WEBVTT - #321 - Davido

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<v Speaker 1>Yo, what up my people, it's your boy David Oh.

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<v Speaker 1>And you can catch me live under the Bootleg cav

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<v Speaker 1>podcast Keep in Luck.

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<v Speaker 2>One look, Bootleg CAV show. We got a special guest.

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<v Speaker 2>A legend is in here, man, David Oh. Welcome, sir.

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<v Speaker 3>Well he said it perfect, did I?

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<v Speaker 2>Yeah, there's people usually fucking up. I'm not gonna lie.

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<v Speaker 2>I was a little confused, like like early on, I

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<v Speaker 2>was like, is it David Oh?

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<v Speaker 3>Is it?

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<v Speaker 2>Yeah? It's David Oh.

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<v Speaker 3>Yeah, Okay, thank you, big fan of your show.

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<v Speaker 2>Appreciate it, man, thank you for having You're obviously a legend.

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<v Speaker 1>Man.

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<v Speaker 2>I think when we think of like afrobeach, you're kind

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<v Speaker 2>of like the jay Z of the shit Lokey, you know,

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<v Speaker 2>crazy It's good. Yeah. What's it like to kind of

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<v Speaker 2>see your sound that you've been doing for all these

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<v Speaker 2>years become like the sound now.

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<v Speaker 3>You know, Like you know, I was born in Atlanta,

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<v Speaker 3>you know what I'm saying.

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<v Speaker 1>Okay, I've always been like coming to America, but like

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<v Speaker 1>when I became a musician, especially like coming out here

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<v Speaker 1>you know for shows trying to push the music. It

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<v Speaker 1>really don't started with like just like African fans coming

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<v Speaker 1>to the shows, right, you know when we do shows

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<v Speaker 1>out here, and then he started just you know, spreading.

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<v Speaker 1>You know, like even when I was in college and

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<v Speaker 1>I used to play my friends African music and they

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<v Speaker 1>liked to college in Alabama. Okay, you know what I'm saying,

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<v Speaker 1>which which cool.

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<v Speaker 3>It's called Oakwood University.

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<v Speaker 2>It's something that he was raised in the South. Low

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<v Speaker 2>key yeah, yeah.

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<v Speaker 1>Yeah, fully, you know what I'm saying. So even when

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<v Speaker 1>I used to play African songs for them, I knew

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<v Speaker 1>that they liked it. So I always knew it was

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<v Speaker 1>always if there was an opportunity to be heard, you know, people,

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<v Speaker 1>you know, fuck with it?

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<v Speaker 2>What's it like? Because I feel like I don't. I

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<v Speaker 2>didn't know that about you, that you were kind of

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<v Speaker 2>you from Atlanta and you were you went to college

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<v Speaker 2>in Alabama. Yeah, that's like the Bible Belt for.

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<v Speaker 1>Real, crazy Huntsville, Alabama, Huntsville Young. I was like sixty

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<v Speaker 1>years old in college. You know, hey, we see you

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<v Speaker 1>and that's coming like straight from Legos, right, you know,

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<v Speaker 1>straight there. And I remember even just being in college

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<v Speaker 1>and talking to like friends there like household, how is

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<v Speaker 1>it in Nigeria?

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<v Speaker 3>Like how did you get here y'all got airports.

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<v Speaker 1>You know what I'm saying, Because there were no Edue

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<v Speaker 1>kids that about this, about what's going on here. But

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<v Speaker 1>now you know what I'm saying, You have social media,

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<v Speaker 1>so it's different. They see a different side of Africa

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<v Speaker 1>when you when you tell people that, oh, I'm night Jeri,

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<v Speaker 1>you're like, oh, I love afrobeats. For me, like fifteen

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<v Speaker 1>years ago, that was not the story, you know what

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<v Speaker 1>was like for you?

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<v Speaker 2>Like can you can you kind of pinpoint in your

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<v Speaker 2>opinion as somebody who you know obviously has a crab

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<v Speaker 2>out here and went to school out here and was

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<v Speaker 2>born here. Can you kind of pinpoint the moment that

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<v Speaker 2>you noticed like America starting to kind of take a

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<v Speaker 2>liking to the genre.

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<v Speaker 1>Definitely to me from my experience, it started like from Atlanta,

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<v Speaker 1>two cities, Atlanta, New York or mainly Atlanta, and just

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<v Speaker 1>like even going out, you know what I'm saying, Like,

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<v Speaker 1>like one thing I knew one of my friends used

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<v Speaker 1>to do. He used to he was a big baller.

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<v Speaker 1>He would go to the club and he like spends

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<v Speaker 1>so much money. But he tell them every time, YO,

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<v Speaker 1>when you bring my bottles out, I want to hear

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<v Speaker 1>this song, right, you know what I'm saying. So the

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<v Speaker 1>DJ is playing it, you know what I'm saying, the

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<v Speaker 1>bottles coming out to the song, you know, and the

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<v Speaker 1>DJ is liking the music. And then that's that was

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<v Speaker 1>like one of my first experiences of like being in

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<v Speaker 1>the club and hearing it. Friend, yeah, and then you know,

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<v Speaker 1>start growing. You know, once the girls like it.

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<v Speaker 2>Once the girls like it, it's over.

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<v Speaker 3>It's over, you know what I'm saying.

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<v Speaker 1>So even like girls being in the coby with the guy, Okay,

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<v Speaker 1>you play some afro beats because you know, girls like.

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<v Speaker 3>It, you know, let's do it.

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<v Speaker 2>It obviously became because it was like a big big

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<v Speaker 2>thing in the UK first, right, you know, it was from.

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<v Speaker 3>The UK before you go to America.

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<v Speaker 1>You know, UK was like the first place to I

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<v Speaker 1>know that apro beats, Like we start doing arenas in.

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<v Speaker 3>The UK first, crazy, you know what I'm saying.

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<v Speaker 1>Afrobeats. UK actually named it Afrobeats, so that's like a

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<v Speaker 1>UK It's like k turn. But then you know, we

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<v Speaker 1>just ran with it, you know what I mean.

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<v Speaker 2>That's fire man. What how much can you attribute to

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<v Speaker 2>Drake embracing it to kind of it being like easily

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<v Speaker 2>bridge to the US because I feel like once Drake

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<v Speaker 2>gets behind anything, for the most part, it can it

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<v Speaker 2>can really take off.

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<v Speaker 1>I mean there's this there's always Niratis like, oh, you

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<v Speaker 1>know what I'm saying. Afrobeats was was definitely you know

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<v Speaker 1>what I'm saying huge, It was huge because if it

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<v Speaker 1>wasn't he was Drake Drake.

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<v Speaker 2>When it was he was like.

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<v Speaker 1>Before Drake, but you know, Drake is Drake. You know

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<v Speaker 1>what I'm saying. So i'd be lying if I see

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<v Speaker 1>you know what I'm saying. He didn't put some spotlight

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<v Speaker 1>to you know, afrobeats. You know what I'm saying. And

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<v Speaker 1>you know it was dope. He's made some dope you

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<v Speaker 1>know records.

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<v Speaker 2>Yo. What there's this like new trend where there's the

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<v Speaker 2>normal version of a song and then the sped up version.

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<v Speaker 2>Back in the day, I mean you're from the South,

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<v Speaker 2>you know, there was this chopping screwed ship, the screwed

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<v Speaker 2>up ship back in the day to Texas. But now

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<v Speaker 2>I feel like every single there's like the normal version

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<v Speaker 2>and then they got to sped That's crazy.

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<v Speaker 1>Said that because I released the album was out, so

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<v Speaker 1>we released a couple of songs and we released the

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<v Speaker 1>single again with a sped.

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<v Speaker 2>Up Yeah, there's a sped up version.

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<v Speaker 1>Yah's crazy, you know what I'm saying. I don't know

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<v Speaker 1>some songs I don't even know, Like some songs.

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<v Speaker 2>I see on like TikTok and stuff, you don't even

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<v Speaker 2>know the normal version.

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<v Speaker 1>Yeah, I'll be thinking that's that's the original when they

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<v Speaker 1>When I hear, I'm like, oh, okay, it makes sense now.

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<v Speaker 3>I mean. Social media is crazy though, Like it's a

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<v Speaker 3>different avenue.

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<v Speaker 1>When I started music, we used to talk about radio

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<v Speaker 1>and you know not Now it's like podcast. If you're

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<v Speaker 1>promoted me before, just putt on like YouTube or Facebook.

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<v Speaker 1>Right now you got like twenty apps. Yeah, you know,

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<v Speaker 1>you gotta do your promo.

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<v Speaker 2>I know, I keep hoping that TikTok is banned so

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<v Speaker 2>I don't have to worry about it anymore. It's like

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<v Speaker 2>one least day last day. I'm like, if TikTok is banned,

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<v Speaker 2>it just takes one more thing I don't have to

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<v Speaker 2>worry about away.

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<v Speaker 3>Yeah, it's going crazy, Like, yeah, are.

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<v Speaker 2>You pretty big on TikTok.

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<v Speaker 3>I mean, I got a lot of followers, but I'm like, are.

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<v Speaker 2>You like on the app? Scrolling and like get diving

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<v Speaker 2>into the algorithm. Nah nah, because you hit a sucky

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<v Speaker 2>in bro yo.

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<v Speaker 1>And every time I get on TikTok, I'll be there

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<v Speaker 1>for like two hours.

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<v Speaker 2>Yeah, because whatever you're into, it knows different and everything's

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<v Speaker 2>all because I just love like dogs and food, so

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<v Speaker 2>it just shows me puppy puppies and food.

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<v Speaker 1>I think it's crazy how it can tell what you like,

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<v Speaker 1>just like being on the app. After like a week,

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<v Speaker 1>he's like me, I like food.

