WEBVTT - Ray Parker Jr.

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<v Speaker 1>Money. Well, say, take Valentine, we are the authority. What's

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<v Speaker 1>going on? Is your boy Tank? This is Mr Valentine.

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<v Speaker 1>I'm I'm Valentine. You are the Valentine. Sometimes you missed

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<v Speaker 1>the Valentine was saying. We all go with the Valentine

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<v Speaker 1>to Day and this is the R B Money Podcast,

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<v Speaker 1>the authority on all things R and B. Listen, let

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<v Speaker 1>me pause for a second. The Valentine. I feel like,

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<v Speaker 1>you know, I always do the intros. You know, the

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<v Speaker 1>intros is my place, That's why. But I feel like

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<v Speaker 1>I feel like this is your intro. I feel like

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<v Speaker 1>you should have handled this. This was because today, talking

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<v Speaker 1>about to Day, we went back to the essence, right,

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<v Speaker 1>we went back to where this whole R and B

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<v Speaker 1>money things started. Now, R and B music might have

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<v Speaker 1>been around, but they wouldn't getting to the money. So

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<v Speaker 1>today on the R and B Money Podcast, we have

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<v Speaker 1>Sir m hmm, Capital s Capital Capital are Ray Parker, Junior,

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<v Speaker 1>the Ghost Weston himself in the Mill, Harris and Bills.

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<v Speaker 1>I don't care it my god, sir, just having Sunday night. Yeah,

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<v Speaker 1>that's why I looked at JA, said Sir Ray Parker

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<v Speaker 1>to you. Now I'm gonna respected. But can you can

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<v Speaker 1>you just before we dive back into the archives, can

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<v Speaker 1>you give us like, how do you become sir? What's hell? Am?

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<v Speaker 1>I know? I had a neighbor who was who was

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<v Speaker 1>a guy he knew the Prince of Spain and the

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<v Speaker 1>next year, I guess the two of them were talking about,

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<v Speaker 1>you know, he lived down there, and they thought I

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<v Speaker 1>was worthy. You don't need to check my background, make

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<v Speaker 1>sure I ain't done. They already knew it was out

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<v Speaker 1>because the neighborhood though, yeah catch that part though I

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<v Speaker 1>had a name, yeah, yeah, yeah, yeah, yeah, yeah, we know,

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<v Speaker 1>so we had to check. You didn't check me out,

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<v Speaker 1>make sure I have done no deeds, you know, wrong

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<v Speaker 1>deeds and all this stuff, and you're worthy of royalty.

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<v Speaker 1>And they said, would he'd be a good guy to

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<v Speaker 1>having the order, you know, the royal in the Royal

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<v Speaker 1>Royal Order? Yeah, what you know about that? The Royal Order? Yeah,

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<v Speaker 1>I have no idea about black I'm a black guy

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<v Speaker 1>from Detroit. I mean, I'm as far away from the

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<v Speaker 1>Royal watched the Game of Thrones. The Game of Thrones,

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<v Speaker 1>so no, it's got something to do with that. Vikings

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<v Speaker 1>is a good show. There's a royal order on there. Yeah,

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<v Speaker 1>but you're part of the royal order. So that means

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<v Speaker 1>when when it all goes down, you're gonna get one

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<v Speaker 1>of the phone calls. You're protected. Yeah, and then they

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<v Speaker 1>have sovereigns exactly about the sovereignation. So I may get

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<v Speaker 1>dual citizenship, I may have a second citizenship. Will give

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<v Speaker 1>you some tax advantages, and there's some other things that

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<v Speaker 1>can go along with this. I'm just learning. So yeah,

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<v Speaker 1>so we spoke about, you know, your sovereignty. You're being

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<v Speaker 1>survey from now on, they can't call you nothing else.

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<v Speaker 1>But let's go back. Because it's the R and B

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<v Speaker 1>Money podcast. We like to uh, we like we like

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<v Speaker 1>our podcast to be informative. It's funny and you know,

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<v Speaker 1>we want to tell real stories and we want people

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<v Speaker 1>to have an understanding of where the music truly comes from.

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<v Speaker 1>So from my understanding, it's Motown? Am I right? Kind

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<v Speaker 1>of right? I wouldn't say it came from Motown. The

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<v Speaker 1>Motown obviously played a big part of my career. It's music.

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<v Speaker 1>Music started for me as six years old. I didn't

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<v Speaker 1>want to dance with the girls in gym class. The

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<v Speaker 1>head is doing some kind of dance in elementary school

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<v Speaker 1>if you can remember, being five or six, I remember,

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<v Speaker 1>and we had to switch girls, and I'm like, I

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<v Speaker 1>don't like this girl, think you know, switching partners. So

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<v Speaker 1>I went to the principal of the school at six

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<v Speaker 1>years old and told the principle I wasn't happy with

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<v Speaker 1>the curriculum. And so she's, first of all, she paused

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<v Speaker 1>for about five minutes, like you gotta be kidding a

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<v Speaker 1>little kids coming in my office, to the principal's office.

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<v Speaker 1>You know, you don't like. I don't I don't like.

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<v Speaker 1>I don't like, I don't like, I like. I ain't

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<v Speaker 1>feeling it, you know. So she took me to a

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<v Speaker 1>music class, of which one I got there. I didn't

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<v Speaker 1>know what the music class was, by the way, so

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<v Speaker 1>it's not like I wanted to play an instrument. I

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<v Speaker 1>didn't even know what that meant. But when I got there,

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<v Speaker 1>my best friend Ali Brown and Nathan Watts were already there.

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<v Speaker 1>And by the way, they're still musicians to today. So

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<v Speaker 1>remember those names because it's relevant. And uh so the

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<v Speaker 1>teacher looked at me, says, what instrument you want to play?

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<v Speaker 1>I wanted to play the flute because you got to

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<v Speaker 1>carry the instrument home. Man. I didn't want to take

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<v Speaker 1>the tube but home, it's too heavy. So I picked

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<v Speaker 1>the clarinet, and I became very good at the clarinet.

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<v Speaker 1>I didn't care, but the teacher was so motivating. My

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<v Speaker 1>elementary school teacher was everything to me, you know, And

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<v Speaker 1>he was so motivating that he put the three of

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<v Speaker 1>us best friends together and formed the band and called

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<v Speaker 1>the band the Sting Rays at six. Now, what was

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<v Speaker 1>interesting about that? He named the band after me? Put

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<v Speaker 1>sting Raids with already White. The other two guys they

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<v Speaker 1>didn't know. They just got screwed all day. They hadn't

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<v Speaker 1>figured out they got stuff they got. Yeah, they didn't

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<v Speaker 1>figure out the name band was named after me, and

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<v Speaker 1>they just got screwed. So they didn't do that, and

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<v Speaker 1>so we did that for a while. Then when I

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<v Speaker 1>got older, about eleven years old, my brother had a

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<v Speaker 1>little cheap guitar and I started playing a guitar. Now,

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<v Speaker 1>the guitar for me was like magical. It was like

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<v Speaker 1>the clarinet. I was working at it. Everything else. I

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<v Speaker 1>was working at it, but somebody they put the guitar

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<v Speaker 1>in my hand. It was like, yeah, God, just bless me.

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<v Speaker 1>This is it, this is where I am. And then

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<v Speaker 1>I broke my leg at eleven, and so I practiced

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<v Speaker 1>all day every day. And to make the story shorter

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<v Speaker 1>for you, by the time I was thirteen, I was

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<v Speaker 1>on tour at the Spinners What yeah. So then I

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<v Speaker 1>then by the time I was fourteen, fourteen and a half,

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<v Speaker 1>then I started on Motown. I started working with Marvin Gaye,

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<v Speaker 1>last night, Smokey Robinson. I was in the studio with

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<v Speaker 1>all the guys. So you were to do the house

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<v Speaker 1>of music, whoever that is. Yeah, yeah, I know, dude,

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<v Speaker 1>I'm remember. Yeah yeah. So I got it going, and

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<v Speaker 1>by fifteen I was pretty much financially independent by fifteen,

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<v Speaker 1>and my dad swore I was selling drugs and doing

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<v Speaker 1>something right. I mean, so he went to my cousin

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<v Speaker 1>and said, you go following him around. There's nowhere in

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<v Speaker 1>the world that kid can make that much money playing

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<v Speaker 1>the guitar and he's only fifteen years old. And so

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<v Speaker 1>my cousin followed me around. I didn't know why he

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<v Speaker 1>was hanging with me, was like, his older cousin was like,

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<v Speaker 1>you ain't up hung with me before, why are you

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<v Speaker 1>hanging with me now? You know. But he was trying

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<v Speaker 1>to figure out what I was doing and he had

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<v Speaker 1>to go back and report. Well, you know, Ray ain't

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<v Speaker 1>really going to class. He's skipped in school, but he

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<v Speaker 1>is playing music because the sessions were going on the daytime.

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<v Speaker 1>I wasn't going to school. I'm going to play the

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<v Speaker 1>Motown We don't go stupard, you know. And I was

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<v Speaker 1>working with Hollandojo Holland when they separated from Motown because

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<v Speaker 1>they couldn't use the Funk Brothers, which was the Motown band,

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<v Speaker 1>so they ended up using me at Hollando Holland and

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<v Speaker 1>all their records. So I was doing that three days.

