WEBVTT - Thirsty Thursdays: Pump Rules Pt. 2 Reunion

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<v Speaker 1>Hey rain Drops.

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<v Speaker 2>Yes. So, as you know, my podcast Reality with the

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<v Speaker 2>King is on tour and my next stop is live

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<v Speaker 2>in New York City with the one the Only Queen

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<v Speaker 2>of New Jersey, Teresa Judais. Yes, on Tuesday, June eighteenth

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<v Speaker 2>at the City Winery, Teresa Judais and I will have

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<v Speaker 2>a live conversation in front of a live audience. Make

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<v Speaker 2>sure you get your tickets now. Log onto my website

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<v Speaker 2>Kingdom raint dot com. That's Kingdom r E I G

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<v Speaker 2>N e n T dot com. Or if you're on

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<v Speaker 2>social media and follow me, click on the link of

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<v Speaker 2>my bio.

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<v Speaker 1>To purchase your tickets.

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<v Speaker 2>Once again, the website is Kingdom rainnt dot com. Hit

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<v Speaker 2>the tab that says tour and me and to Lisa Judais,

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<v Speaker 2>can I wait to see you on Tuesday, June eighteenth

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<v Speaker 2>in New York City.

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<v Speaker 1>Welcome to Reality with the King.

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<v Speaker 2>It's me Carlos King, the King of Reality TV and

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<v Speaker 2>one of the most sought after executive producers in reality

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<v Speaker 2>television with over ten years a production experience. Twice a

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<v Speaker 2>week on Reality with the King, we'll sit down with

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<v Speaker 2>my friends across the entertainment industry, recap our favorite reality

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<v Speaker 2>shows and revisit unforgettable moments that we are still talking

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<v Speaker 2>and tweeting about.

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<v Speaker 1>Hey, Rain drive Geez.

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<v Speaker 2>For Brown too to talk about Vada Pump Rules Part

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<v Speaker 2>two reunion. I got the Beautiful, the Amazing kid casey.

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<v Speaker 3>Okay, First thing, I have to talk to you about

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<v Speaker 3>your live show that you're coming to Orange County. I

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<v Speaker 3>saw the clips of the last one. We're we're like

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<v Speaker 3>singing and dan zinge. I've ever seen a show like it.

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<v Speaker 3>So when you come to OC, I want the good

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<v Speaker 3>people that are listening to this to make a special request.

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<v Speaker 3>I think you and I should sing.

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<v Speaker 4>A duet at your show. And the more over the

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<v Speaker 4>top the better.

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<v Speaker 3>Like maybe there's like some sort of like seventies or

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<v Speaker 3>eighties like ridiculous duet, and we'll do that, by the way,

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<v Speaker 3>we talked about it.

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<v Speaker 4>When you come.

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<v Speaker 3>They're on Pacific Coast Highway where the Oppenheim Group is

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<v Speaker 3>where Selling the OOC is filmed. Within walking distance is

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<v Speaker 3>also the Agency and the Altman Group, so we can

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<v Speaker 3>hit all the real estate hotspots within walking distance. And

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<v Speaker 3>I think Polly, Alex and Tyler should meet us out.

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<v Speaker 2>Well. Look, honey, you had me at Alex and you

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<v Speaker 2>had me at Polly and you had me at Tyler.

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<v Speaker 1>First of all, Kate.

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<v Speaker 2>Is my sister from another mister, because I am super

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<v Speaker 2>obsessed with selling the OC. Yes, we'll talk about vat

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<v Speaker 2>the porn rules later, but yeah, let's start if with

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<v Speaker 2>selling the OC see really fast. Tyler is by far

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<v Speaker 2>the most attractive man I have ever seen on Netflix.

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<v Speaker 4>For sure.

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<v Speaker 2>He agreed dropped it, Gordon. Alex is such good television.

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<v Speaker 2>She's the fourth multiplier. I'm obsessed.

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<v Speaker 1>And Polly, I mean.

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<v Speaker 2>The haircut, the body, the outfits, the comedic timing her

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<v Speaker 2>and Alex together, like that's the Paris and the Cold

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<v Speaker 2>Simple Life spin off.

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<v Speaker 1>I want to see, you know what it's like.

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<v Speaker 3>Tyler is like Robert Redford and Alex Hall is like

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<v Speaker 3>Jennifer Lopez. And that's why they didn't work out, because

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<v Speaker 3>those are two totally different people, but they're both absolutely gorgeous.

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<v Speaker 1>Yes. No, So have you met Tyler in person?

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<v Speaker 3>Yes?

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<v Speaker 2>Is he just as stunning as he is in Confessionals

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<v Speaker 2>when the light hits his beautiful face?

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<v Speaker 3>Stunning, Like he walks in and you're like a human

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<v Speaker 3>being can be that attractive. But he's also really nice,

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<v Speaker 3>just like a nice person. He's just a local person.

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<v Speaker 3>Like he's like a simple guy. He was like a

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<v Speaker 3>surfer and he works with his dad, and he's just

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<v Speaker 3>a person that probably wakes up, go surfing, works and

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<v Speaker 3>then surfs a little bit more. You know, he's not

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<v Speaker 3>very flashy. Love that he's like down to earth. I

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<v Speaker 3>don't think he's made for reality TV. But he's made

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<v Speaker 3>for modeling.

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<v Speaker 1>Honey, He's made for me.

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<v Speaker 2>So listen, rain drops, rain drops, please leave Polly, Alex

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<v Speaker 2>and Tyler. No. When I come to the OC, listen,

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<v Speaker 2>I may want them to be on the building of

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<v Speaker 2>my podcast, my live podcast. Me and Kay Casey are

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<v Speaker 2>gonna sing a song together. We may do dancing queens by.

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<v Speaker 1>Oh.

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<v Speaker 3>Also, we could pretend that you're looking for a second

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<v Speaker 3>home and have Tyler give us a tour.

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<v Speaker 4>That's what we'll do.

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<v Speaker 1>Okay, Yeah, let's do that.

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<v Speaker 4>Let's do that.

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<v Speaker 1>Promise.

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<v Speaker 3>Yeah, we're done. But I'm gonna wear a dumb outfit

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<v Speaker 3>just to be part of the course.

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<v Speaker 1>Yes, but no rain drops.

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<v Speaker 2>If you haven't watched his selling, the OC is so

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<v Speaker 2>oh fucking good. It's so real, this drama, it's so real,

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<v Speaker 2>it's so good.

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<v Speaker 1>Please please, if you missed out on it. Watch it.

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<v Speaker 1>Trust me.

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<v Speaker 2>I'm giving you guys my seal of approval, my stamp

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<v Speaker 2>of approval.

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<v Speaker 1>It's really good.

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<v Speaker 4>Okay, one of the show you need to watch.

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<v Speaker 3>And I know you said people have told you love

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<v Speaker 3>undercover on Peacock And here's why. Because in this dating show,

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<v Speaker 3>you've got American women who have been set up to

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<v Speaker 3>believe that the show is about them not being able

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<v Speaker 3>to find any American men. They've obviously like just gone

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<v Speaker 3>through every man in America, and they're like, I need

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<v Speaker 3>an international guy. So they introduce them to these five

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<v Speaker 3>international men. But what they don't know is that all

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<v Speaker 3>of these men are international soccer stars, but they're lying

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<v Speaker 3>about what they do. So these women are like, he's

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<v Speaker 3>kind of average, Like I don't know if I could

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<v Speaker 3>go out with somebody in construction. But then they find

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<v Speaker 3>out once they've been eliminated that the guy that they

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<v Speaker 3>passed over on or whatever is actually like mega wealthy

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<v Speaker 3>and successful and has like one point two million followers

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<v Speaker 3>on Instagram.

