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Speaker 1: I wait to Breakfast Club to show you love to

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Speaker 1: hate from the East to the West Coast. DJ Charloman

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Speaker 1: the really show on the planet. This is why I

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Speaker 1: respect this show because this is a voice of society.

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Speaker 1: Saints in the game, guys are the coveted morning show.

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Speaker 1: What y'all earnion impacting the coach in the morning and

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Speaker 1: they want to hear that Breakfast Club the world's most

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Speaker 1: dangerous morning show. And this is your time to get

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Speaker 1: it off your chests, whether you're mad or blessed, So

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Speaker 1: you better have the same in We want to hear

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Speaker 1: from you on the Breakfast Club. Hello, who's this? And listen?

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Speaker 1: Chandler from Ohio? How you guys going to listen? Morning?

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Speaker 1: What's up? Channel? I get it off your chests? And Solomon,

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Speaker 1: I'm gonna need you guys to do a favor and

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Speaker 1: get her a copy of The Lion King? How have

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Speaker 1: you not seen the Lion King all your life? Like?

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Speaker 1: I apologize, but I'm like, what did your parents? But

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Speaker 1: you didn't go to Disney? Ain't having a right? Yeah,

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Speaker 1: it's pretty bad. I don't even make child. I'm gonna

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Speaker 1: be honest. I don't even think my parents have seen

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Speaker 1: The Lion King. It's a great movie. So what I'm

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Speaker 1: gonna need you guys to do for her? Copy for Dave,

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Speaker 1: Dave and Christmas, and you watch with your parents Lion King,

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Speaker 1: because you have to see The Lion King. You have

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Speaker 1: to see it like it's actually like like like a

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Speaker 1: lot of it's actually the story of black people in

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Speaker 1: America if you really pay attention to But you gonna

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Speaker 1: see the play you to play? You can see the

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Speaker 1: play you think to play? To play movie first? Yeah,

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Speaker 1: stick to the cartoon. Don't still be confused? Part two

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Speaker 1: The Lion King Part two. But it don't matter. You

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Speaker 1: don't need that. You need to get it for it

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Speaker 1: please Now, I don't know did you see part Did

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Speaker 1: you see part two? Oh? Trash? The Lion King? Part

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Speaker 1: two is like Belly Part two. I've seen Paul one

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Speaker 1: and then I seen the play. I took the kids

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Speaker 1: to see the play. Hello, who's this? Yo? Yo? This

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Speaker 1: is law yo. I need your help, yo boy? What happened?

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Speaker 1: It sounds like you listen. Two weeks ago, I was

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Speaker 1: shooting some video on the Farday name. I came back

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Speaker 1: on to Yonkers. It was like three in the morning.

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Speaker 1: I ended up fall asleep at the light. I woke

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Speaker 1: up to somebody's banging on my window. Who there? I

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Speaker 1: was like, Yo, you trump? You drunk? Tell I'm like, yo, bro,

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Speaker 1: I'm not drunk. I'm literally tired. Homie called the cops

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Speaker 1: on me. Waiting for the cops, waiting for the cop

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Speaker 1: to get there. Cops pulled up. Homie stole on me

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Speaker 1: and was holding the doors. I couldn't get out until

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Speaker 1: the cop came out, Like I need you listen. I

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Speaker 1: need y'all to put it out there. Whoever to do it,

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Speaker 1: I don't know. He's from Yanka. Tell him meet me

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Speaker 1: by Getty Square at three o'clock today. We just he's

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Speaker 1: not gonna meet you. And it's matter. He drunk right now,

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Speaker 1: so he's definitely not gonna meet you there. Damn man,

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Speaker 1: I'm told every time I sim I'm gonna him. Man,

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Speaker 1: isn't a crying to be dropping to sleep in your car?

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Speaker 1: Thank you, bro. I think it is a crown to

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Speaker 1: be drunk in your car. I don't know. I'm just asking,

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Speaker 1: and I think so get it off your chests eight

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Speaker 1: hundred and five eight five one on five one if

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Speaker 1: you're upset and he the vent hit us up right now,

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Speaker 1: it's the Breakfast Club. Go morning. This is your time

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Speaker 1: to get it off your chests, whether you're man or blast,

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Speaker 1: so you better have the same industry. We want to

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Speaker 1: hear from you on the Breakfast Club Castley. Yes, get

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Speaker 1: it off your chess. Mama. I just call him this

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Speaker 1: morning just to say that I feel blessed. Actually, I'm

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Speaker 1: not trying to get anything off my chest, just sitting

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Speaker 1: positive spot. I last week, Lass, I recently quit my

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Speaker 1: job of ten years, and that same day I got

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Speaker 1: another job. And day was my first day and today's

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Speaker 1: my second. So I'm just so real good. Positive gratitude

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Speaker 1: is your attitude, bull When you thankful for what you got,

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Speaker 1: you'll get blessed with more. How are you liking your job?

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Speaker 1: It's interesting, It's very interesting, oh boy, But I mean, hey,

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Speaker 1: it's the job here you go. All right, thank you, mama,

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Speaker 1: all right, thank you? Hello? Who's this Rob? Rob? Get

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Speaker 1: it off your chests? Yo. I wanted to know what

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Speaker 1: does Black Lives Matter doing for the people Black people

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Speaker 1: that are being enslaved in other parts of the world

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Speaker 1: being sought like we only focus on what happens with

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Speaker 1: Black Lives Matter in America, or but there's a lot

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Speaker 1: going on here to focus on. We can. I ask

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Speaker 1: you a question, sir, do you do you do anything

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Speaker 1: for the Black Lives Matter movement here at Oh? No,

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Speaker 1: there's nothing enough to say, he said no. So why

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Speaker 1: are you questioning us on what we do for any

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Speaker 1: Black Lives Matter movement anywhere? If you're not doing it,

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Speaker 1: If you're not doing anything for the Black Lives Matter

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Speaker 1: movement at all, it sounds like you're just, you know,

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Speaker 1: working for a propaganda for America. You guys, don't give

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Speaker 1: it making a little baby hut black brother, my brother,

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Speaker 1: my brother. Are you hungry? Are you hungry this morning?

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Speaker 1: Are you hungry? I stood up for the Okay, cool,

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Speaker 1: if you're hungry it okay. I wouldn't invite another man

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Speaker 1: in his generatives. He might like, hello, who's this? All right?

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Speaker 1: This is andres Andre. Get it off your chests. Bro,

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Speaker 1: Hey man, I'm blessed today. I just had a kid

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Speaker 1: a month ago and I'm just feeling blessed. Man. All right, congratulations, bro,

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Speaker 1: thank you man, thank you have a go on, all right,

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Speaker 1: get it off your chests. Eight hundred five eighty five,

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Speaker 1: one oh five one The breakfast Club. God, Morning, the

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Speaker 1: breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne

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Speaker 1: the guy. We are the breakfast Club. We gotta special

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Speaker 1: guests in the building. Just La what's happening? My brother?

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Speaker 1: Oh man, y'all got it. I'm just trying to you know,

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Speaker 1: I'm just trying to enjoy the vibe. Why Why is

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Speaker 1: the Lacrex album necessary right now? I don't know why.

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Speaker 1: I feel like La Crew might be necessary. Oh my goodness,

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Speaker 1: Come on, man, it's like courting the prophecy the world

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Speaker 1: from the end. Ye, let's talk about it now. Happen

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Speaker 1: in a couple of days. Yeah, right, Well, you got

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Speaker 1: one day to buy my album because it come out

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Speaker 1: to twenty second Baby it's a rap, so you got

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Speaker 1: a day to listen to the album and enjoy it. Man, Nah, man,

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Speaker 1: you know just so much going on, I mean, societally, culturally,

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Speaker 1: natural disasters everywhere, you know what I'm saying. So I

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Speaker 1: feel like everything lined up well to just be able

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Speaker 1: to tell people that's hoping in the middle of the chaos. Now,

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Speaker 1: after the Charlotteville ride, you tweeted if anyone feels unsafe

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Speaker 1: at UVA, it needs help to transfer schools. Let me

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Speaker 1: know when you're paying tuition to what you. I did

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Speaker 1: whatever I needed to do, Like, yeah, whatever I needed

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Speaker 1: to do. Yeah, any people about four by four folks.

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Speaker 1: We we we helped four people out and you're too.

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Speaker 1: The following sucks. No, no, no no, no school yeah they

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Speaker 1: are school yeah no, no no. I got a lot

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Speaker 1: of people that was like, hey, help me, bro, you're

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Speaker 1: playing tuition. You to help me? I go to University

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Speaker 1: of Maryland. I'm like that, ain't got nothing to do

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Speaker 1: where you at. But so did they transfer it what

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Speaker 1: they want? Yeah? So some people want to transfer schools.

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Speaker 1: A young young black ladies. She was like, man, I

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Speaker 1: don't feel safe here, you know what I'm saying, So

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Speaker 1: I want to transfer to another school. So um, you know,

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Speaker 1: shout out to my homegirl who you know works in

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Speaker 1: the academic advising in the whole. Non. So she gave

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Speaker 1: me to run down on how to help these students transfer,

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Speaker 1: and then it really really was just a matter of

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Speaker 1: writing a check and just saying all right, here's the

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Speaker 1: fee it's gonna cost, like we got you. Wow, you

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Speaker 1: there for four people? Yeah, dropping the clues bombs at

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Speaker 1: credit can't allow you to be humble about that. I mean,

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Speaker 1: you know what I mean. I respect the fact that

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Speaker 1: you didn't make a big deal about it, but no,

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Speaker 1: that's a big deal. No man, I just you know,

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Speaker 1: for me, I felt like, if you want to change

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Speaker 1: what's going on in society, especially in this climate, you

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Speaker 1: got policy, you got programmed as, you got uh you know,

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Speaker 1: uh publicity, and and for me, I feel like, I'm

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Speaker 1: not with the publicity and the programs. I don't I mean,

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Speaker 1: the policies, Like, I don't know all of that, you

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Speaker 1: know what I'm saying, But I know programs, so you know,

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Speaker 1: it's a program I could put you in or go

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Speaker 1: volunteer at a prison or something. And I don't got

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Speaker 1: to blow my own horn and do that type stuff.

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Speaker 1: I just get it done now. I still. You also

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Speaker 1: saved someone's life. Yeah, that was crazy. That was a

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Speaker 1: divine intervention. Okay, we're gonna tell this story. Want so

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Speaker 1: you saved the transgender from committment? Sus that was crazy.

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Speaker 1: I want my man Andy Minio, I go visit him

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Speaker 1: and watch hypes and he's like, you you know New York. Yeah,

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Speaker 1: it's New York. So we were talking about Cardi B

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Speaker 1: winning card everybody talking about dropping Cardi B winning and

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Speaker 1: you know, curse me watch you know Dominican Capital. You

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Speaker 1: know what I'm saying. And uh he said, you know

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Speaker 1: she and she was in a Bronx and said, oh,

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Speaker 1: that's what. I don't know if I've ever been to

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Speaker 1: the Bronx. He's like, we could walk from where we at.

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Speaker 1: I was like, you want to walk to right there? Yeah,

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Speaker 1: this is just such a random thing at the right time,

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Speaker 1: really from God to just be walking through Washington Heights

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Speaker 1: and the brother you say, somebody, but but look, that's

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Speaker 1: why I was crazy, right because when I so I

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Speaker 1: saw her running with her shirt off Cardi B. No,

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Speaker 1: it was he. It was I was like, why you

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Speaker 1: just snapped this? Una? So I saw running with a

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Speaker 1: shirt off, and so I'm like, yo this. I'm in

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Speaker 1: the Bronx though, so I'm like, I'm like, yo, Andy,

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Speaker 1: she's running with a shot off. He's like, it's New York.

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Speaker 1: Let it happens. And especially the Bronx. All the great

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Speaker 1: people in the world come from all the Florida and

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Speaker 1: the Bronx. Yeah, that's how you can tell us in

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Speaker 1: New Yorker running with a shirt off he's like, nah,

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Speaker 1: it happened. I was like, yo, should we He's like,

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Speaker 1: it's New York. Let it happened. I said, all right, cool.

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Speaker 1: But then she ran into like you know the pillars

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Speaker 1: that hold the bridges up, like, she ran into it

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Speaker 1: head first, split her head wide open. It's blood everywhere.

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Speaker 1: So I'm like, yo, what's going on. I can't just

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Speaker 1: let this happen. He's like, it's New York. Let So

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Speaker 1: he's a little bit shocked, like I don't know what's

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Speaker 1: going on. She gets up and we're standing like right

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Speaker 1: at the bridge, and she runs to the bridge and

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Speaker 1: and literally tries to jump, and just I just so

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Speaker 1: happened to reflex grab her and Yanka down, Like, yo,

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Speaker 1: you're tripping what you're doing? She like, let me go,

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Speaker 1: let me go. I'm trying to go meet God. I said, listen,

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Speaker 1: we can talk about God right now. Guy wants you

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Speaker 1: to live. He ain't done with you yet. You know,

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Speaker 1: she wrestling with Miss Strong. She was strong. It hit

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Speaker 1: me because I was like, you know, she had a

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Speaker 1: little um like five o'clock shot. Oh yeah, And I

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Speaker 1: was like, yo, I think this is this is a

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Speaker 1: transgender And so I'm like oh, man, I don't know

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Speaker 1: what's going on right now. So my man, Andy, you

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Speaker 1: just know it's a human being that needed help. Yeah, absolutely,

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Speaker 1: a trans woman. Yeah forget me. I Don't'm not trying

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Speaker 1: to be politically incorrect, but it was a human being

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Speaker 1: that matter that you don't feel me. So we're wrestling,

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Speaker 1: and then finally she's like, all right, let me wrest,

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Speaker 1: let me wrest. I said, all right, but you gotta

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Speaker 1: just chill out. So she sit down, and then she

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Speaker 1: jumped right back up and trying to jump over the

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Speaker 1: bridge again. I'm like, yo, calm down. So I'm like

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Speaker 1: holding her, you know what I'm saying, and an old

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Speaker 1: man run up, like you gotta stop. She kicked him

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Speaker 1: in the chest bow he fall on the ground bonally,

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Speaker 1: and he's like somebody called the police. Police come. And

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Speaker 1: that's just a real messed up part about it because

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Speaker 1: when the police got there, the first couple of officers were,

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Speaker 1: you know, helpful, trying to like subdue and calm her down.

