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Speaker 1: Peaks of the plane in Charlamagne the God Here and

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Speaker 1: as we come closer the closing out this year, I

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Speaker 1: just want to say thank you for tuning into the

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Speaker 1: black ect podcast Network. There have been so many great

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Speaker 1: moments over the past year. Take a listen to some

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Speaker 1: of those captivating moments in this special best of episode.

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Speaker 2: Hey, We're welcome back to the eighty Fast South Shore. Yeah, man,

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Speaker 2: we're doing our big fool today. Man, we got none

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Speaker 2: other than the super talent.

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Speaker 3: We got to give them the.

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Speaker 2: Super dope, the super instrumental part of one of the

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Speaker 2: hardest rep groups in REP history. Man, hey man, multi

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Speaker 2: cultural kid make music all across the board, whether it

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Speaker 2: be for the Hood, whether it be for South America,

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Speaker 2: whether it be for Haiti.

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Speaker 4: It it ran for.

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Speaker 2: President I Ain't got one of the highest grossest selling

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Speaker 2: albums of all times. Man, none other the legendary mister.

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Speaker 5: Respect New York.

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Speaker 6: You know that was you when you first touched down.

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Speaker 6: But yeah, like, how did you feel when.

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Speaker 2: Were you already wy cleft?

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Speaker 6: When you got to go down down to Miami and

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Speaker 6: see the presence that the Haitian people have down there, Like,

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Speaker 6: were you already famous? So did you get to see

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Speaker 6: that prior to you becoming the superstar.

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Speaker 3: So it's a deep question. So you hired two sets

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Speaker 3: of brewing at the time. So we was in Brooklyn,

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Speaker 3: Jersey the refugees, and the thing is, now, if you

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Speaker 3: look back at the refugees, John Forte, who got the

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Speaker 3: first pardon.

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Speaker 4: Now hold on that.

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Speaker 2: I gotta ask you that I had no idea who

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Speaker 2: John Forte was, and he just showed.

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Speaker 4: Up on the y Cleft song. But we was rocking with.

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Speaker 2: Your ship so hard, just like Cliff.

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Speaker 3: Yeah, like today, like say, somebody you feel has talent,

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Speaker 3: You're gonna put him on a feature, you know what

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Speaker 3: I mean? So John was those John was always in

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Speaker 3: the studio. He was part of doing the beans. He

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Speaker 3: was part of the John was part of the brain

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Speaker 3: trust or the fujis. So and automatically, definitely John had

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Speaker 3: the vibe.

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Speaker 4: So I was.

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Speaker 3: Saying, like, when we look at it, John historically was

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Speaker 3: one of the first rappers that got a pardon from

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Speaker 3: a president for his charge. It was George Bush, right,

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Speaker 3: So now I bring you there to show you like

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Speaker 3: when when when we say like the refugees, it was

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Speaker 3: literally taking a negative and making a positive out of

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Speaker 3: it right without having a top bolt. So we was there.

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Speaker 3: Then you had the Zoo Pound that was in Miami. Right,

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Speaker 3: So so let me tell you the story, the real story.

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Speaker 3: Give me a light, right, So do I get a lighter?

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Speaker 7: So blood cop.

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Speaker 3: So I remember we was doing the show with Boujou

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Speaker 3: Bunton and Miami salute to the General. We was doing

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Speaker 3: the show and uh, and I'm downstairs and keep in

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Speaker 3: mind we bubbling but we're still not And then my

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Speaker 3: man like, yo, my man Seana said, Yo, there's these

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Speaker 3: dudes upstairs, you know, like they not gonna get off.

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Speaker 3: You know, they on by the stage because my ro

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Speaker 3: manager has to get them and say, yo, it's not

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Speaker 3: gonna get off. Man to you, you know, they're just

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Speaker 3: like they got to see you. So I go and

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Speaker 3: we ktch and the minute I see Macca Zoe, Macca

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Speaker 3: Zoe looks like my brother.

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Speaker 4: So literally, see the.

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Speaker 3: Thing about hated is tribes, right, So me and Max

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Speaker 3: just start to hug each other and it's just an

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Speaker 3: energy with kids, right. So the the idea of the

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Speaker 3: refugees and the idea of like zoppound, it was a

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Speaker 3: movement of struggle and like we're going to show like

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Speaker 3: the world that we're on top and we could do better.

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Speaker 3: So I was the first dude, no cap that put

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Speaker 3: a festival together in Miami. This is long before Ultra

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Speaker 3: and all these festivals. I'm the first one. The Carnival.

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Speaker 3: The Carnival was the name of the festival, Aliyah, you

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Speaker 3: could google it, Timberland Ussha, that's the first time. If

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Speaker 3: Ussia's watching this, you know, that's the first time people

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Speaker 3: thought Usher was Haitian. That's where the rooting started. It

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Speaker 3: started on my festival because I had Usher say and

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Speaker 3: every time we see each other, he'd be like, yo,

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Speaker 3: you know it's because you had me say endless, I

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Speaker 3: keep going and going going. So and I remember being

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Speaker 3: in the audience with Macca Zoe when we both looking

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Speaker 3: at each other and he was a like, yo, man,

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Speaker 3: this is the vision. Man, Like we're gonna take this

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Speaker 3: music thing to the next level. So he's a big

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Speaker 3: inspiration because it was like brother talking to brother. So

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Speaker 3: we like, in the middle of this festival, we're talking.