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<v Speaker 1>So back then it doesn't sound like a lot of money,

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<v Speaker 1>but it was at the time. We can make a

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<v Speaker 1>hundred bucks playing three hours every three hours, so I

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<v Speaker 1>could do that three times a week. I was playing

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<v Speaker 1>at the club called the twenty Grand, which was the

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<v Speaker 1>famous club. It's like Cotton Club and Hound and all

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<v Speaker 1>the big bands smoke, you know, smoking. Robinson would come

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<v Speaker 1>their glass ninety pips. I was making three hundred fifty

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<v Speaker 1>dollars a week there and then I do Jewish by

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<v Speaker 1>mrs and weddings and I can make another thirty five,

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<v Speaker 1>you know, dollars a trip, and so I'm making I

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<v Speaker 1>can make it like seven eight hundred bucks a week. Now,

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<v Speaker 1>you gotta understand a brand new Lincoln Continental is only

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<v Speaker 1>five grand back then, what you got to so like

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<v Speaker 1>you look at your car and say, oh, I only

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<v Speaker 1>got to work too three weeks and I got the

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<v Speaker 1>whole car, you know, And I'm like, yeah, it wasn't nothing.

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<v Speaker 1>I could buy a sept a bicycle for fifty bucks

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<v Speaker 1>and all the time I had, You know, there was

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<v Speaker 1>there was one month I worked with Marvin Gator Studio

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<v Speaker 1>all month at fifty I think I was sixteen in

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<v Speaker 1>and I made eighteen thousand dollars for the month. That's

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<v Speaker 1>more money than my father made all year working at four.

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<v Speaker 1>So you gotta kind of, yeah, you gotta kind of

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<v Speaker 1>get into that and get a picture that. Yeah, where

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<v Speaker 1>were you season can ask this question, you worked with

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<v Speaker 1>Marvin Gay. Youre working Marvin for a month. What did

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<v Speaker 1>that entail? Where is it? Was it just session work

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<v Speaker 1>or were you able to input? Oh? Yeah, yeah, yeah

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<v Speaker 1>that working with Marvin game was the most fun I

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<v Speaker 1>had at that age because he would let us write

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<v Speaker 1>songs with him. In fact, there's an album that came

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<v Speaker 1>out last year called Funky Town or something, and it's

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<v Speaker 1>the unfinished tracks that Marvin never finished singing. He says

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<v Speaker 1>my name on the record while I was naming on

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<v Speaker 1>the record, and behind his name on the record, and

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<v Speaker 1>all our names on we all got co writers on

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<v Speaker 1>all the songs. And so what would it be as

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<v Speaker 1>we go all day in the studio going in the world,

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<v Speaker 1>we record with Marvin, then we go over Marvin's house

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<v Speaker 1>and listen to tapes. Now I'm the youngest one there,

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<v Speaker 1>so I'm sitting to taple cord. They're telling me loaded

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<v Speaker 1>seven and a half inch tape, you know, put the

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<v Speaker 1>tape cord in. And that was the first time I

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<v Speaker 1>saw a rack of Macintosh Ampson tan Oi speaker. His

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<v Speaker 1>his house sounded better than the studio, you know. And

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<v Speaker 1>I'm too young to figure we're just kicking Marvin's house.

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<v Speaker 1>You go to Marvin's house every day, I mean, that's

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<v Speaker 1>no big deal, you know. And Marvin liked to smoke

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<v Speaker 1>a little weed from time to time. So my favorite

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<v Speaker 1>story they were they were doing a documentary one time

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<v Speaker 1>on Marvin. They were interviewing me because I'm on his

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<v Speaker 1>greatest hits and a bunch of stuff. And so he

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<v Speaker 1>was smoking a little weed and he looked over at

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<v Speaker 1>me and he went his kids under age, and he

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<v Speaker 1>got the drivers like yet. So he just looked at

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<v Speaker 1>me and says, man, why don't you take my car

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<v Speaker 1>and go for you know, go get lost for a

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<v Speaker 1>couple hours. You know, I'm still getting paid. But he

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<v Speaker 1>gave me the car, not the car he had. If

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<v Speaker 1>you saw the current super Fly, the bug Carolin with

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<v Speaker 1>the things, Marvin had a burger. Marvin had a Burgundy

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<v Speaker 1>when it was cold, love it right through me. The keys.

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<v Speaker 1>I didn't. I didn't have a driver's license, you know. Me,

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<v Speaker 1>I get in the car, man, I'm not, I'm not.

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<v Speaker 1>I'm in this fifty thousand all in Catillac. Man. I'm

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<v Speaker 1>leaning over to me and the mirror. My head's under

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<v Speaker 1>the mirror like this. And I went to my high school,

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<v Speaker 1>you know, rolling because you gotta go somewhere. You gotta

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<v Speaker 1>go to the high school. And I'm looking all my boys.

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<v Speaker 1>Then it occurs to me that the guys get that

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<v Speaker 1>close to me. Man, they're gonna hop in the car.

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<v Speaker 1>I just burned, rubbing left all. But they were like

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<v Speaker 1>what's that ringing? So I thought that was the most

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<v Speaker 1>exciting thing, and I told that story in his documentary.

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<v Speaker 1>They took me out the whole documentary because I told

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<v Speaker 1>the story. They said they wanted to hear about the

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<v Speaker 1>real deal. I gave him the real deal and then

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<v Speaker 1>they kicked me out the whole documentary for that. So

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<v Speaker 1>I was like, okay. But Marvin was the coolest guy.

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<v Speaker 1>He was a great football player. You know. They were

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<v Speaker 1>going to sign him to the Detroit Lions, so he

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<v Speaker 1>because I think I heard that he tried out for

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<v Speaker 1>the Redskins, but he was well, he was with Lyn

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<v Speaker 1>Barney all the will come to the studio. So they

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<v Speaker 1>were going to sign him to the Detroit Lines. But

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<v Speaker 1>he had to say that he wasn't going on two

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<v Speaker 1>effects amount of time. I didn't want to do that.

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<v Speaker 1>He was gonna really get a real party. He was.

0:11:09.960 --> 0:11:12.360
<v Speaker 1>It was a receiver, right something. Yeah, but he I

0:11:12.400 --> 0:11:14.000
<v Speaker 1>was too young though he was. But he was also

0:11:14.040 --> 0:11:16.960
<v Speaker 1>a great boxer. By the way, Mom had the hands

0:11:16.960 --> 0:11:19.200
<v Speaker 1>to Mark, b Oh, yeah, you messed with Marvin's woman.

0:11:19.240 --> 0:11:28.600
<v Speaker 1>He was punching this woman guys out, literally punching guys out. Mark,

0:11:28.679 --> 0:11:34.640
<v Speaker 1>you don't mess heavyweight. You don't you don't play. But

0:11:34.760 --> 0:11:36.520
<v Speaker 1>he said all the records with Jaz you know, you know,

0:11:36.679 --> 0:11:40.320
<v Speaker 1>you know, you know, jan said hello stuff. Don't talk

0:11:40.360 --> 0:11:43.160
<v Speaker 1>to me him because Marvin would knock you out. So

0:11:43.200 --> 0:11:45.240
<v Speaker 1>but he was. He was a wonderful guy, just a

0:11:45.320 --> 0:11:49.400
<v Speaker 1>great human being, wonderful guy. One of my So you've

0:11:49.400 --> 0:11:51.040
<v Speaker 1>been around all of them because the other the other

0:11:51.080 --> 0:11:55.240
<v Speaker 1>person I wanted to ask you about, Verry White, very White,

0:11:55.280 --> 0:11:58.120
<v Speaker 1>wasn't one of our closest friends. Yeah, me and very

0:11:58.120 --> 0:12:00.760
<v Speaker 1>White man. We you know, Barry comes from Houston, Texas

0:12:01.120 --> 0:12:03.160
<v Speaker 1>and grew up here in competent and stuff. So he's

0:12:03.400 --> 0:12:06.480
<v Speaker 1>like sort of a roughneck kind of guy. But I

0:12:06.559 --> 0:12:08.559
<v Speaker 1>like those kind of guys because I grew up in Detroit,

0:12:09.160 --> 0:12:11.280
<v Speaker 1>and so we we showed her identified each other. You know,

0:12:11.320 --> 0:12:14.679
<v Speaker 1>when I first made Barry White, Gene Page invited me

0:12:14.720 --> 0:12:17.120
<v Speaker 1>to the studio and he had speakers of really really

0:12:17.120 --> 0:12:19.400
<v Speaker 1>loud champion. You'll be like going like this got his

0:12:19.480 --> 0:12:22.040
<v Speaker 1>diamonds on here, diamonds or he's doing that way before

0:12:22.040 --> 0:12:24.920
<v Speaker 1>the rappers, he had aling out. Oh he was blame

0:12:24.960 --> 0:12:27.400
<v Speaker 1>blaing out yellow suit. You know, he's like he's sitting

0:12:27.400 --> 0:12:29.360
<v Speaker 1>there around like that, and I had an idea for

0:12:29.440 --> 0:12:32.160
<v Speaker 1>a song and in me from Detroit, and I'm like, well,

0:12:32.160 --> 0:12:35.120
<v Speaker 1>how do I get this guy's attention? And I would

0:12:35.160 --> 0:12:37.680
<v Speaker 1>never do this now, I'm way too refined, and you know,

0:12:37.800 --> 0:12:39.720
<v Speaker 1>I been living here for too long. But at that

0:12:39.800 --> 0:12:42.959
<v Speaker 1>time I went to stop on the button, stopped this music.

0:12:44.080 --> 0:12:48.079
<v Speaker 1>He turned around, looked, he looked in the back. Let's go,

0:12:48.640 --> 0:12:50.720
<v Speaker 1>and I got a big afro, and I've got my shirt.

