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Speaker 1: So I'm like, I've carved out the time to do this.

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Speaker 1: I can totally do the full record here, but like

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Speaker 1: once I do have to go, like as soon as

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Speaker 1: we're done it, it is my cake day today, so.

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Speaker 2: Yes, yes, and and by the way, if I haven't

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Speaker 2: said it, and I know I did say it in text,

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Speaker 2: but I haven't said it face to face, happy cake day.

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Speaker 2: And it's so fucking awesome to see how far you

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Speaker 2: have come, Like I remember when you first logged on

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Speaker 2: and we're so nervous to make a user name, and

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Speaker 2: we're like, is anyone gonna give me any gold? Like

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Speaker 2: I'm never gonna get any gold? Why am I even

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Speaker 2: doing this?

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Speaker 1: But I got so much gold. I got so many

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Speaker 1: little treats for my posts.

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Speaker 2: You won the internet multiple times.

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Speaker 1: On the Internet so many times. And my wife is

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Speaker 1: doing something like she has something planned. I don't know exactly.

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Speaker 2: I can hear a little bustling in the other room

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Speaker 2: and it sounds like possibly some sort of band warming up.

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Speaker 1: Yeah, she's she's busy, and of course, like we've left

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Speaker 1: time for like like the romantic portion.

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Speaker 2: Of the obviously, yes, I'm sure the band has paid

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Speaker 2: until eleven PM on the dot and then they get out,

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Speaker 2: and then from eleven to I would assume three or

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Speaker 2: four in the morning, the two of you will make

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Speaker 2: love in multiple positions and ideally it will end with

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Speaker 2: one or both of you busting.

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Speaker 1: Handbook an insider's guidet.

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Speaker 2: And what up, Peter, We've got him, We've got the guy. Peter, Peter, Peter, Peter, Peter, Peter, Peter.

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Speaker 1: First time guest, I.

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Speaker 2: Haven't had you, so talk to me, Peter. Before Hayes

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Speaker 2: even gets into this, You're and I'll do this occasionally

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Speaker 2: with these guests and I'll say, so you're like so

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Speaker 2: funny or whatever. Huh.

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Speaker 3: Well, first of all, Phyllis, thank you so much for

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Speaker 3: having me on. I I you know, I've been told

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Speaker 3: that I'm you know, I'm funny, So have.

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Speaker 2: I, Peter, Because now I'm getting You're friends with Carl.

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Speaker 3: Carl try, Yeah, very good friend of mine.

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Speaker 2: So he's talking about my friend Peter is so funny.

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Speaker 2: I'm friends with him too. Is he saying that to

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Speaker 2: you about me?

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Speaker 3: He has said it about both of you. Absolutely, Yeah,

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Speaker 3: you're funny. They're very funny, great guys. You know, they

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Speaker 3: know a lot about the industry stuff.

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Speaker 2: Like that he talks about how funny you are, you know,

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Speaker 2: and it doesn't always feel great. And Kevin's saying too,

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Speaker 2: that you're funny and that you're friends with Carl.

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Speaker 1: I would trade, honestly. I do not care if he

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Speaker 1: talks about me to other people, as long as he's

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Speaker 1: not talking about other people to me.

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Speaker 2: Yeah. Yeah. Can I tell you something else that happened

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Speaker 2: to me today? Peter as I said to my wife,

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Speaker 2: who I love very much, I said, I'm going to

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Speaker 2: court Hollywood Handbook today. I know, it's great. It's my life,

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Speaker 2: you know, fucking rocks. And I said to her, hey,

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Speaker 2: you know, at five o'clock I have to I have

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Speaker 2: to record a podcast. And she like wanted me to

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Speaker 2: do something else, so take care of if my family

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Speaker 2: or something. And I said, this is how I take

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Speaker 2: care of my family. And she said, oh, who's the

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Speaker 2: guest and I said he's Carl's friend. It's Peter and

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Speaker 2: she said, oh, he's really funny.

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Speaker 3: Oh it's so nice of her.

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Speaker 2: Well, how does my wife? What are you? What's going

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Speaker 2: on here?

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Speaker 3: I mean, I really that's a strange question for me

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Speaker 3: to answer. I don't know exactly what's going on.

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Speaker 1: Here.

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Speaker 3: But I mean, I feel it's nice that your wife

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Speaker 3: has heard of me, and.

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Speaker 2: And is she telling you that I'm funny at all.

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Speaker 3: I've never had a single conversation with you.

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Speaker 1: Haven't or her talk to her.

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Speaker 2: She's yeah, but she's got your name in her mouth somehow.

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Speaker 3: I would say, maybe she saw me on a TV

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Speaker 3: show or something. Yeah, yeah, yeah, sure that sounds.

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Speaker 2: That sounds you know, she's watching TV. Sometimes when I

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Speaker 2: come in, she's watching TV.

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Speaker 1: Goes off really quick, clicks off.

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Speaker 2: Oh hi, she got and I and she's got tears

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Speaker 2: streaming down her face. But from laughing.

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Speaker 3: Oh okay, Well that won't definitely won't be anything from

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Speaker 3: that that I've made. I think I've made some funny stuff,

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Speaker 3: but maybe nothing that's going to really make someone cry.

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Speaker 2: Yeah, but you know, what TV show? What TV show?

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Speaker 1: What TV show?

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Speaker 3: You know, I've been lucky enough. I did three seasons

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Speaker 3: of Shameless, season eight, nine to ten. It's a great show.

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Speaker 3: As honored to be on that show I've been on.

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Speaker 3: It's been in my honor to be on Brooklyn ninety nine.

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Speaker 1: They're absolutely running amuck on both of those shows.

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Speaker 2: Huh. Yes, those are mad cap shows.

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Speaker 1: People are absolutely going hog wild both of them.

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Speaker 2: The people on the shows, I wouldn't trust them, you know,

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Speaker 2: as far as I could throw them.

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Speaker 3: I would just interject just to say that both shows

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Speaker 3: in question people were wonderful and it was a real

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Speaker 3: pleasure working with everyone. It was a very collaborative.

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Speaker 2: I can only speak to what i've seen, right and

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Speaker 2: rather mad cap. I haven't worked on those shows per se,

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Speaker 2: but in talks with.

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Speaker 1: Some understanding them, yeah.

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Speaker 2: I guess what I view them. I'm I'm at work

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Speaker 2: right right, you know.

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Speaker 3: I will just say that, you know, both shows are

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Speaker 3: Emmy winning shows too, so it's it's a high quality.

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Speaker 3: I'm not saying. I'm not trying to pump myself out.

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Speaker 3: I'm just saying the it's not.

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Speaker 2: A coincidence that you were on it and then they

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Speaker 2: won an Emmy and then.

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Speaker 3: No, no, no way before I got on. So I'm absolutely

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Speaker 3: not saying they got on.

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Speaker 2: I mean I was in one that when once they

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Speaker 2: got the Emmy, then they were able to get you.

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Speaker 1: And her name is Emmy on there as well, isn't it.

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Speaker 1: And she's very winning in addition to that.

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Speaker 3: Uh, what what are you saying?

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Speaker 1: She Emmy and her name is Emmy on there.

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Speaker 2: Her name is Emmy on there?

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Speaker 1: Okay, I don't you didn't know that she's on?

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Speaker 2: Then she didn't tell you.

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Speaker 3: There's a girl named Ammy on which show? Oh oh, Emma, Emma, Emma,

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Speaker 3: her name is Emma, not Emmy.

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Speaker 2: M Okay, yeah, Well I have to side with Hayes here,

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Speaker 2: and it's nothing personal. It is, of course, just a

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Speaker 2: relationship thing. We've been working together forever. You of course,

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Speaker 2: I mainly know through my wife laughing at you on

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Speaker 2: TV and then turning the TV off when I come inside.

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Speaker 2: So I'm obviously not going to take your side in

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Speaker 2: this one.

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Speaker 3: If I could just say I I'm sorry that you know,

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Speaker 3: it seems like you're you're a little bit like.

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Speaker 1: Never apologize for making someone laugh, no, no matter what

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Speaker 1: you say, if it's a joke, you then even if

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Speaker 1: you didn't make someone laugh, even if you made someone passed.

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Speaker 1: We can never be apologizing for this. It's a this,

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Speaker 1: This is a disservice to all of us in comedy

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Speaker 1: if we're if we're apologizing for the work that we

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Speaker 1: do every every single day, even if what we say

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Speaker 1: is not even really a joke, and it just it.

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Speaker 2: Just makes someone and just a dangerous idea.

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Speaker 3: Yeah, dangerous idea. Okay, that's that's wild. Look I what

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Speaker 3: I was apologizing simply because, uh it seemed a little

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Speaker 3: bit peeved and I wanted to just you know, you

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Speaker 3: guys are being kind enough to have me on the show.

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Speaker 2: No pieved, please, I'm just trying to get my footing.

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Speaker 2: I didn't know how your name ended up in my

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Speaker 2: wife's mouth. I thought maybe you'd have some answers for me.

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Speaker 2: You say you've never spoken to her, so it's probably

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Speaker 2: the TV thing, which great, happy for you love the Emmys,

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Speaker 2: you know, and that's and that's great.

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Speaker 1: And this was part of the orientation. We did kind

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Speaker 1: of talk about this before the New Guest orientation, where

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Speaker 1: you just run through the basics. Don't scream really loud,

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Speaker 1: don't be whispering very quiet, be sitting up the whole time.

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Speaker 1: Just be normal, be sitting normally, don't light down, don't

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Speaker 1: stand up. Uh, and Sean's gonna get pissed.

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Speaker 3: People are people are doing all of this during the shows.

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Speaker 1: They're lying down.

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Speaker 2: Yeah, this, you know, all of these are when you

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Speaker 2: see the warning label on like a hair dryer, this

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Speaker 2: says like, don't bring this in the bathtub. That's because

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Speaker 2: somebody did it. You know, they didn't just come up

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Speaker 2: with this might happen. Somebody did it, so now they

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Speaker 2: have to write it down.

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Speaker 1: Damien Faye he was he tipped over a bunch of times. Yeah, okay,

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Speaker 1: well he thought that was what he's supposed to be

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Speaker 1: doing because we didn't tell him.

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Speaker 2: That was our fault, and you know, to you know,

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Speaker 2: to a large extent, because we weren't. We weren't.

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Speaker 3: I will say through it. Well, here's some of that

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Speaker 3: stuff is pretty self explanatory. If you're doing some kind

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Speaker 3: of a podcast, you shouldn't be lying down, standing up

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Speaker 3: suddenly arbitrarily these things.

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Speaker 2: It feels that way now, you know, because I think

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Speaker 2: we have introduced some change in this industry, some long overdue,

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Speaker 2: some much needed change where we do make our guests comfortable.

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Speaker 2: And I hope you feel really comfortable. I've been actually

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Speaker 2: being really cool to you.

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Speaker 3: I'm feeling more comfortable now. I think when it first started,

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Speaker 3: I was comfortable. Then suddenly like I got.

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Speaker 2: A prior to the orientation.

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Speaker 3: Yeah, right, but now feeling great and uh yeah.

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Speaker 1: That's great because we actually have a huge amount of

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Speaker 1: work to do, and we have to.

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Speaker 2: We have so much to do, keep wasting time.

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Speaker 1: Last time, Carl, I think was on the show less

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Speaker 1: than a year ago, we did an episode of v

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Speaker 1: Our Family Guy, uh and that show. And we're just

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Speaker 1: doing it for fun. We're just doing v Our Family

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Speaker 1: Guy for just like a fun. It's like what we

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Speaker 1: do when we hang out. We do an episode of

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Speaker 1: v Our Family Guy just for each other, just for

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Speaker 1: like each other, make each other, make.

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Speaker 2: Each other laugh and crack up, and to keep the

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Speaker 2: creative gears going.

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Speaker 4: It's actually one year this week by the time this

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Speaker 4: episode comes out. Isn't that interesting?

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Speaker 2: Well, Kevin and everybody, mister numbers.

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Speaker 4: But I was going to say, actually it's next week.

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Speaker 4: Damn it.

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Speaker 1: Sorry, you can do this again next week. So it's

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Speaker 1: a virtual it's Virtual Reality Family Guy. And that's what Yeah, sorry,

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Speaker 1: I should have said VR Family Guy's Virtual Reality Family Guy.

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Speaker 1: The show and this has been sort of unbeknownst to

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Speaker 1: us this. You know, we we like say something on

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Speaker 1: the show and then like one of our reps like

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Speaker 1: takes this thing and it's like sees if there's like

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Speaker 1: like a market out there for this, and people have

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Speaker 1: correct and.

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Speaker 2: We go that's not why we're doing it. We're just

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Speaker 2: doing it to make our friends laugh and have fun.

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Speaker 2: But they go, Actually, people want to back up the

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Speaker 2: truck and pay for this stuff.

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Speaker 1: So VR Family Guy has a full season order.

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Speaker 3: Now, nice the congratulations guys.

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Speaker 2: You as well, and thank you.

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Speaker 1: Yeah, it's awesome that it kicks ass. And so we

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Speaker 1: we got to do this right now.

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Speaker 2: And we're pretty far behind on making it.

