1 00:00:00,160 --> 00:00:01,400 Speaker 1: You know, I had a homeie in and I think 2 00:00:01,400 --> 00:00:03,840 Speaker 1: he had a little palito. I'm pretty yeah he did, 3 00:00:03,880 --> 00:00:06,240 Speaker 1: because the home girls that hooked up was him, Like yeah, 4 00:00:06,240 --> 00:00:08,000 Speaker 1: he's got little palito, but he's cool or you know, 5 00:00:08,720 --> 00:00:11,159 Speaker 1: he was always like advocating for like leaners pumps and 6 00:00:11,240 --> 00:00:13,240 Speaker 1: the pastias that get you all like the blood pumping 7 00:00:13,320 --> 00:00:15,159 Speaker 1: right there, Like I think he was just doing it. 8 00:00:15,400 --> 00:00:17,800 Speaker 1: I was like, I don't, I don't know, why would 9 00:00:17,800 --> 00:00:19,000 Speaker 1: I need that home man. I didn't put two and 10 00:00:19,040 --> 00:00:22,320 Speaker 1: two together on me, you know. And then I realized, Oh, 11 00:00:22,360 --> 00:00:24,759 Speaker 1: it's because he has a little little palito homies, so 12 00:00:24,800 --> 00:00:27,040 Speaker 1: he needed to be like those things to it to 13 00:00:27,120 --> 00:00:29,880 Speaker 1: be like, hey, there's something right there. But he's doing 14 00:00:29,880 --> 00:00:31,960 Speaker 1: good on me. I think you just got engaged. So yeah, 15 00:00:32,200 --> 00:00:35,559 Speaker 1: he must have the the motions and the oceans are 16 00:00:35,640 --> 00:00:38,800 Speaker 1: how they say, yeah, yeah, but I have a homie. 17 00:00:38,800 --> 00:00:41,240 Speaker 1: Traever what he thought, and he's like, I think he's 18 00:00:41,240 --> 00:00:47,320 Speaker 1: packing on me because um he's like, uh, Zelander's leander Thal, 19 00:00:47,560 --> 00:00:50,320 Speaker 1: like a Neanderthal because his hands are all big on me. 20 00:00:50,320 --> 00:00:52,120 Speaker 1: You wouldn't even notice till you see him like grab 21 00:00:52,159 --> 00:00:53,720 Speaker 1: something in front of you, like if you were trying back. 22 00:00:53,720 --> 00:00:55,840 Speaker 1: You're like, damn, wo man, you got big as hands 23 00:00:55,840 --> 00:00:57,840 Speaker 1: and so you know in his pot his his feet 24 00:00:57,880 --> 00:01:00,080 Speaker 1: are kind of like the same, so you know, or 25 00:01:00,120 --> 00:01:02,080 Speaker 1: you're probably packing on me because Neander thoughts I'm not 26 00:01:02,080 --> 00:01:04,800 Speaker 1: a historian or whatever. But you know they're like, you know, 27 00:01:04,959 --> 00:01:06,959 Speaker 1: you got a big opottle, I'm concreting things on the 28 00:01:07,000 --> 00:01:12,959 Speaker 1: boats or whatever. Uh oh damn, we're recording alright, homies. Hey, 29 00:01:13,000 --> 00:01:15,080 Speaker 1: we all know there's a lot of podcasts like interviews 30 00:01:15,080 --> 00:01:17,160 Speaker 1: out there that also a film on camera and not 31 00:01:17,280 --> 00:01:19,720 Speaker 1: just audio. But this one's gonna be like, damn hol me, 32 00:01:19,760 --> 00:01:22,319 Speaker 1: that's what's up. This is Creeper's corner. What creeper Ay? 33 00:01:23,280 --> 00:01:25,800 Speaker 1: We got that laughter for your soul And now to 34 00:01:26,000 --> 00:01:29,240 Speaker 1: get into the frankiking you on this show? All right, 35 00:01:29,360 --> 00:01:32,000 Speaker 1: a Today's guests on me. Um, he's just known for 36 00:01:32,080 --> 00:01:34,920 Speaker 1: the party time or the party time. Um yeah, I 37 00:01:35,040 --> 00:01:36,759 Speaker 1: just got a lot of energy on me. Please get 38 00:01:36,760 --> 00:01:44,560 Speaker 1: a big for pachanga hoie. What's up? Yeah, I only 39 00:01:44,560 --> 00:01:47,320 Speaker 1: saw it's a trip like the energy bringing everything you know, 40 00:01:47,360 --> 00:01:49,120 Speaker 1: and you're you do all those movies that's everything and 41 00:01:49,200 --> 00:01:51,640 Speaker 1: let you say, brings energy into the room. He like 42 00:01:51,680 --> 00:01:53,880 Speaker 1: s part oh oh on your dance moves. They oh, 43 00:01:53,920 --> 00:02:04,040 Speaker 1: you're gonna get down right now? Oh