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Speaker 1: Yo, what up my people, it's your boy David Oh.

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Speaker 1: And you can catch me live under the Bootleg cav

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Speaker 1: podcast Keep in Luck.

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Speaker 2: One look, Bootleg CAV show. We got a special guest.

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Speaker 2: A legend is in here, man, David Oh. Welcome, sir.

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Speaker 3: Well he said it perfect, did I?

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Speaker 2: Yeah, there's people usually fucking up. I'm not gonna lie.

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Speaker 2: I was a little confused, like like early on, I

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Speaker 2: was like, is it David Oh?

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Speaker 3: Is it?

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Speaker 2: Yeah? It's David Oh.

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Speaker 3: Yeah, Okay, thank you, big fan of your show.

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Speaker 2: Appreciate it, man, thank you for having You're obviously a legend.

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Speaker 1: Man.

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Speaker 2: I think when we think of like afrobeach, you're kind

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Speaker 2: of like the jay Z of the shit Lokey, you know,

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Speaker 2: crazy It's good. Yeah. What's it like to kind of

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Speaker 2: see your sound that you've been doing for all these

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Speaker 2: years become like the sound now.

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Speaker 3: You know, Like you know, I was born in Atlanta,

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Speaker 3: you know what I'm saying.

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Speaker 1: Okay, I've always been like coming to America, but like

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Speaker 1: when I became a musician, especially like coming out here

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Speaker 1: you know for shows trying to push the music. It

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Speaker 1: really don't started with like just like African fans coming

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Speaker 1: to the shows, right, you know when we do shows

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Speaker 1: out here, and then he started just you know, spreading.

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Speaker 1: You know, like even when I was in college and

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Speaker 1: I used to play my friends African music and they

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Speaker 1: liked to college in Alabama. Okay, you know what I'm saying,

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Speaker 1: which which cool.

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Speaker 3: It's called Oakwood University.

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Speaker 2: It's something that he was raised in the South. Low

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Speaker 2: key yeah, yeah.

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Speaker 1: Yeah, fully, you know what I'm saying. So even when

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Speaker 1: I used to play African songs for them, I knew

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Speaker 1: that they liked it. So I always knew it was

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Speaker 1: always if there was an opportunity to be heard, you know, people,

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Speaker 1: you know, fuck with it?

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Speaker 2: What's it like? Because I feel like I don't. I

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Speaker 2: didn't know that about you, that you were kind of

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Speaker 2: you from Atlanta and you were you went to college

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Speaker 2: in Alabama. Yeah, that's like the Bible Belt for.

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Speaker 1: Real, crazy Huntsville, Alabama, Huntsville Young. I was like sixty

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Speaker 1: years old in college. You know, hey, we see you

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Speaker 1: and that's coming like straight from Legos, right, you know,

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Speaker 1: straight there. And I remember even just being in college

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Speaker 1: and talking to like friends there like household, how is

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Speaker 1: it in Nigeria?

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Speaker 3: Like how did you get here y'all got airports.

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Speaker 1: You know what I'm saying, Because there were no Edue

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Speaker 1: kids that about this, about what's going on here. But

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Speaker 1: now you know what I'm saying, You have social media,

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Speaker 1: so it's different. They see a different side of Africa

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Speaker 1: when you when you tell people that, oh, I'm night Jeri,

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Speaker 1: you're like, oh, I love afrobeats. For me, like fifteen

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Speaker 1: years ago, that was not the story, you know what

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Speaker 1: was like for you?

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Speaker 2: Like can you can you kind of pinpoint in your

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Speaker 2: opinion as somebody who you know obviously has a crab

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Speaker 2: out here and went to school out here and was

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Speaker 2: born here. Can you kind of pinpoint the moment that

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Speaker 2: you noticed like America starting to kind of take a

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Speaker 2: liking to the genre.

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Speaker 1: Definitely to me from my experience, it started like from Atlanta,

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Speaker 1: two cities, Atlanta, New York or mainly Atlanta, and just

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Speaker 1: like even going out, you know what I'm saying, Like,

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Speaker 1: like one thing I knew one of my friends used

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Speaker 1: to do. He used to he was a big baller.

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Speaker 1: He would go to the club and he like spends

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Speaker 1: so much money. But he tell them every time, YO,

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Speaker 1: when you bring my bottles out, I want to hear

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Speaker 1: this song, right, you know what I'm saying. So the

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Speaker 1: DJ is playing it, you know what I'm saying, the

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Speaker 1: bottles coming out to the song, you know, and the

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Speaker 1: DJ is liking the music. And then that's that was

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Speaker 1: like one of my first experiences of like being in

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Speaker 1: the club and hearing it. Friend, yeah, and then you know,

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Speaker 1: start growing. You know, once the girls like it.

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Speaker 2: Once the girls like it, it's over.

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Speaker 3: It's over, you know what I'm saying.

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Speaker 1: So even like girls being in the coby with the guy, Okay,

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Speaker 1: you play some afro beats because you know, girls like.

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Speaker 3: It, you know, let's do it.

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Speaker 2: It obviously became because it was like a big big

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Speaker 2: thing in the UK first, right, you know, it was from.

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Speaker 3: The UK before you go to America.

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Speaker 1: You know, UK was like the first place to I

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Speaker 1: know that apro beats, Like we start doing arenas in.

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Speaker 3: The UK first, crazy, you know what I'm saying.

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Speaker 1: Afrobeats. UK actually named it Afrobeats, so that's like a

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Speaker 1: UK It's like k turn. But then you know, we

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Speaker 1: just ran with it, you know what I mean.

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Speaker 2: That's fire man. What how much can you attribute to

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Speaker 2: Drake embracing it to kind of it being like easily

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Speaker 2: bridge to the US because I feel like once Drake

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Speaker 2: gets behind anything, for the most part, it can it

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Speaker 2: can really take off.

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Speaker 1: I mean there's this there's always Niratis like, oh, you

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Speaker 1: know what I'm saying. Afrobeats was was definitely you know

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Speaker 1: what I'm saying huge, It was huge because if it

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Speaker 1: wasn't he was Drake Drake.

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Speaker 2: When it was he was like.

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Speaker 1: Before Drake, but you know, Drake is Drake. You know

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Speaker 1: what I'm saying. So i'd be lying if I see

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Speaker 1: you know what I'm saying. He didn't put some spotlight

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Speaker 1: to you know, afrobeats. You know what I'm saying. And

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Speaker 1: you know it was dope. He's made some dope you

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Speaker 1: know records.

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Speaker 2: Yo. What there's this like new trend where there's the

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Speaker 2: normal version of a song and then the sped up version.

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Speaker 2: Back in the day, I mean you're from the South,

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Speaker 2: you know, there was this chopping screwed ship, the screwed

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Speaker 2: up ship back in the day to Texas. But now

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Speaker 2: I feel like every single there's like the normal version

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Speaker 2: and then they got to sped That's crazy.

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Speaker 1: Said that because I released the album was out, so

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Speaker 1: we released a couple of songs and we released the

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Speaker 1: single again with a sped.

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Speaker 2: Up Yeah, there's a sped up version.

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Speaker 1: Yah's crazy, you know what I'm saying. I don't know

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Speaker 1: some songs I don't even know, Like some songs.

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Speaker 2: I see on like TikTok and stuff, you don't even

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Speaker 2: know the normal version.

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Speaker 1: Yeah, I'll be thinking that's that's the original when they

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Speaker 1: When I hear, I'm like, oh, okay, it makes sense now.

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Speaker 3: I mean. Social media is crazy though, Like it's a

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Speaker 3: different avenue.

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Speaker 1: When I started music, we used to talk about radio

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Speaker 1: and you know not Now it's like podcast. If you're

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Speaker 1: promoted me before, just putt on like YouTube or Facebook.

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Speaker 1: Right now you got like twenty apps. Yeah, you know,

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Speaker 1: you gotta do your promo.

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Speaker 2: I know, I keep hoping that TikTok is banned so

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Speaker 2: I don't have to worry about it anymore. It's like

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Speaker 2: one least day last day. I'm like, if TikTok is banned,

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Speaker 2: it just takes one more thing I don't have to

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Speaker 2: worry about away.

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Speaker 3: Yeah, it's going crazy, Like, yeah, are.

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Speaker 2: You pretty big on TikTok.

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Speaker 3: I mean, I got a lot of followers, but I'm like, are.

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Speaker 2: You like on the app? Scrolling and like get diving

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Speaker 2: into the algorithm. Nah nah, because you hit a sucky

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Speaker 2: in bro yo.

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Speaker 1: And every time I get on TikTok, I'll be there

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Speaker 1: for like two hours.

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Speaker 2: Yeah, because whatever you're into, it knows different and everything's

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Speaker 2: all because I just love like dogs and food, so

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Speaker 2: it just shows me puppy puppies and food.

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Speaker 1: I think it's crazy how it can tell what you like,

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Speaker 1: just like being on the app. After like a week,

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Speaker 1: he's like me, I like food.

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Speaker 2: Those you're just like guys who like cooking a minute

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Speaker 2: and like got to cook outside. Oh yeah, I love

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Speaker 2: that ship. And then I just bought a grill, like

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Speaker 2: a griddle, like a little griddler thing outside, So I'm like,

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Speaker 2: I'm always trying to find like ship to do on

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Speaker 2: the grill.

