1 00:00:00,440 --> 00:00:02,560 Speaker 1: Wake that answer up in the morning. 2 00:00:02,840 --> 00:00:07,240 Speaker 2: Breakfast Club, Morning everybody, It's the j M V. Jess Hilarious, 3 00:00:07,280 --> 00:00:09,840 Speaker 2: Charlamagne the God. We are the Breakfast Club. We got 4 00:00:09,840 --> 00:00:10,760 Speaker 2: a special guest in the. 5 00:00:10,760 --> 00:00:13,320 Speaker 1: Belting Rich, dirty Bronx Nigga rich dirty. 6 00:00:18,680 --> 00:00:21,880 Speaker 3: You know where that insow came from, right, Dirty Bronx Vegas. 7 00:00:21,960 --> 00:00:29,080 Speaker 4: You know who called me that we. 8 00:00:28,920 --> 00:00:32,200 Speaker 2: Were in iHeart in Vegas and I was like, your French. 9 00:00:32,200 --> 00:00:34,680 Speaker 5: He was a I said, Damn, I'm proud of you. 10 00:00:34,840 --> 00:00:38,760 Speaker 2: Is a dirty Bronx nigga DNA. But I was so 11 00:00:38,800 --> 00:00:40,640 Speaker 2: proud of him because I didn't see friends come up 12 00:00:40,640 --> 00:00:42,880 Speaker 2: from the slums like you know, people talk about where 13 00:00:42,880 --> 00:00:45,160 Speaker 2: they came from and and the things that they did. 14 00:00:45,200 --> 00:00:48,200 Speaker 2: But French used to be in the dirty b X clubs, 15 00:00:48,200 --> 00:00:50,800 Speaker 2: in the dirty Brooklyn clubs and the dirty Queen's clubs, 16 00:00:51,040 --> 00:00:53,720 Speaker 2: making the DJs play his music, and he was never 17 00:00:53,920 --> 00:00:54,560 Speaker 2: that was French. 18 00:00:54,560 --> 00:00:55,520 Speaker 1: That's where you would see French. 19 00:00:55,600 --> 00:00:58,040 Speaker 5: I'm like, Damn, you came a long way to yeah, 20 00:00:59,600 --> 00:01:00,440 Speaker 5: that's all. 21 00:01:00,440 --> 00:01:04,200 Speaker 6: I'm right before that when Max was nigga, never ignorant, 22 00:01:04,319 --> 00:01:08,600 Speaker 6: getting goals accomplished, right like Boy's creation of kings everywhere. 23 00:01:09,000 --> 00:01:10,080 Speaker 1: Oh you already got it prepared. 24 00:01:10,080 --> 00:01:10,440 Speaker 3: When you have. 25 00:01:16,080 --> 00:01:18,760 Speaker 1: You already prepared, they never need to use this. 26 00:01:20,160 --> 00:01:21,720 Speaker 2: And that's one of my favorite joints in the album, 27 00:01:21,720 --> 00:01:25,160 Speaker 2: which is the the intro is called dirty Bronx, and 28 00:01:25,280 --> 00:01:27,560 Speaker 2: you kind of talk about everything where you came from, 29 00:01:27,840 --> 00:01:34,479 Speaker 2: everybody talking see yeah, yeah, yeah, you talk about everybody 30 00:01:34,520 --> 00:01:37,119 Speaker 2: people comparing you the chins and and Max with wave 31 00:01:37,200 --> 00:01:38,840 Speaker 2: and all that. So I think that's that's one of 32 00:01:38,880 --> 00:01:41,640 Speaker 2: the dopest joints on it. But why Max and Cheese 33 00:01:41,720 --> 00:01:43,000 Speaker 2: five and what took so damn long? 34 00:01:43,080 --> 00:01:43,360 Speaker 4: French? 35 00:01:44,800 --> 00:01:46,640 Speaker 6: I felt like, you know, I needed, I needed to 36 00:01:46,720 --> 00:01:48,400 Speaker 6: get everything out the way. Then go back to the 37 00:01:48,480 --> 00:01:51,920 Speaker 6: mixtape vibes. I feel like the game I always try 38 00:01:52,000 --> 00:01:54,000 Speaker 6: to go where a where the puck is going out, 39 00:01:54,000 --> 00:01:55,400 Speaker 6: where the puckets act, you know what I'm saying. So 40 00:01:55,480 --> 00:01:57,520 Speaker 6: I feel like the game needed mixtapes. I feel like 41 00:01:57,600 --> 00:01:59,880 Speaker 6: we lost a lot of you know, like that feelings. 42 00:02:00,160 --> 00:02:02,960 Speaker 6: Then almost like you like, albums is dope, everybody's getting 43 00:02:03,040 --> 00:02:04,640 Speaker 6: used to it. I feel like the mixsafe games, just 44 00:02:04,680 --> 00:02:07,120 Speaker 6: like I want to hear the Wayne mix Safes. I 45 00:02:07,160 --> 00:02:09,400 Speaker 6: want to hear Ross Rich Forever mix Safes. I want 46 00:02:09,440 --> 00:02:13,240 Speaker 6: to hear you know Wis Kalifa dropped Orange. 47 00:02:12,880 --> 00:02:13,560 Speaker 4: You know what I'm saying, And. 48 00:02:15,080 --> 00:02:16,239 Speaker 6: You know, I just want to get back to that 49 00:02:16,400 --> 00:02:18,799 Speaker 6: vibe and I want to lead the wave with the Mixsafes. 50 00:02:19,440 --> 00:02:21,480 Speaker 1: I like how you set the tone with Dirty Bronx. 51 00:02:21,520 --> 00:02:23,720 Speaker 3: Why did you feel the need to confront like all 52 00:02:23,760 --> 00:02:26,320 Speaker 3: the negativity that's been directed towards. 53 00:02:26,040 --> 00:02:28,560 Speaker 4: You, Because I wanted to get that out the way 54 00:02:28,639 --> 00:02:30,679 Speaker 4: so we can focus on the music. You know what 55 00:02:30,720 --> 00:02:31,079 Speaker 4: I'm saying. 56 00:02:31,120 --> 00:02:33,119 Speaker 6: It's like, you know, it's like I learned from from 57 00:02:33,320 --> 00:02:35,679 Speaker 6: from eminem you know, the tactics he used. I learned 58 00:02:35,720 --> 00:02:38,119 Speaker 6: from you know, Jay when he did four four four, 59 00:02:38,160 --> 00:02:39,919 Speaker 6: And I learned from you know, I'm like a student 60 00:02:40,000 --> 00:02:42,639 Speaker 6: of the game. So it's like, you know, this is 61 00:02:42,919 --> 00:02:45,040 Speaker 6: this is me interviewing myself on my own album, just 62 00:02:45,120 --> 00:02:47,160 Speaker 6: in case, you know, cause you got your fans, but 63 00:02:47,280 --> 00:02:49,600 Speaker 6: then you also got your haters that listen to your music. 64 00:02:50,000 --> 00:02:51,880 Speaker 6: So the haters gonna hear theirself in there and your 65 00:02:51,880 --> 00:02:54,040 Speaker 6: fans gonna be right there. And I told you so, 66 00:02:54,120 --> 00:02:55,400 Speaker 6: It's like that's the kind of vibe. 67 00:02:55,200 --> 00:02:55,679 Speaker 4: I was going with. 68 00:02:55,800 --> 00:02:57,680 Speaker 1: You know, I ended on five. 69 00:02:59,280 --> 00:03:00,680 Speaker 7: Do you need more mixing? 70 00:03:00,760 --> 00:03:00,799 Speaker 8: Is? 71 00:03:01,040 --> 00:03:01,840 Speaker 7: Why are you ending it? 72 00:03:01,919 --> 00:03:05,080 Speaker 4: On fire Man because I just wanted to give him 73 00:03:05,080 --> 00:03:06,480 Speaker 4: my all and just leave it right there. 74 00:03:06,840 --> 00:03:07,040 Speaker 6: Yeah. 75 00:03:07,120 --> 00:03:09,400 Speaker 4: Yeah, it just starts something new. But you never know. 76 00:03:09,480 --> 00:03:11,079 Speaker 4: You know, jay Z made the Black album and he 77 00:03:12,840 --> 00:03:15,359 Speaker 4: backed out it and you know, so it's like you 78 00:03:15,440 --> 00:03:15,760 Speaker 4: never know. 79 00:03:16,160 --> 00:03:19,239 Speaker 1: So this is a retirement album at the end of 80 00:03:19,280 --> 00:03:22,080 Speaker 1: the series series what do you do to make all 81 00:03:22,120 --> 00:03:22,440 Speaker 1: your money? 82 00:03:22,480 --> 00:03:26,119 Speaker 4: French me, Yeah, this hustle my husband for a long time. 83 00:03:26,200 --> 00:03:31,519 Speaker 3: I mean, we know a dirty by the way, that 84 00:03:31,840 --> 00:03:33,480 Speaker 3: was the beauty of Dirty Bronx because you put a 85 00:03:33,520 --> 00:03:35,320 Speaker 3: lot of things in perspective. I think I knew that 86 00:03:35,360 --> 00:03:37,640 Speaker 3: you was the most screamed African born art. Yeah, but 87 00:03:37,760 --> 00:03:39,240 Speaker 3: I didn't know you had told them any records. 88 00:03:39,520 --> 00:03:40,840 Speaker 4: Yeah a million. 89 00:03:41,320 --> 00:03:43,880 Speaker 6: Yeah, like like like one hundred million between minds and 90 00:03:43,920 --> 00:03:46,160 Speaker 6: all the features that I was. I mean, you figure 91 00:03:46,240 --> 00:03:49,920 Speaker 6: like Unforgettable alone, it's like thirteen million. So that's just 92 00:03:50,040 --> 00:03:54,040 Speaker 6: like that's like by itself. So but I mean, man, 93 00:03:54,080 --> 00:03:56,080 Speaker 6: I've been on some big record. My catalog is crazy. 94 00:03:56,240 --> 00:03:56,440 Speaker 4: Yeah. 95 00:03:56,960 --> 00:03:58,440 Speaker 1: But you say on that album, you say, people think 96 00:03:58,480 --> 00:04:01,160 Speaker 1: it's just your features. Yeah, you the main feature. 97 00:04:01,240 --> 00:04:03,200 Speaker 6: Yeah, because you know you still look at them all 98 00:04:03,240 --> 00:04:05,200 Speaker 6: the way ups and you look at like you know 99 00:04:05,200 --> 00:04:07,760 Speaker 6: what I'm saying, Like the lawyer Chris Brown and all 100 00:04:07,840 --> 00:04:10,160 Speaker 6: those like you know, that was part of some big 101 00:04:10,240 --> 00:04:13,440 Speaker 6: features and and and you know, like the catalog is, man, 102 00:04:13,480 --> 00:04:15,280 Speaker 6: I still ain't selling you. I'm thinking about selling that 103 00:04:15,320 --> 00:04:17,040 Speaker 6: and just buying like this building across. 104 00:04:16,800 --> 00:04:19,800 Speaker 1: The street from me, how much you think your catalog were? 105 00:04:20,240 --> 00:04:24,000 Speaker 4: I don't know. I don't know, honestly, I ain't even 106 00:04:24,400 --> 00:04:25,280 Speaker 4: I didn't even get there. 