WEBVTT - Graham Norton

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<v Speaker 1>There's been a dog snoring throughout most of this. Has

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<v Speaker 1>Douglas been snoring? Yes, I remember you did our podcast

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<v Speaker 1>and you were talking about your mom and it was

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<v Speaker 1>really moving and lovely, and then you could just hear

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<v Speaker 1>this just crying. He was so and I don't think

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<v Speaker 1>it was empathy. I don't think he was going, oh,

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<v Speaker 1>miss driver, miss driver, speaking so movingly. I think he's

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<v Speaker 1>just thinking, I'm bored, I want to ut this room. Boy,

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<v Speaker 1>let me out. What's happening? Remember your word, brother, it's

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<v Speaker 1>so funny. I like dog interruptions very much. It seemed

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<v Speaker 1>quite disrespectful. I think that's entirely in keeping with like dogs. Hello,

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<v Speaker 1>I'm Mini Driver. Welcome to Many Questions Season two. I've

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<v Speaker 1>always loved Pruce's Questionnaire. It was originally a nineteenth century

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<v Speaker 1>parlor game where players would ask each other thirty five

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<v Speaker 1>questions aimed at revealing the other players true nature. It's

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<v Speaker 1>just the scientific method really. In asking different people the

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<v Speaker 1>same set of questions, you can make observations about which

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<v Speaker 1>truths appeared to me universal. I love this discipline, and

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<v Speaker 1>it made me wonder, what if these questions were just

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<v Speaker 1>the jumping off point. What greater depths would be revealed

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<v Speaker 1>if I ask these questions as conversation starters with thought

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<v Speaker 1>leaders and trailblazers across all these different disciplines. So I

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<v Speaker 1>adapted Pru's questionnaire and I wrote my own seven questions

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<v Speaker 1>that I personally think a pertinent to a person's story.

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<v Speaker 1>They are when and where were you happiest? What is

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<v Speaker 1>the quality you like least about yourself? What relationship, real

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<v Speaker 1>or fictionalized, defines love for you? What question would you

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<v Speaker 1>most like answered, What person, place, or experience has shaped

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<v Speaker 1>you the most? What would be your last meal? And

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<v Speaker 1>can you tell me something in your life that's grown

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<v Speaker 1>out of a personal disaster. And I've gathered a group

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<v Speaker 1>of really remarkable people, ones that I am honored and

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<v Speaker 1>humbled to have had the chance to engage with. You

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<v Speaker 1>may not hear their answers to all seven of these questions.

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<v Speaker 1>We've whittled it down to which questions felt closest to

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<v Speaker 1>their experience or the most surprising, or created the most

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<v Speaker 1>fertile ground to connect. My guest today is the polymorphous

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<v Speaker 1>wonder that is Graham Norton. Graham is perhaps best known

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<v Speaker 1>for his chat show The Graham Norton Show, for the

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<v Speaker 1>eight books he has written, for the radio shows he

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<v Speaker 1>presents in the UK, and on and on and on,

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<v Speaker 1>because the thing for me that makes him so known

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<v Speaker 1>is this extraordinary wit and spirit that just runs through

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<v Speaker 1>every single thing he does. I can't tell you how

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<v Speaker 1>many times I've been on his show over the years,

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<v Speaker 1>but it's quite a few. And I will tell you

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<v Speaker 1>that churches can really be a bit uphill, but I

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<v Speaker 1>long to go on his show because I have never

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<v Speaker 1>laughed so much in my life. After you've listened to

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<v Speaker 1>this episode of my podcast, please just google Funny race

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<v Speaker 1>Hall names the Graham Norton Show, and you will see

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<v Speaker 1>me genuinely crying with laughter at the hands of a

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<v Speaker 1>merciless Graham. It's quite hard to become a national treasure

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<v Speaker 1>in the UK, but Graham is one, and everyone knows it.

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<v Speaker 1>I always feel better for having talked to him, and

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<v Speaker 1>this interview right now proved to be no different at all.

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<v Speaker 1>Where and when were you happiest? I do know this,

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<v Speaker 1>but I always kind of think, I remember when I

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<v Speaker 1>was a kid, there was a Peanuts cartoon. I loved

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<v Speaker 1>Peanuts when I was a kid, but it's kind of

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<v Speaker 1>weirdly deep for kids. I think it's Charlie Brown and

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<v Speaker 1>Lucy maybe talking Charlie Brown, someone else talking, somebody saying,

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<v Speaker 1>you know, in every life, one day will be happier

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<v Speaker 1>than all the other days, and the other little child

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<v Speaker 1>is going yes, and then the first child goes, what

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<v Speaker 1>if you've had it? And as a child, you know,

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<v Speaker 1>that sort of blew me away because that's just seemed

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<v Speaker 1>the saddest thing in the world that if you're eleven

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<v Speaker 1>and you've had your happiest day, the rest of your

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<v Speaker 1>life is it lived out? Not as good as that.

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<v Speaker 1>So I think you've got to live your life assuming

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<v Speaker 1>your happiest days to come. I think that's very smart.

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<v Speaker 1>Oh my god, it's so existential Peanuts, isn't it. Yeah,

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<v Speaker 1>that is so deep for a little children's cartoon, And

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<v Speaker 1>it hit me to my core. That just seemed like

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<v Speaker 1>meaning of life, level of revelation. Happiest day might have happened.

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<v Speaker 1>The answer to your question is I had a wedding

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<v Speaker 1>weekend this summer in Ireland. Your wedding, my wedding is

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<v Speaker 1>my wedding. We got married already, but we had this

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<v Speaker 1>weekend and you know, there were party planners, and there

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<v Speaker 1>was this going to happen, This is going to happen.

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<v Speaker 1>People were flying in, but of course then the airports

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<v Speaker 1>were all messed up, COVID was still around. You know.

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<v Speaker 1>I picked these party planners basically out of the phone book.

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<v Speaker 1>So they're telling me, oh, yeah, we'll do this, and

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<v Speaker 1>you're thinking, I hope you do, because I have no idea. Anyway,

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<v Speaker 1>the weekend could not have gone better. We got amazing

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<v Speaker 1>whether the moment I was happiest was with my husband,

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<v Speaker 1>just as the party was drawing to the close on

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<v Speaker 1>the Sunday, where you know, we were surrounded by our friends. Still,

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<v Speaker 1>it was a beautiful night. The lights were all in

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<v Speaker 1>the trees, the music was playing, and it was just

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<v Speaker 1>I didn't need to worry about how the whole weekend

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<v Speaker 1>was going to go anymore. I didn't need to worry

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<v Speaker 1>about the catering, or the performers, or the weather or

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<v Speaker 1>people getting there. In that little probably fifteen minute, you know,

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<v Speaker 1>at the end, I could just be happy. In that

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<v Speaker 1>little tail end of all the anxiousness and the planning,

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<v Speaker 1>I felt supremely content and loved and loving and all

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<v Speaker 1>all those good things and all the anxiety and the

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<v Speaker 1>worry actually qualifies and probably has a huge amount to

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<v Speaker 1>do with how happy you felt. Yes, actually, you're absolutely right.

