WEBVTT - Game Changer  (“Hell-O” S.1 E.14)

0:00:01.760 --> 0:00:05.200
<v Speaker 1>And that's what you really missed with Jenna and Kevin

0:00:05.519 --> 0:00:10.960
<v Speaker 1>an iHeartRadio podcast. Welcome to and that's what you really

0:00:11.080 --> 0:00:16.920
<v Speaker 1>missed to the back at nine of season what Season one,

0:00:17.000 --> 0:00:23.440
<v Speaker 1>Part two? Basically you, um, hello Kenn, oh hello Jenna.

0:00:23.480 --> 0:00:27.720
<v Speaker 1>I see what you did there. That's nice. This is

0:00:27.720 --> 0:00:32.760
<v Speaker 1>a recap of Hello, new Glee, New decades. This is

0:00:32.800 --> 0:00:38.040
<v Speaker 1>now into the twenty tens. Are we are doing it going?

0:00:38.080 --> 0:00:42.400
<v Speaker 1>We're crashing into the two thousand tens to usher in

0:00:42.440 --> 0:00:47.280
<v Speaker 1>a new wave of irreverent Wow, Kevin and musical I

0:00:47.280 --> 0:00:49.920
<v Speaker 1>don't know, see, I don't know I'm talking about all right.

0:00:50.000 --> 0:00:54.960
<v Speaker 1>So this this episode aired in April thirteenth, twenty ten,

0:00:55.200 --> 0:01:00.080
<v Speaker 1>so four months after um the first thirteen episodes of

0:01:00.280 --> 0:01:06.040
<v Speaker 1>Glee aired, and and a lot happened between the last episode.

0:01:06.040 --> 0:01:08.720
<v Speaker 1>In this episode. In real life for us, the number

0:01:08.760 --> 0:01:13.600
<v Speaker 1>one song was Our Girl, our halftime Super Bowl gal

0:01:13.959 --> 0:01:19.080
<v Speaker 1>Rihanna came a rub again Boys number one. I wonder

0:01:19.120 --> 0:01:22.600
<v Speaker 1>how long that stays number one? Probably a while. And

0:01:22.720 --> 0:01:24.679
<v Speaker 1>the number one movie was Clash of the Titans, which

0:01:24.720 --> 0:01:28.440
<v Speaker 1>I've never seen. I haven't seen that either. I just

0:01:28.480 --> 0:01:34.480
<v Speaker 1>remember hot guys. So during our break, Jenna, I think

0:01:34.480 --> 0:01:39.200
<v Speaker 1>These are some core life changing memories that happened. We

0:01:41.120 --> 0:01:43.960
<v Speaker 1>went to the Golden Globes for the first time. The

0:01:43.959 --> 0:01:47.880
<v Speaker 1>show was nominated, and the show reigned hard that day.

0:01:49.080 --> 0:01:52.640
<v Speaker 1>We won for Best Television Series Musical or Comedy after

0:01:52.720 --> 0:01:57.520
<v Speaker 1>only thirteen episodes big, which is crazy. We were I

0:01:57.520 --> 0:02:00.880
<v Speaker 1>think we were in shock that day. We were, but

0:02:00.920 --> 0:02:03.640
<v Speaker 1>we were also in shock. Yes, it was a really

0:02:03.640 --> 0:02:07.520
<v Speaker 1>fun night. And the Golden Globes are this thing where

0:02:07.760 --> 0:02:09.799
<v Speaker 1>everyone says it's the biggest red carpet in the world

0:02:09.840 --> 0:02:13.760
<v Speaker 1>because it's very literally very long. Yes, and everyone is

0:02:13.800 --> 0:02:18.800
<v Speaker 1>there and I remember we talked to Tom Ford and

0:02:18.919 --> 0:02:22.520
<v Speaker 1>Julia Moore, Julian Moore. It was raining that day though,

0:02:22.560 --> 0:02:25.200
<v Speaker 1>so we didn't We did like half the very long carpet.

0:02:25.240 --> 0:02:28.360
<v Speaker 1>I remember we kind of skipped it. It was a

0:02:28.480 --> 0:02:34.560
<v Speaker 1>very the most surreal, star studded, strange thing like that.

0:02:35.240 --> 0:02:37.360
<v Speaker 1>I talked to George Clooney in the bathroom. It was

0:02:37.400 --> 0:02:40.600
<v Speaker 1>so weird. It was a lot, but it was yeah,

0:02:40.680 --> 0:02:45.320
<v Speaker 1>I mean truly anything and we wonder, which was insane,

0:02:45.560 --> 0:02:47.919
<v Speaker 1>very exciting. We have these very iconic photos that shop

0:02:47.960 --> 0:02:50.760
<v Speaker 1>up when you google Glee of everybody Ryan Murphy holding

0:02:50.800 --> 0:02:54.240
<v Speaker 1>the Globe the whole Golden Globe award and all of

0:02:54.320 --> 0:02:56.640
<v Speaker 1>us like reaching out to touch it. And it was

0:02:56.720 --> 0:03:00.800
<v Speaker 1>just a really joyful evening that we partied our booties off.

0:03:01.840 --> 0:03:04.000
<v Speaker 1>Do you remember Diana freaking out when Julie Roberts came

0:03:04.080 --> 0:03:06.400
<v Speaker 1>up to the Ryan brought Julia Roberts the table and

0:03:06.440 --> 0:03:09.520
<v Speaker 1>she was fully losing it. She was making noises that

0:03:09.560 --> 0:03:14.280
<v Speaker 1>I didn't I had never heard of human making. Um.

0:03:14.400 --> 0:03:18.600
<v Speaker 1>It was crazy. And then a week later and we

0:03:18.639 --> 0:03:23.160
<v Speaker 1>won Glee one Outstanding Performance by an Ensemble in a Comedy,

0:03:23.400 --> 0:03:28.320
<v Speaker 1>and that was also awesome because that was the year

0:03:29.480 --> 0:03:34.399
<v Speaker 1>Lee Daniels was there. Julie Roberts, Um Meryl Streepe came

0:03:34.480 --> 0:03:37.920
<v Speaker 1>up to us. Remember Streep that night and she came

0:03:38.000 --> 0:03:42.400
<v Speaker 1>up to us. It was it was absolutely um jaw dropping,

0:03:43.280 --> 0:03:46.000
<v Speaker 1>like to the floor. And the SAG Awards are really

0:03:46.040 --> 0:03:49.520
<v Speaker 1>fun because they're voted on by your peers, so they

0:03:49.640 --> 0:03:56.080
<v Speaker 1>feel really meaningful, um, especially for me. I mean, I like,

0:03:56.120 --> 0:03:58.280
<v Speaker 1>I had been a SAG member since I was I

0:03:58.320 --> 0:04:01.080
<v Speaker 1>don't know, God says six or seven. I think it

0:04:01.120 --> 0:04:05.839
<v Speaker 1>was nineteen ninety one I joined sagum and I was like, oh,

0:04:05.960 --> 0:04:10.560
<v Speaker 1>I know this, like this feels familiar. Um. It was

0:04:10.680 --> 0:04:13.880
<v Speaker 1>really pretty wild. That was a really exciting one. And

0:04:13.960 --> 0:04:17.680
<v Speaker 1>we get an award, so you actually get to go

0:04:17.800 --> 0:04:20.560
<v Speaker 1>home with an award versus like, could you ever want anything?

0:04:20.600 --> 0:04:22.880
<v Speaker 1>Like I had never won anything in my life. No,

0:04:23.000 --> 0:04:24.919
<v Speaker 1>I think I want an ice skating contest in my

0:04:25.000 --> 0:04:28.160
<v Speaker 1>third grade and I want to us stuffed cow like

0:04:28.839 --> 0:04:31.560
<v Speaker 1>that was more than I was shocked that we won,

0:04:31.680 --> 0:04:34.640
<v Speaker 1>and it was already I don't know who like figured

0:04:34.640 --> 0:04:36.760
<v Speaker 1>it out, but we knew Jane would speak on behalf

0:04:36.760 --> 0:04:40.000
<v Speaker 1>of all of us, that's right obviously, And I remember

0:04:40.000 --> 0:04:41.760
<v Speaker 1>her being like, get out of the way, kids, let

0:04:41.760 --> 0:04:45.080
<v Speaker 1>me up, I'm going like all business. My dad. Remember

0:04:45.200 --> 0:04:48.080
<v Speaker 1>I brought my dad as my like plus one and

0:04:48.160 --> 0:04:50.479
<v Speaker 1>he was like screaming and shocked. Oh my goodness, so

0:04:50.600 --> 0:04:53.960
<v Speaker 1>much UM and those after parties crazy dance in the

0:04:54.080 --> 0:05:00.880
<v Speaker 1>night away And then in April of tw two and ten,

0:05:01.480 --> 0:05:04.760
<v Speaker 1>we went on the Oprah Winfrey Show and in the

0:05:04.880 --> 0:05:09.120
<v Speaker 1>same weekend we sang um the White House Lawn at

0:05:09.120 --> 0:05:12.159
<v Speaker 1>the Easter egg Roll. It was a big weekend for us,

0:05:12.800 --> 0:05:15.960
<v Speaker 1>it really was, and it was Oprah was so crazy

0:05:16.040 --> 0:05:19.520
<v Speaker 1>because they built a set for us like mimicking ye

0:05:20.600 --> 0:05:24.080
<v Speaker 1>remember walking in and being like, oh, this is our

0:05:24.200 --> 0:05:29.159
<v Speaker 1>choir room. Yes. It was very weird. And I don't

0:05:29.160 --> 0:05:31.080
<v Speaker 1>even know if we realized at the time, like what

0:05:31.160 --> 0:05:33.760
<v Speaker 1>a big deal that was for them to do. Like

0:05:33.760 --> 0:05:36.320
<v Speaker 1>shows don't just do that. Even Oprah even like changed

0:05:36.360 --> 0:05:40.719
<v Speaker 1>her logo to like mimic the Glee one. And I

0:05:40.720 --> 0:05:42.920
<v Speaker 1>remember we just wanted our names to be called out

0:05:42.960 --> 0:05:48.120
<v Speaker 1>in the famous like Oprah way like Jenna, she did it.

0:05:48.400 --> 0:05:51.240
<v Speaker 1>And then let's go to the Easter egg roll because

0:05:51.400 --> 0:05:56.479
<v Speaker 1>we fled a DC and we have sound check. Um

0:05:56.600 --> 0:06:00.480
<v Speaker 1>actually on Easter Sunday, I believe it wasn't that yes,

0:06:00.640 --> 0:06:03.920
<v Speaker 1>and there was nobody else there, so you see like

0:06:03.960 --> 0:06:07.919
<v Speaker 1>the Obama's I think it was Michelle's first ladies family

0:06:08.000 --> 0:06:12.080
<v Speaker 1>up on the balcony. Haven't a nice peaceful day and

0:06:12.120 --> 0:06:13.960
<v Speaker 1>we're all just hanging out in the lawn like there's

0:06:14.000 --> 0:06:16.719
<v Speaker 1>nobody around. It's us and Sarah Burrellas and their dog

0:06:17.000 --> 0:06:19.800
<v Speaker 1>Bo Yeah, comes running up to us and we're like, oh, right,

0:06:19.839 --> 0:06:23.320
<v Speaker 1>this is his backyard. Yeah. And I remember like sitting

0:06:23.360 --> 0:06:27.440
<v Speaker 1>in sound check like our own little private Sarah Barella's concert, right,

0:06:27.520 --> 0:06:31.640
<v Speaker 1>I was gagging for also, I justgging. I would just

0:06:31.680 --> 0:06:34.240
<v Speaker 1>like to make a side note, I was not the

0:06:34.240 --> 0:06:36.800
<v Speaker 1>most gigantic Sarah Barella's fan at the time. Not I

0:06:36.800 --> 0:06:39.200
<v Speaker 1>didn't like her, I just wasn't. I didn't know. Yeah,

0:06:40.760 --> 0:06:48.200
<v Speaker 1>she has the most incredible voice live. It is insane.