yeah, only oh 44 00:02:04,200 --> 00:02:15,840 Speaker 1: da herefore you donna scratch the table? Wow? Yeah, thanks 45 00:02:15,840 --> 00:02:17,519 Speaker 1: for that. Only I wasn't it, you know, I was 46 00:02:17,639 --> 00:02:20,040 Speaker 1: expecting me to do like, you know, because I don't 47 00:02:20,080 --> 00:02:21,600 Speaker 1: like to treat any of my guests like, hey, you know, 48 00:02:21,680 --> 00:02:23,720 Speaker 1: do your little dance or treat you like a freak 49 00:02:23,720 --> 00:02:25,280 Speaker 1: show on me, you know what I mean. I don't 50 00:02:25,280 --> 00:02:26,880 Speaker 1: like when people do me like that in public, you know, 51 00:02:26,880 --> 00:02:28,600 Speaker 1: I mean like creeple do that little hop or whatever 52 00:02:28,639 --> 00:02:29,840 Speaker 1: you do. I mean, I still do it, but that's 53 00:02:29,840 --> 00:02:32,120 Speaker 1: either here nor there on me. The point is that, 54 00:02:32,200 --> 00:02:33,920 Speaker 1: you know, we gotta keep a moving and stay focused 55 00:02:33,919 --> 00:02:37,280 Speaker 1: on me. Yeah, so let me ask you this on me, 56 00:02:38,080 --> 00:02:39,800 Speaker 1: how do you like, how do you make a living there? 57 00:02:39,880 --> 00:02:41,840 Speaker 1: Or like what do you do? You have another job? 58 00:02:41,960 --> 00:02:46,120 Speaker 1: Or yeah, so I do that body dying you know, 59 00:02:46,160 --> 00:02:47,880 Speaker 1: I go to people that hired me for like wait 60 00:02:49,200 --> 00:02:57,680 Speaker 1: and body dying. You know that body evs uh fresh conventions. Yeah, 61 00:02:58,280 --> 00:03:00,639 Speaker 1: let mean I supposed up. I supposed up that's being 62 00:03:00,680 --> 00:03:02,480 Speaker 1: married there. I could see that on me. I Yeah, 63 00:03:02,480 --> 00:03:04,000 Speaker 1: I'm not at to get of your card on me. 64 00:03:04,160 --> 00:03:06,200 Speaker 1: To hire you for my next o. You know my 65 00:03:06,280 --> 00:03:09,600 Speaker 1: next you know party or her? You make that head 66 00:03:09,639 --> 00:03:12,160 Speaker 1: TI who has the number? You called me keep bad 67 00:03:12,200 --> 00:03:16,600 Speaker 1: for the body time for keep bad. Yeah, m m 68 00:03:16,760 --> 00:03:25,440 Speaker 1: m m m m. Good evening, folks. This is what 69 00:03:25,520 --> 00:03:29,680 Speaker 1: Kuelo News. We have breaking emergency news. Now there's been 70 00:03:29,680 --> 00:03:32,920 Speaker 1: an explosion in Santa Paula, California. We have our own 71 00:03:32,960 --> 00:03:37,040 Speaker 1: Max Peterson on the scene in the chopper mat. This 72 00:03:37,280 --> 00:03:40,920 Speaker 1: is Max Peterson here, reported from the kull O new shopper. 73 00:03:41,280 --> 00:03:44,320 Speaker 1: At about eleven thirty pm, an explosion was hurt at 74 00:03:44,320 --> 00:03:48,560 Speaker 1: the Holy Angel Cemetery in Santa Poula, California. Now, fire 75 00:03:48,560 --> 00:03:52,040 Speaker 1: crews are on the scene immediately, but then he vacuated 76 00:03:52,120 --> 00:03:57,520 Speaker 1: shortly thereafter. After some fireman allegedly witnessed where sin corpses 77 00:03:57,920 --> 00:04:01,520 Speaker 1: crawling out of their graves. You heard me correctly, I 78 00:04:01,640 --> 00:04:05,200 Speaker 1: said corpses. It's a goddamn horror movie. Out of here. 79 00:04:05,880 --> 00:04:09,760 Speaker 1: Excuse my language. Now, Authority's right. It seemed to possibly 80 00:04:09,840 --> 00:04:13,760 Speaker 1: roll out unruly high schoolers playing a practical joke, but 81 00:04:13,800 --> 00:04:17,240 Speaker 1: the mayor has spoken and confirmed that high schoolers are 82 00:04:17,279 --> 00:04:19,600 Speaker 1: too dumb and too lazy to come up with a 83 00:04:19,680 --> 00:04:23,279 Speaker 1: break of this magnitude. We have her own. Arnie Arga 84 00:04:23,360 --> 00:04:27,480 Speaker 1: well on the scene. Arnie. Thanks Max. We're here with 85 00:04:27,520 --> 00:04:30,479 Speaker 1: one of the firemen and Riquet Chaval and Rique, can 86 00:04:30,520 --> 00:04:32,840 Speaker 1: you tell us about what