1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, discos, need a little more disgrace Land in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast. It comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,000 Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode, 5 00:00:31,040 --> 00:00:33,560 Speaker 1: a little thing we like to call the after party. 6 00:00:33,600 --> 00:00:35,600 Speaker 1: This is the show after the show, the party after 7 00:00:35,640 --> 00:00:37,480 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,520 --> 00:00:40,120 Speaker 1: episode of disgrace Land to the other, the backyard to 9 00:00:40,159 --> 00:00:43,000 Speaker 1: dig into the dirt. On this bonus episode, we are 10 00:00:43,040 --> 00:00:46,599 Speaker 1: talking about Chris Cornell. We are previewing the coming episode 11 00:00:46,600 --> 00:00:49,599 Speaker 1: on Winona Ryder, talking artists with follow up bands that 12 00:00:49,640 --> 00:00:52,199 Speaker 1: were more impactful than their breakthroughs. And we get into 13 00:00:52,240 --> 00:00:55,960 Speaker 1: your voicemails, text DMS, emails and as always a whole 14 00:00:56,040 --> 00:01:00,200 Speaker 1: lot of rosie. All right, Discos, let's get in to 15 00:01:00,280 --> 00:01:16,479 Speaker 1: it all right, Chris Cornell. This week's full episode subject 16 00:01:17,040 --> 00:01:20,959 Speaker 1: broke through obviously in Soundgarden, and then went to find 17 00:01:20,959 --> 00:01:24,240 Speaker 1: success in Audio Sleeve. The question of the week this 18 00:01:24,280 --> 00:01:27,440 Speaker 1: week was what artists had more impact in their follow 19 00:01:27,520 --> 00:01:30,360 Speaker 1: up band than they did in their breakthrough band. Obviously, 20 00:01:30,440 --> 00:01:35,200 Speaker 1: Chris Cornell's career inspired this question. Now for the record, 21 00:01:35,400 --> 00:01:38,080 Speaker 1: I'm leaving off people like Dave Navarro who went from 22 00:01:38,240 --> 00:01:40,440 Speaker 1: Jane's Addiction to the Red Hot Chili Peppers. It's a 23 00:01:40,440 --> 00:01:43,280 Speaker 1: bit of a nuanced reason, but it's because Chili Peppers 24 00:01:43,280 --> 00:01:47,560 Speaker 1: weren't really Navarro's band. He joined pretty much as a sideman. 25 00:01:48,200 --> 00:01:50,120 Speaker 1: Wasn't even a full member of my opinion, so he 26 00:01:50,160 --> 00:01:53,800 Speaker 1: doesn't qualify. Neither is someone like Ronnie James Dio, who 27 00:01:53,960 --> 00:01:57,600 Speaker 1: left Black Sabbath to have a successful solo career. We're 28 00:01:57,600 --> 00:02:02,000 Speaker 1: talking groups here, okay. Making it in two groups two 29 00:02:02,080 --> 00:02:06,160 Speaker 1: bands is a much harder achievement in my estimation. Those 30 00:02:06,240 --> 00:02:08,240 Speaker 1: artists who break through with one band and then repeat 31 00:02:08,240 --> 00:02:11,760 Speaker 1: their success where then they surpassed their previous success in 32 00:02:11,840 --> 00:02:15,360 Speaker 1: another group. That's huge. That is not easy. So I 33 00:02:15,480 --> 00:02:20,440 Speaker 1: was surprised to learn that Soundgarden has sold significantly more 34 00:02:20,520 --> 00:02:24,240 Speaker 1: albums than Audio Slaves thirty million for Soundgarden to just 35 00:02:24,520 --> 00:02:28,320 Speaker 1: eight million for Audio Slave. The Boys and Guns N' Roses. 36 00:02:28,400 --> 00:02:32,600 Speaker 1: They did not fare better with Velvet Revolver. GNR is 37 00:02:32,639 --> 00:02:37,840 Speaker 1: a significantly bigger band than Velvet Revolver, as was Stone 38 00:02:37,840 --> 00:02:41,639 Speaker 1: Temple Pilots. Here's one though, bit of left field. Not really, 39 00:02:42,040 --> 00:02:43,440 Speaker 1: I wouldn't have thought of this. I looked it up 40 00:02:43,480 --> 00:02:47,440 Speaker 1: this morning. Bell Biv Deevo much bigger group for Ronnie, 41 00:02:47,520 --> 00:02:52,360 Speaker 1: Ricky and Michael the new Edition. Okay, what about Blur 42 00:02:52,919 --> 00:02:56,519 Speaker 1: and Gorillas? This, this one is shocking to me. Okay, 43 00:02:57,240 --> 00:03:00,440 Speaker 1: Gorillas have sold far more albums than Blur, something like 44 00:03:00,520 --> 00:03:06,119 Speaker 1: forty million to six million Gorillas. That is incredible. It's amazing. 45 00:03:06,919 --> 00:03:09,880 Speaker 1: He'll always be damon from Blur. To me, though, Kim 46 00:03:09,919 --> 00:03:15,119 Speaker 1: Deal's Breeders album Last Splash has supposedly sold more than 47 00:03:15,200 --> 00:03:18,760 Speaker 1: all of the Pixies albums combined. I don't know. I 48 00:03:18,840 --> 00:03:22,080 Speaker 1: read that, and I think the Internet might be fucking 49 00:03:22,120 --> 00:03:25,120 Speaker 1: with me on this one. This does not sound like 50 00:03:25,160 --> 00:03:30,560 Speaker 1: it's right, But yeah, Cannonball Man Crazy, here's a super 51 00:03:30,600 --> 00:03:35,200 Speaker 1: relevant one because we were talking about this couple weeks ago, 52 00:03:35,400 --> 00:03:38,000 Speaker 1: two after parties ago. I believe we were talking about 53 00:03:38,120 --> 00:03:40,400 Speaker 1: Joy Division and New Order. By the way, I know, 54 00:03:40,440 --> 00:03:42,480 Speaker 1: I'm supposed to have an update on Rock and Roll 55 00:03:42,520 --> 00:03:45,480 Speaker 1: Hall of Fame inductees, but I'm recording this after party 56 00:03:46,040 --> 00:03:48,200 Speaker 1: way earlier than I normally do because we need to 57 00:03:48,200 --> 00:03:52,120 Speaker 1: get produced in advance because of some vacation stuff that's 58 00:03:52,120 --> 00:03:55,400 Speaker 1: going on. School vacation, that sort of thing. So I 59 00:03:55,520 --> 00:03:59,040 Speaker 1: don't have the nominee Rock and Roll Hall of Fame 60 00:03:59,200 --> 00:04:02,560 Speaker 1: inductee's gives me inductee update for you just yet. But 61 00:04:02,600 --> 00:04:05,120 Speaker 1: when we were talking about this a couple episodes ago, 62 00:04:05,160 --> 00:04:07,760 Speaker 1: a couple bonus episodes ago, we were talking about Joy 63 00:04:07,800 --> 00:04:12,520 Speaker 1: Division and New Order as potential. They're nominated, they might 64 00:04:12,520 --> 00:04:14,280 Speaker 1: be inducted. I don't think they're going to get in. 65 00:04:14,600 --> 00:04:18,480 Speaker 1: I don't understand why they're being inducted as two groups. 66 00:04:19,400 --> 00:04:22,000 Speaker 1: That doesn't make any fucking sense. But you know, after 67 00:04:22,040 --> 00:04:25,479 Speaker 1: of course, Ian Curtis died, Peter Hook, Stephen Morris, and 68 00:04:25,520 --> 00:04:29,839 Speaker 1: Bernard Summer went on to form New Order and sold 69 00:04:30,400 --> 00:04:34,720 Speaker 1: way more, way more records than Joy Division. But I'm 70 00:04:34,760 --> 00:04:37,960 Speaker 1: guessing not as many T shirts. Should sales be the 71 00:04:38,000 --> 00:04:41,640 Speaker 1: final deciding element here, I don't know. I think so 72 00:04:42,120 --> 00:04:45,600 Speaker 1: because sales usually correlate with radio play, video play, and 73 00:04:45,680 --> 00:04:49,000 Speaker 1: cultural impact, except maybe in the case the Breeders versus 74 00:04:49,000 --> 00:04:51,840 Speaker 1: the Pixies. To me, the Pixies aren't way more culturally impactful. 