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<v Speaker 2>Those you're just like guys who like cooking a minute

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<v Speaker 2>and like got to cook outside. Oh yeah, I love

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<v Speaker 2>that ship. And then I just bought a grill, like

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<v Speaker 2>a griddle, like a little griddler thing outside, So I'm like,

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<v Speaker 2>I'm always trying to find like ship to do on

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<v Speaker 2>the grill.

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<v Speaker 3>The guy that throws the butter butter bait, yeah, his food.

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<v Speaker 2>You ever see the uh the guy who does the

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<v Speaker 2>shark bite at the restaurants Big Groove, I think them too.

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<v Speaker 2>He might actually I interviewed him.

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<v Speaker 3>I think he might be.

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<v Speaker 2>The guy's just a massive human being and he does

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<v Speaker 2>very tight close. You gotta get him to do to

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<v Speaker 2>do a dance to yourself, how give me kind of

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<v Speaker 2>like your come up, because if you're in the States,

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<v Speaker 2>you're going to college here, how did how do you

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<v Speaker 2>end up popping off? You go back home?

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<v Speaker 1>Yeah, you know, just being in Alabama for like before

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<v Speaker 1>I go to college. Obviously I didn't liking to music.

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<v Speaker 1>Of course, we obviously, like you know, my father was

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<v Speaker 1>just olemans about me going to school.

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<v Speaker 2>Right.

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<v Speaker 3>You know, I'm first generation that Titana in my family.

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<v Speaker 2>You know, so it's a little harder to convince your.

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<v Speaker 1>Everybody's business business business, like hey I want to do this,

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<v Speaker 1>and they're like, was it normal template?

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<v Speaker 3>Now you know what I'm saying. You go to school

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<v Speaker 3>and then you go out and work for the family business.

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<v Speaker 1>And I'm the last kid of five, so it was

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<v Speaker 1>already I was not even thinking about, you know, convincing

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<v Speaker 1>anybody or so, you know, just being in school and awkward.

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<v Speaker 1>Apart from me, it's a church. It's a Christian school,

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<v Speaker 1>so apart from even like going to church, the choirs

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<v Speaker 1>or there are lots of like musicians around the school.

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<v Speaker 1>So the dude that lived like that stayed like on

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<v Speaker 1>top of me in the dorm. He was like goo sposing.

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<v Speaker 1>Guy's name is Jamo. So I always used to hear

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<v Speaker 1>like music, music like, but I never went to check.

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<v Speaker 1>So one day I guess said, let me go check.

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<v Speaker 1>So I went to check and knock the door and

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<v Speaker 1>then he opens his room and it's a whole studio setup.

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<v Speaker 3>Like in the dorm.

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<v Speaker 1>So i'ing like that was just recording himself. So like

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<v Speaker 1>that was like my first time like seeing like a

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<v Speaker 1>laptop in the studio equipment.

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<v Speaker 3>So I was like, Yo, how much is all this?

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<v Speaker 3>And he told me.

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<v Speaker 1>I was like, yo, want to buy it? Just teach

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<v Speaker 1>me the way around it. So he was he was

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<v Speaker 1>teaching me. And I also like learned off YouTube, like

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<v Speaker 1>how to make some YouTube.

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<v Speaker 2>University. Man, you can learn anything on YouTube. So what

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<v Speaker 2>was your first interface? Was it like U M audio,

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<v Speaker 2>the little M box plug.

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<v Speaker 3>And play USB and then I had the it was

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<v Speaker 3>It wasn't pro tools, it was logic.

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<v Speaker 2>Logic. Yeah, a lot of people learn on logic.

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<v Speaker 3>So from that I just started recording myself, recording myself.

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<v Speaker 3>But mind you.

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<v Speaker 1>You know, like I said, it's school, you know what

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<v Speaker 1>I'm saying. So I'd go home every December Christmas. So

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<v Speaker 1>one December I go to the club and it's like

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<v Speaker 1>you know before before I left in the club or

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<v Speaker 1>on the radio in Nigeria, they played with mostly American.

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<v Speaker 3>Music, like what was popping in Nigeria when I left school.

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<v Speaker 3>It's like fifty. Of course I love him.

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<v Speaker 2>I just like the world loves fifty. Fifty is just

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<v Speaker 2>like anywhere in the world. Yeah, usher, you know that's

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<v Speaker 2>like confessions.

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<v Speaker 1>Nearly you know this then, but you know, I fact,

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<v Speaker 1>I you know, noticed that when I got back after

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<v Speaker 1>I think I went was like two years away and

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<v Speaker 1>I came back with Christmas and it's like, Yo, it's.

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<v Speaker 3>All African music now, blah blah, it's different.

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<v Speaker 1>Yeah, I'm in the club and I'm seeing like the

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<v Speaker 1>artists blowing up, the girls going crazy.

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<v Speaker 3>So I'm like, yo, this is about to be something.

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<v Speaker 3>You know what I'm saying.

0:10:00.800 --> 0:10:03.120
<v Speaker 2>Right, Were you already making that kind of music in

0:10:03.240 --> 0:10:05.480
<v Speaker 2>your dorm them or was trying to rap or what

0:10:05.520 --> 0:10:05.960
<v Speaker 2>were you doing?

0:10:06.200 --> 0:10:06.320
<v Speaker 1>Na?

0:10:06.559 --> 0:10:08.839
<v Speaker 3>You know, I actually started as an engineer, Okay, you

0:10:08.920 --> 0:10:09.440
<v Speaker 3>know what I'm saying.

0:10:09.640 --> 0:10:11.120
<v Speaker 2>So you were just learning your way around here.

0:10:11.160 --> 0:10:13.120
<v Speaker 1>I used to record, like my cousins, gotcha, you know,

0:10:13.360 --> 0:10:16.520
<v Speaker 1>stuff like good to Atlanta record them. So actually started

0:10:16.559 --> 0:10:20.360
<v Speaker 1>as an engineer. So it was really like R and

0:10:20.480 --> 0:10:23.959
<v Speaker 1>B is kind of music, right, African music sometimes. But

0:10:24.040 --> 0:10:26.559
<v Speaker 1>then when I after that trip changed it changed it.

0:10:26.679 --> 0:10:29.600
<v Speaker 1>So when I got back, it was just African music.

0:10:29.760 --> 0:10:32.120
<v Speaker 1>Like after that trip, I decided, That's when I decided,

0:10:32.200 --> 0:10:36.439
<v Speaker 1>like I want to be a African musician. So the

0:10:36.520 --> 0:10:40.400
<v Speaker 1>biggest artists at that time, his name was debanch right,

0:10:41.800 --> 0:10:45.440
<v Speaker 1>So anytime like night John, say, anytime they're coming to Atlanta,

0:10:45.960 --> 0:10:47.800
<v Speaker 1>they would always call me up. You know, I hooked

0:10:47.840 --> 0:10:50.080
<v Speaker 1>them up give them some right, you know what I'm saying.

0:10:50.080 --> 0:10:51.679
<v Speaker 2>So you're with a plug. Yeah, and I was like,

0:10:52.000 --> 0:10:54.920
<v Speaker 2>fifteen fifteen, you're selling weed in Atlanta.

0:10:55.000 --> 0:10:55.839
<v Speaker 3>No, I was just selling we do.

0:10:56.800 --> 0:10:58.559
<v Speaker 2>I knew where to get it, you know where to

0:10:58.600 --> 0:11:00.800
<v Speaker 2>get it, of course, Yeah, and you were, you were

0:11:00.840 --> 0:11:01.400
<v Speaker 2>the middleman.

0:11:01.679 --> 0:11:05.160
<v Speaker 3>Yeah, I knew had to get it, so you know

0:11:05.320 --> 0:11:07.200
<v Speaker 3>from there, you know what I'm saying. They came.

0:11:07.280 --> 0:11:09.559
<v Speaker 1>So one trip, one of the biggest artists at that

0:11:09.679 --> 0:11:15.000
<v Speaker 1>time came to Atlanta. I took them out, you know,

0:11:15.120 --> 0:11:18.160
<v Speaker 1>got them hotels, took them.

0:11:18.040 --> 0:11:20.880
<v Speaker 2>To the strip club, which one oh damn.

0:11:21.840 --> 0:11:24.480
<v Speaker 3>Some strip club on the South Side. It's called Club Walks.

0:11:24.880 --> 0:11:27.480
<v Speaker 2>Okay, it's old so not Magic City.

0:11:27.559 --> 0:11:28.360
<v Speaker 3>Not non Magic City.

0:11:28.480 --> 0:11:30.280
<v Speaker 1>So I took them to that club box and Yo,

0:11:31.800 --> 0:11:35.000
<v Speaker 1>they changed like twenty thousand in once. But that was

0:11:35.080 --> 0:11:37.120
<v Speaker 1>like the most one that I'd seen at that time.

0:11:37.200 --> 0:11:39.600
<v Speaker 1>I'm like, what, Y know these guys that really gets

0:11:39.640 --> 0:11:41.640
<v Speaker 1>in it. So at that point I was like, Yo,

0:11:42.200 --> 0:11:43.240
<v Speaker 1>I'm going back to school.

0:11:43.240 --> 0:11:43.559
<v Speaker 3>I want to.

0:11:43.840 --> 0:11:45.480
<v Speaker 2>I want to. I see that you can make some

0:11:45.559 --> 0:11:46.080
<v Speaker 2>real money off.

0:11:46.920 --> 0:11:48.599
<v Speaker 3>And then from then I was like, Yo, this is

0:11:48.640 --> 0:11:50.280
<v Speaker 3>one I want to do because like.

