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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the.

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Speaker 1: Video version of the history of Curby Your Enthusiasm podcast

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Speaker 1: on Max and YouTube, as well. Links available in the

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Speaker 1: episode description. We are here today. It's season three, episode four,

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Speaker 1: The Nanny from Hell and Jeff is not with us

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Speaker 1: on Psusiasm and Jeff is not here today. He had

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Speaker 1: a little thing he had to take care of. But

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Speaker 1: we don't need him because we have the Nanny from

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Speaker 1: Hell herself. Cherry.

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Speaker 3: Oh, Terry is here with us today.

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Speaker 2: Oh, everybody, it's so good to be here. How many

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Speaker 2: people are here? Three? Four, five?

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Speaker 1: All of us, big audience. And Cherry, let's talk first

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Speaker 1: about how did you get the part? Did you audition?

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Speaker 4: No?

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Speaker 2: Actually, Larry called me at home. And the funny thing

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Speaker 2: is I was so excited. I couldn't believe that he

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Speaker 2: was calling me at home. It's like, you know, Jerry,

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Speaker 2: Larry David. And he started to tell me about the character, right,

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Speaker 2: But I was so excited or really wasn't listening, right,

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Speaker 2: you know what I mean? I thought to myself I'm

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Speaker 2: gonna get it later when I get my script, right right, right,

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Speaker 2: and yeah, and study it. And he was going on,

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Speaker 2: and had you.

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Speaker 1: Been I mean, this was just the third season, So

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Speaker 1: had you been watching the first two seas? You had,

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Speaker 1: because the first two seasons were really under the radar

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Speaker 1: for us, I mean, you know, but people in the

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Speaker 1: business were watching, but the general public I just noticed anecdotally.

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Speaker 1: I wasn't really stopped in the street or anything till

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Speaker 1: after season three.

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Speaker 2: But you had been watching it?

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Speaker 5: Oh?

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Speaker 2: Yeah, I thought it was great, but I truly did

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Speaker 2: not think it was all improvised. Right.

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Speaker 3: Nobody believes us when we tell them that.

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Speaker 2: Well, I'll tell you. I went in and I kept

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Speaker 2: waiting for paper, you know, and I said to you,

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Speaker 2: my agent at the time, I go, I still haven't

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Speaker 2: gotten a script. Yeah, And then I'm just thinking, why

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Speaker 2: haven't I gotten anything? And then I get in and

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Speaker 2: I knew, if I knew anyone, it was Jeff. But

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Speaker 2: I could never get alone with Jeff. And you guys

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Speaker 2: are all on automatic. You're not even thinking about what

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Speaker 2: the guest is thinking about, right, you know, you know,

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Speaker 2: it was kind of like guest one SNL. Once they're

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Speaker 2: there and they realize that it truly is live. You know,

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Speaker 2: those who would never experience that are scared shitless.

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Speaker 1: Right, I just had a flash of my favorite year

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Speaker 1: when Peter O'Toole is doing that and he doesn't know

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Speaker 1: it's live and he just freaks out.

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Speaker 3: Did you ever see that movie?

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Speaker 2: No?

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Speaker 3: Oh, it's a great movie.

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Speaker 1: It's a bat a live show and it was kind

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Speaker 1: of based on your show of shows watch that, Yeah,

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Speaker 1: And Peter O'Toole comes on as like, you know, what

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Speaker 1: was his name, Alan Swan I think or something like that,

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Speaker 1: and he's playing a Peter O'Toole character, like an Errol

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Speaker 1: Flynn character, and he thinks he's doing the show, and

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Speaker 1: then that night he realizes it's live and he gets

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Speaker 1: completely sloshed and just fucks everything off. And but yeah,

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Speaker 1: so same thing with us. Don't know, don't they know

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Speaker 1: it's Saturday Night Live? But they go, what do your

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Speaker 1: tape on Saturday Night Live?

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Speaker 3: And so how many seasons did you do?

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Speaker 2: Five? But I went straight from the groundings to there,

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Speaker 2: so you know, you go live, you know live, and

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Speaker 2: you don't even pay attention to the cameras. And he

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Speaker 2: used to get in trouble. He's like, Sherry, do you

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Speaker 2: know where your camera is? And I go, yeah, no

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Speaker 2: you don't. Yeah, And he was right. I never paid

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Speaker 2: attention to the cameras.

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Speaker 3: Because you were alive, literal, live performers.

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Speaker 2: The people at home like to see you too.

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Speaker 3: Yeah.

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Speaker 1: I get like, like, coming from stand up all those years,

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Speaker 1: I don't even think about where the camera is. I'm

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Speaker 1: just not camera savvy like that. I'm just I'm used

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Speaker 1: to live performing.

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Speaker 2: Yeah, it's kind of like, wow, I never even thought

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Speaker 2: you have to play to your camera.

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Speaker 3: We're not Marlena Dietrich. Well, we know where our key

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Speaker 3: light is.

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Speaker 2: I never knew about lighting. I never even thought to say, wow,

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Speaker 2: that's bad light. You know, even today I still don't

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Speaker 2: think about but yet I know how important it is

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Speaker 2: after the fact.

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Speaker 1: But you don't think about it when you're performing. Neither

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Speaker 1: do I need to know.

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Speaker 2: So when I got there, I still no paper, know nothing.

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Speaker 2: And so you were.

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Speaker 1: You didn't see an outline nothing. Yeah, and I believe

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Speaker 1: in that in those years, nobody saw outlines. No guests

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Speaker 1: saw outlines in those years, So nobody ever showed you

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Speaker 1: an outline.

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Speaker 2: No, nothing, And I couldn't say to David. Hey, listen,

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Speaker 2: when you called me and you explained what I was

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Speaker 2: going to be doing, I wasn't listening because I was excited.

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Speaker 2: You can't say that, yeah, yeah, you know, and Jeff

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Speaker 2: was running around. I couldn't say, Jeff, could you tell

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Speaker 2: me what I'm doing?

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Speaker 1: Oh?

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Speaker 2: So you were just lost. I was so lost and

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Speaker 2: so scared that the first scene that I did, and

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Speaker 2: he's like, all right, you're gonna try We were by

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Speaker 2: the pool, Oh that one, okay, And I said you're

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Speaker 2: going to try and stop me from using the bathroom.

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Speaker 2: And I go, do I succeed?

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Speaker 3: Action?

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Speaker 2: You know? And I said I'm doing Do I succeed?

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Speaker 1: Yeah?

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Speaker 2: So I didn't know when to stop, how long to

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Speaker 2: keep going. And he's like, you know, going to use

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Speaker 2: the bathroom and I just was like, you can't use

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Speaker 2: the bathroom whatever? And then I didn't know how long

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Speaker 2: to go on for right, And I just said when

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Speaker 2: he was really pushing me, I think I said, is

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Speaker 2: it one or two? Right?

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Speaker 3: But it all worked.

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Speaker 1: It all, Well, let's hold off on that because we're

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Speaker 1: going to get to that scene and we could talk

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Speaker 1: about it. It all worked beautifully. Even though you say

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Speaker 1: you had no idea what you were doing. None of

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Speaker 1: us ever know.

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Speaker 2: And you know what, he didn't come off like the

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Speaker 2: kind of guy I could say, Hey, Larry, could you

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Speaker 2: you know?

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Speaker 1: He wasn't approachable, right, Yeah he is, but people are

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Speaker 1: scared of him.

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Speaker 3: But he's not scary. But I understand, I understand.

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Speaker 2: All right.

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Speaker 1: So we start off the episode and we're at Bobo's,

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Speaker 1: which is the restaurant that Jeff and Larry are investing

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Speaker 1: in with Michael Yorke and Blue DiMaggio and Ted Danson,

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Speaker 1: and Larry walks over to the bar and he says

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Speaker 1: to the bartender.

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Speaker 4: I'll take a seven and seven.

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Speaker 2: What are you doing?

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Speaker 6: A little plumbing?

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Speaker 4: A little plumbing, got the plumb plumb the depths the

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Speaker 4: depths of Hell.

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Speaker 1: And the bartender is actually Richard Tibbitts, who is our

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Speaker 1: electrician and he has been on the show. I think

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Speaker 1: he started in season two and he's still now season twelve,

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Speaker 1: and he's he's doing a little plumbing behind the bar,

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Speaker 1: and Larry goes off into a whole thing about schlepping marble,

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Speaker 1: you know, another complete non sequitor, and Timbets is ignoring him,

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Speaker 1: and then Hugh Mellon comes in. Who is Tim what's

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Speaker 1: the name Tim Kazarinsky? Oh yeah, yeah, yeah, yeah, I

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Speaker 1: remember Tim. Yeah, Tim really great a brov was at

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Speaker 1: Second City?

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Speaker 2: Was he Brownling? Also?

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Speaker 1: He wasn't a groundling? And he invites Larry to a

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Speaker 1: pool party. And it turns out that Hugh Mellon, the character,

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Speaker 1: who's also an investor I think, is head of a

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Speaker 1: publishing company and they publish Bartlet's quotations and Richard Lewis

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Speaker 1: wants to get into Bartlett's quotations for the blank from Hell,

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Speaker 1: like the Nanny from Hell, the Dinner from Hell, the

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Speaker 1: Girl from Hell, because he claims he made that up.

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Speaker 2: Do we believe that?

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Speaker 1: Do we believe that Richard Lewis came up with from Hell?

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Speaker 1: Or was that an old.

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Speaker 2: Oh my gosh, if he claimed it, it must be true.

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Speaker 2: I mean I think he thinks it. That's all that matters,

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Speaker 2: That's all that mattens.

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Speaker 1: You know, it's funny because you know, there's all these

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Speaker 1: jokes that always go around and like somebody wrote those

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Speaker 1: jokes nine tenths of the time Rodney wrote those jokes.

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Speaker 2: Are you saying, Rodney Dangerfield.

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Speaker 1: Yeah, Like when old jokes used to be going around

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Speaker 1: then I would find out Rodney wrote it like originally

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Speaker 1: because he was such a great joke writer. So we

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Speaker 1: don't know if Lewis actually coined the phrase, but for

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Speaker 1: the purposes of this episode, yes, from hell, we'll get

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Speaker 1: it to him.

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Speaker 3: It's his and a fairy.

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Speaker 1: Well maybe it's like it sounds like something he would

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Speaker 1: come up with, so he wants Lewis wants to get

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Speaker 1: into Bartlet's quotations, and You says he'll see what he

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Speaker 1: can do, Hugh mellon, and then he runs into Jeff

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Speaker 1: and it turns out Jeff and Susie are back together.

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Speaker 1: They were previously split up. Now they're back together, and

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Speaker 1: he's bringing Susie to the pool party. And the reason

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Speaker 1: they're back together is because Susie's pregnant.

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Speaker 3: I have more to say about that later on.

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Speaker 1: He's moving back in, but of course Susie got a

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Speaker 1: German shepherd, Oscar while Jeff moved out because she wanted

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Speaker 1: some protection. And it turns out Jeff is allergic to

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Speaker 1: the dog, so he's moving back in. He's allergic to

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Speaker 1: the dog. And Larry goes into a whole thing where

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Speaker 1: he says to Cheryl, you should let me date. I'd

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Speaker 1: come home and I tell her about her, but the

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Speaker 1: dates that I had, and we would laugh about it,

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Speaker 1: some crazy Larry thing. And Jeff says, what if you're

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Speaker 1: going to have sex with the date? And Larry says,

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Speaker 1: he'd tells Cheryl and it's just ridiculous.

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Speaker 3: Cut to Larry and Cheryl.

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Speaker 1: They're at a bakery and it turns out the bakery's

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Speaker 1: going out of business, Butterman's Bakery. They lost their lease

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Speaker 1: and they buy a sponge cake for the pool party. Now,

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Speaker 1: I don't know about you, Sherry, I'm not a fan

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Speaker 1: of sponge cake.

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Speaker 2: I don't mind it with berries.

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Speaker 3: With berries and maybe a little vanilla ice cream.

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Speaker 2: Nobody gets hurt. I love it.

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Speaker 3: I like a pound cake.

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Speaker 2: Yeah, not a sponge That's that's good. But sponge is

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Speaker 2: a lot lighter.