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<v Speaker 1>It is a correlation. All the things that could have

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<v Speaker 1>gone wrong didn't. Yeah. Yeah. I wonder if there are

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<v Speaker 1>people who when they die, I feel that they shually

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<v Speaker 1>went all the stuff is done. It's like, oh, phew,

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<v Speaker 1>you know, I'm night, and God, I don't have to

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<v Speaker 1>do another Christmas. On a different level, I see that

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<v Speaker 1>with people on my chat show all the time. What

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<v Speaker 1>do you mean at the very end they're really happy, Well,

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<v Speaker 1>they're kind of very happy, but also disappointed because they

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<v Speaker 1>were worried for the whole show. Sometimes I'll have, you know,

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<v Speaker 1>a newbe someone who's just doing their first movie or

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<v Speaker 1>their first single or whatever, and because I'm such an

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<v Speaker 1>old blag, I've been sat there for donkeys years and suddenly, really, oh,

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<v Speaker 1>you're really nervous, you know you kind of you just

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<v Speaker 1>want to hug them and kind of go, oh, really,

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<v Speaker 1>you shouldn't be nervous about this. Trust me, so many

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<v Speaker 1>words things are going to happen to you. This is

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<v Speaker 1>not one of them. This is one of the good things.

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<v Speaker 1>Trust me, nebe this highlight and I feel they were

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<v Speaker 1>worried for the whole show that was going to go wrong,

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<v Speaker 1>and they're going to say something stupid, or I was

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<v Speaker 1>going to ask them a weird question, or I was

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<v Speaker 1>going to make them look foolish, and then you see

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<v Speaker 1>them at the end kind of going, oh, I could

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<v Speaker 1>have just enjoyed that. I could have just let go

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<v Speaker 1>and enjoy that. And I wonder if people think that

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<v Speaker 1>on their deathbed, like, oh, I was such a fool. Well,

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<v Speaker 1>I worried about stains on my carpet when I could

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<v Speaker 1>have just been enjoying the coffee that I spilt on it.

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<v Speaker 1>You know, it's just that kind of approach to life

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<v Speaker 1>when someone who you've loved has died, has that thing

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<v Speaker 1>become really really present for you, of oh my god,

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<v Speaker 1>I'm really am going to let go of worrying about

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<v Speaker 1>all of that stuff because I've just seen how quickly

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<v Speaker 1>this is over. Like there's a clarifying moment. I felt

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<v Speaker 1>that when Mom died so extraordinarily like, holy shit, I

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<v Speaker 1>am never thinking about that thing again. That probably lasted

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<v Speaker 1>for a minute. Yes, I agree with you. I think

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<v Speaker 1>grief and loss gives you exactly that word, the clarity

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<v Speaker 1>it gives you perspective, it goes again. I'm a years ago,

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<v Speaker 1>in my twenty I got mugged and stabbed and kind

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<v Speaker 1>of lost over half my blood and ended up in hospital.

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<v Speaker 1>But I remember when I was in hospital, and maybe

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<v Speaker 1>it was just the drugs I was on or something,

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<v Speaker 1>I don't know, but I just remembered feeling like I

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<v Speaker 1>knew everything. I felt like in that moment, having survived that,

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<v Speaker 1>I felt like I could have you know, Palestine, Israel,

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<v Speaker 1>come sit by my bed. I will. I'll solve this

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<v Speaker 1>because I have this kind of huge wisdom. Like I said,

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<v Speaker 1>it was probably the drugs, but equally, I do think

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<v Speaker 1>there's something about extreme things like that, like grief, like

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<v Speaker 1>loss for a moment, as you say, like the window

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<v Speaker 1>shuts again. In that moment, you know everything, but you

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<v Speaker 1>remember this is so show biz. But remember when Kim

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<v Speaker 1>Catrall and Sarahisca Parker had the fuck Yeah, I remember

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<v Speaker 1>that burned into my memory. Serage Parker said something to

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<v Speaker 1>about the brother yea, about her brother and Kim, you

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<v Speaker 1>were not my friend, and everyone's like, oh, that's been harsh,

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<v Speaker 1>and I just thought, no, that's a woman in grief totally,

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<v Speaker 1>that's a woman in grief going, oh, you know what,

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<v Speaker 1>you fuck right out of this. Yes, it's the clarifier

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<v Speaker 1>you chop out the people that try to co opt

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<v Speaker 1>your brother's death for a tweet or whatever it was.

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<v Speaker 1>You respond with that clarity of emotion of like, I

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<v Speaker 1>have no time for this extraneous social contract bullshit nonsense. Yeah,

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<v Speaker 1>but I also feel like that does maybe just what

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<v Speaker 1>we said about the anxiety qualifying the happiness those moments

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<v Speaker 1>and that kind of intensity. When I remember it, I

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<v Speaker 1>feel the happiness on the other side of it. I

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<v Speaker 1>feel how it helped throw into relief what real happiness

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<v Speaker 1>looked like. That sitting on that beach in Cornwall in

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<v Speaker 1>the rain, when we all complained about the barbecue not lighting,

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<v Speaker 1>and my mom laughed because she had cring tonics in

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<v Speaker 1>funny enough, a snoopy, you know, small child's drink holder.

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<v Speaker 1>All that happiness, it's just more clearly defined by all

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<v Speaker 1>that worry or anxiety or angst around certain things. And

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<v Speaker 1>I'm I'm kind of fascinated by that. But that is

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<v Speaker 1>part of I suppose the fundamental duality of being alive.

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<v Speaker 1>It is, but also I think an extreme thing like that,

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<v Speaker 1>you know, all that whanging on, living in the moment,

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<v Speaker 1>whanging on. But you know what I mean, because it's

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<v Speaker 1>like all that whanging on and living at the moment,

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<v Speaker 1>I totally do. So, yes, we know, we all are

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<v Speaker 1>to live in the moment. Yeah, yeah, Well, you know what,

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<v Speaker 1>I've got a diary and there's things in it and

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<v Speaker 1>I'm planning. You know, you just can't. But in that moment,

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<v Speaker 1>in that profound moment of loss, you are entirely in

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<v Speaker 1>that moment, I think, where nothing else is going on.

