WEBVTT - The Man Who Caught Fat Joe Stealing 

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<v Speaker 1>All right, all right, all right man. You know, before

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<v Speaker 1>we get started tonight, we've had a couple of losses.

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<v Speaker 1>H you want to start off, you want to start.

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<v Speaker 2>Us off, bro, Not really, man, I don't even want

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<v Speaker 2>to go to it right now. I can't remember.

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<v Speaker 1>Yeah, I'm anna give a big shout out, man to

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<v Speaker 1>the homeboy go Mac man from a bud of law.

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<v Speaker 1>He passed away today. I want to give condolences to

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<v Speaker 1>the homie man. We're gonna miss you, man. And you

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<v Speaker 1>know a other homie man out little et do that

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<v Speaker 1>when he's ready.

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<v Speaker 2>Man.

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<v Speaker 1>But we can't take life for granted, y'all. This life

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<v Speaker 1>is too short for bullshit and everything else.

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<v Speaker 3>Man.

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<v Speaker 1>We only here for a second, So let's fin in

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<v Speaker 1>that second. Let's thin that second being righteous, you know.

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<v Speaker 1>For shall glad to have you back, dog, glad to

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<v Speaker 1>have you back this week? Man, you know not, I

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<v Speaker 1>wish it wouldn't have been under those circumstances. You know.

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<v Speaker 2>Yeah, shit happens, man, and it be just like sudden.

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<v Speaker 2>You know, you can accept some type of shit. You know,

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<v Speaker 2>we all men, and we're supposed to be staying strong

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<v Speaker 2>and be built. But man, it's just it's just some

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<v Speaker 2>shit that happens man, that you can't even it just

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<v Speaker 2>it just knocks you down. It should should just be unexpected.

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<v Speaker 2>I guess that would be the real killer about it.

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<v Speaker 2>It'd be different when you know people and they going

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<v Speaker 2>through some stages, you know what I'm saying. I mean,

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<v Speaker 2>you know death is coming to us all. But you

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<v Speaker 2>know when it's somebody that you just like that, like

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<v Speaker 2>it's impossible, man, Like how did how It's impossible?

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<v Speaker 1>And then.

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<v Speaker 2>Coming up like how we came up? Man, You always

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<v Speaker 2>expected to be on some oh somebody shot my nigga,

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<v Speaker 2>or somebody did this, or my nigga went to prison

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<v Speaker 2>for a hundred years or some shit. When it's on

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<v Speaker 2>some like when it's on some like medical shit that

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<v Speaker 2>you can't understand, that shit like it fuck with you

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<v Speaker 2>because that's the shit that take you suddenly.

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<v Speaker 1>You know.

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<v Speaker 2>You know, if a nigga out there on the block

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<v Speaker 2>banging and serving or whatever, somebody might come by and

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<v Speaker 2>try to hit you. That's the chances we used to take.

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<v Speaker 2>You get me. But seeing you go through all of

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<v Speaker 2>that and you make it to a certain age and

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<v Speaker 2>you know, grandkids and you're chilling and whatever, and next

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<v Speaker 2>thing you know, bam. You know what I'm saying. You

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<v Speaker 2>get that phone call and now you rush into somebody's bedside.

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<v Speaker 2>You feel me that shit is crazy? Yeah it is, man,

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<v Speaker 2>You know it is.

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<v Speaker 1>Man. We can't take it for granted. Man, it's like

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<v Speaker 1>in the blink of eye, like literally, you know, in

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<v Speaker 1>the blink of an eye.

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<v Speaker 2>Man.

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<v Speaker 1>You know, one second you hear, the next you gone.

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<v Speaker 4>Man.

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<v Speaker 1>You know, we talk a lot about music, man, I

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<v Speaker 1>mean you we've had discussions on the show before about

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<v Speaker 1>the music industry just being really cutthroat. Today, man, we

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<v Speaker 1>got like sort of a detective. I'd like to call

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<v Speaker 1>him a forensics expert, right, you know, the homie gool Man.

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<v Speaker 1>Who's happening? Man?

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<v Speaker 5>Hey, first off, my conngolences, see you loved ones.

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<v Speaker 2>Good luck. Yeah, I appreciate that.

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<v Speaker 1>So gone Goo. Let me ask you, man, your name

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<v Speaker 1>is really unique, man, gon Goo? What is that?

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<v Speaker 5>My grandfather named me? He was headed the household.

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<v Speaker 2>Man.

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<v Speaker 6>You know, I don't know it's African or something. I mean,

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<v Speaker 6>my grandfather's in like fifth grade, but I never really

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<v Speaker 6>got it his it, but you know it stands out.

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<v Speaker 6>It's unique.

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<v Speaker 2>You know it.

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<v Speaker 6>You know it's you know, I guess it obviously it

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<v Speaker 6>stands out, you know what I'm saying. I mean, it works,

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<v Speaker 6>It works for me, It works for me.

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<v Speaker 1>Yeah, I bet if your grandfather names you probably means

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<v Speaker 1>something real powerful.

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<v Speaker 6>Yeah, it supposed if it's supposed to be like an

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<v Speaker 6>African witch doctor or something.

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<v Speaker 5>I mean, that's the story I was told.

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<v Speaker 6>I was there was a whole story to it, but

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<v Speaker 6>you know I forgot about I forgot, I forgot.

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<v Speaker 1>Well, you know, I'd like to call Ghanghu a forensics expert.

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<v Speaker 1>He like a detective. He liked those cats on the

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<v Speaker 1>first forty eight to come in when the bread is

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<v Speaker 1>messed up and not right, He's gonna come in and

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<v Speaker 1>find it and the ain't no how in it front of.

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<v Speaker 2>Him, right.

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<v Speaker 6>I do forensics on the royalty side, So I consider

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<v Speaker 6>myself a forensics royalty specialist.

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<v Speaker 1>Now that means you don't benish from everybody's business then,

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<v Speaker 1>because you know, hip hop is one of those arts

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<v Speaker 1>man where everybody got a horror story. Everybody don't been robbed.

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<v Speaker 5>Yeah, man, I mean I seen it all, man, definitely

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<v Speaker 5>seeing it all.

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<v Speaker 6>And it's going to continue, and you know, I mean

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<v Speaker 6>it can happen purposely or even by mistake. You know,

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<v Speaker 6>sometimes the system is just messed up too, you know

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<v Speaker 6>what I'm saying. That's paying out you know, bad software,

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<v Speaker 6>you know what I'm saying, Just you know, and it

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<v Speaker 6>just spits out and you got to catch it.

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<v Speaker 1>Yeah, So how did you get into this business man?

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<v Speaker 1>Because this thing is outworking to publish a business. But

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<v Speaker 1>your side is kind of different.

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<v Speaker 2>I mean, I grew up with some cats.

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<v Speaker 5>I used to be around the sugar Hill family.

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<v Speaker 6>The father, you know, was trying to teach me titbits

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<v Speaker 6>on the Royal East side that I would consider that.

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<v Speaker 6>He was pretty much an expert on the publishing and

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<v Speaker 6>master side of the business and stuff.

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<v Speaker 2>And you know.

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<v Speaker 6>When you come out of high school and a lot

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<v Speaker 6>of people were just knocking on his door, coming by

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<v Speaker 6>the wall, basically coming by his studio, trying to learn

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<v Speaker 6>the music business. You know, he had a door open

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<v Speaker 6>for a lot of people. He was teaching a lot

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<v Speaker 6>of people. You know what I'm saying. My family knew

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<v Speaker 6>his family, so I had an open door policy to

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<v Speaker 6>deal with him. And you know, he was able to

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<v Speaker 6>you know, I was able to learn a couple of

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<v Speaker 6>things from him, even though you know, I was learning

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<v Speaker 6>stuff on my own and stuff. But he was able

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<v Speaker 6>to you know, put you know, add some add some

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<v Speaker 6>season into what I what I already knew, and then

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<v Speaker 6>you know, I was able to go out there on

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<v Speaker 6>my own and try to like, you know, just find

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<v Speaker 6>you know, my own resolve on on issues. But it

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<v Speaker 6>took a lot of ringing ring experience. You know what

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<v Speaker 6>I'm saying. It's like you can't jump into the fight,

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<v Speaker 6>you know, against these experts. You're gonna get beat up,

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<v Speaker 6>you know, all around the ring, you know what I'm saying.

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<v Speaker 6>So it took a lot of court cases, reading a

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<v Speaker 6>lot of contracts, seeing a lot of pain, you know

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<v Speaker 6>what I'm saying, experiencing the pain, you know, gaining a

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<v Speaker 6>lot of emotion, gaining a lot of motion from from

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<v Speaker 6>from your clients, and stuff like that that would motivate you.

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<v Speaker 6>Reading a lot of books. You know, it took a

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<v Speaker 6>little bit of everything to get where I'm at. You

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<v Speaker 6>know what I'm saying, Good lawyers, better lawyers. You know,

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<v Speaker 6>it's it was just that it was just a bunch

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<v Speaker 6>of ingredients. You know what I'm saying. That that that

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<v Speaker 6>that that I ate, you know what I'm saying that

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<v Speaker 6>I ingested.

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<v Speaker 5>I ingested a lot of ingredients. You know what I'm saying.

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<v Speaker 1>Yeah, yeah, I am.

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<v Speaker 5>Now you know what I'm saying.

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<v Speaker 1>What's the you know, I'm gonna jump right into it, man.

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<v Speaker 1>What's the most scamba's case that you've seen? Man? Of

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<v Speaker 1>just somebody taking advantage of somebody.

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<v Speaker 6>I mean I got a couple, man, I mean I've

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<v Speaker 6>got I've got numerous cases.

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<v Speaker 1>I mean, well, you know, we got all. I want

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<v Speaker 1>to hear about them, man, because I think it's important. Yeah,

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<v Speaker 1>I don't realize how to protect themselves.

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<v Speaker 5>All right. I had a client one time.

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<v Speaker 6>Back in twenty ten or something like that, twenty eleven,

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<v Speaker 6>This lady Venus Dotson. She had a tax bill for

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<v Speaker 6>six figures, you know what I'm saying, and make along

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<v Speaker 6>su a short. You know, she was like, I never

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<v Speaker 6>why would I have a six figure tax bill? You

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<v Speaker 6>know what I'm saying, Like, I've never even made no

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<v Speaker 6>money in the industry like that.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 6>Basically, say, okay, so say, for example, somebody took MC

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<v Speaker 6>eight's name and was taken well, basically, somebody was taking

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<v Speaker 6>MC eights checks and cashing MC eights checks under his

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<v Speaker 6>government name. So say if mcs would be in my

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<v Speaker 6>ass cap or something like that, he was getting writer

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<v Speaker 6>checks under his government name. Somebody was cashing their checks

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<v Speaker 6>and getting the checks cashed under under their government name.

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<v Speaker 6>But they but you'd have to pay the tax bill

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<v Speaker 6>because under the government name the checks were for you.

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<v Speaker 6>They just got me directed to somebody else's mailbox so

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<v Speaker 6>they could cash them, you know what I'm saying. So

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<v Speaker 6>that's happened often. I know a few clients that that's

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<v Speaker 6>happened to. I mean, obviously the big pun case was

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<v Speaker 6>was was messed up. I mean, uh, you know, I

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<v Speaker 6>think people know by now. You know I met the

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<v Speaker 6>Punk family and the homeless shelter. You know, she was

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<v Speaker 6>receiving fake royalty statements for fourteen years. You know, I

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<v Speaker 6>had to take people, you know what I'm saying. You know,

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<v Speaker 6>I had to take Joe to court over that and

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<v Speaker 6>his publisher to prove that the royalty statements that they

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<v Speaker 6>that she was receiving was fake.

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<v Speaker 5>For fourteen years, from.

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<v Speaker 6>About twenty fifteen or somewhere around there, she was receiving

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<v Speaker 6>fake royalty statements to keep her unrecouped while while they

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<v Speaker 6>were really cashing the checks.

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<v Speaker 1>Wow. So he was sending her fake statements, like statements

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<v Speaker 1>he'd made up of his own that weren't there.

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<v Speaker 6>Well, he was telling this publisher to make fake royalty

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<v Speaker 6>statements so they whack up the money.

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<v Speaker 1>Okay. Wow, So you would rather see your man because

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<v Speaker 1>you know, he talks about poem with very high regard.

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<v Speaker 1>And it's kind of crazy that she would like allow

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<v Speaker 1>your homeboy's family to stay in a home with Selter

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<v Speaker 1>and we had money for him.

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<v Speaker 5>I mean, it was a game, agreed. I think he

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<v Speaker 5>created somebody.

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<v Speaker 6>He created somebody so spectacular that he just felt that

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<v Speaker 6>like that artist was his, no matter what, that not

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<v Speaker 6>even from inheritancy, Like that's not yours, that's my you

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<v Speaker 6>know what I'm saying. I mean that just that just

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<v Speaker 6>seems like that was the mentality, you know what I'm saying.

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<v Speaker 6>He didn't care that. Like just imagine she's like, hey, Joe,

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<v Speaker 6>you know what's up with the money. There's no money? Okay,

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<v Speaker 6>Hey Joe, I need to pay rent. You know, I

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<v Speaker 6>got Pun's crib. I'm about to lose her. Ah, there's

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<v Speaker 6>no money. Hey Joe, I'm living at my friend's house

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<v Speaker 6>with the kids.

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<v Speaker 2>Hey, no money. No money.

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<v Speaker 6>Hey, Joe, I'm living in a homeless shelter, like anything

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<v Speaker 6>with the money. There's no money, you know what I'm saying.

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<v Speaker 6>So he actually sort of transition of all of that happened,

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<v Speaker 6>and he still he still was sending her fake groalthy statements.

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<v Speaker 1>So he didn't care because you got to you got

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<v Speaker 1>a two million dollars, right.

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<v Speaker 6>I mean, I found two point three in the in

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<v Speaker 6>the I paid an orderor we.

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<v Speaker 5>Found two point three million dollars missing during discovery.

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<v Speaker 6>And it wasn't even all the discovery, you know, they

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<v Speaker 6>were they were missing pages in the discovery, you know,

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<v Speaker 6>and stuff like that, you know what I'm saying.

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<v Speaker 5>I mean, we could took the trial and found more

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<v Speaker 5>money and stuff.

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<v Speaker 6>Like that for sure, but you know, we had, you know,

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<v Speaker 6>there was a choice to you know, basically went to mediation,

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<v Speaker 6>you know what I'm saying, and we got the catalog

0:11:05.360 --> 0:11:08.280
<v Speaker 6>back from him and h Basically the publisher was getting

0:11:08.280 --> 0:11:10.320
<v Speaker 6>twenty five percent due to the fact that he brought

0:11:10.360 --> 0:11:12.600
<v Speaker 6>into the copyright due to advance, and then the other

0:11:12.640 --> 0:11:14.800
<v Speaker 6>seventy five percent was thirty seven and a half thirty

0:11:14.840 --> 0:11:17.280
<v Speaker 6>seven and a half half of Joe and half for

0:11:18.160 --> 0:11:21.240
<v Speaker 6>the pun of state, and we were able to get

0:11:21.280 --> 0:11:23.160
<v Speaker 6>you know, Joe's portion back because he got all the

0:11:23.160 --> 0:11:25.160
<v Speaker 6>blame in court, you know what I'm saying, because you know,

0:11:25.760 --> 0:11:27.880
<v Speaker 6>he didn't pass over the money when he got it.

0:11:29.840 --> 0:11:32.640
<v Speaker 1>M you know what, And this ain't no, this ain't

0:11:32.679 --> 0:11:35.240
<v Speaker 1>me man. Oh you're trying to smear Joe man because.

0:11:35.000 --> 0:11:36.559
<v Speaker 2>Not at all.

0:11:37.400 --> 0:11:39.400
<v Speaker 1>He's not the only one. Is just reality. It's just

0:11:39.400 --> 0:11:41.240
<v Speaker 1>the truth, man. Truth. Sometimes it's bad.

0:11:43.280 --> 0:11:43.480
<v Speaker 2>You know.

0:11:43.520 --> 0:11:45.920
<v Speaker 1>You would think, though, because he talks about that man

0:11:45.960 --> 0:11:48.280
<v Speaker 1>with very high regards, you would think, ain't no way

0:11:48.320 --> 0:11:51.480
<v Speaker 1>he gonn allow his man's wife and his baby's to starve.

0:11:51.600 --> 0:11:52.320
<v Speaker 1>You feel what I'm.

0:11:52.160 --> 0:11:56.600
<v Speaker 6>Saying, Uh, you know, I mean he had the options,

0:11:56.640 --> 0:11:59.000
<v Speaker 6>and he took advantage of whatever option he had to

0:11:59.040 --> 0:12:03.080
<v Speaker 6>go left or right, you know what I'm saying. And

0:12:03.280 --> 0:12:05.640
<v Speaker 6>you know, I'm just glad that I was able to

0:12:05.760 --> 0:12:08.560
<v Speaker 6>prove that the Royalty students were fake because maybe even

0:12:08.600 --> 0:12:10.880
<v Speaker 6>to this day, they probably be sending a fake royalty stavements.

0:12:11.920 --> 0:12:14.000
<v Speaker 2>Yeah, yeah, yeah.

0:12:13.360 --> 0:12:19.040
<v Speaker 1>You know it seemed like, man, during the early days

0:12:19.080 --> 0:12:21.960
<v Speaker 1>of hip hop, it was a lot of that going on,

0:12:22.040 --> 0:12:23.960
<v Speaker 1>and I think that was just because that was the

0:12:23.960 --> 0:12:26.240
<v Speaker 1>status quo. Kind of you know, you sign somebody, you

0:12:26.320 --> 0:12:28.360
<v Speaker 1>take the publish in. They don't really get no money

0:12:28.400 --> 0:12:30.640
<v Speaker 1>outside of what they give in the road, and that's it.