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Speaker 1: It is a lot lighter. And apparently Buttermans has the

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Speaker 1: best sponge cake in town. It's like eating a sponge

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Speaker 1: he the larryer. Jeff says that, and then they how

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Speaker 1: much is it twelve ninety five? And he says, no,

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Speaker 1: wonderre you going out of business? I mean twelve ninety five,

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Speaker 1: this is two thousand and two. That's a lot even

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Speaker 1: back then. You know, yeah, what's the other sweet lady

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Speaker 1: Jeane prices? Yeah, really craziness. So then they're at the

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Speaker 1: pool party and Jeff is just shoving the sponge cake

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Speaker 1: in his face, just eating it like a delicious sponge

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Speaker 1: cake that it is. He asked where you got it,

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Speaker 1: and they go into a whole thing. It's a moot

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Speaker 1: point because they're going out of business and it's a

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Speaker 1: Butterman's and then Larry says, where's the bathroom? And Cheryl says,

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Speaker 1: you got to go to the cabana, which I assume

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Speaker 1: was like a porta potty.

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Speaker 2: No, it was like it's a pool house.

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Speaker 1: Oh, it was a pool house. Okay, So why didn't

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Speaker 1: he want to use the poolhouse it was? It wasn't

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Speaker 1: a porter potty, it was a pool house.

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Speaker 2: I think when you know that everybody there is using

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Speaker 2: using it. And Larry is very particular about bathroom. He

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Speaker 2: had a sense of p entitlement. Yes, he did, absolutely

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Speaker 2: p entitlement. And he's not going to the cabana. He's

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Speaker 2: going to go into the house.

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Speaker 1: And I say, as he's walking away, he thinks the

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Speaker 1: rules don't apply to him, which he does, and there

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Speaker 1: you are guarding the house. And this is where you're

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Speaker 1: saying you had no idea what you were doing, none

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Speaker 1: whatsoever the whole show. I you directed this show. I

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Speaker 1: didn't notice Larry Charleston. Yeah, and he didn't tell you. No,

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Speaker 1: nobody came over to you.

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Speaker 3: And explained what we were doing.

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Speaker 1: Wow me, Wow, Yeah, that's unusual usually, Well maybe it's

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Speaker 1: changed over the years, but I know now if you

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Speaker 1: came on the show, you would be pulled aside by

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Speaker 1: Jeff Schaeffer, our director and our EP and told exactly

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Speaker 1: what he had to tell you.

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Speaker 2: Like, I truly was like a babe in the woods,

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Speaker 2: and no, everybody was on you know, you guys know

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Speaker 2: what you're doing right right, you know what I mean.

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Speaker 2: You're barely even looking at each other. Yeah, you know,

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Speaker 2: you just know where your mark is and everything. And

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Speaker 2: you guys are so used to it and go. And

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Speaker 2: I am telling you when I say a flying blind

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Speaker 2: you know, and I'm nervous too.

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Speaker 1: It kind of works for the character though, didn't it,

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Speaker 1: Because the character's crazy.

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Speaker 2: Yes, she's not nervous. No, she's too oblivious to be nervous.

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Speaker 3: Yeah, she's very secure. Actually, she was in her craziness.

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Speaker 1: So Larry comes over to you and he's like, you know,

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Speaker 1: you're guarding the house, and you say outside sandbox only,

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Speaker 1: so like, you know, your improv. You just went into

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Speaker 1: improv mode. As far as I could tell from watching it.

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Speaker 1: I watched it last night. You were just totally in

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Speaker 1: improv mode.

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Speaker 2: I say sandbox.

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Speaker 1: Yeah, you said outside sandbox only. You're not allowed in here, okay.

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Speaker 1: And then Larry starts to beg He starts to beg you,

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Speaker 1: and then you say to him, you would love to,

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Speaker 1: but you'll get in trouble. So you must have been

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Speaker 1: fed that information in some form.

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Speaker 2: Let me see. I don't know that I.

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Speaker 3: Was okay, but you picked up on it.

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Speaker 2: But it was kind of like, what am I going

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Speaker 2: to say back to him? I was told not to

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Speaker 2: let you learn let him and that's what I went

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Speaker 2: off of, you know, And I knew that I would

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Speaker 2: get in trouble, right, So that's what I said. But

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Speaker 2: he wasn't begging, he was pressuring.

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Speaker 1: He was pressuring, yeah, which he could do very very well. Yes,

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Speaker 1: And then you say to him just number one, you

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Speaker 1: say you got to let him in, but just number.

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Speaker 2: One, Yeah, renegotiated.

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Speaker 1: Renegotiating, and he goes, noo.

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Speaker 2: Yeah, what does that mean? I think Boo Boo said,

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Speaker 2: I always say poo poo seta, but I think it's

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Speaker 2: Spanish for laundry, because you know when you drive by

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Speaker 2: and there's a laundromat and it says poop serta.

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Speaker 3: I never noticed that. Yeah, I live in New York,

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Speaker 3: so I don't know.

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Speaker 2: I'm pretty sure I don't know. I don't know.

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Speaker 3: So you let him in?

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Speaker 2: Yeah?

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Speaker 3: And were you told to finally let him in or

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Speaker 3: you just went with the scene.

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Speaker 2: I just kind of went with the scene. It's so

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Speaker 2: funny because I couldn't because that's what I said to

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Speaker 2: him right before he yelled to action. I said, do

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Speaker 2: I succeed like in not letting you go in? Like?

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Speaker 2: Do I win? Or do you?

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Speaker 1: And I just kind of gave it up right so

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Speaker 1: instinctively you knew what to do. I guess that's because

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Speaker 1: you're damn good. We'll be right back.

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Speaker 3: Stay tuned. Okay, we're back.

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Speaker 1: So Larry goes to the bathroom and then he comes

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Speaker 1: back out and he's talked his way in and then

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Speaker 1: they're looking around Larry, Cheryl, Jeff and Susie, and they're

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Speaker 1: all looking around and where's everyone else from the restaurant?

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Speaker 1: He thought all the other investors were coming, and there's

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Speaker 1: nobody there. And then all of a sudden he sees

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Speaker 1: Hugh Mellon's kid got out of the pool and the

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Speaker 1: nanny or somebody is changing him, or somebody's changing it

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Speaker 1: wasn't you, and and he sees the kid has a

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Speaker 1: huge penis, and Larry says.

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Speaker 4: It's a circus freak show.

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Speaker 2: Its circus freak.

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Speaker 6: Let's go where are you going?

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Speaker 1: It's not funny now, it's interesting because I get asked

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Speaker 1: this question a lot in interviews. Is ever a time

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Speaker 1: when you look at the outlines and you think he's

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Speaker 1: gone too far? And I have to say this was

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Speaker 1: one of those times. When I read the outline, I

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Speaker 1: was like, okay, talking about what is it four years

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Speaker 1: old or something? A four year old's penis size I

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Speaker 1: thought was too much, you know, And having watched the

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Speaker 1: episode again last night, I think it was fine. But

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Speaker 1: at the moment, I remember feeling uncomfortable that he was

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Speaker 1: talking about a little boy's penis and the size of it.

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Speaker 1: I remember feeling uncomfortable about that, And it's very rare

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Speaker 1: that I feel uncomfortable.

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Speaker 2: In his show.

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Speaker 3: Very rare, but this was one of those moments.

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Speaker 2: I really did. I thought it was cute. It's a baby,

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Speaker 2: and that's something like, I know my dog has a

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Speaker 2: huge penis. What kind of dog? What kind of dog?

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Speaker 2: He is just a rescue He's like Scooby Doo.

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Speaker 3: Okay, big dog.

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Speaker 1: Because I have a dog, and I swear he has

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Speaker 1: no penis, right, Jimmy, my husband's here.

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Speaker 3: He's got no penis whatsoever?

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Speaker 1: I mean, he peeve he's a person else got so okay,

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Speaker 1: So we have stepped and I I guess because the

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Speaker 1: kid comes up later, I guess he was more like five,

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Speaker 1: maybe four or five.

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Speaker 3: The kid not two. He was more like four or five.

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Speaker 2: I'm thinking like four.

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Speaker 1: Yeah, because Larry has that fight with him later on,

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Speaker 1: which we'll get to. So we cut to Jeff and

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Speaker 1: Richard Lewis walk into a crowded restaurant.

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Speaker 2: It's unbelievable stuff. Heeling like soundin's here. Guy deserves to

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Speaker 2: make a good living here.

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Speaker 4: He's gonna be a great lunch here. I can't even

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Speaker 4: talk about you can't say anything.

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Speaker 2: Then directed right to me.

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Speaker 4: I have a whole whispered lunch.

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Speaker 2: It's a whispering It's like the mafia. Thats like, yeah yeah,

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Speaker 2: having a general appointment tomorrow.

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Speaker 1: And Larry tells Richard Lewis that he spoke to Hugh

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Speaker 1: Mellon about the blank from Hell and that Youugh Mellon

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Speaker 1: seemed very interested and menable to looking into it, and

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Speaker 1: Richard starts to talk about how he's really pissed off

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Speaker 1: that he doesn't get the credit for it because it's

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Speaker 1: become a phrase in our lexicon, and Larry also says

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Speaker 1: that he invited you Mellon to come to Richard's screening

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Speaker 1: of his HBO special coming up very shortly, and then

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Speaker 1: Larry says to the guy next to.

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Speaker 2: Him, ever been getting all this?

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Speaker 6: I'm meeting my lunch.

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Speaker 2: It's the lunch from hell? What what did you say

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Speaker 2: saying this is the lunch from hell?

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Speaker 1: Wan?

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Speaker 4: Did you hear that expression?

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Speaker 2: Girlfriend? You see what I'm there?

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Speaker 1: It kills me and Larry just Richard Lewis is like,

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Speaker 1: it kills me. It kills me every time everybody's using

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Speaker 1: my phrase and I'm not getting credit for it. I

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Speaker 1: think he's being a little over said sitive. You know

381
00:16:39,200 --> 00:16:42,240
Speaker 1: if people use phrases. We've all said on TV everybody

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Speaker 1: calls somebody a fat fuck? Well that was my phrase. Okay,

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Speaker 1: Then we're back at Bobo's. The rest of yes, exactly.

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Speaker 1: I mean, I would never even think that I coined

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Speaker 1: that phrase. It's a phrase the people you whatever, Treven Vin,

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Speaker 1: do you now?

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Speaker 5: Yes?

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Speaker 3: It is?

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Speaker 2: Then they're mad a fat fuck. They're back at what

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Speaker 2: does it who you say?

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Speaker 1: It's as with all things, it's all about content and context.

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00:17:09,680 --> 00:17:12,520
Speaker 1: Then they're back at Bobo's and they talk about Larry's

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Speaker 1: fucking up one chef after the other and they need

394
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Speaker 1: to find a chef, and Larry's like just totally focused.

395
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Speaker 1: They open in two weeks. He's totally focused on my Nutsha.

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Speaker 1: You know you have arms on your chair. I want arms.

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Speaker 1: And they're all kind of coming down on him, especially Ted,

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Speaker 1: and he's like, at least I went to the pool

399
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Speaker 1: party yesterday. Everybody makes excuses why they didn't go to

400
00:17:32,920 --> 00:17:34,760
Speaker 1: the pool party, and then Larry brings up that he

401
00:17:34,880 --> 00:17:37,240
Speaker 1: really thinks that they should have apple sauce as a

402
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Speaker 1: side dish.

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Speaker 3: So just again clueless, clueless, clueless.

404
00:17:41,080 --> 00:17:43,399
Speaker 1: They're opening in two weeks and he's focused on Apple

405
00:17:43,440 --> 00:17:47,320
Speaker 1: sauce as a very underrated side dish typical, and he

406
00:17:47,359 --> 00:17:50,440
Speaker 1: wants to encourage people to order apple sauce. And then

407
00:17:50,720 --> 00:17:53,800
Speaker 1: they break up, and Jeff says to lud DiMaggio, did

408
00:17:53,800 --> 00:17:56,560
Speaker 1: you sign Sarah Jessica Parker to a recording contract? It's

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Speaker 1: just silliness, just silliness. And Larry goes over to you melon,

410
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Speaker 1: and he very insensitively brings up his son's penis.

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Speaker 4: So it is at the polia, I said your son.