75 00:04:51,880 --> 00:04:53,800 Speaker 1: They've been doing this for so long, and I feel 76 00:04:53,800 --> 00:04:57,680 Speaker 1: like they've they've just they've touched more people. It's anecdotal 77 00:04:57,760 --> 00:04:59,520 Speaker 1: but that's how I feel. I'm curious what you guys 78 00:04:59,520 --> 00:05:03,279 Speaker 1: think on the on the Pixies Breeders question. I think 79 00:05:03,320 --> 00:05:06,039 Speaker 1: we have to mention Dave misstaying here, who after getting 80 00:05:06,080 --> 00:05:09,240 Speaker 1: booted from Metallica, went on to form Megadeth. They never 81 00:05:09,279 --> 00:05:12,560 Speaker 1: did what Metallica did, and Dave is still crying about it. 82 00:05:12,600 --> 00:05:14,640 Speaker 1: But they are one of the top four thrash bands 83 00:05:14,640 --> 00:05:18,200 Speaker 1: of all time, along with Metallica, Slayer and Anthrax, part 84 00:05:18,200 --> 00:05:21,440 Speaker 1: of the so called Big four? Who else? Who else? 85 00:05:21,720 --> 00:05:26,719 Speaker 1: Eric Clapton from Yardbirds to Cream to Derek and the Dominoes. 86 00:05:26,760 --> 00:05:29,720 Speaker 1: Does he get it for doing it three times? I 87 00:05:29,760 --> 00:05:32,920 Speaker 1: guess you can make the case, but Yardbirds weren't really 88 00:05:32,920 --> 00:05:36,080 Speaker 1: his band, were they? I don't know. Is this the 89 00:05:36,120 --> 00:05:39,839 Speaker 1: right answer? Derek and the Dominoes one album and not 90 00:05:39,920 --> 00:05:42,360 Speaker 1: a very good one. This feels like a cheap win, 91 00:05:42,839 --> 00:05:46,200 Speaker 1: if it's a win at all. Paul McCartney jumping from 92 00:05:46,240 --> 00:05:49,479 Speaker 1: Beatles to Wings is worthy of our consideration, despite the 93 00:05:49,520 --> 00:05:54,080 Speaker 1: fact that Wings were obviously not as big as the Beatles. 94 00:05:54,560 --> 00:05:59,480 Speaker 1: The big one here is, of course, Foo Fighters. Dave 95 00:05:59,520 --> 00:06:02,640 Speaker 1: Grohl going on to just, you know, have this incredible 96 00:06:02,720 --> 00:06:06,040 Speaker 1: career with Food Fighters after being the drummer in Nirvana, 97 00:06:06,160 --> 00:06:09,159 Speaker 1: And I think you got to give a special tip 98 00:06:09,200 --> 00:06:12,120 Speaker 1: of the hat to Dave Grohl for going from playing 99 00:06:12,200 --> 00:06:17,400 Speaker 1: drums to fronting the band. But but I was a 100 00:06:17,440 --> 00:06:21,080 Speaker 1: little surprised by this one too. Foo Fighters have sold 101 00:06:21,120 --> 00:06:24,600 Speaker 1: half as many albums as Nirvana. I get that Nirvana 102 00:06:24,760 --> 00:06:28,680 Speaker 1: is truly iconic, but I would think the amount of 103 00:06:28,720 --> 00:06:31,600 Speaker 1: time Food Fighters have been around, I thought there was 104 00:06:31,600 --> 00:06:33,480 Speaker 1: a chance they actually sold more records. But no, it's 105 00:06:33,520 --> 00:06:36,520 Speaker 1: like seventy to seventy five million for Nirvana and something 106 00:06:36,560 --> 00:06:40,240 Speaker 1: like thirty two thirty five million for food Fighters. So 107 00:06:40,360 --> 00:06:43,200 Speaker 1: there you go. About what about Steve Malcolmus going from 108 00:06:43,279 --> 00:06:46,160 Speaker 1: Pavement to the Heavy Quartet? Though I'm just kidding. I 109 00:06:46,160 --> 00:06:48,680 Speaker 1: just wanted to mention the Heavy Quartet, Okay, I think 110 00:06:49,480 --> 00:06:51,960 Speaker 1: I think those are our contenders. I don't think I'm 111 00:06:52,000 --> 00:06:54,159 Speaker 1: really forgetting anyone of significance, but you guys are gonna 112 00:06:54,240 --> 00:06:55,520 Speaker 1: let me know when I get to the phone calls. 113 00:06:56,040 --> 00:06:59,080 Speaker 1: What's what is the answer? Okay? Which second act was 114 00:06:59,120 --> 00:07:03,919 Speaker 1: more impactful than the first? Surprisingly, I'm very surprised by this, 115 00:07:04,000 --> 00:07:06,440 Speaker 1: But I think the answer is Damon Alburn and Gorillas. 116 00:07:06,480 --> 00:07:10,720 Speaker 1: I think Gorilla's over Blur. Those record sales numbers are 117 00:07:11,120 --> 00:07:14,480 Speaker 1: no joke, and they dwarf Blur's success. I knew Blur 118 00:07:14,680 --> 00:07:18,720 Speaker 1: never sold a ton of records beyond the UK, but 119 00:07:20,480 --> 00:07:23,280 Speaker 1: I would never have guessed that Gorillas were bigger. I 120 00:07:23,320 --> 00:07:26,840 Speaker 1: should have known. I should have known. So that's my answer, 121 00:07:27,160 --> 00:07:30,800 Speaker 1: Damon Alburn, that's right. I don't know. Maybe you can 122 00:07:30,840 --> 00:07:33,280 Speaker 1: make the case for Bell Bivdavo as well, but my 123 00:07:33,320 --> 00:07:35,440 Speaker 1: gut tells me more people think about Blur than they 124 00:07:35,440 --> 00:07:37,760 Speaker 1: do New Edition. So that's why I give it to 125 00:07:37,800 --> 00:07:40,600 Speaker 1: Gorillas over Bell Bivdavo. But maybe this is my side 126 00:07:40,640 --> 00:07:42,600 Speaker 1: of the street. Then again, I grew up I legally 127 00:07:42,600 --> 00:07:44,440 Speaker 1: buying beer in Boston's combat zone, so I know a 128 00:07:44,440 --> 00:07:46,800 Speaker 1: little thing or two about New Edition. But I want 129 00:07:46,800 --> 00:07:48,240 Speaker 1: to know what you guys think. We're gonna get to 130 00:07:48,240 --> 00:07:50,960 Speaker 1: your answers on this question shortly, but first I have 131 00:07:51,040 --> 00:07:54,080 Speaker 1: to tell you about this week's rewind Archive episode coming 132 00:07:54,120 --> 00:07:56,840 Speaker 1: your way right after this bonus episode. It's on Matt 133 00:07:56,880 --> 00:07:59,840 Speaker 1: give us a little drum roll, Go ahead, all right, 134 00:08:00,080 --> 00:08:03,960 Speaker 1: It's on Iggy Pop. David Bowie fans, you're not gonna 135 00:08:03,960 --> 00:08:06,480 Speaker 1: want to miss this one either. Bowie's a big part 136 00:08:06,480 --> 00:08:08,880 Speaker 1: of Iggy story. Bowe's a big part of this episode. 137 00:08:09,000 --> 00:08:11,240 Speaker 1: Lots of other cool people show up in this episode too, 138 00:08:11,280 --> 00:08:15,120 Speaker 1: Miles Davis, Dennis Hopper, bunch of our subjects. So if 139 00:08:15,120 --> 00:08:17,440 Speaker 1: you haven't heard our Iggy Pop episode, you're gonna love it, 140 00:08:17,480 --> 00:08:19,040 Speaker 1: and if you have, your in for a treat when 141 00:08:19,080 --> 00:08:22,200 Speaker 1: you re listen to it. Coming up after that on Tuesday, 142 00:08:22,440 --> 00:08:25,640 Speaker 1: we've got our episode on Winona Rider, and Winona is 143 00:08:25,640 --> 00:08:27,400 Speaker 1: the course pretty rock and roll, which is why we 144 00:08:27,440 --> 00:08:31,640 Speaker 1: thought to feature her in Disgraceland. Weina, however, is the 145 00:08:31,760 --> 00:08:35,840 Speaker 1: last of our icon series artists, and we'll eventually find 146 00:08:35,840 --> 00:08:39,880 Speaker 1: her way into the Hollywood Land archive as Disgraceland becomes 147 00:08:40,160 --> 00:08:45,360 Speaker 1: once again solely music content. But for now you've got 148 00:08:45,360 --> 00:08:48,160 Speaker 1: missus Johnny Depp, not really, but sort of coming your 149 00:08:48,160 --> 00:08:52,000 Speaker 1: way next week, Winona Rider. Okay, this all brings us 150 00:08:52,080 --> 00:08:54,480 Speaker 1: to next week's question of the week. When you're listening 151 00:08:54,520 --> 00:08:57,320 Speaker 1: to the Winona Rider episode, be thinking about all those 152 00:08:57,559 --> 00:09:01,680 Speaker 1: iconic eighties and nineties females arlt's and let me know 153 00:09:01,720 --> 00:09:05,480 Speaker 1: if Winona is gen X's most iconic female actor. If 154 00:09:05,520 --> 00:09:10,440 Speaker 1: not Winona, then who Drew Barrymore Cameron Diaz. Who is it? 155 00:09:10,480 --> 00:09:12,400 Speaker 1: Let me know? Six one, seven nine oh six sixty 156 00:09:12,400 --> 00:09:15,680 Speaker 1: six three eight. Heather Graham, Leave me a voicemail, Send 157 00:09:15,679 --> 00:09:18,920 Speaker 1: me a text. Not you, Heather Graham, You guys, semi 158 00:09:18,920 --> 00:09:20,280 Speaker 1: a voicemail? Leave me a text. Let me know if 159 00:09:20,280 --> 00:09:23,600 Speaker 1: Heather Graham is more iconic than Winona Rider or Drew Barrymore. 