you saw? Yeah, it was 87 00:04:32,920 --> 00:04:36,440 Speaker 1: booty water on the fire like that. Um and then 88 00:04:36,520 --> 00:04:41,360 Speaker 1: goes and he said, uh, fucking fucking come on man, 89 00:04:42,240 --> 00:04:45,240 Speaker 1: and he was like all you know, and he came 90 00:04:45,240 --> 00:04:47,599 Speaker 1: out of the grave and he was ja C means 91 00:04:48,440 --> 00:04:51,080 Speaker 1: And I said, no way, you know, I don't want 92 00:04:51,080 --> 00:04:53,440 Speaker 1: to deal with this right now, so I said I'm 93 00:04:53,480 --> 00:04:57,240 Speaker 1: going home. That is devastating. The entire Key will Ow 94 00:04:57,360 --> 00:05:01,320 Speaker 1: Youth team sympathizes with you, Enrique. And then I has 95 00:05:01,440 --> 00:05:08,799 Speaker 1: sheep my pines and it was embarrassing has sheetings sheeting. 96 00:05:09,680 --> 00:05:12,520 Speaker 1: I was doing the sheeting there and the pines, and 97 00:05:12,720 --> 00:05:15,000 Speaker 1: no one wanted to drive me by, so I had 98 00:05:15,040 --> 00:05:18,400 Speaker 1: to walk back with shitty pin. We've all been there, buddy, 99 00:05:18,800 --> 00:05:21,800 Speaker 1: We've all been there. Max. Are you seeing anything from 100 00:05:21,800 --> 00:05:26,440 Speaker 1: the chopper? Jesus Christ, it's a war song from up here. 101 00:05:26,880 --> 00:05:31,599 Speaker 1: There are skeletons everywhere, I mean everywhere. Aren't reminds me 102 00:05:31,640 --> 00:05:36,000 Speaker 1: of being back in war. But we were only following orders. 103 00:05:36,040 --> 00:05:41,600 Speaker 1: Goddamn it. I don't know if I'm seeing things or not, 104 00:05:41,680 --> 00:05:43,960 Speaker 1: but it appears at a group of these skeletons have 105 00:05:44,080 --> 00:05:47,560 Speaker 1: spotted us and they're all mime in the universal turkoff 106 00:05:47,640 --> 00:05:52,200 Speaker 1: motion in our direction. This is horrible. I mean, we 107 00:05:52,240 --> 00:05:56,359 Speaker 1: can't tell these skeletons are male or female. Aren't any 108 00:05:56,400 --> 00:05:59,479 Speaker 1: developments now there yet? Actually we do, Max. We have 109 00:05:59,520 --> 00:06:01,960 Speaker 1: been informed that the meriteth you the state of emergency, 110 00:06:02,160 --> 00:06:04,840 Speaker 1: and that's called in the big guns. Not other than 111 00:06:04,920 --> 00:06:07,440 Speaker 1: our lady um in lot Growth ten Am Youth Choir. 112 00:06:07,839 --> 00:06:10,360 Speaker 1: They are set up and ready to go playing live 113 00:06:10,400 --> 00:06:30,720 Speaker 1: at the cemetery. Now here you go and looks like 114 00:06:30,839 --> 00:06:34,320 Speaker 1: he's going the trick. Oh wow, this is something else here. 115 00:06:34,680 --> 00:06:37,960 Speaker 1: All the noosial demons and what have you are returning 116 00:06:38,040 --> 00:06:41,640 Speaker 1: to their graves, some of them even moming the universal 117 00:06:41,760 --> 00:06:45,040 Speaker 1: shot to the head before they crawled back in their caskets. 118 00:06:45,800 --> 00:06:48,719 Speaker 1: This would be suggestion that even though they're already dead, 119 00:06:49,120 --> 00:06:52,240 Speaker 1: they'd rather die in instead of hearing these kids sing. 120 00:06:52,680 --> 00:06:59,719 Speaker 1: This is incredible. Oh world, what you look at that? 121 00:07:02,000 --> 00:07:05,279 Speaker 1: And there you have it, folks, Our Lady of Milagros 122 00:07:05,320 --> 00:07:09,279 Speaker 1: Tenny Youth Choire safe today once again with They're horrid, 123 00:07:09,680 --> 00:07:13,840 Speaker 1: horrid singing. Wow, that is amazing. All is well now 124 00:07:14,120 --> 00:07:18,240 Speaker 1: in Santa Paula, California. This is Max Peterson, reported from 125 00:07:18,280 --> 00:07:22,720 Speaker 1: the Kuelo News shopper. Back to you in the studio, Rosalinda, 126 00:07:24,440 --> 00:07:27,440 Speaker 1: Thank you Max, what a crazy scene out there in 127 00:07:27,480 --> 00:07:31,240 Speaker 1: Santa Paula. Well glad, all is well, and thanks once 128 00:07:31,240 --> 00:07:33,960 