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Speaker 1: Carl's busy. He doesn't talk to us outside of Flagrant ones,

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Speaker 1: you know, like we'll do Flagrant with him, and then

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Speaker 1: he's like, we will not be speaking outside of We'll

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Speaker 1: talk on that show obviously, but not outside of it.

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Speaker 2: After the show, it's pretty much that's done and he's

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Speaker 2: hanging with his other funny friends. Yeah, we're lucky enough

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Speaker 2: to have one here today.

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Speaker 3: Well, thank you so much. That surprised me. Carl is

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Speaker 3: a very nice guy, and it surprises me that that

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Speaker 3: he literally told you guys, no communication outside the show.

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Speaker 3: Usually when it says he said.

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Speaker 2: Please, he said he did say yeah, he said please. Yeah,

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Speaker 2: he was nice.

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Speaker 3: Yeah, it doesn't thank you.

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Speaker 1: Before I had actually agreed or not agreed to it,

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Speaker 1: he was saying thank you, like thank you. I appreciate

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Speaker 1: your understanding this. And I was like, okay, well I

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Speaker 1: haven't told you if I do or not yet, but well.

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Speaker 3: I will say he limits his the time he spends

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Speaker 3: with people. I spoke to him a couple of days ago.

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Speaker 1: Okay, that's interesting. I've heard that he actually does not

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Speaker 1: do that. Okay, that he specifically doesn't limit the time

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Speaker 1: that he spends with people.

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Speaker 3: Yeah, I mean then, I guess, you know, I've seen

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Speaker 3: a different side of him.

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Speaker 1: You know.

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Speaker 3: I spoke him a while back and he was like, Hey,

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Speaker 3: you know, I'm busy this week. Let's go next week.

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Speaker 3: Called him next week. He was also busy.

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Speaker 1: Boundaries of the weeks, and.

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Speaker 3: There was you know, four weeks. Yeah, four weeks went

254
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Speaker 3: by and still hadn't seen my bud.

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Speaker 1: Wow, buddy, and you're calling and you're calling every weekend.

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Speaker 1: You're checking in every weekend saying.

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Speaker 3: Hey, calling every Friday and Sunday.

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Speaker 1: Friday and Sunday.

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Speaker 2: Okay, both sides.

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Speaker 3: Wow, because the Friday is the first of the weekend.

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Speaker 3: Sunday is the last you got it beginning and you

262
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Speaker 3: know it, you know that's that's that's the week.

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Speaker 1: So we Carl, we're getting some of that Caral energy

264
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Speaker 1: with you is you're very good friends with Carl and

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Speaker 1: so this is us saying, okay, let's we're doing virtual

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Speaker 1: reality family guy again. We're doing the show and so

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Speaker 1: and so, Like you're obviously like the viewer is wearing

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Speaker 1: virtual reality goggles, uh, and a smell cap over their

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Speaker 1: nose and a tongue sheath as well that is releasing

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Speaker 1: taste sensations.

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Speaker 2: They have a body suit on that has different like

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Speaker 2: ticklers and stuff inside of it that can sort of

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00:14:13,240 --> 00:14:15,920
Speaker 2: nuzzle against them during if Brian the dog walks by

274
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Speaker 2: their leg or something, then it would actually be a

275
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Speaker 2: calf tickler.

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Speaker 3: This sounds awful. I mean, it sounds like a lot

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Speaker 3: of very uncomfortable things happening at once. But I mean,

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Speaker 3: you know, I don't know it's.

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Speaker 2: Not always all activated at once. But I understand you're

280
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Speaker 2: not the necessarily the target market the customer for this,

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Speaker 2: but there obviously is one. We have a serious order

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Speaker 2: and uh, you know, we're not asking you to view it.

283
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Speaker 2: We're asking you to help us make it at at

284
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Speaker 2: scale or.

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Speaker 3: Below below scale.

286
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Speaker 2: That's not ideally it would be below scale just because

287
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Speaker 2: you know, we're kind of doing you a favor.

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Speaker 3: Uh yeah, Okay, I'm still I'll be honest, fellas, I'm

289
00:15:02,120 --> 00:15:04,200
Speaker 3: still not one hundred percent clear on what we're doing

290
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Speaker 3: and how I'm helping.

291
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Speaker 1: But really, it's virtual reality. Family Guy. Do you not

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Speaker 1: know who Family Guy is?

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Speaker 3: I know what both those things are. Family Guy. No,

294
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Speaker 3: it's three family Guy and virtual reality but reality. But

295
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Speaker 3: I don't know how I'm gonna help you. I guess

296
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Speaker 3: let's do it and then I'll find out, right.

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Speaker 1: No, I prefer that you find out, and.

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Speaker 3: Then I just don't know how I would find out,

299
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Speaker 3: and then you do it.

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Speaker 2: Ideally, we're gonna have to have you find out because otherwise.

301
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Speaker 1: You are living the experience. You choose your character. You

302
00:15:35,160 --> 00:15:37,920
Speaker 1: can be any of you can be family Guy, you

303
00:15:37,920 --> 00:15:41,640
Speaker 1: can be any of his friends. And you wait, so

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Speaker 1: it starts with you waking up obviously, so like you

305
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Speaker 1: put this on and you go to sleep, okay, just

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Speaker 1: as your normal self. You put on the whole apparatus,

307
00:15:50,200 --> 00:15:51,840
Speaker 1: and then you go to sleep, and then you wake

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Speaker 1: up the next day in this body, in this avatar.

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Speaker 3: Basically, am I actually going to sleep with this whole

310
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Speaker 3: gear on?

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Speaker 1: Like? Choose your character? Choose your character Brian the Dog,

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Speaker 1: Brian the Dog.

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Speaker 2: Okay, okay, you're gonna need then, I think a little

314
00:16:09,000 --> 00:16:13,640
Speaker 2: more gear, yes, just to change your posture and stuff.

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Speaker 1: You need like a like the other suits are less restrictive,

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Speaker 1: but because they're humans.

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Speaker 2: Yeah with Brian, yeah, you're gonna need to have we

318
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Speaker 2: have to be able to have a tail and stuff

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Speaker 2: like that.

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Speaker 3: So Brian walks completely upright like a regular person.

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Speaker 2: Not in virtual reality Family Guy.

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Speaker 3: That makes no sense because then okay it's real, this

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Speaker 3: one's real, Okay, okay, okay. So and is Seth McFarlane

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Speaker 3: Does he have any involvement in this or this is?

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Speaker 2: We would love to have Seth if you have a

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Speaker 2: line on Seth, that would be our dream come true

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Speaker 2: to have him get it.

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Speaker 1: I mean he created Family Guy.

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Speaker 2: Yeah, oh yeah, his fingerprints are all over it because

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Speaker 2: the characters were inspired by a lot of his stuff.

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Speaker 3: He created all the characters, so there, and he voices

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Speaker 3: a lot of them. It's like, do you know that?

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00:17:06,320 --> 00:17:08,040
Speaker 1: If you know that, then why did you ask if

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00:17:08,040 --> 00:17:09,240
Speaker 1: he was involved?

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Speaker 4: Sorry?

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Speaker 2: And I actually have created issue with him creating all

337
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Speaker 2: the characters. I'm certain there are other people on that

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00:17:17,160 --> 00:17:20,159
Speaker 2: staff who get character payments from the w GA for

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00:17:20,320 --> 00:17:24,359
Speaker 2: introducing some of the various ensemble that make up the

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Speaker 2: town of co Hoc.

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Speaker 1: I'm sure they This is like a collaborate effort. I

342
00:17:30,240 --> 00:17:34,520
Speaker 1: don't know if you thought on on shameless, if.

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00:17:34,400 --> 00:17:36,199
Speaker 2: It was all you, if it was just like The

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Speaker 2: Peter Show or something.

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Speaker 1: No.

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Speaker 3: I absolutely, but.

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Speaker 2: Bill Macy and a lot of the other people there,

348
00:17:42,119 --> 00:17:44,600
Speaker 2: you know, are are super involved in what makes that

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Speaker 2: show work.

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Speaker 3: Well, I was a recurring so in their series Regular.

351
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Speaker 3: So I am in no way, shape or form saying

352
00:17:49,920 --> 00:17:51,040
Speaker 3: it was the Peter Show.

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Speaker 1: Look, that's what this show is actually, So we can't

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Speaker 1: this one we are calling the Peter Show.

355
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Speaker 2: Yeah, which would be great for you. I mean, you'll

356
00:18:00,280 --> 00:18:01,120
Speaker 2: be comfortable in that.

357
00:18:01,320 --> 00:18:03,520
Speaker 1: And in this version it is actually a spin off

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Speaker 1: of the Cleveland Show. We're acting basically like we like

359
00:18:09,320 --> 00:18:11,800
Speaker 1: the first we have had to just kind of pretend

360
00:18:11,840 --> 00:18:13,960
Speaker 1: like we call it virtual reality family guy. But it

361
00:18:14,000 --> 00:18:15,800
Speaker 1: is actually called the Peter Show, which we're saying is

362
00:18:15,840 --> 00:18:17,160
Speaker 1: a spinoff of the popelort case.

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Speaker 2: It's the Cleveland Show from Cleveland's neighbors perspective.

364
00:18:21,800 --> 00:18:24,919
Speaker 3: Yes, okay, yeah, the more you guys describe the show,

365
00:18:24,960 --> 00:18:26,719
Speaker 3: the less I understand what it is.

366
00:18:26,760 --> 00:18:30,520
Speaker 1: To be honest, that's the opposite of what should be happening.

367
00:18:30,560 --> 00:18:33,440
Speaker 1: You should be you should be hearing the details that

368
00:18:33,480 --> 00:18:37,160
Speaker 1: we're providing you and understanding it more and more. Would

369
00:18:37,160 --> 00:18:39,840
Speaker 1: it be helpful to get in the suit, Peter, I.

370
00:18:41,320 --> 00:18:43,080
Speaker 3: Can't see why it would be helpful to get in

371
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Speaker 3: a suit. To be all, with all due respect, I

372
00:18:46,280 --> 00:18:48,480
Speaker 3: kind of don't also want to look get in that suit.

373
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Speaker 3: It looks it sounds like it's very hot and uncomfortable.

374
00:18:52,400 --> 00:18:56,240
Speaker 1: It sounds okay. The sounds it's making you're completely unrelated

375
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Speaker 1: to the temperature of it.

376
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Speaker 2: Yeah, what's that?

377
00:18:59,160 --> 00:18:59,840
Speaker 3: What's that clicking?

378
00:19:00,040 --> 00:19:03,320
Speaker 2: One of those sounds is the cooling mechanism, the clicking

379
00:19:03,320 --> 00:19:04,000
Speaker 2: a little funky.

380
00:19:04,760 --> 00:19:07,880
Speaker 1: Yes, the clicking noise is the tongue sheath that is

381
00:19:07,960 --> 00:19:12,000
Speaker 1: that has to be constantly releasing taste or else like

382
00:19:12,119 --> 00:19:16,800
Speaker 1: the or else, the taste flow will get claws.

383
00:19:16,880 --> 00:19:19,520
Speaker 2: You want to hear the clicking, Peter. If you stop

384
00:19:19,560 --> 00:19:23,720
Speaker 2: hearing the clicking, get out of there, because I no

385
00:19:23,800 --> 00:19:25,320
Speaker 2: longer going to allow your mouth to retain.

386
00:19:25,440 --> 00:19:27,840
Speaker 1: Let's talk about the failsafe. Let's talk about how you

387
00:19:27,880 --> 00:19:28,320
Speaker 1: get out.

388
00:19:28,880 --> 00:19:30,920
Speaker 3: I don't want to do this. I'm thinking it's you're

389
00:19:30,960 --> 00:19:33,200
Speaker 3: just describing a lot of things that I don't want,

390
00:19:33,359 --> 00:19:38,679
Speaker 3: the whole sheath, mouth sheath, and then you're constantly getting taste. Okay,

391
00:19:38,720 --> 00:19:41,280
Speaker 3: but it's just like taste of what like air?

392
00:19:41,720 --> 00:19:44,399
Speaker 2: What am I taste of whatever? Family guy or is

393
00:19:44,680 --> 00:19:45,959
Speaker 2: cohorts or eating.

394
00:19:47,280 --> 00:19:48,040
Speaker 3: I mean to get.

395
00:19:47,920 --> 00:19:54,760
Speaker 1: Out, you must find Quagmire. Quagmire is your Quagmire is

396
00:19:54,760 --> 00:20:02,399
Speaker 1: the key out of the experience. He will obviously be

397
00:20:02,680 --> 00:20:04,480
Speaker 1: like when you meet him in the show, he'll be

398
00:20:04,480 --> 00:20:07,120
Speaker 1: in the guys with like he's horny and stuff or whatever. Yeah,

399
00:20:07,200 --> 00:20:10,880
Speaker 1: but if you go to him and say, Quagmire, I'm

400
00:20:10,920 --> 00:20:14,320
Speaker 1: having big problems. I need to get out, he will

401
00:20:14,640 --> 00:20:16,920
Speaker 1: drop the act and just be like, Okay, let's work together.

402
00:20:17,040 --> 00:20:18,800
Speaker 1: Let's find our way out of go home.

