1
00:00:05,720 --> 00:00:09,400
Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

2
00:00:09,440 --> 00:00:12,480
Speaker 2: And Daphne's Aniga and iHeartRadio podcast.

3
00:00:15,720 --> 00:00:19,680
Speaker 3: All Right, guys, you guys, I feel like today is

4
00:00:20,280 --> 00:00:23,279
Speaker 3: I feel like it's somebody's birthday, Like I couldn't wait

5
00:00:23,320 --> 00:00:25,880
Speaker 3: for this day? Does feel even talking about it and

6
00:00:26,000 --> 00:00:29,560
Speaker 3: here we are, Yes, I feel like I should wish

7
00:00:29,680 --> 00:00:31,160
Speaker 3: Daphne Happy birthday.

8
00:00:30,920 --> 00:00:34,840
Speaker 2: Daphne, Happy birthday, Happy birthday.

9
00:00:35,000 --> 00:00:38,360
Speaker 1: It's happy birthday to the apartment building of Hell.

10
00:00:39,520 --> 00:00:42,760
Speaker 3: Where it's not actually your birthday. We're actually just recapping

11
00:00:42,800 --> 00:00:46,519
Speaker 3: the episode where you finally arrived, but just the anticipat

12
00:00:46,560 --> 00:00:47,720
Speaker 3: we've been talking about it, and.

13
00:00:48,000 --> 00:00:50,120
Speaker 1: It's so funny because I was excited about it, but

14
00:00:50,320 --> 00:00:52,360
Speaker 1: watching the episode when you came on, I took a

15
00:00:52,400 --> 00:00:54,280
Speaker 1: picture and sent it to you girls because I was like,

16
00:00:54,440 --> 00:00:58,120
Speaker 1: oh my god, she's here. Yeah, it's authentically exciting.

17
00:00:58,200 --> 00:01:04,120
Speaker 3: I had an audible too, like and like, you're so gorgeous,

18
00:01:04,200 --> 00:01:07,319
Speaker 3: and I just it was so fun to see you

19
00:01:07,360 --> 00:01:09,720
Speaker 3: just finally step onto the screen it will say, and

20
00:01:09,760 --> 00:01:12,080
Speaker 3: we're going to get into this episode. I felt so

21
00:01:12,240 --> 00:01:16,400
Speaker 3: left out in this episode. I was like, both of

22
00:01:16,400 --> 00:01:19,400
Speaker 3: my friends and co hosts are there having so much fun.

23
00:01:19,480 --> 00:01:20,399
Speaker 3: Having these scenes together.

24
00:01:22,000 --> 00:01:23,679
Speaker 2: We had so many, you.

25
00:01:23,640 --> 00:01:26,280
Speaker 1: Know, it really was our story about how it shocked.

26
00:01:26,319 --> 00:01:27,880
Speaker 2: We were like we boded like.

27
00:01:27,840 --> 00:01:30,520
Speaker 1: This, but didn't you feel like something was missing?

28
00:01:30,560 --> 00:01:33,520
Speaker 3: And now we know it was.

29
00:01:34,720 --> 00:01:37,000
Speaker 1: Like how I bore all black in honor of Joe.

30
00:01:37,200 --> 00:01:39,959
Speaker 1: How did you feel though, when it was this great

31
00:01:40,000 --> 00:01:42,520
Speaker 1: shot of you walking down the street? Did you scream?

32
00:01:42,600 --> 00:01:43,399
Speaker 1: We both screamed.

33
00:01:43,640 --> 00:01:47,560
Speaker 2: I Uh, it felt like it's kind of like what

34
00:01:47,640 --> 00:01:50,160
Speaker 2: you described because it was so long ago that I

35
00:01:50,480 --> 00:01:52,960
Speaker 2: sort of remember it. But now I go, wow, she

36
00:01:53,040 --> 00:01:58,200
Speaker 2: was so young, you know, and it's and also like wow, sleeveless.

37
00:01:58,200 --> 00:02:00,280
Speaker 1: She was sleeveless this whole episode, like.

38
00:02:01,320 --> 00:02:04,200
Speaker 2: You're young and have really good arms. I mean, I'm

39
00:02:04,240 --> 00:02:08,079
Speaker 2: like getting dead now. But I felt for her like

40
00:02:08,120 --> 00:02:11,240
Speaker 2: you described Courtney, looking at yourself with that young because

41
00:02:11,400 --> 00:02:13,639
Speaker 2: now I can look back and I know the adventure

42
00:02:13,760 --> 00:02:18,239
Speaker 2: ahead of her. Also, to tell you more transparency, here,

43
00:02:18,400 --> 00:02:21,480
Speaker 2: I was yesterday afternoon. I went into my garage into

44
00:02:21,520 --> 00:02:23,480
Speaker 2: some boxes because I wanted to see if I could

45
00:02:23,480 --> 00:02:27,040
Speaker 2: find photos from the set or photos that would help,

46
00:02:27,760 --> 00:02:32,200
Speaker 2: and instead I got lost in all these journals and books.

47
00:02:32,360 --> 00:02:34,480
Speaker 2: This was nineteen ninety two, so I found them from

48
00:02:34,560 --> 00:02:38,400
Speaker 2: nineteen ninety one, and then I found some more in

49
00:02:38,440 --> 00:02:40,840
Speaker 2: another box and it was from nine. I'm like, what

50
00:02:40,960 --> 00:02:44,920
Speaker 2: yours this? It's ninety seven, But it was very similar

51
00:02:45,000 --> 00:02:48,360
Speaker 2: to the nineteen ninety one, like those years where I

52
00:02:48,400 --> 00:02:50,800
Speaker 2: was in love I think with somebody else. Well, I

53
00:02:50,840 --> 00:02:53,000
Speaker 2: know with somebody else, because I was never with someone

54
00:02:53,000 --> 00:02:55,760
Speaker 2: from ninety one to ninety seven. That would be six years.

55
00:02:56,120 --> 00:03:00,080
Speaker 2: But I realized what I was going through as a

56
00:03:00,120 --> 00:03:04,600
Speaker 2: young woman coming onto the show. So I looked at

57
00:03:04,639 --> 00:03:07,760
Speaker 2: now the show. I watched the episode and I'm like, God,

58
00:03:07,760 --> 00:03:10,280
Speaker 2: there's a lot going on with her as a real

59
00:03:10,480 --> 00:03:14,080
Speaker 2: behind the scenes and her Daphne. Her Daphne for me

60
00:03:14,840 --> 00:03:17,560
Speaker 2: and to get to play a character and to come

61
00:03:17,639 --> 00:03:19,960
Speaker 2: every day. I made the specific choice to do this

62
00:03:20,040 --> 00:03:21,840
Speaker 2: TV show because I had a place to go every

63
00:03:21,919 --> 00:03:24,720
Speaker 2: day and to bring my creativity, but really just to

64
00:03:24,720 --> 00:03:28,840
Speaker 2: bring me and you guys were this family and we'll,

65
00:03:28,960 --> 00:03:31,680
Speaker 2: you know, get into it. But that's what I discovered

66
00:03:31,680 --> 00:03:34,760
Speaker 2: more than I had remembered yesterday looking through all that

67
00:03:34,920 --> 00:03:37,840
Speaker 2: stuff and finding those journals and stuff. It's such augh.

68
00:03:38,320 --> 00:03:41,360
Speaker 3: I mean, you forget We live our lives and we

69
00:03:41,440 --> 00:03:43,880
Speaker 3: think I'll never forget this or I'll never forget this

70
00:03:43,920 --> 00:03:46,640
Speaker 3: feeling or this is this is me, but like, we

71
00:03:46,800 --> 00:03:50,400
Speaker 3: go through so many changes, in so many evolutions, and that.

72
00:03:50,520 --> 00:03:54,640
Speaker 2: Was and the thirty two years and the experience, the

73
00:03:55,160 --> 00:03:58,640
Speaker 2: event of being on the show was so much more

74
00:03:58,720 --> 00:04:01,480
Speaker 2: layered than just watching these shows. Now that I and

75
00:04:01,600 --> 00:04:04,119
Speaker 2: I and I saw some of this writing and I

76
00:04:04,200 --> 00:04:06,480
Speaker 2: it's triggers memory, and I go, there was so much

77
00:04:06,520 --> 00:04:10,040
Speaker 2: more going on than just watching a show, do you

78
00:04:10,080 --> 00:04:13,240
Speaker 2: know what I mean? Like so which fills it out,

79
00:04:13,280 --> 00:04:14,760
Speaker 2: It fills it all out. But all I can say

80
00:04:14,800 --> 00:04:16,640
Speaker 2: is it was so much going on in my personal life.

81
00:04:16,720 --> 00:04:18,600
Speaker 2: It was really nice to just come and play Joe,

82
00:04:18,680 --> 00:04:22,039
Speaker 2: which was no walk in the park. I mean, Joe

83
00:04:22,080 --> 00:04:23,200
Speaker 2: had a lot going on too.

84
00:04:23,279 --> 00:04:25,159
Speaker 1: But that's so true though, And I love that you

85
00:04:25,200 --> 00:04:27,440
Speaker 1: bring in that point, which is as we're watching it,

86
00:04:27,480 --> 00:04:29,400
Speaker 1: we're not only watching the character in that part of

87
00:04:29,440 --> 00:04:32,000
Speaker 1: my career. It's our lives at that time. I mean

88
00:04:32,000 --> 00:04:33,840
Speaker 1: for me obviously because I was dating Andrews. So I'm

89
00:04:33,839 --> 00:04:37,200
Speaker 1: also like, it's it's all happening my whole life with

90
00:04:37,720 --> 00:04:40,640
Speaker 1: place time. But I love what you're saying about you

91
00:04:40,680 --> 00:04:42,680
Speaker 1: came in, you had this lifeguard, and how what a

92
00:04:42,720 --> 00:04:45,839
Speaker 1: relief it was to be here on that set, and

93
00:04:45,920 --> 00:04:49,400
Speaker 1: I was watching you come in and thinking, what a

94
00:04:49,400 --> 00:04:52,080
Speaker 1: great element you brought in because we didn't have that

95
00:04:52,240 --> 00:04:55,400
Speaker 1: sort of tough You were literally dressed in black with

96
00:04:55,440 --> 00:04:58,680
Speaker 1: that tougher, darker element. And they got better at Creer,

97
00:04:58,800 --> 00:05:01,800
Speaker 1: like you came in a fully formed character, and I

98
00:05:01,839 --> 00:05:05,120
Speaker 1: think the writers, everything, everyone had gotten better over the

99
00:05:05,160 --> 00:05:07,720
Speaker 1: first several episodes. So you came in. I knew who

100
00:05:07,760 --> 00:05:10,520
Speaker 1: you were right away as the character, and this first

101
00:05:10,560 --> 00:05:12,839
Speaker 1: episode we got so much information about you, and I

102
00:05:12,839 --> 00:05:14,640
Speaker 1: was like, Wow, they did such a great job of

103
00:05:14,680 --> 00:05:17,760
Speaker 1: introducing you, and they saw in that like what was missing.

104
00:05:18,160 --> 00:05:20,719
Speaker 1: Oh we need like an edgy New York character, And

105
00:05:20,760 --> 00:05:23,320
Speaker 1: you guys like, oh, that's the perfect character. Didn't you

106
00:05:23,360 --> 00:05:25,359
Speaker 1: think that, Like, Oh, that's exactly what the show needs.

107
00:05:25,400 --> 00:05:30,040
Speaker 3: And a sophistication that was sort of intimidating and that

108
00:05:30,360 --> 00:05:32,800
Speaker 3: such a nice fresh feeling.

109
00:05:33,279 --> 00:05:35,920
Speaker 2: Well, it's interesting because you guys, I shot a day

110
00:05:36,040 --> 00:05:39,960
Speaker 2: or maybe a scene and when we were discussing Joe,

111
00:05:41,040 --> 00:05:45,040
Speaker 2: Aaron and Darren and Denise Wingate was in there. She

112
00:05:45,080 --> 00:05:48,839
Speaker 2: came into Aaron's Yeah, I was just starting brand new

113
00:05:49,040 --> 00:05:52,960
Speaker 2: with We both started the same time, you know how

114
00:05:52,960 --> 00:05:54,880
Speaker 2: she says she's from the Upper east Side. So they

115
00:05:54,920 --> 00:05:58,560
Speaker 2: had this other idea that she would come into this apartment. Initially,

116
00:05:58,560 --> 00:06:01,479
Speaker 2: they thought we're gonna put her like and more you know,

117
00:06:02,080 --> 00:06:05,720
Speaker 2: kind of Upper east Side society, I don't know, a

118
00:06:05,880 --> 00:06:09,479
Speaker 2: chanel or sophistication kind of thing to show what she

119
00:06:09,600 --> 00:06:11,719
Speaker 2: came from. And they put me she found the silk

120
00:06:11,800 --> 00:06:16,159
Speaker 2: dress or the silk blouse and maybe even pearls or something.

121
00:06:16,880 --> 00:06:20,440
Speaker 2: And no, it was like Nick's right away, and Aaron

122
00:06:20,480 --> 00:06:22,599
Speaker 2: hated it. I don't think it was right for Darren maybe,

123
00:06:22,640 --> 00:06:24,200
Speaker 2: and we had to reshoot it. And I come in

124
00:06:24,200 --> 00:06:27,960
Speaker 2: in jeans and black you know, boots and this, uh

125
00:06:28,680 --> 00:06:31,840
Speaker 2: and that's that She's she's already moving more onto her

126
00:06:31,839 --> 00:06:35,440
Speaker 2: avant garde, more more like downtown vibe in New York.

127
00:06:36,800 --> 00:06:41,919
Speaker 1: So I just remembered that, you know, I was.

128
00:06:41,920 --> 00:06:43,520
Speaker 2: A little confused, to tell you the truth, I was

129
00:06:43,560 --> 00:06:45,919
Speaker 2: a little confused because they wanted her tough. But she

130
00:06:46,040 --> 00:06:49,200
Speaker 2: also was saying to you specifically, I was very repressed

131
00:06:49,240 --> 00:06:52,480
Speaker 2: and held in by this marriage on the Upper east Side,

132
00:06:53,040 --> 00:06:55,960
Speaker 2: which is very you know, can be very stifling, and

133
00:06:56,720 --> 00:06:59,400
Speaker 2: so I was a little confused how to play it,

134
00:06:59,400 --> 00:07:00,480
Speaker 2: to be honest, Well.

135
00:07:00,520 --> 00:07:01,560
Speaker 1: I just played it beautifully.

136
00:07:01,600 --> 00:07:04,120
Speaker 3: Yeah, And I think they struck such the right balance

137
00:07:04,160 --> 00:07:07,560
Speaker 3: because I didn't not see that part of you, the

138
00:07:07,640 --> 00:07:10,280
Speaker 3: Upper east Side person. I did see that part, but

139
00:07:10,360 --> 00:07:12,120
Speaker 3: it wasn't in such a way that like if you

140
00:07:12,160 --> 00:07:14,480
Speaker 3: had been in the silk gown and pearls, you'd have

141
00:07:14,520 --> 00:07:16,360
Speaker 3: seemed a little bit more fish out of water in

142
00:07:16,360 --> 00:07:18,720
Speaker 3: the context of this Melrose Place apartment, Like why is

143
00:07:18,760 --> 00:07:21,600
Speaker 3: a woman who has this in dresses this way moving

144
00:07:21,600 --> 00:07:24,520
Speaker 3: into this like sort of low brow apartment sort of?

145
00:07:24,920 --> 00:07:26,640
Speaker 3: I think So, I think the tone that they did

146
00:07:26,680 --> 00:07:31,280
Speaker 3: strike was perfect because I still got this sophisticate and

147
00:07:31,320 --> 00:07:34,040
Speaker 3: you were a little bit like having to, you know,

148
00:07:34,200 --> 00:07:36,600
Speaker 3: rethink who you are and where you are in this

149
00:07:36,640 --> 00:07:38,920
Speaker 3: new environment, and you were a little bit out of place,

150
00:07:39,000 --> 00:07:43,080
Speaker 3: but chic still, and you could see all that backstory

151
00:07:43,640 --> 00:07:45,320
Speaker 3: in the way you were dressed, and that you fit

152
00:07:45,400 --> 00:07:48,120
Speaker 3: in better. Wasn't so uncomfortable to have you in that context.

153
00:07:48,120 --> 00:07:48,840
Speaker 1: That's a great point.

154
00:07:49,200 --> 00:07:51,400
Speaker 2: Yeah, I love that big in the first seeing that

155
00:07:51,480 --> 00:07:55,280
Speaker 2: big belt buckle. That's like such a sign of the nineties,

156
00:07:55,360 --> 00:07:57,360
Speaker 2: you know, Yeah, I don't have any of my closet

157
00:07:57,400 --> 00:07:59,440
Speaker 2: I looked, but I'm like, I don't even wear belts anymore, but.

158
00:08:00,120 --> 00:08:02,640
Speaker 1: Big and I was like, yes, that's Denise.

159
00:08:02,840 --> 00:08:05,120
Speaker 3: Well you looked amazing. I think we should get started.

160
00:08:05,440 --> 00:08:05,840
Speaker 1: Let's go.

161
00:08:06,520 --> 00:08:09,880
Speaker 3: This is episode fifteen. The title of this episode is

162
00:08:09,920 --> 00:08:13,120
Speaker 3: House of God, otherwise known as the one where Joe arrives. Yeah,

163
00:08:14,040 --> 00:08:17,760
Speaker 3: that's the full title. This was again directed by Nancy Malone.

164
00:08:18,120 --> 00:08:20,600
Speaker 3: And we open on Allison and Billy. They're jogging down

165
00:08:20,640 --> 00:08:23,720
Speaker 3: a beautiful looks like a Beverly Hill sidewalk actually, and

166
00:08:23,760 --> 00:08:26,680
Speaker 3: Alison stops. She's panting, says she can't go on anymore.

167
00:08:26,760 --> 00:08:29,920
Speaker 3: Everything hurts. Billy says, keep going, and this keeps you

168
00:08:29,960 --> 00:08:32,760
Speaker 3: from thinking about Keith. He wants her to get over it,

169
00:08:32,800 --> 00:08:36,200
Speaker 3: he says, and he quotes an article entitled twelve Steps

170
00:08:36,240 --> 00:08:40,120
Speaker 3: to Beating the Blues, and Alison is really tired of

171
00:08:40,160 --> 00:08:42,840
Speaker 3: hearing about it. And I love this line of Alison's.

172
00:08:43,040 --> 00:08:45,520
Speaker 3: I don't know what she's more exhausting, jogging or listening

173
00:08:45,520 --> 00:08:45,720
Speaker 3: to you.

174
00:08:46,120 --> 00:08:46,880
Speaker 1: Which I love that.

175
00:08:48,600 --> 00:08:52,360
Speaker 3: So they run out a frame and then we cut

176
00:08:52,440 --> 00:08:57,240
Speaker 3: to a beautiful brunette dressed all in black. She's walking

177
00:08:57,280 --> 00:09:00,480
Speaker 3: down a city street holding a newspaper and she's stops,

178
00:09:00,600 --> 00:09:03,840
Speaker 3: checks the paper to confirm yep, she has arrived at

179
00:09:03,880 --> 00:09:04,520
Speaker 3: the intersection.

