WEBVTT - Dangerous Jobs: Human Cannonball, Human Torch + Dangus!

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<v Speaker 1>Really now, Really, really.

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<v Speaker 2>Now really Hello and welcome to this episode of Really

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<v Speaker 2>No Really with Jason Alexander and Peter Tilden. The number

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<v Speaker 2>one podcast in America would really enjoy this podcast if

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<v Speaker 2>they even knew it existed. On today's episode, you'll learn

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<v Speaker 2>about some of the most offbeat and dangerous jobs in

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<v Speaker 2>the world from the people who actually do them, and

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<v Speaker 2>what makes anyone take those jobs. You'll also learn why

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<v Speaker 2>would peckers peck, if it's possible to hold an alligator's

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<v Speaker 2>mouth open, and what a dangus is. Plus what is

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<v Speaker 2>Jason's favorite Seinfeld bit and what is the huge surprise

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<v Speaker 2>that Peter has arranged for his pal. Now Here are

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<v Speaker 2>your hosts, who also consider themselves off beaten, dangerous. Jason

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<v Speaker 2>Alexander and Peter Tilden.

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<v Speaker 1>Hello everybody.

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<v Speaker 3>Once again, I remain any Jason Alexander here with my

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<v Speaker 3>the boxer. Peter Tilton came in. Yeah, yes, and this

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<v Speaker 3>is the by the way, the lord you've come to

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<v Speaker 3>know in love calls really No Really.

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<v Speaker 1>And it's funny because when we started this, however, many

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<v Speaker 1>episodes ago, we were best friends and I used to

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<v Speaker 1>push that Now it's really diminishing it's diminishing with everybody.

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<v Speaker 1>I never said best friend. And you know why, because

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<v Speaker 1>you're a coward. You wouldn't admit that we're best friends

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<v Speaker 1>because you would alienate. You want to alienate my other

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<v Speaker 1>I knew us. That's right. How many other friends do

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<v Speaker 1>you have to alien?

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<v Speaker 3>Hey?

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<v Speaker 1>What are we three? When you're when you're on the playground,

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<v Speaker 1>you have a best friend? Oh? Okay, that hurt? What

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<v Speaker 1>who is I'm not looking at camera saying now the

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<v Speaker 1>humor is not humorous anymore. It's serious. Le's to move on.

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<v Speaker 1>We're here in Las Vegas and looks like we spent money.

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<v Speaker 3>Looks and this morning I went in first thing because

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<v Speaker 3>there's a fabulous coffee you never let go of and

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<v Speaker 3>hid myself a beautiful cappuccino. I put it down, looked

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<v Speaker 3>just like this. I put it down. I went out

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<v Speaker 3>to use the restroom. My cappuccino is gone. I'm looking around.

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<v Speaker 3>I'm looking around, and you notice there's a cap right

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<v Speaker 3>over there in front of me. I can laugh and

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<v Speaker 3>you're a bathe what's in that? You know what's in that?

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<v Speaker 1>Peter? You're urinating a lot more than you said. Can

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<v Speaker 1>we get into the episode?

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<v Speaker 3>Stop clowning around. There's your segue. There's your segue, because

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<v Speaker 3>today what we're talking about. We started to do some

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<v Speaker 3>research on the world's most dangerous jobs, and one of

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<v Speaker 3>the number one, if not the number one, and a

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<v Speaker 3>lot of the rundowns on it was human canniball. And

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<v Speaker 3>I called Peter and I said, Peter, you know what

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<v Speaker 3>the most dangerous job is. I don't know how we're

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<v Speaker 3>going to do this. It's being a human cannibal. And

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<v Speaker 3>Peter said, one of my best friends.

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<v Speaker 1>Uran cannibal. And I said, what do you mean, best friend?

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<v Speaker 1>And I said really, no, really, so you will get

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<v Speaker 1>to meet if you've never seen somebody who gets shot

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<v Speaker 1>out of a cannon at seventy to seventy five miles

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<v Speaker 1>per hour goes over two hundred feet yeah, I think

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<v Speaker 1>one of the highest heights that have been shout seventy

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<v Speaker 1>five feet I think seventy five feet up two hundred

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<v Speaker 1>feet out. But I think our guy goes about thirty

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<v Speaker 1>thirty five feet up. But what's interesting about this? Oh, then,

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<v Speaker 1>really we didn't get the guy. I think that guy,

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<v Speaker 1>I think I think the human hanniball first entered the

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<v Speaker 1>public consciousness in the nineteenth century days in eighteen seventy one,

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<v Speaker 1>I'm an english Man named George Farini. Can you imagine?

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<v Speaker 1>Other people are working on other stuff and he's trying

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<v Speaker 1>to shoot people. He's trying to come up with a car. Yeah,

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<v Speaker 1>what do you work? What's your husband George working on

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<v Speaker 1>shooting people out of the canters? It's trying to fly

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<v Speaker 1>And don't tell the cousins toy, you're okay. So George

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<v Speaker 1>Rereene developed the mechanism he called a projector, made out

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<v Speaker 1>of heavy springs Indian rubber. It was simply a platform

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<v Speaker 1>with springs. Looked nothing like a cannon, but when released,

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<v Speaker 1>it shot a person or whatever. Now could you imagine?

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<v Speaker 1>Because George was I'm sure trying to convince the first

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<v Speaker 1>person that George knew what he was doing. He applied

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<v Speaker 1>and received a patent in June thirteenth, eighteen seventy one.

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<v Speaker 1>Two years later, eighteen seventy three, the projector made its

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<v Speaker 1>first appearance to the American public. Due to his own girth, however,

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<v Speaker 1>he couldn't fit in. And that's what he's it. I'm

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<v Speaker 1>not going in. I'm not going You could have made

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<v Speaker 1>the two bigger George oh no, oh no, oh no, no, no, no,

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<v Speaker 1>that's madness. It was not himself but Lulu, a compete

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<v Speaker 1>young man dressed in women's clothing. Sure already, sure, already

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<v Speaker 1>with the Yeah, he trained Lulu. And when George let

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<v Speaker 1>go to latch, Lulu, what was what was that training

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<v Speaker 1>you're standing on? Getting Get in get in the two,

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<v Speaker 1>get in the tube. Already by those months of coaching,

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<v Speaker 1>you had to put a meal.

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<v Speaker 3>And beat him to get him to go on the

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<v Speaker 3>d If you start putting.

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<v Speaker 1>Food in there, then sleep in there, and then one

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<v Speaker 1>day you just shoot it off. When George let go

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<v Speaker 1>the latch holding the spring, Lulu shot thirty feet into

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<v Speaker 1>the air and grabbed the bars and grabbed the bars

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<v Speaker 1>of a trapeze hanging down from the ceiling. Crowd went

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<v Speaker 1>while George and they did it in the crowd, We're

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<v Speaker 1>going to do this first time, went as wall if

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<v Speaker 1>you're going to go? If I rated it, George and

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<v Speaker 1>Lulu were hitting and took to the road with a

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<v Speaker 1>circus act. By eighteen seventy five, Lulu was known as

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<v Speaker 1>the Queen I'm sure I pe this, but their act

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<v Speaker 1>would be eclipsed by a new invention in the human

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<v Speaker 1>projectile history. A guy named George Loyal in Australia also

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<v Speaker 1>did this thing and catching and shooting up into the

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<v Speaker 1>air and the whole bit, so that it has a real,

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<v Speaker 1>real history of this. And I actually was working I

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<v Speaker 1>think it was PM magazine in Philly a long time ago,

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<v Speaker 1>and I was One of my segments was to join

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<v Speaker 1>the circus for night and go to clown college and

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<v Speaker 1>abbreviated version of clown clown abbreviated. They did it in

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<v Speaker 1>Philadelphia at the time because clown college you have to

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<v Speaker 1>apply it. I'll see you in a clown college. I

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<v Speaker 1>got to tell you, I don't see it. I don't

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<v Speaker 1>get well. I had low sat so it was tough,

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<v Speaker 1>but I think I could put you put clown white

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<v Speaker 1>makeup on that face. I met. I met this next

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<v Speaker 1>guy who you're going to meet. He was a clown

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<v Speaker 1>assigned to me. He made me up, taught me clowning,

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<v Speaker 1>and I was in the center ring of Ringling Brothers

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<v Speaker 1>and he ran around and hit me with the I

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<v Speaker 1>know I Wringling Brothers went on. He hits me with

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<v Speaker 1>a giant powder puff and I'm the act. And we

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<v Speaker 1>have stayed friendly and we just talked about thirty seven

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<v Speaker 1>years he's traveled with his family. And John started out

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<v Speaker 1>as a clown with Ringling Brothers and then progressed and

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<v Speaker 1>he called me one day so proud, he said, guess

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<v Speaker 1>what I'm doing there? I said, what, John, You're the

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<v Speaker 1>head clown. He said, I'm getting shot out of the cannon.

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<v Speaker 1>And I went really And with that introduction, ladies and gentleman,

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<v Speaker 1>mister John, mister John Weiss, the human one of the

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<v Speaker 1>few human cannibals right in the world.

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<v Speaker 4>Yeah, I was very fortunate I was able to jump

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<v Speaker 4>in there.

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<v Speaker 1>And you're for fortunate. It's a lucky break, lucky breaks

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<v Speaker 1>of a lucky break. So, John, you were a circus

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<v Speaker 1>clown and I know that applying to clown college. Station's

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<v Speaker 1>joking about that, but like five six thousand people applying

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<v Speaker 1>the only pick like thirty or forty. Right.

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<v Speaker 4>Yeah, they hold the auditions throughout the United States, and

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<v Speaker 4>the professional clowns. When we're in a particular location, we

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<v Speaker 4>bring the people in the rain, We audition them, We

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<v Speaker 4>do all kinds of improvisational stuff, and they select only sixty.

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<v Speaker 1>How long is it and how long is clown college?

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<v Speaker 4>It was almost two months when I went.

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<v Speaker 1>When I met him, try and lift a shopping cart.

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<v Speaker 1>You know, however your shopping cart is. It's impossible. John

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<v Speaker 1>was juggling a shopping cart and balancing it on his chin. Exactly.

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<v Speaker 1>You couldn't. You couldn't lift it up. You can partly

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<v Speaker 1>return it when you're done shopping.

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<v Speaker 3>You don't know that I can lift a shopping No,

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<v Speaker 3>you cannot. I can lift a shopping John, what is it?

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<v Speaker 3>What's a what's a card way?

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<v Speaker 5>I don't know.

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<v Speaker 4>I used a Costco shopping cart. Yes, that's what I wanted,

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<v Speaker 4>Masco shopping. Not only yeah, I just heavy is better

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<v Speaker 4>for me.

