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Speaker 1: So it was me.

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Speaker 2: It was.

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Speaker 1: I was in there in the in the hut what

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Speaker 1: do you call it, in the little tenth that's like

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Speaker 1: the hatch, the hatch from Lost. I was in there

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Speaker 1: with Barney Rubble and the bitter beer face guy from

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Speaker 1: the Keystone Light commercials, And is it Keystone or Keystone Light?

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Speaker 2: It's it's Keystone Light. I was just saying the beginning

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Speaker 2: of you just said Keystone, No, I was, I was.

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Speaker 2: I mean, I just didn't finish. I was just saying, no, Hayes, I'm.

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Speaker 1: I'm not playing, gotcha. I honestly didn't know when you

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Speaker 1: said Keystone. I thought, oh my god, did I get

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Speaker 1: it wrong? But it's key it is Keystone Light.

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Speaker 2: Sorry, I just don't know. It's hard. I can't see

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Speaker 2: your face, and so it's hard to know if you're

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Speaker 2: being nice or if you're.

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Speaker 1: Hey's I'm being so nice. Thank you for being nice

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Speaker 1: to me. I really thought, for a moment I may

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Speaker 1: have gotten it wrong.

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Speaker 2: Okay.

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Speaker 1: I thought when you said Keystone and I was already like,

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Speaker 1: you know, the sort of train had left the station

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Speaker 1: on me saying Keystone Light. Hm, I panicked. I mean,

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Speaker 1: my stomach dropped out of my ass and I thought.

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Speaker 2: Okay, I well your camera you if I could see you,

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Speaker 2: then I would have known that.

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Speaker 1: What a monster faux Pie may have made, saying, you know,

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Speaker 1: because this whole hatch story kind.

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Speaker 2: Of yeah, you've been in the hatch with this guy

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Speaker 2: for a very long time, saying I assume you said

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Speaker 2: Keystone Light a lot.

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Speaker 1: Yes, No, I was. I was honestly working through like

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Speaker 1: I may only have initiative brand Keystone Light, Yeah, which

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Speaker 1: is it is Keystone Light, but it has the little

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Speaker 1: symbol on it, the little like cobra symbol or whatever.

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Speaker 2: I think you're thinking of Cobra.

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Speaker 1: Okay, they had Cobra as well. Okay, but anyway, we're

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Speaker 1: in the hatch from Lost. We're punching in the numbers

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Speaker 1: every so often. Barney Rubble like really wants to get

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Speaker 1: home to his wife. Yeah, I am trying to keep

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Speaker 1: the troops entertained. Like, I'm not good at punching in

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Speaker 1: the keys. My hands are fucked up, so I can't

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Speaker 1: do that part of it. I also can't open a

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Speaker 1: Keystone Light. But I think what I have to offer

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Speaker 1: is that I am a bit of a raconteur. Sure,

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Speaker 1: and I tell right really fucked up, funny, raunchy stories,

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Speaker 1: like dirty, filthy stories.

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Speaker 2: But like in this very sophisticated, like sort of debonair

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Speaker 2: tone that is like it's small art but also very gross.

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Speaker 2: It's disgusting, but it is. It is at you know,

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Speaker 2: with intelligence. It's sort of.

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Speaker 1: It's uh, Tucker Max meets Bill Faulkner, Yeah, you know,

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Speaker 1: because it is about my poor family in the South

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Speaker 1: and how often we would like bust a load on

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Speaker 1: the horse or something. But anyway, I'm telling the stories.

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Speaker 1: I'm telling the stories, and and it's whatever, it's stupid,

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Speaker 1: but uh, the bitter beer faced guy finally asks me

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Speaker 1: to stop, like to permanently stop telling these stories. And

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Speaker 1: I only have four or five and I've told them

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Speaker 1: every day now at this point for a few months.

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Speaker 1: So I look to Barney Rebel and I go, is

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Speaker 1: you know do you feel this way too? Is this

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Speaker 1: what you want?

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Speaker 2: You know?

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Speaker 1: And he and and and he's like hemming and hawing

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Speaker 1: a little bit, and I start to get the I

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Speaker 1: start to get the message. Oh wow, Barney's on my side.

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Speaker 1: Oh okay, yeah, yeah, yeah.

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Speaker 2: The way you could pull this out, I feel like,

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Speaker 2: is with one really great story the way to pull

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Speaker 2: what out? The way to pull out like this? This

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Speaker 2: The tension of the conversation with the bitter beer faced

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Speaker 2: guy is to obviously, you don't have a new story

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Speaker 2: to tell, but like a really great telling. But I've

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Speaker 2: got it.

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Speaker 1: I've always got an ace up my sleeve in that

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Speaker 1: I can sort of change tone and even add a

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Speaker 1: fake detail to one of the stories. So I say,

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Speaker 1: you know, it's me, it's Cash, it's Mavis, it's DeAndre,

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Speaker 1: it's Paul and our our our lucky horse, uh sheriff bitch.

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Speaker 1: Yeh is sick, is sick of getting loads on him,

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Speaker 1: physically sick, like he's like not able to walk. You

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Speaker 1: know what, I it's I'm feeling a little like I

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Speaker 1: know you can't see me. I also can't see you

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Speaker 1: because I'm just not looking. Maybe I should save this

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Speaker 1: story for when I'm back at the next Oh yeah, yeah, sure, okay, Hi,

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Speaker 1: I'm a guest.

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Speaker 2: We want to get to that Welcome to Hollywood Handbook

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Speaker 2: at a Tighter's Guide to Kicking button dropping names in

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Speaker 2: the record, It's very nice to welcome our friend. The

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Speaker 2: only guest who has ever done He's done the show

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Speaker 2: multiple times, but he has never done the show that

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Speaker 2: is real with both with two guys, with both of

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Speaker 2: the guys.

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Speaker 3: Mm hm, talk about that speak Crisp. Crisp, I feel

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Speaker 3: so happy to be here with both of you. I

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Speaker 3: do still feel like I haven't totally attained the truth

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Speaker 3: of the experience because we are unfortunately so spread apart,

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Speaker 3: and I can't see one of you. So I feel

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Speaker 3: like I'm closer than I've ever been, but it's still

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Speaker 3: not quite there.

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Speaker 1: I'm scared to be seen here.

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Speaker 2: Yeah, and you want to talk about Sean, Why you

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Speaker 2: like we no one will be getting to see you today?

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Speaker 1: Well, we all know. During quarantine, it felt safe to

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Speaker 1: experiment with our look, right, everybody sort of went, well,

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Speaker 1: maybe I'll try a new look. I'm not seeing anyone.

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Speaker 2: It's not permanent.

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Speaker 1: No, it's not permanent, but it is that.

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Speaker 2: That's what people were saying. But then this one has

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Speaker 2: turned out to be permanent.

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Speaker 1: It's turned out to be permanent, so I have you know.

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Speaker 1: I started piercing some stuff and it was at first

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Speaker 1: really fun and funny, and it looked kind of cool,

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Speaker 1: I thought, And it got out of control and I

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Speaker 1: pierced my tea to my lip and I can talk.

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Speaker 1: I can do everything talking very well, but it it

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Speaker 1: looks pretty fucked up. Uh, And I am embarrassed and

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Speaker 1: I don't want to be able to see myself either.

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Speaker 1: And I've talked to a doctor who he said he

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Speaker 1: can kind of shoot the piercings out with like a

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Speaker 1: really small gun, which I'm going to try to do

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Speaker 1: next week because as as it stands right now, I

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Speaker 1: just don't I'm too shy. But from far away, he's

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Speaker 1: gonna have to stand far away. He's going to be

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Speaker 1: really far away. Yeah, he's actually gonna fly over my

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Speaker 1: house and I would be I will be lying on

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Speaker 1: my back in the backyard and he's gonna shoot straight

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Speaker 1: down Chris.

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Speaker 3: Well again on my end. Yeah, just yeah, just happy

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Speaker 3: to be back.

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Speaker 1: And I'm so so good to have you. No, it's

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Speaker 1: on me a little bit. Hey, I was I did

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Speaker 1: do this joke. I went, hey, I'm D C. Pearson.

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Speaker 2: When did you do that?

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Speaker 1: And to whom I was what it was when I

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Speaker 1: was doing the Pearson Okay, because I've been doing pearsonce

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Speaker 1: and uh, and I guess I said it to like

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Speaker 1: basically like a friendly bird.

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Speaker 2: Chris. Yeah, we have a lot to talk about today. Obviously,

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Speaker 2: you are a fellow member of this big family of ours,

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Speaker 2: this this ear Wolf network. Uh, and we have. Boy,

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Speaker 2: it has been it's been quite a week. It really

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Speaker 2: has been quite a week. Huge.

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Speaker 3: I've always felt I've always felt like you guys are

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Speaker 3: the excuse.

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Speaker 2: Me, like, no, I feel honestly the same. I'm having

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Speaker 2: a little bit of trouble talking about it too.

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Speaker 3: Well, you know, I've always I've always felt like you

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Speaker 3: guys are the perfect representation of Los Angeles ear Wolf.

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Speaker 3: You are, after all, Hollywood is in the name of

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Speaker 3: the show, and I always felt like I was like

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Speaker 3: the New York torchpearer of your Wolf in some way.

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Speaker 3: So I feel like it makes sense that we're having

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Speaker 3: a little bit of a meeting of the minds right

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Speaker 3: now because the whole foundation is shifting, the whole foundation.

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Speaker 2: And these are you know, some people come into your

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Speaker 2: lives and quickly go, but they leave this sort of

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Speaker 2: a mark on you, don't They h like a piercing

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Speaker 2: And I guess for me that was the Sorry the

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Speaker 2: Scripts Corporation. I I sort of it just meant a

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Speaker 2: lot to me.