180
00:09:04,559 --> 00:09:08,560
Speaker 1: Beautiful like pull out shot of you. The camera did

181
00:09:08,720 --> 00:09:09,959
Speaker 1: not the streets at.

182
00:09:09,960 --> 00:09:14,839
Speaker 3: The intersection of Melrose Avenue and Melrose Place. We know

183
00:09:14,880 --> 00:09:19,640
Speaker 3: where that is and the street is Is that where

184
00:09:19,640 --> 00:09:19,959
Speaker 3: you are?

185
00:09:20,960 --> 00:09:24,320
Speaker 2: Yeah, because so we were on Melrose Avenue, which is

186
00:09:24,440 --> 00:09:26,040
Speaker 2: very long and where all the stores are and where

187
00:09:26,080 --> 00:09:29,760
Speaker 2: you guys shot walking down at Melrose Place was actually

188
00:09:29,800 --> 00:09:33,000
Speaker 2: a very short street that hits Los just a little

189
00:09:33,000 --> 00:09:34,920
Speaker 2: cut through street. But that was really a great and

190
00:09:34,960 --> 00:09:38,040
Speaker 2: now it's very chic and expensive and and and people

191
00:09:38,080 --> 00:09:41,040
Speaker 2: will come here. I've been told like, oh, Melroe's Place,

192
00:09:41,080 --> 00:09:43,360
Speaker 2: they think that's the street, but no, that's not at all.

193
00:09:45,679 --> 00:09:50,440
Speaker 4: Get fancy, you know, like but but I think that

194
00:09:50,640 --> 00:09:53,439
Speaker 4: the cinematographer, the director or Darren or someone was like,

195
00:09:53,520 --> 00:09:56,079
Speaker 4: let's just get that right there that corner.

196
00:09:57,360 --> 00:09:59,320
Speaker 3: It was just so great because you could see that

197
00:09:59,360 --> 00:10:02,160
Speaker 3: she's looking for something, she's checking her paper and she

198
00:10:02,400 --> 00:10:04,480
Speaker 3: and you know, the camera catches, which is what you

199
00:10:04,720 --> 00:10:05,600
Speaker 3: look for some place.

200
00:10:05,679 --> 00:10:08,520
Speaker 1: Yeah, no, GPS, you should have had your big Thomas guy. Yeah.

201
00:10:09,920 --> 00:10:11,360
Speaker 3: New Yorkers don't have a time. This guy.

202
00:10:11,520 --> 00:10:12,679
Speaker 1: He used to have a map for those of you

203
00:10:12,720 --> 00:10:14,400
Speaker 1: who don't know, that was like literally like a phone

204
00:10:14,440 --> 00:10:19,079
Speaker 1: book spiral map. Yes, yeah, so.

205
00:10:19,080 --> 00:10:21,280
Speaker 3: Then were We cut to Jane and Michael at home

206
00:10:21,320 --> 00:10:23,200
Speaker 3: in the morning. Michael is urging Jane to get on

207
00:10:23,200 --> 00:10:25,560
Speaker 3: the decorating committee for an event at the hospital. She

208
00:10:25,600 --> 00:10:26,920
Speaker 3: doesn't want to do it because she thinks it's going

209
00:10:27,000 --> 00:10:30,319
Speaker 3: to be all the old bitty doctor's wives. Michael tells

210
00:10:30,320 --> 00:10:32,200
Speaker 3: her that it's important to him, and he also thinks

211
00:10:32,200 --> 00:10:34,640
Speaker 3: that she should do it to meet people. He bribes

212
00:10:34,720 --> 00:10:37,520
Speaker 3: Jane with lunch if she'll go, and then he leaves

213
00:10:37,520 --> 00:10:39,520
Speaker 3: for work, saying he is off to meet Scott, a

214
00:10:39,640 --> 00:10:43,000
Speaker 3: top pediatrician at the hospital, for some sailing before work.

215
00:10:43,160 --> 00:10:44,920
Speaker 1: You know, just some quick sye, because who doesn't go

216
00:10:44,960 --> 00:10:47,480
Speaker 1: sailing before we especially sailing before I came here. I

217
00:10:47,480 --> 00:10:49,360
Speaker 1: think saw you guys out on the water millon.

218
00:10:49,440 --> 00:10:50,600
Speaker 3: Yeah, we just did.

219
00:10:50,440 --> 00:10:51,680
Speaker 1: It quickly before work.

220
00:10:51,960 --> 00:10:56,839
Speaker 3: That's quick. And we're back with the beautiful brunette in black.

221
00:10:56,960 --> 00:11:00,960
Speaker 3: She's entering the courtyard as Michael is leaving, and she

222
00:11:01,040 --> 00:11:03,240
Speaker 3: tells Michael that she's here for the apartment vacancy. She

223
00:11:03,280 --> 00:11:05,560
Speaker 3: makes a comment about the sun being maybe smaller in

224
00:11:05,600 --> 00:11:09,160
Speaker 3: New York feels hot here, and she wants to confirm

225
00:11:09,160 --> 00:11:12,080
Speaker 3: that there are two bedrooms in the available unit. Nope,

226
00:11:12,240 --> 00:11:14,960
Speaker 3: Michael tells her only a studio. But then Ronda appears

227
00:11:15,080 --> 00:11:18,000
Speaker 3: and she says that she's actually looking for a roommate.

228
00:11:18,400 --> 00:11:20,920
Speaker 3: No thanks. The brunette says she prefers to live.

229
00:11:21,120 --> 00:11:25,280
Speaker 1: It's perfect because Ronda's energy is so infestis bound. Joe's

230
00:11:25,280 --> 00:11:27,520
Speaker 1: all cool in New York. Hey, I want a room.

231
00:11:27,679 --> 00:11:29,439
Speaker 1: You see Joe's face one, No.

232
00:11:29,480 --> 00:11:31,840
Speaker 2: Thanks, I like to live alone. And did you notice

233
00:11:32,160 --> 00:11:33,319
Speaker 2: when she put her arm around me?

234
00:11:33,440 --> 00:11:40,000
Speaker 3: And I like a contrast in warm and cold? And

235
00:11:40,120 --> 00:11:44,480
Speaker 3: Ronda suggests, well, okay, maybe we could swap apartments. Ronda

236
00:11:44,559 --> 00:11:47,839
Speaker 3: suggests she'll take the studio apartment and this newcomer can

237
00:11:47,840 --> 00:11:50,800
Speaker 3: have the two bedroom. Then Jane enters the scene. Michael

238
00:11:50,800 --> 00:11:52,920
Speaker 3: heads off for work, and we learned that this is

239
00:11:53,240 --> 00:11:56,880
Speaker 3: Joe Reynolds no E as the girls walk up the stairs.

240
00:11:56,880 --> 00:11:59,240
Speaker 1: So you love that Joe E two bedroom.

241
00:11:59,400 --> 00:12:01,400
Speaker 3: She turns around to you, right, I turn around and

242
00:12:01,400 --> 00:12:06,880
Speaker 3: go to it, and Jane, you're introducing yourself, Joe.

243
00:12:07,360 --> 00:12:10,720
Speaker 1: But yeah, Joe, they're supercho they're extra super perky. That

244
00:12:10,800 --> 00:12:12,720
Speaker 1: day yeah, and super Friends looks like it's a lot.

245
00:12:12,720 --> 00:12:14,280
Speaker 1: You already look like it's a lot.

246
00:12:14,800 --> 00:12:17,679
Speaker 2: You're a lot. O. Yeah, don't scare me away. I

247
00:12:17,760 --> 00:12:18,800
Speaker 2: might move somewhere.

248
00:12:18,880 --> 00:12:20,920
Speaker 1: Yeah. And she had to say, you had to say

249
00:12:20,920 --> 00:12:22,800
Speaker 1: in the first scene, can I just see it before

250
00:12:22,800 --> 00:12:23,480
Speaker 1: you guys move me?

251
00:12:23,679 --> 00:12:23,839
Speaker 4: Yeah?

252
00:12:24,960 --> 00:12:26,559
Speaker 1: Yeah, let's have a party in the barn.

253
00:12:26,800 --> 00:12:28,680
Speaker 2: So she like a horror movie because we know what

254
00:12:28,720 --> 00:12:29,679
Speaker 2: the building turns out to.

255
00:12:30,320 --> 00:12:32,120
Speaker 1: Its like the beginning of a horror film.

256
00:12:32,160 --> 00:12:34,559
Speaker 3: This morning, it looks like a really nice apartment. So

257
00:12:34,760 --> 00:12:36,560
Speaker 3: Jane and Ronda are really friendly. Joe takes a look

258
00:12:36,600 --> 00:12:39,480
Speaker 3: around the place. She approves she's not quite matching the friendly,

259
00:12:39,880 --> 00:12:42,959
Speaker 3: but then she asks how soon Ronda can be out today?

260
00:12:43,160 --> 00:12:45,559
Speaker 1: But first you're walking through the house and everybody's really

261
00:12:45,559 --> 00:12:51,520
Speaker 1: friendly or it's super nice, and you go, oh, business

262
00:12:51,720 --> 00:12:52,600
Speaker 1: is you.

263
00:12:52,600 --> 00:12:55,840
Speaker 2: Know, as if it's like this huge ranch house or

264
00:12:55,920 --> 00:12:59,080
Speaker 2: some sprawling it's like you walk in, there's not a

265
00:12:59,120 --> 00:12:59,520
Speaker 2: lot to look.

266
00:12:59,559 --> 00:13:01,720
Speaker 3: But she's look in the she opens around this riation.

267
00:13:04,480 --> 00:13:07,200
Speaker 2: And I'm like, oh, the spices are all alphatz scary

268
00:13:07,360 --> 00:13:11,280
Speaker 2: still from Carrie. But wait, I just want to say

269
00:13:12,440 --> 00:13:15,840
Speaker 2: I remember all this and again, like I'm thinking in

270
00:13:15,880 --> 00:13:18,679
Speaker 2: my head. Okay, how did how does a quote unquote

271
00:13:18,720 --> 00:13:21,320
Speaker 2: New Yorker do this? You know, like she's moving, she's

272
00:13:21,440 --> 00:13:23,560
Speaker 2: used to moving fast. She gets stuff done. She just

273
00:13:23,600 --> 00:13:26,000
Speaker 2: needs to look, assess the information and then give a

274
00:13:26,000 --> 00:13:29,720
Speaker 2: thing like So I was just I remember because again

275
00:13:29,840 --> 00:13:31,880
Speaker 2: it was my first time with you guys, and the

276
00:13:31,920 --> 00:13:36,760
Speaker 2: intimidation of whole crew that knows what they're doing. You

277
00:13:36,760 --> 00:13:39,200
Speaker 2: guys been doing this for half a year already, right,

278
00:13:40,080 --> 00:13:44,679
Speaker 2: And and also was TV, so things were like here's

279
00:13:44,679 --> 00:13:46,880
Speaker 2: your mark, then go there. It was kind of like

280
00:13:47,520 --> 00:13:49,880
Speaker 2: sped up and things were just different from what I

281
00:13:49,920 --> 00:13:54,600
Speaker 2: was used to. And so as I'm watching this, I'm

282
00:13:54,600 --> 00:13:57,640
Speaker 2: just going, good job, stay on it.

283
00:13:57,720 --> 00:13:58,200
Speaker 1: That's good.

284
00:13:58,679 --> 00:14:01,200
Speaker 2: You're okay, just move move go to there now looking there?

285
00:14:01,240 --> 00:14:03,120
Speaker 1: Okay, good, she's got it, you know what I mean?

286
00:14:03,960 --> 00:14:07,400
Speaker 3: Because I was intimidated as well being something to hear

287
00:14:07,480 --> 00:14:11,080
Speaker 3: that because it's so funny. You're and that's your experience

288
00:14:11,120 --> 00:14:14,959
Speaker 3: as Daphne. But the character comes off as the intimidating one, right,

289
00:14:15,080 --> 00:14:19,680
Speaker 3: She's she's just so confident and she's you know, like direct,

290
00:14:20,160 --> 00:14:22,880
Speaker 3: and and you know the rest of the gang is like,

291
00:14:22,920 --> 00:14:26,000
Speaker 3: oh good, a new friend, and like you're like, yeah,

292
00:14:26,080 --> 00:14:31,200
Speaker 3: not so fast. I just thought all the sophistication and

293
00:14:31,920 --> 00:14:36,080
Speaker 3: stuff was your character was the one intimidating. It's so

294
00:14:36,280 --> 00:14:37,280
Speaker 3: interesting to hear that you were.

295
00:14:37,400 --> 00:14:39,760
Speaker 1: And it's probably like the acting trick of using it right,

296
00:14:39,840 --> 00:14:42,360
Speaker 1: so you're intimidated, but it also happened to work for

297
00:14:42,400 --> 00:14:45,080
Speaker 1: the character and reallys.

298
00:14:44,440 --> 00:14:45,920
Speaker 2: It you can just hide behind it.

299
00:14:46,080 --> 00:14:47,080
Speaker 1: Yeah yeah.

300
00:14:47,320 --> 00:14:49,720
Speaker 3: But she wonders if Ronda can get out today, and

301
00:14:49,800 --> 00:14:53,760
Speaker 3: Rond is like, sure, I know, sure, I'm amazing.

302
00:14:54,840 --> 00:14:55,680
Speaker 2: I love that writing.

303
00:14:55,680 --> 00:14:59,760
Speaker 1: She's like, when.

304
00:14:59,640 --> 00:15:03,600
Speaker 2: Could you yeah today? Just answer the question so I

305
00:15:03,600 --> 00:15:06,640
Speaker 2: can get the information so I can move on with

306
00:15:06,680 --> 00:15:07,280
Speaker 2: the episode.

307
00:15:07,400 --> 00:15:10,840
Speaker 3: And she and here's the Ronda who says sure, yeah.

308
00:15:11,280 --> 00:15:14,720
Speaker 3: Who else is going to say sure? Sweet girl? So

309
00:15:14,800 --> 00:15:17,880
Speaker 3: then she leaves and says, all right, it settles out

310
00:15:17,920 --> 00:15:19,720
Speaker 3: the door she goes, and then Jane wonders out loud

311
00:15:19,760 --> 00:15:25,080
Speaker 3: if Joe always gets her way. So then we cut

312
00:15:25,120 --> 00:15:26,880
Speaker 3: back to the marina where they're just getting in a

313
00:15:26,960 --> 00:15:30,760
Speaker 3: quick sale for word. Michael is helping Scott with the sailboat.

314
00:15:30,760 --> 00:15:33,640
Speaker 3: He's listening to Scott tell him the virtues of becoming

315
00:15:33,640 --> 00:15:37,280
Speaker 3: a plastic surgeon, get rich, retire young patients, really die.

316
00:15:37,480 --> 00:15:40,080
Speaker 3: He lists is all the positive reasons to be that,

317
00:15:40,400 --> 00:15:43,840
Speaker 3: and Michael says, yeah, but you are great with the kids.

318
00:15:44,280 --> 00:15:47,480
Speaker 3: Scott says he's happy to introduce Michael around. There's a

319
00:15:47,560 --> 00:15:49,760
Speaker 3: mixer coming up. Sheould be good networking, and then their

320
00:15:49,800 --> 00:15:52,000
Speaker 3: beakers go off and they head back to the hospital

321
00:15:52,040 --> 00:15:56,520
Speaker 3: for their round. Scott seems great, he's cool, and Michael

322
00:15:56,720 --> 00:16:04,560
Speaker 3: White so far are really great, really great. So then

323
00:16:04,720 --> 00:16:07,720
Speaker 3: we cut to Jane. She's in the break room or

324
00:16:07,720 --> 00:16:11,200
Speaker 3: in the staff room talking with women who we learn

325
00:16:11,320 --> 00:16:15,520
Speaker 3: is Scott's wife, Liz, and they're working on the decorating

326
00:16:15,520 --> 00:16:18,080
Speaker 3: ideas for the mixer, and Michael and Scott come back

327
00:16:18,120 --> 00:16:20,040
Speaker 3: from their sailing. Jane tells Michael how much she has

328
00:16:20,040 --> 00:16:22,200
Speaker 3: in common with Liz. They both work, they're both new

329
00:16:22,240 --> 00:16:24,800
Speaker 3: to LA, they don't know anyone, and it's instant friendship,

330
00:16:24,840 --> 00:16:26,880
Speaker 3: she says, and they make plans to go to dinner,

331
00:16:26,960 --> 00:16:30,000
Speaker 3: all four of them together that night double date. Back

332
00:16:30,000 --> 00:16:33,760
Speaker 3: in the courtyard, Jake is examining a very large box

333
00:16:33,800 --> 00:16:36,520
Speaker 3: that's been deposited in front of his apartment door, and

334
00:16:36,600 --> 00:16:39,640
Speaker 3: Joe comes down the stairs saying, that's my box. It's

335
00:16:39,640 --> 00:16:44,280
Speaker 3: photography equipment, and Jake introduces himself. Joe recognizes him as

336
00:16:44,320 --> 00:16:48,560
Speaker 3: a motorcycle aficionado from the download that Ronda had given except.

337
00:16:48,320 --> 00:16:53,840
Speaker 2: I said toe, oh, and I'm like, no adr on

338
00:16:53,920 --> 00:16:58,360
Speaker 2: that one line, that's how we pronounced it. You notice

339
00:16:58,640 --> 00:17:01,560
Speaker 2: maybe I don't know, maybe she's trying to be cool

340
00:17:01,600 --> 00:17:02,880
Speaker 2: and I don't know.

341
00:17:03,000 --> 00:17:08,159
Speaker 3: Okay, first example of Daphne being a little bit. I

342
00:17:08,240 --> 00:17:11,440
Speaker 3: know you're going to notice every little I.

343
00:17:11,400 --> 00:17:12,960
Speaker 1: Just want to go back and shoot stuff. I would

344
00:17:12,960 --> 00:17:16,879
Speaker 1: want to just do that word chemistry between you and

345
00:17:16,920 --> 00:17:20,240
Speaker 1: Grant so good right off right, hello.

346
00:17:20,240 --> 00:17:24,400
Speaker 3: Yeah, right, and she's Joe says to him, Yeah, from

347
00:17:24,680 --> 00:17:27,560
Speaker 3: what I was told you the silent type, I in

348
00:17:27,680 --> 00:17:31,240
Speaker 3: the private type, your nose.

349
00:17:31,119 --> 00:17:32,000
Speaker 2: Out of my boxes.

350
00:17:32,200 --> 00:17:34,520
Speaker 3: Yeah, but it's still a little bit of a challenge,

351
00:17:34,600 --> 00:17:37,200
Speaker 3: like yeah, it's yeah, cute and flirty off the bat,

352
00:17:37,520 --> 00:17:40,800
Speaker 3: but she's also like putting up the hand. Jake tries

353
00:17:40,840 --> 00:17:41,840
Speaker 3: to help her with the box.

354
00:17:41,920 --> 00:17:42,680
Speaker 1: She lets him.