0:12:30.760 --> 0:12:33.280
<v Speaker 1>They kind of you know, going to oblivion or whatever.

0:12:33.400 --> 0:12:35.240
<v Speaker 2>Right, It's happened to the best of them.

0:12:35.280 --> 0:12:35.680
<v Speaker 5>I've seen.

0:12:35.880 --> 0:12:38.520
<v Speaker 6>I've seen run DMC in corporate Steve plot Nikki profile

0:12:38.559 --> 0:12:40.800
<v Speaker 6>records because Steve plott Nicky was sending one d fake

0:12:40.880 --> 0:12:41.640
<v Speaker 6>royalty statements.

0:12:44.040 --> 0:12:45.800
<v Speaker 1>Uh, you know what I'm saying. One of the biggest

0:12:45.800 --> 0:12:46.520
<v Speaker 1>groups in the world.

0:12:47.240 --> 0:12:49.360
<v Speaker 6>I mean yeah, but I mean but they also got

0:12:49.400 --> 0:12:52.920
<v Speaker 6>a lot of licensees like Christmas Holliday Records and all

0:12:52.920 --> 0:12:53.600
<v Speaker 6>that type stuff.

0:12:53.600 --> 0:12:54.079
<v Speaker 1>You know what I mean.

0:12:54.480 --> 0:12:58.079
<v Speaker 2>That God was able to man, Yeah, that God was

0:12:58.120 --> 0:13:00.600
<v Speaker 2>able to Yeah.

0:13:00.640 --> 0:13:02.280
<v Speaker 5>And they even they even lost the court case.

0:13:02.280 --> 0:13:03.640
<v Speaker 6>You know what I'm saying, because you know, they had

0:13:03.720 --> 0:13:06.600
<v Speaker 6>lack of knowledge and lack of technique to how to

0:13:06.600 --> 0:13:07.800
<v Speaker 6>fight a veteran like that.

0:13:07.880 --> 0:13:10.240
<v Speaker 5>You know what I'm saying. I mean, this guy's experienced.

0:13:11.080 --> 0:13:13.120
<v Speaker 6>In my opinion, it just seems like he don't like

0:13:13.120 --> 0:13:15.439
<v Speaker 6>paying black people, you know what I'm saying.

0:13:16.160 --> 0:13:21.400
<v Speaker 5>That's just my opinion, and.

0:13:19.400 --> 0:13:21.080
<v Speaker 6>I mean that's from my experience because I took him

0:13:21.120 --> 0:13:23.000
<v Speaker 6>to court before too, and stuff like that. And I

0:13:23.000 --> 0:13:26.640
<v Speaker 6>mean everybody I noticed black is getting manipulated from him

0:13:26.760 --> 0:13:30.880
<v Speaker 6>somehow somewhere. You know, there's a whole complaint border on

0:13:30.960 --> 0:13:33.000
<v Speaker 6>him basically from artists that call me. You know what

0:13:33.040 --> 0:13:37.040
<v Speaker 6>I'm saying. And uh, I mean Rob Base was signed

0:13:37.080 --> 0:13:42.199
<v Speaker 6>over there. I think DJ Quick signed to Profile Records

0:13:42.200 --> 0:13:46.560
<v Speaker 6>camp Low. Yeah, but I don't know it's never spoke

0:13:46.600 --> 0:13:48.000
<v Speaker 6>to him about it. But I'm just saying, but he's

0:13:48.040 --> 0:13:50.600
<v Speaker 6>one of those guys that in his contracts he didn't

0:13:50.600 --> 0:13:52.400
<v Speaker 6>give out publishing. He was just giving up royalty. You

0:13:52.440 --> 0:13:54.800
<v Speaker 6>didn't you didn't have publishing. You just you was just

0:13:54.880 --> 0:13:56.800
<v Speaker 6>getting you.

0:13:56.720 --> 0:14:00.000
<v Speaker 2>Know, publishing like that. You know what a lot of

0:14:00.440 --> 0:14:05.360
<v Speaker 2>like we wasn't get. Yeah, I didn't get publishing even

0:14:05.400 --> 0:14:07.599
<v Speaker 2>though it was there. I know shit about it.

0:14:08.360 --> 0:14:10.839
<v Speaker 6>Yeah, I mean done, Hey, bo, I would just sign

0:14:10.920 --> 0:14:12.720
<v Speaker 6>the same contract they did, just because I know what

0:14:12.760 --> 0:14:15.480
<v Speaker 6>I know now back then, being so and so aged,

0:14:15.480 --> 0:14:17.600
<v Speaker 6>I would have seen I would have signed the same contract,

0:14:17.640 --> 0:14:18.200
<v Speaker 6>you know what I'm saying.

0:14:18.240 --> 0:14:21.800
<v Speaker 5>So I'm no genius at eighteen twenty years old.

0:14:21.840 --> 0:14:22.480
<v Speaker 2>You know what I'm saying.

0:14:23.160 --> 0:14:25.560
<v Speaker 1>You know what the thing is though, kind of going ay,

0:14:26.240 --> 0:14:29.120
<v Speaker 1>nobody can give you your publishing. That is your right.

0:14:29.280 --> 0:14:32.640
<v Speaker 1>The moment you go in thatial intellectual probably the moment

0:14:32.680 --> 0:14:34.520
<v Speaker 1>you go in and write over the beat or whatever.

0:14:34.520 --> 0:14:36.880
<v Speaker 1>It's supposed to be a marriage between the producer and

0:14:36.920 --> 0:14:41.080
<v Speaker 1>the artist the writer. You know, you've got the you

0:14:41.120 --> 0:14:43.280
<v Speaker 1>know y'all, y'all both joining the orders of that copy

0:14:43.360 --> 0:14:46.520
<v Speaker 1>right right? Can't nobody give me the publishing? Somebody was

0:14:46.520 --> 0:14:47.640
<v Speaker 1>writing all your reps for you.

0:14:48.400 --> 0:14:50.800
<v Speaker 6>I'm just saying, Bob, but we're eighteen twenty years old,

0:14:50.800 --> 0:14:53.440
<v Speaker 6>We don't you know, we're thinking at forty something.

0:14:53.320 --> 0:14:54.760
<v Speaker 5>Fifty years old. Now, you know what I'm saying.

0:14:54.800 --> 0:15:00.520
<v Speaker 6>Fifty something years old, eighteen nineteen twenty years old, you know,

0:15:01.120 --> 0:15:03.560
<v Speaker 6>signing the Bad Boy or something like that or whatever

0:15:03.640 --> 0:15:05.920
<v Speaker 6>label to where they get a piece of publishing and

0:15:05.920 --> 0:15:08.680
<v Speaker 6>stuff like that. I mean, I mean, number one, you're

0:15:08.720 --> 0:15:11.560
<v Speaker 6>you're pretty intrigued by the advance. You know what I'm saying.

0:15:12.600 --> 0:15:14.800
<v Speaker 6>At eighteen nineteen years old, you see the advance. You

0:15:14.840 --> 0:15:15.800
<v Speaker 6>know what I'm saying, that's one thing.

0:15:15.880 --> 0:15:16.240
<v Speaker 2>Let's go.

0:15:16.560 --> 0:15:18.520
<v Speaker 6>You know what I'm saying, he's gonna they're gonnaet a

0:15:18.520 --> 0:15:19.960
<v Speaker 6>little piece of the publishing. You don't even know what

0:15:20.000 --> 0:15:21.960
<v Speaker 6>that pretty much means eighteen nineteen years old. You know

0:15:21.960 --> 0:15:22.440
<v Speaker 6>what I'm saying.

0:15:22.880 --> 0:15:25.200
<v Speaker 2>You don't, but yeah, and you just you just run

0:15:25.240 --> 0:15:26.040
<v Speaker 2>you just running with it.

0:15:26.080 --> 0:15:28.440
<v Speaker 6>I mean, I hate a lot of people argue about

0:15:28.520 --> 0:15:31.160
<v Speaker 6>puff now at forty years old, forty something years old

0:15:31.360 --> 0:15:33.560
<v Speaker 6>because because they're all the naw they realized what the

0:15:33.640 --> 0:15:36.600
<v Speaker 6>value of the publishing is now they now they understand that,

0:15:36.840 --> 0:15:39.200
<v Speaker 6>oh I lost a piece of my real estate, you know.

0:15:39.400 --> 0:15:41.360
<v Speaker 6>But but just think that even happened a biggie. The

0:15:41.760 --> 0:15:43.360
<v Speaker 6>guy had a piece of biggie too. I mean, it

0:15:43.400 --> 0:15:46.760
<v Speaker 6>doesn't matter how big you are, you know what I'm saying.

0:15:46.880 --> 0:15:48.200
<v Speaker 2>It happens to the best of them. You know what

0:15:48.200 --> 0:15:48.520
<v Speaker 2>I'm saying.

0:15:48.560 --> 0:15:51.200
<v Speaker 6>You could beat Michael Jordan of the rap game at

0:15:51.200 --> 0:15:53.440
<v Speaker 6>the end of the day. But when you're eighteen nineteen,

0:15:53.480 --> 0:15:55.640
<v Speaker 6>you signed, you signed this contract. You know what I'm saying.

0:15:55.920 --> 0:15:57.600
<v Speaker 6>It just it just it just is what it is,

0:15:57.640 --> 0:15:59.480
<v Speaker 6>you know what I'm saying. I mean, it's better that

0:15:59.600 --> 0:16:02.440
<v Speaker 6>than getting the royalty at the same time. I mean,

0:16:03.160 --> 0:16:06.280
<v Speaker 6>you know, at least it transcended from the royalty stage

0:16:06.320 --> 0:16:07.960
<v Speaker 6>to where you get your own publishing entity.

0:16:08.000 --> 0:16:08.640
<v Speaker 5>You know what I'm saying.

0:16:09.600 --> 0:16:11.720
<v Speaker 2>Right, how prevalent.

0:16:11.920 --> 0:16:15.120
<v Speaker 1>Was that, like with what's one of the older labels, man,

0:16:15.160 --> 0:16:19.000
<v Speaker 1>one of the one of the premier labels, what was

0:16:19.000 --> 0:16:20.640
<v Speaker 1>the label came and signed.

0:16:20.360 --> 0:16:21.440
<v Speaker 5>To, Yeah, Coach Killing.

0:16:21.600 --> 0:16:25.440
<v Speaker 2>I meant, I got Coach Chilling clients and stuff like that.

0:16:25.480 --> 0:16:26.080
<v Speaker 2>You know what I'm saying.

0:16:26.080 --> 0:16:28.440
<v Speaker 6>We got terminations and got them the entity back and

0:16:28.480 --> 0:16:29.160
<v Speaker 6>stuff like that.

0:16:31.240 --> 0:16:33.240
<v Speaker 5>It was, like I said, that was that was pretty

0:16:33.320 --> 0:16:36.000
<v Speaker 5>much a template of the eighties.

0:16:36.440 --> 0:16:37.120
<v Speaker 2>You know what I'm saying.

0:16:37.720 --> 0:16:40.600
<v Speaker 6>That was just an eighties But once again, eighteen nineteen

0:16:40.680 --> 0:16:45.640
<v Speaker 6>years old Chantey was Chantey was fifteen sixteen when she signed.

0:16:46.160 --> 0:16:49.240
<v Speaker 2>You know what I'm saying, I mean, who what?

0:16:50.640 --> 0:16:51.080
<v Speaker 1>Hey? Man?

0:16:51.120 --> 0:16:52.760
<v Speaker 2>You know what I'm saying, what do you what do

0:16:52.800 --> 0:16:54.440
<v Speaker 2>you know with that? Sixteen years old?

0:16:54.440 --> 0:16:56.880
<v Speaker 6>Hey, I'm supposed to oh, my publishing, my copyrights supposed

0:16:56.880 --> 0:16:59.080
<v Speaker 6>to be like this and like this, Like idan, I

0:16:59.080 --> 0:16:59.920
<v Speaker 6>can't hurt out the room.

0:17:00.160 --> 0:17:00.920
<v Speaker 2>You know what I'm saying.

0:17:03.360 --> 0:17:06.560
<v Speaker 1>Wow, you know that.

0:17:06.640 --> 0:17:08.359
<v Speaker 5>Look back then, you wouldn't even have a deal. I

0:17:08.400 --> 0:17:09.200
<v Speaker 5>get you out the room.

0:17:09.640 --> 0:17:14.840
<v Speaker 2>You know what I'm saying. Yeah, we'll call you, yeah exactly.

0:17:15.320 --> 0:17:17.120
<v Speaker 1>You know what I'm saying, Yeah, we hit you later

0:17:17.160 --> 0:17:19.200
<v Speaker 1>on because you know too much. You talk. Youre about

0:17:19.240 --> 0:17:20.240
<v Speaker 1>to call some problems.

0:17:20.440 --> 0:17:22.760
<v Speaker 6>Yeah, but I'm just saying, man, I'm just glad that

0:17:22.880 --> 0:17:25.119
<v Speaker 6>you know, these people graduated, you know what I'm saying,

0:17:25.680 --> 0:17:27.480
<v Speaker 6>to be the people who they were in the business.

0:17:27.680 --> 0:17:29.880
<v Speaker 6>You know, a lot of these people are soundtracks are

0:17:30.320 --> 0:17:32.879
<v Speaker 6>my childhood and teenage years, high school years and stuff

0:17:32.920 --> 0:17:36.240
<v Speaker 6>like that. You know what I'm saying. When you're that age,

0:17:36.280 --> 0:17:38.680
<v Speaker 6>you don't really know the stories like that. You know

0:17:38.720 --> 0:17:40.840
<v Speaker 6>what I'm saying, like, oh, this person is not getting

0:17:40.840 --> 0:17:42.200
<v Speaker 6>paid like that and stuff like that.

0:17:42.440 --> 0:17:45.280
<v Speaker 5>You're more like seventeen eighteen. Look at them like a superhero,

0:17:45.320 --> 0:17:45.920
<v Speaker 5>you know what I'm saying.

0:17:45.960 --> 0:17:48.879
<v Speaker 1>You know, And like we talked about earlier off the year,

0:17:48.960 --> 0:17:52.080
<v Speaker 1>it's not always just some big evil executive somewhere that's

0:17:52.119 --> 0:17:54.480
<v Speaker 1>just certain stuff. Sometimes it's a case of people not

0:17:54.600 --> 0:17:57.359
<v Speaker 1>understanding business as well. You know, like you said, you

0:17:57.440 --> 0:17:59.760
<v Speaker 1>get in advance and you spend money, people spend money

0:17:59.840 --> 0:18:02.880
<v Speaker 1>on putting your record out and certain things, and you

0:18:02.880 --> 0:18:05.560
<v Speaker 1>you know, you may sign a piece of your publishing

0:18:06.000 --> 0:18:07.679
<v Speaker 1>or I think it kind of is a great area

0:18:07.720 --> 0:18:09.560
<v Speaker 1>as when you just do it, when you just do

0:18:09.720 --> 0:18:12.000
<v Speaker 1>somebody wrong for lack of knowledge and you don't explain

0:18:12.080 --> 0:18:14.280
<v Speaker 1>to him, Hey, we're doing this deal I'm going to

0:18:14.359 --> 0:18:16.920
<v Speaker 1>give I'm gonna put your record out, but it's changed.

0:18:17.280 --> 0:18:19.280
<v Speaker 1>You're going to give me twenty percent of your publishing.

0:18:19.400 --> 0:18:22.560
<v Speaker 1>That means this, You give somebody a choice. You feel

0:18:22.560 --> 0:18:23.080
<v Speaker 1>what I'm saying.

0:18:24.920 --> 0:18:25.439
<v Speaker 2>I feel you.

0:18:25.520 --> 0:18:28.760
<v Speaker 6>But I just think in this business, this game is

0:18:28.760 --> 0:18:32.680
<v Speaker 6>for keeps. You know what I'm saying. That's the mentality

0:18:32.760 --> 0:18:36.080
<v Speaker 6>is for keeps. I mean, just think well, I mean,

0:18:36.400 --> 0:18:40.399
<v Speaker 6>just think in the sixties, Roulette, Morris Levy, you know,

0:18:40.920 --> 0:18:44.560
<v Speaker 6>guys like that throughout the era. The tradition just gets

0:18:44.560 --> 0:18:46.920
<v Speaker 6>passed on. You know what I'm saying. You know, it's

0:18:46.960 --> 0:18:49.240
<v Speaker 6>just like yo, like yo, here's the handbook. You know

0:18:49.280 --> 0:18:52.360
<v Speaker 6>what I'm saying now, mind you Okay. I was going

0:18:52.400 --> 0:18:54.560
<v Speaker 6>through a situation with Puffy one time, right back in

0:18:54.600 --> 0:18:57.560
<v Speaker 6>like twenty twenty one. He called my house, Well, he

0:18:57.640 --> 0:18:59.760
<v Speaker 6>called myself up when I was hanging, you know, doing

0:18:59.760 --> 0:19:02.119
<v Speaker 6>what in my living room and stuff like that, and

0:19:02.160 --> 0:19:04.879
<v Speaker 6>he was just like basically like yo, man, like you

0:19:04.960 --> 0:19:07.040
<v Speaker 6>see me discrepancies.

0:19:07.320 --> 0:19:09.560
<v Speaker 5>Don't call my lawyer, don't call my publisher.

0:19:09.680 --> 0:19:10.240
<v Speaker 2>Just call me.

0:19:10.440 --> 0:19:14.679
<v Speaker 5>This is my cell member, Just call me.

0:19:15.200 --> 0:19:16.880
<v Speaker 2>You know what I'm saying, I'm.

