1 00:00:00,960 --> 00:00:02,640 Speaker 1: Welcome to the Tutor Dixon Podcast. 2 00:00:02,680 --> 00:00:04,920 Speaker 2: We decided that we were going to bring Jamie Lee 3 00:00:05,000 --> 00:00:05,680 Speaker 2: Lardner back. 4 00:00:05,760 --> 00:00:07,600 Speaker 1: She's going to talk to us about. 5 00:00:07,280 --> 00:00:10,360 Speaker 2: All things Hollywood because sometimes you just need a break 6 00:00:10,360 --> 00:00:12,320 Speaker 2: and you want to kind of gossip a little. 7 00:00:12,119 --> 00:00:14,120 Speaker 1: Right, Jamie, just a little. 8 00:00:15,440 --> 00:00:18,720 Speaker 2: So we had talked about Blake Lively the last time 9 00:00:19,040 --> 00:00:21,960 Speaker 2: I wanted to ask you, because this whole story about 10 00:00:22,000 --> 00:00:25,840 Speaker 2: Taylor Swift getting pulled into this situation came out, but 11 00:00:25,880 --> 00:00:28,960 Speaker 2: then that kind of died off. We didn't really hear 12 00:00:29,040 --> 00:00:32,000 Speaker 2: much about it, and then recently Ryan Reynolds made a comment, 13 00:00:32,080 --> 00:00:34,199 Speaker 2: but where did Taylor Swift go? 14 00:00:35,240 --> 00:00:38,840 Speaker 3: Okay, So, as we remember, Taylor really just came off 15 00:00:38,880 --> 00:00:42,520 Speaker 3: the Era's tour and that was an epically long tour. 16 00:00:43,000 --> 00:00:46,280 Speaker 4: So honestly, she's just recouping. And as far as. 17 00:00:46,159 --> 00:00:48,960 Speaker 3: The Blake Lively of it all, she's been in the 18 00:00:49,000 --> 00:00:51,760 Speaker 3: mix and muddying the water pretty much the whole time, 19 00:00:51,840 --> 00:00:54,760 Speaker 3: depending on which side finds her useful in a given moment. 20 00:00:54,880 --> 00:00:57,160 Speaker 4: But it starts to feel like she's being used for 21 00:00:57,160 --> 00:00:57,720 Speaker 4: a headline. 22 00:00:58,600 --> 00:01:02,000 Speaker 2: M yes, yes, So what is the full story now 23 00:01:02,040 --> 00:01:03,520 Speaker 2: on the Blake Lively debacle? 24 00:01:04,160 --> 00:01:08,080 Speaker 3: So the latest is basically, speaking of Taylor Swift, it 25 00:01:08,480 --> 00:01:11,000 Speaker 3: sounds like her messages are going to be admissible. 26 00:01:11,560 --> 00:01:12,800 Speaker 4: And what Blake had. 27 00:01:12,720 --> 00:01:16,880 Speaker 3: Been trying to argue was attorney's eyes only, and Baldoni 28 00:01:16,959 --> 00:01:19,720 Speaker 3: got a win and when they said all communications between 29 00:01:19,760 --> 00:01:23,240 Speaker 3: Swift and Lively are to be submitted, So. 30 00:01:23,319 --> 00:01:25,320 Speaker 4: It was a win for Baldoni on that one. 31 00:01:26,120 --> 00:01:27,319 Speaker 1: So she's suing him. 32 00:01:27,360 --> 00:01:30,440 Speaker 2: I thought he had a suit against her, and then 33 00:01:30,480 --> 00:01:33,520 Speaker 2: that was dropped. So where does that all the legal 34 00:01:33,560 --> 00:01:35,520 Speaker 2: battle stand between the two of them. And this is 35 00:01:35,640 --> 00:01:41,600 Speaker 2: about that movie. It ends with us, and she was 36 00:01:41,680 --> 00:01:44,880 Speaker 2: accusing him of sexual harassment, and then he was accusing 37 00:01:44,959 --> 00:01:45,759 Speaker 2: her of defamation. 38 00:01:46,200 --> 00:01:48,280 Speaker 1: So give us a little update on where they stand. 39 00:01:48,880 --> 00:01:51,120 Speaker 3: So the New York Times won, and he was doing 40 00:01:51,160 --> 00:01:53,360 Speaker 3: the New York Times, so the New York Times was 41 00:01:53,760 --> 00:01:56,440 Speaker 3: able to prove that they did not defame him. But 42 00:01:56,520 --> 00:02:00,440 Speaker 3: now he's defending himself against her civil rights complaint and 43 00:02:00,720 --> 00:02:03,600 Speaker 3: the sexual harassment claims, so it's still messy. 