21 00:01:23,040 --> 00:01:28,160 Speaker 1: on well putrin and really start evaluating my options. Sure, 22 00:01:28,280 --> 00:01:32,759 Speaker 1: I've been thinking about going back to therapy. Wow, good 23 00:01:32,800 --> 00:01:36,600 Speaker 1: for you. I should too. Uh. The reason I don't 24 00:01:36,720 --> 00:01:40,560 Speaker 1: like my current therapist would break the test. Okay, so 25 00:01:40,640 --> 00:01:43,800 Speaker 1: let's not talk about it. Yeah, yeah, all right, Well 26 00:01:43,800 --> 00:01:46,600 Speaker 1: that's pretty much passed the BEC test. Male therapist. I 27 00:01:46,640 --> 00:01:48,200 Speaker 1: can't do it. I don't know what it is. Yeah. 28 00:01:48,240 --> 00:01:51,480 Speaker 1: They I've always struggled with them. He's just like he's 29 00:01:51,680 --> 00:01:53,600 Speaker 1: he's so smart, but he's also like, what are you 30 00:01:53,680 --> 00:01:57,640 Speaker 1: talking about? And like this is this isn't gonna work anyways. Uh, 31 00:01:59,000 --> 00:02:02,000 Speaker 1: I'm very excited to talk about I think probably one 32 00:02:02,040 --> 00:02:05,200 Speaker 1: of the most famous movies of our time, I mean iconique. 33 00:02:05,760 --> 00:02:08,400 Speaker 1: It is, yes, and I think we can all agree 34 00:02:08,400 --> 00:02:13,799 Speaker 1: a feminist texts, feminist masterpiece. Yes, yes, yes, womanhood has 35 00:02:13,880 --> 00:02:17,240 Speaker 1: changed because of this. Oh yes. But before we dive in, 36 00:02:17,320 --> 00:02:21,320 Speaker 1: let's introduce our guests. She is a hilarious comedian. She's 37 00:02:21,360 --> 00:02:25,040 Speaker 1: one of the co hosts of Facial Recognition Comedy. It's 38 00:02:25,080 --> 00:02:31,880 Speaker 1: Paula Vignolin. Thanks for having me. I also don't like 39 00:02:31,919 --> 00:02:37,120 Speaker 1: mail therapist. I it sucks. He like saved my life, 40 00:02:37,480 --> 00:02:40,040 Speaker 1: and then I wanted to get rid of him right away. 41 00:02:40,080 --> 00:02:42,520 Speaker 1: I felt really bad. Anyways, it's been three years and 42 00:02:42,600 --> 00:02:47,560 Speaker 1: I'm a coward. God fun good stuff. So we're talking 43 00:02:47,560 --> 00:02:51,200 Speaker 1: about the Dark Knight. Yes she wasn't eight Christopher Nolan, 44 00:02:52,120 --> 00:02:55,720 Speaker 1: the second installment of the Dark Knight trilogy, but I 45 00:02:55,760 --> 00:03:00,480 Speaker 1: feel like the most famous and enduring installment. Agree, Paul V. 46 00:03:00,680 --> 00:03:05,040 Speaker 1: What is your history your relationship with this film? Okay, 47 00:03:05,080 --> 00:03:07,880 Speaker 1: thank you so much for asking. I love Batman. Batman's 48 00:03:07,919 --> 00:03:10,400 Speaker 1: my favorite. I love Batman the animated series the best, 49 00:03:10,440 --> 00:03:15,000 Speaker 1: and then this movie the next Oay, I watched this 50 00:03:15,080 --> 00:03:18,720 Speaker 1: movie and uh, there's a part in it where the 51 00:03:18,840 --> 00:03:21,120 Speaker 1: Joker is just sticking his head out of a window 52 00:03:21,160 --> 00:03:24,440 Speaker 1: and literally in the in the theater, the audience just 53 00:03:24,639 --> 00:03:28,680 Speaker 1: erupted an applause for this villain. And I did too, 54 00:03:28,720 --> 00:03:30,920 Speaker 1: like we were all like so excited for him. And 55 00:03:30,960 --> 00:03:34,079 Speaker 1: I love movies and books like that where it takes 56 00:03:34,120 --> 00:03:39,080 Speaker 1: like really horrible people and it like makes you up. People. 57 00:03:39,280 --> 00:03:42,240 Speaker 1: I mean, people love this. I mean there's like it's 58 00:03:42,320 --> 00:03:45,440 Speaker 1: it's uh sad, very sad. Because I think that this 59 00:03:45,680 --> 00:03:48,960 Speaker 1: movie was released posthumously for Heath Ledger and it was 60 00:03:49,000 --> 00:03:53,040 Speaker 1: his greatest role. Yeah. So, I mean everything's lined up 61 00:03:53,120 --> 00:03:56,160 Speaker 1: for people to be addicted to the Joker, and he's 62 00:03:56,200 --> 00:03:59,720 Speaker 1: so good. It's amazing. Say what you will, whether it's 63 00:03:59,720 --> 00:04:02,520 Speaker 1: a fun this text or not, his performance is so 64 00:04:02,520 --> 00:04:04,560 Speaker 1: so good. I mean I try to model my comedy 65 00:04:04,600 --> 00:04:09,560 Speaker 1: after his jokes. Yes, he's also an iconic comedian because 66 00:04:09,640 --> 00:04:15,240 Speaker 1: that's where my pencil went. All of our writing. Uniontemps 67 00:04:15,360 --> 00:04:20,039 Speaker 1: is what happened. They're just blood everywhere, you know. But yeah, 68 00:04:20,080 --> 00:04:21,760 Speaker 1: I really love this movie and it was like my 69 00:04:21,839 --> 00:04:25,080 Speaker 1: favorite movie for a while. A lot of my favorite 70 00:04:25,080 --> 00:04:28,440 Speaker 1: movies are so misogynous and I don't know, like same, 71 00:04:29,400 --> 00:04:32,440 Speaker 1: this is a huge problem of life. Well, Mad Max 72 00:04:32,560 --> 00:04:34,640 Speaker 1: wasn't it was. I think the reason that I loved 73 00:04:34,680 --> 00:04:37,400 Speaker 1: it was because it was feminist road or mat Max 74 00:04:37,480 --> 00:04:40,000 Speaker 1: Fury Road. Yeah, I love that movie. And I also 75 00:04:40,240 --> 00:04:42,240 Speaker 1: really loved Fight Club, and I think that I'm not 76 00:04:42,240 --> 00:04:45,880 Speaker 1: allowed to say that on Twitter. We've all been there, 77 00:04:46,279 --> 00:04:48,720 Speaker 1: We've all gone through the fight Club phase. I mean 78 00:04:48,800 --> 00:04:51,280 Speaker 1: it's just like, yeah, live and learn, baby. I mean, 79 00:04:51,320 --> 00:04:55,320 Speaker 1: I think my most problematic faive of like these like 80 00:04:55,520 --> 00:05:02,720 Speaker 1: toxic male franchises is the Indiana Jones series, which means 81 00:05:03,080 --> 00:05:07,080 Speaker 1: I still love it, Like we don't eat monkey Brains. 82 00:05:08,120 --> 00:05:10,960 Speaker 1: Temple of Doom is the worst one. It is. Yeah, 83 00:05:11,000 --> 00:05:14,960 Speaker 1: so but Last Crusade is a boatload of fun and 84 00:05:15,160 --> 00:05:19,680 Speaker 1: yet it's so bad and it's wild. Yeah, I think 85 00:05:19,680 --> 00:05:22,200 Speaker 1: The Dark Knight is that movie for a lot of people. 86 00:05:22,240 --> 00:05:24,440 Speaker 1: What's your experience with the Cabin? I saw it in 87 00:05:24,480 --> 00:05:28,120 Speaker 1: the theater, I think probably more than once. I think 88 00:05:28,160 --> 00:05:29,919 Speaker 1: I maybe saw it a couple of times in theaters, 89 00:05:30,480 --> 00:05:33,479 Speaker 1: and then I promptly bought it on DVD. I watched that. 90 00:05:33,600 --> 00:05:36,479 Speaker 1: I also like Batman Begins a lot, And I think 91 00:05:36,680 --> 00:05:40,479 Speaker 1: this might sound wild to say, but I think I 92 00:05:40,520 --> 00:05:45,719 Speaker 1: like Batman Begins better. And I only realized this upon 93 00:05:46,120 --> 00:05:48,800 Speaker 1: rewatching both of them to prep for this episode. I 94 00:05:48,880 --> 00:05:52,520 Speaker 1: was like, Oh, there's like thirty minutes at the beginning 95 00:05:52,720 --> 00:05:55,159 Speaker 1: of Dark Knight and thirty minutes at the end where 96 00:05:55,160 --> 00:05:58,520 Speaker 1: it's like either hard to follow or kind of boring 97 00:05:58,839 --> 00:06:02,280 Speaker 1: or like a climactic, But that Man Begins is like 98 00:06:02,480 --> 00:06:05,159 Speaker 1: a streamline like story all the way through with like 99 00:06:05,279 --> 00:06:07,240 Speaker 1: rising tension, and it's just like, I don't know, and 100 00:06:07,279 --> 00:06:11,920 Speaker 1: I like an origin story. Arrest me. It's whatever, you're 101 00:06:11,960 --> 00:06:14,880 Speaker 1: in jail. No one's arguing for The Dark Knight, Rice 102 00:06:15,000 --> 00:06:19,640 Speaker 1: is no, No, that was actually filmed. I went to 103 00:06:19,720 --> 00:06:21,840 Speaker 1: Carnegie Mellon and part of that was filmed on one 104 00:06:21,839 --> 00:06:24,839 Speaker 1: of the buildings, like the part where the steps I did. 105 00:06:24,880 --> 00:06:27,680 Speaker 1: I did microscopy and I had classes in that building. 106 00:06:28,520 --> 00:06:32,240 Speaker 1: Isn't the football stadium that's in that movie? Also the Steelers? Yeah, 107 00:06:32,480 --> 00:06:37,320 Speaker 1: I thought anyway wild So, yeah, I love this movie. Um, 108 00:06:37,360 --> 00:06:40,760 Speaker 1: I haven't revisited it though in probably like five years 109 00:06:40,880 --> 00:06:43,360 Speaker 1: or so. Yeah, Jamie, what about you? I love this 110 00:06:43,400 --> 00:06:47,039 Speaker 1: movie too. I've never been a superhero person, as loyal 111 00:06:47,040 --> 00:06:48,920 Speaker 1: fans of the show will know, but I feel like 112 00:06:49,160 --> 00:06:51,400 Speaker 1: this movie came out when I was in high school, 113 00:06:51,520 --> 00:06:54,320 Speaker 1: and it just like everybody saw it. I hadn't seen. 114 00:06:54,360 --> 00:06:56,359 Speaker 1: I remember seeing this movie and then having to go 115 00:06:56,400 --> 00:06:58,520 Speaker 1: back and watch Batman Begins because I hadn't had any 116 00:06:58,520 --> 00:07:01,040 Speaker 1: interest in it. And then I mean, yeah, I've seen 117 00:07:01,120 --> 00:07:03,640 Speaker 1: I think I've seen the full trilogy twice, but I've 118 00:07:03,640 --> 00:07:07,080 Speaker 1: seen this movie probably five or six times because it's 119 00:07:07,360 --> 00:07:09,560 Speaker 1: I don't know, but yeah, it's it's it's the one 120 00:07:09,600 --> 00:07:11,640 Speaker 1: that people tell you to watch over and over, and 121 00:07:11,680 --> 00:07:14,000 Speaker 1: it's the one that every toxic boyfriend makes you watch 122 00:07:14,080 --> 00:07:17,080 Speaker 1: with him. So I've I've seen this movie a bunch. 123 00:07:17,240 --> 00:07:20,400 Speaker 1: I always really enjoy it. Also had and revisited it 124 00:07:20,520 --> 00:07:23,800 Speaker 1: in at least five years, and you know, a lot 125 00:07:23,840 --> 00:07:30,040 Speaker 1: to discuss, certainly fridge, fridge, fridge, much fridging, Okay, fridging. 126 00:07:30,440 --> 00:07:34,360 Speaker 1: So that's like when let's oh, yeah, yeah, we'll get there. 127 00:07:34,800 --> 00:07:40,080 Speaker 1: So should I just do the recap? This movie is 128 00:07:40,200 --> 00:07:42,520 Speaker 1: very long. I'll make this as quick as possible. It 129 00:07:42,600 --> 00:07:46,240 Speaker 1: is two and a half hours anyway, So we open 130 00:07:46,840 --> 00:07:51,360 Speaker 1: the Joker is robbing a mob bank. He's killing his 131 00:07:51,560 --> 00:07:55,480 Speaker 1: criminal buddies were kind of thing the process. It evokes 132 00:07:55,680 --> 00:07:58,680 Speaker 1: Spider Man too, when Alfred Molline is wearing the fedora 133 00:07:58,760 --> 00:08:01,920 Speaker 1: at the bank right and while mcale is there and 134 00:08:02,080 --> 00:08:05,240 Speaker 1: Alpha Willina is like throwing bags of coin much Goofi 135 00:08:05,320 --> 00:08:11,960 Speaker 1: or movie. It's in a different tone. It is very goody. 136 00:08:12,320 --> 00:08:16,920 Speaker 1: Then we cut to Batman. He stops this scarecrow because 137 00:08:16,920 --> 00:08:19,080 Speaker 1: I guess he forgot to do that, and Batman begins, 138 00:08:19,480 --> 00:08:22,520 Speaker 1: I don't know, uh, and then Batman throws a dog. 139 00:08:23,240 --> 00:08:27,880 Speaker 1: There was a lot of dog throwing animals, just like, 140 00:08:27,920 --> 00:08:31,440 Speaker 1: who whose dog is this? I mean, rott Wiler's the 141 00:08:31,480 --> 00:08:34,480 Speaker 1: representation of rott Wiler specifically in this movie is not 142 00:08:34,840 --> 00:08:40,040 Speaker 1: positive anyway. So um, Meanwhile, there's a new district attorney 143 00:08:40,080 --> 00:08:45,000 Speaker 1: in town, Harvey Dent. He is dating Bruce Wayne's love interest, 144 00:08:45,200 --> 00:08:48,480 Speaker 1: Rachel Dawes, who were just like, oh it's Maggie Jillenhall. 145 00:08:48,559 --> 00:08:52,360 Speaker 1: Now it's no longer Katy Homes. We'll take whatever scientology 146 00:08:52,360 --> 00:08:56,040 Speaker 1: gives us, right scientology give it, and to take it away. 147 00:08:58,160 --> 00:09:01,160 Speaker 1: And Bruce Wayne is jealous because he wants to kiss 148 00:09:01,280 --> 00:09:08,560 Speaker 1: Rachel um Gordon Lieutenant Gordon, feminist icon Gary old Banks. Yeah, 149 00:09:08,720 --> 00:09:11,800 Speaker 1: there's a whole laundry list of like problematic men cast 150 00:09:11,800 --> 00:09:15,720 Speaker 1: in this movie. So he needs Dent's approval to get 151 00:09:15,800 --> 00:09:20,520 Speaker 1: warrants to search, and I guess sees these mob banks. Meanwhile, 152 00:09:20,679 --> 00:09:24,640 Speaker 1: Joker shows up to a mob meeting and they're all 153 00:09:24,679 --> 00:09:26,480 Speaker 1: trying to figure out how to keep their money safe. 154 00:09:26,559 --> 00:09:28,760 Speaker 1: And the Jokers like, oh, you should pay me to 155 00:09:28,840 --> 00:09:33,200 Speaker 1: kill Batman. And the mob doesn't like Joker, but he 156 00:09:33,520 --> 00:09:39,480 Speaker 1: is wacky and unhinged. Sonny, He's silly and and he 157 00:09:39,600 --> 00:09:43,120 Speaker 1: makes his own clothes. He's like that, so raven in 158 00:09:43,160 --> 00:09:48,160 Speaker 1: that way, and the only character I think of when 159 00:09:48,160 --> 00:09:50,120 Speaker 1: they think of someone who makes her own clothes. She's 160 00:09:50,160 --> 00:09:58,920 Speaker 1: a style. It was awesome anyways, but so Joker is scary, 161 00:09:59,080 --> 00:10:01,719 Speaker 1: so they're like, oh, well, I guess we gotta do 162 00:10:01,800 --> 00:10:04,760 Speaker 1: what he says. And then there's this guy, Mr. Law 163 00:10:05,280 --> 00:10:09,000 Speaker 1: who does all the bookkeeping for the Mob. So Batman 164 00:10:09,080 --> 00:10:12,400 Speaker 1: goes to Hong Kong and brings him back to Gotham, 165 00:10:12,440 --> 00:10:15,520 Speaker 1: and Dent and Rachel are like, you're in big trouble. 