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Speaker 1: But then they saw her wrestling, and some other cops

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Speaker 1: from a distance just saw tussle, so they didn't ask

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Speaker 1: no questions. They didn't came this tough guy, you know,

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Speaker 1: I just not compassionate at all, and it was it

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Speaker 1: was an ugly scene. But you know, hopefully you know

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Speaker 1: she's good lucky because you as you a man wrestling

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Speaker 1: with huh blood all over you. Yeah, I didn't get

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Speaker 1: no blood on me. You was you was domestic violence

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Speaker 1: right there, right now. I didn't get no blood out.

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Speaker 1: It was like it was a weird like I was

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Speaker 1: really just trying to keep her from jumping. Man. It

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Speaker 1: was I hope so man like please if you if

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Speaker 1: if you listen to this man hit me up, you

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Speaker 1: got saved, yo. It was why all right, we got

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Speaker 1: more with La Crew when we come back to Don't Move.

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Speaker 1: It's a breakfast club. Good morning, breakfast club morning. Everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlemagne, the guy. We are

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Speaker 1: the breakfast club. We have Lacree in the building. Charlemagne.

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Speaker 1: You know that's how I know you're a really decent

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Speaker 1: human being. Because I was actually listening to Oprah's Super

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Speaker 1: Soul podcast this morning, yeah guy who she had on there,

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Speaker 1: But they were talking about how the essence of life,

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Speaker 1: the essence of being human, is realizing other people's pain

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Speaker 1: and coming to the aid of others who are in pain,

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Speaker 1: you know what I mean, no matter who who, no

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Speaker 1: matter who the person is, what their background is, what

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Speaker 1: they do. You just saw a human being in paid

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Speaker 1: and you reacted. Oh yeah, absolutely. I can't even imagine,

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Speaker 1: Like I'll just be thinking to myself, like, because I

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Speaker 1: went through a lot of you know, suicidal feelings and thoughts,

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Speaker 1: you know, through twenty sixteen too, So I can only

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Speaker 1: imagine because I mean, just all of the you know,

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Speaker 1: it's it's the trauma from watching people murdered on television,

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Speaker 1: and then just just so many other things too. I

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Speaker 1: had it was a you got a gun point on

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Speaker 1: you by a police officers to her, it did got

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Speaker 1: all the thing that you, of all people, would have suite.

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Speaker 1: You're the closest to God, yeah, much as you read.

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Speaker 1: But I'm a real one though, man, I don't mind

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Speaker 1: being real. I think that's the problem is that it's

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Speaker 1: this misconception that like, you know, uh, you know, God's

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Speaker 1: people are these picture perfect folks. You know what I'm saying.

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Speaker 1: If anything, we're the most we should be the most vulnerable,

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Speaker 1: the most who are Like listen, i know I'm jacked up.

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Speaker 1: I know I need God. I don't I don't claim

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Speaker 1: to have it all together. So for me, you know,

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Speaker 1: it wasn't like I had a knife to my neck,

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Speaker 1: but it was just like, man, I'm just tired, you

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Speaker 1: know what I'm saying. I'm just tired of all the nonsense.

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Speaker 1: And it's it's not like I was like, all, I'm

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Speaker 1: about to do this. Because when you stop and think about,

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Speaker 1: like anybody who's ever considering suicide, I always think about

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Speaker 1: who's gonna find your body? You know what I'm saying.

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Speaker 1: It's gonna be your kids, It's gonna be you know,

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Speaker 1: your love, when's your mama, somebody got it. It is

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Speaker 1: gonna face the trauma seeing your body land someone on

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Speaker 1: the ground. So don't ever, ever, like always consider that.

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Speaker 1: But long story short, I just went through so much

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Speaker 1: and then and then just all the scrutiny and when

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Speaker 1: your whole, when you start mixing faith and all that

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Speaker 1: stuff into it and just get real ugly and weird

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Speaker 1: and twisted. I see understand what's just saying because I

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Speaker 1: remember at one point in my life I thought about suicide.

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Speaker 1: And it was when I was doing youth ministry at

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Speaker 1: Muhammed mass Number thirty eight in Columbia, South Carolina. I

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Speaker 1: was really trying to be on the righteous path, and

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Speaker 1: I had him Managi with these two chicks, so seriously,

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Speaker 1: I got drunk, had him and talk with these two

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Speaker 1: chicks that so bad. I was like, oh, man, I

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Speaker 1: didn't I'm going to Hell. I disobeyed God. So y'all

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Speaker 1: didn't got shook? What got you at that dog place?

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Speaker 1: You're talking about the dog plays? What got you out

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Speaker 1: of it? Obviously cliche is guy, But I got three

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Speaker 1: really good friends. Man. Shout out to b J. A. T.

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Speaker 1: Tadashi man who just held me down. And they wasn't

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Speaker 1: trying to fix me. They just was trying to face me.

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Speaker 1: Everybody be trying to fix you know, You're like, damn,

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Speaker 1: I'm tired of it. You know, you're talking real sideway,

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Speaker 1: you're talking outside of your next time. And they don't say,

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Speaker 1: you know, brother, you need to you know, think on

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Speaker 1: the right right way. They was just like, I feel you, bro,

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Speaker 1: you know what I'm saying. I feel you. You know,

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Speaker 1: keep keep talking, like let's keep wrestling through it. Yeah,

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Speaker 1: thattimes absolutely need And you also feel like in the

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Speaker 1: church they should have something to do with the politics

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Speaker 1: of everything that's happening today. Oh yeah, that's that's really what.

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Speaker 1: What what God had popped off for me was like

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Speaker 1: the silence. And you know a lot of people look

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Speaker 1: at me and like, oh, you love God. So it's

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Speaker 1: the whole Like and I've had this conversation a million times,

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Speaker 1: but like, you know, me loving God doesn't doesn't make

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Speaker 1: me you know, uh, a conservative, Republican or whatever. You

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Speaker 1: know what I'm saying. And I think that's the mentality

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Speaker 1: people like like, stop talking about politics. I'm like, I'm

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Speaker 1: talking about ta me or Rice. That's a person that

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Speaker 1: ain't politics, you know what I'm saying, Like, what are

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Speaker 1: you talking about? So that the church isn't vocal enough

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Speaker 1: about situations like that you feel? I mean, by and large,

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Speaker 1: I think that you know a lot of people have

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Speaker 1: been vocal. A lot of people have done a lot

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Speaker 1: of great stuff. You know, shout out to like Pastor

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Speaker 1: McCamey and uh in the Bay area, who's who's been

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Speaker 1: real vocal about a lot of stuff. It's been a

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Speaker 1: lot of vocal people. I'm just saying, you know, it

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Speaker 1: was really folks who their faith is connected to patriotism

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Speaker 1: and nationalism. Mine is not. You know what I'm saying, like, right,

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Speaker 1: like I don't like God. I don't God ain't here

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Speaker 1: to save America, you to save the world, you know

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Speaker 1: what I'm saying. So that's my whole thing is like

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Speaker 1: I'm not I'm not anti American, but I'm not like

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Speaker 1: my faith and patriotism, I'm not. I don't believe all

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Speaker 1: that type of weird stuff. So that's what what got

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Speaker 1: me in a lot of tensions. The artists you feel

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Speaker 1: like you couldn't work with because your fan base would

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Speaker 1: be like, I can't believe morally that he would do

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Speaker 1: a song with this person. Nah, Because I mean, now,

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Speaker 1: I think my fans know me and they know what

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Speaker 1: I'm about, and so they know I'm I'm I'm I'm

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Speaker 1: gonna be real and yeah, I'm a man of God

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Speaker 1: or whatnot. But at the same time, I'm gonna be

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Speaker 1: real and I'm gonna do what I what I feel

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Speaker 1: like it's necessary artistically, you know what I'm saying. So

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Speaker 1: I work with anybody, you know, it's just what are

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Speaker 1: we gonna be talking about? You know what I'm saying, Like,

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Speaker 1: I'm gonna work with anybody, and I may just have

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Speaker 1: to jump on a track and put my little spin

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Speaker 1: on it. You know what I'm saying, Like, I don't

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Speaker 1: know how that works. It ain't no rules to it,

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Speaker 1: so to speak, Like everybody trying to make rules for this,

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Speaker 1: but it ain't rules. To just follow what you believe

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Speaker 1: is right, you know what I'm saying, and make good music.

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Speaker 1: Do you think the generational likes the spiritual foundation? America

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Speaker 1: is so influenced by Western thought, and Western thought is

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Speaker 1: gradually becoming more like anti God, you know what I'm saying, Like,

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Speaker 1: I don't believe in God, so but when you go

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Speaker 1: to the East, God is still a very huge part

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Speaker 1: of their culture. So you know, you go to Africa,

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Speaker 1: you go to China, but not God is still it's

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Speaker 1: a big thing. But I feel like, you know, we

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Speaker 1: get real arrogant and like, look at everything we hadn't done,

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Speaker 1: and so we move away. Having a conversation with one

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Speaker 1: of my white homeboys, yeah, we're talking about all of

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Speaker 1: this to natural disasters and climbate change. He's like, look, man,

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Speaker 1: I don't care about the earth. You know, we should

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Speaker 1: be putting this money into other places, not climate change.

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Speaker 1: And I'm like, you don't care about that, So you're

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Speaker 1: basically saying you don't care about God's hearth, and you

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Speaker 1: don't care about your kids your grandchildren. Are you from

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Speaker 1: the South. Yeah. We hunt to eat, We fish, we eat,

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Speaker 1: We garden to eat. The earth is everything. What are

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Speaker 1: you talking about? Catch your story? They think they food

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Speaker 1: come from the grocery store. That's a fact, you know

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Speaker 1: what I'm saying. Long as they don't mess with the

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Speaker 1: grocery store. I'm fine, buddy, Like I'm tripping. Man, things

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Speaker 1: work together. Come on, talk talk, That's what I'm saying.

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Speaker 1: Shot you for joining us. Man. No, it's always a pleasure. Always,

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Speaker 1: Ladies and gentlemen, It's Lacray. It's the Breakfast Club. Good morning.

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Speaker 1: It's time to shoot your shot. To shoot your shot

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Speaker 1: with the Breakfast Club. Want chance, don't mess it up,

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Speaker 1: mess it up, mess it up. It's time to shoot

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Speaker 1: your shot. We got Mike on the line. Mike, what's

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Speaker 1: up something man? Good morning? Now you want to you

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Speaker 1: want to shoot your shot? I'm kind of confused. Who

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Speaker 1: are you shooting your shot with Kenya? Who's Keny my wife?

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Speaker 1: How are you shooting your shot with your wife? Like

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Speaker 1: you should be shooting that shot all day long? Like

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Speaker 1: I shot my shot this morning with my wife. That's

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Speaker 1: kind of SEXYO, that's kind of sexy, especially if you

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Speaker 1: always gotta treat your wife like she's just a girl

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Speaker 1: that you're constantly trying to court. Well, it's it's a

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Speaker 1: it's a complicated story. Man. I've been with my wife

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Speaker 1: for um about two years, and right now she she

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Speaker 1: cheated on me. She left me for someone. Oh, oh,

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Speaker 1: your wife left you for somebody, and now you're gonna

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Speaker 1: call the radio and try to get her back. Oh,

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Speaker 1: see what it is? I work harder work twenty four

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Speaker 1: seven and I just to provide for my family, and

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Speaker 1: she felt that the love wasn't there, and she went

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Speaker 1: and cheated on me. She met this guy in the

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Speaker 1: club and she slept with him. And I've been a

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Speaker 1: papa for a few months. I just want her back.

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Speaker 1: Maybe you victim blaming you. You didn't cause her to

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Speaker 1: sleep with that man. You're no. You out here working hard,

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Speaker 1: trying to provide for your family as a man should,

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Speaker 1: and she should have been holding it down. But were

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Speaker 1: you still being there for her when you still get

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Speaker 1: her out? I gave her everything. I gave her everything

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Speaker 1: that he about to cry, Well, if you cry I

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Speaker 1: will come to this radio and slap fire out. You

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Speaker 1: don't you better? Man up on you and you? You

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Speaker 1: gave her everything? You you? You did you give her?

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Speaker 1: Did you give her love and emotion? The money is

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Speaker 1: always good, But did you give her that love and

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Speaker 1: emotion in that conversation? That she needs that mental I

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Speaker 1: couldn't give her all of that because I'm working to

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Speaker 1: provide for my family, provide for my kids to be

419
00:19:27,280 --> 00:19:29,960
Speaker 1: in school. That don't give her permission to cheat. It

420
00:19:30,280 --> 00:19:32,240
Speaker 1: definitely does not give her permission to cheat. You gotta

421
00:19:32,240 --> 00:19:34,000
Speaker 1: stop blaming yourself. If she wanted to get out, she

422
00:19:34,080 --> 00:19:35,760
Speaker 1: could have just said she wanted out. She shouldn't have cheated.

423
00:19:35,880 --> 00:19:37,920
Speaker 1: Exactly did y'all have that conversation? Did she tell you

424
00:19:38,000 --> 00:19:41,359
Speaker 1: that she and she was She's been blaming it anything.