0:11:50.320 --> 0:11:51.880
<v Speaker 2>It's got to be kind of hard because you probably

0:11:51.920 --> 0:11:54.959
<v Speaker 2>were like also semi influenced by a lot of what

0:11:55.120 --> 0:11:57.679
<v Speaker 2>was going on in Atlanta, and like it's kind of

0:11:57.720 --> 0:12:01.199
<v Speaker 2>hard to like see outside of what's happening right in

0:12:01.240 --> 0:12:03.000
<v Speaker 2>front of you. So for you to go back home

0:12:03.160 --> 0:12:05.120
<v Speaker 2>during the summer and be like, oh no, there's this

0:12:05.160 --> 0:12:07.440
<v Speaker 2>whole other yeah thing going on, you know what I'm saying,

0:12:07.520 --> 0:12:10.080
<v Speaker 2>Like there's a whole there's another world outside.

0:12:09.640 --> 0:12:12.200
<v Speaker 3>Of the US, yeah, And I'm like, I don't want

0:12:12.240 --> 0:12:13.400
<v Speaker 3>to miss this, you know what I'm saying.

0:12:14.000 --> 0:12:17.400
<v Speaker 1>So that's when I started getting involved in doing me

0:12:17.600 --> 0:12:20.120
<v Speaker 1>like a forgot music production, facing it the food week.

0:12:20.400 --> 0:12:22.760
<v Speaker 1>It wasn't even affecting my academics, you know what I'm saying.

0:12:23.320 --> 0:12:24.079
<v Speaker 2>What'd you drop out?

0:12:25.040 --> 0:12:26.559
<v Speaker 3>After like two years dropped out?

0:12:26.679 --> 0:12:28.760
<v Speaker 2>Parents were happier. They didn't know.

0:12:28.880 --> 0:12:30.640
<v Speaker 3>They thought they even know I was dropped up, so

0:12:31.000 --> 0:12:32.440
<v Speaker 3>they thought that was in school. Yeah for a year,

0:12:32.520 --> 0:12:35.760
<v Speaker 3>you're like school's good sending them fake grades on that.

0:12:36.400 --> 0:12:36.960
<v Speaker 3>You know what I'm saying.

0:12:37.440 --> 0:12:40.160
<v Speaker 2>But it was the first convo where you like let

0:12:40.240 --> 0:12:43.240
<v Speaker 2>them know, like it was never a combo. Oh okay,

0:12:43.280 --> 0:12:44.720
<v Speaker 2>they just like saw you on tv DA.

0:12:46.600 --> 0:12:49.520
<v Speaker 1>So you know, he was calling my phone and at

0:12:49.559 --> 0:12:51.480
<v Speaker 1>this point, I've gone back to America, but I was

0:12:51.520 --> 0:12:53.920
<v Speaker 1>planning to go back to Nigeria to stop my music

0:12:54.000 --> 0:12:56.880
<v Speaker 1>career because like I had met people already and stuff

0:12:56.880 --> 0:13:00.520
<v Speaker 1>like that. So my sister hit me up on Facebook.

0:13:01.480 --> 0:13:02.959
<v Speaker 1>She's like, I think my dad was like trying to

0:13:03.000 --> 0:13:06.000
<v Speaker 1>call my phone. Then he called the school like trying

0:13:06.000 --> 0:13:10.439
<v Speaker 1>to reach me, and then like, oh, so David hasn't

0:13:10.679 --> 0:13:13.839
<v Speaker 1>hasn't been a road here for the past year. He's

0:13:13.920 --> 0:13:16.880
<v Speaker 1>like what what did My sister will never forget that message.

0:13:17.200 --> 0:13:21.560
<v Speaker 3>I was in a burger. Yea that news you haven't

0:13:21.600 --> 0:13:26.400
<v Speaker 3>been in school. My stomach, Oh fucking function, your whole viralthing.

0:13:27.200 --> 0:13:29.439
<v Speaker 2>Your dad's a doctor, no no, but he got like

0:13:29.480 --> 0:13:30.560
<v Speaker 2>a doctor. He's got a doctor.

0:13:30.640 --> 0:13:32.720
<v Speaker 3>Yeah, okay, goy, he's he's not a doctor.

0:13:33.559 --> 0:13:35.720
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<v Speaker 2>Let's get back to the interview. I mean, technically is

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<v Speaker 2>a doctor? He got yeah.

0:16:10.000 --> 0:16:12.520
<v Speaker 1>After that, and then my dad like, I like, I

0:16:12.720 --> 0:16:15.600
<v Speaker 1>hit the seem disappointed to me, Like it could mess

0:16:15.680 --> 0:16:17.360
<v Speaker 1>up my whole vibe for sure.

0:16:17.960 --> 0:16:19.600
<v Speaker 3>So I was like, man, I'm not going home. I

0:16:19.640 --> 0:16:21.640
<v Speaker 3>ain't even trying to hear all Like where do I

0:16:21.680 --> 0:16:22.160
<v Speaker 3>start from?

0:16:22.360 --> 0:16:22.560
<v Speaker 2>Yeah?

0:16:23.120 --> 0:16:25.200
<v Speaker 1>Like where do I start from? You know what I'm saying?

0:16:25.360 --> 0:16:27.240
<v Speaker 1>So I was like, man, I got to blow up

0:16:27.960 --> 0:16:29.360
<v Speaker 1>that's the only way he's good to forgive me.

0:16:30.320 --> 0:16:31.960
<v Speaker 2>So did you wait to like really?

0:16:32.640 --> 0:16:36.560
<v Speaker 1>Oh yeah, I would tellt so no, no, he well

0:16:36.720 --> 0:16:38.560
<v Speaker 1>kind of, I was like about to blow up, and

0:16:38.600 --> 0:16:41.080
<v Speaker 1>then he kind of caught me kind of because I ran.

0:16:41.160 --> 0:16:42.880
<v Speaker 1>I kind of dipped, So he was looking for me

0:16:42.960 --> 0:16:44.800
<v Speaker 1>for months, and I was like, you're just on the

0:16:44.880 --> 0:16:48.080
<v Speaker 1>run from your sixteen I was like sixteen at this time.

0:16:48.480 --> 0:16:51.480
<v Speaker 2>Sixteen on the run. Not on the run, but you know,

0:16:51.680 --> 0:16:53.920
<v Speaker 2>you're on the run from from your pop. Yeah, for sure.

0:16:54.040 --> 0:16:55.840
<v Speaker 3>And then I went to London for like six months

0:16:56.160 --> 0:16:58.080
<v Speaker 3>and then my friend had the studio his house.

0:16:58.160 --> 0:17:01.600
<v Speaker 2>You're sixteen at the time, yeah, sixteen. You kind of

0:17:01.680 --> 0:17:02.480
<v Speaker 2>ran away, low Ki.

0:17:02.800 --> 0:17:07.200
<v Speaker 3>Yeah, so I was in my friend's house recording, you

0:17:07.240 --> 0:17:09.399
<v Speaker 3>know what I'm saying. He had a studio in London.

0:17:09.560 --> 0:17:13.639
<v Speaker 1>Yeah, so I recorded like ten songs, right, so I

0:17:13.720 --> 0:17:14.959
<v Speaker 1>had him with me, you know what I'm saying. At

0:17:15.040 --> 0:17:17.760
<v Speaker 1>least I have content from whenever I'm ready to drop.

0:17:18.960 --> 0:17:21.800
<v Speaker 1>So after being in London for like, it's me and

0:17:21.880 --> 0:17:25.320
<v Speaker 1>my cousin be ready that we both ran away. So

0:17:25.440 --> 0:17:26.720
<v Speaker 1>it's like, after being.

0:17:26.600 --> 0:17:27.879
<v Speaker 2>In on him for like six months, you got a

0:17:27.880 --> 0:17:30.080
<v Speaker 2>fake idea at the time, Nah that I wasn't even

0:17:30.119 --> 0:17:30.480
<v Speaker 2>going to no.

0:17:30.560 --> 0:17:32.800
<v Speaker 3>Club or I was just in my friend's house. But

0:17:32.840 --> 0:17:33.960
<v Speaker 3>you know I had American passport.

0:17:34.080 --> 0:17:35.560
<v Speaker 1>Yeah, so I just you know what I'm saying, just

0:17:35.600 --> 0:17:38.960
<v Speaker 1>good money wherever you're at, come on anywhere. So after

0:17:39.040 --> 0:17:40.800
<v Speaker 1>like six months, I was like, yo, I had the

0:17:40.880 --> 0:17:43.720
<v Speaker 1>ten songs. I saved up a little paper. I was like, yo,

0:17:43.760 --> 0:17:47.119
<v Speaker 1>I'm going to Nigeria, you know, to start, you know

0:17:47.160 --> 0:17:50.240
<v Speaker 1>what I'm saying. Get on the plane land and then

0:17:50.320 --> 0:17:50.919
<v Speaker 1>like my dad.

0:17:50.880 --> 0:17:53.840
<v Speaker 3>Like caught me. Oh shit.

0:17:53.840 --> 0:17:55.920
<v Speaker 2>As soon as I got off the plane, he was

0:17:55.960 --> 0:17:56.919
<v Speaker 2>waiting for you in Nigeria.

0:17:57.080 --> 0:18:00.240
<v Speaker 1>Yeah, the immigration he's living Nigeria, like the army gration

0:18:00.359 --> 0:18:03.159
<v Speaker 1>people just grabbed me off the plane and took me

0:18:03.400 --> 0:18:04.120
<v Speaker 1>straight to him.

0:18:04.240 --> 0:18:09.240
<v Speaker 3>I'm shoot, like, boy, I got an eye Pierson lip pressing.

0:18:11.359 --> 0:18:12.399
<v Speaker 2>He's not fucking with you.

0:18:13.680 --> 0:18:14.639
<v Speaker 3>She's looking me crazy.

0:18:14.760 --> 0:18:15.960
<v Speaker 2>It's like what happened to my son.

0:18:16.320 --> 0:18:17.960
<v Speaker 1>So we get in the car and I against he

0:18:18.040 --> 0:18:21.560
<v Speaker 1>hugged me by He's like you brother. I was like, man, daddy,

0:18:21.560 --> 0:18:22.159
<v Speaker 1>I do want to hear.

