WEBVTT - Bonus Episode: Rock 'n' Roll Second Acts

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<v Speaker 1>Hey, discos, need a little more disgrace Land in your life,

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<v Speaker 1>just to touch to get you through. Yeah, me too.

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<v Speaker 1>This is the podcast. It comes after the podcast. Welcome

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<v Speaker 1>to Disgraceland, the after party. Welcome to the Disgraceland bonus episode,

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<v Speaker 1>a little thing we like to call the after party.

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<v Speaker 1>This is the show after the show, the party after

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<v Speaker 1>the party, the bridge to get you from one full

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<v Speaker 1>episode of disgrace Land to the other, the backyard to

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<v Speaker 1>dig into the dirt. On this bonus episode, we are

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<v Speaker 1>talking about Chris Cornell. We are previewing the coming episode

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<v Speaker 1>on Winona Ryder, talking artists with follow up bands that

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<v Speaker 1>were more impactful than their breakthroughs. And we get into

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<v Speaker 1>your voicemails, text DMS, emails and as always a whole

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<v Speaker 1>lot of rosie. All right, Discos, let's get in to

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<v Speaker 1>it all right, Chris Cornell. This week's full episode subject

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<v Speaker 1>broke through obviously in Soundgarden, and then went to find

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<v Speaker 1>success in Audio Sleeve. The question of the week this

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<v Speaker 1>week was what artists had more impact in their follow

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<v Speaker 1>up band than they did in their breakthrough band. Obviously,

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<v Speaker 1>Chris Cornell's career inspired this question. Now for the record,

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<v Speaker 1>I'm leaving off people like Dave Navarro who went from

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<v Speaker 1>Jane's Addiction to the Red Hot Chili Peppers. It's a

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<v Speaker 1>bit of a nuanced reason, but it's because Chili Peppers

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<v Speaker 1>weren't really Navarro's band. He joined pretty much as a sideman.

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<v Speaker 1>Wasn't even a full member of my opinion, so he

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<v Speaker 1>doesn't qualify. Neither is someone like Ronnie James Dio, who

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<v Speaker 1>left Black Sabbath to have a successful solo career. We're

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<v Speaker 1>talking groups here, okay. Making it in two groups two

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<v Speaker 1>bands is a much harder achievement in my estimation. Those

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<v Speaker 1>artists who break through with one band and then repeat

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<v Speaker 1>their success where then they surpassed their previous success in

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<v Speaker 1>another group. That's huge. That is not easy. So I

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<v Speaker 1>was surprised to learn that Soundgarden has sold significantly more

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<v Speaker 1>albums than Audio Slaves thirty million for Soundgarden to just

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<v Speaker 1>eight million for Audio Slave. The Boys and Guns N' Roses.

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<v Speaker 1>They did not fare better with Velvet Revolver. GNR is

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<v Speaker 1>a significantly bigger band than Velvet Revolver, as was Stone

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<v Speaker 1>Temple Pilots. Here's one though, bit of left field. Not really,

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<v Speaker 1>I wouldn't have thought of this. I looked it up

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<v Speaker 1>this morning. Bell Biv Deevo much bigger group for Ronnie,

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<v Speaker 1>Ricky and Michael the new Edition. Okay, what about Blur

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<v Speaker 1>and Gorillas? This, this one is shocking to me. Okay,

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<v Speaker 1>Gorillas have sold far more albums than Blur, something like

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<v Speaker 1>forty million to six million Gorillas. That is incredible. It's amazing.

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<v Speaker 1>He'll always be damon from Blur. To me, though, Kim

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<v Speaker 1>Deal's Breeders album Last Splash has supposedly sold more than

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<v Speaker 1>all of the Pixies albums combined. I don't know. I

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<v Speaker 1>read that, and I think the Internet might be fucking

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<v Speaker 1>with me on this one. This does not sound like

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<v Speaker 1>it's right, But yeah, Cannonball Man Crazy, here's a super

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<v Speaker 1>relevant one because we were talking about this couple weeks ago,

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<v Speaker 1>two after parties ago. I believe we were talking about

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<v Speaker 1>Joy Division and New Order. By the way, I know,

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<v Speaker 1>I'm supposed to have an update on Rock and Roll

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<v Speaker 1>Hall of Fame inductees, but I'm recording this after party

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<v Speaker 1>way earlier than I normally do because we need to

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<v Speaker 1>get produced in advance because of some vacation stuff that's

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<v Speaker 1>going on. School vacation, that sort of thing. So I

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<v Speaker 1>don't have the nominee Rock and Roll Hall of Fame

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<v Speaker 1>inductee's gives me inductee update for you just yet. But

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<v Speaker 1>when we were talking about this a couple episodes ago,

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<v Speaker 1>a couple bonus episodes ago, we were talking about Joy

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<v Speaker 1>Division and New Order as potential. They're nominated, they might

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<v Speaker 1>be inducted. I don't think they're going to get in.

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<v Speaker 1>I don't understand why they're being inducted as two groups.

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<v Speaker 1>That doesn't make any fucking sense. But you know, after

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<v Speaker 1>of course, Ian Curtis died, Peter Hook, Stephen Morris, and

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<v Speaker 1>Bernard Summer went on to form New Order and sold

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<v Speaker 1>way more, way more records than Joy Division. But I'm

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<v Speaker 1>guessing not as many T shirts. Should sales be the

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<v Speaker 1>final deciding element here, I don't know. I think so

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<v Speaker 1>because sales usually correlate with radio play, video play, and

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<v Speaker 1>cultural impact, except maybe in the case the Breeders versus

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<v Speaker 1>the Pixies. To me, the Pixies aren't way more culturally impactful.

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<v Speaker 1>They've been doing this for so long, and I feel

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<v Speaker 1>like they've they've just they've touched more people. It's anecdotal

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<v Speaker 1>but that's how I feel. I'm curious what you guys

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<v Speaker 1>think on the on the Pixies Breeders question. I think

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<v Speaker 1>we have to mention Dave misstaying here, who after getting

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<v Speaker 1>booted from Metallica, went on to form Megadeth. They never

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<v Speaker 1>did what Metallica did, and Dave is still crying about it.

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<v Speaker 1>But they are one of the top four thrash bands

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<v Speaker 1>of all time, along with Metallica, Slayer and Anthrax, part

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<v Speaker 1>of the so called Big four? Who else? Who else?

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<v Speaker 1>Eric Clapton from Yardbirds to Cream to Derek and the Dominoes.

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<v Speaker 1>Does he get it for doing it three times? I

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<v Speaker 1>guess you can make the case, but Yardbirds weren't really

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<v Speaker 1>his band, were they? I don't know. Is this the

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<v Speaker 1>right answer? Derek and the Dominoes one album and not

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<v Speaker 1>a very good one. This feels like a cheap win,

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<v Speaker 1>if it's a win at all. Paul McCartney jumping from

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<v Speaker 1>Beatles to Wings is worthy of our consideration, despite the

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<v Speaker 1>fact that Wings were obviously not as big as the Beatles.

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<v Speaker 1>The big one here is, of course, Foo Fighters. Dave

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<v Speaker 1>Grohl going on to just, you know, have this incredible

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<v Speaker 1>career with Food Fighters after being the drummer in Nirvana,

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<v Speaker 1>And I think you got to give a special tip

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<v Speaker 1>of the hat to Dave Grohl for going from playing

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<v Speaker 1>drums to fronting the band. But but I was a

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<v Speaker 1>little surprised by this one too. Foo Fighters have sold

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<v Speaker 1>half as many albums as Nirvana. I get that Nirvana

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<v Speaker 1>is truly iconic, but I would think the amount of

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<v Speaker 1>time Food Fighters have been around, I thought there was

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<v Speaker 1>a chance they actually sold more records. But no, it's

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<v Speaker 1>like seventy to seventy five million for Nirvana and something

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<v Speaker 1>like thirty two thirty five million for food Fighters. So

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<v Speaker 1>there you go. About what about Steve Malcolmus going from

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<v Speaker 1>Pavement to the Heavy Quartet? Though I'm just kidding. I

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<v Speaker 1>just wanted to mention the Heavy Quartet, Okay, I think

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<v Speaker 1>I think those are our contenders. I don't think I'm

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<v Speaker 1>really forgetting anyone of significance, but you guys are gonna

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<v Speaker 1>let me know when I get to the phone calls.

