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Speaker 1: And that's what you really missed with Jenna and Kevin

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Speaker 1: an iHeartRadio podcast. Welcome to and that's what you really

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Speaker 1: missed to the back at nine of season what Season one,

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Speaker 1: Part two? Basically you, um, hello Kenn, oh hello Jenna.

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Speaker 1: I see what you did there. That's nice. This is

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Speaker 1: a recap of Hello, new Glee, New decades. This is

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Speaker 1: now into the twenty tens. Are we are doing it going?

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Speaker 1: We're crashing into the two thousand tens to usher in

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Speaker 1: a new wave of irreverent Wow, Kevin and musical I

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Speaker 1: don't know, see, I don't know I'm talking about all right.

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Speaker 1: So this this episode aired in April thirteenth, twenty ten,

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Speaker 1: so four months after um the first thirteen episodes of

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Speaker 1: Glee aired, and and a lot happened between the last episode.

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Speaker 1: In this episode. In real life for us, the number

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Speaker 1: one song was Our Girl, our halftime Super Bowl gal

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Speaker 1: Rihanna came a rub again Boys number one. I wonder

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Speaker 1: how long that stays number one? Probably a while. And

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Speaker 1: the number one movie was Clash of the Titans, which

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Speaker 1: I've never seen. I haven't seen that either. I just

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Speaker 1: remember hot guys. So during our break, Jenna, I think

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Speaker 1: These are some core life changing memories that happened. We

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Speaker 1: went to the Golden Globes for the first time. The

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Speaker 1: show was nominated, and the show reigned hard that day.

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Speaker 1: We won for Best Television Series Musical or Comedy after

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Speaker 1: only thirteen episodes big, which is crazy. We were I

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Speaker 1: think we were in shock that day. We were, but

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Speaker 1: we were also in shock. Yes, it was a really

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Speaker 1: fun night. And the Golden Globes are this thing where

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Speaker 1: everyone says it's the biggest red carpet in the world

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Speaker 1: because it's very literally very long. Yes, and everyone is

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Speaker 1: there and I remember we talked to Tom Ford and

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Speaker 1: Julia Moore, Julian Moore. It was raining that day though,

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Speaker 1: so we didn't We did like half the very long carpet.

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Speaker 1: I remember we kind of skipped it. It was a

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Speaker 1: very the most surreal, star studded, strange thing like that.

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Speaker 1: I talked to George Clooney in the bathroom. It was

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Speaker 1: so weird. It was a lot, but it was yeah,

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Speaker 1: I mean truly anything and we wonder, which was insane,

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Speaker 1: very exciting. We have these very iconic photos that shop

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Speaker 1: up when you google Glee of everybody Ryan Murphy holding

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Speaker 1: the Globe the whole Golden Globe award and all of

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Speaker 1: us like reaching out to touch it. And it was

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Speaker 1: just a really joyful evening that we partied our booties off.

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Speaker 1: Do you remember Diana freaking out when Julie Roberts came

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Speaker 1: up to the Ryan brought Julia Roberts the table and

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Speaker 1: she was fully losing it. She was making noises that

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Speaker 1: I didn't I had never heard of human making. Um.

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Speaker 1: It was crazy. And then a week later and we

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Speaker 1: won Glee one Outstanding Performance by an Ensemble in a Comedy,

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Speaker 1: and that was also awesome because that was the year

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Speaker 1: Lee Daniels was there. Julie Roberts, Um Meryl Streepe came

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Speaker 1: up to us. Remember Streep that night and she came

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Speaker 1: up to us. It was it was absolutely um jaw dropping,

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Speaker 1: like to the floor. And the SAG Awards are really

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Speaker 1: fun because they're voted on by your peers, so they

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Speaker 1: feel really meaningful, um, especially for me. I mean, I like,

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Speaker 1: I had been a SAG member since I was I

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Speaker 1: don't know, God says six or seven. I think it

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Speaker 1: was nineteen ninety one I joined sagum and I was like, oh,

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Speaker 1: I know this, like this feels familiar. Um. It was

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Speaker 1: really pretty wild. That was a really exciting one. And

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Speaker 1: we get an award, so you actually get to go

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Speaker 1: home with an award versus like, could you ever want anything?

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Speaker 1: Like I had never won anything in my life. No,

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Speaker 1: I think I want an ice skating contest in my

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Speaker 1: third grade and I want to us stuffed cow like

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Speaker 1: that was more than I was shocked that we won,

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Speaker 1: and it was already I don't know who like figured

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Speaker 1: it out, but we knew Jane would speak on behalf

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Speaker 1: of all of us, that's right obviously, And I remember

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Speaker 1: her being like, get out of the way, kids, let

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Speaker 1: me up, I'm going like all business. My dad. Remember

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Speaker 1: I brought my dad as my like plus one and

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Speaker 1: he was like screaming and shocked. Oh my goodness, so

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Speaker 1: much UM and those after parties crazy dance in the

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Speaker 1: night away And then in April of tw two and ten,

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Speaker 1: we went on the Oprah Winfrey Show and in the

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Speaker 1: same weekend we sang um the White House Lawn at

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Speaker 1: the Easter egg Roll. It was a big weekend for us,

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Speaker 1: it really was, and it was Oprah was so crazy

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Speaker 1: because they built a set for us like mimicking ye

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Speaker 1: remember walking in and being like, oh, this is our

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Speaker 1: choir room. Yes. It was very weird. And I don't

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Speaker 1: even know if we realized at the time, like what

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Speaker 1: a big deal that was for them to do. Like

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Speaker 1: shows don't just do that. Even Oprah even like changed

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Speaker 1: her logo to like mimic the Glee one. And I

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Speaker 1: remember we just wanted our names to be called out

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Speaker 1: in the famous like Oprah way like Jenna, she did it.

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Speaker 1: And then let's go to the Easter egg roll because

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Speaker 1: we fled a DC and we have sound check. Um

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Speaker 1: actually on Easter Sunday, I believe it wasn't that yes,

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Speaker 1: and there was nobody else there, so you see like

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Speaker 1: the Obama's I think it was Michelle's first ladies family

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Speaker 1: up on the balcony. Haven't a nice peaceful day and

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Speaker 1: we're all just hanging out in the lawn like there's

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Speaker 1: nobody around. It's us and Sarah Burrellas and their dog

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Speaker 1: Bo Yeah, comes running up to us and we're like, oh, right,

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Speaker 1: this is his backyard. Yeah. And I remember like sitting

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Speaker 1: in sound check like our own little private Sarah Barella's concert, right,

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Speaker 1: I was gagging for also, I justgging. I would just

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Speaker 1: like to make a side note, I was not the

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Speaker 1: most gigantic Sarah Barella's fan at the time. Not I

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Speaker 1: didn't like her, I just wasn't. I didn't know. Yeah,

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Speaker 1: she has the most incredible voice live. It is insane.

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Speaker 1: I mean she just wanted gram Me for the Into

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Speaker 1: the Woods Cash recording. She is so unbelievably good. Like

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Speaker 1: I am fully a fan for life. She sounds great

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Speaker 1: on her records. There's something different about seeing her live

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Speaker 1: that's so interesting. I don't think it translates, like the

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Speaker 1: power and like technical ye savvy of how good she

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Speaker 1: is does not necessarily like always come through on a recording. Wow. Um,

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Speaker 1: well that's my two cents. Stop there. I was Do

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Speaker 1: you remember all the people we met that day too?

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Speaker 1: Like Amber sang the national anthem. We met from the

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Speaker 1: balcony and I recorded it from her phone, and I

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Speaker 1: remember thinking like, this is the greatest moment of my life. Truly.

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Speaker 1: We all s right below the balcony, and it was

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Speaker 1: crazy that like Barack and Michelle were our Amber fans. Yeah,

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Speaker 1: they were. Like we went back to perform, and Michelle

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Speaker 1: came with her mom to watch Amber sing home and

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Speaker 1: sang along to every single word. It was. It was

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Speaker 1: so surreal. I remember we met. I did not remember this,

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Speaker 1: but we met Rhese Weatherspoon. Yes, and I ran into

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Speaker 1: her like a year or two later. She was at

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Speaker 1: dinner with Gwyneth and Cameron, Diaz and Ryan and Brad

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Speaker 1: and Ian and I went around introducing myself to all

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Speaker 1: of them and Reese by this Moon goes, we've met before. Oh,

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Speaker 1: I go, oh, we have? She like, Yep, we have.

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Speaker 1: And I turned to Harry again. Harry's always there at

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Speaker 1: my most awkward moments of my entire life, and he's

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Speaker 1: like the White House, so dumb Sarah was there. We

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Speaker 1: met Elmo. We met, Um did meet Elmo. It was

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Speaker 1: a lot, there was. There was a lot going on

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Speaker 1: that day, but um, it was a pretty All the

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Speaker 1: Fox executives were there. It was a big deal. Obviously,

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Speaker 1: let's get into this episode. But this episode is, you know,

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Speaker 1: fairly straightforward in a lot of ways, because what it

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Speaker 1: feels like to me is a re introduction to the

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Speaker 1: American people. Because now we've become this sort of massive hit.

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Speaker 1: And when this episode airs, our viewership increased almost fifty Wow.