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Speaker 1: Hey, as I can jump in, I can take over

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Speaker 1: really thank you. No, I think we all know what

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Speaker 1: you're trying to say. Look, it's no secret I was

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Speaker 1: never super close with my old man, and uh, that

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Speaker 1: created a hole in my life that I was looking

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Speaker 1: to fill in all kinds of different ways, some of

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Speaker 1: them not healthy, some of them very healthy. H And

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Speaker 1: when I met and when I met the Scripts Corporation,

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Speaker 1: I said, oh I can stop looking. So the growth

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Speaker 1: you know that we've all experienced under their gentle tutelage.

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Speaker 2: That doesn't go away, That doesn't go away.

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Speaker 1: No, no, no, that just because they're gone.

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Speaker 2: Hey, just.

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Speaker 1: You know. Luke Combs has a song called even though

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Speaker 1: I'm Leaving, and uh, it's a dad singing to his

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Speaker 1: son who's scared. He's scared to go to sleep because

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Speaker 1: there's gonna be monsters under the bed, and his dad's

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Speaker 1: going back to his own room, and he wants his

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Speaker 1: son to be able to sleep in his bed. But

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Speaker 1: he wants them all so to know that he's not

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Speaker 1: ever gonna be alone, because in some ways, the lessons

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Speaker 1: and the love that his father has for him are

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Speaker 1: gonna be there protecting him. So even though I'm leaving,

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Speaker 1: that don't mean I won't be right by your side

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Speaker 1: when you're scared and I'm not there in the middle

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Speaker 1: of the.

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Speaker 2: Night, and they wouldn't do They would not be doing

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Speaker 2: this to sell to you know. I was, Yes, I

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Speaker 2: was mad first. I was mad at them for selling

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Speaker 2: mid roll Stitcher, too serious XM radio. But they would

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Speaker 2: not be doing this if it weren't the right thing

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Speaker 2: for us. Right now, I know that's why they're doing it.

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Speaker 2: It's taking me a little while to figure that out,

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Speaker 2: but I know, like, they would not be doing this and.

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Speaker 3: Cause I if I can, because we're all getting emotional, yeah,

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Speaker 3: if I may, you know, I would just say I

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Speaker 3: want to go on record and be the first to

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Speaker 3: admit there's times where I took them for granted.

201
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Speaker 2: Yeah, I've been thinking a lot about that, Chris.

202
00:12:15,880 --> 00:12:19,920
Speaker 3: The shade that their corporate Brella Umbrella provided the the

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00:12:20,160 --> 00:12:23,079
Speaker 3: you know, when when Scripts first got involved, I remember,

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Speaker 3: all of a sudden in the New York Bobby, there

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Speaker 3: was kombucha on tap. And this is true, This is very,

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Speaker 3: very true. There was kombucha on tap. I don't know

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00:12:31,520 --> 00:12:34,119
Speaker 3: if that made its way out to La but ka

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Speaker 3: on tap.

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Speaker 2: Did that go away at that point?

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Speaker 3: It's true? I mean I feel like it's dried up

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Speaker 3: now and and maybe they'll come back. But you know, Sean,

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00:12:42,480 --> 00:12:48,960
Speaker 3: you brought up that beautiful, that beautiful, knowing that that

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Speaker 3: beautiful mixture of carbonation and fungus would soon be in

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Speaker 3: my mouth.

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Speaker 1: M h.

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Speaker 3: Yeah, I'm reminded of a song as well, if I can.

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Speaker 3: It's by the Counting Crows and only the Counting Crows. Yes,

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Speaker 3: don't it always seem to go. You don't know what

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Speaker 3: you've got till it's gone. They pay paradise, go up

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Speaker 3: a park, but they didn't they. Yeah, it's not the

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Speaker 3: first or last time that the Counting Crows made me

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Speaker 3: think about the world a little different.

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Speaker 1: And if we could double back really quickly, I think

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Speaker 1: I did mess up some of the lyrics of the

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Speaker 1: song that I brought up.

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Speaker 3: I may I don't want to make all about that

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Speaker 3: I may have as well.

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Speaker 1: It says, just because I'm leaving, it don't mean that

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Speaker 1: I won't be right by your side when you need

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Speaker 1: me and you can't see me in the middle of

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Speaker 1: the night, just close your eyes and say a prayer.

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Speaker 1: It's okay. I know you're scared when I'm not here,

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Speaker 1: but I'll always be right there. Even though I'm leaving,

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Speaker 1: I ain't going nowhere. I ain't going nowhere. That makes

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Speaker 1: more sense. Yeah, that part, that's better. Yeah.

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Speaker 2: Uh So I know they would not want to scripts

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Speaker 2: would not want us to be to spend a whole

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Speaker 2: episode like talking about that. They would be like bring

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Speaker 2: the funny guys, like do what you do?

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Speaker 1: No, they they that's that was what was so great

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Speaker 1: is they always wanted us to be us and support us.

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Speaker 1: And honestly, you know, the last time I talked to them,

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Speaker 1: I said some stuff. If I had known, obviously.

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Speaker 3: Blame yourself, don't blame yourself you didn't know.

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Speaker 1: I would have done it a little different. But I, uh,

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Speaker 1: you know, we can't take it back. I don't want

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Speaker 1: to focus on that. Uh. But I told them, you know,

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Speaker 1: I mean I told him the fuck off, like uh

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Speaker 1: and really out of out of no, for no reason,

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Speaker 1: they hadn't done anything. I cold called him and just said,

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Speaker 1: like I said, the spelling beet sucks a.

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Speaker 2: Lot of that And part of why I don't really

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Speaker 2: want to talk about this too much on this episode

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Speaker 2: is I don't want to give Brett the satisfaction like Brett,

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Speaker 2: I do see you here and I know this was you.

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Speaker 2: I know you did this.

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Speaker 1: You you're the one Brett who always called them a

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Speaker 1: medium company, not a media company. You said you would

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Speaker 1: say media company. More like medium company because they're not

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Speaker 1: actually even that big, not like my company, which I

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Speaker 1: don't know what you met.

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Speaker 2: You don't have any companies at all.

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Speaker 4: I do have an LLC. It's filed in my name.

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Speaker 4: You don't know it's worth. You've never seen the paperwork.

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Speaker 4: I would say it's a grande company.

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Speaker 2: Well grande actually, yet Starbucks is actually a medium. It's

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Speaker 2: a medium and is a medium at Starbucks.

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Speaker 3: You guys know what I'm gonna miss the most, go

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Speaker 3: off King. I think the thing I'm gonna miss most

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Speaker 3: about the glory days they were now exiting is the

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Speaker 3: real clarity and warmth that they brought to the conversation.

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Speaker 2: Yes, always when I had a question before I even

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Speaker 2: had to ask, during my email saying hey, here's why

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Speaker 2: one of the hosts was paid a third of much

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Speaker 2: of what they were supposed to get this butt that

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Speaker 2: the other made six seven times as much.

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Speaker 1: That No, that was so comforting, And it was that

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Speaker 1: little bing email received. You have a new email explaining

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Speaker 1: why the math is fucked, and the explanation one of

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Speaker 1: the time demonstrated an understanding of what went wrong and

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Speaker 1: a clear path to resolution.

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Speaker 3: And I never felt blamed. Nope, I never felt blamed.

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Speaker 3: I never felt blamed for anything.

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Speaker 1: They didn't pass the buck. They didn't pass the buck.

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Speaker 1: They wouldn't say, well, why don't you just give him

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Speaker 1: half that money? They wouldn't say that. They would say, hey, well, oh,

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Speaker 1: let's take a step back. We messed up. Let's address

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Speaker 1: the mistake that was made. Yeah, well, time marches on, right,

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Speaker 1: you know, uh, scripts, we could talk about them all

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Speaker 1: the time. But but maybe you know, just because there's

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Speaker 1: a new just because mom's got a new step dad, right,

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Speaker 1: uh m hm, he might actually be a really cool

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Speaker 1: guy if you give him a chance.

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Speaker 2: Yeah, and we get to we now get to have

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Speaker 2: that chance, and it's a big you know, it's tomorrow.

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Speaker 2: I actually can't believe it's tomorrow. Tomorrow, we effectively enter

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Speaker 2: the bubble we have been quarantining for a couple of weeks. Now,

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Speaker 2: Uh to travel to uh not Phoenix, Arizona, but like

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Speaker 2: they're just sort of just outside of it where uh

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Speaker 2: serious and stitch your slash mid roll Slash ear Wolf

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Speaker 2: will be convening for the next four months to just

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Speaker 2: like to first of all, get to know each other. Yep,

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Speaker 2: and like sort of a mixer for a sort of

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Speaker 2: four month long mixer.

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Speaker 1: Mm hmm. Hey, and if a if a couple of

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Speaker 1: podcasts get made, that wouldn't be a bad thing either.

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Speaker 1: I think they fight. I think we do a couple, right,

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Speaker 1: it tells me it's a hunch.

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Speaker 2: I think we might.

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Speaker 1: Yeah, there might be a podcast recorded.

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Speaker 2: Yeah.

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Speaker 3: I already feel very optimistic just based on the location.

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Speaker 3: I feel like my favorite, my favorite part of the

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Speaker 3: country is Arizona outside of the cities.

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Speaker 2: And this time of year. John, Yeah, it's not the

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Speaker 2: like in you know, it's not like the desert. It's

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Speaker 2: not like the really rural part. It's like the in

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Speaker 2: between kind of like tracked housing built around like two

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Speaker 2: thousand and six, so it's new. It's like new, it's

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Speaker 2: like nice places and we're we're all gonna be kind

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Speaker 2: of set up there. Has anyone reached out to you

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Speaker 2: guys about like I've gotten a couple of emails just

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Speaker 2: from this year, like some of the people on the

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Speaker 2: Serious team that are like excited, some of the people

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Speaker 2: from that family, not Howard, but like they all know Howard,

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Speaker 2: like they all hang out with Howard, and like Howard

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Speaker 2: has been like talking about us, and I know is

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Speaker 2: like really excited to meet us.

