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Speaker 1: I invited you here, I thought, a man myself perfectly clear.

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Speaker 2: When you're a.

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Speaker 1: Guest to my home, you gotta come to me empty.

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Speaker 2: And I said, no.

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Speaker 1: Guess your presences presence and I already had too much stuff.

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Speaker 3: So how do you dare to surbey me?

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Speaker 2: Before the podcast begins, a reminder that Chicago Live show

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Speaker 2: is coming up at the Den Theater May twenty third.

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Speaker 2: You have to be there. If you're in Chicago or not,

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Speaker 2: you have to to be there. That's just simply what

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Speaker 2: you have to do. So google it, go to our Instagram,

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Speaker 2: look in the show notes, you know, look around the

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Speaker 2: internet for the tickets. And we're going to have a

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Speaker 2: fantastic time. We'll have special guests. I'll be wearing who

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Speaker 2: God knows what, and you know, maybe I'll bring some

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Speaker 2: gifts I've received on the podcast to give away. You

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Speaker 2: really never know what will happen with me because I

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Speaker 2: am I don't have a lot of control over my life,

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Speaker 2: and you'll get to experience that live. So the Den Theater,

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Speaker 2: May twenty third, seven thirty pm. No excuses. Now, let's

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Speaker 2: get into the show. Welcome to I said, no gifts.

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Speaker 2: I'm Bridger Weineger we're here in the studio. You might

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Speaker 2: be listening, you might be watching on YouTube. You might

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Speaker 2: be ignoring all of this completely. God only knows what's

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Speaker 2: happening in my life. Busy Morning threw away the case

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Speaker 2: idea that had been sitting in the fridge for about

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Speaker 2: six days. So if you wanted that, you're out of luck.

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Speaker 2: I'm on edge. I've been trying to book travel through

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Speaker 2: credit card points for at least four days, and this

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Speaker 2: is a real sore spot for me, a very difficult

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Speaker 2: thing for me. Anytime I'm on an online portal spending

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Speaker 2: any anything involving money, let alone credit card points, I'm paralyzed.

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Speaker 2: So everybody, just nobody try me. That's what I'll say.

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Speaker 2: Don't push me. Okay, Time to get into the podcast.

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Speaker 2: I adore today's guest. Everybody loves her. It's Edie Patterson.

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Speaker 1: Edie.

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Speaker 2: Oh, hi Bridgard, welcome to I said no gifts.

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Speaker 3: Well, thank you for having me.

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Speaker 2: I'm sorry to bring you here on such please usful

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Speaker 2: day for me.

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Speaker 3: Oh, well, me too. I'm with you though on that,

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Speaker 3: like trying to get something with points.

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Speaker 2: Oh, it's existential, it is. It's a weird thing for

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Speaker 2: me because I'm the sort of person who uses, like

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Speaker 2: treats gift cards like they're more important than cash. Oh,

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Speaker 2: I like I if I get a gift card, the

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Speaker 2: way I protect it on how I'm going to spend

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Speaker 2: it is psychotics.

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Speaker 3: Same same. I've actually had I know what you mean now,

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Speaker 3: because I actually have had ones like that. I've put

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Speaker 3: in places like in a little holder on my desk,

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Speaker 3: where I've tacked them to some sort of bulletin board

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Speaker 3: to go, well, that one's for something special, and then

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Speaker 3: they run out.

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Speaker 2: They run out, yeah, or inflation goes up and they

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Speaker 2: lose value. It's really it's like an obvious mistake I'm making.

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Speaker 2: And I'm sure these these gift card companies especially really

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Speaker 2: count on people like me to not use the money. Agreed.

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Speaker 2: I honestly like there was a point I had saved

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Speaker 2: up enough gift cards that I probably could have bought

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Speaker 2: a house at least put But this is the sort

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Speaker 2: of I'm just completely paralyzed. It's gonna be like, this

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Speaker 2: is gonna be my special thing. I won't spend that

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Speaker 2: on groceries.

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Speaker 3: Right, And then you go, why wouldn't I?

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Speaker 2: Yeah, it's the same. It's all money yep. But I'm

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Speaker 2: looking to treat myself. But the problem is is I'm

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Speaker 2: I can't treat myself in any form ever, so that

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Speaker 2: I'm just the gift card is sitting at the bottom

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Speaker 2: of my sock drawer for the rest of my life. Yep.

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Speaker 2: And now the same with the credit card points. But

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Speaker 2: then they have the online portal, which is like something

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Speaker 2: that hasn't been updated since two thousand and five. Yeah,

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Speaker 2: it's frustrating.

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Speaker 3: You're mad, seriously horrible. It's horrible. And I still haven't

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Speaker 3: figured out how to do the airline ones. Oh I

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Speaker 3: can do hotel ones, right, but I still haven't figured

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Speaker 3: out the other and that's infuriating.

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Speaker 2: And I've been told that. I've been told the airline

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Speaker 2: ones are it's trickier because airline prices are they fluctuate

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Speaker 2: so much more. And the points, I mean, people love this,

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Speaker 2: people love to listen anyway, credit card pot But I'm

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Speaker 2: making my way through and I'm aging rapidly while I

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Speaker 2: do it. I get it. Have you traveled it all recently?

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Speaker 3: Uh? Yeah, I went to Texas and came back here

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Speaker 3: from Texas.

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Speaker 2: Okay, And you're from Texas.

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Speaker 3: I'm from there, and my mom was there for a

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Speaker 3: minute and went and got her okay, and her cat

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Speaker 3: and we came here. That was probably a month ago.

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Speaker 2: Okay, that's the cat's name, Miss Press, I love. Are

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Speaker 2: you a cat person? Yes? Okay? Do you have cats

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Speaker 2: of your own?

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Speaker 3: I used to. My husband and I had the greatest

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Speaker 3: cats on earth, Vruka and Violet.

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Speaker 2: Oh, fantastic name.

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Speaker 3: And they have both since passed, but they're the greatest.

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Speaker 3: And Miss Priss is my mom's cat, who was a

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Speaker 3: full on feral Texas cat and for whatever reason and

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Speaker 3: just always loved my mom and would let my mom

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Speaker 3: pet her in the backyard. And then my sister and

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Speaker 3: I just decided this cat is really cute and she's

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Speaker 3: going to be your cat. Oh and she is. And

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Speaker 3: now she's fully an inside cat, and she is weirdly small.

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Speaker 3: She's maybe some kind of mini okay, but she looks

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Speaker 3: like a Disney cat. Seriously. She fluffy, she's fluffy, she's little,

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Speaker 3: she's she's hilarious. But yeah, do you like cats?

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Speaker 2: I love cats.

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Speaker 3: I think they're magic.

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Speaker 2: Oh, they're fantastic. When people don't like cats, I think

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Speaker 2: it says something about how much attention and love you need.

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Speaker 2: If or I guess attention if you don't like cats,

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Speaker 2: because cats will are very selective. Yeah, and I love

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Speaker 2: dogs too, but dogs will give their full attention to

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Speaker 2: just about any fucking yahoo. They're not super discerning.

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Speaker 3: Yes, and a cat you kind of have to like

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Speaker 3: figure out their magic, figure out their lay and like, Yeah,

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Speaker 3: they're mystical and awesome and I love them.

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Speaker 2: Yes, Yes, I had two cats a year I guess

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Speaker 2: about ten years ago, and then threw all the moving

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Speaker 2: back and forth from LA to New York. We ended

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Speaker 2: up having to find a new home for them, and

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Speaker 2: they now live with a YouTube magician.

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Speaker 3: Oh how's that going.

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Speaker 2: I haven't looked into it. I think it seemed like

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Speaker 2: a lovely home. It seemed like a family and a

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Speaker 2: teen YouTube magician. I thought, you know what, sure, this

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Speaker 2: don't work. They seem like they love cats. But maybe

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Speaker 2: my cats will become YouTube stars. I don't know.

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Speaker 3: Well, let's just hope that he is it a boy magician.

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Speaker 2: It's a boy magician.

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Speaker 3: Let's just hope he's not like doing them like doves.

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Speaker 3: Oh you know what I mean, we're not trying to

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Speaker 3: get any of that magic for your cats.

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Speaker 2: Yeah, they're like crushed in the bottom of a top

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Speaker 2: hat or that kind of thing. No, thank you.

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Speaker 3: Yeah, somebody did doves once when I got invited to

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Speaker 3: the Magic Castle, and it was just so upsetting.

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Speaker 2: What like what did they do? They come out of

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Speaker 2: a jacket or do they.

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Speaker 3: Yeah, out of a jacket, out of their pants, out

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Speaker 3: of like it's just like every single second of it.

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Speaker 3: You're just like you just had a live creature jammed

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Speaker 3: in there with your balls, or like you, oh cool,

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Speaker 3: you just pulled nine doves out of a hat. Oh,

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Speaker 3: Like what are we supposed to be stoked at?

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Speaker 2: Right? There's just there are so many magic tricks you

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Speaker 2: could do. Yeah, No one's like specifically like I hope

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Speaker 2: I see the doves tonight, No, no one. No one

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Speaker 2: wants to see a live bird anywhere, just free flying

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Speaker 2: around inside.

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Speaker 3: Yeah, do some weird human stuff, like you're you're weird

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Speaker 3: woman assistant, Like, why don't you guys chop each other up.

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Speaker 2: Cut each other. Let's see the midsection of one of you.

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Speaker 3: Yeah, let's see the rings of your tree, bitch.

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Speaker 2: Yeah. I mean I think if I were like going

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Speaker 2: to a magic show and expected to see an animal,

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Speaker 2: I might be like, oh I got to see a rabbit.

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Speaker 2: But even then, it's like, just leave it alone because

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Speaker 2: you know it's not their pet. Yeah, they're not.

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Speaker 3: Treating that's their their working animal.

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Speaker 2: Yeah, their little employee. That's not fair to anybody. No,

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Speaker 2: no thanks. I uh just last night, out of desperation,

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Speaker 2: tried to start this new David Blaine series. Have you

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Speaker 2: seen this?

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Speaker 3: I just was flipping through with my mom last night

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Speaker 3: at Cedar Sini and the TV is totally blue, okay,

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Speaker 3: because it's something's Wronger. Then we were on the guide

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Speaker 3: and we ended up on just something else done, maybe

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Speaker 3: like a murder show or something. But I saw that

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Speaker 3: David Blaine thing, and I was like, he has a

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Speaker 3: new show, He's got.

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Speaker 2: A whole news Well is this documentary style in uh

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Speaker 2: conjunction with National geographic which was shocking to me. I

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Speaker 2: don't know if he's elevated or they declined. I don't

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Speaker 2: know they met somewhere in the middle. But last night

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Speaker 2: he was in Brazil and what what we were seeing

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Speaker 2: was people not doing magic tricks, which shouldn't be that

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Speaker 2: big of a shock because he like holds his breath

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Speaker 2: or whatever. But this was like people sticking like a

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Speaker 2: knife in their nose through their nostril, which is a

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Speaker 2: hard thing to look at. Yeah, people chewing up and

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Speaker 2: swallowing nails. Oh boy, that old trump. It's either doves

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Speaker 2: or swallowing nails.

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Speaker 3: Yeah, but don't swallow nails around me unless you're gonna

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Speaker 3: poop them out on the sidewalk.

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Speaker 2: Then that might be interesting. I better hear metal hitting

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Speaker 2: cement as you walk away, exactly. No, is that we

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Speaker 2: didn't watch the whole thing because it was just kind

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Speaker 2: of a difficult to look at sort of thing. Just

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Speaker 2: people doing shocking. It's more dares. Oh got it? Dares

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Speaker 2: to me or not? I don't Know's not as much fun.

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Speaker 3: I need to be tricked, agreed, Because on a dare,

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Speaker 3: the whole time you would be thinking like, oh, this

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Speaker 3: person just got dared to do this. They're gonna get hurt.

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Speaker 2: Yes, there's just a risk here, and someone is desperate

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Speaker 2: for attention and they'll they finally decided they'll do whatever

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Speaker 2: it takes. Yeah, so I maybe I need to give

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Speaker 2: it more of a shot. I will say. David Blaine

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Speaker 2: is a narrator tough, Okay, I don't know that he

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Speaker 2: was born to narrate television. It is the most monotone

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Speaker 2: thing I ever ever heard. It's a zero inflection whatsoever.

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Speaker 2: It's just wow.

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Speaker 3: And is it partly trying to be like super serious,

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Speaker 3: like I think, you know, let's take anything like this

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Speaker 3: because I want you to know it's fact.

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Speaker 2: But it's not even that as much as like, I

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Speaker 2: think it's that an attempt at that but not having

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Speaker 2: the ability to even do that, So it's just flat.

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Speaker 2: Oh feels like he's reading for the first time the

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Speaker 2: narration and I know he wants to keep control of

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Speaker 2: the show, but like, come on, I'm on, Dave, come on, dB,

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Speaker 2: come on baby. Oh when was last time you were

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Speaker 2: at the Magic Castle.

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Speaker 3: It's been a long time. That was probably. Oh you

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Speaker 3: know what, we actually had a friend doing really cool

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Speaker 3: stuff there. I'm like, what brought me there? Yeah, my

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Speaker 3: husband and I went with my friend Jeremy Rally and

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Speaker 3: his wife Danny Morrow, and we were going to see

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Speaker 3: our friend Helder, who's like a legit amazing.

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Speaker 2: Great name for a magician.

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Speaker 3: Yeah, held, Yeah, he does these really cool, like really

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Speaker 3: elevated kind of social experiment, thought experiment magic shows. He'll

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Speaker 3: do him at the Geffen and like, and so what

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Speaker 3: is he doing He's like, man, it's almost like a

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Speaker 3: play but with magic in it. At the Magic Castle,

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Speaker 3: I think he was doing a close oh card stuff. Right,

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Speaker 3: But like the shows that we've seen at the Geffen

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Speaker 3: and stuff, I mean they're super emotional, like manipulative. Well no,

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Speaker 3: weirdly yeah, just like he's like, it's very honestly elevated.

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Speaker 3: It's almost like you're watching a like the PBS version

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Speaker 3: of like when people find their roots.

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Speaker 2: You know.

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Speaker 3: Oh wow, Yeah, he manages to weave in some like

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Speaker 3: really cool complex human stuff.

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Speaker 2: Okay, Yeah, and you're friends with this guy? Yeah wow,

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Speaker 2: good for you. How did you become friends with Helder?

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Speaker 3: You know? I think I became friends with him because

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Speaker 3: he just started coming to I think he was friends

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Speaker 3: with Jeremy and he started coming to improv shows at

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Speaker 3: the Groundlings.

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Speaker 2: Oh okay, and saw the sort of.

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Speaker 3: The tie ins with what he's doing and sort of

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Speaker 3: I'm a nerd for improv, sure, and he's of was

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Speaker 3: very fascinated and interested in the kind of higher thinking

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Speaker 3: that can go with improv, right, sort of openness and

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Speaker 3: how it can you know, translate into real life.

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Speaker 2: Huh.

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Speaker 1: Yeah?

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Speaker 2: And do you feel like he's putting that into his

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Speaker 2: show now for sure.

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Speaker 3: I mean he's he's very bright.

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Speaker 2: Huh. I need to I need to get into Helder seriously. Yeah.

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Speaker 3: His I think I'm saying his last name right, but

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Speaker 3: I think it's Guena modish.

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Speaker 2: Yeah, what is that?

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Speaker 3: I would say Argentinian?

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Speaker 2: Okay, just like a rolled something there. Yeah, Helder to

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Speaker 2: me sounded so Scandinavian. Uh No, okay, no saying Helder Helder.

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Speaker 3: I think I think this is how you say it.

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Speaker 3: It's either Guina modis or Guina modas. I don't know.

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Speaker 2: He's the reason he goes by Helder just nice. Everybody

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Speaker 2: can say Helder.

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Speaker 3: Just to maybe like white creeps. There's a reason everyone

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Speaker 3: else is probably fine with it and knows exactly how

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Speaker 3: to say his last name.

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Speaker 2: In middle school, I think a magic shop opened to

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Speaker 2: normal and I bought. I felt like I was going

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Speaker 2: to try to do magic for about a month. Okay, workout.

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Speaker 2: Did you do anything like that in middle school? Any

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Speaker 2: weird little hobbies? You know?

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Speaker 3: I just that vein of things. I think probably I

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Speaker 3: just gravitated more towards like the sort of sketch.

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Speaker 2: Oh, so you like comedy early on? Yeah, I always

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Speaker 2: liked it right right. Yeah, Yeah, to me in middle school,

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Speaker 2: it just didn't seem like a possibility whatsoever.

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Speaker 3: Yeah, it didn't really to me either. And then in

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Speaker 3: middle school, actually, these three friends and I wrote this.