355
00:17:43,040 --> 00:17:45,440
Speaker 3: As they're going for the stairs, Jake tells Joe she's

356
00:17:45,440 --> 00:17:48,560
Speaker 3: got the best unit in the building, and Joe replies,

357
00:17:49,000 --> 00:17:52,360
Speaker 3: so I've been told, and then Jake says it's right

358
00:17:52,359 --> 00:17:53,080
Speaker 3: above mine.

359
00:17:53,200 --> 00:17:55,920
Speaker 1: Yeah. He was like, oh my goodness, yes, in case.

360
00:17:57,760 --> 00:18:00,480
Speaker 2: So I'm, of course, as Joe thinking he he's meaning

361
00:18:00,520 --> 00:18:06,040
Speaker 2: my ass because he's behind me. Was he goes your apartment, dummy,

362
00:18:06,080 --> 00:18:11,840
Speaker 2: And I'm like, oh, I just thought that was like okay, I.

363
00:18:11,720 --> 00:18:14,560
Speaker 3: Just thought it was really cute and bold and bold.

364
00:18:14,600 --> 00:18:15,520
Speaker 2: This show is for bold.

365
00:18:15,720 --> 00:18:18,159
Speaker 3: Yeah, I love it. So then they enter the apartment.

366
00:18:18,200 --> 00:18:19,919
Speaker 3: He brings a box in the apartment, adding it to

367
00:18:19,960 --> 00:18:23,200
Speaker 3: all the other boxes, and Joe tells Jake be careful,

368
00:18:23,359 --> 00:18:24,720
Speaker 3: that's my photography equipment.

369
00:18:25,840 --> 00:18:29,240
Speaker 1: She's establishing everything that you're photographer. Yeah, in every single.

370
00:18:30,680 --> 00:18:33,440
Speaker 2: Wait are you a photographer? Yeah, so these are equipment

371
00:18:33,480 --> 00:18:39,240
Speaker 2: for my photography. Oh, put some pictures up for my photography.

372
00:18:40,119 --> 00:18:42,359
Speaker 3: Then Jay gives Joe the lowdown on the water in

373
00:18:42,400 --> 00:18:44,320
Speaker 3: the building that if one or the other is showering,

374
00:18:44,400 --> 00:18:48,600
Speaker 3: it can affect the temperature, so generally take short showers, and.

375
00:18:48,720 --> 00:18:52,720
Speaker 1: Which feels insanely intimate. Yes, yes, and doesn't it? Yeah?

376
00:18:52,720 --> 00:18:53,199
Speaker 1: I wouldn't.

377
00:18:53,680 --> 00:18:56,880
Speaker 3: Shouldn't Ronda have maybe said something about that too, like yeah,

378
00:18:56,920 --> 00:19:00,400
Speaker 3: it's great, but you have to take really the entire audience.

379
00:19:00,080 --> 00:19:02,199
Speaker 1: Figuring you guys all naked showerings.

380
00:19:02,359 --> 00:19:03,280
Speaker 2: I mean, what is happening?

381
00:19:03,320 --> 00:19:04,919
Speaker 3: It seemed like a new feature we were.

382
00:19:04,840 --> 00:19:08,359
Speaker 1: Just Melrose lying in there isn't this where he says

383
00:19:08,440 --> 00:19:10,080
Speaker 1: when yes, when.

384
00:19:09,960 --> 00:19:13,600
Speaker 3: I'm yes, it's old Laura, it's coming.

385
00:19:14,080 --> 00:19:15,639
Speaker 2: But we both say it. Yeah.

386
00:19:16,040 --> 00:19:19,000
Speaker 1: Well, first you say I'll think of you every time

387
00:19:19,040 --> 00:19:24,280
Speaker 1: I shower, but not in the scene right, the hot, No, no,

388
00:19:24,480 --> 00:19:26,280
Speaker 1: that's in this scene. I'll think you every time I shower.

389
00:19:26,280 --> 00:19:27,600
Speaker 1: The hot and cold is in another.

390
00:19:28,400 --> 00:19:30,520
Speaker 3: No, No, you are right, I will think of you

391
00:19:30,600 --> 00:19:31,399
Speaker 3: every time I shower.

392
00:19:31,600 --> 00:19:33,400
Speaker 1: Yes, that was in this absolutely right.

393
00:19:33,560 --> 00:19:36,600
Speaker 3: As he's leaving, he also offers to show her around

394
00:19:36,600 --> 00:19:40,160
Speaker 3: town and Jesus thanks, I'll just take a cab and

395
00:19:41,240 --> 00:19:42,399
Speaker 3: the times, and.

396
00:19:42,440 --> 00:19:46,840
Speaker 1: The audience is like, is every woman in this building stupid? Everything?

397
00:19:46,960 --> 00:19:49,159
Speaker 1: No wonder we're friends, neither one of us. What's right

398
00:19:49,160 --> 00:19:49,920
Speaker 1: in front of our nose?

399
00:19:51,800 --> 00:19:53,600
Speaker 3: And so that's where she says, well, I'll think of

400
00:19:53,600 --> 00:19:57,080
Speaker 3: you every time I shower. Wink wink, And he's down

401
00:19:57,160 --> 00:19:59,880
Speaker 3: he's going downstairs. Now she's alone. Joe in her apartment,

402
00:20:01,280 --> 00:20:03,960
Speaker 3: picks up the phone and she dials and leaves a

403
00:20:04,000 --> 00:20:07,119
Speaker 3: message for her dad saying that she's in LA she's fine,

404
00:20:08,000 --> 00:20:09,320
Speaker 3: and for him not to worry.

405
00:20:09,400 --> 00:20:11,560
Speaker 1: Yeah. So we see her with something cloud over her.

406
00:20:11,760 --> 00:20:15,440
Speaker 2: Yeah, and sad. There's something going on in the backstory,

407
00:20:15,480 --> 00:20:15,960
Speaker 2: which there is.

408
00:20:16,040 --> 00:20:17,840
Speaker 1: Yeah, that's what I mean. They got so good at

409
00:20:17,920 --> 00:20:20,440
Speaker 1: creating this whole character in a very short period. Yeah,

410
00:20:20,440 --> 00:20:23,000
Speaker 1: we learned a great Yeah, so great. Also, is she

411
00:20:23,000 --> 00:20:24,720
Speaker 1: a photographer? I think so.

412
00:20:24,920 --> 00:20:27,000
Speaker 3: Maybe we'll find out in the next Yeah, let's find out.

413
00:20:27,040 --> 00:20:27,760
Speaker 1: Let's find out.

414
00:20:28,720 --> 00:20:32,399
Speaker 3: So this one we got to Montesino's an exterior of

415
00:20:32,400 --> 00:20:34,960
Speaker 3: a restaurant. Apparently it was also used on Beverly Hills

416
00:20:35,000 --> 00:20:36,639
Speaker 3: nine O, two and O for anyone who's paying very

417
00:20:36,680 --> 00:20:40,040
Speaker 3: close attention. And Jane and Michael are there at dinner

418
00:20:40,119 --> 00:20:41,320
Speaker 3: with Scott and Liz.

419
00:20:41,440 --> 00:20:41,760
Speaker 2: Jane.

420
00:20:42,040 --> 00:20:44,320
Speaker 3: Liz is recounting a story of how she was trying

421
00:20:44,359 --> 00:20:46,520
Speaker 3: to fix the plumbing at the house. The tub, the shower,

422
00:20:46,560 --> 00:20:49,600
Speaker 3: and the kitchen sink were all broken. So she's under

423
00:20:49,600 --> 00:20:51,600
Speaker 3: the sink and she's trying to fix things. Scott in

424
00:20:51,640 --> 00:20:54,159
Speaker 3: her jets to make sure that everyone knows she was

425
00:20:54,200 --> 00:20:57,240
Speaker 3: totally naked while doing this, right, and she wants to

426
00:20:57,280 --> 00:21:00,240
Speaker 3: finish the story. And the story ends with Liz telling

427
00:21:00,359 --> 00:21:02,840
Speaker 3: everyone that she had fallen face first into the shut

428
00:21:02,840 --> 00:21:05,159
Speaker 3: off valve and all this is an explanation for what

429
00:21:05,200 --> 00:21:06,639
Speaker 3: has caused the bruising on her face.

430
00:21:06,920 --> 00:21:10,040
Speaker 2: Yes, and he's also insulting her in the way she's

431
00:21:10,040 --> 00:21:15,359
Speaker 2: telling a story. You know, she kept using the word seriously.

432
00:21:16,160 --> 00:21:19,400
Speaker 2: I'm seriously tied. It was seriously. I was seriously totally naked.

433
00:21:19,480 --> 00:21:21,359
Speaker 2: It was so what was the word? Wasn't that the word?

434
00:21:21,480 --> 00:21:22,400
Speaker 1: I think it was seriously?

435
00:21:22,400 --> 00:21:24,560
Speaker 2: And she repeated it and then he's like and he

436
00:21:24,680 --> 00:21:27,600
Speaker 2: mocks her and then shuts her up, and you're just like, oh,

437
00:21:28,080 --> 00:21:29,639
Speaker 2: it's more fun than I thought.

438
00:21:29,920 --> 00:21:30,920
Speaker 3: Yeah, even more.

439
00:21:30,960 --> 00:21:32,840
Speaker 1: This is when we start to see some red flags.

440
00:21:33,040 --> 00:21:36,440
Speaker 3: Tonally and Jane Rishers are you know, it's not that bad,

441
00:21:36,480 --> 00:21:38,520
Speaker 3: the bruising on her face, She's sort of like, it's okay,

442
00:21:39,760 --> 00:21:43,919
Speaker 3: and yeah, not a great look for Scott. But then

443
00:21:43,920 --> 00:21:47,320
Speaker 3: we're back with Alison and Billy in their apartment. Allison

444
00:21:47,600 --> 00:21:50,080
Speaker 3: is going to check the fridge, realizing she's not hungry,

445
00:21:50,119 --> 00:21:52,119
Speaker 3: and she tells Billy she's just going to go to bed. Yes,

446
00:21:52,320 --> 00:21:54,800
Speaker 3: it's eight thirty pm, but I'm going to bed. Billy

447
00:21:54,840 --> 00:21:57,520
Speaker 3: tells Alison, you know, you've been sleeping fifteen hour days

448
00:21:57,520 --> 00:22:01,119
Speaker 3: since you broke up with Keith. Billy asks Allison if

449
00:22:01,200 --> 00:22:04,240
Speaker 3: she's crying in a room processing her feelings or sleeping,

450
00:22:04,320 --> 00:22:06,720
Speaker 3: and Allison says to Billy that he's crossing the line

451
00:22:06,760 --> 00:22:07,520
Speaker 3: and he's just nosy.

452
00:22:07,600 --> 00:22:10,919
Speaker 2: Don't love that. Billy is Alison's therapist and he's just

453
00:22:10,960 --> 00:22:12,720
Speaker 2: taken it upon himself feel.

454
00:22:12,560 --> 00:22:14,080
Speaker 3: Her processing your feelings.

455
00:22:14,080 --> 00:22:17,000
Speaker 2: He said, he knows the old Gideon's so happy that

456
00:22:17,040 --> 00:22:18,719
Speaker 2: he has bad knitting.

457
00:22:18,920 --> 00:22:20,320
Speaker 3: Yeah, he wants you bet.

458
00:22:20,280 --> 00:22:22,160
Speaker 1: Well, that's that's a very cute way to say. I'm

459
00:22:22,200 --> 00:22:24,280
Speaker 1: sure he was so annoyed that he had to like, go,

460
00:22:24,320 --> 00:22:26,359
Speaker 1: are you crying? Are you having feelings in there? It's

461
00:22:26,400 --> 00:22:33,560
Speaker 1: like what guy? Honestly, yeah, reading women's magazines and.

462
00:22:31,680 --> 00:22:34,080
Speaker 2: He wanted to make sure she's we open up with

463
00:22:34,160 --> 00:22:35,959
Speaker 2: his twelve or fourteen steps.

464
00:22:36,000 --> 00:22:39,160
Speaker 1: So that was really funny though, I thought. Yeah.

465
00:22:39,200 --> 00:22:42,920
Speaker 3: And Billy worries that Allison is going to call Keith,

466
00:22:43,680 --> 00:22:46,560
Speaker 3: and Allison insists she won't, that it's over between them.

467
00:22:46,600 --> 00:22:48,920
Speaker 3: The whole experience with Keith has changed her, she says,

468
00:22:48,960 --> 00:22:51,040
Speaker 3: and she will never be her old self again.

469
00:22:51,640 --> 00:22:53,720
Speaker 2: Wow, So all these things he's trying to get you

470
00:22:53,760 --> 00:22:56,479
Speaker 2: to do, do the jogging, you know, not going to sleep,

471
00:22:56,920 --> 00:22:59,600
Speaker 2: you know, is so you'll be your old self again.

472
00:23:00,040 --> 00:23:01,639
Speaker 2: And she says, have you ever thought that that was

473
00:23:01,640 --> 00:23:04,399
Speaker 2: so huge an event that I will never be that

474
00:23:04,480 --> 00:23:07,600
Speaker 2: old self again. I thought, I don't know, poor Billy,

475
00:23:07,720 --> 00:23:09,120
Speaker 2: she doesn't get life.

476
00:23:11,080 --> 00:23:12,159
Speaker 1: Like playing soccer.

477
00:23:13,080 --> 00:23:16,400
Speaker 3: He's really like, you know, the emotional know it all here,

478
00:23:16,560 --> 00:23:19,439
Speaker 3: like he's, you know, saying very all of a sudden.

479
00:23:20,800 --> 00:23:25,080
Speaker 3: Then we're at the restaurant at night in the lady's room,

480
00:23:25,080 --> 00:23:27,960
Speaker 3: where Liz is telling Jane that Scott says Michael is

481
00:23:28,000 --> 00:23:31,360
Speaker 3: the best new intern at the hospital. The ladies then

482
00:23:31,440 --> 00:23:33,760
Speaker 3: talk about whether they each have kids. Liz says she

483
00:23:33,760 --> 00:23:37,000
Speaker 3: and Scott are too busy to have kids, and Jane

484
00:23:37,040 --> 00:23:39,200
Speaker 3: wants to help Liz with a stain that she notices

485
00:23:39,359 --> 00:23:44,280
Speaker 3: on her jacket, and removing the jacket reveals bruises.

486
00:23:43,800 --> 00:23:47,240
Speaker 1: Finger shaped bruises. But we're well done, very deliberate.

487
00:23:47,680 --> 00:23:52,239
Speaker 3: Yeah, And Liz is defensive and says it's nothing, and

488
00:23:52,280 --> 00:23:55,320
Speaker 3: she walks out in the bathroom. Then at Jane and

489
00:23:55,359 --> 00:23:58,639
Speaker 3: Michael's apartment, Michael is vacuuting the living room floor, Jane

490
00:23:58,680 --> 00:24:01,440
Speaker 3: is mopping the kitchen floor, and Michael tells Jane it's

491
00:24:01,480 --> 00:24:05,000
Speaker 3: ridiculous to think that Lizzies bruises came from Scott, and

492
00:24:05,000 --> 00:24:07,160
Speaker 3: Scott is a great doctor. He's great with the kids.

493
00:24:07,240 --> 00:24:10,120
Speaker 3: And maybe Jane is just seeing things that aren't there, and.

494
00:24:10,080 --> 00:24:13,200
Speaker 1: We see little glimmers of the Michael that will be Yeah,

495
00:24:13,760 --> 00:24:14,320
Speaker 1: well you're.

496
00:24:14,200 --> 00:24:18,320
Speaker 2: Seeing I'm seeing already reminiscent of a last episodes. Oh

497
00:24:18,359 --> 00:24:22,720
Speaker 2: you're overreacting. Oh, it's no big deal, and it We'll

498
00:24:22,760 --> 00:24:23,840
Speaker 2: just get you a puppy, you know.

499
00:24:23,920 --> 00:24:25,840
Speaker 1: He's just these women.

500
00:24:25,640 --> 00:24:30,320
Speaker 3: Are like, yeah, at least let's get LIZI puppy. I mean, yeah,

501
00:24:30,520 --> 00:24:31,160
Speaker 3: let's get.

502
00:24:31,359 --> 00:24:32,439
Speaker 2: Let's get puppy.

503
00:24:34,880 --> 00:24:38,720
Speaker 3: Yeah, my god. So and and then Jane says, yeah,

504
00:24:38,760 --> 00:24:41,480
Speaker 3: you know, maybe you're right. I did just see a

505
00:24:41,480 --> 00:24:43,280
Speaker 3: movie about this kind of thing last week, based on

506
00:24:43,280 --> 00:24:46,119
Speaker 3: a true story, So maybe she's He like sort of talks.

507
00:24:45,840 --> 00:24:49,200
Speaker 1: Her into doubting, which really doesn't work. You feel like

508
00:24:49,240 --> 00:24:53,080
Speaker 1: they hadn't. The bruises were so clearly, very clear. But

509
00:24:53,240 --> 00:24:55,200
Speaker 1: I think if that scene had been shot first, she

510
00:24:55,240 --> 00:24:58,679
Speaker 1: would have said, there's no way I made that up, right, Like,

511
00:24:58,720 --> 00:25:00,000
Speaker 1: I think that's one of those where you shoot out

512
00:25:00,080 --> 00:25:00,920
Speaker 1: of order and you don't.

513
00:25:01,920 --> 00:25:03,080
Speaker 3: Perhaps that's right.

514
00:25:03,160 --> 00:25:05,200
Speaker 1: I'll ac guessed that, because I'm sure Josie would have

515
00:25:05,240 --> 00:25:06,400
Speaker 1: been like, no, there's.

516
00:25:06,200 --> 00:25:11,399
Speaker 3: No right then, and Joe's apartment during the day, Billy

517
00:25:11,440 --> 00:25:13,600
Speaker 3: comes by bringing a plant as a welcome.

518
00:25:13,680 --> 00:25:16,399
Speaker 2: I forgotten I had a scene with Billy. He's bringing

519
00:25:16,400 --> 00:25:18,879
Speaker 2: that huge plant and he puts it on a table.

520
00:25:19,200 --> 00:25:21,200
Speaker 2: It's like a floor plants.

521
00:25:20,720 --> 00:25:24,159
Speaker 3: Like this high again, it's like Billy like doing all

522
00:25:24,160 --> 00:25:26,920
Speaker 3: the right things, bringing a welcome plant. Neighbor.

523
00:25:27,119 --> 00:25:29,280
Speaker 1: Where is Doug, by the way, not in real life

524
00:25:29,320 --> 00:25:31,880
Speaker 1: in the show. I think, no, no, no, I think

525
00:25:31,880 --> 00:25:32,320
Speaker 1: you're right.

526
00:25:32,600 --> 00:25:35,240
Speaker 3: It was me thinking, I don't think we really saw him.

527
00:25:35,400 --> 00:25:38,080
Speaker 1: No, he's not where Why isn't he in the middle

528
00:25:38,119 --> 00:25:39,120
Speaker 1: of all this stuff? Help him?