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<v Speaker 1>It's just that. Yeah, every book that I'd read on

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<v Speaker 1>any kind of personal growth or philosophy or religion or

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<v Speaker 1>whatever I've read in my whole life, it was so

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<v Speaker 1>extraordinary in those moments. And by moments, I mean months

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<v Speaker 1>after Mom died. It's like I knew, I knew, just

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<v Speaker 1>as you said, weirdly, I knew everything. I knew all

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<v Speaker 1>of the thing, all of the things that mattered, all

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<v Speaker 1>the things that actually held meaning, all of the things

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<v Speaker 1>that I wanted to let go of. It was so

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<v Speaker 1>incredibly clear. There's an extraordinary gift in that. There's not

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<v Speaker 1>much that's good about when your mom dies. And I

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<v Speaker 1>would only say that just in terms of like observing

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<v Speaker 1>stuff that happens. But I do believe in the clarifying

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<v Speaker 1>power of grief and the definition of happiness. I want

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<v Speaker 1>to see Gary Barlow from Take That, who if people

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<v Speaker 1>in America they may not know Take That. But he

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<v Speaker 1>was a you know, a young kid and a boy

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<v Speaker 1>band and then they disapparited a horrible time and they

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<v Speaker 1>came back and were successful. And he's doing this one

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<v Speaker 1>man show kind of a life and in the second

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<v Speaker 1>act he tells this really heartbreaking story about him and

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<v Speaker 1>his wife losing a baby. The baby is still born,

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<v Speaker 1>and it's so heartbreaking, it's very sad, everyone in the

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<v Speaker 1>audience sobbing. But he turns it into this positive. The

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<v Speaker 1>gift that that child gave him was perspective, and the

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<v Speaker 1>gift of that child gave him was being able to

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<v Speaker 1>say no to things, not you know, needing to please

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<v Speaker 1>people all the time. And that what you're talking about,

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<v Speaker 1>the happiness on the other side of something. I just

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<v Speaker 1>think that's what's that phrase, collateral beauty around awful things?

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<v Speaker 1>There is collateral beauty? Really tell me what relationship, real

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<v Speaker 1>or fictionalized, defines love for you? Oh, now it's fictional,

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<v Speaker 1>but it was profound when I watched it, and it's

0:12:28.960 --> 0:12:32.280
<v Speaker 1>still kind of profound because I think there's a kind

0:12:32.320 --> 0:12:36.559
<v Speaker 1>of a pureity to the love in this and it's

0:12:36.679 --> 0:12:41.440
<v Speaker 1>Elliott and et the love between those two, because so

0:12:41.520 --> 0:12:44.680
<v Speaker 1>much of it's unspoken, so much of it isn't thought

0:12:44.760 --> 0:12:49.000
<v Speaker 1>about or expressed or figured out, or you know, the

0:12:49.040 --> 0:12:53.160
<v Speaker 1>way in relationships there's a kind of a not a game,

0:12:53.440 --> 0:12:54.959
<v Speaker 1>but a kind of a dance, is sort of a

0:12:55.040 --> 0:12:59.640
<v Speaker 1>choreograph thing between you before you get to love and

0:13:00.080 --> 0:13:05.800
<v Speaker 1>staying in love. And there's something so pure about the

0:13:05.880 --> 0:13:09.000
<v Speaker 1>love between that little boy and the alien, and the

0:13:09.040 --> 0:13:10.640
<v Speaker 1>fact that you know one of them is an alien

0:13:11.520 --> 0:13:14.200
<v Speaker 1>makes it really lovely. And his heart lights up like

0:13:14.200 --> 0:13:17.520
<v Speaker 1>a bedside lamp. You can't get better than that. I mean,

0:13:17.640 --> 0:13:19.400
<v Speaker 1>I love John. Oh, but if his heart lit up

0:13:19.440 --> 0:13:21.120
<v Speaker 1>like a bedside lamb, but I could read by it,

0:13:21.760 --> 0:13:24.280
<v Speaker 1>I would love it. If my boyfriend's he lit up

0:13:24.280 --> 0:13:26.200
<v Speaker 1>like I'd be like, oh God, keep that going. I

0:13:26.200 --> 0:13:30.240
<v Speaker 1>can turn my phone off. I'll just turn this way

0:13:30.280 --> 0:13:35.600
<v Speaker 1>downing hard on. Yeah, that's lovely, so like a camp fire. Oh. Also,

0:13:35.720 --> 0:13:38.559
<v Speaker 1>you know what's beautiful about Elliot and Eats relationship as well,

0:13:38.679 --> 0:13:41.240
<v Speaker 1>is that Elliott his love doesn't weive when he knows

0:13:41.760 --> 0:13:44.280
<v Speaker 1>has got to go. Yeah, he doesn't sort of stop

0:13:44.320 --> 0:13:48.080
<v Speaker 1>helping him, and it doesn't diminish the love. That notion

0:13:48.160 --> 0:13:50.680
<v Speaker 1>that one person is going to really lose out because

0:13:50.679 --> 0:13:52.920
<v Speaker 1>I don't think it would really think twice about Elliott

0:13:52.960 --> 0:13:56.160
<v Speaker 1>after he's gone back home, frankly, because home is obviously

0:13:56.240 --> 0:13:58.560
<v Speaker 1>his passion and what defines love for him. It's all

0:13:58.559 --> 0:14:02.120
<v Speaker 1>he talks about when he does staying. But also, isn't

0:14:02.120 --> 0:14:06.440
<v Speaker 1>there something about that? Because Et nearly dies, so Elliott

0:14:06.480 --> 0:14:09.600
<v Speaker 1>thinks he's lost Et, and then he comes back to life,

0:14:09.640 --> 0:14:12.800
<v Speaker 1>and then I think that allows Elliott to let him

0:14:12.840 --> 0:14:15.360
<v Speaker 1>go because it's so lovely that he's alive. I don't

0:14:15.400 --> 0:14:17.640
<v Speaker 1>care if you're alive and not living with me, but

0:14:17.679 --> 0:14:20.720
<v Speaker 1>I'm so happy you're alive. You're absolutely right, it's a

0:14:20.760 --> 0:14:25.280
<v Speaker 1>really beautiful, pure expression of unconditional love that relationship. I

0:14:25.280 --> 0:14:27.200
<v Speaker 1>think you should stop asking this question now because I

0:14:27.240 --> 0:14:29.280
<v Speaker 1>think I've given the proper answer. I think I've've solved

0:14:29.320 --> 0:14:34.000
<v Speaker 1>that question for you. I've solved for that across it off. Yeah,

0:14:34.120 --> 0:14:52.120
<v Speaker 1>it's Eliot and e t thank you, thank you, good night. Okay,

0:14:52.200 --> 0:14:56.200
<v Speaker 1>So what is the quality that you like least about yourself.

0:14:57.840 --> 0:15:01.560
<v Speaker 1>Compromise is a good thing, but I feel I'm a pushover.

0:15:01.840 --> 0:15:06.000
<v Speaker 1>I feel like I never really stand up for anything.

0:15:06.160 --> 0:15:08.280
<v Speaker 1>I kind of just go, ho, well, I just roll over.

