WEBVTT - From Atlanta to Lekki 

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<v Speaker 1>You're listening to Waiting our Reparations a production of My

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<v Speaker 1>Heart Radio Waiting our Reparations. Ah, you were about to

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<v Speaker 1>listen to what Happy said? Us up because I'm sick

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<v Speaker 1>of this selection and I'm happy ship is done. It'll

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<v Speaker 1>be time for introspection, but for now, be glad. We

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<v Speaker 1>want seeing sad Trump supporters. I was laughing. It was fun.

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<v Speaker 1>Joe got to ship the stair again blacks and wants

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<v Speaker 1>to carry them. Oh, by the way, I want to

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<v Speaker 1>thank the Libertarians. The margins were verything, but we just

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<v Speaker 1>secured the weird. Fuck the proud boys, but I'm down

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<v Speaker 1>with the married men. Take from the rich, give to

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<v Speaker 1>the poor. Dope knife reasons they can't keep licking in stores,

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<v Speaker 1>sending races down in Georgia. Were prepare for more, but

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<v Speaker 1>these hands are like roller. You can get it indoors. Nigga.

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<v Speaker 1>Fox News is lost in these lawsuits is nonsense. They

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<v Speaker 1>want sue Philly, but we trust in the process. Check

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<v Speaker 1>the popular vote, we gain a separation. What's your Biden, though,

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<v Speaker 1>we're waiting our reparation in the mean times and then

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<v Speaker 1>an email to the attorney Blue Georgia. Yeah, we turning

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<v Speaker 1>doing it. The whole world be burning if we don't

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<v Speaker 1>pass a green new deal real soon. Yeah, we're gonna

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<v Speaker 1>have to go get the nerdy scientists to tell us

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<v Speaker 1>because everybody else be denying this, and toe Biden is

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<v Speaker 1>about to pass it, but it's like it because we

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<v Speaker 1>elected him in hot fashion. Up, I have to go

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<v Speaker 1>and bite the bashes because they're trying to do what cool.

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<v Speaker 1>Motherfucker's no, blue, No, I don't acknowledge it. I'm about

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<v Speaker 1>to try to abolish. I like to call it is.

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<v Speaker 1>My name is Dope night. We are waiting, ladies and gentlemen.

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<v Speaker 1>Down goes down, Down goes five? Is getting back up?

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<v Speaker 1>Is getting back up? I don't know. Okay, tell well.

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<v Speaker 1>I mean, you know, it's definitely old news for y'all

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<v Speaker 1>at this point. It is Monday, November nine for us

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<v Speaker 1>as we record this, and I have no doubt that

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<v Speaker 1>by Thursday, when you guys hear this, that there's gonna

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<v Speaker 1>be like all new revealing house of horrors with the situation.

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<v Speaker 1>But for now, you know, motherfucker's in the street and

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<v Speaker 1>we're going to be in a little celebratory mood right now.

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<v Speaker 1>And plus we're in motherfucking Georgia, and so this is

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<v Speaker 1>a whole another level of big deal for people down here,

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<v Speaker 1>no doubt. Well, just to recap u over the weekend,

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<v Speaker 1>the election was called and Joe Biden is now your

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<v Speaker 1>new w w E champion or President of the United States.

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<v Speaker 1>Speaking w w E. I'm gonna keep harping on Georgia

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<v Speaker 1>this whole show because we came out with the steel

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<v Speaker 1>chair in the dead of night. I would awake at

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<v Speaker 1>like five o'clock in the morning the last hour watching

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<v Speaker 1>it when it flipped chair and it crept, and then

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<v Speaker 1>when it flipped over and it was like six votes up.

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<v Speaker 1>Like I was exhausted and utterly delirious because I got

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<v Speaker 1>maybe like fourteen hours of sleep last week. But now

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<v Speaker 1>I was just kicking it in the crib with like

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<v Speaker 1>election coverage on, you know, the laptop, and to be

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<v Speaker 1>honest with you, I kind of checked out, Like I

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<v Speaker 1>felt so damn wound up by the whole thing intense

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<v Speaker 1>that like when the day finally got there and the

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<v Speaker 1>votes started coming in, I was like, yeo, I'm just

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<v Speaker 1>turning it off. I had a bad feeling anyway, So

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<v Speaker 1>it's like I'm just gonna turn this ship off. And

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<v Speaker 1>just see what happens in the morning. But your experience

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<v Speaker 1>was completely different, right, because didn't you go to an

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<v Speaker 1>election watching party or something. I was, so I went

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<v Speaker 1>up to Gainesville to watch the results come in with

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<v Speaker 1>my boyfriend Paul, who was a campaign manager for candidate

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<v Speaker 1>for Congress up in with Georgia. But I am dead

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<v Speaker 1>and Pandy running in a really tough district um but

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<v Speaker 1>you know, celebrating all all kinds of small victories that

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<v Speaker 1>are one with regards to turn out, with regards to

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<v Speaker 1>other candidates that were running. So my question I have

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<v Speaker 1>for you is, like, it's one thing to see all

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<v Speaker 1>of your like live or progressive friends like, oh yeah,

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<v Speaker 1>Georgia turned blue, Georgia turn blue. But for somebody like

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<v Speaker 1>you who's actually you know, I mean whatever, would it

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<v Speaker 1>be unfair? Would it be like a mischaracterization for me

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<v Speaker 1>to say you're somebody who's kind of on the inside

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<v Speaker 1>track of that effort to get Georgia to turn blue

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<v Speaker 1>within this last like two years, right? I mean definitely

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<v Speaker 1>with regards to just getting people engaged inside outside as

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<v Speaker 1>presidential elections. Yeah, I mean, this is a beautiful moment.

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<v Speaker 1>It feels like it was never gonna come like the

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<v Speaker 1>odds were so impossible. And as someone that's like on

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<v Speaker 1>the left left, you know, I recognize that this is

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<v Speaker 1>that you know, we don't choose incrementalism, but we accept

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<v Speaker 1>it when we have to. And so we have put

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<v Speaker 1>in so much work to at least open the door

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<v Speaker 1>to a world where the things we won't were possible,

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<v Speaker 1>I think, and to to kind of just like step

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<v Speaker 1>back and think about all of the efforts that have

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<v Speaker 1>been put in all across the state in these tiny

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<v Speaker 1>rural towns where you know, these people feel like they

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<v Speaker 1>are the only ones, in places like Athens, where we're

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<v Speaker 1>surrounded on all side it's by very conservative areas and

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<v Speaker 1>just like constantly fighting, you know, with jerry mandering and whatnot,

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<v Speaker 1>just to have our voices heard. That like the to

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<v Speaker 1>like breathe in like the threat the sweet smell of

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<v Speaker 1>like what collective action, Like what those fruits of that

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<v Speaker 1>labor smell like? Like uh it was, you know, Like

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<v Speaker 1>I I remain like a realist and like recognize that

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<v Speaker 1>it's going to require a lot of grit and tenacity

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<v Speaker 1>and persistence and frustration for us to continue to fight

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<v Speaker 1>to achieve them. While you want to see I believe that,

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<v Speaker 1>you know, through the selection, we've gained the enemy that

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<v Speaker 1>we want um. But you know, I drove down to

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<v Speaker 1>Atlanta on Saturday and we got the got the notice

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<v Speaker 1>that the election have been called in the car and

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<v Speaker 1>we showed about a rally that was supposed to be

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<v Speaker 1>like count every vote being put on by like Sister

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<v Speaker 1>Song and like a lot of like progressive said of

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<v Speaker 1>lefty like Bipop organizations in Atlanta. But to show up

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<v Speaker 1>and then like the mood was so different, like everyone

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<v Speaker 1>turned on a dime and immediately was about, all right,

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<v Speaker 1>how are we getting medicare for all? You know? Sunrise

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<v Speaker 1>Moving was there and they're talking about a Green New

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<v Speaker 1>Deal and we're still in Georgia under Brian Kemp, you know,

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<v Speaker 1>and a Republican control legislator having to deal with a

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<v Speaker 1>tax on women's bodily autonomy and like continuing that fight.

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<v Speaker 1>But the fact that people were able, but like the

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<v Speaker 1>fact that people were so tired. Everyone was honking. They're

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<v Speaker 1>playing like nuck if you buck and the return of

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<v Speaker 1>the Jedi and ship like if you're watching the news,

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<v Speaker 1>just like each each city in the world that they

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<v Speaker 1>were showing a clip of of everybody was just in

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<v Speaker 1>the streets celebrating, like they defeated the empire and ship.

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<v Speaker 1>Yeah and I guess. And so Saturday was really meaningful

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<v Speaker 1>to me to be there in the park with all

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<v Speaker 1>of those organizers because it felt like proto organizing energy.

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<v Speaker 1>It wasn't like like a victory had been one. It

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<v Speaker 1>was that we were excited and energized for what is next.

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<v Speaker 1>Um Like we were getting like like it was like

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<v Speaker 1>a like a like a like a pre a pregame

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<v Speaker 1>at the at the at the crib. What you're doing

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<v Speaker 1>shots with all your homies on the couch of doing

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<v Speaker 1>power power before you go out for the real you know,

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<v Speaker 1>the go out into the sub thirty degrees. All is

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<v Speaker 1>pretty much kind of like a detour. You know. It's

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<v Speaker 1>like a like the ship is obviously not over, and

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<v Speaker 1>it's like whatever whatever, whatever thing that people were scared

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<v Speaker 1>of encountering with the second Trump presidency. It's like, you know,

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<v Speaker 1>we're all kind of on the hangover still of being

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<v Speaker 1>happy that he's going to be going away, but we're

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<v Speaker 1>only taking a detour. You know, this is a joke

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<v Speaker 1>because it doesn't seem like there's gonna be a coup well,

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<v Speaker 1>I mean, it's not losing. It's only Monday. Let's give

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<v Speaker 1>these niggas sometime. Let's let's meet here next week and

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<v Speaker 1>let's talk about what's going on with that, because I

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<v Speaker 1>don't know. The last thing that I heard today before

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<v Speaker 1>we started recording was the person whose job it is

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<v Speaker 1>to sign off on the transition is refusing to sign

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<v Speaker 1>off on the transition. They've got mad lawsuits out everywhere.

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<v Speaker 1>They're trying to prevent states from certifying the vote. So

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<v Speaker 1>I mean, like I said, this is Monday. The ship

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<v Speaker 1>was just confirmed, the Biden one yesterday, and the fun

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<v Speaker 1>he starts already, So I don't know what the hell

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<v Speaker 1>is gonna be like on Thursday. We'll see how that

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<v Speaker 1>plays out. Before we think we're out of the woods

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<v Speaker 1>yet on Trump and his little coup thing, because I mean,

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<v Speaker 1>you know, Lindsey Graham ted cruise ship. There's a long

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<v Speaker 1>list of like people who have been in Congress for

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<v Speaker 1>twenty thirty years that should know better better on TV

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<v Speaker 1>talking about Trump never lost, so I have I don't know,

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<v Speaker 1>We'll see, we'll see. There's the problem with distractions like

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<v Speaker 1>that because we have to put all hands on deck

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<v Speaker 1>and turn our attention to the elections coming up in Georgia,

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<v Speaker 1>right right, and so you know, it's been an exciting

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<v Speaker 1>kind for Georgia's could remain kind of like an annoyingly

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<v Speaker 1>exciting time for Georgia for the next TIWO weeks and

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<v Speaker 1>that like every national organization, all eyes were on Georgia

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<v Speaker 1>pouring in money and people, and Andrew Yane announced that

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<v Speaker 1>he's moving here, and like all these Facebook groups have

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<v Speaker 1>popped up and people like how do I donate, and

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<v Speaker 1>like I'm gonna send you a thousands buttons and I'm

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<v Speaker 1>just imagining our mailbox is just stuffed just to the

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<v Speaker 1>brim with like mailers and the ads. But the struggle

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<v Speaker 1>never ends ends, so on the cited, like, I feel

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<v Speaker 1>very energized to Like I wasn't excited about Warnock or

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<v Speaker 1>us off before. They're pretty milk toast neo liberals. It's

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<v Speaker 1>with the exception, I mean, like we're not kind of

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<v Speaker 1>came around like a federal job guarantee you, which is

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<v Speaker 1>like pretty legit one of my favorite policies. Um, but

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<v Speaker 1>now I'm like, oh shit, if we at least like

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<v Speaker 1>have the Senate like Medicare for all and like a

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<v Speaker 1>federal job guarantee are a lot more possible if we

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<v Speaker 1>have the Senate that if we don't, so I might

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<v Speaker 1>as well fucking put everything I got into the next

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<v Speaker 1>six weeks of trying to elect these motherfucker's just to

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<v Speaker 1>create the world in which the world I want is

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<v Speaker 1>a little more possible, no doubt. Well that was a

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<v Speaker 1>long ass intro, but we got a real dope show

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<v Speaker 1>for you all today. We're gonna talk a little bit

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<v Speaker 1>more about the elections coming up in Georgia. But later

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<v Speaker 1>on we're gonna be talking with the hosts of nprs

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<v Speaker 1>new podcast, Louder than a Riot, some really cool people,

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<v Speaker 1>and it's a really cool show you guys are gonna

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<v Speaker 1>dig on. We're also gonna go over some new music

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<v Speaker 1>real event to our times for the music review. That's

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<v Speaker 1>gonna be cool. We've got some stuff dealing with the

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<v Speaker 1>NSAR situation in Nigeria. We've got Jim Jones and his

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<v Speaker 1>election theme track. We're also going to dive a little

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<v Speaker 1>bit into the case surrounding newly released rapper Drake EO

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<v Speaker 1>and his court situation. So stick around at some dope stuff.

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<v Speaker 1>We'll be back in a second. And so with all

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<v Speaker 1>eyes on Georgia. We want to get some shout outs

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<v Speaker 1>to organize this across the state who have been doing

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<v Speaker 1>work on the ground for years to bring us to

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<v Speaker 1>this moment and who will continue to push us into

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<v Speaker 1>the future as we you know, not only celebrate this

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<v Speaker 1>moment and celebrate not only celebrate this moment, also celebrate

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<v Speaker 1>its potentiality. After I went to the rally on Saturday,

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<v Speaker 1>I met up with some latinage organizers from mostly North Georgia. Um,

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<v Speaker 1>who were you know, celebrating, but also we took a moment.