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Speaker 3: There was a talent show at school and we wrote

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Speaker 3: this dating game parody. Oh no way, because on the

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Speaker 3: we didn't have cable at my house, but on the

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Speaker 3: regular channels there were a couple of them that had

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Speaker 3: constant reruns, and so they'd have like Brady.

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Speaker 2: Bunch, right, love Boat and.

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Speaker 3: Like Green Anchors, like all that cool stuff, Petticoat Junction,

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Speaker 3: and within that mix there was like a chunk of

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Speaker 3: like sixties game shows.

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Speaker 2: Oh sure, which was awesome dream.

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Speaker 3: Yeah, And so we always thought that was so funny,

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Speaker 3: the weird dynamic with the people on it, and like

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Speaker 3: how weirdly sexist it was. And like they're always talking

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Speaker 3: about making whoopee, which we were like.

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Speaker 2: Making who is one of the worst things that anyone

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Speaker 2: that's ever thought.

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Speaker 3: That's the worst God, that's.

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Speaker 2: One of those like things that's trying not to be

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Speaker 2: as crass, and it sometow ends up being way more

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Speaker 2: disgusting than the actual term. Fully, like, oh, we're all

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Speaker 2: sick hearing that, Yeah.

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Speaker 3: It's sick.

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Speaker 2: What does it mean?

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Speaker 3: What does it mean to you?

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Speaker 2: It's just like to me, like there's like an inflation.

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Speaker 2: It was like something puffy.

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Speaker 3: And something puffy and inflated, that's gonna pop exactly, and like,

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Speaker 3: oh yeah, it's it's like a fake fun It's like

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Speaker 3: oh whoopee's And.

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Speaker 2: It brings yeah, it kind of brings like an adolescent

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Speaker 2: weirdness to it. Like everything about it is just like

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Speaker 2: this is should not be repeated anymore totally.

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Speaker 3: But we've we've got many aspects of the you know,

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00:17:28,160 --> 00:17:32,240
Speaker 3: the dating game were really really funny, and so we

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Speaker 3: did a dating game sketch where three of us were

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Speaker 3: the guys and one was a football what was like

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Speaker 3: a football jock, one was a businessman, and I was

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Speaker 3: the nerd. And it was of that time period where

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Speaker 3: like it was full on like idea of a nerd.

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Speaker 3: So I had a pocket protector and like black glasses,

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Speaker 3: right pre and cell yes, pre in cell.

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Speaker 2: Yeah.

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Speaker 3: God, being a nerd now would be a whole other thing.

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Speaker 2: Oh my god, it brings off so much dangerous baggage

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Speaker 2: totally does. Nerds have had a real journey over the

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Speaker 2: last twenty years.

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Speaker 3: Yeah, man, take us back to pargettular.

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Speaker 2: That's all we want to quiet and do math.

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Speaker 3: But yeah, we wrote it and we performed it, and

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Speaker 3: I remember just that feeling because look, let me just

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Speaker 3: tell you not to brag, but the nerd got a

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Speaker 3: lot of lass, just and going, oh, maybe this is

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Speaker 3: a thing that could be my job. That was the

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Speaker 3: first time ever that I thought, especially from a small

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Speaker 3: city and.

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Speaker 2: Of course completely anyone.

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Speaker 3: Yeah, where'd you grow up?

336
00:18:49,280 --> 00:18:50,760
Speaker 2: Right outside of Salt Lake City?

337
00:18:50,960 --> 00:18:53,240
Speaker 3: So it's just like, you don't know anyone doing anything

338
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Speaker 3: like that.

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Speaker 2: People on TV do totally why would I be able

340
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Speaker 2: to do that? Right?

341
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Speaker 3: And no one around, you know, thinks that it's a thing.

342
00:19:00,280 --> 00:19:02,120
Speaker 2: The idea of even going to college out of state

343
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Speaker 2: was like, no, totally, that's not for people like me.

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Speaker 3: Yeah, same, So yeah, but yeah, that's that's I guess

345
00:19:10,640 --> 00:19:13,080
Speaker 3: when it sort of popped off. But probably even before that,

346
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Speaker 3: I was trying to make in the mix with me

347
00:19:18,119 --> 00:19:21,560
Speaker 3: loving comedy and loving hilarious things. I also loved horror,

348
00:19:21,560 --> 00:19:24,679
Speaker 3: and we were My dad loved horror, and we were

349
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Speaker 3: allowed to watch horror movies way too young. My sister

350
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Speaker 3: and I so we're both still we both still love.

351
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Speaker 2: It due horror movies. Horror movie I think.

352
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Speaker 3: Probably favorite of all time is The Shining Oh, of course,

353
00:19:38,600 --> 00:19:40,919
Speaker 3: so beautiful, kind of.

354
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Speaker 2: Yeah, I think that's kind of like almost above horror

355
00:19:44,160 --> 00:19:46,760
Speaker 2: even so good. It's just such a good one and

356
00:19:46,840 --> 00:19:49,920
Speaker 2: it's so scary. Yes, just a fantastic And you would

357
00:19:49,920 --> 00:19:51,320
Speaker 2: make your own horror movies.

358
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Speaker 3: Yeah, I'd make them in in VHS camera and would

359
00:19:54,760 --> 00:19:57,920
Speaker 3: just like sort of it would be all one taken

360
00:19:58,040 --> 00:20:00,879
Speaker 3: of cause start again and put some the year pause

361
00:20:01,000 --> 00:20:06,639
Speaker 3: started again. But I liked making little mini slasher movies.

362
00:20:06,920 --> 00:20:09,240
Speaker 2: Do you have any still on VHS?

363
00:20:09,520 --> 00:20:11,600
Speaker 3: Yeah, somewhere somewhere at my mom's house.

364
00:20:12,920 --> 00:20:13,680
Speaker 2: Nights of the Hunter.

365
00:20:14,200 --> 00:20:19,400
Speaker 3: There's Gunthers on a Hunter. Somewhere, there's a there's one

366
00:20:19,440 --> 00:20:22,879
Speaker 3: I made in high school. My friend, my friend in

367
00:20:22,960 --> 00:20:27,800
Speaker 3: high school, Sherry, her her mom and dad sometimes would

368
00:20:27,840 --> 00:20:31,320
Speaker 3: just go do cool things, and every now and then

369
00:20:31,600 --> 00:20:34,040
Speaker 3: it'd be like, you know, six or seven of us

370
00:20:34,240 --> 00:20:39,840
Speaker 3: just spending the night at Sherry's with no Yeah, and

371
00:20:39,920 --> 00:20:41,960
Speaker 3: so there were more than a couple of times where

372
00:20:42,000 --> 00:20:44,600
Speaker 3: I would force everyone to be in a horror movie

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Speaker 3: all night, and I'd be you know, placing them at

374
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Speaker 3: the end of the stairs, the bottom of the stairs

375
00:20:50,680 --> 00:20:53,920
Speaker 3: like they just you know, we'd film like my friend

376
00:20:53,960 --> 00:20:56,360
Speaker 3: Holly sort of a hand pushing her at the top

377
00:20:56,400 --> 00:20:59,359
Speaker 3: of the stairs, pause the camera, fill her at the

378
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Speaker 3: bottom like displaye.

379
00:21:01,080 --> 00:21:06,920
Speaker 2: You know, so they were all slasher stuff. Of course

380
00:21:07,119 --> 00:21:09,399
Speaker 2: we're using Were you making up your own fake blood?

381
00:21:09,600 --> 00:21:10,240
Speaker 2: Was it ketchup?

382
00:21:10,680 --> 00:21:10,800
Speaker 1: Uh?

383
00:21:11,160 --> 00:21:11,560
Speaker 3: You know what?

384
00:21:11,600 --> 00:21:14,199
Speaker 2: We we only messed with blood.

385
00:21:14,200 --> 00:21:17,439
Speaker 3: I feel like once maybe when I made like my

386
00:21:17,640 --> 00:21:22,399
Speaker 3: I think then four year old cousin Bradley, he was Gunther,

387
00:21:22,680 --> 00:21:26,199
Speaker 3: son of Hunter, and he was a murderer, and I

388
00:21:26,240 --> 00:21:28,960
Speaker 3: think in that one we played with like some ketchup

389
00:21:29,000 --> 00:21:29,479
Speaker 3: and stuff.

390
00:21:31,640 --> 00:21:33,560
Speaker 2: What was the storyline? What did you say? It was

391
00:21:33,640 --> 00:21:36,560
Speaker 2: Night of the Hunter? Yeah, which is actually which is

392
00:21:36,720 --> 00:21:39,560
Speaker 2: actually kind of creepy. No, yeah, wow, So you were

393
00:21:39,600 --> 00:21:41,639
Speaker 2: really you're a born natural.

394
00:21:41,720 --> 00:21:43,600
Speaker 3: I must have heard someone say that.

395
00:21:43,680 --> 00:21:45,359
Speaker 2: It's such a good phrase, night of the Hunters.

396
00:21:46,000 --> 00:21:47,080
Speaker 3: It sounds so scary.

397
00:21:47,200 --> 00:21:48,560
Speaker 2: What was your Night of the Hunter then?

398
00:21:49,359 --> 00:21:52,080
Speaker 3: Just like some money going around and killing people. So,

399
00:21:52,280 --> 00:21:56,040
Speaker 3: you know, probably my sister in my dad's clothes, killing

400
00:21:56,160 --> 00:21:58,159
Speaker 3: our neighbor friends, a.

401
00:21:58,200 --> 00:22:00,240
Speaker 2: Little girl in baggy clothes.

402
00:22:00,760 --> 00:22:06,080
Speaker 3: Yes, Gunther though had extra special elements. That one was

403
00:22:06,119 --> 00:22:09,720
Speaker 3: filmed at my grandmom's house in Range, Texas, and for

404
00:22:09,760 --> 00:22:13,920
Speaker 3: a while my grandmom collected. She was very into collecting

405
00:22:14,040 --> 00:22:16,520
Speaker 3: teddy bears. Oh sure, So there were sort of like

406
00:22:16,680 --> 00:22:19,919
Speaker 3: upper rails in a certain room with full of teddy bears.

407
00:22:20,560 --> 00:22:25,480
Speaker 3: And one of those teddy bears was also a murderer.

408
00:22:25,640 --> 00:22:28,440
Speaker 3: And we would play with like having an enter frame

409
00:22:28,520 --> 00:22:32,119
Speaker 3: and you don't see the hand, and yeah, that Gunther,

410
00:22:32,280 --> 00:22:34,080
Speaker 3: son of Hunter got a little wild.

411
00:22:34,560 --> 00:22:36,240
Speaker 2: Did Gunther team up with the teddy Bear?

412
00:22:36,520 --> 00:22:38,840
Speaker 3: I think I can't remember well. And then one of

413
00:22:38,880 --> 00:22:42,400
Speaker 3: them killed the other one. I can't remember who ended

414
00:22:42,440 --> 00:22:45,399
Speaker 3: up the victor or if just everyone died.

415
00:22:46,000 --> 00:22:49,960
Speaker 2: This is how franchises are borne. You no ip everywhere.

416
00:22:50,040 --> 00:22:51,679
Speaker 2: You can do a movie about the Teddy Bear or

417
00:22:51,760 --> 00:22:56,000
Speaker 2: Gunther that this alien versus predator sort of situation. Wow,

418
00:22:56,040 --> 00:22:56,920
Speaker 2: that's incredible.

419
00:23:00,320 --> 00:23:01,119
Speaker 3: Do you like horror?

420
00:23:01,119 --> 00:23:02,119
Speaker 2: And I love horror?

421
00:23:02,280 --> 00:23:03,879
Speaker 3: Okay, what's your favorite?

422
00:23:03,880 --> 00:23:08,280
Speaker 2: Ever? I love The Shining Yeah, I love Halloween. I

423
00:23:08,320 --> 00:23:12,760
Speaker 2: love The Haunting. The original I think it was like

424
00:23:12,800 --> 00:23:14,679
Speaker 2: in sixty made in sixty four or something.

425
00:23:15,000 --> 00:23:16,359
Speaker 3: I don't know if I've ever seen it.

426
00:23:16,880 --> 00:23:20,160
Speaker 2: I mean, it's unbelievable. It's so good. It's so creepy

427
00:23:20,560 --> 00:23:22,199
Speaker 2: and like in a way that like, you know, there

428
00:23:22,240 --> 00:23:24,040
Speaker 2: aren't like a lot of like jump scares. It's just

429
00:23:24,080 --> 00:23:29,440
Speaker 2: like pure atmosphere and dread and just watching a woman

430
00:23:29,520 --> 00:23:31,320
Speaker 2: kind of lose her mind in a haunted house. Who

431
00:23:31,320 --> 00:23:33,639
Speaker 2: could ask them? I love haunted house movies, and there

432
00:23:33,640 --> 00:23:36,639
Speaker 2: aren't that many, or at least that many good ones.

433
00:23:37,040 --> 00:23:38,200
Speaker 3: Yeah, what are the good ones?

434
00:23:39,200 --> 00:23:43,119
Speaker 2: I love the others. That's a good, so good. What

435
00:23:43,200 --> 00:23:45,080
Speaker 2: other haunted house movies are there? Though?

436
00:23:45,280 --> 00:23:48,320
Speaker 3: Even the conjuring, the original one with like Lily Taylor.

437
00:23:48,400 --> 00:23:52,439
Speaker 2: Oh, that's a great one's pretty good. Yes, yeah, I

438
00:23:52,440 --> 00:23:55,040
Speaker 2: don't like them. I mean I like them as scary

439
00:23:55,080 --> 00:23:57,040
Speaker 2: movies enough to like found footage. Ones that are in

440
00:23:57,040 --> 00:24:01,199
Speaker 2: a haunted house. What are those? They're new or or not?

441
00:24:01,320 --> 00:24:04,280
Speaker 2: Paranormal activity, paranormal activity, but those of it to me

442
00:24:04,400 --> 00:24:06,520
Speaker 2: don't seem haunted house. I need a haunted house to

443
00:24:06,520 --> 00:24:08,040
Speaker 2: be kind of victorian. I don't need it to be

444
00:24:08,080 --> 00:24:11,040
Speaker 2: a new build. I can't deal with a new build haunted.

445
00:24:11,920 --> 00:24:14,240
Speaker 2: This looks too much like a condo or a model home.

446
00:24:15,119 --> 00:24:17,919
Speaker 2: That's not scary, Tom. I need old house. Yes, I

447
00:24:17,960 --> 00:24:22,719
Speaker 2: need creaking. I need door, brass door essentially.

448
00:24:23,240 --> 00:24:26,680
Speaker 3: So, did you mess with skin a rink?

449
00:24:27,600 --> 00:24:31,280
Speaker 2: What's that? Just that that's a scary word. Okay, what's so?

450
00:24:31,359 --> 00:24:33,199
Speaker 3: This is a haunted house, one that I think is

451
00:24:33,520 --> 00:24:34,440
Speaker 3: all vibe.

452
00:24:34,800 --> 00:24:35,880
Speaker 2: Oh, this is what I need.

453
00:24:36,000 --> 00:24:39,040
Speaker 3: It's like maybe from a year and a half ago.

454
00:24:39,200 --> 00:24:40,200
Speaker 2: Oh, pretty new.

455
00:24:40,480 --> 00:24:44,200
Speaker 3: Yeah, and it was super polarizing, but people either loved

456
00:24:44,240 --> 00:24:47,200
Speaker 3: it or thought it was too slow. But there's something

457
00:24:47,240 --> 00:24:50,000
Speaker 3: about the clips I've seen of it that I haven't

458
00:24:50,040 --> 00:24:53,480
Speaker 3: even been able to watch it. Yeah, I think skin

459
00:24:53,520 --> 00:24:57,840
Speaker 3: a marinksim and it's the the premise is so creepy.

460
00:24:57,960 --> 00:25:01,680
Speaker 3: It's just very like day in the life, if you

461
00:25:01,720 --> 00:25:07,640
Speaker 3: can call them. But it's two little kids, okay, at

462
00:25:07,680 --> 00:25:10,680
Speaker 3: home alone. Like one of them I think is even

463
00:25:11,000 --> 00:25:14,280
Speaker 3: like not even old enough to be verbal. Okay, one's

464
00:25:14,320 --> 00:25:15,240
Speaker 3: like a baby.

465
00:25:15,280 --> 00:25:17,119
Speaker 2: This is an eerie type of Yeah.

466
00:25:17,840 --> 00:25:20,840
Speaker 3: And even just the trailer with the way it's lit

467
00:25:21,040 --> 00:25:24,320
Speaker 3: and the sounds, I'm like, I don't know, I don't

468
00:25:24,320 --> 00:25:25,280
Speaker 3: know if I can take this.

