WEBVTT - How Lightsabers Work

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technology with

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<v Speaker 1>tech Stuff from how stuff works dot com. Hello again, everyone,

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<v Speaker 1>Welcome to tech stuff. My name is Chris Poulette and

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<v Speaker 1>I am the tech editor at how stuff works dot com.

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<v Speaker 1>Sitting next to me, as he always does, is senior

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<v Speaker 1>writer Jonathan Strickland. I spilled my mini Glorians. Oh you know,

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<v Speaker 1>I'm gonna have to get them up. So we're gonna

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<v Speaker 1>start off this podcast with a little listener tweet. This

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<v Speaker 1>listener tweet comes from Jacqueline Hyde, who says, got a

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<v Speaker 1>listener request for you, how lightsabers work. The force is

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<v Speaker 1>strong with this one, so we are going to talk

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<v Speaker 1>about lightsabers. This is kind of an interesting subject in

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<v Speaker 1>the sense that really it belongs and stuff you missed

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<v Speaker 1>in history class because it did happened a long time ago.

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<v Speaker 1>Any galaxy far far away, yeah, um, or technically it

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<v Speaker 1>could be fan stuffed, but they don't have a podcast,

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<v Speaker 1>so we're gonna tackle it before anyone can grab it

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<v Speaker 1>from our cold dead paddawan hands. As the Jedi would say,

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<v Speaker 1>niner naner, Yes, the Jedi would say, that, So, of

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<v Speaker 1>course we're talking about the civilized weapon from a or

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<v Speaker 1>the elegant weapon from a more civilized age. The light

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<v Speaker 1>saber as introduced to us through George Lucas's brilliant work

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<v Speaker 1>Star Wars A New Hope Um or Star Wars when

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<v Speaker 1>it first came out in nine. It was not American

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<v Speaker 1>graffiti as many people think. No, no, there was no

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<v Speaker 1>cameo of the lightsaber in American graffiti, although that would

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<v Speaker 1>have made that movie that much more awesome. So lightsabers,

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<v Speaker 1>of course, this is the weapon the Jedi used, the

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<v Speaker 1>the magic sword of the Star Wars series, and in fact,

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<v Speaker 1>when uh, most of the interviews I've seen with Lucas,

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<v Speaker 1>he just refers to it as a magic sword. You know,

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<v Speaker 1>I just said, it's that's what the purpose of it is.

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<v Speaker 1>It's just it happens to be called a lightsaber, but

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<v Speaker 1>a magic sword. So the problem with magic is that

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<v Speaker 1>there's not a whole lot to how it works other

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<v Speaker 1>than magic. You know, you you're just totally getting into that. Early.

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<v Speaker 1>I thought we were going to go ahead and talk

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<v Speaker 1>about how it works, all right. Well, this has not

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<v Speaker 1>stopped people from telling us how it works, despite the

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<v Speaker 1>fact that it's magic. So let's talk. There are people

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<v Speaker 1>who will argue exactly how this works. It's not. As

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<v Speaker 1>a matter of fact, we have an article on how

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<v Speaker 1>it works. It's not cannon, and cannon is important to me.

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<v Speaker 1>But then again, you know what is canon? Jar jar binks.

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<v Speaker 1>So let's just move on into how lightsabers work. So

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<v Speaker 1>a lightsaber is made up of several different parts. You've

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<v Speaker 1>got the handle, which is pretty much where everything is, right, Yeah,

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<v Speaker 1>so the handle has at the base of the handle,

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<v Speaker 1>you've got the power sell and uh it's a it

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<v Speaker 1>was it dieci um, Yes, a dietium crystal. Alright, So

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<v Speaker 1>you've got the diet sham power cell that's in the

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<v Speaker 1>basic that's fine. You know what if they correct us,

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<v Speaker 1>if they take that time more power to that uh

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<v Speaker 1>diation power cell is in the middle of a power

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<v Speaker 1>of vortex ring and a power field conductor. Now where

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<v Speaker 1>does all this power go? You've you're generated that's essentially

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<v Speaker 1>like the battery of the lightsaber. That's the very base.

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<v Speaker 1>So and it's got a lot of energy stored in it,

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<v Speaker 1>lots and lots of energy. Now where does this energy

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<v Speaker 1>go once it starts to Emit from the power cell.

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<v Speaker 1>It goes into the crystal energy chamber right where you

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<v Speaker 1>have your primary crystal. Now, depending on whom you ask,

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<v Speaker 1>this crystal may or may not determine the color of

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<v Speaker 1>the lightsabers blade. Yes. Now, some would argue that the

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<v Speaker 1>real determiner for the lightsaber color is lies with the

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<v Speaker 1>Jedi him or herself and the force that that Jedi

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<v Speaker 1>abuse the crystal. So in that case, you could have

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<v Speaker 1>any crystal and essentially have a lightsaber of any color.

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<v Speaker 1>It would all be up to the individual Jedi. Others

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<v Speaker 1>would argue, nay, tis not so, the lightsaber color is

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<v Speaker 1>dependent entirely upon the color of the crystal you select

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<v Speaker 1>to focus this power. Um, I'm gonna go with that one.

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<v Speaker 1>So you know, of course, we we also need to

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<v Speaker 1>talk about how Jedi lightsabers are different from Sith lightsabers

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<v Speaker 1>because they are so the crystals that Jedi use tend

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<v Speaker 1>to be natural crystals. They're crystals found in caves throughout

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<v Speaker 1>the galaxy Um, and so these crystals are they can

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<v Speaker 1>take the power and create the the the force of

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<v Speaker 1>the I guess, the actual lightsaber blade. It's the best

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<v Speaker 1>way of putting it. Um and the Sith What they

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<v Speaker 1>do is they'll they'll make a they'll make their own crystals.

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<v Speaker 1>They'll create a forge, and they'll build a synthetic crystal.

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<v Speaker 1>And there's tend to be red, which is why you

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<v Speaker 1>see sith like like Darth Maul or Darth Vader or

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<v Speaker 1>Darth Tyrannis walking around with a big old red lightsaber,

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<v Speaker 1>whereas Jedi they tend to stick with blue and green,

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<v Speaker 1>although other colors are also available. Yes, so there are

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<v Speaker 1>more that, but there are There are more than one crystal.

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<v Speaker 1>Though the primary crystal is uh is just one part

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<v Speaker 1>of that. There are second there are secondary and smaller crystals,

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<v Speaker 1>and it sort of depends on the Jedi who builds

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<v Speaker 1>the lightsaber, because the lightsaber is Creating a lightsaber is

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<v Speaker 1>part of becoming a Jedi. Yes, it's actually the final

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<v Speaker 1>step of Jedi training. According to a Darth Vader, Yes so.