44 00:02:04,280 --> 00:02:04,400 Speaker 2: Mm. 45 00:02:05,560 --> 00:02:06,760 Speaker 1: This is so not good. 46 00:02:07,800 --> 00:02:10,440 Speaker 2: So in the midst of this, now we're hearing people 47 00:02:10,520 --> 00:02:14,440 Speaker 2: saying the production has been down in LA and there's 48 00:02:14,680 --> 00:02:19,000 Speaker 2: obviously we're also watching a political issue in LA. And 49 00:02:19,040 --> 00:02:21,960 Speaker 2: I think because every time the cameras kind of turn 50 00:02:22,080 --> 00:02:26,040 Speaker 2: on Los Angeles for any type of political activity, there 51 00:02:26,480 --> 00:02:29,400 Speaker 2: seems to be a conversation about their biggest industry, which 52 00:02:29,440 --> 00:02:32,280 Speaker 2: is the movies, and there were seeing a lot of 53 00:02:32,320 --> 00:02:36,200 Speaker 2: what was happening in La moving out to Georgia and 54 00:02:36,240 --> 00:02:39,920 Speaker 2: other states. There's kind of a question as to what 55 00:02:40,000 --> 00:02:42,400 Speaker 2: happens next because the President has said he doesn't want 56 00:02:42,440 --> 00:02:45,440 Speaker 2: to see Hollywood making movies in other countries. He wants 57 00:02:45,520 --> 00:02:49,880 Speaker 2: movies made in the United States. However, people in Hollywood 58 00:02:49,919 --> 00:02:52,960 Speaker 2: are saying it's too expensive to stay in Hollywood because 59 00:02:53,760 --> 00:02:57,000 Speaker 2: it used to be easy to make movies there. Now 60 00:02:57,040 --> 00:02:58,679 Speaker 2: we're looking for other places. You would think that it 61 00:02:58,720 --> 00:03:00,960 Speaker 2: would be less expensive because of all the sets. 62 00:03:02,440 --> 00:03:05,480 Speaker 4: So there's a lot to unpack there. So I'll just 63 00:03:05,560 --> 00:03:06,919 Speaker 4: start with the sets first. 64 00:03:07,480 --> 00:03:11,480 Speaker 3: Yes, Hollywood is famous for its soundstages, and the business 65 00:03:11,520 --> 00:03:15,519 Speaker 3: of Hollywood is very much localized in Los Angeles. Your executives, 66 00:03:15,560 --> 00:03:19,600 Speaker 3: your producers, your talent agents, your lawyers. They're still pretty 67 00:03:19,639 --> 00:03:20,880 Speaker 3: local to Los Angeles. 68 00:03:21,120 --> 00:03:22,000 Speaker 4: But when you talk. 69 00:03:21,919 --> 00:03:26,200 Speaker 3: Production, a lot of scripts are location based. So yes, 70 00:03:26,240 --> 00:03:29,480 Speaker 3: in effect, Atlanta has great tax credits, so it's attractive 71 00:03:29,520 --> 00:03:30,280 Speaker 3: to shoot there. 72 00:03:30,720 --> 00:03:31,919 Speaker 4: That's really going to be your. 73 00:03:31,800 --> 00:03:35,800 Speaker 3: Television shows though, because television shows, if they're shooting on location, 74 00:03:36,360 --> 00:03:39,800 Speaker 3: need that consistent availability to location. When we move to 75 00:03:40,000 --> 00:03:43,920 Speaker 3: movie sets, Game of Thrones could only be shot in 76 00:03:44,040 --> 00:03:47,720 Speaker 3: Wales and Croatia. You're just not going to get those landscapes. 77 00:03:47,960 --> 00:03:51,520 Speaker 3: So give all the tax credits you want. The film's 78 00:03:51,560 --> 00:03:52,960 Speaker 3: going to be set where it's going to be set. 79 00:03:53,000 --> 00:03:55,360 Speaker 3: The story has to be told where it's told. So 80 00:03:55,520 --> 00:03:58,520 Speaker 3: I don't really see even free. 81 00:03:58,560 --> 00:04:02,000 Speaker 4: Tax incentives, right, no taxes at all. It's not going 82 00:04:02,080 --> 00:04:04,080 Speaker 4: to change. If the story's set in Beijing, we need 83 00:04:04,120 --> 00:04:05,280 Speaker 4: to shoot in Beijing. 