425
00:19:41,400 --> 00:19:44,800
Speaker 1: I'm the one to love her. Oh my god, he's

426
00:19:44,800 --> 00:19:47,320
Speaker 1: about to cry. It's not your fault, bro, It's not

427
00:19:47,400 --> 00:19:49,600
Speaker 1: your fault. Bro. You be strong man. You might not

428
00:19:49,640 --> 00:19:51,359
Speaker 1: have been all there, but she shouldn't have cheated. Bro.

429
00:19:51,880 --> 00:19:53,800
Speaker 1: Now what you're gonna call her and say? I love

430
00:19:53,920 --> 00:20:01,080
Speaker 1: I just want my wife back? Oh my god, what's his? Nor? Wife?

431
00:20:01,240 --> 00:20:04,480
Speaker 1: Is another woman's? I mean another man smart at this moment.

432
00:20:04,560 --> 00:20:07,640
Speaker 1: Stop man, that's like, no, she left you for another man.

433
00:20:07,800 --> 00:20:09,719
Speaker 1: She cheated on you. Trying to work it out. Man,

434
00:20:09,800 --> 00:20:12,600
Speaker 1: Oh my god, I can't believe Mike. When we come back,

435
00:20:12,600 --> 00:20:14,920
Speaker 1: we're gonna call up on the line. You know, you

436
00:20:15,080 --> 00:20:17,200
Speaker 1: be strong, You tell her, you tell her how you feel,

437
00:20:17,400 --> 00:20:19,640
Speaker 1: and you just don't cry. Just be strong because it's

438
00:20:19,680 --> 00:20:21,920
Speaker 1: not your fault. It's definitely not his fault. I don't

439
00:20:21,920 --> 00:20:23,520
Speaker 1: even know why you calling her. I'll move on. I'll

440
00:20:23,520 --> 00:20:26,200
Speaker 1: be in the gym right now and getting my weight

441
00:20:26,320 --> 00:20:28,200
Speaker 1: up and going to find me something else. No, this

442
00:20:28,600 --> 00:20:30,000
Speaker 1: is his wife. You know. When we come back, we're

443
00:20:30,000 --> 00:20:34,320
Speaker 1: gonna call Kenya. Mike, you're good, yeah, all right, hold on, yo, man,

444
00:20:34,400 --> 00:20:37,840
Speaker 1: be nice man. This is crazy. I'm hurt, but just

445
00:20:37,960 --> 00:20:40,399
Speaker 1: be nice man. You want to hurt the guy. He's crying.

446
00:20:40,440 --> 00:20:41,879
Speaker 1: All right. When we come back, we're gonna call ken

447
00:20:41,920 --> 00:20:43,360
Speaker 1: You don't move. It's a breakfast club in the morning,

448
00:20:43,920 --> 00:20:47,520
Speaker 1: the morning. Everybody is DJ n Vy, Angela Yee, Charlomagne.

449
00:20:47,560 --> 00:20:49,280
Speaker 1: The guy. We all the breakfast club. We're in the

450
00:20:49,359 --> 00:20:52,000
Speaker 1: middle of shoot your shot. Mike is trying to shoot

451
00:20:52,080 --> 00:20:54,640
Speaker 1: his shot with his wife, Kenya all right, Mike, It's

452
00:20:54,640 --> 00:21:09,520
Speaker 1: all up to you. Hello, take Hey, Hey, can you Mike?

453
00:21:09,680 --> 00:21:13,800
Speaker 1: I tell you I'm just, first of all, how are

454
00:21:13,880 --> 00:21:19,320
Speaker 1: you doing? I don't know. I'm not the emotional. Um.

455
00:21:20,080 --> 00:21:23,000
Speaker 1: I mean, part of me is really angry, part of

456
00:21:23,080 --> 00:21:26,520
Speaker 1: me is a little scared. I'm just it's just a lot,

457
00:21:26,800 --> 00:21:30,440
Speaker 1: a lot cre I just I don't want you back.

458
00:21:30,640 --> 00:21:34,359
Speaker 1: Please don't go through with this. I love you. What

459
00:21:35,600 --> 00:21:41,320
Speaker 1: is what? My family? I'm sorry now you now you cry?

460
00:21:41,480 --> 00:21:44,560
Speaker 1: Right now? You cry? What about all those night you

461
00:21:44,720 --> 00:21:48,359
Speaker 1: come in home? Mate? You never crossed, you never taxed.

462
00:21:48,840 --> 00:21:51,359
Speaker 1: I mean like you could have just chucked in. You know,

463
00:21:52,400 --> 00:21:59,800
Speaker 1: it's your kids. I'm working to prob for us. I haven't.

464
00:22:00,119 --> 00:22:07,040
Speaker 1: You haven't done anything outside him my husband. Hello, Hello, Kenya, Kenya,

465
00:22:07,119 --> 00:22:10,560
Speaker 1: good morning, Good morning Kenya Charlomagne from the Breakfast Club

466
00:22:10,680 --> 00:22:12,800
Speaker 1: DJ V Charlomagne and god here, how are you this morning?

467
00:22:12,840 --> 00:22:15,639
Speaker 1: Can you cheat? Wow? I don't even know what to

468
00:22:15,760 --> 00:22:18,560
Speaker 1: say right now? Can you? Can you? You're blaming him

469
00:22:18,880 --> 00:22:20,679
Speaker 1: and you could have spoke to him. You could have said, hey,

470
00:22:20,720 --> 00:22:22,480
Speaker 1: this is not working. Youase, you didn't just have to

471
00:22:22,560 --> 00:22:24,439
Speaker 1: just cheat on him? Can you? You cheated on Mike?

472
00:22:24,560 --> 00:22:29,560
Speaker 1: Can you yea when you know what you cheated on? Mike. No,

473
00:22:29,640 --> 00:22:32,560
Speaker 1: I don't blame him because you're Vachina opened up and

474
00:22:32,680 --> 00:22:35,520
Speaker 1: let another man's penis inside of it. That's not right.

475
00:22:40,400 --> 00:22:43,160
Speaker 1: He was pretty, was providing for his family, and yes

476
00:22:43,240 --> 00:22:44,920
Speaker 1: he didn't come home. He made some mistakes, but not

477
00:22:45,080 --> 00:22:46,960
Speaker 1: enough where you're just gonna leave cheat on my divorce.

478
00:22:46,960 --> 00:22:49,040
Speaker 1: You could have broke up with him, divorced him, didn't

479
00:22:49,080 --> 00:22:51,920
Speaker 1: go have your way with other penises. You cheated, You

480
00:22:52,480 --> 00:22:57,959
Speaker 1: are in breaching his marriage. Bosh, you technically have him

481
00:22:58,160 --> 00:23:02,000
Speaker 1: having sex with his boss. Now, I mean, listen, listen.

482
00:23:02,440 --> 00:23:04,200
Speaker 1: You don't know what's going on. Yeah, you got a

483
00:23:04,240 --> 00:23:05,879
Speaker 1: great promotion at work and all of that, but I

484
00:23:05,880 --> 00:23:08,440
Speaker 1: don't use you. Is called can you? You're wrong? You

485
00:23:08,800 --> 00:23:13,960
Speaker 1: are wrong? You are right? Something like say something you're wrong?

486
00:23:14,160 --> 00:23:16,080
Speaker 1: Can you? Mike? You need to made it up, Mike

487
00:23:16,160 --> 00:23:18,600
Speaker 1: and stop acting like this. She is wrong. Speak up, Mike.

488
00:23:18,760 --> 00:23:22,160
Speaker 1: I'm not this is all You're wrong. It's two plus

489
00:23:22,200 --> 00:23:30,840
Speaker 1: two equal five stopping whatever. Four but wrong, dumb. I'm

490
00:23:30,880 --> 00:23:34,400
Speaker 1: glad you guys think this is funny. It's not nothing

491
00:23:34,440 --> 00:23:37,280
Speaker 1: funny about women cheating. Mike speak. Black men ain't cheating

492
00:23:37,320 --> 00:23:42,000
Speaker 1: since the folk and you out here being my god,

493
00:23:43,440 --> 00:23:47,639
Speaker 1: I just want my family. Oh my god, can you

494
00:23:47,880 --> 00:23:51,439
Speaker 1: get all the times you I was, I though so lonely,

495
00:23:51,920 --> 00:23:54,200
Speaker 1: You did not call you, You never come home for dinner.

496
00:23:54,800 --> 00:23:57,200
Speaker 1: I mean, he said all the time at work, he was,

497
00:23:57,280 --> 00:24:00,520
Speaker 1: he was a change of the family. Doesn't want to

498
00:24:00,520 --> 00:24:02,920
Speaker 1: lose it. You know what you want to talk about

499
00:24:02,960 --> 00:24:04,760
Speaker 1: being fair? It wasn't fair for you to cheat on

500
00:24:04,880 --> 00:24:06,600
Speaker 1: that man, so can you? Are you gonna give him

501
00:24:06,600 --> 00:24:08,760
Speaker 1: another shot and don't fail out for divorces? Give him

502
00:24:08,760 --> 00:24:10,880
Speaker 1: another shot. Y'all speak it, talk it out, and see

503
00:24:10,880 --> 00:24:14,239
Speaker 1: if y'all give me one reason why I should take

504
00:24:14,280 --> 00:24:21,600
Speaker 1: you back because you cheat it. Let Mike, that's why, Mike.

505
00:24:21,760 --> 00:24:24,400
Speaker 1: Stop it, Mike, Mike, Mike. I want to slap fire

506
00:24:24,400 --> 00:24:27,480
Speaker 1: out you so bad. I swear I just want to

507
00:24:27,520 --> 00:24:30,040
Speaker 1: take my left knuckle and rub it deep into your temple, Mike,

508
00:24:30,080 --> 00:24:32,520
Speaker 1: and said, if you don't stop this, can you? You've

509
00:24:32,560 --> 00:24:35,200
Speaker 1: been together since eight years old? You are you are

510
00:24:35,320 --> 00:24:38,040
Speaker 1: his child's mom. Where you give my opportunity a chance?

511
00:24:41,640 --> 00:24:44,399
Speaker 1: I really really wanted a divorce. I mean this is

512
00:24:44,440 --> 00:24:47,200
Speaker 1: what you know. Everything within me told me that this

513
00:24:47,359 --> 00:24:49,399
Speaker 1: is what's happening. I mean, all I could say is

514
00:24:49,400 --> 00:24:51,440
Speaker 1: that I'll think about it. No, no, no, no, no, no,

515
00:24:51,760 --> 00:24:53,600
Speaker 1: you gotta give me a shot. What would Beyonce do?

516
00:24:54,520 --> 00:24:58,160
Speaker 1: Write an album about it? But guess what, Beyonce wouldn't

517
00:24:58,160 --> 00:25:01,399
Speaker 1: be in this situation because Beyonce didn't the man did. Okay,

518
00:25:01,440 --> 00:25:03,719
Speaker 1: But in this situation you jay Z, So you need

519
00:25:03,760 --> 00:25:05,480
Speaker 1: to make a four full four album. I ain't heard

520
00:25:05,480 --> 00:25:09,080
Speaker 1: you say I apologize yet? Can you? I don't apologize.

521
00:25:09,160 --> 00:25:14,480
Speaker 1: I don't what it is. Mike, ain't gonna treat me better? No,

522
00:25:14,640 --> 00:25:16,919
Speaker 1: you need to take her the cart. Mike, stop the voice.

523
00:25:17,000 --> 00:25:22,320
Speaker 1: Irreconcilable differences. You know, the man at the end of

524
00:25:22,359 --> 00:25:23,920
Speaker 1: the day, I just want to tell you a lot.

525
00:25:23,960 --> 00:25:29,320
Speaker 1: You ain't no man, Mike, So can you give all? Right? Well,

526
00:25:29,480 --> 00:25:32,200
Speaker 1: imagine a question? Can you Is you white with the name?

527
00:25:32,280 --> 00:25:34,959
Speaker 1: Can you me? Are you white with the name? Can

528
00:25:35,000 --> 00:25:40,920
Speaker 1: you nothing? I'm just asking you white? I know I'm

529
00:25:40,960 --> 00:25:43,399
Speaker 1: not white? Okay, let's asking well? Can you can you

530
00:25:43,400 --> 00:25:46,440
Speaker 1: give him a shot? Getting what? Can y'all just talk

531
00:25:46,480 --> 00:25:48,359
Speaker 1: it out after this, maybe call each other, have some

532
00:25:48,480 --> 00:25:51,080
Speaker 1: lunch and talk it out. Is that possible? Mike? I

533
00:25:51,200 --> 00:25:55,440
Speaker 1: want to take a lot. You give me a call

534
00:25:55,520 --> 00:25:57,960
Speaker 1: and a little figure it out, not give him a

535
00:25:58,040 --> 00:26:01,000
Speaker 1: call and figure it out. This this weekend, this Friday,

536
00:26:01,080 --> 00:26:03,040
Speaker 1: y'all go out to dinner and y'all talk it out.

537
00:26:03,160 --> 00:26:09,760
Speaker 1: Is that cool? I hope you all right? Michael? Michael,

538
00:26:09,760 --> 00:26:11,479
Speaker 1: you free this friday? Please say yes? Please say you're

539
00:26:11,480 --> 00:26:14,680
Speaker 1: not working? Ye? Yes? Okay? Good? All right? Well, well,

540
00:26:14,720 --> 00:26:16,800
Speaker 1: good luck guys. You better than me. Mike. I want

541
00:26:16,840 --> 00:26:18,080
Speaker 1: to take a hot light and put it on the

542
00:26:18,119 --> 00:26:21,320
Speaker 1: back of your neck. Please keep us in everything whatever.

