WEBVTT - The Statue of Liberty

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<v Speaker 1>Welcome to Stuff you should know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh.

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<v Speaker 1>There's Chuck in. There is a certain lady holding an

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<v Speaker 1>open flip. Nope, holding an open flame and wearing sandals,

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<v Speaker 1>so this must be sandals and lady, are we at

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<v Speaker 1>a fish concert? Yep, she's an app that has is

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<v Speaker 1>an open flame on her phone? Did she just does

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<v Speaker 1>she have a whippet balloon at her feet? Yes, that's

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<v Speaker 1>exactly right. You can't see it from below the pedestal, though. Ah,

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<v Speaker 1>that's very nice, so Chuck, No, No, it's so wrong.

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<v Speaker 1>I wasn't talking about someone at a fish concert. I

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<v Speaker 1>was talking about the Statue of Liberty. Good, because that's

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<v Speaker 1>what I researched. Same here, same here. Because if we

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<v Speaker 1>had just both happened to research the wrong thing. Um,

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<v Speaker 1>but it was the same thing, we could have still

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<v Speaker 1>just pulled it out like we are right now. Maybe,

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<v Speaker 1>But but we both researched the Liberty Enlightening the World

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<v Speaker 1>statue that's right, better known as the Statue of Liberty

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<v Speaker 1>to the you know, HOI POLOI, But for those in

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<v Speaker 1>the know, it's really Liberty Enlightening the World. And hope

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<v Speaker 1>is Hawaiian for huddled masses. That's right, wretched, um wretched?

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<v Speaker 1>Uh it wasn't. Yeah, it was a wretched you're cold

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<v Speaker 1>and tired and wretched? Were they wretched? That's that's how

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<v Speaker 1>Mma Lazarus put it. And I mean, I don't think

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<v Speaker 1>she was being me, and I think she was saying

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<v Speaker 1>that the state that they found themselves in was fairly wretched.

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<v Speaker 1>She called them your huddled masses yearning to breathe free,

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<v Speaker 1>the wretched refuse of your teeming shore. And she was

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<v Speaker 1>talking to continental Europe. But she was also basically saying,

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<v Speaker 1>like you guys suck. You send us your worst. We're

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<v Speaker 1>going to turn them into our best. Right. And like

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<v Speaker 1>you said, we're talking about the statue that if you

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<v Speaker 1>have been to New York City, Uh sits there in

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<v Speaker 1>the harbor, looming large at the time, the largest statue.

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<v Speaker 1>And clear up one misconception before we kind of get

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<v Speaker 1>to the history. You often hear like it was a

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<v Speaker 1>gift from the French government to the American government. Uh.

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<v Speaker 1>Not true, And I always sort of thought that, but

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<v Speaker 1>as we will learn, it's an even cooler story because

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<v Speaker 1>like real people paid for it with oftentimes very small donations,

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<v Speaker 1>much like uh Bernie Sanders was was building the statue.

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<v Speaker 1>It was just about to smoop him with that nice

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<v Speaker 1>work man. Thanks so um yeah, they they it was.

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<v Speaker 1>It was paid for by hard fought funds that came

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<v Speaker 1>from the people. I love that too. But there was

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<v Speaker 1>one guy who came up with the idea. This is

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<v Speaker 1>one of those things where it's like there was a

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<v Speaker 1>dude walking around and the idea for the statue of

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<v Speaker 1>Liberty popped into his head. And I love stories that

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<v Speaker 1>star like that, some guys just walking down the boulevard

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<v Speaker 1>and his name happens to in this case be Eduard

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<v Speaker 1>de Delaboulay, and he was walking around France in eighteen

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<v Speaker 1>sixty five and saying, you know, this place used to

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<v Speaker 1>be a lot better when it was a democracy, right,

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<v Speaker 1>and now we're under the rule of Napoleon the third

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<v Speaker 1>things aren't so great. And you know where things are

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<v Speaker 1>looking pretty decent is over there in those United States

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<v Speaker 1>where they have just uh Lincoln has come along issued

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<v Speaker 1>the Emancipate Patient Proclamation, and like they're trying to do

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<v Speaker 1>things right over there, and I think we should recognize

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<v Speaker 1>them and also sort of say to our own French people. Hey,

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<v Speaker 1>look at what they're doing over there, not bad? Yeah,

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<v Speaker 1>by by honoring America. And in this case it was

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<v Speaker 1>going to be giving America birthday gift from France UM

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<v Speaker 1>on our hundredth birthday in eighteen seventy six. Yeah, it

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<v Speaker 1>would kind of shine a light on friends and be like, hey,

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<v Speaker 1>look at how great things can be. Like they ratify

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<v Speaker 1>the thirteenth Amendment. Over there is no slavery anymore. Like

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<v Speaker 1>people are free, they're taking immigrants, and it's like a

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<v Speaker 1>beautiful place. Let's be more like America. UM and right. Yeah,

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<v Speaker 1>So he started um asking around um and and sharing

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<v Speaker 1>his idea and it actually kind of caught fire in

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<v Speaker 1>a lot of ways. It wasn't like a ho home

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<v Speaker 1>idea by any means. There are a lot of people

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<v Speaker 1>in France who supported it. And one of the people

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<v Speaker 1>who joined on board very early on was Frederica Augusta Bartoldi,

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<v Speaker 1>who ended up being the sculptor who sculpted the statue

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<v Speaker 1>of Liberty. And he sculpted. He came up with the

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<v Speaker 1>idea really fast, almost suspiciously fast, and when people grabbed

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<v Speaker 1>him by his lapels and said how did you come

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<v Speaker 1>up with this beautiful idea so fast they shook out

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<v Speaker 1>of him a piece of scrap paper that he had

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<v Speaker 1>submitted elsewhere. Yeah. Yeah, he did what any great designer does,

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<v Speaker 1>which is kind of sifted through his bag of used

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<v Speaker 1>tricks because he was on a deadline. He actually wasn't

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<v Speaker 1>on a deadline, but yeah. He had in the eighteen

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<v Speaker 1>fifties gone to the Middle East and was inspired by

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<v Speaker 1>the Sphinx and the Pyramids and said, you know, I'd

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<v Speaker 1>like to do something really nice like that. And he

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<v Speaker 1>got his chance when Egypt said, hey, we want a

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<v Speaker 1>big lighthouse in the Suez Canal here, and he came

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<v Speaker 1>up with this cool, large, tall lady with a lamp

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<v Speaker 1>to guide the people's way into through the Suez Canal.

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<v Speaker 1>And then they said, nah, we don't think we're gonna

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<v Speaker 1>do that anyway, And instead of just being angry and upset,

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<v Speaker 1>he said, that's fine, I'll just repurpose it. Yeah, he said,

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<v Speaker 1>it's like water off a duck's back. Egypt, I don't care.

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<v Speaker 1>I got I got other things to do. And I'd

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<v Speaker 1>like to think of it as not that um that

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<v Speaker 1>that we got a second hand design, but more like

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<v Speaker 1>the design was so great that it must be, it

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<v Speaker 1>must come into existence, and that it came into an

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<v Speaker 1>even better existence in the harbor off of Manhattan Um

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<v Speaker 1>rather than the Suez Canal. Yeah, he worked smarter, not harder.

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<v Speaker 1>That's right. That's another way to put if you're a landscaper.

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<v Speaker 1>He had to change a few things around. He had

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<v Speaker 1>to change Yeah, that in green side up. Those are

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<v Speaker 1>the only two things you have to remember. Those are

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<v Speaker 1>kind of the rules, I thought. Yeah. Uh so he

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<v Speaker 1>changed up a few things from his initial Egyptian design um,

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<v Speaker 1>namely the Egyptian look. He changed that up and instead

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<v Speaker 1>of this kind of Egyptian headdress, came up with that

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<v Speaker 1>cool spiky hat. Yeah. Hey, I didn't realize this, did you. That?

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<v Speaker 1>Like that crown against her forehead, that's a crown, but

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<v Speaker 1>this those spikes coming off off of it are like

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<v Speaker 1>reflections of rays from the sun. They're not meant to be.

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<v Speaker 1>It's not like a structural part of the crown or

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<v Speaker 1>or not. It's not meant to be. Oh so that's

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<v Speaker 1>supposed to be interesting. Yeah, it's seven rays of sunlight

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<v Speaker 1>shining out from it like that that I guess is

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<v Speaker 1>reflecting off of It's meant to be like the sun

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<v Speaker 1>reflecting all. Yeah, you think it's just like a like

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<v Speaker 1>almost like, um, I don't know, like a like a

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<v Speaker 1>Guarus kind of thing. Yeah, like a spiky, cool grown

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<v Speaker 1>yeah exactly. Uh, yeah, I'd be interested. I wonder if

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<v Speaker 1>anyone is done little photo shopping without that to see

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<v Speaker 1>the true nature of the hat the ground, like to see.

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<v Speaker 1>I know a few people who are good at photoshop.

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<v Speaker 1>I don't know, but you're gonna get your face in

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<v Speaker 1>my body, that's right, and our worst pictures. Uh. The

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<v Speaker 1>other thing they changed, or one of the other things

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<v Speaker 1>he changed, was the original statue had a lamp, and

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<v Speaker 1>he said, the lamp is nice for the Suis Canal,

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<v Speaker 1>but let's go with a torch for the United States.

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<v Speaker 1>And because it um, it symbolized enlightenment. It was liberty,

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<v Speaker 1>enlightening the world, you know, Like, I guess you could

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<v Speaker 1>enlighten the world with the lamp, but the lamps more

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<v Speaker 1>like showing the way. This is like casting the light

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<v Speaker 1>of enlightenment out in every direction. You know that better

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<v Speaker 1>metaphorical showing the metaphorical way. Sure almost had metaphysical um.

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<v Speaker 1>Then there was also that tablet. She's holding it her side.