84 00:04:05,520 --> 00:04:06,200 Speaker 1: Right, right. 85 00:04:06,840 --> 00:04:08,960 Speaker 2: Do you think that there is though a push that 86 00:04:09,240 --> 00:04:12,120 Speaker 2: for things that used to be typical Hollywood films? 87 00:04:12,120 --> 00:04:13,640 Speaker 1: Are they moving out of Hollywood? 88 00:04:16,680 --> 00:04:20,200 Speaker 3: Yes, But again people aren't shooting on sound stages anymore, 89 00:04:20,240 --> 00:04:23,600 Speaker 3: Like that old Hollywood model was really based on the 90 00:04:23,640 --> 00:04:26,800 Speaker 3: sound stage, and we just don't shoot on stages anymore. 91 00:04:26,880 --> 00:04:29,800 Speaker 4: These are all location, location, location. 92 00:04:30,800 --> 00:04:35,520 Speaker 2: Yeah, right, exactly. There was a real downturn though in movies. 93 00:04:35,600 --> 00:04:37,440 Speaker 2: I mean, I think that we saw this in twenty 94 00:04:37,600 --> 00:04:41,000 Speaker 2: twenty when everything closed and there's been a downturn. 95 00:04:41,080 --> 00:04:42,960 Speaker 1: It's more streaming. 96 00:04:42,480 --> 00:04:45,359 Speaker 2: And I've seen a lot of new like limited series 97 00:04:45,400 --> 00:04:47,640 Speaker 2: coming out on Netflix and things like that. I just 98 00:04:47,720 --> 00:04:51,200 Speaker 2: saw one called Sirens, and then everybody's like, you know, 99 00:04:51,240 --> 00:04:55,480 Speaker 2: will there be a sequel to this? And I'm just 100 00:04:55,560 --> 00:04:58,280 Speaker 2: kind of wondering, do you see that Hollywood is going 101 00:04:58,360 --> 00:05:01,279 Speaker 2: more at the streaming route and no longer into the theaters. 102 00:05:02,160 --> 00:05:05,640 Speaker 3: So Hollywood is in the business of data right, and 103 00:05:05,960 --> 00:05:10,919 Speaker 3: consumer behavior is leaning towards streaming. Me personally, I like 104 00:05:11,000 --> 00:05:14,799 Speaker 3: to stream versus going to a theater, so it makes 105 00:05:14,839 --> 00:05:17,280 Speaker 3: more sent from an economic model to cater to the 106 00:05:17,320 --> 00:05:21,120 Speaker 3: streaming audience, and then they get different budgets depending on 107 00:05:21,160 --> 00:05:24,880 Speaker 3: what streamer they're on, so that impacts their production value. 108 00:05:24,920 --> 00:05:28,479 Speaker 4: But people aren't going to movie theaters anymore. It's expensive. 109 00:05:29,200 --> 00:05:32,680 Speaker 4: You're with an outlier of a crowd, like you could 110 00:05:32,720 --> 00:05:34,960 Speaker 4: have a talker ruining the movie the whole time. 111 00:05:35,440 --> 00:05:37,839 Speaker 3: You want to hit the pause button and go get 112 00:05:37,839 --> 00:05:40,960 Speaker 3: your own snacks, not be behold into stale popcorn at 113 00:05:41,000 --> 00:05:44,560 Speaker 3: thirteen dollars a bucket. It makes more sense to cater 114 00:05:44,640 --> 00:05:47,560 Speaker 3: to the streaming market. And people are watching a lot 115 00:05:47,600 --> 00:05:50,240 Speaker 3: of content on their phones now, so short form content 116 00:05:50,400 --> 00:05:51,200 Speaker 3: is exploding. 