166 00:10:15,920 --> 00:10:19,960 Speaker 1: Mr so Loud gives up all the names of the 167 00:10:20,040 --> 00:10:23,680 Speaker 1: Mob boys so that Harvey Dent can put them away 168 00:10:23,679 --> 00:10:28,360 Speaker 1: in jail. My boys back at it again. Joker does 169 00:10:28,400 --> 00:10:31,240 Speaker 1: not like that this happened, so he's like, hey, Batman, 170 00:10:31,400 --> 00:10:34,600 Speaker 1: take off your mask and show yourself. And every day 171 00:10:34,600 --> 00:10:38,480 Speaker 1: that you don't do this, I will kill people. Meanwhile, 172 00:10:38,600 --> 00:10:43,360 Speaker 1: Bruce Wayne throws a fundraiser for Harvey Dent because he 173 00:10:43,440 --> 00:10:47,199 Speaker 1: wants Dent to be the new like face of hope 174 00:10:47,559 --> 00:10:52,120 Speaker 1: or justice, tipping the scale with candidates you know. Well, well, 175 00:10:52,120 --> 00:10:55,920 Speaker 1: he wants this because he basically wants to retire from 176 00:10:55,920 --> 00:10:58,360 Speaker 1: being Batman so that he can kiss Rachel because in 177 00:10:58,400 --> 00:11:00,760 Speaker 1: the first movie she's like, while you're still Batman, we 178 00:11:00,840 --> 00:11:06,320 Speaker 1: can't beat together. So Joker shows up to the fundraiser 179 00:11:06,440 --> 00:11:08,839 Speaker 1: to go after Dent, and this is after he has 180 00:11:08,920 --> 00:11:12,480 Speaker 1: killed the police commissioner and the judge who sentenced all 181 00:11:12,520 --> 00:11:16,120 Speaker 1: of the mob boys. Uh So Batman fights him off 182 00:11:16,320 --> 00:11:20,319 Speaker 1: and then Joker tries to kill the mayor, but Gordon 183 00:11:20,400 --> 00:11:24,000 Speaker 1: takes the bullet for him during this parade and Gordon 184 00:11:24,080 --> 00:11:29,160 Speaker 1: dies or does he forgot that this happened? Exhausting because 185 00:11:29,160 --> 00:11:31,280 Speaker 1: then they have to go to his wife and be 186 00:11:31,440 --> 00:11:33,559 Speaker 1: like him dead, and then they go back to his 187 00:11:33,640 --> 00:11:37,040 Speaker 1: wife say him fine, well at least they got, you know, 188 00:11:37,200 --> 00:11:41,200 Speaker 1: some of his wife in there. That's like a third 189 00:11:41,280 --> 00:11:46,080 Speaker 1: of women, that's true. It's uh yeah, women weeping over 190 00:11:46,120 --> 00:11:52,800 Speaker 1: Gary Oldman's death, So you know it's fiction. So Joker 191 00:11:53,520 --> 00:11:58,200 Speaker 1: names Rachel Dawes as his next victim, and Batman doesn't 192 00:11:58,240 --> 00:12:00,200 Speaker 1: want any more blood us on his hands, and so 193 00:12:00,280 --> 00:12:02,720 Speaker 1: he decides to reveal himself and the hopes that Joker 194 00:12:02,960 --> 00:12:06,080 Speaker 1: will stop killing people. But before he can do this, 195 00:12:06,600 --> 00:12:09,439 Speaker 1: Harvey Dent steps up and he's like, I'm the Batman, 196 00:12:10,040 --> 00:12:12,760 Speaker 1: and his reasoning for this is that when the Joker 197 00:12:13,200 --> 00:12:15,560 Speaker 1: attacks again, the real Batman will be able to like 198 00:12:15,640 --> 00:12:18,720 Speaker 1: swoop in and take him down. So as they're getting 199 00:12:18,880 --> 00:12:23,480 Speaker 1: Harvey Dent to safety or they've arrested him. I'm not 200 00:12:23,520 --> 00:12:27,120 Speaker 1: sure they're transporting him somewhere. The Joker shows up and 201 00:12:27,160 --> 00:12:30,960 Speaker 1: there's this big chase scene which is very fun. Shortly 202 00:12:31,000 --> 00:12:32,960 Speaker 1: after that is the scene where he's like his head 203 00:12:33,040 --> 00:12:35,160 Speaker 1: is out the window and the wind is in his 204 00:12:35,200 --> 00:12:39,400 Speaker 1: hair and he's just like ah, the iconic yeah. But 205 00:12:39,440 --> 00:12:42,400 Speaker 1: Batman shows up to stop the Joker, and then we 206 00:12:42,440 --> 00:12:45,240 Speaker 1: find out that Gordon is not dead after all, and 207 00:12:45,320 --> 00:12:48,959 Speaker 1: he arrests and locks up the Joker and then gets 208 00:12:49,000 --> 00:12:54,240 Speaker 1: promoted to commissioner. Yea for him, problematic men in charge, Hurrah, 209 00:12:54,559 --> 00:12:57,120 Speaker 1: and the Joker claps for him. This is a little 210 00:12:57,200 --> 00:13:01,199 Speaker 1: Joker clap. It was like he does Nancy Pelosi clap, 211 00:13:02,400 --> 00:13:07,560 Speaker 1: like I had his time in every way. But Joker 212 00:13:07,640 --> 00:13:12,400 Speaker 1: has already kidnapped Dent and Rachel or he's had his 213 00:13:12,440 --> 00:13:14,880 Speaker 1: goons do it, and he put he's put them in 214 00:13:14,880 --> 00:13:17,559 Speaker 1: two different locations, and Batman has to choose who he's 215 00:13:17,559 --> 00:13:21,240 Speaker 1: going to go save, so he goes after Rachel. He 216 00:13:21,320 --> 00:13:24,720 Speaker 1: shows up there at the address and Harvey is where 217 00:13:24,800 --> 00:13:28,439 Speaker 1: Joker said that Rachel would be, So explosions go off, 218 00:13:28,960 --> 00:13:32,880 Speaker 1: Rachel dies and then half of Harvey's face gets burned 219 00:13:32,880 --> 00:13:35,880 Speaker 1: off and then he becomes to face and he's bad. 220 00:13:35,920 --> 00:13:39,800 Speaker 1: Now he's upset, he's got he's got a new look. 221 00:13:40,679 --> 00:13:43,199 Speaker 1: You gotta glow up new at it or a glow down, 222 00:13:43,640 --> 00:13:49,440 Speaker 1: a lit up, and it's so gruesome. It is like 223 00:13:49,520 --> 00:13:51,959 Speaker 1: he would be dead. I don't understand how he's still alive. 224 00:13:52,200 --> 00:13:54,360 Speaker 1: I remember the first time seeing that in theaters and 225 00:13:54,440 --> 00:13:56,360 Speaker 1: being like I was. It was like fifteen, but I 226 00:13:56,440 --> 00:14:01,320 Speaker 1: was like this scared graphic like and that same thing 227 00:14:01,360 --> 00:14:04,400 Speaker 1: happened in like Breaking Bad. When did you go to 228 00:14:04,400 --> 00:14:07,280 Speaker 1: see Breaking Bad? I stopped after like four seasons, like 229 00:14:07,440 --> 00:14:10,319 Speaker 1: one of the major bad guys, like who's he's half 230 00:14:10,320 --> 00:14:12,760 Speaker 1: his face is blown off, but he just like dies, right, 231 00:14:12,800 --> 00:14:16,920 Speaker 1: that's what happens. But he but he dies like he 232 00:14:17,000 --> 00:14:20,200 Speaker 1: like still walks outside and then falls down and you're 233 00:14:20,240 --> 00:14:25,240 Speaker 1: like your face is gone right wild Anyway, Harvey Dent 234 00:14:25,320 --> 00:14:27,480 Speaker 1: is so strong and everyone loves him, so he survives 235 00:14:27,520 --> 00:14:32,480 Speaker 1: and becomes two face, and then Joker blows up a 236 00:14:32,560 --> 00:14:37,160 Speaker 1: hospital because Batman still has not revealed himself, and then 237 00:14:37,280 --> 00:14:40,840 Speaker 1: his next target are these two fairies. One is full 238 00:14:40,880 --> 00:14:43,560 Speaker 1: of prisoners and one is full of civilians and both 239 00:14:43,560 --> 00:14:49,840 Speaker 1: are full of explosion the classic trolley probably love it 240 00:14:49,880 --> 00:14:53,080 Speaker 1: doesn't that happen in Spiderman too, that happens in most 241 00:14:53,120 --> 00:14:56,320 Speaker 1: of but that also like they just had that with 242 00:14:56,480 --> 00:15:00,360 Speaker 1: Rachel and Dent. They were like pick your poison, right, Yeah, 243 00:15:00,720 --> 00:15:06,160 Speaker 1: he just did that, right, So it's like a new move, babe. Um. 244 00:15:06,240 --> 00:15:08,440 Speaker 1: And he's doing this social experiment to see if they 245 00:15:08,440 --> 00:15:11,320 Speaker 1: will blow each other up, these two boats. And he 246 00:15:11,440 --> 00:15:14,320 Speaker 1: didn't just do that. What did not pick up on that? 247 00:15:14,920 --> 00:15:20,240 Speaker 1: It's more people and it's very obvious bad guys. Yeah, 248 00:15:20,320 --> 00:15:24,240 Speaker 1: it's like a from Trolley problem too big. Okay, this 249 00:15:24,280 --> 00:15:26,600 Speaker 1: didn't work the first time I tried it. Let's make 250 00:15:26,640 --> 00:15:30,920 Speaker 1: it big. He's like, let's raise the stakes, let's you know, escalate. 251 00:15:31,800 --> 00:15:36,680 Speaker 1: So Dent meanwhile is going after the crooked cops who 252 00:15:36,760 --> 00:15:39,880 Speaker 1: sold him and Rachel out and he's killing them. And 253 00:15:39,920 --> 00:15:44,560 Speaker 1: then Batman finds Joker via this like crazy surveillance machine. 254 00:15:45,320 --> 00:15:50,239 Speaker 1: And I said, yeah, there's some really weird stuff glorified 255 00:15:50,280 --> 00:15:52,040 Speaker 1: in this movie, Like thank god the n s A 256 00:15:52,160 --> 00:15:54,840 Speaker 1: Was spying on everyone, or we wouldn't have been able 257 00:15:54,880 --> 00:15:59,160 Speaker 1: to find Mr Joke. Yeah, yea, And the boats don't 258 00:15:59,200 --> 00:16:01,760 Speaker 1: blow each other up. And then the jokers like, hey, 259 00:16:01,840 --> 00:16:04,080 Speaker 1: wait a minute, I thought that would work. And then 260 00:16:04,680 --> 00:16:08,520 Speaker 1: he's caught. But there's a whole thing after this. H 261 00:16:08,880 --> 00:16:13,600 Speaker 1: Then Harvey Dent has kidnapped Gordon's family because I guess 262 00:16:13,600 --> 00:16:17,400 Speaker 1: like Gordon was okay with having crooked cops in his 263 00:16:17,600 --> 00:16:21,520 Speaker 1: unit something like that. I don't know, and scary oldman, 264 00:16:21,600 --> 00:16:24,200 Speaker 1: You're just like, it's probably I don't know, right, I 265 00:16:24,240 --> 00:16:26,720 Speaker 1: don't know. He's supposed to be good. He's supposed to 266 00:16:26,720 --> 00:16:29,600 Speaker 1: be good. And then Batman shows up once again and 267 00:16:29,680 --> 00:16:33,840 Speaker 1: saves the day. Dent gets killed, but they all have 268 00:16:33,920 --> 00:16:36,280 Speaker 1: to pretend like he was still good since he was 269 00:16:36,360 --> 00:16:41,360 Speaker 1: like Gotham's White Knight. So Gotham's Dark Night, that's the 270 00:16:41,440 --> 00:16:44,840 Speaker 1: name by the movie, is going to take the fault 271 00:16:45,160 --> 00:16:49,440 Speaker 1: for dense crimes because something about a hero that we 272 00:16:49,520 --> 00:16:53,520 Speaker 1: have but we need, but we deserve it. It's the 273 00:16:53,600 --> 00:16:56,640 Speaker 1: one we deserve but not the one we need right now. 274 00:16:56,680 --> 00:17:00,000 Speaker 1: It's weird. I like people think it should be flipped, 275 00:17:00,040 --> 00:17:02,720 Speaker 1: didn't stuff. I don't know. I know, I've seen it 276 00:17:02,720 --> 00:17:08,679 Speaker 1: as a back tattoo. Let's take a quick break and 277 00:17:08,680 --> 00:17:19,240 Speaker 1: then we'll jump into the discussion and we're back man 278 00:17:19,400 --> 00:17:22,600 Speaker 1: I I was thinking a lot about a friend of 279 00:17:22,600 --> 00:17:24,840 Speaker 1: the cast, Whitmer Thomas. He does like a I was 280 00:17:24,880 --> 00:17:28,000 Speaker 1: just thinking of his joker bit for most of this movie. Oh, 281 00:17:28,400 --> 00:17:30,600 Speaker 1: I either haven't seen it or haven't seen it in 282 00:17:30,600 --> 00:17:32,400 Speaker 1: a while, because I don't really remember it. They talked 283 00:17:32,400 --> 00:17:35,560 Speaker 1: about it a lot on on his podcast American Arts 284 00:17:35,560 --> 00:17:37,439 Speaker 1: and Culture Reviews. I wanted to shout that out at 285 00:17:37,440 --> 00:17:40,760 Speaker 1: the top because I was thinking about it consistently throughout 286 00:17:41,359 --> 00:17:46,320 Speaker 1: thinking about a man's work. Jamie, Okay, listen, I I'm 287 00:17:46,400 --> 00:17:50,040 Speaker 1: very problematic, and I'm honestly canceled. I blame her male therapist. 288 00:17:51,040 --> 00:17:55,680 Speaker 1: He probably accepting you. Another Christopher Nolan there? Okay, Christopher. 289 00:17:55,680 --> 00:17:57,320 Speaker 1: Can we talk abut Christopher Nolan right at the top 290 00:17:57,400 --> 00:18:00,840 Speaker 1: because he has some problems he I'm a fan of 291 00:18:00,880 --> 00:18:05,800 Speaker 1: his work generally, he has a major issue with Uh. Well, 292 00:18:05,880 --> 00:18:09,800 Speaker 1: let's talk about fridging the concept of fridging, so I 293 00:18:09,800 --> 00:18:14,640 Speaker 1: have some info here, women in refrigerators. It was actually, oh, 294 00:18:14,680 --> 00:18:17,240 Speaker 1: it's exactly what it sounds like. It's literally exactly what 295 00:18:17,280 --> 00:18:20,040 Speaker 1: it sounds um. I think we first talked about this 296 00:18:20,200 --> 00:18:25,640 Speaker 1: in an episode are Laura Croft episode with Danny Fernandez. Um. 297 00:18:25,760 --> 00:18:28,399 Speaker 1: So way back in the day, but for a refresher. 