0:06:48.279 --> 0:06:49.760
<v Speaker 1>I mean she just wanted gram Me for the Into

0:06:49.760 --> 0:06:56.120
<v Speaker 1>the Woods Cash recording. She is so unbelievably good. Like

0:06:56.200 --> 0:06:59.000
<v Speaker 1>I am fully a fan for life. She sounds great

0:06:59.000 --> 0:07:01.640
<v Speaker 1>on her records. There's something different about seeing her live

0:07:02.000 --> 0:07:04.479
<v Speaker 1>that's so interesting. I don't think it translates, like the

0:07:04.560 --> 0:07:08.800
<v Speaker 1>power and like technical ye savvy of how good she

0:07:08.960 --> 0:07:14.840
<v Speaker 1>is does not necessarily like always come through on a recording. Wow. Um,

0:07:14.960 --> 0:07:19.000
<v Speaker 1>well that's my two cents. Stop there. I was Do

0:07:19.080 --> 0:07:21.160
<v Speaker 1>you remember all the people we met that day too?

0:07:21.800 --> 0:07:26.880
<v Speaker 1>Like Amber sang the national anthem. We met from the

0:07:26.920 --> 0:07:31.000
<v Speaker 1>balcony and I recorded it from her phone, and I

0:07:31.080 --> 0:07:34.280
<v Speaker 1>remember thinking like, this is the greatest moment of my life. Truly.

0:07:34.400 --> 0:07:37.160
<v Speaker 1>We all s right below the balcony, and it was

0:07:37.320 --> 0:07:41.480
<v Speaker 1>crazy that like Barack and Michelle were our Amber fans. Yeah,

0:07:41.520 --> 0:07:45.160
<v Speaker 1>they were. Like we went back to perform, and Michelle

0:07:45.240 --> 0:07:48.280
<v Speaker 1>came with her mom to watch Amber sing home and

0:07:48.360 --> 0:07:53.560
<v Speaker 1>sang along to every single word. It was. It was

0:07:53.640 --> 0:07:57.640
<v Speaker 1>so surreal. I remember we met. I did not remember this,

0:07:57.680 --> 0:08:01.000
<v Speaker 1>but we met Rhese Weatherspoon. Yes, and I ran into

0:08:01.040 --> 0:08:03.360
<v Speaker 1>her like a year or two later. She was at

0:08:03.360 --> 0:08:06.559
<v Speaker 1>dinner with Gwyneth and Cameron, Diaz and Ryan and Brad

0:08:06.600 --> 0:08:10.720
<v Speaker 1>and Ian and I went around introducing myself to all

0:08:10.720 --> 0:08:14.920
<v Speaker 1>of them and Reese by this Moon goes, we've met before. Oh,

0:08:14.920 --> 0:08:18.680
<v Speaker 1>I go, oh, we have? She like, Yep, we have.

0:08:19.520 --> 0:08:21.720
<v Speaker 1>And I turned to Harry again. Harry's always there at

0:08:21.760 --> 0:08:25.000
<v Speaker 1>my most awkward moments of my entire life, and he's

0:08:25.000 --> 0:08:32.679
<v Speaker 1>like the White House, so dumb Sarah was there. We

0:08:32.760 --> 0:08:37.439
<v Speaker 1>met Elmo. We met, Um did meet Elmo. It was

0:08:37.480 --> 0:08:39.160
<v Speaker 1>a lot, there was. There was a lot going on

0:08:39.200 --> 0:08:42.520
<v Speaker 1>that day, but um, it was a pretty All the

0:08:42.559 --> 0:08:45.160
<v Speaker 1>Fox executives were there. It was a big deal. Obviously,

0:08:45.640 --> 0:08:52.840
<v Speaker 1>let's get into this episode. But this episode is, you know,

0:08:53.040 --> 0:08:57.240
<v Speaker 1>fairly straightforward in a lot of ways, because what it

0:08:57.240 --> 0:09:01.600
<v Speaker 1>feels like to me is a re introduction to the

0:09:01.640 --> 0:09:06.520
<v Speaker 1>American people. Because now we've become this sort of massive hit.

0:09:07.000 --> 0:09:11.960
<v Speaker 1>And when this episode airs, our viewership increased almost fifty Wow.

0:09:13.720 --> 0:09:16.800
<v Speaker 1>We jump from eight something million to almost fourteen million

0:09:17.040 --> 0:09:19.760
<v Speaker 1>people and Ian even says it in the intro. It's

0:09:19.800 --> 0:09:21.319
<v Speaker 1>like if you lived in a cave or just got

0:09:21.320 --> 0:09:24.480
<v Speaker 1>out of prison and don't know what Glee is. Basically like,

0:09:24.840 --> 0:09:27.560
<v Speaker 1>this is what it is. And so you sort of

0:09:27.559 --> 0:09:30.920
<v Speaker 1>get into the same storylines of the league club needs

0:09:30.920 --> 0:09:33.040
<v Speaker 1>to win or Fagins isn't going to give us funding,

0:09:33.800 --> 0:09:37.480
<v Speaker 1>the Rachel and Finn of it, all, the shoe and

0:09:37.840 --> 0:09:43.000
<v Speaker 1>Emma like, you know, there's a lot of um, you know,

0:09:43.480 --> 0:09:49.040
<v Speaker 1>recycled ideas that we've sort of gotten through already. But

0:09:49.440 --> 0:09:54.040
<v Speaker 1>here we go, Here we go. This isn't my favorite episode. Um,

0:09:55.640 --> 0:09:58.240
<v Speaker 1>you know, I think we do struggle with the first

0:09:58.280 --> 0:10:01.880
<v Speaker 1>episodes back. Agreed, And I will say I think first

0:10:01.880 --> 0:10:05.319
<v Speaker 1>episodes back there's a very high expectation that I have

0:10:06.080 --> 0:10:09.080
<v Speaker 1>and I feel like my expectation is so high that

0:10:09.120 --> 0:10:12.760
<v Speaker 1>there's just no way you're ever going to reach it. Um.

0:10:12.800 --> 0:10:16.360
<v Speaker 1>And it's also like getting into like it's an exposition too, right,

0:10:16.440 --> 0:10:19.360
<v Speaker 1>it's a reintroductions. Okay, I'm gonna stop talking now and

0:10:19.440 --> 0:10:21.160
<v Speaker 1>let's just do it. Because there's a lot going on.

0:10:21.440 --> 0:10:24.800
<v Speaker 1>We have half the half the Frozen cast in this episode.

0:10:24.960 --> 0:10:27.480
<v Speaker 1>John Graff comes into Jesse Saint James, who's going to

0:10:27.559 --> 0:10:31.079
<v Speaker 1>be um in quite a few episodes in these back nine.

0:10:32.120 --> 0:10:35.560
<v Speaker 1>And then we have a dNaM and Zell who will

0:10:35.600 --> 0:10:38.040
<v Speaker 1>also be in quite a few episodes as Shelby Corkran,

0:10:38.120 --> 0:10:42.200
<v Speaker 1>who is the coach of Vocal Adrenaline, being in twelve episodes.

0:10:42.280 --> 0:10:47.120
<v Speaker 1>I didn't know there were yeah, oh my goodness. Um, well, yeah,

0:10:47.120 --> 0:10:49.800
<v Speaker 1>there's a big storyline going on with that. And then

0:10:50.200 --> 0:10:55.360
<v Speaker 1>they are both obviously in Frozen um. And and then

0:10:55.480 --> 0:10:59.040
<v Speaker 1>we get into the craziness. So there's a lot of

0:10:59.040 --> 0:11:01.199
<v Speaker 1>songs in this episode as well. And if you notice

0:11:01.240 --> 0:11:06.280
<v Speaker 1>there here's five bigger artists. We have the Beatles, ACDC,

0:11:06.520 --> 0:11:13.000
<v Speaker 1>Neil Diamond, the Doors. Yeah, we were clearly had maybe

0:11:13.000 --> 0:11:15.440
<v Speaker 1>some of the power to get some of these songs

0:11:15.480 --> 0:11:19.920
<v Speaker 1>now and more money. Okay, So what's this episode about Jenna? Oh? Okay,

0:11:19.960 --> 0:11:23.400
<v Speaker 1>So when Rachel and Finn's budding romance hits a bump

0:11:23.400 --> 0:11:27.960
<v Speaker 1>in the road, Um, it's because she becomes involved with

0:11:28.679 --> 0:11:32.560
<v Speaker 1>Jesse Saint James, who was a competitor and in Vocal Adrenaline,

0:11:32.600 --> 0:11:36.000
<v Speaker 1>and it threatens to do real the entire glee club

0:11:36.160 --> 0:11:41.800
<v Speaker 1>at McKinley High. Mister Schuster pays a visit to Shelby Corkran,

0:11:41.880 --> 0:11:46.560
<v Speaker 1>who is obviously the vocal coach of UM Vocal Adrenaline.

0:11:46.640 --> 0:11:51.480
<v Speaker 1>The vocal coach of Vocal Adrenaline. Yeah, and mister she

0:11:51.800 --> 0:11:59.319
<v Speaker 1>is going there to confirm Jesse's motives, which she's like, uh, deny.

0:12:00.280 --> 0:12:07.000
<v Speaker 1>And Will is single, but he obviously loves Emma, so

0:12:07.520 --> 0:12:12.080
<v Speaker 1>there's that. And then Sue Sylvester returns from her condo

0:12:12.160 --> 0:12:18.280
<v Speaker 1>and voca obviously with a renewed focus. I'm destroying Will

0:12:18.400 --> 0:12:22.480
<v Speaker 1>and the glee club. So basically, Will just has a

0:12:22.480 --> 0:12:26.160
<v Speaker 1>lot of things about to happen to him. That's what

0:12:26.200 --> 0:12:37.760
<v Speaker 1>it sounds like. That's great. Okay, start us off, Kevin,

0:12:37.800 --> 0:12:41.200
<v Speaker 1>What's okay? What's going on in this first scene? So

0:12:41.920 --> 0:12:45.480
<v Speaker 1>the kids are back coming off this high of winning sectionals.

0:12:46.360 --> 0:12:48.640
<v Speaker 1>You see like Mercedes and Rachel and Kurt walking on

0:12:48.720 --> 0:12:51.760
<v Speaker 1>the hallway like, yes, we did it. We're about to

0:12:51.800 --> 0:12:54.520
<v Speaker 1>be cool, and then what do you know, a good

0:12:54.520 --> 0:12:58.360
<v Speaker 1>old slushy straight to the face for the three of them.

0:12:58.760 --> 0:13:02.800
<v Speaker 1>Welcome to Loser Town. Yeah, just to remind everyone, this

0:13:02.840 --> 0:13:05.720
<v Speaker 1>show is about the losers and just because they want sectionals,

0:13:06.160 --> 0:13:12.200
<v Speaker 1>nobody cares. As Kaola has said, nobody cares at all,

0:13:12.240 --> 0:13:15.920
<v Speaker 1>And I think it's a rude awakening for everyone because

0:13:16.000 --> 0:13:18.160
<v Speaker 1>you know, they as much as they try to find it,

0:13:18.200 --> 0:13:22.040
<v Speaker 1>they want to be popular. And then we get into

0:13:22.160 --> 0:13:26.679
<v Speaker 1>this Will and Emma thing is like sort of cute

0:13:27.120 --> 0:13:30.240
<v Speaker 1>scene where they're sitting across from each other in Emma's office,

0:13:30.440 --> 0:13:35.120
<v Speaker 1>you know, for the first time as an item, basically, yeah,

0:13:35.480 --> 0:13:38.720
<v Speaker 1>and Will wants to kiss her and she's like, no,

0:13:38.840 --> 0:13:42.840
<v Speaker 1>I need to, like, you know, go get clean. And

0:13:43.440 --> 0:13:47.560
<v Speaker 1>it's a very adorable scene. Her cute little um briefcase,

0:13:47.640 --> 0:13:50.200
<v Speaker 1>clear seat seat through briefcase with like all of her

0:13:50.280 --> 0:13:55.839
<v Speaker 1>hygiene and yeah, um my favorite. She says. Yeah. By

0:13:56.120 --> 0:13:58.360
<v Speaker 1>last time you caught me by a surprise sneak attack.