117 00:05:51,920 --> 00:05:55,400 Speaker 2: Hmmm, So what's the buzz in Hollywood. Is there any 118 00:05:55,480 --> 00:05:57,400 Speaker 2: like true gossip going on these days? 119 00:05:58,160 --> 00:06:00,640 Speaker 4: I mean, there's always gossip. It's the skin of the week. 120 00:06:00,680 --> 00:06:03,120 Speaker 3: I would say right now though, people are really concerned 121 00:06:03,120 --> 00:06:06,760 Speaker 3: about Justin Bieber. He's when I've been talking to my 122 00:06:06,800 --> 00:06:08,680 Speaker 3: friends every and it's been like, you know, that poor guy, 123 00:06:08,800 --> 00:06:11,240 Speaker 3: he's got a lot going on. Yeah. 124 00:06:11,279 --> 00:06:14,680 Speaker 2: Because so that we'll just expand on that a little bit. 125 00:06:14,760 --> 00:06:17,839 Speaker 2: There was a social media message that went out that 126 00:06:17,960 --> 00:06:21,839 Speaker 2: he shared his actual text messages with someone else, and 127 00:06:21,920 --> 00:06:25,400 Speaker 2: I thought this was kind of it was kind of 128 00:06:25,400 --> 00:06:27,400 Speaker 2: like a look into some of the things that we've 129 00:06:27,440 --> 00:06:30,200 Speaker 2: been told about the Hollywood world. And I think there's 130 00:06:30,279 --> 00:06:33,800 Speaker 2: also been some question about the whole situation with P 131 00:06:34,000 --> 00:06:39,160 Speaker 2: Diddy and his life, and he has referenced. Bieber has 132 00:06:39,200 --> 00:06:43,000 Speaker 2: referenced multiple times that he's got anger issues because of 133 00:06:43,200 --> 00:06:45,000 Speaker 2: the way he was treated in the past. And so 134 00:06:45,240 --> 00:06:48,400 Speaker 2: if we kind of journey through Justin Bieber's life for 135 00:06:48,440 --> 00:06:51,760 Speaker 2: a minute, he was obviously a very young Hollywood star 136 00:06:52,240 --> 00:06:57,000 Speaker 2: he or music star. He became a music star overnight. 137 00:06:57,040 --> 00:06:59,240 Speaker 2: It seemed like at a very young age, a lot 138 00:06:59,279 --> 00:07:02,480 Speaker 2: of money coming in at him. But there's been speculation, well, 139 00:07:02,520 --> 00:07:04,560 Speaker 2: how did that happen And was he a part of 140 00:07:04,720 --> 00:07:09,720 Speaker 2: maybe these freakout parties that Diddy was having And he 141 00:07:09,960 --> 00:07:12,600 Speaker 2: has said no, he came out and said he wasn't 142 00:07:12,600 --> 00:07:14,720 Speaker 2: a part of it. But then he seems to be 143 00:07:14,800 --> 00:07:16,920 Speaker 2: spiraling he is. 144 00:07:17,160 --> 00:07:18,920 Speaker 1: It's I saw an article. 145 00:07:18,640 --> 00:07:21,200 Speaker 2: Today saying that people have known that his marriage was 146 00:07:21,240 --> 00:07:24,040 Speaker 2: over for a while. He went through a phase where 147 00:07:24,080 --> 00:07:27,000 Speaker 2: he became super religious and he was going to church 148 00:07:27,160 --> 00:07:30,280 Speaker 2: quite a bit, and during that time, I would say 149 00:07:30,320 --> 00:07:34,960 Speaker 2: that he seemed pretty healthy, and now he's stepped away 150 00:07:35,000 --> 00:07:38,280 Speaker 2: from that and he seems like he's he's very much 151 00:07:38,360 --> 00:07:39,600 Speaker 2: in an unhealthy situation. 152 00:07:39,760 --> 00:07:42,600 Speaker 1: So these text messages that he posted was. 153 00:07:43,560 --> 00:07:45,600 Speaker 2: A guy who or it seems like it was a 154 00:07:45,640 --> 00:07:47,960 Speaker 2: guy who said to him. I guess it was because 155 00:07:47,960 --> 00:07:50,280 Speaker 2: he said, I don't need another guy telling me that 156 00:07:50,360 --> 00:07:53,360 Speaker 2: I'm lashing out, because they said, you know you're lashing out. 157 00:07:53,360 --> 00:07:56,080 Speaker 2: You've got anger issues, and he kind of excused it as, yeah, 158 00:07:56,120 --> 00:07:57,160 Speaker 2: I have anger issues. 159 00:07:57,200 --> 00:07:59,280 Speaker 1: This is because of my past. There's nothing you can 160 00:07:59,320 --> 00:08:01,440 Speaker 1: do about it. What's your take on that or what's 161 00:08:01,520 --> 00:08:02,800 Speaker 1: kind of the buzz on the street there? 