0:18:22.400 --> 0:18:24.359
<v Speaker 3>I just wanted to do music. Do you understand I

0:18:24.400 --> 0:18:25.320
<v Speaker 3>don't need anything from you.

0:18:26.320 --> 0:18:29.359
<v Speaker 1>Then we get home and the whole time I ran away,

0:18:29.840 --> 0:18:32.840
<v Speaker 1>my dad like cut everybody off, like he the hancho.

0:18:33.240 --> 0:18:35.520
<v Speaker 3>He take care of everybody. So he's like, go out

0:18:35.560 --> 0:18:41.440
<v Speaker 3>get my song now. Nobody. Everybody message me like, boy,

0:18:41.480 --> 0:18:43.040
<v Speaker 3>you better come back home. I'm hungry.

0:18:43.240 --> 0:18:44.359
<v Speaker 2>You got fucked up out here.

0:18:45.000 --> 0:18:48.800
<v Speaker 1>Everybody caught everybody off like that was like my aunties

0:18:48.880 --> 0:18:53.240
<v Speaker 1>and your dad sounds like a g in mafia. I go,

0:18:53.400 --> 0:18:56.399
<v Speaker 1>I get back home and then I have my ten songs,

0:18:56.400 --> 0:18:58.119
<v Speaker 1>you know what I'm saying. So I'm just like your

0:18:58.160 --> 0:19:00.639
<v Speaker 1>house to do music. So I'm telling my siblings and

0:19:00.720 --> 0:19:02.359
<v Speaker 1>then my dad was just like, look, you know what

0:19:02.400 --> 0:19:04.159
<v Speaker 1>I'm saying. You could you could have just came and

0:19:04.359 --> 0:19:06.200
<v Speaker 1>told me. You know what I'm saying, Like, oh, this

0:19:06.280 --> 0:19:08.080
<v Speaker 1>is really what you want to do. I was like that,

0:19:08.200 --> 0:19:09.280
<v Speaker 1>I told you like ten times.

0:19:10.400 --> 0:19:11.399
<v Speaker 2>Nah. School.

0:19:11.520 --> 0:19:15.159
<v Speaker 3>So he tried it up like cutting the deal. It

0:19:15.280 --> 0:19:18.000
<v Speaker 3>was like he was with him.

0:19:18.800 --> 0:19:21.960
<v Speaker 1>So he's like, so you gotta go to school. I said, okay,

0:19:22.080 --> 0:19:25.240
<v Speaker 1>but what's it for me? He said, Man, he built

0:19:25.280 --> 0:19:29.800
<v Speaker 1>me a studio and give me some paper to start.

0:19:29.600 --> 0:19:30.200
<v Speaker 3>Off my career.

0:19:30.480 --> 0:19:31.720
<v Speaker 2>So helped out. Yeah.

0:19:32.359 --> 0:19:34.080
<v Speaker 1>So I had to go to school for like every

0:19:34.160 --> 0:19:36.000
<v Speaker 1>two weeks. I had to be a school. Well he

0:19:36.000 --> 0:19:37.320
<v Speaker 1>should be like four hours away.

0:19:37.920 --> 0:19:39.480
<v Speaker 3>Oh ship, you know what I'm saying.

0:19:39.840 --> 0:19:42.359
<v Speaker 2>What was What was the song that changed your life?

0:19:43.600 --> 0:19:47.879
<v Speaker 1>Probably my second single. It's called Domny Duo, right, So

0:19:48.040 --> 0:19:51.040
<v Speaker 1>that's when like I left school. I was like because

0:19:51.040 --> 0:19:55.040
<v Speaker 1>I was on because you're like, look it worked. The

0:19:55.119 --> 0:19:58.280
<v Speaker 1>first single was all right, you know what I'm saying,

0:19:58.280 --> 0:20:00.680
<v Speaker 1>but the second one I was in. So I was

0:20:00.720 --> 0:20:02.680
<v Speaker 1>only allowed to go to the city every two weeks.

0:20:03.359 --> 0:20:05.720
<v Speaker 1>So I'd be in school for like thirteen days four

0:20:05.760 --> 0:20:08.480
<v Speaker 1>hours away. Yeah, thirteen days, and then on the fourth,

0:20:08.680 --> 0:20:10.800
<v Speaker 1>fourteenth day, I can go to the city for just

0:20:10.920 --> 0:20:12.199
<v Speaker 1>three days to do.

0:20:12.840 --> 0:20:16.080
<v Speaker 3>Me trying to break your record stuff like that. So

0:20:16.359 --> 0:20:18.000
<v Speaker 3>and I'm in school, my dad put me next to

0:20:18.119 --> 0:20:20.200
<v Speaker 3>like the owner of the school, like I might even.

0:20:20.119 --> 0:20:23.399
<v Speaker 2>Like he's a studio. He's like like, you got you.

0:20:23.560 --> 0:20:25.760
<v Speaker 3>This is the door of the school owner. This is

0:20:25.800 --> 0:20:28.040
<v Speaker 3>my room. So every day you go to work, knocking

0:20:28.080 --> 0:20:30.200
<v Speaker 3>on the door like are you going to class? You know,

0:20:30.560 --> 0:20:33.320
<v Speaker 3>stuff like that. But when I had that second record,

0:20:33.359 --> 0:20:34.000
<v Speaker 3>my boy called me.

0:20:34.119 --> 0:20:38.120
<v Speaker 1>He was in the city. He said, it's lip. I said,

0:20:38.119 --> 0:20:40.479
<v Speaker 1>what you mean, say he was in the club last night.

0:20:40.880 --> 0:20:43.520
<v Speaker 1>He played the record, everybody went. I said, are you sure,

0:20:44.200 --> 0:20:46.280
<v Speaker 1>because if I leave this place, I'm fucked.

0:20:46.640 --> 0:20:49.720
<v Speaker 3>Yeah, I thought I forgets. So I made like a

0:20:49.840 --> 0:20:52.639
<v Speaker 3>fake body in my room, like under the clubs.

0:20:52.800 --> 0:20:53.960
<v Speaker 2>Yeah, I've done this.

0:20:54.200 --> 0:20:56.600
<v Speaker 3>Yeah you put you know how to do you put people?

0:20:56.680 --> 0:20:59.440
<v Speaker 2>You stuffed the jeans? Yeah?

0:21:00.040 --> 0:21:03.200
<v Speaker 1>Overout this like that. He was called on the way

0:21:03.240 --> 0:21:06.200
<v Speaker 1>to the four hours trip. He called him I phone, like,

0:21:06.200 --> 0:21:06.520
<v Speaker 1>where are you?

0:21:06.640 --> 0:21:07.399
<v Speaker 2>What is this?

0:21:08.480 --> 0:21:11.919
<v Speaker 3>I said, Man, I'm out. So that night we got

0:21:11.960 --> 0:21:16.640
<v Speaker 3>to the city and this this is like my first time.

0:21:16.520 --> 0:21:20.639
<v Speaker 1>Scene like anything or any feeling type of any importance

0:21:21.400 --> 0:21:22.040
<v Speaker 1>of my music.

0:21:22.480 --> 0:21:23.320
<v Speaker 3>I walked in the club.

0:21:23.400 --> 0:21:25.239
<v Speaker 2>Boy, they knew who you were.

0:21:26.800 --> 0:21:30.199
<v Speaker 3>I was like I was, I was like, yo, so.

0:21:30.440 --> 0:21:33.560
<v Speaker 1>Like and I was like, that's like I'm seventeen. So

0:21:33.720 --> 0:21:35.919
<v Speaker 1>that record was like too big, Like it blew up

0:21:36.000 --> 0:21:39.080
<v Speaker 1>the whole country, the whole Africa. Like it was like

0:21:39.600 --> 0:21:43.320
<v Speaker 1>really like literally over night success crazy, you understand, Like

0:21:43.359 --> 0:21:46.960
<v Speaker 1>we all confused, like like we're not even prepared for

0:21:47.240 --> 0:21:49.359
<v Speaker 1>what came, you know what I'm saying. I'm like, oh damn,

0:21:49.440 --> 0:21:52.600
<v Speaker 1>now I got a pr publicist, I gotta get a

0:21:52.640 --> 0:21:53.520
<v Speaker 1>tour manager.

0:21:53.240 --> 0:21:54.760
<v Speaker 3>I gotta get you know what I'm saying this that

0:21:55.480 --> 0:21:56.120
<v Speaker 3>you know what I'm saying.

0:21:56.280 --> 0:21:59.240
<v Speaker 2>And from there it was just on what's the clubs like?

0:21:59.400 --> 0:22:02.240
<v Speaker 2>Because I've heard that the clubs in Nigeria are crazy wow,

0:22:02.440 --> 0:22:05.119
<v Speaker 2>but like you've been to both the Atlanta side and

0:22:05.440 --> 0:22:08.360
<v Speaker 2>so for you like, yeah, I was about to say

0:22:08.400 --> 0:22:09.960
<v Speaker 2>that's the one thing about here. It's like you know,

0:22:10.040 --> 0:22:11.639
<v Speaker 2>at bottles and they stare at each.

0:22:11.520 --> 0:22:15.240
<v Speaker 3>Other when I downcing switson to like ten am.

0:22:15.720 --> 0:22:20.120
<v Speaker 1>Just everyone's dancing, happy, smiling, crazy bottles everything.

0:22:20.480 --> 0:22:22.440
<v Speaker 2>What about are the strip clubs in Nigeria? Yeah? What

0:22:22.560 --> 0:22:24.960
<v Speaker 2>are the strip club vibes like compared to just like

0:22:25.600 --> 0:22:26.480
<v Speaker 2>just like same thing.

0:22:26.440 --> 0:22:30.320
<v Speaker 3>And funny enough, a lot of like dancers fly from America.