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<v Speaker 1>What's what is the answer? Okay? Which second act was

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<v Speaker 1>more impactful than the first? Surprisingly, I'm very surprised by this,

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<v Speaker 1>But I think the answer is Damon Alburn and Gorillas.

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<v Speaker 1>I think Gorilla's over Blur. Those record sales numbers are

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<v Speaker 1>no joke, and they dwarf Blur's success. I knew Blur

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<v Speaker 1>never sold a ton of records beyond the UK, but

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<v Speaker 1>I would never have guessed that Gorillas were bigger. I

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<v Speaker 1>should have known. I should have known. So that's my answer,

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<v Speaker 1>Damon Alburn, that's right. I don't know. Maybe you can

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<v Speaker 1>make the case for Bell Bivdavo as well, but my

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<v Speaker 1>gut tells me more people think about Blur than they

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<v Speaker 1>do New Edition. So that's why I give it to

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<v Speaker 1>Gorillas over Bell Bivdavo. But maybe this is my side

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<v Speaker 1>of the street. Then again, I grew up I legally

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<v Speaker 1>buying beer in Boston's combat zone, so I know a

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<v Speaker 1>little thing or two about New Edition. But I want

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<v Speaker 1>to know what you guys think. We're gonna get to

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<v Speaker 1>your answers on this question shortly, but first I have

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<v Speaker 1>to tell you about this week's rewind Archive episode coming

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<v Speaker 1>your way right after this bonus episode. It's on Matt

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<v Speaker 1>give us a little drum roll, Go ahead, all right,

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<v Speaker 1>It's on Iggy Pop. David Bowie fans, you're not gonna

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<v Speaker 1>want to miss this one either. Bowie's a big part

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<v Speaker 1>of Iggy story. Bowe's a big part of this episode.

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<v Speaker 1>Lots of other cool people show up in this episode too,

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<v Speaker 1>Miles Davis, Dennis Hopper, bunch of our subjects. So if

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<v Speaker 1>you haven't heard our Iggy Pop episode, you're gonna love it,

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<v Speaker 1>and if you have, your in for a treat when

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<v Speaker 1>you re listen to it. Coming up after that on Tuesday,

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<v Speaker 1>we've got our episode on Winona Rider, and Winona is

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<v Speaker 1>the course pretty rock and roll, which is why we

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<v Speaker 1>thought to feature her in Disgraceland. Weina, however, is the

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<v Speaker 1>last of our icon series artists, and we'll eventually find

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<v Speaker 1>her way into the Hollywood Land archive as Disgraceland becomes

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<v Speaker 1>once again solely music content. But for now you've got

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<v Speaker 1>missus Johnny Depp, not really, but sort of coming your

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<v Speaker 1>way next week, Winona Rider. Okay, this all brings us

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<v Speaker 1>to next week's question of the week. When you're listening

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<v Speaker 1>to the Winona Rider episode, be thinking about all those

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<v Speaker 1>iconic eighties and nineties females arlt's and let me know

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<v Speaker 1>if Winona is gen X's most iconic female actor. If

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<v Speaker 1>not Winona, then who Drew Barrymore Cameron Diaz. Who is it?

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<v Speaker 1>Let me know? Six one, seven nine oh six sixty

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<v Speaker 1>six three eight. Heather Graham, Leave me a voicemail, Send

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<v Speaker 1>me a text. Not you, Heather Graham, You guys, semi

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<v Speaker 1>a voicemail? Leave me a text. Let me know if

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<v Speaker 1>Heather Graham is more iconic than Winona Rider or Drew Barrymore.

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<v Speaker 1>Who is it? Disgrace sampod on the socials? All right,

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<v Speaker 1>I'm gonna take a quick break. I'll be hanging on

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<v Speaker 1>the telephone on the other side with your voicemails, texts

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<v Speaker 1>and dms. Alright, six one, seven nine oh six six

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<v Speaker 1>six three eight. You know where I'm at him in

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<v Speaker 1>the phone booths. It's the one across the hall. I'm

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<v Speaker 1>hanging on the telephone. Who you want to send me

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<v Speaker 1>a voicemail? You want to send me a text? That's

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<v Speaker 1>how you do it. Let's check out this one from

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<v Speaker 1>who were looking at here? The seven six five?

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<v Speaker 2>Jake, what's up? It's metal Head Monday from the seven

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<v Speaker 2>six five, North Central Indiana coming at you. You asked

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<v Speaker 2>about artists that their follow up projects were better, more influential,

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<v Speaker 2>whatever than their original breakthrough projects. I'm gonna go with

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<v Speaker 2>Neil Young, dude, Buffalo Springfield. I mean, you know they

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<v Speaker 2>were good, they had a hit, right, But man, Neil

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<v Speaker 2>Young went on to become Neil Young, I mean totally influential,

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<v Speaker 2>great music, decades long career, still going, Neil Young all

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<v Speaker 2>the way, man.

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<v Speaker 1>Rock and roller metal head Monday. I appreciate you, brother.

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<v Speaker 1>Listen that kind of breaking my own rule here only

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<v Speaker 1>because look, Neil Young solo artists, so I'm not counting

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<v Speaker 1>the solo artists. I should have said that, I guess

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<v Speaker 1>when I posed the question, but I thought it was

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<v Speaker 1>obvious because the group piece of this is so key. However, Crosby, Stills,

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<v Speaker 1>Nash and whoever the fuck aka Neil Young, as I

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<v Speaker 1>once said, Crosby, Stills, Nash and Young, you could make

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<v Speaker 1>the argument that you're trying to make here for Neil

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<v Speaker 1>relevant to Buffalo Springfield's check out to two seven oh.

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<v Speaker 3>Hey Jay, not Jack. This is Todd, not Tim from

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<v Speaker 3>the two seven oh Nashville area.

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<v Speaker 4>But your question about the artist.

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<v Speaker 5>Who had a second band or whatever, impact or whatever,

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<v Speaker 5>it's probably an obvious choice. I guess I gotta go

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<v Speaker 5>with Dave Grohl. Does that count obviously?

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<v Speaker 4>Grummer for Nirvana and then frontman, main guy for the

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<v Speaker 4>Food Fighters.

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<v Speaker 3>I guess food Fighters not made, probably not as impactful,

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<v Speaker 3>but nonetheless, for thirty years now been very relevant.

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<v Speaker 5>Dave grows very relevant.

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<v Speaker 4>So anyway, I'm gonna go with that one, and maybe

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<v Speaker 4>a minor shout out to Josh Hamme who was in

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<v Speaker 4>Kius and then formed Queens of the Stone Age.

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<v Speaker 3>And that's probably a reach. Anyway, Thank you man, thank

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<v Speaker 3>you for your content as always, love it all.

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<v Speaker 6>Right, Todd not Tim, you know, yeah, I feel like

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<v Speaker 6>Food Fighters are so impactful despite their record sales not

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<v Speaker 6>being as much as Nirvana's, that it's hard not to

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<v Speaker 6>give it to him.