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<v Speaker 1>You're not gonna he Also, you're also like an idiot.

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<v Speaker 1>I mean this used to during me crazy. You would

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<v Speaker 1>bounce it. Not just the shopping.

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<v Speaker 3>I saw photos of you balance a dollar bill on

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<v Speaker 3>your chin.

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<v Speaker 1>You balance a feather on your chin, and also a

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<v Speaker 1>running chainsaw and a running chainsaw. I can do that too.

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<v Speaker 5>I want to see that one.

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<v Speaker 1>And by the way, if you'd like to apply for

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<v Speaker 1>the co host position, No, it's you know.

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<v Speaker 4>I just started as a kid balancing stuff. Didn't know

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<v Speaker 4>I had the talent. And then as I got older,

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<v Speaker 4>people who challenged me to balance bigger things, and that's

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<v Speaker 4>how I got to climact.

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<v Speaker 3>Know, this is such a stupid question with the balance,

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<v Speaker 3>And did you always on the channel?

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<v Speaker 1>Did you like try on a finger?

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<v Speaker 4>No? No, I started on my foot, on your foot,

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<v Speaker 4>and then it got to my knee, my shoulder, and

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<v Speaker 4>then my face. Heavy objects on the chin, light on

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<v Speaker 4>the nose.

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<v Speaker 1>So you went from clowning. And the interesting thing for

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<v Speaker 1>me about clowning, there is a cash system in the

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<v Speaker 1>circus and most of the acts are generation and they're

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<v Speaker 1>very protective of the act. They don't want they only

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<v Speaker 1>give away secrets. So here's this, here's a clown who

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<v Speaker 1>wants to all of a sudden learn how to do that.

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<v Speaker 1>I read somewhere. I read a lot of articles that

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<v Speaker 1>there may have even the sabotage whereas Bill shuts the seventhage?

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<v Speaker 1>Is that true? John? How hard was that to break

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<v Speaker 1>into a family, traditional business where the circus treats those

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<v Speaker 1>people like god, that's they're the big stars.

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<v Speaker 4>Well, it starts at different levels, like you have supposedly

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<v Speaker 4>it did. At one point it was all the act people,

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<v Speaker 4>and then you had clowns and show girls at a

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<v Speaker 4>different level, so we would never at that level. To

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<v Speaker 4>get to that, you will usually within your family, you know,

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<v Speaker 4>years and years of training, and that training, as you said,

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<v Speaker 4>went down to the next generation, and that would give

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<v Speaker 4>them longevity in the business. What did they do or

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<v Speaker 4>what do you think they do well in retrospect? When

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<v Speaker 4>I when I go back and I look at everything.

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<v Speaker 4>When I trained people, I give them distance to realize

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<v Speaker 4>where they're going and to react in time to talk

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<v Speaker 4>and hit the net on the back of the shoulders.

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<v Speaker 4>Right when I was trained, it was right over the

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<v Speaker 4>net and I only went like like ten feet, uh huh.

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<v Speaker 4>And I knew after that first cannon shot I was

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<v Speaker 4>going to be able to do it because they tucked

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<v Speaker 4>in time. But I did hurt myself.

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<v Speaker 3>So the amount of throw from the cannon is relatively

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<v Speaker 3>little because it's only, as you say, shoot you about

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<v Speaker 3>ten feet, But it gives you enough of the sense

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<v Speaker 3>of oh, okay, I see what this is going to

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<v Speaker 3>build up to, and I have to So is the

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<v Speaker 3>learning did it gradually add more and more distance and

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<v Speaker 3>therefore more and more thrust?

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<v Speaker 1>Blush?

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<v Speaker 4>Yeah, I mean, look, no matter what, when the cannon

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<v Speaker 4>goes off, it's like a blink. If you blink your eyes,

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<v Speaker 4>that's how fast it is. So even a short shot

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<v Speaker 4>is a huge jolt on your body. It's like being

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<v Speaker 4>in a car accident and you're parked and somebody hits

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<v Speaker 4>you from about sixty five miles an hour, but you're

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<v Speaker 4>ready for it. Yeah, And that's the kind of force

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<v Speaker 4>we're talking about, between ten and twelve g forces in

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<v Speaker 4>a second on your average flight.

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<v Speaker 1>What's the difference on the average flight, you mean, like

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<v Speaker 1>a regular flight.

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<v Speaker 4>Yeah, if you were doing this, it's three seconds, about

0:10:24.679 --> 0:10:27.120
<v Speaker 4>one hundred and sixty five feet under thirty five feet high.

0:10:27.160 --> 0:10:30.079
<v Speaker 1>Okay, so one hundred and sixty five feet.

0:10:31.559 --> 0:10:35.040
<v Speaker 4>In three seconds, and it's only thirty five feet high

0:10:35.080 --> 0:10:38.640
<v Speaker 4>because the rigging is trimmed out at forty two so

0:10:38.679 --> 0:10:41.080
<v Speaker 4>as your legs come over, you want to make sure

0:10:41.120 --> 0:10:44.080
<v Speaker 4>that you obviously don't clip your legs on the rigging.

0:10:44.600 --> 0:10:45.199
<v Speaker 1>Oh my god.

0:10:45.600 --> 0:10:49.720
<v Speaker 4>And psychologically, when you're in there, you don't see the net. Yeah,

0:10:49.840 --> 0:10:52.080
<v Speaker 4>all you see is the rigging. So psychologically, when the

0:10:52.120 --> 0:10:55.760
<v Speaker 4>building is lower than forty two feet at trim and

0:10:55.800 --> 0:10:58.320
<v Speaker 4>you're trying to, you know, bring the canon down lower

0:10:58.400 --> 0:11:01.600
<v Speaker 4>for a line drive a logically, our first shot really

0:11:01.640 --> 0:11:02.920
<v Speaker 4>could do a lot of damage to so.

0:11:04.640 --> 0:11:08.120
<v Speaker 1>As you say, much like I understand parachutists.

0:11:08.160 --> 0:11:10.240
<v Speaker 3>Do you know they before they opened the shoot there

0:11:10.679 --> 0:11:13.760
<v Speaker 3>any little movement of hands, foot, head, altars, how they fly.

0:11:14.240 --> 0:11:16.199
<v Speaker 1>You're doing the same thing. But you're doing it.

0:11:16.200 --> 0:11:19.520
<v Speaker 3>It must be completely instinctual, because you can't there's no

0:11:19.559 --> 0:11:20.760
<v Speaker 3>time to process.

0:11:21.400 --> 0:11:24.120
<v Speaker 1>Oh, I need to I need to get muscle memory.

0:11:24.600 --> 0:11:26.959
<v Speaker 1>It's got to be muscle memory. It's doing an auto

0:11:27.240 --> 0:11:29.680
<v Speaker 1>sort of an autobiolot. Not to make a pun, but I.

0:11:31.160 --> 0:11:33.920
<v Speaker 4>Trained one clown and the reason I picked him because

0:11:33.960 --> 0:11:36.200
<v Speaker 4>when we used to grun out from the back curtain

0:11:36.240 --> 0:11:39.200
<v Speaker 4>on to say, the floor of the garden Madison Sweat garden,

0:11:39.200 --> 0:11:41.320
<v Speaker 4>we're running out as clown, I would trip him as

0:11:41.320 --> 0:11:43.480
<v Speaker 4>he's in a full run, and he was able to

0:11:43.559 --> 0:11:46.920
<v Speaker 4>roll out of it. So I said, okay, because it's

0:11:46.920 --> 0:11:47.640
<v Speaker 4>a good.

0:11:47.520 --> 0:11:49.680
<v Speaker 1>And how many times a day did you do this? Well?

0:11:49.679 --> 0:11:51.960
<v Speaker 4>We did about ten to thirteen times a week, three

0:11:51.960 --> 0:11:55.360
<v Speaker 4>times every Saturday, three times every sing and there was

0:11:55.400 --> 0:11:57.400
<v Speaker 4>a year that we did we produced the show with

0:11:57.440 --> 0:11:59.840
<v Speaker 4>the cat and opening the show that was the worst

0:12:00.400 --> 0:12:02.199
<v Speaker 4>because its like a ten o'clock show. You'd be shitting

0:12:02.240 --> 0:12:05.320
<v Speaker 4>out of a cannon. Horrible man. Do you know.

0:12:06.559 --> 0:12:11.040
<v Speaker 1>It's worse than Peter stealing my boss? One hundred? Why

0:12:11.040 --> 0:12:13.960
<v Speaker 1>do you? And I'm not saying this to be funny. Jason,

0:12:13.960 --> 0:12:16.679
<v Speaker 1>before he goes on stage, I always say, around four o'clock,

0:12:16.800 --> 0:12:17.640
<v Speaker 1>have you have? You?

0:12:18.559 --> 0:12:18.840
<v Speaker 5>I have?

0:12:19.240 --> 0:12:21.400
<v Speaker 3>I had a terrible incident on stage one time where

0:12:21.480 --> 0:12:24.840
<v Speaker 3>I was in desperate need of a bathroom and held on,

0:12:25.040 --> 0:12:26.439
<v Speaker 3>thank God, but it was touch and go.

0:12:27.000 --> 0:12:29.720
<v Speaker 1>So I go, I'm on. I'm on empty when I

0:12:29.760 --> 0:12:32.160
<v Speaker 1>when I perform on, I'm adjusting empty would be better?

0:12:33.000 --> 0:12:36.480
<v Speaker 1>Empty is better? Is better? Had seventy miles an hour? Yeah?

0:12:36.800 --> 0:12:37.040
<v Speaker 2>Wow?

0:12:37.280 --> 0:12:39.480
<v Speaker 3>You know, but speaking of that, not only as the cannibal,

0:12:39.559 --> 0:12:43.400
<v Speaker 3>but as a clown as well. You know the I

0:12:43.440 --> 0:12:45.400
<v Speaker 3>know what it's like having to go on stage as

0:12:45.400 --> 0:12:47.200
<v Speaker 3>an actor when you have a headache or you're feeling

0:12:47.240 --> 0:12:50.080
<v Speaker 3>a little under or something's happened in your life and

0:12:50.120 --> 0:12:54.240
<v Speaker 3>you're upset, and you know, focus to be a clown

0:12:54.440 --> 0:12:57.920
<v Speaker 3>first of all, which is just pure entertainment. There's no

0:12:58.080 --> 0:13:00.720
<v Speaker 3>plot to hide behind, there's no story, there's no lines,

0:13:01.920 --> 0:13:05.640
<v Speaker 3>pure you know, pure joy entertainment. And then the risks

0:13:05.679 --> 0:13:08.480
<v Speaker 3>of doing this if you're feeling off, do you do

0:13:08.520 --> 0:13:09.040
<v Speaker 3>it anyway?