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<v Speaker 1>But but what the additional crystals do is they actually

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<v Speaker 1>help focus the energy into a blade form, right right,

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<v Speaker 1>So the energy coming from the power cell, once it

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<v Speaker 1>passes through the crystal, that's what gives it the the

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<v Speaker 1>destructive force that we see from lightsabers. The other crystals

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<v Speaker 1>focus that into the blade um and depending also on

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<v Speaker 1>upon whom you ask, They may also give the the

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<v Speaker 1>lightsaber other certain powers, like it may enhance certain certain

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<v Speaker 1>aspects of the lightsaber. For example, we know that lightsabers

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<v Speaker 1>can deflect blaster fire. Some of these crystals are apparently

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<v Speaker 1>more effective at deflecting blaster fire than others, and others

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<v Speaker 1>may be better at cutting through certain kinds of material.

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<v Speaker 1>So uh Now, other other scholars will argue that's not

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<v Speaker 1>the case. The just focuses the blade, doesn't imbue it

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<v Speaker 1>with any other powers. Um. Personally, I haven't had my

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<v Speaker 1>hands on the lightsaber in a really long time, so

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<v Speaker 1>it's kind of hard for me to tell you exactly

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<v Speaker 1>what what which ones are right, And also I have

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<v Speaker 1>only ever really used one, so with that small sample size,

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<v Speaker 1>it's impossible to say yes. And and it's probably a

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<v Speaker 1>good time to point out that if you do have

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<v Speaker 1>the opportunity to use the lights remember it's it's not

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<v Speaker 1>the kind of thing that you just want to play

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<v Speaker 1>around with because it can be a very uh very dangerous. Yeah,

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<v Speaker 1>it turns out serious damage and when you can cut through,

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<v Speaker 1>you know, a foot of steel, that it's not the

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<v Speaker 1>best thing to you know, swatterfly with no UM. After

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<v Speaker 1>it goes through the christ the focusing crystal, it passes

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<v Speaker 1>through the blade energy channel again further refines the blade

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<v Speaker 1>and directs it into a straight line that would emerge

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<v Speaker 1>from the hilt. UM. And then at the very top

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<v Speaker 1>of your blade, you've got your your cycling field energizer's

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<v Speaker 1>your energy modulation circuits uh, and then you've got your

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<v Speaker 1>your controls. Your controls adjust the power of the blade,

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<v Speaker 1>and it also adjust the length of the blade. So

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<v Speaker 1>even though we normally see lightsabers used at A at

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<v Speaker 1>a pretty standard length, most people have it at A

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<v Speaker 1>whenever they turn on their lightsaber, it's pretty much the

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<v Speaker 1>same length each time. Technically you can adjust that, so

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<v Speaker 1>you can make it longer or shorter using the blade

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<v Speaker 1>length adjustment UM. And then there's a magnetic magnetic stabilizing

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<v Speaker 1>ring and a blade trial emitterr UM at the very

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<v Speaker 1>top which helped control the blade so it doesn't just

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<v Speaker 1>zap out when you turn it on. UM. That's your

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<v Speaker 1>basic anatomy of your lightsaber hilt. And then of course

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<v Speaker 1>then there's the activation matrix, which is the Star Wars

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<v Speaker 1>term for the on switch. I just I love that part.

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<v Speaker 1>They are the handle is about thirty centimeters in length,

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<v Speaker 1>so they're not ridiculously long, right, um, which is good

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<v Speaker 1>to know. It generates an arc wave energy field, and

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<v Speaker 1>this is why the blades actually have a stopping point. Yes,

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<v Speaker 1>and it has it. It produces sort of a gyroscopic

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<v Speaker 1>effect to which is why you have to be very

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<v Speaker 1>careful with it because you know it has it has

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<v Speaker 1>a pull to it if you will, right. But that

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<v Speaker 1>also makes it easier to use, because otherwise it would

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<v Speaker 1>be like swinging a flashlight around. There'll be no feedback

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<v Speaker 1>from swinging the handle, and it would make it much

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<v Speaker 1>more difficult to master allie saber if you didn't have

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<v Speaker 1>that gyroscopic effect when you started swinging it around. Um.

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<v Speaker 1>So the blade arc tip, that's the very end of

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<v Speaker 1>the lightsaber, um, and it's it's the arc committer is

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<v Speaker 1>what's keeping it from becoming like a blaster. Actually, lightsabers

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<v Speaker 1>pre date blasters, um. Before it was a more civilized

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<v Speaker 1>after all as it was and you know, I guess

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<v Speaker 1>civilized means that you locked each other's limbs off, as

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<v Speaker 1>opposed to shooting each other from very far away. Uh.

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<v Speaker 1>Never never bring away lightsaber to a blaster fight. Oh wait, no,

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<v Speaker 1>you could do that. No, yeah, you can't do that

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<v Speaker 1>because yeah, all right, so let's talk about it's about

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<v Speaker 1>that's that's the basics of building your lightsaber. Um. Now,

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<v Speaker 1>each Jedi builds his or her own lightsaber as part

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<v Speaker 1>of their training. Uh, and they're gonna build it according

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<v Speaker 1>to their own particular fighting style. Now do you have

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<v Speaker 1>you heard about the different Jedi fighting styles? No? I haven't.

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<v Speaker 1>There are seven major forms of lightsaber styles. Yes, okay,

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<v Speaker 1>well why don't you I want don't you tell this?

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<v Speaker 1>All right, I'm gonna go into a little detail, but

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<v Speaker 1>I'm just gonna do this as a pretty high level thing.

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<v Speaker 1>You don't need to get into depth. This isn't Jedi

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<v Speaker 1>fighting style stuff. That's right. Yeah, that's another podcast that

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<v Speaker 1>we're starting next month. You'll start requesting now. Um, next

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<v Speaker 1>month being April. I can't imagine when the first episode

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<v Speaker 1>will come out. So, so the the the fighting styles

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<v Speaker 1>that you can think of it kind of like martial

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<v Speaker 1>arts styles. Um, you know, not all martial arts styles

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<v Speaker 1>are alike. Cut on day is very different from jiu jitsu,

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<v Speaker 1>which is very different from a keto, which in turn

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<v Speaker 1>is different from hap keto. Um, there they're drunk Jedi style. No,

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<v Speaker 1>there's no drunken master Jedi style, although I hear Yoda

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<v Speaker 1>can get up to some wacky shenanigans on a Saturday night. Uh.

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<v Speaker 1>The seven forms of lightsaber combat are actually listed as

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<v Speaker 1>you know, Form one, Form two, Form three. They each

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<v Speaker 1>have their own names, but I'm not even gonna try

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<v Speaker 1>and pronounce them because they're all alien and I don't

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<v Speaker 1>have the k ability. I don't actually know what the

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<v Speaker 1>pronunciation is for most of them. But if you hadn't

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<v Speaker 1>spilled your mini chlorine, you'd be fine, I know. In general,

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<v Speaker 1>Form one is the foundation. It is the basic form

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<v Speaker 1>of lightsaber combat. It's your basic strikes, your basic defenses. Um.