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<v Speaker 1>The tablet of law with July four, seventeen seventy six

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<v Speaker 1>and Roman numerals they're inscribed on the side. That was

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<v Speaker 1>a new edition because the first, the original one um

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<v Speaker 1>progress carrying a light to Asia in the US canal

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<v Speaker 1>just had her had her hand like cup by her side,

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<v Speaker 1>not even doing anything. It's kind of like hand on

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<v Speaker 1>the hip right or now, Yeah, when I dip, you dip,

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<v Speaker 1>we dip right. Uh. And then to call back your

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<v Speaker 1>very sly little joke that you stuck in there at

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<v Speaker 1>the front of this podcast. You cannot from the ground

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<v Speaker 1>level because the pedestal is so tall. See what's going

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<v Speaker 1>on with the feet? And I had never really looked,

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<v Speaker 1>but right there, if you google a picture of Lady

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<v Speaker 1>Statue of Liberty's feet, there are broken shackles and a

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<v Speaker 1>broken chain that represents the abolition of slavery. And I

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<v Speaker 1>never knew that was there either. Yeah. And so after

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<v Speaker 1>Bart told they said, listen, guys, look, I made all

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<v Speaker 1>these changes. They they have flattened out his suit and

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<v Speaker 1>straightened his tie and put his glasses back on, and

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<v Speaker 1>then they lift him up on their shoulders and they said,

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<v Speaker 1>bear Toldie, Bear Toldie, And they carried him down the

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<v Speaker 1>avenue um and as a kind of an initial parade,

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<v Speaker 1>there'd be a lot of parades surrounding the Statue of

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<v Speaker 1>Liberty and its development. He disappeared. It was an accident, man,

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<v Speaker 1>it was an accident. The group agreed never to speak

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<v Speaker 1>of it. But so regardless, what I'm trying to say

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<v Speaker 1>is Bear toldie he got the contract to to be

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<v Speaker 1>the guy who designed this wonderful statue for France to

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<v Speaker 1>give to the United States. Right, so he hops on

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<v Speaker 1>a a plane. No no, no, not a plane. I

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<v Speaker 1>would guess a steamership or something. I can't imagine how

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<v Speaker 1>long that kind of stuff just took, how patients, But

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<v Speaker 1>it's a ocean voyage. There's like a sense of adventure, definitely,

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<v Speaker 1>but also after you do it, like for the umteenth time,

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<v Speaker 1>it's probably like, come on, although if you don't have

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<v Speaker 1>any frame of reference of things going any faster, maybe

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<v Speaker 1>it doesn't seem quite as long, like you and I

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<v Speaker 1>having flown taking a steamer. It's just like but it's

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<v Speaker 1>not like someone would have said, you know what else

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<v Speaker 1>is a sense of adventure? The concorde, that's right, A

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<v Speaker 1>lot quicker too, but very very adventurous. Heard they're bringing

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<v Speaker 1>that back. Yeah. I think we talked about that in

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<v Speaker 1>an episode. Didn't we do one on the concord? Yeah,

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<v Speaker 1>but I don't remember us talking about coming back. I

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<v Speaker 1>think we did. I think we mentioned I mean, there

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<v Speaker 1>needs to be something super fast. They're like at this point, yes,

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<v Speaker 1>we're there, we're at teleportation stage. We're definitely lagging behind.

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<v Speaker 1>I think. So that's like the Seinfeld gag when they

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<v Speaker 1>when they talk about we're going to try and like

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<v Speaker 1>make up some airtime or whatever, and he was just like,

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<v Speaker 1>why aren't they just flying as fast as they can

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<v Speaker 1>every single time? Does it? That's like, that's a very

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<v Speaker 1>good point, the mind boggling Seinfeld. Alright, So in seventy one,

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<v Speaker 1>he gets on that steamership. He comes over to travel

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<v Speaker 1>to the United States to try and get some support

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<v Speaker 1>because this is going to be a very expensive project,

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<v Speaker 1>and maybe to kind of scout out some locations and boom,

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<v Speaker 1>right there, as he's pulling into New York Harbor, he

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<v Speaker 1>sees the light, the metaphorical light, and sees Bedloe Island

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<v Speaker 1>b E d l o E right there in the harbor,

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<v Speaker 1>and he was like, wait a minute, what is this place?

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<v Speaker 1>And everyone said Oh, it's nothing. It's just it's a

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<v Speaker 1>hunting and fishing ground, uh for the Lenape Native Americans

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<v Speaker 1>here before us, and then the Dutch settled it, and

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<v Speaker 1>now the U. S Military owns it and it's you

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<v Speaker 1>don't really need to worry about it. And he was like, no,

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<v Speaker 1>I do, because that, my friends, is the perfect spot. Yeah,

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<v Speaker 1>it was perfectly situated to watch over the ships coming

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<v Speaker 1>into the harbor. Um and uh, that became the spot

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<v Speaker 1>for the Statue of Liberty. It really is a great

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<v Speaker 1>spot for it. And it was renamed Liberty Island in

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<v Speaker 1>nineteen fifty six by the Eisenhower administration. So so but totally.

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<v Speaker 1>He goes back to France and um, he's met some

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<v Speaker 1>Americans and drummed up the interests among Americans. He's found

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<v Speaker 1>the site for this amazing place that he's going to

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<v Speaker 1>build the world's tallest sculpture on um and he ends

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<v Speaker 1>up helping found the Franco American Union, which, as you said,

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<v Speaker 1>this wasn't a gift from the French government to the

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<v Speaker 1>American government. As as a matter of fact, I think

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<v Speaker 1>that was the first thing that Bert TOLDI and his

0:12:40.440 --> 0:12:45.199
<v Speaker 1>his friends tried. The friends said no, the Americans said, no,

0:12:45.720 --> 0:12:48.199
<v Speaker 1>that's just ridiculous. It's gonna cost too much and it

0:12:48.200 --> 0:12:52.360
<v Speaker 1>will never work. So they started trying trying to cobble

0:12:52.400 --> 0:12:55.120
<v Speaker 1>together like private support for it, and the results of

0:12:55.200 --> 0:12:57.560
<v Speaker 1>that was the Franco American Union. And I have one thing,

0:12:57.840 --> 0:13:00.200
<v Speaker 1>one thing to say about the Franco American and Uck

0:13:01.080 --> 0:13:03.320
<v Speaker 1>I was like, Franco American sounds really familiar. And then

0:13:03.360 --> 0:13:08.800
<v Speaker 1>I realized Franco American spaghetti. Remember that spaghetti in a can. Yeah,

0:13:09.040 --> 0:13:12.400
<v Speaker 1>it makes zero sense. The French aren't well known for

0:13:12.480 --> 0:13:17.959
<v Speaker 1>their spaghetti and spaghetti sauce, spaghetti right the um the

0:13:18.120 --> 0:13:21.240
<v Speaker 1>Italians are. And I think it was an Italian company.

0:13:21.440 --> 0:13:23.640
<v Speaker 1>I think they took that name on because they were

0:13:23.679 --> 0:13:26.360
<v Speaker 1>founded around the time that the Franco American Union was

0:13:26.440 --> 0:13:29.240
<v Speaker 1>trying to drum up interest in the Statue of Liberty project.

0:13:29.520 --> 0:13:32.920
<v Speaker 1>I couldn't find support for that. But that's my new hypothesis.

0:13:33.280 --> 0:13:35.920
<v Speaker 1>All right, Let's say we take a break and ponder that.

0:13:36.240 --> 0:13:38.439
<v Speaker 1>Maybe have some of it, all right, because that's not

0:13:38.520 --> 0:13:41.400
<v Speaker 1>chapoy already, that's different, right, I I don't I like both,

0:13:41.600 --> 0:13:44.240
<v Speaker 1>but yes, that's different. All right, Well, we'll go do

0:13:44.360 --> 0:13:46.400
<v Speaker 1>a sample of each and we'll come back with our

0:13:46.440 --> 0:14:15.240
<v Speaker 1>winner right after this. Who won? They were both winners,

0:14:15.440 --> 0:14:19.280
<v Speaker 1>all right. I love that ravioli still, I'd never get it,

0:14:19.360 --> 0:14:22.040
<v Speaker 1>like once every three or four years, I'll get that

0:14:22.320 --> 0:14:25.640
<v Speaker 1>tangy what is even in that? What kind of meat

0:14:25.720 --> 0:14:27.840
<v Speaker 1>is in that ravioli? And I'll eat it. I know,

0:14:27.960 --> 0:14:31.200
<v Speaker 1>I haven't had Franco American spaghetti since I can't even remember,

0:14:31.240 --> 0:14:35.480
<v Speaker 1>but I do remember it being the sweet spaghetti, because

0:14:35.480 --> 0:14:38.480
<v Speaker 1>that's what we need, right. Uh. Have you ever been

0:14:38.520 --> 0:14:40.000
<v Speaker 1>to the Statue of Liberty, first of all, like in

0:14:40.200 --> 0:14:42.160
<v Speaker 1>and traveled up and done the whole thing. I was

0:14:42.200 --> 0:14:44.280
<v Speaker 1>hoping you weren't going to ask me that. No, I haven't.

0:14:44.960 --> 0:14:49.000
<v Speaker 1>I haven't either. I did you know? It's it's Liberty

0:14:49.040 --> 0:14:51.880
<v Speaker 1>Island now and there's Liberty State Park as part of

0:14:51.960 --> 0:14:54.920
<v Speaker 1>the grounds. And I went to see radio Head there,

0:14:56.080 --> 0:15:01.440
<v Speaker 1>uh in late August two thousand one, right there with

0:15:01.680 --> 0:15:04.920
<v Speaker 1>the Statue of Liberty looming and the Twin Towers right

0:15:04.960 --> 0:15:08.400
<v Speaker 1>across the water. Good night, And of course, you know,

0:15:08.600 --> 0:15:10.840
<v Speaker 1>it was just a couple of weeks after that that

0:15:10.920 --> 0:15:14.400
<v Speaker 1>the Twin Towers were gone. It was very, uh surreal

0:15:14.480 --> 0:15:16.560
<v Speaker 1>to have gone to that show at that moment in time.

0:15:17.080 --> 0:15:20.600
<v Speaker 1>Uh and almost, well not almost twenty years ago, almost,

0:15:20.680 --> 0:15:26.480
<v Speaker 1>meaning as we record, just a couple of days away. Right, So, chuck, Um,

0:15:27.560 --> 0:15:29.320
<v Speaker 1>you haven't been to the set of Liberty either, I

0:15:29.360 --> 0:15:31.440
<v Speaker 1>guess is ultimately the point of your story. No, just

0:15:31.520 --> 0:15:36.200
<v Speaker 1>a Radiohead concert, Okay. So I don't feel particularly bad

0:15:36.200 --> 0:15:41.400
<v Speaker 1>because I was reading a piece of contemporary journalism, uh,

0:15:41.560 --> 0:15:44.200
<v Speaker 1>contemporary too when they restored the set of Liberty, which

0:15:44.200 --> 0:15:47.000
<v Speaker 1>we'll talk about for a second later, um, and they

0:15:47.080 --> 0:15:49.320
<v Speaker 1>were talking to the foreman, one of the foreman on

0:15:49.400 --> 0:15:51.040
<v Speaker 1>the job, and he was saying, like, I've lived in

0:15:51.120 --> 0:15:53.680
<v Speaker 1>New York for forty eight years, and it took me

0:15:53.840 --> 0:15:56.480
<v Speaker 1>getting this job to come out here. I've never been here.

