WEBVTT - Part Two: Josephine Baker: The Actor and Spy Who Mighta Saved the World

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<v Speaker 1>Hello, and welcome to Coop People who did Coop Stuff,

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<v Speaker 1>because we've had a coup in which Robert Evans has

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<v Speaker 1>stopped pretending to be a different person than Sophie Lickterman.

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<v Speaker 2>That's right. I'm just the best voice actor there's ever been.

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<v Speaker 1>That's that's right, and that's why you have those immaculate

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<v Speaker 1>accents that you totally do on your show and not mine.

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<v Speaker 1>I'm your host, Margaret Kilsroy, and each week we talk

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<v Speaker 1>about cool people who did cool stuff, which has never

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<v Speaker 1>been the name of the podcast. So this week we're

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<v Speaker 1>talking with Lori Penny. Hi, Laurie, how are you?

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<v Speaker 3>I'm all right, how are you?

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<v Speaker 1>I'm doing good on this day that is totally a

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<v Speaker 1>different day than the previous day that we recorded.

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<v Speaker 4>It's also a different day. It's also a different day

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<v Speaker 4>from me than it is for you. That's true. It's

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<v Speaker 4>just going with here in London.

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<v Speaker 1>Yeah, we wanted to record in two different days, so yeah. Well,

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<v Speaker 1>and of course our producer is Sophie Lichterman. Sophie, how

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<v Speaker 1>are you doing? Sophie. Laurie knows that I'm famously accent blind,

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<v Speaker 1>but even I can tell a perfect Boston accent.

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<v Speaker 2>Classic Boston Sophie because she loves the Celtics so much.

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<v Speaker 1>Yeah, totally. Ian is our audio engineer. Hi Ian, You'll

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<v Speaker 1>have to say hi to Ian too him. Our theme

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<v Speaker 1>music was written for Spyon Woman. So this week won't

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<v Speaker 1>make any sense, Well, today won't make any sense unless

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<v Speaker 1>you go back and listen to part one. Where you

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<v Speaker 1>should go back to listen to part one talk about

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<v Speaker 1>Josephine Baker and where she comes from, which is mostly

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<v Speaker 1>a series of not nice things that happened, followed by

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<v Speaker 1>her doing really amazing shit and making it friends as a.

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<v Speaker 3>Web of fascinating and brilliant lies. Love. I love the

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<v Speaker 3>idea of it.

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<v Speaker 4>Has this just amazing, amazing liar that's her talent in

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<v Speaker 4>so so many ways.

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<v Speaker 3>And then she just becomes a spy, which I don't

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<v Speaker 3>actually know much about, but I feel I'm about to.

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<v Speaker 1>Yeah no, and it's it's perfect. Everyone keeps thinking that

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<v Speaker 1>she wouldn't be a good spy because she's like an

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<v Speaker 1>actress person in the world. Right, there are some downsides,

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<v Speaker 1>but it works really well. So there's this intelligence agency

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<v Speaker 1>in France, or there used to be, and it's called

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<v Speaker 1>the Dooziem Bureau Bureau, god fucking whatever. It's called the Yeah,

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<v Speaker 1>thanks you, there we go, thank you, thank you. A

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<v Speaker 1>low yeah, as compared to the law, you can probably

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<v Speaker 1>actually pronounce all of this stuff. They're spies, and they

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<v Speaker 1>spy on stuff. They counter spy on other people's spies

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<v Speaker 1>of the French ci A. Essentially they or the French

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<v Speaker 1>M one six, m I six what's y'all's over and.

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<v Speaker 3>M I six or M I five that's what we

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<v Speaker 3>could The M one is is a road?

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<v Speaker 2>Yeah? Wait why five? And why is the most crowded

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<v Speaker 2>road I've ever seen?

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<v Speaker 3>Yes, I've never known why it's five and six?

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<v Speaker 2>Actually, yeah, are they different?

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<v Speaker 3>Yeah?

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<v Speaker 4>One is one is Home affairs, one is one is

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<v Speaker 4>the FBI. One is the CIA exactly.

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<v Speaker 2>A g r U F s B sort of sort

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<v Speaker 2>of dell, yeah.

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<v Speaker 1>Okay, okay, So the the those the m BR cut whatever,

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<v Speaker 1>they predate the CIA by a long fucking time, like,

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<v Speaker 1>you know, fifty.

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<v Speaker 2>Years at least.

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<v Speaker 5>All.

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<v Speaker 1>Yeah, However, it's also woefully underfunded.

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<v Speaker 2>Not the CIA. They can have no fund fine CIA.

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<v Speaker 1>Yeah, And normally I would say I don't care for

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<v Speaker 1>countries for an intelligence. This is underfunded. There's this problem

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<v Speaker 1>with the Nazis, you know, and it will have impacts, right, yeah,

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<v Speaker 1>So one of the ways that they start financing their shit,

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<v Speaker 1>or rather they start setting aside this slush fund where

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<v Speaker 1>they're basically like intercepting spies, German spies in France and

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<v Speaker 1>then continuing to pretend to be those spies in order

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<v Speaker 1>to keep getting payments from Germany. Because Germany's spy agency

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<v Speaker 1>is really well funded.

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<v Speaker 3>They're running faked spies in order to feel from the Nazis.

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<v Speaker 1>Yeah, basically, yeah, right. They're also relying primarily on volunteer

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<v Speaker 1>spies because they're broke as fuck. These volunteer spies are

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<v Speaker 1>called honorable correspondence and they are a sort of irregular

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<v Speaker 1>and they're probably not super trustworthy to be honest, although

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<v Speaker 1>actually they are rated as very trustworthy by the like

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<v Speaker 1>each of of French spies at this time has like

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<v Speaker 1>a rating of the information is like rated on a

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<v Speaker 1>like seed a scale.

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<v Speaker 3>Are you meant to be trustworthy if you're a spy?

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<v Speaker 3>I know, maybe I've misunderstood spying here, right. I may

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<v Speaker 3>not know much about about about lying, but I feel

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<v Speaker 3>like spies untrustworthy.

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<v Speaker 2>Yeah that's fair.

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<v Speaker 1>I honestly, sometimes spine seems like the most impossible thing

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<v Speaker 1>in the world because you're like, well, who's lying who's not?

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<v Speaker 1>I mean, I guess that's the whole thing, is trying

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<v Speaker 1>to figure out who's lying, he's not. There's a whole

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<v Speaker 1>things about it.

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<v Speaker 2>But I don't know.

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<v Speaker 1>It's much easier to just be like, I'm a partisan,

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<v Speaker 1>I shoot Nazis and then these people to do like

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<v Speaker 1>really complicated shit. You know, yes, communication, yeah, exactly, So

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<v Speaker 1>non violent communication with bullets.

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<v Speaker 3>Yeah, that's something different.

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<v Speaker 1>Oh, violent communication? Sorry, violent communication, all right. So they

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<v Speaker 1>recruit her the u z M Hero and it's a gamble.

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<v Speaker 1>They're like a lot of people like the guy who

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<v Speaker 1>wants to recruit her is like, I want to recruit

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<v Speaker 1>Jephine Baker And people are like, she's literally the most

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<v Speaker 1>photographed woman in the world. How can she be a spy?

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<v Speaker 3>Right?

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<v Speaker 1>But this is how it worked, and it worked because

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<v Speaker 1>of that. So this guy shows up at her house,

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<v Speaker 1>her big her chateau, and it's like, hey, do you

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<v Speaker 1>want to go be a spy for France? And she's

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<v Speaker 1>apparently she's like hanging out in boots in the garden,

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<v Speaker 1>like picking up snails in order to feed them to

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<v Speaker 1>her ducks. Oh yeah, it's like very like you know,

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<v Speaker 1>she has like two lives. You know, she's Josephine Baker

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<v Speaker 1>on stage and then she's like the lady who picks

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<v Speaker 1>up snails to go feed to the ducks, or.

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<v Speaker 3>Of secret dorkiness. Yeah, she just pulled her goat and

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<v Speaker 3>her pig and head cheet during her ducks.

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<v Speaker 1>Yeah, and her dog and her three different types of

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<v Speaker 1>monkeys and her mice, but we'll get to those.

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<v Speaker 4>She's so glad she got so many animals. At the

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<v Speaker 4>beginning of this story, she's like running away from home

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<v Speaker 4>because they weren't. It's like the same kind.

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<v Speaker 3>Of person right the way through. I love it.

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<v Speaker 6>Yeah.

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<v Speaker 1>So they show up and this guy shows up and

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<v Speaker 1>he's like, yeah, you want to go spy for France,

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<v Speaker 1>And she's like, well, I fucking hate Nazis and I

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<v Speaker 1>fucking love Paris, so let's go. Or more specifically, she

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<v Speaker 1>says things like the way she's quoted in all of

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<v Speaker 1>the various honorifics from France, as she says, dispose of

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<v Speaker 1>me as you will. You know, she's willing to die

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<v Speaker 1>to fuck up Nazis. She also makes it very clear

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<v Speaker 1>up front that she has no problem killing Nazis herself

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<v Speaker 1>with her bare hands as necessary.

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<v Speaker 4>This was this something that they suggested she should deal

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<v Speaker 4>Was she just like as an optional extra in case.

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<v Speaker 1>Has I think she just was like, I just want

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<v Speaker 1>to make it clear, like does this mean I get

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<v Speaker 1>to kill.

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<v Speaker 3>Some Yeah, it's like you can have a weapon.

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<v Speaker 2>It's like whatever, I don't care.

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<v Speaker 3>There's nothing wrong with you I can't fix with my hands.

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<v Speaker 1>Yeah, and her handler is a guy named Jacques Abtay.

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<v Speaker 1>They start fucking, I think pretty much immediately because those spies,

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<v Speaker 1>which makes the whole like dispose of me as you will,

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<v Speaker 1>like kind of a kind of you say, yeah, both

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<v Speaker 1>of them are married. Both of their marriages on the rocks.

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<v Speaker 1>Sugar Lion has been cheating on Josephine. Josephine also had

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<v Speaker 1>recently had a miscarriage that broke her heart and put

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<v Speaker 1>some distance between her and Lion. And then Abtay, his

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<v Speaker 1>like wife I think was an Actually I don't think

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<v Speaker 1>his marriage was on the rocks.

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<v Speaker 2>I think he was just being shitty.

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<v Speaker 3>Because his wife. His wife was not Josephine Baker.

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<v Speaker 1>That was the problem with this, yeah, exactly. And his

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<v Speaker 1>wife was like I think in England at this point

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<v Speaker 1>because the aforementioned the fall of France's imminent. One thing

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<v Speaker 1>I didn't realize is how everyone in France knew the

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<v Speaker 1>fall of France was eminent except the French government. The

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<v Speaker 1>French government was like, we have the line. I can't

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<v Speaker 1>remember the name of the line.

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<v Speaker 2>You imagine the line. Yeah, thank you.

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<v Speaker 1>They're like, we're going to hold this and it's totally

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<v Speaker 1>gonna work, and like all of France is like getting

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<v Speaker 1>ready for like, well, we're about to become German. Maybe

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<v Speaker 1>we should get out of here, and yeah, including not lions,

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<v Speaker 1>TH's lions whatever. Abdey's wife I believe is in England

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<v Speaker 1>at this stright. So they give her her first assignment.

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<v Speaker 1>They want to know if Mussolini is going to join Hitler,

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<v Speaker 1>if he's going to join the Axis forces. It's hard

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<v Speaker 1>to imagine in retrospect that anything else could have happened,

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<v Speaker 1>but it was actually an unknown at the time, and

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<v Speaker 1>considering Franco didn't write, there was not actually an assumption

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<v Speaker 1>that all of the Fascist countries would fight on the

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<v Speaker 1>same side. So she goes over to the Italian embassy.

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<v Speaker 1>They like her there, they trust her. After all, she

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<v Speaker 1>backed Mussolini's invasion of Ethiopia, right, yeah, And she gets

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<v Speaker 1>information out of a guy I think by nagging him.

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<v Speaker 1>Oh yeah, just like can do that ship. That's what

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<v Speaker 1>you gotta do, That's what you gotta do. Yeah, you

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<v Speaker 1>could do that ship. Your biceps a looking kind of

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<v Speaker 1>weak from you even like lift with your tries.

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<v Speaker 4>Yeah, I bet you, I bet, I bet You're not

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<v Speaker 4>going to join any any Nazi alliance.

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<v Speaker 3>You know that, But you couldn't. You just wouldn't be

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<v Speaker 3>that kind of person. Yeah.

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<v Speaker 1>Yeah, So she talks them into joinings. I mean yeah,

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<v Speaker 1>but yeah, and this guy like basically like whispers to

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<v Speaker 1>her like, oh no, we're totally going to join Hitler,

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<v Speaker 1>and so she goes and it's like, oh yeah, totally,

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<v Speaker 1>that's interesting. I am and nobody there's no reason I

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<v Speaker 1>would tell anyone that. And apparently at this point she's like, yeah, like.

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<v Speaker 2>Me a bit you can say to me, honey, And she.

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<v Speaker 1>Like is literally writing the notes on her like arm,

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<v Speaker 1>like she's in school, you know. Yeah, because when people

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<v Speaker 1>are like what the fuck you do it, she's like

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<v Speaker 1>not not the people she's spying on, but like later,

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<v Speaker 1>and that's for sure when people are like how do

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<v Speaker 1>you get away with that? She's like, I'm Josephine Baker, Like,

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<v Speaker 1>no one's gonna second guess me.

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<v Speaker 2>So it works, she's yeah.

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<v Speaker 1>And so she's the one who breaks the news to

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<v Speaker 1>the Allies that Mussolini is going to join the Axis

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<v Speaker 1>Powers and this is really fucking bad news, but it's

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<v Speaker 1>also really important news for the Allies to have. And

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<v Speaker 1>next up, they're like, all right, what about Japan. What's

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<v Speaker 1>Japan going to do? Because Japan at the time is like,

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<v Speaker 1>what joining Axis? We would we would never do that.

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<v Speaker 1>It's like not our thing. This is shortly after Stalin

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<v Speaker 1>had made a deal with Hitler because we cannot go

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<v Speaker 1>an episode without bringing up the Malota ribbon. Trump packed

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<v Speaker 1>It's in that contract with cool Zone Media.

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<v Speaker 2>Yeah, that's one of my favorite pacts.

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<v Speaker 1>Yeah, top five past easy, easy. And the Allies are

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<v Speaker 1>basically like, all right, well, Germany, Italy and Russia are

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<v Speaker 1>all on one side. We're kind of in trouble here, right,

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<v Speaker 1>If Japan joins, we're kind of just entirely fucked right.

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<v Speaker 2>Yeah, they never do that.

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<v Speaker 1>No, they would never do what Yeah, which kind of

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<v Speaker 1>like I mean, looking at it, I'm like, if Germany

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<v Speaker 1>hadn't betrayed Russia by invading it with the Nazis have

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<v Speaker 1>won the war.

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<v Speaker 2>Americans. Yeah, I mean absolutely. I mean it's one of

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<v Speaker 2>those things. Also, if they had just like stopped, like

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<v Speaker 2>not instituted the Battle of Britain, not invaded Russia, focused

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<v Speaker 2>on Northern Africa, Yeah, it's potentially like at least a

0:12:51.160 --> 0:12:53.960
<v Speaker 2>situation where they can hold on to European dominance and

0:12:54.000 --> 0:12:57.880
<v Speaker 2>probably a big chunk of the Mediterranean too. Yeah.

0:12:58.120 --> 0:13:00.800
<v Speaker 4>Yeah, but it was all because you know, the people

0:13:00.800 --> 0:13:03.600
<v Speaker 4>who one were strong and brilliant and clever are not

0:13:03.760 --> 0:13:06.479
<v Speaker 4>at all because Nazis made mistakes.

0:13:06.840 --> 0:13:09.800
<v Speaker 2>Yeah, right, you know, it's complicated, but Nazis made a

0:13:09.840 --> 0:13:10.640
<v Speaker 2>lot of mistakes.

0:13:11.880 --> 0:13:12.400
<v Speaker 3>Yeah.

0:13:13.120 --> 0:13:15.000
<v Speaker 2>Yeah, we're in a pretty good position after the fall

0:13:15.040 --> 0:13:16.720
<v Speaker 2>of France. It would have been really hard to dislodge

0:13:16.760 --> 0:13:18.559
<v Speaker 2>them if they hadn't have done a bunch of really

0:13:18.600 --> 0:13:19.200
<v Speaker 2>stupid shit.

0:13:20.200 --> 0:13:21.760
<v Speaker 1>Yeah.

0:13:21.840 --> 0:13:22.080
<v Speaker 2>Yeah.

0:13:22.080 --> 0:13:24.880
<v Speaker 1>There's like parts in this that are like, as I'm

0:13:24.880 --> 0:13:29.199
<v Speaker 1>reading about it all I'm like, oh, this.

0:13:27.679 --> 0:13:29.920
<v Speaker 2>This was closer than I thought.

0:13:30.000 --> 0:13:31.320
<v Speaker 1>I mean this obviously you look at some of it

0:13:31.320 --> 0:13:32.800
<v Speaker 1>and you're like, oh god, this is close, right, I

0:13:32.840 --> 0:13:34.600
<v Speaker 1>don't know whatever. There's just moments where it's.

0:13:34.480 --> 0:13:40.280
<v Speaker 6>Like like there's you know, there had been prior to

0:13:40.320 --> 0:13:41.800
<v Speaker 6>the Nazi invasion.