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<v Speaker 1>It teaches you how to view the body as a

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<v Speaker 1>series of targets, like you think of you divide up

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<v Speaker 1>the body like the head is a certain uh certain target,

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<v Speaker 1>the arms, the torso, and you know, attacks are very

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<v Speaker 1>specific to each target. You know, different slashing techniques and

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<v Speaker 1>hacking techniques. So Form one is kind of lightsaber combat

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<v Speaker 1>one oh one. Everyone pretty much goes through that. Form

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<v Speaker 1>two is dueling. Now, this lightsaber combat really concentrates on

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<v Speaker 1>finesse blade control. Footwork. This is the kind of of

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<v Speaker 1>style that Count Dooku slash Darth Tyrannis used. Yes, now

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<v Speaker 1>that is why his lightsaber handle actually has a curve

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<v Speaker 1>at the end of it. It's so that he can

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<v Speaker 1>hold it kind of like a pistol grip, gives them

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<v Speaker 1>a lot of control over the tip of the blade.

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<v Speaker 1>And that's just his style of dueling. Now, this was

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<v Speaker 1>much more popular before blasters came out because it was

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<v Speaker 1>just really meant for lightsaber to lightsaber combat. Once blasters

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<v Speaker 1>came out, people Jedi began to realize that the in

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<v Speaker 1>order to deflect these these blaster bolts, they would need

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<v Speaker 1>to adapt their fighting style. This is not the best

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<v Speaker 1>style to use if you're being shot at by stormtroopers,

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<v Speaker 1>for example. So, uh, but that was Trannis's favorite form.

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<v Speaker 1>Then there's four three, which is defensive where you are

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<v Speaker 1>trying to reveal the least amount of target space on

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<v Speaker 1>your body. So it's really good for defending against blasters

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<v Speaker 1>that kind of thing. Form four is an acrobatic style,

0:12:47.679 --> 0:12:50.840
<v Speaker 1>lots of flips and spins. You're using the force to

0:12:50.880 --> 0:12:54.240
<v Speaker 1>boost your your physical abilities, so you're you're spending more

0:12:54.320 --> 0:13:00.280
<v Speaker 1>on uh, these acrobatics than on your blade at that point. Yes,

0:13:01.040 --> 0:13:04.720
<v Speaker 1>so Yoda uses that a lot um if you've seen

0:13:04.800 --> 0:13:07.520
<v Speaker 1>him fight Count Dooku, he's like a little queens and art.

0:13:08.200 --> 0:13:11.720
<v Speaker 1>And then uh FOM five that uses the deflective nature

0:13:11.760 --> 0:13:16.400
<v Speaker 1>of the lightsaber to reflect blaster fire. Um you you

0:13:16.520 --> 0:13:20.680
<v Speaker 1>use use strengthen your attacks, so it's a more brute

0:13:20.720 --> 0:13:24.120
<v Speaker 1>force kind of a of approach. This is the style

0:13:24.559 --> 0:13:28.360
<v Speaker 1>favored by a certain Skywalker family. Both Anakin and Luke

0:13:28.440 --> 0:13:33.560
<v Speaker 1>used Form five. Form six combines elements of Forms one

0:13:33.600 --> 0:13:37.520
<v Speaker 1>through five UM, but it also teaches that you should

0:13:37.520 --> 0:13:41.040
<v Speaker 1>be detached from emotion. You should be using very calculating

0:13:41.360 --> 0:13:44.640
<v Speaker 1>UM ways of of moving. You shouldn't let your emotions

0:13:44.640 --> 0:13:48.719
<v Speaker 1>dictate what you're doing. Form seven is kind of the opposite.

0:13:48.800 --> 0:13:52.400
<v Speaker 1>That's leveraging your emotion into power and using that to

0:13:52.720 --> 0:13:56.320
<v Speaker 1>fight your opponents. This was what Darth maul Uh used

0:13:56.400 --> 0:14:01.080
<v Speaker 1>with some reliance on on on Form UH four as well,

0:14:01.120 --> 0:14:04.440
<v Speaker 1>the acrobatic style. Now, of course he had a double

0:14:04.480 --> 0:14:07.960
<v Speaker 1>bladed lightsaber, and those don't work all that differently than

0:14:08.000 --> 0:14:11.560
<v Speaker 1>a regular lightsaber. They're just basically two lightsabers attached together

0:14:11.640 --> 0:14:14.560
<v Speaker 1>at the hilt. So there's there's four crystals instead of

0:14:14.600 --> 0:14:17.040
<v Speaker 1>two or a minimum of four, because you have to

0:14:17.040 --> 0:14:19.640
<v Speaker 1>have for you know, two of the generator type and

0:14:19.680 --> 0:14:22.560
<v Speaker 1>two of the focusing type at minimum in order to

0:14:22.920 --> 0:14:26.320
<v Speaker 1>create the two blades. By the way, those focusing crystals

0:14:26.320 --> 0:14:29.840
<v Speaker 1>are usually add again crystals usually, but you can also

0:14:29.880 --> 0:14:32.760
<v Speaker 1>find them on Dantweene as well as many many other

0:14:33.120 --> 0:14:36.760
<v Speaker 1>uh planets within the Star Wars galaxy. Yes, until Senti

0:14:36.800 --> 0:14:40.880
<v Speaker 1>Star comes after you and you know calls you a coward. Right,

0:14:41.120 --> 0:14:46.160
<v Speaker 1>I'm sorry I switched genres. Are you lost me? You

0:14:46.280 --> 0:14:49.600
<v Speaker 1>lost me? Seriously, you never played Seni Star. I rarely

0:14:49.640 --> 0:14:55.640
<v Speaker 1>played Star anyway. Also, um depending uh way, way way

0:14:55.840 --> 0:14:57.960
<v Speaker 1>way back in the past, back when the Jedi were

0:14:58.640 --> 0:15:02.080
<v Speaker 1>um much more new rus. The color of your blade

0:15:02.120 --> 0:15:05.720
<v Speaker 1>also would indicate what what kind of Jedi you are.

0:15:06.320 --> 0:15:08.880
<v Speaker 1>For example, if you had a blue blade, that signified

0:15:08.920 --> 0:15:11.320
<v Speaker 1>that you were a Jedi guardian and so you're much

0:15:11.320 --> 0:15:13.760
<v Speaker 1>more you know, kind of a physical you would get

0:15:13.800 --> 0:15:16.120
<v Speaker 1>into the fights. You would you know, defend people with

0:15:16.200 --> 0:15:20.240
<v Speaker 1>your your prowess. UH green would suggest that you were

0:15:20.240 --> 0:15:23.520
<v Speaker 1>a Jedi consular, and this would be someone who was

0:15:23.640 --> 0:15:29.640
<v Speaker 1>much more thoughtful, kind of contemplative. And then um yellow

0:15:29.640 --> 0:15:32.400
<v Speaker 1>would indicate that you're a Jedi Sentinel, and that's someone

0:15:32.440 --> 0:15:36.479
<v Speaker 1>who kind of was in between the other two, so

0:15:36.480 --> 0:15:40.680
<v Speaker 1>so not as physical as the Guardians, but not as

0:15:40.960 --> 0:15:44.720
<v Speaker 1>brainy as the others either, So Yellow and Blue domat Green.