0:19:16.680 --> 0:19:18.040
<v Speaker 6>Looking at it like oh shit, like this is the

0:19:18.040 --> 0:19:19.800
<v Speaker 6>big homie because I used to be a bad boyal time.

0:19:20.000 --> 0:19:21.840
<v Speaker 2>Like I'm like, okay, I'm gonna call you, like I'll

0:19:21.880 --> 0:19:23.080
<v Speaker 2>call you like you know what I'm saying.

0:19:23.280 --> 0:19:25.800
<v Speaker 6>He had me like half hypnotized, like okay, like I'll

0:19:25.800 --> 0:19:27.280
<v Speaker 6>just call you about it, you know what I'm saying.

0:19:28.160 --> 0:19:30.879
<v Speaker 2>And my client, my client was pissed.

0:19:30.880 --> 0:19:32.560
<v Speaker 6>My client was like, yo, man, like I know he's

0:19:32.600 --> 0:19:34.560
<v Speaker 6>playing me and all this stuff, my money, this and that.

0:19:35.200 --> 0:19:38.600
<v Speaker 5>So Puff called him up right, And when.

0:19:38.440 --> 0:19:41.000
<v Speaker 2>I spoke to my client, I was like, Yo, so

0:19:41.000 --> 0:19:42.960
<v Speaker 2>what y'all talk about? He said, Yo?

0:19:43.000 --> 0:19:43.159
<v Speaker 3>You know?

0:19:43.240 --> 0:19:44.879
<v Speaker 6>Puff said to me. I was like, what do you

0:19:44.920 --> 0:19:47.960
<v Speaker 6>say to you? He said, hey, man, I'm just doing

0:19:47.960 --> 0:19:49.000
<v Speaker 6>what the white man taught me.

0:19:51.840 --> 0:19:56.080
<v Speaker 1>See this nothing, you know what, man? I can understand

0:19:56.160 --> 0:19:58.840
<v Speaker 1>young cats doing something together and don't nobody know what's

0:19:58.840 --> 0:20:02.679
<v Speaker 1>going on, But you can't take bad habits. Dog, if

0:20:02.720 --> 0:20:04.639
<v Speaker 1>your father used to beat your mama, that don't mean

0:20:04.640 --> 0:20:07.760
<v Speaker 1>you beat your wife when you get married. You feel

0:20:07.760 --> 0:20:12.000
<v Speaker 1>what I'm saying, You know that don't mean you keep

0:20:12.000 --> 0:20:14.280
<v Speaker 1>some you know, bad habits going on. Example off, I

0:20:14.320 --> 0:20:15.400
<v Speaker 1>don't think that's an excuse.

0:20:15.480 --> 0:20:15.680
<v Speaker 2>Man.

0:20:15.720 --> 0:20:19.640
<v Speaker 1>I've always thought that publishing is an artist's legacy. Bro,

0:20:19.720 --> 0:20:24.280
<v Speaker 1>that's mailbox money. Because hip hop is not like rock

0:20:24.320 --> 0:20:28.080
<v Speaker 1>and roll. Hip hop has a problem with ageism very much.

0:20:28.160 --> 0:20:30.760
<v Speaker 1>So it's not like rock and roll to where you're

0:20:30.800 --> 0:20:32.639
<v Speaker 1>going to continue to be able to put our records

0:20:32.680 --> 0:20:34.479
<v Speaker 1>on a major label at the high left and get

0:20:34.520 --> 0:20:37.680
<v Speaker 1>big advances. No, eventually you're going to be putting records

0:20:37.720 --> 0:20:39.560
<v Speaker 1>out on your own. If you're putting them out at all,

0:20:41.119 --> 0:20:43.720
<v Speaker 1>you'll probably still going to go on tour. But that's

0:20:43.720 --> 0:20:46.040
<v Speaker 1>supposed to be like your mailbox money. So when you

0:20:46.080 --> 0:20:48.520
<v Speaker 1>get older, man, you got that, you know that publishing coming.

0:20:48.760 --> 0:20:51.040
<v Speaker 1>We got guys that have really big records. Man, it's

0:20:51.080 --> 0:20:52.000
<v Speaker 1>not getting the publishing.

0:20:53.400 --> 0:20:55.280
<v Speaker 6>I mean, I see a lot of times puswa. I

0:20:55.359 --> 0:20:57.639
<v Speaker 6>just had a case today. Like I told you, I

0:20:57.680 --> 0:21:01.040
<v Speaker 6>would through six boxes of contracts today. I flew him

0:21:01.040 --> 0:21:04.640
<v Speaker 6>from DC to go to Maryland. My client drove from

0:21:05.200 --> 0:21:08.240
<v Speaker 6>Virginia to Maryland to meet up with meet it with

0:21:08.280 --> 0:21:09.920
<v Speaker 6>me and my lawyer at the lawyer's office. We were

0:21:10.080 --> 0:21:14.280
<v Speaker 6>in the conference room going through contracts, right, and you

0:21:14.280 --> 0:21:16.520
<v Speaker 6>know it's in a state. They inherited it. They inherited.

0:21:16.760 --> 0:21:19.200
<v Speaker 6>They inherited this estate of works and stuff like that.

0:21:19.680 --> 0:21:22.640
<v Speaker 6>And when the grandfather died, who did all this work?

0:21:22.680 --> 0:21:25.159
<v Speaker 6>When the grandfather died, his granddaughter inherited. So when the

0:21:25.160 --> 0:21:30.800
<v Speaker 6>grandfather died, the manager turned around. The Jewish guy manager

0:21:30.800 --> 0:21:34.080
<v Speaker 6>turned around and claimed him as all his and he

0:21:34.160 --> 0:21:36.880
<v Speaker 6>was selling was he was selling off the publishing, like, yeah,

0:21:36.880 --> 0:21:39.560
<v Speaker 6>give me a hundred thousand for these three songs, and

0:21:39.680 --> 0:21:40.920
<v Speaker 6>you know this and that, so I could live in

0:21:40.960 --> 0:21:42.680
<v Speaker 6>Beverly Hills and all this other stuff, you know what

0:21:42.680 --> 0:21:45.080
<v Speaker 6>I'm saying. So you don't know where angle is coming from,

0:21:45.160 --> 0:21:46.640
<v Speaker 6>you know what I'm saying. And a lot of times

0:21:46.720 --> 0:21:49.199
<v Speaker 6>when you inherit stuff like you're not going to know.

0:21:49.480 --> 0:21:52.640
<v Speaker 6>Like you know, if eight passed away and I talked

0:21:52.640 --> 0:21:55.239
<v Speaker 6>to one of his relatives and I say, hey, like,

0:21:55.480 --> 0:21:57.600
<v Speaker 6>well eight oed me money, and they're not going to

0:21:57.640 --> 0:21:59.119
<v Speaker 6>know as much as he did because he was hands

0:21:59.119 --> 0:22:00.919
<v Speaker 6>over with the business. You know what I'm saying. The

0:22:01.040 --> 0:22:04.840
<v Speaker 6>state can be manipulated. This guy was manipulating. He was controlling.

0:22:05.280 --> 0:22:08.360
<v Speaker 6>This guy died in nineteen eighty. He was controlling everything

0:22:08.440 --> 0:22:13.040
<v Speaker 6>from nineteen eighty to like nineteen ninety six. So what

0:22:13.640 --> 0:22:17.760
<v Speaker 6>was No, this is a guy named Lincoln Chase. He

0:22:17.880 --> 0:22:20.680
<v Speaker 6>sampled a lot jay Z, Mariah Carry Heartbreaker and stuff

0:22:20.760 --> 0:22:22.240
<v Speaker 6>like that. You know, he got a lot of works

0:22:22.240 --> 0:22:24.600
<v Speaker 6>and stuff like that that gets sampled and stuff like that.

0:22:24.760 --> 0:22:27.439
<v Speaker 6>But all I'm saying is that, you know, it's not

0:22:27.480 --> 0:22:28.840
<v Speaker 6>just hip hop that I do and stuff like that.

0:22:29.000 --> 0:22:30.520
<v Speaker 6>This was like I do jazz. You know, I got

0:22:30.560 --> 0:22:32.240
<v Speaker 6>a whole bunch of clients and stuff like that. But

0:22:32.280 --> 0:22:36.399
<v Speaker 6>I'm just saying, like, you know, what I'm saying is that, well.

0:22:36.840 --> 0:22:39.840
<v Speaker 2>Shit, when you're doing work like that, so you got

0:22:39.840 --> 0:22:41.720
<v Speaker 2>to be able to and you got to be able

0:22:41.720 --> 0:22:44.600
<v Speaker 2>to broaden your horizons when you fucking with different type

0:22:44.640 --> 0:22:46.560
<v Speaker 2>of people, when you can prove that you can do

0:22:46.600 --> 0:22:47.640
<v Speaker 2>that type of different shit.

0:22:49.080 --> 0:22:51.800
<v Speaker 6>Yeah, yeah, absolutely, I agree, you know what I'm saying.

0:22:51.840 --> 0:22:54.400
<v Speaker 6>So yeah, yeah, you know what I'm saying. My work

0:22:54.440 --> 0:22:58.000
<v Speaker 6>is diverse. So all I'm saying is that, you know,

0:22:58.240 --> 0:23:00.760
<v Speaker 6>there's so many different ways to try to stuff.

0:23:00.760 --> 0:23:02.320
<v Speaker 5>You know what I'm saying, there's a lot of forgeries

0:23:02.359 --> 0:23:02.919
<v Speaker 5>in the business.

0:23:02.960 --> 0:23:03.600
<v Speaker 2>You know what I'm saying.

0:23:03.680 --> 0:23:06.919
<v Speaker 6>I think I might have said before, like his his

0:23:07.040 --> 0:23:10.000
<v Speaker 6>one trick that goes down, but by veterans, you know,

0:23:10.040 --> 0:23:12.840
<v Speaker 6>what I'm saying, I can are you asking it?

0:23:12.880 --> 0:23:18.360
<v Speaker 2>Being my eight I'm being a mind. Nigga stole my publisher. Okay, hey,

0:23:18.400 --> 0:23:22.440
<v Speaker 2>well okay, so okay, so you can do this. I

0:23:22.600 --> 0:23:26.640
<v Speaker 2>basically my first ever contract, I think I was seventeen eighteen.

0:23:26.800 --> 0:23:30.240
<v Speaker 2>I signed a contract with Big Beat Productions.

0:23:30.800 --> 0:23:34.080
<v Speaker 6>Oh Big, Big Atlantic, Big Beat, big Beat something, Big

0:23:34.119 --> 0:23:34.920
<v Speaker 6>Beat Atlantic.

0:23:35.520 --> 0:23:38.399
<v Speaker 2>Okay, Big Beat Atlantic was Craig Kauman. This was a

0:23:38.480 --> 0:23:43.119
<v Speaker 2>nigga name, unknown out of Detroit. He had an independent

0:23:43.200 --> 0:23:46.639
<v Speaker 2>record label called Techno Hop. That's where I got my

0:23:46.680 --> 0:23:51.960
<v Speaker 2>first shot at. Oh wow, And so when I signed

0:23:51.960 --> 0:23:55.200
<v Speaker 2>a deal with him, because he basically had a deal

0:23:55.359 --> 0:24:02.600
<v Speaker 2>on the table with Capital orpheus and so signed to him,

0:24:03.080 --> 0:24:06.600
<v Speaker 2>but I never signed a publishing deal. What he did

0:24:06.760 --> 0:24:09.720
<v Speaker 2>was he took a publishing contract and stapled it to

0:24:09.760 --> 0:24:13.920
<v Speaker 2>the back of my recording contract, and she was able

0:24:13.960 --> 0:24:17.560
<v Speaker 2>to take my publishing on the first two records. This

0:24:19.160 --> 0:24:27.480
<v Speaker 2>was like ninety that might be be resolved these days. Okay, people,

0:24:29.560 --> 0:24:37.679
<v Speaker 2>but you and then people look at it as people

0:24:37.720 --> 0:24:40.960
<v Speaker 2>look at it from his side, probably like nigga, you

0:24:41.119 --> 0:24:43.880
<v Speaker 2>had to pay your dues, so look at that as

0:24:43.920 --> 0:24:49.600
<v Speaker 2>paying your dues, right, where would you be if if

0:24:49.640 --> 0:24:52.680
<v Speaker 2>a nigga would have never put you out? What would

0:24:52.720 --> 0:24:55.320
<v Speaker 2>you be if a nigga never decided to, you know,

0:24:55.600 --> 0:24:56.800
<v Speaker 2>drop a record.

0:24:56.520 --> 0:24:57.280
<v Speaker 1>On you or whatever?

0:24:57.760 --> 0:25:04.000
<v Speaker 2>This ISMW yeah really yeah c m W. On my

0:25:04.080 --> 0:25:09.040
<v Speaker 2>first two projects, I didn't I didn't start probably getting

0:25:09.080 --> 0:25:13.720
<v Speaker 2>published until the group was just you. I wrote everything,

0:25:14.280 --> 0:25:21.760
<v Speaker 2>oh o, oh okay wrote I wrote all the lyrics. Nobody, nobody.

0:25:22.160 --> 0:25:24.439
<v Speaker 2>One nigga did the beats, and one nigga did the

0:25:24.560 --> 0:25:27.440
<v Speaker 2>raps and that was me. I wrote all the araps

0:25:27.440 --> 0:25:28.000
<v Speaker 2>for the group.

0:25:28.600 --> 0:25:33.680
<v Speaker 5>Oh man, So I told you behind the scenes.

0:25:34.119 --> 0:25:38.119
<v Speaker 2>Right, So yeah, the niggas the nigga staple the publishing

0:25:38.200 --> 0:25:40.880
<v Speaker 2>contract to the back of the little record, and that's

0:25:40.880 --> 0:25:45.359
<v Speaker 2>how he was able to go to uh, the public,

0:25:45.359 --> 0:25:47.600
<v Speaker 2>That's how he was able to go get a publishing deal.

0:25:48.119 --> 0:25:50.720
<v Speaker 2>He went and got a publishing deal with the motherfucker.

0:25:51.359 --> 0:25:54.199
<v Speaker 2>And uh, he only gave me. He only gave me

0:25:54.240 --> 0:25:57.199
<v Speaker 2>some chump change. I think it was for like a

0:25:57.280 --> 0:26:00.800
<v Speaker 2>hundred grand. The nigga, the nigga gave me some shit.

0:26:00.880 --> 0:26:05.880
<v Speaker 2>I could blow my nose with me. And he kept

0:26:06.960 --> 0:26:11.280
<v Speaker 2>around that and he got about it. He got about

0:26:11.359 --> 0:26:14.080
<v Speaker 2>it was probably about one hundred thousand dollars publishing deal

0:26:15.080 --> 0:26:17.480
<v Speaker 2>and he got yeah, and they gave me about five

0:26:17.560 --> 0:26:21.600
<v Speaker 2>grand and he kept the rest. Right, how old are

0:26:21.600 --> 0:26:26.120
<v Speaker 2>you then? Oh shit, I was about eighteen nineteen years old.

0:26:26.400 --> 0:26:26.600
<v Speaker 1>Yeah.

0:26:26.680 --> 0:26:28.400
<v Speaker 5>See that's what I'm saying. We don't know no better.

0:26:28.560 --> 0:26:29.400
<v Speaker 5>You know what I'm saying.

0:26:30.000 --> 0:26:30.800
<v Speaker 1>I got.

0:26:30.880 --> 0:26:34.359
<v Speaker 2>I just wanted to rap man. I ain't know about publishing,

0:26:34.480 --> 0:26:39.160
<v Speaker 2>and he was getting show money. No, I wasn't even

0:26:39.160 --> 0:26:41.760
<v Speaker 2>getting show money yet. I was just glad that I

0:26:41.800 --> 0:26:45.000
<v Speaker 2>had a record out. Okay, I hadn't even begun to

0:26:45.080 --> 0:26:48.520
<v Speaker 2>start touring. I really didn't start touring till my second album.

0:26:48.600 --> 0:26:54.399
<v Speaker 2>I didn't second album, W was so Lo CMW. Okay,

0:26:55.280 --> 0:26:57.720
<v Speaker 2>first album, it's a copy thing. I didn't do no

0:26:57.880 --> 0:27:00.679
<v Speaker 2>touring off of that. We sold a about close to

0:27:00.680 --> 0:27:03.920
<v Speaker 2>two three hundred, about two hundred and something thousand records

0:27:03.920 --> 0:27:08.600
<v Speaker 2>on this accomfent thing, and that was through Orpheus Capital,

0:27:09.200 --> 0:27:13.800
<v Speaker 2>and then they folded and so we ended up getting

0:27:13.880 --> 0:27:19.679
<v Speaker 2>picked up by Sony because Orpheus got picked up on

0:27:19.760 --> 0:27:25.879
<v Speaker 2>the deal with Sony, and so Orpheus had a deal

0:27:25.960 --> 0:27:30.679
<v Speaker 2>with Big Bet, which was who I was signed to. Okay,

0:27:31.440 --> 0:27:39.120
<v Speaker 2>but again i'm writing out, I'm writing everything that, all

0:27:39.160 --> 0:27:42.160
<v Speaker 2>the raps on all those CMW and m C eight

0:27:42.200 --> 0:27:46.760
<v Speaker 2>solo projects, I wrote all the raps. Nobody Ghoest wrote

0:27:46.880 --> 0:27:49.400
<v Speaker 2>none of that. I what made you go? What made

0:27:49.400 --> 0:27:50.040
<v Speaker 2>you go? Solo?

0:27:50.119 --> 0:27:54.800
<v Speaker 6>After this, after the second album.