403
00:20:19,119 --> 00:20:21,199
Speaker 2: Get his car through the exit.

404
00:20:21,320 --> 00:20:24,320
Speaker 1: Yeah, yes, you do have to get in his car.

405
00:20:24,960 --> 00:20:27,080
Speaker 1: He will still he is still gonna be a little

406
00:20:27,080 --> 00:20:29,439
Speaker 1: he's Quagmire. He is still gonna be a little bit horny.

407
00:20:29,560 --> 00:20:31,480
Speaker 2: Yeah, that's not all for the show that you know,

408
00:20:31,560 --> 00:20:34,400
Speaker 2: they cast him partially because he was so horny.

409
00:20:35,359 --> 00:20:35,719
Speaker 3: Uh.

410
00:20:35,760 --> 00:20:42,200
Speaker 1: And but he will drive you to a new look

411
00:20:42,240 --> 00:20:46,240
Speaker 1: at outside of Rhode Island. He'll drive you to Logan Airport,

412
00:20:46,359 --> 00:20:50,639
Speaker 1: at which point you will fly back to Los Angeles

413
00:20:50,800 --> 00:20:53,800
Speaker 1: where you live, and then you can kind of resume

414
00:20:54,720 --> 00:20:59,200
Speaker 1: your normal life as Peter in the experience and kind

415
00:20:59,240 --> 00:21:02,240
Speaker 1: of reassem let as closely as possible. You don't have

416
00:21:02,320 --> 00:21:05,480
Speaker 1: to be in in Cohog anymore.

417
00:21:05,760 --> 00:21:06,960
Speaker 2: No, not at all.

418
00:21:07,359 --> 00:21:10,560
Speaker 1: You'll be in the experience, but like in a version

419
00:21:10,680 --> 00:21:12,119
Speaker 1: of in your.

420
00:21:12,000 --> 00:21:14,760
Speaker 2: Life to be a lot more comfortable. If you freak out,

421
00:21:14,840 --> 00:21:18,000
Speaker 2: which I honestly you don't, that's not going to happen,

422
00:21:18,040 --> 00:21:20,720
Speaker 2: but we want you to be prepared if it does happen. Okay, fine, Quagmire.

423
00:21:20,760 --> 00:21:23,280
Speaker 2: You'll get in his car. Obviously he's gonna be you know,

424
00:21:23,440 --> 00:21:25,960
Speaker 2: he'll be he'll be horny, but you know he'll help

425
00:21:26,000 --> 00:21:28,120
Speaker 2: you get get to the airport and you can go home.

426
00:21:29,000 --> 00:21:34,840
Speaker 3: Uh okay, I mean, okay, well, what's the first step?

427
00:21:34,920 --> 00:21:36,840
Speaker 3: I guess. I mean, I'll give it a At any point,

428
00:21:36,880 --> 00:21:38,639
Speaker 3: can I just take the thing off my head and

429
00:21:38,680 --> 00:21:39,920
Speaker 3: be like, hey, okay, that's done.

430
00:21:41,200 --> 00:21:43,560
Speaker 1: Thank you so much for asking that now. So well,

431
00:21:43,600 --> 00:21:46,439
Speaker 1: it's not really an issue because we thought that you should.

432
00:21:46,680 --> 00:21:47,440
Speaker 1: You can't.

433
00:21:48,200 --> 00:21:50,480
Speaker 2: No, you can't just pull it off. I mean, yeah,

434
00:21:50,560 --> 00:21:51,600
Speaker 2: you know, no, you.

435
00:21:51,520 --> 00:21:54,200
Speaker 3: Can't, like physically I can't, or like I shouldn't.

436
00:21:55,640 --> 00:21:59,760
Speaker 2: Oh boy, uh, I would recommend that you don't. You

437
00:21:59,760 --> 00:22:03,520
Speaker 2: will be able to, so you can't, and also you

438
00:22:03,640 --> 00:22:06,960
Speaker 2: really shouldn't. So that's a bo that's a yes.

439
00:22:07,720 --> 00:22:11,800
Speaker 3: Okay, all right, Jesus Christ Phils. Again, I gotta say,

440
00:22:11,880 --> 00:22:14,639
Speaker 3: it doesn't sound great. It doesn't sound super fun. I

441
00:22:14,720 --> 00:22:16,960
Speaker 3: kind of came on this, you know, to talk to

442
00:22:16,960 --> 00:22:18,800
Speaker 3: you guys. You guys have a great show. I'm a

443
00:22:18,800 --> 00:22:23,240
Speaker 3: big fan. But now I'm kind of like, I still kind.

444
00:22:23,040 --> 00:22:25,280
Speaker 1: Of don't know what's going on. I am a virtual

445
00:22:25,359 --> 00:22:28,080
Speaker 1: reality family guy, but you don't know what it is.

446
00:22:29,840 --> 00:22:31,600
Speaker 2: Which is virtual reality family guy.

447
00:22:31,680 --> 00:22:38,720
Speaker 3: And I'm a fan of you guys. I've never seen you. Okay,

448
00:22:38,840 --> 00:22:41,800
Speaker 3: all right, I understand that. Look, I'm a team player.

449
00:22:41,920 --> 00:22:43,920
Speaker 3: I don't want to be you know, I'm not gonna

450
00:22:43,920 --> 00:22:47,440
Speaker 3: poop in anybody's fish or whatever.

451
00:22:48,520 --> 00:22:53,600
Speaker 1: That's American dad. What you're talking about is American dad.

452
00:22:55,480 --> 00:22:58,000
Speaker 1: I was just us an expression that Roger will poop

453
00:22:58,040 --> 00:22:59,840
Speaker 1: in it sometimes that we can do.

454
00:23:00,080 --> 00:23:03,920
Speaker 2: We can give you that you want to be Roger.

455
00:23:05,200 --> 00:23:09,119
Speaker 2: That's actually probably okay. We'd make a couple adjustments to

456
00:23:09,160 --> 00:23:11,760
Speaker 2: the Brian suit obviously, you know.

457
00:23:11,720 --> 00:23:14,879
Speaker 3: What, I don't think. I'm afraid that the further you

458
00:23:14,920 --> 00:23:16,639
Speaker 3: adjust that suit, the worst is going to get for

459
00:23:16,680 --> 00:23:17,800
Speaker 3: the person that's wearing it.

460
00:23:17,800 --> 00:23:19,359
Speaker 2: It was gonna make it. What's the first step?

461
00:23:20,000 --> 00:23:21,000
Speaker 3: What's the first step? Here?

462
00:23:21,040 --> 00:23:26,960
Speaker 1: Like your eyes flutter open. You wander into the kitchen

463
00:23:27,480 --> 00:23:34,040
Speaker 1: where Meg is eating cereal. The Meg rendering is not

464
00:23:34,200 --> 00:23:39,040
Speaker 1: complete yet, so she like she will sort of look

465
00:23:39,119 --> 00:23:42,760
Speaker 1: like a T one thousand type. That's the closest thing

466
00:23:42,800 --> 00:23:46,520
Speaker 1: I can, like the closest parallel, but got.

467
00:23:46,400 --> 00:23:49,920
Speaker 2: Her huge with like extra almost like the Truvian man,

468
00:23:50,040 --> 00:23:54,199
Speaker 2: like has like multiple kind of like shadow limbs, versions

469
00:23:54,240 --> 00:23:54,720
Speaker 2: of herself.

470
00:23:54,760 --> 00:23:57,240
Speaker 3: Okay, it doesn't sound like anything like Meg, the Meg

471
00:23:57,280 --> 00:23:59,560
Speaker 3: that I've seen on the show. It sounds like the terminator,

472
00:24:00,160 --> 00:24:03,200
Speaker 3: the exo skeleton interered skeleton terminator thing.

473
00:24:03,600 --> 00:24:06,680
Speaker 1: Well, he just has way more limbs and they are

474
00:24:06,720 --> 00:24:08,480
Speaker 1: like kind of shooting more limbs.

475
00:24:08,640 --> 00:24:10,080
Speaker 3: The limbs are shooting.

476
00:24:09,720 --> 00:24:14,000
Speaker 1: Out and then the head rotates a fall three hundred

477
00:24:14,040 --> 00:24:19,879
Speaker 1: six degrees. Do not let her see you get your food.

478
00:24:20,920 --> 00:24:25,520
Speaker 2: Yes, that is totally normal. You know, it's fine. This

479
00:24:25,600 --> 00:24:29,240
Speaker 2: is your kitchen, you know, your family, Guy's dog so

480
00:24:29,480 --> 00:24:31,040
Speaker 2: you're you're allowed to be there.

481
00:24:32,040 --> 00:24:35,360
Speaker 1: The head is rotating in such a way that you

482
00:24:35,400 --> 00:24:36,159
Speaker 1: can time it.

483
00:24:36,480 --> 00:24:41,080
Speaker 2: Yeah, time it when she's looking away, so you're always

484
00:24:41,119 --> 00:24:43,720
Speaker 2: moving in an arc, like right along with the back

485
00:24:43,720 --> 00:24:44,960
Speaker 2: of her skull. It's going to allow you to go

486
00:24:45,000 --> 00:24:47,920
Speaker 2: around the kitchen, get whatever you need, and get right

487
00:24:47,920 --> 00:24:51,919
Speaker 2: back to the door. And now we've got some breakfast.

488
00:24:50,880 --> 00:24:56,040
Speaker 2: And what might Brian say, you know, when he's got

489
00:24:56,040 --> 00:24:56,879
Speaker 2: his breakfast?

490
00:24:59,720 --> 00:25:02,840
Speaker 3: This is great. I've been hungry all night?

491
00:25:04,520 --> 00:25:08,560
Speaker 2: Okay, yeah, yeah, I could see that being pretty funny.

492
00:25:08,800 --> 00:25:10,600
Speaker 3: Do you want me to like say jokes or just

493
00:25:10,640 --> 00:25:11,919
Speaker 3: kind of say what I would say in this?

494
00:25:12,200 --> 00:25:14,639
Speaker 2: I mean, we envisioned the show as a comedy, you know,

495
00:25:15,040 --> 00:25:18,400
Speaker 2: because Family Guy is so associated with like laughs and comedy,

496
00:25:18,440 --> 00:25:19,840
Speaker 2: and it was part of why we wanted you.

497
00:25:19,840 --> 00:25:20,000
Speaker 1: You know.

498
00:25:20,080 --> 00:25:21,720
Speaker 2: Carl said you were so funny.

499
00:25:21,440 --> 00:25:24,960
Speaker 3: And well, thank you again. But this is kind of

500
00:25:24,960 --> 00:25:28,800
Speaker 3: a different situation. Okay, how about this, Okay, Brian, I

501
00:25:28,920 --> 00:25:35,240
Speaker 3: come in. I'm like, watch, finally, I've been hungry all night.

502
00:25:35,800 --> 00:25:41,240
Speaker 1: Yeah, hungry all night since yeah since.

503
00:25:42,800 --> 00:25:45,240
Speaker 2: Maybe it's like I haven't been this hungry since you.

504
00:25:45,119 --> 00:25:49,359
Speaker 1: Know, Thanksgiving? Not real Thanksgiving is when they actually give

505
00:25:49,400 --> 00:25:54,280
Speaker 1: you food. Yea, so maybe you know how.

506
00:25:54,240 --> 00:25:56,600
Speaker 3: People get very hungry before Thanksgiving, like you're always like

507
00:25:56,680 --> 00:25:57,960
Speaker 3: hungry before Thanksgiving.

508
00:25:58,000 --> 00:26:00,000
Speaker 1: Okay, that's not what you said. But okay, since before

509
00:26:00,160 --> 00:26:01,520
Speaker 1: or Thanksgiving.

510
00:26:01,040 --> 00:26:03,359
Speaker 2: I mean it's hungry, So it's before Thanksgiving. We cut

511
00:26:03,359 --> 00:26:03,880
Speaker 2: away to.

512
00:26:03,880 --> 00:26:08,240
Speaker 1: That, yeah, right, okay, but maybe before the first Thanksgiving

513
00:26:09,680 --> 00:26:13,000
Speaker 1: and we do and we like but and we do

514
00:26:13,080 --> 00:26:19,040
Speaker 1: a cutaway to it's like the Pilgrims and stuff. The

515
00:26:19,080 --> 00:26:22,399
Speaker 1: Pilgrims we have not finished the rendering on.

516
00:26:22,960 --> 00:26:25,320
Speaker 2: Yeah, don't have them and can't seem to make a

517
00:26:25,320 --> 00:26:26,080
Speaker 2: turkey either.

518
00:26:28,320 --> 00:26:35,120
Speaker 1: Yes, the Pilgrim sex organs are right now, not super

519
00:26:35,680 --> 00:26:40,399
Speaker 1: polygon rich, they're very sharp mm hmm. So when you

520
00:26:40,480 --> 00:26:46,560
Speaker 1: flash back to this cutaway, uh, don't let any don't

521
00:26:46,640 --> 00:26:49,200
Speaker 1: let any of them. If they're like turning towards you,

522
00:26:49,200 --> 00:26:50,960
Speaker 1: you will need to get out of the way or

523
00:26:51,000 --> 00:26:53,440
Speaker 1: just kind of turn with them. You can jump over them.