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<v Speaker 4>And why is that funny? Because some of the.

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<v Speaker 3>Girls are like, Hi, I'm Sophia, I'm twenty seven, and

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<v Speaker 3>I'm an Instagram influencer. And then they show their numbers

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<v Speaker 3>and it's like fifty thousand. It's like, not even that much.

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<v Speaker 3>I'm just looking for a guy that can elevate the

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<v Speaker 3>kind of lifestyle that I deserve. And you're like, what,

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<v Speaker 3>But all the guys get along great, and it's they're

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<v Speaker 3>all so funny. So it's a good one.

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<v Speaker 1>Okay. I'm watching that today.

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<v Speaker 2>Okay, good because I need to watch something good because

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<v Speaker 2>I do feel like we are at the end of

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<v Speaker 2>the road for Van the Pump Rules just based on

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<v Speaker 2>Part two reunion. Part three is next week. I'm putting

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<v Speaker 2>Kate on the spy k will you recap part three

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<v Speaker 2>with me?

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<v Speaker 4>To end this with that question done? Totally? Okay, let

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<v Speaker 4>me just say this too.

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<v Speaker 3>I think we're at the end of the period of

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<v Speaker 3>time where networks were just relying on old IP. They

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<v Speaker 3>weren't making risky moves because they were trying to get,

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<v Speaker 3>you know, get the money back from COVID. And I

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<v Speaker 3>think that period of time is ending. We're gonna have

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<v Speaker 3>like new, fresh stuff and that that's why I like

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<v Speaker 3>Love Undercover. It's like a new concept and new people.

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<v Speaker 3>And that's why The Valley's successful too, is because new

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<v Speaker 3>people like, we're so aren't you sick of vander Pump

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<v Speaker 3>Rules people?

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<v Speaker 2>Well, honey, that's what we have to talk about, because look,

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<v Speaker 2>I found myself and I'm being very honest.

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<v Speaker 1>I knew that I.

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<v Speaker 2>Would be talking to Kate about this, and I wanted

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<v Speaker 2>to of course wrap out down the Pump Rules because

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<v Speaker 2>in my opinion, this show was done. Put a fork

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<v Speaker 2>in her. She's cooked, baby, because she's done. For all

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<v Speaker 2>I am concerned. So I felt like it was a

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<v Speaker 2>job watching this episode Part two Reunion of Pump Rules,

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<v Speaker 2>and I Kay, I was like, I just don't give

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<v Speaker 2>a fuck. I just I just didn't care. I didn't

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<v Speaker 2>care what was going on. And the biggest thing for

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<v Speaker 2>me was like even seeing La La versus Katie, it

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<v Speaker 2>was sort of like, okay, Katie was talking shit about

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<v Speaker 2>Arianna and I don't know, and then Arianna sit there

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<v Speaker 2>she didn't care, So I was like, well, why do

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<v Speaker 2>I care? And for me, it was like everybody was

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<v Speaker 2>checked out except La La. I think Laala was like

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<v Speaker 2>I am trying to keep this train moving. And Laala

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<v Speaker 2>gave a great performance. You know, she literally was Charlie's

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<v Speaker 2>theron in yeah yeah, you know, like she gave her

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<v Speaker 2>Best Acting performance that won an Oscar.

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<v Speaker 3>Best Performance in a Reunion, Part two of a Show

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<v Speaker 3>That's about to Die. Okay, we I mentioned it to

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<v Speaker 3>you and you said you had just watched it too.

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<v Speaker 4>There's so many parallels to this.

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<v Speaker 3>In the twenty twelve thirty for thirty which is now

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<v Speaker 3>on Netflix.

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<v Speaker 4>It's called Broke.

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<v Speaker 3>It's directed by Billy Corbyn, and it's about how all

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<v Speaker 3>these professional athletes go bankrupt. And I was always watching

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<v Speaker 3>it thinking, Arianna is the professional athlete that's already set

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<v Speaker 3>up with a full team. She's got it all set up,

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<v Speaker 3>so she's got some backup projects, and that's why she's

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<v Speaker 3>such a great communicator and calm throughout the reunion. She's

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<v Speaker 3>already like set up that boundary, like okay, because she's

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<v Speaker 3>got a full team ready for her. But Lala is

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<v Speaker 3>like the athlete who is about to blow out her

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<v Speaker 3>knee and has already spent most of her money and

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<v Speaker 3>may may or may not have a gambling problem, you

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<v Speaker 3>know what I mean. And it's like she's like, oh

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<v Speaker 3>my god, how am I going to make up all

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<v Speaker 3>this money that I just spent. It's like it just

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<v Speaker 3>seemed like so much like that, and how like professional

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<v Speaker 3>athletes and reality stars operate are so similar because like

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<v Speaker 3>in the moment, they think it's gonna last forever. Like

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<v Speaker 3>some of the prof like the football players and NBA players,

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<v Speaker 3>they get out of college or maybe they're recruited right

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<v Speaker 3>from high school and they're given a ton of money

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<v Speaker 3>and they think all the opportunities are going to last forever.

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<v Speaker 3>And reality stars are like that too, like they hit.

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<v Speaker 3>They're on a big hit. I mean, like this show

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<v Speaker 3>is going to be forever, and then I'm gonna be

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<v Speaker 3>asked to be on all these other shows. I'm gonna

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<v Speaker 3>be a television star and then I'm gonna move into movies

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<v Speaker 3>and then I'm gonna become a business mogul like Jennifer

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<v Speaker 3>Lopez or whomever. And it's just not reality and you

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<v Speaker 3>need somebody who is really looking out for your best

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<v Speaker 3>interest to go. You gotta have a backup plan.

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<v Speaker 4>So that's why.

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<v Speaker 3>Arianna is successful is because I think she made a

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<v Speaker 3>decision before she probably even went into filming this season,

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<v Speaker 3>like okay, I need a backup plan, And the others

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<v Speaker 3>were like, now that this is such a big hit

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<v Speaker 3>because everyone's writing about it, we've just secured five more seasons.

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<v Speaker 3>And that's the crackup is in the episode three, which

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<v Speaker 3>I think we're going to see soon, you know, within

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<v Speaker 3>a week, is that they waited to show them the

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<v Speaker 3>last part, which really does reveal to them unless they're Dinglings,

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<v Speaker 3>then it is the end of the road and they're like,

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<v Speaker 3>oh shit.

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<v Speaker 1>Yes, no, I could not agree more.

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<v Speaker 2>First of all, give it up a Kksey guys round

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<v Speaker 2>of applause because you comparing this caz of pump rolls

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<v Speaker 2>to thirty for thirty Broke edition.

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<v Speaker 3>Remember remember I said, Derek Cheat the captain, like you

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<v Speaker 3>should have retired Kandy Burriws.

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<v Speaker 1>Yes, guess what. Guess what? She left the show a

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<v Speaker 1>year after you said that. Kay Casey on the Case

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<v Speaker 1>got it.

