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Speaker 1: I'm wanting to sell you love this room anywhere. It's

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Speaker 1: on your Frinda Yo Friday. That's the world's moll stagers

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Speaker 1: want to shut the camera. Greeks show in this listen city.

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Speaker 1: Solf Ri te J Harry, the captain of this we

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Speaker 1: usually eat, the only one who can keep these guys

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Speaker 1: in che Logne The Gods Breakfast Club. Good morning usc

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo. Good morning angela Ye,

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Speaker 1: good Morning's Amy Cholomagne, the guy pasted up playing it

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Speaker 1: is Friday. Yes, it's Friday. Another big Friday at the

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Speaker 1: Breakfast Club. The Big Breakfast Club home a big steppers

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Speaker 1: squashed feet. Wendy Williams boots dropped on a clues bomb

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Speaker 1: for us. Good morning, Well, good morning. It's also Chinese

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Speaker 1: New Year today, so happy Chinese New Year to everybody

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Speaker 1: who celebrates that. It's the year of the Ox this year.

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Speaker 1: I saw saw Eddie hung posting about that last night

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Speaker 1: they did I think what do they call it? A

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Speaker 1: lunar event? They did something last night on on Instagram.

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Speaker 1: In the new year. Him in the Star of Boogie

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Speaker 1: came up with a brother's name right now, But it'll

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Speaker 1: come to me, all right, Well, shout to a little logan.

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Speaker 1: Little Logan passes driving test yesterday, Big logan, big step,

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Speaker 1: big step, Let me hold some of them. Foreign's dad.

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Speaker 1: So he's out and about yesterday. Yesterday he drove four

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Speaker 1: hundred and forty two miles. Yes, he drove. I don't

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Speaker 1: know if it was really found forty two miles in

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Speaker 1: forty two miles. Damn you being not talking maybe DC

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Speaker 1: maybe yeah, maybe give me three No, you're being in Virginia.

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Speaker 1: But yeah, he drove everywhere. I looked on him because

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Speaker 1: you know I can follow where he goes. He picked

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Speaker 1: must have picked up everybody in town and took him

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Speaker 1: for a ride. But he's excited, he's happy, So shout

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Speaker 1: the little logan. He passed yesterday. Nice snow bunnies in

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Speaker 1: the passenger all through the town. All right, Logan, I

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Speaker 1: see you. What's wrong with you? Man? Can went to

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Speaker 1: the gym. That's what we went yesterday. All right, Okay,

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Speaker 1: whatever he told you that, I ain't gonna blow logan

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Speaker 1: spot up. Okay, all right? So he located the play

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Speaker 1: of him hate is be talking about. All right, well

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Speaker 1: today let's start the show. Daniel Kaluya will be joining

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Speaker 1: us this morning. You know him from get Out and

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Speaker 1: what else was he? And he was a bunch of movies.

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Speaker 1: He was in get Out like Black Panther. And he's

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Speaker 1: in a phenomenal new film called Judas and the Black Messiah. Yes, yes, him,

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Speaker 1: he's starting in that with Lakeith Stanfield. Judas in the

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Speaker 1: Black Side is a really great movie. It's out now

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Speaker 1: on HBO on Max. But you know, we watched it

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Speaker 1: a couple of weeks ago. But phenomenal film. Yeah, and

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Speaker 1: director will be joining us too. Shaka King went to

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Speaker 1: school with ye yes and Brooklyn Yeah, so we'll be

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Speaker 1: kicking with both of them today. And then we got

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Speaker 1: front page news. What we're talking about, Well, let's talk

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Speaker 1: about this gorilla glue thing gone wrong. Another man has

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Speaker 1: ended up in the er and tell you what this

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Speaker 1: has to do with gorilla glue. He earned it. I mean,

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Speaker 1: today's might as well just be a Judas in the

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Speaker 1: Black Side. There. We're playing songs off the soundtrack too. Yes,

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Speaker 1: we're gonna started off with this. This is a song

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Speaker 1: everybody's been asking about. I think it was the track

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Speaker 1: listing was leaked a couple of days ago. This is

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Speaker 1: jay Z Nipsey Hustle. What it feel like? What it

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Speaker 1: feel like? Credible? We're gonna be playing this every hour

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Speaker 1: on the hour. So feels like r I P to

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Speaker 1: the Big krypt Nip Beautiful black Man taking from us

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Speaker 1: too soon. Can't help but listen to that record and

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Speaker 1: feel happy, sad. Also, Sean Carter the greatest c of

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Speaker 1: all time? Right at this point, it's not debatable, right,

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Speaker 1: I didn't never debate on that. Who did you debate

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Speaker 1: that with you? I mean, I mean we all have

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Speaker 1: our favorite, right, I'm like, my favorite is ghost Face, right,

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Speaker 1: it's my favorite rapper of all times. Whole is in

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Speaker 1: my top five. Hole is my favorite. But if you're

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Speaker 1: being objective, you would have to say he's the greatest

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Speaker 1: of all time. My opinion hands there. But I wonder

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Speaker 1: if we grade Whole want a curve because he's fifty one,

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Speaker 1: and in hip hop we don't think someone should still

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Speaker 1: be great at that age. I wonder, No, I think

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Speaker 1: he did his damn thing in his twenties. I think

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Speaker 1: he did his damn thing in his thirties. I think

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Speaker 1: he did his thing in his forties. Be still barn

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Speaker 1: people up, still born people up. Yeah, all right, well,

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Speaker 1: let's get in some front page news where we starting you? Well,

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Speaker 1: you know today is the last day with House impeachment managers. Uh,

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Speaker 1: first of all, they finalized presenting their case and they

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Speaker 1: are they adjourned yesterday until noon today, and so right

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Speaker 1: now the defense is going to be making their case

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Speaker 1: and then that should be it. Now let's talk about

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Speaker 1: Jamie Raskin, the lead impeachment manager. He thanked the members

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Speaker 1: of the Senate for the close attention and seriousness of

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Speaker 1: purpose that they demonstrated during their presentations and said this,

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Speaker 1: The question here is not whether President Trump committed a

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Speaker 1: crime under the Federal Code or DC law or the

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Speaker 1: law of any state. Impeachment does not result in criminal penalties.

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Speaker 1: Impeachment was created for a purpose separate and distinct from

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Speaker 1: criminal punishment. It was created to prevent and deter elected

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Speaker 1: officials who swear an oath to represent America but then

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Speaker 1: commit dangerous offenses against our republic. That's a constitutional crime.

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Speaker 1: I don't know what he's saying, because it sounds like

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Speaker 1: a lot of legal jogging. I don't understand what it

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Speaker 1: sounds like. He's saying Trump should be in jail. Well,

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Speaker 1: he's saying, this is not criminal, This will not result

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Speaker 1: in him ending up in jail. This is an impeachment

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Speaker 1: child that has to do with politics, So this has

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Speaker 1: nothing to do well, yeah, a crime, but this is

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Speaker 1: not a criminal case. So that's something that would have

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Speaker 1: to be done federally, this says. So that's a whole

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Speaker 1: other situation, all right. So right now, defense attorneys are

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Speaker 1: arguing there's no direct link between actions of the rioters

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Speaker 1: and Donald Trump, and so that's what they're trying to say.

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Speaker 1: But I think the best witnesses are the actual rioters themselves,

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Speaker 1: because they use a lot of their video footage and

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Speaker 1: a lot of them that got arrested what they had

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Speaker 1: to say, and a lot of them were saying basically,

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Speaker 1: they were doing what they thought the president wanted them

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Speaker 1: to do. They thought they were acting on behalf of

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Speaker 1: Donald Trump. So right, so some people feel like some

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Speaker 1: Republicans feel like it's not legal to even be having

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Speaker 1: this proceeding right now because Donald Trump's not in office.

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Speaker 1: So that's their easy way out of having to make

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Speaker 1: a decision. They feel like this isn't even legal all

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Speaker 1: right now. A man in Louisiana ended up visiting the er.

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Speaker 1: He felt like he should disprove the claims about guerrilla glue,

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Speaker 1: and he went ahead and put it on his lip.

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Speaker 1: Is Len Martin recording himself unpaceful. I'm gonna gorilla glue

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Speaker 1: right here. I'm gonna take it, thrill his cup, put

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Speaker 1: in my mouth and don't be licked and get at all.

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Speaker 1: It's easy. That's good for his ass. That's right. He

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Speaker 1: earned it. And if you didn't want to talk to

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Speaker 1: your woman on Valentine's Day, just say that, bro, you

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Speaker 1: ain't had to put gorilla glue on your goddamn lips.

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Speaker 1: People so stupid because we're living in a stupid society.

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Speaker 1: I don't know when we're gonna understand that. He ended

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Speaker 1: up in the ear. He had to undergo what he

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Speaker 1: described a painful peeling at the hands of doctors. He

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Speaker 1: was informed that if his wound doesn't help properly, he'll

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Speaker 1: need to have a surgical procedure with the tip of

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Speaker 1: his lip will be removed. To drop on a clues

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Speaker 1: bombs for stupid. Ye, that's like saying well, I can't

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Speaker 1: sleeps let me crazy glue my eyelids together so I

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Speaker 1: can sleep a little longer. Man, Why are your lips?

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Speaker 1: Why not? Why not do something that you know you

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Speaker 1: don't have to use every day? Why I knew your

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Speaker 1: big toe together until you're told next to it? You

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Speaker 1: know what I'm saying. Look like you got a little

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Speaker 1: webtoes or something that would have been easy. Why are you?

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Speaker 1: Why are your lips? Of all things? And why did

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Speaker 1: he feel it need to get online and trying to

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Speaker 1: prove that girl wrong? That's y'all problem. Y'all. See people

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Speaker 1: do things, y'all hearing people say things, and y'all just

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Speaker 1: so quick to want to prove people wrong. That's all

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Speaker 1: social media is people going back and forth of all

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Speaker 1: day trying to prove people wrong. You'll earn that show, definitely.

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Speaker 1: You got what you deserve. What you say? I can't

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Speaker 1: hear you? What do you say? Are you trying to

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Speaker 1: say something back? All? Right? Well, that is front page news.

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Speaker 1: Get it off your chest eight hundred five eight five

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Speaker 1: one oh five one. If you need to vet hit

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Speaker 1: us uping now else to Breakfast Club, good morning, But

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Speaker 1: it's the Breakfast Club wake up, wake up, wake up,

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Speaker 1: your time to get it off your chest, your man

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Speaker 1: or blas. We want to hear from you on the

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Speaker 1: breakfast club. Hello, who's this Joe far As? I got through?

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Speaker 1: What's up? Broke? Good morning? How are you going? Man?

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Speaker 1: Good morning, Charlotte, Man, Good morning after the game. So yeah,

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Speaker 1: I've been having some rough times down here in Florida,

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Speaker 1: and uh, right now I'm curly there's the bus, catching

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Speaker 1: the bus, getting ready to good work. But man, I

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Speaker 1: just wanted to just say it's rough. Yeah, it's at

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Speaker 1: least you're going to work though a lot of people

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Speaker 1: don't have a job. Yes, I do have a job,

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Speaker 1: but the thing is a trouble trying to say a float,

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Speaker 1: you know, with me and my fun and uh the boyling,

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Speaker 1: all that beginning, all down to the beginning. Man, I

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Speaker 1: need somebody to cash at me one hundred dollars so

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Speaker 1: I hat my damn that one. Yeah, man, I didn't

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Speaker 1: know what nowhere else to turn. I asked people. Nobody

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Speaker 1: would to help me, and that's all I needed. What's

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Speaker 1: your cash? Help? What is Jiggie Smith? Which is a

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Speaker 1: capital J everything else lower K I G G Y

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Speaker 1: capital M M I C h one word. Did you

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Speaker 1: combine Will Smith's name and his single getting Jiggie with It?

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Speaker 1: Jiggie Smith? Oh no, No, that's been my nickname forever.

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Speaker 1: All right, Jakie Smith, you gotta upgrade your nickname Jiggy

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Speaker 1: All right, le Jackie Smith, you need all you need?

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Speaker 1: One hundred dollars, one hundred dollars. It's old. Jigie Smith

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Speaker 1: needs one hundred dollars. Y'all send Jigie Smith some money.

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Speaker 1: What's the next line? I thought the next ground was

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Speaker 1: gonna I'm gonna send Jiggie twenty dollars. Man, y'all gonna

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Speaker 1: help me. Y'all gonna pitch you in y'all everybody listening

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Speaker 1: out there. I'm gonna send Jigie twenty dollars. I got ten,

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Speaker 1: y'all send twenty two, twenty two dollars, but twenty two.

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Speaker 1: You know what I mean? Twenty dollars? Hello? Who's this is? Jack?

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Speaker 1: Jack on High six Society, Go Morning practis Club Jack.

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Speaker 1: Jackie's incredible. Get it off at your man, Yes, man,

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Speaker 1: I forgot I didn't get to quire you yesterday. Black.

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Speaker 1: Congratulations on your Mega man mixtape with all the foods

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Speaker 1: you has on them the le brain and your love.

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Speaker 1: What is it nineteen years? It's eighteen years and you

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Speaker 1: call it a mega man? Tell me what's going on on?

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Speaker 1: Only fans? He got a tape full of mega man.

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Speaker 1: He do? He do? And Ball had small? Hey you

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Speaker 1: sign the real suspect this morning? Per usual? How you

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Speaker 1: doing small? I kind of liked that. When Chicago, baby,

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Speaker 1: when are the next next time you come to Chicago?

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Speaker 1: I have an all girl skate party here? Okay? Are

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Speaker 1: you doing it now? Though? Even during this pandemic or

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Speaker 1: it's starting in I gee, you was a super spreader

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Speaker 1: like two weeks ago. Back. No from me. I'm just asking.

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Speaker 1: I'm just asking. I haven't had coronavirus yet, so I'm

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Speaker 1: still playing it safe. Like we see you are questioning

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Speaker 1: skate party and don't you don't don't act like you

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Speaker 1: won't do it. Just don't come bringing that runa because

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Speaker 1: you know you'll be out in the streets. Let me ask,

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Speaker 1: Let me ask. So I'm just asking an honest question.

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Speaker 1: Is it still going on now? When it's a skate party?

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Speaker 1: So we know what's the rules, all right? So it's

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Speaker 1: limited capacity. It's in Chicago. Um, everybody listening you can

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Speaker 1: check high check societies in sagrama's h I G H

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Speaker 1: H I C s O C I ec y Mark.

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Speaker 1: I got my bag from you. I got my bag

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Speaker 1: from you back wall. Finally, Yes, it's beautiful, nice, bright

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Speaker 1: blue color. Have it right here. You check the inside

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Speaker 1: of it. But you know you blessed in highly favorite.

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Speaker 1: That's right, thank you. I want to know more about

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Speaker 1: this mega Man mixtape's there's no man no I need

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Speaker 1: to know. I need really only fans shut up, get

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Speaker 1: it off your chests eight hundred five eighty five one

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Speaker 1: on five one. If you need to n hit this up.

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Speaker 1: As to breakfast Club, good morning, this is your time

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Speaker 1: to get it off your chests. Whether you're Man or

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Speaker 1: blast so Peo better have the same in we want

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Speaker 1: to hear from you on the breakfast club. Hello. Who's

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Speaker 1: this hey? Good morning Heavy, Good morning, Charlotte Man, Good

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Speaker 1: morning Angela, Happy Friday. What's happening on? Hey? So, I

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Speaker 1: want to talk about that jay Z verse. I know

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Speaker 1: Charlomagne was talking about whether or not we judge day

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Speaker 1: Z on the curb. I think back in the day

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Speaker 1: we used to talk about hip hop being like a

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Speaker 1: young man's sport, it's not no more man's hip hop.

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Speaker 1: You American up hip hop is is is all American

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Speaker 1: right now, and it's a popular culture. Though I don't

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Speaker 1: think we should be looking at it as a young

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Speaker 1: man's sport anymore, because back in the day when it

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Speaker 1: was a young culture, we could say that. But it's

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Speaker 1: become American culture, right, so we can't. We gotta look

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Speaker 1: at JAYZ in the same category like the Who and

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Speaker 1: the Rolling Stones and all that. He's a legend and

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Speaker 1: we can't compare him to the young boys, but we

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Speaker 1: can't just say it's the young boys sport anymore. It's

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Speaker 1: evolved into anybody could do it at any time, as

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Speaker 1: long as you do it from the heart. Agree, you know,

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Speaker 1: jay Z legend number one, MC got MC of all

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Speaker 1: time and that verse. I don't know when jd Rapp,

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Speaker 1: I feel like you's sucking to me all the time.

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Speaker 1: It's a scripture. It's a scripture. He puts my he

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Speaker 1: puts my thoughts in perspective, like when he said, you

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Speaker 1: let them cracking storm your capital, put their feet up

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Speaker 1: on your desk, and yet you're talking tough to me.

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Speaker 1: I lost all my little respect. That's how I'd be

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Speaker 1: feeling when I'd be like, man, I feel like democrats

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Speaker 1: are cowards. Republicans and cowards, you know what I mean.

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Speaker 1: It's like, but they want to talk tough to us,

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Speaker 1: but you let them for run up in your capital.

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Speaker 1: When to put their feet up, ball in your desk? Yep?

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Speaker 1: Come on, man, Hello, who's this yo? Everybody was going

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Speaker 1: on man, mellow, mellow? What up? Man getting off her chest? Mellow?

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Speaker 1: All right? First things first, all the beautiful ladies out there.

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Speaker 1: I don't care. He's got a Valentine and not happy

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Speaker 1: Valentine's Day, you know what I mean. That's first things first.

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Speaker 1: And second of all, I need everybody stopped hunting my

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Speaker 1: god with Charlotte because he really looked like Morris Chestnuts

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Speaker 1: for rever listen, brother getting into heaven, I said, Morris Chestnut. Nah,

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Speaker 1: I mean if he looked I mean, he looked like

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Speaker 1: Morris Chestnut if he was too expensive on Amazon. So

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Speaker 1: you trying to go to Wish and you that's that's

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Speaker 1: what you're gonna get, yo. Yo, My heaven revoked. See

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Speaker 1: you got into heaven and then you got your call.

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Speaker 1: You got revoked, yo. But no, I got a proposition

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Speaker 1: for you. Because I thought I looked like Trey Storm.

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Speaker 1: Somebody said I looked like Trey Romes. So I'm thinking,

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Speaker 1: you know what I mean? You look like Morris Left.

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Speaker 1: I looked like Trey Romes. We can start a singing

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Speaker 1: group called boys to nick Man, we can really take boys.

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Speaker 1: Boys didn't listen. I'm gonna be honest with you. I

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Speaker 1: didn't say I looked like Marks chesting up the screech.

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Speaker 1: Didn't know you did. Hello, this is the undisputed w

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Speaker 1: m DC. Good morning, enjoy Harry got snack Man. Now,

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Speaker 1: people who don't know if you just joined the snack

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Speaker 1: Man as a comedian's first comedian a god man, tell

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Speaker 1: you joke now that the CDC has suggested that we

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Speaker 1: wear two masks. Yo, I'm not mad. Ever since I've

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Speaker 1: been of age, I have always double bagged it. Yo.

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Speaker 1: King you got a social distance from comedy, bro like

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Speaker 1: you gotta like like you should just you should just

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Speaker 1: social distance. I mean as far away from comedy as possible,

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Speaker 1: not even six feet like twelve eighteen maybe twenty four.

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Speaker 1: That was one of his better ones. It wasn't trash.

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Speaker 1: It made sense, elease, I didn't make sense. There was

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Speaker 1: like a beginning middle of that. Normally he just kind

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Speaker 1: of leaves us side clu. It always leaves us like

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Speaker 1: I don't want to hit the punchline. I just want

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Speaker 1: him to get punched. Get it off your chest? Eight

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Speaker 1: hundred five, eight five, one oh five, what we got

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Speaker 1: rumors on the way. Yes, And since we're doing comedy,

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Speaker 1: let's talk about Dave Chappelle. He puts something out overnight

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Speaker 1: and this Redemption song. Yes he did, and he started

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Speaker 1: off talking about the cowards who had something to say

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Speaker 1: about his him getting coronavirus. All right, we'll get into

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Speaker 1: that next. It's the Breakfast Club. Go more. Listen, just

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Speaker 1: stand Oh gosh, got report got Breakfast Club? All right, Well,

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Speaker 1: Young Blue had some issues with Tory Lane's remixing his

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Speaker 1: song Your Mind still featuring Drake. Listen to this, I

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Speaker 1: always day weekend change listen, don't facing she got my

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Speaker 1: heartbeat risten that same time, don't go me because you

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Speaker 1: mist and I don't want to let you man me.

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Speaker 1: Pretty face, pretty tiding. We heard a song on the

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Speaker 1: pretty taught me all the lessons. He played a lot

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Speaker 1: of it. Yeah, So Young Blue did not appreciate Tory

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Speaker 1: Lane's and not reaching out to him, tagging him or

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Speaker 1: nothing like that. Here's what he said. I hope he

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Speaker 1: ain't take you long to record that song. I hope

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Speaker 1: he ain't spend a lot of money twil hours of

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Speaker 1: studio recording that song, because soon you upload YouTube, come

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Speaker 1: straight down. So go get your money back, Go get

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Speaker 1: a refund, go get a receipt. Well, you didn't tag me,

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Speaker 1: you didn't show the lord man. Don't get it by life. Hey,

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Speaker 1: I agree with Young Blue because you should cite your source,

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Speaker 1: especially with a young artist. Yeah, with a young artists, absolutely,

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Speaker 1: because it's I'm gonna tell you why. It's folks out

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Speaker 1: there who who don't know who Young Blue is, you

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Speaker 1: know what I mean? But they know Tory Lane. They

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Speaker 1: might hear that song and be like, oh, that's Tory

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Speaker 1: Lane's record. It's like, no, it's Young Blue record. Give

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Speaker 1: the young man some credit. If he was an older,

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Speaker 1: more established artist that people know, I would understand the

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Speaker 1: jacket for beat. But just to take a young artist

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Speaker 1: song and not at least say what up Young Blue

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Speaker 1: or something? Nah, he's a top ten artist and artist's

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Speaker 1: been doing it since hip hop was created. Somebody puts

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Speaker 1: out a record and somebody does a freestyle over it.

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Speaker 1: You do it all the time. I've heard just Tory

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Speaker 1: every artist. I've heard that record, but I don't know

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Speaker 1: Young Blue. I had a record on the radio, but

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Speaker 1: I don't know who that is. What does that mean?

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Speaker 1: Jay Z has done a whole mixtape taking people's beats. Yes,

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Speaker 1: Gods has done it. You know change all right? Well,

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Speaker 1: well Young Blie and his team had had that song

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Speaker 1: taken down and he can do that. And then he

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Speaker 1: tweeted tag me and I put it back. I'm a

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Speaker 1: real and word at Tory Lanes and Tory Lanez had

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Speaker 1: at Young Blue. Crazy thing is. I love your music

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Speaker 1: and your song. That's why I remixed it. You're an

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Speaker 1: incredible artist and I've been listening to you since. Unappreciated,

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Speaker 1: but he felt some sort of way we can just

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Speaker 1: talk like men over a phone and not social media.

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Speaker 1: Love bro, So Drake has done it many times a

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Speaker 1: lot of people. The easiest thing to do is give

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Speaker 1: somebody some credit. I mean all all a young man

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Speaker 1: wanted was an add on Twitter. You know what I'm saying.

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Speaker 1: At least cite your source and say tell me the

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Speaker 1: original record is. Young Blue responded to that and said

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Speaker 1: I can't call you if I don't have your number.

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Speaker 1: G I don't want to beef. I like the record. Actually,

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Speaker 1: I just felt disrespected. You just saw me at Rolling

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Speaker 1: Loud tonight and ain't say a word to me. And

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Speaker 1: I even performed the song you said you like when

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Speaker 1: I took a pick with your artist. I go get

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Speaker 1: in my sprinter and see you remix my song and

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Speaker 1: ain't show love either. So I'm a real person. I

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Speaker 1: get offended. Send your jack let's talk like men. It's

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Speaker 1: on you. I'm leaving it alone though, but let's not

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Speaker 1: play victim gang. I don't never be on no cloud ish. Yeah,

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Speaker 1: I agree artists been jacking for years. But I do

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Speaker 1: agree with him. He's a young artist. He's on to

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Speaker 1: come up. People don't know him yet. Just to get

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Speaker 1: him in some credit, get him a shout out. Ot

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Speaker 1: Genesis did it. Mary J. Blige just done it, Like

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Speaker 1: that's what the hip hop is about. Just I think

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Speaker 1: it yourself out like I just saw you tonight and

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Speaker 1: you ain't saying nothing rollout Loud. What's happening, I guess.