524
00:26:54,080 --> 00:26:56,399
Speaker 1: Some of the sex organs are low hanging and some

525
00:26:56,440 --> 00:26:58,560
Speaker 1: of them are high, so you will need to jump over.

526
00:26:58,640 --> 00:27:00,600
Speaker 2: Whether you jumped or duck is going to be.

527
00:27:00,880 --> 00:27:01,120
Speaker 1: Yeah.

528
00:27:01,960 --> 00:27:05,840
Speaker 3: So these are individually functioning sex organs, like it's not

529
00:27:05,880 --> 00:27:06,439
Speaker 3: like a penis.

530
00:27:06,480 --> 00:27:10,080
Speaker 1: Again, they are not functioning right now. No.

531
00:27:10,320 --> 00:27:12,560
Speaker 2: I mean they're functioning in terms of they're so sharp

532
00:27:12,640 --> 00:27:14,960
Speaker 2: that like they could serve the function of slicing you

533
00:27:15,000 --> 00:27:19,560
Speaker 2: to bits, but they're not functioning for sexual purposes. It's

534
00:27:19,600 --> 00:27:21,320
Speaker 2: I mean, we probably don't need them to because it

535
00:27:21,359 --> 00:27:23,640
Speaker 2: really is just a virtual reality series.

536
00:27:25,200 --> 00:27:29,919
Speaker 3: Right Okay, and then, uh, Fellas, I'm really trying to

537
00:27:29,920 --> 00:27:31,440
Speaker 3: do my best to just sort of keep up with this.

538
00:27:31,640 --> 00:27:35,879
Speaker 2: Uh this has been actually going really really well. Like

539
00:27:36,000 --> 00:27:38,000
Speaker 2: the breakfast thing, some of the lines you were giving

540
00:27:38,040 --> 00:27:41,240
Speaker 2: Brian the Dog were making me actually crack up.

541
00:27:42,480 --> 00:27:44,719
Speaker 1: So that's what got us.

542
00:27:44,760 --> 00:27:47,480
Speaker 2: That's got us to Thanksgiving, you know, the first Thanksgiving.

543
00:27:47,520 --> 00:27:52,320
Speaker 2: So it's the Pilgrims, and maybe one of the pilgrims

544
00:27:52,600 --> 00:27:54,520
Speaker 2: eats so much he has to loosen the buckle on

545
00:27:54,600 --> 00:27:55,000
Speaker 2: his hat.

546
00:27:55,520 --> 00:27:59,520
Speaker 3: Mm hm, why would he Why would he loosten the

547
00:27:59,520 --> 00:28:00,560
Speaker 3: buckle on his hat?

548
00:28:00,800 --> 00:28:02,440
Speaker 1: But why does he have that buckle?

549
00:28:02,760 --> 00:28:05,000
Speaker 2: You know, it's just something about the buckle of the

550
00:28:05,040 --> 00:28:07,879
Speaker 2: hat like that is like we have to do something

551
00:28:07,920 --> 00:28:08,280
Speaker 2: with it.

552
00:28:08,560 --> 00:28:11,000
Speaker 1: Yeah, okay, he goes, man.

553
00:28:10,880 --> 00:28:12,200
Speaker 2: I'm gonna eat a lot today.

554
00:28:12,480 --> 00:28:14,920
Speaker 3: And you know, it just doesn't make any sense because

555
00:28:14,960 --> 00:28:17,040
Speaker 3: why we're not on buckle, his buckle on.

556
00:28:16,920 --> 00:28:19,840
Speaker 2: His waist because great, yeah, well you you could pitch something.

557
00:28:19,880 --> 00:28:21,280
Speaker 2: I mean, you could pitch something, then.

558
00:28:21,600 --> 00:28:22,639
Speaker 3: Okay, all right, I'll pitch it.

559
00:28:22,720 --> 00:28:23,560
Speaker 2: Uh uh.

560
00:28:23,880 --> 00:28:25,880
Speaker 3: You know, the guy says, man, I ate so much

561
00:28:25,920 --> 00:28:28,680
Speaker 3: and he takes this off his shoes. I don't know. No,

562
00:28:29,680 --> 00:28:31,280
Speaker 3: it's hard when you're on the spot, you know, not

563
00:28:31,359 --> 00:28:32,560
Speaker 3: saying it's hard when you're on the spot.

564
00:28:33,000 --> 00:28:35,399
Speaker 2: No, I know, I know, especially when it's not really

565
00:28:35,440 --> 00:28:38,120
Speaker 2: a collaboration. We're not supporting each other's ideas, Like.

566
00:28:39,480 --> 00:28:42,480
Speaker 1: It doesn't seem like we are no with and I

567
00:28:42,520 --> 00:28:44,560
Speaker 1: don't want them to take So I'm thankful for the

568
00:28:44,600 --> 00:28:48,720
Speaker 1: opportunity to use these pilgrims who have basically turned on

569
00:28:48,840 --> 00:28:52,160
Speaker 1: each other so far in our process on this, and

570
00:28:52,200 --> 00:28:55,080
Speaker 1: so like maybe giving them an assignment will like help

571
00:28:55,680 --> 00:28:58,520
Speaker 1: the situation. And they're and they're part of the universe

572
00:28:58,560 --> 00:29:00,640
Speaker 1: that we're rendering. But yeah, you do not want them

573
00:29:00,680 --> 00:29:03,800
Speaker 1: to take off their shoes because their toes will We're

574
00:29:03,840 --> 00:29:08,520
Speaker 1: not like they're attached, they're only secured by the shoes

575
00:29:08,640 --> 00:29:12,000
Speaker 1: right now, and they have a velocity they will spray

576
00:29:13,160 --> 00:29:14,000
Speaker 1: out and this.

577
00:29:13,920 --> 00:29:15,840
Speaker 2: Could be a good cutaway though, So you go, I

578
00:29:15,920 --> 00:29:19,239
Speaker 2: haven't been this hungry since before the first Thanksgiving. We

579
00:29:19,400 --> 00:29:21,840
Speaker 2: zap you back in time. You're surrounded by these pilgrims.

580
00:29:21,880 --> 00:29:24,120
Speaker 2: You go, hey, guys, any idea when the food's gonna

581
00:29:24,160 --> 00:29:26,760
Speaker 2: be ready? Two of them spin and turned towards each other,

582
00:29:26,880 --> 00:29:32,040
Speaker 2: each pierced one another with their sex organs plus spreeze everywhere,

583
00:29:32,480 --> 00:29:35,640
Speaker 2: and they start screaming like one's head is severed off

584
00:29:35,920 --> 00:29:38,120
Speaker 2: and the other one is like chopped in half at

585
00:29:38,120 --> 00:29:41,960
Speaker 2: the waist. And then you're just like, uh, never mind that.

586
00:29:42,120 --> 00:29:44,800
Speaker 2: You kind of tiptoe out of there. That to me

587
00:29:44,840 --> 00:29:47,000
Speaker 2: feels like, okay, now we're right back in the living

588
00:29:47,080 --> 00:29:48,640
Speaker 2: room and you're enjoying your breakfast.

589
00:29:49,040 --> 00:29:51,920
Speaker 1: That's what it's gonna have to be. Or honestly, you'll regenerate,

590
00:29:51,960 --> 00:29:53,520
Speaker 1: so like if you don't get it the first time,

591
00:29:53,600 --> 00:29:57,480
Speaker 1: you'll regenerate exactly at least twere you were at the

592
00:29:57,480 --> 00:30:01,360
Speaker 1: beginning of this. And yeah, you'll go back to the

593
00:30:01,960 --> 00:30:04,960
Speaker 1: kitchen like that. You like, you do that, You go

594
00:30:05,040 --> 00:30:09,080
Speaker 1: to the cutaway and you know you can just you

595
00:30:09,080 --> 00:30:11,080
Speaker 1: can just keep doing you have to keep doing it,

596
00:30:11,120 --> 00:30:12,720
Speaker 1: so yeah you can't.

597
00:30:13,120 --> 00:30:18,560
Speaker 3: Okay, Uh so.

598
00:30:16,840 --> 00:30:19,440
Speaker 2: So Brian's got his breakfast Brian's.

599
00:30:19,040 --> 00:30:23,360
Speaker 3: Got his breakfast. We go back in time. The Pilgrims

600
00:30:23,400 --> 00:30:25,720
Speaker 3: are killing each other, using each other's genitals.

601
00:30:25,760 --> 00:30:28,040
Speaker 2: That's the cut that's the cutaway. Yeah, I think.

602
00:30:30,880 --> 00:30:32,840
Speaker 3: No, I'm with all the respectful as. I didn't because

603
00:30:32,840 --> 00:30:35,440
Speaker 3: I didn't understand it. It comes literally out of nowhere.

604
00:30:35,440 --> 00:30:37,800
Speaker 3: It's like hyper violin and it has nothing to do

605
00:30:37,840 --> 00:30:42,400
Speaker 3: with the I okay, fine, it's you guys a show.

606
00:30:42,720 --> 00:30:45,920
Speaker 3: If you guys dig it. So next I'm in, I'm

607
00:30:45,960 --> 00:30:46,800
Speaker 3: I'm back at the hog.

608
00:30:46,880 --> 00:30:49,680
Speaker 2: I fucking dig it. That is funny. Ship man, Hey,

609
00:30:49,680 --> 00:30:53,040
Speaker 2: any idea when the food's gonna be ready? You know

610
00:30:54,000 --> 00:30:56,440
Speaker 2: that's the kind of random humor they might do in

611
00:30:56,520 --> 00:30:58,480
Speaker 2: one of those cutaways. Yeah, you don't want to be

612
00:30:58,520 --> 00:31:00,720
Speaker 2: ahead of it. You don't want to be ahead of it.

613
00:31:00,640 --> 00:31:02,920
Speaker 3: Right, but you don't want to be way behind it either,

614
00:31:02,960 --> 00:31:05,040
Speaker 3: and just be like, I don't know, I don't know

615
00:31:05,080 --> 00:31:08,200
Speaker 3: what the concept here's. But again, so you got the show.

616
00:31:08,800 --> 00:31:11,560
Speaker 3: You you know what you're doing? A trust that? Well?

617
00:31:11,640 --> 00:31:13,560
Speaker 2: If is it better? If it's the if it's said

618
00:31:13,600 --> 00:31:15,560
Speaker 2: the Pilgrims, it's like the California raisins.

619
00:31:17,040 --> 00:31:21,480
Speaker 3: No, both make no sense. Both, I mean I think

620
00:31:21,520 --> 00:31:23,720
Speaker 3: if it's less violent, it maybe be better.

621
00:31:23,480 --> 00:31:26,400
Speaker 1: If you don't know the show. I just like, I

622
00:31:26,520 --> 00:31:29,040
Speaker 1: feel like we're starting just from a place.

623
00:31:28,840 --> 00:31:30,960
Speaker 2: Of like, I haven't I've been this hungry since I

624
00:31:30,960 --> 00:31:33,680
Speaker 2: spent Thanksgiving with the California Raisins one of the racist

625
00:31:33,760 --> 00:31:37,040
Speaker 2: turns around sex organ Sever's the other raisin you know, Like, Okay,

626
00:31:37,320 --> 00:31:37,840
Speaker 2: here's the thing.

627
00:31:38,080 --> 00:31:40,160
Speaker 3: I know that there's non sequitors on the show, but

628
00:31:40,720 --> 00:31:43,200
Speaker 3: the non sequit to this extent, I haven't seen where

629
00:31:43,200 --> 00:31:47,200
Speaker 3: it's literally it sets up a joke and then does

630
00:31:47,400 --> 00:31:49,920
Speaker 3: something completely differ again.

631
00:31:51,560 --> 00:31:54,480
Speaker 2: Maybe you guys don't you know, well, I would say,

632
00:31:54,520 --> 00:31:56,960
Speaker 2: I'm you know, what I'm thinking is, hey, why is

633
00:31:57,000 --> 00:32:00,680
Speaker 2: this guy so hungry having you know how Thanksgiving with

634
00:32:00,720 --> 00:32:03,280
Speaker 2: the California Raises Did they not serving food or anything?

635
00:32:03,400 --> 00:32:05,440
Speaker 2: The answer is, you know, right before I guess the

636
00:32:05,480 --> 00:32:09,360
Speaker 2: food was ready, there was a horrific violent incident. I

637
00:32:09,400 --> 00:32:12,640
Speaker 2: can't imagine. I mean, certainly you'd probably lose your appetite

638
00:32:12,640 --> 00:32:16,120
Speaker 2: at that point, and also like it's pretty rude to

639
00:32:16,200 --> 00:32:18,880
Speaker 2: then continue kind of serving yourself. If one of the

640
00:32:18,960 --> 00:32:21,640
Speaker 2: Raisins needs to be brought to the hospital, more likely

641
00:32:21,640 --> 00:32:26,400
Speaker 2: the more. Okay, Yeah, so then that's a really hungry day.

642
00:32:26,720 --> 00:32:28,080
Speaker 1: Yeah, that's it.

643
00:32:29,640 --> 00:32:30,960
Speaker 3: Yes, I guess it's not.