0:15:08.400 --> 0:15:10.800
<v Speaker 1>There's a lot of rolling over, and I feel like

0:15:10.920 --> 0:15:13.920
<v Speaker 1>that's the thing the young me would judge me the

0:15:14.080 --> 0:15:16.600
<v Speaker 1>most harshly about. I think the young me would be

0:15:16.600 --> 0:15:19.480
<v Speaker 1>pleased that I was success and but I think the

0:15:19.520 --> 0:15:22.000
<v Speaker 1>young me would stare at me, going, what you're going

0:15:22.040 --> 0:15:26.440
<v Speaker 1>to do that? Or you know what? That's okay? Isn't

0:15:26.440 --> 0:15:29.520
<v Speaker 1>that like, you know, path of least resistance. Isn't that

0:15:29.640 --> 0:15:32.640
<v Speaker 1>like a whole kind of philosophy in itself? Isn't that

0:15:32.680 --> 0:15:35.400
<v Speaker 1>a really amazing thing that you do that? No, see,

0:15:35.400 --> 0:15:37.600
<v Speaker 1>I don't think it's admirable at all. I look at

0:15:37.600 --> 0:15:40.320
<v Speaker 1>people with conviction, and I am in all of them.

0:15:40.520 --> 0:15:43.120
<v Speaker 1>They are annoying, but I am in all of them.

0:15:43.240 --> 0:15:46.600
<v Speaker 1>That's really interesting. It happens in my personal life to

0:15:46.840 --> 0:15:49.280
<v Speaker 1>where you know, like there's a lot of inner monologue

0:15:49.440 --> 0:15:54.120
<v Speaker 1>about that shouldn't happen or that, but I just don't

0:15:54.160 --> 0:15:58.120
<v Speaker 1>say anything because it's it's easier, but it's not easier.

0:15:58.360 --> 0:16:01.080
<v Speaker 1>But I think it is easier. It's easy because it's

0:16:01.120 --> 0:16:02.680
<v Speaker 1>like the thing is that once you've done it once

0:16:02.720 --> 0:16:05.000
<v Speaker 1>and you realize the whole world didn't stop and this

0:16:05.040 --> 0:16:07.560
<v Speaker 1>guy didn't fall in and it was actually fine, I

0:16:07.600 --> 0:16:10.440
<v Speaker 1>think it must then become quite a delicious thing to do,

0:16:10.520 --> 0:16:12.960
<v Speaker 1>which is to maybe not take a position. It takes

0:16:13.000 --> 0:16:16.240
<v Speaker 1>a lot of energy to have conviction. It does. And

0:16:16.280 --> 0:16:18.240
<v Speaker 1>like I said, I am in all of those people.

0:16:18.680 --> 0:16:20.320
<v Speaker 1>You know, I feel like, you know that thing kind

0:16:20.360 --> 0:16:23.280
<v Speaker 1>of like, oh that was quite good, that's fine, that's

0:16:23.280 --> 0:16:25.600
<v Speaker 1>all right, And you've gotta think, oh, why can't something

0:16:25.640 --> 0:16:28.840
<v Speaker 1>be exceptional? Why can't something be really good? And I

0:16:28.880 --> 0:16:31.480
<v Speaker 1>feel like I should aim a bit higher in all

0:16:31.560 --> 0:16:36.400
<v Speaker 1>parts of my life. But I don't find Jannah notice

0:16:36.400 --> 0:16:39.280
<v Speaker 1>about you? Oh no, no, he's my doing well, yeah,

0:16:39.360 --> 0:16:42.760
<v Speaker 1>he's my peak achievement. My husband is my peak achievement.

0:16:42.880 --> 0:16:44.560
<v Speaker 1>I think that's lovely. I do know what you mean.

0:16:44.680 --> 0:16:46.880
<v Speaker 1>But I'm just the complete opposite. I need to stop

0:16:46.960 --> 0:16:49.920
<v Speaker 1>trying to fight for everything and just getting exhausted and

0:16:50.040 --> 0:16:53.440
<v Speaker 1>disappointed as opposed to being pleasantly surprised when a few

0:16:53.480 --> 0:16:56.520
<v Speaker 1>things work out. There must be something in between, where

0:16:56.560 --> 0:16:59.960
<v Speaker 1>you know what battles are worth fighting. My boyfriends were

0:17:00.000 --> 0:17:01.720
<v Speaker 1>really good at that. He's like, I'm not going to

0:17:01.840 --> 0:17:03.760
<v Speaker 1>die on that hill. I am going to die on

0:17:03.840 --> 0:17:05.399
<v Speaker 1>that one. Except I'm not going to die. I'm going

0:17:05.440 --> 0:17:07.520
<v Speaker 1>to succeed. I'm going to plant my flag in the

0:17:07.600 --> 0:17:09.520
<v Speaker 1>top of that mountain and then he'll do it. It's

0:17:09.600 --> 0:17:12.920
<v Speaker 1>quite annoying. So maybe actually my worst quality is that

0:17:12.960 --> 0:17:18.000
<v Speaker 1>I'm just resentful of his good quality, of his good qualities.

0:17:18.440 --> 0:17:20.600
<v Speaker 1>My friends just moved into a new apartment and they're

0:17:20.640 --> 0:17:25.040
<v Speaker 1>having trouble with the neighbor. There's an upstairs neighbor. All

0:17:25.119 --> 0:17:28.840
<v Speaker 1>these like angry emails going around, and my friend ended

0:17:28.880 --> 0:17:31.520
<v Speaker 1>one email with do not fight me, I will win.

0:17:32.760 --> 0:17:39.320
<v Speaker 1>Oh my god, that's fantastic. I love that way to

0:17:39.359 --> 0:17:43.719
<v Speaker 1>win over your neighbors. Do not fight me, I will win. Also,

0:17:44.119 --> 0:17:48.280
<v Speaker 1>that is a rookie era never moving anywhere with upstairs neighbors.

0:17:48.680 --> 0:17:51.000
<v Speaker 1>It's hard. I mean, one a nightmare for cool thing,

0:17:51.080 --> 0:17:54.520
<v Speaker 1>but stairs neighbors are terrible to neighbors. Essentially, basically being

0:17:54.560 --> 0:17:57.640
<v Speaker 1>in a neighbor sandwich is fucking dreadful. Yeah, I don't

0:17:57.640 --> 0:18:00.040
<v Speaker 1>know I would take that into extreme consideration, but have

0:18:00.119 --> 0:18:02.600
<v Speaker 1>a whole neighbor thing nightmare. I used to do like

0:18:02.680 --> 0:18:05.200
<v Speaker 1>an agony uncle column in a paper here, and I

0:18:05.240 --> 0:18:07.720
<v Speaker 1>did it for about eight years. And those are the

0:18:07.760 --> 0:18:10.720
<v Speaker 1>problems I dreaded when people wrote in about the neighbors,

0:18:10.880 --> 0:18:14.760
<v Speaker 1>because there is no solution. There's no solution except move, yeah,

0:18:14.920 --> 0:18:17.439
<v Speaker 1>move at Even then it's hard because if they're noisy

0:18:17.520 --> 0:18:19.240
<v Speaker 1>or whatever, it's hard to sell your house and blah

0:18:19.240 --> 0:18:21.440
<v Speaker 1>blah blah blah blah. Yeah, you have to disclose all

0:18:21.480 --> 0:18:23.920
<v Speaker 1>of that stuff. Yeah, it's monsters. As if it weren't