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Speaker 1: So I don't think it's nothing wrong giving a young

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Speaker 1: boy credit, all right, now, let's talk about Dave Chappelle.

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Speaker 1: Overnight he put out a Redemption song and it's a

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Speaker 1: new ten minute clip. You know, he has this deal

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Speaker 1: with Netflix and he's been putting out all kinds of content,

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Speaker 1: and he's been performing in Austin, Texas. I think they

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Speaker 1: just closed out all their shows in Austin. Dave Chappelle

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Speaker 1: did end up getting coronavirus. You know, he's been doing

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Speaker 1: these shows in Yellow Springs, Ohio, and then he moved

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Speaker 1: it over to Austin with Joe Rogan, and he started

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Speaker 1: it off talking about getting coronavirus. And I just tried

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Speaker 1: to find a way that I could work. You see

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Speaker 1: what we've been doing, all of you who had didn't

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Speaker 1: endure this invasive test on were these masks just so

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Speaker 1: we could be out and hang out and be together.

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Speaker 1: I tried and if all these months, after doing all

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Speaker 1: all these shows, God David, my number was up, and

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Speaker 1: then I had the rona all when I said I

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Speaker 1: had the coronavirus, the overwhelming majority of people wished me, well,

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Speaker 1: we hope you get better, take care of yourself. We

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Speaker 1: don't want anything bead to happen to you. But there

404
00:21:04,720 --> 00:21:09,080
Speaker 1: was a faction of people who said, you see that day, Chappelle,

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Speaker 1: that's why we stay inside where its safe. Well, enjoy yourselves, mother,

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Speaker 1: because I'm better now, all right, And then he goes

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Speaker 1: on to talk about actually like quarantine shaming a little bit,

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00:21:24,040 --> 00:21:27,920
Speaker 1: But well, I think like quarantine shaming just a little bit,

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Speaker 1: you know what I mean, Just because people want to

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Speaker 1: follow see see gudelines and stay in the house, that's fine, Yeah,

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Speaker 1: you know what I mean. I think I think he

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Speaker 1: was talking about people that were like, ha ha, you

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Speaker 1: see you see. But he's saying that he's from months

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Speaker 1: done this. He's you know, gotten people tested to even

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Speaker 1: attend his shows. They socially distanced at the shows. Anybody

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Speaker 1: that participates and activities with him has to get tested

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Speaker 1: before they come, get tested twice a day. And he

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Speaker 1: dared what he could. Yeah, but he's proved that even

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Speaker 1: if you take profitable cautions, you can still get it.

420
00:21:54,880 --> 00:21:56,720
Speaker 1: But even so, that don't mean that, you know, even

421
00:21:56,760 --> 00:21:57,960
Speaker 1: if you still want to stay in the house, that's

422
00:21:57,960 --> 00:22:00,840
Speaker 1: still fine, right, But yes, he had an issue with

423
00:22:00,880 --> 00:22:02,760
Speaker 1: people who didn't just say hey, we wish you well.

424
00:22:02,920 --> 00:22:04,760
Speaker 1: There were people that were like, good for you, ha ha,

425
00:22:05,119 --> 00:22:08,080
Speaker 1: and well that's how we felt. And so anyway, he

426
00:22:08,160 --> 00:22:10,800
Speaker 1: goes on to talk about his show, The Chappelle Show

427
00:22:10,920 --> 00:22:14,640
Speaker 1: coming back to Netflix. Here's what he said. I never

428
00:22:14,800 --> 00:22:18,440
Speaker 1: asked Comedy Central for anything. If you remember, I said,

429
00:22:18,440 --> 00:22:21,879
Speaker 1: I'm going to my real boss, and I came to you.

430
00:22:22,520 --> 00:22:25,600
Speaker 1: I asked you to stop watching the show, and thank

431
00:22:25,800 --> 00:22:29,800
Speaker 1: God Almighty for you you did. You made that show

432
00:22:29,960 --> 00:22:34,320
Speaker 1: worthless because without your eyes, it's nothing. And when you

433
00:22:34,480 --> 00:22:38,760
Speaker 1: stopped watching it, they called me and I got my

434
00:22:38,960 --> 00:22:42,280
Speaker 1: name back, and I got my license back, and I

435
00:22:42,400 --> 00:22:47,840
Speaker 1: got my show back and they paid me millions of dollars.

436
00:22:48,720 --> 00:22:51,960
Speaker 1: Thank you very much. I mean, there was no doubt

437
00:22:51,960 --> 00:22:54,200
Speaker 1: that he wouldn't get a show back. I mean, he's Dave,

438
00:22:54,520 --> 00:22:57,879
Speaker 1: mother f and Chappelle. And I'm also very happy that

439
00:22:57,960 --> 00:23:00,480
Speaker 1: he saluted Chris McCarthy to drop on a clues bons

440
00:23:00,480 --> 00:23:02,520
Speaker 1: for Chris McCarthy. If you watch the you know the

441
00:23:02,520 --> 00:23:04,840
Speaker 1: whole thing he shouted like Chris McCarthy. Chris McCarthy as

442
00:23:04,840 --> 00:23:07,320
Speaker 1: a guy who gave me my first ever overall deal

443
00:23:07,359 --> 00:23:09,399
Speaker 1: in TV. And he's an executive who gets it. Not

444
00:23:09,520 --> 00:23:11,840
Speaker 1: only does he have a great out for talent, more importantly,

445
00:23:11,880 --> 00:23:14,200
Speaker 1: he always wants to do what's right by people. I

446
00:23:14,320 --> 00:23:16,280
Speaker 1: love that guy. We need more executives like him, and

447
00:23:16,400 --> 00:23:19,040
Speaker 1: he's got seven women on his senior management team. Pluton,

448
00:23:19,320 --> 00:23:21,399
Speaker 1: I think he and if you watch a Chappelle was

449
00:23:21,440 --> 00:23:24,040
Speaker 1: also saying that people were telling him he was never

450
00:23:24,119 --> 00:23:25,919
Speaker 1: gonna get his show back and there was nothing they

451
00:23:25,960 --> 00:23:27,560
Speaker 1: could do about it. For those people who don't know

452
00:23:27,640 --> 00:23:29,159
Speaker 1: the business then, and they don't know the leverye Dave

453
00:23:29,200 --> 00:23:31,800
Speaker 1: Chapelle has and they don't know the powers that be

454
00:23:31,960 --> 00:23:34,520
Speaker 1: that are in position now at CBS Viacom, because if

455
00:23:34,520 --> 00:23:37,760
Speaker 1: they actually knew Chris McCarthy, they would know, yes, they

456
00:23:37,800 --> 00:23:40,080
Speaker 1: would get his show back, and Dave got the power

457
00:23:40,400 --> 00:23:43,600
Speaker 1: at this point, he's in the power position position. Right.

458
00:23:43,640 --> 00:23:46,240
Speaker 1: He tell people not to watch it, and like he said, financially,

459
00:23:46,280 --> 00:23:48,960
Speaker 1: it didn't make sense for them. If nobody's gonna watch

460
00:23:49,040 --> 00:23:51,879
Speaker 1: the show, doesn't make sense to put it on. And

461
00:23:52,000 --> 00:23:54,920
Speaker 1: more correctly, I'm telling you Chris McCarthy will always do

462
00:23:55,160 --> 00:23:57,520
Speaker 1: what's right. If you know Chris McCarthy didn't, then you

463
00:23:57,600 --> 00:23:59,480
Speaker 1: know that that's what that's the type of stuff he

464
00:23:59,560 --> 00:24:02,919
Speaker 1: fights for. All right, Well that is your rumor report,

465
00:24:03,240 --> 00:24:05,080
Speaker 1: all right. Now, when we come back, we got front

466
00:24:05,080 --> 00:24:07,920
Speaker 1: page news. What we're talking about, Well, let's talk about

467
00:24:08,000 --> 00:24:11,080
Speaker 1: Casey Goodson's junior. Now we've had his mom and his

468
00:24:11,160 --> 00:24:14,480
Speaker 1: attorney and his mom's attorney. I'm previously he was shot

469
00:24:14,520 --> 00:24:16,440
Speaker 1: and killed by police and then back as he was

470
00:24:16,600 --> 00:24:19,480
Speaker 1: entering his own home. They are gonna give us an update.

471
00:24:19,480 --> 00:24:21,119
Speaker 1: And I want you guys to really pay attention to

472
00:24:21,240 --> 00:24:23,800
Speaker 1: this because it's heartbreaking to hear. And the police officer

473
00:24:23,880 --> 00:24:26,719
Speaker 1: who's shot and killed him is still working, still has

474
00:24:26,800 --> 00:24:28,680
Speaker 1: his job, all right, So we'll talk to him next.

475
00:24:28,720 --> 00:24:30,440
Speaker 1: And then every hour on an hour, we're playing this

476
00:24:30,560 --> 00:24:33,400
Speaker 1: Nipsey jay Z joint. What it feels like to get

477
00:24:33,440 --> 00:24:36,639
Speaker 1: your ass up. It's the Breakfast Local Morner and this

478
00:24:36,800 --> 00:24:38,960
Speaker 1: is what it feels like, all right. That was what

479
00:24:39,160 --> 00:24:42,600
Speaker 1: it feels like. Nipsey Hustle and jay Z off the

480
00:24:42,760 --> 00:24:45,720
Speaker 1: Jewish and the Black Messiah soundtrack. Tell me that's not

481
00:24:45,800 --> 00:24:48,480
Speaker 1: a hard ball. When jay Z says you're letting cracking

482
00:24:48,520 --> 00:24:50,560
Speaker 1: storm your capital, put their feet up on your desk,

483
00:24:50,640 --> 00:24:52,520
Speaker 1: and yet you talking tough to me, I lost all

484
00:24:52,560 --> 00:24:56,800
Speaker 1: my little respect. That's how I feel about in Cowards, Yes,

485
00:24:57,359 --> 00:25:00,760
Speaker 1: And you know, jay Z never gets bad like like

486
00:25:00,880 --> 00:25:03,200
Speaker 1: you know, people say, yoh, when orders get old. No, no,

487
00:25:03,440 --> 00:25:05,480
Speaker 1: And that's what I'm saying, not at all. It's like

488
00:25:05,600 --> 00:25:08,520
Speaker 1: Tom Brady, right like you you know Tom Brady is great,

489
00:25:08,960 --> 00:25:11,800
Speaker 1: but you appreciate him more because he's forty three. Correct.

490
00:25:12,000 --> 00:25:13,719
Speaker 1: You don't expect him to still be doing what he's

491
00:25:13,760 --> 00:25:15,480
Speaker 1: doing at forty three, just like you don't expect Hold

492
00:25:15,520 --> 00:25:17,800
Speaker 1: to still be doing what he's doing at fifty one.

493
00:25:18,200 --> 00:25:21,280
Speaker 1: That's only because the rappers we saw before him that

494
00:25:21,440 --> 00:25:25,560
Speaker 1: age were so whack. You know, they got bad, they

495
00:25:25,640 --> 00:25:28,400
Speaker 1: got terrible without bad, Yes, they got bad for whatever

496
00:25:28,480 --> 00:25:31,040
Speaker 1: reason he has it and not just spoiled. Look at

497
00:25:31,359 --> 00:25:34,000
Speaker 1: he's he's not the oldest. Think about scarf face. Scarf

498
00:25:34,000 --> 00:25:36,280
Speaker 1: face is still phenomenal. Scar Face still get business. No,

499
00:25:36,760 --> 00:25:39,399
Speaker 1: plenty of rappers over forty still phenomenal. Nas rights to

500
00:25:39,480 --> 00:25:43,480
Speaker 1: five nine, but you know, jee a lot of rappers

501
00:25:43,480 --> 00:25:45,679
Speaker 1: before they still get busy. Yeah, all right, anyway, well

502
00:25:45,720 --> 00:25:47,440
Speaker 1: let's get in some front page news. We're doing a

503
00:25:47,480 --> 00:25:49,359
Speaker 1: different this morning. Yeah, and I feel like this is

504
00:25:49,359 --> 00:25:51,560
Speaker 1: an important story that we do really need to highlight

505
00:25:51,640 --> 00:25:54,960
Speaker 1: because I haven't seen much activity around the killing of

506
00:25:55,080 --> 00:25:57,880
Speaker 1: Casey Goodson Junior. So we are going to have his mother,

507
00:25:58,880 --> 00:26:01,760
Speaker 1: Tamla Paine, and his attorney, Shaan Walton give us some

508
00:26:01,920 --> 00:26:04,800
Speaker 1: updates on what's happening. The officer who shot and killed

509
00:26:04,920 --> 00:26:07,200
Speaker 1: Casey Goodson, who was only twenty three years old, still

510
00:26:07,280 --> 00:26:10,159
Speaker 1: has his job, and they're going to talk about what

511
00:26:10,359 --> 00:26:13,480
Speaker 1: they know about the killing of Casey Goodson Junior and

512
00:26:13,600 --> 00:26:16,440
Speaker 1: where they are right now with the investigation. Yeah, quick update.

513
00:26:16,480 --> 00:26:18,560
Speaker 1: He was coming home from the dentist, walking in into

514
00:26:18,680 --> 00:26:22,680
Speaker 1: his house and the officers shot him five times. He

515
00:26:22,880 --> 00:26:27,680
Speaker 1: had illegal gun on him, legally owned gun on him,

516
00:26:28,160 --> 00:26:30,800
Speaker 1: and now let's talk to the mom and attorney. Good morning.

517
00:26:30,960 --> 00:26:33,280
Speaker 1: Thank you again for having us. You know, we respect

518
00:26:33,359 --> 00:26:36,920
Speaker 1: and appreciate this platform so much. And Tamerla insisted that

519
00:26:37,000 --> 00:26:38,920
Speaker 1: she wanted to talk to her friends as we released

520
00:26:38,960 --> 00:26:43,000
Speaker 1: more information. So you know, we appreciate you guys uplifting

521
00:26:43,400 --> 00:26:46,159
Speaker 1: Casey Gudson's name that we know now more than ever

522
00:26:46,359 --> 00:26:50,480
Speaker 1: that Casey Gudson, Jr. Was an innocent black man who

523
00:26:50,560 --> 00:26:55,159
Speaker 1: was murdered by Franklin County Sheriff's Deputy Jason me on

524
00:26:55,240 --> 00:26:58,040
Speaker 1: December four of twenty twenty. And we didn't know before.

525
00:26:58,160 --> 00:27:00,680
Speaker 1: We thought that he was shot in in the back

526
00:27:00,760 --> 00:27:04,240
Speaker 1: a few times. Casey's grandmother and saw three gunshots. But

527
00:27:04,800 --> 00:27:07,879
Speaker 1: we've spoken with the county corner that performed the autopsy

528
00:27:08,240 --> 00:27:11,399
Speaker 1: in case he was shot in his back six times,

529
00:27:11,520 --> 00:27:13,440
Speaker 1: five times in his back and once in his butt

530
00:27:14,080 --> 00:27:17,440
Speaker 1: with a high powered rifle. And he was shot through

531
00:27:17,560 --> 00:27:19,760
Speaker 1: his screen door as he walked into his own home.

532
00:27:19,800 --> 00:27:22,960
Speaker 1: He was shot from behind. His keys were in the door,

533
00:27:23,359 --> 00:27:25,720
Speaker 1: he had subway in his hand, and so it was

534
00:27:25,760 --> 00:27:29,000
Speaker 1: a cold blooded execution and Casey was murdered and the

535
00:27:29,040 --> 00:27:31,440
Speaker 1: world needs to know that. Yeah, and I see now

536
00:27:31,520 --> 00:27:35,760
Speaker 1: that there could potentially be some federal charges. Is that true? Yeah,

537
00:27:35,840 --> 00:27:38,040
Speaker 1: So the Department of Justice and the FBI have been

538
00:27:38,119 --> 00:27:40,760
Speaker 1: leading this investigation because the ball was dropped early on

539
00:27:40,960 --> 00:27:44,440
Speaker 1: by the local police, and so the fairs have been investigating,

540
00:27:44,520 --> 00:27:47,959
Speaker 1: and they may bring federal charges, they may bring state charges,

541
00:27:48,040 --> 00:27:51,720
Speaker 1: but they had been in consistent communication with us, and

542
00:27:51,840 --> 00:27:54,879
Speaker 1: so we understand that they're pursuing the truth, and the

543
00:27:54,960 --> 00:27:58,440
Speaker 1: truth is going to lead to the understanding that Casey

544
00:27:58,560 --> 00:28:01,720
Speaker 1: was murdered. So, yeah, they are spaghetti and they could

545
00:28:01,800 --> 00:28:04,680
Speaker 1: bring subtle charges. How are you doing, How are you

546
00:28:04,760 --> 00:28:07,280
Speaker 1: holding up? How is everything with you? I mean, I'm

547
00:28:07,480 --> 00:28:11,960
Speaker 1: doing as well as I can really. As I stated before,

548
00:28:11,960 --> 00:28:14,080
Speaker 1: I don't really really allow myself to feel right now,

549
00:28:14,400 --> 00:28:16,320
Speaker 1: I feel like if I allow myself to feel, and

550
00:28:16,400 --> 00:28:19,800
Speaker 1: I can't fight. And my whole everyday purposes to fight

551
00:28:19,880 --> 00:28:23,119
Speaker 1: for justice, because, as Sean said, Kathy wasn't murdered, he

552
00:28:23,320 --> 00:28:28,000
Speaker 1: was executed. I've seen the picture of my son's back.

553
00:28:28,640 --> 00:28:31,000
Speaker 1: He blew a chunk out of my son's back. He

554
00:28:31,480 --> 00:28:35,240
Speaker 1: had sermons where he talks about hunting people and uses

555
00:28:35,880 --> 00:28:42,600
Speaker 1: his platform as a pastor to describe police brutality, so

556
00:28:42,760 --> 00:28:45,760
Speaker 1: to speak. And he's bragged about how he hunts people

557
00:28:45,960 --> 00:28:49,320
Speaker 1: and he throws the first punch. And unfortunately, on that day,

558
00:28:49,400 --> 00:28:52,840
Speaker 1: he definitely hunted my son and he killed him in

559
00:28:52,960 --> 00:28:55,600
Speaker 1: cold blood, you know, and I want justice. I mean,

560
00:28:55,760 --> 00:28:57,520
Speaker 1: my son was a twenty three year old man. He's

561
00:28:57,560 --> 00:28:59,800
Speaker 1: never been in troubling the law. He was a family man,

562
00:29:00,320 --> 00:29:02,120
Speaker 1: he didn't club, he's never I mean, he was a

563
00:29:02,320 --> 00:29:05,320
Speaker 1: good kid. He didn't deserve this. He was coming home

564
00:29:05,400 --> 00:29:07,880
Speaker 1: from the dentist. You know. When the case first started,

565
00:29:07,920 --> 00:29:10,040
Speaker 1: we thought he was only shot three times in the

566
00:29:10,080 --> 00:29:12,320
Speaker 1: back because there were three boot holes in the screen door.

567
00:29:12,600 --> 00:29:15,200
Speaker 1: So the assumption was there were three shots to his back,

568
00:29:15,560 --> 00:29:17,720
Speaker 1: but there's five shots. There's five shots to the back

569
00:29:17,760 --> 00:29:20,120
Speaker 1: and one to his button. I've seen every shot. I

570
00:29:20,240 --> 00:29:22,480
Speaker 1: did sit down with the corner and a pathologist that

571
00:29:23,280 --> 00:29:26,320
Speaker 1: performed the autop DNA twain every bullet one to me

572
00:29:26,400 --> 00:29:30,400
Speaker 1: in great deep Still he hit basically every organ my

573
00:29:30,520 --> 00:29:35,720
Speaker 1: son has. It's just, I mean, it's no way to

574
00:29:35,760 --> 00:29:37,760
Speaker 1: explain how I feel other than in fact I want

575
00:29:37,840 --> 00:29:40,480
Speaker 1: him in jail. The man still has a job. He's

576
00:29:40,520 --> 00:29:44,480
Speaker 1: still employed. To this day is day sixty eight, and

577
00:29:44,600 --> 00:29:47,200
Speaker 1: he still has a job. He shouldn't have been on

578
00:29:47,360 --> 00:29:50,080
Speaker 1: the assignment he was on in the first place because

579
00:29:50,080 --> 00:29:54,000
Speaker 1: of his extensive rutger as a shirt deputy. He was

580
00:29:54,080 --> 00:29:57,120
Speaker 1: involved in an altercation in two thousand and eighteen that

581
00:29:57,200 --> 00:30:00,360
Speaker 1: left two men dead. He was involved in another shooting.

582
00:30:00,680 --> 00:30:03,120
Speaker 1: He was on a no contact order with inmates where

583
00:30:03,160 --> 00:30:05,600
Speaker 1: he worked. Where where your job is to work with

584
00:30:05,720 --> 00:30:07,920
Speaker 1: the MMA, he couldn't even have contact with him, So

585
00:30:07,960 --> 00:30:09,520
Speaker 1: he shouldn't have been on the apogement that he was

586
00:30:09,600 --> 00:30:12,000
Speaker 1: on the day that he was on it that led

587
00:30:12,080 --> 00:30:14,640
Speaker 1: to my son's murder in the first place, and then

588
00:30:14,680 --> 00:30:17,560
Speaker 1: he still has a job after sixty eight days. You know,

589
00:30:17,640 --> 00:30:20,000
Speaker 1: he still has a job. He hasn't been arrested. You know,

590
00:30:20,080 --> 00:30:24,000
Speaker 1: he doesn't deserve a job. And that's the officer, Jason Meade,

591
00:30:24,120 --> 00:30:26,240
Speaker 1: who you're speaking on. I want to flash back to

592
00:30:26,320 --> 00:30:28,840
Speaker 1: what you said. So I saw there was a video

593
00:30:29,520 --> 00:30:31,640
Speaker 1: or something that he was posting where he was talking

594
00:30:31,680 --> 00:30:35,800
Speaker 1: about using religion to justify brutality. Is that what you

595
00:30:35,880 --> 00:30:39,920
Speaker 1: were referencing earlier. Yes, he made a signment. I actually

596
00:30:40,320 --> 00:30:41,840
Speaker 1: listened to it for the first time the other day.

597
00:30:41,840 --> 00:30:44,120
Speaker 1: I've heard about altbred some of the things that he said,

598
00:30:44,440 --> 00:30:46,720
Speaker 1: but the first time I actually listened to the video

599
00:30:47,280 --> 00:30:50,080
Speaker 1: was Saturday. To be honest with you, and yes, in

600
00:30:50,160 --> 00:30:55,080
Speaker 1: the video, he definitely says he hunts people. He stated

601
00:30:55,240 --> 00:30:57,720
Speaker 1: that the people that I hit you wish you could

602
00:30:57,800 --> 00:31:01,200
Speaker 1: hit too, and this congregation laugh. He bragged about his

603
00:31:01,320 --> 00:31:05,120
Speaker 1: colleague and his supervisors being a part of the congregation.

604
00:31:05,200 --> 00:31:07,240
Speaker 1: They were all asking and charing and clapping him all.

605
00:31:07,880 --> 00:31:10,040
Speaker 1: He also said he throws the first punch. He doesn't

606
00:31:10,080 --> 00:31:12,080
Speaker 1: wait for the first puns to be thrown. He thrown

607
00:31:12,160 --> 00:31:14,680
Speaker 1: was the first punch. So yeah, he used it to

608
00:31:14,800 --> 00:31:18,560
Speaker 1: brag about police brutality and basically killing innocent black man.

609
00:31:19,600 --> 00:31:22,440
Speaker 1: It's clear, no, no. As far as this case, what's

610
00:31:22,480 --> 00:31:26,080
Speaker 1: the what's next now? One is the immediate termination of

611
00:31:26,200 --> 00:31:28,120
Speaker 1: Jason meet you know, calling for that and also his

612
00:31:28,280 --> 00:31:30,760
Speaker 1: arrest and pushing for that, keeping that pressure on. You know,

613
00:31:30,880 --> 00:31:32,960
Speaker 1: there's no video, but what we know is that the

614
00:31:33,000 --> 00:31:36,400
Speaker 1: physical evidence shows that he was hunted and he was killed,

615
00:31:36,840 --> 00:31:41,000
Speaker 1: and there's no justification for so calling for meats termination,

616
00:31:41,160 --> 00:31:44,520
Speaker 1: holding his sheriff's office accountable, as well as holding the

617
00:31:44,760 --> 00:31:48,760
Speaker 1: Department of Justice accountable for prosecuting him. Also, we're going

618
00:31:48,800 --> 00:31:51,720
Speaker 1: to have a website, um Justice for Casey Goodson junior

619
00:31:51,800 --> 00:31:54,200
Speaker 1: dot com. It's going to aggregate all this information and

620
00:31:54,320 --> 00:31:58,080
Speaker 1: keep and keep folks updated on calls to action and uh,

621
00:31:58,200 --> 00:32:00,720
Speaker 1: you know, making sure that this and die down. As

622
00:32:00,760 --> 00:32:03,960
Speaker 1: we know with George Floyd and Eric Garner and others,

623
00:32:04,560 --> 00:32:08,560
Speaker 1: seeing video is something that has lifted those names up.