644
00:32:31,320 --> 00:32:34,480
Speaker 2: It's not always funny to like explain a joke. But

645
00:32:34,600 --> 00:32:36,440
Speaker 2: I think now that we have the kind of the

646
00:32:36,560 --> 00:32:41,440
Speaker 2: logic which is airtight, you're probably seeing like, oh, this

647
00:32:41,880 --> 00:32:43,280
Speaker 2: was really funny what he said.

648
00:32:49,760 --> 00:32:53,440
Speaker 1: Yes, sir, tell us about what you're working on. Where

649
00:32:53,480 --> 00:32:54,239
Speaker 1: can we find you?

650
00:32:54,920 --> 00:32:58,200
Speaker 3: Well, well, you can find me on Instagram at Pea

651
00:32:58,240 --> 00:33:00,840
Speaker 3: Banny p b A and I I post a little

652
00:33:00,880 --> 00:33:04,240
Speaker 3: videos and you know, hopefully I'll we'll check it out

653
00:33:04,240 --> 00:33:07,400
Speaker 3: and enjoy it. Uh. You know, I'm coming back to

654
00:33:07,440 --> 00:33:09,600
Speaker 3: the pandemic now, you know, just kind of getting back

655
00:33:09,600 --> 00:33:11,960
Speaker 3: to work, getting back to the ground, so to speak.

656
00:33:12,320 --> 00:33:15,640
Speaker 1: Yeah, I feel so, I must feel like you have

657
00:33:15,760 --> 00:33:18,360
Speaker 1: been listening this whole time. You're in the virtual reality

658
00:33:18,400 --> 00:33:19,280
Speaker 1: family guy, you were.

659
00:33:19,680 --> 00:33:22,920
Speaker 3: Okay, all right, So you weren't asking me as Peter manifests,

660
00:33:22,960 --> 00:33:24,880
Speaker 3: You're asking me in the virtual.

661
00:33:24,920 --> 00:33:27,160
Speaker 2: We need this clip. We're recording the zoom. This is

662
00:33:27,200 --> 00:33:30,040
Speaker 2: gonna be a clip for press. Yeah, so this is

663
00:33:30,080 --> 00:33:32,960
Speaker 2: gonna be Yeah, they'll probably be playing this at the

664
00:33:33,000 --> 00:33:36,640
Speaker 2: ATX Festival a couple of weeks.

665
00:33:36,920 --> 00:33:37,760
Speaker 3: It's just me even.

666
00:33:38,360 --> 00:33:40,239
Speaker 2: I'm not happy with the clips so far, but I

667
00:33:40,240 --> 00:33:44,080
Speaker 2: do believe we can get it. Uh, and it's gonna

668
00:33:44,120 --> 00:33:46,040
Speaker 2: be when we ask what you're working on, be like,

669
00:33:46,600 --> 00:33:49,480
Speaker 2: I'm so excited about this project. I'm Brian family that

670
00:33:49,520 --> 00:33:51,800
Speaker 2: we've got this California race. It's cutaway that you're gonna

671
00:33:51,800 --> 00:33:52,400
Speaker 2: fucking love.

672
00:33:53,800 --> 00:33:56,600
Speaker 3: Okay, yeah, I'll do it, no problem, all right? Should

673
00:33:56,600 --> 00:33:57,040
Speaker 3: I do it now?

674
00:33:57,600 --> 00:33:57,840
Speaker 1: Yeah?

675
00:33:57,840 --> 00:33:59,280
Speaker 2: Where where can I find you? What have you been

676
00:33:59,320 --> 00:34:00,000
Speaker 2: working on these?

677
00:34:00,200 --> 00:34:04,960
Speaker 3: Oh? Man, I've been working on this great project, this

678
00:34:04,960 --> 00:34:09,400
Speaker 3: this family guy virtual reality project. There's this whole cutaway

679
00:34:09,440 --> 00:34:12,200
Speaker 3: with a sharp genitals that you're going to really like.

680
00:34:12,960 --> 00:34:17,080
Speaker 3: Everyone dies in it, but it's funny. Uh, steps on

681
00:34:17,120 --> 00:34:19,840
Speaker 3: the joke a little bit, steps and what steps?

682
00:34:19,920 --> 00:34:22,239
Speaker 2: But you say I got this cutaway with the California Raisins,

683
00:34:22,080 --> 00:34:24,120
Speaker 2: I guess that I'm intrigued. You say I got to

684
00:34:24,120 --> 00:34:26,600
Speaker 2: cut away with incredibly sharp genitals. I go like, well,

685
00:34:26,640 --> 00:34:30,000
Speaker 2: I'm ahead of the joke now you know. Okay, probably

686
00:34:30,080 --> 00:34:32,040
Speaker 2: the California Raisins are cutting each other.

687
00:34:31,840 --> 00:34:35,520
Speaker 3: With those, Okay, So okay, I'll just say, okay, hey,

688
00:34:35,560 --> 00:34:38,279
Speaker 3: we got this funny joke with the California Raisins. Can't

689
00:34:38,280 --> 00:34:40,319
Speaker 3: wait till you see it. It's gonna surprise you.

690
00:34:42,160 --> 00:34:44,560
Speaker 1: And this is this is an interview with Tom Tucker.

691
00:34:44,560 --> 00:34:47,879
Speaker 1: You're going to be doing this in the show. Yeah,

692
00:34:48,480 --> 00:34:50,400
Speaker 1: in the world of the show, you're going to be

693
00:34:50,400 --> 00:34:54,279
Speaker 1: interviewed by Tom Tucker, the news guy. So this is

694
00:34:54,280 --> 00:34:56,320
Speaker 1: why we have to be like prepped and like ready

695
00:34:56,360 --> 00:34:59,799
Speaker 1: to do this, and he is going to be so,

696
00:35:00,040 --> 00:35:04,480
Speaker 1: oh wow, we really have that gotten the levels on

697
00:35:05,040 --> 00:35:06,480
Speaker 1: this like fully rendered.

698
00:35:06,560 --> 00:35:09,840
Speaker 2: Yet it's very uncomfortable to do those scenes.

699
00:35:10,040 --> 00:35:13,120
Speaker 3: Why is nothing rendered in this in this entire show?

700
00:35:13,440 --> 00:35:16,200
Speaker 1: Literally night Evan. Do you want to say do you

701
00:35:16,200 --> 00:35:16,960
Speaker 1: want to tell him why?

702
00:35:16,960 --> 00:35:17,600
Speaker 2: I want to tell.

703
00:35:19,040 --> 00:35:21,040
Speaker 4: We've had to make budget cuts.

704
00:35:21,120 --> 00:35:25,120
Speaker 1: Excuse me. Yes, there's no WII, there's no WI.

705
00:35:26,480 --> 00:35:31,440
Speaker 4: I am going on an extended cruise, thank you and a.

706
00:35:32,560 --> 00:35:38,640
Speaker 1: And so the project has had to make cuts to

707
00:35:38,719 --> 00:35:40,160
Speaker 1: pay for this cruise cruise.

708
00:35:40,280 --> 00:35:45,319
Speaker 3: Yes, Kevin, you don't think that's kind of like, with

709
00:35:45,360 --> 00:35:47,360
Speaker 3: all the respect everybody deserves, a little vacation will be

710
00:35:47,440 --> 00:35:51,480
Speaker 3: through a pandemic. But if the cruise is hurting the

711
00:35:51,560 --> 00:35:54,640
Speaker 3: hurting the progress and quality of the show, why don't

712
00:35:54,760 --> 00:35:57,200
Speaker 3: you use your own money for it?

713
00:35:57,719 --> 00:35:59,600
Speaker 4: I am for the first two weeks, but then the

714
00:35:59,600 --> 00:36:01,600
Speaker 4: next five months is research.

715
00:36:01,680 --> 00:36:04,719
Speaker 2: What this is. This is this is I could give

716
00:36:04,760 --> 00:36:07,920
Speaker 2: some context to to defend Kevin because I got upset

717
00:36:07,960 --> 00:36:11,239
Speaker 2: as well. It is the Impractical Jokers cruise, and he

718
00:36:11,280 --> 00:36:13,560
Speaker 2: did promise to bring back some of their funniest jokes

719
00:36:13,600 --> 00:36:17,719
Speaker 2: for us, you know, and if they're you know, even

720
00:36:17,719 --> 00:36:19,920
Speaker 2: if their crew specific. Because it is VR, we can

721
00:36:20,000 --> 00:36:22,200
Speaker 2: just put Brian the Dog on a cruise and he'd

722
00:36:22,200 --> 00:36:23,719
Speaker 2: be able to do some of what they're up to.

723
00:36:24,080 --> 00:36:26,440
Speaker 2: So in a way, it is research for the show,

724
00:36:26,680 --> 00:36:29,920
Speaker 2: and the money will end up on screen ultimately, but

725
00:36:30,040 --> 00:36:31,960
Speaker 2: for now, what we're dealing with is Tom Tucker is

726
00:36:32,000 --> 00:36:36,000
Speaker 2: way too loud, California Raised, slash, the Pilgrims have you know,

727
00:36:36,080 --> 00:36:41,359
Speaker 2: Polygon genitals, the and the and Meg Meg Meg Meg,

728
00:36:41,920 --> 00:36:43,560
Speaker 2: you know, Terminator gonna kill you.

729
00:36:46,440 --> 00:36:47,840
Speaker 3: Jesus christ. Uh.

730
00:36:47,960 --> 00:36:50,000
Speaker 4: One of the one of the jokes that I got

731
00:36:50,200 --> 00:36:52,920
Speaker 4: is a meme. I don't know how we can use this,

732
00:36:53,080 --> 00:36:56,680
Speaker 4: but it's The top image is of Tom Hanks and

733
00:36:56,760 --> 00:37:00,040
Speaker 4: castaway and he's like swimming away from the island, and

734
00:37:00,080 --> 00:37:03,280
Speaker 4: the second one is his son Chat Hanks saying like Dad,

735
00:37:03,360 --> 00:37:06,560
Speaker 4: come here. And then the third images Tom Hanks like

736
00:37:06,600 --> 00:37:10,560
Speaker 4: swimming back to the island going back.

737
00:37:10,880 --> 00:37:15,960
Speaker 1: Yeah, you see why we why we have to send

738
00:37:16,040 --> 00:37:16,840
Speaker 1: him on this cruise.

739
00:37:19,400 --> 00:37:22,240
Speaker 3: Yes, I guess you send them on the cruise. Okay,

740
00:37:22,520 --> 00:37:26,479
Speaker 3: he goes on the cruise, but yeah, a five month

741
00:37:26,640 --> 00:37:30,560
Speaker 3: cruise to to research characters for two weeks and then

742
00:37:30,600 --> 00:37:33,239
Speaker 3: you said another five months. The only time people go

743
00:37:33,320 --> 00:37:36,360
Speaker 3: out to see for that long is to is to

744
00:37:36,440 --> 00:37:40,720
Speaker 3: research the oceanautics? Is that a word? Ocean? Ocean?

745
00:37:42,800 --> 00:37:44,320
Speaker 2: Our episodes is actually about that?

746
00:37:45,160 --> 00:37:47,600
Speaker 3: Hmm okay, well that makes sense, that makes sense.

747
00:37:47,719 --> 00:37:49,960
Speaker 2: Yeah, I'm gonna be doing oceanautics. He gets a job

748
00:37:50,000 --> 00:37:51,040
Speaker 2: at the Oceanati Lab.

749
00:37:51,719 --> 00:37:54,799
Speaker 3: Okay, I still think I said I said that phrase wrong,

750
00:37:54,840 --> 00:37:56,279
Speaker 3: but you know, I guess we all know what I'm

751
00:37:56,280 --> 00:37:59,560
Speaker 3: talking about. Uh, Fellas, I'm sorry. I got to be

752
00:37:59,560 --> 00:38:03,760
Speaker 3: completely honest. I think this show idea is absolutely awful.

753
00:38:04,200 --> 00:38:06,960
Speaker 3: And I'm saying that because I respect both of you.

754
00:38:07,040 --> 00:38:09,680
Speaker 3: Carls told me such great things. I've listened to the show.

755
00:38:09,719 --> 00:38:11,520
Speaker 3: I'm fans of both of you, have seen your improv,

756
00:38:12,120 --> 00:38:15,080
Speaker 3: your shows. Uh, I just this really feels like it's

757
00:38:15,080 --> 00:38:19,880
Speaker 3: coming out of improv. Oh you don't, you don't do him.

758
00:38:20,080 --> 00:38:21,239
Speaker 3: I could have swore I've seen you do.

759
00:38:21,200 --> 00:38:30,960
Speaker 1: Improv, but I don't do whatever you saw was meticulously Yeah.

760
00:38:31,600 --> 00:38:34,680
Speaker 3: Okay, interesting anyway, it's just, uh, I'm kind of having

761
00:38:34,760 --> 00:38:37,439
Speaker 3: trouble with the concept of the show. Of the show.

762
00:38:37,560 --> 00:38:41,640
Speaker 3: It just sounds uh, it's you know, it's let's just say,

763
00:38:41,680 --> 00:38:43,480
Speaker 3: if my dad saw the show, he'd be like, what

764
00:38:43,600 --> 00:38:46,560
Speaker 3: the what is this? This foolish?

