1 00:00:01,400 --> 00:00:04,440 Speaker 1: There's been a dog snoring throughout most of this. Has 2 00:00:04,480 --> 00:00:09,080 Speaker 1: Douglas been snoring? Yes, I remember you did our podcast 3 00:00:09,119 --> 00:00:10,560 Speaker 1: and you were talking about your mom and it was 4 00:00:10,600 --> 00:00:12,800 Speaker 1: really moving and lovely, and then you could just hear 5 00:00:12,840 --> 00:00:19,360 Speaker 1: this just crying. He was so and I don't think 6 00:00:19,360 --> 00:00:21,440 Speaker 1: it was empathy. I don't think he was going, oh, 7 00:00:21,480 --> 00:00:25,360 Speaker 1: miss driver, miss driver, speaking so movingly. I think he's 8 00:00:25,440 --> 00:00:28,120 Speaker 1: just thinking, I'm bored, I want to ut this room. Boy, 9 00:00:28,200 --> 00:00:31,400 Speaker 1: let me out. What's happening? Remember your word, brother, it's 10 00:00:31,440 --> 00:00:34,080 Speaker 1: so funny. I like dog interruptions very much. It seemed 11 00:00:34,159 --> 00:00:40,559 Speaker 1: quite disrespectful. I think that's entirely in keeping with like dogs. Hello, 12 00:00:40,840 --> 00:00:45,279 Speaker 1: I'm Mini Driver. Welcome to Many Questions Season two. I've 13 00:00:45,280 --> 00:00:49,839 Speaker 1: always loved Pruce's Questionnaire. It was originally a nineteenth century 14 00:00:49,960 --> 00:00:53,159 Speaker 1: parlor game where players would ask each other thirty five 15 00:00:53,240 --> 00:00:57,680 Speaker 1: questions aimed at revealing the other players true nature. It's 16 00:00:57,720 --> 00:01:01,520 Speaker 1: just the scientific method really. In asking different people the 17 00:01:01,560 --> 00:01:04,959 Speaker 1: same set of questions, you can make observations about which 18 00:01:04,959 --> 00:01:08,959 Speaker 1: truths appeared to me universal. I love this discipline, and 19 00:01:09,000 --> 00:01:11,840 Speaker 1: it made me wonder, what if these questions were just 20 00:01:11,880 --> 00:01:14,920 Speaker 1: the jumping off point. What greater depths would be revealed 21 00:01:15,000 --> 00:01:18,800 Speaker 1: if I ask these questions as conversation starters with thought 22 00:01:18,880 --> 00:01:22,880 Speaker 1: leaders and trailblazers across all these different disciplines. So I 23 00:01:22,920 --> 00:01:26,000 Speaker 1: adapted Pru's questionnaire and I wrote my own seven questions 24 00:01:26,120 --> 00:01:28,800 Speaker 1: that I personally think a pertinent to a person's story. 25 00:01:29,120 --> 00:01:32,280 Speaker 1: They are when and where were you happiest? What is 26 00:01:32,280 --> 00:01:35,720 Speaker 1: the quality you like least about yourself? What relationship, real 27 00:01:35,920 --> 00:01:39,520 Speaker 1: or fictionalized, defines love for you? What question would you 28 00:01:39,560 --> 00:01:43,600 Speaker 1: most like answered, What person, place, or experience has shaped 29 00:01:43,640 --> 00:01:46,360 Speaker 1: you the most? What would be your last meal? And 30 00:01:46,440 --> 00:01:49,040 Speaker 1: can you tell me something in your life that's grown 31 00:01:49,080 --> 00:01:52,480 Speaker 1: out of a personal disaster. And I've gathered a group 32 00:01:52,720 --> 00:01:57,000 Speaker 1: of really remarkable people, ones that I am honored and 33 00:01:57,160 --> 00:01:59,720 Speaker 1: humbled to have had the chance to engage with. You 34 00:01:59,760 --> 00:02:03,000 Speaker 1: may not hear their answers to all seven of these questions. 35 00:02:03,200 --> 00:02:06,600 Speaker 1: We've whittled it down to which questions felt closest to 36 00:02:06,640 --> 00:02:10,920 Speaker 1: their experience or the most surprising, or created the most 37 00:02:10,960 --> 00:02:15,919 Speaker 1: fertile ground to connect. My guest today is the polymorphous 38 00:02:16,000 --> 00:02:21,119 Speaker 1: wonder that is Graham Norton. Graham is perhaps best known 39 00:02:21,160 --> 00:02:24,480 Speaker 1: for his chat show The Graham Norton Show, for the 40 00:02:24,520 --> 00:02:27,200 Speaker 1: eight books he has written, for the radio shows he 41 00:02:27,280 --> 00:02:30,079 Speaker 1: presents in the UK, and on and on and on, 42 00:02:30,320 --> 00:02:33,080 Speaker 1: because the thing for me that makes him so known 43 00:02:33,639 --> 00:02:36,720 Speaker 1: is this extraordinary wit and spirit that just runs through 44 00:02:36,800 --> 00:02:39,639 Speaker 1: every single thing he does. I can't tell you how 45 00:02:39,639 --> 00:02:41,919 Speaker 1: many times I've been on his show over the years, 46 00:02:42,000 --> 00:02:44,920 Speaker 1: but it's quite a few. And I will tell you 47 00:02:44,960 --> 00:02:48,799 Speaker 1: that churches can really be a bit uphill, but I 48 00:02:48,960 --> 00:02:52,600 Speaker 1: long to go on his show because I have never 49 00:02:52,680 --> 00:02:55,760 Speaker 1: laughed so much in my life. After you've listened to 50 00:02:55,760 --> 00:02:59,679 Speaker 1: this episode of my podcast, please just google Funny race 51 00:02:59,760 --> 00:03:03,160 Speaker 1: Hall names the Graham Norton Show, and you will see 52 00:03:03,160 --> 00:03:06,200 Speaker 1: me genuinely crying with laughter at the hands of a 53 00:03:06,240 --> 00:03:10,080 Speaker 1: merciless Graham. It's quite hard to become a national treasure 54 00:03:10,160 --> 00:03:14,080 Speaker 1: in the UK, but Graham is one, and everyone knows it. 55 00:03:15,160 --> 00:03:18,320 Speaker 1: I always feel better for having talked to him, and 56 00:03:18,600 --> 00:03:22,639 Speaker 1: this interview right now proved to be no different at all. 57 00:03:26,240 --> 00:03:29,440 Speaker 1: Where and when were you happiest? I do know this, 58 00:03:30,040 --> 00:03:31,800 Speaker 1: but I always kind of think, I remember when I 59 00:03:31,840 --> 00:03:34,600 Speaker 1: was a kid, there was a Peanuts cartoon. I loved 60 00:03:34,600 --> 00:03:37,000 Speaker 1: Peanuts when I was a kid, but it's kind of 61 00:03:37,080 --> 00:03:40,960 Speaker 1: weirdly deep for kids. I think it's Charlie Brown and 62 00:03:41,040 --> 00:03:44,040 Speaker 1: Lucy maybe talking Charlie Brown, someone else talking, somebody saying, 63 00:03:44,440 --> 00:03:48,800 Speaker 1: you know, in every life, one day will be happier 64 00:03:48,840 --> 00:03:51,200 Speaker 1: than all the other days, and the other little child 65 00:03:51,240 --> 00:03:54,240 Speaker 1: is going yes, and then the first child goes, what 66 00:03:54,360 --> 00:03:57,880 Speaker 1: if you've had it? And as a child, you know, 67 00:03:58,040 --> 00:04:01,280 Speaker 1: that sort of blew me away because that's just seemed 68 00:04:01,400 --> 00:04:04,200 Speaker 1: the saddest thing in the world that if you're eleven 69 00:04:04,520 --> 00:04:07,360 Speaker 1: and you've had your happiest day, the rest of your 70 00:04:07,400 --> 00:04:10,040 Speaker 1: life is it lived out? Not as good as that. 71 00:04:10,400 --> 00:04:13,000 Speaker 1: So I think you've got to live your life assuming 72 00:04:13,280 --> 00:04:16,720 Speaker 1: your happiest days to come. I think that's very smart. 