0:13:41.840 --> 0:13:44.000
<v Speaker 2>Like one of the reasons why Stalin has a series

0:13:44.040 --> 0:13:47.440
<v Speaker 2>of panic attacks is that, like the Germans, even before

0:13:47.480 --> 0:13:49.760
<v Speaker 2>the Nazis took over in the Weimar years, had a

0:13:49.800 --> 0:13:54.320
<v Speaker 2>pretty long history post war of collaborating and training with

0:13:54.440 --> 0:13:58.839
<v Speaker 2>the Red Army that's who. Like, as the German military

0:13:59.000 --> 0:14:01.800
<v Speaker 2>was re arming after World War One because they're a

0:14:01.840 --> 0:14:05.439
<v Speaker 2>paria nation, because the Soviets are a pariah nation, they're

0:14:05.440 --> 0:14:09.760
<v Speaker 2>doing like combined arms training together for a so interesting

0:14:10.240 --> 0:14:14.440
<v Speaker 2>of the nineteen thirties. Okay, Yeah, it's like they had.

0:14:14.640 --> 0:14:17.800
<v Speaker 2>It's much like the kind of collaborations between the two

0:14:17.840 --> 0:14:21.240
<v Speaker 2>countries actually go back both further than the Nazis coming

0:14:21.240 --> 0:14:24.280
<v Speaker 2>to power and significantly further than the Molotov Ribbon trop back.

0:14:24.920 --> 0:14:32.800
<v Speaker 1>Okay, that makes a lot of sense. So, so she's

0:14:32.800 --> 0:14:34.880
<v Speaker 1>trying to find out, Josephine's trying to find out Japan's

0:14:34.880 --> 0:14:38.080
<v Speaker 1>going to join the war and fuck everything up. I mean,

0:14:38.240 --> 0:14:41.320
<v Speaker 1>spoiler alert, Japan was on the axis side of World

0:14:41.360 --> 0:14:44.520
<v Speaker 1>War Two for anyone who's not familiar with that part

0:14:44.520 --> 0:14:48.480
<v Speaker 1>of it. So Josephine, she's tight with the Japanese ambassador's

0:14:48.520 --> 0:14:53.120
<v Speaker 1>wife in a almost like like she calls her her sister.

0:14:53.920 --> 0:14:55.800
<v Speaker 1>This is when when she went back to the US

0:14:55.880 --> 0:14:57.720
<v Speaker 1>and she was getting kicked out of all these hotels.

0:14:58.200 --> 0:15:02.080
<v Speaker 1>Oh she was that was the friend is the Japanese

0:15:02.080 --> 0:15:07.480
<v Speaker 1>ambassador's wife. So she's in with the Japanese embassy, but

0:15:07.560 --> 0:15:10.160
<v Speaker 1>she would have to leverage and betray that trust in

0:15:10.240 --> 0:15:13.200
<v Speaker 1>order to find out what Japan is going to do

0:15:13.240 --> 0:15:19.280
<v Speaker 1>in the war. Man, So she does, yeah, right, choice, that's.

0:15:20.600 --> 0:15:23.160
<v Speaker 2>Yeah, you know, I don't feel like it is.

0:15:23.320 --> 0:15:25.720
<v Speaker 3>I feel like Howard choice, but it's a very obvious one.

0:15:27.160 --> 0:15:30.400
<v Speaker 2>Yeah, Like, I mean, yeah, if there's a good situation

0:15:30.520 --> 0:15:33.920
<v Speaker 2>to betray your friend, it's when they side with the Nazis. Two.

0:15:34.640 --> 0:15:38.280
<v Speaker 7>Yeah, exactly, exactly, a little bit of a no brainer.

0:15:39.080 --> 0:15:40.720
<v Speaker 2>Yeah.

0:15:40.760 --> 0:15:43.160
<v Speaker 1>Like USSR is over here being like, oh, thank god

0:15:43.440 --> 0:15:45.600
<v Speaker 1>Finland joined the Access Power So the winner war makes

0:15:45.680 --> 0:15:48.480
<v Speaker 1>us look like who we were on the right side.

0:15:50.120 --> 0:15:53.200
<v Speaker 1>So she leverages her connections with the Japanese ambassador to

0:15:53.200 --> 0:15:55.880
<v Speaker 1>find out that yes, Japan is going to join the

0:15:55.880 --> 0:15:59.320
<v Speaker 1>Access Powers. So she passes that along too, and the

0:15:59.360 --> 0:16:02.200
<v Speaker 1>war itself is kicking off. At this point. Germany in

0:16:02.200 --> 0:16:04.480
<v Speaker 1>the USSR did their joint invasion of Poland in September

0:16:04.560 --> 0:16:08.400
<v Speaker 1>nineteen thirty nine, and it seems like most of France

0:16:08.520 --> 0:16:10.480
<v Speaker 1>is like, I think we're just going to kind of lose,

0:16:10.960 --> 0:16:13.360
<v Speaker 1>which is in fact what ends up happening. But for

0:16:13.400 --> 0:16:15.360
<v Speaker 1>a little while, for eight months, you have this quote

0:16:15.400 --> 0:16:19.000
<v Speaker 1>unquote phony war, and it's eight months of not much

0:16:19.040 --> 0:16:22.680
<v Speaker 1>happening on the Western Front. The Western Powers have declared war,

0:16:22.920 --> 0:16:26.720
<v Speaker 1>but they aren't really doing much besides economic actions. The war,

0:16:26.760 --> 0:16:29.640
<v Speaker 1>of course, wasn't phony on the Eastern Front, although in

0:16:29.640 --> 0:16:31.320
<v Speaker 1>some ways the Eastern Front didn't exist yet.

0:16:31.200 --> 0:16:34.280
<v Speaker 6>Because one of my favorite factors, so the phony war

0:16:34.320 --> 0:16:35.240
<v Speaker 6>is one thing it's called.

0:16:35.280 --> 0:16:37.680
<v Speaker 2>The other nickname they had for it was the sits Creek.

0:16:40.960 --> 0:16:46.480
<v Speaker 1>Yeah right, And actually this whole time, Josephine has complaining

0:16:46.520 --> 0:16:49.080
<v Speaker 1>about the sits Kreek basically because her whole thing is

0:16:49.120 --> 0:16:51.640
<v Speaker 1>she's like trying to she doesn't succeed, obviously, she's trying

0:16:51.680 --> 0:16:55.520
<v Speaker 1>to get France in England to just fucking invade Germany, just.

0:16:55.480 --> 0:16:57.880
<v Speaker 2>Like let's go, let's do it.

0:16:58.920 --> 0:17:00.800
<v Speaker 3>How is she one per trying to do.

0:17:00.840 --> 0:17:03.200
<v Speaker 1>This if the others doesn't have any.

0:17:03.080 --> 0:17:05.160
<v Speaker 3>Impact, because I'm us making that time.

0:17:05.240 --> 0:17:08.520
<v Speaker 1>Yeah, yeah, Yeah, I don't think she's like pulling strings.

0:17:08.560 --> 0:17:10.520
<v Speaker 1>I think she's just making it clear that her opinion

0:17:10.720 --> 0:17:12.840
<v Speaker 1>is whereat war, let's destroy them.

0:17:12.960 --> 0:17:13.160
<v Speaker 2>Yeah.

0:17:13.400 --> 0:17:17.880
<v Speaker 1>Like she has a fairly like simple she does incredibly

0:17:17.920 --> 0:17:20.600
<v Speaker 1>complicated strategy all the time. But it's just like she's

0:17:20.640 --> 0:17:22.480
<v Speaker 1>just like, well, let's just fucking do the thing. It's

0:17:22.520 --> 0:17:25.680
<v Speaker 1>like often seems to be her her strategy in a

0:17:25.760 --> 0:17:29.560
<v Speaker 1>very effective way. And the war, of course, isn't phony

0:17:29.680 --> 0:17:32.320
<v Speaker 1>on the Eastern Front. There's refugees pouring out of everywhere.

0:17:32.520 --> 0:17:34.720
<v Speaker 1>It's also not phony to French civilians who are pouring

0:17:34.760 --> 0:17:38.960
<v Speaker 1>away from the border with Germany. Josephine was not willing

0:17:39.040 --> 0:17:43.240
<v Speaker 1>to just to just do behind the scenes shit. She's like, well,

0:17:43.280 --> 0:17:46.280
<v Speaker 1>I can fly a plane. I like giving people stuff.

0:17:47.560 --> 0:17:51.159
<v Speaker 1>So on Christmas nineteen thirty nine, she signs up with

0:17:51.200 --> 0:17:53.800
<v Speaker 1>the Red Cross and flies aid to the refugees, goes

0:17:53.840 --> 0:17:58.679
<v Speaker 1>on a bunch of different missions. Yeah, what flying across

0:17:58.800 --> 0:18:00.920
<v Speaker 1>enemy lines to refugees and Europe, I think.

0:18:01.280 --> 0:18:01.480
<v Speaker 3>Yeah.

0:18:02.400 --> 0:18:04.760
<v Speaker 1>She starts performing for the troops as well, which is

0:18:04.840 --> 0:18:07.680
<v Speaker 1>most of what people know about her wartime activity because

0:18:07.680 --> 0:18:09.119
<v Speaker 1>a lot of the other stuff was undercover for a

0:18:09.200 --> 0:18:12.480
<v Speaker 1>very long time, right, She starts singing his anthem that

0:18:12.560 --> 0:18:15.640
<v Speaker 1>she'd actually written a while earlier. Je vu a moire.

0:18:16.240 --> 0:18:19.240
<v Speaker 1>I have two loves, and her two loves are Paris

0:18:19.320 --> 0:18:22.000
<v Speaker 1>and her country, and I think this means the USA,

0:18:22.119 --> 0:18:23.840
<v Speaker 1>although it's kind of funny because she hates the USA.

0:18:23.960 --> 0:18:26.680
<v Speaker 1>I sort of write my first read was I have

0:18:26.720 --> 0:18:29.040
<v Speaker 1>two loves Paris and my country. And I kind of

0:18:29.160 --> 0:18:30.920
<v Speaker 1>like it because I like the fact that Paris doesn't

0:18:30.920 --> 0:18:33.399
<v Speaker 1>consider itself part of France. It's like always amused me.

0:18:33.680 --> 0:18:37.000
<v Speaker 4>Yeah, it's kind of like London and the reci of

0:18:37.000 --> 0:18:38.720
<v Speaker 4>the Ukay, it's a different place.

0:18:39.240 --> 0:18:41.399
<v Speaker 1>Yeah, that makes sense. That's kind of like the rest

0:18:41.440 --> 0:18:42.960
<v Speaker 1>of the UK and England. They would like to be

0:18:43.040 --> 0:18:43.760
<v Speaker 1>different places.

0:18:44.280 --> 0:18:46.879
<v Speaker 2>It's like Texas and the rest of the United States.

0:18:47.200 --> 0:18:50.440
<v Speaker 1>Yeah, would prefer to be different places. But if you

0:18:50.480 --> 0:18:54.560
<v Speaker 1>would prefer to be different and stand out from the crowd,

0:18:55.400 --> 0:18:59.000
<v Speaker 1>you can do so by having the same stuff as

0:18:59.080 --> 0:19:02.720
<v Speaker 1>other people who stand out from the crowd, by purchasing

0:19:02.840 --> 0:19:05.160
<v Speaker 1>stuff from our fine advertisers.

0:19:07.280 --> 0:19:09.320
<v Speaker 2>What how'd I do? Is that gonna work? We're gonna

0:19:09.440 --> 0:19:12.080
<v Speaker 2>We're gonna make stuff book. That's fine, that's fine. Yeah,

0:19:12.480 --> 0:19:14.200
<v Speaker 2>Big Stuff is investing.

0:19:14.720 --> 0:19:24.639
<v Speaker 1>Excellent, excellent, here's some maths, and we're back. So she

0:19:24.720 --> 0:19:27.159
<v Speaker 1>started writing songs for the British troops who were stationed

0:19:27.200 --> 0:19:29.320
<v Speaker 1>in sad bunkers on the Western Front. She started writing

0:19:29.359 --> 0:19:32.000
<v Speaker 1>a bunch of songs in English about like I didn't

0:19:32.000 --> 0:19:33.600
<v Speaker 1>write down the titles of it, but they're like, I

0:19:33.640 --> 0:19:35.640
<v Speaker 1>don't know, I missed London and everything's sad.

0:19:35.960 --> 0:19:36.840
<v Speaker 2>I don't actually remember.

0:19:37.280 --> 0:19:39.320
<v Speaker 1>But she writes a bunch of songs for the British

0:19:39.320 --> 0:19:41.119
<v Speaker 1>people who are like sitting around in the sitskrig.

0:19:41.880 --> 0:19:42.719
<v Speaker 2>I really like this name.

0:19:42.760 --> 0:19:44.520
<v Speaker 1>I'm going to use that all the time now, all

0:19:44.600 --> 0:19:46.080
<v Speaker 1>of the times in my life. When I talk about

0:19:46.080 --> 0:19:47.760
<v Speaker 1>the Phony War, I.

0:19:47.840 --> 0:19:50.119
<v Speaker 4>Bet there was like in at least in every one

0:19:50.160 --> 0:19:52.320
<v Speaker 4>of those bunkers, there was one person who kept doing that.

0:19:52.440 --> 0:19:56.480
<v Speaker 3>You just wouldn't let it go. And have you heard this?

0:19:58.640 --> 0:20:00.480
<v Speaker 3>So that's actually where they started to real wool.

0:20:03.520 --> 0:20:05.920
<v Speaker 1>No, they just sent that guy into no man's land

0:20:06.359 --> 0:20:11.280
<v Speaker 1>as a scout and then he came back successful. He's

0:20:11.320 --> 0:20:13.119
<v Speaker 1>actually the real hero. We're going to pivot to hit no.

0:20:16.080 --> 0:20:16.960
<v Speaker 2>So she starts working.

0:20:17.240 --> 0:20:20.200
<v Speaker 1>So she's flying missions, she's she's writing songs, she's done

0:20:20.240 --> 0:20:23.280
<v Speaker 1>all the spine. She starts working at soup kitchens for

0:20:23.359 --> 0:20:27.680
<v Speaker 1>the Red Cross, and her presence cheers everyone up. And

0:20:28.320 --> 0:20:31.440
<v Speaker 1>she's doing two things here, well, okays, as mutual aid,

0:20:31.480 --> 0:20:34.679
<v Speaker 1>she's doing two things. She was directly materially helping people, right,

0:20:35.400 --> 0:20:37.719
<v Speaker 1>she was also cheering people up her presence. I mean

0:20:37.760 --> 0:20:41.000
<v Speaker 1>she's like, I don't know who's a famous.

0:20:40.720 --> 0:20:42.520
<v Speaker 3>Person she's turning up?

0:20:42.880 --> 0:20:52.120
<v Speaker 1>Yeah, the famous Beyonce. Beyonce is like, right, you know, yeah,

0:20:52.320 --> 0:20:53.359
<v Speaker 1>do we know that she's not?

0:20:55.720 --> 0:20:55.920
<v Speaker 2>Yeah?

0:20:56.680 --> 0:20:57.040
<v Speaker 3>Oh yeah.

0:20:58.359 --> 0:21:00.959
<v Speaker 1>So I think her mutual aid were was entirely sincere,

0:21:01.040 --> 0:21:03.399
<v Speaker 1>but it was also a great cover for spying because

0:21:04.000 --> 0:21:07.960
<v Speaker 1>Germany's spy oparass has been pouring spies into France, and

0:21:08.080 --> 0:21:10.000
<v Speaker 1>it has been for like a decade now, right, like

0:21:10.160 --> 0:21:12.440
<v Speaker 1>building up towards this shit. But it's just it's just

0:21:12.560 --> 0:21:14.200
<v Speaker 1>ramping up more and more and more, and they're going

0:21:14.240 --> 0:21:17.240
<v Speaker 1>from like a couple dozen arrests of spies per week

0:21:17.320 --> 0:21:19.720
<v Speaker 1>to like hundreds of arrests of spies per week, and

0:21:19.800 --> 0:21:23.159
<v Speaker 1>there's just more that keep pouring in. And so she

0:21:23.480 --> 0:21:26.880
<v Speaker 1>is hanging out at the like she's just fucking trying

0:21:26.920 --> 0:21:32.080
<v Speaker 1>to figure who's the spy constantly. Meanwhile, she divorces her

0:21:32.160 --> 0:21:39.720
<v Speaker 1>husbands number three yeah, yeah, so the foreny war doesn't last.

0:21:40.119 --> 0:21:42.960
<v Speaker 1>O mean, I'm trying to remember why she divorced him. Ah,

0:21:43.000 --> 0:21:45.520
<v Speaker 1>he's cheating on her, right, and this is before she's

0:21:45.600 --> 0:21:49.560
<v Speaker 1>cheating on him. Actually his affair was when they started

0:21:49.560 --> 0:21:52.320
<v Speaker 1>falling out. And then also she miscarries, and which unfortunately

0:21:52.359 --> 0:21:53.840
<v Speaker 1>she does multiple times during her life.

0:21:54.920 --> 0:21:56.119
<v Speaker 2>She's very sad about it.

0:21:57.920 --> 0:22:01.000
<v Speaker 1>So the phony war didn't last, and for the West

0:22:01.040 --> 0:22:03.280
<v Speaker 1>it soon went from phony war to Germany took over

0:22:03.280 --> 0:22:08.000
<v Speaker 1>the Netherlands, Luxembourg, Belgium, and France. Germany just kind of

0:22:08.040 --> 0:22:10.520
<v Speaker 1>fucked them up with new tactics and new weapons.

