1 00:00:00,680 --> 00:00:10,040 Speaker 1: Yeah, I like that ship right there. That It's a nice, nice, 2 00:00:10,200 --> 00:00:16,360 Speaker 1: nice way to intro the special. I am Rappaport Podcast 3 00:00:17,880 --> 00:00:21,079 Speaker 1: live from New York City. I'm buy my window. You 4 00:00:21,160 --> 00:00:26,320 Speaker 1: might hear the traffic of Manhattan kept the window open 5 00:00:26,360 --> 00:00:28,720 Speaker 1: so you could feel it. I'm here in New York. 6 00:00:30,520 --> 00:00:32,639 Speaker 1: I spent a lot of time in Los Angeles over 7 00:00:32,680 --> 00:00:36,400 Speaker 1: the last ship twenty three years, back and forth from 8 00:00:36,440 --> 00:00:38,080 Speaker 1: New York, back and forth from New York. But the 9 00:00:38,080 --> 00:00:44,080 Speaker 1: reality is I have a fucking California driver's license. That's 10 00:00:44,080 --> 00:00:47,080 Speaker 1: the reality. Okay, So I'm in Los Angeles. A lot 11 00:00:47,440 --> 00:00:50,360 Speaker 1: my kids are in Los Angeles. My mother and father 12 00:00:50,400 --> 00:00:53,320 Speaker 1: are in New York. Most of my work for the 13 00:00:53,400 --> 00:00:57,720 Speaker 1: last twentysomething years has been in Los Angeles. Well that's 14 00:00:57,760 --> 00:00:59,880 Speaker 1: just what they say. They say, you gotta move out 15 00:00:59,880 --> 00:01:02,920 Speaker 1: to Los Angels. So when I was younger, I moved 16 00:01:02,920 --> 00:01:06,800 Speaker 1: out there. Anyway, last night I got to experience a 17 00:01:06,840 --> 00:01:10,960 Speaker 1: fantastic New York night. And I'm gonna be honest, I 18 00:01:11,560 --> 00:01:14,480 Speaker 1: have missed a lot of a lot of ship, a 19 00:01:14,480 --> 00:01:18,280 Speaker 1: lot of New York moments, you know, even in a sick, 20 00:01:18,640 --> 00:01:21,200 Speaker 1: weird way. The terrible things that have happened in New 21 00:01:21,280 --> 00:01:26,360 Speaker 1: York nine eleven, the blackout in Manhattan. I don't know 22 00:01:26,400 --> 00:01:29,880 Speaker 1: what year that was, ten, ten years ago, eleven years ago, 23 00:01:29,880 --> 00:01:32,120 Speaker 1: twelve years ago, maybe eight years ago, nine years ago, 24 00:01:32,120 --> 00:01:34,480 Speaker 1: I don't know, but there was a blackout during the summer. 25 00:01:35,440 --> 00:01:38,679 Speaker 1: I always felt, in a weird way jealous that I 26 00:01:38,720 --> 00:01:43,720 Speaker 1: wasn't there to experience some of even the lows, of course, 27 00:01:43,760 --> 00:01:48,480 Speaker 1: the highs, the great sport events, the just the all 28 00:01:48,560 --> 00:01:52,840 Speaker 1: the nine eleven tributes, the opening of the New World 29 00:01:52,840 --> 00:01:57,040 Speaker 1: Trade Center, buildings, Freedom Tower. There's just been so many 30 00:01:57,280 --> 00:02:01,000 Speaker 1: fucking you know, parades, when when the when the when 31 00:02:01,000 --> 00:02:04,240 Speaker 1: the Yankees have one, all sorts of ship When the 32 00:02:04,240 --> 00:02:06,640 Speaker 1: blackout happened in New York and I was in Los Angeles. 33 00:02:06,880 --> 00:02:11,160 Speaker 1: These are New York moments. But last night I got 34 00:02:11,200 --> 00:02:13,519 Speaker 1: to experience a New York moment that I always I 35 00:02:13,680 --> 00:02:17,080 Speaker 1: fucking these I see these things on the news on 36 00:02:17,160 --> 00:02:20,120 Speaker 1: the Internet, and I'm like, God, damn it. I'm in California. 37 00:02:21,360 --> 00:02:26,120 Speaker 1: So I was at this Global Citizen Festival. I believe 38 00:02:26,200 --> 00:02:30,200 Speaker 1: this was on MSNBC and CNN. They showed the concert. 39 00:02:31,200 --> 00:02:36,480 Speaker 1: It's too basically helped world poverty. So it's a great event. 40 00:02:37,919 --> 00:02:40,240 Speaker 1: Thousands I don't know how. One cops said three hundred 41 00:02:40,320 --> 00:02:43,919 Speaker 1: thousand people, another one said five five. Other cops had 42 00:02:43,960 --> 00:02:46,080 Speaker 1: fifty thousand. I don't know how many motherfucking people were 43 00:02:46,080 --> 00:02:48,680 Speaker 1: in this at this concert in Central Park, but it 44 00:02:48,720 --> 00:02:51,320 Speaker 1: was a lot of motherfucker's and it was a great day, 45 00:02:51,960 --> 00:03:00,120 Speaker 1: perfect weather. I got uh hooked up. Passes from the 46 00:03:00,200 --> 00:03:04,280 Speaker 1: Roots hooked me up, although I got there at the 47 00:03:04,360 --> 00:03:08,079 Speaker 1: very tail end of their performance, and then there was 48 00:03:08,120 --> 00:03:11,040 Speaker 1: all kind of finagling, because when you get to one 49 00:03:11,080 --> 00:03:14,120 Speaker 1: of these big concerts, it doesn't matter who you are, 50 00:03:14,280 --> 00:03:16,440 Speaker 1: what kind of sucking past you have, or lament that 51 00:03:16,520 --> 00:03:19,600 Speaker 1: you have. I never have the the the the, the 52 00:03:19,600 --> 00:03:24,079 Speaker 1: the right one. I'm always the one that's like, you 53 00:03:24,280 --> 00:03:26,720 Speaker 1: kind of got a good laminate, you kind of have 54 00:03:26,760 --> 00:03:30,080 Speaker 1: a good pass these fucking wristbands, but it's not the 55 00:03:30,120 --> 00:03:33,560 Speaker 1: best one, and the ego takes over and you're like, well, 56 00:03:33,880 --> 00:03:36,080 Speaker 1: I just saw so and so and they're they have 57 00:03:36,120 --> 00:03:39,160 Speaker 1: a good good seats, and I see them meandering around 58 00:03:39,160 --> 00:03:41,920 Speaker 1: with a glass of wine in their hand, or lemonade 59 00:03:42,040 --> 00:03:44,840 Speaker 1: or an Arnold Palmer or wherever the fuck, and I 60 00:03:44,880 --> 00:03:47,680 Speaker 1: got shipped. I don't mean I have a bottle of water, 61 00:03:47,920 --> 00:03:51,600 Speaker 1: so I want to go where they're going. So you 62 00:03:51,680 --> 00:03:55,520 Speaker 1: got a finagle, you gotta hustle your weight to where 63 00:03:55,520 --> 00:03:58,320 Speaker 1: they are to get that Arnold Palmer. By the way, 64 00:03:58,640 --> 00:04:01,520 Speaker 1: the drink Arnold Palmer. I want to start a