73 00:04:17,240 --> 00:04:20,120 Speaker 1: Oh my god, it's so existential Peanuts, isn't it. Yeah, 74 00:04:20,279 --> 00:04:23,039 Speaker 1: that is so deep for a little children's cartoon, And 75 00:04:23,080 --> 00:04:26,480 Speaker 1: it hit me to my core. That just seemed like 76 00:04:26,880 --> 00:04:32,400 Speaker 1: meaning of life, level of revelation. Happiest day might have happened. 77 00:04:32,839 --> 00:04:35,599 Speaker 1: The answer to your question is I had a wedding 78 00:04:35,640 --> 00:04:39,320 Speaker 1: weekend this summer in Ireland. Your wedding, my wedding is 79 00:04:39,360 --> 00:04:41,400 Speaker 1: my wedding. We got married already, but we had this 80 00:04:41,560 --> 00:04:45,440 Speaker 1: weekend and you know, there were party planners, and there 81 00:04:45,520 --> 00:04:47,240 Speaker 1: was this going to happen, This is going to happen. 82 00:04:47,320 --> 00:04:50,120 Speaker 1: People were flying in, but of course then the airports 83 00:04:50,120 --> 00:04:53,440 Speaker 1: were all messed up, COVID was still around. You know. 84 00:04:53,520 --> 00:04:56,120 Speaker 1: I picked these party planners basically out of the phone book. 85 00:04:56,160 --> 00:04:58,240 Speaker 1: So they're telling me, oh, yeah, we'll do this, and 86 00:04:58,240 --> 00:05:02,719 Speaker 1: you're thinking, I hope you do, because I have no idea. Anyway, 87 00:05:02,839 --> 00:05:06,120 Speaker 1: the weekend could not have gone better. We got amazing 88 00:05:06,160 --> 00:05:10,640 Speaker 1: whether the moment I was happiest was with my husband, 89 00:05:10,680 --> 00:05:13,360 Speaker 1: just as the party was drawing to the close on 90 00:05:13,400 --> 00:05:17,480 Speaker 1: the Sunday, where you know, we were surrounded by our friends. Still, 91 00:05:17,560 --> 00:05:19,640 Speaker 1: it was a beautiful night. The lights were all in 92 00:05:19,640 --> 00:05:22,040 Speaker 1: the trees, the music was playing, and it was just 93 00:05:22,400 --> 00:05:24,960 Speaker 1: I didn't need to worry about how the whole weekend 94 00:05:25,000 --> 00:05:26,680 Speaker 1: was going to go anymore. I didn't need to worry 95 00:05:26,720 --> 00:05:30,160 Speaker 1: about the catering, or the performers, or the weather or 96 00:05:30,200 --> 00:05:35,080 Speaker 1: people getting there. In that little probably fifteen minute, you know, 97 00:05:35,360 --> 00:05:40,760 Speaker 1: at the end, I could just be happy. In that 98 00:05:40,839 --> 00:05:44,760 Speaker 1: little tail end of all the anxiousness and the planning, 99 00:05:44,920 --> 00:05:48,760 Speaker 1: I felt supremely content and loved and loving and all 100 00:05:48,800 --> 00:05:52,359 Speaker 1: all those good things and all the anxiety and the 101 00:05:52,560 --> 00:05:56,599 Speaker 1: worry actually qualifies and probably has a huge amount to 102 00:05:56,600 --> 00:06:00,640 Speaker 1: do with how happy you felt. Yes, actually, you're absolutely right. 103 00:06:00,680 --> 00:06:02,599 Speaker 1: It is a correlation. All the things that could have 104 00:06:02,640 --> 00:06:05,360 Speaker 1: gone wrong didn't. Yeah. Yeah. I wonder if there are 105 00:06:05,360 --> 00:06:07,599 Speaker 1: people who when they die, I feel that they shually 106 00:06:07,640 --> 00:06:10,239 Speaker 1: went all the stuff is done. It's like, oh, phew, 107 00:06:10,880 --> 00:06:13,960 Speaker 1: you know, I'm night, and God, I don't have to 108 00:06:14,000 --> 00:06:16,960 Speaker 1: do another Christmas. On a different level, I see that 109 00:06:17,000 --> 00:06:19,320 Speaker 1: with people on my chat show all the time. What 110 00:06:19,360 --> 00:06:21,480 Speaker 1: do you mean at the very end they're really happy, Well, 111 00:06:21,480 --> 00:06:24,800 Speaker 1: they're kind of very happy, but also disappointed because they 112 00:06:24,839 --> 00:06:28,400 Speaker 1: were worried for the whole show. Sometimes I'll have, you know, 113 00:06:28,440 --> 00:06:30,839 Speaker 1: a newbe someone who's just doing their first movie or 114 00:06:30,880 --> 00:06:33,919 Speaker 1: their first single or whatever, and because I'm such an 115 00:06:33,960 --> 00:06:38,080 Speaker 1: old blag, I've been sat there for donkeys years and suddenly, really, oh, 116 00:06:38,160 --> 00:06:40,960 Speaker 1: you're really nervous, you know you kind of you just 117 00:06:40,960 --> 00:06:42,799 Speaker 1: want to hug them and kind of go, oh, really, 118 00:06:43,080 --> 00:06:46,960 Speaker 1: you shouldn't be nervous about this. Trust me, so many 119 00:06:47,000 --> 00:06:48,599 Speaker 1: words things are going to happen to you. This is 120 00:06:48,640 --> 00:06:51,000 Speaker 1: not one of them. This is one of the good things. 121 00:06:52,040 --> 00:06:57,280 Speaker 1: Trust me, nebe this highlight and I feel they were 122 00:06:57,279 --> 00:06:59,239 Speaker 1: worried for the whole show that was going to go wrong, 123 00:06:59,320 --> 00:07:01,040 Speaker 1: and they're going to say something stupid, or I was 124 00:07:01,080 --> 00:07:03,080 Speaker 1: going to ask them a weird question, or I was 125 00:07:03,080 --> 00:07:05,479 Speaker 1: going to make them look foolish, and then you see 126 00:07:05,520 --> 00:07:06,920 Speaker 1: them at the end kind of going, oh, I could 127 00:07:06,960 --> 00:07:09,560 Speaker 1: have just enjoyed that. I could have just let go 128 00:07:09,600 --> 00:07:11,840 Speaker 1: and enjoy that. And I wonder if people think that 129 00:07:11,920 --> 00:07:15,320 Speaker 1: on their deathbed, like, oh, I was such a fool. Well, 130 00:07:15,400 --> 00:07:19,080 Speaker 1: I worried about stains on my carpet when I could 131 00:07:19,160 --> 00:07:21,880 Speaker 1: have just been enjoying the coffee that I spilt on it. 132 00:07:21,920 --> 00:07:24,360 Speaker 1: You know, it's just that kind of approach to life 133 00:07:24,400 --> 00:07:27,600 Speaker 1: when someone who you've loved has died, has that thing 134 00:07:27,960 --> 00:07:31,920 Speaker 1: become really really present for you, of oh my god, 135 00:07:31,960 --> 00:07:34,160 Speaker 1: I'm really am going to let go of worrying about 136 00:07:34,160 --> 00:07:36,360 Speaker 1: all of that stuff because I've just seen how quickly 137 00:07:36,400 --> 00:07:40,040 Speaker 1: this is over. Like there's a clarifying moment. I felt 138 00:07:40,080 --> 00:07:43,920 Speaker 1: that when Mom died so extraordinarily like, holy shit, I 139 00:07:43,920 --> 00:07:48,400 Speaker 1: am never thinking about that thing again. That probably lasted 140 00:07:48,440 --> 00:07:51,280 Speaker 1: for a minute. Yes, I agree with you. I think 141 00:07:51,320 --> 00:07:54,400 Speaker 1: grief and loss gives you exactly that word, the clarity 142 00:07:54,480 --> 00:07:58,760 Speaker 1: it gives you perspective, it goes again. I'm a years ago, 143 00:07:59,160 --> 00:08:03,080 Speaker 1: in my twenty I got mugged and stabbed and kind 144 00:08:03,080 --> 00:08:05,440 Speaker 1: of lost over half my blood and ended up in hospital. 