0:12:51.160 --> 0:12:53.000
<v Speaker 1>I got my little tank top on says I'm a

0:12:53.080 --> 0:12:56.280
<v Speaker 1>fucking genius on the shirt. So I'm trying to I'm

0:12:56.280 --> 0:12:59.000
<v Speaker 1>not hiding myself. I mean, I'm feeling over maybe a

0:12:59.000 --> 0:13:01.760
<v Speaker 1>little overcomfident people more, saying he was the most modest

0:13:01.760 --> 0:13:03.520
<v Speaker 1>guy in the world. So I mean, I had to

0:13:03.559 --> 0:13:06.000
<v Speaker 1>go on. And then he looked back and before he

0:13:06.000 --> 0:13:08.920
<v Speaker 1>could like shoot me or kick me out, he says, well,

0:13:08.920 --> 0:13:10.480
<v Speaker 1>didn't get in there and play it there, you know.

0:13:11.160 --> 0:13:13.000
<v Speaker 1>So I went in and worked on one of his

0:13:13.160 --> 0:13:16.280
<v Speaker 1>earlier albums and I played the line, and I thought

0:13:16.320 --> 0:13:17.840
<v Speaker 1>he's gonna back up and let me play it all

0:13:17.840 --> 0:13:20.120
<v Speaker 1>the way down. He came on the speaker said keep

0:13:20.160 --> 0:13:22.920
<v Speaker 1>playing like that, you know, and so on the actual

0:13:23.000 --> 0:13:25.679
<v Speaker 1>record that I did. There's like two bars where I'm

0:13:25.720 --> 0:13:28.840
<v Speaker 1>not even playing, right he because that's who I'm saying,

0:13:28.920 --> 0:13:30.760
<v Speaker 1>keep playing, And he just kept the whole thing and

0:13:30.800 --> 0:13:33.000
<v Speaker 1>just played it and we were good ever since. Yeah,

0:13:33.320 --> 0:13:34.920
<v Speaker 1>and then we had other things that were you know,

0:13:35.000 --> 0:13:37.520
<v Speaker 1>his scene was that he got ten writer signed him,

0:13:37.520 --> 0:13:39.280
<v Speaker 1>he says, but nobody gets a song on Barry Waite,

0:13:39.360 --> 0:13:41.160
<v Speaker 1>no way, no how. And he had a Love and

0:13:41.240 --> 0:13:43.720
<v Speaker 1>Limited and then he had Loving Limited Orchestra. So the

0:13:43.720 --> 0:13:45.760
<v Speaker 1>first thing I did is I condom into getting me

0:13:45.760 --> 0:13:48.280
<v Speaker 1>a song on Love and Limited. You know, Love Limited.

0:13:48.360 --> 0:13:50.040
<v Speaker 1>He used to write him all himself. Oh yeah, he

0:13:50.040 --> 0:13:51.760
<v Speaker 1>write them on himself. So I kind of into getting

0:13:51.760 --> 0:14:00.720
<v Speaker 1>me one on Love Limited Orchestra. Yeah, And so I

0:14:00.760 --> 0:14:02.439
<v Speaker 1>had him, I had to. I had Jeane Page was

0:14:02.480 --> 0:14:04.079
<v Speaker 1>doing the chart, the famous arrange, and he was with

0:14:04.120 --> 0:14:06.520
<v Speaker 1>my buddy. So Jeane had done the charts from me

0:14:07.000 --> 0:14:09.520
<v Speaker 1>all the stuff. So when I pushed Barry and by

0:14:09.520 --> 0:14:12.240
<v Speaker 1>the way, Barry White, he paid us all triple scale.

0:14:12.480 --> 0:14:14.640
<v Speaker 1>And if you were done with the music early, you

0:14:14.640 --> 0:14:17.400
<v Speaker 1>can go home. You still get paid. So we were

0:14:17.440 --> 0:14:19.480
<v Speaker 1>done one day early, and I waited to that day

0:14:19.640 --> 0:14:22.080
<v Speaker 1>and the music radio and all this stuff ready, and

0:14:22.120 --> 0:14:24.560
<v Speaker 1>then you know, he was in my car which he

0:14:24.640 --> 0:14:27.360
<v Speaker 1>cut his arm, sitting a little Mercedes convertibles. Look, that

0:14:27.440 --> 0:14:29.840
<v Speaker 1>was a good idea, idea, But I played in the music.

0:14:29.840 --> 0:14:31.520
<v Speaker 1>He was like, yeah, that's nice, real, Okay, I'm going home.

0:14:31.800 --> 0:14:34.040
<v Speaker 1>I said, some wanting him to cut this song. He said, well,

0:14:34.360 --> 0:14:36.320
<v Speaker 1>we're finish, the musicians are going home, and said, you

0:14:36.360 --> 0:14:38.000
<v Speaker 1>ain't got no chart to get that. I said, I

0:14:38.000 --> 0:14:40.360
<v Speaker 1>got the charts, I got everything. I said, why don't

0:14:40.360 --> 0:14:41.920
<v Speaker 1>you just going home? I beat there like half and

0:14:42.000 --> 0:14:43.400
<v Speaker 1>I don't worry about this that so I talked to

0:14:43.440 --> 0:14:45.800
<v Speaker 1>all the guys in the band. Didn't cut the track.

0:14:45.840 --> 0:14:49.360
<v Speaker 1>He put it on the Wreck pent my song now,

0:14:49.440 --> 0:14:51.680
<v Speaker 1>but that wasn't I wasn't satisfied with that, which everybody

0:14:51.720 --> 0:14:53.880
<v Speaker 1>else said. Man, we thought he kidding. I want a

0:14:53.920 --> 0:14:56.960
<v Speaker 1>song on Barry White that I wrote that he wrote

0:14:57.000 --> 0:15:00.640
<v Speaker 1>together the whole thing. So his manager live upstairs with

0:15:00.760 --> 0:15:03.200
<v Speaker 1>me on Ali Drive, Shoka can live next door here,

0:15:03.800 --> 0:15:06.600
<v Speaker 1>very White lit upstairs. I wrote this tune for Verry

0:15:06.640 --> 0:15:10.200
<v Speaker 1>White card you got the Love right. He wouldn't record

0:15:10.200 --> 0:15:12.640
<v Speaker 1>it unless Stevie here. He wouldn't record, so I cut

0:15:12.640 --> 0:15:15.680
<v Speaker 1>it on Shotka. Can we have number one record on

0:15:16.440 --> 0:15:20.120
<v Speaker 1>Rufus and Shotgun. Yeah you got the love Rubig Shotgun.

0:15:20.240 --> 0:15:22.440
<v Speaker 1>So now I'm getting a little more respect from Barry Whitey.

0:15:22.560 --> 0:15:25.040
<v Speaker 1>You know. It's like that little kid, that little punk

0:15:25.120 --> 0:15:27.560
<v Speaker 1>kid rolled a hit some of that, and that's when

0:15:27.560 --> 0:15:29.040
<v Speaker 1>they call me a little punk kid, you know, because

0:15:29.040 --> 0:15:32.000
<v Speaker 1>it was snody knows punk kid talks too much. Where's

0:15:32.000 --> 0:15:35.040
<v Speaker 1>too much flashy stuff. So you know, Barry white comes

0:15:35.080 --> 0:15:39.000
<v Speaker 1>over to the department because his road manager and lived upstairs,

0:15:39.000 --> 0:15:41.080
<v Speaker 1>and he's very white. So he's parking wherever he wants.

0:15:41.480 --> 0:15:43.720
<v Speaker 1>He parked his kind of right where the gate thing is.

0:15:44.120 --> 0:15:46.080
<v Speaker 1>It's O can't nobody to get in there. You can't

0:15:46.080 --> 0:15:49.080
<v Speaker 1>abody get in. So me not thinking about that. All

0:15:49.120 --> 0:15:51.520
<v Speaker 1>I'm thinking about is I want him to cut my song. Yeah,

0:15:51.680 --> 0:15:53.680
<v Speaker 1>So I get in my car, I go get it,

0:15:53.680 --> 0:15:55.760
<v Speaker 1>put the cassette and the corn. I'm a blast and

0:15:55.800 --> 0:15:58.800
<v Speaker 1>I drive around thing. Then I triggered the thing up. Oops,

0:15:59.400 --> 0:16:02.680
<v Speaker 1>and he's got his white Mark three and the gates

0:16:03.160 --> 0:16:05.520
<v Speaker 1>kid it. It lifted the front of his car up

0:16:05.560 --> 0:16:08.000
<v Speaker 1>off the ground and then the car was heavy to

0:16:08.080 --> 0:16:10.720
<v Speaker 1>the gate, so the gate fell off the thing and

0:16:10.720 --> 0:16:13.360
<v Speaker 1>then crashed on top of his car and for and

0:16:13.360 --> 0:16:16.760
<v Speaker 1>for the people that's watching. I don't know if y'all know,

0:16:17.600 --> 0:16:20.880
<v Speaker 1>but in R and B music, Very White it's probably

0:16:21.040 --> 0:16:26.960
<v Speaker 1>top two gangsters all time, probably not number two. He's

0:16:27.000 --> 0:16:32.360
<v Speaker 1>probably my number two real gangster, real gangster. So he

0:16:32.400 --> 0:16:34.520
<v Speaker 1>looked at me and said, thanks for I needed that,

0:16:34.840 --> 0:16:36.920
<v Speaker 1>you know. His cards off to him, and I said, yeah,

0:16:36.960 --> 0:16:39.480
<v Speaker 1>but man, you know, I'm sorry, Mr White, but you

0:16:39.520 --> 0:16:42.080
<v Speaker 1>gotta listen to this song. So I played him the song.