298 00:18:28,560 --> 00:18:32,199 Speaker 1: It was originally a website created in nine by a 299 00:18:32,200 --> 00:18:35,399 Speaker 1: group of feminist comic book fans that list examples of 300 00:18:35,440 --> 00:18:39,960 Speaker 1: the comic book trope whereby female characters are injured, raped, killed, 301 00:18:40,119 --> 00:18:45,000 Speaker 1: or depowered, sometimes to stimulate protective traits as a plot 302 00:18:45,000 --> 00:18:48,680 Speaker 1: device intended to move a male character story arc forward. 303 00:18:49,119 --> 00:18:53,239 Speaker 1: So Gayle Simone is generally the woman credited with this, 304 00:18:53,400 --> 00:18:56,800 Speaker 1: and it basically comes from do you have the information 305 00:18:56,840 --> 00:18:59,560 Speaker 1: of the reason it's called fridging is because of a 306 00:18:59,600 --> 00:19:03,560 Speaker 1: specific thick comic book plot where a wife or girlfriend 307 00:19:03,600 --> 00:19:06,560 Speaker 1: is killed and literally stuffed in a fridge to motivate 308 00:19:07,359 --> 00:19:09,760 Speaker 1: the man. I don't know the specific source of that, 309 00:19:09,880 --> 00:19:12,240 Speaker 1: so if we have any fans who know, please, I 310 00:19:12,240 --> 00:19:15,320 Speaker 1: don't know the specific like comic book being referenced, but 311 00:19:15,359 --> 00:19:17,760 Speaker 1: that's why it's called fridging. But now it's kind of 312 00:19:17,800 --> 00:19:21,879 Speaker 1: just shorthand for killing off a female character, usually a wife, 313 00:19:21,920 --> 00:19:25,920 Speaker 1: a girlfriend, loving, killing off, kidnapping, brutalizing in some way 314 00:19:26,160 --> 00:19:29,720 Speaker 1: to motivate and to move the story forward, which this 315 00:19:29,760 --> 00:19:34,359 Speaker 1: movie is very guilty as several times, but also Christopher 316 00:19:34,359 --> 00:19:38,080 Speaker 1: Nolan's work in general is guilty of if we're thinking 317 00:19:38,119 --> 00:19:43,240 Speaker 1: of his filmography, where like you start with Memento, which 318 00:19:43,320 --> 00:19:48,000 Speaker 1: is he's trying his wife. That movie is his wife, 319 00:19:48,119 --> 00:19:54,080 Speaker 1: Inception is his wife. Batman the Dark Knight is his girlfriend. There, Like, 320 00:19:54,119 --> 00:19:56,840 Speaker 1: it is such a consistent pattern in his work that, 321 00:19:57,320 --> 00:19:59,159 Speaker 1: from what I could tell, the first time in his 322 00:19:59,480 --> 00:20:03,919 Speaker 1: entire filmography, the first time that doesn't happen is, um, 323 00:20:04,119 --> 00:20:07,760 Speaker 1: what's the movie about space? Oh, Interstellar, that's the first 324 00:20:07,760 --> 00:20:11,760 Speaker 1: movie where someone isn't fridged. There's no fridges there. No, 325 00:20:13,200 --> 00:20:16,119 Speaker 1: that's why there's nowhere to put women in Spaceifically, He 326 00:20:16,280 --> 00:20:18,159 Speaker 1: was just like, well, it doesn't seem to be an option, 327 00:20:19,680 --> 00:20:22,639 Speaker 1: but it is. I mean, it's I don't want to like, 328 00:20:22,920 --> 00:20:25,800 Speaker 1: I mean, it's by no means a reason to knock 329 00:20:26,119 --> 00:20:28,679 Speaker 1: his work as a whole, But it is interesting to 330 00:20:28,840 --> 00:20:33,520 Speaker 1: like see how long it takes for Ohtour filmmakers like 331 00:20:33,600 --> 00:20:38,760 Speaker 1: Christopher Nolan to pick up on or get enough blowback of, 332 00:20:39,119 --> 00:20:42,840 Speaker 1: like you can't this is so lazy and shitty, and 333 00:20:42,960 --> 00:20:46,440 Speaker 1: you know right, because the implications of fridging, I mean 334 00:20:46,440 --> 00:20:49,600 Speaker 1: there's many of them. It's that a woman, first of all, 335 00:20:49,640 --> 00:20:51,680 Speaker 1: it means we have to usually see a woman being 336 00:20:51,680 --> 00:20:56,439 Speaker 1: brutalized on screen. The implication is that a woman is 337 00:20:56,840 --> 00:21:00,159 Speaker 1: much weaker than her male counterparts, and then it is 338 00:21:00,200 --> 00:21:04,560 Speaker 1: not as important to the story, right, just Damsel in distress. Right, 339 00:21:04,720 --> 00:21:07,760 Speaker 1: But like just turned up to an eleven and that 340 00:21:07,880 --> 00:21:10,240 Speaker 1: the movie I was forgetting about was The Prestige, where 341 00:21:10,640 --> 00:21:17,000 Speaker 1: Hugh Jackman's assistant wife dies and then the story basically starts. Um, 342 00:21:17,080 --> 00:21:20,000 Speaker 1: So The Dark Knight is not an exception to this rule. 343 00:21:20,400 --> 00:21:24,480 Speaker 1: Chris Nolan made Interstellar, which I've never seen, but it's amazing. 344 00:21:24,880 --> 00:21:28,200 Speaker 1: People love it. It's because they actually do black holes right, 345 00:21:28,680 --> 00:21:30,560 Speaker 1: Like it's the first time I've ever seen science in 346 00:21:30,560 --> 00:21:33,320 Speaker 1: a movie accurately. It's because Kip Thorn, who won the 347 00:21:33,400 --> 00:21:35,840 Speaker 1: Nobel Prize in physics, like consulted and they listened to him. 348 00:21:35,880 --> 00:21:38,240 Speaker 1: That's amazing. We should mention that Paula v is a 349 00:21:38,240 --> 00:21:47,520 Speaker 1: woman in stem I need to go to school. But yeah, 350 00:21:47,520 --> 00:21:49,840 Speaker 1: this is the this, this is a movie where it happens. 351 00:21:50,040 --> 00:21:52,560 Speaker 1: And then, just to extend a little, it doesn't happen 352 00:21:52,560 --> 00:21:56,280 Speaker 1: an Interstellar, And then there's no women in that Boy 353 00:21:56,359 --> 00:21:59,520 Speaker 1: Island movie he made. Are you happy? Are you happy? Now? 354 00:22:00,000 --> 00:22:02,960 Speaker 1: There's no fridging because there's no women, there's no fridges 355 00:22:03,000 --> 00:22:05,439 Speaker 1: in space, there's no women on the island. He's like 356 00:22:05,520 --> 00:22:10,840 Speaker 1: Harry Styles happy. So yes, there is. That's my comment 357 00:22:10,920 --> 00:22:13,440 Speaker 1: on Chris Nolan as it took he figured it out 358 00:22:13,480 --> 00:22:16,320 Speaker 1: for exactly one movie. Yeah, and it's not this one. 359 00:22:16,400 --> 00:22:18,440 Speaker 1: It is not this one because it does certainly happen 360 00:22:18,480 --> 00:22:22,359 Speaker 1: a lot. So we have essentially one main female character 361 00:22:22,600 --> 00:22:25,240 Speaker 1: in this movie. We have a couple of secondary characters, 362 00:22:25,240 --> 00:22:27,399 Speaker 1: but as far as the main one who still doesn't 363 00:22:27,400 --> 00:22:31,080 Speaker 1: get that much screen time, it is Rachel Dawes. She 364 00:22:31,400 --> 00:22:34,280 Speaker 1: is framed as the love interest of two different men, 365 00:22:34,400 --> 00:22:37,119 Speaker 1: so another you know, like female character put into like 366 00:22:37,119 --> 00:22:40,159 Speaker 1: a love triangle situation. But it's crazy that she's the 367 00:22:40,200 --> 00:22:42,520 Speaker 1: love interest of two men and they both still can't 368 00:22:42,520 --> 00:22:44,560 Speaker 1: tell that she's not Katie Holmes, you know what I mean, 369 00:22:44,640 --> 00:22:48,399 Speaker 1: Like they're so in love with her, like no, I'm 370 00:22:48,440 --> 00:22:53,000 Speaker 1: just in love with the idea of you, Micky Jillian 371 00:22:53,080 --> 00:22:55,320 Speaker 1: hall Man. She does her best with what she's given here. 372 00:22:55,440 --> 00:22:57,560 Speaker 1: I like her a lot. Yeah I like her too. 373 00:22:57,960 --> 00:23:03,840 Speaker 1: But yeah, so just to continue this this fridging damseling conversation. Um, 374 00:23:03,920 --> 00:23:08,320 Speaker 1: it first happens during the fundraising party that Bruce Wayne 375 00:23:08,400 --> 00:23:12,919 Speaker 1: throws for Harvey Denton. The Joker shows up, he threatens her, 376 00:23:13,359 --> 00:23:15,920 Speaker 1: kind of has a knife to her face. He's telling 377 00:23:15,920 --> 00:23:20,280 Speaker 1: a story about his wife, but I think his wife 378 00:23:20,400 --> 00:23:24,080 Speaker 1: is fake in which she's damseling her too. Write yeah, 379 00:23:24,760 --> 00:23:30,080 Speaker 1: it's fictional his wife. So Batman comes in and saves 380 00:23:30,080 --> 00:23:32,119 Speaker 1: her by like punching the Joker in the face. I 381 00:23:32,160 --> 00:23:34,000 Speaker 1: just think it's funny that the reason she's put in 382 00:23:34,040 --> 00:23:35,840 Speaker 1: that situation where he like grabs a knife and puts 383 00:23:35,840 --> 00:23:37,479 Speaker 1: it to her face is because he's like threatening an 384 00:23:37,480 --> 00:23:41,639 Speaker 1: old man. And she's like, okay, knock it off. Oh no. 385 00:23:42,480 --> 00:23:44,560 Speaker 1: He's like, oh you got a little fight, and yeah, 386 00:23:45,320 --> 00:23:50,680 Speaker 1: She's like damn, sounds like I'm scared. A few minutes later, 387 00:23:51,359 --> 00:23:54,440 Speaker 1: Joker grabs her again, holds a gun to her head, 388 00:23:54,960 --> 00:23:57,480 Speaker 1: and then drops her out of a window, and then 389 00:23:57,480 --> 00:24:01,320 Speaker 1: Batman has to dive after her and save her. In Yeah. Also, 390 00:24:01,359 --> 00:24:04,480 Speaker 1: I feel like that's not how gravity works. But okay, right, 391 00:24:04,800 --> 00:24:09,840 Speaker 1: he's he has his suit. His acceleration due to gravity 392 00:24:09,920 --> 00:24:13,480 Speaker 1: in his Batman suit is like faster than normal because 393 00:24:13,520 --> 00:24:18,199 Speaker 1: of all of his science science. Yeah, I'm not a 394 00:24:18,200 --> 00:24:21,200 Speaker 1: woman in stem, but I feel like that's how that works. 395 00:24:23,320 --> 00:24:27,160 Speaker 1: Then she gets damseled again like for the third and finale, 396 00:24:27,560 --> 00:24:32,159 Speaker 1: it's a game where the Joker's goons we've understood to 397 00:24:32,359 --> 00:24:35,720 Speaker 1: have kidnapped her, put her in this warehouse full of explosives, 398 00:24:35,800 --> 00:24:39,560 Speaker 1: and then she is killed when the explosives go off. Right, 399 00:24:40,200 --> 00:24:45,600 Speaker 1: this is I mean, there's a lot written about this character, um, 400 00:24:45,720 --> 00:24:48,760 Speaker 1: from what my research indicates. And I'm not a bat head, 401 00:24:49,240 --> 00:24:52,400 Speaker 1: so simply go off in the comments if I'm wrong. 402 00:24:52,440 --> 00:24:54,840 Speaker 1: But she she's one of the only characters in this 403 00:24:54,920 --> 00:24:57,840 Speaker 1: film franchise that was added for the movie. Um, she 404 00:24:58,000 --> 00:25:02,000 Speaker 1: is not a character that appears here to this film franchise, 405 00:25:02,320 --> 00:25:04,840 Speaker 1: So she was not in the comics or anything like that. 406 00:25:04,880 --> 00:25:08,199 Speaker 1: He isn't interesting. There's there's a number of other I mean, 407 00:25:08,240 --> 00:25:10,080 Speaker 1: I think they appear in other Batman movies. There's a 408 00:25:10,160 --> 00:25:14,800 Speaker 1: number of other Batman girlfriends Vick, even from the Tim 409 00:25:14,800 --> 00:25:17,680 Speaker 1: Burton Batman I remember that, which we did cover many 410 00:25:17,680 --> 00:25:20,920 Speaker 1: many moons ago. I know it's wild one of the 411 00:25:21,160 --> 00:25:24,560 Speaker 1: first episodes. Um, but yeah, she she doesn't appear in 412 00:25:24,600 --> 00:25:28,199 Speaker 1: the comic books originally, and I feel like that is 413 00:25:28,280 --> 00:25:31,920 Speaker 1: kind of so it's not even an adaptation problem. Which 414 00:25:31,920 --> 00:25:33,920 Speaker 1: I think some of the issues with this movie kind 415 00:25:33,920 --> 00:25:37,080 Speaker 1: of ore and all comic book movies sort of come 416 00:25:37,160 --> 00:25:39,800 Speaker 1: up against that. But Rachel that that doesn't seem to 417 00:25:39,800 --> 00:25:42,600 Speaker 1: actually apply to her, So it's kind of like even 418 00:25:42,640 --> 00:25:46,240 Speaker 1: more obnoxious that the screenwriters just fucked up. The screenwriters 419 00:25:46,240 --> 00:25:48,800 Speaker 1: fridged her, and I would argue she has some merry 420 00:25:48,840 --> 00:25:51,960 Speaker 1: suit qualities. Uh, and there's just I don't know, like 421 00:25:52,040 --> 00:25:55,160 Speaker 1: she's just kind of like a go to like every 422 00:25:55,200 --> 00:25:58,000 Speaker 1: trope I don't I like, well, I don't have a 423 00:25:58,080 --> 00:26:02,240 Speaker 1: handle on who she is at all. Really. I also 424 00:26:02,280 --> 00:26:05,720 Speaker 1: think it's like crazy that like she she's wavering on 425 00:26:05,840 --> 00:26:08,080 Speaker 1: like who she wants to be with, and she's painted 426 00:26:08,359 --> 00:26:11,560 Speaker 1: like she kisses Bruce Wayne when she's with Harvey, so 427 00:26:11,600 --> 00:26:14,800 Speaker 1: then it's like and then she's like sacrificed, so like 428 00:26:14,880 --> 00:26:16,879 Speaker 1: you don't even get to like her as much as 429 00:26:16,880 --> 00:26:20,000 Speaker 1: you want to. Well that's I have a theory about that, 430 00:26:20,160 --> 00:26:22,760 Speaker 1: And I don't know if anyone else has read it 431 00:26:22,800 --> 00:26:25,280 Speaker 1: this way, but I feel like there's a read of 432 00:26:25,320 --> 00:26:29,520 Speaker 1: it where the movie feels justified in killing her because 433 00:26:29,520 --> 00:26:35,600 Speaker 1: she doesn't choose, because she doesn't she was going to leave. Yeah, yeah, yeah, 434 00:26:35,640 --> 00:26:37,600 Speaker 1: where it's like she's made to seem like a little 435 00:26:37,600 --> 00:26:42,160 Speaker 1: bit less lovable before she even though it's like objectively 436 00:26:42,640 --> 00:26:44,320 Speaker 1: she's making the right I mean, if you if she, 437 00:26:44,400 --> 00:26:46,560 Speaker 1: I mean, if if we were really she wouldn't choose 438 00:26:46,600 --> 00:26:49,520 Speaker 1: either of them. I haven't. I have two things I have. 439 00:26:49,680 --> 00:26:52,359 Speaker 1: I have a joke about how Batman's the o g 440 00:26:52,520 --> 00:26:56,480 Speaker 1: funck Boy because because he's like, listen, I gotta be 441 00:26:56,520 --> 00:26:58,919 Speaker 1: a playboy billionaire during the day. It's part of my 442 00:26:59,040 --> 00:27:01,640 Speaker 1: cover up. It's my guys. And then Superman and Spiderman 443 00:27:01,720 --> 00:27:04,119 Speaker 1: are like we're in monogamous relationships and we're got a 444 00:27:04,119 --> 00:27:08,920 Speaker 1: newspaper what So I just think it's like it's like 445 00:27:09,000 --> 00:27:11,520 Speaker 1: she she doesn't pick the funk boy, and then it's 446 00:27:11,520 --> 00:27:14,399 Speaker 1: punished for it. And then and then also like I 447 00:27:14,440 --> 00:27:18,000 Speaker 1: think it's so funny, like not funny, but it's like ironic. 