145 00:08:05,560 --> 00:08:08,240 Speaker 1: But I remember when I was in hospital, and maybe 146 00:08:08,240 --> 00:08:10,080 Speaker 1: it was just the drugs I was on or something, 147 00:08:10,120 --> 00:08:13,400 Speaker 1: I don't know, but I just remembered feeling like I 148 00:08:13,520 --> 00:08:19,600 Speaker 1: knew everything. I felt like in that moment, having survived that, 149 00:08:20,200 --> 00:08:23,360 Speaker 1: I felt like I could have you know, Palestine, Israel, 150 00:08:23,800 --> 00:08:27,400 Speaker 1: come sit by my bed. I will. I'll solve this 151 00:08:27,640 --> 00:08:31,240 Speaker 1: because I have this kind of huge wisdom. Like I said, 152 00:08:31,280 --> 00:08:33,600 Speaker 1: it was probably the drugs, but equally, I do think 153 00:08:33,920 --> 00:08:38,920 Speaker 1: there's something about extreme things like that, like grief, like 154 00:08:39,080 --> 00:08:41,520 Speaker 1: loss for a moment, as you say, like the window 155 00:08:41,559 --> 00:08:45,360 Speaker 1: shuts again. In that moment, you know everything, but you 156 00:08:45,360 --> 00:08:47,920 Speaker 1: remember this is so show biz. But remember when Kim 157 00:08:47,960 --> 00:08:52,000 Speaker 1: Catrall and Sarahisca Parker had the fuck Yeah, I remember 158 00:08:52,040 --> 00:08:55,160 Speaker 1: that burned into my memory. Serage Parker said something to 159 00:08:55,960 --> 00:09:00,200 Speaker 1: about the brother yea, about her brother and Kim, you 160 00:09:00,200 --> 00:09:02,880 Speaker 1: were not my friend, and everyone's like, oh, that's been harsh, 161 00:09:02,920 --> 00:09:05,600 Speaker 1: and I just thought, no, that's a woman in grief totally, 162 00:09:05,960 --> 00:09:08,360 Speaker 1: that's a woman in grief going, oh, you know what, 163 00:09:08,520 --> 00:09:12,280 Speaker 1: you fuck right out of this. Yes, it's the clarifier 164 00:09:12,520 --> 00:09:15,000 Speaker 1: you chop out the people that try to co opt 165 00:09:15,040 --> 00:09:17,800 Speaker 1: your brother's death for a tweet or whatever it was. 166 00:09:18,080 --> 00:09:20,600 Speaker 1: You respond with that clarity of emotion of like, I 167 00:09:20,640 --> 00:09:25,480 Speaker 1: have no time for this extraneous social contract bullshit nonsense. Yeah, 168 00:09:25,600 --> 00:09:28,559 Speaker 1: but I also feel like that does maybe just what 169 00:09:28,600 --> 00:09:31,840 Speaker 1: we said about the anxiety qualifying the happiness those moments 170 00:09:32,320 --> 00:09:37,160 Speaker 1: and that kind of intensity. When I remember it, I 171 00:09:37,200 --> 00:09:39,839 Speaker 1: feel the happiness on the other side of it. I 172 00:09:39,920 --> 00:09:43,679 Speaker 1: feel how it helped throw into relief what real happiness 173 00:09:43,720 --> 00:09:45,520 Speaker 1: looked like. That sitting on that beach in Cornwall in 174 00:09:45,520 --> 00:09:48,360 Speaker 1: the rain, when we all complained about the barbecue not lighting, 175 00:09:48,600 --> 00:09:52,400 Speaker 1: and my mom laughed because she had cring tonics in 176 00:09:52,679 --> 00:09:56,840 Speaker 1: funny enough, a snoopy, you know, small child's drink holder. 177 00:09:57,480 --> 00:10:01,640 Speaker 1: All that happiness, it's just more clearly defined by all 178 00:10:01,679 --> 00:10:05,040 Speaker 1: that worry or anxiety or angst around certain things. And 179 00:10:05,080 --> 00:10:07,199 Speaker 1: I'm I'm kind of fascinated by that. But that is 180 00:10:07,240 --> 00:10:10,280 Speaker 1: part of I suppose the fundamental duality of being alive. 181 00:10:10,520 --> 00:10:13,280 Speaker 1: It is, but also I think an extreme thing like that, 182 00:10:13,640 --> 00:10:15,760 Speaker 1: you know, all that whanging on, living in the moment, 183 00:10:16,040 --> 00:10:18,160 Speaker 1: whanging on. But you know what I mean, because it's 184 00:10:18,200 --> 00:10:20,240 Speaker 1: like all that whanging on and living at the moment, 185 00:10:20,320 --> 00:10:23,200 Speaker 1: I totally do. So, yes, we know, we all are 186 00:10:23,240 --> 00:10:25,080 Speaker 1: to live in the moment. Yeah, yeah, Well, you know what, 187 00:10:25,200 --> 00:10:27,040 Speaker 1: I've got a diary and there's things in it and 188 00:10:27,080 --> 00:10:30,640 Speaker 1: I'm planning. You know, you just can't. But in that moment, 189 00:10:30,800 --> 00:10:35,320 Speaker 1: in that profound moment of loss, you are entirely in 190 00:10:35,360 --> 00:10:39,040 Speaker 1: that moment, I think, where nothing else is going on. 191 00:10:39,480 --> 00:10:42,960 Speaker 1: It's just that. Yeah, every book that I'd read on 192 00:10:43,200 --> 00:10:46,120 Speaker 1: any kind of personal growth or philosophy or religion or 193 00:10:46,120 --> 00:10:47,760 Speaker 1: whatever I've read in my whole life, it was so 194 00:10:47,840 --> 00:10:51,959 Speaker 1: extraordinary in those moments. And by moments, I mean months 195 00:10:52,080 --> 00:10:55,679 Speaker 1: after Mom died. It's like I knew, I knew, just 196 00:10:55,760 --> 00:10:59,400 Speaker 1: as you said, weirdly, I knew everything. I knew all 197 00:10:59,440 --> 00:11:02,120 Speaker 1: of the thing, all of the things that mattered, all 198 00:11:02,240 --> 00:11:04,840 Speaker 1: the things that actually held meaning, all of the things 199 00:11:04,880 --> 00:11:07,320 Speaker 1: that I wanted to let go of. It was so 200 00:11:07,720 --> 00:11:11,560 Speaker 1: incredibly clear. There's an extraordinary gift in that. There's not 201 00:11:11,679 --> 00:11:14,160 Speaker 1: much that's good about when your mom dies. And I 202 00:11:14,160 --> 00:11:16,160 Speaker 1: would only say that just in terms of like observing 203 00:11:16,280 --> 00:11:18,920 Speaker 1: stuff that happens. But I do believe in the clarifying 204 00:11:18,960 --> 00:11:21,360 Speaker 1: power of grief and the definition of happiness. I want 205 00:11:21,440 --> 00:11:24,840 Speaker 1: to see Gary Barlow from Take That, who if people 206 00:11:24,920 --> 00:11:26,480 Speaker 1: in America they may not know Take That. But he 207 00:11:26,559 --> 00:11:28,280 Speaker 1: was a you know, a young kid and a boy 208 00:11:28,280 --> 00:11:30,960 Speaker 1: band and then they disapparited a horrible time and they 209 00:11:31,000 --> 00:11:34,000 Speaker 1: came back and were successful. And he's doing this one 210 00:11:34,040 --> 00:11:36,400 Speaker 1: man show kind of a life and in the second 211 00:11:36,400 --> 00:11:40,240 Speaker 1: act he tells this really heartbreaking story about him and 212 00:11:40,280 --> 00:11:42,840 Speaker 1: his wife losing a baby. The baby is still born, 213 00:11:43,200 --> 00:11:46,240 Speaker 1: and it's so heartbreaking, it's very sad, everyone in the 214 00:11:46,280 --> 00:11:49,680 Speaker 1: audience sobbing. But he turns it into this positive. The 215 00:11:49,800 --> 00:11:54,839 Speaker 1: gift that that child gave him was perspective, and the 216 00:11:54,880 --> 00:11:57,480 Speaker 1: gift of that child gave him was being able to 217 00:11:57,600 --> 00:12:00,360 Speaker 1: say no to things, not you know, needing to please 218 00:12:00,440 --> 00:12:03,439 Speaker 1: people all the time. And that what you're talking about, 219 00:12:03,440 --> 00:12:06,000 Speaker 1: the happiness on the other side of something. I just 220 00:12:06,080 --> 00:12:11,000 Speaker 1: think that's what's that phrase, collateral beauty around awful things? 