765
00:38:46,719 --> 00:38:50,480
Speaker 2: Okay, well that's interesting, you know, because we do need

766
00:38:50,520 --> 00:38:53,160
Speaker 2: more characters. Could your dad be in the show, like,

767
00:38:53,200 --> 00:38:55,360
Speaker 2: could he ask what it is? And then Brian the

768
00:38:55,440 --> 00:38:57,480
Speaker 2: dog can sort of try to explain to him or

769
00:38:58,160 --> 00:39:00,200
Speaker 2: maybe give him an example that gets as another one

770
00:39:00,200 --> 00:39:02,239
Speaker 2: of these good cutaways that you really helped us come

771
00:39:02,320 --> 00:39:02,640
Speaker 2: up with.

772
00:39:03,120 --> 00:39:06,879
Speaker 1: Mm hm. Any any of the characters who you think

773
00:39:07,960 --> 00:39:12,440
Speaker 1: he would be like especially good to play? Yeah?

774
00:39:12,520 --> 00:39:16,040
Speaker 2: Actually, yeah, let's get your dad in like a you know,

775
00:39:16,560 --> 00:39:18,640
Speaker 2: in like a Stewie suit or something here.

776
00:39:19,520 --> 00:39:21,640
Speaker 3: To play Stuwie. I don't think you want him playing Stewie.

777
00:39:21,640 --> 00:39:24,319
Speaker 3: He has a very thick Iranian accent. There's no way

778
00:39:24,320 --> 00:39:25,279
Speaker 3: he can do a British.

779
00:39:25,040 --> 00:39:27,759
Speaker 2: Acta that might protect us a little bit from what

780
00:39:27,800 --> 00:39:31,040
Speaker 2: we expect to be a pretty lengthy legal battle.

781
00:39:31,600 --> 00:39:33,440
Speaker 1: Well, it would be great to be able to like

782
00:39:33,520 --> 00:39:36,920
Speaker 1: point to this character. We've already made a lot of

783
00:39:37,120 --> 00:39:45,320
Speaker 1: physical changes to some results, as with some other characters of.

784
00:39:45,640 --> 00:39:48,200
Speaker 2: Well, it's not fully rendered on some rendering issues, but

785
00:39:49,040 --> 00:39:51,440
Speaker 2: some of it was intentional that we did want Stewie

786
00:39:51,440 --> 00:39:52,800
Speaker 2: to be an adult.

787
00:39:54,120 --> 00:39:57,200
Speaker 3: Yeah right, Well here's the thing. You want Stewie to

788
00:39:57,200 --> 00:39:58,960
Speaker 3: be Stewie though, right, because if my dad does it,

789
00:39:59,040 --> 00:40:02,799
Speaker 3: this is what's going to sound like, Hello Stewie. Oh

790
00:40:02,880 --> 00:40:07,319
Speaker 3: I love to love to try to cheating my mother.

791
00:40:08,480 --> 00:40:11,120
Speaker 3: It doesn't sound like Stewie whatsoever. It sounds like my

792
00:40:11,200 --> 00:40:15,080
Speaker 3: father trying desperate to play a character he knows nothing about.

793
00:40:16,040 --> 00:40:19,920
Speaker 1: Okay, I think that is actually perfect.

794
00:40:20,080 --> 00:40:20,799
Speaker 2: That's probably better.

795
00:40:21,040 --> 00:40:24,279
Speaker 3: I don't get how. It's just if I was a

796
00:40:24,320 --> 00:40:27,280
Speaker 3: fan of the show, which I am watching this program

797
00:40:27,320 --> 00:40:29,760
Speaker 3: you guys are talking about, I would go, what the hell?

798
00:40:30,200 --> 00:40:34,520
Speaker 3: How is any I mean, Meg is a fucking terminator robot.

799
00:40:35,560 --> 00:40:46,920
Speaker 3: There's people killing each other with their polygon unrendered genitals, right, okay,

800
00:40:46,920 --> 00:40:49,560
Speaker 3: and then we're doing that Tom talkers loud, I mean,

801
00:40:49,560 --> 00:40:51,480
Speaker 3: you really are you telling me you really can't fix them?

802
00:40:53,640 --> 00:40:59,120
Speaker 2: An adult, you know, is an a and his.

803
00:41:00,560 --> 00:41:03,240
Speaker 1: We we've got the rendering on some kind of cycle

804
00:41:03,280 --> 00:41:09,440
Speaker 1: where his nipples kind of burn off and and smolder

805
00:41:09,480 --> 00:41:11,880
Speaker 1: and burn and regenerate.

806
00:41:12,800 --> 00:41:15,799
Speaker 3: In Yeah, what kind of rendering cycle is that?

807
00:41:15,880 --> 00:41:18,319
Speaker 2: The setting is just like, we haven't been able to

808
00:41:18,320 --> 00:41:20,759
Speaker 2: get it just right. This is actually the least distracting

809
00:41:20,840 --> 00:41:24,239
Speaker 2: version we've found because when they come back in they're

810
00:41:24,280 --> 00:41:27,640
Speaker 2: not so pointy, but they do uh yeah, they sort

811
00:41:27,640 --> 00:41:31,480
Speaker 2: of smolder, they become like uh, you know, uh sort

812
00:41:31,520 --> 00:41:35,399
Speaker 2: of burning charcoal and ash, and then they blow away

813
00:41:35,440 --> 00:41:38,560
Speaker 2: to dust and then they come back in, uh, you know,

814
00:41:38,640 --> 00:41:41,279
Speaker 2: somewhat normal. Honestly, So this.

815
00:41:41,280 --> 00:41:43,279
Speaker 3: Is the right an X. This program is right at X.

816
00:41:44,200 --> 00:41:49,080
Speaker 1: I actually think the human nipple is normal. I don't

817
00:41:49,080 --> 00:41:53,720
Speaker 1: think it's something that we have to be prod its Western.

818
00:41:53,760 --> 00:41:56,680
Speaker 1: It's you know, yeah, exactly. It's one of the foundations

819
00:41:56,719 --> 00:41:57,640
Speaker 1: of human life.

820
00:41:58,320 --> 00:41:58,640
Speaker 2: Mm hm.

821
00:41:59,160 --> 00:42:03,640
Speaker 1: So to me, it's rated X for extremely normal.

822
00:42:04,239 --> 00:42:10,080
Speaker 3: Yes, I mean, uh X for extremely normal. That would

823
00:42:10,120 --> 00:42:10,719
Speaker 3: be X.

824
00:42:10,800 --> 00:42:14,319
Speaker 2: Yeah, the X yes for exists, you.

825
00:42:14,280 --> 00:42:17,479
Speaker 3: Know that would both those words are Yeah, both those words.

826
00:42:18,000 --> 00:42:21,359
Speaker 1: These are taken and it's for that's what they that's

827
00:42:21,400 --> 00:42:23,400
Speaker 1: reading for video games for babies.

828
00:42:23,280 --> 00:42:24,480
Speaker 2: So he's for everyone.

829
00:42:24,760 --> 00:42:29,080
Speaker 3: Yeah, Okay, I would say that the penis part that

830
00:42:29,160 --> 00:42:31,080
Speaker 3: the genital part is probably good part. You're gonna do it.

831
00:42:31,080 --> 00:42:34,440
Speaker 2: It's not recognizable as a penis not even close. We

832
00:42:34,600 --> 00:42:36,240
Speaker 2: just said the sex organs.

833
00:42:36,320 --> 00:42:39,360
Speaker 3: Yeah, and then that's it. Then the show's done.

834
00:42:41,640 --> 00:42:45,440
Speaker 2: I didn't want it to be, you know, but I

835
00:42:45,440 --> 00:42:46,920
Speaker 2: don't have a ton of say, I don't have a

836
00:42:46,960 --> 00:42:49,520
Speaker 2: lot of other ideas. Yeah, the stuff you were giving

837
00:42:49,520 --> 00:42:51,719
Speaker 2: me with your dad actually was the most inspired I

838
00:42:51,800 --> 00:42:53,960
Speaker 2: felt in a while. And you seem to already be

839
00:42:54,040 --> 00:42:54,560
Speaker 2: off of it.

840
00:42:54,840 --> 00:42:56,520
Speaker 1: How old is how old is your dad?

841
00:42:57,080 --> 00:43:00,239
Speaker 3: My dad is seventy one, Stewie, this.

842
00:43:00,280 --> 00:43:03,759
Speaker 1: Seventy one year old Iranian man. Just to be able

843
00:43:03,800 --> 00:43:07,200
Speaker 1: to like, yeah, to point to that and the nipples

844
00:43:07,239 --> 00:43:09,080
Speaker 1: thing that we already have going, if your dad is

845
00:43:09,120 --> 00:43:10,880
Speaker 1: okay with that happening.

846
00:43:11,080 --> 00:43:13,080
Speaker 2: To him, that saves us.

847
00:43:13,280 --> 00:43:13,520
Speaker 1: Yeah.

848
00:43:13,640 --> 00:43:16,680
Speaker 3: Yeah, I could promise you. I don't even need to

849
00:43:16,719 --> 00:43:18,640
Speaker 3: talk to him, but I can guarantee he's not gonna

850
00:43:18,640 --> 00:43:21,120
Speaker 3: be okay with like his nipples burning off and stuff.

851
00:43:21,360 --> 00:43:23,640
Speaker 3: He's like me in my family. All the men in

852
00:43:23,640 --> 00:43:27,319
Speaker 3: my family have desperately sensitive nipples. When I whenever I've

853
00:43:27,360 --> 00:43:29,520
Speaker 3: gone to the doctor, even if he torques them a

854
00:43:29,520 --> 00:43:32,359
Speaker 3: little bit, I'm like God, please, this is this isn't

855
00:43:32,400 --> 00:43:33,400
Speaker 3: you know, even.

856
00:43:33,239 --> 00:43:34,960
Speaker 2: If the doctor does a little twerk.

857
00:43:34,800 --> 00:43:40,200
Speaker 1: On it, just just just a little one, well yeah, well,

858
00:43:40,239 --> 00:43:40,560
Speaker 1: I mean.

859
00:43:40,560 --> 00:43:47,320
Speaker 2: If the doctor's just a minor, he's not fully tworking

860
00:43:47,400 --> 00:43:47,640
Speaker 2: on it.

861
00:43:47,680 --> 00:43:49,920
Speaker 3: No, I yeah, he's not fully talking on it. But

862
00:43:50,280 --> 00:43:53,880
Speaker 3: even a slight twerk to a sensitive nipple is painful.

863
00:43:54,000 --> 00:43:55,200
Speaker 3: I mean, I'm sorry, I don't want to go down

864
00:43:55,239 --> 00:43:57,080
Speaker 3: the world talking about my family's nipples. But my point

865
00:43:57,120 --> 00:43:58,560
Speaker 3: is my father won't agree to that.

866
00:43:59,040 --> 00:44:01,160
Speaker 2: You won't agree to that, won't let so then he's

867
00:44:01,200 --> 00:44:06,400
Speaker 2: gonna he's gonna have to be lois. Yeah, I mean

868
00:44:07,600 --> 00:44:08,359
Speaker 2: could be Yeah.

869
00:44:08,719 --> 00:44:14,000
Speaker 1: Yeah. Her nipples on the show are basically like yeah,

870
00:44:14,600 --> 00:44:18,400
Speaker 1: so heavy as to be like basically invincive.

871
00:44:18,480 --> 00:44:21,440
Speaker 2: They're not going anywhere. Yeah, so thick?

872
00:44:21,880 --> 00:44:27,319
Speaker 3: Yeah, are you sure that that's just not weird and

873
00:44:27,360 --> 00:44:31,680
Speaker 3: like inappropriate? Just like suddenly this cartoon character that everyone likes,

874
00:44:31,760 --> 00:44:34,480
Speaker 3: I'm sure he's got these there are thick.

875
00:44:34,719 --> 00:44:39,759
Speaker 1: Like you're talking about the nipples being weird that I'm

876
00:44:39,760 --> 00:44:42,200
Speaker 1: sure it's we all sure that we all have, but.

877
00:44:42,280 --> 00:44:44,760
Speaker 3: We do all got them. But we also all poop,

878
00:44:44,880 --> 00:44:47,160
Speaker 3: and we don't go around showing each other our poop dude,

879
00:44:47,160 --> 00:44:48,680
Speaker 3: I don't walk around with a bowl of my.

880
00:44:51,400 --> 00:44:53,880
Speaker 2: Lois. You'll be able to see it because her stomach

881
00:44:54,040 --> 00:44:57,759
Speaker 2: or her intestines are visible through her like it's it's

882
00:44:57,840 --> 00:45:00,760
Speaker 2: all transparent and clothes.

883
00:45:01,040 --> 00:45:03,360
Speaker 3: Yeah, this is another is a rendering issue.