160 00:09:23,600 --> 00:09:26,120 Speaker 1: Who is it? Disgrace sampod on the socials? All right, 161 00:09:26,160 --> 00:09:27,760 Speaker 1: I'm gonna take a quick break. I'll be hanging on 162 00:09:27,760 --> 00:09:30,319 Speaker 1: the telephone on the other side with your voicemails, texts 163 00:09:30,400 --> 00:09:51,360 Speaker 1: and dms. Alright, six one, seven nine oh six six 164 00:09:51,440 --> 00:09:52,920 Speaker 1: six three eight. You know where I'm at him in 165 00:09:53,000 --> 00:09:54,920 Speaker 1: the phone booths. It's the one across the hall. I'm 166 00:09:54,920 --> 00:09:56,520 Speaker 1: hanging on the telephone. Who you want to send me 167 00:09:56,520 --> 00:09:58,839 Speaker 1: a voicemail? You want to send me a text? That's 168 00:09:58,880 --> 00:10:00,960 Speaker 1: how you do it. Let's check out this one from 169 00:10:01,080 --> 00:10:03,360 Speaker 1: who were looking at here? The seven six five? 170 00:10:04,000 --> 00:10:08,160 Speaker 2: Jake, what's up? It's metal Head Monday from the seven 171 00:10:08,400 --> 00:10:14,520 Speaker 2: six five, North Central Indiana coming at you. You asked 172 00:10:14,800 --> 00:10:22,840 Speaker 2: about artists that their follow up projects were better, more influential, 173 00:10:22,960 --> 00:10:28,080 Speaker 2: whatever than their original breakthrough projects. I'm gonna go with 174 00:10:28,120 --> 00:10:33,760 Speaker 2: Neil Young, dude, Buffalo Springfield. I mean, you know they 175 00:10:33,800 --> 00:10:38,600 Speaker 2: were good, they had a hit, right, But man, Neil 176 00:10:38,679 --> 00:10:45,000 Speaker 2: Young went on to become Neil Young, I mean totally influential, 177 00:10:45,360 --> 00:10:51,560 Speaker 2: great music, decades long career, still going, Neil Young all 178 00:10:51,600 --> 00:10:52,319 Speaker 2: the way, man. 179 00:10:52,480 --> 00:10:55,800 Speaker 1: Rock and roller metal head Monday. I appreciate you, brother. 180 00:10:55,920 --> 00:10:59,400 Speaker 1: Listen that kind of breaking my own rule here only 181 00:10:59,440 --> 00:11:03,080 Speaker 1: because look, Neil Young solo artists, so I'm not counting 182 00:11:03,080 --> 00:11:04,640 Speaker 1: the solo artists. I should have said that, I guess 183 00:11:04,640 --> 00:11:06,640 Speaker 1: when I posed the question, but I thought it was 184 00:11:06,679 --> 00:11:11,360 Speaker 1: obvious because the group piece of this is so key. However, Crosby, Stills, 185 00:11:11,480 --> 00:11:15,720 Speaker 1: Nash and whoever the fuck aka Neil Young, as I 186 00:11:15,760 --> 00:11:19,600 Speaker 1: once said, Crosby, Stills, Nash and Young, you could make 187 00:11:19,640 --> 00:11:22,120 Speaker 1: the argument that you're trying to make here for Neil 188 00:11:22,600 --> 00:11:25,800 Speaker 1: relevant to Buffalo Springfield's check out to two seven oh. 189 00:11:26,040 --> 00:11:31,640 Speaker 3: Hey Jay, not Jack. This is Todd, not Tim from 190 00:11:31,640 --> 00:11:35,000 Speaker 3: the two seven oh Nashville area. 191 00:11:35,080 --> 00:11:38,359 Speaker 4: But your question about the artist. 192 00:11:38,040 --> 00:11:42,000 Speaker 5: Who had a second band or whatever, impact or whatever, 193 00:11:43,160 --> 00:11:45,880 Speaker 5: it's probably an obvious choice. I guess I gotta go 194 00:11:46,640 --> 00:11:50,120 Speaker 5: with Dave Grohl. Does that count obviously? 195 00:11:50,200 --> 00:11:54,440 Speaker 4: Grummer for Nirvana and then frontman, main guy for the 196 00:11:54,480 --> 00:11:55,200 Speaker 4: Food Fighters. 197 00:11:55,320 --> 00:11:59,720 Speaker 3: I guess food Fighters not made, probably not as impactful, 198 00:12:00,600 --> 00:12:06,120 Speaker 3: but nonetheless, for thirty years now been very relevant. 199 00:12:06,640 --> 00:12:08,040 Speaker 5: Dave grows very relevant. 200 00:12:08,080 --> 00:12:13,240 Speaker 4: So anyway, I'm gonna go with that one, and maybe 201 00:12:13,360 --> 00:12:16,880 Speaker 4: a minor shout out to Josh Hamme who was in 202 00:12:17,080 --> 00:12:20,400 Speaker 4: Kius and then formed Queens of the Stone Age. 203 00:12:20,000 --> 00:12:23,160 Speaker 3: And that's probably a reach. Anyway, Thank you man, thank 204 00:12:23,160 --> 00:12:26,000 Speaker 3: you for your content as always, love it all. 205 00:12:26,000 --> 00:12:30,319 Speaker 6: Right, Todd not Tim, you know, yeah, I feel like 206 00:12:30,360 --> 00:12:33,080 Speaker 6: Food Fighters are so impactful despite their record sales not 207 00:12:33,240 --> 00:12:35,959 Speaker 6: being as much as Nirvana's, that it's hard not to 208 00:12:36,000 --> 00:12:36,840 Speaker 6: give it to him. 209 00:12:37,120 --> 00:12:38,720 Speaker 1: It's hard to go with Gorillas. I feel like if 210 00:12:38,760 --> 00:12:42,240 Speaker 1: you answered this question that I'm posing at a party 211 00:12:43,000 --> 00:12:47,520 Speaker 1: and came at people with Gorillas over Food Fighters, you 212 00:12:47,600 --> 00:12:50,800 Speaker 1: get shouted down. Just the Food Fighters. I guess it's 213 00:12:50,880 --> 00:12:56,280 Speaker 1: Dave Grohl's celebrity. He's just he's turned himself into something 214 00:12:56,320 --> 00:13:00,880 Speaker 1: that is beyond anything Damon Alburn had turned himself into 215 00:13:01,000 --> 00:13:05,120 Speaker 1: after Blur, and I guess the scale because Foo Fighters 216 00:13:05,120 --> 00:13:09,280 Speaker 1: have sold uh right around. That's weird too. They've only 217 00:13:09,360 --> 00:13:14,400 Speaker 1: sold as many albums as Gorillas. Crazy Crazy, I guess 218 00:13:14,440 --> 00:13:17,520 Speaker 1: gorillas are just huge internationally and I just have an 219 00:13:17,520 --> 00:13:20,000 Speaker 1: American point of view on this. I don't know. Fascinating 220 00:13:20,040 --> 00:13:22,720 Speaker 1: question though, Thanks Todd not Tim all right six seven 221 00:13:22,760 --> 00:13:24,720 Speaker 1: nine oh six six six three eight. You can send 222 00:13:24,720 --> 00:13:27,520 Speaker 1: me a voicemail like Todd not Tim, like like metal 223 00:13:27,520 --> 00:13:30,400 Speaker 1: Head Monday, or you can send me a text like 224 00:13:31,400 --> 00:13:34,720 Speaker 1: the nine oh nine who writes, Hey Jake, Luke here 225 00:13:34,720 --> 00:13:36,720 Speaker 1: with a quick note pursuing it to your Billie Idol 226 00:13:36,760 --> 00:13:38,720 Speaker 1: after party. I'm had a club to see a punk show. 227 00:13:39,080 --> 00:13:42,880 Speaker 1: The after show playlist includes one hundred punks by Generation 228 00:13:43,280 --> 00:13:46,040 Speaker 1: X nearly fifty years on, and it still kills this 229 00:13:46,120 --> 00:13:49,199 Speaker 1: bumper music after a punk show? Nine o nine thank 230 00:13:49,240 --> 00:13:51,280 Speaker 1: you for the text. Who'd you go see? I want 231 00:13:51,280 --> 00:13:53,920 Speaker 1: to know? Let me know anyone who wonders what nine 232 00:13:53,960 --> 00:13:55,840 Speaker 1: or nine is texting about, it's because we just had 233 00:13:55,840 --> 00:13:58,840 Speaker 1: this Billie Idol episode in our feed of Disgraceland. You 234 00:13:58,840 --> 00:14:02,040 Speaker 1: can check that out. One writes in Hey Jake, I 235 00:14:02,200 --> 00:14:05,480 Speaker 1: was listening to your thoughts on Marilyn Manson's autobiography and 236 00:14:05,480 --> 00:14:07,719 Speaker 1: I wanted to mention when will you get around to 237 00:14:07,800 --> 00:14:10,280 Speaker 1: doing a nine inch Nails episode. There's lots of debauchery 238 00:14:10,320 --> 00:14:12,520 Speaker 1: to be had anyway, I will keep listening, thank you, 239 00:14:12,520 --> 00:14:15,480 Speaker 1: and I want to well, yeah, I had the same 240 00:14:15,559 --> 00:14:18,120 Speaker 1: thought because Trent obviously is a big part of Marilyn 241 00:14:18,160 --> 00:14:22,000 Speaker 1: Manson's story. There's a lot of Trent debauchery in the 242 00:14:22,000 --> 00:14:27,320 Speaker 1: Marilyn Manson book. I do think a nine Inch Nails episode. 