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<v Speaker 2>I was trying to figure out Kate, like, why am

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<v Speaker 2>I so disconnected watching this for you?

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<v Speaker 1>Yeah, I felt nothing.

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<v Speaker 2>You hit the knail on the head as you sort

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<v Speaker 2>of dissected.

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<v Speaker 1>Like Carlos, what was going on? Is this Arianna already

0:11:26.720 --> 0:11:27.680
<v Speaker 1>secured her position.

0:11:28.360 --> 0:11:31.199
<v Speaker 2>She has all of these other endorsements, she has all

0:11:31.200 --> 0:11:34.840
<v Speaker 2>these other opportunities, and she doesn't feel the need to

0:11:34.880 --> 0:11:37.680
<v Speaker 2>save the show. And what we saw in the preview

0:11:37.760 --> 0:11:41.560
<v Speaker 2>to next week's episode. The finale of the show was

0:11:41.600 --> 0:11:45.000
<v Speaker 2>when she cried to Santa Vala said, I just.

0:11:45.120 --> 0:11:46.360
<v Speaker 1>Want you gone.

0:11:47.160 --> 0:11:50.640
<v Speaker 2>What that means like she doesn't want to do the

0:11:50.640 --> 0:11:53.320
<v Speaker 2>show anymore. She's like, I'm over it because they're not

0:11:53.360 --> 0:11:59.400
<v Speaker 2>gonna fire Sandoval because he's great television and they don't

0:11:59.400 --> 0:12:01.960
<v Speaker 2>want it to appear that where we fire the guy

0:12:02.040 --> 0:12:05.200
<v Speaker 2>because he no longer is with this woman. And she

0:12:05.480 --> 0:12:10.400
<v Speaker 2>knows that I can't continue on the show anymore if

0:12:10.440 --> 0:12:14.080
<v Speaker 2>he's still there. So she is checked out, and you're right,

0:12:14.120 --> 0:12:16.680
<v Speaker 2>and La LA's like, way, bitches, I didn't make that

0:12:16.760 --> 0:12:19.600
<v Speaker 2>much money off of the scinded darl t shirts and

0:12:19.640 --> 0:12:24.600
<v Speaker 2>sweatshirts and pamphlets and bumper stickers. So I have a

0:12:24.679 --> 0:12:28.240
<v Speaker 2>new lease on life with my new lease in the valley,

0:12:28.600 --> 0:12:30.520
<v Speaker 2>and I have shit to pay for it with my

0:12:30.640 --> 0:12:31.760
<v Speaker 2>new baby.

0:12:31.520 --> 0:12:33.839
<v Speaker 3>You baby, and I think like they have these new

0:12:33.880 --> 0:12:37.040
<v Speaker 3>homes and then like also in the part and broke,

0:12:37.120 --> 0:12:40.520
<v Speaker 3>remember the one. I think it was Evander Hollerfield Hollafield.

0:12:40.679 --> 0:12:41.760
<v Speaker 4>It was a Vander who said it.

0:12:41.800 --> 0:12:44.960
<v Speaker 3>One of them said, he said, at one point I

0:12:45.040 --> 0:12:49.160
<v Speaker 3>was responsible for twenty five to fifty people, and now

0:12:49.440 --> 0:12:52.320
<v Speaker 3>like they have too many people in their entourage. They're

0:12:52.320 --> 0:12:56.640
<v Speaker 3>still like pain for relatives, like they should do a

0:12:56.840 --> 0:12:59.760
<v Speaker 3>like a broke version for reality television. Yeah, and the

0:13:00.080 --> 0:13:03.199
<v Speaker 3>aftermath of a TV opportunity when it all starts to

0:13:03.240 --> 0:13:03.800
<v Speaker 3>slip away.

0:13:04.240 --> 0:13:07.000
<v Speaker 2>When Brown said to Uk, I remember texting you, I

0:13:07.040 --> 0:13:10.640
<v Speaker 2>had chills when she said, I don't know who I

0:13:10.720 --> 0:13:14.120
<v Speaker 2>am without the cameras in my life. You were like

0:13:14.240 --> 0:13:16.800
<v Speaker 2>that the best therapists that I've ever worked with.

0:13:16.840 --> 0:13:19.719
<v Speaker 1>When you were like, don't say that, what do.

0:13:19.679 --> 0:13:23.120
<v Speaker 4>You I will not allow you to say that. Yeah,

0:13:23.160 --> 0:13:24.120
<v Speaker 4>that's ridiculous.

0:13:24.520 --> 0:13:28.280
<v Speaker 2>So when it comes to this caz so we saw

0:13:28.320 --> 0:13:32.000
<v Speaker 2>that Arianna Dick give a shit about Katie, you know,

0:13:32.120 --> 0:13:36.080
<v Speaker 2>talking about about her behind her back. Then we see

0:13:36.160 --> 0:13:39.760
<v Speaker 2>La La versus Arianna where La Lah mentioned that, you know,

0:13:39.800 --> 0:13:43.480
<v Speaker 2>she had an issue in the past with people being

0:13:43.520 --> 0:13:45.760
<v Speaker 2>friends with her ex. So they were like, were you're

0:13:45.760 --> 0:13:50.200
<v Speaker 2>contradicting herself because you were friends still with Sandoval. She

0:13:50.320 --> 0:13:55.280
<v Speaker 2>said it was different because people her ex was trying

0:13:55.360 --> 0:13:59.000
<v Speaker 2>to be friend, like Tom Schwartz for example, and she

0:13:59.040 --> 0:14:01.160
<v Speaker 2>had a baby with and is different.

0:14:01.559 --> 0:14:04.680
<v Speaker 3>I don't think that's really what the issue is. I

0:14:04.679 --> 0:14:06.840
<v Speaker 3>think it's more layered than that. I think it's actually

0:14:06.920 --> 0:14:11.920
<v Speaker 3>she's frustrated because she doesn't feel like people have accepted

0:14:11.960 --> 0:14:15.720
<v Speaker 3>the new version of her. The Bravo audience still is

0:14:15.800 --> 0:14:19.320
<v Speaker 3>angry about how how she acted and the things she

0:14:19.480 --> 0:14:23.000
<v Speaker 3>did in the first couple of seasons. Bravo audience is,

0:14:23.160 --> 0:14:27.560
<v Speaker 3>as you know, very observant. It's hard for them to

0:14:28.160 --> 0:14:30.840
<v Speaker 3>forgive people. And so the audience is a lot of

0:14:30.880 --> 0:14:34.400
<v Speaker 3>women who are between the ages of like twenty five

0:14:34.520 --> 0:14:37.920
<v Speaker 3>to maybe like fifty five sixty, and so I think

0:14:37.960 --> 0:14:40.680
<v Speaker 3>that a lot of them can't get past the fact

0:14:40.680 --> 0:14:43.280
<v Speaker 3>that Lala in the beginning of the show would talk

0:14:43.320 --> 0:14:47.160
<v Speaker 3>about like well like body seaming the other women and saying, well,

0:14:47.280 --> 0:14:48.560
<v Speaker 3>you know, it's not my fault you don't have good

0:14:48.640 --> 0:14:50.600
<v Speaker 3>enough tits to ride in a private jet. I just

0:14:50.680 --> 0:14:53.920
<v Speaker 3>think that the female audience ever would be able to

0:14:54.000 --> 0:14:57.160
<v Speaker 3>forgive that move past that. And I think Laala is

0:14:57.200 --> 0:15:00.960
<v Speaker 3>frustrated because she's like, but I've proven myself well over

0:15:01.000 --> 0:15:03.600
<v Speaker 3>and over again to have grown up from that experience.