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<v Speaker 1>It's hard to go with Gorillas. I feel like if

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<v Speaker 1>you answered this question that I'm posing at a party

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<v Speaker 1>and came at people with Gorillas over Food Fighters, you

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<v Speaker 1>get shouted down. Just the Food Fighters. I guess it's

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<v Speaker 1>Dave Grohl's celebrity. He's just he's turned himself into something

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<v Speaker 1>that is beyond anything Damon Alburn had turned himself into

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<v Speaker 1>after Blur, and I guess the scale because Foo Fighters

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<v Speaker 1>have sold uh right around. That's weird too. They've only

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<v Speaker 1>sold as many albums as Gorillas. Crazy Crazy, I guess

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<v Speaker 1>gorillas are just huge internationally and I just have an

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<v Speaker 1>American point of view on this. I don't know. Fascinating

0:13:20.040 --> 0:13:22.720
<v Speaker 1>question though, Thanks Todd not Tim all right six seven

0:13:22.760 --> 0:13:24.720
<v Speaker 1>nine oh six six six three eight. You can send

0:13:24.720 --> 0:13:27.520
<v Speaker 1>me a voicemail like Todd not Tim, like like metal

0:13:27.520 --> 0:13:30.400
<v Speaker 1>Head Monday, or you can send me a text like

0:13:31.400 --> 0:13:34.720
<v Speaker 1>the nine oh nine who writes, Hey Jake, Luke here

0:13:34.720 --> 0:13:36.720
<v Speaker 1>with a quick note pursuing it to your Billie Idol

0:13:36.760 --> 0:13:38.720
<v Speaker 1>after party. I'm had a club to see a punk show.

0:13:39.080 --> 0:13:42.880
<v Speaker 1>The after show playlist includes one hundred punks by Generation

0:13:43.280 --> 0:13:46.040
<v Speaker 1>X nearly fifty years on, and it still kills this

0:13:46.120 --> 0:13:49.199
<v Speaker 1>bumper music after a punk show? Nine o nine thank

0:13:49.240 --> 0:13:51.280
<v Speaker 1>you for the text. Who'd you go see? I want

0:13:51.280 --> 0:13:53.920
<v Speaker 1>to know? Let me know anyone who wonders what nine

0:13:53.960 --> 0:13:55.840
<v Speaker 1>or nine is texting about, it's because we just had

0:13:55.840 --> 0:13:58.840
<v Speaker 1>this Billie Idol episode in our feed of Disgraceland. You

0:13:58.840 --> 0:14:02.040
<v Speaker 1>can check that out. One writes in Hey Jake, I

0:14:02.200 --> 0:14:05.480
<v Speaker 1>was listening to your thoughts on Marilyn Manson's autobiography and

0:14:05.480 --> 0:14:07.719
<v Speaker 1>I wanted to mention when will you get around to

0:14:07.800 --> 0:14:10.280
<v Speaker 1>doing a nine inch Nails episode. There's lots of debauchery

0:14:10.320 --> 0:14:12.520
<v Speaker 1>to be had anyway, I will keep listening, thank you,

0:14:12.520 --> 0:14:15.480
<v Speaker 1>and I want to well, yeah, I had the same

0:14:15.559 --> 0:14:18.120
<v Speaker 1>thought because Trent obviously is a big part of Marilyn

0:14:18.160 --> 0:14:22.000
<v Speaker 1>Manson's story. There's a lot of Trent debauchery in the

0:14:22.000 --> 0:14:27.320
<v Speaker 1>Marilyn Manson book. I do think a nine Inch Nails episode.

0:14:27.400 --> 0:14:29.840
<v Speaker 1>I don't know. I don't know how soon on the

0:14:29.840 --> 0:14:33.360
<v Speaker 1>heels of Marilyn Manson, but soon ish, because I'm very interested.

0:14:33.520 --> 0:14:36.160
<v Speaker 1>For no other reason. Nine three seven, Jimmy Page has

0:14:36.200 --> 0:14:37.760
<v Speaker 1>to be the answer to the artist who had more

0:14:37.800 --> 0:14:41.880
<v Speaker 1>successful later group. What oh, I guess you're saying, yeah,

0:14:42.120 --> 0:14:44.800
<v Speaker 1>led Zeppelin compared to the Yardbirds. But the Yardbirds weren't

0:14:44.800 --> 0:14:47.560
<v Speaker 1>really Jimmy Page's group. I mean, he was in the group,

0:14:47.640 --> 0:14:49.560
<v Speaker 1>but you know what I'm saying. Nine three seven goes

0:14:49.560 --> 0:14:51.480
<v Speaker 1>on to say, speaking of led Zeppelin, I remember running

0:14:51.480 --> 0:14:53.440
<v Speaker 1>the streets of Boston with my walkman and I went

0:14:53.480 --> 0:14:55.800
<v Speaker 1>to switch out my Van Halen Fair Warning cassette with

0:14:55.840 --> 0:14:57.560
<v Speaker 1>the led Zeppelin cassette I had in the front of

0:14:57.560 --> 0:15:00.880
<v Speaker 1>my Champion hoodie and it was gone. I was devastated.

0:15:01.320 --> 0:15:03.080
<v Speaker 1>I only find peace with the hope that a young

0:15:03.200 --> 0:15:06.200
<v Speaker 1>kid perhaps found it and grew a love for music,

0:15:06.480 --> 0:15:10.280
<v Speaker 1>maybe even started playing music, and perhaps with any luck,

0:15:10.640 --> 0:15:14.680
<v Speaker 1>started a podcast about musicians behaving badly. But what's the

0:15:14.920 --> 0:15:18.800
<v Speaker 1>chance of that? Rock a rolla Bill from the nine

0:15:18.880 --> 0:15:21.640
<v Speaker 1>three seven. Bill's referring, of course, to the story I've

0:15:21.640 --> 0:15:24.320
<v Speaker 1>told before about how I got into led Zeppelin, which

0:15:24.400 --> 0:15:28.040
<v Speaker 1>was I was walking in my backyard one morning in

0:15:28.080 --> 0:15:32.320
<v Speaker 1>the fourth grade and I literally found led Zeppelin one

0:15:32.400 --> 0:15:36.200
<v Speaker 1>in cassette in the dewey grass. It was in its case,

0:15:36.240 --> 0:15:38.880
<v Speaker 1>so it was fine, and I brought it inside my

0:15:38.920 --> 0:15:42.040
<v Speaker 1>house and I put it in my stereo, and good Times,

0:15:42.080 --> 0:15:45.320
<v Speaker 1>Bad Times came on, and my life was forever changed

0:15:45.440 --> 0:15:49.160
<v Speaker 1>in that moment. Had never heard led Zeppelin before. And

0:15:50.560 --> 0:15:54.360
<v Speaker 1>I don't know, Bill, let's just let's say yeah, let's say, Bill,

0:15:54.360 --> 0:15:58.040
<v Speaker 1>we finally connected after all these years. But Boston to

0:15:58.080 --> 0:16:00.960
<v Speaker 1>where I grew up was about thirty five miles. Unless

0:16:01.000 --> 0:16:04.560
<v Speaker 1>it was on the wings of a geez, I don't know,

0:16:04.800 --> 0:16:11.440
<v Speaker 1>some led Zeppelin like medieval bird flying down across the

0:16:11.520 --> 0:16:14.880
<v Speaker 1>mass Turnpike out into the verbs. I doubt very much

0:16:14.920 --> 0:16:16.600
<v Speaker 1>that it's the same cassette, but I'm gonna believe it,

0:16:16.680 --> 0:16:20.000
<v Speaker 1>just for the just for the poetic license. Thank you

0:16:20.040 --> 0:16:22.600
<v Speaker 1>Bill six one seven nine oh six six six three

0:16:22.640 --> 0:16:26.880
<v Speaker 1>eight semi a voicemail or text disgracelam pod on the socials,

0:16:27.080 --> 0:16:29.800
<v Speaker 1>Ashley Neil writes in on Facebook, Jake, I've been listening

0:16:29.840 --> 0:16:34.320
<v Speaker 1>to Graceland since twenty twenty ish slogging at my shit job.

0:16:34.480 --> 0:16:37.320
<v Speaker 1>You have helped keep me sane. Love the content sincerely.