campaign 65 00:04:01,600 --> 00:04:06,240 Speaker 1: for the drink Arnold Palmer to now be called tiger Woods. Okay, 66 00:04:06,240 --> 00:04:08,880 Speaker 1: if you're not familiar with this drink, an Arnold Palmer 67 00:04:09,720 --> 00:04:16,120 Speaker 1: is half lemonade, half iced tea. Arnold Palmer is as 68 00:04:16,240 --> 00:04:19,880 Speaker 1: white as a fucking sheet of paper. You don't get 69 00:04:19,880 --> 00:04:24,239 Speaker 1: any more white than Arnold Palmer. The actual guy tiger 70 00:04:24,240 --> 00:04:30,480 Speaker 1: Woods half black, half Asian, half lemonade, half iced tea. 71 00:04:30,800 --> 00:04:34,839 Speaker 1: Do you understand what I'm saying, Arnold Palmer just lemonade, 72 00:04:35,400 --> 00:04:42,000 Speaker 1: tiger Woods half black, half Chinese, half lemonade, half iced tea. 73 00:04:42,320 --> 00:04:45,279 Speaker 1: So I always order a Tiger Woods when I go to, 74 00:04:45,400 --> 00:04:47,520 Speaker 1: like at a cafe or get a drink or whatever. 75 00:04:47,520 --> 00:04:50,359 Speaker 1: Because I'm not an alcohol person. My favorite drink is 76 00:04:50,360 --> 00:04:54,000 Speaker 1: the Arnold Palmer a k a. The tiger Woods. Anyway, 77 00:04:54,160 --> 00:04:56,520 Speaker 1: that's a whole other segment. I'm gonna put it, put 78 00:04:56,560 --> 00:04:59,200 Speaker 1: in a campaign to try to get that drink officially 79 00:04:59,320 --> 00:05:01,880 Speaker 1: changed to you call the tiger Woods Arnold Palmer. You 80 00:05:01,960 --> 00:05:04,320 Speaker 1: might have invented it. I don't know, but you're out. 81 00:05:04,720 --> 00:05:07,839 Speaker 1: You're sucking out. So we get to this concerts beautiful 82 00:05:07,880 --> 00:05:10,280 Speaker 1: weather is I don't know, a million people there, a 83 00:05:10,400 --> 00:05:14,960 Speaker 1: hundred thousand People's a lot of fucking people there New York. 84 00:05:16,240 --> 00:05:19,279 Speaker 1: So I'm in a good area, but not the best area. 85 00:05:19,600 --> 00:05:24,440 Speaker 1: Me and my friend Toby and another friends we're fucking. 86 00:05:25,000 --> 00:05:27,279 Speaker 1: I you know, I see somebody, you know, I need 87 00:05:27,360 --> 00:05:30,000 Speaker 1: to go where they're going. So these two. There was 88 00:05:30,000 --> 00:05:31,880 Speaker 1: a lot of diplomats there because it was it was 89 00:05:32,240 --> 00:05:35,720 Speaker 1: a worldwide event. It was diplomats, there was you know, 90 00:05:35,960 --> 00:05:37,960 Speaker 1: world leaders, all kinds of people. So there was a 91 00:05:38,000 --> 00:05:42,440 Speaker 1: lot of undercover sort of secret service type policeman. And 92 00:05:42,720 --> 00:05:47,400 Speaker 1: fortunately I was in a film called Copland, and I 93 00:05:47,520 --> 00:05:52,400 Speaker 1: think every single policeman in the world, but every single 94 00:05:52,480 --> 00:05:56,360 Speaker 1: policeman from the New York tri state area has seen 95 00:05:56,600 --> 00:06:01,560 Speaker 1: this movie Copland and fortun in Italy. They like the 96 00:06:01,720 --> 00:06:04,880 Speaker 1: movie and and a lot of times they'll recognize me 97 00:06:05,600 --> 00:06:10,320 Speaker 1: from Copland and they will actually acknowledge me as my 98 00:06:10,480 --> 00:06:14,480 Speaker 1: character's name in that movie. And the only reason why 99 00:06:14,520 --> 00:06:16,760 Speaker 1: I remember the character's name from the movie is because 100 00:06:16,800 --> 00:06:19,680 Speaker 1: I get called it pretty much at least once a day. 101 00:06:19,800 --> 00:06:24,320 Speaker 1: When I'm in New York, Murray, super Boy, Babbage. So 102 00:06:24,480 --> 00:06:28,120 Speaker 1: I get cops yelling at me all day, super Boys, 103 00:06:28,160 --> 00:06:30,880 Speaker 1: super Boys, super Boy, Yo, you were in Copland, yo, 104 00:06:31,000 --> 00:06:35,239 Speaker 1: super Boys, super Boy, which is fucking great. It's never annoying, 105 00:06:35,520 --> 00:06:37,880 Speaker 1: especially if you're getting pulled over for a ticket. I 106 00:06:37,960 --> 00:06:41,200 Speaker 1: got pulled over for a ticket two times. Both times 107 00:06:41,520 --> 00:06:43,880 Speaker 1: the cops came and said, oh shit, super Boy, what 108 00:06:43,960 --> 00:06:45,800 Speaker 1: are you doing talking on your phone. I'm gonna give 109 00:06:45,800 --> 00:06:47,880 Speaker 1: you a ticket, but I'm gonna let you go this time, 110 00:06:47,960 --> 00:06:50,600 Speaker 1: super Boy. Oh fuck, super Boy, what are you doing 111 00:06:50,720 --> 00:06:53,520 Speaker 1: making that right turn? You know there's no right on 112 00:06:53,640 --> 00:06:56,800 Speaker 1: red and in New York to St. California. I'm gonna 113 00:06:56,880 --> 00:07:00,960 Speaker 1: let you go. So yesterday for are I don't know 114 00:07:01,040 --> 00:07:02,880 Speaker 1: what kind of cops they were. They were high end, 115 00:07:02,920 --> 00:07:05,760 Speaker 1: you know, they're always high end cops. If they're in 116 00:07:05,800 --> 00:07:08,120 Speaker 1: a suit and tie, I always feel like those are 117 00:07:08,120 --> 00:07:10,400 Speaker 1: the ones not to funk with. They let me and 118 00:07:10,520 --> 00:07:14,440 Speaker 1: my friend Toby into the into the special area. Okay, 119 00:07:14,520 --> 00:07:16,800 Speaker 1: let's just call it the special area. So I go 120 00:07:16,920 --> 00:07:19,240 Speaker 1: into this special area, and of course, once you're in 121 00:07:19,280 --> 00:07:22,480 Speaker 1: the special area, you gotta get into the more special area, 122 00:07:23,200 --> 00:07:26,560 Speaker 1: and that adds a whole long thing. We're literally jumping fences, 123 00:07:26,800 --> 00:07:29,000 Speaker 1: not not not not like high fences, but like you know, 124 00:07:29,040 --> 00:07:32,400 Speaker 1: we're hurdling them. We're going through them. There's chicken wire fences. 