469
00:25:26,200 --> 00:25:29,840
Speaker 2: When evil spirits get involved with you know, children not

470
00:25:30,040 --> 00:25:35,480
Speaker 2: pre toddler talking about leave them them alone. So scary

471
00:25:35,800 --> 00:25:37,920
Speaker 2: that kind of thing when a child can see something

472
00:25:37,920 --> 00:25:43,480
Speaker 2: that the adult is so scary, no, thank you. The

473
00:25:43,560 --> 00:25:46,400
Speaker 2: other thing, and I say this on the podcast probably

474
00:25:46,400 --> 00:25:50,840
Speaker 2: too often that really scares me is the strangers. Oh yeah,

475
00:25:50,880 --> 00:25:53,720
Speaker 2: which is that's a real life situation, so.

476
00:25:53,760 --> 00:25:56,760
Speaker 3: Like a home invasion Bible. Yeah, you know what was

477
00:25:56,840 --> 00:26:01,920
Speaker 3: such a cool, cool version of that was just pulling

478
00:26:02,000 --> 00:26:09,560
Speaker 3: up my socks was the original They redid it? The

479
00:26:09,600 --> 00:26:13,160
Speaker 3: original one is I think German. Oh, but it's those

480
00:26:13,359 --> 00:26:14,880
Speaker 3: guys who go in that house.

481
00:26:15,040 --> 00:26:18,959
Speaker 2: Ah, funny, funny game game. Oh that's a tough Did

482
00:26:19,000 --> 00:26:21,040
Speaker 2: you see that first one? I didn't see the original.

483
00:26:21,080 --> 00:26:24,000
Speaker 2: I saw the English remake, so maybe I saw one

484
00:26:24,080 --> 00:26:24,520
Speaker 2: or the other.

485
00:26:25,000 --> 00:26:26,120
Speaker 3: That original one is.

486
00:26:27,640 --> 00:26:31,639
Speaker 2: Just people showing up to terrorize you. Yeah, I can't imagine.

487
00:26:31,680 --> 00:26:34,280
Speaker 3: There's this chunk of it that I think about sometimes

488
00:26:34,280 --> 00:26:38,119
Speaker 3: where they've got, you know, somebody horribly hog tied to

489
00:26:38,200 --> 00:26:43,240
Speaker 3: a chair or something and maybe tape on the mouth,

490
00:26:43,480 --> 00:26:46,800
Speaker 3: just awful, probably being beat, and they've got this loud

491
00:26:47,840 --> 00:26:50,720
Speaker 3: like Grand Prix or F one racing on on the

492
00:26:50,760 --> 00:26:55,600
Speaker 3: TV and it's just so long it's just that playing

493
00:26:55,640 --> 00:26:59,439
Speaker 3: for So that's that's cruciating because that's.

494
00:26:59,280 --> 00:27:03,040
Speaker 2: What would really happen. Yes, Like they're focused on torturing you.

495
00:27:03,200 --> 00:27:08,040
Speaker 3: Yeah, it's awful that. Another one that was so exciting

496
00:27:08,080 --> 00:27:11,399
Speaker 3: when I saw it because it's what would happen in

497
00:27:11,480 --> 00:27:18,920
Speaker 3: certain instances, is it's a French one. The girl trying

498
00:27:18,920 --> 00:27:22,360
Speaker 3: to get away from this guy who comes into the

499
00:27:22,560 --> 00:27:27,200
Speaker 3: country home of her friend. Oh oh, high tension.

500
00:27:26,960 --> 00:27:28,160
Speaker 2: High tension, I've heard of this.

501
00:27:28,680 --> 00:27:34,680
Speaker 3: Yeah, But she, the girl who is being pursued, actually

502
00:27:34,720 --> 00:27:37,720
Speaker 3: does some things to try and it makes it so

503
00:27:37,840 --> 00:27:42,520
Speaker 3: much scarier, Like when you know everyone downstairs is murdered, right,

504
00:27:42,600 --> 00:27:45,200
Speaker 3: she's hiding under a bed, and you're like, oh god,

505
00:27:46,240 --> 00:27:49,480
Speaker 3: And she remembers that she's trying to make it seem

506
00:27:49,520 --> 00:27:51,679
Speaker 3: like there's no one else in the house, like just

507
00:27:51,720 --> 00:27:53,440
Speaker 3: go ahead and leave no one else here to kill,

508
00:27:54,359 --> 00:27:58,879
Speaker 3: and she remembers that there is. She's been staying in

509
00:27:58,880 --> 00:28:01,800
Speaker 3: this guest room, and she remembers there's water in the

510
00:28:01,880 --> 00:28:04,040
Speaker 3: sink from like when she brushed her teeth that morning

511
00:28:04,080 --> 00:28:07,400
Speaker 3: or whatever. So she sneaks out from under the bed

512
00:28:07,480 --> 00:28:09,800
Speaker 3: and like wipes that dry and then gets back under

513
00:28:09,840 --> 00:28:12,960
Speaker 3: the bed, and you're like, oh god, oh god, that's

514
00:28:13,000 --> 00:28:15,080
Speaker 3: what you would have to do. Too much.

515
00:28:15,240 --> 00:28:18,119
Speaker 2: No, this is like a morality play about cleaning up

516
00:28:18,160 --> 00:28:21,159
Speaker 2: after yourself and using the bathroom. Yes, exactly. This is

517
00:28:21,160 --> 00:28:23,240
Speaker 2: what you get when you don't wipe up after yourself.

518
00:28:23,840 --> 00:28:27,120
Speaker 2: You put yourself in danger. Yeah, exactly that sort of thing.

519
00:28:27,680 --> 00:28:29,760
Speaker 2: The other thing that scares me is I don't want

520
00:28:29,760 --> 00:28:31,560
Speaker 2: to know what I would say in these situations. I

521
00:28:31,560 --> 00:28:34,520
Speaker 2: feel like I would humiliate myself in the biggest possible way.

522
00:28:34,880 --> 00:28:37,080
Speaker 3: Yeah, well, by what you would say.

523
00:28:37,320 --> 00:28:39,719
Speaker 2: Yeah, I feel like in these extreme scenarios, I'm sure

524
00:28:39,720 --> 00:28:42,640
Speaker 2: I would say something so stupid, like what I don't

525
00:28:42,680 --> 00:28:46,320
Speaker 2: want to know. I don't know what me trying to

526
00:28:46,400 --> 00:28:48,360
Speaker 2: convince a killer not to kill me. I'm sure it

527
00:28:48,360 --> 00:28:49,520
Speaker 2: would be so stupid.

528
00:28:50,160 --> 00:28:52,200
Speaker 3: You know, I think, I think maybe I'm with you

529
00:28:52,240 --> 00:28:57,160
Speaker 3: on that because I have in so right after college,

530
00:28:57,160 --> 00:29:00,240
Speaker 3: for just a beat, I lived in Austin with two

531
00:29:00,360 --> 00:29:05,280
Speaker 3: friends of mine, and the place was haunted, without a doubt,

532
00:29:05,440 --> 00:29:10,760
Speaker 3: a haunted condo. I've never since lived anywhere like this.

533
00:29:11,000 --> 00:29:11,280
Speaker 2: Huh.

534
00:29:12,720 --> 00:29:15,160
Speaker 3: But the things I used to say out loud to

535
00:29:15,360 --> 00:29:19,160
Speaker 3: whatever was happening there are so lame, remember any of

536
00:29:19,240 --> 00:29:22,000
Speaker 3: the Yes, That's why I'm like, Oh, I'm exactly with you.

537
00:29:22,040 --> 00:29:25,400
Speaker 3: It would be so embarrassing. There was one day mid day,

538
00:29:26,240 --> 00:29:29,200
Speaker 3: no one was home except me and I listened to

539
00:29:29,400 --> 00:29:33,560
Speaker 3: footsteps come up the stairs, and so I just started

540
00:29:33,600 --> 00:29:39,479
Speaker 3: out loud, going, hey, look, just be cool. We're going

541
00:29:39,560 --> 00:29:42,760
Speaker 3: to be cool, but you have you have to be cool.

542
00:29:43,120 --> 00:29:46,720
Speaker 3: Don't make this weird. So I think I would try

543
00:29:46,760 --> 00:29:49,640
Speaker 3: to get to like down if someone was trying to

544
00:29:49,760 --> 00:29:53,000
Speaker 3: kill me, I would try to talk, talk reason and

545
00:29:53,040 --> 00:29:56,280
Speaker 3: be like, man, let's chill. And I don't think it.

546
00:29:56,280 --> 00:30:01,480
Speaker 2: Would worry, like sincere bargaining, sincere bargaining not good for me. Yeah,

547
00:30:01,760 --> 00:30:07,240
Speaker 2: just to please, no one take me hostage in my

548
00:30:07,280 --> 00:30:10,200
Speaker 2: own home. That's all I ask. I don't feel like

549
00:30:10,240 --> 00:30:11,400
Speaker 2: it's too much to ask.

550
00:30:11,680 --> 00:30:13,040
Speaker 3: It's not it's not too much.

551
00:30:14,480 --> 00:30:18,200
Speaker 2: Well, I feel like there's something i've you know, I've asked,

552
00:30:18,240 --> 00:30:21,280
Speaker 2: and I feel like I haven't been heard, and I

553
00:30:21,280 --> 00:30:23,080
Speaker 2: feel like we should just get into it. Okay, let's

554
00:30:23,080 --> 00:30:25,000
Speaker 2: get into an Idio. I was looking forward to having

555
00:30:25,040 --> 00:30:28,360
Speaker 2: you on the podcast, obviously, thought Idio, come by, we'll

556
00:30:28,360 --> 00:30:30,960
Speaker 2: have a nice time chatting and then move on with

557
00:30:31,000 --> 00:30:36,600
Speaker 2: our lives. Sure, nobody having hurt anyone's feelings, and the

558
00:30:36,640 --> 00:30:38,920
Speaker 2: podcast is called. I said no gifts, and I know

559
00:30:39,040 --> 00:30:42,040
Speaker 2: emails are sent, or at least I assume they are.

560
00:30:43,080 --> 00:30:45,120
Speaker 2: I would hope that one of them crossed your desk

561
00:30:45,160 --> 00:30:45,880
Speaker 2: at some point.

562
00:30:46,200 --> 00:30:47,120
Speaker 3: Maybe I don't know.

563
00:30:49,080 --> 00:30:51,840
Speaker 2: I mean I I don't know either, because here you

564
00:30:51,920 --> 00:30:55,400
Speaker 2: come trotting into the studio today holding what I will

565
00:30:55,440 --> 00:31:03,320
Speaker 2: describe as the most beautifully wrapped gift I've ever seen. Good. Yeah,

566
00:31:03,360 --> 00:31:04,680
Speaker 2: it's in this gorgeous bag.

567
00:31:04,920 --> 00:31:05,320
Speaker 3: That's right.

568
00:31:05,600 --> 00:31:06,360
Speaker 2: Is this a gift for me?

569
00:31:07,080 --> 00:31:10,560
Speaker 3: Yeah, it's a gift for you. And I've out and

570
00:31:10,600 --> 00:31:14,680
Speaker 3: out disobeyed, to use your word, well.

571
00:31:14,560 --> 00:31:16,320
Speaker 2: The defiance here, I don't even know how to push

572
00:31:16,360 --> 00:31:16,960
Speaker 2: back on this.

573
00:31:17,480 --> 00:31:19,160
Speaker 3: Well, try come at me.

574
00:31:19,760 --> 00:31:24,760
Speaker 2: I'm spineless. You know that I'm crumpling here. You knew

575
00:31:25,040 --> 00:31:27,080
Speaker 2: that I wouldn't be able to stand up for myself.

576
00:31:27,200 --> 00:31:29,920
Speaker 2: You know this is something I'm working on in therapy,

577
00:31:29,960 --> 00:31:31,600
Speaker 2: and so you're just steamrolling me.

578
00:31:31,800 --> 00:31:32,240
Speaker 3: That's right.

579
00:31:33,120 --> 00:31:35,080
Speaker 2: Well should I open it here on the podcast?

580
00:31:35,240 --> 00:31:42,200
Speaker 3: You should open it here on the podcast.

581
00:31:40,000 --> 00:31:42,400
Speaker 2: All right? And it's kind of this beautiful, kind.

582
00:31:42,200 --> 00:31:46,560
Speaker 3: Of putty gray bag, which you know as I as

583
00:31:46,560 --> 00:31:49,040
Speaker 3: I bought this gift, they said, would you like an

584
00:31:49,080 --> 00:31:52,640
Speaker 3: opaque bag that you can't see through? And I said, yes,

585
00:31:52,760 --> 00:31:56,200
Speaker 3: please that one, and uh, they lie.

586
00:31:56,520 --> 00:31:58,520
Speaker 2: It's a little bit. See there's a little bit. It's

587
00:31:58,520 --> 00:31:59,240
Speaker 2: more of a tease.

588
00:32:02,480 --> 00:32:07,160
Speaker 3: Wow, that's what. Now we should start calling balls a

589
00:32:07,280 --> 00:32:08,120
Speaker 3: tease bag.

590
00:32:09,240 --> 00:32:12,480
Speaker 2: I feel like that's in making woopy territory. It is.

591
00:32:17,040 --> 00:32:17,280
Speaker 1: Bag.

592
00:32:20,400 --> 00:32:28,000
Speaker 2: Okay, I'm going to bed, forget it. I want to divorce. Okay, Well,

593
00:32:28,080 --> 00:32:31,440
Speaker 2: let's open this up here. That's kind of beautiful bow

594
00:32:31,560 --> 00:32:34,920
Speaker 2: up here. That's right, double tiede, double tie. I'm just

595
00:32:34,920 --> 00:32:40,160
Speaker 2: gonna take all my strength sweating. Okay, this is a

596
00:32:40,400 --> 00:32:45,000
Speaker 2: different significant Should I take it the mountain specific order? Okay?

597
00:32:45,040 --> 00:32:47,880
Speaker 2: I'm currently holding a can okay, and I'm going to

598
00:32:47,960 --> 00:32:51,200
Speaker 2: try to guess to me based on what I know

599
00:32:51,200 --> 00:32:54,480
Speaker 2: about the bag and they can, I would say, and

600
00:32:54,640 --> 00:32:58,720
Speaker 2: my time in uh, you know, gas stations across America,

601
00:32:59,120 --> 00:33:01,200
Speaker 2: I would say, this is a ca of refried beans.

602
00:33:01,520 --> 00:33:03,240
Speaker 2: But close? Does that feel close?

603
00:33:03,400 --> 00:33:03,680
Speaker 3: Close?

604
00:33:03,760 --> 00:33:07,400
Speaker 2: Okay, let's see what's Yeah, this is exactly what I

605
00:33:07,720 --> 00:33:10,000
Speaker 2: just called it refried beans. It's Brito's bean dip.

606
00:33:10,080 --> 00:33:15,800
Speaker 3: That's right, it's bean dip. And that is because of

607
00:33:16,160 --> 00:33:18,440
Speaker 3: a character I created the growlings a long time ago,

608
00:33:18,560 --> 00:33:23,960
Speaker 3: bean dip, and I just thought that she should give

609
00:33:23,960 --> 00:33:26,160
Speaker 3: you something with her name on it.

610
00:33:26,240 --> 00:33:28,120
Speaker 2: What's bean DIP's origin story?

611
00:33:28,360 --> 00:33:33,000
Speaker 3: Well, she's she's very aggressive and very wild and really

612
00:33:33,120 --> 00:33:36,960
Speaker 3: rich and uh.

613
00:33:35,840 --> 00:33:39,800
Speaker 2: Really sweet, but really aggressive. Have you had this bean

614
00:33:39,840 --> 00:33:40,480
Speaker 2: dip before?

615
00:33:40,760 --> 00:33:40,960
Speaker 3: Yeah?

616
00:33:40,960 --> 00:33:43,760
Speaker 2: I actually loved that beings. I haven't had it in years,

617
00:33:43,840 --> 00:33:48,880
Speaker 2: but either is delicious. I've never actually like looked into

618
00:33:48,920 --> 00:33:50,680
Speaker 2: what this is. Actually. Yeah, it's just I mean it's

619
00:33:50,760 --> 00:33:54,000
Speaker 2: kind of like refried beans essentially, except for they blasted

620
00:33:54,080 --> 00:33:59,080
Speaker 2: into Uh, it's just true. They like obliterate it. You don't.

621
00:33:59,160 --> 00:34:00,920
Speaker 2: I don't feel like you can say a bean in it, right,

622
00:34:00,960 --> 00:34:02,120
Speaker 2: It's like more of a pete.

623
00:34:02,120 --> 00:34:04,160
Speaker 3: Oh no, no, no, you're not seeing a bean chunk

624
00:34:04,160 --> 00:34:06,000
Speaker 3: in that. That is a full pete.