0:18:23.960 --> 0:18:26.440
<v Speaker 1>hard enough trying to find a place to rent or

0:18:26.560 --> 0:18:35.520
<v Speaker 1>buy in this life. Now, what question would you most

0:18:35.640 --> 0:18:39.080
<v Speaker 1>like answered? I remember, and I'm sure all kids do this,

0:18:39.280 --> 0:18:42.720
<v Speaker 1>where you lie in the grass and look up and

0:18:43.480 --> 0:18:45.680
<v Speaker 1>you know the clouds move, but you think that's the

0:18:45.760 --> 0:18:49.159
<v Speaker 1>earth going and then you look beyond that into the

0:18:49.240 --> 0:18:51.800
<v Speaker 1>blue and it's just that. Even as an adult you

0:18:51.840 --> 0:18:54.480
<v Speaker 1>stop thinking about it. But as a child, that is

0:18:54.720 --> 0:18:57.720
<v Speaker 1>such a kind of mind fuck. There must be a

0:18:57.760 --> 0:19:00.160
<v Speaker 1>there there, but there is no there there. It goes

0:19:00.200 --> 0:19:02.600
<v Speaker 1>on forever, new they can't go on forever. There has

0:19:02.680 --> 0:19:04.520
<v Speaker 1>to be you know. I still don't understand it. But

0:19:04.640 --> 0:19:07.840
<v Speaker 1>do I want that question answered? I mean no, because

0:19:07.840 --> 0:19:09.600
<v Speaker 1>I think it would bore the chasses out of me.

0:19:09.720 --> 0:19:14.080
<v Speaker 1>I think just like someone would start explaining to me

0:19:14.240 --> 0:19:17.080
<v Speaker 1>are placed in the cosmos or the concept of infinity,

0:19:17.359 --> 0:19:23.680
<v Speaker 1>and I would find myself slowly looking away. Oh there's

0:19:23.720 --> 0:19:28.600
<v Speaker 1>someone I know. I wonder what's for dinner? Was up

0:19:28.640 --> 0:19:32.000
<v Speaker 1>my phone? And that is the origin of the universe.

0:19:32.840 --> 0:19:36.080
<v Speaker 1>Cheese tasty? You know what. I'm just thinking. The one

0:19:36.240 --> 0:19:38.720
<v Speaker 1>thing I would quite like to be able to do.

0:19:39.400 --> 0:19:42.879
<v Speaker 1>I would quite like to be able to read dogs minds.

0:19:43.200 --> 0:19:45.920
<v Speaker 1>I know they're probably quite easy to read, you know.

0:19:46.200 --> 0:19:48.159
<v Speaker 1>Can I fuck it? Can I eat it? But I

0:19:50.280 --> 0:19:54.399
<v Speaker 1>couldn't scratch my tummy? There's that? Yes? And can I

0:19:54.480 --> 0:19:58.480
<v Speaker 1>eat that hand? Or fuck it? I think there's some

0:19:58.760 --> 0:20:01.440
<v Speaker 1>subtlety going on in there's something else going on. So

0:20:01.560 --> 0:20:04.440
<v Speaker 1>I would quite like someone to tell me what my

0:20:04.520 --> 0:20:07.879
<v Speaker 1>dog is thinking at all times. I really like that,

0:20:08.080 --> 0:20:10.920
<v Speaker 1>And that is a really true. Wait, can I tell you? Yes?

0:20:11.160 --> 0:20:12.960
<v Speaker 1>My dog ran away from me at this fair we

0:20:13.040 --> 0:20:15.320
<v Speaker 1>were at and I ran through the crowd and I

0:20:15.400 --> 0:20:17.720
<v Speaker 1>found him with his paws on the shoulders of this

0:20:17.920 --> 0:20:23.160
<v Speaker 1>woman and she was like, oh, oh yeah, oh oh goodness.

0:20:23.520 --> 0:20:24.880
<v Speaker 1>And I was like, oh my god, Oh my god.

0:20:24.920 --> 0:20:27.119
<v Speaker 1>My dog, and she was like, Hi, your dog was

0:20:27.240 --> 0:20:29.200
<v Speaker 1>just telling me a few things, like would you like

0:20:29.320 --> 0:20:31.119
<v Speaker 1>me to tell you? And I was looking around, what

0:20:31.640 --> 0:20:33.560
<v Speaker 1>is happening? Anyway? It turned out she was this really

0:20:33.600 --> 0:20:37.080
<v Speaker 1>famous pet psychic, and my dog told her. She said,

0:20:37.200 --> 0:20:39.240
<v Speaker 1>you have to get his bed back from the garage.

0:20:39.720 --> 0:20:42.199
<v Speaker 1>And I'd literally got him a new bed the day

0:20:42.280 --> 0:20:44.879
<v Speaker 1>before and thrown out his old one, and it was

0:20:45.040 --> 0:20:47.560
<v Speaker 1>upstairs in the garage where I lived, waiting to be

0:20:47.720 --> 0:20:49.840
<v Speaker 1>taken away. And he told her that. And then the

0:20:49.880 --> 0:20:51.440
<v Speaker 1>other thing he told her was that my sister used

0:20:51.440 --> 0:20:54.080
<v Speaker 1>to take him to work and my dog had most

0:20:54.160 --> 0:20:56.440
<v Speaker 1>of his tail missing from a terrible accident with the door,

0:20:56.760 --> 0:20:59.879
<v Speaker 1>and my sister's boss used to call him stubborn. His

0:21:00.119 --> 0:21:02.760
<v Speaker 1>name was Bubba, and he used to call him stumpy Stubba,

0:21:03.160 --> 0:21:04.840
<v Speaker 1>and he didn't like that, and he told the pets

0:21:04.880 --> 0:21:07.440
<v Speaker 1>psychic to tell me to tell him to fucking stop

0:21:07.480 --> 0:21:11.760
<v Speaker 1>calling him that. Wow, it was heaven. They couldn't have known.

0:21:11.840 --> 0:21:13.359
<v Speaker 1>She couldn't have known that. How could you have known

0:21:13.440 --> 0:21:15.240
<v Speaker 1>that we had a pet psychic on the TV show

0:21:15.359 --> 0:21:18.240
<v Speaker 1>years ago? And this woman she was literally from the

0:21:18.320 --> 0:21:21.919
<v Speaker 1>audience and actually had a dog and the dog told

0:21:22.040 --> 0:21:25.480
<v Speaker 1>the psychic that the woman needs to put carpet back

0:21:25.520 --> 0:21:28.440
<v Speaker 1>in the bedroom because he can't jump on the bed

0:21:28.520 --> 0:21:31.119
<v Speaker 1>anymore because he can't get purchased on the wooden floor.

0:21:31.560 --> 0:21:33.880
<v Speaker 1>And the woman, I mean, you saw the one's face,

0:21:34.080 --> 0:21:36.159
<v Speaker 1>she was just like Honestly, I think she thought we'd

0:21:36.200 --> 0:21:39.520
<v Speaker 1>broken into her house and taking pictures or something, because

0:21:39.760 --> 0:21:42.560
<v Speaker 1>she had just taken up the carpet and put in laminte.

