1 00:00:01,120 --> 00:00:03,600 Speaker 1: It's the best bit of the week with Morgan. 2 00:00:03,760 --> 00:00:07,200 Speaker 2: Part two, she's breaking down the top seven segments from 3 00:00:07,200 --> 00:00:08,560 Speaker 2: The Bobby Bone Show this week. 4 00:00:10,560 --> 00:00:13,480 Speaker 3: Welcome everybody. It is the bits, just the bits. 5 00:00:13,520 --> 00:00:15,120 Speaker 4: If you're catching up on the show or want to 6 00:00:15,160 --> 00:00:17,079 Speaker 4: know what happened on The Bobby Bone Show this week. 7 00:00:17,120 --> 00:00:19,560 Speaker 4: Maybe you were on vacation, hopefully you were or relaxing 8 00:00:19,600 --> 00:00:20,600 Speaker 4: somewhere and you just need to. 9 00:00:20,560 --> 00:00:22,479 Speaker 3: Know what happened. Well, I've got you. 10 00:00:23,000 --> 00:00:25,120 Speaker 4: Make sure before we dive in, you go check out 11 00:00:25,120 --> 00:00:27,320 Speaker 4: Part one and part three this weekend with Abby. 12 00:00:27,600 --> 00:00:29,400 Speaker 3: We've got a listener Q and A in there. 13 00:00:29,240 --> 00:00:31,920 Speaker 4: Answering all kinds of questions about her boyfriend because that 14 00:00:32,000 --> 00:00:34,760 Speaker 4: was a hot topic. And of course we updated you 15 00:00:34,760 --> 00:00:36,760 Speaker 4: guys on life, what's been going on. I went to 16 00:00:36,800 --> 00:00:40,239 Speaker 4: a Casey Musgrave show, shared my review on that and 17 00:00:40,360 --> 00:00:43,440 Speaker 4: the things we've learned new also the animals we do 18 00:00:43,520 --> 00:00:45,680 Speaker 4: not want to be attacked by. So good stuff over 19 00:00:45,680 --> 00:00:48,000 Speaker 4: there in Part one and part three, But for now, 20 00:00:48,040 --> 00:00:48,960 Speaker 4: this is why you're here. 21 00:00:49,240 --> 00:00:50,120 Speaker 3: It's just the bits. 22 00:00:50,240 --> 00:00:50,559 Speaker 1: Let's go. 23 00:00:51,320 --> 00:00:54,520 Speaker 4: A listener sent in a BBS jingle, So we have 24 00:00:54,600 --> 00:00:57,520 Speaker 4: these jingles that play every morning on the show. You've 25 00:00:57,520 --> 00:01:00,120 Speaker 4: probably heard them before, and oftentimes you're always like, who 26 00:01:00,120 --> 00:01:02,560 Speaker 4: are singing those? Well, a listener sent one in that's 27 00:01:02,600 --> 00:01:04,959 Speaker 4: so good, like so good and so calling. I was 28 00:01:04,959 --> 00:01:06,640 Speaker 4: trying to say good and call me at the same 29 00:01:06,680 --> 00:01:09,360 Speaker 4: time because it was just that good. But not only that, 30 00:01:09,640 --> 00:01:11,880 Speaker 4: it prompted us to have a jingle game. 31 00:01:12,200 --> 00:01:13,080 Speaker 5: And you guys. 32 00:01:12,920 --> 00:01:15,880 Speaker 4: Already asked like, who's singing that? Who's this artist that's 33 00:01:15,880 --> 00:01:18,880 Speaker 4: singing this one? And so maybe if you have that question, 34 00:01:19,040 --> 00:01:20,759 Speaker 4: you can listen to this game, and now you'll know 35 00:01:20,880 --> 00:01:22,959 Speaker 4: who all the jingles are on our show when you're listening. 36 00:01:23,360 --> 00:01:25,160 Speaker 4: That's like a little peek behind the scenes. 37 00:01:25,280 --> 00:01:25,760 Speaker 6: Here we go. 38 00:01:25,880 --> 00:01:29,520 Speaker 4: It's the listener's jingle for the Bobby Bone Show and 39 00:01:29,880 --> 00:01:31,680 Speaker 4: the jingle game number seven. 40 00:01:31,680 --> 00:01:33,280 Speaker 1: We're gonna play a game here, but it's gonna start 41 00:01:33,280 --> 00:01:35,920 Speaker 1: with a voicemail. So a listener sent us this voicemail. 42 00:01:36,560 --> 00:01:39,360 Speaker 7: What's up, guys, I wrote a jingle for Bobby love 43 00:01:39,400 --> 00:01:40,399 Speaker 7: all the other ones I've heard. 44 00:01:40,560 --> 00:01:48,440 Speaker 8: Here's my own. Check it out. Bobby Boom Bobby bomby 45 00:01:48,520 --> 00:01:54,680 Speaker 8: bo Yeah. 46 00:01:52,720 --> 00:01:55,960 Speaker 1: So good. That's really good. So then Michael that's his 47 00:01:56,040 --> 00:01:58,280 Speaker 1: name from North Carolina sent this updated version from a 48 00:01:58,320 --> 00:01:59,920 Speaker 1: recording studio Bobby. 49 00:01:59,680 --> 00:02:07,440 Speaker 9: Boo Show, Bobby Bone Show, Bobby bon Show. 50 00:02:10,919 --> 00:02:13,880 Speaker 1: Oh wow, that should be the after the end show. 51 00:02:14,320 --> 00:02:17,760 Speaker 1: That's amazing. Coming down, you're chilling. It's like, that's it. 52 00:02:17,800 --> 00:02:19,000 Speaker 1: We'll see you guys tomorrow. 53 00:02:19,080 --> 00:02:22,800 Speaker 9: Bobby Bone Show, Bobby Bone Show. 54 00:02:23,520 --> 00:02:24,160 Speaker 8: Bobby. 55 00:02:25,960 --> 00:02:27,280 Speaker 9: Bone Show. 56 00:02:29,639 --> 00:02:33,400 Speaker 1: That's so good. That's pretty legit scoobody like that. Yeah, man, 57 00:02:33,400 --> 00:02:34,919 Speaker 1: that's pretty really cool. And I talked to that guy 58 00:02:34,960 --> 00:02:36,720 Speaker 1: Michael to get these, and he's a really nice guy. 59 00:02:36,800 --> 00:02:37,920 Speaker 5: So this is really cool. 60 00:02:37,960 --> 00:02:39,519 Speaker 1: I wish we knew it's like Instagram or something we 61 00:02:39,520 --> 00:02:43,200 Speaker 1: could share it. But regardless, Michael, that's awesome, dude. At 62 00:02:43,240 --> 00:02:44,880 Speaker 1: the end of the segment, we'll play it too. But 63 00:02:44,919 --> 00:02:47,280 Speaker 1: here's what we're gonna do. We have the eyest of 64 00:02:47,320 --> 00:02:49,680 Speaker 1: vocals of artists. These are new ones we haven't done yet, 65 00:02:49,960 --> 00:02:52,720 Speaker 1: singing the Bobby Bone Show jingles. Oh boy, can you 66 00:02:52,800 --> 00:02:55,960 Speaker 1: name the artist that's singing the Bobby Bone Show jingle? Crazy? 67 00:02:56,480 --> 00:02:58,760 Speaker 1: These are all artists that we play on this show 68 00:02:58,919 --> 00:03:02,079 Speaker 1: or this station. Are you guys ready? 69 00:03:03,040 --> 00:03:03,600 Speaker 10: Number one? 70 00:03:04,040 --> 00:03:08,080 Speaker 1: This is the Bobby Show. Come in. 71 00:03:08,160 --> 00:03:09,360 Speaker 10: I'm gonna play it one more time. 72 00:03:10,040 --> 00:03:12,680 Speaker 2: This is the Bobby Show. 73 00:03:13,520 --> 00:03:16,080 Speaker 1: But I don't want any specific lunchbox. 74 00:03:16,480 --> 00:03:20,160 Speaker 5: I have Dan and Shay or more specifically Shay Eddie. 75 00:03:20,240 --> 00:03:23,160 Speaker 1: Yeah, it's Shane Mooney, Amy, Shay Coo. I would have 76 00:03:23,200 --> 00:03:27,160 Speaker 1: taken Dan and Jay or Shaye Mooney. Good job number two, 77 00:03:27,639 --> 00:03:32,160 Speaker 1: Bobby Bone Show, and. 78 00:03:31,919 --> 00:03:32,480 Speaker 7: For the whim. 79 00:03:33,800 --> 00:03:38,800 Speaker 1: Amy Brett Eldridge, Brett Eldridge, Eddy Brett Eldridge. 80 00:03:38,800 --> 00:03:42,320 Speaker 10: Correct, Good job number three. 81 00:03:42,960 --> 00:03:45,080 Speaker 11: This is Bobby Boone Show. 82 00:03:46,080 --> 00:03:46,840 Speaker 5: Now I'm in trouble. 83 00:03:47,560 --> 00:03:49,080 Speaker 1: I'm in named the artist. 84 00:03:49,640 --> 00:03:51,960 Speaker 11: This is Bobby Bone Show. 85 00:03:52,480 --> 00:03:53,520 Speaker 1: Waiting on lunchbox. 86 00:03:53,800 --> 00:03:54,440 Speaker 5: This is her name. 87 00:03:56,280 --> 00:03:57,440 Speaker 1: He thinks she's got another name. 88 00:03:58,000 --> 00:04:00,400 Speaker 5: Nah, I get her a confused. There's a couple girls, 89 00:04:00,400 --> 00:04:01,280 Speaker 5: I get confused. 90 00:04:02,520 --> 00:04:07,080 Speaker 1: I'm in for the lunchbox. Ashley McBride, Eddie Laney Wilson, 91 00:04:07,160 --> 00:04:09,680 Speaker 1: Amy Laney. That is Laney Wilson. 92 00:04:09,920 --> 00:04:12,760 Speaker 11: Here you go here, this is the Bobby Bone Show. 93 00:04:14,080 --> 00:04:15,119 Speaker 10: Eddie and Amy take the lead. 94 00:04:16,400 --> 00:04:19,799 Speaker 1: Next up and get your bones on, Get you Bobby 95 00:04:19,839 --> 00:04:24,320 Speaker 1: bones on. Oh my gosh, I've heard that one forever. 96 00:04:25,480 --> 00:04:28,320 Speaker 1: And get your bones on, Get you Bobby bones on? 97 00:04:32,080 --> 00:04:33,000 Speaker 10: Who is that artist? 98 00:04:35,000 --> 00:04:35,840 Speaker 5: Get your bone? 99 00:04:35,920 --> 00:04:39,360 Speaker 1: Mammy jumped in Eddie struggling lunchbox. His eyes are wide open, right. 100 00:04:39,760 --> 00:04:46,840 Speaker 12: Get your bomb, Get your bones one, more time and 101 00:04:47,000 --> 00:04:49,640 Speaker 12: get your bones on, get you Bobby bones On? 102 00:04:52,640 --> 00:04:56,680 Speaker 1: All right, guys, need an answer. Lunchbox, Sam Hunt, Eddie. 103 00:04:56,760 --> 00:04:59,279 Speaker 1: I didn't know we had this, guys. It's Morgan Wallen Amy, 104 00:04:59,360 --> 00:05:03,160 Speaker 1: Morgan wall Organ wall And it is what a get? 105 00:05:04,279 --> 00:05:06,520 Speaker 1: I think we've had it. Like when do we do that? 106 00:05:06,520 --> 00:05:11,680 Speaker 1: That's crazy? Like, yeah, what a get? Yeah? Man, the 107 00:05:11,720 --> 00:05:12,799 Speaker 1: star is a superstar. 108 00:05:12,920 --> 00:05:16,640 Speaker 10: He's been in he talked to him. I mean, okay, next. 109 00:05:16,440 --> 00:05:24,799 Speaker 2: Up, Bobby Show, what Bobby bon Show. 110 00:05:26,320 --> 00:05:28,720 Speaker 13: I'm confused by the second person. 111 00:05:28,800 --> 00:05:32,000 Speaker 1: The second person, Yeah, he says the show. I think 112 00:05:32,000 --> 00:05:32,760 Speaker 1: it's the same person. 113 00:05:33,440 --> 00:05:34,400 Speaker 5: Sounds totally different. 114 00:05:34,640 --> 00:05:35,960 Speaker 1: Why would you tell him anything? 115 00:05:36,360 --> 00:05:36,400 Speaker 14: What? 116 00:05:36,960 --> 00:05:38,640 Speaker 1: Why are you helping him? 117 00:05:38,680 --> 00:05:38,880 Speaker 7: Oh? 118 00:05:38,960 --> 00:05:41,360 Speaker 1: I see what you're saying. You can if you want. 119 00:05:41,400 --> 00:05:44,200 Speaker 1: I'm asking. There's the second person. No more times. 120 00:05:47,120 --> 00:05:47,680 Speaker 5: We'll go with that. 121 00:05:48,000 --> 00:05:53,559 Speaker 1: Lunchbox Astley McBride, Eddie. That's Kelsey Vallerini Amy. 122 00:05:53,680 --> 00:05:55,200 Speaker 6: Kelsey was first. 123 00:05:57,400 --> 00:05:57,679 Speaker 12: Show. 124 00:05:57,839 --> 00:06:00,599 Speaker 10: There's also a breath in there, Bobby Bones Firs. 125 00:06:00,960 --> 00:06:02,920 Speaker 1: There's no way, no one can do that. All right, 126 00:06:02,960 --> 00:06:03,440 Speaker 1: next one? 127 00:06:04,000 --> 00:06:06,279 Speaker 15: This is the boy Ball Show? 128 00:06:08,520 --> 00:06:08,599 Speaker 14: What? 129 00:06:09,320 --> 00:06:09,920 Speaker 1: Oh? 130 00:06:09,960 --> 00:06:12,240 Speaker 15: This is the Baby Ball Show? 131 00:06:13,680 --> 00:06:14,120 Speaker 1: Wow? 132 00:06:16,240 --> 00:06:17,440 Speaker 5: Oh I know what I'm in. 133 00:06:17,680 --> 00:06:20,920 Speaker 1: Okay, I got that lunchbox. 134 00:06:21,600 --> 00:06:23,920 Speaker 5: Hey, are you in the uhlan? 135 00:06:24,320 --> 00:06:26,520 Speaker 1: Eddie? What a get justin Bieber? 136 00:06:27,640 --> 00:06:27,960 Speaker 10: Amy? 137 00:06:29,520 --> 00:06:32,920 Speaker 15: Yes, this is the boy Ball Show. 138 00:06:33,440 --> 00:06:38,279 Speaker 1: Yeah, I hear it now Amy six? Eddie five? Lunchbox three? 139 00:06:38,640 --> 00:06:39,760 Speaker 5: What I just got one? 140 00:06:40,240 --> 00:06:42,880 Speaker 1: Okay, that's three. Good job you've made it to three. 141 00:06:42,960 --> 00:06:44,280 Speaker 1: Good next one? 142 00:06:44,560 --> 00:06:45,120 Speaker 5: Come on? 143 00:06:45,480 --> 00:06:53,000 Speaker 1: This is the Bobby Bone Show show. The final two 144 00:06:53,120 --> 00:06:55,120 Speaker 1: are worth three points each. This is one of them, 145 00:06:55,240 --> 00:06:58,839 Speaker 1: one of the final two. Do you it's because they're hard? 146 00:06:59,240 --> 00:06:59,400 Speaker 5: Yeah? 147 00:06:59,560 --> 00:07:04,040 Speaker 1: One more time? Come on, this is the Bobby Bone Show. 148 00:07:05,080 --> 00:07:07,400 Speaker 6: I know I know this from I got it for 149 00:07:07,600 --> 00:07:08,600 Speaker 6: the wind. I know this. 150 00:07:10,800 --> 00:07:11,400 Speaker 16: We don't get it? 151 00:07:11,400 --> 00:07:12,840 Speaker 11: One more time? One more time? 152 00:07:13,040 --> 00:07:13,960 Speaker 1: Shoot an answer? 153 00:07:14,280 --> 00:07:17,120 Speaker 6: One more boom? 154 00:07:17,160 --> 00:07:17,720 Speaker 14: How go on? 155 00:07:18,240 --> 00:07:18,480 Speaker 1: Amy? 156 00:07:18,800 --> 00:07:19,680 Speaker 16: I needed to hear. 157 00:07:22,000 --> 00:07:27,120 Speaker 1: I don't incorrect Eddie. That's Dylan Scott lunchbox, al Dean, 158 00:07:27,960 --> 00:07:32,160 Speaker 1: that is Come on, this is the Bobby Bone Show. 159 00:07:33,000 --> 00:07:33,640 Speaker 1: Dylan Scott. 160 00:07:33,840 --> 00:07:36,120 Speaker 5: Oh, Amy, Amy? Anyway? 161 00:07:36,280 --> 00:07:37,160 Speaker 1: Would you yell at if? 162 00:07:37,840 --> 00:07:39,160 Speaker 16: I don't know if finally came to me and I 163 00:07:39,160 --> 00:07:40,200 Speaker 16: thought it was Russell Dickerson. 164 00:07:40,400 --> 00:07:43,840 Speaker 1: All right, tie breakers? Boy, these are worth three points each. Hey, well, 165 00:07:43,840 --> 00:07:45,520 Speaker 1: well I'm tired right with Amy? You and Amy are 166 00:07:45,520 --> 00:07:47,360 Speaker 1: the lunchbox is still in the game. They're only two left. 167 00:07:47,600 --> 00:07:50,400 Speaker 5: Here we go The Bobby Bone Show. 168 00:07:51,920 --> 00:07:54,200 Speaker 1: That wasn't the same PERSONA sounds like one more time? 169 00:07:55,040 --> 00:07:56,239 Speaker 5: The Bobby Bone Show. 170 00:07:57,480 --> 00:07:58,480 Speaker 10: What the heck? One more time? 171 00:07:59,320 --> 00:08:01,240 Speaker 5: The Bobby Own Show. I'm in? 172 00:08:03,920 --> 00:08:05,600 Speaker 1: Who is that? You will not take the lead, but 173 00:08:05,600 --> 00:08:06,880 Speaker 1: you will tie Lunchbox if you get it? 174 00:08:06,840 --> 00:08:07,520 Speaker 10: And they thank you? 175 00:08:08,560 --> 00:08:12,240 Speaker 6: I'm in Amy, Well, No, all I hear is Russell Dickerson. 176 00:08:12,600 --> 00:08:13,240 Speaker 10: What your answer? 177 00:08:13,360 --> 00:08:13,800 Speaker 6: That's it? 178 00:08:14,120 --> 00:08:16,680 Speaker 1: That's what I have done your answers. That's it, Russell Dickerson, 179 00:08:16,760 --> 00:08:19,480 Speaker 1: Thank you, Eddie, Russell Dickerson, Lunchbox, Sam Hunt. It is 180 00:08:19,560 --> 00:08:25,760 Speaker 1: Russell Dickerson show. That does sound like? Well, and you 181 00:08:25,760 --> 00:08:28,560 Speaker 1: guys are tied, So tie breaker Lunchbox. You're eliminated. 182 00:08:28,640 --> 00:08:29,480 Speaker 5: I still want to guess. 183 00:08:29,560 --> 00:08:30,960 Speaker 1: No, you can't because this is the last one we have. 184 00:08:31,040 --> 00:08:32,280 Speaker 10: You can't get it. It kills the game. 185 00:08:32,480 --> 00:08:34,640 Speaker 1: Eddie and Amy. Only two left. You guys are tied. 186 00:08:35,840 --> 00:08:37,720 Speaker 1: I'm gonna play it buzz in when you know it. 187 00:08:37,760 --> 00:08:39,000 Speaker 1: I'll give you hints along the way. 188 00:08:39,080 --> 00:08:39,600 Speaker 10: Here we go. 189 00:08:40,120 --> 00:08:45,000 Speaker 1: Get your bones on, Eddie, Eddie, that's Craig Campbell. That's right. 190 00:08:47,600 --> 00:08:54,840 Speaker 15: Yeah, Hey, good. 191 00:08:54,720 --> 00:08:55,760 Speaker 10: Job Amy for saying good job. 192 00:08:56,520 --> 00:08:58,080 Speaker 6: Did you know who that last one was I didn't 193 00:08:58,240 --> 00:08:58,640 Speaker 6: not yet. 194 00:08:58,760 --> 00:09:01,120 Speaker 1: Craig Campbell, Creig camb Baby, it's good. You are the 195 00:09:01,120 --> 00:09:03,480 Speaker 1: wonder nice got a coffee shop in Eagleville, Tennessee. Here 196 00:09:03,520 --> 00:09:06,600 Speaker 1: you go ahead. Nice work, buddy, A nice work. Thank you. 197 00:09:06,720 --> 00:09:09,679 Speaker 1: Let's play Nate Smith World on Fire, Bobby Bone Show. 198 00:09:09,600 --> 00:09:17,839 Speaker 9: Bobby Bone Show, Bobby Bone Shoke, Bobby Bone Show. 199 00:09:20,120 --> 00:09:23,160 Speaker 1: By the way, that's Michael McCrae music, Michael mc c 200 00:09:23,800 --> 00:09:27,720 Speaker 1: r a e Music, Michael McCrae Music, Hit Again. 201 00:09:27,679 --> 00:09:41,599 Speaker 9: Bobby Bone Show, Bobby Bone Shoke, Bobby Bone sh. 202 00:09:39,480 --> 00:09:42,680 Speaker 2: It's the Best Bits of the Week Show with Morgan. 203 00:09:42,760 --> 00:09:48,080 Speaker 4: Number two, Lunchbox has officially reached one week of being nice, 204 00:09:48,120 --> 00:09:50,800 Speaker 4: and in honor of that, I'm gonna just leave this 205 00:09:50,880 --> 00:09:52,400 Speaker 4: right here, because I don't know if I can say 206 00:09:52,480 --> 00:09:54,560 Speaker 4: anything nice about him right now after the week I 207 00:09:54,600 --> 00:09:55,160 Speaker 4: had with him. 208 00:09:55,200 --> 00:10:00,439 Speaker 3: So Lunchbugs did reach one week. Uh yeah, that that's 209 00:10:00,480 --> 00:10:00,920 Speaker 3: all I got. 210 00:10:00,960 --> 00:10:03,800 Speaker 1: All right, Here we go. Number six. As of yesterday, 211 00:10:03,880 --> 00:10:06,440 Speaker 1: Lunchbox had been kind for one week. According to him, 212 00:10:07,240 --> 00:10:08,959 Speaker 1: we said, if you go two weeks of being kind, 213 00:10:09,280 --> 00:10:11,440 Speaker 1: we're going to send you driving a Lamborghini around the racetrack. 214 00:10:11,640 --> 00:10:12,080 Speaker 14: Yeah. 215 00:10:12,120 --> 00:10:14,600 Speaker 1: His like goal in life is to drive a Lamborghini. 216 00:10:14,720 --> 00:10:17,000 Speaker 1: M We do have to investigate a couple of things. 217 00:10:17,040 --> 00:10:19,040 Speaker 1: First of all, Amy brought up on the air that 218 00:10:19,040 --> 00:10:23,480 Speaker 1: while she was sick, Lunchbox was texting her saying, oh, 219 00:10:23,800 --> 00:10:26,280 Speaker 1: hope you feel good. Whatever it was now, there is 220 00:10:26,480 --> 00:10:28,679 Speaker 1: in no way this was mean. But it just hit 221 00:10:28,720 --> 00:10:30,320 Speaker 1: Amy like a ton of breaks that Oh, he wasn't 222 00:10:30,320 --> 00:10:32,040 Speaker 1: doing it because he cared. He was doing it because 223 00:10:32,040 --> 00:10:34,720 Speaker 1: he wanted to keep his kindness streak going. Ah yeah, 224 00:10:34,760 --> 00:10:35,480 Speaker 1: so read the text me. 225 00:10:35,640 --> 00:10:36,600 Speaker 6: I hope that he cared. 226 00:10:36,640 --> 00:10:38,480 Speaker 1: But has he ever texted you before when you were sick? 227 00:10:39,720 --> 00:10:40,800 Speaker 16: Let me see no? 228 00:10:41,040 --> 00:10:42,599 Speaker 10: Okay, so go ahead read the text he sent you. 229 00:10:42,840 --> 00:10:44,800 Speaker 16: He said, you just sick? 230 00:10:45,000 --> 00:10:45,800 Speaker 6: Question mark? 231 00:10:46,280 --> 00:10:46,920 Speaker 16: You okay? 232 00:10:47,320 --> 00:10:48,000 Speaker 6: Question Mark? 233 00:10:48,600 --> 00:10:52,680 Speaker 16: Which is him in my mind he's saying, like, chuck 234 00:10:52,720 --> 00:10:54,880 Speaker 16: it up, yeah, because like if I'm just sick, then 235 00:10:54,920 --> 00:10:57,080 Speaker 16: he's like, Okay, that happens to people. But you wanted 236 00:10:57,120 --> 00:10:58,880 Speaker 16: to make sure it wasn't something one. 237 00:10:58,800 --> 00:11:01,200 Speaker 5: If it's a family emergency, right, and then you were 238 00:11:01,240 --> 00:11:03,520 Speaker 5: gonna do what just saying oh, I hope it gets 239 00:11:03,559 --> 00:11:04,000 Speaker 5: worked out. 240 00:11:04,320 --> 00:11:06,880 Speaker 1: But whatever she has, whatever she needed. 241 00:11:07,040 --> 00:11:09,960 Speaker 13: Yeah, well I don't know everything, but I mean I 242 00:11:09,960 --> 00:11:11,840 Speaker 13: thought I was being nice, checking up on a coworker 243 00:11:11,840 --> 00:11:13,760 Speaker 13: and a friend, you know, like it was outside of work. 244 00:11:13,800 --> 00:11:15,559 Speaker 13: It wasn't just to work. I was like, hey, I'm 245 00:11:15,559 --> 00:11:18,080 Speaker 13: on my own time. Sounds kind of me, sounds pretty kind. 246 00:11:18,160 --> 00:11:19,680 Speaker 13: So I just put that in the kind column. 247 00:11:19,720 --> 00:11:22,640 Speaker 1: But in the kind column, guys, even if it's fake, 248 00:11:22,679 --> 00:11:23,360 Speaker 1: it's still kind. 249 00:11:23,400 --> 00:11:24,160 Speaker 2: Yep, that's right. 250 00:11:24,440 --> 00:11:27,640 Speaker 1: Okay, Next up, I have clips and listeners on of 251 00:11:27,720 --> 00:11:31,720 Speaker 1: this of Lunchbox being rude to Eddie during the game. 252 00:11:31,880 --> 00:11:34,319 Speaker 1: Now what I want to play is his voicemail from 253 00:11:34,480 --> 00:11:36,040 Speaker 1: Andy and Tennessee. Here you go. 254 00:11:36,360 --> 00:11:39,760 Speaker 17: Lunchbox has already been rude to Edie twice the deal 255 00:11:39,800 --> 00:11:43,240 Speaker 17: he had with the lottery gods quote unquote, he's already 256 00:11:43,240 --> 00:11:45,960 Speaker 17: boid and needs to start his time over. He called 257 00:11:46,000 --> 00:11:49,880 Speaker 17: him an idiot bearing the editor's versus Millennius segment, and 258 00:11:49,920 --> 00:11:53,240 Speaker 17: then called him a bad boon and another one later 259 00:11:53,320 --> 00:11:55,240 Speaker 17: the same day. So we started time. 260 00:11:55,960 --> 00:11:58,679 Speaker 1: Okay, call him. Remember he said it turned out his buffoon, 261 00:11:59,000 --> 00:12:00,000 Speaker 1: Uchbox said, because. 262 00:11:59,760 --> 00:12:01,520 Speaker 13: We were making a joke and we were doing something 263 00:12:02,080 --> 00:12:05,160 Speaker 13: something and I said, you mean more like a buffoons. 264 00:12:05,320 --> 00:12:08,959 Speaker 1: So let's listen if it's joke or if it's not. Kindness, 265 00:12:09,000 --> 00:12:12,160 Speaker 1: because if it's not kindness, the timer starts over Here 266 00:12:12,160 --> 00:12:14,120 Speaker 1: we go. This is Elder and Millennial. This is the 267 00:12:14,160 --> 00:12:17,760 Speaker 1: audio evidence clip one. Yeah, scared wants to kiss the sister. 268 00:12:17,800 --> 00:12:18,160 Speaker 1: That's okay. 269 00:12:18,840 --> 00:12:20,840 Speaker 13: You know why I wanted to season the longer, so 270 00:12:20,880 --> 00:12:22,040 Speaker 13: this idiot has to sit over here. 271 00:12:24,200 --> 00:12:28,760 Speaker 1: Congratulations, well Greg, Greg game, great game. Middlelations for both 272 00:12:28,800 --> 00:12:31,080 Speaker 1: of you. Okay, you know what he said, idio. I 273 00:12:31,080 --> 00:12:32,880 Speaker 1: felt like he was kind of kidding with that idiot. Yeah, 274 00:12:32,880 --> 00:12:35,920 Speaker 1: he laughed afterwards. I don't feel like that was mean 275 00:12:36,440 --> 00:12:39,760 Speaker 1: or rude. It wasn't kind, but he I don't think 276 00:12:39,760 --> 00:12:40,640 Speaker 1: he resets his time. 277 00:12:40,520 --> 00:12:40,800 Speaker 10: With that one. 278 00:12:40,880 --> 00:12:41,840 Speaker 6: Yeah, you can be playful. 279 00:12:41,920 --> 00:12:43,600 Speaker 1: Yeah. I was the recipient of that, and I didn't 280 00:12:43,640 --> 00:12:45,040 Speaker 1: feel like he was being unkind. 281 00:12:45,040 --> 00:12:46,960 Speaker 5: If you can't joke, then I mean, we really can't 282 00:12:47,000 --> 00:12:47,440 Speaker 5: do anything. 283 00:12:48,040 --> 00:12:49,880 Speaker 1: And then we were playing name that instrumental game and 284 00:12:49,920 --> 00:12:51,000 Speaker 1: he called Eddie a buffoon. 285 00:12:51,040 --> 00:12:51,400 Speaker 10: Here you go. 286 00:12:51,679 --> 00:12:53,240 Speaker 1: You can still get the next one, but soon's the 287 00:12:53,280 --> 00:12:55,640 Speaker 1: long one you get. I don't even know. I never 288 00:12:55,679 --> 00:12:58,160 Speaker 1: even played, but soon he is my box enter had 289 00:12:58,200 --> 00:12:59,200 Speaker 1: to learn how to play for this video. 290 00:12:59,200 --> 00:13:00,560 Speaker 5: I just know you look like a buffoon. 291 00:13:00,800 --> 00:13:02,880 Speaker 1: Oh when you bet and you lose on an instrum. 292 00:13:03,000 --> 00:13:05,360 Speaker 1: You can't get a boy soon? All right? Go ahead? 293 00:13:06,120 --> 00:13:07,040 Speaker 1: No one's borderline? 294 00:13:07,160 --> 00:13:09,120 Speaker 13: No, I said, I made you look like a buffoon 295 00:13:09,160 --> 00:13:10,120 Speaker 13: because you bet against me. 296 00:13:10,600 --> 00:13:11,079 Speaker 6: It's fine. 297 00:13:12,000 --> 00:13:15,520 Speaker 1: Everyone was all in so Eda, you go rude. I 298 00:13:15,520 --> 00:13:16,719 Speaker 1: got a little rude. That kind of hurt me a 299 00:13:16,760 --> 00:13:18,920 Speaker 1: little bit. I say, kind call, But you don't get 300 00:13:18,920 --> 00:13:20,680 Speaker 1: to be the judge the panel. 301 00:13:20,720 --> 00:13:22,360 Speaker 10: Yeah, sure he is. He's part of the judge panel. 302 00:13:22,520 --> 00:13:23,240 Speaker 6: I say playful. 303 00:13:23,280 --> 00:13:25,599 Speaker 1: I say playful too, borderline, but I'm not going to 304 00:13:25,640 --> 00:13:29,680 Speaker 1: put that into the let's start a timer over category. 305 00:13:29,800 --> 00:13:33,720 Speaker 1: Does he just need like a mad kind of effect 306 00:13:33,720 --> 00:13:35,800 Speaker 1: on his voice? Like what is it like? Because well, 307 00:13:36,040 --> 00:13:37,440 Speaker 1: I don't know, but we'll know when we see it, 308 00:13:37,440 --> 00:13:39,120 Speaker 1: because I feel like he's masking it with a little 309 00:13:39,160 --> 00:13:42,160 Speaker 1: laugh afterwards, like you're an idiot, you. 310 00:13:42,080 --> 00:13:42,559 Speaker 12: Know what I mean? 311 00:13:43,520 --> 00:13:46,840 Speaker 1: Maybe okay, but I can't reset his timer. I still 312 00:13:46,840 --> 00:13:48,920 Speaker 1: think he's been kind for one week and one day. 313 00:13:49,480 --> 00:13:51,640 Speaker 1: Now are you clapping for yourself? 314 00:13:51,720 --> 00:13:53,600 Speaker 5: Yeah? No one else is he? If you're not going 315 00:13:53,679 --> 00:13:54,760 Speaker 5: to clap for yourself, who will? 316 00:13:54,840 --> 00:13:55,040 Speaker 1: Wow? 317 00:13:55,160 --> 00:13:57,040 Speaker 5: That's right? See Amy, I looked after you should look 318 00:13:57,040 --> 00:13:57,360 Speaker 5: after me. 319 00:13:57,600 --> 00:13:59,599 Speaker 1: Just clubbed So Lunchbox one week and one day in 320 00:14:00,160 --> 00:14:03,960 Speaker 1: he's been less spiteful, less hating, a bit calmer, But 321 00:14:04,040 --> 00:14:07,080 Speaker 1: has he really been kind? That's the question. 322 00:14:07,800 --> 00:14:08,240 Speaker 5: What do you mean? 323 00:14:08,920 --> 00:14:10,800 Speaker 1: Well, because you're not being as much of a jerk, 324 00:14:10,840 --> 00:14:16,200 Speaker 1: but have you been kind? Yeah? So we have some 325 00:14:16,240 --> 00:14:18,760 Speaker 1: I have some challenges here that maybe you could pick 326 00:14:18,840 --> 00:14:21,640 Speaker 1: one of the three and it would be kindness, like 327 00:14:21,800 --> 00:14:24,200 Speaker 1: purposeful kindness instead of just keeping from being a jerk. 328 00:14:24,240 --> 00:14:27,520 Speaker 1: It's a good idea. Number One, record hit an audio 329 00:14:28,360 --> 00:14:30,520 Speaker 1: of you given compliments to people in the office that 330 00:14:30,560 --> 00:14:33,920 Speaker 1: don't know about this, but be really sincere. 331 00:14:36,160 --> 00:14:38,640 Speaker 5: Oh man, I don't really Okay, Oh. 332 00:14:38,560 --> 00:14:39,320 Speaker 10: You don't have to do that one. 333 00:14:39,360 --> 00:14:40,840 Speaker 1: So he's going to record his own audio. 334 00:14:40,880 --> 00:14:41,440 Speaker 10: He doesn't have to. 335 00:14:41,560 --> 00:14:43,280 Speaker 5: Yeah, I mean I've been doing that. 336 00:14:43,360 --> 00:14:45,200 Speaker 1: How about right thank you notes to the members of 337 00:14:45,240 --> 00:14:47,160 Speaker 1: the show and we read them on the air, But 338 00:14:47,200 --> 00:14:49,440 Speaker 1: they have to be oh yeah, I like that one. 339 00:14:49,480 --> 00:14:53,120 Speaker 1: That's a good one. They have to be Actually, you 340 00:14:53,120 --> 00:14:53,760 Speaker 1: won't we'll. 341 00:14:53,560 --> 00:14:55,160 Speaker 5: Be able to read my writing anyone. 342 00:14:55,240 --> 00:14:58,920 Speaker 13: We'll try right to say thank you for thank you 343 00:14:58,920 --> 00:14:59,720 Speaker 13: for coming to work, and. 344 00:14:59,800 --> 00:15:02,800 Speaker 1: No, like what what you're thankful for with us each individually. 345 00:15:02,800 --> 00:15:04,000 Speaker 1: You don't have to do that one. I'll give you 346 00:15:04,040 --> 00:15:04,560 Speaker 1: some more options. 