243 00:14:27,400 --> 00:14:29,840 Speaker 1: I don't know. I don't know how soon on the 244 00:14:29,840 --> 00:14:33,360 Speaker 1: heels of Marilyn Manson, but soon ish, because I'm very interested. 245 00:14:33,520 --> 00:14:36,160 Speaker 1: For no other reason. Nine three seven, Jimmy Page has 246 00:14:36,200 --> 00:14:37,760 Speaker 1: to be the answer to the artist who had more 247 00:14:37,800 --> 00:14:41,880 Speaker 1: successful later group. What oh, I guess you're saying, yeah, 248 00:14:42,120 --> 00:14:44,800 Speaker 1: led Zeppelin compared to the Yardbirds. But the Yardbirds weren't 249 00:14:44,800 --> 00:14:47,560 Speaker 1: really Jimmy Page's group. I mean, he was in the group, 250 00:14:47,640 --> 00:14:49,560 Speaker 1: but you know what I'm saying. Nine three seven goes 251 00:14:49,560 --> 00:14:51,480 Speaker 1: on to say, speaking of led Zeppelin, I remember running 252 00:14:51,480 --> 00:14:53,440 Speaker 1: the streets of Boston with my walkman and I went 253 00:14:53,480 --> 00:14:55,800 Speaker 1: to switch out my Van Halen Fair Warning cassette with 254 00:14:55,840 --> 00:14:57,560 Speaker 1: the led Zeppelin cassette I had in the front of 255 00:14:57,560 --> 00:15:00,880 Speaker 1: my Champion hoodie and it was gone. I was devastated. 256 00:15:01,320 --> 00:15:03,080 Speaker 1: I only find peace with the hope that a young 257 00:15:03,200 --> 00:15:06,200 Speaker 1: kid perhaps found it and grew a love for music, 258 00:15:06,480 --> 00:15:10,280 Speaker 1: maybe even started playing music, and perhaps with any luck, 259 00:15:10,640 --> 00:15:14,680 Speaker 1: started a podcast about musicians behaving badly. But what's the 260 00:15:14,920 --> 00:15:18,800 Speaker 1: chance of that? Rock a rolla Bill from the nine 261 00:15:18,880 --> 00:15:21,640 Speaker 1: three seven. Bill's referring, of course, to the story I've 262 00:15:21,640 --> 00:15:24,320 Speaker 1: told before about how I got into led Zeppelin, which 263 00:15:24,400 --> 00:15:28,040 Speaker 1: was I was walking in my backyard one morning in 264 00:15:28,080 --> 00:15:32,320 Speaker 1: the fourth grade and I literally found led Zeppelin one 265 00:15:32,400 --> 00:15:36,200 Speaker 1: in cassette in the dewey grass. It was in its case, 266 00:15:36,240 --> 00:15:38,880 Speaker 1: so it was fine, and I brought it inside my 267 00:15:38,920 --> 00:15:42,040 Speaker 1: house and I put it in my stereo, and good Times, 268 00:15:42,080 --> 00:15:45,320 Speaker 1: Bad Times came on, and my life was forever changed 269 00:15:45,440 --> 00:15:49,160 Speaker 1: in that moment. Had never heard led Zeppelin before. And 270 00:15:50,560 --> 00:15:54,360 Speaker 1: I don't know, Bill, let's just let's say yeah, let's say, Bill, 271 00:15:54,360 --> 00:15:58,040 Speaker 1: we finally connected after all these years. But Boston to 272 00:15:58,080 --> 00:16:00,960 Speaker 1: where I grew up was about thirty five miles. Unless 273 00:16:01,000 --> 00:16:04,560 Speaker 1: it was on the wings of a geez, I don't know, 274 00:16:04,800 --> 00:16:11,440 Speaker 1: some led Zeppelin like medieval bird flying down across the 275 00:16:11,520 --> 00:16:14,880 Speaker 1: mass Turnpike out into the verbs. I doubt very much 276 00:16:14,920 --> 00:16:16,600 Speaker 1: that it's the same cassette, but I'm gonna believe it, 277 00:16:16,680 --> 00:16:20,000 Speaker 1: just for the just for the poetic license. Thank you 278 00:16:20,040 --> 00:16:22,600 Speaker 1: Bill six one seven nine oh six six six three 279 00:16:22,640 --> 00:16:26,880 Speaker 1: eight semi a voicemail or text disgracelam pod on the socials, 280 00:16:27,080 --> 00:16:29,800 Speaker 1: Ashley Neil writes in on Facebook, Jake, I've been listening 281 00:16:29,840 --> 00:16:34,320 Speaker 1: to Graceland since twenty twenty ish slogging at my shit job. 282 00:16:34,480 --> 00:16:37,320 Speaker 1: You have helped keep me sane. Love the content sincerely. 283 00:16:37,360 --> 00:16:38,640 Speaker 1: Meant to call in and give my take on the 284 00:16:38,720 --> 00:16:41,480 Speaker 1: question about the fave grunge band for the recent Alison 285 00:16:41,560 --> 00:16:44,200 Speaker 1: Chains Lane's Day episode, but didn't get around to it. Honestly, 286 00:16:44,480 --> 00:16:46,400 Speaker 1: Alison Chains is my favorite band. I was born in 287 00:16:46,440 --> 00:16:47,960 Speaker 1: nineteen eighty three and I kind of missed out on 288 00:16:48,000 --> 00:16:50,120 Speaker 1: them initially, but they've been a mainstay in my playlist 289 00:16:50,120 --> 00:16:53,960 Speaker 1: for my entire teen and adult life. Lane's raw, honestin 290 00:16:54,080 --> 00:16:56,960 Speaker 1: is lyrics paired with Jerry's guitar and harmonizing vocals just 291 00:16:57,000 --> 00:16:59,680 Speaker 1: speaks to my soul. That being said, I was kind 292 00:16:59,720 --> 00:17:03,040 Speaker 1: of no one gave Stone Temple Pilots a nod, even 293 00:17:03,080 --> 00:17:05,880 Speaker 1: though they didn't originate in Seattle. I feel like Core 294 00:17:06,040 --> 00:17:08,720 Speaker 1: and Scott Wiland in general really wove into that genre 295 00:17:08,720 --> 00:17:11,639 Speaker 1: beautifully and were excellent. What can I say, apparently my 296 00:17:11,640 --> 00:17:14,520 Speaker 1: favorite rock stars were all heroin addicts. Last thing, I've 297 00:17:14,520 --> 00:17:16,840 Speaker 1: been racking my brain trying to remember a band name 298 00:17:17,200 --> 00:17:19,200 Speaker 1: you mentioned as being rock and roll at a time 299 00:17:19,200 --> 00:17:20,800 Speaker 1: where a lot of us consider rock and roll to 300 00:17:20,840 --> 00:17:22,960 Speaker 1: be dead. Outside of the smaller scope, I feel like 301 00:17:23,600 --> 00:17:25,680 Speaker 1: it had a C in the name. It's low Cut, 302 00:17:25,720 --> 00:17:30,600 Speaker 1: Connie low Cut Connie Ashley, Okay. Another great band I've 303 00:17:30,640 --> 00:17:33,240 Speaker 1: been listening to lately, new band Geese. I'm sure you 304 00:17:33,320 --> 00:17:39,640 Speaker 1: guys have heard of it before. Not Goose, not the Goose Geese, Geese, Okay, 305 00:17:40,440 --> 00:17:42,680 Speaker 1: Stone Tip of Pilots not being mentioned in the top 306 00:17:42,760 --> 00:17:46,600 Speaker 1: ten greatest grunge bands. People have written in to voice 307 00:17:46,640 --> 00:17:50,160 Speaker 1: the same concern that Ashley has here. I left them 308 00:17:50,160 --> 00:17:54,000 Speaker 1: off my list because I like Stone Tip of Pilots, 309 00:17:54,240 --> 00:17:56,520 Speaker 1: but they were just so contrived when they came out. 310 00:17:56,840 --> 00:18:02,159 Speaker 1: They seemed like a elaborate version of what grunge should be, 311 00:18:02,200 --> 00:18:03,840 Speaker 1: and I think a lot of people feel that way. 312 00:18:05,119 --> 00:18:07,879 Speaker 1: I think a lot of people feel that way. Also, 313 00:18:08,240 --> 00:18:10,800 Speaker 1: not that I think not being from Seattle, so I'm 314 00:18:10,800 --> 00:18:12,239 