107 00:04:25,800 --> 00:04:27,760 Speaker 6: But I always felt like, you know, if somebody's trying 108 00:04:27,800 --> 00:04:31,320 Speaker 6: to buy something from you, then guess you know then 109 00:04:32,160 --> 00:04:34,120 Speaker 6: how much money they gonna make. Ain't no buying, buying, 110 00:04:34,200 --> 00:04:36,000 Speaker 6: nothing to take a loss. So you know, I always 111 00:04:36,000 --> 00:04:36,440 Speaker 6: looked at. 112 00:04:36,360 --> 00:04:37,800 Speaker 4: It like that at one time. 113 00:04:37,920 --> 00:04:39,960 Speaker 2: Well, if you know French, you know, when French goes 114 00:04:40,000 --> 00:04:42,800 Speaker 2: out and he knows you, he's going to invite you 115 00:04:42,880 --> 00:04:44,880 Speaker 2: to his party, right, That's who French is as a person. 116 00:04:44,960 --> 00:04:47,480 Speaker 2: Like if y'are smoking, y'all smoking together, y'all drinking, you're 117 00:04:47,480 --> 00:04:48,960 Speaker 2: gonna take care of You're gonna make sure you're good. 118 00:04:49,360 --> 00:04:50,719 Speaker 5: Then there was one time where. 119 00:04:50,600 --> 00:04:52,240 Speaker 2: You just stopped right because you said you had to 120 00:04:52,240 --> 00:04:54,600 Speaker 2: get back healthy. Stop drinking, you stop smoking. Are you 121 00:04:54,640 --> 00:04:56,120 Speaker 2: still in that that phase? And the more drinking and 122 00:04:56,160 --> 00:04:56,640 Speaker 2: smoking off. 123 00:04:56,760 --> 00:04:58,640 Speaker 4: Yeah, definitely, definitely. Man. 124 00:04:58,800 --> 00:05:01,160 Speaker 6: You know, you know when you sit across from like 125 00:05:01,200 --> 00:05:03,160 Speaker 6: a billionaire or something, you know, as soon as you 126 00:05:03,240 --> 00:05:05,400 Speaker 6: take that sip of liquor take that buffal weed, like 127 00:05:05,400 --> 00:05:07,400 Speaker 6: you're already richer than him, you know what I'm saying. 128 00:05:07,600 --> 00:05:09,839 Speaker 4: So I just had to focus up. 129 00:05:09,880 --> 00:05:11,360 Speaker 6: We lost a lot of money and made a lot 130 00:05:11,400 --> 00:05:14,280 Speaker 6: of bad business deals with you know, might might have 131 00:05:14,320 --> 00:05:16,520 Speaker 6: overslept and lost the bags, might have did this, might 132 00:05:16,560 --> 00:05:18,719 Speaker 6: have did that, you know, and I got a chance 133 00:05:18,760 --> 00:05:22,800 Speaker 6: to make some generation new wealth and change generations down, 134 00:05:22,839 --> 00:05:23,360 Speaker 6: you know what I'm saying. 135 00:05:23,400 --> 00:05:24,880 Speaker 4: So I was like, you know, let me just focus 136 00:05:24,960 --> 00:05:26,680 Speaker 4: up and I leave no bags on the table. 137 00:05:26,839 --> 00:05:28,080 Speaker 2: Do you have a fear for I know a lot 138 00:05:28,120 --> 00:05:30,840 Speaker 2: of artists say that sometimes they feel like that drug 139 00:05:31,000 --> 00:05:32,880 Speaker 2: or that alcohol puts them in the right zone. Will 140 00:05:32,880 --> 00:05:35,120 Speaker 2: you ever feear for like, damn, if I don't drink 141 00:05:35,160 --> 00:05:37,560 Speaker 2: like I used to, or I don't smoke that I 142 00:05:37,720 --> 00:05:39,640 Speaker 2: might not be in the same zone as I was 143 00:05:39,720 --> 00:05:42,240 Speaker 2: and making pop that or you ain't worried about nothing. 144 00:05:42,200 --> 00:05:44,040 Speaker 5: Or you know some of those other records. 145 00:05:45,400 --> 00:05:48,560 Speaker 6: Man, I've been popping perks for like ten years. You 146 00:05:48,640 --> 00:05:51,600 Speaker 6: know what I'm saying, Oxy's perks drinking this twenty years. 147 00:05:51,880 --> 00:05:53,760 Speaker 6: It got to the point where I wasn't getting drunk 148 00:05:53,839 --> 00:05:56,720 Speaker 6: or high anymore. Right Like now I'm higher than I 149 00:05:56,920 --> 00:05:58,480 Speaker 6: was when I was taking the drugs. It's just like 150 00:05:58,600 --> 00:06:01,400 Speaker 6: my body is just like you know, it's like in shock. 151 00:06:01,920 --> 00:06:06,200 Speaker 6: But I feel like making music is a passion, is love. 152 00:06:06,480 --> 00:06:07,960 Speaker 6: It had nothing to do with drugs, you know what 153 00:06:08,000 --> 00:06:08,360 Speaker 6: I'm saying. 154 00:06:09,040 --> 00:06:13,960 Speaker 4: It was just like the drugs kept the negative shit 155 00:06:14,040 --> 00:06:16,880 Speaker 4: around me. You know what I'm saying, like the people. 156 00:06:17,000 --> 00:06:20,240 Speaker 6: I lost people when I stopped doing drugs, I didn't 157 00:06:20,279 --> 00:06:24,200 Speaker 6: lose the passion, you know what I'm saying. Because you know, 158 00:06:24,279 --> 00:06:26,160 Speaker 6: when you drink and you take drugs, you let you 159 00:06:26,200 --> 00:06:27,480 Speaker 6: know what I'm saying, You let the devil in you 160 00:06:27,600 --> 00:06:30,080 Speaker 6: let you know what I mean. Like I was inviting everybody, 161 00:06:30,120 --> 00:06:34,400 Speaker 6: and everybody wasn't inviting me. You know what I'm saying. Everybody, everybody, 162 00:06:34,480 --> 00:06:40,320 Speaker 6: you know, everybody had motives and some of them had 163 00:06:40,320 --> 00:06:42,360 Speaker 6: the negative I mean, I don't mind helping people that 164 00:06:42,400 --> 00:06:44,440 Speaker 6: have motives, you know what I'm saying, that that's how 165 00:06:44,480 --> 00:06:46,880 Speaker 6: we get our blessings. But there's people that have motives 166 00:06:46,920 --> 00:06:49,600 Speaker 6: that have negative motives towards you. I have anybody to 167 00:06:49,680 --> 00:06:52,080 Speaker 6: have a positive motive towards me. So I feel like 168 00:06:52,160 --> 00:06:54,320 Speaker 6: I was letting the negative in the positive and that's 169 00:06:54,360 --> 00:06:56,080 Speaker 6: why things started happening and. 170 00:06:56,200 --> 00:06:56,720 Speaker 4: This and that. 171 00:06:57,760 --> 00:07:00,200 Speaker 3: What about your passion for sleeping with rappers wives. That's 172 00:07:00,240 --> 00:07:01,520 Speaker 3: inviting the devil too? 173 00:07:01,560 --> 00:07:01,839 Speaker 4: French? 174 00:07:02,200 --> 00:07:06,920 Speaker 1: Huh, come on, you say on the album we heard 175 00:07:06,960 --> 00:07:09,360 Speaker 1: you come on and you was another one. 176 00:07:15,040 --> 00:07:16,760 Speaker 4: That's but that's where hand came from. 177 00:07:18,920 --> 00:07:20,760 Speaker 6: In the club and they be like, you know, people 178 00:07:20,840 --> 00:07:22,560 Speaker 6: try to do business deals in the middle of the club. 179 00:07:22,600 --> 00:07:25,960 Speaker 4: They were like, so, so, so let me tell you 180 00:07:26,000 --> 00:07:26,720 Speaker 4: the story about that. 181 00:07:26,960 --> 00:07:27,760 Speaker 1: Okay, So. 182 00:07:29,240 --> 00:07:33,000 Speaker 6: Me and Drake was first working on the record another sniper, Yeah, 183 00:07:33,160 --> 00:07:36,800 Speaker 6: working on the record, and the first line he said, 184 00:07:37,040 --> 00:07:41,640 Speaker 6: he was like on double MG, fucking rapper's wife. He 185 00:07:41,760 --> 00:07:43,320 Speaker 6: was like, we should start the ship off like that. 186 00:07:43,760 --> 00:07:45,720 Speaker 6: Then I just then I just took it and I 187 00:07:45,840 --> 00:07:47,480 Speaker 6: just ran with it, and I just made the first 188 00:07:47,520 --> 00:07:47,840 Speaker 6: line that. 189 00:07:48,320 --> 00:07:49,400 Speaker 1: But what they got to do with doing an in 190 00:07:49,480 --> 00:07:51,120 Speaker 1: real life though, huh? What they got to do? 191 00:07:52,240 --> 00:07:56,040 Speaker 4: Got to do it? No, honestly, I never did another 192 00:07:56,280 --> 00:07:56,920 Speaker 4: nobody why. 193 00:07:56,880 --> 00:08:00,160 Speaker 1: Okay, okay, no rapper wire Okay, So just rap rape. 194 00:08:00,680 --> 00:08:01,560 Speaker 4: Oh yeah, it's right. 195 00:08:01,920 --> 00:08:04,280 Speaker 1: Okay, Okay, you're also on Dirty Brunch. 196 00:08:04,320 --> 00:08:06,560 Speaker 3: You talk about buying your block, but you said that Nipsey, 197 00:08:06,800 --> 00:08:09,280 Speaker 3: the Nipsy situation made you made you pause. 198 00:08:09,600 --> 00:08:11,040 Speaker 1: Yeah, can you elaborate on it? 199 00:08:12,000 --> 00:08:15,440 Speaker 6: I mean, I feel like watching that video with nip 200 00:08:15,600 --> 00:08:17,280 Speaker 6: was like one of the most disgusting things I've ever 201 00:08:17,320 --> 00:08:19,720 Speaker 6: seen in my life. And I felt like he would 202 00:08:19,760 --> 00:08:22,760 Speaker 6: and and all he was trying to do is just shot, 203 00:08:22,880 --> 00:08:25,280 Speaker 6: change his neighborhood and just bring some some some great 204 00:08:25,360 --> 00:08:27,840 Speaker 6: things back and try to buy his block. And I 205 00:08:27,920 --> 00:08:31,280 Speaker 6: feel like watching that scared me away from trying to 206 00:08:31,320 --> 00:08:35,160 Speaker 6: do the same thing. And and and you know, because 207 00:08:35,640 --> 00:08:37,960 Speaker 6: look what happened to Chinks. Chinks got shot in Queens, 208 00:08:38,160 --> 00:08:40,120 Speaker 6: you know what I'm saying. Look what happened, you know, 209 00:08:40,240 --> 00:08:41,800 Speaker 6: to a lot of people that don't have a name, 210 00:08:41,840 --> 00:08:43,360 Speaker 6: you know what I'm saying, a lot of falling soldiers. 211 00:08:43,440 --> 00:08:45,920 Speaker 6: I was just like, you know what, so why come back? 212 00:08:46,960 --> 00:08:48,840 Speaker 6: Why come back and do that when I'm just seeing 213 00:08:48,880 --> 00:08:50,280 Speaker 6: everybody around me just fall into it. 214 00:08:50,600 --> 00:08:52,439 Speaker 1: Damn. So how did you overcome that? Or have you 215 00:08:52,520 --> 00:08:52,959 Speaker 1: overcome that? 216 00:08:53,640 --> 00:08:54,600 Speaker 4: I went to Calabasas. 