125 00:07:32,480 --> 00:07:35,360 Speaker 1: We were doing all that ship and the reason why 126 00:07:35,640 --> 00:07:38,400 Speaker 1: is because we came to see the roots. We missed them, 127 00:07:38,760 --> 00:07:43,600 Speaker 1: No disrespect. You guys hooked me up a mirror Zara 128 00:07:44,040 --> 00:07:46,960 Speaker 1: from the Roots fucking got me to pass it. But 129 00:07:47,120 --> 00:07:51,160 Speaker 1: I was late, Okay, I was fucking late. And then 130 00:07:51,200 --> 00:07:53,160 Speaker 1: there was some country singer I don't know who it was, 131 00:07:53,440 --> 00:07:58,160 Speaker 1: Garth Brooks or some shine Shina Twain, and I don't know, 132 00:07:58,440 --> 00:08:01,840 Speaker 1: some country singer, some girl roll, I don't know. No 133 00:08:01,960 --> 00:08:04,360 Speaker 1: one gave a ship. To be honest, you're in New York, listen, 134 00:08:04,680 --> 00:08:08,040 Speaker 1: nobody gives a fucking ship. I know. It was a worldwide, 135 00:08:08,080 --> 00:08:12,760 Speaker 1: global event, and you gotta have audiences different eclectic, that's right, 136 00:08:12,800 --> 00:08:19,120 Speaker 1: I said eclectic, you know, acts to appease the masses. 137 00:08:19,480 --> 00:08:22,239 Speaker 1: But in New York, no one gives a fuck about 138 00:08:22,280 --> 00:08:24,360 Speaker 1: the country singer, some big country saying. I don't know 139 00:08:24,400 --> 00:08:27,720 Speaker 1: who she was. She was big. It wasn't Willie Nelson. 140 00:08:28,200 --> 00:08:31,920 Speaker 1: It wasn't the Loretto Lynn it was. I don't know 141 00:08:31,960 --> 00:08:35,480 Speaker 1: who the funk it was. It wasn't those other girls. 142 00:08:35,520 --> 00:08:38,439 Speaker 1: I don't know it was. I don't know who it was. 143 00:08:38,600 --> 00:08:41,840 Speaker 1: Some blonde chick could give a ship me, I could 144 00:08:41,840 --> 00:08:44,079 Speaker 1: give a ship, you know. I just I don't know. 145 00:08:44,600 --> 00:08:49,480 Speaker 1: But uh, Anyway, I came to see no doubt who 146 00:08:49,559 --> 00:08:52,480 Speaker 1: I like. And I've always had a crush on this 147 00:08:52,640 --> 00:08:59,599 Speaker 1: quin Stefani. She's like under the radar sort of, just 148 00:08:59,800 --> 00:09:03,000 Speaker 1: her consistency year after year after year. Number one, she 149 00:09:03,080 --> 00:09:05,400 Speaker 1: has an age. She looks the same as she did 150 00:09:05,559 --> 00:09:07,760 Speaker 1: when she first came out. Let's just say twenty years ago, 151 00:09:07,840 --> 00:09:10,640 Speaker 1: No Doubt came out. I couldn't even name you five 152 00:09:10,720 --> 00:09:13,599 Speaker 1: No Doubt songs. I couldn't even name you five no 153 00:09:13,720 --> 00:09:16,719 Speaker 1: Doubt songs. But fucking Gwen Stefani. There's just there's the 154 00:09:16,760 --> 00:09:21,360 Speaker 1: thing about Gwen Stefani. She looks fantastic, and she seems sweet. 155 00:09:21,559 --> 00:09:25,920 Speaker 1: She seems nice, she seems genuine. She has trumped the 156 00:09:26,000 --> 00:09:30,000 Speaker 1: aging process. She's gotta be forty forty one. She looks 157 00:09:30,080 --> 00:09:34,880 Speaker 1: fucking great. She's dope on stage, she minds her business, 158 00:09:35,200 --> 00:09:37,920 Speaker 1: She's not a little chicken head, getting caught up in 159 00:09:38,040 --> 00:09:40,920 Speaker 1: and and gossip and all that stuff. She's got kids, 160 00:09:41,000 --> 00:09:44,199 Speaker 1: I think with the with the British guy. Oh, I 161 00:09:44,320 --> 00:09:46,800 Speaker 1: met him too. He's fucking nice. They're just nice people, 162 00:09:47,160 --> 00:09:52,240 Speaker 1: and she's dope. So by the time the fucking No 163 00:09:52,480 --> 00:09:55,920 Speaker 1: Doubt gets on stage, somehow or another, I don't know 164 00:09:56,000 --> 00:09:59,280 Speaker 1: how exactly it happened, I wind up with my friend 165 00:09:59,360 --> 00:10:03,040 Speaker 1: Toby and our boy in the front of the front 166 00:10:03,200 --> 00:10:06,760 Speaker 1: of the fucking front. I'm literally right in the front 167 00:10:06,840 --> 00:10:09,440 Speaker 1: of the like I could, fucking like if I was crazy, 168 00:10:09,720 --> 00:10:12,280 Speaker 1: I could go up on stage and and stick my 169 00:10:12,440 --> 00:10:16,320 Speaker 1: tongue down Gwen Stefani's throat, and and and and then 170 00:10:16,440 --> 00:10:18,679 Speaker 1: fucking walk off the stage and go back down to 171 00:10:18,800 --> 00:10:22,640 Speaker 1: my seat and and uh, you know, drink my water. Okay, 172 00:10:22,640 --> 00:10:24,520 Speaker 1: because I never got the Arnold Palmer that I was 173 00:10:24,600 --> 00:10:27,160 Speaker 1: looking for. I got a bottle of water. But we 174 00:10:27,280 --> 00:10:30,160 Speaker 1: were not fucking close, all right. I'm like, holy sh it, 175 00:10:30,280 --> 00:10:31,960 Speaker 1: we're at the front of the front of the front 176 00:10:32,559 --> 00:10:35,840 Speaker 1: No Doubts on stage, Gwen Stefani. Let me tell you something, 177 00:10:36,000 --> 00:10:38,120 Speaker 1: Like I said, I I can't even name five No 178 00:10:38,280 --> 00:10:43,560 Speaker 1: Doubt songs, but I'm a fan she's sick. The bass player, 179 00:10:44,040 --> 00:10:47,880 Speaker 1: guitar player. I can never tell the difference. Tony sick, 180 00:10:48,240 --> 00:10:52,280 Speaker 1: they're sick. They're like the fucking Rolling Stones. She's as 181 00:10:52,400 --> 00:10:56,200 Speaker 1: great on stage as Mick Jagger was in his prime 182 00:10:56,320 --> 00:11:00,959 Speaker 1: and still is fantastic. Mick jaggers like he ships on 183 00:11:01,559 --> 00:11:05,199 Speaker 1: most frontmen and most bands. She has that kind of 184 00:11:05,360 --> 00:11:08,240 Speaker 1: energy of a young Mick Jagger in his prime. And 185 00:11:08,400 --> 00:11:11,439 Speaker 1: she's like forty, and she's a girl. She's wearing like, 186 00:11:11,920 --> 00:11:15,000 Speaker 1: you know, girly clothes she wears. She barely sweats. I 187 00:11:15,040 --> 00:11:17,120 Speaker 1: don't know how the funk she does it. She's jumping around, 188 00:11:17,200 --> 00:11:22,280 Speaker 1: she's doing the chicken dance. She's fucking swinging around, flipping 189 00:11:22,960 --> 00:11:27,280 Speaker 1: like Mary lou rettin shit, barely sweating and just killing it. 190 00:11:27,360 --> 00:11:30,080 