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Speaker 4: I saw your son at the hole.

413
00:18:10,600 --> 00:18:11,800
Speaker 2: Yeah. Yeah, kid's got.

414
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Speaker 4: Some penis on him. It's pretty good. What are you saying,

415
00:18:16,440 --> 00:18:16,840
Speaker 4: your son?

416
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Speaker 2: It's what penis? Wait? What do you say that before?

417
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Speaker 4: Hey, it's a compliment. What's the big deal?

418
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Speaker 2: What's the compliment? I?

419
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Speaker 4: Well, how's it bad?

420
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Speaker 2: How's it bad?

421
00:18:28,040 --> 00:18:29,480
Speaker 4: He's got he's got a nice big penis.

422
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Speaker 2: So what we I'm not talking about your wife's tits.

423
00:18:31,119 --> 00:18:33,159
Speaker 4: I I this is rude. You can say. You can

424
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Speaker 4: say my wife has nice hits as long as it's complimentary.

425
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Speaker 5: Come on, you shew not you ShW okay, phew.

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Speaker 1: Shoe. Cut to Larry goes home and there sitting in

427
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Speaker 1: the living room is Cheryl with Martine than Nanny. Now

428
00:18:57,240 --> 00:19:00,199
Speaker 1: were you at this point? Did you know more of

429
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Speaker 1: what was going on?

430
00:19:02,200 --> 00:19:06,399
Speaker 2: I mean I knew from I got fired, that's it, right, Oh,

431
00:19:06,440 --> 00:19:09,200
Speaker 2: and that I got a job at the Looney Tunes.

432
00:19:09,280 --> 00:19:10,720
Speaker 2: I worked at the Looney Tunes. Right.

433
00:19:10,840 --> 00:19:14,600
Speaker 1: You were informed of that that you write previously worked

434
00:19:14,600 --> 00:19:16,240
Speaker 1: at the Looney Tunes, and that was all you knew.

435
00:19:16,440 --> 00:19:19,240
Speaker 2: Yeah, and I was so grateful for that little bit

436
00:19:19,240 --> 00:19:20,440
Speaker 2: of an information.

437
00:19:20,960 --> 00:19:23,680
Speaker 1: And imagine our surprise as the audience when we walk

438
00:19:23,760 --> 00:19:26,240
Speaker 1: in and we see you sitting there with Cheryl. Yeah,

439
00:19:26,280 --> 00:19:28,520
Speaker 1: you know, and you've already established that you're a little nutty,

440
00:19:28,960 --> 00:19:30,240
Speaker 1: not as nutty as you're going to get.

441
00:19:30,359 --> 00:19:32,400
Speaker 2: I bring attention to because I didn't know really what

442
00:19:32,440 --> 00:19:34,840
Speaker 2: to say, something like I brought my suitcase.

443
00:19:35,080 --> 00:19:38,840
Speaker 1: Yeah, and it did no wheels, no wheels, right, meaning

444
00:19:38,880 --> 00:19:40,119
Speaker 1: it was a shitty suitcase.

445
00:19:40,640 --> 00:19:40,880
Speaker 2: Yes.

446
00:19:41,480 --> 00:19:44,560
Speaker 1: And we find out your name is Martine and that

447
00:19:44,680 --> 00:19:48,840
Speaker 1: you fired you because you let somebody use the bathroom

448
00:19:49,480 --> 00:19:53,080
Speaker 1: and Mark Rita rat it on you, right, And you

449
00:19:53,080 --> 00:19:53,919
Speaker 1: say to Larry, well, of.

450
00:19:53,920 --> 00:19:56,040
Speaker 2: Course I remember what you said about you know that

451
00:19:56,080 --> 00:19:59,560
Speaker 2: you would be responsible if anything happened. So did you.

452
00:19:59,600 --> 00:20:00,879
Speaker 4: Tell him that it was me?

453
00:20:02,359 --> 00:20:02,600
Speaker 3: No?

454
00:20:02,680 --> 00:20:07,600
Speaker 2: I don't die. I didn't die. So I remember when

455
00:20:07,640 --> 00:20:10,440
Speaker 2: I let you in, you said there's any problem, I

456
00:20:10,440 --> 00:20:14,520
Speaker 2: think I'll take care of it. So here I am.

457
00:20:15,000 --> 00:20:16,879
Speaker 2: I'm gonna have to hold you to that because I

458
00:20:16,880 --> 00:20:17,800
Speaker 2: don't have another job.

459
00:20:17,920 --> 00:20:22,640
Speaker 1: No, So when you had the interaction at the bathroom

460
00:20:22,720 --> 00:20:25,720
Speaker 1: you were regarding, he did say to you, Yeah, and

461
00:20:25,840 --> 00:20:27,280
Speaker 1: whatever happens, I'm responsible.

462
00:20:27,440 --> 00:20:28,879
Speaker 3: I'll take full responsibility.

463
00:20:29,000 --> 00:20:32,880
Speaker 2: Right, It's like he got me pregnant exactly, and now

464
00:20:32,920 --> 00:20:38,920
Speaker 2: he's responsible. If I let you something happened, you'll take responsibility.

465
00:20:39,000 --> 00:20:40,760
Speaker 3: Yeah, what is this? I have a note I don't

466
00:20:40,800 --> 00:20:43,119
Speaker 3: dine dime, oh dime.

467
00:20:43,720 --> 00:20:46,560
Speaker 2: Do you know? I can't believe that came back from

468
00:20:46,560 --> 00:20:51,480
Speaker 2: my childhood. I remember hearing my mother say to somebody

469
00:20:51,800 --> 00:20:53,000
Speaker 2: Stevie dimed.

470
00:20:52,680 --> 00:20:55,040
Speaker 3: On dion that what does that mean? Like he told

471
00:20:55,080 --> 00:20:56,199
Speaker 3: on a rat is.

472
00:20:56,280 --> 00:20:58,359
Speaker 2: It's like an old term.

473
00:20:58,720 --> 00:21:01,680
Speaker 1: And I never heard it, really, yeah, it never heard.

474
00:21:01,840 --> 00:21:03,560
Speaker 1: I don't write down what is that.

475
00:21:03,520 --> 00:21:06,439
Speaker 2: In my head, but it just came up from my

476
00:21:06,560 --> 00:21:09,560
Speaker 2: child because I'll never forget my mother's saying, you know,

477
00:21:09,600 --> 00:21:11,680
Speaker 2: And I thought of the context of the sentence, and

478
00:21:11,720 --> 00:21:14,440
Speaker 2: that's when I realized what that meant, and it really

479
00:21:14,480 --> 00:21:16,520
Speaker 2: is an old fashioned kind of a term, and it

480
00:21:16,640 --> 00:21:17,639
Speaker 2: just came out.

481
00:21:17,359 --> 00:21:22,239
Speaker 1: Aren't you continually surprised when you're improving the stuff that

482
00:21:22,359 --> 00:21:24,480
Speaker 1: just comes out of nowhere of your head?

483
00:21:24,800 --> 00:21:28,119
Speaker 2: Yeah, like, what a weird I've never said that before

484
00:21:28,119 --> 00:21:31,159
Speaker 2: in my life, and it just came out. No, I

485
00:21:31,240 --> 00:21:35,440
Speaker 2: don't dime like Dion did to Stevie, you know. I mean,

486
00:21:35,440 --> 00:21:37,240
Speaker 2: but I just said dime and you thought it was

487
00:21:37,280 --> 00:21:37,960
Speaker 2: dying all this time.

488
00:21:38,040 --> 00:21:38,520
Speaker 3: Yeah, I didn't.

489
00:21:38,520 --> 00:21:40,240
Speaker 1: I wrote it down. I didn't know what it meant.

490
00:21:40,320 --> 00:21:42,359
Speaker 1: I still didn't know when you said dime. I still didn't.

491
00:21:42,480 --> 00:21:43,840
Speaker 1: But now I know what it means.

492
00:21:44,080 --> 00:21:47,600
Speaker 2: Oh my god. And I don't die either. That's the

493
00:21:47,600 --> 00:21:50,679
Speaker 2: word on the street, Susie, Yeah, Susie, don't die. Susie,

494
00:21:50,720 --> 00:21:51,320
Speaker 2: don't die.

495
00:21:51,480 --> 00:21:55,360
Speaker 1: So basically, you say that you're homeless now you're kicked out.

496
00:21:55,520 --> 00:21:57,959
Speaker 3: You were living there, you were living nanny.

497
00:21:58,480 --> 00:22:01,119
Speaker 1: And you ask Larry if you talk to mister Mellon,

498
00:22:01,440 --> 00:22:04,359
Speaker 1: and of course Larry can't talk to mister Mellan because

499
00:22:04,400 --> 00:22:07,359
Speaker 1: he just had a falling out with mister Mellon about

500
00:22:07,359 --> 00:22:10,240
Speaker 1: the size of his son's penis. And that's when and

501
00:22:10,280 --> 00:22:12,360
Speaker 1: then you say, how about that thing? You say how

502
00:22:12,400 --> 00:22:13,160
Speaker 1: about that thing.

503
00:22:14,840 --> 00:22:17,560
Speaker 2: I said, it's the size of a baby's arm. Yeah,

504
00:22:17,840 --> 00:22:21,280
Speaker 2: because I remember my friend was talking about a crab

505
00:22:21,400 --> 00:22:24,760
Speaker 2: leg and he goes, these crabs were so big. I

506
00:22:24,840 --> 00:22:26,880
Speaker 2: swear one was the size of a baby's arm.

507
00:22:27,560 --> 00:22:28,920
Speaker 3: And that's a reference.

508
00:22:29,119 --> 00:22:30,960
Speaker 2: And then and then it just stuck in my head

509
00:22:31,080 --> 00:22:32,440
Speaker 2: and I go, yeah, it's a size.

510
00:22:32,440 --> 00:22:35,120
Speaker 3: A baby's arm. Oh God, that's such a gross imo.

511
00:22:35,359 --> 00:22:38,280
Speaker 1: I know, so, Larry, you cannot so you're talking about

512
00:22:38,320 --> 00:22:41,280
Speaker 1: the kid's penis, and you'll need a reference from mister Mellon.

513
00:22:41,320 --> 00:22:43,480
Speaker 1: Now you can't get a reference. And he says, where

514
00:22:43,480 --> 00:22:45,239
Speaker 1: did you work before? And that's when you tell him

515
00:22:45,280 --> 00:22:47,800
Speaker 1: you worked at the Looney Tune Lodge. Is that such

516
00:22:47,800 --> 00:22:48,160
Speaker 1: a thing?

517
00:22:48,720 --> 00:22:51,119
Speaker 2: It sounds like it would be. Yeah. But then I

518
00:22:51,160 --> 00:22:54,000
Speaker 2: you know, growing up watching you know the theme song,

519
00:22:54,119 --> 00:22:56,679
Speaker 2: you know the do you sing the theme over and

520
00:22:56,720 --> 00:22:59,480
Speaker 2: over again, and then you're like, it was fun, it

521
00:22:59,520 --> 00:23:00,000
Speaker 2: was fun.

522
00:23:00,240 --> 00:23:03,520
Speaker 1: You're so fucking crazy that it's it's so hilarious, Sherry,

523
00:23:03,920 --> 00:23:04,919
Speaker 1: it's so hilarious.

524
00:23:05,560 --> 00:23:07,320
Speaker 2: And then what's the theme song again?

525
00:23:12,240 --> 00:23:15,240
Speaker 1: And you know what I remember after shooting that episode

526
00:23:15,280 --> 00:23:19,080
Speaker 1: that was in my head weeks annoyingly, so was in

527
00:23:19,320 --> 00:23:22,880
Speaker 1: my head for weeks. And then Larry takes Cheryl aside

528
00:23:22,920 --> 00:23:25,400
Speaker 1: and wants to talk privately, or Cheryl takes Larry's side

529
00:23:25,440 --> 00:23:28,439
Speaker 1: wants to talk privately, and Cheryl says to him, I

530
00:23:28,440 --> 00:23:31,000
Speaker 1: don't want the nanny from Hell staying at my house.

531
00:23:31,760 --> 00:23:34,120
Speaker 1: And Larry says, where'd you hear that? And Cheryl says,

532
00:23:34,119 --> 00:23:37,040
Speaker 1: my dad used it all the time, from Hell for years.