0:16:42.200 --> 0:16:44.080
<v Speaker 1>Believe it that I actually play him the song that

0:16:44.200 --> 0:16:45.880
<v Speaker 1>I give him a copy of song. He wrote the

0:16:45.960 --> 0:16:48.160
<v Speaker 1>lyrics to it, and that song it's called You See

0:16:48.160 --> 0:16:53.920
<v Speaker 1>the Trouble with Me We're so six man, right, And

0:16:53.960 --> 0:16:56.240
<v Speaker 1>then all of his writers were like, but you told

0:16:56.280 --> 0:16:58.360
<v Speaker 1>us nobody gets a song on Very White. No way,

0:16:58.480 --> 0:17:00.880
<v Speaker 1>no how, nobody's writing a song everyway. And I'm like,

0:17:01.160 --> 0:17:03.320
<v Speaker 1>I got me a song fifty with Barry White, you know,

0:17:03.400 --> 0:17:10.040
<v Speaker 1>so that's it. Congratulations. Yeah, Now, by the way, it's

0:17:10.240 --> 0:17:12.479
<v Speaker 1>business wise. I wanted to publish it, but I couldn't

0:17:12.520 --> 0:17:14.960
<v Speaker 1>get the post. Beery White said, you ain't getting the

0:17:14.960 --> 0:17:20.320
<v Speaker 1>publish you know, and nobody got published and at that

0:17:20.359 --> 0:17:22.560
<v Speaker 1>time in your career, and I like to tell new

0:17:22.640 --> 0:17:24.960
<v Speaker 1>people too. Sometimes you got to give up some stuff

0:17:25.000 --> 0:17:28.240
<v Speaker 1>that you normally wouldn't give up later, you know, once

0:17:28.240 --> 0:17:30.480
<v Speaker 1>you become Stevie wonder, you ain't gotta do that, you know,

0:17:30.520 --> 0:17:33.000
<v Speaker 1>but in the beginning you might have to give up

0:17:33.000 --> 0:17:35.280
<v Speaker 1>a little bit to get something, you know. And having

0:17:35.280 --> 0:17:38.240
<v Speaker 1>a cut on Barry White at that time was very significant,

0:17:38.280 --> 0:17:42.000
<v Speaker 1>you know. So I did that one. It was happy.

0:17:42.040 --> 0:17:43.760
<v Speaker 1>I did, made a lot of money. You know, I'm

0:17:43.760 --> 0:17:51.240
<v Speaker 1>gonna mess up his car. Man said, if I get that,

0:17:51.600 --> 0:17:55.320
<v Speaker 1>do whatever you want to do, whatever you want your question,

0:17:56.200 --> 0:18:00.000
<v Speaker 1>then what no room for this? So this full here,

0:18:00.480 --> 0:18:02.800
<v Speaker 1>this seguay till our next name. This fool here just

0:18:02.840 --> 0:18:06.879
<v Speaker 1>did an interview and he says, because listen, you you

0:18:07.000 --> 0:18:10.199
<v Speaker 1>here now, and you're somebody that can either confirm or

0:18:10.240 --> 0:18:14.119
<v Speaker 1>deny this this food gonna get on an interview and

0:18:14.160 --> 0:18:17.240
<v Speaker 1>say that Stevie wanted can see a little bit? No

0:18:17.280 --> 0:18:21.840
<v Speaker 1>he can't, right, you see a little bit? Can he?

0:18:22.600 --> 0:18:24.760
<v Speaker 1>Me and Stevie wanted the boys, I mean, we were

0:18:24.800 --> 0:18:29.120
<v Speaker 1>like more than just working together. And he feels see no, no,

0:18:30.920 --> 0:18:39.200
<v Speaker 1>see like could he stay in a lane while driving

0:18:40.080 --> 0:18:45.600
<v Speaker 1>if you coached him and we did that, you did

0:18:45.640 --> 0:18:55.000
<v Speaker 1>what Lets Stevie want to drive? You have to tell

0:18:55.080 --> 0:18:57.560
<v Speaker 1>us how that plays out, because you're still here first.

0:18:59.480 --> 0:19:03.840
<v Speaker 1>I but I mean, I mean back in the day,

0:19:03.920 --> 0:19:06.480
<v Speaker 1>you know. But this is before you know, all the

0:19:06.560 --> 0:19:10.280
<v Speaker 1>bodyguards and no, this is here. Yeah, but this is

0:19:10.320 --> 0:19:12.480
<v Speaker 1>after I quit the band too. I mean I'd already

0:19:12.520 --> 0:19:14.879
<v Speaker 1>quit the band and I'm out here and he's out here,

0:19:14.880 --> 0:19:16.639
<v Speaker 1>and where were you still go pick him up all

0:19:16.640 --> 0:19:18.080
<v Speaker 1>the time with him and go hang out. We go

0:19:18.240 --> 0:19:20.520
<v Speaker 1>go girls house and just do some crazy stuff, you know,

0:19:21.760 --> 0:19:25.640
<v Speaker 1>and Steve were kicking. Yeah, yeah, I gotta you gotta

0:19:25.720 --> 0:19:28.439
<v Speaker 1>hurry if it becomes Stevie, I have that kind of

0:19:28.440 --> 0:19:33.119
<v Speaker 1>talk man killing us right now. So there, if you

0:19:33.160 --> 0:19:36.880
<v Speaker 1>go down let's see, I think San Vicente wherever it ends,

0:19:36.880 --> 0:19:39.920
<v Speaker 1>somewhere near Pico or something goes way down there. There

0:19:40.000 --> 0:19:44.359
<v Speaker 1>was like a may company or a big department store

0:19:44.440 --> 0:19:47.119
<v Speaker 1>something down there, you know. So anyway, Stevie thought we

0:19:47.119 --> 0:19:49.800
<v Speaker 1>were on lost the end of or something. He wanted

0:19:49.800 --> 0:19:51.680
<v Speaker 1>to drive, So I put in the car and I

0:19:51.760 --> 0:19:53.320
<v Speaker 1>told him when we get to the light, you're gonna

0:19:53.320 --> 0:19:55.320
<v Speaker 1>do this. And then but we really were in the

0:19:55.359 --> 0:19:57.679
<v Speaker 1>parking lot of Make Company, like two in the morning.

0:19:57.720 --> 0:20:12.520
<v Speaker 1>What nobody there, right, So he wanted to drive. He's

0:20:12.520 --> 0:20:15.080
<v Speaker 1>really good at driving. But I said, when I say left,

0:20:15.119 --> 0:20:17.280
<v Speaker 1>you go left. When I say stop, you stop. When

0:20:17.320 --> 0:20:19.320
<v Speaker 1>I go right, you go right. And so he did it,

0:20:19.359 --> 0:20:21.080
<v Speaker 1>you know, and we were good. He didn't hit nothing.

0:20:21.720 --> 0:20:23.560
<v Speaker 1>I mean, we had a lot of space, but we

0:20:23.800 --> 0:20:26.080
<v Speaker 1>have a lot of space. But still my heart was

0:20:26.160 --> 0:20:29.239
<v Speaker 1>beating a little bit. And you know, did you at

0:20:29.280 --> 0:20:32.680
<v Speaker 1>some point telling you Finesta, did you No, he's gonna

0:20:32.680 --> 0:20:34.480
<v Speaker 1>find out. We got a bunch of other crazy stuff

0:20:34.520 --> 0:20:37.720
<v Speaker 1>we did too, but you know, we don't need we

0:20:37.760 --> 0:20:41.280
<v Speaker 1>don't need to confess to everything. Yeah, but no, he

0:20:41.280 --> 0:20:44.160
<v Speaker 1>could drive. He's good at it, you know. In fact,

0:20:44.240 --> 0:20:46.760
<v Speaker 1>when he did that, was it James Corman Show or whatever,

0:20:46.800 --> 0:20:48.680
<v Speaker 1>you know, when they put you in the car with you,

0:20:49.600 --> 0:20:52.439
<v Speaker 1>I thought he was gonna drive. I was like, watch

0:20:52.480 --> 0:20:54.560
<v Speaker 1>any minute now, Steve, he's gonna drive. And they were

0:20:54.560 --> 0:20:56.000
<v Speaker 1>in there singing, and at the end of the show

0:20:56.040 --> 0:21:00.399
<v Speaker 1>he didn't drive. I was like, that would have been

0:21:00.440 --> 0:21:04.720
<v Speaker 1>the bar. Sure. I was sure they're gonna mess up

0:21:04.760 --> 0:21:07.280
<v Speaker 1>the world because Stevie gonna start driving, and that's gonna

0:21:07.280 --> 0:21:10.280
<v Speaker 1>be it. You know, if I had known James Cordon.

0:21:10.840 --> 0:21:13.600
<v Speaker 1>Then I would have said, let's Stevie drive. Tell your show.

0:21:13.640 --> 0:21:15.679
<v Speaker 1>Your show would be number one. Let's see the world

0:21:15.800 --> 0:21:18.960
<v Speaker 1>in the world. I just let's Stevie drive. Let's Stevie drive.

0:21:19.440 --> 0:21:24.280
<v Speaker 1>I don't know what to say after that. But no,

0:21:24.440 --> 0:21:26.119
<v Speaker 1>he can't see. But I'll tell you this. You wouldn't

0:21:26.119 --> 0:21:28.880
<v Speaker 1>know it. Yeah, it's incredible. I mean we were when

0:21:28.880 --> 0:21:31.000
<v Speaker 1>I got in the band. Man, I remember he got

0:21:31.040 --> 0:21:35.200
<v Speaker 1>into a argument with the drummer and I don't know why. Man,

0:21:35.240 --> 0:21:38.080
<v Speaker 1>the drummer, by the way, Stevie those days, he's only

0:21:38.080 --> 0:21:40.080
<v Speaker 1>a few years old me, so he was. He was built,

0:21:40.359 --> 0:21:43.000
<v Speaker 1>rip buffed, push up to the whole thing. And the

0:21:43.080 --> 0:21:45.760
<v Speaker 1>drummer got the attitude and said, man, I'm tired of Steven.