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Speaker 3: So I'm gonna show you how deep it is. So

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Speaker 3: when you watch a video I have, which is called

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Speaker 3: MVP Kompa. MVP Kompa, you smoke about the Crayoll music

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Speaker 3: that I do too. So when the intro that video, now,

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Speaker 3: if y'all go back and watch it, the minute the

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Speaker 3: song start, that's me and Macaso in the very intro

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Speaker 3: andnoc in Crayle. So again, we was celebrating the idea

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Speaker 3: of life, the idea of music, red eyes, all these guys.

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Speaker 3: It was an idea of positivity. This is the start

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Speaker 3: of everything, this is what it was gonna be. So

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Speaker 3: the embracement was like this because we all was repping

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Speaker 3: the flag, and it was sort of like it's like

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Speaker 3: one set meeting another set, but part of the same service,

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Speaker 3: you know what I'm saying.

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Speaker 4: Yeah, a big same flag because up on the one.

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Speaker 5: Yeah.

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Speaker 3: So free makers you mean, I mean freemacher.

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Speaker 2: Yeah.

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Speaker 4: Ask you this, what did you learn when you ran

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Speaker 4: for president?

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Speaker 5: Like, because you this is real, you this top office

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Speaker 5: old there.

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Speaker 2: What did you What were some of the lessons that

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Speaker 2: you learned or some of the things that you didn't

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Speaker 2: know about government that you came in.

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Speaker 3: Well, I remember calling like my closest friends and I

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Speaker 3: was like, Yo, I'm going to run to be president

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Speaker 3: and Haiti and all I heard was crazy click right, Okay, Nigga,

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Speaker 3: I'll be at the funeral. Click right, Big gotta be

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Speaker 3: at the funeral.

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Speaker 4: Click right.

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Speaker 7: I gave myself you know your dad smoke Snoop Dogg

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Speaker 7: White Live.

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Speaker 2: This is a good ship.

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Speaker 7: I feel good.

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Speaker 5: I feel.

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Speaker 8: Yeah.

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Speaker 3: So here we go on the real talk.

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Speaker 4: Right.

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Speaker 3: So when I when I ran for president hit a

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Speaker 3: real talk.

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Speaker 4: Right.

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Speaker 3: So we seen Kanye Rund Jordan Trump, I go way

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Speaker 3: back like saying, like with Trump, I'm just showing you,

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Speaker 3: Like I remember one of my early shows that I did,

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Speaker 3: like for Donald Trump just before he was president, and

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Speaker 3: I have like a picture. I'm just showing you. This

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Speaker 3: is like at a time when I was running, right,

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Speaker 3: So if I was under your princess, I'm just giving

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Speaker 3: you a different things. The idea of a celebrity saying

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Speaker 3: like yo, for office of a country.

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Speaker 4: They're like, yo, what you want? What you want?

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Speaker 3: Right, So there was like yo cleft Stoe money from

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Speaker 3: his country.

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Speaker 4: Right, So they.

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Speaker 3: Start this smear campaign. Smearing camp's how they try to

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Speaker 3: get you.

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Speaker 4: Right.

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Speaker 3: What made me run and what made me think I

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Speaker 3: could be president is the most important thing, right, So

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Speaker 3: let's get into it. There's what you see on camera

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Speaker 3: and there's what you see behind the camera. I'm seeing

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Speaker 3: so before I ran in two thousand and five, when

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Speaker 3: George Bush gave the order for a colon power or

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Speaker 3: ip to the general had to go to Haiti and

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Speaker 3: literally kidnapped the president at the time, Aristive and take

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Speaker 3: them out the country. Right, it's two thousand and five.

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Speaker 3: I remember watching I was in Palas, I remember, and

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Speaker 3: this was like past those dates. And I remember I'm

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Speaker 3: watching TV and the kid comes on the TV in

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Speaker 3: Parish and he says, the only person that could make

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Speaker 3: us put our guns now is why Cleft Young? Now

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Speaker 3: why he say that? Because even as a Fuji, the

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Speaker 3: score the Grammys to put up my flag. Even when

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Speaker 3: I'm on doing music for Sony, I'm still doing music

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Speaker 3: and crayon and I'm sending it back to Haiti the

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Speaker 3: same way Biggie would do music. And Brooklyn feels like

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Speaker 3: he you know that Biggie is a Bible.

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Speaker 8: So I would do.

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Speaker 3: Music like that on over. So there was always that

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Speaker 3: connection with them. So and that kid, his name is

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Speaker 3: Haitian Tupac. Now let me show you how the gangs

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Speaker 3: was working in Haiti.

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Speaker 4: Yeah, yeah, hear me.

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Speaker 3: And then I need everybody after this to go watch

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Speaker 3: the Ghost of Set the Sole and get deeper. All

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Speaker 3: of the kids that was in the seat the Sole

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Speaker 3: at the time was inspired by hip hop, so they

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Speaker 3: gave themselves hip hop names. So go watch the doc.

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Speaker 3: You're gonna see fifty cent like he calls himself fifty

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Speaker 3: he's a Haitian and it goes on and on. So

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Speaker 3: we got a chance to do a doc. You'll see

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Speaker 3: it on these kids. So I want you to get

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Speaker 3: deep into the gang culture down there, just to understand

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Speaker 3: where it comes from. So just to say that touched

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Speaker 3: me when he said that, and I said, Yo, I'm

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Speaker 3: done with music, Like, what other record can I possibly break?

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Speaker 3: My people need me? Slum Dog Millionaire. I came from

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Speaker 3: that village and I'm gonna go back and put my

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Speaker 3: entire heart into that.

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Speaker 4: Now.

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Speaker 3: What didn't y'all see behind the cameras, me and Haiti

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Speaker 3: with all the gangs at the time, saying look, I'm

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Speaker 3: gonna put this. If y'all see any of these trucks

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Speaker 3: coming and they have a yearly Haiti sticker, don't rob them, right,

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Speaker 3: They here to work for us, They here to work

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Speaker 3: for you, right. I was inside of these communities with

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Speaker 3: like women giving money out and having them start small businesses.