529
00:25:39,160 --> 00:25:41,919
Speaker 3: Because they put one of those he's dealing with his

530
00:25:42,040 --> 00:25:44,320
Speaker 3: lawsuit right now, supposed to be dealing with a lawsuit,

531
00:25:44,320 --> 00:25:47,119
Speaker 3: but he didn't really Maybe they carersh back from that

532
00:25:47,200 --> 00:25:49,320
Speaker 3: last episode and they sort of kept him quiet but

533
00:25:49,680 --> 00:25:52,200
Speaker 3: miss him because he should be the one welcoming and

534
00:25:52,600 --> 00:25:55,240
Speaker 3: you know, or it's possible that he had a scene

535
00:25:55,320 --> 00:25:57,680
Speaker 3: and then when they edited the episode and it long,

536
00:25:57,880 --> 00:25:59,920
Speaker 3: maybe the scene was dropped and all of a sudden,

537
00:25:59,920 --> 00:26:04,159
Speaker 3: he just didn't even make it. It's exactly that's the

538
00:26:04,200 --> 00:26:06,840
Speaker 3: only one real h This is when the tumble Weeds

539
00:26:06,840 --> 00:26:16,480
Speaker 3: maybe were tumbleweeds. Joe asks Billy, Hey, I've been meaning

540
00:26:16,520 --> 00:26:18,560
Speaker 3: to ask, where's the laundry room. Billy tells he where

541
00:26:18,560 --> 00:26:19,760
Speaker 3: it's going to be. It's going to be in the base.

542
00:26:20,000 --> 00:26:22,920
Speaker 1: She's got this tiny looks like a lunch bag of laundry.

543
00:26:23,119 --> 00:26:26,800
Speaker 1: What do you have? Like two? She like needs to

544
00:26:27,080 --> 00:26:29,680
Speaker 1: wash this one thing to watch his hand towel.

545
00:26:29,840 --> 00:26:31,280
Speaker 2: She's like, oh, do you know what it is? Do

546
00:26:31,359 --> 00:26:32,399
Speaker 2: you know what the launde is?

547
00:26:32,600 --> 00:26:38,480
Speaker 3: My favorite pair of socks? Yes, and Billy picks up

548
00:26:38,560 --> 00:26:41,480
Speaker 3: Joe's camera, asking, oh, are you an amateur professional photographer?

549
00:26:41,840 --> 00:26:43,600
Speaker 3: Joe says she's an amateur.

550
00:26:43,760 --> 00:26:44,800
Speaker 1: Sorry, is she a photographer?

551
00:26:45,640 --> 00:26:49,040
Speaker 3: This is where we just learned interesting, interesting, and that

552
00:26:49,119 --> 00:26:51,919
Speaker 3: she's hoping to be professional, and Billy tells her, you know,

553
00:26:51,960 --> 00:26:55,200
Speaker 3: we're kind of in related fields. I'm a writer, and

554
00:26:55,359 --> 00:26:56,280
Speaker 3: Joe sort.

555
00:26:56,080 --> 00:26:57,000
Speaker 2: Of mocks him.

556
00:26:59,640 --> 00:27:02,560
Speaker 3: It was a you're right, I didn't know there were

557
00:27:02,600 --> 00:27:04,480
Speaker 3: any real writers in La. Yeah.

558
00:27:04,720 --> 00:27:07,520
Speaker 2: No, because you guys can't read or write here because.

559
00:27:07,320 --> 00:27:09,200
Speaker 3: We're did I mention it from New York?

560
00:27:11,280 --> 00:27:13,679
Speaker 2: Do you surf as well as write your novel?

561
00:27:15,240 --> 00:27:15,720
Speaker 1: Yeah?

562
00:27:16,080 --> 00:27:17,520
Speaker 2: Yeah? And I love his line.

563
00:27:17,640 --> 00:27:20,200
Speaker 3: Yeah, he's super annoying. He's like well, if if you

564
00:27:20,320 --> 00:27:22,439
Speaker 3: people from New York hate La so much, why do

565
00:27:22,480 --> 00:27:23,240
Speaker 3: you all move out here?

566
00:27:23,240 --> 00:27:25,879
Speaker 2: Then boom good, I would lie. I wanted to know

567
00:27:25,920 --> 00:27:28,840
Speaker 2: that question. You guys have experienced that, right yack in

568
00:27:28,880 --> 00:27:31,480
Speaker 2: the day. I mean now, I don't have noticed, but

569
00:27:31,600 --> 00:27:34,120
Speaker 2: so many New Yorkers, especially actors, would move out here

570
00:27:34,680 --> 00:27:35,719
Speaker 2: and complain about it.

571
00:27:35,800 --> 00:27:38,560
Speaker 1: Yes, what are you doing here by the pool? They

572
00:27:38,560 --> 00:27:39,320
Speaker 1: complain about it by.

573
00:27:39,280 --> 00:27:39,840
Speaker 2: The by the pool.

574
00:27:39,920 --> 00:27:43,240
Speaker 3: Yeah, in the sunshine, And Joe says, well, I guess

575
00:27:43,240 --> 00:27:46,440
Speaker 3: some of us just need to change. Then the phone rings.

576
00:27:46,440 --> 00:27:49,439
Speaker 3: Billy picks up the handset and Joe takes it out

577
00:27:49,480 --> 00:27:51,560
Speaker 3: of his hand and just hangs it up. It's probably

578
00:27:51,560 --> 00:27:52,880
Speaker 3: a wrong number or a sales call.

579
00:27:53,000 --> 00:27:56,160
Speaker 1: She says, yeah, he clocks that or something from her

580
00:27:56,240 --> 00:27:59,239
Speaker 1: past try to definitely clocks it.

581
00:27:59,320 --> 00:28:01,560
Speaker 3: And he leaves, saying all right, well I'll see around.

582
00:28:02,280 --> 00:28:07,639
Speaker 3: Thanks Bill, she says Bill, thanks Bill on his way off.

583
00:28:08,359 --> 00:28:10,960
Speaker 3: And this is the note that I wrote here, Daphne,

584
00:28:11,440 --> 00:28:16,320
Speaker 3: you are so pretty all thank you.

585
00:28:16,760 --> 00:28:19,480
Speaker 2: I'm just so pretty. You know. I can all think like,

586
00:28:19,560 --> 00:28:22,720
Speaker 2: oh my god, you're wearing those bare arm shirt like

587
00:28:23,760 --> 00:28:27,560
Speaker 2: no put on, because one doesn't like they're gonna see

588
00:28:27,560 --> 00:28:28,840
Speaker 2: that they're not perfect army.

589
00:28:28,880 --> 00:28:33,760
Speaker 1: You're like they were pretty perfect. Were you thinking that then?

590
00:28:34,680 --> 00:28:37,800
Speaker 2: No, I was thinking that now watching it my insecurity

591
00:28:38,040 --> 00:28:38,560
Speaker 2: since then.

592
00:28:38,920 --> 00:28:43,280
Speaker 3: So interesting your brain now, And I know because you

593
00:28:43,320 --> 00:28:44,920
Speaker 3: can you guys, I just want to talk to the

594
00:28:44,960 --> 00:28:46,760
Speaker 3: audience for a second, because we're in a whole different

595
00:28:46,920 --> 00:28:47,440
Speaker 3: era now.

596
00:28:47,560 --> 00:28:50,520
Speaker 2: It's much more body positive. Everyone is who they are.

597
00:28:50,600 --> 00:28:53,720
Speaker 2: We're not trying to kill ourselves and diet ourselves to

598
00:28:53,800 --> 00:28:57,320
Speaker 2: death and anorexia ourselves to which we all were doing

599
00:28:57,560 --> 00:28:59,800
Speaker 2: actresses were doing in the eighties seventies.

600
00:29:00,000 --> 00:29:01,520
Speaker 1: I think it's still happening more then.

601
00:29:01,640 --> 00:29:04,720
Speaker 2: Well maybe, but I mean you're seeing in shows, you're

602
00:29:04,720 --> 00:29:07,760
Speaker 2: seeing on commercials, you're seeing on TV, all kinds of

603
00:29:07,760 --> 00:29:11,640
Speaker 2: people how we normally look how people. There's more for sure,

604
00:29:12,000 --> 00:29:17,240
Speaker 2: and so But when I was young, working actress all

605
00:29:17,280 --> 00:29:20,000
Speaker 2: the time, I didn't have that mentality.

606
00:29:19,560 --> 00:29:20,120
Speaker 1: Of just be you.

607
00:29:20,320 --> 00:29:23,280
Speaker 2: It was always like, shave something off, be something different,

608
00:29:23,720 --> 00:29:27,680
Speaker 2: you know, fix that somehow, change it, be more this,

609
00:29:27,800 --> 00:29:30,000
Speaker 2: be more that, whatever it was. I always just thought

610
00:29:30,000 --> 00:29:31,400
Speaker 2: I had to be more something else.

611
00:29:32,120 --> 00:29:34,600
Speaker 3: Yeah, well, I know it's it's hard to shake that,

612
00:29:34,760 --> 00:29:37,880
Speaker 3: but like I hope that you're like, I'm just looking

613
00:29:38,000 --> 00:29:42,960
Speaker 3: at this gorgeous young woman. This is you on the screen.

614
00:29:43,040 --> 00:29:45,360
Speaker 3: It's just like your younger self. And it's like remembering

615
00:29:45,360 --> 00:29:48,560
Speaker 3: that we knew each other back at that time in

616
00:29:48,600 --> 00:29:52,280
Speaker 3: our lives is crazy because you just, you know, you

617
00:29:52,320 --> 00:29:54,400
Speaker 3: evolve with yourself as your age and then you are

618
00:29:54,400 --> 00:29:57,040
Speaker 3: we get to just have this time capsule. Yeah, and

619
00:29:57,120 --> 00:29:58,720
Speaker 3: it's just such a gift to be able to watch

620
00:29:58,760 --> 00:30:00,120
Speaker 3: it back. And I just I.

621
00:30:00,080 --> 00:30:03,600
Speaker 2: Don't know, I don't just I wasn't I'm not just

622
00:30:03,960 --> 00:30:06,760
Speaker 2: criticizing myself. I also do remember as I was watching

623
00:30:06,800 --> 00:30:10,080
Speaker 2: this of loving being there. I love that I have

624
00:30:10,120 --> 00:30:12,479
Speaker 2: an apartment. I love that I belong part of this

625
00:30:12,520 --> 00:30:15,680
Speaker 2: whole set because when you do films, it's very fleeting.

626
00:30:15,720 --> 00:30:17,240
Speaker 2: You do a scene in an office, and you do

627
00:30:17,280 --> 00:30:19,360
Speaker 2: a scene over there, then you do a scene. I

628
00:30:19,360 --> 00:30:23,360
Speaker 2: don't know, I just remember feeling like, wow, I can

629
00:30:23,400 --> 00:30:25,880
Speaker 2: settle in here, you know, I was really excited.

630
00:30:25,600 --> 00:30:28,360
Speaker 1: So nice, and at the end of a season, when

631
00:30:28,400 --> 00:30:30,120
Speaker 1: you know you're coming back and you leave your stuff

632
00:30:30,120 --> 00:30:32,360
Speaker 1: when you're in the dressing room, it's really special. Like

633
00:30:32,360 --> 00:30:34,680
Speaker 1: it's very rare to work together for five years. Yeah,

634
00:30:34,720 --> 00:30:36,000
Speaker 1: it's really rare. It's special.

635
00:30:36,080 --> 00:30:36,720
Speaker 3: Yeah.

636
00:30:36,720 --> 00:30:37,920
Speaker 1: So then we're in.

637
00:30:40,440 --> 00:30:44,320
Speaker 3: Jane is hanging a welcome sign welcome new intern sign

638
00:30:44,520 --> 00:30:47,040
Speaker 3: at the at the event that they're setting up for,

639
00:30:47,240 --> 00:30:50,440
Speaker 3: and Liz is. She starts to play the piano, telling

640
00:30:50,520 --> 00:30:53,720
Speaker 3: Jane that it's her escape. Jane says, yeah, I wish

641
00:30:53,760 --> 00:30:55,440
Speaker 3: I had something like that, and they talk about how

642
00:30:55,520 --> 00:30:58,640
Speaker 3: tough the doctor's jobs are and how it's not really

643
00:30:58,680 --> 00:31:03,080
Speaker 3: easy on them either, and then Liz confides in Jane

644
00:31:03,200 --> 00:31:05,479
Speaker 3: how different it used to be with Scott when they

645
00:31:05,480 --> 00:31:08,719
Speaker 3: were first married, and that the pressure from the job.

646
00:31:09,960 --> 00:31:14,240
Speaker 3: She admits that sometimes Scott gets angry, very angry.

647
00:31:14,840 --> 00:31:18,120
Speaker 1: She's I was thinking about how wonderful she is the

648
00:31:18,200 --> 00:31:21,040
Speaker 1: actor and how hard it is to be a guest

649
00:31:21,040 --> 00:31:23,720
Speaker 1: star and to come in with this kind of storyline,

650
00:31:23,800 --> 00:31:26,640
Speaker 1: and I'm so impressed because you come into a family.

651
00:31:26,680 --> 00:31:29,160
Speaker 1: I know you have not experienced your first episode deaf,

652
00:31:29,240 --> 00:31:31,760
Speaker 1: but you come in and I thought, wow, to carry

653
00:31:31,760 --> 00:31:34,160
Speaker 1: this load. She did such a great job. They both did.

654
00:31:34,640 --> 00:31:38,920
Speaker 3: Yeah her name is Yeah, she was, and she was

655
00:31:39,120 --> 00:31:41,600
Speaker 3: really terrific in this episode. And I actually thought that

656
00:31:41,600 --> 00:31:44,040
Speaker 3: the same thing too, because it was such heavy lifting.

657
00:31:44,080 --> 00:31:46,600
Speaker 3: And we'll get into those really heavy scenes in a second,

658
00:31:46,720 --> 00:31:52,400
Speaker 3: but terrific storyline for her, and she was amazing, and

659
00:31:52,600 --> 00:31:56,520
Speaker 3: so Liz tells Jane she's glad that they have met,

660
00:31:56,760 --> 00:31:59,800
Speaker 3: and she's wants to change the subject and she's going

661
00:31:59,840 --> 00:32:04,600
Speaker 3: to Jane out to lunch. Then we are down in

662
00:32:04,640 --> 00:32:07,760
Speaker 3: the launder room. Alison is doing laundry and she comes

663
00:32:07,800 --> 00:32:11,240
Speaker 3: across Keith's shirt and has a moment of feeling sad

664
00:32:11,280 --> 00:32:14,680
Speaker 3: about that. When Joe walks downstairs next to Alison, puts

665
00:32:14,680 --> 00:32:16,840
Speaker 3: her clothes in the dryer, and when the dryer won't start,

666
00:32:18,120 --> 00:32:20,880
Speaker 3: Joe kind of tries to smack it make it work,

667
00:32:20,920 --> 00:32:24,480
Speaker 3: and Alison tells Joe to kick it, which she does,

668
00:32:25,400 --> 00:32:27,959
Speaker 3: and Alison says, no, not like that on the side,

669
00:32:28,280 --> 00:32:31,000
Speaker 3: and then she begins to show her how. Pretty soon

670
00:32:31,240 --> 00:32:34,600
Speaker 3: both Alison and Joe are kicking the crap out of

671
00:32:34,640 --> 00:32:38,240
Speaker 3: the dryer, kicking and kicking and kicking, and then finally

672
00:32:38,320 --> 00:32:39,280
Speaker 3: laughing about it together.

673
00:32:39,360 --> 00:32:40,400
Speaker 2: I totally remember that.

674
00:32:40,880 --> 00:32:43,000
Speaker 1: I do remember that, and it was a great way

675
00:32:43,000 --> 00:32:45,240
Speaker 1: out of that scene because Alison's so sad about finding

676
00:32:45,280 --> 00:32:46,880
Speaker 1: the shirt. We've all had that moment when you go

677
00:32:46,920 --> 00:32:49,240
Speaker 1: through a breakup and then you find something of theirs

678
00:32:49,240 --> 00:32:50,880
Speaker 1: in your room and just brings it all back. It's

679
00:32:50,880 --> 00:32:52,920
Speaker 1: so sad. Yeah, I don't know if I smelled it.

680
00:32:52,960 --> 00:32:55,360
Speaker 1: I should have was I did? I did smell it.

681
00:32:55,360 --> 00:32:58,360
Speaker 1: Oh thank god, See I didn't. Just paying attention. And

682
00:32:58,400 --> 00:33:01,040
Speaker 1: then you and I have two great let's do them.

683
00:33:01,280 --> 00:33:02,000
Speaker 1: You do yours?

684
00:33:02,160 --> 00:33:05,200
Speaker 2: Okay, Yeah, well I just broke up with my husband.

685
00:33:05,240 --> 00:33:06,120
Speaker 3: What's your excuse?

686
00:33:06,240 --> 00:33:08,960
Speaker 1: I just broke up with somebody else's husband. It's such

687
00:33:08,960 --> 00:33:09,920
Speaker 1: a cute lie.

688
00:33:09,960 --> 00:33:13,640
Speaker 2: And then my face goes and then I go and

689
00:33:13,680 --> 00:33:16,840
Speaker 2: then I feel for you, and I'm like, well, this

690
00:33:17,000 --> 00:33:18,440
Speaker 2: is us complex, ladies.

691
00:33:20,000 --> 00:33:20,480
Speaker 1: And then the.

692
00:33:20,520 --> 00:33:22,760
Speaker 2: Dryer kicks back on. But I totally remember doing that.

693
00:33:22,800 --> 00:33:24,840
Speaker 2: I just thought it was like years later or something.

694
00:33:25,360 --> 00:33:27,840
Speaker 3: It was such a cute scene and like a way

695
00:33:27,960 --> 00:33:30,959
Speaker 3: for both of these characters to take out their aggressions

696
00:33:30,960 --> 00:33:33,080
Speaker 3: on what they're going through and just like stuff that

697
00:33:33,080 --> 00:33:35,880
Speaker 3: they're not really sharing entirely, but like, let's take it

698
00:33:35,920 --> 00:33:36,600
Speaker 3: out on the dryer.

699
00:33:36,760 --> 00:33:40,040
Speaker 1: Yes, and connect right away, really to connect right away.

700
00:33:40,040 --> 00:33:41,840
Speaker 1: And I was so happy to hear Alie and finally

701
00:33:41,880 --> 00:33:45,760
Speaker 1: acknowledge I was with somebody else's husband, Like he wasn't mine,

702
00:33:45,800 --> 00:33:48,200
Speaker 1: he belonged to somebody else. I'm glad to her finally

703
00:33:48,400 --> 00:33:49,560
Speaker 1: admit that right.