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<v Speaker 1>It was really weird, but like inspiring. The host Maria

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<v Speaker 1>del Rosario Pelacios, kind of took everyone like paused the

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<v Speaker 1>gathering to ask everyone, what does the nation? What should

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<v Speaker 1>the nation thank you for for this moment in Georgia.

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<v Speaker 1>And everyone went around and just said what, you know,

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<v Speaker 1>whether they're organized or not, just answered the question, like,

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<v Speaker 1>you know, what does the nation know you for this moment?

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<v Speaker 1>And so I asked. I found really inspiring some of

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<v Speaker 1>their answers, and so I asked some organizers from across

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<v Speaker 1>the state answered the same question so that y'all can

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<v Speaker 1>give him proper props. And I stopped with local youth

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<v Speaker 1>activists and daughter a former state House candidate, Mocha Jasmine

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<v Speaker 1>Johnson Daln White, who gave rowsing speeches about the importance

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<v Speaker 1>of voting at Black Lives Matter rallies over the summer

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<v Speaker 1>and a final push land Bass at voter suppression that

0:12:57.840 --> 0:12:59.480
<v Speaker 1>I get out the vote rally here in Athletes the

0:12:59.520 --> 0:13:03.440
<v Speaker 1>Saturday before the election. I believe that the nation should

0:13:03.440 --> 0:13:07.280
<v Speaker 1>thank any local activists in Georgia for what's happening in

0:13:07.320 --> 0:13:11.120
<v Speaker 1>the state because we were able to relay a message

0:13:11.160 --> 0:13:15.320
<v Speaker 1>and information to the citizens when we needed it the

0:13:15.360 --> 0:13:19.840
<v Speaker 1>most in its upcoming election. To basically put somebody in

0:13:19.920 --> 0:13:22.320
<v Speaker 1>office stats here for us and the people and be

0:13:22.400 --> 0:13:25.000
<v Speaker 1>the change that we wanted to see by being a

0:13:25.080 --> 0:13:29.839
<v Speaker 1>beacon and just spreading light to all. I spoke with

0:13:29.960 --> 0:13:33.560
<v Speaker 1>Brendon Buchanan, former charity Metroy Letter Democratic Social America, which

0:13:33.559 --> 0:13:37.280
<v Speaker 1>is the largest UH chapter of d s A of

0:13:37.360 --> 0:13:40.559
<v Speaker 1>the South. The folks in power in the state of

0:13:40.600 --> 0:13:44.240
<v Speaker 1>Georgia have spent the last twenty years convincing people that

0:13:44.360 --> 0:13:47.840
<v Speaker 1>change is not possible, whether that's through control of the media,

0:13:48.200 --> 0:13:51.840
<v Speaker 1>control of elected officials, control of the suburbs, or control

0:13:51.840 --> 0:13:54.960
<v Speaker 1>of that goofy racist flag that we've had going up

0:13:55.040 --> 0:13:58.240
<v Speaker 1>until like two thousand and three, and we've been working

0:13:58.640 --> 0:14:01.680
<v Speaker 1>just as hard the same work you're doing to convince

0:14:01.760 --> 0:14:05.640
<v Speaker 1>people that change matters and is really possible. You don't

0:14:05.679 --> 0:14:08.560
<v Speaker 1>have to thank us for what's happening in Georgia, but

0:14:09.400 --> 0:14:14.360
<v Speaker 1>you're welcome. But yeah, I mean to kind of unpack

0:14:14.440 --> 0:14:17.800
<v Speaker 1>some more takes that have been circulating around the election.

0:14:17.920 --> 0:14:21.000
<v Speaker 1>The NYT reports that nine of the ten voters sided

0:14:21.040 --> 0:14:24.160
<v Speaker 1>the summer uprising as a motivating factor the decision to vote,

0:14:24.600 --> 0:14:27.160
<v Speaker 1>three forces of calling it a major motivating factor, and

0:14:27.200 --> 0:14:29.000
<v Speaker 1>a fifth of voter saying it was the single most

0:14:29.040 --> 0:14:31.640
<v Speaker 1>motivating factor for the decision to participate in the election.

0:14:32.240 --> 0:14:35.040
<v Speaker 1>Among those who sided the protests as a factor, of

0:14:35.080 --> 0:14:40.080
<v Speaker 1>them voted for Joe Biden voted for Donald Trump. According

0:14:40.080 --> 0:14:44.200
<v Speaker 1>to their survey, it seems about what you would expect.

0:14:44.280 --> 0:14:48.840
<v Speaker 1>I know a lot of people anecdotally who weren't really

0:14:48.880 --> 0:14:52.440
<v Speaker 1>that engaged or interested in the election, just from the

0:14:52.920 --> 0:14:56.000
<v Speaker 1>typical thing that you would expect, like Democrats and Republicans

0:14:56.000 --> 0:14:59.160
<v Speaker 1>are the same, and what really is the biggest difference

0:14:59.160 --> 0:15:01.800
<v Speaker 1>between Trump and Democrats and so on and so forth.

0:15:01.840 --> 0:15:06.880
<v Speaker 1>But after the clearing out of Lafaye Square. Yeah. Yeah,

0:15:06.560 --> 0:15:08.960
<v Speaker 1>I have a lot of friends who were like on

0:15:09.040 --> 0:15:12.840
<v Speaker 1>that day, were like, oh, you mean it's like really real.

0:15:13.040 --> 0:15:17.040
<v Speaker 1>It's like, yeah, we've been saying for the last three years.

0:15:18.000 --> 0:15:20.280
<v Speaker 1>And I feel like for people that are like not

0:15:20.480 --> 0:15:25.600
<v Speaker 1>super politically engaged, whose primary Civics education came from high school,

0:15:25.640 --> 0:15:28.360
<v Speaker 1>like this is how a bill becomes a law, go vote,

0:15:29.040 --> 0:15:33.120
<v Speaker 1>like who maybe are inconsistent or non voters, Like it

0:15:33.200 --> 0:15:37.080
<v Speaker 1>makes sense that in the summer of sudden, a sudden

0:15:37.200 --> 0:15:42.000
<v Speaker 1>like quasar of goddamn political activity, people's first day they're

0:15:42.040 --> 0:15:45.720
<v Speaker 1>gonna do is get vote. More so than like writing

0:15:45.720 --> 0:15:49.880
<v Speaker 1>to their legislator or organizing direct action or mutual aid.

0:15:50.240 --> 0:15:53.880
<v Speaker 1>The thing that they has been inculcated in their minds

0:15:53.880 --> 0:15:56.840
<v Speaker 1>since they were like they were instant infancy was voting,

0:15:56.880 --> 0:15:59.320
<v Speaker 1>and so yeah, it makes sense that like people's media

0:15:59.360 --> 0:16:02.240
<v Speaker 1>reaction would be to make sure they participate in the election,

0:16:02.560 --> 0:16:09.280
<v Speaker 1>even if honestly with regards to regards to their visionary goals,

0:16:10.120 --> 0:16:15.120
<v Speaker 1>the visionary demands that emerged from the uprising, like really

0:16:16.040 --> 0:16:21.120
<v Speaker 1>like we don't fares well either way, but I mean, yeah,

0:16:21.200 --> 0:16:23.560
<v Speaker 1>I think we should look at it as you know,

0:16:23.640 --> 0:16:27.520
<v Speaker 1>obviously everything has to be with proper perspective, But I

0:16:27.560 --> 0:16:30.800
<v Speaker 1>don't think that there's anything wrong with people looking at

0:16:30.840 --> 0:16:34.120
<v Speaker 1>it as like a victory and a sign of progress.

0:16:34.160 --> 0:16:36.880
<v Speaker 1>This easily could have flipped on the other It could

0:16:36.880 --> 0:16:39.640
<v Speaker 1>have that, could have this, this, everything right here could

0:16:39.640 --> 0:16:41.760
<v Speaker 1>have been reversed for the negative. You know what I'm saying.

0:16:41.920 --> 0:16:44.720
<v Speaker 1>It could have been fifty three of them voted for

0:16:44.760 --> 0:16:48.560
<v Speaker 1>Trump because of the protests and then the's and then

0:16:48.480 --> 0:16:50.880
<v Speaker 1>in the NYT piece they do talk They did talk

0:16:50.920 --> 0:16:54.040
<v Speaker 1>to voters who said they saw the looting and the vandalism,

0:16:54.040 --> 0:16:55.640
<v Speaker 1>and they got scared, and they wanted a law and

0:16:55.720 --> 0:16:58.240
<v Speaker 1>order president, and they went out and voted. They decided that, oh,

0:16:58.280 --> 0:17:00.440
<v Speaker 1>I gotta as all offense, but I'm gonna go out

0:17:00.440 --> 0:17:04.560
<v Speaker 1>and vote for Trump. So well, let's here's my final thoughts.

0:17:04.720 --> 0:17:09.640
<v Speaker 1>Unlike the Trump supporters. Look, I know that there's seventy

0:17:09.680 --> 0:17:12.680
<v Speaker 1>million of them, you know what I'm saying, seventy million

0:17:12.720 --> 0:17:15.479
<v Speaker 1>people who are willing to go and vote. And I

0:17:15.520 --> 0:17:19.320
<v Speaker 1>know that with all of the craziness that the Trump

0:17:19.359 --> 0:17:22.080
<v Speaker 1>administration was throwing at the wall, that it's hard to

0:17:22.160 --> 0:17:25.680
<v Speaker 1>keep track of everything. I personally am not one of

0:17:25.720 --> 0:17:29.080
<v Speaker 1>those people that like loses track of ship. One day,

0:17:29.119 --> 0:17:32.200
<v Speaker 1>one morning in July, the President just woke up out

0:17:32.280 --> 0:17:36.520
<v Speaker 1>of the blue and tweeted out white power. Seventy million

0:17:36.560 --> 0:17:42.399
<v Speaker 1>people are cool with that, completely cool with that. So

0:17:42.520 --> 0:17:44.440
<v Speaker 1>just keep that, you know, I mean everyone, just keep

0:17:44.520 --> 0:17:47.199
<v Speaker 1>that in proper perspective. With all of this like unity

0:17:47.240 --> 0:17:51.960
<v Speaker 1>talk and oh we gotta like repudiation of fascism, it's

0:17:52.040 --> 0:17:55.520
<v Speaker 1>like fucking barely, it's barely. It's barely, way too close

0:17:55.560 --> 0:17:58.960
<v Speaker 1>for comfort. Are you fucking kidding me? But yeah, let's

0:17:59.000 --> 0:18:01.960
<v Speaker 1>just keep all of that in mind. That just that

0:18:02.040 --> 0:18:07.800
<v Speaker 1>there are seventy million people who accept Donald Trump and

0:18:07.880 --> 0:18:11.280
<v Speaker 1>everything about Donald Trump. So you the listener out there,

0:18:11.640 --> 0:18:16.120
<v Speaker 1>whatever thing that you take away from this past four

0:18:16.200 --> 0:18:19.960
<v Speaker 1>years about the Trump presidency that you personally that affected you,

0:18:20.240 --> 0:18:23.800
<v Speaker 1>that you think was especially bad, seventy million of your

0:18:23.840 --> 0:18:28.560
<v Speaker 1>fellow countrymen and women have zero problem with it, whatsoever,

0:18:28.760 --> 0:18:31.760
<v Speaker 1>whatever that issue would be. I just want to keep

0:18:31.760 --> 0:18:34.920
<v Speaker 1>that in mind because obviously we know that the the Centrists,

0:18:34.920 --> 0:18:36.960
<v Speaker 1>they're gonna start coming out of the woodwork. They've already

0:18:36.960 --> 0:18:40.240
<v Speaker 1>started coming out of the woodworks with demands of bipartisanship

0:18:40.359 --> 0:18:45.560
<v Speaker 1>and working together in YadA YadA, YadA. Oh it's never

0:18:46.520 --> 0:18:50.719
<v Speaker 1>These things are never brought up when the Republicans win. Like,

0:18:51.400 --> 0:18:55.840
<v Speaker 1>I do not remember any news source that was like, hey,

0:18:55.920 --> 0:18:59.400
<v Speaker 1>you guys know that some of these policies that you're

0:18:59.640 --> 0:19:02.200
<v Speaker 1>the most ulim band in this wall, Like, you guys

0:19:02.320 --> 0:19:06.160
<v Speaker 1>do know that these are like fringe right wing like ideas.

0:19:06.160 --> 0:19:08.840
<v Speaker 1>Are y'all really just gonna poist them on the American

0:19:08.880 --> 0:19:11.360
<v Speaker 1>public without like you know, trying to like find any

0:19:11.359 --> 0:19:13.280
<v Speaker 1>sort of like middle ground. No one's what was asking

0:19:13.280 --> 0:19:16.479
<v Speaker 1>Republicans about any sort of middle ground. The Democrats win

0:19:16.840 --> 0:19:19.280
<v Speaker 1>and the next day they're like, all right, so you

0:19:19.280 --> 0:19:24.080
<v Speaker 1>guys gotta work together, right, we gotta reject throughout the lasts,

0:19:24.800 --> 0:19:26.880
<v Speaker 1>you know, I mean starting to peel their masks off

0:19:27.000 --> 0:19:29.320
<v Speaker 1>now and show the goblins that we hated for a

0:19:29.359 --> 0:19:33.639
<v Speaker 1>decade before Trump. Yeah, it's it's very frustrated speaking of

0:19:33.680 --> 0:19:38.040
<v Speaker 1>we speaking of interpretations of where we go from here. Um,

0:19:38.119 --> 0:19:40.120
<v Speaker 1>there's so there is a lot of talk about like

0:19:41.040 --> 0:19:46.439
<v Speaker 1>do we sees on our new power to push things left?