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Speaker 1: All to meet us and to hang out with us.

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Speaker 4: Yeah.

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Speaker 3: Yeah, I've heard from people from a bunch of the

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Speaker 3: different stations.

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Speaker 2: Oh awesome.

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Speaker 3: Yeah, the Margaritaville guys reached out. Oh my gosh, she

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Speaker 3: reached out. Yeah, fight Nation reached out. Fight Nation great channel.

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Speaker 1: Yeah, Jenny LSQ actually called me up just to talk

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Speaker 1: about some of the sort of more obscure like proto

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Speaker 1: tweet Scottish bands that influence bell in Sebastian and that

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Speaker 1: was really cool. And then I obviously talk about how

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Speaker 1: we were joining companies and be a podcast. Some of

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Speaker 1: the one of the ladies from the Bridge uh sent

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Speaker 1: me just like some photos of her kitchen. Uh huh.

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Speaker 1: It was. I mean, it's been cool.

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Speaker 2: I got an email of course from Chris mad Dog

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Speaker 2: russo yes, yes, and like the NHL, you know, they

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Speaker 2: have every NHL game, So of course the NHL communicated

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Speaker 2: that they are excited to like do podcasts. They've really

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Speaker 2: want to guest on shows. I don't know if that

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Speaker 2: means like the players or like exactly or like team

350
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Speaker 2: reps or something, but they really want to like start

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Speaker 2: doing comedy stuff. Rick D's uh huh. It was on

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Speaker 2: sixties on six. Of course, the.

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Speaker 1: Patriot Channel obviously is kind of all of us. I

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Speaker 1: haven't gotten back to them yet, but they're uh, we're

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Speaker 1: part of the same company.

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Speaker 2: Now. Mm hm.

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Speaker 3: Did you guys get a weird list from E Street

358
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Speaker 3: Radio about how to talk to Little Steven?

359
00:21:14,760 --> 00:21:17,240
Speaker 2: I did, Yes, I did. I haven't actually gotten all

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Speaker 2: the way through it yet.

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Speaker 1: I didn't find it weird, but it was just basically said,

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Speaker 1: don't open your mouth when you talk to him, like

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00:21:22,160 --> 00:21:24,720
Speaker 1: you can talk to him, but keep your jaw sort

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Speaker 1: of set off to one side and then just like

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Speaker 1: don't let him see your mouth moved.

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Speaker 2: Yes, or be sort of turned enough away and he

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Speaker 2: apparently he's like awesome and like super nice.

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Speaker 1: Yeah.

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Speaker 3: I mean, Sean, it must be you know, silver lining

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00:21:37,760 --> 00:21:41,400
Speaker 3: and having your teeth pierced and connected to your.

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Speaker 2: I wonder if.

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Speaker 1: Yeah, I'm well, I am getting that fixed.

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Speaker 4: Have you guys heard from Ringo because I was I

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Speaker 4: was planning on hearing from.

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Speaker 2: Him on the channel who which of us? Who are

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00:21:57,200 --> 00:21:58,400
Speaker 2: you talking? Say who you're talking?

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00:21:58,680 --> 00:22:02,840
Speaker 1: Just the fuck are you talking about man Ringo? Are

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00:22:02,880 --> 00:22:07,520
Speaker 1: you mispronouncing Rango, the Johnny Depp lizard.

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00:22:07,200 --> 00:22:09,359
Speaker 3: Character, because I did hear from Rango.

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Speaker 1: Yeah, Rango reached out. Yeah, he wants to do a

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00:22:12,280 --> 00:22:15,840
Speaker 1: whole promotional thing. Well he lives in Arizona, obviously, So

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Speaker 1: I mean, let's just let's talk about Brett. I mean,

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Speaker 1: are you even going to this?

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Speaker 4: I want to. They won't tell me where it is.

385
00:22:22,600 --> 00:22:26,080
Speaker 4: You can see I'm in like a laundry room, like

386
00:22:26,119 --> 00:22:29,520
Speaker 4: a utility closet. I'm not at home. I think they

387
00:22:29,560 --> 00:22:31,919
Speaker 4: thought I would blow up the deal or something.

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Speaker 2: If you were, if you were invited.

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Speaker 4: Yeah, I don't know. They just they seem like they

390
00:22:37,960 --> 00:22:40,560
Speaker 4: didn't want me there, even though you know, I've been

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Speaker 4: at this company the longest.

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Speaker 2: Let's talk about night one. Of course, No Shoes Radio

393
00:22:48,080 --> 00:22:57,280
Speaker 2: is hosting, Uh. Keddy Jezny's music channel is hosting like

394
00:22:57,320 --> 00:22:59,040
Speaker 2: a night in the sand. They're like pouring a lot

395
00:22:59,040 --> 00:23:02,520
Speaker 2: of sand into the street. Uh. And we will get

396
00:23:02,600 --> 00:23:04,280
Speaker 2: to just kind of like have a little not a

397
00:23:04,320 --> 00:23:07,680
Speaker 2: beach party, but I'll sort of feel like that vibe

398
00:23:07,720 --> 00:23:13,320
Speaker 2: sort of who do we like, how do we approach?

399
00:23:13,720 --> 00:23:16,560
Speaker 2: Are they gonna approach us like Chris, like you know,

400
00:23:16,720 --> 00:23:25,240
Speaker 2: like beautiful anonymous. There's a lot of potential for serious

401
00:23:25,600 --> 00:23:31,360
Speaker 2: XM personalities to call into this show and like kind

402
00:23:31,359 --> 00:23:36,040
Speaker 2: of share stories that they haven't before. Necessarily.

403
00:23:36,600 --> 00:23:40,359
Speaker 3: Yeah, I've actually been told that during this mixer they

404
00:23:40,440 --> 00:23:44,440
Speaker 3: expect me to primarily sit next to a phone. Oh,

405
00:23:44,520 --> 00:23:46,960
Speaker 3: other people who are attending the mixer will call in

406
00:23:47,760 --> 00:23:52,159
Speaker 3: and I will get to know them anonymously via my show.

407
00:23:52,200 --> 00:23:54,960
Speaker 3: I pointed out that it has some flaws that it

408
00:23:55,000 --> 00:23:57,880
Speaker 3: actually might sort of separate me from everybody.

409
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Speaker 1: But they said, I'm not seeing that, So tell me,

410
00:24:00,640 --> 00:24:02,760
Speaker 1: tell me what you're feeling.

411
00:24:03,440 --> 00:24:05,800
Speaker 3: Well, it's just because my show, you know, part of

412
00:24:05,840 --> 00:24:08,320
Speaker 3: the premise is that the person on the other line

413
00:24:08,440 --> 00:24:11,800
Speaker 3: does not identify who they are. I feel like, you know,

414
00:24:11,840 --> 00:24:13,639
Speaker 3: if one of the XM you guys are one of

415
00:24:13,640 --> 00:24:16,919
Speaker 3: the you know, first Waits.

416
00:24:16,400 --> 00:24:19,440
Speaker 1: Outlaw Radio, or if any of the Raw Dog comedy.

417
00:24:19,040 --> 00:24:21,880
Speaker 3: Guys, oh, the Raw Dog guys. Just I mean, can

418
00:24:21,920 --> 00:24:24,920
Speaker 3: we just say to the comedy lineup, there's about eleven

419
00:24:25,640 --> 00:24:28,560
Speaker 3: stand up channels. You got Netflix is a joke.

420
00:24:28,440 --> 00:24:29,880
Speaker 2: Right, You've got Netflix as a joke.

421
00:24:30,000 --> 00:24:35,040
Speaker 3: Radio you got you got raw Dog, Raw Dog, comedy

422
00:24:35,200 --> 00:24:38,920
Speaker 3: great stuff of course, Comedy Central Radio, you got them

423
00:24:38,920 --> 00:24:41,199
Speaker 3: out there, all kinds of great stuff.

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Speaker 1: There's a certain comedian I hear a lot of on

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00:24:43,320 --> 00:24:47,359
Speaker 1: these channels who I absolutely stand, and I hope to

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Speaker 1: see him at the mixer.

427
00:24:51,680 --> 00:24:53,679
Speaker 2: Who is it?

428
00:24:53,880 --> 00:25:02,520
Speaker 1: Tex stand? Hopely?

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00:25:02,560 --> 00:25:05,480
Speaker 3: What am I was just gonna ask too, because I

430
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Speaker 3: know we're looking towards the future now, looking towards the

431
00:25:07,280 --> 00:25:09,680
Speaker 3: relationship with serious I agree that that's the most productive.

432
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Speaker 3: Were you anybody else weirded out by the contents of

433
00:25:12,800 --> 00:25:16,560
Speaker 3: the scripts thank you and goodbye gift basket? I found

434
00:25:16,560 --> 00:25:19,000
Speaker 3: it to be very inappropriate. What was in my gift basket?

435
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Speaker 2: I honestly, Chris, honestly, I have been saving it for

436
00:25:25,280 --> 00:25:30,520
Speaker 2: a moment when I just need uh to get back

437
00:25:30,560 --> 00:25:32,560
Speaker 2: in touch with that time in my life.

438
00:25:32,880 --> 00:25:34,200
Speaker 3: So you haven't even opened it yet.

439
00:25:34,200 --> 00:25:36,840
Speaker 1: I have not opened it.

440
00:25:35,240 --> 00:25:39,960
Speaker 3: I don't know if it's the same for all of us.

441
00:25:40,000 --> 00:25:41,360
Speaker 3: I'll tell you what's in mine.

442
00:25:41,400 --> 00:25:44,919
Speaker 1: I don't well, they do usually have it's pretty personalized

443
00:25:44,960 --> 00:25:47,680
Speaker 1: most of the time when you do get anything from

444
00:25:47,760 --> 00:25:48,360
Speaker 1: the company.