624
00:32:08,920 --> 00:32:12,120
Speaker 1: But in cases like Brianna Taylor, it's to push from

625
00:32:12,120 --> 00:32:16,000
Speaker 1: the people across the country that gets justice and those

626
00:32:16,040 --> 00:32:17,800
Speaker 1: officers still weren't in diets. We want to make sure

627
00:32:17,840 --> 00:32:20,040
Speaker 1: that we have justice here, we have a conviction, and

628
00:32:20,240 --> 00:32:22,800
Speaker 1: that we normalize the conversation around black people and guns.

629
00:32:22,840 --> 00:32:25,960
Speaker 1: That's really important. It's perfectly normal for people like Katy

630
00:32:26,000 --> 00:32:29,960
Speaker 1: to be lawful gun owners and even myself and anybody

631
00:32:30,000 --> 00:32:32,000
Speaker 1: anybody else in this country, and that can't be a

632
00:32:32,040 --> 00:32:35,239
Speaker 1: death sentence or Tama Lapaine, attorney Shaan L. Walton, thank

633
00:32:35,280 --> 00:32:37,960
Speaker 1: you for checking in and just give us any updates

634
00:32:37,960 --> 00:32:41,200
Speaker 1: anytime something pops up. Please yeah, always welcome. We definitely

635
00:32:41,240 --> 00:32:43,640
Speaker 1: want to make sure we keep everybody in form. Thank you,

636
00:32:43,840 --> 00:32:46,040
Speaker 1: thank you, thank you all all right, well, thank you

637
00:32:46,200 --> 00:32:48,480
Speaker 1: Tama La Paine, Thank you to Sean Walton. It brings

638
00:32:48,520 --> 00:32:50,120
Speaker 1: tears in my eyes every time I have to think

639
00:32:50,120 --> 00:32:52,520
Speaker 1: about a mother not being able to see her son anymore.

640
00:32:52,640 --> 00:32:56,600
Speaker 1: He did nothing wrong. He was going into his home correct,

641
00:32:56,680 --> 00:32:59,840
Speaker 1: holding a bag of subway sandwiches. And if you follow

642
00:32:59,840 --> 00:33:02,160
Speaker 1: her on Instagram, is painful just to see all the

643
00:33:02,280 --> 00:33:05,000
Speaker 1: things that she's posting. You know, she has other children

644
00:33:05,040 --> 00:33:06,680
Speaker 1: as well, and like she said, she didn't want to

645
00:33:06,680 --> 00:33:09,280
Speaker 1: put out the picture of him because she doesn't want

646
00:33:09,320 --> 00:33:11,120
Speaker 1: her kids to have to see that. But it's things

647
00:33:11,200 --> 00:33:13,760
Speaker 1: like that I think that finally will motivate people to

648
00:33:13,880 --> 00:33:16,040
Speaker 1: have the empathy they need to have for this woman.

649
00:33:16,240 --> 00:33:20,200
Speaker 1: Absolutely all right, we lat is your front page news now.

650
00:33:20,280 --> 00:33:23,600
Speaker 1: When we come back Daniel Kaluya will be joining us.

651
00:33:23,640 --> 00:33:25,480
Speaker 1: You know him from get Out, you know from Black Panther,

652
00:33:25,720 --> 00:33:27,040
Speaker 1: and we're gonna be kicking it with him, all right,

653
00:33:27,080 --> 00:33:29,440
Speaker 1: so don't move. It's the Breakfast Club. Good morning morning.

654
00:33:29,480 --> 00:33:33,600
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

655
00:33:33,720 --> 00:33:36,280
Speaker 1: are the Breakfast Club. We got a special guest in

656
00:33:36,400 --> 00:33:40,280
Speaker 1: the building on the line right now, Daniel Kaluya. Welcome,

657
00:33:40,320 --> 00:33:44,040
Speaker 1: brother Yo, thanks for having mem Nice to see you guys.

658
00:33:44,560 --> 00:33:45,960
Speaker 1: Have you ever I don't think you've ever been here

659
00:33:45,960 --> 00:33:50,560
Speaker 1: in person? Have you? Have you? Daniel? Good to meet

660
00:33:50,600 --> 00:33:53,960
Speaker 1: you over zoom man. But to me, Tima have enjoyed

661
00:33:54,000 --> 00:33:56,800
Speaker 1: you in several projects. You've been attached to some really

662
00:33:56,880 --> 00:33:59,640
Speaker 1: great movies. I mean, of course Get Out, Black Panther

663
00:34:00,080 --> 00:34:02,600
Speaker 1: and now Judith in The Black Messiah, which I you know,

664
00:34:02,640 --> 00:34:04,120
Speaker 1: I don't want to put too much sauce on it.

665
00:34:04,200 --> 00:34:06,520
Speaker 1: I just think it's a phenomenal film first and foremost

666
00:34:08,840 --> 00:34:10,960
Speaker 1: so so what made you want to do this film? What? What? What?

667
00:34:11,080 --> 00:34:14,759
Speaker 1: What feature interest on this film? It was Ryan and

668
00:34:14,840 --> 00:34:17,759
Speaker 1: Zinzi Kogler on a set of Black Panther on the

669
00:34:17,840 --> 00:34:20,040
Speaker 1: reshoots pulled me to the side and they were just like,

670
00:34:20,520 --> 00:34:22,960
Speaker 1: I were making a film about Chairman Fred. I was

671
00:34:23,000 --> 00:34:25,120
Speaker 1: speaking about that, and then I was like, and then

672
00:34:25,120 --> 00:34:26,640
Speaker 1: they were speaking that Lakeith was a part of it,

673
00:34:26,800 --> 00:34:30,359
Speaker 1: mckith Stanfield and Shaky King was directing, and they told

674
00:34:30,520 --> 00:34:32,759
Speaker 1: they told me about their intentions and their reasons for

675
00:34:32,920 --> 00:34:34,759
Speaker 1: doing it. I just it just really spoke to me,

676
00:34:34,880 --> 00:34:37,879
Speaker 1: re resonating with me. And then a lot of things

677
00:34:37,880 --> 00:34:39,160
Speaker 1: happened because I was in the middle of to get

678
00:34:39,160 --> 00:34:41,200
Speaker 1: out press room at that time. So I sat down

679
00:34:41,200 --> 00:34:43,960
Speaker 1: with Shaka in New York and I read the script

680
00:34:44,160 --> 00:34:46,839
Speaker 1: literally the first script I read after the Oscars. First

681
00:34:46,880 --> 00:34:49,040
Speaker 1: script I read was Judis in Black Missile, and I

682
00:34:49,120 --> 00:34:51,040
Speaker 1: just said, yeah, I'm in What did they say were

683
00:34:51,080 --> 00:34:55,040
Speaker 1: the intentions behind doing it about UNI? It's about bringing

684
00:34:55,040 --> 00:34:59,000
Speaker 1: people together, talking about how Chairman Fred was this beacon

685
00:34:59,160 --> 00:35:02,360
Speaker 1: and he just broke people together and that's what we

686
00:35:02,560 --> 00:35:05,279
Speaker 1: want people to do out there, you know. And I

687
00:35:05,360 --> 00:35:07,239
Speaker 1: just read that really spoke to me. Did you know

688
00:35:07,360 --> 00:35:09,400
Speaker 1: much about the character beforehand or did you have to

689
00:35:09,440 --> 00:35:12,640
Speaker 1: study or Chairman Fred? I knew. I knew bits and pieces,

690
00:35:12,760 --> 00:35:15,320
Speaker 1: you know here and now hearing conversations and stuff. I

691
00:35:15,360 --> 00:35:18,040
Speaker 1: remember one I was played somewhere and I was like, oh,

692
00:35:18,160 --> 00:35:20,239
Speaker 1: saw the date that he was born in a date

693
00:35:20,280 --> 00:35:22,719
Speaker 1: he was assassinated. And I was like, well, wait, hold on,

694
00:35:22,800 --> 00:35:24,080
Speaker 1: that can't be right. I was like, what that can't

695
00:35:24,080 --> 00:35:28,239
Speaker 1: be right? How old was held? What's going on? And

696
00:35:28,320 --> 00:35:30,480
Speaker 1: then and I was googling, and I was like, he

697
00:35:30,600 --> 00:35:32,000
Speaker 1: can't have been twenty one. Not only that he was

698
00:35:32,000 --> 00:35:34,880
Speaker 1: assassinating the twenty one, but he made it to be

699
00:35:35,160 --> 00:35:37,560
Speaker 1: chairman of the Internet chapter of the Black Pipe of

700
00:35:37,600 --> 00:35:40,440
Speaker 1: Party by twenty one. I was just like, that's that's incredible,

701
00:35:40,640 --> 00:35:42,560
Speaker 1: you know, And I just on that day, I remember

702
00:35:42,560 --> 00:35:43,600
Speaker 1: I went on it. I was like, yo, I need

703
00:35:43,640 --> 00:35:46,319
Speaker 1: to do a real read on all that stuff when

704
00:35:46,320 --> 00:35:48,320
Speaker 1: I got time. And then luckily I was blessed to

705
00:35:48,360 --> 00:35:50,960
Speaker 1: have this opportunity. Yeah, he was assassinated on December four,

706
00:35:51,000 --> 00:35:53,239
Speaker 1: of jay Z's born day. You know, I'm listening to

707
00:35:53,360 --> 00:35:56,239
Speaker 1: you talk man, and I will always be intrigued by

708
00:35:56,360 --> 00:35:59,000
Speaker 1: British actors who can make their accents go away for

709
00:35:59,120 --> 00:36:01,600
Speaker 1: certain roles. I'm from South Carolina and I can't get

710
00:36:01,719 --> 00:36:03,840
Speaker 1: rid of this accent to save my life. Ever, how

711
00:36:03,920 --> 00:36:05,920
Speaker 1: how is it, how are y'all able to do that?

712
00:36:06,600 --> 00:36:09,480
Speaker 1: That's what Bro. It's like, it's like it's like you're

713
00:36:09,480 --> 00:36:11,960
Speaker 1: gonna You're gonna get I mean, it's like if you're

714
00:36:12,000 --> 00:36:14,480
Speaker 1: like being a vessel for Chairman Fred, you're just going.

715
00:36:14,800 --> 00:36:16,920
Speaker 1: You can't even approach it with your accident, you know

716
00:36:16,960 --> 00:36:18,520
Speaker 1: what I'm saying, with your experience, you have to kind

717
00:36:18,520 --> 00:36:22,040
Speaker 1: of surrender, let yourself go. You're understanding, and then it's

718
00:36:22,080 --> 00:36:24,160
Speaker 1: kind of just come to it, you undersaying, and when

719
00:36:24,200 --> 00:36:26,800
Speaker 1: you come to it, you have to adopt these not

720
00:36:26,880 --> 00:36:30,120
Speaker 1: only speech ribbons, but foot rhythms. You're saying. It's like

721
00:36:30,160 --> 00:36:32,640
Speaker 1: you have to think in a way in that space,

722
00:36:32,920 --> 00:36:35,320
Speaker 1: think in that space, and then your speech changes. You

723
00:36:35,360 --> 00:36:37,279
Speaker 1: can't think like a brother from London, you know what

724
00:36:37,280 --> 00:36:39,880
Speaker 1: I'm saying. You can't think like you're looking at it.

725
00:36:40,000 --> 00:36:43,200
Speaker 1: So it's kind of like a it's a scenario surrendering,

726
00:36:43,600 --> 00:36:45,280
Speaker 1: you know. You know the story of the Black Panthers

727
00:36:45,320 --> 00:36:48,480
Speaker 1: has been so misconstrued, like people try to compare the

728
00:36:48,640 --> 00:36:51,879
Speaker 1: Black Panthers to the KKK. Knowing this, did you feel

729
00:36:52,080 --> 00:36:55,480
Speaker 1: extra pressure to make sure that they were portrayed correctly. Yeah,

730
00:36:55,760 --> 00:36:58,760
Speaker 1: you know that that comparison is just laced and based

731
00:36:58,800 --> 00:37:01,719
Speaker 1: in white fear and white anxiet, you know, because it

732
00:37:01,800 --> 00:37:04,600
Speaker 1: doesn't it doesn't make no sense to compare the Black

733
00:37:04,640 --> 00:37:08,000
Speaker 1: Panther Party, an organization that was providing free healthcare and

734
00:37:08,880 --> 00:37:15,719
Speaker 1: breakfast program kids and educating kids, to another group that

735
00:37:16,040 --> 00:37:18,480
Speaker 1: lynches black people. And I'm saying, it's like, that's not

736
00:37:18,560 --> 00:37:21,759
Speaker 1: even you know, it's so it's h Like I said,

737
00:37:21,840 --> 00:37:24,640
Speaker 1: we're just navigating white fear and white anxiety and we're

738
00:37:24,680 --> 00:37:26,200
Speaker 1: kind of pushing it to the side and saying, Yo,

739
00:37:26,320 --> 00:37:29,400
Speaker 1: this is from our perspective, this is the truth. You know,

740
00:37:29,560 --> 00:37:31,080
Speaker 1: this is actually what they did, This is what they

741
00:37:31,160 --> 00:37:33,440
Speaker 1: had to go through, and then that they still loved themselves,

742
00:37:33,680 --> 00:37:35,840
Speaker 1: and then that they still loved the Black commu community

743
00:37:35,880 --> 00:37:38,359
Speaker 1: and poured love into the black community. Did they teach

744
00:37:38,400 --> 00:37:39,839
Speaker 1: you a lot about the Black Panthers in the UK?

745
00:37:40,080 --> 00:37:43,479
Speaker 1: Because even growing up in New York, they really didn't

746
00:37:43,520 --> 00:37:45,719
Speaker 1: teach us much about the Black Panthers, Like, you know,

747
00:37:45,800 --> 00:37:48,760
Speaker 1: they they would teach us about Martinlauke, the King, drips

748
00:37:48,800 --> 00:37:52,120
Speaker 1: and drabs of Malcolm X, very little about the Panthers.

749
00:37:52,160 --> 00:37:54,200
Speaker 1: So did you learn much about the Panthers growing up

750
00:37:54,200 --> 00:37:55,920
Speaker 1: in the UK? You know, it is at school we

751
00:37:56,000 --> 00:37:59,080
Speaker 1: did the civil rights movement at school, and it was

752
00:37:59,239 --> 00:38:01,719
Speaker 1: it was a lot of Montgomery bus Boycott, lot on

753
00:38:02,320 --> 00:38:04,560
Speaker 1: Rosa Parts, a lot on Martin Luther King, and then

754
00:38:05,080 --> 00:38:07,080
Speaker 1: mentioned of Malcolm X and then skipp to JFK and

755
00:38:07,560 --> 00:38:09,799
Speaker 1: you know, and then it's just like John saying, it's

756
00:38:09,840 --> 00:38:11,239
Speaker 1: kinda like and then I remember, I just see the

757
00:38:11,320 --> 00:38:12,840
Speaker 1: other day, like a couple of weeks ago, I was

758
00:38:12,880 --> 00:38:15,400
Speaker 1: looking at my old school papers, and I saw that

759
00:38:15,480 --> 00:38:18,040
Speaker 1: there was like this printed like kind of typed up

760
00:38:18,239 --> 00:38:20,600
Speaker 1: or kind of sections, and I had written the Black

761
00:38:20,640 --> 00:38:23,080
Speaker 1: Panther Party in the middle of something, in the middle

762
00:38:23,120 --> 00:38:25,240
Speaker 1: of it. In my writing, I'm probably like a thirteen fourteen,

763
00:38:25,680 --> 00:38:28,759
Speaker 1: so it was in passing, you know. But then when

764
00:38:28,840 --> 00:38:32,880
Speaker 1: you're when you're a young black man navigating the Western construct,

765
00:38:33,040 --> 00:38:35,920
Speaker 1: you're gonna attract those kind of ideas. If you love yourself,

766
00:38:35,960 --> 00:38:38,839
Speaker 1: if if you wanted to empower yourself, the Black Panther

767
00:38:38,960 --> 00:38:40,480
Speaker 1: Party is going to arrive to you. And so it

768
00:38:40,560 --> 00:38:43,160
Speaker 1: came to me in natural ways and conversations or in

769
00:38:43,560 --> 00:38:45,800
Speaker 1: watching things or taking an art and like you're just

770
00:38:45,880 --> 00:38:47,400
Speaker 1: taking a lot of stuff. That's how it kind of

771
00:38:47,440 --> 00:38:49,960
Speaker 1: came to me. And I educated myself on it by myself,

772
00:38:50,040 --> 00:38:52,239
Speaker 1: like I read a Starter's book like that was just

773
00:38:52,360 --> 00:38:54,840
Speaker 1: me doing stuff in my spare time, you know, because

774
00:38:54,880 --> 00:38:57,719
Speaker 1: it was stuff that I would that cared about. How

775
00:38:57,760 --> 00:38:59,520
Speaker 1: do you think a movie like Judea's in the Blackness

776
00:38:59,560 --> 00:39:02,279
Speaker 1: Diet is relevant as far as what's going on in

777
00:39:02,360 --> 00:39:05,600
Speaker 1: the world today, Like could you see Fred Hampton existing?

778
00:39:05,960 --> 00:39:07,680
Speaker 1: Do you know anybody that's like that to try to

779
00:39:07,760 --> 00:39:10,240
Speaker 1: bring together all different groups of people to fight against

780
00:39:10,280 --> 00:39:15,080
Speaker 1: police brutality. There is the probably is Chairman Fred out there,

781
00:39:15,200 --> 00:39:16,840
Speaker 1: you know, And that's what it is about Judas and

782
00:39:16,880 --> 00:39:18,320
Speaker 1: Black Side. We're trying to show that this man is

783
00:39:18,360 --> 00:39:20,640
Speaker 1: a human being. You know that you have the capacity.

784
00:39:20,680 --> 00:39:23,040
Speaker 1: Anyone out there has the capacity to go out there

785
00:39:23,080 --> 00:39:26,960
Speaker 1: and support their community, you know, and and empower their

786
00:39:27,000 --> 00:39:30,040
Speaker 1: own to free themselves. You know. But in terms of

787
00:39:30,160 --> 00:39:33,400
Speaker 1: like how it's like today, I feel Chairman Fred and

788
00:39:33,480 --> 00:39:37,960
Speaker 1: Black Panther Party and through this film just articulating how

789
00:39:37,960 --> 00:39:39,480
Speaker 1: a lot of people are feeling right now. You see

790
00:39:39,480 --> 00:39:41,320
Speaker 1: it we largely with the murders of George Floyd and

791
00:39:41,600 --> 00:39:45,000
Speaker 1: Brianna Taylor, And the response to that is that, like

792
00:39:45,160 --> 00:39:49,320
Speaker 1: this film articulates how people are feeling and what to

793
00:39:49,400 --> 00:39:51,320
Speaker 1: do about it, you know, because I have one of

794
00:39:51,400 --> 00:39:53,799
Speaker 1: my favorite sayings is do something, start small, start local,

795
00:39:53,920 --> 00:39:56,000
Speaker 1: keep going. You know what I'm saying. And I feel

796
00:39:56,000 --> 00:40:00,880
Speaker 1: it's that it's like decentralized empowerment. You know, that's how

797
00:40:01,000 --> 00:40:03,400
Speaker 1: phil It's about, Yo, Let's take the power for ourselves

798
00:40:03,440 --> 00:40:06,160
Speaker 1: and empower people around us. I mean, there's a lot

799
00:40:06,160 --> 00:40:08,319
Speaker 1: of brothers and sisters out here doing the work right now,

800
00:40:08,640 --> 00:40:11,080
Speaker 1: and we may have a Fred Hampton type figure in

801
00:40:11,120 --> 00:40:13,120
Speaker 1: our miss now, but we just don't appreciate them, like

802
00:40:13,200 --> 00:40:16,480
Speaker 1: the Tamica Mallory's, the Philip bag News. They bring people together,

803
00:40:16,560 --> 00:40:20,200
Speaker 1: they fight against police brutality. But you know his history

804
00:40:20,280 --> 00:40:23,319
Speaker 1: always tells a different story after people are gone. Yeah,

805
00:40:23,320 --> 00:40:25,080
Speaker 1: that's one I'm saying to say, Charloman, why don't we

806
00:40:25,160 --> 00:40:28,520
Speaker 1: empower and put those people up in the platform now

807
00:40:28,760 --> 00:40:31,279
Speaker 1: because they're out there. It's like they're just doing the work.

808
00:40:31,520 --> 00:40:34,760
Speaker 1: They're on the front line. Sometimes like real change is quiet,

809
00:40:35,120 --> 00:40:37,520
Speaker 1: and it's it's like like, yo, let's let's put our

810
00:40:37,560 --> 00:40:40,480
Speaker 1: attention towards them. Let's empower them. Let's put all resources

811
00:40:40,560 --> 00:40:44,279
Speaker 1: towards those people. They are in Carolina, are in like

812
00:40:44,480 --> 00:40:47,600
Speaker 1: New York, the are in in Oakland that aren't doing

813
00:40:47,680 --> 00:40:49,920
Speaker 1: the work. You know, all we have more with Daniel

814
00:40:49,960 --> 00:40:52,239
Speaker 1: Caluya when we come back, don't move. It's to breakfast club,

815
00:40:52,280 --> 00:40:56,480
Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

816
00:40:56,520 --> 00:40:58,399
Speaker 1: the guy. We are the breakfast club. We're still kicking

817
00:40:58,440 --> 00:41:00,879
Speaker 1: it with Daniel Caluya. So let me ask you a question.

818
00:41:00,920 --> 00:41:03,560
Speaker 1: What's the racial climate in the UK? I mean it's

819
00:41:03,560 --> 00:41:06,239
Speaker 1: a similar, similar dynamic. I mean, and people need to

820
00:41:06,280 --> 00:41:08,640
Speaker 1: be I think people need to be clear that the

821
00:41:08,880 --> 00:41:12,040
Speaker 1: root of all ideas is usually in the language that

822
00:41:12,120 --> 00:41:14,799
Speaker 1: people speak. So the fact that like we are all

823
00:41:14,840 --> 00:41:18,320
Speaker 1: on this cool speaking English, because the construct that we

824
00:41:18,400 --> 00:41:21,080
Speaker 1: are all navigating as like in terms of like racism

825
00:41:21,200 --> 00:41:24,239
Speaker 1: in this towards black people is rooted in England. You know,

826
00:41:24,440 --> 00:41:26,440
Speaker 1: they came over and they did what they did. So

827
00:41:26,760 --> 00:41:30,040
Speaker 1: in England it's a climate is different because it's their land.

828
00:41:30,280 --> 00:41:32,640
Speaker 1: There's there is a conflict. There is there is a conflict,

829
00:41:32,640 --> 00:41:35,040
Speaker 1: but it is subtle. You know, there isn't there isn't

830
00:41:35,040 --> 00:41:37,640
Speaker 1: an insecurity that they stole it, but there is there

831
00:41:37,719 --> 00:41:39,320
Speaker 1: is police brutality. I mean you can see it in

832
00:41:39,400 --> 00:41:42,000
Speaker 1: Mark Duggan. You know, that's kicked off the twenty eleven

833
00:41:42,080 --> 00:41:46,320
Speaker 1: London riots and his murder. There's so many black figures

834
00:41:46,360 --> 00:41:49,960
Speaker 1: and black people who have been killed by They've just

835
00:41:50,040 --> 00:41:52,239
Speaker 1: been they've just been murdered by the police, and they've

836
00:41:52,280 --> 00:41:55,160
Speaker 1: been risings and you know the Brixton riots in the eighties,

837
00:41:55,200 --> 00:41:58,080
Speaker 1: there's been so there's the battle is still going on

838
00:41:58,440 --> 00:42:01,640
Speaker 1: within England as well. What do you say the critics

839
00:42:02,040 --> 00:42:04,919
Speaker 1: who say roles like Fred Hampton should go to Black

840
00:42:04,960 --> 00:42:08,480
Speaker 1: Americans only. I listened to them. I'm not trying to

841
00:42:08,480 --> 00:42:10,520
Speaker 1: say anything to them because i feel like I'm in

842
00:42:10,600 --> 00:42:14,360
Speaker 1: a position where I'm about union in the in the diasporal,

843
00:42:14,800 --> 00:42:17,080
Speaker 1: you know. But if someone's feeling like what, I'm gonna

844
00:42:17,120 --> 00:42:19,880
Speaker 1: listen saying I'm gonna find how can we come together?