884
00:45:04,000 --> 00:45:06,560
Speaker 2: No, No, this was a choice, creative choice that we

885
00:45:06,680 --> 00:45:09,000
Speaker 2: wanted to be able to see her internal functions just

886
00:45:09,080 --> 00:45:12,960
Speaker 2: to say like hey, this is okay. Like, yes, we eat,

887
00:45:13,120 --> 00:45:16,120
Speaker 2: we process the food, we generate waste, like this is

888
00:45:16,200 --> 00:45:18,239
Speaker 2: a cycle that we're all a part of, and it's

889
00:45:18,280 --> 00:45:23,240
Speaker 2: been taboo for so long. I think we're finally breaking

890
00:45:23,440 --> 00:45:28,240
Speaker 2: down some of these hang ups that society has about

891
00:45:28,239 --> 00:45:32,800
Speaker 2: the most normal body functions. Hard nipples, nipples burning off, stuma.

892
00:45:32,920 --> 00:45:35,320
Speaker 3: Nipples burning off is not No, that's not a basic

893
00:45:35,440 --> 00:45:36,040
Speaker 3: human function.

894
00:45:36,320 --> 00:45:38,239
Speaker 1: That's that's a heaviness thing.

895
00:45:38,480 --> 00:45:38,840
Speaker 3: So like.

896
00:45:40,320 --> 00:45:43,240
Speaker 1: This is actually potentially an issue in the kitchen stage

897
00:45:43,719 --> 00:45:47,839
Speaker 1: where you're in the kitchen, Lois's nipples being so heavy

898
00:45:48,000 --> 00:45:52,920
Speaker 1: and like she's like getting everywhere face down on the ground,

899
00:45:53,000 --> 00:45:56,239
Speaker 1: just kind of like pushing with her legs, like just

900
00:45:56,239 --> 00:45:58,440
Speaker 1: because of our gravity settings are all messed up with

901
00:45:58,560 --> 00:46:02,200
Speaker 1: these nipples and they're like they're those are not coming

902
00:46:02,239 --> 00:46:06,680
Speaker 1: off the floor, so she is going to be sort

903
00:46:06,719 --> 00:46:10,160
Speaker 1: of like shoving herself forward, and if you are in

904
00:46:10,760 --> 00:46:14,000
Speaker 1: the kitchen and you see her coming in, you need

905
00:46:14,160 --> 00:46:17,719
Speaker 1: to get out of the way. But also in the

906
00:46:17,840 --> 00:46:21,520
Speaker 1: same you know, like keeping track of Meg's field of

907
00:46:21,640 --> 00:46:24,280
Speaker 1: vision if that makes sense. But you can see megs

908
00:46:24,400 --> 00:46:27,840
Speaker 1: field ifsion make it easier for you, You're welcome. Is

909
00:46:27,960 --> 00:46:30,239
Speaker 1: projecting out in a way that like, Okay, I know

910
00:46:30,360 --> 00:46:34,040
Speaker 1: what she's seeing at this time, or because.

911
00:46:33,840 --> 00:46:35,640
Speaker 2: She has like beams coming out of her eyes.

912
00:46:35,719 --> 00:46:38,759
Speaker 3: Yeah, just being coming out of her I mean, you know,

913
00:46:38,920 --> 00:46:40,759
Speaker 3: as someone who is a fan of the show, I've

914
00:46:40,800 --> 00:46:44,799
Speaker 3: watched the show a long time. Ah, this show will

915
00:46:44,880 --> 00:46:49,279
Speaker 3: completely destroy everything that everyone ever liked about Family Guy.

916
00:46:49,719 --> 00:46:53,880
Speaker 2: On top of that, and is that a good thing, because.

917
00:46:55,440 --> 00:46:58,880
Speaker 3: Yes, but you're using the you're using the intellectual property

918
00:46:58,920 --> 00:47:02,720
Speaker 3: of somebody else without their consent, So you're also gonna

919
00:47:03,080 --> 00:47:05,080
Speaker 3: have a huge lawsuit on your hands.

920
00:47:05,719 --> 00:47:09,360
Speaker 1: Honestly, anytime we need to, if we start getting sued

921
00:47:09,400 --> 00:47:12,080
Speaker 1: in the real world or whatever, we can just jump

922
00:47:12,160 --> 00:47:12,480
Speaker 1: in there.

923
00:47:12,680 --> 00:47:15,479
Speaker 2: We escape into the virtual reality Family Guy world, which

924
00:47:15,719 --> 00:47:18,239
Speaker 2: you know, we're sort of masters of the universe in there. Yeah,

925
00:47:18,320 --> 00:47:21,719
Speaker 2: we have all the like codes and everything to get

926
00:47:21,800 --> 00:47:23,080
Speaker 2: inside the walls.

927
00:47:22,760 --> 00:47:26,040
Speaker 1: And people are like, like, is it something where you like,

928
00:47:26,080 --> 00:47:27,719
Speaker 1: if you die in there, you die for real, And

929
00:47:27,760 --> 00:47:31,000
Speaker 1: it's like, no, of course that's stupid. You can't die

930
00:47:32,760 --> 00:47:35,759
Speaker 1: in this world ever, it never ever ever is over it, No,

931
00:47:35,840 --> 00:47:36,600
Speaker 1: it ever ends.

932
00:47:36,719 --> 00:47:39,239
Speaker 2: If forever, it's you exist forever in there.

933
00:47:39,480 --> 00:47:41,840
Speaker 3: How would you hide in the world, Because if somebody

934
00:47:41,920 --> 00:47:44,040
Speaker 3: wanted to serve you court documents, they can just come

935
00:47:44,080 --> 00:47:45,600
Speaker 3: and serve you. They don't care that you're wearing a

936
00:47:45,760 --> 00:47:47,040
Speaker 3: fucking thing over your face.

937
00:47:48,719 --> 00:47:52,399
Speaker 1: Uh well, they wouldn't be able to see me. If

938
00:47:52,440 --> 00:47:54,680
Speaker 1: I was wearing the thing over my face, it wouldn't

939
00:47:54,680 --> 00:47:56,799
Speaker 1: be able to know who I was. I'm not able

940
00:47:56,880 --> 00:48:00,880
Speaker 1: to interact with them to like accept like this this

941
00:48:01,000 --> 00:48:05,319
Speaker 1: thing being served me or whatever. Uh, And how would I.

942
00:48:06,320 --> 00:48:08,719
Speaker 2: I don't think they'd be looking for me at your apartment,

943
00:48:08,880 --> 00:48:11,279
Speaker 2: Like that's the interesting thing that And I just go like,

944
00:48:11,480 --> 00:48:16,560
Speaker 2: we're not you know, we're not that close. So I

945
00:48:16,680 --> 00:48:18,759
Speaker 2: think that when I show up there in my suit,

946
00:48:19,760 --> 00:48:22,520
Speaker 2: there's gonna be very few people that connect those dots.

947
00:48:23,640 --> 00:48:26,000
Speaker 3: I mean, what if they what if you knock on

948
00:48:26,040 --> 00:48:28,360
Speaker 3: your door, either of your door, what's say Shawn, knock.

949
00:48:28,239 --> 00:48:31,680
Speaker 1: On your door. It's your We're gonna be at your place.

950
00:48:31,800 --> 00:48:33,040
Speaker 2: I will be at your house.

951
00:48:33,160 --> 00:48:36,880
Speaker 3: Yeah, okay, at your house whatever, wherever.

952
00:48:36,640 --> 00:48:38,839
Speaker 2: You walk, I'm at your house.

953
00:48:39,719 --> 00:48:40,120
Speaker 1: Who are you?

954
00:48:40,160 --> 00:48:43,360
Speaker 3: Who are you saying that? You are you saying? Peter, Okay,

955
00:48:43,440 --> 00:48:48,480
Speaker 3: you're at Okay, you're at my house. Somebody comes and says,

956
00:48:48,880 --> 00:48:51,600
Speaker 3: hi is Sean Clements are sewn clements?

957
00:48:53,320 --> 00:48:56,000
Speaker 2: And what? And what do I say? I go, you know,

958
00:48:56,360 --> 00:48:57,480
Speaker 2: I'm I'm Stewie.

959
00:48:58,920 --> 00:49:01,719
Speaker 3: Well okay, But my point is they can still serve you.

960
00:49:01,880 --> 00:49:03,400
Speaker 3: I don't know why I went down this road, but

961
00:49:03,560 --> 00:49:05,279
Speaker 3: like they can still serve it. You can still get

962
00:49:05,320 --> 00:49:06,560
Speaker 3: in trouble, you can still get sued.

963
00:49:07,880 --> 00:49:11,160
Speaker 1: Look at what Hubert has been doing on that show

964
00:49:12,080 --> 00:49:16,840
Speaker 1: for so long. He's like he's a sexual predator, and

965
00:49:17,520 --> 00:49:20,480
Speaker 1: I don't see anyone like bringing him to justice, and

966
00:49:20,520 --> 00:49:23,560
Speaker 1: I don't like it. No, this is how this world works.

967
00:49:23,880 --> 00:49:27,320
Speaker 2: Then we're going to come for me over him.

968
00:49:27,400 --> 00:49:28,680
Speaker 1: A copyright violation.

969
00:49:28,840 --> 00:49:31,600
Speaker 2: When Hubert is out there, that seems like they got

970
00:49:31,640 --> 00:49:34,120
Speaker 2: bigger fish to fry because they're, you know, they're really

971
00:49:34,200 --> 00:49:37,280
Speaker 2: not dealing with some of the larger issues and his name.

972
00:49:37,280 --> 00:49:39,319
Speaker 1: So of course I'm a real family guy. His name

973
00:49:39,400 --> 00:49:42,440
Speaker 1: is Herbert, but it will be.

974
00:49:42,520 --> 00:49:45,480
Speaker 2: Hubert and ideally he will look like Kubert, which is

975
00:49:45,560 --> 00:49:46,920
Speaker 2: another workaround that we have.

976
00:49:48,520 --> 00:49:50,920
Speaker 3: And he's still going to be a child potential child molester.

977
00:49:51,680 --> 00:49:54,279
Speaker 2: We can't we can't stop doing that.

978
00:49:54,480 --> 00:49:57,520
Speaker 3: Yeah, you can't stop the rendering from him being a

979
00:49:57,600 --> 00:49:58,040
Speaker 3: child blister.

980
00:49:58,120 --> 00:50:01,000
Speaker 2: I when I tell you every dial you can imagine,

981
00:50:01,120 --> 00:50:04,040
Speaker 2: I've turned up and down all the little sliders. I've

982
00:50:04,160 --> 00:50:06,400
Speaker 2: touched him. No matter what you do, he ends up.

983
00:50:06,600 --> 00:50:07,840
Speaker 2: That's just in his bone.

984
00:50:07,960 --> 00:50:10,600
Speaker 3: What company did you guys outsource the rendering too? Because

985
00:50:10,600 --> 00:50:18,040
Speaker 3: sound think they're doing an awful fucking job. I wass okay,

986
00:50:18,080 --> 00:50:21,759
Speaker 3: So so Kevin is doing it? Kevin, Yeah, okay, you're

987
00:50:21,760 --> 00:50:23,480
Speaker 3: doing it, my man, you're doing an awful job doing

988
00:50:23,520 --> 00:50:26,200
Speaker 3: his rendering. With all due respect, the entire thing is

989
00:50:26,239 --> 00:50:28,800
Speaker 3: supposed to be rendered, and half the things aren't rendered.

990
00:50:29,080 --> 00:50:32,040
Speaker 2: I'm so happy to hear somebody else say this, because

991
00:50:32,120 --> 00:50:34,880
Speaker 2: I you know, I think I had become normal to me.

992
00:50:35,640 --> 00:50:38,560
Speaker 2: We had we had compromised at so many points along

993
00:50:38,640 --> 00:50:43,279
Speaker 2: the way that I started to really focus on the positive. Uh,

994
00:50:43,760 --> 00:50:45,319
Speaker 2: just that we were kind of getting the show off

995
00:50:45,400 --> 00:50:47,880
Speaker 2: the ground. But hearing you say that, I go, you know,

996
00:50:48,040 --> 00:50:50,959
Speaker 2: there actually are a number of rendering issues with the show.

997
00:50:51,480 --> 00:50:54,080
Speaker 2: As I as I'm having to even explain it, it

998
00:50:54,200 --> 00:50:57,719
Speaker 2: stacks up in this way. But I think, what you know,

999
00:50:58,000 --> 00:50:59,600
Speaker 2: for me, I think if we come up with two

1000
00:50:59,719 --> 00:51:02,160
Speaker 2: or three more solid cutaways, we can be out.

1001
00:51:05,600 --> 00:51:07,640
Speaker 1: I mean, you should just hit us with one just

1002
00:51:07,760 --> 00:51:10,440
Speaker 1: really quick, just really quick two or three cutaways, and

1003
00:51:10,480 --> 00:51:10,719
Speaker 1: then with.

1004
00:51:11,040 --> 00:51:16,640
Speaker 3: Two three, and then as as Brian as Brian, Right, Okay,

1005
00:51:16,760 --> 00:51:20,040
Speaker 3: so cutaway. Yeah, Brian is Let's say he's at home.

1006
00:51:20,120 --> 00:51:21,960
Speaker 3: You know, he likes to drink. He's drinking. He's like,

1007
00:51:22,200 --> 00:51:25,360
Speaker 3: uh man, this reminds me of when I was hanging

1008
00:51:25,480 --> 00:51:28,000
Speaker 3: with Charlie Sheen, and then we cut to him and

1009
00:51:28,080 --> 00:51:31,800
Speaker 3: Charlie Sheen drinking like a gallon of Isoperble alcohol together

1010
00:51:31,840 --> 00:51:33,040
Speaker 3: and they both start throwing up.