0:21:42.880 --> 0:21:45.600
<v Speaker 1>Oh my god, my god. And I also love the

0:21:45.640 --> 0:21:47.639
<v Speaker 1>fact that dogs aren't like you know. I want you

0:21:47.720 --> 0:21:49.720
<v Speaker 1>to teach me the secrets of the universe and take

0:21:49.800 --> 0:21:52.320
<v Speaker 1>me on concorde. No. Have you seen that woman on

0:21:52.400 --> 0:21:55.600
<v Speaker 1>Instagram who thinks her dog can talk to her wait

0:21:55.640 --> 0:21:58.399
<v Speaker 1>when it hits the buttons? Yes, I've seen her a lot.

0:21:58.640 --> 0:22:01.760
<v Speaker 1>It's sent task stick. I like the way if he

0:22:01.920 --> 0:22:05.919
<v Speaker 1>just hits table and sleep. You dreamt about her table.

0:22:06.240 --> 0:22:10.200
<v Speaker 1>You treamt about a table. You was so smart. Well,

0:22:10.359 --> 0:22:13.760
<v Speaker 1>a major UK supermarket now sells a set of four

0:22:14.119 --> 0:22:18.440
<v Speaker 1>of those little things. Does it say fuck eat? Honestly,

0:22:18.800 --> 0:22:21.880
<v Speaker 1>you can record whatever you like. I God, that's amazing. Yeah,

0:22:22.200 --> 0:22:25.160
<v Speaker 1>we got them for Douglas the Dog. And what Starglass

0:22:25.200 --> 0:22:29.120
<v Speaker 1>done with them? Nothing? Occasionally he'll walk on one by accident,

0:22:29.280 --> 0:22:31.960
<v Speaker 1>and then we have to give him a treat or something.

0:22:32.240 --> 0:22:34.119
<v Speaker 1>One of them does they treat, even that one. He

0:22:34.200 --> 0:22:36.359
<v Speaker 1>hasn't figured out that hitting it will get him a treat.

0:22:36.440 --> 0:22:38.280
<v Speaker 1>But he's an older dog, so you know, there is

0:22:38.320 --> 0:22:41.159
<v Speaker 1>a saying about that. Also, it's like, you know, not

0:22:41.280 --> 0:22:44.280
<v Speaker 1>all dogs are like really smart. Like I've had very

0:22:44.320 --> 0:22:47.159
<v Speaker 1>smart dogs, and I've had really thick dogs, like really

0:22:47.280 --> 0:22:50.400
<v Speaker 1>thick dogs. Some dogs probably aren't chatty. Some dogs don't

0:22:50.400 --> 0:22:52.520
<v Speaker 1>want to talk to you, and they're like, look, love,

0:22:52.680 --> 0:22:54.880
<v Speaker 1>there's a whole reason I can't talk. They start trying

0:22:54.880 --> 0:22:56.760
<v Speaker 1>to talk to me. That's what this life is about.

0:22:56.840 --> 0:23:01.000
<v Speaker 1>It was about silence, about silence. Yeah, look, just feed

0:23:01.080 --> 0:23:04.040
<v Speaker 1>me twice a day. Like that was the arrangement. So

0:23:04.200 --> 0:23:21.320
<v Speaker 1>what's the buttons? Stuffed with the buttons? The buttons? Now,

0:23:21.600 --> 0:23:24.960
<v Speaker 1>what person, place or experience most also to your life?

0:23:25.359 --> 0:23:30.399
<v Speaker 1>I would say San Francisco. I was in a hippie

0:23:30.400 --> 0:23:34.919
<v Speaker 1>commune in San Francisco when I was twenty and twenty

0:23:35.000 --> 0:23:38.040
<v Speaker 1>sounds quite old, but I was an Irish twenty, which

0:23:38.200 --> 0:23:43.399
<v Speaker 1>is like a sort of international fourteen, let's say. And

0:23:43.920 --> 0:23:45.800
<v Speaker 1>I didn't know what I wanted to do with my life.

0:23:46.080 --> 0:23:50.479
<v Speaker 1>I had done two years at university studying French and English,

0:23:50.560 --> 0:23:53.240
<v Speaker 1>but I wasn't enjoying it. I didn't like being in Cork,

0:23:53.440 --> 0:23:55.800
<v Speaker 1>and so I ran away. I ran away to San Francisco,

0:23:56.760 --> 0:24:00.280
<v Speaker 1>and through various accidents and alchemy and luck, I ended

0:24:00.320 --> 0:24:02.520
<v Speaker 1>up in this hippie commune. It's still there. It's still

0:24:02.560 --> 0:24:04.840
<v Speaker 1>there in San Francisco. Oh my god, how amaze, just

0:24:05.000 --> 0:24:08.800
<v Speaker 1>off the Panhandle. And I had never met people like

0:24:08.920 --> 0:24:15.040
<v Speaker 1>this before. People with convictions put me right off, put

0:24:15.119 --> 0:24:18.320
<v Speaker 1>me off the life. But they treated me, you know,

0:24:18.359 --> 0:24:21.600
<v Speaker 1>they treated back in an adult there was the chore wheel,

0:24:21.720 --> 0:24:23.560
<v Speaker 1>and you know, we had to cook one night and

0:24:23.600 --> 0:24:26.159
<v Speaker 1>I'd have to cook for you know, twelve people, and

0:24:26.440 --> 0:24:29.760
<v Speaker 1>I couldn't cook for one. Can I just get twelve

0:24:29.840 --> 0:24:34.399
<v Speaker 1>pot noodles? Do that for everyone? That's okay, right? And

0:24:34.800 --> 0:24:36.399
<v Speaker 1>I went back. They had a kind of a twenty

0:24:36.480 --> 0:24:39.800
<v Speaker 1>five year anniversary ten years ago, and I went back

0:24:40.119 --> 0:24:43.439
<v Speaker 1>to see them, and this one woman, she said to me, oh,

0:24:43.600 --> 0:24:48.240
<v Speaker 1>we still make your soup. And I'm like what. Apparently

0:24:48.800 --> 0:24:51.600
<v Speaker 1>I had made some leak and potatoes soup, of course,

0:24:51.640 --> 0:24:53.879
<v Speaker 1>the potatoes in it. And she still makes it she

0:24:53.960 --> 0:24:56.719
<v Speaker 1>calls the Graham soup. But weirdly, that woman, I remember

0:24:56.800 --> 0:24:58.960
<v Speaker 1>she was studying to be a nurse, and she was

0:25:00.560 --> 0:25:04.520
<v Speaker 1>I think she was forty maybe forty one two, and

0:25:04.680 --> 0:25:07.040
<v Speaker 1>she was studying to be a nurse. And I remember

0:25:07.080 --> 0:25:09.639
<v Speaker 1>thinking of the time, like like, why would you bother?