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Speaker 1: We jump from eight something million to almost fourteen million

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Speaker 1: people and Ian even says it in the intro. It's

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Speaker 1: like if you lived in a cave or just got

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Speaker 1: out of prison and don't know what Glee is. Basically like,

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Speaker 1: this is what it is. And so you sort of

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Speaker 1: get into the same storylines of the league club needs

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Speaker 1: to win or Fagins isn't going to give us funding,

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Speaker 1: the Rachel and Finn of it, all, the shoe and

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Speaker 1: Emma like, you know, there's a lot of um, you know,

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Speaker 1: recycled ideas that we've sort of gotten through already. But

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Speaker 1: here we go, Here we go. This isn't my favorite episode. Um,

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Speaker 1: you know, I think we do struggle with the first

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Speaker 1: episodes back. Agreed, And I will say I think first

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Speaker 1: episodes back there's a very high expectation that I have

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Speaker 1: and I feel like my expectation is so high that

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Speaker 1: there's just no way you're ever going to reach it. Um.

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Speaker 1: And it's also like getting into like it's an exposition too, right,

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Speaker 1: it's a reintroductions. Okay, I'm gonna stop talking now and

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Speaker 1: let's just do it. Because there's a lot going on.

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Speaker 1: We have half the half the Frozen cast in this episode.

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Speaker 1: John Graff comes into Jesse Saint James, who's going to

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Speaker 1: be um in quite a few episodes in these back nine.

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Speaker 1: And then we have a dNaM and Zell who will

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Speaker 1: also be in quite a few episodes as Shelby Corkran,

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Speaker 1: who is the coach of Vocal Adrenaline, being in twelve episodes.

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Speaker 1: I didn't know there were yeah, oh my goodness. Um, well, yeah,

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Speaker 1: there's a big storyline going on with that. And then

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Speaker 1: they are both obviously in Frozen um. And and then

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Speaker 1: we get into the craziness. So there's a lot of

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Speaker 1: songs in this episode as well. And if you notice

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Speaker 1: there here's five bigger artists. We have the Beatles, ACDC,

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Speaker 1: Neil Diamond, the Doors. Yeah, we were clearly had maybe

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Speaker 1: some of the power to get some of these songs

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Speaker 1: now and more money. Okay, So what's this episode about Jenna? Oh? Okay,

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Speaker 1: So when Rachel and Finn's budding romance hits a bump

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Speaker 1: in the road, Um, it's because she becomes involved with

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Speaker 1: Jesse Saint James, who was a competitor and in Vocal Adrenaline,

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Speaker 1: and it threatens to do real the entire glee club

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Speaker 1: at McKinley High. Mister Schuster pays a visit to Shelby Corkran,

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Speaker 1: who is obviously the vocal coach of UM Vocal Adrenaline.

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Speaker 1: The vocal coach of Vocal Adrenaline. Yeah, and mister she

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Speaker 1: is going there to confirm Jesse's motives, which she's like, uh, deny.

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Speaker 1: And Will is single, but he obviously loves Emma, so

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Speaker 1: there's that. And then Sue Sylvester returns from her condo

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Speaker 1: and voca obviously with a renewed focus. I'm destroying Will

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Speaker 1: and the glee club. So basically, Will just has a

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Speaker 1: lot of things about to happen to him. That's what

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Speaker 1: it sounds like. That's great. Okay, start us off, Kevin,

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Speaker 1: What's okay? What's going on in this first scene? So

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Speaker 1: the kids are back coming off this high of winning sectionals.

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Speaker 1: You see like Mercedes and Rachel and Kurt walking on

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Speaker 1: the hallway like, yes, we did it. We're about to

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Speaker 1: be cool, and then what do you know, a good

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Speaker 1: old slushy straight to the face for the three of them.

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Speaker 1: Welcome to Loser Town. Yeah, just to remind everyone, this

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Speaker 1: show is about the losers and just because they want sectionals,

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Speaker 1: nobody cares. As Kaola has said, nobody cares at all,

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Speaker 1: And I think it's a rude awakening for everyone because

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Speaker 1: you know, they as much as they try to find it,

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Speaker 1: they want to be popular. And then we get into

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Speaker 1: this Will and Emma thing is like sort of cute

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Speaker 1: scene where they're sitting across from each other in Emma's office,

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Speaker 1: you know, for the first time as an item, basically, yeah,

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Speaker 1: and Will wants to kiss her and she's like, no,

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Speaker 1: I need to, like, you know, go get clean. And

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Speaker 1: it's a very adorable scene. Her cute little um briefcase,

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Speaker 1: clear seat seat through briefcase with like all of her

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Speaker 1: hygiene and yeah, um my favorite. She says. Yeah. By

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Speaker 1: last time you caught me by a surprise sneak attack.

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Speaker 1: That time it was a per white harbor. Oh god.

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Speaker 1: There also are a lot of cringe like not good,

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Speaker 1: not age well jokes in here. Yeah, and we're also

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Speaker 1: just like maybe mean okay. And so then Will says

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Speaker 1: you should come for a date at my place to

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Speaker 1: get the monkeys off their backs and really reintroduce themselves

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Speaker 1: to each other. And he says he can cook, and

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Speaker 1: then this sort of weird there's a lot you don't

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Speaker 1: know about me, and I can't wait to show it

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Speaker 1: to you, like that sort of thing that Emma gets

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Speaker 1: excited by it. She does, she's charmed by it. By it,

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Speaker 1: I was shivering, but you know she's charmed. So here

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Speaker 1: we are. Emma is flustered. Um, and she gets a

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Speaker 1: little like, you know, hot and bothered. So this date

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Speaker 1: is at Will's apartment and they are dancy to Neil

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Speaker 1: Diamonds Hello again, and Will is singing to her, which is,

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Speaker 1: if somebody did that to me, I would punch them

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Speaker 1: in the face. But yeah, it's not me, so not

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Speaker 1: my story. Will says, this is the perfect song for us.

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Speaker 1: See he's known this girl for so long, but they've

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Speaker 1: just been friends and now he's calling her up to

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Speaker 1: tell her he once more was sort of inspired by

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Speaker 1: my Hello assignment to the kids, right obviously, okay, And

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Speaker 1: then they start kissing and an Emma reveal she's never

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Speaker 1: been intimate, which sets us up for next episode. But man,

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Speaker 1: and she she wants to find someone who won't reject

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Speaker 1: her because of her problems, and Will understands. And they

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Speaker 1: watch a movie and it's just sort of like this,

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Speaker 1: you know, like it's that weird, it's cute, and you're

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Speaker 1: like Oh, he's so understanding. But it's like, is this

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Speaker 1: going to be an issue? And they watch Armageddon again?

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Speaker 1: Is this like if this is the first date? Also,

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Speaker 1: how did they already watch Armageddon? There's some weird timeline things. Hell,

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Speaker 1: but here's the thing. I think this wasn't their first date,

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Speaker 1: but I think that this is their reintroduction to each other.

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Speaker 1: So it's like a new first date. So that's what

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Speaker 1: they would fight again some things. There are weird things,

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Speaker 1: Sue come It's like the school also had a break,

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Speaker 1: Like Glee was off the air for four months, but

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Speaker 1: the school also went on break, which is would it

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Speaker 1: felt like because Emma and Will hadn't seen each other.

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Speaker 1: Sue has gone to Boca and come back already, right,

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Speaker 1: so like we've gone on a break and they've gone

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Speaker 1: on a break for some reason. Maybe it was, you know,

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Speaker 1: like a spring or fall break. Like also, Emma just

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Speaker 1: has her job back and we're just not even going

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Speaker 1: to talk about that. No, we're not keep the beginning

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Speaker 1: of the inconsistencies. But here we here we go. Yeah, okay,

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Speaker 1: so next the next date, this is exciting. We see

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Speaker 1: Emma setting Will's dining room table. She's gone over to

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Speaker 1: surprise Will and as she does, who walk scene but

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Speaker 1: Terry and we get to see Jesscelyn again, which we

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Speaker 1: thought this was the end, but it's not. And she

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Speaker 1: compliments Emma and then insults her in the same sentence, saying,

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Speaker 1: this is a beautiful table. Meticulous. Really, I guess being

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Speaker 1: crazy has its benefits, and this is very exciting to

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Speaker 1: see the two of them in a scene together for

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Speaker 1: the first time. They're very good. They are very good.

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Speaker 1: I know we say that a lot, but I love it.