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Speaker 3: The guy that throws the butter butter bait, yeah, his food.

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Speaker 2: You ever see the uh the guy who does the

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Speaker 2: shark bite at the restaurants Big Groove, I think them too.

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Speaker 2: He might actually I interviewed him.

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Speaker 3: I think he might be.

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Speaker 2: The guy's just a massive human being and he does

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Speaker 2: very tight close. You gotta get him to do to

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Speaker 2: do a dance to yourself, how give me kind of

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Speaker 2: like your come up, because if you're in the States,

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Speaker 2: you're going to college here, how did how do you

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Speaker 2: end up popping off? You go back home?

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Speaker 1: Yeah, you know, just being in Alabama for like before

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Speaker 1: I go to college. Obviously I didn't liking to music.

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Speaker 1: Of course, we obviously, like you know, my father was

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Speaker 1: just olemans about me going to school.

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Speaker 2: Right.

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Speaker 3: You know, I'm first generation that Titana in my family.

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Speaker 2: You know, so it's a little harder to convince your.

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Speaker 1: Everybody's business business business, like hey I want to do this,

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Speaker 1: and they're like, was it normal template?

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Speaker 3: Now you know what I'm saying. You go to school

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Speaker 3: and then you go out and work for the family business.

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Speaker 1: And I'm the last kid of five, so it was

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Speaker 1: already I was not even thinking about, you know, convincing

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Speaker 1: anybody or so, you know, just being in school and awkward.

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Speaker 1: Apart from me, it's a church. It's a Christian school,

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Speaker 1: so apart from even like going to church, the choirs

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Speaker 1: or there are lots of like musicians around the school.

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Speaker 1: So the dude that lived like that stayed like on

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Speaker 1: top of me in the dorm. He was like goo sposing.

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Speaker 1: Guy's name is Jamo. So I always used to hear

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Speaker 1: like music, music like, but I never went to check.

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Speaker 1: So one day I guess said, let me go check.

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Speaker 1: So I went to check and knock the door and

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Speaker 1: then he opens his room and it's a whole studio setup.

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Speaker 3: Like in the dorm.

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Speaker 1: So i'ing like that was just recording himself. So like

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Speaker 1: that was like my first time like seeing like a

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Speaker 1: laptop in the studio equipment.

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Speaker 3: So I was like, Yo, how much is all this?

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Speaker 3: And he told me.

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Speaker 1: I was like, yo, want to buy it? Just teach

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Speaker 1: me the way around it. So he was he was

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Speaker 1: teaching me. And I also like learned off YouTube, like

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Speaker 1: how to make some YouTube.

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Speaker 2: University. Man, you can learn anything on YouTube. So what

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Speaker 2: was your first interface? Was it like U M audio,

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Speaker 2: the little M box plug.

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Speaker 3: And play USB and then I had the it was

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Speaker 3: It wasn't pro tools, it was logic.

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Speaker 2: Logic. Yeah, a lot of people learn on logic.

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Speaker 3: So from that I just started recording myself, recording myself.

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Speaker 3: But mind you.

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Speaker 1: You know, like I said, it's school, you know what

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Speaker 1: I'm saying. So I'd go home every December Christmas. So

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Speaker 1: one December I go to the club and it's like

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Speaker 1: you know before before I left in the club or

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Speaker 1: on the radio in Nigeria, they played with mostly American.

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Speaker 3: Music, like what was popping in Nigeria when I left school.

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Speaker 3: It's like fifty. Of course I love him.

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Speaker 2: I just like the world loves fifty. Fifty is just

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Speaker 2: like anywhere in the world. Yeah, usher, you know that's

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Speaker 2: like confessions.

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Speaker 1: Nearly you know this then, but you know, I fact,

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Speaker 1: I you know, noticed that when I got back after

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Speaker 1: I think I went was like two years away and

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Speaker 1: I came back with Christmas and it's like, Yo, it's.

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Speaker 3: All African music now, blah blah, it's different.

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Speaker 1: Yeah, I'm in the club and I'm seeing like the

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Speaker 1: artists blowing up, the girls going crazy.

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Speaker 3: So I'm like, yo, this is about to be something.

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Speaker 3: You know what I'm saying.

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Speaker 2: Right, Were you already making that kind of music in

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Speaker 2: your dorm them or was trying to rap or what

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Speaker 2: were you doing?

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Speaker 1: Na?

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Speaker 3: You know, I actually started as an engineer, Okay, you

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Speaker 3: know what I'm saying.

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Speaker 2: So you were just learning your way around here.

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Speaker 1: I used to record, like my cousins, gotcha, you know,

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Speaker 1: stuff like good to Atlanta record them. So actually started

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Speaker 1: as an engineer. So it was really like R and

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Speaker 1: B is kind of music, right, African music sometimes. But

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Speaker 1: then when I after that trip changed it changed it.

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Speaker 1: So when I got back, it was just African music.

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Speaker 1: Like after that trip, I decided, That's when I decided,

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Speaker 1: like I want to be a African musician. So the

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Speaker 1: biggest artists at that time, his name was debanch right,

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Speaker 1: So anytime like night John, say, anytime they're coming to Atlanta,

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Speaker 1: they would always call me up. You know, I hooked

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Speaker 1: them up give them some right, you know what I'm saying.

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Speaker 2: So you're with a plug. Yeah, and I was like,

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Speaker 2: fifteen fifteen, you're selling weed in Atlanta.

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Speaker 3: No, I was just selling we do.

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Speaker 2: I knew where to get it, you know where to

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Speaker 2: get it, of course, Yeah, and you were, you were

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Speaker 2: the middleman.

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Speaker 3: Yeah, I knew had to get it, so you know

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Speaker 3: from there, you know what I'm saying. They came.

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Speaker 1: So one trip, one of the biggest artists at that

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Speaker 1: time came to Atlanta. I took them out, you know,

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Speaker 1: got them hotels, took them.

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Speaker 2: To the strip club, which one oh damn.

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Speaker 3: Some strip club on the South Side. It's called Club Walks.

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Speaker 2: Okay, it's old so not Magic City.

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Speaker 3: Not non Magic City.

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Speaker 1: So I took them to that club box and Yo,

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Speaker 1: they changed like twenty thousand in once. But that was

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Speaker 1: like the most one that I'd seen at that time.

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Speaker 1: I'm like, what, Y know these guys that really gets

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Speaker 1: in it. So at that point I was like, Yo,

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Speaker 1: I'm going back to school.

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Speaker 3: I want to.

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Speaker 2: I want to. I see that you can make some

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Speaker 2: real money off.

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Speaker 3: And then from then I was like, Yo, this is

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Speaker 3: one I want to do because like.

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Speaker 2: It's got to be kind of hard because you probably

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Speaker 2: were like also semi influenced by a lot of what

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Speaker 2: was going on in Atlanta, and like it's kind of

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Speaker 2: hard to like see outside of what's happening right in

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Speaker 2: front of you. So for you to go back home

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Speaker 2: during the summer and be like, oh no, there's this

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Speaker 2: whole other yeah thing going on, you know what I'm saying,

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Speaker 2: Like there's a whole there's another world outside.

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Speaker 3: Of the US, yeah, And I'm like, I don't want

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Speaker 3: to miss this, you know what I'm saying.

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Speaker 1: So that's when I started getting involved in doing me

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Speaker 1: like a forgot music production, facing it the food week.

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Speaker 1: It wasn't even affecting my academics, you know what I'm saying.

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Speaker 2: What'd you drop out?

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Speaker 3: After like two years dropped out?

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00:12:26,679 --> 00:12:28,760
Speaker 2: Parents were happier. They didn't know.

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Speaker 3: They thought they even know I was dropped up, so

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Speaker 3: they thought that was in school. Yeah for a year,

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00:12:32,520 --> 00:12:35,760
Speaker 3: you're like school's good sending them fake grades on that.

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Speaker 3: You know what I'm saying.

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Speaker 2: But it was the first convo where you like let

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Speaker 2: them know, like it was never a combo. Oh okay,

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Speaker 2: they just like saw you on tv DA.

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Speaker 1: So you know, he was calling my phone and at

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Speaker 1: this point, I've gone back to America, but I was

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Speaker 1: planning to go back to Nigeria to stop my music

302
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Speaker 1: career because like I had met people already and stuff

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Speaker 1: like that. So my sister hit me up on Facebook.

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Speaker 1: She's like, I think my dad was like trying to

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00:13:03,000 --> 00:13:06,000
Speaker 1: call my phone. Then he called the school like trying

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Speaker 1: to reach me, and then like, oh, so David hasn't

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00:13:10,679 --> 00:13:13,839
Speaker 1: hasn't been a road here for the past year. He's

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Speaker 1: like what what did My sister will never forget that message.

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Speaker 3: I was in a burger. Yea that news you haven't

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00:13:21,600 --> 00:13:26,400
Speaker 3: been in school. My stomach, Oh fucking function, your whole viralthing.

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00:13:27,200 --> 00:13:29,439
Speaker 2: Your dad's a doctor, no no, but he got like

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00:13:29,480 --> 00:13:30,560
Speaker 2: a doctor. He's got a doctor.

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Speaker 3: Yeah, okay, goy, he's he's not a doctor.

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Speaker 2: a doctor? He got yeah.