0:16:37.360 --> 0:16:38.640
<v Speaker 1>Meant to call in and give my take on the

0:16:38.720 --> 0:16:41.480
<v Speaker 1>question about the fave grunge band for the recent Alison

0:16:41.560 --> 0:16:44.200
<v Speaker 1>Chains Lane's Day episode, but didn't get around to it. Honestly,

0:16:44.480 --> 0:16:46.400
<v Speaker 1>Alison Chains is my favorite band. I was born in

0:16:46.440 --> 0:16:47.960
<v Speaker 1>nineteen eighty three and I kind of missed out on

0:16:48.000 --> 0:16:50.120
<v Speaker 1>them initially, but they've been a mainstay in my playlist

0:16:50.120 --> 0:16:53.960
<v Speaker 1>for my entire teen and adult life. Lane's raw, honestin

0:16:54.080 --> 0:16:56.960
<v Speaker 1>is lyrics paired with Jerry's guitar and harmonizing vocals just

0:16:57.000 --> 0:16:59.680
<v Speaker 1>speaks to my soul. That being said, I was kind

0:16:59.720 --> 0:17:03.040
<v Speaker 1>of no one gave Stone Temple Pilots a nod, even

0:17:03.080 --> 0:17:05.880
<v Speaker 1>though they didn't originate in Seattle. I feel like Core

0:17:06.040 --> 0:17:08.720
<v Speaker 1>and Scott Wiland in general really wove into that genre

0:17:08.720 --> 0:17:11.639
<v Speaker 1>beautifully and were excellent. What can I say, apparently my

0:17:11.640 --> 0:17:14.520
<v Speaker 1>favorite rock stars were all heroin addicts. Last thing, I've

0:17:14.520 --> 0:17:16.840
<v Speaker 1>been racking my brain trying to remember a band name

0:17:17.200 --> 0:17:19.200
<v Speaker 1>you mentioned as being rock and roll at a time

0:17:19.200 --> 0:17:20.800
<v Speaker 1>where a lot of us consider rock and roll to

0:17:20.840 --> 0:17:22.960
<v Speaker 1>be dead. Outside of the smaller scope, I feel like

0:17:23.600 --> 0:17:25.680
<v Speaker 1>it had a C in the name. It's low Cut,

0:17:25.720 --> 0:17:30.600
<v Speaker 1>Connie low Cut Connie Ashley, Okay. Another great band I've

0:17:30.640 --> 0:17:33.240
<v Speaker 1>been listening to lately, new band Geese. I'm sure you

0:17:33.320 --> 0:17:39.640
<v Speaker 1>guys have heard of it before. Not Goose, not the Goose Geese, Geese, Okay,

0:17:40.440 --> 0:17:42.680
<v Speaker 1>Stone Tip of Pilots not being mentioned in the top

0:17:42.760 --> 0:17:46.600
<v Speaker 1>ten greatest grunge bands. People have written in to voice

0:17:46.640 --> 0:17:50.160
<v Speaker 1>the same concern that Ashley has here. I left them

0:17:50.160 --> 0:17:54.000
<v Speaker 1>off my list because I like Stone Tip of Pilots,

0:17:54.240 --> 0:17:56.520
<v Speaker 1>but they were just so contrived when they came out.

0:17:56.840 --> 0:18:02.159
<v Speaker 1>They seemed like a elaborate version of what grunge should be,

0:18:02.200 --> 0:18:03.840
<v Speaker 1>and I think a lot of people feel that way.

0:18:05.119 --> 0:18:07.879
<v Speaker 1>I think a lot of people feel that way. Also,

0:18:08.240 --> 0:18:10.800
<v Speaker 1>not that I think not being from Seattle, so I'm

0:18:10.800 --> 0:18:12.239
<v Speaker 1>trying to say, has something to do with it. As

0:18:12.280 --> 0:18:15.239
<v Speaker 1>you mentioned, Ashley, Stone Tip of Pilots remind me of

0:18:15.320 --> 0:18:19.800
<v Speaker 1>like our generation's version of Creten's Clearwater Revival. Just like

0:18:20.320 --> 0:18:25.560
<v Speaker 1>a great band, but completely inauthentic, you know, like ccier

0:18:25.680 --> 0:18:27.760
<v Speaker 1>is thinking about growing up in the swamps of Louisiana

0:18:27.840 --> 0:18:31.160
<v Speaker 1>or whatever, and they're from fucking San Francisco or wherever

0:18:31.200 --> 0:18:34.280
<v Speaker 1>they're from, northern California. Just there weren't from the Bayou,

0:18:34.359 --> 0:18:36.800
<v Speaker 1>That's all I'm saying. And Stone type of pilots just

0:18:36.840 --> 0:18:40.639
<v Speaker 1>didn't seem like they were grunge beside the flannel. And

0:18:40.680 --> 0:18:43.679
<v Speaker 1>I guess the sound. I mean, I get it, I

0:18:43.760 --> 0:18:46.680
<v Speaker 1>get it, but I just I disassociate them with that

0:18:46.800 --> 0:18:50.000
<v Speaker 1>scene for some reason. And I suspect that others do

0:18:50.160 --> 0:18:52.760
<v Speaker 1>as well. Not to take anything away from Stone type

0:18:52.760 --> 0:18:56.720
<v Speaker 1>of pilots. I've grown to appreciate them. I did not

0:18:57.160 --> 0:18:59.560
<v Speaker 1>back in the day. I guess I kind of did

0:18:59.600 --> 0:19:01.960
<v Speaker 1>a grudge, but not on purpose. All right, guys, you

0:19:01.960 --> 0:19:04.919
<v Speaker 1>want to connect on social at disgracelam pod, on Facebook,

0:19:04.960 --> 0:19:08.679
<v Speaker 1>on Instagram, on X hit me up. All right, we

0:19:08.720 --> 0:19:10.880
<v Speaker 1>started doing this new thing in the after party last week.

0:19:11.040 --> 0:19:13.320
<v Speaker 1>We talk a lot here about voicemails. If you guys

0:19:13.320 --> 0:19:16.280
<v Speaker 1>want me on your voicemail, Yes, me myself and I

0:19:16.480 --> 0:19:19.280
<v Speaker 1>as the voice of your virtual answering machine, me recording

0:19:19.280 --> 0:19:22.240
<v Speaker 1>a message for you to have playing for whenever somebody

0:19:22.280 --> 0:19:23.640
<v Speaker 1>calls and you're not there to pick up the phone.

0:19:23.680 --> 0:19:27.640
<v Speaker 1>And honestly, who actually picks up the phone these days?

0:19:27.680 --> 0:19:30.800
<v Speaker 1>So voice messages are more important than ever, That's what

0:19:30.840 --> 0:19:33.760
<v Speaker 1>I'm saying. You know, something like, Hey, it's Jake from Disgraceland,

0:19:33.880 --> 0:19:36.840
<v Speaker 1>and you know Gary ain't here right now. Gary's off

0:19:36.840 --> 0:19:38.919
<v Speaker 1>at the replacement show. He can't come to the phone,

0:19:38.960 --> 0:19:43.159
<v Speaker 1>So leave a message. Okay, Gary, you fucking PERV. You

0:19:43.160 --> 0:19:45.159
<v Speaker 1>want me to leave your voicemail for you? I got you,

0:19:45.240 --> 0:19:47.240
<v Speaker 1>all right. Listen, here's how you make it happen.

0:19:47.240 --> 0:19:47.359
<v Speaker 7>Though.

0:19:47.359 --> 0:19:49.800
<v Speaker 1>You got to find the Easter egg. I was inspired

0:19:49.840 --> 0:19:52.199
<v Speaker 1>by Easter. Easter just happened. I hope you all had

0:19:52.200 --> 0:19:58.200
<v Speaker 1>a great holiday. He has risen christosiness from my Greek friends. Anyways,

0:19:58.240 --> 0:20:01.320
<v Speaker 1>I was inspired by Easter. I sninking East Easter eggs.

0:20:01.480 --> 0:20:02.240
<v Speaker 1>What can we do?

0:20:02.359 --> 0:20:02.520
<v Speaker 3>Oh?