445
00:25:48,840 --> 00:25:52,280
Speaker 3: I don't know who was behind mine then or what

446
00:25:52,640 --> 00:25:55,040
Speaker 3: the exact connotation of it is. But mine was just

447
00:25:55,160 --> 00:25:57,160
Speaker 3: two bottles of lube and then a jug of peanut

448
00:25:57,200 --> 00:26:01,879
Speaker 3: butter filled pretzels. So I don't know what that was about.

449
00:26:02,760 --> 00:26:06,080
Speaker 3: I thought it was a little inappropriate, so perishable, two bottles,

450
00:26:06,640 --> 00:26:10,439
Speaker 3: two bottles of lube, different brands, and then one of

451
00:26:10,440 --> 00:26:12,480
Speaker 3: those jugs. You know they have them at every craft

452
00:26:12,520 --> 00:26:13,919
Speaker 3: services table. I know you guys know.

453
00:26:14,280 --> 00:26:15,680
Speaker 1: Oh yeah pretzels.

454
00:26:16,000 --> 00:26:18,320
Speaker 2: Yeah they're not shaped like a pretzel really.

455
00:26:18,119 --> 00:26:19,280
Speaker 3: But like a nugget.

456
00:26:19,560 --> 00:26:26,399
Speaker 2: Yeah. Yeah, I mean I am getting a message from that, really, Yeah,

457
00:26:26,480 --> 00:26:28,719
Speaker 2: I mean like I think I'm getting an idea. It

458
00:26:28,720 --> 00:26:34,399
Speaker 2: tells a story, right, And that's what you do on

459
00:26:34,480 --> 00:26:36,800
Speaker 2: your show, right.

460
00:26:37,720 --> 00:26:40,800
Speaker 3: I do try to do try to, you know, present

461
00:26:40,840 --> 00:26:42,719
Speaker 3: a platform for people to tell their stories and their

462
00:26:42,720 --> 00:26:44,879
Speaker 3: own words. Yeah, I guess I'm not. And you're seeing

463
00:26:44,920 --> 00:26:48,120
Speaker 3: a connection between that lube and peanut butterfield pretzels.

464
00:26:47,920 --> 00:26:52,760
Speaker 2: You know, I am, and I am. I honestly think

465
00:26:52,760 --> 00:26:55,720
Speaker 2: that this is like like a kindness on their part.

466
00:26:55,760 --> 00:26:59,679
Speaker 2: I think it is constructive. I think they are picking

467
00:26:59,760 --> 00:27:02,760
Speaker 2: up on not like a performance issue on your show,

468
00:27:03,000 --> 00:27:08,080
Speaker 2: but like something you could do to kind of like

469
00:27:09,040 --> 00:27:10,520
Speaker 2: be a little more activated.

470
00:27:10,600 --> 00:27:13,760
Speaker 1: Let's flat, right, Like I think that we all get

471
00:27:13,840 --> 00:27:16,880
Speaker 1: in a rut sometimes, especially in quarantine, where the show

472
00:27:16,920 --> 00:27:19,119
Speaker 1: can be a little bit lifeless, and it's like, is

473
00:27:19,119 --> 00:27:21,800
Speaker 1: there something we can do to just kind of juice

474
00:27:21,840 --> 00:27:25,119
Speaker 1: up the energy like in the moment, you know, like

475
00:27:26,000 --> 00:27:29,480
Speaker 1: really spike that, you know, next call and make sure

476
00:27:29,520 --> 00:27:31,840
Speaker 1: that we're like really engaged.

477
00:27:32,119 --> 00:27:35,359
Speaker 2: For some people, it's it's a cup of joe, you know,

478
00:27:36,440 --> 00:27:38,600
Speaker 2: it's just like a piping hot cup of coffee. And

479
00:27:38,640 --> 00:27:42,600
Speaker 2: some people need like other physical like just like a

480
00:27:42,600 --> 00:27:53,280
Speaker 2: little jolt or ways to like gradually absorb sugar carbohydrates. Yeah,

481
00:27:53,320 --> 00:27:54,320
Speaker 2: over the you know.

482
00:27:54,680 --> 00:27:57,240
Speaker 3: I guess I see how the peanut butterfilled pretzels could

483
00:27:57,280 --> 00:27:58,720
Speaker 3: be like a nice energy boost.

484
00:27:58,760 --> 00:28:02,280
Speaker 1: But I but of course you're talking into a microphone,

485
00:28:02,280 --> 00:28:05,719
Speaker 1: so we're not gonna be eating obviously, eating and crunching

486
00:28:05,760 --> 00:28:08,000
Speaker 1: on peanut butter field pretzels. That's pretty disgusting.

487
00:28:08,440 --> 00:28:13,399
Speaker 3: So you're saying, they're asking me to consume them.

488
00:28:14,640 --> 00:28:18,359
Speaker 2: Anally, but in a way that like you honestly probably

489
00:28:18,400 --> 00:28:22,920
Speaker 2: will not even notice. And they're saying, experiment with these brands,

490
00:28:23,119 --> 00:28:23,600
Speaker 2: aren't they.

491
00:28:24,200 --> 00:28:26,760
Speaker 3: So you're saying, scripts on the way out the door,

492
00:28:26,840 --> 00:28:28,800
Speaker 3: is sending me products to tell me I'm low energy

493
00:28:28,800 --> 00:28:30,840
Speaker 3: and they want me to shove pretzels up my ass,

494
00:28:30,840 --> 00:28:32,920
Speaker 3: And you're saying that that's a good thing.

495
00:28:34,640 --> 00:28:39,680
Speaker 2: Good for the show. They're saying, like, Chris, how long

496
00:28:39,720 --> 00:28:41,719
Speaker 2: have you been doing the show? You're saying that, like

497
00:28:41,880 --> 00:28:47,560
Speaker 2: there's like no tweaks that you could possibly make to

498
00:28:47,680 --> 00:28:49,880
Speaker 2: improve it at this point. You've been doing the show

499
00:28:49,960 --> 00:28:51,360
Speaker 2: a long time, four.

500
00:28:51,240 --> 00:28:53,600
Speaker 3: Years, And I'm certain you know, I always work on it.

501
00:28:53,640 --> 00:28:55,200
Speaker 3: I'm always putting a lot of thought into it. I

502
00:28:55,240 --> 00:28:58,360
Speaker 3: just I guess to be fair, Yeah, I never considered

503
00:28:58,400 --> 00:29:04,080
Speaker 3: the constructive possibilities of lubing up pretzel nuggets.

504
00:29:04,560 --> 00:29:06,200
Speaker 1: Salted big chunky salt on it.

505
00:29:06,320 --> 00:29:08,440
Speaker 3: Or there's salt there's yeah, yeah.

506
00:29:08,360 --> 00:29:14,920
Speaker 2: Yeah, like yeah, like twelve grains of salt, but they're huge.

507
00:29:15,240 --> 00:29:16,480
Speaker 3: Yeah.

508
00:29:16,600 --> 00:29:23,760
Speaker 2: I wonder if uh so, I hear that, of course,

509
00:29:23,800 --> 00:29:29,560
Speaker 2: the Diplo's Revolution channel will be there formerly the Electric

510
00:29:29,600 --> 00:29:33,640
Speaker 2: Area channel, mm hmm, which is what Chris, you could have,

511
00:29:33,800 --> 00:29:35,760
Speaker 2: by the way, after if you go through the process

512
00:29:35,840 --> 00:29:38,000
Speaker 2: that they have prescribed for you. I just want to

513
00:29:38,600 --> 00:29:44,040
Speaker 2: an electric area, yes, uh, And I actually hear the

514
00:29:44,080 --> 00:29:53,720
Speaker 2: Diplo will be providing a progressive trance backbeat to some

515
00:29:54,720 --> 00:30:02,840
Speaker 2: Earwolf shows of his choosing. I would like to obviously

516
00:30:04,360 --> 00:30:06,920
Speaker 2: be one of the shows. I would like us. I

517
00:30:06,920 --> 00:30:15,600
Speaker 2: would like Beautiful Anonymous to be the shows that Diplow scores,

518
00:30:16,800 --> 00:30:19,200
Speaker 2: and I would like us to be able to team

519
00:30:19,280 --> 00:30:21,680
Speaker 2: up to figure out how to make that happen. It

520
00:30:21,720 --> 00:30:24,920
Speaker 2: is a contest I'm in. The question is how do

521
00:30:25,040 --> 00:30:30,920
Speaker 2: we share it if only one of us wins? Since

522
00:30:30,960 --> 00:30:32,960
Speaker 2: we are teaming up on this, do you see what

523
00:30:33,000 --> 00:30:44,040
Speaker 2: I'm saying? How does that work?

524
00:30:44,080 --> 00:30:48,120
Speaker 1: Could get really tense? Well, I mean, could there be

525
00:30:48,160 --> 00:30:50,840
Speaker 1: some sort of runner up prize? I know a lot

526
00:30:50,920 --> 00:30:53,400
Speaker 1: of channels are offering this, like, could it be okay

527
00:30:53,440 --> 00:30:56,640
Speaker 1: if you get it? We split the time with Diplow,

528
00:30:56,720 --> 00:31:01,600
Speaker 1: But Ozzie's boneyard is going to get in and kind

529
00:31:01,600 --> 00:31:05,280
Speaker 1: of shred and and and lay some nice chunky metal

530
00:31:05,320 --> 00:31:09,280
Speaker 1: behind the guys who are not at at that time

531
00:31:09,440 --> 00:31:13,000
Speaker 1: receiving Diplo's generous beats.

532
00:31:13,360 --> 00:31:15,000
Speaker 2: I just get I mean, just like now that you're

533
00:31:15,000 --> 00:31:22,680
Speaker 2: mentioning it, when Ozzie meets Scott, those two like the conversation,

534
00:31:22,920 --> 00:31:25,360
Speaker 2: I actually will not. I feel like me even listening

535
00:31:25,400 --> 00:31:28,200
Speaker 2: to it will like taint it. But Ozzy Osbourne and

536
00:31:28,200 --> 00:31:32,600
Speaker 2: Scott Ackerman in conversation possibly with Jeff Garland.