704
00:33:50,880 --> 00:33:54,240
Speaker 3: So they formally introduce themselves to one another, and the

705
00:33:54,320 --> 00:33:57,520
Speaker 3: dryer starts working in The girls laugh, and we then

706
00:33:57,600 --> 00:34:01,200
Speaker 3: count to the car at Jane and Michael are driving

707
00:34:01,240 --> 00:34:04,080
Speaker 3: home or driving to the intern mixer, I should say,

708
00:34:04,120 --> 00:34:06,320
Speaker 3: And then Jane tells Michael that she thinks Liz is

709
00:34:06,320 --> 00:34:08,800
Speaker 3: asking for help to get away from her husband's abuse,

710
00:34:09,120 --> 00:34:12,440
Speaker 3: and Michael is doubtful again and says Liz is intelligent,

711
00:34:12,520 --> 00:34:14,560
Speaker 3: she would know where to go, she's smart, she can

712
00:34:14,600 --> 00:34:17,600
Speaker 3: take care of herself. Asks for proof, and Jane says,

713
00:34:18,360 --> 00:34:20,759
Speaker 3: you know, I've seen the bruises. And he tells Jane

714
00:34:20,760 --> 00:34:22,719
Speaker 3: that it would ruin Scott's career to accuse him of

715
00:34:22,800 --> 00:34:25,520
Speaker 3: domestic abuse over just a couple of bruises and a

716
00:34:25,560 --> 00:34:27,720
Speaker 3: look in Liz's eye that only you can see.

717
00:34:27,800 --> 00:34:32,160
Speaker 2: And also I feel like diminishes Jane's. Yeah, And let's

718
00:34:32,200 --> 00:34:34,800
Speaker 2: not forget what the stake for Michael, Mike. If Scott's

719
00:34:34,880 --> 00:34:38,560
Speaker 2: career is derailed, that means his chance at climbing up

720
00:34:38,600 --> 00:34:41,600
Speaker 2: the ladder is derailed. And so he has stuff at

721
00:34:41,600 --> 00:34:45,040
Speaker 2: steak here, and I think it's it's why he just minimizes,

722
00:34:45,239 --> 00:34:48,279
Speaker 2: like a couple of bruises, you know what I mean, No,

723
00:34:48,360 --> 00:34:51,520
Speaker 2: because he has something at steak there, And it's kind

724
00:34:51,560 --> 00:34:55,080
Speaker 2: of still the argument today. Oh that would destroy him.

725
00:34:55,120 --> 00:34:57,840
Speaker 2: Oh that would wreck everything, that would wreck everything.

726
00:34:57,920 --> 00:35:01,359
Speaker 1: Guess what, folks, everything's already wrecked. Okay, yeah, well because

727
00:35:01,400 --> 00:35:04,200
Speaker 1: he's doing that for date rap Yeah, I was thinking

728
00:35:04,239 --> 00:35:06,920
Speaker 1: of date raping, like, don't say anything, you'll ruin his career.

729
00:35:07,320 --> 00:35:09,560
Speaker 1: Women were attacked. That's so important by the me too

730
00:35:09,560 --> 00:35:12,120
Speaker 1: movement that people starving. Wait a minute, I get to

731
00:35:12,160 --> 00:35:16,120
Speaker 1: say what happened to me. Your feelings are not your

732
00:35:16,239 --> 00:35:19,160
Speaker 1: your quote, you know, future is not more important than

733
00:35:19,200 --> 00:35:20,840
Speaker 1: you getting away with what happened to me. And I

734
00:35:20,880 --> 00:35:24,839
Speaker 1: think that. I'm sure Thomas probably was like I'm kind

735
00:35:24,840 --> 00:35:28,000
Speaker 1: of a jerk in this, but he was representing a

736
00:35:28,080 --> 00:35:31,640
Speaker 1: viewpoint that's really common. Yeah, don't upset the apple carte.

737
00:35:31,840 --> 00:35:35,240
Speaker 1: Be careful. You could find him quo completely missing. He's

738
00:35:35,320 --> 00:35:38,000
Speaker 1: hurting her all the time. It is if his career

739
00:35:38,080 --> 00:35:40,800
Speaker 1: is more important than her not being beaten or woman

740
00:35:40,880 --> 00:35:43,840
Speaker 1: not being attacked. It's fascinating, but it's true, like that's

741
00:35:43,960 --> 00:35:48,759
Speaker 1: that's in our culture. Yes, it's a part of our culture. Well,

742
00:35:48,760 --> 00:35:51,160
Speaker 1: because what the and still this was thirty years ago

743
00:35:51,360 --> 00:35:53,719
Speaker 1: and still yeah, Well, because they're part of a hospital,

744
00:35:53,760 --> 00:35:56,800
Speaker 1: they're part of a very important career. It's medical school,

745
00:35:56,920 --> 00:35:57,879
Speaker 1: it's the hospitals.

746
00:35:57,880 --> 00:36:01,800
Speaker 2: There's boards, and he's has to get.

747
00:36:01,920 --> 00:36:06,320
Speaker 1: Holding him accountable for his actions his career. Well, yeah,

748
00:36:06,600 --> 00:36:08,280
Speaker 1: and the count.

749
00:36:08,120 --> 00:36:10,520
Speaker 2: She's perceived as being this little thing that's niggling this

750
00:36:10,680 --> 00:36:12,720
Speaker 2: in the way. You're wrecking the whole picture.

751
00:36:12,760 --> 00:36:13,279
Speaker 1: But it's not.

752
00:36:13,520 --> 00:36:18,319
Speaker 2: The whole picture includes his actions. Guys, that's part of

753
00:36:18,320 --> 00:36:19,879
Speaker 2: the picture, and you're wrecking it.

754
00:36:19,800 --> 00:36:23,200
Speaker 1: For yourself as if she's being a troublemaker like and.

755
00:36:23,120 --> 00:36:26,080
Speaker 3: Michael sort of ends the conversation saying, this is between

756
00:36:26,120 --> 00:36:28,760
Speaker 3: Scott and Liz. There's nothing we can do. And Jane

757
00:36:28,800 --> 00:36:30,160
Speaker 3: is bothered by that non.

758
00:36:30,080 --> 00:36:33,319
Speaker 2: Another problem people, that whole mentality of you know what

759
00:36:33,440 --> 00:36:34,080
Speaker 2: happens behind me.

760
00:36:34,239 --> 00:36:36,640
Speaker 1: We should go over time, like Jane and Michael's house,

761
00:36:36,960 --> 00:36:39,680
Speaker 1: The curtains should be read. There should be red flags

762
00:36:39,680 --> 00:36:41,040
Speaker 1: just on the walls everywhere.

763
00:36:42,400 --> 00:36:45,719
Speaker 3: She's going to flags. Yeah, she's starting to making her

764
00:36:45,760 --> 00:36:49,040
Speaker 3: way through them, and she goes through. So then we

765
00:36:49,080 --> 00:36:51,600
Speaker 3: cut to the party where Scott and Michael are mingling

766
00:36:51,640 --> 00:36:54,680
Speaker 3: at the mixer. Liz is sitting by herself at a table.

767
00:36:54,840 --> 00:36:56,879
Speaker 3: Jane goes over and talk to her, and Liz sort

768
00:36:56,920 --> 00:37:00,480
Speaker 3: of tries to avoid conversation, won't even kind of look

769
00:37:00,520 --> 00:37:02,960
Speaker 3: at her, and Jane persists, saying he's hit you has

770
00:37:03,000 --> 00:37:07,560
Speaker 3: any and Liz tries to tell Jane to stop. Jane persists,

771
00:37:07,640 --> 00:37:09,879
Speaker 3: and Liz said it was She admits it was only

772
00:37:09,880 --> 00:37:12,439
Speaker 3: one time, but she's begging Jane to stop, and she's

773
00:37:12,480 --> 00:37:15,120
Speaker 3: looking over at Scott and she doesn't want Scott to

774
00:37:15,160 --> 00:37:17,400
Speaker 3: see that they're talking, and she says she doesn't want

775
00:37:17,400 --> 00:37:19,480
Speaker 3: to make Scott angry. Leave me alone, she says to Jane,

776
00:37:19,520 --> 00:37:20,320
Speaker 3: and she walks away.

777
00:37:21,200 --> 00:37:25,240
Speaker 1: And you feel that trap right, which is she can't

778
00:37:25,280 --> 00:37:27,640
Speaker 1: stand up for herself because that will make him mad.

779
00:37:27,640 --> 00:37:29,640
Speaker 1: If she gets help, that will make him mad. She's

780
00:37:29,719 --> 00:37:30,800
Speaker 1: so stuck it's.

781
00:37:31,320 --> 00:37:32,520
Speaker 3: Only to make him mad.

782
00:37:32,600 --> 00:37:33,920
Speaker 1: And I love what you did this scene where she's

783
00:37:33,920 --> 00:37:36,840
Speaker 1: sitting alone and Jane comes up with all of Josie's

784
00:37:36,840 --> 00:37:40,200
Speaker 1: wonderful warmth, and she gets up because she can't sit

785
00:37:40,239 --> 00:37:42,719
Speaker 1: with somebody because of her shame, because of what was

786
00:37:42,800 --> 00:37:46,400
Speaker 1: done to her. It's really well handled. She walks away alone.

787
00:37:46,200 --> 00:37:48,160
Speaker 2: And then isn't In the same scene is when he

788
00:37:48,280 --> 00:37:51,800
Speaker 2: walks up, she walks out, and the abusive husband walks

789
00:37:51,880 --> 00:37:55,720
Speaker 2: up yep and says to Jane very calmly but insinuating,

790
00:37:55,760 --> 00:37:58,879
Speaker 2: you're put in your nose where it doesn't belong, threatening her,

791
00:37:58,880 --> 00:37:59,719
Speaker 2: but he can't.

792
00:37:59,480 --> 00:38:02,799
Speaker 1: Really, Yeah, that's exactly what I'm trying to find out

793
00:38:02,880 --> 00:38:04,880
Speaker 1: what she knows, like, trying to find out.

794
00:38:04,760 --> 00:38:07,839
Speaker 3: If she has control, and it is it is very

795
00:38:07,840 --> 00:38:09,719
Speaker 3: threatening when he when he comes up to Jane after

796
00:38:09,960 --> 00:38:12,799
Speaker 3: Liz has left, and he says, you know, I don't

797
00:38:12,840 --> 00:38:14,840
Speaker 3: know what she told you, and by the way, do

798
00:38:14,880 --> 00:38:16,759
Speaker 3: you know where she is? And Jane won't reveal. I'm

799
00:38:16,800 --> 00:38:18,120
Speaker 3: not going to tell you where she went, and.

800
00:38:18,160 --> 00:38:21,720
Speaker 2: She grabs her twice and Josie so beautifully just looks

801
00:38:21,760 --> 00:38:23,560
Speaker 2: down like you can take that off.

802
00:38:23,960 --> 00:38:26,480
Speaker 3: I'm not, and he says, is everything okay while he

803
00:38:26,520 --> 00:38:29,040
Speaker 3: grabs her arm and Jane pulls it away, and then

804
00:38:29,080 --> 00:38:31,200
Speaker 3: Michael walks up and asks them to join the party.

805
00:38:31,320 --> 00:38:35,000
Speaker 3: Scott tells Michael he needs to introduce Michael to Marinello,

806
00:38:35,160 --> 00:38:38,120
Speaker 3: a pediatric surgeon and a diehard Italian. He says, it's

807
00:38:38,120 --> 00:38:42,879
Speaker 3: being you know, bros. With Michael and Rose. Scott looks

808
00:38:42,880 --> 00:38:45,120
Speaker 3: back at Jane and says, if you see Liz tell

809
00:38:45,120 --> 00:38:47,520
Speaker 3: her I'm looking for her, and that's where the threat is. Like,

810
00:38:47,560 --> 00:38:49,759
Speaker 3: if you see her, tell her I'm looking for and yeah,

811
00:38:49,760 --> 00:38:50,840
Speaker 3: it's a threat to both of them.

812
00:38:50,920 --> 00:38:55,279
Speaker 2: And it's insinuating because you you put your nose in,

813
00:38:55,400 --> 00:38:58,160
Speaker 2: you're now a part you know something, and anything you

814
00:38:58,280 --> 00:39:00,600
Speaker 2: do is going to cause me to go have a

815
00:39:00,680 --> 00:39:04,160
Speaker 2: chat with her. So your involvement causes her pain. That's

816
00:39:04,280 --> 00:39:04,920
Speaker 2: how I got it.

817
00:39:05,000 --> 00:39:06,760
Speaker 1: Yep, Wow, you better.

818
00:39:07,200 --> 00:39:08,960
Speaker 2: It's one thing to say because he knows it. I

819
00:39:09,000 --> 00:39:10,719
Speaker 2: can't hurt you like you better lay off or I'm

820
00:39:10,719 --> 00:39:13,640
Speaker 2: going to hurt you. It's like you stay in I

821
00:39:13,719 --> 00:39:16,080
Speaker 2: hurt her horrible.

822
00:39:16,400 --> 00:39:19,080
Speaker 3: So then we're in the staff room at the hospital.

823
00:39:19,160 --> 00:39:22,399
Speaker 3: Michael is reading a book and Scott walks in saying, Mancini, Hey,

824
00:39:22,520 --> 00:39:26,600
Speaker 3: you avoiding me. Scott tells Michael that Liz told him

825
00:39:27,000 --> 00:39:31,800
Speaker 3: what Jane insinuated, and Michael says it's none of my business.

826
00:39:32,320 --> 00:39:34,360
Speaker 3: Scott sits down and tells Michael that he's never struck

827
00:39:34,360 --> 00:39:36,640
Speaker 3: his wife and he never would, and he starts defending himself,

828
00:39:36,760 --> 00:39:39,439
Speaker 3: telling Michael what a rumor like Jane is starting would

829
00:39:39,440 --> 00:39:41,439
Speaker 3: do to his career, and he insists he would never

830
00:39:41,600 --> 00:39:45,000
Speaker 3: and Michael says, I know, but he looks doubtful. Then

831
00:39:45,040 --> 00:39:47,560
Speaker 3: Scott changes the subject, asks Michael if he wants to

832
00:39:47,600 --> 00:39:50,680
Speaker 3: observe a valve replacement, and Michael says sure. Scott leaves

833
00:39:50,680 --> 00:39:52,960
Speaker 3: the room, looking back at Michael. Then we cut to

834
00:39:53,440 --> 00:39:57,920
Speaker 3: Joe's apartment at night. Allison and Joe are having drinks

835
00:39:58,040 --> 00:40:01,399
Speaker 3: at Joe's apartment and they're toasting to any good men

836
00:40:01,440 --> 00:40:01,839
Speaker 3: out there?

837
00:40:01,880 --> 00:40:02,200
Speaker 1: Are there?

838
00:40:02,560 --> 00:40:04,200
Speaker 2: They? What is her grade vest? Again?

839
00:40:04,280 --> 00:40:06,800
Speaker 1: Another sleepless vest, But I mean, I just.

840
00:40:06,719 --> 00:40:07,520
Speaker 2: Love that outfit.

841
00:40:07,600 --> 00:40:10,960
Speaker 1: I remember that vest. It was laying with the gold

842
00:40:11,200 --> 00:40:15,240
Speaker 1: kind of shiny stuff around the collar and the beaded stuff.

843
00:40:15,560 --> 00:40:16,440
Speaker 1: I mean, that's Denise.

844
00:40:16,480 --> 00:40:19,240
Speaker 2: You know. She was fantastic. Yeah, it really was, because

845
00:40:19,280 --> 00:40:22,400
Speaker 2: you know, Joe came from there was money in her marriage,

846
00:40:22,600 --> 00:40:24,799
Speaker 2: and listening to it now, I go, oh, yeah, there

847
00:40:24,880 --> 00:40:25,879
Speaker 2: was all this stuff.

848
00:40:25,560 --> 00:40:27,680
Speaker 3: In the and it comes out in the clothes, and

849
00:40:27,719 --> 00:40:30,360
Speaker 3: it comes out in the clothes on her attitude. And

850
00:40:30,840 --> 00:40:32,680
Speaker 3: I just noticed in this scene that you guys were

851
00:40:32,719 --> 00:40:35,520
Speaker 3: having a party and I wasn't there. Oh I was like,

852
00:40:35,760 --> 00:40:38,440
Speaker 3: oh that looks so fun, and I'm having total fobo.

853
00:40:38,680 --> 00:40:40,160
Speaker 2: I know, it's weird, isn't air?

854
00:40:40,400 --> 00:40:43,000
Speaker 1: We didn't even know you then, Laura, that's what's so weird.

855
00:40:43,080 --> 00:40:45,520
Speaker 3: But like exactly I didn't exist, Like I think at

856
00:40:45,520 --> 00:40:49,400
Speaker 3: this time Sidney was by the way and like a

857
00:40:49,480 --> 00:40:52,719
Speaker 3: denial because so far Jane is only said she's an

858
00:40:52,719 --> 00:40:56,520
Speaker 3: only child. Yeah, but in truth, I think right about

859
00:40:56,520 --> 00:40:58,880
Speaker 3: now I was probably headed to my first audition for

860
00:40:58,960 --> 00:41:02,560
Speaker 3: Melrose right about now, yeah, because because you well you

861
00:41:02,640 --> 00:41:05,200
Speaker 3: come in four later, right, uh huh. So I feel

862
00:41:05,239 --> 00:41:07,719
Speaker 3: like my first audition was maybe happening right around this

863
00:41:07,719 --> 00:41:09,400
Speaker 3: time while you guys are having a party without me.

864
00:41:10,120 --> 00:41:12,680
Speaker 3: But this weird thing of watching it is like, look

865
00:41:12,719 --> 00:41:16,600
Speaker 3: at you guys every week, sometimes more than once a week.

866
00:41:16,640 --> 00:41:18,160
Speaker 3: You know that we talk all the time, and like

867
00:41:18,560 --> 00:41:20,160
Speaker 3: I'm looking at you on screen, going.

868
00:41:20,040 --> 00:41:24,279
Speaker 2: We me done all this talking up until now, I

869
00:41:24,280 --> 00:41:27,200
Speaker 2: feel like that was one to fourteen was another show,

870
00:41:27,840 --> 00:41:30,200
Speaker 2: and now I'm now it's catching up to the show,

871
00:41:30,440 --> 00:41:33,120
Speaker 2: obviously because Joe's in it, but I remember this is

872
00:41:33,160 --> 00:41:35,239
Speaker 2: the show I remember being a part of.

873
00:41:35,680 --> 00:41:37,120
Speaker 1: I mean, are you going to feel that way?

874
00:41:37,560 --> 00:41:39,960
Speaker 3: Corny's been warning us this is the and then now

875
00:41:39,960 --> 00:41:42,200
Speaker 3: you're having this experience. She's like, just wait when you

876
00:41:42,239 --> 00:41:43,800
Speaker 3: guys are on it's a totally different.

877
00:41:43,960 --> 00:41:46,960
Speaker 1: It really does feel different. It's really super fun. I

878
00:41:47,000 --> 00:41:48,520
Speaker 1: thought in the beginning of this scene, because we had

879
00:41:48,520 --> 00:41:50,360
Speaker 1: so much energy, I thought we have a walk aft

880
00:41:50,440 --> 00:41:53,000
Speaker 1: and it was just a we're having our own little

881
00:41:53,520 --> 00:41:57,840
Speaker 1: But I also like after party, after the kicking the laundry.

882
00:41:57,520 --> 00:42:00,520
Speaker 3: Room, it's like you've definitely decided to be friends, and

883
00:42:00,600 --> 00:42:03,640
Speaker 3: like you're having looks like and you know, maybe a

884
00:42:03,680 --> 00:42:07,920
Speaker 3: little tipsy tip cute. Oh, it was so cute. But anyway,

885
00:42:07,960 --> 00:42:10,080
Speaker 3: they're wondering if there was even any good men out there.