0:13:58.440 --> 0:14:02.679
<v Speaker 1>That time it was a per white harbor. Oh god.

0:14:05.000 --> 0:14:10.520
<v Speaker 1>There also are a lot of cringe like not good,

0:14:10.600 --> 0:14:14.080
<v Speaker 1>not age well jokes in here. Yeah, and we're also

0:14:14.120 --> 0:14:17.720
<v Speaker 1>just like maybe mean okay. And so then Will says

0:14:17.800 --> 0:14:20.640
<v Speaker 1>you should come for a date at my place to

0:14:20.720 --> 0:14:23.880
<v Speaker 1>get the monkeys off their backs and really reintroduce themselves

0:14:23.880 --> 0:14:26.200
<v Speaker 1>to each other. And he says he can cook, and

0:14:26.240 --> 0:14:29.240
<v Speaker 1>then this sort of weird there's a lot you don't

0:14:29.280 --> 0:14:30.680
<v Speaker 1>know about me, and I can't wait to show it

0:14:30.680 --> 0:14:34.360
<v Speaker 1>to you, like that sort of thing that Emma gets

0:14:34.360 --> 0:14:37.280
<v Speaker 1>excited by it. She does, she's charmed by it. By it,

0:14:37.360 --> 0:14:43.920
<v Speaker 1>I was shivering, but you know she's charmed. So here

0:14:43.960 --> 0:14:48.000
<v Speaker 1>we are. Emma is flustered. Um, and she gets a

0:14:48.000 --> 0:14:51.480
<v Speaker 1>little like, you know, hot and bothered. So this date

0:14:51.960 --> 0:14:56.080
<v Speaker 1>is at Will's apartment and they are dancy to Neil

0:14:56.120 --> 0:15:00.520
<v Speaker 1>Diamonds Hello again, and Will is singing to her, which is,

0:15:01.000 --> 0:15:02.920
<v Speaker 1>if somebody did that to me, I would punch them

0:15:02.960 --> 0:15:06.000
<v Speaker 1>in the face. But yeah, it's not me, so not

0:15:06.200 --> 0:15:10.680
<v Speaker 1>my story. Will says, this is the perfect song for us.

0:15:11.280 --> 0:15:14.200
<v Speaker 1>See he's known this girl for so long, but they've

0:15:14.200 --> 0:15:16.080
<v Speaker 1>just been friends and now he's calling her up to

0:15:16.080 --> 0:15:18.800
<v Speaker 1>tell her he once more was sort of inspired by

0:15:18.840 --> 0:15:25.080
<v Speaker 1>my Hello assignment to the kids, right obviously, okay, And

0:15:25.120 --> 0:15:27.360
<v Speaker 1>then they start kissing and an Emma reveal she's never

0:15:27.400 --> 0:15:31.760
<v Speaker 1>been intimate, which sets us up for next episode. But man,

0:15:32.640 --> 0:15:36.160
<v Speaker 1>and she she wants to find someone who won't reject

0:15:36.160 --> 0:15:39.480
<v Speaker 1>her because of her problems, and Will understands. And they

0:15:39.480 --> 0:15:41.680
<v Speaker 1>watch a movie and it's just sort of like this,

0:15:42.520 --> 0:15:47.000
<v Speaker 1>you know, like it's that weird, it's cute, and you're

0:15:47.040 --> 0:15:48.680
<v Speaker 1>like Oh, he's so understanding. But it's like, is this

0:15:48.720 --> 0:15:52.880
<v Speaker 1>going to be an issue? And they watch Armageddon again?

0:15:53.480 --> 0:15:56.280
<v Speaker 1>Is this like if this is the first date? Also,

0:15:56.640 --> 0:16:00.240
<v Speaker 1>how did they already watch Armageddon? There's some weird timeline things. Hell,

0:16:00.720 --> 0:16:03.200
<v Speaker 1>but here's the thing. I think this wasn't their first date,

0:16:03.640 --> 0:16:07.240
<v Speaker 1>but I think that this is their reintroduction to each other.

0:16:07.280 --> 0:16:10.360
<v Speaker 1>So it's like a new first date. So that's what

0:16:10.400 --> 0:16:13.800
<v Speaker 1>they would fight again some things. There are weird things,

0:16:14.040 --> 0:16:16.480
<v Speaker 1>Sue come It's like the school also had a break,

0:16:17.480 --> 0:16:19.360
<v Speaker 1>Like Glee was off the air for four months, but

0:16:19.680 --> 0:16:22.280
<v Speaker 1>the school also went on break, which is would it

0:16:22.280 --> 0:16:25.200
<v Speaker 1>felt like because Emma and Will hadn't seen each other.

0:16:26.360 --> 0:16:29.480
<v Speaker 1>Sue has gone to Boca and come back already, right,

0:16:29.720 --> 0:16:33.200
<v Speaker 1>so like we've gone on a break and they've gone

0:16:33.200 --> 0:16:35.760
<v Speaker 1>on a break for some reason. Maybe it was, you know,

0:16:35.800 --> 0:16:38.920
<v Speaker 1>like a spring or fall break. Like also, Emma just

0:16:38.960 --> 0:16:41.000
<v Speaker 1>has her job back and we're just not even going

0:16:41.040 --> 0:16:43.520
<v Speaker 1>to talk about that. No, we're not keep the beginning

0:16:43.560 --> 0:16:48.160
<v Speaker 1>of the inconsistencies. But here we here we go. Yeah, okay,

0:16:48.160 --> 0:16:52.800
<v Speaker 1>so next the next date, this is exciting. We see

0:16:52.840 --> 0:16:55.840
<v Speaker 1>Emma setting Will's dining room table. She's gone over to

0:16:55.880 --> 0:17:00.600
<v Speaker 1>surprise Will and as she does, who walk scene but

0:17:01.200 --> 0:17:04.520
<v Speaker 1>Terry and we get to see Jesscelyn again, which we

0:17:04.520 --> 0:17:07.480
<v Speaker 1>thought this was the end, but it's not. And she

0:17:07.560 --> 0:17:11.879
<v Speaker 1>compliments Emma and then insults her in the same sentence, saying,

0:17:11.920 --> 0:17:15.480
<v Speaker 1>this is a beautiful table. Meticulous. Really, I guess being

0:17:15.480 --> 0:17:19.000
<v Speaker 1>crazy has its benefits, and this is very exciting to

0:17:19.000 --> 0:17:21.199
<v Speaker 1>see the two of them in a scene together for

0:17:21.240 --> 0:17:24.120
<v Speaker 1>the first time. They're very good. They are very good.

0:17:24.240 --> 0:17:27.160
<v Speaker 1>I know we say that a lot, but I love it.

0:17:27.160 --> 0:17:30.080
<v Speaker 1>It's an acting class. So Emma obviously just like I'm

0:17:30.119 --> 0:17:35.960
<v Speaker 1>surprising Will and Terry thinks that she is loving this,

0:17:36.080 --> 0:17:38.720
<v Speaker 1>but Emma says that she likes Will getting a second

0:17:38.800 --> 0:17:43.080
<v Speaker 1>chance at happiness. So I love that. When Emma's like,

0:17:43.160 --> 0:17:44.520
<v Speaker 1>why are you here, She's like, I need to get

0:17:44.520 --> 0:17:48.760
<v Speaker 1>the rest of my Bruckheimer DVDs. I love that. But

0:17:48.840 --> 0:17:51.359
<v Speaker 1>when she does that, she discovers the DVD of the

0:17:51.440 --> 0:17:54.840
<v Speaker 1>Jazz singer. Also, it's so weird seeing DVDs. I know,

0:17:55.680 --> 0:17:58.000
<v Speaker 1>I feel like it really ages it does it Like

0:17:58.040 --> 0:18:02.000
<v Speaker 1>nobody really has like smartphone or anything. But seeing the

0:18:02.080 --> 0:18:06.199
<v Speaker 1>DVD says and it felt normal at the time, And

0:18:06.280 --> 0:18:09.840
<v Speaker 1>then she sees the jazz singer and she's like, oh, interesting,

0:18:09.840 --> 0:18:12.359
<v Speaker 1>who's is this And Emma's like, oh, it's I brought

0:18:12.400 --> 0:18:17.840
<v Speaker 1>it over and then drops a little nugget because she says, oh, you,

0:18:17.880 --> 0:18:20.080
<v Speaker 1>poor girl, don't bother sleeping with my husband tonight. You're

0:18:20.119 --> 0:18:23.120
<v Speaker 1>already screwed. Hello was our prom song. But I doubt

0:18:23.160 --> 0:18:25.439
<v Speaker 1>we'll remember. He goes to the market for milk and

0:18:25.440 --> 0:18:27.920
<v Speaker 1>comes back with a pack of gum. So it sets

0:18:28.040 --> 0:18:33.400
<v Speaker 1>up this whole you know, seed of doubt. Yep. It's

0:18:33.400 --> 0:18:37.600
<v Speaker 1>also you know, starting to mirror again. Finn and will

0:18:37.640 --> 0:18:41.040
<v Speaker 1>have similar situations. It's not the first time this has

0:18:41.080 --> 0:18:43.320
<v Speaker 1>happened going on in the Romantic Lives, which is a

0:18:43.359 --> 0:18:47.800
<v Speaker 1>little weird for student teacher, that's right. Hum. And then

0:18:48.119 --> 0:18:51.240
<v Speaker 1>you know, Terry can just leave. She has to leave

0:18:51.280 --> 0:18:56.080
<v Speaker 1>Emma with a little um crooked spoon. Uh, not a

0:18:56.119 --> 0:19:00.320
<v Speaker 1>crooked sonum. She licks the spoon right and then says, sorry, no,

0:19:00.440 --> 0:19:02.919
<v Speaker 1>she does. She does. She flicks it. She liked it

0:19:02.960 --> 0:19:05.479
<v Speaker 1>for some reason. She's just flicking okay, And then she's like,

0:19:05.920 --> 0:19:07.560
<v Speaker 1>if you don't believe me about her song, just go

0:19:07.640 --> 0:19:11.080
<v Speaker 1>check that year's Thunderclap. And so it's like you know,

0:19:11.440 --> 0:19:16.840
<v Speaker 1>do is she gonna go do it? But then she does,

0:19:17.600 --> 0:19:19.840
<v Speaker 1>she does, she has to check. I mean I would

0:19:19.880 --> 0:19:26.439
<v Speaker 1>have to check too. Yeah, And then Will says the

0:19:26.480 --> 0:19:28.080
<v Speaker 1>next day to Emma that it was like a ghost

0:19:28.160 --> 0:19:33.359
<v Speaker 1>was in his apartment and laid out her romantic me. Yeah, okay,

0:19:33.359 --> 0:19:36.800
<v Speaker 1>so I'm gonna checks out thunderclap obviously the picture we

0:19:36.880 --> 0:19:40.760
<v Speaker 1>see Will or Will sees the picture of his junior

0:19:40.760 --> 0:19:44.760
<v Speaker 1>prom and Emma says, like, I went to your apartment,

0:19:44.840 --> 0:19:47.560
<v Speaker 1>but Terry Terry was there and she told me about

0:19:47.600 --> 0:19:50.320
<v Speaker 1>the prom song, and of course Will didn't remember the

0:19:50.359 --> 0:19:53.800
<v Speaker 1>prom song, and so I was like, um, okay, I

0:19:53.800 --> 0:19:56.520
<v Speaker 1>see what's happening here goes into guidance counselor mode and

0:19:56.520 --> 0:20:00.480
<v Speaker 1>it's like he's repeating the same patterns with just a

0:20:00.520 --> 0:20:04.600
<v Speaker 1>different gal. And Emma and says, how is you compromising yourself?