347 00:15:04,600 --> 00:15:04,760 Speaker 5: Here. 348 00:15:06,200 --> 00:15:07,920 Speaker 1: Ride a gratitude list, or as I call it, a 349 00:15:07,920 --> 00:15:10,040 Speaker 1: thanksgiving list, and read it on the air for all 350 00:15:10,040 --> 00:15:12,760 Speaker 1: the things you are truly, seriously thankful for and not 351 00:15:12,880 --> 00:15:15,160 Speaker 1: joking about. That's impossible. 352 00:15:15,720 --> 00:15:16,360 Speaker 5: I can knew that. 353 00:15:16,880 --> 00:15:18,520 Speaker 1: No, you gotta be serious. That's impossible. 354 00:15:18,760 --> 00:15:19,400 Speaker 12: Yeah. 355 00:15:19,480 --> 00:15:22,800 Speaker 1: You could surprise your neighbor with freshly bake cookies or 356 00:15:22,840 --> 00:15:26,840 Speaker 1: treats and then record the interaction bonus points. If it's 357 00:15:26,840 --> 00:15:28,160 Speaker 1: a neighbor that had their car parked front of your 358 00:15:28,160 --> 00:15:28,600 Speaker 1: house forever. 359 00:15:28,720 --> 00:15:33,720 Speaker 13: Oh no, I ain't going to their house. They're the 360 00:15:33,760 --> 00:15:36,040 Speaker 13: ones that do though dealing. 361 00:15:38,160 --> 00:15:42,520 Speaker 1: Or finally, when you're pumping gas, stop someone and be like, hey, 362 00:15:42,520 --> 00:15:43,960 Speaker 1: do you care if I pay for all your gas? 363 00:15:44,800 --> 00:15:45,840 Speaker 1: Is not doing that? 364 00:15:45,840 --> 00:15:46,840 Speaker 5: That's expensive. 365 00:15:46,960 --> 00:15:52,160 Speaker 1: Yeah, So any of those kind of tickle your fancy. 366 00:15:54,400 --> 00:15:55,560 Speaker 5: I don't know, We'll think. 367 00:15:55,960 --> 00:15:56,480 Speaker 10: You think about it. 368 00:15:56,480 --> 00:15:58,000 Speaker 5: What come back, lady, Yeah, let me think about it. 369 00:15:58,000 --> 00:16:00,320 Speaker 13: I'man to circle back. Oh yeah, circle back. I'm out 370 00:16:00,320 --> 00:16:01,760 Speaker 13: to see that list, Mike, if you could pass. 371 00:16:01,600 --> 00:16:03,400 Speaker 1: It over, only six more days to go. 372 00:16:03,640 --> 00:16:06,080 Speaker 5: Bam, and then I'm in a lambo. Here we go 373 00:16:06,560 --> 00:16:07,240 Speaker 5: in a lambo. 374 00:16:08,160 --> 00:16:10,760 Speaker 16: I think like an example lunchbox of like, you know, 375 00:16:10,960 --> 00:16:13,400 Speaker 16: for people we work with. For you, I would say 376 00:16:13,400 --> 00:16:16,800 Speaker 16: something like, you know, I appreciate your quick sense of 377 00:16:16,880 --> 00:16:19,680 Speaker 16: humor and how you can always make us laugh, and 378 00:16:20,200 --> 00:16:22,480 Speaker 16: like if you're put in a situation like even blind karaoke, 379 00:16:22,600 --> 00:16:24,280 Speaker 16: you always come up with like the funniest things, like 380 00:16:24,320 --> 00:16:26,640 Speaker 16: you're really quick on your toes and you come up 381 00:16:26,680 --> 00:16:28,720 Speaker 16: with the most random things that are hilarious. 382 00:16:28,840 --> 00:16:29,840 Speaker 10: Like she's doing it to you. 383 00:16:29,920 --> 00:16:31,680 Speaker 16: Yeah, Like I'm giving you an example, Like that's what 384 00:16:31,720 --> 00:16:33,760 Speaker 16: you would say instead of like thank you for. 385 00:16:33,720 --> 00:16:36,240 Speaker 10: Trying to work cards for all the members of the show. 386 00:16:36,360 --> 00:16:39,960 Speaker 13: Yeah, maybe i'll record you guys, thank you messages. You'll 387 00:16:39,960 --> 00:16:41,480 Speaker 13: record them, Yeah, because you. 388 00:16:41,440 --> 00:16:42,920 Speaker 1: Won't be a write. Oh he can't. 389 00:16:43,200 --> 00:16:45,120 Speaker 6: I could type it, can he? 390 00:16:45,240 --> 00:16:45,320 Speaker 14: Not? 391 00:16:45,400 --> 00:16:45,680 Speaker 1: Right? 392 00:16:45,840 --> 00:16:48,560 Speaker 18: Usual Puckers, No, Eddie, I'm not you man, I'm I 393 00:16:48,760 --> 00:16:50,160 Speaker 18: just like to read, all right. 394 00:16:50,320 --> 00:16:52,440 Speaker 6: That's not kind No. 395 00:16:52,760 --> 00:16:57,680 Speaker 1: Oh no oh no, that's not kind. I mean that's 396 00:16:57,720 --> 00:17:02,080 Speaker 1: not kind. You just talked yourself out of kindness that 397 00:17:02,200 --> 00:17:04,359 Speaker 1: you took a shot at his dyslexia for no reason. 398 00:17:04,480 --> 00:17:06,679 Speaker 13: He said, he said I can't write, and I said, no, 399 00:17:06,800 --> 00:17:09,879 Speaker 13: I can't. I am not dyslexic like you. It's just 400 00:17:09,880 --> 00:17:12,160 Speaker 13: saying fast to his voice. Now, is it a fact? 401 00:17:12,119 --> 00:17:12,639 Speaker 7: That was? 402 00:17:12,960 --> 00:17:13,520 Speaker 5: Is it a fact? 403 00:17:13,640 --> 00:17:13,800 Speaker 14: Am? 404 00:17:13,800 --> 00:17:16,600 Speaker 1: I just need to hear that clip back later because 405 00:17:16,640 --> 00:17:18,560 Speaker 1: he might have just crushed it in this segment. 406 00:17:19,720 --> 00:17:21,960 Speaker 13: Am I not just stating a fact if it doesn't 407 00:17:22,000 --> 00:17:22,400 Speaker 13: mean it. 408 00:17:22,359 --> 00:17:25,960 Speaker 1: Didn't feel Sometimes factually, kindness don't always have to walk 409 00:17:26,000 --> 00:17:28,359 Speaker 1: out inside each other. I'm not you, Eddie. That's what 410 00:17:28,400 --> 00:17:28,840 Speaker 1: you said. 411 00:17:29,160 --> 00:17:31,840 Speaker 5: I'm not And that's a factual statement. I wasn't saying anything. 412 00:17:31,880 --> 00:17:32,639 Speaker 5: Here's what we're gonna do. 413 00:17:32,640 --> 00:17:34,840 Speaker 1: We gotta We're going to play a song playful. No, Well, 414 00:17:34,920 --> 00:17:36,280 Speaker 1: let's just I need to hear that back in a 415 00:17:36,320 --> 00:17:39,160 Speaker 1: little bit. You couldn't help me grab that. I think 416 00:17:39,280 --> 00:17:41,280 Speaker 1: he might have just talked himself out of his kindness 417 00:17:41,280 --> 00:17:45,200 Speaker 1: week and it may start over. Dude, you gotta be careful, 418 00:17:45,359 --> 00:17:45,800 Speaker 1: but not yet. 419 00:17:45,840 --> 00:17:47,360 Speaker 10: Obviously, we don't want you to fail. We just gave 420 00:17:47,359 --> 00:17:47,840 Speaker 10: you two passes. 421 00:17:47,960 --> 00:17:48,880 Speaker 5: You get poking me too. 422 00:17:49,119 --> 00:17:50,600 Speaker 1: Oh see, now you're blaming it. 423 00:17:51,000 --> 00:17:51,679 Speaker 5: I didn't blame. 424 00:17:51,760 --> 00:17:53,520 Speaker 13: I'm just saying he was taking shots and all I 425 00:17:53,560 --> 00:17:55,720 Speaker 13: did was respond saying I'm not taking a shot back. 426 00:17:55,880 --> 00:17:57,960 Speaker 5: No, I responded with factual statements. 427 00:17:58,000 --> 00:18:01,720 Speaker 1: Okay, I'll need to hear that it's the best bits 428 00:18:01,760 --> 00:18:03,720 Speaker 1: of the week with Morgan. 429 00:18:03,800 --> 00:18:04,440 Speaker 2: Number two. 430 00:18:05,760 --> 00:18:08,520 Speaker 4: This week was Amy's birthday, so Bobby shared his top 431 00:18:08,520 --> 00:18:11,880 Speaker 4: five Amy moments over the past several years, and they'll 432 00:18:11,920 --> 00:18:14,520 Speaker 4: make you laugh and make you smile all about Amy. 433 00:18:14,920 --> 00:18:17,840 Speaker 4: I think we also did a segment before us Amy 434 00:18:17,880 --> 00:18:19,800 Speaker 4: all the time, and that's kind of what the segment was. 435 00:18:19,840 --> 00:18:21,720 Speaker 4: But because it was her birthday, it was like over 436 00:18:21,760 --> 00:18:24,719 Speaker 4: the course of several years and when she's made a 437 00:18:24,760 --> 00:18:27,640 Speaker 4: smile and just connect and relate to her. So this 438 00:18:27,680 --> 00:18:30,600 Speaker 4: is a shining moment on the birthday girl Amy. 439 00:18:31,200 --> 00:18:31,920 Speaker 5: Number five. 440 00:18:32,000 --> 00:18:32,960 Speaker 10: Today's Amy's birthday. 441 00:18:32,960 --> 00:18:34,520 Speaker 1: We're very happy to have Amy on our show and 442 00:18:34,560 --> 00:18:36,680 Speaker 1: in our life, and it's a big, big day for her. 443 00:18:37,280 --> 00:18:40,399 Speaker 1: I have five moments that when I thought, how can 444 00:18:40,440 --> 00:18:42,760 Speaker 1: I celebrate Amy on the air, and then I just 445 00:18:42,800 --> 00:18:45,240 Speaker 1: started laughing about moments that maybe weren't a celebration or 446 00:18:45,240 --> 00:18:46,680 Speaker 1: you and those are the ones I grabbed. Okay, of 447 00:18:46,680 --> 00:18:50,159 Speaker 1: course that's what we would do here, right, it's all love. Yeah, yeah, 448 00:18:50,200 --> 00:18:52,600 Speaker 1: and again this isn't they're not bad stuff. But like 449 00:18:52,680 --> 00:18:54,840 Speaker 1: number five, the time that you sang with Ryan Hurd, 450 00:18:55,240 --> 00:18:59,639 Speaker 1: because you were like, oh boy, you were like chasing 451 00:18:59,680 --> 00:19:01,959 Speaker 1: after you that song. You thought it was in your 452 00:19:01,960 --> 00:19:04,080 Speaker 1: wielhouse of singing, because sometimes we'll sing in the shower 453 00:19:04,080 --> 00:19:05,320 Speaker 1: and be like, I'm kind of good at that song. 454 00:19:05,520 --> 00:19:07,240 Speaker 6: This was in my car. I always felt like it 455 00:19:07,359 --> 00:19:08,520 Speaker 6: was coming. 456 00:19:08,359 --> 00:19:08,959 Speaker 12: Up just right. 457 00:19:09,119 --> 00:19:11,320 Speaker 1: You have a car. And so Ryan Hurd came up 458 00:19:11,359 --> 00:19:13,800 Speaker 1: and they performed it together, and was it an Amy's wheelhouse. 459 00:19:13,840 --> 00:19:16,600 Speaker 1: Here you go my number five moment. Go ahead, listen. 460 00:19:18,160 --> 00:19:20,920 Speaker 6: Wish I could quit you, but it feels too good. 461 00:19:21,880 --> 00:19:23,040 Speaker 8: If I could turn it. 462 00:19:22,960 --> 00:19:26,600 Speaker 6: Off, you know I would, but something about you. 463 00:19:26,560 --> 00:19:30,760 Speaker 16: Makes me think we could make it after all. 464 00:19:32,680 --> 00:19:35,840 Speaker 15: Yeah, I know it's a matter of time to you 465 00:19:35,880 --> 00:19:37,359 Speaker 15: walk to you, walk. 466 00:19:37,280 --> 00:19:41,160 Speaker 1: Back out of my lively me standing her lone live, 467 00:19:41,400 --> 00:19:43,600 Speaker 1: feeling like food. 468 00:19:46,280 --> 00:19:46,920 Speaker 15: Every time. 469 00:19:47,160 --> 00:19:50,679 Speaker 9: Every time you say you're done, you come back to 470 00:19:50,720 --> 00:19:51,439 Speaker 9: you love. 471 00:19:51,640 --> 00:19:54,560 Speaker 15: You were on it from don't know why, I don't 472 00:19:54,600 --> 00:19:55,159 Speaker 15: know why. 473 00:19:55,320 --> 00:19:59,800 Speaker 6: I'll let you, but a dude, I love chasing. 474 00:20:17,359 --> 00:20:17,880 Speaker 1: That's good. 475 00:20:19,960 --> 00:20:23,560 Speaker 16: Thanks guys, you all were really super supportive at the end, 476 00:20:23,600 --> 00:20:26,080 Speaker 16: because that is really hard. 477 00:20:25,800 --> 00:20:26,440 Speaker 6: To hear back. 478 00:20:26,560 --> 00:20:27,600 Speaker 10: It wasn't terrible. 479 00:20:27,680 --> 00:20:28,520 Speaker 6: It was pretty terrible. 480 00:20:28,640 --> 00:20:30,600 Speaker 1: No, I would say it was pretty bad, but it 481 00:20:30,680 --> 00:20:32,840 Speaker 1: wasn't terrible. And I think when he was singing you 482 00:20:32,880 --> 00:20:35,919 Speaker 1: actually attached to him and saying you doubled it pretty much. 483 00:20:36,080 --> 00:20:38,080 Speaker 16: Obviously, the part in the car where I felt. 484 00:20:38,119 --> 00:20:39,360 Speaker 10: I know that part. 485 00:20:39,640 --> 00:20:41,360 Speaker 1: Yeah, oh I heard Ryan going down to her level 486 00:20:41,359 --> 00:20:42,199 Speaker 1: because he didn't know what to do. 487 00:20:42,240 --> 00:20:44,600 Speaker 10: Is that's number five? 488 00:20:44,880 --> 00:20:48,080 Speaker 1: It's fun great. Number four the time that she called 489 00:20:48,160 --> 00:20:50,600 Speaker 1: Rascal flats old like she was interviewing him with the 490 00:20:50,920 --> 00:20:53,960 Speaker 1: CMA's the fiftieth CMAS and then she asked a certain 491 00:20:54,040 --> 00:20:55,320 Speaker 1: question about how many times they had been to the 492 00:20:55,359 --> 00:20:56,080 Speaker 1: CMA's here. 493 00:20:55,960 --> 00:20:57,920 Speaker 16: You go, so it's the fiftieth CMA works. 494 00:20:57,960 --> 00:21:02,000 Speaker 6: It's like you're forty ninth, not not. I'm not no, no, no, no, 495 00:21:02,240 --> 00:21:08,160 Speaker 6: I want to tell you that no no, no, no 496 00:21:08,160 --> 00:21:08,760 Speaker 6: no no. 497 00:21:10,320 --> 00:21:12,360 Speaker 5: It cuts like a knife, it really does. 498 00:21:12,480 --> 00:21:13,840 Speaker 10: I use the fiftieth. 499 00:21:13,840 --> 00:21:20,200 Speaker 1: It's just your forty kN A second first one after. 500 00:21:20,280 --> 00:21:23,080 Speaker 16: Listen we have a moment, because after that came out 501 00:21:23,119 --> 00:21:24,520 Speaker 16: of my mouth, I realized how you were going to 502 00:21:24,600 --> 00:21:24,920 Speaker 16: take it. 503 00:21:25,400 --> 00:21:26,320 Speaker 5: Forty nine is ill. 504 00:21:26,480 --> 00:21:27,840 Speaker 1: Yeah, that's pretty funny. 505 00:21:28,520 --> 00:21:29,560 Speaker 6: I don't know what I was thinking. 506 00:21:29,800 --> 00:21:30,240 Speaker 16: Actually. 507 00:21:30,560 --> 00:21:32,920 Speaker 1: One of the most famous clips the time that she glitched, 508 00:21:33,320 --> 00:21:35,440 Speaker 1: which made me feel like I'm living in a simulation 509 00:21:35,520 --> 00:21:37,600 Speaker 1: because she just broke in front of me. She was 510 00:21:37,640 --> 00:21:40,480 Speaker 1: trying to say mcboat. It was a fun fact Friday, 511 00:21:40,800 --> 00:21:44,480 Speaker 1: and she was trying to read this. There's a mcboat 512 00:21:44,560 --> 00:21:48,800 Speaker 1: McDonald's location in Germany which has a float through instead 513 00:21:48,800 --> 00:21:51,080 Speaker 1: of a drive through. You paddle up to the dock, 514 00:21:51,160 --> 00:21:53,480 Speaker 1: place your order and it's brought to you by the staff. 515 00:21:53,960 --> 00:21:55,119 Speaker 10: So she was trying to say. 516 00:21:55,000 --> 00:21:57,760 Speaker 1: There's a mcboat McDonald's location in Germany. 517 00:21:57,800 --> 00:21:58,840 Speaker 10: Here you go, so you. 518 00:21:58,800 --> 00:22:00,919 Speaker 16: Can paddle up on a dog, place your order and 519 00:22:00,920 --> 00:22:02,760 Speaker 16: then it's brought out to you by the staff. 520 00:22:02,800 --> 00:22:07,600 Speaker 6: And it's called nick note mcmont. I don't know. 521 00:22:07,840 --> 00:22:12,200 Speaker 1: I don't either. Again, just just a clip nick note mcmont. 522 00:22:13,440 --> 00:22:15,160 Speaker 6: Note mcmont's something broken her brain. 523 00:22:16,680 --> 00:22:18,680 Speaker 1: It sounds like we took the clip and like flipped it, 524 00:22:18,720 --> 00:22:20,919 Speaker 1: like like put your thing down, flip it in reverse. 525 00:22:20,960 --> 00:22:23,920 Speaker 6: It dang DUNGI note mcmont. 526 00:22:24,320 --> 00:22:28,160 Speaker 1: That's my favorite. That's my favorite. A clip number two 527 00:22:28,640 --> 00:22:31,760 Speaker 1: very recent, the time that Amy recorded a thirty minute 528 00:22:31,800 --> 00:22:37,200 Speaker 1: podcast with the guest mic down. It's when she had 529 00:22:37,240 --> 00:22:38,880 Speaker 1: a guest. It's very soon, I know, but I can't 530 00:22:38,880 --> 00:22:42,000 Speaker 1: stop thinking about it. Where she had a guest and 531 00:22:42,080 --> 00:22:43,919 Speaker 1: for thirty minutes she didn't have the guest mic on 532 00:22:44,359 --> 00:22:48,640 Speaker 1: guest mike was basically just a paperweight, and you could 533 00:22:48,680 --> 00:22:50,679 Speaker 1: only hear the guests through Amy's mike, which is all 534 00:22:50,680 --> 00:22:51,360 Speaker 1: the way across. 535 00:22:52,040 --> 00:22:52,600 Speaker 10: And so. 536 00:22:54,359 --> 00:22:57,560 Speaker 1: Even on top of that, at the top of the podcast, 537 00:22:57,640 --> 00:22:59,520 Speaker 1: she started it by saying, yeah, we're good with the levels. 538 00:23:00,240 --> 00:23:01,879 Speaker 10: Fun fact, she was not good with the levels. 539 00:23:02,280 --> 00:23:06,000 Speaker 16: Here you go, I don't I don't even use them. 540 00:23:06,040 --> 00:23:10,280 Speaker 6: We're good, We're good. It's all the levels are set. 541 00:23:10,560 --> 00:23:12,800 Speaker 6: We use these all the time. And so this is 542 00:23:12,840 --> 00:23:13,720 Speaker 6: one from the other day. 543 00:23:13,880 --> 00:23:15,920 Speaker 16: I don't even believe myself when I say I'll be 544 00:23:15,960 --> 00:23:16,879 Speaker 16: ready in five minutes. 545 00:23:17,440 --> 00:23:23,080 Speaker 1: I'm way to everything unless audio, and then that's probably 546 00:23:23,119 --> 00:23:23,960 Speaker 1: bad to admit. 547 00:23:24,119 --> 00:23:25,680 Speaker 16: But I do not want a time. 548 00:23:25,960 --> 00:23:28,560 Speaker 6: Were you ever sent home? I was never sent on, 549 00:23:28,720 --> 00:23:30,320 Speaker 6: but I got to see it again. 550 00:23:30,680 --> 00:23:33,359 Speaker 1: We had to take that Internet max because there was 551 00:23:33,400 --> 00:23:37,040 Speaker 1: no That's so funny. That was like two weeks ago, 552 00:23:38,480 --> 00:23:40,800 Speaker 1: and it's Amy's birthday, so to celebrate. 553 00:23:41,119 --> 00:23:46,480 Speaker 16: We're playing Top five most Embarrassing times memorable. 554 00:23:46,600 --> 00:23:48,600 Speaker 1: The Ryan Hurt thing was so fun to hear back. 555 00:23:48,640 --> 00:23:49,960 Speaker 1: It wasn't about it being embarrassing. 556 00:23:50,000 --> 00:23:52,760 Speaker 16: That is a fun memory, like that's a cool thing 557 00:23:52,800 --> 00:23:59,679 Speaker 16: we get to do. It just is painful to hear right, mcmont. 558 00:24:00,359 --> 00:24:02,680 Speaker 1: Number one, any idea what I picked is the number 559 00:24:02,680 --> 00:24:05,440 Speaker 1: one Amy moment. I have a guess you probably will 560 00:24:05,440 --> 00:24:07,000 Speaker 1: get it, because as soon as I said, you'll get like, oh, yeah, 561 00:24:07,000 --> 00:24:09,600 Speaker 1: of course, go ahead. I'm guessing it's when she almost 562 00:24:09,600 --> 00:24:16,040 Speaker 1: died of thee So I'm not sure why you had 563 00:24:16,080 --> 00:24:16,680 Speaker 1: to take the shot. 564 00:24:16,840 --> 00:24:19,359 Speaker 16: Oh, I think my name landed on the wheel. It 565 00:24:19,440 --> 00:24:21,880 Speaker 16: was a spit, the wheel of death basically. 566 00:24:21,960 --> 00:24:24,720 Speaker 1: And Amy took the hottest shot, and she just like 567 00:24:24,760 --> 00:24:25,840 Speaker 1: a champ like she does. 568 00:24:25,920 --> 00:24:26,600 Speaker 10: She just took it. 569 00:24:27,960 --> 00:24:30,520 Speaker 1: And then I thought for a second we were all 570 00:24:30,560 --> 00:24:35,040 Speaker 1: losing our jobs. Yeah, because it looked like she was dying. 571 00:24:35,440 --> 00:24:38,240 Speaker 1: She's like screaming at us. 572 00:24:38,080 --> 00:24:40,399 Speaker 13: First first she was there freaking out, and we all 573 00:24:40,440 --> 00:24:42,920 Speaker 13: just looked at her, and Bobby goes, someone help her. 574 00:24:43,359 --> 00:24:46,879 Speaker 1: Yeah, would help her. She'll get her. Okay, here's let 575 00:24:46,920 --> 00:24:48,320 Speaker 1: me play the clip and we'll address it afterard. Here's 576 00:24:48,320 --> 00:24:50,520 Speaker 1: the time Amy took the world's hottest shot. She took 577 00:24:50,520 --> 00:24:59,800 Speaker 1: the shot. She's gonna puke. Oh, oh, she's give her 578 00:24:59,800 --> 00:25:05,119 Speaker 1: some water or something. Lunchbox helper, lunchbox helper, give her 579 00:25:05,160 --> 00:25:10,840 Speaker 1: some water, Give her some water. To give her some water. 580 00:25:13,080 --> 00:25:17,399 Speaker 1: We gotta have water ready for this water milk shaking. 581 00:25:17,800 --> 00:25:21,040 Speaker 1: She was shaking, she was going through like convulsions. We 582 00:25:21,040 --> 00:25:23,840 Speaker 1: were scaredy, we were scared of death. Now there's definitely 583 00:25:23,840 --> 00:25:24,639 Speaker 1: a fear in our voices. 584 00:25:24,680 --> 00:25:26,840 Speaker 5: And not like Eddie says Lunchbox helper. 585 00:25:26,680 --> 00:25:31,359 Speaker 1: Like running cameras. Eddie was not letting go of this camera. 586 00:25:31,640 --> 00:25:33,760 Speaker 13: Eddie went in the news guy can't help the victim, 587 00:25:33,800 --> 00:25:35,000 Speaker 13: gotta gotta film. 588 00:25:35,960 --> 00:25:37,199 Speaker 1: But but he did have something to do, and you 589 00:25:37,200 --> 00:25:39,520 Speaker 1: weren't doing anything except standing staring at him. 590 00:25:39,520 --> 00:25:40,280 Speaker 5: I was watching her man. 591 00:25:40,320 --> 00:25:43,359 Speaker 1: But even Lunchbox's voices like I don't have anything, I 592 00:25:43,400 --> 00:25:44,400 Speaker 1: don't know what to do. 593 00:25:44,680 --> 00:25:47,200 Speaker 16: I think what we learned from that is we need 594 00:25:47,240 --> 00:25:50,879 Speaker 16: to anticipate. You know what happens when you eat the 595 00:25:50,880 --> 00:25:55,159 Speaker 16: world's hottest one milk. We had nothing to soothe me 596 00:25:55,320 --> 00:25:57,320 Speaker 16: at all whatsoever. And so then when I went and 597 00:25:57,359 --> 00:26:01,600 Speaker 16: I was spitting up, the hotch was then on my face, 598 00:26:01,920 --> 00:26:05,000 Speaker 16: burning and it felt like a chemical peel, like all 599 00:26:05,040 --> 00:26:06,400 Speaker 16: around my mouth where. 600 00:26:06,359 --> 00:26:08,000 Speaker 1: You pay for those you don't want that for free, 601 00:26:08,240 --> 00:26:11,840 Speaker 1: right and listen to the intensity of her screen. 602 00:26:11,920 --> 00:26:13,920 Speaker 16: Yeah, that's when it got real, Like I thought, I 603 00:26:14,119 --> 00:26:16,480 Speaker 16: thought myself, like I I'm going to the hospital. 604 00:26:16,760 --> 00:26:18,040 Speaker 6: This is really bad. 605 00:26:18,680 --> 00:26:21,080 Speaker 1: We thought it was really bad too. She took the shot. 606 00:26:21,280 --> 00:26:30,000 Speaker 1: Oh she's gonna puke. Oh, oh, she's puking. Give her 607 00:26:30,040 --> 00:26:35,360 Speaker 1: some water or something. Lunchbox helper, lunchbox helper, Give her 608 00:26:35,400 --> 00:26:41,040 Speaker 1: some water, Give her some water. To give her some water. 609 00:26:41,600 --> 00:26:44,720 Speaker 5: Come on, we gonna have water ready for this. 610 00:26:45,440 --> 00:26:49,800 Speaker 1: Here's my kN water milk shaking. She is shaking that 611 00:26:49,920 --> 00:26:51,800 Speaker 1: where she goes. No, it's scary. 612 00:26:52,040 --> 00:26:53,160 Speaker 10: It was scary. 613 00:26:53,160 --> 00:26:57,960 Speaker 13: Birthday shots shot shot. 614 00:26:58,240 --> 00:27:00,000 Speaker 1: I mean you made it past that though. That's something 615 00:27:00,160 --> 00:27:00,680 Speaker 1: to celebrate. 616 00:27:00,720 --> 00:27:02,639 Speaker 16: Ye ivived a lot over the years. 617 00:27:03,520 --> 00:27:04,760 Speaker 1: What are you doing for your birthday? 618 00:27:05,040 --> 00:27:07,520 Speaker 6: Well, my daughter has a softball game tonight. 619 00:27:07,280 --> 00:27:08,840 Speaker 1: So what are you doing for your birthday? 620 00:27:08,840 --> 00:27:11,080 Speaker 16: Well, I'm going to her softball game, which were fun, 621 00:27:11,119 --> 00:27:12,560 Speaker 16: and then my son will be there, and then the 622 00:27:12,640 --> 00:27:15,720 Speaker 16: kids will go to eat. And then I think, yeah, 623 00:27:15,760 --> 00:27:17,439 Speaker 16: some friends that are coming to the game, may we 624 00:27:17,560 --> 00:27:19,400 Speaker 16: just may all go eat. My best friend from high 625 00:27:19,440 --> 00:27:21,919 Speaker 16: school is coming in town this weekend, Andrea, which is 626 00:27:22,280 --> 00:27:25,680 Speaker 16: how Bobby and I met nineteen years ago, which is crazy. 627 00:27:25,920 --> 00:27:29,000 Speaker 16: And uh, we'll probably just do a little something over 628 00:27:29,000 --> 00:27:29,320 Speaker 16: the weekend. 629 00:27:29,320 --> 00:27:29,600 Speaker 6: I don't know. 630 00:27:29,680 --> 00:27:33,400 Speaker 16: She's been like, she hates I wanted to get a massage, 631 00:27:33,400 --> 00:27:35,080 Speaker 16: and I remember she hates massages. 632 00:27:35,359 --> 00:27:36,720 Speaker 6: She doesn't like to get touched, but. 633 00:27:36,920 --> 00:27:39,919 Speaker 1: She oh your friends from you as a birthday, She's like, 634 00:27:40,320 --> 00:27:43,440 Speaker 1: you know she hates massages. She's for a birthday. 635 00:27:43,600 --> 00:27:44,880 Speaker 6: Yeah no, but I kind of thought. 636 00:27:44,920 --> 00:27:46,679 Speaker 16: I thought that's we'd maybe have a spa day with 637 00:27:46,720 --> 00:27:48,840 Speaker 16: some other girlfriends. And I was like, oh, shoot, you know, 638 00:27:48,880 --> 00:27:51,280 Speaker 16: I'm hosting my best friend. And she literally could does 639 00:27:51,320 --> 00:27:52,360 Speaker 16: not like to be touched in that. 640 00:27:52,640 --> 00:27:53,240 Speaker 1: It about you. 641 00:27:53,600 --> 00:27:55,399 Speaker 6: Yeah, she'll do of course she would do it. 642 00:27:55,440 --> 00:27:57,240 Speaker 16: But I want to be considered if someone's coming into 643 00:27:57,320 --> 00:27:59,920 Speaker 16: town to hang out with me, so I don't. I don't. 644 00:28:00,200 --> 00:28:00,720 Speaker 6: We'll pivot. 645 00:28:01,080 --> 00:28:03,960 Speaker 1: Well, we do have you a gift. My wife's a 646 00:28:03,960 --> 00:28:05,000 Speaker 1: part of it. So I'm not going to give it 647 00:28:05,000 --> 00:28:06,360 Speaker 1: to you on the air because my wife's a part 648 00:28:06,359 --> 00:28:08,199 Speaker 1: of it. And it's like a serious human gift as 649 00:28:08,200 --> 00:28:10,720 Speaker 1: opposed to what Eddie's birthday is this later this. 650 00:28:10,680 --> 00:28:13,520 Speaker 10: Week, which is a it's a bit but you love 651 00:28:13,560 --> 00:28:16,040 Speaker 10: to gamble. Amy wouldn't allow me to gamble her gift. 652 00:28:17,320 --> 00:28:18,679 Speaker 1: I would, though I would allow it. 653 00:28:18,720 --> 00:28:20,399 Speaker 6: I don't think Caitlin would. 654 00:28:20,920 --> 00:28:21,760 Speaker 1: You don't want to gamble. 655 00:28:22,000 --> 00:28:23,159 Speaker 10: Okay, you just don't want to gamble? 656 00:28:24,119 --> 00:28:24,880 Speaker 6: Is it that good? 657 00:28:25,119 --> 00:28:26,480 Speaker 1: No, I'm just saying you don't want to gamble it 658 00:28:26,480 --> 00:28:28,080 Speaker 1: because my wife will kill me and then I won't 659 00:28:28,080 --> 00:28:31,280 Speaker 1: be good mood when i'm here. Perfect. Yeah. Happy birthday, 660 00:28:31,400 --> 00:28:34,720 Speaker 1: good times, Yeah, happy birthday. She's twenty nine, man, Wow, 661 00:28:34,920 --> 00:28:35,480 Speaker 1: you look great. 662 00:28:35,480 --> 00:28:35,800 Speaker 7: Amy. 663 00:28:35,920 --> 00:28:37,879 Speaker 6: Hey, I'm forty three and that is okay. 664 00:28:38,000 --> 00:28:39,440 Speaker 10: And she's been to forty two cmas. 665 00:28:41,120 --> 00:28:46,360 Speaker 2: All right, it's the best bits of the week with Morgan. 666 00:28:46,440 --> 00:28:47,160 Speaker 2: Number two. 667 00:28:49,760 --> 00:28:51,560 Speaker 4: We had Hardy on the show this week and he 668 00:28:51,640 --> 00:28:54,520 Speaker 4: talked all about his new rock music and the new 669 00:28:54,600 --> 00:28:57,920 Speaker 4: rock album he's putting out and what inspired the album cover, 670 00:28:58,000 --> 00:29:00,680 Speaker 4: which is a really crazy story. Not only that, he 671 00:29:00,720 --> 00:29:03,880 Speaker 4: gave us his review of Scuba Steve doing a scream 672 00:29:03,880 --> 00:29:06,320 Speaker 4: oh version of his song truck Bed. So just a 673 00:29:06,360 --> 00:29:08,800 Speaker 4: lot happened with Hardy and he's on all around just 674 00:29:08,800 --> 00:29:10,920 Speaker 4: a really awesome guy. Plus he did talk about some 675 00:29:11,080 --> 00:29:13,000 Speaker 4: hangtime he's had with Poets. 676 00:29:12,840 --> 00:29:16,840 Speaker 2: Malone number four on the Bobby Bones Show. 677 00:29:16,920 --> 00:29:19,440 Speaker 1: Now, Hardy, good to see a buddy, you too, how's 678 00:29:19,480 --> 00:29:22,080 Speaker 1: life good? Do you just get random calls going, hey 679 00:29:22,080 --> 00:29:23,320 Speaker 1: you know the song you just wrote? We just cut 680 00:29:23,360 --> 00:29:24,760 Speaker 1: it and it's number one out of nowhere. That's what 681 00:29:24,800 --> 00:29:28,040 Speaker 1: it feels like it's happening for you sometimes. Yeah, remember 682 00:29:28,040 --> 00:29:29,200 Speaker 1: this song you wrote a year and a half ago, 683 00:29:29,240 --> 00:29:30,800 Speaker 1: Well this person cut it, it's gonna be on the record. 