886
00:42:10,200 --> 00:42:12,399
Speaker 3: I don't need them, Allison says, and she takes another

887
00:42:12,440 --> 00:42:16,200
Speaker 3: big gulp of a drink, and Joe tells Alison that

888
00:42:16,680 --> 00:42:20,280
Speaker 3: they're on their own, and she, for one intends to flourish.

889
00:42:20,760 --> 00:42:23,399
Speaker 3: Allison then notices a framed photograph on the floor, black

890
00:42:23,440 --> 00:42:31,239
Speaker 3: and white and says, it's bleak. This is. Joe says

891
00:42:31,239 --> 00:42:34,280
Speaker 3: the photo is supposed to stay say repressed, not bleak,

892
00:42:34,320 --> 00:42:36,760
Speaker 3: and that the photo is one of her, the married

893
00:42:36,840 --> 00:42:37,399
Speaker 3: version of her.

894
00:42:37,520 --> 00:42:43,120
Speaker 1: That is. There's a very funny moment though, and Alison goes, oh,

895
00:42:43,960 --> 00:42:46,440
Speaker 1: so clear, it's a gorgeous picture. By the way, I

896
00:42:46,440 --> 00:42:47,520
Speaker 1: hope you still have one of those.

897
00:42:47,760 --> 00:42:48,120
Speaker 4: I don't.

898
00:42:48,560 --> 00:42:51,360
Speaker 1: Wouldn't that be a great should have?

899
00:42:51,400 --> 00:42:53,239
Speaker 3: It was darn it?

900
00:42:53,480 --> 00:42:56,520
Speaker 1: And then you go, you're reading was great?

901
00:42:56,960 --> 00:42:58,840
Speaker 2: You go who is that? And I go it's me

902
00:42:59,719 --> 00:43:04,719
Speaker 2: and you we are like, oh I see that, and

903
00:43:04,760 --> 00:43:07,839
Speaker 2: I'm like they repressed me. I'm like the totally like

904
00:43:08,320 --> 00:43:09,880
Speaker 2: wasted out of this world.

905
00:43:09,719 --> 00:43:14,120
Speaker 3: Dark mat And then Joe shares with Alison that her

906
00:43:14,680 --> 00:43:17,960
Speaker 3: marriage was never the real kind of love, and Alison

907
00:43:18,120 --> 00:43:21,279
Speaker 3: asks Joe why she got married. Joe tells her that

908
00:43:21,360 --> 00:43:23,560
Speaker 3: she was twenty when she got married and she ended

909
00:43:23,600 --> 00:43:27,239
Speaker 3: up mistaking security for love. Yep, but she does miss

910
00:43:27,280 --> 00:43:30,440
Speaker 3: that penthouse apartment with a view of the river, and

911
00:43:30,880 --> 00:43:33,360
Speaker 3: Joe says, all right, this place is getting depressing. Where

912
00:43:33,520 --> 00:43:38,919
Speaker 3: is the nearest hot spot cut to shooter closest the

913
00:43:38,960 --> 00:43:39,520
Speaker 3: nearest hot.

914
00:43:40,440 --> 00:43:41,640
Speaker 1: Bar in Los Angeles? Yeah?

915
00:43:41,920 --> 00:43:42,160
Speaker 2: Right?

916
00:43:43,160 --> 00:43:46,000
Speaker 3: And Alison and Joe are playing pool and they've lost

917
00:43:46,120 --> 00:43:49,359
Speaker 3: four times to two guys handing over the money they've

918
00:43:49,440 --> 00:43:52,680
Speaker 3: just lost. Joe tells the guys what amazing pool players

919
00:43:52,719 --> 00:43:55,000
Speaker 3: they are, but can we just play one more game?

920
00:43:55,160 --> 00:43:57,360
Speaker 1: Two guys who they clearly said we want guys without

921
00:43:57,360 --> 00:44:01,000
Speaker 1: shoulder link hair, all complexed brown hair. Well, get two

922
00:44:01,000 --> 00:44:01,319
Speaker 1: of them.

923
00:44:02,040 --> 00:44:05,879
Speaker 3: Yeah, super yeah, and the guy says, sure, we'll take

924
00:44:05,880 --> 00:44:06,479
Speaker 3: your money again.

925
00:44:06,680 --> 00:44:07,000
Speaker 2: This time.

926
00:44:07,000 --> 00:44:08,719
Speaker 3: I want to even raise the stakes for a night

927
00:44:08,760 --> 00:44:13,319
Speaker 3: out with Alison and Joe if they win, and Joe says,

928
00:44:13,360 --> 00:44:16,400
Speaker 3: all right, but for me, if I win, it's seventy bucks,

929
00:44:16,960 --> 00:44:19,480
Speaker 3: and poor Alison is just rolling her eyes.

930
00:44:20,920 --> 00:44:22,840
Speaker 1: Like a great old gee Louise.

931
00:44:22,560 --> 00:44:24,960
Speaker 3: And they've already lost four times. Allison doesn't expect to

932
00:44:24,960 --> 00:44:26,839
Speaker 3: win this one, but the guys take the bed.

933
00:44:27,360 --> 00:44:29,400
Speaker 2: I mean, I feel like Alison is so out of

934
00:44:29,400 --> 00:44:33,680
Speaker 2: her element with an older guy out of the beach, like,

935
00:44:33,800 --> 00:44:34,600
Speaker 2: is this what happened?

936
00:44:34,640 --> 00:44:36,759
Speaker 3: And Joe, Joe is taking her down this path.

937
00:44:36,760 --> 00:44:38,520
Speaker 1: I mean, she's looking for trouble.

938
00:44:38,560 --> 00:44:41,280
Speaker 3: We got this, come with me, Alison, and the guys

939
00:44:41,280 --> 00:44:43,640
Speaker 3: tell Joe to break them. Allison is very nervous, but

940
00:44:43,719 --> 00:44:48,640
Speaker 3: she does break the ball and then Joe dominates on

941
00:44:48,760 --> 00:44:52,000
Speaker 3: the pool table, clearing the table on her first turns,

942
00:44:52,360 --> 00:44:57,080
Speaker 3: looking at some point to Alison saying ready, Thelma to Alison, ye,

943
00:44:57,480 --> 00:45:00,640
Speaker 3: she clears the table, and then they asked the wins

944
00:45:00,719 --> 00:45:03,320
Speaker 3: the guys for the seventy bucks they owe. They accused

945
00:45:03,320 --> 00:45:06,360
Speaker 3: her of hustling, which she points out they were doing before,

946
00:45:07,520 --> 00:45:10,640
Speaker 3: and Dwayne lady. Dwayne, I guess it has a name,

947
00:45:10,760 --> 00:45:12,960
Speaker 3: tells Joe that you.

948
00:45:12,360 --> 00:45:14,160
Speaker 1: So glad you didn't have to go out with them. Yes,

949
00:45:14,400 --> 00:45:15,960
Speaker 1: they big jerk.

950
00:45:15,800 --> 00:45:18,239
Speaker 3: Because they were not very appealing, like they were not

951
00:45:18,360 --> 00:45:22,720
Speaker 3: very gentlemanly. And she retorts that a gentleman always pays

952
00:45:22,719 --> 00:45:26,360
Speaker 3: his debt. And Alison would just prefer to leave, but

953
00:45:26,920 --> 00:45:28,560
Speaker 3: Joe holds her ground.

954
00:45:28,800 --> 00:45:30,520
Speaker 1: Like, I'll give you seventy dollars, Can we leave?

955
00:45:31,120 --> 00:45:31,600
Speaker 2: Can we just go?

956
00:45:32,880 --> 00:45:35,239
Speaker 3: And Dwayne drops the money on the pool table, Joe

957
00:45:35,239 --> 00:45:37,080
Speaker 3: pockets it, and as the girls turned to go, he

958
00:45:37,200 --> 00:45:38,560
Speaker 3: calls them bitches.

959
00:45:39,920 --> 00:45:40,600
Speaker 2: Can you believe that?

960
00:45:40,840 --> 00:45:42,440
Speaker 1: I cannot I can't believe that.

961
00:45:42,520 --> 00:45:45,520
Speaker 3: Joe retorts, turns around into her close up and you

962
00:45:45,560 --> 00:45:48,080
Speaker 3: say it does. That may be, but these bitches just

963
00:45:48,160 --> 00:45:51,120
Speaker 3: beat your pants off. I would have said something slightly

964
00:45:51,120 --> 00:45:53,000
Speaker 3: different then that kind of life.

965
00:45:52,840 --> 00:45:55,800
Speaker 1: In television, which is really I thought that was so violent,

966
00:45:55,840 --> 00:45:57,120
Speaker 1: didn't you? And he lunched at her.

967
00:45:57,239 --> 00:45:59,080
Speaker 3: It was really aggressive because they try to hurry.

968
00:45:59,280 --> 00:45:59,960
Speaker 1: We run the bar.

969
00:46:00,640 --> 00:46:04,440
Speaker 3: He follows, Yeah, he follows you guy, and he's barely

970
00:46:04,440 --> 00:46:06,480
Speaker 3: held back by his friend. He's sort of like trying to,

971
00:46:06,840 --> 00:46:08,680
Speaker 3: I mean, grab at you as you guys are leaving

972
00:46:08,719 --> 00:46:10,520
Speaker 3: and you hustle out fifty bucks richer.

973
00:46:10,600 --> 00:46:12,440
Speaker 1: Yeah, we go laughing out. I'm like, do you not

974
00:46:12,520 --> 00:46:15,160
Speaker 1: realize that there's a guy trying to hurt you? I? Yeah,

975
00:46:15,200 --> 00:46:18,280
Speaker 1: it's kind of especially especially when we're this is against

976
00:46:18,280 --> 00:46:22,239
Speaker 1: the domestic violence shows, like let's do the super cute

977
00:46:22,239 --> 00:46:24,560
Speaker 1: and funny guy lunging after a girl. Let's not.

978
00:46:25,160 --> 00:46:28,000
Speaker 3: Yeah, but again, here's where we see Joe's confidence, like

979
00:46:28,040 --> 00:46:29,799
Speaker 3: I got this. I knew what I was doing at

980
00:46:29,800 --> 00:46:32,239
Speaker 3: the whole table. We got all this money, and come on,

981
00:46:32,360 --> 00:46:34,399
Speaker 3: I got you. And she takes her new friend out

982
00:46:34,440 --> 00:46:35,400
Speaker 3: the door with there.

983
00:46:35,239 --> 00:46:37,239
Speaker 2: And then thank god they hold him in the bar

984
00:46:37,280 --> 00:46:39,560
Speaker 2: because he's running after us and he's held back and

985
00:46:39,640 --> 00:46:42,160
Speaker 2: we're like, yeah, let's go. Yes, thank god.

986
00:46:47,920 --> 00:46:51,440
Speaker 3: So then we're back Michael and Jane's apartment. Michael is

987
00:46:51,480 --> 00:46:53,239
Speaker 3: trying to get Jane to leave for the movies and

988
00:46:53,280 --> 00:46:56,120
Speaker 3: the phone rings. Michael answers the phone and it is

989
00:46:56,239 --> 00:46:58,600
Speaker 3: Liz and she sounds like she's crying and she asks

990
00:46:58,640 --> 00:47:03,440
Speaker 3: to talk to Jane, and then we cut to Michael

991
00:47:03,440 --> 00:47:07,600
Speaker 3: and Jane driving up to Liz and Scott's house, where

992
00:47:07,680 --> 00:47:10,640
Speaker 3: Liz is waiting outside the garage Jane runs up to

993
00:47:10,719 --> 00:47:13,359
Speaker 3: hug her and help Liz into the car.

994
00:47:13,360 --> 00:47:15,600
Speaker 1: And the way she's walking you can tell how her

995
00:47:16,160 --> 00:47:21,000
Speaker 1: she's something bad has happened, and Michael turns around to

996
00:47:21,040 --> 00:47:21,880
Speaker 1: the back seat.

997
00:47:21,680 --> 00:47:26,480
Speaker 3: To see Liz's face totally freshly bloodied and breathes it

998
00:47:26,640 --> 00:47:27,760
Speaker 3: and tears.

999
00:47:27,640 --> 00:47:29,480
Speaker 1: And he's like, look, we still don't have all the.

1000
00:47:31,239 --> 00:47:34,720
Speaker 2: He's like, how did this happen?

1001
00:47:36,040 --> 00:47:40,480
Speaker 1: Did the pipes breaking? He is finally finally believe.

1002
00:47:40,440 --> 00:47:43,160
Speaker 3: Finally, and we cut to their apartment where Michael is

1003
00:47:43,200 --> 00:47:46,160
Speaker 3: tending to Liz's facial wounds. Liz is sort of riley,

1004
00:47:46,239 --> 00:47:49,399
Speaker 3: joking that this is what Scott usually does. She says,

1005
00:47:49,400 --> 00:47:51,160
Speaker 3: he beats me up and then he patches me up.

1006
00:47:51,200 --> 00:47:53,440
Speaker 1: Isn't it weird too that nobody says we should go

1007
00:47:53,440 --> 00:47:57,240
Speaker 1: straight to the police. Yeah, isn't that weird? Like before

1008
00:47:57,239 --> 00:48:00,840
Speaker 1: he even maybe it's before we've seen the pictures of people,

1009
00:48:00,880 --> 00:48:02,440
Speaker 1: but you go straight to the police.

1010
00:48:02,880 --> 00:48:05,640
Speaker 2: Did someone say anything? Did she say in there like, no,

1011
00:48:05,640 --> 00:48:06,719
Speaker 2: I don't want to.

1012
00:48:06,640 --> 00:48:10,360
Speaker 1: I didn't hear it. Well, but perhaps that is It's.

1013
00:48:10,160 --> 00:48:13,759
Speaker 3: Like that doesn't seem like something she feels confident doing.

1014
00:48:13,760 --> 00:48:16,480
Speaker 3: But what she does need is someplace safe and so

1015
00:48:16,560 --> 00:48:18,600
Speaker 3: she's turned to Jeane and Michael, and the first thing

1016
00:48:18,680 --> 00:48:22,040
Speaker 3: is like that she just needs shelter. You know, maybe

1017
00:48:22,040 --> 00:48:24,600
Speaker 3: that's her first impulse. But you're right, police would have

1018
00:48:24,640 --> 00:48:30,120
Speaker 3: been It was strange, Yeah, she says, she realizes it's absurd.

1019
00:48:30,440 --> 00:48:32,160
Speaker 2: Wait a second, I just want to say, you know,

1020
00:48:32,719 --> 00:48:34,799
Speaker 2: I won't speak for you guys, but we've never been

1021
00:48:34,800 --> 00:48:35,520
Speaker 2: in a situation.

1022
00:48:35,760 --> 00:48:36,200
Speaker 1: Yeah.

1023
00:48:36,239 --> 00:48:38,319
Speaker 2: So it just dawned on me a book I read

1024
00:48:38,520 --> 00:48:42,200
Speaker 2: of Friday Afternoon Club but done book. Yes, yes, so

1025
00:48:42,239 --> 00:48:45,320
Speaker 2: he talks about his sister was murdered by a boyfriend

1026
00:48:45,360 --> 00:48:49,880
Speaker 2: and she called a friend. I think it was just horrible,

1027
00:48:50,760 --> 00:48:52,680
Speaker 2: and it just is like, this is a real situation.

1028
00:48:52,800 --> 00:48:55,480
Speaker 2: This is a real dynamics, unfortunately, and you know it's

1029
00:48:55,520 --> 00:48:57,680
Speaker 2: easy to say, well, they should just call the police, right,

1030
00:48:57,840 --> 00:48:58,800
Speaker 2: I just want to acknowledge that.

1031
00:48:58,920 --> 00:49:01,240
Speaker 1: No, no, no, and yeah, and I'm not because it makes sense,

1032
00:49:01,360 --> 00:49:03,960
Speaker 1: but I'm saying I wish I think they should have said,

1033
00:49:04,239 --> 00:49:05,799
Speaker 1: we really should go to the police, and then she

1034
00:49:05,880 --> 00:49:08,920
Speaker 1: could have said I'm too scared. Whatever it is. But

1035
00:49:09,000 --> 00:49:11,200
Speaker 1: it just stranged me that nobody said. It's not even

1036
00:49:11,239 --> 00:49:15,319
Speaker 1: talked about. Yeah, that's what's I totally understand why she

1037
00:49:15,320 --> 00:49:20,000
Speaker 1: couldn't or wouldn't Yeah, yeah, So Liz.

1038
00:49:21,040 --> 00:49:23,040
Speaker 3: Jane tells Liz that she can stay as long as

1039
00:49:23,040 --> 00:49:25,759
Speaker 3: she likes needs and that Scott is the one with

1040
00:49:25,800 --> 00:49:28,719
Speaker 3: the problem here, and Liz tells Jane that she feels humiliated.

1041
00:49:29,600 --> 00:49:31,920
Speaker 3: Liz thinks no one understands, and she tells them, I

1042
00:49:31,920 --> 00:49:33,400
Speaker 3: think it would be the last time, and then there

1043
00:49:33,440 --> 00:49:35,760
Speaker 3: would always be another reason for it to happen again,

1044
00:49:35,840 --> 00:49:37,800
Speaker 3: and then there would be an apology or an excuse

1045
00:49:37,800 --> 00:49:39,480
Speaker 3: from Scott after he abused her, and that he had

1046
00:49:39,480 --> 00:49:41,920
Speaker 3: to make up excuses. Then they had to make up

1047
00:49:41,920 --> 00:49:45,400
Speaker 3: excuses for her bruising, and Liz says she thinks it

1048
00:49:45,440 --> 00:49:47,319
Speaker 3: was the hospital and everything that came with it that

1049
00:49:47,680 --> 00:49:51,319
Speaker 3: made him stressed, and she's making excuses for him even here.

1050
00:49:52,080 --> 00:49:55,520
Speaker 3: And she acknowledges though that she's been rationalizing this for years.

1051
00:49:57,640 --> 00:50:00,040
Speaker 3: Liz's fantasy it didn't used to be that way. I

1052
00:50:00,120 --> 00:50:03,759
Speaker 3: could get back to that time when it wasn't this way. Yeah,

1053
00:50:03,760 --> 00:50:06,520
Speaker 3: it's heartbreaking Liz then, and she's just so good in

1054
00:50:06,560 --> 00:50:09,920
Speaker 3: this scene. She's so emotional and raw and real, and

1055
00:50:10,040 --> 00:50:12,120
Speaker 3: she apologizes to Michael, saying she didn't know where else

1056
00:50:12,120 --> 00:50:14,319
Speaker 3: to go. Jane is out of the room for a second,

1057
00:50:14,360 --> 00:50:17,920
Speaker 3: getting a bath ready for Liz, and Michael tells Liz

1058
00:50:18,160 --> 00:50:20,200
Speaker 3: that he should have done more and that Jane had

1059
00:50:20,200 --> 00:50:22,000
Speaker 3: told him, but he didn't want to believe that Scott

1060
00:50:22,040 --> 00:50:24,839
Speaker 3: could do something like this, and she says, neither did

1061
00:50:24,880 --> 00:50:29,120
Speaker 3: I yeah, exactly, and then crying some more, Michael hugs her.