0:15:57.080 --> 0:15:59.680
<v Speaker 1>So I think like a lot of people, including people

0:15:59.720 --> 0:16:03.440
<v Speaker 1>who I think tourists, are the ones who have been

0:16:03.520 --> 0:16:06.560
<v Speaker 1>to the Statue of Liberty. Not to say like I'm

0:16:06.600 --> 0:16:09.200
<v Speaker 1>not a tourist when I go to New York, but right,

0:16:09.680 --> 0:16:11.240
<v Speaker 1>it just makes me feel a little less bad that

0:16:11.280 --> 0:16:13.080
<v Speaker 1>it's not like, what kind of an American are you

0:16:13.160 --> 0:16:15.720
<v Speaker 1>haven't been to the Statue of Liberty? You call me? Yeah,

0:16:15.840 --> 0:16:18.640
<v Speaker 1>And it kind of feels like and I'm completely wrong here,

0:16:18.640 --> 0:16:20.280
<v Speaker 1>but it kind of feels like one of those where

0:16:20.760 --> 0:16:22.520
<v Speaker 1>you're like, no, you know, I get a nice view

0:16:22.600 --> 0:16:24.680
<v Speaker 1>of it from New York, and when I fly in

0:16:24.760 --> 0:16:26.240
<v Speaker 1>and out, you get a really nice view of it.

0:16:26.320 --> 0:16:27.760
<v Speaker 1>Like why do I need to actually go over there?

0:16:27.840 --> 0:16:30.920
<v Speaker 1>But that should probably make the journey over there. We'll

0:16:30.960 --> 0:16:35.920
<v Speaker 1>do it together holding their hands of fraternity, liberty, egality

0:16:36.520 --> 0:16:41.360
<v Speaker 1>and podcaster. That's right, so uh Bert told he comes

0:16:41.440 --> 0:16:44.960
<v Speaker 1>back to France. Oh yeah, forgot about. As the story goes,

0:16:45.240 --> 0:16:48.640
<v Speaker 1>he attends a wedding and sees this young woman and

0:16:48.760 --> 0:16:52.120
<v Speaker 1>it's like whoa ho ho who is that holding that?

0:16:52.800 --> 0:16:56.360
<v Speaker 1>Everyone said, yeah, she had a hat box and everyone said,

0:16:56.400 --> 0:17:00.480
<v Speaker 1>that's Jean Emily. How do you pronounce her last name? Uh?

0:17:00.800 --> 0:17:05.240
<v Speaker 1>Bho bay Hugh. You were doing so good with the

0:17:05.320 --> 0:17:12.800
<v Speaker 1>French b a h e u X. I know that

0:17:12.960 --> 0:17:15.520
<v Speaker 1>last part would has to be you right, yeah or

0:17:15.600 --> 0:17:23.320
<v Speaker 1>go oh baho? Where's going with ms B? Yeah, let's

0:17:23.320 --> 0:17:26.959
<v Speaker 1>call her miss B And he said, I have finally

0:17:27.080 --> 0:17:30.320
<v Speaker 1>met my lady Liberty. He goes on to Mary this

0:17:30.520 --> 0:17:34.480
<v Speaker 1>woman and as legend has it, uh and I don't

0:17:34.520 --> 0:17:36.600
<v Speaker 1>think he's ever confirmed from him, but his legend has

0:17:36.680 --> 0:17:40.960
<v Speaker 1>it he used her as the body model for the

0:17:41.000 --> 0:17:46.320
<v Speaker 1>Statue of Liberty and supposedly his mother Charlotte's face, which

0:17:46.440 --> 0:17:49.840
<v Speaker 1>is you know, it introduces a certain level of Freudiani is, um, yeah,

0:17:50.000 --> 0:17:54.200
<v Speaker 1>paging Dr Freud big time. My mom's face on my

0:17:54.240 --> 0:17:57.680
<v Speaker 1>wife's body. Dave helped us out with this, uh, and

0:17:58.000 --> 0:18:03.159
<v Speaker 1>he says that apparently his mother struck a stern, imposing figure,

0:18:03.280 --> 0:18:07.159
<v Speaker 1>so that's why he chose his mother's face. You know,

0:18:07.160 --> 0:18:09.440
<v Speaker 1>all right, we're just gonna go with that and just

0:18:09.600 --> 0:18:12.680
<v Speaker 1>kind of slowly back out of this room. That's right.

0:18:13.119 --> 0:18:14.879
<v Speaker 1>The next thing he needed to do after he had

0:18:14.960 --> 0:18:19.399
<v Speaker 1>his artistic inspiration and his model was too you know,

0:18:19.520 --> 0:18:23.200
<v Speaker 1>he didn't he's not a builder of things. He's he's well,

0:18:23.240 --> 0:18:24.719
<v Speaker 1>he is a builder of things, but he's not an

0:18:24.800 --> 0:18:26.920
<v Speaker 1>engineer and an architect on that level. Yeah, he was

0:18:27.160 --> 0:18:29.040
<v Speaker 1>very much interested in that kind of stuff, but he

0:18:29.200 --> 0:18:31.359
<v Speaker 1>was it was way beyond the scope of what he

0:18:31.480 --> 0:18:35.040
<v Speaker 1>was capable of understanding himself. Yes, so he needed some

0:18:35.359 --> 0:18:39.200
<v Speaker 1>help and he figured that first of all, this is

0:18:39.240 --> 0:18:41.440
<v Speaker 1>the tallest statue in the world at the time, so

0:18:41.480 --> 0:18:43.560
<v Speaker 1>it's going to be a challenge. And then what I

0:18:43.640 --> 0:18:47.680
<v Speaker 1>want to do is build it in France and then

0:18:47.920 --> 0:18:50.520
<v Speaker 1>take it apart and then rebuild it in the States.

0:18:51.680 --> 0:18:55.080
<v Speaker 1>I kind of get this in a way, but I

0:18:55.160 --> 0:18:57.560
<v Speaker 1>almost think that they could have gotten all the parts

0:18:58.359 --> 0:19:00.639
<v Speaker 1>and shipped them to the United States to build on

0:19:00.800 --> 0:19:04.000
<v Speaker 1>site for the first time. I mean, I kind of

0:19:04.080 --> 0:19:06.160
<v Speaker 1>get where he was coming from, though. You don't want

0:19:06.480 --> 0:19:09.359
<v Speaker 1>to send everything over and ending up being like Mr

0:19:09.520 --> 0:19:11.439
<v Speaker 1>mccraig with a leg for an arm and an arm

0:19:11.520 --> 0:19:13.200
<v Speaker 1>for a leg or something like that. You want to

0:19:13.240 --> 0:19:16.639
<v Speaker 1>make sure it works first before you if you ask me.

0:19:18.119 --> 0:19:21.280
<v Speaker 1>That shows it demonstrates the level of dedication that the

0:19:21.359 --> 0:19:24.760
<v Speaker 1>French had to this gift to America. And my hat,

0:19:24.920 --> 0:19:27.640
<v Speaker 1>my chef, how is off to them for it? Well,

0:19:27.720 --> 0:19:30.320
<v Speaker 1>and I guess he figured because my whole logic was like,

0:19:30.520 --> 0:19:32.359
<v Speaker 1>and you could do it in America and solve the

0:19:32.400 --> 0:19:35.000
<v Speaker 1>same problems here as you could have solved there, but

0:19:35.359 --> 0:19:37.840
<v Speaker 1>it would just be more embarrassing here in America. Well

0:19:39.000 --> 0:19:41.400
<v Speaker 1>that but I think he was working with his people

0:19:41.480 --> 0:19:44.080
<v Speaker 1>there and you can't bring all those people over, So

0:19:44.320 --> 0:19:46.440
<v Speaker 1>that was I'm sure there was a comfort level and

0:19:46.520 --> 0:19:50.240
<v Speaker 1>a language issue or barrier potentially that he wouldn't have

0:19:50.280 --> 0:19:54.800
<v Speaker 1>to overcome, So I succumb I also think probably that

0:19:55.040 --> 0:19:58.200
<v Speaker 1>he he was also using it as a way to

0:19:58.280 --> 0:20:01.119
<v Speaker 1>drum up interest in in their for funds for it

0:20:01.240 --> 0:20:03.159
<v Speaker 1>as well, because he had to raise money. We'll get

0:20:03.200 --> 0:20:06.720
<v Speaker 1>to that. So um Bart totally uh talked to a

0:20:06.840 --> 0:20:08.920
<v Speaker 1>couple of architects. The first one he spoke to was

0:20:09.280 --> 0:20:12.960
<v Speaker 1>Eugene viole A l EDuke Uh He was a the

0:20:13.160 --> 0:20:16.320
<v Speaker 1>greatest architect in France at the time, and he basically said, look,

0:20:16.480 --> 0:20:19.399
<v Speaker 1>you want to use this technique called rape whose and

0:20:19.480 --> 0:20:21.960
<v Speaker 1>it's basically what you're gonna do is build a skeleton

0:20:22.119 --> 0:20:26.080
<v Speaker 1>or something of some sort, some sort of structure underneath

0:20:26.520 --> 0:20:29.600
<v Speaker 1>that you can then attach thin sheets of copper too.

0:20:29.760 --> 0:20:31.520
<v Speaker 1>So the sculpture is going to be made at copper,

0:20:31.600 --> 0:20:33.800
<v Speaker 1>but it's not gonna be like cast or carved or

0:20:33.800 --> 0:20:37.159
<v Speaker 1>anything like that. That's that's it would just be impossible

0:20:37.240 --> 0:20:41.320
<v Speaker 1>to do. Um Instead, you're just going to fix copper

0:20:41.400 --> 0:20:43.760
<v Speaker 1>sheets to it to make the thing out of And

0:20:43.880 --> 0:20:48.840
<v Speaker 1>I guess viole A La Duke suggested making a concrete

0:20:48.880 --> 0:20:53.119
<v Speaker 1>structure underneath, and um Bert totally was like, Okay, you know,

0:20:53.400 --> 0:20:55.359
<v Speaker 1>I like you a lot. We've we've had a lot

0:20:55.440 --> 0:20:58.359
<v Speaker 1>of great basketball games together, and um you're my friend,

0:20:58.760 --> 0:21:01.440
<v Speaker 1>I'm gonna go with your recommendation. But then val A

0:21:01.600 --> 0:21:07.280
<v Speaker 1>Leduke died and he came another guy from our podcast history,

0:21:07.640 --> 0:21:12.760
<v Speaker 1>Gustav e fel Or Eiffel there is created the Eiffel Tower.