0:21:45.800 --> 0:21:47.919
<v Speaker 1>Put a blindfold on me. I'm gonna fight Stevie. Think

0:21:48.119 --> 0:21:50.280
<v Speaker 1>that this is not a good idea. This is just

0:21:50.400 --> 0:21:58.520
<v Speaker 1>not a good stee the drum This is the way

0:21:58.520 --> 0:22:00.399
<v Speaker 1>I mean, so I can fight Steve. Wh This the

0:22:00.400 --> 0:22:02.119
<v Speaker 1>way I got my best friend Alie Brown in the

0:22:02.160 --> 0:22:06.040
<v Speaker 1>band from Detroit is the drummer got I think if

0:22:06.040 --> 0:22:07.919
<v Speaker 1>the drummer is gone, then I can get my guy in.

0:22:08.000 --> 0:22:10.119
<v Speaker 1>But it wasn't that. It was like, here's the moment

0:22:10.359 --> 0:22:14.879
<v Speaker 1>where the drummer getting ready. I got the blind phold. O,

0:22:15.160 --> 0:22:17.640
<v Speaker 1>yeah that's good. Yeah, I put the blind phold on him.

0:22:18.000 --> 0:22:20.080
<v Speaker 1>And we put the blind phold on the drummer and

0:22:20.119 --> 0:22:22.440
<v Speaker 1>they're gonna do it out. And you should have seen

0:22:22.480 --> 0:22:24.320
<v Speaker 1>together the guy man is doing like this. He's trying

0:22:24.359 --> 0:22:28.199
<v Speaker 1>to find Stevie. And every time he went bam, I

0:22:28.200 --> 0:22:30.400
<v Speaker 1>mean it was like just pu, I mean, straight punch.

0:22:30.800 --> 0:22:32.399
<v Speaker 1>We just went on for a couple of minutes and

0:22:32.440 --> 0:22:35.480
<v Speaker 1>we we threw the towel. We're like, you gotta stop.

0:22:36.640 --> 0:22:52.200
<v Speaker 1>Oh he Stevie was beating him that. I don't think

0:22:52.200 --> 0:22:54.960
<v Speaker 1>he got one punch on Steve. And every time he

0:22:56.560 --> 0:23:00.159
<v Speaker 1>yause he could hear it heightens and yeah he he

0:23:00.240 --> 0:23:02.080
<v Speaker 1>was hitting the gup so fast, and it was just

0:23:02.119 --> 0:23:04.520
<v Speaker 1>like this ain't no fight. This ain't the fifth to

0:23:05.080 --> 0:23:08.640
<v Speaker 1>the town throwing it town like Rocky thro the town.

0:23:09.520 --> 0:23:13.920
<v Speaker 1>At some point out it took off the blind photo.

0:23:11.359 --> 0:23:16.840
<v Speaker 1>And how about this, if he took the blindfold off,

0:23:17.480 --> 0:23:20.800
<v Speaker 1>he may still have gotten the same it's probably got

0:23:20.840 --> 0:23:24.720
<v Speaker 1>because he was Stevie was ripped. He was built. Stevie

0:23:24.720 --> 0:23:28.840
<v Speaker 1>beating niggas out man. You were killing me right now,

0:23:30.480 --> 0:23:34.440
<v Speaker 1>the drumma sound drum, I got a whole new meeting.

0:23:35.280 --> 0:23:37.720
<v Speaker 1>Are you kidding? No, we had a lot of fun.

0:23:37.760 --> 0:23:40.440
<v Speaker 1>Stevie's a nice cat. He's he's a wonderful guy. I

0:23:40.520 --> 0:23:42.560
<v Speaker 1>sit next to Stevie and we sang and played together

0:23:43.000 --> 0:23:46.240
<v Speaker 1>one night. So you got a picture. If I'm eighteen,

0:23:46.280 --> 0:23:50.560
<v Speaker 1>he's twenty one. Oh yea, he's the boss. So who's

0:23:50.560 --> 0:23:53.000
<v Speaker 1>controlling this stuff? I mean, we got the boss is

0:23:53.080 --> 0:23:55.280
<v Speaker 1>just as crazy as the rest of us doing it.

0:23:55.440 --> 0:23:57.840
<v Speaker 1>And you know how you are at nineteen twenty. It's

0:23:57.960 --> 0:24:00.440
<v Speaker 1>that krand of crazy. So I go pick, we go

0:24:00.560 --> 0:24:03.600
<v Speaker 1>dry right, were doing crazy stuff, you know girls, I

0:24:03.640 --> 0:24:05.359
<v Speaker 1>mean we're just doing whatever. So how old are you

0:24:05.359 --> 0:24:08.600
<v Speaker 1>when you moved to l A. I was nineteen? Okay, yeah,

0:24:08.760 --> 0:24:11.000
<v Speaker 1>just turn the nineteen. May have been eighteen, but just

0:24:11.040 --> 0:24:13.480
<v Speaker 1>turned the nineteen because I got with Stevie when in

0:24:13.480 --> 0:24:21.879
<v Speaker 1>the Rolling Stones when he called me outside, hey, hey, hey,

0:24:21.080 --> 0:24:29.960
<v Speaker 1>just you can't rolling Stone. You'll see. And this is

0:24:29.960 --> 0:24:32.680
<v Speaker 1>a this is a great story because I'm in college,

0:24:32.800 --> 0:24:35.040
<v Speaker 1>which I hated, and I got to college early. So

0:24:35.080 --> 0:24:38.600
<v Speaker 1>I'm seventeen in college and and they're making me draft

0:24:38.680 --> 0:24:40.320
<v Speaker 1>car parts and all that stuff. All I want to

0:24:40.320 --> 0:24:41.760
<v Speaker 1>do is drive the car. I don't build no car,

0:24:41.840 --> 0:24:43.400
<v Speaker 1>you know what I mean. I'm just not feeling it.

0:24:43.480 --> 0:24:46.200
<v Speaker 1>But my dad worked for for forty eight years, and

0:24:46.280 --> 0:24:48.359
<v Speaker 1>he's like, son, you got to get a white college job,

0:24:48.640 --> 0:24:51.160
<v Speaker 1>pension retirement. You know this after you make an eighteen

0:24:51.200 --> 0:24:54.400
<v Speaker 1>thousand and them's way past that. Yeah, and I'm seventeen.

0:24:54.400 --> 0:24:56.360
<v Speaker 1>I don't think. I don't think that work seven ain't

0:24:56.359 --> 0:25:00.560
<v Speaker 1>gonna work there. I'm seventeen and I'm in the lunch

0:25:00.600 --> 0:25:03.720
<v Speaker 1>roing with some friends of mine, and I'll never forget

0:25:03.760 --> 0:25:05.760
<v Speaker 1>they looked at me and they said, we're tired of

0:25:05.800 --> 0:25:08.480
<v Speaker 1>hearing about you and Smokey Rob. If you knew Marvin Gay,

0:25:08.520 --> 0:25:10.840
<v Speaker 1>you wouldn't be sitting here with us, right. And I

0:25:10.840 --> 0:25:12.639
<v Speaker 1>looked at the guy said that's the first thing anybody

0:25:12.680 --> 0:25:14.880
<v Speaker 1>said to me that made me sense. Watch this, take

0:25:14.960 --> 0:25:16.880
<v Speaker 1>my books, and I just walked out to lunch room,

0:25:16.960 --> 0:25:19.639
<v Speaker 1>never to return. So I went home, talked to my

0:25:19.720 --> 0:25:23.639
<v Speaker 1>dad and and Stevie Wonder had called just then, and

0:25:23.960 --> 0:25:25.879
<v Speaker 1>I'll never forget when he called me. Music from My

0:25:25.920 --> 0:25:28.040
<v Speaker 1>Mind was my favorite album of all time. I mean,

0:25:28.040 --> 0:25:30.000
<v Speaker 1>I never heard those news sounds that was the first

0:25:30.000 --> 0:25:35.280
<v Speaker 1>time anybody heard synthesized days. Yeah, remember Stevie started all that.

0:25:35.560 --> 0:25:37.280
<v Speaker 1>I mean, so when you heard in your car, you

0:25:37.320 --> 0:25:39.760
<v Speaker 1>just went, is it good? Is it bad? I don't

0:25:39.760 --> 0:25:41.800
<v Speaker 1>even know what it is that I never heard it before.

0:25:42.040 --> 0:25:43.960
<v Speaker 1>It was like, you just never heard it before. What's that?