533
00:23:37,040 --> 00:23:37,480
Speaker 2: He used it.

534
00:23:37,480 --> 00:23:39,040
Speaker 3: And she says, well, you got that from Richard Luis.

535
00:23:39,040 --> 00:23:41,760
Speaker 1: She's like, no, we didn't get her father in Tallahassee,

536
00:23:41,800 --> 00:23:45,000
Speaker 1: Florida did not know from Richard Lewis, trust me. So

537
00:23:45,040 --> 00:23:47,280
Speaker 1: we're a little suspicious about the whole from Hell thing

538
00:23:47,320 --> 00:23:50,160
Speaker 1: at this point. And then Cheryl starts talking about how

539
00:23:50,160 --> 00:23:52,399
Speaker 1: crazy you were, Like you were talking about you like

540
00:23:52,480 --> 00:23:56,160
Speaker 1: to pet horses, how will you enjoy a good corn dog?

541
00:23:56,560 --> 00:23:58,679
Speaker 1: How you like to take a bath with your socks on,

542
00:23:59,080 --> 00:24:02,480
Speaker 1: like a total fucking nut. And then you're in the

543
00:24:02,480 --> 00:24:07,280
Speaker 1: background singing the theme Oh my God. And then Jeff says,

544
00:24:07,480 --> 00:24:10,440
Speaker 1: Susie's pregnant, Jeff needs a nanny. It's a win win,

545
00:24:10,840 --> 00:24:12,880
Speaker 1: and we're doing them a favor. He says, he's doing

546
00:24:12,960 --> 00:24:16,240
Speaker 1: us Jeff and Susie a favor by bringing you over

547
00:24:16,280 --> 00:24:18,000
Speaker 1: there and recommending you for the job.

548
00:24:18,600 --> 00:24:20,520
Speaker 3: So next he's in a car with you.

549
00:24:20,880 --> 00:24:22,040
Speaker 2: Oh my god, that scene.

550
00:24:37,560 --> 00:24:42,160
Speaker 4: Stop off and get some sponge cake. It's my friend's birthday. Yeah,

551
00:24:42,280 --> 00:24:43,320
Speaker 4: buying him some sponge cake.

552
00:24:43,359 --> 00:24:46,280
Speaker 2: Here. You you like sponge cake? He doesn't. Yeah, you know,

553
00:24:46,320 --> 00:24:48,040
Speaker 2: I'm trying to think. We were in that car for

554
00:24:48,080 --> 00:24:50,239
Speaker 2: a while. Yeah, and I'm really trying to think of,

555
00:24:50,880 --> 00:24:53,160
Speaker 2: you know, like what to talk to him about. Yeah,

556
00:24:53,440 --> 00:24:56,520
Speaker 2: And I could not have been more awkward awkward, And

557
00:24:56,600 --> 00:24:59,480
Speaker 2: I was just like, I think I said something like, so, yeah,

558
00:24:59,600 --> 00:25:02,480
Speaker 2: you have fun, and he looked at me like, yeah,

559
00:25:02,600 --> 00:25:05,320
Speaker 2: you know, and then we just didn't talk the whole

560
00:25:05,520 --> 00:25:08,560
Speaker 2: time in the car. We didn't say two words to

561
00:25:08,600 --> 00:25:11,040
Speaker 2: each other. And I'm thinking, I was just silent. Why

562
00:25:11,040 --> 00:25:13,919
Speaker 2: can't you think of something to say? Yeah, you know,

563
00:25:14,119 --> 00:25:16,000
Speaker 2: I just felt like I didn't.

564
00:25:16,240 --> 00:25:19,719
Speaker 1: Larry is very comfortable in himself in that way that

565
00:25:19,760 --> 00:25:23,080
Speaker 1: he doesn't feel the need to make conversation or make

566
00:25:23,160 --> 00:25:25,800
Speaker 1: small talk, and until you really know that, you could

567
00:25:25,840 --> 00:25:28,080
Speaker 1: feel awkward and uncomfortable with it exactly.

568
00:25:28,280 --> 00:25:31,240
Speaker 2: And I didn't know him. I was so excited. It's

569
00:25:31,440 --> 00:25:34,000
Speaker 2: just like it was when he called me, I really

570
00:25:34,320 --> 00:25:38,000
Speaker 2: was very excited, so bit intimidated, so it just like

571
00:25:38,160 --> 00:25:42,240
Speaker 2: squashed my personality. I couldn't think of anything interesting to say.

572
00:25:42,840 --> 00:25:46,920
Speaker 2: And but once action, once they said action, you were fine. Yeah,

573
00:25:46,920 --> 00:25:48,480
Speaker 2: but I'd like to get to know one to have

574
00:25:48,520 --> 00:25:50,440
Speaker 2: a moment. I wanted to have a moment with him

575
00:25:50,520 --> 00:25:52,960
Speaker 2: and understand. And so, uh, I could see why I

576
00:25:53,000 --> 00:25:53,760
Speaker 2: wasn't asked back.

577
00:25:54,119 --> 00:25:55,560
Speaker 3: No, no, no, no, no, you were terrific.

578
00:25:55,640 --> 00:25:57,320
Speaker 2: I couldn't think of a goddamn thing to say.

579
00:25:57,520 --> 00:25:59,920
Speaker 1: You were not asked back because your character was over.

580
00:26:00,320 --> 00:26:02,000
Speaker 1: You were fantastic in the episodo.

581
00:26:02,160 --> 00:26:06,080
Speaker 2: I know, I just I mean, I'm just joking, but yeah,

582
00:26:06,160 --> 00:26:07,359
Speaker 2: I was intimidated.

583
00:26:07,440 --> 00:26:10,159
Speaker 1: I understand you were intimidated, but luckily it did not

584
00:26:10,200 --> 00:26:11,480
Speaker 1: show through in your performance.

585
00:26:13,240 --> 00:26:26,720
Speaker 3: We'll be right back, Stay tuned, and we're back.

586
00:26:27,520 --> 00:26:30,159
Speaker 1: So then you're in Butterman's and you're taking all the

587
00:26:30,160 --> 00:26:32,399
Speaker 1: free samples and stuffing them into your face.

588
00:26:32,520 --> 00:26:35,600
Speaker 2: That was fun, because that's how I am in real life.

589
00:26:35,680 --> 00:26:38,520
Speaker 3: If there's a free sample, why not, Why would you not?

590
00:26:38,880 --> 00:26:41,040
Speaker 2: I'm in line at Costco for the free sample when

591
00:26:41,080 --> 00:26:43,800
Speaker 2: I know that it's something good and I love. Sometimes

592
00:26:43,800 --> 00:26:46,560
Speaker 2: in my Starbucks down the street. I love a free sample.

593
00:26:46,840 --> 00:26:49,639
Speaker 2: So here I'm truly eating them and swallowing all of

594
00:26:49,680 --> 00:26:52,560
Speaker 2: them all the buttermans something, Oh my god, I'm just

595
00:26:52,560 --> 00:26:53,840
Speaker 2: being committing to my acting.

596
00:26:53,960 --> 00:26:55,800
Speaker 3: No, I just wanted to and who does like a

597
00:26:55,800 --> 00:26:56,439
Speaker 3: free sample?

598
00:26:56,680 --> 00:26:57,280
Speaker 2: That's what I said.

599
00:26:57,320 --> 00:26:58,080
Speaker 3: That's the whole point.

600
00:26:58,600 --> 00:27:00,760
Speaker 2: And then Larry then, oh yeah. He looked at me

601
00:27:00,800 --> 00:27:02,600
Speaker 2: like what are you doing? And I got.

602
00:27:02,280 --> 00:27:06,560
Speaker 1: Three, which is what I would say in real life. Yes,

603
00:27:07,080 --> 00:27:09,720
Speaker 1: And then Larry then purchases they're going out of business.

604
00:27:09,720 --> 00:27:12,960
Speaker 1: They have twelve sponge cakes left, and he purchases them

605
00:27:13,080 --> 00:27:16,200
Speaker 1: all and they don't have boxes, so they wrap them

606
00:27:16,280 --> 00:27:18,840
Speaker 1: up and you know, ran wrap cellphane.

607
00:27:18,880 --> 00:27:20,760
Speaker 3: Thank you cellophane. That's the word I was looking for.

608
00:27:21,440 --> 00:27:23,399
Speaker 1: And then you come to our house so that I

609
00:27:23,400 --> 00:27:26,639
Speaker 1: could meet you and answers the door and I'm like,

610
00:27:26,680 --> 00:27:27,520
Speaker 1: what the fuck is this?

611
00:27:28,200 --> 00:27:28,480
Speaker 2: Hi?

612
00:27:29,560 --> 00:27:31,680
Speaker 4: This is Martine, the nanny I was telling you about

613
00:27:31,720 --> 00:27:32,240
Speaker 4: on the phone.

614
00:27:32,440 --> 00:27:32,600
Speaker 2: Hi.

615
00:27:32,720 --> 00:27:35,600
Speaker 5: Hy, I'm Susie green By. What the fuck is this?

616
00:27:35,640 --> 00:27:36,120
Speaker 5: What are these?

617
00:27:36,240 --> 00:27:36,480
Speaker 2: Oh?

618
00:27:36,680 --> 00:27:37,520
Speaker 4: Sponge cakes?

619
00:27:37,760 --> 00:27:38,760
Speaker 2: What do you mean sponge cakes?

620
00:27:38,800 --> 00:27:40,240
Speaker 4: It's a birthday present for Jeff.

621
00:27:40,960 --> 00:27:43,200
Speaker 1: Larry and he's like, you don't understand. They're going out

622
00:27:43,200 --> 00:27:44,640
Speaker 1: of business. It was like, I understand, I don't give

623
00:27:44,640 --> 00:27:46,760
Speaker 1: a shit. I don't care, you know. And I was like,

624
00:27:47,000 --> 00:27:49,080
Speaker 1: he doesn't need to eat. He's a fat fuck, as

625
00:27:49,080 --> 00:27:53,800
Speaker 1: if he's going to explode. And then you say to me,

626
00:27:54,400 --> 00:27:56,920
Speaker 1: congratulations about the baby.

627
00:27:57,560 --> 00:27:58,199
Speaker 3: How did you know?

628
00:27:59,080 --> 00:28:03,280
Speaker 1: Apparently Larry told you because Jeff told him. It's bad luck.

629
00:28:03,320 --> 00:28:06,040
Speaker 1: I'm not even in the first trimester, etc.

630
00:28:06,880 --> 00:28:09,280
Speaker 3: And I'm all flummixed and upset about it.

631
00:28:09,320 --> 00:28:11,679
Speaker 2: And then I'm just like, you know what, come in, darling,

632
00:28:11,760 --> 00:28:13,239
Speaker 2: we'll have a little I'll interview you.

633
00:28:13,280 --> 00:28:14,719
Speaker 3: And I'm a little condescending to you.

634
00:28:14,760 --> 00:28:18,159
Speaker 1: I think, oh, yeah, yeah, but of course I'm happy pants.

635
00:28:18,359 --> 00:28:20,840
Speaker 2: Yeah exactly. I think I'm getting a new job exactly.

636
00:28:21,119 --> 00:28:23,280
Speaker 1: And I'm like telling, like, put the sponge cake in

637
00:28:23,280 --> 00:28:26,480
Speaker 1: the kitchen, and then we cut to I'm walking down

638
00:28:26,560 --> 00:28:29,720
Speaker 1: the outside stairs and I throw all the sponge cakes

639
00:28:29,760 --> 00:28:32,240
Speaker 1: into the garbage, just into the garbage area.

640
00:28:32,320 --> 00:28:33,520
Speaker 3: I just throw them down.

641
00:28:33,320 --> 00:28:34,680
Speaker 2: On the ground, into the garbage area.

642
00:28:34,680 --> 00:28:37,080
Speaker 1: I throw them out, and then we're in the screening

643
00:28:37,119 --> 00:28:41,240
Speaker 1: room for Richard Lewis's taping, and nobody from HBO came,

644
00:28:41,960 --> 00:28:44,800
Speaker 1: and Louis says something like that they want to be

645
00:28:44,840 --> 00:28:46,920
Speaker 1: in their private homes and Larry corrects him.