537
00:31:33,240 --> 00:31:37,280
Speaker 3: Oh wow, stit your serious metals, stitch your serious mashups.

538
00:31:38,040 --> 00:31:39,480
Speaker 1: That's so powerful.

539
00:31:40,080 --> 00:31:42,000
Speaker 2: That's the show that I would like subscribe to but

540
00:31:42,040 --> 00:31:45,920
Speaker 2: not even listen because like I just want to either

541
00:31:47,280 --> 00:31:49,600
Speaker 2: in my phone with like a blue dot next to it,

542
00:31:49,640 --> 00:31:54,000
Speaker 2: like this is like this, this will not be spoiled by.

543
00:31:54,560 --> 00:31:56,440
Speaker 1: Well, it's a little like the it's a little like

544
00:31:56,440 --> 00:31:58,880
Speaker 1: to thank you and goodbye. Get bag that like Chris

545
00:31:58,960 --> 00:32:01,800
Speaker 1: just ripped open for us. It's like this really sacred

546
00:32:01,840 --> 00:32:03,920
Speaker 1: thing for me when people say, like, what are you

547
00:32:03,960 --> 00:32:06,000
Speaker 1: gonna do when you get out of quarantine? And I go, well,

548
00:32:06,000 --> 00:32:09,520
Speaker 1: the second we're all vaccinated and healthy. Literally, the first

549
00:32:09,520 --> 00:32:14,000
Speaker 1: thing I'm gonna do is I'm gonna remove the tissue

550
00:32:14,000 --> 00:32:18,680
Speaker 1: paper from the uh from the bag, and then I'm

551
00:32:18,720 --> 00:32:23,479
Speaker 1: going to pull out the items inside. So that like

552
00:32:23,800 --> 00:32:26,040
Speaker 1: is something that I'm holding on to and really looking

553
00:32:26,080 --> 00:32:28,440
Speaker 1: forward to of like that's when life will actually be

554
00:32:28,520 --> 00:32:29,160
Speaker 1: back to normal.

555
00:32:29,840 --> 00:32:31,040
Speaker 2: Kevin, are you gonna be at this?

556
00:32:31,800 --> 00:32:35,640
Speaker 5: I am. I don't have directions though. The first thing

557
00:32:35,680 --> 00:32:39,480
Speaker 5: they told me was no phone's allowed, yes.

558
00:32:39,520 --> 00:32:42,760
Speaker 3: Which is weird. Weird for podcasters.

559
00:32:43,240 --> 00:32:47,120
Speaker 2: You use your phone during the podcast. Chris, I'm a

560
00:32:47,160 --> 00:32:49,120
Speaker 2: beautiful anonymous phone. It got it could be called on

561
00:32:49,120 --> 00:32:50,440
Speaker 2: this beautiful anonymous phone.

562
00:32:50,560 --> 00:32:54,280
Speaker 3: I'm also just saying, in principle, things get downloaded to

563
00:32:54,320 --> 00:32:55,760
Speaker 3: our phones. It feels like a little bit of a

564
00:32:55,800 --> 00:32:59,080
Speaker 3: flex from the radio guys to say, hey, podcast guys, right,

565
00:32:59,160 --> 00:33:01,040
Speaker 3: we'll cut you up. You can listen to a radio,

566
00:33:01,080 --> 00:33:02,720
Speaker 3: but you can't listen to a podcast on your phone

567
00:33:02,720 --> 00:33:03,160
Speaker 3: while you're here.

568
00:33:03,160 --> 00:33:05,240
Speaker 1: It feels a little bit of a power play.

569
00:33:05,480 --> 00:33:08,960
Speaker 2: No phone but only cars. You can only listen to

570
00:33:09,000 --> 00:33:12,760
Speaker 2: anything and only make phone calls via your car.

571
00:33:13,040 --> 00:33:15,240
Speaker 1: I heard that the Grand Ballroom will be filled with

572
00:33:15,280 --> 00:33:17,960
Speaker 1: cars that you can sit in and listen to different stations.

573
00:33:18,160 --> 00:33:20,000
Speaker 2: I have to say, have a driveway moment.

574
00:33:20,320 --> 00:33:23,360
Speaker 3: I am so excited for that because beautiful anonymous, you know,

575
00:33:25,080 --> 00:33:28,440
Speaker 3: real strong. You know, we see the demographics, like a

576
00:33:28,440 --> 00:33:31,560
Speaker 3: surprising amount of female listeners. There's young, there's old. We

577
00:33:31,600 --> 00:33:35,000
Speaker 3: have had a lot of trouble getting Yeah, I know

578
00:33:35,680 --> 00:33:36,920
Speaker 3: everybody likes us.

579
00:33:37,680 --> 00:33:38,960
Speaker 2: It was not surprising to me.

580
00:33:39,440 --> 00:33:41,840
Speaker 3: I have had a lot of trouble getting people who

581
00:33:41,920 --> 00:33:46,280
Speaker 3: rent cars to listen to my show, And I feel

582
00:33:46,360 --> 00:33:48,360
Speaker 3: like this might really crack the code on that because

583
00:33:48,360 --> 00:33:50,640
Speaker 3: I've been for the for years.

584
00:33:50,720 --> 00:33:54,320
Speaker 1: No, yeah, I for us, it's been the sort of

585
00:33:54,400 --> 00:33:56,800
Speaker 1: our white whale has been people in the first three

586
00:33:56,800 --> 00:33:57,560
Speaker 1: months of a lease.

587
00:33:58,200 --> 00:33:59,920
Speaker 2: Yeah, business travelers.

588
00:34:00,560 --> 00:34:03,920
Speaker 3: Yeah, I'm looking for somebody who just landed at the

589
00:34:03,960 --> 00:34:07,640
Speaker 3: Banger Main Airport and is driving an hour and a

590
00:34:07,680 --> 00:34:10,799
Speaker 3: half north to their uncle's house. What do I gotta

591
00:34:10,840 --> 00:34:12,879
Speaker 3: do to make that hour and a half drive them

592
00:34:12,920 --> 00:34:15,400
Speaker 3: listening to my show? I've been trying for years to

593
00:34:15,440 --> 00:34:16,120
Speaker 3: figure that out.

594
00:34:16,680 --> 00:34:18,840
Speaker 2: I think what we can go for Chris is potentially

595
00:34:18,880 --> 00:34:25,880
Speaker 2: making Beautiful Anonymous Radio a single digit channel. Ooh, so

596
00:34:25,960 --> 00:34:28,880
Speaker 2: like getting it in the one to ten. I like

597
00:34:29,280 --> 00:34:30,920
Speaker 2: possibly knocking out there.

598
00:34:31,719 --> 00:34:34,960
Speaker 1: Getting bumped out, Yeah, because it knocked out obviously.

599
00:34:34,840 --> 00:34:37,319
Speaker 3: The fifties in the fifties run nothing to rock and roll.

600
00:34:37,360 --> 00:34:39,719
Speaker 3: Let's just leave the fifties out and I'll take them out.

601
00:34:40,200 --> 00:34:41,759
Speaker 1: Fifties on five is now going.

602
00:34:41,719 --> 00:34:43,759
Speaker 3: To be Beautiful Anonymous off.

603
00:34:43,719 --> 00:34:47,000
Speaker 1: Beautiful Anonymous on five. Now that rolls off the tug.

604
00:34:47,560 --> 00:34:49,440
Speaker 3: This is that official? Because I had heard a rumor

605
00:34:49,560 --> 00:34:53,680
Speaker 3: is each ear Wolf show getting their own entire serious station?

606
00:34:54,320 --> 00:34:54,560
Speaker 5: Yeah?

607
00:34:54,680 --> 00:35:00,319
Speaker 1: Yes, yeah, they'll obviously play you on like on Raw

608
00:35:00,320 --> 00:35:04,080
Speaker 1: Doug Comedy and Comedy Central, and uh, you know Netflix

609
00:35:04,160 --> 00:35:07,520
Speaker 1: is a joke. Netflix is a joke, and Kevin Hart's

610
00:35:07,600 --> 00:35:10,719
Speaker 1: Laugh Out Loud Radio and Jeff and Larry's Comedy Round

611
00:35:10,800 --> 00:35:15,200
Speaker 1: Up and Laugh Usa. You know you'll be on those clips,

612
00:35:15,400 --> 00:35:18,480
Speaker 1: but for the full episodes in full catalog, they will

613
00:35:18,520 --> 00:35:20,240
Speaker 1: want to go to Beautiful Anonymous on five.

614
00:35:21,160 --> 00:35:23,640
Speaker 3: Are you guys filling your station with just twenty four

615
00:35:23,640 --> 00:35:25,759
Speaker 3: hours like replays of old episodes, or are you gonna

616
00:35:25,800 --> 00:35:28,800
Speaker 3: kind of you're gonna fill it out with companion shows,

617
00:35:28,840 --> 00:35:31,000
Speaker 3: blow it out into like its own universe. What's your

618
00:35:31,000 --> 00:35:31,480
Speaker 3: plan here?

619
00:35:32,040 --> 00:35:34,600
Speaker 2: That's a really I mean like we will be spinning

620
00:35:34,640 --> 00:35:39,520
Speaker 2: a lot, will be like playing a lot of just

621
00:35:39,560 --> 00:35:43,000
Speaker 2: sort of our like curated playlist. We will not be

622
00:35:43,080 --> 00:35:44,719
Speaker 2: doing the show that much anymore.

623
00:35:45,040 --> 00:35:47,759
Speaker 1: No, No, we're not gonna rest on our laurels and

624
00:35:47,880 --> 00:35:50,440
Speaker 1: just do the same show. Now that we've been acquired.