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Speaker 1: It's an acting class. So Emma obviously just like I'm

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Speaker 1: surprising Will and Terry thinks that she is loving this,

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Speaker 1: but Emma says that she likes Will getting a second

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Speaker 1: chance at happiness. So I love that. When Emma's like,

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Speaker 1: why are you here, She's like, I need to get

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Speaker 1: the rest of my Bruckheimer DVDs. I love that. But

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Speaker 1: when she does that, she discovers the DVD of the

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Speaker 1: Jazz singer. Also, it's so weird seeing DVDs. I know,

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Speaker 1: I feel like it really ages it does it Like

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Speaker 1: nobody really has like smartphone or anything. But seeing the

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Speaker 1: DVD says and it felt normal at the time, And

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Speaker 1: then she sees the jazz singer and she's like, oh, interesting,

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Speaker 1: who's is this And Emma's like, oh, it's I brought

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Speaker 1: it over and then drops a little nugget because she says, oh, you,

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Speaker 1: poor girl, don't bother sleeping with my husband tonight. You're

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Speaker 1: already screwed. Hello was our prom song. But I doubt

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Speaker 1: we'll remember. He goes to the market for milk and

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Speaker 1: comes back with a pack of gum. So it sets

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Speaker 1: up this whole you know, seed of doubt. Yep. It's

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Speaker 1: also you know, starting to mirror again. Finn and will

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Speaker 1: have similar situations. It's not the first time this has

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Speaker 1: happened going on in the Romantic Lives, which is a

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Speaker 1: little weird for student teacher, that's right. Hum. And then

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Speaker 1: you know, Terry can just leave. She has to leave

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Speaker 1: Emma with a little um crooked spoon. Uh, not a

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Speaker 1: crooked sonum. She licks the spoon right and then says, sorry, no,

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Speaker 1: she does. She does. She flicks it. She liked it

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Speaker 1: for some reason. She's just flicking okay, And then she's like,

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Speaker 1: if you don't believe me about her song, just go

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Speaker 1: check that year's Thunderclap. And so it's like you know,

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Speaker 1: do is she gonna go do it? But then she does,

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Speaker 1: she does, she has to check. I mean I would

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Speaker 1: have to check too. Yeah, And then Will says the

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Speaker 1: next day to Emma that it was like a ghost

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Speaker 1: was in his apartment and laid out her romantic me. Yeah, okay,

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Speaker 1: so I'm gonna checks out thunderclap obviously the picture we

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Speaker 1: see Will or Will sees the picture of his junior

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Speaker 1: prom and Emma says, like, I went to your apartment,

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Speaker 1: but Terry Terry was there and she told me about

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Speaker 1: the prom song, and of course Will didn't remember the

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Speaker 1: prom song, and so I was like, um, okay, I

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Speaker 1: see what's happening here goes into guidance counselor mode and

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Speaker 1: it's like he's repeating the same patterns with just a

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Speaker 1: different gal. And Emma and says, how is you compromising yourself?

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Speaker 1: Am I crazy? Any different than you doing it for hers?

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Speaker 1: So she suggests he gets to know himself again and

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Speaker 1: because he hasn't known himself since he was fifteen, and

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Speaker 1: he agrees, and then Emma says, can you go now?

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Speaker 1: I think I need to close the Tory crap right

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Speaker 1: very jamo cute, Yes, but Meanwhile, Will also has this

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Speaker 1: other thing happening. So we start with Figgins and Will

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Speaker 1: and Figgins office, and then all of a sudden, who's

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Speaker 1: there but Sue Sylvester. She's back. She's been reinstated because

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Speaker 1: she's blackmailed Figgins and convinced him that they had intimate

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Speaker 1: relations when they probably did not. And it's sort of

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Speaker 1: like starting this whole thing over, you know. Figgins is like, well,

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Speaker 1: the whole deal was it wasn't six sectionals you had

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Speaker 1: to place first that it was regionals and our electricity

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Speaker 1: bill has gone up two percent. I do like Matt's

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Speaker 1: reaction to that, and he's like, huh, like okay, um.

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Speaker 1: And Sue's there to, you know, obviously bring him down

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Speaker 1: and destroy him again. Um. And so we sort of

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Speaker 1: start this whole hands on wheel again in motion again. Yeah, Sue,

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Speaker 1: all of a sudden, his back makes a couple you know,

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Speaker 1: intro jokes about Will's hair and true fashion. It didn't

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Speaker 1: it feel like almost like it was like a bit

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Speaker 1: of a nod sort of or like caricature of like

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Speaker 1: what had been happening in the first thirteen episodes. Maybe

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Speaker 1: like all of a sudden, it's like let's throw in

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Speaker 1: some hair jokes. We're gonna reamp all this thing. I

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Speaker 1: do laugh at the hair jokes, and David was like,

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Speaker 1: you really like the hair jokes. And I think they're

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Speaker 1: funny because I think it's I don't know, I just

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Speaker 1: it's a recurring thing. And I do like the little

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Speaker 1: like the little whip to Sue and Figgins in bed

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Speaker 1: and she it's like, I happen to know there's nothing

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Speaker 1: you only whip cream off of. And then when you

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Speaker 1: get to the whip thing, she gets out of bed

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Speaker 1: and she's in her full track suit of course. Um,

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Speaker 1: and Will's is flipping out because she was suspended, and

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Speaker 1: Figgins is like, well, the point of suspension is reinstatement.

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Speaker 1: So nextum, we seek Sue cutting off a boy's ponytail

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Speaker 1: in the hallway, which is what we know is real. Yes,

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Speaker 1: because Jane had referenced that in her interview in our podcast,

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Speaker 1: and she I was like, oh, now I remember this.

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Speaker 1: I was confused when she talked about it Perfect Time

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Speaker 1: podcast and Sue says, there, you no longer confuse me

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Speaker 1: with your shemale looks. I'm going to donate to this

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Speaker 1: to the victims of her kinktrie know they can use

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00:23:00,840 --> 00:23:02,920
Speaker 1: it to plug holes in their trailers. None of that

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Speaker 1: is good. None of that is good. So just clock

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Speaker 1: that for cringe, um and we'll you know, then goes

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Speaker 1: up to Sue and wants to know how she managed

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Speaker 1: to get reinstated, and Sue admits to behaving poorly and

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Speaker 1: this riddled with remorse. Um, so of course she arranged

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Speaker 1: a dinner with Figgins for a professional sit down like

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Speaker 1: this whole thing. Yeah, yeah, yeah, she she basically is

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Speaker 1: blackmailing him again and it's um, it's not good, it's

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Speaker 1: not good. And of course now we have shirtless Figgins

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Speaker 1: in this whole whip and finally yeah, yeah, yeah yeah,

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Speaker 1: so and then we'll like, look, let's just bear the

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Speaker 1: hatchet and she's like absolutely not um, and she says

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Speaker 1: she's not gonna stop until Glee Club is annihilated into oblivion.

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Speaker 1: And then again, yeah, there we are. We're going for it.

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Speaker 1: So this is the one that I laughed about and

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Speaker 1: I think it's really funny. And I don't know if

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Speaker 1: it doesn't edge well, but I think it's funny. Sue said, no,

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Speaker 1: what else I'm going to bring? I'm going to bring

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Speaker 1: some Asian cookery to rub your head with, because right

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Speaker 1: now you have enough product in your hair to seasonal. Yeah,

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Speaker 1: I just think that was that was pretty good. Um

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Speaker 1: So now she has pressure from Figgins and Sue, and

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Speaker 1: so he's like, all right, it's time to get to work. Yep.

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Speaker 1: And then we get in time, we get into our

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Speaker 1: lesson for the Glee Club. She goes back to the

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Speaker 1: Glee Club and it's like, hello, what are you say?

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Speaker 1: Any answer the phone? And then Chris saying no, she's dead.

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Speaker 1: This is her son is so good, but also like

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Speaker 1: why hello? Why? Why Hello? I don't know, Sally, I'm

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Speaker 1: not sure. It feels like there was a note from

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Speaker 1: the studio to yeah, like look, this is gonna have

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Speaker 1: a big launch when we come back. It's like we're

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Speaker 1: launching it like another season because we didn't do a

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Speaker 1: whole new photoshoot for it. And yeah, I'm wondering if

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Speaker 1: that's what this was. And then I get that because

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Speaker 1: it's like, let's just sort of give him everyone the

396
00:25:26,480 --> 00:25:29,600
Speaker 1: greatest hits of like what's you know? Hello was good

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Speaker 1: enough to have Adele make a comeback, so you know,

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Speaker 1: maybe there's something to it. I don't right, all right, so,

399
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Speaker 1: and they were like, Okay, if there's enough songs with

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Speaker 1: the title Hello in it, so let's do it. Um.

401
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Speaker 1: So we're going with that theory that we have to reintroduce. Um.

402
00:25:45,920 --> 00:25:50,240
Speaker 1: Will's a schooly club assignment is Hello, and he's sort

403
00:25:50,280 --> 00:25:51,760
Speaker 1: of fired up because of this whole thig in thing.

404
00:25:51,800 --> 00:25:53,840
Speaker 1: And he's like, look, just because we want sectionals, that

405
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Speaker 1: doesn't mean that it's going to make any difference in

406
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Speaker 1: our day today at school. And Rachel's like, yep, because

407
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Speaker 1: I have a sushy steam training brought to prove it

408
00:26:01,400 --> 00:26:05,240
Speaker 1: at the straight pace. Um, we all look a little

409
00:26:05,280 --> 00:26:09,400
Speaker 1: bit better at this point. Yes, everybody's looking a bit

410
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Speaker 1: more glamorous. Scarf I had too. I think it was

411
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Speaker 1: the most expensive thing I had already had warned up

412
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Speaker 1: at that point. It was remember being from Barneys, and

413
00:26:16,280 --> 00:26:20,960
Speaker 1: it was like a several hundred dollars scarf that obviously Yeah.

414
00:26:21,840 --> 00:26:24,639
Speaker 1: Um so mister she wants to reinvent it, wants us

415
00:26:24,680 --> 00:26:27,159
Speaker 1: to reinvent ourselves and so we can be bigger and

416
00:26:27,280 --> 00:26:29,760
Speaker 1: better at regionals. And so he assigns the glee club

417
00:26:29,880 --> 00:26:32,199
Speaker 1: to come up with a fresh number, but it has

418
00:26:32,240 --> 00:26:36,680
Speaker 1: to have Hello in it. But um. At the same time, mister,

419
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Speaker 1: she is trying to reinvent the Gleee Club because Sue

420
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Speaker 1: is obviously plotting her revenge while on her elliptical machine,

421
00:26:45,200 --> 00:26:49,639
Speaker 1: saying you two should be wedding yourselves with shame. Is

422
00:26:49,680 --> 00:26:51,680
Speaker 1: this the first time we actually see her on the

423
00:26:51,760 --> 00:26:53,960
Speaker 1: elliptical like doing it? Or is that I feel like

424
00:26:54,000 --> 00:26:56,399
Speaker 1: we did in season one? We probably early season one.