543
00:26:21,520 --> 00:26:23,280
Speaker 1: You don't know what I've been through? All right? Can

544
00:26:23,359 --> 00:26:27,280
Speaker 1: you trying? Can't you? God? I ain't gonna let your

545
00:26:27,359 --> 00:26:30,240
Speaker 1: edges stay flourishing? Stop? Can you thank you for trying?

546
00:26:31,240 --> 00:26:33,320
Speaker 1: How are you welcome? Thank you all? Good luck. I've

547
00:26:33,320 --> 00:26:36,280
Speaker 1: never heard nothing like this in my life. Come on, man,

548
00:26:36,400 --> 00:26:39,960
Speaker 1: get cheated on and she blaming him, but you're not helping.

549
00:26:40,000 --> 00:26:41,680
Speaker 1: You made me. She wants to go back. Can you

550
00:26:41,720 --> 00:26:43,879
Speaker 1: imagine if a man use that excuse? Imagine if I

551
00:26:44,000 --> 00:26:46,960
Speaker 1: told my wife you made me cheat. That wouldn't go away,

552
00:26:47,280 --> 00:26:50,440
Speaker 1: even locked me away in the mental institude. She probably

553
00:26:50,600 --> 00:26:55,400
Speaker 1: not wrong. That shoots your shots to breakfast club. Good morning,

554
00:27:00,040 --> 00:27:03,120
Speaker 1: it's time to shoot your shot. To shoot your shot

555
00:27:03,240 --> 00:27:06,479
Speaker 1: with the breakfast club, just one chance. Don't mess it up,

556
00:27:06,760 --> 00:27:10,840
Speaker 1: mess it up, mess it up. What's our guys? What

557
00:27:10,920 --> 00:27:13,359
Speaker 1: are you trying to shoot your shot with? DeVante? This

558
00:27:13,560 --> 00:27:17,080
Speaker 1: girl a tiv. She works at the pharmacy. I go too,

559
00:27:17,480 --> 00:27:19,399
Speaker 1: All right, now you gotta go there to pick up

560
00:27:19,400 --> 00:27:21,440
Speaker 1: your vale treks every now and then. Oh, maybe you know,

561
00:27:21,600 --> 00:27:23,439
Speaker 1: fix an STD problem, because I'm letting you know if

562
00:27:23,480 --> 00:27:24,840
Speaker 1: you got to pick up your valereks. I don't think

563
00:27:24,840 --> 00:27:26,239
Speaker 1: this is a good idea to shoot your shot. If

564
00:27:26,280 --> 00:27:28,720
Speaker 1: she knows that she's given you. Nah, she's just dope. Man.

565
00:27:28,800 --> 00:27:30,760
Speaker 1: I don't even have a prescription there. I just go

566
00:27:30,880 --> 00:27:32,520
Speaker 1: there once a week to get like a pack or

567
00:27:32,600 --> 00:27:34,840
Speaker 1: dumb or something. And then you go to the pharmacy

568
00:27:34,920 --> 00:27:37,879
Speaker 1: register just to go see her. Yeah, she definitely did

569
00:27:37,960 --> 00:27:40,119
Speaker 1: should have STD and too scared to get the prescription. Bro,

570
00:27:40,440 --> 00:27:42,560
Speaker 1: I don't know. I don't know. I'm scared to shoot

571
00:27:42,600 --> 00:27:44,800
Speaker 1: my shot. I was hoping y'all help me. Why have

572
00:27:44,960 --> 00:27:47,880
Speaker 1: you ever had a convit? Have you ever had a conversation, dude?

573
00:27:47,920 --> 00:27:49,480
Speaker 1: You know? I get the gum and ask her how

574
00:27:49,560 --> 00:27:51,879
Speaker 1: her day is doing, what's going on? And she's going

575
00:27:51,960 --> 00:27:55,359
Speaker 1: at this for that concert, not to have not a question?

576
00:27:55,520 --> 00:27:57,920
Speaker 1: Do you put the gum in your mouth before you

577
00:27:58,040 --> 00:28:00,440
Speaker 1: talk to her? Oh? You know, are you get a

578
00:28:00,480 --> 00:28:02,600
Speaker 1: piece of the half of her one? Because if you're

579
00:28:02,640 --> 00:28:04,399
Speaker 1: talking to her before you put the gum in your mouth,

580
00:28:04,480 --> 00:28:08,159
Speaker 1: that's probably why she's not interested, because your breakfast clearly funky.

581
00:28:08,760 --> 00:28:11,160
Speaker 1: Now it's like half a half, half with gum, half

582
00:28:11,240 --> 00:28:13,879
Speaker 1: without gum. Okay, okay, all right, well let's get right

583
00:28:13,920 --> 00:28:16,280
Speaker 1: into it. I mean they've only had some brief conversations. Though.

584
00:28:16,320 --> 00:28:17,960
Speaker 1: He doesn't see her when he buys some gums, so

585
00:28:18,040 --> 00:28:20,359
Speaker 1: I'll be interested to see if she's noticed you. Does

586
00:28:20,400 --> 00:28:23,040
Speaker 1: he say hi when you walk in? Oh? Yeah, she's

587
00:28:23,160 --> 00:28:26,000
Speaker 1: very friendly. Okay, it's gotta be a reason that you

588
00:28:26,119 --> 00:28:28,680
Speaker 1: haven't shot your shot yet other than just nerve. Maybe

589
00:28:28,720 --> 00:28:30,280
Speaker 1: he's scared. Maybe he got a small wee week. I

590
00:28:30,359 --> 00:28:35,280
Speaker 1: don't know, damn. Okay, all right, let's maybe maybe you

591
00:28:35,359 --> 00:28:38,280
Speaker 1: need some some zannies then for anxiety. I don't have

592
00:28:38,360 --> 00:28:41,040
Speaker 1: a prescription for it, you know why I could get something? Yeah,

593
00:28:41,200 --> 00:28:44,280
Speaker 1: the girl, Once you shoot your shot, when we come back,

594
00:28:44,320 --> 00:28:46,280
Speaker 1: we're gonna call the TVA. That's the name, right, let's

595
00:28:47,040 --> 00:28:50,080
Speaker 1: let's don't move, right, Okay, we'll call the TA when

596
00:28:50,080 --> 00:28:51,720
Speaker 1: we come back, so don't move. It's the Breakfast Club

597
00:28:51,760 --> 00:28:55,040
Speaker 1: in the morning. DJ envy Angela ye, sholaminea God. We

598
00:28:55,120 --> 00:28:57,640
Speaker 1: are the Breakfast Club. We're in the middle of shoot

599
00:28:57,680 --> 00:29:00,880
Speaker 1: your shot. We have the von take on the line.

600
00:29:01,840 --> 00:29:16,680
Speaker 1: Shoot your shot, man. Make that phone call? Hello, Hey,

601
00:29:16,760 --> 00:29:23,240
Speaker 1: what's up with Tylia? Devant from the pharmacy. DeVante from

602
00:29:23,280 --> 00:29:26,960
Speaker 1: the pharmacy. How do you get my number? You gave

603
00:29:27,000 --> 00:29:30,479
Speaker 1: it to me? Remember, No, I don't remember. I never

604
00:29:30,560 --> 00:29:34,560
Speaker 1: gave you one. Wait, please don't say what do you want? Well,

605
00:29:34,640 --> 00:29:36,680
Speaker 1: you didn't actually give me a number. You actually gave

606
00:29:36,720 --> 00:29:39,240
Speaker 1: me your name, and then our search Facebook and your

607
00:29:39,320 --> 00:29:42,760
Speaker 1: number came off. Jesus Christ. Okay, you gotta stop. You

608
00:29:42,840 --> 00:29:45,080
Speaker 1: did not tell us this part. I'm sorry this. Let's

609
00:29:45,120 --> 00:29:48,040
Speaker 1: have you from the Hello. Yes, hey, wait DJ m

610
00:29:48,120 --> 00:29:50,520
Speaker 1: v Angela ye. Charlemagne from Breakfast Club. Mama, Yeah, we're

611
00:29:50,520 --> 00:29:54,000
Speaker 1: doing shooting. We thought that you gave him your number,

612
00:29:54,080 --> 00:29:55,880
Speaker 1: and so he was calling to shoot his shot because

613
00:29:55,880 --> 00:29:57,240
Speaker 1: he has a crush on you. He said, he comes

614
00:29:57,280 --> 00:30:01,440
Speaker 1: in there all the time to buy gum. Oh my god,

615
00:30:01,880 --> 00:30:04,160
Speaker 1: Oh my god, to du That boy's gum. I don't

616
00:30:04,200 --> 00:30:07,080
Speaker 1: even put his change in his hand like I put

617
00:30:07,160 --> 00:30:11,200
Speaker 1: it on the Oh my god, he's the creepiest. Why

618
00:30:11,360 --> 00:30:13,640
Speaker 1: is he calling me? I don't understand. He still, he's

619
00:30:13,640 --> 00:30:15,600
Speaker 1: still on the phone. He can hear he can hear you.

620
00:30:15,720 --> 00:30:19,160
Speaker 1: He's here. I got this point. I don't even care

621
00:30:19,280 --> 00:30:22,280
Speaker 1: because you're talking about too looked up my number on Facebook.

622
00:30:23,000 --> 00:30:28,239
Speaker 1: It's kind of weird. That's no really, because Facebook does

623
00:30:28,320 --> 00:30:31,040
Speaker 1: provide this kind of information. But I do think I

624
00:30:31,080 --> 00:30:32,800
Speaker 1: wish we would have asked him, you know, did he

625
00:30:32,880 --> 00:30:36,240
Speaker 1: get your number before? And but yeah, but wait, why

626
00:30:36,400 --> 00:30:38,560
Speaker 1: is he calling me? I'm not understanding. He wants to

627
00:30:38,600 --> 00:30:40,320
Speaker 1: have sex with No, no, he wants to take you

628
00:30:40,360 --> 00:30:41,720
Speaker 1: out on the date. He wants to take you out

629
00:30:41,760 --> 00:30:45,040
Speaker 1: on the date. Why would go five billion people on

630
00:30:45,080 --> 00:30:46,560
Speaker 1: the planet and you think I would go out with

631
00:30:46,640 --> 00:30:51,160
Speaker 1: this dude? Speak? No no, no, no, no, no, speak.

632
00:30:51,480 --> 00:30:59,040
Speaker 1: You have the name of a mens what he keeping

633
00:30:59,080 --> 00:31:02,640
Speaker 1: in one hun no? Well let me keep it one hundred.

634
00:31:03,280 --> 00:31:06,440
Speaker 1: DeVante has adult acne. I can't even get past that

635
00:31:06,520 --> 00:31:09,400
Speaker 1: because we're not even doing it like that? No, are

636
00:31:09,480 --> 00:31:17,560
Speaker 1: you kidding me? Trying to figure out and figure me out? No, please,

637
00:31:18,120 --> 00:31:21,360
Speaker 1: and let me tell you, I'm giving out medicine for diabetes,

638
00:31:21,840 --> 00:31:24,960
Speaker 1: for HIV, for cancer, and this is coming every day

639
00:31:25,000 --> 00:31:29,560
Speaker 1: buying gum. Do you know how creepy that is? Listen,

640
00:31:30,440 --> 00:31:32,680
Speaker 1: why don't you prescribe him something for his adult acte?

641
00:31:32,720 --> 00:31:34,800
Speaker 1: Should he go see a dermat I have a great man.

642
00:31:36,240 --> 00:31:40,760
Speaker 1: I don't believe. I really, I don't know why she's

643
00:31:40,800 --> 00:31:42,880
Speaker 1: being like that. I always offer a piece of dumb

644
00:31:42,920 --> 00:31:48,480
Speaker 1: when I come, and that's creepy. I don't think you

645
00:31:48,480 --> 00:31:51,200
Speaker 1: should tell a guy like this any last words. That

646
00:31:51,360 --> 00:31:57,960
Speaker 1: creepy and it really okay, all nice and slow flirt

647
00:31:58,040 --> 00:32:00,200
Speaker 1: with me. You know you love the girl. Why are

648
00:32:00,200 --> 00:32:01,760
Speaker 1: you taking the gun from him? Why are you leading

649
00:32:01,840 --> 00:32:03,600
Speaker 1: him on by taking the gun from gun from him?

650
00:32:03,640 --> 00:32:06,080
Speaker 1: If you've never taking a gun from him, I'm never

651
00:32:06,160 --> 00:32:12,280
Speaker 1: taking gun fire. I have a video I snapshatted LaTavia.

652
00:32:12,680 --> 00:32:15,200
Speaker 1: What Yeah, next time he comes in there, I would

653
00:32:15,200 --> 00:32:17,160
Speaker 1: call a policeman. He's creepy as hell. Yeah, and the

654
00:32:17,240 --> 00:32:21,960
Speaker 1: table you might you might need to get. Now, we

655
00:32:22,040 --> 00:32:25,400
Speaker 1: didn't know. I'm sorry, you know we didn't know. Heyte

656
00:32:25,960 --> 00:32:28,880
Speaker 1: your mother our father was clearly a Jodas fan. Okay,

657
00:32:28,920 --> 00:32:31,000
Speaker 1: because they named you DeVante. Are you familiar with Devant

658
00:32:31,120 --> 00:32:34,800
Speaker 1: Swing from Jodas, Yeah, okay, he did a juicy f

659
00:32:34,960 --> 00:32:41,160
Speaker 1: commercial back in the day. Oh my god, Latavi. I'm sorry.

660
00:32:41,240 --> 00:32:42,680
Speaker 1: All right, we gotta go. We got things to do.