448 00:27:18,040 --> 00:27:20,199 Speaker 1: I don't know when she she's like blown up in 449 00:27:20,240 --> 00:27:24,160 Speaker 1: the middle of a sentence, like she gets interrupted. It's 450 00:27:24,200 --> 00:27:27,680 Speaker 1: more realistic by a bomb. Yeah, and then Harvey is 451 00:27:27,720 --> 00:27:30,400 Speaker 1: like screaming at her instead of hearing her last words, 452 00:27:30,560 --> 00:27:33,399 Speaker 1: like knowing you know what I mean. It's very emotional 453 00:27:33,480 --> 00:27:38,119 Speaker 1: that one. It's I feel Rachel. I think in general 454 00:27:38,160 --> 00:27:41,240 Speaker 1: deserves better. We do know what her job is. I 455 00:27:41,280 --> 00:27:44,440 Speaker 1: feel like it is almost used to just justify her 456 00:27:44,560 --> 00:27:49,879 Speaker 1: being around Harvey. Harvey and and by extension sort of Bruce, 457 00:27:50,480 --> 00:27:53,720 Speaker 1: because we don't really see her like do much for 458 00:27:53,760 --> 00:27:56,360 Speaker 1: her job. She's the assistant d A, so arguably she's 459 00:27:56,359 --> 00:28:00,760 Speaker 1: a villain to and then she's also fucking the d A, right, 460 00:28:00,800 --> 00:28:04,119 Speaker 1: which is appropriate. Yeah, yeah, well that's because like, so 461 00:28:04,200 --> 00:28:06,200 Speaker 1: we know what she does for a living. At least 462 00:28:06,240 --> 00:28:09,320 Speaker 1: we get that at least you know, and she's good 463 00:28:09,400 --> 00:28:11,959 Speaker 1: at it. I have no idea, but she was on 464 00:28:12,080 --> 00:28:15,720 Speaker 1: time when Harvey wasn't. Okay, so in that scene that 465 00:28:15,760 --> 00:28:18,560 Speaker 1: this is towards the beginning. In this scene, she's waiting 466 00:28:18,600 --> 00:28:20,679 Speaker 1: for this trial to begin there in the courtroom and 467 00:28:20,720 --> 00:28:24,200 Speaker 1: then like Harvey shows up and he's like, son, and 468 00:28:25,520 --> 00:28:27,159 Speaker 1: were you worried you might have to like do this 469 00:28:27,240 --> 00:28:30,840 Speaker 1: without me? And she's like, I know these briefs backwards 470 00:28:31,119 --> 00:28:33,439 Speaker 1: and he's like, well, I don't give a funk, I'm 471 00:28:33,480 --> 00:28:39,160 Speaker 1: gonna do it anyway. This is nice. He yeah, I 472 00:28:39,160 --> 00:28:42,200 Speaker 1: mean it's she There are moments that like but it's 473 00:28:42,200 --> 00:28:45,320 Speaker 1: like we don't really see that really come into play 474 00:28:45,440 --> 00:28:47,440 Speaker 1: very much like we see. It's nice to see her 475 00:28:47,440 --> 00:28:50,280 Speaker 1: be like, Okay, she is clearly good at her job, 476 00:28:50,320 --> 00:28:52,440 Speaker 1: but like that's never really plot relevant. The fact that 477 00:28:52,480 --> 00:28:54,120 Speaker 1: she's got at her job is and we still don't 478 00:28:54,120 --> 00:28:57,520 Speaker 1: really even see her do her job at any point. 479 00:28:58,120 --> 00:29:01,480 Speaker 1: It's like the bare minimum of like describing who she 480 00:29:01,840 --> 00:29:05,040 Speaker 1: is and where she is. I appreciate the gesture, but 481 00:29:05,640 --> 00:29:07,320 Speaker 1: I don't know. She could kind of do anything in 482 00:29:07,320 --> 00:29:13,760 Speaker 1: the movie wouldn't change us. And also this whole time, 483 00:29:13,760 --> 00:29:15,560 Speaker 1: this was the first time where I was like, and 484 00:29:15,640 --> 00:29:19,120 Speaker 1: someone I tweeted about something about Batman and someone was 485 00:29:19,200 --> 00:29:22,120 Speaker 1: just like, Oh, wouldn't it be better if like Batman 486 00:29:22,160 --> 00:29:25,360 Speaker 1: and Tony Stark simply paid their taxes. They would probably 487 00:29:25,440 --> 00:29:27,360 Speaker 1: be doing the world a lot more good if they 488 00:29:27,480 --> 00:29:32,960 Speaker 1: just didn't. I mean, they're probably getting huge tax breaks 489 00:29:33,040 --> 00:29:35,680 Speaker 1: because it's like all their corporations all that stuff. That's 490 00:29:35,800 --> 00:29:38,400 Speaker 1: like I used to think that, like Batman was my 491 00:29:38,480 --> 00:29:41,800 Speaker 1: favorite superhero too, but now I'm realizing he like sucks. 492 00:29:41,800 --> 00:29:45,720 Speaker 1: Like there's because there's so much discussion about like class 493 00:29:45,760 --> 00:29:48,480 Speaker 1: and poverty and how it's causing all this crime and Gotham. 494 00:29:48,640 --> 00:29:50,800 Speaker 1: This is happens a little bit more in Batman begins, 495 00:29:51,120 --> 00:29:55,080 Speaker 1: but it's like you're a gazillionaire if you just redistribute 496 00:29:55,200 --> 00:29:58,640 Speaker 1: your wealth instead of like cause playing as a bat 497 00:29:58,720 --> 00:30:02,920 Speaker 1: and like stopped cosplaying Halloween animals and do you and 498 00:30:03,000 --> 00:30:06,440 Speaker 1: pay your taxes? Are you guys looking to see an 499 00:30:06,440 --> 00:30:11,320 Speaker 1: action movie starring Bill Gates? I mean that's the hero 500 00:30:11,440 --> 00:30:14,840 Speaker 1: that we deserted. You saw that video of him. Have 501 00:30:14,840 --> 00:30:16,880 Speaker 1: you guys seen that video with him jumping over the 502 00:30:17,000 --> 00:30:22,240 Speaker 1: rolly chair. He could be a superhero. He might be harrd. 503 00:30:22,280 --> 00:30:25,560 Speaker 1: I have no idea. All billionaires are scary to me. Um, 504 00:30:25,600 --> 00:30:28,960 Speaker 1: but it does feel like a very like Batman could 505 00:30:28,960 --> 00:30:33,400 Speaker 1: not be written now and be such a sympathetic I 506 00:30:33,440 --> 00:30:36,360 Speaker 1: feel like with the comparison to Bill Gates, I think 507 00:30:36,360 --> 00:30:40,280 Speaker 1: he falls more into like Elon Musk's territory because he's 508 00:30:40,320 --> 00:30:43,760 Speaker 1: pushing like technology and stuff and so like as a 509 00:30:43,760 --> 00:30:46,480 Speaker 1: scientists an engergineer, I feel like because people were like, Elon, 510 00:30:46,520 --> 00:30:48,600 Speaker 1: why don't you just like fix flint instead of going 511 00:30:48,640 --> 00:30:50,280 Speaker 1: to space And I'm like, yeah, okay, don't throw your 512 00:30:50,280 --> 00:30:53,040 Speaker 1: car into space, that's just space trash, and don't throw 513 00:30:53,040 --> 00:30:56,880 Speaker 1: your fridge in a space got but will end up 514 00:30:56,880 --> 00:31:01,160 Speaker 1: in there. Yeah, don't fridge your fridge. Yeah wait, but 515 00:31:01,200 --> 00:31:04,440 Speaker 1: I'm gonna watch Bill Gates jump over this chair. But 516 00:31:04,440 --> 00:31:06,080 Speaker 1: but I feel like, you know, there's a need and 517 00:31:06,160 --> 00:31:08,160 Speaker 1: it doesn't have to be mutually exclusive for all these 518 00:31:08,200 --> 00:31:11,520 Speaker 1: things to happen. But let's watch Bill Gates. Oh my god, 519 00:31:11,800 --> 00:31:15,080 Speaker 1: so oh yo, he got jump. I would watch that movie. 520 00:31:15,160 --> 00:31:18,880 Speaker 1: We'll post that little YouTube clip on our Twitter. It's 521 00:31:18,880 --> 00:31:22,760 Speaker 1: a lot anyways. Yeah, I mean, it's it's I do. 522 00:31:22,800 --> 00:31:25,240 Speaker 1: I do mean it as like a joke, but just 523 00:31:25,280 --> 00:31:29,200 Speaker 1: like the idea of like presenting a billionaire as like 524 00:31:29,400 --> 00:31:32,520 Speaker 1: the superhero to end all other superheroes, it feels like 525 00:31:32,600 --> 00:31:35,520 Speaker 1: a very particular you know, there's a there's a time 526 00:31:35,640 --> 00:31:39,160 Speaker 1: where that like American dreaming stuff can succeed. And I 527 00:31:39,160 --> 00:31:43,120 Speaker 1: feel like, now it's maybe not that definitely. Also, did 528 00:31:43,120 --> 00:31:48,760 Speaker 1: anyone feel like Christian Bales Bruce Wayne is just Christian 529 00:31:48,760 --> 00:31:53,360 Speaker 1: Bale's Patrick Bateman. Like they act the exact same to me, 530 00:31:53,400 --> 00:31:56,120 Speaker 1: and they look the exact same because they're Christian Bale, 531 00:31:56,480 --> 00:32:00,800 Speaker 1: but like but he's I mean, they're even like dressed 532 00:32:00,840 --> 00:32:03,360 Speaker 1: and styled the same way, Like their hair is the same, 533 00:32:03,440 --> 00:32:06,160 Speaker 1: Like they look identical and they act identical. I was 534 00:32:06,200 --> 00:32:09,240 Speaker 1: thinking of the scene towards the beginning where he comes 535 00:32:09,240 --> 00:32:12,680 Speaker 1: in with like the ballerina and he's like, let's put 536 00:32:12,680 --> 00:32:14,920 Speaker 1: these tables together, and Harveard Dens like, I don't think 537 00:32:14,960 --> 00:32:17,280 Speaker 1: they'll allow us, and he's like they should. I own this, 538 00:32:17,680 --> 00:32:20,000 Speaker 1: and it's like, I feel like that is such a 539 00:32:20,040 --> 00:32:22,880 Speaker 1: Patrick Bateman thing. I don't know anyway, but I think, oh, yeah, 540 00:32:22,920 --> 00:32:26,520 Speaker 1: his character of Bruce Wayne. You're saying, yes, oh, I see, maybe. Yeah. 541 00:32:26,600 --> 00:32:31,160 Speaker 1: When he's Bruce Wayne, he is being Patrick Bateman. When 542 00:32:31,160 --> 00:32:37,320 Speaker 1: he's Batman, he's like yeah, but yeah, his his persane 543 00:32:37,640 --> 00:32:39,640 Speaker 1: to me read a lot like Patrick Bateman, but more 544 00:32:39,640 --> 00:32:44,200 Speaker 1: importantly and more relevant. Part of Bruce Wayne's persona when 545 00:32:44,240 --> 00:32:46,480 Speaker 1: he's not Batman and when he's like, you know, being 546 00:32:46,640 --> 00:32:50,760 Speaker 1: his whatever, regular self, part of that persona is to 547 00:32:50,880 --> 00:32:56,360 Speaker 1: treat women like objects. Yeah, you touched on this a 548 00:32:56,360 --> 00:32:59,600 Speaker 1: little bit already, but like he rolls into Harveydn's fundraiser 549 00:32:59,640 --> 00:33:03,200 Speaker 1: with like three women on his arm. The ballet has 550 00:33:03,240 --> 00:33:07,040 Speaker 1: to be canceled because he takes the entire like ballet 551 00:33:07,520 --> 00:33:11,240 Speaker 1: full of dancers onto his yacht. Although that ballet Areina 552 00:33:11,360 --> 00:33:14,719 Speaker 1: Natasha is my favorite character in the movie. She's smart. 553 00:33:14,880 --> 00:33:18,320 Speaker 1: I love what she was saying about Vigilantes is there 554 00:33:18,440 --> 00:33:20,440 Speaker 1: that that doesn't count because there were two dudes in there, 555 00:33:20,480 --> 00:33:23,480 Speaker 1: but like she is talking about that is that's when 556 00:33:23,520 --> 00:33:25,880 Speaker 1: two women meet. Like I don't know any other scene 557 00:33:25,880 --> 00:33:28,800 Speaker 1: where two women meet and talk. There's one other that 558 00:33:29,040 --> 00:33:33,360 Speaker 1: is wild. But yeah, that I liked. I liked it that. 559 00:33:33,400 --> 00:33:35,920 Speaker 1: I mean, she's in it for literally forty five seconds. 560 00:33:36,320 --> 00:33:38,880 Speaker 1: Someone was like, Natasha, are you the Prima? And then 561 00:33:38,920 --> 00:33:43,320 Speaker 1: she like but then Batman cuts her off, like you're 562 00:33:43,360 --> 00:33:46,720 Speaker 1: like she was talking, she gets in her everyone's getting 563 00:33:46,760 --> 00:33:49,200 Speaker 1: interrupted in this movie, all the women are, and then 564 00:33:49,520 --> 00:33:53,400 Speaker 1: she's clearly only there because Bruce Wayne brought her to 565 00:33:53,440 --> 00:33:56,520 Speaker 1: be like, see Rachel, I have a date too. I 566 00:33:56,800 --> 00:34:00,600 Speaker 1: go on dates. I have a girl. Lady of the Twisted. 