221 00:12:11,280 --> 00:12:18,920 Speaker 1: There is collateral beauty? Really tell me what relationship, real 222 00:12:19,160 --> 00:12:24,240 Speaker 1: or fictionalized, defines love for you? Oh, now it's fictional, 223 00:12:24,600 --> 00:12:28,800 Speaker 1: but it was profound when I watched it, and it's 224 00:12:28,960 --> 00:12:32,280 Speaker 1: still kind of profound because I think there's a kind 225 00:12:32,320 --> 00:12:36,559 Speaker 1: of a pureity to the love in this and it's 226 00:12:36,679 --> 00:12:41,440 Speaker 1: Elliott and et the love between those two, because so 227 00:12:41,520 --> 00:12:44,680 Speaker 1: much of it's unspoken, so much of it isn't thought 228 00:12:44,760 --> 00:12:49,000 Speaker 1: about or expressed or figured out, or you know, the 229 00:12:49,040 --> 00:12:53,160 Speaker 1: way in relationships there's a kind of a not a game, 230 00:12:53,440 --> 00:12:54,959 Speaker 1: but a kind of a dance, is sort of a 231 00:12:55,040 --> 00:12:59,640 Speaker 1: choreograph thing between you before you get to love and 232 00:13:00,080 --> 00:13:05,800 Speaker 1: staying in love. And there's something so pure about the 233 00:13:05,880 --> 00:13:09,000 Speaker 1: love between that little boy and the alien, and the 234 00:13:09,040 --> 00:13:10,640 Speaker 1: fact that you know one of them is an alien 235 00:13:11,520 --> 00:13:14,200 Speaker 1: makes it really lovely. And his heart lights up like 236 00:13:14,200 --> 00:13:17,520 Speaker 1: a bedside lamp. You can't get better than that. I mean, 237 00:13:17,640 --> 00:13:19,400 Speaker 1: I love John. Oh, but if his heart lit up 238 00:13:19,440 --> 00:13:21,120 Speaker 1: like a bedside lamb, but I could read by it, 239 00:13:21,760 --> 00:13:24,280 Speaker 1: I would love it. If my boyfriend's he lit up 240 00:13:24,280 --> 00:13:26,200 Speaker 1: like I'd be like, oh God, keep that going. I 241 00:13:26,200 --> 00:13:30,240 Speaker 1: can turn my phone off. I'll just turn this way 242 00:13:30,280 --> 00:13:35,600 Speaker 1: downing hard on. Yeah, that's lovely, so like a camp fire. Oh. Also, 243 00:13:35,720 --> 00:13:38,559 Speaker 1: you know what's beautiful about Elliot and Eats relationship as well, 244 00:13:38,679 --> 00:13:41,240 Speaker 1: is that Elliott his love doesn't weive when he knows 245 00:13:41,760 --> 00:13:44,280 Speaker 1: has got to go. Yeah, he doesn't sort of stop 246 00:13:44,320 --> 00:13:48,080 Speaker 1: helping him, and it doesn't diminish the love. That notion 247 00:13:48,160 --> 00:13:50,680 Speaker 1: that one person is going to really lose out because 248 00:13:50,679 --> 00:13:52,920 Speaker 1: I don't think it would really think twice about Elliott 249 00:13:52,960 --> 00:13:56,160 Speaker 1: after he's gone back home, frankly, because home is obviously 250 00:13:56,240 --> 00:13:58,560 Speaker 1: his passion and what defines love for him. It's all 251 00:13:58,559 --> 00:14:02,120 Speaker 1: he talks about when he does staying. But also, isn't 252 00:14:02,120 --> 00:14:06,440 Speaker 1: there something about that? Because Et nearly dies, so Elliott 253 00:14:06,480 --> 00:14:09,600 Speaker 1: thinks he's lost Et, and then he comes back to life, 254 00:14:09,640 --> 00:14:12,800 Speaker 1: and then I think that allows Elliott to let him 255 00:14:12,840 --> 00:14:15,360 Speaker 1: go because it's so lovely that he's alive. I don't 256 00:14:15,400 --> 00:14:17,640 Speaker 1: care if you're alive and not living with me, but 257 00:14:17,679 --> 00:14:20,720 Speaker 1: I'm so happy you're alive. You're absolutely right, it's a 258 00:14:20,760 --> 00:14:25,280 Speaker 1: really beautiful, pure expression of unconditional love that relationship. I 259 00:14:25,280 --> 00:14:27,200 Speaker 1: think you should stop asking this question now because I 260 00:14:27,240 --> 00:14:29,280 Speaker 1: think I've given the proper answer. I think I've've solved 261 00:14:29,320 --> 00:14:34,000 Speaker 1: that question for you. I've solved for that across it off. Yeah, 262 00:14:34,120 --> 00:14:52,120 Speaker 1: it's Eliot and e t thank you, thank you, good night. Okay, 263 00:14:52,200 --> 00:14:56,200 Speaker 1: So what is the quality that you like least about yourself. 264 00:14:57,840 --> 00:15:01,560 Speaker 1: Compromise is a good thing, but I feel I'm a pushover. 265 00:15:01,840 --> 00:15:06,000 Speaker 1: I feel like I never really stand up for anything. 266 00:15:06,160 --> 00:15:08,280 Speaker 1: I kind of just go, ho, well, I just roll over. 267 00:15:08,400 --> 00:15:10,800 Speaker 1: There's a lot of rolling over, and I feel like 268 00:15:10,920 --> 00:15:13,920 Speaker 1: that's the thing the young me would judge me the 269 00:15:14,080 --> 00:15:16,600 Speaker 1: most harshly about. I think the young me would be 270 00:15:16,600 --> 00:15:19,480 Speaker 1: pleased that I was success and but I think the 271 00:15:19,520 --> 00:15:22,000 Speaker 1: young me would stare at me, going, what you're going 272 00:15:22,040 --> 00:15:26,440 Speaker 1: to do that? Or you know what? That's okay? Isn't 273 00:15:26,440 --> 00:15:29,520 Speaker 1: that like, you know, path of least resistance. Isn't that 274 00:15:29,640 --> 00:15:32,640 Speaker 1: like a whole kind of philosophy in itself? Isn't that 275 00:15:32,680 --> 00:15:35,400 Speaker 1: a really amazing thing that you do that? No, see, 276 00:15:35,400 --> 00:15:37,600 Speaker 1: I don't think it's admirable at all. I look at 277 00:15:37,600 --> 00:15:40,320 Speaker 1: people with conviction, and I am in all of them. 278 00:15:40,520 --> 00:15:43,120 Speaker 1: They are annoying, but I am in all of them. 279 00:15:43,240 --> 00:15:46,600 Speaker 1: That's really interesting. It happens in my personal life to 280 00:15:46,840 --> 00:15:49,280 Speaker 1: where you know, like there's a lot of inner monologue 281 00:15:49,440 --> 00:15:54,120 Speaker 1: about that shouldn't happen or that, but I just don't 282 00:15:54,160 --> 00:15:58,120 Speaker 1: say anything because it's it's easier, but it's not easier. 283 00:15:58,360 --> 00:16:01,080 Speaker 1: But I think it is easier. It's easy because it's 284 00:16:01,120 --> 00:16:02,680 Speaker 1: like the thing is that once you've done it once 285 00:16:02,720 --> 00:16:05,000 Speaker 1: and you realize the whole world didn't stop and this 286 00:16:05,040 --> 00:16:07,560 Speaker 1: guy didn't fall in and it was actually fine, I 287 00:16:07,600 --> 00:16:10,440 Speaker 1: think it must then become quite a delicious thing to do, 288 00:16:10,520 --> 00:16:12,960 Speaker 1: which is to maybe not take a position. It takes 289 00:16:13,000 --> 00:16:16,240 Speaker 1: a lot of energy to have conviction. It does. And 290 00:16:16,280 --> 00:16:18,240 Speaker 1: like I said, I am in all of those people. 