0:19:46.600 --> 0:19:50.119
<v Speaker 1>Because honestly, funk the niggas like we can do whatever

0:19:50.160 --> 0:19:53.600
<v Speaker 1>we want now, you know, we're more Republicans voted for

0:19:53.600 --> 0:19:55.840
<v Speaker 1>Trump this time the last time, so fuck them and

0:19:55.960 --> 0:19:57.760
<v Speaker 1>we don't need them. We didn't. They didn't vote for

0:19:57.880 --> 0:20:00.960
<v Speaker 1>Joe Biden. We don't, you know, did cater to them.

0:20:01.080 --> 0:20:06.359
<v Speaker 1>That's the Lincoln Project you can thank for that votes

0:20:06.680 --> 0:20:11.080
<v Speaker 1>for Trump. Yeah, good job, great jobs, five million more votes.

0:20:11.119 --> 0:20:15.920
<v Speaker 1>And John Casey didn't give us Ohio nailed nailed it. Boys.

0:20:16.240 --> 0:20:21.760
<v Speaker 1>You know, we got Minnesota, thanks Alan Alont Michigan, Thanks

0:20:21.920 --> 0:20:27.080
<v Speaker 1>Rush Lead. I'm just saying, so, y'all thrown out the

0:20:27.160 --> 0:20:32.439
<v Speaker 1>radical lab Meanwhile, Democrats who lost re election failed, you know,

0:20:32.440 --> 0:20:34.800
<v Speaker 1>if the most part failed to support policies like Medicare

0:20:34.880 --> 0:20:38.000
<v Speaker 1>for all, and the ones that did actually ended up

0:20:38.000 --> 0:20:40.000
<v Speaker 1>winning there, Yeah, and putting in swing state and swing

0:20:40.080 --> 0:20:42.800
<v Speaker 1>districts like fucking Katie Porter. So I mean, well, I'm

0:20:42.840 --> 0:20:46.240
<v Speaker 1>sure there's more to it than that. Results are results,

0:20:46.280 --> 0:20:48.320
<v Speaker 1>you know. But there's gonna be plenty of time for

0:20:48.359 --> 0:20:52.800
<v Speaker 1>these debates in the weeks and months to come. But

0:20:52.960 --> 0:20:55.440
<v Speaker 1>enough of that for now. Let's get into the fun ship.

0:20:55.520 --> 0:21:01.119
<v Speaker 1>Let's bring on our guest today. Today, we're gonna be

0:21:01.200 --> 0:21:05.320
<v Speaker 1>talking with two extraordinarily dope people individually. They are a

0:21:05.359 --> 0:21:08.840
<v Speaker 1>reporter and editor for NPR Music Sydney Madden and NPR

0:21:08.960 --> 0:21:12.320
<v Speaker 1>Music's hip hop writer Rodney Carmichael. And if this was

0:21:12.800 --> 0:21:15.240
<v Speaker 1>like a live studio audiences where I'd say, makes some

0:21:15.359 --> 0:21:25.159
<v Speaker 1>noise for riding everybody, can you tell this performing? Yeah,

0:21:25.160 --> 0:21:28.080
<v Speaker 1>I have you seasoned music journalists, but together they are

0:21:28.160 --> 0:21:31.439
<v Speaker 1>hosts one of the freshest podcasts out right now. NPR

0:21:31.480 --> 0:21:35.800
<v Speaker 1>is Louder than a Riot. So, Sydney, Rodney from the job,

0:21:35.840 --> 0:21:37.639
<v Speaker 1>can you explain to our listeners what the show was

0:21:37.680 --> 0:21:39.479
<v Speaker 1>about and what they can expect to hear when they

0:21:39.520 --> 0:21:44.480
<v Speaker 1>dive in. Man, you want to take that? Yeah? Absolutely, Well,

0:21:44.480 --> 0:21:46.880
<v Speaker 1>first of all, thanks for having us, y'all. I've been

0:21:46.880 --> 0:21:50.320
<v Speaker 1>binging the show, so now I'm a fan. I'm a

0:21:50.359 --> 0:21:54.200
<v Speaker 1>new fan. So um, Louder than Riot is all about

0:21:54.200 --> 0:21:56.439
<v Speaker 1>the collision of rhyme and punishment in America. So what

0:21:56.480 --> 0:21:59.520
<v Speaker 1>we do on this show is really traced the historical

0:21:59.760 --> 0:22:04.760
<v Speaker 1>and socio political timelines and intersecting timelines of hip hop

0:22:04.800 --> 0:22:08.159
<v Speaker 1>and mass incarceration from the nineties till now. And we

0:22:08.280 --> 0:22:12.040
<v Speaker 1>do it through real life cases of rappers and hip

0:22:12.080 --> 0:22:15.560
<v Speaker 1>hop luminaries that have been touched by the criminal justice system.

0:22:15.600 --> 0:22:17.199
<v Speaker 1>I was really curious and how you set it on

0:22:17.200 --> 0:22:20.399
<v Speaker 1>this particular intersection between hip hop and politics for the

0:22:20.400 --> 0:22:22.400
<v Speaker 1>focus of your show, since in our show we talked

0:22:22.400 --> 0:22:26.240
<v Speaker 1>about many ways that policy touches the lives of the

0:22:26.400 --> 0:22:28.680
<v Speaker 1>of those in the hip hop community. So why mass

0:22:28.680 --> 0:22:32.760
<v Speaker 1>incarceration particularly, I mean, I think we got our first

0:22:32.920 --> 0:22:35.560
<v Speaker 1>signals from the music, you know what I mean. I

0:22:35.600 --> 0:22:38.959
<v Speaker 1>think if you if you you grew up in the

0:22:39.440 --> 0:22:42.240
<v Speaker 1>in the eighties and but especially in the nineties, in

0:22:42.359 --> 0:22:45.280
<v Speaker 1>terms of being a hip hop fan, if you were listening,

0:22:45.600 --> 0:22:47.879
<v Speaker 1>if you were listening to the music at the time,

0:22:48.000 --> 0:22:50.639
<v Speaker 1>you know, they were making these connections. They were they

0:22:50.680 --> 0:22:56.520
<v Speaker 1>were critiquing the the prison industrial complex on a ground

0:22:56.680 --> 0:23:00.480
<v Speaker 1>level plane spoken, you know, the way we talked each other,

0:23:00.680 --> 0:23:03.040
<v Speaker 1>and then you know, in ways that I'm sure the

0:23:03.119 --> 0:23:06.160
<v Speaker 1>academics were as well, and then the activists and whatnot.

0:23:06.200 --> 0:23:09.160
<v Speaker 1>But if you were just a straight up hip hop head,

0:23:09.320 --> 0:23:14.240
<v Speaker 1>it was information. And you know, I think that that

0:23:14.240 --> 0:23:18.280
<v Speaker 1>that sense that there was just you know, connection or

0:23:18.440 --> 0:23:21.400
<v Speaker 1>you know, was it conspiratorial. It's just an idea that's

0:23:21.440 --> 0:23:24.959
<v Speaker 1>always kind of resonated. You know, a lot of conspiratorial

0:23:25.040 --> 0:23:28.919
<v Speaker 1>ideas resonating our community because you know, honestly, a lot

0:23:28.960 --> 0:23:33.200
<v Speaker 1>of conspiratorial things have happened to our community that we

0:23:33.200 --> 0:23:35.160
<v Speaker 1>were never told about, and we had to learn about

0:23:35.200 --> 0:23:39.199
<v Speaker 1>ourselves and connect the doubts ourselves. Yeah. So so I

0:23:39.240 --> 0:23:41.600
<v Speaker 1>think that's that's that's where the connection came from. I mean,

0:23:41.640 --> 0:23:44.720
<v Speaker 1>you know, I think you know, Source magazine back in

0:23:44.760 --> 0:23:48.040
<v Speaker 1>the early two thousand's when they did them behind Bars

0:23:48.080 --> 0:23:51.159
<v Speaker 1>issues a few years running. You know, that was a

0:23:51.280 --> 0:23:54.879
<v Speaker 1>really huge thing. I remember at the time, um and

0:23:55.080 --> 0:23:58.000
<v Speaker 1>and and just I open it in terms of like, oh, there, there,

0:23:58.040 --> 0:24:00.600
<v Speaker 1>there's there's a connection here, or at least a way

0:24:00.640 --> 0:24:04.240
<v Speaker 1>to explore the criminal justice system in a way it's

0:24:04.280 --> 0:24:07.400
<v Speaker 1>impacting us through the thing that we love so much,

0:24:07.520 --> 0:24:11.040
<v Speaker 1>hip hop. You know. So is there any is there

0:24:11.040 --> 0:24:15.000
<v Speaker 1>any like one particular case that kind of sparked off

0:24:15.040 --> 0:24:18.440
<v Speaker 1>the interest to go in this direction. I don't think

0:24:18.440 --> 0:24:19.840
<v Speaker 1>it was. I think it was the fact that there

0:24:19.880 --> 0:24:23.440
<v Speaker 1>were so many cases, you know. I mean the idea

0:24:23.800 --> 0:24:27.280
<v Speaker 1>is it's really about trying to expose the fact that

0:24:27.359 --> 0:24:30.960
<v Speaker 1>this this you know, mass and conceration and over policing

0:24:31.040 --> 0:24:34.440
<v Speaker 1>impacts us so much, you know, and it's like, how

0:24:34.480 --> 0:24:37.960
<v Speaker 1>can you talk about this issue in a way that

0:24:38.480 --> 0:24:42.200
<v Speaker 1>isn't just academic isn't just statistics in a way where

0:24:42.240 --> 0:24:45.520
<v Speaker 1>you can tell stories that will pull people in and

0:24:45.520 --> 0:24:48.200
<v Speaker 1>and and and really you know, get you to think

0:24:48.240 --> 0:24:52.399
<v Speaker 1>about these issues. So hip hop really is almost just

0:24:52.480 --> 0:24:56.000
<v Speaker 1>the vehicle to look at, you know, how how this

0:24:56.040 --> 0:24:58.480
<v Speaker 1>stuff is has been affecting us for for so many

0:24:58.560 --> 0:25:01.600
<v Speaker 1>decades because you know, hip hop is popular, you know

0:25:01.640 --> 0:25:04.040
<v Speaker 1>what I mean, it's popular with us, it's popular with

0:25:04.400 --> 0:25:07.960
<v Speaker 1>people outside of our communities obviously, and a lot of

0:25:08.000 --> 0:25:11.600
<v Speaker 1>people who claim they love black people don't necessarily seem

0:25:11.640 --> 0:25:17.120
<v Speaker 1>to always understand the way, you know, issues and systemic

0:25:17.240 --> 0:25:20.400
<v Speaker 1>racism and whatnot how to impact them black people specifically,

0:25:20.760 --> 0:25:22.679
<v Speaker 1>and so it's like, let's let's use this thing that

0:25:22.760 --> 0:25:26.040
<v Speaker 1>you love, um, you know, whether you're black or white

0:25:26.200 --> 0:25:31.720
<v Speaker 1>or whatever, and and and expose these broader realities. Um. So, yeah,

0:25:31.720 --> 0:25:34.480
<v Speaker 1>it was just the mass amount of cases that that

0:25:34.640 --> 0:25:37.919
<v Speaker 1>made it seem so you know, it's like like so

0:25:38.000 --> 0:25:41.639
<v Speaker 1>inevitable together. And that's the through line that we really,

0:25:41.840 --> 0:25:44.359
<v Speaker 1>um saw because when a lot of these cases started

0:25:44.359 --> 0:25:46.879
<v Speaker 1>popping up, whether it be uh the meat mail pro

0:25:47.000 --> 0:25:51.040
<v Speaker 1>violation or twenty one Savage getting getting yoked up at

0:25:51.080 --> 0:25:55.720
<v Speaker 1>the Super Bowl for citizenship violations stuff like that to too.

0:25:56.760 --> 0:25:59.280
<v Speaker 1>To an untrained eye and untrained ear, it can all

0:25:59.280 --> 0:26:02.320
<v Speaker 1>seem like I selated incidents, and it can all seem like, oh, well,

0:26:02.359 --> 0:26:04.440
<v Speaker 1>rappers get in trouble, that's what they do. They sell

0:26:04.520 --> 0:26:07.840
<v Speaker 1>this type of criminal outlaw lifestyle, so when they live it,

0:26:07.920 --> 0:26:10.640
<v Speaker 1>you know that's what happens. But these these cases don't

0:26:10.640 --> 0:26:14.160
<v Speaker 1>happen in a vacuum. In these cases have so much

0:26:14.760 --> 0:26:20.679
<v Speaker 1>overshadowing and overarching systemic themes, systemic racism, themes throughout that

0:26:20.720 --> 0:26:24.919
<v Speaker 1>we really wanted to drive that connection home. And it

0:26:25.280 --> 0:26:29.280
<v Speaker 1>now seems like obviously it's been a topic that's evergreen

0:26:29.320 --> 0:26:31.320
<v Speaker 1>and pertinent, but now it seemed a perfect time to

0:26:31.400 --> 0:26:35.480
<v Speaker 1>do it because as hip hop is the most consumed,

0:26:35.480 --> 0:26:40.480
<v Speaker 1>most stream genre in America, and America incarcerates more of

0:26:40.560 --> 0:26:44.000
<v Speaker 1>its um population than any other country per capita in

0:26:44.000 --> 0:26:46.920
<v Speaker 1>the in the world. So it's like these superlatives, they

0:26:46.920 --> 0:26:50.080
<v Speaker 1>don't live separate from each other. They're all intertwined because

0:26:50.520 --> 0:26:53.720
<v Speaker 1>the art and the culture, it's a it's a mirror

0:26:53.760 --> 0:26:56.440
<v Speaker 1>to what what is happening in society. So that's why

0:26:56.480 --> 0:26:59.440
<v Speaker 1>we really wanted to draw it out. So how did

0:26:59.480 --> 0:27:04.159
<v Speaker 1>y'all like linked to to do this podcast. Oh that

0:27:04.240 --> 0:27:08.640
<v Speaker 1>was the easy part, I means part. Yeah, we started