0:20:04.600 --> 0:20:07.359
<v Speaker 1>Am I crazy? Any different than you doing it for hers?

0:20:09.400 --> 0:20:14.159
<v Speaker 1>So she suggests he gets to know himself again and

0:20:14.760 --> 0:20:17.119
<v Speaker 1>because he hasn't known himself since he was fifteen, and

0:20:17.200 --> 0:20:21.320
<v Speaker 1>he agrees, and then Emma says, can you go now?

0:20:21.359 --> 0:20:23.520
<v Speaker 1>I think I need to close the Tory crap right

0:20:26.200 --> 0:20:33.240
<v Speaker 1>very jamo cute, Yes, but Meanwhile, Will also has this

0:20:33.320 --> 0:20:38.840
<v Speaker 1>other thing happening. So we start with Figgins and Will

0:20:39.119 --> 0:20:41.720
<v Speaker 1>and Figgins office, and then all of a sudden, who's

0:20:41.760 --> 0:20:48.800
<v Speaker 1>there but Sue Sylvester. She's back. She's been reinstated because

0:20:49.200 --> 0:20:53.840
<v Speaker 1>she's blackmailed Figgins and convinced him that they had intimate

0:20:54.320 --> 0:20:59.399
<v Speaker 1>relations when they probably did not. And it's sort of

0:20:59.400 --> 0:21:02.200
<v Speaker 1>like starting this whole thing over, you know. Figgins is like, well,

0:21:02.880 --> 0:21:05.199
<v Speaker 1>the whole deal was it wasn't six sectionals you had

0:21:05.240 --> 0:21:08.560
<v Speaker 1>to place first that it was regionals and our electricity

0:21:08.600 --> 0:21:11.080
<v Speaker 1>bill has gone up two percent. I do like Matt's

0:21:11.119 --> 0:21:15.400
<v Speaker 1>reaction to that, and he's like, huh, like okay, um.

0:21:16.440 --> 0:21:19.120
<v Speaker 1>And Sue's there to, you know, obviously bring him down

0:21:19.119 --> 0:21:22.040
<v Speaker 1>and destroy him again. Um. And so we sort of

0:21:22.119 --> 0:21:28.680
<v Speaker 1>start this whole hands on wheel again in motion again. Yeah, Sue,

0:21:28.680 --> 0:21:31.479
<v Speaker 1>all of a sudden, his back makes a couple you know,

0:21:31.880 --> 0:21:36.080
<v Speaker 1>intro jokes about Will's hair and true fashion. It didn't

0:21:36.080 --> 0:21:38.640
<v Speaker 1>it feel like almost like it was like a bit

0:21:38.680 --> 0:21:42.520
<v Speaker 1>of a nod sort of or like caricature of like

0:21:42.560 --> 0:21:45.960
<v Speaker 1>what had been happening in the first thirteen episodes. Maybe

0:21:46.000 --> 0:21:47.760
<v Speaker 1>like all of a sudden, it's like let's throw in

0:21:47.840 --> 0:21:52.840
<v Speaker 1>some hair jokes. We're gonna reamp all this thing. I

0:21:52.880 --> 0:21:56.239
<v Speaker 1>do laugh at the hair jokes, and David was like,

0:21:56.600 --> 0:22:00.640
<v Speaker 1>you really like the hair jokes. And I think they're

0:22:00.680 --> 0:22:03.000
<v Speaker 1>funny because I think it's I don't know, I just

0:22:03.280 --> 0:22:06.080
<v Speaker 1>it's a recurring thing. And I do like the little

0:22:06.160 --> 0:22:09.880
<v Speaker 1>like the little whip to Sue and Figgins in bed

0:22:10.000 --> 0:22:12.760
<v Speaker 1>and she it's like, I happen to know there's nothing

0:22:12.760 --> 0:22:15.879
<v Speaker 1>you only whip cream off of. And then when you

0:22:15.920 --> 0:22:18.400
<v Speaker 1>get to the whip thing, she gets out of bed

0:22:18.400 --> 0:22:23.320
<v Speaker 1>and she's in her full track suit of course. Um,

0:22:24.119 --> 0:22:28.959
<v Speaker 1>and Will's is flipping out because she was suspended, and

0:22:29.080 --> 0:22:33.720
<v Speaker 1>Figgins is like, well, the point of suspension is reinstatement.

0:22:34.240 --> 0:22:38.840
<v Speaker 1>So nextum, we seek Sue cutting off a boy's ponytail

0:22:38.880 --> 0:22:41.800
<v Speaker 1>in the hallway, which is what we know is real. Yes,

0:22:41.880 --> 0:22:45.600
<v Speaker 1>because Jane had referenced that in her interview in our podcast,

0:22:45.680 --> 0:22:49.120
<v Speaker 1>and she I was like, oh, now I remember this.

0:22:49.880 --> 0:22:51.960
<v Speaker 1>I was confused when she talked about it Perfect Time

0:22:52.119 --> 0:22:55.399
<v Speaker 1>podcast and Sue says, there, you no longer confuse me

0:22:55.440 --> 0:22:58.000
<v Speaker 1>with your shemale looks. I'm going to donate to this

0:22:58.160 --> 0:23:00.800
<v Speaker 1>to the victims of her kinktrie know they can use

0:23:00.840 --> 0:23:02.920
<v Speaker 1>it to plug holes in their trailers. None of that

0:23:03.440 --> 0:23:08.040
<v Speaker 1>is good. None of that is good. So just clock

0:23:08.160 --> 0:23:12.880
<v Speaker 1>that for cringe, um and we'll you know, then goes

0:23:12.960 --> 0:23:14.959
<v Speaker 1>up to Sue and wants to know how she managed

0:23:15.000 --> 0:23:20.280
<v Speaker 1>to get reinstated, and Sue admits to behaving poorly and

0:23:20.359 --> 0:23:24.520
<v Speaker 1>this riddled with remorse. Um, so of course she arranged

0:23:24.560 --> 0:23:32.159
<v Speaker 1>a dinner with Figgins for a professional sit down like

0:23:32.200 --> 0:23:36.840
<v Speaker 1>this whole thing. Yeah, yeah, yeah, she she basically is

0:23:36.880 --> 0:23:40.400
<v Speaker 1>blackmailing him again and it's um, it's not good, it's

0:23:40.480 --> 0:23:44.240
<v Speaker 1>not good. And of course now we have shirtless Figgins

0:23:44.280 --> 0:23:49.280
<v Speaker 1>in this whole whip and finally yeah, yeah, yeah yeah,

0:23:49.280 --> 0:23:52.000
<v Speaker 1>so and then we'll like, look, let's just bear the

0:23:52.040 --> 0:23:59.320
<v Speaker 1>hatchet and she's like absolutely not um, and she says

0:23:59.320 --> 0:24:02.720
<v Speaker 1>she's not gonna stop until Glee Club is annihilated into oblivion.

0:24:03.840 --> 0:24:07.200
<v Speaker 1>And then again, yeah, there we are. We're going for it.

0:24:07.440 --> 0:24:12.200
<v Speaker 1>So this is the one that I laughed about and

0:24:12.400 --> 0:24:14.879
<v Speaker 1>I think it's really funny. And I don't know if

0:24:14.920 --> 0:24:19.720
<v Speaker 1>it doesn't edge well, but I think it's funny. Sue said, no,

0:24:19.880 --> 0:24:21.640
<v Speaker 1>what else I'm going to bring? I'm going to bring

0:24:21.720 --> 0:24:24.080
<v Speaker 1>some Asian cookery to rub your head with, because right

0:24:24.119 --> 0:24:26.880
<v Speaker 1>now you have enough product in your hair to seasonal. Yeah,

0:24:26.960 --> 0:24:32.520
<v Speaker 1>I just think that was that was pretty good. Um

0:24:33.880 --> 0:24:38.520
<v Speaker 1>So now she has pressure from Figgins and Sue, and

0:24:38.640 --> 0:24:41.000
<v Speaker 1>so he's like, all right, it's time to get to work. Yep.

0:24:42.040 --> 0:24:44.800
<v Speaker 1>And then we get in time, we get into our

0:24:44.920 --> 0:24:47.080
<v Speaker 1>lesson for the Glee Club. She goes back to the

0:24:47.160 --> 0:24:49.400
<v Speaker 1>Glee Club and it's like, hello, what are you say?

0:24:49.440 --> 0:24:54.400
<v Speaker 1>Any answer the phone? And then Chris saying no, she's dead.

0:24:54.480 --> 0:24:57.840
<v Speaker 1>This is her son is so good, but also like

0:24:58.040 --> 0:25:02.520
<v Speaker 1>why hello? Why? Why Hello? I don't know, Sally, I'm

0:25:02.560 --> 0:25:06.800
<v Speaker 1>not sure. It feels like there was a note from

0:25:06.880 --> 0:25:12.440
<v Speaker 1>the studio to yeah, like look, this is gonna have

0:25:12.480 --> 0:25:14.199
<v Speaker 1>a big launch when we come back. It's like we're

0:25:14.280 --> 0:25:17.159
<v Speaker 1>launching it like another season because we didn't do a

0:25:17.200 --> 0:25:22.359
<v Speaker 1>whole new photoshoot for it. And yeah, I'm wondering if

0:25:22.400 --> 0:25:24.359
<v Speaker 1>that's what this was. And then I get that because

0:25:24.400 --> 0:25:26.440
<v Speaker 1>it's like, let's just sort of give him everyone the

0:25:26.480 --> 0:25:29.600
<v Speaker 1>greatest hits of like what's you know? Hello was good

0:25:29.680 --> 0:25:32.920
<v Speaker 1>enough to have Adele make a comeback, so you know,

0:25:33.040 --> 0:25:35.680
<v Speaker 1>maybe there's something to it. I don't right, all right, so,

0:25:36.359 --> 0:25:38.240
<v Speaker 1>and they were like, Okay, if there's enough songs with

0:25:38.359 --> 0:25:41.239
<v Speaker 1>the title Hello in it, so let's do it. Um.

0:25:41.760 --> 0:25:45.680
<v Speaker 1>So we're going with that theory that we have to reintroduce. Um.

0:25:45.920 --> 0:25:50.240
<v Speaker 1>Will's a schooly club assignment is Hello, and he's sort

0:25:50.280 --> 0:25:51.760
<v Speaker 1>of fired up because of this whole thig in thing.

0:25:51.800 --> 0:25:53.840
<v Speaker 1>And he's like, look, just because we want sectionals, that

0:25:53.960 --> 0:25:56.159
<v Speaker 1>doesn't mean that it's going to make any difference in

0:25:56.200 --> 0:25:58.439
<v Speaker 1>our day today at school. And Rachel's like, yep, because

0:25:58.920 --> 0:26:01.159
<v Speaker 1>I have a sushy steam training brought to prove it

0:26:01.400 --> 0:26:05.240
<v Speaker 1>at the straight pace. Um, we all look a little

0:26:05.280 --> 0:26:09.400
<v Speaker 1>bit better at this point. Yes, everybody's looking a bit

0:26:09.520 --> 0:26:12.080
<v Speaker 1>more glamorous. Scarf I had too. I think it was

0:26:12.080 --> 0:26:14.439
<v Speaker 1>the most expensive thing I had already had warned up

0:26:14.440 --> 0:26:16.240
<v Speaker 1>at that point. It was remember being from Barneys, and

0:26:16.280 --> 0:26:20.960
<v Speaker 1>it was like a several hundred dollars scarf that obviously Yeah.