367
00:16:10,000 --> 00:16:12,520
Speaker 1: After that, and then my dad like, I like, I

368
00:16:12,720 --> 00:16:15,600
Speaker 1: hit the seem disappointed to me, Like it could mess

369
00:16:15,680 --> 00:16:17,360
Speaker 1: up my whole vibe for sure.

370
00:16:17,960 --> 00:16:19,600
Speaker 3: So I was like, man, I'm not going home. I

371
00:16:19,640 --> 00:16:21,640
Speaker 3: ain't even trying to hear all Like where do I

372
00:16:21,680 --> 00:16:22,160
Speaker 3: start from?

373
00:16:22,360 --> 00:16:22,560
Speaker 2: Yeah?

374
00:16:23,120 --> 00:16:25,200
Speaker 1: Like where do I start from? You know what I'm saying?

375
00:16:25,360 --> 00:16:27,240
Speaker 1: So I was like, man, I got to blow up

376
00:16:27,960 --> 00:16:29,360
Speaker 1: that's the only way he's good to forgive me.

377
00:16:30,320 --> 00:16:31,960
Speaker 2: So did you wait to like really?

378
00:16:32,640 --> 00:16:36,560
Speaker 1: Oh yeah, I would tellt so no, no, he well

379
00:16:36,720 --> 00:16:38,560
Speaker 1: kind of, I was like about to blow up, and

380
00:16:38,600 --> 00:16:41,080
Speaker 1: then he kind of caught me kind of because I ran.

381
00:16:41,160 --> 00:16:42,880
Speaker 1: I kind of dipped, So he was looking for me

382
00:16:42,960 --> 00:16:44,800
Speaker 1: for months, and I was like, you're just on the

383
00:16:44,880 --> 00:16:48,080
Speaker 1: run from your sixteen I was like sixteen at this time.

384
00:16:48,480 --> 00:16:51,480
Speaker 2: Sixteen on the run. Not on the run, but you know,

385
00:16:51,680 --> 00:16:53,920
Speaker 2: you're on the run from from your pop. Yeah, for sure.

386
00:16:54,040 --> 00:16:55,840
Speaker 3: And then I went to London for like six months

387
00:16:56,160 --> 00:16:58,080
Speaker 3: and then my friend had the studio his house.

388
00:16:58,160 --> 00:17:01,600
Speaker 2: You're sixteen at the time, yeah, sixteen. You kind of

389
00:17:01,680 --> 00:17:02,480
Speaker 2: ran away, low Ki.

390
00:17:02,800 --> 00:17:07,200
Speaker 3: Yeah, so I was in my friend's house recording, you

391
00:17:07,240 --> 00:17:09,399
Speaker 3: know what I'm saying. He had a studio in London.

392
00:17:09,560 --> 00:17:13,639
Speaker 1: Yeah, so I recorded like ten songs, right, so I

393
00:17:13,720 --> 00:17:14,959
Speaker 1: had him with me, you know what I'm saying. At

394
00:17:15,040 --> 00:17:17,760
Speaker 1: least I have content from whenever I'm ready to drop.

395
00:17:18,960 --> 00:17:21,800
Speaker 1: So after being in London for like, it's me and

396
00:17:21,880 --> 00:17:25,320
Speaker 1: my cousin be ready that we both ran away. So

397
00:17:25,440 --> 00:17:26,720
Speaker 1: it's like, after being.

398
00:17:26,600 --> 00:17:27,879
Speaker 2: In on him for like six months, you got a

399
00:17:27,880 --> 00:17:30,080
Speaker 2: fake idea at the time, Nah that I wasn't even

400
00:17:30,119 --> 00:17:30,480
Speaker 2: going to no.

401
00:17:30,560 --> 00:17:32,800
Speaker 3: Club or I was just in my friend's house. But

402
00:17:32,840 --> 00:17:33,960
Speaker 3: you know I had American passport.

403
00:17:34,080 --> 00:17:35,560
Speaker 1: Yeah, so I just you know what I'm saying, just

404
00:17:35,600 --> 00:17:38,960
Speaker 1: good money wherever you're at, come on anywhere. So after

405
00:17:39,040 --> 00:17:40,800
Speaker 1: like six months, I was like, yo, I had the

406
00:17:40,880 --> 00:17:43,720
Speaker 1: ten songs. I saved up a little paper. I was like, yo,

407
00:17:43,760 --> 00:17:47,119
Speaker 1: I'm going to Nigeria, you know, to start, you know

408
00:17:47,160 --> 00:17:50,240
Speaker 1: what I'm saying. Get on the plane land and then

409
00:17:50,320 --> 00:17:50,919
Speaker 1: like my dad.

410
00:17:50,880 --> 00:17:53,840
Speaker 3: Like caught me. Oh shit.

411
00:17:53,840 --> 00:17:55,920
Speaker 2: As soon as I got off the plane, he was

412
00:17:55,960 --> 00:17:56,919
Speaker 2: waiting for you in Nigeria.

413
00:17:57,080 --> 00:18:00,240
Speaker 1: Yeah, the immigration he's living Nigeria, like the army gration

414
00:18:00,359 --> 00:18:03,159
Speaker 1: people just grabbed me off the plane and took me

415
00:18:03,400 --> 00:18:04,120
Speaker 1: straight to him.

416
00:18:04,240 --> 00:18:09,240
Speaker 3: I'm shoot, like, boy, I got an eye Pierson lip pressing.

417
00:18:11,359 --> 00:18:12,399
Speaker 2: He's not fucking with you.

418
00:18:13,680 --> 00:18:14,639
Speaker 3: She's looking me crazy.

419
00:18:14,760 --> 00:18:15,960
Speaker 2: It's like what happened to my son.

420
00:18:16,320 --> 00:18:17,960
Speaker 1: So we get in the car and I against he

421
00:18:18,040 --> 00:18:21,560
Speaker 1: hugged me by He's like you brother. I was like, man, daddy,

422
00:18:21,560 --> 00:18:22,159
Speaker 1: I do want to hear.

423
00:18:22,400 --> 00:18:24,359
Speaker 3: I just wanted to do music. Do you understand I

424
00:18:24,400 --> 00:18:25,320
Speaker 3: don't need anything from you.

425
00:18:26,320 --> 00:18:29,359
Speaker 1: Then we get home and the whole time I ran away,

426
00:18:29,840 --> 00:18:32,840
Speaker 1: my dad like cut everybody off, like he the hancho.

427
00:18:33,240 --> 00:18:35,520
Speaker 3: He take care of everybody. So he's like, go out

428
00:18:35,560 --> 00:18:41,440
Speaker 3: get my song now. Nobody. Everybody message me like, boy,

429
00:18:41,480 --> 00:18:43,040
Speaker 3: you better come back home. I'm hungry.

430
00:18:43,240 --> 00:18:44,359
Speaker 2: You got fucked up out here.

431
00:18:45,000 --> 00:18:48,800
Speaker 1: Everybody caught everybody off like that was like my aunties

432
00:18:48,880 --> 00:18:53,240
Speaker 1: and your dad sounds like a g in mafia. I go,

433
00:18:53,400 --> 00:18:56,399
Speaker 1: I get back home and then I have my ten songs,

434
00:18:56,400 --> 00:18:58,119
Speaker 1: you know what I'm saying. So I'm just like your

435
00:18:58,160 --> 00:19:00,639
Speaker 1: house to do music. So I'm telling my siblings and

436
00:19:00,720 --> 00:19:02,359
Speaker 1: then my dad was just like, look, you know what

437
00:19:02,400 --> 00:19:04,159
Speaker 1: I'm saying. You could you could have just came and

438
00:19:04,359 --> 00:19:06,200
Speaker 1: told me. You know what I'm saying, Like, oh, this

439
00:19:06,280 --> 00:19:08,080
Speaker 1: is really what you want to do. I was like that,

440
00:19:08,200 --> 00:19:09,280
Speaker 1: I told you like ten times.

441
00:19:10,400 --> 00:19:11,399
Speaker 2: Nah. School.

442
00:19:11,520 --> 00:19:15,159
Speaker 3: So he tried it up like cutting the deal. It

443
00:19:15,280 --> 00:19:18,000
Speaker 3: was like he was with him.

444
00:19:18,800 --> 00:19:21,960
Speaker 1: So he's like, so you gotta go to school. I said, okay,

445
00:19:22,080 --> 00:19:25,240
Speaker 1: but what's it for me? He said, Man, he built

446
00:19:25,280 --> 00:19:29,800
Speaker 1: me a studio and give me some paper to start.

447
00:19:29,600 --> 00:19:30,200
Speaker 3: Off my career.

448
00:19:30,480 --> 00:19:31,720
Speaker 2: So helped out. Yeah.

449
00:19:32,359 --> 00:19:34,080
Speaker 1: So I had to go to school for like every

450
00:19:34,160 --> 00:19:36,000
Speaker 1: two weeks. I had to be a school. Well he

451
00:19:36,000 --> 00:19:37,320
Speaker 1: should be like four hours away.

452
00:19:37,920 --> 00:19:39,480
Speaker 3: Oh ship, you know what I'm saying.

453
00:19:39,840 --> 00:19:42,359
Speaker 2: What was What was the song that changed your life?