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Speaker 3: I was the one that was getting on the plane

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Speaker 3: going from Haiti to Washington, d C. To negotiate what

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Speaker 3: the gangs wanted with the UN. At the time, this

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Speaker 3: is all me. This is before I ran for president.

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Speaker 3: I was the one that went to Congress and was like, yo,

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Speaker 3: dog like at the end of the day, I need

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Speaker 3: you to pass this bill so that the textile can

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Speaker 3: be on point and we could bring more job creations.

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Speaker 4: This is me.

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Speaker 3: This is not on camera.

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Speaker 4: This is what's.

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Speaker 3: Happening in real time. So when I ran, I knew

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Speaker 3: I could do it because I felt like I was

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Speaker 3: I was the face of the country.

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Speaker 2: I got one of my ogi gets here. He been

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Speaker 2: all the way back to the Steve Harvest studio.

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Speaker 5: He got a hand.

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Speaker 4: All the studio ship upstairs.

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Speaker 5: But we just yeah that first time. I was like, okay,

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Speaker 5: But if you can feel the energy, you can feel

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Speaker 5: something that's going up, you can feel it that it

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Speaker 5: was some people that was passionate about it. Look from

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Speaker 5: the office to a whole goddamn, god damn fucking production

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Speaker 5: spy around the whole studio.

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Speaker 2: New Netflix, specially.

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Speaker 8: On the way.

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Speaker 4: Right now.

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Speaker 2: You watch right now, it's going on on the ship. Uh,

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Speaker 2: it's gonna they watching it right after the interview.

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Speaker 5: They might have watched it before because they're out birds

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Speaker 5: flying high. You know how I feel, breeze drifting on.

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Speaker 4: By how you know how I feel. It's a new dom.

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Speaker 5: It's a new day, Negro spirit, new life for me.

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Speaker 8: You know.

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Speaker 2: I call them motherfucker done robins in this new days

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Speaker 2: to the day. And yeah, a lot of them. It's

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Speaker 2: a lot of talent that's just gonna be some great

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Speaker 2: low talent because they too lazy to leave that motherfucker

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Speaker 2: and build the profile up and go be seen in

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Speaker 2: the in the room.

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Speaker 4: Man.

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Speaker 2: Yeah, a lot of motherfuckers hold theirself back with this.

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Speaker 8: You gotta go be uncomfortable. Yep, you be getting comfortable

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Speaker 8: at the spots you go to, because you know this

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Speaker 8: one thing. The more uncomfortable you can get, the more

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Speaker 8: everywhere is fucking comfortable. You know what I'm saying.

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Speaker 5: I mean, what niggas need to do is shut the

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Speaker 5: fuck up and write some jokes for the first I

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Speaker 5: don't know what else. I don't know what else to say.

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Speaker 5: Niggas need to shut the fuck up and write some jokes.

250
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Speaker 5: Niggas need to shut the fuck up and get in

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Speaker 5: the streets. Niggas need to stop talking about what the

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Speaker 5: fuck they're gonna do and go do it. And niggas

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Speaker 5: need to stop talking about what everybody else's motherfucking doing

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Speaker 5: and go and do it, and go and go do it.

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Speaker 5: Niggas need to stop making motherfucker's excuse us. And I

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Speaker 5: ain't talking about anybody in particular, but it could be

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Speaker 5: somebody in particular, But motherfuckers, who isody in particular? Ain't

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Speaker 5: so many in particular? No, No, I don't know who

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Speaker 5: the in particular is particular, Nicholas particular particular, it's particular,

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Speaker 5: it's particular, is out here they everywhere? Son, It ain't

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Speaker 5: one nigga, it's a whole bunch of niggas that particular.

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Speaker 4: Niggas They just talk and talk about.

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Speaker 5: What another nigga doing and don't want to do it theyself, like.

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Speaker 2: Motherfucker, because we only got to see the fucking cut

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Speaker 2: in what happened.

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Speaker 4: You're talking about factory.

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Speaker 5: I'm talking about particulars, man, I was talking about that

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Speaker 5: particular all these out here, and what you think about.

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Speaker 8: You talking about okay particular, just all.

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Speaker 5: Around and using these particulars, they talk about everybody else

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Speaker 5: that used to be a particular because you grow from it.

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Speaker 5: They talk about everybody else. And these particulars usually go

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Speaker 5: for the most successful motherfuckers. They usually go for the

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Speaker 5: motherfuckers that's doing it. They usually go for motherfuckers that

275
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Speaker 5: broke down walls for everybody, They're usually going to do motherfuckers.

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Speaker 5: They don't fuck with motherfuckers.

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Speaker 4: That's like Lord.

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Speaker 5: They go for the big dogs, and they make excuses

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Speaker 5: for those people. They make excuses or he got this

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Speaker 5: because of this, he got this because he did that.

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Speaker 5: And this is not anyone in particular, but this goes

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Speaker 5: for the industry. Motherfuckers So often when to sit back

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Speaker 5: and talk shit and don't realize the way you make

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Speaker 5: it is about having work ethics. The way you make

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Speaker 5: it is by doing what the next nigga won't do.

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Speaker 5: And I ain't talking about no sexual shit. I'm saying

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Speaker 5: going harder, you got too old. I just I gotta

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Speaker 5: say this because niggas be taking words and tipping on.