684 00:29:30,800 --> 00:29:31,760 Speaker 10: Does that happen randomly? 685 00:29:31,920 --> 00:29:32,160 Speaker 1: Yeah? 686 00:29:32,400 --> 00:29:36,840 Speaker 19: Yesterday my Tanner, who's my content guy, uh shot a 687 00:29:36,920 --> 00:29:38,800 Speaker 19: music video and he and I was like, how's it going? 688 00:29:38,840 --> 00:29:42,520 Speaker 18: And he sent me the a clip of like their. 689 00:29:42,480 --> 00:29:44,360 Speaker 19: Shooting music video and I was like, oh, I wrote 690 00:29:44,440 --> 00:29:46,000 Speaker 19: I wrote that song and I didn't. I didn't even 691 00:29:46,000 --> 00:29:48,040 Speaker 19: know like that they were shooting a video or that 692 00:29:48,040 --> 00:29:49,040 Speaker 19: the guy's starting. 693 00:29:49,320 --> 00:29:52,000 Speaker 1: So, I mean, it feels like, you know, you moved 694 00:29:52,040 --> 00:29:55,600 Speaker 1: to town and you're obviously an artist at the time. 695 00:29:55,600 --> 00:29:57,200 Speaker 10: That is so different. 696 00:29:57,240 --> 00:29:59,400 Speaker 1: But it's what's happened so many times, just in my 697 00:29:59,520 --> 00:30:01,400 Speaker 1: version of now, is that the people that are so 698 00:30:01,440 --> 00:30:05,760 Speaker 1: different end up making creating the path for everybody else later. 699 00:30:05,640 --> 00:30:06,880 Speaker 10: To come in and do what they're doing. 700 00:30:07,080 --> 00:30:10,160 Speaker 1: Meaning you have a style that isn't really one element 701 00:30:10,600 --> 00:30:13,320 Speaker 1: and we all actually live those lives. But until there's 702 00:30:13,360 --> 00:30:14,680 Speaker 1: a group of you guys that came that said, hey, 703 00:30:14,680 --> 00:30:17,560 Speaker 1: we're actually a little multifaceted. Now, it's pretty common, but 704 00:30:17,560 --> 00:30:20,120 Speaker 1: I would credit you do a lot of that when 705 00:30:20,160 --> 00:30:22,760 Speaker 1: you write. Do you go down a certain road to go, 706 00:30:22,800 --> 00:30:24,720 Speaker 1: we're gonna do rock, we're gonna do country, or do 707 00:30:24,760 --> 00:30:26,160 Speaker 1: you just take whatever you write and then go this 708 00:30:26,200 --> 00:30:26,480 Speaker 1: is that. 709 00:30:26,760 --> 00:30:30,640 Speaker 19: Now it's it's a little more thought out, I think 710 00:30:30,640 --> 00:30:33,240 Speaker 19: in the writing room, especially like if it's for me, 711 00:30:33,800 --> 00:30:35,640 Speaker 19: like if we're writing a song for me that day, 712 00:30:35,840 --> 00:30:38,840 Speaker 19: like I'll I'll come in and be like and it's 713 00:30:38,880 --> 00:30:41,040 Speaker 19: just different like the track guys and stuff these days, 714 00:30:41,040 --> 00:30:42,680 Speaker 19: like some guys will have rock tracks like Pulled Up 715 00:30:42,720 --> 00:30:46,720 Speaker 19: or whatever, but usually if it's a rock thing, it's like, Okay, 716 00:30:46,720 --> 00:30:48,680 Speaker 19: we're writing a rock song today, and this is the idea. 717 00:30:49,560 --> 00:30:50,760 Speaker 1: Was it always like that though, when you have to 718 00:30:50,760 --> 00:30:51,400 Speaker 1: say no. 719 00:30:51,200 --> 00:30:53,280 Speaker 18: No, definitely not. I mean, dude, no. 720 00:30:53,360 --> 00:30:55,720 Speaker 19: For eight years, eight or nine, ten years, I was 721 00:30:55,800 --> 00:30:59,480 Speaker 19: just trying to just do something cool and like write 722 00:30:59,720 --> 00:31:02,680 Speaker 19: literally whatever though no, I mean just whatever the coolest 723 00:31:02,720 --> 00:31:06,360 Speaker 19: idea or vibe or whatever is in the room that day. 724 00:31:06,400 --> 00:31:07,280 Speaker 18: It's just what we wrote. 725 00:31:07,280 --> 00:31:09,520 Speaker 19: And I typically still do that unless I have like 726 00:31:09,560 --> 00:31:12,400 Speaker 19: an adamant about an idea. And these days, if it's 727 00:31:12,520 --> 00:31:13,720 Speaker 19: like for something that I would. 728 00:31:13,600 --> 00:31:16,440 Speaker 1: Cut, but what would in the first Let's say that 729 00:31:16,600 --> 00:31:19,840 Speaker 1: you're three through six, when you're a songwriter and you're 730 00:31:19,880 --> 00:31:21,960 Speaker 1: just kind of getting your feet under you. What kind 731 00:31:22,000 --> 00:31:23,840 Speaker 1: of texture was assigned to you as a writer was 732 00:31:23,880 --> 00:31:25,880 Speaker 1: like you could write with Hardy is before you had 733 00:31:26,160 --> 00:31:28,600 Speaker 1: any like massive, massive success. But are they like Hardy 734 00:31:28,720 --> 00:31:30,040 Speaker 1: kind of leans on the rock. If you want to 735 00:31:30,040 --> 00:31:31,560 Speaker 1: write with Hardy, he kind of writes a certain way. 736 00:31:32,200 --> 00:31:33,120 Speaker 18: I don't know if that. 737 00:31:33,000 --> 00:31:40,280 Speaker 19: Came until until like my first record came out almost you. 738 00:31:40,240 --> 00:31:42,120 Speaker 1: Know, and they started to know who you were as 739 00:31:42,440 --> 00:31:43,280 Speaker 1: you presented yourself. 740 00:31:43,320 --> 00:31:45,000 Speaker 19: When I started to kind of know who I was 741 00:31:46,360 --> 00:31:47,880 Speaker 19: before that, I mean, I guess I'd have to go 742 00:31:47,960 --> 00:31:50,400 Speaker 19: listen to like old demos and stuff. But me and 743 00:31:50,840 --> 00:31:52,320 Speaker 19: a lot of my buddies that I like cut my 744 00:31:52,360 --> 00:31:54,200 Speaker 19: teeth on like coming up and writing songs, we all 745 00:31:54,200 --> 00:31:55,600 Speaker 19: loved rock and roll. So I'm sure a lot of 746 00:31:55,640 --> 00:31:57,920 Speaker 19: that stuff had like a an edge to it. But 747 00:31:58,040 --> 00:32:00,080 Speaker 19: I really don't think I leaned into it until like 748 00:32:00,120 --> 00:32:02,520 Speaker 19: I put an EP out my first thing was in 749 00:32:02,600 --> 00:32:06,800 Speaker 19: twenty eighteen, and that had that was like it's. 750 00:32:06,680 --> 00:32:07,680 Speaker 18: Like Rednecker was on that. 751 00:32:07,720 --> 00:32:09,320 Speaker 19: But there's a song called four by four which is 752 00:32:09,360 --> 00:32:12,240 Speaker 19: like like a heavier song. And that's when I really 753 00:32:13,200 --> 00:32:15,840 Speaker 19: like just started embracing that part of myself. I think 754 00:32:16,200 --> 00:32:18,600 Speaker 19: was like when I signed a record deal and started 755 00:32:18,600 --> 00:32:19,520 Speaker 19: putting it out on my own. 756 00:32:19,760 --> 00:32:22,000 Speaker 1: Based on where you come from, being from Mississippi and 757 00:32:22,120 --> 00:32:23,960 Speaker 1: uper markets, all the classic rock was a massive part 758 00:32:24,000 --> 00:32:27,120 Speaker 1: of my growing up totally. Like that also was a 759 00:32:27,160 --> 00:32:29,400 Speaker 1: big part of that. Classic rock was country today even 760 00:32:30,200 --> 00:32:31,400 Speaker 1: you know when you look at like the Eagles and 761 00:32:31,440 --> 00:32:31,800 Speaker 1: they kind. 762 00:32:31,720 --> 00:32:33,520 Speaker 18: Of worked Steve Miller band, stuff like that, a. 763 00:32:33,480 --> 00:32:36,280 Speaker 1: Lot of that. Yeah, But how did that influence who 764 00:32:36,280 --> 00:32:38,360 Speaker 1: you were musically Being from a place where I'm sure 765 00:32:38,360 --> 00:32:39,440 Speaker 1: classic rock was massive. 766 00:32:39,600 --> 00:32:40,560 Speaker 5: Yeah, it was huge. 767 00:32:40,600 --> 00:32:43,560 Speaker 19: I mean one of six point seven it was in 768 00:32:43,640 --> 00:32:47,360 Speaker 19: Jackson still is uh we that was the only classic 769 00:32:47,480 --> 00:32:50,280 Speaker 19: rock station we could pick up. And my I mean 770 00:32:50,520 --> 00:32:54,200 Speaker 19: my dad from the time I was like I don't 771 00:32:54,200 --> 00:32:56,480 Speaker 19: even know three years old, was just like beating that 772 00:32:56,560 --> 00:32:57,400 Speaker 19: into my brain. 773 00:32:57,240 --> 00:32:59,200 Speaker 1: Like skinners all that stuff. 774 00:32:59,280 --> 00:33:03,080 Speaker 18: Yeah. I remember my like, I mean it was like 775 00:33:03,280 --> 00:33:03,960 Speaker 18: out of a movie. 776 00:33:04,000 --> 00:33:06,200 Speaker 19: He had a cassette and I was I don't I 777 00:33:06,200 --> 00:33:08,040 Speaker 19: had I was so young, but I remember this and 778 00:33:08,080 --> 00:33:09,040 Speaker 19: he was like, check this out. 779 00:33:09,080 --> 00:33:10,480 Speaker 18: This is a band called Pearl Jam. 780 00:33:10,520 --> 00:33:14,000 Speaker 19: You put the cassette in the in the Thing in 781 00:33:14,080 --> 00:33:16,080 Speaker 19: the truck and Alive was like the first song. And 782 00:33:16,520 --> 00:33:18,440 Speaker 19: back then that wasn't a classic rock song, but just 783 00:33:18,520 --> 00:33:20,520 Speaker 19: rock and roll in general. I mean, I had no 784 00:33:20,640 --> 00:33:22,600 Speaker 19: choice but to love rock and roll because my dad 785 00:33:22,640 --> 00:33:24,320 Speaker 19: instilled it in me when I was really young. 786 00:33:25,200 --> 00:33:29,800 Speaker 1: The generation that had country music but also had digital media, 787 00:33:30,280 --> 00:33:33,360 Speaker 1: which is you know, I was in the napster world. Yeah, 788 00:33:33,400 --> 00:33:36,680 Speaker 1: and so you would see everybody be influenced by things 789 00:33:36,720 --> 00:33:39,640 Speaker 1: that really that area of the country maybe weren't influenced 790 00:33:39,640 --> 00:33:42,440 Speaker 1: by prior. So a lot of the older school country 791 00:33:42,440 --> 00:33:44,880 Speaker 1: folks like that's not country. It's because really what they 792 00:33:44,920 --> 00:33:49,560 Speaker 1: were offered geographically, yeah, by radio, by what they were selling. 793 00:33:49,680 --> 00:33:53,360 Speaker 1: But it all changed once digital media was allowed to 794 00:33:53,400 --> 00:33:55,560 Speaker 1: be consumed. So you'd have somebody like me the grip 795 00:33:55,520 --> 00:33:56,880 Speaker 1: up country music, but it was like, okay, now it's 796 00:33:56,880 --> 00:33:59,320 Speaker 1: time for limbiscuit. Now it's time for you know, the 797 00:33:59,320 --> 00:34:02,280 Speaker 1: old snoops. So it didn't make you less country, it 798 00:34:02,280 --> 00:34:04,160 Speaker 1: just made you have you got a computer. Yeah, and 799 00:34:04,640 --> 00:34:07,040 Speaker 1: that was the difference. And now you're seeing that generation 800 00:34:07,120 --> 00:34:09,120 Speaker 1: of like now run the format, but you still have 801 00:34:09,160 --> 00:34:11,120 Speaker 1: the old heads going, yeah, that's true. 802 00:34:11,160 --> 00:34:11,720 Speaker 18: That's wild. 803 00:34:12,120 --> 00:34:13,960 Speaker 19: I mean, I remember I've told people this, but like 804 00:34:14,760 --> 00:34:17,120 Speaker 19: I was born in nineteen ninety, but I feel like 805 00:34:18,040 --> 00:34:20,200 Speaker 19: right around like people born around them were the last 806 00:34:20,239 --> 00:34:23,359 Speaker 19: generation to know what it felt like to not have 807 00:34:23,440 --> 00:34:25,879 Speaker 19: access to a song until the next time they heard 808 00:34:25,920 --> 00:34:28,440 Speaker 19: it on the radio, which was like the coolest feeling 809 00:34:28,440 --> 00:34:30,120 Speaker 19: in the world. It was like it was like drugs 810 00:34:30,200 --> 00:34:32,120 Speaker 19: or something, and you just like you waited for it 811 00:34:32,160 --> 00:34:33,480 Speaker 19: and waited for it, and then you finally got to 812 00:34:33,480 --> 00:34:36,040 Speaker 19: hear it unless you you know, your parents or you 813 00:34:36,200 --> 00:34:38,360 Speaker 19: or whoever bought it, you know, on a CD or 814 00:34:38,400 --> 00:34:41,520 Speaker 19: a cassette or whatever. But man, you're right about that, 815 00:34:41,560 --> 00:34:43,640 Speaker 19: and it's it's crazy to think that people will never 816 00:34:43,719 --> 00:34:48,120 Speaker 19: know what it's like to only be cornered into hearing 817 00:34:48,120 --> 00:34:51,120 Speaker 19: a certain you know, genre or just a certain group 818 00:34:51,160 --> 00:34:54,160 Speaker 19: of music. It's wild how how much the Internet that 819 00:34:54,239 --> 00:34:56,200 Speaker 19: it just blew those doors open forever. 820 00:34:56,280 --> 00:34:58,239 Speaker 1: And I think, you know, whatever the divide is of 821 00:34:58,520 --> 00:35:01,200 Speaker 1: and God, I hate it because it's just been proven wrong. 822 00:35:01,239 --> 00:35:04,160 Speaker 1: Every generation, every cycle of what's country and what isn't, 823 00:35:04,400 --> 00:35:07,360 Speaker 1: there's always been some sort of medium that has allowed 824 00:35:07,360 --> 00:35:10,160 Speaker 1: that to change. If it's vinyl or CDs, we get 825 00:35:10,160 --> 00:35:12,680 Speaker 1: more songs on it now or but digital media was 826 00:35:12,719 --> 00:35:16,840 Speaker 1: when people started to have influences, and if people in 827 00:35:16,880 --> 00:35:19,120 Speaker 1: the forties had digital media, they'd be influenced as well. 828 00:35:19,120 --> 00:35:21,480 Speaker 1: They just didn't happen to have it then. And that's 829 00:35:21,480 --> 00:35:23,839 Speaker 1: the version that we had of country music at that point. 830 00:35:23,840 --> 00:35:25,279 Speaker 1: I spent a lot, way too much time thinking about it. 831 00:35:25,280 --> 00:35:27,040 Speaker 18: No, du well, so do I. I mean I always thought like, 832 00:35:27,080 --> 00:35:28,560 Speaker 18: who who made the rule? 833 00:35:28,760 --> 00:35:32,080 Speaker 19: Like where where's the rule book on what is anything 834 00:35:32,120 --> 00:35:33,759 Speaker 19: when it comes to like a genre, and of course 835 00:35:33,760 --> 00:35:36,439 Speaker 19: there are certain things, but country it's like. 836 00:35:38,000 --> 00:35:45,120 Speaker 18: It's country like it's just there's no like true definition 837 00:35:45,239 --> 00:35:47,200 Speaker 18: of country music. To me, I don't know. And I 838 00:35:47,320 --> 00:35:49,440 Speaker 18: used to be I used to be the opposite of that. 839 00:35:49,480 --> 00:35:51,719 Speaker 19: I used to be like a the guy that was 840 00:35:51,719 --> 00:35:53,040 Speaker 19: like it has to be like this, or it has 841 00:35:53,080 --> 00:35:54,600 Speaker 19: to sound like this, or it's not country. 842 00:35:54,640 --> 00:35:56,040 Speaker 18: But I don't know. 843 00:35:56,080 --> 00:35:58,680 Speaker 19: I just the older I get and the more I 844 00:35:58,760 --> 00:36:02,520 Speaker 19: write music, I I'm very adamant that music just doesn't 845 00:36:02,520 --> 00:36:05,680 Speaker 19: have rules, and there's they shouldn't be enforced or even talk. 846 00:36:05,760 --> 00:36:07,560 Speaker 19: I mean, you can talk about it, I guess, but 847 00:36:08,640 --> 00:36:10,360 Speaker 19: just I don't know. Do what you do and you 848 00:36:10,360 --> 00:36:11,840 Speaker 19: don't have to call it anything if you don't want to. 849 00:36:11,960 --> 00:36:14,040 Speaker 19: It's art, right, Yeah, in the end, that's all it is. 850 00:36:14,200 --> 00:36:15,960 Speaker 19: If country music and you could put any you can 851 00:36:16,000 --> 00:36:17,719 Speaker 19: put any kind of music on. But if country music 852 00:36:17,760 --> 00:36:19,080 Speaker 19: stays stagnant, it would die. 853 00:36:19,520 --> 00:36:20,760 Speaker 1: Yeah, with any. 854 00:36:20,840 --> 00:36:22,160 Speaker 10: Style of art. 855 00:36:22,239 --> 00:36:25,680 Speaker 1: If it just stays exactly the same, Yeah, nobody's going 856 00:36:25,680 --> 00:36:27,480 Speaker 1: to want to consume it unless it's in a novelty 857 00:36:27,520 --> 00:36:30,160 Speaker 1: way of like we're going to listen to the old school. Yeah, 858 00:36:30,239 --> 00:36:34,200 Speaker 1: so you almost you need people pushing, and you also 859 00:36:34,280 --> 00:36:35,920 Speaker 1: need the people going with any country. You need that 860 00:36:36,000 --> 00:36:38,440 Speaker 1: battle for it to grow. Yeah, that's true, because otherwise 861 00:36:38,480 --> 00:36:40,920 Speaker 1: they would run so wild it wouldn't matter. But in 862 00:36:40,960 --> 00:36:42,560 Speaker 1: the end, the person who is consuming the media and 863 00:36:42,600 --> 00:36:44,080 Speaker 1: paying for the media and paying to go to shows, 864 00:36:44,080 --> 00:36:44,920 Speaker 1: they get to decide. 865 00:36:45,080 --> 00:36:46,239 Speaker 18: Yeah that No, you're right. 866 00:36:46,239 --> 00:36:48,600 Speaker 19: The people buying the music are the only people that 867 00:36:48,680 --> 00:36:50,920 Speaker 19: I feel like, get to decide. 868 00:36:51,120 --> 00:36:53,560 Speaker 1: Yeah, and everybody gets to have their own it's country, 869 00:36:53,600 --> 00:36:56,480 Speaker 1: it's not country who cares. Yeah. So I got a 870 00:36:56,520 --> 00:36:58,600 Speaker 1: couple questions that we've talked about on the show. Number one, 871 00:36:58,760 --> 00:37:02,440 Speaker 1: you're what's up with your tour? Quit or quit? Like 872 00:37:02,480 --> 00:37:03,239 Speaker 1: what is it? Quit? 873 00:37:03,440 --> 00:37:05,480 Speaker 18: Do you know that it's yeah with two exclamations. 874 00:37:05,520 --> 00:37:05,680 Speaker 12: Yeah. 875 00:37:05,719 --> 00:37:07,279 Speaker 1: That's why it's like QUI we have to call like 876 00:37:07,320 --> 00:37:08,239 Speaker 1: when we talk about it. 877 00:37:08,400 --> 00:37:09,280 Speaker 18: Do you know that story? 878 00:37:09,360 --> 00:37:10,719 Speaker 1: Have you heard that from you? 879 00:37:11,080 --> 00:37:12,760 Speaker 18: For just I don't know. It kind of went viral 880 00:37:12,840 --> 00:37:13,759 Speaker 18: on the internet. 881 00:37:13,520 --> 00:37:14,600 Speaker 10: I don't know what tell to me. 882 00:37:15,040 --> 00:37:19,000 Speaker 19: In twenty fifteen, I was playing in uh, like the 883 00:37:19,040 --> 00:37:23,680 Speaker 19: songwriter room of the Florabama with like three of my 884 00:37:23,680 --> 00:37:25,480 Speaker 19: buddies and none of us had any hits, but we 885 00:37:25,480 --> 00:37:28,319 Speaker 19: were playing like original songs that we'd written, and we 886 00:37:28,400 --> 00:37:30,800 Speaker 19: had a tip jar and somebody at the end of 887 00:37:30,840 --> 00:37:33,080 Speaker 19: the night we emptied the tip jar and somebody on 888 00:37:33,120 --> 00:37:36,279 Speaker 19: a bar napkin had written quit and like two exclamation 889 00:37:36,360 --> 00:37:40,080 Speaker 19: points and yeah. And that was my reaction, Like I laughed, 890 00:37:40,080 --> 00:37:43,400 Speaker 19: like you know, and uh, but I held onto it. 891 00:37:43,640 --> 00:37:45,759 Speaker 19: I like stuck it in my pocket and you know, 892 00:37:47,239 --> 00:37:49,120 Speaker 19: God knows how it made it back to Nashville. 893 00:37:49,160 --> 00:37:51,480 Speaker 18: And it's literally a napkin, a cheap one at that 894 00:37:51,600 --> 00:37:52,520 Speaker 18: like a you know what I mean. 895 00:37:53,000 --> 00:37:57,279 Speaker 19: And I had a map at back in the day 896 00:37:57,320 --> 00:37:59,840 Speaker 19: and where I put like pushpins in every city and 897 00:37:59,840 --> 00:38:01,359 Speaker 19: now like I was like I threw it away because 898 00:38:01,480 --> 00:38:02,640 Speaker 19: once you've been you know how that is like, once 899 00:38:02,640 --> 00:38:04,799 Speaker 19: you've been everywhere, there's no you know, there's no point 900 00:38:04,800 --> 00:38:05,560 Speaker 19: in having one anymore. 901 00:38:05,560 --> 00:38:07,040 Speaker 18: But I and that napkin. 902 00:38:07,080 --> 00:38:08,919 Speaker 19: I just when I got back, I stuck it on there, 903 00:38:09,080 --> 00:38:12,600 Speaker 19: and to this day, I I have it and now 904 00:38:12,600 --> 00:38:15,960 Speaker 19: I just it sits on all of my awards that 905 00:38:16,080 --> 00:38:18,640 Speaker 19: I've won. And so I put a song out called 906 00:38:18,719 --> 00:38:22,479 Speaker 19: Quit that's kind of like spoken word rap ish type thing, 907 00:38:22,719 --> 00:38:25,920 Speaker 19: and uh, it's gonna be the title track of my 908 00:38:25,960 --> 00:38:26,560 Speaker 19: next record. 909 00:38:26,719 --> 00:38:27,239 Speaker 5: Can I say this? 910 00:38:27,280 --> 00:38:29,240 Speaker 19: I guess I can say this. The album is gonna 911 00:38:29,280 --> 00:38:31,400 Speaker 19: be it's a square Napkins, So it's good. The album 912 00:38:31,480 --> 00:38:32,320 Speaker 19: is just the napkin. 913 00:38:33,040 --> 00:38:34,360 Speaker 18: And what do you mean? 914 00:38:34,400 --> 00:38:35,440 Speaker 1: The album is just the napkins? 915 00:38:35,440 --> 00:38:38,000 Speaker 19: So that the square like if it were a vinyl. Yeah, 916 00:38:38,080 --> 00:38:40,280 Speaker 19: it's just an exact like picture of the napkin. 917 00:38:40,719 --> 00:38:41,959 Speaker 1: So that's cool. 918 00:38:42,280 --> 00:38:45,680 Speaker 19: So we're just chasing that theme for the year of Quit. 919 00:38:45,760 --> 00:38:47,520 Speaker 19: So so it's the actual So the way that they 920 00:38:47,520 --> 00:38:50,799 Speaker 19: wrote it was U, I t it does the art 921 00:38:50,880 --> 00:38:54,080 Speaker 19: is the song itself to exclamations. Okay, well i'm I. 922 00:38:54,160 --> 00:38:54,840 Speaker 10: My question was too. 923 00:38:54,840 --> 00:38:56,319 Speaker 1: We're talking about the tour and we're like, how do 924 00:38:56,320 --> 00:38:57,960 Speaker 1: we say, hey, check them out on Quit? Or check 925 00:38:57,960 --> 00:38:59,920 Speaker 1: them out on quit We didn't know how to you could. 926 00:38:59,800 --> 00:39:04,800 Speaker 19: Say, like the quit tourmations, Yeah, okay, just get Scuba 927 00:39:04,800 --> 00:39:05,600 Speaker 19: Steve to scream it. 928 00:39:05,680 --> 00:39:05,919 Speaker 1: Dude. 929 00:39:06,000 --> 00:39:06,520 Speaker 10: Have you heard that? 930 00:39:06,800 --> 00:39:08,320 Speaker 18: Yeah? I thought it was great. 931 00:39:08,560 --> 00:39:11,680 Speaker 1: Aside from knowing he's here. If someone just sent you 932 00:39:11,680 --> 00:39:12,840 Speaker 1: that you didn't know which you think that was, that 933 00:39:12,920 --> 00:39:13,239 Speaker 1: was cool. 934 00:39:13,440 --> 00:39:16,000 Speaker 18: Absolutely. I love metal though, so, but. 935 00:39:16,960 --> 00:39:19,520 Speaker 16: Like if you ever screamed at your shows in any way, 936 00:39:19,520 --> 00:39:19,880 Speaker 16: shape or. 937 00:39:19,880 --> 00:39:22,880 Speaker 1: Form, like yeah, like screamers, I should probably come to 938 00:39:22,880 --> 00:39:25,200 Speaker 1: a show I've seen you. 939 00:39:24,239 --> 00:39:26,120 Speaker 6: Oh no, but I mean like that. 940 00:39:26,719 --> 00:39:30,319 Speaker 18: Yeah, we're doing it now. Man, we're doing the thing now. 941 00:39:30,640 --> 00:39:32,000 Speaker 1: You can't do the thing where it's like you should 942 00:39:32,000 --> 00:39:34,840 Speaker 1: come do it. How many shows of mine you've been to? Yeah, 943 00:39:34,920 --> 00:39:36,600 Speaker 1: I mean exactly. We're both working. 944 00:39:36,680 --> 00:39:36,839 Speaker 17: Man. 945 00:39:36,880 --> 00:39:38,960 Speaker 18: I've been in this room five times. You've been at 946 00:39:38,960 --> 00:39:39,840 Speaker 18: five of my shows. 947 00:39:40,360 --> 00:39:40,680 Speaker 16: This room. 948 00:39:40,760 --> 00:39:42,319 Speaker 10: This is account you're getting promotion here too. 949 00:39:43,080 --> 00:39:44,759 Speaker 18: Well, this is about promotion, sure it is. 950 00:39:44,960 --> 00:39:46,799 Speaker 10: You know what you're in because you're promoting truck bed 951 00:39:46,840 --> 00:39:47,440 Speaker 10: going number one. 952 00:39:47,440 --> 00:39:49,880 Speaker 1: That's what they told me. And the quit yeah, and 953 00:39:49,880 --> 00:39:53,520 Speaker 1: the quit tour. That's very true. So this is like 954 00:39:53,560 --> 00:39:55,680 Speaker 1: equal trade true. So I'm just saying, yeah, yeah. 955 00:39:55,719 --> 00:39:58,600 Speaker 18: Yeah, But I'm just saying like, yeah, I scream a lot. 956 00:39:58,640 --> 00:40:01,160 Speaker 19: Now, Like I have a rock single out called rock Star, 957 00:40:01,280 --> 00:40:03,520 Speaker 19: and it's like pretty much a mettle. 958 00:40:03,560 --> 00:40:06,319 Speaker 18: It's pretty much what we just listened to. 959 00:40:06,520 --> 00:40:09,719 Speaker 1: Is that next you're doing a full rock record next. Yeah, 960 00:40:09,760 --> 00:40:10,240 Speaker 1: that's cool. 961 00:40:10,280 --> 00:40:12,760 Speaker 18: That's the quick record is a rock record. 962 00:40:13,160 --> 00:40:15,120 Speaker 1: Nothing on it that he even could be considered Like 963 00:40:15,160 --> 00:40:16,320 Speaker 1: if I was like, man, this song. 964 00:40:16,280 --> 00:40:18,160 Speaker 18: No, we won't work a song to country radio. 965 00:40:18,200 --> 00:40:19,640 Speaker 1: Now about working though? What if I was like, man, 966 00:40:19,640 --> 00:40:21,239 Speaker 1: this one I could play and people would like it. 967 00:40:21,320 --> 00:40:23,080 Speaker 18: I'm sure because there's a lot of good songs on it. 968 00:40:23,120 --> 00:40:24,359 Speaker 1: But are they all? 969 00:40:24,600 --> 00:40:25,239 Speaker 10: Are they all hard? 970 00:40:25,239 --> 00:40:25,879 Speaker 5: Hard? 971 00:40:26,560 --> 00:40:29,680 Speaker 1: Yeah? Okay, that's all yeah, everything else? 972 00:40:29,680 --> 00:40:30,799 Speaker 18: Okay, Yeah, I'm good man. 973 00:40:30,960 --> 00:40:32,120 Speaker 1: I'll let you know what I'm playing on the show. 974 00:40:32,120 --> 00:40:33,440 Speaker 1: You come up, you come up, I'll come to your show, 975 00:40:33,480 --> 00:40:33,759 Speaker 1: all right. 976 00:40:33,800 --> 00:40:34,040 Speaker 5: Cool. 977 00:40:34,600 --> 00:40:37,000 Speaker 1: So so well, I've seen him play, but he's like, yea, 978 00:40:37,000 --> 00:40:39,279 Speaker 1: I've been to a show. I'm like, call Tramlfair, you've 979 00:40:39,280 --> 00:40:39,879 Speaker 1: been to my show. 980 00:40:40,080 --> 00:40:41,520 Speaker 18: But this year you play a lot more shows than 981 00:40:41,520 --> 00:40:42,680 Speaker 18: you do. Come on, come may break. 982 00:40:43,280 --> 00:40:44,680 Speaker 1: I don't know how many shows you play a year. 983 00:40:45,000 --> 00:40:46,840 Speaker 18: I was around eighty a year. I just cut it 984 00:40:46,840 --> 00:40:47,440 Speaker 18: back to thirty. 985 00:40:47,480 --> 00:40:51,759 Speaker 1: This year, I probably did fifty, but doing TV as well, 986 00:40:52,080 --> 00:40:55,919 Speaker 1: probably pretty close. It's not a competition, guy, he made 987 00:40:55,920 --> 00:40:56,640 Speaker 1: it a competition. 988 00:40:59,239 --> 00:41:02,640 Speaker 16: I mean I I have always been entertained by your performance, 989 00:41:02,640 --> 00:41:06,520 Speaker 16: and now I'm even more intrigued screaming. 990 00:41:06,719 --> 00:41:09,000 Speaker 18: It's that's a huge concern of mine. 991 00:41:09,000 --> 00:41:10,279 Speaker 1: I did a bit trying to scream like that, just 992 00:41:10,360 --> 00:41:12,520 Speaker 1: for just for a second, and it hurt. I was 993 00:41:12,600 --> 00:41:13,680 Speaker 1: gone for like six hours. 994 00:41:13,840 --> 00:41:15,719 Speaker 19: There's a way to do it, like, and I've never 995 00:41:15,760 --> 00:41:18,520 Speaker 19: gone to like the coach or whatever, but you it's 996 00:41:18,520 --> 00:41:21,040 Speaker 19: you push from like really deep coaches. 997 00:41:21,320 --> 00:41:21,800 Speaker 5: Yeah. 998 00:41:21,840 --> 00:41:22,320 Speaker 1: Wow. 999 00:41:22,640 --> 00:41:23,160 Speaker 5: Yeah. 1000 00:41:23,280 --> 00:41:25,959 Speaker 18: There's one woman and I bet Steve that she lives 1001 00:41:25,960 --> 00:41:28,319 Speaker 18: in Florida. Do you know her name. She's like an 1002 00:41:28,320 --> 00:41:30,560 Speaker 18: older lady. She's been doing she's done like everybody. 1003 00:41:32,160 --> 00:41:35,200 Speaker 1: I'm self caught. You get the ear. 1004 00:41:35,680 --> 00:41:37,359 Speaker 18: She she teaches you not to blow out your voice, 1005 00:41:37,400 --> 00:41:38,480 Speaker 18: but I will say like. 1006 00:41:40,719 --> 00:41:44,560 Speaker 19: It since I've started screaming and shows my voice like 1007 00:41:44,760 --> 00:41:48,080 Speaker 19: it's it scares me because like the next weekend it'll 1008 00:41:48,120 --> 00:41:48,439 Speaker 19: be weaker. 1009 00:41:48,440 --> 00:41:49,560 Speaker 18: And it's like constantly weaker. 1010 00:41:49,640 --> 00:41:53,080 Speaker 1: Are you having to go to do the physically responsible 1011 00:41:53,120 --> 00:41:55,080 Speaker 1: things more so now because you're asking more from your 1012 00:41:55,080 --> 00:41:56,360 Speaker 1: body or you still. 