0:25:44.880 --> 0:25:46.840
<v Speaker 1>What's all these sounds? You know? And he had the

0:25:46.920 --> 0:25:49.080
<v Speaker 1>voices with the sounds. So the only album I hand

0:25:49.080 --> 0:25:51.080
<v Speaker 1>in my car was music from my Mind. So when

0:25:51.080 --> 0:25:53.440
<v Speaker 1>he called me up, he needed to get time from

0:25:53.520 --> 0:25:56.760
<v Speaker 1>I guess everybody said, he said. Everybody spoke to said

0:25:56.800 --> 0:26:00.199
<v Speaker 1>call Ray, you know, call this kid Ray. So he

0:26:00.240 --> 0:26:01.920
<v Speaker 1>called me. The first thing I did was hang up

0:26:01.920 --> 0:26:04.600
<v Speaker 1>on him, you know, click. Then yeah, I thought, I

0:26:04.600 --> 0:26:05.960
<v Speaker 1>ain't know Stevie, want to come? Me's some one of

0:26:05.960 --> 0:26:08.040
<v Speaker 1>my friends, and you know, then he called a couple

0:26:08.080 --> 0:26:09.760
<v Speaker 1>he was first. He called a couple of times back

0:26:10.080 --> 0:26:11.800
<v Speaker 1>then I hung up, and I think the third time

0:26:12.160 --> 0:26:14.359
<v Speaker 1>I put some four letter words and then hung up.

0:26:14.400 --> 0:26:16.399
<v Speaker 1>You know. But it wasn't it wasn't pretty, you know.

0:26:17.240 --> 0:26:19.320
<v Speaker 1>So you called back again, said, man, I don't think

0:26:19.359 --> 0:26:22.440
<v Speaker 1>we filmed each other. Uh, let me let me play

0:26:22.480 --> 0:26:24.000
<v Speaker 1>you a little bit. And he played me the rhythm

0:26:24.000 --> 0:26:26.399
<v Speaker 1>track the Superstition he was working. I was like, holy

0:26:26.400 --> 0:26:28.439
<v Speaker 1>crap a tongue I am about Stevie one. I mean,

0:26:28.480 --> 0:26:31.440
<v Speaker 1>I got, you know, correct this. And so he asked

0:26:31.480 --> 0:26:33.200
<v Speaker 1>me to go on tour with him and the Rolling Stones.

0:26:33.280 --> 0:26:34.800
<v Speaker 1>They were doing that. That's the biggest tour of the

0:26:34.880 --> 0:26:36.840
<v Speaker 1>year at that time. There was nothing bigger than the

0:26:36.920 --> 0:26:39.920
<v Speaker 1>Rolling Stones and Stevie wanted together. I'm just gonna be

0:26:40.000 --> 0:26:43.280
<v Speaker 1>stadium tour. Everything sold out, limbousines, tear gas, you know,

0:26:44.400 --> 0:26:48.000
<v Speaker 1>massive stereo, British. Yeah. It was that kind of stuff,

0:26:48.000 --> 0:26:49.800
<v Speaker 1>you know, you got to back them up. Yeah, yeah,

0:26:50.160 --> 0:26:51.879
<v Speaker 1>So it was crazy. I mean it was like, you know,

0:26:52.960 --> 0:26:54.520
<v Speaker 1>but I told him first, I got to talk to

0:26:54.560 --> 0:26:57.479
<v Speaker 1>my dad, you know, get because I'm respecting by my parents.

0:26:57.800 --> 0:26:59.680
<v Speaker 1>And my dad was crying. He was like, son, I

0:27:00.000 --> 0:27:02.480
<v Speaker 1>eving money for you to go college since before you

0:27:02.520 --> 0:27:04.480
<v Speaker 1>were born, you know. And I was like, yeah, but

0:27:04.480 --> 0:27:05.520
<v Speaker 1>I don't want to do that. I want to go

0:27:05.560 --> 0:27:06.879
<v Speaker 1>with the rock and roll band, you know. So we

0:27:06.960 --> 0:27:08.760
<v Speaker 1>headed out, you know, and then I repeated back to

0:27:08.840 --> 0:27:12.280
<v Speaker 1>my dad and very respectfully. After about two days, he

0:27:12.280 --> 0:27:14.760
<v Speaker 1>gave up, you know, he said, I can't do nothing

0:27:14.800 --> 0:27:16.520
<v Speaker 1>with this poor kid, he's going down. You know, he's

0:27:16.560 --> 0:27:18.959
<v Speaker 1>gonna make twenty to night. I said, I don't think so, Dad,

0:27:19.000 --> 0:27:20.480
<v Speaker 1>I'm gonna do a little better than that, you know.

0:27:21.280 --> 0:27:23.119
<v Speaker 1>And so I went on that tour and that that

0:27:23.200 --> 0:27:25.479
<v Speaker 1>was a life changing for me. That was the big

0:27:25.800 --> 0:27:28.480
<v Speaker 1>eye opener life because everything I did was in Detroit,

0:27:29.080 --> 0:27:30.320
<v Speaker 1>and this is the first time I got to see

0:27:30.320 --> 0:27:32.280
<v Speaker 1>the rest of the world and see what everybody else

0:27:32.320 --> 0:27:35.480
<v Speaker 1>on at any team, what everybody else was doing, you know,

0:27:35.960 --> 0:27:38.239
<v Speaker 1>And it just opened my eyes to everything. I mean,

0:27:38.240 --> 0:27:40.840
<v Speaker 1>I didn't know no publishing and no writing songs or produced.

0:27:40.840 --> 0:27:42.680
<v Speaker 1>I didn't know what none of this stuff. I don't

0:27:42.680 --> 0:27:44.520
<v Speaker 1>even know what it was. I just want to play together.

0:27:44.640 --> 0:27:48.639
<v Speaker 1>When you had any form of representation at all, know

0:27:48.760 --> 0:27:50.360
<v Speaker 1>what not. The only person you just had to talk

0:27:50.400 --> 0:27:55.040
<v Speaker 1>to his pops. Exactly, can I go, yeah, exactly. And

0:27:55.080 --> 0:27:58.040
<v Speaker 1>my dad was pretty smart, by the way, especially with money.

0:27:58.400 --> 0:28:00.440
<v Speaker 1>My dad, I'm never forget even when we were younger,

0:28:00.560 --> 0:28:04.159
<v Speaker 1>he used to There were no calculators and computers, but

0:28:04.200 --> 0:28:07.080
<v Speaker 1>he used to make me amateurize the mortgage and figure

0:28:07.080 --> 0:28:10.560
<v Speaker 1>out each payment, which is difficult because the interest rate.

0:28:10.800 --> 0:28:13.399
<v Speaker 1>Once you make a payment last month, it's a different

0:28:13.400 --> 0:28:17.159
<v Speaker 1>payment the next one between the principle in the in

0:28:17.240 --> 0:28:21.240
<v Speaker 1>the in the in the the interest. Each month the

0:28:21.280 --> 0:28:23.800
<v Speaker 1>payment is the same, but the balance is I had

0:28:23.840 --> 0:28:26.960
<v Speaker 1>to figure that out. Like eleven years old. He was

0:28:27.000 --> 0:28:29.280
<v Speaker 1>setting Yeah, he was setting me up. So my dad

0:28:29.320 --> 0:28:32.560
<v Speaker 1>had some great ideas, some of them should have listened

0:28:32.600 --> 0:28:35.639
<v Speaker 1>to a little more, especially with the girls and accountants

0:28:35.640 --> 0:28:39.960
<v Speaker 1>and a bunch of others. We're gonna get that. They

0:28:39.960 --> 0:28:42.240
<v Speaker 1>have a look at the dollar bill and his thing.

0:28:42.280 --> 0:28:44.240
<v Speaker 1>We says, see that way, says what is this sayce

0:28:44.320 --> 0:28:47.000
<v Speaker 1>in God? You trust? You know God? We trust. My

0:28:47.080 --> 0:28:49.280
<v Speaker 1>dad says, Now if you trust anybody else, it says

0:28:49.360 --> 0:28:51.840
<v Speaker 1>right here who to trust? He says, if you trust

0:28:51.880 --> 0:28:56.200
<v Speaker 1>anybody other than God, you're in trouble. In trouble. And uh,

0:28:56.480 --> 0:28:59.360
<v Speaker 1>later in life I found out, boy, he's really he's

0:28:59.440 --> 0:29:01.640
<v Speaker 1>really right. You pay attention to this. You should have

0:29:01.640 --> 0:29:04.080
<v Speaker 1>put some red marks beside that. I said by my

0:29:04.120 --> 0:29:08.440
<v Speaker 1>mom all the time, I'll be mad something she said

0:29:08.440 --> 0:29:10.440
<v Speaker 1>from teen years ago, like you know what she told

0:29:10.440 --> 0:29:15.320
<v Speaker 1>me that. Yeah, so you're going on tour with Stevie

0:29:15.960 --> 0:29:19.160
<v Speaker 1>and the Rolling Stone. Yeah, biggest tour in the world,

0:29:19.200 --> 0:29:21.880
<v Speaker 1>tear gas limousines and we you know the other things

0:29:21.880 --> 0:29:24.360
<v Speaker 1>that I'm sure, oh my God, can get into. Yeah,

0:29:24.560 --> 0:29:29.200
<v Speaker 1>we don't. We don't have to a little more x rated.

0:29:29.280 --> 0:29:31.000
<v Speaker 1>So you said at this point you don't know publishing.

0:29:31.040 --> 0:29:33.280
<v Speaker 1>You don't know none of these songs. When did you

0:29:33.400 --> 0:29:39.760
<v Speaker 1>start being like the soft after songwriter. Yeah, but that

0:29:39.800 --> 0:29:42.360
<v Speaker 1>took a while, by the way. That came after the

0:29:42.480 --> 0:29:45.760
<v Speaker 1>very white stuff, after you got the love, And I'll

0:29:45.760 --> 0:29:48.120
<v Speaker 1>tell you exactly when it really flipped for me in

0:29:48.160 --> 0:29:50.440
<v Speaker 1>a big way. You know where I could with things change.