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Speaker 5: Oh he did this and that mean man, after trying

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Speaker 5: the world tell the world, ain't got this. This is

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Speaker 5: all I'm time to say. Man, for all your young

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Speaker 5: actors and comedians that's coming up right now. You don't

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Speaker 5: have to suck a nick to make it. Can I

294
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Speaker 5: say it any clearer than that? That's how you can

295
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Speaker 5: make it. Okay. No, you ain't gotta kiss no ass.

296
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Speaker 5: You ain't gotta kiss no ass. You ain't got to

297
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Speaker 5: take it in the ass to make it. What you

298
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Speaker 5: gotta do is go hard, has some work ethics, and

299
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Speaker 5: be motherfucking good at what the fuck you do. That's

300
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Speaker 5: what you gotta do. I mean, you're trying to be

301
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Speaker 5: all calm, man, I'm sick of these particular ass niggas

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Speaker 5: the fuck out my face.

303
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Speaker 9: Man.

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Speaker 5: Jay C said it winning Live and then Live but

305
00:16:23,640 --> 00:16:32,520
Speaker 5: number joke. Oh No, I'm just saying I'm thinking of it.

306
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Speaker 5: A nigga worked too hard, man, So know what you're

307
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Speaker 5: talking about? Say it is not one, isn't it. It's

308
00:16:40,000 --> 00:16:44,080
Speaker 5: these motherfuckers everywhere, brother, you seeing them. You see them

309
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Speaker 5: in the games and they fucked up and you've seen them.

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Speaker 5: It's these motherfuckers. It's these motherfuckers right here, always making excuses.

311
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Speaker 5: They don't want to fucking put the work in, put

312
00:16:56,640 --> 00:17:01,440
Speaker 5: the fucking work in nigga niggas, stop making excuses and

313
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Speaker 5: blaming other shit. If you look at most motherfuckers in

314
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Speaker 5: this business that are really good, you could probably callos.

315
00:17:09,640 --> 00:17:11,880
Speaker 5: You could probably say, well, he didn't make it because

316
00:17:11,920 --> 00:17:14,000
Speaker 5: of this, or didn't happen because of this. You of

317
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Speaker 5: a lighte's choice. A lot of times as drugs right,

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Speaker 5: A lot of times niggas get caught up.

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Speaker 4: In the bitches. You know what I'm saying.

320
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Speaker 5: You could, you could break it down, but you tell

321
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Speaker 5: a motherfucker just focus, Like I get sick of motherfucker's talking.

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Speaker 5: They do this to Kevin, and I ain't even here

323
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Speaker 5: to defend nobody do this. They do this to Kevin.

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Speaker 5: They do this, Uh todave they want to fuck with

325
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Speaker 5: these What these motherfucker you understand is everybody's path is different.

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Speaker 5: I can't let nobody say when they say Kevin Hart

327
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Speaker 5: is a plant and everything. To me, that's bullshit. And

328
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Speaker 5: the reason why I know is bullshit. When I was

329
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Speaker 5: doing them nigga rooms, Peppermint Lounge and all them type

330
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Speaker 5: of shit, I guess it was in them rooms Kevin.

331
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Speaker 5: Kevin didn't fucking start up doing showcases and shit. That

332
00:18:00,200 --> 00:18:03,160
Speaker 5: Nigga was in nigga rooms doing impression of monkeys.

333
00:18:02,680 --> 00:18:08,080
Speaker 4: And capa rats and ship. People know he's one of.

334
00:18:07,960 --> 00:18:08,760
Speaker 5: His best jokes.

335
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Speaker 4: He used to do this monkey.

336
00:18:09,760 --> 00:18:14,720
Speaker 5: He looked little, so he sold it. I don't know

337
00:18:14,760 --> 00:18:16,719
Speaker 5: he did like this or something. He sold it right,

338
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Speaker 5: I ain't send a nigga monkey.

339
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Speaker 4: He'll tell you.

340
00:18:18,800 --> 00:18:19,320
Speaker 5: He had a joke.

341
00:18:19,480 --> 00:18:21,120
Speaker 4: He used to do this thing like this thing.

342
00:18:21,400 --> 00:18:23,199
Speaker 5: He had a joke. It was a monkey currents and

343
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Speaker 5: he did his hands like this, and niggas went crazy.

344
00:18:26,560 --> 00:18:28,520
Speaker 5: They didn't know that this monkey nigga was gonna be

345
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Speaker 5: an international movie. Stuff that didn't know monkey business was

346
00:18:33,480 --> 00:18:35,760
Speaker 5: gonna turn in that ship saying that they would like this.

347
00:18:35,840 --> 00:18:37,399
Speaker 5: He used to do the joke like this. He used

348
00:18:37,400 --> 00:18:39,920
Speaker 5: to do like this and then he would run. I

349
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Speaker 5: don't even I don't know if he said but he

350
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Speaker 5: I don't know if he said.

351
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Speaker 6: Nigga was his joke.

352
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Speaker 5: Niggap at me like, I'm like, what to.

353
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Speaker 4: Be a monkey?

354
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Speaker 8: Yo?

355
00:18:51,760 --> 00:18:54,199
Speaker 5: He came up being that monkey nigga. They didn't know

356
00:18:54,240 --> 00:18:57,760
Speaker 5: him me to he started being a monkey. Ask anybody,

357
00:18:58,280 --> 00:19:02,320
Speaker 5: Ask anybody, anybody kept on her first joke he was

358
00:19:02,359 --> 00:19:04,960
Speaker 5: a monkey. I've got saying this as race. He was

359
00:19:05,000 --> 00:19:09,320
Speaker 5: like this, you would do like this, yo. He would

360
00:19:09,359 --> 00:19:11,720
Speaker 5: do that, y'all think, Yo, he would do like this.