0:21:12.880 --> 0:21:16.240
<v Speaker 1>And he said, yet this is this is all wrong?

0:21:16.400 --> 0:21:21.639
<v Speaker 1>Like yes, yes, he's like, I'm trying out some new things. Uh.

0:21:21.800 --> 0:21:24.920
<v Speaker 1>He said, yes, I totally agree with val A Leeduke's

0:21:25.000 --> 0:21:27.399
<v Speaker 1>idea to use ray puss. That was a stroke of genius.

0:21:27.480 --> 0:21:30.760
<v Speaker 1>But the idea of like creating the structure underneath that

0:21:30.800 --> 0:21:34.200
<v Speaker 1>a concrete that's way too heavy, way too rigid, and

0:21:34.520 --> 0:21:37.800
<v Speaker 1>it's just totally unnecessary. Try out my new technique of

0:21:38.040 --> 0:21:41.040
<v Speaker 1>trusses and girders made of wrought iron. It's gonna be

0:21:41.080 --> 0:21:43.000
<v Speaker 1>way lighter and it's going to give it a lot

0:21:43.080 --> 0:21:46.280
<v Speaker 1>more flexibility. Yeah. I think he kind of thought that,

0:21:46.480 --> 0:21:48.200
<v Speaker 1>and I think it was probably right. Is that other

0:21:48.240 --> 0:21:50.720
<v Speaker 1>way it was a little more old school, and that

0:21:50.920 --> 0:21:53.920
<v Speaker 1>he saw the future, you know, pre Eiffel Tower. He

0:21:54.040 --> 0:21:56.960
<v Speaker 1>was the future and wrought iron, I guess. So he

0:21:57.040 --> 0:21:59.600
<v Speaker 1>was in love with those iron girders, and so he said,

0:21:59.640 --> 0:22:03.800
<v Speaker 1>here's what do We'll design this giant nine two pylon

0:22:04.680 --> 0:22:07.720
<v Speaker 1>and that'll be the central point from which everything will spring,

0:22:08.400 --> 0:22:12.520
<v Speaker 1>and they'll be this more lightweight, uh kind of grid

0:22:12.760 --> 0:22:15.720
<v Speaker 1>of girders and trusses that's going to form that skeleton

0:22:15.840 --> 0:22:20.280
<v Speaker 1>from that central pylon and then a secondary another iron

0:22:20.359 --> 0:22:23.560
<v Speaker 1>frame even and that's what those copper sheets are going

0:22:23.640 --> 0:22:27.680
<v Speaker 1>to be riveted to, one at a time. And he said,

0:22:27.760 --> 0:22:29.280
<v Speaker 1>this is the way, like you said, it's gonna have

0:22:29.359 --> 0:22:32.320
<v Speaker 1>a little give, uh. And today even the statue of

0:22:32.359 --> 0:22:35.600
<v Speaker 1>Liberty can can sway a bit, as all great tall

0:22:35.680 --> 0:22:38.800
<v Speaker 1>structures usually are made to go a little bit with

0:22:38.880 --> 0:22:43.320
<v Speaker 1>the wind. She can sway about three inches and like herself,

0:22:43.440 --> 0:22:45.560
<v Speaker 1>and then the torch can sway up to six inches.

0:22:46.240 --> 0:22:48.159
<v Speaker 1>You should see she sways even more if there's a

0:22:48.240 --> 0:22:50.879
<v Speaker 1>good Calypso song playing nearby, right or you should have

0:22:50.920 --> 0:22:54.200
<v Speaker 1>seen her at that radio Head show. She's getting down

0:22:54.280 --> 0:22:58.080
<v Speaker 1>like I love this song song no booze at that show.

0:22:58.200 --> 0:23:02.240
<v Speaker 1>That's what I remember, dude, does Radiohead ever get booed? No, no, no,

0:23:02.320 --> 0:23:05.560
<v Speaker 1>no booze as an alcohol? Because it was it was

0:23:05.640 --> 0:23:07.680
<v Speaker 1>a big surprise because it was a state park. So

0:23:07.800 --> 0:23:09.680
<v Speaker 1>you know, fifteen thousand people show up and we're like,

0:23:10.040 --> 0:23:12.080
<v Speaker 1>where's the beer line? And they're like, oh, there is

0:23:12.119 --> 0:23:14.440
<v Speaker 1>no alcohol here. You can stand in line, but there's

0:23:14.520 --> 0:23:16.879
<v Speaker 1>nothing at the other end of it, and so we're like,

0:23:16.960 --> 0:23:21.000
<v Speaker 1>we're leaving. Then did everybody go booze? No? Yeah, there

0:23:21.000 --> 0:23:24.600
<v Speaker 1>were booze after all, it was fine. We all lived

0:23:24.640 --> 0:23:27.600
<v Speaker 1>for two hours without drinking. It was fine. That's amazing. Wow,

0:23:27.680 --> 0:23:30.399
<v Speaker 1>that story just keeps getting more and more amazing. I know,

0:23:30.600 --> 0:23:33.480
<v Speaker 1>I'm trying to think of some more more fine points.

0:23:33.560 --> 0:23:35.280
<v Speaker 1>I'll see if I can think of anything. A giant

0:23:35.400 --> 0:23:37.920
<v Speaker 1>snake that wound its way through the audience and everyone

0:23:38.000 --> 0:23:40.159
<v Speaker 1>thought it was going to attack everyone and kill him,

0:23:40.200 --> 0:23:44.359
<v Speaker 1>but instead it bounce people up and crowd served with them. No,

0:23:44.520 --> 0:23:46.720
<v Speaker 1>actually I did remember that. The end of that story

0:23:47.000 --> 0:23:49.760
<v Speaker 1>is I happened to bump into my good friend Bill

0:23:49.960 --> 0:23:53.000
<v Speaker 1>from it from college, who I didn't even know was there,

0:23:53.320 --> 0:23:56.480
<v Speaker 1>and he had snuck some booze in. Oh boozy Bill

0:23:56.640 --> 0:24:03.159
<v Speaker 1>was there. Boozy fills like a like a pint of

0:24:03.200 --> 0:24:08.560
<v Speaker 1>whiskey or something, and fake binoculars. Yeah, exactly, man, I

0:24:08.600 --> 0:24:12.359
<v Speaker 1>remember those. Those are great. Alright. So Eiffel says, this

0:24:12.560 --> 0:24:17.960
<v Speaker 1>is the plan. The plans are approved. Eiffel himself supervised

0:24:17.960 --> 0:24:21.800
<v Speaker 1>the construction of this tower and the extension tower that

0:24:22.080 --> 0:24:24.119
<v Speaker 1>is gonna you know, end up being that right arm

0:24:24.200 --> 0:24:27.960
<v Speaker 1>with a torch and that took about two years and

0:24:28.000 --> 0:24:31.840
<v Speaker 1>they wounded up in three. But that was just Eiffel's

0:24:32.000 --> 0:24:35.680
<v Speaker 1>contribution to just stuff. Yeah, no, no copper at this

0:24:35.760 --> 0:24:38.320
<v Speaker 1>point at all. So um there, I mean like at

0:24:38.359 --> 0:24:41.960
<v Speaker 1>this point they're like doing some cutting edge stuff. Um.

0:24:42.119 --> 0:24:44.960
<v Speaker 1>But one of the reasons why it's cutting edges because

0:24:45.000 --> 0:24:47.000
<v Speaker 1>no one's ever tried any of this before. Again, this

0:24:47.160 --> 0:24:49.880
<v Speaker 1>is going there making the tallest statue in the world.

0:24:49.960 --> 0:24:55.160
<v Speaker 1>They were using like engineering techniques and structures that were unproven.

0:24:55.240 --> 0:24:58.880
<v Speaker 1>This was like, um, Eiffel completed his part six years

0:24:58.920 --> 0:25:02.040
<v Speaker 1>before the Eiffel Tower debut. So this is new stuff,

0:25:02.200 --> 0:25:05.399
<v Speaker 1>unproven and introduced to the world. It's pretty cool that

0:25:05.440 --> 0:25:07.800
<v Speaker 1>they were doing that. But one of the first challenges

0:25:07.880 --> 0:25:12.639
<v Speaker 1>they ran into was figuring out how to make this

0:25:13.280 --> 0:25:17.200
<v Speaker 1>the the little you know, proof of concept tabletop sculptures

0:25:17.280 --> 0:25:20.960
<v Speaker 1>that they had created, how to turn those scale models

0:25:21.480 --> 0:25:26.800
<v Speaker 1>into the actual thing. Because nowadays, when you design, when

0:25:26.840 --> 0:25:33.200
<v Speaker 1>you draw, it's on computers, and the computer exactly yeah

0:25:33.359 --> 0:25:37.560
<v Speaker 1>with your elbow and go come on, stupid computer, right,

0:25:38.000 --> 0:25:41.119
<v Speaker 1>these guys did not have anything remotely like that at

0:25:41.200 --> 0:25:44.560
<v Speaker 1>their disposal. And when we tell you about how they

0:25:44.640 --> 0:25:48.280
<v Speaker 1>went from those tabletop models to the actual statue of

0:25:48.359 --> 0:25:53.480
<v Speaker 1>liberty yourself, Um, it's going to to blow your mind. Yeah.

0:25:53.560 --> 0:25:58.240
<v Speaker 1>What they did have was brains and math and string

0:25:58.600 --> 0:26:01.280
<v Speaker 1>and stick to itiveness and stick to it. Because I

0:26:01.359 --> 0:26:03.119
<v Speaker 1>was like, right when it occurred to me, Chuck, if

0:26:03.160 --> 0:26:05.560
<v Speaker 1>I were leading this thing, the moment it occurred to

0:26:05.640 --> 0:26:08.960
<v Speaker 1>me what we had to do, I would just start crying, yeah,

0:26:10.640 --> 0:26:13.000
<v Speaker 1>or we would just do our best and it would

0:26:13.160 --> 0:26:15.680
<v Speaker 1>the proportions would be all wrong, come out like Mr mccraig,

0:26:15.840 --> 0:26:19.000
<v Speaker 1>if we were lucky, who's Mr mccraig. What is that?