0:22:11.720 --> 0:22:15.960
<v Speaker 2>And methamphetamine. You know, don't don't don't don't you know?

0:22:17.000 --> 0:22:19.959
<v Speaker 2>This is this is this is amphetamine erasure, Margaret.

0:22:20.040 --> 0:22:29.520
<v Speaker 1>I'm sorry, Well, considering our main sponsor is methamphetamines, that's right. Yeah,

0:22:29.960 --> 0:22:32.200
<v Speaker 1>the only productivity method.

0:22:33.560 --> 0:22:36.119
<v Speaker 2>Crystal meth. Do you know how many fibers are in

0:22:36.200 --> 0:22:36.640
<v Speaker 2>your coat?

0:22:41.720 --> 0:22:42.199
<v Speaker 3>I do not.

0:22:43.760 --> 0:22:46.000
<v Speaker 2>Crystal meth count the tile room.

0:22:48.760 --> 0:22:52.119
<v Speaker 1>So the methods and no, I'm not gonna phrase it

0:22:52.160 --> 0:22:57.760
<v Speaker 1>that way. So the Germans invade France and the French government.

0:22:57.560 --> 0:22:58.760
<v Speaker 6>For copper wire.

0:23:00.160 --> 0:23:02.120
<v Speaker 2>Just just spun out.

0:23:02.280 --> 0:23:05.879
<v Speaker 6>Dudes being like look man, France has a shipload of copper.

0:23:06.440 --> 0:23:08.880
<v Speaker 2>Grab this ship, we take it back home. We can

0:23:08.920 --> 0:23:10.879
<v Speaker 2>be fucking lit up for weeks.

0:23:11.160 --> 0:23:13.360
<v Speaker 1>See, that would rule if that's what they had done.

0:23:14.200 --> 0:23:16.560
<v Speaker 1>If it was like the Scrounger's army and they just

0:23:16.640 --> 0:23:18.840
<v Speaker 1>like poured in and ripped out all the wire and

0:23:18.920 --> 0:23:20.760
<v Speaker 1>then went home, just.

0:23:20.840 --> 0:23:26.840
<v Speaker 6>Taking suda fed from France's many pharmacies exactly exactly.

0:23:27.880 --> 0:23:36.680
<v Speaker 2>That's what the is for, man, we need pseudo exactly.

0:23:37.720 --> 0:23:40.320
<v Speaker 1>But the French government said, I regret that I have

0:23:40.440 --> 0:23:43.200
<v Speaker 1>but one Suita fed to leave in my wake, so

0:23:43.320 --> 0:23:49.560
<v Speaker 1>that the enemy is distracted. Yeah, and they flee. The

0:23:49.960 --> 0:23:53.520
<v Speaker 1>American ambassador apparently William Bullet. This was like basically a

0:23:53.560 --> 0:23:55.040
<v Speaker 1>side note in this book I was reading. But it's

0:23:55.080 --> 0:23:59.600
<v Speaker 1>fucking weird. He took over Bullets, William Bullet took over Paris.

0:24:00.240 --> 0:24:03.600
<v Speaker 3>He's not friends Amy Soon, No.

0:24:03.680 --> 0:24:03.920
<v Speaker 5>I know it.

0:24:03.960 --> 0:24:06.439
<v Speaker 1>It's funny because this is not a normal American name, but.

0:24:08.119 --> 0:24:09.080
<v Speaker 2>William Bullet's not.

0:24:09.560 --> 0:24:12.159
<v Speaker 6>That's like, that's like the if you're, like, I don't know,

0:24:12.320 --> 0:24:16.720
<v Speaker 6>like a Japanese film producer making a racist stereotype movie about.

0:24:16.480 --> 0:24:20.959
<v Speaker 2>America, that's what you call one. Yeah, call him William Bullet.

0:24:21.400 --> 0:24:25.560
<v Speaker 6>Yeah, William Bullet, Johnny Gunn, ted aar fifteen.

0:24:25.840 --> 0:24:29.680
<v Speaker 2>Yeah, the American characters also come on.

0:24:29.840 --> 0:24:33.320
<v Speaker 4>That guy's like, everybody clearly refers to that guy as

0:24:33.400 --> 0:24:34.040
<v Speaker 4>Bill Bullet.

0:24:34.320 --> 0:24:36.919
<v Speaker 2>Oh, absolutely, Oh you're right, you're right.

0:24:38.040 --> 0:24:39.200
<v Speaker 3>But William Bullet.

0:24:39.880 --> 0:24:44.240
<v Speaker 1>Yeah, and he insists, he's like, I will it's William Bullet.

0:24:44.359 --> 0:24:46.720
<v Speaker 2>And he didn't want me to call him William Bullet.

0:24:46.800 --> 0:24:49.159
<v Speaker 2>I would, I would Bill you. I'm gonna call you

0:24:49.240 --> 0:24:52.800
<v Speaker 2>Bill Bullet, Like I'm not calling you. That's much less fun.

0:24:53.160 --> 0:24:57.760
<v Speaker 1>Yeah, So Billy two Guns, he takes over governing the city.

0:24:58.480 --> 0:24:58.600
<v Speaker 3>Uh.

0:24:58.960 --> 0:25:02.280
<v Speaker 1>He apparently finds a phone, like one functioning phone, and

0:25:02.359 --> 0:25:05.000
<v Speaker 1>he like calls Berlin and he's like, hey, we're like

0:25:05.160 --> 0:25:07.359
<v Speaker 1>not resisting. Could you please not murder everyone when you

0:25:07.440 --> 0:25:07.840
<v Speaker 1>show up?

0:25:08.960 --> 0:25:12.320
<v Speaker 2>Yeah, okay, call that an open city.

0:25:12.720 --> 0:25:14.960
<v Speaker 1>Yeah that specifically, Yeah, they refer to it as an

0:25:14.960 --> 0:25:18.920
<v Speaker 1>open city. And so Josephine could have fled. She was

0:25:18.960 --> 0:25:21.479
<v Speaker 1>a superstar, and she was arguably still a US citizen

0:25:21.600 --> 0:25:24.040
<v Speaker 1>since her marriage and citizenship in France were sort of

0:25:24.119 --> 0:25:30.440
<v Speaker 1>contested because of the whole marriage issue. She did not flee.

0:25:31.160 --> 0:25:32.680
<v Speaker 1>She absolutely could have been like one of the people

0:25:32.720 --> 0:25:36.200
<v Speaker 1>on like the last planes out right, and instead she

0:25:36.359 --> 0:25:39.720
<v Speaker 1>keeps doing her thing in the city. She's performing. She

0:25:39.920 --> 0:25:44.720
<v Speaker 1>walks like ten miles uphill each way from her chateau

0:25:45.119 --> 0:25:48.720
<v Speaker 1>to the Red Cross Center to keep feeding people. She

0:25:48.880 --> 0:25:52.600
<v Speaker 1>keeps performing, and then after performing goes and volunteers more. Oh,

0:25:52.680 --> 0:25:54.399
<v Speaker 1>this is where the meth comes in. How could one

0:25:54.440 --> 0:25:58.240
<v Speaker 1>possibly anyway? Yeah, she just basically works tirelessly.

0:25:59.400 --> 0:25:59.760
<v Speaker 2>France.

0:26:00.600 --> 0:26:04.320
<v Speaker 1>It's sort of abandoned. No one really had made enough plan.

0:26:04.440 --> 0:26:05.879
<v Speaker 1>This is according to this book I read. I have

0:26:05.880 --> 0:26:07.840
<v Speaker 1>a feeling when I start doing more stuff on partisans,

0:26:07.880 --> 0:26:10.439
<v Speaker 1>people will be like, hell, hell no, here were all

0:26:10.480 --> 0:26:13.440
<v Speaker 1>our plans and stashes of guns. But at least from

0:26:13.440 --> 0:26:16.680
<v Speaker 1>an organizational like governmental level, people hadn't really made enough

0:26:16.720 --> 0:26:19.880
<v Speaker 1>plans to fight back, hadn't really made enough plans about

0:26:19.920 --> 0:26:24.680
<v Speaker 1>like what would happen if France fell? And the intelligence

0:26:24.720 --> 0:26:26.639
<v Speaker 1>agency with a French name I'm bad at pronouncing, was

0:26:26.720 --> 0:26:30.480
<v Speaker 1>definitely caught in disarray. They they didn't set up a

0:26:30.560 --> 0:26:33.320
<v Speaker 1>rearguard to keep up the fight, They didn't evacuate or

0:26:33.359 --> 0:26:36.600
<v Speaker 1>burn their files in a timely manner. They managed to

0:26:36.640 --> 0:26:38.439
<v Speaker 1>get some of them out all at the last minute.

0:26:39.000 --> 0:26:41.920
<v Speaker 1>A whole ton of files actually literally using signal just

0:26:42.040 --> 0:26:45.680
<v Speaker 1>keep that auto delete on. Yeah, I know that happens

0:26:45.680 --> 0:26:50.440
<v Speaker 1>when you take enough mess. Well, they didn't have it

0:26:50.680 --> 0:26:55.239
<v Speaker 1>yet to capture off of the Germans. Yeah, so they

0:26:55.480 --> 0:26:59.440
<v Speaker 1>they they store tons of files in a dairy among

0:26:59.560 --> 0:27:03.879
<v Speaker 1>cheeses in central France, but other tons of files they

0:27:04.000 --> 0:27:05.919
<v Speaker 1>just like put on the last train out of France

0:27:06.160 --> 0:27:08.680
<v Speaker 1>and so the Nazis are like, yo, stop, this trainer

0:27:08.720 --> 0:27:11.199
<v Speaker 1>will shoot you, and they're like okay, and so then

0:27:11.240 --> 0:27:12.840
<v Speaker 1>they come on and they just take all the files

0:27:13.119 --> 0:27:16.639
<v Speaker 1>and then the government Nazis get all the fucking files

0:27:16.720 --> 0:27:23.520
<v Speaker 1>from the fucking French FBI and in a cheese warehouse. Yeah, yeah,

0:27:23.520 --> 0:27:24.320
<v Speaker 1>the ones that got out.

0:27:25.920 --> 0:27:29.159
<v Speaker 3>There's just so bits of this do sound like it's being.

0:27:29.080 --> 0:27:30.840
<v Speaker 2>Written to make fun of friends.

0:27:31.520 --> 0:27:34.680
<v Speaker 3>Yeah, trunk person who knows very very little about the

0:27:34.680 --> 0:27:39.000
<v Speaker 3>European history apartments. Why will the French do files in

0:27:39.160 --> 0:27:41.040
<v Speaker 3>a or just like this is what happens at the

0:27:41.080 --> 0:27:43.480
<v Speaker 3>end of the riker's room when everyone's very very tired

0:27:43.520 --> 0:27:46.840
<v Speaker 3>and just wants to go home. I don't know, cheese warehouse,

0:27:47.240 --> 0:27:50.040
<v Speaker 3>like cowboy guy sends the files to the cheese weak

0:27:50.119 --> 0:27:51.240
<v Speaker 3>house like see you all.

0:27:51.200 --> 0:27:55.000
<v Speaker 1>Tomorrow, which is Basically what's happening is everyone's very tired

0:27:55.040 --> 0:27:59.000
<v Speaker 1>and wants to go home, but instead the Germans are invading. Also,

0:27:59.280 --> 0:28:01.119
<v Speaker 1>one thing that the and forgot to do was do

0:28:01.320 --> 0:28:03.919
<v Speaker 1>something with all of the German spies they had arrested.

0:28:05.240 --> 0:28:07.719
<v Speaker 1>So they're just all in prison and then the Nazis

0:28:07.800 --> 0:28:12.560
<v Speaker 1>come in and say, oh, hello, Franz, welcome to not prison.

0:28:13.080 --> 0:28:15.640
<v Speaker 1>By the way, who were all the people who arrested?

0:28:15.680 --> 0:28:19.240
<v Speaker 1>You tell us who all the spies are, right, So

0:28:20.320 --> 0:28:22.800
<v Speaker 1>a lot of French spies get executed right off because

0:28:22.880 --> 0:28:27.880
<v Speaker 1>the Nazis capture all their files and shit, yep, yep, yeah,

0:28:28.280 --> 0:28:32.680
<v Speaker 1>they don't capture anythingbout Josephine at this point, and so

0:28:32.840 --> 0:28:37.840
<v Speaker 1>Josephine she vows to never perform in France for the Nazis.

0:28:37.960 --> 0:28:40.080
<v Speaker 4>And unlike that she must have been in so much

0:28:40.200 --> 0:28:43.880
<v Speaker 4>danger though absolutely even if they hadn't found out about

0:28:44.040 --> 0:28:45.360
<v Speaker 4>about her spine.

0:28:45.160 --> 0:28:48.600
<v Speaker 1>They personally hate her. Gebels has like specifically been like

0:28:48.960 --> 0:28:52.080
<v Speaker 1>Josephine Baker's I don't like her. She's mean or whatever

0:28:52.760 --> 0:28:55.880
<v Speaker 1>she called me. She looked at me funny once another supermarket.

0:28:56.920 --> 0:29:01.640
<v Speaker 1>But she does have one advantage fantastic amounts of money

0:29:02.160 --> 0:29:06.000
<v Speaker 1>and she happens to be already renting a or possibly owning.

0:29:06.440 --> 0:29:08.480
<v Speaker 1>I don't know how it refers to as renting. But

0:29:09.600 --> 0:29:14.400
<v Speaker 1>she has a fucking medieval castle in southern France. Yeah

0:29:14.400 --> 0:29:18.680
<v Speaker 1>it's cool, but it is hard to hide. Not a

0:29:18.760 --> 0:29:21.320
<v Speaker 1>safe ass, right, And so what she does is she

0:29:21.440 --> 0:29:24.360
<v Speaker 1>doesn't hide. She hides the fact that she's a spy.

0:29:25.080 --> 0:29:27.560
<v Speaker 1>So she takes off to her medieval chateau in southern France.

0:29:27.560 --> 0:29:31.480
<v Speaker 1>And it takes Germany a while to take all of France.

0:29:31.600 --> 0:29:34.400
<v Speaker 2>You know, you have like there's a decent amount of

0:29:34.400 --> 0:29:35.960
<v Speaker 2>France there. Yeah.

0:29:36.640 --> 0:29:39.640
<v Speaker 1>Yeah, it's not a it's not a Rhode Island.

0:29:40.360 --> 0:29:40.600
<v Speaker 2>Yeah.

0:29:42.200 --> 0:29:46.520
<v Speaker 1>And prepper queen that she is, she fills her car

0:29:46.880 --> 0:29:50.880
<v Speaker 1>with champagne poddles full of gasoline that she's been hoarding,

0:29:51.920 --> 0:29:54.160
<v Speaker 1>oh boy, so that she can make the trip if

0:29:54.200 --> 0:29:55.320
<v Speaker 1>the gas stations are gone.

0:29:56.200 --> 0:29:57.200
<v Speaker 2>Hey bonus.

0:29:57.600 --> 0:29:59.760
<v Speaker 6>If you run into trouble on the road, you've already

0:29:59.760 --> 0:30:05.200
<v Speaker 6>got molotovs. Yeah, what's that campaign? Yeah, you are ready

0:30:05.280 --> 0:30:07.240
<v Speaker 6>for a variety of situations.

0:30:08.080 --> 0:30:12.760
<v Speaker 1>What's the big place? The quote from the Good Place.

0:30:13.000 --> 0:30:14.800
<v Speaker 1>If you ever have a problem, throw a molotov at it,

0:30:14.840 --> 0:30:15.880
<v Speaker 1>And now you have a different problem.

0:30:16.560 --> 0:30:22.120
<v Speaker 3>Yeah, yes, absolutely, Yeah, so she had the same problem.

0:30:22.880 --> 0:30:23.960
<v Speaker 2>Yeah, totally.

0:30:25.280 --> 0:30:28.200
<v Speaker 1>So she gets out and it's possible. I think she's

0:30:28.280 --> 0:30:31.560
<v Speaker 1>like helping bring a bunch of a bunch of folks

0:30:31.600 --> 0:30:33.719
<v Speaker 1>she knows. I think mostly Jews out with her at

0:30:33.720 --> 0:30:36.280
<v Speaker 1>this time. I've read one thing that's like, and she

0:30:36.720 --> 0:30:39.280
<v Speaker 1>got a whole bunch of Jewish folks down to her chateau,

0:30:39.320 --> 0:30:40.960
<v Speaker 1>and another one that was like she put her solid

0:30:41.000 --> 0:30:42.840
<v Speaker 1>gold or like her gold piano in one of the

0:30:42.880 --> 0:30:45.600
<v Speaker 1>trucks or whatever. I've read a bunch of different takes

0:30:45.640 --> 0:30:49.280
<v Speaker 1>on how she gets I don't know. There's one version

0:30:49.280 --> 0:30:51.880
<v Speaker 1>where it's one car full of champagne molotovs, and another

0:30:51.920 --> 0:30:55.680
<v Speaker 1>one where it's like three trucks full of pianos. I

0:30:55.720 --> 0:30:59.239
<v Speaker 1>don't know the answer. German troops bomb the road as

0:30:59.280 --> 0:31:02.080
<v Speaker 1>people flee because they suck their Nazis.

0:31:02.760 --> 0:31:02.960
<v Speaker 3>Yeah.

0:31:03.040 --> 0:31:03.240
<v Speaker 2>Wow.