291 00:16:18,680 --> 00:16:20,320 Speaker 1: You know, I feel like, you know that thing kind 292 00:16:20,360 --> 00:16:23,280 Speaker 1: of like, oh that was quite good, that's fine, that's 293 00:16:23,280 --> 00:16:25,600 Speaker 1: all right, And you've gotta think, oh, why can't something 294 00:16:25,640 --> 00:16:28,840 Speaker 1: be exceptional? Why can't something be really good? And I 295 00:16:28,880 --> 00:16:31,480 Speaker 1: feel like I should aim a bit higher in all 296 00:16:31,560 --> 00:16:36,400 Speaker 1: parts of my life. But I don't find Jannah notice 297 00:16:36,400 --> 00:16:39,280 Speaker 1: about you? Oh no, no, he's my doing well, yeah, 298 00:16:39,360 --> 00:16:42,760 Speaker 1: he's my peak achievement. My husband is my peak achievement. 299 00:16:42,880 --> 00:16:44,560 Speaker 1: I think that's lovely. I do know what you mean. 300 00:16:44,680 --> 00:16:46,880 Speaker 1: But I'm just the complete opposite. I need to stop 301 00:16:46,960 --> 00:16:49,920 Speaker 1: trying to fight for everything and just getting exhausted and 302 00:16:50,040 --> 00:16:53,440 Speaker 1: disappointed as opposed to being pleasantly surprised when a few 303 00:16:53,480 --> 00:16:56,520 Speaker 1: things work out. There must be something in between, where 304 00:16:56,560 --> 00:16:59,960 Speaker 1: you know what battles are worth fighting. My boyfriends were 305 00:17:00,000 --> 00:17:01,720 Speaker 1: really good at that. He's like, I'm not going to 306 00:17:01,840 --> 00:17:03,760 Speaker 1: die on that hill. I am going to die on 307 00:17:03,840 --> 00:17:05,399 Speaker 1: that one. Except I'm not going to die. I'm going 308 00:17:05,440 --> 00:17:07,520 Speaker 1: to succeed. I'm going to plant my flag in the 309 00:17:07,600 --> 00:17:09,520 Speaker 1: top of that mountain and then he'll do it. It's 310 00:17:09,600 --> 00:17:12,920 Speaker 1: quite annoying. So maybe actually my worst quality is that 311 00:17:12,960 --> 00:17:18,000 Speaker 1: I'm just resentful of his good quality, of his good qualities. 312 00:17:18,440 --> 00:17:20,600 Speaker 1: My friends just moved into a new apartment and they're 313 00:17:20,640 --> 00:17:25,040 Speaker 1: having trouble with the neighbor. There's an upstairs neighbor. All 314 00:17:25,119 --> 00:17:28,840 Speaker 1: these like angry emails going around, and my friend ended 315 00:17:28,880 --> 00:17:31,520 Speaker 1: one email with do not fight me, I will win. 316 00:17:32,760 --> 00:17:39,320 Speaker 1: Oh my god, that's fantastic. I love that way to 317 00:17:39,359 --> 00:17:43,719 Speaker 1: win over your neighbors. Do not fight me, I will win. Also, 318 00:17:44,119 --> 00:17:48,280 Speaker 1: that is a rookie era never moving anywhere with upstairs neighbors. 319 00:17:48,680 --> 00:17:51,000 Speaker 1: It's hard. I mean, one a nightmare for cool thing, 320 00:17:51,080 --> 00:17:54,520 Speaker 1: but stairs neighbors are terrible to neighbors. Essentially, basically being 321 00:17:54,560 --> 00:17:57,640 Speaker 1: in a neighbor sandwich is fucking dreadful. Yeah, I don't 322 00:17:57,640 --> 00:18:00,040 Speaker 1: know I would take that into extreme consideration, but have 323 00:18:00,119 --> 00:18:02,600 Speaker 1: a whole neighbor thing nightmare. I used to do like 324 00:18:02,680 --> 00:18:05,200 Speaker 1: an agony uncle column in a paper here, and I 325 00:18:05,240 --> 00:18:07,720 Speaker 1: did it for about eight years. And those are the 326 00:18:07,760 --> 00:18:10,720 Speaker 1: problems I dreaded when people wrote in about the neighbors, 327 00:18:10,880 --> 00:18:14,760 Speaker 1: because there is no solution. There's no solution except move, yeah, 328 00:18:14,920 --> 00:18:17,439 Speaker 1: move at Even then it's hard because if they're noisy 329 00:18:17,520 --> 00:18:19,240 Speaker 1: or whatever, it's hard to sell your house and blah 330 00:18:19,240 --> 00:18:21,440 Speaker 1: blah blah blah blah. Yeah, you have to disclose all 331 00:18:21,480 --> 00:18:23,920 Speaker 1: of that stuff. Yeah, it's monsters. As if it weren't 332 00:18:23,960 --> 00:18:26,440 Speaker 1: hard enough trying to find a place to rent or 333 00:18:26,560 --> 00:18:35,520 Speaker 1: buy in this life. Now, what question would you most 334 00:18:35,640 --> 00:18:39,080 Speaker 1: like answered? I remember, and I'm sure all kids do this, 335 00:18:39,280 --> 00:18:42,720 Speaker 1: where you lie in the grass and look up and 336 00:18:43,480 --> 00:18:45,680 Speaker 1: you know the clouds move, but you think that's the 337 00:18:45,760 --> 00:18:49,159 Speaker 1: earth going and then you look beyond that into the 338 00:18:49,240 --> 00:18:51,800 Speaker 1: blue and it's just that. Even as an adult you 339 00:18:51,840 --> 00:18:54,480 Speaker 1: stop thinking about it. But as a child, that is 340 00:18:54,720 --> 00:18:57,720 Speaker 1: such a kind of mind fuck. There must be a 341 00:18:57,760 --> 00:19:00,160 Speaker 1: there there, but there is no there there. It goes 342 00:19:00,200 --> 00:19:02,600 Speaker 1: on forever, new they can't go on forever. There has 343 00:19:02,680 --> 00:19:04,520 Speaker 1: to be you know. I still don't understand it. But 344 00:19:04,640 --> 00:19:07,840 Speaker 1: do I want that question answered? I mean no, because 345 00:19:07,840 --> 00:19:09,600 Speaker 1: I think it would bore the chasses out of me. 346 00:19:09,720 --> 00:19:14,080 Speaker 1: I think just like someone would start explaining to me 347 00:19:14,240 --> 00:19:17,080 Speaker 1: are placed in the cosmos or the concept of infinity, 348 00:19:17,359 --> 00:19:23,680 Speaker 1: and I would find myself slowly looking away. Oh there's 349 00:19:23,720 --> 00:19:28,600 Speaker 1: someone I know. I wonder what's for dinner? Was up 350 00:19:28,640 --> 00:19:32,000 Speaker 1: my phone? And that is the origin of the universe. 351 00:19:32,840 --> 00:19:36,080 Speaker 1: Cheese tasty? You know what. I'm just thinking. The one 352 00:19:36,240 --> 00:19:38,720 Speaker 1: thing I would quite like to be able to do. 353 00:19:39,400 --> 00:19:42,879 Speaker 1: I would quite like to be able to read dogs minds. 