0:26:19.560 --> 0:26:22.560
<v Speaker 1>It was like their doctor Nick um is talking to

0:26:22.680 --> 0:26:26.280
<v Speaker 1>somebody and like one of his old patients shows up

0:26:26.320 --> 0:26:28.760
<v Speaker 1>and he's like, Dr Nick, do you remember me? And

0:26:28.920 --> 0:26:31.600
<v Speaker 1>he goes, oh, well, if it isn't my old friend

0:26:31.760 --> 0:26:34.280
<v Speaker 1>Mr mccraig with the leg for an arm and an

0:26:34.440 --> 0:26:39.240
<v Speaker 1>arm for a leg, this guy's got an arm for

0:26:39.280 --> 0:26:42.399
<v Speaker 1>a leg and a leg. It was just demonstrating how

0:26:42.480 --> 0:26:44.680
<v Speaker 1>bad Dr Nick was at his job. I love it,

0:26:44.880 --> 0:26:48.359
<v Speaker 1>Hi frozen body. Yeah, all right, so they need to

0:26:48.520 --> 0:26:53.479
<v Speaker 1>ambig in this thing and there's Simpson stuff flying a uh,

0:26:53.600 --> 0:26:56.040
<v Speaker 1>and they've got a little tourist model like you said,

0:26:56.119 --> 0:26:57.920
<v Speaker 1>and they're all sitting around with their hands on their chin,

0:26:58.680 --> 0:27:00.159
<v Speaker 1>and they said, all right, why don't we do this,

0:27:01.160 --> 0:27:03.480
<v Speaker 1>Why don't we gradually make it a little bit bigger.

0:27:03.520 --> 0:27:07.240
<v Speaker 1>I think we can handle that. And so they you know,

0:27:07.600 --> 0:27:09.880
<v Speaker 1>they have this thing called a pantograph. If you look

0:27:09.920 --> 0:27:12.399
<v Speaker 1>it up online, it doesn't look like much, but it

0:27:12.560 --> 0:27:15.520
<v Speaker 1>uses these little mechanical arms on boom like a boom

0:27:16.200 --> 0:27:20.200
<v Speaker 1>to basically you can make something bigger or smaller from

0:27:20.280 --> 0:27:23.760
<v Speaker 1>an original using this thing. Yeah, it enlarges the movements

0:27:23.840 --> 0:27:28.000
<v Speaker 1>of the pencil or pen you're using to the larger

0:27:28.200 --> 0:27:31.159
<v Speaker 1>to the pen that's attached on the other end of

0:27:31.240 --> 0:27:34.400
<v Speaker 1>the boom. It just makes a bigger, exact copy. Yeah.

0:27:34.480 --> 0:27:37.320
<v Speaker 1>So it's it's like, it's genius to use this, and

0:27:37.400 --> 0:27:39.760
<v Speaker 1>they use bigger and bigger ones until they got up

0:27:39.840 --> 0:27:43.720
<v Speaker 1>to about a one quarter size, which is really big

0:27:43.840 --> 0:27:48.000
<v Speaker 1>and impressive. But that's at the point where they're like, hey, guys,

0:27:48.080 --> 0:27:50.080
<v Speaker 1>I hate to break it to you, but that's it

0:27:50.160 --> 0:27:52.040
<v Speaker 1>on the pantograph, Like this is as big as we

0:27:52.119 --> 0:27:55.600
<v Speaker 1>can go. So from this one quarter size we're just

0:27:55.640 --> 0:28:01.240
<v Speaker 1>gonna have to guess, right, Uh, we're gonna have to No,

0:28:01.400 --> 0:28:05.000
<v Speaker 1>they figured out another really ingenious way to kind of

0:28:05.160 --> 0:28:09.320
<v Speaker 1>measure up from there, and they took that that finished

0:28:09.440 --> 0:28:14.320
<v Speaker 1>quarter size version. Yes, that that's the final scale model.

0:28:14.400 --> 0:28:16.440
<v Speaker 1>The biggest that it got was the quarter size of

0:28:16.520 --> 0:28:20.320
<v Speaker 1>the original or the final um. The final version um.

0:28:20.760 --> 0:28:23.920
<v Speaker 1>They built of a structure like a frame around the maquette,

0:28:24.480 --> 0:28:28.840
<v Speaker 1>and then they basically attached lines, plumb lines from the

0:28:28.960 --> 0:28:33.240
<v Speaker 1>structure to the model at different points. Yeah, they used

0:28:33.240 --> 0:28:35.840
<v Speaker 1>string basically, but in much the same way like you know,

0:28:35.960 --> 0:28:38.400
<v Speaker 1>on like those cop procedurals like C S I or whatever,

0:28:38.480 --> 0:28:41.880
<v Speaker 1>they'll have like the the red dowels like sticking out

0:28:41.920 --> 0:28:45.480
<v Speaker 1>of bullet holes to figure out the trajectory. They basically

0:28:45.560 --> 0:28:47.920
<v Speaker 1>did that with the Statue of Liberty, but in a

0:28:48.120 --> 0:28:52.040
<v Speaker 1>thousand different locations, every fold, every toenail, every like eye

0:28:52.520 --> 0:28:57.280
<v Speaker 1>eyelash like like everything. All of that stuff was plotted

0:28:57.320 --> 0:29:01.959
<v Speaker 1>out in real life in three mentioned using plumb lines

0:29:02.600 --> 0:29:05.640
<v Speaker 1>to to basically create these points of reference. And then

0:29:05.680 --> 0:29:08.000
<v Speaker 1>they went back and they measured all of them and

0:29:08.040 --> 0:29:11.560
<v Speaker 1>they figured out where all these points would go times four,

0:29:12.520 --> 0:29:15.800
<v Speaker 1>and then they built another structure and went from there

0:29:15.960 --> 0:29:21.720
<v Speaker 1>and then went went backwards. Yes, I really feel like

0:29:21.760 --> 0:29:24.200
<v Speaker 1>I had it until the end there. Yeah, you kind

0:29:24.200 --> 0:29:25.840
<v Speaker 1>of pettered it out at the end. Well, now they went,

0:29:25.920 --> 0:29:28.840
<v Speaker 1>they went, They multiplied it by four, built the structure

0:29:28.880 --> 0:29:31.400
<v Speaker 1>that could accommodate that, and then brought back down plumb

0:29:31.480 --> 0:29:35.040
<v Speaker 1>lines to those four times larger points of reference and

0:29:35.080 --> 0:29:38.800
<v Speaker 1>then started building from there. Yeah, it's a technique called

0:29:38.920 --> 0:29:42.600
<v Speaker 1>pointing up. And all told, there were nine thousand measurements,

0:29:43.440 --> 0:29:49.000
<v Speaker 1>three hundred main reference points, and then thousands of these

0:29:49.160 --> 0:29:52.400
<v Speaker 1>pieces of string. Because like you said, it's it's every

0:29:52.720 --> 0:29:54.760
<v Speaker 1>you know, they can't just get it close. It's every

0:29:54.880 --> 0:29:58.560
<v Speaker 1>fold in her gown, every you know, you know, the

0:29:58.680 --> 0:30:01.720
<v Speaker 1>the thumbnail meeting the thumb them. It's all like very

0:30:01.840 --> 0:30:03.719
<v Speaker 1>very specific because they had to get it just right.

0:30:04.840 --> 0:30:07.880
<v Speaker 1>And so then they have to start out building this thing.

0:30:08.120 --> 0:30:10.840
<v Speaker 1>And what they decided to do, obviously is build it

0:30:10.920 --> 0:30:13.760
<v Speaker 1>in sections because they're gonna have to take it apart

0:30:13.840 --> 0:30:16.560
<v Speaker 1>and put it back together. So they built it in

0:30:16.880 --> 0:30:22.360
<v Speaker 1>very large sections, uh, starting with wood scaffolding and then

0:30:22.520 --> 0:30:26.760
<v Speaker 1>eventually uh, plaster, because you want to you know, you're

0:30:26.960 --> 0:30:30.880
<v Speaker 1>you're sculpting. It can't just be wood and copper hammered

0:30:30.960 --> 0:30:33.840
<v Speaker 1>on there like it's gotta be there's gotta be some

0:30:33.960 --> 0:30:37.720
<v Speaker 1>fine detail and some really rounded smooth edges and stuff

0:30:37.760 --> 0:30:41.760
<v Speaker 1>like that. Right, So they made basically wood molds molds

0:30:41.760 --> 0:30:44.280
<v Speaker 1>out of wood, sculpture the plaster and it, and then

0:30:44.320 --> 0:30:47.680
<v Speaker 1>they had a plaster mold, and then they could take

0:30:47.760 --> 0:30:51.520
<v Speaker 1>the plaster mold, which was basically negative um. And then

0:30:51.600 --> 0:30:57.400
<v Speaker 1>they put wood into the plaster molds and warped it

0:30:57.600 --> 0:31:00.240
<v Speaker 1>so that it fits the plaster perfectly, kind of like

0:31:00.360 --> 0:31:02.520
<v Speaker 1>the techniques um that you would used to make a

0:31:02.640 --> 0:31:05.800
<v Speaker 1>boat hole, you know, smooth and folded. Um. They did

0:31:05.880 --> 0:31:09.719
<v Speaker 1>the same thing with these giant plaster casts, but they

0:31:09.800 --> 0:31:12.640
<v Speaker 1>did it with wood, and you think, okay, great wood,

0:31:12.680 --> 0:31:15.040
<v Speaker 1>what are you gonna do with wood? Then with those

0:31:15.240 --> 0:31:18.520
<v Speaker 1>wood molds that they made from the plaster casts, they

0:31:18.640 --> 0:31:21.480
<v Speaker 1>took those thin sheets of copper that were about the

0:31:21.600 --> 0:31:25.600
<v Speaker 1>size of two pennies held together. That's what the outside

0:31:25.640 --> 0:31:27.960
<v Speaker 1>of the statue of Liberty is. That's the thickness of

0:31:28.040 --> 0:31:33.200
<v Speaker 1>her skin. Um. They put those copper plates into the

0:31:33.400 --> 0:31:36.760
<v Speaker 1>wood molds and then hammered them smooth, and now all

0:31:36.800 --> 0:31:39.440
<v Speaker 1>of a sudden you had the final pieces of the

0:31:39.560 --> 0:31:44.680
<v Speaker 1>exterior of Lady Liberty coming together, right, and several hundred

0:31:44.720 --> 0:31:49.360
<v Speaker 1>pieces in the end. I mean, it's a big project.