0:31:03.880 --> 0:31:07.560
<v Speaker 1>She makes it to her fucking castle, and she's friends

0:31:07.600 --> 0:31:09.760
<v Speaker 1>with the locals because she's just friends with everyone. Everyone

0:31:09.960 --> 0:31:13.160
<v Speaker 1>likes her. She's genuinely charming and cares about people, and

0:31:13.280 --> 0:31:16.720
<v Speaker 1>so she winds up in this resistance fighting cell that

0:31:17.120 --> 0:31:19.240
<v Speaker 1>was pulled together as a unit from like the local

0:31:19.320 --> 0:31:22.080
<v Speaker 1>people of the town and like the groundskeepers and shit

0:31:22.200 --> 0:31:26.719
<v Speaker 1>at her fucking castle. The local blacksmith ran a clandestine

0:31:26.800 --> 0:31:29.200
<v Speaker 1>radio tower out of her castle to keep contact between

0:31:29.240 --> 0:31:30.400
<v Speaker 1>the resistance in England.

0:31:31.240 --> 0:31:32.840
<v Speaker 3>Her that's just a brilliant sentence.

0:31:33.720 --> 0:31:39.040
<v Speaker 1>Yeah, totally. Her farm hand on the grounds who was

0:31:39.040 --> 0:31:42.480
<v Speaker 1>a pole who'd fled the Blitzkreek. He dies running messages.

0:31:43.520 --> 0:31:46.760
<v Speaker 1>The man who ran the local train station. He has

0:31:46.960 --> 0:31:49.480
<v Speaker 1>a wooden leg from fighting in World War One, and

0:31:49.600 --> 0:31:51.920
<v Speaker 1>the Germans like show up and are like asking him questions.

0:31:51.960 --> 0:31:55.360
<v Speaker 1>I think about Josephine Baker and he's basically like, you

0:31:55.440 --> 0:31:56.320
<v Speaker 1>see this wooden leg.

0:31:56.760 --> 0:31:57.120
<v Speaker 2>Fuck you.

0:31:59.400 --> 0:32:01.720
<v Speaker 1>They shoot him, but the heels doesn't tell them anything.

0:32:03.400 --> 0:32:06.080
<v Speaker 1>And she gathers up a crew, including a ton of

0:32:06.160 --> 0:32:08.640
<v Speaker 1>Jewish folks that she's rescued that she maybe drove down,

0:32:09.120 --> 0:32:13.200
<v Speaker 1>and she fills her castle with guns, which is a

0:32:13.400 --> 0:32:17.120
<v Speaker 1>good thing. This is I just wish, this is amazing.

0:32:17.600 --> 0:32:19.960
<v Speaker 1>And she plants a tobacco plant.

0:32:20.040 --> 0:32:21.960
<v Speaker 3>Were you about to say you wish you had been there?

0:32:24.680 --> 0:32:31.160
<v Speaker 1>Maybe it would have gone badly, but I would have

0:32:31.200 --> 0:32:32.360
<v Speaker 1>been in a castle full of guns.

0:32:32.520 --> 0:32:32.920
<v Speaker 2>So it's like.

0:32:34.800 --> 0:32:37.920
<v Speaker 1>We all die sometime, you know. She planted a tobacco

0:32:38.040 --> 0:32:40.560
<v Speaker 1>plant by the entrance to the castle in memory of

0:32:40.760 --> 0:32:44.320
<v Speaker 1>her enslaved fairly recent ancestors who had been forced to

0:32:44.360 --> 0:32:47.920
<v Speaker 1>grow it. She helps a whole bunch of Jewish folks

0:32:47.960 --> 0:32:49.960
<v Speaker 1>hide out. I think like more people are showing up.

0:32:51.520 --> 0:32:55.000
<v Speaker 1>France officially surrenders agree to become a Nazi puppet state,

0:32:55.080 --> 0:32:58.920
<v Speaker 1>the Vichy on June twenty fifth, nineteen forty. They pay

0:32:59.160 --> 0:33:03.240
<v Speaker 1>forty million ranks to the Nazis every fucking day. Resistance

0:33:03.320 --> 0:33:09.240
<v Speaker 1>is an instant death penalty. And the Jamais they didn't

0:33:09.360 --> 0:33:12.520
<v Speaker 1>sell out and become Nazis, fortunately they did the resistance

0:33:12.600 --> 0:33:16.240
<v Speaker 1>thing instead. Technically, legally they were beholden to the Vichi.

0:33:16.600 --> 0:33:17.560
<v Speaker 1>They just didn't do it.

0:33:19.080 --> 0:33:19.240
<v Speaker 3>Right.

0:33:19.920 --> 0:33:22.640
<v Speaker 1>Yeah, and so now they're the only good FEDS, which

0:33:22.640 --> 0:33:30.160
<v Speaker 1>are illegal FEDS fighting against Nazis. And this is remember

0:33:30.200 --> 0:33:32.680
<v Speaker 1>how they were like stealing money from the Germans by

0:33:32.840 --> 0:33:34.960
<v Speaker 1>running fake spies all at the beginning of this. Yeah,

0:33:36.120 --> 0:33:39.160
<v Speaker 1>this is when they bust that out because their official

0:33:39.200 --> 0:33:41.920
<v Speaker 1>resources have dried up. But they've set aside this rainy

0:33:42.000 --> 0:33:48.320
<v Speaker 1>day fund and they make friends with one other important

0:33:48.400 --> 0:33:51.200
<v Speaker 1>anti Nazi force that is often overlooked in history books,

0:33:52.120 --> 0:33:59.200
<v Speaker 1>the Mafia. Yeah, so they're fairly good at finding German spies.

0:33:59.320 --> 0:34:01.280
<v Speaker 1>This is the main thing that they do, right, is

0:34:01.360 --> 0:34:05.200
<v Speaker 1>that they counterspy and find spies. So then they turn

0:34:05.880 --> 0:34:07.880
<v Speaker 1>But now you're not going to arrest spies. You're not

0:34:07.960 --> 0:34:10.400
<v Speaker 1>the government anymore. And also didn't really work well when

0:34:10.400 --> 0:34:14.440
<v Speaker 1>you just arrested Nazi spies. So these two anti Nazi

0:34:14.520 --> 0:34:19.560
<v Speaker 1>crime enforcers whose names were Big Louis and Little Pierre.

0:34:24.120 --> 0:34:29.960
<v Speaker 2>There they were. Oh man, you love to see it.

0:34:30.360 --> 0:34:34.279
<v Speaker 2>Never change, crime, guys, never change change. This is this

0:34:34.480 --> 0:34:37.160
<v Speaker 2>is my family, Like, this is the side that I'm

0:34:37.400 --> 0:34:39.680
<v Speaker 2>that I'm proud of. Look on one side of my family,

0:34:40.080 --> 0:34:42.000
<v Speaker 2>I don't know, there were white people in America for

0:34:42.080 --> 0:34:44.719
<v Speaker 2>a while, probably not a great story. The other side

0:34:44.760 --> 0:34:48.160
<v Speaker 2>of my family mobbed up as hell, and nothing, nothing

0:34:48.239 --> 0:34:52.240
<v Speaker 2>problematic ever came from the mafia. Well, of course, and big.

0:34:54.320 --> 0:34:55.760
<v Speaker 3>Medium someone in between.

0:34:58.160 --> 0:34:59.960
<v Speaker 2>Yeah, Big Louis and Little Pierre might have been cut,

0:35:00.280 --> 0:35:00.719
<v Speaker 2>no way to know.

0:35:02.280 --> 0:35:05.799
<v Speaker 1>Just Goldielucks. The one in the middle is just named Goldilocks. Yeah,

0:35:07.800 --> 0:35:10.839
<v Speaker 1>Big Louis apparently specifically, he has these quotes about how

0:35:10.920 --> 0:35:13.080
<v Speaker 1>he was like, look, I've done some bad stuff in

0:35:13.120 --> 0:35:14.040
<v Speaker 1>my life, but I want.

0:35:13.920 --> 0:35:17.479
<v Speaker 2>To make my grandma proud. There we go oh yeah,

0:35:17.760 --> 0:35:22.359
<v Speaker 2>and so he just murders Nazi spies. M you love

0:35:22.440 --> 0:35:22.800
<v Speaker 2>to see it?

0:35:23.600 --> 0:35:27.480
<v Speaker 1>Yeah, Her handler boyfriend shows up at her castle unannounced,

0:35:27.560 --> 0:35:29.759
<v Speaker 1>right because everything is completely in disarray. There is no

0:35:30.560 --> 0:35:33.640
<v Speaker 1>like am I five or six or seven or eight

0:35:33.840 --> 0:35:37.480
<v Speaker 1>is referring to themselves as like blind at this point,

0:35:37.520 --> 0:35:42.200
<v Speaker 1>they've lost their eyes in France. And so her handler

0:35:42.239 --> 0:35:44.120
<v Speaker 1>boyfriend shows up on announce. He's a new name and

0:35:44.200 --> 0:35:46.480
<v Speaker 1>a new identity card. His name is Jack Sanders and

0:35:46.520 --> 0:35:47.240
<v Speaker 1>he's an American.

0:35:49.440 --> 0:35:51.399
<v Speaker 2>That is also a pretty American name.

0:35:51.560 --> 0:35:54.759
<v Speaker 1>Yeah, totally be like, why did you write your middle

0:35:54.840 --> 0:35:55.600
<v Speaker 1>name as American?

0:35:56.080 --> 0:35:56.200
<v Speaker 4>Uh?

0:35:56.760 --> 0:35:58.880
<v Speaker 2>Nothing? Jack a man.

0:36:02.640 --> 0:36:05.320
<v Speaker 3>And it doesn't it sounds like a brand of crackers.

0:36:05.920 --> 0:36:08.640
<v Speaker 1>That's truly multiple ways.

0:36:08.719 --> 0:36:13.560
<v Speaker 2>Yes, I do like the idea of like a British

0:36:13.600 --> 0:36:16.400
<v Speaker 2>spy pretending to be an American and then like in

0:36:16.480 --> 0:36:18.600
<v Speaker 2>the tense moment of the movie giving himself up and

0:36:18.680 --> 0:36:20.520
<v Speaker 2>he refers to French fries as chips.

0:36:20.840 --> 0:36:28.480
<v Speaker 3>Every one of the Chuck Montana, You're doing such an amazing.

0:36:30.360 --> 0:36:33.839
<v Speaker 2>Which state did you say you were from, mister Montana?

0:36:35.160 --> 0:36:36.800
<v Speaker 3>One of the end one.

0:36:39.920 --> 0:36:41.960
<v Speaker 2>South was southern Wisconsin.

0:36:42.640 --> 0:36:47.640
<v Speaker 5>Mm hmmm, says the name of this town and then

0:36:47.680 --> 0:36:50.800
<v Speaker 5>he like slides across a piece of paper that just

0:36:50.920 --> 0:36:58.399
<v Speaker 5>had has Luton written on it. Right, Lester, but love

0:36:59.360 --> 0:37:05.240
<v Speaker 5>Yeah again literally any town in the UK, yeah, would break.

0:37:05.920 --> 0:37:10.920
<v Speaker 3>Which Australians called luga baruga I've heard, which is amazing adurable.

0:37:11.040 --> 0:37:12.840
<v Speaker 2>I really hope it's too durable.

0:37:13.760 --> 0:37:15.279
<v Speaker 3>Loga baruga. I am.

0:37:15.560 --> 0:37:18.880
<v Speaker 1>One time was hanging out with Laurie in London and

0:37:19.400 --> 0:37:21.520
<v Speaker 1>I couldn't stop laughing. I was sleep deprived from the

0:37:21.560 --> 0:37:24.480
<v Speaker 1>flight and I was on the subway, and the subway

0:37:24.520 --> 0:37:26.920
<v Speaker 1>in London is just full of fake names that are

0:37:26.920 --> 0:37:29.360
<v Speaker 1>all designed to make Americans laugh while they're sleep deprived.

0:37:29.400 --> 0:37:29.920
<v Speaker 2>Nonsense.

0:37:30.120 --> 0:37:34.120
<v Speaker 4>Cockfosters, yeah, yeah, But the thing is the thing is

0:37:34.160 --> 0:37:37.680
<v Speaker 4>that the train line goes to cock Fosters, So every

0:37:37.800 --> 0:37:42.920
<v Speaker 4>single stop says this is a Piccadilly Line train to Cockfosters,

0:37:43.600 --> 0:37:46.240
<v Speaker 4>and all of the not English people in the train.

0:37:46.239 --> 0:37:49.520
<v Speaker 3>Completely lose thisshes. It's very delight It makes going to

0:37:49.560 --> 0:37:51.719
<v Speaker 3>pick someone up at the airport on the train completely

0:37:51.840 --> 0:37:53.680
<v Speaker 3>worth it. Yeah, everyone has a great time.

0:37:53.920 --> 0:37:54.120
<v Speaker 6>Yeah.

0:37:54.600 --> 0:37:58.279
<v Speaker 3>And also, nobody I know has ever been to Cockfosters.

0:37:58.400 --> 0:37:59.560
<v Speaker 3>I don't think it's real.

0:37:59.640 --> 0:38:01.680
<v Speaker 1>No, I why would it be real that doesn't make

0:38:01.719 --> 0:38:02.160
<v Speaker 1>any sense.

0:38:03.400 --> 0:38:07.320
<v Speaker 2>It's just it's sexycinnati. I don't believe it happens. I

0:38:07.360 --> 0:38:09.759
<v Speaker 2>don't believe anyone's really there. Well, is this just in

0:38:09.840 --> 0:38:12.880
<v Speaker 2>that fake state? I it's probably a tack scheme of

0:38:12.960 --> 0:38:13.439
<v Speaker 2>some sort.

0:38:13.920 --> 0:38:19.920
<v Speaker 1>Yeah, all right, so Jack Sanders has shown up. The

0:38:20.080 --> 0:38:22.640
<v Speaker 1>US is still neutral, So being the US is like

0:38:23.400 --> 0:38:25.399
<v Speaker 1>actually a thing that one would do as a spy.

0:38:25.600 --> 0:38:28.600
<v Speaker 1>Whereas very soon, well not very soon from France's point

0:38:28.600 --> 0:38:30.399
<v Speaker 1>of viewer, but they wish we came in a lot sooner.

0:38:32.480 --> 0:38:38.600
<v Speaker 1>The Nazis are after I know, I know the ocean, Yeah,

0:38:41.000 --> 0:38:43.399
<v Speaker 1>swinging a baseball bat. So the Nazis were after him

0:38:44.200 --> 0:38:48.239
<v Speaker 1>because of all the files that got turned over to

0:38:48.280 --> 0:38:52.239
<v Speaker 1>the Nazis, you know. And eventually more spies show up

0:38:52.239 --> 0:38:55.040
<v Speaker 1>at her castle, and her castle becomes I think the

0:38:55.120 --> 0:38:57.319
<v Speaker 1>center of resistance on a spycraft level. At the time,

0:38:57.440 --> 0:39:00.759
<v Speaker 1>it's like kind of the center of where the French

0:39:00.800 --> 0:39:03.239
<v Speaker 1>intelligence like rebuild. As far as they can tell, there's

0:39:03.320 --> 0:39:06.200
<v Speaker 1>like other places they're doing it, including in the heart

0:39:06.239 --> 0:39:07.080
<v Speaker 1>of it all, like VICI.

0:39:08.040 --> 0:39:12.560
<v Speaker 4>So the French resistance is rebuilding in a Josephine Baker's

0:39:13.040 --> 0:39:19.760
<v Speaker 4>castle full of refugees and guys and guns and a cheetah,

0:39:19.800 --> 0:39:24.200
<v Speaker 4>a goat in a pig. Yeah, in my head, Kenn,

0:39:24.320 --> 0:39:26.360
<v Speaker 4>they made it. It's but please don't tell me otherwise.

0:39:27.040 --> 0:39:27.800
<v Speaker 4>I just don't want to know.

0:39:29.320 --> 0:39:34.040
<v Speaker 1>There's positive news about all the animals, and I think

0:39:34.040 --> 0:39:36.120
<v Speaker 1>it's I don't know whether it's I have a feeling

0:39:36.160 --> 0:39:38.080
<v Speaker 1>when I start studying the French resistance more, I'm going

0:39:38.120 --> 0:39:40.440
<v Speaker 1>to start running into the more like partisans on the

0:39:40.480 --> 0:39:41.880
<v Speaker 1>ground stuff and it's going to be a little bit

0:39:41.880 --> 0:39:45.160
<v Speaker 1>more distracted from this. But from a like intelligence point

0:39:45.239 --> 0:39:48.000
<v Speaker 1>apparatus point of view, yeah, as far as I can tell.

0:39:48.719 --> 0:39:51.160
<v Speaker 1>And a blacksmith running a radio tower is how they

0:39:51.200 --> 0:39:52.200
<v Speaker 1>communicate with England.

0:39:53.760 --> 0:39:55.880
<v Speaker 3>Thank you for saying it again. It pleased me so

0:39:56.040 --> 0:39:56.279
<v Speaker 3>much for.

0:39:56.280 --> 0:39:56.879
<v Speaker 2>The first time.