646
00:28:46,960 --> 00:28:49,480
Speaker 2: He said, you mean the privacy of their homes.

647
00:28:49,320 --> 00:28:51,920
Speaker 1: And Louis is like, you're like the English language cop

648
00:28:52,000 --> 00:28:55,120
Speaker 1: to him, you know, and he really loves to correct

649
00:28:55,160 --> 00:28:58,440
Speaker 1: Lewis by the way, you know their friends for like yeah, yeah, forever.

650
00:28:59,080 --> 00:29:01,960
Speaker 1: And Louis says, Tom, maybe you can intro me to

651
00:29:02,000 --> 00:29:05,400
Speaker 1: the Bartlet's guy, meaning Hugh Mellan, and Larry says, well,

652
00:29:05,400 --> 00:29:07,640
Speaker 1: that's the problem with that, And just at that moment,

653
00:29:08,080 --> 00:29:11,520
Speaker 1: Jeff gets a phone call and he has to leave emergency.

654
00:29:11,760 --> 00:29:15,480
Speaker 1: Your nanny attacked Susie, and Larry says, should I go?

655
00:29:15,640 --> 00:29:18,400
Speaker 1: And Richard says, if you leave me, I'll collapse, and

656
00:29:18,440 --> 00:29:20,160
Speaker 1: they go through a whole thing that how he says

657
00:29:20,160 --> 00:29:22,960
Speaker 1: collapse because he says that the Brooklyn Way collapse instead

658
00:29:22,960 --> 00:29:26,960
Speaker 1: of collapse, and I say collapse too, And then Hugh

659
00:29:27,080 --> 00:29:30,240
Speaker 1: is there with as Lewis calls him the porn baby.

660
00:29:31,320 --> 00:29:34,680
Speaker 1: Lewis refers to Hugh's son as the porn baby, and

661
00:29:34,800 --> 00:29:36,760
Speaker 1: Larry says, what, it's a good sign for the quote

662
00:29:36,840 --> 00:29:39,520
Speaker 1: he came even though he was mad at me. And

663
00:29:39,560 --> 00:29:42,360
Speaker 1: then they're in the screening and the kid is just

664
00:29:42,440 --> 00:29:45,640
Speaker 1: acting out like crazy. He's just the brattiest little fucking kid.

665
00:29:45,680 --> 00:29:49,040
Speaker 1: I hate the show. I want popcorn and Braddy Braddy,

666
00:29:49,240 --> 00:29:51,960
Speaker 1: and Larry starts shushing him and arguing with him.

667
00:29:52,720 --> 00:29:57,560
Speaker 2: You know what I'm saying. But i still feel like

668
00:29:57,560 --> 00:29:59,080
Speaker 2: a wreck of broaders. I'm still screwed.

669
00:29:58,880 --> 00:30:01,920
Speaker 3: Up, you know.

670
00:30:05,240 --> 00:30:07,280
Speaker 1: And then you jumps in and says to Larry, don't

671
00:30:07,320 --> 00:30:09,840
Speaker 1: talk to my kid, and Larry says, get Uncle Milty

672
00:30:09,920 --> 00:30:12,560
Speaker 1: out of here. A lot of people, a lot of

673
00:30:12,600 --> 00:30:17,520
Speaker 1: people might not know what that reference was, Milton Sherry.

674
00:30:18,040 --> 00:30:21,400
Speaker 2: It was. It's very uh, well known, well known that

675
00:30:21,440 --> 00:30:23,640
Speaker 2: Milton Burle has a huge.

676
00:30:23,680 --> 00:30:26,560
Speaker 3: Hat he's had. I assume his penis is dead as well.

677
00:30:26,600 --> 00:30:28,640
Speaker 2: But if that didn't die, everything else, you know, just

678
00:30:30,080 --> 00:30:30,800
Speaker 2: that's still.

679
00:30:30,680 --> 00:30:32,480
Speaker 3: His penis is in the Smithson Um.

680
00:30:33,640 --> 00:30:35,840
Speaker 1: It's been mummified, but it was always you know, it's

681
00:30:35,840 --> 00:30:38,960
Speaker 1: like Milton Burrow, a little waste of a big penis.

682
00:30:40,040 --> 00:30:41,840
Speaker 2: Don't say that to missus Berl shunting.

683
00:30:41,880 --> 00:30:44,840
Speaker 1: Yeah, exactly. Milton Burle. You know when he did his show,

684
00:30:45,000 --> 00:30:47,800
Speaker 1: was that in the fifties. Yeah, his maiden thing was

685
00:30:47,880 --> 00:30:50,560
Speaker 1: dressing up in drag. Yeah, he was always dressed in

686
00:30:50,560 --> 00:30:53,320
Speaker 1: women's clothes. I actually went to a birthday party. Oh

687
00:30:53,400 --> 00:30:56,160
Speaker 1: tell my friend Camery Man, she goes do Milton Burle's

688
00:30:56,200 --> 00:30:56,720
Speaker 1: birthday party.

689
00:30:56,720 --> 00:30:57,479
Speaker 2: I'm like, who doesn't.

690
00:30:57,760 --> 00:30:59,560
Speaker 3: Yeah, so we go how old?

691
00:31:00,120 --> 00:31:00,479
Speaker 5: Oh?

692
00:31:00,840 --> 00:31:04,760
Speaker 2: I mean nineties and yeah. And he was sitting at

693
00:31:04,760 --> 00:31:07,000
Speaker 2: a table, and everybody that I grew up with, all

694
00:31:07,040 --> 00:31:09,840
Speaker 2: the comedians that I grew up with, were there, like

695
00:31:10,080 --> 00:31:15,160
Speaker 2: Jan Murray, Oh really, Phyllis Diller and and King Alan

696
00:31:15,480 --> 00:31:16,920
Speaker 2: Alan King and.

697
00:31:16,880 --> 00:31:20,520
Speaker 3: Whoa Jack Carter, Jack Carter, Red Buttons.

698
00:31:20,880 --> 00:31:23,920
Speaker 2: I'm just thinking to myself, Oh my gosh, this is

699
00:31:23,960 --> 00:31:26,000
Speaker 2: everybody that was in my living room in the.

700
00:31:25,920 --> 00:31:28,040
Speaker 3: Seventh everybody we watched Password with.

701
00:31:29,680 --> 00:31:32,560
Speaker 2: So lucky. It was like I just wanted to talk

702
00:31:32,640 --> 00:31:36,440
Speaker 2: to any of them. Red Buttons was really really nice.

703
00:31:37,000 --> 00:31:40,960
Speaker 2: But I made my way over to Milton Burrell and

704
00:31:41,040 --> 00:31:44,920
Speaker 2: he was flanked by men standing up and they're all smiling.

705
00:31:45,920 --> 00:31:48,560
Speaker 2: Not his penis, no, no, no, okay. And they were

706
00:31:48,560 --> 00:31:51,880
Speaker 2: also and what they were were they kept people away

707
00:31:51,920 --> 00:31:52,520
Speaker 2: from him?

708
00:31:52,760 --> 00:31:54,280
Speaker 3: Oh really? They were bodyguards.

709
00:31:54,840 --> 00:31:57,160
Speaker 2: Yeah, but you know it's like, who do you think

710
00:31:57,280 --> 00:31:58,479
Speaker 2: is gonna.

711
00:31:58,600 --> 00:32:01,920
Speaker 3: At his house? But with all his almost had about people.

712
00:32:01,680 --> 00:32:04,720
Speaker 2: Didn't want they didn't want people to know how bad

713
00:32:04,720 --> 00:32:06,800
Speaker 2: off he was at that point, h So what was

714
00:32:06,840 --> 00:32:09,360
Speaker 2: he senile or I don't think he had all of

715
00:32:09,360 --> 00:32:12,400
Speaker 2: his wits together. You know, I did approach him, and

716
00:32:12,800 --> 00:32:15,160
Speaker 2: you know, I felt like he was there, his heart

717
00:32:15,240 --> 00:32:18,360
Speaker 2: was beating. But I think, you know, sometimes you could

718
00:32:18,400 --> 00:32:21,240
Speaker 2: have doctors around the clock. You sometimes live longer than yeah,

719
00:32:21,320 --> 00:32:23,840
Speaker 2: than want to, you know what I mean. And I

720
00:32:23,880 --> 00:32:27,440
Speaker 2: felt like, all right, uh, he's been around a little

721
00:32:27,480 --> 00:32:29,400
Speaker 2: longer than he'd probably even like.

722
00:32:29,800 --> 00:32:33,080
Speaker 1: But yeah, so but he was still stealing people's jokes.

723
00:32:33,800 --> 00:32:36,520
Speaker 1: Wasn't he known for stealing people's materials?

724
00:32:36,600 --> 00:32:38,960
Speaker 2: I heard that he was a material Yeah.

725
00:32:39,040 --> 00:32:41,960
Speaker 1: Yeah, the big schlang and the stealing material and the

726
00:32:42,040 --> 00:32:43,080
Speaker 1: dressing up as a woman.

727
00:32:43,400 --> 00:32:45,840
Speaker 2: Yeah. But I'll tell you something, I'll never forget that

728
00:32:45,840 --> 00:32:48,640
Speaker 2: that was such a form for me. That's like, you

729
00:32:48,640 --> 00:32:51,480
Speaker 2: know everybody that that you as a kid. As a kid,

730
00:32:51,920 --> 00:32:55,640
Speaker 2: did you always want to be a comedian? No? I mean,

731
00:32:55,680 --> 00:32:57,960
Speaker 2: I mean, I guess I was funny, but I never

732
00:32:58,000 --> 00:32:59,800
Speaker 2: saw myself doing stand up, like.

733
00:33:01,080 --> 00:33:02,280
Speaker 3: Be a comedic address.

734
00:33:02,960 --> 00:33:05,880
Speaker 2: I never really thought about that. I mean, it wasn't

735
00:33:05,920 --> 00:33:09,200
Speaker 2: until like I found the groundlings and hiding behind characters

736
00:33:09,280 --> 00:33:12,200
Speaker 2: to me, but to be myself what very very.

737
00:33:12,280 --> 00:33:14,800
Speaker 3: What what inspired you to join the ground Links?

738
00:33:15,360 --> 00:33:17,840
Speaker 2: Uh. I was working at A and M Records and

739
00:33:18,000 --> 00:33:20,600
Speaker 2: someone from the legal department said to me, because everybody said, oh,

740
00:33:20,600 --> 00:33:22,040
Speaker 2: you should just stand up, you should just stand up,

741
00:33:22,080 --> 00:33:24,080
Speaker 2: and I just always was like, yeah, standing us a

742
00:33:24,080 --> 00:33:26,800
Speaker 2: different beast. I know, it's completely different beasts. And then

743
00:33:26,840 --> 00:33:28,680
Speaker 2: a woman came up to me one time I'll never forget.

744
00:33:28,680 --> 00:33:30,840
Speaker 2: Her name was Susan Linner and she said, you show

745
00:33:30,880 --> 00:33:33,400
Speaker 2: the Groundlings and I said, what's the Groundlings? She said,

746
00:33:33,440 --> 00:33:35,880
Speaker 2: it's improv and I swear I said, what's improv? Yeah?

747
00:33:36,000 --> 00:33:37,800
Speaker 2: She goes, it's it's coming. You make up kind of

748
00:33:37,840 --> 00:33:40,280
Speaker 2: as you go along. And I was like, what who

749
00:33:40,320 --> 00:33:42,719
Speaker 2: is this god you speak of? Yeah? So I went

750
00:33:42,760 --> 00:33:45,080
Speaker 2: into the phone book and I went down to the

751
00:33:45,120 --> 00:33:47,280
Speaker 2: Groundlings and I went in and I saw everybody who

752
00:33:47,280 --> 00:33:49,640
Speaker 2: had been there before, and I was like, what is this?

753
00:33:49,800 --> 00:33:52,760
Speaker 2: What is this? You know, I didn't do theater before

754
00:33:52,800 --> 00:33:55,240
Speaker 2: that or anything. So I went and I saw a

755
00:33:55,280 --> 00:34:00,280
Speaker 2: show and I thought to myself, Oh my god, and

756
00:34:00,320 --> 00:34:02,280
Speaker 2: then I immediately signed up for classes.