0:27:53.080 --> 0:27:57.679
<v Speaker 2>The label my Nigga Chill kept going to jail and

0:27:57.720 --> 0:28:00.840
<v Speaker 2>they didn't want to keep pushing the cmb W line

0:28:01.200 --> 0:28:05.359
<v Speaker 2>when there was no CMW. It was just me and

0:28:05.440 --> 0:28:09.159
<v Speaker 2>the DJ. Chill was going in and out of jail

0:28:09.280 --> 0:28:14.639
<v Speaker 2>all the time, so it was just me. I was

0:28:14.680 --> 0:28:17.800
<v Speaker 2>doing all the songs, I was writing all of them,

0:28:18.040 --> 0:28:21.240
<v Speaker 2>I was doing all the videos by myself. I was

0:28:21.280 --> 0:28:24.960
<v Speaker 2>doing but I'm still going by confidence most warning mm hmm.

0:28:26.240 --> 0:28:28.920
<v Speaker 2>They felt probably it was better to just break off

0:28:28.960 --> 0:28:33.280
<v Speaker 2>and just deal with me as a solo artist's reliability

0:28:34.600 --> 0:28:38.520
<v Speaker 2>less of a lie what you say.

0:28:38.640 --> 0:28:42.560
<v Speaker 1>Still, I see a plus for branding that pick because

0:28:43.120 --> 0:28:46.320
<v Speaker 1>it was very not confusing. But I used to think

0:28:46.600 --> 0:28:50.640
<v Speaker 1>confience most wanted was just another name for you exactly.

0:28:50.920 --> 0:28:53.120
<v Speaker 1>There was never nobody else rapping it. He was always

0:28:53.160 --> 0:28:53.880
<v Speaker 1>only one rapping.

0:28:55.080 --> 0:28:59.440
<v Speaker 2>I was always I said, when you heard like you

0:28:59.560 --> 0:29:03.160
<v Speaker 2>really did hear Chill on songs because he was going

0:29:03.240 --> 0:29:07.000
<v Speaker 2>up in the window right, he was on the first version,

0:29:07.200 --> 0:29:11.240
<v Speaker 2>and then we did a remix and he wasn't on there.

0:29:12.920 --> 0:29:17.720
<v Speaker 2>We did the original version. I wrote the verse, I

0:29:17.760 --> 0:29:22.920
<v Speaker 2>wrote the lyrics, we cut the song. Ah, you know,

0:29:22.960 --> 0:29:29.160
<v Speaker 2>we were still we were still Street Niggas. Then O

0:29:30.320 --> 0:29:33.720
<v Speaker 2>Niggas was getting in trouble. Still. Chill went to jail

0:29:33.760 --> 0:29:37.840
<v Speaker 2>that night after we left the studio, so when it

0:29:37.960 --> 0:29:41.640
<v Speaker 2>was time to go do the radio version, he wasn't around.

0:29:41.840 --> 0:29:44.520
<v Speaker 2>So I had to do it by myself because we

0:29:44.600 --> 0:29:48.000
<v Speaker 2>had just cut the original song for the soundtrack, and

0:29:48.040 --> 0:29:51.959
<v Speaker 2>then it blew up so good that they wanted to

0:29:52.000 --> 0:29:54.440
<v Speaker 2>push it on the radio. So I had to go

0:29:54.520 --> 0:29:58.720
<v Speaker 2>back in and do a radio version. And then Who

0:29:58.760 --> 0:30:02.760
<v Speaker 2>and then Sony, who I was signed to, They was like, well, shit,

0:30:02.880 --> 0:30:05.760
<v Speaker 2>we want our piece. So they turned around and put

0:30:05.800 --> 0:30:09.280
<v Speaker 2>out a Naxi single with a whole remix, a whole

0:30:09.280 --> 0:30:13.560
<v Speaker 2>different beat to growing Up in the Hood. Oh, it

0:30:13.680 --> 0:30:16.360
<v Speaker 2>was like three different versions of growing Up in the Hood.

0:30:16.400 --> 0:30:19.120
<v Speaker 2>It's we got we got three different versions. We got

0:30:19.120 --> 0:30:23.520
<v Speaker 2>the original with me and Chill, then there's radio version

0:30:23.640 --> 0:30:27.000
<v Speaker 2>with just me, and then there's the more bounds remix

0:30:27.080 --> 0:30:27.680
<v Speaker 2>with just me.

0:30:30.240 --> 0:30:31.200
<v Speaker 1>Oh but.

0:30:32.640 --> 0:30:39.040
<v Speaker 2>I never I never decided to go solo like that

0:30:39.280 --> 0:30:42.960
<v Speaker 2>was pushed by the label. They was like, man, why

0:30:43.040 --> 0:30:47.040
<v Speaker 2>push Contence most wanted? When Contence most wanted this year?

0:30:47.760 --> 0:30:49.720
<v Speaker 5>That was a dope name too, though you know what

0:30:49.760 --> 0:30:50.200
<v Speaker 5>I'm saying.

0:30:51.160 --> 0:30:56.040
<v Speaker 2>Definitely, but they probably figured, and you know, this was

0:30:56.120 --> 0:31:02.360
<v Speaker 2>around the time where Image and James was everything. We

0:31:02.520 --> 0:31:05.480
<v Speaker 2>was already scaring niggas because we was young niggas black

0:31:05.520 --> 0:31:08.320
<v Speaker 2>with Jerry curls and khaki suits and ship like that.

0:31:12.400 --> 0:31:17.040
<v Speaker 2>They probably figured we would catch less. We would catch

0:31:17.120 --> 0:31:20.920
<v Speaker 2>less bullshit. If we go from Contence most Wanted to

0:31:21.360 --> 0:31:26.000
<v Speaker 2>MC eight, you give me M eight Contens most wanted,

0:31:26.320 --> 0:31:29.560
<v Speaker 2>even though he's Conten's most wanted. When you hear that

0:31:29.680 --> 0:31:35.240
<v Speaker 2>name push first, it's more relaxing than presenting Compton's most

0:31:35.280 --> 0:31:37.400
<v Speaker 2>wanted on somebody. You feel me.

0:31:38.960 --> 0:31:40.880
<v Speaker 5>That that's aggressive.

0:31:41.640 --> 0:31:44.400
<v Speaker 2>It's easier to go to radio with Hey, here's this

0:31:44.600 --> 0:31:48.320
<v Speaker 2>m C eight single. Then here's this Compton's most wanted single.

0:31:48.520 --> 0:31:54.480
<v Speaker 2>You get me? Yeah, I guess so, and go ahead.

0:31:54.520 --> 0:31:57.440
<v Speaker 1>Still, you wouldn't lucked up with them one of no

0:31:57.560 --> 0:31:58.720
<v Speaker 1>contract wizard.

0:31:59.160 --> 0:32:02.040
<v Speaker 2>Who with Sony?

0:32:02.880 --> 0:32:03.720
<v Speaker 1>Yeah?

0:32:03.800 --> 0:32:09.120
<v Speaker 2>Yeah. After I did Conscience most warn it, they restructured

0:32:09.120 --> 0:32:11.800
<v Speaker 2>the deal to just an m C eight solo deal.

0:32:12.400 --> 0:32:15.600
<v Speaker 6>Hey question, would you recall, like you know, you being

0:32:15.600 --> 0:32:18.120
<v Speaker 6>in an aggressive group like that, would you recall if

0:32:18.160 --> 0:32:19.800
<v Speaker 6>they had life insurance in your contract?

0:32:20.400 --> 0:32:23.800
<v Speaker 2>I have no idea. I'm pretty sure I had one

0:32:23.840 --> 0:32:28.360
<v Speaker 2>of the old school contracts. Nigga was a yeah I got.

0:32:30.320 --> 0:32:35.960
<v Speaker 6>That ship, yeah, yeah, yeah, yeah.

0:32:36.000 --> 0:32:40.720
<v Speaker 2>And then like the representation back then would like, you know,

0:32:41.800 --> 0:32:43.960
<v Speaker 2>it was just shady, you know what I'm saying.

0:32:44.280 --> 0:32:45.800
<v Speaker 5>Everybody he signed here.

0:32:46.400 --> 0:32:50.360
<v Speaker 2>I unfortunately, you know, came across a motherfucker who was

0:32:51.000 --> 0:32:53.200
<v Speaker 2>you know, he was out. He was out for the

0:32:53.280 --> 0:32:57.520
<v Speaker 2>money himself. You mean, Nigga didn't teach me anything as

0:32:57.560 --> 0:33:00.960
<v Speaker 2>an older motherfucker who was a lawyer, who was a

0:33:01.000 --> 0:33:04.080
<v Speaker 2>motherfucking you know, who had been through the who had

0:33:04.120 --> 0:33:06.479
<v Speaker 2>been through the business. He used to work for Stax

0:33:06.560 --> 0:33:09.320
<v Speaker 2>Records back in the days. So you would think that

0:33:09.360 --> 0:33:11.920
<v Speaker 2>a motherfucker was school you on the eels of the

0:33:12.000 --> 0:33:15.560
<v Speaker 2>record business and publishing. And recall that Nigga to give

0:33:15.560 --> 0:33:20.000
<v Speaker 2>a fuck. All he wanted was every time a check

0:33:20.040 --> 0:33:23.600
<v Speaker 2>came in, where's my piece, where's my piece? And then,

0:33:23.720 --> 0:33:26.360
<v Speaker 2>like you said, in the long run, he was still

0:33:26.400 --> 0:33:32.360
<v Speaker 2>in my publishing because he had an attorney client trust account,

0:33:33.760 --> 0:33:41.600
<v Speaker 2>so my b and my checks, my sony royalty checks

0:33:42.200 --> 0:33:46.400
<v Speaker 2>would go to him. And because he had a client

0:33:46.480 --> 0:33:50.240
<v Speaker 2>trust account, he could just deposit the motherfucker into his

0:33:50.320 --> 0:33:55.400
<v Speaker 2>bank account, right and bingo, Like Nigga I hadn't seen

0:33:55.440 --> 0:33:59.720
<v Speaker 2>a royalty check or from I just started receiving being

0:33:59.800 --> 0:34:04.120
<v Speaker 2>my checks. And then Nigga I hadn't seen a royalty

0:34:04.160 --> 0:34:07.520
<v Speaker 2>check from Sony and who knows when, same type of

0:34:07.560 --> 0:34:11.200
<v Speaker 2>Angie Stone ship. Nigga, I ain't seen a check in

0:34:11.520 --> 0:34:15.000
<v Speaker 2>a billion years. And then one day the motherfuckers called

0:34:15.040 --> 0:34:19.760
<v Speaker 2>me and was like, hey, eight, we've been looking for you.

0:34:19.800 --> 0:34:22.120
<v Speaker 2>So I don't know, they're trying to cover their own

0:34:22.200 --> 0:34:23.520
<v Speaker 2>ass or whatever it is.

0:34:24.560 --> 0:34:26.520
<v Speaker 1>Yeah, I think they're trying to cover their ass because

0:34:26.520 --> 0:34:28.840
<v Speaker 1>they really when the motherfuckers start calling them about that

0:34:28.920 --> 0:34:29.359
<v Speaker 1>other ship.

0:34:30.280 --> 0:34:34.160
<v Speaker 6>You know, yeah, I've taken being by the court before,

0:34:34.360 --> 0:34:38.239
<v Speaker 6>over over forged signatures and checks being cash from you know,

0:34:38.320 --> 0:34:40.280
<v Speaker 6>by by other parties and stuff like that.

0:34:41.239 --> 0:34:46.799
<v Speaker 2>It's you know, yeah, behind the Wheelson times, you know,

0:34:47.440 --> 0:34:51.239
<v Speaker 2>on the court on some other ship m hm, and

0:34:53.440 --> 0:34:58.360
<v Speaker 2>motherfuckers say you made like about sixty last year, you know,

0:34:58.640 --> 0:35:03.480
<v Speaker 2>and in royalties or whatever, I'm like, no, I didn't, nigga.

0:35:03.480 --> 0:35:06.839
<v Speaker 2>I ain't seen a motherfucking to nigga. Bitch broke our paperwork,

0:35:07.400 --> 0:35:10.439
<v Speaker 2>like here's a check, here's a check, here's a check.

0:35:10.840 --> 0:35:13.239
<v Speaker 2>Now I'm looking at a nigga like where them chicksat?

0:35:13.320 --> 0:35:17.319
<v Speaker 2>Because they never came to me. Nigga was it was

0:35:17.360 --> 0:35:21.920
<v Speaker 2>cashing the motherfuckers. Nigga was cashing them. He was feeling

0:35:22.000 --> 0:35:24.560
<v Speaker 2>like they wouldn't. He would never get caught, you get me,

0:35:25.920 --> 0:35:28.880
<v Speaker 2>He would never get caught. And that's what happened, and

0:35:28.920 --> 0:35:34.239
<v Speaker 2>that's how we fell out. Right. I haven't heard from

0:35:34.239 --> 0:35:38.040
<v Speaker 2>the nigga since that was. That was decades ago. You're

0:35:38.040 --> 0:35:41.520
<v Speaker 2>getting you know, so you know what I mean, he's

0:35:41.520 --> 0:35:48.160
<v Speaker 2>still alive. I doubt it it is still alive. I

0:35:48.200 --> 0:35:51.920
<v Speaker 2>talked to his son, Yeah, but I doubted he was.

0:35:52.200 --> 0:35:55.239
<v Speaker 2>He was sickly back then, getting sickly. Like I said,

0:35:55.280 --> 0:35:59.040
<v Speaker 2>he was older, he was sick, the wheelchair all that

0:35:59.080 --> 0:36:01.960
<v Speaker 2>type of ship. So I wouldn't know if he passed

0:36:02.080 --> 0:36:03.680
<v Speaker 2>or not. But I'm pretty sure.

0:36:04.000 --> 0:36:06.520
<v Speaker 5>Yeah, he's not functioning, you know either.

0:36:06.320 --> 0:36:09.360
<v Speaker 2>Way, So what sony did? They just stopped sending the

0:36:09.520 --> 0:36:13.120
<v Speaker 2>checks out. I guess they started, you know, they got

0:36:13.120 --> 0:36:17.040
<v Speaker 2>to the point where they wanted verification of who they

0:36:17.160 --> 0:36:20.840
<v Speaker 2>was the money to. And when you can't send a

0:36:20.920 --> 0:36:24.719
<v Speaker 2>nigga a copy of your motherfucking driver's license, and you

0:36:24.800 --> 0:36:28.360
<v Speaker 2>can't send a nigga no notarized copy and signature of

0:36:28.440 --> 0:36:32.040
<v Speaker 2>this and that, they just stopped paying the checks and

0:36:32.080 --> 0:36:34.440
<v Speaker 2>then they contact me twenty years later.

0:36:35.600 --> 0:36:39.960
<v Speaker 1>Right, it's crazy, man. It should be time for you

0:36:40.000 --> 0:36:42.120
<v Speaker 1>to get those masks back. No, you should be getting

0:36:42.120 --> 0:36:44.000
<v Speaker 1>those catalog back. The catalog back.

0:36:44.520 --> 0:36:48.160
<v Speaker 2>Yeah, my first CMW works. You know what I'm saying.

0:36:48.719 --> 0:36:52.520
<v Speaker 2>All of that is pre like ninety two, ninety three,

0:36:52.880 --> 0:36:56.240
<v Speaker 2>So you know you can call now.

0:36:56.680 --> 0:37:02.399
<v Speaker 6>On the master and straight Back Music to try all

0:37:02.440 --> 0:37:05.840
<v Speaker 6>in early projects. Man, Sony's gonna want to They're not

0:37:05.840 --> 0:37:07.200
<v Speaker 6>gonna want to give you the Masterpact.

0:37:07.200 --> 0:37:09.399
<v Speaker 2>They're gonna want to renegotiate and give you a high

0:37:10.800 --> 0:37:14.359
<v Speaker 2>I've been getting emails from them about all we want

0:37:14.400 --> 0:37:17.279
<v Speaker 2>to repress the Straight Trekking album.

0:37:17.640 --> 0:37:19.160
<v Speaker 1>All we want to. You know.

0:37:19.200 --> 0:37:23.759
<v Speaker 2>They they using their little side companies, Legacy Department, Legacy

0:37:24.160 --> 0:37:28.000
<v Speaker 2>there you go. Yeah, that's that's who contacted me, the

0:37:28.080 --> 0:37:32.200
<v Speaker 2>Legacy Department. So like they got a dude who calls me,

0:37:32.360 --> 0:37:35.120
<v Speaker 2>and who tells me when I'm getting checks and all

0:37:35.160 --> 0:37:43.200
<v Speaker 2>of that, like like, yeah, they they try, and that's

0:37:43.200 --> 0:37:45.040
<v Speaker 2>what I said they was gonna do. They don't want

0:37:45.040 --> 0:37:47.960
<v Speaker 2>to get a ship up. No, I'm going through that

0:37:47.960 --> 0:37:51.400
<v Speaker 2>with Sony right now. It's still their channels, you go.

0:37:51.680 --> 0:37:54.720
<v Speaker 2>You get what I'm saying. It's still going through their channels,

0:37:54.760 --> 0:37:57.440
<v Speaker 2>which means that whatever they collecting is still going to

0:37:57.480 --> 0:37:59.920
<v Speaker 2>their bank account. They still collecting interest in all that.

0:38:00.600 --> 0:38:03.239
<v Speaker 6>All these labels, all these labels are in a fight

0:38:03.320 --> 0:38:05.480
<v Speaker 6>for market share, and they really don't want to give

0:38:05.520 --> 0:38:07.440
<v Speaker 6>nothing up. They want to keep market share, you know

0:38:07.440 --> 0:38:09.600
<v Speaker 6>what I'm saying. They want to keep all these records

0:38:09.640 --> 0:38:12.280
<v Speaker 6>they want to keep. It's a market share war between

0:38:12.320 --> 0:38:13.479
<v Speaker 6>these companies, you know what I'm saying.