217 00:08:56,760 --> 00:08:59,600 Speaker 6: I'm still not but I'm still but I still come back. 218 00:08:59,679 --> 00:09:01,679 Speaker 6: But just you know, at the end of the day, 219 00:09:01,720 --> 00:09:04,800 Speaker 6: it's just you know, it always comes. You know, they 220 00:09:04,840 --> 00:09:06,880 Speaker 6: always come from the inside, you know what I'm saying. 221 00:09:06,920 --> 00:09:09,800 Speaker 6: So you just gotta be careful how you you know, 222 00:09:10,760 --> 00:09:12,880 Speaker 6: how you let people get you know, get in contact. 223 00:09:12,559 --> 00:09:13,080 Speaker 4: With your touch. 224 00:09:13,160 --> 00:09:15,079 Speaker 6: You can't be just easily touched or easily get in 225 00:09:15,160 --> 00:09:17,560 Speaker 6: contact with easily so anybody can pull. 226 00:09:17,520 --> 00:09:18,800 Speaker 4: Up on you to do anything to you. You know 227 00:09:18,840 --> 00:09:20,800 Speaker 4: what I'm saying. You gotta be able to be like 228 00:09:20,880 --> 00:09:22,880 Speaker 4: a hawk on top of the mountain. Just watch your prey. 229 00:09:22,960 --> 00:09:24,880 Speaker 4: Whenever you want something, you just go handle your business 230 00:09:24,920 --> 00:09:25,199 Speaker 4: and dip. 231 00:09:25,520 --> 00:09:28,800 Speaker 6: I feel like that's like that's like that's like advice 232 00:09:28,880 --> 00:09:30,560 Speaker 6: for anybody that that's making real money. 233 00:09:30,600 --> 00:09:32,280 Speaker 4: I got a lot of jealousy that comes from where 234 00:09:32,320 --> 00:09:34,280 Speaker 4: we come from. You know what I'm saying. It should 235 00:09:34,280 --> 00:09:35,520 Speaker 4: never be a situation. 236 00:09:35,160 --> 00:09:37,439 Speaker 6: Where somebody can go to the to the block and 237 00:09:37,480 --> 00:09:39,079 Speaker 6: see you at a store or this and that when 238 00:09:39,120 --> 00:09:42,320 Speaker 6: you you know, some people with jay Z said broken 239 00:09:42,520 --> 00:09:42,760 Speaker 6: is the one. 240 00:09:42,840 --> 00:09:44,000 Speaker 4: No cast I just want to kill you. 241 00:09:45,280 --> 00:09:47,319 Speaker 1: But even moving to Calabadgies, I mean pop got got 242 00:09:47,679 --> 00:09:48,440 Speaker 1: in calling. 243 00:09:49,000 --> 00:09:50,520 Speaker 4: No, no, you're not getting through the security. 244 00:09:51,160 --> 00:09:53,079 Speaker 6: I live next door to Chris Jenna, the next door 245 00:09:53,120 --> 00:09:56,240 Speaker 6: to cross the street from j Lo because Will Smith 246 00:09:56,280 --> 00:09:58,240 Speaker 6: down the block, his kids walking up like you're not 247 00:09:58,280 --> 00:09:58,839 Speaker 6: gonna get through. 248 00:09:59,280 --> 00:09:59,920 Speaker 4: They know about that. 249 00:10:00,120 --> 00:10:02,920 Speaker 6: But at the end of the day, Pop had no security. 250 00:10:03,200 --> 00:10:05,040 Speaker 6: Pop had a gun on him. Pop had the wrong 251 00:10:05,360 --> 00:10:07,719 Speaker 6: people around him. I was supposed to meet up a 252 00:10:07,760 --> 00:10:10,640 Speaker 6: Pop that night. He had a party at his crib. Yeah, 253 00:10:10,800 --> 00:10:12,880 Speaker 6: were supposed to meet up. I went to the Strip club. 254 00:10:12,920 --> 00:10:14,319 Speaker 6: And after the strip club, we were supposed to go 255 00:10:14,320 --> 00:10:16,160 Speaker 6: to his house. Because he sent everybody the address for 256 00:10:16,240 --> 00:10:18,679 Speaker 6: the party. You know what I'm saying he had, And 257 00:10:18,800 --> 00:10:20,720 Speaker 6: he had put that post up a couple of hours before, 258 00:10:21,559 --> 00:10:24,160 Speaker 6: and and and you know, he had no security. And 259 00:10:24,320 --> 00:10:26,439 Speaker 6: even when I first went to La, when you go 260 00:10:26,520 --> 00:10:28,400 Speaker 6: to the Hills, it's like they don't have no no 261 00:10:28,520 --> 00:10:31,920 Speaker 6: gator communities. It's just like the fences like the size 262 00:10:31,920 --> 00:10:32,360 Speaker 6: of the hip. 263 00:10:32,440 --> 00:10:33,880 Speaker 4: Let me just jump right over them, you know. 264 00:10:34,960 --> 00:10:36,480 Speaker 1: So he was supposed to have a party that night. 265 00:10:36,600 --> 00:10:37,840 Speaker 4: That night, he was supposed to have a party. 266 00:10:38,559 --> 00:10:40,440 Speaker 1: Oh so that's why people had the addy. It wasn't 267 00:10:40,520 --> 00:10:42,880 Speaker 1: just that everybody was saying it was a post on this. 268 00:10:43,040 --> 00:10:44,959 Speaker 6: Yeah, he would sending addies to us and me and 269 00:10:45,040 --> 00:10:48,320 Speaker 6: to everybody else that was there. But yeah, he had 270 00:10:48,400 --> 00:10:52,280 Speaker 6: posted the Mary package that was sent on Yikes. 271 00:10:52,400 --> 00:10:53,360 Speaker 5: Yeah they got that right. 272 00:10:53,760 --> 00:10:55,199 Speaker 2: See what happened with Drake on that? Because I know 273 00:10:55,320 --> 00:10:57,200 Speaker 2: you and Drake made a lot of music, he said 274 00:10:58,200 --> 00:10:58,760 Speaker 2: on this project. 275 00:10:58,920 --> 00:11:01,240 Speaker 4: Yeah, we did. But we got the documentary coming out in. 276 00:11:01,280 --> 00:11:04,360 Speaker 6: June, and he executive producer, and so we're just gonna 277 00:11:04,360 --> 00:11:05,360 Speaker 6: push the records back to them. 278 00:11:05,880 --> 00:11:06,680 Speaker 1: Did he have to choose? 279 00:11:06,679 --> 00:11:09,080 Speaker 3: Because it felt like, and I'm just listening to maca 280 00:11:09,160 --> 00:11:10,760 Speaker 3: cheese in a way, it felt like I'm like the 281 00:11:10,880 --> 00:11:13,720 Speaker 3: Kanye epenis or he just on a few records. 282 00:11:14,000 --> 00:11:15,719 Speaker 4: No, I mean me and Kanye was locked in for 283 00:11:15,840 --> 00:11:16,280 Speaker 4: like a month. 284 00:11:16,400 --> 00:11:18,599 Speaker 6: Okay, he had he had rented out the hotel for 285 00:11:18,679 --> 00:11:20,360 Speaker 6: like a month, and we knocked out a bunch of 286 00:11:20,400 --> 00:11:23,880 Speaker 6: bunch of records. And the sound is we were doing 287 00:11:23,960 --> 00:11:26,040 Speaker 6: like two different sounds when I was coming in. We 288 00:11:26,160 --> 00:11:28,280 Speaker 6: were doing the sample vibes and we was doing the 289 00:11:28,600 --> 00:11:32,679 Speaker 6: you know, the that whole like you know, him producing 290 00:11:32,800 --> 00:11:35,560 Speaker 6: and like the whole graduation sound. But then the new 291 00:11:35,640 --> 00:11:37,679 Speaker 6: sound he got now it was something that he was 292 00:11:37,720 --> 00:11:39,280 Speaker 6: working on. So I was like you know what, Bro, 293 00:11:39,320 --> 00:11:41,840 Speaker 6: I'm gonna just take these records and I'm just put 294 00:11:41,920 --> 00:11:43,560 Speaker 6: them on Mac and Cheese five because MC and Cheese 295 00:11:43,600 --> 00:11:45,719 Speaker 6: five got a certain sound. Even Bryson Taylor, he sent 296 00:11:45,800 --> 00:11:48,400 Speaker 6: me like this, this AfroB vibe. I was like, yo, Bro, 297 00:11:48,520 --> 00:11:50,079 Speaker 6: send me that grimy one. He sent me one. 298 00:11:50,280 --> 00:11:52,240 Speaker 4: So it was just like a certain sound was going 299 00:11:52,280 --> 00:11:53,320 Speaker 4: for for Mac and Cheese five. 300 00:11:53,760 --> 00:11:55,880 Speaker 7: Was it like working what was it like working with 301 00:11:56,040 --> 00:11:57,240 Speaker 7: today's version of Kanye? 302 00:11:58,640 --> 00:11:58,800 Speaker 4: Man? 303 00:11:59,160 --> 00:12:00,680 Speaker 6: I mean when they come to me music, I don't 304 00:12:00,760 --> 00:12:02,920 Speaker 6: I don't feel like you get too many versions from him. 305 00:12:02,960 --> 00:12:04,439 Speaker 4: You just get the music, you know. 306 00:12:04,679 --> 00:12:06,480 Speaker 6: Yeah, I don't feel like you get too many versions 307 00:12:06,480 --> 00:12:10,040 Speaker 6: from him. I just I feel like he's He's what 308 00:12:10,360 --> 00:12:11,280 Speaker 6: entertainment is. 309 00:12:13,000 --> 00:12:13,040 Speaker 4: He? 310 00:12:13,320 --> 00:12:15,920 Speaker 6: I mean, I feel like being so unpredictable is like 311 00:12:16,160 --> 00:12:17,640 Speaker 6: as entertaining, you know what I'm saying. 312 00:12:18,160 --> 00:12:19,880 Speaker 1: Not when that shit cost you billions of dollars. 313 00:12:20,840 --> 00:12:23,360 Speaker 6: Yeah, we spoke about it on the song too. Yeah, 314 00:12:23,360 --> 00:12:27,560 Speaker 6: I mean, but man, he said I lost. He said 315 00:12:27,559 --> 00:12:29,920 Speaker 6: I lost eight billions to get the chains off my neck. 316 00:12:31,600 --> 00:12:33,719 Speaker 3: Only to try to put him back on, only the 317 00:12:33,840 --> 00:12:35,880 Speaker 3: only to apologize and sh I'll give you all twenty 318 00:12:35,920 --> 00:12:37,400 Speaker 3: percent cut it. 319 00:12:37,440 --> 00:12:41,480 Speaker 6: Out man, I ain't gonna lie. Kanye's on back and 320 00:12:41,559 --> 00:12:42,160 Speaker 6: she's five. 321 00:12:45,960 --> 00:12:46,839 Speaker 1: Web is hard. 322 00:12:46,920 --> 00:12:48,800 Speaker 4: That's hard. That's hard. 323 00:12:49,080 --> 00:12:52,120 Speaker 3: You also spoke on the Dirty Bronx record about how 324 00:12:52,200 --> 00:12:54,959 Speaker 3: New York DJ's never used to play your music and 325 00:12:55,000 --> 00:12:56,679 Speaker 3: you had to go down south to get your recognition. 326 00:12:56,840 --> 00:13:01,880 Speaker 2: I talked about that exactly what he said, to go 327 00:13:01,920 --> 00:13:03,560 Speaker 2: down there to get popping Chopping Down. 328 00:13:03,880 --> 00:13:04,600 Speaker 1: Wasn't playing his music. 