661
00:32:42,920 --> 00:32:47,800
Speaker 1: I'm sorry. Time, have a blessed day. Stops talking women, Okay,

662
00:32:48,120 --> 00:32:56,360
Speaker 1: all right, I'll see you to see you next week. Girl, Sorry, sorry,

663
00:32:56,880 --> 00:33:01,160
Speaker 1: geez all right, shoot your shot. I was born to donkey.

664
00:33:01,400 --> 00:33:13,760
Speaker 1: It's the Donkey of the death. That's pretty Charlomagne Devil

665
00:33:16,480 --> 00:33:21,040
Speaker 1: Breakfast Club any day for Tuesday, September nineteenth Coast. This

666
00:33:21,120 --> 00:33:23,400
Speaker 1: Chanelle West Coast. You know Chanelle West Coast and I

667
00:33:23,560 --> 00:33:27,440
Speaker 1: had a little encounter earlier this year on MTV's Ridiculousness.

668
00:33:27,920 --> 00:33:30,120
Speaker 1: Let's hear it in case you're not familiar. My only

669
00:33:30,200 --> 00:33:32,120
Speaker 1: strategy is just to tell the truth. It's like, whatever

670
00:33:32,160 --> 00:33:34,840
Speaker 1: I said about you, I'm gonna say to you, and

671
00:33:34,880 --> 00:33:36,880
Speaker 1: I'm gonna continue to stay in tune your regards. How

672
00:33:36,920 --> 00:33:39,280
Speaker 1: man say something doesn't make it the truth. I told

673
00:33:39,320 --> 00:33:44,920
Speaker 1: her she was whack wrapping one time. Have y'all ever heard? Okay,

674
00:33:45,080 --> 00:33:51,320
Speaker 1: good for the good people that said no little way

675
00:33:51,440 --> 00:33:53,440
Speaker 1: who close signed rank and Nicki Minaj is the same

676
00:33:53,440 --> 00:33:55,160
Speaker 1: person who co signed me. I want to be et

677
00:33:55,280 --> 00:33:57,760
Speaker 1: Award with young Money. I got songs called French Montana, YG,

678
00:33:57,960 --> 00:34:04,040
Speaker 1: Tie Dollar Side Snoop Dogg, Dog mind you, I don't dog.

679
00:34:04,160 --> 00:34:07,000
Speaker 1: After getting into a verbal argument with him because he's

680
00:34:07,000 --> 00:34:09,600
Speaker 1: respecting me so much, after I spoke my mom'sa he

681
00:34:09,680 --> 00:34:11,399
Speaker 1: still came back into the song while are you talking

682
00:34:11,440 --> 00:34:18,640
Speaker 1: with your hands? Musical track record bro say funny today

683
00:34:18,640 --> 00:34:25,239
Speaker 1: because he doesn't know my mother. Musical track record records show.

684
00:34:25,320 --> 00:34:27,680
Speaker 1: People always like to say Wayne found Nikki and Drake,

685
00:34:27,719 --> 00:34:29,440
Speaker 1: but they always leave out a little twist and Tiger.

686
00:34:29,960 --> 00:34:33,160
Speaker 1: Chanelle is hilarious. Bless her little heart. The thing about

687
00:34:33,239 --> 00:34:35,440
Speaker 1: Chanelle West Coast is that she's always talking about this

688
00:34:35,560 --> 00:34:39,080
Speaker 1: imaginary resume she has. She's always talking about this track record.

689
00:34:39,160 --> 00:34:41,480
Speaker 1: She's like the side chick who claims she's the main chick,

690
00:34:41,760 --> 00:34:43,400
Speaker 1: But when you ask the guys about it that she

691
00:34:43,520 --> 00:34:45,680
Speaker 1: claims to be with, they don't claim. I like that.

692
00:34:46,160 --> 00:34:48,200
Speaker 1: On Loving Hip Hop Hollywood, you know West Coast is

693
00:34:48,280 --> 00:34:50,840
Speaker 1: trying to convince the producer name a one to do

694
00:34:51,040 --> 00:34:53,399
Speaker 1: something that no producer really wants to do, and that's

695
00:34:53,480 --> 00:34:56,480
Speaker 1: recording music with her. Chanelle West coast has to produce

696
00:34:56,520 --> 00:34:59,120
Speaker 1: at A One about helping her make the mayonnaise music. Yes,

697
00:34:59,200 --> 00:35:01,239
Speaker 1: Chanelle wanted to know if A One is interested in

698
00:35:01,360 --> 00:35:04,160
Speaker 1: helping her provide a soundtrack for her unseasoned chicken Breast,

699
00:35:04,400 --> 00:35:06,239
Speaker 1: and A One had to remind her that back in

700
00:35:06,280 --> 00:35:08,120
Speaker 1: the day, when I wanted to work with you, you

701
00:35:08,280 --> 00:35:11,160
Speaker 1: played me. Oh, yes, we've heard this tale before. Back

702
00:35:11,200 --> 00:35:12,920
Speaker 1: then you didn't want me. Now I'm a hot day

703
00:35:12,960 --> 00:35:14,759
Speaker 1: all on me. That's what happened with Schnell and A

704
00:35:14,880 --> 00:35:16,719
Speaker 1: One on loving hip hop Hollywood? Can we hear a

705
00:35:16,719 --> 00:35:18,680
Speaker 1: bit of this police, I rap and sing and I

706
00:35:18,880 --> 00:35:21,560
Speaker 1: really liked your beat. Should definitely linked up, just so

707
00:35:21,719 --> 00:35:23,520
Speaker 1: you to get familiar, like I was with Little Wayne

708
00:35:23,680 --> 00:35:25,640
Speaker 1: Young Money, Like I sat and played all my music

709
00:35:25,719 --> 00:35:28,080
Speaker 1: for Little Wayne. And I have songs with French Montana,

710
00:35:28,160 --> 00:35:33,120
Speaker 1: Snoop be Real Tie do all the side. Yeah, you

711
00:35:33,200 --> 00:35:36,959
Speaker 1: could ask them. I met you before. Um, I wasn't

712
00:35:37,040 --> 00:35:40,160
Speaker 1: as hot. I was in session with French Montana. You know.

713
00:35:40,239 --> 00:35:42,759
Speaker 1: I'm like, yo, we should work and you had your

714
00:35:42,840 --> 00:35:44,759
Speaker 1: chaise one. I don't know. You probably never looked at me,

715
00:35:45,040 --> 00:35:49,120
Speaker 1: but I was trying to work with you. Disclaim me.

716
00:35:49,280 --> 00:35:51,920
Speaker 1: You know, I hope the best for you. I can't

717
00:35:52,440 --> 00:35:55,000
Speaker 1: work with you. I dropped one a clue bomb for

718
00:35:55,080 --> 00:35:59,160
Speaker 1: a one, dammit right. That's why you got to treat

719
00:35:59,160 --> 00:36:02,319
Speaker 1: everyone with because you never know who's gonna be who. Okay,

720
00:36:02,400 --> 00:36:04,680
Speaker 1: basically a one told the Delhi owner the whole the

721
00:36:04,760 --> 00:36:07,319
Speaker 1: man as now when the mail that is Chanelle West

722
00:36:07,360 --> 00:36:09,839
Speaker 1: Coast wasn't allowed on a one sandwich. When she got

723
00:36:09,880 --> 00:36:12,440
Speaker 1: introduced to a tribe called Curve, not only did she

724
00:36:12,480 --> 00:36:15,000
Speaker 1: start running down her track record, it was interesting to

725
00:36:15,040 --> 00:36:17,800
Speaker 1: see how she took me telling her that she was whacked.

726
00:36:17,960 --> 00:36:19,480
Speaker 1: I don't know if you don't like if you know

727
00:36:19,600 --> 00:36:23,480
Speaker 1: my track d Charlot Mayne said it right. Oh no,

728
00:36:23,680 --> 00:36:25,719
Speaker 1: I had to tell him what it was. Charle Mayne

729
00:36:25,760 --> 00:36:27,920
Speaker 1: also has went out some of the biggest rappers in history.

730
00:36:28,000 --> 00:36:31,280
Speaker 1: So I'm up. I'm up there with Kanye and drinking

731
00:36:31,320 --> 00:36:37,440
Speaker 1: everybody else. But listen, Charla Mayne and just In Chanelle

732
00:36:37,440 --> 00:36:39,480
Speaker 1: West Coast, you're just putting me up in the caliber

733
00:36:39,560 --> 00:36:43,160
Speaker 1: of the mother. Do just in't Wow? That's very ambitious.

734
00:36:43,920 --> 00:36:46,200
Speaker 1: That's dope, Chanelle West Coast thinks because I have called

735
00:36:46,239 --> 00:36:49,080
Speaker 1: out drinking Kanye before that since I called her whack

736
00:36:49,160 --> 00:36:51,960
Speaker 1: as well. She's on that level. First of all, even

737
00:36:52,000 --> 00:36:53,920
Speaker 1: though Drake has never been my cup of green tea,

738
00:36:54,000 --> 00:36:56,960
Speaker 1: I've always said he was an extremely talented individual. Just

739
00:36:57,120 --> 00:36:59,680
Speaker 1: because I called Kanye West Kanye Kardashian, and I think

740
00:36:59,719 --> 00:37:01,560
Speaker 1: he's the sunken places, not me, and I am not

741
00:37:01,640 --> 00:37:04,560
Speaker 1: a fan. Kanye West is a musical legend. You, Chanel,

742
00:37:04,719 --> 00:37:06,640
Speaker 1: are none of these things. All right. Let's be clear

743
00:37:06,680 --> 00:37:09,200
Speaker 1: on that. There are four types of delusions delusions in

744
00:37:09,280 --> 00:37:12,480
Speaker 1: this world. All right. You got bizarre delusions, non bizarre delusions,

745
00:37:13,160 --> 00:37:16,840
Speaker 1: mood congruent delusions, mood neutral delusions. I would say, Chanel,

746
00:37:16,920 --> 00:37:19,960
Speaker 1: you fall under the bizarre delusions category. Somebody asked me

747
00:37:20,040 --> 00:37:24,920
Speaker 1: what bizarre delusions are. Nobody's gonna ask me. Bizarre delusions

748
00:37:24,960 --> 00:37:29,279
Speaker 1: are considered extremely odd, highly implausible, and inappropriate based on

749
00:37:29,360 --> 00:37:33,120
Speaker 1: the person's culture and life experiences. Okay. An example of

750
00:37:33,160 --> 00:37:36,120
Speaker 1: a bizarre delusion would be the belief that an alien

751
00:37:36,239 --> 00:37:39,640
Speaker 1: performed surgery and replaced all your blood with kool Aid

752
00:37:39,840 --> 00:37:43,279
Speaker 1: without leaving the car. Okay, A Chanelle West Coast thinking

753
00:37:43,360 --> 00:37:45,799
Speaker 1: she's on the same level as draking Kanye West because

754
00:37:45,880 --> 00:37:48,200
Speaker 1: Charlemagne has so called disc all of them. I have

755
00:37:48,239 --> 00:37:51,200
Speaker 1: been very specific about any reason why I wasn't feeling

756
00:37:51,280 --> 00:37:54,720
Speaker 1: drinking Kanye about something. But those guys are extremely talented.

757
00:37:55,160 --> 00:37:57,359
Speaker 1: Just like what you, Shanel. I think you're a lovely person,

758
00:37:57,440 --> 00:38:00,239
Speaker 1: but you're just a whack artist. Okay. I think Donald

759
00:38:00,239 --> 00:38:02,120
Speaker 1: Trump is whack and I've said that these whack a

760
00:38:02,239 --> 00:38:04,480
Speaker 1: bunch of times on this radio. But that don't make

761
00:38:04,560 --> 00:38:06,960
Speaker 1: you the president. Doesn't. Channel doesn't make you one of

762
00:38:07,000 --> 00:38:09,120
Speaker 1: the highest politicians in the world, does it just because

763
00:38:09,160 --> 00:38:12,520
Speaker 1: I just you and Donald Trump? Chanel, You're a whack rapper, Okay.

764
00:38:12,600 --> 00:38:14,400
Speaker 1: You have done music with all of those people. You

765
00:38:14,480 --> 00:38:17,480
Speaker 1: got this long track record and it's gotten you absolutely nowhere.

766
00:38:17,680 --> 00:38:20,759
Speaker 1: You have every musical cheek, cold known the man, and

767
00:38:20,920 --> 00:38:23,359
Speaker 1: you keep failing. And you know what they say, when

768
00:38:23,400 --> 00:38:27,880
Speaker 1: all else fails, there's always delusion. Channel don't go chasing

769
00:38:27,920 --> 00:38:30,480
Speaker 1: Texas Peak. Stick to the Helmans in the miracle whip

770
00:38:30,600 --> 00:38:33,840
Speaker 1: that you're used to. Please give Channel West Coast the

771
00:38:33,840 --> 00:38:41,800
Speaker 1: biggest he hull Jesus christ Man, the Breakfast Club Morning.

772
00:38:41,880 --> 00:38:45,719
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy we

773
00:38:45,800 --> 00:38:48,120
Speaker 1: are the Breakfast Club. We got a special guest in

774
00:38:48,160 --> 00:38:53,239
Speaker 1: the building. What's happening, what's up? What's going on? Man?

775
00:38:53,640 --> 00:38:55,319
Speaker 1: To sign Hi. I always wanted to know what did

776
00:38:55,360 --> 00:38:58,280
Speaker 1: you mean when you said, really don't do breakfast club interviews?

777
00:38:58,680 --> 00:39:02,920
Speaker 1: Oh no, real gangsters don't. Yeah, because, um, you know, man,

778
00:39:02,920 --> 00:39:04,680
Speaker 1: I used to see a lot of artists come up here,

779
00:39:04,760 --> 00:39:07,320
Speaker 1: man be like, I don't want to answer the question

780
00:39:07,400 --> 00:39:08,960
Speaker 1: when you ask them, you know what I mean, Like

781
00:39:09,560 --> 00:39:11,719
Speaker 1: they'd be like trying to act off tough about be like, man,

782
00:39:11,760 --> 00:39:17,279
Speaker 1: you're an artist, bro, if you gangster like, we don't

783
00:39:17,320 --> 00:39:19,759
Speaker 1: do no interviews, you should bring your attorney with you.