0:22:30.359 --> 0:22:32.679
<v Speaker 2>To dance out there, to go dance out there.

0:22:32.760 --> 0:22:33.399
<v Speaker 3>Oh there's fire.

0:22:34.119 --> 0:22:37.600
<v Speaker 2>Uh so you got the new project out timeless? Uh?

0:22:38.600 --> 0:22:41.399
<v Speaker 2>For people who don't know, man, are you very like

0:22:41.560 --> 0:22:45.600
<v Speaker 2>aware of like your place in like Afrobeat's history. When

0:22:45.680 --> 0:22:47.840
<v Speaker 2>people bring up the Big Three, I think it's like

0:22:47.920 --> 0:22:49.400
<v Speaker 2>you whiz Kid and burna Boy.

0:22:49.520 --> 0:22:55.520
<v Speaker 1>Yeah, definitely know, like definitely away especially like do you

0:22:55.560 --> 0:22:58.040
<v Speaker 1>have some once you remember when I told you that

0:22:58.560 --> 0:23:00.119
<v Speaker 1>I was like an out, I was on out that

0:23:00.160 --> 0:23:02.800
<v Speaker 1>I'm looking in when I went for December and I

0:23:02.920 --> 0:23:05.200
<v Speaker 1>saw that, you know, in the artist everybody was like

0:23:05.240 --> 0:23:09.200
<v Speaker 1>in one section and I'm just looking like I gotta

0:23:09.240 --> 0:23:12.520
<v Speaker 1>get into this. I gotta get in the mix. But

0:23:12.560 --> 0:23:16.359
<v Speaker 1>I also like came with like a vision. Do you understand?

0:23:16.400 --> 0:23:19.840
<v Speaker 1>And I feel like that's what helped me solidify my

0:23:20.000 --> 0:23:21.320
<v Speaker 1>place in afrobeats.

0:23:22.240 --> 0:23:24.359
<v Speaker 3>Came with the vision, I knew what I wanted. Do

0:23:24.359 --> 0:23:24.920
<v Speaker 3>you understand?

0:23:25.760 --> 0:23:29.760
<v Speaker 1>I'm a producer as well, so with the production, I

0:23:29.800 --> 0:23:32.120
<v Speaker 1>already knew how I want everything to sound.

0:23:32.680 --> 0:23:33.280
<v Speaker 3>Do you understand?

0:23:33.359 --> 0:23:36.840
<v Speaker 1>And from there and then you know, shout out to

0:23:36.920 --> 0:23:38.960
<v Speaker 1>my pops. You know what I'm saying, he shot my

0:23:39.040 --> 0:23:39.600
<v Speaker 1>first video.

0:23:39.920 --> 0:23:42.639
<v Speaker 2>Your dad shot your first video. Paid for it. I

0:23:42.680 --> 0:23:44.439
<v Speaker 2>was about to say, your dad is talented, he's got

0:23:44.480 --> 0:23:46.320
<v Speaker 2>a doctorate, he's out here shooting videos.

0:23:46.359 --> 0:23:47.640
<v Speaker 3>And so he shot my first video.

0:23:47.800 --> 0:23:50.560
<v Speaker 1>So you know, from then I kind of like, you know, God,

0:23:51.000 --> 0:23:55.680
<v Speaker 1>you know, okay, you know, continue the journey and you know,

0:23:55.960 --> 0:23:59.680
<v Speaker 1>coming out here it was very puzzling for me. So

0:24:00.640 --> 0:24:03.000
<v Speaker 1>came out here, and you know, especially for one when

0:24:03.000 --> 0:24:05.240
<v Speaker 1>I did my first tour, I used to live in America.

0:24:05.520 --> 0:24:08.400
<v Speaker 3>Yeah, so it was very futile for me to figure out.

0:24:10.680 --> 0:24:13.040
<v Speaker 3>I know that what gets to be listening? How do

0:24:13.119 --> 0:24:13.560
<v Speaker 3>we do?

0:24:13.560 --> 0:24:15.119
<v Speaker 1>You know what I'm saying, Like it's already popping in

0:24:15.119 --> 0:24:18.760
<v Speaker 1>the clubs, and then before you know it, a major

0:24:18.800 --> 0:24:22.359
<v Speaker 1>label hit me up, Boom Sony. You know what I'm saying.

0:24:23.200 --> 0:24:25.560
<v Speaker 1>And this is I've been doing music already for like

0:24:26.160 --> 0:24:28.360
<v Speaker 1>seven years, right, you know what I'm saying. I'm talking

0:24:28.359 --> 0:24:32.879
<v Speaker 1>about we like we like sixty records in at this time. Wow,

0:24:33.440 --> 0:24:36.520
<v Speaker 1>sixty records in. But the old records is just start

0:24:36.560 --> 0:24:39.200
<v Speaker 1>to catch, starting to catch. Yes, I feel like that's

0:24:39.240 --> 0:24:40.879
<v Speaker 1>what it's been happening with a lot of It was

0:24:40.960 --> 0:24:45.680
<v Speaker 1>very difficult for us, you know, artists, because we're so

0:24:46.040 --> 0:24:48.159
<v Speaker 1>we're so comfortable already, you know what I'm saying. At

0:24:48.160 --> 0:24:51.200
<v Speaker 1>that time, I was already making at least one hundred

0:24:51.200 --> 0:24:53.800
<v Speaker 1>and fifty two hundred thousand dollars a show, and then

0:24:53.880 --> 0:24:57.000
<v Speaker 1>we have like that's death and then we already setting

0:24:57.040 --> 0:25:01.280
<v Speaker 1>out stadiums, you know what I'm saying, thousand people, and

0:25:01.359 --> 0:25:03.320
<v Speaker 1>then you know there's the all that syde of things.

0:25:03.359 --> 0:25:05.680
<v Speaker 1>But you want to move music to the culture to

0:25:05.760 --> 0:25:09.080
<v Speaker 1>push you come out here and the money they're saying, No,

0:25:09.200 --> 0:25:12.360
<v Speaker 1>definitely no. Nowadays it is now. Yeah, but like back then,

0:25:12.600 --> 0:25:14.880
<v Speaker 1>like you got kind of stop from scratch again. Definitely

0:25:14.960 --> 0:25:17.320
<v Speaker 1>not like my first show. My first show I think

0:25:17.440 --> 0:25:20.480
<v Speaker 1>was New York was like Urban Plaza, I think something

0:25:20.560 --> 0:25:20.680
<v Speaker 1>like that.

0:25:20.760 --> 0:25:24.080
<v Speaker 2>It was like a thousand people I'm used to doing

0:25:24.160 --> 0:25:24.600
<v Speaker 2>like fifty.

0:25:24.840 --> 0:25:25.600
<v Speaker 3>Yeah, but there.

0:25:26.160 --> 0:25:28.200
<v Speaker 1>But you know that's how, you know, spreading the music,

0:25:28.320 --> 0:25:30.400
<v Speaker 1>waking up for interviews, like you know what I'm saying,

0:25:31.000 --> 0:25:35.320
<v Speaker 1>doing promo. So you know, when the major labels got

0:25:35.359 --> 0:25:38.320
<v Speaker 1>involved in Aprobets, I felt like we had the music,

0:25:38.400 --> 0:25:39.880
<v Speaker 1>but we didn't have the structure.

0:25:39.720 --> 0:25:40.560
<v Speaker 3>Right, you know what I'm saying.

0:25:40.640 --> 0:25:42.679
<v Speaker 1>Now, you know there's a little bit of structure all

0:25:42.760 --> 0:25:45.640
<v Speaker 1>the labels right now in Nigeria, do you understand?

0:25:45.720 --> 0:25:48.000
<v Speaker 2>So yeah, no, I know, like a shots, I got Gazi,

0:25:48.080 --> 0:25:52.440
<v Speaker 2>I think Empires doing a lot, yeah, a lot of artists, Sony,

0:25:52.480 --> 0:25:53.879
<v Speaker 2>a lot of artist under Sonya.

0:25:53.600 --> 0:25:54.080
<v Speaker 3>As well too.

0:25:54.520 --> 0:25:57.040
<v Speaker 2>Yeah. Yeah. Who would you kind of consider to be

0:25:57.240 --> 0:25:59.680
<v Speaker 2>like Eurog's in this ship because I feel like we

0:25:59.720 --> 0:26:01.520
<v Speaker 2>always hear about you burna Boy and whiz K, but

0:26:01.600 --> 0:26:03.520
<v Speaker 2>there's a whole generation of guy's prior to you guys

0:26:03.560 --> 0:26:04.520
<v Speaker 2>that kind of let the groundwork.

0:26:05.080 --> 0:26:07.720
<v Speaker 1>I think definitely the bunch you know, that's one of

0:26:07.760 --> 0:26:11.360
<v Speaker 1>the artists I saw. I told you du Bane Too Face.

0:26:11.440 --> 0:26:14.359
<v Speaker 1>So the Big three then was the Bane Tooth Face

0:26:15.080 --> 0:26:18.119
<v Speaker 1>and it's a group it's twins called p Square, So

0:26:18.280 --> 0:26:21.560
<v Speaker 1>that was those were like r ogs, you know. Then

0:26:21.880 --> 0:26:24.680
<v Speaker 1>those are the people that made me say it's possible

0:26:24.720 --> 0:26:26.159
<v Speaker 1>doing this. Yeah, I'm doing this.

0:26:26.640 --> 0:26:28.359
<v Speaker 2>You also have kind of became one of like the

0:26:28.600 --> 0:26:30.800
<v Speaker 2>main guys that like hip hop artists will tap into

0:26:30.840 --> 0:26:32.920
<v Speaker 2>if they universe or the hook. I mean you guys

0:26:32.920 --> 0:26:35.000
<v Speaker 2>like fabulous and go on and on. Who are some

0:26:35.080 --> 0:26:37.920
<v Speaker 2>of the well, first of all, being as a guy

0:26:37.960 --> 0:26:40.919
<v Speaker 2>who went to college here, was born in Atlanta, has

0:26:40.960 --> 0:26:42.520
<v Speaker 2>there been a hip hop artist you've worked with where

0:26:42.560 --> 0:26:43.600
<v Speaker 2>you were like, damn, that's crazy.