0:31:49.440 --> 0:31:52.000
<v Speaker 1>And if you think, boy, you better label that stuff

0:31:52.040 --> 0:31:56.240
<v Speaker 1>good fellas, uh, you're right, because by the when this

0:31:56.360 --> 0:31:59.400
<v Speaker 1>thing was eventually shipped over, it was a little bit annoying.

0:31:59.480 --> 0:32:03.400
<v Speaker 1>And that what happened is what you think would probably happen.

0:32:03.520 --> 0:32:06.760
<v Speaker 1>Some of the stuff gets mislabeled, and it wasn't quite

0:32:06.880 --> 0:32:10.120
<v Speaker 1>armed for a leg territory, I don't think. But it

0:32:10.320 --> 0:32:12.160
<v Speaker 1>was like, all right, now I gotta sift through this

0:32:12.320 --> 0:32:15.600
<v Speaker 1>and kind of refigure it all over again. Yeah, I

0:32:15.680 --> 0:32:18.880
<v Speaker 1>can't imagine. So I say, we take a break and

0:32:19.400 --> 0:32:22.200
<v Speaker 1>come back, and we got to talk about money, everybody,

0:32:22.480 --> 0:32:50.520
<v Speaker 1>So just sit tight, Okay, So all this is going

0:32:50.600 --> 0:32:52.760
<v Speaker 1>on the copper. By the way, I feel like this

0:32:52.840 --> 0:32:56.680
<v Speaker 1>guy's name bears repeating throughout the story or any time

0:32:56.720 --> 0:33:00.840
<v Speaker 1>the story is told. Pierre Eugene Secretan was industrialist in

0:33:00.920 --> 0:33:04.640
<v Speaker 1>France who donated the copper, really high quality copper we

0:33:04.760 --> 0:33:07.960
<v Speaker 1>hear to the project. But that was you know, and

0:33:08.240 --> 0:33:10.720
<v Speaker 1>there were other donations and there was other funds raised,

0:33:10.800 --> 0:33:14.720
<v Speaker 1>but it was um, it was hard going. They found out.

0:33:15.040 --> 0:33:17.120
<v Speaker 1>I get the impression that the French had an easier

0:33:17.200 --> 0:33:20.520
<v Speaker 1>time because that Franco American union came together and they said, okay,

0:33:20.640 --> 0:33:23.600
<v Speaker 1>how about this. The French will raise about two and

0:33:23.680 --> 0:33:27.880
<v Speaker 1>fifty thousand francs about six million dollars for the statue itself,

0:33:28.360 --> 0:33:31.640
<v Speaker 1>and the Americans will raise about two d and fifty

0:33:31.680 --> 0:33:36.320
<v Speaker 1>thousand dollars about seven million dollars today um to to

0:33:36.480 --> 0:33:40.360
<v Speaker 1>create the pedestal. And they basically said, ready break, and

0:33:40.480 --> 0:33:42.840
<v Speaker 1>the French went off and started fundraising. The Americans went

0:33:42.880 --> 0:33:44.880
<v Speaker 1>off and started fundraising, and I have the impression of

0:33:44.960 --> 0:33:47.560
<v Speaker 1>the French had a little easier time of it than

0:33:47.600 --> 0:33:50.760
<v Speaker 1>the Americans did. Yeah, it seems like it. I think

0:33:50.800 --> 0:33:53.960
<v Speaker 1>the Americans probably thought at the beginning, like, hey, they

0:33:54.040 --> 0:33:55.800
<v Speaker 1>just want us to pay for the pedestal, like this,

0:33:56.240 --> 0:33:58.560
<v Speaker 1>this is nothing. It ended up being a little more

0:33:58.560 --> 0:34:02.280
<v Speaker 1>expensive than the statue itself, so we were kind of

0:34:02.360 --> 0:34:05.600
<v Speaker 1>left holding the bag by a little bit. Or the

0:34:05.680 --> 0:34:09.600
<v Speaker 1>Americans were like, oh, I thought this was a gift. Yeah,

0:34:10.160 --> 0:34:12.880
<v Speaker 1>you want to go Dutch. Great in the Dutch are like,

0:34:12.960 --> 0:34:15.680
<v Speaker 1>what does that even mean? Yeah? The check comes, uh

0:34:15.840 --> 0:34:18.520
<v Speaker 1>so yeah, that that bases it called the truncated pyramid

0:34:18.560 --> 0:34:23.239
<v Speaker 1>which basically means a pyramid that doesn't have the pointy top. Uh,

0:34:23.440 --> 0:34:25.279
<v Speaker 1>it gets smaller as it goes up. And it's that

0:34:25.400 --> 0:34:28.840
<v Speaker 1>itself is eighty nine ft tall and sixty two ft

0:34:28.920 --> 0:34:32.600
<v Speaker 1>wide and about forty ft wide at the top of

0:34:32.719 --> 0:34:36.279
<v Speaker 1>that thing where she stands, and it is mostly concrete

0:34:37.000 --> 0:34:40.040
<v Speaker 1>and it is Uh, it's got a facade of Connecticut granite.

0:34:40.120 --> 0:34:42.280
<v Speaker 1>But that was a big project in and of itself.

0:34:42.400 --> 0:34:45.320
<v Speaker 1>And yeah, Chuck, also, I was I was researching the pedestal.

0:34:45.400 --> 0:34:47.960
<v Speaker 1>I found out there's eight beams in their eight structural

0:34:48.040 --> 0:34:51.160
<v Speaker 1>beams poured into the conqueror the concrete poured around it.

0:34:51.600 --> 0:34:54.440
<v Speaker 1>Four of them are horizontal, but then four towards the

0:34:54.520 --> 0:34:56.880
<v Speaker 1>top are vertical, and they actually break the top of

0:34:56.920 --> 0:35:00.200
<v Speaker 1>the pedestal, and that is what the uh interior. Your

0:35:00.239 --> 0:35:03.840
<v Speaker 1>skeleton of the Statue of Liberty is affixed too, so

0:35:03.960 --> 0:35:07.640
<v Speaker 1>she's like solidly affixed to that pedestal. It's pretty cool.

0:35:08.320 --> 0:35:11.359
<v Speaker 1>That's awesome. So, like you said, the French, I think

0:35:11.400 --> 0:35:14.760
<v Speaker 1>you're raising money at a steadier clip. Uh, they're selling

0:35:14.840 --> 0:35:17.960
<v Speaker 1>tickets to lotteries. Schools were chipping in a little bit.

0:35:18.680 --> 0:35:22.319
<v Speaker 1>I think there were descendants of French soldiers supposedly who

0:35:22.360 --> 0:35:24.560
<v Speaker 1>had fallen in the American Revolution, that we're sending in

0:35:24.680 --> 0:35:28.839
<v Speaker 1>some money. Yeah, that's that's old school right there, big time. Uh.

0:35:29.120 --> 0:35:32.520
<v Speaker 1>They started this is this is kind of a good idea. Actually,

0:35:32.840 --> 0:35:37.080
<v Speaker 1>they started having fundraising banquets as the structure was growing

0:35:37.160 --> 0:35:39.680
<v Speaker 1>inside it, Like they had one in the kneecap, one

0:35:39.719 --> 0:35:41.799
<v Speaker 1>of the thigh, one in the stomach, and then finally

0:35:41.880 --> 0:35:45.480
<v Speaker 1>one inside the head. Great way to raise some money, right,

0:35:45.520 --> 0:35:47.319
<v Speaker 1>which is what I was saying, Like, I think that's

0:35:47.360 --> 0:35:50.719
<v Speaker 1>one of the reasons he built it in France first. Yeah,

0:35:51.160 --> 0:35:54.600
<v Speaker 1>it makes sense, and then they did in turn. Eventually

0:35:54.640 --> 0:35:58.160
<v Speaker 1>when this thing gets to America in pieces, they start

0:35:58.239 --> 0:36:00.399
<v Speaker 1>doing that here. They start trotting this around on First

0:36:00.440 --> 0:36:03.600
<v Speaker 1>they had I think the right arm and torch on

0:36:03.719 --> 0:36:08.080
<v Speaker 1>display in Philadelphia for the centennial celebration, and then that

0:36:08.200 --> 0:36:10.640
<v Speaker 1>same torch and armor at Madison Square Park and you

0:36:10.719 --> 0:36:13.480
<v Speaker 1>could pay money to climb up in it and take

0:36:13.520 --> 0:36:16.520
<v Speaker 1>a picture. Early couldn't take pictures and sketch pictures of it.

0:36:17.360 --> 0:36:22.120
<v Speaker 1>And uh, the Americans held prize fights and they held

0:36:22.160 --> 0:36:24.680
<v Speaker 1>auctions and stuff like that. So they were doing their best,

0:36:25.280 --> 0:36:28.560
<v Speaker 1>but they were about a hundred grand short in the end,

0:36:28.920 --> 0:36:31.520
<v Speaker 1>and that is when a man by the name of

0:36:31.680 --> 0:36:36.320
<v Speaker 1>Joseph Pulitzer stepped up. I really like this idea, and

0:36:36.480 --> 0:36:38.520
<v Speaker 1>he was like, you know what, we gotta we gotta

0:36:38.560 --> 0:36:42.080
<v Speaker 1>get there. I had this rag called the World. It's

0:36:42.120 --> 0:36:45.160
<v Speaker 1>got great circulation. And Dave points out he's dead right

0:36:45.200 --> 0:36:47.200
<v Speaker 1>that this is kind of one of the biggest and

0:36:47.320 --> 0:36:51.600
<v Speaker 1>first crowdfunding campaigns, and that he launched this big thing

0:36:51.680 --> 0:36:55.080
<v Speaker 1>of where he was like, listen, this isn't the government.