0:15:03.720 --> 0:15:06.280
<v Speaker 3>I was wrong by this man. I'm a mother now

0:15:06.320 --> 0:15:08.440
<v Speaker 3>I'm going to be a mother again. But I just

0:15:08.480 --> 0:15:11.160
<v Speaker 3>think the audience will never get past it. And that's

0:15:11.200 --> 0:15:13.680
<v Speaker 3>what I think she's frustrated when she's like, it's not

0:15:13.880 --> 0:15:18.360
<v Speaker 3>the same. It's not so much about the like the

0:15:18.400 --> 0:15:20.560
<v Speaker 3>boundaries and you can be friends. It's I think it's

0:15:20.600 --> 0:15:23.680
<v Speaker 3>more like a fourth wall issue, like why don't you

0:15:23.920 --> 0:15:26.400
<v Speaker 3>accept the person that I've grown into? And the audience

0:15:26.480 --> 0:15:29.720
<v Speaker 3>is like, girl, we will never forget that you were

0:15:29.720 --> 0:15:32.240
<v Speaker 3>with a married man, you know. I think that's the

0:15:32.240 --> 0:15:34.360
<v Speaker 3>way that a lot of the viewers feel. They're just

0:15:34.480 --> 0:15:35.720
<v Speaker 3>not very forgiving of it.

0:15:36.080 --> 0:15:42.680
<v Speaker 2>Listen, the audience is your playback real yep, right, yep.

0:15:42.880 --> 0:15:47.520
<v Speaker 2>The audience will remind you of every single thing you've

0:15:47.560 --> 0:15:48.520
<v Speaker 2>ever done.

0:15:48.680 --> 0:15:51.520
<v Speaker 1>And listen. That's not great because as.

0:15:51.520 --> 0:15:54.720
<v Speaker 2>Humans, we do evolve and we absolutely and I think

0:15:54.720 --> 0:15:57.560
<v Speaker 2>you have to give us grace to do that. But

0:15:58.480 --> 0:16:00.840
<v Speaker 2>one thing I will say when it comes to reality

0:16:00.920 --> 0:16:01.840
<v Speaker 2>stars is the.

0:16:01.800 --> 0:16:04.440
<v Speaker 1>Fact that they're not given a lot of grace.

0:16:04.960 --> 0:16:06.800
<v Speaker 4>No, totally, and.

0:16:07.280 --> 0:16:11.240
<v Speaker 2>That's not the detriment of their future or even place

0:16:11.520 --> 0:16:13.880
<v Speaker 2>on the show. And I think we're seeing that with

0:16:14.000 --> 0:16:17.880
<v Speaker 2>this cast in the sense of listen, rightfully, so, they're older.

0:16:17.920 --> 0:16:21.520
<v Speaker 2>When you're when you're older in California, especially in LA

0:16:22.640 --> 0:16:24.440
<v Speaker 2>you do move to the valley or you move to

0:16:24.480 --> 0:16:27.200
<v Speaker 2>the OC like you're you're you move to the much

0:16:27.200 --> 0:16:30.880
<v Speaker 2>more suburban lifestyle because you're not partying until five o'clock

0:16:30.920 --> 0:16:33.840
<v Speaker 2>in the morning when you have children. No, So I

0:16:33.880 --> 0:16:38.160
<v Speaker 2>think La la frustration does come from the fact that

0:16:38.440 --> 0:16:43.560
<v Speaker 2>she possibly is a changed woman, but the audience isn't.

0:16:43.320 --> 0:16:45.080
<v Speaker 4>Going to It's like arrested development.

0:16:45.160 --> 0:16:47.320
<v Speaker 3>You know, they're like, well, no, I will never not

0:16:47.520 --> 0:16:49.760
<v Speaker 3>see you as that person who was shaming them for

0:16:49.800 --> 0:16:55.120
<v Speaker 3>their summer bodies. Remember, the audience is mostly female, and

0:16:55.160 --> 0:16:57.760
<v Speaker 3>they probably have summer bodies because they've had children and

0:16:57.760 --> 0:17:00.640
<v Speaker 3>they're getting older, and it's just interesting they will not

0:17:01.000 --> 0:17:03.640
<v Speaker 3>And it's interesting too because here she's a mother now

0:17:03.960 --> 0:17:07.560
<v Speaker 3>and she's made this decision to have another child, and

0:17:07.600 --> 0:17:10.280
<v Speaker 3>it is kind of an interesting, empowering story to do

0:17:10.320 --> 0:17:13.520
<v Speaker 3>that on your own. But somehow it's still interesting. Like,

0:17:14.680 --> 0:17:20.120
<v Speaker 3>I think she's frustrated that they're not more interested in

0:17:20.119 --> 0:17:23.280
<v Speaker 3>that journey that she's having. But I really do think

0:17:23.280 --> 0:17:26.879
<v Speaker 3>it's because they can't get past her origin story.

0:17:27.200 --> 0:17:30.320
<v Speaker 2>Do you think if she was on another show with

0:17:30.440 --> 0:17:35.280
<v Speaker 2>a different title, possibly.

0:17:34.280 --> 0:17:36.600
<v Speaker 3>If she was on Real Housewives at Beverly Hills and

0:17:36.640 --> 0:17:39.919
<v Speaker 3>she had begun the show as like the mistress and

0:17:39.960 --> 0:17:45.879
<v Speaker 3>then evolved into like a relationship that the mistress into

0:17:46.080 --> 0:17:49.679
<v Speaker 3>a marriage or marriage adjacent with a child, and then

0:17:50.200 --> 0:17:51.960
<v Speaker 3>decided I want to have a baby on my own.

0:17:52.000 --> 0:17:54.240
<v Speaker 3>I think it would have been much better received. But

0:17:54.440 --> 0:17:57.159
<v Speaker 3>Vanner Pump Rules is a show that's based on people

0:17:57.400 --> 0:18:01.080
<v Speaker 3>who make poor life decisions. So she's acting the audience

0:18:01.200 --> 0:18:04.879
<v Speaker 3>to embrace her like a real housewife story on a

0:18:04.920 --> 0:18:07.960
<v Speaker 3>show that's not really set up to have those expectations.

0:18:08.040 --> 0:18:08.600
<v Speaker 4>Am I wrong?

0:18:08.800 --> 0:18:08.879
<v Speaker 2>No?

0:18:09.400 --> 0:18:12.040
<v Speaker 1>I never looked at it that way.

0:18:12.359 --> 0:18:15.600
<v Speaker 2>I never look You're on a show where the conceit

0:18:15.800 --> 0:18:20.639
<v Speaker 2>of the show was we are young, twenty something, hopeful

0:18:21.320 --> 0:18:23.439
<v Speaker 2>of making it in the industry.

0:18:23.960 --> 0:18:27.160
<v Speaker 4>We fuck each other, we go on benders in Vegas.

0:18:27.400 --> 0:18:30.399
<v Speaker 1>Yeah we we we do whatever.