0:20:02.600 --> 0:20:04.520
<v Speaker 1>I know what we can do. There's tons of Easter

0:20:04.680 --> 0:20:07.800
<v Speaker 1>eggs in our episodes. All I get to do is

0:20:07.880 --> 0:20:11.240
<v Speaker 1>find a question. Ask it here. You guys, dig into

0:20:11.240 --> 0:20:13.800
<v Speaker 1>the episode, pull out the Easter egg, hit me back

0:20:14.119 --> 0:20:18.639
<v Speaker 1>either on voicemail, on text or on the DMS. Although

0:20:18.680 --> 0:20:22.440
<v Speaker 1>this is the how you respond might change because I

0:20:22.480 --> 0:20:24.439
<v Speaker 1>don't know that the posting on social thing is going

0:20:24.520 --> 0:20:28.400
<v Speaker 1>to work because once you post it then everybody can

0:20:28.680 --> 0:20:31.280
<v Speaker 1>see it. The answer dig get a lot of texts,

0:20:31.480 --> 0:20:33.919
<v Speaker 1>dig get a lot of voicemails with the answer to

0:20:33.960 --> 0:20:37.000
<v Speaker 1>the Easter egg question, which was in the Sharon Tate

0:20:37.040 --> 0:20:40.840
<v Speaker 1>Part two episode of Hollywood Land. Who did Sharon Tate

0:20:40.960 --> 0:20:45.080
<v Speaker 1>ask for advice concerning her marital problems with Roman Polanski?

0:20:45.440 --> 0:20:47.960
<v Speaker 1>Who did Sharon seek out for advice? That was the

0:20:48.040 --> 0:20:52.720
<v Speaker 1>question and the answer comes from this week's winner, Ryan

0:20:52.880 --> 0:20:53.720
<v Speaker 1>in the two to eight to one.

0:20:54.240 --> 0:20:56.159
<v Speaker 4>Hey, this is Ryan from Houston.

0:20:57.000 --> 0:21:01.320
<v Speaker 2>The answer to your questions about egg healthy summer.

0:21:01.000 --> 0:21:05.080
<v Speaker 1>And there you go, Elkie Summer. That's the answer, Elkie Summer,

0:21:05.880 --> 0:21:10.879
<v Speaker 1>fellow actress friend of Sharon Tate. So Ryan, get in touch,

0:21:11.400 --> 0:21:14.119
<v Speaker 1>hit me back again. We will coordinate on how to

0:21:14.200 --> 0:21:17.080
<v Speaker 1>get you this recording for your voicemail. If you have

0:21:17.160 --> 0:21:19.200
<v Speaker 1>anything special you want me to say, we can work

0:21:19.240 --> 0:21:21.639
<v Speaker 1>all that out. You want me to leave something a

0:21:21.680 --> 0:21:25.000
<v Speaker 1>little curated, perhaps a little bespoke, I can do that.

0:21:25.880 --> 0:21:27.120
<v Speaker 1>You want me to cope with something on the fly.

0:21:27.280 --> 0:21:29.760
<v Speaker 1>I can do that as well. All Right, hit me back.

0:21:29.800 --> 0:21:32.800
<v Speaker 1>We'll get this going next week. Okay, you guys can

0:21:32.840 --> 0:21:34.919
<v Speaker 1>win next week. Okay, you can win. You can win

0:21:35.040 --> 0:21:37.360
<v Speaker 1>next time around. You know the spin at the wheel here, okay,

0:21:37.480 --> 0:21:39.720
<v Speaker 1>And the question is going to be in the Robin

0:21:39.760 --> 0:21:43.800
<v Speaker 1>Williams episode of this coming episode of hollywood Land. Okay,

0:21:43.800 --> 0:21:46.240
<v Speaker 1>we're coming up with a Robin Williams episode of hollywood Land.

0:21:46.760 --> 0:21:50.200
<v Speaker 1>In the most recent Robin Williams episode of hollywood Land,

0:21:50.280 --> 0:21:52.000
<v Speaker 1>the one that is at the top of your hollywood

0:21:52.040 --> 0:21:54.920
<v Speaker 1>Land feed right now, the question is no, I like

0:21:55.000 --> 0:21:57.520
<v Speaker 1>this one. I like this one because it's it's kind

0:21:57.560 --> 0:22:01.040
<v Speaker 1>of unintentionally in the form of a joke. Okay, here's

0:22:01.040 --> 0:22:04.160
<v Speaker 1>the question in the Hollywoodland episode on Robin Williams. What

0:22:04.560 --> 0:22:08.000
<v Speaker 1>did Robin Williams get from the prostitute when he turned

0:22:08.000 --> 0:22:10.480
<v Speaker 1>twenty one? Head over to Hollywoodland, dive into that Robin

0:22:10.520 --> 0:22:13.240
<v Speaker 1>Williams episode, find the answer and hit me at six

0:22:13.320 --> 0:22:15.680
<v Speaker 1>one seven nine oh six six six three eight, Leave

0:22:15.680 --> 0:22:18.280
<v Speaker 1>me a voicemail, send me a text with your answer.

0:22:18.359 --> 0:22:20.440
<v Speaker 1>I guess We're still going to do this on social media.

0:22:20.880 --> 0:22:23.280
<v Speaker 1>Be the first to post on Instagram. We pose this question,

0:22:23.359 --> 0:22:26.400
<v Speaker 1>we'll see what happens, and again. The easter egg answer

0:22:27.080 --> 0:22:29.760
<v Speaker 1>is in the Robin Williams episode of Hollywood Land. The

0:22:29.840 --> 0:22:32.600
<v Speaker 1>question is what did Robin Williams get from the prostitute

0:22:32.600 --> 0:22:36.119
<v Speaker 1>when he turned twenty one? All right, now, for something

0:22:36.119 --> 0:22:39.359
<v Speaker 1>totally different, my quick sports rant here in under thirty seconds,

0:22:39.359 --> 0:22:41.000
<v Speaker 1>which is probably just gonna be a little longer than

0:22:41.000 --> 0:22:42.879
<v Speaker 1>thirty seconds. I showed my seven year old and my

0:22:42.920 --> 0:22:46.800
<v Speaker 1>eleven year old Major League with Charlie Sheen, basically because

0:22:47.359 --> 0:22:51.560
<v Speaker 1>they can't get enough baseball right now. And newsflash, this movie,

0:22:52.119 --> 0:22:54.960
<v Speaker 1>this movie isn't as wildly offensive as Bad News Bears,

0:22:55.000 --> 0:22:56.840
<v Speaker 1>which I love, by the way, but probably shouldn't have

0:22:56.840 --> 0:23:00.040
<v Speaker 1>shown to my kid when he was five. But a

0:23:00.320 --> 0:23:03.800
<v Speaker 1>League is a hard R. If you're wondering in eighties R.

0:23:04.480 --> 0:23:08.000
<v Speaker 1>Eighties ours are much harder than nineties or today's ours.

0:23:08.680 --> 0:23:11.520
<v Speaker 1>By the way, hard R would be a great name

0:23:11.560 --> 0:23:14.639
<v Speaker 1>for a band. Tough to pronounce, So right, hard R.

0:23:14.680 --> 0:23:16.680
<v Speaker 1>What's the name of your band? Hard R? What? Now?

0:23:16.680 --> 0:23:19.400
<v Speaker 1>It's not a good name? If you have to if

0:23:19.480 --> 0:23:22.200
<v Speaker 1>when you give the name of your band, the next

0:23:22.240 --> 0:23:24.640
<v Speaker 1>response is a question, it's not a good band name.

0:23:24.720 --> 0:23:26.840
<v Speaker 1>It's not a good name for anything actually that happens.