0:15:45.080 --> 0:15:49.480
<v Speaker 1>This is true. I learned that somewhere. So should we

0:15:49.520 --> 0:15:52.680
<v Speaker 1>go into the other aspect of light tabers. So you

0:15:52.680 --> 0:15:55.600
<v Speaker 1>mean we're actually gonna step outside of the realm of

0:15:55.640 --> 0:15:58.680
<v Speaker 1>Star Wars at the time and thinking that maybe we

0:15:58.680 --> 0:16:02.280
<v Speaker 1>should do that. That's where idea, all right, So that's

0:16:02.320 --> 0:16:04.600
<v Speaker 1>within the Star Wars universe, of course, that's how they

0:16:04.640 --> 0:16:07.480
<v Speaker 1>supposedly work. And I should also add none of that

0:16:07.680 --> 0:16:10.040
<v Speaker 1>is cannon. And when I say cannon, I'm talking about

0:16:10.080 --> 0:16:13.920
<v Speaker 1>the stuff that Lucas himself has signed off on as saying, yes,

0:16:13.960 --> 0:16:17.800
<v Speaker 1>this is officially part of the Star Wars history. Um,

0:16:17.840 --> 0:16:20.880
<v Speaker 1>most of that is just the movies. Um to some extent,

0:16:20.960 --> 0:16:23.400
<v Speaker 1>you could argue the books as well. Some of those

0:16:23.520 --> 0:16:26.400
<v Speaker 1>Lucas has more or less said, yeah, even though that

0:16:26.400 --> 0:16:28.360
<v Speaker 1>didn't appear in the movie, that is cannon as well.

0:16:28.960 --> 0:16:32.440
<v Speaker 1>But he never goes into explaining the blades in the movies.

0:16:32.600 --> 0:16:35.200
<v Speaker 1>And so this is really other people trying to um

0:16:35.920 --> 0:16:39.880
<v Speaker 1>rhet coon really to explain why this stuff works. Yeah,

0:16:40.080 --> 0:16:43.200
<v Speaker 1>um yeah, basically, and if you're unfamiliar with the term,

0:16:43.240 --> 0:16:46.720
<v Speaker 1>and cannon is uh like basically they're written instructions for

0:16:46.760 --> 0:16:50.080
<v Speaker 1>how a a magical or you know, fantasy or science

0:16:50.160 --> 0:16:53.520
<v Speaker 1>fiction universe operates. It kind of helps you write the stories.

0:16:53.520 --> 0:16:55.880
<v Speaker 1>And the Star Wars cannon sort of came about after

0:16:56.400 --> 0:16:58.640
<v Speaker 1>some of the stories had already been in practice, so

0:16:58.720 --> 0:17:00.600
<v Speaker 1>it's a little looser than some of the right. So

0:17:00.640 --> 0:17:02.360
<v Speaker 1>if you were to read some of the comic books

0:17:02.440 --> 0:17:04.320
<v Speaker 1>or some of the other books that have been written

0:17:04.359 --> 0:17:06.680
<v Speaker 1>in the Star Wars universeit you might notice that they

0:17:06.760 --> 0:17:10.600
<v Speaker 1>sometimes contradict what happened in later movies, and that's because

0:17:10.640 --> 0:17:13.400
<v Speaker 1>they're not cannon, all right. So moving on to how

0:17:13.440 --> 0:17:16.480
<v Speaker 1>they actually created this effect, which is really which is

0:17:16.520 --> 0:17:19.160
<v Speaker 1>really fascinating too, I think right now now, First of all,

0:17:19.240 --> 0:17:22.320
<v Speaker 1>in a New Hope, the first film, they hadn't originally

0:17:22.600 --> 0:17:26.440
<v Speaker 1>considered animating or adding any light to these at all.

0:17:26.720 --> 0:17:30.040
<v Speaker 1>The original idea was that the lightsabers were going to

0:17:30.119 --> 0:17:34.119
<v Speaker 1>have there were these these uh I think it was

0:17:34.200 --> 0:17:37.840
<v Speaker 1>three sided three sided poll that came out kind of

0:17:37.840 --> 0:17:41.240
<v Speaker 1>a triangular pole and each side was was coated with

0:17:41.359 --> 0:17:44.560
<v Speaker 1>a very reflective material, and they used a lamp that

0:17:44.600 --> 0:17:46.439
<v Speaker 1>was on the same side as the camera and focus

0:17:46.520 --> 0:17:48.639
<v Speaker 1>the light so that it would reflect off of it

0:17:48.680 --> 0:17:51.320
<v Speaker 1>be really shiny, and there was a motor inside the

0:17:51.320 --> 0:17:55.000
<v Speaker 1>handle that would direct the side to be aligned properly

0:17:55.000 --> 0:17:58.040
<v Speaker 1>for the camera. But the effect was not as a

0:17:58.160 --> 0:18:03.440
<v Speaker 1>zippy as Lucas wanted. So Um they started to cast

0:18:03.480 --> 0:18:06.400
<v Speaker 1>about and see if they could find some other way

0:18:06.520 --> 0:18:09.960
<v Speaker 1>of making this magic sword seem really magical, and they

0:18:10.000 --> 0:18:14.639
<v Speaker 1>contacted an animator by the name of Nelson Shin. Nelson

0:18:14.680 --> 0:18:18.560
<v Speaker 1>Shin took a week and looked at this footage that

0:18:18.640 --> 0:18:23.840
<v Speaker 1>had been shot and used an effect called rhodoscoping. The

0:18:23.840 --> 0:18:28.400
<v Speaker 1>the technique and animation technique is actually very old technique.

0:18:28.640 --> 0:18:32.200
<v Speaker 1>A lot of people and myself, including associated with AHAs

0:18:32.280 --> 0:18:35.600
<v Speaker 1>take on me video. I associate it with Ralph Box

0:18:35.600 --> 0:18:40.520
<v Speaker 1>She's um Lord of the Rings movie. Also Wizards was

0:18:40.560 --> 0:18:43.040
<v Speaker 1>another movie he used it in. But it's it's where

0:18:43.080 --> 0:18:46.600
<v Speaker 1>you take live action footage and then you overlay animation

0:18:46.720 --> 0:18:49.919
<v Speaker 1>on top of it, sometimes replacing the live action footage entirely,

0:18:50.240 --> 0:18:52.840
<v Speaker 1>sometimes enhancing it, and in this case it was enhancing it.