Speaker 1: trying to say, has something to do with it. As 315 00:18:12,280 --> 00:18:15,239 Speaker 1: you mentioned, Ashley, Stone Tip of Pilots remind me of 316 00:18:15,320 --> 00:18:19,800 Speaker 1: like our generation's version of Creten's Clearwater Revival. Just like 317 00:18:20,320 --> 00:18:25,560 Speaker 1: a great band, but completely inauthentic, you know, like ccier 318 00:18:25,680 --> 00:18:27,760 Speaker 1: is thinking about growing up in the swamps of Louisiana 319 00:18:27,840 --> 00:18:31,160 Speaker 1: or whatever, and they're from fucking San Francisco or wherever 320 00:18:31,200 --> 00:18:34,280 Speaker 1: they're from, northern California. Just there weren't from the Bayou, 321 00:18:34,359 --> 00:18:36,800 Speaker 1: That's all I'm saying. And Stone type of pilots just 322 00:18:36,840 --> 00:18:40,639 Speaker 1: didn't seem like they were grunge beside the flannel. And 323 00:18:40,680 --> 00:18:43,679 Speaker 1: I guess the sound. I mean, I get it, I 324 00:18:43,760 --> 00:18:46,680 Speaker 1: get it, but I just I disassociate them with that 325 00:18:46,800 --> 00:18:50,000 Speaker 1: scene for some reason. And I suspect that others do 326 00:18:50,160 --> 00:18:52,760 Speaker 1: as well. Not to take anything away from Stone type 327 00:18:52,760 --> 00:18:56,720 Speaker 1: of pilots. I've grown to appreciate them. I did not 328 00:18:57,160 --> 00:18:59,560 Speaker 1: back in the day. I guess I kind of did 329 00:18:59,600 --> 00:19:01,960 Speaker 1: a grudge, but not on purpose. All right, guys, you 330 00:19:01,960 --> 00:19:04,919 Speaker 1: want to connect on social at disgracelam pod, on Facebook, 331 00:19:04,960 --> 00:19:08,679 Speaker 1: on Instagram, on X hit me up. All right, we 332 00:19:08,720 --> 00:19:10,880 Speaker 1: started doing this new thing in the after party last week. 333 00:19:11,040 --> 00:19:13,320 Speaker 1: We talk a lot here about voicemails. If you guys 334 00:19:13,320 --> 00:19:16,280 Speaker 1: want me on your voicemail, Yes, me myself and I 335 00:19:16,480 --> 00:19:19,280 Speaker 1: as the voice of your virtual answering machine, me recording 336 00:19:19,280 --> 00:19:22,240 Speaker 1: a message for you to have playing for whenever somebody 337 00:19:22,280 --> 00:19:23,640 Speaker 1: calls and you're not there to pick up the phone. 338 00:19:23,680 --> 00:19:27,640 Speaker 1: And honestly, who actually picks up the phone these days? 339 00:19:27,680 --> 00:19:30,800 Speaker 1: So voice messages are more important than ever, That's what 340 00:19:30,840 --> 00:19:33,760 Speaker 1: I'm saying. You know, something like, Hey, it's Jake from Disgraceland, 341 00:19:33,880 --> 00:19:36,840 Speaker 1: and you know Gary ain't here right now. Gary's off 342 00:19:36,840 --> 00:19:38,919 Speaker 1: at the replacement show. He can't come to the phone, 343 00:19:38,960 --> 00:19:43,159 Speaker 1: So leave a message. Okay, Gary, you fucking PERV. You 344 00:19:43,160 --> 00:19:45,159 Speaker 1: want me to leave your voicemail for you? I got you, 345 00:19:45,240 --> 00:19:47,240 Speaker 1: all right. Listen, here's how you make it happen. 346 00:19:47,240 --> 00:19:47,359 Speaker 7: Though. 347 00:19:47,359 --> 00:19:49,800 Speaker 1: You got to find the Easter egg. I was inspired 348 00:19:49,840 --> 00:19:52,199 Speaker 1: by Easter. Easter just happened. I hope you all had 349 00:19:52,200 --> 00:19:58,200 Speaker 1: a great holiday. He has risen christosiness from my Greek friends. Anyways, 350 00:19:58,240 --> 00:20:01,320 Speaker 1: I was inspired by Easter. I sninking East Easter eggs. 351 00:20:01,480 --> 00:20:02,240 Speaker 1: What can we do? 352 00:20:02,359 --> 00:20:02,520 Speaker 3: Oh? 353 00:20:02,600 --> 00:20:04,520 Speaker 1: I know what we can do. There's tons of Easter 354 00:20:04,680 --> 00:20:07,800 Speaker 1: eggs in our episodes. All I get to do is 355 00:20:07,880 --> 00:20:11,240 Speaker 1: find a question. Ask it here. You guys, dig into 356 00:20:11,240 --> 00:20:13,800 Speaker 1: the episode, pull out the Easter egg, hit me back 357 00:20:14,119 --> 00:20:18,639 Speaker 1: either on voicemail, on text or on the DMS. Although 358 00:20:18,680 --> 00:20:22,440 Speaker 1: this is the how you respond might change because I 359 00:20:22,480 --> 00:20:24,439 Speaker 1: don't know that the posting on social thing is going 360 00:20:24,520 --> 00:20:28,400 Speaker 1: to work because once you post it then everybody can 361 00:20:28,680 --> 00:20:31,280 Speaker 1: see it. The answer dig get a lot of texts, 362 00:20:31,480 --> 00:20:33,919 Speaker 1: dig get a lot of voicemails with the answer to 363 00:20:33,960 --> 00:20:37,000 Speaker 1: the Easter egg question, which was in the Sharon Tate 364 00:20:37,040 --> 00:20:40,840 Speaker 1: Part two episode of Hollywood Land. Who did Sharon Tate 365 00:20:40,960 --> 00:20:45,080 Speaker 1: ask for advice concerning her marital problems with Roman Polanski? 366 00:20:45,440 --> 00:20:47,960 Speaker 1: Who did Sharon seek out for advice? That was the 367 00:20:48,040 --> 00:20:52,720 Speaker 1: question and the answer comes from this week's winner, Ryan 368 00:20:52,880 --> 00:20:53,720 Speaker 1: in the two to eight to one. 369 00:20:54,240 --> 00:20:56,159 Speaker 4: Hey, this is Ryan from Houston. 370 00:20:57,000 --> 00:21:01,320 Speaker 2: The answer to your questions about egg healthy summer. 371 00:21:01,000 --> 00:21:05,080 Speaker 1: And there you go, Elkie Summer. That's the answer, Elkie Summer, 372 00:21:05,880 --> 00:21:10,879 Speaker 1: fellow actress friend of Sharon Tate. So Ryan, get in touch, 373 00:21:11,400 --> 00:21:14,119 Speaker 1: hit me back again. We will coordinate on how to 374 00:21:14,200 --> 00:21:17,080 Speaker 1: get you this recording for your voicemail. If you have 375 00:21:17,160 --> 00:21:19,200 Speaker 1: anything special you want me to say, we can work 376 00:21:19,240 --> 00:21:21,639 Speaker 1: all that out. You want me to leave something a 377 00:21:21,680 --> 00:21:25,000 Speaker 1: little curated, perhaps a little bespoke, I can do that. 378 00:21:25,880 --> 00:21:27,120 Speaker 1: You want me to cope with something on the fly. 379 00:21:27,280 --> 00:21:29,760 Speaker 1: I can do that as well. All Right, hit me back. 380 00:21:29,800 --> 00:21:32,800 Speaker 1: We'll get this going next week. Okay, you guys can 381 00:21:32,840 --> 00:21:34,919 Speaker 1: win next week. Okay, you can win. You can win 382 00:21:35,040 --> 00:21:37,360 Speaker 1: next time around. You know the spin at the wheel here, okay, 383 00:21:37,480 --> 00:21:39,720 Speaker 1: And the question is going to be in the Robin 384 00:21:39,760 --> 00:21:43,800 Speaker 1: Williams episode of this coming episode of hollywood Land. Okay, 385 00:21:43,800 --> 00:21:46,240 Speaker 1: we're coming up with a Robin Williams episode of hollywood Land. 386 00:21:46,760 --> 00:21:50,200 Speaker 1: In the most recent Robin Williams episode of hollywood Land, 387 00:21:50,280 --> 00:21:52,000 Speaker 1: the one that is at the top of your hollywood 388 00:21:52,040 --> 00:21:54,920 Speaker 1: Land feed right now, the question is no, I like 389 00:21:55,000 --> 00:21:57,520 Speaker 1: this one. I like this one because it's it's kind 390 00:21:57,560 --> 00:22:01,040 Speaker 1: of unintentionally in the form of a joke. Okay, here's 391 00:22:01,040 --> 00:22:04,160 Speaker 1: the question in the Hollywoodland episode on Robin Williams. What 392 00:22:04,560 --> 00:22:08,000 Speaker 1: did Robin Williams get from the prostitute when he turned 393 00:22:08,000 --> 00:22:10,480 Speaker 1: twenty one? Head over to Hollywoodland, dive into that Robin 394 00:22:10,520 --> 00:22:13,240 Speaker 1: Williams episode, find the answer and hit me at six 395 00:22:13,320 --> 00:22:15,680 Speaker 1: one seven nine oh six six six three eight, Leave 396 00:22:15,680 --> 00:22:18,280 Speaker 1: me a voicemail, send me a text with your answer. 