625
00:35:50,760 --> 00:35:54,759
Speaker 1: We're gonna be spinning. We're gonna be I be doing

626
00:35:54,800 --> 00:35:58,480
Speaker 1: some original acoustic stuff. And we're in a bit of

627
00:35:58,520 --> 00:36:04,320
Speaker 1: a legal sticky spot because I always say we saved

628
00:36:04,320 --> 00:36:08,520
Speaker 1: you a seat at the at Clem Dog's Coffee House

629
00:36:09,000 --> 00:36:11,719
Speaker 1: right right before I launch it on my acoustic set.

630
00:36:11,800 --> 00:36:14,040
Speaker 1: That of course is the catchphrase on the Serious XM

631
00:36:14,080 --> 00:36:17,240
Speaker 1: Coffee House, which is all acoustic music.

632
00:36:17,480 --> 00:36:20,640
Speaker 3: They say we saved your seat som Dog's Coffee House.

633
00:36:21,600 --> 00:36:23,720
Speaker 1: They say, We've saved you a seat at the Serious

634
00:36:23,800 --> 00:36:24,600
Speaker 1: XM Coffee House.

635
00:36:24,680 --> 00:36:24,919
Speaker 2: Ah.

636
00:36:25,080 --> 00:36:31,400
Speaker 1: They feel like it's too close. I of course disagree,

637
00:36:32,000 --> 00:36:36,319
Speaker 1: but you know it's it's getting worked through. But yeah,

638
00:36:36,360 --> 00:36:41,080
Speaker 1: we're gonna be also like doing a lot of innovative stuff.

639
00:36:41,120 --> 00:36:44,080
Speaker 1: I know Hayes wants to sleep on the radio. He

640
00:36:44,120 --> 00:36:46,799
Speaker 1: wants to broadcast his sleep.

641
00:36:47,440 --> 00:36:52,879
Speaker 2: And actually that has never been done before and it

642
00:36:52,960 --> 00:36:57,640
Speaker 2: is I mean, we'll see what it is, honestly like

643
00:36:57,719 --> 00:37:02,600
Speaker 2: to have twenty four hours access to a single Digitarius

644
00:37:02,719 --> 00:37:06,840
Speaker 2: XM station as you just have the ears of really

645
00:37:06,880 --> 00:37:11,600
Speaker 2: the entire country and for them to hear me say

646
00:37:11,640 --> 00:37:14,560
Speaker 2: some of my ideas that I have in my sleep

647
00:37:14,600 --> 00:37:16,319
Speaker 2: and I sometimes wake up and you know, you don't

648
00:37:16,320 --> 00:37:18,880
Speaker 2: remember exactly what they are. For me to then just

649
00:37:18,960 --> 00:37:21,040
Speaker 2: be able to ask anyone on the street, like, hey,

650
00:37:21,040 --> 00:37:24,319
Speaker 2: what was the idea that I was talking about last night,

651
00:37:24,880 --> 00:37:27,400
Speaker 2: and they'll be able to tell me because they heard

652
00:37:27,480 --> 00:37:31,359
Speaker 2: me while spinning. You know, Like I think we are

653
00:37:31,400 --> 00:37:39,400
Speaker 2: merging with pit Bulls Globalization Channel, so while spinning current

654
00:37:40,200 --> 00:37:46,239
Speaker 2: rhythmic dance and international hits, I just feel like it

655
00:37:46,320 --> 00:37:49,280
Speaker 2: is maybe what we were supposed to be doing all along.

656
00:37:49,400 --> 00:37:54,800
Speaker 2: And this is my gratitude that I have for Scripts

657
00:37:54,880 --> 00:38:00,279
Speaker 2: for letting us like grow into this opportunity. It's just

658
00:38:00,320 --> 00:38:04,759
Speaker 2: so exciting. It's so rich. You know, speaking of rich,

659
00:38:04,840 --> 00:38:08,000
Speaker 2: by the way, the money, let's talk about this.

660
00:38:08,040 --> 00:38:10,520
Speaker 1: Let's talk about it. We've always been really transparent about

661
00:38:10,520 --> 00:38:10,960
Speaker 1: the money.

662
00:38:11,200 --> 00:38:11,399
Speaker 5: Uh.

663
00:38:11,440 --> 00:38:13,600
Speaker 1: That as a conversation they have with us right away,

664
00:38:13,719 --> 00:38:17,239
Speaker 1: How is this affecting you know, your pockets? Uh, being

665
00:38:17,320 --> 00:38:21,920
Speaker 1: acquired by a big company like this, And it's actually

666
00:38:22,000 --> 00:38:26,640
Speaker 1: really interesting. I thought, Uh, they were pretty generous. Chris.

667
00:38:26,719 --> 00:38:28,160
Speaker 1: Do you want to go first and just say the

668
00:38:28,200 --> 00:38:29,080
Speaker 1: size of your bonus?

669
00:38:29,400 --> 00:38:29,640
Speaker 2: Yeah?

670
00:38:29,760 --> 00:38:31,200
Speaker 3: Seven million dollars?

671
00:38:33,040 --> 00:38:35,719
Speaker 1: Okay, yeah, and that's that's good and you don't have

672
00:38:35,760 --> 00:38:37,759
Speaker 1: to split that with anyone. I think they probably gave

673
00:38:37,840 --> 00:38:39,239
Speaker 1: us a little bit of a premium because there's two

674
00:38:39,280 --> 00:38:42,920
Speaker 1: of us. What are you guys talking seventeen million dollars?

675
00:38:44,160 --> 00:38:44,440
Speaker 3: Wow?

676
00:38:44,520 --> 00:38:46,640
Speaker 2: Between we've been doing the show a little bit a

677
00:38:46,680 --> 00:38:47,520
Speaker 2: little longer too.

678
00:38:47,680 --> 00:38:50,600
Speaker 3: Yeah. Hey, it's it's not a dick measuring contest out here.

679
00:38:50,640 --> 00:38:54,759
Speaker 1: Okay, No, I didn't think it was we were talking about.

680
00:38:54,840 --> 00:38:58,520
Speaker 2: That's a different that is. Of course, it's got to

681
00:38:58,560 --> 00:38:59,400
Speaker 2: be its own channel.

682
00:39:00,080 --> 00:39:01,560
Speaker 3: I hear that's gonna be one of the get to

683
00:39:01,600 --> 00:39:02,880
Speaker 3: know you activities at the mixer.

684
00:39:02,920 --> 00:39:05,799
Speaker 1: Actually they are doing dick measuring and the Hair Nation

685
00:39:05,920 --> 00:39:10,400
Speaker 1: guys are hosting that. They're uh, they're gonna be like,

686
00:39:11,440 --> 00:39:13,960
Speaker 1: you know, all dulled up, glammed out in like eighties

687
00:39:14,040 --> 00:39:18,239
Speaker 1: hairband uh regalia, and then everyone's gonna measure their dick

688
00:39:18,360 --> 00:39:21,080
Speaker 1: from inside their like acid wash jeans or whatever. Hm

689
00:39:22,239 --> 00:39:28,600
Speaker 1: Like Steve polychron Remember that Steve mother Truck and Polychronopolis,

690
00:39:28,840 --> 00:39:33,040
Speaker 1: y'all remember that video got the acid washed jets on

691
00:39:33,280 --> 00:39:37,000
Speaker 1: and you can see his freaking Schwang piece through the owl.

692
00:39:37,680 --> 00:39:39,680
Speaker 2: Hair Nation I think by the as part of the merger,

693
00:39:39,719 --> 00:39:43,000
Speaker 2: hair Nation is now going to be called hard Hair.

694
00:39:46,120 --> 00:39:47,600
Speaker 2: It's gonna be called Haired Nation.

695
00:39:49,680 --> 00:39:52,480
Speaker 1: The Haired Brothers are coming back and they are combining,

696
00:39:56,640 --> 00:39:59,400
Speaker 1: which is awesome, and it's gonna be.

697
00:39:59,360 --> 00:40:06,000
Speaker 2: A combination of Hair Nation in it Hard Nation. It's

698
00:40:06,000 --> 00:40:10,480
Speaker 2: called yeah, fake and fake. The Nation is also involved

699
00:40:10,520 --> 00:40:13,239
Speaker 2: in some in some way fake the the Hard hairt

700
00:40:14,000 --> 00:40:15,680
Speaker 2: Nation mm hmm.

701
00:40:16,840 --> 00:40:18,240
Speaker 3: Fake the Hard Hair Nation.

702
00:40:18,480 --> 00:40:21,080
Speaker 2: That's the network is now called fake that. I just checked,

703
00:40:21,600 --> 00:40:24,400
Speaker 2: just knew that. Yeah, you just explain this fake the

704
00:40:24,400 --> 00:40:25,080
Speaker 2: Hard Hair Nation.

705
00:40:25,440 --> 00:40:26,480
Speaker 3: I was just double checking.

706
00:40:27,000 --> 00:40:29,040
Speaker 1: No, I know, but it's just I don't for the

707
00:40:29,120 --> 00:40:31,120
Speaker 1: listeners who were paying attention, I don't want them to

708
00:40:31,120 --> 00:40:32,960
Speaker 1: have to hear the whole thing again. It was really

709
00:40:33,000 --> 00:40:33,840
Speaker 1: clear what he said.

710
00:40:35,600 --> 00:40:37,520
Speaker 3: I'm sorry, the room I'm in is incredibly hot and

711
00:40:37,560 --> 00:40:38,760
Speaker 3: I'm starting to lose focus.

712
00:40:39,520 --> 00:40:42,959
Speaker 2: It's good training, that's good training. Yeah, but of course

713
00:40:43,000 --> 00:40:46,160
Speaker 2: these are you know, it's tracked housing that was built

714
00:40:46,200 --> 00:40:50,200
Speaker 2: but not necessarily fitted with all the utilities.