454
00:19:43,600 --> 00:19:47,879
Speaker 1: Probably my second single. It's called Domny Duo, right, So

455
00:19:48,040 --> 00:19:51,040
Speaker 1: that's when like I left school. I was like because

456
00:19:51,040 --> 00:19:55,040
Speaker 1: I was on because you're like, look it worked. The

457
00:19:55,119 --> 00:19:58,280
Speaker 1: first single was all right, you know what I'm saying,

458
00:19:58,280 --> 00:20:00,680
Speaker 1: but the second one I was in. So I was

459
00:20:00,720 --> 00:20:02,680
Speaker 1: only allowed to go to the city every two weeks.

460
00:20:03,359 --> 00:20:05,720
Speaker 1: So I'd be in school for like thirteen days four

461
00:20:05,760 --> 00:20:08,480
Speaker 1: hours away. Yeah, thirteen days, and then on the fourth,

462
00:20:08,680 --> 00:20:10,800
Speaker 1: fourteenth day, I can go to the city for just

463
00:20:10,920 --> 00:20:12,199
Speaker 1: three days to do.

464
00:20:12,840 --> 00:20:16,080
Speaker 3: Me trying to break your record stuff like that. So

465
00:20:16,359 --> 00:20:18,000
Speaker 3: and I'm in school, my dad put me next to

466
00:20:18,119 --> 00:20:20,200
Speaker 3: like the owner of the school, like I might even.

467
00:20:20,119 --> 00:20:23,399
Speaker 2: Like he's a studio. He's like like, you got you.

468
00:20:23,560 --> 00:20:25,760
Speaker 3: This is the door of the school owner. This is

469
00:20:25,800 --> 00:20:28,040
Speaker 3: my room. So every day you go to work, knocking

470
00:20:28,080 --> 00:20:30,200
Speaker 3: on the door like are you going to class? You know,

471
00:20:30,560 --> 00:20:33,320
Speaker 3: stuff like that. But when I had that second record,

472
00:20:33,359 --> 00:20:34,000
Speaker 3: my boy called me.

473
00:20:34,119 --> 00:20:38,120
Speaker 1: He was in the city. He said, it's lip. I said,

474
00:20:38,119 --> 00:20:40,479
Speaker 1: what you mean, say he was in the club last night.

475
00:20:40,880 --> 00:20:43,520
Speaker 1: He played the record, everybody went. I said, are you sure,

476
00:20:44,200 --> 00:20:46,280
Speaker 1: because if I leave this place, I'm fucked.

477
00:20:46,640 --> 00:20:49,720
Speaker 3: Yeah, I thought I forgets. So I made like a

478
00:20:49,840 --> 00:20:52,639
Speaker 3: fake body in my room, like under the clubs.

479
00:20:52,800 --> 00:20:53,960
Speaker 2: Yeah, I've done this.

480
00:20:54,200 --> 00:20:56,600
Speaker 3: Yeah you put you know how to do you put people?

481
00:20:56,680 --> 00:20:59,440
Speaker 2: You stuffed the jeans? Yeah?

482
00:21:00,040 --> 00:21:03,200
Speaker 1: Overout this like that. He was called on the way

483
00:21:03,240 --> 00:21:06,200
Speaker 1: to the four hours trip. He called him I phone, like,

484
00:21:06,200 --> 00:21:06,520
Speaker 1: where are you?

485
00:21:06,640 --> 00:21:07,399
Speaker 2: What is this?

486
00:21:08,480 --> 00:21:11,919
Speaker 3: I said, Man, I'm out. So that night we got

487
00:21:11,960 --> 00:21:16,640
Speaker 3: to the city and this this is like my first time.

488
00:21:16,520 --> 00:21:20,639
Speaker 1: Scene like anything or any feeling type of any importance

489
00:21:21,400 --> 00:21:22,040
Speaker 1: of my music.

490
00:21:22,480 --> 00:21:23,320
Speaker 3: I walked in the club.

491
00:21:23,400 --> 00:21:25,239
Speaker 2: Boy, they knew who you were.

492
00:21:26,800 --> 00:21:30,199
Speaker 3: I was like I was, I was like, yo, so.

493
00:21:30,440 --> 00:21:33,560
Speaker 1: Like and I was like, that's like I'm seventeen. So

494
00:21:33,720 --> 00:21:35,919
Speaker 1: that record was like too big, Like it blew up

495
00:21:36,000 --> 00:21:39,080
Speaker 1: the whole country, the whole Africa. Like it was like

496
00:21:39,600 --> 00:21:43,320
Speaker 1: really like literally over night success crazy, you understand, Like

497
00:21:43,359 --> 00:21:46,960
Speaker 1: we all confused, like like we're not even prepared for

498
00:21:47,240 --> 00:21:49,359
Speaker 1: what came, you know what I'm saying. I'm like, oh damn,

499
00:21:49,440 --> 00:21:52,600
Speaker 1: now I got a pr publicist, I gotta get a

500
00:21:52,640 --> 00:21:53,520
Speaker 1: tour manager.

501
00:21:53,240 --> 00:21:54,760
Speaker 3: I gotta get you know what I'm saying this that

502
00:21:55,480 --> 00:21:56,120
Speaker 3: you know what I'm saying.

503
00:21:56,280 --> 00:21:59,240
Speaker 2: And from there it was just on what's the clubs like?

504
00:21:59,400 --> 00:22:02,240
Speaker 2: Because I've heard that the clubs in Nigeria are crazy wow,

505
00:22:02,440 --> 00:22:05,119
Speaker 2: but like you've been to both the Atlanta side and

506
00:22:05,440 --> 00:22:08,360
Speaker 2: so for you like, yeah, I was about to say

507
00:22:08,400 --> 00:22:09,960
Speaker 2: that's the one thing about here. It's like you know,

508
00:22:10,040 --> 00:22:11,639
Speaker 2: at bottles and they stare at each.

509
00:22:11,520 --> 00:22:15,240
Speaker 3: Other when I downcing switson to like ten am.

510
00:22:15,720 --> 00:22:20,120
Speaker 1: Just everyone's dancing, happy, smiling, crazy bottles everything.

511
00:22:20,480 --> 00:22:22,440
Speaker 2: What about are the strip clubs in Nigeria? Yeah? What

512
00:22:22,560 --> 00:22:24,960
Speaker 2: are the strip club vibes like compared to just like

513
00:22:25,600 --> 00:22:26,480
Speaker 2: just like same thing.

514
00:22:26,440 --> 00:22:30,320
Speaker 3: And funny enough, a lot of like dancers fly from America.

515
00:22:30,359 --> 00:22:32,679
Speaker 2: To dance out there, to go dance out there.

516
00:22:32,760 --> 00:22:33,399
Speaker 3: Oh there's fire.

517
00:22:34,119 --> 00:22:37,600
Speaker 2: Uh so you got the new project out timeless? Uh?

518
00:22:38,600 --> 00:22:41,399
Speaker 2: For people who don't know, man, are you very like

519
00:22:41,560 --> 00:22:45,600
Speaker 2: aware of like your place in like Afrobeat's history. When

520
00:22:45,680 --> 00:22:47,840
Speaker 2: people bring up the Big Three, I think it's like

521
00:22:47,920 --> 00:22:49,400
Speaker 2: you whiz Kid and burna Boy.

522
00:22:49,520 --> 00:22:55,520
Speaker 1: Yeah, definitely know, like definitely away especially like do you

523
00:22:55,560 --> 00:22:58,040
Speaker 1: have some once you remember when I told you that

524
00:22:58,560 --> 00:23:00,119
Speaker 1: I was like an out, I was on out that

525
00:23:00,160 --> 00:23:02,800
Speaker 1: I'm looking in when I went for December and I

526
00:23:02,920 --> 00:23:05,200
Speaker 1: saw that, you know, in the artist everybody was like

527
00:23:05,240 --> 00:23:09,200
Speaker 1: in one section and I'm just looking like I gotta

528
00:23:09,240 --> 00:23:12,520
Speaker 1: get into this. I gotta get in the mix. But

529
00:23:12,560 --> 00:23:16,359
Speaker 1: I also like came with like a vision. Do you understand?

530
00:23:16,400 --> 00:23:19,840
Speaker 1: And I feel like that's what helped me solidify my

531
00:23:20,000 --> 00:23:21,320
Speaker 1: place in afrobeats.

532
00:23:22,240 --> 00:23:24,359
Speaker 3: Came with the vision, I knew what I wanted. Do

533
00:23:24,359 --> 00:23:24,920
Speaker 3: you understand?

534
00:23:25,760 --> 00:23:29,760
Speaker 1: I'm a producer as well, so with the production, I

535
00:23:29,800 --> 00:23:32,120
Speaker 1: already knew how I want everything to sound.

536
00:23:32,680 --> 00:23:33,280
Speaker 3: Do you understand?

537
00:23:33,359 --> 00:23:36,840
Speaker 1: And from there and then you know, shout out to

538
00:23:36,920 --> 00:23:38,960
Speaker 1: my pops. You know what I'm saying, he shot my

539
00:23:39,040 --> 00:23:39,600
Speaker 1: first video.

540
00:23:39,920 --> 00:23:42,639
Speaker 2: Your dad shot your first video. Paid for it. I

541
00:23:42,680 --> 00:23:44,439
Speaker 2: was about to say, your dad is talented, he's got

542
00:23:44,480 --> 00:23:46,320
Speaker 2: a doctorate, he's out here shooting videos.

543
00:23:46,359 --> 00:23:47,640
Speaker 3: And so he shot my first video.