0:36:55.360 --> 0:36:58.080
<v Speaker 1>We don't want rich the government doing this, or the

0:36:58.200 --> 0:37:00.680
<v Speaker 1>millionaires of France giving a gift to the millionaires of

0:37:00.760 --> 0:37:03.440
<v Speaker 1>the United States. This is supposed to be for the

0:37:03.560 --> 0:37:08.120
<v Speaker 1>common person. And so give a dollar, give twenty five cents,

0:37:08.880 --> 0:37:12.279
<v Speaker 1>And that's what happened. All these people stepped up and

0:37:12.480 --> 0:37:16.600
<v Speaker 1>gave a little tiny increments of money and they fundraised

0:37:16.880 --> 0:37:20.560
<v Speaker 1>about a thousand dollars over their goal using that little

0:37:20.719 --> 0:37:24.560
<v Speaker 1>crowdfunding technique, and just five months they've the whole past

0:37:24.640 --> 0:37:28.040
<v Speaker 1>the goal. Yeah. The whole hook was if you give anything,

0:37:28.120 --> 0:37:31.919
<v Speaker 1>I'll print your name in my newspaper. And it worked. Yeah,

0:37:31.960 --> 0:37:34.200
<v Speaker 1>oh yeah, if you want to get anything done, offered

0:37:34.239 --> 0:37:37.280
<v Speaker 1>to print people's name in the newspaper in a positive,

0:37:37.680 --> 0:37:40.360
<v Speaker 1>positive light. That's a big caveat right there, right exactly.

0:37:40.800 --> 0:37:42.680
<v Speaker 1>And there was one other thing. Uh, well, there's a

0:37:42.719 --> 0:37:44.840
<v Speaker 1>lot of stuff that came out of the fundraising effort,

0:37:44.880 --> 0:37:47.120
<v Speaker 1>but one of the most notable things that came out

0:37:47.160 --> 0:37:49.600
<v Speaker 1>of it, Chuck, was the poem by M. Lazarus that

0:37:49.960 --> 0:37:54.200
<v Speaker 1>we were referring to earlier. Um, she wrote this poem

0:37:54.280 --> 0:37:57.880
<v Speaker 1>called the New Colossus, uh as kind of an homage

0:37:57.920 --> 0:38:01.160
<v Speaker 1>or a tribute to this Statue of Liberty idea, it's

0:38:01.200 --> 0:38:03.759
<v Speaker 1>in order to help raise funds for it, and then

0:38:04.000 --> 0:38:08.480
<v Speaker 1>ended up being engraved on a plaque on Liberty Island

0:38:08.560 --> 0:38:10.560
<v Speaker 1>at this at the base of the Statue of Liberty,

0:38:10.600 --> 0:38:13.480
<v Speaker 1>I believe where it was installed, and I think nineteen

0:38:13.520 --> 0:38:17.800
<v Speaker 1>o three, Yeah, that's when it finally wash was inscribed.

0:38:17.840 --> 0:38:19.800
<v Speaker 1>But I think that's kind of cool, like she just

0:38:19.880 --> 0:38:22.920
<v Speaker 1>submitted this as part of the fundraising auction and it

0:38:23.040 --> 0:38:26.320
<v Speaker 1>ended up being those immortal words. So the hat is

0:38:26.360 --> 0:38:30.120
<v Speaker 1>off to MLAs Verus as well the spiky crown. That's right.

0:38:31.239 --> 0:38:35.040
<v Speaker 1>So um, Okay, we get to the point where, um,

0:38:35.560 --> 0:38:40.760
<v Speaker 1>the pieces have been made, they've been assembled together in France,

0:38:41.160 --> 0:38:43.480
<v Speaker 1>fundraising banquets have been held in them. They had to

0:38:43.520 --> 0:38:45.640
<v Speaker 1>get all the old cigar butts and everything out before

0:38:45.640 --> 0:38:49.279
<v Speaker 1>they put them in shipping crates mislabeled shipping crates no less,

0:38:50.160 --> 0:38:53.840
<v Speaker 1>And Bart told he goes um to help oversee the

0:38:53.920 --> 0:39:00.279
<v Speaker 1>reassembly himself, and um, it's put up, and I believe so.

0:39:01.200 --> 0:39:05.960
<v Speaker 1>Five to October June five is when the shipping containers

0:39:06.280 --> 0:39:09.839
<v Speaker 1>show up uh in UH in the harbor in New York.

0:39:10.360 --> 0:39:15.839
<v Speaker 1>And then um on October six is when the UH

0:39:16.080 --> 0:39:20.040
<v Speaker 1>the statue is dedicated. And in between three D fifty

0:39:20.360 --> 0:39:23.960
<v Speaker 1>sheets massive sheets of copper that make up the external

0:39:24.040 --> 0:39:27.680
<v Speaker 1>skin of the set of Liberty were put together using

0:39:27.719 --> 0:39:32.160
<v Speaker 1>three three thousand copper rivets, lots of steam, shovels, tons

0:39:32.200 --> 0:39:35.279
<v Speaker 1>of labor. It was just a huge effort. That was

0:39:35.400 --> 0:39:39.640
<v Speaker 1>probably the fastest part of this whole project. Yeah, and

0:39:40.280 --> 0:39:42.640
<v Speaker 1>it was, you know, once they figured out those miss

0:39:42.800 --> 0:39:46.920
<v Speaker 1>uh mislabeled crates, it was it took a while, but

0:39:46.960 --> 0:39:48.879
<v Speaker 1>it seemed to go pretty smoothly at least from there.

0:39:49.080 --> 0:39:50.759
<v Speaker 1>And I also saw, well, I saw a chuck. They

0:39:51.040 --> 0:39:55.440
<v Speaker 1>figured out very quickly that the arm holding the torch

0:39:55.600 --> 0:39:59.880
<v Speaker 1>and the head were misaligned and they're not sure what happened,

0:40:00.320 --> 0:40:02.960
<v Speaker 1>they think it is. One of the theories is I read,

0:40:03.160 --> 0:40:06.080
<v Speaker 1>is that um Bert totally was not happy with how

0:40:06.480 --> 0:40:09.680
<v Speaker 1>the statue looked or was going to look based on

0:40:10.560 --> 0:40:14.239
<v Speaker 1>creating it in France, and had it purposefully miss a

0:40:14.280 --> 0:40:17.359
<v Speaker 1>line to basically change it's it's look a little bit

0:40:17.400 --> 0:40:22.319
<v Speaker 1>it's appearance. So interesting. Yeah, alright, So on October they

0:40:22.360 --> 0:40:25.320
<v Speaker 1>have despite it being a rainy day, they had about

0:40:25.360 --> 0:40:28.960
<v Speaker 1>a million people turn out for this parade down Broadway

0:40:29.080 --> 0:40:33.160
<v Speaker 1>and then this eventual dedication ceremony there as still known

0:40:33.239 --> 0:40:37.480
<v Speaker 1>as Bedloe Island and Bartoli was the guest of honor.

0:40:38.080 --> 0:40:39.759
<v Speaker 1>And this is just kind of a funny way to

0:40:39.920 --> 0:40:42.920
<v Speaker 1>to end this story. Is he was up in the

0:40:43.040 --> 0:40:47.480
<v Speaker 1>crown and he has a big French flag covering up

0:40:47.880 --> 0:40:51.239
<v Speaker 1>her face, and at the right moment he's cued by

0:40:51.280 --> 0:40:53.919
<v Speaker 1>someone down below. He's supposed to whip this thing off

0:40:54.400 --> 0:40:56.560
<v Speaker 1>at the end of the big speech from the chair

0:40:56.600 --> 0:40:59.840
<v Speaker 1>of the American Committee, and he was he was tipped,

0:41:00.120 --> 0:41:02.719
<v Speaker 1>was signaled a little bit early, and the chair of

0:41:02.760 --> 0:41:06.640
<v Speaker 1>the American Committee was still giving that speech when Bartotli

0:41:06.800 --> 0:41:10.080
<v Speaker 1>dropped this flag and no one cared. The cannons went off,

0:41:10.600 --> 0:41:13.600
<v Speaker 1>everyone went crazy. Steam whistles are blowing in the harbor.

0:41:14.040 --> 0:41:17.160
<v Speaker 1>Brass band goes off, and the chair of the American

0:41:17.239 --> 0:41:20.240
<v Speaker 1>committee was like, all right, I guess, uh, who cares.

0:41:20.280 --> 0:41:23.400
<v Speaker 1>I'll just finish that later, right, the confession I had

0:41:23.480 --> 0:41:26.839
<v Speaker 1>prepared will just go onheard, I guess, But nobody cared.

0:41:26.920 --> 0:41:29.600
<v Speaker 1>And it was it was a big, grand success, yea.

0:41:29.800 --> 0:41:33.520
<v Speaker 1>And I believe from the time that, uh it was

0:41:33.640 --> 0:41:40.719
<v Speaker 1>dedicated in eight six, just to um fourteen million immigrants

0:41:41.120 --> 0:41:45.080
<v Speaker 1>passed by Lady Liberty. She definitely did her job right

0:41:45.120 --> 0:41:48.120
<v Speaker 1>out of the gate. That's right. They passed by that

0:41:48.920 --> 0:41:52.759
<v Speaker 1>copper colored structure. Yeah, at least at first at first,

0:41:52.880 --> 0:41:55.080
<v Speaker 1>and that was all planned. You know, copper is going

0:41:55.120 --> 0:41:58.120
<v Speaker 1>to oxidize and it's going to form that patina to

0:41:58.280 --> 0:42:00.600
<v Speaker 1>protect that copper. And everyone knew that she would eventually

0:42:00.600 --> 0:42:04.040
<v Speaker 1>turn green? Did they? Did everyone know that? Well, everyone

0:42:04.080 --> 0:42:07.040
<v Speaker 1>who knew anything about copper, I mean, the builders knew it.

0:42:07.120 --> 0:42:09.640
<v Speaker 1>And that was part of the whole thing, was that copper,

0:42:09.760 --> 0:42:12.759
<v Speaker 1>once it gets this pattina will last forever. But yeah,

0:42:12.800 --> 0:42:15.080
<v Speaker 1>there probably were some shmows in New York that were like,

0:42:15.200 --> 0:42:18.720
<v Speaker 1>why is it turning green? Uh? And it happened. There's

0:42:18.760 --> 0:42:22.120
<v Speaker 1>no direct date, but um, there are photos from as

0:42:22.160 --> 0:42:24.239
<v Speaker 1>early as nineteen o six, which is only about twenty

0:42:24.320 --> 0:42:28.200
<v Speaker 1>years later, where that Pattina is, where she's she's pretty

0:42:28.200 --> 0:42:31.040
<v Speaker 1>green at that point. And I think at this point

0:42:31.200 --> 0:42:34.799
<v Speaker 1>in places on that statue that Pattina is as thick

0:42:34.840 --> 0:42:37.560
<v Speaker 1>as that copper. It's two twopennies deep. So now it's

0:42:37.640 --> 0:42:40.320
<v Speaker 1>four pennies deep in some places. So do you remember

0:42:40.480 --> 0:42:42.759
<v Speaker 1>when we were younger, in the mid eighties, there was

0:42:42.880 --> 0:42:47.440
<v Speaker 1>like this, the restoration project of the statue. I was

0:42:47.600 --> 0:42:49.560
<v Speaker 1>under the impression that they were going to clean the

0:42:49.600 --> 0:42:55.160
<v Speaker 1>green off of it, not I don't remember. I don't remember.