0:27:08.640 --> 0:27:13.240
<v Speaker 1>at the same year. Uh. And at NPR Music, I

0:27:13.320 --> 0:27:15.480
<v Speaker 1>started at the beginning of the years. It came towards

0:27:15.480 --> 0:27:20.640
<v Speaker 1>the end of the year, and you know, we we

0:27:20.640 --> 0:27:23.560
<v Speaker 1>were we were I think we were really kind of

0:27:23.640 --> 0:27:29.199
<v Speaker 1>hungry to create a platform within NPR Music, uh for

0:27:29.359 --> 0:27:33.720
<v Speaker 1>hip hop. You know, obviously there's the Tiny Desk, which um,

0:27:33.800 --> 0:27:38.000
<v Speaker 1>you know, we we both contribute to uh as well

0:27:38.320 --> 0:27:40.920
<v Speaker 1>and has has in it in itself in a lot

0:27:40.920 --> 0:27:43.680
<v Speaker 1>of ways become a platform for for hip hop and

0:27:43.920 --> 0:27:47.480
<v Speaker 1>R and B in black music. Um. And there was

0:27:48.080 --> 0:27:52.120
<v Speaker 1>you know, the the early hip hop podcast microphone Check,

0:27:52.160 --> 0:27:53.680
<v Speaker 1>which was one of the first things that really made

0:27:53.720 --> 0:27:57.800
<v Speaker 1>me start checking for NPR Music before I worked there. Um,

0:27:57.840 --> 0:28:01.320
<v Speaker 1>but you know, uh, Franny Kelly who started that podcast,

0:28:01.800 --> 0:28:05.040
<v Speaker 1>she had moved on at that point, so it just

0:28:05.160 --> 0:28:09.479
<v Speaker 1>wasn't a platform. It just felt like, uh, you know,

0:28:09.800 --> 0:28:12.200
<v Speaker 1>hip hop, like like we already said, you know, hip

0:28:12.200 --> 0:28:15.400
<v Speaker 1>hop is the most popular genre, and you know it's

0:28:15.640 --> 0:28:19.399
<v Speaker 1>it's the two it's the two teens whatever. You know

0:28:19.480 --> 0:28:21.560
<v Speaker 1>what I'm saying, it's it's crazy that we don't have

0:28:22.000 --> 0:28:24.639
<v Speaker 1>a bigger platform here to talk about hip hop, and

0:28:24.680 --> 0:28:27.520
<v Speaker 1>so I think, you know, we we were already in

0:28:27.600 --> 0:28:31.640
<v Speaker 1>brainstorm mode and and you know it kind of we're

0:28:31.640 --> 0:28:35.480
<v Speaker 1>going to create something whether it was right, and it was.

0:28:35.640 --> 0:28:39.600
<v Speaker 1>We really saw openly for ourselves with it because we

0:28:39.600 --> 0:28:41.760
<v Speaker 1>were both coming to it as hip hop journalists music

0:28:41.800 --> 0:28:46.040
<v Speaker 1>journalists who were at the time like newes to MPR.

0:28:46.200 --> 0:28:48.880
<v Speaker 1>But you know, NPR has it carries such a name

0:28:48.920 --> 0:28:52.480
<v Speaker 1>of high caliber journalism. So we really saw that crossroads

0:28:52.520 --> 0:28:56.239
<v Speaker 1>of like cultural confluence that we bring naturally to it

0:28:56.360 --> 0:28:58.600
<v Speaker 1>because we're of the culture and we cover the culture

0:28:58.720 --> 0:29:02.800
<v Speaker 1>and we are the culture. And then and then marrying

0:29:02.880 --> 0:29:08.560
<v Speaker 1>that with real in depth research, reporting, editing, producing, um,

0:29:08.600 --> 0:29:11.920
<v Speaker 1>soundscaping that NPR is known for. So we were like,

0:29:11.960 --> 0:29:15.600
<v Speaker 1>there's nothing else out there like this, So let's do it.

0:29:15.680 --> 0:29:19.720
<v Speaker 1>Fellos Firs and name mother than a rioting from oh Man.

0:29:19.800 --> 0:29:22.200
<v Speaker 1>Well that was first. We went through a lot of

0:29:22.280 --> 0:29:25.080
<v Speaker 1>names we had. We won't we won't mention any of

0:29:25.120 --> 0:29:30.760
<v Speaker 1>the we had. Um, some just weren't right, others were

0:29:30.840 --> 0:29:36.840
<v Speaker 1>not available. UM. But you know, in the midst of this,

0:29:36.920 --> 0:29:39.120
<v Speaker 1>you know, we've been we've been working on this, this

0:29:39.200 --> 0:29:44.240
<v Speaker 1>podcast for over two years and so in the midst

0:29:44.280 --> 0:29:47.000
<v Speaker 1>of us kind of finally coming down, ramping up to

0:29:47.640 --> 0:29:51.480
<v Speaker 1>getting ready to release it, all of this stuff everything

0:29:51.520 --> 0:29:56.800
<v Speaker 1>of starts to happen, right, and so you know, it

0:29:56.960 --> 0:30:01.440
<v Speaker 1>felt so um, it just resonated with with with with

0:30:01.480 --> 0:30:03.920
<v Speaker 1>everything that we were talking about, you know, and it

0:30:04.040 --> 0:30:06.120
<v Speaker 1>felt like, you know, let's try to pick a name

0:30:06.240 --> 0:30:09.280
<v Speaker 1>that not only uh, speaks to this moment, but speaks

0:30:09.280 --> 0:30:12.280
<v Speaker 1>to the history that hip hop has in terms of,

0:30:12.360 --> 0:30:14.320
<v Speaker 1>you know, being a voice for the voiceless and speaking

0:30:14.360 --> 0:30:18.280
<v Speaker 1>truth to power and you know mL case you know

0:30:18.360 --> 0:30:22.120
<v Speaker 1>famous quote a riot is the language of the unheard.

0:30:22.280 --> 0:30:26.680
<v Speaker 1>It just kept resonating, and it's just like, you know, what,

0:30:26.680 --> 0:30:29.640
<v Speaker 1>what what better genre of music is there in hip

0:30:29.680 --> 0:30:32.920
<v Speaker 1>hop when it comes to being a soundtrack for the unheard?

0:30:33.440 --> 0:30:36.480
<v Speaker 1>You know? So um, just the idea that hip hop

0:30:36.480 --> 0:30:39.719
<v Speaker 1>has been rapping and raging about this stuff for forty

0:30:39.720 --> 0:30:44.120
<v Speaker 1>plus years and for whatever reason, America on on on

0:30:44.160 --> 0:30:46.720
<v Speaker 1>some level, you know, whether it was short lived or

0:30:46.760 --> 0:30:51.120
<v Speaker 1>not seemed to to hear. Uh. You know what we've

0:30:51.160 --> 0:30:55.320
<v Speaker 1>been um, you know, crying about and pointing out for

0:30:55.320 --> 0:30:59.360
<v Speaker 1>for forty plus years, uh, four hundred years. You know

0:30:59.720 --> 0:31:03.720
<v Speaker 1>this this summer it's just we we just wanted to

0:31:03.800 --> 0:31:06.719
<v Speaker 1>kind of land on something that connected all of that together.

0:31:06.920 --> 0:31:11.120
<v Speaker 1>And you know, you know if if if if share

0:31:11.280 --> 0:31:13.000
<v Speaker 1>so if. That's just kind of how we landed on.

0:31:13.720 --> 0:31:15.760
<v Speaker 1>And it's really a lot about just to add on

0:31:15.840 --> 0:31:19.000
<v Speaker 1>to that, Rodney is being humble, but he came up

0:31:19.040 --> 0:31:22.520
<v Speaker 1>with that great epiphany in like the eleventh and a

0:31:22.600 --> 0:31:25.080
<v Speaker 1>half hour because they were like, y'all, all these names

0:31:25.080 --> 0:31:28.640
<v Speaker 1>are taken. We need a name. Ronney's like, I got it.

0:31:29.040 --> 0:31:31.560
<v Speaker 1>But just to add on to that, there's so much

0:31:31.800 --> 0:31:38.080
<v Speaker 1>um um negative and derogatory connotations to the word riot,

0:31:38.160 --> 0:31:42.640
<v Speaker 1>and riot has become something of of a racialized term

0:31:42.720 --> 0:31:46.080
<v Speaker 1>and a politicized term, and we really wanted to um

0:31:46.440 --> 0:31:49.120
<v Speaker 1>circumvent that and subvert that and and put it in

0:31:49.160 --> 0:31:50.800
<v Speaker 1>front of your face and be like, nah, this is

0:31:50.840 --> 0:31:52.880
<v Speaker 1>the deeper context that you need to look into and

0:31:52.920 --> 0:31:55.560
<v Speaker 1>you need to listen to. And and that's exactly what

0:31:55.600 --> 0:31:58.200
<v Speaker 1>our show does. Our show is a lot about context.

0:31:58.280 --> 0:32:01.920
<v Speaker 1>It's a lot about historical um um backdrops. It's a

0:32:01.920 --> 0:32:09.120
<v Speaker 1>lot about um intergenerational trauma, community settings, disparities that informed

0:32:09.160 --> 0:32:14.040
<v Speaker 1>the music that that turned UH young artists into into

0:32:14.040 --> 0:32:17.000
<v Speaker 1>scapegoats and into martyrs for the culture and for and

0:32:17.080 --> 0:32:22.080
<v Speaker 1>for the law. So so casually, uh, and so that's

0:32:22.120 --> 0:32:24.000
<v Speaker 1>what we really wanted to do. We wanted to signal

0:32:24.040 --> 0:32:26.040
<v Speaker 1>in the name that this is going to be more

0:32:26.080 --> 0:32:28.200
<v Speaker 1>than what you just think it is off jump. So

0:32:28.240 --> 0:32:31.240
<v Speaker 1>that's why we we went with something and we actually

0:32:31.280 --> 0:32:34.600
<v Speaker 1>made ours. It's a new phrase, and it helps that

0:32:34.880 --> 0:32:38.120
<v Speaker 1>you know, now when you say louder than the riot,

0:32:38.240 --> 0:32:41.040
<v Speaker 1>all you can think of is this, right, So it's

0:32:41.240 --> 0:32:47.600
<v Speaker 1>easy for search terms too, So shout out to Rodney. So,

0:32:47.760 --> 0:32:51.800
<v Speaker 1>like back in the early two thousand tens, like I personally,

0:32:52.760 --> 0:32:56.200
<v Speaker 1>it's like before falling down the YouTube rabbit hole had

0:32:56.240 --> 0:32:59.440
<v Speaker 1>like a term to it that was like diagnosed. I

0:32:59.560 --> 0:33:03.480
<v Speaker 1>was kind of like susceptible to some online just conspiracy

0:33:03.520 --> 0:33:05.640
<v Speaker 1>theories and stuff like that in the early days of

0:33:05.720 --> 0:33:08.280
<v Speaker 1>that sort of thing. And I remember one of the

0:33:08.280 --> 0:33:11.719
<v Speaker 1>early things that I remember stumbling across around them was

0:33:11.800 --> 0:33:16.000
<v Speaker 1>the letter, the infamous letter that you guys deal with

0:33:16.040 --> 0:33:18.680
<v Speaker 1>in the first episode of the show. So I wanted

0:33:18.720 --> 0:33:22.520
<v Speaker 1>you guys to first explain to our listeners just the

0:33:22.560 --> 0:33:25.280
<v Speaker 1>story behind the letter, and then why did y'all choose

0:33:25.360 --> 0:33:28.480
<v Speaker 1>to have that be like the jumping point for the

0:33:28.480 --> 0:33:31.800
<v Speaker 1>first episode, the stars like what you guys dealt with? Okay.

0:33:31.840 --> 0:33:37.000
<v Speaker 1>So so the letter, the letter in question, um, uh,

0:33:37.000 --> 0:33:39.560
<v Speaker 1>which I guess doesn't really have a name to it,

0:33:39.600 --> 0:33:42.600
<v Speaker 1>but but we kind of named the hip the hip

0:33:42.640 --> 0:33:46.960
<v Speaker 1>hop Willie Lynch Letter. Um. I've heard other people call it.

0:33:46.960 --> 0:33:50.040
<v Speaker 1>To Dr Regina Bradley, who we we interview in the

0:33:50.120 --> 0:33:55.640
<v Speaker 1>DJ Drama episode, she she calls it that as well. Um,

0:33:55.800 --> 0:33:58.880
<v Speaker 1>the letter, the letter you know, it reports that there

0:33:58.960 --> 0:34:01.680
<v Speaker 1>was a meeting that to place in the early nineties

0:34:02.000 --> 0:34:09.759
<v Speaker 1>that brought together music executives and private prison industry executives

0:34:09.800 --> 0:34:14.320
<v Speaker 1>and proposed this, uh you know, this this this meeting

0:34:14.880 --> 0:34:19.000
<v Speaker 1>or this connection between the two in which they would

0:34:19.040 --> 0:34:24.800
<v Speaker 1>get rich together if the music executives began signing, marketing

0:34:24.840 --> 0:34:29.839
<v Speaker 1>and promoting hip hop. That uh you know played into

0:34:29.880 --> 0:34:33.080
<v Speaker 1>a lot of the criminal stereotypes and and therefore with

0:34:33.520 --> 0:34:37.319
<v Speaker 1>you know, help them feel their private prisons. Uh. That

0:34:37.360 --> 0:34:40.799
<v Speaker 1>was that was the idea, right and um, I think

0:34:40.920 --> 0:34:44.920
<v Speaker 1>in a lot of ways, the idea resonated because you know,

0:34:44.960 --> 0:34:48.640
<v Speaker 1>like so many people that we interviewed talked about it

0:34:48.920 --> 0:34:52.279
<v Speaker 1>kind of you know, fits with the evolution of hip hop.