625
00:34:07,760 --> 00:34:11,880
Speaker 2: This is cat level pay fancy feast of refried beans.

626
00:34:11,960 --> 00:34:15,600
Speaker 3: Fully, it might be the same ingredients.

627
00:34:16,040 --> 00:34:17,640
Speaker 2: Is this something that you would eat like growing up

628
00:34:17,640 --> 00:34:18,320
Speaker 2: in Texas?

629
00:34:18,360 --> 00:34:18,960
Speaker 3: For sure?

630
00:34:19,160 --> 00:34:22,520
Speaker 2: Yeah, it's a very Utah I would see this frequently totally,

631
00:34:22,760 --> 00:34:24,799
Speaker 2: but we would. Uh, this is a special one because

632
00:34:24,840 --> 00:34:26,760
Speaker 2: it feels like you don't buy this really at grocery stores.

633
00:34:27,280 --> 00:34:32,719
Speaker 3: They do have it at grocery stores, but but yeah,

634
00:34:32,719 --> 00:34:34,799
Speaker 3: I feel like I have it at seven eleven because I.

635
00:34:34,760 --> 00:34:36,799
Speaker 2: Feel like when I'm at a grocery store or like

636
00:34:36,960 --> 00:34:38,360
Speaker 2: when my mom would be there, she would buy like

637
00:34:38,400 --> 00:34:43,200
Speaker 2: the can of refried beans which was in Utah was rosarita.

638
00:34:43,520 --> 00:34:44,000
Speaker 3: Uh huh.

639
00:34:44,040 --> 00:34:46,960
Speaker 2: But then like my dad would probably be in convenience

640
00:34:47,000 --> 00:34:48,880
Speaker 2: stores more often and get this.

641
00:34:49,000 --> 00:34:51,800
Speaker 3: Yeah, my mom would buy like a cannon refried beans

642
00:34:51,800 --> 00:34:55,320
Speaker 3: if we were gonna have like refried beans and rice

643
00:34:55,560 --> 00:34:55,919
Speaker 3: or like.

644
00:34:56,239 --> 00:34:59,359
Speaker 2: Right, you know, put it in some tacos. But you

645
00:34:59,360 --> 00:35:03,440
Speaker 2: were never dip. Oh that this would we would literally

646
00:35:03,480 --> 00:35:05,799
Speaker 2: buy that to dip and the refried beans were a

647
00:35:05,840 --> 00:35:07,960
Speaker 2: separate then yeah, interesting.

648
00:35:07,560 --> 00:35:11,279
Speaker 3: Nobody was trying to dip into a can of refried beans. Wow,

649
00:35:11,360 --> 00:35:13,520
Speaker 3: I'm not gonna say no, class, it's not cool that

650
00:35:13,560 --> 00:35:14,080
Speaker 3: they did that.

651
00:35:17,719 --> 00:35:19,240
Speaker 2: I'm having some dark feelings.

652
00:35:19,320 --> 00:35:22,440
Speaker 3: Right, you need to call someone in your family up

653
00:35:22,480 --> 00:35:28,880
Speaker 3: today and say the other one's literally called dip, you idiot.

654
00:35:28,960 --> 00:35:32,279
Speaker 2: I'm finally going to confront my mom. Yeah, mom, you

655
00:35:32,360 --> 00:35:33,719
Speaker 2: have no idea what you did to me.

656
00:35:33,920 --> 00:35:35,440
Speaker 3: Mom, you have no idea what you did to me.

657
00:35:35,760 --> 00:35:37,120
Speaker 3: And guess what.

658
00:35:37,640 --> 00:35:45,800
Speaker 2: I'm sitting here with my full tease bag out ready

659
00:35:45,800 --> 00:35:49,319
Speaker 2: to walk into seven to eleven. You get my own

660
00:35:49,400 --> 00:35:52,960
Speaker 2: can of bean dip? Should we open it here? It's

661
00:35:53,080 --> 00:35:55,880
Speaker 2: gonna okay, that's yeah, and it has of course the

662
00:35:55,920 --> 00:35:59,640
Speaker 2: satisfying yet dangerous poll top. That's right, the room is

663
00:35:59,680 --> 00:36:02,520
Speaker 2: about to smell great for the rest of the episode.

664
00:36:02,680 --> 00:36:06,080
Speaker 3: Feel free a part no one will know.

665
00:36:07,080 --> 00:36:09,760
Speaker 2: Oh yeah, they have such a strong scent. Yeah, let's see.

666
00:36:10,080 --> 00:36:12,160
Speaker 2: That's like something you could open this, you know, if

667
00:36:12,160 --> 00:36:14,879
Speaker 2: you're having guests over, having a fancy party, just open

668
00:36:14,920 --> 00:36:16,359
Speaker 2: this and leave this in a part of the home

669
00:36:16,400 --> 00:36:20,000
Speaker 2: and it'll uh, you know, fresh enough the air and an.

670
00:36:19,640 --> 00:36:23,359
Speaker 3: Interesting Honestly, if you do have a little party and

671
00:36:23,400 --> 00:36:26,400
Speaker 3: you have that out and some free toes, you'll be

672
00:36:26,600 --> 00:36:28,200
Speaker 3: shocked at how quickly it's gone.

673
00:36:28,320 --> 00:36:31,720
Speaker 2: Oh, people love it. People love it. It's essentially salt. Yeah,

674
00:36:31,880 --> 00:36:36,200
Speaker 2: which who can resist salt? Okay, I pull out the

675
00:36:36,239 --> 00:36:39,520
Speaker 2: next thing because it feels like they're combined. Oh but yeah,

676
00:36:39,600 --> 00:36:43,480
Speaker 2: it's sort of what a trick. This is an undippable snack.

677
00:36:44,040 --> 00:36:47,239
Speaker 2: You think you think it's dippable? Well should we try?

678
00:36:47,320 --> 00:36:50,160
Speaker 3: I kind of thought, like, if we hold it hard enough,

679
00:36:50,600 --> 00:36:52,200
Speaker 3: But you know what, all if I'm going to try

680
00:36:52,200 --> 00:36:53,799
Speaker 3: to have to see if those have gluten in them?

681
00:36:54,040 --> 00:36:56,240
Speaker 2: Oh see the act or just gluten free?

682
00:36:56,640 --> 00:37:03,000
Speaker 3: Well it makes me sick, probably, Yeah.

683
00:37:01,440 --> 00:37:04,760
Speaker 2: Pop, let's see here, my sister CELIAX, so I'm pretty

684
00:37:05,280 --> 00:37:09,600
Speaker 2: verse in looking for gluten. They don't have gluten ingredients,

685
00:37:09,640 --> 00:37:12,919
Speaker 2: but they are manufactured on equipment, So okay, you're okay

686
00:37:12,920 --> 00:37:15,760
Speaker 2: with cross contamination their potential.

687
00:37:15,800 --> 00:37:17,640
Speaker 3: Okay, okay, I'll show you what I meant of like

688
00:37:17,680 --> 00:37:18,080
Speaker 3: folding it.

689
00:37:18,560 --> 00:37:19,440
Speaker 2: Follow your lead here?

690
00:37:19,440 --> 00:37:25,960
Speaker 3: Okay, whoops, funny in the coffee. So yeah, what if

691
00:37:25,960 --> 00:37:27,800
Speaker 3: we just like hold it pretty sturdily?

692
00:37:27,920 --> 00:37:31,480
Speaker 2: Oh yes, you really knew you had more faith in

693
00:37:31,520 --> 00:37:33,799
Speaker 2: the strength of a funion than Oh and look, fight,

694
00:37:34,480 --> 00:37:38,960
Speaker 2: I have a hard time pushing. How is that, dude?

695
00:37:41,239 --> 00:37:42,359
Speaker 3: Legitimately so good?

696
00:37:42,520 --> 00:37:44,840
Speaker 2: That really works? I'm gonna do this again.

697
00:37:45,360 --> 00:37:48,920
Speaker 3: I got you these because these play heavily in uh

698
00:37:50,280 --> 00:37:53,480
Speaker 3: the third season of The Righteous Gemstones. Oh of course,

699
00:37:53,680 --> 00:37:58,000
Speaker 3: Aunt Tiffany always needs her Fundians. Shout out Valen Hall.

700
00:37:58,360 --> 00:37:59,000
Speaker 3: She's awesome.

701
00:38:00,480 --> 00:38:04,920
Speaker 2: She really is wonderful. Bunyans are. I think there's not

702
00:38:05,000 --> 00:38:06,600
Speaker 2: a person on Earth who doesn't like a funion.

703
00:38:07,800 --> 00:38:09,960
Speaker 3: Shame thing as with kat if you don't like bunions

704
00:38:11,000 --> 00:38:12,400
Speaker 3: about you, Yeah.

705
00:38:12,800 --> 00:38:16,279
Speaker 2: It's just a lot of flavor, pure flavor, and then

706
00:38:16,280 --> 00:38:18,920
Speaker 2: you're dipping it in a bean dip. We may be

707
00:38:19,000 --> 00:38:21,800
Speaker 2: the first two people on Earth who have made this combination.

708
00:38:21,960 --> 00:38:24,560
Speaker 3: Well, let's let's trademark.

709
00:38:25,960 --> 00:38:30,480
Speaker 2: And then Sue Frido lay into oblivion. Would you have

710
00:38:30,480 --> 00:38:32,239
Speaker 2: a favorite type of dip? Is it bean dip?

711
00:38:32,760 --> 00:38:32,880
Speaker 1: You know?

712
00:38:33,080 --> 00:38:36,399
Speaker 3: My favorite type of dip is also this Texas thing

713
00:38:36,440 --> 00:38:37,960
Speaker 3: that well to Texas things.

714
00:38:38,080 --> 00:38:39,560
Speaker 2: My love to hear about Texas dip.

715
00:38:41,120 --> 00:38:43,239
Speaker 3: My mom would make this one called rotel dip.

716
00:38:43,400 --> 00:38:43,960
Speaker 2: Okay.

717
00:38:44,320 --> 00:38:51,360
Speaker 3: So it's salsa, okay, and like a block of velvet alvida. Yes,

718
00:38:51,640 --> 00:38:54,560
Speaker 3: but even on the velveta it says like cheese products.

719
00:38:54,600 --> 00:38:56,800
Speaker 2: Of course, it's not.

720
00:38:56,040 --> 00:38:58,840
Speaker 3: Not even a cheese So yeah, it's like one of

721
00:38:58,880 --> 00:39:00,320
Speaker 3: those big square.

722
00:39:01,040 --> 00:39:03,640
Speaker 2: Almost looks like a stick of butter or something.

723
00:39:03,760 --> 00:39:06,200
Speaker 3: Yes, right, Yeah, it's like a giant stick of butter

724
00:39:06,920 --> 00:39:07,680
Speaker 3: plus salsa.

725
00:39:07,800 --> 00:39:10,879
Speaker 2: And then it is so.

726
00:39:12,400 --> 00:39:15,480
Speaker 3: Deliciously awesome. And then the other one she makes is

727
00:39:15,760 --> 00:39:19,120
Speaker 3: just uh has people have started calling it pink to

728
00:39:20,080 --> 00:39:24,880
Speaker 3: but it's pink is sweet, right, and it's not?

729
00:39:25,520 --> 00:39:26,040
Speaker 2: Okay?

730
00:39:26,360 --> 00:39:30,359
Speaker 3: Yeah, that one is like sour cream. And is that

731
00:39:30,400 --> 00:39:31,319
Speaker 3: one salsa too?

732
00:39:32,239 --> 00:39:32,799
Speaker 2: It might be.

733
00:39:33,200 --> 00:39:35,120
Speaker 3: I think it's like sour cream and salsa.

734
00:39:35,440 --> 00:39:38,120
Speaker 2: That makes sense, red and white that turns pink.

735
00:39:38,320 --> 00:39:41,360
Speaker 3: Yeah, I'll get the exact recipe and sent it to

736
00:39:41,400 --> 00:39:45,600
Speaker 3: you that get ready to change the lives of anyone

737
00:39:45,600 --> 00:39:48,000
Speaker 3: who comes to your house. They'll be like, why do

738
00:39:48,120 --> 00:39:48,680
Speaker 3: I like this?

739
00:39:49,400 --> 00:39:52,319
Speaker 2: I can tell you sour cream is wonderful, sauce is wonderful. Yeah,

740
00:39:52,320 --> 00:39:54,000
Speaker 2: why wouldn't you put those two things together?

741
00:39:54,239 --> 00:39:54,640
Speaker 3: True?

742
00:39:54,920 --> 00:39:57,239
Speaker 2: And like with Velvita, that's another thing where it's I

743
00:39:57,239 --> 00:40:01,160
Speaker 2: think processed cheese got a real bad for a long time,

744
00:40:01,800 --> 00:40:05,279
Speaker 2: American cheese, all these things, and I think we're slowly realizing, well,

745
00:40:05,280 --> 00:40:08,520
Speaker 2: it's a blast of flavor. Who can resist it? Is

746
00:40:08,719 --> 00:40:12,240
Speaker 2: just like science's idea of what cheese tastes like. Great,

747
00:40:12,560 --> 00:40:13,120
Speaker 2: it's great.

748
00:40:13,400 --> 00:40:15,120
Speaker 3: And nine times out of ten, if you get some

749
00:40:15,200 --> 00:40:16,560
Speaker 3: nacho's somewhere, oh.

750
00:40:16,400 --> 00:40:18,719
Speaker 2: My god, it's the face they're pouring that over it.

751
00:40:19,080 --> 00:40:22,239
Speaker 2: If you're dipping a chip into cheese, it's probably fake

752
00:40:22,360 --> 00:40:25,240
Speaker 2: cheese and better for it.

753
00:40:25,080 --> 00:40:27,000
Speaker 3: And you're better for it.

754
00:40:27,160 --> 00:40:30,520
Speaker 2: I love any sort of caseo, any sort of melted cheese.

755
00:40:30,880 --> 00:40:33,160
Speaker 2: Anything I can put a tortilla in, or a tortilla

756
00:40:33,239 --> 00:40:36,640
Speaker 2: chip in. San GUACAMOLEA do you like guacamole? Love? Okay?

757
00:40:36,960 --> 00:40:40,160
Speaker 2: When people I mean dip, people get very particular about dip,

758
00:40:40,160 --> 00:40:44,080
Speaker 2: and I feel like I'm very agnots agnostic about dip

759
00:40:44,640 --> 00:40:47,040
Speaker 2: where I'll I don't know that I've ever had a

760
00:40:47,040 --> 00:40:47,479
Speaker 2: bad dip.

761
00:40:48,360 --> 00:40:52,439
Speaker 3: I don't know that I have either hamus ranch love.

762
00:40:54,000 --> 00:40:57,640
Speaker 2: And now I've run not a dip Baba ganoche love fantastic,

763
00:40:57,680 --> 00:41:01,640
Speaker 2: smoky love it. And I think that may be the

764
00:41:01,719 --> 00:41:04,080
Speaker 2: end of dips. So maybe it's not that hard to

765
00:41:04,160 --> 00:41:06,719
Speaker 2: like dip because they're about nine of them.

766
00:41:07,200 --> 00:41:10,680
Speaker 3: Here's the thing I make into a dip that is

767
00:41:10,800 --> 00:41:15,520
Speaker 3: very polarizing. I love yellow mustard on almost anything.

768
00:41:15,200 --> 00:41:19,280
Speaker 2: Anything almost like, what's an extreme idea for yellow mustard?

769
00:41:19,520 --> 00:41:21,560
Speaker 3: Well, the thing that I've gotten the most, like sort

770
00:41:21,560 --> 00:41:24,279
Speaker 3: of what are you doing? Is if I've got like

771
00:41:24,400 --> 00:41:28,759
Speaker 3: cashews or almonds or something, oh and just a squeeze

772
00:41:28,840 --> 00:41:32,680
Speaker 3: thing of yellow mustard, I'll literally sit there and dollip

773
00:41:32,800 --> 00:41:34,600
Speaker 3: on each one as I checked.

774
00:41:35,120 --> 00:41:35,680
Speaker 2: Seriously.

775
00:41:36,920 --> 00:41:40,040
Speaker 3: Yeah, it's good on anything. I would happily put it

776
00:41:40,080 --> 00:41:40,920
Speaker 3: on these funions.

777
00:41:41,360 --> 00:41:44,080
Speaker 2: Wow. Yeah, I mean I love yellow mustard, don't get

778
00:41:44,120 --> 00:41:45,719
Speaker 2: me wrong, but I just I guess I don't think

779
00:41:45,719 --> 00:41:47,799
Speaker 2: creatively when I think about mustard. I just think of

780
00:41:47,840 --> 00:41:53,319
Speaker 2: the obvious things. Hot dogs brought worst sand some sandwiches.

781
00:41:54,440 --> 00:41:56,520
Speaker 2: But now I'm thinking an almond that might work.