0:18:53.240 --> 0:18:55.960
<v Speaker 1>So what he did was he used animation cells to

0:18:56.200 --> 0:19:00.960
<v Speaker 1>create this this glowing blade effect on top of the

0:19:00.960 --> 0:19:04.359
<v Speaker 1>the actual physical rods that were in the shots, and

0:19:04.400 --> 0:19:09.440
<v Speaker 1>then uh using you know, synchronizing the cells that he

0:19:09.480 --> 0:19:13.480
<v Speaker 1>had created with the actual film overlaying the animated effect

0:19:13.520 --> 0:19:17.080
<v Speaker 1>on it, creating a new print that combined these two

0:19:17.640 --> 0:19:20.120
<v Speaker 1>individual prints. And that's how you you know. He sent

0:19:20.200 --> 0:19:21.840
<v Speaker 1>that back to Lucas and said, well, here, you can

0:19:21.880 --> 0:19:25.080
<v Speaker 1>try this and see if this works. Lucas liked it. Um,

0:19:25.200 --> 0:19:27.960
<v Speaker 1>they decided to go with that approach. They refined it

0:19:28.000 --> 0:19:30.480
<v Speaker 1>a little bit. They added some color so you had

0:19:30.520 --> 0:19:34.280
<v Speaker 1>different color blades because originally they were both white and uh,

0:19:34.359 --> 0:19:38.360
<v Speaker 1>and that was the beginning of the lightsaber effect. Now,

0:19:38.359 --> 0:19:43.080
<v Speaker 1>in the first three films, which episodes four or five

0:19:43.080 --> 0:19:46.639
<v Speaker 1>and six, UM, they used the rotoscoping technique where they

0:19:46.680 --> 0:19:51.640
<v Speaker 1>would essentially hand draw these things on cells. Um. Basically,

0:19:51.640 --> 0:19:53.720
<v Speaker 1>what they do is they put that cell over the

0:19:53.760 --> 0:19:57.720
<v Speaker 1>original film and color it in and then but that's

0:19:57.720 --> 0:19:59.840
<v Speaker 1>not but that's not all of it, because that does

0:20:00.000 --> 0:20:02.439
<v Speaker 1>add some color to it. But from from there they

0:20:03.080 --> 0:20:05.560
<v Speaker 1>have to shoot more film with the cell and the

0:20:05.600 --> 0:20:08.719
<v Speaker 1>original and when they do that, they shoot it over

0:20:08.760 --> 0:20:12.960
<v Speaker 1>a black background and use a light diffuser over the lens. Yes,

0:20:13.400 --> 0:20:16.560
<v Speaker 1>they double exposed the shots and that that makes them

0:20:16.560 --> 0:20:18.920
<v Speaker 1>really pop. That makes that makes them look sort of

0:20:19.119 --> 0:20:22.199
<v Speaker 1>you know, gives them that sort of otherworldly effect, you know,

0:20:22.240 --> 0:20:25.680
<v Speaker 1>how bright they are in the shots. So kind of

0:20:25.760 --> 0:20:29.600
<v Speaker 1>sophisticated when you think about it, but very very time consuming, right, Yes,

0:20:29.680 --> 0:20:32.520
<v Speaker 1>it took took a really long time. It took slightly

0:20:32.640 --> 0:20:35.000
<v Speaker 1>less time by the time they got around to the

0:20:35.040 --> 0:20:37.399
<v Speaker 1>prequels episodes one, two, and three, because they could do

0:20:37.440 --> 0:20:40.120
<v Speaker 1>it all digitally, But somebody still has to go into

0:20:40.119 --> 0:20:43.400
<v Speaker 1>the computer and you're doing it. You're doing it all

0:20:43.480 --> 0:20:48.679
<v Speaker 1>in computer as opposed to doing it on hand handmade cells. Um. So,

0:20:48.760 --> 0:20:51.000
<v Speaker 1>I mean, it still takes time, it's just not quite

0:20:51.080 --> 0:20:53.760
<v Speaker 1>as time consuming, except for the fact that Lucas decided

0:20:53.760 --> 0:20:56.080
<v Speaker 1>to throw in about I don't know ten times as

0:20:56.119 --> 0:20:58.879
<v Speaker 1>many lightsaber battles in those first three movies as the

0:20:59.119 --> 0:21:03.399
<v Speaker 1>original trilogy and bind Um. The The actual hilts of

0:21:03.400 --> 0:21:06.800
<v Speaker 1>the lightsabers were made up of old camera flash battery

0:21:06.840 --> 0:21:11.120
<v Speaker 1>packs and other odds and ends like stuff from hardware

0:21:11.119 --> 0:21:16.320
<v Speaker 1>stores like plumbing um gaskets and things like that. Now,

0:21:17.119 --> 0:21:20.159
<v Speaker 1>they shot these movies in England, so they were raiding

0:21:20.400 --> 0:21:24.440
<v Speaker 1>various British hardware shops. So a lot of the materials

0:21:24.440 --> 0:21:28.000
<v Speaker 1>that they used to build the lightsaber handles are very

0:21:28.040 --> 0:21:30.240
<v Speaker 1>hard to find or sometimes impossible to find in the

0:21:30.320 --> 0:21:32.800
<v Speaker 1>United States, which is why it's kind of challenging to

0:21:32.880 --> 0:21:36.960
<v Speaker 1>create a model of those those first. Again, this is

0:21:37.000 --> 0:21:40.040
<v Speaker 1>for the first trilogy four or five and six. Um,

0:21:40.040 --> 0:21:43.080
<v Speaker 1>it's hard to make those faithfully just because it's hard

0:21:43.080 --> 0:21:45.320
<v Speaker 1>to get those parts in the United States. Um. Now

0:21:45.359 --> 0:21:48.520
<v Speaker 1>for episodes one, two, and three, those were all machined

0:21:49.520 --> 0:21:52.399
<v Speaker 1>and so there's all like routed. They designed them in

0:21:52.440 --> 0:21:54.840
<v Speaker 1>a computer and then and then made use a router

0:21:54.960 --> 0:21:57.639
<v Speaker 1>to cut custom parts and then assemble them. So it

0:21:57.680 --> 0:22:00.000
<v Speaker 1>wasn't like they were just grabbing whatever they could find

0:22:00.000 --> 0:22:03.160
<v Speaker 1>and and and sticking it together. Um, they came up

0:22:03.160 --> 0:22:05.320
<v Speaker 1>with the concept and artists came up with the concept

0:22:05.320 --> 0:22:08.280
<v Speaker 1>and then they built it from scratch. That was actually

0:22:08.359 --> 0:22:11.080
<v Speaker 1>one of my questions, like where the Jedi going to

0:22:11.200 --> 0:22:15.000
<v Speaker 1>machine these parts? And you know, do they is electrical