0:13:09.120 --> 0:13:11.240
<v Speaker 1>Do you? You just go? I got it it. Showtime,

0:13:11.280 --> 0:13:12.080
<v Speaker 1>Show must go on.

0:13:12.320 --> 0:13:14.880
<v Speaker 4>Show must go on always always, Yeah, you know, Look,

0:13:15.080 --> 0:13:17.720
<v Speaker 4>the audience is medicine for me. If I'm not having

0:13:17.720 --> 0:13:20.320
<v Speaker 4>a good day, I get on stage and everything goes

0:13:20.320 --> 0:13:23.040
<v Speaker 4>away because I'm connecting with an audience and I'm getting

0:13:23.040 --> 0:13:25.240
<v Speaker 4>automatic feedback from what I'm doing and I'm having a

0:13:25.240 --> 0:13:27.440
<v Speaker 4>good time. And create memories. Yeah, that's what we do

0:13:27.480 --> 0:13:29.760
<v Speaker 4>as entertainers. We create memories and to be a part

0:13:29.760 --> 0:13:33.040
<v Speaker 4>of someone's memory for the life. Yeah, forever is a

0:13:33.080 --> 0:13:33.719
<v Speaker 4>wonderful thing.

0:13:33.920 --> 0:13:36.360
<v Speaker 1>It just happened. Did you I never saw you. I

0:13:36.400 --> 0:13:38.280
<v Speaker 1>never saw you test the thing? Could you test it

0:13:38.320 --> 0:13:38.920
<v Speaker 1>with dummies?

0:13:39.320 --> 0:13:41.760
<v Speaker 4>A lot of people make mistakes, and I've made mistakes

0:13:41.760 --> 0:13:45.040
<v Speaker 4>in it. It cost them dearly. There was a gentleman

0:13:45.360 --> 0:13:47.800
<v Speaker 4>his name was Elvin Bally. He was doing the Candon

0:13:47.800 --> 0:13:51.240
<v Speaker 4>before I did un wringling in Japan. He used the

0:13:51.320 --> 0:13:54.640
<v Speaker 4>dummy to test the distance, and that dummy absorbed the

0:13:54.679 --> 0:13:58.360
<v Speaker 4>water and it wasn't weighed prior to shooting out moisture

0:13:58.440 --> 0:14:00.559
<v Speaker 4>or whatever it may have been. Right the way, he

0:14:00.640 --> 0:14:02.200
<v Speaker 4>overshot the airbag.

0:14:01.800 --> 0:14:04.200
<v Speaker 1>And oh he was in front of an audience, right.

0:14:04.120 --> 0:14:06.280
<v Speaker 4>Yeah, he landed in like a bleachers of seats or

0:14:06.280 --> 0:14:08.679
<v Speaker 4>something and he got paralyzed from it. And that was

0:14:08.760 --> 0:14:11.240
<v Speaker 4>during the time I was training. So then I was

0:14:11.520 --> 0:14:13.520
<v Speaker 4>questioning whether I was doing the right thing. But I

0:14:13.679 --> 0:14:17.120
<v Speaker 4>was steadfast on my decision to learn this and achieve

0:14:17.160 --> 0:14:18.440
<v Speaker 4>it and to become the best I could.

0:14:18.440 --> 0:14:20.240
<v Speaker 1>And I never asked you. Did Laura ever say John,

0:14:20.320 --> 0:14:22.160
<v Speaker 1>don't do this. Did she ever trying to suade you

0:14:22.200 --> 0:14:22.920
<v Speaker 1>from doing it? No?

0:14:23.000 --> 0:14:25.040
<v Speaker 4>But I got life insurances soon as I started as

0:14:25.040 --> 0:14:25.400
<v Speaker 4>a clown.

0:14:25.560 --> 0:14:28.600
<v Speaker 3>Okay, but the whole it wasn't just the ca I mean,

0:14:28.920 --> 0:14:33.200
<v Speaker 3>if you look around, everything in the circuits seems dangerous

0:14:33.240 --> 0:14:35.600
<v Speaker 3>to me. If you're on a wire, if you're on

0:14:35.640 --> 0:14:37.920
<v Speaker 3>a trapeze, if you're working with an animal, if you're

0:14:38.120 --> 0:14:41.880
<v Speaker 3>I mean, the whole thing is, and the way, you know,

0:14:42.160 --> 0:14:46.760
<v Speaker 3>especially with something like wringling, the whole rigging goes up

0:14:46.920 --> 0:14:48.800
<v Speaker 3>like in a blank comes down in a blink.

0:14:49.200 --> 0:14:55.720
<v Speaker 1>It all seems very very precarious to me. Drewe falls Wow.

0:14:56.000 --> 0:14:58.320
<v Speaker 4>You know. Look, it's it's just like anything. A few

0:14:58.520 --> 0:15:01.360
<v Speaker 4>lose respect for a ass car, a motorcycle and you

0:15:01.360 --> 0:15:04.400
<v Speaker 4>don't take the precautions necessary. There's always going to be

0:15:04.840 --> 0:15:08.520
<v Speaker 4>something that's going to happen. With the Cannon example, it's mechanical,

0:15:08.600 --> 0:15:11.960
<v Speaker 4>so anything can happen. So you can't take anything for granted.

0:15:12.040 --> 0:15:14.440
<v Speaker 4>Every show is different, and every show you have to

0:15:14.480 --> 0:15:17.040
<v Speaker 4>take that time to make sure everything's right. And I

0:15:17.320 --> 0:15:21.160
<v Speaker 4>did overshoot a couple of times, but side by Side

0:15:21.240 --> 0:15:23.360
<v Speaker 4>it was only two weeks into the double Cannon and

0:15:23.400 --> 0:15:26.000
<v Speaker 4>I was not in charge, and when I got inside

0:15:26.000 --> 0:15:27.920
<v Speaker 4>of it, we didn't have an intercom system in there.

0:15:27.960 --> 0:15:30.320
<v Speaker 4>We didn't even have a safety So once I got

0:15:30.360 --> 0:15:32.480
<v Speaker 4>in there, they started the countdown and I'm like, oh

0:15:32.520 --> 0:15:35.200
<v Speaker 4>my god, I'm gonna oh my You.

0:15:35.240 --> 0:15:36.000
<v Speaker 1>Knew something was wrong.

0:15:36.120 --> 0:15:38.360
<v Speaker 4>Absolutely. I was in the same level as the next guy.

0:15:39.080 --> 0:15:41.120
<v Speaker 4>So at this point when I get in, it's usually

0:15:41.320 --> 0:15:44.360
<v Speaker 4>staggered the capsules. Right I get in with side By

0:15:45.320 --> 0:15:48.040
<v Speaker 4>I could see him, Oh my god, and by then

0:15:48.080 --> 0:15:51.680
<v Speaker 4>it's too late for what happened. You're bracing, you're praying.

0:15:52.280 --> 0:15:54.120
<v Speaker 1>I got to hit the net. You know, afterwards you

0:15:54.160 --> 0:15:56.720
<v Speaker 1>get off, smile for the crowd and then go screaming somebody.

0:15:57.000 --> 0:16:00.320
<v Speaker 4>No, I'm not about that. But what I did was

0:16:00.560 --> 0:16:03.640
<v Speaker 4>made sure every show I checked it after that. But

0:16:03.840 --> 0:16:06.480
<v Speaker 4>that one time could have killed me, could have killed him.

0:16:06.720 --> 0:16:08.480
<v Speaker 4>We could have bounced out of the net. We went

0:16:08.520 --> 0:16:10.240
<v Speaker 4>side by side land in the same part of the

0:16:10.280 --> 0:16:12.440
<v Speaker 4>net we got up on. You could see our faces.

0:16:12.480 --> 0:16:14.880
<v Speaker 4>I having on video. You can see our faces, and

0:16:14.920 --> 0:16:15.960
<v Speaker 4>they were like, oh my god.

0:16:15.760 --> 0:16:18.440
<v Speaker 1>We're alive. Oh thank you John, thank you for having

0:16:18.480 --> 0:16:20.800
<v Speaker 1>me by the wall.

0:16:21.040 --> 0:16:31.520
<v Speaker 3>The five to five and Underclub salutes us.

0:16:31.560 --> 0:16:36.480
<v Speaker 1>Really today's episode really, So, today's episode was ostensibly about

0:16:36.960 --> 0:16:39.200
<v Speaker 1>the deadliest job in the world, and we had John

0:16:39.240 --> 0:16:42.080
<v Speaker 1>Weishaung who gets shot out of cannon. However, you've been

0:16:42.120 --> 0:16:44.920
<v Speaker 1>talking about this gentleman, saying I don't know how he

0:16:44.960 --> 0:16:48.040
<v Speaker 1>does this. I can't believe he does this. You got

0:16:48.040 --> 0:16:50.240
<v Speaker 1>to see the You've been raving about this guy for

0:16:50.320 --> 0:16:54.240
<v Speaker 1>a million years and I didn't want to step on. Hey, John,

0:16:54.280 --> 0:16:56.120
<v Speaker 1>getting shot out of the canon is not the most

0:16:56.200 --> 0:16:59.120
<v Speaker 1>dangerous job in the world. But this guy does something

0:17:00.080 --> 0:17:03.880
<v Speaker 1>that is insanely dangerous. And you're gonna go crazy when

0:17:03.880 --> 0:17:05.800
<v Speaker 1>I tell you we reached that Lord tracked him down

0:17:05.800 --> 0:17:08.960
<v Speaker 1>and found him. I'll back this up. He's at the Bellagio.

0:17:10.359 --> 0:17:14.920
<v Speaker 1>He's in the show the guy who sets him fire

0:17:15.240 --> 0:17:16.639
<v Speaker 1>every single.

0:17:16.440 --> 0:17:21.040
<v Speaker 3>And I know it's not Richard ray.

0:17:21.960 --> 0:17:24.080
<v Speaker 1>Ray Wald is coming in right. I think the only

0:17:24.119 --> 0:17:26.760
<v Speaker 1>guy in the world that does this sets himself. What's

0:17:26.800 --> 0:17:27.160
<v Speaker 1>the act.