361
00:19:11,720 --> 00:19:16,480
Speaker 5: This is what he did, nigga. Nigga, I'm talking like

362
00:19:16,720 --> 00:19:17,320
Speaker 5: you do like this.

363
00:19:17,840 --> 00:19:18,520
Speaker 4: He was just talking.

364
00:19:18,520 --> 00:19:20,320
Speaker 5: He dow like this. You get like this, and then

365
00:19:20,359 --> 00:19:23,200
Speaker 5: he throw his hands up like monkey hands. And then

366
00:19:23,240 --> 00:19:25,360
Speaker 5: he'll do that again and then he go back over

367
00:19:25,400 --> 00:19:28,080
Speaker 5: to the corner like this. That's what he did, and

368
00:19:28,160 --> 00:19:31,960
Speaker 5: the nigga blew up, can Yo.

369
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Speaker 4: He did that.

370
00:19:33,320 --> 00:19:35,280
Speaker 2: He would never do that joke ever again.

371
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Speaker 5: And if you see this ship right now, if he

372
00:19:38,000 --> 00:19:39,800
Speaker 5: with his friends, guess what they gonna do.

373
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Speaker 2: They're gonna be like, yeah, I.

374
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Speaker 5: Very tee you them niggas like when they get mad

375
00:19:46,840 --> 00:19:49,080
Speaker 5: at him on the jets, when they get on the

376
00:19:49,119 --> 00:19:51,240
Speaker 5: jets and they get mad at jealousy like this. Yeah,

377
00:19:51,280 --> 00:19:52,720
Speaker 5: we remember he used to do monkey jokes.

378
00:19:52,760 --> 00:19:53,040
Speaker 8: Nigga.

379
00:19:54,119 --> 00:19:56,480
Speaker 2: You don't remember the monkey joke, but I do remember the.

380
00:19:57,440 --> 00:20:00,640
Speaker 5: Here's a point. The point I'm making, Hi, they try

381
00:20:00,640 --> 00:20:03,920
Speaker 5: to discredit a nigga hustle. The motherfucker had enough sense.

382
00:20:04,000 --> 00:20:04,640
Speaker 4: He used to do this.

383
00:20:04,840 --> 00:20:08,200
Speaker 5: The nigga used to commute from Philly to dintle.

384
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Speaker 4: Just this story up.

385
00:20:09,080 --> 00:20:11,720
Speaker 5: They don't tell people. He used to do the go

386
00:20:11,800 --> 00:20:16,119
Speaker 5: hard rooms, then he go do the mainstream rooms. He

387
00:20:16,160 --> 00:20:19,200
Speaker 5: would mix it up. He used to come. I remember

388
00:20:19,400 --> 00:20:23,639
Speaker 5: handing Kevin Hunt seventy five dollars for a spot. And

389
00:20:23,680 --> 00:20:25,720
Speaker 5: he didn't really do that well in the room, you

390
00:20:25,720 --> 00:20:27,920
Speaker 5: know what I'm saying, because his comedy wasn't edgy like that.

391
00:20:27,960 --> 00:20:29,520
Speaker 5: He didn't do that well in the room. But it

392
00:20:29,600 --> 00:20:31,679
Speaker 5: was just like a brotherhood that we all had, the

393
00:20:31,760 --> 00:20:34,240
Speaker 5: comedians from the DC area, Philly and all that. We

394
00:20:34,880 --> 00:20:36,680
Speaker 5: all of us had rooms. We used to swap rooms,

395
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Speaker 5: you know how it is. You go do a run,

396
00:20:38,920 --> 00:20:40,840
Speaker 5: and I saw this is what I'm saying. I saw

397
00:20:40,880 --> 00:20:46,000
Speaker 5: his hustle, not just hustle for the streets, not just

398
00:20:46,119 --> 00:20:49,280
Speaker 5: hustle for the streets, not just like I'm in these streets.

399
00:20:49,359 --> 00:20:50,880
Speaker 5: He was in the streets, but at the same time

400
00:20:51,160 --> 00:20:52,760
Speaker 5: he was like, I'm gonna cross that street and I'm

401
00:20:52,760 --> 00:20:54,960
Speaker 5: gonna go talk to them motherfuckers too. And that's what

402
00:20:55,000 --> 00:20:56,520
Speaker 5: people understand. They can say what they want.

403
00:20:56,680 --> 00:20:57,280
Speaker 3: This business.

404
00:20:57,359 --> 00:21:00,320
Speaker 5: Dude is a gatekeepers in this business. You motherfucker right?

405
00:21:01,400 --> 00:21:04,119
Speaker 5: Is it people that block motherfuckers your motherfucker right, either

406
00:21:04,560 --> 00:21:06,720
Speaker 5: you learn how to navigate your way around it, or

407
00:21:06,760 --> 00:21:09,840
Speaker 5: you do your own shit. You ain't gotta I'm not

408
00:21:09,880 --> 00:21:11,720
Speaker 5: saying you gotta do what they do, but if you

409
00:21:11,800 --> 00:21:17,240
Speaker 5: don't want to work within what this system is, then

410
00:21:17,359 --> 00:21:18,439
Speaker 5: go do it yourself.

411
00:21:18,640 --> 00:21:18,840
Speaker 4: Right.

412
00:21:19,440 --> 00:21:23,840
Speaker 5: These niggas keep talking about Hollywood. Fuck Hollywood, Move nigga,

413
00:21:25,080 --> 00:21:28,879
Speaker 5: go to the country. If you got a problem with Hollywood,

414
00:21:29,160 --> 00:21:31,280
Speaker 5: get the fuck out of Hollywood. Why you want to

415
00:21:31,320 --> 00:21:33,920
Speaker 5: stay in a a an assessed.