0:18:30.640 --> 0:18:34.280
<v Speaker 2>And we're wild, young and free, and that's what the

0:18:34.400 --> 0:18:38.320
<v Speaker 2>audience bomp into. So as you're evolving into a mother

0:18:38.960 --> 0:18:42.879
<v Speaker 2>of now too, the audience isn't receiving that because the

0:18:42.880 --> 0:18:46.480
<v Speaker 2>conceit of the show isn't that. However, if you were

0:18:46.600 --> 0:18:49.720
<v Speaker 2>on Real Housewives and you are right, there's more grace.

0:18:49.800 --> 0:18:55.000
<v Speaker 2>There's like, you know, the wild young housewife. Let's like

0:18:55.119 --> 0:18:59.480
<v Speaker 2>Porsche for example, office being a step for wife. Then

0:18:59.520 --> 0:19:03.240
<v Speaker 2>she was young while single woman who called herself bot Landia,

0:19:03.920 --> 0:19:06.480
<v Speaker 2>you know, and they sort of embraced them.

0:19:06.560 --> 0:19:09.000
<v Speaker 3>And she comes back and she's gotten a divorce from

0:19:09.040 --> 0:19:11.800
<v Speaker 3>this guy who's like mega rich, they'll still embrace her

0:19:11.920 --> 0:19:14.119
<v Speaker 3>because the structure of the show is set up that

0:19:14.200 --> 0:19:17.000
<v Speaker 3>way to watch a woman in the ebbs and flows,

0:19:17.080 --> 0:19:19.280
<v Speaker 3>because you usually see them over a period of time

0:19:19.280 --> 0:19:21.359
<v Speaker 3>where you meet their children and their mother and all

0:19:21.400 --> 0:19:24.960
<v Speaker 3>these things. And the only access we really had to

0:19:25.040 --> 0:19:28.040
<v Speaker 3>Lala in the beginning was to like, well, first of all,

0:19:28.040 --> 0:19:30.359
<v Speaker 3>she was super secretive about her relationship with Randall, and

0:19:30.359 --> 0:19:32.840
<v Speaker 3>then we kind of met Randall, but we're not really

0:19:32.920 --> 0:19:35.239
<v Speaker 3>seeing Lala's full life in the way you do as

0:19:35.280 --> 0:19:38.639
<v Speaker 3>a real housewife. And I just really think too that

0:19:38.960 --> 0:19:41.679
<v Speaker 3>I think the audience never really accepted that she was

0:19:41.800 --> 0:19:43.879
<v Speaker 3>part of the friend group. She always felt like a

0:19:43.920 --> 0:19:46.600
<v Speaker 3>little bit of an outsider. Like I know that myself.

0:19:46.920 --> 0:19:49.600
<v Speaker 3>I'm never feeling like that's a real friendship that she

0:19:49.680 --> 0:19:52.639
<v Speaker 3>had between Ariana or with Arianna or with Katie or

0:19:53.200 --> 0:19:55.800
<v Speaker 3>maybe was Sheena a bit because their their kids are friends,

0:19:55.840 --> 0:19:58.159
<v Speaker 3>and that definitely does bond you with your children are friends.

0:19:58.400 --> 0:20:00.879
<v Speaker 3>But I always felt like she was higher because she

0:20:01.000 --> 0:20:04.720
<v Speaker 3>was so attractive and she was at the restaurant, but

0:20:04.800 --> 0:20:07.080
<v Speaker 3>it was kind of like trying to make it all

0:20:07.200 --> 0:20:09.680
<v Speaker 3>kind of makes sense, and I just shews felt like

0:20:09.680 --> 0:20:12.360
<v Speaker 3>an outsider, like I never bought that she would ever

0:20:12.400 --> 0:20:15.200
<v Speaker 3>spend time with Tom sand of all Tom Schwartz independently

0:20:15.280 --> 0:20:15.879
<v Speaker 3>off the show.

0:20:16.200 --> 0:20:17.480
<v Speaker 1>I agree with you. I agree with you.

0:20:17.680 --> 0:20:21.640
<v Speaker 2>I think she was Listen, she was the quintessential beautiful blonde, yeah,

0:20:21.760 --> 0:20:25.080
<v Speaker 2>in her early twenties like that, like the hot bombshell,

0:20:25.320 --> 0:20:28.359
<v Speaker 2>right and listen, I don't think this is Shaye. I

0:20:28.400 --> 0:20:31.760
<v Speaker 2>actually love la La a lot. I think Laala was

0:20:31.800 --> 0:20:34.000
<v Speaker 2>that girl who knew how high she was, and I

0:20:34.080 --> 0:20:37.359
<v Speaker 2>think she probably thought she was the star of the

0:20:37.400 --> 0:20:40.600
<v Speaker 2>show for all of the things she had going for herself.

0:20:40.720 --> 0:20:42.560
<v Speaker 3>I think she also is frustrated because she was like

0:20:42.640 --> 0:20:45.640
<v Speaker 3>I brought it, Yeah, you know, like you guys were

0:20:45.680 --> 0:20:50.200
<v Speaker 3>resting on your laurels and I'm like like forcing conversations

0:20:50.200 --> 0:20:50.560
<v Speaker 3>to happen.

0:20:50.640 --> 0:20:51.919
<v Speaker 4>I feel like Laala was.

0:20:52.280 --> 0:20:53.680
<v Speaker 3>I mean, I think we all can kind of relate

0:20:53.680 --> 0:20:55.359
<v Speaker 3>to this as some aspect of her life. She was

0:20:55.359 --> 0:20:58.600
<v Speaker 3>like a real housewife of Beverly Hills before her time, you.

0:20:58.520 --> 0:20:58.960
<v Speaker 4>Know what I mean.

0:20:59.440 --> 0:21:01.600
<v Speaker 3>They had aqual. Oh my god, this is the show

0:21:01.640 --> 0:21:02.280
<v Speaker 3>we're selling.

0:21:02.400 --> 0:21:02.760
<v Speaker 1>This is it?

0:21:02.960 --> 0:21:03.640
<v Speaker 4>Holy shit?

0:21:03.920 --> 0:21:06.080
<v Speaker 3>I just came up with, Oh my gosh, it was

0:21:06.119 --> 0:21:09.480
<v Speaker 3>she the original we're creating. The prequel to Real House

0:21:09.560 --> 0:21:12.000
<v Speaker 3>was The Beverly Hills, like the women who are between

0:21:12.520 --> 0:21:16.400
<v Speaker 3>twenty seven and thirty eight. Because the Beverly Hills show

0:21:16.440 --> 0:21:18.199
<v Speaker 3>is really, I think, in its stride when you have

0:21:18.280 --> 0:21:20.720
<v Speaker 3>women in their fifties or forties and maybe early fifties.

0:21:20.800 --> 0:21:21.880
<v Speaker 1>Yeah, because they don't give a fuck.

0:21:22.040 --> 0:21:24.200
<v Speaker 3>Yeah, I don't care, and that's why I love them too.

0:21:24.280 --> 0:21:27.880
<v Speaker 3>But like a show that's more about the twenty eight

0:21:27.960 --> 0:21:30.840
<v Speaker 3>to thirty eight and that's where Lalla exists.

0:21:31.320 --> 0:21:32.280
<v Speaker 4>That's her sweet spot.

0:21:32.560 --> 0:21:33.080
<v Speaker 1>I listen.