162 00:08:03,680 --> 00:08:05,480 Speaker 3: The bog on the street is actually a lot of 163 00:08:05,600 --> 00:08:09,640 Speaker 3: concern everyone I talk to is concerned. They don't want 164 00:08:09,640 --> 00:08:13,400 Speaker 3: to pull a Britney when they really were ruthless to 165 00:08:13,440 --> 00:08:16,760 Speaker 3: Britney Spears when she very clearly was having mental health issues. 166 00:08:16,840 --> 00:08:20,200 Speaker 3: So there's a lot more respect for what he's going through. 167 00:08:20,520 --> 00:08:23,960 Speaker 3: It is clear it's mental health related. As far as 168 00:08:23,960 --> 00:08:27,480 Speaker 3: the diddy of it all, people are speculating, But I 169 00:08:27,520 --> 00:08:30,400 Speaker 3: have a theory that it also has to relate to 170 00:08:30,720 --> 00:08:31,680 Speaker 3: new fatherhood. 171 00:08:32,040 --> 00:08:33,880 Speaker 4: When people become parents. 172 00:08:33,520 --> 00:08:35,679 Speaker 3: It kicks up a lot of dust for how their 173 00:08:35,760 --> 00:08:40,000 Speaker 3: childhood was. And I'm sure he's looking back going a 174 00:08:40,000 --> 00:08:42,600 Speaker 3: bunch of things shouldn't have happened to me, and it 175 00:08:42,679 --> 00:08:46,240 Speaker 3: might make him angry. So and it certainly doesn't excuse 176 00:08:46,320 --> 00:08:51,280 Speaker 3: his behavior, but it definitely explains his behavior. And I honestly, 177 00:08:52,280 --> 00:08:55,440 Speaker 3: people who are lost will sometimes try to find like 178 00:08:55,880 --> 00:08:58,280 Speaker 3: a beacon of hope. So he did kind of get 179 00:08:58,320 --> 00:09:00,120 Speaker 3: into it with that pastor. I think it was the 180 00:09:00,160 --> 00:09:03,400 Speaker 3: Hillsong Church who seem to have gotten him on the 181 00:09:03,480 --> 00:09:04,760 Speaker 3: right path for a minute. 182 00:09:05,360 --> 00:09:07,719 Speaker 4: But at the end of the day, you need counseling. 183 00:09:07,880 --> 00:09:11,800 Speaker 3: He needs a good counselor to navigate these issues because 184 00:09:11,800 --> 00:09:13,679 Speaker 3: they're going to come up at different times. 185 00:09:14,120 --> 00:09:15,400 Speaker 1: Yeah, and I think a lot of people. 186 00:09:15,760 --> 00:09:18,800 Speaker 2: I mean, it's such a hard situation because we've watched 187 00:09:18,840 --> 00:09:22,800 Speaker 2: him grow up, essentially, and we've watched some weird situations. 188 00:09:22,840 --> 00:09:25,160 Speaker 2: I mean, there's been people that have certainly shared the 189 00:09:25,160 --> 00:09:28,480 Speaker 2: clips of adults that treated him like an adult when 190 00:09:28,520 --> 00:09:31,520 Speaker 2: he wasn't an adult, and he's talked a little bit 191 00:09:31,520 --> 00:09:35,360 Speaker 2: about how that was uncomfortable. And I think that because 192 00:09:35,400 --> 00:09:37,720 Speaker 2: we're at this point where we've had some of this 193 00:09:37,840 --> 00:09:41,320 Speaker 2: information exposed about Hollywood, people are kind of looking to 194 00:09:41,480 --> 00:09:44,800 Speaker 2: him as well, well, you can expose it all, but 195 00:09:44,880 --> 00:09:47,680 Speaker 2: he's hurting, and I think that's hard for the public 196 00:09:47,800 --> 00:09:51,080 Speaker 2: to remember. And bringing up Brittany, I think it was 197 00:09:51,160 --> 00:09:55,480 Speaker 2: interesting because social media has taken over in such a 198 00:09:55,520 --> 00:09:58,120 Speaker 2: strange way, you know. I mean, I come from the 199 00:09:58,160 --> 00:10:01,960 Speaker 2: era of Whitney Houston, and I think Whitney Houston was 200 00:10:02,040 --> 00:10:06,160 Speaker 2: really struggling. Obviously she had a drug problem. We didn't 201 00:10:06,160 --> 00:10:08,679 Speaker 2: really see it though, you