425
00:26:56,640 --> 00:26:59,359
Speaker 1: There's there's a couple more, Um, I think we have

426
00:26:59,480 --> 00:27:02,600
Speaker 1: seen her on it, but we in this episode, as

427
00:27:02,640 --> 00:27:06,840
Speaker 1: a general note, we do see several more, several more Yep,

428
00:27:08,080 --> 00:27:11,359
Speaker 1: we see more sets. There's more things going on. There's

429
00:27:11,560 --> 00:27:14,480
Speaker 1: you know, been a little increase in the budget. Clearly,

430
00:27:15,840 --> 00:27:18,399
Speaker 1: sorry I interrupted. You go back to what she was saying, No,

431
00:27:18,520 --> 00:27:21,880
Speaker 1: it's fine, um. And then Sue says something no coach

432
00:27:21,920 --> 00:27:26,200
Speaker 1: should ever say, Classic Glee Club one sectionals, and you

433
00:27:26,280 --> 00:27:28,840
Speaker 1: did nothing to stop it. If you were Samurai and

434
00:27:28,960 --> 00:27:31,000
Speaker 1: my letter opener were sharp enough, I would ask you

435
00:27:31,119 --> 00:27:34,720
Speaker 1: both right now to commit sapuku in Japanese that this

436
00:27:35,160 --> 00:27:39,200
Speaker 1: means ritual belly slidding in I do love that She's like, turnaround,

437
00:27:40,200 --> 00:27:43,959
Speaker 1: you have to turn around, it's wild. And then Brittany

438
00:27:44,040 --> 00:27:46,359
Speaker 1: has these great one liners in this episode where she

439
00:27:46,440 --> 00:27:50,080
Speaker 1: says we were seduced by the glamor of showbase. There

440
00:27:50,200 --> 00:27:53,160
Speaker 1: was a lot of good Santana and Brittany in this episode. Yes,

441
00:27:53,400 --> 00:27:57,879
Speaker 1: like foundational stuff. That's grazy. Um and I do love

442
00:27:57,920 --> 00:28:01,280
Speaker 1: her really light dumbbells that you know who uses. Oh yes,

443
00:28:02,119 --> 00:28:05,480
Speaker 1: probably even later because they're probably plastic. Yeah that, and

444
00:28:05,600 --> 00:28:09,240
Speaker 1: she her whole plan now is again mess Glee Club

445
00:28:09,280 --> 00:28:11,280
Speaker 1: by messing with Rachel. By messing with Rachel, she wants

446
00:28:11,320 --> 00:28:15,159
Speaker 1: to break up Finn and Rachel, right, and so she

447
00:28:15,320 --> 00:28:18,960
Speaker 1: sets them on a path they go forth and break

448
00:28:19,040 --> 00:28:22,800
Speaker 1: them up. Yep. And that brings us to the next

449
00:28:22,880 --> 00:28:27,240
Speaker 1: problem for Shoe, which is Rachel and Finn Yep. Basketball

450
00:28:27,720 --> 00:28:31,439
Speaker 1: when and quarries arm tattoo that he has the tribal

451
00:28:31,520 --> 00:28:34,240
Speaker 1: arm tattoo that he hates. He it's covered up in

452
00:28:34,400 --> 00:28:37,360
Speaker 1: the basketball scene, but it's poorly covered up like it's

453
00:28:37,600 --> 00:28:39,640
Speaker 1: he must the makeup must have been melting off, and

454
00:28:40,200 --> 00:28:42,840
Speaker 1: you know it's it's hard to cover up big tattoos

455
00:28:42,920 --> 00:28:46,040
Speaker 1: like that, so um, you could see it looks like

456
00:28:46,080 --> 00:28:48,880
Speaker 1: he has a really big bruise around his arm. Um.

457
00:28:49,600 --> 00:28:52,600
Speaker 1: And now that football's over, we see obviously the basketball

458
00:28:52,640 --> 00:28:57,560
Speaker 1: team and Finn is on it, and you know, we

459
00:28:57,760 --> 00:29:00,640
Speaker 1: hear an inner monologue from Finn say that he really

460
00:29:01,000 --> 00:29:04,120
Speaker 1: hopes basketball season give me a fresh start. And he's

461
00:29:04,120 --> 00:29:07,960
Speaker 1: suppressed coming off of baby gate um, which he should

462
00:29:08,000 --> 00:29:10,440
Speaker 1: be because he's been through a lot, but he admits

463
00:29:10,480 --> 00:29:15,240
Speaker 1: he still has feelings for Quinn and um, he wishes

464
00:29:15,280 --> 00:29:17,680
Speaker 1: he can be more like a coach Tanaka where he

465
00:29:17,720 --> 00:29:19,880
Speaker 1: says he pulled at Jessica Simpson, you know, he lost

466
00:29:19,920 --> 00:29:22,760
Speaker 1: his fiance game forty pounds and stopped showering, and everyone

467
00:29:22,840 --> 00:29:29,200
Speaker 1: acts like it's totally normal. Horriball. That's that's really bad wearriball. Yeah,

468
00:29:30,040 --> 00:29:33,560
Speaker 1: but the more you know, we've learned, we've learned it's

469
00:29:33,600 --> 00:29:36,479
Speaker 1: not a different time. Um. So Finn has a new

470
00:29:36,880 --> 00:29:39,840
Speaker 1: obviously has a new girlfriend and Rachel and she's wearing

471
00:29:39,880 --> 00:29:44,360
Speaker 1: a team. Finn's teasing it. Yeah, she's really going in

472
00:29:44,480 --> 00:29:47,440
Speaker 1: and his and her calendars that she makes and so

473
00:29:48,040 --> 00:29:51,720
Speaker 1: she's like the crazy girlfriend that nobody wants because she's

474
00:29:51,720 --> 00:29:54,880
Speaker 1: gotten everything she wanted, right like they wont sectionals. She

475
00:29:55,000 --> 00:29:59,200
Speaker 1: got a boy, a boy, and so game on. But

476
00:29:59,400 --> 00:30:02,560
Speaker 1: Finn is like not himself and she's doing all the

477
00:30:02,680 --> 00:30:05,040
Speaker 1: things she made, you know, a calendar, made all this

478
00:30:05,160 --> 00:30:08,800
Speaker 1: cans for and she yeah, and he's he doesn't know,

479
00:30:09,520 --> 00:30:12,640
Speaker 1: he's getting steamrolled, basically, and it's like I don't even

480
00:30:12,720 --> 00:30:15,960
Speaker 1: know if I want her to be my girlfriend. But

481
00:30:16,760 --> 00:30:19,960
Speaker 1: you know, so mister Shoe sees what's sort of going on,

482
00:30:20,640 --> 00:30:23,240
Speaker 1: and it's like, let me help you out. You know,

483
00:30:24,040 --> 00:30:25,800
Speaker 1: you don't need to be depressed, because, just like me,

484
00:30:26,400 --> 00:30:28,480
Speaker 1: you have the old version of you that made some

485
00:30:28,560 --> 00:30:30,920
Speaker 1: bad choices and ignore all the signs. But now you

486
00:30:31,000 --> 00:30:34,640
Speaker 1: can be sort of a more interesting person with experience.

487
00:30:35,240 --> 00:30:39,160
Speaker 1: And so he brings it to the auditorium and wants

488
00:30:39,240 --> 00:30:41,840
Speaker 1: him to sing a song with Hello in it, and

489
00:30:42,080 --> 00:30:43,760
Speaker 1: I love I remember watching this for the first time.

490
00:30:43,760 --> 00:30:46,200
Speaker 1: I inquired, being like, oh, that's why the band's here,

491
00:30:46,760 --> 00:30:50,760
Speaker 1: and they're just totally ready. I mean, this sort of

492
00:30:50,800 --> 00:30:56,040
Speaker 1: feels like a weird shoehorned in song. Yeah, there's a

493
00:30:56,080 --> 00:30:58,600
Speaker 1: few of those. It's nice to see Corey perform, but

494
00:30:59,080 --> 00:31:01,760
Speaker 1: it's like, well, I mean I love any number where

495
00:31:01,800 --> 00:31:04,600
Speaker 1: it's like the quarterback and the cheerios and the whole thing.

496
00:31:04,720 --> 00:31:07,200
Speaker 1: Like it's very sexy and fun and you know, like

497
00:31:07,960 --> 00:31:10,120
Speaker 1: he gets to live out his little rockstar dreams and

498
00:31:10,480 --> 00:31:12,520
Speaker 1: you know, we get to see more Britney and Santana

499
00:31:12,600 --> 00:31:16,440
Speaker 1: and beautiful dancers that are our friends. Um. But yeah,

500
00:31:16,440 --> 00:31:18,400
Speaker 1: it feels like a little bit of a shoehorn and

501
00:31:18,520 --> 00:31:20,920
Speaker 1: I like this number. Corey sounds really good doing numbers

502
00:31:20,920 --> 00:31:23,360
Speaker 1: like this. What comes after this is the best part

503
00:31:23,520 --> 00:31:27,760
Speaker 1: because Britney and Santana are on their mission. They clinch

504
00:31:28,520 --> 00:31:31,520
Speaker 1: pinkies and they go off to get Finn and it

505
00:31:31,680 --> 00:31:33,480
Speaker 1: is so good. So they asked him to go on

506
00:31:33,560 --> 00:31:35,720
Speaker 1: a date at Breadsticks. Is this the first time we're

507
00:31:35,720 --> 00:31:39,160
Speaker 1: at Breadsticks? Yes, it is exactly Okay, so we are.