0:38:14.040 --> 0:38:17.840
<v Speaker 1>And the thing with Legacy is too good. Legacys are profitable.

0:38:18.960 --> 0:38:25.239
<v Speaker 1>They've already been marketed already. And you did you Yeah,

0:38:25.560 --> 0:38:27.400
<v Speaker 1>can you have mentioned how much money you would make

0:38:27.440 --> 0:38:30.280
<v Speaker 1>if you started getting all your old album straight checking

0:38:30.320 --> 0:38:33.759
<v Speaker 1>them and you you press them up yourself, selling them

0:38:33.760 --> 0:38:35.440
<v Speaker 1>on the website. You can sell music to drive by

0:38:35.440 --> 0:38:37.200
<v Speaker 1>a fire four hundred dollars, bro, if you want to.

0:38:37.360 --> 0:38:39.239
<v Speaker 2>You probably well, the thing is is that?

0:38:39.880 --> 0:38:41.799
<v Speaker 6>I mean, yeah, you could that that would be one

0:38:41.800 --> 0:38:44.080
<v Speaker 6>option or the second options that you get your master's

0:38:44.160 --> 0:38:46.920
<v Speaker 6>back and then you just get them to you just

0:38:46.960 --> 0:38:48.480
<v Speaker 6>do it. You just do a license and deal with

0:38:48.480 --> 0:38:50.799
<v Speaker 6>them like a ninety ten like yeah, just keep it

0:38:50.840 --> 0:38:52.719
<v Speaker 6>in the loop. But I get ninety percent now you

0:38:52.719 --> 0:38:54.200
<v Speaker 6>know what I'm saying, or something like that. You know,

0:38:55.960 --> 0:38:57.600
<v Speaker 6>you got the python going, you know what.

0:39:00.000 --> 0:39:01.720
<v Speaker 2>I will not the music?

0:39:01.960 --> 0:39:03.719
<v Speaker 6>Yeah, yeah, let's do a ninety ten now, you know

0:39:03.760 --> 0:39:06.080
<v Speaker 6>what I'm saying instead of me getting uh, you know,

0:39:06.400 --> 0:39:08.680
<v Speaker 6>I got I got ten points in the artist woryalty

0:39:08.719 --> 0:39:12.120
<v Speaker 6>deal right right, Like, screw.

0:39:11.920 --> 0:39:12.399
<v Speaker 1>That, man.

0:39:12.480 --> 0:39:19.000
<v Speaker 2>You know what I'm saying, Hey, hey man, yeah, pretty

0:39:19.040 --> 0:39:22.399
<v Speaker 2>much you're pretty much a commodity. Yeah what I say

0:39:23.120 --> 0:39:28.320
<v Speaker 2>for the birds man, Hey hey, I got Sony guys

0:39:28.360 --> 0:39:31.480
<v Speaker 2>like you that I found millions for in the audit.

0:39:31.600 --> 0:39:32.280
<v Speaker 2>You know what I'm saying.

0:39:33.000 --> 0:39:34.480
<v Speaker 6>You know what I'm saying, just do just due to

0:39:34.520 --> 0:39:37.040
<v Speaker 6>the fact that you signed a pre digital contract, all

0:39:37.040 --> 0:39:39.560
<v Speaker 6>that DSP, all that streaming ship, they owe you fifty

0:39:39.560 --> 0:39:42.920
<v Speaker 6>percent through the licensing exactly. So if you're getting ten

0:39:42.960 --> 0:39:46.760
<v Speaker 6>points right now, you're actually being paid underpaid five times

0:39:47.480 --> 0:39:50.000
<v Speaker 6>under than just will be getting five times more to

0:39:50.080 --> 0:39:53.680
<v Speaker 6>money through streaming YouTube spot right now.

0:39:54.560 --> 0:39:58.000
<v Speaker 2>We ain't had no deal for digital, Yeah exactly, We'll

0:39:58.080 --> 0:40:03.000
<v Speaker 2>just CVS and the fucking Alps. You do it right now,

0:40:03.960 --> 0:40:06.000
<v Speaker 2>one door. We didn't have no type of deal for

0:40:06.080 --> 0:40:06.839
<v Speaker 2>the albums. You do?

0:40:07.000 --> 0:40:08.720
<v Speaker 5>How many albums you do through the Sony system?

0:40:09.360 --> 0:40:13.440
<v Speaker 2>Oh? Ship at least at least twenty million?

0:40:14.080 --> 0:40:14.319
<v Speaker 1>No?

0:40:14.320 --> 0:40:15.200
<v Speaker 2>No, how many? How many?

0:40:15.200 --> 0:40:16.480
<v Speaker 5>How many albums did you do?

0:40:17.120 --> 0:40:17.279
<v Speaker 1>Oh?

0:40:17.360 --> 0:40:25.319
<v Speaker 2>I did like Ship one, two, three, I did like

0:40:25.520 --> 0:40:31.759
<v Speaker 2>I did, like six albums for song I did like

0:40:32.160 --> 0:40:33.160
<v Speaker 2>albums for Sony.

0:40:34.360 --> 0:40:37.280
<v Speaker 5>I need to I need to call you after this, man, Yeah.

0:40:37.120 --> 0:40:38.879
<v Speaker 1>What the thing it was? Do you remember a few

0:40:38.960 --> 0:40:40.480
<v Speaker 1>years ago I told you I had a dude that

0:40:40.600 --> 0:40:42.680
<v Speaker 1>was gonna help you out with your get your stuff.

0:40:43.280 --> 0:40:44.120
<v Speaker 1>This hit right here.

0:40:45.800 --> 0:40:50.240
<v Speaker 2>I did that straight checking you did.

0:40:50.080 --> 0:40:52.520
<v Speaker 6>To two c mws, and you did like four You

0:40:52.520 --> 0:40:54.799
<v Speaker 6>did like four solo thre you did like four solo life.

0:40:55.320 --> 0:41:01.359
<v Speaker 2>Yeah, yeah, I did. Uh. I I did one CMW

0:41:02.200 --> 0:41:06.319
<v Speaker 2>because the first CMW album was on Orpheus Capital that

0:41:06.440 --> 0:41:07.680
<v Speaker 2>was on Capitol Records.

0:41:07.680 --> 0:41:12.520
<v Speaker 6>Okay, sons Universal owns that then now yeah, Capital says Universal.

0:41:13.400 --> 0:41:16.880
<v Speaker 2>So but I did straight checking them. I did music

0:41:16.920 --> 0:41:22.120
<v Speaker 2>to drive By, We Come Strapped, Uh, death Threats and

0:41:22.280 --> 0:41:27.000
<v Speaker 2>last Man Stand. I did five albums with something Yeah, you.

0:41:26.960 --> 0:41:30.359
<v Speaker 5>Need to holler at them.

0:41:29.360 --> 0:41:32.319
<v Speaker 2>And none of those and none of those was for

0:41:32.400 --> 0:41:35.760
<v Speaker 2>streaming in digital, Yeah, exactly digital contract.

0:41:35.840 --> 0:41:38.480
<v Speaker 6>Yeah, you need to holler at you all of a sudden,

0:41:38.480 --> 0:41:40.520
<v Speaker 6>you're gonna You're gonna pop up with seven figures on

0:41:40.520 --> 0:41:42.360
<v Speaker 6>the order for sure, I can guarantee.

0:41:43.680 --> 0:41:45.480
<v Speaker 5>I got a client. I got a client that did

0:41:45.480 --> 0:41:46.480
<v Speaker 5>two albums with Sony.

0:41:47.120 --> 0:41:50.719
<v Speaker 6>He's been dead twenty something years and we found like

0:41:50.800 --> 0:41:51.759
<v Speaker 6>almost three million on.

0:41:51.760 --> 0:41:55.240
<v Speaker 2>Him pre digital. I liked that word.

0:41:56.560 --> 0:42:04.160
<v Speaker 1>I like that word still. Yeah, I told you get

0:42:04.160 --> 0:42:08.120
<v Speaker 1>all that dog, Yes, indeed they got. They ain't no

0:42:08.200 --> 0:42:10.560
<v Speaker 1>telling what they out there and don't collect it now Google.

0:42:11.080 --> 0:42:14.720
<v Speaker 1>You always hear rumors and stuff. I heard that biz

0:42:14.800 --> 0:42:17.719
<v Speaker 1>mark he is. You would think that, you don't, you

0:42:17.719 --> 0:42:19.960
<v Speaker 1>would think biz Marky wouldn't hurt a fly dog. I

0:42:20.000 --> 0:42:22.000
<v Speaker 1>heard biz was the most scanless dude in the world

0:42:22.040 --> 0:42:24.759
<v Speaker 1>when it came to published. Yeah.

0:42:24.840 --> 0:42:27.399
<v Speaker 6>Man, sometimes sometimes you don't you don't want to meet

0:42:27.440 --> 0:42:28.680
<v Speaker 6>your heroes, you know what I'm saying.

0:42:28.840 --> 0:42:30.760
<v Speaker 5>I mean, I mean.

0:42:31.160 --> 0:42:34.839
<v Speaker 6>Yeah, I mean, I've gotten you know, co partners and

0:42:34.960 --> 0:42:38.440
<v Speaker 6>other people like that, that he didn't abide by contractually.

0:42:39.560 --> 0:42:41.680
<v Speaker 6>You know, he didn't give them their divvy. You know

0:42:41.680 --> 0:42:44.480
<v Speaker 6>what I'm saying. And it's to catch me if you

0:42:44.520 --> 0:42:46.359
<v Speaker 6>can type thing now, you know what I'm saying. I mean,

0:42:46.400 --> 0:42:48.680
<v Speaker 6>it's it's it's quite unfortunate. I don't I don't really

0:42:48.680 --> 0:42:55.200
<v Speaker 6>think the wife understands what the catalog that she's holding.

0:42:55.239 --> 0:42:57.719
<v Speaker 6>There's there's there's there's money owed and stuff like that.

0:42:57.800 --> 0:42:59.839
<v Speaker 6>You know, just matter as if you know, she might

0:42:59.880 --> 0:43:01.719
<v Speaker 6>be feel like that she's a victim now because so

0:43:01.719 --> 0:43:04.879
<v Speaker 6>many people trying to higher at her about the money

0:43:04.920 --> 0:43:07.120
<v Speaker 6>and stuff like that. But you know, she just you know,

0:43:07.239 --> 0:43:09.400
<v Speaker 6>I think, you know, she got to come to an

0:43:09.440 --> 0:43:12.560
<v Speaker 6>understanding that he just didn't abide by his agreements.

0:43:12.560 --> 0:43:13.080
<v Speaker 5>You know what I'm saying.

0:43:13.080 --> 0:43:16.680
<v Speaker 6>He was supposed to give one client, I know, like

0:43:16.760 --> 0:43:18.720
<v Speaker 6>you know, I think they had a production company together,

0:43:18.800 --> 0:43:21.239
<v Speaker 6>like a seventy thirty or sixty forty or something like that,

0:43:21.320 --> 0:43:24.279
<v Speaker 6>and you know, he never got he never got royalty one,

0:43:24.320 --> 0:43:28.000
<v Speaker 6>he never got a cent from one record, never got

0:43:28.000 --> 0:43:30.040
<v Speaker 6>acknowledged for one record ever done.

0:43:30.680 --> 0:43:31.279
<v Speaker 2>You know what I'm saying.

0:43:31.280 --> 0:43:33.440
<v Speaker 6>Through the Bismarck catalog, you know what I'm saying, and

0:43:33.440 --> 0:43:36.360
<v Speaker 6>you don't remember a lot of sample related stuff.

0:43:36.680 --> 0:43:38.120
<v Speaker 5>Bismarck's probably the most.

0:43:38.400 --> 0:43:40.640
<v Speaker 6>I would take a guess and say he's probably he

0:43:40.680 --> 0:43:43.520
<v Speaker 6>probably made the most money for CoA Chilling as an artist,

0:43:43.920 --> 0:43:46.359
<v Speaker 6>you know what I'm saying, just due to the fact

0:43:46.360 --> 0:43:48.560
<v Speaker 6>that he was sampled. He was probably sampled a little

0:43:48.560 --> 0:43:52.080
<v Speaker 6>bit more than some other guys, you know, like Mario

0:43:52.160 --> 0:43:54.800
<v Speaker 6>turned Mario hit just a Friend R and B record.

0:43:55.239 --> 0:43:57.480
<v Speaker 6>You know what I'm saying things like that. You know,

0:43:58.000 --> 0:43:59.880
<v Speaker 6>a lot of revenue was made through Bismarck. You know

0:44:00.000 --> 0:44:03.120
<v Speaker 6>I'm saying. I can't guarantee that he was the biggest,

0:44:03.239 --> 0:44:05.720
<v Speaker 6>uh royalty wise there, but there.

0:44:05.600 --> 0:44:07.200
<v Speaker 5>Was a lot of money being made, you know.

0:44:07.280 --> 0:44:11.239
<v Speaker 6>He had He also had other artists under there, Granddaddy,

0:44:11.239 --> 0:44:13.919
<v Speaker 6>I you, Diamond Shell, I think Kiri had his his

0:44:13.920 --> 0:44:16.760
<v Speaker 6>his first album through there, maybe a couple of other people.

0:44:17.200 --> 0:44:19.160
<v Speaker 2>You know what I'm saying.

0:44:19.360 --> 0:44:20.799
<v Speaker 1>He put Granddaddy you.

0:44:20.800 --> 0:44:23.080
<v Speaker 2>Owned, Yeah, that was his that was his artist, Yeah,

0:44:25.880 --> 0:44:29.720
<v Speaker 2>and that you was signed to. He came through Epic

0:44:29.800 --> 0:44:31.319
<v Speaker 2>Street when I was over there.

0:44:31.400 --> 0:44:35.120
<v Speaker 5>Yes, yes, the second album, Yeah, the second album. He

0:44:35.200 --> 0:44:35.840
<v Speaker 5>came to Epics.

0:44:35.880 --> 0:44:36.880
<v Speaker 2>So he came to epic.

0:44:37.160 --> 0:44:40.759
<v Speaker 5>Yep, yep, exactly, good memory, yep, exactly yep.

0:44:42.040 --> 0:44:43.839
<v Speaker 1>Granddaddy you was hard man.

0:44:43.920 --> 0:44:45.680
<v Speaker 6>I mean he died trying to chase the royalty. I

0:44:45.719 --> 0:44:47.000
<v Speaker 6>was trying to help him. Then all of a sudden,

0:44:47.000 --> 0:44:49.319
<v Speaker 6>I already passed away. You know what I'm saying. Now,

0:44:50.360 --> 0:44:53.480
<v Speaker 6>you know Warner owns the master end of Coach Chilling.

0:44:56.640 --> 0:44:56.839
<v Speaker 3>Uh.

0:44:57.200 --> 0:45:00.040
<v Speaker 6>Fly Tie sold the publishing portion because he was a

0:45:00.080 --> 0:45:02.600
<v Speaker 6>loud to because everybody he controlled the copy right, because

0:45:02.600 --> 0:45:04.840
<v Speaker 6>no one had a publish an entity. He sold that

0:45:04.920 --> 0:45:10.120
<v Speaker 6>to Charles Kopperman, a company called CAC Music. Charles copper

0:45:10.560 --> 0:45:13.480
<v Speaker 6>he got for it. I have no idea why I

0:45:13.520 --> 0:45:22.960
<v Speaker 6>suppose to. Charles Copperman told me that he felt like

0:45:23.000 --> 0:45:24.920
<v Speaker 6>he highly benefited from the fly Tie deal.

0:45:25.360 --> 0:45:25.959
<v Speaker 2>You know what I'm saying.

0:45:25.960 --> 0:45:27.520
<v Speaker 6>But he died when I was talking to him. We

0:45:27.520 --> 0:45:30.920
<v Speaker 6>were negotiating, trying to get Granddaddy you his money. All

0:45:30.960 --> 0:45:32.680
<v Speaker 6>of a sudden, he all of a sudden, he passed away,

0:45:32.719 --> 0:45:36.319
<v Speaker 6>you know what I'm saying. So we're fighting to try

0:45:36.320 --> 0:45:40.720
<v Speaker 6>to get the publisher. And now for the artist, where's tired?

0:45:41.440 --> 0:45:43.719
<v Speaker 6>I have no idea. I think somebody's one of my

0:45:43.760 --> 0:45:46.359
<v Speaker 6>clients yesterday said they sew him at a party last year.

0:45:48.200 --> 0:45:50.000
<v Speaker 6>I would assume he's in somewhere around New York.

0:45:50.600 --> 0:45:52.720
<v Speaker 1>Them dudes made a lot of money.

0:45:53.160 --> 0:45:55.360
<v Speaker 6>Yeah, but you know that money cut It might have

0:45:55.400 --> 0:45:57.160
<v Speaker 6>came in one. I think he sold that catalog in

0:45:57.160 --> 0:46:01.000
<v Speaker 6>the late nineties or something. You know what I'm saying. Yeah,

0:46:01.080 --> 0:46:05.560
<v Speaker 6>you know what you was over there, Molly Ma, Molly Mars.

0:46:05.640 --> 0:46:07.960
<v Speaker 6>You know, Molly Ma was the co chilling producer pretty much.

0:46:08.800 --> 0:46:10.799
<v Speaker 1>Yes, And he's pretty sure he's not getting what he's

0:46:10.800 --> 0:46:13.239
<v Speaker 1>supposed to get though, because he built they whole. For

0:46:13.280 --> 0:46:15.360
<v Speaker 1>a while, he was just the man out there.

0:46:15.560 --> 0:46:18.359
<v Speaker 5>Molly Ma was the He might have been the only

0:46:18.400 --> 0:46:20.120
<v Speaker 5>producer over there, right right right.