0:26:21.840 --> 0:26:24.639
<v Speaker 1>Um so mister she wants to reinvent it, wants us

0:26:24.680 --> 0:26:27.159
<v Speaker 1>to reinvent ourselves and so we can be bigger and

0:26:27.280 --> 0:26:29.760
<v Speaker 1>better at regionals. And so he assigns the glee club

0:26:29.880 --> 0:26:32.199
<v Speaker 1>to come up with a fresh number, but it has

0:26:32.240 --> 0:26:36.680
<v Speaker 1>to have Hello in it. But um. At the same time, mister,

0:26:36.800 --> 0:26:41.640
<v Speaker 1>she is trying to reinvent the Gleee Club because Sue

0:26:41.760 --> 0:26:45.120
<v Speaker 1>is obviously plotting her revenge while on her elliptical machine,

0:26:45.200 --> 0:26:49.639
<v Speaker 1>saying you two should be wedding yourselves with shame. Is

0:26:49.680 --> 0:26:51.680
<v Speaker 1>this the first time we actually see her on the

0:26:51.760 --> 0:26:53.960
<v Speaker 1>elliptical like doing it? Or is that I feel like

0:26:54.000 --> 0:26:56.399
<v Speaker 1>we did in season one? We probably early season one.

0:26:56.640 --> 0:26:59.359
<v Speaker 1>There's there's a couple more, Um, I think we have

0:26:59.480 --> 0:27:02.600
<v Speaker 1>seen her on it, but we in this episode, as

0:27:02.640 --> 0:27:06.840
<v Speaker 1>a general note, we do see several more, several more Yep,

0:27:08.080 --> 0:27:11.359
<v Speaker 1>we see more sets. There's more things going on. There's

0:27:11.560 --> 0:27:14.480
<v Speaker 1>you know, been a little increase in the budget. Clearly,

0:27:15.840 --> 0:27:18.399
<v Speaker 1>sorry I interrupted. You go back to what she was saying, No,

0:27:18.520 --> 0:27:21.880
<v Speaker 1>it's fine, um. And then Sue says something no coach

0:27:21.920 --> 0:27:26.200
<v Speaker 1>should ever say, Classic Glee Club one sectionals, and you

0:27:26.280 --> 0:27:28.840
<v Speaker 1>did nothing to stop it. If you were Samurai and

0:27:28.960 --> 0:27:31.000
<v Speaker 1>my letter opener were sharp enough, I would ask you

0:27:31.119 --> 0:27:34.720
<v Speaker 1>both right now to commit sapuku in Japanese that this

0:27:35.160 --> 0:27:39.200
<v Speaker 1>means ritual belly slidding in I do love that She's like, turnaround,

0:27:40.200 --> 0:27:43.959
<v Speaker 1>you have to turn around, it's wild. And then Brittany

0:27:44.040 --> 0:27:46.359
<v Speaker 1>has these great one liners in this episode where she

0:27:46.440 --> 0:27:50.080
<v Speaker 1>says we were seduced by the glamor of showbase. There

0:27:50.200 --> 0:27:53.160
<v Speaker 1>was a lot of good Santana and Brittany in this episode. Yes,

0:27:53.400 --> 0:27:57.879
<v Speaker 1>like foundational stuff. That's grazy. Um and I do love

0:27:57.920 --> 0:28:01.280
<v Speaker 1>her really light dumbbells that you know who uses. Oh yes,

0:28:02.119 --> 0:28:05.480
<v Speaker 1>probably even later because they're probably plastic. Yeah that, and

0:28:05.600 --> 0:28:09.240
<v Speaker 1>she her whole plan now is again mess Glee Club

0:28:09.280 --> 0:28:11.280
<v Speaker 1>by messing with Rachel. By messing with Rachel, she wants

0:28:11.320 --> 0:28:15.159
<v Speaker 1>to break up Finn and Rachel, right, and so she

0:28:15.320 --> 0:28:18.960
<v Speaker 1>sets them on a path they go forth and break

0:28:19.040 --> 0:28:22.800
<v Speaker 1>them up. Yep. And that brings us to the next

0:28:22.880 --> 0:28:27.240
<v Speaker 1>problem for Shoe, which is Rachel and Finn Yep. Basketball

0:28:27.720 --> 0:28:31.439
<v Speaker 1>when and quarries arm tattoo that he has the tribal

0:28:31.520 --> 0:28:34.240
<v Speaker 1>arm tattoo that he hates. He it's covered up in

0:28:34.400 --> 0:28:37.360
<v Speaker 1>the basketball scene, but it's poorly covered up like it's

0:28:37.600 --> 0:28:39.640
<v Speaker 1>he must the makeup must have been melting off, and

0:28:40.200 --> 0:28:42.840
<v Speaker 1>you know it's it's hard to cover up big tattoos

0:28:42.920 --> 0:28:46.040
<v Speaker 1>like that, so um, you could see it looks like

0:28:46.080 --> 0:28:48.880
<v Speaker 1>he has a really big bruise around his arm. Um.

0:28:49.600 --> 0:28:52.600
<v Speaker 1>And now that football's over, we see obviously the basketball

0:28:52.640 --> 0:28:57.560
<v Speaker 1>team and Finn is on it, and you know, we

0:28:57.760 --> 0:29:00.640
<v Speaker 1>hear an inner monologue from Finn say that he really

0:29:01.000 --> 0:29:04.120
<v Speaker 1>hopes basketball season give me a fresh start. And he's

0:29:04.120 --> 0:29:07.960
<v Speaker 1>suppressed coming off of baby gate um, which he should

0:29:08.000 --> 0:29:10.440
<v Speaker 1>be because he's been through a lot, but he admits

0:29:10.480 --> 0:29:15.240
<v Speaker 1>he still has feelings for Quinn and um, he wishes

0:29:15.280 --> 0:29:17.680
<v Speaker 1>he can be more like a coach Tanaka where he

0:29:17.720 --> 0:29:19.880
<v Speaker 1>says he pulled at Jessica Simpson, you know, he lost

0:29:19.920 --> 0:29:22.760
<v Speaker 1>his fiance game forty pounds and stopped showering, and everyone

0:29:22.840 --> 0:29:29.200
<v Speaker 1>acts like it's totally normal. Horriball. That's that's really bad wearriball. Yeah,

0:29:30.040 --> 0:29:33.560
<v Speaker 1>but the more you know, we've learned, we've learned it's

0:29:33.600 --> 0:29:36.479
<v Speaker 1>not a different time. Um. So Finn has a new

0:29:36.880 --> 0:29:39.840
<v Speaker 1>obviously has a new girlfriend and Rachel and she's wearing

0:29:39.880 --> 0:29:44.360
<v Speaker 1>a team. Finn's teasing it. Yeah, she's really going in

0:29:44.480 --> 0:29:47.440
<v Speaker 1>and his and her calendars that she makes and so

0:29:48.040 --> 0:29:51.720
<v Speaker 1>she's like the crazy girlfriend that nobody wants because she's

0:29:51.720 --> 0:29:54.880
<v Speaker 1>gotten everything she wanted, right like they wont sectionals. She

0:29:55.000 --> 0:29:59.200
<v Speaker 1>got a boy, a boy, and so game on. But

0:29:59.400 --> 0:30:02.560
<v Speaker 1>Finn is like not himself and she's doing all the

0:30:02.680 --> 0:30:05.040
<v Speaker 1>things she made, you know, a calendar, made all this

0:30:05.160 --> 0:30:08.800
<v Speaker 1>cans for and she yeah, and he's he doesn't know,

0:30:09.520 --> 0:30:12.640
<v Speaker 1>he's getting steamrolled, basically, and it's like I don't even

0:30:12.720 --> 0:30:15.960
<v Speaker 1>know if I want her to be my girlfriend. But

0:30:16.760 --> 0:30:19.960
<v Speaker 1>you know, so mister Shoe sees what's sort of going on,

0:30:20.640 --> 0:30:23.240
<v Speaker 1>and it's like, let me help you out. You know,

0:30:24.040 --> 0:30:25.800
<v Speaker 1>you don't need to be depressed, because, just like me,

0:30:26.400 --> 0:30:28.480
<v Speaker 1>you have the old version of you that made some

0:30:28.560 --> 0:30:30.920
<v Speaker 1>bad choices and ignore all the signs. But now you

0:30:31.000 --> 0:30:34.640
<v Speaker 1>can be sort of a more interesting person with experience.

0:30:35.240 --> 0:30:39.160
<v Speaker 1>And so he brings it to the auditorium and wants

0:30:39.240 --> 0:30:41.840
<v Speaker 1>him to sing a song with Hello in it, and

0:30:42.080 --> 0:30:43.760
<v Speaker 1>I love I remember watching this for the first time.

0:30:43.760 --> 0:30:46.200
<v Speaker 1>I inquired, being like, oh, that's why the band's here,

0:30:46.760 --> 0:30:50.760
<v Speaker 1>and they're just totally ready. I mean, this sort of

0:30:50.800 --> 0:30:56.040
<v Speaker 1>feels like a weird shoehorned in song. Yeah, there's a

0:30:56.080 --> 0:30:58.600
<v Speaker 1>few of those. It's nice to see Corey perform, but

0:30:59.080 --> 0:31:01.760
<v Speaker 1>it's like, well, I mean I love any number where

0:31:01.800 --> 0:31:04.600
<v Speaker 1>it's like the quarterback and the cheerios and the whole thing.

0:31:04.720 --> 0:31:07.200
<v Speaker 1>Like it's very sexy and fun and you know, like

0:31:07.960 --> 0:31:10.120
<v Speaker 1>he gets to live out his little rockstar dreams and

0:31:10.480 --> 0:31:12.520
<v Speaker 1>you know, we get to see more Britney and Santana

0:31:12.600 --> 0:31:16.440
<v Speaker 1>and beautiful dancers that are our friends. Um. But yeah,

0:31:16.440 --> 0:31:18.400
<v Speaker 1>it feels like a little bit of a shoehorn and

0:31:18.520 --> 0:31:20.920
<v Speaker 1>I like this number. Corey sounds really good doing numbers

0:31:20.920 --> 0:31:23.360
<v Speaker 1>like this. What comes after this is the best part

0:31:23.520 --> 0:31:27.760
<v Speaker 1>because Britney and Santana are on their mission. They clinch

0:31:28.520 --> 0:31:31.520
<v Speaker 1>pinkies and they go off to get Finn and it

0:31:31.680 --> 0:31:33.480
<v Speaker 1>is so good. So they asked him to go on

0:31:33.560 --> 0:31:35.720
<v Speaker 1>a date at Breadsticks. Is this the first time we're

0:31:35.720 --> 0:31:39.160
<v Speaker 1>at Breadsticks? Yes, it is exactly Okay, so we are.

0:31:39.760 --> 0:31:44.680
<v Speaker 1>Bread was not another set. Bread on the Paramount lot

0:31:44.720 --> 0:31:50.760
<v Speaker 1>where we shot Breadsticks was com or like a cafeteria,

0:31:50.800 --> 0:31:55.720
<v Speaker 1>basically a nice cafeteria where people could eat. And so

0:31:56.360 --> 0:31:58.800
<v Speaker 1>when we would go to Breadsticks, it would always be

0:31:59.240 --> 0:32:02.160
<v Speaker 1>the last of the night because it had to close

0:32:02.520 --> 0:32:06.640
<v Speaker 1>so they didn't have to close everyone, which has dozens

0:32:06.680 --> 0:32:10.080
<v Speaker 1>of shows and people working. Yeah, they'd go there all day. Um,

0:32:10.680 --> 0:32:12.200
<v Speaker 1>so every time we go to Breadsticks, we'd be like,

0:32:12.240 --> 0:32:14.000
<v Speaker 1>oh my god, we're gonna be here forever. And so

0:32:14.360 --> 0:32:17.240
<v Speaker 1>we hated Breadsticks, but some of the best scenes have

0:32:17.320 --> 0:32:19.560
<v Speaker 1>come out of breadsticks. And there was always a joke

0:32:19.680 --> 0:32:24.400
<v Speaker 1>with um our ads Leo Leo. When we'd make a

0:32:24.480 --> 0:32:26.000
<v Speaker 1>joke like oh it's been a long day, we're about

0:32:26.000 --> 0:32:28.800
<v Speaker 1>to wrap, they would yell our, we're on a breadstick,

0:32:29.040 --> 0:32:32.360
<v Speaker 1>We're going to breadsticks. We're moving to breadsticks. So the

0:32:32.440 --> 0:32:35.880
<v Speaker 1>collective groan of like, oh that breadsticks? All right. So

0:32:36.080 --> 0:32:39.320
<v Speaker 1>Rachel n confronts Finn about what those um, those two

0:32:39.400 --> 0:32:43.600
<v Speaker 1>little canoodling gals are up to, and in Finn's like nothing, nothing,

0:32:43.720 --> 0:32:49.959
<v Speaker 1>they just um just he lies tied the time. Um.