784
00:39:21,560 --> 00:39:24,000
Speaker 1: I'm just saying that's if that's how if that's what

785
00:39:24,120 --> 00:39:26,560
Speaker 1: we're really doing. So it's just like i'd be wondering,

786
00:39:26,640 --> 00:39:28,279
Speaker 1: I'd be fans of the artist to me, like they

787
00:39:28,320 --> 00:39:30,800
Speaker 1: ain't answer that one. That was nothing. Yeah, you're not

788
00:39:30,840 --> 00:39:33,279
Speaker 1: being interrogated. It's an interview. Yeah. So it's like, if

789
00:39:33,320 --> 00:39:35,080
Speaker 1: you really a street dude, you really don't want to

790
00:39:35,120 --> 00:39:37,839
Speaker 1: come and talk about what your life and what made

791
00:39:37,880 --> 00:39:40,439
Speaker 1: you an artist and what inspired you, then this ain't

792
00:39:40,440 --> 00:39:43,040
Speaker 1: the interview. This ain't the place for that. Yeah. Absolutely.

793
00:39:43,120 --> 00:39:45,279
Speaker 1: Now let's you you're a writer as well as an artist,

794
00:39:45,920 --> 00:39:48,640
Speaker 1: A lot for Kanye West, Yes, sir, now like balls

795
00:39:48,680 --> 00:39:52,160
Speaker 1: of hooks, uh, more of everything. It's more of just

796
00:39:52,280 --> 00:39:56,200
Speaker 1: brainstorm Like it ain't more so like hey like bow

797
00:39:56,280 --> 00:40:00,440
Speaker 1: wow and I'm like okay, it's you know, it's like

798
00:40:00,680 --> 00:40:03,680
Speaker 1: right wrapped that like that. No, it's more so half

799
00:40:03,719 --> 00:40:05,800
Speaker 1: of the time we just being there talking about the record.

800
00:40:06,120 --> 00:40:10,919
Speaker 1: The record Man Pablo was done probably in like seven days,

801
00:40:11,640 --> 00:40:14,960
Speaker 1: the whole life. He wrapped all at the Jungle studio.

802
00:40:15,040 --> 00:40:18,400
Speaker 1: He wrapped twelve verses before the Pablo thing in the

803
00:40:18,480 --> 00:40:21,440
Speaker 1: Madison Square gard really, but he just wrapped all twover,

804
00:40:21,520 --> 00:40:23,239
Speaker 1: didn't go to sleep. It was just him kill Me

805
00:40:23,320 --> 00:40:25,799
Speaker 1: and Chance and we just satting there and made him

806
00:40:25,800 --> 00:40:28,200
Speaker 1: wrap everything. But we've just been talking about it for

807
00:40:28,360 --> 00:40:31,560
Speaker 1: two years though we ain't even had a lyrics lad.

808
00:40:31,680 --> 00:40:34,080
Speaker 1: So it was just like he did twelve records in

809
00:40:34,440 --> 00:40:35,920
Speaker 1: one week. I mean, like, you know, it might not

810
00:40:35,960 --> 00:40:37,000
Speaker 1: even be in one week. He might have been like

811
00:40:37,080 --> 00:40:40,200
Speaker 1: three days. He stayed up like straight and went straight

812
00:40:40,239 --> 00:40:43,759
Speaker 1: to Madison Square. Guards My Hands was your favorite, yeah

813
00:40:44,440 --> 00:40:47,160
Speaker 1: yeah yeah, I love that record too, yeah yeah. So

814
00:40:47,440 --> 00:40:49,319
Speaker 1: when Cuttie came in there, it was just like, man,

815
00:40:50,120 --> 00:40:52,320
Speaker 1: that's like the Holy Trinity. I was just in the

816
00:40:52,360 --> 00:40:54,959
Speaker 1: bay like, wow, I've never seen him work together before.

817
00:40:55,080 --> 00:40:59,239
Speaker 1: So that was the first for me. Um Well, he

818
00:40:59,600 --> 00:41:01,640
Speaker 1: discovered me on the internet. I did a song on

819
00:41:01,880 --> 00:41:05,880
Speaker 1: guy named Pale and yellow Wolf pills. Yeah, yeah, so

820
00:41:06,040 --> 00:41:12,480
Speaker 1: I was I was yellow Wolf. I don't got nothing

821
00:41:12,480 --> 00:41:14,080
Speaker 1: against him. I don't rock with you know what I'm saying.

822
00:41:14,080 --> 00:41:16,120
Speaker 1: I just had to find some guys that was like

823
00:41:16,320 --> 00:41:18,160
Speaker 1: in my lane because in Atlanta was tough for me

824
00:41:18,280 --> 00:41:20,360
Speaker 1: to like do what type of music I wanted. So

825
00:41:20,400 --> 00:41:22,160
Speaker 1: I just kind of got fed up with my situation.

826
00:41:22,200 --> 00:41:23,880
Speaker 1: It was like, you know, how much gonna gona rap

827
00:41:23,960 --> 00:41:26,160
Speaker 1: with dudes who wrap, even if they ain't that poblo

828
00:41:26,200 --> 00:41:28,360
Speaker 1: or whatever. So we did this record and we did

829
00:41:28,400 --> 00:41:31,120
Speaker 1: a little you know, fifteen hundreds video and ya seen

830
00:41:31,160 --> 00:41:33,279
Speaker 1: it on the internet and just kind of start putting

831
00:41:33,320 --> 00:41:35,359
Speaker 1: it on his tumbler. And then a week lady flew

832
00:41:35,440 --> 00:41:38,360
Speaker 1: me to Hawaii and it was just and we've been conversation.

833
00:41:38,920 --> 00:41:41,640
Speaker 1: Row was just say, yeah, what Errow? This my beautiful

834
00:41:41,719 --> 00:41:43,960
Speaker 1: dark twister fantas. Okay. Yeah, so that's when I first

835
00:41:44,000 --> 00:41:46,719
Speaker 1: met him. During that album, I always wondered where you frustrated,

836
00:41:46,800 --> 00:41:48,880
Speaker 1: like just trying to put out that solo album, I

837
00:41:48,960 --> 00:41:51,560
Speaker 1: mean that debut album or was it you being patient

838
00:41:51,600 --> 00:41:54,080
Speaker 1: and saying, okay, it's not time, it's not time. Well,

839
00:41:54,360 --> 00:41:56,640
Speaker 1: one thing for me, man, I'm like I experienced the

840
00:41:56,719 --> 00:42:00,080
Speaker 1: streets in on a sober level, so I was it

841
00:42:00,160 --> 00:42:02,000
Speaker 1: is happy to not have to go back to the

842
00:42:02,080 --> 00:42:05,280
Speaker 1: trap I would have gave. I would have delivered waters

843
00:42:05,800 --> 00:42:08,600
Speaker 1: in turn what I'm saying, Carrie quit me, I wouldn't

844
00:42:08,600 --> 00:42:10,440
Speaker 1: even tripping so a lot of time. That may be

845
00:42:10,600 --> 00:42:12,800
Speaker 1: my fault because I would just I'm just happy not

846
00:42:13,040 --> 00:42:14,320
Speaker 1: you know that have to do what I used to

847
00:42:14,400 --> 00:42:17,080
Speaker 1: do so then and I understand the fans was like,

848
00:42:17,600 --> 00:42:19,560
Speaker 1: you know, very adamant about it. So I definitely wanted

849
00:42:19,560 --> 00:42:21,080
Speaker 1: to do this for them too as well, not just

850
00:42:21,239 --> 00:42:24,680
Speaker 1: for myself. But I was never frustrated because I hadn't

851
00:42:24,719 --> 00:42:30,040
Speaker 1: worked on his last five albums. I'm pretty absolutely okay, Yeah,

852
00:42:30,160 --> 00:42:33,839
Speaker 1: I definitely got a play. Oh no, he overly paid

853
00:42:34,040 --> 00:42:38,520
Speaker 1: that's an issue for nobody. Was an issue like he

854
00:42:38,640 --> 00:42:41,480
Speaker 1: had come like if he has overly paid me, Okay,

855
00:42:41,520 --> 00:42:44,560
Speaker 1: all right. A dude walked into studio with some leather

856
00:42:44,640 --> 00:42:49,439
Speaker 1: black jeans on and his and a theme song black

857
00:42:49,520 --> 00:42:52,600
Speaker 1: jeans on get a part of the song that I helped,

858
00:42:52,719 --> 00:42:55,520
Speaker 1: you know what I'm saying, putting together? Yes, bro, he

859
00:42:55,760 --> 00:42:58,960
Speaker 1: if you're delivering waters, if you the engineer, if you're

860
00:42:59,000 --> 00:43:01,799
Speaker 1: the cameraman, if he actually one thing about this song,

861
00:43:02,080 --> 00:43:03,480
Speaker 1: your name is on the record. That's why I'd be

862
00:43:03,520 --> 00:43:06,880
Speaker 1: so many people. All you gotta do is be in

863
00:43:06,920 --> 00:43:09,960
Speaker 1: the brainstorming. If you was in the brainstorm room, you

864
00:43:10,040 --> 00:43:12,400
Speaker 1: get part of the record. Ain't like everybody wrote on

865
00:43:12,440 --> 00:43:14,440
Speaker 1: the record. It's just everybody who was in there get

866
00:43:14,560 --> 00:43:17,279
Speaker 1: pieces of you the piano player. That's so interesting because

867
00:43:17,280 --> 00:43:21,279
Speaker 1: you wonder like like sometimes Kanye seems so narcsistic, and

868
00:43:21,560 --> 00:43:23,200
Speaker 1: it seems like he has such a big ego and

869
00:43:23,239 --> 00:43:25,840
Speaker 1: he seems so self centered that you wouldn't think he

870
00:43:25,880 --> 00:43:28,600
Speaker 1: would be such a giving person like that. Yeah, man,

871
00:43:28,800 --> 00:43:31,319
Speaker 1: because he already you know, the samples already taken up.

872
00:43:31,520 --> 00:43:35,279
Speaker 1: He got three samples, so that's all gonna take. It's

873
00:43:35,480 --> 00:43:38,520
Speaker 1: fifteen twenty people gotta chop up. But that's just how

874
00:43:38,640 --> 00:43:40,360
Speaker 1: he is. He just you know what I mean. So

875
00:43:40,480 --> 00:43:42,239
Speaker 1: I appreciate them, you know what I'm saying, because a

876
00:43:42,280 --> 00:43:44,759
Speaker 1: lot of times, you know, people don't do that. People

877
00:43:44,760 --> 00:43:47,719
Speaker 1: don't even recognize nobody, but he overly recognized. I'm talking.

878
00:43:47,719 --> 00:43:52,719
Speaker 1: If you answering the door, you're asking what's you're publishing? Relax,

879
00:43:53,960 --> 00:43:56,840
Speaker 1: the first deal was with Acon. Yeah, now how did

880
00:43:56,880 --> 00:43:59,560
Speaker 1: you look up with Acon or what happened with that situation? Well,

881
00:43:59,800 --> 00:44:02,160
Speaker 1: my first dude was actually with Nuoni and Jazz Faye.

882
00:44:02,200 --> 00:44:04,440
Speaker 1: I was in a group, but damn they take me

883
00:44:04,520 --> 00:44:07,719
Speaker 1: back with that one. Yeah, I got my first dual

884
00:44:07,920 --> 00:44:10,040
Speaker 1: like fifteen, so you know what I mean. I was

885
00:44:10,080 --> 00:44:12,200
Speaker 1: always like one of the best rappers in my opinion,

886
00:44:12,520 --> 00:44:19,400
Speaker 1: But um, yeah, I knew Booth through my potting, you

887
00:44:19,440 --> 00:44:21,720
Speaker 1: know what I'm saying. So I knew Booth through Bach,

888
00:44:22,200 --> 00:44:24,040
Speaker 1: you know what I mean. So I was just a dude.

889
00:44:24,200 --> 00:44:25,600
Speaker 1: I was just trying to get out of my situation.

890
00:44:25,600 --> 00:44:27,600
Speaker 1: I was signing some gangsters, you know what I'm saying.

891
00:44:27,680 --> 00:44:29,160
Speaker 1: They were just like, okay, you want to get out

892
00:44:29,200 --> 00:44:31,520
Speaker 1: of this, we need this. So I'm like, okay, So

893
00:44:31,640 --> 00:44:34,000
Speaker 1: I'm trying to figure out somebody that it helped me,

894
00:44:34,080 --> 00:44:35,400
Speaker 1: you know what I mean, you know, give me a

895
00:44:35,480 --> 00:44:37,840
Speaker 1: check on something. So Boots like what y'all loved it.

896
00:44:38,920 --> 00:44:41,440
Speaker 1: So I always got a place even though our situation

897
00:44:41,520 --> 00:44:42,880
Speaker 1: that all the way work out because you know the

898
00:44:42,960 --> 00:44:45,360
Speaker 1: Deaf Jam regime and you know La Reads and all that.

899
00:44:45,520 --> 00:44:48,759
Speaker 1: I just always appreciated him for just taking a chance

900
00:44:48,800 --> 00:44:50,759
Speaker 1: to like get me out of my situation. I ain't

901
00:44:50,760 --> 00:44:52,640
Speaker 1: need nothing else from Boot. It didn't kind of go

902
00:44:52,800 --> 00:44:55,560
Speaker 1: right because once I got to death Jam, it was

903
00:44:55,640 --> 00:44:58,279
Speaker 1: like Boot left, Boo La Read left and like four

904
00:44:58,360 --> 00:45:00,920
Speaker 1: months after that, so it was like, damn, just stuck.