1013 00:41:56,280 --> 00:41:59,920 Speaker 18: You mean like like yeah, more of that for sure. 1014 00:42:00,000 --> 00:42:02,279 Speaker 1: Because you can do that, but only for a bit 1015 00:42:02,280 --> 00:42:03,600 Speaker 1: of time and then you blow it out and then 1016 00:42:03,640 --> 00:42:05,560 Speaker 1: you can't perform to the same level. 1017 00:42:05,680 --> 00:42:08,600 Speaker 19: Yeah, that is usually like the Saturday Night Show, I'm 1018 00:42:08,680 --> 00:42:11,279 Speaker 19: like freaking out, even if I like have behaved all 1019 00:42:11,320 --> 00:42:13,359 Speaker 19: weekend and like going to bed and not like talked 1020 00:42:13,360 --> 00:42:14,520 Speaker 19: over a crowd and stuff like that. 1021 00:42:14,560 --> 00:42:14,799 Speaker 7: After. 1022 00:42:15,040 --> 00:42:16,960 Speaker 1: I mean, even like the lead singer syndrome in a 1023 00:42:17,000 --> 00:42:19,239 Speaker 1: band where everybody else gets to go party but the 1024 00:42:19,280 --> 00:42:21,400 Speaker 1: lead singer shouldn't as much because they have to. If 1025 00:42:21,400 --> 00:42:23,600 Speaker 1: they're down, the whole band can't work. Yeah, that's a 1026 00:42:23,600 --> 00:42:24,040 Speaker 1: real thing. 1027 00:42:24,200 --> 00:42:24,439 Speaker 5: Yeah. 1028 00:42:24,520 --> 00:42:27,600 Speaker 18: I just saw Disturbed. What's his name, Danny Draymond? Is 1029 00:42:27,640 --> 00:42:29,359 Speaker 18: that that's him? 1030 00:42:29,480 --> 00:42:31,279 Speaker 19: Yeah, Yeah, And he talked about that. He's like he 1031 00:42:32,160 --> 00:42:34,279 Speaker 19: said that it was like the way he described it 1032 00:42:34,320 --> 00:42:36,520 Speaker 19: was like lonely. But he but he made that that point, 1033 00:42:36,560 --> 00:42:38,720 Speaker 19: he was like I have to go like protect myself 1034 00:42:38,719 --> 00:42:41,200 Speaker 19: and everybody else gets to go hang out because no, 1035 00:42:41,440 --> 00:42:44,200 Speaker 19: you know, you're right, like if it's if there's no singer, 1036 00:42:44,719 --> 00:42:47,880 Speaker 19: you're done. Like you could technically get away with like 1037 00:42:47,880 --> 00:42:49,719 Speaker 19: one less guitar player or something like that. 1038 00:42:49,840 --> 00:42:51,840 Speaker 18: But yeah, it's different when you're the lead singer. 1039 00:42:51,880 --> 00:42:53,520 Speaker 1: It's different because we go to Vegas. I'll go to 1040 00:42:53,520 --> 00:42:55,400 Speaker 1: bed early, but lunch Blocks will stay in party all night. 1041 00:42:55,440 --> 00:42:56,480 Speaker 1: They come to the show like, oh, you. 1042 00:42:56,440 --> 00:43:00,439 Speaker 13: Couldn't even talkies allergy those Vegas allergies bad. 1043 00:43:03,760 --> 00:43:07,560 Speaker 1: All right, So truck Bed hopefully going number one this week. 1044 00:43:08,080 --> 00:43:11,920 Speaker 1: The Quit Whole records coming out. Yeah, he's not here 1045 00:43:11,960 --> 00:43:13,319 Speaker 1: for promotion, man, you can skip that. 1046 00:43:13,840 --> 00:43:14,040 Speaker 12: You know. 1047 00:43:14,120 --> 00:43:16,440 Speaker 1: I demand he take it. I demand he take it. 1048 00:43:16,640 --> 00:43:21,600 Speaker 1: I mean the the the Dift tape. Yeah, I was 1049 00:43:21,640 --> 00:43:23,439 Speaker 1: gonna say that, the Hicks tape, but it's a diff tape. 1050 00:43:23,480 --> 00:43:25,560 Speaker 18: Yeah, it's it's like, yeah, it's a spinoff r Yeah. 1051 00:43:25,719 --> 00:43:29,200 Speaker 18: So that comes out at the end of that comes 1052 00:43:29,200 --> 00:43:30,080 Speaker 18: out this month. 1053 00:43:30,000 --> 00:43:31,399 Speaker 10: And it's all Joe Difms. 1054 00:43:31,680 --> 00:43:35,000 Speaker 19: Obviously with Dift tape, it's the original recordings with Joe's 1055 00:43:35,040 --> 00:43:40,040 Speaker 19: voice on him and Joe's son Parker gave us his blessing, 1056 00:43:40,080 --> 00:43:43,080 Speaker 19: their family's blessing to to strip those down, take some 1057 00:43:43,120 --> 00:43:45,160 Speaker 19: of his vocals out, and have like you know, features 1058 00:43:45,160 --> 00:43:47,320 Speaker 19: come in, and it's it's gonna be the biggest Uh, 1059 00:43:47,600 --> 00:43:49,480 Speaker 19: It's like the biggest group of features that we've had 1060 00:43:49,560 --> 00:43:51,600 Speaker 19: so a lot of I mean, people really came together 1061 00:43:51,719 --> 00:43:52,000 Speaker 19: for that. 1062 00:43:52,040 --> 00:43:52,800 Speaker 18: So it's really exciting. 1063 00:43:52,840 --> 00:43:54,160 Speaker 10: What's plus Malone like to hang out with. 1064 00:43:55,000 --> 00:43:58,120 Speaker 18: He's like the coolest dude. He's like totally normal. 1065 00:43:58,320 --> 00:44:00,479 Speaker 1: Really, Yeah, he's just a dude. 1066 00:44:01,960 --> 00:44:04,960 Speaker 10: It's almost hard to believe. It's because he's so famous. 1067 00:44:05,000 --> 00:44:07,879 Speaker 1: And then two because the amount of tattoos on his face, 1068 00:44:07,920 --> 00:44:09,640 Speaker 1: like this different kind of person, the tattoos are faced 1069 00:44:09,680 --> 00:44:10,040 Speaker 1: that much. 1070 00:44:10,239 --> 00:44:11,880 Speaker 18: Yeah, but I mean like Jelly Row has him and 1071 00:44:11,920 --> 00:44:12,879 Speaker 18: he's a good hang you know. 1072 00:44:12,880 --> 00:44:15,040 Speaker 1: Jellyroll is a good hang now, but he didn't even 1073 00:44:15,040 --> 00:44:17,080 Speaker 1: tell you well like back in the day when he 1074 00:44:17,120 --> 00:44:20,240 Speaker 1: got when he was Yeah, yeah, it's true. 1075 00:44:21,880 --> 00:44:22,200 Speaker 5: Man. 1076 00:44:22,320 --> 00:44:29,280 Speaker 19: I I cannot say enough how respectful and kind, thoughtful 1077 00:44:29,640 --> 00:44:33,799 Speaker 19: post Alone is. It's it's mind blowing how just how 1078 00:44:33,840 --> 00:44:36,799 Speaker 19: he's held himself together with the level of fame that 1079 00:44:36,800 --> 00:44:38,480 Speaker 19: that he's had. 1080 00:44:38,600 --> 00:44:40,520 Speaker 1: What about as an artist, because we watched him singing 1081 00:44:40,520 --> 00:44:42,640 Speaker 1: America the Beautiful for the Super Bowl, that was what 1082 00:44:42,640 --> 00:44:45,560 Speaker 1: he's saying on guitar, Like, I think people don't expect 1083 00:44:45,680 --> 00:44:48,120 Speaker 1: him to have the musical talent. During COVID, I watched 1084 00:44:48,160 --> 00:44:50,160 Speaker 1: him do a whole Navana record, right yeah, so. 1085 00:44:50,200 --> 00:44:55,680 Speaker 19: He's he's he's a really good guitar player. Man, It's 1086 00:44:55,719 --> 00:44:57,080 Speaker 19: just there's something like when he gets in there and 1087 00:44:57,160 --> 00:44:58,799 Speaker 19: he does his vocal, like we've been writing these songs 1088 00:44:58,840 --> 00:44:59,960 Speaker 19: and like he'll hop in there and do it and 1089 00:45:00,080 --> 00:45:02,640 Speaker 19: you're I don't know, it's just like he has a thing. Man, 1090 00:45:02,640 --> 00:45:04,200 Speaker 19: he's got like a voice and not just like a 1091 00:45:04,239 --> 00:45:06,960 Speaker 19: singing voice, but he just even just in that in 1092 00:45:06,960 --> 00:45:08,200 Speaker 19: that regard, he's just an artist. 1093 00:45:08,280 --> 00:45:10,200 Speaker 18: He could sing the phone book and it's just so 1094 00:45:11,000 --> 00:45:13,120 Speaker 18: different to me. 1095 00:45:13,200 --> 00:45:16,359 Speaker 19: That it's just I don't know, it's just that's it's 1096 00:45:16,360 --> 00:45:17,560 Speaker 19: like art coming out of his mouth. 1097 00:45:17,640 --> 00:45:18,399 Speaker 10: What's his name? 1098 00:45:18,400 --> 00:45:22,480 Speaker 1: And your phone as post host deep Post just post. 1099 00:45:22,040 --> 00:45:24,920 Speaker 16: Post when you meet him though, like obviously you're around 1100 00:45:24,960 --> 00:45:28,440 Speaker 16: a lot of really successful people, but someone like posts Malone, 1101 00:45:29,040 --> 00:45:33,799 Speaker 16: like because it around you right now, like within like 1102 00:45:33,840 --> 00:45:35,719 Speaker 16: meeting Post like do you kind of have to remind 1103 00:45:35,719 --> 00:45:38,080 Speaker 16: yourself like because you know, but it's I don't know, 1104 00:45:38,120 --> 00:45:40,360 Speaker 16: post alone. He seems like next level, Like do you 1105 00:45:40,440 --> 00:45:42,319 Speaker 16: kind of have to be like, okay, this could be 1106 00:45:42,440 --> 00:45:44,919 Speaker 16: like we could actually be friends. We got to be chill, 1107 00:45:45,080 --> 00:45:46,400 Speaker 16: Like do you have to talk to yourself about or 1108 00:45:46,440 --> 00:45:47,520 Speaker 16: you're just like normal. 1109 00:45:48,040 --> 00:45:49,640 Speaker 18: Everybody poops, you know what I mean. 1110 00:45:50,200 --> 00:45:50,800 Speaker 1: My wife doesn't. 1111 00:45:51,200 --> 00:45:51,920 Speaker 18: She doesn't at all. 1112 00:45:52,120 --> 00:45:53,080 Speaker 1: Good for her ever once. 1113 00:45:53,480 --> 00:45:54,600 Speaker 18: Wow, that's what I ever did. 1114 00:45:54,680 --> 00:45:56,080 Speaker 1: Yeah, no, yeah, that's what I was gonna say. So 1115 00:45:56,120 --> 00:45:59,279 Speaker 1: your theory is wrong. All right, Look you guys at 1116 00:45:59,280 --> 00:46:01,520 Speaker 1: Hardy and and Diff tape. 1117 00:46:01,520 --> 00:46:03,520 Speaker 10: It's gonna be awesome. He wrote Kenny's latest single too. 1118 00:46:03,600 --> 00:46:03,759 Speaker 14: Yeah. 1119 00:46:03,840 --> 00:46:04,239 Speaker 5: Yeah, yeah. 1120 00:46:04,239 --> 00:46:05,680 Speaker 10: It was on top of the freaking world right now. 1121 00:46:05,800 --> 00:46:07,320 Speaker 1: Should go to a show. Maybe you should go to 1122 00:46:07,360 --> 00:46:09,239 Speaker 1: a show. That's what I'm taking from this. I need 1123 00:46:09,280 --> 00:46:12,959 Speaker 1: to go to a show. Congratulations man, I'm a big fan. 1124 00:46:13,160 --> 00:46:16,319 Speaker 1: And congratulations and we'll have a truck beg go number 1125 00:46:16,320 --> 00:46:18,480 Speaker 1: one and I don't know another trophy. 1126 00:46:18,239 --> 00:46:19,080 Speaker 18: Dude, knock on wood? 1127 00:46:19,080 --> 00:46:19,319 Speaker 16: All right? 1128 00:46:19,360 --> 00:46:19,759 Speaker 18: Is that would? 1129 00:46:19,920 --> 00:46:20,120 Speaker 7: Yeah? 1130 00:46:20,320 --> 00:46:23,160 Speaker 1: I know it is fake, all right, there is hearty everybody. 1131 00:46:23,160 --> 00:46:23,839 Speaker 18: Thank you so much. 1132 00:46:25,760 --> 00:46:29,480 Speaker 2: It's the best bits of the week with Morgan number two. 1133 00:46:30,960 --> 00:46:34,640 Speaker 4: Another big birthday this week. It was Eddie's birthday, so 1134 00:46:34,680 --> 00:46:38,000 Speaker 4: in honor of that, we played Jeopardy, which is Jeopardy 1135 00:46:38,320 --> 00:46:40,840 Speaker 4: Eddie version. And I know that sounds probably weird without 1136 00:46:40,840 --> 00:46:44,080 Speaker 4: me explaining it, but it was called jeopardy and he 1137 00:46:44,600 --> 00:46:45,040 Speaker 4: did good. 1138 00:46:45,239 --> 00:46:45,520 Speaker 1: That's all. 1139 00:46:45,560 --> 00:46:48,359 Speaker 4: I'm gonna say without spoiling anything, but it was touch 1140 00:46:48,400 --> 00:46:50,160 Speaker 4: and go there for a minute. 1141 00:46:50,400 --> 00:46:53,600 Speaker 3: So happy birthday, not just to Amy, but also to Eddie. 1142 00:46:53,600 --> 00:46:55,280 Speaker 3: Now we had two big birthdays this week. 1143 00:46:55,800 --> 00:46:58,120 Speaker 1: Number three Eddie's birthday. Today, we're gonna play a game 1144 00:46:58,160 --> 00:47:01,200 Speaker 1: called jep Eddie, which is jeff pretty bit jet Eddie. 1145 00:47:01,440 --> 00:47:03,560 Speaker 1: And the reason we're playing this is because I hope 1146 00:47:03,560 --> 00:47:05,120 Speaker 1: he gambles away his good present thought I got on 1147 00:47:05,200 --> 00:47:07,520 Speaker 1: his birthday. That's the whole point of the game. We're 1148 00:47:07,520 --> 00:47:09,480 Speaker 1: gonna play jepety and if he loses, he's gonna lose 1149 00:47:09,520 --> 00:47:10,800 Speaker 1: the good present that I got on his birthday. 1150 00:47:10,840 --> 00:47:12,040 Speaker 6: So what happens to the good president? 1151 00:47:12,120 --> 00:47:15,359 Speaker 1: Well, well I keep it. Oh yeah, so I'll read 1152 00:47:15,360 --> 00:47:17,239 Speaker 1: you all the rules. Let's bring him in. Let's bring 1153 00:47:17,280 --> 00:47:22,520 Speaker 1: in our birthday boy. As we played Jepetty, we're standing 1154 00:47:22,560 --> 00:47:28,359 Speaker 1: on the stage. Let's play Jet Betty. Happy birthday, buddy. 1155 00:47:28,640 --> 00:47:28,920 Speaker 12: Done. 1156 00:47:29,120 --> 00:47:32,480 Speaker 1: I like that jeft Petty, Yeah, jet Edty? Yes, alright, man, 1157 00:47:32,520 --> 00:47:33,440 Speaker 1: what are we doing here? 1158 00:47:33,480 --> 00:47:33,680 Speaker 5: Well? 1159 00:47:33,719 --> 00:47:35,160 Speaker 1: You and I both standing out on stage because we're 1160 00:47:35,160 --> 00:47:37,440 Speaker 1: gonna play a game. Is my mom here? Why are 1161 00:47:37,440 --> 00:47:41,640 Speaker 1: you gonna my mom in? No, Mom's not here, So 1162 00:47:42,000 --> 00:47:44,640 Speaker 1: just like in Jeopardy, We're gonna play Jetpettiya five categories. 1163 00:47:45,080 --> 00:47:49,000 Speaker 1: The categories are the beach, I love the beach, Dallas Cowboys, trivia, 1164 00:47:50,360 --> 00:47:55,960 Speaker 1: lyrics and songs okay call me Daddy, Famous dads, and 1165 00:47:56,440 --> 00:47:58,920 Speaker 1: hats hats I do like hat. So those are the 1166 00:47:58,920 --> 00:48:01,640 Speaker 1: five categories. I'm explaining rules here. If you get the 1167 00:48:01,680 --> 00:48:03,480 Speaker 1: first question right, it's the easiest is worth one point 1168 00:48:03,520 --> 00:48:04,839 Speaker 1: all the way down to five. The hard is worth 1169 00:48:04,880 --> 00:48:07,440 Speaker 1: five points. When you get to ten points, you get 1170 00:48:07,480 --> 00:48:09,600 Speaker 1: to go and choose a number one through six. Okay, 1171 00:48:09,800 --> 00:48:11,360 Speaker 1: that'll be the gift that we show you. And you 1172 00:48:11,360 --> 00:48:14,600 Speaker 1: can keep that gift and quit the game, or you 1173 00:48:14,600 --> 00:48:17,200 Speaker 1: can trade it in and continue the game. All right now, 1174 00:48:17,280 --> 00:48:19,799 Speaker 1: right now, you're starting with a birthday gift. This is 1175 00:48:19,840 --> 00:48:24,000 Speaker 1: your first birthday gift. It is a Micah Parsons Illusions. 1176 00:48:24,200 --> 00:48:26,799 Speaker 1: It's a really good card. There, so that is your card. Now, 1177 00:48:26,840 --> 00:48:28,600 Speaker 1: that's that's what I get to keep this. Nope, you 1178 00:48:28,640 --> 00:48:30,919 Speaker 1: can keep it. That'll be the gift if you don't 1179 00:48:30,960 --> 00:48:35,080 Speaker 1: trade anything in. Okay, all right, pretty solid card. But 1180 00:48:35,320 --> 00:48:36,799 Speaker 1: you know obviously it's not a big one. It's not 1181 00:48:36,840 --> 00:48:38,480 Speaker 1: a big one. Are you ready to play the game. 1182 00:48:38,680 --> 00:48:42,320 Speaker 1: I'm ready bones. The categories are the Beach, Dallas Cowboys, trivia, 1183 00:48:42,400 --> 00:48:45,320 Speaker 1: lyrics and songs, call Me Daddy, and hats and remember 1184 00:48:45,520 --> 00:48:48,719 Speaker 1: one's the easiest, five's the hardest. I think, since I'm 1185 00:48:48,719 --> 00:48:50,800 Speaker 1: holding a MICAEH. Parson's card in my hand, let's go 1186 00:48:50,880 --> 00:48:52,120 Speaker 1: Dallas Cowboys. 1187 00:48:51,680 --> 00:48:57,280 Speaker 10: For how many or what's the one through five? Three 1188 00:48:57,760 --> 00:48:58,360 Speaker 10: or three. 1189 00:49:00,040 --> 00:49:00,120 Speaker 14: More? 1190 00:49:00,160 --> 00:49:02,760 Speaker 1: Cowboys running back holds the NFL record for most career 1191 00:49:02,800 --> 00:49:09,760 Speaker 1: rushing yards. That is Emmett Smith. That's correct. Now, remember 1192 00:49:09,800 --> 00:49:11,480 Speaker 1: when you get to ten, you get a chance to 1193 00:49:11,520 --> 00:49:14,640 Speaker 1: trade in. Okay, what category would you like? Give me 1194 00:49:14,719 --> 00:49:20,719 Speaker 1: beach for four hundred? Well, just say four. I feel 1195 00:49:20,760 --> 00:49:24,200 Speaker 1: like I'm on the game. This beach in California is 1196 00:49:24,200 --> 00:49:27,799 Speaker 1: renowned for its iconic wooden roller coaster and historic boardwalk. 1197 00:49:30,760 --> 00:49:31,839 Speaker 7: What the. 1198 00:49:33,800 --> 00:49:34,480 Speaker 11: Took a turn? 1199 00:49:35,880 --> 00:49:36,400 Speaker 5: This beach in. 1200 00:49:36,400 --> 00:49:39,759 Speaker 1: California is renowned for its iconic wooden roller coaster and 1201 00:49:39,880 --> 00:49:42,960 Speaker 1: historic boardwalk. I think I got it. Go ahead, Santa Monica. 1202 00:49:43,880 --> 00:49:47,719 Speaker 1: That is incorrect. So he's a negative negative one now, 1203 00:49:47,840 --> 00:49:51,839 Speaker 1: oh my goodness, Oh my goodness, what is it? And 1204 00:49:51,920 --> 00:49:54,160 Speaker 1: I again, I want to say to everybody, you're not 1205 00:49:54,200 --> 00:49:56,880 Speaker 1: going to get a different present than what you went here, so, 1206 00:49:57,280 --> 00:49:58,880 Speaker 1: but you're also competing for a bigger present than you 1207 00:49:58,880 --> 00:50:00,920 Speaker 1: would have gotten if I just gave you a Okay, okay, 1208 00:50:01,040 --> 00:50:04,440 Speaker 1: that is the Santa Cruz Beach boardwalk. Oh my not 1209 00:50:04,480 --> 00:50:07,640 Speaker 1: Santa Monica. Oh man, you got a lot of way 1210 00:50:07,719 --> 00:50:11,399 Speaker 1: to go. Dang it, dang and dang it. Okay, you're 1211 00:50:11,400 --> 00:50:16,320 Speaker 1: a negative one category and score. Please let's go. What 1212 00:50:16,520 --> 00:50:17,760 Speaker 1: was the other one's song? Lyrics? 1213 00:50:18,160 --> 00:50:18,759 Speaker 10: Lyrics and song? 1214 00:50:18,840 --> 00:50:19,560 Speaker 1: Is one of them? What is it? 1215 00:50:19,600 --> 00:50:20,280 Speaker 16: Call her Daddy? 1216 00:50:20,840 --> 00:50:23,920 Speaker 1: Call her daddy? Lyrics and songs? Call her Daddy's uh, 1217 00:50:24,239 --> 00:50:28,200 Speaker 1: call him daddy? Favorite dads, call him Daddy? I go 1218 00:50:28,320 --> 00:50:36,200 Speaker 1: Lyrics and songs four three. This iconic song's chorus states 1219 00:50:37,239 --> 00:50:44,800 Speaker 1: we don't need no education. The song is called Another 1220 00:50:44,880 --> 00:50:48,200 Speaker 1: Brick in the Wall. You just need a song title, 1221 00:50:48,320 --> 00:50:50,000 Speaker 1: Another Brick in the Wall. I need you to be 1222 00:50:50,040 --> 00:50:59,239 Speaker 1: more specific. Please part two correct. Let's go for three. Wow, 1223 00:50:59,360 --> 00:51:02,200 Speaker 1: that was stressed. Now he's at plus two. There you go, lunch, 1224 00:51:02,280 --> 00:51:02,640 Speaker 1: go ahead. 1225 00:51:02,680 --> 00:51:03,640 Speaker 5: I knew that one. 1226 00:51:04,280 --> 00:51:05,799 Speaker 1: Let's go back. Dallas Cowboys. 1227 00:51:06,080 --> 00:51:09,840 Speaker 5: Oh we gotta go five, Eddie, I mean, what. 1228 00:51:09,760 --> 00:51:11,240 Speaker 1: Was the last Dallas Cowboys? Three? 1229 00:51:11,360 --> 00:51:11,800 Speaker 5: Yeah? 1230 00:51:11,920 --> 00:51:14,680 Speaker 1: The last one was three yeah? Dallas Cowys five Dallas 1231 00:51:14,719 --> 00:51:20,480 Speaker 1: Cowboys for five. This Cowboys wide receiver, often referred to 1232 00:51:20,840 --> 00:51:24,440 Speaker 1: as Bullet Bob, was known for his blazing speed and 1233 00:51:24,480 --> 00:51:27,719 Speaker 1: big playability. He was inducted into the Pro Football Hall 1234 00:51:27,760 --> 00:51:32,080 Speaker 1: of Fame in two thousand and nine. What Bullet Bob was? 1235 00:51:32,760 --> 00:51:34,960 Speaker 1: Pro Football Hall of Fame five is always the hardest. 1236 00:51:36,880 --> 00:51:39,160 Speaker 1: I mean, Drew Pearson, he's a Hall of Fame, but 1237 00:51:39,200 --> 00:51:42,160 Speaker 1: he's not Bob. This Cowboys wide receiver, often referred to 1238 00:51:42,200 --> 00:51:44,880 Speaker 1: as Bullet Bob, even. 1239 00:51:44,680 --> 00:51:45,520 Speaker 5: Got a Cowboys hat on. 1240 00:51:45,600 --> 00:51:45,759 Speaker 12: Man. 1241 00:51:45,800 --> 00:51:50,680 Speaker 1: Come on, Bullet, It's Taddy's birthday today. We're playing Jeff Eddie. 1242 00:51:52,320 --> 00:51:55,279 Speaker 1: He was a wide receiver. He was inducted in the 1243 00:51:55,280 --> 00:51:57,040 Speaker 1: Profooball Hall of Fame in two thousand and nine. This 1244 00:51:57,120 --> 00:52:00,239 Speaker 1: Cowboys wide receiver, often referred to as Bullet Bob for 1245 00:52:00,320 --> 00:52:04,080 Speaker 1: five points. The only Bob that I want the Cowboys 1246 00:52:05,120 --> 00:52:08,120 Speaker 1: is Bob Lily. But I don't think that's bullet Bob. 1247 00:52:08,200 --> 00:52:17,840 Speaker 1: Anyone answer? Ready? All right, let's go with Bob Bob Pearson, 1248 00:52:19,000 --> 00:52:25,360 Speaker 1: that's incorrect. Answer is Bob Hayes. Bob Hayes just keeping score. Hilarious. 1249 00:52:25,719 --> 00:52:26,680 Speaker 1: Thanks against you. 1250 00:52:26,719 --> 00:52:28,839 Speaker 5: It's so funny your birthday, man. 1251 00:52:29,480 --> 00:52:31,839 Speaker 1: I need the categories one more time. The categories are 1252 00:52:32,440 --> 00:52:40,879 Speaker 1: the beach Dallas cowboys, call him Daddy, questions about Dad's 1253 00:52:41,440 --> 00:52:49,560 Speaker 1: lyrics and songs and hats. Let's go call him daddy 1254 00:52:50,440 --> 00:52:51,000 Speaker 1: for five? 1255 00:52:52,000 --> 00:52:52,239 Speaker 8: Wow? 1256 00:52:52,400 --> 00:52:53,000 Speaker 1: For five? 1257 00:52:53,160 --> 00:52:54,080 Speaker 5: I need to get up. 1258 00:52:54,560 --> 00:52:55,480 Speaker 1: I need to get up. 1259 00:52:55,840 --> 00:52:59,080 Speaker 10: Okay, and call him daddy for five points. 1260 00:53:00,040 --> 00:53:03,279 Speaker 1: The most difficult question in the category you need this 1261 00:53:03,320 --> 00:53:04,879 Speaker 1: to get back to two? I do I need it. 1262 00:53:09,440 --> 00:53:14,040 Speaker 1: This actor played the dad uncle Phil in the nineties 1263 00:53:14,080 --> 00:53:20,680 Speaker 1: sitcom The Fresh Prince of bel Air. Oh Boy. This 1264 00:53:20,760 --> 00:53:24,640 Speaker 1: actor played the dad uncle Phil Philip Banks in the 1265 00:53:24,719 --> 00:53:26,560 Speaker 1: ninety sitcom The Fresh Prince of bel Air. 1266 00:53:28,640 --> 00:53:31,120 Speaker 5: Night Eddie, I'll give you a hint, and he's dead. 1267 00:53:31,680 --> 00:53:37,000 Speaker 1: No hints, no hints. I know he's dead. No hints, 1268 00:53:37,000 --> 00:53:42,359 Speaker 1: because that is the actual hint. Can you repeat the question? 1269 00:53:43,080 --> 00:53:47,040 Speaker 1: This actor played the dad uncle Phil Philip Banks in 1270 00:53:47,040 --> 00:53:51,400 Speaker 1: the ninety sitcom The Fresh Prince of bel Air Nights. 1271 00:53:53,960 --> 00:53:56,120 Speaker 1: I don't know why the last name Night is coming 1272 00:53:56,880 --> 00:54:02,920 Speaker 1: in my head. Seconds, I don't know. I'm gonna guess 1273 00:54:03,120 --> 00:54:05,920 Speaker 1: Jeffrey Knight incorrect. 1274 00:54:06,040 --> 00:54:06,239 Speaker 12: Eight? 1275 00:54:06,560 --> 00:54:10,000 Speaker 1: What's his name? James Avery? James Avery, so far off 1276 00:54:11,200 --> 00:54:12,880 Speaker 1: like the jewelry negative? 1277 00:54:12,880 --> 00:54:13,040 Speaker 4: Eight. 1278 00:54:13,040 --> 00:54:14,920 Speaker 1: Okay, we're I How many more do I have? Well, 1279 00:54:14,960 --> 00:54:16,239 Speaker 1: you got a lot of questions like where do you 1280 00:54:16,239 --> 00:54:20,000 Speaker 1: want to go next? Okay, let's go with beach beach again. 1281 00:54:20,120 --> 00:54:25,920 Speaker 1: Let's go beach two. The beach for two. This acronym, 1282 00:54:26,000 --> 00:54:28,920 Speaker 1: commonly found on sunscreen bottles, stands for the level of 1283 00:54:28,960 --> 00:54:36,680 Speaker 1: protection against harmful UV rays SPS. Correct. Let's go beach one. 1284 00:54:37,680 --> 00:54:41,880 Speaker 1: This inflatable sphere, often seen bouncing around at seaside gatherings, 1285 00:54:42,160 --> 00:54:45,000 Speaker 1: adds fun to coastal activities. What is beach ball? 1286 00:54:45,120 --> 00:54:46,320 Speaker 5: Correct? Negative? 1287 00:54:47,080 --> 00:54:48,319 Speaker 1: Okay, how many more beaches do I. 1288 00:54:48,320 --> 00:54:48,799 Speaker 16: Have to get? 1289 00:54:48,840 --> 00:54:50,520 Speaker 5: Fifteen? Just to trade going? 1290 00:54:50,640 --> 00:54:54,200 Speaker 1: I'm going you have to uh? You on another beach? Yeah, 1291 00:54:54,239 --> 00:54:58,400 Speaker 1: you have three and five left? Give me beach for three. 1292 00:54:58,920 --> 00:55:03,160 Speaker 1: Known as surf City, This beach in California hosts the 1293 00:55:03,160 --> 00:55:13,680 Speaker 1: world's largest surfing competition. Known as surf City USA, This 1294 00:55:13,760 --> 00:55:18,920 Speaker 1: beach in California hosts the world's largest surfing competition. What 1295 00:55:19,080 --> 00:55:20,520 Speaker 1: is Newport Beach? Incorrect? 1296 00:55:22,280 --> 00:55:24,279 Speaker 5: So all that progress you just made, you lost it back? 1297 00:55:24,360 --> 00:55:24,919 Speaker 5: Negative eight? 1298 00:55:25,920 --> 00:55:28,480 Speaker 1: What beach is that? There's one question left? In beaches? 1299 00:55:28,920 --> 00:55:30,960 Speaker 1: You don't have to take it, but it's for five. 1300 00:55:31,920 --> 00:55:33,520 Speaker 1: I didn't know. Santa Cruz and I didn't know this 1301 00:55:33,840 --> 00:55:37,480 Speaker 1: was the beach Huntington Beach, Huntington, Yes, of course, Oh 1302 00:55:38,239 --> 00:55:42,879 Speaker 1: Brough surfs up. Let's go beach for five. O my god. 1303 00:55:43,640 --> 00:55:45,560 Speaker 1: From this point you get one pass if you decide 1304 00:55:45,600 --> 00:55:48,640 Speaker 1: you don't know what you can pass. This beach in 1305 00:55:48,680 --> 00:55:51,120 Speaker 1: Australia is home to the largest coral reef system in 1306 00:55:51,120 --> 00:55:57,480 Speaker 1: the world. This beach, This beach in Australia is home 1307 00:55:57,520 --> 00:55:59,760 Speaker 1: to the largest coral reef system in the world. 1308 00:56:00,000 --> 00:56:01,560 Speaker 5: How do you quit looking at me? I don't know 1309 00:56:01,600 --> 00:56:05,320 Speaker 5: these answers. He turns and los me like, hey. 1310 00:56:05,160 --> 00:56:10,520 Speaker 1: The great barrier reef is over there is on the beach. 1311 00:56:10,760 --> 00:56:17,879 Speaker 1: This beach is known for this great barrier beach. That's 1312 00:56:17,920 --> 00:56:25,799 Speaker 1: my final answer. The great barrier reef beef. What do 1313 00:56:25,800 --> 00:56:28,880 Speaker 1: you mean? That's what he said? Beat, you said, what beach? 1314 00:56:28,960 --> 00:56:29,160 Speaker 12: Is it? 1315 00:56:29,200 --> 00:56:32,400 Speaker 1: Great bearrier reef? Though? That's be You are negative thirteen. 1316 00:56:33,680 --> 00:56:37,480 Speaker 1: This is terrible. Oh my gosh, All right kid, do 1317 00:56:37,480 --> 00:56:40,120 Speaker 1: you have a chance still here? Oh? Yeah, okay, all right, 1318 00:56:40,239 --> 00:56:43,319 Speaker 1: let's go with hats. Let's go hat hats for one. 1319 00:56:44,440 --> 00:56:48,800 Speaker 1: Remember you still can pass on them. Okay, hat's for one. 1320 00:56:49,560 --> 00:56:52,040 Speaker 1: This beloved children's book character is often depicted wearing a 1321 00:56:52,080 --> 00:56:55,799 Speaker 1: red and white striped top hat. Is that again? This 1322 00:56:55,840 --> 00:56:59,520 Speaker 1: beloved children's book character is often depicted wearing a red 1323 00:56:59,600 --> 00:57:05,960 Speaker 1: and white striped top hat. Red and white. Oh, it's 1324 00:57:06,000 --> 00:57:09,960 Speaker 1: the cat in the hat, cat in the hat? Correct? 1325 00:57:12,040 --> 00:57:13,960 Speaker 1: I want a roll hat. Yeah, let's keep rolling hats 1326 00:57:14,040 --> 00:57:16,720 Speaker 1: for number two? Yep. This famous actor recognized for his 1327 00:57:16,800 --> 00:57:19,400 Speaker 1: rolling Pirates of the Caribbean, frequently wears a wide brim 1328 00:57:19,440 --> 00:57:21,560 Speaker 1: fedora Johnny d Correct. 1329 00:57:22,640 --> 00:57:27,080 Speaker 13: That was for two, right, yeah, minus Tim, Thanks dude. Hey, 1330 00:57:27,080 --> 00:57:29,800 Speaker 13: you're twenty away from being able to trade in that, 1331 00:57:29,840 --> 00:57:30,680 Speaker 13: Micah Parson. 1332 00:57:30,680 --> 00:57:32,280 Speaker 1: If you get all three of these back in the 1333 00:57:32,360 --> 00:57:36,160 Speaker 1: I'm doing good though, right lunch? No, okay, be kind. 1334 00:57:37,840 --> 00:57:38,919 Speaker 5: That's just a factual state. 