0:22:15.040 --> 0:22:24.880
<v Speaker 1>engineering part of their training. It's in the CAD system,

0:22:25.080 --> 0:22:27.440
<v Speaker 1>very very nice, a lot of a lot of rascals

0:22:27.440 --> 0:22:29.040
<v Speaker 1>and the CAD system. As it turns out, I think

0:22:29.040 --> 0:22:30.919
<v Speaker 1>Han Solo actually spent a lot of time in the

0:22:30.920 --> 0:22:35.760
<v Speaker 1>CADS system. Very nice. No, it's funny because when I

0:22:35.760 --> 0:22:38.159
<v Speaker 1>started doing the two of these, the two pieces of this,

0:22:38.240 --> 0:22:41.320
<v Speaker 1>the fantasy part and the you know, special effects, how

0:22:41.320 --> 0:22:43.840
<v Speaker 1>do they make it happen? I started thinking about that way,

0:22:43.880 --> 0:22:46.680
<v Speaker 1>So who's actually making these? You know? Because each one

0:22:46.720 --> 0:22:48.960
<v Speaker 1>is different. Well that's one of the things too that

0:22:49.200 --> 0:22:52.159
<v Speaker 1>uh um and I think is at least somewhat cannon,

0:22:52.240 --> 0:22:55.720
<v Speaker 1>is that it's all sort of individualized, you know, to

0:22:55.800 --> 0:22:58.119
<v Speaker 1>the Jedi. So I'm wondering if you know, they have

0:22:58.160 --> 0:23:00.480
<v Speaker 1>to go down to the shop, you know that thirty

0:23:00.480 --> 0:23:03.200
<v Speaker 1>fourth floor and go, yeah, I need can you make

0:23:03.600 --> 0:23:08.080
<v Speaker 1>sort of the the arc tip sort of in this shape? No, no, no,

0:23:08.119 --> 0:23:13.280
<v Speaker 1>not exactly like that. Yea, yeah, you know it. It's

0:23:13.359 --> 0:23:15.359
<v Speaker 1>kind of sad because when I look at the props

0:23:15.400 --> 0:23:18.760
<v Speaker 1>from the first trilogy, those look like things that have

0:23:18.840 --> 0:23:22.119
<v Speaker 1>really lived in that universe for a really long time.

0:23:22.160 --> 0:23:23.880
<v Speaker 1>I mean, the ships are all beat up, and even

0:23:23.920 --> 0:23:26.760
<v Speaker 1>the Jedi. Uh, the Jedi are beat up. The jedire

0:23:26.880 --> 0:23:30.600
<v Speaker 1>beat up pretty bad. But no, even the lightsabers look

0:23:30.680 --> 0:23:34.280
<v Speaker 1>like they've been well used. Whereas the if you look

0:23:34.320 --> 0:23:37.000
<v Speaker 1>at the prequels. Everything looks like brand new and sparkly,

0:23:37.119 --> 0:23:40.480
<v Speaker 1>and it's just a little it doesn't feel to me.

0:23:40.520 --> 0:23:43.280
<v Speaker 1>It almost feels like it's two different universes. Well, you

0:23:43.280 --> 0:23:46.960
<v Speaker 1>know they are like years apart and on and thirty years.

0:23:47.119 --> 0:23:49.840
<v Speaker 1>Come on, do you really want to go down this

0:23:49.960 --> 0:23:53.200
<v Speaker 1>road because we don't recording for like twenty four minutes.

0:23:53.200 --> 0:23:57.600
<v Speaker 1>I'm not gonna go fortably conservative, but that would be

0:23:57.760 --> 0:24:00.240
<v Speaker 1>only because I'd have to stop and get are to

0:24:00.440 --> 0:24:03.480
<v Speaker 1>drink something. So let's we So we talked about the

0:24:03.480 --> 0:24:06.399
<v Speaker 1>fact that you know, rotoscoping, either digitally or by hand,

0:24:06.560 --> 0:24:11.760
<v Speaker 1>that replacing frame by frame. These these rods, the physical

0:24:11.840 --> 0:24:14.119
<v Speaker 1>things that were in the shot, and you needed the

0:24:14.160 --> 0:24:16.400
<v Speaker 1>physical rods because you needed to be able to make

0:24:16.440 --> 0:24:19.280
<v Speaker 1>contact when you're doing lightsaber battles. Right now, I think

0:24:19.320 --> 0:24:21.679
<v Speaker 1>that's a good point. The handles that they use in

0:24:21.720 --> 0:24:24.280
<v Speaker 1>the movies right now are you know, plastic handles with

0:24:24.359 --> 0:24:29.560
<v Speaker 1>aluminum rods, and they're they're basically cylindrical and colored red,

0:24:29.560 --> 0:24:32.160
<v Speaker 1>blue or green. They actually had to wrap the the

0:24:32.200 --> 0:24:35.760
<v Speaker 1>aluminum rods in construction paper because they were giving off

0:24:35.760 --> 0:24:39.200
<v Speaker 1>too much dust when they were colliding during the lightsaber battles.

0:24:39.440 --> 0:24:42.720
<v Speaker 1>The original trilogy used I think wooden dowls. I don't

0:24:42.720 --> 0:24:45.880
<v Speaker 1>think they used aluminum, at least not in the first film. Yeah,

0:24:46.000 --> 0:24:47.480
<v Speaker 1>I would imagine that would be a little hard on

0:24:47.520 --> 0:24:50.639
<v Speaker 1>your wrists too, because they're actually, you know, having a

0:24:50.680 --> 0:24:53.880
<v Speaker 1>sword fight with aluminum rods. And yeah, now la rons

0:24:53.880 --> 0:24:56.359
<v Speaker 1>are are thinner than what you see on the screen. Um,

0:24:56.400 --> 0:24:58.320
<v Speaker 1>they're not as they're not as thick as as the

0:24:58.400 --> 0:25:01.159
<v Speaker 1>lightsaber blade appears to be. But yeah, they need that

0:25:01.240 --> 0:25:03.400
<v Speaker 1>so that they can do these moves and and make

0:25:03.400 --> 0:25:06.080
<v Speaker 1>it look convincing. Otherwise you would have lightsabers passing through

0:25:06.119 --> 0:25:09.600
<v Speaker 1>one another and that would just not look right. So um,

0:25:09.640 --> 0:25:11.680
<v Speaker 1>so there is a physical object there that you are

0:25:11.800 --> 0:25:17.000
<v Speaker 1>are concealing with the the overlay, and um, before we

0:25:17.040 --> 0:25:19.440
<v Speaker 1>get into how you can do this yourself, I wanted

0:25:19.480 --> 0:25:22.439
<v Speaker 1>to talk a little bit about the sound effects. They

0:25:22.480 --> 0:25:25.400
<v Speaker 1>were designed by Ben Burt, who was he's a brilliant

0:25:25.680 --> 0:25:29.120
<v Speaker 1>sound designer. Um. Sound designers are I think of them