0:34:52.360 --> 0:34:56.160
<v Speaker 1>That was happening that began to happen, you know, early nineties,

0:34:56.200 --> 0:35:00.319
<v Speaker 1>as as as gangster rap, you know, explode it and

0:35:00.520 --> 0:35:05.000
<v Speaker 1>really became the most popular form or subgenre of hip hop.

0:35:05.440 --> 0:35:08.919
<v Speaker 1>You know, you saw this transformation from you know, like

0:35:09.040 --> 0:35:13.280
<v Speaker 1>the pro black afrocentric era kind of East Coast driven,

0:35:13.320 --> 0:35:15.120
<v Speaker 1>although there were a lot of West Coast artists a

0:35:15.200 --> 0:35:18.400
<v Speaker 1>shot after, artists like Paris and whatnot, that we're on

0:35:18.440 --> 0:35:21.800
<v Speaker 1>that same tip um. I mean it with every everybody,

0:35:21.840 --> 0:35:24.560
<v Speaker 1>the whole. I think hip hop at at large what

0:35:24.600 --> 0:35:29.440
<v Speaker 1>was on that tip um. But you know, you definitely

0:35:29.480 --> 0:35:33.799
<v Speaker 1>saw a transformation, and I think there was market forces

0:35:34.360 --> 0:35:37.520
<v Speaker 1>that at play behind some of that, but it was

0:35:37.560 --> 0:35:42.080
<v Speaker 1>also cultural things happening behind some of that um and

0:35:42.080 --> 0:35:45.320
<v Speaker 1>and so I think the reason why we wanted to

0:35:45.400 --> 0:35:49.920
<v Speaker 1>jump it off like that is is because I don't know,

0:35:49.960 --> 0:35:52.120
<v Speaker 1>I don't think we could have avoided it. Honestly, if

0:35:52.120 --> 0:35:55.360
<v Speaker 1>you're looking at the intersection, but the potential intersection between

0:35:55.440 --> 0:35:58.279
<v Speaker 1>mass and conceration and hip hop. You know, even if

0:35:58.320 --> 0:36:02.000
<v Speaker 1>even if the thescy theory is letter is a is

0:36:02.040 --> 0:36:06.279
<v Speaker 1>a is a hoax or just a theory, it does

0:36:06.360 --> 0:36:09.000
<v Speaker 1>so much of the legwork in terms of getting you

0:36:09.120 --> 0:36:13.279
<v Speaker 1>to think about the potential connections between the two or

0:36:13.320 --> 0:36:16.799
<v Speaker 1>why we as as as black folks, as hip hop

0:36:16.880 --> 0:36:23.200
<v Speaker 1>fans would be so anxious about the potential connection, you know,

0:36:23.400 --> 0:36:26.440
<v Speaker 1>and and what what is what is driving this connection

0:36:26.560 --> 0:36:30.120
<v Speaker 1>and and why are things changing in ways that seem

0:36:30.160 --> 0:36:34.000
<v Speaker 1>to be beyond our control? Um? I mean you just

0:36:34.040 --> 0:36:37.280
<v Speaker 1>look at like so many forms of of of of

0:36:37.280 --> 0:36:40.080
<v Speaker 1>of black art. I mean, think about like the so

0:36:40.160 --> 0:36:43.560
<v Speaker 1>called black exploitation error and film. You know, it starts

0:36:43.600 --> 0:36:45.920
<v Speaker 1>off as an error where all of a sudden, you know,

0:36:46.160 --> 0:36:50.279
<v Speaker 1>black directors and creators start getting access to to make

0:36:50.760 --> 0:36:55.000
<v Speaker 1>bigger budget films through the Hollywood system, and you know,

0:36:55.120 --> 0:36:58.839
<v Speaker 1>the the next thing, you know, you know, no matter

0:36:58.880 --> 0:37:01.480
<v Speaker 1>what you think of the Black itation era, which I

0:37:01.560 --> 0:37:04.400
<v Speaker 1>love a lot of that stuff. Um, I kind of

0:37:04.440 --> 0:37:07.320
<v Speaker 1>like grew up on that stuff watching this stuff on VHS,

0:37:08.239 --> 0:37:13.040
<v Speaker 1>I'm saying, uh, but you know, in a lot of ways,

0:37:13.080 --> 0:37:15.520
<v Speaker 1>it has the same trajectory that you see hip hop having.

0:37:15.920 --> 0:37:21.760
<v Speaker 1>You know, it's like it's a cyclical thing and sometimes repeats,

0:37:22.280 --> 0:37:24.879
<v Speaker 1>and I think it's just it's the job of capitalism

0:37:24.920 --> 0:37:29.320
<v Speaker 1>in some ways to you know, uh, market and exploit

0:37:29.600 --> 0:37:32.640
<v Speaker 1>and and kind of reduce things to you know, the

0:37:32.680 --> 0:37:35.960
<v Speaker 1>lowest common denominator in some ways, because for whatever reason,

0:37:36.280 --> 0:37:39.239
<v Speaker 1>that seems to be the way that the system can

0:37:39.360 --> 0:37:43.279
<v Speaker 1>can more easily market you know, uh, you know, like

0:37:43.360 --> 0:37:46.320
<v Speaker 1>the black experience or something the outside of black folks,

0:37:46.480 --> 0:37:48.399
<v Speaker 1>you know what I mean. So it's just like, let's

0:37:48.480 --> 0:37:50.840
<v Speaker 1>let's let's figure out a way that I can't imagine

0:37:50.880 --> 0:37:55.120
<v Speaker 1>how we would have explained why we were, you know,

0:37:55.239 --> 0:37:59.240
<v Speaker 1>exploring this connection if we didn't have that conspiracy theory

0:37:59.320 --> 0:38:03.400
<v Speaker 1>letter to to fall back on, so to speak. Word,

0:38:03.640 --> 0:38:06.160
<v Speaker 1>I heard you mentioned something about you know, market forces

0:38:06.200 --> 0:38:09.640
<v Speaker 1>in Sydney. Earlier you talked about the community backdrops that

0:38:09.760 --> 0:38:14.080
<v Speaker 1>sort of influenced the pervasiveness. And you know, the recent

0:38:14.400 --> 0:38:17.360
<v Speaker 1>in recent decades, the explosion of the prison industrial complex

0:38:17.840 --> 0:38:21.440
<v Speaker 1>and as um conversations around you know, defunding and abolishing

0:38:21.480 --> 0:38:25.359
<v Speaker 1>the police and like abolishal prisons have become mainstreamed. Over

0:38:25.400 --> 0:38:27.800
<v Speaker 1>the summer, a lot of people are thinking thinking towards

0:38:28.200 --> 0:38:30.880
<v Speaker 1>the other factors of public safety and our communities with

0:38:30.880 --> 0:38:36.120
<v Speaker 1>regards to access to healthcare, access to education, other sorts

0:38:36.120 --> 0:38:38.480
<v Speaker 1>of preventative measures that make our community safer. And I

0:38:38.480 --> 0:38:42.680
<v Speaker 1>was wondering how much those other sorts of UM influencing

0:38:43.080 --> 0:38:46.520
<v Speaker 1>UM pieces of public policy UM make their way into

0:38:46.560 --> 0:38:51.640
<v Speaker 1>your discussions of the how under investment UM spurs the

0:38:51.719 --> 0:38:54.719
<v Speaker 1>prison industrial complex, if at all in the show. Yeah,

0:38:54.800 --> 0:38:57.399
<v Speaker 1>that's a great question. And we are about halfway through

0:38:57.400 --> 0:38:59.319
<v Speaker 1>our season right now, and a lot of it has

0:38:59.600 --> 0:39:03.719
<v Speaker 1>been UM dealing with cases that have to do with

0:39:04.080 --> 0:39:07.040
<v Speaker 1>criminalizing hip hop culture at large. Where that that be

0:39:07.160 --> 0:39:12.600
<v Speaker 1>with UM DJ dramas, mixtape raid or or lyrics on trial,

0:39:12.640 --> 0:39:15.279
<v Speaker 1>which is a pervasive tactic by prosecution, and that's what

0:39:15.360 --> 0:39:18.640
<v Speaker 1>the case of Mac Phipps UM. On other episodes that

0:39:18.640 --> 0:39:21.040
<v Speaker 1>are coming up this season, you're gonna hear about Bobby

0:39:21.080 --> 0:39:25.840
<v Speaker 1>schmurder and cycles of structural, cultural, and direct violence in

0:39:26.800 --> 0:39:31.680
<v Speaker 1>underserved and and under UM underfunded neighborhoods, Black and brown

0:39:31.680 --> 0:39:35.880
<v Speaker 1>neighborhoods specifically, You're going to hear about police tactics and

0:39:35.960 --> 0:39:41.160
<v Speaker 1>the lineage of profiling and and parole pitfalls in South

0:39:41.200 --> 0:39:43.280
<v Speaker 1>central l A. Which is the place where Nipsey Hustle

0:39:43.320 --> 0:39:47.600
<v Speaker 1>called home. And then UM you're gonna hear about specific

0:39:47.960 --> 0:39:53.720
<v Speaker 1>prison conditions and how they are meant to psychologically and

0:39:53.880 --> 0:39:56.920
<v Speaker 1>physically break you as a human being. Uh, you're gonna

0:39:56.960 --> 0:40:00.319
<v Speaker 1>hear about uh and then sorry, and then we bring

0:40:00.320 --> 0:40:02.560
<v Speaker 1>it home. We're talking about where we are at this

0:40:02.640 --> 0:40:05.239
<v Speaker 1>present moment and how you said a lot of conversations

0:40:05.280 --> 0:40:09.680
<v Speaker 1>being mainstream this summer about defunding the police, abolishing the

0:40:09.719 --> 0:40:12.680
<v Speaker 1>prison industrial complex, and what and what reality will look

0:40:12.719 --> 0:40:14.640
<v Speaker 1>like on the other side of that when we don't

0:40:14.680 --> 0:40:17.840
<v Speaker 1>live in a world of of crime and punishment and

0:40:17.880 --> 0:40:22.200
<v Speaker 1>guilt and innocence as binaries. So with every hip hop story,

0:40:22.320 --> 0:40:25.839
<v Speaker 1>we we've in these these lessons and these and these

0:40:25.960 --> 0:40:31.640
<v Speaker 1>updates on on certain jurisdictions, certain protocols, certain laws, but

0:40:31.760 --> 0:40:33.920
<v Speaker 1>we do it in a way that's applicable to somebody

0:40:33.960 --> 0:40:37.160
<v Speaker 1>who just chilling on the block, who would see like,

0:40:37.200 --> 0:40:39.040
<v Speaker 1>this is how it relates to me type of thing

0:40:39.120 --> 0:40:42.600
<v Speaker 1>like not like, it doesn't have to be um you know,

0:40:42.640 --> 0:40:45.280
<v Speaker 1>it doesn't have to be something that is so above

0:40:45.360 --> 0:40:49.120
<v Speaker 1>your head and so um foreign to you that you

0:40:49.120 --> 0:40:51.520
<v Speaker 1>think it doesn't apply to you. And one thing I

0:40:51.600 --> 0:40:55.319
<v Speaker 1>love about y'all's last episode, which you're talking about the

0:40:55.400 --> 0:40:57.880
<v Speaker 1>power of voting and hip hop's influence when it comes

0:40:57.920 --> 0:41:01.080
<v Speaker 1>to getting the vote out and stuff. I think it

0:41:01.280 --> 0:41:03.239
<v Speaker 1>was I think it was dope knife who said it.

0:41:03.719 --> 0:41:07.040
<v Speaker 1>But you know, we're talking about having the power to

0:41:07.960 --> 0:41:11.400
<v Speaker 1>focusing on the power that you have to control what

0:41:11.480 --> 0:41:14.640
<v Speaker 1>you do, which is your human body. If you are

0:41:14.680 --> 0:41:17.040
<v Speaker 1>able body, do have the power to protest, and you

0:41:17.080 --> 0:41:20.040
<v Speaker 1>have the power to go out and get and get

0:41:20.080 --> 0:41:22.640
<v Speaker 1>in line and vote in person and until you have

0:41:22.840 --> 0:41:24.839
<v Speaker 1>until you do not have breath in your body, Like

0:41:25.280 --> 0:41:27.400
<v Speaker 1>that's what you can do, you know, like you want to,

0:41:27.480 --> 0:41:30.960
<v Speaker 1>you want to have applicable choices of what you can do.

0:41:31.239 --> 0:41:34.799
<v Speaker 1>And I think a big aim of this show is

0:41:34.840 --> 0:41:40.239
<v Speaker 1>about is about the power of disseminating the narrative, like

0:41:40.360 --> 0:41:44.560
<v Speaker 1>informing the narrative um um, aligning the narrative, and sharing

0:41:44.560 --> 0:41:47.600
<v Speaker 1>the narrative with people who it's very much about, but

0:41:47.640 --> 0:41:50.279
<v Speaker 1>they don't really get to hear it themselves, and they

0:41:50.280 --> 0:41:51.920
<v Speaker 1>don't get to hear it in in the way that

0:41:52.000 --> 0:41:54.600
<v Speaker 1>they talk to each other. And I think that's something

0:41:54.640 --> 0:41:58.160
<v Speaker 1>that we always carry with us whenever we're whenever we're

0:41:58.880 --> 0:42:03.000
<v Speaker 1>whenever we're diving deep into the historical laws of when

0:42:03.160 --> 0:42:06.040
<v Speaker 1>lyrics on child are being used, or when rego laws

0:42:06.040 --> 0:42:08.680
<v Speaker 1>are being allowed to criminalize the mixtape, or when the

0:42:08.680 --> 0:42:12.160
<v Speaker 1>power of the prosecutor pushes someone who's eighteen years old

0:42:12.719 --> 0:42:15.480
<v Speaker 1>into a plea deal without his lawyer. President things like that.

0:42:15.640 --> 0:42:19.640
<v Speaker 1>We're up. Okay, So what is everybody listening to? Laid

0:42:19.719 --> 0:42:23.200
<v Speaker 1>on me? What? What's everybody bumping right now? Oh? Man, yo,

0:42:24.120 --> 0:42:26.480
<v Speaker 1>I gotta tell y'all. I have not told you, have

0:42:26.520 --> 0:42:29.439
<v Speaker 1>not told anybody about this because it's it's not out here.