1335 00:57:38,960 --> 00:57:41,600 Speaker 1: That's sure you You weren't rude there, asked you a question. Yeah, 1336 00:57:42,400 --> 00:57:42,800 Speaker 1: go ahead. 1337 00:57:43,560 --> 00:57:45,840 Speaker 6: You're baiting him, all right? 1338 00:57:46,000 --> 00:57:47,040 Speaker 1: That's for three. 1339 00:57:47,120 --> 00:57:47,840 Speaker 10: That's for three. 1340 00:57:48,120 --> 00:57:51,880 Speaker 1: This iconic movie character known for his investigation skills and 1341 00:57:51,960 --> 00:57:57,440 Speaker 1: pipe smoking, always wears a deer stalker hat. Say that again. 1342 00:57:57,520 --> 00:58:01,360 Speaker 1: This iconic movie character known for his investigation skills and 1343 00:58:01,400 --> 00:58:06,720 Speaker 1: pipe smoking always wears a deer stalker hat. Sherlock Holmes correct, 1344 00:58:08,520 --> 00:58:12,640 Speaker 1: if you're just joining us three three. It's Eddie's birthday. 1345 00:58:13,040 --> 00:58:19,680 Speaker 1: He's competing in jep Eddie to win cool prizes. You 1346 00:58:19,680 --> 00:58:22,120 Speaker 1: have four and five and hats Eve going with hats four. 1347 00:58:22,720 --> 00:58:27,200 Speaker 1: This iconic late eighties nineties rapper is known for his instinctive, 1348 00:58:27,440 --> 00:58:33,200 Speaker 1: distinctive style and lyrical prowess, and frequently were a bucket hat. 1349 00:58:34,400 --> 00:58:37,760 Speaker 1: This iconic late eighties and nineties rapper known for his 1350 00:58:37,840 --> 00:58:41,760 Speaker 1: distinctive style and lyrical prowess. Frequently we're a bucket hat. 1351 00:58:41,880 --> 00:58:47,840 Speaker 1: Give me a cool j correct. Ladies love negative three. 1352 00:58:48,440 --> 00:58:50,680 Speaker 1: You can hop back into the positive or you can 1353 00:58:50,720 --> 00:58:53,040 Speaker 1: move on. I'm gonna stay away from that fire. Those 1354 00:58:53,040 --> 00:58:57,760 Speaker 1: fives are hard. How many more do you I have? On? Cowboys? Cowboys? 1355 00:58:57,760 --> 00:59:02,800 Speaker 1: You have one, two, and four? Give me Cowboys for one. 1356 00:59:03,560 --> 00:59:05,840 Speaker 1: This legendary Cowboys quarterback led the team to three Super 1357 00:59:05,840 --> 00:59:11,000 Speaker 1: Bowl victories in the nineties. It's Troy Aikman. Correct. Cowboys 1358 00:59:11,000 --> 00:59:13,360 Speaker 1: for two. This iconic Cowboys coach led the team to 1359 00:59:13,400 --> 00:59:17,720 Speaker 1: suit two Super Bowl victories during his tenure. Say again. 1360 00:59:17,960 --> 00:59:21,680 Speaker 1: This iconic Cowboys coach led the team to two Super 1361 00:59:21,680 --> 00:59:27,400 Speaker 1: Bowl victories during his tenure. Iconic. It's Tom Landry correct. 1362 00:59:28,560 --> 00:59:29,320 Speaker 10: Where is he now? 1363 00:59:29,680 --> 00:59:30,160 Speaker 5: Zero? 1364 00:59:30,880 --> 00:59:31,200 Speaker 16: Wow? 1365 00:59:32,000 --> 00:59:34,720 Speaker 1: There's a four on cowboys, I dug out of the hole. 1366 00:59:34,800 --> 00:59:37,640 Speaker 1: There has a lot of work. There's one cowboys left, 1367 00:59:37,640 --> 00:59:39,320 Speaker 1: it's four. Okay, what else you want it? 1368 00:59:39,440 --> 00:59:39,520 Speaker 12: No? 1369 00:59:39,880 --> 00:59:46,760 Speaker 1: What else? There's four? And aboves, there's a five and 1370 00:59:46,840 --> 00:59:52,480 Speaker 1: hats Okay, there's one, two, four and five and songs songs. Yeah, 1371 00:59:52,560 --> 00:59:57,000 Speaker 1: let's do that four songs for one. In this iconic song, 1372 00:59:57,080 --> 01:00:02,040 Speaker 1: Freddie Mercury belts out the lyric is this real life? 1373 01:00:02,160 --> 01:00:07,160 Speaker 1: Is this just fantasy? That's bohemian rhapsody from from Queen? 1374 01:00:07,200 --> 01:00:10,000 Speaker 1: Doesn't matter? I just twenty to say this right, all right, 1375 01:00:10,040 --> 01:00:12,640 Speaker 1: we're gonna take a break. Care lunchbox. What's the points? 1376 01:00:12,920 --> 01:00:16,880 Speaker 5: One? Okay, so you're gonna have to get those four fives? 1377 01:00:17,200 --> 01:00:17,720 Speaker 5: Get there. 1378 01:00:17,760 --> 01:00:20,160 Speaker 1: I'll get there. Eddie has one point, I need my 1379 01:00:20,200 --> 01:00:26,240 Speaker 1: confidence and one pass left. And there are seven total 1380 01:00:26,240 --> 01:00:27,480 Speaker 1: birthday gifts you can choose from. 1381 01:00:28,360 --> 01:00:30,680 Speaker 5: This is only Hey, you're only gonna get a traded 1382 01:00:30,680 --> 01:00:32,439 Speaker 5: in one, so you better make it a good one. Man. 1383 01:00:32,680 --> 01:00:35,320 Speaker 1: Okay, let's take a break. Eddy. How old are you? 1384 01:00:35,560 --> 01:00:36,720 Speaker 1: I'm forty five today? 1385 01:00:36,800 --> 01:00:38,360 Speaker 10: Okay, So how do you feel about that number? 1386 01:00:38,600 --> 01:00:40,640 Speaker 1: Forty five? Yeah, it's just a number, dude, who cares. 1387 01:00:40,720 --> 01:00:42,680 Speaker 1: I feel like I'm twenty two man boy. 1388 01:00:42,960 --> 01:00:43,400 Speaker 5: Yeah. 1389 01:00:43,440 --> 01:00:45,560 Speaker 1: So we're in the middle of jep Eddie like Jeopardy, 1390 01:00:45,600 --> 01:00:47,680 Speaker 1: but jep Eddie for his birthday, and we have a 1391 01:00:47,680 --> 01:00:50,160 Speaker 1: bunch of prizes and if he gets to ten points, 1392 01:00:50,200 --> 01:00:51,640 Speaker 1: he gets to trade in his birthday gift that he 1393 01:00:51,680 --> 01:00:55,120 Speaker 1: already has, which is a Micah Parsons football card for 1394 01:00:55,360 --> 01:00:57,240 Speaker 1: one of the numbers on the page. Hey, you get 1395 01:00:57,280 --> 01:00:58,640 Speaker 1: to ten point, you have to get to ten points 1396 01:00:58,640 --> 01:00:59,480 Speaker 1: on that one right now? 1397 01:01:00,080 --> 01:01:01,000 Speaker 5: Is gonna get a ten point? 1398 01:01:01,960 --> 01:01:06,600 Speaker 13: Yeah, you believe me, lunch, It's gonna be tough, man. 1399 01:01:06,680 --> 01:01:08,000 Speaker 10: We have lyrics and songs. 1400 01:01:08,120 --> 01:01:13,480 Speaker 1: Yeah, call me Daddy Dallas Cowboy Trivia. They only have 1401 01:01:13,560 --> 01:01:17,240 Speaker 1: one left on that and famous people known for wearing hats. 1402 01:01:17,320 --> 01:01:19,480 Speaker 1: Hats is the category eddie, wo you like to do? 1403 01:01:20,240 --> 01:01:21,360 Speaker 1: Let's go songs? 1404 01:01:22,800 --> 01:01:23,640 Speaker 10: Lyrics and songs? 1405 01:01:23,680 --> 01:01:26,880 Speaker 1: Four? You have two, four and five number two please. 1406 01:01:28,080 --> 01:01:32,160 Speaker 1: In this song, Michael Jackson asks Annie, are you okay? 1407 01:01:32,320 --> 01:01:38,400 Speaker 1: Are you okay? Annie? Okay? Okay? Any that is smooth? Criminal? Correct? 1408 01:01:38,440 --> 01:01:38,680 Speaker 16: Wow? 1409 01:01:41,880 --> 01:01:42,600 Speaker 5: Is that three? 1410 01:01:42,760 --> 01:01:45,240 Speaker 1: You got four and five? And lyrics and songs? 1411 01:01:46,280 --> 01:01:48,360 Speaker 5: That's tough, dude, now, But you know lyrics, dude, you're 1412 01:01:48,360 --> 01:01:48,800 Speaker 5: a musical. 1413 01:01:48,920 --> 01:01:49,360 Speaker 20: You're right here. 1414 01:01:49,400 --> 01:01:51,280 Speaker 1: You gotta go for thanks lunch, you gotta go for 1415 01:01:51,440 --> 01:01:54,520 Speaker 1: thanks for being nice. I'll go four. In this song, 1416 01:01:54,600 --> 01:01:58,760 Speaker 1: Kenny Chesney sings the opening line, staring out into the 1417 01:01:58,760 --> 01:02:03,600 Speaker 1: wild blue yonder. Someone thoughts to sit and ponder, Oh, 1418 01:02:04,280 --> 01:02:08,240 Speaker 1: staring out the wild blue yonder. And this song, Kenny 1419 01:02:08,320 --> 01:02:11,840 Speaker 1: Chesney sings the opening line, staring out into the wild 1420 01:02:11,880 --> 01:02:16,200 Speaker 1: blue yonder, so many thoughts to sit and ponder. There 1421 01:02:16,360 --> 01:02:20,480 Speaker 1: goes my life. But you have one pass if you 1422 01:02:20,560 --> 01:02:25,200 Speaker 1: just don't know. I don't know that one, definitely don't know. 1423 01:02:25,440 --> 01:02:27,200 Speaker 1: I just don't know if I'll ever get that one though. 1424 01:02:27,960 --> 01:02:29,880 Speaker 1: So if I pass, I have to come back. Already 1425 01:02:29,880 --> 01:02:31,560 Speaker 1: passes dead. I give you the answer, you never have 1426 01:02:31,600 --> 01:02:36,200 Speaker 1: to deal with it. Yeah, let's pass on that one. 1427 01:02:36,280 --> 01:02:39,439 Speaker 1: The answer is Beer in Mexico by Kenny Chasneye. Because 1428 01:02:39,480 --> 01:02:42,560 Speaker 1: I had no shoes, no shirt, no problem. Now there's 1429 01:02:42,560 --> 01:02:45,920 Speaker 1: one question left in lyrics. Yeah, it's fine. 1430 01:02:45,960 --> 01:02:47,240 Speaker 5: You gotta dude, you're a lyric dude. 1431 01:02:47,400 --> 01:02:50,440 Speaker 1: What's I'm gonna go with. I'm gonna go change categories. 1432 01:02:50,440 --> 01:02:52,200 Speaker 1: I got a lower one over there. Call her daddy, 1433 01:02:52,760 --> 01:02:55,480 Speaker 1: Call me daddy, Call me daddy. Yeah, call me daddy. 1434 01:02:55,480 --> 01:02:56,720 Speaker 1: What's my lowest? I'm calling me daddy. 1435 01:02:56,760 --> 01:02:57,040 Speaker 7: You can get it. 1436 01:02:57,080 --> 01:02:58,640 Speaker 1: You go for one? Yeah, give me one and call 1437 01:02:58,680 --> 01:03:03,919 Speaker 1: me daddy. This animated dad, voiced by Dan Castellanetta works 1438 01:03:03,920 --> 01:03:08,520 Speaker 1: at a nuclear power plant, often says that's Homer Simpson. Correct, 1439 01:03:10,000 --> 01:03:13,080 Speaker 1: Thank you, Amy, he's at four. At four, I'm give 1440 01:03:13,120 --> 01:03:16,280 Speaker 1: him climbing. I'm climbing, Eddie, all right. The next on, 1441 01:03:16,400 --> 01:03:19,920 Speaker 1: call me daddy for two for two. This Famous Dad, 1442 01:03:19,960 --> 01:03:23,760 Speaker 1: portrayed by Robin Williams, disguised himself as an elderly British 1443 01:03:23,880 --> 01:03:28,200 Speaker 1: nanny to spend time with his children. What's the question, though, 1444 01:03:28,280 --> 01:03:34,000 Speaker 1: the dad? This famous dad. That's a tough one. I'll 1445 01:03:34,000 --> 01:03:35,320 Speaker 1: give it to you if you get the movie. Okay, 1446 01:03:35,360 --> 01:03:39,760 Speaker 1: miss a doubt fire? Correct? Thank you? 1447 01:03:39,960 --> 01:03:40,640 Speaker 5: The dad's name. 1448 01:03:40,960 --> 01:03:42,720 Speaker 1: Yeah, that's a little tough to be A two all right? 1449 01:03:42,920 --> 01:03:45,360 Speaker 5: Hello, you're at six. 1450 01:03:45,440 --> 01:03:45,640 Speaker 1: Man. 1451 01:03:45,680 --> 01:03:48,240 Speaker 5: All you gotta do is get a four in there. 1452 01:03:48,280 --> 01:03:50,280 Speaker 1: What do I have left? On calling me daddy? You 1453 01:03:50,360 --> 01:03:53,360 Speaker 1: have three and four? Give me three common daddy. This 1454 01:03:53,440 --> 01:03:55,640 Speaker 1: TV dad, portrayed by Brian Kranston, starts off as a 1455 01:03:55,680 --> 01:03:59,280 Speaker 1: high school chemistry teacher and becomes involved in the drug 1456 01:03:59,320 --> 01:04:01,520 Speaker 1: trade to provide for his family. I need the name 1457 01:04:01,560 --> 01:04:03,600 Speaker 1: of the dad on this one. This TV dad, portrayed 1458 01:04:03,600 --> 01:04:06,600 Speaker 1: by Brian Cranston, starts off as a high school chemistry 1459 01:04:06,600 --> 01:04:09,680 Speaker 1: teacher and becomes involved in the drug trade to provide 1460 01:04:09,680 --> 01:04:13,240 Speaker 1: for his family. Oh boy, I. 1461 01:04:13,200 --> 01:04:14,680 Speaker 5: Wrote you down for nine already. 1462 01:04:15,320 --> 01:04:16,080 Speaker 1: Oh boy. 1463 01:04:16,320 --> 01:04:17,280 Speaker 5: Oh I didn't take it back. 1464 01:04:18,280 --> 01:04:24,760 Speaker 1: This TV dad, portrayed by Brian Cranston, starts off, oh boy, 1465 01:04:24,840 --> 01:04:27,360 Speaker 1: as a high school chemistry teacher, then becomes involved in 1466 01:04:27,400 --> 01:04:30,680 Speaker 1: the drug trade to provide for his family. Oh no, 1467 01:04:33,520 --> 01:04:38,480 Speaker 1: what's his first name? You can just take his last 1468 01:04:38,520 --> 01:04:39,840 Speaker 1: name here, as long as it's not like a bunch 1469 01:04:39,840 --> 01:04:41,640 Speaker 1: of the same person. No, I got it, go ahead, 1470 01:04:41,640 --> 01:04:43,840 Speaker 1: it's mister White. I'll accept that. Walter White. 1471 01:04:44,000 --> 01:04:46,919 Speaker 13: Yeah, that is a generous judge. 1472 01:04:47,440 --> 01:04:50,000 Speaker 1: That's my birthday, dude, Yeah, true birth There'd have been 1473 01:04:50,040 --> 01:04:52,720 Speaker 1: like a lot of whites, says mister White. Mister White, 1474 01:04:52,760 --> 01:04:54,040 Speaker 1: Walter White, he has nine. 1475 01:04:54,240 --> 01:04:56,000 Speaker 13: Well nine, I had already given him nine. I took 1476 01:04:56,040 --> 01:04:57,480 Speaker 13: it back to six. Now I'm back to nine. 1477 01:04:57,480 --> 01:04:59,560 Speaker 1: And that's right. His son's name is Walt Junior. Gosh, 1478 01:04:59,600 --> 01:04:59,960 Speaker 1: I should he. 1479 01:05:01,360 --> 01:05:02,760 Speaker 10: Any one point to do your first trade? 1480 01:05:02,840 --> 01:05:08,200 Speaker 1: Okay, one more point? What's my lowest available. No fours, 1481 01:05:08,200 --> 01:05:08,760 Speaker 1: no fives. 1482 01:05:08,800 --> 01:05:09,280 Speaker 5: That's all you go. 1483 01:05:09,400 --> 01:05:14,600 Speaker 1: You got a five left? In hats and call me daddy. 1484 01:05:14,640 --> 01:05:19,920 Speaker 1: You've got a four and a five. Okay, in songs, 1485 01:05:20,360 --> 01:05:25,800 Speaker 1: you've got a five. Oh my gosh, Dallas Cowboys trivia, 1486 01:05:25,840 --> 01:05:28,880 Speaker 1: you've got a four. I have to go right there, 1487 01:05:28,960 --> 01:05:30,120 Speaker 1: Dallas Cowboys for four. 1488 01:05:32,680 --> 01:05:34,240 Speaker 5: This is crazy. I don't like. 1489 01:05:34,360 --> 01:05:40,640 Speaker 1: Jeff Eddy Jetty. This Cowboys quarterback calls the franchise record 1490 01:05:40,800 --> 01:05:44,200 Speaker 1: for the most passing yards in a single season. This 1491 01:05:44,320 --> 01:05:46,880 Speaker 1: Cowboys quarterback calls the franchise record for the most passing 1492 01:05:46,960 --> 01:05:52,240 Speaker 1: yards in a single season. Eddie, we're playing it, Jeff Eddie. 1493 01:05:52,480 --> 01:05:53,680 Speaker 1: If you get this right, you get to do your 1494 01:05:53,680 --> 01:06:01,400 Speaker 1: first birthday trade. This Cowboys quarter holds the franchise record 1495 01:06:01,640 --> 01:06:08,480 Speaker 1: for the most passing yards in a single season. Franchise record. 1496 01:06:08,840 --> 01:06:15,480 Speaker 1: Did he just bring that? You must have just broken it. 1497 01:06:15,520 --> 01:06:18,200 Speaker 1: This Cowboys quarterback holds the franchise record. Need an answer, please, 1498 01:06:18,480 --> 01:06:20,320 Speaker 1: I mean, Dak Prescott, that is incorrect. 1499 01:06:25,560 --> 01:06:28,480 Speaker 13: Are you really struggle struggling that Cowboys category? 1500 01:06:28,720 --> 01:06:28,959 Speaker 12: Dude? 1501 01:06:29,480 --> 01:06:32,400 Speaker 10: Yeah, Eddie, your down to five. 1502 01:06:32,440 --> 01:06:35,920 Speaker 1: You have five positive points, all right, and there are 1503 01:06:35,960 --> 01:06:38,160 Speaker 1: only three categories left with anything in it. You have 1504 01:06:38,280 --> 01:06:39,880 Speaker 1: hats a five. 1505 01:06:40,240 --> 01:06:43,680 Speaker 5: Hey, that gets you to your ten? That gets you 1506 01:06:43,680 --> 01:06:44,040 Speaker 5: your ten? 1507 01:06:45,640 --> 01:06:49,480 Speaker 1: It does get you your ten. You have call me daddy. 1508 01:06:50,480 --> 01:06:52,400 Speaker 1: It's making annoys when you do that. What is when 1509 01:06:52,440 --> 01:06:55,960 Speaker 1: you keep going back and forth? Okay you hear it? No, 1510 01:06:58,040 --> 01:07:00,920 Speaker 1: hear it? Yes, loud o, Wait that out. 1511 01:07:01,040 --> 01:07:01,600 Speaker 10: Stop doing that. 1512 01:07:01,800 --> 01:07:02,560 Speaker 5: I'm doing it again. 1513 01:07:03,000 --> 01:07:03,760 Speaker 10: Just don't do this. 1514 01:07:03,960 --> 01:07:05,920 Speaker 1: Because it keeps going. I can't concentrate. 1515 01:07:06,040 --> 01:07:06,440 Speaker 5: Here we go. 1516 01:07:09,000 --> 01:07:14,200 Speaker 1: You have you have a five and hats and call 1517 01:07:14,280 --> 01:07:15,560 Speaker 1: me daddy. You have a four. 1518 01:07:16,560 --> 01:07:17,920 Speaker 5: That's not gonna get you there though, you need to 1519 01:07:17,920 --> 01:07:18,120 Speaker 5: get it. 1520 01:07:18,320 --> 01:07:21,400 Speaker 1: I need to five lyrics and songs. You have five? Oh, 1521 01:07:21,480 --> 01:07:24,240 Speaker 1: there you go, and that's it. 1522 01:07:24,240 --> 01:07:26,960 Speaker 5: That's it. You have three questions left, man. 1523 01:07:26,840 --> 01:07:30,200 Speaker 1: All right, bones, just give me five on lyrics for 1524 01:07:30,240 --> 01:07:32,840 Speaker 1: the first trade. Lyrics for number five if you can 1525 01:07:32,880 --> 01:07:38,480 Speaker 1: get it. This song's lyrics begin with the line, now 1526 01:07:39,040 --> 01:07:43,160 Speaker 1: I heard there was a secret chord. I got it 1527 01:07:43,560 --> 01:07:46,760 Speaker 1: for your first trade. I got it lyrics and songs. 1528 01:07:46,800 --> 01:07:52,600 Speaker 1: What's the song? Hallelujah? Correct? I don't know. Don't worry 1529 01:07:52,600 --> 01:07:57,000 Speaker 1: abouta secret code, eddie. Now you get to pick a 1530 01:07:57,080 --> 01:07:58,880 Speaker 1: number one through six if you want to trade your 1531 01:07:58,920 --> 01:08:00,600 Speaker 1: first gift you can do you want to trade it 1532 01:08:00,640 --> 01:08:02,880 Speaker 1: like a Parson's card. Okay, Eddie, please hand me the card. 1533 01:08:02,920 --> 01:08:05,880 Speaker 1: Here you go, and all the gifts are numbered, Eddie, 1534 01:08:05,880 --> 01:08:07,680 Speaker 1: which number would you like? One through six? I would 1535 01:08:07,720 --> 01:08:10,760 Speaker 1: like number three buns? Okay if you would hand me 1536 01:08:11,520 --> 01:08:15,360 Speaker 1: number three please? Your birthday gift now is a CD 1537 01:08:15,520 --> 01:08:16,439 Speaker 1: LAMB Mini helmet. 1538 01:08:16,479 --> 01:08:19,320 Speaker 5: Oh, yeah, that is awesome. 1539 01:08:19,560 --> 01:08:20,719 Speaker 1: Is a CD LAMB Mini helmet? 1540 01:08:20,720 --> 01:08:21,360 Speaker 5: Wow, that's really cool. 1541 01:08:21,360 --> 01:08:23,120 Speaker 1: That's some one's been sitting on your desk. It is dan. 1542 01:08:23,800 --> 01:08:27,679 Speaker 1: This really cool. Hey, hallelujah, hell louis. Now you only 1543 01:08:27,720 --> 01:08:29,960 Speaker 1: have to get for your next trade in Yeah, you 1544 01:08:30,040 --> 01:08:31,360 Speaker 1: only have to get eight points. 1545 01:08:31,520 --> 01:08:32,800 Speaker 10: That's only so many questions left. 1546 01:08:32,960 --> 01:08:35,919 Speaker 1: I mean I could get the next two right in hats, 1547 01:08:36,240 --> 01:08:39,759 Speaker 1: there's a five. The nice gift though, thank you events 1548 01:08:40,040 --> 01:08:42,000 Speaker 1: call me daddy. There's a four? 1549 01:08:43,520 --> 01:08:44,280 Speaker 10: Is that it? 1550 01:08:44,360 --> 01:08:44,960 Speaker 5: That's it? Man? 1551 01:08:45,040 --> 01:08:46,720 Speaker 10: That was the first one, So you can't get one 1552 01:08:46,760 --> 01:08:47,800 Speaker 10: more trade. 1553 01:08:47,600 --> 01:08:51,320 Speaker 1: Daddy in hats, So will you tell me? 1554 01:08:51,360 --> 01:08:52,840 Speaker 5: Is there a better present than this? 1555 01:08:52,920 --> 01:08:53,920 Speaker 1: Okay? 1556 01:08:54,160 --> 01:08:54,479 Speaker 16: Oh? 1557 01:08:54,560 --> 01:08:54,800 Speaker 14: Man? 1558 01:08:55,400 --> 01:08:57,719 Speaker 1: Multiple better gifts than that? Okay? What was my four? 1559 01:08:57,840 --> 01:08:59,679 Speaker 1: That's a good one though, call it Call me daddy, 1560 01:08:59,840 --> 01:09:03,080 Speaker 1: Call me daddy, Call me daddy. Before let's just start there. 1561 01:09:03,560 --> 01:09:06,400 Speaker 1: I gotta get these two anyway. This TV dad played 1562 01:09:06,400 --> 01:09:10,240 Speaker 1: by Tiberrell is a self proclaimed cool dad and has 1563 01:09:10,240 --> 01:09:14,240 Speaker 1: a job as a realtor in an ABC sitcom. Say 1564 01:09:14,280 --> 01:09:17,280 Speaker 1: that one more time. This TV dad played by Tiberrell 1565 01:09:17,800 --> 01:09:20,040 Speaker 1: is a self proclaimed cool dad and has a job 1566 01:09:20,040 --> 01:09:22,680 Speaker 1: as a realtor in an ABC sitcom. The sitcom is 1567 01:09:22,720 --> 01:09:27,439 Speaker 1: Modern Family. What's the dad's name? Oh? I still get 1568 01:09:27,439 --> 01:09:29,439 Speaker 1: to keep this though and get it wrong, right, because 1569 01:09:29,479 --> 01:09:32,080 Speaker 1: I work my way up to it. Yeah, that's yours regardless. 1570 01:09:32,240 --> 01:09:33,320 Speaker 6: He's like holding it tight. 1571 01:09:33,520 --> 01:09:37,960 Speaker 1: Yeah, don't take this one away from me. His name, 1572 01:09:39,479 --> 01:09:43,479 Speaker 1: I still have another past. It doesn't matter, It doesn't matter. 1573 01:09:43,479 --> 01:09:48,880 Speaker 1: You're right hanging with mister Cooper and correct model Phil 1574 01:09:48,960 --> 01:09:52,240 Speaker 1: Dumpfy is his name. I've heard that before one question left. 1575 01:09:52,280 --> 01:09:54,439 Speaker 1: I would make a deal here. Oh yes, I like deals. 1576 01:09:54,439 --> 01:10:03,160 Speaker 1: Would you like to wager that helmet on the next question? 1577 01:10:03,760 --> 01:10:05,160 Speaker 1: Or would I just like to walk away with a question. 1578 01:10:05,200 --> 01:10:07,920 Speaker 1: I've been gripping this on so tired, dude, So I 1579 01:10:08,040 --> 01:10:12,360 Speaker 1: wage this next question because the questions are five. But 1580 01:10:12,680 --> 01:10:15,519 Speaker 1: I don't think it's super super hard. It's in the 1581 01:10:15,560 --> 01:10:21,280 Speaker 1: category of hat and if you miss it, you go 1582 01:10:21,360 --> 01:10:24,920 Speaker 1: back to the card. If you get it right, you 1583 01:10:25,000 --> 01:10:29,880 Speaker 1: get to pick another number. The number also could be worse. 1584 01:10:31,200 --> 01:10:32,000 Speaker 5: You've gotta go for it. 1585 01:10:32,040 --> 01:10:34,519 Speaker 1: You're a gambleman, Stop stop? 1586 01:10:34,600 --> 01:10:35,759 Speaker 5: Did you love the gamble? 1587 01:10:35,840 --> 01:10:37,559 Speaker 1: Are you gonna walk Are you gonna walk away? 1588 01:10:38,400 --> 01:10:38,639 Speaker 14: Man? 1589 01:10:38,760 --> 01:10:41,360 Speaker 1: I'm a lamb signed. Maybe that helmet won't even fit 1590 01:10:41,400 --> 01:10:43,400 Speaker 1: on your head, but I'm not gonna wear the helmet. Man, 1591 01:10:43,400 --> 01:10:46,240 Speaker 1: I'm gonna put this in my office. This is what 1592 01:10:46,320 --> 01:10:47,800 Speaker 1: if jeop Eddie? 1593 01:10:47,840 --> 01:10:50,519 Speaker 13: What if it's a CD lamb like, what if he's 1594 01:10:50,560 --> 01:10:52,320 Speaker 13: back there under your desk? 1595 01:10:52,600 --> 01:10:57,519 Speaker 1: Say that, but Eddie, Oh man, I'm just not good 1596 01:10:57,560 --> 01:11:00,599 Speaker 1: at these number five, then don't go. Then just take gift. 1597 01:11:02,400 --> 01:11:04,840 Speaker 1: So if I get this right, though, I get to 1598 01:11:04,880 --> 01:11:10,360 Speaker 1: pick another number and keep both. Yeah, I'll tell you what. 1599 01:11:10,479 --> 01:11:13,920 Speaker 1: You can pick another number and you just get that 1600 01:11:14,000 --> 01:11:17,000 Speaker 1: number and I lose this helmet and you get the 1601 01:11:17,000 --> 01:11:19,920 Speaker 1: microL Parsons car, but not the helmet, not this helmet. 1602 01:11:20,240 --> 01:11:21,120 Speaker 1: Do you like this helmet? 1603 01:11:21,160 --> 01:11:21,280 Speaker 12: Man? 1604 01:11:21,479 --> 01:11:23,160 Speaker 1: Okay? Then just calling say oh, I don't want to 1605 01:11:23,200 --> 01:11:26,360 Speaker 1: call it. Man. You're saying there's something really good back there. 1606 01:11:26,960 --> 01:11:29,639 Speaker 1: I saw the list, I would say, I would say, 1607 01:11:29,680 --> 01:11:31,960 Speaker 1: there's a couple of things. 1608 01:11:33,600 --> 01:11:34,160 Speaker 5: Definitely. 1609 01:11:34,240 --> 01:11:36,000 Speaker 1: Yeah. I don't want to say either. 1610 01:11:36,080 --> 01:11:40,160 Speaker 13: Yeah, yeah, all right, Eddie, you know what they say, Eddie, 1611 01:11:40,200 --> 01:11:41,760 Speaker 13: No guts, no glory is hard. 1612 01:11:41,800 --> 01:11:43,360 Speaker 1: It is a question. Five, it's a hard question. I'm 1613 01:11:43,360 --> 01:11:44,880 Speaker 1: gonna have to put you on ten seconds here to 1614 01:11:44,880 --> 01:11:46,479 Speaker 1: make up your mind, because that is your helmet. If 1615 01:11:46,520 --> 01:11:48,160 Speaker 1: you walk away, I love this helmet, man, and I 1616 01:11:48,200 --> 01:11:50,479 Speaker 1: tell you what, you can even go to lunchboxes your lifeline. 1617 01:11:50,640 --> 01:11:53,679 Speaker 1: Oh dude, I know hats. No you don't. 1618 01:11:53,920 --> 01:11:54,360 Speaker 5: What do you mean? 1619 01:11:54,439 --> 01:11:56,719 Speaker 1: I don't How do you know hats? If you want lunchbox, 1620 01:11:56,760 --> 01:11:58,479 Speaker 1: he can be your lifeline in this I've. 1621 01:11:58,479 --> 01:12:04,800 Speaker 13: Nailed every one of these hat questions that I may 1622 01:12:04,800 --> 01:12:06,639 Speaker 13: not wear hats, but I know hand. 1623 01:12:06,520 --> 01:12:08,120 Speaker 1: Need an answer. All right, let's go. Let's do it, 1624 01:12:08,160 --> 01:12:11,080 Speaker 1: and lunchboxes your team. Boss hat come up to the stage. 1625 01:12:11,680 --> 01:12:17,920 Speaker 1: Come on, lunchbox, to come on, lunchboxes coming to the stage. No, 1626 01:12:18,000 --> 01:12:19,360 Speaker 1: you guys, talk it out. We'll talk it out the 1627 01:12:19,400 --> 01:12:22,360 Speaker 1: categories hats. If you miss it, I get the helmet 1628 01:12:22,360 --> 01:12:23,680 Speaker 1: back and you have to give me the card. If 1629 01:12:23,720 --> 01:12:25,760 Speaker 1: you get it right, you get another guest from the bank. 1630 01:12:25,760 --> 01:12:27,360 Speaker 1: All right, So if I missed, I lose everything. You 1631 01:12:27,400 --> 01:12:29,080 Speaker 1: get the card. You'll go back to So I get 1632 01:12:29,080 --> 01:12:31,200 Speaker 1: the card, got it, Here we go. The question is 1633 01:12:32,280 --> 01:12:38,920 Speaker 1: this he's already smiling. Influential British Prime minister, known for 1634 01:12:38,960 --> 01:12:42,080 Speaker 1: his leadership during World War Two, was often seen wearing 1635 01:12:42,120 --> 01:12:45,320 Speaker 1: a Humburg get off the stage. Already got a Hamburg hat. 1636 01:12:45,439 --> 01:12:47,320 Speaker 1: H O M b U r G. I already got it. 1637 01:12:47,360 --> 01:12:53,479 Speaker 1: Go ahead, that's a Winston Church. That's correct. I got it. 1638 01:12:53,920 --> 01:12:57,720 Speaker 1: I didn't need you get okay, Eddie, it's up to you. 1639 01:12:57,800 --> 01:12:59,559 Speaker 1: I got to keep the helmet too. No, you get 1640 01:12:59,600 --> 01:13:01,080 Speaker 1: to trade it. You get down or traded in for 1641 01:13:01,120 --> 01:13:03,240 Speaker 1: anto the number, and you get whatever number you land on. 1642 01:13:03,320 --> 01:13:07,439 Speaker 1: But there are I would say, two that are a 1643 01:13:07,479 --> 01:13:10,960 Speaker 1: lot better than that. Two they're a lot better than that. 1644 01:13:11,000 --> 01:13:15,639 Speaker 1: But there's only five left. Yeah, you're welcome, dude, Thanks 1645 01:13:15,680 --> 01:13:18,280 Speaker 1: lunch box. Appreciate it, Eddie. But again, if you pick 1646 01:13:18,320 --> 01:13:21,240 Speaker 1: one that's worse, that's all you get. Yeah, yeah, I 1647 01:13:21,280 --> 01:13:24,400 Speaker 1: got it, go out my number. Go ahead, Hey Mikey, 1648 01:13:25,120 --> 01:13:29,600 Speaker 1: give me number five. Close your eyes. Number five was 1649 01:13:29,640 --> 01:13:32,000 Speaker 1: too big. 1650 01:13:33,200 --> 01:13:33,479 Speaker 12: Dang. 1651 01:13:33,560 --> 01:13:36,679 Speaker 1: Goodbye Ceedie, lamb helmet, Eddy, lay the helmet down. Goodbye Ceedie, 1652 01:13:36,720 --> 01:13:40,599 Speaker 1: Lamb helmet Eddie. When you turn around, the car Keys jingle. 1653 01:13:41,160 --> 01:13:50,120 Speaker 1: When you turn around, this is what you get. One, two, three. 1654 01:13:50,920 --> 01:13:54,080 Speaker 1: It's a Dyke Presscott signed jersey. Is awesome. Let's go 1655 01:13:55,240 --> 01:13:58,599 Speaker 1: Happy birthday to me. Wow, and you can have the cards. 