Speaker 1: The crowd's going nuts. The only par something girl behind 191 00:11:30,160 --> 00:11:32,480 Speaker 1: us was like, you, motherfucker. I don't know how you 192 00:11:32,559 --> 00:11:34,079 Speaker 1: got there, but I've been waiting here all day. I 193 00:11:34,200 --> 00:11:36,280 Speaker 1: paid a lot of money for these seats. You better 194 00:11:36,360 --> 00:11:39,000 Speaker 1: not stand up, you motherfucker. I said, listen, sweetheart, I'm 195 00:11:39,000 --> 00:11:41,400 Speaker 1: gonna sit down, but I'll fucking stand up if I want. 196 00:11:41,440 --> 00:11:44,600 Speaker 1: All right, don't be fresh. It wasn't really the way 197 00:11:44,640 --> 00:11:46,839 Speaker 1: the conversation went, but that was what the conversation was 198 00:11:46,880 --> 00:11:48,240 Speaker 1: in my head. But she did call me, and my 199 00:11:48,320 --> 00:11:50,079 Speaker 1: friend told me a motherfucker and told us not to 200 00:11:50,120 --> 00:11:52,240 Speaker 1: get up, and we didn't get up. I said, it's 201 00:11:52,240 --> 00:11:54,000 Speaker 1: all right. I'm in the front of the front I 202 00:11:54,040 --> 00:11:55,439 Speaker 1: don't need to get up. I could sit down and 203 00:11:55,480 --> 00:11:58,560 Speaker 1: watch it. You're fucking standing, sweetheart. I'm in the front 204 00:11:58,640 --> 00:12:01,160 Speaker 1: of the motherfucking front like you know, like that commercial, 205 00:12:01,280 --> 00:12:03,439 Speaker 1: must be in the front row. I was, must be 206 00:12:03,559 --> 00:12:06,240 Speaker 1: in the front row. That was the reality of the situation. 207 00:12:07,040 --> 00:12:10,200 Speaker 1: So she kills it for about I don't know, thirty 208 00:12:10,280 --> 00:12:14,120 Speaker 1: five forty five minutes. Now, I know it's a concert 209 00:12:14,200 --> 00:12:16,760 Speaker 1: for charity, and I know his televised live on I 210 00:12:16,800 --> 00:12:20,559 Speaker 1: don't know Fox or CSNBC or NBC or ESPN. I 211 00:12:20,600 --> 00:12:22,559 Speaker 1: don't know where the funk this thing was televised. So 212 00:12:22,679 --> 00:12:26,360 Speaker 1: in between each act, uh, you got like this person 213 00:12:26,480 --> 00:12:28,720 Speaker 1: coming out and that person coming out, and it was cool, 214 00:12:28,800 --> 00:12:32,560 Speaker 1: like Nelson Mandela's grandson was there. But then like Nelson 215 00:12:32,920 --> 00:12:39,000 Speaker 1: Mandela's grandson's friend spoke, and then you know, like a friend, 216 00:12:39,440 --> 00:12:43,600 Speaker 1: a guy that knew Gandhi, he spoke, and then another 217 00:12:43,720 --> 00:12:47,960 Speaker 1: guy that knew. You know, I don't know Martin Luther King. 218 00:12:48,080 --> 00:12:50,760 Speaker 1: He had coffee with him. He spoke, and everybody's speaking 219 00:12:50,840 --> 00:12:53,760 Speaker 1: and they're talking about, you know, helping the world, which 220 00:12:53,840 --> 00:12:56,640 Speaker 1: is great. But they're talking and talking and talking and 221 00:12:56,760 --> 00:13:00,240 Speaker 1: talking and talking and talking and talking and talking. And 222 00:13:00,400 --> 00:13:05,319 Speaker 1: I you know, I'm I'm a Jew. Okay, I'm a 223 00:13:05,440 --> 00:13:08,280 Speaker 1: forty four year old Jew. And my body starts to hurt. 224 00:13:08,320 --> 00:13:10,360 Speaker 1: So I'm doing my stretches, like when I go out 225 00:13:10,559 --> 00:13:13,480 Speaker 1: and I stretch. I don't give a funk where I am. 226 00:13:14,040 --> 00:13:16,439 Speaker 1: I need to stretch. So I'm sitting on the floor. 227 00:13:16,520 --> 00:13:18,920 Speaker 1: I'm doing like a downward dog. People look at me 228 00:13:19,040 --> 00:13:21,760 Speaker 1: like I'm crazy. I need to stretch. My my back 229 00:13:21,840 --> 00:13:25,679 Speaker 1: is starting hurt. And we're all there for the biggest 230 00:13:25,840 --> 00:13:29,480 Speaker 1: of the biggest of the biggest act. Motherfucking jay Z, 231 00:13:30,040 --> 00:13:33,000 Speaker 1: which is the reason why I'm doing this special podcast 232 00:13:33,200 --> 00:13:36,959 Speaker 1: is because of jay Z. So finally, the light, you know, 233 00:13:37,080 --> 00:13:41,360 Speaker 1: the the night starts to fall, beautiful night, wearing just 234 00:13:41,480 --> 00:13:48,000 Speaker 1: a T shirt and shorts, and you hear Frank Sinatra Dune, Dune, 235 00:13:48,240 --> 00:13:51,520 Speaker 1: DNA and then dune then and you know, the lights 236 00:13:51,520 --> 00:13:54,360 Speaker 1: are going down, and I think you hear another Frank 237 00:13:54,400 --> 00:13:58,959 Speaker 1: Sinatra song, and I don't know Liza Minnelli, I think 238 00:13:59,040 --> 00:14:01,120 Speaker 1: came out on stage. No gives a funk. We're waiting 239 00:14:01,400 --> 00:14:06,480 Speaker 1: to see Hova Hova, Hova Hova. Where you are waiting 240 00:14:06,559 --> 00:14:10,880 Speaker 1: to see jay Z. And then the music for I 241 00:14:11,000 --> 00:14:13,199 Speaker 1: think I don't remember exactly how he did it, but 242 00:14:13,320 --> 00:14:17,920 Speaker 1: the music for his you know, biggest song New York 243 00:14:18,000 --> 00:14:20,680 Speaker 1: with Alicia Keys that starts to come in and then 244 00:14:20,800 --> 00:14:23,200 Speaker 1: jay Z comes out. And let me tell you something 245 00:14:23,240 --> 00:14:26,440 Speaker 1: about fucking jay Z. We talked about Mick Jagger, we 246 00:14:26,480 --> 00:14:34,040 Speaker 1: talked about Gwen Stefani. Jay Z is by far the 247 00:14:34,240 --> 00:14:38,560 Speaker 1: biggest music I'm not gonna say rock star because he's 248 00:14:38,600 --> 00:14:45,600 Speaker 1: obviously hip hop. He's the biggest music musical presence we 249 00:14:45,760 --> 00:14:51,320 Speaker 1: have right now. Nobody is fucking bigger than jay Z 250 00:14:51,760 --> 00:14:56,920 Speaker 1: on stage. This fucking guy, jay Z is like FONZI. 