Speaker 1: again to our lady of Mila gros Tenny m youth 129 00:07:34,040 --> 00:07:39,160 Speaker 1: choir for they're terrible, terrible singing. Okay, folks, thanks for 130 00:07:39,200 --> 00:07:42,560 Speaker 1: tuning into our breaking news coverage. I'm Rosalina Good terrorists 131 00:07:42,800 --> 00:07:46,160 Speaker 1: reporting for Kuelo News with you tomorrow morning at six 132 00:07:46,200 --> 00:07:50,840 Speaker 1: am with Jane Gibson and Tom poutnugg In. Goodnight, m 133 00:07:50,880 --> 00:07:58,320 Speaker 1: m mmmmmm. We got that laughter for your soul and 134 00:07:58,400 --> 00:08:02,360 Speaker 1: now tuned into the breaking on this show. I only 135 00:08:02,400 --> 00:08:04,680 Speaker 1: subserve a time when when like you feel sad on 136 00:08:04,760 --> 00:08:08,600 Speaker 1: me any time that you're not the party time, you know, yeah, 137 00:08:09,440 --> 00:08:12,200 Speaker 1: the sad time, okay, but then you just turned that 138 00:08:12,400 --> 00:08:15,000 Speaker 1: sad time to that body time. So how do you 139 00:08:15,040 --> 00:08:18,160 Speaker 1: do with that on me? I see a song? Oh 140 00:08:19,080 --> 00:08:22,440 Speaker 1: what you sing a song? Yeah? And I see a song. 141 00:08:23,360 --> 00:08:27,080 Speaker 1: I turned that sad time to that body time. It's 142 00:08:27,120 --> 00:08:31,680 Speaker 1: the body time. Every time. I turned the sad time 143 00:08:31,880 --> 00:08:35,760 Speaker 1: into the body time. It is the body time every 144 00:08:35,800 --> 00:08:39,040 Speaker 1: time see here with me, see you with me? Okay, hey, 145 00:08:39,080 --> 00:08:41,439 Speaker 1: I'll see here with you on me. I turned that's 146 00:08:41,480 --> 00:08:44,040 Speaker 1: until the sad time, that body time. Turn it into 147 00:08:44,080 --> 00:08:47,520 Speaker 1: party times. It's the body times, the party time. Every 148 00:08:47,640 --> 00:08:51,040 Speaker 1: time that sad time, do that body time, it's that 149 00:08:51,200 --> 00:09:00,200 Speaker 1: body time every time you fuck. So I mean all right, 150 00:09:00,280 --> 00:09:02,240 Speaker 1: he holmi. So you're telling me like you make your 151 00:09:02,280 --> 00:09:05,559 Speaker 1: fadia from people hiring you on me for like Inanea's 152 00:09:05,600 --> 00:09:08,280 Speaker 1: weddings or whatever on me, whatever event that they want 153 00:09:08,320 --> 00:09:11,880 Speaker 1: a body time or whatever. H so, uh riddle me there, 154 00:09:11,960 --> 00:09:18,200 Speaker 1: say what is almost interesting like event or bell or 155 00:09:18,200 --> 00:09:22,680 Speaker 1: whatever on me that you were hired to do? Oh 156 00:09:22,880 --> 00:09:28,400 Speaker 1: oh oh these am it's the renee. That's the renee. 157 00:09:28,400 --> 00:09:30,640 Speaker 1: Is that weaker? Oh yeah, yeah, I know renee's out 158 00:09:30,640 --> 00:09:33,080 Speaker 1: with her on me. That's the hand up from uh, 159 00:09:33,200 --> 00:09:35,440 Speaker 1: show me the money or she hired me or what's 160 00:09:35,440 --> 00:09:38,360 Speaker 1: the body time? What's the name of that coming me? Yeah, 161 00:09:39,040 --> 00:09:43,000 Speaker 1: Jerry McGuire from Jerry McGuire's eye, that was that was 162 00:09:43,280 --> 00:09:49,160 Speaker 1: so she hired you me? Yeah, here and she hired 163 00:09:49,160 --> 00:09:52,320 Speaker 1: me for the body time and Gobbles Lucas. Yeah, and 164 00:09:52,360 --> 00:09:56,599 Speaker 1: then she said, hey, you stay and stay longer. So 165 00:09:56,760 --> 00:09:59,559 Speaker 1: she asked you to stay on me. Okay, I said, fuck, 166 00:10:00,600 --> 00:10:05,560 Speaker 1: OPSI dacy you know wow. So yeah, I stayed with 167 00:10:05,559 --> 00:10:07,480 Speaker 1: her for the body dying and so what did you 168 00:10:07,520 --> 00:10:14,640 Speaker 1: do like sexual things or what? You know? Yeah? Wow, 169 00:10:15,480 --> 00:10:18,080 Speaker 1: ye're calling her, but she know she don't call me 170 00:10:18,120 --> 00:10:20,120 Speaker 1: by Oh damn. She never cut you back on me, 171 00:10:20,520 --> 