567 00:34:00,880 --> 00:34:05,040 Speaker 1: She's cool and she's like Batman with the like everyone's like, 568 00:34:05,080 --> 00:34:08,200 Speaker 1: she's like, why are we relying on this like cosplayer 569 00:34:08,320 --> 00:34:12,319 Speaker 1: to save the world? And she like kind of criticizes 570 00:34:12,400 --> 00:34:16,799 Speaker 1: Harvey as the d a for counting on a Batman 571 00:34:17,480 --> 00:34:20,799 Speaker 1: to do his job for him, and you're like, oh, yeah, 572 00:34:20,840 --> 00:34:23,839 Speaker 1: outside of this world, that would seem very irrational. Um 573 00:34:24,120 --> 00:34:27,200 Speaker 1: so I just I was here for Natasha. I was 574 00:34:27,280 --> 00:34:31,400 Speaker 1: hoping she'd come back, but she did not know she didn't, 575 00:34:31,520 --> 00:34:34,920 Speaker 1: but shout out to her. Um. One last thing on 576 00:34:35,000 --> 00:34:39,680 Speaker 1: the fridging conversation. Gordon's his wife and children also get 577 00:34:39,920 --> 00:34:44,720 Speaker 1: damnse old and fridged, essentially by Harvey Dent at the end. Also, 578 00:34:45,160 --> 00:34:48,839 Speaker 1: Gordon's son gets is credited with the name Gordon's daughter 579 00:34:49,080 --> 00:34:53,120 Speaker 1: is not fun. That's because he said he loved her more. 580 00:34:54,200 --> 00:34:57,080 Speaker 1: That's the only reason he loved the boy more. And 581 00:34:57,120 --> 00:35:00,919 Speaker 1: so you're like, oh, so that's Jimmy cool upsetting, but yeah, 582 00:35:01,000 --> 00:35:03,880 Speaker 1: his his daughter is not credited even at the end 583 00:35:03,880 --> 00:35:05,440 Speaker 1: of the movie with a name, and she doesn't have 584 00:35:05,480 --> 00:35:07,719 Speaker 1: any lines. I think the little boy at least like 585 00:35:08,160 --> 00:35:14,640 Speaker 1: he asks about Batman when Batman runs away, um, and 586 00:35:14,680 --> 00:35:16,040 Speaker 1: then you can tell that it's going to be the 587 00:35:16,040 --> 00:35:19,239 Speaker 1: little kid that's excited about the superhero or whatever. But 588 00:35:19,320 --> 00:35:21,560 Speaker 1: the little girl was never like what the funk? Dad? 589 00:35:21,680 --> 00:35:25,759 Speaker 1: You love him more than me? Fuck you. That's not 590 00:35:25,840 --> 00:35:28,920 Speaker 1: going to haunt their relationships for decades. She's going to 591 00:35:29,000 --> 00:35:32,360 Speaker 1: have to go to a male fair based after this. Okay, 592 00:35:32,400 --> 00:35:37,840 Speaker 1: first of all, that hurts just a quick thing on 593 00:35:37,960 --> 00:35:39,839 Speaker 1: two face. Whenever he says, I make my own luck. 594 00:35:39,840 --> 00:35:43,479 Speaker 1: I'm like Jack Dawson Titan. Okay, well that's what cal 595 00:35:43,560 --> 00:35:46,399 Speaker 1: Hockley says, right, He's like, I make my own Yeah. 596 00:35:46,520 --> 00:35:49,479 Speaker 1: It's like, oh, I mean Aaron Eckhart, but what about 597 00:35:49,520 --> 00:35:52,880 Speaker 1: Billy Zane. Billy zane visibility is very low in this 598 00:35:53,040 --> 00:35:57,200 Speaker 1: extreme said an all time low. They don't even reference 599 00:35:57,280 --> 00:35:59,880 Speaker 1: him and Aaron eck cart Man. Aarona cart is so 600 00:36:00,000 --> 00:36:02,000 Speaker 1: weird because he can be so good in movies and 601 00:36:02,040 --> 00:36:06,160 Speaker 1: also so bad. Really he well, Frankenstein, you gotta check 602 00:36:06,160 --> 00:36:10,919 Speaker 1: out I Frankenstein. It's the movie of my life. It's 603 00:36:11,040 --> 00:36:15,200 Speaker 1: so much. It's he plays sexy Frankenstein. Well, I didn't 604 00:36:15,200 --> 00:36:19,520 Speaker 1: he do that in this movie too, which is I 605 00:36:19,560 --> 00:36:23,120 Speaker 1: patch him up. It's the opposite of it's even I mean, 606 00:36:23,160 --> 00:36:26,800 Speaker 1: he can play this exact role very well or terribly. 607 00:36:27,320 --> 00:36:28,959 Speaker 1: I think he did. I think he did a good 608 00:36:29,040 --> 00:36:33,440 Speaker 1: job of transitioning to like he played both characters pretty well. 609 00:36:33,480 --> 00:36:35,520 Speaker 1: I think that they didn't give him enough time to 610 00:36:35,640 --> 00:36:38,279 Speaker 1: like transition or whatever, but it like it still was 611 00:36:38,320 --> 00:36:40,719 Speaker 1: pretty good in this movie at least. I like his 612 00:36:40,760 --> 00:36:43,359 Speaker 1: performance in this movie a lot. Yeah, I just like 613 00:36:43,640 --> 00:36:46,680 Speaker 1: rewatching it this time. I was like they went too 614 00:36:46,760 --> 00:36:51,040 Speaker 1: overboard with his face, like what it looks like in 615 00:36:51,040 --> 00:36:52,520 Speaker 1: the comics. I don't know, I really like it, and 616 00:36:52,840 --> 00:36:54,560 Speaker 1: I like it because it also gives him that grim 617 00:36:54,719 --> 00:36:57,600 Speaker 1: like the Joker like and they all have like these 618 00:36:57,600 --> 00:37:02,920 Speaker 1: like smiles, permanent but scary ones. Yeah, but also like 619 00:37:03,000 --> 00:37:05,200 Speaker 1: in these movies, like superhero movies are supposed to be 620 00:37:05,239 --> 00:37:08,320 Speaker 1: like ridiculous, you know, like you go in like knowing 621 00:37:09,040 --> 00:37:11,839 Speaker 1: that fucking gravity doesn't work for Batman or that like 622 00:37:12,000 --> 00:37:14,080 Speaker 1: his face can be blown off and he'll still survive. 623 00:37:14,360 --> 00:37:16,719 Speaker 1: Like I guess, well, was it Tommy Lee Jones who 624 00:37:16,920 --> 00:37:20,480 Speaker 1: who plays two Face in the earlier Batman and like 625 00:37:20,520 --> 00:37:22,439 Speaker 1: he just has like a bunch of scars on his face. 626 00:37:22,480 --> 00:37:25,719 Speaker 1: I'm like, that is, you know, still a bit gruesome. 627 00:37:25,800 --> 00:37:28,080 Speaker 1: But you know, yeah, I liked I like that they 628 00:37:28,120 --> 00:37:29,640 Speaker 1: went all the way with it because I feel like 629 00:37:29,640 --> 00:37:33,120 Speaker 1: this is like gritty Batman. This is the grit gritty 630 00:37:33,120 --> 00:37:38,440 Speaker 1: shout out to queer and feminist icon gritty. Sure, but 631 00:37:38,520 --> 00:37:41,240 Speaker 1: this is like there and I feel like all movies 632 00:37:41,239 --> 00:37:42,839 Speaker 1: were trying to be like this for a while, where 633 00:37:42,880 --> 00:37:45,839 Speaker 1: they're like it's very dark read but this is this 634 00:37:45,920 --> 00:37:48,360 Speaker 1: is this is okay. With a lot of thoughts about this. 635 00:37:48,360 --> 00:37:50,759 Speaker 1: This is exactly what Batman the Animated Series did. Like 636 00:37:50,800 --> 00:37:53,200 Speaker 1: this is how it shifted Batman and all of these 637 00:37:53,200 --> 00:37:56,400 Speaker 1: other superhero things that tried to emulate them after Batman 638 00:37:56,400 --> 00:37:58,560 Speaker 1: the Animated series, like the even the way that they 639 00:37:58,600 --> 00:38:00,919 Speaker 1: like animated it was on like ar paper and they's 640 00:38:01,000 --> 00:38:04,480 Speaker 1: like painted light on top of that, and it was 641 00:38:04,520 --> 00:38:07,200 Speaker 1: like the grittiness that came in. So after the animated 642 00:38:07,239 --> 00:38:09,239 Speaker 1: series is when all of these things shifted. Before it 643 00:38:09,239 --> 00:38:11,239 Speaker 1: was like more silly. There was nipples on the suit, 644 00:38:11,280 --> 00:38:16,479 Speaker 1: which I but and then like Batman the Animated Series 645 00:38:16,560 --> 00:38:20,960 Speaker 1: was also responsible for the two voices of Batman Kevin 646 00:38:20,960 --> 00:38:24,760 Speaker 1: Connelly or whatever. Yeah, and for like like the crazy 647 00:38:24,840 --> 00:38:27,120 Speaker 1: laugh and yeah, and then all of these other superhero 648 00:38:27,160 --> 00:38:29,160 Speaker 1: movies were like we're going to make this darker now, 649 00:38:29,440 --> 00:38:32,080 Speaker 1: got it? Yeah? Alright, good to know, except for like 650 00:38:32,120 --> 00:38:35,279 Speaker 1: the Flash is still fun just like I just go 651 00:38:35,400 --> 00:38:38,279 Speaker 1: real fast. But like in every movie here, I mean, 652 00:38:38,320 --> 00:38:40,600 Speaker 1: in this movie it works super well. Like it it 653 00:38:40,640 --> 00:38:43,880 Speaker 1: makes sense that every superhero movie was trying to be 654 00:38:44,080 --> 00:38:47,120 Speaker 1: this for a while. And shout out to Hans Zimmer 655 00:38:47,440 --> 00:38:49,880 Speaker 1: for the soundtrack. What a good score. It's such a 656 00:38:49,880 --> 00:38:54,440 Speaker 1: good score. We got to take a quick break, but 657 00:38:54,600 --> 00:39:03,279 Speaker 1: we will come right back. We're back. Yeah, there's a 658 00:39:03,280 --> 00:39:06,280 Speaker 1: few other female characters in this movie. There are well, 659 00:39:06,560 --> 00:39:09,759 Speaker 1: can we talk about Ramirez? But I also want to 660 00:39:09,760 --> 00:39:13,319 Speaker 1: talk about the representation of people of color in this 661 00:39:13,360 --> 00:39:16,279 Speaker 1: movie because I think that will kind of nicely transition 662 00:39:17,080 --> 00:39:20,160 Speaker 1: because the only people of color in the movie are 663 00:39:21,040 --> 00:39:24,840 Speaker 1: bad guys, criminals, people in the mob, villains, or people 664 00:39:24,840 --> 00:39:27,799 Speaker 1: who have been incarcerated. There were there was a cop 665 00:39:27,880 --> 00:39:33,040 Speaker 1: that was killed. Oh oh, the commissioner. No, no, there 666 00:39:33,080 --> 00:39:34,480 Speaker 1: was a cop that was like, hey, what are you 667 00:39:34,480 --> 00:39:35,640 Speaker 1: doing here? And then he got shot in the face 668 00:39:35,680 --> 00:39:39,839 Speaker 1: by Joker. There's that one. Come on, There's like there's 669 00:39:39,840 --> 00:39:44,560 Speaker 1: a couple law enforcement officers too. Of course, there's also 670 00:39:44,640 --> 00:39:49,320 Speaker 1: Morgan Freeman, who is an ally to Bruce Wayne and Batman, 671 00:39:49,320 --> 00:39:52,960 Speaker 1: I mean ally to a billionaire. Love it because he 672 00:39:53,040 --> 00:39:56,720 Speaker 1: was like, he had some ethics. Definitely, he did hate 673 00:39:56,800 --> 00:40:00,200 Speaker 1: the n S A machine, so that was good. But 674 00:40:00,280 --> 00:40:03,520 Speaker 1: he is on the list of bad people I r L, 675 00:40:03,680 --> 00:40:06,920 Speaker 1: which we will get to. Um fuk, I forget all 676 00:40:06,960 --> 00:40:09,920 Speaker 1: of them. There's too many, so hard to keep jack 677 00:40:09,960 --> 00:40:14,680 Speaker 1: of um. But the majority of people of color, you 678 00:40:14,719 --> 00:40:17,760 Speaker 1: see in the movie are framed as being bad guys. 679 00:40:18,440 --> 00:40:21,279 Speaker 1: And then one of the other female characters that we 680 00:40:21,320 --> 00:40:26,120 Speaker 1: get to meet is Detective Ramirez. She seems good, she 681 00:40:26,200 --> 00:40:28,920 Speaker 1: seems like a good person, but then she turns out 682 00:40:28,960 --> 00:40:33,839 Speaker 1: to be traitors because she sold out Rachel to the 683 00:40:33,920 --> 00:40:36,840 Speaker 1: Joker in his Goons. She is, I mean, and again 684 00:40:36,840 --> 00:40:39,759 Speaker 1: it's like, we don't have really the context of how 685 00:40:39,800 --> 00:40:42,680 Speaker 1: this character is portrayed in the comics books. And I 686 00:40:42,719 --> 00:40:45,359 Speaker 1: think she is in the comic books. Yeah, that's hard. 687 00:40:45,880 --> 00:40:48,319 Speaker 1: The main thing with Ramire says like it took They 688 00:40:48,320 --> 00:40:50,560 Speaker 1: don't say her name until she's been on screen a 689 00:40:50,600 --> 00:40:54,440 Speaker 1: couple of times, and so that was I don't I mean, 690 00:40:54,719 --> 00:40:56,840 Speaker 1: she's probably in Batman Begins as well, but I'm like, 691 00:40:56,960 --> 00:40:59,000 Speaker 1: I have no fucking clue what this character's name is. 692 00:40:59,040 --> 00:41:01,200 Speaker 1: And then it's like the third or fourth time she's 693 00:41:01,320 --> 00:41:04,080 Speaker 1: in the movie for a couple of seconds, someone says, 694 00:41:04,200 --> 00:41:07,759 Speaker 1: this is Anna Ramirez. You're like, oh, great, thank you. 695 00:41:08,239 --> 00:41:11,239 Speaker 1: I appreciate that. I mean, she ended up being duplicit as. 696 00:41:11,280 --> 00:41:13,400 Speaker 1: And one of the times that this movie sort of 697 00:41:13,440 --> 00:41:17,160 Speaker 1: passes the vital test is when Anna Ramirez is like 698 00:41:17,239 --> 00:41:19,480 Speaker 1: being she's being held at gunpoint by Aaron at Card 699 00:41:19,600 --> 00:41:23,200 Speaker 1: and she calls his wife. It's a mind funk of 700 00:41:23,239 --> 00:41:26,439 Speaker 1: a pass. Yeah, she's being held at gunpoint by Aaron 701 00:41:26,480 --> 00:41:30,160 Speaker 1: at Card, but it does take a good pass. Uh yeah. 702 00:41:30,400 --> 00:41:33,359 Speaker 1: But she's talking about Oh, she's just trying to get 703 00:41:33,400 --> 