329 00:13:05,800 --> 00:13:08,640 Speaker 3: If you think about the last few people from New 330 00:13:08,720 --> 00:13:12,080 Speaker 3: York that became big time, New York wasn't really supporting 331 00:13:12,120 --> 00:13:16,920 Speaker 3: them like that, and not Nikki, not the sad you. 332 00:13:17,640 --> 00:13:18,199 Speaker 1: I don't even know. 333 00:13:18,559 --> 00:13:20,600 Speaker 3: Maybe maybe Cardi because it was a little dity supported 334 00:13:20,840 --> 00:13:24,160 Speaker 3: and they supported, I mean they supported Cardi after they 335 00:13:24,240 --> 00:13:26,080 Speaker 3: saw so many artists making without them. 336 00:13:26,120 --> 00:13:28,079 Speaker 6: They was like, you know what, we gotta pick a 337 00:13:28,160 --> 00:13:30,120 Speaker 6: side right now, fifty fifty another one? 338 00:13:30,240 --> 00:13:31,840 Speaker 4: Yeah? Hell yeah? 339 00:13:31,960 --> 00:13:34,920 Speaker 1: Why is that envy? Why don't New York DJs? Why 340 00:13:34,960 --> 00:13:36,000 Speaker 1: weren't y'all supporting y'all? 341 00:13:38,480 --> 00:13:38,760 Speaker 4: French? 342 00:13:39,240 --> 00:13:40,280 Speaker 5: I supported all them. 343 00:13:40,559 --> 00:13:44,160 Speaker 6: Yeah, I had like the whole Cocaine City era. Then 344 00:13:44,200 --> 00:13:48,800 Speaker 6: I had my my whole Max b era. Then I 345 00:13:48,920 --> 00:13:51,880 Speaker 6: had then I went down South May Chopping Down. Then 346 00:13:51,920 --> 00:13:55,040 Speaker 6: I was like like scorching hot. Then I then I 347 00:13:55,160 --> 00:13:57,000 Speaker 6: was like, you know what, New York ain't show me 348 00:13:57,040 --> 00:13:59,600 Speaker 6: no love, let me go down South. Then I made 349 00:13:59,679 --> 00:14:02,679 Speaker 6: I made Shot Caller after Max B got locked up 350 00:14:03,800 --> 00:14:07,640 Speaker 6: because I was so much black Ball because everybody turned 351 00:14:07,679 --> 00:14:09,560 Speaker 6: their back home me because Max B was just tearing 352 00:14:09,600 --> 00:14:12,439 Speaker 6: everybody ass up. And after he got locked up, he 353 00:14:12,559 --> 00:14:14,240 Speaker 6: just left me with the black Ball. I was just like, 354 00:14:14,679 --> 00:14:16,240 Speaker 6: so I just locked in with Harry Fraud and we 355 00:14:16,320 --> 00:14:18,360 Speaker 6: made Shot Caller. It's like I got put into a 356 00:14:18,400 --> 00:14:19,840 Speaker 6: corner and it was like, yo, is he not gonna 357 00:14:19,840 --> 00:14:22,720 Speaker 6: fight through this with music or I'm just gonna just 358 00:14:22,840 --> 00:14:24,440 Speaker 6: be like you know what used to remember that kid? 359 00:14:24,520 --> 00:14:26,480 Speaker 6: He used to have Mike saves with Maxaze, So just 360 00:14:26,600 --> 00:14:29,120 Speaker 6: like you know, but it took me ten years, like 361 00:14:29,840 --> 00:14:32,320 Speaker 6: like oh two, I dropped the first Cocaine City, so 362 00:14:32,560 --> 00:14:34,440 Speaker 6: oh nine, that's when I got signed. 363 00:14:35,800 --> 00:14:37,360 Speaker 1: You didn't take you serious as a rapper because they 364 00:14:37,360 --> 00:14:39,040 Speaker 1: remember you the DVD guy. 365 00:14:39,040 --> 00:14:42,200 Speaker 4: At first at first, but but the DVDs. 366 00:14:43,320 --> 00:14:45,080 Speaker 6: You know, there was a time when Envy had an 367 00:14:45,160 --> 00:14:49,800 Speaker 6: artist ref rec Cafe. It was a time with Clue 368 00:14:49,880 --> 00:14:57,440 Speaker 6: Half Fab. It was a time where where Greenland Coconine 369 00:14:57,480 --> 00:15:02,760 Speaker 6: so nobody was letting nobody. So this one guy named 370 00:15:02,840 --> 00:15:06,840 Speaker 6: Smack came out with the most brilliant ID ever, bringing 371 00:15:06,960 --> 00:15:08,120 Speaker 6: all the rappers. 372 00:15:07,840 --> 00:15:10,840 Speaker 4: And he was putting Shay Davis on it. YEP. I 373 00:15:11,000 --> 00:15:13,680 Speaker 4: was like, yo, I know all the drug dealers, I 374 00:15:13,800 --> 00:15:14,600 Speaker 4: know all the rappers. 375 00:15:14,880 --> 00:15:17,960 Speaker 6: Let me make Cocaine City DVD. And I'm putting myself 376 00:15:18,000 --> 00:15:20,200 Speaker 6: in the middle. How you put Shay Davis? People didn't 377 00:15:20,240 --> 00:15:22,640 Speaker 6: know I was only making Cocaine City DVD. People throw 378 00:15:22,800 --> 00:15:26,000 Speaker 6: somebody else making it, and they was putting me in it. 379 00:15:26,440 --> 00:15:30,080 Speaker 6: So by the time the fifth volume came, Acon called 380 00:15:30,120 --> 00:15:32,440 Speaker 6: to sign me. You know what I'm saying, because they 381 00:15:32,480 --> 00:15:34,960 Speaker 6: didn't even know I was the DVD guy. 382 00:15:34,880 --> 00:15:37,400 Speaker 4: Was this and that so. But the whole object the 383 00:15:37,440 --> 00:15:39,280 Speaker 4: whole time was for me to be a rap star, 384 00:15:39,760 --> 00:15:42,400 Speaker 4: you know what I'm saying. So I was making the money. 385 00:15:43,080 --> 00:15:46,280 Speaker 6: We would make Cocaine CITDVD would make thirty thirty thousand 386 00:15:46,360 --> 00:15:47,600 Speaker 6: copies five dollars apiece. 387 00:15:48,040 --> 00:15:49,560 Speaker 4: You'd make it about quarter million and a half a 388 00:15:49,600 --> 00:15:52,280 Speaker 4: million dollars and promoting myself. 389 00:15:52,520 --> 00:15:56,760 Speaker 6: Wow, people was paying Smack fifty thousand dollars to get 390 00:15:56,800 --> 00:15:57,600 Speaker 6: on Smack DVD. 391 00:15:57,760 --> 00:15:58,200 Speaker 4: Every time. 392 00:15:58,560 --> 00:16:01,640 Speaker 6: I was making three hundred thousand dollars to five hundred 393 00:16:01,680 --> 00:16:04,040 Speaker 6: thousand every volume, and I was pulling myself on it. 394 00:16:04,120 --> 00:16:05,440 Speaker 4: By the time the fifth volume came. 395 00:16:05,600 --> 00:16:08,160 Speaker 6: It was just like so I was always ahead of myself, 396 00:16:08,280 --> 00:16:10,640 Speaker 6: like you know, I mean from from like from the beginning, 397 00:16:10,800 --> 00:16:11,840 Speaker 6: so by half. 398 00:16:11,720 --> 00:16:14,080 Speaker 1: A million dollars of DVD, but you know, you put 399 00:16:14,120 --> 00:16:14,520 Speaker 1: it right. 400 00:16:14,440 --> 00:16:16,040 Speaker 6: Back into it, you know what I'm saying. So he 401 00:16:16,160 --> 00:16:18,840 Speaker 6: was always investing, investing for the big picture. So by 402 00:16:18,880 --> 00:16:21,000 Speaker 6: the time Akon signed me that when he gave you 403 00:16:21,040 --> 00:16:26,320 Speaker 6: the fake watch, oh Man shop Acon, the second watch 404 00:16:26,440 --> 00:16:32,840 Speaker 6: is fake too, I ain't gonna do that the Acon, 405 00:16:34,120 --> 00:16:39,920 Speaker 6: but you know, we had a shopping deal. Then after that, 406 00:16:40,640 --> 00:16:42,400 Speaker 6: the shopping deal didn't work because he had lady got 407 00:16:42,600 --> 00:16:44,200 Speaker 6: this and that whatever, whatever, it didn't worked, But you know, 408 00:16:44,240 --> 00:16:46,560 Speaker 6: I appreciate Acon just for the for the opportunity. 409 00:16:47,480 --> 00:16:49,200 Speaker 4: Then after that, that's when I got with Max being 410 00:16:49,240 --> 00:16:49,480 Speaker 4: this and that. 411 00:16:49,600 --> 00:16:52,520 Speaker 2: But that's but that's what it was, was Max doing 412 00:16:52,560 --> 00:16:53,880 Speaker 2: it is because I know there was rumors that he 413 00:16:54,000 --> 00:16:54,880 Speaker 2: was coming out last year. 414 00:16:55,000 --> 00:16:56,720 Speaker 4: Yeah, he just put coming home on his page. So 415 00:16:56,880 --> 00:16:59,960 Speaker 4: we all weighing, well, yeah, we are. 416 00:17:00,640 --> 00:17:03,040 Speaker 1: How do you introduce Max b back to this era? 417 00:17:03,160 --> 00:17:05,239 Speaker 4: Of hip hop. He is this era of hip hop. 418 00:17:05,400 --> 00:17:08,640 Speaker 6: He is the most one of the most viral Max 419 00:17:08,760 --> 00:17:11,560 Speaker 6: b like the wave gud like nah, that's a silver 420 00:17:11,640 --> 00:17:14,520 Speaker 6: surfer like Rememn. Back then he was he was viral 421 00:17:14,920 --> 00:17:17,400 Speaker 6: off YouTube. We would just sit there and watch YouTube 422 00:17:18,240 --> 00:17:20,159 Speaker 6: and just go just go Ham. So it's like, you know, 423 00:17:20,359 --> 00:17:22,560 Speaker 6: it's the same thing, just YouTube and in the app. 424 00:17:23,000 --> 00:17:24,880 Speaker 3: I wonder, do you do you feel like you didn't 425 00:17:24,920 --> 00:17:26,639 Speaker 3: take the DVD thing to the next level because I 426 00:17:26,640 --> 00:17:28,280 Speaker 3: feel like the next step would have been a website 427 00:17:28,320 --> 00:17:28,640 Speaker 3: for y'all. 428 00:17:28,880 --> 00:17:31,000 Speaker 4: Yeah, you know what I mean. Yeah, But I feel 429 00:17:31,080 --> 00:17:33,080 Speaker 4: like that wasn't my passion. 430 00:17:34,160 --> 00:17:36,040 Speaker 6: You know what I'm saying. You always follow your passion. 431 00:17:36,119 --> 00:17:38,200 Speaker 6: If that was my passion to make DVDs, I would 432 00:17:38,200 --> 00:17:40,720 Speaker 6: have been the biggest DVD, biggest blogger, the biggest. But 433 00:17:40,880 --> 00:17:43,440 Speaker 6: my passion when I the idea, when I first got it, 434 00:17:43,520 --> 00:17:45,840 Speaker 6: it was for me to wrap, you know what I'm saying. 