1656 01:13:58,720 --> 01:14:00,439 Speaker 5: That's really cool, thank you. Okay. 1657 01:14:00,880 --> 01:14:02,760 Speaker 1: The other things were so Eddie got one of the 1658 01:14:02,800 --> 01:14:05,840 Speaker 1: good ones. There was a Stefan Dick signed jersey who 1659 01:14:05,840 --> 01:14:07,479 Speaker 1: plays for the Cowboys. Here you go. 1660 01:14:08,400 --> 01:14:09,960 Speaker 5: Oh, that's really cool too. 1661 01:14:10,240 --> 01:14:13,960 Speaker 1: There was a j Novacheck mini helmet. That's awesome. 1662 01:14:14,120 --> 01:14:15,320 Speaker 10: Here you go from the nineties. 1663 01:14:15,400 --> 01:14:18,280 Speaker 1: He should have been in trivia. The bad gift would 1664 01:14:18,320 --> 01:14:21,639 Speaker 1: have been a Daniel Jones Giants football card. I would 1665 01:14:21,680 --> 01:14:24,160 Speaker 1: have thrown it away. I have for sure thrown that away. 1666 01:14:24,240 --> 01:14:27,320 Speaker 1: And I think the Dak was the second best. Yeah 1667 01:14:28,000 --> 01:14:29,719 Speaker 1: of all the sixty. You want to know the biggest Yeah. 1668 01:14:29,880 --> 01:14:32,280 Speaker 1: If you lift it up, this is a it's a car. No, 1669 01:14:32,360 --> 01:14:34,920 Speaker 1: it's not so Tony Romo signed. You can let it out. 1670 01:14:36,280 --> 01:14:39,719 Speaker 1: The Tony Romo signed Dallas Cowboys helmet on the front. 1671 01:14:41,000 --> 01:14:44,439 Speaker 1: There it is, Oh dude, look at that thing. But 1672 01:14:44,800 --> 01:14:46,120 Speaker 1: can I have them all for my birthday? 1673 01:14:46,240 --> 01:14:46,320 Speaker 12: No? 1674 01:14:47,240 --> 01:14:49,519 Speaker 1: You got a Dak jersey and you got a Michael 1675 01:14:49,520 --> 01:14:50,720 Speaker 1: Parsons card. Have you heard that? 1676 01:14:56,880 --> 01:14:59,880 Speaker 2: It's the best bits of the week with more. 1677 01:15:00,200 --> 01:15:09,200 Speaker 4: Number two, Abby got a message on Instagram which everybody 1678 01:15:09,280 --> 01:15:11,800 Speaker 4: thought was a scam. Like we were really questioning it 1679 01:15:11,840 --> 01:15:14,439 Speaker 4: because it has some big money attached to it. We're like, 1680 01:15:14,479 --> 01:15:18,320 Speaker 4: there's no way this is real. Well, we debated it 1681 01:15:18,360 --> 01:15:19,080 Speaker 4: like is it real? 1682 01:15:19,160 --> 01:15:20,360 Speaker 3: Is it actually gonna happen? 1683 01:15:20,880 --> 01:15:21,799 Speaker 2: Is Abby gonna. 1684 01:15:21,560 --> 01:15:22,280 Speaker 5: Get to do this gig? 1685 01:15:22,280 --> 01:15:24,519 Speaker 4: And then Lunchbox got jealous and it was a whole 1686 01:15:24,560 --> 01:15:27,880 Speaker 4: thing that transpired. So listen for yourself and let us know. 1687 01:15:28,120 --> 01:15:30,120 Speaker 4: Do you think it's real or is it a scam? 1688 01:15:30,520 --> 01:15:32,400 Speaker 1: Number two said, this is a segment I've been waiting 1689 01:15:32,439 --> 01:15:34,680 Speaker 1: to do because this really happened to someone on the show. Ray, 1690 01:15:34,680 --> 01:15:36,599 Speaker 1: would you mind hitting me with a scam alert? 1691 01:15:37,080 --> 01:15:38,240 Speaker 2: Scam alert. 1692 01:15:39,520 --> 01:15:44,200 Speaker 1: Now, we play that when we think someone might be 1693 01:15:44,200 --> 01:15:48,320 Speaker 1: getting scammed. However, this isn't that they are getting scammed. 1694 01:15:48,320 --> 01:15:50,360 Speaker 1: This could possibly be. It's not a scam and it's 1695 01:15:50,400 --> 01:15:52,879 Speaker 1: the greatest thing to ever happen to this person. Okay, 1696 01:15:53,040 --> 01:15:56,800 Speaker 1: So Eddie is the one that told me about this. Eddie, 1697 01:15:56,840 --> 01:16:00,400 Speaker 1: I need you to tell everybody this is bizarre, dude. 1698 01:16:01,560 --> 01:16:04,559 Speaker 1: I need you to tell everybody what you know and 1699 01:16:04,600 --> 01:16:06,400 Speaker 1: we will kind of talk through it and see if 1700 01:16:06,400 --> 01:16:08,639 Speaker 1: we think it's real or not. Okay, go ahead. So 1701 01:16:08,760 --> 01:16:11,800 Speaker 1: Abby came to me and she said, is do you 1702 01:16:11,840 --> 01:16:14,519 Speaker 1: think this is real? Like, I want your advice. She 1703 01:16:14,680 --> 01:16:17,680 Speaker 1: got a DM on Instagram from someone that says they 1704 01:16:17,720 --> 01:16:20,960 Speaker 1: own a racetrack or something and they wear you know, 1705 01:16:21,040 --> 01:16:24,479 Speaker 1: in California, I think, and they want to they want 1706 01:16:24,479 --> 01:16:26,720 Speaker 1: to book some some shows. They want to do shows there, 1707 01:16:27,439 --> 01:16:32,360 Speaker 1: and she they ask Abby if she would host a 1708 01:16:32,479 --> 01:16:35,799 Speaker 1: concert there and bring an artist with her, like host, 1709 01:16:36,360 --> 01:16:39,040 Speaker 1: perform a couple, hosts, perform a couple and then bring 1710 01:16:39,040 --> 01:16:42,440 Speaker 1: a Nashville artist with her. Okay, California to play that venue. 1711 01:16:42,600 --> 01:16:46,559 Speaker 1: And they said the budget is fifty thousand dollars, so 1712 01:16:46,600 --> 01:16:48,360 Speaker 1: they would pay Abby fifty grand if you have to 1713 01:16:48,360 --> 01:16:52,439 Speaker 1: pay the artist a little bit. Yeah, okay to sing 1714 01:16:52,920 --> 01:16:55,439 Speaker 1: host and just bring somebody from Nashville. 1715 01:16:56,360 --> 01:16:57,599 Speaker 10: She's not gonna be able to take like Aldie. 1716 01:16:57,640 --> 01:17:00,920 Speaker 1: It can be anybody, anyone, Abby, So do you feel 1717 01:17:00,960 --> 01:17:02,639 Speaker 1: like this was sent from a reputable source? 1718 01:17:02,960 --> 01:17:06,160 Speaker 21: I really think it is, Like because sometimes their profiles 1719 01:17:06,200 --> 01:17:08,280 Speaker 21: look sketchy, they don't have a picture on there, but 1720 01:17:08,680 --> 01:17:10,719 Speaker 21: this is a legit, Lady. 1721 01:17:10,880 --> 01:17:13,519 Speaker 16: It isn't that legit scans have legit photos a lot 1722 01:17:13,520 --> 01:17:13,920 Speaker 16: of times. 1723 01:17:14,000 --> 01:17:14,200 Speaker 6: Yeah. 1724 01:17:14,280 --> 01:17:16,920 Speaker 1: No, they want to come host and perform and just 1725 01:17:16,920 --> 01:17:19,559 Speaker 1: bring somebody with you as like an opening act. Yes, 1726 01:17:20,240 --> 01:17:21,840 Speaker 1: and you're you're the headliner. 1727 01:17:22,160 --> 01:17:23,800 Speaker 21: Well, I don't think i'd be the headliner. I think 1728 01:17:23,840 --> 01:17:25,920 Speaker 21: they meant like a bigger artist. Then maybe I just 1729 01:17:25,960 --> 01:17:27,679 Speaker 21: do like a few songs or something like that. That's 1730 01:17:27,680 --> 01:17:28,360 Speaker 21: what I did. 1731 01:17:28,400 --> 01:17:28,960 Speaker 6: She hosts. 1732 01:17:29,000 --> 01:17:31,080 Speaker 1: Yeah, but you're but you have to pay out of 1733 01:17:31,120 --> 01:17:33,960 Speaker 1: that fifty for a big artist? Yes, okay, So how 1734 01:17:34,040 --> 01:17:36,720 Speaker 1: much is a medium artist? You tell me who and 1735 01:17:36,920 --> 01:17:41,879 Speaker 1: I'll give you a good guess, say like, uh, Travis 1736 01:17:41,920 --> 01:17:46,160 Speaker 1: Denning thirty grand. There we go. Wait a minute, so 1737 01:17:46,200 --> 01:17:49,600 Speaker 1: Abby keeps twenty, I get to keep twenty. 1738 01:17:49,680 --> 01:17:50,280 Speaker 10: Let me call him? 1739 01:17:50,439 --> 01:17:50,639 Speaker 12: Yeah. 1740 01:17:51,520 --> 01:17:54,559 Speaker 1: I'cause again, if they're gonna pay Abby twenty thousand, if 1741 01:17:54,560 --> 01:17:56,880 Speaker 1: that's the case, they're gonna pay Abby twenty thousand dollars 1742 01:17:57,400 --> 01:17:59,280 Speaker 1: to come out and sing and host. 1743 01:17:59,479 --> 01:18:02,799 Speaker 6: And this is the most insane thing ever. 1744 01:18:02,760 --> 01:18:03,240 Speaker 12: I think. 1745 01:18:03,439 --> 01:18:05,280 Speaker 1: Do we think it's real? Watchbox? 1746 01:18:05,800 --> 01:18:06,479 Speaker 5: No chance? 1747 01:18:07,040 --> 01:18:09,280 Speaker 13: Why they wouldn't go to Abbey, they'd go to Bobby. 1748 01:18:09,560 --> 01:18:11,680 Speaker 13: They would go to someone with actual poll. Abby has 1749 01:18:11,720 --> 01:18:15,640 Speaker 13: no poll. She's a phone screener. But I'm saying she 1750 01:18:15,640 --> 01:18:18,639 Speaker 13: doesn't have connections to artists. Bobby has relationships with the artists. 1751 01:18:18,720 --> 01:18:19,960 Speaker 1: They wanted to perform as well. 1752 01:18:20,040 --> 01:18:21,080 Speaker 10: You don't think she's good enough to. 1753 01:18:21,080 --> 01:18:22,040 Speaker 1: Sing her suit? 1754 01:18:22,160 --> 01:18:24,880 Speaker 5: Yeah, answer that, no comment. 1755 01:18:27,760 --> 01:18:30,240 Speaker 1: That's right. He's in his kindness. He's gotta be kind 1756 01:18:30,280 --> 01:18:30,840 Speaker 1: for two weeks. 1757 01:18:30,840 --> 01:18:33,040 Speaker 5: Like they would go to Scuba, they would go to Scooba. 1758 01:18:33,080 --> 01:18:34,080 Speaker 5: Who's connection to the artists. 1759 01:18:34,040 --> 01:18:36,280 Speaker 13: They'd ask the raging idiots to play, and you bring 1760 01:18:36,320 --> 01:18:40,679 Speaker 13: someone for fifty thousand dollars. They're not going to Abby. 1761 01:18:40,880 --> 01:18:44,840 Speaker 13: They see someone vulnerable and like, oh this. 1762 01:18:44,800 --> 01:18:48,080 Speaker 6: One, okay, what's the skill exactly? 1763 01:18:48,120 --> 01:18:52,160 Speaker 1: So Abby's not paying fifty thousand dollars. Like called Travis, Hey, Abby, 1764 01:18:52,400 --> 01:18:53,479 Speaker 1: at what's the venue? 1765 01:18:53,560 --> 01:18:54,479 Speaker 5: What's the venue? 1766 01:18:54,600 --> 01:18:55,440 Speaker 6: It's a racetrack. 1767 01:18:55,479 --> 01:18:56,880 Speaker 5: Well tell me the venue. I'm gonna look it up. 1768 01:18:56,880 --> 01:18:57,960 Speaker 6: Should I say what it is? 1769 01:18:58,240 --> 01:19:00,120 Speaker 1: I don't care the place. Give me it's do you 1770 01:19:00,160 --> 01:19:00,919 Speaker 1: think it's legitimate? 1771 01:19:00,960 --> 01:19:04,479 Speaker 21: It's Laguna Seca Laguna and then s E c a 1772 01:19:04,640 --> 01:19:06,400 Speaker 21: it's a world renowned racetrack. 1773 01:19:06,600 --> 01:19:09,960 Speaker 1: What have you googled that, Abby? I didn't even google that. 1774 01:19:10,080 --> 01:19:11,840 Speaker 5: No, give me the person's name. Let me find out 1775 01:19:11,840 --> 01:19:12,240 Speaker 5: if they worked. 1776 01:19:12,240 --> 01:19:13,160 Speaker 6: No, no, I'm not gonna look. 1777 01:19:13,200 --> 01:19:13,960 Speaker 21: I don't know her name. 1778 01:19:14,000 --> 01:19:14,960 Speaker 6: It's her mom. 1779 01:19:15,360 --> 01:19:19,519 Speaker 13: Wait wait wait wait wait wait, hold on, so it's 1780 01:19:19,560 --> 01:19:25,080 Speaker 13: someone's kid, my mom. Oh my gosh, guys, this is hysterical. 1781 01:19:25,960 --> 01:19:28,160 Speaker 13: She's got a high schooler saying, hey, my mom works 1782 01:19:28,160 --> 01:19:29,640 Speaker 13: in a place. She doesn't know how to reach out 1783 01:19:29,720 --> 01:19:30,280 Speaker 13: her daughter. 1784 01:19:30,640 --> 01:19:32,920 Speaker 21: Like she's not in high school, she's unmature. 1785 01:19:34,080 --> 01:19:36,400 Speaker 5: Oh my gosh, Oh my gosh, keep. 1786 01:19:36,200 --> 01:19:36,879 Speaker 21: Going, lunchbox. 1787 01:19:36,920 --> 01:19:37,479 Speaker 1: What you were saying? 1788 01:19:37,520 --> 01:19:38,479 Speaker 5: And how big? 1789 01:19:39,160 --> 01:19:42,080 Speaker 1: Because again, I don't know I can call them? Do 1790 01:19:42,200 --> 01:19:44,960 Speaker 1: me call my managers? See who willing to do that? 1791 01:19:45,080 --> 01:19:47,839 Speaker 10: Not even that if he thinks it's legit, No he doesn't. 1792 01:19:48,040 --> 01:19:48,920 Speaker 5: I already talked to him. 1793 01:19:49,000 --> 01:19:50,639 Speaker 1: That's a good point because he deals with this stuff 1794 01:19:50,640 --> 01:19:52,479 Speaker 1: all the time and he has he runs a whole 1795 01:19:52,479 --> 01:19:55,559 Speaker 1: management company. What's if he answers, this is Tom. Hey, 1796 01:19:55,640 --> 01:19:58,160 Speaker 1: you're we're on the air, so don't say can you 1797 01:19:58,160 --> 01:20:00,160 Speaker 1: be on the air for a second. Yeah, okay, So 1798 01:20:00,240 --> 01:20:04,320 Speaker 1: Abby got a message on the toilet. Abby got a 1799 01:20:04,320 --> 01:20:07,240 Speaker 1: message from someone that says they'll pay her fifty thousand 1800 01:20:07,280 --> 01:20:11,280 Speaker 1: dollars to go out to a racetrack in California and 1801 01:20:11,320 --> 01:20:13,599 Speaker 1: perform and host, but she has to bring a Nashville 1802 01:20:13,640 --> 01:20:16,680 Speaker 1: artist with her, and it's fifty thousand even pick cover 1803 01:20:16,720 --> 01:20:19,320 Speaker 1: that artist and I we were kind of talking about 1804 01:20:19,360 --> 01:20:20,960 Speaker 1: if she wanted to do it, if it was a scam, 1805 01:20:21,400 --> 01:20:24,760 Speaker 1: but we were guessing, like, let's say Travis Dinning and 1806 01:20:24,840 --> 01:20:27,280 Speaker 1: I said, we could probably pay Travis thirty grand if 1807 01:20:27,280 --> 01:20:28,680 Speaker 1: he was open, he'd probably fly out there and do 1808 01:20:28,680 --> 01:20:31,080 Speaker 1: it acoustic. Would you agree with that? I would agree 1809 01:20:31,120 --> 01:20:34,599 Speaker 1: with that. Yes. Also, we thought about George Berge thirty 1810 01:20:34,640 --> 01:20:36,680 Speaker 1: grand and Abby would keep twenty. Would you agree with that? 1811 01:20:37,200 --> 01:20:38,120 Speaker 5: I would agree with that. 1812 01:20:38,400 --> 01:20:41,439 Speaker 1: So do you think someone would message her in a 1813 01:20:41,520 --> 01:20:43,400 Speaker 1: DM and be like, hey, will you find an artist 1814 01:20:43,439 --> 01:20:46,840 Speaker 1: and I'll give you fifty grand? No, that doesn't seem 1815 01:20:51,280 --> 01:20:55,240 Speaker 1: It feels like it's a catfish scenario, Like she gets 1816 01:20:55,280 --> 01:20:57,880 Speaker 1: there and it's just an old dude in his underwear 1817 01:20:57,920 --> 01:21:02,240 Speaker 1: at the front door, okay, with a backyard barbecue. Yeah, 1818 01:21:02,439 --> 01:21:06,240 Speaker 1: I would be cynical. I would. I think vetting that 1819 01:21:06,280 --> 01:21:09,280 Speaker 1: out would be important if the If it did turn 1820 01:21:09,320 --> 01:21:11,639 Speaker 1: out to be true, though, do you think we could 1821 01:21:11,640 --> 01:21:14,160 Speaker 1: find a pretty decent artist with a couple of hits 1822 01:21:14,200 --> 01:21:17,759 Speaker 1: to go out and do it for twenty five particularly acoustic. 1823 01:21:17,840 --> 01:21:19,800 Speaker 1: That's a really good gig. Okay, that's an easy thing 1824 01:21:19,840 --> 01:21:22,439 Speaker 1: to do. All right, thank you for your input, very good, 1825 01:21:22,439 --> 01:21:22,960 Speaker 1: Happy to hell. 1826 01:21:23,000 --> 01:21:23,519 Speaker 10: All right by way. 1827 01:21:23,960 --> 01:21:27,240 Speaker 1: Okay, So yeah, what are the dates. 1828 01:21:26,960 --> 01:21:27,400 Speaker 5: Of the event? 1829 01:21:27,640 --> 01:21:29,360 Speaker 1: Well, I don't have the dates. 1830 01:21:30,040 --> 01:21:33,920 Speaker 13: Whenever you want to come, no show up anytime. Hey guys, 1831 01:21:34,000 --> 01:21:35,400 Speaker 13: we're not going to tell you a date. We need 1832 01:21:35,400 --> 01:21:37,120 Speaker 13: this artist. You just picked the date and we'll have 1833 01:21:37,160 --> 01:21:38,479 Speaker 13: that fifty thousands Travis. 1834 01:21:38,560 --> 01:21:41,400 Speaker 1: Travis just called me back. Oh my gosh, Hey you're 1835 01:21:41,400 --> 01:21:42,200 Speaker 1: on the air. Is that okay? 1836 01:21:42,360 --> 01:21:43,000 Speaker 7: That's perfect? 1837 01:21:43,120 --> 01:21:46,800 Speaker 1: Okay. So Abby who is a producer on the show. 1838 01:21:46,840 --> 01:21:48,840 Speaker 1: She answers phone, She does a lot of stuff. She's 1839 01:21:48,880 --> 01:21:52,160 Speaker 1: also thank you. She's also a sink. She sings, but 1840 01:21:52,320 --> 01:21:53,800 Speaker 1: just for fun. She goes to the bars and sings. 1841 01:21:53,920 --> 01:21:58,360 Speaker 1: She got offered to come and sing a couple songs 1842 01:21:58,680 --> 01:22:01,400 Speaker 1: host and they said bring a Nashville artist with you. 1843 01:22:01,560 --> 01:22:05,679 Speaker 1: And and the total budget's fifty thousand dollars. Now oka't perfect. 1844 01:22:05,840 --> 01:22:09,400 Speaker 1: So yeah, if Abby, if the day was open, would 1845 01:22:09,439 --> 01:22:12,559 Speaker 1: you fly out for twenty five thirty thousand play acoustic? 1846 01:22:14,080 --> 01:22:19,640 Speaker 1: Just generally speaking, I mean absolutely, okay, So I mean 1847 01:22:19,680 --> 01:22:22,040 Speaker 1: have you have you seen inflation, Bobby, Yes, I have, 1848 01:22:22,880 --> 01:22:24,960 Speaker 1: and I know, but you demand a pretty penny. But 1849 01:22:25,040 --> 01:22:27,599 Speaker 1: I'm asking like, if, first of all, do you think 1850 01:22:27,640 --> 01:22:29,120 Speaker 1: this is real? Has this ever happened to you where 1851 01:22:29,120 --> 01:22:31,320 Speaker 1: someone's like, I own a racetrack, come sing for fifty grand? 1852 01:22:31,479 --> 01:22:33,040 Speaker 1: I've never gotten that phone call. 1853 01:22:33,080 --> 01:22:36,519 Speaker 20: I've definitely played some interesting like private shows like I've 1854 01:22:36,520 --> 01:22:40,519 Speaker 20: played I've played a birthday party with Riley Green. And 1855 01:22:40,560 --> 01:22:42,320 Speaker 20: this wasn't like a long time ago. It was like 1856 01:22:42,800 --> 01:22:47,240 Speaker 20: last year. We played somebody's backyard in New Jersey. 1857 01:22:46,360 --> 01:22:48,479 Speaker 1: Full, like literally full long. 1858 01:22:48,520 --> 01:22:51,160 Speaker 20: They rented a huge pa in stage and they had 1859 01:22:51,240 --> 01:22:53,800 Speaker 20: like three hundred people over in their backyard and it 1860 01:22:53,840 --> 01:22:56,719 Speaker 20: was just me and Riley. So I've not done some interesting, 1861 01:22:57,400 --> 01:22:58,960 Speaker 20: odd little things like that before. 1862 01:22:59,040 --> 01:23:03,040 Speaker 1: But so if me and Abby sing Abbey together, absolutely 1863 01:23:03,040 --> 01:23:03,760 Speaker 1: you can do whatever you want. 1864 01:23:03,920 --> 01:23:04,160 Speaker 12: Cool. 1865 01:23:04,240 --> 01:23:06,559 Speaker 1: But let's say it did happen, she's not being catfished 1866 01:23:06,560 --> 01:23:08,960 Speaker 1: and you had the date open for thirty grand, would 1867 01:23:08,960 --> 01:23:12,840 Speaker 1: you go and do it? Absolutely? Okay, Hey, time for Jeff. 1868 01:23:12,880 --> 01:23:14,960 Speaker 1: I'll take you just about anything. Well, don't say that 1869 01:23:14,960 --> 01:23:20,360 Speaker 1: you're you're negotiating down Travis. Yeah, never where about that? Okay? Yeah, yeah, yeah, okay, 1870 01:23:20,479 --> 01:23:22,760 Speaker 1: thank you, Travis. If she's not being catfish, we'll let 1871 01:23:22,800 --> 01:23:23,000 Speaker 1: you know. 1872 01:23:23,320 --> 01:23:23,840 Speaker 5: Sounds good. 1873 01:23:23,840 --> 01:23:25,760 Speaker 20: And by the way, I'm currently fishing right now and 1874 01:23:25,800 --> 01:23:26,800 Speaker 20: that's kind of small mouth. 1875 01:23:26,920 --> 01:23:31,000 Speaker 1: Oh that's awesome. Okay, we're not We're at work, So 1876 01:23:31,800 --> 01:23:35,200 Speaker 1: that's up, all right, buddy, See leater Abby, you need 1877 01:23:35,200 --> 01:23:36,080 Speaker 1: to get back in touch with them. 1878 01:23:36,120 --> 01:23:38,320 Speaker 21: Okay, So should I just pitch Travis or give them 1879 01:23:38,320 --> 01:23:39,679 Speaker 21: a few you know. 1880 01:23:39,680 --> 01:23:42,160 Speaker 1: You need the date and I can work as but 1881 01:23:42,280 --> 01:23:46,760 Speaker 1: I'm setting this up so it's ten percent. Oh is 1882 01:23:46,760 --> 01:23:49,080 Speaker 1: that yeah? Yeah? Yeah, yeah, yeah, this is what I 1883 01:23:49,080 --> 01:23:52,400 Speaker 1: would say. Hit them up. See if it's real, Okay, say, 1884 01:23:52,439 --> 01:23:56,479 Speaker 1: depending on the date. Travis Dinning number one hit maker, 1885 01:23:56,520 --> 01:23:58,840 Speaker 1: Travis Dinning and yourself would be happy to come out 1886 01:23:59,160 --> 01:24:00,760 Speaker 1: and do it all. But it's going to cost it. 1887 01:24:01,080 --> 01:24:02,600 Speaker 1: Looking at the budget and travel, it's going to be 1888 01:24:02,640 --> 01:24:05,400 Speaker 1: sixty thousand if you find out it's real, and then 1889 01:24:05,600 --> 01:24:08,960 Speaker 1: you'll probably settle on like fifty five or something. Oh okay, 1890 01:24:09,240 --> 01:24:12,759 Speaker 1: but just say, just find it's a real person. Okay, Yes, munchwalks. 1891 01:24:13,000 --> 01:24:14,560 Speaker 10: She makes twenty grand for going out and seeing a 1892 01:24:14,560 --> 01:24:15,040 Speaker 10: couple of songs. 1893 01:24:15,080 --> 01:24:16,759 Speaker 5: What will you think I'll vomit? 1894 01:24:19,280 --> 01:24:21,040 Speaker 1: Yeah? No, that's a real as the real questions. 1895 01:24:21,080 --> 01:24:25,320 Speaker 6: Body react, Yeah, would you be happy for me? Would 1896 01:24:25,360 --> 01:24:26,480 Speaker 6: you be happy lunchbalks? 1897 01:24:26,560 --> 01:24:30,480 Speaker 1: No, Okay, let's find out, Abby, do some due diligence. 1898 01:24:30,600 --> 01:24:33,080 Speaker 1: Have Scuba Steve get on it too, Scuba Steve your 1899 01:24:33,080 --> 01:24:35,680 Speaker 1: finder's feet. If it works from this and it all 1900 01:24:35,680 --> 01:24:37,599 Speaker 1: happens and everybody gets paid, you get five hundred dollars 1901 01:24:37,600 --> 01:24:39,960 Speaker 1: finder fee if it's all legit. Okay, I appreciate it. 1902 01:24:40,000 --> 01:24:41,559 Speaker 1: Thank you, Eddie. 1903 01:24:41,640 --> 01:24:43,920 Speaker 6: Why do you even bring that my own? 1904 01:24:44,200 --> 01:24:45,240 Speaker 5: Yeah? I brought the show. 1905 01:24:45,240 --> 01:24:46,160 Speaker 1: What's my finder's fee? 1906 01:24:46,200 --> 01:24:48,679 Speaker 5: Hold on cost money? 1907 01:24:48,800 --> 01:24:51,240 Speaker 1: You couldn't have because you wouldn't have got Travis, because 1908 01:24:51,280 --> 01:24:52,320 Speaker 1: I wouldn't have been able to call them. 1909 01:24:52,479 --> 01:24:53,000 Speaker 6: Sorry about that. 1910 01:24:53,040 --> 01:24:54,720 Speaker 1: Yeah, like when I tore it costs a ton of 1911 01:24:54,720 --> 01:24:56,200 Speaker 1: money for me just to get out on the road, 1912 01:24:56,520 --> 01:24:58,200 Speaker 1: much less even before I get paid. 1913 01:24:58,520 --> 01:24:59,800 Speaker 10: So you're gonna be fine. 1914 01:25:00,720 --> 01:25:03,879 Speaker 1: But give me a thousand. Well, you get a segment, 1915 01:25:03,920 --> 01:25:08,000 Speaker 1: you get employee the month a note from Okay, Babby, 1916 01:25:08,200 --> 01:25:12,080 Speaker 1: let us know, let us know, Okay, I will it's the. 1917 01:25:11,920 --> 01:25:15,160 Speaker 2: Best Bits of the Week with Morgan. Number two. 1918 01:25:16,560 --> 01:25:18,640 Speaker 4: Kenny Chesney stopped by the studio this week and I 1919 01:25:18,680 --> 01:25:20,960 Speaker 4: was so excited. This is the first time Kenny Chesney 1920 01:25:20,960 --> 01:25:22,720 Speaker 4: has been in here since I've been part of the 1921 01:25:22,720 --> 01:25:25,040 Speaker 4: show so in the last like six and a half 1922 01:25:25,080 --> 01:25:27,200 Speaker 4: seven years, and it was really cool to have him in. 1923 01:25:27,320 --> 01:25:29,800 Speaker 3: Like he is as cool as you think he would be. 1924 01:25:30,120 --> 01:25:33,040 Speaker 4: He like brings the beach vibes with him even though 1925 01:25:33,040 --> 01:25:34,800 Speaker 4: he was sitting in a studio And I don't know 1926 01:25:34,840 --> 01:25:37,320 Speaker 4: how to explain it any more than that. He talked 1927 01:25:37,320 --> 01:25:40,640 Speaker 4: about his connection to sports and why he plays all 1928 01:25:40,640 --> 01:25:44,280 Speaker 4: these arenas, why he loves sports, including his voice of 1929 01:25:44,360 --> 01:25:47,080 Speaker 4: fall song that everybody fell in love with and the 1930 01:25:47,120 --> 01:25:49,880 Speaker 4: song that he hates performing now and then we also 1931 01:25:49,960 --> 01:25:52,960 Speaker 4: talked about some exciting things with his Nose Shoes Nation, 1932 01:25:53,200 --> 01:25:56,160 Speaker 4: where the flags came from. Just some really good stories 1933 01:25:56,200 --> 01:25:59,519 Speaker 4: with Kenny Chesney, like a full hour of talking to him. 1934 01:25:59,520 --> 01:26:01,559 Speaker 3: And if you're more of a watcher, then you can 1935 01:26:01,600 --> 01:26:04,559 Speaker 3: go watch this whole interview on YouTube. And if not, 1936 01:26:04,760 --> 01:26:07,240 Speaker 3: you're about to hear Kenny Chesney and Bobby Bones. 1937 01:26:07,400 --> 01:26:09,960 Speaker 5: Number one the Friday Morning. 1938 01:26:09,720 --> 01:26:11,759 Speaker 2: Conversation with Kenny Chesney. 1939 01:26:11,800 --> 01:26:13,479 Speaker 1: When you came in, you mentioned it was cold. I 1940 01:26:13,560 --> 01:26:16,120 Speaker 1: keep the room freezing cold. They hate it. I like it. 1941 01:26:16,200 --> 01:26:17,679 Speaker 1: I like it too. Because I feel like it keeps 1942 01:26:17,720 --> 01:26:19,920 Speaker 1: me sharp and slightly uncomfortable, which is where I perform 1943 01:26:20,000 --> 01:26:23,439 Speaker 1: best if i'm If I get comfortable, then I'm slower. 1944 01:26:24,000 --> 01:26:26,519 Speaker 14: No, no, look, I love it. If you walk on 1945 01:26:26,560 --> 01:26:28,200 Speaker 14: my bus on the road it is. I mean you 1946 01:26:28,200 --> 01:26:29,160 Speaker 14: can hang me in there. 1947 01:26:29,520 --> 01:26:30,400 Speaker 1: Why to you? 1948 01:26:30,640 --> 01:26:31,759 Speaker 10: Why you keep it cold? 1949 01:26:32,200 --> 01:26:35,040 Speaker 1: I sleep better me? Oh it's sixty three in our bedroom. 1950 01:26:35,080 --> 01:26:36,960 Speaker 1: Have you ever heard of this thing called the chili pad? 1951 01:26:37,479 --> 01:26:38,200 Speaker 10: Is it under your bed? 1952 01:26:38,479 --> 01:26:41,840 Speaker 14: Yeah, it's like the thing that lays under the. 1953 01:26:41,800 --> 01:26:42,800 Speaker 7: Mat on the map. 1954 01:26:42,840 --> 01:26:43,479 Speaker 10: Can it be warm too? 1955 01:26:43,520 --> 01:26:44,840 Speaker 1: Because my wife was gonna buy one to make it 1956 01:26:44,880 --> 01:26:45,920 Speaker 1: warm because I freeze her out. 1957 01:26:46,040 --> 01:26:46,240 Speaker 7: But it. 1958 01:26:48,520 --> 01:26:50,479 Speaker 14: Straps onto the mattress and you put all this stuff 1959 01:26:50,520 --> 01:26:52,800 Speaker 14: over it, and you can dial it down to it 1960 01:26:53,479 --> 01:26:55,280 Speaker 14: and you don't have to put it on their side. 1961 01:26:55,840 --> 01:26:56,840 Speaker 1: Got your side is one? 1962 01:26:57,320 --> 01:26:57,679 Speaker 7: Anyway? 1963 01:26:57,880 --> 01:26:59,920 Speaker 10: Luckily I have a sleep number. Mine does that automatically. 1964 01:27:00,160 --> 01:27:01,840 Speaker 1: But chili pat we looked at that for like, oh, 1965 01:27:01,920 --> 01:27:05,160 Speaker 1: it's incredible, and also make one eat chili. Though that's problem. 1966 01:27:05,800 --> 01:27:07,760 Speaker 1: Like I think my consumption or friedo pies would go 1967 01:27:07,800 --> 01:27:09,679 Speaker 1: up if I had the chili pad because I would 1968 01:27:09,680 --> 01:27:11,479 Speaker 1: just always be thinking about chili. Did you ever do 1969 01:27:11,600 --> 01:27:14,600 Speaker 1: David Letterman that when it be on that studio is 1970 01:27:14,640 --> 01:27:16,559 Speaker 1: freezing cold for the same reason. 1971 01:27:16,600 --> 01:27:18,200 Speaker 10: Do you remember it being cold when you were there? 1972 01:27:18,720 --> 01:27:20,840 Speaker 7: It was cold? Yeah, it was really cool. 1973 01:27:20,760 --> 01:27:23,400 Speaker 1: Like almost the only thing I remember about the one 1974 01:27:23,400 --> 01:27:25,760 Speaker 1: thing I did Letterman like two or three times, and 1975 01:27:25,760 --> 01:27:28,200 Speaker 1: the last time I was there, I had my greatest 1976 01:27:28,439 --> 01:27:30,840 Speaker 1: you know, thank God that I had a Greatest Hits 1977 01:27:30,880 --> 01:27:33,760 Speaker 1: two album out right, and he introduced me. 1978 01:27:33,840 --> 01:27:34,599 Speaker 7: I swear to god. 1979 01:27:34,600 --> 01:27:40,519 Speaker 14: He goes, here's Kenny Chosney with his Greatest Hits eleven too. 1980 01:27:40,920 --> 01:27:44,479 Speaker 1: That's funny. Who has eleven greatest hits records? 