845
00:42:20,239 --> 00:42:22,200
Speaker 1: And if that's how they feel, it's been a history

846
00:42:22,239 --> 00:42:25,600
Speaker 1: of people ignoring and dismissing what African American people with

847
00:42:25,760 --> 00:42:28,560
Speaker 1: feeling and what they're expressing. I'm not gonna contribute to

848
00:42:28,600 --> 00:42:31,360
Speaker 1: that culture. I'm not in the business. It's the reality.

849
00:42:31,800 --> 00:42:33,560
Speaker 1: So if they're feeling the way, they're gonna listen, I'm

850
00:42:33,560 --> 00:42:35,440
Speaker 1: gonna say ya, I'm here to unite. And if they

851
00:42:35,480 --> 00:42:36,719
Speaker 1: feel like yeah, I don't want to unite with you.

852
00:42:36,800 --> 00:42:39,400
Speaker 1: That's been cool. You also got to reunite with the

853
00:42:39,520 --> 00:42:42,279
Speaker 1: character William or Neill play with Diala Keith scan Field.

854
00:42:42,280 --> 00:42:45,160
Speaker 1: Obviously you guys worked on Get Out Together. And I

855
00:42:45,280 --> 00:42:48,040
Speaker 1: want to ask you what you think about what he

856
00:42:48,160 --> 00:42:50,400
Speaker 1: had to do because he's the one that infiltrated the

857
00:42:50,520 --> 00:42:54,200
Speaker 1: Black Panther Party and Judas and the Black Messiah, and

858
00:42:55,080 --> 00:42:57,520
Speaker 1: I just think like, we'll give it too much away. Now,

859
00:42:57,600 --> 00:42:59,040
Speaker 1: you give it a lot of way, but it's called

860
00:42:59,120 --> 00:43:01,040
Speaker 1: Judas and the Black Syre, and the whole movie is

861
00:43:01,040 --> 00:43:03,640
Speaker 1: about how this guy infiltrated the Black Panther Party, So

862
00:43:03,680 --> 00:43:07,200
Speaker 1: I don't think it's a secreted a true story. Yeah.

863
00:43:07,360 --> 00:43:09,680
Speaker 1: So I just wanted to ask you when you think

864
00:43:09,719 --> 00:43:13,040
Speaker 1: about what he did right as that character, is there

865
00:43:13,040 --> 00:43:15,960
Speaker 1: any redemption you can find for somebody like that, because

866
00:43:16,400 --> 00:43:18,839
Speaker 1: the whole movie I just can't being like I can't

867
00:43:18,880 --> 00:43:22,120
Speaker 1: stand him. Yeah, I mean the stuff I read that

868
00:43:22,160 --> 00:43:25,799
Speaker 1: he did after that was just you know, he killed himself. Yeah,

869
00:43:26,040 --> 00:43:28,560
Speaker 1: well not even that's how he carried on in the

870
00:43:28,719 --> 00:43:31,719
Speaker 1: area and what he did to that community. But for me,

871
00:43:31,840 --> 00:43:35,799
Speaker 1: it's just to be clear that he is, uh who

872
00:43:36,520 --> 00:43:39,120
Speaker 1: you know, you know, it's like it's like he's a

873
00:43:39,640 --> 00:43:43,239
Speaker 1: it's the FBI, you know, like it's the it's that

874
00:43:43,400 --> 00:43:47,719
Speaker 1: he is being used I people, And I think what

875
00:43:47,880 --> 00:43:49,680
Speaker 1: you what you see in this film is the danger

876
00:43:49,800 --> 00:43:53,239
Speaker 1: of not caring, the danger of apathy, how like, and

877
00:43:53,360 --> 00:43:56,120
Speaker 1: the danger of self preservation. And you think you're preserving

878
00:43:56,160 --> 00:43:58,680
Speaker 1: yourself taking carry yourself, taking, carry yourself, taking, carry yourself.

879
00:43:58,840 --> 00:44:02,200
Speaker 1: And it led to him destroy himself because and its

880
00:44:02,239 --> 00:44:05,840
Speaker 1: whole community. He destroyed the whole movement. But the movement

881
00:44:05,880 --> 00:44:09,200
Speaker 1: can't be destroyed, Andrew, it can't be destroyed. And Fred

882
00:44:09,320 --> 00:44:11,400
Speaker 1: saying it can't be destroyed. That's why people out there

883
00:44:11,800 --> 00:44:14,120
Speaker 1: last last year, right and not there's people out there

884
00:44:14,200 --> 00:44:15,840
Speaker 1: out on the front line. We just it's just not

885
00:44:15,960 --> 00:44:17,600
Speaker 1: the topic that we're talking about right now. But the

886
00:44:17,640 --> 00:44:21,040
Speaker 1: movement cannot be destroyed. Ever, have you ever experienced the

887
00:44:21,160 --> 00:44:23,959
Speaker 1: type of betrayal by one of your own that Fred

888
00:44:24,000 --> 00:44:27,840
Speaker 1: Hampton experienced in regard to the William O'Neil. No, probably,

889
00:44:28,040 --> 00:44:30,040
Speaker 1: I don't know. I would have to think about that.

890
00:44:30,120 --> 00:44:36,600
Speaker 1: I don't know that he's getting into therapy land. I'm

891
00:44:36,640 --> 00:44:39,239
Speaker 1: sure you needed some therapy after this role, because that's

892
00:44:39,239 --> 00:44:41,480
Speaker 1: an intense role because you had to take on the

893
00:44:41,560 --> 00:44:44,960
Speaker 1: trauma of a whole generation, the trauma of a whole movement.

894
00:44:45,200 --> 00:44:46,799
Speaker 1: I'm sure you had to do some therapy to get

895
00:44:46,840 --> 00:44:48,800
Speaker 1: that out. You. Yeah, I had to look at myself.

896
00:44:48,880 --> 00:44:51,040
Speaker 1: I had to really look at myself, and I was

897
00:44:51,080 --> 00:44:53,640
Speaker 1: blessed I have the pandemic. You know, I really just

898
00:44:53,719 --> 00:44:55,799
Speaker 1: sit down. The first time I probably sat still since

899
00:44:55,920 --> 00:44:58,759
Speaker 1: probably know it's like twenty fifteen. It was a lot

900
00:44:58,840 --> 00:45:01,120
Speaker 1: to take and a can see that, like how I

901
00:45:01,239 --> 00:45:06,880
Speaker 1: access characters, I abandoned myself and I don't advise anyone

902
00:45:06,920 --> 00:45:09,040
Speaker 1: to do that. You know, I'm saying, it's um, there's

903
00:45:09,040 --> 00:45:11,320
Speaker 1: a way that you can get what you want whilst

904
00:45:11,400 --> 00:45:13,480
Speaker 1: taking care of yourself and loving yourself at the same time.

905
00:45:13,520 --> 00:45:15,040
Speaker 1: But you know, sometimes you kind of go, well, this

906
00:45:15,160 --> 00:45:16,719
Speaker 1: is all I have, especially when you come from not

907
00:45:16,760 --> 00:45:18,279
Speaker 1: a lot, not a lot of money, not a lot

908
00:45:18,320 --> 00:45:20,440
Speaker 1: of anything, that you're gonna use yourself as raw materials

909
00:45:20,640 --> 00:45:22,680
Speaker 1: you're saying, But you don't realize you're burning yourself like

910
00:45:22,800 --> 00:45:24,680
Speaker 1: a raw material, you know what I'm saying, instead of

911
00:45:24,800 --> 00:45:28,480
Speaker 1: enriching yourself and pouring into yourself whilst giving yourself. You know,

912
00:45:28,600 --> 00:45:30,120
Speaker 1: I had to look at that, and I'm still looking

913
00:45:30,160 --> 00:45:33,200
Speaker 1: at that. I like that phrase. You you you abandoned yourself,

914
00:45:33,520 --> 00:45:37,480
Speaker 1: like when during the role or after during during when

915
00:45:37,520 --> 00:45:39,600
Speaker 1: I creatively, I like a kind of I just I

916
00:45:39,960 --> 00:45:41,799
Speaker 1: do the habits of that person. So I'm waking up

917
00:45:42,080 --> 00:45:44,080
Speaker 1: listening to Michael Mets and I'm like waking up listen

918
00:45:44,080 --> 00:45:47,120
Speaker 1: to Martin Luther King's speeches. I am taking up smoking.

919
00:45:47,200 --> 00:45:49,879
Speaker 1: I am I'm in the space. I'm doing the thing

920
00:45:50,239 --> 00:45:53,080
Speaker 1: you're saying. I'm not me. I'm not living as me. Yeah,

921
00:45:53,200 --> 00:45:55,799
Speaker 1: I'm not doing like I'm living as how I feel

922
00:45:55,880 --> 00:45:58,040
Speaker 1: Chairman Fred was living in order to be in that

923
00:45:58,120 --> 00:46:01,800
Speaker 1: spiritual space, and then I would associate that to abandon me.

924
00:46:02,080 --> 00:46:03,960
Speaker 1: You know, I'm saying, and that's just not that's not cool.

925
00:46:04,520 --> 00:46:06,320
Speaker 1: I'm saying, that's not that method acting? Is that what

926
00:46:06,440 --> 00:46:08,879
Speaker 1: they can't? Method acting? I want to call that method acting.

927
00:46:08,920 --> 00:46:10,799
Speaker 1: I don't know method acts when you're in character all

928
00:46:10,840 --> 00:46:13,280
Speaker 1: the time, when I'm just hearing and I'm just like, Yo, Angela,

929
00:46:13,320 --> 00:46:15,200
Speaker 1: you call me Fred, that's it, call me chairman, that's it.

930
00:46:15,280 --> 00:46:17,000
Speaker 1: That's all I want to hear. Um. I don't really

931
00:46:17,040 --> 00:46:18,560
Speaker 1: do that, but for me, it's just like I just

932
00:46:18,680 --> 00:46:22,399
Speaker 1: want to It's like rituals, like triggers to consistently like, yeah,

933
00:46:22,520 --> 00:46:24,120
Speaker 1: this is you're in the space. You're in the space.

934
00:46:24,160 --> 00:46:25,840
Speaker 1: You're in the space. But I didn't. I don't know

935
00:46:25,920 --> 00:46:27,400
Speaker 1: if I took care of myself going into it, and

936
00:46:27,440 --> 00:46:29,080
Speaker 1: I don't think I took care of myself going out.

937
00:46:29,520 --> 00:46:31,920
Speaker 1: So I'm gonna look at my process. You know, how

938
00:46:31,960 --> 00:46:33,080
Speaker 1: do you get out of that? How do you get

939
00:46:33,120 --> 00:46:36,080
Speaker 1: out of it to get back to some type of norbusy.

940
00:46:36,600 --> 00:46:38,759
Speaker 1: It takes a well, my guy, it takes a well,

941
00:46:40,000 --> 00:46:42,240
Speaker 1: a lot of boss, a lot of taking care of yourself,

942
00:46:42,640 --> 00:46:44,279
Speaker 1: a lot of just like kind of catching yourself. What

943
00:46:44,320 --> 00:46:45,320
Speaker 1: I used to do is like I used to go

944
00:46:45,400 --> 00:46:47,960
Speaker 1: away for a week by myself, take my phone off,

945
00:46:48,400 --> 00:46:50,440
Speaker 1: and thought that that would reset me. But you know

946
00:46:50,480 --> 00:46:52,720
Speaker 1: what it is, I realized last year I'd carried everything

947
00:46:52,800 --> 00:46:55,320
Speaker 1: since get out, every role I've taken, I'd carried and

948
00:46:55,400 --> 00:46:57,600
Speaker 1: I hadn't said bye to it. I hadn't say bye

949
00:46:57,640 --> 00:46:59,440
Speaker 1: to it. It was in my body, you know, And

950
00:46:59,560 --> 00:47:01,799
Speaker 1: so I had to had to look at myself. When

951
00:47:01,800 --> 00:47:03,239
Speaker 1: you say you take baths, you put some salt in

952
00:47:03,280 --> 00:47:05,719
Speaker 1: that water man, nothing like a relaxing, salt bath, some

953
00:47:05,800 --> 00:47:07,879
Speaker 1: epsence and you know I put somethen some of him

954
00:47:07,880 --> 00:47:11,759
Speaker 1: and laying yeah, right with it. I get right with it,

955
00:47:12,680 --> 00:47:20,359
Speaker 1: making start up man bro right all we got more

956
00:47:20,440 --> 00:47:22,640
Speaker 1: with Daniel Caluya when we come back, don't move. It's

957
00:47:22,640 --> 00:47:28,920
Speaker 1: to breakfast Club. Good morning morning. Everybody is dj Envy

958
00:47:29,080 --> 00:47:32,040
Speaker 1: Angela Yee. Charlomagne the guy we are the Breakfast Club.

959
00:47:32,560 --> 00:47:34,759
Speaker 1: You know him from get Out Black Panther and now

960
00:47:34,920 --> 00:47:37,400
Speaker 1: Judas in the Black Messiah were still kicking with Daniel

961
00:47:37,440 --> 00:47:40,560
Speaker 1: Kaloya yee. Did you talk to I'm Fred Hampton Junior

962
00:47:40,960 --> 00:47:43,600
Speaker 1: about this role. Also, we met the family. So I

963
00:47:43,680 --> 00:47:46,040
Speaker 1: went to Chicago before the shoot because I already wanted

964
00:47:46,040 --> 00:47:48,280
Speaker 1: to meet the family and we couldn't do that, couldn't

965
00:47:48,280 --> 00:47:50,000
Speaker 1: do it on that trip. And I went to Maywood

966
00:47:50,000 --> 00:47:52,440
Speaker 1: and went to his chairman friends, old school or homes,

967
00:47:52,960 --> 00:47:55,439
Speaker 1: everybody everywhere he went and where he used to speed cap,

968
00:47:55,520 --> 00:47:58,279
Speaker 1: spoke to people in Chicago, understood what just understood how

969
00:47:58,320 --> 00:48:00,560
Speaker 1: he how he felt to the people in Chicago. And

970
00:48:00,680 --> 00:48:02,640
Speaker 1: then later on we went to a trip and we

971
00:48:02,719 --> 00:48:07,359
Speaker 1: went to meet cham and Junior and Mama Korem Chamman,

972
00:48:07,400 --> 00:48:09,560
Speaker 1: Fred's partner and yeah, it was like a seven eight

973
00:48:09,600 --> 00:48:12,319
Speaker 1: hour meeting and it was real, saying it was real.

974
00:48:12,440 --> 00:48:14,480
Speaker 1: You know, he had views and saying I mean and

975
00:48:14,560 --> 00:48:16,560
Speaker 1: he kind of just looked to us and say, yo,

976
00:48:17,040 --> 00:48:19,120
Speaker 1: why are you doing this? And then why'd you do this?

977
00:48:19,560 --> 00:48:21,480
Speaker 1: You know, like I remember Mama Quid said, why did

978
00:48:21,520 --> 00:48:23,080
Speaker 1: you make up? You know what? What does it up

979
00:48:23,120 --> 00:48:25,560
Speaker 1: mean to you? You know, saying I found out stuff

980
00:48:25,560 --> 00:48:28,160
Speaker 1: about myself in that situation. But I didn't really sit

981
00:48:28,239 --> 00:48:31,319
Speaker 1: down with the families, go yo, you know, I don't

982
00:48:31,320 --> 00:48:33,400
Speaker 1: even engage with people like that, saying I engaged with

983
00:48:33,480 --> 00:48:35,640
Speaker 1: me on me this. I'm in a position I don't

984
00:48:35,680 --> 00:48:38,719
Speaker 1: want to come here and respect and reverence, understanding and

985
00:48:38,840 --> 00:48:42,040
Speaker 1: humility and I'm moved like that, saying I wouldn't want

986
00:48:42,080 --> 00:48:44,200
Speaker 1: to go. I don't I don't move in a way

987
00:48:44,239 --> 00:48:46,320
Speaker 1: that I want to take from black people from me.

988
00:48:46,920 --> 00:48:49,960
Speaker 1: You know, it's so interesting just this short conversation we've had,

989
00:48:50,080 --> 00:48:53,040
Speaker 1: I can tell that this role really impacted you in

990
00:48:53,120 --> 00:48:55,960
Speaker 1: a real way. And what have you realized about yourself

991
00:48:56,520 --> 00:49:00,359
Speaker 1: after playing the role of Fred Hampton. The power of love,

992
00:49:01,120 --> 00:49:04,800
Speaker 1: the power of loving yourself unapologetically in the face of

993
00:49:05,640 --> 00:49:07,840
Speaker 1: people that want you to like w I call it.

994
00:49:07,920 --> 00:49:10,640
Speaker 1: It's like in the face of fear dressed as hate.

995
00:49:11,120 --> 00:49:14,239
Speaker 1: It's the power of that I'm saying. And what the

996
00:49:14,320 --> 00:49:17,520
Speaker 1: fact that we're sitting here nearly fifty two years later

997
00:49:17,640 --> 00:49:20,440
Speaker 1: speaking back Chairman Fred is the power of self. Love

998
00:49:20,640 --> 00:49:22,360
Speaker 1: is the power of love, and your own is the

999
00:49:22,400 --> 00:49:24,640
Speaker 1: power of love, and your community. You know what I'm saying,

1000
00:49:24,719 --> 00:49:28,600
Speaker 1: and that stuff. Who cares if you're celebrated in that way,

1001
00:49:28,680 --> 00:49:30,320
Speaker 1: you know, as long as you're doing it, and that

1002
00:49:30,719 --> 00:49:33,000
Speaker 1: will reverberate. I'm a firm believer. I don't try and

1003
00:49:33,120 --> 00:49:36,000
Speaker 1: change the world. I try and change my world, and

1004
00:49:36,120 --> 00:49:38,600
Speaker 1: then change my world. Then it reverberates to the world

1005
00:49:39,200 --> 00:49:41,400
Speaker 1: I'm saying. So I kind of just see it like that.

1006
00:49:41,600 --> 00:49:43,759
Speaker 1: I think it really, Yeah, it really. I had to

1007
00:49:43,800 --> 00:49:45,359
Speaker 1: really look at myself. I had to really look at

1008
00:49:45,400 --> 00:49:47,520
Speaker 1: my ideas. You have to look at it. I'm going

1009
00:49:47,560 --> 00:49:51,160
Speaker 1: into this room reading this stuff like twenty eighteen, twenty nineteen,

1010
00:49:51,200 --> 00:49:55,040
Speaker 1: I can't look at I'm a product of his assassination

1011
00:49:55,200 --> 00:49:57,920
Speaker 1: in that sense, I mean, in that fear of speaking up,

1012
00:49:57,960 --> 00:50:00,399
Speaker 1: in that fear of telling the truth. At that time

1013
00:50:00,440 --> 00:50:02,080
Speaker 1: in the late sixties, he didn't have that fit. They

1014
00:50:02,080 --> 00:50:03,920
Speaker 1: didn't have that shame, They didn't come with that they

1015
00:50:03,960 --> 00:50:06,359
Speaker 1: come do you mean? It's like so it's like really

1016
00:50:06,600 --> 00:50:08,600
Speaker 1: looking at the fears that I had. You know what

1017
00:50:08,640 --> 00:50:11,080
Speaker 1: I'm saying, I'm buying what are they They're just they're

1018
00:50:11,120 --> 00:50:14,360
Speaker 1: just a way to empower them, empowered to with the

1019
00:50:14,400 --> 00:50:18,160
Speaker 1: concept of white supremacy. What it's white supremacy? What hate

1020
00:50:18,200 --> 00:50:22,200
Speaker 1: group is allowed to be called by their beliefs. That's

1021
00:50:22,280 --> 00:50:25,799
Speaker 1: white privilege within hate. What I'm saying, it's like they're

1022
00:50:25,800 --> 00:50:28,680
Speaker 1: white extremists. I don't call I don't believe white people

1023
00:50:28,719 --> 00:50:31,000
Speaker 1: are supremo from me. That I'm saying, I need too

1024
00:50:31,080 --> 00:50:33,200
Speaker 1: easy to look over that while I'm empowering them with

1025
00:50:33,280 --> 00:50:35,600
Speaker 1: a belief that oppresses me. How can empower people that

1026
00:50:35,640 --> 00:50:39,239
Speaker 1: don't like me? And I'm sense you feel me? I

1027
00:50:39,280 --> 00:50:40,759
Speaker 1: need to really look at that. When you look at

1028
00:50:40,760 --> 00:50:42,480
Speaker 1: the words I say, When you look at because my

1029
00:50:42,520 --> 00:50:44,759
Speaker 1: body's listening, you feel me when you say stuff your

1030
00:50:44,760 --> 00:50:47,239
Speaker 1: body listens to you. Did you find yourself looking at

1031
00:50:47,360 --> 00:50:50,799
Speaker 1: Lukkeith differently after the way he played this role, because

1032
00:50:50,800 --> 00:50:54,360
Speaker 1: he did it too well, he still got beef sharloming.

1033
00:50:54,480 --> 00:51:00,040
Speaker 1: Is that was it? Is that? What was happening. I

1034
00:51:00,120 --> 00:51:01,480
Speaker 1: never had an issue with him. I do feel like

1035
00:51:01,520 --> 00:51:06,440
Speaker 1: he was born to play this role. Though, Wow, we're

1036
00:51:06,440 --> 00:51:07,680
Speaker 1: not having that. We're not having that, we're not having

1037
00:51:07,719 --> 00:51:11,360
Speaker 1: that way is yet in this film he makes the

1038
00:51:11,360 --> 00:51:16,200
Speaker 1: biggest sacrifice sacrifice And in this film he's serving Chairman

1039
00:51:16,239 --> 00:51:19,200
Speaker 1: Fred because in order to show you what Chairman Fred is,

1040
00:51:19,520 --> 00:51:21,960
Speaker 1: you have to show him what he isn't. You can't

1041
00:51:22,000 --> 00:51:24,400
Speaker 1: see the light without the dark, that's right, you know

1042
00:51:24,440 --> 00:51:26,160
Speaker 1: what I'm saying. And he served that and he put

1043
00:51:26,280 --> 00:51:28,319
Speaker 1: himself in a light that's not his politics at all.

1044
00:51:28,680 --> 00:51:30,879
Speaker 1: You know, he doesn't that's not how he feels at all.

1045
00:51:31,040 --> 00:51:32,640
Speaker 1: And it was really tough on him on certain dates.

1046
00:51:32,840 --> 00:51:34,880
Speaker 1: I mean, he was really going through it as for

1047
00:51:35,000 --> 00:51:38,400
Speaker 1: him to to not be aligned politically to O'Neil and

1048
00:51:38,480 --> 00:51:40,920
Speaker 1: still give it his all and still humanize him in

1049
00:51:41,040 --> 00:51:44,160
Speaker 1: order to show who Chairman Fred was, to show who

1050
00:51:44,200 --> 00:51:48,600
Speaker 1: the Black Panther Party was. That's incredible and absolute, absolute

1051
00:51:48,640 --> 00:51:52,439
Speaker 1: the key for that. Now he's doing an incredible job. Yeah,

1052
00:51:52,480 --> 00:51:56,480
Speaker 1: I think all of yours special love answer to Dominique

1053
00:51:58,840 --> 00:52:02,880
Speaker 1: true she wrote that poem. It's incredible. Director Gibson, Ashton, Sanders,

1054
00:52:02,920 --> 00:52:06,000
Speaker 1: alg Smith Dominique Thorn killed this film, saying, there's so

1055
00:52:06,160 --> 00:52:09,160
Speaker 1: many incredible people in this film, you know, Jesse Plemons,

1056
00:52:09,200 --> 00:52:11,760
Speaker 1: It's like it's like it's a dream to be standing

1057
00:52:11,760 --> 00:52:14,200
Speaker 1: amongst these kinds of people. Like it's like you're like, wow,

1058
00:52:14,320 --> 00:52:16,040
Speaker 1: you look around, You're like, well, I'm just I'm so

1059
00:52:16,160 --> 00:52:18,120
Speaker 1: proud to be here for me. Yeah, I don't think.