715
00:40:51,280 --> 00:40:55,560
Speaker 1: Yeah, and well one bathroom and one has it. Yeah, no, no, no,

716
00:40:55,719 --> 00:40:58,640
Speaker 1: but it's just like it is. It is true communal living,

717
00:40:58,680 --> 00:41:01,120
Speaker 1: because one person will have a sink that functions well,

718
00:41:01,200 --> 00:41:03,880
Speaker 1: or like a retchen with a nice stove. In another

719
00:41:04,160 --> 00:41:06,960
Speaker 1: person's house, we'll have a bathroom. You can use toilets.

720
00:41:07,080 --> 00:41:12,560
Speaker 1: Toilets in every house, but not necessarily attack plumbing, a

721
00:41:12,680 --> 00:41:15,960
Speaker 1: plumbing or a sewer line, so you take the toilet outside.

722
00:41:16,640 --> 00:41:19,480
Speaker 3: And I heard there was actually a lot of that's

723
00:41:19,480 --> 00:41:21,640
Speaker 3: because the government puts down a stop work order because

724
00:41:21,640 --> 00:41:24,040
Speaker 3: there's a lot of raid on I heard in this

725
00:41:24,120 --> 00:41:24,919
Speaker 3: area where we're all.

726
00:41:24,800 --> 00:41:28,719
Speaker 2: Hanging out and but and so my question was like

727
00:41:29,440 --> 00:41:33,360
Speaker 2: what does that? Is that bad? And that and that

728
00:41:33,440 --> 00:41:35,680
Speaker 2: was sort of seriousest thing is like, yeah, actually we

729
00:41:35,719 --> 00:41:37,920
Speaker 2: don't know. It is natural. It is and this is

730
00:41:37,960 --> 00:41:41,560
Speaker 2: from the earth. We're talking about like natural stuff from

731
00:41:41,600 --> 00:41:44,200
Speaker 2: the earth and people it's been out of shames.

732
00:41:44,480 --> 00:41:46,080
Speaker 1: But I go, I you know what I say, You

733
00:41:46,080 --> 00:41:50,560
Speaker 1: can't spell Ray Donovan without raid on. Good luck, And

734
00:41:50,640 --> 00:41:53,040
Speaker 1: I actually would like to see you dry. Yeah, please

735
00:41:53,640 --> 00:41:55,480
Speaker 1: be my guest. Go ahead and try to spell Ray

736
00:41:55,520 --> 00:41:58,920
Speaker 1: Donovan without raid on. I'll be over here with my

737
00:41:59,120 --> 00:42:00,840
Speaker 1: you know, watching showtime.

738
00:42:01,160 --> 00:42:04,879
Speaker 2: That's another channel, of course, Ray Donovan radio ra Ydo

739
00:42:05,160 --> 00:42:09,120
Speaker 2: I know Jonah Ray is not super happy about upset

740
00:42:09,239 --> 00:42:15,320
Speaker 2: yep as a person who did pioneer spelling radio that way,

741
00:42:16,920 --> 00:42:20,400
Speaker 2: But I mean it's Ray Donovan, was I mean, sorry, Jonah,

742
00:42:20,560 --> 00:42:24,360
Speaker 2: this is Ray Donovan. One thing I really appreciated is

743
00:42:24,400 --> 00:42:26,360
Speaker 2: that the series telling us that if we want to

744
00:42:26,480 --> 00:42:28,799
Speaker 2: leave the network, we don't actually even have to tell them.

745
00:42:29,320 --> 00:42:35,160
Speaker 1: Yeah, that was cool. Such an awesome open door policy. Uh,

746
00:42:35,200 --> 00:42:37,000
Speaker 1: where a lot of times people can be very possessive,

747
00:42:37,120 --> 00:42:38,680
Speaker 1: like hey, you've been making the show here for a while.

748
00:42:38,719 --> 00:42:41,080
Speaker 1: We've been trying, you know, trying to support you. But

749
00:42:41,239 --> 00:42:43,640
Speaker 1: for them to go, hey, guys, you know, if you

750
00:42:43,800 --> 00:42:46,200
Speaker 1: want to leave, if you're uncomfortable with any aspect of this,

751
00:42:48,640 --> 00:42:53,640
Speaker 1: whatever it may be, and then just actually do go

752
00:42:53,760 --> 00:42:57,920
Speaker 1: out and do not let the door hit you, uh

753
00:42:58,200 --> 00:42:59,040
Speaker 1: in the ass.

754
00:42:58,800 --> 00:43:01,160
Speaker 2: On the way out, and like don't like you know,

755
00:43:01,440 --> 00:43:04,920
Speaker 2: like don't say anything. Don't say anything, save save paper.

756
00:43:05,160 --> 00:43:08,400
Speaker 2: And it's an email, but like save the the amount

757
00:43:08,400 --> 00:43:13,680
Speaker 2: of electricity that would be absorbed by uh, you know,

758
00:43:13,719 --> 00:43:16,880
Speaker 2: it costs money to send an email say like, hey,

759
00:43:17,000 --> 00:43:20,040
Speaker 2: we are actually not doing the show anymore on this network,

760
00:43:20,040 --> 00:43:23,600
Speaker 2: and they're like, just don't even don't even bother. Sure,

761
00:43:24,680 --> 00:43:29,240
Speaker 2: what are I mean? I are Scott? Are the Scotts

762
00:43:29,280 --> 00:43:33,520
Speaker 2: doing like a music thing around uh, like like like

763
00:43:33,560 --> 00:43:35,640
Speaker 2: a show around one of these channel I mean I

764
00:43:35,840 --> 00:43:40,919
Speaker 2: imagine that would be a great opportunity to have Adam

765
00:43:40,960 --> 00:43:42,399
Speaker 2: Scott and Scott Ackerman just.

766
00:43:42,400 --> 00:43:45,040
Speaker 4: Listening to seriously Sinatra.

767
00:43:45,520 --> 00:43:47,120
Speaker 1: Yeah, that could be that was the plan.

768
00:43:47,040 --> 00:43:52,280
Speaker 5: Right, it's a mashup. Are you talking seriously Sinatra?

769
00:43:52,480 --> 00:43:54,920
Speaker 4: Re seriously Sinatra?

770
00:43:56,360 --> 00:43:57,399
Speaker 2: Mi Natra? Yeah?

771
00:43:57,560 --> 00:43:57,960
Speaker 4: You and me?

772
00:43:58,960 --> 00:44:05,479
Speaker 2: Wait, Kevin wait, wait, what did you just say? Say

773
00:44:05,480 --> 00:44:11,880
Speaker 2: that again? Are you talking seriously? Sinatra? Re Mi Natra?

774
00:44:21,320 --> 00:44:27,520
Speaker 1: Wait a second, wait kep wait what did you just

775
00:44:27,600 --> 00:44:33,160
Speaker 1: love Kevin? No, wait, slowly say that again?

776
00:44:34,280 --> 00:44:44,400
Speaker 5: Are you talking seriously? Sinatra? Ree me, Natra? That's really good,

777
00:44:44,760 --> 00:44:46,000
Speaker 5: that's really yeah.

778
00:44:46,040 --> 00:44:47,719
Speaker 2: That's going to close out night one.

779
00:44:49,080 --> 00:44:51,480
Speaker 1: Me wow me Natra.

780
00:44:52,280 --> 00:44:56,560
Speaker 2: Chris, Yeah, are you even been living on planet scum

781
00:44:56,640 --> 00:44:58,080
Speaker 2: these days? Yeah?

782
00:44:58,160 --> 00:45:01,000
Speaker 3: From time to time. Yeah, that's me and a bunch

783
00:45:01,000 --> 00:45:04,759
Speaker 3: of my friends on what's the atmosphere like? It's hot

784
00:45:04,800 --> 00:45:06,719
Speaker 3: and humid and it's always heavy.

785
00:45:06,760 --> 00:45:11,280
Speaker 2: It's grody. Yeah, it's what a nasty idea no offense,

786
00:45:11,840 --> 00:45:14,359
Speaker 2: but just the idea of an entire planet that is.

787
00:45:14,480 --> 00:45:17,319
Speaker 1: No offense meant. But you're making me throw up with

788
00:45:17,400 --> 00:45:18,600
Speaker 1: even the concept of it.

789
00:45:18,640 --> 00:45:20,840
Speaker 3: I'm so sorry. I'm very sorry about that. I'm very

790
00:45:20,880 --> 00:45:23,879
Speaker 3: sorry about that. But yeah, you can go and see

791
00:45:24,040 --> 00:45:26,480
Speaker 3: different comedians fucking around on Twitch. That's what that is.

792
00:45:27,360 --> 00:45:30,239
Speaker 2: And something else we should talk about, Chris before we go. Yeah,

793
00:45:30,239 --> 00:45:34,000
Speaker 2: because we were running out of time. I don't wanna.

794
00:45:34,320 --> 00:45:38,680
Speaker 2: I have been sort of wanting to let the fans

795
00:45:40,600 --> 00:45:43,200
Speaker 2: kind of sell. Everyone celebrated in their own way and

796
00:45:43,239 --> 00:45:44,920
Speaker 2: I know you have too, so that we don't really

797
00:45:45,000 --> 00:45:49,040
Speaker 2: necessarily have to talk about it. But exactly ten years

798
00:45:49,080 --> 00:45:54,160
Speaker 2: ago today, as we're recording this, yeah, this half hour,

799
00:45:55,520 --> 00:45:59,800
Speaker 2: the show Big Lake was aired on Comedy Central.

800
00:46:00,040 --> 00:46:00,560
Speaker 3: Yeah.

801
00:46:00,760 --> 00:46:07,440
Speaker 2: Ten episodes. Yeah, ten episodes aired simultaneously. The screen split

802
00:46:07,560 --> 00:46:15,919
Speaker 2: into ten pieces. Yeah, so it was they got away work.