544
00:23:47,800 --> 00:23:50,560
Speaker 1: So you know, from then I kind of like, you know, God,

545
00:23:51,000 --> 00:23:55,680
Speaker 1: you know, okay, you know, continue the journey and you know,

546
00:23:55,960 --> 00:23:59,680
Speaker 1: coming out here it was very puzzling for me. So

547
00:24:00,640 --> 00:24:03,000
Speaker 1: came out here, and you know, especially for one when

548
00:24:03,000 --> 00:24:05,240
Speaker 1: I did my first tour, I used to live in America.

549
00:24:05,520 --> 00:24:08,400
Speaker 3: Yeah, so it was very futile for me to figure out.

550
00:24:10,680 --> 00:24:13,040
Speaker 3: I know that what gets to be listening? How do

551
00:24:13,119 --> 00:24:13,560
Speaker 3: we do?

552
00:24:13,560 --> 00:24:15,119
Speaker 1: You know what I'm saying, Like it's already popping in

553
00:24:15,119 --> 00:24:18,760
Speaker 1: the clubs, and then before you know it, a major

554
00:24:18,800 --> 00:24:22,359
Speaker 1: label hit me up, Boom Sony. You know what I'm saying.

555
00:24:23,200 --> 00:24:25,560
Speaker 1: And this is I've been doing music already for like

556
00:24:26,160 --> 00:24:28,360
Speaker 1: seven years, right, you know what I'm saying. I'm talking

557
00:24:28,359 --> 00:24:32,879
Speaker 1: about we like we like sixty records in at this time. Wow,

558
00:24:33,440 --> 00:24:36,520
Speaker 1: sixty records in. But the old records is just start

559
00:24:36,560 --> 00:24:39,200
Speaker 1: to catch, starting to catch. Yes, I feel like that's

560
00:24:39,240 --> 00:24:40,879
Speaker 1: what it's been happening with a lot of It was

561
00:24:40,960 --> 00:24:45,680
Speaker 1: very difficult for us, you know, artists, because we're so

562
00:24:46,040 --> 00:24:48,159
Speaker 1: we're so comfortable already, you know what I'm saying. At

563
00:24:48,160 --> 00:24:51,200
Speaker 1: that time, I was already making at least one hundred

564
00:24:51,200 --> 00:24:53,800
Speaker 1: and fifty two hundred thousand dollars a show, and then

565
00:24:53,880 --> 00:24:57,000
Speaker 1: we have like that's death and then we already setting

566
00:24:57,040 --> 00:25:01,280
Speaker 1: out stadiums, you know what I'm saying, thousand people, and

567
00:25:01,359 --> 00:25:03,320
Speaker 1: then you know there's the all that syde of things.

568
00:25:03,359 --> 00:25:05,680
Speaker 1: But you want to move music to the culture to

569
00:25:05,760 --> 00:25:09,080
Speaker 1: push you come out here and the money they're saying, No,

570
00:25:09,200 --> 00:25:12,360
Speaker 1: definitely no. Nowadays it is now. Yeah, but like back then,

571
00:25:12,600 --> 00:25:14,880
Speaker 1: like you got kind of stop from scratch again. Definitely

572
00:25:14,960 --> 00:25:17,320
Speaker 1: not like my first show. My first show I think

573
00:25:17,440 --> 00:25:20,480
Speaker 1: was New York was like Urban Plaza, I think something

574
00:25:20,560 --> 00:25:20,680
Speaker 1: like that.

575
00:25:20,760 --> 00:25:24,080
Speaker 2: It was like a thousand people I'm used to doing

576
00:25:24,160 --> 00:25:24,600
Speaker 2: like fifty.

577
00:25:24,840 --> 00:25:25,600
Speaker 3: Yeah, but there.

578
00:25:26,160 --> 00:25:28,200
Speaker 1: But you know that's how, you know, spreading the music,

579
00:25:28,320 --> 00:25:30,400
Speaker 1: waking up for interviews, like you know what I'm saying,

580
00:25:31,000 --> 00:25:35,320
Speaker 1: doing promo. So you know, when the major labels got

581
00:25:35,359 --> 00:25:38,320
Speaker 1: involved in Aprobets, I felt like we had the music,

582
00:25:38,400 --> 00:25:39,880
Speaker 1: but we didn't have the structure.

583
00:25:39,720 --> 00:25:40,560
Speaker 3: Right, you know what I'm saying.

584
00:25:40,640 --> 00:25:42,679
Speaker 1: Now, you know there's a little bit of structure all

585
00:25:42,760 --> 00:25:45,640
Speaker 1: the labels right now in Nigeria, do you understand?

586
00:25:45,720 --> 00:25:48,000
Speaker 2: So yeah, no, I know, like a shots, I got Gazi,

587
00:25:48,080 --> 00:25:52,440
Speaker 2: I think Empires doing a lot, yeah, a lot of artists, Sony,

588
00:25:52,480 --> 00:25:53,879
Speaker 2: a lot of artist under Sonya.

589
00:25:53,600 --> 00:25:54,080
Speaker 3: As well too.

590
00:25:54,520 --> 00:25:57,040
Speaker 2: Yeah. Yeah. Who would you kind of consider to be

591
00:25:57,240 --> 00:25:59,680
Speaker 2: like Eurog's in this ship because I feel like we

592
00:25:59,720 --> 00:26:01,520
Speaker 2: always hear about you burna Boy and whiz K, but

593
00:26:01,600 --> 00:26:03,520
Speaker 2: there's a whole generation of guy's prior to you guys

594
00:26:03,560 --> 00:26:04,520
Speaker 2: that kind of let the groundwork.

595
00:26:05,080 --> 00:26:07,720
Speaker 1: I think definitely the bunch you know, that's one of

596
00:26:07,760 --> 00:26:11,360
Speaker 1: the artists I saw. I told you du Bane Too Face.

597
00:26:11,440 --> 00:26:14,359
Speaker 1: So the Big three then was the Bane Tooth Face

598
00:26:15,080 --> 00:26:18,119
Speaker 1: and it's a group it's twins called p Square, So

599
00:26:18,280 --> 00:26:21,560
Speaker 1: that was those were like r ogs, you know. Then

600
00:26:21,880 --> 00:26:24,680
Speaker 1: those are the people that made me say it's possible

601
00:26:24,720 --> 00:26:26,159
Speaker 1: doing this. Yeah, I'm doing this.

602
00:26:26,640 --> 00:26:28,359
Speaker 2: You also have kind of became one of like the

603
00:26:28,600 --> 00:26:30,800
Speaker 2: main guys that like hip hop artists will tap into

604
00:26:30,840 --> 00:26:32,920
Speaker 2: if they universe or the hook. I mean you guys

605
00:26:32,920 --> 00:26:35,000
Speaker 2: like fabulous and go on and on. Who are some

606
00:26:35,080 --> 00:26:37,920
Speaker 2: of the well, first of all, being as a guy

607
00:26:37,960 --> 00:26:40,919
Speaker 2: who went to college here, was born in Atlanta, has

608
00:26:40,960 --> 00:26:42,520
Speaker 2: there been a hip hop artist you've worked with where

609
00:26:42,560 --> 00:26:43,600
Speaker 2: you were like, damn, that's crazy.

610
00:26:43,640 --> 00:26:47,640
Speaker 3: I got a record with this guy like this. Definitely,

611
00:26:48,080 --> 00:26:49,080
Speaker 3: definitely it should be.

612
00:26:49,400 --> 00:26:51,600
Speaker 1: Oh I think, well, I mean I have a lot

613
00:26:51,640 --> 00:26:53,639
Speaker 1: of you know, records I didn't have with me, but

614
00:26:54,200 --> 00:26:56,600
Speaker 1: one of the records I was like, yo, it was

615
00:26:56,720 --> 00:26:59,880
Speaker 1: Nobs when I got that NOAs versus and Hip Boys

616
00:27:00,040 --> 00:27:02,480
Speaker 1: video like those one of the moments because my brother.

617
00:27:02,480 --> 00:27:03,440
Speaker 2: You guys met him a head boy.

618
00:27:04,560 --> 00:27:06,000
Speaker 3: Yeah, he just came in the room.

619
00:27:06,240 --> 00:27:08,800
Speaker 1: Was not what he was like.

620
00:27:08,880 --> 00:27:10,080
Speaker 3: Yeah, man, like he likes African.

621
00:27:10,359 --> 00:27:11,680
Speaker 1: I was like, oh, thank you, thank you, thank you

622
00:27:12,160 --> 00:27:14,120
Speaker 1: what you're working on and he just laid the verse

623
00:27:14,160 --> 00:27:16,639
Speaker 1: and me and my boys just looking because that was

624
00:27:16,680 --> 00:27:19,600
Speaker 1: special to me because my oldest brother Nick, he was

625
00:27:19,680 --> 00:27:23,479
Speaker 1: a big nos fun like that Illmatic album still Man,

626
00:27:23,640 --> 00:27:26,280
Speaker 1: still Madic of course the album when he was young.

627
00:27:26,600 --> 00:27:29,080
Speaker 2: His face right there, it's behind that box.

628
00:27:29,200 --> 00:27:32,960
Speaker 3: Oh that's crazy. So that was like crazy to me.