0:23:27.160 --> 0:23:29.919
<v Speaker 1>So anyways, we made it through with Jake Taylor and

0:23:29.960 --> 0:23:32.719
<v Speaker 1>the Wild Thing. My wife almost killed me before it

0:23:32.760 --> 0:23:35.440
<v Speaker 1>was over. But it's basically one sex scene, some naked

0:23:35.480 --> 0:23:37.280
<v Speaker 1>dude's asses in the in the locker room, and a

0:23:37.440 --> 0:23:40.000
<v Speaker 1>torrent of f bombs. You can navigate through it with

0:23:40.040 --> 0:23:43.239
<v Speaker 1>the remote, is what I'm saying. Okay, put your phone down.

0:23:43.280 --> 0:23:44.920
<v Speaker 1>You don't have to call Social Services on me. I'm

0:23:44.920 --> 0:23:47.080
<v Speaker 1>just saying, if you've got a baseball itch this spring

0:23:47.119 --> 0:23:49.359
<v Speaker 1>and there isn't a game on or your team sucks,

0:23:49.680 --> 0:23:52.000
<v Speaker 1>you can revisit Major League with your kids, even if

0:23:52.000 --> 0:23:54.600
<v Speaker 1>they're seven years old and your wife is you know,

0:23:54.760 --> 0:23:57.920
<v Speaker 1>semi cool and you don't mind scarring your kids for life.

0:23:57.920 --> 0:23:59.239
<v Speaker 1>All right, I'll be back in the flash to your

0:23:59.280 --> 0:24:16.920
<v Speaker 1>emails in the Hollywood Land Minute. All right, we are back,

0:24:16.960 --> 0:24:18.560
<v Speaker 1>and you know what time it is. It's time for

0:24:18.600 --> 0:24:21.000
<v Speaker 1>the hollywoodland Minute, brought to you by the Hollywood Lamb Podcast.

0:24:21.000 --> 0:24:22.879
<v Speaker 1>Don't know what the Hollywood Lamp podcast is? Well, the

0:24:22.920 --> 0:24:25.600
<v Speaker 1>Hollywood Lamb Podcast is hosted by Yours Truly, where every

0:24:25.600 --> 0:24:27.359
<v Speaker 1>week I tell you a story from the annex of

0:24:27.359 --> 0:24:29.720
<v Speaker 1>Hollywood and True crime, and right now there are over

0:24:29.800 --> 0:24:32.800
<v Speaker 1>forty episodes waiting for you to binge. Episodes on Charlie

0:24:32.880 --> 0:24:35.440
<v Speaker 1>she And, Robin Williams, David Lynch, John Waters, Danny Treo,

0:24:35.480 --> 0:24:39.200
<v Speaker 1>Meril Monroe, Steve McQueen, Drew Barrymore, Jane Fonda, and more recently,

0:24:39.480 --> 0:24:42.520
<v Speaker 1>the very talented and one of the dudes we miss

0:24:42.640 --> 0:24:47.560
<v Speaker 1>the most, Robin Williams. Here's a clip, Robin. I've been

0:24:47.560 --> 0:24:50.320
<v Speaker 1>trying to take it easy on the drugs after Belusi's death.

0:24:51.040 --> 0:24:53.000
<v Speaker 1>The sudden realization that he was going to have a

0:24:53.040 --> 0:24:55.840
<v Speaker 1>son made him finally get serious about sobriety, and he

0:24:55.920 --> 0:24:59.680
<v Speaker 1>quit boozing coke straight away. No twelve steps or therapy,

0:25:00.040 --> 0:25:04.520
<v Speaker 1>feel good programs, just cold turkey. A few weeks later,

0:25:04.800 --> 0:25:08.520
<v Speaker 1>his next movie, Outing the World According to Garb, hit theaters,

0:25:08.720 --> 0:25:11.560
<v Speaker 1>and the John Irving Book became an almost instant hit

0:25:11.640 --> 0:25:15.159
<v Speaker 1>at the box office. Things were finally looking up in

0:25:15.200 --> 0:25:19.080
<v Speaker 1>more ways than one. Later in life, in a letter

0:25:19.119 --> 0:25:21.960
<v Speaker 1>to his son Zach, Robin would write that his birth

0:25:22.000 --> 0:25:24.280
<v Speaker 1>gave him a new sense of meaning and focus into

0:25:24.280 --> 0:25:27.560
<v Speaker 1>his life. It also gave him plenty of new material.

0:25:28.320 --> 0:25:31.119
<v Speaker 1>My God, it's a boy and he's hung like a bear. Wait, no,

0:25:31.359 --> 0:25:35.280
<v Speaker 1>that's the umbilical cord. Of course, there were some habits

0:25:35.359 --> 0:25:39.000
<v Speaker 1>Robin still couldn't break. One was his addiction to the

0:25:39.040 --> 0:25:41.280
<v Speaker 1>rush of stand up comedy and the high that he

0:25:41.359 --> 0:25:44.600
<v Speaker 1>got from the crowd. He find any excuse to leave

0:25:44.640 --> 0:25:47.200
<v Speaker 1>Valerie behind with the baby Nappa and had to la

0:25:47.359 --> 0:25:49.679
<v Speaker 1>to indulge in another one of those infamous all night

0:25:49.760 --> 0:25:52.919
<v Speaker 1>comedy marathons. He even learned to enjoy them without the

0:25:52.960 --> 0:25:57.120
<v Speaker 1>help of mind altering substances, which brings us to the

0:25:57.119 --> 0:26:02.000
<v Speaker 1>other habit that Robin Williams couldn't break. Women, Robin had

0:26:02.040 --> 0:26:05.440
<v Speaker 1>always messed around in the past. Valerie would either give

0:26:05.520 --> 0:26:08.160
<v Speaker 1>him her blessing or at least forgive him. She knew

0:26:08.160 --> 0:26:10.720
<v Speaker 1>her husband was a star. She couldn't help the fact

0:26:10.720 --> 0:26:13.480
<v Speaker 1>that women threw themselves at him. Besides, he was out

0:26:13.520 --> 0:26:16.280
<v Speaker 1>on the road a lot all by himself. But after

0:26:16.400 --> 0:26:18.679
<v Speaker 1>Zach was born, it got harder for her to go

0:26:18.760 --> 0:26:21.399
<v Speaker 1>along with it. She resented the fact that she was

0:26:21.440 --> 0:26:23.320
<v Speaker 1>stuck at home with a baby while her husband was

0:26:23.359 --> 0:26:27.320
<v Speaker 1>off gallimanding with some hot young thing. And Robin wasn't dumb.

0:26:27.760 --> 0:26:29.840
<v Speaker 1>He knew it was getting to her. He tried to

0:26:29.920 --> 0:26:32.120
<v Speaker 1>keep it in his pants for a while, but then

0:26:32.160 --> 0:26:35.800
<v Speaker 1>another opportunity would present itself, and as Valerie once said,

0:26:35.880 --> 0:26:38.760
<v Speaker 1>you'd have to be a saint to resist, and Robin

0:26:39.000 --> 0:26:41.720
<v Speaker 1>was certainly no saint. God gave him a penis in

0:26:41.720 --> 0:26:43.479
<v Speaker 1>her brain and only enough blood to use one at

0:26:43.480 --> 0:26:46.800
<v Speaker 1>a time. Our guests, make sure you are subscribed to

0:26:46.800 --> 0:26:50.320
<v Speaker 1>Hollywood Land on Apple Podcasts, Spotify, or wherever you get

0:26:50.320 --> 0:26:53.160
<v Speaker 1>your podcasts. Next week we have an episode on Phil

0:26:53.200 --> 0:26:56.240
<v Speaker 1>Hartman coming your way, and you are not going to

0:26:56.320 --> 0:26:59.680
<v Speaker 1>want to miss that one. Okay, disgrace Sampod at Gmail.