757
00:34:02,600 --> 00:34:05,320
Speaker 1: So you took classes first? And how long did you

758
00:34:05,360 --> 00:34:07,240
Speaker 1: take classes before she got the company?

759
00:34:07,800 --> 00:34:08,279
Speaker 3: Two years?

760
00:34:08,280 --> 00:34:10,719
Speaker 2: I took classes and you know, a lot of people

761
00:34:10,719 --> 00:34:11,799
Speaker 2: get dropped along the way.

762
00:34:11,840 --> 00:34:14,320
Speaker 3: There's four so there's levels of classes.

763
00:34:14,360 --> 00:34:15,680
Speaker 2: Yes, there's four levels.

764
00:34:15,760 --> 00:34:18,439
Speaker 3: And I just the charel there at the time.

765
00:34:18,760 --> 00:34:24,040
Speaker 2: She was after me and the clouds parted. It was like, oh,

766
00:34:24,080 --> 00:34:26,919
Speaker 2: my gosh, if I could do this, if I ever

767
00:34:26,960 --> 00:34:29,520
Speaker 2: became a groundling. To me, being a grounding was.

768
00:34:29,800 --> 00:34:32,799
Speaker 1: So you had no acting training. No, just this was

769
00:34:32,840 --> 00:34:34,040
Speaker 1: the first thing you ever did.

770
00:34:34,719 --> 00:34:36,640
Speaker 2: I worked at Atium Records, you know, during the day,

771
00:34:36,680 --> 00:34:39,400
Speaker 2: and so when we got into lab, which was writing,

772
00:34:39,800 --> 00:34:42,160
Speaker 2: I didn't have the same schedule as other people because

773
00:34:42,160 --> 00:34:43,680
Speaker 2: I worked during the day a lot of people were

774
00:34:43,680 --> 00:34:46,719
Speaker 2: doing so I wrote it at my job a lot.

775
00:34:47,040 --> 00:34:50,080
Speaker 2: That's where I had a computer, and so I really

776
00:34:50,120 --> 00:34:53,439
Speaker 2: kind of learned to write on my own. And yeah,

777
00:34:53,440 --> 00:34:56,680
Speaker 2: it was the best training, and it was just something

778
00:34:56,760 --> 00:34:57,200
Speaker 2: I just.

779
00:34:57,120 --> 00:34:58,839
Speaker 3: Thought, you just took to it.

780
00:34:59,000 --> 00:35:02,520
Speaker 2: I took to it, and I just loved it so much.

781
00:35:03,040 --> 00:35:05,440
Speaker 2: And it was so funny because everybody had headshots. I

782
00:35:05,440 --> 00:35:08,879
Speaker 2: didn't have a head shot or anything. And yeah, that's

783
00:35:08,920 --> 00:35:10,759
Speaker 2: how I got into it. And then it was like,

784
00:35:10,840 --> 00:35:12,600
Speaker 2: told Sherry, you need to quit your job. Then I

785
00:35:12,640 --> 00:35:14,960
Speaker 2: became a I was in the Sunday company for two years.

786
00:35:15,040 --> 00:35:17,800
Speaker 2: What does that mean. That's where you perform every Sunday

787
00:35:17,920 --> 00:35:21,920
Speaker 2: night and you either get moved up or you get dropped,

788
00:35:23,239 --> 00:35:23,880
Speaker 2: and the decks.

789
00:35:23,920 --> 00:35:25,560
Speaker 3: Kind of brutal. It's very brutal.

790
00:35:25,640 --> 00:35:28,799
Speaker 2: Yeah, it's a really good kind of training ground for SNL. Yeah,

791
00:35:29,120 --> 00:35:31,719
Speaker 2: you know, which is also pretty bruf. And that's what

792
00:35:31,840 --> 00:35:34,200
Speaker 2: it is. And how long were you in the Groundlings

793
00:35:34,239 --> 00:35:36,200
Speaker 2: before you got SNL? A year and a half. Oh,

794
00:35:36,280 --> 00:35:37,040
Speaker 2: not long at all.

795
00:35:37,920 --> 00:35:40,160
Speaker 1: No, I mean it probably felt like long to you,

796
00:35:40,200 --> 00:35:42,799
Speaker 1: but in the reality it didn't.

797
00:35:42,560 --> 00:35:45,120
Speaker 2: Because I loved it every minute. I would have never

798
00:35:45,200 --> 00:35:47,920
Speaker 2: dreamt that big, Susie. I would have never dreamt that big.

799
00:35:48,360 --> 00:35:50,959
Speaker 2: And when they came and saw me, it was really

800
00:35:51,000 --> 00:35:53,799
Speaker 2: a showcase for Chris Catan, so I only had one

801
00:35:53,840 --> 00:35:57,480
Speaker 2: sketch in and so I thought, well, maybe they'll remember

802
00:35:57,560 --> 00:36:00,360
Speaker 2: me for next time. And then I remember I was

803
00:36:00,560 --> 00:36:02,839
Speaker 2: tempting at Disney Legal because I quit A and M

804
00:36:03,160 --> 00:36:05,919
Speaker 2: right so I could go on auditions. And Lee calls

805
00:36:05,960 --> 00:36:07,680
Speaker 2: me and he's like, hey, Lee.

806
00:36:07,600 --> 00:36:09,799
Speaker 3: Was your manager at the time. Who's my manager now?

807
00:36:09,960 --> 00:36:10,120
Speaker 5: Yes?

808
00:36:10,239 --> 00:36:13,320
Speaker 2: Yes? He said, what are you doing next Monday? And

809
00:36:13,360 --> 00:36:15,440
Speaker 2: I'm like, very funny, I'll be at Disney Legal, and

810
00:36:15,440 --> 00:36:18,480
Speaker 2: he goes, no, you're going to be auditioning for Saturday Live.

811
00:36:19,760 --> 00:36:33,239
Speaker 3: We'll be right back. Stay tuned, and we're back.

812
00:36:34,880 --> 00:36:38,200
Speaker 2: So four of us were flown out from the Groundlings. Oh,

813
00:36:38,239 --> 00:36:41,120
Speaker 2: you flew to New York. They flew us to New York. Wow,

814
00:36:41,520 --> 00:36:45,040
Speaker 2: and you got it? Well? Yeah, then then they how

815
00:36:45,040 --> 00:36:45,720
Speaker 2: did they audition?

816
00:36:45,800 --> 00:36:46,960
Speaker 3: What was the audition process?

817
00:36:47,000 --> 00:36:50,480
Speaker 2: It was like, do four or five characters in like

818
00:36:51,080 --> 00:36:52,480
Speaker 2: seven to ten minutes.

819
00:36:52,239 --> 00:36:55,080
Speaker 3: Uh huh so, and you would just do monologues of

820
00:36:55,120 --> 00:36:55,760
Speaker 3: the characters.

821
00:36:55,840 --> 00:36:57,799
Speaker 2: You do a little bit of it, yeah, you know,

822
00:36:57,880 --> 00:37:00,839
Speaker 2: and then some characters you have with other people, right,

823
00:37:00,880 --> 00:37:03,600
Speaker 2: and you have to kind of almost pretend that they're there, right,

824
00:37:03,680 --> 00:37:07,120
Speaker 2: you know. I really didn't know very much, you know.

825
00:37:07,600 --> 00:37:10,840
Speaker 2: But then I went I got the call back. I

826
00:37:10,840 --> 00:37:12,799
Speaker 2: think there was thirty some people that were flown in

827
00:37:13,200 --> 00:37:16,120
Speaker 2: HU and then I think twelve got called back.

828
00:37:16,440 --> 00:37:17,320
Speaker 3: What year is this.

829
00:37:19,200 --> 00:37:21,880
Speaker 2: Ninety five? Nineteen ninety five? Okay? And then after that,

830
00:37:22,280 --> 00:37:25,200
Speaker 2: I remember I didn't hear anything, and then I heard

831
00:37:25,360 --> 00:37:27,640
Speaker 2: Lorne Michaels and Bernie Brilstein are coming to.

832
00:37:27,640 --> 00:37:29,640
Speaker 3: The show to the Groundling.

833
00:37:29,680 --> 00:37:33,960
Speaker 2: Shit, yes, yeah, And so Mindy Sterling, who was a groundling.

834
00:37:34,080 --> 00:37:36,839
Speaker 2: She's amazing. She was a teacher as well. She said

835
00:37:36,840 --> 00:37:39,520
Speaker 2: to me. She goes, I heard Bernie Brilstein. He lean

836
00:37:39,520 --> 00:37:42,560
Speaker 2: over to Lauren and goes, she pops like Gilda. She

837
00:37:42,600 --> 00:37:45,640
Speaker 2: pops like what Gilda? Oh Gilda, uh huh, Well that's

838
00:37:45,640 --> 00:37:48,480
Speaker 2: a cod and I'll never ever forget that.

839
00:37:48,880 --> 00:37:49,680
Speaker 3: Yeah, and.

840
00:37:51,239 --> 00:37:55,560
Speaker 2: Meaning Gilda rat dark yes for our listeners. And then

841
00:37:55,960 --> 00:37:58,759
Speaker 2: a few weeks later and I just thought, you know,

842
00:37:59,120 --> 00:38:01,920
Speaker 2: nothing's it's been so much time has gone by. And

843
00:38:01,960 --> 00:38:04,680
Speaker 2: then when I found out I got it, Oh, Lauren

844
00:38:04,719 --> 00:38:07,120
Speaker 2: wants you to meet him? And it was will and

845
00:38:07,160 --> 00:38:12,040
Speaker 2: I and will who peral? Yeah? And so I went.

846
00:38:12,080 --> 00:38:13,960
Speaker 2: We were both in the waiting room and I went

847
00:38:14,000 --> 00:38:17,400
Speaker 2: in and I remember buying address that I really couldn't afford.

848
00:38:17,920 --> 00:38:22,040
Speaker 2: But I'm like, how about look my best And he's like, Harry, hmmm,

849
00:38:22,920 --> 00:38:26,960
Speaker 2: we want to fly to New York. He never said

850
00:38:26,960 --> 00:38:30,200
Speaker 2: you got the job? And I'm like to shop? Yeah,

851
00:38:30,280 --> 00:38:31,120
Speaker 2: what fore?

852
00:38:31,400 --> 00:38:31,640
Speaker 4: You know?

853
00:38:32,040 --> 00:38:34,680
Speaker 2: But then afterwards and I said to Willie goes, what

854
00:38:34,680 --> 00:38:36,520
Speaker 2: did he say? And I go, he just wanted to

855
00:38:36,520 --> 00:38:38,239
Speaker 2: talk more because I didn't want to ruin it for him, right,

856
00:38:38,880 --> 00:38:40,640
Speaker 2: you know, I wanted him to have that you both

857
00:38:40,640 --> 00:38:42,360
Speaker 2: got it at the same time. Yeah, And then we

858
00:38:42,400 --> 00:38:44,920
Speaker 2: went into the parking lot holding hands. And then we

859
00:38:45,000 --> 00:38:47,359
Speaker 2: just screamed in the parking lot and we both went

860
00:38:47,760 --> 00:38:50,520
Speaker 2: to a phone booth. He called his mother. I called

861
00:38:50,520 --> 00:38:53,520
Speaker 2: my father. Yeah, well they can't do that anymore, I know.

862
00:38:54,360 --> 00:38:57,640
Speaker 2: He like, pulled over, supposed to do Yeah, we pulled

863
00:38:57,719 --> 00:39:00,440
Speaker 2: over and went into the phone booth and it was.

864
00:39:00,440 --> 00:39:02,919
Speaker 3: Just so I miss phone booths.

865
00:39:04,760 --> 00:39:07,680
Speaker 2: Yeah, they're petri dishes, those two booths. Yeah, I know,

866
00:39:08,080 --> 00:39:10,360
Speaker 2: I don't remember that. I went off on the long tangent.

867
00:39:10,520 --> 00:39:11,359
Speaker 2: It was like, I don't know.

868
00:39:11,400 --> 00:39:13,640
Speaker 1: It was fine, It was all interesting, So we'll probably

869
00:39:13,680 --> 00:39:15,319
Speaker 1: just keep it all in, yes, Lee.