0:26:43.640 --> 0:26:47.640
<v Speaker 3>I got a record with this guy like this. Definitely,

0:26:48.080 --> 0:26:49.080
<v Speaker 3>definitely it should be.

0:26:49.400 --> 0:26:51.600
<v Speaker 1>Oh I think, well, I mean I have a lot

0:26:51.640 --> 0:26:53.639
<v Speaker 1>of you know, records I didn't have with me, but

0:26:54.200 --> 0:26:56.600
<v Speaker 1>one of the records I was like, yo, it was

0:26:56.720 --> 0:26:59.880
<v Speaker 1>Nobs when I got that NOAs versus and Hip Boys

0:27:00.040 --> 0:27:02.480
<v Speaker 1>video like those one of the moments because my brother.

0:27:02.480 --> 0:27:03.440
<v Speaker 2>You guys met him a head boy.

0:27:04.560 --> 0:27:06.000
<v Speaker 3>Yeah, he just came in the room.

0:27:06.240 --> 0:27:08.800
<v Speaker 1>Was not what he was like.

0:27:08.880 --> 0:27:10.080
<v Speaker 3>Yeah, man, like he likes African.

0:27:10.359 --> 0:27:11.680
<v Speaker 1>I was like, oh, thank you, thank you, thank you

0:27:12.160 --> 0:27:14.120
<v Speaker 1>what you're working on and he just laid the verse

0:27:14.160 --> 0:27:16.639
<v Speaker 1>and me and my boys just looking because that was

0:27:16.680 --> 0:27:19.600
<v Speaker 1>special to me because my oldest brother Nick, he was

0:27:19.680 --> 0:27:23.479
<v Speaker 1>a big nos fun like that Illmatic album still Man,

0:27:23.640 --> 0:27:26.280
<v Speaker 1>still Madic of course the album when he was young.

0:27:26.600 --> 0:27:29.080
<v Speaker 2>His face right there, it's behind that box.

0:27:29.200 --> 0:27:32.960
<v Speaker 3>Oh that's crazy. So that was like crazy to me.

0:27:33.160 --> 0:27:37.280
<v Speaker 1>And then obviously like with Thug, you know baby, oh

0:27:37.359 --> 0:27:40.480
<v Speaker 1>that was real dope, and know we connect the vibe.

0:27:40.480 --> 0:27:43.080
<v Speaker 2>You know, you ended up connecting and like really vibing

0:27:43.160 --> 0:27:43.440
<v Speaker 2>with Doug.

0:27:43.720 --> 0:27:47.680
<v Speaker 1>Yes, oh like not even on music tip. You know

0:27:47.720 --> 0:27:49.880
<v Speaker 1>what I'm saying. Thug is, Thug is a great guy.

0:27:50.000 --> 0:27:53.200
<v Speaker 1>Man actually met a Little Baby through Thug before Little

0:27:53.200 --> 0:27:54.560
<v Speaker 1>Baby even dropped a record.

0:27:54.800 --> 0:27:57.879
<v Speaker 2>Oh really back in the day, people don't understand like

0:27:57.920 --> 0:28:00.560
<v Speaker 2>young Thug and Gucci are like two of the best

0:28:00.640 --> 0:28:03.600
<v Speaker 2>an rs ever. They just always have like just talent

0:28:03.680 --> 0:28:04.240
<v Speaker 2>around them.

0:28:04.160 --> 0:28:06.600
<v Speaker 1>Like and we all will all be in the studio,

0:28:06.880 --> 0:28:08.480
<v Speaker 1>and you know when you're like in the studio and

0:28:08.520 --> 0:28:11.359
<v Speaker 1>everybody's like clean day music, everybody passing the ARX squad.

0:28:12.160 --> 0:28:15.720
<v Speaker 1>When I put play Monk I always loved it, so

0:28:15.760 --> 0:28:18.960
<v Speaker 1>I always need that. Man, this Jodre is it's gonna go.

0:28:19.920 --> 0:28:21.840
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<v Speaker 2>wear every day. I wear the Basics because they're the

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<v Speaker 2>most comfortable socks I've ever put on my fucking feet.

0:30:32.400 --> 0:30:35.080
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0:30:35.440 --> 0:30:40.280
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0:30:40.520 --> 0:30:43.760
<v Speaker 2>Shout out to odd Socks. Let's get back to the interview. Yeah,

0:30:43.840 --> 0:30:46.120
<v Speaker 2>that's got. What was it when you guys worked together?

0:30:46.200 --> 0:30:48.000
<v Speaker 2>Did he record the verse with you there?

0:30:48.160 --> 0:30:48.320
<v Speaker 3>Yes?

0:30:48.520 --> 0:30:50.720
<v Speaker 2>Because I heard his process is pretty crazy.

0:30:51.040 --> 0:30:55.880
<v Speaker 3>Yeah, he thug duty, But baby, I said, I said, baby,

0:30:55.960 --> 0:30:56.320
<v Speaker 3>just all.

0:30:56.720 --> 0:30:58.840
<v Speaker 2>Because like this Doug going right now and down right.

0:30:58.840 --> 0:31:01.480
<v Speaker 2>It's just does he lay the he lays He lays

0:31:01.520 --> 0:31:03.400
<v Speaker 2>the melody first and then punches in.

0:31:03.600 --> 0:31:07.080
<v Speaker 1>Or then go back, punch in, go back, through the melody.

0:31:07.480 --> 0:31:09.880
<v Speaker 1>Then you know, you get the words that you recorded.

0:31:10.080 --> 0:31:12.840
<v Speaker 1>You know, I kind of record the same way too.

0:31:12.840 --> 0:31:15.160
<v Speaker 2>So you're you're kind of similar with Joe, like melody

0:31:15.200 --> 0:31:17.120
<v Speaker 2>down and then feeling the lyrics melody and then feeling

0:31:17.160 --> 0:31:21.280
<v Speaker 2>the lyrics. Yeah, you used to be an engineer. Yeah,

0:31:21.600 --> 0:31:24.240
<v Speaker 2>which way do you prefer to record an artist? Because

0:31:24.240 --> 0:31:26.160
<v Speaker 2>I do know some engineers to get frustrated. Yeah, you

0:31:26.240 --> 0:31:28.160
<v Speaker 2>touch me in back back back back, No right there.

0:31:28.200 --> 0:31:30.400
<v Speaker 1>To me and pu me in think about me. You

0:31:30.480 --> 0:31:33.760
<v Speaker 1>gotta be quick because I get anxiety when you know.

0:31:33.760 --> 0:31:35.600
<v Speaker 2>When if you have an engineer recording you, they got

0:31:35.680 --> 0:31:36.080
<v Speaker 2>to be fast.

0:31:36.200 --> 0:31:37.720
<v Speaker 3>Yeah, you have to be very very quick.

0:31:38.240 --> 0:31:41.200
<v Speaker 1>And I don't sleep, So it's like you gotta be quick, quick, quick,

0:31:41.600 --> 0:31:43.720
<v Speaker 1>because you know the way you want to, you know,

0:31:43.840 --> 0:31:45.400
<v Speaker 1>lay down an idea. You know, first of all, you

0:31:45.400 --> 0:31:47.640
<v Speaker 1>don't want to lose it, right because sometimes it never

0:31:47.760 --> 0:31:49.840
<v Speaker 1>comes back, you know what I'm saying. So I like

0:31:49.920 --> 0:31:50.640
<v Speaker 1>to be kind of quick.

0:31:51.800 --> 0:31:54.840
<v Speaker 2>Yeah for you. How much how much like of your

0:31:54.880 --> 0:31:56.240
<v Speaker 2>own production are you doing these days?

0:31:56.600 --> 0:31:56.640
<v Speaker 1>No?

0:31:57.240 --> 0:31:57.440
<v Speaker 2>None?

0:31:57.760 --> 0:32:02.200
<v Speaker 1>Yeah recently, but with this last album, I like I

0:32:02.320 --> 0:32:06.160
<v Speaker 1>supervisor production what I'm said, But I'm as hands on

0:32:06.360 --> 0:32:07.400
<v Speaker 1>us you know, I.

0:32:07.560 --> 0:32:10.520
<v Speaker 2>Was, you know, years back, what it's like for you

0:32:11.160 --> 0:32:12.520
<v Speaker 2>give me two or three artists that are on the

0:32:12.560 --> 0:32:13.880
<v Speaker 2>come up right now that we should be checking out

0:32:13.920 --> 0:32:14.280
<v Speaker 2>in the States.

0:32:14.520 --> 0:32:19.600
<v Speaker 1>African African h I was talking about they big lad

0:32:19.640 --> 0:32:20.680
<v Speaker 1>see what he's here on the come up?

0:32:21.440 --> 0:32:23.760
<v Speaker 2>Maybe here here, definitely.

0:32:24.760 --> 0:32:26.920
<v Speaker 3>He's he's hot right now going crazy.

0:32:27.120 --> 0:32:32.120
<v Speaker 2>Rema Rama's got a smash number the highest, yeah, the

0:32:32.200 --> 0:32:35.240
<v Speaker 2>highest ever number one song right now. It's Rhythm radio

0:32:35.360 --> 0:32:36.800
<v Speaker 2>in Selina.

0:32:36.880 --> 0:32:41.120
<v Speaker 3>It's crazy care Redma bou Ju.

0:32:41.720 --> 0:32:44.760
<v Speaker 2>I've heard. I've heard of Rama, who's on the remix

0:32:44.840 --> 0:32:45.280
<v Speaker 2>of that song.