0:32:50.720 --> 0:32:52.360
<v Speaker 1>And then he tells her he doesn't want to be

0:32:52.480 --> 0:32:58.520
<v Speaker 1>his boyfriend her boyfriend, and she's like oh god, and

0:32:58.920 --> 0:33:03.280
<v Speaker 1>she's very upset, a scorn woman. And um. We go

0:33:03.480 --> 0:33:07.080
<v Speaker 1>to the choir room again and here's another Hi you

0:33:07.120 --> 0:33:11.240
<v Speaker 1>Shoe wore number. It gives you hellum that Rachel sings,

0:33:11.440 --> 0:33:14.200
<v Speaker 1>I don't like the song, like I don't like the

0:33:14.360 --> 0:33:16.800
<v Speaker 1>song so like it was hard for me to watch

0:33:17.760 --> 0:33:20.960
<v Speaker 1>um and it was I was like, we had it's

0:33:20.960 --> 0:33:25.760
<v Speaker 1>also not Hello, it's it's got a current song and yeah,

0:33:26.600 --> 0:33:29.520
<v Speaker 1>and again mister Shoe's like, okay, well that's not Hello,

0:33:29.760 --> 0:33:31.760
<v Speaker 1>that's hell and she's like I was focusing on the

0:33:31.800 --> 0:33:35.760
<v Speaker 1>first syllable, so it's mad, yeah, which is funny. This

0:33:35.920 --> 0:33:38.600
<v Speaker 1>is the Big League's guys. And then we meet Jesse

0:33:38.720 --> 0:33:42.240
<v Speaker 1>Satan James. Yes we do, Yes, we have a question.

0:33:42.440 --> 0:33:45.760
<v Speaker 1>So this is the public library. It's not the school

0:33:45.800 --> 0:33:49.920
<v Speaker 1>library now, yes, exactly, this is a different library. And

0:33:50.040 --> 0:33:52.080
<v Speaker 1>they think they shot it at a real library if

0:33:52.120 --> 0:33:57.640
<v Speaker 1>I remember remember correctly. Um, and we meet John Graff here, Yeah,

0:33:58.040 --> 0:34:02.160
<v Speaker 1>he pops up. So I was toxing with John yesterday

0:34:02.320 --> 0:34:06.120
<v Speaker 1>about this episode. He's on his like crazy press tour

0:34:06.200 --> 0:34:09.000
<v Speaker 1>for his new movie. She'd go see it in my

0:34:09.080 --> 0:34:12.319
<v Speaker 1>Shamalan movie, and he was like, oh my god, I'm

0:34:12.360 --> 0:34:15.320
<v Speaker 1>having so many flashbacks. Just briefly thinking about the first episode.

0:34:15.360 --> 0:34:17.640
<v Speaker 1>I remember being so nervous in that library with Leah,

0:34:17.960 --> 0:34:20.400
<v Speaker 1>even though we had sunk together a million times. It

0:34:20.520 --> 0:34:23.040
<v Speaker 1>was so different with cameras and extras and everything, which

0:34:23.040 --> 0:34:24.640
<v Speaker 1>I thought was so cute because like, that must have

0:34:24.680 --> 0:34:29.399
<v Speaker 1>been so cool for them to get to do this together. Yep.

0:34:29.600 --> 0:34:31.720
<v Speaker 1>And now the show was a huge hit because obviously

0:34:31.840 --> 0:34:34.160
<v Speaker 1>they were both the leads of Spring Awakening on Broadway

0:34:34.640 --> 0:34:37.359
<v Speaker 1>and they came straight from there to hear Leah did

0:34:38.000 --> 0:34:42.480
<v Speaker 1>and this is So when I was in Spring Awakening

0:34:42.560 --> 0:34:45.440
<v Speaker 1>and I had just joined the cast, which Leah was

0:34:45.520 --> 0:34:47.560
<v Speaker 1>still in at the time, and we've obviously known each

0:34:47.560 --> 0:34:49.520
<v Speaker 1>other since we were very little, Leah brought me in

0:34:49.560 --> 0:34:51.600
<v Speaker 1>her dressing room and was like, you have to meet everybody,

0:34:51.680 --> 0:34:53.880
<v Speaker 1>and like kind of like it was showing me the

0:34:54.000 --> 0:34:56.799
<v Speaker 1>ropes and she's like, oh, you have to meet dad.

0:34:57.160 --> 0:35:00.799
<v Speaker 1>Come meet Dad. And I'm like, dad and in walks

0:35:00.880 --> 0:35:02.600
<v Speaker 1>John grow for the first time, and I didn't know

0:35:02.680 --> 0:35:04.759
<v Speaker 1>who he was, but he was just so lovely and

0:35:04.840 --> 0:35:07.120
<v Speaker 1>I'm like, oh, they must be dating. I literally thought

0:35:07.120 --> 0:35:10.160
<v Speaker 1>they were dating. And um, we always called them mom

0:35:10.200 --> 0:35:13.920
<v Speaker 1>and dad at work, and so mom and Dad, we're

0:35:14.000 --> 0:35:17.440
<v Speaker 1>back together. The band was all back together. So it

0:35:17.600 --> 0:35:21.000
<v Speaker 1>was really funny to watch them work together on this

0:35:21.560 --> 0:35:24.960
<v Speaker 1>um and it's really cute. It's very John Groff to

0:35:25.040 --> 0:35:28.880
<v Speaker 1>be nervous. Yes, I was watching it. I was trying

0:35:28.920 --> 0:35:31.560
<v Speaker 1>to in my head. It's not coming off as nervous,

0:35:31.640 --> 0:35:35.560
<v Speaker 1>you know, it's so good. So Jesse Saint James isn't nervous. Um.

0:35:35.640 --> 0:35:38.640
<v Speaker 1>So this is the beginning of Saint Mary, which y'all

0:35:38.680 --> 0:35:45.959
<v Speaker 1>have tagged as um uh. The relationship. Yes, and Jesse

0:35:46.360 --> 0:35:51.080
<v Speaker 1>automatically immediately insults Rachel by saying her don't under my

0:35:51.120 --> 0:35:55.400
<v Speaker 1>pride was flawed and like, which I think brings, you know,

0:35:55.480 --> 0:35:59.879
<v Speaker 1>pulls her in. And then they very promptly get into

0:36:00.080 --> 0:36:04.399
<v Speaker 1>a musical number Hello by Lionel Richie, which is very good.

0:36:04.800 --> 0:36:08.319
<v Speaker 1>It was very good. Um, But also, why is there

0:36:08.320 --> 0:36:11.560
<v Speaker 1>a piano in the library? Right? I don't know. It's

0:36:11.600 --> 0:36:13.960
<v Speaker 1>one of those things. We're just gonna yeah, And then

0:36:14.040 --> 0:36:16.440
<v Speaker 1>they make a date and they're going to see each

0:36:16.440 --> 0:36:19.719
<v Speaker 1>other on Friday night. And then we get to the

0:36:19.840 --> 0:36:27.279
<v Speaker 1>scene of all scenes, yes, the Britanna scene with thin

0:36:27.480 --> 0:36:32.640
<v Speaker 1>at breadsticks where they are eating and this is one

0:36:32.680 --> 0:36:34.320
<v Speaker 1>of the best. This is one of the greatest scenes

0:36:34.520 --> 0:36:40.560
<v Speaker 1>in Glee. I think, right, it's iconic. It's iconic. So

0:36:41.239 --> 0:36:44.439
<v Speaker 1>Santana is gonna ask tell the waitress that the food

0:36:44.560 --> 0:36:46.320
<v Speaker 1>was bad even though they've eaten it all, and that

0:36:46.440 --> 0:36:50.560
<v Speaker 1>they need to send it back, and Brittany said that

0:36:50.600 --> 0:36:57.920
<v Speaker 1>there was a mouse and hers um and then Santana says,

0:36:59.280 --> 0:37:02.120
<v Speaker 1>I think that war girlfriend of his is dragging down

0:37:02.239 --> 0:37:05.120
<v Speaker 1>his rep I mean, if he were dating say popular

0:37:05.200 --> 0:37:07.560
<v Speaker 1>pretty girl, it's like us, you would go from dumpty

0:37:07.600 --> 0:37:10.920
<v Speaker 1>smoke in just fully talking about ranking the guys at

0:37:10.960 --> 0:37:14.360
<v Speaker 1>school and talking about Finn like he's not there, and

0:37:14.480 --> 0:37:17.640
<v Speaker 1>then there he is, and he's like, can you include

0:37:17.640 --> 0:37:22.600
<v Speaker 1>me in the conversation. She's like, let me break this

0:37:22.640 --> 0:37:24.520
<v Speaker 1>down for you. You buy his dinner, we make out

0:37:24.520 --> 0:37:26.000
<v Speaker 1>in front of you. That's the best deal ever. And

0:37:26.080 --> 0:37:27.640
<v Speaker 1>then basically just like, can you go wait in the

0:37:27.680 --> 0:37:31.160
<v Speaker 1>car and leave your credit card? And he does, and

0:37:31.280 --> 0:37:33.600
<v Speaker 1>then we get the most iconic line of all time.

0:37:35.640 --> 0:37:38.160
<v Speaker 1>Brittany turns to Santana and she says, did you know

0:37:38.280 --> 0:37:41.520
<v Speaker 1>that dolphins are just gay sharks? And that was definitely

0:37:41.520 --> 0:37:44.520
<v Speaker 1>an Ian line for sure, that was absolutely Ian and

0:37:44.680 --> 0:37:47.759
<v Speaker 1>that's been printed on shirts. So I think that's one

0:37:47.840 --> 0:37:51.960
<v Speaker 1>of Brittany's most famous lines ever. Oh, I mean not

0:37:52.080 --> 0:37:55.239
<v Speaker 1>only Brittany, it's one of the most famous, if not

0:37:55.360 --> 0:38:00.399
<v Speaker 1>the most. It is definitely brilliant. And that makes Finn

0:38:00.480 --> 0:38:03.279
<v Speaker 1>realize that he wants to date Rachel and not be

0:38:03.440 --> 0:38:09.279
<v Speaker 1>with you know, other girls. Right, So Rachel says that

0:38:09.440 --> 0:38:12.879
<v Speaker 1>she's met somebody and it's a boy who's finally worthy

0:38:12.920 --> 0:38:14.840
<v Speaker 1>of her talent and love, and Finn questions Sue, and

0:38:14.880 --> 0:38:18.040
<v Speaker 1>obviously we know that Jesse Seams James, and so Finn

0:38:18.160 --> 0:38:20.080
<v Speaker 1>tries the reason why they're saying it's suspicious how they

0:38:20.160 --> 0:38:22.719
<v Speaker 1>make it to regionals and suddenly like the fathead of

0:38:23.280 --> 0:38:26.839
<v Speaker 1>you know, their main competitor, like is date it wants

0:38:26.880 --> 0:38:29.960
<v Speaker 1>to date her and she's fair fair point yeah, and

0:38:30.120 --> 0:38:35.680
<v Speaker 1>Rachel's like no, like no, and um, Finn tells mister shoe.