0:42:29.560 --> 0:42:37.239
<v Speaker 1>It doesn't come out next week about He's always like

0:42:37.560 --> 0:42:42.399
<v Speaker 1>he's out music. I don't even get music early like that.

0:42:43.160 --> 0:42:47.400
<v Speaker 1>But uh, the first person for for Goodye Mov's new

0:42:47.480 --> 0:42:53.640
<v Speaker 1>album snent it to me the day of the election.

0:42:53.760 --> 0:42:56.359
<v Speaker 1>I think was the day that I listened to it too.

0:42:56.400 --> 0:42:59.560
<v Speaker 1>That so like two days ago or whatever. Man, I'm

0:42:59.760 --> 0:43:02.719
<v Speaker 1>a good mother fan. Especially first I heard a new

0:43:02.760 --> 0:43:05.560
<v Speaker 1>song and had like a video. I don't know if

0:43:05.560 --> 0:43:07.760
<v Speaker 1>that was that the one that you're talking about, but yeah,

0:43:07.840 --> 0:43:12.400
<v Speaker 1>that's that's that's that's on the album though, is like,

0:43:13.480 --> 0:43:17.120
<v Speaker 1>this is definitely their best album since uh since Still Standing,

0:43:17.360 --> 0:43:20.719
<v Speaker 1>you know what I mean? Yeah, yeah, yeah, it's it's

0:43:20.719 --> 0:43:30.440
<v Speaker 1>executive produced by Organized Noise, Cool Joe is on Fire,

0:43:30.640 --> 0:43:33.480
<v Speaker 1>Gift is on Fire. See Low sounded like see Low

0:43:33.600 --> 0:43:39.400
<v Speaker 1>from the hood again. Oh my god, I feel like

0:43:39.560 --> 0:43:42.719
<v Speaker 1>all of my things like Dwarf and comparison to that.

0:43:42.840 --> 0:43:45.760
<v Speaker 1>Damn you're talking about legends, Okay, and I only listened

0:43:45.760 --> 0:43:47.480
<v Speaker 1>to it once, so you know, I might just be

0:43:47.520 --> 0:43:52.600
<v Speaker 1>super hyper. But don't try to backtrack now, dare you? Okay? Anyway,

0:43:53.040 --> 0:43:55.520
<v Speaker 1>my favorites are things that are already out that people

0:43:55.560 --> 0:44:00.480
<v Speaker 1>have already been debating and dissecting. But with this, we've

0:44:00.480 --> 0:44:03.200
<v Speaker 1>really been, you know, diving deep into these stories that

0:44:03.239 --> 0:44:05.879
<v Speaker 1>are you know, like headlines from a couple of years

0:44:05.920 --> 0:44:07.799
<v Speaker 1>ago that are like we're trying to tell the story

0:44:07.840 --> 0:44:09.920
<v Speaker 1>behind the story. So I haven't been super deep in

0:44:10.000 --> 0:44:13.200
<v Speaker 1>like the Rollout, but I'll say Polo g dropped one

0:44:13.200 --> 0:44:18.120
<v Speaker 1>of the best projects this year to me, um uh gritty, heartfelt,

0:44:18.160 --> 0:44:24.120
<v Speaker 1>soul full, um real um Spillage Village. I'm very I'm

0:44:24.200 --> 0:44:26.719
<v Speaker 1>keeping my eye on them. I'm very much keeping my

0:44:26.760 --> 0:44:29.960
<v Speaker 1>eye on them because they already have like so many

0:44:30.000 --> 0:44:32.319
<v Speaker 1>of my favorite artists separately, and now I feel like

0:44:32.320 --> 0:44:35.000
<v Speaker 1>it's like, I don't know if I'm going to over

0:44:35.280 --> 0:44:37.480
<v Speaker 1>overhype it. I don't want to say the Avengers, but

0:44:37.520 --> 0:44:40.320
<v Speaker 1>it's like like I feel like they're really coming together

0:44:40.360 --> 0:44:42.120
<v Speaker 1>and like all the rings are being put to I

0:44:42.160 --> 0:44:48.440
<v Speaker 1>don't know, uh yeah, um who else? Who else? And

0:44:48.480 --> 0:44:50.720
<v Speaker 1>always I mean I just have I just have favorites

0:44:50.760 --> 0:44:54.080
<v Speaker 1>that I always go back to, like like Kendrick no name,

0:44:55.040 --> 0:44:59.239
<v Speaker 1>um out with something new. I don't know you ever heard?

0:44:59.280 --> 0:45:01.560
<v Speaker 1>I heard heard Kendrick's next one is going to have

0:45:01.680 --> 0:45:05.440
<v Speaker 1>kind of like a rock theme to it. Really, that's

0:45:05.440 --> 0:45:10.719
<v Speaker 1>what That's what I heard, So okay stuff what I mean?

0:45:10.880 --> 0:45:13.640
<v Speaker 1>I mean he was leaning a little bit into more

0:45:13.719 --> 0:45:17.080
<v Speaker 1>into more, like into more percussion and gets hard than

0:45:17.239 --> 0:45:22.719
<v Speaker 1>usual on damn right yeah yeah, but I mean like

0:45:22.760 --> 0:45:25.600
<v Speaker 1>the yeah, the track that he had with Bono, and

0:45:26.040 --> 0:45:28.040
<v Speaker 1>like if if he kind of takes that queue and

0:45:28.120 --> 0:45:30.680
<v Speaker 1>just goes off with like if you had a whole

0:45:30.680 --> 0:45:34.520
<v Speaker 1>album that was nothing but those songs, right yeah? Okay,

0:45:34.600 --> 0:45:45.360
<v Speaker 1>Nickas needs to just stop wrapp him yea yeah? Alright, Well,

0:45:45.520 --> 0:45:47.759
<v Speaker 1>where can we find your podcast? Where should people tune

0:45:47.760 --> 0:45:52.200
<v Speaker 1>in to listen? And when? Yeah? Yeah, Louder Than a

0:45:52.320 --> 0:45:55.680
<v Speaker 1>Riot drops every Thursday in your phees twelve and one Eastern.

0:45:55.840 --> 0:45:58.920
<v Speaker 1>Check for it, subscribe and stay ready. You can find

0:45:58.960 --> 0:46:01.839
<v Speaker 1>out on Apple podcast, Bodify or wherever you find your

0:46:01.840 --> 0:46:04.239
<v Speaker 1>podcast and if you wanna, um, if you want a

0:46:04.280 --> 0:46:06.359
<v Speaker 1>hollyback and tap in and tweet at us. We're at

0:46:06.400 --> 0:46:09.840
<v Speaker 1>Louder than the Riot where that what's up? Thank you

0:46:09.880 --> 0:46:20.160
<v Speaker 1>guys for talking with us. Yeah, I would be surprised

0:46:20.160 --> 0:46:21.920
<v Speaker 1>how many black people who do not talk to you

0:46:22.000 --> 0:46:25.800
<v Speaker 1>about this podcast. So it was great. Well, please spread

0:46:25.800 --> 0:46:41.960
<v Speaker 1>the word about waiting our reparations. Alright, music discussion time.

0:46:42.000 --> 0:46:44.799
<v Speaker 1>We're gonna be talking about some contemporary tracks today, some

0:46:45.360 --> 0:46:50.680
<v Speaker 1>new things and their relevancy to the ongoing political discourse

0:46:50.719 --> 0:46:52.879
<v Speaker 1>of the day. So what do we got first, Marai? So,

0:46:53.000 --> 0:46:55.480
<v Speaker 1>jim Jones is back a little bit talking about the

0:46:55.520 --> 0:47:00.960
<v Speaker 1>election last week with his new track actually titled election.

0:47:01.960 --> 0:47:03.880
<v Speaker 1>Let's give it a lesson real quickers you want to

0:47:03.920 --> 0:47:07.480
<v Speaker 1>reapproaching the next election, trying to coach you up? Stuck down,

0:47:07.520 --> 0:47:10.719
<v Speaker 1>it's just deception. This is one of those I mean,

0:47:11.000 --> 0:47:14.440
<v Speaker 1>I think it's cool. I always hey, I am advocate

0:47:14.920 --> 0:47:18.640
<v Speaker 1>of old Nick is still doing it. That's like, like,

0:47:19.000 --> 0:47:21.040
<v Speaker 1>I love I love seeing that ship and it's dope

0:47:21.120 --> 0:47:24.279
<v Speaker 1>to see Jimmy back and forth. But this definitely kind

0:47:24.320 --> 0:47:28.279
<v Speaker 1>of comes across as Jimmy had a new track that

0:47:28.400 --> 0:47:30.840
<v Speaker 1>was out and he wanted to put it out around

0:47:30.840 --> 0:47:33.680
<v Speaker 1>the time of the election, so he named it Election Day.

0:47:33.719 --> 0:47:36.200
<v Speaker 1>There was like two bars at the beginning of that

0:47:36.200 --> 0:47:38.920
<v Speaker 1>that had anything to do with the election, and the

0:47:38.960 --> 0:47:43.400
<v Speaker 1>rest of it was just you know, the capo the capo.

0:47:43.920 --> 0:47:47.080
<v Speaker 1>I don't really think this is like Jim Jones's statement

0:47:47.160 --> 0:47:50.480
<v Speaker 1>on the election him in particular, I've heard him speak

0:47:50.520 --> 0:47:54.400
<v Speaker 1>about the election more in like actual interviews than he

0:47:54.520 --> 0:47:57.200
<v Speaker 1>mentioned in the song. Yeah. I mean, I was interviewed

0:47:57.239 --> 0:48:02.640
<v Speaker 1>but Magazine recently and they asked me about um not

0:48:03.120 --> 0:48:06.640
<v Speaker 1>like whether or not are an artists try to raise

0:48:06.680 --> 0:48:10.040
<v Speaker 1>awareness about issues for economic reasons try to capitalize off

0:48:10.040 --> 0:48:13.759
<v Speaker 1>of like a cultural zee guys. And my response was that, like,

0:48:14.520 --> 0:48:18.279
<v Speaker 1>I don't. I feel like, maybe I'm naive and maybe

0:48:18.280 --> 0:48:20.080
<v Speaker 1>I like to believe the best in people, but I

0:48:20.120 --> 0:48:22.880
<v Speaker 1>feel like what comes off what comes across as an

0:48:22.920 --> 0:48:26.000
<v Speaker 1>attempt to like hijack a cultural moment, like titling a

0:48:26.000 --> 0:48:28.239
<v Speaker 1>song election and then mostly talking about your jewels and

0:48:28.239 --> 0:48:31.680
<v Speaker 1>stuff is really just like a lack of something really

0:48:31.719 --> 0:48:34.759
<v Speaker 1>interesting to say. I mean, there's a problem. That's the

0:48:34.760 --> 0:48:37.120
<v Speaker 1>widespre problem. We had an episode about hip hop artists

0:48:37.120 --> 0:48:40.560
<v Speaker 1>and their duty to participate in the discourse around social

0:48:40.560 --> 0:48:42.719
<v Speaker 1>movements when it's like, frankly, if you don't have you

0:48:42.840 --> 0:48:45.480
<v Speaker 1>to say, that's okay. Don't position yourself as someone with

0:48:45.520 --> 0:48:47.439
<v Speaker 1>a very nuance to take if you don't, because you're

0:48:47.440 --> 0:48:52.000
<v Speaker 1>taking away air. You're you know, in uh, you know,

0:48:52.080 --> 0:48:54.480
<v Speaker 1>an ecosystem. There's a lot of people who are art

0:48:54.560 --> 0:48:56.319
<v Speaker 1>organizing on the ground who need to be heard, and

0:48:56.360 --> 0:48:58.279
<v Speaker 1>so it's fine if you don't have any to say.

0:48:58.400 --> 0:49:00.600
<v Speaker 1>I don't think, um, I agree with you on that

0:49:00.600 --> 0:49:03.000
<v Speaker 1>that that is a thing. I'm not sure that that's

0:49:03.040 --> 0:49:05.440
<v Speaker 1>what is going on. Like, I think this is more

0:49:05.520 --> 0:49:10.279
<v Speaker 1>akin to uh. I mean, rappers do stuff like this now,

0:49:10.360 --> 0:49:14.320
<v Speaker 1>where like they'll name a song after a celebrity or

0:49:14.360 --> 0:49:16.799
<v Speaker 1>an athlete and it has nothing to do with the

0:49:16.840 --> 0:49:19.720
<v Speaker 1>song is about, but you know it gets the song

0:49:20.560 --> 0:49:25.879
<v Speaker 1>traction on social media because it's named after someone famous,

0:49:26.000 --> 0:49:28.640
<v Speaker 1>or it's named after something that's going on. I think

0:49:28.680 --> 0:49:31.279
<v Speaker 1>this is similar to that. You you look in a

0:49:31.320 --> 0:49:33.480
<v Speaker 1>feed of something and you see, oh, Jim Jones has

0:49:33.480 --> 0:49:37.120
<v Speaker 1>a new track called Election Day, and you know, some

0:49:37.160 --> 0:49:40.279
<v Speaker 1>people might listen to it with no expectations at all,

0:49:40.320 --> 0:49:42.120
<v Speaker 1>but you know a good amount of people are gonna

0:49:42.120 --> 0:49:43.680
<v Speaker 1>be like, oh, what does Jim Jones have to say

0:49:43.719 --> 0:49:47.120
<v Speaker 1>about the election and you would be disappointed with this.

0:49:47.360 --> 0:49:50.560
<v Speaker 1>But it's a hot song though if you like that,

0:49:50.640 --> 0:49:57.360
<v Speaker 1>like off kilter dip set flow it is. It is

0:49:57.400 --> 0:49:59.759
<v Speaker 1>more aesthetic than it is like yeah, it's it's in

0:49:59.800 --> 0:50:01.840
<v Speaker 1>a that I more than it's it's a it's an

0:50:01.880 --> 0:50:05.680
<v Speaker 1>aesthetic style choice. I think you know obviously none of it.