know, there wasn't a conversation 202 00:10:08,800 --> 00:10:10,959 Speaker 2: about it. There wasn't a lot of pressure on her. 203 00:10:11,440 --> 00:10:16,000 Speaker 2: And then you see that you have Britney Spears kind 204 00:10:16,040 --> 00:10:18,480 Speaker 2: of you're seeing I mean, like I said, we didn't 205 00:10:18,480 --> 00:10:21,240 Speaker 2: see what happened with Whitney Houston. But we were seeing 206 00:10:21,520 --> 00:10:25,160 Speaker 2: Britney spears. And still today we're seeing these strange videos 207 00:10:25,160 --> 00:10:28,640 Speaker 2: of her dancing and kind of melting down. But there 208 00:10:28,679 --> 00:10:31,360 Speaker 2: was this whole free Britney movement. Any're looking back on 209 00:10:31,400 --> 00:10:34,679 Speaker 2: the what did those people know about her life? 210 00:10:35,520 --> 00:10:37,320 Speaker 4: I'm firmly team free Brittany. 211 00:10:37,480 --> 00:10:42,319 Speaker 3: She's harmless as far as she needs a conservatorship. I mean, 212 00:10:42,360 --> 00:10:45,120 Speaker 3: I think Kanye West does way more harm That man 213 00:10:45,160 --> 00:10:47,320 Speaker 3: needs a conservatorship. So if he's out on the streets, 214 00:10:47,360 --> 00:10:52,240 Speaker 3: Britney should be. Brittany was a slave to our childhoods 215 00:10:52,720 --> 00:10:55,880 Speaker 3: and was the backbone of our childhoods. She was the 216 00:10:56,040 --> 00:10:59,480 Speaker 3: soundtrack to us growing up. Let her go do her 217 00:10:59,600 --> 00:11:02,840 Speaker 3: dancing videos. She earned it, That's how I feel she 218 00:11:02,920 --> 00:11:05,280 Speaker 3: earned it. She doesn't have to entertain us anymore. She 219 00:11:05,320 --> 00:11:08,200 Speaker 3: wants to spin around in circles doing her little wiggles. 220 00:11:09,080 --> 00:11:09,440 Speaker 4: Go on. 221 00:11:10,240 --> 00:11:13,040 Speaker 2: Makes the latest person that has been doing these weird videos. 222 00:11:13,080 --> 00:11:16,760 Speaker 2: I can't remember why am I blanking on Alyssa Milano. 223 00:11:16,960 --> 00:11:19,200 Speaker 1: She has been Have you seen this? 224 00:11:19,960 --> 00:11:22,440 Speaker 3: I saw one and I was like, oh, that's an 225 00:11:22,480 --> 00:11:23,679 Speaker 3: interesting choice. 226 00:11:24,240 --> 00:11:27,880 Speaker 1: Yeah, I don't know. I mean that was very weird. 227 00:11:27,640 --> 00:11:30,440 Speaker 2: And I think she is my age, and I don't 228 00:11:30,480 --> 00:11:33,080 Speaker 2: know if that is more of an attention thing, but 229 00:11:33,080 --> 00:11:35,640 Speaker 2: she was like really active. I think she was very 230 00:11:35,679 --> 00:11:38,880 Speaker 2: active on social media for a while, and then it 231 00:11:38,920 --> 00:11:41,240 Speaker 2: seems like after the election she kind of quieted down. 232 00:11:41,280 --> 00:11:44,000 Speaker 2: So I don't know, maybe this is her resurgence into 233 00:11:44,600 --> 00:11:47,400 Speaker 2: coming out and meeting fans where they are again. 234 00:11:48,440 --> 00:11:51,800 Speaker 3: You know, I never know, but I do have like 235 00:11:51,840 --> 00:11:56,400 Speaker 3: a perspective on people who grew up scripted and doing 236 00:11:56,440 --> 00:11:59,920 Speaker 3: scripted TV shows very often have a tough time tran 237 00:12:00,040 --> 00:12:03,840 Speaker 3: relating to the nonscripted world that is social media. She's 238 00:12:03,920 --> 00:12:06,000 Speaker 3: used to playing a character that's written on a page 239 00:12:06,000 --> 00:12:06,760 Speaker 3: and bringing. 