00:10:23,480 Speaker 1: so I do that makes She's on the instagram all 172 00:10:23,480 --> 00:10:28,880 Speaker 1: the dm DM s. So but I'm here right there 173 00:10:28,880 --> 00:10:32,040 Speaker 1: and that in the d M. But she don't. She don't. 174 00:10:32,120 --> 00:10:36,440 Speaker 1: She don't answer. Oh yeah, I mean yeah because on 175 00:10:36,480 --> 00:10:38,800 Speaker 1: the on the instagrams, on the inbox, Yeah, I'll say, 176 00:10:39,160 --> 00:10:42,360 Speaker 1: um unread on me, unseen, so you know, but she 177 00:10:42,400 --> 00:10:44,640 Speaker 1: could still see like the first stance of what you 178 00:10:44,679 --> 00:10:47,080 Speaker 1: were saying. So maybe she saw that. Oh yeah, maybe 179 00:10:47,120 --> 00:10:53,000 Speaker 1: she's seeing this one. Yeah. Ouch, that's good. You're staying 180 00:10:53,000 --> 00:10:59,000 Speaker 1: positive with me, because that's what's up. That's what what? Yeah, 181 00:10:59,000 --> 00:11:02,200 Speaker 1: what's yours? That you move remo. I'm not not scary 182 00:11:02,240 --> 00:11:04,240 Speaker 1: for him, which I know is pretty lame, but it 183 00:11:04,320 --> 00:11:06,880 Speaker 1: got a free pass because my Primo Rubin was working 184 00:11:06,880 --> 00:11:11,000 Speaker 1: here but then he got fired. So anyways, he asked 185 00:11:11,000 --> 00:11:12,520 Speaker 1: me if I can give him a ride to come 186 00:11:12,520 --> 00:11:15,360 Speaker 1: pick up his last paycheck. And there's like a lot 187 00:11:15,360 --> 00:11:18,000 Speaker 1: of people here and everything, and some of this like 188 00:11:18,160 --> 00:11:20,960 Speaker 1: would be scary to someone else, but it's not scary 189 00:11:21,000 --> 00:11:23,559 Speaker 1: to me because you know, I have like dark forces 190 00:11:23,600 --> 00:11:27,040 Speaker 1: that imprisoned my soul, so it's really hard to scare me. 191 00:11:28,160 --> 00:11:31,520 Speaker 1: I'm like, look, look look at this guy right here. 192 00:11:31,559 --> 00:11:33,320 Speaker 1: He's coming out of me right now. The chain saw 193 00:11:33,440 --> 00:11:45,360 Speaker 1: oh noe, Niku's trying so hard. He's not even leather 194 00:11:45,440 --> 00:11:48,880 Speaker 1: face like the real chainsaw massacre franchise. You're just a 195 00:11:48,920 --> 00:11:53,040 Speaker 1: regular guy and to messed up business suit so lame. Also, 196 00:11:53,080 --> 00:11:56,440 Speaker 1: look at a bunch of clowns with knives. It's like bory, 197 00:11:56,720 --> 00:12:00,760 Speaker 1: you know, same oking so dumb. You know, it's like 198 00:12:01,640 --> 00:12:03,400 Speaker 1: how can how many times can you do the same 199 00:12:03,440 --> 00:12:06,679 Speaker 1: thing expect people to get scared a little? Pennywise, it's 200 00:12:06,720 --> 00:12:10,040 Speaker 1: pretty cool. But other than that, everybody's trying so hard 201 00:12:10,120 --> 00:12:13,679 Speaker 1: and it's so lame. Oh look here, because my premo Ruby, 202 00:12:13,840 --> 00:12:18,240 Speaker 1: what's up? It's a ruby, so you know what? They 203 00:12:18,240 --> 00:12:20,880 Speaker 1: made him dress like a whirlwood to scare people, and 204 00:12:20,920 --> 00:12:23,640 Speaker 1: he said the costume was giving him a rash. Rashes 205 00:12:23,679 --> 00:12:26,200 Speaker 1: are so lame, so he has to be switched a 206 00:12:26,280 --> 00:12:29,840 Speaker 1: grim Reaper. But his boss is like, oh no, like, 207 00:12:29,880 --> 00:12:31,920 Speaker 1: you're not tall enough to be a grim Reaper in 208 00:12:31,960 --> 00:12:34,319 Speaker 1: your arms are too big for the costume. It's gonna 209 00:12:34,400 --> 00:12:37,400 Speaker 1: tear out of the costume because my Premo Ruben is 210 00:12:37,400 --> 00:12:40,440 Speaker 1: like all buff and everything. So that was pretty lame 211 00:12:40,480 --> 00:12:43,800 Speaker 1: that his boss said that. And also his boss was like, Hey, 212 00:12:43,880 --> 00:12:47,080 Speaker 1: I don't want your chasing people anymore because you know, 213 00:12:47,720 --> 00:12:50,360 Speaker 1: my Preemo looks kind