0:50:05.760 --> 0:50:07.319
<v Speaker 1>We haven't talked to Jim Johnson. We don't know, but

0:50:07.360 --> 0:50:09.720
<v Speaker 1>it feels more like you know, Okay, there's an election

0:50:11.120 --> 0:50:14.719
<v Speaker 1>my track yes, please please. And up next we got

0:50:14.719 --> 0:50:18.840
<v Speaker 1>a track from Nigerian rapper burn a Boy with his

0:50:19.040 --> 0:50:25.240
<v Speaker 1>song twenty, which was a tribute song for the Lackey massacre,

0:50:25.320 --> 0:50:27.080
<v Speaker 1>which we'll discuss in a little bit. Let's check this

0:50:27.120 --> 0:50:35.240
<v Speaker 1>out to come out playing open your money should not fire.

0:50:35.280 --> 0:50:37.759
<v Speaker 1>Now to fill you in on a little bit of

0:50:37.800 --> 0:50:40.560
<v Speaker 1>the Lackey massacre, we gotta fill you in a little

0:50:40.560 --> 0:50:46.600
<v Speaker 1>bit about the End Stars movement in Nigeria. So SO

0:50:47.000 --> 0:50:52.000
<v Speaker 1>Stars is the Special Anti Robbery Squad. It's a special

0:50:52.040 --> 0:50:56.120
<v Speaker 1>police unit in Nigeria that was originally started in nine

0:50:57.800 --> 0:51:01.360
<v Speaker 1>and throughout the years that it's been legged with accusations

0:51:01.400 --> 0:51:11.000
<v Speaker 1>of abuse from rape to extortion, kidnapping, intimidation, murder, even

0:51:11.160 --> 0:51:14.719
<v Speaker 1>committing acts of organized crime selling drugs and racketeering and

0:51:14.760 --> 0:51:19.960
<v Speaker 1>stuff like that. So in two thousand seventeen, twitter campaign

0:51:20.360 --> 0:51:24.560
<v Speaker 1>was launched with the hashtag and Stars and built off

0:51:24.680 --> 0:51:30.080
<v Speaker 1>that movement and mass demonstration that followed it, it swelled

0:51:30.120 --> 0:51:33.880
<v Speaker 1>into an outpour of you know, people calling for Stars

0:51:33.920 --> 0:51:36.840
<v Speaker 1>to be disbanded and ended. Now, as the years have

0:51:36.920 --> 0:51:40.320
<v Speaker 1>gone by, this isn't necessarily the first time that there's

0:51:40.360 --> 0:51:43.680
<v Speaker 1>been calls to end the Stars, the Starters police unit,

0:51:44.360 --> 0:51:48.120
<v Speaker 1>and usually when it has gotten to a bit of

0:51:48.120 --> 0:51:51.960
<v Speaker 1>a crescendo, the government usually says, okay, we will disband

0:51:52.000 --> 0:51:53.640
<v Speaker 1>it so they can get everyone to calm down, and

0:51:53.680 --> 0:51:56.440
<v Speaker 1>they end up not just disbanding it. Um this time

0:51:56.640 --> 0:51:59.800
<v Speaker 1>it does appear to be different, as they have a

0:52:00.080 --> 0:52:05.040
<v Speaker 1>read that they're going to immediately begin disbanding Stars. That

0:52:05.040 --> 0:52:07.719
<v Speaker 1>will remain to be seen. But the amazing thing to

0:52:07.800 --> 0:52:11.600
<v Speaker 1>see is to to look and see that there's mass

0:52:11.680 --> 0:52:16.640
<v Speaker 1>demonstration and mass protests going on against police brutality and

0:52:16.680 --> 0:52:18.480
<v Speaker 1>all the way on the other end of the world

0:52:18.800 --> 0:52:21.520
<v Speaker 1>kind of coalescing with what we have going on here.

0:52:21.600 --> 0:52:25.120
<v Speaker 1>It's it's cool to see, perhaps you know, inspired to

0:52:25.760 --> 0:52:29.520
<v Speaker 1>greater mobilization by seeing what had happened in the United

0:52:29.560 --> 0:52:32.840
<v Speaker 1>States and internationally around the George Ford uprising over the summer.

0:52:33.600 --> 0:52:37.200
<v Speaker 1>I think it also really hearkens back to something as

0:52:37.239 --> 0:52:39.600
<v Speaker 1>the David talks about in Freedom, is constant struggle about

0:52:39.600 --> 0:52:43.440
<v Speaker 1>the importance of international solidarity and like a global abolitionist

0:52:43.480 --> 0:52:46.640
<v Speaker 1>movement because so much of like the person industrial complex,

0:52:47.200 --> 0:52:53.280
<v Speaker 1>like is transnational, Like the things that like the Israeli

0:52:53.320 --> 0:52:57.239
<v Speaker 1>defense forces are doing two folks in Palestine, like in

0:52:57.280 --> 0:52:59.680
<v Speaker 1>the US, we're sending cops over there to learn from

0:52:59.719 --> 0:53:04.040
<v Speaker 1>them and like bring those tactics back to America to brutalize,

0:53:04.160 --> 0:53:07.560
<v Speaker 1>you know, protesters in Ferguson, Missouri thousand and fourteen, and

0:53:07.600 --> 0:53:11.480
<v Speaker 1>so like there's there's these global flows of like learning

0:53:11.480 --> 0:53:17.600
<v Speaker 1>how to abuse power and uh and ultimately it's it's

0:53:17.640 --> 0:53:19.480
<v Speaker 1>just a reminder of how many of our struggles are

0:53:19.520 --> 0:53:23.600
<v Speaker 1>the same and when we like band together and share tactics,

0:53:23.880 --> 0:53:28.160
<v Speaker 1>share resources, share information, to share capital both social and

0:53:28.239 --> 0:53:32.480
<v Speaker 1>like literal like monetary monetary resources with folks that are

0:53:32.560 --> 0:53:35.960
<v Speaker 1>fighting similar fights in other places, Like you know, we're

0:53:36.000 --> 0:53:40.160
<v Speaker 1>trying to deliberate everybody. Unfortunately, last month, the city of

0:53:40.239 --> 0:53:42.759
<v Speaker 1>Leaky was the site of what is now known as

0:53:42.800 --> 0:53:46.720
<v Speaker 1>the Leaky massacre. Members of the Nigerian Armed Forces open

0:53:46.800 --> 0:53:50.759
<v Speaker 1>fire on peaceful and stars protesters in Leaky at the

0:53:50.840 --> 0:53:54.279
<v Speaker 1>Leaky tollgate and Lego State in Nigeria. Officials have not

0:53:54.360 --> 0:53:58.400
<v Speaker 1>disclosed the number of casualties originally, but but there was

0:53:58.440 --> 0:54:01.440
<v Speaker 1>reported to have been at least fifteen people killed in

0:54:01.480 --> 0:54:05.719
<v Speaker 1>the incident. In addition, there have been complaints about missing persons,

0:54:06.080 --> 0:54:09.719
<v Speaker 1>friends and family members, and few have been confirmed to

0:54:09.800 --> 0:54:13.400
<v Speaker 1>be in the hospital and critical condition a day after

0:54:13.440 --> 0:54:15.840
<v Speaker 1>the incident. This was on the twenty one of October.

0:54:15.920 --> 0:54:20.560
<v Speaker 1>The government of Lego State initially denied any loss of

0:54:20.640 --> 0:54:24.000
<v Speaker 1>life by the gunfire and even the phrasing of that

0:54:24.239 --> 0:54:28.200
<v Speaker 1>laws of life by gunfire. They denied that the police

0:54:28.239 --> 0:54:34.400
<v Speaker 1>had murdered people, but later they admitted an interview at

0:54:34.440 --> 0:54:38.120
<v Speaker 1>CNN that two persons were killed. Amnesty International stated that

0:54:38.160 --> 0:54:42.279
<v Speaker 1>at least twelve protesters were killed in what the organization

0:54:42.320 --> 0:54:45.560
<v Speaker 1>described as extra judicial killing. I mean, I never lived

0:54:45.600 --> 0:54:50.480
<v Speaker 1>in Nigeria before, so I never experienced oars. But I

0:54:50.520 --> 0:54:53.880
<v Speaker 1>know when I was living in Cameroon around my teenage years.

0:54:53.920 --> 0:54:56.319
<v Speaker 1>You know, you start going out and shoot like that.

0:54:56.600 --> 0:55:01.839
<v Speaker 1>I definitely have experience with the shake down nature of

0:55:02.360 --> 0:55:07.919
<v Speaker 1>African police forces for sure, So that's definitely a common thing,

0:55:08.160 --> 0:55:11.080
<v Speaker 1>like extortion, like getting extorted by the cops over there

0:55:11.080 --> 0:55:13.560
<v Speaker 1>and stuff like that, and that sort of ship is

0:55:13.600 --> 0:55:19.240
<v Speaker 1>happening to kids whose parents are diplomats in business. People

0:55:19.480 --> 0:55:22.600
<v Speaker 1>like those kids are getting locked up and your friends

0:55:22.600 --> 0:55:24.680
<v Speaker 1>gotta go bail you out and ship like that, or

0:55:24.719 --> 0:55:26.560
<v Speaker 1>scrounge up some money so they can pay off the

0:55:26.560 --> 0:55:28.359
<v Speaker 1>cops to let you go so that you don't get

0:55:28.400 --> 0:55:30.120
<v Speaker 1>in trouble with your parents and ship like that. So

0:55:30.160 --> 0:55:33.040
<v Speaker 1>you can only imagine what's actually happening to the you know,

0:55:33.120 --> 0:55:36.400
<v Speaker 1>actual local populations, what type of abuse as they're subject

0:55:36.400 --> 0:55:41.080
<v Speaker 1>to by the police there. But damn even explaining all that, ship,

0:55:41.120 --> 0:55:45.120
<v Speaker 1>we kinda we kind of lost track of the song.

0:55:45.320 --> 0:55:49.040
<v Speaker 1>So the song Burner Boys, let's talk about that a

0:55:49.040 --> 0:55:53.800
<v Speaker 1>little bit. My first initial reaction is fire flames. Yeah,

0:55:53.840 --> 0:55:57.000
<v Speaker 1>and like it's got like a like a soulful, like

0:55:57.520 --> 0:56:01.080
<v Speaker 1>contemplative kind of vibe where but at the same time,

0:56:01.400 --> 0:56:05.120
<v Speaker 1>the rhythms, perhaps it's just a cultural nuance that I'm

0:56:05.120 --> 0:56:09.400
<v Speaker 1>not aware of because I'm sucking American. But it feels

0:56:09.480 --> 0:56:13.400
<v Speaker 1>like celebratory the same time, like flabratory of bows that

0:56:13.440 --> 0:56:16.800
<v Speaker 1>are that were lost. It's like a celebration of life

0:56:16.840 --> 0:56:20.799
<v Speaker 1>more than a morning of death. Um. It reminds me

0:56:20.880 --> 0:56:23.200
<v Speaker 1>of when, you know, when I was a kid, my

0:56:23.239 --> 0:56:26.880
<v Speaker 1>mom used to listen to quite a bit of you know,

0:56:26.960 --> 0:56:30.719
<v Speaker 1>like anti apartheid like music just from different you know,

0:56:30.960 --> 0:56:33.120
<v Speaker 1>regions and stuff like that. So it kind of reminds

0:56:33.120 --> 0:56:35.440
<v Speaker 1>me a little bit of that vibe, has that spirit

0:56:35.480 --> 0:56:41.000
<v Speaker 1>to it, like like move real movement music type, you know. Um,

0:56:41.160 --> 0:56:44.279
<v Speaker 1>now that that that song is really fresh, I've never

0:56:44.320 --> 0:56:46.719
<v Speaker 1>heard of Burner Boy before, but I'm sure that my

0:56:46.800 --> 0:56:49.920
<v Speaker 1>mom has. My mom is quite the consumer of like

0:56:50.200 --> 0:56:55.239
<v Speaker 1>Nigerian entertainment stuff. She loves Nigerian movies and and she's

0:56:55.239 --> 0:56:57.680
<v Speaker 1>always trying to put me onto the new Nigerian music

0:56:57.680 --> 0:56:59.480
<v Speaker 1>that's coming out. And I'm always like, yeah, Mom, I'll

0:56:59.520 --> 0:57:02.600
<v Speaker 1>get to it. Get to it. Well. Our last song

0:57:02.719 --> 0:57:07.680
<v Speaker 1>for consideration today, Uh. It was just dropped last week

0:57:07.719 --> 0:57:12.040
<v Speaker 1>by Drakio the Ruler who is out of jail after

0:57:12.200 --> 0:57:16.560
<v Speaker 1>three years. South Central Drakio the Ruler has been released

0:57:16.600 --> 0:57:20.160
<v Speaker 1>from jail last and it's clearly dead set and picking

0:57:20.240 --> 0:57:25.000
<v Speaker 1>up where we left off, according to his attorney, remediately

0:57:25.040 --> 0:57:26.680
<v Speaker 1>pumping and a jail. He went at the studio for

0:57:26.680 --> 0:57:29.400
<v Speaker 1>six hours to work on new music, including this track

0:57:29.440 --> 0:57:32.080
<v Speaker 1>by Stone Matter off his upcoming album We Know the

0:57:32.120 --> 0:57:35.280
<v Speaker 1>Truth three shots based in a final naked I'm an

0:57:35.440 --> 0:57:37.440
<v Speaker 1>leaving bid in the stream with his eye from seven

0:57:37.600 --> 0:57:40.160
<v Speaker 1>when I left the coupon you saw with banana peels.