0:38:36.600 --> 0:38:42.600
<v Speaker 1>So meanwhile, Brittany and Santana tells Sue that they failed,

0:38:43.000 --> 0:38:46.040
<v Speaker 1>but they do mention this whole Jesse and Rachel thing,

0:38:46.560 --> 0:38:51.840
<v Speaker 1>right and and and then she was like, yes, this

0:38:52.000 --> 0:38:54.759
<v Speaker 1>might be easier than we thought, and we're going to

0:38:54.840 --> 0:38:59.840
<v Speaker 1>take take them down. And so Will is obviously concerned

0:39:00.000 --> 0:39:02.799
<v Speaker 1>about Rachel and Jesse, and so he goes to talk

0:39:02.840 --> 0:39:04.920
<v Speaker 1>to the head of Vocal Adrenaline, which ends up being

0:39:05.000 --> 0:39:07.800
<v Speaker 1>Shelby Corkoran, which we know is Adina Manzel, and we

0:39:08.000 --> 0:39:13.800
<v Speaker 1>watch Highway to Hill, which is a wild number. Also,

0:39:14.280 --> 0:39:19.400
<v Speaker 1>Gruff sounds great, insane. His voice is so high. I

0:39:19.560 --> 0:39:23.200
<v Speaker 1>love when you say that his voice is very high,

0:39:23.320 --> 0:39:27.320
<v Speaker 1>and he sounds amazing. He sounds great up there. I

0:39:27.440 --> 0:39:32.400
<v Speaker 1>love it. And also like they really do pull all

0:39:32.440 --> 0:39:34.800
<v Speaker 1>the stops out at Vocal for a Vocal Adrenaline, like

0:39:34.840 --> 0:39:37.400
<v Speaker 1>we're doing pyro at rehearsal. I love that shot of

0:39:37.480 --> 0:39:40.040
<v Speaker 1>just the fire silently going off and Will being like

0:39:40.320 --> 0:39:43.399
<v Speaker 1>what and g said? And then Shelby's like, stop, please,

0:39:43.440 --> 0:39:47.280
<v Speaker 1>dear God, stop seriously, guys. It's like washing beige paint dry.

0:39:48.719 --> 0:39:53.080
<v Speaker 1>You know, she has this Shelby has this funny thing

0:39:53.360 --> 0:39:58.160
<v Speaker 1>of she's saying he's insulting things, but is not mean

0:39:58.760 --> 0:40:01.400
<v Speaker 1>in her presentation of it, and also just makes you

0:40:01.480 --> 0:40:04.000
<v Speaker 1>want to believe her. And I feel like that plays

0:40:04.040 --> 0:40:08.680
<v Speaker 1>into like her entired yes storyline coming yes, that's right.

0:40:09.719 --> 0:40:13.400
<v Speaker 1>So you know, She's like, are you are you spying

0:40:13.480 --> 0:40:16.200
<v Speaker 1>on us? And Will's like, are you spying on us?

0:40:16.640 --> 0:40:20.560
<v Speaker 1>Um with Jesse Saint James, and she's and Shelby's like, noted,

0:40:21.040 --> 0:40:23.400
<v Speaker 1>you know, I don't. I don't stand for any funny business.

0:40:23.640 --> 0:40:26.560
<v Speaker 1>But Jesse's a good kid. And the heart wants what

0:40:26.680 --> 0:40:30.279
<v Speaker 1>the heart wants, and what does the heart want? Will

0:40:30.360 --> 0:40:34.080
<v Speaker 1>and Shelby making out Will's couch. Why is Will? Will's

0:40:34.080 --> 0:40:38.239
<v Speaker 1>got like a a turnstile going through his house. He's

0:40:38.280 --> 0:40:42.120
<v Speaker 1>just got over there. He does well. He is really single,

0:40:42.320 --> 0:40:47.760
<v Speaker 1>he is newly single, and he's making and Shelby asks

0:40:47.840 --> 0:40:51.000
<v Speaker 1>if he's gay because most of us show acquired directors.

0:40:51.040 --> 0:40:52.920
<v Speaker 1>He makes out, she makes out with her gay welcome

0:40:52.920 --> 0:40:58.200
<v Speaker 1>to my life, and um, he will obviously gives her

0:40:58.239 --> 0:41:00.840
<v Speaker 1>the rundown of like you know his is divorced and

0:41:01.040 --> 0:41:04.440
<v Speaker 1>how a mess he is, and and then this becomes

0:41:04.480 --> 0:41:07.520
<v Speaker 1>like a therapy session where Shelby's like, okay, so reintroduce

0:41:07.600 --> 0:41:11.560
<v Speaker 1>yourself to yourself. So which is what he told Finn

0:41:11.640 --> 0:41:19.440
<v Speaker 1>to do for himself, which recycling the storyline. Yeah, so, um,

0:41:19.800 --> 0:41:24.759
<v Speaker 1>not everyone, not everyone knows about Rachel and Jesse. Well

0:41:24.840 --> 0:41:27.160
<v Speaker 1>now they do. Oh no, I'm sorry, now everyone does.

0:41:27.440 --> 0:41:30.120
<v Speaker 1>But um, and this is the scene where all of

0:41:30.200 --> 0:41:33.000
<v Speaker 1>us approach her and we're like Kurtz has cut the

0:41:33.080 --> 0:41:41.920
<v Speaker 1>butter Benedict arm and um, we're Sad's is like, okay,

0:41:42.040 --> 0:41:44.200
<v Speaker 1>we're not saying the dude is playing you, but you

0:41:44.280 --> 0:41:47.000
<v Speaker 1>know he's playing you. And leave it to Chris with

0:41:47.080 --> 0:41:50.640
<v Speaker 1>his communic timing to make this hit so well, it's

0:41:50.640 --> 0:41:53.799
<v Speaker 1>also like you you either dump him, will you stay

0:41:53.800 --> 0:41:55.799
<v Speaker 1>with him in league glee club or we'll all quick

0:41:55.880 --> 0:42:02.399
<v Speaker 1>glee club. Everyone's replaceable exactly. And this threat, we think

0:42:02.600 --> 0:42:04.720
<v Speaker 1>would have worked if she if Sue didn't get Britany

0:42:04.760 --> 0:42:11.160
<v Speaker 1>and Santa and Santana to round up mustache sporting teenage

0:42:11.200 --> 0:42:14.120
<v Speaker 1>girls with clandular conditions to make the McKinley High Old

0:42:14.200 --> 0:42:17.320
<v Speaker 1>Maids Club and then invite Rachel to it. And obviously

0:42:17.440 --> 0:42:19.719
<v Speaker 1>Lawrence Ziss is there and tells Rachel that she fell

0:42:19.760 --> 0:42:22.279
<v Speaker 1>for a boy and on the wrestling squad and she

0:42:22.520 --> 0:42:24.719
<v Speaker 1>was like, you know, her team wouldn't go for it,

0:42:24.840 --> 0:42:29.279
<v Speaker 1>so she's like, chose the wrestling team. But now she

0:42:29.400 --> 0:42:31.279
<v Speaker 1>spends her Friday nights making out with her cat. And

0:42:32.120 --> 0:42:37.239
<v Speaker 1>that was Ashley Think at her, you know, just the

0:42:37.320 --> 0:42:41.480
<v Speaker 1>beginning of Ashley Think making us laugh. Oh yeah. This

0:42:41.680 --> 0:42:44.800
<v Speaker 1>is also like right before this too, there is some

0:42:45.040 --> 0:42:47.799
<v Speaker 1>sort of foreshadowing because and Rachel's trying to defend her

0:42:47.880 --> 0:42:50.000
<v Speaker 1>thing being like, well, well may not be true love,

0:42:50.040 --> 0:42:51.759
<v Speaker 1>but like what if we are, And then you know,

0:42:52.560 --> 0:42:55.879
<v Speaker 1>things happen. And then after this meeting, which is also

0:42:56.680 --> 0:43:00.680
<v Speaker 1>another classroom. Look, we're in another classroom, right, there's new

0:43:00.760 --> 0:43:03.759
<v Speaker 1>things happening. So Rachel's convinced, right, She's like, I gotta

0:43:03.760 --> 0:43:05.520
<v Speaker 1>be with I gotta be with a guy. I'm not

0:43:05.600 --> 0:43:08.239
<v Speaker 1>gonna end up an old maid. She needs to be

0:43:08.400 --> 0:43:14.480
<v Speaker 1>more narcissistic, and she goes to Jesse. She goes to

0:43:14.560 --> 0:43:17.719
<v Speaker 1>vocal adrenalines We're back a vocal adrenaline and there's this

0:43:17.920 --> 0:43:23.000
<v Speaker 1>like very big spotlight shows up on her and she

0:43:23.560 --> 0:43:26.560
<v Speaker 1>wants to know if he's playing her, because it'll be

0:43:26.600 --> 0:43:28.520
<v Speaker 1>the kind of heartbreak that girls like her holds onto

0:43:28.560 --> 0:43:35.040
<v Speaker 1>the rest of her lives. And he introduces himself to

0:43:35.200 --> 0:43:37.359
<v Speaker 1>her as the real Jesse, the guy who's nuts about her,

0:43:38.160 --> 0:43:42.200
<v Speaker 1>and they kiss and then we see this very sly

0:43:42.840 --> 0:43:47.760
<v Speaker 1>look that John Groth gives to Shelby Cortgren, who's standing

0:43:47.800 --> 0:43:50.919
<v Speaker 1>in the wings, very crouperly. So obviously we know there's

0:43:51.600 --> 0:43:58.800
<v Speaker 1>lots of shit going on, excuse my language, and so

0:43:59.120 --> 0:44:02.719
<v Speaker 1>Rachel's obviously not gonna end this, but she's not going

0:44:02.880 --> 0:44:07.880
<v Speaker 1>to tell anybody. And let's just say this. This is

0:44:07.960 --> 0:44:12.920
<v Speaker 1>her fifth guy in fourteen episodes. So she's really on

0:44:12.960 --> 0:44:15.000
<v Speaker 1>the way around. Her and Will are really just making

0:44:15.040 --> 0:44:19.560
<v Speaker 1>their way around. She's busy, yeah she is. And then

0:44:19.600 --> 0:44:22.160
<v Speaker 1>she lies to Finn and she's like, I ended it.

0:44:22.280 --> 0:44:27.080
<v Speaker 1>I took one for the team, obviously, because you know

0:44:27.239 --> 0:44:31.200
<v Speaker 1>she does. She wants the teams to succeed, and he

0:44:31.360 --> 0:44:37.640
<v Speaker 1>wants to get back together, and she's like again she lies, yeah,

0:44:38.480 --> 0:44:40.880
<v Speaker 1>and he says he doesn't give up that easy, and

0:44:40.880 --> 0:44:43.160
<v Speaker 1>he'll see in rehearsals. And now I'm like Finns chasing

0:44:43.320 --> 0:44:46.880
<v Speaker 1>Rachel and I'm like, oh, the tables have turned and

0:44:47.000 --> 0:44:49.719
<v Speaker 1>I feel things after this, I'm like, Okay, I'm back,

0:44:50.400 --> 0:44:56.120
<v Speaker 1>and then we do Hello goodbye Kevin. Yeah, were we

0:44:56.200 --> 0:45:00.160
<v Speaker 1>in this episode at all? I think we each had two.

0:45:01.360 --> 0:45:05.759
<v Speaker 1>But also, do you remember this number? What is the deal?

0:45:05.880 --> 0:45:11.040
<v Speaker 1>I remember a feeling, but I don't remember an uneasy

0:45:11.080 --> 0:45:14.000
<v Speaker 1>feeling of this number. Yeah, oh my god. Yeah, it's

0:45:14.000 --> 0:45:17.000
<v Speaker 1>where everybody's vomiting. Yes, that's right, that's where it is.

0:45:18.400 --> 0:45:20.680
<v Speaker 1>There was something about this rehearsal too, though, is really weird.

0:45:20.800 --> 0:45:24.240
<v Speaker 1>But um, right, wasn't there. Yeah. I can't remember exactly

0:45:24.320 --> 0:45:29.239
<v Speaker 1>what happened. I think it was the shoes, but um this.