416
00:21:33,520 --> 00:21:34,400
Speaker 4: Of shit like that?

417
00:21:34,960 --> 00:21:37,560
Speaker 5: And especially today we are now you can do your

418
00:21:37,600 --> 00:21:42,160
Speaker 5: own shit. This show is an example of saying, fuck Hollywood,

419
00:21:42,200 --> 00:21:43,840
Speaker 5: We're gonna do it our own way. And when you

420
00:21:43,920 --> 00:21:47,160
Speaker 5: do that, and when you do that, guess what. When

421
00:21:47,200 --> 00:21:50,639
Speaker 5: you do that, guess what Hollywood comes to you.

422
00:21:52,640 --> 00:21:52,720
Speaker 4: Ms.

423
00:21:53,000 --> 00:21:55,800
Speaker 8: Eric Banks is in the trap with us today.

424
00:21:56,760 --> 00:21:59,600
Speaker 2: First of all, how you doing you doing? You're looking

425
00:21:59,680 --> 00:22:01,959
Speaker 2: like you're having fun with it.

426
00:22:02,280 --> 00:22:03,240
Speaker 4: I am nigga.

427
00:22:03,280 --> 00:22:04,160
Speaker 8: Can never do enough?

428
00:22:04,320 --> 00:22:09,040
Speaker 4: Oh please, never do enough? Police niggas don't do enough?

429
00:22:09,520 --> 00:22:09,960
Speaker 2: Why not?

430
00:22:10,400 --> 00:22:16,359
Speaker 4: What's enough? What is enough? Niggas just don't do enough.

431
00:22:19,040 --> 00:22:21,560
Speaker 9: I feel like everybody here is their own definition of enough.

432
00:22:22,320 --> 00:22:23,159
Speaker 8: Yeah, we'll take.

433
00:22:24,520 --> 00:22:25,760
Speaker 4: My definition of enough.

434
00:22:27,440 --> 00:22:30,920
Speaker 9: Where I'm not complaining a scene where or a situation

435
00:22:30,960 --> 00:22:31,520
Speaker 9: where I'm.

436
00:22:31,680 --> 00:22:33,640
Speaker 2: A scenario a woman's not complaining.

437
00:22:33,840 --> 00:22:36,520
Speaker 9: What it's situations where women do not have to complain

438
00:22:36,560 --> 00:22:40,160
Speaker 9: about nothing and they're satisfied and their men is enough

439
00:22:40,400 --> 00:22:44,280
Speaker 9: because they're like, Okay, I'm satisfied. I'm never like spansing out.

440
00:22:44,400 --> 00:22:46,720
Speaker 4: He is enough. I don't have to like look any further.

441
00:22:47,440 --> 00:22:49,680
Speaker 2: So when you get up and go home to his wife.

442
00:22:49,560 --> 00:22:53,000
Speaker 4: What the well that mean he be doing?

443
00:22:53,160 --> 00:22:55,439
Speaker 2: Why the fuck don't we ever meet these men that

444
00:22:55,720 --> 00:23:00,000
Speaker 2: be talking about? We know all the niggas. They are

445
00:23:00,160 --> 00:23:04,320
Speaker 2: underground networks, and we never come in contact with these niggas.

446
00:23:04,359 --> 00:23:04,840
Speaker 4: Y'all talking?

447
00:23:04,880 --> 00:23:05,320
Speaker 5: What you mean.

448
00:23:08,320 --> 00:23:11,120
Speaker 8: You've had one obviously, right or you still got one?

449
00:23:11,400 --> 00:23:12,720
Speaker 4: No, I've had relationships.

450
00:23:13,040 --> 00:23:16,080
Speaker 10: I'm saying, like with a guy like that that you

451
00:23:16,119 --> 00:23:17,119
Speaker 10: didn't have to complain with.

452
00:23:19,760 --> 00:23:20,919
Speaker 4: Yeah, but it was temporary.

453
00:23:21,040 --> 00:23:24,040
Speaker 5: Where is this nig great minute?

454
00:23:24,359 --> 00:23:25,000
Speaker 4: Where is he?

455
00:23:25,600 --> 00:23:27,000
Speaker 5: Because that's what you've been looking for.

456
00:23:27,040 --> 00:23:28,520
Speaker 4: You think there's a lot of upstanding.

457
00:23:31,520 --> 00:23:32,920
Speaker 2: You ain't about to find two of them.

458
00:23:33,000 --> 00:23:34,760
Speaker 5: You found the one you were talking about.

459
00:23:34,920 --> 00:23:36,760
Speaker 4: I never found you. If I found him, i'd be

460
00:23:36,760 --> 00:23:37,480
Speaker 4: we see.

461
00:23:37,320 --> 00:23:39,399
Speaker 2: This is exactly what I'm talking about. These women go

462
00:23:39,440 --> 00:23:41,639
Speaker 2: out here and find the exact nigga that they want

463
00:23:41,680 --> 00:23:44,200
Speaker 2: and don't want him. So why we just pressure on

464
00:23:44,520 --> 00:23:46,080
Speaker 2: yourself to change?

465
00:23:49,840 --> 00:23:50,760
Speaker 8: Don't you be out here?

466
00:23:51,080 --> 00:23:52,479
Speaker 2: You can't be this nigga.

467
00:23:53,280 --> 00:23:54,520
Speaker 4: She don't want him.

468
00:23:54,600 --> 00:23:55,760
Speaker 2: The niggas she wants.

469
00:23:55,760 --> 00:23:58,880
Speaker 4: She don't. You said it with Temple were I mean,

470
00:23:59,240 --> 00:24:03,160
Speaker 4: you know everything, don't you know? You started complaining and left?