0:46:20.160 --> 0:46:22.400
<v Speaker 6>Eight for a while, right, I mean, I don't remember

0:46:22.440 --> 0:46:24.759
<v Speaker 6>anybody else for a while, the whole.

0:46:24.520 --> 0:46:29.879
<v Speaker 2>Car over there. Indeed, Okay, he was one of them.

0:46:30.080 --> 0:46:33.080
<v Speaker 2>You come through cold chilling, your beat is getting done

0:46:33.080 --> 0:46:36.400
<v Speaker 2>by Marley Ma. That was all of them. Shante uh

0:46:36.960 --> 0:46:45.279
<v Speaker 2>is cool g motherfucker. Craig G came and came, yeah, yeah, try.

0:46:45.400 --> 0:46:47.319
<v Speaker 2>They all went through Marley.

0:46:49.120 --> 0:46:51.919
<v Speaker 5>Yeah, Molly's house and hits he hits the studio of State,

0:46:51.920 --> 0:46:52.279
<v Speaker 5>New York.

0:46:54.120 --> 0:46:55.200
<v Speaker 1>Let me ask you this, bro.

0:46:56.440 --> 0:46:58.839
<v Speaker 5>Then he came out with goes to the Underground off

0:46:59.040 --> 0:47:00.399
<v Speaker 5>off co chilling, you know.

0:47:01.280 --> 0:47:06.640
<v Speaker 1>Right right right, when you have guys like that. Man, See,

0:47:07.000 --> 0:47:10.480
<v Speaker 1>his most lucrative years were back then. It's not like

0:47:10.560 --> 0:47:13.080
<v Speaker 1>he's producing a lot of hip hop records right now.

0:47:13.160 --> 0:47:14.600
<v Speaker 1>So I think it's very important.

0:47:14.760 --> 0:47:18.520
<v Speaker 6>Catalog is crazy, though, bro onemost catalogue is crazy.

0:47:18.520 --> 0:47:21.960
<v Speaker 1>Oh yeah, for sure. Yeah, that's the joints man. And

0:47:22.040 --> 0:47:24.160
<v Speaker 1>think about it now, Think about how many people don't

0:47:24.160 --> 0:47:24.839
<v Speaker 1>went back to him.

0:47:25.320 --> 0:47:26.800
<v Speaker 6>I don't know if he got points. I don't know

0:47:26.840 --> 0:47:29.719
<v Speaker 6>if gave him points for publishing wise. A lot of

0:47:29.719 --> 0:47:32.240
<v Speaker 6>people seeing this stuff. Man, nah's this person, that person,

0:47:32.239 --> 0:47:34.800
<v Speaker 6>this person, that person. So he got extended catalog, you

0:47:34.840 --> 0:47:38.160
<v Speaker 6>know what I mean? He might have another eighty records

0:47:38.200 --> 0:47:40.480
<v Speaker 6>just from sample lated records derivatives.

0:47:41.320 --> 0:47:45.080
<v Speaker 1>Mm, exactly. You think about it like this, Hey, he

0:47:45.280 --> 0:47:45.879
<v Speaker 1>was the man?

0:47:46.960 --> 0:47:47.640
<v Speaker 2>Oh definitely.

0:47:48.239 --> 0:47:50.440
<v Speaker 6>I guess when you would you, Hey, would you consider

0:47:50.520 --> 0:47:52.720
<v Speaker 6>him like the East Coast j at one point?

0:47:53.040 --> 0:47:54.400
<v Speaker 1>Oh? Hell yeah, I would say so.

0:47:54.719 --> 0:47:58.600
<v Speaker 2>Around that time, Yeah, he he He touched a lot

0:47:58.600 --> 0:48:01.480
<v Speaker 2>of motherfuckers and ship like you said, a lot of

0:48:01.560 --> 0:48:04.960
<v Speaker 2>niggas then spunked off from this. Mama said, knock you

0:48:05.000 --> 0:48:15.239
<v Speaker 2>out killers like killers like shit, yeah, yeah.

0:48:13.840 --> 0:48:16.239
<v Speaker 1>He was the man. He really, he really was the

0:48:16.239 --> 0:48:18.399
<v Speaker 1>sound of New York kind of for a long time.

0:48:18.480 --> 0:48:21.120
<v Speaker 1>It was like and they was bumping out everywhere.

0:48:22.080 --> 0:48:24.120
<v Speaker 5>I don't I don't know anybody bigger at that time.

0:48:24.200 --> 0:48:26.920
<v Speaker 6>I mean there was competitors Herbie Lovebug and guys like that,

0:48:26.960 --> 0:48:29.320
<v Speaker 6>but they weren't. They were ma you know what I'm saying.

0:48:29.400 --> 0:48:32.200
<v Speaker 6>I mean, God bless you, but mar marm was getting

0:48:32.200 --> 0:48:32.640
<v Speaker 6>all the work.

0:48:34.719 --> 0:48:37.080
<v Speaker 1>Herbie love Bug was just more or less known for

0:48:38.080 --> 0:48:40.960
<v Speaker 1>everybody kind of had their own producers back then. Everybody

0:48:41.040 --> 0:48:42.719
<v Speaker 1>kind of had their own look like.

0:48:43.440 --> 0:48:47.920
<v Speaker 2>Oh yeah, you were to your people's ship. You go

0:48:48.000 --> 0:48:50.680
<v Speaker 2>outside the box, you know, Once a nigga turned you

0:48:50.760 --> 0:48:53.960
<v Speaker 2>on to a producer, that was it. You rolled with

0:48:54.040 --> 0:48:57.080
<v Speaker 2>that producer and ship. You didn't you didn't try to

0:48:57.120 --> 0:49:00.640
<v Speaker 2>go like we wasn't big on that, you know, back

0:49:00.680 --> 0:49:04.279
<v Speaker 2>in the days, like oh he doing beats and he

0:49:04.440 --> 0:49:08.040
<v Speaker 2>doing beats and he doing beats. No, we considered that

0:49:08.360 --> 0:49:12.600
<v Speaker 2>like within the crew, you get me, I'm the rapper,

0:49:13.000 --> 0:49:18.160
<v Speaker 2>he the DJ, he the beat maker, he the motherfucking muscle,

0:49:18.640 --> 0:49:23.799
<v Speaker 2>and then that's how we roll. And so projects we

0:49:23.920 --> 0:49:27.520
<v Speaker 2>don't go like, oh you heard that new Cube album

0:49:27.640 --> 0:49:31.080
<v Speaker 2>or the new NWA or blah blah blah, and go, oh,

0:49:31.160 --> 0:49:33.560
<v Speaker 2>we need to go get it. Dra was hard, but

0:49:33.680 --> 0:49:35.440
<v Speaker 2>we didn't go, yeah, we need to go get a

0:49:35.480 --> 0:49:38.799
<v Speaker 2>beat from Dre. Oh, so you weren't thinking nothing like that.

0:49:39.320 --> 0:49:42.200
<v Speaker 2>We didn't. We didn't go we Pool was hard, but

0:49:42.280 --> 0:49:44.680
<v Speaker 2>we didn't go, we need to go get a beat

0:49:44.719 --> 0:49:51.319
<v Speaker 2>from Pool. Get slip handles, slip handles the production so

0:49:51.520 --> 0:49:55.440
<v Speaker 2>there's no there's no offens of butts, you know, slipped

0:49:55.440 --> 0:49:58.640
<v Speaker 2>into anything. A motherfucking need to be done, so we

0:49:58.719 --> 0:50:01.320
<v Speaker 2>don't need to go get this. The slipped to do

0:50:01.640 --> 0:50:04.400
<v Speaker 2>just as good. And so that's how it was settled.

0:50:04.680 --> 0:50:07.880
<v Speaker 2>We didn't run around trying to because we wanted to

0:50:07.960 --> 0:50:13.120
<v Speaker 2>keep our sound, you get me. And back then we

0:50:13.120 --> 0:50:18.920
<v Speaker 2>were very we're very high on not fucking with the formula.

0:50:19.320 --> 0:50:22.600
<v Speaker 2>You get me, like, you know, fuck with the formula.

0:50:23.160 --> 0:50:28.080
<v Speaker 2>Slip drums, that's what he does, Like we're not gonna

0:50:28.080 --> 0:50:32.320
<v Speaker 2>turn you know. We wasn't big back then on having

0:50:32.400 --> 0:50:34.919
<v Speaker 2>our album sounding all over the play.

0:50:35.120 --> 0:50:36.920
<v Speaker 3>What did y'all What did y'all use back then? Like

0:50:36.920 --> 0:50:41.279
<v Speaker 3>an SP twelve or NPC, an SPN once the MPs came.

0:50:41.440 --> 0:50:44.320
<v Speaker 3>He used the MP. The Slip was an SP twelve

0:50:44.440 --> 0:50:48.400
<v Speaker 3>hundred Master, and he was one of those motherfuckers who

0:50:48.400 --> 0:50:52.200
<v Speaker 3>would dig in the crates. You get I'm gonna fine shit,

0:50:52.680 --> 0:50:58.719
<v Speaker 3>I'm not gonna automatically go to what the supposedly sound is.

0:50:59.120 --> 0:51:03.319
<v Speaker 2>You get me. Body was using the Funkadelics and the

0:51:03.400 --> 0:51:08.759
<v Speaker 2>motherfucking Funky Worms and the Party George Clinton's and the

0:51:08.880 --> 0:51:12.440
<v Speaker 2>Fat Backs and everybody was using that ship. We wanted

0:51:12.520 --> 0:51:15.319
<v Speaker 2>to be different, Like, I don't want to wrap on

0:51:15.400 --> 0:51:18.600
<v Speaker 2>what everybody rapping on. It's so cliche. He typed bullshit.

0:51:19.000 --> 0:51:23.600
<v Speaker 2>So Slip Slip came up with our own sound. Mm hmm.

0:51:24.760 --> 0:51:26.840
<v Speaker 1>You got to think about to Slip was really digging

0:51:26.960 --> 0:51:29.520
<v Speaker 1>them crazies. Y'all had samples. Y'all was the first one

0:51:29.520 --> 0:51:31.680
<v Speaker 1>to come up with certain samples. Then I would here

0:51:31.680 --> 0:51:34.640
<v Speaker 1>a few years later other cats, you know, flipping them samples.

0:51:34.960 --> 0:51:39.000
<v Speaker 1>Y'all sit what you say?

0:51:39.040 --> 0:51:43.600
<v Speaker 6>So Slip was even doing the production when you and solo, Yeah, oh.

0:51:43.800 --> 0:51:49.319
<v Speaker 2>Okay, mm hmm. When I went solo. Uh, we used

0:51:49.320 --> 0:51:54.239
<v Speaker 2>to split production. We had formed the production team Halfhounds

0:51:54.320 --> 0:51:58.680
<v Speaker 2>Productions and we used Splip Productions. Slip used to do

0:51:58.760 --> 0:52:00.560
<v Speaker 2>half for the record, and I used to do the

0:52:00.600 --> 0:52:05.239
<v Speaker 2>other half or after while. I didn't play keys, but

0:52:05.280 --> 0:52:09.560
<v Speaker 2>I had I was producing. I had to. I had

0:52:09.600 --> 0:52:12.680
<v Speaker 2>all the equipment in my studio, and I would bring

0:52:12.719 --> 0:52:16.200
<v Speaker 2>in the dude to play bass lines and play with whatever,

0:52:16.480 --> 0:52:18.520
<v Speaker 2>and then after he would lay that and I would

0:52:18.520 --> 0:52:21.319
<v Speaker 2>two track it or whatever. I turned around and come

0:52:21.400 --> 0:52:25.319
<v Speaker 2>up with the drum track. That's how I did. That's

0:52:25.320 --> 0:52:28.880
<v Speaker 2>how I did my music. And if I wanted some

0:52:28.960 --> 0:52:33.600
<v Speaker 2>of that extra difficult ship, I let slip do it.

0:52:34.719 --> 0:52:38.480
<v Speaker 2>Slip out of cutting chop and slip take a motherfucking

0:52:38.680 --> 0:52:42.120
<v Speaker 2>voice and make a whole beat out of the motherfucker ship.

0:52:42.400 --> 0:52:45.200
<v Speaker 2>He made a motherfucking beat out of a commercial we

0:52:45.280 --> 0:52:46.080
<v Speaker 2>heard on TV.

0:52:46.680 --> 0:52:46.960
<v Speaker 1>Nigga.

0:52:46.960 --> 0:52:50.279
<v Speaker 2>We were sitting uploaded one night, and that's how he

0:52:50.320 --> 0:52:52.560
<v Speaker 2>came up with straight checking them.

0:52:53.320 --> 0:52:53.879
<v Speaker 1>Is that right?

0:52:55.920 --> 0:53:01.719
<v Speaker 2>Nigga went doom, doom, doom. Hey, don't say what commercial that.

0:53:05.760 --> 0:53:06.600
<v Speaker 3>S? I?

0:53:06.680 --> 0:53:09.680
<v Speaker 2>He said, what commercial it is? Yet I'm just saying,

0:53:09.800 --> 0:53:14.200
<v Speaker 2>but yeah, Nigga dropped the motherfucker up like Nigga what

0:53:14.360 --> 0:53:18.760
<v Speaker 2>like like a motherfucker sushi chef. Nigga shop up bigger.

0:53:18.800 --> 0:53:21.040
<v Speaker 2>I came back a couple of hours later, nigga, he

0:53:21.160 --> 0:53:27.520
<v Speaker 2>was banging that ship boom boom bom boom boom. I'm

0:53:27.560 --> 0:53:30.279
<v Speaker 2>like this nigga crazy is but he was just he

0:53:30.440 --> 0:53:34.280
<v Speaker 2>was creative. You didn't get get a lot of niggas

0:53:34.320 --> 0:53:36.720
<v Speaker 2>like that. Like I said, nigga, a lot of niggas

0:53:36.800 --> 0:53:40.040
<v Speaker 2>was simple with they beat making. Slip was a creative

0:53:40.120 --> 0:53:41.799
<v Speaker 2>motherfucker you feel you know what?

0:53:43.440 --> 0:53:47.080
<v Speaker 1>Bro Yeah, either because he probably could have had some

0:53:47.120 --> 0:53:49.399
<v Speaker 1>hill of a placements back things, y'all was big dude.

0:53:51.280 --> 0:53:53.799
<v Speaker 2>We we did our thing. Like I said, we just

0:53:53.960 --> 0:53:57.040
<v Speaker 2>was one of those. It was one of those groups

0:53:57.040 --> 0:53:59.960
<v Speaker 2>who just fell in between the cracks on certain ship.

0:54:00.080 --> 0:54:02.680
<v Speaker 2>It niggas didn't know what to do with us. You

0:54:02.760 --> 0:54:03.360
<v Speaker 2>give me.

0:54:05.520 --> 0:54:05.759
<v Speaker 3>To do.

0:54:05.800 --> 0:54:08.000
<v Speaker 5>You guys did six projects, you know what I'm saying.

0:54:08.040 --> 0:54:12.160
<v Speaker 2>I mean, well they you know back like that well

0:54:12.960 --> 0:54:14.959
<v Speaker 2>back yeah, you know, back then that was the era

0:54:15.000 --> 0:54:17.279
<v Speaker 2>if you sold enough records, you get another you get

0:54:17.320 --> 0:54:22.680
<v Speaker 2>another record. And so we was having seven album record

0:54:22.760 --> 0:54:29.560
<v Speaker 2>deals and indeed you had to just be But see,

0:54:29.560 --> 0:54:32.680
<v Speaker 2>my thing was I sold records for Sony. You get me.

0:54:33.080 --> 0:54:38.880
<v Speaker 2>My records would go four fifty three eighty era, that

0:54:39.120 --> 0:54:44.560
<v Speaker 2>era that was significant for yeah, for for my type

0:54:44.600 --> 0:54:47.959
<v Speaker 2>of ship, because we don't even fuck with this type

0:54:48.000 --> 0:54:51.439
<v Speaker 2>of ship. And look what's happening. We're selling fucking half

0:54:51.480 --> 0:54:55.400
<v Speaker 2>a million records.

0:54:53.960 --> 0:54:54.840
<v Speaker 1>No marketing money.

0:54:55.280 --> 0:54:57.719
<v Speaker 2>They wasn't doing ship for me. They wasn't doing a

0:54:57.760 --> 0:55:02.040
<v Speaker 2>goddamn thing for me. Just off the strength of of

0:55:02.040 --> 0:55:07.520
<v Speaker 2>of ship, like your MTV raps and and Source magazine.

0:55:08.000 --> 0:55:10.600
<v Speaker 2>That's where they knew where to go because they knew

0:55:10.640 --> 0:55:14.799
<v Speaker 2>at that time everybody was stumbling through the Source, everybody

0:55:14.960 --> 0:55:18.160
<v Speaker 2>was watching the basement of rap City, and so they

0:55:18.280 --> 0:55:21.120
<v Speaker 2>just put me on there. Let's have an interview on

0:55:21.239 --> 0:55:24.920
<v Speaker 2>rap City, Let's put his face inside the Source magazine

0:55:25.040 --> 0:55:27.480
<v Speaker 2>and being being that's how I saw records and just

0:55:27.520 --> 0:55:27.839
<v Speaker 2>the work.

0:55:27.880 --> 0:55:31.040
<v Speaker 6>Are you able to extend overseas a little bit from

0:55:31.080 --> 0:55:31.440
<v Speaker 6>any of that?

0:55:32.680 --> 0:55:36.000
<v Speaker 2>I just I just came back from overseas.

0:55:37.600 --> 0:55:38.080
<v Speaker 1>Last week.