508
00:31:39,760 --> 00:31:44,680
Speaker 1: Bread was not another set. Bread on the Paramount lot

509
00:31:44,720 --> 00:31:50,760
Speaker 1: where we shot Breadsticks was com or like a cafeteria,

510
00:31:50,800 --> 00:31:55,720
Speaker 1: basically a nice cafeteria where people could eat. And so

511
00:31:56,360 --> 00:31:58,800
Speaker 1: when we would go to Breadsticks, it would always be

512
00:31:59,240 --> 00:32:02,160
Speaker 1: the last of the night because it had to close

513
00:32:02,520 --> 00:32:06,640
Speaker 1: so they didn't have to close everyone, which has dozens

514
00:32:06,680 --> 00:32:10,080
Speaker 1: of shows and people working. Yeah, they'd go there all day. Um,

515
00:32:10,680 --> 00:32:12,200
Speaker 1: so every time we go to Breadsticks, we'd be like,

516
00:32:12,240 --> 00:32:14,000
Speaker 1: oh my god, we're gonna be here forever. And so

517
00:32:14,360 --> 00:32:17,240
Speaker 1: we hated Breadsticks, but some of the best scenes have

518
00:32:17,320 --> 00:32:19,560
Speaker 1: come out of breadsticks. And there was always a joke

519
00:32:19,680 --> 00:32:24,400
Speaker 1: with um our ads Leo Leo. When we'd make a

520
00:32:24,480 --> 00:32:26,000
Speaker 1: joke like oh it's been a long day, we're about

521
00:32:26,000 --> 00:32:28,800
Speaker 1: to wrap, they would yell our, we're on a breadstick,

522
00:32:29,040 --> 00:32:32,360
Speaker 1: We're going to breadsticks. We're moving to breadsticks. So the

523
00:32:32,440 --> 00:32:35,880
Speaker 1: collective groan of like, oh that breadsticks? All right. So

524
00:32:36,080 --> 00:32:39,320
Speaker 1: Rachel n confronts Finn about what those um, those two

525
00:32:39,400 --> 00:32:43,600
Speaker 1: little canoodling gals are up to, and in Finn's like nothing, nothing,

526
00:32:43,720 --> 00:32:49,959
Speaker 1: they just um just he lies tied the time. Um.

527
00:32:50,720 --> 00:32:52,360
Speaker 1: And then he tells her he doesn't want to be

528
00:32:52,480 --> 00:32:58,520
Speaker 1: his boyfriend her boyfriend, and she's like oh god, and

529
00:32:58,920 --> 00:33:03,280
Speaker 1: she's very upset, a scorn woman. And um. We go

530
00:33:03,480 --> 00:33:07,080
Speaker 1: to the choir room again and here's another Hi you

531
00:33:07,120 --> 00:33:11,240
Speaker 1: Shoe wore number. It gives you hellum that Rachel sings,

532
00:33:11,440 --> 00:33:14,200
Speaker 1: I don't like the song, like I don't like the

533
00:33:14,360 --> 00:33:16,800
Speaker 1: song so like it was hard for me to watch

534
00:33:17,760 --> 00:33:20,960
Speaker 1: um and it was I was like, we had it's

535
00:33:20,960 --> 00:33:25,760
Speaker 1: also not Hello, it's it's got a current song and yeah,

536
00:33:26,600 --> 00:33:29,520
Speaker 1: and again mister Shoe's like, okay, well that's not Hello,

537
00:33:29,760 --> 00:33:31,760
Speaker 1: that's hell and she's like I was focusing on the

538
00:33:31,800 --> 00:33:35,760
Speaker 1: first syllable, so it's mad, yeah, which is funny. This

539
00:33:35,920 --> 00:33:38,600
Speaker 1: is the Big League's guys. And then we meet Jesse

540
00:33:38,720 --> 00:33:42,240
Speaker 1: Satan James. Yes we do, Yes, we have a question.

541
00:33:42,440 --> 00:33:45,760
Speaker 1: So this is the public library. It's not the school

542
00:33:45,800 --> 00:33:49,920
Speaker 1: library now, yes, exactly, this is a different library. And

543
00:33:50,040 --> 00:33:52,080
Speaker 1: they think they shot it at a real library if

544
00:33:52,120 --> 00:33:57,640
Speaker 1: I remember remember correctly. Um, and we meet John Graff here, Yeah,

545
00:33:58,040 --> 00:34:02,160
Speaker 1: he pops up. So I was toxing with John yesterday

546
00:34:02,320 --> 00:34:06,120
Speaker 1: about this episode. He's on his like crazy press tour

547
00:34:06,200 --> 00:34:09,000
Speaker 1: for his new movie. She'd go see it in my

548
00:34:09,080 --> 00:34:12,319
Speaker 1: Shamalan movie, and he was like, oh my god, I'm

549
00:34:12,360 --> 00:34:15,320
Speaker 1: having so many flashbacks. Just briefly thinking about the first episode.

550
00:34:15,360 --> 00:34:17,640
Speaker 1: I remember being so nervous in that library with Leah,

551
00:34:17,960 --> 00:34:20,400
Speaker 1: even though we had sunk together a million times. It

552
00:34:20,520 --> 00:34:23,040
Speaker 1: was so different with cameras and extras and everything, which

553
00:34:23,040 --> 00:34:24,640
Speaker 1: I thought was so cute because like, that must have

554
00:34:24,680 --> 00:34:29,399
Speaker 1: been so cool for them to get to do this together. Yep.

555
00:34:29,600 --> 00:34:31,720
Speaker 1: And now the show was a huge hit because obviously

556
00:34:31,840 --> 00:34:34,160
Speaker 1: they were both the leads of Spring Awakening on Broadway

557
00:34:34,640 --> 00:34:37,359
Speaker 1: and they came straight from there to hear Leah did

558
00:34:38,000 --> 00:34:42,480
Speaker 1: and this is So when I was in Spring Awakening

559
00:34:42,560 --> 00:34:45,440
Speaker 1: and I had just joined the cast, which Leah was

560
00:34:45,520 --> 00:34:47,560
Speaker 1: still in at the time, and we've obviously known each

561
00:34:47,560 --> 00:34:49,520
Speaker 1: other since we were very little, Leah brought me in

562
00:34:49,560 --> 00:34:51,600
Speaker 1: her dressing room and was like, you have to meet everybody,

563
00:34:51,680 --> 00:34:53,880
Speaker 1: and like kind of like it was showing me the

564
00:34:54,000 --> 00:34:56,799
Speaker 1: ropes and she's like, oh, you have to meet dad.

565
00:34:57,160 --> 00:35:00,799
Speaker 1: Come meet Dad. And I'm like, dad and in walks

566
00:35:00,880 --> 00:35:02,600
Speaker 1: John grow for the first time, and I didn't know

567
00:35:02,680 --> 00:35:04,759
Speaker 1: who he was, but he was just so lovely and

568
00:35:04,840 --> 00:35:07,120
Speaker 1: I'm like, oh, they must be dating. I literally thought

569
00:35:07,120 --> 00:35:10,160
Speaker 1: they were dating. And um, we always called them mom

570
00:35:10,200 --> 00:35:13,920
Speaker 1: and dad at work, and so mom and Dad, we're

571
00:35:14,000 --> 00:35:17,440
Speaker 1: back together. The band was all back together. So it

572
00:35:17,600 --> 00:35:21,000
Speaker 1: was really funny to watch them work together on this

573
00:35:21,560 --> 00:35:24,960
Speaker 1: um and it's really cute. It's very John Groff to

574
00:35:25,040 --> 00:35:28,880
Speaker 1: be nervous. Yes, I was watching it. I was trying

575
00:35:28,920 --> 00:35:31,560
Speaker 1: to in my head. It's not coming off as nervous,

576
00:35:31,640 --> 00:35:35,560
Speaker 1: you know, it's so good. So Jesse Saint James isn't nervous. Um.

577
00:35:35,640 --> 00:35:38,640
Speaker 1: So this is the beginning of Saint Mary, which y'all

578
00:35:38,680 --> 00:35:45,959
Speaker 1: have tagged as um uh. The relationship. Yes, and Jesse

579
00:35:46,360 --> 00:35:51,080
Speaker 1: automatically immediately insults Rachel by saying her don't under my

580
00:35:51,120 --> 00:35:55,400
Speaker 1: pride was flawed and like, which I think brings, you know,

581
00:35:55,480 --> 00:35:59,879
Speaker 1: pulls her in. And then they very promptly get into

582
00:36:00,080 --> 00:36:04,399
Speaker 1: a musical number Hello by Lionel Richie, which is very good.