0:42:55.360 --> 0:42:57.080
<v Speaker 1>I don't think I was under the impression. There's a

0:42:57.160 --> 0:43:02.319
<v Speaker 1>reference in in seinfeld Um about how remember George goes

0:43:02.400 --> 0:43:06.320
<v Speaker 1>to work for Krueger Industrial Smoothing, and they referenced that

0:43:06.560 --> 0:43:09.759
<v Speaker 1>that Krueger was the company that botched the Statue of

0:43:09.840 --> 0:43:12.920
<v Speaker 1>Liberty restoration job. So like I have the impression that

0:43:13.000 --> 0:43:15.200
<v Speaker 1>other people think that it was supposed to be cleaned

0:43:15.239 --> 0:43:19.360
<v Speaker 1>of its green color as well during that But regardless

0:43:19.520 --> 0:43:21.440
<v Speaker 1>during I think so too. I think seeing the set

0:43:21.520 --> 0:43:26.800
<v Speaker 1>of Liberties anything but that aged copper green weird. But

0:43:27.080 --> 0:43:29.520
<v Speaker 1>during that restoration, whether they were trying to clean the

0:43:29.560 --> 0:43:32.640
<v Speaker 1>green off or not. UM, they found a few things

0:43:32.680 --> 0:43:35.680
<v Speaker 1>about it. They found the torch was irreparably weathered, and

0:43:35.800 --> 0:43:38.480
<v Speaker 1>so the torch that she's holding now is new. It's

0:43:38.520 --> 0:43:42.360
<v Speaker 1>the second version that created using the exact same methods

0:43:42.719 --> 0:43:46.360
<v Speaker 1>as the original one. UM, but they replaced the torch.

0:43:46.960 --> 0:43:50.160
<v Speaker 1>And then they also found that a lot of Eiffel's

0:43:50.400 --> 0:43:54.160
<v Speaker 1>um wrought iron structure, a lot of it was rusting

0:43:54.239 --> 0:43:56.840
<v Speaker 1>and falling apart, so they replaced all of those with

0:43:56.960 --> 0:44:01.400
<v Speaker 1>stainless steel. So she got like a really good refresh

0:44:01.520 --> 0:44:05.960
<v Speaker 1>and update in nineteen six thanks to a committee led

0:44:06.040 --> 0:44:09.640
<v Speaker 1>by Leaya Coca who was appointed by President Reagan. Very few,

0:44:10.440 --> 0:44:14.560
<v Speaker 1>very few um uh sentences that are more eighties than that.

0:44:15.760 --> 0:44:19.120
<v Speaker 1>And then also we know that the restoration UM worked

0:44:19.320 --> 0:44:22.600
<v Speaker 1>at least until the year thirty nine seventy eight thanks

0:44:22.680 --> 0:44:27.600
<v Speaker 1>to the Planet of the Apes movies or depending on

0:44:27.680 --> 0:44:30.879
<v Speaker 1>who you ask, you're gonna love that spoiler in there. Dude,

0:44:31.760 --> 0:44:35.040
<v Speaker 1>it's a movie from ninety eight, I know, I can

0:44:35.080 --> 0:44:39.799
<v Speaker 1>you really spoil that? Sure? One of the great endings. Uh. Now,

0:44:39.960 --> 0:44:42.879
<v Speaker 1>about three to four million people a year visit Lady

0:44:42.920 --> 0:44:45.480
<v Speaker 1>Liberty and you can get in an elevator there on

0:44:45.520 --> 0:44:48.960
<v Speaker 1>that ground level to the top of the pedestal, and

0:44:49.040 --> 0:44:50.160
<v Speaker 1>you can go all the way up to the crown,

0:44:50.239 --> 0:44:53.280
<v Speaker 1>even if you make a reservation apparently, but the elevator

0:44:53.320 --> 0:44:55.520
<v Speaker 1>doesn't go that high. They're about a hundred and sixty

0:44:55.600 --> 0:45:00.040
<v Speaker 1>two steps that will get you there and uh and

0:45:00.040 --> 0:45:01.839
<v Speaker 1>you can look out of that crown. Imagine that's quite

0:45:01.880 --> 0:45:04.080
<v Speaker 1>a site. And time was that they would just sell

0:45:04.160 --> 0:45:06.560
<v Speaker 1>tickets without reservations and you just buy your tickets and

0:45:06.719 --> 0:45:08.600
<v Speaker 1>stand there in line to wait for the people who

0:45:08.680 --> 0:45:10.520
<v Speaker 1>went up to come back down because there was not

0:45:10.719 --> 0:45:12.960
<v Speaker 1>a lot of room on that that staircase. And now

0:45:13.040 --> 0:45:16.440
<v Speaker 1>at least they're like, you know, really innovating since nineteen

0:45:16.800 --> 0:45:23.279
<v Speaker 1>six by offering advanced reservations. Apparently it was miserable. So

0:45:23.440 --> 0:45:25.719
<v Speaker 1>one other fact about the statue of Liberty Chuck that

0:45:25.800 --> 0:45:28.480
<v Speaker 1>stuck out to me was she started out as the

0:45:28.840 --> 0:45:32.640
<v Speaker 1>world's tallest statue when she was built and dedicated, but

0:45:32.800 --> 0:45:36.360
<v Speaker 1>today she's just number forty seven among the world's tallest statues,

0:45:36.400 --> 0:45:39.080
<v Speaker 1>which means we've built a lot of really tall statues

0:45:39.120 --> 0:45:41.360
<v Speaker 1>in the last hundred years. It's something that humanity has

0:45:41.400 --> 0:45:45.800
<v Speaker 1>been really interested in apparently, that's right. And if anyone

0:45:45.920 --> 0:45:49.000
<v Speaker 1>ever says, yeah, I've been there, I stood climbed up

0:45:49.000 --> 0:45:51.520
<v Speaker 1>in the right next to the torch, you call that

0:45:51.600 --> 0:45:54.560
<v Speaker 1>person a liar. Because no one's been allowed in that

0:45:54.680 --> 0:45:59.359
<v Speaker 1>torch since nineteen sixty. They may be thinking crown, yeah,

0:45:59.760 --> 0:46:02.160
<v Speaker 1>you and be allowed in the torch again until the year.

0:46:05.120 --> 0:46:07.320
<v Speaker 1>That's right. Then you can do whatever you want because

0:46:07.560 --> 0:46:09.800
<v Speaker 1>because the torch is just laying there on the beach. Basically,

0:46:10.400 --> 0:46:17.520
<v Speaker 1>he finally did it. You darn maniacs. Okay, well, Chuck

0:46:17.600 --> 0:46:19.320
<v Speaker 1>has nothing else. I have nothing else. And since I

0:46:19.440 --> 0:46:21.960
<v Speaker 1>just said you darn maniacs, it's time for a listener mail.

0:46:24.520 --> 0:46:26.640
<v Speaker 1>I'm gonna called this short and sweet. Oh I like

0:46:26.800 --> 0:46:31.120
<v Speaker 1>this from a from a younger like Humpty dumpty. That's right. Hey, guys,

0:46:31.320 --> 0:46:34.040
<v Speaker 1>I am fourteen years old from northern Utah and I've

0:46:34.040 --> 0:46:35.440
<v Speaker 1>been listening to you guys for a while and really

0:46:35.520 --> 0:46:38.080
<v Speaker 1>enjoy your podcast. It's really fun to listen to what

0:46:38.960 --> 0:46:41.920
<v Speaker 1>spunky things you have to say. I love the use

0:46:41.960 --> 0:46:44.640
<v Speaker 1>of spunky there. I listened all the time during car

0:46:44.760 --> 0:46:47.000
<v Speaker 1>rides are doing crafts and art. If you would mind,

0:46:47.120 --> 0:46:49.560
<v Speaker 1>I would love it if you read my letter for

0:46:49.640 --> 0:46:56.560
<v Speaker 1>my siblings and say she during listener mail, how's at

0:46:56.560 --> 0:47:01.520
<v Speaker 1>the bomb? Usually don't honor requests. I know I'm below,

0:47:01.640 --> 0:47:04.680
<v Speaker 1>like my socks are just down around my toes right now.

0:47:05.000 --> 0:47:09.160
<v Speaker 1>But Alyssa Stewart just sounded like a nice kid, and

0:47:09.480 --> 0:47:12.280
<v Speaker 1>sometimes it's it's good to kind of one up those siblings.

0:47:13.200 --> 0:47:15.640
<v Speaker 1>So to the siblings of Alyssa who Elyssa didn't include,

0:47:16.160 --> 0:47:20.919
<v Speaker 1>I'm just gonna say one thing to you. She Wow, Chuck,

0:47:21.000 --> 0:47:26.640
<v Speaker 1>I think you just like fundamentally altered Thanksgiving If that happs? Yeah,

0:47:26.760 --> 0:47:32.400
<v Speaker 1>birth order out the door, cool order reset. Well, if

0:47:32.440 --> 0:47:34.879
<v Speaker 1>you want the cool order in your family, reset, take

0:47:34.920 --> 0:47:37.439
<v Speaker 1>your best shot. I'll be surprised if we do it again.

0:47:37.520 --> 0:47:40.080
<v Speaker 1>But then Chuck's always full of surprises, so you never

0:47:40.239 --> 0:47:42.520
<v Speaker 1>can tell. Can't get a bead on that one, you

0:47:42.560 --> 0:47:44.960
<v Speaker 1>know what I mean. In the meantime, you can send

0:47:45.040 --> 0:47:49.040
<v Speaker 1>those requests to Stuff Podcasts at iHeart radio dot com.

0:47:52.200 --> 0:47:54.480
<v Speaker 1>Stuff you Should Know is a production of iHeart Radio.

0:47:55.000 --> 0:47:57.520
<v Speaker 1>For more podcasts my heart Radio, visit the i heart

0:47:57.600 --> 0:48:00.480
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0:48:00.520 --> 0:48:07.880
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