0:39:57.520 --> 0:40:03.759
<v Speaker 1>So French nazis aka v G guys, or maybe it's

0:40:03.760 --> 0:40:05.799
<v Speaker 1>actually a regular Nazi. At this point, some dude shows

0:40:05.880 --> 0:40:08.200
<v Speaker 1>up at the castle and he's like, I want to

0:40:08.200 --> 0:40:10.719
<v Speaker 1>see Jason Josephine Baker. I hear there's guns in here,

0:40:11.520 --> 0:40:14.600
<v Speaker 1>and so all the resistance people will like go fuck down,

0:40:14.680 --> 0:40:17.000
<v Speaker 1>funk off down to the dungeons because it's a castle,

0:40:17.480 --> 0:40:18.360
<v Speaker 1>and go hide.

0:40:18.800 --> 0:40:19.239
<v Speaker 2>Like a scene.

0:40:20.960 --> 0:40:25.759
<v Speaker 1>Yeah, yeah, I guess literally, yeah, like yeah, so these

0:40:25.840 --> 0:40:27.719
<v Speaker 1>like leather daddies were in all blacks show up and

0:40:27.800 --> 0:40:30.080
<v Speaker 1>are like hail Hitler and present her with a search

0:40:30.160 --> 0:40:32.840
<v Speaker 1>for it, and she talks to the main guy and

0:40:33.040 --> 0:40:39.640
<v Speaker 1>she yells at him for invading France. Good, I mean,

0:40:39.760 --> 0:40:42.680
<v Speaker 1>you know, this helps prove that she has nothing to hide,

0:40:43.960 --> 0:40:45.040
<v Speaker 1>she's not afraid of him.

0:40:45.520 --> 0:40:45.719
<v Speaker 2>Yeah.

0:40:46.800 --> 0:40:49.160
<v Speaker 1>So he pokes around for a little bit and is

0:40:49.239 --> 0:40:51.480
<v Speaker 1>like you have been worn, I can't do an accent,

0:40:53.600 --> 0:40:57.560
<v Speaker 1>and you know, fucks off soon after I think the

0:40:57.719 --> 0:41:01.600
<v Speaker 1>next day. Okay, So there's this Jesuit priest resistance guy

0:41:01.800 --> 0:41:05.040
<v Speaker 1>and his name is father Victor Dillard, and he's up

0:41:05.040 --> 0:41:09.319
<v Speaker 1>in Vechi and he sends them maps of where all

0:41:09.400 --> 0:41:12.080
<v Speaker 1>the German Air Force stuff is, like where they're staging

0:41:12.200 --> 0:41:14.680
<v Speaker 1>for all the the blitz and all of that, where

0:41:14.719 --> 0:41:18.080
<v Speaker 1>they're bombing the shit out of England. Yeah, and he

0:41:18.239 --> 0:41:22.080
<v Speaker 1>has decrypted where all of the defenses are for all

0:41:22.120 --> 0:41:27.040
<v Speaker 1>of the shit that's bombing England. It also includes a

0:41:27.160 --> 0:41:30.279
<v Speaker 1>list of all the German spies in England. Plans for

0:41:30.360 --> 0:41:35.440
<v Speaker 1>a possible Nazi invasion of Ireland based on arming the

0:41:35.520 --> 0:41:38.040
<v Speaker 1>IRA and teaching them how to blow stuff up in

0:41:38.120 --> 0:41:41.480
<v Speaker 1>exchange for helping invade England. Yep, because the IRA was

0:41:41.520 --> 0:41:42.600
<v Speaker 1>on the wrong side of this one.

0:41:43.239 --> 0:41:45.239
<v Speaker 2>Well that's it, you know again just kind of like

0:41:45.280 --> 0:41:47.000
<v Speaker 2>with what we were talking about the Soviets. That's also

0:41:47.120 --> 0:41:50.560
<v Speaker 2>goes back further than the Nazis. During World War One,

0:41:50.719 --> 0:41:54.399
<v Speaker 2>right before the Easter Rising, there was a German ship

0:41:54.560 --> 0:41:58.160
<v Speaker 2>full of guns that got captured by the British, like

0:41:58.320 --> 0:42:01.080
<v Speaker 2>right before it was able to liver said guns to

0:42:01.280 --> 0:42:04.280
<v Speaker 2>the IRA for an uprisings of the Imperial Germans.

0:42:04.719 --> 0:42:07.160
<v Speaker 1>Yeah, because like actually cover that in one of our

0:42:07.200 --> 0:42:11.200
<v Speaker 1>episodes about oh god, what's his name, the gay Irish Knight,

0:42:11.280 --> 0:42:14.160
<v Speaker 1>Roger Casement. Yeah, he was the one who arranged for

0:42:14.200 --> 0:42:17.920
<v Speaker 1>that shipment of guns. Yeah yeah, which is so funny

0:42:17.920 --> 0:42:22.520
<v Speaker 1>because I'm like, Roger Casement, good, you know, but i mean.

0:42:22.480 --> 0:42:26.200
<v Speaker 6>Like Imperial Germany, Imperial England, like they're all kind of

0:42:26.280 --> 0:42:28.800
<v Speaker 6>morally not wildly different from one another.

0:42:31.000 --> 0:42:34.160
<v Speaker 3>He's not morally a approachable people who did absolutely great

0:42:34.200 --> 0:42:36.160
<v Speaker 3>stuff all the time and it wasn't comp.

0:42:36.920 --> 0:42:43.200
<v Speaker 1>Right, Yeah, yeah, exactly. So this is the information that

0:42:43.480 --> 0:42:48.000
<v Speaker 1>Father Victor Dillard has gotten. He doesn't re enter the story,

0:42:48.080 --> 0:42:51.160
<v Speaker 1>so he dies in Dick how a couple of years now.

0:42:51.520 --> 0:42:51.920
<v Speaker 2>Dock Cow.

0:42:52.280 --> 0:42:54.759
<v Speaker 1>He dies in dock How in nineteen forty five, which

0:42:54.800 --> 0:42:55.000
<v Speaker 1>is a.

0:42:56.800 --> 0:42:57.720
<v Speaker 2>Yeah, that's.

0:42:59.080 --> 0:43:03.040
<v Speaker 1>So they get this information right. But they get it

0:43:03.120 --> 0:43:05.160
<v Speaker 1>it's like a really sketchy way, this like super spycraft

0:43:05.239 --> 0:43:07.440
<v Speaker 1>way where this well not this very spycraftway. This guy

0:43:07.480 --> 0:43:09.600
<v Speaker 1>shows up and he's like, I got to see Josephine

0:43:09.600 --> 0:43:11.359
<v Speaker 1>Baker and people are like, this is the same day

0:43:11.360 --> 0:43:12.319
<v Speaker 1>after the Nazis came here.

0:43:12.360 --> 0:43:12.879
<v Speaker 2>This is a trap.

0:43:13.160 --> 0:43:15.440
<v Speaker 1>Finally, Josephine Baker's like what's up and he's like, I've

0:43:15.480 --> 0:43:18.040
<v Speaker 1>got like news for you from father Victor Dillard. I've

0:43:18.040 --> 0:43:19.680
<v Speaker 1>got all this stuff. Let me give you these papers.

0:43:19.719 --> 0:43:21.400
<v Speaker 1>And she's like, no, I've never heard of the resistance.

0:43:21.400 --> 0:43:23.440
<v Speaker 1>I have no idea what you're talking about. And they

0:43:23.560 --> 0:43:27.279
<v Speaker 1>send him away because they don't trust him. And what

0:43:27.400 --> 0:43:29.640
<v Speaker 1>they do is the local chief of police is like

0:43:29.760 --> 0:43:32.600
<v Speaker 1>kind of on their side, what is on their side?

0:43:32.800 --> 0:43:36.279
<v Speaker 1>So they call him and they're like, arrest this guy.

0:43:36.920 --> 0:43:38.600
<v Speaker 1>And they go and they arrest him and they like

0:43:38.719 --> 0:43:42.359
<v Speaker 1>interrogate him basically, and then they decide like, all right,

0:43:42.400 --> 0:43:46.440
<v Speaker 1>this guy's for real. And he had actually before he

0:43:46.600 --> 0:43:48.960
<v Speaker 1>left the castle, he had hidden the papers in the

0:43:49.040 --> 0:43:52.880
<v Speaker 1>castle and then left, so they almost turn away like

0:43:53.920 --> 0:43:58.600
<v Speaker 1>the most important fucking information, right. But yeah, so they

0:43:58.680 --> 0:44:01.759
<v Speaker 1>have all this crazy information and they're like, we have

0:44:01.920 --> 0:44:03.600
<v Speaker 1>to get this to the Allies. This is before they

0:44:03.640 --> 0:44:05.840
<v Speaker 1>had the tower set up and all that shit. And

0:44:06.320 --> 0:44:08.239
<v Speaker 1>so the crew decides that while the rest will stay

0:44:08.280 --> 0:44:10.680
<v Speaker 1>and fight, she and her boyfriend Handler needed to get

0:44:10.680 --> 0:44:13.520
<v Speaker 1>to Lisbon in Portugal to get these documents to Britain.

0:44:14.480 --> 0:44:17.279
<v Speaker 1>I would say, to get them to the Allies. But

0:44:17.920 --> 0:44:18.800
<v Speaker 1>Britain's alone.

0:44:19.080 --> 0:44:19.719
<v Speaker 2>I think at this.

0:44:19.840 --> 0:44:23.880
<v Speaker 3>Point this is a massive, massive empire.

0:44:24.640 --> 0:44:28.720
<v Speaker 2>That's true. Okay, fair enough, Look, I mean the story.

0:44:29.040 --> 0:44:31.480
<v Speaker 4>Sorry, it's just like I feel their correct the record

0:44:31.560 --> 0:44:33.680
<v Speaker 4>here that we always talk about it as like a

0:44:33.880 --> 0:44:36.279
<v Speaker 4>plucky little island stands alone, and so we did have

0:44:36.360 --> 0:44:39.239
<v Speaker 4>a giant empire, and actually quite a lot of people

0:44:39.280 --> 0:44:42.839
<v Speaker 4>were recruited to fight alongside this. It probably didn't make

0:44:42.960 --> 0:44:46.440
<v Speaker 4>much of the difference to ordinary London is being you know,

0:44:47.080 --> 0:44:50.520
<v Speaker 4>hammered by the Blitz. Because again, when people talk about

0:44:50.600 --> 0:44:54.719
<v Speaker 4>in the particular, Americans, even like you know, Americans with

0:44:55.080 --> 0:44:58.920
<v Speaker 4>very decent policies politics will talk about England and talk

0:44:58.960 --> 0:45:01.640
<v Speaker 4>about the British when they mean the British ruling classes,

0:45:02.440 --> 0:45:06.080
<v Speaker 4>and that's never been the total experience of the English

0:45:06.200 --> 0:45:08.960
<v Speaker 4>level and the British and like that it's always been

0:45:09.080 --> 0:45:13.560
<v Speaker 4>for them. Yeah, it's them, but like colonialism always starts

0:45:13.600 --> 0:45:16.760
<v Speaker 4>at home and they only like one of the reasons

0:45:16.880 --> 0:45:20.040
<v Speaker 4>that we ever had to had to have an empire

0:45:20.040 --> 0:45:24.400
<v Speaker 4>a tool was that they exploited our working class just

0:45:24.440 --> 0:45:27.920
<v Speaker 4>about as much as they could to find where to

0:45:28.120 --> 0:45:30.840
<v Speaker 4>ship the excess population so they could become white people.

0:45:32.239 --> 0:45:33.560
<v Speaker 2>No, I mean that that makes sense.

0:45:33.600 --> 0:45:35.160
<v Speaker 1>And I think one of the reasons white Americans with

0:45:35.239 --> 0:45:37.560
<v Speaker 1>good politics to it is because they want an out

0:45:37.719 --> 0:45:39.759
<v Speaker 1>where they're like, I know, we suck, but there's like

0:45:39.960 --> 0:45:41.640
<v Speaker 1>one place is worse.

0:45:42.320 --> 0:45:46.600
<v Speaker 3>Yeah, right right, it's just it's bad.

0:45:46.800 --> 0:45:50.000
<v Speaker 4>But we don't know this bit of our history as

0:45:50.120 --> 0:45:53.319
<v Speaker 4>the collective British we like we talked about before, we're

0:45:53.360 --> 0:45:53.840
<v Speaker 4>not thought it.

0:45:54.400 --> 0:45:59.000
<v Speaker 3>Yeah, and it's this just giant howling in the.

0:45:59.120 --> 0:46:02.400
<v Speaker 4>Public historical record, which is of course why people have

0:46:02.440 --> 0:46:04.799
<v Speaker 4>been so upset over the last ten years when people

0:46:05.000 --> 0:46:08.439
<v Speaker 4>started talking about the empire, just talking about it, Yeah,

0:46:08.480 --> 0:46:12.839
<v Speaker 4>because it is incredible how much is not generally known

0:46:13.920 --> 0:46:15.920
<v Speaker 4>even the recent history of Ireland. And look if we

0:46:16.040 --> 0:46:18.879
<v Speaker 4>knew more about the recent history of Ireland. And look,

0:46:18.920 --> 0:46:21.160
<v Speaker 4>you have people trying to negotiate in terms of the

0:46:22.480 --> 0:46:25.960
<v Speaker 4>like the Northern Ireland Border Protocol who have no idea

0:46:26.040 --> 0:46:27.880
<v Speaker 4>about the last few years of Irish history.

0:46:28.440 --> 0:46:32.319
<v Speaker 3>It's absolutely nuts. Rant over for now.

0:46:33.640 --> 0:46:36.320
<v Speaker 1>No, no, no, it's I think that is really important.

0:46:36.320 --> 0:46:38.040
<v Speaker 1>I think it is really important that when we talk

0:46:38.080 --> 0:46:41.400
<v Speaker 1>about I mean even when we talk about like the Germans, right,

0:46:41.560 --> 0:46:45.160
<v Speaker 1>you're like, well, Germany was the site of resistance against Nazis,

0:46:45.600 --> 0:46:48.759
<v Speaker 1>and Millie, I don't know. I don't have the numbers

0:46:48.800 --> 0:46:50.480
<v Speaker 1>off to my head. A fuck ton of German people

0:46:50.560 --> 0:46:53.240
<v Speaker 1>died at the hands of the Nazis, right, and including

0:46:53.960 --> 0:46:55.040
<v Speaker 1>all different types of people.

0:46:55.680 --> 0:47:02.000
<v Speaker 2>But if you want to not die, yes, the products

0:47:02.040 --> 0:47:06.760
<v Speaker 2>and services, much like buried with thousands of rams heads,

0:47:07.000 --> 0:47:10.560
<v Speaker 2>if you were an Egyptian pharaoh, purchasing these products and

0:47:10.640 --> 0:47:14.359
<v Speaker 2>services will make you immortal. You will never die if

0:47:14.400 --> 0:47:17.439
<v Speaker 2>you buy these products. And that's a guarantee I feel

0:47:17.560 --> 0:47:20.759
<v Speaker 2>comfortable making because there's actually no way for you to

0:47:20.800 --> 0:47:25.200
<v Speaker 2>assue me over it. To buy this philactory.

0:47:29.840 --> 0:47:32.719
<v Speaker 1>And we're back, so we're talking about how they have

0:47:32.760 --> 0:47:37.000
<v Speaker 1>to get these documents to Lisbon and so that they

0:47:37.040 --> 0:47:40.960
<v Speaker 1>can get to Britain. She is the only person of

0:47:41.040 --> 0:47:45.680
<v Speaker 1>their crew who can legitimately claim a reason to travel, right.

0:47:45.840 --> 0:47:49.280
<v Speaker 1>Everyone else is like, like, you're not supposed to leave France.

0:47:50.120 --> 0:47:52.440
<v Speaker 1>Anyone over forty is not supposed to leave France because

0:47:53.520 --> 0:47:56.480
<v Speaker 1>you could be leaving under forty. Sorry, it's not supposed

0:47:56.480 --> 0:47:57.839
<v Speaker 1>to leave because you could be going and join an

0:47:57.920 --> 0:48:01.279
<v Speaker 1>army or whatever. But like, really, they don't want anyone leaving.

0:48:01.640 --> 0:48:05.400
<v Speaker 1>But if you're fucking Josephine Baker, you gotta perform. And

0:48:05.560 --> 0:48:07.000
<v Speaker 1>so she was like, Oh, we're going to go on

0:48:07.040 --> 0:48:08.000
<v Speaker 1>the South American tour.

0:48:08.800 --> 0:48:10.759
<v Speaker 3>We just have to go to.

0:48:12.440 --> 0:48:12.680
<v Speaker 2>Yeah.

0:48:13.120 --> 0:48:14.680
<v Speaker 1>And so they get on a train down to Spain

0:48:15.200 --> 0:48:19.480
<v Speaker 1>and she brings along her her assistant. They say, playing

0:48:19.520 --> 0:48:20.880
<v Speaker 1>down to Sam train.

0:48:20.880 --> 0:48:22.640
<v Speaker 3>Yeah, handlet slush boyfriend.

0:48:23.040 --> 0:48:23.200
<v Speaker 2>Yes.

0:48:23.400 --> 0:48:25.279
<v Speaker 1>Yeah, which is actually going to make this next part

0:48:25.360 --> 0:48:28.920
<v Speaker 1>extra gross because some of the information was encoded in

0:48:29.000 --> 0:48:31.600
<v Speaker 1>secret and secret inc invisible ink, which at the time

0:48:31.680 --> 0:48:32.840
<v Speaker 1>was primarily semen.

0:48:34.440 --> 0:48:36.040
<v Speaker 2>Wow, I thought it was piss.

0:48:36.680 --> 0:48:39.080
<v Speaker 1>I don't know the book I was reading was said Semen.