1060
00:52:18,160 --> 00:52:20,680
Speaker 1: I don't think there's any black piece of art needs

1061
00:52:20,800 --> 00:52:23,919
Speaker 1: validation from any of these award shows. But I would

1062
00:52:23,960 --> 00:52:25,720
Speaker 1: love to see this film when all of the awards.

1063
00:52:25,719 --> 00:52:27,400
Speaker 1: I think you and Lakeith need to be up for

1064
00:52:28,040 --> 00:52:30,279
Speaker 1: Best Active, Best Supportant Act, or whatever it is. I

1065
00:52:30,320 --> 00:52:32,320
Speaker 1: think it should be Best Picture. Like I think it

1066
00:52:32,440 --> 00:52:35,120
Speaker 1: was that good. Yeah, you know what it isn't those recognizations,

1067
00:52:35,440 --> 00:52:39,040
Speaker 1: recognizing organizations are away for more people to see it,

1068
00:52:39,239 --> 00:52:40,920
Speaker 1: And that's the intention of film. You want this to

1069
00:52:41,040 --> 00:52:43,279
Speaker 1: reach as many people as possible. I feel that this

1070
00:52:43,400 --> 00:52:45,359
Speaker 1: is an entertaining film at the same time, Yeah, it's

1071
00:52:45,360 --> 00:52:48,759
Speaker 1: got the politics complex ideas. This is entertaining. I watched

1072
00:52:48,800 --> 00:52:50,680
Speaker 1: this my friends. I make films for my friends that

1073
00:52:50,719 --> 00:52:52,920
Speaker 1: I grew up with, saying, so I really care about

1074
00:52:53,200 --> 00:52:56,840
Speaker 1: things being you know, I'm a firm believe of accessible excellence,

1075
00:52:56,960 --> 00:52:59,880
Speaker 1: you know, simple special Johnder saying, and it being accessible,

1076
00:53:00,160 --> 00:53:03,000
Speaker 1: still reaching for like excellence in terms of craft, and

1077
00:53:03,080 --> 00:53:04,879
Speaker 1: I feel like this is this is this is able

1078
00:53:04,880 --> 00:53:07,040
Speaker 1: to reach the masses. Before this is the last question,

1079
00:53:07,120 --> 00:53:09,400
Speaker 1: how would you define Fred Hampton's legacy? How do you

1080
00:53:09,520 --> 00:53:13,360
Speaker 1: want this film to define Fred Hampton's legacy. It's about

1081
00:53:13,400 --> 00:53:18,200
Speaker 1: being in what people choose to learn from it, in

1082
00:53:18,360 --> 00:53:21,239
Speaker 1: what way people choose to move from it. It's how

1083
00:53:21,280 --> 00:53:23,719
Speaker 1: I feel I want this film to impact. It's that

1084
00:53:23,800 --> 00:53:25,759
Speaker 1: and also just being clear that this is a man

1085
00:53:26,280 --> 00:53:30,759
Speaker 1: that had incredible ideas and really implement He executed these

1086
00:53:30,880 --> 00:53:34,320
Speaker 1: ideas in turbulent times. You know, I'm saying, with a

1087
00:53:34,360 --> 00:53:38,239
Speaker 1: breakfast program, with the health free healthcare, with the educating kids,

1088
00:53:38,440 --> 00:53:41,640
Speaker 1: with the Rainbow Coalition. This man like really did it,

1089
00:53:41,920 --> 00:53:43,759
Speaker 1: you know what I'm saying, and really tired about his

1090
00:53:43,880 --> 00:53:46,920
Speaker 1: own And it's people understanding that and taking it in

1091
00:53:46,960 --> 00:53:49,080
Speaker 1: and feeling that and wanting to read up on it

1092
00:53:49,400 --> 00:53:51,720
Speaker 1: and wanted to learn more about it, want to empower themselves,

1093
00:53:51,800 --> 00:53:53,480
Speaker 1: wanted to love themselves the way they see the Black

1094
00:53:53,480 --> 00:53:56,600
Speaker 1: Pap Party loving themselves and loving their community. I want

1095
00:53:56,640 --> 00:54:00,359
Speaker 1: that all right, appreciate you for Jordas. And what about

1096
00:54:00,360 --> 00:54:02,239
Speaker 1: the soundtrack? And did you listen to the soundtrack and

1097
00:54:02,280 --> 00:54:04,600
Speaker 1: you ride out to the soundtrack at Yeah, I've had

1098
00:54:04,600 --> 00:54:06,560
Speaker 1: a couple of riddings, Bro, A couple of riddings are crazy,

1099
00:54:07,120 --> 00:54:10,160
Speaker 1: A couple sound tracks a bit crazy, Bro, the soundtracks

1100
00:54:10,160 --> 00:54:12,960
Speaker 1: a bit crazy, John saying that Nipsey jay Z that's

1101
00:54:13,000 --> 00:54:15,000
Speaker 1: a that's A that's a that's a Newsy Bro. And

1102
00:54:15,200 --> 00:54:17,399
Speaker 1: when you get really rich, you should buy a black

1103
00:54:17,440 --> 00:54:20,080
Speaker 1: panther because it's something the universe is trying to tell

1104
00:54:20,120 --> 00:54:22,839
Speaker 1: you about black panthers. You've been in the movie Black Panther.

1105
00:54:23,000 --> 00:54:25,160
Speaker 1: Now you playing Fred Hampton. You should actually buy a

1106
00:54:25,200 --> 00:54:27,040
Speaker 1: black panther the way Mike Tyson out a white Tige

1107
00:54:27,080 --> 00:54:29,600
Speaker 1: as a pet. Buy a black panthers a pet. Yeah,

1108
00:54:29,680 --> 00:54:31,279
Speaker 1: my mom really grew up in Africa. I don't know

1109
00:54:31,320 --> 00:54:39,319
Speaker 1: what you feel about that. We have people people. Why

1110
00:54:39,320 --> 00:54:43,600
Speaker 1: are you buying these people buying wild animals? My guy,

1111
00:54:43,680 --> 00:54:49,120
Speaker 1: I'm buying wild animals. I'm cool about my God, I

1112
00:54:49,160 --> 00:54:51,160
Speaker 1: supposed one for you. I could to shame a man.

1113
00:54:55,800 --> 00:55:00,760
Speaker 1: It's the breakfast Club. Good morning, my big guys. Morning.

1114
00:55:00,800 --> 00:55:04,279
Speaker 1: Everybody is d J Envy, Angela Yee, Charlomagne the guy.

1115
00:55:04,360 --> 00:55:08,120
Speaker 1: We are to Breakfast Club on this Friday. What do

1116
00:55:08,200 --> 00:55:10,720
Speaker 1: you guys do for Valentis? I'm just curious watching Judas

1117
00:55:10,719 --> 00:55:12,800
Speaker 1: in The Black messire y'all should definitely go check that

1118
00:55:12,920 --> 00:55:15,440
Speaker 1: movie out. All right. It's very triggering, very dark, but

1119
00:55:15,600 --> 00:55:18,080
Speaker 1: it's a good movie to watch for the weekend, good

1120
00:55:18,160 --> 00:55:21,640
Speaker 1: date night movie. What about your gear? I don't really

1121
00:55:21,680 --> 00:55:25,960
Speaker 1: have any plans on Sunday. I'll just be home. You know,

1122
00:55:26,040 --> 00:55:28,840
Speaker 1: my boyfriend doesn't live here. So all right, what what

1123
00:55:28,960 --> 00:55:32,840
Speaker 1: you're doing? Another angle swap for COVID? Maybe? Okay? Do

1124
00:55:32,880 --> 00:55:37,440
Speaker 1: that you need? You need your situation for the swap. No,

1125
00:55:37,680 --> 00:55:40,879
Speaker 1: I'm good, Okay, I'm one tested. All right, well, yeah,

1126
00:55:40,880 --> 00:55:46,399
Speaker 1: I got it. It is brown at the end. Let's

1127
00:55:46,400 --> 00:55:49,800
Speaker 1: get to the rooms. Let's talk Morris's chestnuts. Okay. This

1128
00:55:50,160 --> 00:56:00,359
Speaker 1: is the Rumor Report with Angela Yee Breakfast Club. Mars

1129
00:56:00,440 --> 00:56:03,120
Speaker 1: Tessnat was talking to Timz about the new series The

1130
00:56:03,200 --> 00:56:06,640
Speaker 1: Best Man the final chapters, and he discusses his character

1131
00:56:07,560 --> 00:56:10,240
Speaker 1: Lance and what could be happening because remember his wife

1132
00:56:10,600 --> 00:56:14,280
Speaker 1: in the movie actually die from was yeah, dying from cancer.

1133
00:56:14,800 --> 00:56:17,640
Speaker 1: So here's what you can expect. The last time we

1134
00:56:17,719 --> 00:56:20,640
Speaker 1: saw Lance, he was going through it emotionally and it

1135
00:56:20,800 --> 00:56:23,120
Speaker 1: kind of ended there, so we kind of never really,

1136
00:56:23,840 --> 00:56:28,320
Speaker 1: we never really saw how Lance really dealt with that loss.

1137
00:56:28,719 --> 00:56:30,920
Speaker 1: I think in the in the series, you're going to

1138
00:56:30,960 --> 00:56:34,160
Speaker 1: see how Lance deals with it emotionally, and sometimes he

1139
00:56:34,280 --> 00:56:35,920
Speaker 1: may go a little bit overboard, but we'll have to

1140
00:56:35,960 --> 00:56:38,319
Speaker 1: see that's him dealing with it. Does do we see

1141
00:56:38,400 --> 00:56:40,640
Speaker 1: him move on to another love interest at all in

1142
00:56:40,719 --> 00:56:44,720
Speaker 1: this upcoming series? That's a possibility. I am very excited

1143
00:56:45,000 --> 00:56:47,120
Speaker 1: about the Best Man TV series. I'm happy they get

1144
00:56:47,160 --> 00:56:52,400
Speaker 1: in ten episodes on NBC. Peacock all right. In another

1145
00:56:52,800 --> 00:56:56,680
Speaker 1: series that's in the works is Ray has a new

1146
00:56:56,719 --> 00:56:59,600
Speaker 1: show with HBO Max called rap Is Shows right and

1147
00:57:00,080 --> 00:57:01,600
Speaker 1: to a half hour comedy. It's going to tell the

1148
00:57:01,600 --> 00:57:04,440
Speaker 1: story of two alienated high school friends from Miami who

1149
00:57:04,520 --> 00:57:06,799
Speaker 1: get together and assemble a rap group. And guess who

1150
00:57:07,080 --> 00:57:10,080
Speaker 1: is going to be working on this the city's co

1151
00:57:10,280 --> 00:57:15,279
Speaker 1: executive producers that said should happen months ago, drop on

1152
00:57:15,320 --> 00:57:18,280
Speaker 1: a clues box with each Ray DAMMI Okay, Remember I

1153
00:57:18,320 --> 00:57:20,080
Speaker 1: said that people were like, why you give people that

1154
00:57:20,200 --> 00:57:23,000
Speaker 1: actually do TV chances and opportunities? No, that makes too

1155
00:57:23,080 --> 00:57:26,240
Speaker 1: much sense. You're doing a TV show about a rap

1156
00:57:26,320 --> 00:57:28,920
Speaker 1: group in Miami, a female rap group. Why wouldn't you

1157
00:57:28,960 --> 00:57:31,920
Speaker 1: hilt to City Girls? Come on? All right? Also, the

1158
00:57:32,120 --> 00:57:36,280
Speaker 1: label coach K and P from Quality Control will also

1159
00:57:36,360 --> 00:57:38,880
Speaker 1: be involved as well. And she should cast Pretty V.

1160
00:57:39,680 --> 00:57:42,680
Speaker 1: She should cast pretty Views from Miami. And Pretty V

1161
00:57:42,800 --> 00:57:44,760
Speaker 1: would be a great on the show like that. I

1162
00:57:44,800 --> 00:57:46,480
Speaker 1: don't know what role she would play. She could be

1163
00:57:46,600 --> 00:57:48,040
Speaker 1: one of the main characters and not. I don't know,

1164
00:57:48,120 --> 00:57:49,400
Speaker 1: but I just think Pretty V should be on that

1165
00:57:49,440 --> 00:57:51,720
Speaker 1: show and show way shape or form shout out QC.

1166
00:57:51,840 --> 00:57:53,840
Speaker 1: They do it a lot outside of just music. I

1167
00:57:53,960 --> 00:57:56,080
Speaker 1: know they got a bunch of sports players that play

1168
00:57:56,120 --> 00:57:58,440
Speaker 1: for the NFL. I know they're doing films. They're really

1169
00:57:58,480 --> 00:58:01,880
Speaker 1: expanding their brand. I love to all right. Twitter has

1170
00:58:01,960 --> 00:58:05,560
Speaker 1: confirmed and Donald Trump will never return now. The CFO

1171
00:58:06,160 --> 00:58:09,400
Speaker 1: Ned Segal was on CNBC squawk Box and here's what

1172
00:58:09,480 --> 00:58:12,360
Speaker 1: he said. So, the way our policies work, when you're

1173
00:58:12,440 --> 00:58:15,160
Speaker 1: removed from the platform, you're removed from the platform, whether

1174
00:58:15,280 --> 00:58:20,320
Speaker 1: you're a commentator or a CFO, or you are a

1175
00:58:20,520 --> 00:58:24,360
Speaker 1: former or current public official. And so remember our policies.

1176
00:58:24,360 --> 00:58:27,800
Speaker 1: You're designed to make sure that people are not inciting violence,

1177
00:58:28,040 --> 00:58:30,360
Speaker 1: and if anybody does that, we have to remove him

1178
00:58:30,400 --> 00:58:32,960
Speaker 1: from the service and our policies to allow people to

1179
00:58:33,000 --> 00:58:34,960
Speaker 1: come back. That's a lie. Twitter, y'all don't get no

1180
00:58:35,080 --> 00:58:37,000
Speaker 1: props for that. The four years that man was in power,

1181
00:58:37,400 --> 00:58:39,880
Speaker 1: y'all did nothing. Yell should have had that same energy

1182
00:58:39,960 --> 00:58:41,520
Speaker 1: four years ago. It is easy to do that when

1183
00:58:41,560 --> 00:58:44,240
Speaker 1: he's not the president of the United States anymore, you

1184
00:58:44,280 --> 00:58:45,480
Speaker 1: know what I mean. Should have did that when he

1185
00:58:45,520 --> 00:58:47,959
Speaker 1: was in power. No props for that. And there's plenty

1186
00:58:48,000 --> 00:58:50,360
Speaker 1: of people threatening death on on folks every single day

1187
00:58:50,680 --> 00:58:54,080
Speaker 1: on social media. What are you talking about all right now?

1188
00:58:54,160 --> 00:58:57,440
Speaker 1: A Krispy Kreme Donuts that was owned by Shack was

1189
00:58:57,600 --> 00:59:01,920
Speaker 1: in flames early Wednesday, and they said the structure was

1190
00:59:02,000 --> 00:59:06,280
Speaker 1: heavily damaged. Atlanta fire crews did respond to that Krispy

1191
00:59:06,320 --> 00:59:09,640
Speaker 1: Creme on ponstantly on they said it's just unsalvageable right now.

1192
00:59:09,760 --> 00:59:12,600
Speaker 1: So it was one of the first locations established outside

1193
00:59:12,640 --> 00:59:15,160
Speaker 1: of the company's main base of operations in Winston Salem,

1194
00:59:15,240 --> 00:59:18,480
Speaker 1: North Carolina and Nashville, Tennessee. Now, Shaq said, I hope

1195
00:59:18,520 --> 00:59:20,120
Speaker 1: no one was hurt and we will bounced back better

1196
00:59:20,200 --> 00:59:23,360
Speaker 1: than ever, so was it was it operating like it?

1197
00:59:23,440 --> 00:59:25,320
Speaker 1: Was it open at the time? Was it after hours?

1198
00:59:25,360 --> 00:59:26,840
Speaker 1: I think it was after hours. I think it was nighttime,

1199
00:59:26,920 --> 00:59:29,640
Speaker 1: wasn't it? It was it was early Wednesday and they

1200
00:59:29,680 --> 00:59:31,840
Speaker 1: said firefighters did say most of the building and the

1201
00:59:31,880 --> 00:59:34,440
Speaker 1: fire started in the back. There were no injuries and

1202
00:59:34,600 --> 00:59:37,280
Speaker 1: the cause of the fire was under investigation. You know

1203
00:59:37,400 --> 00:59:39,440
Speaker 1: they opening one on Route Fur. Did you see it?

1204
00:59:39,960 --> 00:59:41,400
Speaker 1: You know what I mean? That? In New Jersey? Yeah?

1205
00:59:41,400 --> 00:59:43,200
Speaker 1: In New Jersey. You know that McDonald's used to be

1206
00:59:43,240 --> 00:59:44,600
Speaker 1: on Route for right when you get over the George

1207
00:59:44,600 --> 00:59:46,960
Speaker 1: Washington Bridge on the right hand side. They building a

1208
00:59:47,040 --> 00:59:49,200
Speaker 1: whole big Krispy Creme over there, which is just gonna

1209
00:59:49,200 --> 00:59:51,160
Speaker 1: mess up. One on, It's one on, It's one on.

1210
00:59:52,000 --> 00:59:55,120
Speaker 1: What that all right? I would have been me a

1211
00:59:55,200 --> 00:59:57,000
Speaker 1: dozen during the fire though if it wasn't too bad.

1212
00:59:57,040 --> 01:00:01,200
Speaker 1: I'm not gonna lie City Sun. Justin Comes has landed

1213
01:00:01,240 --> 01:00:04,880
Speaker 1: a late night show respectively, Justin on a Revolt of course,

1214
01:00:04,920 --> 01:00:07,440
Speaker 1: and he's gonna have social media personality Justin the Boy

1215
01:00:07,560 --> 01:00:10,760
Speaker 1: on to co host now did he has already made

1216
01:00:10,760 --> 01:00:12,440
Speaker 1: a comment about the show. He said, Justin the Boy

1217
01:00:12,520 --> 01:00:14,320
Speaker 1: is one of the biggest is the biggest social media

1218
01:00:14,400 --> 01:00:16,080
Speaker 1: starr in our culture. There is no better place for

1219
01:00:16,160 --> 01:00:18,440
Speaker 1: his debut show. We are thrilled to welcome him to

1220
01:00:18,480 --> 01:00:21,000
Speaker 1: the Revolt family. And the show already has some huge

1221
01:00:21,080 --> 01:00:23,040
Speaker 1: guests like Chris Brown lined up, and they're also going

1222
01:00:23,120 --> 01:00:26,320
Speaker 1: to have a demon time segment complete with champagne and music,

1223
01:00:26,480 --> 01:00:29,840
Speaker 1: respectfully dropping the clue's bombs for Justin's Justin the Boy

1224
01:00:29,960 --> 01:00:33,280
Speaker 1: and Justin comes all right, Well that is your room

1225
01:00:33,320 --> 01:00:36,960
Speaker 1: and report. I'm Angela yee, all right, thank you, miss ye. Now, Charlomage,

1226
01:00:36,960 --> 01:00:39,480
Speaker 1: who're giving that? Donken Man, let's talk Gorilla song jelly

1227
01:00:39,680 --> 01:00:41,440
Speaker 1: all right, four after the hour? Right, do you want

1228
01:00:41,480 --> 01:00:43,440
Speaker 1: your plans? Room for Valentine's Day? We'll talk about it,

1229
01:00:43,640 --> 01:00:45,520
Speaker 1: all right, we'll get into it next it's the Breakfast Club.

1230
01:00:45,560 --> 01:00:53,920
Speaker 1: Good Morning's time for Donkey of the Day. I'm a

1231
01:00:53,960 --> 01:00:56,600
Speaker 1: Democrat for being Donkey of the days, a little bit

1232
01:00:56,640 --> 01:01:04,680
Speaker 1: of a mixed so like a dog. Now. I've been

1233
01:01:04,720 --> 01:01:06,920
Speaker 1: called a lot of my twenty three years. But Donkey

1234
01:01:06,960 --> 01:01:09,400
Speaker 1: of the Bay is a new wife. Yes, Donkey of

1235
01:01:09,440 --> 01:01:12,400
Speaker 1: Today for Friday, February twelfth, goes to a Louisiana man

1236
01:01:12,520 --> 01:01:15,600
Speaker 1: named Lynn Martin. Lynn is thirty seven years old. I

1237
01:01:15,720 --> 01:01:17,960
Speaker 1: have no idea what he does with his life, and

1238
01:01:18,000 --> 01:01:20,400
Speaker 1: I am quite intrigued to find out, because whatever it

1239
01:01:20,560 --> 01:01:23,280
Speaker 1: is he does, he needs to do more. Okay, he's

1240
01:01:23,360 --> 01:01:25,480
Speaker 1: clearly got too much time on his hands. Now we

1241
01:01:25,680 --> 01:01:28,480
Speaker 1: all know the legend of Tessica Brown by now right.

1242
01:01:28,720 --> 01:01:31,160
Speaker 1: Tessica Brown was the forty year old woman who ran

1243
01:01:31,240 --> 01:01:34,200
Speaker 1: out of her usual hairspray and decided to use gorilla

1244
01:01:34,240 --> 01:01:37,960
Speaker 1: glue spray adhesive, which caused their hair to become stuck

1245
01:01:38,000 --> 01:01:41,080
Speaker 1: in place up and it stuck my ass. Okay, I

1246
01:01:41,160 --> 01:01:43,600
Speaker 1: hear you, Cardy, But Tessica Brown proves up isn't the

1247
01:01:43,720 --> 01:01:46,320
Speaker 1: only place things can get stuck because she was trying

1248
01:01:46,320 --> 01:01:49,400
Speaker 1: to lay her hair down. Listen to Tessica, my hair

1249
01:01:49,440 --> 01:01:51,560
Speaker 1: has been like this for about a month now. It's

1250
01:01:51,680 --> 01:01:56,000
Speaker 1: not much choice. My hell, it don't move, it burns.

1251
01:01:56,320 --> 01:01:58,640
Speaker 1: Then they got some people out there saying she did

1252
01:01:58,720 --> 01:02:02,720
Speaker 1: this for coke. I put it on social media to

1253
01:02:02,880 --> 01:02:06,240
Speaker 1: get help. Now, Tessica was able to get the gorilla

1254
01:02:06,280 --> 01:02:09,280
Speaker 1: seeming removed after a procedure was done by Beverly Hills

1255
01:02:09,360 --> 01:02:13,800
Speaker 1: based plastic surgeon doctor Michael Obeying. Okay, dropping the clues

1256
01:02:13,840 --> 01:02:16,560
Speaker 1: bomb for Tessica. I'm glad you're back. You got that

1257
01:02:16,640 --> 01:02:19,320
Speaker 1: out your hair. Okay. Now, you would think that Tessica

1258
01:02:19,560 --> 01:02:22,200
Speaker 1: would be an example to us all. I don't know

1259
01:02:22,360 --> 01:02:24,760
Speaker 1: how you all operate, but I operate from the smart

1260
01:02:24,800 --> 01:02:27,160
Speaker 1: people learn from their own mistakes. Wise people learn from

1261
01:02:27,160 --> 01:02:30,720
Speaker 1: the mistakes of others. Model Tessica did that, so hopefully

1262
01:02:30,760 --> 01:02:32,760
Speaker 1: you don't have to go through that. But yesterday I

1263
01:02:33,000 --> 01:02:35,920
Speaker 1: was reminded yet again as to why I've been here

1264
01:02:35,960 --> 01:02:38,280
Speaker 1: on the Breakfast Club for ten years, Monday through Friday,

1265
01:02:38,320 --> 01:02:40,640
Speaker 1: and every day at eight o four a m. L clockwork.

1266
01:02:40,840 --> 01:02:44,080
Speaker 1: I never have a shortage of people to give the

1267
01:02:44,200 --> 01:02:47,200
Speaker 1: credit they deserve for being stupid. Because Lynn Martin, thirty

1268
01:02:47,280 --> 01:02:50,360
Speaker 1: seven years old, decided that he had to see what

1269
01:02:50,440 --> 01:02:52,960
Speaker 1: that gorilla jids was hitting for himself. Why did he

1270
01:02:53,080 --> 01:02:56,200
Speaker 1: want to rub this gorilla baby battle on his lips? Wow?