0:32:46.920 --> 0:32:47.560
<v Speaker 3>Boojus.

0:32:47.600 --> 0:32:54.280
<v Speaker 1>You know, at least kih kids down here. A lot

0:32:54.320 --> 0:32:57.040
<v Speaker 1>of people, man, I can I can name one hundred females.

0:32:57.120 --> 0:33:00.560
<v Speaker 1>You know, we got Thames, we got Iron Star Savage,

0:33:01.160 --> 0:33:02.080
<v Speaker 1>So yeah, we're doing great.

0:33:02.120 --> 0:33:05.840
<v Speaker 2>Do you ever like see American artists trying to do

0:33:06.360 --> 0:33:09.160
<v Speaker 2>what you guys do and it comes I've seen a

0:33:09.200 --> 0:33:11.600
<v Speaker 2>lot of guys do it and it's very corny. But

0:33:11.920 --> 0:33:15.160
<v Speaker 2>do you ever like feel like like it's a little

0:33:15.240 --> 0:33:17.800
<v Speaker 2>kind of appropriating like y'all's vibe, because it does feel

0:33:17.840 --> 0:33:19.320
<v Speaker 2>like I've seen I mean, I don't want to say names.

0:33:19.400 --> 0:33:22.040
<v Speaker 2>There's been a few guys with like just blatantly just

0:33:22.680 --> 0:33:24.400
<v Speaker 2>I mean, like they don't care about the culture, and

0:33:24.440 --> 0:33:26.280
<v Speaker 2>it's like, this is the sound, let me make the song,

0:33:26.480 --> 0:33:27.000
<v Speaker 2>you know what I mean.

0:33:27.080 --> 0:33:29.000
<v Speaker 1>I don't feel like offended by it, like because I'm

0:33:29.000 --> 0:33:31.440
<v Speaker 1>from both worlds, right, But it'd be like kind of

0:33:31.480 --> 0:33:34.600
<v Speaker 1>weird when when we have like a session and like

0:33:35.520 --> 0:33:37.680
<v Speaker 1>and they come and they're like, yo, can you make

0:33:37.720 --> 0:33:40.640
<v Speaker 1>it sound like that? I'm like, what you talking about? Like,

0:33:40.920 --> 0:33:42.880
<v Speaker 1>can you make it sound like this? Okay, you you've

0:33:42.920 --> 0:33:43.440
<v Speaker 1>had that happen.

0:33:43.760 --> 0:33:44.760
<v Speaker 3>Yeah, plenty of times.

0:33:44.880 --> 0:33:46.240
<v Speaker 2>Do you like cool loo guy to the side, They're like,

0:33:46.240 --> 0:33:49.080
<v Speaker 2>hey man, you got to a little appreciate what we're

0:33:49.120 --> 0:33:52.040
<v Speaker 2>doing here a little bit. Let's say some microwavableshit. Yeah,

0:33:52.160 --> 0:33:55.240
<v Speaker 2>And then I'm just happy, like the night not even

0:33:55.280 --> 0:33:55.960
<v Speaker 2>take it's changing.

0:33:56.400 --> 0:33:58.360
<v Speaker 1>And I've been in the studio, I've worked with so

0:33:58.480 --> 0:34:01.400
<v Speaker 1>many people and then and you know what I'm saying,

0:34:01.480 --> 0:34:04.040
<v Speaker 1>Like before it was like a thing to have like

0:34:04.320 --> 0:34:06.960
<v Speaker 1>American artists on your record, it'd.

0:34:06.680 --> 0:34:08.560
<v Speaker 2>Be like a big deal, a big deal. Now it's

0:34:08.600 --> 0:34:09.759
<v Speaker 2>kind of for it.

0:34:10.239 --> 0:34:10.799
<v Speaker 3>You know what I'm saying.

0:34:11.080 --> 0:34:12.719
<v Speaker 1>I don't mention names, but you know what I'm saying,

0:34:13.680 --> 0:34:15.400
<v Speaker 1>you can be in the studio vibing out with somebody,

0:34:15.480 --> 0:34:17.120
<v Speaker 1>somebody do it verse the next day they send.

0:34:17.000 --> 0:34:22.600
<v Speaker 3>You papers and boys, we're boys that you know in

0:34:22.719 --> 0:34:25.520
<v Speaker 3>the video, you gotta do that too, and you feel.

0:34:25.280 --> 0:34:26.120
<v Speaker 2>Like it's the other way around.

0:34:26.160 --> 0:34:29.520
<v Speaker 3>Now, what's up? I'm charging now? Yeah, what you need,

0:34:29.719 --> 0:34:30.400
<v Speaker 3>I'm charging now.

0:34:30.400 --> 0:34:33.200
<v Speaker 2>I'm saying my lawyers, what's the feature costing? Right now?

0:34:35.480 --> 0:34:39.280
<v Speaker 3>It's timeless, six figures hundred hundred.

0:34:39.360 --> 0:34:42.160
<v Speaker 2>If I know you, If I know you, that's the price.

0:34:42.560 --> 0:34:44.440
<v Speaker 3>If I know your hundred and that's not bad. And

0:34:44.520 --> 0:34:45.560
<v Speaker 3>then the video and then.

0:34:45.680 --> 0:34:48.040
<v Speaker 2>The video costs. That's one thing, you know, Like there's

0:34:48.040 --> 0:34:49.520
<v Speaker 2>a few guys who like I feel like, to.

0:34:49.560 --> 0:34:51.600
<v Speaker 1>Be honest, if I know that, if you do a

0:34:51.680 --> 0:34:53.800
<v Speaker 1>record and I know that you're gonna push it to

0:34:53.880 --> 0:34:56.279
<v Speaker 1>the fullest, to the fullest, and you're an artist that

0:34:56.360 --> 0:34:57.120
<v Speaker 1>I enjoy.

0:34:57.160 --> 0:34:58.360
<v Speaker 2>Like you're a fan of somebody.

0:34:58.560 --> 0:35:00.719
<v Speaker 1>I'm a fan like me and Chris be time we

0:35:00.800 --> 0:35:03.320
<v Speaker 1>get in the studio, like, I'm happy, you know what

0:35:03.320 --> 0:35:06.680
<v Speaker 1>I'm saying, Because Chris is doing a video with you,

0:35:06.920 --> 0:35:08.160
<v Speaker 1>Chris is bring you out on tour.

0:35:08.800 --> 0:35:10.840
<v Speaker 2>Chris is thinking of ideas, and he's also like our

0:35:11.000 --> 0:35:14.080
<v Speaker 2>our Michael Jackson. Yes, like I think Chris Brown's like

0:35:14.719 --> 0:35:17.440
<v Speaker 2>he's an alien for you, because I do. I do

0:35:17.560 --> 0:35:19.080
<v Speaker 2>feel like there has been a few artists who have

0:35:19.200 --> 0:35:21.400
<v Speaker 2>kind of like embraced Like I know when Castanova Free

0:35:21.440 --> 0:35:25.080
<v Speaker 2>Castanova came with to Nightgery video felt like he just died.

0:35:25.120 --> 0:35:27.000
<v Speaker 3>Little Baby cames out. He stayed in my house when

0:35:27.040 --> 0:35:29.120
<v Speaker 3>he came to a little Baby Baby was at the crib.

0:35:29.200 --> 0:35:32.080
<v Speaker 1>Yeah, he said, as the Migos came out there a

0:35:32.120 --> 0:35:33.640
<v Speaker 1>lot of people come out there for shows.

0:35:34.360 --> 0:35:38.200
<v Speaker 2>Yeah, I'm curious, like is the breaking in an artist process?

0:35:38.239 --> 0:35:40.000
<v Speaker 2>How much different is it than here? Because here it's

0:35:40.080 --> 0:35:43.360
<v Speaker 2>like obviously there's TikTok now, but you know, traditionally in

0:35:43.440 --> 0:35:45.799
<v Speaker 2>hip hop you would want to maybe catch a wave

0:35:45.880 --> 0:35:48.839
<v Speaker 2>in a strip club first, or you know there might

0:35:48.880 --> 0:35:50.240
<v Speaker 2>be no from.

0:35:50.120 --> 0:35:52.840
<v Speaker 1>Like my generation on me was like that's really like

0:35:53.320 --> 0:35:57.360
<v Speaker 1>putting out like a thousand CDs go around and club.

0:35:57.800 --> 0:35:59.919
<v Speaker 3>But now, like, shit is different.

0:36:00.600 --> 0:36:03.160
<v Speaker 1>You can be sitting somewhere in the village, you drop

0:36:03.239 --> 0:36:06.759
<v Speaker 1>a record once one thing goes viral and you you

0:36:06.800 --> 0:36:08.560
<v Speaker 1>know what I'm saying. So stuff is different now, Like

0:36:08.640 --> 0:36:10.800
<v Speaker 1>even when we're in the studio, now we're thinking like

0:36:11.239 --> 0:36:12.960
<v Speaker 1>how can we make a challenge to this song.

0:36:12.920 --> 0:36:15.040
<v Speaker 2>Like how we get the ship popping on TikTok and

0:36:15.080 --> 0:36:16.640
<v Speaker 2>then out there's Audio Max really big.

0:36:17.160 --> 0:36:19.160
<v Speaker 1>I think Audio Mac Yeah, because you know it's easy

0:36:19.239 --> 0:36:21.839
<v Speaker 1>to It's easier, it's like subscribe, you know what I'm saying.

0:36:21.840 --> 0:36:25.080
<v Speaker 1>But recently started fy Nigeria. He comes to Night Gena

0:36:25.160 --> 0:36:26.440
<v Speaker 1>and that's helped.

0:36:26.200 --> 0:36:26.680
<v Speaker 3>A lot too.