905
00:45:01,160 --> 00:45:04,200
Speaker 1: I'm stuck. But then people know Yay just started, so

906
00:45:04,239 --> 00:45:05,480
Speaker 1: they were like, Okay, we don't want to let them

907
00:45:05,520 --> 00:45:07,399
Speaker 1: go ye, and I'm like, no, it ain't. This ain't

908
00:45:07,400 --> 00:45:10,000
Speaker 1: the people who signed me. So Yay was just like yo, man,

909
00:45:10,040 --> 00:45:12,040
Speaker 1: come over and write for me. You know what I'm saying,

910
00:45:12,120 --> 00:45:14,120
Speaker 1: do this, do this, and then we'll get you some

911
00:45:14,280 --> 00:45:16,440
Speaker 1: cachet and then we can come back and you know,

912
00:45:16,560 --> 00:45:18,600
Speaker 1: get you out of that situation. And that's why I'm

913
00:45:18,640 --> 00:45:20,680
Speaker 1: here today. No Dope on Sundays. He was with death

914
00:45:20,760 --> 00:45:23,719
Speaker 1: Jam before Good Music. Yeah, yeah, I was already on

915
00:45:23,840 --> 00:45:27,120
Speaker 1: death Jam. It just you know, I wasn't making trap records,

916
00:45:27,200 --> 00:45:30,120
Speaker 1: so me and you know, Comfort was kind of butting

917
00:45:30,239 --> 00:45:32,200
Speaker 1: heads about that you're from Atlantic, you should be making

918
00:45:32,239 --> 00:45:35,080
Speaker 1: the bounce. Yeah, yeah, but I didn't. I couldn't listen

919
00:45:35,120 --> 00:45:37,319
Speaker 1: to rap growing up. I didn't start listening to Round

920
00:45:37,320 --> 00:45:39,560
Speaker 1: to talk about fifteen. Yeah, I heard your parents were scrick.

921
00:45:39,760 --> 00:45:41,600
Speaker 1: Was it a religious thing? Yeah? Yeah, Well, I mean

922
00:45:41,640 --> 00:45:43,120
Speaker 1: I just grew up in the church and I was like,

923
00:45:43,360 --> 00:45:46,040
Speaker 1: probably bad, more bader than I should have been at

924
00:45:46,080 --> 00:45:48,040
Speaker 1: that age. So they were just trying to keep it

925
00:45:48,080 --> 00:45:49,520
Speaker 1: away from me. But I always heard it, like when

926
00:45:49,520 --> 00:45:51,040
Speaker 1: I went to skate ring or I went to like

927
00:45:51,120 --> 00:45:54,239
Speaker 1: out to the club or whatnot. But my first CD

928
00:45:54,360 --> 00:45:58,920
Speaker 1: I purchase was Reasonable Doubt, and it was written because

929
00:45:59,120 --> 00:46:01,000
Speaker 1: this dude from Philly was teaching me how to wrap,

930
00:46:01,520 --> 00:46:03,680
Speaker 1: and I just thought this man was the most prolific.

931
00:46:04,120 --> 00:46:06,480
Speaker 1: Well yo, thirty yard because you have to rap like

932
00:46:06,640 --> 00:46:10,960
Speaker 1: nas raps say they was his. You know what I'm

933
00:46:11,000 --> 00:46:15,120
Speaker 1: saying to me, I'm trying to wrap him. One time

934
00:46:15,160 --> 00:46:17,680
Speaker 1: he hit me with how you like me? Now I

935
00:46:17,840 --> 00:46:21,400
Speaker 1: go blaw that move crowd making in the middle of

936
00:46:21,400 --> 00:46:24,719
Speaker 1: a cipher, and he's killing me. Always He's like telling me,

937
00:46:24,760 --> 00:46:28,480
Speaker 1: how I made you give you ain't gonna do me

938
00:46:28,560 --> 00:46:31,520
Speaker 1: like that? Drive me out of the round. So about

939
00:46:31,560 --> 00:46:34,560
Speaker 1: four or five years later, I'm in the call one

940
00:46:34,560 --> 00:46:36,520
Speaker 1: of my other New York dudes. I'm in high school

941
00:46:36,560 --> 00:46:37,960
Speaker 1: now and then I just here, come on. How you

942
00:46:38,080 --> 00:46:41,320
Speaker 1: like me? Nah? I'm like, oh oh man, that's my

943
00:46:41,400 --> 00:46:47,440
Speaker 1: partner record. They're like, well, you know nas like na Bro,

944
00:46:47,560 --> 00:46:50,680
Speaker 1: there's my partner. We got more with Side How the Prince,

945
00:46:50,760 --> 00:46:52,680
Speaker 1: where we come back, Don't Move. It's to Breakfast Club.

946
00:46:53,560 --> 00:46:57,200
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. We

947
00:46:57,280 --> 00:46:59,880
Speaker 1: are the Breakfast Club, Side How the Princess in the building.

948
00:47:00,080 --> 00:47:02,040
Speaker 1: Now you kidnap Kanye West and you shot up to

949
00:47:02,080 --> 00:47:04,239
Speaker 1: death Jam? What that was the song elephant in the

950
00:47:04,600 --> 00:47:09,160
Speaker 1: Let's talk about na Man. Well, a lot of people

951
00:47:09,160 --> 00:47:11,239
Speaker 1: don't know. Ya gave me that beat and we came

952
00:47:11,280 --> 00:47:13,480
Speaker 1: up that topic together. Okay. So the thing was we

953
00:47:13,560 --> 00:47:15,720
Speaker 1: was about to do like this eminem Doctor Dre album

954
00:47:15,800 --> 00:47:18,120
Speaker 1: and he had some controversies that he was going through.

955
00:47:18,520 --> 00:47:20,840
Speaker 1: People would like keep asking me, like, you know, different

956
00:47:20,840 --> 00:47:23,279
Speaker 1: things they asking me. That was like the biggest thing, like, man,

957
00:47:23,320 --> 00:47:25,800
Speaker 1: why ya you won't put your own up? Why anyone

958
00:47:25,920 --> 00:47:27,880
Speaker 1: never yave fault? It was just like death Jam on

959
00:47:27,960 --> 00:47:31,120
Speaker 1: a power struggle. So I just decided to write a

960
00:47:31,200 --> 00:47:33,400
Speaker 1: rapper about cop. Was just tired of going the grocery store,

961
00:47:33,480 --> 00:47:36,359
Speaker 1: tired of going it when people keep asking me, like brother,

962
00:47:36,480 --> 00:47:38,080
Speaker 1: like ask me something else, you know what I mean.

963
00:47:38,200 --> 00:47:41,440
Speaker 1: So I made a song that I thought actually cut

964
00:47:41,480 --> 00:47:43,560
Speaker 1: the air was like a parody almost to me, because

965
00:47:43,640 --> 00:47:45,359
Speaker 1: you know, Meek and Drake was going through these things.

966
00:47:45,440 --> 00:47:47,759
Speaker 1: I just threw it out there, just like throw it off,

967
00:47:47,840 --> 00:47:50,480
Speaker 1: and it just the discord from that was a disrecord,

968
00:47:50,560 --> 00:47:52,440
Speaker 1: like oh okay, so I had to really explain it.

969
00:47:52,520 --> 00:47:54,400
Speaker 1: But nah me and Ya was good. He actually had

970
00:47:54,440 --> 00:47:56,360
Speaker 1: a verse to it, and so we never finished the

971
00:47:56,400 --> 00:47:59,239
Speaker 1: actual album. So, I mean, I sit on so many

972
00:47:59,280 --> 00:48:01,880
Speaker 1: records i'd be mad. So sometimes I will just let

973
00:48:02,000 --> 00:48:04,160
Speaker 1: something go that probably wants supposed to go. Y'all gonna

974
00:48:04,160 --> 00:48:05,840
Speaker 1: do a whole project called Elephant in the Room. No,

975
00:48:05,960 --> 00:48:07,759
Speaker 1: I was gonna be like an eminem. I don't know

976
00:48:07,800 --> 00:48:09,600
Speaker 1: what the name of its gonna be, but it was

977
00:48:09,640 --> 00:48:11,960
Speaker 1: gonna be like, you know, like a multi conscience. Yeah,

978
00:48:11,960 --> 00:48:14,440
Speaker 1: who take advice with somebody who slapped people? Like we're

979
00:48:14,480 --> 00:48:16,440
Speaker 1: going back and forth like, man, you ran on stage

980
00:48:16,440 --> 00:48:18,160
Speaker 1: with old girl, how are you gonna give me? You

981
00:48:18,200 --> 00:48:19,480
Speaker 1: know what I mean? So that's how we was just

982
00:48:20,040 --> 00:48:21,680
Speaker 1: kind of really starting to brew it, but it just

983
00:48:21,760 --> 00:48:24,600
Speaker 1: never came to fluition something not because like I mean,

984
00:48:25,760 --> 00:48:28,320
Speaker 1: you know, man, one thing about Bro Man he's a

985
00:48:28,400 --> 00:48:30,640
Speaker 1: free artist, so I can't you can't even rush his

986
00:48:30,760 --> 00:48:33,960
Speaker 1: greatness and so many senses. It's like, man, I don't

987
00:48:34,000 --> 00:48:35,960
Speaker 1: seen him come up with the last minute that we've

988
00:48:36,000 --> 00:48:38,200
Speaker 1: been trying to get him to cope with for six months.

989
00:48:38,239 --> 00:48:41,640
Speaker 1: And they'd be like, oh, like famous the famous record

990
00:48:41,719 --> 00:48:45,880
Speaker 1: that's wrote the last day. Really yeah, like he just

991
00:48:46,840 --> 00:48:48,760
Speaker 1: but we've been talking to it, like, bro, we gotta

992
00:48:48,840 --> 00:48:52,839
Speaker 1: have it. Bro, they got all of me on the album. Yeah,

993
00:48:52,960 --> 00:48:55,680
Speaker 1: he'll just like people just don't understand. People think when

994
00:48:55,719 --> 00:48:57,439
Speaker 1: they see him, they think that he got a bunch

995
00:48:57,440 --> 00:49:00,440
Speaker 1: of ghost right, none of that happens without him, Like

996
00:49:00,520 --> 00:49:02,160
Speaker 1: all of us could be there and he ain't there.

997
00:49:02,200 --> 00:49:03,880
Speaker 1: It ain't gonna come out like that. So y'are not

998
00:49:03,960 --> 00:49:08,920
Speaker 1: writing stuff beforehand and saying yea, saying say as as

999
00:49:08,960 --> 00:49:12,480
Speaker 1: a fin like yeah, well say say you know you're

1000
00:49:12,480 --> 00:49:14,880
Speaker 1: gonna jump on the jet this time? To take it

1001
00:49:14,960 --> 00:49:16,879
Speaker 1: out of that line, He's like, okay, yea, that dude

1002
00:49:16,920 --> 00:49:18,759
Speaker 1: kind of go better. Like it's just like stuff like that.

1003
00:49:18,880 --> 00:49:21,600
Speaker 1: It ain't like just like I said, bow wow, and

1004
00:49:21,640 --> 00:49:26,640
Speaker 1: them like he doesn't care about people knowing he got ghostwriters.

1005
00:49:27,320 --> 00:49:30,320
Speaker 1: I think it's pretty open about it. I think I

1006
00:49:30,360 --> 00:49:32,080
Speaker 1: don't think it's he don't look at it a ghost

1007
00:49:32,200 --> 00:49:34,040
Speaker 1: right though. It's like, because you gotta think about I

1008
00:49:34,080 --> 00:49:36,680
Speaker 1: tell people this is once you already conquer rap or

1009
00:49:36,760 --> 00:49:41,080
Speaker 1: body wrap, you can have ghostwriters. That's to me because

1010
00:49:41,080 --> 00:49:43,080
Speaker 1: I go to the Grammys. I'm at the Grammys every year.

1011
00:49:43,400 --> 00:49:46,279
Speaker 1: A day'll walk on stage. It's fifteen people who helped

1012
00:49:46,360 --> 00:49:49,120
Speaker 1: up with this record. Right, you're gonna stay saying all

1013
00:49:49,160 --> 00:49:52,560
Speaker 1: these other pop they got twenty people on stage, but

1014
00:49:52,640 --> 00:49:54,560
Speaker 1: then rap, it just got to be you and the engineer.

1015
00:49:55,400 --> 00:49:58,240
Speaker 1: It's like, how do you compete with twenty great musical

1016
00:49:58,360 --> 00:50:00,879
Speaker 1: minds and it's just you and the engineer. They also

1017
00:50:00,960 --> 00:50:03,520
Speaker 1: benefits the people that are you know, artists that work

1018
00:50:03,560 --> 00:50:05,080
Speaker 1: with you on your label, because they get to make

1019
00:50:05,120 --> 00:50:07,200
Speaker 1: some money is they're in the room helping you write.

1020
00:50:07,200 --> 00:50:09,480
Speaker 1: So now that he contributed to this track, he contributed,

1021
00:50:09,760 --> 00:50:12,160
Speaker 1: we were having a conversation and now everybody gets paid.