782
00:41:56,600 --> 00:42:00,000
Speaker 3: Actually, yeah, branch out even if you uh like you

783
00:42:00,040 --> 00:42:03,720
Speaker 3: saying you love anything on a tortilla. Get you a tortilla,

784
00:42:04,080 --> 00:42:06,760
Speaker 3: Get it hot, right on the burner, on the stove,

785
00:42:07,239 --> 00:42:11,680
Speaker 3: Flip it. Put some chunks of parmesan.

786
00:42:11,880 --> 00:42:13,440
Speaker 2: Oh sure, cut them off.

787
00:42:13,280 --> 00:42:17,040
Speaker 3: The parmesan block. Put chunks. Slather it with mustard. It's

788
00:42:17,080 --> 00:42:24,360
Speaker 3: the greatest jail food, the best snack you've ever had.

789
00:42:24,640 --> 00:42:27,160
Speaker 2: That's very like snack you thought of when the parents

790
00:42:27,160 --> 00:42:29,279
Speaker 2: were gone and you had the house and we were

791
00:42:29,320 --> 00:42:32,479
Speaker 2: just like, well, these are ingredients. I know, this makes

792
00:42:32,560 --> 00:42:33,320
Speaker 2: basic sense.

793
00:42:33,400 --> 00:42:35,200
Speaker 3: Yes, you're gonna love it.

794
00:42:36,120 --> 00:42:38,399
Speaker 2: I probably would love I love all those ingredients. Yep.

795
00:42:38,680 --> 00:42:41,279
Speaker 2: It's just you have to kind of get into the

796
00:42:41,320 --> 00:42:44,839
Speaker 2: mindset of, well, this is a new recipe. Yes, and

797
00:42:44,880 --> 00:42:48,440
Speaker 2: I have to you know, be bold, Yes, just be

798
00:42:48,560 --> 00:42:50,440
Speaker 2: bold Harba sean and mustard.

799
00:42:50,719 --> 00:42:53,560
Speaker 3: When you approach this. Don't approach it like you would

800
00:42:53,800 --> 00:42:56,640
Speaker 3: a killer who's trying to kill you and you're trying

801
00:42:56,680 --> 00:42:57,319
Speaker 3: to talk them out of it.

802
00:42:57,760 --> 00:42:59,920
Speaker 2: Just go go with it, just let it take over,

803
00:43:01,040 --> 00:43:06,319
Speaker 2: leave me for dead. Then parmetan is not a very

804
00:43:06,360 --> 00:43:07,520
Speaker 2: melty cheese either.

805
00:43:07,920 --> 00:43:13,480
Speaker 3: No, that's the point, just eat those chunks when you're

806
00:43:13,640 --> 00:43:17,880
Speaker 3: crispy tortilla. Your tortilla is gonna be so crispy, is

807
00:43:17,880 --> 00:43:20,399
Speaker 3: almost gonna like crack when you fold it, and you're

808
00:43:20,400 --> 00:43:23,160
Speaker 3: gonna have those hard chunks in there with that yellow mustard.

809
00:43:24,480 --> 00:43:27,920
Speaker 2: Get ready. It's just like a post apocalyptic like did

810
00:43:27,960 --> 00:43:30,279
Speaker 2: you ever see the Road? Or it's like that where

811
00:43:30,719 --> 00:43:33,600
Speaker 2: we found these ingredients in the cellar and this is

812
00:43:33,600 --> 00:43:34,120
Speaker 2: a feast.

813
00:43:34,280 --> 00:43:39,280
Speaker 3: Oh my god. The road reading it was even more impactful.

814
00:43:39,320 --> 00:43:40,920
Speaker 2: I loved the book a lot more.

815
00:43:42,160 --> 00:43:43,680
Speaker 3: When you just said the cellar was.

816
00:43:44,040 --> 00:43:46,760
Speaker 2: Oh in the book, Oh, that's a tough.

817
00:43:46,840 --> 00:43:50,320
Speaker 3: Oh my god. And the thinking that he was doing

818
00:43:50,360 --> 00:43:54,000
Speaker 3: of like do we just stay here forever? Or do

819
00:43:54,080 --> 00:43:56,240
Speaker 3: I try to take us out of the cellar?

820
00:43:57,160 --> 00:43:59,360
Speaker 2: Oh my god. Oh it's so dark.

821
00:44:00,000 --> 00:44:02,280
Speaker 3: It's so dark. It's so beautiful.

822
00:44:01,800 --> 00:44:04,839
Speaker 2: That book, my god. Yeah. My problem with the movie

823
00:44:04,920 --> 00:44:06,360
Speaker 2: was I just felt like the kid was a little

824
00:44:06,360 --> 00:44:07,879
Speaker 2: too old. Felt like.

825
00:44:11,520 --> 00:44:12,600
Speaker 3: That was a coffee funion.

826
00:44:13,840 --> 00:44:17,480
Speaker 2: He has just swallowed a funion, like a piece of

827
00:44:17,520 --> 00:44:20,920
Speaker 2: spaghetti that came out of her coffee, and she had

828
00:44:20,920 --> 00:44:24,440
Speaker 2: the time of her life doing it. It's crazy. This

829
00:44:24,480 --> 00:44:28,040
Speaker 2: was someone that no one should trust with a restaurant recommendations. Right.

830
00:44:28,960 --> 00:44:32,320
Speaker 3: Actually, I'm such a foodie. I know, really stuff.

831
00:44:36,280 --> 00:44:39,320
Speaker 2: She's like, we're in a flying jay or something truck

832
00:44:39,360 --> 00:44:48,120
Speaker 2: stop somewhere. But yeah, very very roade equivalent. I should say,

833
00:44:48,320 --> 00:44:50,440
Speaker 2: maybe those Cormack McCarthy books. I don't know if you've

834
00:44:50,440 --> 00:44:52,400
Speaker 2: read any of the others, but I always get hungry

835
00:44:52,400 --> 00:44:54,480
Speaker 2: reading them because there'll be like a cowboy eating literally

836
00:44:54,560 --> 00:44:56,640
Speaker 2: like tortillas and beans and coffee, and I'm like, that's

837
00:44:56,680 --> 00:44:57,640
Speaker 2: a dream meal for me.

838
00:44:57,960 --> 00:45:02,160
Speaker 3: Dude, I am so with you on this, I have

839
00:45:04,880 --> 00:45:09,400
Speaker 3: I can't agree more. There is a an episode of

840
00:45:09,480 --> 00:45:12,640
Speaker 3: The Brady Bunch that plays in my mind sometimes where

841
00:45:12,640 --> 00:45:16,120
Speaker 3: they're like lost in the Grand Canyon and they're like separated,

842
00:45:16,560 --> 00:45:21,160
Speaker 3: but Bobby, I think, has sort of thought ahead and

843
00:45:21,200 --> 00:45:25,880
Speaker 3: he has a flashlight full of baked beans in case

844
00:45:25,920 --> 00:45:26,799
Speaker 3: he's lost.

845
00:45:26,680 --> 00:45:29,880
Speaker 2: That little sicko, that little sicko, and he.

846
00:45:30,719 --> 00:45:32,920
Speaker 3: Sits at one point and screws off the top of

847
00:45:32,920 --> 00:45:36,440
Speaker 3: that flashlight and eats those baked beans.

848
00:45:36,239 --> 00:45:38,440
Speaker 2: As his family starves, and it.

849
00:45:38,600 --> 00:45:44,040
Speaker 3: Just seems like the most amazing, delicious thing. So I

850
00:45:44,080 --> 00:45:46,799
Speaker 3: am so with you on these Cormick Bookcarthy, like.

851
00:45:47,000 --> 00:45:52,560
Speaker 2: Oh yeah, like the most basic foods possible. I love it.

852
00:45:53,920 --> 00:45:57,320
Speaker 2: Did Alice was Alice with the family died. She was

853
00:45:57,320 --> 00:45:59,600
Speaker 2: just dead. She was dead long ago. She fell off

854
00:46:00,000 --> 00:46:06,719
Speaker 2: a mountain lion. Someone should do a study on the

855
00:46:06,719 --> 00:46:09,640
Speaker 2: mind of people who grew up with and without cable,

856
00:46:09,680 --> 00:46:11,719
Speaker 2: because we didn't have cable either. I would love to know,

857
00:46:11,760 --> 00:46:15,640
Speaker 2: like the cultural differences between people who obviously I guess

858
00:46:15,680 --> 00:46:17,839
Speaker 2: I don't have cable now either, just stud to where

859
00:46:17,840 --> 00:46:20,759
Speaker 2: the world is. But like kids who had cable and

860
00:46:20,800 --> 00:46:24,200
Speaker 2: who didn't, I agree, there's a very you've learned. I

861
00:46:24,200 --> 00:46:26,400
Speaker 2: think you've learned a lot of things while watching cable,

862
00:46:26,560 --> 00:46:28,800
Speaker 2: and you were forced to become a different sort of

863
00:46:28,840 --> 00:46:29,840
Speaker 2: person if you didn't have it.

864
00:46:30,120 --> 00:46:35,480
Speaker 3: Agreed, it's I agreed. I think it probably. Yeah, it

865
00:46:35,600 --> 00:46:40,799
Speaker 3: probably pushes people who are inclined toward the arts more

866
00:46:40,880 --> 00:46:43,359
Speaker 3: towards the arts if you don't have cable, weirdly.

867
00:46:43,200 --> 00:46:45,840
Speaker 2: Like hungry for it or something and maybe having to

868
00:46:45,960 --> 00:46:48,080
Speaker 2: like create create more. Right.

869
00:46:48,680 --> 00:46:49,279
Speaker 3: Yeah.

870
00:46:49,920 --> 00:46:50,120
Speaker 1: Yeah.

871
00:46:50,160 --> 00:46:53,600
Speaker 3: My dad's mother, who lived in the same city as us,

872
00:46:53,680 --> 00:46:58,680
Speaker 3: had cable, okay, and are family friends growing up.

873
00:47:00,520 --> 00:47:00,719
Speaker 2: There.

874
00:47:01,600 --> 00:47:06,200
Speaker 3: They live next door to the dad's mom, their mamma,

875
00:47:07,080 --> 00:47:12,040
Speaker 3: and the Crittles mamma had cable, right, and so we'd

876
00:47:12,040 --> 00:47:15,440
Speaker 3: go over to their mamma's house sometimes to swim, and

877
00:47:15,520 --> 00:47:18,120
Speaker 3: I would just she had a TV just right past

878
00:47:18,200 --> 00:47:21,280
Speaker 3: the sort of backscreen door that was at the pool,

879
00:47:22,160 --> 00:47:25,360
Speaker 3: and the TV was right there near the door, and

880
00:47:25,400 --> 00:47:27,480
Speaker 3: I would just sneak out of the pool and just

881
00:47:27,600 --> 00:47:33,560
Speaker 3: like turn it to MTV and stare I mean transfixed.

882
00:47:34,120 --> 00:47:37,240
Speaker 2: Yeah, it's like a complete universe that you're not allowed

883
00:47:37,280 --> 00:47:38,439
Speaker 2: to access at home.

884
00:47:38,560 --> 00:47:40,040
Speaker 3: It was delishous.

885
00:47:40,040 --> 00:47:41,759
Speaker 2: Oh yeah, anytime I went to a friend's house with

886
00:47:41,800 --> 00:47:47,439
Speaker 2: cable ooh, completely different experience. Fully loved, loved, loved. Yeah.

887
00:47:47,440 --> 00:47:50,640
Speaker 2: I just recently, weirdly, I've been on YouTube watching the

888
00:47:50,880 --> 00:47:54,560
Speaker 2: people are uploading like old MTV Music Video Awards, like

889
00:47:54,560 --> 00:47:57,680
Speaker 2: the entire show. Oh, that's awesome watching I think the

890
00:47:57,760 --> 00:48:02,600
Speaker 2: ninety five A worn how great, Brittany. No, this was

891
00:48:02,680 --> 00:48:07,840
Speaker 2: like full Michael Jackson. Oh, which is a complicated situation.

892
00:48:07,960 --> 00:48:10,799
Speaker 2: But he does like a fifteen minute thing which I

893
00:48:10,840 --> 00:48:12,920
Speaker 2: found very unsatisfying, to be honest.

894
00:48:12,960 --> 00:48:14,600
Speaker 3: Oh really no moonwalk.

895
00:48:14,560 --> 00:48:16,920
Speaker 2: A lot of it, but that he was doing essentially

896
00:48:16,960 --> 00:48:20,440
Speaker 2: like twenty seconds of each song, and it felt oh scattered,

897
00:48:21,200 --> 00:48:23,640
Speaker 2: MJ was scattered. Yeah, come on, just do all of

898
00:48:23,719 --> 00:48:25,840
Speaker 2: Billy Jean. Yes, that's the only one who want to

899
00:48:25,840 --> 00:48:29,800
Speaker 2: hear give me a break? Anything passed off the wall

900
00:48:29,960 --> 00:48:33,840
Speaker 2: or no, let's see thriller, thriller. Yeah, after that, I

901
00:48:33,840 --> 00:48:36,960
Speaker 2: don't need I don't need to hear bad. I don't

902
00:48:37,000 --> 00:48:38,799
Speaker 2: need to hear bad give me a break, and any

903
00:48:38,800 --> 00:48:41,200
Speaker 2: of those ballads from the mid nineties.

904
00:48:40,800 --> 00:48:42,759
Speaker 3: Man in the Mirror, Oh no, thank you.

905
00:48:42,840 --> 00:48:45,200
Speaker 2: I don't need you preaching to me. You've got your

906
00:48:45,239 --> 00:48:47,280
Speaker 2: own problems, deal with that before you start.

907
00:48:48,400 --> 00:48:50,439
Speaker 3: Yeah, seriously, stop preaching to us.

908
00:48:50,520 --> 00:48:56,240
Speaker 2: Yeah, come on, how dare how dare you?

909
00:48:56,280 --> 00:48:59,400
Speaker 3: God? Seriously, how dare he hit us with Man in

910
00:48:59,400 --> 00:49:03,000
Speaker 3: the Mirror? Come on, Michael, please.

911
00:49:03,640 --> 00:49:05,759
Speaker 2: He knew what he was doing, he knew what he

912
00:49:05,880 --> 00:49:09,480
Speaker 2: was doing. But then there was the scream video with Janet,

913
00:49:09,480 --> 00:49:12,160
Speaker 2: and I'm I'm full on board with Janet. Of course

914
00:49:12,440 --> 00:49:13,480
Speaker 2: we love Janet.

915
00:49:13,360 --> 00:49:17,320
Speaker 3: Me too, And I did enjoy the like awesome cringe

916
00:49:17,600 --> 00:49:21,200
Speaker 3: of like those weird moments in the silence of like

917
00:49:21,360 --> 00:49:26,319
Speaker 3: oh oh yeah, I remember you seeing me so uncomfortable,

918
00:49:26,320 --> 00:49:27,400
Speaker 3: and I really liked.

919
00:49:27,280 --> 00:49:34,840
Speaker 2: It for this person. Yeah, yeah, there was MJ. There

920
00:49:35,080 --> 00:49:38,400
Speaker 2: was Live. Do you remember the band Live? Oh God?

921
00:49:38,640 --> 00:49:40,920
Speaker 3: Yeah, you knows the song.

922
00:49:42,560 --> 00:49:44,759
Speaker 2: Of course shirtless singing. Yeah, there was a big period

923
00:49:44,800 --> 00:49:47,719
Speaker 2: where it was kind of a hole, which was great

924
00:49:47,760 --> 00:49:52,359
Speaker 2: to see court. So it's very fun, very fun to watch. Okay,

925
00:49:52,440 --> 00:49:54,520
Speaker 2: I'm gonna watch and they have the commercials and everything.

926
00:49:54,560 --> 00:49:57,280
Speaker 2: It's like, I hope I'm not exposing these YouTube channels

927
00:49:57,280 --> 00:49:59,959
Speaker 2: and then MTV comes after them. These things should be preserve.

928
00:50:00,400 --> 00:50:04,880
Speaker 2: I agree. I'd love to watch a old VHS recording

929
00:50:04,920 --> 00:50:07,600
Speaker 2: of a Oh my God, an Awards show. It's fantastic.

930
00:50:07,719 --> 00:50:10,520
Speaker 3: There's a song on Serious I mean, I'm not a

931
00:50:10,520 --> 00:50:14,600
Speaker 3: song a radio a station on Serious Radio, Lithium, that's

932
00:50:14,680 --> 00:50:17,200
Speaker 3: all like nineties grunge type style.

933
00:50:17,280 --> 00:50:17,440
Speaker 2: Oh.