0:27:00.359 --> 0:27:01.919
<v Speaker 1>You guys want to hit me up about anything in

0:27:01.960 --> 0:27:04.199
<v Speaker 1>the disgrace Land universe, that's that's a good way of

0:27:04.240 --> 0:27:06.840
<v Speaker 1>doing it. Some people don't like the voicemails. Some people

0:27:06.920 --> 0:27:09.280
<v Speaker 1>don't like the text machine. Some people like a good

0:27:09.280 --> 0:27:14.959
<v Speaker 1>old fashioned email. Disgracelampod at gmail dot com. Okay, Jacques

0:27:15.040 --> 0:27:19.280
<v Speaker 1>Kobel writes in The Cramps Slash rock and Roll is dead, sir,

0:27:20.080 --> 0:27:22.960
<v Speaker 1>while listening to your podcast, I have been digesting your

0:27:22.960 --> 0:27:26.040
<v Speaker 1>thoughts on music and art for the past week. I

0:27:26.080 --> 0:27:29.320
<v Speaker 1>have let it randomly play on Spotify throughout my workday.

0:27:29.800 --> 0:27:32.639
<v Speaker 1>I see validity at most every point you make save one,

0:27:33.160 --> 0:27:37.439
<v Speaker 1>rock is dead. My first thought was Blue October and

0:27:37.480 --> 0:27:41.879
<v Speaker 1>the song hate Me lyrics that make Hollandwolf, Bruce Springsteen,

0:27:42.240 --> 0:27:45.640
<v Speaker 1>and Robert Zimmermann blush at the shallowness of their own lyrics.

0:27:46.080 --> 0:27:48.840
<v Speaker 1>The music is canned, the vocals are auto tuned, but

0:27:48.920 --> 0:27:53.480
<v Speaker 1>the poetry is dangerous. Thank you. Well, I don't know

0:27:53.480 --> 0:27:57.080
<v Speaker 1>about Blue October, but now I'm interested. Colin Old, Bobby

0:27:57.160 --> 0:28:02.119
<v Speaker 1>de and Bruce Springsteen and Hollandwolf them some fighting words.

0:28:02.200 --> 0:28:03.520
<v Speaker 1>Are you sure you want me to get into this?

0:28:04.119 --> 0:28:07.199
<v Speaker 1>Appreciate you, Jack. You obviously thought about this question for

0:28:07.240 --> 0:28:09.919
<v Speaker 1>some time. Michael Murphy writes in Yo, Jake, I'm just

0:28:09.920 --> 0:28:13.399
<v Speaker 1>wondering what happens once you've exhausted the Hollywood Land and Sportsland,

0:28:13.440 --> 0:28:16.760
<v Speaker 1>sides of the Badlands archive and all access icons material.

0:28:17.280 --> 0:28:19.720
<v Speaker 1>What do you do for those rare celebrities you have

0:28:19.800 --> 0:28:23.199
<v Speaker 1>touched on all three areas sports, film, and music. I

0:28:23.200 --> 0:28:25.399
<v Speaker 1>know you did the Rock, but I'm thinking Hell Hogan,

0:28:25.480 --> 0:28:28.560
<v Speaker 1>Dennis Rodman, Shack Nald maybe others. Let me know what

0:28:28.600 --> 0:28:31.479
<v Speaker 1>you think. Rock a Roller Arnold Schwarzenegger, Well, come on,

0:28:31.520 --> 0:28:35.240
<v Speaker 1>I mean, he could be Hollywood Land and Shaq and

0:28:35.359 --> 0:28:40.760
<v Speaker 1>Dennis Rodman, Hulk Hogan, they're all athletes, so obviously Sportsland man.

0:28:41.640 --> 0:28:44.959
<v Speaker 1>Come on, I think what you're getting at here, Michael,

0:28:45.800 --> 0:28:48.400
<v Speaker 1>is we need to make some new episodes. Is that

0:28:48.440 --> 0:28:51.800
<v Speaker 1>what you're saying, Michael? Are you daring me to make

0:28:52.160 --> 0:28:57.600
<v Speaker 1>even more content? Michael more? Sportsland content? Is this? Are

0:28:57.640 --> 0:28:59.520
<v Speaker 1>you throwing down the gauntlet? Is that what's happening here,

0:28:59.560 --> 0:29:05.240
<v Speaker 1>Michael More? Perhaps even more Hollywood Land content, maybe these feeds.

0:29:05.400 --> 0:29:09.360
<v Speaker 1>Maybe what happens is once once the Badlands archive is exhausted,

0:29:09.400 --> 0:29:13.120
<v Speaker 1>as you say, once once these these all these archive

0:29:13.160 --> 0:29:15.960
<v Speaker 1>episodes have been once again re released in the Hollywood

0:29:16.000 --> 0:29:20.680
<v Speaker 1>Land feed. Maybe there's a Sportsland feed. Maybe there are

0:29:20.680 --> 0:29:24.440
<v Speaker 1>new episodes in our future to keep these franchises humming,

0:29:25.440 --> 0:29:29.240
<v Speaker 1>just as we're doing this Disgraceland. Maybe that's what's happening, Michael.

0:29:30.000 --> 0:29:33.320
<v Speaker 1>I don't know, just the thought we shall see Disgrace

0:29:33.400 --> 0:29:35.400
<v Speaker 1>lampod at gmail dot com. You want to email me.

0:29:35.680 --> 0:29:37.840
<v Speaker 1>I appreciate it, just like I appreciate those reviews. You

0:29:37.840 --> 0:29:39.720
<v Speaker 1>know about the reviews. They help with discovery, They help

0:29:39.760 --> 0:29:42.560
<v Speaker 1>the show grow, They help people find Disgraceland, which is

0:29:42.600 --> 0:29:45.480
<v Speaker 1>so important. We are independent we are out there, moving

0:29:45.560 --> 0:29:47.640
<v Speaker 1>and shaking on our own, and in order for this

0:29:47.720 --> 0:29:50.240
<v Speaker 1>show to grow, we need your help and that comes

0:29:50.280 --> 0:29:54.000
<v Speaker 1>in the form of reviews, and we appreciate it so so, so,

0:29:54.000 --> 0:29:56.680
<v Speaker 1>so much, so much that when you leave a review,

0:29:56.880 --> 0:29:59.680
<v Speaker 1>if I read it here on the after Party Bonus episode,

0:30:00.080 --> 0:30:01.360
<v Speaker 1>you hear it and you get in touch with me,

0:30:01.840 --> 0:30:04.160
<v Speaker 1>I will then send you a couple merch items or

0:30:04.200 --> 0:30:07.360
<v Speaker 1>a merch item I should say. This one comes from

0:30:07.840 --> 0:30:11.720
<v Speaker 1>missus kJ LH on Apple Podcasts says, Hey, Jake can

0:30:11.760 --> 0:30:15.200
<v Speaker 1>tell a story two exclamation points, five stars. I listened

0:30:15.240 --> 0:30:17.400
<v Speaker 1>to this podcast on a whim after hearing an ad.

0:30:17.440 --> 0:30:19.280
<v Speaker 1>I fell in love with it. Jake is such a

0:30:19.280 --> 0:30:21.520
<v Speaker 1>good storyteller. I found myself on the edge of my

0:30:21.520 --> 0:30:25.040
<v Speaker 1>sea even when I know the story. Definitely recommend well,

0:30:25.120 --> 0:30:27.960
<v Speaker 1>missus k j LH. We recommend you get in touch

0:30:28.000 --> 0:30:29.400
<v Speaker 1>with us because we're going to send you something cool.

0:30:29.440 --> 0:30:32.400
<v Speaker 1>What do we got? Over on the Spotify box, Alison

0:30:32.480 --> 0:30:36.240
<v Speaker 1>Marie writes in I cannot say enough good about this podcast.