0:48:39.160 --> 0:48:41.520
<v Speaker 1>And then the spies were all like embarrassed because they

0:48:41.560 --> 0:48:44.160
<v Speaker 1>kept getting accused of being chronic masturbators because they would

0:48:44.239 --> 0:48:46.240
<v Speaker 1>like just have to go make.

0:48:46.200 --> 0:48:48.560
<v Speaker 2>Some because like semen shows up on a black live

0:48:48.760 --> 0:48:53.359
<v Speaker 2>so they're literally just writing and come, I think, so yeah, yeah,

0:48:53.600 --> 0:48:54.680
<v Speaker 2>that's fucking dope.

0:48:54.880 --> 0:48:56.000
<v Speaker 6>I know extreme.

0:48:57.360 --> 0:48:58.279
<v Speaker 2>I love that.

0:49:00.719 --> 0:49:03.200
<v Speaker 3>This is the most frantic one king you can imagine.

0:49:05.440 --> 0:49:07.320
<v Speaker 1>Yeah, just sit back and think of England because you

0:49:07.440 --> 0:49:07.680
<v Speaker 1>need to.

0:49:08.440 --> 0:49:11.520
<v Speaker 6>We got some great intel this week. The bad news

0:49:11.680 --> 0:49:13.400
<v Speaker 6>is man, I am shooting ghost loads.

0:49:13.440 --> 0:49:14.360
<v Speaker 3>It is dust like.

0:49:15.360 --> 0:49:15.560
<v Speaker 2>Yeah.

0:49:18.920 --> 0:49:21.840
<v Speaker 1>So she writes on her sheet music and her probably

0:49:21.920 --> 0:49:26.040
<v Speaker 1>her boyfriend's come of that song Adua Moir and my

0:49:26.160 --> 0:49:31.920
<v Speaker 1>two loves just think spying and come, and she writes

0:49:32.000 --> 0:49:34.920
<v Speaker 1>us all down. But they also have the actual documents

0:49:34.960 --> 0:49:36.640
<v Speaker 1>because its not enough to just have the encoded stuff.

0:49:36.640 --> 0:49:38.759
<v Speaker 1>They need like the photos and shit. So they put

0:49:38.840 --> 0:49:41.920
<v Speaker 1>secret compartments in some of the suitcases. And what they

0:49:42.000 --> 0:49:45.920
<v Speaker 1>do is they bring a fucked on of suitcases, just

0:49:46.000 --> 0:49:51.120
<v Speaker 1>a mountain of stuff because she's fucking Josephine Baker. Yeah right,

0:49:52.440 --> 0:49:55.319
<v Speaker 1>and if she's found, she's one hundred percent fucked, right,

0:49:55.360 --> 0:49:57.719
<v Speaker 1>because it's not just invisible and seamen stuff. It is

0:49:58.120 --> 0:50:00.359
<v Speaker 1>like here's some photos of the ink where or they're

0:50:00.440 --> 0:50:03.040
<v Speaker 1>fucking of the air force bases, right and like how

0:50:03.080 --> 0:50:06.200
<v Speaker 1>they're defended and shit, no one looks at her luggage.

0:50:06.360 --> 0:50:08.480
<v Speaker 1>They all just stare at her. They ask her for autographs,

0:50:08.520 --> 0:50:11.719
<v Speaker 1>and shit, she makes it to Lisbon. They from a

0:50:12.120 --> 0:50:14.560
<v Speaker 1>get on a plane in somewhere in Spain, I'm not

0:50:14.600 --> 0:50:18.520
<v Speaker 1>sure where, and fly to Lisbon. Lisbon is the espionage

0:50:18.600 --> 0:50:21.200
<v Speaker 1>capital of the world. Just then, because all of it's

0:50:21.239 --> 0:50:25.520
<v Speaker 1>like neutral but close to everything, you know, And they

0:50:25.800 --> 0:50:28.920
<v Speaker 1>pass on documents to some guy who's named Major Bacon,

0:50:29.239 --> 0:50:32.920
<v Speaker 1>who also has a funny name. And this trip is

0:50:32.960 --> 0:50:36.080
<v Speaker 1>what re forges. You know, this is okay when I'm

0:50:36.080 --> 0:50:39.640
<v Speaker 1>making the claim that like Josephine Baker saves the world

0:50:39.760 --> 0:50:41.839
<v Speaker 1>or whatever, right, and there's like plenty of people who

0:50:41.880 --> 0:50:43.840
<v Speaker 1>you can say, in World War II, save the world.

0:50:44.600 --> 0:50:46.400
<v Speaker 3>Bill Bullet and Major Bacon.

0:50:46.560 --> 0:50:49.200
<v Speaker 1>Right yeah, now, actually Bill, Bill Bullet, all he did

0:50:49.360 --> 0:50:53.080
<v Speaker 1>was like tell he he just told Berlin that it's

0:50:53.120 --> 0:50:56.439
<v Speaker 1>no open city. Please don't kill us, right enough? Yeah,

0:50:57.080 --> 0:51:00.200
<v Speaker 1>but Major Bacon, who's British. I believe this, This is

0:51:00.239 --> 0:51:03.480
<v Speaker 1>what reforges the connection between French and British intelligence agencies.

0:51:04.400 --> 0:51:07.760
<v Speaker 1>And also is like here's the information about the fucking

0:51:07.840 --> 0:51:12.440
<v Speaker 1>blitz and that feels like real major shit. You know

0:51:13.640 --> 0:51:19.239
<v Speaker 1>that feels like world event changing shit and yep, so

0:51:19.800 --> 0:51:22.359
<v Speaker 1>Josephine Baker saves the world. And then all the while

0:51:22.440 --> 0:51:25.200
<v Speaker 1>she's giving radio interviews in Lisbon about like celebrity bullshit,

0:51:25.200 --> 0:51:26.759
<v Speaker 1>where she's like, oh, I'm here to sing, you know,

0:51:27.520 --> 0:51:29.240
<v Speaker 1>which is cool, Like I mean, her singing isn't bullshit,

0:51:29.239 --> 0:51:32.560
<v Speaker 1>it's like really fucking good, right, And they're like, all right,

0:51:32.920 --> 0:51:36.160
<v Speaker 1>you've reforged these connections. We have arranged safe passage for

0:51:36.320 --> 0:51:38.800
<v Speaker 1>you and your boyfriend Handler to go to London and

0:51:38.920 --> 0:51:40.480
<v Speaker 1>you can sit out the rest of the war. Well

0:51:40.560 --> 0:51:42.880
<v Speaker 1>unless London falls, yeah.

0:51:42.880 --> 0:51:45.560
<v Speaker 3>Right Ley, which is currently being massively bombed.

0:51:45.719 --> 0:51:46.160
<v Speaker 2>It's true.

0:51:46.400 --> 0:51:49.799
<v Speaker 1>Yeah, So Josephine Baker she's like, no, I'm not going

0:51:49.840 --> 0:51:50.520
<v Speaker 1>to run from a fight.

0:51:50.680 --> 0:51:51.000
<v Speaker 2>Fuck that.

0:51:51.920 --> 0:51:54.520
<v Speaker 1>She goes back to France, she goes back to her castle,

0:51:55.800 --> 0:51:57.800
<v Speaker 1>she goes shows back up and they're like, look, we

0:51:57.920 --> 0:52:01.000
<v Speaker 1>know that you promised to not ever perform in Nazi France.

0:52:01.440 --> 0:52:07.359
<v Speaker 1>But here's the thing. We're broke and it'd be really

0:52:07.440 --> 0:52:09.040
<v Speaker 1>sick if you got paid a whole bunch of money

0:52:09.040 --> 0:52:13.240
<v Speaker 1>because you're like a superstar, and also your celebrity access

0:52:13.320 --> 0:52:16.680
<v Speaker 1>to information is more important than your unvarnished reputation. So

0:52:16.800 --> 0:52:19.560
<v Speaker 1>this is another thing that she burns. She burns her

0:52:19.600 --> 0:52:26.719
<v Speaker 1>own credibility. Yeah, and so she starts performing. She has

0:52:26.800 --> 0:52:30.160
<v Speaker 1>done like almost every role of a rebel besides like

0:52:30.280 --> 0:52:33.200
<v Speaker 1>literally the murdering Nazis with their bare hands part. She's

0:52:33.239 --> 0:52:36.120
<v Speaker 1>done mutual aid volunteering, she has done spy shit, She's

0:52:36.120 --> 0:52:40.400
<v Speaker 1>smuggled documents, she's fundraises, she's provided sanctuary, she helps people escape.

0:52:41.080 --> 0:52:44.880
<v Speaker 1>She like, fucking does it all propaganda. We'll talk more

0:52:44.920 --> 0:52:48.640
<v Speaker 1>about that. She also so, now, okay, what's her next trick.

0:52:48.760 --> 0:52:52.200
<v Speaker 1>She smuggles folks out of the country. In particular, she

0:52:52.280 --> 0:52:54.400
<v Speaker 1>smuggles to two people out of the country. One is

0:52:54.480 --> 0:52:57.200
<v Speaker 1>her old gay male lover, Fred Ray, who is her

0:52:57.239 --> 0:52:59.080
<v Speaker 1>co star and a lot of stuff back in the day,

0:52:59.120 --> 0:53:01.120
<v Speaker 1>and he's openly gay, and the Nazis were like, fuck

0:53:01.200 --> 0:53:04.160
<v Speaker 1>this guy, We're going to fucking kill him, right, And

0:53:04.920 --> 0:53:06.960
<v Speaker 1>he also had fought in a French foreign legion against

0:53:07.000 --> 0:53:09.680
<v Speaker 1>the Nazis, which is like, so now they double don't

0:53:09.800 --> 0:53:12.760
<v Speaker 1>like him. And another is a German Jewish film producer,

0:53:13.160 --> 0:53:17.440
<v Speaker 1>Rodolphe Solompson, who had already fled Germany with his family

0:53:18.440 --> 0:53:24.480
<v Speaker 1>and so Fred and Rodolph and his family. They're going

0:53:24.560 --> 0:53:26.360
<v Speaker 1>to go flee and they're going to go to Morocco

0:53:27.040 --> 0:53:31.000
<v Speaker 1>ostensibly to perform again this but it's more than that.

0:53:31.239 --> 0:53:33.439
<v Speaker 1>North Africa is the next theater opening in the war,

0:53:33.600 --> 0:53:37.360
<v Speaker 1>and she needs to be where she's useful. Also, the

0:53:37.480 --> 0:53:40.799
<v Speaker 1>Nazis were onto her kind of They were like, right,

0:53:41.320 --> 0:53:42.879
<v Speaker 1>I think they weren't onto her as a spy yet.

0:53:42.920 --> 0:53:45.080
<v Speaker 1>That's going to common about a year or so. But

0:53:45.160 --> 0:53:47.960
<v Speaker 1>they're like gonna fuck this lady Tip and so they

0:53:48.040 --> 0:53:49.919
<v Speaker 1>blacklist her and so she needs to get the fuck

0:53:49.960 --> 0:53:50.799
<v Speaker 1>out before they arrest her.

0:53:51.840 --> 0:53:52.280
<v Speaker 2>She can't.

0:53:52.440 --> 0:53:54.800
<v Speaker 1>She cancels the last bit of her shows in Marseille

0:53:56.760 --> 0:54:01.439
<v Speaker 1>and she gets on a steamer along with a great Dane,

0:54:02.040 --> 0:54:03.680
<v Speaker 1>three monkeys and two mice.

0:54:04.960 --> 0:54:08.040
<v Speaker 3>Oh hell yeah, it's fantastic.

0:54:08.680 --> 0:54:11.440
<v Speaker 1>Everyone is like what are you doing? Leave the animals

0:54:11.480 --> 0:54:14.680
<v Speaker 1>and she's like, no, what are you doing?

0:54:16.600 --> 0:54:16.839
<v Speaker 3>Yeah?

0:54:17.560 --> 0:54:21.520
<v Speaker 1>Yeah, And it kind of works in that, like hurt,

0:54:22.360 --> 0:54:24.680
<v Speaker 1>she's not gonna fly under the radar, so she flies

0:54:24.719 --> 0:54:27.880
<v Speaker 1>over the radar, you know, yeah, or breaks through the

0:54:27.960 --> 0:54:30.560
<v Speaker 1>radar or whatever. And my metaphor doesn't work right. But

0:54:31.360 --> 0:54:34.480
<v Speaker 1>she gets to Africa and she's immediately arrested by Vichy

0:54:34.560 --> 0:54:40.000
<v Speaker 1>police for breach of contract because she owed more shows

0:54:40.080 --> 0:54:44.320
<v Speaker 1>to the fucking people in Marseille. It takes her like

0:54:44.360 --> 0:54:46.000
<v Speaker 1>a week to sort that one out, because it's not

0:54:46.080 --> 0:54:47.279
<v Speaker 1>a we're going to murder you crime.

0:54:47.520 --> 0:54:47.680
<v Speaker 3>You know.

0:54:48.880 --> 0:54:53.280
<v Speaker 1>She's rescued her, her friends and herself. She then immediately

0:54:53.360 --> 0:54:56.279
<v Speaker 1>sets to work using her connections to get passports for

0:54:56.360 --> 0:55:01.080
<v Speaker 1>Jews fleeing Europe. Then she gets sick as fuck paranatitis,

0:55:01.920 --> 0:55:05.719
<v Speaker 1>which is basically stomach is bad to squeamish folks like me.

0:55:06.360 --> 0:55:06.560
<v Speaker 2>Yeah.

0:55:07.480 --> 0:55:09.959
<v Speaker 1>She spends eighteen months in the hospital in the middle

0:55:10.000 --> 0:55:13.359
<v Speaker 1>of all this shit. At one point, she's so close

0:55:13.400 --> 0:55:16.720
<v Speaker 1>to death that the poet Langston Hughes and Chicago writes

0:55:16.719 --> 0:55:19.839
<v Speaker 1>her obituary and published it by accident because everyone thought

0:55:19.880 --> 0:55:23.359
<v Speaker 1>she was dead. He'd written that she was quote as

0:55:23.440 --> 0:55:25.560
<v Speaker 1>much a victim of Hitler as the soldiers who fall

0:55:25.600 --> 0:55:29.120
<v Speaker 1>today in Africa fighting his armies. The Arians drove Josephine

0:55:29.120 --> 0:55:32.360
<v Speaker 1>away from her beloved Paris. Josephine had to write a

0:55:32.440 --> 0:55:37.480
<v Speaker 1>attraction to her own obituary saying, quote, there has been

0:55:37.520 --> 0:55:40.280
<v Speaker 1>a slight error. I am much too busy to die.

0:55:42.200 --> 0:55:47.279
<v Speaker 2>Nice. Yeah, this was like that whole like five six

0:55:47.400 --> 0:55:50.360
<v Speaker 2>year period was like the Golden Age for one liners,

0:55:50.520 --> 0:55:57.520
<v Speaker 2>some really truly incredible lines. Yeah, oh god, my favorite to.

0:55:57.680 --> 0:56:00.759
<v Speaker 3>Fight your own death, isn't it? Like do you want

0:56:00.800 --> 0:56:03.239
<v Speaker 3>to be a spy or not? We're moving on now.

0:56:03.840 --> 0:56:09.439
<v Speaker 1>No, sorry, So her hospital room becomes a resistance center

0:56:09.520 --> 0:56:12.759
<v Speaker 1>for spies because they can meet there, because they're under

0:56:12.760 --> 0:56:15.040
<v Speaker 1>the pretense of visiting Josephine Baker, because like lots of

0:56:15.080 --> 0:56:18.640
<v Speaker 1>people are coming and visiting. So while she's sick, she

0:56:18.800 --> 0:56:23.840
<v Speaker 1>gathers information about AXIS North African access defenses, about the tides,

0:56:24.360 --> 0:56:27.000
<v Speaker 1>and helps pave the way for Operation Torch when the

0:56:27.080 --> 0:56:29.520
<v Speaker 1>Allies fuck up AXIS forces in North Africa in the

0:56:29.600 --> 0:56:32.799
<v Speaker 1>US gets involved a little bit more directly in the war,

0:56:33.000 --> 0:56:38.400
<v Speaker 1>I believe. So eighteen months she gets out and she

0:56:38.560 --> 0:56:41.200
<v Speaker 1>goes on to start passaging messages back and forth as

0:56:41.239 --> 0:56:44.680
<v Speaker 1>she travels across North Africa, performing to raise money and performing.

0:56:44.920 --> 0:56:45.560
<v Speaker 2>For the troops.

0:56:45.880 --> 0:56:48.960
<v Speaker 1>And the main way that she's carrying information is invisible

0:56:49.000 --> 0:56:51.359
<v Speaker 1>inc on her sheet music. And then the other thing

0:56:51.480 --> 0:56:55.000
<v Speaker 1>is notes pinned inside her underwear because she's like, I'm

0:56:55.080 --> 0:56:56.759
<v Speaker 1>Josephin Baker. No one's going to strip search me.

0:56:57.400 --> 0:56:57.960
<v Speaker 2>And she's right.

0:56:58.360 --> 0:57:01.080
<v Speaker 1>The entire war goes by, and when Strip searches her

0:57:02.239 --> 0:57:05.680
<v Speaker 1>and she's like, you know who else sucks besides Germany?