629
00:27:33,160 --> 00:27:37,280
Speaker 1: And then obviously like with Thug, you know baby, oh

630
00:27:37,359 --> 00:27:40,480
Speaker 1: that was real dope, and know we connect the vibe.

631
00:27:40,480 --> 00:27:43,080
Speaker 2: You know, you ended up connecting and like really vibing

632
00:27:43,160 --> 00:27:43,440
Speaker 2: with Doug.

633
00:27:43,720 --> 00:27:47,680
Speaker 1: Yes, oh like not even on music tip. You know

634
00:27:47,720 --> 00:27:49,880
Speaker 1: what I'm saying. Thug is, Thug is a great guy.

635
00:27:50,000 --> 00:27:53,200
Speaker 1: Man actually met a Little Baby through Thug before Little

636
00:27:53,200 --> 00:27:54,560
Speaker 1: Baby even dropped a record.

637
00:27:54,800 --> 00:27:57,879
Speaker 2: Oh really back in the day, people don't understand like

638
00:27:57,920 --> 00:28:00,560
Speaker 2: young Thug and Gucci are like two of the best

639
00:28:00,640 --> 00:28:03,600
Speaker 2: an rs ever. They just always have like just talent

640
00:28:03,680 --> 00:28:04,240
Speaker 2: around them.

641
00:28:04,160 --> 00:28:06,600
Speaker 1: Like and we all will all be in the studio,

642
00:28:06,880 --> 00:28:08,480
Speaker 1: and you know when you're like in the studio and

643
00:28:08,520 --> 00:28:11,359
Speaker 1: everybody's like clean day music, everybody passing the ARX squad.

644
00:28:12,160 --> 00:28:15,720
Speaker 1: When I put play Monk I always loved it, so

645
00:28:15,760 --> 00:28:18,960
Speaker 1: I always need that. Man, this Jodre is it's gonna go.

646
00:28:19,920 --> 00:28:21,840
Speaker 2: Gotta stop the interview real quick to tell you about

647
00:28:21,880 --> 00:28:25,800
Speaker 2: our family at Blue Chew. Baby. That's right, it's getting

648
00:28:25,840 --> 00:28:28,480
Speaker 2: hot outside. You know what that means, fellas you're about

649
00:28:28,480 --> 00:28:30,120
Speaker 2: to go get that dick wet. You know what I'm saying.

650
00:28:30,119 --> 00:28:32,080
Speaker 2: It might as well be really hard. It might as

651
00:28:32,119 --> 00:28:34,600
Speaker 2: well be as hard as it could possibly be. And

652
00:28:34,680 --> 00:28:37,760
Speaker 2: with blue Choo you will achieve such hardness. All right.

653
00:28:38,440 --> 00:28:40,040
Speaker 2: It's seriously amazing.

654
00:28:40,400 --> 00:28:40,520
Speaker 1: Uh.

655
00:28:40,680 --> 00:28:43,080
Speaker 2: And the best part about blue Choo is you can

656
00:28:43,120 --> 00:28:45,280
Speaker 2: find out if it works. Don't just take my word

657
00:28:45,320 --> 00:28:47,920
Speaker 2: for it. They're gonna give you a month's supply for free.

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664
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665
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666
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674
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696
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Speaker 2: Shout out to odd Socks. Let's get back to the interview. Yeah,

697
00:30:43,840 --> 00:30:46,120
Speaker 2: that's got. What was it when you guys worked together?

698
00:30:46,200 --> 00:30:48,000
Speaker 2: Did he record the verse with you there?

699
00:30:48,160 --> 00:30:48,320
Speaker 3: Yes?

700
00:30:48,520 --> 00:30:50,720
Speaker 2: Because I heard his process is pretty crazy.

701
00:30:51,040 --> 00:30:55,880
Speaker 3: Yeah, he thug duty, But baby, I said, I said, baby,

702
00:30:55,960 --> 00:30:56,320
Speaker 3: just all.

703
00:30:56,720 --> 00:30:58,840
Speaker 2: Because like this Doug going right now and down right.

704
00:30:58,840 --> 00:31:01,480
Speaker 2: It's just does he lay the he lays He lays

705
00:31:01,520 --> 00:31:03,400
Speaker 2: the melody first and then punches in.

706
00:31:03,600 --> 00:31:07,080
Speaker 1: Or then go back, punch in, go back, through the melody.

707
00:31:07,480 --> 00:31:09,880
Speaker 1: Then you know, you get the words that you recorded.

708
00:31:10,080 --> 00:31:12,840
Speaker 1: You know, I kind of record the same way too.

709
00:31:12,840 --> 00:31:15,160
Speaker 2: So you're you're kind of similar with Joe, like melody

710
00:31:15,200 --> 00:31:17,120
Speaker 2: down and then feeling the lyrics melody and then feeling

711
00:31:17,160 --> 00:31:21,280
Speaker 2: the lyrics. Yeah, you used to be an engineer. Yeah,

712
00:31:21,600 --> 00:31:24,240
Speaker 2: which way do you prefer to record an artist? Because

713
00:31:24,240 --> 00:31:26,160
Speaker 2: I do know some engineers to get frustrated. Yeah, you

714
00:31:26,240 --> 00:31:28,160
Speaker 2: touch me in back back back back, No right there.

715
00:31:28,200 --> 00:31:30,400
Speaker 1: To me and pu me in think about me. You

716
00:31:30,480 --> 00:31:33,760
Speaker 1: gotta be quick because I get anxiety when you know.

717
00:31:33,760 --> 00:31:35,600
Speaker 2: When if you have an engineer recording you, they got

718
00:31:35,680 --> 00:31:36,080
Speaker 2: to be fast.

719
00:31:36,200 --> 00:31:37,720
Speaker 3: Yeah, you have to be very very quick.

720
00:31:38,240 --> 00:31:41,200
Speaker 1: And I don't sleep, So it's like you gotta be quick, quick, quick,

721
00:31:41,600 --> 00:31:43,720
Speaker 1: because you know the way you want to, you know,

722
00:31:43,840 --> 00:31:45,400
Speaker 1: lay down an idea. You know, first of all, you

723
00:31:45,400 --> 00:31:47,640
Speaker 1: don't want to lose it, right because sometimes it never

724
00:31:47,760 --> 00:31:49,840
Speaker 1: comes back, you know what I'm saying. So I like

725
00:31:49,920 --> 00:31:50,640
Speaker 1: to be kind of quick.

726
00:31:51,800 --> 00:31:54,840
Speaker 2: Yeah for you. How much how much like of your

727
00:31:54,880 --> 00:31:56,240
Speaker 2: own production are you doing these days?

728
00:31:56,600 --> 00:31:56,640
Speaker 1: No?

729
00:31:57,240 --> 00:31:57,440
Speaker 2: None?

730
00:31:57,760 --> 00:32:02,200
Speaker 1: Yeah recently, but with this last album, I like I

731
00:32:02,320 --> 00:32:06,160
Speaker 1: supervisor production what I'm said, But I'm as hands on

732
00:32:06,360 --> 00:32:07,400
Speaker 1: us you know, I.

733
00:32:07,560 --> 00:32:10,520
Speaker 2: Was, you know, years back, what it's like for you

734
00:32:11,160 --> 00:32:12,520
Speaker 2: give me two or three artists that are on the

735
00:32:12,560 --> 00:32:13,880
Speaker 2: come up right now that we should be checking out

736
00:32:13,920 --> 00:32:14,280
Speaker 2: in the States.

737
00:32:14,520 --> 00:32:19,600
Speaker 1: African African h I was talking about they big lad

738
00:32:19,640 --> 00:32:20,680
Speaker 1: see what he's here on the come up?

739
00:32:21,440 --> 00:32:23,760
Speaker 2: Maybe here here, definitely.

740
00:32:24,760 --> 00:32:26,920
Speaker 3: He's he's hot right now going crazy.

741
00:32:27,120 --> 00:32:32,120
Speaker 2: Rema Rama's got a smash number the highest, yeah, the

742
00:32:32,200 --> 00:32:35,240
Speaker 2: highest ever number one song right now. It's Rhythm radio

743
00:32:35,360 --> 00:32:36,800
Speaker 2: in Selina.

744
00:32:36,880 --> 00:32:41,120
Speaker 3: It's crazy care Redma bou Ju.

745
00:32:41,720 --> 00:32:44,760
Speaker 2: I've heard. I've heard of Rama, who's on the remix

746
00:32:44,840 --> 00:32:45,280
Speaker 2: of that song.

747
00:32:46,920 --> 00:32:47,560
Speaker 3: Boojus.

748
00:32:47,600 --> 00:32:54,280
Speaker 1: You know, at least kih kids down here. A lot

749
00:32:54,320 --> 00:32:57,040
Speaker 1: of people, man, I can I can name one hundred females.

750
00:32:57,120 --> 00:33:00,560
Speaker 1: You know, we got Thames, we got Iron Star Savage,

751
00:33:01,160 --> 00:33:02,080
Speaker 1: So yeah, we're doing great.

752
00:33:02,120 --> 00:33:05,840
Speaker 2: Do you ever like see American artists trying to do

753
00:33:06,360 --> 00:33:09,160
Speaker 2: what you guys do and it comes I've seen a

754
00:33:09,200 --> 00:33:11,600
Speaker 2: lot of guys do it and it's very corny. But

755
00:33:11,920 --> 00:33:15,160
Speaker 2: do you ever like feel like like it's a little

756
00:33:15,240 --> 00:33:17,800
Speaker 2: kind of appropriating like y'all's vibe, because it does feel

757
00:33:17,840 --> 00:33:19,320
Speaker 2: like I've seen I mean, I don't want to say names.