240 00:12:06,480 --> 00:12:07,199 Speaker 4: That to life. 241 00:12:07,360 --> 00:12:10,360 Speaker 3: She's not used to making an audience love her because 242 00:12:10,360 --> 00:12:13,640 Speaker 3: of her quick wit. So it's it's just a different 243 00:12:13,720 --> 00:12:15,720 Speaker 3: skill set. I think that's why a lot of actors 244 00:12:15,760 --> 00:12:17,160 Speaker 3: don't translate to social media. 245 00:12:17,760 --> 00:12:19,040 Speaker 1: M that's interesting. 246 00:12:19,679 --> 00:12:23,480 Speaker 2: There's also in the I guess I would call it 247 00:12:23,600 --> 00:12:28,520 Speaker 2: kind of entertainment news. There's been some discussion that the 248 00:12:28,720 --> 00:12:31,400 Speaker 2: big network, I think what network is the view on 249 00:12:31,480 --> 00:12:35,680 Speaker 2: Sarah ABC ABC. So there's been some like behind the 250 00:12:35,720 --> 00:12:38,680 Speaker 2: scenes that ABC might be thinking that they're done with 251 00:12:38,800 --> 00:12:40,559 Speaker 2: the view or they're trying to push the view in 252 00:12:40,600 --> 00:12:41,320 Speaker 2: a different direction. 253 00:12:41,520 --> 00:12:43,200 Speaker 1: Have you heard any scuttle butt on that. 254 00:12:43,920 --> 00:12:46,880 Speaker 3: You know, they have this discussion every few years, and 255 00:12:47,080 --> 00:12:50,920 Speaker 3: the view likes to be relevant and so like they're 256 00:12:50,960 --> 00:12:52,880 Speaker 3: always out to be honest with you. They're always saying 257 00:12:52,920 --> 00:12:55,400 Speaker 3: that is this our last season? We need new faces 258 00:12:55,440 --> 00:12:57,720 Speaker 3: to refresh it. We need to bring in a younger demo. 259 00:12:57,880 --> 00:13:00,600 Speaker 3: Like you know, I would be surprised if it ended, 260 00:13:00,600 --> 00:13:02,319 Speaker 3: because it is an ensemble cast. 261 00:13:02,400 --> 00:13:05,240 Speaker 4: They can just put some new blood on. We'll see 262 00:13:05,280 --> 00:13:09,079 Speaker 4: Charlie Damelio on there before we know it. Who wants 263 00:13:09,120 --> 00:13:09,960 Speaker 4: use TikTok. 264 00:13:09,679 --> 00:13:15,040 Speaker 2: Star, Well, we'll see, We'll see what happens. I guess 265 00:13:15,080 --> 00:13:17,400 Speaker 2: that is the buzz on Hollywood. Is there anything else 266 00:13:17,440 --> 00:13:18,959 Speaker 2: that you want to hit on before we go? 267 00:13:20,559 --> 00:13:23,080 Speaker 4: The Karen Reid trial was super interesting. 268 00:13:23,280 --> 00:13:25,679 Speaker 1: Yeah, and I'm really what is your take on that? 269 00:13:25,840 --> 00:13:28,680 Speaker 2: Because people I saw people like harding it and loving 270 00:13:28,720 --> 00:13:30,280 Speaker 2: it and other people who were like. 271 00:13:30,320 --> 00:13:32,000 Speaker 1: Man, this woman just got away with something. 272 00:13:32,920 --> 00:13:33,280 Speaker 4: I know. 273 00:13:33,720 --> 00:13:36,280 Speaker 3: I think it depends on where you get your information, 274 00:13:36,600 --> 00:13:40,280 Speaker 3: because there's pro Karen Reid and anti Karen Reid narratives 275 00:13:40,360 --> 00:13:44,199 Speaker 3: and once you like a video, algorithms auto. 276 00:13:43,800 --> 00:13:46,040 Speaker 4: Feed you more content. 277 00:13:45,800 --> 00:13:48,040 Speaker 3: Like that, so you can get down an echo chamber 278 00:13:48,360 --> 00:13:49,040 Speaker 3: very quickly. 279 00:13:49,720 --> 00:13:52,000 Speaker 4: So depending on where you get your information, which is 280 00:13:52,000 --> 00:13:53,559 Speaker 4: why I like to scatter mine. 281 00:13:53,400 --> 00:13:57,200 Speaker 3: Through multiple sources. I think justice was served. I don't 282 00:13:57,200 --> 00:13:59,320 Speaker 3: think she did it. I think she did drive drunk, 283 00:13:59,400 --> 00:14:02,000 Speaker 3: which she admitted several times. I don't think she killed 284 00:14:02,000 --> 00:14:02,920 Speaker 3: the guy. I really don't. 285 00:14:03,640 --> 00:14:05,680 Speaker 2: So this is the woman who, just so people know, 286 00:14:05,800 --> 00:14:08,880 Speaker 2: this is the woman who was accused of killing her 287 00:14:09,080 --> 00:14:10,760 Speaker 2: boyfriend who was a police officer. 