870
00:39:15,560 --> 00:39:19,640
Speaker 6: So I got Cherry an apartment in my old building

871
00:39:19,719 --> 00:39:22,719
Speaker 6: on seventy sixth Street, and she was across the hall

872
00:39:22,760 --> 00:39:25,160
Speaker 6: from my neighbor when I was living then, and I

873
00:39:25,200 --> 00:39:27,279
Speaker 6: said to her, he's the greatest guy you'll ever meet.

874
00:39:27,480 --> 00:39:29,040
Speaker 6: He's a wholesale wine.

875
00:39:28,800 --> 00:39:32,600
Speaker 2: Salesman, Willie Gluxtern, and he was the nicest, nicest.

876
00:39:32,320 --> 00:39:32,800
Speaker 6: Guy in front of me.

877
00:39:32,880 --> 00:39:34,160
Speaker 3: All right, but what why are we having?

878
00:39:34,360 --> 00:39:36,520
Speaker 2: Can I help? Can I help you? He said? I

879
00:39:36,600 --> 00:39:39,080
Speaker 2: remember whenever this guy had sex, everybody in the building

880
00:39:39,080 --> 00:39:40,680
Speaker 2: heard it and told him to shut the hell up,

881
00:39:40,960 --> 00:39:43,239
Speaker 2: and he was screaming. He would scream and this was

882
00:39:43,280 --> 00:39:47,359
Speaker 2: like a very dapper, you know, sophisticated older man. And

883
00:39:47,400 --> 00:39:48,480
Speaker 2: I'm like, okay, okay.

884
00:39:48,960 --> 00:39:50,280
Speaker 3: Got Cherry got a little annoyed.

885
00:39:50,320 --> 00:39:52,799
Speaker 6: She's like, wee, that's such a guy thing to say.

886
00:39:52,840 --> 00:39:55,440
Speaker 2: I said, Okay. A few weeks go by and then

887
00:39:55,640 --> 00:39:58,560
Speaker 2: I am literally calling nine one one because someone was screaming,

888
00:39:58,640 --> 00:40:02,560
Speaker 2: scream and here, and then I remember Lee and I'm like, no,

889
00:40:02,800 --> 00:40:05,360
Speaker 2: that can't be him. I mean it was I was

890
00:40:05,480 --> 00:40:07,640
Speaker 2: on the phone and I put the phone down and

891
00:40:07,680 --> 00:40:10,319
Speaker 2: he's right across on it and it was him. And

892
00:40:10,360 --> 00:40:11,880
Speaker 2: I was just kind of like, god, this is like

893
00:40:11,920 --> 00:40:14,200
Speaker 2: a Larry David episode. Yeah, And I called him and

894
00:40:14,239 --> 00:40:18,040
Speaker 2: I go, you're right. He was screaming bloody murder like

895
00:40:18,200 --> 00:40:21,359
Speaker 2: that woman must have been like holy, he.

896
00:40:21,400 --> 00:40:23,080
Speaker 3: Needs to have sex in the woods.

897
00:40:25,280 --> 00:40:25,640
Speaker 2: All right.

898
00:40:25,680 --> 00:40:27,239
Speaker 3: So wait, I'm gonna go back a little bit.

899
00:40:27,400 --> 00:40:31,960
Speaker 1: So yeah, so Larry says to him, get Uncle Milty

900
00:40:32,080 --> 00:40:34,440
Speaker 1: out of here. That's where we ended about the episode.

901
00:40:34,719 --> 00:40:36,920
Speaker 1: And then they're back and forth, You're stupid, No, you're stupid. No,

902
00:40:37,000 --> 00:40:39,520
Speaker 1: you're stupid. And here's Larry fighting with the four year old,

903
00:40:39,760 --> 00:40:43,320
Speaker 1: you know, poopy head and Dodo brain and stupid, stupid, stupid,

904
00:40:43,560 --> 00:40:45,359
Speaker 1: And Larry says he wouldn't be here if you didn't

905
00:40:45,360 --> 00:40:47,359
Speaker 1: fire the nanny. So it all comes back to you,

906
00:40:47,640 --> 00:40:50,120
Speaker 1: and then we go back with fuck you, fuck you,

907
00:40:50,640 --> 00:40:54,880
Speaker 1: fuck you, back and forth, cut to our house. Larry

908
00:40:54,880 --> 00:40:58,239
Speaker 1: comes into our house and he asks how Susie is,

909
00:40:58,280 --> 00:41:00,440
Speaker 1: and Jeff says, gulp and ask her and I'm in

910
00:41:00,480 --> 00:41:04,359
Speaker 1: bed and I'm very this is the demure sweet Susie Green.

911
00:41:05,040 --> 00:41:06,759
Speaker 3: And Larry asked how I am? And I said that

912
00:41:06,840 --> 00:41:09,400
Speaker 3: nanny was a sick. Oh, she was a mental case.

913
00:41:09,440 --> 00:41:10,160
Speaker 3: She was sick.

914
00:41:10,719 --> 00:41:13,640
Speaker 1: And Larry Fane's innocence, like he had no idea you

915
00:41:13,680 --> 00:41:16,000
Speaker 1: were crazy, but of course he knew that nanny was crazy.

916
00:41:16,360 --> 00:41:19,360
Speaker 3: And then I retell the story of what happened.

917
00:41:19,440 --> 00:41:22,759
Speaker 2: And it shot very film noir, film.

918
00:41:22,520 --> 00:41:25,040
Speaker 1: War, and I'll tell the story and then we'll just

919
00:41:25,080 --> 00:41:30,040
Speaker 1: talk about Sammy's watching Looney Tunes and they're playing and

920
00:41:30,120 --> 00:41:33,239
Speaker 1: Martine is freaking out. She hears that music and she

921
00:41:33,280 --> 00:41:34,479
Speaker 1: starts to freak out.

922
00:41:34,920 --> 00:41:36,279
Speaker 3: She starts fighting with me.

923
00:41:36,400 --> 00:41:40,680
Speaker 5: She starts she grabbed my arms, she starts pulling me back.

924
00:41:40,480 --> 00:41:42,440
Speaker 1: And forth all of a sudden, I'm fighting with this

925
00:41:42,520 --> 00:41:43,120
Speaker 1: crazy woman.

926
00:41:43,600 --> 00:41:46,640
Speaker 3: I mean physically fighting you. Next thing I knew, we

927
00:41:46,640 --> 00:41:47,640
Speaker 3: were like out.

928
00:41:47,400 --> 00:41:51,000
Speaker 2: On the deck, out on the deck, Yeah, like struggling

929
00:41:51,080 --> 00:41:52,640
Speaker 2: and fighting. Oh my god.

930
00:41:52,880 --> 00:41:53,760
Speaker 4: And then what happened.

931
00:41:54,000 --> 00:41:58,440
Speaker 3: She pushed me over the rail. This crazy woman. She

932
00:41:58,600 --> 00:42:00,759
Speaker 3: pushed me over the rail. She was trying to kill me.

933
00:42:04,680 --> 00:42:06,160
Speaker 2: Oh here's the thing, Lare.

934
00:42:07,719 --> 00:42:15,040
Speaker 5: My fall was broken by twelve sponge cakes. Now, I

935
00:42:15,080 --> 00:42:17,480
Speaker 5: remember shooting that scene. I remember I had red marks

936
00:42:17,520 --> 00:42:18,200
Speaker 5: on my arms.

937
00:42:18,360 --> 00:42:20,920
Speaker 2: You did, because didn't we have these stunt pursuits.

938
00:42:21,200 --> 00:42:24,080
Speaker 1: Yes, there was a stunt double that did the fall

939
00:42:24,160 --> 00:42:26,680
Speaker 1: for me over the rail. And I remember that I

940
00:42:26,719 --> 00:42:28,759
Speaker 1: was upset because she had a much bigger ass than

941
00:42:28,800 --> 00:42:29,120
Speaker 1: I did.

942
00:42:29,480 --> 00:42:30,480
Speaker 3: And I remember.

943
00:42:30,160 --> 00:42:32,960
Speaker 1: Thinking, Oh, everybody's gonna think that's me, and she has

944
00:42:33,000 --> 00:42:36,440
Speaker 1: a bigger ass than me. And also I remember when

945
00:42:36,480 --> 00:42:38,799
Speaker 1: I fell on the sponge cakes. There was Kelly and

946
00:42:38,840 --> 00:42:41,160
Speaker 1: I believe it was Mike. There were two crew guys,

947
00:42:41,440 --> 00:42:44,279
Speaker 1: huge guys, and one had my two legs and one

948
00:42:44,320 --> 00:42:47,000
Speaker 1: had my two arms, and the sponge cakes were on

949
00:42:47,120 --> 00:42:50,040
Speaker 1: like a like a mat or something, and they lifted

950
00:42:50,080 --> 00:42:52,160
Speaker 1: me up and dropped me and we had to do

951
00:42:52,200 --> 00:42:53,280
Speaker 1: it several times.

952
00:42:53,360 --> 00:42:55,080
Speaker 3: They didn't lift me up more than a couple.

953
00:42:54,800 --> 00:42:57,600
Speaker 1: Of feet, but my back got all fucked up from them,

954
00:42:57,640 --> 00:43:00,480
Speaker 1: like the things that we people don't realize how injured

955
00:43:00,520 --> 00:43:02,319
Speaker 1: we get all the time from oh my.

956
00:43:02,200 --> 00:43:05,080
Speaker 2: Gosh, oh my god, even with like a stunt person, right,

957
00:43:05,480 --> 00:43:09,160
Speaker 2: you know. But I remember, I'm thinking, you know, you

958
00:43:09,280 --> 00:43:12,320
Speaker 2: just push and you you pull and push, push, push

959
00:43:12,360 --> 00:43:15,120
Speaker 2: and pull, So you don't know that's what I was doing.

960
00:43:15,200 --> 00:43:17,200
Speaker 2: And I'm so sorry that I hurt your arm. You

961
00:43:17,200 --> 00:43:17,640
Speaker 2: didn't hurt.

962
00:43:17,840 --> 00:43:19,760
Speaker 1: It was afterwards that I saw there was like deep,

963
00:43:20,320 --> 00:43:22,120
Speaker 1: deep fingerprint.

964
00:43:21,480 --> 00:43:23,480
Speaker 3: Marks someone we were finally committed.

965
00:43:23,640 --> 00:43:25,359
Speaker 2: Yeah, you were committed, but so was I.

966
00:43:25,440 --> 00:43:28,960
Speaker 1: You know, we were in an altercation and it's like

967
00:43:29,040 --> 00:43:30,480
Speaker 1: it's not something I usually do.

968
00:43:30,560 --> 00:43:32,480
Speaker 3: So it was kind of fun. Yeah, it was kind

969
00:43:32,480 --> 00:43:32,920
Speaker 3: of fun.

970
00:43:33,480 --> 00:43:36,319
Speaker 1: And then the episode ends with my fall broken by

971
00:43:36,320 --> 00:43:38,640
Speaker 1: the sponge cakes. And the funny thing is is that

972
00:43:38,840 --> 00:43:41,720
Speaker 1: apparently I did not lose the baby because the sponge

973
00:43:41,719 --> 00:43:45,120
Speaker 1: cakes saved the baby. But then the baby was never

974
00:43:45,239 --> 00:43:48,839
Speaker 1: mentioned again. I never had the baby, I never gave

975
00:43:48,920 --> 00:43:53,520
Speaker 1: birth to the baby, and the baby was never mentioned again.

976
00:43:53,719 --> 00:43:57,360
Speaker 1: I think we mentioned it once later on in that

977
00:43:57,560 --> 00:44:00,280
Speaker 1: season or the next season where there was some reference

978
00:44:00,360 --> 00:44:02,360
Speaker 1: to the baby because we said, wait a minute, didn't

979
00:44:02,400 --> 00:44:04,359
Speaker 1: I have a baby? And we never mentioned it, But

980
00:44:04,400 --> 00:44:05,920
Speaker 1: then the baby just disappeared.

981
00:44:06,120 --> 00:44:08,000
Speaker 2: She was never there. What late?

982
00:44:08,080 --> 00:44:09,560
Speaker 6: But you had a daughter, Sammy.