758
00:33:19,400 --> 00:33:22,040
Speaker 2: There's been a few guys with like just blatantly just

759
00:33:22,680 --> 00:33:24,400
Speaker 2: I mean, like they don't care about the culture, and

760
00:33:24,440 --> 00:33:26,280
Speaker 2: it's like, this is the sound, let me make the song,

761
00:33:26,480 --> 00:33:27,000
Speaker 2: you know what I mean.

762
00:33:27,080 --> 00:33:29,000
Speaker 1: I don't feel like offended by it, like because I'm

763
00:33:29,000 --> 00:33:31,440
Speaker 1: from both worlds, right, But it'd be like kind of

764
00:33:31,480 --> 00:33:34,600
Speaker 1: weird when when we have like a session and like

765
00:33:35,520 --> 00:33:37,680
Speaker 1: and they come and they're like, yo, can you make

766
00:33:37,720 --> 00:33:40,640
Speaker 1: it sound like that? I'm like, what you talking about? Like,

767
00:33:40,920 --> 00:33:42,880
Speaker 1: can you make it sound like this? Okay, you you've

768
00:33:42,920 --> 00:33:43,440
Speaker 1: had that happen.

769
00:33:43,760 --> 00:33:44,760
Speaker 3: Yeah, plenty of times.

770
00:33:44,880 --> 00:33:46,240
Speaker 2: Do you like cool loo guy to the side, They're like,

771
00:33:46,240 --> 00:33:49,080
Speaker 2: hey man, you got to a little appreciate what we're

772
00:33:49,120 --> 00:33:52,040
Speaker 2: doing here a little bit. Let's say some microwavableshit. Yeah,

773
00:33:52,160 --> 00:33:55,240
Speaker 2: And then I'm just happy, like the night not even

774
00:33:55,280 --> 00:33:55,960
Speaker 2: take it's changing.

775
00:33:56,400 --> 00:33:58,360
Speaker 1: And I've been in the studio, I've worked with so

776
00:33:58,480 --> 00:34:01,400
Speaker 1: many people and then and you know what I'm saying,

777
00:34:01,480 --> 00:34:04,040
Speaker 1: Like before it was like a thing to have like

778
00:34:04,320 --> 00:34:06,960
Speaker 1: American artists on your record, it'd.

779
00:34:06,680 --> 00:34:08,560
Speaker 2: Be like a big deal, a big deal. Now it's

780
00:34:08,600 --> 00:34:09,759
Speaker 2: kind of for it.

781
00:34:10,239 --> 00:34:10,799
Speaker 3: You know what I'm saying.

782
00:34:11,080 --> 00:34:12,719
Speaker 1: I don't mention names, but you know what I'm saying,

783
00:34:13,680 --> 00:34:15,400
Speaker 1: you can be in the studio vibing out with somebody,

784
00:34:15,480 --> 00:34:17,120
Speaker 1: somebody do it verse the next day they send.

785
00:34:17,000 --> 00:34:22,600
Speaker 3: You papers and boys, we're boys that you know in

786
00:34:22,719 --> 00:34:25,520
Speaker 3: the video, you gotta do that too, and you feel.

787
00:34:25,280 --> 00:34:26,120
Speaker 2: Like it's the other way around.

788
00:34:26,160 --> 00:34:29,520
Speaker 3: Now, what's up? I'm charging now? Yeah, what you need,

789
00:34:29,719 --> 00:34:30,400
Speaker 3: I'm charging now.

790
00:34:30,400 --> 00:34:33,200
Speaker 2: I'm saying my lawyers, what's the feature costing? Right now?

791
00:34:35,480 --> 00:34:39,280
Speaker 3: It's timeless, six figures hundred hundred.

792
00:34:39,360 --> 00:34:42,160
Speaker 2: If I know you, If I know you, that's the price.

793
00:34:42,560 --> 00:34:44,440
Speaker 3: If I know your hundred and that's not bad. And

794
00:34:44,520 --> 00:34:45,560
Speaker 3: then the video and then.

795
00:34:45,680 --> 00:34:48,040
Speaker 2: The video costs. That's one thing, you know, Like there's

796
00:34:48,040 --> 00:34:49,520
Speaker 2: a few guys who like I feel like, to.

797
00:34:49,560 --> 00:34:51,600
Speaker 1: Be honest, if I know that, if you do a

798
00:34:51,680 --> 00:34:53,800
Speaker 1: record and I know that you're gonna push it to

799
00:34:53,880 --> 00:34:56,279
Speaker 1: the fullest, to the fullest, and you're an artist that

800
00:34:56,360 --> 00:34:57,120
Speaker 1: I enjoy.

801
00:34:57,160 --> 00:34:58,360
Speaker 2: Like you're a fan of somebody.

802
00:34:58,560 --> 00:35:00,719
Speaker 1: I'm a fan like me and Chris be time we

803
00:35:00,800 --> 00:35:03,320
Speaker 1: get in the studio, like, I'm happy, you know what

804
00:35:03,320 --> 00:35:06,680
Speaker 1: I'm saying, Because Chris is doing a video with you,

805
00:35:06,920 --> 00:35:08,160
Speaker 1: Chris is bring you out on tour.

806
00:35:08,800 --> 00:35:10,840
Speaker 2: Chris is thinking of ideas, and he's also like our

807
00:35:11,000 --> 00:35:14,080
Speaker 2: our Michael Jackson. Yes, like I think Chris Brown's like

808
00:35:14,719 --> 00:35:17,440
Speaker 2: he's an alien for you, because I do. I do

809
00:35:17,560 --> 00:35:19,080
Speaker 2: feel like there has been a few artists who have

810
00:35:19,200 --> 00:35:21,400
Speaker 2: kind of like embraced Like I know when Castanova Free

811
00:35:21,440 --> 00:35:25,080
Speaker 2: Castanova came with to Nightgery video felt like he just died.

812
00:35:25,120 --> 00:35:27,000
Speaker 3: Little Baby cames out. He stayed in my house when

813
00:35:27,040 --> 00:35:29,120
Speaker 3: he came to a little Baby Baby was at the crib.

814
00:35:29,200 --> 00:35:32,080
Speaker 1: Yeah, he said, as the Migos came out there a

815
00:35:32,120 --> 00:35:33,640
Speaker 1: lot of people come out there for shows.

816
00:35:34,360 --> 00:35:38,200
Speaker 2: Yeah, I'm curious, like is the breaking in an artist process?

817
00:35:38,239 --> 00:35:40,000
Speaker 2: How much different is it than here? Because here it's

818
00:35:40,080 --> 00:35:43,360
Speaker 2: like obviously there's TikTok now, but you know, traditionally in

819
00:35:43,440 --> 00:35:45,799
Speaker 2: hip hop you would want to maybe catch a wave

820
00:35:45,880 --> 00:35:48,839
Speaker 2: in a strip club first, or you know there might

821
00:35:48,880 --> 00:35:50,240
Speaker 2: be no from.

822
00:35:50,120 --> 00:35:52,840
Speaker 1: Like my generation on me was like that's really like

823
00:35:53,320 --> 00:35:57,360
Speaker 1: putting out like a thousand CDs go around and club.

824
00:35:57,800 --> 00:35:59,919
Speaker 3: But now, like, shit is different.

825
00:36:00,600 --> 00:36:03,160
Speaker 1: You can be sitting somewhere in the village, you drop

826
00:36:03,239 --> 00:36:06,759
Speaker 1: a record once one thing goes viral and you you

827
00:36:06,800 --> 00:36:08,560
Speaker 1: know what I'm saying. So stuff is different now, Like

828
00:36:08,640 --> 00:36:10,800
Speaker 1: even when we're in the studio, now we're thinking like

829
00:36:11,239 --> 00:36:12,960
Speaker 1: how can we make a challenge to this song.

830
00:36:12,920 --> 00:36:15,040
Speaker 2: Like how we get the ship popping on TikTok and

831
00:36:15,080 --> 00:36:16,640
Speaker 2: then out there's Audio Max really big.

832
00:36:17,160 --> 00:36:19,160
Speaker 1: I think Audio Mac Yeah, because you know it's easy

833
00:36:19,239 --> 00:36:21,839
Speaker 1: to It's easier, it's like subscribe, you know what I'm saying.

834
00:36:21,840 --> 00:36:25,080
Speaker 1: But recently started fy Nigeria. He comes to Night Gena

835
00:36:25,160 --> 00:36:26,440
Speaker 1: and that's helped.

836
00:36:26,200 --> 00:36:26,680
Speaker 3: A lot too.

837
00:36:27,000 --> 00:36:29,560
Speaker 2: Who would you want to do a collab project with

838
00:36:29,680 --> 00:36:31,400
Speaker 2: from the States? If you could do a collab album

839
00:36:31,440 --> 00:36:31,960
Speaker 2: with anybody?

840
00:36:32,160 --> 00:36:35,920
Speaker 1: Definitely Chris. That'd be crazy. Definitely Chris. Me and Chris

841
00:36:36,000 --> 00:36:38,240
Speaker 1: got like ten songs like people ain't heard.