of aggressive. And I guess customers 214 00:12:50,360 --> 00:12:53,000 Speaker 1: got too scared, which is so lame because that's why 215 00:12:53,000 --> 00:12:56,560 Speaker 1: you come here to get scared. Right, people are so lame. 216 00:12:57,520 --> 00:13:00,240 Speaker 1: Let's go Premo. They're gonna hear from my lawyers. Can 217 00:13:00,880 --> 00:13:03,320 Speaker 1: this guy isn't giving me my last check? And if 218 00:13:03,360 --> 00:13:05,960 Speaker 1: I don't leave now, I'm gonna pipe that fool. Oh 219 00:13:05,960 --> 00:13:09,760 Speaker 1: my gosh, she's just so lame. Ptymore. First, there was 220 00:13:09,800 --> 00:13:11,960 Speaker 1: a costume. I told him that if they didn't wash 221 00:13:12,000 --> 00:13:16,000 Speaker 1: it in hypoallergenic detergent free of dies, that I get itchy. 222 00:13:16,280 --> 00:13:19,640 Speaker 1: They didn't listen. They said stop chasing fools. But I 223 00:13:19,720 --> 00:13:22,320 Speaker 1: was so itchy that I was irritated, so I had 224 00:13:22,360 --> 00:13:26,240 Speaker 1: a chase fools. Your boss is so loom Let's look 225 00:13:26,240 --> 00:13:28,199 Speaker 1: at the grim reaper over there. He's drinking a big 226 00:13:28,240 --> 00:13:31,000 Speaker 1: gass coote. What the fun. It's a violation of quote 227 00:13:31,000 --> 00:13:33,880 Speaker 1: of conduct and that's the boss next to him. I'm 228 00:13:33,880 --> 00:13:39,240 Speaker 1: gonna get my check, or let's go get it, give 229 00:13:39,280 --> 00:13:42,200 Speaker 1: me my last check. I thought I told you to leave. 230 00:13:44,200 --> 00:13:53,920 Speaker 1: Shut up, stupid, I said, shut up, fine, I'll send 231 00:13:53,920 --> 00:13:59,199 Speaker 1: your last check. I think I need to decompress. That's 232 00:13:59,240 --> 00:14:05,520 Speaker 1: a all right? Were you doing beating his ass for now? Okay, 233 00:14:05,559 --> 00:14:08,880 Speaker 1: well maybe we should go right mon zumers revenge. I mean, 234 00:14:09,200 --> 00:14:11,840 Speaker 1: it's pretty lame, but it's not his lame as working 235 00:14:11,880 --> 00:14:15,080 Speaker 1: for names boss. He's a lame, but at least he 236 00:14:15,120 --> 00:14:17,679 Speaker 1: took the putassels and I got a respect of for that. 237 00:14:19,200 --> 00:14:25,520 Speaker 1: Oh look he's coming back, emo. Hold on, hold on, guys, 238 00:14:26,920 --> 00:14:30,800 Speaker 1: I was just thinking, Ruben, in between the moments when 239 00:14:30,800 --> 00:14:35,080 Speaker 1: you were totally beating my ass, I was thinking, we 240 00:14:35,120 --> 00:14:38,440 Speaker 1: need security around here, and you're the man for the job. 241 00:14:39,240 --> 00:14:43,120 Speaker 1: How would you like to come back for double the pay? Yeah? 242 00:14:43,440 --> 00:14:45,560 Speaker 1: But if you act stupid. I'm gonna have to snap 243 00:14:45,600 --> 00:14:49,360 Speaker 1: your ass again. Okay, that's fair, that's an emo. You know, 244 00:14:49,480 --> 00:14:51,360 Speaker 1: if you want to come work here, you can't too, 245 00:14:51,480 --> 00:14:54,920 Speaker 1: because depression can be very scary. So you don't even 246 00:14:54,960 --> 00:14:58,840 Speaker 1: need to dress up. You can just beat yourself room alright, 247 00:14:58,840 --> 00:15:02,200 Speaker 1: beating myself is pretty, but whatever, I'll take the job 248 00:15:02,240 --> 00:15:09,680 Speaker 1: accuse of money. M m mmmmmmmmmmmmm. We got that laughter 249 00:15:09,800 --> 00:15:12,480 Speaker 1: for your soul. And now too, the into the Frankie 250 00:15:12,560 --> 00:15:21,600 Speaker 1: gay on this show, jack o lantern more like lame 251 00:15:21,640 --> 00:15:27,400 Speaker 1: on lantern, so dumb, so lame. I can't believe. I 252 00:15:27,720 --> 00:15:33,920 Speaker 1: gotta job, hyertainy. All these logs, all I do and 253 00:15:34,160 --> 00:15:42,800 Speaker 1: all I see? Where's the ship out of me? This 254 00:15:43,120 --> 00:15:49,440 Speaker 1: all Louis. I just want to go up. See this 255 00:15:49,640 --> 00:15:55,960 Speaker 1: all louis stuck in the n by tween. The word 256 00:15:56,040 --> 00:16:00,640 Speaker 1: thing I wish them was is to be ill. Life 257 00:16:00,680 --> 00:16:07,440 Speaker 1: goes this all, Louise, I just want to go unseen. 