435 00:17:45,880 --> 00:17:48,440 Speaker 6: So I went through them ten volumes of me like 436 00:17:48,600 --> 00:17:51,080 Speaker 6: sacrificing and you know, going to meet up with people 437 00:17:51,119 --> 00:17:52,920 Speaker 6: and having somebody interview him and doing all that. I 438 00:17:52,960 --> 00:17:55,240 Speaker 6: don't want to do that shit just to pull myself 439 00:17:55,280 --> 00:17:57,040 Speaker 6: in the middle. But I had to sacrifice. I had 440 00:17:57,080 --> 00:17:58,720 Speaker 6: to get people what they know until they knew me. 441 00:17:59,240 --> 00:18:01,160 Speaker 6: And once they did that, I was like, Okay, cool, 442 00:18:01,560 --> 00:18:03,000 Speaker 6: now let's take over this rap thing. I ain't got 443 00:18:03,080 --> 00:18:04,639 Speaker 6: to call nobody no more to make music, all right? 444 00:18:05,280 --> 00:18:06,320 Speaker 4: That was That was the passion. 445 00:18:06,400 --> 00:18:08,640 Speaker 1: Her instrumental was Gucci Man in your career. 446 00:18:09,920 --> 00:18:13,200 Speaker 4: When I went when I went to down South. 447 00:18:15,560 --> 00:18:20,720 Speaker 6: With Dev, I used to see Gucci like once in 448 00:18:20,800 --> 00:18:23,159 Speaker 6: a while, like he would pop up to deb and 449 00:18:23,280 --> 00:18:24,879 Speaker 6: this and that. But every time I seen him, it 450 00:18:24,960 --> 00:18:27,280 Speaker 6: was always loved. And he came to my video shoot. 451 00:18:27,280 --> 00:18:29,359 Speaker 6: Matter of fact, when I shot Chopping Down, he just 452 00:18:29,400 --> 00:18:31,040 Speaker 6: showed up to the video shoot and he came in. 453 00:18:31,800 --> 00:18:32,440 Speaker 4: It was a vibe. 454 00:18:34,240 --> 00:18:36,800 Speaker 5: I wanted to know what how's did he have? You 455 00:18:36,800 --> 00:18:37,359 Speaker 5: spoke to Diddy? 456 00:18:37,400 --> 00:18:38,000 Speaker 4: How did he doing? 457 00:18:38,040 --> 00:18:39,840 Speaker 5: Because I know you and you assigned the Diddy at 458 00:18:39,840 --> 00:18:40,160 Speaker 5: one time. 459 00:18:40,320 --> 00:18:42,639 Speaker 6: Yeah, I spoke. I spoke to him in New Year's 460 00:18:42,960 --> 00:18:44,320 Speaker 6: I spoke to him a New Year, check on him. 461 00:18:44,359 --> 00:18:46,200 Speaker 6: He's doing great for sure. 462 00:18:48,119 --> 00:18:51,199 Speaker 3: You and you embraced a lot of young artists from 463 00:18:51,200 --> 00:18:54,919 Speaker 3: the Bronx too, Like you got shot on this project. 464 00:18:55,200 --> 00:18:58,200 Speaker 6: Yeah, shot shot the d Thanks, shot the kenslosh in 465 00:18:58,240 --> 00:19:00,480 Speaker 6: the back. They both from the Bronx I got, I 466 00:19:00,520 --> 00:19:03,399 Speaker 6: Got forty one. They're from Brooklyn one yeah, yeah, they're. 467 00:19:03,280 --> 00:19:04,240 Speaker 4: On the album forty one. 468 00:19:05,000 --> 00:19:08,120 Speaker 6: GM Carter Too, Yeah yeah, Jim Cardier yea yeah, they're 469 00:19:08,119 --> 00:19:08,600 Speaker 6: from Brooklyn. 470 00:19:08,720 --> 00:19:08,880 Speaker 4: Yeah. 471 00:19:09,200 --> 00:19:11,480 Speaker 1: What makes you want to embrace the young generation like that? 472 00:19:12,160 --> 00:19:12,360 Speaker 4: Man? 473 00:19:12,400 --> 00:19:15,000 Speaker 6: I always looked at myself like the bridge when it 474 00:19:15,080 --> 00:19:17,800 Speaker 6: comes to the to the music game. I felt like 475 00:19:17,840 --> 00:19:21,879 Speaker 6: I could always tap in with with the Kanyes, you 476 00:19:21,920 --> 00:19:23,680 Speaker 6: know what I'm saying, the J's or whatever it is, 477 00:19:23,760 --> 00:19:26,200 Speaker 6: and it's still tap back in with it with the 478 00:19:26,280 --> 00:19:29,200 Speaker 6: pop smokes, the smurders and do this, do this and that. 479 00:19:29,320 --> 00:19:31,240 Speaker 6: I felt like I was always like the bridge in between. 480 00:19:32,119 --> 00:19:34,680 Speaker 6: You know, they gonna talk about the Bronx right there? 481 00:19:34,680 --> 00:19:45,920 Speaker 1: They yet did they search off? Get them some chains? 482 00:19:46,119 --> 00:19:46,719 Speaker 4: Who is that? Who? 483 00:19:46,960 --> 00:19:47,240 Speaker 1: Who is it? 484 00:19:47,720 --> 00:19:48,120 Speaker 4: The thing? 485 00:19:48,359 --> 00:19:50,480 Speaker 1: Okay? Okay, okay, okay. Now you just signed the recently, 486 00:19:50,560 --> 00:19:50,879 Speaker 1: right yea? 487 00:19:50,960 --> 00:19:51,120 Speaker 3: Yeah? 488 00:19:51,160 --> 00:19:53,760 Speaker 1: With ten K, they signed the. 489 00:19:54,520 --> 00:19:58,000 Speaker 4: Okay with Cole Boys and bok. How hard is not 490 00:19:58,080 --> 00:19:58,840 Speaker 4: to look in the back? 491 00:19:58,920 --> 00:20:00,440 Speaker 1: How hard did the break of artists? Ods? 492 00:20:03,560 --> 00:20:03,800 Speaker 4: Man? 493 00:20:04,000 --> 00:20:07,320 Speaker 6: I think I think the artists gotta want it, you 494 00:20:07,359 --> 00:20:10,480 Speaker 6: know what I'm saying. I think there's no there's no 495 00:20:10,600 --> 00:20:13,480 Speaker 6: certain structure menu to it. I feel like you just 496 00:20:13,560 --> 00:20:15,600 Speaker 6: can't have no plan. Beaders gotta want it, you gotta 497 00:20:15,600 --> 00:20:16,240 Speaker 6: go all out for it. 498 00:20:16,359 --> 00:20:18,320 Speaker 1: What's the expectation though, Like, what do you like? What's 499 00:20:18,359 --> 00:20:20,760 Speaker 1: the expectation for a rapper in two twenty four? 500 00:20:22,880 --> 00:20:26,840 Speaker 4: I think there is nothing. There's so many. I think 501 00:20:26,920 --> 00:20:27,520 Speaker 4: there is none. 502 00:20:27,840 --> 00:20:28,440 Speaker 1: There's so many. 503 00:20:28,760 --> 00:20:32,879 Speaker 4: Yeah, I don't feel like you can ye with social media. 504 00:20:32,880 --> 00:20:36,120 Speaker 6: I'm like, there's none. I feel like, you know, I mean, 505 00:20:37,200 --> 00:20:39,840 Speaker 6: you just gotta you just gotta have that character, you know. 506 00:20:40,920 --> 00:20:43,080 Speaker 2: Yeah, those big brother conversations though, like you know, the 507 00:20:43,560 --> 00:20:47,600 Speaker 2: because I've know whether it's it's recording and spending or 508 00:20:48,160 --> 00:20:50,240 Speaker 2: being on time and all the stuff that you fucked 509 00:20:50,280 --> 00:20:52,119 Speaker 2: up with, Do you have those big brother conversations like 510 00:20:52,200 --> 00:20:53,400 Speaker 2: let me let me walk you down. 511 00:20:53,680 --> 00:20:55,040 Speaker 4: Yeah, you know. I saw him in the studio. 512 00:20:55,080 --> 00:20:57,280 Speaker 6: I'm like, yo, bro, there's no other place you should 513 00:20:57,280 --> 00:20:59,919 Speaker 6: be outside of the studio like that that room, right 514 00:21:00,080 --> 00:21:02,800 Speaker 6: than in four walls. That's your bank, that's your vote. 515 00:21:03,640 --> 00:21:06,160 Speaker 6: Anywhere out of that room, You're no good than nobody. 516 00:21:06,720 --> 00:21:09,120 Speaker 6: You know what I'm saying. He just came home from jail, 517 00:21:09,240 --> 00:21:11,760 Speaker 6: so like you're out of that room, you're no good 518 00:21:11,760 --> 00:21:13,480 Speaker 6: because you know you're liable to get in trouble with 519 00:21:13,480 --> 00:21:14,600 Speaker 6: a lot of people, to get caught up with the 520 00:21:14,640 --> 00:21:16,680 Speaker 6: wrong things, a lotable to be around the wrong things. 521 00:21:16,720 --> 00:21:19,879 Speaker 6: So I just feel like that room right there, you 522 00:21:19,920 --> 00:21:21,919 Speaker 6: know what I mean, Like it's got to make as 523 00:21:22,000 --> 00:21:25,440 Speaker 6: much music as you can because you never know, you 524 00:21:25,600 --> 00:21:27,400 Speaker 6: never know when you're gonna make that one record that's 525 00:21:27,440 --> 00:21:28,200 Speaker 6: gonna change your life. 526 00:21:28,240 --> 00:21:29,760 Speaker 2: Eever, and how do you deal with all this now? 527 00:21:29,800 --> 00:21:32,119 Speaker 2: Because you've seen everything. I mean, you didn't seen shootouts, 528 00:21:32,119 --> 00:21:34,280 Speaker 2: you didn't seen death, you didn't seen so much because 529 00:21:34,280 --> 00:21:37,360 Speaker 2: if you've been there, but you also do know part 530 00:21:37,400 --> 00:21:39,879 Speaker 2: of your music is being there and being able to 531 00:21:39,920 --> 00:21:41,280 Speaker 2: write that and wrap that and all that. 532 00:21:41,359 --> 00:21:43,080 Speaker 4: You know, you know what I'm saying. You're gonna You're 533 00:21:43,080 --> 00:21:43,560 Speaker 4: gonna do that. 534 00:21:43,720 --> 00:21:46,840 Speaker 6: But but sometimes you get caught up too much in that, 535 00:21:47,800 --> 00:21:49,360 Speaker 6: you know what I'm saying, especially if you come home 536 00:21:49,920 --> 00:21:50,640 Speaker 6: from jail. 537 00:21:50,640 --> 00:21:51,960 Speaker 4: You want to live the life, you want to do this, 538 00:21:52,119 --> 00:21:52,320 Speaker 4: do that. 539 00:21:52,760 --> 00:21:55,440 Speaker 6: I mean, it's just when when when things happen to 540 00:21:55,520 --> 00:21:58,000 Speaker 6: people they never expected to happen, That's why it happened. 541 00:21:58,119 --> 00:22:02,480 Speaker 3: Man, When things happened to people you never expected it 542 00:22:02,520 --> 00:22:03,600 Speaker 3: to happen. That's why it happened. 543 00:22:03,960 --> 00:22:04,360 Speaker 4: Mm hmm. 544 00:22:05,560 --> 00:22:08,000 Speaker 6: Chaks would have never wanted to that hookah spot four 545 00:22:08,080 --> 00:22:10,600 Speaker 6: am in the morning, man in the morning by himself, 546 00:22:11,280 --> 00:22:11,840 Speaker 6: you know what I'm saying. 547 00:22:11,880 --> 00:22:15,480 Speaker 4: No, he has security. He had security. Yeah, he had 548 00:22:15,560 --> 00:22:16,679 Speaker 4: security with him and everything. 