1271
01:02:56,520 --> 01:02:59,919
Speaker 1: Because Lynn clearly refuses to believe all women. Whatever story

1272
01:03:00,120 --> 01:03:03,120
Speaker 1: Tessica was selling, Lynn wasn't buying. Let's go to w

1273
01:03:03,280 --> 01:03:05,280
Speaker 1: k b U CBS twenty seven for the report. Please,

1274
01:03:06,400 --> 01:03:08,480
Speaker 1: I'm gonna sure y'all got some grilla glue right here.

1275
01:03:08,560 --> 01:03:10,760
Speaker 1: I'm gonna take it Parolea's cup put in my mouth,

1276
01:03:10,840 --> 01:03:12,280
Speaker 1: then it't gonna be the liquid and get at all.

1277
01:03:12,360 --> 01:03:16,120
Speaker 1: It's easy the rilla glue garbage. But that was actually Linna.

1278
01:03:16,160 --> 01:03:17,520
Speaker 1: Let me hear Lynde again. I can't really unerstand. I

1279
01:03:17,560 --> 01:03:18,880
Speaker 1: don't speak nigga like I used to live. At what

1280
01:03:18,920 --> 01:03:23,040
Speaker 1: he's saying. Let me hear. I'm gonna sure y'all got

1281
01:03:23,080 --> 01:03:25,280
Speaker 1: some grilla glue right here. I'm gonna take it. Perarolea's

1282
01:03:25,320 --> 01:03:27,000
Speaker 1: cup put in my mouth, then it't gonna be the

1283
01:03:27,040 --> 01:03:30,880
Speaker 1: licking and get at all. It's easy the glue garbage. Okay,

1284
01:03:30,960 --> 01:03:33,440
Speaker 1: let me translate. So Lynna decided to take this gorilla

1285
01:03:33,480 --> 01:03:36,200
Speaker 1: banana nut milk and apply it to a Red Solo cup.

1286
01:03:36,280 --> 01:03:38,720
Speaker 1: First of all the levels of niggatry in this story,

1287
01:03:38,760 --> 01:03:40,760
Speaker 1: the Red Solo Cup. The Red Solo Cup is like

1288
01:03:40,840 --> 01:03:44,440
Speaker 1: the Super Bowl Trophia kickbacks. I can only imagine that

1289
01:03:44,520 --> 01:03:47,120
Speaker 1: the way holding an Oscar fields for actors after winning

1290
01:03:47,320 --> 01:03:49,360
Speaker 1: is how I feel when I got that Red Solo

1291
01:03:49,440 --> 01:03:51,240
Speaker 1: Cup in my hand with a few cubes and I

1292
01:03:51,360 --> 01:03:53,560
Speaker 1: icing some Cassenger going to san jejo in it. I right,

1293
01:03:53,600 --> 01:03:55,480
Speaker 1: the Red Solo Cup does not get the respect it

1294
01:03:55,600 --> 01:03:58,520
Speaker 1: deserves for the joy it has bought so many of us,

1295
01:03:58,680 --> 01:04:00,680
Speaker 1: young and old, black and white, man a female. It

1296
01:04:00,840 --> 01:04:02,680
Speaker 1: don't matter drop on a Colos bombs for the Red

1297
01:04:02,720 --> 01:04:05,240
Speaker 1: Solo Cup. If it's one thing all of us have

1298
01:04:05,400 --> 01:04:07,840
Speaker 1: in common in the Divided States of America is that

1299
01:04:07,920 --> 01:04:11,760
Speaker 1: whatever function we having from Bob Mitziph's the barbecues, gender showers,

1300
01:04:11,880 --> 01:04:14,720
Speaker 1: that I finally got this gorilla oyster droppings out my hair.

1301
01:04:15,000 --> 01:04:17,720
Speaker 1: That damn Red Solo Cup is dead. Now. That Red

1302
01:04:17,800 --> 01:04:20,880
Speaker 1: Solo Cup had a front row seat all right to

1303
01:04:21,000 --> 01:04:22,960
Speaker 1: a great moment, just like Red Solo cups have had

1304
01:04:22,960 --> 01:04:24,439
Speaker 1: a front row seat to a lot of great moments

1305
01:04:24,480 --> 01:04:26,160
Speaker 1: and a lot of dumb ones. This is a dumb

1306
01:04:26,240 --> 01:04:28,640
Speaker 1: one because Lynn put the gorilla pearl jam on the

1307
01:04:28,680 --> 01:04:31,040
Speaker 1: Red Solo Cup and attached it to his lip because

1308
01:04:31,080 --> 01:04:34,640
Speaker 1: whatever is between his ears and under his dredge and

1309
01:04:36,000 --> 01:04:39,480
Speaker 1: under that dirty ass snapback, it told him he could

1310
01:04:39,520 --> 01:04:42,320
Speaker 1: just lick it off all right. Three hours later, Lynn

1311
01:04:42,440 --> 01:04:45,160
Speaker 1: showed up to the hospital with a Red Solo Cup

1312
01:04:45,480 --> 01:04:48,440
Speaker 1: stuck on his upper lip. I hate it here. Now,

1313
01:04:48,520 --> 01:04:51,400
Speaker 1: let's go to w KBU CBS twenty seven for the report.

1314
01:04:51,880 --> 01:04:54,200
Speaker 1: I was there for maybe about a little over an

1315
01:04:54,240 --> 01:04:56,920
Speaker 1: hour or two hours or so. Basically I had my

1316
01:04:57,000 --> 01:04:58,760
Speaker 1: pressure was up. I mean, I have was going through

1317
01:04:58,760 --> 01:05:02,360
Speaker 1: a lot of distress also, and they did like a peeling,

1318
01:05:03,160 --> 01:05:06,080
Speaker 1: basically a marshman peeling, you know, to get it off

1319
01:05:06,120 --> 01:05:09,600
Speaker 1: from then from my upper skin on my lip. Basically

1320
01:05:09,640 --> 01:05:13,080
Speaker 1: all that has been torn off, you know. Okay, let

1321
01:05:13,160 --> 01:05:16,000
Speaker 1: me translate, because once again some of y'all don't speak nigga.

1322
01:05:16,120 --> 01:05:21,920
Speaker 1: All right, He took the gorilla glue, put it on

1323
01:05:22,000 --> 01:05:26,120
Speaker 1: a red solo cup and attached it to his lip. Okay,

1324
01:05:26,480 --> 01:05:29,280
Speaker 1: because he wanted to prove that you could just lick

1325
01:05:30,240 --> 01:05:32,240
Speaker 1: the gorilla glue off his lip. Let me tell you something.

1326
01:05:32,480 --> 01:05:35,360
Speaker 1: Jealousy and envy are really the root of all evil,

1327
01:05:35,720 --> 01:05:38,680
Speaker 1: especially on social media. This dude, Lynn was just straight

1328
01:05:38,800 --> 01:05:42,640
Speaker 1: up envious of the attention Tessica was receiving. People would

1329
01:05:42,640 --> 01:05:45,240
Speaker 1: be so jealous an upset of the attention folks receive.

1330
01:05:45,320 --> 01:05:47,200
Speaker 1: It doesn't matter if a person who's going viral for

1331
01:05:47,280 --> 01:05:49,720
Speaker 1: all the wrong reasons, folks will still get upset that

1332
01:05:49,800 --> 01:05:52,400
Speaker 1: it's not them. This young lady, Tessica started to go

1333
01:05:52,520 --> 01:05:55,400
Speaker 1: fund me, got thirteen thousand dollars, and Lynn said, oh hell, no,

1334
01:05:55,800 --> 01:05:58,400
Speaker 1: hold my beer in this red Solo cup I'm going in.

1335
01:05:58,800 --> 01:06:01,920
Speaker 1: That was absolutely paratively zero reason for Lynda to involve

1336
01:06:02,040 --> 01:06:04,560
Speaker 1: himself in this situation. But what also scares me about

1337
01:06:04,600 --> 01:06:07,760
Speaker 1: this is that a thirty seven year old man doesn't

1338
01:06:07,800 --> 01:06:10,480
Speaker 1: know the difference between real and fake. A lot of

1339
01:06:10,560 --> 01:06:12,480
Speaker 1: y'all don't when it comes to the Internet. This is

1340
01:06:12,520 --> 01:06:15,000
Speaker 1: a prime example of it. Lynn, and I'm sure plenty

1341
01:06:15,000 --> 01:06:17,440
Speaker 1: of others thought Tessica was doing this for cloud. She

1342
01:06:17,560 --> 01:06:20,880
Speaker 1: just wanted attention, Okay, like all these other digital d heads.

1343
01:06:20,880 --> 01:06:23,680
Speaker 1: So even though something was actually real, you didn't believe it.

1344
01:06:24,040 --> 01:06:26,800
Speaker 1: But if something is fake, y'all do believe it. Virtual

1345
01:06:26,920 --> 01:06:31,640
Speaker 1: reality has ruined folks natural discernment. And now you got

1346
01:06:31,760 --> 01:06:34,280
Speaker 1: Lynn who probably won't be able to use his lips

1347
01:06:34,360 --> 01:06:37,080
Speaker 1: the same way he used to. Ever again, he might

1348
01:06:37,160 --> 01:06:39,760
Speaker 1: even lose some of his upper lip, and I must say,

1349
01:06:39,920 --> 01:06:43,000
Speaker 1: if that happens, he earned it. See, when you don't

1350
01:06:43,000 --> 01:06:46,200
Speaker 1: appreciate what you have, God, the universe will take it

1351
01:06:46,320 --> 01:06:48,320
Speaker 1: from you. And do you know, Lynda's the same brother

1352
01:06:48,360 --> 01:06:50,640
Speaker 1: who was going in stores licking ice cream doing that

1353
01:06:50,800 --> 01:06:53,400
Speaker 1: nutass ice cream challenge. Listen, we saw that you're on

1354
01:06:53,480 --> 01:06:56,440
Speaker 1: Doctor Oz in regards of the ice cream challenge, and

1355
01:06:56,560 --> 01:06:58,800
Speaker 1: then from looking on your Facebook page, we do see

1356
01:06:58,840 --> 01:07:01,960
Speaker 1: that you're a rapper, and many insinuate that you're doing

1357
01:07:02,040 --> 01:07:06,120
Speaker 1: these challenges to seek attention, to boost a rap career,

1358
01:07:06,360 --> 01:07:08,160
Speaker 1: or even just to go viral. So what are your

1359
01:07:08,240 --> 01:07:11,080
Speaker 1: thoughts on that. Well, I would never want to stick

1360
01:07:11,200 --> 01:07:13,640
Speaker 1: no gorilla glue to my lip and have it stuck

1361
01:07:13,680 --> 01:07:15,360
Speaker 1: there and have to go through all these situations I

1362
01:07:15,480 --> 01:07:17,600
Speaker 1: went through. Basically I was trying to start. Of course,

1363
01:07:17,640 --> 01:07:20,640
Speaker 1: everybody knows social media runs things right now, everybody's on

1364
01:07:20,800 --> 01:07:23,560
Speaker 1: social media. It gets a lot of attention, and that's

1365
01:07:23,600 --> 01:07:25,480
Speaker 1: what's going on. I mean, we do there's a lot

1366
01:07:25,480 --> 01:07:27,960
Speaker 1: of different challenges, so I wouldn't say that I'm doing

1367
01:07:28,040 --> 01:07:30,120
Speaker 1: it to boost my career because people start a new

1368
01:07:30,240 --> 01:07:32,360
Speaker 1: challenge every day. I didn't think it was going to

1369
01:07:32,400 --> 01:07:35,360
Speaker 1: go this far. Boiling Cardy and all Set said they

1370
01:07:35,520 --> 01:07:38,240
Speaker 1: do anything for Claude ain't never lie. Now he's putting

1371
01:07:38,240 --> 01:07:40,560
Speaker 1: gorilla prick liquid on his lips to prove a point.

1372
01:07:41,240 --> 01:07:43,360
Speaker 1: Let me tell you something. You don't respect your mouth,

1373
01:07:44,320 --> 01:07:48,240
Speaker 1: you don't respect your tongue, your lips. You want to

1374
01:07:48,280 --> 01:07:50,080
Speaker 1: disrespect that part of your face well, let me take

1375
01:07:50,120 --> 01:07:51,840
Speaker 1: something of it away from you. That's what the universe

1376
01:07:51,960 --> 01:07:55,040
Speaker 1: is saying, all right, so maybe you'll appreciate it more

1377
01:07:55,120 --> 01:07:58,560
Speaker 1: once it's gone. And this Sunday is Valentine's Day, Lena.

1378
01:07:58,560 --> 01:08:01,640
Speaker 1: If you got a girlfriend, a baby, mama, a wife,

1379
01:08:01,840 --> 01:08:04,200
Speaker 1: I'm here to tell you that she deserves better. And

1380
01:08:04,400 --> 01:08:07,160
Speaker 1: by better I mean a man with functioning lips, A

1381
01:08:07,280 --> 01:08:09,960
Speaker 1: man who didn't have a red Solo cup stuck to

1382
01:08:10,120 --> 01:08:12,280
Speaker 1: his mouth this week, all right, because he wanted to

1383
01:08:12,320 --> 01:08:14,960
Speaker 1: take the lips on her face. Why'd you bleet me?

1384
01:08:15,240 --> 01:08:20,520
Speaker 1: I need to know you can't everything when you're going downstairs.

1385
01:08:20,640 --> 01:08:24,000
Speaker 1: Well it's not I'm sorry. I'm a good storyteller. Okay,

1386
01:08:24,520 --> 01:08:26,960
Speaker 1: let me try to say that over there? You know, uh,

1387
01:08:27,920 --> 01:08:31,040
Speaker 1: your woman deserves better, And by better I mean a

1388
01:08:31,160 --> 01:08:33,640
Speaker 1: man with functioning lips, A man who didn't have a

1389
01:08:33,760 --> 01:08:36,400
Speaker 1: red Solo cup stuck to his mouth because he wanted

1390
01:08:36,439 --> 01:08:40,200
Speaker 1: to taste gorilla slung jelly. Can I say that? Yes?

1391
01:08:42,400 --> 01:08:47,960
Speaker 1: How you gonna perform oral sex on your woman? There

1392
01:08:48,000 --> 01:08:51,519
Speaker 1: you go? When your woman's lips down in there, when

1393
01:08:51,560 --> 01:08:55,200
Speaker 1: you don't have any lips up there? How you gonna

1394
01:08:55,479 --> 01:08:57,240
Speaker 1: even give you a woman? Sweet kisses on the lips

1395
01:08:57,280 --> 01:08:58,800
Speaker 1: on her face when you don't even even have any

1396
01:08:58,880 --> 01:09:02,880
Speaker 1: lips on your face. There you go, Okay, listen to brother.

1397
01:09:02,920 --> 01:09:04,360
Speaker 1: The story you're saying, you niggas is dumb as a

1398
01:09:04,439 --> 01:09:06,040
Speaker 1: under statement. All right, this is really the world we

1399
01:09:06,160 --> 01:09:08,960
Speaker 1: live in. And what's sad? These are the people you

1400
01:09:09,160 --> 01:09:11,559
Speaker 1: all be catering to on social media when you get

1401
01:09:11,640 --> 01:09:13,920
Speaker 1: online and you wait for folks to tell you how

1402
01:09:13,960 --> 01:09:17,160
Speaker 1: to feel about things. These are the people you are

1403
01:09:17,360 --> 01:09:20,880
Speaker 1: listening to. Okay, And guess what, all of y'all gonna

1404
01:09:20,920 --> 01:09:23,240
Speaker 1: get what you deserve, every single one of you. And

1405
01:09:23,439 --> 01:09:25,840
Speaker 1: right now, what Lynn Martin deserves is for remy Ma

1406
01:09:26,160 --> 01:09:29,120
Speaker 1: to give him the biggest he ha he ha he ha,

1407
01:09:29,800 --> 01:09:38,080
Speaker 1: you stupid mother? Fun? Are you dumb? What you're thinking about? Nothing?

1408
01:09:38,160 --> 01:09:40,120
Speaker 1: What do you I'm not talking to you? Who's who

1409
01:09:40,120 --> 01:09:41,880
Speaker 1: says I'm talking to you? Why you can see it?

1410
01:09:41,960 --> 01:09:46,240
Speaker 1: So triggering? Why you get trigger? What's wrong? Talk about

1411
01:09:46,280 --> 01:09:48,200
Speaker 1: some guys lips? And you start looking at me? What's wrong?

1412
01:09:48,280 --> 01:09:51,160
Speaker 1: Something wrong? The drawn tell me what's wrong? Nothing? What's

1413
01:09:51,160 --> 01:09:54,000
Speaker 1: wrong with you? I feel fun? Sure? How are you?

1414
01:09:54,200 --> 01:10:00,800
Speaker 1: What's the climate in here? Hot? What's your Are you kinky? Man,

1415
01:10:00,920 --> 01:10:07,599
Speaker 1: I knew it right up next we have the director

1416
01:10:07,920 --> 01:10:12,160
Speaker 1: of Judas and the Black Messiah, Shaka King. He's the

1417
01:10:12,240 --> 01:10:14,479
Speaker 1: producer director. We're gonna talk to him next and don't move.

1418
01:10:14,520 --> 01:10:17,960
Speaker 1: It's the Breakfast Club. Good morning, Breakfast Club. We know

1419
01:10:18,160 --> 01:10:23,360
Speaker 1: that you ride black people right right morning. Everybody is

1420
01:10:23,479 --> 01:10:27,160
Speaker 1: DJ Envy, angela Ye, Charlomagne the guy. We are the

1421
01:10:27,240 --> 01:10:29,639
Speaker 1: Breakfast Club. We got a special guest in the building

1422
01:10:30,040 --> 01:10:33,120
Speaker 1: the last hour. We spoke to Danielle Kalua. And now

1423
01:10:33,240 --> 01:10:36,680
Speaker 1: we have the producer and director of Judas and the

1424
01:10:36,800 --> 01:10:40,559
Speaker 1: Black Messiah. We have Shaka King. Good morning brother. Well,

1425
01:10:40,600 --> 01:10:44,120
Speaker 1: first of all, congratulations on this movie. This is they're

1426
01:10:44,120 --> 01:10:46,960
Speaker 1: already talking about oscars and all of that. Does that

1427
01:10:47,080 --> 01:10:53,000
Speaker 1: matter to you? Um No, why not because we don't

1428
01:10:53,040 --> 01:11:00,240
Speaker 1: need white validation, but because when I first started, but

1429
01:11:00,320 --> 01:11:02,200
Speaker 1: I'd not even when I first started, honestly, for like

1430
01:11:02,400 --> 01:11:07,160
Speaker 1: my duration up until now, I've found Hollywood to be,

1431
01:11:07,800 --> 01:11:11,960
Speaker 1: you know, as racists, you know the rest of this country. Um,

1432
01:11:12,120 --> 01:11:14,599
Speaker 1: I would say that my experiences, you know, I went

1433
01:11:14,680 --> 01:11:16,960
Speaker 1: to school, I'm from Brooklyn and school and day Ridge

1434
01:11:18,560 --> 01:11:22,840
Speaker 1: as auel. You know you can attest that experience, you know,

1435
01:11:23,040 --> 01:11:25,160
Speaker 1: like I had cops making monkey sounds me when I

1436
01:11:25,200 --> 01:11:28,680
Speaker 1: was in seventh grade, you know what I mean. Nothing compares,

1437
01:11:28,720 --> 01:11:32,680
Speaker 1: though the experience of racism, my experience in Hollywood, you know,

1438
01:11:32,760 --> 01:11:35,400
Speaker 1: as an adult, and so when you go through that,

1439
01:11:35,920 --> 01:11:38,920
Speaker 1: you know, as I have, I at least my my

1440
01:11:39,040 --> 01:11:42,160
Speaker 1: reaction to it was to kind of recognize that Hollywood

1441
01:11:42,160 --> 01:11:46,839
Speaker 1: wasn't a meritocracy and that I couldn't measure my success

1442
01:11:47,479 --> 01:11:51,320
Speaker 1: based upon you know, whether you know, a white male

1443
01:11:51,439 --> 01:11:56,240
Speaker 1: dominant industry recognize me as talented. And so even though

1444
01:11:56,800 --> 01:12:00,479
Speaker 1: it's it's taken literally years of the programming for me

1445
01:12:00,600 --> 01:12:04,000
Speaker 1: to get to a place where I don't invest in

1446
01:12:04,520 --> 01:12:08,120
Speaker 1: that stuff. While I recognize that, you know, it's a gift,

1447
01:12:08,200 --> 01:12:10,240
Speaker 1: my prayer would make things easier to get made. And

1448
01:12:10,360 --> 01:12:12,160
Speaker 1: like you know, there's always going to be a part

1449
01:12:12,200 --> 01:12:15,360
Speaker 1: of you that wants to, you know, just be appreciated

1450
01:12:15,360 --> 01:12:18,360
Speaker 1: and have your work appreciated, especially by people you respect.