397 00:22:18,359 --> 00:22:20,440 Speaker 1: I guess We're still going to do this on social media. 398 00:22:20,880 --> 00:22:23,280 Speaker 1: Be the first to post on Instagram. We pose this question, 399 00:22:23,359 --> 00:22:26,400 Speaker 1: we'll see what happens, and again. The easter egg answer 400 00:22:27,080 --> 00:22:29,760 Speaker 1: is in the Robin Williams episode of Hollywood Land. The 401 00:22:29,840 --> 00:22:32,600 Speaker 1: question is what did Robin Williams get from the prostitute 402 00:22:32,600 --> 00:22:36,119 Speaker 1: when he turned twenty one? All right, now, for something 403 00:22:36,119 --> 00:22:39,359 Speaker 1: totally different, my quick sports rant here in under thirty seconds, 404 00:22:39,359 --> 00:22:41,000 Speaker 1: which is probably just gonna be a little longer than 405 00:22:41,000 --> 00:22:42,879 Speaker 1: thirty seconds. I showed my seven year old and my 406 00:22:42,920 --> 00:22:46,800 Speaker 1: eleven year old Major League with Charlie Sheen, basically because 407 00:22:47,359 --> 00:22:51,560 Speaker 1: they can't get enough baseball right now. And newsflash, this movie, 408 00:22:52,119 --> 00:22:54,960 Speaker 1: this movie isn't as wildly offensive as Bad News Bears, 409 00:22:55,000 --> 00:22:56,840 Speaker 1: which I love, by the way, but probably shouldn't have 410 00:22:56,840 --> 00:23:00,040 Speaker 1: shown to my kid when he was five. But a 411 00:23:00,320 --> 00:23:03,800 Speaker 1: League is a hard R. If you're wondering in eighties R. 412 00:23:04,480 --> 00:23:08,000 Speaker 1: Eighties ours are much harder than nineties or today's ours. 413 00:23:08,680 --> 00:23:11,520 Speaker 1: By the way, hard R would be a great name 414 00:23:11,560 --> 00:23:14,639 Speaker 1: for a band. Tough to pronounce, So right, hard R. 415 00:23:14,680 --> 00:23:16,680 Speaker 1: What's the name of your band? Hard R? What? Now? 416 00:23:16,680 --> 00:23:19,400 Speaker 1: It's not a good name? If you have to if 417 00:23:19,480 --> 00:23:22,200 Speaker 1: when you give the name of your band, the next 418 00:23:22,240 --> 00:23:24,640 Speaker 1: response is a question, it's not a good band name. 419 00:23:24,720 --> 00:23:26,840 Speaker 1: It's not a good name for anything actually that happens. 420 00:23:27,160 --> 00:23:29,919 Speaker 1: So anyways, we made it through with Jake Taylor and 421 00:23:29,960 --> 00:23:32,719 Speaker 1: the Wild Thing. My wife almost killed me before it 422 00:23:32,760 --> 00:23:35,440 Speaker 1: was over. But it's basically one sex scene, some naked 423 00:23:35,480 --> 00:23:37,280 Speaker 1: dude's asses in the in the locker room, and a 424 00:23:37,440 --> 00:23:40,000 Speaker 1: torrent of f bombs. You can navigate through it with 425 00:23:40,040 --> 00:23:43,239 Speaker 1: the remote, is what I'm saying. Okay, put your phone down. 426 00:23:43,280 --> 00:23:44,920 Speaker 1: You don't have to call Social Services on me. I'm 427 00:23:44,920 --> 00:23:47,080 Speaker 1: just saying, if you've got a baseball itch this spring 428 00:23:47,119 --> 00:23:49,359 Speaker 1: and there isn't a game on or your team sucks, 429 00:23:49,680 --> 00:23:52,000 Speaker 1: you can revisit Major League with your kids, even if 430 00:23:52,000 --> 00:23:54,600 Speaker 1: they're seven years old and your wife is you know, 431 00:23:54,760 --> 00:23:57,920 Speaker 1: semi cool and you don't mind scarring your kids for life. 432 00:23:57,920 --> 00:23:59,239 Speaker 1: All right, I'll be back in the flash to your 433 00:23:59,280 --> 00:24:16,920 Speaker 1: emails in the Hollywood Land Minute. All right, we are back, 434 00:24:16,960 --> 00:24:18,560 Speaker 1: and you know what time it is. It's time for 435 00:24:18,600 --> 00:24:21,000 Speaker 1: the hollywoodland Minute, brought to you by the Hollywood Lamb Podcast. 436 00:24:21,000 --> 00:24:22,879 Speaker 1: Don't know what the Hollywood Lamp podcast is? Well, the 437 00:24:22,920 --> 00:24:25,600 Speaker 1: Hollywood Lamb Podcast is hosted by Yours Truly, where every 438 00:24:25,600 --> 00:24:27,359 Speaker 1: week I tell you a story from the annex of 439 00:24:27,359 --> 00:24:29,720 Speaker 1: Hollywood and True crime, and right now there are over 440 00:24:29,800 --> 00:24:32,800 Speaker 1: forty episodes waiting for you to binge. Episodes on Charlie 441 00:24:32,880 --> 00:24:35,440 Speaker 1: she And, Robin Williams, David Lynch, John Waters, Danny Treo, 442 00:24:35,480 --> 00:24:39,200 Speaker 1: Meril Monroe, Steve McQueen, Drew Barrymore, Jane Fonda, and more recently, 443 00:24:39,480 --> 00:24:42,520 Speaker 1: the very talented and one of the dudes we miss 444 00:24:42,640 --> 00:24:47,560 Speaker 1: the most, Robin Williams. Here's a clip, Robin. I've been 445 00:24:47,560 --> 00:24:50,320 Speaker 1: trying to take it easy on the drugs after Belusi's death. 446 00:24:51,040 --> 00:24:53,000 Speaker 1: The sudden realization that he was going to have a 447 00:24:53,040 --> 00:24:55,840 Speaker 1: son made him finally get serious about sobriety, and he 448 00:24:55,920 --> 00:24:59,680 Speaker 1: quit boozing coke straight away. No twelve steps or therapy, 449 00:25:00,040 --> 00:25:04,520 Speaker 1: feel good programs, just cold turkey. A few weeks later, 450 00:25:04,800 --> 00:25:08,520 Speaker 1: his next movie, Outing the World According to Garb, hit theaters, 451 00:25:08,720 --> 00:25:11,560 Speaker 1: and the John Irving Book became an almost instant hit 452 00:25:11,640 --> 00:25:15,159 Speaker 1: at the box office. Things were finally looking up in 453 00:25:15,200 --> 00:25:19,080 Speaker 1: more ways than one. Later in life, in a letter 454 00:25:19,119 --> 00:25:21,960 Speaker 1: to his son Zach, Robin would write that his birth 455 00:25:22,000 --> 00:25:24,280 Speaker 1: gave him a new sense of meaning and focus into 456 00:25:24,280 --> 00:25:27,560 Speaker 1: his life. It also gave him plenty of new material. 457 00:25:28,320 --> 00:25:31,119 Speaker 1: My God, it's a boy and he's hung like a bear. Wait, no, 458 00:25:31,359 --> 00:25:35,280 Speaker 1: that's the umbilical cord. Of course, there were some habits 459 00:25:35,359 --> 00:25:39,000 Speaker 1: Robin still couldn't break. One was his addiction to the 460 00:25:39,040 --> 00:25:41,280 Speaker 1: rush of stand up comedy and the high that he 461 00:25:41,359 --> 00:25:44,600 Speaker 1: got from the crowd. He find any excuse to leave 462 00:25:44,640 --> 00:25:47,200 Speaker 1: Valerie behind with the baby Nappa and had to la 463 00:25:47,359 --> 00:25:49,679 Speaker 1: to indulge in another one of those infamous all night 464 00:25:49,760 --> 00:25:52,919 Speaker 1: comedy marathons. He even learned to enjoy them without the 465 00:25:52,960 --> 00:25:57,120 Speaker 1: help of mind altering substances, which brings us to the 466 00:25:57,119 --> 00:26:02,000 Speaker 1: other habit that Robin Williams couldn't break. Women, Robin had 467 00:26:02,040 --> 00:26:05,440 Speaker 1: always messed around in the past. Valerie would either give 468 00:26:05,520 --> 00:26:08,160 Speaker 1: him her blessing or at least forgive him. She knew 469 00:26:08,160 --> 00:26:10,720 Speaker 1: her husband was a star. She couldn't help the fact 470 00:26:10,720 --> 00:26:13,480 Speaker 1: that women threw themselves at him. Besides, he was out 471 00:26:13,520 --> 00:26:16,280 Speaker 1: on the road a lot all by himself. But after 472 00:26:16,400 --> 00:26:18,679 Speaker 1: Zach was born, it got harder for her to go 473 00:26:18,760 --> 00:26:21,399 Speaker 1: along with it. She resented the fact that she was 474 00:26:21,440 --> 00:26:23,320 Speaker 1: stuck at home with a baby while her husband was 475 00:26:23,359 --> 00:26:27,320 Speaker 1: off gallimanding with some hot young thing. And Robin wasn't dumb. 476 00:26:27,760 --> 00:26:29,840 Speaker 1: He knew it was getting to her. He tried to 477 00:26:29,920 --> 00:26:32,120 Speaker 1: keep it in his pants for a while, but then 478 00:26:32,160 --> 00:26:35,800 Speaker 1: another opportunity would present itself, and as Valerie once said, 479 00:26:35,880 --> 00:26:38,760 Speaker 1: you'd have to be a saint to resist, and Robin 480 00:26:39,000 --> 00:26:41,720 Speaker 1: was certainly no saint. God gave him a penis in 481 00:26:41,720 --> 00:26:43,479 Speaker 1: her brain and only enough blood to use one at 482 00:26:43,480 --> 00:26:46,800 Speaker 1: a time. Our guests, make sure you are subscribed to 483 00:26:46,800 --> 00:26:50,320 Speaker 1: Hollywood Land on Apple Podcasts, Spotify, or wherever you get 484 00:26:50,320 --> 00:26:53,160 Speaker 1: your podcasts. Next week we have an episode on Phil 485 00:26:53,200 --> 00:26:56,240 Speaker 1: Hartman coming your way, and you are not going to 486 00:26:56,320 --> 00:26:59,680 Speaker 1: want to miss that one. Okay, disgrace Sampod at Gmail. 487 00:27:00,359 --> 00:27:01,919 Speaker 1: You guys want to hit me up about anything in 488 00:27:01,960 --> 00:27:04,199 Speaker 1: the disgrace Land universe, that's that's a good way of 489 00:27:04,240 --> 00:27:06,840 Speaker 1: doing it. Some people don't like the voicemails. Some people 490 00:27:06,920 --> 00:27:09,280 Speaker 1: don't like the text machine. Some people like a good 491 00:27:09,280 --> 00:27:14,959 Speaker 1: old fashioned email. Disgracelampod at gmail dot com. Okay, Jacques 492 00:27:15,040 --> 00:27:19,280 Speaker 1: Kobel writes in The Cramps Slash rock and Roll is dead, sir, 493 00:27:20,080 --> 00:27:22,960 Speaker 1: while listening to your podcast, I have been digesting your 494 00:27:22,960 --> 00:27:26,040 Speaker 1: thoughts on music and art for the past week. I 495 00:27:26,080 --> 00:27:29,320 Speaker 1: have let it randomly play on Spotify throughout my workday. 496 00:27:29,800 --> 00:27:32,639 Speaker 1: I see validity at most every point you make save one, 497 00:27:33,160 --> 00:27:37,439 Speaker 1: rock is dead. My first thought was Blue October and 498 00:27:37,480 --> 00:27:41,879 Speaker 1: the song hate Me lyrics that make Hollandwolf, Bruce Springsteen, 499 00:27:42,240 --> 00:27:45,640 Speaker 1: and Robert Zimmermann blush at the shallowness of their own lyrics. 500 00:27:46,080 --> 00:27:48,840 Speaker 1: The music is canned, the vocals are auto tuned, but 501 00:27:48,920 --> 00:27:53,480 Speaker 1: the poetry is dangerous. Thank you. Well, I don't know 502 00:27:53,480 --> 00:27:57,080 Speaker 1: about Blue October, but now I'm interested. Colin Old, Bobby 503 00:27:57,160 --> 00:28:02,119 Speaker 1: de and Bruce Springsteen and Hollandwolf them some fighting words. 504 00:28:02,200 --> 00:28:03,520 Speaker 1: Are you sure you want me to get into this? 505 00:28:04,119 --> 00:28:07,199 Speaker 1: Appreciate you, Jack. You obviously thought about this question for 506 00:28:07,240 --> 00:28:09,919 Speaker 1: some time. Michael Murphy writes in Yo, Jake, I'm just 507 00:28:09,920 --> 00:28:13,399 Speaker 1: wondering what happens once you've exhausted the Hollywood Land and Sportsland, 508 00:28:13,440 --> 00:28:16,760 Speaker 1: sides of the Badlands archive and all access icons material. 509 00:28:17,280 --> 00:28:19,720 Speaker 1: What do you do for those rare celebrities you have 510 00:28:19,800 --> 00:28:23,199 Speaker 1: touched on all three areas sports, film, and music. I 511 00:28:23,200 --> 00:28:25,399 Speaker 1: know you did the Rock, but I'm thinking Hell Hogan, 512 00:28:25,480 --> 00:28:28,560 Speaker 1: Dennis Rodman, Shack Nald maybe others. Let me know what 513 00:28:28,600 --> 00:28:31,479 Speaker 1: you think. Rock a Roller Arnold Schwarzenegger, Well, come on, 514 00:28:31,520 --> 00:28:35,240 Speaker 1: I mean, he could be Hollywood Land and Shaq and 515 00:28:35,359 --> 00:28:40,760 Speaker 1: Dennis Rodman, Hulk Hogan, they're all athletes, so obviously Sportsland man. 516 00:28:41,640 --> 00:28:44,959 Speaker 1: Come on, I think what you're getting at here, Michael, 517 00:28:45,800 --> 00:28:48,400 Speaker 1: is we need to make some new episodes. Is that 518 00:28:48,440 --> 00:28:51,800 Speaker 1: what you're saying, Michael? Are you daring me to make 519 00:28:52,160 --> 00:28:57,600 Speaker 1: even more content? Michael more? Sportsland content? Is this? Are 520 00:28:57,640 --> 00:28:59,520 Speaker 1: you throwing down the gauntlet? Is that what's happening here, 521 00:28:59,560 --> 00:29:05,240 Speaker 1: Michael More? Perhaps even more Hollywood Land content, maybe these feeds. 522 00:29:05,400 --> 00:29:09,360 Speaker 1: Maybe what happens is once once the Badlands archive is exhausted, 523 00:29:09,400 --> 00:29:13,120 Speaker 1: as you say, once once these these all these archive 524 00:29:13,160 --> 00:29:15,960 Speaker 1: episodes have been once again re released in the Hollywood 525 00:29:16,000 --> 00:29:20,680 Speaker 1: Land feed. Maybe there's a Sportsland feed. Maybe there are 526 00:29:20,680 --> 00:29:24,440 Speaker 1: new episodes in our future to keep these franchises humming, 527 00:29:25,440 --> 00:29:29,240 Speaker 1: just as we're doing this Disgraceland. Maybe that's what's happening, Michael. 528 00:29:30,000 --> 00:29:33,320 Speaker 1: I don't know, just the thought we shall see Disgrace 529 00:29:33,400 --> 00:29:35,400 Speaker 1: lampod at gmail dot com. You want to email me. 530 00:29:35,680 --> 00:29:37,840 Speaker 1: I appreciate it, just like I appreciate those reviews. You 531 00:29:37,840 --> 00:29:39,720 Speaker 1: know about the reviews. They help with discovery, They help 532 00:29:39,760 --> 00:29:42,560 Speaker 1: the show grow, They help people find Disgraceland, which is 533 00:29:42,600 --> 00:29:45,480 Speaker 1: so important. We are independent we are out there, moving 534 00:29:45,560 --> 00:29:47,640 Speaker 1: and shaking on our own, and in order for this 535 00:29:47,720 --> 00:29:50,240 Speaker 1: show to grow, we need your help and that comes 536 00:29:50,280 --> 00:29:54,000 Speaker 1: in the form of reviews, and we appreciate it so so, so, 537 00:29:54,000 --> 00:29:56,680 Speaker 1: so much, so much that when you leave a review, 538 00:29:56,880 --> 00:29:59,680 Speaker 1: if I read it here on the after Party Bonus episode, 539 00:30:00,080 --> 00:30:01,360 Speaker 1: you hear it and you get in touch with me, 540 00:30:01,840 --> 00:30:04,160 Speaker 1: I will then send you a couple merch items or 541 00:30:04,200 --> 00:30:07,360 Speaker 1: a merch item I should say. This one comes from 542 00:30:07,840 --> 00:30:11,720 Speaker 1: missus kJ LH on Apple Podcasts says, Hey, Jake can 543 00:30:11,760 --> 00:30:15,200 Speaker 1: tell a story two exclamation points, five stars. I listened 544 00:30:15,240 --> 00:30:17,400 Speaker 1: to this podcast on a whim after hearing an ad. 545 00:30:17,440 --> 00:30:19,280 Speaker 1: I fell in love with it. Jake is such a 546 00:30:19,280 --> 00:30:21,520 Speaker 1: good storyteller. I found myself on the edge of my 547 00:30:21,520 --> 00:30:25,040 Speaker 1: sea even when I know the story. Definitely recommend well, 548 00:30:25,120 --> 00:30:27,960 Speaker 1: missus k j LH. We recommend you get in touch 549 00:30:28,000 --> 00:30:29,400 Speaker 1: with us because we're going to send you something cool. 550 00:30:29,440 --> 00:30:32,400 Speaker 1: What do we got? Over on the Spotify box, Alison 551 00:30:32,480 --> 00:30:36,240 Speaker 1: Marie writes in I cannot say enough good about this podcast. 