0:25:09.960 --> 0:25:13.320
<v Speaker 1>Like really, really, lady, you're training to do something in

0:25:13.440 --> 0:25:17.920
<v Speaker 1>your forties. It's too late for you. And I must

0:25:17.960 --> 0:25:21.720
<v Speaker 1>have said that to her, hopefully not as boldly as that,

0:25:22.000 --> 0:25:25.800
<v Speaker 1>but I must have questioned starting a new career or

0:25:25.880 --> 0:25:28.120
<v Speaker 1>being a student in her forties, and she went, well,

0:25:28.320 --> 0:25:30.879
<v Speaker 1>if I am a nurse for rest of my life,

0:25:31.400 --> 0:25:35.080
<v Speaker 1>I'll have been nursing for twenty five years, you know,

0:25:35.280 --> 0:25:37.960
<v Speaker 1>untill her retirement. And I was like, oh, that's that's

0:25:38.040 --> 0:25:40.600
<v Speaker 1>longer than I've been alive. I can understand that is

0:25:40.600 --> 0:25:43.200
<v Speaker 1>a long time. And it gave me, in my little

0:25:43.480 --> 0:25:45.960
<v Speaker 1>young life, it gave me kind of the gift of time,

0:25:46.280 --> 0:25:49.480
<v Speaker 1>of realizing that in a life, although they go by

0:25:49.520 --> 0:25:51.840
<v Speaker 1>in a flash, we also have more time than we

0:25:51.920 --> 0:25:54.560
<v Speaker 1>think we do. And I think that's something that young

0:25:54.680 --> 0:25:57.400
<v Speaker 1>people should know. Don't be in such a rush. You've

0:25:57.440 --> 0:26:00.320
<v Speaker 1>got time to fail, You've got time to six seed.

0:26:00.680 --> 0:26:03.119
<v Speaker 1>You've got time to not succeed or succeeded the thing

0:26:03.240 --> 0:26:05.680
<v Speaker 1>you don't enjoy, and then find the thing you do enjoy.

0:26:06.080 --> 0:26:08.720
<v Speaker 1>You know, when I turned fifty, there is a sense, oh,

0:26:09.000 --> 0:26:10.960
<v Speaker 1>the bike is at the top of the hill and

0:26:11.600 --> 0:26:14.080
<v Speaker 1>the rest of my life is now downhill. But then

0:26:14.119 --> 0:26:17.520
<v Speaker 1>you realize, oh, no, I'm only fifty. Yeah, you know,

0:26:17.600 --> 0:26:20.280
<v Speaker 1>with a bit of luck, there's decades of this ship left.

0:26:20.520 --> 0:26:24.000
<v Speaker 1>I better find things to do and find challenges and

0:26:24.480 --> 0:26:26.040
<v Speaker 1>things that I haven't done yet that I want to

0:26:26.119 --> 0:26:28.800
<v Speaker 1>get done. So and that all came from that hippie commune.

0:26:28.840 --> 0:26:31.879
<v Speaker 1>Don't be scared of failure, because actually there's time. I

0:26:31.960 --> 0:26:36.240
<v Speaker 1>think it was Victor Hugo who said fifty is the

0:26:36.359 --> 0:26:39.399
<v Speaker 1>youth of old age. Yes, I really, I really like that.

0:26:39.520 --> 0:26:41.280
<v Speaker 1>And by the way, that when you're in your twenties

0:26:41.280 --> 0:26:43.920
<v Speaker 1>and I remember thinking I had to get it all done,

0:26:44.240 --> 0:26:46.719
<v Speaker 1>I didn't even know what that meant. But the amount

0:26:46.760 --> 0:26:50.000
<v Speaker 1>of time I spent worrying that I wasn't doing enough,

0:26:50.480 --> 0:26:52.879
<v Speaker 1>it's so interesting, like if one does think about it,

0:26:53.000 --> 0:26:55.080
<v Speaker 1>not that time is running out, but rather there is

0:26:55.119 --> 0:26:57.359
<v Speaker 1>a lot of time. I know. It's exact obverse of

0:26:57.600 --> 0:27:01.040
<v Speaker 1>the meters ticking. Yes, but also that thing that no

0:27:01.240 --> 0:27:05.800
<v Speaker 1>time is wasted in a way, no exactly, that if

0:27:05.840 --> 0:27:08.520
<v Speaker 1>you find out that you hate doing something, it's going

0:27:08.600 --> 0:27:11.120
<v Speaker 1>to help define what you do want to do. Yeah,

0:27:11.240 --> 0:27:13.920
<v Speaker 1>I think that's brilliant for all of us. Actually to go,

0:27:14.000 --> 0:27:15.639
<v Speaker 1>you've got a bit more time. You've got a bit

0:27:15.680 --> 0:27:17.560
<v Speaker 1>more time than you think, because how old were you

0:27:17.680 --> 0:27:20.159
<v Speaker 1>when you kind of thought I've made it. It was

0:27:20.200 --> 0:27:25.040
<v Speaker 1>for about fifteen minutes, but you thought it. It didn't

0:27:25.080 --> 0:27:27.119
<v Speaker 1>happen in the moment it happened. When I sort of

0:27:27.200 --> 0:27:29.639
<v Speaker 1>looked back, I must say that I thought the zenith

0:27:29.760 --> 0:27:31.480
<v Speaker 1>of like being on the red carpet with my mom

0:27:31.520 --> 0:27:34.159
<v Speaker 1>and dad at the Oscars when I was nominated for

0:27:34.240 --> 0:27:37.280
<v Speaker 1>an oscar. They made it real, like seeing them right

0:27:37.320 --> 0:27:40.440
<v Speaker 1>there and like my dad squeezing my hand and not

0:27:40.680 --> 0:27:43.600
<v Speaker 1>being flustered by any of it, just seeing him sort

0:27:43.640 --> 0:27:47.000
<v Speaker 1>of dadding in that insane environment. There was a lot

0:27:47.080 --> 0:27:49.880
<v Speaker 1>going on that night. But looking back the next couple

0:27:49.920 --> 0:27:52.639
<v Speaker 1>of weeks, I did go, actually, it's kind of what

0:27:52.760 --> 0:27:54.760
<v Speaker 1>you said from the Snoopy cartoon, and I was like,

0:27:55.000 --> 0:27:57.560
<v Speaker 1>I'm not sure it's ever going to get better than that.

0:27:58.440 --> 0:28:01.200
<v Speaker 1>I think I peaqued I think I succeeded. We don't

0:28:01.200 --> 0:28:04.240
<v Speaker 1>feel that anymore, No, God, No, because that was this

0:28:04.359 --> 0:28:07.200
<v Speaker 1>barometer that I had said of what success look that. Yeah,

0:28:07.400 --> 0:28:10.280
<v Speaker 1>And once you get rid of that barometer or beautifully

0:28:10.400 --> 0:28:12.760
<v Speaker 1>or wonderfully, if you're lucky, that life will sort of

0:28:12.800 --> 0:28:16.680
<v Speaker 1>teach you that that success and failure are lovers intertwined.