00:41:36,040 Speaker 1: them out of the house or whatever. She has called 704 00:41:36,200 --> 00:41:43,080 Speaker 1: um Barbara who is named Gordon, Um, Gordon's wife. Um. Yeah. 705 00:41:43,200 --> 00:41:46,479 Speaker 1: Ramires is like, oh, you gotta get away. We can't 706 00:41:46,480 --> 00:41:50,200 Speaker 1: trust those cops go to this address, blah blah. So 707 00:41:50,480 --> 00:41:53,480 Speaker 1: although she she keeps saying like, he wants you to 708 00:41:53,600 --> 00:41:56,399 Speaker 1: do this, he wants you to go here. So yeah 709 00:41:56,520 --> 00:41:59,719 Speaker 1: about Gordon, Yeah yeah, I had I had one two 710 00:41:59,760 --> 00:42:03,799 Speaker 1: line exchange in that conversation passing. But either way, it's 711 00:42:03,880 --> 00:42:06,960 Speaker 1: a wild It's it's a wild reveal that you're like, oh, 712 00:42:07,000 --> 00:42:09,960 Speaker 1: she's being held at gunpoint, right, I don't know if 713 00:42:09,960 --> 00:42:13,160 Speaker 1: this happens in the comic books at very least appreciated 714 00:42:13,239 --> 00:42:16,640 Speaker 1: that her betrayal is not irrational and there is a 715 00:42:16,680 --> 00:42:19,280 Speaker 1: reason that she's doing it. We like learned that her 716 00:42:19,360 --> 00:42:22,799 Speaker 1: mother is sick in the hospital and she's given her 717 00:42:22,880 --> 00:42:24,960 Speaker 1: little trolley choice of like do I save my mother 718 00:42:25,160 --> 00:42:28,239 Speaker 1: or do I kind of sell out this family. So 719 00:42:28,760 --> 00:42:32,319 Speaker 1: at very least I feel like she's not so underwritten 720 00:42:32,360 --> 00:42:34,840 Speaker 1: that you're just like, oh, she's just bad, like you 721 00:42:34,880 --> 00:42:38,359 Speaker 1: do understand why she's motivating. Yeah, but it still means 722 00:42:38,400 --> 00:42:40,719 Speaker 1: that the I think the one woman of color in 723 00:42:40,760 --> 00:42:44,880 Speaker 1: the entire movie is made to be presented in such 724 00:42:44,920 --> 00:42:48,880 Speaker 1: a way where the audience then hates her. Well, you 725 00:42:48,920 --> 00:42:52,920 Speaker 1: don't hate her that, right, it's but not a not 726 00:42:53,040 --> 00:42:55,879 Speaker 1: a ethical person in the way that all these men 727 00:42:55,960 --> 00:42:58,120 Speaker 1: who have to like stand up for what they believe 728 00:42:58,160 --> 00:43:01,920 Speaker 1: in our right and make the right decision. Yeah, I 729 00:43:01,960 --> 00:43:05,400 Speaker 1: don't know. I mean, yeah, there's definitely I mean again 730 00:43:05,400 --> 00:43:08,200 Speaker 1: a Christopher Noland things just like they're they're very white movies, 731 00:43:08,320 --> 00:43:11,960 Speaker 1: and so when people of color are portrayed in certain ways, 732 00:43:12,000 --> 00:43:13,759 Speaker 1: it's like there's no one really to compare it to. 733 00:43:14,000 --> 00:43:17,200 Speaker 1: And but it's interesting because like at so many points 734 00:43:17,200 --> 00:43:20,120 Speaker 1: in this movie, the jokers like make a decision, picked 735 00:43:20,160 --> 00:43:22,239 Speaker 1: the person you want to kill, right, and she had 736 00:43:22,280 --> 00:43:25,120 Speaker 1: that choice too with her mom versus uh like everybody 737 00:43:25,120 --> 00:43:28,719 Speaker 1: else basically. But it's interesting that like right before that, 738 00:43:28,800 --> 00:43:30,520 Speaker 1: the convict like through the thing out the window because 739 00:43:30,560 --> 00:43:32,239 Speaker 1: he was a person of color who also had the 740 00:43:32,239 --> 00:43:35,160 Speaker 1: decision where like he would be killed, um, and so 741 00:43:35,239 --> 00:43:37,760 Speaker 1: it's like it's it also is like a power play, 742 00:43:37,800 --> 00:43:41,200 Speaker 1: like with convicts versus you know, police officers and like 743 00:43:41,360 --> 00:43:44,760 Speaker 1: class stuff. So I think like at least they have that, 744 00:43:44,760 --> 00:43:48,080 Speaker 1: that's true. I mean the on the two ferries, we 745 00:43:48,160 --> 00:43:50,520 Speaker 1: have the like all the incarcerated people, and like the 746 00:43:50,520 --> 00:43:52,719 Speaker 1: guy who's like, I'm gonna do what why would you 747 00:43:52,719 --> 00:43:54,680 Speaker 1: should have done ten minutes ago? And he throws the 748 00:43:54,719 --> 00:43:57,359 Speaker 1: detonator out the window. And then meanwhile on each other 749 00:43:57,400 --> 00:44:00,319 Speaker 1: book takes it from a white police police officer. So 750 00:44:00,360 --> 00:44:02,239 Speaker 1: the police officer gave it to him thinking that he 751 00:44:02,280 --> 00:44:04,000 Speaker 1: was going to blow up the other boat. And you 752 00:44:04,040 --> 00:44:06,680 Speaker 1: see the failure in the police officers ethics and the 753 00:44:06,840 --> 00:44:09,399 Speaker 1: rise of this convicts, right. And then on the other 754 00:44:09,480 --> 00:44:12,960 Speaker 1: boat is all the civilians and then there's like one 755 00:44:13,000 --> 00:44:15,759 Speaker 1: white guy in particular who's like, let's kill him. They 756 00:44:15,800 --> 00:44:19,399 Speaker 1: made their choice, their murderers. And then even he can't 757 00:44:19,400 --> 00:44:21,440 Speaker 1: go through with it, but like and then everyone around 758 00:44:21,520 --> 00:44:23,600 Speaker 1: him is disappointed that he can't go through with it. 759 00:44:23,800 --> 00:44:27,560 Speaker 1: But everyone on the convicts boat, like the group of 760 00:44:27,600 --> 00:44:29,719 Speaker 1: people he's like friends with or whatever, like go to 761 00:44:29,800 --> 00:44:32,839 Speaker 1: protect him. Like if you see he like walks back 762 00:44:32,880 --> 00:44:36,080 Speaker 1: and then like all of his black friends like surround 763 00:44:36,160 --> 00:44:38,200 Speaker 1: him and are like, yeah, this is it. My theory 764 00:44:38,280 --> 00:44:41,600 Speaker 1: is that everyone on the civilian boat is actually like 765 00:44:41,719 --> 00:44:44,920 Speaker 1: guilty of insider trading, but they've never been like convicted. 766 00:44:44,960 --> 00:44:48,400 Speaker 1: And then everyone on the like boat of incarcerated people 767 00:44:48,760 --> 00:44:52,360 Speaker 1: are in jail for like yeah, they were like a 768 00:44:52,400 --> 00:44:56,320 Speaker 1: marijuana charge. Yeah, and they're all actually non violent offenders. 769 00:44:56,400 --> 00:45:02,439 Speaker 1: That's not necessarily a theory, probably not accurate, especially given 770 00:45:02,480 --> 00:45:05,080 Speaker 1: their facial reactions, but they didn't kill a bunch of people. 771 00:45:05,880 --> 00:45:10,279 Speaker 1: I yeah, I I feel like that that scene does 772 00:45:10,880 --> 00:45:12,960 Speaker 1: part of what I like about this movie well, where 773 00:45:12,960 --> 00:45:15,080 Speaker 1: it's just kind of like a very comic bookie like 774 00:45:15,360 --> 00:45:17,560 Speaker 1: who is good and who isn't? What is good? What 775 00:45:17,760 --> 00:45:19,640 Speaker 1: is bad? And like people who are put in certain 776 00:45:19,680 --> 00:45:23,920 Speaker 1: boxes aren't actually that. And I mean it's definitely like 777 00:45:23,960 --> 00:45:27,080 Speaker 1: a very egregious example. But I don't know, I always 778 00:45:27,120 --> 00:45:30,239 Speaker 1: like that scene too. Um, but there should I mean, 779 00:45:30,239 --> 00:45:33,280 Speaker 1: there should be more people of color in this franchise 780 00:45:33,320 --> 00:45:37,799 Speaker 1: and seen in different roles. I totally agree. There's, um, 781 00:45:37,800 --> 00:45:39,880 Speaker 1: there is another woman in this in the in this 782 00:45:39,920 --> 00:45:42,560 Speaker 1: movie that we didn't mention, and she is the one 783 00:45:42,600 --> 00:45:45,280 Speaker 1: who's having sex in his bedroom with that man while 784 00:45:45,280 --> 00:45:47,279 Speaker 1: he goes into his safe room, and she's like, are 785 00:45:47,280 --> 00:45:51,480 Speaker 1: you kidding me? When she goes down at the fundraising 786 00:45:51,520 --> 00:45:53,759 Speaker 1: party and she's putting her blast back on as we 787 00:45:53,800 --> 00:45:56,360 Speaker 1: all normally do, very carefully buttoning the shirt. Oh, I 788 00:45:56,360 --> 00:46:00,920 Speaker 1: can't leave a room unless just so wrinkled at all. 789 00:46:01,440 --> 00:46:04,880 Speaker 1: A sex positive icon. Truly, in this movie, there is 790 00:46:04,880 --> 00:46:08,399 Speaker 1: a young woman an old man. Well, if we bring 791 00:46:08,480 --> 00:46:11,120 Speaker 1: up her, we also have to bring up the woman 792 00:46:11,360 --> 00:46:15,040 Speaker 1: who I think his name is, like Salvatore Maroney. He's 793 00:46:15,040 --> 00:46:17,440 Speaker 1: in a nightclub with this woman and she's like, can 794 00:46:17,480 --> 00:46:19,480 Speaker 1: we go somewhere else? We can't hear each other talk? 795 00:46:19,520 --> 00:46:21,120 Speaker 1: And then he's like, what do you think I want 796 00:46:21,160 --> 00:46:27,279 Speaker 1: to hear you talk? Like feminist icon Maroni Salva. This 797 00:46:27,360 --> 00:46:29,560 Speaker 1: is what we get to choose from of the female 798 00:46:29,600 --> 00:46:32,960 Speaker 1: characters in the film, and I think we picked Natasha. 799 00:46:33,560 --> 00:46:35,960 Speaker 1: I think Natasha is the best one. She should have 800 00:46:35,960 --> 00:46:38,960 Speaker 1: been seen more, and we briefly so. We mentioned Barbara 801 00:46:39,160 --> 00:46:41,880 Speaker 1: Gordon a couple of times, but she only really exists 802 00:46:41,960 --> 00:46:46,000 Speaker 1: in relation to her husband. We see her primarily doing 803 00:46:46,040 --> 00:46:50,920 Speaker 1: mother stuff and being damseled. And I think Barbara is 804 00:46:50,960 --> 00:46:56,880 Speaker 1: also the name of the wife. And the rock yeah 805 00:46:57,360 --> 00:47:04,040 Speaker 1: is on the grave. Yeah. Wild. The list of disgraced men, 806 00:47:04,440 --> 00:47:07,000 Speaker 1: I'll just go through quickly. I also but they were 807 00:47:07,040 --> 00:47:09,880 Speaker 1: all just like it was out at AFT post. This 808 00:47:10,040 --> 00:47:12,440 Speaker 1: is a post, so we didn't know at the time, 809 00:47:12,800 --> 00:47:17,520 Speaker 1: but Christians, Yeah, what a Christian bality. He was arrested 810 00:47:17,560 --> 00:47:21,719 Speaker 1: for assault following a dispute between him and his mother 811 00:47:21,760 --> 00:47:25,520 Speaker 1: and sister. Yeah. I was trying to read up on this. 812 00:47:25,719 --> 00:47:29,640 Speaker 1: The details seem murky. I don't quite know enough to 813 00:47:29,920 --> 00:47:33,120 Speaker 1: He's denied, I mean, he denied the allegations, and it 814 00:47:33,120 --> 00:47:36,520 Speaker 1: seems like they were kind of dropped, which for me 815 00:47:36,640 --> 00:47:39,640 Speaker 1: never necessarily means that that is any reflections. Right, So 816 00:47:39,719 --> 00:47:43,440 Speaker 1: it was from his mother and sister that okay. And 817 00:47:43,480 --> 00:47:46,520 Speaker 1: he's also been known to have outbursts on set a 818 00:47:46,520 --> 00:47:49,320 Speaker 1: lot and yeah, and on stage with that accent crazy 819 00:47:50,960 --> 00:47:54,839 Speaker 1: put that away Christians. How we never figured out how 820 00:47:54,840 --> 00:47:59,120 Speaker 1: to act less Cockney. I don't know. The ultimate twists, Yeah, 821 00:47:59,560 --> 00:48:02,840 Speaker 1: I was that he's in film for so long and 822 00:48:02,880 --> 00:48:05,480 Speaker 1: none of us fully understood what he's because he's almost 823 00:48:05,560 --> 00:48:08,960 Speaker 1: always doing an American accent or like a more posh 824 00:48:09,080 --> 00:48:11,600 Speaker 1: British accent, and then yeah he accent in real life. 825 00:48:11,600 --> 00:48:16,279 Speaker 1: You're like, oh my, this man hasn't received enough awards, right, 826 00:48:16,320 --> 00:48:19,280 Speaker 1: that's for the takeaway. Um, we've got Michael Caine who 827 00:48:19,440 --> 00:48:25,680 Speaker 1: loves Brexit whath Okay, but he's not so he's just 828 00:48:25,760 --> 00:48:28,799 Speaker 1: an idiot. Then he's just too rich for his own good. 829 00:48:29,360 --> 00:48:32,640 Speaker 1: Yeah okay, but he's not like a malicious idiot. I 830 00:48:33,280 --> 00:48:35,759 Speaker 1: mean I would argue that anyone who's like in full 831 00:48:35,760 --> 00:48:39,960 Speaker 1: support of Brexit is like a bad person. Well I think, 832 00:48:40,080 --> 00:48:44,719 Speaker 1: like I'm like inherently racist, and you know, well I 833 00:48:44,920 --> 00:48:47,319 Speaker 1: put them in like different categories and like assault and 834 00:48:47,400 --> 00:48:52,759 Speaker 1: like these Yeah, I mean speaking of Gary oldman assaulted 835 00:48:53,080 --> 00:48:56,319 Speaker 1: his wife. I forget what year that was, but that 836 00:48:56,480 --> 00:48:59,839 Speaker 1: came to light. That came out right before he won 837 00:49:00,000 --> 00:49:04,279 Speaker 1: an oscar anyways, So really a wash for Gary. And 838 00:49:04,320 --> 00:49:08,880 Speaker 1: then Morgan Freeman made many many unwanted sexual advances and 839 00:49:08,960 --> 00:49:12,920 Speaker 1: remarks towards many women on different sets. And then he 840 00:49:13,000 --> 00:49:16,200 Speaker 1: also had a weird thing with his like stepdaughter or 841 00:49:16,280 --> 00:49:19,040 Speaker 1: someone who was in his family. Oh that one I 842 00:49:19,080 --> 00:49:21,720 Speaker 1: don't know about. Again, it's so hard to keep track 843 00:49:21,960 --> 00:49:25,480 Speaker 1: of all the horrible men and all of their horrible 844 00:49:25,520 --> 00:49:30,359 Speaker 1: misdeeds and it's exhausting, it so weird. Yeah, and this 845 00:49:30,480 --> 00:49:32,960 Speaker 1: is just a side fact about Christian Bale that I 846 00:49:33,080 --> 00:49:37,719 Speaker 1: learned today that he at one point was Glorious Steynham's stepson. 