0:17:27.359 --> 0:17:29.359
<v Speaker 3>The act is, he sits and he's dressed like a

0:17:29.359 --> 0:17:31.359
<v Speaker 3>clown with a hat and shoot. And he comes and

0:17:31.400 --> 0:17:34.200
<v Speaker 3>he sits in a lawn chair, a reclining lawn chair,

0:17:34.560 --> 0:17:36.720
<v Speaker 3>and he puts a kerosene lamp down on the floor

0:17:36.760 --> 0:17:40.159
<v Speaker 3>and he's reading a newspaper and the kerosene lamp catches

0:17:40.200 --> 0:17:42.720
<v Speaker 3>the lawnchair on fire. So he catches on fire from

0:17:42.760 --> 0:17:45.360
<v Speaker 3>head to toe. The paper is burning too, and as

0:17:45.400 --> 0:17:49.560
<v Speaker 3>he's burning, he goes, oh, I'm on fire, and walking

0:17:49.960 --> 0:17:54.320
<v Speaker 3>very slowly, he gets and he walks off stage.

0:17:54.359 --> 0:17:55.520
<v Speaker 1>That's the whole act.

0:17:55.720 --> 0:17:59.520
<v Speaker 3>But he is visibly on fire from head to toe

0:17:59.600 --> 0:18:01.320
<v Speaker 3>for close to a minute and a half to.

0:18:01.359 --> 0:18:04.280
<v Speaker 1>And he was on America. However many times a week

0:18:04.320 --> 0:18:08.400
<v Speaker 1>he has to do America's Got talent. He had his

0:18:08.480 --> 0:18:12.240
<v Speaker 1>mother on with him. He was throwing flaming knives with

0:18:12.320 --> 0:18:18.280
<v Speaker 1>his mother, which is but here he I knew you wanted.

0:18:17.960 --> 0:18:26.119
<v Speaker 6>This gunbelievable, all right, So ladies and gentlemen, let us

0:18:29.960 --> 0:18:32.800
<v Speaker 6>who sets himself a play several times.

0:18:34.800 --> 0:18:36.280
<v Speaker 3>The other part of the show, and I was just

0:18:36.320 --> 0:18:39.040
<v Speaker 3>reminding Ray is that when I saw it was you know,

0:18:39.119 --> 0:18:42.560
<v Speaker 3>fairly early in its run, and and Seinfeld was a thing,

0:18:42.600 --> 0:18:45.199
<v Speaker 3>and I was invited backstage to meet the company, and

0:18:45.240 --> 0:18:48.119
<v Speaker 3>I'm looking at all these extraordinary performers, and you know,

0:18:48.160 --> 0:18:50.679
<v Speaker 3>it's hard to recognize that they're in so much makeup

0:18:50.720 --> 0:18:52.159
<v Speaker 3>during the show, so you're trying to go, oh, that

0:18:52.280 --> 0:18:52.840
<v Speaker 3>was that person.

0:18:52.840 --> 0:18:53.520
<v Speaker 1>That was that person.

0:18:53.840 --> 0:18:55.919
<v Speaker 3>And I see Ray and I and I go up

0:18:55.920 --> 0:18:59.720
<v Speaker 3>to him and I go fire guy, and he goes yeah,

0:19:00.000 --> 0:19:01.800
<v Speaker 3>and I go not a trick.

0:19:02.040 --> 0:19:06.960
<v Speaker 7>He goes no, Like, oh my god, And you were

0:19:07.480 --> 0:19:13.200
<v Speaker 7>so grateful because I immediately was like, I can't believe even now, Jason,

0:19:13.200 --> 0:19:17.200
<v Speaker 7>I say, for I mean, I'm around movie sets.

0:19:17.240 --> 0:19:20.200
<v Speaker 1>I've seen stunt guys do a burn. Thirty seconds is

0:19:20.240 --> 0:19:23.399
<v Speaker 1>a long burn, and then they will run for you minute,

0:19:23.480 --> 0:19:26.120
<v Speaker 1>put you out and you're walking. So let's get if

0:19:26.119 --> 0:19:28.200
<v Speaker 1>we can, right. Thank you first of all for making

0:19:28.640 --> 0:19:32.479
<v Speaker 1>he really he's obsessed with this thing, as you anybody

0:19:32.520 --> 0:19:35.280
<v Speaker 1>would be listening to that, because again, not to three minutes,

0:19:36.000 --> 0:19:38.040
<v Speaker 1>that's a long time. I think the world record is

0:19:38.080 --> 0:19:40.919
<v Speaker 1>somebody at four something. But he must be la for.

0:19:40.880 --> 0:19:42.280
<v Speaker 5>A long time. There's just three minutes.

0:19:42.920 --> 0:19:45.399
<v Speaker 1>So if you don't mind, because I read the story,

0:19:45.560 --> 0:19:48.200
<v Speaker 1>when could you tell the story of how you got started?

0:19:48.880 --> 0:19:53.440
<v Speaker 1>Because people listening, I'm sure can't imagine how a guy

0:19:53.480 --> 0:19:57.800
<v Speaker 1>would go. You know, I think and and and follow

0:19:57.880 --> 0:19:59.600
<v Speaker 1>through on it and do what you do so wrong

0:19:59.680 --> 0:20:01.680
<v Speaker 1>with your life that you I've got an act.

0:20:01.720 --> 0:20:04.560
<v Speaker 8>Well that's exactly, that's exactly, you know, And I thank

0:20:04.600 --> 0:20:07.000
<v Speaker 8>you for recognizing it as real fire. So many people

0:20:07.000 --> 0:20:10.040
<v Speaker 8>are just thinking it's fat fire, not real fire. You

0:20:10.040 --> 0:20:12.840
<v Speaker 8>wouldn't believe how many people think that it's not real. Sure,

0:20:13.240 --> 0:20:16.320
<v Speaker 8>but it is absolutely real. And uh, you know, I

0:20:16.359 --> 0:20:18.879
<v Speaker 8>started on the street, you know, I started performing on

0:20:18.920 --> 0:20:21.399
<v Speaker 8>the streets. And more people see you, the more money

0:20:21.440 --> 0:20:24.199
<v Speaker 8>you make. And you know, I started performing. I was

0:20:24.200 --> 0:20:26.800
<v Speaker 8>a good juggler, got to juggle five clubs and everything.

0:20:27.200 --> 0:20:29.639
<v Speaker 8>But people wouldn't stop until I lit the torch up,

0:20:29.720 --> 0:20:32.320
<v Speaker 8>you know, and to do a little bit of fire eating.

0:20:32.359 --> 0:20:34.760
<v Speaker 8>As soon as I got brought fire into the act, people.

0:20:34.600 --> 0:20:36.680
<v Speaker 1>Was, okay, let me stop you right here. How hard

0:20:36.760 --> 0:20:38.880
<v Speaker 1>is it then to go from juggling I will tell

0:20:38.960 --> 0:20:39.720
<v Speaker 1>juggling fire.

0:20:40.080 --> 0:20:42.879
<v Speaker 3>Well, first of all, okay, juggling fire is one thing.

0:20:43.080 --> 0:20:45.359
<v Speaker 3>I had a college a friend in college who was

0:20:45.359 --> 0:20:48.040
<v Speaker 3>a juggler and a fire eater, and I said, how'd

0:20:48.040 --> 0:20:49.840
<v Speaker 3>you learn fire eating? He goes, you know, you don't

0:20:49.880 --> 0:20:53.640
<v Speaker 3>learn it, you do it. And he tried to get

0:20:53.640 --> 0:20:55.600
<v Speaker 3>me to do it, you know, and he said, remember

0:20:55.640 --> 0:20:57.760
<v Speaker 3>the heat will burn up, so keep your mouth wide

0:20:57.800 --> 0:21:00.400
<v Speaker 3>and close your teeth, but don't And I'm in this

0:21:00.400 --> 0:21:03.640
<v Speaker 3>thing towards my face and you feel the heat, and

0:21:03.680 --> 0:21:05.919
<v Speaker 3>the heat goes up, a few heat goes up.

0:21:05.960 --> 0:21:10.000
<v Speaker 1>I'm feeling that I could not do it. I couldn't

0:21:10.000 --> 0:21:10.280
<v Speaker 1>do it.

0:21:10.359 --> 0:21:11.600
<v Speaker 5>Yeah, that's that's true, you know.

0:21:11.840 --> 0:21:14.240
<v Speaker 8>And back in my day, there wasn't books and videos,

0:21:14.280 --> 0:21:16.720
<v Speaker 8>and there was a few little books that have hints

0:21:16.720 --> 0:21:20.040
<v Speaker 8>of information, but there wasn't the videotube. You can't see it,

0:21:21.280 --> 0:21:24.240
<v Speaker 8>that's how you do it. It wasn't the possible. So

0:21:24.320 --> 0:21:26.320
<v Speaker 8>you kind of learned a little tiny information and then

0:21:26.359 --> 0:21:28.760
<v Speaker 8>you just lit it up and try it, you know, and.

0:21:28.960 --> 0:21:32.600
<v Speaker 1>You just did you make mistakes where you saw.

0:21:32.400 --> 0:21:34.679
<v Speaker 8>Oh you absolutely made a lot of mistakes, and you

0:21:34.800 --> 0:21:37.560
<v Speaker 8>learn from those mistakes. And the people kept coming, they

0:21:37.680 --> 0:21:39.960
<v Speaker 8>kept wanting more and more fire, and you know.

0:21:40.040 --> 0:21:41.919
<v Speaker 5>You had to make a living, had to eat you know.

0:21:42.080 --> 0:21:45.080
<v Speaker 3>So wait, when you make a mistake learning to eat fire,

0:21:45.160 --> 0:21:46.080
<v Speaker 3>what's the cost?

0:21:46.560 --> 0:21:49.120
<v Speaker 8>I mean you you burn your lips, so you burn

0:21:49.200 --> 0:21:52.520
<v Speaker 8>them pretty bad, right, yeah, but that's not.

0:21:52.640 --> 0:21:55.120
<v Speaker 1>Like a nothing. That takes a while for that to heal.

0:21:55.160 --> 0:21:56.800
<v Speaker 1>And then you try it again.

0:21:56.720 --> 0:21:58.600
<v Speaker 5>Try it again, and you try it again until you

0:21:58.680 --> 0:22:00.280
<v Speaker 5>get it right. And you're right.

0:22:00.320 --> 0:22:02.199
<v Speaker 8>You got to keep your head back pretty far or

0:22:02.320 --> 0:22:04.040
<v Speaker 8>are you going to burn your nose and your eyes?

0:22:05.080 --> 0:22:06.720
<v Speaker 1>All right, So now you're doing that, and you've you've

0:22:06.760 --> 0:22:08.400
<v Speaker 1>mastered this, you're doing it pretty well.

0:22:08.440 --> 0:22:11.840
<v Speaker 5>And then well, and then I had this idea.

0:22:11.920 --> 0:22:13.840
<v Speaker 8>I had this idea if I go to eat fire,

0:22:14.000 --> 0:22:17.440
<v Speaker 8>because my background is clowning. I grew up, went to

0:22:17.480 --> 0:22:20.000
<v Speaker 8>Ringian Brothers, bartum Bailey's circus, clown Colleagen.