288 00:14:11,280 --> 00:14:12,559 Speaker 1: Then I saw something. 289 00:14:12,360 --> 00:14:14,120 Speaker 2: The other day where people were like, oh, this was 290 00:14:14,160 --> 00:14:16,320 Speaker 2: a cover up and it was buddies of his. But 291 00:14:16,559 --> 00:14:19,600 Speaker 2: I don't know the details there. But she was acquitted. 292 00:14:19,680 --> 00:14:21,440 Speaker 2: And this is the second trial, right. 293 00:14:21,920 --> 00:14:25,280 Speaker 3: Yeah, the first one they had not I guess a 294 00:14:25,360 --> 00:14:28,120 Speaker 3: hung jury or a mistrial. It was a mistrial and 295 00:14:28,160 --> 00:14:31,200 Speaker 3: so she had to go through it all over again. Interestingly, 296 00:14:31,240 --> 00:14:33,360 Speaker 3: one of the jurors joined her legal team. 297 00:14:34,520 --> 00:14:35,800 Speaker 1: Oh really Yeah. 298 00:14:35,840 --> 00:14:37,720 Speaker 4: I was like, I didn't even know that was possible. 299 00:14:37,760 --> 00:14:41,560 Speaker 1: But also, what is such a kind that's kind of 300 00:14:41,560 --> 00:14:42,239 Speaker 1: a shock. 301 00:14:42,800 --> 00:14:44,520 Speaker 3: Right, Like I didn't know that could be a thing. 302 00:14:44,560 --> 00:14:46,600 Speaker 3: And I was also like, if you're a juror, you 303 00:14:46,640 --> 00:14:49,560 Speaker 3: have access to so much information, you would be useful 304 00:14:49,600 --> 00:14:50,600 Speaker 3: on the defense. 305 00:14:50,800 --> 00:14:54,560 Speaker 1: Right, And you would think that you would think that that. 306 00:14:55,520 --> 00:14:57,560 Speaker 2: I mean, I guess if you're a jury, you would 307 00:14:57,600 --> 00:14:59,320 Speaker 2: think that you would not have become a juror if 308 00:14:59,360 --> 00:15:01,840 Speaker 2: you had some sort of a legal background. 309 00:15:01,880 --> 00:15:05,120 Speaker 1: But you never know. I guess that's odd. 310 00:15:05,120 --> 00:15:07,800 Speaker 3: It is not for interest enough to know like the 311 00:15:07,800 --> 00:15:10,280 Speaker 3: ins and outs of how that could be. It's it 312 00:15:10,440 --> 00:15:12,840 Speaker 3: made me kind of give us like a side eye. 313 00:15:12,920 --> 00:15:15,640 Speaker 3: I was like, that's allowed. At the same time, you 314 00:15:15,720 --> 00:15:17,280 Speaker 3: do want intelligent. 315 00:15:16,800 --> 00:15:20,240 Speaker 4: Jurors, So yeah, I guess that is what it is. 316 00:15:20,280 --> 00:15:21,560 Speaker 4: But I thought that was so interesting. 317 00:15:22,080 --> 00:15:23,160 Speaker 1: That is so interesting. 318 00:15:23,400 --> 00:15:25,640 Speaker 2: Well, thank you so much, thanks for coming on today, 319 00:15:25,720 --> 00:15:29,400 Speaker 2: Jamie Lee Lardner. I appreciate having you. Thanks Tutor, and 320 00:15:29,480 --> 00:15:32,000 Speaker 2: thank you all for joining us on the Tutor Dixon Podcast. 321 00:15:32,040 --> 00:15:35,280 Speaker 2: For this episode and others, go to Tutor dixonpodcast dot com. 322 00:15:35,320 --> 00:15:38,840 Speaker 2: You can subscribe right there or the iHeartRadio app, Apple Podcasts, 323 00:15:38,960 --> 00:15:41,240 Speaker 2: or wherever you get your podcasts, and you can watch 324 00:15:41,240 --> 00:15:43,480 Speaker 2: it on Rumble or YouTube at Tutor Dixon. 325 00:15:43,640 --> 00:15:49,320 Speaker 1: Join us next time. Have a blessed day.