1062
00:50:29,480 --> 00:50:32,960
Speaker 3: Lis admits that she still loves Scott, so yeah, but

1063
00:50:33,040 --> 00:50:36,960
Speaker 3: she's just terrific in these scenes. Then we're cutting to

1064
00:50:37,520 --> 00:50:40,359
Speaker 3: a lookout point at night, looking out over the city

1065
00:50:40,400 --> 00:50:42,920
Speaker 3: of Los Angeles. Alison and Joe back to the new

1066
00:50:42,960 --> 00:50:47,040
Speaker 3: best friends Yes again, another party that I missed. They're

1067
00:50:47,040 --> 00:50:50,640
Speaker 3: looking out over the LA lights and Joe is impressed

1068
00:50:50,719 --> 00:50:52,920
Speaker 3: at this spot that Alison is showing her of her

1069
00:50:52,960 --> 00:50:56,719
Speaker 3: new city in LA Allison says, after what happens at

1070
00:50:56,760 --> 00:51:01,160
Speaker 3: Shooters tonight, I feel like Thelma, and Louise Jo says

1071
00:51:01,160 --> 00:51:03,279
Speaker 3: she feels a freedom to be who she wants to be,

1072
00:51:03,520 --> 00:51:06,799
Speaker 3: and she feels like she likes the fear instead of

1073
00:51:06,840 --> 00:51:09,680
Speaker 3: fearing it. So I think she's referring obviously back to

1074
00:51:09,880 --> 00:51:12,280
Speaker 3: the life she just left. And that's why I really

1075
00:51:12,320 --> 00:51:16,040
Speaker 3: loved about this character. Now, and this scene is that

1076
00:51:16,760 --> 00:51:20,760
Speaker 3: she's already jumped into the unknown. She's in the unknown.

1077
00:51:20,800 --> 00:51:21,920
Speaker 3: She didn't know that you existed.

1078
00:51:21,960 --> 00:51:22,279
Speaker 1: She didn't.

1079
00:51:22,320 --> 00:51:24,319
Speaker 2: But here's this view. And by the way, I don't

1080
00:51:24,360 --> 00:51:28,719
Speaker 2: know where we shot it. I have no recollection of guessing. No, no,

1081
00:51:30,000 --> 00:51:32,719
Speaker 2: because Mulholland would have been. First of all, it wasn't

1082
00:51:32,760 --> 00:51:35,160
Speaker 2: the valley because the lights would have stretched much further,

1083
00:51:35,640 --> 00:51:38,560
Speaker 2: and there was I saw it should have been Mulholland,

1084
00:51:38,640 --> 00:51:40,520
Speaker 2: but I think it was out in Santa.

1085
00:51:40,320 --> 00:51:42,520
Speaker 3: Creita, maybe up on a hillside because of the.

1086
00:51:43,080 --> 00:51:46,560
Speaker 2: If you're up in Mulholland, the cars are much further

1087
00:51:46,600 --> 00:51:48,920
Speaker 2: away and further down. And I saw a car like

1088
00:51:49,000 --> 00:51:50,759
Speaker 2: not that far below us.

1089
00:51:50,840 --> 00:51:53,520
Speaker 1: So it was supposed to be Mulholland.

1090
00:51:53,520 --> 00:51:54,160
Speaker 2: But it wasn't.

1091
00:51:54,160 --> 00:51:55,319
Speaker 1: And I don't remember shooting it.

1092
00:51:55,320 --> 00:51:57,080
Speaker 2: And if we were up a mahand the lights would

1093
00:51:57,080 --> 00:51:59,400
Speaker 2: have gone off way, you know, miles into the valley

1094
00:51:59,560 --> 00:52:01,240
Speaker 2: or even in the la side.

1095
00:52:01,600 --> 00:52:04,080
Speaker 3: All right, Well, for those of us who know it wasn't.

1096
00:52:04,120 --> 00:52:05,960
Speaker 2: Actually I don't know where it was. I just to

1097
00:52:06,040 --> 00:52:07,480
Speaker 2: know if you would have remembered, But it was so

1098
00:52:07,560 --> 00:52:10,480
Speaker 2: long ago and some random night we had. But anyway,

1099
00:52:10,760 --> 00:52:15,319
Speaker 2: I love that she says to love the fear as

1100
00:52:15,320 --> 00:52:17,920
Speaker 2: opposed to being afraid of the fear, because when you

1101
00:52:17,960 --> 00:52:20,480
Speaker 2: think about what she left and here she is in

1102
00:52:20,520 --> 00:52:23,080
Speaker 2: the middle of what she was really scared of the

1103
00:52:23,200 --> 00:52:26,279
Speaker 2: unknown before, and she's in it. And I just love

1104
00:52:26,360 --> 00:52:28,480
Speaker 2: that line that they gave her in it dawned on me, Oh,

1105
00:52:28,520 --> 00:52:31,920
Speaker 2: that's what this whole episode is for, is for this character,

1106
00:52:32,160 --> 00:52:36,040
Speaker 2: you know of Oh my god, I'm here in these nosy,

1107
00:52:36,080 --> 00:52:37,319
Speaker 2: annoyingly friendly.

1108
00:52:37,080 --> 00:52:39,200
Speaker 1: People, and I have an apartment and I have.

1109
00:52:39,160 --> 00:52:41,640
Speaker 2: A new best friend. And it's like we played pool

1110
00:52:41,680 --> 00:52:43,120
Speaker 2: and I was It's like, here I am in the

1111
00:52:43,160 --> 00:52:45,840
Speaker 2: new adventure that she had no clue about, and she

1112
00:52:45,880 --> 00:52:48,480
Speaker 2: probably would have gone to some you know, charity ball

1113
00:52:48,800 --> 00:52:51,560
Speaker 2: and this and that and had to wear her little

1114
00:52:51,560 --> 00:52:56,719
Speaker 2: outfit and you know, a very stifled life compared to this,

1115
00:52:57,000 --> 00:53:00,720
Speaker 2: and she's in it. And that was really just I

1116
00:53:00,760 --> 00:53:03,799
Speaker 2: really am a believer in that and if you can

1117
00:53:03,880 --> 00:53:07,760
Speaker 2: switch your head around to you know, embracing the unknown,

1118
00:53:07,840 --> 00:53:11,400
Speaker 2: because everything's always unknown, and so I really like I

1119
00:53:11,480 --> 00:53:12,920
Speaker 2: aligned with her in that, and I thought it was

1120
00:53:12,960 --> 00:53:13,600
Speaker 2: a great message.

1121
00:53:13,680 --> 00:53:16,359
Speaker 3: We also saw it like Joe coming out of her

1122
00:53:16,520 --> 00:53:20,200
Speaker 3: like sort of like reserved and stand off fish. She's

1123
00:53:20,239 --> 00:53:23,720
Speaker 3: really like warmed up, and she's really like grateful for Alison.

1124
00:53:23,800 --> 00:53:26,280
Speaker 3: And and Joe says, she owes it all to Alison,

1125
00:53:26,360 --> 00:53:29,680
Speaker 3: and she said, what did I do except maybe tag along?

1126
00:53:29,840 --> 00:53:31,920
Speaker 3: Like she feels like she was along for this ride

1127
00:53:31,960 --> 00:53:34,600
Speaker 3: at the pool place with Joe. But Joe is actually

1128
00:53:34,600 --> 00:53:37,600
Speaker 3: really grateful for Alison. It's just really cute. And Joe says, well,

1129
00:53:37,680 --> 00:53:39,600
Speaker 3: you help me kick the hell out of that dryer,

1130
00:53:39,640 --> 00:53:42,440
Speaker 3: which is, yeah, obviously there's so much more to which is.

1131
00:53:42,520 --> 00:53:44,440
Speaker 2: A cute lie, but yeah, to get it out the

1132
00:53:44,560 --> 00:53:47,839
Speaker 2: system because we both been that repression. That's just that's

1133
00:53:47,880 --> 00:53:49,719
Speaker 2: that impression so much more than that, you know. And

1134
00:53:49,760 --> 00:53:52,200
Speaker 2: I am married to a man from the East Coast

1135
00:53:52,280 --> 00:53:54,480
Speaker 2: and like worked in New York and he's from Connecticut.

1136
00:53:54,560 --> 00:53:57,080
Speaker 2: And there is this I must say there and it's

1137
00:53:57,080 --> 00:53:59,480
Speaker 2: not just him, it's there is this sort of like

1138
00:53:59,520 --> 00:54:03,360
Speaker 2: status quo, you know, and they everyone comes to California

1139
00:54:03,400 --> 00:54:06,080
Speaker 2: because you can reinvent yourself. You can be the f

1140
00:54:06,160 --> 00:54:08,040
Speaker 2: you want to be, and no one's going to go, well,

1141
00:54:08,040 --> 00:54:09,480
Speaker 2: what family name are you from?

1142
00:54:09,920 --> 00:54:12,160
Speaker 1: Well? Where do you you know? It's just not like that.

1143
00:54:12,280 --> 00:54:14,919
Speaker 2: You can be really cool and quirky and broken Venice Beach,

1144
00:54:15,000 --> 00:54:19,960
Speaker 2: Well not anymore. But I mean, so she's that she's

1145
00:54:20,120 --> 00:54:25,320
Speaker 2: leaving that status quo that kind of stayed historic life.

1146
00:54:25,040 --> 00:54:27,560
Speaker 3: And she's she's actually even vulnerable. In this scene, she

1147
00:54:27,680 --> 00:54:30,520
Speaker 3: asks Alison if she's alienated everyone in the building, like, oh,

1148
00:54:30,520 --> 00:54:32,480
Speaker 3: does everyone hate me? And she tells Alison she was

1149
00:54:32,520 --> 00:54:34,560
Speaker 3: scared to move out here and she feels like she's

1150
00:54:34,560 --> 00:54:38,480
Speaker 3: bad at making friends. And then she goes on to

1151
00:54:38,600 --> 00:54:43,680
Speaker 3: show Allison the drugs medications that her therapist has prescribed

1152
00:54:43,719 --> 00:54:46,480
Speaker 3: for her, that is the therapist that her husband had

1153
00:54:46,520 --> 00:54:49,520
Speaker 3: provided for her in New York. And then Joe in

1154
00:54:49,560 --> 00:54:51,760
Speaker 3: the scene she comes to a decision. She tells Alison

1155
00:54:51,800 --> 00:54:55,320
Speaker 3: she's her antidepressant antidepressants. Yeah. She tells Alison that she

1156
00:54:55,360 --> 00:54:57,560
Speaker 3: doesn't think she's going to need these pills anymore, and

1157
00:54:57,600 --> 00:55:01,440
Speaker 3: then getting up, Joe hurls the medications over the ledge,

1158
00:55:01,480 --> 00:55:04,360
Speaker 3: over the edge oft into the darkness, and she says,

1159
00:55:04,760 --> 00:55:06,680
Speaker 3: no more safety net.

1160
00:55:07,120 --> 00:55:09,840
Speaker 1: Yeah, anti depressants or because I think that was before

1161
00:55:09,840 --> 00:55:13,239
Speaker 1: antidepressants are really a thing, maybe like valium, something to

1162
00:55:13,360 --> 00:55:17,279
Speaker 1: keep you quiet and calm and docile. That was my

1163
00:55:17,400 --> 00:55:19,200
Speaker 1: take on it, But it was something I remember like

1164
00:55:19,239 --> 00:55:21,920
Speaker 1: Mama's Little Helper and the fifties when they took the valium.

1165
00:55:21,960 --> 00:55:24,399
Speaker 1: That was my case. Maybe, but this is ninety two.

1166
00:55:24,760 --> 00:55:26,960
Speaker 3: In any case, Joe doesn't I feel like she needs

1167
00:55:26,960 --> 00:55:28,480
Speaker 3: it anymore here in La Yeah.

1168
00:55:28,520 --> 00:55:31,520
Speaker 1: Maybe was there even prozac in ninety two? Like that

1169
00:55:31,640 --> 00:55:32,880
Speaker 1: was the first one I remember.

1170
00:55:32,640 --> 00:55:35,680
Speaker 3: Even hearing this one? I can't answer. Yeah, I don't know.

1171
00:55:35,719 --> 00:55:37,479
Speaker 2: We just stayed apressed. We have no help.

1172
00:55:43,840 --> 00:55:46,319
Speaker 3: Cut to Alison in the Billy's apartment. Billy is waiting

1173
00:55:46,360 --> 00:55:50,759
Speaker 3: up for Allison. He's reading here's where he's reading a magazine.

1174
00:55:50,160 --> 00:55:50,279
Speaker 4: Here.

1175
00:55:50,800 --> 00:55:55,400
Speaker 1: What is he doing? Well, he's smelling the magazine, you know, the.

1176
00:55:55,160 --> 00:55:56,800
Speaker 3: Perfume, per sample.

1177
00:55:57,160 --> 00:55:59,840
Speaker 2: I don't know if that was Andrew or the director,

1178
00:56:00,080 --> 00:56:01,200
Speaker 2: Nancy Malone or what.

1179
00:56:02,320 --> 00:56:05,759
Speaker 3: Alone doesn't it It's just like, don't just read the magazine,

1180
00:56:06,320 --> 00:56:09,359
Speaker 3: do something with it. The door opens and he sort

1181
00:56:09,400 --> 00:56:12,200
Speaker 3: of quickly puts that down, and Alison comes home for

1182
00:56:12,239 --> 00:56:13,960
Speaker 3: the night after her night with Joe, how did it go?

1183
00:56:14,120 --> 00:56:18,680
Speaker 3: Billy wonders, and Alison says, Joe's great. Billy says he

1184
00:56:18,800 --> 00:56:21,080
Speaker 3: still thinks Joe's weird because she didn't answer the phone

1185
00:56:21,480 --> 00:56:25,760
Speaker 3: when he was in there, But she called me Bill,

1186
00:56:26,400 --> 00:56:28,120
Speaker 3: and she called me Bill? Who calls me Bill?

1187
00:56:28,200 --> 00:56:31,400
Speaker 2: Did you notice in this episode I call you al Yeah?

1188
00:56:31,560 --> 00:56:33,720
Speaker 2: Was that up on the that scene that we just talked.

1189
00:56:33,840 --> 00:56:35,960
Speaker 1: Give everybody nickname you're gonna call?

1190
00:56:37,760 --> 00:56:41,080
Speaker 2: Yeah, I think it's hilarious. I never called I think

1191
00:56:41,120 --> 00:56:42,600
Speaker 2: they just drop it. I never say it again.

1192
00:56:42,640 --> 00:56:48,440
Speaker 3: I like the Bill one and Allison says to Billy,

1193
00:56:48,480 --> 00:56:51,800
Speaker 3: You're still my best friend. And then she asks Billy,

1194
00:56:51,800 --> 00:56:57,640
Speaker 3: are you reading my magazines? Billy and smelling? Did I

1195
00:56:57,840 --> 00:57:01,480
Speaker 3: did I catch a glimpse of you sniffing that? Billy

1196
00:57:01,520 --> 00:57:04,120
Speaker 3: admits he took a quiz in one of the magazines, actually,

1197
00:57:04,480 --> 00:57:07,439
Speaker 3: and he tells Alison that based on the results, he's

1198
00:57:07,480 --> 00:57:09,280
Speaker 3: an almost perfect god.

1199
00:57:09,120 --> 00:57:11,840
Speaker 1: To which the audience goes, no, dub, Alison.

1200
00:57:11,520 --> 00:57:14,279
Speaker 3: Wake up to tell you that could have told you

1201
00:57:14,360 --> 00:57:16,960
Speaker 3: that the banter is very cute. So they shut off

1202
00:57:16,960 --> 00:57:19,400
Speaker 3: the lights as they each had their respective bedroom.

1203
00:57:19,520 --> 00:57:21,120
Speaker 1: Oh my god, I remember those quizzes.

1204
00:57:21,160 --> 00:57:24,720
Speaker 2: Don't you you're the right man? Are you the right girlfriend?

1205
00:57:24,800 --> 00:57:27,120
Speaker 2: Is it the right thing? Is that this? You know everything?

1206
00:57:27,200 --> 00:57:27,400
Speaker 1: Well?

1207
00:57:27,400 --> 00:57:29,840
Speaker 3: Billy wanted to know, so, you know, he took the quiz.

1208
00:57:31,000 --> 00:57:35,400
Speaker 3: So now at the hospital, Michael is in the staff

1209
00:57:35,480 --> 00:57:38,840
Speaker 3: room when doctor Scott walks in and Scott says he

1210
00:57:38,880 --> 00:57:44,600
Speaker 3: saw Michael with Williams some some other physician, and Michael

1211
00:57:45,120 --> 00:57:48,040
Speaker 3: says he didn't say anything. Michael tells Scott he doesn't

1212
00:57:48,080 --> 00:57:50,400
Speaker 3: plan to tell Leven everything he knows. He said he

1213
00:57:50,440 --> 00:57:54,720
Speaker 3: saw what Scott did to Liz's face, and Scott needs therapy,

1214
00:57:54,960 --> 00:57:58,680
Speaker 3: he tells him. Scott says, dude, it won't happen again.

1215
00:57:58,800 --> 00:58:03,160
Speaker 3: Michael says, that's what is said he would say, but

1216
00:58:03,280 --> 00:58:06,000
Speaker 3: Michael says, I have seen your work, and Scott then

1217
00:58:06,400 --> 00:58:12,160
Speaker 3: slams Michael up against the lockers, Michael saying, yeah, hit me, dude,

1218
00:58:12,360 --> 00:58:15,600
Speaker 3: hit me, better better than hitting Liz. Yeah, better me

1219
00:58:15,640 --> 00:58:15,960
Speaker 3: than Liz.

1220
00:58:16,000 --> 00:58:16,640
Speaker 2: Such a good scene.

1221
00:58:16,720 --> 00:58:18,480
Speaker 1: I love that line. I thought that was such a

1222
00:58:18,480 --> 00:58:21,880
Speaker 1: great Michael finally finally confronted him. Yeah, that was a

1223
00:58:21,920 --> 00:58:22,560
Speaker 1: great line.

1224
00:58:22,800 --> 00:58:25,400
Speaker 3: And so as much as he challenges to hit him,

1225
00:58:25,440 --> 00:58:29,840
Speaker 3: Scott doesn't, instead backing away and hitting the lockers. Instead

1226
00:58:29,960 --> 00:58:32,440
Speaker 3: off to the side and says he's finished. You know.

1227
00:58:32,680 --> 00:58:35,040
Speaker 3: He doesn't want to lose Liz, and he asks Michael

1228
00:58:35,120 --> 00:58:38,320
Speaker 3: where is she? Where is Liz? Michael says, Liz left

1229
00:58:38,320 --> 00:58:40,840
Speaker 3: this morning and she made Jane and Michael promise not

1230
00:58:40,880 --> 00:58:43,360
Speaker 3: to tell him where she's going, but he's slightly better

1231
00:58:43,400 --> 00:58:47,240
Speaker 3: if he said, I don't know. Yep, and uh, there's

1232
00:58:47,400 --> 00:58:51,040
Speaker 3: no excuse for Scott's behavior, he says, and you need

1233
00:58:51,080 --> 00:58:54,600
Speaker 3: to go tell Levin. Scott asks Michael to come with

1234
00:58:54,800 --> 00:58:58,480
Speaker 3: him to tell Levin, and Michael and Scott walked together

1235
00:58:58,520 --> 00:59:00,720
Speaker 3: down the hall to go talk.