583
00:36:04,800 --> 00:36:08,319
Speaker 1: It was very good. Um, But also, why is there

584
00:36:08,320 --> 00:36:11,560
Speaker 1: a piano in the library? Right? I don't know. It's

585
00:36:11,600 --> 00:36:13,960
Speaker 1: one of those things. We're just gonna yeah, And then

586
00:36:14,040 --> 00:36:16,440
Speaker 1: they make a date and they're going to see each

587
00:36:16,440 --> 00:36:19,719
Speaker 1: other on Friday night. And then we get to the

588
00:36:19,840 --> 00:36:27,279
Speaker 1: scene of all scenes, yes, the Britanna scene with thin

589
00:36:27,480 --> 00:36:32,640
Speaker 1: at breadsticks where they are eating and this is one

590
00:36:32,680 --> 00:36:34,320
Speaker 1: of the best. This is one of the greatest scenes

591
00:36:34,520 --> 00:36:40,560
Speaker 1: in Glee. I think, right, it's iconic. It's iconic. So

592
00:36:41,239 --> 00:36:44,439
Speaker 1: Santana is gonna ask tell the waitress that the food

593
00:36:44,560 --> 00:36:46,320
Speaker 1: was bad even though they've eaten it all, and that

594
00:36:46,440 --> 00:36:50,560
Speaker 1: they need to send it back, and Brittany said that

595
00:36:50,600 --> 00:36:57,920
Speaker 1: there was a mouse and hers um and then Santana says,

596
00:36:59,280 --> 00:37:02,120
Speaker 1: I think that war girlfriend of his is dragging down

597
00:37:02,239 --> 00:37:05,120
Speaker 1: his rep I mean, if he were dating say popular

598
00:37:05,200 --> 00:37:07,560
Speaker 1: pretty girl, it's like us, you would go from dumpty

599
00:37:07,600 --> 00:37:10,920
Speaker 1: smoke in just fully talking about ranking the guys at

600
00:37:10,960 --> 00:37:14,360
Speaker 1: school and talking about Finn like he's not there, and

601
00:37:14,480 --> 00:37:17,640
Speaker 1: then there he is, and he's like, can you include

602
00:37:17,640 --> 00:37:22,600
Speaker 1: me in the conversation. She's like, let me break this

603
00:37:22,640 --> 00:37:24,520
Speaker 1: down for you. You buy his dinner, we make out

604
00:37:24,520 --> 00:37:26,000
Speaker 1: in front of you. That's the best deal ever. And

605
00:37:26,080 --> 00:37:27,640
Speaker 1: then basically just like, can you go wait in the

606
00:37:27,680 --> 00:37:31,160
Speaker 1: car and leave your credit card? And he does, and

607
00:37:31,280 --> 00:37:33,600
Speaker 1: then we get the most iconic line of all time.

608
00:37:35,640 --> 00:37:38,160
Speaker 1: Brittany turns to Santana and she says, did you know

609
00:37:38,280 --> 00:37:41,520
Speaker 1: that dolphins are just gay sharks? And that was definitely

610
00:37:41,520 --> 00:37:44,520
Speaker 1: an Ian line for sure, that was absolutely Ian and

611
00:37:44,680 --> 00:37:47,759
Speaker 1: that's been printed on shirts. So I think that's one

612
00:37:47,840 --> 00:37:51,960
Speaker 1: of Brittany's most famous lines ever. Oh, I mean not

613
00:37:52,080 --> 00:37:55,239
Speaker 1: only Brittany, it's one of the most famous, if not

614
00:37:55,360 --> 00:38:00,399
Speaker 1: the most. It is definitely brilliant. And that makes Finn

615
00:38:00,480 --> 00:38:03,279
Speaker 1: realize that he wants to date Rachel and not be

616
00:38:03,440 --> 00:38:09,279
Speaker 1: with you know, other girls. Right, So Rachel says that

617
00:38:09,440 --> 00:38:12,879
Speaker 1: she's met somebody and it's a boy who's finally worthy

618
00:38:12,920 --> 00:38:14,840
Speaker 1: of her talent and love, and Finn questions Sue, and

619
00:38:14,880 --> 00:38:18,040
Speaker 1: obviously we know that Jesse Seams James, and so Finn

620
00:38:18,160 --> 00:38:20,080
Speaker 1: tries the reason why they're saying it's suspicious how they

621
00:38:20,160 --> 00:38:22,719
Speaker 1: make it to regionals and suddenly like the fathead of

622
00:38:23,280 --> 00:38:26,839
Speaker 1: you know, their main competitor, like is date it wants

623
00:38:26,880 --> 00:38:29,960
Speaker 1: to date her and she's fair fair point yeah, and

624
00:38:30,120 --> 00:38:35,680
Speaker 1: Rachel's like no, like no, and um, Finn tells mister shoe.

625
00:38:36,600 --> 00:38:42,600
Speaker 1: So meanwhile, Brittany and Santana tells Sue that they failed,

626
00:38:43,000 --> 00:38:46,040
Speaker 1: but they do mention this whole Jesse and Rachel thing,

627
00:38:46,560 --> 00:38:51,840
Speaker 1: right and and and then she was like, yes, this

628
00:38:52,000 --> 00:38:54,759
Speaker 1: might be easier than we thought, and we're going to

629
00:38:54,840 --> 00:38:59,840
Speaker 1: take take them down. And so Will is obviously concerned

630
00:39:00,000 --> 00:39:02,799
Speaker 1: about Rachel and Jesse, and so he goes to talk

631
00:39:02,840 --> 00:39:04,920
Speaker 1: to the head of Vocal Adrenaline, which ends up being

632
00:39:05,000 --> 00:39:07,800
Speaker 1: Shelby Corkoran, which we know is Adina Manzel, and we

633
00:39:08,000 --> 00:39:13,800
Speaker 1: watch Highway to Hill, which is a wild number. Also,

634
00:39:14,280 --> 00:39:19,400
Speaker 1: Gruff sounds great, insane. His voice is so high. I

635
00:39:19,560 --> 00:39:23,200
Speaker 1: love when you say that his voice is very high,

636
00:39:23,320 --> 00:39:27,320
Speaker 1: and he sounds amazing. He sounds great up there. I

637
00:39:27,440 --> 00:39:32,400
Speaker 1: love it. And also like they really do pull all

638
00:39:32,440 --> 00:39:34,800
Speaker 1: the stops out at Vocal for a Vocal Adrenaline, like

639
00:39:34,840 --> 00:39:37,400
Speaker 1: we're doing pyro at rehearsal. I love that shot of

640
00:39:37,480 --> 00:39:40,040
Speaker 1: just the fire silently going off and Will being like

641
00:39:40,320 --> 00:39:43,399
Speaker 1: what and g said? And then Shelby's like, stop, please,

642
00:39:43,440 --> 00:39:47,280
Speaker 1: dear God, stop seriously, guys. It's like washing beige paint dry.

643
00:39:48,719 --> 00:39:53,080
Speaker 1: You know, she has this Shelby has this funny thing

644
00:39:53,360 --> 00:39:58,160
Speaker 1: of she's saying he's insulting things, but is not mean

645
00:39:58,760 --> 00:40:01,400
Speaker 1: in her presentation of it, and also just makes you

646
00:40:01,480 --> 00:40:04,000
Speaker 1: want to believe her. And I feel like that plays

647
00:40:04,040 --> 00:40:08,680
Speaker 1: into like her entired yes storyline coming yes, that's right.

648
00:40:09,719 --> 00:40:13,400
Speaker 1: So you know, She's like, are you are you spying

649
00:40:13,480 --> 00:40:16,200
Speaker 1: on us? And Will's like, are you spying on us?

650
00:40:16,640 --> 00:40:20,560
Speaker 1: Um with Jesse Saint James, and she's and Shelby's like, noted,

651
00:40:21,040 --> 00:40:23,400
Speaker 1: you know, I don't. I don't stand for any funny business.

652
00:40:23,640 --> 00:40:26,560
Speaker 1: But Jesse's a good kid. And the heart wants what

653
00:40:26,680 --> 00:40:30,279
Speaker 1: the heart wants, and what does the heart want? Will

654
00:40:30,360 --> 00:40:34,080
Speaker 1: and Shelby making out Will's couch. Why is Will? Will's

655
00:40:34,080 --> 00:40:38,239
Speaker 1: got like a a turnstile going through his house. He's

656
00:40:38,280 --> 00:40:42,120
Speaker 1: just got over there. He does well. He is really single,

657
00:40:42,320 --> 00:40:47,760
Speaker 1: he is newly single, and he's making and Shelby asks

658
00:40:47,840 --> 00:40:51,000
Speaker 1: if he's gay because most of us show acquired directors.

659
00:40:51,040 --> 00:40:52,920
Speaker 1: He makes out, she makes out with her gay welcome

660
00:40:52,920 --> 00:40:58,200
Speaker 1: to my life, and um, he will obviously gives her

661
00:40:58,239 --> 00:41:00,840
Speaker 1: the rundown of like you know his is divorced and

662
00:41:01,040 --> 00:41:04,440
Speaker 1: how a mess he is, and and then this becomes

663
00:41:04,480 --> 00:41:07,520
Speaker 1: like a therapy session where Shelby's like, okay, so reintroduce

664
00:41:07,600 --> 00:41:11,560
Speaker 1: yourself to yourself. So which is what he told Finn

665
00:41:11,640 --> 00:41:19,440
Speaker 1: to do for himself, which recycling the storyline. Yeah, so, um,

666
00:41:19,800 --> 00:41:24,759
Speaker 1: not everyone, not everyone knows about Rachel and Jesse. Well

667
00:41:24,840 --> 00:41:27,160
Speaker 1: now they do. Oh no, I'm sorry, now everyone does.