842
00:36:38,480 --> 00:36:41,320
Speaker 2: Ten that are just on a hard drive. Yeah, have

843
00:36:41,440 --> 00:36:43,239
Speaker 2: you guys talked about doing that? He did a thug album.

844
00:36:43,360 --> 00:36:46,520
Speaker 1: Definitely, Definitely. I go to his house after here too.

845
00:36:46,600 --> 00:36:48,920
Speaker 1: But yeah, me and Chris definitely, you know what I'm saying.

846
00:36:49,239 --> 00:36:50,640
Speaker 1: I was even meant to go on toll him.

847
00:36:51,080 --> 00:36:52,440
Speaker 3: You know what I'm saying. But we're gonna do a

848
00:36:52,480 --> 00:36:53,359
Speaker 3: lot together. Who else?

849
00:36:55,080 --> 00:37:00,040
Speaker 2: I do a record with Scissa, She's.

850
00:36:58,840 --> 00:37:00,920
Speaker 3: Really really dope for Bad Bunny too.

851
00:37:01,000 --> 00:37:01,160
Speaker 1: Man.

852
00:37:02,280 --> 00:37:07,040
Speaker 2: There is such a correlation between like reggaetone and afrobeats

853
00:37:07,040 --> 00:37:10,560
Speaker 2: because one it's just great dancing music, and I feel

854
00:37:10,600 --> 00:37:14,000
Speaker 2: like BPM wise like BPM wise, they match up so

855
00:37:14,080 --> 00:37:16,879
Speaker 2: well if you're DJing in the club. Have you done

856
00:37:16,920 --> 00:37:18,920
Speaker 2: like any shows with any like any like big reggaeton

857
00:37:19,000 --> 00:37:21,640
Speaker 2: artists anywhere? No?

858
00:37:22,280 --> 00:37:24,799
Speaker 1: Not really, but I had to showing Puerto Rico though, Yeah,

859
00:37:25,320 --> 00:37:28,479
Speaker 1: crazy crazy. I remember on the flight down maxim Names,

860
00:37:29,320 --> 00:37:31,040
Speaker 1: I was like, you sure it's going to be yo?

861
00:37:31,160 --> 00:37:31,680
Speaker 2: What it was like?

862
00:37:31,840 --> 00:37:33,799
Speaker 3: Twenty thousand people in Puerto Rico?

863
00:37:34,040 --> 00:37:35,520
Speaker 2: Yeah, Puerto Rico.

864
00:37:36,440 --> 00:37:41,360
Speaker 3: We've had Mexico reach out to. But I love performing

865
00:37:41,600 --> 00:37:42,200
Speaker 3: in the islands.

866
00:37:43,000 --> 00:37:44,520
Speaker 2: What's your favorite place to perform so far?

867
00:37:45,239 --> 00:37:45,600
Speaker 1: So far?

868
00:37:45,680 --> 00:37:49,320
Speaker 3: That was real dope, I'll say the Bahamas.

869
00:37:49,000 --> 00:37:52,120
Speaker 2: The Bahamas. Do you ever go to that crazy resort

870
00:37:52,160 --> 00:37:54,319
Speaker 2: they got there, the Atlantis resort that I obways see

871
00:37:54,320 --> 00:37:54,759
Speaker 2: it on the line.

872
00:37:54,800 --> 00:37:57,080
Speaker 3: We would like in and out, in and out records,

873
00:37:57,960 --> 00:37:58,640
Speaker 3: in and out records.

874
00:37:58,640 --> 00:37:59,920
Speaker 2: Well, look, man, the new album's out right now.

875
00:38:00,280 --> 00:38:02,400
Speaker 3: Timeless, you know what I'm saying, going crazy?

876
00:38:04,600 --> 00:38:05,600
Speaker 2: Anything else on the way.

877
00:38:06,160 --> 00:38:10,440
Speaker 3: Definitely be going on tour in July. If you can't everywhere, Nah,

878
00:38:10,480 --> 00:38:12,520
Speaker 3: we do. We spliting it up, so we do.

879
00:38:12,640 --> 00:38:13,640
Speaker 2: I want to see I want to go to it.

880
00:38:13,719 --> 00:38:14,880
Speaker 2: I want to go to a show that's not the

881
00:38:15,000 --> 00:38:17,000
Speaker 2: United States. I want to go to like, so come

882
00:38:17,120 --> 00:38:20,440
Speaker 2: to come to Nigeria. I gotta go to Nigeria. Puerto Rico, Rob,

883
00:38:21,440 --> 00:38:22,480
Speaker 2: are we going to Nigeria.

884
00:38:23,280 --> 00:38:27,440
Speaker 3: We're gonna get to December, December, December, let's go.

885
00:38:28,239 --> 00:38:31,400
Speaker 1: So the best time to come definitely, you know in December,

886
00:38:31,600 --> 00:38:33,840
Speaker 1: you know what I'm saying. She also visit Ghana too,

887
00:38:34,440 --> 00:38:34,600
Speaker 1: and I.

888
00:38:34,600 --> 00:38:35,480
Speaker 2: Heard Ghana is amazing.

889
00:38:36,400 --> 00:38:39,279
Speaker 3: So Nigeria is like New York and Ghana is like

890
00:38:39,560 --> 00:38:42,080
Speaker 3: La Like okay, calmer.

891
00:38:42,600 --> 00:38:45,560
Speaker 2: So Nigeria is like fast paced, bro, you gotta.

892
00:38:45,360 --> 00:38:47,719
Speaker 1: Be shopped if you can't, so wife, in Nigeria, you

893
00:38:47,800 --> 00:38:49,160
Speaker 1: con sof anywhere.

894
00:38:49,640 --> 00:38:50,880
Speaker 2: Ghana is more relaxed.

895
00:38:51,880 --> 00:38:53,000
Speaker 3: Yeah, kickback, you want to.

896
00:38:53,400 --> 00:38:55,359
Speaker 2: Don't kick back too much in La though, they'll rob

897
00:38:55,400 --> 00:38:59,200
Speaker 2: your ass out, I know, do you guys? Listen? Dude,

898
00:38:59,239 --> 00:39:03,279
Speaker 2: Africans claim Elon Musk because he is South African. I'm

899
00:39:03,320 --> 00:39:05,239
Speaker 2: just wondering, is it he's from Yeah, but.

900
00:39:07,760 --> 00:39:10,120
Speaker 3: That's crazy. He's got like kind of like South Africa.

901
00:39:10,480 --> 00:39:13,239
Speaker 1: I love you know Caucasians are down there, you know

902
00:39:13,280 --> 00:39:16,640
Speaker 1: what I'm saying, because you know they stayed after It's dope.

903
00:39:16,840 --> 00:39:20,799
Speaker 1: South Africa southever it looks like la It's like beautiful, Like.

904
00:39:21,840 --> 00:39:25,920
Speaker 2: Yeah, isn't it like very still kind of like separated

905
00:39:26,000 --> 00:39:28,759
Speaker 2: and like a lot of the social issues. Yeah, like

906
00:39:28,840 --> 00:39:32,359
Speaker 2: there's some yeah everywhere, some Jim Crow type ship there.

907
00:39:32,719 --> 00:39:34,680
Speaker 1: They're like two languages. I know, there's like a one

908
00:39:34,800 --> 00:39:37,719
Speaker 1: language called Afrikaans, and like it's weird, like I think,

909
00:39:38,120 --> 00:39:40,080
Speaker 1: I'm not sure it's not one hundred percent, but I

910
00:39:40,160 --> 00:39:41,920
Speaker 1: think like the black people don't speak that.

911
00:39:42,320 --> 00:39:44,680
Speaker 2: That's wow. Man, Well listen, I appreciate you pulling up.

912
00:39:44,680 --> 00:39:45,520
Speaker 2: You're definitely a legend.

913
00:39:45,520 --> 00:39:45,640
Speaker 1: Man.

914
00:39:45,640 --> 00:39:49,040
Speaker 2: There's dope to have you here. A new album out, new.

915
00:39:49,000 --> 00:39:52,600
Speaker 1: Album out, Timeless the Way tour on the way. I

916
00:39:52,680 --> 00:39:55,680
Speaker 1: got a festival in Atlanta in November. Oh ship, Yes,

917
00:39:55,800 --> 00:39:58,800
Speaker 1: I plan to do it yearly. It's called a wavefest.

918
00:39:59,320 --> 00:40:02,440
Speaker 1: Who else before I'm trying to bring okay, you bring everybody, everybody.

919
00:40:02,480 --> 00:40:04,560
Speaker 1: I'm trying to bring everybody through and have like our

920
00:40:04,600 --> 00:40:05,000
Speaker 1: own coach.

921
00:40:05,320 --> 00:40:06,000
Speaker 3: We can do every year.

922
00:40:06,120 --> 00:40:10,319
Speaker 2: Yeah. I just saw there's a big afrobeats festival I.

923
00:40:10,360 --> 00:40:12,320
Speaker 3: Think is Miami. The next one is Miami.

924
00:40:12,440 --> 00:40:15,239
Speaker 2: Okay, that's what's up. I appreciate you. Yeah, affirmation my brother.

925
00:40:15,280 --> 00:40:18,520
Speaker 2: Appreciate you, man, David. Oh hey, we got to wrap

926
00:40:18,640 --> 00:40:21,000
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927
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931
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935
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941
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943
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944
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