251 00:14:57,320 --> 00:14:58,880 Speaker 1: If you're if you're a jay Z fan, you know 252 00:14:58,920 --> 00:15:00,840 Speaker 1: what I'm talking about. If you're not a jay Z fan, 253 00:15:01,600 --> 00:15:05,160 Speaker 1: which our friend, my friend Toby, our other friend Brian, 254 00:15:05,840 --> 00:15:09,200 Speaker 1: I call him fly Bry, He's not even a jay 255 00:15:09,280 --> 00:15:12,640 Speaker 1: Z fan. He's like a fucking hardcore punk fanni agnostic 256 00:15:12,800 --> 00:15:17,520 Speaker 1: front and Alkaline Trio and Sick of it All and 257 00:15:18,320 --> 00:15:20,560 Speaker 1: all this ship H two oh, and all this ship 258 00:15:20,680 --> 00:15:23,000 Speaker 1: that I don't give a funk about. Okay, I know 259 00:15:23,120 --> 00:15:26,000 Speaker 1: it's great, it's just not my thing. He he's not 260 00:15:26,080 --> 00:15:28,720 Speaker 1: even a jay Z fan. As soon as jay Z 261 00:15:28,880 --> 00:15:33,080 Speaker 1: comes out, he's like, holy fucking shit, jay Z comes out. 262 00:15:33,160 --> 00:15:35,480 Speaker 1: He's wearing all black everything. That's what he wears. Wear 263 00:15:35,560 --> 00:15:39,600 Speaker 1: a hoodie, a black T shirt, black jeans, no jewelry. 264 00:15:40,160 --> 00:15:44,360 Speaker 1: The crowd is losing their fucking mind. And this is 265 00:15:44,400 --> 00:15:47,920 Speaker 1: not a hip hop crowd. I've seen him perform before 266 00:15:48,240 --> 00:15:50,480 Speaker 1: where he puts the microphone down, and I know other 267 00:15:50,520 --> 00:15:53,520 Speaker 1: acts do this ship and the crowd will do the 268 00:15:53,880 --> 00:15:56,920 Speaker 1: entire song and he'll sort of be mouthing the words. 269 00:15:56,960 --> 00:15:59,680 Speaker 1: He'll put the microphone down and they'll do big pimping. 270 00:15:59,800 --> 00:16:03,760 Speaker 1: The crowd will do every word. Fifteen year old kids, 271 00:16:04,120 --> 00:16:08,400 Speaker 1: forty four year old kids, people a little older than me, white, black, 272 00:16:08,640 --> 00:16:19,040 Speaker 1: Chinese gays, lesbians, fucking Chinese people, fucking Puerto Ricans, Haitians, Indians, Croatians, 273 00:16:19,280 --> 00:16:22,520 Speaker 1: everybody's going fucking crazy for jay Z. And he doesn't 274 00:16:22,560 --> 00:16:26,120 Speaker 1: have a dancer up there. There's no fucking bells and whistles. 275 00:16:26,160 --> 00:16:28,080 Speaker 1: He's got a screen in the background. That's the only 276 00:16:28,160 --> 00:16:29,880 Speaker 1: thing he has. He's got a screen in the background. 277 00:16:30,200 --> 00:16:33,480 Speaker 1: You know, we're doing some cool video ship. This fucking 278 00:16:33,520 --> 00:16:38,720 Speaker 1: guy is literally like Fonz. He's the coolest motherfucker on 279 00:16:38,840 --> 00:16:45,120 Speaker 1: the planet. Jay Z is the coolest, chilliest. Talk about gangster, 280 00:16:45,400 --> 00:16:50,480 Speaker 1: talk about swag, talk about all these variables, these adjectives, 281 00:16:50,560 --> 00:16:54,760 Speaker 1: these pronouns. Jay Z is all of them. He goes 282 00:16:54,840 --> 00:17:01,040 Speaker 1: through his set problems, I don't remember. He fucking everything. 283 00:17:01,120 --> 00:17:03,240 Speaker 1: He goes through all the songs. The fucking crowd is 284 00:17:03,360 --> 00:17:07,600 Speaker 1: losing their mind and he's not doing anything crazy. Gwen 285 00:17:07,720 --> 00:17:12,800 Speaker 1: Stefani fantastic performer. She's jumping around, she's doing gymnastics, she's 286 00:17:13,560 --> 00:17:15,520 Speaker 1: you see that. That's New York. You hear that in 287 00:17:15,600 --> 00:17:19,560 Speaker 1: the background. I'm buying my window. That's New York. Anyway, 288 00:17:20,200 --> 00:17:22,920 Speaker 1: She's doing like cross fit on the stage and it's great. 289 00:17:23,000 --> 00:17:25,800 Speaker 1: I'm not saying they're taking anything away from No Doubt 290 00:17:26,240 --> 00:17:30,359 Speaker 1: and Mick Jagger, that sort of Mick Jagger performance, that 291 00:17:30,640 --> 00:17:33,720 Speaker 1: that that that No Doubt and Gwen Stefani do, because 292 00:17:33,720 --> 00:17:37,720 Speaker 1: I love it. It's fantastic. But the fact that jay 293 00:17:37,840 --> 00:17:43,440 Speaker 1: Z can go on the stage and just do his ship. 294 00:17:43,520 --> 00:17:45,600 Speaker 1: Not that he's not trying or he doesn't care, that's 295 00:17:45,640 --> 00:17:47,760 Speaker 1: just his style and and like he doesn't need all 296 00:17:47,800 --> 00:17:50,320 Speaker 1: the bells and whistles. He's that cool and that good. 297 00:17:50,400 --> 00:17:52,960 Speaker 1: And his songs I was trying to figure out, like 298 00:17:53,040 --> 00:17:55,960 Speaker 1: why are people going crazy? And he's just chilling. People 299 00:17:56,000 --> 00:18:00,680 Speaker 1: are going crazy because the songs are so good and 300 00:18:00,880 --> 00:18:06,639 Speaker 1: and and somehow it hit a spirit. There's there's it 301 00:18:06,720 --> 00:18:09,040 Speaker 1: goes into your spirit and you just get so excited 302 00:18:09,080 --> 00:18:12,880 Speaker 1: to see him. And he's so huge, and he's so famous, 303 00:18:13,240 --> 00:18:16,080 Speaker 1: and he's so good and his song making is so 304 00:18:16,320 --> 00:18:19,040 Speaker 1: good that when he performs, the work has already done. 305 00:18:19,840 --> 00:18:21,879 Speaker 1: The work is done in the studio by jay Z. 306 00:18:22,800 --> 00:18:26,560 Speaker 1: So he does all all the hits, he does problems, 307 00:18:26,600 --> 00:18:29,280 Speaker 1: he does New York. He starts a song with New York. 308 00:18:30,200 --> 00:18:33,280 Speaker 1: Motherfucker's are losing their ship. I'm losing my I'm literally 309 00:18:33,359 --> 00:18:37,160 Speaker 1: losing my ship. I'm swinging a fucking towel around, I'm 310 00:18:37,240 --> 00:18:41,720 Speaker 1: doing the fucking the Diamond signed. I'm going crazy. I'm 311 00:18:41,880 --> 00:18:46,080 Speaker 1: I'm going fucking crazy. He's like, Yo, New York, like 312 00:18:46,400 --> 00:18:53,440 Speaker 1: he's doing and then fucking Beyonce comes out, and motherfucker's 313 00:18:54,640 --> 00:18:57,360 Speaker 1: go double time into into a whole other zone. Now. 314 00:18:58,280 --> 00:19:02,240 Speaker 1: I love that jay Z is married to Beyonce, and 315 00:19:03,200 --> 00:19:06,880 Speaker 1: I fucking respect the ship out of Beyonce, But I'm 316 00:19:06,920 --> 00:19:09,680 Speaker 1: just not a huge Beyonce fan. I love a couple 317 00:19:09,680 --> 00:19:11,840 Speaker 1: of songs. Da dad to put a ring on it, 318 00:19:12,040 --> 00:19:13,800 Speaker 1: but da da daba da have to put a ring 319 00:19:13,840 --> 00:19:17,240 Speaker 1: on it. That ship's good. You know, I knowed them, 320 00:19:17,520 --> 00:19:19,560 Speaker 1: but I I just don't listen to them unless I 321 00:19:19,640 --> 00:19:24,040 Speaker 1: hear them, you know. I like that, uh the booty 322 00:19:24,080 --> 00:19:28,920 Speaker 1: shaking song. I love that ship. I love surfboard surfboard 323 00:19:29,040 --> 00:19:31,760 Speaker 1: that ship. Yeah, I mean, but it's just not my thing. 