668
00:41:27,440 --> 00:41:30,120
Speaker 1: But um, and this is the scene where all of

669
00:41:30,200 --> 00:41:33,000
Speaker 1: us approach her and we're like Kurtz has cut the

670
00:41:33,080 --> 00:41:41,920
Speaker 1: butter Benedict arm and um, we're Sad's is like, okay,

671
00:41:42,040 --> 00:41:44,200
Speaker 1: we're not saying the dude is playing you, but you

672
00:41:44,280 --> 00:41:47,000
Speaker 1: know he's playing you. And leave it to Chris with

673
00:41:47,080 --> 00:41:50,640
Speaker 1: his communic timing to make this hit so well, it's

674
00:41:50,640 --> 00:41:53,799
Speaker 1: also like you you either dump him, will you stay

675
00:41:53,800 --> 00:41:55,799
Speaker 1: with him in league glee club or we'll all quick

676
00:41:55,880 --> 00:42:02,399
Speaker 1: glee club. Everyone's replaceable exactly. And this threat, we think

677
00:42:02,600 --> 00:42:04,720
Speaker 1: would have worked if she if Sue didn't get Britany

678
00:42:04,760 --> 00:42:11,160
Speaker 1: and Santa and Santana to round up mustache sporting teenage

679
00:42:11,200 --> 00:42:14,120
Speaker 1: girls with clandular conditions to make the McKinley High Old

680
00:42:14,200 --> 00:42:17,320
Speaker 1: Maids Club and then invite Rachel to it. And obviously

681
00:42:17,440 --> 00:42:19,719
Speaker 1: Lawrence Ziss is there and tells Rachel that she fell

682
00:42:19,760 --> 00:42:22,279
Speaker 1: for a boy and on the wrestling squad and she

683
00:42:22,520 --> 00:42:24,719
Speaker 1: was like, you know, her team wouldn't go for it,

684
00:42:24,840 --> 00:42:29,279
Speaker 1: so she's like, chose the wrestling team. But now she

685
00:42:29,400 --> 00:42:31,279
Speaker 1: spends her Friday nights making out with her cat. And

686
00:42:32,120 --> 00:42:37,239
Speaker 1: that was Ashley Think at her, you know, just the

687
00:42:37,320 --> 00:42:41,480
Speaker 1: beginning of Ashley Think making us laugh. Oh yeah. This

688
00:42:41,680 --> 00:42:44,800
Speaker 1: is also like right before this too, there is some

689
00:42:45,040 --> 00:42:47,799
Speaker 1: sort of foreshadowing because and Rachel's trying to defend her

690
00:42:47,880 --> 00:42:50,000
Speaker 1: thing being like, well, well may not be true love,

691
00:42:50,040 --> 00:42:51,759
Speaker 1: but like what if we are, And then you know,

692
00:42:52,560 --> 00:42:55,879
Speaker 1: things happen. And then after this meeting, which is also

693
00:42:56,680 --> 00:43:00,680
Speaker 1: another classroom. Look, we're in another classroom, right, there's new

694
00:43:00,760 --> 00:43:03,759
Speaker 1: things happening. So Rachel's convinced, right, She's like, I gotta

695
00:43:03,760 --> 00:43:05,520
Speaker 1: be with I gotta be with a guy. I'm not

696
00:43:05,600 --> 00:43:08,239
Speaker 1: gonna end up an old maid. She needs to be

697
00:43:08,400 --> 00:43:14,480
Speaker 1: more narcissistic, and she goes to Jesse. She goes to

698
00:43:14,560 --> 00:43:17,719
Speaker 1: vocal adrenalines We're back a vocal adrenaline and there's this

699
00:43:17,920 --> 00:43:23,000
Speaker 1: like very big spotlight shows up on her and she

700
00:43:23,560 --> 00:43:26,560
Speaker 1: wants to know if he's playing her, because it'll be

701
00:43:26,600 --> 00:43:28,520
Speaker 1: the kind of heartbreak that girls like her holds onto

702
00:43:28,560 --> 00:43:35,040
Speaker 1: the rest of her lives. And he introduces himself to

703
00:43:35,200 --> 00:43:37,359
Speaker 1: her as the real Jesse, the guy who's nuts about her,

704
00:43:38,160 --> 00:43:42,200
Speaker 1: and they kiss and then we see this very sly

705
00:43:42,840 --> 00:43:47,760
Speaker 1: look that John Groth gives to Shelby Cortgren, who's standing

706
00:43:47,800 --> 00:43:50,919
Speaker 1: in the wings, very crouperly. So obviously we know there's

707
00:43:51,600 --> 00:43:58,800
Speaker 1: lots of shit going on, excuse my language, and so

708
00:43:59,120 --> 00:44:02,719
Speaker 1: Rachel's obviously not gonna end this, but she's not going

709
00:44:02,880 --> 00:44:07,880
Speaker 1: to tell anybody. And let's just say this. This is

710
00:44:07,960 --> 00:44:12,920
Speaker 1: her fifth guy in fourteen episodes. So she's really on

711
00:44:12,960 --> 00:44:15,000
Speaker 1: the way around. Her and Will are really just making

712
00:44:15,040 --> 00:44:19,560
Speaker 1: their way around. She's busy, yeah she is. And then

713
00:44:19,600 --> 00:44:22,160
Speaker 1: she lies to Finn and she's like, I ended it.

714
00:44:22,280 --> 00:44:27,080
Speaker 1: I took one for the team, obviously, because you know

715
00:44:27,239 --> 00:44:31,200
Speaker 1: she does. She wants the teams to succeed, and he

716
00:44:31,360 --> 00:44:37,640
Speaker 1: wants to get back together, and she's like again she lies, yeah,

717
00:44:38,480 --> 00:44:40,880
Speaker 1: and he says he doesn't give up that easy, and

718
00:44:40,880 --> 00:44:43,160
Speaker 1: he'll see in rehearsals. And now I'm like Finns chasing

719
00:44:43,320 --> 00:44:46,880
Speaker 1: Rachel and I'm like, oh, the tables have turned and

720
00:44:47,000 --> 00:44:49,719
Speaker 1: I feel things after this, I'm like, Okay, I'm back,

721
00:44:50,400 --> 00:44:56,120
Speaker 1: and then we do Hello goodbye Kevin. Yeah, were we

722
00:44:56,200 --> 00:45:00,160
Speaker 1: in this episode at all? I think we each had two.

723
00:45:01,360 --> 00:45:05,759
Speaker 1: But also, do you remember this number? What is the deal?

724
00:45:05,880 --> 00:45:11,040
Speaker 1: I remember a feeling, but I don't remember an uneasy

725
00:45:11,080 --> 00:45:14,000
Speaker 1: feeling of this number. Yeah, oh my god. Yeah, it's

726
00:45:14,000 --> 00:45:17,000
Speaker 1: where everybody's vomiting. Yes, that's right, that's where it is.

727
00:45:18,400 --> 00:45:20,680
Speaker 1: There was something about this rehearsal too, though, is really weird.

728
00:45:20,800 --> 00:45:24,240
Speaker 1: But um, right, wasn't there. Yeah. I can't remember exactly

729
00:45:24,320 --> 00:45:29,239
Speaker 1: what happened. I think it was the shoes, but um this.

730
00:45:29,760 --> 00:45:32,839
Speaker 1: When we were shooting this number, Amber had the flu,

731
00:45:33,719 --> 00:45:37,319
Speaker 1: Leah had the flu, maybe somebody else of the flu,

732
00:45:37,840 --> 00:45:40,319
Speaker 1: And literally we'd be like coming off the risers doing

733
00:45:40,360 --> 00:45:43,080
Speaker 1: that little like hand gesture, and then Amber would run

734
00:45:43,080 --> 00:45:44,680
Speaker 1: to the side of the stage and throw up in

735
00:45:44,719 --> 00:45:47,160
Speaker 1: a trash can. And then the next take, Leah would

736
00:45:47,239 --> 00:45:48,719
Speaker 1: run up to the side of the stage and throw

737
00:45:48,800 --> 00:45:50,720
Speaker 1: up in a trash can, and you'd hear like somebody's

738
00:45:50,760 --> 00:45:53,040
Speaker 1: throwing up maybe Nia. I think Nia also was sick

739
00:45:53,520 --> 00:45:57,959
Speaker 1: and it was gnarrowly and I was like thinking, like, please, don't, please,

740
00:45:57,960 --> 00:46:01,520
Speaker 1: don't get sick, Jenna, like, just don't vomitate. Did we No,

741
00:46:01,680 --> 00:46:05,880
Speaker 1: we didn't. When did we start living together? Were we

742
00:46:05,960 --> 00:46:08,280
Speaker 1: living together yet? At this point we had just started

743
00:46:08,320 --> 00:46:13,200
Speaker 1: living together. That's right, Okay, Um, anyway, I do like

744
00:46:13,280 --> 00:46:17,680
Speaker 1: this number though it actually looks weirdly clean, right, Like

745
00:46:17,760 --> 00:46:20,920
Speaker 1: the dancing looks pretty good. Yeah, And I remember the

746
00:46:21,040 --> 00:46:23,239
Speaker 1: choreography of like doing the little like hand thing, and

747
00:46:23,320 --> 00:46:25,680
Speaker 1: I remember, I don't know, there's something about it. You're

748
00:46:25,719 --> 00:46:28,040
Speaker 1: doing it very clean. I did note that I was like, oh,

749
00:46:28,120 --> 00:46:30,960
Speaker 1: Jenner's arm and hands are looking good, thank you so much.