0:21:33.200 --> 0:21:36.959
<v Speaker 2>I'm sorry my mind went towards the prequel because I

0:21:37.000 --> 0:21:38.720
<v Speaker 2>want to see, like the young de.

0:21:38.800 --> 0:21:40.080
<v Speaker 4>Read I do too.

0:21:40.600 --> 0:21:43.960
<v Speaker 1>Who is show? Yes, Laala is the young Dereat.

0:21:43.560 --> 0:21:45.159
<v Speaker 4>To me, No, she's not.

0:21:45.680 --> 0:21:48.960
<v Speaker 3>No, the young Derea the prequel story of Deree She

0:21:49.040 --> 0:21:51.639
<v Speaker 3>lived in New York City because my friend was her trainer.

0:21:51.880 --> 0:21:54.359
<v Speaker 3>That's interesting, Like who was Dereit when she was in

0:21:54.359 --> 0:21:56.919
<v Speaker 3>New York City trying to like work her way in

0:21:57.040 --> 0:22:00.960
<v Speaker 3>the fashion industry. If I were at networking executive at Bravo,

0:22:01.040 --> 0:22:02.639
<v Speaker 3>and Lord knows I would wish I was.

0:22:03.080 --> 0:22:04.360
<v Speaker 4>That's the show I want to watch.

0:22:04.480 --> 0:22:07.000
<v Speaker 3>Is the prequel to the Real Housewives of New York

0:22:07.040 --> 0:22:07.919
<v Speaker 3>and Beverly Hills.

0:22:08.040 --> 0:22:11.760
<v Speaker 4>That's what I would do to create to maintain this momentum.

0:22:12.359 --> 0:22:13.040
<v Speaker 4>That's what I would do.

0:22:13.200 --> 0:22:16.120
<v Speaker 1>Mm hmm. Is there a future for a La La

0:22:16.119 --> 0:22:16.960
<v Speaker 1>on Bravo.

0:22:16.880 --> 0:22:19.119
<v Speaker 4>If they create a show like that? She would be

0:22:19.160 --> 0:22:19.719
<v Speaker 4>great on that.

0:22:20.160 --> 0:22:22.720
<v Speaker 3>But I feel like she needs to maybe take a

0:22:22.760 --> 0:22:25.880
<v Speaker 3>minute away, although that's not what she really wants to do.

0:22:25.960 --> 0:22:28.280
<v Speaker 3>But I think she's going to be so much more

0:22:28.320 --> 0:22:32.400
<v Speaker 3>interesting when her kids are like between twelve and sixteen.

0:22:32.840 --> 0:22:35.840
<v Speaker 3>What is her story when those children are twelve to sixteen?

0:22:36.280 --> 0:22:38.240
<v Speaker 3>Who is she dating, who is she friends with? What

0:22:38.320 --> 0:22:41.919
<v Speaker 3>is she doing for a living? How what's her relationship

0:22:41.920 --> 0:22:44.119
<v Speaker 3>with the relatives that we're living with her right now?

0:22:44.440 --> 0:22:46.040
<v Speaker 4>Like do they still live with her?

0:22:46.800 --> 0:22:49.560
<v Speaker 3>Does she feel like she was taking a advantage of

0:22:49.640 --> 0:22:52.480
<v Speaker 3>by people during this period of time? Like I feel

0:22:52.520 --> 0:22:55.680
<v Speaker 3>like she's going to live Her life is going to

0:22:55.720 --> 0:22:58.240
<v Speaker 3>be very well lived, but all the faces of it

0:22:58.320 --> 0:23:00.720
<v Speaker 3>are really interesting. I just think I I knew who

0:23:00.760 --> 0:23:03.440
<v Speaker 3>she is right now, but it'll be even more interesting

0:23:03.480 --> 0:23:04.960
<v Speaker 3>if she kind of dips out for a minute and

0:23:05.000 --> 0:23:05.879
<v Speaker 3>then re emerges.

0:23:06.400 --> 0:23:10.760
<v Speaker 4>Imagine her parenting tweens and teenage girls. No, that would

0:23:10.800 --> 0:23:11.520
<v Speaker 4>be so funny.

0:23:11.600 --> 0:23:14.320
<v Speaker 3>She's going to be so funny as a mom of

0:23:14.440 --> 0:23:15.480
<v Speaker 3>tweens and teenagers.

0:23:15.960 --> 0:23:18.560
<v Speaker 2>But that means her not being on the air for

0:23:18.640 --> 0:23:19.440
<v Speaker 2>like ten years.

0:23:19.840 --> 0:23:22.480
<v Speaker 3>She's no, no, no, no, she said no, she's in her

0:23:22.480 --> 0:23:24.640
<v Speaker 3>early Oh yeah, you're right, because her kids are really

0:23:24.800 --> 0:23:28.480
<v Speaker 3>but you know what, the I'm okay with that, like,

0:23:28.480 --> 0:23:30.560
<v Speaker 3>okay going off there. I'm just saying I think that

0:23:30.720 --> 0:23:32.160
<v Speaker 3>story is going to be really interesting.

0:23:32.440 --> 0:23:34.719
<v Speaker 1>Yes, no, I actually agree with you. I agree with you.

0:23:34.800 --> 0:23:37.560
<v Speaker 2>I want to see the evolution of La La and listen,

0:23:38.560 --> 0:23:41.119
<v Speaker 2>could she start on a show called La LA's Land?

0:23:41.359 --> 0:23:42.600
<v Speaker 1>Kay, Casey, I don't.

0:23:42.440 --> 0:23:45.119
<v Speaker 3>Think anybody on Banner Pump Rules right now needs to

0:23:45.119 --> 0:23:47.800
<v Speaker 3>spin off. I don't think enough. I don't think there's

0:23:47.960 --> 0:23:50.760
<v Speaker 3>enough story there. And they're too soon after the show.

0:23:51.520 --> 0:23:53.680
<v Speaker 3>It's hard for them to like see that as they're

0:23:53.680 --> 0:23:57.640
<v Speaker 3>a therapist from afar because they're they're so caught up

0:23:58.000 --> 0:24:00.240
<v Speaker 3>in like I have to keep it going because because

0:24:00.240 --> 0:24:04.240
<v Speaker 3>once I'm off there, I'm more irrelevant. But I'm telling

0:24:04.280 --> 0:24:05.960
<v Speaker 3>you their lives are going to be so much more

0:24:06.000 --> 0:24:07.399
<v Speaker 3>interesting if they take a minute.

0:24:07.720 --> 0:24:10.800
<v Speaker 2>Yes, yes, you know, yes, now, well should have taken

0:24:10.800 --> 0:24:13.320
<v Speaker 2>a minute, but it took a long time. Was the

0:24:13.359 --> 0:24:18.480
<v Speaker 2>revelation of how Joe really felt when she learned that

0:24:18.560 --> 0:24:22.040
<v Speaker 2>Shorts was pretty much putting her in the friends zone

0:24:22.200 --> 0:24:23.440
<v Speaker 2>when she thought they were.