324 00:19:32,680 --> 00:19:37,119 Speaker 1: She comes out, the fucking crowd goes nuts. You know, 325 00:19:37,320 --> 00:19:39,760 Speaker 1: there's all these rumors about are they breaking up? Are 326 00:19:39,760 --> 00:19:42,720 Speaker 1: they're not breaking up? They're not fucking breaking up? Number one? 327 00:19:43,920 --> 00:19:45,680 Speaker 1: If they were breaking up, why the funk would she 328 00:19:45,720 --> 00:19:49,240 Speaker 1: come out on stage for free? This wasn't even a show. 329 00:19:49,280 --> 00:19:52,800 Speaker 1: I think that people got paid for. They're just they're 330 00:19:52,840 --> 00:19:56,119 Speaker 1: not breaking up, okay, So leave that ship alone? And 331 00:19:56,320 --> 00:19:58,840 Speaker 1: and and why would you want to break up such 332 00:19:58,960 --> 00:20:02,000 Speaker 1: a good fun can thing? The two of them are 333 00:20:02,080 --> 00:20:05,800 Speaker 1: perfect for each other and on stage. It's like, I 334 00:20:05,840 --> 00:20:08,920 Speaker 1: don't know who the dynamic duos of music are. I 335 00:20:08,960 --> 00:20:12,360 Speaker 1: don't know Sonny and Share maybe who is that they're good? 336 00:20:12,800 --> 00:20:15,000 Speaker 1: Sonny and Share were good, Eric B and rock Kim 337 00:20:16,880 --> 00:20:22,160 Speaker 1: fucking uh, I don't know Q Tipping Fife, what the fuck? 338 00:20:22,840 --> 00:20:25,639 Speaker 1: I don't know? Like the two two two men crews, 339 00:20:25,720 --> 00:20:28,360 Speaker 1: men and women, I don't know. Donnie and Marie. They're 340 00:20:28,440 --> 00:20:32,120 Speaker 1: better than all of them. Jay Z and Beyonce shit 341 00:20:32,520 --> 00:20:36,719 Speaker 1: all over Donnie and Marie. Donnie Marie ain't ship compared 342 00:20:36,800 --> 00:20:40,720 Speaker 1: to jay Z and Beyonce. So she comes out she 343 00:20:41,160 --> 00:20:45,640 Speaker 1: was breaking it the funk down, all right. She's dancing, 344 00:20:45,800 --> 00:20:49,280 Speaker 1: She's got fucking high heels. She's doing like, you know, 345 00:20:50,440 --> 00:20:54,480 Speaker 1: booty shaking. So I have so much respect for jay 346 00:20:54,520 --> 00:20:57,280 Speaker 1: Z that I'm not even gonna say ash shaking. I'm 347 00:20:57,320 --> 00:20:59,879 Speaker 1: not even gonna say like stripper moves because they're not. 348 00:21:00,240 --> 00:21:04,200 Speaker 1: Because it's Beyonce. It's like she's classy, she could sing, 349 00:21:04,800 --> 00:21:09,400 Speaker 1: she looks good. Jay Z sometimes while she was performing 350 00:21:09,680 --> 00:21:11,680 Speaker 1: even he's like, oh shoot, I can't even believe this 351 00:21:11,800 --> 00:21:13,640 Speaker 1: is my wife. You could see it in his eyes. 352 00:21:14,000 --> 00:21:17,760 Speaker 1: The fucking crowd goes nuts. I'm like, oh, ship, there's Beyonce. 353 00:21:17,880 --> 00:21:19,640 Speaker 1: It's the first time I've ever seen her perform. I've 354 00:21:19,640 --> 00:21:22,119 Speaker 1: never seen her perform live with jay Z. And then 355 00:21:22,200 --> 00:21:26,040 Speaker 1: she leaves. The crowd goes nuts. She's sweating. She she 356 00:21:26,320 --> 00:21:29,720 Speaker 1: just she had some sort of low cut white shirt 357 00:21:29,800 --> 00:21:33,000 Speaker 1: on and I'm not gonna say tits because it's jay 358 00:21:33,080 --> 00:21:35,760 Speaker 1: Z's wife, but her boobies were flopping all over the place. 359 00:21:35,880 --> 00:21:40,160 Speaker 1: She's just perfect, She's just great. She goes off the stage. 360 00:21:40,520 --> 00:21:44,879 Speaker 1: Jay Z comes back out, sings more songs, rhymes and 361 00:21:44,960 --> 00:21:50,080 Speaker 1: ships killing it. Crowd is going fucking nuts, and that 362 00:21:50,240 --> 00:21:52,600 Speaker 1: was it. That was it. That was the end of 363 00:21:52,680 --> 00:21:56,119 Speaker 1: the show and the reason he has to go last. 364 00:21:56,600 --> 00:21:59,200 Speaker 1: You cannot follow jay Z. I don't know another act 365 00:21:59,400 --> 00:22:02,960 Speaker 1: that could follow jay Z. Maybe cold Play, maybe, I 366 00:22:03,000 --> 00:22:06,840 Speaker 1: don't know who. I don't know music, I don't know 367 00:22:07,359 --> 00:22:09,080 Speaker 1: all all the bands. But I don't know what other 368 00:22:09,160 --> 00:22:13,359 Speaker 1: band is is that could follow jay Z now today 369 00:22:13,520 --> 00:22:18,480 Speaker 1: in two thousand and fourteen, who's another band, performer, solo act, 370 00:22:19,160 --> 00:22:22,800 Speaker 1: two man crew, who the fund could follow jay Z anywhere? 371 00:22:22,840 --> 00:22:25,400 Speaker 1: And this is not a hip hop crowd. Okay, let's 372 00:22:25,440 --> 00:22:26,920 Speaker 1: let it be know. This is not a hip hop crowd. 373 00:22:26,960 --> 00:22:30,280 Speaker 1: This is everybody crowd. Everybody's sucking there. I don't know 374 00:22:30,359 --> 00:22:32,960 Speaker 1: who could go on after what he did. He shut 375 00:22:33,080 --> 00:22:36,840 Speaker 1: the motherfucking shut down. The motherfucker is like, he's like Fonzi. 