1451
01:12:18,800 --> 01:12:22,000
Speaker 1: At the same time, I can't sacrifice my power that

1452
01:12:22,080 --> 01:12:25,640
Speaker 1: way anymore. You know, I agree with you, but I

1453
01:12:25,720 --> 01:12:28,160
Speaker 1: think this film is phenomenal. And even though I totally

1454
01:12:28,160 --> 01:12:29,920
Speaker 1: agree with you, what everything you're saying about, you know,

1455
01:12:30,400 --> 01:12:33,080
Speaker 1: receiving validation from these award shows, these white male dominated

1456
01:12:33,120 --> 01:12:34,840
Speaker 1: a war shows. I want y'all to win all the

1457
01:12:34,920 --> 01:12:40,000
Speaker 1: awards because I don't know what else quantifies success. I

1458
01:12:40,080 --> 01:12:42,080
Speaker 1: want y'all to make all the money, win all the awards,

1459
01:12:42,120 --> 01:12:44,080
Speaker 1: because I know if that happens, more of these films

1460
01:12:44,120 --> 01:12:46,600
Speaker 1: will be made. I think this year in particular is

1461
01:12:46,680 --> 01:12:48,479
Speaker 1: one where I've had to sort of work through that,

1462
01:12:48,680 --> 01:12:51,040
Speaker 1: just because you know, normally you have the box office

1463
01:12:51,080 --> 01:12:53,439
Speaker 1: to prove whether it will be a success, and because

1464
01:12:53,800 --> 01:12:55,840
Speaker 1: everything is going to be streaming and did at the

1465
01:12:55,920 --> 01:12:58,759
Speaker 1: same time, you don't have the box office to determine

1466
01:12:58,800 --> 01:13:02,560
Speaker 1: whether a success. So this is an instance where you know,

1467
01:13:02,680 --> 01:13:04,479
Speaker 1: a lot of emphasis is going to be placed on

1468
01:13:04,560 --> 01:13:07,400
Speaker 1: awards to determine whether a movie did well. And I

1469
01:13:07,520 --> 01:13:11,040
Speaker 1: recognize that, you know, this movie literally stands on the

1470
01:13:11,360 --> 01:13:14,400
Speaker 1: success the shoulders of a Black Panther. I mean literally,

1471
01:13:14,800 --> 01:13:16,639
Speaker 1: you know what I mean, Like, we don't even get

1472
01:13:16,680 --> 01:13:19,720
Speaker 1: a meeting if you know, Ryan wasn't coming off the

1473
01:13:19,760 --> 01:13:23,479
Speaker 1: success of that film. And my hope is that, you know,

1474
01:13:23,600 --> 01:13:26,240
Speaker 1: films like this lead to more films about more revolutionaries

1475
01:13:26,560 --> 01:13:29,040
Speaker 1: across the globe. So who doesn't want that, you know

1476
01:13:29,040 --> 01:13:30,640
Speaker 1: what I'm saying? But at the same time, just on

1477
01:13:30,720 --> 01:13:33,680
Speaker 1: a personal level, I can't allow myself to get too

1478
01:13:33,800 --> 01:13:37,840
Speaker 1: invested in, you know what, what the industry says about

1479
01:13:37,840 --> 01:13:39,880
Speaker 1: the about the film, it just wouldn't be just the

1480
01:13:40,000 --> 01:13:42,599
Speaker 1: my psyche, you know. And this is a different kind

1481
01:13:42,640 --> 01:13:44,600
Speaker 1: of movie from you from things that you've done in

1482
01:13:44,640 --> 01:13:47,479
Speaker 1: the past too. You know, obviously we know you're from Brooklyn,

1483
01:13:47,600 --> 01:13:52,559
Speaker 1: so you've done, you know, works that actually revolve around Brooklyn,

1484
01:13:52,680 --> 01:13:55,800
Speaker 1: Glyn and your experiences here. But I think one thing

1485
01:13:55,840 --> 01:13:57,880
Speaker 1: that people don't understand is they think this movie is

1486
01:13:58,200 --> 01:14:00,760
Speaker 1: mostly about Fred Hampton, like he hes the main character,

1487
01:14:00,840 --> 01:14:03,960
Speaker 1: but it's really the mformant William O'Neill who's the main

1488
01:14:04,120 --> 01:14:07,960
Speaker 1: character in this movie. Correct. I mean, I think it's

1489
01:14:08,000 --> 01:14:11,320
Speaker 1: really like talk about how the field came about before

1490
01:14:11,320 --> 01:14:13,760
Speaker 1: you break it out, Like, how did you even do this? Sure? Sure,

1491
01:14:14,160 --> 01:14:16,599
Speaker 1: well it came to me from the Lucas Brothers um

1492
01:14:16,960 --> 01:14:20,880
Speaker 1: comedy duo friends of Mine and Brilliant brilliant cast, and

1493
01:14:21,000 --> 01:14:22,720
Speaker 1: they reached out to me and they were like, well,

1494
01:14:22,760 --> 01:14:24,840
Speaker 1: we want to make a movie about Wayne O'Neill and

1495
01:14:24,960 --> 01:14:28,000
Speaker 1: Fred Hampton that we see as the Departed, set inside

1496
01:14:28,000 --> 01:14:31,679
Speaker 1: the world of Corntell pro Corntel program um the FBI's

1497
01:14:31,720 --> 01:14:34,559
Speaker 1: kind of intelligence program that was designed by Jago Hoover

1498
01:14:35,040 --> 01:14:38,439
Speaker 1: to crush you know, anyone that he did dissident. And

1499
01:14:38,600 --> 01:14:41,960
Speaker 1: so I just thought that was a brilliant concept. I

1500
01:14:42,080 --> 01:14:44,599
Speaker 1: thought it was really, quite frankly, the only way you'd

1501
01:14:44,640 --> 01:14:48,400
Speaker 1: ever have a movie made about Fred Hampton. And the

1502
01:14:48,479 --> 01:14:50,519
Speaker 1: truth of the matter is is that, you know, when

1503
01:14:50,560 --> 01:14:52,960
Speaker 1: you're talking about making a period film, a movie that

1504
01:14:53,040 --> 01:14:55,080
Speaker 1: takes place in nineteen sixty eight sixty nine, with that

1505
01:14:55,200 --> 01:14:57,400
Speaker 1: kind of scope, you can only make it at a

1506
01:14:57,479 --> 01:14:59,719
Speaker 1: studio just because it's going to cost a certain amount

1507
01:14:59,720 --> 01:15:02,200
Speaker 1: of money. It's gonna acquire. This is gonna acquire that,

1508
01:15:02,400 --> 01:15:05,400
Speaker 1: you know. And so when they pitched it to me,

1509
01:15:05,439 --> 01:15:07,080
Speaker 1: I was just like, Yeah, this is brilliant. I can

1510
01:15:07,120 --> 01:15:09,360
Speaker 1: see it. I see this as an opportunity to put

1511
01:15:09,439 --> 01:15:12,599
Speaker 1: forth not just this history, but this great man's ideas

1512
01:15:13,040 --> 01:15:17,240
Speaker 1: and this great organization's ideas that I think are just

1513
01:15:17,400 --> 01:15:20,120
Speaker 1: as applicable to the world we live in today. In

1514
01:15:20,240 --> 01:15:22,920
Speaker 1: a piece of pop culture that travels across the globe

1515
01:15:22,960 --> 01:15:25,439
Speaker 1: and that entertains people, and they could you know, as

1516
01:15:25,560 --> 01:15:27,840
Speaker 1: as Chairman Ford Hampton Jane says, you know, put the

1517
01:15:27,920 --> 01:15:29,559
Speaker 1: medicine and the apple sauce, you know what I mean.

1518
01:15:29,800 --> 01:15:32,360
Speaker 1: I was asking a question about just making this because

1519
01:15:32,360 --> 01:15:35,559
Speaker 1: I saw some critiques of it and people saying talking

1520
01:15:35,600 --> 01:15:38,479
Speaker 1: about Fred Hampton and how they didn't feel like his

1521
01:15:38,680 --> 01:15:40,840
Speaker 1: character was developed enough and they didn't show this. But

1522
01:15:40,920 --> 01:15:44,200
Speaker 1: this really was more about William O'Neill, and obviously fred

1523
01:15:44,200 --> 01:15:47,040
Speaker 1: Hampton was a huge part in why William O'Neill were

1524
01:15:47,040 --> 01:15:49,720
Speaker 1: focused on him. But can you just break that down

1525
01:15:49,760 --> 01:15:52,320
Speaker 1: and why it was more told from that point of view? Well,

1526
01:15:52,400 --> 01:15:55,080
Speaker 1: I don't. I don't think it's actually told. Really. It

1527
01:15:55,160 --> 01:15:56,800
Speaker 1: to me that it's more of a two hander. It's

1528
01:15:56,840 --> 01:15:59,840
Speaker 1: like heat more than it is, you know, a movie

1529
01:16:00,720 --> 01:16:02,639
Speaker 1: where it's told through O'Neil's POV. I mean the truth

1530
01:16:02,680 --> 01:16:04,559
Speaker 1: that matter is. It's like, I think that people think

1531
01:16:04,640 --> 01:16:08,240
Speaker 1: that because we use this interview that waym O'Neill gave

1532
01:16:08,400 --> 01:16:11,040
Speaker 1: to Eyes on the Prize too. We recreate the interview

1533
01:16:11,080 --> 01:16:12,960
Speaker 1: and then you know, I'm not going to spoil it,

1534
01:16:13,080 --> 01:16:16,160
Speaker 1: but the interview plays a role in the film, even

1535
01:16:16,200 --> 01:16:18,479
Speaker 1: though it's not in the film a ton But I

1536
01:16:18,520 --> 01:16:20,719
Speaker 1: think because of that structure, people think that the movie

1537
01:16:21,040 --> 01:16:23,320
Speaker 1: is from O'Neill's perspective. But the truth that matter is

1538
01:16:23,479 --> 01:16:25,720
Speaker 1: that when you're looking at Fred, he's most of the

1539
01:16:25,760 --> 01:16:28,719
Speaker 1: time independent of O'Neill, and it's actually from Deborah Johnson's

1540
01:16:28,760 --> 01:16:31,280
Speaker 1: perspective that's when you really get a sense of who

1541
01:16:31,400 --> 01:16:34,280
Speaker 1: he is. And so the reason we chose to make

1542
01:16:34,320 --> 01:16:37,799
Speaker 1: it a two hander was because we literally the framing

1543
01:16:37,840 --> 01:16:40,040
Speaker 1: device that we first thought of, and it's changed as

1544
01:16:40,080 --> 01:16:42,880
Speaker 1: we've made the thing, was the departed in the world

1545
01:16:42,920 --> 01:16:44,479
Speaker 1: of Colan tempo. That was how we were going to

1546
01:16:44,520 --> 01:16:46,439
Speaker 1: get the movie made. That was how we were going

1547
01:16:46,520 --> 01:16:48,840
Speaker 1: to get the movie out there. I think from a

1548
01:16:48,920 --> 01:16:52,640
Speaker 1: political perspective, the reason to kind of make it a

1549
01:16:52,680 --> 01:16:55,080
Speaker 1: two hander and lean into that is that you have

1550
01:16:55,160 --> 01:17:00,360
Speaker 1: an opportunity to present almost like two poles of nity.

1551
01:17:00,479 --> 01:17:02,080
Speaker 1: You know what I mean. You have in Fred Hampton

1552
01:17:02,360 --> 01:17:05,200
Speaker 1: one of the bravest, most courageous people of all time.

1553
01:17:05,240 --> 01:17:07,360
Speaker 1: You have WAYM. O'Neill, you know, one of the most

1554
01:17:07,680 --> 01:17:10,360
Speaker 1: coward like, biggest cowards we can think of in history.

1555
01:17:10,720 --> 01:17:13,280
Speaker 1: You know, you have in Fred Hampton someone who is

1556
01:17:13,320 --> 01:17:17,960
Speaker 1: interested in building coalitions. You haven't William O'Neill, a pure individualist.

1557
01:17:18,040 --> 01:17:20,760
Speaker 1: You know, in Fred Hampton. You have a socialist in

1558
01:17:21,080 --> 01:17:23,920
Speaker 1: a Marxist and so to me, you have this opportunity

1559
01:17:24,040 --> 01:17:28,559
Speaker 1: to really like look at these two people who exist

1560
01:17:28,840 --> 01:17:31,400
Speaker 1: on kind of you know, two different Posy Vanny, and

1561
01:17:32,200 --> 01:17:34,679
Speaker 1: kind of explore that. And I think in some ways,

1562
01:17:34,840 --> 01:17:37,080
Speaker 1: you know, if we did our job correctly, it you

1563
01:17:37,160 --> 01:17:39,640
Speaker 1: as a viewer can kind of watch it, watch this

1564
01:17:39,760 --> 01:17:43,040
Speaker 1: movie and even subconsciously question like where you are fit,

1565
01:17:43,840 --> 01:17:48,080
Speaker 1: you know, along along that like spectrum, Like everyone wants

1566
01:17:48,120 --> 01:17:51,280
Speaker 1: to believe that they would be Fred Hampton um, but

1567
01:17:51,479 --> 01:17:53,040
Speaker 1: the truth of the matter is is that there are

1568
01:17:53,040 --> 01:17:55,400
Speaker 1: a lot more William O'Neil's in this world than there

1569
01:17:55,439 --> 01:17:58,280
Speaker 1: are Fred Hampton's. And you know, it's kind of a

1570
01:17:58,360 --> 01:18:01,519
Speaker 1: lost opportunity, just like make this guy just like a

1571
01:18:01,600 --> 01:18:05,960
Speaker 1: cartoon villain, um, when you know he's just he was

1572
01:18:05,960 --> 01:18:08,760
Speaker 1: an eighteen year old guy who made like really bad

1573
01:18:08,880 --> 01:18:11,559
Speaker 1: decisions and some really bad choices. Like, Yo, how many

1574
01:18:11,600 --> 01:18:14,320
Speaker 1: people do we know in prison right now? And they're

1575
01:18:14,320 --> 01:18:19,800
Speaker 1: in prisons because someone you know, told, told told of them. Yeah, right,

1576
01:18:20,000 --> 01:18:21,960
Speaker 1: so many more people would be like, I'm not going

1577
01:18:22,040 --> 01:18:24,720
Speaker 1: to jail. I am telling it what y'all need need

1578
01:18:24,760 --> 01:18:26,120
Speaker 1: to do, So I don't got to go to jail.

1579
01:18:26,160 --> 01:18:31,439
Speaker 1: And that's just I mean, he seduced. He seduced. Like

1580
01:18:31,560 --> 01:18:33,880
Speaker 1: it's starting. It starts with the way that they do

1581
01:18:33,960 --> 01:18:36,720
Speaker 1: it is they go listen, you don't know this guy,

1582
01:18:37,160 --> 01:18:39,280
Speaker 1: Just go and tell me what you hear. You don't

1583
01:18:39,400 --> 01:18:41,160
Speaker 1: just just keep just see what you're here. If you know,

1584
01:18:41,439 --> 01:18:43,479
Speaker 1: if you hear something, tell me. And then they start

1585
01:18:43,520 --> 01:18:45,920
Speaker 1: paying them. Here's some money, here's a drink, here's a cigar,

1586
01:18:46,200 --> 01:18:49,240
Speaker 1: have a good times. And they just started. Don't you win?

1587
01:18:49,800 --> 01:18:51,720
Speaker 1: We have more with the director of Judas in The

1588
01:18:51,800 --> 01:18:54,519
Speaker 1: Black Messiah when we come back Shaka Kings, don't move

1589
01:18:54,600 --> 01:18:58,719
Speaker 1: us to breakfast club. The more everybody is d j Envy,

1590
01:18:58,960 --> 01:19:02,360
Speaker 1: Angela Yee, Charlemagne, the guy we are the breakfast Club.

1591
01:19:02,400 --> 01:19:05,439
Speaker 1: We're kicking it with Shaka King, the director of Judas

1592
01:19:05,479 --> 01:19:08,240
Speaker 1: and The Black Messiah. Charlemagne. You think it's more important

1593
01:19:08,280 --> 01:19:10,240
Speaker 1: for white people to see this movie or black people.

1594
01:19:10,400 --> 01:19:12,439
Speaker 1: I think it's important for everyone to see it. I

1595
01:19:12,880 --> 01:19:15,479
Speaker 1: made it for my first people. I made it for us,

1596
01:19:15,680 --> 01:19:19,560
Speaker 1: was for black people. You know, there's certain decisions, I

1597
01:19:19,640 --> 01:19:22,680
Speaker 1: mean every decision, but there's some specific, specific decisions and

1598
01:19:23,000 --> 01:19:25,800
Speaker 1: even like how we framed the assassination that it was

1599
01:19:25,880 --> 01:19:28,320
Speaker 1: like very clear, like, Okay, we're not going to show

1600
01:19:28,920 --> 01:19:31,080
Speaker 1: you know this, this man getting shot in the head.

1601
01:19:31,840 --> 01:19:35,559
Speaker 1: I'm not gonna put us through that. You know, there

1602
01:19:35,600 --> 01:19:38,519
Speaker 1: were choice, there were decisions that you know, there was

1603
01:19:38,560 --> 01:19:41,320
Speaker 1: a desire at one point, not on my start the

1604
01:19:41,400 --> 01:19:44,599
Speaker 1: movie with the Jagger Hoover sequence that you see fairly

1605
01:19:44,640 --> 01:19:46,360
Speaker 1: early in the film, and I was like, yeah, we

1606
01:19:46,439 --> 01:19:49,839
Speaker 1: can't start the movie with Jagger Hoover talking about the Panthers.

1607
01:19:49,840 --> 01:19:52,120
Speaker 1: We have to let the panthers speak for themselves. You know.

1608
01:19:52,720 --> 01:19:54,920
Speaker 1: I would say that was who I made it for.

1609
01:19:55,280 --> 01:19:58,640
Speaker 1: But I also did certain things. There's certain pieces in

1610
01:19:58,720 --> 01:20:01,479
Speaker 1: the movie that I made for white like the character

1611
01:20:01,560 --> 01:20:04,519
Speaker 1: of Roy Mitchell and how I shaped that character. I

1612
01:20:04,720 --> 01:20:08,360
Speaker 1: made that specifically for white people because I wanted them

1613
01:20:08,400 --> 01:20:12,080
Speaker 1: to understand the shortcomings of being a white centrist, you

1614
01:20:12,160 --> 01:20:14,000
Speaker 1: know what I mean, Like that that's not actually true

1615
01:20:14,040 --> 01:20:16,880
Speaker 1: ally ship and this whole idea of decency and all

1616
01:20:16,920 --> 01:20:20,479
Speaker 1: that jazz, it's just performative. It's it's hollow, you know,

1617
01:20:20,880 --> 01:20:24,280
Speaker 1: like a centrist will shoot you in the head and

1618
01:20:24,840 --> 01:20:27,840
Speaker 1: two years later try to name a city block after you,

1619
01:20:28,200 --> 01:20:30,800
Speaker 1: you know what I mean, how long does it take

1620
01:20:30,840 --> 01:20:33,479
Speaker 1: to research a movie like this, Like just so people

1621
01:20:33,560 --> 01:20:35,920
Speaker 1: know the whole process, because it's not just writing a

1622
01:20:36,040 --> 01:20:38,759
Speaker 1: script and going into it. How much goes into research?

1623
01:20:39,280 --> 01:20:42,439
Speaker 1: I mean true though, like three years research, three to

1624
01:20:42,520 --> 01:20:44,320
Speaker 1: four years of research. You know, it's the four year

1625
01:20:44,439 --> 01:20:46,640
Speaker 1: process to get it to the screen. And I was

1626
01:20:46,720 --> 01:20:48,559
Speaker 1: still doing I mean I was going to research up

1627
01:20:48,640 --> 01:20:51,200
Speaker 1: until we got when we were in Cleveland, So I

1628
01:20:51,320 --> 01:20:54,360
Speaker 1: say four years. I say four years probably aside from

1629
01:20:54,400 --> 01:20:57,120
Speaker 1: sharing the life and legacy of Fred Hampton. What method

1630
01:20:57,200 --> 01:20:58,880
Speaker 1: do you want this movie to sin? But one of

1631
01:20:58,960 --> 01:21:01,880
Speaker 1: the reasons for me to make O'Neill a private characters,

1632
01:21:02,040 --> 01:21:04,560
Speaker 1: I really wanted to show the dangers of being a

1633
01:21:04,720 --> 01:21:06,560
Speaker 1: political you know what I'm saying. And we made this

1634
01:21:06,760 --> 01:21:11,360
Speaker 1: movie in two nineteen. You know, obviously twenty twenty happens,

1635
01:21:11,439 --> 01:21:13,680
Speaker 1: and I don't think many people came out of two

1636
01:21:13,680 --> 01:21:16,920
Speaker 1: thousand and twenty eight political right, But like, you know,

1637
01:21:17,439 --> 01:21:19,639
Speaker 1: I think it's still an important message to get across,

1638
01:21:19,720 --> 01:21:22,760
Speaker 1: just this idea of you know, it's it's the old phase.

1639
01:21:22,800 --> 01:21:25,320
Speaker 1: If you stand for nothing, you'll fall for anything, you know.

1640
01:21:25,479 --> 01:21:29,439
Speaker 1: William O'Neill's decision to really believe in nothing other and

1641
01:21:29,600 --> 01:21:33,720
Speaker 1: invest in nothing other than you know, essentially a capitalist

1642
01:21:33,800 --> 01:21:38,560
Speaker 1: ideology and culture. It didn't just crush I hate to

1643
01:21:38,640 --> 01:21:40,960
Speaker 1: use the term crushing movement, but it really did. It

1644
01:21:41,120 --> 01:21:45,920
Speaker 1: really really was deeply detrimental. You know, the Panthers remained

1645
01:21:45,960 --> 01:21:49,080
Speaker 1: active in Illinois Kill nineteen seventy four for five years

1646
01:21:49,120 --> 01:21:53,040
Speaker 1: after the assassination, but it was incredibly detrimental not just

1647
01:21:53,200 --> 01:21:56,479
Speaker 1: to you know, the Illinois chapter, but to the national

1648
01:21:56,560 --> 01:21:58,759
Speaker 1: chapters a whole, and to Chicago as a whole. Chicago

1649
01:21:58,800 --> 01:22:01,360
Speaker 1: would have been a different place handing so his but

1650
01:22:01,439 --> 01:22:04,439
Speaker 1: his actually then just hurt those people. It hurt him.

1651
01:22:04,920 --> 01:22:07,200
Speaker 1: You look at how his story ends, you know, talking

1652
01:22:07,200 --> 01:22:09,080
Speaker 1: about a dude who in the seventies walked away with

1653
01:22:09,160 --> 01:22:11,519
Speaker 1: almost two hundred thousand in his pocket. Damn there the

1654
01:22:11,600 --> 01:22:14,760
Speaker 1: equivalent of that had two phones in his car, you

1655
01:22:14,840 --> 01:22:17,880
Speaker 1: know what I mean in the seventies, and he still

1656
01:22:17,960 --> 01:22:20,160
Speaker 1: took his own life at forty years old. You know,

1657
01:22:20,600 --> 01:22:24,719
Speaker 1: he still didn't get a nice, a nice, a nice piece,

1658
01:22:24,920 --> 01:22:27,960
Speaker 1: you know what I mean. So so he couldn't live

1659
01:22:28,000 --> 01:22:30,320
Speaker 1: with himself. So I think that there's there's value in

1660
01:22:30,479 --> 01:22:34,599
Speaker 1: putting that out there, um, you know, And I think

1661
01:22:35,120 --> 01:22:37,240
Speaker 1: there's just millions of things take. You know, there's obviously

1662
01:22:37,400 --> 01:22:41,120
Speaker 1: highlighting the legacy of the of the Panthers, but it's

1663
01:22:41,200 --> 01:22:45,320
Speaker 1: also I think showing this country's history of you know,

1664
01:22:45,400 --> 01:22:49,200
Speaker 1: repressing voices of dissent. You know. I think I think that,

1665
01:22:49,400 --> 01:22:51,439
Speaker 1: you know, like I said on a part of Roy Mitchell,

1666
01:22:51,479 --> 01:22:54,360
Speaker 1: there's there's, you know, an indictment of white central centrism.

1667
01:22:54,439 --> 01:22:55,960
Speaker 1: I think there's a number of things you could take

1668
01:22:56,000 --> 01:22:58,040
Speaker 1: from this movie. It's a dense film. That's why I'm

1669
01:22:58,040 --> 01:23:01,160
Speaker 1: glad it's HBO. Maxallyople watch it two times and get

1670
01:23:01,280 --> 01:23:03,559
Speaker 1: something different out of it the second time. You know, well,

1671
01:23:03,600 --> 01:23:05,800
Speaker 1: I think y'all did a great job. Man. I think

1672
01:23:05,840 --> 01:23:08,320
Speaker 1: it's a phenomenal film. I think it's one of those

1673
01:23:08,439 --> 01:23:10,840
Speaker 1: ones for for a generation. You know, how when you

1674
01:23:11,000 --> 01:23:13,120
Speaker 1: was I mean I'm forty two, how old you about

1675
01:23:13,160 --> 01:23:14,840
Speaker 1: we was younger? You know, you watched the autobiography of

1676
01:23:14,880 --> 01:23:17,479
Speaker 1: Malcolm X, You're like, wow, I gotta I gotta know.

1677
01:23:17,560 --> 01:23:19,240
Speaker 1: I want to know more about the nation. I want

1678
01:23:19,240 --> 01:23:22,280
Speaker 1: to know more about you know, Malcolm Nonibo, Elijah Muhammed.

1679
01:23:22,439 --> 01:23:26,639
Speaker 1: I think y'all definitely created one of those personally, That's

1680
01:23:26,640 --> 01:23:28,560
Speaker 1: how I feel. Thank you, Thank you. Thank you. That

1681
01:23:28,720 --> 01:23:31,120
Speaker 1: was the goal I was to me, that's the blueprint

1682
01:23:31,280 --> 01:23:33,679
Speaker 1: in terms of biopics and in terms of I remember

1683
01:23:33,840 --> 01:23:35,960
Speaker 1: how I felt leaving the theater as a kid watching

1684
01:23:36,040 --> 01:23:39,800
Speaker 1: Malcolm X. I read the autobiography because my parents had

1685
01:23:39,880 --> 01:23:43,000
Speaker 1: me on that young you know, but I reread it

1686
01:23:43,080 --> 01:23:46,519
Speaker 1: a million times after that movie, and it's it's just

1687
01:23:46,760 --> 01:23:49,479
Speaker 1: it's the blueprint in my opinion. Yeah, I read it

1688
01:23:49,560 --> 01:23:51,519
Speaker 1: once a year. I think we should start calling movies

1689
01:23:51,640 --> 01:23:53,920
Speaker 1: like that, and we should start calling movies like Judas

1690
01:23:53,960 --> 01:23:55,720
Speaker 1: in the Black Side. We should start calling these types

1691
01:23:55,760 --> 01:24:00,439
Speaker 1: of movies proper Ganda because the proper stories are being told.

1692
01:24:01,640 --> 01:24:03,880
Speaker 1: I love that. I love that. I love that. But

1693
01:24:04,040 --> 01:24:06,000
Speaker 1: thank you Shaka so much for making time for us.

1694
01:24:06,080 --> 01:24:09,920
Speaker 1: Judis and the Blacking Science is available now to make

1695
01:24:09,920 --> 01:24:12,519
Speaker 1: sure you guys stream that. However you have to watch it.

1696
01:24:12,600 --> 01:24:16,040
Speaker 1: It's on HBO Max, right, yep, HBO Max. And did

1697
01:24:16,120 --> 01:24:18,479
Speaker 1: the same day, Shaka, Thank you, brother. I hope you

1698
01:24:18,560 --> 01:24:21,120
Speaker 1: get the opportunity to thank you. I'm already tell more

1699
01:24:21,160 --> 01:24:23,000
Speaker 1: of our stories, man, because you did a great job.