0:45:29.760 --> 0:45:32.839
<v Speaker 1>When we were shooting this number, Amber had the flu,

0:45:33.719 --> 0:45:37.319
<v Speaker 1>Leah had the flu, maybe somebody else of the flu,

0:45:37.840 --> 0:45:40.319
<v Speaker 1>And literally we'd be like coming off the risers doing

0:45:40.360 --> 0:45:43.080
<v Speaker 1>that little like hand gesture, and then Amber would run

0:45:43.080 --> 0:45:44.680
<v Speaker 1>to the side of the stage and throw up in

0:45:44.719 --> 0:45:47.160
<v Speaker 1>a trash can. And then the next take, Leah would

0:45:47.239 --> 0:45:48.719
<v Speaker 1>run up to the side of the stage and throw

0:45:48.800 --> 0:45:50.720
<v Speaker 1>up in a trash can, and you'd hear like somebody's

0:45:50.760 --> 0:45:53.040
<v Speaker 1>throwing up maybe Nia. I think Nia also was sick

0:45:53.520 --> 0:45:57.959
<v Speaker 1>and it was gnarrowly and I was like thinking, like, please, don't, please,

0:45:57.960 --> 0:46:01.520
<v Speaker 1>don't get sick, Jenna, like, just don't vomitate. Did we No,

0:46:01.680 --> 0:46:05.880
<v Speaker 1>we didn't. When did we start living together? Were we

0:46:05.960 --> 0:46:08.280
<v Speaker 1>living together yet? At this point we had just started

0:46:08.320 --> 0:46:13.200
<v Speaker 1>living together. That's right, Okay, Um, anyway, I do like

0:46:13.280 --> 0:46:17.680
<v Speaker 1>this number though it actually looks weirdly clean, right, Like

0:46:17.760 --> 0:46:20.920
<v Speaker 1>the dancing looks pretty good. Yeah, And I remember the

0:46:21.040 --> 0:46:23.239
<v Speaker 1>choreography of like doing the little like hand thing, and

0:46:23.320 --> 0:46:25.680
<v Speaker 1>I remember, I don't know, there's something about it. You're

0:46:25.719 --> 0:46:28.040
<v Speaker 1>doing it very clean. I did note that I was like, oh,

0:46:28.120 --> 0:46:30.960
<v Speaker 1>Jenner's arm and hands are looking good, thank you so much.

0:46:31.040 --> 0:46:33.600
<v Speaker 1>And the first thirteen episodes we had sort of like

0:46:33.719 --> 0:46:37.520
<v Speaker 1>more time to record and to learn dances. Coming back

0:46:37.600 --> 0:46:39.200
<v Speaker 1>from this, it felt like, all of a sudden, we're

0:46:39.239 --> 0:46:42.640
<v Speaker 1>getting in to the conveyor belt sort of mode that

0:46:42.800 --> 0:46:45.399
<v Speaker 1>we get, Like these songs were recorded a lot more quickly.

0:46:45.440 --> 0:46:47.279
<v Speaker 1>The dance hersels happened a lot more quickly, like we

0:46:48.200 --> 0:46:53.040
<v Speaker 1>were really starting to find um, like the scheduling and

0:46:53.080 --> 0:46:54.600
<v Speaker 1>the rhythm of how this was all going to work

0:46:54.640 --> 0:46:56.480
<v Speaker 1>going forward. Yeah, because you had a lot more to do.

0:46:56.560 --> 0:46:58.879
<v Speaker 1>There were more songs and episodes now well, and also

0:46:59.040 --> 0:47:01.080
<v Speaker 1>like if people get like the flu like that and

0:47:01.160 --> 0:47:03.520
<v Speaker 1>we're still going, like it was like we have no

0:47:03.640 --> 0:47:07.480
<v Speaker 1>time to keep going and keep going. Um. It was

0:47:07.480 --> 0:47:09.600
<v Speaker 1>also very expensive to stop a day of work, yes,

0:47:10.200 --> 0:47:13.400
<v Speaker 1>on a big set like that. So and then um

0:47:14.920 --> 0:47:20.319
<v Speaker 1>we we episode ends with Emma watching Will during this performance,

0:47:21.000 --> 0:47:25.600
<v Speaker 1>saying hello goodbye, right, and Rachel and Finn kind of

0:47:25.640 --> 0:47:28.080
<v Speaker 1>playing this like hatt and mouse thing throughout the whole number,

0:47:28.280 --> 0:47:31.839
<v Speaker 1>and then Rachel runs off stage, probably to throw up,

0:47:32.280 --> 0:47:35.800
<v Speaker 1>and um we see Finn kind of like everybody's like

0:47:35.880 --> 0:47:42.600
<v Speaker 1>what happened? And that is this very thick episode. Yeah, yeah,

0:47:42.800 --> 0:47:45.520
<v Speaker 1>there's a lot of ground to cover. There was a

0:47:45.640 --> 0:47:47.480
<v Speaker 1>lot going on in real life too, you know, it's

0:47:47.520 --> 0:47:58.359
<v Speaker 1>just a lot. Let's get to some TARTI takes. Let's

0:47:58.360 --> 0:48:01.560
<v Speaker 1>pop through that. Yeah that's dead, Okay, cringe moments. I

0:48:01.640 --> 0:48:04.919
<v Speaker 1>mean there's so many. I would say that Jessica Simpson joke,

0:48:05.120 --> 0:48:08.960
<v Speaker 1>the yeah that's a big one, the Katrina joke, like

0:48:09.239 --> 0:48:13.040
<v Speaker 1>there's a lot of not great things. Yeah. The Jessica

0:48:13.120 --> 0:48:16.719
<v Speaker 1>Simpson it was pretty brutal, slitting the stomach like it's

0:48:16.760 --> 0:48:21.439
<v Speaker 1>all that's bad. Okay, all right, um. Worst dance move

0:48:22.760 --> 0:48:26.279
<v Speaker 1>I think they throwing up off. Yeah that's good. I

0:48:26.360 --> 0:48:30.440
<v Speaker 1>was gonna say it gives you hell. But yeah, definitely

0:48:30.560 --> 0:48:33.000
<v Speaker 1>that one too. We can vote, we can pick both. Yeah.

0:48:33.719 --> 0:48:40.840
<v Speaker 1>Best song hell Goodbye, Yeah, I think so Highway to Hell. Also,

0:48:41.080 --> 0:48:44.759
<v Speaker 1>I think Highway to Hell was great for sure. Um.

0:48:44.960 --> 0:48:52.480
<v Speaker 1>Best performance by a prop I mean, honestly, I think

0:48:52.560 --> 0:48:56.200
<v Speaker 1>my hand movements you are more than just a prop. Jenna,

0:48:56.360 --> 0:48:59.879
<v Speaker 1>just kidding. Um, well tell that to Tina and prop

0:49:00.719 --> 0:49:07.640
<v Speaker 1>um No. I think I vote the Pyro. Yeah, absolutely,

0:49:08.280 --> 0:49:10.160
<v Speaker 1>best lines I think. I mean, do you know the

0:49:10.200 --> 0:49:16.440
<v Speaker 1>dolphins are just case sharks. There's nothing better. That's that,

0:49:17.600 --> 0:49:21.279
<v Speaker 1>um Jenna. Yes, would you like to get some ship

0:49:21.320 --> 0:49:25.560
<v Speaker 1>we found on TikTok. Let's do it, okay, Um for

0:49:25.680 --> 0:49:28.279
<v Speaker 1>you and me, click on this first one, okay, the

0:49:28.400 --> 0:49:30.480
<v Speaker 1>top one. Then we can do the other one next

0:49:30.480 --> 0:49:36.160
<v Speaker 1>week because they are both so good. So on TikTok.

0:49:36.280 --> 0:49:42.759
<v Speaker 1>Doctor Dre four thousand, who is an Associate professor of chemistry,

0:49:43.600 --> 0:49:48.600
<v Speaker 1>is a PhD He and his I don't know associates

0:49:48.800 --> 0:49:53.920
<v Speaker 1>do these very well shot and elaborate tiktoks. And they

0:49:54.040 --> 0:49:59.840
<v Speaker 1>did say a little prayer with the actual choreography, Yeah, choreography, angle,

0:50:00.239 --> 0:50:06.200
<v Speaker 1>costume changes. It is absolutely incredible. I sent it to

0:50:06.320 --> 0:50:13.320
<v Speaker 1>everyone I know because I've I've just never seen genius.

0:50:13.640 --> 0:50:15.120
<v Speaker 1>Well done to the three of them. I don't know

0:50:15.120 --> 0:50:18.960
<v Speaker 1>if they filmed this themselves. Good, Like I don't know

0:50:19.040 --> 0:50:22.080
<v Speaker 1>what you're researching or doing, but like I don't even care.

0:50:22.400 --> 0:50:26.879
<v Speaker 1>It's fine, keep doing these videos, because Okay, how good?

0:50:27.160 --> 0:50:29.800
<v Speaker 1>How good is that? Like they have an overhead shot

0:50:30.480 --> 0:50:33.719
<v Speaker 1>that no, it's really really it's also clean, like it's

0:50:33.800 --> 0:50:38.239
<v Speaker 1>so good. They have they like they're quick learn quick learners. Yeah,

0:50:38.400 --> 0:50:40.640
<v Speaker 1>like go watch it. Like I said, doctor Dre four

0:50:40.719 --> 0:50:46.239
<v Speaker 1>thousand on TikTok, it's absolutely brilliant. Thank you for um

0:50:46.640 --> 0:50:49.040
<v Speaker 1>sending that to us. Thanks for making that video again,

0:50:49.200 --> 0:50:53.280
<v Speaker 1>keep tagging us and all these things. We love it truly,

0:50:53.840 --> 0:50:56.960
<v Speaker 1>and you're honestly you're welcome. It's a gift to have

0:50:57.120 --> 0:51:00.879
<v Speaker 1>seen this, and I'm honored. I don't know. I also

0:51:00.960 --> 0:51:02.600
<v Speaker 1>like to know how long it took for them to

0:51:02.719 --> 0:51:05.040
<v Speaker 1>do this, Like how I don't know. I hope they're

0:51:05.040 --> 0:51:07.760
<v Speaker 1>will get in trouble, but it's wonderful. No, it seems

0:51:07.760 --> 0:51:10.239
<v Speaker 1>like they have control of what they're doing. They're their

0:51:10.239 --> 0:51:14.560
<v Speaker 1>own bosses. I agree. Um okay, well, that is the

0:51:14.680 --> 0:51:19.759
<v Speaker 1>reintroduction to the reintroduction to the reinduction Ogli, and it

0:51:20.000 --> 0:51:22.680
<v Speaker 1>is time to move forward to the back nine because

0:51:22.719 --> 0:51:25.080
<v Speaker 1>it's a pretty good back nine. I want it. It's

0:51:25.120 --> 0:51:30.399
<v Speaker 1>just a little bit of an exposition filled episode. Next

0:51:30.440 --> 0:51:35.479
<v Speaker 1>week is a very exciting Oh it is the Power

0:51:35.480 --> 0:51:38.400
<v Speaker 1>of Madonna, So be sure to come back and recap

0:51:38.480 --> 0:51:40.560
<v Speaker 1>that with us because we have lots and lots and

0:51:40.760 --> 0:51:43.680
<v Speaker 1>lots of memories from that one. I'm super excited about it.

0:51:44.520 --> 0:51:47.839
<v Speaker 1>Thanks for being with us and hanging out, and we'll

0:51:47.840 --> 0:51:50.560
<v Speaker 1>see you next week. And that's what you really missed, Bbe.

0:51:51.320 --> 0:51:54.400
<v Speaker 1>Thanks for listening and follow us on Instagram at and

0:51:54.560 --> 0:51:56.799
<v Speaker 1>that's what you really miss pod. Make sure to write

0:51:56.840 --> 0:51:59.040
<v Speaker 1>us a review and leave us five stars. See you

0:51:59.120 --> 0:51:59.520
<v Speaker 1>next time.