354 00:19:43,200 --> 00:19:45,920 Speaker 1: I know they're probably quite easy to read, you know. 355 00:19:46,200 --> 00:19:48,159 Speaker 1: Can I fuck it? Can I eat it? But I 356 00:19:50,280 --> 00:19:54,399 Speaker 1: couldn't scratch my tummy? There's that? Yes? And can I 357 00:19:54,480 --> 00:19:58,480 Speaker 1: eat that hand? Or fuck it? I think there's some 358 00:19:58,760 --> 00:20:01,440 Speaker 1: subtlety going on in there's something else going on. So 359 00:20:01,560 --> 00:20:04,440 Speaker 1: I would quite like someone to tell me what my 360 00:20:04,520 --> 00:20:07,879 Speaker 1: dog is thinking at all times. I really like that, 361 00:20:08,080 --> 00:20:10,920 Speaker 1: And that is a really true. Wait, can I tell you? Yes? 362 00:20:11,160 --> 00:20:12,960 Speaker 1: My dog ran away from me at this fair we 363 00:20:13,040 --> 00:20:15,320 Speaker 1: were at and I ran through the crowd and I 364 00:20:15,400 --> 00:20:17,720 Speaker 1: found him with his paws on the shoulders of this 365 00:20:17,920 --> 00:20:23,160 Speaker 1: woman and she was like, oh, oh yeah, oh oh goodness. 366 00:20:23,520 --> 00:20:24,880 Speaker 1: And I was like, oh my god, Oh my god. 367 00:20:24,920 --> 00:20:27,119 Speaker 1: My dog, and she was like, Hi, your dog was 368 00:20:27,240 --> 00:20:29,200 Speaker 1: just telling me a few things, like would you like 369 00:20:29,320 --> 00:20:31,119 Speaker 1: me to tell you? And I was looking around, what 370 00:20:31,640 --> 00:20:33,560 Speaker 1: is happening? Anyway? It turned out she was this really 371 00:20:33,600 --> 00:20:37,080 Speaker 1: famous pet psychic, and my dog told her. She said, 372 00:20:37,200 --> 00:20:39,240 Speaker 1: you have to get his bed back from the garage. 373 00:20:39,720 --> 00:20:42,199 Speaker 1: And I'd literally got him a new bed the day 374 00:20:42,280 --> 00:20:44,879 Speaker 1: before and thrown out his old one, and it was 375 00:20:45,040 --> 00:20:47,560 Speaker 1: upstairs in the garage where I lived, waiting to be 376 00:20:47,720 --> 00:20:49,840 Speaker 1: taken away. And he told her that. And then the 377 00:20:49,880 --> 00:20:51,440 Speaker 1: other thing he told her was that my sister used 378 00:20:51,440 --> 00:20:54,080 Speaker 1: to take him to work and my dog had most 379 00:20:54,160 --> 00:20:56,440 Speaker 1: of his tail missing from a terrible accident with the door, 380 00:20:56,760 --> 00:20:59,879 Speaker 1: and my sister's boss used to call him stubborn. His 381 00:21:00,119 --> 00:21:02,760 Speaker 1: name was Bubba, and he used to call him stumpy Stubba, 382 00:21:03,160 --> 00:21:04,840 Speaker 1: and he didn't like that, and he told the pets 383 00:21:04,880 --> 00:21:07,440 Speaker 1: psychic to tell me to tell him to fucking stop 384 00:21:07,480 --> 00:21:11,760 Speaker 1: calling him that. Wow, it was heaven. They couldn't have known. 385 00:21:11,840 --> 00:21:13,359 Speaker 1: She couldn't have known that. How could you have known 386 00:21:13,440 --> 00:21:15,240 Speaker 1: that we had a pet psychic on the TV show 387 00:21:15,359 --> 00:21:18,240 Speaker 1: years ago? And this woman she was literally from the 388 00:21:18,320 --> 00:21:21,919 Speaker 1: audience and actually had a dog and the dog told 389 00:21:22,040 --> 00:21:25,480 Speaker 1: the psychic that the woman needs to put carpet back 390 00:21:25,520 --> 00:21:28,440 Speaker 1: in the bedroom because he can't jump on the bed 391 00:21:28,520 --> 00:21:31,119 Speaker 1: anymore because he can't get purchased on the wooden floor. 392 00:21:31,560 --> 00:21:33,880 Speaker 1: And the woman, I mean, you saw the one's face, 393 00:21:34,080 --> 00:21:36,159 Speaker 1: she was just like Honestly, I think she thought we'd 394 00:21:36,200 --> 00:21:39,520 Speaker 1: broken into her house and taking pictures or something, because 395 00:21:39,760 --> 00:21:42,560 Speaker 1: she had just taken up the carpet and put in laminte. 396 00:21:42,880 --> 00:21:45,600 Speaker 1: Oh my god, my god. And I also love the 397 00:21:45,640 --> 00:21:47,639 Speaker 1: fact that dogs aren't like you know. I want you 398 00:21:47,720 --> 00:21:49,720 Speaker 1: to teach me the secrets of the universe and take 399 00:21:49,800 --> 00:21:52,320 Speaker 1: me on concorde. No. Have you seen that woman on 400 00:21:52,400 --> 00:21:55,600 Speaker 1: Instagram who thinks her dog can talk to her wait 401 00:21:55,640 --> 00:21:58,399 Speaker 1: when it hits the buttons? Yes, I've seen her a lot. 402 00:21:58,640 --> 00:22:01,760 Speaker 1: It's sent task stick. I like the way if he 403 00:22:01,920 --> 00:22:05,919 Speaker 1: just hits table and sleep. You dreamt about her table. 404 00:22:06,240 --> 00:22:10,200 Speaker 1: You treamt about a table. You was so smart. Well, 405 00:22:10,359 --> 00:22:13,760 Speaker 1: a major UK supermarket now sells a set of four 406 00:22:14,119 --> 00:22:18,440 Speaker 1: of those little things. Does it say fuck eat? Honestly, 407 00:22:18,800 --> 00:22:21,880 Speaker 1: you can record whatever you like. I God, that's amazing. Yeah, 408 00:22:22,200 --> 00:22:25,160 Speaker 1: we got them for Douglas the Dog. And what Starglass 409 00:22:25,200 --> 00:22:29,120 Speaker 1: done with them? Nothing? Occasionally he'll walk on one by accident, 410 00:22:29,280 --> 00:22:31,960 Speaker 1: and then we have to give him a treat or something. 411 00:22:32,240 --> 00:22:34,119 Speaker 1: One of them does they treat, even that one. He 412 00:22:34,200 --> 00:22:36,359 Speaker 1: hasn't figured out that hitting it will get him a treat. 413 00:22:36,440 --> 00:22:38,280 Speaker 1: But he's an older dog, so you know, there is 414 00:22:38,320 --> 00:22:41,159 Speaker 1: a saying about that. Also, it's like, you know, not 415 00:22:41,280 --> 00:22:44,280 Speaker 1: all dogs are like really smart. Like I've had very 416 00:22:44,320 --> 00:22:47,159 Speaker 1: smart dogs, and I've had really thick dogs, like really 417 00:22:47,280 --> 00:22:50,400 Speaker 1: thick dogs. Some dogs probably aren't chatty. Some dogs don't 418 00:22:50,400 --> 00:22:52,520 Speaker 1: want to talk to you, and they're like, look, love, 419 00:22:52,680 --> 00:22:54,880 Speaker 1: there's a whole reason I can't talk. They start trying 420 00:22:54,880 --> 00:22:56,760 Speaker 1: to talk to me. That's what this life is about. 421 00:22:56,840 --> 00:23:01,000 Speaker 1: It was about silence, about silence. Yeah, look, just feed 422 00:23:01,080 --> 00:23:04,040 Speaker 1: me twice a day. Like that was the arrangement. So 423 00:23:04,200 --> 00:23:21,320 Speaker 1: what's the buttons? Stuffed with the buttons? The buttons? Now, 424 00:23:21,600 --> 00:23:24,960 Speaker 1: what person, place or experience most also to your life? 425 00:23:25,359 --> 00:23:30,399 Speaker 1: I would say San Francisco. I was in a hippie 426 00:23:30,400 --> 00:23:34,919 Speaker 1: commune in San Francisco when I was twenty and twenty 427 00:23:35,000 --> 00:23:38,040 Speaker 1: sounds quite old, but I was an Irish twenty, which 428 00:23:38,200 --> 00:23:43,399 Speaker 1: is like a sort of international fourteen, let's say. And 429 00:23:43,920 --> 00:23:45,800 Speaker 1: I didn't know what I wanted to do with my life. 430 00:23:46,080 --> 00:23:50,479 Speaker 1: I had done two years at university studying French and English, 431 00:23:50,560 --> 00:23:53,240 Speaker 1: but I wasn't enjoying it. I didn't like being in Cork, 432 00:23:53,440 --> 00:23:55,800 Speaker 1: and so I ran away. I ran away to San