376 00:22:37,400 --> 00:22:41,840 Speaker 1: It's literally like the Fonds, the coolest motherfucker. He turns 377 00:22:41,960 --> 00:22:44,440 Speaker 1: the lights on, he turns the lights off. He could 378 00:22:44,520 --> 00:22:47,280 Speaker 1: maybe he makes it happen. And it was just a 379 00:22:47,359 --> 00:22:50,440 Speaker 1: great night. And then I had to stretch. I had 380 00:22:50,480 --> 00:22:53,920 Speaker 1: to stretch because after the show my body was hurting. Okay, 381 00:22:54,000 --> 00:22:56,600 Speaker 1: So then I went, you know, into a little patch 382 00:22:56,680 --> 00:22:59,840 Speaker 1: of grass. I did my stretching. I did my downward doll. 383 00:23:00,520 --> 00:23:03,159 Speaker 1: My friend Toby and and Brian, They're like, what the 384 00:23:03,200 --> 00:23:05,399 Speaker 1: funk are you doing. You're stretching in public. People are 385 00:23:05,440 --> 00:23:08,239 Speaker 1: walking by and looking at you, like, I don't care. 386 00:23:08,320 --> 00:23:10,600 Speaker 1: My back hurts, motherfucker. I'm gonna stretch wherever the funk 387 00:23:10,640 --> 00:23:13,240 Speaker 1: I want to stretch. My kids they called me the 388 00:23:13,280 --> 00:23:16,840 Speaker 1: street stretcher. They're humiliated by it. I will throw my 389 00:23:17,000 --> 00:23:19,520 Speaker 1: leg on the top of a mailbox. I don't give 390 00:23:19,560 --> 00:23:23,440 Speaker 1: a fuck. In the middle of the day anywhere, anytime 391 00:23:23,480 --> 00:23:26,119 Speaker 1: I get out of my car, I stretch and let 392 00:23:26,200 --> 00:23:30,240 Speaker 1: me tell you something about my stretching ability. I grew 393 00:23:30,320 --> 00:23:34,520 Speaker 1: up playing basketball. I was never the fastest. I was 394 00:23:34,680 --> 00:23:37,800 Speaker 1: never the best on any fucking team. I was never 395 00:23:37,920 --> 00:23:41,200 Speaker 1: the quickest. I was never the most the best player. 396 00:23:41,200 --> 00:23:44,359 Speaker 1: I was never the the the highest jumper. I was 397 00:23:44,480 --> 00:23:46,520 Speaker 1: never the best shooter, although I was a pretty goddamn 398 00:23:46,560 --> 00:23:50,680 Speaker 1: good shooter. I've been the best passer on teams, skill 399 00:23:50,840 --> 00:23:55,280 Speaker 1: an acquired skill, but I've always been the most flexible. 400 00:23:55,920 --> 00:23:58,560 Speaker 1: And I say, you know what, you can't be the 401 00:23:58,600 --> 00:24:00,520 Speaker 1: best at everything, but you got to be the best 402 00:24:00,600 --> 00:24:03,359 Speaker 1: of something. And I was and I always will be 403 00:24:03,840 --> 00:24:07,040 Speaker 1: the best stretcher when I go to cross fit. Whole 404 00:24:07,080 --> 00:24:10,200 Speaker 1: of the conversation. I wish I could videotape and keep 405 00:24:10,240 --> 00:24:12,480 Speaker 1: you podcast people in the loop of what I look 406 00:24:12,560 --> 00:24:16,120 Speaker 1: like in CrossFit. If I ever, if things ever get bad, 407 00:24:16,200 --> 00:24:18,560 Speaker 1: I need to do a reality show. That will be 408 00:24:18,640 --> 00:24:21,800 Speaker 1: my reality show. Michael Rappaport does cross fit. It is 409 00:24:21,920 --> 00:24:26,399 Speaker 1: a fucking shameful, shameful, humiliating experience to watch me do 410 00:24:26,480 --> 00:24:29,400 Speaker 1: cross fit, but I do it. I do it anyway. 411 00:24:29,480 --> 00:24:32,280 Speaker 1: So I stretched it out. We walked home. Everybody's walking 412 00:24:32,359 --> 00:24:36,639 Speaker 1: the streets in New York. Everybody's happy, people, are you know, 413 00:24:37,680 --> 00:24:42,520 Speaker 1: singing dancing? You know, I'm stretching. I go had some 414 00:24:42,800 --> 00:24:46,920 Speaker 1: vegan uh food. My friend Toby's a vegan freak, so 415 00:24:47,040 --> 00:24:50,159 Speaker 1: we went to some place called the Candle Cafe on 416 00:24:50,440 --> 00:24:54,200 Speaker 1: East seventy nine Street. I had some Tofu this and 417 00:24:54,280 --> 00:24:58,320 Speaker 1: tofu that, and some soy pasta and some fucking phony 418 00:24:58,440 --> 00:25:00,560 Speaker 1: meat balls. I had pasta and meat balls and none 419 00:25:00,600 --> 00:25:03,000 Speaker 1: of it was pasta meat balls. It was like, I 420 00:25:03,040 --> 00:25:07,680 Speaker 1: don't know, cardboard and you know, soy, but apparently it's healthy. 421 00:25:08,880 --> 00:25:10,560 Speaker 1: So that was it. Man. It was just a great 422 00:25:10,680 --> 00:25:15,000 Speaker 1: night the Global Citizens Charity concert in New York. And 423 00:25:15,280 --> 00:25:17,159 Speaker 1: I just wanted to just talk about jay Z and 424 00:25:17,240 --> 00:25:20,200 Speaker 1: how fucking sick he is on stage, and and and 425 00:25:20,440 --> 00:25:23,520 Speaker 1: and Beyonce. She broke at the funk down and I'm 426 00:25:23,640 --> 00:25:25,440 Speaker 1: you know, she did a move, man. She did some 427 00:25:25,560 --> 00:25:28,720 Speaker 1: kind of ship. Man, it's some Olympics ship she did. 428 00:25:28,840 --> 00:25:30,960 Speaker 1: She like did it up and down. Then she squatted. 429 00:25:31,119 --> 00:25:33,320 Speaker 1: I mean, she's probably really good and CrossFit. She did 430 00:25:33,359 --> 00:25:35,399 Speaker 1: a jump in a squat and I'm telling you she 431 00:25:35,480 --> 00:25:38,840 Speaker 1: had on heels like it was fucking nothing. If I 432 00:25:38,960 --> 00:25:41,040 Speaker 1: had to do a squat or half of the fucking 433 00:25:41,080 --> 00:25:44,439 Speaker 1: things that Beyonce had to do during that concert in boots. 434 00:25:44,760 --> 00:25:47,879 Speaker 1: Let's just say Timberland boots with with with sweat socks. 435 00:25:48,119 --> 00:25:50,440 Speaker 1: Let's say I was in a sweatsuit and boots and 436 00:25:50,560 --> 00:25:54,200 Speaker 1: I tried to do what Beyonce did on stage last night. 437 00:25:54,920 --> 00:25:58,080 Speaker 1: I'd be in the hospital. I would have torn meniscus, 438 00:25:58,480 --> 00:26:01,720 Speaker 1: A C L S M C yells, I'd break ship all. 439 00:26:02,000 --> 00:26:04,600 Speaker 1: It would all happen in one thing. She's like a 440 00:26:04,680 --> 00:26:09,000 Speaker 1: fucking rubber band, you know. She does it all in heels. 