1022
00:50:12,640 --> 00:50:15,440
Speaker 1: But back in the day, unless unless we don't know,

1023
00:50:15,960 --> 00:50:19,960
Speaker 1: those guys were creating immaculate records. I guess by themselves. Yeah, yeah,

1024
00:50:20,120 --> 00:50:23,720
Speaker 1: nas what it was Mad called Jay early on Reasonable Dial, Biggie,

1025
00:50:23,760 --> 00:50:25,600
Speaker 1: you're ready to die, Wu Tang Like I don't think

1026
00:50:25,640 --> 00:50:28,800
Speaker 1: they had ghostwriters, Yeah, but I think. I mean, I'm

1027
00:50:28,840 --> 00:50:31,239
Speaker 1: pretty sure they had some partners in their feeding, Like

1028
00:50:31,320 --> 00:50:35,400
Speaker 1: I know Biggs through j a few lines. I'm like, yo,

1029
00:50:35,560 --> 00:50:37,720
Speaker 1: say this, say that like it just even your partner

1030
00:50:37,760 --> 00:50:40,680
Speaker 1: in there smoking, Oh, I like that one. Just if

1031
00:50:40,719 --> 00:50:42,520
Speaker 1: you don't even react to a line that might be

1032
00:50:42,600 --> 00:50:45,719
Speaker 1: like right, that line, I'm partner didn't react how I

1033
00:50:45,800 --> 00:50:48,160
Speaker 1: wanted to react. So you know, a lot of times

1034
00:50:48,200 --> 00:50:50,359
Speaker 1: it's just more so about vibes. It ain't really more

1035
00:50:50,400 --> 00:50:54,080
Speaker 1: so about the actual lyrics. They said that you exposed

1036
00:50:54,120 --> 00:50:56,520
Speaker 1: that you too was ready and it was to playlist

1037
00:50:56,600 --> 00:50:59,520
Speaker 1: on Spotify. What happened with that? No, I don't know

1038
00:50:59,600 --> 00:51:01,880
Speaker 1: what that is. I thought I thought that was something

1039
00:51:01,960 --> 00:51:04,040
Speaker 1: that um first of all, First of all, I thought

1040
00:51:04,040 --> 00:51:06,439
Speaker 1: somebody hacked my computer. So I'm over getting all this guys.

1041
00:51:10,680 --> 00:51:13,160
Speaker 1: I'm saying that's why I was nervous. But I think

1042
00:51:13,200 --> 00:51:15,200
Speaker 1: it's a playlist that I was about to put up

1043
00:51:15,239 --> 00:51:17,360
Speaker 1: from my album. That kind of it is gonna massage

1044
00:51:17,400 --> 00:51:19,719
Speaker 1: you to you know, get my album kind of gets.

1045
00:51:19,760 --> 00:51:21,920
Speaker 1: You just happened to title stuff from Yes This too.

1046
00:51:22,400 --> 00:51:25,399
Speaker 1: I ain't even that computer saying I'm just gonna keep

1047
00:51:25,400 --> 00:51:26,919
Speaker 1: you all with them or with you. But I still

1048
00:51:26,920 --> 00:51:29,640
Speaker 1: I'm still penciling ping, So I don't know how I

1049
00:51:29,719 --> 00:51:31,600
Speaker 1: got up there. I was trying to figure that out. Now.

1050
00:51:31,640 --> 00:51:33,440
Speaker 1: I was just making sure my stuff then, because I

1051
00:51:33,520 --> 00:51:36,160
Speaker 1: do have those type of records on my computer. If

1052
00:51:36,200 --> 00:51:38,160
Speaker 1: the story is correct. I remember that for the first

1053
00:51:38,160 --> 00:51:40,879
Speaker 1: season's album, when YA bought Rick Rubin and they said

1054
00:51:40,920 --> 00:51:42,879
Speaker 1: it was like six records, he cut off the album

1055
00:51:42,920 --> 00:51:44,800
Speaker 1: that he was gonna use for the sequel, and you

1056
00:51:44,920 --> 00:51:47,880
Speaker 1: just happened to put up six records. I mean I

1057
00:51:48,040 --> 00:51:51,880
Speaker 1: might have about twenty of them, to be honest, computer

1058
00:51:52,040 --> 00:51:54,600
Speaker 1: right now. I mean it stashed away, you know what

1059
00:51:54,640 --> 00:51:57,000
Speaker 1: I'm saying. But I'm just saying, like the six is

1060
00:51:57,080 --> 00:51:59,839
Speaker 1: selling me short. So I don't I know the name.

1061
00:52:00,200 --> 00:52:02,000
Speaker 1: You know, I'm interested in that Elephant in the Room

1062
00:52:02,040 --> 00:52:03,920
Speaker 1: project man, because I want to know what Kanye was

1063
00:52:04,040 --> 00:52:07,239
Speaker 1: vetting about on Yeah. I mean that man, he was

1064
00:52:07,280 --> 00:52:09,000
Speaker 1: just talking about a lot, like you know me, I

1065
00:52:09,080 --> 00:52:11,000
Speaker 1: don't really be knowing the folks. Have you talking about

1066
00:52:11,640 --> 00:52:16,320
Speaker 1: Elon Musk and Phoebe. I'm from Atlanta, bro, I know

1067
00:52:16,480 --> 00:52:19,160
Speaker 1: black people. Really, I don't really know all of you

1068
00:52:19,239 --> 00:52:22,239
Speaker 1: know what I mean England designers, no disrespect. But he'd

1069
00:52:22,239 --> 00:52:23,920
Speaker 1: be going in on me a bottom like you know

1070
00:52:24,000 --> 00:52:26,600
Speaker 1: this mother? Who who told me? I can't help? He like?

1071
00:52:26,640 --> 00:52:28,600
Speaker 1: Who is that? I'm like, who a? Yeah? But well

1072
00:52:28,680 --> 00:52:33,080
Speaker 1: let's make I'm a god. Well we got these headphones

1073
00:52:33,120 --> 00:52:35,200
Speaker 1: for you right here. Oh yeah, oh yeah, you are

1074
00:52:35,200 --> 00:52:38,520
Speaker 1: a rapper. Everybody don't who don't know if the Prince

1075
00:52:38,560 --> 00:52:40,120
Speaker 1: can really rap it like he and you're talking about

1076
00:52:40,120 --> 00:52:44,719
Speaker 1: he wrote for ye with this guy. We don't tell

1077
00:52:44,760 --> 00:52:46,840
Speaker 1: me when you're ready. I wrapped. I want too many blunts.

1078
00:52:46,840 --> 00:52:53,120
Speaker 1: I'm I'm apologized. Here we go, let go. How so

1079
00:52:53,280 --> 00:52:57,759
Speaker 1: how the Prince no dope on Sundays? Yes? Can you

1080
00:52:57,840 --> 00:53:03,200
Speaker 1: hear me? Okay, huh? How about this roller? Because I

1081
00:53:03,239 --> 00:53:06,200
Speaker 1: could never force I had dreams of me being on

1082
00:53:06,320 --> 00:53:09,600
Speaker 1: the Forbes list and the fortress with so much shrugs

1083
00:53:09,680 --> 00:53:12,120
Speaker 1: in that bitch. You gotta move it with a forkliff.

1084
00:53:12,680 --> 00:53:15,279
Speaker 1: I always say my grace before my forkliff. This four

1085
00:53:15,440 --> 00:53:17,000
Speaker 1: fifth for my waist. I go to the war with

1086
00:53:17,520 --> 00:53:19,719
Speaker 1: or if I try to take away the lords, get

1087
00:53:19,760 --> 00:53:23,080
Speaker 1: the man talking world peace. Donna hit the fan, rappers

1088
00:53:23,120 --> 00:53:25,520
Speaker 1: out hit faked beet and wears miss with man. I

1089
00:53:25,680 --> 00:53:28,000
Speaker 1: never threw a rock and den hit my hand. Y'all

1090
00:53:28,040 --> 00:53:30,640
Speaker 1: should come casses because I'm in the man. Every floor

1091
00:53:30,800 --> 00:53:34,000
Speaker 1: was uncut dope. I wrapped it in Surran. Let's go

1092
00:53:34,440 --> 00:53:39,080
Speaker 1: u okay. Yeah, I say mine of an outlaw. I'm

1093
00:53:39,120 --> 00:53:41,759
Speaker 1: a diamond without flaws. I doubt y'all ever heard them

1094
00:53:41,920 --> 00:53:45,399
Speaker 1: with a south draw that can outball anybody in this town. Dog.

1095
00:53:45,440 --> 00:53:48,440
Speaker 1: I say that comfortable is out shopping in the town hall. Huh.

1096
00:53:48,560 --> 00:53:51,200
Speaker 1: I run the underground. I'm the ground hall. Nil all

1097
00:53:51,280 --> 00:53:54,799
Speaker 1: strong waiting on my downfall. They shooting shots, pootie tanking

1098
00:53:54,880 --> 00:53:57,280
Speaker 1: with the bounce off, all out the window, oozy hanging

1099
00:53:57,320 --> 00:53:59,920
Speaker 1: shoot the south path. Even your fans could catch it.

1100
00:54:00,040 --> 00:54:01,880
Speaker 1: That's a foul ball. You don't want to see them.

1101
00:54:01,920 --> 00:54:04,320
Speaker 1: Guys pull up with them golf clubs nine or the

1102
00:54:04,440 --> 00:54:07,600
Speaker 1: four iron. That's to toss up scared dude, drive bys,

1103
00:54:07,680 --> 00:54:10,000
Speaker 1: day walk ups. How you talk tough? Two or two

1104
00:54:10,040 --> 00:54:12,200
Speaker 1: dollars state ahead of my time. Y'all didn't know I

1105
00:54:12,280 --> 00:54:14,480
Speaker 1: was two. I was late. Huh, you suckers better move

1106
00:54:14,560 --> 00:54:17,120
Speaker 1: out the way, because on my birthday I wish it would.

1107
00:54:17,200 --> 00:54:20,680
Speaker 1: Then I blew out the cake celebration toast to the

1108
00:54:20,800 --> 00:54:23,160
Speaker 1: good life, huh, because I can die the night knock

1109
00:54:23,239 --> 00:54:25,640
Speaker 1: on wood twice at the kushlight. I walk around like

1110
00:54:25,680 --> 00:54:28,000
Speaker 1: I'm a bush white. I try to stay down the earth,

1111
00:54:28,040 --> 00:54:30,640
Speaker 1: but out took flight, just like an old school Sheville.

1112
00:54:30,719 --> 00:54:32,759
Speaker 1: Like a hood stripe. You can tell a lot about

1113
00:54:32,800 --> 00:54:34,839
Speaker 1: the bitch, about how she cooked rice, which I would

1114
00:54:34,960 --> 00:54:37,759
Speaker 1: might before this good pipe. What I look like. That

1115
00:54:37,920 --> 00:54:41,120
Speaker 1: bitch must have must stook my kindness for weakness, silence

1116
00:54:41,160 --> 00:54:44,080
Speaker 1: for meekness, sleepless nights trying out to dine the street.

1117
00:54:44,800 --> 00:54:47,200
Speaker 1: Baby girl, I don't mean to be facetious. I cut

1118
00:54:47,239 --> 00:54:49,399
Speaker 1: a bitch y'af at the gym if I see fit,

1119
00:54:49,800 --> 00:54:52,040
Speaker 1: But on some g I still get your weed. Fis

1120
00:54:52,120 --> 00:54:53,560
Speaker 1: you want to be a fund on my arm. But

1121
00:54:53,600 --> 00:54:55,520
Speaker 1: I'm trying to speech stick good enough about the ship

1122
00:54:55,600 --> 00:54:57,879
Speaker 1: in hand them like I'm three six When the weed

1123
00:54:57,960 --> 00:55:00,719
Speaker 1: lit the rappers is in some deep just can't keep

1124
00:55:00,760 --> 00:55:02,680
Speaker 1: a secret. But I want to sneak this bull the

1125
00:55:02,760 --> 00:55:05,560
Speaker 1: side of jolly ranches, thinking I'm a sweet lit upgraded

1126
00:55:05,640 --> 00:55:09,160
Speaker 1: from an AMG two more horses than the finish line

1127
00:55:09,160 --> 00:55:11,560
Speaker 1: at the prickness. I used to break them down, make

1128
00:55:11,640 --> 00:55:15,160
Speaker 1: sure what's remixed, then then surfing up the street from Eastwick.

1129
00:55:15,400 --> 00:55:17,359
Speaker 1: I was the lord of rap Way before I toward

1130
00:55:17,440 --> 00:55:19,520
Speaker 1: the Math. I got too much to lose. I can't

1131
00:55:19,600 --> 00:55:22,160
Speaker 1: afford the trap. The FBI got me bugged, even my

1132
00:55:22,280 --> 00:55:30,879
Speaker 1: water tap. Now I'm done with this. Press is out

1133
00:55:30,960 --> 00:55:33,920
Speaker 1: right now, yes, no get it, no dope on Sundays man,

1134
00:55:34,160 --> 00:55:35,640
Speaker 1: pre order to go out tomorrow on the tim if

1135
00:55:35,640 --> 00:55:38,040
Speaker 1: I appreciate your breakfast club man, but let me bring

1136
00:55:38,120 --> 00:55:41,200
Speaker 1: this messes to your platform Revolte as well, so you

1137
00:55:41,280 --> 00:55:44,320
Speaker 1: know the album be out on November seventeen. Let's get it, Kanye.

1138
00:55:44,320 --> 00:55:46,239
Speaker 1: If you don't post your album morning the Instagram, he

1139
00:55:46,239 --> 00:55:48,320
Speaker 1: don't got an Instagram, Twitter. He ain't got that on

1140
00:55:48,360 --> 00:55:50,359
Speaker 1: the morning, but I might. I might have him revigorated.

1141
00:55:50,360 --> 00:55:56,680
Speaker 1: He got something. Absolutely, you heard Charlemagne. All right, there

1142
00:55:56,719 --> 00:55:59,480
Speaker 1: you have it. It's the Breakfast local money. Hey, the

1143
00:55:59,719 --> 00:56:00,600
Speaker 1: break first Club