750
00:46:31,040 --> 00:46:33,600
Speaker 1: And the first thirteen episodes we had sort of like

751
00:46:33,719 --> 00:46:37,520
Speaker 1: more time to record and to learn dances. Coming back

752
00:46:37,600 --> 00:46:39,200
Speaker 1: from this, it felt like, all of a sudden, we're

753
00:46:39,239 --> 00:46:42,640
Speaker 1: getting in to the conveyor belt sort of mode that

754
00:46:42,800 --> 00:46:45,399
Speaker 1: we get, Like these songs were recorded a lot more quickly.

755
00:46:45,440 --> 00:46:47,279
Speaker 1: The dance hersels happened a lot more quickly, like we

756
00:46:48,200 --> 00:46:53,040
Speaker 1: were really starting to find um, like the scheduling and

757
00:46:53,080 --> 00:46:54,600
Speaker 1: the rhythm of how this was all going to work

758
00:46:54,640 --> 00:46:56,480
Speaker 1: going forward. Yeah, because you had a lot more to do.

759
00:46:56,560 --> 00:46:58,879
Speaker 1: There were more songs and episodes now well, and also

760
00:46:59,040 --> 00:47:01,080
Speaker 1: like if people get like the flu like that and

761
00:47:01,160 --> 00:47:03,520
Speaker 1: we're still going, like it was like we have no

762
00:47:03,640 --> 00:47:07,480
Speaker 1: time to keep going and keep going. Um. It was

763
00:47:07,480 --> 00:47:09,600
Speaker 1: also very expensive to stop a day of work, yes,

764
00:47:10,200 --> 00:47:13,400
Speaker 1: on a big set like that. So and then um

765
00:47:14,920 --> 00:47:20,319
Speaker 1: we we episode ends with Emma watching Will during this performance,

766
00:47:21,000 --> 00:47:25,600
Speaker 1: saying hello goodbye, right, and Rachel and Finn kind of

767
00:47:25,640 --> 00:47:28,080
Speaker 1: playing this like hatt and mouse thing throughout the whole number,

768
00:47:28,280 --> 00:47:31,839
Speaker 1: and then Rachel runs off stage, probably to throw up,

769
00:47:32,280 --> 00:47:35,800
Speaker 1: and um we see Finn kind of like everybody's like

770
00:47:35,880 --> 00:47:42,600
Speaker 1: what happened? And that is this very thick episode. Yeah, yeah,

771
00:47:42,800 --> 00:47:45,520
Speaker 1: there's a lot of ground to cover. There was a

772
00:47:45,640 --> 00:47:47,480
Speaker 1: lot going on in real life too, you know, it's

773
00:47:47,520 --> 00:47:58,359
Speaker 1: just a lot. Let's get to some TARTI takes. Let's

774
00:47:58,360 --> 00:48:01,560
Speaker 1: pop through that. Yeah that's dead, Okay, cringe moments. I

775
00:48:01,640 --> 00:48:04,919
Speaker 1: mean there's so many. I would say that Jessica Simpson joke,

776
00:48:05,120 --> 00:48:08,960
Speaker 1: the yeah that's a big one, the Katrina joke, like

777
00:48:09,239 --> 00:48:13,040
Speaker 1: there's a lot of not great things. Yeah. The Jessica

778
00:48:13,120 --> 00:48:16,719
Speaker 1: Simpson it was pretty brutal, slitting the stomach like it's

779
00:48:16,760 --> 00:48:21,439
Speaker 1: all that's bad. Okay, all right, um. Worst dance move

780
00:48:22,760 --> 00:48:26,279
Speaker 1: I think they throwing up off. Yeah that's good. I

781
00:48:26,360 --> 00:48:30,440
Speaker 1: was gonna say it gives you hell. But yeah, definitely

782
00:48:30,560 --> 00:48:33,000
Speaker 1: that one too. We can vote, we can pick both. Yeah.

783
00:48:33,719 --> 00:48:40,840
Speaker 1: Best song hell Goodbye, Yeah, I think so Highway to Hell. Also,

784
00:48:41,080 --> 00:48:44,759
Speaker 1: I think Highway to Hell was great for sure. Um.

785
00:48:44,960 --> 00:48:52,480
Speaker 1: Best performance by a prop I mean, honestly, I think

786
00:48:52,560 --> 00:48:56,200
Speaker 1: my hand movements you are more than just a prop. Jenna,

787
00:48:56,360 --> 00:48:59,879
Speaker 1: just kidding. Um, well tell that to Tina and prop

788
00:49:00,719 --> 00:49:07,640
Speaker 1: um No. I think I vote the Pyro. Yeah, absolutely,

789
00:49:08,280 --> 00:49:10,160
Speaker 1: best lines I think. I mean, do you know the

790
00:49:10,200 --> 00:49:16,440
Speaker 1: dolphins are just case sharks. There's nothing better. That's that,

791
00:49:17,600 --> 00:49:21,279
Speaker 1: um Jenna. Yes, would you like to get some ship

792
00:49:21,320 --> 00:49:25,560
Speaker 1: we found on TikTok. Let's do it, okay, Um for

793
00:49:25,680 --> 00:49:28,279
Speaker 1: you and me, click on this first one, okay, the

794
00:49:28,400 --> 00:49:30,480
Speaker 1: top one. Then we can do the other one next

795
00:49:30,480 --> 00:49:36,160
Speaker 1: week because they are both so good. So on TikTok.

796
00:49:36,280 --> 00:49:42,759
Speaker 1: Doctor Dre four thousand, who is an Associate professor of chemistry,

797
00:49:43,600 --> 00:49:48,600
Speaker 1: is a PhD He and his I don't know associates

798
00:49:48,800 --> 00:49:53,920
Speaker 1: do these very well shot and elaborate tiktoks. And they

799
00:49:54,040 --> 00:49:59,840
Speaker 1: did say a little prayer with the actual choreography, Yeah, choreography, angle,

800
00:50:00,239 --> 00:50:06,200
Speaker 1: costume changes. It is absolutely incredible. I sent it to

801
00:50:06,320 --> 00:50:13,320
Speaker 1: everyone I know because I've I've just never seen genius.

802
00:50:13,640 --> 00:50:15,120
Speaker 1: Well done to the three of them. I don't know

803
00:50:15,120 --> 00:50:18,960
Speaker 1: if they filmed this themselves. Good, Like I don't know

804
00:50:19,040 --> 00:50:22,080
Speaker 1: what you're researching or doing, but like I don't even care.

805
00:50:22,400 --> 00:50:26,879
Speaker 1: It's fine, keep doing these videos, because Okay, how good?

806
00:50:27,160 --> 00:50:29,800
Speaker 1: How good is that? Like they have an overhead shot

807
00:50:30,480 --> 00:50:33,719
Speaker 1: that no, it's really really it's also clean, like it's

808
00:50:33,800 --> 00:50:38,239
Speaker 1: so good. They have they like they're quick learn quick learners. Yeah,

809
00:50:38,400 --> 00:50:40,640
Speaker 1: like go watch it. Like I said, doctor Dre four

810
00:50:40,719 --> 00:50:46,239
Speaker 1: thousand on TikTok, it's absolutely brilliant. Thank you for um

811
00:50:46,640 --> 00:50:49,040
Speaker 1: sending that to us. Thanks for making that video again,

812
00:50:49,200 --> 00:50:53,280
Speaker 1: keep tagging us and all these things. We love it truly,

813
00:50:53,840 --> 00:50:56,960
Speaker 1: and you're honestly you're welcome. It's a gift to have

814
00:50:57,120 --> 00:51:00,879
Speaker 1: seen this, and I'm honored. I don't know. I also

815
00:51:00,960 --> 00:51:02,600
Speaker 1: like to know how long it took for them to

816
00:51:02,719 --> 00:51:05,040
Speaker 1: do this, Like how I don't know. I hope they're

817
00:51:05,040 --> 00:51:07,760
Speaker 1: will get in trouble, but it's wonderful. No, it seems

818
00:51:07,760 --> 00:51:10,239
Speaker 1: like they have control of what they're doing. They're their

819
00:51:10,239 --> 00:51:14,560
Speaker 1: own bosses. I agree. Um okay, well, that is the

820
00:51:14,680 --> 00:51:19,759
Speaker 1: reintroduction to the reintroduction to the reinduction Ogli, and it

821
00:51:20,000 --> 00:51:22,680
Speaker 1: is time to move forward to the back nine because

822
00:51:22,719 --> 00:51:25,080
Speaker 1: it's a pretty good back nine. I want it. It's

823
00:51:25,120 --> 00:51:30,399
Speaker 1: just a little bit of an exposition filled episode. Next

824
00:51:30,440 --> 00:51:35,479
Speaker 1: week is a very exciting Oh it is the Power

825
00:51:35,480 --> 00:51:38,400
Speaker 1: of Madonna, So be sure to come back and recap

826
00:51:38,480 --> 00:51:40,560
Speaker 1: that with us because we have lots and lots and

827
00:51:40,760 --> 00:51:43,680
Speaker 1: lots of memories from that one. I'm super excited about it.

828
00:51:44,520 --> 00:51:47,839
Speaker 1: Thanks for being with us and hanging out, and we'll

829
00:51:47,840 --> 00:51:50,560
Speaker 1: see you next week. And that's what you really missed, Bbe.

830
00:51:51,320 --> 00:51:54,400
Speaker 1: Thanks for listening and follow us on Instagram at and

831
00:51:54,560 --> 00:51:56,799
Speaker 1: that's what you really miss pod. Make sure to write

832
00:51:56,840 --> 00:51:59,040
Speaker 1: us a review and leave us five stars. See you

833
00:51:59,120 --> 00:51:59,520
Speaker 1: next time.