934
00:50:17,920 --> 00:50:22,520
Speaker 3: I've just recently realized, like through hearing live on there,

935
00:50:23,080 --> 00:50:27,120
Speaker 3: that like they were sort of this early version of

936
00:50:27,200 --> 00:50:34,360
Speaker 3: like almost like a beat dropping in EDM. Interesting, you

937
00:50:34,400 --> 00:50:36,480
Speaker 3: know what I mean, Because they would do these and

938
00:50:38,680 --> 00:50:41,360
Speaker 3: it would go like that forever, and then out of

939
00:50:41,440 --> 00:50:42,000
Speaker 3: nowhere they.

940
00:50:41,880 --> 00:50:42,319
Speaker 2: Would go like.

941
00:50:43,920 --> 00:50:48,960
Speaker 3: Are and You're like, WHOA. Every song of theirs is like, has.

942
00:50:48,800 --> 00:50:52,600
Speaker 2: This crazy where everybody is gonna.

943
00:50:52,480 --> 00:50:53,160
Speaker 3: Write it up?

944
00:50:53,440 --> 00:50:58,839
Speaker 2: Yeah, lollapalooza, yeah ninety seven. Yes, I'm trying to think

945
00:50:58,840 --> 00:51:01,120
Speaker 2: if I have a favorite music do you does anything

946
00:51:01,160 --> 00:51:04,160
Speaker 2: spring to mind for you? Oh? I love music videos

947
00:51:04,160 --> 00:51:07,000
Speaker 2: and me too. Whenever I anytime I bring up the

948
00:51:07,000 --> 00:51:10,120
Speaker 2: word favorite, my mind goes blank. Mind too, despite like,

949
00:51:10,400 --> 00:51:14,200
Speaker 2: what's the one you like? What's something I really really love? Okay,

950
00:51:14,360 --> 00:51:20,719
Speaker 2: let's focus. Let's see. It would probably be from the nineties.

951
00:51:21,760 --> 00:51:26,120
Speaker 2: It would probably be you know, I like some Oh,

952
00:51:26,239 --> 00:51:30,840
Speaker 2: I like some b York videos too, like that. Oh,

953
00:51:30,960 --> 00:51:35,520
Speaker 2: it's a so quiet video that Spike Joe. It's amazing, amazing.

954
00:51:35,560 --> 00:51:37,760
Speaker 2: I wouldn't say that's a favorite, but that comes to mind.

955
00:51:37,800 --> 00:51:43,120
Speaker 2: That's an easy Paul for me. Oh, I you know,

956
00:51:43,200 --> 00:51:46,400
Speaker 2: I love the uh the Weezer video for the Sweater

957
00:51:46,480 --> 00:51:49,719
Speaker 2: song and me too. It's kind of dreamy and they

958
00:51:49,719 --> 00:51:51,880
Speaker 2: have all these dogs run into the studio. That's a

959
00:51:51,880 --> 00:51:53,680
Speaker 2: great one. Yeah, I don't know, sir.

960
00:51:54,160 --> 00:51:58,400
Speaker 3: I love the I feel like it's so classic. I

961
00:51:58,440 --> 00:52:00,000
Speaker 3: love the Sabotage Beastie.

962
00:52:00,080 --> 00:52:02,640
Speaker 2: Oh my god, that's an all time That song is incredible.

963
00:52:02,719 --> 00:52:02,839
Speaker 3: Yea.

964
00:52:02,880 --> 00:52:05,680
Speaker 2: The video is amazing. Ye Oh, it's so good.

965
00:52:06,880 --> 00:52:09,840
Speaker 3: And I actually love that Food Fighters video. We're on

966
00:52:09,880 --> 00:52:10,520
Speaker 3: the airplane.

967
00:52:10,760 --> 00:52:14,560
Speaker 2: Oh yeah, to fly, Yes, yes, Dave. Girls like a

968
00:52:14,640 --> 00:52:19,440
Speaker 2: naturally very funny person. I love. There's this one for

969
00:52:19,560 --> 00:52:21,600
Speaker 2: a Blur song called Coffee and TV and it's a

970
00:52:21,600 --> 00:52:23,479
Speaker 2: little milk carton that walks around town.

971
00:52:23,600 --> 00:52:25,680
Speaker 3: Oh dude, Yeah, fantastic, awesome.

972
00:52:26,320 --> 00:52:28,359
Speaker 2: And now but they don't you don't really see music

973
00:52:28,400 --> 00:52:30,960
Speaker 2: videos anymore. They each have a budget about one hundred dollars.

974
00:52:31,239 --> 00:52:34,759
Speaker 3: I know. I got to direct one what, like I

975
00:52:34,760 --> 00:52:36,359
Speaker 3: guess now it's like a year and a half ago

976
00:52:37,040 --> 00:52:41,600
Speaker 3: for l King. Oh wow, and I love how it

977
00:52:41,680 --> 00:52:45,440
Speaker 3: turned out and we actually got to like really do something.

978
00:52:45,560 --> 00:52:47,000
Speaker 2: What is the video concept?

979
00:52:47,239 --> 00:52:50,840
Speaker 3: The song is called Try Jesus, and it's like awesome

980
00:52:50,920 --> 00:52:55,680
Speaker 3: mix of country and like gospel almost the vibe of it.

981
00:52:56,239 --> 00:52:59,279
Speaker 3: But it's basically this woman who's like hooked up with

982
00:52:59,320 --> 00:53:02,480
Speaker 3: a bunch of losers and she's like, I don't know,

983
00:53:02,520 --> 00:53:06,080
Speaker 3: maybe I need to try Jesus. Yeah. She and her

984
00:53:06,120 --> 00:53:09,279
Speaker 3: manager had gone to record it and one of them,

985
00:53:09,600 --> 00:53:12,279
Speaker 3: either l or Chip. Her manager was like, oh, this

986
00:53:12,320 --> 00:53:14,960
Speaker 3: seems like something Judy Jemstone would sing, and so they

987
00:53:15,040 --> 00:53:17,680
Speaker 3: just reached out on it and said would you ever

988
00:53:17,719 --> 00:53:20,040
Speaker 3: want to direct it? I was like, Yes, I would,

989
00:53:20,320 --> 00:53:24,440
Speaker 3: that's incredible. So yeah, I wrote the video and talked

990
00:53:24,440 --> 00:53:27,040
Speaker 3: with the l of all about it. And then yeah,

991
00:53:27,040 --> 00:53:30,040
Speaker 3: then we set out renting a dollar store outside of

992
00:53:30,120 --> 00:53:31,800
Speaker 3: Nashville and tree.

993
00:53:31,920 --> 00:53:33,880
Speaker 2: Yeah, it was awesome. Had you directed before?

994
00:53:34,120 --> 00:53:35,640
Speaker 3: No, that was my first that's amazing.

995
00:53:35,920 --> 00:53:36,920
Speaker 2: Oh, I can't wait to see this.

996
00:53:37,080 --> 00:53:38,200
Speaker 3: Yeah, I want to do more.

997
00:53:38,960 --> 00:53:39,520
Speaker 2: You should.

998
00:53:40,040 --> 00:53:40,960
Speaker 3: That was my first though.

999
00:53:41,040 --> 00:53:44,520
Speaker 2: Yeah. Wow, And now I'm realizing one other. This is

1000
00:53:44,520 --> 00:53:47,560
Speaker 2: a very deep poll, but I can't imagine. It's by

1001
00:53:47,520 --> 00:53:49,520
Speaker 2: a ben called The Intelligence. I just love this video

1002
00:53:49,600 --> 00:53:52,760
Speaker 2: and it's the most simple thing, but it's two actual

1003
00:53:52,840 --> 00:53:56,160
Speaker 2: crabs and one's playing the guitar and it's one of

1004
00:53:56,200 --> 00:53:58,439
Speaker 2: the It's just so very delightful. It's for a song

1005
00:53:58,480 --> 00:54:01,719
Speaker 2: called dating Cops. So that's a very fall I love

1006
00:54:01,800 --> 00:54:02,440
Speaker 2: music video.

1007
00:54:02,680 --> 00:54:05,160
Speaker 3: I do too, And now that's got me thinking, Oh,

1008
00:54:05,200 --> 00:54:09,359
Speaker 3: there was this really wild one. I guess it's like

1009
00:54:09,719 --> 00:54:12,160
Speaker 3: ten years ago. At this point. The video is this

1010
00:54:12,200 --> 00:54:14,920
Speaker 3: guy running. The whole video is him running through a

1011
00:54:14,960 --> 00:54:20,520
Speaker 3: field and just getting shot over and over with arrows. Oh.

1012
00:54:20,560 --> 00:54:24,080
Speaker 2: That sounds incredible. It's so good. What is that?

1013
00:54:24,480 --> 00:54:25,560
Speaker 3: Yeah, we'll have to look it up and.

1014
00:54:25,560 --> 00:54:27,560
Speaker 2: At least put some keywords in and see if that's

1015
00:54:27,560 --> 00:54:31,640
Speaker 2: a music video. Guy in field being murdered.

1016
00:54:31,800 --> 00:54:35,000
Speaker 3: Oh, you're gonna know the band immediately, Jay Jay.

1017
00:54:35,040 --> 00:54:37,239
Speaker 2: Yes, okay, I haven't seen that.

1018
00:54:37,520 --> 00:54:38,200
Speaker 3: I think you'll like it.

1019
00:54:38,239 --> 00:54:38,479
Speaker 2: Okay.

1020
00:54:38,760 --> 00:54:41,680
Speaker 3: I wanted to do something old school, like from when

1021
00:54:41,680 --> 00:54:44,120
Speaker 3: I was growing up, of like a little bit of

1022
00:54:44,120 --> 00:54:48,080
Speaker 3: a preamble and a story. I would have done way more.

1023
00:54:48,120 --> 00:54:49,960
Speaker 3: I would have done like a whole like of course

1024
00:54:50,040 --> 00:54:55,720
Speaker 3: fifteen minute video, but that was sort of sort of quick.

1025
00:54:55,840 --> 00:54:58,480
Speaker 3: But still I got to have it. I got to

1026
00:54:58,480 --> 00:55:00,120
Speaker 3: have her say a little something before.

1027
00:54:59,840 --> 00:55:02,839
Speaker 2: It, so it's like as close to like when they

1028
00:55:02,840 --> 00:55:06,600
Speaker 2: were making music videos and totally totally Oh, I'm so jealous.

1029
00:55:06,880 --> 00:55:09,400
Speaker 2: I can't wait to see this. Yeah, okay, I'm going

1030
00:55:09,480 --> 00:55:10,960
Speaker 2: to reach. I think there's at least one more thing

1031
00:55:10,960 --> 00:55:11,239
Speaker 2: in here.

1032
00:55:11,239 --> 00:55:12,680
Speaker 3: There are two more things in there, and I'm so

1033
00:55:12,760 --> 00:55:15,880
Speaker 3: glad these were open first. The next two are their

1034
00:55:15,920 --> 00:55:16,680
Speaker 3: own cattory.

1035
00:55:16,760 --> 00:55:19,160
Speaker 2: And this is something I've never seen before. I mean

1036
00:55:19,160 --> 00:55:20,200
Speaker 2: I hadn't seen it either.

1037
00:55:20,440 --> 00:55:23,279
Speaker 3: These next two are things that I got for you

1038
00:55:23,320 --> 00:55:35,080
Speaker 3: because the title of them was disgusting God gushers.

1039
00:55:37,239 --> 00:55:40,960
Speaker 2: I'm familiar with gushers, the candy from They would put

1040
00:55:40,960 --> 00:55:43,600
Speaker 2: them in like at least other kids in school would

1041
00:55:43,600 --> 00:55:47,120
Speaker 2: have them in their sack. Lunches yep, and I think

1042
00:55:47,120 --> 00:55:50,840
Speaker 2: they're disgusting. Have you had one before? I'm excited to try.

1043
00:55:50,840 --> 00:55:54,840
Speaker 2: I mean, it's an absolute texture nightmare for me. And

1044
00:55:54,920 --> 00:55:58,719
Speaker 2: now money bites, money byes, what's the there's like a

1045
00:55:58,880 --> 00:56:02,560
Speaker 2: mix that people make with the checks mix muddy.

1046
00:56:02,200 --> 00:56:05,320
Speaker 3: Buddies, oh, or like puppy Chow.

1047
00:56:05,239 --> 00:56:07,040
Speaker 2: Puppy Chow. I think those are kind of that's the

1048
00:56:07,040 --> 00:56:10,439
Speaker 2: same thing that like peanut butter checks and chocolate powdered chugar.

1049
00:56:10,520 --> 00:56:14,080
Speaker 2: Maybe I wonder if that's but this has waffle cone,

1050
00:56:14,120 --> 00:56:16,400
Speaker 2: so this is a whole new thing, that thing.

1051
00:56:16,560 --> 00:56:19,440
Speaker 3: But I was like muddy bites. There was something so like,

1052
00:56:19,840 --> 00:56:22,320
Speaker 3: it's so scatological about that.

1053
00:56:25,560 --> 00:56:31,600
Speaker 2: Gushers. That's a tough combination of snacks.

1054
00:56:33,680 --> 00:56:37,640
Speaker 3: Come on, get loose, get your tea's bag out, get

1055
00:56:37,680 --> 00:56:41,080
Speaker 3: you some gushers, slurp some muddy bites.

1056
00:56:44,920 --> 00:56:45,280
Speaker 1: Uh.

1057
00:56:45,480 --> 00:56:47,080
Speaker 2: Would you like to try a gusher first or a

1058
00:56:47,120 --> 00:56:47,839
Speaker 2: muddy bite first?

1059
00:56:48,160 --> 00:56:50,080
Speaker 3: I think a gusher first, and then I don't even

1060
00:56:50,120 --> 00:56:51,839
Speaker 3: know if I can have the muddy bites because they've

1061
00:56:51,840 --> 00:56:52,600
Speaker 3: got cones.

1062
00:56:53,200 --> 00:56:56,719
Speaker 2: Oh right, you can't have that's certainly a gluten and

1063
00:56:56,840 --> 00:56:58,960
Speaker 2: let's these might even be let's see let's just make

1064
00:56:59,000 --> 00:57:02,640
Speaker 2: sure I know there's a gluten. Yeah. These seem okay,

1065
00:57:04,440 --> 00:57:07,040
Speaker 2: and yet they're impossible to open. Maybe if I pull

1066
00:57:07,080 --> 00:57:10,040
Speaker 2: it like this, Oh the mean that's almost too easy.

1067
00:57:10,360 --> 00:57:13,320
Speaker 2: These were opened in storm. We're gonna both be poisoned.

1068
00:57:13,320 --> 00:57:14,800
Speaker 2: This is like that advil murderer.

1069
00:57:15,239 --> 00:57:17,560
Speaker 3: Yeah, it's like old Halloween warnings.

1070
00:57:17,640 --> 00:57:27,760
Speaker 2: Yeah, exactly, Okay, I know, m I'm not okay. I

1071
00:57:27,760 --> 00:57:30,520
Speaker 2: have to get a different flavor. This flavor is abhorrent.

1072
00:57:30,520 --> 00:57:34,720
Speaker 2: It's lime. Oh, artificial lime for me? Is whoa?

1073
00:57:35,360 --> 00:57:38,000
Speaker 3: That orange one had no flavor and I'm like, did

1074
00:57:38,000 --> 00:57:39,000
Speaker 3: I get covid in here?

1075
00:57:41,120 --> 00:57:44,640
Speaker 2: Rapid covid? Okay, I have to give it another shot

1076
00:57:44,640 --> 00:57:47,640
Speaker 2: with the blue. I think that's a safer hmm. Oh

1077
00:57:47,680 --> 00:57:52,960
Speaker 2: my god, that green is for me. That is truly

1078
00:57:53,080 --> 00:57:57,840
Speaker 2: poisonous flavoring. Oh okay, blue, They're.

1079
00:57:57,720 --> 00:58:02,800
Speaker 3: So like fake it's Oh, the gush is wilder.

1080
00:58:06,160 --> 00:58:09,440
Speaker 2: This is a bad This is a bad candy. They

1081
00:58:09,440 --> 00:58:10,800
Speaker 2: should no longer be on the market.

1082
00:58:10,840 --> 00:58:13,400
Speaker 3: That is fully of poisoned candy.

1083
00:58:13,440 --> 00:58:15,640
Speaker 2: We've come so far with artificial flavoring and they have

1084
00:58:15,680 --> 00:58:19,240
Speaker 2: fucked it up in a huge way. Tropical. Oh, they

1085
00:58:19,240 --> 00:58:20,040
Speaker 2: taste horrible.

1086
00:58:21,480 --> 00:58:23,880
Speaker 3: I know, they should at least taste as good as

1087
00:58:23,920 --> 00:58:25,720
Speaker 3: like Star Wars.