0:57:41.640 --> 0:57:43.680
<v Speaker 1>I think that's like a callie thing. Now, it's because

0:57:43.720 --> 0:57:47.520
<v Speaker 1>that's how blue Face raps. That's that's that's I mean,

0:57:47.680 --> 0:57:50.600
<v Speaker 1>you know, I'm not too versed on it, but that

0:57:50.680 --> 0:57:52.320
<v Speaker 1>reminds me of like the blue I don't know who

0:57:52.680 --> 0:57:54.960
<v Speaker 1>came up with at first, but that's like that off

0:57:55.040 --> 0:57:59.400
<v Speaker 1>kilter blue Face style where like always seems like it's

0:57:59.440 --> 0:58:02.439
<v Speaker 1>teetering the edge of just completely falling off the flow,

0:58:02.480 --> 0:58:04.720
<v Speaker 1>but it just it still keeps it up. I wonder

0:58:04.760 --> 0:58:07.800
<v Speaker 1>if he's been advised by his attorneys to like be

0:58:08.040 --> 0:58:11.240
<v Speaker 1>cool in his lyrics and in his music videos now,

0:58:11.280 --> 0:58:15.840
<v Speaker 1>because so the full story is that, uh, you know,

0:58:15.920 --> 0:58:19.720
<v Speaker 1>he had. He emerged victorious from pretty harrowing legal battle

0:58:19.800 --> 0:58:23.160
<v Speaker 1>against murdered attempted murder charges. He was originally arrested in

0:58:23.760 --> 0:58:26.400
<v Speaker 1>seventeen for an incident that left the twenty four year

0:58:26.440 --> 0:58:29.760
<v Speaker 1>old man dead. He was acquitted in twenty nineteen, but

0:58:29.840 --> 0:58:32.200
<v Speaker 1>what kept was kept locked up as prosecutors used his

0:58:32.280 --> 0:58:35.480
<v Speaker 1>lyrics and music video is proof that Draco's rap group

0:58:35.960 --> 0:58:41.360
<v Speaker 1>Two Greedy Stink stick with Stink Team. Okay, the two

0:58:41.360 --> 0:58:45.000
<v Speaker 1>Greedy Stink Team was a violent gang in Dracio as

0:58:45.040 --> 0:58:47.960
<v Speaker 1>the leader. In California, if you are a gang member,

0:58:48.000 --> 0:58:50.960
<v Speaker 1>you can be charged for crimes other members of your

0:58:51.000 --> 0:58:54.840
<v Speaker 1>supposed gang committed. Earlier this year, he recorded thank You

0:58:54.960 --> 0:58:58.960
<v Speaker 1>for Using GTL, which was recorded entirely over the phone

0:58:58.960 --> 0:59:02.960
<v Speaker 1>in prison. And GTL is the telecommunications company that it's

0:59:03.000 --> 0:59:06.760
<v Speaker 1>like a for profit provider of phone services to folks

0:59:06.760 --> 0:59:11.560
<v Speaker 1>in jail. Um, And so so that was his way

0:59:11.600 --> 0:59:13.520
<v Speaker 1>sticking it in, sticking it to him. Yeah, I mean,

0:59:13.560 --> 0:59:17.160
<v Speaker 1>he was in solitary confinement for nine months out of

0:59:17.200 --> 0:59:19.040
<v Speaker 1>the three years that he was locked up, and so

0:59:19.640 --> 0:59:24.720
<v Speaker 1>that he used his time with relative freedom while inside

0:59:25.080 --> 0:59:27.920
<v Speaker 1>to record an album that Pitchfork actually called some one

0:59:27.920 --> 0:59:30.840
<v Speaker 1>of the best albums that this year. It's pretty dope.

0:59:30.920 --> 0:59:36.160
<v Speaker 1>But yeah, I wonder if like now that he's out um,

0:59:36.360 --> 0:59:38.800
<v Speaker 1>the prosecutors offered him a deal of time served, and

0:59:38.800 --> 0:59:41.360
<v Speaker 1>now he's back to his family and stuff. I wonder if,

0:59:41.400 --> 0:59:43.040
<v Speaker 1>like in his lyrics and music videos, is gonna be

0:59:43.080 --> 0:59:45.960
<v Speaker 1>like a little more careful. Um well, I mean, judging

0:59:46.080 --> 0:59:48.680
<v Speaker 1>from this song, it doesn't sound like it. I mean,

0:59:48.760 --> 0:59:51.560
<v Speaker 1>he's still talking about spraying people up and stuff. Look,

0:59:52.520 --> 0:59:56.040
<v Speaker 1>people are probably gonna get mad, but I gotta I

0:59:56.080 --> 0:59:59.959
<v Speaker 1>gotta keep it real. A lot of rappers wrap about

1:00:00.000 --> 1:00:02.840
<v Speaker 1>out the stuff that he raps about. It's kind of

1:00:02.880 --> 1:00:06.400
<v Speaker 1>like a common thing now. I don't know how many

1:00:06.520 --> 1:00:09.400
<v Speaker 1>rappers are out there talking about Man, I was just

1:00:09.440 --> 1:00:11.280
<v Speaker 1>mind of my own business and I just got hit

1:00:11.360 --> 1:00:13.600
<v Speaker 1>out the blue with a double murder charge. Don't you

1:00:13.680 --> 1:00:17.400
<v Speaker 1>hate it when that happens? So, you know, I don't know.

1:00:17.600 --> 1:00:21.400
<v Speaker 1>I'm I'm glad that another dude is another black man

1:00:21.440 --> 1:00:25.160
<v Speaker 1>ain't in jail. But you know, as far as using

1:00:25.680 --> 1:00:30.760
<v Speaker 1>his lyrics against them, again, I think that's bullshit. I'm

1:00:30.800 --> 1:00:34.720
<v Speaker 1>not sure how like widespread of a practice that is,

1:00:35.080 --> 1:00:38.280
<v Speaker 1>like our d as across Is there an epidemic of

1:00:38.360 --> 1:00:43.280
<v Speaker 1>d as across the country really utilizing rappers lyrics to

1:00:43.440 --> 1:00:47.720
<v Speaker 1>get put bogus charges on them, because that would insinuate

1:00:47.800 --> 1:00:53.200
<v Speaker 1>that every rapper has multiple murder convictions going on right

1:00:53.240 --> 1:00:57.520
<v Speaker 1>now because everybody is snitching on themselves about how many

1:00:57.560 --> 1:01:00.320
<v Speaker 1>people they're spraying, and that very well maybe the case,

1:01:00.400 --> 1:01:05.120
<v Speaker 1>I don't know, it seems unlikely. So I know there

1:01:05.120 --> 1:01:09.200
<v Speaker 1>are some cases where Motherfucker's is genuinely like, yo, I

1:01:09.320 --> 1:01:11.160
<v Speaker 1>killed this dude on this day, and I put the

1:01:11.160 --> 1:01:13.680
<v Speaker 1>evidence in my mom's house is underneath my floorboard. If

1:01:13.680 --> 1:01:15.920
<v Speaker 1>you check their at eight pm, you'll find it. So

1:01:15.960 --> 1:01:18.680
<v Speaker 1>there's some people who are actually leaving evidence in their

1:01:18.960 --> 1:01:24.160
<v Speaker 1>rhymes and ship and I don't know yet, there's profiling

1:01:24.880 --> 1:01:29.560
<v Speaker 1>Motherfucker's with their rap lyrics, and then there's detective work.

1:01:31.680 --> 1:01:34.040
<v Speaker 1>I think in this particular case where his music videos

1:01:34.040 --> 1:01:36.320
<v Speaker 1>and his lyrics were used to like try to saddle

1:01:36.400 --> 1:01:40.720
<v Speaker 1>him with like enhanced like gang like gang enhancements for

1:01:40.960 --> 1:01:45.400
<v Speaker 1>his charges. It's kind of bullshit because like I think that,

1:01:45.680 --> 1:01:48.360
<v Speaker 1>and I've seen this in you know, as a legislator

1:01:48.360 --> 1:01:50.760
<v Speaker 1>in my own community. Or it's like you see a

1:01:50.840 --> 1:01:53.640
<v Speaker 1>bunch of young niggas hanging out and it's like call

1:01:53.720 --> 1:01:56.320
<v Speaker 1>the cops. There's some dus like, Okay, these kids are

1:01:56.360 --> 1:01:58.880
<v Speaker 1>fourteen years old and there's not after school programs for them.

1:01:58.880 --> 1:02:01.640
<v Speaker 1>To be in and ship and they're just hanging out,

1:02:01.880 --> 1:02:03.800
<v Speaker 1>and they look like a gang because they're just kids

1:02:03.800 --> 1:02:05.920
<v Speaker 1>and they're just hanging out with their friends. And so

1:02:06.040 --> 1:02:09.280
<v Speaker 1>the idea that any sort of like organization of black

1:02:09.320 --> 1:02:13.360
<v Speaker 1>people that is not institutionalized in some way is like

1:02:13.400 --> 1:02:17.200
<v Speaker 1>a gang, it's very dangerous. And so I think in

1:02:17.240 --> 1:02:20.240
<v Speaker 1>this particular case, like that's total bullshit. And then you know,

1:02:20.840 --> 1:02:27.960
<v Speaker 1>the Drakos attorney himself, John hardasaki Um called him out

1:02:28.040 --> 1:02:32.040
<v Speaker 1>for you know, wasting years and millions of dollars trying

1:02:32.080 --> 1:02:37.360
<v Speaker 1>to person this guy for life. Um, and so it's

1:02:37.760 --> 1:02:40.480
<v Speaker 1>it's kind of bullshit. But I mean, I just but

1:02:40.680 --> 1:02:43.240
<v Speaker 1>I mean, I do think it's I fear unwise for

1:02:43.360 --> 1:02:45.560
<v Speaker 1>rappers till I be talking about the crimes they do.

1:02:46.240 --> 1:02:48.200
<v Speaker 1>I fear it was the big details in the music.

1:02:48.440 --> 1:02:52.720
<v Speaker 1>As far as the music end goes, it's um, I mean,

1:02:52.760 --> 1:02:54.960
<v Speaker 1>the song is fresh, you know, if if you can

1:02:55.000 --> 1:02:57.120
<v Speaker 1>get into that flow, it's kind of like the Jim

1:02:57.200 --> 1:03:00.720
<v Speaker 1>Jones thing. That's that's funny. We have two very specific

1:03:00.840 --> 1:03:03.880
<v Speaker 1>flows in the music that we listened to today. And

1:03:03.920 --> 1:03:06.800
<v Speaker 1>then this particular case. There's so much to unpack here

1:03:06.920 --> 1:03:09.000
<v Speaker 1>from the way our tax about dollars have spent in

1:03:09.000 --> 1:03:14.280
<v Speaker 1>the judicial system, plea bargaining, California gang enhancement laws, the

1:03:14.320 --> 1:03:20.560
<v Speaker 1>importance electing progressive district attorney, the question of whether progressive

1:03:20.600 --> 1:03:23.880
<v Speaker 1>prosecutors even exist? You know, is that like in that

1:03:23.960 --> 1:03:28.200
<v Speaker 1>like an oxymoron? Exactly? Um for profits communications companies like

1:03:28.280 --> 1:03:32.520
<v Speaker 1>storting incarcerated people, as exemplified in his album Thank You

1:03:32.560 --> 1:03:34.160
<v Speaker 1>for using TL. I mean, we can do a whole

1:03:34.160 --> 1:03:36.360
<v Speaker 1>fucking episode on this case. Well, it's gonna have to

1:03:36.360 --> 1:03:41.320
<v Speaker 1>wait for another episode because I'm getting antsy and I

1:03:41.360 --> 1:03:54.720
<v Speaker 1>feel like rapping. Let's get a beat. Yeah yeah, yeah, yeah, waitation,

1:03:56.760 --> 1:04:05.320
<v Speaker 1>yeah yo yo, dope, knife on the microphone. I'm never

1:04:05.440 --> 1:04:08.680
<v Speaker 1>quiet eat MC's till I really need a diet. Motherfucking

1:04:08.720 --> 1:04:10.880
<v Speaker 1>step to me. Do you just retire? You hope one

1:04:10.960 --> 1:04:13.480
<v Speaker 1>day I'll beat louder than a riot, bust re stals

1:04:13.520 --> 1:04:15.640
<v Speaker 1>and a bus my bars, I smoke, man. We need

1:04:15.680 --> 1:04:18.200
<v Speaker 1>till I'm hot life stars to support everybody trying to

1:04:18.240 --> 1:04:21.760
<v Speaker 1>outline stars. I love everybody. No, I'm not hard. I

1:04:21.800 --> 1:04:24.000
<v Speaker 1>got nothing. I'm gonna stop in this place. I don't

1:04:24.040 --> 1:04:26.200
<v Speaker 1>want to leave no evidence for my case, just in

1:04:26.280 --> 1:04:30.840
<v Speaker 1>case the d want to listen up, I'm done. I'm done, Yo,

1:04:30.960 --> 1:04:33.960
<v Speaker 1>legal freaking what the kids start from? Alenatuda, Jerry, we

1:04:34.080 --> 1:04:36.920
<v Speaker 1>find in stars, messing conservation. Yeah, we pined like piggies.

1:04:37.040 --> 1:04:39.400
<v Speaker 1>You're about it. Listening to Rod in Sydney and if

1:04:39.440 --> 1:04:41.560
<v Speaker 1>you run in with a friend of three, that's again

1:04:41.640 --> 1:04:43.800
<v Speaker 1>watch out. You'll give the depth pendalty and I got

1:04:43.840 --> 1:04:46.320
<v Speaker 1>plenty beats from the background. Yeah, I'm never about to

1:04:46.320 --> 1:04:51.800
<v Speaker 1>back down. Everybody at clown, I'm wan, I'm dope knife

1:04:51.920 --> 1:04:54.760
<v Speaker 1>and we are waiting on reparations. See you next week.

1:04:55.560 --> 1:04:58.320
<v Speaker 1>Waiting on Reparations as a production of I Heeart Radio.

1:04:58.800 --> 1:05:01.040
<v Speaker 1>Listen to Waiting on Repper rations on the I Heart

1:05:01.120 --> 1:05:04.560
<v Speaker 1>Radio app, Apple podcasts, or wherever you get your podcasts.

1:05:06.480 --> 1:05:06.520
<v Speaker 1>M