0:57:05.760 --> 0:57:09.520
<v Speaker 1>The fucking US army. It's segregated, so she refuses to

0:57:09.600 --> 0:57:12.680
<v Speaker 1>play for a segregated army and only will play when

0:57:12.719 --> 0:57:16.120
<v Speaker 1>the black and white soldiers sit together. This is amazing

0:57:16.600 --> 0:57:19.800
<v Speaker 1>also that local folks like North African folks are allowed

0:57:19.840 --> 0:57:24.880
<v Speaker 1>to attend her performances. At one point, cool she's singing

0:57:24.960 --> 0:57:28.240
<v Speaker 1>and performing for the troops and the base they're at

0:57:28.600 --> 0:57:30.880
<v Speaker 1>is bombed and there's a bombing raid on the base.

0:57:31.280 --> 0:57:33.960
<v Speaker 1>She doesn't stop singing because they're like, oh, they got

0:57:34.040 --> 0:57:35.000
<v Speaker 1>to get you out of here, and she's like, well,

0:57:35.040 --> 0:57:36.040
<v Speaker 1>the soldiers can't leave.

0:57:35.960 --> 0:57:40.360
<v Speaker 2>So I'm not fucking leaving. Also based and the.

0:57:40.440 --> 0:57:43.240
<v Speaker 1>Other thing, she is doing all of this out of

0:57:43.320 --> 0:57:46.880
<v Speaker 1>her own pocket because there's no money for troop entertainment,

0:57:47.920 --> 0:57:53.520
<v Speaker 1>so she just burns ten million francs of her own

0:57:53.560 --> 0:57:58.440
<v Speaker 1>money to travel the world being a spy performing for troops.

0:57:59.480 --> 0:58:02.240
<v Speaker 1>So she works as a diplomat. She is talking with

0:58:02.320 --> 0:58:06.240
<v Speaker 1>people across Northern Africa about why they should support the Allies. Specifically,

0:58:06.680 --> 0:58:10.200
<v Speaker 1>she helps connect the free forces of France with Egyptian stuff.

0:58:10.560 --> 0:58:12.080
<v Speaker 1>I don't really know enough about the course of the

0:58:12.120 --> 0:58:13.800
<v Speaker 1>war to say how influential this is. I just like,

0:58:13.880 --> 0:58:17.040
<v Speaker 1>straight up, I don't know. By nineteen forty two, it

0:58:17.160 --> 0:58:20.520
<v Speaker 1>is clear that the Nazis are onto her. She keeps going.

0:58:20.760 --> 0:58:22.920
<v Speaker 1>She's less of a spy at this point, and she

0:58:23.360 --> 0:58:26.440
<v Speaker 1>is just and just gets quotes because it's still fucking amazing,

0:58:26.920 --> 0:58:30.600
<v Speaker 1>an entertainer and a fundraiser for the war effort. The

0:58:30.720 --> 0:58:33.360
<v Speaker 1>leader of Free France gives her a fancy bejeweled medal

0:58:33.400 --> 0:58:35.680
<v Speaker 1>at some point. There's like all of the people keep

0:58:35.720 --> 0:58:37.760
<v Speaker 1>listening off her medals and all of the articles, but

0:58:37.840 --> 0:58:40.240
<v Speaker 1>I never care about that, and so I don't pay attention,

0:58:40.320 --> 0:58:42.600
<v Speaker 1>so I didn't write them down. Gives her a fancy

0:58:42.640 --> 0:58:44.960
<v Speaker 1>bejeweled medal for her service in nineteen forty three, so

0:58:45.160 --> 0:58:47.240
<v Speaker 1>the next time she's in Beirut she auctions it off

0:58:47.400 --> 0:58:52.160
<v Speaker 1>to raise money for the resistance. Great and in nineteen

0:58:52.240 --> 0:58:55.480
<v Speaker 1>forty four she joins the Free French Air Force properly

0:58:55.600 --> 0:58:59.080
<v Speaker 1>and becomes a second lieutenant. This is an all women unit,

0:58:59.560 --> 0:59:02.160
<v Speaker 1>and I think it's mostly for propaganda purposes, and I'm

0:59:02.240 --> 0:59:05.200
<v Speaker 1>not entirely certain. I wasn't able to like find more

0:59:05.240 --> 0:59:07.680
<v Speaker 1>information about that. I mean, she can fucking fly, right.

0:59:07.920 --> 0:59:10.720
<v Speaker 1>She's a pilot. She's flown missions with the Red Cross

0:59:10.760 --> 0:59:15.439
<v Speaker 1>for refugees, and she's flying along as the Allies march

0:59:15.560 --> 0:59:19.640
<v Speaker 1>into access territory and start liberating camps. She's like flying

0:59:19.720 --> 0:59:23.480
<v Speaker 1>along and she starts performing for refugees and for Holocaust

0:59:23.480 --> 0:59:27.560
<v Speaker 1>survivors as they like are freed from concentration camps. And

0:59:28.880 --> 0:59:31.160
<v Speaker 1>it's kind of I don't know, I just I think

0:59:31.160 --> 0:59:36.280
<v Speaker 1>it's fucking cool. So when Paris was retaken, she goes

0:59:36.360 --> 0:59:38.600
<v Speaker 1>and she just sells all of her jewelry and shit

0:59:39.320 --> 0:59:41.640
<v Speaker 1>and raises money and gives it directly to poor folks.

0:59:41.720 --> 0:59:44.120
<v Speaker 1>It's no longer now that like Paris is retaken, and

0:59:44.640 --> 0:59:47.040
<v Speaker 1>now that the war is fucking winding down, she's not like, oh,

0:59:47.040 --> 0:59:48.280
<v Speaker 1>I'm going to give all my money to like the

0:59:48.360 --> 0:59:51.280
<v Speaker 1>military effort or whatever. She's just like or the French government.

0:59:51.640 --> 0:59:53.560
<v Speaker 1>She just like directly gives it to poor people.

0:59:54.320 --> 0:59:56.760
<v Speaker 3>You're already thinking about putting things back together.

0:59:57.160 --> 1:00:01.320
<v Speaker 1>Yeah, totally. And she burns her entire fortune during the

1:00:01.400 --> 1:00:03.120
<v Speaker 1>course of the war. She like actually puts it all

1:00:03.160 --> 1:00:06.439
<v Speaker 1>on the line in her life and even her fucking

1:00:06.480 --> 1:00:10.240
<v Speaker 1>reputation by playing her fucking Nazis to raise money and

1:00:10.280 --> 1:00:10.680
<v Speaker 1>get info.

1:00:11.800 --> 1:00:14.840
<v Speaker 3>It's so brave, Yeah, someone as the bravest bit of it.

1:00:15.520 --> 1:00:15.760
<v Speaker 2>Yeah.

1:00:16.760 --> 1:00:19.560
<v Speaker 1>Yeah, because like if she had died before that and

1:00:19.680 --> 1:00:21.959
<v Speaker 1>no one knew that she was like a super cool spy,

1:00:22.640 --> 1:00:24.120
<v Speaker 1>it would have been like, oh, she was cool, and

1:00:24.200 --> 1:00:26.000
<v Speaker 1>then like I don't know, and then.

1:00:25.920 --> 1:00:27.960
<v Speaker 3>She steaded performing for the Nazis and sold out.

1:00:28.200 --> 1:00:30.400
<v Speaker 2>Yeah, totally, and for.

1:00:30.480 --> 1:00:32.520
<v Speaker 4>Somebody who has like like right at the beginning, we

1:00:32.640 --> 1:00:35.040
<v Speaker 4>were talking about different ways of telling your story, and

1:00:35.200 --> 1:00:37.360
<v Speaker 4>she clearly wanted to own it and to make up

1:00:37.440 --> 1:00:39.400
<v Speaker 4>things about herself again and again and be in charge

1:00:39.440 --> 1:00:43.800
<v Speaker 4>of it. So to risk that the story people would

1:00:43.800 --> 1:00:46.400
<v Speaker 4>have about her was really really awful. It's just the

1:00:46.480 --> 1:00:47.920
<v Speaker 4>bravest thing a person that that can do.

1:00:48.600 --> 1:00:51.320
<v Speaker 1>Yeah, No, you're right, because I mean she clearly isn't

1:00:52.120 --> 1:00:56.680
<v Speaker 1>afraid of death, Like you don't become a pilot or

1:00:56.720 --> 1:01:00.160
<v Speaker 1>a spy because you're afraid of dying, you know why.

1:01:01.200 --> 1:01:07.880
<v Speaker 1>Yeah that's true too, right, Yeah, And I'm guessing I

1:01:07.920 --> 1:01:11.439
<v Speaker 1>don't know how long cheetahs live, but I stop hearing

1:01:11.480 --> 1:01:13.720
<v Speaker 1>about Hiquida before she takes all of her animals over.

1:01:13.920 --> 1:01:18.720
<v Speaker 1>So I'm I'm presuming Shakida lived a natural life span and.

1:01:19.000 --> 1:01:21.479
<v Speaker 4>Like and had a long, happy life somewhere else, because

1:01:21.520 --> 1:01:22.439
<v Speaker 4>cheetas never die.

1:01:22.640 --> 1:01:24.560
<v Speaker 2>Yeah, that's what I meant to say. Yeah, totally.

1:01:25.440 --> 1:01:29.000
<v Speaker 1>So after the war, she goes back to performing, but

1:01:29.080 --> 1:01:32.640
<v Speaker 1>she has a newfound seriousness. She rebuilds a lot of

1:01:32.680 --> 1:01:37.760
<v Speaker 1>her famousness. She kind of like when I say struggles financially,

1:01:37.800 --> 1:01:40.000
<v Speaker 1>I like, I don't know how much bother she was

1:01:40.080 --> 1:01:42.120
<v Speaker 1>by it or not, you know, but she's like, doesn't

1:01:42.320 --> 1:01:45.560
<v Speaker 1>reach the same level of like, fuck off money. Yeah,

1:01:45.840 --> 1:01:47.520
<v Speaker 1>but I think that that might be not as much

1:01:47.520 --> 1:01:49.040
<v Speaker 1>important to her at this point anymore, you.

1:01:49.080 --> 1:01:52.840
<v Speaker 3>Know, just dispertely leaves money. Yeah.

1:01:53.880 --> 1:01:56.240
<v Speaker 1>In nineteen fifty one, she returns to the US, not

1:01:56.400 --> 1:01:59.600
<v Speaker 1>to live there, but to to use her fame to

1:01:59.760 --> 1:02:06.040
<v Speaker 1>force places to desegregate. This nightclub in Miami was like segregated,

1:02:06.920 --> 1:02:08.520
<v Speaker 1>and they were like, hey, we want you to come

1:02:08.520 --> 1:02:09.840
<v Speaker 1>play here, and she's like, I'm a fucking plan for

1:02:09.840 --> 1:02:10.600
<v Speaker 1>a segregated club.

1:02:10.640 --> 1:02:10.920
<v Speaker 2>Fuck you.

1:02:11.120 --> 1:02:12.720
<v Speaker 1>They're like, we'll give you ten thousand dollars, which I

1:02:12.760 --> 1:02:14.600
<v Speaker 1>don't have the I forgot to do the money calculator.

1:02:14.640 --> 1:02:17.920
<v Speaker 2>But it's like about forty million dollars in modern money. Yeah, yeah, roughly.

1:02:18.040 --> 1:02:22.560
<v Speaker 1>Yeah, And no matter how much money they offer her,

1:02:22.600 --> 1:02:26.000
<v Speaker 1>she's not going to play for segregated audience. So they desegregate,

1:02:27.160 --> 1:02:30.120
<v Speaker 1>and then she goes on a US tour that went

1:02:30.280 --> 1:02:32.160
<v Speaker 1>way the fuck better than last time she tried, you know,

1:02:32.280 --> 1:02:36.600
<v Speaker 1>twenty five years earlier or fifteen years earlier. And when

1:02:36.640 --> 1:02:39.080
<v Speaker 1>she fought to desegregate the Stork Club, which is an

1:02:39.080 --> 1:02:42.760
<v Speaker 1>old bougie asshole club in New York City, some assholes

1:02:42.960 --> 1:02:45.120
<v Speaker 1>and some asshole and the press called her a communist.

1:02:46.080 --> 1:02:51.280
<v Speaker 1>So the US kicked her out of the country because

1:02:51.640 --> 1:02:53.880
<v Speaker 1>even though they were getting slightly better about racism, they

1:02:53.920 --> 1:02:55.240
<v Speaker 1>were really anti communist.

1:02:55.720 --> 1:02:58.040
<v Speaker 2>It was a it was a two steps forward several

1:02:58.120 --> 1:02:59.280
<v Speaker 2>other steps back, so.

1:02:59.360 --> 1:02:59.720
<v Speaker 3>You can deal.

1:03:00.160 --> 1:03:04.800
<v Speaker 1>Yeah, she was banned for twelve years nineteen sixty three.

1:03:04.840 --> 1:03:07.880
<v Speaker 1>They lifted it in nineteen sixty six. She goes to

1:03:07.960 --> 1:03:10.400
<v Speaker 1>Cuba and plays in Havana for actual communists. I have

1:03:10.560 --> 1:03:13.880
<v Speaker 1>like no belief that she became a communist or something,

1:03:13.960 --> 1:03:16.440
<v Speaker 1>but I think she was about what she was about.

1:03:16.320 --> 1:03:16.480
<v Speaker 3>You know.

1:03:17.040 --> 1:03:20.400
<v Speaker 1>Yeah, And she worked for the NAACP in the US.

1:03:21.560 --> 1:03:24.080
<v Speaker 1>She spoke she was the only official woman speaker at

1:03:24.080 --> 1:03:26.840
<v Speaker 1>the nineteen sixty three March on Washington alongside Martin Luther

1:03:26.960 --> 1:03:30.000
<v Speaker 1>King Junior, and she used the fact that she was

1:03:30.040 --> 1:03:32.480
<v Speaker 1>the only woman who was like given a place to

1:03:32.560 --> 1:03:36.800
<v Speaker 1>speak to invite other black women up to speak, and

1:03:37.520 --> 1:03:40.000
<v Speaker 1>specifically Rosa Parks and Daisy Baits came up and gave

1:03:40.040 --> 1:03:42.320
<v Speaker 1>small speeches basically like as part of her speech, because she.

1:03:42.400 --> 1:03:47.520
<v Speaker 3>Was like, this is so completely crazy. I'm like, yeah,

1:03:47.560 --> 1:03:48.120
<v Speaker 3>they dunce.

1:03:48.440 --> 1:03:49.640
<v Speaker 2>Yeah, I know, I know.

1:03:50.240 --> 1:03:51.880
<v Speaker 1>And if you read all these articles about her.

1:03:52.760 --> 1:03:56.480
<v Speaker 2>Always did the most base thing she could. Yeah, yeah.

1:03:58.240 --> 1:04:00.360
<v Speaker 1>And when she spoke in nineteen sixty three, she wore

1:04:00.400 --> 1:04:01.560
<v Speaker 1>her free French uniform.

1:04:02.640 --> 1:04:10.320
<v Speaker 7>Oh god, just unerringly based. Yeah, like a base seeking missile. Okay,

1:04:10.360 --> 1:04:15.240
<v Speaker 7>there's gonna be one little I'll get to it. This

1:04:15.440 --> 1:04:18.080
<v Speaker 7>next part, isn't it. When when Martin Luther King Junior, dies,

1:04:18.240 --> 1:04:20.439
<v Speaker 7>his widow asked Baker if she would take his place

1:04:20.440 --> 1:04:23.560
<v Speaker 7>as leader of the movement, and for the first time,

1:04:23.680 --> 1:04:25.880
<v Speaker 7>she let her own safety influence her decision. She said

1:04:25.920 --> 1:04:27.960
<v Speaker 7>her children were too young to lose their mother, and

1:04:28.040 --> 1:04:31.760
<v Speaker 7>her first duty was to them. Because now let's talk

1:04:31.760 --> 1:04:37.880
<v Speaker 7>about her children, who kind of don't Okay. So she

1:04:38.000 --> 1:04:41.520
<v Speaker 7>adopted twelve kids from around the world, called them the

1:04:41.600 --> 1:04:46.040
<v Speaker 7>Rainbow Tribe, in an effort to show that quote, children

1:04:46.080 --> 1:04:49.080
<v Speaker 7>of different ethnicities and religions could still be brothers. So

1:04:49.240 --> 1:04:52.320
<v Speaker 7>she raised them all different religions, including not necessarily the

1:04:52.360 --> 1:04:55.640
<v Speaker 7>religions that they would have been otherwise born into. Okay,

1:04:57.680 --> 1:05:00.680
<v Speaker 7>And there's a lot of criticism from a optees today

1:05:00.680 --> 1:05:03.520
<v Speaker 7>about the way that adoption agencies work, especially around international

1:05:03.560 --> 1:05:08.200
<v Speaker 7>adoptions and things like that. She also arranged tours of

1:05:08.240 --> 1:05:11.160
<v Speaker 7>her chateau so that tourists could come see how happy

1:05:11.240 --> 1:05:14.240
<v Speaker 7>her Rainbow Tribe was, and the kids would sing and

1:05:14.360 --> 1:05:15.360
<v Speaker 7>dance for the tourists.

1:05:16.960 --> 1:05:17.160
<v Speaker 3>Right.