0:28:17.040 --> 0:28:19.240
<v Speaker 1>One is not bad and one is not good. You

0:28:19.320 --> 0:28:21.440
<v Speaker 1>have to name them differently, and you really start living

0:28:21.480 --> 0:28:23.560
<v Speaker 1>at once. I started letting other things into my life

0:28:23.680 --> 0:28:26.760
<v Speaker 1>that were great and amazing. I remember we had a

0:28:27.000 --> 0:28:29.800
<v Speaker 1>reunion for drama school. I think it was a twenty

0:28:29.880 --> 0:28:32.400
<v Speaker 1>five or thirty year reunion. And of course when your

0:28:32.480 --> 0:28:35.119
<v Speaker 1>kids at drama school, we were all, you know, teenagers,

0:28:35.160 --> 0:28:38.560
<v Speaker 1>early twenties, and we only measured success in one way.

0:28:38.880 --> 0:28:43.440
<v Speaker 1>Success was being a star, or having your name up,

0:28:43.640 --> 0:28:46.400
<v Speaker 1>or working in theater or working in film and television.

0:28:46.680 --> 0:28:49.360
<v Speaker 1>We all there's a whole group of people twenty eight

0:28:49.400 --> 0:28:51.520
<v Speaker 1>of or something, and we all had one vision of

0:28:51.560 --> 0:28:54.480
<v Speaker 1>what success was. And so to meet up thirty years

0:28:54.560 --> 0:29:00.680
<v Speaker 1>later and realize how diverse success is. You know, some

0:29:00.880 --> 0:29:04.160
<v Speaker 1>people were still acting and that was their success. Some

0:29:04.360 --> 0:29:07.760
<v Speaker 1>people were now artists, some people who had families, some

0:29:07.800 --> 0:29:10.760
<v Speaker 1>people have started businesses. You know, there was one woman

0:29:10.880 --> 0:29:13.000
<v Speaker 1>and she had an illness and she was in her mission.

0:29:13.120 --> 0:29:16.719
<v Speaker 1>So just being there was her success. Because I kind

0:29:16.760 --> 0:29:19.680
<v Speaker 1>of thought, oh, it'll be a weird day because some

0:29:19.840 --> 0:29:23.160
<v Speaker 1>of these people will be you know, quote failures now

0:29:24.600 --> 0:29:27.640
<v Speaker 1>and I will be the only true star. They're all

0:29:27.720 --> 0:29:29.840
<v Speaker 1>going to hate me, Mini, They're going to hate me.

0:29:30.800 --> 0:29:32.960
<v Speaker 1>And I felt so stupid because when I got there,

0:29:33.000 --> 0:29:35.240
<v Speaker 1>I realized, oh, we've moved on. If we got in

0:29:35.320 --> 0:29:38.440
<v Speaker 1>a little tell transportation device when we were in drama

0:29:38.480 --> 0:29:40.440
<v Speaker 1>school and went to the future and found out that,

0:29:40.560 --> 0:29:42.120
<v Speaker 1>you know, a couple of us were still in the

0:29:42.120 --> 0:29:44.240
<v Speaker 1>industry and doing well, then it would have been a

0:29:44.440 --> 0:29:47.720
<v Speaker 1>very bitter, horrible day. But the fair that you didn't

0:29:48.080 --> 0:29:50.200
<v Speaker 1>and the fact that we lived all that life in

0:29:50.200 --> 0:29:52.920
<v Speaker 1>between and you got there, and I was so struck

0:29:53.080 --> 0:29:56.640
<v Speaker 1>by it. The people and it. It goes back to time,

0:29:56.800 --> 0:29:59.520
<v Speaker 1>doesn't it. You know, as you navigate life, you find

0:29:59.560 --> 0:30:02.320
<v Speaker 1>your job oi and you find your successes in all

0:30:02.480 --> 0:30:06.880
<v Speaker 1>different sorts of ways. As you now know. Yes, and

0:30:07.000 --> 0:30:09.400
<v Speaker 1>then I think we're brutal with our ideas of like

0:30:09.800 --> 0:30:12.560
<v Speaker 1>really adhering to a notion of what is success and

0:30:12.680 --> 0:30:16.520
<v Speaker 1>what is failure and being traumatized by this prescribed idea

0:30:16.600 --> 0:30:20.000
<v Speaker 1>of failing. Failure is so I can't remember the quote,

0:30:20.320 --> 0:30:23.960
<v Speaker 1>it's Winston Churchill. I'm totally paraphrasing and watching it. But

0:30:24.320 --> 0:30:28.560
<v Speaker 1>success is enjoying the failures in between failures like that,

0:30:28.640 --> 0:30:32.080
<v Speaker 1>it's all failing and trying not to and enjoying that process.

0:30:32.720 --> 0:30:34.440
<v Speaker 1>I thought you were going to say success is enjoying

0:30:34.440 --> 0:30:37.440
<v Speaker 1>the failure of others. By the way, that would be

0:30:37.600 --> 0:30:40.520
<v Speaker 1>something that would be something that Churchill could also said

0:30:41.640 --> 0:30:45.880
<v Speaker 1>he probably did. He probably did. It was so great,

0:30:45.920 --> 0:30:49.000
<v Speaker 1>Thank you so much, Thanks for this many It's been fun.

0:30:52.440 --> 0:30:56.520
<v Speaker 1>Graham's fourth novel, Forever Home, is out now and for

0:30:56.600 --> 0:30:59.200
<v Speaker 1>our friends in the UK, Graham will be on tour

0:30:59.320 --> 0:31:03.520
<v Speaker 1>to discuss the book through October. So if you've enjoyed

0:31:03.600 --> 0:31:06.680
<v Speaker 1>hearing his musings, and I know you have, please do

0:31:06.920 --> 0:31:12.320
<v Speaker 1>catch him live. Mini Questions is hosted and written by

0:31:12.400 --> 0:31:18.800
<v Speaker 1>Me Mini Driver, supervising producer Aaron Kaufman, Producer Morgan Lavoy,

0:31:19.720 --> 0:31:25.240
<v Speaker 1>Research assistant Marissa Brown. Original music Sorry Baby by Mini Driver,

0:31:26.080 --> 0:31:30.960
<v Speaker 1>Additional music by Aaron Kaufman. Executive produced by Me Mini Driver.

0:31:31.720 --> 0:31:36.680
<v Speaker 1>Special thanks to Jim Nikolay, Will Pearson, Addison No Day,

0:31:37.600 --> 0:31:42.800
<v Speaker 1>Lisa Castella and Annique Oppenheim at w kPr de La Pescador,

0:31:43.520 --> 0:31:47.880
<v Speaker 1>Kate Driver and Jason Weinberg, and for constantly solicited tech

0:31:47.880 --> 0:31:49.560
<v Speaker 1>support Henry Driver,