1011
00:51:33,120 --> 00:51:37,279
Speaker 1: Okay, that's gonna be and the like why would that?

1012
00:51:38,520 --> 00:51:42,000
Speaker 1: Why would Charlie she It's just that specific thing. We're

1013
00:51:42,160 --> 00:51:46,640
Speaker 1: totally in the right area. Charlie Sheen. Rendering is going

1014
00:51:46,719 --> 00:51:50,120
Speaker 1: to react with the ice probol alcohol in a way

1015
00:51:50,760 --> 00:51:54,920
Speaker 1: like that is essentially going to ignite the air in

1016
00:51:55,080 --> 00:51:57,480
Speaker 1: this world, and it's going to consume all of the

1017
00:51:57,600 --> 00:52:02,800
Speaker 1: artificial oxygen. Uh and and it's a funny.

1018
00:52:03,000 --> 00:52:05,520
Speaker 2: It's a really funny idea. What if instead of Charlie Sheen,

1019
00:52:05,600 --> 00:52:07,440
Speaker 2: it was one of the California Raisins.

1020
00:52:08,680 --> 00:52:11,080
Speaker 3: You just keep bringing the rate California. There's just nothing

1021
00:52:11,120 --> 00:52:11,320
Speaker 3: to me.

1022
00:52:12,920 --> 00:52:16,160
Speaker 1: They are absolutely going. Okay, so say you're a fan

1023
00:52:16,200 --> 00:52:16,560
Speaker 1: of the show.

1024
00:52:16,680 --> 00:52:17,960
Speaker 3: No, I am a fan of the show. I am

1025
00:52:18,000 --> 00:52:19,840
Speaker 3: a fan of show, but in this but in this

1026
00:52:20,160 --> 00:52:22,759
Speaker 3: particular situation that it's I think it's less Okay, how

1027
00:52:22,760 --> 00:52:26,880
Speaker 3: about this Brian, he's drinking it. It resminds me of

1028
00:52:26,920 --> 00:52:29,480
Speaker 3: the time I drank too much and he's with one

1029
00:52:29,520 --> 00:52:32,320
Speaker 3: of the California Raisins. They drink too much isoproble alcohol

1030
00:52:32,360 --> 00:52:34,600
Speaker 3: and they throw up and then then it cuts.

1031
00:52:34,360 --> 00:52:37,560
Speaker 1: Back, or maybe it's like wine and the California Raisins

1032
00:52:37,760 --> 00:52:39,280
Speaker 1: is like, that's my friend.

1033
00:52:39,520 --> 00:52:41,560
Speaker 2: Hey, yeah, right, you.

1034
00:52:41,680 --> 00:52:46,600
Speaker 1: Drink that's my friend. Okay, Okay, it's okay.

1035
00:52:46,800 --> 00:52:49,200
Speaker 3: No, I don't, I'll be honest, I don't. I don't think.

1036
00:52:49,280 --> 00:52:50,320
Speaker 3: I still don't think it's funny.

1037
00:52:50,320 --> 00:52:53,680
Speaker 2: And I'm the one that that's what friends. He says,

1038
00:52:55,000 --> 00:52:57,520
Speaker 2: get pretty drink my friend. But it gets you where

1039
00:52:57,520 --> 00:53:01,400
Speaker 2: you're going mm hmm yeah, wese, yeah.

1040
00:53:01,400 --> 00:53:04,480
Speaker 3: Yeah, okay, all right, fine, that's so that's one second

1041
00:53:04,520 --> 00:53:08,600
Speaker 3: one that Brian is uh is mean to Meg.

1042
00:53:08,640 --> 00:53:11,759
Speaker 2: I don't know, just before you even start, Let's not

1043
00:53:11,880 --> 00:53:14,400
Speaker 2: make it another California Raisins thing, because I don't think. No,

1044
00:53:14,520 --> 00:53:16,640
Speaker 2: you made it too many times, Sean.

1045
00:53:16,719 --> 00:53:19,560
Speaker 3: You you you brought it up like three separate times.

1046
00:53:19,719 --> 00:53:20,839
Speaker 3: You're the one that's great. I didn't.

1047
00:53:21,800 --> 00:53:24,320
Speaker 2: Let's not like, so let's not go back to that.

1048
00:53:25,000 --> 00:53:26,800
Speaker 3: Right, that's so, let's not go back to Fellas. So

1049
00:53:26,920 --> 00:53:30,280
Speaker 3: let's not go back to that because you're the Jesus. Okay.

1050
00:53:31,120 --> 00:53:35,200
Speaker 3: So the other one, it's Brian is he wakes up,

1051
00:53:35,239 --> 00:53:38,120
Speaker 3: he's cooking breakfast. He's like, hey, Meg, do you want breakfast?

1052
00:53:38,160 --> 00:53:41,600
Speaker 3: He's like sure, Brian, and then he he throws an

1053
00:53:41,600 --> 00:53:47,239
Speaker 3: egg on her. Oh okay, cutaway ship, Okay, so hey

1054
00:53:47,320 --> 00:53:49,560
Speaker 3: you want eggs? And she's like, boy, this is worse

1055
00:53:49,640 --> 00:53:52,520
Speaker 3: than last week's breakfast. And last week's breakfast, like the

1056
00:53:52,600 --> 00:53:55,719
Speaker 3: egg try to attack her or chase her around the

1057
00:53:55,800 --> 00:53:57,040
Speaker 3: house or like the egg.

1058
00:53:59,000 --> 00:54:00,760
Speaker 2: What big and strong?

1059
00:54:00,920 --> 00:54:03,800
Speaker 1: That's actually very helpful for the egg that we that

1060
00:54:03,920 --> 00:54:06,000
Speaker 1: we currently have. It's going to be doing that anyway,

1061
00:54:06,120 --> 00:54:08,880
Speaker 1: So that is that's perfect, that's awesome.

1062
00:54:09,239 --> 00:54:11,439
Speaker 2: That's a really cool idea. She probably shouldn't be eating

1063
00:54:11,440 --> 00:54:13,080
Speaker 2: eggs in the first one, just because we're not going

1064
00:54:13,120 --> 00:54:15,080
Speaker 2: to be able to have an egg that doesn't do that.

1065
00:54:15,960 --> 00:54:18,640
Speaker 2: But she, you know, if she's eating I think we

1066
00:54:18,760 --> 00:54:24,279
Speaker 2: had talked about maybe some cereal. Okay, she goes, she goes,

1067
00:54:24,400 --> 00:54:28,120
Speaker 2: you know, hey, look I'm having cereal. There's a lot

1068
00:54:28,200 --> 00:54:29,880
Speaker 2: better than the eggs I had last week. And the

1069
00:54:30,040 --> 00:54:34,640
Speaker 2: egg kicks the shit out of her cool. I mean,

1070
00:54:34,719 --> 00:54:37,399
Speaker 2: she's she's T one thousand, So it's like, I think

1071
00:54:38,080 --> 00:54:38,920
Speaker 2: my money's on Meg.

1072
00:54:39,960 --> 00:54:42,040
Speaker 3: If she's the T one thousand, Why is she Meg?

1073
00:54:42,200 --> 00:54:45,520
Speaker 3: Why can't Why you are Kevin? You're paining Kevin. You

1074
00:54:45,719 --> 00:54:47,960
Speaker 3: paint Kevin to render this stuff? Haven't render it?

1075
00:54:48,080 --> 00:54:48,239
Speaker 2: Right?

1076
00:54:48,800 --> 00:54:51,080
Speaker 3: This makes no sense. Meg is Meg, But she's also

1077
00:54:51,160 --> 00:54:53,360
Speaker 3: T one on it because Kevin can't render it properly.

1078
00:54:53,480 --> 00:54:55,680
Speaker 3: Get it to someone else. Kevin, no offense, brother, But

1079
00:54:55,760 --> 00:54:57,719
Speaker 3: if you can't render properly, have someone else do it.

1080
00:54:58,360 --> 00:55:01,799
Speaker 4: You can't Sorry, you can't say no offense and forwards like.

1081
00:55:01,880 --> 00:55:04,160
Speaker 2: That he does say ill due respect and no offense.

1082
00:55:04,719 --> 00:55:08,200
Speaker 1: Is really that was really, really inappropriate, and I am

1083
00:55:08,239 --> 00:55:09,440
Speaker 1: actually going to end the show.

1084
00:55:09,880 --> 00:55:11,799
Speaker 3: No, wait a second, what was.

1085
00:55:14,320 --> 00:55:16,880
Speaker 1: Well, yeah, and we'll we'll take care of that off

1086
00:55:16,960 --> 00:55:21,239
Speaker 1: the air. We we do not do that on the show.

1087
00:55:21,320 --> 00:55:24,800
Speaker 1: We don't do the screaming outside and the rudeness. And

1088
00:55:24,960 --> 00:55:27,120
Speaker 1: now Kevin is gonna Kevin is now going.

1089
00:55:27,239 --> 00:55:29,640
Speaker 2: N is gonna go for a walk. Yeah, he needs

1090
00:55:29,680 --> 00:55:32,239
Speaker 2: to cool down. And I don't fault him at all

1091
00:55:32,280 --> 00:55:32,480
Speaker 2: for that.

1092
00:55:32,840 --> 00:55:35,359
Speaker 1: We'll take care of the cutaway at a different time.

1093
00:55:35,400 --> 00:55:37,480
Speaker 1: But just a quick apology to Kevin and then we'll

1094
00:55:37,520 --> 00:55:38,600
Speaker 1: be Kevin.

1095
00:55:38,400 --> 00:55:40,800
Speaker 3: I'm really sorry, man. I I didn't mean it like that.

1096
00:55:41,040 --> 00:55:43,279
Speaker 1: I guess I got a so you're going to have to.

1097
00:55:43,400 --> 00:55:48,600
Speaker 3: Okay, Well, Kevin, Kevin, Okay, I mean, why did you

1098
00:55:48,640 --> 00:55:50,000
Speaker 3: have told me when I saw I had a second

1099
00:55:50,719 --> 00:55:52,279
Speaker 3: email him later and say, Kevin, I'm sorry.

1100
00:55:53,120 --> 00:55:54,480
Speaker 1: He doesn't have email out there?

1101
00:55:55,400 --> 00:55:57,279
Speaker 3: No, he's what do you mean doesn't have email? He

1102
00:55:57,320 --> 00:55:59,239
Speaker 3: has access to email in general? Do you want me

1103
00:55:59,239 --> 00:56:00,399
Speaker 3: to go on science something?

1104
00:56:00,480 --> 00:56:03,160
Speaker 1: See what what Kevin?

1105
00:56:03,200 --> 00:56:03,600
Speaker 3: Are you there?

1106
00:56:04,560 --> 00:56:04,759
Speaker 1: Yeah?

1107
00:56:04,880 --> 00:56:07,640
Speaker 3: Well, Kevin, I just wanted to say I'm sorry, man.

1108
00:56:07,640 --> 00:56:09,640
Speaker 3: I didn't mean to be disrespectful. I was just a

1109
00:56:09,640 --> 00:56:10,400
Speaker 3: little frustrated.

1110
00:56:10,480 --> 00:56:14,680
Speaker 1: Does he look like he's upset. Man, he's sipping cocktails

1111
00:56:14,719 --> 00:56:15,360
Speaker 1: by the pool.

1112
00:56:16,560 --> 00:56:20,279
Speaker 3: I'm on the cruise, baby, Okay, I guess oh wow, okay,

1113
00:56:20,320 --> 00:56:22,239
Speaker 3: you're already on the cruise. All right, well I guess

1114
00:56:22,320 --> 00:56:27,239
Speaker 3: everything's All's well, that ends well yeah, okay, Well, I'm

1115
00:56:27,280 --> 00:56:29,279
Speaker 3: sorry about what I said. Man, Just keep doing what

1116
00:56:29,320 --> 00:56:30,919
Speaker 3: you're doing. You know, I don't know how to render nothing,

1117
00:56:31,000 --> 00:56:33,040
Speaker 3: so I guess I shouldn't talk. I just got frustrated you.

1118
00:56:33,600 --> 00:56:37,279
Speaker 1: Thank you. Yeah, that's all he admitted that. Okay. Bye.

1119
00:56:40,920 --> 00:56:44,440
Speaker 4: This week on the Patreon Carl and Hassan discussed opposing opinions,

1120
00:56:44,719 --> 00:56:47,880
Speaker 4: Sean welcomes Matt Appadaka back on the pro Version, and

1121
00:56:48,040 --> 00:56:52,239
Speaker 4: The Flagger Ones are mostly talking all things basketball. Check

1122
00:56:52,280 --> 00:56:55,879
Speaker 4: out these bonus podcasts and videos of the full episodes,

1123
00:56:56,160 --> 00:56:59,279
Speaker 4: including today's with Peter at patreon dot com.

1124
00:56:59,440 --> 00:57:02,640
Speaker 1: Slash the Later Once Hollywood, Hamburg,