552 00:30:36,280 --> 00:30:39,240 Speaker 1: I heard episodes from others and many of these topics, 553 00:30:39,480 --> 00:30:41,440 Speaker 1: but no one tells these stories better than this show 554 00:30:41,520 --> 00:30:44,480 Speaker 1: right here, mad respect and dedicated listener, have a fantastic 555 00:30:44,560 --> 00:30:46,880 Speaker 1: Easter weekend too, while Alison, thank you so much getting 556 00:30:46,880 --> 00:30:48,560 Speaker 1: touch Alison, you have a good Easter as well with 557 00:30:48,600 --> 00:30:52,040 Speaker 1: you and your family. This episode, Guys, is nearing its end, 558 00:30:52,080 --> 00:30:54,120 Speaker 1: but this after Party, it's going to continue for our 559 00:30:54,160 --> 00:30:56,720 Speaker 1: all access members because they're paying five bucks a month, 560 00:30:57,200 --> 00:30:59,000 Speaker 1: and four that five bucks, they're getting a little bit 561 00:30:59,040 --> 00:31:01,520 Speaker 1: more of the after party, little bonus, a little a 562 00:31:01,560 --> 00:31:03,800 Speaker 1: little more squeeze for a little more juice here at 563 00:31:03,800 --> 00:31:07,600 Speaker 1: the end of the episode. They're also getting exclusive an 564 00:31:07,640 --> 00:31:12,440 Speaker 1: exclusive episode every week every month, excuse me, one additional 565 00:31:12,760 --> 00:31:17,360 Speaker 1: extra episode on top of our weekly episodes per month. 566 00:31:18,160 --> 00:31:21,400 Speaker 1: That's what you get for five bucks plus ad free listening. 567 00:31:21,480 --> 00:31:24,160 Speaker 1: I mean, come on, five bucks. We've gone We've gone 568 00:31:24,200 --> 00:31:26,640 Speaker 1: through this before. Can't even get a couple of coffee 569 00:31:26,640 --> 00:31:29,960 Speaker 1: anymore for five bucks. Look what Double Elvis is giving you. 570 00:31:30,160 --> 00:31:32,959 Speaker 1: Just go to membership check it out, go to disgraceandpod 571 00:31:33,200 --> 00:31:36,920 Speaker 1: dot com slash membership, and I'm just telling you right 572 00:31:36,920 --> 00:31:39,000 Speaker 1: now is a good time to sign up because there's 573 00:31:39,040 --> 00:31:43,800 Speaker 1: something coming down the pike very soon, very soon that's 574 00:31:43,840 --> 00:31:46,720 Speaker 1: going to you're just gonna wish you signed up. Okay, 575 00:31:46,800 --> 00:32:03,840 Speaker 1: we'll say that Disgray slandpod dot com slash membership. All right, 576 00:32:03,880 --> 00:32:05,960 Speaker 1: we are back. Let's clam into the vault here and 577 00:32:06,160 --> 00:32:10,120 Speaker 1: talk about some archive episodes. Some artists that were mentioned 578 00:32:10,240 --> 00:32:13,280 Speaker 1: in this bonus episode that we have full episodes on 579 00:32:14,880 --> 00:32:16,640 Speaker 1: back in the archive that you guys can listen to, 580 00:32:17,080 --> 00:32:21,320 Speaker 1: Stone Temple, Pilots, Guns n' Roses, a lot, okay, Jane's addiction, 581 00:32:22,080 --> 00:32:25,440 Speaker 1: Black Sabbath. Still no Red Hot Chili Peppers episode, though 582 00:32:25,720 --> 00:32:29,280 Speaker 1: I should probably get on that new order. We mentioned Oasis, 583 00:32:29,320 --> 00:32:33,000 Speaker 1: There's a lot here, Metallica, Derek and the Dominoes, Clapton, 584 00:32:33,440 --> 00:32:36,600 Speaker 1: there's a lot. Matt is going to piece together some 585 00:32:36,680 --> 00:32:39,120 Speaker 1: links for you in the show notes so you can 586 00:32:39,160 --> 00:32:42,160 Speaker 1: easily access these archive episodes. Guys, don't sleep on the archive. 587 00:32:42,200 --> 00:32:47,160 Speaker 1: New listeners. Listen two hundred and thirty plus episodes on 588 00:32:47,280 --> 00:32:51,440 Speaker 1: all kinds of musicians and transgressions and true crimes that 589 00:32:51,480 --> 00:32:54,959 Speaker 1: they've committed or have happened to them in our archive. 590 00:32:55,120 --> 00:32:58,720 Speaker 1: E ton, just give it a cruise, Go to Spotify, Apple, 591 00:32:58,800 --> 00:33:01,040 Speaker 1: go to our website where and just kind of like 592 00:33:02,000 --> 00:33:05,080 Speaker 1: scroll through. You're gonna find stuff you didn't know what's there, 593 00:33:05,120 --> 00:33:07,000 Speaker 1: and you're gonna love it. But you know we mentioned 594 00:33:07,000 --> 00:33:08,480 Speaker 1: a bunch of here. Matt's going to have that info 595 00:33:08,560 --> 00:33:10,040 Speaker 1: for you in the show notes to get you into 596 00:33:10,080 --> 00:33:13,000 Speaker 1: the archived quickly. All right, let's recap shout we Number one, 597 00:33:13,040 --> 00:33:15,239 Speaker 1: My other podcast, hollywood Land, is alive and kicking over 598 00:33:15,280 --> 00:33:17,200 Speaker 1: in the hollywood Land feeds, So make sure you are 599 00:33:17,240 --> 00:33:20,760 Speaker 1: subscribed and following hollywood Land on Apple Podcasts, Spotify or 600 00:33:20,760 --> 00:33:22,560 Speaker 1: wherever you get your podcasts, and get ready for our 601 00:33:22,640 --> 00:33:26,280 Speaker 1: upcoming Hollywoodland episode on Phil Hartman, but only after you're 602 00:33:26,280 --> 00:33:28,560 Speaker 1: caught up on our recent episode on Robin Williams number 603 00:33:28,560 --> 00:33:31,280 Speaker 1: two right now in your Disgrace Sland feed, our episode 604 00:33:31,280 --> 00:33:34,760 Speaker 1: on Chris Cornell number three coming tomorrow, our rewind episode 605 00:33:34,800 --> 00:33:37,280 Speaker 1: on Iggy Pop, and next week win No NOA Riders, 606 00:33:37,280 --> 00:33:40,240 Speaker 1: So make sure you're subscribed to Disgrace Land, and before 607 00:33:40,280 --> 00:33:41,719 Speaker 1: merch winners get in touch, you know who you are. 608 00:33:41,800 --> 00:33:44,400 Speaker 1: Number five. Remember, no one cares about preserving the true 609 00:33:44,400 --> 00:33:46,040 Speaker 1: spirit rock and roll more than you do, and well 610 00:33:46,080 --> 00:33:48,040 Speaker 1: that is a disgrace all right. In honor of this 611 00:33:48,080 --> 00:33:51,160 Speaker 1: week's subject, Chris Cornell, this is me reading you the 612 00:33:51,160 --> 00:33:54,080 Speaker 1: billboard charts from the day Chris passed away on May 613 00:33:54,160 --> 00:34:00,160 Speaker 1: eighteenth two Thy seventeen number one, Shape of You had 614 00:34:00,280 --> 00:34:05,560 Speaker 1: Cheering last week one peak position one weeks on Chart 615 00:34:06,040 --> 00:34:11,040 Speaker 1: eight Number two. Bad and Bougie Migos featuring Little Uzzi 616 00:34:11,160 --> 00:34:16,319 Speaker 1: vert last week two, peak position one weeks on Chart 617 00:34:16,600 --> 00:34:21,360 Speaker 1: sixty number three. I don't want to live forever, saying. 618 00:34:21,760 --> 00:34:25,799 Speaker 7: Taylor Swift last week number three peak positions like two 619 00:34:25,920 --> 00:34:30,200 Speaker 7: five weeks on Chart twelve, number four position, That's what 620 00:34:30,280 --> 00:34:36,520 Speaker 7: I like. Last week number four peak position just four weeks. 621 00:34:36,239 --> 00:34:40,640 Speaker 1: On Charts seven. Number five is something just like this. 622 00:34:41,120 --> 00:34:48,240 Speaker 7: Shane Swimmers cold last week fifty six peak positions 623 00:34:48,239 --> 00:34:55,200 Speaker 1: On Quit Talking and Start mixing cu