441 00:26:09,240 --> 00:26:13,200 Speaker 1: I don't know lubatans or what kind of heels she has, 442 00:26:13,640 --> 00:26:18,760 Speaker 1: the red bottoms, Giorgio Almani, Gucci, some kind of fancy ship. 443 00:26:18,800 --> 00:26:20,960 Speaker 1: Because it's Beyonce, they probably like custom. I don't know 444 00:26:21,040 --> 00:26:23,480 Speaker 1: what the funk they are. Anyway, it was a great 445 00:26:23,560 --> 00:26:28,800 Speaker 1: New York night as the I Am Rapp Report stereo podcast. 446 00:26:30,480 --> 00:26:33,480 Speaker 1: I am Michael Rapp Report. I'm so glad you guys 447 00:26:33,520 --> 00:26:37,480 Speaker 1: are listening to this, uh this ship. But I think 448 00:26:37,560 --> 00:26:39,280 Speaker 1: this podcast is good, you know, I think this is 449 00:26:39,400 --> 00:26:44,560 Speaker 1: fun and this is a special special Global Citizens New 450 00:26:44,680 --> 00:26:50,960 Speaker 1: York City Central Park concert review of the Beyonce jay 451 00:26:51,080 --> 00:26:55,920 Speaker 1: Z Show opened up by Gwen Stefani and before them. 452 00:26:56,040 --> 00:26:58,360 Speaker 1: Some country singer still can't figure out who the funk 453 00:26:58,400 --> 00:27:00,440 Speaker 1: it is. I don't know who it was. But it 454 00:27:00,560 --> 00:27:03,520 Speaker 1: was great. It was a great night, and uh, you know, 455 00:27:03,920 --> 00:27:06,639 Speaker 1: I'm glad to have been a part of it. And uh, 456 00:27:06,840 --> 00:27:08,800 Speaker 1: like I said, oh listen, I don't care if you 457 00:27:09,080 --> 00:27:11,480 Speaker 1: could give two ships about hip hop music. If you 458 00:27:11,600 --> 00:27:14,720 Speaker 1: like music in general, you need to see jay Z. 459 00:27:15,640 --> 00:27:17,760 Speaker 1: You need to see jay Z live and and and 460 00:27:18,000 --> 00:27:20,080 Speaker 1: and even if you don't like hip hop, even if 461 00:27:20,080 --> 00:27:23,359 Speaker 1: you don't like rap music, watch this fucking guy on stage. 462 00:27:23,400 --> 00:27:26,280 Speaker 1: And you've never seen anything like it. You've never seen 463 00:27:26,359 --> 00:27:29,440 Speaker 1: anything fucking like it. He's just fantastic. He's great. He's 464 00:27:29,480 --> 00:27:32,680 Speaker 1: the best, he's the best ever, He's the goat, he's 465 00:27:32,720 --> 00:27:35,920 Speaker 1: the he's the greatest of all time when it comes 466 00:27:35,960 --> 00:27:38,080 Speaker 1: to hip hop. He just is. His body of work. 467 00:27:38,359 --> 00:27:41,960 Speaker 1: We get into all the the the the details of 468 00:27:42,000 --> 00:27:45,080 Speaker 1: why jay Z is the greatest of all time on 469 00:27:45,280 --> 00:27:48,240 Speaker 1: on a whole jay Z podcast, you know, talking about 470 00:27:48,240 --> 00:27:51,200 Speaker 1: his whole career. But but he is the best. He 471 00:27:51,400 --> 00:27:56,840 Speaker 1: just he just he's he's super superseded. What all the 472 00:27:57,040 --> 00:28:02,040 Speaker 1: dreams and the ideas of what a rapper wanted to 473 00:28:02,160 --> 00:28:04,399 Speaker 1: do in the eighties like a big Daddy Cane and 474 00:28:04,600 --> 00:28:09,520 Speaker 1: Eric being rock Kim uh e p m du Bismarcki 475 00:28:10,240 --> 00:28:14,400 Speaker 1: uh Mellie mel uh cool mo d all the ideas 476 00:28:14,640 --> 00:28:20,159 Speaker 1: LLL cool J. He surpassed everybody. He he pushed the 477 00:28:20,320 --> 00:28:26,440 Speaker 1: dream past the dream into some euphoric you know, rainbow 478 00:28:27,840 --> 00:28:33,240 Speaker 1: heaven place like. He surpassed what anybody would have ever imagined, 479 00:28:33,320 --> 00:28:36,000 Speaker 1: even him. I I've heard him say this, even him, 480 00:28:36,560 --> 00:28:40,120 Speaker 1: no one could have ever imagined that that a guy 481 00:28:40,600 --> 00:28:43,240 Speaker 1: like jay Z, uh just and I'm saying, a guy 482 00:28:43,320 --> 00:28:46,280 Speaker 1: like jay Z, a rapper, would become the biggest fucking 483 00:28:46,400 --> 00:28:49,520 Speaker 1: music star in the world. He is the biggest. He's 484 00:28:49,600 --> 00:28:53,240 Speaker 1: the best period. Sure you could say this one or 485 00:28:53,280 --> 00:28:56,680 Speaker 1: that one. Fuck that jay Z is the biggest, the best. 486 00:28:57,360 --> 00:28:59,800 Speaker 1: It's crazy and that he's a hip hop, pure hip hop. 487 00:29:00,640 --> 00:29:02,920 Speaker 1: There ain't nothing pop about jay Z, even when he 488 00:29:03,000 --> 00:29:07,040 Speaker 1: makes pop songs. He's He's from the lineage that hip hop. 489 00:29:07,760 --> 00:29:13,520 Speaker 1: He has cool Hurricane him, he has Grandmaster Flash in him. 490 00:29:13,600 --> 00:29:16,760 Speaker 1: He's from his first generation, although he's a little bit 491 00:29:16,800 --> 00:29:19,720 Speaker 1: younger than the first of the first generations. He was 492 00:29:19,800 --> 00:29:24,160 Speaker 1: inspired by all that fly cool herk Africa, Bamboda he's, 493 00:29:24,560 --> 00:29:28,000 Speaker 1: you know, forty six. He has that in him. No 494 00:29:28,160 --> 00:29:30,280 Speaker 1: one would have thought that he would headline the Global 495 00:29:30,360 --> 00:29:33,960 Speaker 1: Citizens concert twenty years ago, that he'd be bigger than 496 00:29:34,040 --> 00:29:36,240 Speaker 1: no doubt that he'd be bigger than that fucking country 497 00:29:36,320 --> 00:29:38,680 Speaker 1: singer that I can't even remember who it was. That 498 00:29:38,920 --> 00:29:41,600 Speaker 1: he could go anywhere in the world and shut ship down. 499 00:29:41,720 --> 00:29:45,479 Speaker 1: No one would ever have ever predicted that a rapper, 500 00:29:45,760 --> 00:29:47,920 Speaker 1: any rapper, would ever have done that. And I just 501 00:29:48,000 --> 00:29:50,160 Speaker 1: think it's great for hip hop, and I just can't 502 00:29:50,160 --> 00:29:52,320 Speaker 1: tell you how impressed I was with that ship last night. 503 00:29:52,800 --> 00:29:56,000 Speaker 1: This is Michael Rappaport. This is the I Am Rappaport 504 00:29:56,120 --> 00:29:59,880 Speaker 1: podcast and we're signing off with some good funky ship 505 00:30:00,000 --> 00:30:08,040 Speaker 1: it right here. Thank you for listening. M m mm 506 00:30:08,160 --> 00:30:24,960 Speaker 1: hmmmm