1088
00:58:25,880 --> 00:58:30,080
Speaker 2: Oh yeah, bare minimum. Come on, they don't. This is

1089
00:58:30,120 --> 00:58:33,160
Speaker 2: a national brand. They have the science, the food scientists

1090
00:58:33,160 --> 00:58:36,280
Speaker 2: that could be evolving the flavor. They don't care about us.

1091
00:58:39,040 --> 00:58:41,840
Speaker 2: Oh that's a terrible these I think, like initially we're

1092
00:58:41,960 --> 00:58:45,320
Speaker 2: kind of almost like the fruit snack category, where people

1093
00:58:45,320 --> 00:58:47,240
Speaker 2: think parents would be tricking to thinking oh it's a fruit.

1094
00:58:47,360 --> 00:58:51,760
Speaker 3: Oh yeah, because they'd be in lunches and.

1095
00:58:51,720 --> 00:58:56,200
Speaker 2: Now oh okay, now I guess I'll be trying my

1096
00:58:56,280 --> 00:58:59,520
Speaker 2: muddy bite private like, okay, let me know. If you

1097
00:58:59,560 --> 00:59:03,520
Speaker 2: want me to over my eyes, I'm gonna have to

1098
00:59:03,560 --> 00:59:06,400
Speaker 2: blur out all of the footage. Chair that's what it

1099
00:59:06,400 --> 00:59:09,360
Speaker 2: looks like. It is very uh the cone is very

1100
00:59:09,360 --> 00:59:12,000
Speaker 2: accurate to a real cone. Maybe that might actually be

1101
00:59:12,040 --> 00:59:14,760
Speaker 2: a waffle cone. And then the inside is some dusty chocolate.

1102
00:59:15,760 --> 00:59:20,040
Speaker 3: Ha ha ha oh, because I forgot to tell you this,

1103
00:59:20,120 --> 00:59:22,640
Speaker 3: there is a sign by these in the store that

1104
00:59:22,680 --> 00:59:25,680
Speaker 3: says do not eat well. It says all these muddy

1105
00:59:25,680 --> 00:59:31,640
Speaker 3: bites were left on a shelf for six months, hence

1106
00:59:31,680 --> 00:59:37,680
Speaker 3: the dusty chocolate. Enjoy before before bagging.

1107
00:59:37,600 --> 00:59:43,640
Speaker 2: You think six months, yeah, just to collect the right amount.

1108
00:59:44,040 --> 00:59:45,120
Speaker 2: It's not gonna stop me.

1109
00:59:45,320 --> 00:59:51,480
Speaker 3: Okay, great, Oh I don't oh.

1110
00:59:51,480 --> 00:59:55,240
Speaker 2: This almost says more like an onion than a oh no,

1111
00:59:56,480 --> 01:00:03,600
Speaker 2: something wrong is happening in my mouth right. I don't

1112
01:00:03,640 --> 01:00:07,080
Speaker 2: know if it's because the funion altered what's happening in

1113
01:00:07,080 --> 01:00:12,320
Speaker 2: my mouth, but there's like a a savoriness to this

1114
01:00:12,480 --> 01:00:17,640
Speaker 2: that should not be happening. What is happening?

1115
01:00:17,640 --> 01:00:22,200
Speaker 3: Oh god, they're just like both of them are such

1116
01:00:24,080 --> 01:00:30,400
Speaker 3: Oh oh, they're such synonyms for you know, very like

1117
01:00:31,280 --> 01:00:32,080
Speaker 3: very explicit.

1118
01:00:33,000 --> 01:00:36,120
Speaker 2: Well and listen, it sounds like there's a letter on

1119
01:00:36,160 --> 01:00:38,959
Speaker 2: the back from the creators. Oh hi, and it says

1120
01:00:38,960 --> 01:00:41,640
Speaker 2: we started Muddy Bites because we thought to ourselves, what's

1121
01:00:41,640 --> 01:00:46,360
Speaker 2: better than eating a Sunday cone? Well, well, yeah, enjoying

1122
01:00:46,360 --> 01:00:49,240
Speaker 2: the last bite over and over again, of course. Okay,

1123
01:00:49,560 --> 01:00:52,560
Speaker 2: where delicious milk chocolate made from only the best ingredients.

1124
01:00:52,840 --> 01:00:55,320
Speaker 2: I'm gonna stop you right there. Yeah, come on, fills

1125
01:00:55,320 --> 01:00:57,520
Speaker 2: the waffle cone tip for the perfect bite. It's like

1126
01:00:57,560 --> 01:00:59,840
Speaker 2: every day is summer vacation or hitting a home run.

1127
01:00:59,880 --> 01:01:05,800
Speaker 2: With every swing, it's happiness multiplied. Jared and Tyler. Jared Tyler,

1128
01:01:06,600 --> 01:01:07,440
Speaker 2: what are you doing?

1129
01:01:07,960 --> 01:01:11,760
Speaker 3: What are you doing? I see the deal. Now I didn't.

1130
01:01:11,840 --> 01:01:14,200
Speaker 3: I didn't put it together like, oh, if someone does

1131
01:01:14,240 --> 01:01:15,880
Speaker 3: eat a drumstick.

1132
01:01:15,560 --> 01:01:16,360
Speaker 2: That part is good.

1133
01:01:16,440 --> 01:01:19,200
Speaker 3: That part is the best I can remember that course.

1134
01:01:19,680 --> 01:01:21,200
Speaker 3: So that's what they're trying to do here.

1135
01:01:21,600 --> 01:01:24,920
Speaker 2: But that's not an artificial This is a copy of that.

1136
01:01:25,400 --> 01:01:27,080
Speaker 3: Yeah, and there was part of this that made me

1137
01:01:27,280 --> 01:01:39,520
Speaker 3: gasp fee oh the waffle tip. God, just at least

1138
01:01:39,560 --> 01:01:41,840
Speaker 3: add a few words about the end of the waffle cone,

1139
01:01:42,160 --> 01:01:47,840
Speaker 3: the waffle tip of the muddy bite. Get out of here.

1140
01:01:51,040 --> 01:01:52,480
Speaker 3: How dare you? Jared and Tyler?

1141
01:01:52,560 --> 01:01:55,320
Speaker 2: Wow, they're really getting away with something here. This snack

1142
01:01:55,360 --> 01:01:59,280
Speaker 2: should have like a rating like movies. Yeah, these are X. Yeah,

1143
01:01:59,280 --> 01:02:03,360
Speaker 2: this is an X, and so's the gusher. And I

1144
01:02:03,360 --> 01:02:06,200
Speaker 2: will say that they have there are notes of meat

1145
01:02:06,680 --> 01:02:11,640
Speaker 2: I'm tasting. I'm tasting notes of ground beef for site.

1146
01:02:13,920 --> 01:02:16,919
Speaker 2: But maybe people are into that. Maybe people have all

1147
01:02:16,960 --> 01:02:18,400
Speaker 2: sorts of tastes and cases.

1148
01:02:19,400 --> 01:02:21,680
Speaker 3: You know what I didn't notice in the seven to

1149
01:02:21,680 --> 01:02:24,640
Speaker 3: eleven was that the logo on that they have on

1150
01:02:24,680 --> 01:02:28,120
Speaker 3: the front of the cone that's running this little guy.

1151
01:02:30,080 --> 01:02:32,200
Speaker 3: He has a full erection.

1152
01:02:35,680 --> 01:02:40,040
Speaker 2: Not really without a huge kind of glance. He also

1153
01:02:40,120 --> 01:02:42,040
Speaker 2: kind of looks like a slice of pizza. Whoever was

1154
01:02:42,600 --> 01:02:45,240
Speaker 2: they paid. They probably bought this on Fiver or something.

1155
01:02:45,320 --> 01:02:48,800
Speaker 2: They got like some amateur to do their logo. That's

1156
01:02:48,840 --> 01:02:52,400
Speaker 2: not ideal. The best bite over and over again. I'm sorry,

1157
01:02:52,400 --> 01:02:54,960
Speaker 2: but I will not be having another muddy bite. I

1158
01:02:54,960 --> 01:02:56,800
Speaker 2: don't want to stop anyone else from having a money

1159
01:02:56,880 --> 01:03:01,880
Speaker 2: Please have a money bite. But for me, you know,

1160
01:03:01,920 --> 01:03:08,200
Speaker 2: if the meat the meat element, my mouth is so confused.

1161
01:03:07,960 --> 01:03:14,280
Speaker 3: With hints of ground beef in the waffle tip.

1162
01:03:17,240 --> 01:03:20,479
Speaker 2: Well, I think we should play a game. I do too. Okay,

1163
01:03:20,520 --> 01:03:22,240
Speaker 2: We're gonna play a game called Gift or a Curse. But

1164
01:03:22,280 --> 01:03:26,040
Speaker 2: I need a number between one and ten from you. Okay, seven, Okay,

1165
01:03:26,040 --> 01:03:28,680
Speaker 2: I have to do some light calculating. So right now

1166
01:03:28,720 --> 01:03:31,000
Speaker 2: you can recommend, promote, do whatever you want. I'll be

1167
01:03:31,080 --> 01:03:31,480
Speaker 2: right back.

1168
01:03:31,640 --> 01:03:36,920
Speaker 3: Okay, great, I would say in this moment, I will

1169
01:03:37,360 --> 01:03:41,240
Speaker 3: tell people to watch season four of The Righteous Gemstones.

1170
01:03:42,280 --> 01:03:50,200
Speaker 3: It's currently airing on HBO also known as Max comes

1171
01:03:50,240 --> 01:03:54,880
Speaker 3: on Sunday nights right after White Lotus. How about that

1172
01:03:54,880 --> 01:04:02,480
Speaker 3: throat clear and yeah, episode three air word on this

1173
01:04:02,520 --> 01:04:07,320
Speaker 3: past Sunday night, and uh yeah, catch that catch up

1174
01:04:07,360 --> 01:04:09,280
Speaker 3: on all the other seasons if you want to you

1175
01:04:09,320 --> 01:04:12,760
Speaker 3: before you watch it. And I'm doing a show on

1176
01:04:12,920 --> 01:04:17,200
Speaker 3: May sixth at the Crownlings. That's a improvise one person show.

1177
01:04:17,840 --> 01:04:19,280
Speaker 3: Oh that's what I've got right now.

1178
01:04:19,320 --> 01:04:23,560
Speaker 2: Oh that's beautiful. Yeah, Jemsuns is so good. And I

1179
01:04:23,640 --> 01:04:27,960
Speaker 2: might be biased, but Edie is just outstanding. Hey, come on,

1180
01:04:28,040 --> 01:04:32,360
Speaker 2: everybody's gotta Yeah, everybody's gotta watch it and listener. What

1181
01:04:32,440 --> 01:04:35,440
Speaker 2: am I? I'm reminding you that we have Patreon now

1182
01:04:35,520 --> 01:04:39,560
Speaker 2: Patreon dot com slash I said, no gifts, bonus episodes. Also,

1183
01:04:39,680 --> 01:04:42,440
Speaker 2: whatever nonsense. I feel like posting. Sometimes it's late at

1184
01:04:42,520 --> 01:04:44,120
Speaker 2: night and I'm desperate to do a post, and then

1185
01:04:44,120 --> 01:04:46,320
Speaker 2: it just ends up being something I probably shouldn't have

1186
01:04:46,360 --> 01:04:50,400
Speaker 2: posted in the first place. I don't know, but that's

1187
01:04:50,600 --> 01:04:52,560
Speaker 2: an opportunity for you. Okay, this is how we play

1188
01:04:52,600 --> 01:04:55,040
Speaker 2: Gift or a Curse. Great, I'm gonna name three things.

1189
01:04:55,320 --> 01:04:56,520
Speaker 2: You'll tell me if there are a gift or a

1190
01:04:56,520 --> 01:04:58,919
Speaker 2: curse and why, and then also if you're right or wrong,

1191
01:04:59,240 --> 01:05:02,040
Speaker 2: because there are answers. Yep, all right. This first one

1192
01:05:02,080 --> 01:05:04,960
Speaker 2: is from one of our Patreon listeners, Brit Gift or

1193
01:05:05,000 --> 01:05:07,840
Speaker 2: a Curse going through the drive through and the person

1194
01:05:07,880 --> 01:05:13,480
Speaker 2: in front of you paid for your meal gift why.

1195
01:05:14,360 --> 01:05:19,600
Speaker 3: I think that it was just probably something they wanted

1196
01:05:19,600 --> 01:05:24,000
Speaker 3: to do. They probably didn't even see you. I know

1197
01:05:24,040 --> 01:05:26,320
Speaker 3: if I did that, I would just do it just

1198
01:05:26,360 --> 01:05:30,760
Speaker 3: to be cool, be nice, and have them have an

1199
01:05:30,760 --> 01:05:34,680
Speaker 3: extra perk in the day. I know people could argue

1200
01:05:34,680 --> 01:05:37,360
Speaker 3: that they saw you and they felt really bad for you,

1201
01:05:38,240 --> 01:05:41,480
Speaker 3: but I think probably they don't even care who or

1202
01:05:41,520 --> 01:05:45,560
Speaker 3: what you are. They just were trying to do something nice.

1203
01:05:45,920 --> 01:05:52,640
Speaker 2: Wrong curse. This person is mind your own business. I

1204
01:05:52,640 --> 01:05:55,040
Speaker 2: don't want you knowing anything about how much I'm spending

1205
01:05:55,080 --> 01:05:59,320
Speaker 2: at the drive through, and you're obviously very curious about

1206
01:05:59,560 --> 01:06:02,960
Speaker 2: my fast food budget, and so you think what's the

1207
01:06:03,000 --> 01:06:04,120
Speaker 2: easiest way to find.

1208
01:06:04,000 --> 01:06:08,640
Speaker 3: Out, Oh pay now, Wow.

1209
01:06:08,200 --> 01:06:10,320
Speaker 2: Pright into my personal business.

1210
01:06:10,720 --> 01:06:12,560
Speaker 3: You're yeah, I didn't even think about this.

1211
01:06:12,680 --> 01:06:12,840
Speaker 2: Now.

1212
01:06:12,880 --> 01:06:14,080
Speaker 3: They know too much about you, know.

1213
01:06:14,120 --> 01:06:18,840
Speaker 2: Too much, and it's almost like they're reverse following you. Yeah,

1214
01:06:18,880 --> 01:06:22,120
Speaker 2: it's like a very subtle piece of soccer move Yep, yep.

1215
01:06:23,640 --> 01:06:25,400
Speaker 3: Well I know why I got that one wrong, and

1216
01:06:25,440 --> 01:06:26,920
Speaker 3: I will never do it.

1217
01:06:26,880 --> 01:06:31,240
Speaker 2: Again, all right. Number two. Uh, This is from a

1218
01:06:31,280 --> 01:06:35,040
Speaker 2: listener named Brent. Gift a curse. Gift you a curse.

1219
01:06:35,200 --> 01:06:37,120
Speaker 2: Standing on escalators.

1220
01:06:37,720 --> 01:06:41,360
Speaker 3: Well, it could go either way. Ultimately, curse because keep

1221
01:06:41,440 --> 01:06:44,360
Speaker 3: it moving if you can, and if you I have

1222
01:06:44,480 --> 01:06:47,080
Speaker 3: been in situations where my bag is too heavy to

1223
01:06:47,240 --> 01:06:51,320
Speaker 3: walk on the escalator, but in that case, put it

1224
01:06:51,440 --> 01:06:53,600
Speaker 3: right in front of you, have it, take up only

1225
01:06:53,640 --> 01:06:56,280
Speaker 3: the width of your body and leave room enough for

1226
01:06:56,320 --> 01:06:58,800
Speaker 3: someone to run past on the side if they want to.

1227
01:06:59,520 --> 01:07:04,000
Speaker 2: So you're saying, curse, curse, absolutely a curse. Oh, I

1228
01:07:04,000 --> 01:07:06,880
Speaker 2: mean this, I mean what's shocking to me. I mean

1229
01:07:06,920 --> 01:07:10,360
Speaker 2: it's how many people don't understand this. It's shaped like

1230
01:07:10,360 --> 01:07:12,600
Speaker 2: a staircase for a reason. If you have the ability

1231
01:07:12,600 --> 01:07:15,240
Speaker 2: to walk up a staircase, no excuses. I want you

1232
01:07:15,320 --> 01:07:18,240
Speaker 2: walking up an escalator. Keep it moving, come on or yeah,

1233
01:07:18,280 --> 01:07:19,600
Speaker 2: or at least stand to the side.

1234
01:07:19,760 --> 01:07:22,160
Speaker 3: Yeah. If you can't keep it moving, stand to the side.

1235
01:07:22,320 --> 01:07:24,560
Speaker 2: Oh this sets me off in a huge way when

1236
01:07:24,600 --> 01:07:26,640
Speaker 2: I'm trapped behind somebody on an escalator.