847 00:49:38,320 --> 00:49:44,320 Speaker 1: Oh so he's a feminist. Wait he was her stepson, 848 00:49:44,400 --> 00:49:48,400 Speaker 1: and but his real mom and his sisters who he right, 849 00:49:48,560 --> 00:49:50,360 Speaker 1: he did not. I think that more people would know 850 00:49:50,400 --> 00:49:54,440 Speaker 1: if he assaulted Glorious. And and also, I mean it's 851 00:49:54,440 --> 00:49:57,640 Speaker 1: worth saying that all of these men are still working 852 00:49:57,640 --> 00:50:01,160 Speaker 1: and are doing just fine. Yes, so make of that 853 00:50:01,239 --> 00:50:06,520 Speaker 1: what you will. This movie was as Heath. We barely 854 00:50:06,520 --> 00:50:11,680 Speaker 1: talked about Heath. I mean, just they're fantastic and complain 855 00:50:11,800 --> 00:50:14,560 Speaker 1: nothing's come out, nothing's come as far as we know, 856 00:50:14,640 --> 00:50:17,920 Speaker 1: a terrific guy. I wanted to touch briefly on how 857 00:50:18,400 --> 00:50:22,440 Speaker 1: mental illness is demonized in this movie. I mean, the 858 00:50:22,520 --> 00:50:27,319 Speaker 1: Joker's character in a nutshell, but but Batman stands up 859 00:50:27,400 --> 00:50:30,279 Speaker 1: for it, right. He was like, that guy's a schizophrenic 860 00:50:30,280 --> 00:50:34,359 Speaker 1: and you wanted to hurt him? Yes, that's about one line, 861 00:50:34,400 --> 00:50:37,000 Speaker 1: and then everybody else is crazy. Yeah. So one of 862 00:50:37,120 --> 00:50:41,960 Speaker 1: Joker's goons is described as being a paranoid, schizophrenic, the 863 00:50:42,040 --> 00:50:44,960 Speaker 1: kind of mind that Joker attracts. So I don't know 864 00:50:45,000 --> 00:50:48,200 Speaker 1: if it's even in defense of that man or like 865 00:50:48,280 --> 00:50:51,920 Speaker 1: saying like you shouldn't you know, just trying to Sorry, 866 00:50:52,000 --> 00:50:57,600 Speaker 1: I keep interrupting. Go on that feminist podcast Masculine Energy. 867 00:51:00,360 --> 00:51:02,800 Speaker 1: She was like, you're like an an alpha guy girl. 868 00:51:02,880 --> 00:51:07,520 Speaker 1: I mean, girl, It's like, okay, that is a free session, right, 869 00:51:08,920 --> 00:51:12,880 Speaker 1: But I think he stopped someone from hurting. Yes, he 870 00:51:12,960 --> 00:51:16,960 Speaker 1: stops Dent from shooting him, right. I mean for me, 871 00:51:17,120 --> 00:51:22,120 Speaker 1: it's there's so many like overly serious, toxic male tropes 872 00:51:22,160 --> 00:51:26,960 Speaker 1: that are given power in this movie. It comes down 873 00:51:26,960 --> 00:51:30,399 Speaker 1: to kind of an adaptation issue for me, where it's 874 00:51:30,440 --> 00:51:34,040 Speaker 1: like we have like the idea of asylums in this 875 00:51:34,160 --> 00:51:37,520 Speaker 1: world are like super stigmatized, and I feel like they 876 00:51:37,520 --> 00:51:40,600 Speaker 1: are in a lot of comic book universe. Is this 877 00:51:40,680 --> 00:51:45,480 Speaker 1: is something that it isn't really improved upon in this movie, 878 00:51:45,560 --> 00:51:49,160 Speaker 1: which I think that the only thing it does is 879 00:51:49,320 --> 00:51:54,640 Speaker 1: present the Joker as complicated, more complicated and is to 880 00:51:54,840 --> 00:51:58,799 Speaker 1: an extent multifaceted, and we know that he is in 881 00:51:59,080 --> 00:52:05,480 Speaker 1: pain from enduring being stigmatized, and there is that. I 882 00:52:05,560 --> 00:52:09,439 Speaker 1: don't think it really goes far enough. I think that well, 883 00:52:09,440 --> 00:52:14,439 Speaker 1: since they name this specific illness paranoid schizophrenia, and then 884 00:52:15,080 --> 00:52:17,880 Speaker 1: because that's like the one specific representation we have of 885 00:52:17,920 --> 00:52:21,640 Speaker 1: mental illness in this movie, and then having that character 886 00:52:21,680 --> 00:52:24,840 Speaker 1: who has that illness end up being a villain and 887 00:52:24,880 --> 00:52:27,640 Speaker 1: a bad guy like that who needs to die, that 888 00:52:27,680 --> 00:52:31,000 Speaker 1: does a lot of harm. And to say like, oh, 889 00:52:31,080 --> 00:52:34,120 Speaker 1: it's the kind of mind that Joker attracts, which means apparently, 890 00:52:34,120 --> 00:52:37,719 Speaker 1: then Joker goes after a lot of different people with 891 00:52:37,920 --> 00:52:40,440 Speaker 1: maybe an array of mental illnesses, and that means that 892 00:52:40,480 --> 00:52:42,920 Speaker 1: all of those people with mental illnesses are demonized too, 893 00:52:42,920 --> 00:52:46,600 Speaker 1: because they're all guys. I think in general, like, um, 894 00:52:46,640 --> 00:52:50,440 Speaker 1: this is an issue I love like superhero comic books, movies, everything, 895 00:52:50,880 --> 00:52:53,640 Speaker 1: but like this is an issue in general, is like 896 00:52:53,680 --> 00:52:55,719 Speaker 1: mental illness. And then also like I hate the way 897 00:52:55,760 --> 00:52:58,319 Speaker 1: scientists are portrayed because they're often like the same thing. 898 00:52:58,320 --> 00:53:01,160 Speaker 1: It's like the mad scientist. Like there's never any like 899 00:53:01,320 --> 00:53:03,880 Speaker 1: good engineers other than like Batman and iron Man, right, 900 00:53:04,000 --> 00:53:07,560 Speaker 1: like so I'm like, we're not all fucking crazy, Like 901 00:53:07,880 --> 00:53:10,480 Speaker 1: we're not. And I think they often couple those things together, 902 00:53:10,560 --> 00:53:13,480 Speaker 1: like the most brilliant minds who are villainized. Are these 903 00:53:13,520 --> 00:53:17,520 Speaker 1: like mad scientists type people like Scarecrow developed this technology, 904 00:53:17,560 --> 00:53:20,520 Speaker 1: but he's like using it for evil, you know. So 905 00:53:20,560 --> 00:53:22,640 Speaker 1: I think that's like those are two things that in 906 00:53:22,680 --> 00:53:26,480 Speaker 1: general all comic books have an issue with. Usually I 907 00:53:26,560 --> 00:53:30,400 Speaker 1: talked about different movies where like especially women in STEM 908 00:53:30,440 --> 00:53:36,000 Speaker 1: are demonized, or like women in STEM adjacent whether witches. 909 00:53:36,160 --> 00:53:39,600 Speaker 1: It's like a false attempt to empower them, um and 910 00:53:39,640 --> 00:53:41,640 Speaker 1: be like, see, our women are more complicated, but then 911 00:53:41,640 --> 00:53:44,120 Speaker 1: it's like they're just evil. They can be like smart 912 00:53:44,239 --> 00:53:48,120 Speaker 1: and also caring and whatever. There's and I feel like, 913 00:53:48,800 --> 00:53:52,000 Speaker 1: speaking to the mental illness conversation, I think that schizophrenia 914 00:53:52,200 --> 00:53:57,120 Speaker 1: is like kind of disproportionately attacked in movies as seeming 915 00:53:57,320 --> 00:54:00,080 Speaker 1: like truly like you cannot possibly function in societ. I 916 00:54:00,160 --> 00:54:03,399 Speaker 1: d um. Bipolar is also a common thing. I feel 917 00:54:03,440 --> 00:54:07,759 Speaker 1: like that's kind of invoked more in slasher movies of 918 00:54:07,960 --> 00:54:10,200 Speaker 1: like they're so two face and they can't blah blah blah. 919 00:54:10,480 --> 00:54:13,279 Speaker 1: And to all my bi hooler heads out there, we're 920 00:54:13,360 --> 00:54:15,600 Speaker 1: we're cool, we're chill, we're fun to be around. We 921 00:54:15,640 --> 00:54:19,960 Speaker 1: need a manic superhero, right like there needs someone that's 922 00:54:20,000 --> 00:54:22,480 Speaker 1: like I'm gonna go solve cry today, and then I 923 00:54:22,480 --> 00:54:24,800 Speaker 1: think there's a different read of the Joker that it 924 00:54:24,880 --> 00:54:29,319 Speaker 1: is just sort of really empathizing with like a misunderstood 925 00:54:29,360 --> 00:54:32,319 Speaker 1: white guy who descends into violence. Um, even putting the 926 00:54:32,320 --> 00:54:36,480 Speaker 1: mental illness conversation aside, Like, I like that he is 927 00:54:36,600 --> 00:54:38,719 Speaker 1: made to be a complicated character by that movie. I 928 00:54:38,719 --> 00:54:41,319 Speaker 1: think there's like a lot of interesting things to be 929 00:54:41,360 --> 00:54:44,880 Speaker 1: said about that. But like, ultimately, if you're not reading 930 00:54:44,880 --> 00:54:48,160 Speaker 1: it as an attack on mental illness, he's a misunderstood 931 00:54:48,160 --> 00:54:51,040 Speaker 1: white guy who kills people, and that is you know, 932 00:54:51,200 --> 00:54:55,400 Speaker 1: that's not nothing that exactly. I don't know. He was 933 00:54:55,440 --> 00:54:59,600 Speaker 1: always kind of eccentric, right, right, But no one, I 934 00:54:59,640 --> 00:55:02,719 Speaker 1: don't think anyone in this movie called him a terrorist. 935 00:55:02,840 --> 00:55:06,160 Speaker 1: But that is what he is. He's a terror But 936 00:55:06,200 --> 00:55:08,440 Speaker 1: because he's a white guy, no one's using that language. 937 00:55:08,440 --> 00:55:10,960 Speaker 1: They never said terrorizing the city. Usually they use that 938 00:55:11,000 --> 00:55:13,960 Speaker 1: they might, but they didn't call him specifically a terrorist. 939 00:55:14,080 --> 00:55:17,000 Speaker 1: I do not think because I don't think of terror 940 00:55:17,080 --> 00:55:19,040 Speaker 1: I mean, I know that they're pulled from the same 941 00:55:19,520 --> 00:55:21,480 Speaker 1: root word, but I don't think of someone saying, like 942 00:55:21,480 --> 00:55:25,279 Speaker 1: you're terrorizing the city as terrorists. But did they do 943 00:55:25,360 --> 00:55:28,120 Speaker 1: that with like people of color in these comic books. 944 00:55:28,160 --> 00:55:30,560 Speaker 1: I feel like they well, I don't know. I think 945 00:55:30,640 --> 00:55:35,359 Speaker 1: the villains are almost always white men, So I don't know, 946 00:55:35,680 --> 00:55:38,439 Speaker 1: at least there's that at least you're not getting called 947 00:55:38,480 --> 00:55:41,920 Speaker 1: in to be like terrorists in a Marvel movie. That's like, 948 00:55:42,000 --> 00:55:46,200 Speaker 1: at least we're just not in the Marvel movie. But 949 00:55:46,360 --> 00:55:48,920 Speaker 1: I think when you do have like a you know, 950 00:55:49,000 --> 00:55:52,759 Speaker 1: mental illness conversation aside a white male terrorist, you know, 951 00:55:52,800 --> 00:55:56,760 Speaker 1: I think that they go further into justifying his actions 952 00:55:56,760 --> 00:55:59,200 Speaker 1: and giving a context then you probably would if the 953 00:55:59,280 --> 00:56:02,080 Speaker 1: villain were a person of color. It's the Yeah, it's 954 00:56:02,120 --> 00:56:05,279 Speaker 1: definitely now that we're talking about it this way. And 955 00:56:05,320 --> 00:56:09,240 Speaker 1: he's just like the outside character that people that Dent chooses, 956 00:56:09,560 --> 00:56:13,000 Speaker 1: the Dent is convinced by because he's tired of the system. 957 00:56:13,040 --> 00:56:18,480 Speaker 1: That's Trump. That's like, that's like that chaos and unknown 958 00:56:18,760 --> 00:56:23,319 Speaker 1: than anything else that's Trump. Yeah, Harvey Dent drained the swamp. Yeah, 959 00:56:23,440 --> 00:56:25,440 Speaker 1: And there's I mean, and then and we can talk 960 00:56:25,480 --> 00:56:28,880 Speaker 1: all day about like Batman doesn't never processed his trauma. 961 00:56:28,920 --> 00:56:30,400 Speaker 1: He'd rather dress up like a bat than deal with 962 00:56:30,440 --> 00:56:32,160 Speaker 1: the death of his parents. I don't want to talk 963 00:56:32,200 --> 00:56:36,640 Speaker 1: about it. I'm gonna go where my breath costume. You're like, 964 00:56:36,680 --> 00:56:39,560 Speaker 1: all right, I think like I identify with him because 965 00:56:39,719 --> 00:56:41,759 Speaker 1: a lot of my depression, Like people can't tell when 966 00:56:41,760 --> 00:56:45,319 Speaker 1: I'm depressed, because I just work harder. Oh I love yeah, 967 00:56:45,440 --> 00:56:48,799 Speaker 1: high functioning, Yeah, high functioning. So it's like I just 968 00:56:48,920 --> 00:56:52,520 Speaker 1: pour everything into like being a robot basically. So I 969 00:56:52,560 --> 00:56:55,680 Speaker 1: think that's probably why I like him. Alt. Does anyone 970 00:56:55,680 --> 00:56:59,080 Speaker 1: have any final points about the movie. I just want 971 00:56:59,080 --> 00:57:03,200 Speaker 1: to Natasha movie. Oh the Ballerina, Well that brings us 972 00:57:03,239 --> 00:57:05,480 Speaker 1: to I mean, we've already talked quite a bit about this, 973 00:57:05,560 --> 00:57:10,279 Speaker 1: but does this movie pass the Bechdel test? Yeah? I 974 00:57:10,280 --> 00:57:13,440 Speaker 1: guess it would be Ramirez talking to Barbara with that 975 00:57:13,480 --> 00:57:16,320 Speaker 1: tow line exchange because she's like, those cops can't be trusted, 976 00:57:16,360 --> 00:57:22,440 Speaker 1: go to two D fifty something Street, but she's technically 977 00:57:22,520 --> 00:57:26,520 Speaker 1: talking about her protecting her daughter and sons. You're like, oh, 978 00:57:26,680 --> 00:57:29,480 Speaker 1: you can kind of see it. But I felt like 979 00:57:29,560 --> 00:57:32,160 Speaker 1: that did pass, and it was an insane past because 980 00:57:32,200 --> 00:57:34,880 Speaker 1: she's being held at gunpoint by a man while it's happening. 