471
00:24:03,240 --> 00:24:04,800
Speaker 2: He said, you know what, I'm too good of a

472
00:24:04,880 --> 00:24:10,040
Speaker 2: man for this ship. I'm out here doing everything I'm doing.

473
00:24:08,880 --> 00:24:12,800
Speaker 5: All treat me like ship.

474
00:24:13,440 --> 00:24:14,879
Speaker 2: You're still texting that nigga.

475
00:24:15,160 --> 00:24:17,080
Speaker 4: You still fall this mother Instagram.

476
00:24:20,040 --> 00:24:22,720
Speaker 9: It's funny because I had a I had an X

477
00:24:22,840 --> 00:24:23,640
Speaker 9: like they knew it.

478
00:24:23,640 --> 00:24:26,320
Speaker 4: It was insane. If they just did it was just

479
00:24:26,400 --> 00:24:27,000
Speaker 4: like intense.

480
00:24:27,080 --> 00:24:35,239
Speaker 2: Yeah flash back, Oh my god, that ship is painful, bro.

481
00:24:36,440 --> 00:24:40,520
Speaker 2: But you see the fact even they know three niggas,

482
00:24:40,560 --> 00:24:43,200
Speaker 2: who the nigga they like, that's the nigga they want

483
00:24:43,640 --> 00:24:45,119
Speaker 2: and they don't want me.

484
00:24:45,280 --> 00:24:46,480
Speaker 4: Really think that's insane.

485
00:24:46,760 --> 00:24:49,080
Speaker 2: You just sat there and said you wanted a situation

486
00:24:49,119 --> 00:24:50,320
Speaker 2: where you wasn't complaining.

487
00:24:50,359 --> 00:24:53,480
Speaker 4: He said, have you ever had that? You said, sure, temporarily.

488
00:24:54,119 --> 00:24:56,480
Speaker 2: So then once you didn't say the rest, they let

489
00:24:56,520 --> 00:24:56,920
Speaker 2: me know.

490
00:24:56,840 --> 00:25:00,560
Speaker 10: That you funked it up because I would like if

491
00:25:00,560 --> 00:25:03,000
Speaker 10: you were in a situation where you're not complaining that's

492
00:25:03,119 --> 00:25:05,920
Speaker 10: you want some ship like that for life, you're supposed

493
00:25:05,920 --> 00:25:07,919
Speaker 10: to shut the fuck up and just enjoy that.

494
00:25:08,080 --> 00:25:10,120
Speaker 4: I mean, you know, life happens, you know.

495
00:25:10,920 --> 00:25:13,400
Speaker 2: I don't know how many times you think you're gonna

496
00:25:13,400 --> 00:25:16,440
Speaker 2: find this, these these people who gonna fit these standards

497
00:25:16,440 --> 00:25:19,840
Speaker 2: in quality, I know the type.

498
00:25:19,840 --> 00:25:23,720
Speaker 4: I hope you got. What times in my entire lifetime.

499
00:25:24,320 --> 00:25:27,560
Speaker 2: That's like you was born in the late nineties, and

500
00:25:27,680 --> 00:25:29,000
Speaker 2: you might get one or two more.

501
00:25:29,080 --> 00:25:33,199
Speaker 4: Jenson, I feel like I got faith in it.

502
00:25:34,400 --> 00:25:36,439
Speaker 2: He gonna see this ship, he watching it.

503
00:25:36,600 --> 00:25:38,800
Speaker 9: He probably, I mean, I don't know, he might, he

504
00:25:38,960 --> 00:25:41,119
Speaker 9: might not, depends on what's happening to gis.

505
00:25:41,480 --> 00:25:42,119
Speaker 4: You know what I'm saying.

506
00:25:42,160 --> 00:25:44,800
Speaker 2: How you feel about relationships in the industry though, like

507
00:25:45,320 --> 00:25:48,879
Speaker 2: you being a star by yourself, you feel like a

508
00:25:48,920 --> 00:25:52,159
Speaker 2: relationship would be too demanding where you, you know, to

509
00:25:52,160 --> 00:25:53,159
Speaker 2: get to where you're trying to go.

510
00:25:53,760 --> 00:25:58,520
Speaker 9: Absolutely right now, absolutely, of course, I mean it sounds great.

511
00:25:58,560 --> 00:25:59,520
Speaker 4: The thought is beautiful.

512
00:26:00,040 --> 00:26:01,960
Speaker 9: You know, at a letter time, I'm definitely interested in

513
00:26:02,000 --> 00:26:05,199
Speaker 9: doing that. But at the time, like right now, probably not.

514
00:26:05,520 --> 00:26:10,679
Speaker 9: Yeah yeah, But I'm always, you know, an open book, you.

515
00:26:10,800 --> 00:26:13,160
Speaker 2: Like, open to finding somebody and just saying fuck it.

516
00:26:13,960 --> 00:26:16,040
Speaker 9: I'm not saying fucking. I'm saying like, I'm open to,

517
00:26:16,280 --> 00:26:17,919
Speaker 9: you know, dating, like I'm dating.

518
00:26:18,640 --> 00:26:21,480
Speaker 4: You know, I feel like it's cool today. Date is fun.

519
00:26:21,600 --> 00:26:22,360
Speaker 2: What's a good date?

520
00:26:22,480 --> 00:26:25,400
Speaker 10: I was just about a.

521
00:26:26,240 --> 00:26:27,879
Speaker 4: Yeah, yeah, cause you pick her up.

522
00:26:28,160 --> 00:26:30,840
Speaker 2: She show up with her goddamn chained with her whole name.