983
00:44:09,719 --> 00:44:10,800
Speaker 3: I already had the daughter.

984
00:44:11,040 --> 00:44:13,560
Speaker 1: Oh, you already had, yes, Sammy, who was by the way,

985
00:44:13,600 --> 00:44:16,640
Speaker 1: a son in the first season, but then became a

986
00:44:16,760 --> 00:44:19,440
Speaker 1: daughter because of the doll episode in the second season,

987
00:44:19,680 --> 00:44:21,839
Speaker 1: and was Sammy in the first season, but Sammy could

988
00:44:21,840 --> 00:44:26,320
Speaker 1: be you know, then then she became Samantha. So yes,

989
00:44:26,640 --> 00:44:29,160
Speaker 1: So Sammy was a boy. Now Sammy's a girl. And

990
00:44:29,200 --> 00:44:32,520
Speaker 1: then I was pregnant and then I don't know what you.

991
00:44:32,480 --> 00:44:34,720
Speaker 2: Should have had a boy with a really small penis,

992
00:44:34,760 --> 00:44:37,680
Speaker 2: but big bulls. That's right, that's right, Sherry. What do

993
00:44:37,719 --> 00:44:41,680
Speaker 2: you got going on now? I'm developing a show?

994
00:44:42,000 --> 00:44:42,399
Speaker 3: Oh good?

995
00:44:42,480 --> 00:44:45,720
Speaker 2: Right now? Yeah good, because I never talked about anything until,

996
00:44:45,760 --> 00:44:46,680
Speaker 2: like I know.

997
00:44:47,200 --> 00:44:48,919
Speaker 1: You know her a pooh pooh pooh, as we say

998
00:44:48,920 --> 00:44:51,319
Speaker 1: in the Yiddish. Well, we would all love to see

999
00:44:51,360 --> 00:44:53,800
Speaker 1: you back on the air in your full glory.

1000
00:44:54,000 --> 00:44:55,400
Speaker 2: Oh, thank you, Susie.

1001
00:44:55,560 --> 00:44:58,040
Speaker 1: And you were fantastic on this episode and it was

1002
00:44:58,080 --> 00:45:00,920
Speaker 1: the episode from hell, and you know, sounds like it

1003
00:45:00,960 --> 00:45:02,319
Speaker 1: was the episode from hell for you.

1004
00:45:03,120 --> 00:45:06,799
Speaker 2: Well, it ended up being wonderful, you know, and I'm

1005
00:45:06,840 --> 00:45:10,200
Speaker 2: so grateful because I love the show and to you know,

1006
00:45:10,280 --> 00:45:12,240
Speaker 2: be working with all you guys and to be asked

1007
00:45:12,640 --> 00:45:14,640
Speaker 2: by Larry it was a big deal for me.

1008
00:45:15,280 --> 00:45:17,040
Speaker 1: And sure, and you didn't have to audition, and you know,

1009
00:45:17,080 --> 00:45:19,520
Speaker 1: it was a lot of people, well known people who

1010
00:45:19,600 --> 00:45:22,279
Speaker 1: still have to audition, and he didn't audition you, which

1011
00:45:22,320 --> 00:45:23,600
Speaker 1: is a testament to how.

1012
00:45:24,040 --> 00:45:27,239
Speaker 2: See he doesn't he auditions people because it's so much

1013
00:45:27,239 --> 00:45:28,160
Speaker 2: of it is improvised.

1014
00:45:28,280 --> 00:45:30,960
Speaker 3: Yes, yeah, and you know this. I mean obviously you

1015
00:45:31,000 --> 00:45:31,520
Speaker 3: were groundling.

1016
00:45:31,560 --> 00:45:33,279
Speaker 1: You know how to improvise, but there's a lot of

1017
00:45:33,360 --> 00:45:35,120
Speaker 1: terrific actors who don't know how to you know, it's

1018
00:45:35,120 --> 00:45:36,200
Speaker 1: a completely different That's.

1019
00:45:36,040 --> 00:45:38,239
Speaker 2: Why when I would watch the show, I'm thinking, damn,

1020
00:45:38,360 --> 00:45:41,080
Speaker 2: everybody's good at this. Like I would see all the

1021
00:45:41,120 --> 00:45:41,920
Speaker 2: guests that would come on it.

1022
00:45:42,120 --> 00:45:44,080
Speaker 1: I think the reason why a lot of the guests

1023
00:45:44,080 --> 00:45:47,080
Speaker 1: are really good is, you know, not for somebody like

1024
00:45:47,120 --> 00:45:49,960
Speaker 1: you who's such a proficient improviser. But I think a

1025
00:45:49,960 --> 00:45:51,839
Speaker 1: lot of the reasons why so many guests are good

1026
00:45:51,880 --> 00:45:55,520
Speaker 1: is because it's the way he lays out the storyline,

1027
00:45:55,640 --> 00:45:59,279
Speaker 1: and it's so clear what each scene is about that

1028
00:45:59,320 --> 00:46:03,040
Speaker 1: there's not room really to go outside the story. And

1029
00:46:03,080 --> 00:46:05,359
Speaker 1: if people come on and they start doing jokey kind

1030
00:46:05,360 --> 00:46:09,360
Speaker 1: of stuff, cut immediately, Kyley. He does not want jokey stuff.

1031
00:46:09,520 --> 00:46:12,520
Speaker 2: No, no, yeah, because I'm wondering, how long do you

1032
00:46:12,600 --> 00:46:15,799
Speaker 2: go on for? Like there's no I didn't know when

1033
00:46:15,840 --> 00:46:18,879
Speaker 2: to stop, when to end it. So well, a lot

1034
00:46:18,920 --> 00:46:21,960
Speaker 2: of times we don't end it because a lot of

1035
00:46:22,040 --> 00:46:25,360
Speaker 2: gold comes after when we just keep on going, going, going,

1036
00:46:25,800 --> 00:46:27,920
Speaker 2: and then they edit it. But you don't want to

1037
00:46:28,239 --> 00:46:31,120
Speaker 2: annoy him, Like that's what I felt. I thought to myself,

1038
00:46:31,520 --> 00:46:35,879
Speaker 2: I have no problem with that. Right. If I did

1039
00:46:35,920 --> 00:46:38,600
Speaker 2: it more often, I would have been you know probably,

1040
00:46:38,680 --> 00:46:42,520
Speaker 2: But we're on the year twenty three, season twelve, right, yeah, right,

1041
00:46:42,920 --> 00:46:44,680
Speaker 2: you know we kind of got a rhythm going. I

1042
00:46:44,840 --> 00:46:48,600
Speaker 2: was God, you guys like are just so awesome at it,

1043
00:46:48,680 --> 00:46:50,719
Speaker 2: and then it is good because you can overdo and

1044
00:46:50,800 --> 00:46:52,040
Speaker 2: then you get the gems.

1045
00:46:52,160 --> 00:46:54,200
Speaker 1: Yeah, yeah, you know, And you know I always tried

1046
00:46:54,200 --> 00:46:56,840
Speaker 1: it in different takes because sometimes in certain takes I

1047
00:46:56,840 --> 00:46:59,120
Speaker 1: could be so big, you know, I always try to

1048
00:46:59,160 --> 00:47:01,319
Speaker 1: do a big take, then a smaller take than a

1049
00:47:01,360 --> 00:47:04,160
Speaker 1: medium take and just so they have an editing like

1050
00:47:04,200 --> 00:47:06,719
Speaker 1: a lot of different choices because you know, I mean,

1051
00:47:06,719 --> 00:47:09,440
Speaker 1: we can all have a tendency to go big because

1052
00:47:09,440 --> 00:47:12,720
Speaker 1: it's funny, but sometimes it doesn't work in the scheme

1053
00:47:12,800 --> 00:47:14,960
Speaker 1: of the whole exactly, and then.

1054
00:47:14,840 --> 00:47:16,839
Speaker 2: You don't have a place to go if you start big, right,

1055
00:47:17,120 --> 00:47:19,000
Speaker 2: Like I always thought about that. It's kind of like

1056
00:47:19,200 --> 00:47:23,319
Speaker 2: just you know, lay the groundwork right, and then if

1057
00:47:23,320 --> 00:47:25,319
Speaker 2: it calls for it, you have a place to go.

1058
00:47:25,480 --> 00:47:27,440
Speaker 3: Are you still involved with the Groundlings at all?

1059
00:47:27,920 --> 00:47:30,640
Speaker 2: I'm actually doing a show on the twenty third. They're

1060
00:47:30,680 --> 00:47:33,520
Speaker 2: having their big anniversary coming up. I forget which one

1061
00:47:33,520 --> 00:47:35,640
Speaker 2: it is, but they're bringing Oh, we had Lorain Newman

1062
00:47:35,760 --> 00:47:37,680
Speaker 2: on and Lorraine was the founder. It was one of

1063
00:47:37,719 --> 00:47:40,920
Speaker 2: the founders. Yeah, I love her so much. Do you

1064
00:47:40,960 --> 00:47:44,280
Speaker 2: know When I was in classes, I was in classes

1065
00:47:44,320 --> 00:47:47,640
Speaker 2: with her boyfriend all the time, and he said to me, Hey,

1066
00:47:47,640 --> 00:47:51,120
Speaker 2: do you want to write together? And I'm like, uh, yeah,

1067
00:47:51,239 --> 00:47:54,040
Speaker 2: because I knew he lived with Lorraine and I'd never

1068
00:47:54,120 --> 00:47:55,759
Speaker 2: met her. So I went over and she had just

1069
00:47:55,840 --> 00:47:58,680
Speaker 2: had Lena, and it's like, do you want to meet Lorraine?

1070
00:47:58,719 --> 00:48:01,279
Speaker 2: And I'm like yeah, But I was trying to really

1071
00:48:01,280 --> 00:48:03,360
Speaker 2: play cool. And I went up and he brought me

1072
00:48:03,360 --> 00:48:05,960
Speaker 2: into the bedroom and she was breastfeeding Lena, and I

1073
00:48:06,000 --> 00:48:10,960
Speaker 2: was like, Hi, Hi, And she started coming to the shows.

1074
00:48:11,080 --> 00:48:13,640
Speaker 2: She was coming to the shows and she would take

1075
00:48:13,680 --> 00:48:15,879
Speaker 2: me aside and she goes, you're gonna make it. Oh,

1076
00:48:15,920 --> 00:48:17,960
Speaker 2: that's so sweet. I never forgot that. And when I

1077
00:48:18,000 --> 00:48:21,600
Speaker 2: did get s andl she called me and she was

1078
00:48:21,680 --> 00:48:25,480
Speaker 2: always very sweet and so supportive. And it was just

1079
00:48:25,520 --> 00:48:27,880
Speaker 2: her birthday. She just was I think it was yesterday.

1080
00:48:28,360 --> 00:48:31,720
Speaker 2: She's just awesome. Yeah, she really is. She really is. Yeah,

1081
00:48:31,760 --> 00:48:32,759
Speaker 2: she's she's a love.

1082
00:48:33,520 --> 00:48:34,680
Speaker 3: Well, so are you, Sherry.

1083
00:48:34,920 --> 00:48:40,560
Speaker 2: Thank you for coming your fight. You're stupid. No, you're

1084
00:48:40,640 --> 00:48:43,680
Speaker 2: stupid now you're stupid. And thank you for filling in

1085
00:48:43,719 --> 00:48:48,400
Speaker 2: for Jeff. Yeah, it's not taken. None taken. Yeah, no

1086
00:48:48,480 --> 00:48:50,440
Speaker 2: information the first time I saw.

1087
00:48:50,320 --> 00:48:55,080
Speaker 3: You, and no information exactly you Jeff. Love you, Susie

1088
00:48:55,120 --> 00:48:56,400
Speaker 3: and we'll be back next time.

1089
00:48:56,719 --> 00:49:07,240
Speaker 2: Yay. The History of Curb Your Enthusiasm is a production

1090
00:49:07,320 --> 00:49:11,120
Speaker 2: of iHeart Radio. For more podcasts from iHeart Radio, visit

1091
00:49:11,200 --> 00:49:14,640
Speaker 2: the iHeart Radio Apple Podcasts, or wherever you listen to

1092
00:49:14,680 --> 00:49:15,560
Speaker 2: your favorite shows.