258 00:16:10,840 --> 00:16:13,600 Speaker 1: You know what, people get scared like once a year, 259 00:16:13,760 --> 00:16:17,600 Speaker 1: like oh I'm scared for this time, but I'm afraid 260 00:16:17,720 --> 00:16:23,160 Speaker 1: all the time, every time of year. You know what, 261 00:16:24,080 --> 00:16:28,440 Speaker 1: you go to Knoxbury Farm to face your fears. I 262 00:16:28,560 --> 00:16:34,080 Speaker 1: guess what the bedroom mirror. It's wherever I face my 263 00:16:37,880 --> 00:16:44,480 Speaker 1: this alvuien, I just want to go hun seen this 264 00:16:44,760 --> 00:16:51,120 Speaker 1: all the weien stuck in the year between. The one 265 00:16:51,200 --> 00:16:55,280 Speaker 1: thing I wish the most is to be a real 266 00:16:55,520 --> 00:17:06,879 Speaker 1: life goes this alluien, I just want to see he 267 00:17:07,040 --> 00:17:19,760 Speaker 1: stopped still look at me. Halloween so dumb. So so 268 00:17:20,160 --> 00:17:23,080 Speaker 1: do you have a Do you have a Do you 269 00:17:23,080 --> 00:17:26,080 Speaker 1: have a lady? Right now? No? I might single. Yeah, 270 00:17:26,400 --> 00:17:31,440 Speaker 1: so because I dedicate my MYTA told the body time 271 00:17:31,800 --> 00:17:38,960 Speaker 1: every time, but sometimes, yeah, I wish that I had one. Okay, No, 272 00:17:39,119 --> 00:17:40,600 Speaker 1: I get it on me, yeah, because all your energy 273 00:17:40,640 --> 00:17:44,359 Speaker 1: goes to the party time you time for anyone. So 274 00:17:45,240 --> 00:17:49,639 Speaker 1: let me I see this on me? Um, what's ahead 275 00:17:49,680 --> 00:17:51,359 Speaker 1: for you in the future on me? Or what is 276 00:17:51,440 --> 00:17:56,200 Speaker 1: like the what is your like you're like dream scenarios 277 00:17:56,280 --> 00:17:58,840 Speaker 1: or whatever? On me? Like like if I could do 278 00:17:59,000 --> 00:18:00,960 Speaker 1: this in my life, what would I do? On me? 279 00:18:01,200 --> 00:18:07,480 Speaker 1: Oh yeah, I'm glad for that question. Creep uh stay, 280 00:18:07,560 --> 00:18:11,560 Speaker 1: I would have a body time every time? How I 281 00:18:11,640 --> 00:18:17,920 Speaker 1: do for the whole world? So they they everybody just 282 00:18:18,040 --> 00:18:21,240 Speaker 1: traveled to that party, from party to party, from country 283 00:18:21,280 --> 00:18:24,800 Speaker 1: to country, party to party, and everybody happy. You know, 284 00:18:25,320 --> 00:18:28,960 Speaker 1: cas it. Stay. There's enough food in the world to 285 00:18:29,080 --> 00:18:34,680 Speaker 1: feed everybody. The party time every day? Are you getting 286 00:18:34,680 --> 00:18:37,520 Speaker 1: me all punked up on me? That's right, Hey, that's 287 00:18:37,520 --> 00:18:39,359 Speaker 1: a good attitude to have on me. We need more 288 00:18:39,359 --> 00:18:41,640 Speaker 1: patrias in the world. So I scared there was more 289 00:18:41,640 --> 00:18:43,280 Speaker 1: people like you and me, that world will be a 290 00:18:43,320 --> 00:18:47,320 Speaker 1: better place, you know. Yeah, right now, Always tell people, 291 00:18:47,480 --> 00:18:49,879 Speaker 1: because you know I do trouble. You don't know what's up, 292 00:18:50,720 --> 00:18:55,560 Speaker 1: but I will say, hey, dancing is another form to 293 00:18:55,600 --> 00:18:57,439 Speaker 1: work out on me, you know what I mean. You 294 00:18:57,480 --> 00:19:00,119 Speaker 1: get good dancaion in, you'll feel it on me. So 295 00:19:00,160 --> 00:19:01,879 Speaker 1: I think that's why you're in good shape and everything 296 00:19:02,000 --> 00:19:04,440 Speaker 1: and you're able to walk around those both all day 297 00:19:04,520 --> 00:19:09,240 Speaker 1: and represent on me. Yeah, creep. But let me ask 298 00:19:09,280 --> 00:19:12,320 Speaker 1: you this woman. Do you do the party time? Yeah? Me, Yeah, 299 00:19:12,440 --> 00:19:15,880 Speaker 1: I do. I do the party time with me. Listen. 