0:25:29.160 --> 0:25:31.920
<v Speaker 1>kind of like a very specific type of engineer. Sound

0:25:31.920 --> 0:25:33.680
<v Speaker 1>designers are the kind of people who can walk into

0:25:33.680 --> 0:25:37.159
<v Speaker 1>a room and just take a second and think of

0:25:37.560 --> 0:25:39.800
<v Speaker 1>a billion different ways to use the sounds that are

0:25:39.840 --> 0:25:42.240
<v Speaker 1>naturally occurring in that room. Most of us we walk

0:25:42.280 --> 0:25:44.840
<v Speaker 1>into a room, we'll hear a noise, and then within

0:25:45.240 --> 0:25:47.640
<v Speaker 1>a second we are already ignoring it. It's just been

0:25:47.640 --> 0:25:50.359
<v Speaker 1>incorporated into what we think of as the background. But

0:25:50.400 --> 0:25:52.520
<v Speaker 1>if you ever take a moment and really listen to

0:25:52.520 --> 0:25:55.880
<v Speaker 1>your environment, you start to pick things out as as

0:25:55.920 --> 0:25:57.920
<v Speaker 1>they happen. Well, he's one of those guys who can

0:25:57.920 --> 0:26:01.240
<v Speaker 1>hear a noise and immediately say, hey, uh, this would

0:26:01.240 --> 0:26:03.919
<v Speaker 1>be great for blah blah blah. And when he was

0:26:03.960 --> 0:26:06.240
<v Speaker 1>tasked with finding a noise for the lightsaber, he actually

0:26:06.240 --> 0:26:09.640
<v Speaker 1>says this was the first sound he designed for Star

0:26:09.680 --> 0:26:11.960
<v Speaker 1>Wars was the noise of the lightsaber. And he did

0:26:11.960 --> 0:26:16.080
<v Speaker 1>it with a combination of two noises. One was from

0:26:16.080 --> 0:26:19.680
<v Speaker 1>an old projector. Uh, there was an old projector that

0:26:19.720 --> 0:26:23.040
<v Speaker 1>would made this humming noise as it ran. And if

0:26:23.040 --> 0:26:24.800
<v Speaker 1>you ran two of those projectors, you've got a good

0:26:24.920 --> 0:26:28.119
<v Speaker 1>little harmonizing effect with the hum and that's so that

0:26:28.440 --> 0:26:32.199
<v Speaker 1>formed the basis of the wow when you fire up

0:26:32.200 --> 0:26:35.920
<v Speaker 1>your lightsaber. Um. The second was noise that you would

0:26:35.920 --> 0:26:39.680
<v Speaker 1>get if you ran a microphone near a television. It

0:26:39.720 --> 0:26:43.480
<v Speaker 1>would be this buzzing noise feedback yes, that that gives

0:26:43.480 --> 0:26:46.880
<v Speaker 1>it the kind of little crackle sound that you also hear.

0:26:47.040 --> 0:26:50.600
<v Speaker 1>That's just sort of uh, kind of a light sound

0:26:50.680 --> 0:26:55.040
<v Speaker 1>underneath the thrumb. And then whenever someone would wave a lightsaber,

0:26:55.160 --> 0:26:58.200
<v Speaker 1>well you have to create the wow noise. The way

0:26:58.240 --> 0:27:00.320
<v Speaker 1>he did that was he would move a microphone past

0:27:00.359 --> 0:27:03.719
<v Speaker 1>a speaker that was playing that. Um, the the the

0:27:03.800 --> 0:27:07.159
<v Speaker 1>humming noise, and the Doppler effect would take care of

0:27:07.160 --> 0:27:10.240
<v Speaker 1>the rest. So you're just moving a microphone around a

0:27:10.280 --> 0:27:14.960
<v Speaker 1>speaker and then it's translates into the womb womb womb

0:27:15.160 --> 0:27:19.880
<v Speaker 1>when you're waving your lightsaber around. UM. Absolutely brilliant. One

0:27:19.880 --> 0:27:22.920
<v Speaker 1>of the uh you know, there's there was no going

0:27:22.960 --> 0:27:26.159
<v Speaker 1>into a a synthesizer or going into a studio and

0:27:26.160 --> 0:27:28.359
<v Speaker 1>trying to create this sound from scratch. He just found

0:27:28.359 --> 0:27:31.440
<v Speaker 1>a practical way of creating it and uh, and it's

0:27:31.480 --> 0:27:34.760
<v Speaker 1>one of those things that is forever married with the

0:27:34.760 --> 0:27:37.320
<v Speaker 1>Star Wars universe. You hear that sound, you know immediately

0:27:37.359 --> 0:27:40.720
<v Speaker 1>what you're listening to. Now, let's say you want to

0:27:40.760 --> 0:27:45.159
<v Speaker 1>do this yourself, it's quite possible. Well, you have to

0:27:45.920 --> 0:27:48.119
<v Speaker 1>spend all that fuel getting to the other star system.

0:27:48.119 --> 0:27:50.480
<v Speaker 1>You know, I don't mean building a real one, I

0:27:50.480 --> 0:27:54.440
<v Speaker 1>mean like creating the effect in a video. So, uh,

0:27:54.600 --> 0:27:57.480
<v Speaker 1>you can do this yourself with the right kind of software.

0:27:57.720 --> 0:27:59.760
<v Speaker 1>And uh, there are a lot of different video and

0:28:00.160 --> 0:28:03.400
<v Speaker 1>suites out there that have the effects that you would

0:28:03.400 --> 0:28:06.760
<v Speaker 1>need in order to create a lightsaber effect. Um, most

0:28:06.800 --> 0:28:09.920
<v Speaker 1>of them are like things like Adobe has several There's

0:28:09.920 --> 0:28:12.639
<v Speaker 1>even a tool that's called l S Maker which allows

0:28:12.680 --> 0:28:15.520
<v Speaker 1>you to create a lightsaber effect pretty easily. In fact,

0:28:15.560 --> 0:28:17.560
<v Speaker 1>all you have to do is do two clicks and

0:28:17.600 --> 0:28:20.480
<v Speaker 1>you create the basis of a lightsaber effect for a

0:28:20.560 --> 0:28:22.960
<v Speaker 1>single frame of video, and then you can go in

0:28:23.080 --> 0:28:26.399
<v Speaker 1>and tweak the effects so that it looks exactly the

0:28:26.400 --> 0:28:28.679
<v Speaker 1>way you want it to. But again, you have to

0:28:28.720 --> 0:28:31.639
<v Speaker 1>do this frame by frame, so it's not like you

0:28:31.680 --> 0:28:34.720
<v Speaker 1>do two clicks and it magically turns something into a lightsaber.