981 00:57:34,960 --> 00:57:36,960 Speaker 1: That's also how Christopher Nolan put it in the movie, 982 00:57:38,520 --> 00:57:42,920 Speaker 1: like fine, I'll do it, like I'm a feminist. And 983 00:57:42,960 --> 00:57:46,120 Speaker 1: then the other conversation where women are even in the 984 00:57:46,160 --> 00:57:52,040 Speaker 1: same scene together, which hardly happens, but Rachel says to Natasha, Natasha, 985 00:57:52,120 --> 00:57:54,920 Speaker 1: are you the Prima? And then Bruce interrupts and says 986 00:57:55,040 --> 00:57:57,560 Speaker 1: Prima ballerina for the Moscow Ballet, So they don't even 987 00:57:57,600 --> 00:57:59,920 Speaker 1: get to talk to each other because Bruce Wayne Enter 988 00:58:00,040 --> 00:58:07,520 Speaker 1: erupts a woman. Yeah. So, um, a great movie. I 989 00:58:07,680 --> 00:58:11,840 Speaker 1: still did enjoy it. It's a good movie. Uh, I'm 990 00:58:11,880 --> 00:58:13,880 Speaker 1: glad that. I mean, it does sort of in context. 991 00:58:13,920 --> 00:58:15,920 Speaker 1: It gives me a little bit of relief to know 992 00:58:15,960 --> 00:58:19,680 Speaker 1: that Christopher Nolan got this note eventually to like, please 993 00:58:19,720 --> 00:58:23,040 Speaker 1: stop fridging women as the center of the plot of 994 00:58:23,120 --> 00:58:26,439 Speaker 1: every single one of your movies. Um, it is nice 995 00:58:26,480 --> 00:58:30,000 Speaker 1: to see progress, you know, because in spite of everyone's efforts, 996 00:58:30,040 --> 00:58:32,320 Speaker 1: men are not going to simply disappear. So having them 997 00:58:32,360 --> 00:58:37,160 Speaker 1: be allies to women, uh in their work is always encouraging. Yes, 998 00:58:37,800 --> 00:58:40,480 Speaker 1: all right, let's write it on our nipple scale, where 999 00:58:40,520 --> 00:58:43,760 Speaker 1: we use a scale of zero to five nipples based 1000 00:58:43,800 --> 00:58:51,160 Speaker 1: on its representation and treatment of women. I'll give I mean, 1001 00:58:52,320 --> 00:58:54,800 Speaker 1: it's basically a zero, right, it might be a point 1002 00:58:54,920 --> 00:58:59,720 Speaker 1: five five for Natasha. I think I like didn't notice 1003 00:58:59,840 --> 00:59:02,040 Speaker 1: how how bad it was growing up because we were 1004 00:59:02,120 --> 00:59:05,440 Speaker 1: just fucking used to it exactly, and so like it 1005 00:59:05,480 --> 00:59:07,480 Speaker 1: doesn't take away from how much I enjoy it as 1006 00:59:07,520 --> 00:59:10,120 Speaker 1: just a movie. But I'm just like, damn, at least 1007 00:59:10,160 --> 00:59:13,320 Speaker 1: now we like like now we have movies where it 1008 00:59:13,760 --> 00:59:16,280 Speaker 1: like we are fulfilled, you know, like we have things 1009 00:59:16,280 --> 00:59:19,120 Speaker 1: that are happening right now. But it really like pales 1010 00:59:19,240 --> 00:59:22,520 Speaker 1: in comparison when you compare, Like I was just like 1011 00:59:22,560 --> 00:59:26,320 Speaker 1: there are no I was searching for the women they're 1012 00:59:26,360 --> 00:59:29,640 Speaker 1: barely around and that long of a movie, and just 1013 00:59:29,720 --> 00:59:32,120 Speaker 1: like knowing that, you know, when this movie came out, 1014 00:59:32,200 --> 00:59:35,760 Speaker 1: it was not something that registered for us. You just 1015 00:59:35,920 --> 00:59:38,480 Speaker 1: don't think we weren't looking for it, You weren't expected, 1016 00:59:38,520 --> 00:59:41,560 Speaker 1: like you wouldn't expect it in a movie of this genre, 1017 00:59:41,760 --> 00:59:46,000 Speaker 1: especially um so, so yeah, I'll give it a half 1018 00:59:46,000 --> 00:59:52,560 Speaker 1: a nipple for Natasha being like an intellectual and like 1019 00:59:52,840 --> 00:59:57,400 Speaker 1: just cool. She's just like or just governed dummy. But 1020 00:59:58,240 --> 01:00:00,760 Speaker 1: other than that, I mean between all the the fridging, 1021 01:00:01,400 --> 01:00:05,120 Speaker 1: the us barely getting to know the Rachel character, not 1022 01:00:05,320 --> 01:00:07,480 Speaker 1: letting us see her do her job, you know, all 1023 01:00:07,560 --> 01:00:10,080 Speaker 1: that stuff, this movie I would say it's not like 1024 01:00:10,680 --> 01:00:14,920 Speaker 1: outwardly contemptuous of women. It just doesn't care about having 1025 01:00:14,960 --> 01:00:17,880 Speaker 1: them be in the movie and it doesn't make them 1026 01:00:17,920 --> 01:00:20,920 Speaker 1: like there are a lot of like superhero movies where 1027 01:00:21,000 --> 01:00:23,720 Speaker 1: the women are like unlikable in Damsel in Distress, like 1028 01:00:23,760 --> 01:00:28,360 Speaker 1: even more like they're just literally there to fuck. So 1029 01:00:28,400 --> 01:00:31,480 Speaker 1: I feel like, at least it's not that I've been 1030 01:00:31,480 --> 01:00:34,600 Speaker 1: saying at least a lot today, it's just sitting here 1031 01:00:34,680 --> 01:00:38,560 Speaker 1: justifying this bullshit or it's still a good movie. And 1032 01:00:38,640 --> 01:00:43,520 Speaker 1: so we're like, yeah, but I'll give my half nipple 1033 01:00:43,640 --> 01:00:47,360 Speaker 1: to Natasha. How many nipples does a bat have? I 1034 01:00:47,400 --> 01:00:51,960 Speaker 1: wonder anyway, not important to Yah, that's true. Schumacher canon 1035 01:00:52,000 --> 01:00:55,600 Speaker 1: says to I'm going to do a half to the 1036 01:00:55,640 --> 01:00:58,720 Speaker 1: same reasons, especially because Rachel was written in for the 1037 01:00:58,760 --> 01:01:01,520 Speaker 1: movie that you can't even get an adaptation problem. You're 1038 01:01:01,520 --> 01:01:04,200 Speaker 1: just like, come on, and it was written by Jonathan 1039 01:01:04,240 --> 01:01:08,760 Speaker 1: and Christopher Nolan. Most of those movies are and I'm 1040 01:01:08,800 --> 01:01:11,120 Speaker 1: just like, we get it. You want to kill your wife, 1041 01:01:11,200 --> 01:01:14,960 Speaker 1: like whatever. There there, it's lazy writing. This is a 1042 01:01:15,040 --> 01:01:18,120 Speaker 1: stand up equivalent of like, my wife's a bit. We 1043 01:01:18,200 --> 01:01:23,200 Speaker 1: just create these characters to kill like, Okay, maybe go 1044 01:01:23,320 --> 01:01:26,600 Speaker 1: to counseling. Can't even trust her with my fake death. 1045 01:01:27,680 --> 01:01:30,439 Speaker 1: I would be very like if I were Christopher Nolan's wife, 1046 01:01:30,440 --> 01:01:32,880 Speaker 1: I'd be like do we need to talk? Like what 1047 01:01:33,920 --> 01:01:37,080 Speaker 1: did I do to you? Anyways? Yeah, just kind of 1048 01:01:37,120 --> 01:01:40,439 Speaker 1: like lazy writing and exclusion of women on the whole. 1049 01:01:40,720 --> 01:01:43,360 Speaker 1: But I like Natasha have nipple. Give it to Natasha? 1050 01:01:43,400 --> 01:01:47,560 Speaker 1: Why not same? I would say same. I will say 1051 01:01:47,560 --> 01:01:49,640 Speaker 1: now that like, as we're discussing this, I realized, like 1052 01:01:49,720 --> 01:01:52,040 Speaker 1: when I watched the movie, my least favorite part of 1053 01:01:52,040 --> 01:01:55,320 Speaker 1: it was Rachel And I think it's because I couldn't 1054 01:01:55,360 --> 01:01:58,720 Speaker 1: take anything from Cannon and like apply it to her character. 1055 01:01:58,960 --> 01:02:00,880 Speaker 1: Like I couldn't just a by anything because she was 1056 01:02:00,920 --> 01:02:02,400 Speaker 1: and and I was like, who is this bitch? And 1057 01:02:02,440 --> 01:02:04,000 Speaker 1: like why is it like this? I don't like her 1058 01:02:04,080 --> 01:02:07,439 Speaker 1: character as much as I want to have humorless killed joy. 1059 01:02:08,200 --> 01:02:11,479 Speaker 1: I also think we'll all inconsistent because she's like she's 1060 01:02:11,560 --> 01:02:13,840 Speaker 1: like I'm on time, like I do this stuff. But 1061 01:02:13,880 --> 01:02:17,400 Speaker 1: then it's like, you know, she's like inconsistent, wavering between them, 1062 01:02:17,520 --> 01:02:19,840 Speaker 1: and then like isn't as strong as you want her. 1063 01:02:19,920 --> 01:02:22,280 Speaker 1: She's like just wavering the whole time. Like Lakey and 1064 01:02:22,320 --> 01:02:24,360 Speaker 1: you're like, who is They don't know and they didn't 1065 01:02:24,680 --> 01:02:26,560 Speaker 1: like because she's not a character in the comic books, 1066 01:02:26,560 --> 01:02:29,000 Speaker 1: you can't just apply that knowledge to her. And I 1067 01:02:29,080 --> 01:02:32,720 Speaker 1: also just remember from the press surrounding this movie, it 1068 01:02:32,760 --> 01:02:34,880 Speaker 1: almost reminds me of like a Sarah Jessica Parker, Like 1069 01:02:34,880 --> 01:02:37,720 Speaker 1: how just Sarah Jessica Parker was treated during Sex in 1070 01:02:37,760 --> 01:02:41,280 Speaker 1: the City, where Maggie Gillenhall was not perceived as attractive 1071 01:02:41,440 --> 01:02:45,040 Speaker 1: enough to be a romantic lead. There is a lot 1072 01:02:45,040 --> 01:02:47,320 Speaker 1: I mean, if you go back to Oh, I've got 1073 01:02:47,400 --> 01:02:50,280 Speaker 1: some receipts on it, I mean, there's a lot of 1074 01:02:50,520 --> 01:02:54,280 Speaker 1: really gendered pointed conversation about how people didn't find her 1075 01:02:54,720 --> 01:02:59,000 Speaker 1: hot enough to be in this movie. So it's just 1076 01:02:59,560 --> 01:03:02,360 Speaker 1: you know, we've we've grown. Maggie jillan Halls always been hot. 1077 01:03:02,440 --> 01:03:07,840 Speaker 1: Let's relax, Um half nipples across the board. Paula V. 1078 01:03:08,000 --> 01:03:09,919 Speaker 1: Thank you so much for being here. Thanks for having 1079 01:03:09,960 --> 01:03:13,760 Speaker 1: on the show. What would you like to plug? I 1080 01:03:13,800 --> 01:03:16,520 Speaker 1: co produced Facial Recognition Comedy, which is on the second 1081 01:03:16,520 --> 01:03:19,320 Speaker 1: Sunday every month at Wesside Comedy Theater in Santa Monica, 1082 01:03:19,600 --> 01:03:22,920 Speaker 1: and we also have a podcast. Um that's released every Tuesday. 1083 01:03:23,000 --> 01:03:25,080 Speaker 1: And then I also run a show called Oversharing Comedy 1084 01:03:25,080 --> 01:03:28,880 Speaker 1: in Boomtown Brewery and that's bi weekly, so every two 1085 01:03:28,920 --> 01:03:31,840 Speaker 1: weeks on Thursdays. Um. And it's over Sharing Comedy on 1086 01:03:31,840 --> 01:03:34,600 Speaker 1: like Instagram. Um. And then should I give my social 1087 01:03:34,760 --> 01:03:37,720 Speaker 1: yes please? Okay. My socials are get out of pen 1088 01:03:38,160 --> 01:03:40,520 Speaker 1: P A L L A V I g U and 1089 01:03:40,680 --> 01:03:43,000 Speaker 1: A L A. And that's my full name. That's my 1090 01:03:43,080 --> 01:03:45,560 Speaker 1: website on my Instagram, my Facebook, my Twitter. Awesome. Oh 1091 01:03:45,600 --> 01:03:49,000 Speaker 1: and I also started a Dirty Science web series on 1092 01:03:49,040 --> 01:03:53,200 Speaker 1: YouTube and Instagram. What's it called Dirty Science? But it's 1093 01:03:53,240 --> 01:03:55,080 Speaker 1: just like on my Instagram and then on my YouTube 1094 01:03:55,080 --> 01:03:57,240 Speaker 1: which is YouTube dot com slash probably been all in comedy. 1095 01:03:57,560 --> 01:04:00,360 Speaker 1: I talk about different science topics that interest me and 1096 01:04:00,520 --> 01:04:02,480 Speaker 1: we're like, I talk about why things are the way 1097 01:04:02,520 --> 01:04:04,640 Speaker 1: they are through a scientific lens. But it's also like 1098 01:04:04,640 --> 01:04:06,320 Speaker 1: for adults, so I like swear and talk about sex 1099 01:04:06,320 --> 01:04:09,320 Speaker 1: and stuff. Hell yeah, hell yeah, awesome, yes, check out 1100 01:04:09,400 --> 01:04:12,760 Speaker 1: all of that stuff. You can check us out on Twitter, Instagram, 1101 01:04:12,800 --> 01:04:15,120 Speaker 1: Facebook at bechtel Cast. You can go to our website 1102 01:04:15,160 --> 01:04:18,320 Speaker 1: becktel cast dot com, check out our Patreon dot com. 1103 01:04:18,320 --> 01:04:20,840 Speaker 1: Slash Betel cost five bucks a month, you get two 1104 01:04:20,840 --> 01:04:24,120 Speaker 1: extra episodes. Do it? Why not? They're starts. We got 1105 01:04:24,120 --> 01:04:27,360 Speaker 1: t shirts, we got pillows, the other items you might want. 1106 01:04:27,560 --> 01:04:31,160 Speaker 1: I got this down to a sad public dot com 1107 01:04:31,280 --> 01:04:35,320 Speaker 1: slash the Bechtel Cast, and as always, we'll see you 1108 01:04:35,360 --> 01:04:39,120 Speaker 1: next time. Why So Serious By