0:29:50.640 --> 0:29:53.680
<v Speaker 1>I wrote this tune call you made Me feel like dance? Okay,

0:29:53.920 --> 0:29:57.400
<v Speaker 1>you make me feel like and won won the Grammy

0:29:57.440 --> 0:30:01.480
<v Speaker 1>Song of the Year. Yeah we we No. Well, here's

0:30:01.480 --> 0:30:04.720
<v Speaker 1>what's bad. My name ain't on the song nowhere, and

0:30:04.760 --> 0:30:07.320
<v Speaker 1>I got no credit. I got completely screwed. Should have

0:30:07.320 --> 0:30:10.440
<v Speaker 1>been millions of dollars. I got nothing. And not only

0:30:10.480 --> 0:30:13.600
<v Speaker 1>did I write the song at home and bring it in,

0:30:14.560 --> 0:30:16.480
<v Speaker 1>the producer did me in, by the way. And I

0:30:16.520 --> 0:30:18.280
<v Speaker 1>mean I thought he was my boy because I had

0:30:18.320 --> 0:30:20.680
<v Speaker 1>my name on the sign to bring me fresh cut

0:30:20.760 --> 0:30:23.720
<v Speaker 1>watermelon juice every day, and he just did me in

0:30:24.240 --> 0:30:26.400
<v Speaker 1>big time to me, And not only did I write

0:30:26.400 --> 0:30:28.040
<v Speaker 1>the song at home, but I mean, i's me playing

0:30:28.080 --> 0:30:30.400
<v Speaker 1>on the record. I put the band together, so there's

0:30:30.400 --> 0:30:34.760
<v Speaker 1>no question of what happened everybody. I wrote it and yeah,

0:30:34.800 --> 0:30:37.120
<v Speaker 1>put the band in it because all the producers, Yeah,

0:30:37.320 --> 0:30:41.040
<v Speaker 1>pretty much. And so the good news to that is

0:30:41.680 --> 0:30:44.880
<v Speaker 1>that's like me being a basketball player winning and winning

0:30:45.320 --> 0:30:49.080
<v Speaker 1>the series and I ain't got no deal. I wouldn't

0:30:49.080 --> 0:30:52.800
<v Speaker 1>sign anybody. So Clide Davis like this song I had

0:30:52.840 --> 0:30:55.000
<v Speaker 1>called Jack and Jill, which I had also given to

0:30:55.040 --> 0:30:59.240
<v Speaker 1>the same guy who stolen song. Yeah, that's that's the thing.

0:31:00.200 --> 0:31:03.680
<v Speaker 1>Not to cut you off, but in this business, right

0:31:03.760 --> 0:31:06.959
<v Speaker 1>when you when you when you link in with somebody

0:31:06.960 --> 0:31:10.280
<v Speaker 1>and you believe that there you're in two things, you

0:31:10.400 --> 0:31:12.800
<v Speaker 1>kind of give them whatever you you're the best of

0:31:12.880 --> 0:31:15.600
<v Speaker 1>the best of you. So like you said, he had

0:31:15.640 --> 0:31:19.120
<v Speaker 1>already stolen one, but you were giving him another. Well,

0:31:19.120 --> 0:31:21.080
<v Speaker 1>I'd already given him that at the same time before.

0:31:21.840 --> 0:31:23.560
<v Speaker 1>So this is part of the bat. I don't think

0:31:23.600 --> 0:31:26.120
<v Speaker 1>I gave him the second one after Okay, okay, no, no,

0:31:26.200 --> 0:31:28.480
<v Speaker 1>because something we got some people do and that's why

0:31:28.640 --> 0:31:31.880
<v Speaker 1>I wanted to. I wanted to say that. Yeah, And

0:31:31.920 --> 0:31:35.400
<v Speaker 1>so when Clive Davis got wind of it, I think

0:31:35.480 --> 0:31:37.880
<v Speaker 1>I was like twenty one or two years old. He says,

0:31:38.560 --> 0:31:40.480
<v Speaker 1>get me this ray Pocket guy here. He got a

0:31:40.480 --> 0:31:42.800
<v Speaker 1>little studio in his house. You know, he's got all

0:31:42.800 --> 0:31:45.600
<v Speaker 1>this stuff going on. He's written these songs. Just bring

0:31:45.720 --> 0:31:48.040
<v Speaker 1>him to me. So I got to him. And what

0:31:48.160 --> 0:31:50.000
<v Speaker 1>was nice about it. I'm like an athlete, not who

0:31:50.000 --> 0:31:52.480
<v Speaker 1>don't hand no deal. I'm I'm out in the street.

0:31:51.960 --> 0:31:55.040
<v Speaker 1>Are So, I'm my first deal was like somebody else's

0:31:55.120 --> 0:31:58.440
<v Speaker 1>second record deal. He's like, he's already proved himself. He

0:31:58.440 --> 0:32:00.760
<v Speaker 1>did this, this and this, and we're gonna do this.

0:32:00.840 --> 0:32:02.840
<v Speaker 1>He said, don't worry about the other guy. He says,

0:32:03.080 --> 0:32:05.120
<v Speaker 1>we don't even call him to tell him he ain't

0:32:05.120 --> 0:32:06.960
<v Speaker 1>got the other song to more. He says, I'll do that.

0:32:07.200 --> 0:32:10.600
<v Speaker 1>He says, I'm your divorce attorney. He says, I'll take

0:32:10.640 --> 0:32:12.640
<v Speaker 1>care of all that. He's all I want you to

0:32:12.680 --> 0:32:16.320
<v Speaker 1>do is cut jack and jail for me. He said,

0:32:16.320 --> 0:32:18.800
<v Speaker 1>you were about the music. I got the rest of it.

0:32:19.960 --> 0:32:29.040
<v Speaker 1>And he did, and we've cut like I just went

0:32:29.080 --> 0:32:31.800
<v Speaker 1>to a ninety of birthday party a month ago. And

0:32:31.880 --> 0:32:34.240
<v Speaker 1>he's a wonderful guy. Aretha Franklin says, the wonderful guy.

0:32:34.240 --> 0:32:36.640
<v Speaker 1>He is a wonderful guy in the music business. He's

0:32:36.640 --> 0:32:40.120
<v Speaker 1>the guy. Yeah you've heard that before probably, but he's

0:32:40.240 --> 0:32:45.040
<v Speaker 1>he's a mazing yeah. Okay there, Yeah, he's the man.

0:32:45.520 --> 0:32:47.760
<v Speaker 1>So he's he's a really good guy and he took

0:32:47.800 --> 0:32:50.080
<v Speaker 1>good care of me and the rest is history after that.

0:32:50.160 --> 0:32:52.680
<v Speaker 1>So then you got the money. Yeah, you got the

0:32:52.760 --> 0:32:59.200
<v Speaker 1>right lawyer, right, stuff going on and around, So you

0:32:59.280 --> 0:33:02.920
<v Speaker 1>got it. Okay, that's a big change for me because uh,

0:33:03.000 --> 0:33:05.080
<v Speaker 1>and we're skipping over this, so let's not. But when

0:33:05.120 --> 0:33:06.560
<v Speaker 1>I got to l A, I became one of the

0:33:06.600 --> 0:33:09.600
<v Speaker 1>top session guys. So what you got the pictures I'm

0:33:09.640 --> 0:33:14.000
<v Speaker 1>making just playing the guitar, not writing songs two d

0:33:15.040 --> 0:33:20.160
<v Speaker 1>a year in Yeah. Uh, A lot of people that's

0:33:20.320 --> 0:33:22.160
<v Speaker 1>that's gonna be tuning in may not even know what

0:33:22.240 --> 0:33:27.760
<v Speaker 1>a session player is computer exactly. But I'm the guy

0:33:27.800 --> 0:33:31.800
<v Speaker 1>who's playing on Seals and Cross, Tom Jones, Ingleberd Hunter

0:33:32.000 --> 0:33:35.840
<v Speaker 1>and the carpenters and guitar and all this stuff and

0:33:35.880 --> 0:33:39.200
<v Speaker 1>then then more and so for just playing the guitar

0:33:40.000 --> 0:33:42.760
<v Speaker 1>right in those days, I'm making like two hundred plus ran.

0:33:43.080 --> 0:33:44.920
<v Speaker 1>To give you some idea what it is. You could

0:33:44.960 --> 0:33:49.440
<v Speaker 1>buy a house in Trusdale for three fifty and I'm

0:33:49.440 --> 0:33:52.400
<v Speaker 1>making two hundreds and the houses is crazy. Okay, so

0:33:52.440 --> 0:33:55.040
<v Speaker 1>you got to cut a picture in your mind. If

0:33:55.040 --> 0:33:59.000
<v Speaker 1>I work for two years about that's how much money

0:33:59.040 --> 0:34:01.600
<v Speaker 1>that was back in It's like millions, you know, over

0:34:01.600 --> 0:34:03.840
<v Speaker 1>a million dollars just playing the guitar and nobody even

0:34:03.840 --> 0:34:06.960
<v Speaker 1>knows who I am. I anathing it. So I did that,

0:34:07.520 --> 0:34:09.800
<v Speaker 1>and the big flip came. And I'll give you the numbers.

0:34:10.560 --> 0:34:12.400
<v Speaker 1>When I turned twenty three, that's the first time I

0:34:12.440 --> 0:34:14.160
<v Speaker 1>hit over a million. But I went to like two

0:34:14.160 --> 0:34:17.799
<v Speaker 1>point two million a year, and that was a lot,

0:34:17.840 --> 0:34:21.000
<v Speaker 1>a lot of money back there. Yeah, and this in

0:34:21.040 --> 0:34:27.919
<v Speaker 1>the seventies, Oh my god. So since it's a money show,

0:34:27.920 --> 0:34:30.759
<v Speaker 1>it's important to say that because if I knew what

0:34:30.880 --> 0:34:33.239
<v Speaker 1>I knew now, I would have kept all the real

0:34:33.239 --> 0:34:34.960
<v Speaker 1>to state about all the stuff. But I didn't know

0:34:34.960 --> 0:34:36.880
<v Speaker 1>that much about stock. I should have been invested in that.