523
00:26:31,560 --> 00:26:33,720
Speaker 2: I used to fuck out, what what.

524
00:26:33,760 --> 00:26:34,520
Speaker 4: Do you even take her?

525
00:26:35,480 --> 00:26:38,440
Speaker 9: I mean a nice restaurant. Of course, I can pick

526
00:26:38,440 --> 00:26:40,120
Speaker 9: the restaurant. He don't even have to pick the restaurant.

527
00:26:40,200 --> 00:26:41,320
Speaker 4: That's good. But I know what I like.

528
00:26:43,160 --> 00:26:44,199
Speaker 8: Nas I got the.

529
00:26:44,240 --> 00:26:47,040
Speaker 9: Date already playing no, but I would appreciate that. But

530
00:26:47,880 --> 00:26:50,639
Speaker 9: I mean, you don't have to, but it's appreciated, you know.

531
00:26:50,720 --> 00:26:52,320
Speaker 4: But I picked the place. If he don't know this,

532
00:26:53,560 --> 00:26:55,879
Speaker 4: you know, And then you know, I'm really simple.

533
00:26:55,920 --> 00:26:58,560
Speaker 9: I just wanna eat, I wanna have drinks, and I

534
00:26:58,640 --> 00:27:00,640
Speaker 9: just wanted to have a good time by the time

535
00:27:00,640 --> 00:27:01,160
Speaker 9: we eating.

536
00:27:01,160 --> 00:27:02,800
Speaker 4: Because I don't order so much, I'm gonna be full

537
00:27:02,800 --> 00:27:04,760
Speaker 4: of lay down eat.

538
00:27:07,440 --> 00:27:11,000
Speaker 2: You heard what she said, you gonna lay down. She's

539
00:27:11,000 --> 00:27:11,919
Speaker 2: gonna be ready.

540
00:27:11,640 --> 00:27:15,840
Speaker 5: To eat and lay down. God damn it, she's gonna

541
00:27:15,880 --> 00:27:18,479
Speaker 5: be ready to eat and lay down.

542
00:27:20,440 --> 00:27:25,200
Speaker 2: Hey man, hey, they do sound fun when you put

543
00:27:25,240 --> 00:27:27,400
Speaker 2: it like that, you know, because it ain't.

544
00:27:27,800 --> 00:27:28,480
Speaker 4: They got way.

545
00:27:28,800 --> 00:27:31,760
Speaker 2: You can't even order enough ship that ain't then I'm

546
00:27:31,800 --> 00:27:34,080
Speaker 2: gonna be like, that's too much ship, Go ahead, get something.

547
00:27:35,000 --> 00:27:35,800
Speaker 4: That's the problem.

548
00:27:35,840 --> 00:27:38,160
Speaker 2: Niggas is taking these women places and they ain't getting

549
00:27:38,160 --> 00:27:39,400
Speaker 2: them full enough to lay down.

550
00:27:39,720 --> 00:27:41,120
Speaker 4: But I would hate.

551
00:27:42,480 --> 00:27:49,280
Speaker 2: I take them somewhere and get them to lay down

552
00:27:50,200 --> 00:27:51,399
Speaker 2: the place, and.

553
00:27:51,480 --> 00:27:53,480
Speaker 3: Then there take the ship home and.

554
00:27:53,400 --> 00:27:54,040
Speaker 8: Put it in the house.

555
00:27:54,680 --> 00:27:57,119
Speaker 2: That's why women don't never eat all their food.

556
00:27:57,320 --> 00:27:58,440
Speaker 8: You giving up the game.

557
00:27:59,480 --> 00:28:00,640
Speaker 4: I just about something.

558
00:28:00,680 --> 00:28:02,600
Speaker 2: That's why a lot of these women go places and

559
00:28:02,640 --> 00:28:04,679
Speaker 2: they be trying to get that ship to go cause.

560
00:28:04,520 --> 00:28:05,920
Speaker 8: They don't want to lay out, cause they don't be

561
00:28:06,000 --> 00:28:06,800
Speaker 8: ready to lay down.

562
00:28:08,560 --> 00:28:10,960
Speaker 2: So Phelis, you can just start gauging about how much

563
00:28:11,000 --> 00:28:14,560
Speaker 2: food she eat beeed up first, see if she get full.

564
00:28:15,880 --> 00:28:17,640
Speaker 2: Fuck the rest of that day, she's gonna be ready

565
00:28:17,640 --> 00:28:18,160
Speaker 2: to lay down.

566
00:28:19,560 --> 00:28:22,879
Speaker 10: So what's a good restaurant to take the whey they

567
00:28:22,960 --> 00:28:25,480
Speaker 10: gonna want to lay down, they gonna get food or

568
00:28:25,480 --> 00:28:27,679
Speaker 10: they gonna eat the food they can get fulled.

569
00:28:29,320 --> 00:28:31,280
Speaker 8: I've just been papados.

570
00:28:30,840 --> 00:28:33,800
Speaker 4: And what Dan Tanner and all that ship.

571
00:28:34,359 --> 00:28:36,080
Speaker 2: They don't get for you. They don't want to lay down.

572
00:28:36,119 --> 00:28:37,879
Speaker 2: They leave up Dan Tanner's to have a ready to

573
00:28:37,920 --> 00:28:38,280
Speaker 2: lay down.

574
00:28:39,080 --> 00:28:41,720
Speaker 1: Once again, thank you for tuning into the BLACKPEC Podcast Network.

575
00:28:41,800 --> 00:28:43,800
Speaker 1: See you in twenty twenty five for more great moments

576
00:28:43,840 --> 00:28:44,840
Speaker 1: from your favorite podcast