0:30:36.280 --> 0:30:39.240
<v Speaker 1>I heard episodes from others and many of these topics,

0:30:39.480 --> 0:30:41.440
<v Speaker 1>but no one tells these stories better than this show

0:30:41.520 --> 0:30:44.480
<v Speaker 1>right here, mad respect and dedicated listener, have a fantastic

0:30:44.560 --> 0:30:46.880
<v Speaker 1>Easter weekend too, while Alison, thank you so much getting

0:30:46.880 --> 0:30:48.560
<v Speaker 1>touch Alison, you have a good Easter as well with

0:30:48.600 --> 0:30:52.040
<v Speaker 1>you and your family. This episode, Guys, is nearing its end,

0:30:52.080 --> 0:30:54.120
<v Speaker 1>but this after Party, it's going to continue for our

0:30:54.160 --> 0:30:56.720
<v Speaker 1>all access members because they're paying five bucks a month,

0:30:57.200 --> 0:30:59.000
<v Speaker 1>and four that five bucks, they're getting a little bit

0:30:59.040 --> 0:31:01.520
<v Speaker 1>more of the after party, little bonus, a little a

0:31:01.560 --> 0:31:03.800
<v Speaker 1>little more squeeze for a little more juice here at

0:31:03.800 --> 0:31:07.600
<v Speaker 1>the end of the episode. They're also getting exclusive an

0:31:07.640 --> 0:31:12.440
<v Speaker 1>exclusive episode every week every month, excuse me, one additional

0:31:12.760 --> 0:31:17.360
<v Speaker 1>extra episode on top of our weekly episodes per month.

0:31:18.160 --> 0:31:21.400
<v Speaker 1>That's what you get for five bucks plus ad free listening.

0:31:21.480 --> 0:31:24.160
<v Speaker 1>I mean, come on, five bucks. We've gone We've gone

0:31:24.200 --> 0:31:26.640
<v Speaker 1>through this before. Can't even get a couple of coffee

0:31:26.640 --> 0:31:29.960
<v Speaker 1>anymore for five bucks. Look what Double Elvis is giving you.

0:31:30.160 --> 0:31:32.959
<v Speaker 1>Just go to membership check it out, go to disgraceandpod

0:31:33.200 --> 0:31:36.920
<v Speaker 1>dot com slash membership, and I'm just telling you right

0:31:36.920 --> 0:31:39.000
<v Speaker 1>now is a good time to sign up because there's

0:31:39.040 --> 0:31:43.800
<v Speaker 1>something coming down the pike very soon, very soon that's

0:31:43.840 --> 0:31:46.720
<v Speaker 1>going to you're just gonna wish you signed up. Okay,

0:31:46.800 --> 0:32:03.840
<v Speaker 1>we'll say that Disgray slandpod dot com slash membership. All right,

0:32:03.880 --> 0:32:05.960
<v Speaker 1>we are back. Let's clam into the vault here and

0:32:06.160 --> 0:32:10.120
<v Speaker 1>talk about some archive episodes. Some artists that were mentioned

0:32:10.240 --> 0:32:13.280
<v Speaker 1>in this bonus episode that we have full episodes on

0:32:14.880 --> 0:32:16.640
<v Speaker 1>back in the archive that you guys can listen to,

0:32:17.080 --> 0:32:21.320
<v Speaker 1>Stone Temple, Pilots, Guns n' Roses, a lot, okay, Jane's addiction,

0:32:22.080 --> 0:32:25.440
<v Speaker 1>Black Sabbath. Still no Red Hot Chili Peppers episode, though

0:32:25.720 --> 0:32:29.280
<v Speaker 1>I should probably get on that new order. We mentioned Oasis,

0:32:29.320 --> 0:32:33.000
<v Speaker 1>There's a lot here, Metallica, Derek and the Dominoes, Clapton,

0:32:33.440 --> 0:32:36.600
<v Speaker 1>there's a lot. Matt is going to piece together some

0:32:36.680 --> 0:32:39.120
<v Speaker 1>links for you in the show notes so you can

0:32:39.160 --> 0:32:42.160
<v Speaker 1>easily access these archive episodes. Guys, don't sleep on the archive.

0:32:42.200 --> 0:32:47.160
<v Speaker 1>New listeners. Listen two hundred and thirty plus episodes on

0:32:47.280 --> 0:32:51.440
<v Speaker 1>all kinds of musicians and transgressions and true crimes that

0:32:51.480 --> 0:32:54.959
<v Speaker 1>they've committed or have happened to them in our archive.

0:32:55.120 --> 0:32:58.720
<v Speaker 1>E ton, just give it a cruise, Go to Spotify, Apple,

0:32:58.800 --> 0:33:01.040
<v Speaker 1>go to our website where and just kind of like

0:33:02.000 --> 0:33:05.080
<v Speaker 1>scroll through. You're gonna find stuff you didn't know what's there,

0:33:05.120 --> 0:33:07.000
<v Speaker 1>and you're gonna love it. But you know we mentioned

0:33:07.000 --> 0:33:08.480
<v Speaker 1>a bunch of here. Matt's going to have that info

0:33:08.560 --> 0:33:10.040
<v Speaker 1>for you in the show notes to get you into

0:33:10.080 --> 0:33:13.000
<v Speaker 1>the archived quickly. All right, let's recap shout we Number one,

0:33:13.040 --> 0:33:15.239
<v Speaker 1>My other podcast, hollywood Land, is alive and kicking over

0:33:15.280 --> 0:33:17.200
<v Speaker 1>in the hollywood Land feeds, So make sure you are

0:33:17.240 --> 0:33:20.760
<v Speaker 1>subscribed and following hollywood Land on Apple Podcasts, Spotify or

0:33:20.760 --> 0:33:22.560
<v Speaker 1>wherever you get your podcasts, and get ready for our

0:33:22.640 --> 0:33:26.280
<v Speaker 1>upcoming Hollywoodland episode on Phil Hartman, but only after you're

0:33:26.280 --> 0:33:28.560
<v Speaker 1>caught up on our recent episode on Robin Williams number

0:33:28.560 --> 0:33:31.280
<v Speaker 1>two right now in your Disgrace Sland feed, our episode

0:33:31.280 --> 0:33:34.760
<v Speaker 1>on Chris Cornell number three coming tomorrow, our rewind episode

0:33:34.800 --> 0:33:37.280
<v Speaker 1>on Iggy Pop, and next week win No NOA Riders,

0:33:37.280 --> 0:33:40.240
<v Speaker 1>So make sure you're subscribed to Disgrace Land, and before

0:33:40.280 --> 0:33:41.719
<v Speaker 1>merch winners get in touch, you know who you are.

0:33:41.800 --> 0:33:44.400
<v Speaker 1>Number five. Remember, no one cares about preserving the true

0:33:44.400 --> 0:33:46.040
<v Speaker 1>spirit rock and roll more than you do, and well

0:33:46.080 --> 0:33:48.040
<v Speaker 1>that is a disgrace all right. In honor of this

0:33:48.080 --> 0:33:51.160
<v Speaker 1>week's subject, Chris Cornell, this is me reading you the

0:33:51.160 --> 0:33:54.080
<v Speaker 1>billboard charts from the day Chris passed away on May

0:33:54.160 --> 0:34:00.160
<v Speaker 1>eighteenth two Thy seventeen number one, Shape of You had

0:34:00.280 --> 0:34:05.560
<v Speaker 1>Cheering last week one peak position one weeks on Chart

0:34:06.040 --> 0:34:11.040
<v Speaker 1>eight Number two. Bad and Bougie Migos featuring Little Uzzi

0:34:11.160 --> 0:34:16.319
<v Speaker 1>vert last week two, peak position one weeks on Chart

0:34:16.600 --> 0:34:21.360
<v Speaker 1>sixty number three. I don't want to live forever, saying.

0:34:21.760 --> 0:34:25.799
<v Speaker 7>Taylor Swift last week number three peak positions like two

0:34:25.920 --> 0:34:30.200
<v Speaker 7>five weeks on Chart twelve, number four position, That's what

0:34:30.280 --> 0:34:36.520
<v Speaker 7>I like. Last week number four peak position just four weeks.

0:34:36.239 --> 0:34:40.640
<v Speaker 1>On Charts seven. Number five is something just like this.

0:34:41.120 --> 0:34:48.240
<v Speaker 7>Shane Swimmers cold last week fifty six peak positions

0:34:48.239 --> 0:34:55.200
<v Speaker 1>On Quit Talking and Start mixing cu