0:22:20.080 --> 0:22:22.400
<v Speaker 1>That's where things go wrong for people. That's what I've

0:22:22.480 --> 0:22:23.000
<v Speaker 1>learned doing this.

0:22:23.080 --> 0:22:24.000
<v Speaker 5>That's why I thought.

0:22:25.640 --> 0:22:27.880
<v Speaker 8>So I thought, I want to make a comedy routine

0:22:28.160 --> 0:22:29.840
<v Speaker 8>out of this. And so I go to eat fire.

0:22:29.840 --> 0:22:31.560
<v Speaker 8>I'm going to catch a little scarf on my pocket

0:22:31.600 --> 0:22:34.600
<v Speaker 8>on fire, you know, and to act like it's by accident,

0:22:34.680 --> 0:22:36.560
<v Speaker 8>try to put it out, and then I'll throw it down.

0:22:36.600 --> 0:22:38.080
<v Speaker 8>I've been down to pick it up, and my tie

0:22:38.080 --> 0:22:40.680
<v Speaker 8>will catch fire, and I'll blow it out and try it.

0:22:40.680 --> 0:22:42.119
<v Speaker 5>And then I'll swing back and hit my crotch and

0:22:42.160 --> 0:22:42.800
<v Speaker 5>I'll try.

0:22:42.600 --> 0:22:45.160
<v Speaker 1>To put that out. All right, this already sounds like

0:22:45.280 --> 0:22:46.560
<v Speaker 1>are you out of your mind?

0:22:47.280 --> 0:22:47.600
<v Speaker 5>All right?

0:22:47.640 --> 0:22:49.720
<v Speaker 1>So I know it took a time. But how did

0:22:49.720 --> 0:22:51.960
<v Speaker 1>we get then to the circ thing, which again is

0:22:52.000 --> 0:22:53.320
<v Speaker 1>such a mind blower act?

0:22:53.920 --> 0:22:58.000
<v Speaker 8>Well, I was traveling doing this act and stuff, and

0:22:58.040 --> 0:23:00.639
<v Speaker 8>I got invited to go to the Monte Carlos Festival,

0:23:00.680 --> 0:23:02.359
<v Speaker 8>the biggest circus festival in the world.

0:23:02.520 --> 0:23:06.000
<v Speaker 5>All the great acts go there and perform. And I

0:23:06.040 --> 0:23:06.359
<v Speaker 5>went out.

0:23:06.480 --> 0:23:10.520
<v Speaker 8>I went there and the King of Monico was up

0:23:10.560 --> 0:23:11.720
<v Speaker 8>right up in the front row.

0:23:11.720 --> 0:23:11.959
<v Speaker 1>You know.

0:23:12.040 --> 0:23:15.120
<v Speaker 5>And I came and I ran down.

0:23:15.200 --> 0:23:17.399
<v Speaker 8>I was going to do the crotchburn, you know, And

0:23:17.440 --> 0:23:19.760
<v Speaker 8>I ran came out of the audience, my hat on

0:23:19.800 --> 0:23:22.760
<v Speaker 8>fire while like a wild man coming down, and I

0:23:22.800 --> 0:23:25.119
<v Speaker 8>went to eat the fire, and my scarf caught fire,

0:23:25.200 --> 0:23:27.040
<v Speaker 8>my ty caught fire, my crotchhot fired.

0:23:27.080 --> 0:23:28.600
<v Speaker 5>I was run around on the rinker.

0:23:29.040 --> 0:23:31.440
<v Speaker 8>I stopped right in the front of the king there,

0:23:31.960 --> 0:23:33.240
<v Speaker 8>and you could have heard a pin drop.

0:23:33.359 --> 0:23:36.760
<v Speaker 5>Nobody did anything. They didn't laugh, they didn't do anything.

0:23:37.760 --> 0:23:41.840
<v Speaker 8>Well, they were, but then the King just started laughing

0:23:41.880 --> 0:23:44.280
<v Speaker 8>and the whole place just erupted. And after that, I

0:23:44.280 --> 0:23:48.600
<v Speaker 8>could do no wrong in Monaco, and and just away

0:23:48.640 --> 0:23:52.679
<v Speaker 8>happened to be there at that time. And then a

0:23:52.720 --> 0:23:54.840
<v Speaker 8>few days later I was on the beach over there

0:23:54.840 --> 0:23:58.000
<v Speaker 8>in Monico and it's so lovely there, and we had

0:23:58.040 --> 0:24:01.879
<v Speaker 8>Elton John was singing live and sports arena there and

0:24:01.920 --> 0:24:04.800
<v Speaker 8>I was on the beach eating wine and cheese and stuff,

0:24:04.800 --> 0:24:06.679
<v Speaker 8>but just listening to Elton John. And I get a

0:24:06.680 --> 0:24:11.240
<v Speaker 8>call from Circus La. They said, you know, Ray, we

0:24:11.359 --> 0:24:12.879
<v Speaker 8>want you to come and do the show with us.

0:24:12.880 --> 0:24:14.800
<v Speaker 8>We're put together a new show in Vegas here.

0:24:15.320 --> 0:24:15.480
<v Speaker 1>You know.

0:24:15.840 --> 0:24:19.159
<v Speaker 8>I was like Circus La, I don't I think he

0:24:19.240 --> 0:24:22.240
<v Speaker 8>got the wrong guy because I'm a little tramp, dirty

0:24:22.320 --> 0:24:25.280
<v Speaker 8>tramp clown with fire. I'm all sooty, and you know

0:24:25.440 --> 0:24:28.399
<v Speaker 8>they're beautiful, beautiful tights and costumes and stuff.

0:24:28.520 --> 0:24:30.480
<v Speaker 5>I don't know how I fit in. I said, I

0:24:30.520 --> 0:24:32.600
<v Speaker 5>think he got the wrong person. Then no, no, we

0:24:32.640 --> 0:24:35.200
<v Speaker 5>didn't get the wrong person. This is not we know

0:24:35.280 --> 0:24:40.000
<v Speaker 5>who you are. And so I ended up coming to

0:24:40.080 --> 0:24:44.040
<v Speaker 5>Las Vegas and I and I been here for twenty.

0:24:43.880 --> 0:24:46.600
<v Speaker 1>Did you help them. So did you help them create

0:24:46.800 --> 0:24:47.880
<v Speaker 1>your segment in the show.

0:24:48.320 --> 0:24:51.280
<v Speaker 5>Well, I had already created my segment, so they.

0:24:51.200 --> 0:24:53.520
<v Speaker 1>Bought the whole act. They bought you and the act.

0:24:54.440 --> 0:24:59.200
<v Speaker 3>Yeah, and there are acrobats and performers working for circ

0:24:59.359 --> 0:25:03.000
<v Speaker 3>who I see their skills replicated in various shows. So

0:25:03.040 --> 0:25:05.479
<v Speaker 3>there's people that hang from the straps, there's people who

0:25:05.560 --> 0:25:07.800
<v Speaker 3>do the hoops, there's people who do the seer, there's

0:25:07.840 --> 0:25:10.280
<v Speaker 3>people that can tumble and they do the Teter Tynerboy,

0:25:10.520 --> 0:25:12.600
<v Speaker 3>I've never seen anybody else do what you do?

0:25:12.960 --> 0:25:16.320
<v Speaker 1>Does that give you hoping? The answer to this is

0:25:16.359 --> 0:25:19.240
<v Speaker 1>a whopping yes. Does that give you a negotiating power?

0:25:21.560 --> 0:25:21.600
<v Speaker 2>It?

0:25:21.720 --> 0:25:22.520
<v Speaker 1>Actually? Did it?

0:25:22.640 --> 0:25:23.000
<v Speaker 5>Actually?

0:25:23.840 --> 0:25:26.120
<v Speaker 8>You know, because they're looking for unique and I say,

0:25:26.600 --> 0:25:29.760
<v Speaker 8>you know, shows, you've got to have variety in the

0:25:29.840 --> 0:25:31.960
<v Speaker 8>shows today. And I believe that that's what has kept

0:25:32.000 --> 0:25:34.080
<v Speaker 8>me working through the years, is the fact that I

0:25:34.200 --> 0:25:34.760
<v Speaker 8>am unique.

0:25:34.800 --> 0:25:37.480
<v Speaker 1>I try to oh yeah, oh yeah, you're a bit unique.

0:25:37.480 --> 0:25:43.120
<v Speaker 1>Show you how many shows a week are you engulfed

0:25:43.160 --> 0:25:43.560
<v Speaker 1>in Flint?

0:25:43.960 --> 0:25:46.680
<v Speaker 8>Well, we do ten shows a week, and I burned

0:25:46.720 --> 0:25:50.439
<v Speaker 8>twice twice in each show. So so far, twenty burns

0:25:50.440 --> 0:25:51.880
<v Speaker 8>a week, twenty burns a week.

0:25:51.960 --> 0:25:52.560
<v Speaker 5>But I've been there.

0:25:52.600 --> 0:25:54.760
<v Speaker 8>I've been there for twenty four years or something like that,

0:25:54.960 --> 0:25:57.680
<v Speaker 8>so that's about forty thousand burns or somebody don't know.

0:25:57.720 --> 0:26:00.520
<v Speaker 1>And what I read was, if I'm correct, you've never

0:26:00.640 --> 0:26:03.159
<v Speaker 1>injured yourself when doing a search show, but you did

0:26:03.280 --> 0:26:04.720
<v Speaker 1>injure yourself doing a private show.

0:26:05.520 --> 0:26:05.760
<v Speaker 5>Yeah.

0:26:06.200 --> 0:26:06.440
<v Speaker 1>I have.

0:26:06.760 --> 0:26:10.280
<v Speaker 8>I have had some burns. I've never really been seriously burned,

0:26:10.280 --> 0:26:10.960
<v Speaker 8>though where I haven't.

0:26:11.080 --> 0:26:14.119
<v Speaker 1>Dude, the leg burned that I saw I would consider

0:26:14.240 --> 0:26:17.080
<v Speaker 1>a serious but you don't. But oh my god.

0:26:17.359 --> 0:26:20.800
<v Speaker 8>Your wife says you were in a little distressed, right, Yeah,

0:26:21.480 --> 0:26:23.399
<v Speaker 8>it burned from my knee to my ankle and all

0:26:23.440 --> 0:26:24.479
<v Speaker 8>the skin was burned off.