1236
00:59:00,560 --> 00:59:03,040
Speaker 1: To which is now. Look, as much as I want

1237
00:59:03,080 --> 00:59:07,200
Speaker 1: him punished, my little like boundary alarm is going off,

1238
00:59:07,360 --> 00:59:10,120
Speaker 1: and I'm like, it's not really that he needs to

1239
00:59:10,160 --> 00:59:15,000
Speaker 1: go tell his boss, Like, this is his work. It's

1240
00:59:15,120 --> 00:59:17,960
Speaker 1: up to her to call the police or not. It's

1241
00:59:18,000 --> 00:59:20,920
Speaker 1: a marriage issue, it's not a work issue. So I

1242
00:59:20,920 --> 00:59:22,680
Speaker 1: thought this was strange. Did you think this was a

1243
00:59:22,720 --> 00:59:24,240
Speaker 1: weird boundary thing.

1244
00:59:24,280 --> 00:59:26,680
Speaker 3: Well, it's his biggest fear that it's gonna like his

1245
00:59:26,800 --> 00:59:30,600
Speaker 3: career will be affected on something he's responsible for. Right,

1246
00:59:30,680 --> 00:59:32,560
Speaker 3: So he's like, whoa, I just need to cover my job.

1247
00:59:32,640 --> 00:59:34,560
Speaker 1: I deal with that, totally understand.

1248
00:59:35,000 --> 00:59:39,640
Speaker 2: But but you're thinking that Michael is crossing a boundary

1249
00:59:39,920 --> 00:59:40,919
Speaker 2: by telling.

1250
00:59:40,920 --> 00:59:43,760
Speaker 1: Yeah, bo, I don't know why it's Michael's business to

1251
00:59:43,800 --> 00:59:46,480
Speaker 1: tell their boss that he's abusive to his wife. I

1252
00:59:46,480 --> 00:59:48,760
Speaker 1: think it's for the police, and I think it's for

1253
00:59:48,920 --> 00:59:52,320
Speaker 1: her to tell the police. I just I know this

1254
00:59:52,400 --> 00:59:55,240
Speaker 1: is sound weird, but it's almost like gossip at this point,

1255
00:59:55,360 --> 00:59:57,840
Speaker 1: like look what he did. Look what he did. It's like, well, yeah,

1256
00:59:57,880 --> 01:00:01,280
Speaker 1: but I get a harmatience gossip. No, well, I know

1257
01:00:01,360 --> 01:00:04,960
Speaker 1: it's not he's doing it because if he says he's

1258
01:00:05,000 --> 01:00:05,840
Speaker 1: a he just slammed.

1259
01:00:06,080 --> 01:00:09,760
Speaker 2: He's a violent man, not just that he beats his wife,

1260
01:00:09,800 --> 01:00:12,880
Speaker 2: which isn't just about behind the you know, at the

1261
01:00:12,920 --> 01:00:15,760
Speaker 2: house and just between you and your wife. But he

1262
01:00:15,880 --> 01:00:19,000
Speaker 2: just slammed him up, he hit the other locker. What

1263
01:00:19,160 --> 01:00:20,720
Speaker 2: is he going to tell him exactly? He says, I'm

1264
01:00:20,760 --> 01:00:21,280
Speaker 2: about to go.

1265
01:00:21,240 --> 01:00:23,560
Speaker 1: Tell Well, that's what's interesting, Like, what is he going

1266
01:00:23,640 --> 01:00:25,640
Speaker 1: to go? That's what I'm saying. I just say, look,

1267
01:00:25,680 --> 01:00:28,760
Speaker 1: obviously he needs to have consequences. I don't think the

1268
01:00:28,800 --> 01:00:31,240
Speaker 1: appropriate place to have consequences. It's not like he's a

1269
01:00:31,240 --> 01:00:34,640
Speaker 1: professional athlete and there was a video of him and

1270
01:00:34,680 --> 01:00:36,880
Speaker 1: he's up there. Well, I guess he is pretending to

1271
01:00:36,920 --> 01:00:37,640
Speaker 1: be something he's not.

1272
01:00:38,840 --> 01:00:40,320
Speaker 2: Yeah, well, it's a good question.

1273
01:00:40,560 --> 01:00:43,280
Speaker 1: It's interesting that you're bringing this up. It seems like

1274
01:00:43,360 --> 01:00:45,280
Speaker 1: maybe the police not his boss.

1275
01:00:45,040 --> 01:00:45,440
Speaker 2: Right to me.

1276
01:00:45,840 --> 01:00:48,840
Speaker 3: He's like, here's here's what he said. Is the next

1277
01:00:48,920 --> 01:00:51,200
Speaker 3: thing I'm going to be doing. This is going to

1278
01:00:51,240 --> 01:00:54,880
Speaker 3: be difficult for me. Michael, will you come handhold me

1279
01:00:54,960 --> 01:00:58,600
Speaker 3: through this? It's almost like this, you know, account I.

1280
01:00:58,640 --> 01:01:03,960
Speaker 1: Did something, say, I hit Daphney because maybe she wasn't

1281
01:01:04,120 --> 01:01:06,040
Speaker 1: called me out again, maybe she called me all again

1282
01:01:06,040 --> 01:01:09,200
Speaker 1: and I hit her like I wouldn't go to our boss.

1283
01:01:09,560 --> 01:01:11,800
Speaker 1: I don't know. It's just yeah, I know it's not

1284
01:01:12,040 --> 01:01:13,760
Speaker 1: it's not really important. I just saw that. I thought,

1285
01:01:13,800 --> 01:01:15,880
Speaker 1: that doesn't feel like those don't feel like the proper

1286
01:01:15,920 --> 01:01:19,760
Speaker 1: authorities to go to in this situation, right, Yeah, that's

1287
01:01:19,760 --> 01:01:20,640
Speaker 1: what it was interesting.

1288
01:01:21,360 --> 01:01:26,280
Speaker 3: So, but it's theatrical and that's where they were. So

1289
01:01:26,320 --> 01:01:29,080
Speaker 3: then we cut to Jake and he is in the

1290
01:01:29,080 --> 01:01:34,360
Speaker 3: shower in his apartment and the water suddenly changes temperature

1291
01:01:34,400 --> 01:01:36,960
Speaker 3: and he rips open the shower curtain and Anger turns

1292
01:01:36,960 --> 01:01:39,160
Speaker 3: off the water and grabs a towel, looking up the.

1293
01:01:39,160 --> 01:01:41,600
Speaker 2: Stairs most importantly, and even him.

1294
01:01:43,440 --> 01:01:46,280
Speaker 1: Can't argue with this. They can't argue with this.

1295
01:01:46,360 --> 01:01:51,600
Speaker 3: Shirtless he and he storms through the courtyard in his towel,

1296
01:01:51,680 --> 01:01:55,080
Speaker 3: thank you very much, and he has upstairs to Joe's part.

1297
01:01:55,040 --> 01:01:55,880
Speaker 2: Banging on the door.

1298
01:01:56,120 --> 01:01:58,200
Speaker 1: By the way, we see every second of the walk

1299
01:01:58,240 --> 01:01:58,600
Speaker 1: they're not.

1300
01:02:00,120 --> 01:02:02,400
Speaker 2: And you know what, I'm thinking, that courtyard is so dirty,

1301
01:02:02,440 --> 01:02:03,880
Speaker 2: Like isn't he wearing his feet?

1302
01:02:07,360 --> 01:02:07,640
Speaker 1: Okay?

1303
01:02:07,920 --> 01:02:11,400
Speaker 3: And Joe answers the door in a silky blue robe

1304
01:02:11,720 --> 01:02:16,360
Speaker 3: and she clocks him very clearly barely dressed, and Jake says,

1305
01:02:16,520 --> 01:02:21,040
Speaker 3: the water. I was taking a shower. Joe tells Jake

1306
01:02:21,080 --> 01:02:23,400
Speaker 3: that she was brushing her teeth, and then she remembers

1307
01:02:23,440 --> 01:02:25,520
Speaker 3: about the water what he had said, saying.

1308
01:02:25,360 --> 01:02:26,840
Speaker 2: You're hot, I'm cold.

1309
01:02:26,880 --> 01:02:28,479
Speaker 1: When I'm hot, you're cold or something.

1310
01:02:28,520 --> 01:02:32,040
Speaker 3: When I'm when you're hot, I'm cold. How unfortunate?

1311
01:02:32,200 --> 01:02:32,600
Speaker 2: Fortunate?

1312
01:02:32,840 --> 01:02:34,040
Speaker 1: She like goes up and down with.

1313
01:02:34,000 --> 01:02:36,720
Speaker 3: Her eyes and a little smile, and that is.

1314
01:02:36,840 --> 01:02:40,600
Speaker 1: Also so you turned on cold water to brush your teeth,

1315
01:02:40,720 --> 01:02:42,959
Speaker 1: and that did something to his hot water. I guess

1316
01:02:42,960 --> 01:02:45,320
Speaker 1: we just don't pull the thread, right, Just don't don't

1317
01:02:45,320 --> 01:02:47,240
Speaker 1: pull up. We got him without a shirt. You in

1318
01:02:47,280 --> 01:02:49,920
Speaker 1: a row, yeah, and we're we're yeah, that's what we did.

1319
01:02:50,120 --> 01:02:53,120
Speaker 3: How unfortunate, She says, a little smile. And that's enough

1320
01:02:53,160 --> 01:02:56,440
Speaker 3: to get Jake unmad because he's like a little a

1321
01:02:56,440 --> 01:03:00,520
Speaker 3: little bit flamexed to there, and with one more flirty

1322
01:03:00,520 --> 01:03:04,320
Speaker 3: beat of them looking at each other, Jake tells Joe

1323
01:03:04,360 --> 01:03:07,520
Speaker 3: to have a nice day and walks back to his apartment.

1324
01:03:07,600 --> 01:03:10,520
Speaker 3: Joe watches him go thank you very much, and Jake

1325
01:03:10,600 --> 01:03:11,440
Speaker 3: walks by.

1326
01:03:11,520 --> 01:03:15,160
Speaker 2: In her beautiful pariwinkle, very beautieous sachrobe.

1327
01:03:15,240 --> 01:03:17,640
Speaker 3: Jake walks by Billy, who's reading the paper in the courtyard,

1328
01:03:17,640 --> 01:03:19,600
Speaker 3: and Billy says to Jake, without even looking up, so

1329
01:03:19,720 --> 01:03:25,920
Speaker 3: what do you think? And Jake responds definite possibilities And

1330
01:03:26,480 --> 01:03:29,600
Speaker 3: with that we end the episode with beautiful Joe leaning

1331
01:03:29,600 --> 01:03:31,520
Speaker 3: over the railing above, still checking out.

1332
01:03:31,640 --> 01:03:35,000
Speaker 2: Jake ups, Wow, what happens when I turn on the

1333
01:03:35,000 --> 01:03:35,520
Speaker 2: hot water?

1334
01:03:35,720 --> 01:03:39,360
Speaker 1: Yeah? Not even pretending you're not the we know.

1335
01:03:40,480 --> 01:03:41,680
Speaker 2: I'm enjoying the fear.

1336
01:03:41,800 --> 01:03:42,440
Speaker 4: I love this.

1337
01:03:43,520 --> 01:03:44,760
Speaker 1: I should have done this sooner.

1338
01:03:45,040 --> 01:03:48,000
Speaker 3: I love Layah, I love all Right.

1339
01:03:48,040 --> 01:03:49,400
Speaker 1: Well, that was a fun episode.

1340
01:03:49,480 --> 01:03:51,760
Speaker 3: It's great, maybe one of my favorites so far.

1341
01:03:52,120 --> 01:03:54,760
Speaker 1: It's really picking up, it's really getting better, and we

1342
01:03:54,840 --> 01:03:56,920
Speaker 1: talking about four. This is what they don't give shows

1343
01:03:56,960 --> 01:04:01,000
Speaker 1: now the chance to really find their legs because they're

1344
01:04:01,040 --> 01:04:03,520
Speaker 1: really starting to figure it out, and they gave us

1345
01:04:03,640 --> 01:04:05,920
Speaker 1: enough time. And one thing too, that we didn't touch on.

1346
01:04:05,920 --> 01:04:08,720
Speaker 1: One of the reasons our ratings were so low is

1347
01:04:08,760 --> 01:04:11,200
Speaker 1: that we were on Fox and Fox had far was

1348
01:04:11,360 --> 01:04:15,400
Speaker 1: had far fewer markets in which they were shown, So

1349
01:04:16,320 --> 01:04:18,840
Speaker 1: our numbers, I don't know if we ever actually broke

1350
01:04:18,880 --> 01:04:21,920
Speaker 1: the top ten. We did in there was some like

1351
01:04:22,000 --> 01:04:24,919
Speaker 1: eighteen to thirty five whatever. We broke the top ten,

1352
01:04:24,960 --> 01:04:27,560
Speaker 1: but because we just didn't have as many markets.

1353
01:04:27,880 --> 01:04:30,920
Speaker 2: Yeah, because I remember going to like these something in

1354
01:04:30,960 --> 01:04:34,320
Speaker 2: some plane with just some private plane and like we

1355
01:04:34,520 --> 01:04:36,640
Speaker 2: were had to come out on stage and it was

1356
01:04:36,760 --> 01:04:40,360
Speaker 2: me and someone from married with children and Terry Bradshaw.

1357
01:04:40,760 --> 01:04:42,360
Speaker 1: Yeah, and we're all trying to say who.

1358
01:04:44,440 --> 01:04:46,960
Speaker 2: Yep, wow, Yeah, football was a big deal.

1359
01:04:47,120 --> 01:04:49,720
Speaker 1: You know, we would remember this Andrews and we have

1360
01:04:49,800 --> 01:04:51,840
Speaker 1: Andrew back on. I'm going to ask him because he

1361
01:04:51,920 --> 01:04:54,280
Speaker 1: clocked all of that. He was paying careful attention to

1362
01:04:54,320 --> 01:04:55,919
Speaker 1: all of that, so we should ask him. Yeah.

1363
01:04:56,640 --> 01:04:58,560
Speaker 3: Well, we had we had a fan send in some

1364
01:04:59,480 --> 01:05:03,400
Speaker 3: ratings and information too, just from Wikipedia, So I take

1365
01:05:03,440 --> 01:05:05,320
Speaker 3: that with that though I couldn't.

1366
01:05:05,440 --> 01:05:07,560
Speaker 1: Yeah, did you understand the numbers are a little bit

1367
01:05:07,560 --> 01:05:11,840
Speaker 1: hard to fans listening? Please explain it to us. I

1368
01:05:11,920 --> 01:05:15,200
Speaker 1: mean number Thank you for listening and trying to help us.

1369
01:05:15,400 --> 01:05:18,040
Speaker 1: We need apparently little more help to figure it out.

1370
01:05:18,120 --> 01:05:19,840
Speaker 3: But I also thought, you know, sign of the times.

1371
01:05:19,840 --> 01:05:23,320
Speaker 3: We had some pagers appear in this episode, like beepers.

1372
01:05:23,360 --> 01:05:26,680
Speaker 3: Remember we called him beepers, the pagers when the doctor's

1373
01:05:26,680 --> 01:05:29,400
Speaker 3: pagers go off. I feel like doctors still use those?

1374
01:05:29,880 --> 01:05:31,120
Speaker 2: Yeah, they should know.

1375
01:05:31,160 --> 01:05:32,680
Speaker 3: I'm not sure do they call him beepers?

1376
01:05:32,760 --> 01:05:35,440
Speaker 1: I don't know. I don't feel like we still use pages?

1377
01:05:36,200 --> 01:05:38,520
Speaker 3: All right, Well, I am looking forward to the next

1378
01:05:38,560 --> 01:05:40,840
Speaker 3: episode because guess what, I know that Daphne will be

1379
01:05:40,840 --> 01:05:42,480
Speaker 3: in it, and Courtney will be in it, and I'll

1380
01:05:42,480 --> 01:05:44,360
Speaker 3: get to see my friends and I'll have some more fomo.

1381
01:05:44,480 --> 01:05:46,560
Speaker 3: But I'm really looking forward to next. So our next

1382
01:05:46,600 --> 01:05:50,760
Speaker 3: will be a recap. That'll be episode sixteen coming up

1383
01:05:50,760 --> 01:05:53,720
Speaker 3: here on Still the Place. Yes, and this one was

1384
01:05:53,760 --> 01:05:54,560
Speaker 3: really fun, guys.

1385
01:05:54,640 --> 01:05:58,880
Speaker 1: So and then you come on nineteen twenty and then

1386
01:05:59,200 --> 01:06:00,600
Speaker 1: you go away for a little bit and then you

1387
01:06:00,640 --> 01:06:03,680
Speaker 1: come back. Yep, because these were long seasons. For how

1388
01:06:03,720 --> 01:06:04,840
Speaker 1: long do you go away? Do you remember?

1389
01:06:05,080 --> 01:06:06,840
Speaker 3: For the rest of the season. So I'm just gonna

1390
01:06:06,840 --> 01:06:07,680
Speaker 3: pop in and pop out.

1391
01:06:07,920 --> 01:06:10,000
Speaker 1: Yeah, you're gonna be super happy for two weeks.

1392
01:06:10,040 --> 01:06:12,760
Speaker 3: And I'm gonna be super weird out.

1393
01:06:12,640 --> 01:06:13,800
Speaker 2: Like, oh my god, I'm in the show.

1394
01:06:13,800 --> 01:06:14,400
Speaker 1: What am I gonna do?

1395
01:06:14,560 --> 01:06:18,080
Speaker 2: Like year, so you come in nineteen twenty and then

1396
01:06:18,320 --> 01:06:19,600
Speaker 2: Heather comes in twenty one.

1397
01:06:20,400 --> 01:06:24,360
Speaker 3: We're so grateful that everyone's listening and watching along with us.

1398
01:06:24,880 --> 01:06:25,760
Speaker 3: Thanks for coming to.

1399
01:06:25,760 --> 01:06:28,640
Speaker 2: Steal the place and everyone to listen and lead reviews

1400
01:06:28,720 --> 01:06:30,480
Speaker 2: and download and we'll.

1401
01:06:30,360 --> 01:06:32,720
Speaker 1: Yeah, you're never leave a twelve star.

1402
01:06:33,000 --> 01:06:33,960
Speaker 2: Leave a twelve stars.

1403
01:06:35,280 --> 01:06:36,720
Speaker 1: You have to write an extra stars.

1404
01:06:36,720 --> 01:06:39,120
Speaker 3: But yes, we appreciate all the stars.

1405
01:06:39,160 --> 01:06:41,640
Speaker 2: And again, you can watch these shows with us on

1406
01:06:41,840 --> 01:06:42,919
Speaker 2: Turnout Plus.

1407
01:06:43,160 --> 01:06:44,520
Speaker 3: All right, we see you next week here.

1408
01:06:46,120 --> 01:06:46,320
Speaker 4: Yay