1:05:17.920 --> 1:05:20.400
<v Speaker 1>And then here's one part that I found one source

1:05:20.440 --> 1:05:23.880
<v Speaker 1>and that confuses me. When one of her kids, who

1:05:23.960 --> 1:05:28.040
<v Speaker 1>is Argentinian, was fifteen and like came out as gay,

1:05:28.240 --> 1:05:30.920
<v Speaker 1>she kicked him out of the house and sent him

1:05:30.920 --> 1:05:35.560
<v Speaker 1>back to Argentina. And it's really that's a bumb I

1:05:35.640 --> 1:05:39.440
<v Speaker 1>don't it. I believe so, But it's like, and it's

1:05:39.480 --> 1:05:43.840
<v Speaker 1>interesting because she's bisexual. She saved this gay man's life

1:05:43.880 --> 1:05:49.000
<v Speaker 1>on purpose, who she was also her Yeah, she also

1:05:49.120 --> 1:05:51.400
<v Speaker 1>converted to Catholicism later in her life. And I don't

1:05:51.440 --> 1:05:52.320
<v Speaker 1>know if those are related.

1:05:52.600 --> 1:05:55.800
<v Speaker 2>Maybe she just got listed, yeah, debased.

1:05:56.440 --> 1:06:00.440
<v Speaker 1>Yeah, And I as far as I can, all her

1:06:00.560 --> 1:06:04.520
<v Speaker 1>kids who've now also mostly lived full, complete lives and died,

1:06:05.920 --> 1:06:08.280
<v Speaker 1>I think her kids tend not to be her biggest

1:06:08.320 --> 1:06:09.840
<v Speaker 1>fan about the way that she raised them.

1:06:09.920 --> 1:06:14.680
<v Speaker 2>Right, Well, you can't, you can't get it all right, yeah,

1:06:15.960 --> 1:06:16.400
<v Speaker 2>And it's.

1:06:16.360 --> 1:06:19.160
<v Speaker 1>Like and you can see where it's coming from and

1:06:19.400 --> 1:06:21.120
<v Speaker 1>all the like singing and dancing. Shit, that's like what

1:06:21.320 --> 1:06:23.920
<v Speaker 1>she fucking did and what she loved.

1:06:23.840 --> 1:06:24.960
<v Speaker 3>You know. Yeah.

1:06:25.640 --> 1:06:29.360
<v Speaker 2>So her last marriage, I know, I know, we're it's

1:06:29.440 --> 1:06:29.880
<v Speaker 2>not done.

1:06:30.040 --> 1:06:30.840
<v Speaker 3>Oh it were.

1:06:31.040 --> 1:06:34.720
<v Speaker 1>This is the this is the winding down. Her last

1:06:34.800 --> 1:06:36.840
<v Speaker 1>marriage was to an artist named Robert Brandy was about

1:06:36.840 --> 1:06:38.600
<v Speaker 1>thirty years younger than her. It's referred to as a

1:06:38.640 --> 1:06:41.920
<v Speaker 1>platonic marriage and it was never legally sanctioned. It was

1:06:41.960 --> 1:06:45.080
<v Speaker 1>in an empty church in Mexico. They kept it away

1:06:45.080 --> 1:06:46.800
<v Speaker 1>from the press because they didn't want to deal with

1:06:46.800 --> 1:06:50.240
<v Speaker 1>all the bullshit. In nineteen seventy five, she performed in

1:06:50.320 --> 1:06:52.800
<v Speaker 1>Carnegie Hall and there was a standing ovation before she

1:06:52.920 --> 1:06:55.920
<v Speaker 1>came on stage, and she cried because the night and

1:06:55.960 --> 1:06:57.919
<v Speaker 1>day difference from her treatment. The last time she tried

1:06:57.920 --> 1:07:00.280
<v Speaker 1>to play Carnegie Hall, like you know, thirty fifty whatever

1:07:00.360 --> 1:07:05.520
<v Speaker 1>years earlier. That's a few days later, at sixty eight

1:07:05.600 --> 1:07:08.040
<v Speaker 1>years old, she slipped into a coma and died of

1:07:08.560 --> 1:07:13.440
<v Speaker 1>brain bad stuff. About twenty thousand people showed up for

1:07:13.520 --> 1:07:17.680
<v Speaker 1>her funeral procession in Paris. She was the first American

1:07:17.720 --> 1:07:20.080
<v Speaker 1>woman buried in France, with full military honors and a

1:07:20.160 --> 1:07:21.200
<v Speaker 1>twenty one gun salute.

1:07:21.680 --> 1:07:21.960
<v Speaker 2>Damn.

1:07:22.560 --> 1:07:25.200
<v Speaker 1>A few years ago she was reburied in the Pantheon,

1:07:25.320 --> 1:07:29.600
<v Speaker 1>France's Tomb of Heroes, and she's the first American of

1:07:29.840 --> 1:07:32.640
<v Speaker 1>any gender race to be buried there, as well as

1:07:32.680 --> 1:07:35.160
<v Speaker 1>the first pilot and as well as the first black woman.

1:07:35.760 --> 1:07:41.040
<v Speaker 2>God damn. Yeah, she just fucking did everything.

1:07:41.360 --> 1:07:46.320
<v Speaker 3>He really did, like you feel like, and he just

1:07:46.320 --> 1:07:47.720
<v Speaker 3>started getting up earlier in the morning.

1:07:48.360 --> 1:07:52.320
<v Speaker 6>No, I will say she was probably exhausting to be around. Yeah,

1:07:53.040 --> 1:07:57.000
<v Speaker 6>oh sure, yeah, smuggling shit via the air and spying

1:07:57.080 --> 1:07:58.520
<v Speaker 6>on the look you know some of us.

1:07:59.040 --> 1:08:00.880
<v Speaker 2>Yeah, but you do you have a.

1:08:03.320 --> 1:08:05.000
<v Speaker 3>But do you ever just dick around? Do you have

1:08:05.040 --> 1:08:06.760
<v Speaker 3>to just think, no, I'm just not going to do it.

1:08:07.320 --> 1:08:10.960
<v Speaker 4>Yeah, hang out with my monkey and dick around games

1:08:10.960 --> 1:08:13.760
<v Speaker 4>with my cheetah and like go to my pig and

1:08:13.880 --> 1:08:14.200
<v Speaker 4>that's it.

1:08:15.080 --> 1:08:16.920
<v Speaker 1>No, And the worst part is this somehow she's still

1:08:18.160 --> 1:08:20.639
<v Speaker 1>hand collected the snails to feed her ducks.

1:08:22.040 --> 1:08:22.240
<v Speaker 3>You know.

1:08:23.400 --> 1:08:26.720
<v Speaker 2>Yeah, that's a full day for me. Yeah, I'm on

1:08:26.880 --> 1:08:29.080
<v Speaker 2>snail dude, that's like eight hours here.

1:08:29.439 --> 1:08:35.599
<v Speaker 3>Yeah, no, they're not that fast. Famously, Yeah, that's true.

1:08:37.880 --> 1:08:41.040
<v Speaker 1>Actually snail's pace specifically referring to the pace at which

1:08:41.040 --> 1:08:43.400
<v Speaker 1>one can find them and put them in the bu

1:08:43.880 --> 1:08:45.720
<v Speaker 1>I don't know if you knew the etymology of that. Yeah,

1:08:46.680 --> 1:08:51.640
<v Speaker 1>that's a true fact, true facts with Margaret. Yeah, so

1:08:52.760 --> 1:08:57.559
<v Speaker 1>that's just beIN Baker, who saves the world.

1:08:57.640 --> 1:09:02.280
<v Speaker 3>Amazing story talking about moments that saved the world. And

1:09:02.479 --> 1:09:03.000
<v Speaker 3>it's funny.

1:09:03.880 --> 1:09:08.320
<v Speaker 4>I wrote something a couple of years ago about alternate

1:09:08.400 --> 1:09:11.800
<v Speaker 4>histories and how all these stories ab alternate histories. But

1:09:12.640 --> 1:09:17.200
<v Speaker 4>other seventy years, these histories of alternate histories, often when

1:09:17.240 --> 1:09:20.080
<v Speaker 4>you go to the alternate future, or it goes to

1:09:20.479 --> 1:09:22.880
<v Speaker 4>one moment that's changed, and it always ends up in

1:09:23.520 --> 1:09:28.000
<v Speaker 4>if this had not happened, then the Nazers would have

1:09:28.000 --> 1:09:32.519
<v Speaker 4>won the war or some other fascist future, and it's

1:09:32.560 --> 1:09:35.760
<v Speaker 4>always I don't know, it's this anxiety that if that

1:09:35.840 --> 1:09:38.679
<v Speaker 4>were always I mean I think, particularly a few years ago,

1:09:38.800 --> 1:09:44.080
<v Speaker 4>but this ongoing anxiety that we're just one of butterfly

1:09:44.200 --> 1:09:49.720
<v Speaker 4>wing flaps, one little butterfly wings flap away from a

1:09:49.800 --> 1:09:54.639
<v Speaker 4>fascist future. And I think, like all these amazing individual stories,

1:09:54.680 --> 1:09:57.280
<v Speaker 4>it doesn't make them most amazing and it doesn't make

1:09:57.320 --> 1:09:59.439
<v Speaker 4>it more scary the fact that all of them had

1:09:59.520 --> 1:09:59.880
<v Speaker 4>to happen.

1:10:01.120 --> 1:10:03.599
<v Speaker 6>A lot of people had to save the world, right,

1:10:03.720 --> 1:10:08.840
<v Speaker 6>but effort, that's I mean, I think if we're if

1:10:08.840 --> 1:10:13.040
<v Speaker 6>we're really drilling down into it, it's like, you know,

1:10:14.000 --> 1:10:16.320
<v Speaker 6>the I think the likelihood was always less that the

1:10:16.439 --> 1:10:18.760
<v Speaker 6>Nazis will take over the world and more that like

1:10:18.880 --> 1:10:21.800
<v Speaker 6>the Nazis would not be forced out of power in

1:10:21.920 --> 1:10:27.280
<v Speaker 6>Europe absolutely to all acoustic completion and all sorts of

1:10:27.439 --> 1:10:30.080
<v Speaker 6>like a lot of really terrifying things that don't involve

1:10:30.280 --> 1:10:33.200
<v Speaker 6>you know, the Third Reich invading Delaware.

1:10:34.160 --> 1:10:34.320
<v Speaker 2>Right.

1:10:35.720 --> 1:10:37.080
<v Speaker 1>No, that's such a good point, And that's part of

1:10:37.120 --> 1:10:39.599
<v Speaker 1>how like a lot of the if the Nazis won

1:10:39.840 --> 1:10:41.559
<v Speaker 1>is all about them taking over the US because it's

1:10:41.560 --> 1:10:42.800
<v Speaker 1>being written from an American audience.

1:10:44.720 --> 1:10:46.360
<v Speaker 2>Whoever, Yeah, yeah.

1:10:46.920 --> 1:10:49.439
<v Speaker 3>I did that. Yeah, when you're saying the world I

1:10:49.479 --> 1:10:50.679
<v Speaker 3>didn't really seem in America.

1:10:51.400 --> 1:10:54.519
<v Speaker 1>Yeah, oh yeah, no, sorry that And when I say America,

1:10:54.640 --> 1:10:57.360
<v Speaker 1>I mean the United States of America, not the entire

1:10:57.439 --> 1:11:02.360
<v Speaker 1>two continents that that name. Yeah, yeah, definitely, yeah, yeah,

1:11:02.680 --> 1:11:05.800
<v Speaker 1>forgot that. You know, you you British people don't realize

1:11:05.840 --> 1:11:07.280
<v Speaker 1>that the world is entirely America.

1:11:10.120 --> 1:11:18.200
<v Speaker 3>Germans coming to Yeah, it was so great talking to

1:11:18.280 --> 1:11:20.080
<v Speaker 3>you guys. Honestly this is.

1:11:21.720 --> 1:11:21.960
<v Speaker 2>Well.

1:11:22.840 --> 1:11:25.639
<v Speaker 1>On that note, do you have anything that if people

1:11:25.920 --> 1:11:28.880
<v Speaker 1>enjoyed you here, how can people listen to more of

1:11:28.920 --> 1:11:30.760
<v Speaker 1>what you do, or watch your TV shows or read

1:11:30.800 --> 1:11:31.160
<v Speaker 1>your book?

1:11:32.280 --> 1:11:33.639
<v Speaker 3>Well you can.

1:11:33.960 --> 1:11:37.720
<v Speaker 4>I've written quite a few books. My latest is called

1:11:37.840 --> 1:11:41.840
<v Speaker 4>Sexual Revolution, and it's available from all good and a

1:11:42.000 --> 1:11:47.719
<v Speaker 4>number of bad bookstores. I work on various TV shows,

1:11:48.439 --> 1:11:50.800
<v Speaker 4>including You Might Have Seen a Haunting and Blind Manner

1:11:51.560 --> 1:11:54.360
<v Speaker 4>or Carnival Row or a few other things I'm not

1:11:54.360 --> 1:11:56.880
<v Speaker 4>allowed to talk about yet. And but also you can

1:11:57.479 --> 1:12:00.240
<v Speaker 4>you can find my writing online on the blue Bird

1:12:00.320 --> 1:12:04.679
<v Speaker 4>site at Penny Penny Red and on sub Second lots

1:12:04.680 --> 1:12:07.479
<v Speaker 4>of other places. Honestly, if you just google me, see

1:12:07.520 --> 1:12:09.400
<v Speaker 4>what comes up first, it will be whatever people are

1:12:09.400 --> 1:12:13.600
<v Speaker 4>most interested in. So I don't know, it's lazy for

1:12:13.680 --> 1:12:17.080
<v Speaker 4>me to trust the algorithm, but I'm not as tired

1:12:17.120 --> 1:12:22.280
<v Speaker 4>as Josephine Baker because it's it's one place in the

1:12:22.360 --> 1:12:22.800
<v Speaker 4>morning here.

1:12:24.320 --> 1:12:26.519
<v Speaker 2>Well, you're stayed up late because of the blitz that

1:12:26.760 --> 1:12:27.560
<v Speaker 2>still is going on.

1:12:29.640 --> 1:12:34.280
<v Speaker 3>Well no, that's just general my estate. It's not going

1:12:34.320 --> 1:12:36.679
<v Speaker 3>on still. But that's how time works, you see.

1:12:37.800 --> 1:12:38.320
<v Speaker 2>Interesting.

1:12:39.160 --> 1:12:41.280
<v Speaker 1>But if you come and visit just to check, yeah, no,

1:12:41.520 --> 1:12:42.200
<v Speaker 1>I probably should.

1:12:43.400 --> 1:12:44.960
<v Speaker 2>Sophie, do you have anything you want to plug for

1:12:45.080 --> 1:12:49.320
<v Speaker 2>Cool Zone Medium? Yeah? I am Sophie lester Man. You

1:12:49.439 --> 1:12:54.479
<v Speaker 2>can find me on the internet at www dot ivice

1:12:54.560 --> 1:12:59.920
<v Speaker 2>dot com. That's my personal website. Yeah, and I love

1:13:00.200 --> 1:13:02.840
<v Speaker 2>I love the Celtics, which I call the Celtics.

1:13:03.720 --> 1:13:07.120
<v Speaker 1>Yeah, that's important. That's how we know that you're a spy.

1:13:08.120 --> 1:13:09.840
<v Speaker 1>If you want to find me on the internet, I'm

1:13:09.840 --> 1:13:11.320
<v Speaker 1>at Magpie Killjoy on Twitter.

1:13:12.120 --> 1:13:12.240
<v Speaker 3>Oh.

1:13:12.320 --> 1:13:14.080
<v Speaker 1>The thing I want to plug is that all of

1:13:14.280 --> 1:13:16.400
<v Speaker 1>June twenty twenty three, if anyone you're listening to this,

1:13:16.479 --> 1:13:18.760
<v Speaker 1>I will be kickstarting a game called p Number City,

1:13:19.120 --> 1:13:22.840
<v Speaker 1>to tabletop role playing game where you can drive around

1:13:23.040 --> 1:13:25.519
<v Speaker 1>on motorcycles that are likely to explode and fight against

1:13:25.520 --> 1:13:29.040
<v Speaker 1>the god King and do all kinds of actually fairly

1:13:29.120 --> 1:13:33.400
<v Speaker 1>like Roaring twenties kind of stuff, but with more magic

1:13:34.280 --> 1:13:35.559
<v Speaker 1>so you can.

1:13:35.720 --> 1:13:37.640
<v Speaker 3>Back this sounds brilliant. Can we play it?

1:13:38.240 --> 1:13:41.840
<v Speaker 1>Yes, you can, but only you. Everyone else is to

1:13:41.880 --> 1:13:42.479
<v Speaker 1>back it first.

1:13:42.840 --> 1:13:43.440
<v Speaker 3>Fantastic.

1:13:44.000 --> 1:13:46.840
<v Speaker 2>I'll go cry alone in my room. I'm sorry, but

1:13:46.920 --> 1:13:48.840
<v Speaker 2>it's just the way it is. No, No, it's okay.

1:13:48.880 --> 1:13:52.360
<v Speaker 2>Don't give me any special treatment. Yeah, after all the

1:13:52.439 --> 1:13:56.080
<v Speaker 2>things I've done. Yeah, and we'll see you all next week.

1:13:58.240 --> 1:14:00.680
<v Speaker 2>Cool People Who Did Cool Stuff is a production of

1:14:00.760 --> 1:14:01.679
<v Speaker 2>cool Zone Media.

1:14:02.000 --> 1:14:04.839
<v Speaker 4>For more podcasts from cool Zone Media, visit our website

1:14:05.000 --> 1:14:08.639
<v Speaker 4>Coolzonemedia dot com, or check us out on the iHeartRadio app,

1:14:08.720 --> 1:14:11.480
<v Speaker 4>Apple Podcasts, or wherever you get your podcasts.