549 00:22:17,680 --> 00:22:18,280 Speaker 1: Well, you got shot. 550 00:22:18,359 --> 00:22:18,879 Speaker 5: It was in the car. 551 00:22:19,040 --> 00:22:21,040 Speaker 4: So I mean he got shot six times in the car. 552 00:22:21,160 --> 00:22:23,040 Speaker 4: He has he has security with him and everything. 553 00:22:23,080 --> 00:22:25,399 Speaker 6: It was four in the morning, leaving a hookah spot, 554 00:22:25,920 --> 00:22:28,120 Speaker 6: going chasing the joint on the side of the road. 555 00:22:28,200 --> 00:22:29,359 Speaker 4: It just like, you know what I mean, Like he 556 00:22:29,400 --> 00:22:30,960 Speaker 4: didn't expect that to happen. That's what I'm saying. 557 00:22:31,600 --> 00:22:33,600 Speaker 3: Like, you know, so what's up when when you think 558 00:22:33,640 --> 00:22:35,399 Speaker 3: about all of the violence that you've seen, were you 559 00:22:35,520 --> 00:22:37,399 Speaker 3: afraid to sign drill rappers? 560 00:22:40,040 --> 00:22:45,399 Speaker 4: I don't know. We was drilled before the drill were 561 00:22:45,440 --> 00:22:46,240 Speaker 4: the original drug. 562 00:22:46,280 --> 00:22:48,359 Speaker 3: Grab a chair with the chairs that coming chair for 563 00:22:48,520 --> 00:22:53,040 Speaker 3: d thing, No, bro, because everybody was saying like there 564 00:22:53,119 --> 00:22:55,080 Speaker 3: was a period it felt like labels were about to back. 565 00:22:55,280 --> 00:22:58,000 Speaker 6: We heard drill music before drill music. Me and Max 566 00:22:58,119 --> 00:22:59,800 Speaker 6: b we had people the whole in New York. 567 00:23:00,200 --> 00:23:00,400 Speaker 4: Yeah. 568 00:23:00,480 --> 00:23:02,840 Speaker 1: Yeah, So you don't think drill is a sound. It's 569 00:23:02,960 --> 00:23:05,639 Speaker 1: just a it's a lifestyle energy. 570 00:23:06,160 --> 00:23:07,480 Speaker 4: Yeah, Chicago is like that. 571 00:23:07,840 --> 00:23:10,359 Speaker 1: So what what is drill? D think? What is drill? 572 00:23:10,560 --> 00:23:10,879 Speaker 1: Right now? 573 00:23:12,240 --> 00:23:13,800 Speaker 9: How drill is like anybody do it? 574 00:23:13,880 --> 00:23:16,320 Speaker 10: Like you can just come from college and just had 575 00:23:16,359 --> 00:23:18,520 Speaker 10: a whole good life and just drill rap now like 576 00:23:18,600 --> 00:23:19,560 Speaker 10: niggas just do that now. 577 00:23:19,800 --> 00:23:21,400 Speaker 9: It wasn't like that for me when I was coming. 578 00:23:21,440 --> 00:23:22,840 Speaker 9: For me, we had to really do shit. 579 00:23:22,960 --> 00:23:25,920 Speaker 3: Like but that's the problem though, you know what I'm saying, 580 00:23:26,160 --> 00:23:28,320 Speaker 3: Like a lot of rap. Like you saw Pat Joe 581 00:23:28,400 --> 00:23:32,000 Speaker 3: say nine his lyrics were live, not this new generation. 582 00:23:32,160 --> 00:23:35,639 Speaker 4: No right he started drilling. 583 00:23:36,160 --> 00:23:40,040 Speaker 9: You can't lock. That's bad. We can't really live. I 584 00:23:40,119 --> 00:23:41,520 Speaker 9: really was rapping what I really lived? 585 00:23:42,680 --> 00:23:44,760 Speaker 5: Do you seem like you gotta feel like you know what? 586 00:23:44,800 --> 00:23:47,360 Speaker 5: I gotta get out the Bronx and the Bronx crazy. 587 00:23:47,280 --> 00:23:49,159 Speaker 1: The craziest people in America from the Bronx and all 588 00:23:49,200 --> 00:23:51,080 Speaker 1: the Florida is. 589 00:23:51,160 --> 00:23:56,000 Speaker 9: Why I'm different now though, to get up go anywhere 590 00:23:56,119 --> 00:23:56,399 Speaker 9: one now? 591 00:23:56,600 --> 00:23:56,840 Speaker 7: Got it? 592 00:23:56,920 --> 00:23:57,200 Speaker 3: Sad? 593 00:23:58,119 --> 00:23:58,239 Speaker 4: Now? 594 00:23:58,760 --> 00:23:59,800 Speaker 1: Kids? What is drill to you? 595 00:24:01,680 --> 00:24:01,920 Speaker 4: To MI? 596 00:24:02,400 --> 00:24:05,800 Speaker 8: To the mic, I feel like, like French, that is 597 00:24:05,880 --> 00:24:09,159 Speaker 8: a lifestyle thing like because like I feel like you 598 00:24:09,240 --> 00:24:13,280 Speaker 8: connect with people through music based off like like the 599 00:24:13,400 --> 00:24:16,399 Speaker 8: vibes that they give you in the field that their 600 00:24:16,480 --> 00:24:18,440 Speaker 8: music gives you. So like if somebody, like you said, 601 00:24:18,440 --> 00:24:20,920 Speaker 8: if somebody can't rap in and it's like, you know, 602 00:24:21,040 --> 00:24:23,440 Speaker 8: this person is in college and they're doing drill rap, 603 00:24:23,560 --> 00:24:26,040 Speaker 8: it's not really gonna stick as much as you know, 604 00:24:26,240 --> 00:24:30,199 Speaker 8: like French come out here talking about him growing up 605 00:24:30,240 --> 00:24:32,840 Speaker 8: through the struggle and ship like it's gonna be more relatable. 606 00:24:34,000 --> 00:24:37,680 Speaker 8: I feel like, like he said, I don't know about that, 607 00:24:37,880 --> 00:24:41,399 Speaker 8: but I feel about I feel like it's like a 608 00:24:41,480 --> 00:24:45,520 Speaker 8: lifestyle thing is like what you talk about, and like 609 00:24:45,680 --> 00:24:48,920 Speaker 8: what type of vibe and energy here song or music 610 00:24:49,000 --> 00:24:50,880 Speaker 8: has is what gives it to drill? 611 00:24:51,000 --> 00:24:52,840 Speaker 3: Do you feel like people have to live their lyrics though, 612 00:24:52,840 --> 00:24:54,359 Speaker 3: because I want you all to lie, I don't want it. 613 00:24:54,520 --> 00:24:58,720 Speaker 8: I feel like I feel like, yes, you know, because 614 00:24:58,760 --> 00:24:59,639 Speaker 8: your music has to. 615 00:24:59,640 --> 00:25:02,320 Speaker 10: Be related to step to people because a nigga like 616 00:25:02,400 --> 00:25:04,359 Speaker 10: me is not gonna jogg it now. 617 00:25:04,440 --> 00:25:06,520 Speaker 9: If I know you did not do nothing before the 618 00:25:06,600 --> 00:25:08,280 Speaker 9: whole world you got the whole world hype. 619 00:25:10,480 --> 00:25:12,200 Speaker 8: You thinking about it in like a like a doing 620 00:25:13,119 --> 00:25:15,680 Speaker 8: on something like how you said fresh could be capping 621 00:25:15,720 --> 00:25:17,720 Speaker 8: about fucking, fucking rappers wife's. 622 00:25:17,760 --> 00:25:18,960 Speaker 1: But that's some relatable ship. 623 00:25:19,080 --> 00:25:20,879 Speaker 8: Somebody out there fucking sucking a. 624 00:25:20,920 --> 00:25:21,720 Speaker 7: Rapper wife. 625 00:25:23,080 --> 00:25:24,000 Speaker 9: Another nigga lifestyle. 626 00:25:25,960 --> 00:25:29,800 Speaker 11: I'm just saying, I never do that. The perfect balance 627 00:25:29,840 --> 00:25:32,240 Speaker 11: to have with which you call them best friends. Yeah, 628 00:25:32,280 --> 00:25:33,959 Speaker 11: that's that's a good balance to have her with you, though, 629 00:25:33,960 --> 00:25:36,720 Speaker 11: because I understand like the street part of it, you know. 630 00:25:36,680 --> 00:25:37,040 Speaker 10: What I mean. 631 00:25:37,160 --> 00:25:39,760 Speaker 7: But you don't. You don't only want to appeal to 632 00:25:39,840 --> 00:25:40,760 Speaker 7: the street, you know what I mean. 633 00:25:40,800 --> 00:25:42,480 Speaker 11: It's people that look up that will look up to 634 00:25:42,560 --> 00:25:45,240 Speaker 11: you and that looks looks up to you. That it's 635 00:25:45,280 --> 00:25:46,840 Speaker 11: not gonna be in the street and still feel like 636 00:25:46,840 --> 00:25:49,200 Speaker 11: they can do what you do. But not in the 637 00:25:49,240 --> 00:25:51,399 Speaker 11: street though, because everybody ain't got the heart you have, 638 00:25:51,600 --> 00:25:53,600 Speaker 11: you know what I mean. And so she's a great 639 00:25:53,680 --> 00:25:56,879 Speaker 11: balance to what y'all. So what you just said, you 640 00:25:56,920 --> 00:25:57,600 Speaker 11: don't you don't. 641 00:25:57,440 --> 00:25:59,440 Speaker 7: Feel like that, don't be you don't feel like that, 642 00:26:00,119 --> 00:26:06,639 Speaker 7: do a little bit. It's a star like it's bigger 643 00:26:06,720 --> 00:26:07,400 Speaker 7: than the streets. 644 00:26:07,480 --> 00:26:08,879 Speaker 9: Now, I understand, but. 645 00:26:08,960 --> 00:26:10,440 Speaker 5: You feel like you been through it, so you you 646 00:26:10,680 --> 00:26:12,159 Speaker 5: you only respect what people have been through. 647 00:26:12,320 --> 00:26:14,040 Speaker 10: Yeah, I feel me, So I don't even care about that. 648 00:26:14,080 --> 00:26:15,679 Speaker 10: I'm trying to change my life to I don't care 649 00:26:15,680 --> 00:26:18,040 Speaker 10: about none of that period, none of that, no more, 650 00:26:19,160 --> 00:26:19,919 Speaker 10: just being meat. 651 00:26:20,560 --> 00:26:21,320 Speaker 1: And French is the o G. 652 00:26:21,480 --> 00:26:23,119 Speaker 3: You gotta tell him like when you see hip hop 653 00:26:23,280 --> 00:26:25,560 Speaker 3: under attack the way that it is, you see people 654 00:26:25,640 --> 00:26:29,040 Speaker 3: getting you know, lyrics brought up in court, like you 655 00:26:29,119 --> 00:26:31,800 Speaker 3: don't you know, you don't want to be confessing the 656 00:26:31,880 --> 00:26:34,440 Speaker 3: things on records I had to learn. 657 00:26:35,400 --> 00:26:40,040 Speaker 4: Yeah, they had with the Rico too, what that's. 658 00:26:39,880 --> 00:26:40,600 Speaker 1: Why you did the three? 