0:26:24.560 --> 0:26:31.520
<v Speaker 1>But a look at that, it's like a sunburn. So

0:26:31.600 --> 0:26:34.879
<v Speaker 1>you know when I realized you were crazy that the

0:26:35.000 --> 0:26:38.800
<v Speaker 1>pain that I caused. But yet you still did the

0:26:38.840 --> 0:26:39.360
<v Speaker 1>CERK show.

0:26:39.840 --> 0:26:40.040
<v Speaker 8>Yeah.

0:26:40.240 --> 0:26:43.920
<v Speaker 5>Yeah, well I wasn't supposed to be doing Oh.

0:26:43.920 --> 0:26:47.879
<v Speaker 1>Wow, but wow, And okay, because it's such a dangerous stunt,

0:26:48.000 --> 0:26:50.399
<v Speaker 1>and I'm sure it takes focus and preparation all that stuff.

0:26:51.160 --> 0:26:53.640
<v Speaker 1>Is it like when Jason performs, it's a rush. When

0:26:53.680 --> 0:26:56.320
<v Speaker 1>I perform, it's a rush. Is there is there a rush?

0:26:56.560 --> 0:26:56.960
<v Speaker 1>Or is it?

0:26:57.600 --> 0:26:57.800
<v Speaker 7>Yes?

0:26:58.040 --> 0:26:59.440
<v Speaker 5>Even after twenty four years.

0:27:00.080 --> 0:27:02.720
<v Speaker 8>The adrenalines there, You're ready to go, You're pumped up,

0:27:02.760 --> 0:27:03.800
<v Speaker 8>ready to going on the stage.

0:27:04.640 --> 0:27:06.399
<v Speaker 3>I know, I gotta tell you I would be I

0:27:06.600 --> 0:27:09.720
<v Speaker 3>I could just see myself, you know, my two week

0:27:09.800 --> 0:27:12.480
<v Speaker 3>my two week vacation once a year in Hawaii going.

0:27:12.600 --> 0:27:14.600
<v Speaker 3>I can't believe one more day and then I gotta

0:27:14.640 --> 0:27:16.080
<v Speaker 3>go back and set myself on fire.

0:27:16.160 --> 0:27:17.720
<v Speaker 1>A funny thing where you said that when Ray said,

0:27:17.760 --> 0:27:19.360
<v Speaker 1>I also read that Race said when he's on the beach,

0:27:19.920 --> 0:27:20.720
<v Speaker 1>he burns.

0:27:22.000 --> 0:27:24.919
<v Speaker 5>On the beach, which I can't be three minutes out here.

0:27:25.040 --> 0:27:28.320
<v Speaker 1>I read just on the screen. And the other thing

0:27:28.359 --> 0:27:30.400
<v Speaker 1>about this is whether you're using the kevlar or whatever

0:27:30.400 --> 0:27:32.600
<v Speaker 1>you using to protect you your You wear a hat,

0:27:33.200 --> 0:27:35.240
<v Speaker 1>but your face is unprotected.

0:27:35.359 --> 0:27:37.760
<v Speaker 8>Just repent, that is true. I don't I don't use

0:27:37.800 --> 0:27:39.520
<v Speaker 8>any stunt jels or anything about.

0:27:39.280 --> 0:27:40.359
<v Speaker 1>How does it knock get your face?

0:27:40.840 --> 0:27:42.400
<v Speaker 5>Well, it gets warm.

0:27:42.640 --> 0:27:44.080
<v Speaker 8>You just have to move out of the way. And

0:27:44.400 --> 0:27:46.520
<v Speaker 8>you'll see me on stage sometimes you'll see me squirming.

0:27:46.680 --> 0:27:48.800
<v Speaker 8>If you see me squirming, I'm in trouble, you know.

0:27:48.960 --> 0:27:50.399
<v Speaker 1>And that happens.

0:27:50.680 --> 0:27:51.960
<v Speaker 5>It happens more than you think.

0:27:52.040 --> 0:27:54.080
<v Speaker 1>So what's the trouble And what's the trouble. What's going

0:27:54.080 --> 0:27:54.359
<v Speaker 1>on there?

0:27:54.400 --> 0:27:57.200
<v Speaker 8>It's just too holle. Someone opened the door. Someone opened

0:27:57.240 --> 0:27:59.520
<v Speaker 8>the door or event or the heaters came on in

0:27:59.600 --> 0:28:01.760
<v Speaker 8>a certain place and suck to suck the flame in

0:28:01.800 --> 0:28:04.760
<v Speaker 8>a different direction, you have to beat the flight right

0:28:04.840 --> 0:28:05.680
<v Speaker 8>next right, don't they.

0:28:05.640 --> 0:28:08.040
<v Speaker 1>Have signs up that don't turn on the event, don't

0:28:08.040 --> 0:28:09.480
<v Speaker 1>open the door. Really they do.

0:28:09.640 --> 0:28:12.080
<v Speaker 8>But you know some people don't don't listen, you know,

0:28:12.320 --> 0:28:14.359
<v Speaker 8>so when you you know instantly what's going on.

0:28:14.640 --> 0:28:14.840
<v Speaker 5>Yeah.

0:28:15.080 --> 0:28:16.880
<v Speaker 1>So there's nobody else right now currently in the world

0:28:16.920 --> 0:28:17.600
<v Speaker 1>that does what you do.

0:28:17.880 --> 0:28:19.800
<v Speaker 5>No, im, I'm the only one.

0:28:19.880 --> 0:28:21.880
<v Speaker 8>And I like it that way because when you create

0:28:21.960 --> 0:28:23.920
<v Speaker 8>something and when it's yours, you know, you have a

0:28:24.000 --> 0:28:26.359
<v Speaker 8>hard time saying, you know, oh yeah, it's okay for

0:28:26.440 --> 0:28:26.840
<v Speaker 8>you to do it.

0:28:27.119 --> 0:28:29.600
<v Speaker 1>Yeah, Ray, I got to thank you. You made this

0:28:29.680 --> 0:28:32.640
<v Speaker 1>little boy's life. He's been talking about you as long

0:28:32.720 --> 0:28:33.560
<v Speaker 1>as I've known him.

0:28:33.640 --> 0:28:36.400
<v Speaker 3>And let me say this, as Ray says, the show

0:28:36.520 --> 0:28:39.480
<v Speaker 3>is twenty four years and running. It is a glorious show.

0:28:41.040 --> 0:28:44.200
<v Speaker 1>Again. Oh god, it's just we'll do this again in

0:28:44.400 --> 0:28:44.960
<v Speaker 1>twenty years.

0:28:45.440 --> 0:28:46.760
<v Speaker 5>They said, Peter for having me here.

0:28:47.080 --> 0:28:48.800
<v Speaker 1>You stay safe. I'm going to come see you next time,

0:28:48.880 --> 0:28:50.240
<v Speaker 1>we're going to come back just to see you.

0:28:50.360 --> 0:28:52.440
<v Speaker 5>Rayy, come back, stats, come back. Stay, We'll come back.

0:28:52.480 --> 0:28:53.920
<v Speaker 1>Stay. Maybe we'll pick you out to dinner and we

0:28:53.960 --> 0:29:05.240
<v Speaker 1>can go to barbecue. All right? So what are the

0:29:05.360 --> 0:29:07.680
<v Speaker 1>dangerous jobs that here we go? You're on a dangerous job.

0:29:08.280 --> 0:29:10.160
<v Speaker 1>And I wonder if this I wonder if there's even

0:29:10.240 --> 0:29:12.880
<v Speaker 1>one that you and I could do if we had lumberjack.

0:29:14.040 --> 0:29:16.880
<v Speaker 1>That's a dangerous gentle, because oh my god, you're working

0:29:16.920 --> 0:29:19.760
<v Speaker 1>with chainsaws and stuff all the time. Yeah, the opportunity

0:29:20.000 --> 0:29:23.760
<v Speaker 1>to have some hit you fall on you, ye timber,

0:29:24.880 --> 0:29:27.240
<v Speaker 1>even a minor woodpecker at that it would be horrible.

0:29:28.560 --> 0:29:31.040
<v Speaker 1>Way we have a woodpecker outside my bedroom. Win that annoying,

0:29:31.840 --> 0:29:36.040
<v Speaker 1>worse than a rooster free dawn. And you go and

0:29:36.160 --> 0:29:38.280
<v Speaker 1>by the way, what's here? Comp What is he trying

0:29:38.320 --> 0:29:39.080
<v Speaker 1>to doing?

0:29:39.200 --> 0:29:39.440
<v Speaker 3>I know?

0:29:39.640 --> 0:29:42.840
<v Speaker 1>When did they go? Enough? I finished with the street.

0:29:43.520 --> 0:29:45.720
<v Speaker 1>If anybody knows that, can you email us? When do

0:29:45.840 --> 0:29:46.120
<v Speaker 1>they go?

0:29:46.880 --> 0:29:47.040
<v Speaker 4>Yeah?

0:29:47.080 --> 0:29:51.120
<v Speaker 1>I'm pretty pretty much pleeted district work is done, because

0:29:51.160 --> 0:29:53.520
<v Speaker 1>it seems like it's never ending, and they're showing off.

0:29:53.600 --> 0:29:55.560
<v Speaker 1>They're showing off for other birds. Look what I'm doing

0:29:55.640 --> 0:29:58.720
<v Speaker 1>a carpenter. Yeah, underwater welder. This one. I can't even

0:29:58.760 --> 0:30:02.320
<v Speaker 1>talk underwater welder. So catch this. You go down below,

0:30:03.280 --> 0:30:06.760
<v Speaker 1>you go into a tube a half mile in your welding.

0:30:07.040 --> 0:30:10.960
<v Speaker 1>Can you imagine that there's the water in the tube. Yeah,

0:30:11.120 --> 0:30:13.680
<v Speaker 1>there's water in this. So what I don't understand this?

0:30:13.760 --> 0:30:15.800
<v Speaker 1>How do you get a fire? They have underworld of

0:30:15.840 --> 0:30:18.680
<v Speaker 1>one because they have stuff that does that and I

0:30:18.720 --> 0:30:21.680
<v Speaker 1>don't know. I didn't do that much refine. I didn't

0:30:21.720 --> 0:30:23.560
<v Speaker 1>get an a in chemistry, but I know water. But

0:30:23.920 --> 0:30:26.880
<v Speaker 1>they could they repair pipelines, ships, dams, all this stuff

0:30:27.040 --> 0:30:29.680
<v Speaker 1>like I can't I can't even imagine it. Sulfur minor,

0:30:29.720 --> 0:30:32.560
<v Speaker 1>I didn't even know this. Sulfur mine? Where they mine sulfur?