1700
01:24:23,080 --> 01:24:27,320
Speaker 1: Appreciate it, yes, so much. Thank you. The Breakfast Club

1701
01:24:30,120 --> 01:24:33,920
Speaker 1: Morning everybody is DJ Envy Angela ye, Charlemagne the guy.

1702
01:24:33,960 --> 01:24:35,599
Speaker 1: We are the Breakfast Club. Let's get to the rooms.

1703
01:24:35,680 --> 01:24:46,200
Speaker 1: Let's talk charge. It's about this report, Angela Yee on

1704
01:24:46,400 --> 01:24:52,040
Speaker 1: the Breakfast Club. Yes, so Charlemagne has launched a Mental

1705
01:24:52,160 --> 01:24:57,280
Speaker 1: Wealth Alliance foundation to establish fundamental and far reaching generational

1706
01:24:57,360 --> 01:24:59,559
Speaker 1: support system for black mental health. You want to tell

1707
01:24:59,600 --> 01:25:03,000
Speaker 1: us about it? Yeah, it's the Mental Health Alliance. Um,

1708
01:25:03,120 --> 01:25:05,960
Speaker 1: it's myself and Debbie Brown, my man, Tim Shriver and

1709
01:25:06,080 --> 01:25:09,400
Speaker 1: Marvett Brittle. And you know, my goal is to raise

1710
01:25:09,600 --> 01:25:12,920
Speaker 1: one hundred million dollars over the next five years. Uh,

1711
01:25:13,200 --> 01:25:16,479
Speaker 1: you know, in order to fund Black lad mental health

1712
01:25:16,640 --> 01:25:19,360
Speaker 1: organizations and experts. You know, we want to provide scholarships

1713
01:25:19,360 --> 01:25:21,639
Speaker 1: with people that are you know, going into the mental

1714
01:25:21,720 --> 01:25:23,840
Speaker 1: health space as far as like you know, mental health

1715
01:25:23,880 --> 01:25:27,280
Speaker 1: work like clinical service providers, and we want to provide

1716
01:25:27,320 --> 01:25:31,080
Speaker 1: ten million Black people with free therapy over the next

1717
01:25:31,160 --> 01:25:33,960
Speaker 1: five years. And we're advocating for the implemmation of social

1718
01:25:34,040 --> 01:25:37,960
Speaker 1: and emotional learning and mental health literacy in schools across

1719
01:25:38,040 --> 01:25:42,800
Speaker 1: the country. So it's purpose, it's purpose field work. Congratulations

1720
01:25:42,840 --> 01:25:45,800
Speaker 1: that because you know I've been, I've been, I've been

1721
01:25:45,920 --> 01:25:48,920
Speaker 1: an unofficial mental health advocate you know, for the past

1722
01:25:48,960 --> 01:25:50,479
Speaker 1: few years. So it's just like, you know, why not,

1723
01:25:50,600 --> 01:25:52,559
Speaker 1: why not why not do the work for real, for real?

1724
01:25:52,680 --> 01:25:53,720
Speaker 1: And now no, I don't even want to call it

1725
01:25:53,840 --> 01:25:57,040
Speaker 1: doing the work. Why not do do purpose field things

1726
01:25:57,120 --> 01:26:01,439
Speaker 1: for real for real? Okay, yes, all right? Where can

1727
01:26:01,520 --> 01:26:03,920
Speaker 1: people donate? Oh, you can go to the Mental Wealth

1728
01:26:04,280 --> 01:26:06,880
Speaker 1: Alliance dot com. You can go to the Mental Wealth

1729
01:26:06,920 --> 01:26:09,799
Speaker 1: Alanes dot com. I actually made some donations yesterday Salute

1730
01:26:09,800 --> 01:26:12,599
Speaker 1: to Suit the Death Cham My Man, My Man, Jeff

1731
01:26:12,600 --> 01:26:14,840
Speaker 1: Harleston at death Cham. You know, they made a very

1732
01:26:15,120 --> 01:26:17,760
Speaker 1: generous donation as well as as well as finish Line.

1733
01:26:17,800 --> 01:26:21,360
Speaker 1: So um I made some donations to a few organizations yesterday.

1734
01:26:21,800 --> 01:26:25,599
Speaker 1: So it's gonna keep all right. Now, Another good news

1735
01:26:25,800 --> 01:26:30,200
Speaker 1: Tory Lanes, who remix Young Blues Your Mind still featuring Drake.

1736
01:26:30,280 --> 01:26:32,360
Speaker 1: We told you earlier this morning about the back and

1737
01:26:32,439 --> 01:26:35,080
Speaker 1: forth they have because Tory Lanes did not give Young

1738
01:26:35,160 --> 01:26:36,880
Speaker 1: Blue any credit for his song. Well, it looks like

1739
01:26:36,920 --> 01:26:39,519
Speaker 1: the two of them are now in the studio after

1740
01:26:39,600 --> 01:26:44,600
Speaker 1: they're back back and forth last night online. If fich

1741
01:26:44,960 --> 01:26:49,880
Speaker 1: remix might niver Now officially, I'm gonna tag them on

1742
01:26:49,960 --> 01:26:54,120
Speaker 1: anything I ever do ever in life now we're here.

1743
01:26:54,200 --> 01:26:56,439
Speaker 1: We just made a hit. We're gonna keep making hit.

1744
01:26:57,400 --> 01:26:59,000
Speaker 1: That's what he should have done. Drop on a clues

1745
01:26:59,000 --> 01:27:01,120
Speaker 1: box for Tory Lanes on the right thing. Getting young

1746
01:27:01,240 --> 01:27:03,960
Speaker 1: boys with credit, man, that's the least you can. Don't

1747
01:27:03,960 --> 01:27:06,160
Speaker 1: think it was malice though. That's everybody does that to

1748
01:27:06,320 --> 01:27:09,080
Speaker 1: everybody's soul. I never said it was malis, but I

1749
01:27:09,080 --> 01:27:11,080
Speaker 1: can understand why Young Blue would be upset. He's like,

1750
01:27:11,080 --> 01:27:12,800
Speaker 1: I'm a new artist, I'm on to come up. You

1751
01:27:12,920 --> 01:27:16,640
Speaker 1: remix my song? Damn at least tag a brother. And

1752
01:27:17,240 --> 01:27:19,880
Speaker 1: probably was also thinking that it's a well known song

1753
01:27:20,120 --> 01:27:22,760
Speaker 1: and people know it's his. But you know, he wanted

1754
01:27:22,800 --> 01:27:24,680
Speaker 1: a little he probably and he said he liked it.

1755
01:27:25,120 --> 01:27:27,280
Speaker 1: I'm Blue said he liked it. But I guess you know.

1756
01:27:27,720 --> 01:27:29,439
Speaker 1: I'm glad they worked it out. They didn't know each other,

1757
01:27:29,720 --> 01:27:31,560
Speaker 1: so now they've spoken, now they know each other. That

1758
01:27:31,720 --> 01:27:34,280
Speaker 1: all worked out for the best. Sometimes credit is more

1759
01:27:34,320 --> 01:27:36,600
Speaker 1: important than anything else, because sometimes people just need to

1760
01:27:36,640 --> 01:27:38,640
Speaker 1: know who you are. Now now now a lot more

1761
01:27:38,680 --> 01:27:40,920
Speaker 1: people know who Young Blue is. After the day. Correct,

1762
01:27:41,720 --> 01:27:47,320
Speaker 1: young Young Blue got a record with Drake. But I

1763
01:27:47,360 --> 01:27:49,800
Speaker 1: bet you people don't know that Young Blue. Yeah, I

1764
01:27:49,880 --> 01:27:52,960
Speaker 1: think they do. I mean, he's pretty popular amongst a

1765
01:27:53,040 --> 01:27:56,320
Speaker 1: certain demo, the casual person actually, and check out his

1766
01:27:56,439 --> 01:27:59,320
Speaker 1: latest episode of lip service. He's been on lip service also,

1767
01:27:59,520 --> 01:28:01,080
Speaker 1: just I mean, I think a couple of weeks ago,

1768
01:28:01,200 --> 01:28:05,160
Speaker 1: shout out to Young Blue. All right now, Erica Banks,

1769
01:28:05,200 --> 01:28:09,559
Speaker 1: her Busted remix features Travis Scott, so that's pretty amazing

1770
01:28:09,600 --> 01:28:14,800
Speaker 1: for her. Here is a preview of that bucket. Locke

1771
01:28:14,840 --> 01:28:18,080
Speaker 1: it drop it. We're going. I'm like to stock it

1772
01:28:18,280 --> 01:28:23,439
Speaker 1: outside it inside the level with chocolate throwing watching cake

1773
01:28:23,520 --> 01:28:26,799
Speaker 1: it profit biscuit and big get my bus side of pocket.

1774
01:28:27,000 --> 01:28:29,000
Speaker 1: She keep it up without my bus on a locket.

1775
01:28:33,000 --> 01:28:35,000
Speaker 1: What did you come in with? Gaily? Your phone at

1776
01:28:35,040 --> 01:28:40,320
Speaker 1: the hotel? She know my body? She don't even think intel. Okay,

1777
01:28:40,400 --> 01:28:44,840
Speaker 1: I like it. I like it. I know I do.

1778
01:28:45,040 --> 01:28:49,400
Speaker 1: I like it. I don't hear Travis Scott or bust. Sorry,

1779
01:28:49,520 --> 01:28:51,920
Speaker 1: I thought it sounded good. All right now fifty cent.

1780
01:28:52,040 --> 01:28:55,000
Speaker 1: According to reports after that Super Bowl party that he

1781
01:28:55,080 --> 01:28:58,080
Speaker 1: had the venue where he had it lost its lease. So,

1782
01:28:58,200 --> 01:29:01,240
Speaker 1: according to Tampa Bay Time, sky Attic Aviation has just

1783
01:29:01,439 --> 01:29:04,280
Speaker 1: six months to pack up and leave. It's a three

1784
01:29:04,320 --> 01:29:08,760
Speaker 1: thousand square foot hanger in office space day I wonder

1785
01:29:08,760 --> 01:29:12,680
Speaker 1: if that's directly because of him or it just was timing, Like,

1786
01:29:12,800 --> 01:29:15,320
Speaker 1: I don't know if they did that just because of

1787
01:29:15,680 --> 01:29:19,640
Speaker 1: him having that party there, or if it's because they

1788
01:29:19,680 --> 01:29:21,960
Speaker 1: were already going to do that. I don't know timing honestly.

1789
01:29:23,040 --> 01:29:25,599
Speaker 1: All Right. Now, doctor Dre and April Jones, who were

1790
01:29:25,680 --> 01:29:28,479
Speaker 1: spotted together and now people are saying that they are dating.

1791
01:29:29,120 --> 01:29:32,880
Speaker 1: Doctor Dre was spotted entering Boa Steakhouse in La Wednesday night,

1792
01:29:32,960 --> 01:29:36,080
Speaker 1: and the woman that he's with is April Jones. You

1793
01:29:36,160 --> 01:29:38,639
Speaker 1: know April as the mother of a Marian's children. She's

1794
01:29:38,680 --> 01:29:40,880
Speaker 1: been on Love and hip hop. She also is a

1795
01:29:41,000 --> 01:29:45,080
Speaker 1: singer and songwriter. So I don't know what it means,

1796
01:29:45,160 --> 01:29:48,040
Speaker 1: but people think that it does mean that they're having

1797
01:29:48,080 --> 01:29:52,680
Speaker 1: a little date night during this time period. That's not

1798
01:29:52,760 --> 01:29:56,320
Speaker 1: a bad one for her, all right. And halle Berry

1799
01:29:56,520 --> 01:30:01,280
Speaker 1: posted on Instagram women don't owe you ish and that's on.

1800
01:30:01,479 --> 01:30:04,320
Speaker 1: Mary had a little lamb Now. She also talked about

1801
01:30:04,640 --> 01:30:06,439
Speaker 1: paying child support. She said, I've been paying it for

1802
01:30:06,520 --> 01:30:08,439
Speaker 1: a decade now. I feel if a woman or a

1803
01:30:08,479 --> 01:30:10,160
Speaker 1: man is having to pay support, that is way more

1804
01:30:10,200 --> 01:30:12,360
Speaker 1: than the reasonable needs to help support the child. I

1805
01:30:12,520 --> 01:30:15,479
Speaker 1: think that is wrong. She also clarified that while some

1806
01:30:15,600 --> 01:30:18,320
Speaker 1: parents may need help, she feels that in these modern times,

1807
01:30:18,400 --> 01:30:20,960
Speaker 1: both men and women have the responsibility to financially take

1808
01:30:21,000 --> 01:30:22,639
Speaker 1: care of their children and work hard and make every

1809
01:30:22,680 --> 01:30:25,680
Speaker 1: effort to do so. She blasted up parents who used

1810
01:30:25,760 --> 01:30:27,640
Speaker 1: children in order to be awarded money to live a

1811
01:30:27,680 --> 01:30:30,040
Speaker 1: lifestyle that not only did they not earn, but that

1812
01:30:30,200 --> 01:30:32,519
Speaker 1: is way above and beyond the child's reasonable needs. And

1813
01:30:32,560 --> 01:30:36,040
Speaker 1: there's so many baby daddies out there saying, preach, Holly, preach,

1814
01:30:36,720 --> 01:30:41,559
Speaker 1: now you know how we finally feel. Yes, absolutely everything

1815
01:30:41,640 --> 01:30:47,040
Speaker 1: she said is one hundred percent correct. And she pays

1816
01:30:47,120 --> 01:30:50,280
Speaker 1: sixteen thousand a month in child support right now, come on, man,

1817
01:30:50,800 --> 01:30:54,040
Speaker 1: come on, she said, it's extortion. Do you listen. You

1818
01:30:54,120 --> 01:30:56,000
Speaker 1: know how many baby daddy's been feeling like that forever,

1819
01:30:56,640 --> 01:30:58,479
Speaker 1: Not to mention baby daddy's getting locked up when they

1820
01:30:58,520 --> 01:31:01,519
Speaker 1: get behind on their child support, Like come on, Yes,

1821
01:31:01,760 --> 01:31:04,559
Speaker 1: she's absolutely right, but also remember it goes both ways.

1822
01:31:06,400 --> 01:31:08,720
Speaker 1: All right, Well that is your rumor report. All right,

1823
01:31:08,880 --> 01:31:11,320
Speaker 1: thank you, Miss Eye Nash out to revote. We'll see

1824
01:31:11,320 --> 01:31:13,519
Speaker 1: you all on Monday. Everybody else, we're gonna get to

1825
01:31:13,560 --> 01:31:14,880
Speaker 1: the mix. Before we get to the mix, we playing

1826
01:31:14,880 --> 01:31:16,360
Speaker 1: the song nough. We ain't playing this out now, we'll

1827
01:31:16,400 --> 01:31:21,640
Speaker 1: play before the document place. Okay, m goggle something we

1828
01:31:21,720 --> 01:31:23,519
Speaker 1: can to goggle? Man? What's wrong with you? Man? I

1829
01:31:23,640 --> 01:31:25,080
Speaker 1: just told you need to google you so you got

1830
01:31:25,080 --> 01:31:26,720
Speaker 1: a little cold or something? Just making sure you got

1831
01:31:26,800 --> 01:31:30,400
Speaker 1: two masks on. You're making us nervous. Who guys are

1832
01:31:30,479 --> 01:31:32,280
Speaker 1: kinky this morning? Yes? And I also want to give

1833
01:31:32,280 --> 01:31:34,760
Speaker 1: a shout out to doctor Darius and to Bushman and

1834
01:31:34,840 --> 01:31:37,800
Speaker 1: Detroit on JLB. They've been helping me out a lot

1835
01:31:37,880 --> 01:31:40,840
Speaker 1: with my store private label and Detroit that open private

1836
01:31:40,920 --> 01:31:43,880
Speaker 1: label extensions on eight Miles and de Quinder they've actually

1837
01:31:43,920 --> 01:31:47,360
Speaker 1: been doing these giveaways with gift cards for women before

1838
01:31:47,479 --> 01:31:49,760
Speaker 1: Valentine's Day to go ahead and get some hair. So

1839
01:31:49,840 --> 01:31:51,720
Speaker 1: today's the last day for that, so make sure y'all

1840
01:31:51,760 --> 01:31:53,439
Speaker 1: tune in for that. But thank y'all so much. You

1841
01:31:53,520 --> 01:31:56,759
Speaker 1: guys have been really helpful, so I appreciate you. Wanning.

1842
01:31:56,800 --> 01:32:00,200
Speaker 1: Everybody is Stee j Envy and Jula yee all. I

1843
01:32:00,240 --> 01:32:02,679
Speaker 1: mean the guy we are the Breakfast Club. That's Black

1844
01:32:02,760 --> 01:32:05,160
Speaker 1: History Month. Charlemagne who we reppen today, Well listen, we

1845
01:32:05,240 --> 01:32:07,720
Speaker 1: know today Judas and the Black Messiah is out on

1846
01:32:08,000 --> 01:32:11,880
Speaker 1: HBO Max. It is the story of the assassination of

1847
01:32:12,040 --> 01:32:14,280
Speaker 1: Fred Hampton. And you know, one of our producers tailor

1848
01:32:14,320 --> 01:32:16,320
Speaker 1: tellors like twenty something. She said to me, I'm mad

1849
01:32:16,360 --> 01:32:19,080
Speaker 1: they didn't teach us about this in school. Well, that's

1850
01:32:19,160 --> 01:32:22,120
Speaker 1: why we all have to educate ourselves outside of these

1851
01:32:22,160 --> 01:32:24,160
Speaker 1: white folk schools. Okay, well, I'm about to play for you.

1852
01:32:24,439 --> 01:32:27,000
Speaker 1: Is a quick two minute history lesson on Fred Hampton.

1853
01:32:27,120 --> 01:32:31,040
Speaker 1: Less listen. The Breakfast Club presents a new Black History

1854
01:32:31,120 --> 01:32:34,720
Speaker 1: Month legend. I am people, I'm not the pig. You

1855
01:32:34,840 --> 01:32:37,479
Speaker 1: got to make a descision and the people are going

1856
01:32:37,600 --> 01:32:39,559
Speaker 1: to have to attack the pig. The people are going

1857
01:32:39,640 --> 01:32:42,280
Speaker 1: to have to stand up aginst the Hampton graduated high

1858
01:32:42,320 --> 01:32:45,360
Speaker 1: school in nineteen sixty six with honors, then went on

1859
01:32:45,479 --> 01:32:47,679
Speaker 1: to pursue of law degree. He dropped out and became

1860
01:32:47,720 --> 01:32:49,880
Speaker 1: a member at the Black Panther Party in Chicago. He

1861
01:32:49,960 --> 01:32:53,320
Speaker 1: and other Panthers follow police, watching out for police brutality

1862
01:32:53,360 --> 01:32:55,879
Speaker 1: and using his knowledge as the laws of means of presents,

1863
01:32:56,360 --> 01:32:59,519
Speaker 1: quickly becoming leader of the Chicago Black Panther Chapter. Young

1864
01:32:59,600 --> 01:33:03,519
Speaker 1: Hampton make many significant achievements, such as negotiating a peace

1865
01:33:03,600 --> 01:33:07,280
Speaker 1: treaty between some of Chicago's most powerful street games. While

1866
01:33:07,320 --> 01:33:10,040
Speaker 1: Hampton's intelligence and dominance made him a leader in the

1867
01:33:10,120 --> 01:33:12,479
Speaker 1: eyes of many, it also made him a threat to

1868
01:33:12,520 --> 01:33:14,720
Speaker 1: the FBI. And while they want to get really need

1869
01:33:14,760 --> 01:33:17,679
Speaker 1: to call I'm saying something that wins the Mother's funny

1870
01:33:17,720 --> 01:33:20,000
Speaker 1: people as some other friends people and about these people

1871
01:33:20,040 --> 01:33:23,400
Speaker 1: ever get together, these things spun less, we'll be running

1872
01:33:23,400 --> 01:33:24,760
Speaker 1: into the league. That's why they want to get rid

1873
01:33:24,760 --> 01:33:27,280
Speaker 1: of it. He was later assassinated and a police raid

1874
01:33:27,400 --> 01:33:30,400
Speaker 1: led by the FBI. He was only twenty one years old,

1875
01:33:31,040 --> 01:33:34,120
Speaker 1: and that was another New Black History Month legend courtesy

1876
01:33:34,200 --> 01:33:37,519
Speaker 1: of the Breakfast Class. Right, make sure you watch Judas

1877
01:33:37,520 --> 01:33:40,640
Speaker 1: in the Black Messiah, you know this weekend on HBO Max. Man,

1878
01:33:40,720 --> 01:33:43,400
Speaker 1: it's it's absolutely positively worn't fit if you don't have

1879
01:33:43,560 --> 01:33:46,599
Speaker 1: HBO Max downloaded watching the movie, canceled it. But I'm

1880
01:33:46,640 --> 01:33:48,760
Speaker 1: telling you it's a phenomenal film, all right. Well, and

1881
01:33:48,760 --> 01:33:50,720
Speaker 1: a lot of people do have HBO Max and don't

1882
01:33:50,800 --> 01:33:52,840
Speaker 1: know it. So if you do, if you are subscribed

1883
01:33:52,840 --> 01:33:55,519
Speaker 1: to the HBO package, you already have it. You just

1884
01:33:55,600 --> 01:33:57,760
Speaker 1: have to log into it, all right. I shout out

1885
01:33:57,800 --> 01:34:00,679
Speaker 1: to everybody that is trying to get a record deal?

1886
01:34:00,800 --> 01:34:03,519
Speaker 1: How do I get on? Today is the last day

1887
01:34:03,600 --> 01:34:05,240
Speaker 1: to get your record deal. If you want to get

1888
01:34:05,280 --> 01:34:06,800
Speaker 1: a record deal, you might have a chance to get

1889
01:34:06,840 --> 01:34:10,120
Speaker 1: signed with Spart Distribution. Be mentored by me and Angela Yee.

1890
01:34:10,560 --> 01:34:12,639
Speaker 1: All you gotta do is go to our heart radio

1891
01:34:12,680 --> 01:34:15,320
Speaker 1: dot com slash How can I get on? And good

1892
01:34:15,400 --> 01:34:16,960
Speaker 1: luck to all the rappers and R and B singers

1893
01:34:17,000 --> 01:34:19,680
Speaker 1: out there. Also shout out to everybody that's going to

1894
01:34:19,920 --> 01:34:23,200
Speaker 1: my seminars in two weeks in Atlanta. We're gonna be

1895
01:34:23,280 --> 01:34:26,880
Speaker 1: teaching people about how to get into I don't want

1896
01:34:26,880 --> 01:34:28,600
Speaker 1: to say in the real estate game, but yeah, to

1897
01:34:28,720 --> 01:34:31,479
Speaker 1: get in a real estate game. But I'm not being

1898
01:34:31,479 --> 01:34:33,920
Speaker 1: in Atlanta in two weeks too, I should come to

1899
01:34:34,000 --> 01:34:35,160
Speaker 1: the seminar. I don't know if I'll come for the

1900
01:34:35,240 --> 01:34:38,200
Speaker 1: whole thing, but yeah, come on in. Yeah, it's only

1901
01:34:38,240 --> 01:34:41,439
Speaker 1: thirty percent capacity, so we have it's gonna be safe.

1902
01:34:41,680 --> 01:34:44,360
Speaker 1: People have to wear masks, and we're gonna teach people

1903
01:34:44,360 --> 01:34:47,439
Speaker 1: how to get into industry, whether it's buying their first

1904
01:34:47,479 --> 01:34:50,080
Speaker 1: home or buying an investment property. I speak to people

1905
01:34:50,120 --> 01:34:52,240
Speaker 1: all the time and they want more knowledge. So we're

1906
01:34:52,240 --> 01:34:54,040
Speaker 1: gonna be in Atlanta in two weeks. For more information,

1907
01:34:54,160 --> 01:34:56,519
Speaker 1: just click the link in my bio. Now, Charlemagne, you

1908
01:34:56,520 --> 01:34:59,160
Speaker 1: got a positive note, yes man. My positive note of

1909
01:34:59,280 --> 01:35:02,880
Speaker 1: the day is coming from Fred Hampton himself. Fred Hampton said,

1910
01:35:03,360 --> 01:35:05,840
Speaker 1: and I quote, if you walk through life and don't

1911
01:35:05,880 --> 01:35:09,840
Speaker 1: help anybody, you haven't had much of a life. Breakfast clubs, y'all,

1912
01:35:09,880 --> 01:35:10,840
Speaker 1: finish it, y'all done.