0:28:34.760 --> 0:28:37.560
<v Speaker 1>You actually have to go through each frame and replace

0:28:37.680 --> 0:28:43.400
<v Speaker 1>the the physical object with the lightsaber representation and order

0:28:43.440 --> 0:28:46.080
<v Speaker 1>for it to work properly. Yes, but YouTube is filled

0:28:46.120 --> 0:28:49.200
<v Speaker 1>with people who have done this successfully. Yes, yes, and

0:28:49.280 --> 0:28:52.479
<v Speaker 1>some not so successful. Some of them are pretty awful.

0:28:52.960 --> 0:28:55.600
<v Speaker 1>But uh, the same effect. You can use the same

0:28:55.600 --> 0:28:59.120
<v Speaker 1>sort of technology to create other effects besides the lightsaber effect.

0:28:59.280 --> 0:29:01.600
<v Speaker 1>It's just that's one of those that is pretty easy

0:29:01.640 --> 0:29:05.520
<v Speaker 1>to to apply because really you're talking about a straight line.

0:29:06.320 --> 0:29:09.640
<v Speaker 1>It's not that complicated. Um. It is time consuming though,

0:29:09.640 --> 0:29:12.040
<v Speaker 1>it can take hours and hours and hours to render

0:29:12.560 --> 0:29:16.680
<v Speaker 1>a video that would only last maybe thirty seconds, especially

0:29:16.720 --> 0:29:19.240
<v Speaker 1>if you have multiple blades on there. That can because

0:29:19.600 --> 0:29:22.880
<v Speaker 1>each blade is going to require a different layer in

0:29:22.920 --> 0:29:26.960
<v Speaker 1>your video. So you're gonna if you have like six

0:29:27.360 --> 0:29:30.120
<v Speaker 1>Jedi out there and they all have lightsabers at six

0:29:30.200 --> 0:29:32.080
<v Speaker 1>layers of video right there in order for you to

0:29:32.160 --> 0:29:35.600
<v Speaker 1>have all the effects come together properly. And then if

0:29:35.840 --> 0:29:37.480
<v Speaker 1>you know, they clashed and you have to add the

0:29:37.480 --> 0:29:40.120
<v Speaker 1>sparks right there's and you have to and it's it

0:29:40.120 --> 0:29:42.920
<v Speaker 1>can be challenging. I mean it's it's not it's not

0:29:43.000 --> 0:29:45.040
<v Speaker 1>something that you're gonna be able to whip out in

0:29:45.080 --> 0:29:48.120
<v Speaker 1>an hour. It's gonna take a while, but it's it's doable,

0:29:49.520 --> 0:29:51.440
<v Speaker 1>and most of the software is you know, like I said,

0:29:51.440 --> 0:29:53.640
<v Speaker 1>there's some software out there that's free that you can

0:29:53.920 --> 0:29:55.960
<v Speaker 1>use to create this effect if you have the time

0:29:56.360 --> 0:30:00.600
<v Speaker 1>and patients and a little bit of artistic ability. Yep,

0:30:01.120 --> 0:30:03.640
<v Speaker 1>I have none of those three, I think. Um, well,

0:30:03.640 --> 0:30:07.600
<v Speaker 1>the force is weak with Pulette. But uh, I guess

0:30:07.640 --> 0:30:10.480
<v Speaker 1>we can wrap this up and we'll we'll finish with

0:30:10.520 --> 0:30:15.479
<v Speaker 1>a little more listener mail. This listener mail comes from

0:30:15.520 --> 0:30:18.240
<v Speaker 1>Matt and Matt says, Hey, Chris and Jonathan, thanks for

0:30:18.280 --> 0:30:21.200
<v Speaker 1>taking my request about the dangers of Wikipedia. You guys

0:30:21.240 --> 0:30:23.800
<v Speaker 1>are awesome and I am totally having a star struck

0:30:23.880 --> 0:30:26.400
<v Speaker 1>moment right now. O m G. The tech stuff guys

0:30:26.400 --> 0:30:29.680
<v Speaker 1>are talking about me. You two are great. Ps if

0:30:29.720 --> 0:30:31.840
<v Speaker 1>either of you are Trek ease. I can't remember if

0:30:31.840 --> 0:30:34.120
<v Speaker 1>you have mentioned it before. I just got done watching

0:30:34.160 --> 0:30:36.360
<v Speaker 1>one of my favorite episodes called The Offspring from the

0:30:36.400 --> 0:30:39.280
<v Speaker 1>Next Generation, where Data becomes a dad Data. I guess

0:30:39.280 --> 0:30:40.800
<v Speaker 1>I'm sorry he hates it when he when you call

0:30:40.880 --> 0:30:44.160
<v Speaker 1>him Data. I remember that episode. Great episode, check it out.

0:30:44.320 --> 0:30:46.400
<v Speaker 1>So I figured we'd talked about star Trek for a second,

0:30:46.440 --> 0:30:50.080
<v Speaker 1>since we talk about Star Wars for thirty minutes has

0:30:50.080 --> 0:30:54.960
<v Speaker 1>a serious cannon, live long and prosper Thanks Matt and

0:30:55.080 --> 0:30:57.840
<v Speaker 1>we it was our pleasure to talk about Wikipedia. We

0:30:57.880 --> 0:31:01.520
<v Speaker 1>haven't received any hate mail on that yet. Time will

0:31:01.560 --> 0:31:04.400
<v Speaker 1>tell if that'll change. If you would like to send

0:31:04.560 --> 0:31:08.200
<v Speaker 1>us a message, please no hate mail, just tell us

0:31:08.200 --> 0:31:09.960
<v Speaker 1>how much you love Star Wars and that you want

0:31:09.960 --> 0:31:12.800
<v Speaker 1>to build your own lightsaber. Now you can write us

0:31:13.000 --> 0:31:16.640
<v Speaker 1>tech stuff at how stuff works dot com and check

0:31:16.640 --> 0:31:18.680
<v Speaker 1>out the website how stuff works dot com. We do

0:31:18.760 --> 0:31:22.960
<v Speaker 1>have how lightsabers work right there on the site. Yes

0:31:23.080 --> 0:31:25.400
<v Speaker 1>and uh. If you do decide to build a lightsaber,

0:31:25.760 --> 0:31:29.640
<v Speaker 1>don't hit anybody with it or yourself. And may the

0:31:29.680 --> 0:31:36.160
<v Speaker 1>Force be with you always for moral This and thousands

0:31:36.160 --> 0:31:38.960
<v Speaker 1>of other topics. Does it how stuff works dot com

0:31:39.000 --> 0:31:40.720
<v Speaker 1>and be sure to check out the new tech stuff

0:31:40.720 --> 0:31:48.040
<v Speaker 1>blog now on the how stuff Works homepage. Brought to

0:31:48.120 --> 0:31:51.200
<v Speaker 1>you by the reinvented two thousand twelve camera. It's ready,

0:31:51.400 --> 0:31:51.840
<v Speaker 1>are you