0:55:38.520 --> 0:55:46.000
<v Speaker 2>Okay, I go overseas at least once every two years.

0:55:47.520 --> 0:55:50.759
<v Speaker 2>You still you still do the CMW music too, That's

0:55:50.760 --> 0:55:53.120
<v Speaker 2>all they want to hear. They're way in no new ship.

0:55:53.239 --> 0:55:55.279
<v Speaker 5>You know what I'm saying. Besides the solo stuff, they

0:55:55.320 --> 0:55:56.400
<v Speaker 5>still still you still do.

0:55:57.680 --> 0:56:00.880
<v Speaker 2>Yeah, I do all CMW ship, I go on tour,

0:56:01.360 --> 0:56:04.680
<v Speaker 2>I do everything from the CMW era that crosses over

0:56:04.760 --> 0:56:09.400
<v Speaker 2>into the MC eight solo era. So but everybody still

0:56:09.400 --> 0:56:14.320
<v Speaker 2>look at it as it's it's still one thing, like

0:56:15.920 --> 0:56:18.120
<v Speaker 2>Most Wanted. You could say MC eight, but at the

0:56:18.239 --> 0:56:20.799
<v Speaker 2>end of the day, they're all in one. You get me.

0:56:21.320 --> 0:56:24.880
<v Speaker 2>You listen to Contor's Most Wanted records, you're not hearing

0:56:24.960 --> 0:56:28.160
<v Speaker 2>two people. You only hear me. Even though we were

0:56:28.239 --> 0:56:33.520
<v Speaker 2>contens Most Wanted that I kept that going until Sony

0:56:33.680 --> 0:56:37.319
<v Speaker 2>decided we ain't gonna do that no more. But I

0:56:37.520 --> 0:56:41.640
<v Speaker 2>never thought about going from Contor's Most Wanted to MC eight.

0:56:42.400 --> 0:56:44.760
<v Speaker 2>If I'd had my way out of still, I'd still

0:56:44.760 --> 0:56:46.560
<v Speaker 2>be going CMW to this day.

0:56:48.560 --> 0:56:52.319
<v Speaker 1>Wow, you know what's funny, man, I remember you talked

0:56:52.320 --> 0:56:55.600
<v Speaker 1>about the Source magazine. I remember, Man, I had the

0:56:55.680 --> 0:56:57.560
<v Speaker 1>Source and I was reading the Source. You know, that

0:56:57.680 --> 0:57:01.640
<v Speaker 1>was the Bible back then. And they had a big

0:57:01.680 --> 0:57:03.920
<v Speaker 1>ad near man for music to drive by, and I

0:57:03.920 --> 0:57:07.640
<v Speaker 1>went and bought that CD from Tower and Lakewood. Either

0:57:07.800 --> 0:57:13.440
<v Speaker 1>Tower or we was the warehouse. You went to warehouse

0:57:13.680 --> 0:57:16.320
<v Speaker 1>the warehouse because I went out it was across the

0:57:16.360 --> 0:57:17.720
<v Speaker 1>street from the mall right there.

0:57:18.200 --> 0:57:23.680
<v Speaker 2>Because it was on Yeah, we said it was on

0:57:23.760 --> 0:57:25.560
<v Speaker 2>candle Wood once you got into.

0:57:26.720 --> 0:57:29.200
<v Speaker 1>I was in the Barns and Noble reading the saurs

0:57:29.320 --> 0:57:32.040
<v Speaker 1>right because Maria was shopping, my wife was shopping. We

0:57:32.400 --> 0:57:34.840
<v Speaker 1>kids back then, right, and I looked. I said, this

0:57:34.880 --> 0:57:37.640
<v Speaker 1>is hard because the album cover just really cut my eye. Right.

0:57:38.080 --> 0:57:39.600
<v Speaker 1>I went from there and we was on the way

0:57:39.640 --> 0:57:41.680
<v Speaker 1>back to the crib. I stopped at. I stopped at

0:57:41.680 --> 0:57:43.880
<v Speaker 1>the warehouse, bought that in something else.

0:57:45.920 --> 0:57:50.480
<v Speaker 2>Yeah, that's how we that's how we cover the sauce.

0:57:50.760 --> 0:57:52.120
<v Speaker 2>I was on the I was on the cover of

0:57:52.160 --> 0:57:55.680
<v Speaker 2>The Source twice. I had the solo cover and then

0:57:55.720 --> 0:57:59.040
<v Speaker 2>I had to cover with me Spice and uh, scar Face.

0:57:59.480 --> 0:58:01.760
<v Speaker 1>They said the ministers against the rip.

0:58:04.200 --> 0:58:07.680
<v Speaker 2>That's uh. That's basically was my marketing.

0:58:08.760 --> 0:58:11.960
<v Speaker 6>Four issue where you were you and and there's a

0:58:12.040 --> 0:58:12.720
<v Speaker 6>ninety five.

0:58:12.600 --> 0:58:17.640
<v Speaker 2>One, right I did. I did the ninety four edition

0:58:17.920 --> 0:58:21.320
<v Speaker 2>right after I did Music to Drive By. That album

0:58:21.440 --> 0:58:24.800
<v Speaker 2>was in ninety three, so I got on the cover

0:58:24.920 --> 0:58:27.840
<v Speaker 2>with Face and Spice for that one. But yeah, that

0:58:27.960 --> 0:58:31.520
<v Speaker 2>was the way they marketed me. They wasn't gonna they

0:58:31.520 --> 0:58:33.960
<v Speaker 2>didn't They didn't go to radio. They didn't go to

0:58:34.080 --> 0:58:37.880
<v Speaker 2>advertising on radio or you know, paying them up for

0:58:37.920 --> 0:58:41.200
<v Speaker 2>her to play my song ten million times, they said,

0:58:41.280 --> 0:58:44.360
<v Speaker 2>fuck that, We're just gonna keep it in publications, and

0:58:44.400 --> 0:58:45.520
<v Speaker 2>that's how they marketed.

0:58:45.640 --> 0:58:47.880
<v Speaker 5>I mean I was buying all the back then.

0:58:49.080 --> 0:58:52.560
<v Speaker 2>I mean a lot of us was. I was buying

0:58:52.600 --> 0:58:55.800
<v Speaker 2>that ship to see who was hot it was, who

0:58:55.880 --> 0:58:59.880
<v Speaker 2>was on the mixtape, you know who, album was raided

0:59:00.080 --> 0:59:02.960
<v Speaker 2>this or that? And then sometimes a lot of the times,

0:59:03.000 --> 0:59:05.920
<v Speaker 2>I want to read the articles you get when they

0:59:05.960 --> 0:59:08.400
<v Speaker 2>do those big layouts on the nigga. I want to

0:59:08.440 --> 0:59:12.080
<v Speaker 2>I was interested. I want you came up from and

0:59:12.160 --> 0:59:14.600
<v Speaker 2>what he went through and what and you know how

0:59:14.640 --> 0:59:17.480
<v Speaker 2>he get to this point right now, because you had

0:59:17.480 --> 0:59:21.120
<v Speaker 2>to be a nice artist to get one of them

0:59:21.440 --> 0:59:25.320
<v Speaker 2>full paid spread. You get me. You got special back

0:59:25.320 --> 0:59:33.480
<v Speaker 2>then exactly, or they could just take what you know what, man,

0:59:33.600 --> 0:59:37.600
<v Speaker 2>anybody I want I want to believe that half the

0:59:37.720 --> 0:59:41.840
<v Speaker 2>time that you know, they were putting niggas on because

0:59:41.840 --> 0:59:45.560
<v Speaker 2>they were truly gifted and deserved it, and not the

0:59:45.640 --> 0:59:48.040
<v Speaker 2>nigga just sent them a check for one hundred grand.

0:59:48.240 --> 0:59:52.560
<v Speaker 2>You get me. Now, we already know some artists, you know,

0:59:53.120 --> 0:59:54.160
<v Speaker 2>that's the way it went.

0:59:57.000 --> 1:00:00.120
<v Speaker 1>Yeah, some people definitely was paying like the way, but

1:00:00.200 --> 1:00:02.440
<v Speaker 1>for the most part, the source used to get it

1:00:02.520 --> 1:00:04.200
<v Speaker 1>right when it came to that dog. So I don't

1:00:04.280 --> 1:00:08.520
<v Speaker 1>I don't think they. I think they were so they

1:00:08.560 --> 1:00:11.120
<v Speaker 1>were so in tune with the culture at the time. Man,

1:00:11.160 --> 1:00:13.520
<v Speaker 1>that was like probably the best hip hop publication ever

1:00:13.600 --> 1:00:16.680
<v Speaker 1>because they really made a break. If you saw somebody

1:00:16.800 --> 1:00:19.160
<v Speaker 1>in there had three or four mics, if you saw

1:00:19.160 --> 1:00:21.840
<v Speaker 1>a five mic, you want to go by that album

1:00:21.880 --> 1:00:24.160
<v Speaker 1>because it was like it was official and they was

1:00:24.200 --> 1:00:26.600
<v Speaker 1>on point with it. But I do think they had

1:00:26.600 --> 1:00:28.520
<v Speaker 1>a lot of West Coast bias back then. I heard

1:00:28.640 --> 1:00:30.320
<v Speaker 1>that was true. Sore and told me that, and he

1:00:30.400 --> 1:00:32.680
<v Speaker 1>said that they was very biased against the West Coast

1:00:33.000 --> 1:00:33.439
<v Speaker 1>back then.

1:00:34.400 --> 1:00:41.880
<v Speaker 2>I'm sure they weren't East Coast publication, Like, you know,

1:00:42.200 --> 1:00:45.360
<v Speaker 2>why would I why would I give any love to

1:00:45.400 --> 1:00:48.920
<v Speaker 2>the West Coast. We're East Coast publication. You know, go

1:00:49.000 --> 1:00:57.120
<v Speaker 2>start your own motherfucking magazine. But ye said, you give

1:00:57.200 --> 1:01:00.560
<v Speaker 2>me fuck that we represent the East Coast. I never

1:01:00.640 --> 1:01:06.080
<v Speaker 2>had no issue with the motherfuckers they always heard like

1:01:06.120 --> 1:01:08.680
<v Speaker 2>when Benzeno, when when they we went to go fuck

1:01:08.760 --> 1:01:11.960
<v Speaker 2>with them, you know, had the issue with them. They

1:01:11.960 --> 1:01:13.400
<v Speaker 2>put me on the cover twice.

1:01:13.760 --> 1:01:17.520
<v Speaker 1>I had Hey, you had love from New York, New York. Look,

1:01:18.000 --> 1:01:20.720
<v Speaker 1>you probably got more love in New York. You get

1:01:20.720 --> 1:01:22.960
<v Speaker 1>a lot of love out here, bro, But between the

1:01:23.200 --> 1:01:26.120
<v Speaker 1>Midwest and the East Coast, dog, I think you probably

1:01:26.160 --> 1:01:27.240
<v Speaker 1>got a popping more out there.

1:01:27.240 --> 1:01:29.200
<v Speaker 2>And you do what did you do a song with

1:01:29.280 --> 1:01:30.320
<v Speaker 2>Premiere a couple of years ago?

1:01:30.960 --> 1:01:31.080
<v Speaker 1>Oh?

1:01:31.120 --> 1:01:33.640
<v Speaker 2>Your Premiere's my butt, that's my peep. I heard it.

1:01:33.720 --> 1:01:36.680
<v Speaker 2>I remember the track that you. I did a whole

1:01:36.720 --> 1:01:40.800
<v Speaker 2>project with Premiere back in twenty seventeen. Okay, yeah, we

1:01:40.840 --> 1:01:43.120
<v Speaker 2>did a project together. Even before the end.

1:01:44.520 --> 1:01:47.440
<v Speaker 6>No song, I still listened to swear I swear my mother, Bro,

1:01:48.160 --> 1:01:49.440
<v Speaker 6>that song, I'd be in the gym.

1:01:49.480 --> 1:01:52.800
<v Speaker 2>Listen the ship that you do with Pebob Oh. Yeah,

1:01:52.800 --> 1:01:56.360
<v Speaker 2>One Life to Live? Yeah, Bro, my son one of

1:01:56.400 --> 1:01:59.640
<v Speaker 2>my favorite songs on that on that project, I did

1:01:59.640 --> 1:02:03.640
<v Speaker 2>that song and my son wasn't even born, and he

1:02:03.800 --> 1:02:06.520
<v Speaker 2>loved that song to death right now, one of his

1:02:06.640 --> 1:02:10.560
<v Speaker 2>favorite songs. And it kind of fucked me up because

1:02:10.600 --> 1:02:14.560
<v Speaker 2>you know, the youth they into they shit, man, You

1:02:14.880 --> 1:02:19.760
<v Speaker 2>don't particularly think that, you know, Motherfucker's twenty one and

1:02:19.920 --> 1:02:25.000
<v Speaker 2>under is gonna be banging MC eight, But now that record,

1:02:25.000 --> 1:02:28.200
<v Speaker 2>but that was my shit. Shit, he loved that shit. Nigga,

1:02:28.240 --> 1:02:31.600
<v Speaker 2>I was in the motherfucking uh. Where was I at?

1:02:34.480 --> 1:02:36.720
<v Speaker 2>Where the fuck was I at? I can't even think

1:02:36.760 --> 1:02:40.520
<v Speaker 2>where I was at. Now, I'm in the store somewhere. No,

1:02:41.240 --> 1:02:45.600
<v Speaker 2>I'm in the gym. I'm in the gym, chopping it

1:02:45.680 --> 1:02:48.800
<v Speaker 2>up with one of my boys, and I see his

1:02:49.000 --> 1:02:52.440
<v Speaker 2>dad walking by with his two kids. They couldn't have

1:02:52.480 --> 1:02:54.880
<v Speaker 2>been no more. They couldn't have been no more than

1:02:54.960 --> 1:02:59.760
<v Speaker 2>fucking ten and twelve. You get me, nigga. The youngest

1:02:59.760 --> 1:03:02.400
<v Speaker 2>one stopped turning around and said, MC eight is that

1:03:02.600 --> 1:03:05.439
<v Speaker 2>you can I take a picture with you. I'm looking

1:03:05.480 --> 1:03:09.480
<v Speaker 2>at myself, like, where this little kid know me from?

1:03:09.520 --> 1:03:09.760
<v Speaker 1>You know?

1:03:09.840 --> 1:03:13.440
<v Speaker 2>But the younger generation is starting to get a little

1:03:15.080 --> 1:03:16.240
<v Speaker 2>open to you know.

1:03:16.880 --> 1:03:17.760
<v Speaker 1>You hear me.

1:03:17.840 --> 1:03:20.600
<v Speaker 2>Fuck, they heard me fuck with Kendrick. A lot of

1:03:20.600 --> 1:03:23.880
<v Speaker 2>them play the Grand Theft Auto Game and recognize me

1:03:24.000 --> 1:03:28.800
<v Speaker 2>from there. So that's where the youth is connecting because

1:03:28.840 --> 1:03:31.360
<v Speaker 2>a lot of them still on that game and ship

1:03:31.720 --> 1:03:35.520
<v Speaker 2>and a lot of them still bumps Kendrick's first project,

1:03:35.120 --> 1:03:35.600
<v Speaker 2>You get Me.

1:03:36.560 --> 1:03:38.360
<v Speaker 1>Yeah, And it's a lot of people to play. There's

1:03:38.360 --> 1:03:40.120
<v Speaker 1>a lot of people to play that game, Like you say,

1:03:40.120 --> 1:03:42.400
<v Speaker 1>it et a lot of them, man, You wiels m

1:03:42.400 --> 1:03:43.920
<v Speaker 1>c eight. Man, I ain't gonna let you keep sitting

1:03:43.920 --> 1:03:45.960
<v Speaker 1>there and sleep on yourself, you wiel m c eight.

1:03:46.640 --> 1:03:49.320
<v Speaker 2>I just be mind. I just be trying to be mellow. Man,

1:03:49.520 --> 1:03:59.640
<v Speaker 2>you feel me. I want to go here, man, I

1:03:59.720 --> 1:04:01.919
<v Speaker 2>want to go to the grocery shot store and pick

1:04:02.000 --> 1:04:05.920
<v Speaker 2>up my dog food without you know, niggas and paparazzi

1:04:06.080 --> 1:04:09.360
<v Speaker 2>all outside. And I like that type of lifestyle though

1:04:10.080 --> 1:04:12.800
<v Speaker 2>I don't. I don't mind it. I don't complain about it.

1:04:12.880 --> 1:04:13.400
<v Speaker 2>You get me.

1:04:13.440 --> 1:04:15.800
<v Speaker 1>And I was never the type to bother people when

1:04:15.800 --> 1:04:17.600
<v Speaker 1>I saw them out in public, probably because I was

1:04:17.640 --> 1:04:20.080
<v Speaker 1>always hanging out. You know, DJ Bob Cat is my

1:04:20.200 --> 1:04:23.480
<v Speaker 1>god brother, right, so I was always with Bob, and

1:04:23.560 --> 1:04:26.560
<v Speaker 1>I was used to being around you know, people, celebrities

1:04:26.560 --> 1:04:29.320
<v Speaker 1>and stuff. So I never went and bothered people because

1:04:29.320 --> 1:04:30.800
<v Speaker 1>I used to hate with me and Bob. Or be

1:04:30.920 --> 1:04:33.440
<v Speaker 1>somewhere and people are come and try to solicit. You

1:04:33.480 --> 1:04:34.880
<v Speaker 1>know what I'm saying. It's like you're trying to eat

1:04:34.880 --> 1:04:37.240
<v Speaker 1>your food or whatever, and somebody's trying to give you

1:04:37.600 --> 1:04:39.880
<v Speaker 1>a CD. You feel an a tape back then you

1:04:39.880 --> 1:04:41.800
<v Speaker 1>know somebody's trying to give you a tape, give you

1:04:41.840 --> 1:04:43.920
<v Speaker 1>their dem one stuff. Bro. People just don't want to

1:04:43.920 --> 1:04:46.440
<v Speaker 1>be bothered. So I never was wanting to just run

1:04:46.520 --> 1:04:48.280
<v Speaker 1>up on people in pupplic Hey, man, can I hear

1:04:48.280 --> 1:04:50.960
<v Speaker 1>you autographic? Hey man, I bump? Now if I saw him,

1:04:50.960 --> 1:04:52.800
<v Speaker 1>I might say, man, I like your shit or whatever

1:04:52.920 --> 1:04:56.040
<v Speaker 1>like that. But I kept it moving, right, I kept

1:04:56.080 --> 1:05:02.320
<v Speaker 1>it pushing. So gon goog, where can people? You just

1:05:02.320 --> 1:05:04.400
<v Speaker 1>don't mess with anybody, or do you?