1237
01:07:26,720 --> 01:07:29,120
Speaker 3: Yeah, especially if you're trying to run through an airport

1238
01:07:29,120 --> 01:07:30,400
Speaker 3: and get a connecting flight.

1239
01:07:30,520 --> 01:07:34,840
Speaker 2: It is infury, and I even more so if it's

1240
01:07:34,880 --> 01:07:37,160
Speaker 2: one that's going down where it's like this requires very

1241
01:07:37,240 --> 01:07:40,280
Speaker 2: little energy. Huh. Okay, I can kind of get behind

1242
01:07:40,280 --> 01:07:42,560
Speaker 2: the reason of like I don't want to walk up.

1243
01:07:43,520 --> 01:07:46,440
Speaker 2: I still want to walk up, but we're headed down.

1244
01:07:46,520 --> 01:07:49,800
Speaker 2: Gravity is assisting you. Hear, keep moving, get out of

1245
01:07:49,840 --> 01:07:50,200
Speaker 2: the way.

1246
01:07:50,360 --> 01:07:50,640
Speaker 3: Yep.

1247
01:07:51,120 --> 01:07:54,240
Speaker 2: And no lovebirds standing next to each other. No, no, no, no,

1248
01:07:54,240 --> 01:07:54,600
Speaker 2: no no.

1249
01:07:54,840 --> 01:07:57,600
Speaker 3: I feel the same about moving sidewalks in the airport.

1250
01:07:57,360 --> 01:08:00,160
Speaker 2: Of course, and the airport is telling people still and

1251
01:08:00,280 --> 01:08:01,160
Speaker 2: to the side.

1252
01:08:00,840 --> 01:08:03,720
Speaker 3: Stand to the side, because I'm coming fast.

1253
01:08:03,480 --> 01:08:06,320
Speaker 2: I am flying, even if I'm not in a rush,

1254
01:08:06,400 --> 01:08:09,320
Speaker 2: I'm just like I want to love it. Yes, it's

1255
01:08:09,360 --> 01:08:09,920
Speaker 2: a thrill.

1256
01:08:10,080 --> 01:08:10,960
Speaker 3: It's a thrill.

1257
01:08:11,480 --> 01:08:14,600
Speaker 2: You feel like wonder Woman or something zipping through the airport.

1258
01:08:14,640 --> 01:08:17,040
Speaker 2: Mm hmm. Curse. Okay, so you've gotten one right, so

1259
01:08:17,280 --> 01:08:21,760
Speaker 2: car great, not a total failure. Finally, this is from

1260
01:08:21,760 --> 01:08:25,000
Speaker 2: a listener named Mackenzie Gift or a curse keyless ignitions

1261
01:08:25,000 --> 01:08:25,559
Speaker 2: in cars.

1262
01:08:28,360 --> 01:08:32,439
Speaker 3: Gift, Why just because then you can have your your

1263
01:08:32,479 --> 01:08:37,280
Speaker 3: whole chunk of keys just in your bag, in your

1264
01:08:37,320 --> 01:08:39,280
Speaker 3: pocket wherever you want to have it, and you don't

1265
01:08:39,320 --> 01:08:41,559
Speaker 3: have to go digging for it to stick it in

1266
01:08:41,600 --> 01:08:45,160
Speaker 3: the key hole. Just get going.

1267
01:08:46,840 --> 01:08:47,639
Speaker 2: You're on the move.

1268
01:08:47,960 --> 01:08:50,680
Speaker 3: You're you're on the move. This is exactly in the

1269
01:08:50,760 --> 01:08:54,720
Speaker 3: vein as an escalator. Keep it moving.

1270
01:08:56,040 --> 01:09:01,439
Speaker 2: Wrong, curse. Look, I understand everything you've just said, but

1271
01:09:01,520 --> 01:09:04,880
Speaker 2: I think I miss the delicious feeling of sticking the

1272
01:09:04,920 --> 01:09:08,360
Speaker 2: key into the ignition, the revving it up. You know,

1273
01:09:08,439 --> 01:09:12,719
Speaker 2: it feels like you'rev I'm revving.

1274
01:09:13,600 --> 01:09:14,479
Speaker 3: What is your car?

1275
01:09:15,439 --> 01:09:16,320
Speaker 2: A monster truck?

1276
01:09:16,479 --> 01:09:18,040
Speaker 3: Okay, okay, okay, I get it.

1277
01:09:18,840 --> 01:09:22,720
Speaker 2: I drive a monster truck, a Corvette. I'm always in

1278
01:09:22,760 --> 01:09:26,519
Speaker 2: something that's catching eye. A Dodge Challenger, Dodge Challenger of course,

1279
01:09:26,640 --> 01:09:32,080
Speaker 2: of course, cutting people off on the freeway, tailgating. And

1280
01:09:32,120 --> 01:09:33,920
Speaker 2: the only thing missing is that I didn't get to

1281
01:09:33,920 --> 01:09:34,479
Speaker 2: turn the key.

1282
01:09:34,800 --> 01:09:35,759
Speaker 3: Okay, okay.

1283
01:09:35,880 --> 01:09:39,120
Speaker 2: I loved and I do feel like I'm being trained

1284
01:09:39,200 --> 01:09:41,200
Speaker 2: to like. You know, what tries to crazy is when

1285
01:09:41,560 --> 01:09:44,000
Speaker 2: the automatic door opens just for the driver and then

1286
01:09:44,040 --> 01:09:45,920
Speaker 2: you're sending there as the passenger, waiting for the person

1287
01:09:45,920 --> 01:09:49,599
Speaker 2: to get in and open your door. Drives me crazy, agreed.

1288
01:09:49,960 --> 01:09:53,439
Speaker 3: I can't. I can't fight the urge to uh. I've

1289
01:09:53,439 --> 01:09:56,920
Speaker 3: tried it. Once it was locked. I then can't not go.

1290
01:09:57,960 --> 01:10:01,240
Speaker 2: Of course, I'm I get it back in. Yes, the

1291
01:10:01,320 --> 01:10:01,800
Speaker 2: night's ruin.

1292
01:10:01,880 --> 01:10:02,240
Speaker 3: I'm done.

1293
01:10:02,280 --> 01:10:05,160
Speaker 2: I'm going to uber at that point, you know too

1294
01:10:05,240 --> 01:10:11,000
Speaker 2: much forget it? Well, you got one out of one

1295
01:10:11,040 --> 01:10:18,920
Speaker 2: three pretty poor, bad, unfortunately, huge failure, but it gives

1296
01:10:19,240 --> 01:10:21,519
Speaker 2: our allows for room for improvement.

1297
01:10:21,640 --> 01:10:23,080
Speaker 3: Okay, okay, And at least we.

1298
01:10:23,040 --> 01:10:24,640
Speaker 2: Know you know how to stand on it or to

1299
01:10:24,680 --> 01:10:28,320
Speaker 2: move on an escalator, which comes for a lot. All right,

1300
01:10:28,760 --> 01:10:30,759
Speaker 2: people who are standing on the escalator fail.

1301
01:10:30,600 --> 01:10:32,960
Speaker 3: At everything, So I think you may be right.

1302
01:10:33,840 --> 01:10:35,719
Speaker 2: Okay, Well, I think we should get into this final

1303
01:10:35,760 --> 01:10:38,599
Speaker 2: segment of the podcast. Let's answer a listener question perfect

1304
01:10:38,600 --> 01:10:40,840
Speaker 2: people have been sending in voice notes on at least

1305
01:10:40,840 --> 01:10:41,559
Speaker 2: would you play one?

1306
01:10:42,400 --> 01:10:45,439
Speaker 4: Hi Bridger, my name is Ann and this weekend, my

1307
01:10:45,560 --> 01:10:50,240
Speaker 4: grandma turns one hundred and one. I have no clue

1308
01:10:50,840 --> 01:10:56,000
Speaker 4: what to get her. She's from Missouri. She's very elegant,

1309
01:10:56,400 --> 01:11:03,719
Speaker 4: she's very funny. Loves white wine like chardonay. I don't

1310
01:11:04,120 --> 01:11:06,840
Speaker 4: know if I can keep giving a woman in her

1311
01:11:07,000 --> 01:11:12,719
Speaker 4: hundreds wine. She'd probably like that, but I'd really appreciate

1312
01:11:12,720 --> 01:11:17,360
Speaker 4: some advice. Here shout out to Dorothy. She's a great grandma.

1313
01:11:17,560 --> 01:11:19,760
Speaker 4: I love her and I'm so lucky she's here.

1314
01:11:20,200 --> 01:11:25,200
Speaker 3: Thank you, Oh sweet, so sweeteah. And she has a

1315
01:11:25,280 --> 01:11:29,120
Speaker 3: problem geez, sounds like a blast.

1316
01:11:29,560 --> 01:11:32,840
Speaker 2: She's having the time of her life. She's still getting

1317
01:11:32,880 --> 01:11:34,120
Speaker 2: boozed up at one hundred and one.

1318
01:11:34,320 --> 01:11:34,920
Speaker 3: Pretty great.

1319
01:11:35,240 --> 01:11:37,040
Speaker 2: Wow, what do you give this person that you know

1320
01:11:37,320 --> 01:11:39,559
Speaker 2: has to dry out?

1321
01:11:39,960 --> 01:11:42,679
Speaker 3: My first idea is, maybe she doesn't have to dry out?

1322
01:11:43,080 --> 01:11:47,200
Speaker 3: What about I wonder if there's anywhere even an hour

1323
01:11:47,400 --> 01:11:51,240
Speaker 3: or two away a winery. That would be a fun.

1324
01:11:51,200 --> 01:11:53,599
Speaker 2: Time grandma granddaughter trip.

1325
01:11:53,840 --> 01:11:56,160
Speaker 3: Yeah, just even go and spend one day and one

1326
01:11:56,240 --> 01:11:57,519
Speaker 3: night would be a blast.

1327
01:11:57,920 --> 01:12:00,920
Speaker 2: That's a great idea, be my first idea.

1328
01:12:00,960 --> 01:12:07,000
Speaker 3: But maybe Anne doesn't live where her grandma lives. In

1329
01:12:07,040 --> 01:12:13,040
Speaker 3: that case, my next idea would be, maybe maybe it's

1330
01:12:13,080 --> 01:12:17,640
Speaker 3: a really cool, like unique, some kind of jewelry.

1331
01:12:18,160 --> 01:12:21,120
Speaker 2: Oh yeah, some nice like a nice necklace or earring,

1332
01:12:21,280 --> 01:12:25,519
Speaker 2: yes that's an or a bracelet, a charm bracelet with

1333
01:12:25,840 --> 01:12:30,000
Speaker 2: wine bottles on it. Yeah, yeah, that seems like a

1334
01:12:30,040 --> 01:12:32,080
Speaker 2: decent thing. I do ever think about? This is something

1335
01:12:32,120 --> 01:12:35,200
Speaker 2: I think about, well, not often. I'm not frequently thinking

1336
01:12:35,200 --> 01:12:37,360
Speaker 2: about this. But if I get to that age I

1337
01:12:37,400 --> 01:12:39,840
Speaker 2: really want to start doing hard drugs, why not?

1338
01:12:40,120 --> 01:12:40,320
Speaker 3: Yeah?

1339
01:12:40,320 --> 01:12:41,639
Speaker 2: I just feel like you get to a point where

1340
01:12:41,640 --> 01:12:42,960
Speaker 2: you're like, let's just do it.

1341
01:12:43,040 --> 01:12:43,679
Speaker 3: Let's party.

1342
01:12:43,920 --> 01:12:47,320
Speaker 2: Yeah is at the door? Yes? Okay, So what drugs

1343
01:12:47,320 --> 01:12:50,000
Speaker 2: should she get her? I feel like a starter on heroin?

1344
01:12:50,560 --> 01:12:59,240
Speaker 3: Great whoa full trade spotting from the jump. Okay, dirty

1345
01:12:59,360 --> 01:13:02,320
Speaker 3: drugs okay.

1346
01:13:02,120 --> 01:13:04,240
Speaker 2: Or maybe okay, it's her birthday. Maybe she coke?

1347
01:13:04,760 --> 01:13:08,840
Speaker 3: Yeah, okay, that's a party drug coke or maybe uh

1348
01:13:10,439 --> 01:13:13,360
Speaker 3: maybe some molly Molly's together.

1349
01:13:13,600 --> 01:13:16,080
Speaker 2: Molly seems like a grandma drug. Yeah, give your grandma

1350
01:13:16,160 --> 01:13:19,280
Speaker 2: some molly and like be prepared to like brush her hair,

1351
01:13:19,640 --> 01:13:22,679
Speaker 2: hug hug, lie together on a quill.

1352
01:13:22,960 --> 01:13:24,799
Speaker 3: Yeah, that sounds awesome.

1353
01:13:24,840 --> 01:13:27,240
Speaker 2: That's a perfect hundred and first birthday with your granddaughter.

1354
01:13:27,680 --> 01:13:29,720
Speaker 2: I mean, if she doesn't like that, then she has

1355
01:13:29,800 --> 01:13:35,840
Speaker 2: not learned anything in life. Sorry, grandma, Sorry grandma. Well

1356
01:13:35,880 --> 01:13:38,879
Speaker 2: I think that we answered that. I think we've saved

1357
01:13:38,960 --> 01:13:41,560
Speaker 2: a relationship, a grandma granddaughter relationship.

1358
01:13:41,840 --> 01:13:43,920
Speaker 3: Were the were they in peril dire straits?

1359
01:13:44,560 --> 01:13:47,280
Speaker 2: Yes, there was gonna be a some something that resembled

1360
01:13:47,280 --> 01:13:55,880
Speaker 2: a divorce. Can you emancipate yourself from your grandma? Yes? Well,

1361
01:13:55,920 --> 01:13:59,599
Speaker 2: happy one hundred and first birthday, Grandma. Yes, Deandra, don't

1362
01:13:59,600 --> 01:14:04,200
Speaker 2: call back. Ah Um, Well we answered the question perfectly.

1363
01:14:04,240 --> 01:14:09,320
Speaker 2: The room smells like an absolute gourmet.

1364
01:14:09,960 --> 01:14:14,840
Speaker 3: Yeah, the room smells like beans, onions and gushers.

1365
01:14:18,360 --> 01:14:20,960
Speaker 2: I've had such a wonderful time with you. Same what

1366
01:14:21,080 --> 01:14:25,880
Speaker 2: a bless and I've now I've had lunch. Great, thank

1367
01:14:25,920 --> 01:14:28,960
Speaker 2: you for being here. Yeah, thanks for having me listener.

1368
01:14:29,000 --> 01:14:32,639
Speaker 2: The podcast is over. You can do whatever you want

1369
01:14:32,640 --> 01:14:35,120
Speaker 2: with your day. If that involves muddy bites. I don't

1370
01:14:35,160 --> 01:14:38,000
Speaker 2: know what to tell you, but that's truly up to you.

1371
01:14:38,240 --> 01:14:40,360
Speaker 2: I'm sending you off into the world and hoping you

1372
01:14:40,439 --> 01:14:49,519
Speaker 2: make a decent decision. I love you, goodbye. I said,

1373
01:14:49,520 --> 01:14:53,599
Speaker 2: No Gifts is an exactly right production. Our senior producer

1374
01:14:53,760 --> 01:14:56,920
Speaker 2: is on Alisa Nelson, and our episodes are beautifully mixed

1375
01:14:56,920 --> 01:15:00,160
Speaker 2: by Ben Holliday. The theme song is by mir co

1376
01:15:00,320 --> 01:15:03,400
Speaker 2: worker Amy Mann, and we couldn't do it without our booker,

1377
01:15:03,400 --> 01:15:07,320
Speaker 2: Patrick Cottner. You must follow the show on Instagram. At

1378
01:15:07,320 --> 01:15:09,360
Speaker 2: I said no Gifts, that's where you're going to see

1379
01:15:09,360 --> 01:15:12,360
Speaker 2: pictures of all these wonderful gifts I'm getting. And don't

1380
01:15:12,360 --> 01:15:13,519
Speaker 2: you want to see the gifts?

1381
01:15:14,360 --> 01:15:14,880
Speaker 3: He lie?

1382
01:15:14,880 --> 01:15:16,320
Speaker 2: Invit? Did you hear?

1383
01:15:18,720 --> 01:15:23,920
Speaker 1: Gonta made myself perfectly clear. When you're a guess to me,

1384
01:15:26,800 --> 01:15:33,040
Speaker 1: you gotta come to me empty. And I said, no, guests,

1385
01:15:33,160 --> 01:15:39,000
Speaker 1: You're our presences presents enough and I already had too

1386
01:15:39,240 --> 01:15:40,120
Speaker 1: much stuff.

1387
01:15:40,760 --> 01:15:43,840
Speaker 3: So how do you dare to surbey Me