0:30:33.280 --> 0:30:37.400
<v Speaker 1>Where are they minded volcanoes? Yeah, that's a two fer. Yeah,

0:30:37.520 --> 0:30:40.280
<v Speaker 1>you die from the sulfur. And it's oh, look, what's

0:30:40.600 --> 0:30:42.720
<v Speaker 1>something bubbling? Did you hear bubble? Did somebody hear something?

0:30:43.400 --> 0:30:45.440
<v Speaker 1>Ice road trucker? We've seen we've all shown that shot

0:30:45.520 --> 0:30:49.760
<v Speaker 1>that this one is similar to John getting shot like

0:30:49.800 --> 0:30:52.200
<v Speaker 1>cannon because it's my choice and it's for entertainment. Yeah,

0:30:52.360 --> 0:30:56.280
<v Speaker 1>bull rider, bull rider, Yeah yeah, yeah, yeah, right, that's

0:30:56.320 --> 0:30:59.120
<v Speaker 1>the thing. Yeah, what is that about? What is that.

0:30:59.480 --> 0:31:01.160
<v Speaker 1>By the way, it doesn't even be a bull the

0:31:01.280 --> 0:31:04.040
<v Speaker 1>horses also the bucket worst, but the bull rider thing.

0:31:04.120 --> 0:31:07.680
<v Speaker 1>They use one hand, right, because two, why would you

0:31:07.760 --> 0:31:10.120
<v Speaker 1>use two? You can actually hold on one hand and

0:31:10.200 --> 0:31:12.560
<v Speaker 1>the thing comes out. You irritate him, you let him out,

0:31:12.960 --> 0:31:15.600
<v Speaker 1>and you manage to stay on. Hey, he stayed on

0:31:15.680 --> 0:31:18.600
<v Speaker 1>long enough. Oh then he got trampled right one. By

0:31:18.680 --> 0:31:20.040
<v Speaker 1>the way, you stay on for.

0:31:20.120 --> 0:31:23.000
<v Speaker 3>Nine seconds, it's it's a chiropractic for the next twenty years.

0:31:23.040 --> 0:31:25.680
<v Speaker 1>If you were the champion and you did that for

0:31:25.800 --> 0:31:28.160
<v Speaker 1>five years, I would guess you're three inches shorter, five

0:31:28.200 --> 0:31:30.200
<v Speaker 1>and short in the bucket from the bucket, Yeah, the

0:31:30.240 --> 0:31:34.000
<v Speaker 1>bucket venom milker. Yeah, take those things. They don't like

0:31:34.040 --> 0:31:35.680
<v Speaker 1>to be. They don't like to be. They don't like

0:31:35.680 --> 0:31:37.080
<v Speaker 1>to and you need a degree for this. And this

0:31:37.200 --> 0:31:39.000
<v Speaker 1>is the best one. Yeah, this is one of my favorites.

0:31:39.960 --> 0:31:45.720
<v Speaker 1>Crocodile physiologists they actively capture and bring a crocodile out

0:31:45.800 --> 0:31:48.720
<v Speaker 1>to study it, and then they have to release it back.

0:31:48.760 --> 0:31:51.520
<v Speaker 1>So that's two times you're dealing with something that's going

0:31:52.000 --> 0:31:54.240
<v Speaker 1>no way, no frigging way. Am I eating you? I'm

0:31:54.280 --> 0:31:57.600
<v Speaker 1>eating you? Now? Can you imagine I don't the thing.

0:31:57.760 --> 0:31:59.720
<v Speaker 3>Have you ever been to the alligator shows that they

0:32:00.280 --> 0:32:03.160
<v Speaker 3>might never go? No, they really glades one time, and

0:32:03.880 --> 0:32:05.320
<v Speaker 3>you know they brought you out on an air boat.

0:32:05.320 --> 0:32:09.400
<v Speaker 3>You couldn't get away. But apparently you can hold the

0:32:09.480 --> 0:32:11.600
<v Speaker 3>alligator's mouth open or closed.

0:32:11.640 --> 0:32:13.360
<v Speaker 1>I can't remember. There's one direction the way they have

0:32:14.120 --> 0:32:23.200
<v Speaker 1>closed the mouth open. You got it. You gotta get

0:32:23.240 --> 0:32:25.640
<v Speaker 1>it right. You get that. It's really important. Not a

0:32:25.760 --> 0:32:32.640
<v Speaker 1>small not a small detail. Wait there for my first show,

0:32:32.720 --> 0:32:38.440
<v Speaker 1>I couldn't remember. God damn, I did it again, and

0:32:38.520 --> 0:32:40.840
<v Speaker 1>I was a pain customer. And now he's fed by

0:32:40.840 --> 0:32:41.520
<v Speaker 1>the way the good news.

0:32:41.840 --> 0:32:44.240
<v Speaker 3>I actually, honestly, one of the things I believe that

0:32:44.280 --> 0:32:46.120
<v Speaker 3>everybody who does a dangerous job, we should have asked

0:32:46.160 --> 0:32:48.760
<v Speaker 3>John this is when he's flying across that thing, he

0:32:48.880 --> 0:32:52.160
<v Speaker 3>must feel. I think these people that do the dangerous jobs,

0:32:52.200 --> 0:32:55.040
<v Speaker 3>they feel like it's never gonna happen to them, that.

0:32:55.040 --> 0:32:57.040
<v Speaker 1>There's some sort of a superhero. I looked this up.

0:32:57.080 --> 0:32:59.360
<v Speaker 1>Why people do dangerous Yeah, First of all, a lot

0:32:59.400 --> 0:33:00.800
<v Speaker 1>of it is to do with poverty in a lot

0:33:00.840 --> 0:33:02.440
<v Speaker 1>of places like sherper guides and stuff like that, where

0:33:02.480 --> 0:33:04.280
<v Speaker 1>you get paid and you can make a living. But

0:33:04.320 --> 0:33:06.200
<v Speaker 1>the ones like the underwater wellers and stuff. Believe it

0:33:06.280 --> 0:33:08.040
<v Speaker 1>or not, there's a there. First of all, they get

0:33:08.040 --> 0:33:10.520
<v Speaker 1>paid a lot. Second of all, their schedules are are

0:33:10.560 --> 0:33:12.280
<v Speaker 1>interesting because they can be off for two months and

0:33:12.360 --> 0:33:14.480
<v Speaker 1>then work for two or three months, so it's you

0:33:14.520 --> 0:33:16.800
<v Speaker 1>can spend time at family, the life. It gets paid

0:33:16.920 --> 0:33:19.720
<v Speaker 1>very well. But there's also this this sense of accomplishment

0:33:19.800 --> 0:33:22.360
<v Speaker 1>that I've done something to make America say I've done

0:33:22.360 --> 0:33:24.000
<v Speaker 1>a great job whatever. So that's a big part of

0:33:24.040 --> 0:33:27.600
<v Speaker 1>this too. It all enters into that. So that's why

0:33:27.720 --> 0:33:30.080
<v Speaker 1>they do it. Googlehi'm Google Heim. We're wrapping up. We'll

0:33:30.080 --> 0:33:32.240
<v Speaker 1>see what what he's got? What do we say wrong?

0:33:32.360 --> 0:33:34.400
<v Speaker 1>What do we say right? What needs to be clarified.

0:33:35.280 --> 0:33:37.320
<v Speaker 1>There's a lot of a lot to start with here.

0:33:38.280 --> 0:33:42.400
<v Speaker 1>But number one thing woodpeckers. Oh why did they pack? Yeah?

0:33:42.400 --> 0:33:45.400
<v Speaker 1>Why did they pack? Why did they pack? Why do

0:33:45.480 --> 0:33:49.440
<v Speaker 1>they powder? To find food? Excavate areas for nesting, they'll

0:33:49.480 --> 0:33:54.800
<v Speaker 1>live in there sometimes they wow, what did Yes?

0:33:54.920 --> 0:33:58.440
<v Speaker 9>I actually had one that and mark their territory markets.

0:33:58.480 --> 0:34:00.400
<v Speaker 9>I actually had a woodpecker that live about my car

0:34:00.560 --> 0:34:01.040
<v Speaker 9>until they.

0:34:01.320 --> 0:34:04.640
<v Speaker 3>Were Okay, is there anything but David does this anything like?

0:34:04.760 --> 0:34:06.520
<v Speaker 3>Is it a mating thing to like the loud of

0:34:06.560 --> 0:34:09.200
<v Speaker 3>the cannocking. The more the female went for, Oh that guy,

0:34:09.320 --> 0:34:10.719
<v Speaker 3>can he can really drill?

0:34:10.920 --> 0:34:13.520
<v Speaker 1>That's it, that's just showing it. I don't see any

0:34:17.000 --> 0:34:20.160
<v Speaker 1>watch this this guy. Yeah okay, yeah, yeah, that's a noise.

0:34:20.239 --> 0:34:21.480
<v Speaker 1>I'm waking up this woodpecker.

0:34:21.560 --> 0:34:21.759
<v Speaker 7>Sure.

0:34:23.000 --> 0:34:27.040
<v Speaker 1>How far back do you think clowning goes in history?

0:34:27.600 --> 0:34:34.920
<v Speaker 1>Wells palaolithical man semataurists, Man, I don't know.

0:34:35.440 --> 0:34:37.959
<v Speaker 6>There was a guy, you know, hog and they found

0:34:38.040 --> 0:34:40.959
<v Speaker 6>one embalmed and bombed and he would trip over a log.

0:34:41.239 --> 0:34:45.040
<v Speaker 1>It was hysterical. They actually found a sing of ice

0:34:45.120 --> 0:34:47.239
<v Speaker 1>that melted, and under the was a guy holding a

0:34:47.320 --> 0:34:49.960
<v Speaker 1>ball and had a red notse and he was balancing

0:34:50.000 --> 0:34:53.480
<v Speaker 1>a stick on his nose. Yeah go ahead, but you're

0:34:53.520 --> 0:34:57.160
<v Speaker 1>actually not You're not far off ancient Egypt.

0:34:57.640 --> 0:35:03.040
<v Speaker 9>There are hieroglyphics that show, oh, clowning, and they were

0:35:03.080 --> 0:35:06.840
<v Speaker 9>actually called dangus and they were compelled to wear funny

0:35:06.920 --> 0:35:09.160
<v Speaker 9>masks and entertain the pharaohs.

0:35:11.560 --> 0:35:12.760
<v Speaker 1>Was it a voluntary jones?

0:35:13.520 --> 0:35:14.239
<v Speaker 4>Was it?