300 00:19:15,920 --> 00:19:17,560 Speaker 1: I used to do a little too much party time, 301 00:19:17,560 --> 00:19:18,840 Speaker 1: you know what I mean. I get to a little 302 00:19:19,119 --> 00:19:21,439 Speaker 1: extra activities. But I had to kick that to the 303 00:19:21,480 --> 00:19:25,480 Speaker 1: side on me. Oopsie daisies. Yeah see, Daisy is right. 304 00:19:25,960 --> 00:19:28,720 Speaker 1: But you know I got to regroup and got back 305 00:19:28,720 --> 00:19:30,359 Speaker 1: in the gym man and got my life together. But 306 00:19:30,440 --> 00:19:33,240 Speaker 1: I still do the party time on me. Oh yeah, 307 00:19:33,560 --> 00:19:35,320 Speaker 1: not every time, like you know me, like you're a 308 00:19:35,359 --> 00:19:38,119 Speaker 1: different and you know, so that's what's up. You have 309 00:19:38,200 --> 00:19:42,040 Speaker 1: to be balanced, yeah on me. So hey, the best 310 00:19:42,040 --> 00:19:45,520 Speaker 1: of luck to you, patana Um, thanks for being here, 311 00:19:45,800 --> 00:19:48,120 Speaker 1: say on me, and just for like your your your 312 00:19:48,119 --> 00:19:50,440 Speaker 1: positive energy on me. I'm about positive vibe to a 313 00:19:50,440 --> 00:19:53,520 Speaker 1: lot of people know about me and everything that it's 314 00:19:53,560 --> 00:19:56,560 Speaker 1: like being connected to to hinted to the universe and 315 00:19:56,560 --> 00:19:58,680 Speaker 1: that's something we have in common on me and so 316 00:19:59,200 --> 00:20:02,320 Speaker 1: all I want to say is like respect to Homi 317 00:20:03,240 --> 00:20:05,760 Speaker 1: from the Homie Creeper and all the homies here right 318 00:20:05,760 --> 00:20:08,280 Speaker 1: here behind. Everybody needs the money person, tell you Holmie, 319 00:20:08,320 --> 00:20:11,119 Speaker 1: like your energy is infectious on me. You know what 320 00:20:11,119 --> 00:20:12,560 Speaker 1: I mean. You bring a lot of positive energy and 321 00:20:12,560 --> 00:20:14,760 Speaker 1: you just bam, you bring the room alive and you 322 00:20:14,840 --> 00:20:16,560 Speaker 1: bring the world. You know, you bring that to the world. 323 00:20:17,040 --> 00:20:18,920 Speaker 1: So the best of luck to you, homie. I hope 324 00:20:18,960 --> 00:20:21,840 Speaker 1: all your sad times turned to party times like down 325 00:20:21,840 --> 00:20:24,080 Speaker 1: on me on the drop of the science or whatever 326 00:20:24,200 --> 00:20:26,560 Speaker 1: or how they say, you know, all right on me. 327 00:20:26,640 --> 00:20:29,879 Speaker 1: So I say it's on me for being here. And uh, 328 00:20:29,920 --> 00:20:31,480 Speaker 1: I just know I got nothing for love and respect 329 00:20:31,520 --> 00:20:36,000 Speaker 1: for you on me. Thank you here you guys give 330 00:20:36,040 --> 00:21:02,879 Speaker 1: it up for the Homie. He clapper. That's hell o. 331 00:21:03,119 --> 00:21:06,359 Speaker 1: Che sent there for tuning into another episode of The 332 00:21:06,480 --> 00:21:09,400 Speaker 1: Frankie in Your Next show. Becau sending by Will Ferrell's 333 00:21:09,440 --> 00:21:13,119 Speaker 1: Big Funny Players Network. Shout out to the homies Haigns, Olivia, 334 00:21:13,600 --> 00:21:17,240 Speaker 1: Nick the Homie earned dog here in the studio, James Fritz, 335 00:21:17,359 --> 00:21:22,080 Speaker 1: Kevin Kamia, Bobby d J Buzz the legendary soul assassins 336 00:21:22,119 --> 00:21:24,480 Speaker 1: by me ya you know how we do, Homie. Thank 337 00:21:24,520 --> 00:21:26,760 Speaker 1: you for giving it. That's an opportunity on the get 338 00:21:26,840 --> 00:21:28,679 Speaker 1: down and if you get a chance, told me it's 339 00:21:28,680 --> 00:21:31,600 Speaker 1: go ahead and rank and review the podcast or continue 340 00:21:31,640 --> 00:21:34,240 Speaker 1: living your life. We'll see you on the next episode 341 00:21:34,440 --> 00:21:36,920 Speaker 1: of The Frankie in Your NET show. That's what's soft 342 00:21:37,000 --> 00:21:37,480 Speaker 1: right there.