0:24:23.680 --> 0:24:27.080
<v Speaker 3>You know what that's about, sorry, that's about Joe having

0:24:27.160 --> 0:24:30.400
<v Speaker 3>little taste of reality TV. She's like a hairdresser and

0:24:30.440 --> 0:24:32.760
<v Speaker 3>she's been hanging out with these people on the sidelines

0:24:32.840 --> 0:24:34.040
<v Speaker 3>and she's like, I want to be on the TV

0:24:34.080 --> 0:24:37.200
<v Speaker 3>show so bad. And that's true because she's on social

0:24:37.280 --> 0:24:40.280
<v Speaker 3>media all the time during the Instagram Lives, like really

0:24:40.359 --> 0:24:43.200
<v Speaker 3>excited to answer people's questions. She doesn't give a shit

0:24:43.240 --> 0:24:45.639
<v Speaker 3>about Schwartz. She cares about being on a TV show.

0:24:46.080 --> 0:24:48.160
<v Speaker 1>Are you wait? I didn't know this? What does that get?

0:24:48.240 --> 0:24:50.719
<v Speaker 1>So Joe is on ig lives.

0:24:50.200 --> 0:24:55.959
<v Speaker 3>Like almost every other day answering people's question yes, yes,

0:24:56.440 --> 0:24:58.879
<v Speaker 3>don't get like, don't think this is anything other than that.

0:24:59.160 --> 0:25:02.439
<v Speaker 3>Like Shorts is like, you're annoyance, stop talking about me.

0:25:02.520 --> 0:25:02.800
<v Speaker 4>I'm not.

0:25:02.920 --> 0:25:05.200
<v Speaker 3>He actually has said that, stop Like I'm not kidding.

0:25:05.560 --> 0:25:07.920
<v Speaker 3>He's like, you're not on our show Goodbye.

0:25:07.760 --> 0:25:10.760
<v Speaker 1>Okay, I was like, oh my god, she's crying.

0:25:11.600 --> 0:25:14.520
<v Speaker 3>No, she's crying. She wants me on the show. Wait

0:25:14.600 --> 0:25:17.760
<v Speaker 3>until she finds out the show's ending. Oh my god,

0:25:17.800 --> 0:25:20.680
<v Speaker 3>I want video of that. That's like finding like that's

0:25:20.680 --> 0:25:23.359
<v Speaker 3>like getting a job at a company and thinking that

0:25:23.359 --> 0:25:24.760
<v Speaker 3>you're going to work your way up and then you

0:25:24.800 --> 0:25:27.920
<v Speaker 3>find out the company went bankrupt and you're like, oh shit.

0:25:28.160 --> 0:25:28.760
<v Speaker 1>Oh my gosh.

0:25:28.760 --> 0:25:31.600
<v Speaker 2>So I'm a fool because when she was crying saying

0:25:31.640 --> 0:25:33.520
<v Speaker 2>the whole thing about she was kept a secret for

0:25:33.600 --> 0:25:36.320
<v Speaker 2>a year and Tom Schartz, but.

0:25:36.400 --> 0:25:39.480
<v Speaker 3>I'm sure she was because he was like, oh my god.

0:25:39.640 --> 0:25:43.520
<v Speaker 3>The evolution media is like this girl is not interesting, Like,

0:25:43.600 --> 0:25:46.000
<v Speaker 3>don't bring her in fold. I don't know, like I

0:25:46.240 --> 0:25:48.879
<v Speaker 3>know she's like really loves being a reality TV on

0:25:48.920 --> 0:25:49.720
<v Speaker 3>a reality show.

0:25:50.080 --> 0:25:52.360
<v Speaker 2>If y'all can see my face right now, I am

0:25:52.800 --> 0:25:57.040
<v Speaker 2>in shock. I'm like the Homer Simpson meme where he's like,

0:25:57.119 --> 0:26:00.280
<v Speaker 2>folly back to the bushes because I feel like such

0:26:00.359 --> 0:26:03.360
<v Speaker 2>a fool because I was falling for the tears when

0:26:03.400 --> 0:26:04.800
<v Speaker 2>she was like, can you gotta to stop it?

0:26:05.240 --> 0:26:07.640
<v Speaker 1>And Tom Schwartz was like, I got this new girl.

0:26:07.680 --> 0:26:10.520
<v Speaker 1>So Sophia, who's like, very hot, but that's not why

0:26:10.520 --> 0:26:12.280
<v Speaker 1>she's hot. She's hot cause she's sweet.

0:26:12.480 --> 0:26:15.560
<v Speaker 3>Like that's why Katie was like, what, I'm not apologizing

0:26:15.560 --> 0:26:17.640
<v Speaker 3>to you, Like you're so irrelevant, get off this, And

0:26:17.840 --> 0:26:20.240
<v Speaker 3>that's why everyone was like why are you here? And

0:26:20.280 --> 0:26:23.359
<v Speaker 3>then Ali is interesting to me because I don't see

0:26:23.359 --> 0:26:26.320
<v Speaker 3>the chemistry between she and James, like i'd be interested

0:26:26.400 --> 0:26:28.200
<v Speaker 3>once the show goes off if they stay together.

0:26:28.560 --> 0:26:30.280
<v Speaker 4>I feel empathy for James.

0:26:30.280 --> 0:26:32.560
<v Speaker 3>I'm like, I feel like he's really investing in someone

0:26:32.600 --> 0:26:35.240
<v Speaker 3>who is not totally on the same page.

0:26:35.320 --> 0:26:37.680
<v Speaker 1>Yeah, I actually agree with you.

0:26:37.760 --> 0:26:41.280
<v Speaker 2>I don't think she's into him the way he's into.

0:26:41.080 --> 0:26:43.160
<v Speaker 3>Her, and she kind of like makes fun of him,

0:26:43.200 --> 0:26:45.120
<v Speaker 3>like the one scene it was like a couple episodes

0:26:45.119 --> 0:26:47.560
<v Speaker 3>where she said he picks out all my outfits, like

0:26:47.640 --> 0:26:50.879
<v Speaker 3>she's mocking him a little bit, Like I don't know

0:26:50.880 --> 0:26:52.600
<v Speaker 3>why he's so into me. I'm never gonna get married.

0:26:52.600 --> 0:26:54.720
<v Speaker 3>I don't even like him. I'm like, you moved into

0:26:54.720 --> 0:26:57.200
<v Speaker 3>his house in Burbank, Like what do you what? Yeah,

0:26:57.359 --> 0:26:59.720
<v Speaker 3>it's hard to have empathy for the vander Pump people,

0:26:59.760 --> 0:27:01.359
<v Speaker 3>but I have empathy for James because I feel like

0:27:01.400 --> 0:27:02.720
<v Speaker 3>he's being a little bit being boozled.

0:27:03.000 --> 0:27:05.159
<v Speaker 2>Well, is that the reason why his anger is so

0:27:05.280 --> 0:27:10.840
<v Speaker 2>directed at Sandaval because it's a displaced anger because of

0:27:10.880 --> 0:27:13.200
<v Speaker 2>what's going on at home, Because I'm not unders.

0:27:13.040 --> 0:27:15.840
<v Speaker 3>Thinking, like displaced anger is always having to do with

0:27:15.880 --> 0:27:19.200
<v Speaker 3>fourth wall stuff like why are you getting more opportunities?

0:27:19.240 --> 0:27:22.199
<v Speaker 3>You're getting more attention? How many times have you been

0:27:22.240 --> 0:27:24.440
<v Speaker 3>on Watch What Happens Live? Like that's all that kind

0:27:24.480 --> 0:27:28.560
<v Speaker 3>of stuff. I'm like, I, by the way, I've displaced

0:27:28.600 --> 0:27:30.560
<v Speaker 3>anger too. I've never been on Watch What Happens Live?