803
00:46:16,080 --> 00:46:18,080
Speaker 3: They got them all out the way right in one

804
00:46:18,280 --> 00:46:19,040
Speaker 3: twenty two minutes.

805
00:46:19,080 --> 00:46:24,040
Speaker 2: Short shot didn't quite finish the episode, did did cut

806
00:46:24,080 --> 00:46:27,600
Speaker 2: into it? Yeah, after like eighteen plus minutes.

807
00:46:27,719 --> 00:46:30,080
Speaker 3: Yeah, they started Crowdman doing early that night.

808
00:46:30,480 --> 00:46:32,959
Speaker 2: But what uh, what a thing.

809
00:46:34,040 --> 00:46:36,799
Speaker 3: It's wild. You know, it was a show that the

810
00:46:36,880 --> 00:46:40,120
Speaker 3: reviews weren't great, and it's time. I did always feel

811
00:46:40,120 --> 00:46:41,960
Speaker 3: like it was a little bit of a velvet underground thing,

812
00:46:42,000 --> 00:46:43,879
Speaker 3: like we knew that, we knew, we knew a lot

813
00:46:43,880 --> 00:46:45,880
Speaker 3: of the people who there weren't many people watching it,

814
00:46:45,920 --> 00:46:47,760
Speaker 3: but people who did watch Big Lake.

815
00:46:48,560 --> 00:46:49,840
Speaker 1: Went on to watch another show.

816
00:46:50,040 --> 00:46:53,000
Speaker 3: They all went on to watch at least one other show.

817
00:46:53,800 --> 00:46:57,799
Speaker 2: Not I mean some people did. I guess that was

818
00:46:58,480 --> 00:47:02,080
Speaker 2: sort of the beginning of the destroy the TV movement.

819
00:47:03,600 --> 00:47:04,799
Speaker 2: I feel like a.

820
00:47:06,760 --> 00:47:08,560
Speaker 3: Lot of I've been told that a lot of the

821
00:47:08,640 --> 00:47:11,560
Speaker 3: cord cutters actually initially got rid of cable after watching

822
00:47:11,640 --> 00:47:13,560
Speaker 3: Big Lakes. So it's at the beginning of that trend,

823
00:47:13,920 --> 00:47:17,319
Speaker 3: pre streaming platforms. We had people cutting cords, getting rid

824
00:47:17,360 --> 00:47:20,480
Speaker 3: of cable, saying cable is not worth anything to me.

825
00:47:21,080 --> 00:47:23,239
Speaker 2: These were people that you heard about a lot of

826
00:47:23,239 --> 00:47:27,040
Speaker 2: people finding a unique strength. You know, often that when

827
00:47:27,080 --> 00:47:30,680
Speaker 2: you hear about a mother like seeing their child trapped

828
00:47:30,719 --> 00:47:32,799
Speaker 2: under a car, they can lift the car. People were

829
00:47:32,840 --> 00:47:39,280
Speaker 2: able to rip the cord into pieces with their heads

830
00:47:39,320 --> 00:47:40,799
Speaker 2: after seeing the show Big Lake.

831
00:47:41,040 --> 00:47:43,440
Speaker 3: A lot of people through their cable boxes on their

832
00:47:43,480 --> 00:47:46,319
Speaker 3: front lawns, a lot of things. But you know, it's

833
00:47:46,320 --> 00:47:49,480
Speaker 3: funny because the reviews weren't great, and for years it

834
00:47:49,520 --> 00:47:51,680
Speaker 3: was either largely forgotten or people would maybe bring it

835
00:47:51,760 --> 00:47:53,439
Speaker 3: up to rib me a little bit. But I'm telling

836
00:47:53,520 --> 00:47:55,440
Speaker 3: you really honestly, just in like the two and a

837
00:47:55,480 --> 00:47:58,239
Speaker 3: half past two and a half three weeks, there's been

838
00:47:58,280 --> 00:48:00,959
Speaker 3: this explosion of Big Lake nostalgia where I think people

839
00:48:01,000 --> 00:48:02,959
Speaker 3: actually realized it was a hidden gem the whole time.

840
00:48:03,040 --> 00:48:05,600
Speaker 3: So yeah, I'm telling you, like in the last eighteen

841
00:48:05,719 --> 00:48:08,000
Speaker 3: nineteen days, after ten years of.

842
00:48:08,000 --> 00:48:10,640
Speaker 1: Yeah, it's a part about culture, you know, and we

843
00:48:10,719 --> 00:48:15,200
Speaker 1: can't escape that what's dead can never die. And I'll

844
00:48:15,200 --> 00:48:17,960
Speaker 1: say it because you guys can't. The two of you,

845
00:48:18,360 --> 00:48:22,400
Speaker 1: especially Lee Harvey O's world should be a real amusement park.

846
00:48:25,560 --> 00:48:29,440
Speaker 1: It's such a funny idea, but it's also true. And

847
00:48:29,560 --> 00:48:32,719
Speaker 1: he you know, Lee is kind of like Big Lake,

848
00:48:32,920 --> 00:48:40,560
Speaker 1: right Yeah, gone, you know, famous and then gone almost simultaneously.

849
00:48:41,760 --> 00:48:43,480
Speaker 1: But we can't stop talking about it.

850
00:48:43,760 --> 00:48:48,600
Speaker 2: Yeah, burned very bright for a very short amount of time. Yeah.

851
00:48:48,600 --> 00:48:53,040
Speaker 3: Actually on Planet Scum, my friend Connor Ratliffe and Griffin Newman,

852
00:48:53,080 --> 00:48:56,040
Speaker 3: they're going to be doing it. They did track down

853
00:48:56,120 --> 00:48:57,880
Speaker 3: all ten episodes of Big Lake and they're going to

854
00:48:57,920 --> 00:48:59,040
Speaker 3: be doing a live watch along.

855
00:49:00,120 --> 00:49:00,520
Speaker 2: Wow.

856
00:49:00,800 --> 00:49:04,040
Speaker 3: And I legitimately have never seen all ted episodes Big

857
00:49:04,080 --> 00:49:05,520
Speaker 3: that was the star of Big Lake. I have not

858
00:49:05,600 --> 00:49:08,040
Speaker 3: seen them all. So excited to see how that goes.

859
00:49:08,160 --> 00:49:10,359
Speaker 2: And they're inviting people to participate in that.

860
00:49:10,680 --> 00:49:12,920
Speaker 3: Yeah, you can watch long go watch long episodes of

861
00:49:12,960 --> 00:49:14,640
Speaker 3: Big Lake and then they're gonna try. Oh so I

862
00:49:14,680 --> 00:49:17,680
Speaker 3: get to watch you get to watch them watch?

863
00:49:18,280 --> 00:49:22,239
Speaker 2: Okay, so I yes, a writer on the show, Yes,

864
00:49:22,440 --> 00:49:25,040
Speaker 2: had been invited to watch this to.

865
00:49:25,080 --> 00:49:28,439
Speaker 3: Watch them watch a show you helped write ten years ago.

866
00:49:28,760 --> 00:49:32,080
Speaker 2: Wow, Yeah, that will be so fun for me, and

867
00:49:32,160 --> 00:49:35,480
Speaker 2: I'll talk because I'll have a lot to say having

868
00:49:35,520 --> 00:49:38,440
Speaker 2: been there. You're welcome to watch, but I'll just be

869
00:49:38,600 --> 00:49:40,200
Speaker 2: at home talking.

870
00:49:40,200 --> 00:49:41,800
Speaker 3: Watching them watch it, yeah, watching.

871
00:49:41,920 --> 00:49:44,520
Speaker 1: Maybe your wife could watch you watching them watch it.

872
00:49:45,239 --> 00:49:47,520
Speaker 1: You could turn to her every so often and say, honey,

873
00:49:47,520 --> 00:49:48,920
Speaker 1: they're watching a part I remember.

874
00:49:49,320 --> 00:49:52,080
Speaker 2: That would be really nice for her. She was there,

875
00:49:52,440 --> 00:49:55,600
Speaker 2: you know, she was there me too, what I was

876
00:49:55,600 --> 00:49:58,600
Speaker 2: there too, so I was there too. Of course is

877
00:50:00,080 --> 00:50:01,080
Speaker 2: coming back as well.

878
00:50:03,280 --> 00:50:03,600
Speaker 1: Uh.

879
00:50:03,840 --> 00:50:06,080
Speaker 3: That the sack Lunch Bunch. I think it's the sack

880
00:50:06,160 --> 00:50:06,680
Speaker 3: Lunch Bunch.

881
00:50:06,760 --> 00:50:09,920
Speaker 2: What's the name of the the special summer show that

882
00:50:09,960 --> 00:50:11,360
Speaker 2: they're doing with Conan.

883
00:50:11,000 --> 00:50:14,200
Speaker 4: And mattes something.

884
00:50:13,880 --> 00:50:23,320
Speaker 1: Summer summer, The sack lunch Bunch, snack lunch Bunch. Yep,

885
00:50:23,480 --> 00:50:26,400
Speaker 1: the snack lunch Bunch. That is gonna kick ass.

886
00:50:26,560 --> 00:50:27,320
Speaker 3: Uh.

887
00:50:28,200 --> 00:50:34,360
Speaker 1: I don't always get like really excited about upcoming podcasts

888
00:50:34,360 --> 00:50:37,360
Speaker 1: to the point where I kind of stop going to

889
00:50:37,400 --> 00:50:40,480
Speaker 1: sleep and stop eating food or taking care of myself

890
00:50:40,520 --> 00:50:43,839
Speaker 1: cleaning myself. But when I heard about the snack Lunch Bunch,

891
00:50:43,920 --> 00:50:48,239
Speaker 1: that's which guys, did you say, Conan and Matt Yeah,

892
00:50:48,280 --> 00:51:03,000
Speaker 1: and Sona forget it? See ya, bye bye.