659 00:26:44,480 --> 00:26:45,320 Speaker 9: I was about to come home? 660 00:26:45,720 --> 00:26:48,040 Speaker 4: They went, they went through what I'm going through an 661 00:26:48,160 --> 00:26:51,639 Speaker 4: early age. He got a crazy story because he got 662 00:26:51,680 --> 00:26:53,240 Speaker 4: his story even with the group that he was with. 663 00:26:53,480 --> 00:26:55,680 Speaker 6: His man took the gun charge for him, and like 664 00:26:55,800 --> 00:26:57,520 Speaker 6: they got like they went through like what Big and 665 00:26:57,600 --> 00:26:59,760 Speaker 6: d Rock went through, like at an early age, and 666 00:26:59,840 --> 00:27:02,600 Speaker 6: like they already got like a whole documentary. And he's 667 00:27:02,600 --> 00:27:06,639 Speaker 6: not even like he's early twenties. 668 00:27:07,359 --> 00:27:09,840 Speaker 1: How could you learn that lesson? That's beautiful? 669 00:27:10,040 --> 00:27:11,520 Speaker 5: So so what's next for y'all? What's next? 670 00:27:11,600 --> 00:27:12,600 Speaker 4: What's next for the artists? 671 00:27:13,000 --> 00:27:15,080 Speaker 5: Because I know usually you do compilation and you you 672 00:27:15,160 --> 00:27:15,720 Speaker 5: Coke Boy. 673 00:27:16,359 --> 00:27:19,160 Speaker 6: Go Boys seven he got he just dropped like two singles. 674 00:27:19,680 --> 00:27:23,840 Speaker 6: I do a video to you too, Yes, No, he's 675 00:27:24,280 --> 00:27:28,800 Speaker 6: moving like, came to my crebit love it, Yeah, came 676 00:27:28,880 --> 00:27:30,560 Speaker 6: to my creb in l A. I go to sleep, 677 00:27:30,600 --> 00:27:31,879 Speaker 6: I wake up eight in the morning. I hear all 678 00:27:31,880 --> 00:27:34,040 Speaker 6: this noise. I'm like, what's happening y'all? Y'all just called 679 00:27:34,080 --> 00:27:36,120 Speaker 6: the camera guy was shooting the video. It was eight 680 00:27:36,200 --> 00:27:36,760 Speaker 6: in the morning. 681 00:27:36,960 --> 00:27:38,639 Speaker 2: French was one of those guys they caught me at 682 00:27:38,680 --> 00:27:40,760 Speaker 2: six o'clock in the morning about records in your records 683 00:27:41,000 --> 00:27:43,800 Speaker 2: and your records. Every every couple of weeks, three weeks, 684 00:27:43,840 --> 00:27:46,040 Speaker 2: four weeks, French is gonna hit me. And you always say, 685 00:27:46,160 --> 00:27:50,080 Speaker 2: did your number change? I'm like, no, nigga, my number record. 686 00:27:50,880 --> 00:27:56,200 Speaker 7: French is on it man Ken eighteen nineteen. 687 00:27:56,000 --> 00:28:01,159 Speaker 10: Years baby, Yes, but they're doing when you shooting your 688 00:28:01,240 --> 00:28:04,879 Speaker 10: video at this song right here is like I had 689 00:28:04,960 --> 00:28:06,720 Speaker 10: to bring them back, like to the old me a 690 00:28:06,800 --> 00:28:08,760 Speaker 10: little bit because the way I've been rapping a little 691 00:28:08,760 --> 00:28:10,320 Speaker 10: but I've been trying to change it up and people 692 00:28:10,359 --> 00:28:12,719 Speaker 10: want some like now we need the oldie things back, 693 00:28:12,800 --> 00:28:14,680 Speaker 10: like like we don't know if he still got it, 694 00:28:14,720 --> 00:28:16,359 Speaker 10: Like we don't know if he's the same like he changed. 695 00:28:17,160 --> 00:28:18,920 Speaker 10: So I just had him just go crazy one more 696 00:28:18,920 --> 00:28:21,600 Speaker 10: time to go some freestyles. I went crazy on that song. 697 00:28:21,800 --> 00:28:23,680 Speaker 10: You know they're going jack that, like now he really back? 698 00:28:23,800 --> 00:28:26,880 Speaker 10: Well do that like on the block, everybody come outside 699 00:28:27,440 --> 00:28:29,360 Speaker 10: on the block and everybody with all black diggies. 700 00:28:29,880 --> 00:28:32,479 Speaker 4: I didn't say that about everybody at all. Yeah, like, Yo, 701 00:28:32,800 --> 00:28:36,119 Speaker 4: you don't sound like the last record, not even the. 702 00:28:36,160 --> 00:28:38,440 Speaker 10: Last record like before I went to jail period and 703 00:28:38,680 --> 00:28:40,160 Speaker 10: now that demon town no more. 704 00:28:40,040 --> 00:28:44,600 Speaker 7: Like he changed, Bro, I didn't go anywhere. Yeah, you 705 00:28:44,760 --> 00:28:45,800 Speaker 7: evolved with then you. 706 00:28:45,880 --> 00:28:46,840 Speaker 9: Try to give him a new sign. 707 00:28:46,880 --> 00:28:49,920 Speaker 8: They're like your core fans like they want to old. 708 00:28:49,800 --> 00:28:51,160 Speaker 9: You than Bro. 709 00:28:51,480 --> 00:28:53,000 Speaker 10: I'm like, but I'm gonna give it to them. They 710 00:28:53,040 --> 00:28:55,440 Speaker 10: can't say not after this one, after this one, they're 711 00:28:55,440 --> 00:28:57,400 Speaker 10: gonna say, like he's just like if. 712 00:28:57,280 --> 00:28:59,560 Speaker 3: You're gonna drop a couple of songs, and we went 713 00:28:59,600 --> 00:29:02,360 Speaker 3: to old the one that you just gave him two 714 00:29:02,360 --> 00:29:06,400 Speaker 3: months ago, it's only two months later. 715 00:29:06,480 --> 00:29:10,320 Speaker 7: I'm trying to evolve it. We'll keep doing that because 716 00:29:10,320 --> 00:29:12,080 Speaker 7: that's how you grow your audience. You grow bigger you. 717 00:29:12,280 --> 00:29:15,240 Speaker 7: You appeal to other girls and other guys. You know 718 00:29:15,280 --> 00:29:18,840 Speaker 7: what I'm saying, Like it don't be scared to to 719 00:29:19,160 --> 00:29:20,320 Speaker 7: like try different stuff. 720 00:29:20,760 --> 00:29:25,840 Speaker 3: Yeah, that's how you've had longevity, right ference, Yeah, consistent, Yeah, 721 00:29:27,160 --> 00:29:27,960 Speaker 3: first sound good on. 722 00:29:28,000 --> 00:29:32,080 Speaker 12: Any you could be a reggae song, a Spanish song, 723 00:29:32,520 --> 00:29:38,880 Speaker 12: a d song, afro in the box, put me. 724 00:29:38,920 --> 00:29:40,480 Speaker 6: In the box, I took. I took my first chance 725 00:29:40,560 --> 00:29:42,520 Speaker 6: for Unforgettable. That's the biggest record. 726 00:29:43,920 --> 00:29:46,040 Speaker 1: Well that was a risk. You thought that was a 727 00:29:46,160 --> 00:29:47,000 Speaker 1: chance that sounds like. 728 00:29:50,920 --> 00:29:54,000 Speaker 4: People people from the streets. Wasn't doing afro bro like 729 00:29:54,360 --> 00:29:55,920 Speaker 4: what I played it for some people that were like, 730 00:29:55,960 --> 00:29:56,960 Speaker 4: you better not put that out. 731 00:29:57,920 --> 00:29:59,920 Speaker 5: It was like before that afroweight. 732 00:30:00,600 --> 00:30:03,440 Speaker 6: I was like, was that was like the first person 733 00:30:03,560 --> 00:30:05,920 Speaker 6: to do it. That's why that's why it's the biggest 734 00:30:06,000 --> 00:30:08,480 Speaker 6: afro record to ever come out, and it's and it's 735 00:30:08,520 --> 00:30:11,480 Speaker 6: the most stream record to ever come out of New York, 736 00:30:12,240 --> 00:30:14,800 Speaker 6: out of jay Z, out of out of Nikki, out 737 00:30:14,800 --> 00:30:18,520 Speaker 6: of the CARDI nobody, nobody record stream more than I'm Forgettable. 738 00:30:18,560 --> 00:30:20,360 Speaker 4: Because I took a chance with it with a sound. 739 00:30:21,240 --> 00:30:22,840 Speaker 7: Is that why Africa? 740 00:30:23,160 --> 00:30:23,360 Speaker 1: Yeah? 741 00:30:23,720 --> 00:30:25,120 Speaker 4: Shot in Africa because it was just like, you know, 742 00:30:25,320 --> 00:30:26,120 Speaker 4: like to take it back. 743 00:30:26,000 --> 00:30:33,240 Speaker 1: To you said a lot of his videos in Africa. Yeah, 744 00:30:33,400 --> 00:30:35,840 Speaker 1: stand up for shooting videos. 745 00:30:35,640 --> 00:30:43,680 Speaker 11: In Africa, I said, I ask, But yeah, I love 746 00:30:43,760 --> 00:30:45,480 Speaker 11: to see it, you know, you shot a light on them, 747 00:30:45,520 --> 00:30:46,640 Speaker 11: you shot a light on the artist. 748 00:30:47,520 --> 00:30:48,720 Speaker 7: It's a whole baggage deal. 749 00:30:49,000 --> 00:30:50,800 Speaker 1: I just wanted to different. 750 00:30:52,280 --> 00:30:53,920 Speaker 4: He got a record with the Vito coming out, he 751 00:30:53,920 --> 00:30:58,680 Speaker 4: got drill. Yeah. 752 00:31:00,000 --> 00:31:02,040 Speaker 3: They still got you under the microscope, though, friends, because 753 00:31:02,160 --> 00:31:03,960 Speaker 3: didn't they didn't they search your PJ. 754 00:31:04,880 --> 00:31:09,400 Speaker 4: Yeah yeah yeah, hell yeah. I mean but it was 755 00:31:09,480 --> 00:31:14,880 Speaker 4: like the whole Cooke Boy thing. They probably googled, yeah, 756 00:31:15,200 --> 00:31:17,440 Speaker 4: like you know, and it was in calias like the 757 00:31:17,520 --> 00:31:19,440 Speaker 4: Capitol Cocaine damn. 758 00:31:20,040 --> 00:31:22,280 Speaker 1: Yeah, So they didn't have no reason. 759 00:31:22,360 --> 00:31:24,560 Speaker 4: They just no, they didn't have no reason, and you 760 00:31:24,600 --> 00:31:26,000 Speaker 4: couldn't do nothing nothing about it. 761 00:31:26,200 --> 00:31:27,160 Speaker 1: God damn. 762 00:31:27,480 --> 00:31:29,320 Speaker 4: I just see the dogs walking up and I'm like 763 00:31:29,400 --> 00:31:29,960 Speaker 4: it was going on. 764 00:31:31,040 --> 00:31:34,280 Speaker 1: Yeah you thought it was funny? 765 00:31:34,520 --> 00:31:35,480 Speaker 4: Yeah, because I have that. 766 00:31:38,880 --> 00:31:41,280 Speaker 5: Hell yeah, let's get into a record off the album. 767 00:31:41,560 --> 00:31:43,479 Speaker 1: Two more questions made in the USA. 768 00:31:44,840 --> 00:31:46,959 Speaker 3: You talk about, you know, just your appreciation for achieving 769 00:31:47,000 --> 00:31:47,760 Speaker 3: success in America. 