1981 01:27:43,680 --> 01:27:43,920 Speaker 10: That's what. 1982 01:27:44,760 --> 01:27:45,479 Speaker 7: But that's what he said. 1983 01:27:45,600 --> 01:27:48,320 Speaker 1: You and the Eagles Man, that's it, the eleven greatest hits. 1984 01:27:48,720 --> 01:27:50,839 Speaker 1: We were talking and I'm gonna ask you a mentor 1985 01:27:50,960 --> 01:27:54,280 Speaker 1: question in a Seconday, I read a story about somebody 1986 01:27:54,280 --> 01:27:55,960 Speaker 1: and they're like, my mentor's this person. And I was like, 1987 01:27:55,960 --> 01:27:58,280 Speaker 1: why I know the person really well that he says 1988 01:27:58,280 --> 01:27:59,120 Speaker 1: a mentoring and that's not true. 1989 01:27:59,120 --> 01:27:59,599 Speaker 10: I din'tve know him. 1990 01:27:59,600 --> 01:28:01,880 Speaker 1: I didn't say it was, but I was like, let's 1991 01:28:01,880 --> 01:28:04,439 Speaker 1: all invent a fake mentor and my fake mentors. David Letterman, 1992 01:28:04,720 --> 01:28:06,439 Speaker 1: I don't know. I've never met him, it's like I'm 1993 01:28:06,439 --> 01:28:10,519 Speaker 1: a hero. So who is your real mentor? That you 1994 01:28:10,520 --> 01:28:13,479 Speaker 1: could have called it age twenty seven, you could have 1995 01:28:13,479 --> 01:28:15,000 Speaker 1: called it age forty one. 1996 01:28:15,439 --> 01:28:17,639 Speaker 14: That would be one of my managers. My manager, Dell 1997 01:28:17,680 --> 01:28:18,719 Speaker 14: Morris is a mentor. 1998 01:28:18,840 --> 01:28:20,840 Speaker 10: Sure, he find you way early. 1999 01:28:21,080 --> 01:28:21,280 Speaker 7: Yeah. 2000 01:28:21,400 --> 01:28:21,599 Speaker 1: Yeah. 2001 01:28:22,240 --> 01:28:25,240 Speaker 14: And what's great about mentors is is that you know, 2002 01:28:25,240 --> 01:28:27,400 Speaker 14: if we had the if we had to learn, I mean, 2003 01:28:27,439 --> 01:28:30,599 Speaker 14: mentors are really important in everybody's lives. If you had 2004 01:28:30,640 --> 01:28:34,960 Speaker 14: to learn your own life, life's lessons, it's it's it's hard. 2005 01:28:34,960 --> 01:28:38,760 Speaker 14: But if you could learn through the lessons of someone else's, 2006 01:28:39,520 --> 01:28:41,280 Speaker 14: it makes it a little easier in life, you know. 2007 01:28:41,400 --> 01:28:44,280 Speaker 14: So I would say Dale Joe Goolante, who is my 2008 01:28:44,320 --> 01:28:47,840 Speaker 14: record label president for a long time, and then I've 2009 01:28:47,880 --> 01:28:50,000 Speaker 14: got my you know, the people that I look up 2010 01:28:50,040 --> 01:28:51,799 Speaker 14: to with that, there are songwriters and. 2011 01:28:52,880 --> 01:28:56,080 Speaker 1: Who artistically did you look up to, and even if 2012 01:28:56,080 --> 01:28:59,439 Speaker 1: you didn't know them really well creatively, you're like, man, 2013 01:28:59,760 --> 01:29:00,920 Speaker 1: what they do so amazing? 2014 01:29:01,160 --> 01:29:03,200 Speaker 14: Well, I was always drawn to the people that wrote 2015 01:29:03,200 --> 01:29:05,600 Speaker 14: their songs and went out and performed them, you know, 2016 01:29:05,960 --> 01:29:11,120 Speaker 14: like Bruce Springsteen, like Jimmy Buffett. So, I mean so 2017 01:29:11,240 --> 01:29:14,040 Speaker 14: many people that just as a kid, you know what's 2018 01:29:14,040 --> 01:29:16,639 Speaker 14: crazy though, As a kid growing up in East Tennessee, 2019 01:29:17,080 --> 01:29:20,360 Speaker 14: I was I didn't know the genius of that. You know. 2020 01:29:20,520 --> 01:29:23,160 Speaker 14: I was playing sports and I heard Alabama on the 2021 01:29:23,240 --> 01:29:26,840 Speaker 14: radio and I heard, you know, everything they played on 2022 01:29:26,960 --> 01:29:28,960 Speaker 14: w i v K and Knoxville, Tennessee. And that's what 2023 01:29:29,400 --> 01:29:31,080 Speaker 14: That's the music I grew up one because that's the 2024 01:29:31,160 --> 01:29:34,040 Speaker 14: music my mom listened to all the time. But once 2025 01:29:34,080 --> 01:29:37,040 Speaker 14: I started writing songs and I discovered the genius of 2026 01:29:37,080 --> 01:29:39,639 Speaker 14: all these people that I now call my heroes, slash 2027 01:29:39,800 --> 01:29:42,559 Speaker 14: a little bit of friends, it's it opened up a 2028 01:29:42,560 --> 01:29:44,599 Speaker 14: whole new world to me because once. 2029 01:29:44,439 --> 01:29:47,000 Speaker 1: You started doing it, you started to see how heartily 2030 01:29:47,080 --> 01:29:50,240 Speaker 1: hard it was, that's right, And until you get in 2031 01:29:50,280 --> 01:29:53,519 Speaker 1: the mix, it's hard to actually see how it's being made. 2032 01:29:53,640 --> 01:29:57,639 Speaker 14: Yeah, And so for me, I was when I first 2033 01:29:57,680 --> 01:30:00,679 Speaker 14: started this. I moved to town, you know, several years ago, 2034 01:30:01,000 --> 01:30:03,360 Speaker 14: and was and was signed by a cuff Rose which 2035 01:30:03,400 --> 01:30:05,559 Speaker 14: is now Sony. Sony bought a COO rows years ago, 2036 01:30:05,840 --> 01:30:09,040 Speaker 14: and that's all I thought I was gonna do. I 2037 01:30:09,040 --> 01:30:11,880 Speaker 14: had no idea that I was going to go out 2038 01:30:11,920 --> 01:30:13,639 Speaker 14: on the road, and I mean I hoped I would, 2039 01:30:14,040 --> 01:30:15,880 Speaker 14: but I was so in love with the thought of 2040 01:30:15,960 --> 01:30:21,400 Speaker 14: creating and given the world something that didn't exist yesterday, right, 2041 01:30:22,040 --> 01:30:25,320 Speaker 14: And so that's that, that's what really got me excited 2042 01:30:25,320 --> 01:30:27,599 Speaker 14: to get up every day. And so then it turned 2043 01:30:27,600 --> 01:30:31,040 Speaker 14: into this, which is it's it's the audience we've built 2044 01:30:31,040 --> 01:30:33,320 Speaker 14: out there is really beautiful. But when I first came 2045 01:30:33,360 --> 01:30:35,599 Speaker 14: to town, I didn't know this existed. 2046 01:30:36,439 --> 01:30:39,960 Speaker 1: It's you know, you're known for your audience, obviously for 2047 01:30:40,000 --> 01:30:42,960 Speaker 1: all eleven Greatest Hits albums, but also but also because 2048 01:30:43,479 --> 01:30:46,000 Speaker 1: all reality you have thirty five number one songs and 2049 01:30:46,040 --> 01:30:49,000 Speaker 1: that's not even including all the songs that were even 2050 01:30:49,040 --> 01:30:50,559 Speaker 1: bigger than some of the number ones. That's the chart 2051 01:30:50,600 --> 01:30:52,519 Speaker 1: didn't even recognize as a number one, right, So right, 2052 01:30:53,000 --> 01:30:55,479 Speaker 1: you have this massive community, bigger than anything that I've 2053 01:30:55,520 --> 01:30:57,120 Speaker 1: seen in our format. 2054 01:30:57,200 --> 01:31:00,799 Speaker 10: You know, there are people like fish Are Grateful Day Chesney. 2055 01:31:00,800 --> 01:31:03,479 Speaker 1: You can go through those groups and you would know 2056 01:31:03,560 --> 01:31:08,000 Speaker 1: kind of what the vibe is by the culture that 2057 01:31:08,120 --> 01:31:09,840 Speaker 1: is spread around the country. Now, my point with all 2058 01:31:09,880 --> 01:31:12,360 Speaker 1: this is it's even shown in TV shows. There was 2059 01:31:12,360 --> 01:31:15,640 Speaker 1: that show where there's a psycho killer. Steve Carell was 2060 01:31:15,680 --> 01:31:18,040 Speaker 1: in it, and the guy the killer would like go 2061 01:31:18,040 --> 01:31:20,680 Speaker 1: to Kenny Chesney like yeah, oh yeah. He had a 2062 01:31:20,760 --> 01:31:22,960 Speaker 1: crew and they all loved each other. And he was like, 2063 01:31:23,000 --> 01:31:26,960 Speaker 1: we go to Chesney shows. How amazing and weird that 2064 01:31:27,000 --> 01:31:29,439 Speaker 1: it crosses over into pop culture. That you see the 2065 01:31:29,439 --> 01:31:31,680 Speaker 1: culture you've built, but through it like a fictional part 2066 01:31:31,800 --> 01:31:32,000 Speaker 1: of it. 2067 01:31:32,200 --> 01:31:34,080 Speaker 7: It's crazy. I mean it really is. 2068 01:31:34,120 --> 01:31:36,559 Speaker 14: And look, Bobby, to be up there on stage and 2069 01:31:36,600 --> 01:31:39,000 Speaker 14: see the faces of people that listen to this music 2070 01:31:39,040 --> 01:31:43,880 Speaker 14: and want to come obviously experience the songs, but just experience. 2071 01:31:43,520 --> 01:31:44,840 Speaker 7: The experience of being there. 2072 01:31:45,160 --> 01:31:48,080 Speaker 14: That is, we didn't wake up and just it be 2073 01:31:48,160 --> 01:31:50,880 Speaker 14: that way. You know, it was built over the years 2074 01:31:50,920 --> 01:31:56,240 Speaker 14: and it's but it's crazy to see. I mean, I 2075 01:31:57,080 --> 01:31:59,320 Speaker 14: had so many people call me about that show. The 2076 01:31:59,360 --> 01:32:01,439 Speaker 14: Patient is what I called The Patient. Yeah, that's right, 2077 01:32:01,479 --> 01:32:03,080 Speaker 14: and I had I mean, I had so many people 2078 01:32:03,080 --> 01:32:04,680 Speaker 14: call me. I haven't seen it yet, but it was 2079 01:32:04,760 --> 01:32:07,040 Speaker 14: complimentary to you, very complimenting. It wasn't like you were 2080 01:32:07,080 --> 01:32:09,800 Speaker 14: killing people, No, it was like he enjoyed my music. 2081 01:32:09,880 --> 01:32:14,200 Speaker 14: Was the threat of them, Yes, but but it was 2082 01:32:14,240 --> 01:32:17,920 Speaker 14: weird to be watching that show and them talking about 2083 01:32:18,479 --> 01:32:21,360 Speaker 14: you and saying your name, and you know and listening. 2084 01:32:21,560 --> 01:32:23,880 Speaker 14: You know, the guys are in that room in a 2085 01:32:23,920 --> 01:32:26,400 Speaker 14: dark room listening to I Go Back, it was really weird. 2086 01:32:27,000 --> 01:32:29,120 Speaker 1: And what they were showing though, and not even in 2087 01:32:29,160 --> 01:32:32,760 Speaker 1: a psychotic way, was again the culture that you've built 2088 01:32:32,760 --> 01:32:34,280 Speaker 1: out your shows, where everybody just loves each other and 2089 01:32:34,280 --> 01:32:36,600 Speaker 1: they'll look out and travel together. That was kind of 2090 01:32:36,640 --> 01:32:38,000 Speaker 1: the warmness of that. 2091 01:32:37,880 --> 01:32:39,960 Speaker 10: Weird show was your music. 2092 01:32:39,960 --> 01:32:41,919 Speaker 7: It was the balance of the darkness. 2093 01:32:41,920 --> 01:32:43,760 Speaker 1: And it's got to be crazy to be just a 2094 01:32:43,840 --> 01:32:46,680 Speaker 1: dude like you. Obviously some people look at you in 2095 01:32:46,680 --> 01:32:48,200 Speaker 1: a lot of different ways, Kenny the Great singer, but 2096 01:32:48,240 --> 01:32:50,920 Speaker 1: you know you your dude. And to know that what 2097 01:32:50,960 --> 01:32:53,960 Speaker 1: you've done has crossed over into such mainstream and what 2098 01:32:54,000 --> 01:32:55,800 Speaker 1: you've built, it's something. 2099 01:32:55,520 --> 01:32:57,640 Speaker 7: That you don't dream of, honestly, you know. 2100 01:32:57,720 --> 01:33:03,040 Speaker 14: But it's just it's I was flattered that it that 2101 01:33:03,040 --> 01:33:06,280 Speaker 14: that it has, you know. But Bobby, I don't think 2102 01:33:06,280 --> 01:33:07,840 Speaker 14: of I don't think about that. I mean I I 2103 01:33:07,920 --> 01:33:09,519 Speaker 14: just I get up every day and try to create 2104 01:33:09,560 --> 01:33:11,200 Speaker 14: and try to be the best person I can and 2105 01:33:11,560 --> 01:33:12,400 Speaker 14: grow our audience. 2106 01:33:12,439 --> 01:33:14,960 Speaker 7: And but I think one of the things that has. 2107 01:33:14,920 --> 01:33:19,080 Speaker 14: Has helped do that is over the over the years, 2108 01:33:19,160 --> 01:33:22,000 Speaker 14: year after year, people come to the shows and they 2109 01:33:22,040 --> 01:33:27,040 Speaker 14: realize that it's that it's it's a safe place from 2110 01:33:27,200 --> 01:33:30,840 Speaker 14: psycho killers, that and and just negativity. 2111 01:33:30,880 --> 01:33:32,120 Speaker 1: Yeah, nobody. 2112 01:33:33,320 --> 01:33:33,559 Speaker 12: I don't. 2113 01:33:33,600 --> 01:33:36,960 Speaker 14: I don't use my platform or my stage to impose 2114 01:33:37,800 --> 01:33:41,000 Speaker 14: my thinking. You know. I when you come to our shows, 2115 01:33:41,040 --> 01:33:43,160 Speaker 14: you're not going to be told what to think, You're 2116 01:33:43,160 --> 01:33:44,599 Speaker 14: not going to be told how to vote. 2117 01:33:45,160 --> 01:33:45,360 Speaker 7: You know. 2118 01:33:45,400 --> 01:33:47,680 Speaker 14: It's just it's just it's you're safe from all that 2119 01:33:47,760 --> 01:33:50,920 Speaker 14: because you get all that negativity and and try to 2120 01:33:50,960 --> 01:33:54,200 Speaker 14: be manipulated everywhere else in the world, especially if you 2121 01:33:54,200 --> 01:33:57,439 Speaker 14: watch enough TV. So I would like to think that's 2122 01:33:57,479 --> 01:33:58,240 Speaker 14: where that started. 2123 01:33:58,560 --> 01:34:01,200 Speaker 1: Who was the person I was like, can we need 2124 01:34:01,240 --> 01:34:04,280 Speaker 1: to do flags because the flags of they're now everywhere? 2125 01:34:04,320 --> 01:34:06,720 Speaker 1: But that's also something that's kind of weird if you 2126 01:34:06,760 --> 01:34:08,839 Speaker 1: don't know people are going to use that to sell flags, 2127 01:34:09,000 --> 01:34:11,559 Speaker 1: Like yeah, who was Maybe it was you like, we 2128 01:34:11,600 --> 01:34:13,639 Speaker 1: need to do flags for boats or flags for whatever 2129 01:34:13,640 --> 01:34:13,880 Speaker 1: it is. 2130 01:34:13,920 --> 01:34:16,080 Speaker 14: Well, it started with boats because I've spent a lot 2131 01:34:16,080 --> 01:34:19,720 Speaker 14: of my adult life on the boat, and that's where 2132 01:34:19,760 --> 01:34:21,840 Speaker 14: it started. And then it was my merch guy's Tim 2133 01:34:21,840 --> 01:34:22,160 Speaker 14: and Darrell. 2134 01:34:22,200 --> 01:34:22,680 Speaker 7: I've got a lot. 2135 01:34:22,760 --> 01:34:25,120 Speaker 14: I've got three or four guys that are out on 2136 01:34:25,160 --> 01:34:27,920 Speaker 14: the road with me once my road manager David, and 2137 01:34:28,000 --> 01:34:29,760 Speaker 14: he runs my own company, and then Tim and Dale 2138 01:34:29,880 --> 01:34:32,000 Speaker 14: run my merch company. We all went to high school 2139 01:34:32,000 --> 01:34:35,840 Speaker 14: together and so crazy, it's crazy in college roommates and 2140 01:34:35,920 --> 01:34:39,040 Speaker 14: so you know that they know exactly the button to 2141 01:34:39,080 --> 01:34:42,000 Speaker 14: push to bring you know, can easy go down a 2142 01:34:42,000 --> 01:34:43,479 Speaker 14: little bit? You know what I mean, Like they've been 2143 01:34:43,479 --> 01:34:47,840 Speaker 14: with me forever. So but it was their idea initially, 2144 01:34:47,920 --> 01:34:49,760 Speaker 14: well my my idea for the boat flags and went, 2145 01:34:49,800 --> 01:34:51,120 Speaker 14: now we got to do more than boat flags. We 2146 01:34:51,200 --> 01:34:53,920 Speaker 14: gotta we got to have them everywhere. So that was 2147 01:34:54,200 --> 01:34:55,680 Speaker 14: That was several years ago and. 2148 01:34:55,680 --> 01:34:57,920 Speaker 1: It is now. It's just normal because it's the culture 2149 01:34:57,960 --> 01:35:03,760 Speaker 1: of your artist, the live experience, the music. Like it's 2150 01:35:03,800 --> 01:35:05,000 Speaker 1: been a really cool thing. But like you said, it 2151 01:35:05,000 --> 01:35:05,879 Speaker 1: wasn't built overnight. 2152 01:35:06,000 --> 01:35:09,760 Speaker 7: No, I mean it was. It was not built overnight. 2153 01:35:09,360 --> 01:35:11,200 Speaker 1: Which to me and I want to we've talked about 2154 01:35:11,200 --> 01:35:12,880 Speaker 1: the new record before you got here. But the record 2155 01:35:12,960 --> 01:35:15,840 Speaker 1: is called Born. That's a great song, super catchy, and 2156 01:35:15,960 --> 01:35:17,640 Speaker 1: you know, one of my friends had the Morgans, one 2157 01:35:17,640 --> 01:35:20,120 Speaker 1: of the writers in that song, like, yeah, she's great. 2158 01:35:20,479 --> 01:35:21,920 Speaker 10: But when you name a record. 2159 01:35:21,800 --> 01:35:25,600 Speaker 1: Something yeah, and you name it born, there's also a 2160 01:35:25,640 --> 01:35:27,320 Speaker 1: thought of, well, the name of this also needs to 2161 01:35:27,360 --> 01:35:30,280 Speaker 1: represent who I Am Now and the Why Born? It's 2162 01:35:30,280 --> 01:35:32,720 Speaker 1: your twentieth record, right, do you feel. 2163 01:35:32,479 --> 01:35:35,679 Speaker 14: Reborn in a way? You know, like new music brings 2164 01:35:35,760 --> 01:35:41,280 Speaker 14: new energy, you know? And I felt like that when 2165 01:35:41,320 --> 01:35:42,920 Speaker 14: I first heard this song. It just it's just a 2166 01:35:42,960 --> 01:35:46,880 Speaker 14: reminder that although although we're all very different, we're all 2167 01:35:46,920 --> 01:35:49,439 Speaker 14: in ways at our core still the same. We all dream, 2168 01:35:49,479 --> 01:35:51,439 Speaker 14: we all love our loved ones, we all want to 2169 01:35:51,479 --> 01:35:53,479 Speaker 14: be loved, and in the middle of it, we want 2170 01:35:53,520 --> 01:35:56,880 Speaker 14: to for me anyway, When I heard this song, there's 2171 01:35:56,880 --> 01:36:00,240 Speaker 14: a lot in it specifically that says, what does life 2172 01:36:00,240 --> 01:36:01,479 Speaker 14: and love and truth all mean? 2173 01:36:02,280 --> 01:36:04,519 Speaker 7: Already? Making it harder than it has to be? Am? 2174 01:36:04,520 --> 01:36:06,840 Speaker 14: I making it harder than it has to be? And 2175 01:36:06,880 --> 01:36:08,360 Speaker 14: I am very guilty of that. 2176 01:36:08,680 --> 01:36:08,920 Speaker 1: You know. 2177 01:36:09,320 --> 01:36:12,080 Speaker 14: I'm in a place in my life where, well, yeah, 2178 01:36:12,120 --> 01:36:15,519 Speaker 14: I've got a we all have you know, you this, 2179 01:36:15,520 --> 01:36:17,920 Speaker 14: this this voice in our head that we all talk 2180 01:36:18,000 --> 01:36:20,640 Speaker 14: to every day is unnecessary sometimes and I do that 2181 01:36:20,760 --> 01:36:23,240 Speaker 14: a lot, and sometimes I do think I'm making it 2182 01:36:23,280 --> 01:36:25,240 Speaker 14: harder than it has to be, you know. And that's 2183 01:36:25,320 --> 01:36:27,920 Speaker 14: that's why that song stuck out to me so much, 2184 01:36:28,400 --> 01:36:31,920 Speaker 14: and just energetically and melodically and the nature of how 2185 01:36:31,920 --> 01:36:33,680 Speaker 14: we cut it. I just felt like that was a 2186 01:36:33,720 --> 01:36:36,280 Speaker 14: great way in the sequence of the record to start it, 2187 01:36:36,560 --> 01:36:38,599 Speaker 14: and it was a good thing to say to our audience. 2188 01:36:38,600 --> 01:36:41,000 Speaker 7: You know. So I'm looking forward to doing that this summer. 2189 01:36:41,040 --> 01:36:41,920 Speaker 10: You know, you're going back out. 2190 01:36:41,960 --> 01:36:45,360 Speaker 1: It's the Sun Goes Down twenty twenty four tour, and man, 2191 01:36:45,400 --> 01:36:45,880 Speaker 1: what a show. 2192 01:36:45,880 --> 01:36:47,960 Speaker 10: It's Zach, Zach Brown Band, Meghan Maroney. 2193 01:36:47,720 --> 01:36:49,479 Speaker 1: Uncle Cracker. Yeah, holy crap. 2194 01:36:49,560 --> 01:36:50,679 Speaker 7: Yeah, it's gonna be a fun summer. 2195 01:36:50,720 --> 01:36:51,920 Speaker 10: I mean, even if you weren't there, that'd be a 2196 01:36:51,960 --> 01:36:53,000 Speaker 10: good show, right with you there. 2197 01:36:53,000 --> 01:36:55,000 Speaker 7: It's all I mean, well, but you know, Zach doesn't 2198 01:36:55,040 --> 01:36:55,880 Speaker 7: have to do it, but he is. 2199 01:36:56,120 --> 01:36:58,800 Speaker 14: Yeah, this is which is great. I couldn't believe that 2200 01:36:58,840 --> 01:37:03,000 Speaker 14: he said, yes, you know, but so it was I 2201 01:37:03,040 --> 01:37:06,360 Speaker 14: And then I've met Megan once and I think, uh, 2202 01:37:06,600 --> 01:37:09,400 Speaker 14: you know what she's she's building her own beautiful audience, a. 2203 01:37:09,479 --> 01:37:10,880 Speaker 1: Song rioter to the court. 2204 01:37:11,080 --> 01:37:11,439 Speaker 16: Yeah. 2205 01:37:11,479 --> 01:37:13,599 Speaker 14: And then Uncle Cracker, you know when we put out 2206 01:37:13,640 --> 01:37:17,760 Speaker 14: When the Sun Goes Down several years ago. You know, 2207 01:37:17,840 --> 01:37:20,519 Speaker 14: we we had we met each other just once, and 2208 01:37:20,560 --> 01:37:24,040 Speaker 14: here's this guy from from Detroit and me from East Tennessee. 2209 01:37:24,080 --> 01:37:26,479 Speaker 14: And to think that we would be live friends after 2210 01:37:26,560 --> 01:37:28,800 Speaker 14: that song, you we I would have never have guessed it. 2211 01:37:28,880 --> 01:37:29,719 Speaker 10: You got still buddies. 2212 01:37:29,880 --> 01:37:33,040 Speaker 14: Yeah, gosh, I mean we're so such good friends and 2213 01:37:33,040 --> 01:37:35,320 Speaker 14: and have him back out there. I mean we just 2214 01:37:35,960 --> 01:37:38,479 Speaker 14: did it because the music great, but look, the fun 2215 01:37:38,560 --> 01:37:40,920 Speaker 14: factor goes way up and the joke factor. 2216 01:37:40,960 --> 01:37:43,640 Speaker 7: I mean, we laughed so much, and I need that 2217 01:37:43,680 --> 01:37:45,599 Speaker 7: out on the road. I do. I just can't sit 2218 01:37:45,640 --> 01:37:47,320 Speaker 7: on the bus all day and watch direct TV. 2219 01:37:47,520 --> 01:37:48,160 Speaker 1: I need that here. 2220 01:37:48,360 --> 01:37:55,040 Speaker 16: Yeah, we're trying to laugh, Okay, you try to everything. 2221 01:37:55,160 --> 01:37:58,320 Speaker 1: I want to laugh though the funny one. Kenny Chesney 2222 01:37:58,320 --> 01:38:00,080 Speaker 1: dot com to see all the dates and so, so 2223 01:38:00,680 --> 01:38:03,360 Speaker 1: you know, you're the guy that I associate with doing stadiums, 2224 01:38:03,520 --> 01:38:06,120 Speaker 1: like the country artists that I like who does stadiums 2225 01:38:06,439 --> 01:38:07,599 Speaker 1: freaking Kenny has forever. 2226 01:38:07,720 --> 01:38:10,840 Speaker 10: Like to me, you're that guy and you've done stadiums forever. 2227 01:38:10,920 --> 01:38:13,320 Speaker 1: And I think even like the where the Patriots play, 2228 01:38:13,360 --> 01:38:15,240 Speaker 1: Like I even have places that I really associate you 2229 01:38:15,240 --> 01:38:18,519 Speaker 1: with playing. I don't know why there's New England dates, 2230 01:38:18,760 --> 01:38:21,040 Speaker 1: feel like maybe there were just so many stories that 2231 01:38:21,080 --> 01:38:22,920 Speaker 1: came from those from friends that went up or even 2232 01:38:22,960 --> 01:38:27,000 Speaker 1: you coming in here. But stadiums versus arenas, how do 2233 01:38:27,120 --> 01:38:30,400 Speaker 1: you have to perform differently based on the venue of 2234 01:38:30,400 --> 01:38:32,599 Speaker 1: a stadium open air outside massive most of the time. 2235 01:38:32,600 --> 01:38:35,559 Speaker 1: In arena still massive, but inside like a basketball arena 2236 01:38:35,560 --> 01:38:36,400 Speaker 1: and people are closer. 2237 01:38:36,960 --> 01:38:37,160 Speaker 7: Well. 2238 01:38:37,240 --> 01:38:42,160 Speaker 14: Last year, by design, I went and did small market 2239 01:38:42,240 --> 01:38:44,880 Speaker 14: arenas and Kelsey Ballerini went out with me and that 2240 01:38:45,000 --> 01:38:47,360 Speaker 14: was a blast. But it's it is different, I mean, 2241 01:38:47,400 --> 01:38:50,200 Speaker 14: just just you know, with the stadium, I've learned. It 2242 01:38:50,200 --> 01:38:52,320 Speaker 14: took me a couple of years, actually, Bobby, because I 2243 01:38:52,800 --> 01:38:56,639 Speaker 14: was although my me and my crew love the fact 2244 01:38:56,640 --> 01:38:59,639 Speaker 14: that we were doing it, I hadn't wrapped my arms around. 2245 01:39:00,080 --> 01:39:02,840 Speaker 14: It took of me emotionally and mentally to do it. 2246 01:39:03,760 --> 01:39:05,840 Speaker 14: By the third year of doing it, I felt like 2247 01:39:05,880 --> 01:39:07,840 Speaker 14: I had it down. But that's when I started going 2248 01:39:07,880 --> 01:39:10,000 Speaker 14: to the top of the stadium on Friday night after 2249 01:39:10,080 --> 01:39:16,120 Speaker 14: soundcheck to to visually and emotionally and mentally measure how 2250 01:39:16,160 --> 01:39:17,880 Speaker 14: far I had to go because I know what it 2251 01:39:17,920 --> 01:39:20,240 Speaker 14: looks like down on the stage up to the top row, 2252 01:39:20,680 --> 01:39:24,080 Speaker 14: but I wanted to get a different perspective. So that 2253 01:39:24,280 --> 01:39:28,160 Speaker 14: helped me a lot, it really did. And you know, 2254 01:39:28,200 --> 01:39:31,240 Speaker 14: it's just this would be our I don't know. I 2255 01:39:31,280 --> 01:39:34,519 Speaker 14: think I think the first year we did football stadiums 2256 01:39:34,560 --> 01:39:36,679 Speaker 14: was in two thousand and five, and we did three. 2257 01:39:36,720 --> 01:39:41,240 Speaker 14: We did Pittsburgh, Philadelphia, and then in New England I 2258 01:39:41,240 --> 01:39:43,840 Speaker 14: think two thousand and five, and then so this, this, 2259 01:39:44,000 --> 01:39:46,200 Speaker 14: and then the next year we did a bunch of 2260 01:39:46,240 --> 01:39:47,760 Speaker 14: them and then here we are. 2261 01:39:48,400 --> 01:39:50,600 Speaker 1: Do you have so many cool sports relationships? Because of 2262 01:39:50,720 --> 01:39:52,680 Speaker 1: so many that to me is the coolest thing. 2263 01:39:52,840 --> 01:39:55,960 Speaker 14: It is unbelievable at the I mean, I have I 2264 01:39:56,000 --> 01:39:58,840 Speaker 14: have more friends in sports than I have in music, honestly, 2265 01:39:59,000 --> 01:40:00,840 Speaker 14: And if you come to our show at any one 2266 01:40:00,880 --> 01:40:03,479 Speaker 14: of the stadium shows, you're gonna see more sports people 2267 01:40:03,479 --> 01:40:05,120 Speaker 14: there outside the bus. 2268 01:40:05,000 --> 01:40:07,040 Speaker 1: Than you will music people, probably because that's cooler for 2269 01:40:07,080 --> 01:40:08,240 Speaker 1: you too, right, I mean that'sen. 2270 01:40:08,240 --> 01:40:09,200 Speaker 10: We're not mused people all time? 2271 01:40:09,360 --> 01:40:13,559 Speaker 14: Are now My music friends were busy? Yeah, that's but yeah. 2272 01:40:13,600 --> 01:40:16,000 Speaker 14: I mean, like, look, who's your coolest. 2273 01:40:15,680 --> 01:40:19,040 Speaker 1: Sports friend that when you were twenty you'd be thirteen, 2274 01:40:19,080 --> 01:40:21,760 Speaker 1: I don't care, or even twenty eight thirty that you're like, man, 2275 01:40:21,800 --> 01:40:23,599 Speaker 1: that's cool to watching my TV. But now they're your buddy. 2276 01:40:24,520 --> 01:40:26,040 Speaker 7: Oh well, I mean there's so many. 2277 01:40:26,160 --> 01:40:28,080 Speaker 14: Like when we put out The Boys a Fall song, 2278 01:40:29,160 --> 01:40:31,799 Speaker 14: and ESPN asked us to make The Boys a Fall film, 2279 01:40:33,080 --> 01:40:34,800 Speaker 14: they paid for me to go around and talk to 2280 01:40:34,840 --> 01:40:37,320 Speaker 14: all my heroes, and all of a sudden, I mean, 2281 01:40:37,400 --> 01:40:39,600 Speaker 14: I was I was in the I was in the 2282 01:40:39,640 --> 01:40:41,880 Speaker 14: living room of John Madden, and I was in the 2283 01:40:41,880 --> 01:40:43,600 Speaker 14: living room of Brett Favor, and I was in the 2284 01:40:43,640 --> 01:40:48,240 Speaker 14: living room of Nick Saban. So many people and when 2285 01:40:48,280 --> 01:40:50,960 Speaker 14: we were done recording, when shooting, we had dinner at 2286 01:40:50,960 --> 01:40:51,360 Speaker 14: their house. 2287 01:40:51,400 --> 01:40:52,000 Speaker 7: It was crazy. 2288 01:40:52,560 --> 01:40:55,920 Speaker 14: And so that's so after that, so many sports people 2289 01:40:55,920 --> 01:41:00,280 Speaker 14: started coming to the shows, and so that's that's where 2290 01:41:00,360 --> 01:41:03,000 Speaker 14: I mean, I was friends with sports people before, but 2291 01:41:03,120 --> 01:41:05,920 Speaker 14: there's one thing that that I've I've always that I 2292 01:41:06,000 --> 01:41:08,560 Speaker 14: know now for sure sports people really want to be 2293 01:41:08,600 --> 01:41:11,559 Speaker 14: a music person, and a music person would give anything 2294 01:41:11,600 --> 01:41:15,000 Speaker 14: to be a sports person. So there there's this there's 2295 01:41:15,040 --> 01:41:19,280 Speaker 14: this mutual respect, you know, and so so yeah, that's 2296 01:41:19,320 --> 01:41:20,160 Speaker 14: that's where it started. 