0:35:14.360 --> 0:35:18.160
<v Speaker 1>Like? I don't believe. Was that was that the high

0:35:18.800 --> 0:35:22.600
<v Speaker 1>they were? They were African pigmies, So I don't think

0:35:22.680 --> 0:35:25.840
<v Speaker 1>this was something that you volunteered. And I just insert

0:35:25.920 --> 0:35:27.719
<v Speaker 1>this because I've been on radio for so long, and

0:35:27.800 --> 0:35:31.160
<v Speaker 1>just as a precautionary, could you also google dingus to

0:35:31.200 --> 0:35:35.759
<v Speaker 1>make sure that we're not cursing every three minutes the

0:35:35.840 --> 0:35:38.800
<v Speaker 1>way it sounds to me like a body part in

0:35:38.880 --> 0:35:41.000
<v Speaker 1>important movies. I just want to make sure that when

0:35:41.000 --> 0:35:43.560
<v Speaker 1>we're throwing around the term dangus, that we're not saying.

0:35:43.840 --> 0:35:46.040
<v Speaker 3>By the way, also funny, maybe that's the A because

0:35:46.040 --> 0:35:48.160
<v Speaker 3>we'll find out in the Philippines that means they were

0:35:48.200 --> 0:35:48.640
<v Speaker 3>shut down.

0:35:48.719 --> 0:35:51.680
<v Speaker 1>So yeah, if you could there's actually actually Peter.

0:35:51.760 --> 0:35:55.600
<v Speaker 9>I'm glad you mentioned that because again, clowning historically goes

0:35:55.680 --> 0:35:57.640
<v Speaker 9>back to a lot of different cultures.

0:35:57.840 --> 0:36:01.719
<v Speaker 1>Those are ancient China, the the the Jao dynasty.

0:36:02.120 --> 0:36:05.520
<v Speaker 9>In fact, the Great Wall of China would have been

0:36:05.640 --> 0:36:09.560
<v Speaker 9>painted if not for the Emperor's clown.

0:36:10.480 --> 0:36:14.600
<v Speaker 1>The clowns painting John, I don't understand that. Yes, what

0:36:15.160 --> 0:36:16.160
<v Speaker 1>was in it for the clowns?

0:36:17.239 --> 0:36:19.560
<v Speaker 9>The emperor was going to paint the wall and this

0:36:19.880 --> 0:36:23.800
<v Speaker 9>probably would have meant thousands of hundreds or thousands of people.

0:36:23.719 --> 0:36:26.680
<v Speaker 1>Dying from from that endeavor because it's so huge.

0:36:27.280 --> 0:36:30.080
<v Speaker 9>But the clown that the court gesture if you will,

0:36:30.600 --> 0:36:33.120
<v Speaker 9>was the only one who was able to make the

0:36:33.239 --> 0:36:36.360
<v Speaker 9>emperor think maybe this isn't such a good idea and

0:36:36.520 --> 0:36:37.239
<v Speaker 9>he didn't do it.

0:36:38.040 --> 0:36:41.719
<v Speaker 3>What do you suppose that comedy routine was those are

0:36:41.760 --> 0:36:43.520
<v Speaker 3>the emperors? You guys going to have been a wall?

0:36:44.080 --> 0:36:46.040
<v Speaker 1>And the other question I wanted to know is what

0:36:46.480 --> 0:36:49.360
<v Speaker 1>Sherwin Williams color were they going to be? Where do

0:36:49.400 --> 0:36:53.400
<v Speaker 1>you get too? Yes, because it's ever lasting? Yeah, ever lasting?

0:36:53.719 --> 0:36:53.919
<v Speaker 8>Wow?

0:36:54.120 --> 0:36:58.640
<v Speaker 1>Always classic. Yeah. Anyway, So clowns were way back. But

0:36:58.760 --> 0:37:03.080
<v Speaker 1>guess what one clown is no longer performing. Well, I'm

0:37:03.120 --> 0:37:06.120
<v Speaker 1>sure there's more than McDonald. Ron no longer with us?

0:37:06.239 --> 0:37:09.880
<v Speaker 1>Why that's retired? He was retired in twenty sixteen.

0:37:10.640 --> 0:37:12.560
<v Speaker 9>There were a lot of different reasons, but a lot

0:37:12.640 --> 0:37:15.160
<v Speaker 9>of it had to do with the Stephen King it.

0:37:15.560 --> 0:37:17.320
<v Speaker 1>You know, those scary clowns.

0:37:17.640 --> 0:37:22.560
<v Speaker 9>There are also incidences across the country of a violent clown.

0:37:22.719 --> 0:37:26.560
<v Speaker 9>You know, people would videotape clowns a menacing people, sometimes

0:37:26.640 --> 0:37:27.480
<v Speaker 9>even with weapons.

0:37:27.719 --> 0:37:30.240
<v Speaker 1>This was a documentary thing, and so in twenty sixteen

0:37:30.320 --> 0:37:33.440
<v Speaker 1>he was By the way, I just would love to

0:37:33.480 --> 0:37:36.120
<v Speaker 1>see video Ronald in the film Makeup going, Do you

0:37:36.239 --> 0:37:39.440
<v Speaker 1>just let me go? Let me go on the mortgage.

0:37:42.960 --> 0:37:45.880
<v Speaker 3>Yeah, you know, another famous client that was retired. One

0:37:45.880 --> 0:37:49.000
<v Speaker 3>of my favorite bits on Seinfeld, one of my favorites,

0:37:50.040 --> 0:37:52.400
<v Speaker 3>and it was played by the great Johns who went

0:37:52.480 --> 0:37:54.960
<v Speaker 3>on to you know, direct Ironman, become a major Hollywood

0:37:54.960 --> 0:37:57.880
<v Speaker 3>director and actor. But he played a party clown at

0:37:57.920 --> 0:38:00.279
<v Speaker 3>a kids party that George's in attendance, at the one

0:38:00.280 --> 0:38:02.440
<v Speaker 3>where eventually there would be a kitchen fire and I

0:38:02.440 --> 0:38:04.080
<v Speaker 3>would push old women and children out of the way

0:38:04.120 --> 0:38:04.560
<v Speaker 3>to escape.

0:38:05.040 --> 0:38:05.919
<v Speaker 1>But it drew.

0:38:06.440 --> 0:38:09.319
<v Speaker 3>It drove George crazy that this clown didn't know who

0:38:09.440 --> 0:38:13.200
<v Speaker 3>Boso was. And I kept haranguing him about you don't

0:38:13.239 --> 0:38:13.720
<v Speaker 3>know Boso.

0:38:13.960 --> 0:38:15.640
<v Speaker 1>How do you not know Boso? And John had a

0:38:15.719 --> 0:38:16.920
<v Speaker 1>line and he did it so perfectly.

0:38:16.960 --> 0:38:20.480
<v Speaker 3>He went, I don't know Bojo, Man, you hung up

0:38:20.800 --> 0:38:23.000
<v Speaker 3>on some clown from the sixties.

0:38:23.120 --> 0:38:29.000
<v Speaker 1>Man, he did it so beautifully. I never got through

0:38:29.040 --> 0:38:30.160
<v Speaker 1>the scene and he was in it. But he was

0:38:30.200 --> 0:38:32.759
<v Speaker 1>in it. Oh. I thank you Googleheim, I thank John Weiss.

0:38:32.800 --> 0:38:34.399
<v Speaker 1>I think all our guests, and by the way, thank

0:38:34.440 --> 0:38:36.800
<v Speaker 1>you Blue Wires Studios here in Las Vent. Anybody who's

0:38:37.040 --> 0:38:41.080
<v Speaker 1>still a dankish we apolishi, Yes, Jay job, Yes, and

0:38:41.160 --> 0:38:43.080
<v Speaker 1>you know what we got away with it unscathed and

0:38:43.200 --> 0:38:45.720
<v Speaker 1>by the way, good coffee. Oh you best?

0:38:51.760 --> 0:38:59.279
<v Speaker 2>Now really, really, now, Really, there's another episode of Really

0:38:59.400 --> 0:39:02.120
<v Speaker 2>No Really come to a close. You may be asking

0:39:02.360 --> 0:39:06.040
<v Speaker 2>what are the least dangerous jobs in the world. Well,

0:39:06.080 --> 0:39:07.920
<v Speaker 2>I'll tell you in a moment, but first I'd like

0:39:08.000 --> 0:39:10.960
<v Speaker 2>to thank our guests, John Weiss and Ray Woold. You

0:39:11.000 --> 0:39:13.520
<v Speaker 2>can check them both out on Facebook and YouTube, where

0:39:13.560 --> 0:39:17.520
<v Speaker 2>you'll also find raised controversial recent appearances with his mother

0:39:17.840 --> 0:39:20.680
<v Speaker 2>on America's Got Talent The guy sets his mother.

0:39:20.600 --> 0:39:23.680
<v Speaker 1>On fire, but somehow I'm the one in therapy whatever.

0:39:24.320 --> 0:39:27.160
<v Speaker 2>You can find us online at reallynoreally dot com and

0:39:27.280 --> 0:39:29.360
<v Speaker 2>if you have a really no really, let us know

0:39:29.480 --> 0:39:31.560
<v Speaker 2>on the website and if we use it, we may

0:39:31.719 --> 0:39:34.800
<v Speaker 2>give you something amazing or we'll just rip off your idea.

0:39:35.280 --> 0:39:38.200
<v Speaker 2>You can find us on Instagram, TikTok, and threads it

0:39:38.320 --> 0:39:42.120
<v Speaker 2>Really No Really podcast. Check out our full episodes on YouTube.

0:39:42.320 --> 0:39:44.799
<v Speaker 2>Hit that subscribe button and tick that bell so you're

0:39:44.840 --> 0:39:49.040
<v Speaker 2>updated when we release new videos, and thank you for listening, subscribing,

0:39:49.280 --> 0:39:53.040
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0:39:53.080 --> 0:39:55.319
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0:39:55.560 --> 0:39:59.000
<v Speaker 2>Apple Podcasts, or wherever you get your podcasts, and now

0:39:59.400 --> 0:40:07.680
<v Speaker 2>the top I've rated least dangerous jobs accountant, interpreter, telemarketer, librarian,

0:40:08.000 --> 0:40:12.200
<v Speaker 2>and topping the list copywriter, which seems wrong to me

0:40:12.320 --> 0:40:17.600
<v Speaker 2>given the ever present dangers of paper cuts, eyestrain, handcramping,

0:40:17.920 --> 0:40:21.720
<v Speaker 2>and the lurking thread of replacement by chat GPT. Live fast,

0:40:22.120 --> 0:40:24.600
<v Speaker 2>die young, and leave a good looking corpse.

0:40:24.719 --> 0:40:30.480
<v Speaker 1>Copywriters, you are in our thoughts and prayers. Really No,

0:40:30.560 --> 0:40:33.240
<v Speaker 1>Really is a production of iHeartRadio and Blase Entertainment.