0:27:30.720 --> 0:27:32.720
<v Speaker 1>Get you on a fire Listen.

0:27:33.440 --> 0:27:37.480
<v Speaker 2>I'm screaming because what the audience doesn't know is this

0:27:37.880 --> 0:27:42.080
<v Speaker 2>the reality starts off Bravo. They count how many times

0:27:42.280 --> 0:27:45.240
<v Speaker 2>what your castmates were featured on Watch What Appens Live?

0:27:45.640 --> 0:27:48.000
<v Speaker 1>If it's more than that they actually count, is they

0:27:48.080 --> 0:27:48.760
<v Speaker 1>keep a tally?

0:27:49.400 --> 0:27:52.320
<v Speaker 2>So the fact that cakes like Jesus saying, why does

0:27:52.320 --> 0:27:54.520
<v Speaker 2>sat the Ball get la times feature?

0:27:54.880 --> 0:27:56.720
<v Speaker 1>Why is it live?

0:27:57.720 --> 0:27:59.960
<v Speaker 3>But you know what the jokes on everybody because you know,

0:28:00.160 --> 0:28:02.840
<v Speaker 3>of all those cast members, I think James is the

0:28:02.880 --> 0:28:05.640
<v Speaker 3>smartest one because he actually is like going to probably

0:28:05.680 --> 0:28:08.560
<v Speaker 3>make so much money as a DJ, Like I'm not

0:28:08.640 --> 0:28:09.920
<v Speaker 3>worried about him financially.

0:28:10.000 --> 0:28:11.360
<v Speaker 4>I think he's actually gonna be all right.

0:28:11.600 --> 0:28:14.480
<v Speaker 2>But you know what's missing, though, Kate, what's that they want?

0:28:14.520 --> 0:28:17.679
<v Speaker 2>The cameras, Holly d have potential to really be what

0:28:17.720 --> 0:28:20.400
<v Speaker 2>you're saying like is humor is like.

0:28:20.320 --> 0:28:23.360
<v Speaker 3>I think jas he's making a lot of money though

0:28:23.359 --> 0:28:24.400
<v Speaker 3>poly d' is making a lot of.

0:28:24.320 --> 0:28:25.880
<v Speaker 1>Money, So James has the potential.

0:28:25.960 --> 0:28:27.200
<v Speaker 4>First, I'm not worried about him.

0:28:27.440 --> 0:28:28.480
<v Speaker 1>Who are you worried about?

0:28:28.640 --> 0:28:31.120
<v Speaker 3>I'm not worried about James. I'm not worried about Arianna.

0:28:31.200 --> 0:28:34.280
<v Speaker 3>I'm worried about everybody else. Why because I think they're

0:28:34.520 --> 0:28:36.320
<v Speaker 3>they're going to be panicked about, like where do I

0:28:36.400 --> 0:28:39.080
<v Speaker 3>go from here? It's really hard, Like they put their

0:28:39.080 --> 0:28:42.760
<v Speaker 3>lives totally into this show for so long, and you

0:28:42.880 --> 0:28:45.560
<v Speaker 3>got to have a backup plan and I don't know

0:28:45.720 --> 0:28:46.840
<v Speaker 3>what do you? What are you going to do? You

0:28:46.840 --> 0:28:48.480
<v Speaker 3>get a job at a bank, you're an host? Tate

0:28:48.640 --> 0:28:51.400
<v Speaker 3>like wait tables been working in an amusement.

0:28:50.960 --> 0:28:52.040
<v Speaker 1>Park and they've done that.

0:28:52.520 --> 0:28:55.760
<v Speaker 4>I mean, Sienah does like a lot of like YouTube stuff.

0:28:56.120 --> 0:28:59.360
<v Speaker 3>But I do think that there's a panic because I

0:28:59.360 --> 0:29:01.560
<v Speaker 3>will not say it is, but I heard a story

0:29:01.600 --> 0:29:05.920
<v Speaker 3>a producer tell me about a Bravo star and how

0:29:06.960 --> 0:29:10.280
<v Speaker 3>they are only on the show that they're on because

0:29:10.880 --> 0:29:13.560
<v Speaker 3>they need to do Amazon Lives because they make so

0:29:13.640 --> 0:29:15.360
<v Speaker 3>much money doing it, and as soon as they're off

0:29:15.360 --> 0:29:18.840
<v Speaker 3>the show, they're not gonna make much money on it

0:29:19.120 --> 0:29:23.080
<v Speaker 3>because the Amazon Lives are where they drop information like

0:29:23.160 --> 0:29:25.479
<v Speaker 3>inside info. The fact that Bravo is not picking up

0:29:25.480 --> 0:29:27.680
<v Speaker 3>on this and like putting a kabash is unteresting to me.

0:29:28.280 --> 0:29:30.360
<v Speaker 1>Well you just rebuilding now, Kate, so not being.

0:29:30.640 --> 0:29:32.440
<v Speaker 3>I know, well maybe not and they don't care about me.

0:29:32.480 --> 0:29:35.440
<v Speaker 3>But one thing I heard once heard was like Kanye

0:29:35.680 --> 0:29:40.080
<v Speaker 3>would go on the Kardashians to sell the merchandise because

0:29:40.320 --> 0:29:42.960
<v Speaker 3>that's how he could move it. Because the truth is

0:29:43.080 --> 0:29:45.440
<v Speaker 3>when you go on a show, it puts you top

0:29:45.480 --> 0:29:47.920
<v Speaker 3>of mind. Then people going to your like socials. He

0:29:48.080 --> 0:29:50.320
<v Speaker 3>needed to go on the Kardashians to sell all the

0:29:50.360 --> 0:29:52.560
<v Speaker 3>shoes and all of that stuff. So a lot of

0:29:52.680 --> 0:29:55.320
<v Speaker 3>I think a lot are doing the show because they

0:29:55.360 --> 0:29:58.400
<v Speaker 3>know that they're relying on the show for many reasons,

0:29:58.480 --> 0:30:03.840
<v Speaker 3>which include their own egos but also the success of

0:30:03.880 --> 0:30:11.120
<v Speaker 3>the ancillary businesses are relying on them being on the show.

0:30:11.520 --> 0:30:13.760
<v Speaker 1>Thank you for listening to Reality with the King.

0:30:14.200 --> 0:30:19.840
<v Speaker 2>New episodes drop on Tuesdays and Thursdays, Share, comment, follow

0:30:20.000 --> 0:30:23.600
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0:30:23.680 --> 0:30:28.480
<v Speaker 2>your podcast, visit Realitywotheking dot com and be sure to

0:30:28.560 --> 0:30:33.240
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0:30:33.480 --> 0:30:37.000
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<v Speaker 2>get all of my visuals, baby, my expressions yet and

0:30:41.120 --> 0:30:44.560
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<v Speaker 1>With the King.

0:30:49.800 --> 0:30:53.880
<v Speaker 2>Reality with the King is a production of Kingdom Reign Entertainment.

0:30:54.680 --> 0:30:59.000
<v Speaker 2>It is produced by Sierra Spragley Rix An executive produced

0:30:59.160 --> 0:31:13.040
<v Speaker 2>by Me Carlos King, Kingdom Ring Entertainment, Baby