2297 01:41:20,680 --> 01:41:23,600 Speaker 1: Coolest athlete or coach to come out and sing or 2298 01:41:23,640 --> 01:41:25,680 Speaker 1: do be a part of your show, to jump out 2299 01:41:25,720 --> 01:41:27,320 Speaker 1: and just do it fu so many I mean, like 2300 01:41:27,400 --> 01:41:29,160 Speaker 1: who comes to my first not too about just who 2301 01:41:29,160 --> 01:41:30,240 Speaker 1: comes to by Andy Reid. 2302 01:41:30,120 --> 01:41:32,559 Speaker 14: But Andy Reid the coach of the chiefs Now but 2303 01:41:32,680 --> 01:41:36,960 Speaker 14: he came out when he was coach for the Eeles 2304 01:41:36,960 --> 01:41:40,680 Speaker 14: Philadelphia Eagles, and he brought out an Eagles helmet, and 2305 01:41:40,720 --> 01:41:42,760 Speaker 14: I got a small head. You know, I've got my 2306 01:41:42,880 --> 01:41:45,920 Speaker 14: I've got my my straw cowboy hat, you know, that 2307 01:41:45,960 --> 01:41:48,280 Speaker 14: fits on there pretty good. And he came out and 2308 01:41:48,280 --> 01:41:50,280 Speaker 14: he brought an Eagles helmet and doing this fly Eagles 2309 01:41:50,280 --> 01:41:53,080 Speaker 14: fly thing. Well, I took the helmet from him and 2310 01:41:53,160 --> 01:41:56,280 Speaker 14: took my hat off and put the helmet the helmet 2311 01:41:56,320 --> 01:41:58,559 Speaker 14: on me, and I put my hat on his head 2312 01:41:58,880 --> 01:42:01,720 Speaker 14: and it'll like barely, it wouldn't. 2313 01:42:01,400 --> 01:42:03,479 Speaker 1: Even fit on his head, Like he's got such a 2314 01:42:03,479 --> 01:42:05,160 Speaker 1: big head. Plays went crazy. 2315 01:42:05,200 --> 01:42:06,479 Speaker 10: I'm looking at the picture because he's in like a 2316 01:42:06,520 --> 01:42:07,120 Speaker 10: Hawaiian shirt. 2317 01:42:07,200 --> 01:42:07,360 Speaker 14: Yeah. 2318 01:42:07,520 --> 01:42:09,720 Speaker 1: Yeah, and the helmet has like consumed your head in 2319 01:42:09,760 --> 01:42:12,280 Speaker 1: this movie. That, yeah, that's super well for them. 2320 01:42:12,320 --> 01:42:15,040 Speaker 14: They get so excited to come up. And you know, 2321 01:42:15,120 --> 01:42:17,679 Speaker 14: we played lambeau Field. The last time we played lambeau 2322 01:42:17,720 --> 01:42:21,280 Speaker 14: Field was in twenty fifteen, I think, and and Mike 2323 01:42:21,360 --> 01:42:24,439 Speaker 14: McCarthy was still coach the Cowboys coach now was actually 2324 01:42:24,479 --> 01:42:26,720 Speaker 14: still coach for the Packers at the time, and they 2325 01:42:26,720 --> 01:42:29,120 Speaker 14: had just won the Super Bowl, and he brought the 2326 01:42:29,680 --> 01:42:33,160 Speaker 14: Lombardi Trophy out on stage, and I swear to god, 2327 01:42:33,280 --> 01:42:35,880 Speaker 14: you could feel the foundation of lambeau Field Shake. 2328 01:42:35,960 --> 01:42:38,240 Speaker 1: It was so loud, they were the crowd was going on. 2329 01:42:38,280 --> 01:42:39,599 Speaker 7: It was so loud. 2330 01:42:39,640 --> 01:42:40,720 Speaker 14: I mean, that was one of the It was one 2331 01:42:40,720 --> 01:42:44,800 Speaker 14: of the most amazing experiences. So you know, when you're 2332 01:42:44,840 --> 01:42:49,160 Speaker 14: up there singing a song about their life and validating 2333 01:42:49,280 --> 01:42:52,599 Speaker 14: their life journey with the song like boys Will Fall, 2334 01:42:52,600 --> 01:42:54,599 Speaker 14: I mean, they just it's just wonderful. 2335 01:42:54,640 --> 01:42:56,320 Speaker 1: I want to play another song from the new album. 2336 01:42:56,640 --> 01:43:00,599 Speaker 1: This is Guilty Pleasure. So you wrote the song, yeah, 2337 01:43:00,640 --> 01:43:03,759 Speaker 1: And did you feel more of a priority to write 2338 01:43:03,840 --> 01:43:05,679 Speaker 1: or are you just more interested in writing? Like, well, 2339 01:43:05,880 --> 01:43:07,640 Speaker 1: why this record? Was it more than the past? It 2340 01:43:07,640 --> 01:43:08,479 Speaker 1: seems like a bit more. 2341 01:43:08,600 --> 01:43:10,960 Speaker 14: It took Yeah, I got I wrote four or five 2342 01:43:11,000 --> 01:43:13,200 Speaker 14: songs on this record. Although I've never been the kind 2343 01:43:13,240 --> 01:43:16,280 Speaker 14: of artist that said, Okay, I've got to write a song, man. 2344 01:43:16,280 --> 01:43:18,280 Speaker 14: If I have, if I had that mentality, I wouldn't 2345 01:43:18,320 --> 01:43:21,479 Speaker 14: ever recorded you in Tequila or yeah no shoes or 2346 01:43:22,320 --> 01:43:25,559 Speaker 14: yeah a lot. You know, But it took three years 2347 01:43:25,600 --> 01:43:28,000 Speaker 14: to make this record. So why you know why? 2348 01:43:28,800 --> 01:43:29,680 Speaker 1: Well, one of. 2349 01:43:29,680 --> 01:43:34,320 Speaker 14: The reasons is it's you don't want to repeat yourself. 2350 01:43:34,920 --> 01:43:38,400 Speaker 14: And at this point, you know when people sing you songs, yeah, 2351 01:43:38,560 --> 01:43:40,840 Speaker 14: maybe maybe ten years ago I would have recorded that song, 2352 01:43:40,880 --> 01:43:43,000 Speaker 14: but I've already said that, you know, so it's it 2353 01:43:43,160 --> 01:43:46,120 Speaker 14: just took a minute. And then as far as Guilty Pleasure, 2354 01:43:46,160 --> 01:43:48,800 Speaker 14: I wrote that song with Ross Kopperman, Josh Osbourne and 2355 01:43:48,840 --> 01:43:51,560 Speaker 14: Shane McAnally. And that's the last song I wrote for 2356 01:43:51,600 --> 01:43:55,680 Speaker 14: the record, and I just think it was a it 2357 01:43:55,720 --> 01:43:58,479 Speaker 14: was just a dive into human behavior, you know, and 2358 01:43:58,479 --> 01:44:01,719 Speaker 14: it let's eat it, lets each person off the hook 2359 01:44:02,040 --> 01:44:06,439 Speaker 14: if you will, you know, and and just letting whatever 2360 01:44:06,479 --> 01:44:09,719 Speaker 14: the relationship is, let it be that without too much pressure. 2361 01:44:10,000 --> 01:44:11,439 Speaker 7: And so that's where that song came from. 2362 01:44:11,680 --> 01:44:13,519 Speaker 1: Just a few more questions. We have Kenny Chesney here 2363 01:44:13,520 --> 01:44:16,479 Speaker 1: with us new records out today called Born. We we're 2364 01:44:16,479 --> 01:44:19,040 Speaker 1: talking to Hardy and he's one of the writers on 2365 01:44:19,120 --> 01:44:21,280 Speaker 1: your single now Take Her Home, And we played that 2366 01:44:21,320 --> 01:44:23,120 Speaker 1: song a decent Moountain Now started to become a big 2367 01:44:23,160 --> 01:44:26,280 Speaker 1: old hit. So Hardy's one of these guys that writes 2368 01:44:26,320 --> 01:44:28,320 Speaker 1: so many songs. He's so good and there are other 2369 01:44:28,360 --> 01:44:29,800 Speaker 1: good writers on this too. But is he one of 2370 01:44:29,800 --> 01:44:31,800 Speaker 1: the guys too that we ever hit a guy up 2371 01:44:31,840 --> 01:44:33,240 Speaker 1: like Hardy and be like, hey, what do you have? 2372 01:44:33,720 --> 01:44:34,800 Speaker 14: Or will he come to you? And be like, I 2373 01:44:34,840 --> 01:44:36,920 Speaker 14: have something that you may like. Well, that's what happened 2374 01:44:36,960 --> 01:44:39,439 Speaker 14: with Take Her Home. I got a email from him, 2375 01:44:39,920 --> 01:44:43,120 Speaker 14: and you know, I'd never really hung out with him much. 2376 01:44:43,800 --> 01:44:47,560 Speaker 14: Our paths hadn't crossed that much. But I got a 2377 01:44:47,600 --> 01:44:49,960 Speaker 14: email from it from him saying, you know, me and 2378 01:44:49,960 --> 01:44:51,880 Speaker 14: the guys wrote a song yesterday and we had you 2379 01:44:51,920 --> 01:44:54,080 Speaker 14: in mind. We think this is something for you. And 2380 01:44:54,120 --> 01:44:56,040 Speaker 14: I listened to it and I'm like, yeah, yeah, you're right, 2381 01:44:56,640 --> 01:44:58,880 Speaker 14: and that that's really cool when that happens, cause you know, 2382 01:44:59,000 --> 01:45:01,559 Speaker 14: nine times out of ten going nah, maybe not. But 2383 01:45:02,200 --> 01:45:04,320 Speaker 14: when I heard that, I mean, he's such a great 2384 01:45:04,320 --> 01:45:08,680 Speaker 14: songwriter and just just you know, when I hear some 2385 01:45:08,760 --> 01:45:12,000 Speaker 14: of his songs, they just seem smarter. You know, there's 2386 01:45:12,080 --> 01:45:13,880 Speaker 14: just they're just a little smarter. I may not like 2387 01:45:13,920 --> 01:45:15,640 Speaker 14: all of them, but they're just they're smarter than some, 2388 01:45:15,960 --> 01:45:18,759 Speaker 14: you know. So that's why I did this song speaking 2389 01:45:18,760 --> 01:45:22,040 Speaker 14: to human behavior and just life in general. This song why, 2390 01:45:22,080 --> 01:45:23,720 Speaker 14: that's why it meant a lot to me. And he 2391 01:45:23,840 --> 01:45:26,320 Speaker 14: was just melodically out of spell in love with it. 2392 01:45:26,520 --> 01:45:29,719 Speaker 1: What is your favorite hit that you could have recorded 2393 01:45:29,760 --> 01:45:33,040 Speaker 1: five fifteen years ago that you've played a bunch and 2394 01:45:33,040 --> 01:45:34,240 Speaker 1: you kind of like, man, I'm tired of it, but 2395 01:45:34,280 --> 01:45:35,920 Speaker 1: now it's back and it's awesome again, and you like, 2396 01:45:36,040 --> 01:45:38,639 Speaker 1: it's like a rejuvenated feeling about playing this hit again. 2397 01:45:40,920 --> 01:45:44,000 Speaker 14: I got really over the years, I got really tired 2398 01:45:44,000 --> 01:45:47,840 Speaker 14: of playing Big Star, and we didn't do it for 2399 01:45:47,880 --> 01:45:51,479 Speaker 14: a long time, and then h one night. 2400 01:45:51,320 --> 01:45:52,840 Speaker 7: We we did it. 2401 01:45:54,080 --> 01:45:55,920 Speaker 14: And the good stuff we did good stuff last year 2402 01:45:56,840 --> 01:45:59,280 Speaker 14: and we hadn't done it in ten years for some reason, 2403 01:45:59,280 --> 01:46:01,320 Speaker 14: and we did it year. Those two songs we did 2404 01:46:01,400 --> 01:46:03,400 Speaker 14: last year, and I went, wow, you know, it has 2405 01:46:03,479 --> 01:46:04,680 Speaker 14: new energy now, I. 2406 01:46:04,640 --> 01:46:06,559 Speaker 1: Know new people listening to it. 2407 01:46:06,640 --> 01:46:06,840 Speaker 7: You know. 2408 01:46:06,960 --> 01:46:11,479 Speaker 14: So it's it's putting your show together now, is you know, 2409 01:46:11,600 --> 01:46:13,960 Speaker 14: we're in the process of doing that, because I mean, 2410 01:46:14,000 --> 01:46:17,080 Speaker 14: we start soon in Tampa. We opened at the Buccaneers 2411 01:46:17,080 --> 01:46:19,760 Speaker 14: Football Stadium in Tampa on April twentieth, and we're in 2412 01:46:19,840 --> 01:46:23,120 Speaker 14: the process now of trying to make it, you know, 2413 01:46:23,200 --> 01:46:25,800 Speaker 14: to give the audience Okay, well, we know they want 2414 01:46:25,800 --> 01:46:28,960 Speaker 14: to hear these but what's gonna what's gonna make you 2415 01:46:28,960 --> 01:46:31,559 Speaker 14: feel good like us, feel like we're not just repeating 2416 01:46:31,560 --> 01:46:32,960 Speaker 14: the same thing, and so you'll do a better show 2417 01:46:32,960 --> 01:46:33,599 Speaker 14: if you feel good. 2418 01:46:33,960 --> 01:46:35,120 Speaker 7: R I mean exactly so. 2419 01:46:35,400 --> 01:46:37,360 Speaker 14: But those two songs last year we did and we 2420 01:46:37,400 --> 01:46:38,920 Speaker 14: hadn't done them in a while, and they sounded great. 2421 01:46:38,960 --> 01:46:39,840 Speaker 7: They felt good to us. 2422 01:46:40,240 --> 01:46:41,400 Speaker 1: When I think a Big Star, I think it a 2423 01:46:41,400 --> 01:46:42,439 Speaker 1: live version with you and Taylor. 2424 01:46:43,240 --> 01:46:45,800 Speaker 14: Yeah she, I mean that was on my birthday. I 2425 01:46:45,800 --> 01:46:49,080 Speaker 14: don't know what was it, twenty fifteen. We opened at 2426 01:46:49,120 --> 01:46:52,519 Speaker 14: the Arena in Nashville, and she showed up on my 2427 01:46:52,560 --> 01:46:55,280 Speaker 14: birthday as a birthday gift and sang Big Star with me. 2428 01:46:55,360 --> 01:46:57,960 Speaker 14: Play went nuts and she pulled some little girl up 2429 01:46:58,000 --> 01:47:00,559 Speaker 14: in that girl, I mean, she was that girl was 2430 01:47:00,840 --> 01:47:03,280 Speaker 14: bawling that Taylor did it, you know. And so I'm 2431 01:47:03,439 --> 01:47:07,599 Speaker 14: I'm so look, I I've I don't have enough adjectives 2432 01:47:07,720 --> 01:47:10,559 Speaker 14: to describe Taylor. I mean, she's just absolutely great, you know. 2433 01:47:10,600 --> 01:47:12,240 Speaker 1: And so what about me? How many adjutive do you have? 2434 01:47:12,400 --> 01:47:12,960 Speaker 7: I got a lot of. 2435 01:47:15,320 --> 01:47:17,559 Speaker 1: Final question before the final question. Do you do ice 2436 01:47:17,600 --> 01:47:20,320 Speaker 1: bats every day? When I'm on the road. 2437 01:47:20,320 --> 01:47:21,080 Speaker 7: I do them every day. 2438 01:47:21,120 --> 01:47:23,439 Speaker 14: I'm starting to do them almost every day now, but 2439 01:47:23,479 --> 01:47:25,760 Speaker 14: I've got my host set up on the road and 2440 01:47:25,840 --> 01:47:29,000 Speaker 14: at home, I do about fifteen minutes in the sauna. 2441 01:47:29,160 --> 01:47:31,880 Speaker 14: I'm working my way up to three minutes and ice 2442 01:47:32,400 --> 01:47:34,120 Speaker 14: and oh and I I'm gonna say in the sauna. No, 2443 01:47:34,160 --> 01:47:35,160 Speaker 14: probably the NYE that sucks. 2444 01:47:35,360 --> 01:47:35,559 Speaker 7: Yeah. 2445 01:47:35,720 --> 01:47:37,920 Speaker 1: Heat you do heat, ice, heat, ice, heat ice, and 2446 01:47:37,960 --> 01:47:38,320 Speaker 1: I do that. 2447 01:47:38,439 --> 01:47:41,719 Speaker 14: I do that three rounds and if I'm bored, I'll 2448 01:47:41,760 --> 01:47:43,479 Speaker 14: you know, I'll go, I'll go into the four rounds. 2449 01:47:43,479 --> 01:47:46,439 Speaker 14: But what I should do, which I don't, is after 2450 01:47:46,479 --> 01:47:48,240 Speaker 14: my show because I run around and jump around so 2451 01:47:48,320 --> 01:47:50,920 Speaker 14: much on stage. I should do the ice right after 2452 01:47:51,000 --> 01:47:53,200 Speaker 14: my show, but I don't. I wait usually wait till 2453 01:47:53,200 --> 01:47:54,280 Speaker 14: the next day, and by then. 2454 01:47:54,200 --> 01:47:55,679 Speaker 10: I'm inflammation is inflammation? 2455 01:47:55,800 --> 01:47:57,720 Speaker 1: Yeah? Yeah? Do you ever weigh yourself before and after 2456 01:47:57,720 --> 01:47:59,960 Speaker 1: a show just to see No, I've had people, you know, 2457 01:48:00,240 --> 01:48:02,719 Speaker 1: a CDC guy would lose Angus would lose like fifteen pounds. 2458 01:48:02,760 --> 01:48:04,519 Speaker 14: I've had so many people ask me to do that 2459 01:48:04,600 --> 01:48:09,040 Speaker 14: because it's just I just move. I can't help it 2460 01:48:09,080 --> 01:48:10,719 Speaker 14: when I when you have the baby. 2461 01:48:10,760 --> 01:48:12,120 Speaker 10: No, it's running around the studio right now. You guys 2462 01:48:12,120 --> 01:48:12,559 Speaker 10: can't see it. 2463 01:48:12,840 --> 01:48:14,599 Speaker 1: You can't stand it. But I've lost five pounds in here. 2464 01:48:14,720 --> 01:48:16,760 Speaker 7: Yes, No, but I'm gonna do that one day. I've 2465 01:48:16,760 --> 01:48:18,680 Speaker 7: got one of these myzone belts, you know what I mean? 2466 01:48:19,120 --> 01:48:19,400 Speaker 6: What's that? 2467 01:48:19,680 --> 01:48:22,960 Speaker 14: It's a track and it tracks everything, Yeah, goes, it 2468 01:48:23,000 --> 01:48:24,800 Speaker 14: goes right here on your athletes us. 2469 01:48:24,760 --> 01:48:28,759 Speaker 6: The god I'm picturing like a heart rate monitor from yeah. 2470 01:48:28,600 --> 01:48:31,639 Speaker 14: Yeah, but it tells you how many calories you burn, 2471 01:48:31,720 --> 01:48:33,880 Speaker 14: how many steps, whatever you know, and then when you 2472 01:48:34,160 --> 01:48:36,519 Speaker 14: get back into a Wi Fi area, it'll download all 2473 01:48:36,520 --> 01:48:38,920 Speaker 14: the information and you can see what what happened, and 2474 01:48:38,920 --> 01:48:40,720 Speaker 14: they still your identity. Yeah. 2475 01:48:40,760 --> 01:48:44,080 Speaker 16: Yeah, that hot cold derby though, like so many doctors 2476 01:48:44,120 --> 01:48:47,120 Speaker 16: say that that's the key to your biological age. 2477 01:48:46,880 --> 01:48:49,320 Speaker 6: And bringing that down and. 2478 01:48:49,840 --> 01:48:51,960 Speaker 7: Decreases stress and it decreases. 2479 01:48:51,520 --> 01:48:53,519 Speaker 6: Which strasa leads to aging. 2480 01:48:53,760 --> 01:48:56,519 Speaker 16: So like you're internal, but also I feel like you've 2481 01:48:56,520 --> 01:48:59,320 Speaker 16: done a really good job just even you don't seem 2482 01:48:59,360 --> 01:49:01,320 Speaker 16: to have a in all these years. 2483 01:49:01,360 --> 01:49:03,599 Speaker 6: It's like, what else do you do? 2484 01:49:03,640 --> 01:49:03,800 Speaker 5: You know? 2485 01:49:03,800 --> 01:49:05,439 Speaker 1: How you get so much sun and not look like 2486 01:49:05,439 --> 01:49:06,160 Speaker 1: someone who had a bunch of. 2487 01:49:06,400 --> 01:49:06,920 Speaker 5: I just went to this. 2488 01:49:07,000 --> 01:49:08,719 Speaker 14: I went to the doctor the other day just because 2489 01:49:09,120 --> 01:49:10,840 Speaker 14: just that felt it was time to get my skin 2490 01:49:10,920 --> 01:49:14,880 Speaker 14: checked mtology. Yeah, and she goes, you look great, Okay, great. 2491 01:49:15,439 --> 01:49:17,040 Speaker 14: I might have been a son my whole life. I 2492 01:49:17,040 --> 01:49:18,800 Speaker 14: got that from my mother. We have been in a 2493 01:49:18,840 --> 01:49:21,479 Speaker 14: son our whole lives, you know, And so I don't know. 2494 01:49:21,640 --> 01:49:23,360 Speaker 14: Maybe one day at a rear its head, but it 2495 01:49:23,400 --> 01:49:26,080 Speaker 14: hasn't so far. But thank you for saying that. I mean, 2496 01:49:26,120 --> 01:49:31,280 Speaker 14: I I my diet is really strict, especially like after 2497 01:49:31,360 --> 01:49:34,479 Speaker 14: Foxborough it'll be football season and I'll. 2498 01:49:35,920 --> 01:49:39,679 Speaker 16: Like speaking of guilty pleasure, I mean, not like about 2499 01:49:39,720 --> 01:49:42,160 Speaker 16: the song, not like like food. 2500 01:49:42,800 --> 01:49:46,360 Speaker 1: She means, yeah, yeah, food. 2501 01:49:46,960 --> 01:49:49,760 Speaker 14: I like, you know, I grew up in the country 2502 01:49:49,920 --> 01:49:53,160 Speaker 14: and we're all you know, my whole family is emotional eaters, 2503 01:49:53,880 --> 01:49:57,880 Speaker 14: you know, so I I like country cooking, you know. 2504 01:49:58,160 --> 01:50:02,080 Speaker 14: But then again, I love Italian I love red wine, 2505 01:50:02,200 --> 01:50:07,400 Speaker 14: and I went to Italy several times and it spoiled me. 2506 01:50:07,880 --> 01:50:10,679 Speaker 14: I mean, I love that food, so that's my guilty pleasure. 2507 01:50:10,800 --> 01:50:12,679 Speaker 14: But I don't do I don't you know. I don't 2508 01:50:13,200 --> 01:50:16,040 Speaker 14: eat or drink that much like that until after the 2509 01:50:16,080 --> 01:50:18,800 Speaker 14: tour is over. And then I during football season, I 2510 01:50:19,479 --> 01:50:20,120 Speaker 14: eat and drink. 2511 01:50:19,960 --> 01:50:21,840 Speaker 7: What I want. And it's a long football season. 2512 01:50:22,120 --> 01:50:25,519 Speaker 14: So I gotta get ready to go, you know when 2513 01:50:26,000 --> 01:50:29,320 Speaker 14: every year around Christmas and January, first, I go, okay, 2514 01:50:29,560 --> 01:50:32,519 Speaker 14: my god, April was coming, so I gotta I gotta 2515 01:50:33,000 --> 01:50:34,840 Speaker 14: turn that switch off and become this other person. 2516 01:50:35,160 --> 01:50:37,160 Speaker 1: All right, final question, and it'll lead to a little 2517 01:50:37,160 --> 01:50:40,000 Speaker 1: thing here. But the new records out today, Kenny Chasney 2518 01:50:40,040 --> 01:50:42,639 Speaker 1: born the tour. What you guys can go to Kenny 2519 01:50:42,680 --> 01:50:45,439 Speaker 1: Chasney dot com. You can see all the dates there. 2520 01:50:45,560 --> 01:50:47,240 Speaker 1: I encourage you to go at such a great show 2521 01:50:48,680 --> 01:50:51,200 Speaker 1: and after you answer it, it will lead to an action. 2522 01:50:51,520 --> 01:50:55,200 Speaker 1: But do you have any really cool signed sports memorabilia 2523 01:50:55,240 --> 01:50:56,360 Speaker 1: from any of your favorite people? 2524 01:50:57,120 --> 01:50:57,479 Speaker 7: I do. 2525 01:50:58,120 --> 01:50:59,880 Speaker 10: What is your favorite one or two things that you have? 2526 01:51:01,080 --> 01:51:04,479 Speaker 14: Well, I've got I mean, like I said, I got 2527 01:51:04,800 --> 01:51:09,360 Speaker 14: John madd and Bobby Bowden, Nick Saban, Peyton Manning Devils. 2528 01:51:09,479 --> 01:51:11,720 Speaker 14: These are all signed football helmets like you've got. I mean, 2529 01:51:11,760 --> 01:51:15,800 Speaker 14: I've got so many. I had more. But when I 2530 01:51:15,840 --> 01:51:18,280 Speaker 14: lived out west of town, what year was it that 2531 01:51:18,360 --> 01:51:19,240 Speaker 14: the big flood. 2532 01:51:19,000 --> 01:51:21,920 Speaker 1: Happened, is right? 2533 01:51:22,000 --> 01:51:25,160 Speaker 14: Yeah, yeah, So I had a I built this huge 2534 01:51:25,200 --> 01:51:26,800 Speaker 14: gym and all it was I mean it was a 2535 01:51:26,880 --> 01:51:29,360 Speaker 14: huge gym to work out and train, but all four 2536 01:51:29,400 --> 01:51:32,600 Speaker 14: walls was like a trophy case of just sports memorabilia. 2537 01:51:32,680 --> 01:51:35,360 Speaker 14: I mean it was so many people over the years, 2538 01:51:35,720 --> 01:51:39,800 Speaker 14: and the flood, oh really took all of it. So 2539 01:51:39,880 --> 01:51:41,520 Speaker 14: I had to replenish. 2540 01:51:42,200 --> 01:51:44,000 Speaker 1: If they said we have to give everything away except 2541 01:51:44,040 --> 01:51:47,519 Speaker 1: one thing, though, what's the one piece of memorabilia that 2542 01:51:47,560 --> 01:51:48,400 Speaker 1: you have that you would keep. 2543 01:51:48,920 --> 01:51:52,760 Speaker 14: I have a Patriots helmet signed by Brady and Belichick 2544 01:51:52,960 --> 01:51:56,519 Speaker 14: and and it says all the super Bowls they won together. 2545 01:51:56,560 --> 01:51:59,400 Speaker 7: I'd probably keep that. I mean probably. 2546 01:51:59,680 --> 01:52:02,000 Speaker 1: We obviously raise a bunch of money for Saint Jude, 2547 01:52:02,080 --> 01:52:05,040 Speaker 1: and I want to show these are seven dollars. Okay, 2548 01:52:06,080 --> 01:52:08,400 Speaker 1: So I have four of these. Okay, if you wouldn't 2549 01:52:08,439 --> 01:52:10,680 Speaker 1: mind signing, they love to and so, but three of 2550 01:52:10,720 --> 01:52:13,000 Speaker 1: them just sign normally. But we have an appraiser that 2551 01:52:13,000 --> 01:52:14,960 Speaker 1: comes on because I'm a big memorabil you got myself. 2552 01:52:15,120 --> 01:52:16,960 Speaker 1: And she comes on and because I have a helmet 2553 01:52:16,960 --> 01:52:19,599 Speaker 1: that's John Elway and Peyton Manning. They they're both super 2554 01:52:19,600 --> 01:52:21,680 Speaker 1: Bowl champs. And I said, how much can I get 2555 01:52:21,680 --> 01:52:23,720 Speaker 1: for this? And she's like fifteen thousand dollars and I'm 2556 01:52:23,720 --> 01:52:25,840 Speaker 1: like that's cool. She goes, it's worth more because you 2557 01:52:26,160 --> 01:52:29,160 Speaker 1: or somebody of notoriety owned it before you sold it. 2558 01:52:29,560 --> 01:52:31,519 Speaker 1: So we want to have you signed three regular and 2559 01:52:31,520 --> 01:52:33,360 Speaker 1: then sign one that says Bobby never sell us on 2560 01:52:33,400 --> 01:52:33,880 Speaker 1: the black market. 2561 01:52:33,920 --> 01:52:35,240 Speaker 10: Then we're gonna sell and see if it goes for 2562 01:52:35,280 --> 01:52:36,040 Speaker 10: more and give that money. 2563 01:52:36,120 --> 01:52:39,479 Speaker 1: Sage. Yeah, yeah, yeah, so we'll pass. 2564 01:52:39,280 --> 01:52:41,240 Speaker 10: You the marketer while I do your your record. 2565 01:52:42,360 --> 01:52:45,559 Speaker 1: There's one, all right, and if somebody can help him, 2566 01:52:45,640 --> 01:52:46,760 Speaker 1: because I can't bend over. 2567 01:52:46,800 --> 01:52:47,560 Speaker 10: My back is killing me. 2568 01:52:47,760 --> 01:52:50,000 Speaker 1: You want just right, just yeah, just sign Kenny Jasney 2569 01:52:50,080 --> 01:52:51,080 Speaker 1: draws Hi, sell about whatever you want. 2570 01:52:51,120 --> 01:52:52,280 Speaker 10: That's it on three of them, very easy. 2571 01:52:52,320 --> 01:52:55,639 Speaker 1: On the fourth as our item, our experiment to Bobby, 2572 01:52:55,840 --> 01:52:58,160 Speaker 1: don't sell this on the black market. Hilarious. And then 2573 01:52:58,160 --> 01:53:00,800 Speaker 1: we'll see if it goes for more because I owned it, 2574 01:53:00,840 --> 01:53:01,679 Speaker 1: which I don't think it will. 2575 01:53:02,479 --> 01:53:04,160 Speaker 10: And we'll give We're gonna give all the money said. 2576 01:53:04,320 --> 01:53:04,760 Speaker 7: There's one. 2577 01:53:04,800 --> 01:53:08,080 Speaker 1: There's one, all right, So everybody out there listen. Kenny Chesney. 2578 01:53:08,320 --> 01:53:10,960 Speaker 1: He's got thirty five number ones. He's got eleven greatest 2579 01:53:11,000 --> 01:53:14,000 Speaker 1: hits albums, which you learned earlier. That's a true story. 2580 01:53:14,000 --> 01:53:14,679 Speaker 1: That's a story. 2581 01:53:14,800 --> 01:53:17,599 Speaker 14: Yeah, he said, Ladies and gentlemen here with those greatest 2582 01:53:17,680 --> 01:53:18,559 Speaker 14: hits eleven eleven. 2583 01:53:18,600 --> 01:53:21,080 Speaker 1: That's a funny one. The new singles take her Home, 2584 01:53:21,120 --> 01:53:23,080 Speaker 1: which we're going to plange just a second. This is 2585 01:53:23,080 --> 01:53:25,479 Speaker 1: the twentieth album, the studio album, because he's got other 2586 01:53:25,479 --> 01:53:27,400 Speaker 1: records too, like live records. But Born is the name 2587 01:53:27,400 --> 01:53:29,280 Speaker 1: of the record. And I hope you guys check it 2588 01:53:29,320 --> 01:53:31,479 Speaker 1: out and you go see Kenny on the road and kills. 2589 01:53:31,240 --> 01:53:33,040 Speaker 6: You pleasures song. You're so good it's still in my head. 2590 01:53:33,120 --> 01:53:35,000 Speaker 1: Thank you and all we didn't say a little. 2591 01:53:34,800 --> 01:53:37,360 Speaker 10: Yeah, no, yeah, you can bring it up. 2592 01:53:38,560 --> 01:53:40,519 Speaker 1: Yeah yeah. What's your favorite? What's your go to pleasure? 2593 01:53:40,560 --> 01:53:45,960 Speaker 1: It's ok to get out of hereby she's read, no, 2594 01:53:46,040 --> 01:53:47,720 Speaker 1: she is, yeah, you go, she goes. Oh, man, you 2595 01:53:47,760 --> 01:53:51,599 Speaker 1: have to pleasure not like pants. Yes, yes, Kenny, thank 2596 01:53:51,640 --> 01:53:53,400 Speaker 1: you for the time, man, thank you for the consolations 2597 01:53:53,520 --> 01:53:56,120 Speaker 1: there for having me and everybody will see the summer Yeah, Kenny, 2598 01:53:56,200 --> 01:53:56,719 Speaker 1: chase everybody. 2599 01:53:59,320 --> 01:54:03,080 Speaker 2: It's the best Bits of the week with Morgan number two. 2600 01:54:04,920 --> 01:54:07,400 Speaker 3: All right, y'all, that's it for best bits, just the bits. 2601 01:54:07,760 --> 01:54:09,840 Speaker 4: I hope you loved it, and I hope you do 2602 01:54:10,200 --> 01:54:12,639 Speaker 4: check out stay here for a little bit longer Part 2603 01:54:12,680 --> 01:54:13,759 Speaker 4: one and part three. 2604 01:54:13,640 --> 01:54:14,599 Speaker 3: With Abby this weekend. 2605 01:54:14,920 --> 01:54:16,840 Speaker 4: Some funny stories over there that maybe we can make 2606 01:54:16,840 --> 01:54:18,840 Speaker 4: you laugh, or maybe you can get some updates some 2607 01:54:18,920 --> 01:54:21,120 Speaker 4: things you've wanted to know about, whatever it may be. 2608 01:54:21,560 --> 01:54:23,840 Speaker 4: Or if you leave us here that's okay too. I 2609 01:54:23,840 --> 01:54:25,160 Speaker 4: hope you have a fabulous weekend. 2610 01:54:25,240 --> 01:54:25,760 Speaker 6: Bye. 2611 01:54:26,160 --> 01:54:29,040 Speaker 2: That's the best Bits of the Week with Morgan. Thanks 2612 01:54:29,040 --> 01:54:31,120 Speaker 2: for listening. Be sure to check out the other two 2613 01:54:31,160 --> 01:54:32,080 Speaker 2: parts this weekend. 2614 01:54:32,160 --> 01:54:35,520 Speaker 1: Go follow the show on all social platforms. Show and 2615 01:54:35,640 --> 01:54:37,160 Speaker 1: follow ed web Girl Morgan 2616 01:54:37,360 --> 01:54:40,000 Speaker 2: To submit your listener questions for next week's episode.