0:36:27.000 --> 0:36:29.560
<v Speaker 2>Who would you want to do a collab project with

0:36:29.680 --> 0:36:31.400
<v Speaker 2>from the States? If you could do a collab album

0:36:31.440 --> 0:36:31.960
<v Speaker 2>with anybody?

0:36:32.160 --> 0:36:35.920
<v Speaker 1>Definitely Chris. That'd be crazy. Definitely Chris. Me and Chris

0:36:36.000 --> 0:36:38.240
<v Speaker 1>got like ten songs like people ain't heard.

0:36:38.480 --> 0:36:41.320
<v Speaker 2>Ten that are just on a hard drive. Yeah, have

0:36:41.440 --> 0:36:43.239
<v Speaker 2>you guys talked about doing that? He did a thug album.

0:36:43.360 --> 0:36:46.520
<v Speaker 1>Definitely, Definitely. I go to his house after here too.

0:36:46.600 --> 0:36:48.920
<v Speaker 1>But yeah, me and Chris definitely, you know what I'm saying.

0:36:49.239 --> 0:36:50.640
<v Speaker 1>I was even meant to go on toll him.

0:36:51.080 --> 0:36:52.440
<v Speaker 3>You know what I'm saying. But we're gonna do a

0:36:52.480 --> 0:36:53.359
<v Speaker 3>lot together. Who else?

0:36:55.080 --> 0:37:00.040
<v Speaker 2>I do a record with Scissa, She's.

0:36:58.840 --> 0:37:00.920
<v Speaker 3>Really really dope for Bad Bunny too.

0:37:01.000 --> 0:37:01.160
<v Speaker 1>Man.

0:37:02.280 --> 0:37:07.040
<v Speaker 2>There is such a correlation between like reggaetone and afrobeats

0:37:07.040 --> 0:37:10.560
<v Speaker 2>because one it's just great dancing music, and I feel

0:37:10.600 --> 0:37:14.000
<v Speaker 2>like BPM wise like BPM wise, they match up so

0:37:14.080 --> 0:37:16.879
<v Speaker 2>well if you're DJing in the club. Have you done

0:37:16.920 --> 0:37:18.920
<v Speaker 2>like any shows with any like any like big reggaeton

0:37:19.000 --> 0:37:21.640
<v Speaker 2>artists anywhere? No?

0:37:22.280 --> 0:37:24.799
<v Speaker 1>Not really, but I had to showing Puerto Rico though, Yeah,

0:37:25.320 --> 0:37:28.479
<v Speaker 1>crazy crazy. I remember on the flight down maxim Names,

0:37:29.320 --> 0:37:31.040
<v Speaker 1>I was like, you sure it's going to be yo?

0:37:31.160 --> 0:37:31.680
<v Speaker 2>What it was like?

0:37:31.840 --> 0:37:33.799
<v Speaker 3>Twenty thousand people in Puerto Rico?

0:37:34.040 --> 0:37:35.520
<v Speaker 2>Yeah, Puerto Rico.

0:37:36.440 --> 0:37:41.360
<v Speaker 3>We've had Mexico reach out to. But I love performing

0:37:41.600 --> 0:37:42.200
<v Speaker 3>in the islands.

0:37:43.000 --> 0:37:44.520
<v Speaker 2>What's your favorite place to perform so far?

0:37:45.239 --> 0:37:45.600
<v Speaker 1>So far?

0:37:45.680 --> 0:37:49.320
<v Speaker 3>That was real dope, I'll say the Bahamas.

0:37:49.000 --> 0:37:52.120
<v Speaker 2>The Bahamas. Do you ever go to that crazy resort

0:37:52.160 --> 0:37:54.319
<v Speaker 2>they got there, the Atlantis resort that I obways see

0:37:54.320 --> 0:37:54.759
<v Speaker 2>it on the line.

0:37:54.800 --> 0:37:57.080
<v Speaker 3>We would like in and out, in and out records,

0:37:57.960 --> 0:37:58.640
<v Speaker 3>in and out records.

0:37:58.640 --> 0:37:59.920
<v Speaker 2>Well, look, man, the new album's out right now.

0:38:00.280 --> 0:38:02.400
<v Speaker 3>Timeless, you know what I'm saying, going crazy?

0:38:04.600 --> 0:38:05.600
<v Speaker 2>Anything else on the way.

0:38:06.160 --> 0:38:10.440
<v Speaker 3>Definitely be going on tour in July. If you can't everywhere, Nah,

0:38:10.480 --> 0:38:12.520
<v Speaker 3>we do. We spliting it up, so we do.

0:38:12.640 --> 0:38:13.640
<v Speaker 2>I want to see I want to go to it.

0:38:13.719 --> 0:38:14.880
<v Speaker 2>I want to go to a show that's not the

0:38:15.000 --> 0:38:17.000
<v Speaker 2>United States. I want to go to like, so come

0:38:17.120 --> 0:38:20.440
<v Speaker 2>to come to Nigeria. I gotta go to Nigeria. Puerto Rico, Rob,

0:38:21.440 --> 0:38:22.480
<v Speaker 2>are we going to Nigeria.

0:38:23.280 --> 0:38:27.440
<v Speaker 3>We're gonna get to December, December, December, let's go.

0:38:28.239 --> 0:38:31.400
<v Speaker 1>So the best time to come definitely, you know in December,

0:38:31.600 --> 0:38:33.840
<v Speaker 1>you know what I'm saying. She also visit Ghana too,

0:38:34.440 --> 0:38:34.600
<v Speaker 1>and I.

0:38:34.600 --> 0:38:35.480
<v Speaker 2>Heard Ghana is amazing.

0:38:36.400 --> 0:38:39.279
<v Speaker 3>So Nigeria is like New York and Ghana is like

0:38:39.560 --> 0:38:42.080
<v Speaker 3>La Like okay, calmer.

0:38:42.600 --> 0:38:45.560
<v Speaker 2>So Nigeria is like fast paced, bro, you gotta.

0:38:45.360 --> 0:38:47.719
<v Speaker 1>Be shopped if you can't, so wife, in Nigeria, you

0:38:47.800 --> 0:38:49.160
<v Speaker 1>con sof anywhere.

0:38:49.640 --> 0:38:50.880
<v Speaker 2>Ghana is more relaxed.

0:38:51.880 --> 0:38:53.000
<v Speaker 3>Yeah, kickback, you want to.

0:38:53.400 --> 0:38:55.359
<v Speaker 2>Don't kick back too much in La though, they'll rob

0:38:55.400 --> 0:38:59.200
<v Speaker 2>your ass out, I know, do you guys? Listen? Dude,

0:38:59.239 --> 0:39:03.279
<v Speaker 2>Africans claim Elon Musk because he is South African. I'm

0:39:03.320 --> 0:39:05.239
<v Speaker 2>just wondering, is it he's from Yeah, but.

0:39:07.760 --> 0:39:10.120
<v Speaker 3>That's crazy. He's got like kind of like South Africa.

0:39:10.480 --> 0:39:13.239
<v Speaker 1>I love you know Caucasians are down there, you know

0:39:13.280 --> 0:39:16.640
<v Speaker 1>what I'm saying, because you know they stayed after It's dope.

0:39:16.840 --> 0:39:20.799
<v Speaker 1>South Africa southever it looks like la It's like beautiful, Like.

0:39:21.840 --> 0:39:25.920
<v Speaker 2>Yeah, isn't it like very still kind of like separated

0:39:26.000 --> 0:39:28.759
<v Speaker 2>and like a lot of the social issues. Yeah, like

0:39:28.840 --> 0:39:32.359
<v Speaker 2>there's some yeah everywhere, some Jim Crow type ship there.

0:39:32.719 --> 0:39:34.680
<v Speaker 1>They're like two languages. I know, there's like a one

0:39:34.800 --> 0:39:37.719
<v Speaker 1>language called Afrikaans, and like it's weird, like I think,

0:39:38.120 --> 0:39:40.080
<v Speaker 1>I'm not sure it's not one hundred percent, but I

0:39:40.160 --> 0:39:41.920
<v Speaker 1>think like the black people don't speak that.

0:39:42.320 --> 0:39:44.680
<v Speaker 2>That's wow. Man, Well listen, I appreciate you pulling up.

0:39:44.680 --> 0:39:45.520
<v Speaker 2>You're definitely a legend.

0:39:45.520 --> 0:39:45.640
<v Speaker 1>Man.

0:39:45.640 --> 0:39:49.040
<v Speaker 2>There's dope to have you here. A new album out, new.

0:39:49.000 --> 0:39:52.600
<v Speaker 1>Album out, Timeless the Way tour on the way. I

0:39:52.680 --> 0:39:55.680
<v Speaker 1>got a festival in Atlanta in November. Oh ship, Yes,

0:39:55.800 --> 0:39:58.800
<v Speaker 1>I plan to do it yearly. It's called a wavefest.

0:39:59.320 --> 0:40:02.440
<v Speaker 1>Who else before I'm trying to bring okay, you bring everybody, everybody.

0:40:02.480 --> 0:40:04.560
<v Speaker 1>I'm trying to bring everybody through and have like our

0:40:04.600 --> 0:40:05.000
<v Speaker 1>own coach.

0:40:05.320 --> 0:40:06.000
<v Speaker 3>We can do every year.

0:40:06.120 --> 0:40:10.319
<v Speaker 2>Yeah. I just saw there's a big afrobeats festival I.

0:40:10.360 --> 0:40:12.320
<v Speaker 3>Think is Miami. The next one is Miami.

0:40:12.440 --> 0:40:15.239
<v Speaker 2>Okay, that's what's up. I appreciate you. Yeah, affirmation my brother.

0:40:15.280 --> 0:40:18.520
<v Speaker 2>Appreciate you, man, David. Oh hey, we got to wrap

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<v Speaker 2>up an interview brought to you by Hard Dean, Las Vegas.

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