Francisco, 433 00:23:56,760 --> 00:24:00,280 Speaker 1: and through various accidents and alchemy and luck, I ended 434 00:24:00,320 --> 00:24:02,520 Speaker 1: up in this hippie commune. It's still there. It's still 435 00:24:02,560 --> 00:24:04,840 Speaker 1: there in San Francisco. Oh my god, how amaze, just 436 00:24:05,000 --> 00:24:08,800 Speaker 1: off the Panhandle. And I had never met people like 437 00:24:08,920 --> 00:24:15,040 Speaker 1: this before. People with convictions put me right off, put 438 00:24:15,119 --> 00:24:18,320 Speaker 1: me off the life. But they treated me, you know, 439 00:24:18,359 --> 00:24:21,600 Speaker 1: they treated back in an adult there was the chore wheel, 440 00:24:21,720 --> 00:24:23,560 Speaker 1: and you know, we had to cook one night and 441 00:24:23,600 --> 00:24:26,159 Speaker 1: I'd have to cook for you know, twelve people, and 442 00:24:26,440 --> 00:24:29,760 Speaker 1: I couldn't cook for one. Can I just get twelve 443 00:24:29,840 --> 00:24:34,399 Speaker 1: pot noodles? Do that for everyone? That's okay, right? And 444 00:24:34,800 --> 00:24:36,399 Speaker 1: I went back. They had a kind of a twenty 445 00:24:36,480 --> 00:24:39,800 Speaker 1: five year anniversary ten years ago, and I went back 446 00:24:40,119 --> 00:24:43,439 Speaker 1: to see them, and this one woman, she said to me, oh, 447 00:24:43,600 --> 00:24:48,240 Speaker 1: we still make your soup. And I'm like what. Apparently 448 00:24:48,800 --> 00:24:51,600 Speaker 1: I had made some leak and potatoes soup, of course, 449 00:24:51,640 --> 00:24:53,879 Speaker 1: the potatoes in it. And she still makes it she 450 00:24:53,960 --> 00:24:56,719 Speaker 1: calls the Graham soup. But weirdly, that woman, I remember 451 00:24:56,800 --> 00:24:58,960 Speaker 1: she was studying to be a nurse, and she was 452 00:25:00,560 --> 00:25:04,520 Speaker 1: I think she was forty maybe forty one two, and 453 00:25:04,680 --> 00:25:07,040 Speaker 1: she was studying to be a nurse. And I remember 454 00:25:07,080 --> 00:25:09,639 Speaker 1: thinking of the time, like like, why would you bother? 455 00:25:09,960 --> 00:25:13,320 Speaker 1: Like really, really, lady, you're training to do something in 456 00:25:13,440 --> 00:25:17,920 Speaker 1: your forties. It's too late for you. And I must 457 00:25:17,960 --> 00:25:21,720 Speaker 1: have said that to her, hopefully not as boldly as that, 458 00:25:22,000 --> 00:25:25,800 Speaker 1: but I must have questioned starting a new career or 459 00:25:25,880 --> 00:25:28,120 Speaker 1: being a student in her forties, and she went, well, 460 00:25:28,320 --> 00:25:30,879 Speaker 1: if I am a nurse for rest of my life, 461 00:25:31,400 --> 00:25:35,080 Speaker 1: I'll have been nursing for twenty five years, you know, 462 00:25:35,280 --> 00:25:37,960 Speaker 1: untill her retirement. And I was like, oh, that's that's 463 00:25:38,040 --> 00:25:40,600 Speaker 1: longer than I've been alive. I can understand that is 464 00:25:40,600 --> 00:25:43,200 Speaker 1: a long time. And it gave me, in my little 465 00:25:43,480 --> 00:25:45,960 Speaker 1: young life, it gave me kind of the gift of time, 466 00:25:46,280 --> 00:25:49,480 Speaker 1: of realizing that in a life, although they go by 467 00:25:49,520 --> 00:25:51,840 Speaker 1: in a flash, we also have more time than we 468 00:25:51,920 --> 00:25:54,560 Speaker 1: think we do. And I think that's something that young 469 00:25:54,680 --> 00:25:57,400 Speaker 1: people should know. Don't be in such a rush. You've 470 00:25:57,440 --> 00:26:00,320 Speaker 1: got time to fail, You've got time to six seed. 471 00:26:00,680 --> 00:26:03,119 Speaker 1: You've got time to not succeed or succeeded the thing 472 00:26:03,240 --> 00:26:05,680 Speaker 1: you don't enjoy, and then find the thing you do enjoy. 473 00:26:06,080 --> 00:26:08,720 Speaker 1: You know, when I turned fifty, there is a sense, oh, 474 00:26:09,000 --> 00:26:10,960 Speaker 1: the bike is at the top of the hill and 475 00:26:11,600 --> 00:26:14,080 Speaker 1: the rest of my life is now downhill. But then 476 00:26:14,119 --> 00:26:17,520 Speaker 1: you realize, oh, no, I'm only fifty. Yeah, you know, 477 00:26:17,600 --> 00:26:20,280 Speaker 1: with a bit of luck, there's decades of this ship left. 478 00:26:20,520 --> 00:26:24,000 Speaker 1: I better find things to do and find challenges and 479 00:26:24,480 --> 00:26:26,040 Speaker 1: things that I haven't done yet that I want to 480 00:26:26,119 --> 00:26:28,800 Speaker 1: get done. So and that all came from that hippie commune. 481 00:26:28,840 --> 00:26:31,879 Speaker 1: Don't be scared of failure, because actually there's time. I 482 00:26:31,960 --> 00:26:36,240 Speaker 1: think it was Victor Hugo who said fifty is the 483 00:26:36,359 --> 00:26:39,399 Speaker 1: youth of old age. Yes, I really, I really like that. 484 00:26:39,520 --> 00:26:41,280 Speaker 1: And by the way, that when you're in your twenties 485 00:26:41,280 --> 00:26:43,920 Speaker 1: and I remember thinking I had to get it all done, 486 00:26:44,240 --> 00:26:46,719 Speaker 1: I didn't even know what that meant. But the amount 487 00:26:46,760 --> 00:26:50,000 Speaker 1: of time I spent worrying that I wasn't doing enough, 488 00:26:50,480 --> 00:26:52,879 Speaker 1: it's so interesting, like if one does think about it, 489 00:26:53,000 --> 00:26:55,080 Speaker 1: not that time is running out, but rather there is 490 00:26:55,119 --> 00:26:57,359 Speaker 1: a lot of time. I know. It's exact obverse of 491 00:26:57,600 --> 00:27:01,040 Speaker 1: the meters ticking. Yes, but also that thing that no 492 00:27:01,240 --> 00:27:05,800 Speaker 1: time is wasted in a way, no exactly, that if 493 00:27:05,840 --> 00:27:08,520 Speaker 1: you find out that you hate doing something, it's going 494 00:27:08,600 --> 00:27:11,120 Speaker 1: to help define what you do want to do. Yeah, 495 00:27:11,240 --> 00:27:13,920 Speaker 1: I think that's brilliant for all of us. Actually to go, 496 00:27:14,000 --> 00:27:15,639 Speaker 1: you've got a bit more time. You've got a bit 497 00:27:15,680 --> 00:27:17,560 Speaker 1: more time than you think, because how old were you 498 00:27:17,680 --> 00:27:20,159 Speaker 1: when you kind of thought I've made it. It was 499 00:27:20,200 --> 00:27:25,040 Speaker 1: for about fifteen minutes, but you thought it. It didn't 500 00:27:25,080 --> 00:27:27,119 Speaker 1: happen in the moment it happened. When I sort of 501 00:27:27,200 --> 00:27:29,639 Speaker 1: looked back, I must say that I thought the zenith 502 00:27:29,760 --> 00:27:31,480 Speaker 1: of like being on the red carpet with my mom 503 00:27:31,520 --> 00:27:34,159 Speaker 1: and dad at the Oscars when I was nominated for 504 00:27:34,240 --> 00:27:37,280 Speaker 1: an oscar. They made it real, like seeing them right 505 00:27:37,320 --> 00:27:40,440 Speaker 1: there and like my dad squeezing my hand and not 506 00:27:40,680 --> 00:27:43,600 Speaker 1: being flustered