1:05:04.480 --> 1:05:04.760
<v Speaker 3>Yeah?

1:05:04.960 --> 1:05:07.000
<v Speaker 6>You know I listened to everybody that got a case.

1:05:07.080 --> 1:05:08.800
<v Speaker 6>You know what I'm saying. I mean, if it makes sense,

1:05:08.840 --> 1:05:10.960
<v Speaker 6>you know, we you know, we try to make it happen.

1:05:11.440 --> 1:05:13.120
<v Speaker 1>Now, I'm gonna give you all the plug, the gun,

1:05:13.480 --> 1:05:15.520
<v Speaker 1>the homye man, but don't be hitting them up. If

1:05:15.520 --> 1:05:18.000
<v Speaker 1>you don't sold ten records to the Empire, and you're

1:05:18.000 --> 1:05:22.680
<v Speaker 1>talking about empire, owe you some money. You know, you

1:05:22.720 --> 1:05:24.520
<v Speaker 1>don't have time to fuck with nothing like that. This

1:05:24.600 --> 1:05:27.560
<v Speaker 1>is for the major the majors out there that might

1:05:27.560 --> 1:05:30.360
<v Speaker 1>have got robbed, might have got jerked. I'm pretty sure y'all.

1:05:30.160 --> 1:05:32.720
<v Speaker 2>Got legacy, the legacy artists.

1:05:34.080 --> 1:05:36.800
<v Speaker 1>DJ quick, how that how that gone go? Because I'm

1:05:36.800 --> 1:05:38.320
<v Speaker 1>gonna tell you when you see a pulling up in

1:05:38.320 --> 1:05:40.240
<v Speaker 1>the Rose Royce seven eight months.

1:05:40.080 --> 1:05:49.440
<v Speaker 4>From good You know what I'm saying, Legacy artists, they

1:05:49.840 --> 1:05:50.800
<v Speaker 4>you know, I relate to them.

1:05:50.800 --> 1:05:52.760
<v Speaker 6>They kind of motivate me more than dealing with these

1:05:52.800 --> 1:05:53.919
<v Speaker 6>young guys, you know what I'm saying.

1:05:54.000 --> 1:05:54.800
<v Speaker 5>Like if I'm like, you.

1:05:56.400 --> 1:06:00.640
<v Speaker 6>Know, like it's it's so, it's just it feels like

1:06:00.640 --> 1:06:02.000
<v Speaker 6>it's like one of my peers or something.

1:06:02.040 --> 1:06:05.280
<v Speaker 1>You know what I mean. I'm pretty sure. I'm almost

1:06:05.400 --> 1:06:08.360
<v Speaker 1>positive dog that this man right here got a lot

1:06:08.400 --> 1:06:11.240
<v Speaker 1>more money out there. I'm pretty sure DJ quickly he

1:06:11.320 --> 1:06:13.560
<v Speaker 1>was on the more Scaler's record label in the world.

1:06:14.480 --> 1:06:17.120
<v Speaker 5>I mean profile, like I said, I just don't.

1:06:17.640 --> 1:06:20.120
<v Speaker 6>I mean, I got clients right now that haven't been

1:06:20.240 --> 1:06:22.160
<v Speaker 6>you know, you're supposed at least get a quarterly of

1:06:22.200 --> 1:06:25.120
<v Speaker 6>by annual royalty statement and things like that. You know,

1:06:25.480 --> 1:06:27.640
<v Speaker 6>I got clients like, I haven't got it. I haven't

1:06:27.640 --> 1:06:30.800
<v Speaker 6>got a statement in five six years or something like that.

1:06:30.880 --> 1:06:33.160
<v Speaker 6>Then he might give you one statement and then he'll

1:06:33.160 --> 1:06:34.720
<v Speaker 6>disappear again for another five years.

1:06:34.840 --> 1:06:39.000
<v Speaker 1>You know what one told me he has never seen

1:06:39.000 --> 1:06:40.760
<v Speaker 1>an album royalty. He said, I ain't never seen a

1:06:40.840 --> 1:06:41.439
<v Speaker 1>royalty chick.

1:06:41.960 --> 1:06:45.160
<v Speaker 2>What I said, I've never seen a royalty check until

1:06:45.960 --> 1:06:54.320
<v Speaker 2>Nigga last year thirty years later until last year, until

1:06:54.360 --> 1:06:56.840
<v Speaker 2>late was like nigga, where you've.

1:06:56.720 --> 1:06:59.160
<v Speaker 1>Been Damn there forty years later.

1:07:00.200 --> 1:07:04.080
<v Speaker 5>I mean, at least they're paying you forward, you know

1:07:04.120 --> 1:07:04.640
<v Speaker 5>what I'm saying.

1:07:04.680 --> 1:07:07.240
<v Speaker 6>But you know, I just believe that there's a guy

1:07:07.320 --> 1:07:08.960
<v Speaker 6>like you that did that many projects.

1:07:09.720 --> 1:07:10.680
<v Speaker 5>There's definitely more than that.

1:07:11.360 --> 1:07:13.360
<v Speaker 2>Yeah, they still got some more, definitely.

1:07:15.160 --> 1:07:17.160
<v Speaker 1>Maybe what's the name of your business?

1:07:17.840 --> 1:07:18.800
<v Speaker 5>Copyright maintenance?

1:07:19.640 --> 1:07:23.120
<v Speaker 1>Copyright man? That sound, what is copyright maintenance? They come

1:07:23.160 --> 1:07:25.600
<v Speaker 1>in the rerec shop. So you stealing mass record labels

1:07:25.600 --> 1:07:28.200
<v Speaker 1>out there? My man gongu is coming for you. He

1:07:28.280 --> 1:07:30.880
<v Speaker 1>gonna come and lift the covers off your ass and

1:07:30.960 --> 1:07:33.480
<v Speaker 1>expose everything, every everything going on.

1:07:34.120 --> 1:07:37.439
<v Speaker 6>You know what, Michael Jacksons, Bro, you're about to sething

1:07:37.440 --> 1:07:39.080
<v Speaker 6>about to happen to me the way you're picking me up.

1:07:41.080 --> 1:07:43.840
<v Speaker 1>Well, you know what, man, The thing is this, It's

1:07:43.920 --> 1:07:47.360
<v Speaker 1>always been real simple to me because I'm a businessman.

1:07:48.880 --> 1:07:51.520
<v Speaker 1>You make you take whatever you spent back. Like, if

1:07:51.560 --> 1:07:53.800
<v Speaker 1>you spend some money, you you you're supposed to recoup

1:07:53.840 --> 1:07:57.440
<v Speaker 1>your money, right. But whatever situation you got with somebody,

1:07:57.480 --> 1:07:59.640
<v Speaker 1>you give them, they bread, you take yours, so y'all

1:07:59.640 --> 1:08:02.640
<v Speaker 1>can keep doing it. You don't rob nobody's stuff, browing

1:08:02.760 --> 1:08:05.560
<v Speaker 1>just off on a pocket disc and let them just

1:08:05.600 --> 1:08:07.760
<v Speaker 1>going to go to ublivty. I don't care because the

1:08:07.760 --> 1:08:10.600
<v Speaker 1>thing is without the talent, you ain't shit.

1:08:11.400 --> 1:08:13.120
<v Speaker 6>I hey, you man, I think they think it's a

1:08:13.160 --> 1:08:15.120
<v Speaker 6>diamond dozen And I think they think that they can

1:08:15.200 --> 1:08:17.439
<v Speaker 6>take your money and you're still gonna come and perform

1:08:17.479 --> 1:08:19.240
<v Speaker 6>and try to do another album. You know what I'm saying.

1:08:19.479 --> 1:08:21.000
<v Speaker 6>They just think they got it like that, you know

1:08:21.040 --> 1:08:22.519
<v Speaker 6>what I'm saying. But I mean, I just think it's

1:08:22.560 --> 1:08:24.679
<v Speaker 6>a new regime. You know what I'm saying. We're trying

1:08:24.680 --> 1:08:26.280
<v Speaker 6>to change the game a little bit, you know what

1:08:26.320 --> 1:08:29.280
<v Speaker 6>I'm saying. You know, I mean, I've seen people all

1:08:29.320 --> 1:08:31.759
<v Speaker 6>my life, you know, get jerked, you know, from deals

1:08:31.760 --> 1:08:33.519
<v Speaker 6>and stuff like that, from all ages.

1:08:34.160 --> 1:08:36.600
<v Speaker 5>And it's gotta be somebody, you know what I'm saying.

1:08:36.400 --> 1:08:40.439
<v Speaker 6>Somebody's somebody's gotta you know, I think there's just needs

1:08:40.439 --> 1:08:42.519
<v Speaker 6>to be more of me, you know, people even greater.

1:08:42.680 --> 1:08:44.439
<v Speaker 5>You know what I'm saying. You gotta have a little heart,

1:08:45.160 --> 1:08:45.760
<v Speaker 5>you know what I'm saying.

1:08:45.880 --> 1:08:48.040
<v Speaker 1>They get some guys out here. I got to shut

1:08:48.040 --> 1:08:51.120
<v Speaker 1>off the hommie jazzy jazzy management. You know, Jazzy is

1:08:51.160 --> 1:08:53.400
<v Speaker 1>pretty good at what he do. He recovers a lot

1:08:53.400 --> 1:08:53.839
<v Speaker 1>of stuff.

1:08:54.040 --> 1:08:54.800
<v Speaker 5>Okay, good for him.

1:08:54.880 --> 1:08:57.160
<v Speaker 1>He goes out and recovers a lot of money for cats.

1:08:57.160 --> 1:08:58.840
<v Speaker 1>So there's a few casts out here, but it's also

1:08:58.840 --> 1:08:59.120
<v Speaker 1>a whole.

1:08:59.160 --> 1:09:01.760
<v Speaker 2>But we need to vote Tron. We need to be

1:09:01.800 --> 1:09:05.759
<v Speaker 2>a whole. You know what I'm saying.

1:09:06.040 --> 1:09:11.280
<v Speaker 1>Why why you got good dudes like you and Jazzy?

1:09:11.320 --> 1:09:13.200
<v Speaker 1>What makes it bad? Is this a whole bunch of

1:09:13.200 --> 1:09:15.439
<v Speaker 1>Shade tree as motherfuckers too that go out there.

1:09:15.360 --> 1:09:21.280
<v Speaker 6>And then steal you feel I'm saying, they're with a

1:09:21.320 --> 1:09:22.080
<v Speaker 6>minority man.

1:09:22.120 --> 1:09:23.200
<v Speaker 2>It's it's it's it's easy.

1:09:23.240 --> 1:09:25.639
<v Speaker 6>It's easy to beat us up because you know, there's

1:09:25.640 --> 1:09:27.479
<v Speaker 6>only two in the park and there's five hundred of them.

1:09:27.560 --> 1:09:29.320
<v Speaker 6>You know what I'm saying, be running, you know what

1:09:29.400 --> 1:09:31.280
<v Speaker 6>I'm saying. It's like, yeah, you know what I'm saying.

1:09:31.320 --> 1:09:34.200
<v Speaker 6>It's like, you know, this is an easy look. Oh,

1:09:34.360 --> 1:09:36.559
<v Speaker 6>they might've got him, but they didn't get all these

1:09:36.600 --> 1:09:38.479
<v Speaker 6>other people, you know what I'm saying. So it's like

1:09:38.520 --> 1:09:42.960
<v Speaker 6>I'm only picking little pieces, getting this guy, Getting this guy. Bro,

1:09:43.040 --> 1:09:46.599
<v Speaker 6>there's another thousand, two five to ten twenty thousand artists

1:09:46.600 --> 1:09:49.040
<v Speaker 6>out there that are going through the same thing. You

1:09:49.080 --> 1:09:51.439
<v Speaker 6>know what I'm saying. It's like, Bro, how many people

1:09:51.479 --> 1:09:54.040
<v Speaker 6>am I helping a year? You know what I'm saying,

1:09:54.040 --> 1:09:56.320
<v Speaker 6>It's nothing compared to what's out there. Am I really

1:09:56.320 --> 1:09:59.120
<v Speaker 6>making a dent? I don't know. You know what I'm saying.

1:09:59.560 --> 1:10:03.800
<v Speaker 6>You know what I'm saying, less than one percent of

1:10:03.800 --> 1:10:04.839
<v Speaker 6>the industry exactly.

1:10:04.920 --> 1:10:07.599
<v Speaker 1>I'm a linked I'm gonna link you, says, Yeah, Gongoo,

1:10:07.640 --> 1:10:08.479
<v Speaker 1>wish your Instagram.

1:10:08.560 --> 1:10:13.120
<v Speaker 6>Bro, Hey, man, g O n g u Roach, g

1:10:13.240 --> 1:10:17.040
<v Speaker 6>o n g gongo roach Instagram.

1:10:17.280 --> 1:10:19.720
<v Speaker 2>Hit me in the d M. Let's chop it up

1:10:19.720 --> 1:10:20.680
<v Speaker 2>and see what I can do for you.

1:10:20.760 --> 1:10:20.960
<v Speaker 5>Man.

1:10:21.960 --> 1:10:24.439
<v Speaker 1>Yeah, and you know, before we go home.

1:10:24.360 --> 1:10:27.639
<v Speaker 6>Website, I got the website coming. It's already I already

1:10:27.680 --> 1:10:29.400
<v Speaker 6>made it, but I just haven't really posted it. But

1:10:29.479 --> 1:10:32.400
<v Speaker 6>that's copyright maintenance. Should be copyright maintenance dot com something

1:10:32.439 --> 1:10:35.559
<v Speaker 6>like that. I mean, I'll put it in my tags

1:10:36.000 --> 1:10:38.040
<v Speaker 6>sooner or later, probably within the next couple of days

1:10:38.120 --> 1:10:40.439
<v Speaker 6>or so. But for right now, just reach me at

1:10:40.439 --> 1:10:44.800
<v Speaker 6>gongoach at at in the DM and you can go

1:10:44.840 --> 1:10:48.599
<v Speaker 6>watch my YouTube videos and YouTube you know what I'm saying.

1:10:48.640 --> 1:10:50.280
<v Speaker 6>And I tell you you know, I'll tell you what

1:10:50.360 --> 1:10:53.479
<v Speaker 6>my forte is and hopefully you're inspired by it to

1:10:53.520 --> 1:10:54.080
<v Speaker 6>give me a call.

1:10:55.040 --> 1:10:57.080
<v Speaker 1>Yeah for sure. And on that note right there, I

1:10:57.160 --> 1:11:02.320
<v Speaker 1>want to tell everybody something, man, life short, don't spend

1:11:02.320 --> 1:11:03.120
<v Speaker 1>it on bullshit.

1:11:04.720 --> 1:11:06.840
<v Speaker 2>We got here, hey man, Thank you once again.

1:11:06.880 --> 1:11:08.839
<v Speaker 5>It's one of my more favorite interviews.

1:11:08.880 --> 1:11:09.040
<v Speaker 1>Man.

1:11:09.160 --> 1:11:11.200
<v Speaker 6>You know, I get to talk to and talk about

1:11:11.240 --> 1:11:13.280
<v Speaker 6>all this old stuff about this makes me feel like

1:11:13.320 --> 1:11:15.439
<v Speaker 6>I was like seventeen eighteen.

1:11:20.120 --> 1:11:23.480
<v Speaker 1>I'll be telling I'll be telling a man because sometimes

1:11:23.520 --> 1:11:26.000
<v Speaker 1>I feel bad because we have somebody on the show

1:11:26.000 --> 1:11:28.040
<v Speaker 1>and eight be on the road or something, something be happening,

1:11:28.600 --> 1:11:31.519
<v Speaker 1>and then you could tell they don't want to stay like,

1:11:31.760 --> 1:11:33.880
<v Speaker 1>you know you cool and stuff. They're like, man, damn,

1:11:34.360 --> 1:11:36.360
<v Speaker 1>eight was here because I wanted to meet him. You

1:11:36.400 --> 1:11:37.920
<v Speaker 1>know what I'm saying. I'm like, dog, don't worry, we

1:11:38.000 --> 1:11:39.760
<v Speaker 1>gonna get you back on We interviewed one of the

1:11:39.760 --> 1:11:41.800
<v Speaker 1>homies and I tell you, man, I promise you when

1:11:41.800 --> 1:11:43.160
<v Speaker 1>they come back, we got.

1:11:43.000 --> 1:11:46.360
<v Speaker 5>You, hey man. Anytime you need man here, man.

1:11:46.960 --> 1:11:50.479
<v Speaker 1>I sure you. Thank you, Bro, I'm gonna get with

1:11:50.640 --> 1:11:53.200
<v Speaker 1>you that actually we out here. They don't need to

1:11:53.200 --> 1:11:54.920
<v Speaker 1>hear all this. Hold on for sure,