770 00:31:47,800 --> 00:31:50,120 Speaker 4: What does that mean you man? 771 00:31:50,360 --> 00:31:52,920 Speaker 6: I mean being born in Africa coming here at thirteen 772 00:31:53,960 --> 00:31:56,280 Speaker 6: not knowing English is a different hustle than if you're 773 00:31:56,280 --> 00:31:58,960 Speaker 6: born in born here and used to to the life. 774 00:31:59,040 --> 00:32:01,560 Speaker 6: I felt like Mada in the USA is like it's 775 00:32:01,600 --> 00:32:04,600 Speaker 6: like an immigrant story. It's just coming here with your family, 776 00:32:05,320 --> 00:32:07,200 Speaker 6: and it's like you know, your mother, watching your mother 777 00:32:07,240 --> 00:32:10,680 Speaker 6: struggle and just and just try to adapt and like 778 00:32:10,800 --> 00:32:13,640 Speaker 6: adapt to the culture shocks and just come in here, 779 00:32:13,840 --> 00:32:18,440 Speaker 6: especially learning English, not knowing English, but not also just 780 00:32:18,560 --> 00:32:21,960 Speaker 6: not that trying to do the the worst fucking job 781 00:32:22,000 --> 00:32:24,240 Speaker 6: you can do, which is rap. So you picked the 782 00:32:24,320 --> 00:32:26,520 Speaker 6: hardest job, you know what I'm saying. You come right 783 00:32:26,600 --> 00:32:29,040 Speaker 6: to the mecca of hip hop. You know what I'm saying. 784 00:32:29,120 --> 00:32:31,800 Speaker 6: When when it was hard to make it, you know 785 00:32:31,840 --> 00:32:33,560 Speaker 6: what I'm saying, When you had big pun down the 786 00:32:33,600 --> 00:32:36,040 Speaker 6: street and you had like you know, so I feel 787 00:32:36,040 --> 00:32:38,280 Speaker 6: like Madia in the USA is kind of like that 788 00:32:38,400 --> 00:32:40,960 Speaker 6: was like one of them stories. Like then hustle I'm 789 00:32:40,960 --> 00:32:45,680 Speaker 6: talking about hustling on there, like literally getting getting crack 790 00:32:45,760 --> 00:32:48,160 Speaker 6: from my cousin and telling him my mother stole it 791 00:32:48,960 --> 00:32:50,760 Speaker 6: and my I mean my mother seen it and started 792 00:32:50,800 --> 00:32:52,400 Speaker 6: crying just so I could sell it and buy my 793 00:32:52,480 --> 00:32:54,840 Speaker 6: own work and started selling work. And it was just 794 00:32:54,960 --> 00:32:57,520 Speaker 6: like just like doing little little things like coming up 795 00:32:57,600 --> 00:33:01,520 Speaker 6: and just like you know, we learned from no man 796 00:33:01,600 --> 00:33:02,239 Speaker 6: shot the luc out. 797 00:33:02,280 --> 00:33:02,760 Speaker 4: He back there. 798 00:33:02,760 --> 00:33:04,640 Speaker 6: He been from my block for like twenty years, so 799 00:33:04,760 --> 00:33:06,840 Speaker 6: he's seen the struggle. So making it in the USA, 800 00:33:07,680 --> 00:33:09,320 Speaker 6: you know, it's just it's just it's just something. 801 00:33:10,280 --> 00:33:12,120 Speaker 4: It's just something. I'm proud of you. 802 00:33:12,280 --> 00:33:14,120 Speaker 1: Also, you know, they don't give you enough credit for 803 00:33:14,200 --> 00:33:15,520 Speaker 1: the community. 804 00:33:15,440 --> 00:33:17,880 Speaker 9: Say I said, now they body that twenty years later. 805 00:33:17,960 --> 00:33:19,320 Speaker 9: Look what they're doing. That's crazy. 806 00:33:19,440 --> 00:33:22,400 Speaker 3: Bo. Yeah, and you don't get enough credit for the 807 00:33:22,440 --> 00:33:24,520 Speaker 3: community service you do. I mean just around the world. 808 00:33:24,800 --> 00:33:27,040 Speaker 1: Yeah, you donated five hundred canoes. 809 00:33:27,600 --> 00:33:30,240 Speaker 6: Yeah, to to my Coco. It's crazy. It's like the 810 00:33:30,320 --> 00:33:33,040 Speaker 6: city is under the waters. It's like I've never been nowhere. 811 00:33:33,080 --> 00:33:33,440 Speaker 4: It's like that. 812 00:33:34,080 --> 00:33:36,800 Speaker 6: It's like you take you take your canoe from like 813 00:33:37,160 --> 00:33:39,560 Speaker 6: from like the bridge side and it and you like 814 00:33:40,080 --> 00:33:41,960 Speaker 6: you stay on the canoe for like a half an hour. 815 00:33:42,640 --> 00:33:46,760 Speaker 6: Then you just approach the city that's all underwater. Like nah, 816 00:33:46,800 --> 00:33:49,560 Speaker 6: it's crazy. Like yeah, like half of the half of 817 00:33:49,600 --> 00:33:51,440 Speaker 6: the cribs under the water. Then like the only like 818 00:33:51,520 --> 00:33:54,640 Speaker 6: the two floors up and people just nah. The living 819 00:33:54,760 --> 00:33:58,680 Speaker 6: was crazy when I went there. No, I'm it's like 820 00:33:59,240 --> 00:34:00,880 Speaker 6: I think, like three thousand people. 821 00:34:01,160 --> 00:34:03,080 Speaker 4: I don't know. I don't know how I got like that, 822 00:34:03,160 --> 00:34:10,560 Speaker 4: But it's one of them wonders of the world. Yeah, 823 00:34:10,640 --> 00:34:11,000 Speaker 4: I don't know. 824 00:34:11,080 --> 00:34:12,759 Speaker 6: I don't know the history, but it was just a 825 00:34:12,840 --> 00:34:14,880 Speaker 6: blessing to see that, the blessing to see that I 826 00:34:14,880 --> 00:34:16,760 Speaker 6: can help the same thing with you, Guana. 827 00:34:16,800 --> 00:34:19,200 Speaker 4: We went and opened up a hospital over there. Same 828 00:34:19,280 --> 00:34:20,400 Speaker 4: thing with Morocco went. 829 00:34:21,280 --> 00:34:24,480 Speaker 6: Yeah, yeah for that for Morocco, same thing for the 830 00:34:24,560 --> 00:34:26,719 Speaker 6: Bronx opened up school program. I mean, whenever we get 831 00:34:26,719 --> 00:34:28,279 Speaker 6: a chance to get we always gonna get back. 832 00:34:29,760 --> 00:34:31,960 Speaker 1: It was true that you said that j Cole was 833 00:34:32,000 --> 00:34:33,400 Speaker 1: supposed to executive produce. 834 00:34:33,400 --> 00:34:34,439 Speaker 4: My first album. Yeah. 835 00:34:35,400 --> 00:34:38,440 Speaker 6: J Cole heard my first album in Miami. We was 836 00:34:38,520 --> 00:34:41,399 Speaker 6: all in Trina House and I was playing for him 837 00:34:41,440 --> 00:34:44,239 Speaker 6: and he was like, yo, bro let me executive produce it. 838 00:34:45,600 --> 00:34:48,279 Speaker 6: Then we was on tour with Club Paradise sold with Drake, 839 00:34:48,880 --> 00:34:53,239 Speaker 6: so we all just jumped on tour. But honestly, part 840 00:34:53,280 --> 00:34:54,560 Speaker 6: of me was like, Yo, I'm gonna let him just 841 00:34:54,600 --> 00:34:56,719 Speaker 6: put his name on it. But if I'm gonna do 842 00:34:56,719 --> 00:34:58,319 Speaker 6: an album with j Cole, I'm gonna want Jay Cole 843 00:34:58,400 --> 00:34:59,920 Speaker 6: to do with me from the beginning, so I could 844 00:35:00,480 --> 00:35:04,080 Speaker 6: benefit from the Jake Cole experience. You know what I'm saying. 845 00:35:04,120 --> 00:35:05,759 Speaker 6: I come to him with an album already done, like 846 00:35:05,840 --> 00:35:07,000 Speaker 6: y'o just slap your name on it. 847 00:35:07,400 --> 00:35:07,759 Speaker 1: Who you think? 848 00:35:07,840 --> 00:35:10,000 Speaker 3: Yeah, better chemistry would cold Drake. I feel like Drake 849 00:35:10,080 --> 00:35:12,839 Speaker 3: for somebody like y'all like Snapper one and two, y'all 850 00:35:12,880 --> 00:35:13,399 Speaker 3: go back and forth. 851 00:35:13,680 --> 00:35:16,600 Speaker 4: Drake. Now Drake my twin man, that's that's my bro. 852 00:35:16,800 --> 00:35:19,719 Speaker 6: Me and him definitely got better, better chemistry just just 853 00:35:19,840 --> 00:35:23,520 Speaker 6: because you know, when Drake first came and people didn't 854 00:35:23,520 --> 00:35:26,000 Speaker 6: really know who he was. He came and you know, 855 00:35:26,280 --> 00:35:28,120 Speaker 6: in New York and this and that, and we met 856 00:35:28,200 --> 00:35:31,680 Speaker 6: up and and we met up like again in Miami 857 00:35:31,840 --> 00:35:35,240 Speaker 6: when I was doing Ross album and we did State Schemen, 858 00:35:36,600 --> 00:35:39,040 Speaker 6: and Drake first heard it when Ross played it for him, 859 00:35:39,040 --> 00:35:41,759 Speaker 6: and he was like, Yo, I heard the whole album. 860 00:35:41,800 --> 00:35:44,160 Speaker 6: I want to do this joint, you know what I'm saying. 861 00:35:44,200 --> 00:35:46,800 Speaker 6: And just like we're building out from pop Dad to 862 00:35:47,719 --> 00:35:49,279 Speaker 6: you know, the whole thing. I felt like like it 863 00:35:49,400 --> 00:35:50,400 Speaker 6: was it was more natural. 864 00:35:51,480 --> 00:35:53,520 Speaker 1: That's crazy, that's too Drake's best versus. 865 00:35:55,640 --> 00:35:59,200 Speaker 4: Yeah, definitely it was. It was it was moments, you 866 00:35:59,239 --> 00:36:00,800 Speaker 4: know what I'm saying. It was was that was crazy. 867 00:36:00,960 --> 00:36:02,160 Speaker 1: Who smash more Cardashians? 868 00:36:02,160 --> 00:36:02,560 Speaker 4: You a drink? 869 00:36:02,760 --> 00:36:10,040 Speaker 5: Jesus Christ, Okay, Jesus, do you want to get into 870 00:36:11,040 --> 00:36:11,600 Speaker 5: what's you want? 871 00:36:12,800 --> 00:36:15,120 Speaker 4: I mean, since we got drill in the building, let's 872 00:36:15,120 --> 00:36:15,839 Speaker 4: go to that forty one. 873 00:36:15,920 --> 00:36:19,080 Speaker 5: So okay, all right, well, we appreciate you for joining us, 874 00:36:19,320 --> 00:36:21,239 Speaker 5: Thank you for having me. Ladies and gentlemen, Mac and 875 00:36:21,320 --> 00:36:22,719 Speaker 5: Cheese five, make sure you get it. 876 00:36:22,800 --> 00:36:27,840 Speaker 4: It's out today, knob Real Forreil, New York. In the building, 877 00:36:28,600 --> 00:36:31,800 Speaker 4: wake that ans up in the morning. The Breakfast Club