by any of it, just seeing him sort 507 00:27:43,640 --> 00:27:47,000 Speaker 1: of dadding in that insane environment. There was a lot 508 00:27:47,080 --> 00:27:49,880 Speaker 1: going on that night. But looking back the next couple 509 00:27:49,920 --> 00:27:52,639 Speaker 1: of weeks, I did go, actually, it's kind of what 510 00:27:52,760 --> 00:27:54,760 Speaker 1: you said from the Snoopy cartoon, and I was like, 511 00:27:55,000 --> 00:27:57,560 Speaker 1: I'm not sure it's ever going to get better than that. 512 00:27:58,440 --> 00:28:01,200 Speaker 1: I think I peaqued I think I succeeded. We don't 513 00:28:01,200 --> 00:28:04,240 Speaker 1: feel that anymore, No, God, No, because that was this 514 00:28:04,359 --> 00:28:07,200 Speaker 1: barometer that I had said of what success look that. Yeah, 515 00:28:07,400 --> 00:28:10,280 Speaker 1: And once you get rid of that barometer or beautifully 516 00:28:10,400 --> 00:28:12,760 Speaker 1: or wonderfully, if you're lucky, that life will sort of 517 00:28:12,800 --> 00:28:16,680 Speaker 1: teach you that that success and failure are lovers intertwined. 518 00:28:17,040 --> 00:28:19,240 Speaker 1: One is not bad and one is not good. You 519 00:28:19,320 --> 00:28:21,440 Speaker 1: have to name them differently, and you really start living 520 00:28:21,480 --> 00:28:23,560 Speaker 1: at once. I started letting other things into my life 521 00:28:23,680 --> 00:28:26,760 Speaker 1: that were great and amazing. I remember we had a 522 00:28:27,000 --> 00:28:29,800 Speaker 1: reunion for drama school. I think it was a twenty 523 00:28:29,880 --> 00:28:32,400 Speaker 1: five or thirty year reunion. And of course when your 524 00:28:32,480 --> 00:28:35,119 Speaker 1: kids at drama school, we were all, you know, teenagers, 525 00:28:35,160 --> 00:28:38,560 Speaker 1: early twenties, and we only measured success in one way. 526 00:28:38,880 --> 00:28:43,440 Speaker 1: Success was being a star, or having your name up, 527 00:28:43,640 --> 00:28:46,400 Speaker 1: or working in theater or working in film and television. 528 00:28:46,680 --> 00:28:49,360 Speaker 1: We all there's a whole group of people twenty eight 529 00:28:49,400 --> 00:28:51,520 Speaker 1: of or something, and we all had one vision of 530 00:28:51,560 --> 00:28:54,480 Speaker 1: what success was. And so to meet up thirty years 531 00:28:54,560 --> 00:29:00,680 Speaker 1: later and realize how diverse success is. You know, some 532 00:29:00,880 --> 00:29:04,160 Speaker 1: people were still acting and that was their success. Some 533 00:29:04,360 --> 00:29:07,760 Speaker 1: people were now artists, some people who had families, some 534 00:29:07,800 --> 00:29:10,760 Speaker 1: people have started businesses. You know, there was one woman 535 00:29:10,880 --> 00:29:13,000 Speaker 1: and she had an illness and she was in her mission. 536 00:29:13,120 --> 00:29:16,719 Speaker 1: So just being there was her success. Because I kind 537 00:29:16,760 --> 00:29:19,680 Speaker 1: of thought, oh, it'll be a weird day because some 538 00:29:19,840 --> 00:29:23,160 Speaker 1: of these people will be you know, quote failures now 539 00:29:24,600 --> 00:29:27,640 Speaker 1: and I will be the only true star. They're all 540 00:29:27,720 --> 00:29:29,840 Speaker 1: going to hate me, Mini, They're going to hate me. 541 00:29:30,800 --> 00:29:32,960 Speaker 1: And I felt so stupid because when I got there, 542 00:29:33,000 --> 00:29:35,240 Speaker 1: I realized, oh, we've moved on. If we got in 543 00:29:35,320 --> 00:29:38,440 Speaker 1: a little tell transportation device when we were in drama 544 00:29:38,480 --> 00:29:40,440 Speaker 1: school and went to the future and found out that, 545 00:29:40,560 --> 00:29:42,120 Speaker 1: you know, a couple of us were still in the 546 00:29:42,120 --> 00:29:44,240 Speaker 1: industry and doing well, then it would have been a 547 00:29:44,440 --> 00:29:47,720 Speaker 1: very bitter, horrible day. But the fair that you didn't 548 00:29:48,080 --> 00:29:50,200 Speaker 1: and the fact that we lived all that life in 549 00:29:50,200 --> 00:29:52,920 Speaker 1: between and you got there, and I was so struck 550 00:29:53,080 --> 00:29:56,640 Speaker 1: by it. The people and it. It goes back to time, 551 00:29:56,800 --> 00:29:59,520 Speaker 1: doesn't it. You know, as you navigate life, you find 552 00:29:59,560 --> 00:30:02,320 Speaker 1: your job oi and you find your successes in all 553 00:30:02,480 --> 00:30:06,880 Speaker 1: different sorts of ways. As you now know. Yes, and 554 00:30:07,000 --> 00:30:09,400 Speaker 1: then I think we're brutal with our ideas of like 555 00:30:09,800 --> 00:30:12,560 Speaker 1: really adhering to a notion of what is success and 556 00:30:12,680 --> 00:30:16,520 Speaker 1: what is failure and being traumatized by this prescribed idea 557 00:30:16,600 --> 00:30:20,000 Speaker 1: of failing. Failure is so I can't remember the quote, 558 00:30:20,320 --> 00:30:23,960 Speaker 1: it's Winston Churchill. I'm totally paraphrasing and watching it. But 559 00:30:24,320 --> 00:30:28,560 Speaker 1: success is enjoying the failures in between failures like that, 560 00:30:28,640 --> 00:30:32,080 Speaker 1: it's all failing and trying not to and enjoying that process. 561 00:30:32,720 --> 00:30:34,440 Speaker 1: I thought you were going to say success is enjoying 562 00:30:34,440 --> 00:30:37,440 Speaker 1: the failure of others. By the way, that would be 563 00:30:37,600 --> 00:30:40,520 Speaker 1: something that would be something that Churchill could also said 564 00:30:41,640 --> 00:30:45,880 Speaker 1: he probably did. He probably did. It was so great, 565 00:30:45,920 --> 00:30:49,000 Speaker 1: Thank you so much, Thanks for this many It's been fun. 566 00:30:52,440 --> 00:30:56,520 Speaker 1: Graham's fourth novel, Forever Home, is out now and for 567 00:30:56,600 --> 00:30:59,200 Speaker 1: our friends in the UK, Graham will be on tour 568 00:30:59,320 --> 00:31:03,520 Speaker 1: to discuss the book through October. So if you've enjoyed 569 00:31:03,600 --> 00:31:06,680 Speaker 1: hearing his musings, and I know you have, please do 570 00:31:06,920 --> 00:31:12,320 Speaker 1: catch him live. Mini Questions is hosted and written by 571 00:31:12,400 --> 00:31:18,800 Speaker 1: Me Mini Driver, supervising producer Aaron Kaufman, Producer Morgan Lavoy, 572 00:31:19,720 --> 00:31:25,240 Speaker 1: Research assistant Marissa Brown. Original music Sorry Baby by Mini Driver, 573 00:31:26,080 --> 00:31:30,960 Speaker 1: Additional music by Aaron Kaufman. Executive produced by Me Mini Driver. 574 00:31:31,720 --> 00:31:36,680 Speaker 1: Special thanks to Jim Nikolay, Will Pearson, Addison No Day, 575 00:31:37,600 --> 00:31:42,800 Speaker 1: Lisa Castella and Annique Oppenheim at w kPr de La Pescador, 576 00:31:43,520 --> 00:31:47,880 Speaker 1: Kate Driver and Jason Weinberg, and for constantly solicited tech 577 00:31:47,880 --> 00:31:49,560 Speaker 1: support Henry Driver,