0:34:37.160 --> 0:34:39.319
<v Speaker 1>I could be worth a billion dollars. I could see

0:34:39.320 --> 0:34:43.879
<v Speaker 1>the billion easy from then to now, but I didn't

0:34:43.920 --> 0:34:45.600
<v Speaker 1>know what I was doing. I'm buying cars and have

0:34:45.719 --> 0:34:49.759
<v Speaker 1>a good but I could have done the living too.

0:34:49.880 --> 0:34:51.880
<v Speaker 1>It's still done other stuff. I just didn't know about it.

0:34:51.960 --> 0:34:54.840
<v Speaker 1>I come from Detroit, the inter city. Nobody in my

0:34:54.840 --> 0:34:56.640
<v Speaker 1>family even knew what a mortgage was, but you know

0:34:56.719 --> 0:35:01.440
<v Speaker 1>sort of back then. Yeah, yeah, so you learned a

0:35:01.440 --> 0:35:03.160
<v Speaker 1>lot of stuff. Then you look back at the money

0:35:03.200 --> 0:35:04.800
<v Speaker 1>and go. But I thought, that's a little bit of it.

0:35:04.840 --> 0:35:06.560
<v Speaker 1>That was a lot of money. I could have bought

0:35:06.600 --> 0:35:08.480
<v Speaker 1>the whole area. If I came to the valley, I

0:35:08.520 --> 0:35:11.680
<v Speaker 1>could have bought the whole block for that. Back then

0:35:12.040 --> 0:35:20.200
<v Speaker 1>your houses were like valley. Yeah. Yeah, that is amazing,

0:35:20.800 --> 0:35:23.920
<v Speaker 1>And that's the that's one thing I learned. It's true. Uh,

0:35:24.120 --> 0:35:27.759
<v Speaker 1>I regret every piece of real estate, and so I

0:35:27.920 --> 0:35:31.640
<v Speaker 1>regret just about a couple of just about every stock

0:35:31.719 --> 0:35:35.600
<v Speaker 1>I've ever sold. Would have held on everything. I wish

0:35:35.640 --> 0:35:37.480
<v Speaker 1>I would have held on everything. I could have been

0:35:37.920 --> 0:35:41.120
<v Speaker 1>super rich just holding on everything. Yeah, every time, I

0:35:41.160 --> 0:35:43.440
<v Speaker 1>thought every time I sold the property for three or

0:35:43.480 --> 0:35:45.640
<v Speaker 1>four times. But the one I bought in the next

0:35:45.760 --> 0:35:47.920
<v Speaker 1>near Lamont Dog, I think we paid me and my

0:35:47.960 --> 0:35:50.080
<v Speaker 1>best friend on We bought it when we were teenagers

0:35:50.400 --> 0:35:53.040
<v Speaker 1>for like a hundred and five grands. Dusty Springfield's house,

0:35:53.080 --> 0:35:56.600
<v Speaker 1>the Singer which we bought her house man. We sold

0:35:56.600 --> 0:36:00.319
<v Speaker 1>that house for four hundred thirty grand we thought we robbed. Yeah,

0:36:00.360 --> 0:36:05.439
<v Speaker 1>we call people three four million maybe more, maybe more,

0:36:05.520 --> 0:36:08.120
<v Speaker 1>you know, And so I wish I kept every house,

0:36:08.440 --> 0:36:10.359
<v Speaker 1>you know. And so when you look at it now,

0:36:10.400 --> 0:36:12.040
<v Speaker 1>you said, man, I paid this, and you think I

0:36:12.080 --> 0:36:13.759
<v Speaker 1>paid a little bit too much. I mean, they really

0:36:13.800 --> 0:36:16.399
<v Speaker 1>bait me over a little bit later. Man, that's that's

0:36:16.440 --> 0:36:18.799
<v Speaker 1>It's gonna be chump change. You know. It's just just

0:36:18.800 --> 0:36:20.759
<v Speaker 1>just the way the things. People told me that in

0:36:20.800 --> 0:36:23.120
<v Speaker 1>the day. But I mean I didn't really see it,

0:36:23.200 --> 0:36:25.000
<v Speaker 1>you know, to me. I mean I looked at the

0:36:25.000 --> 0:36:27.399
<v Speaker 1>house on Sunset Plants and Drive. It was forty five ground.

0:36:27.480 --> 0:36:29.279
<v Speaker 1>They ain't paying on forty five graph in the house?

0:36:29.280 --> 0:36:33.160
<v Speaker 1>Are you crazy? Now? You play for the parking space,

0:36:34.880 --> 0:36:37.160
<v Speaker 1>you had one of those sitting exactly. That's what I'm saying,

0:36:37.239 --> 0:36:39.520
<v Speaker 1>you know. I think I think that's also in our

0:36:39.600 --> 0:36:43.080
<v Speaker 1>in our community and amongst our people, with everything that's

0:36:43.080 --> 0:36:44.920
<v Speaker 1>going on, with everything that we go through in life.

0:36:45.200 --> 0:36:48.560
<v Speaker 1>I think a lot of the younger guys, younger than

0:36:48.600 --> 0:36:52.399
<v Speaker 1>even us, they don't even see that far. They don't

0:36:52.480 --> 0:36:56.719
<v Speaker 1>see reaching sixty five, reaching seventy years old, still being

0:36:56.760 --> 0:36:59.120
<v Speaker 1>in good shape, still moving around, still living your life

0:36:59.200 --> 0:37:02.920
<v Speaker 1>good at like I don't know what's going on tomorrow. Yeah,

0:37:03.120 --> 0:37:04.799
<v Speaker 1>so I'm gonna go ahead and get this. Yeah, yeah

0:37:04.920 --> 0:37:08.000
<v Speaker 1>do that's not yeah right, which, like you said, you

0:37:08.040 --> 0:37:10.759
<v Speaker 1>can do that, and still you can. You can you

0:37:10.800 --> 0:37:13.759
<v Speaker 1>can put the money up, set yourself up, and still live.

0:37:14.040 --> 0:37:16.759
<v Speaker 1>They still live. Yeah, absolutely, Because I think guys start

0:37:16.840 --> 0:37:19.960
<v Speaker 1>to think that they you know, they're gonna take away

0:37:20.000 --> 0:37:22.160
<v Speaker 1>from how much fun. It's not gonna take away from

0:37:22.160 --> 0:37:24.439
<v Speaker 1>how much fun you got. And then at the same time,

0:37:24.520 --> 0:37:28.560
<v Speaker 1>nobody needs thirteen of the same car. Either. These guys

0:37:28.560 --> 0:37:32.160
<v Speaker 1>go out by thirteen show I thought I used to think.

0:37:32.239 --> 0:37:35.240
<v Speaker 1>I used to think I needed four or five cars.

0:37:35.360 --> 0:37:38.200
<v Speaker 1>I had them. You know what I'm saying. I'm reading

0:37:38.200 --> 0:37:40.400
<v Speaker 1>about guys who buy third They got way more than

0:37:40.440 --> 0:37:42.359
<v Speaker 1>four or five cars, but they got thirteen of the

0:37:42.440 --> 0:37:45.120
<v Speaker 1>same car. I'd be like, why did you buy thirteen?

0:37:45.360 --> 0:37:48.560
<v Speaker 1>It's crazy. I was talking. I'm talking to uh, your nephew,

0:37:48.840 --> 0:37:50.480
<v Speaker 1>talking to Jordan, because he's, you know, he wants to

0:37:50.480 --> 0:37:53.000
<v Speaker 1>get a car. He's talking about I'm gonna hook him

0:37:53.040 --> 0:37:55.479
<v Speaker 1>up with my guys, you know, to get in my car.

0:37:55.800 --> 0:37:57.239
<v Speaker 1>And I'm like, well, what do you want to do.

0:37:57.920 --> 0:37:59.399
<v Speaker 1>He's like, well, you know, I just want to get

0:37:59.400 --> 0:38:02.200
<v Speaker 1>something nice. You know. I pull up and I said,

0:38:02.320 --> 0:38:04.240
<v Speaker 1>I said, no, I said, I get it, I said,

0:38:04.760 --> 0:38:08.120
<v Speaker 1>I said, but think about this, all the cool things

0:38:08.120 --> 0:38:10.759
<v Speaker 1>you've been able to do up until this point, you've

0:38:10.840 --> 0:38:16.080
<v Speaker 1>done without a car. You've done without this crazy thousand

0:38:16.080 --> 0:38:20.799
<v Speaker 1>dollar overhead. Like when you walk into a place, your

0:38:20.840 --> 0:38:23.719
<v Speaker 1>car don't go with you. Now, I said, you pull

0:38:23.840 --> 0:38:27.280
<v Speaker 1>up in an uber, walk in there, and what happens?

0:38:27.640 --> 0:38:31.840
<v Speaker 1>He said, I'm lit. I said, so let's just we

0:38:31.960 --> 0:38:34.719
<v Speaker 1>gotta go crazy. Yeah, you know what I'm saying. Get

0:38:34.760 --> 0:38:37.399
<v Speaker 1>something cool, get something nice. I said, you're you're the bar.

0:38:37.880 --> 0:38:41.360
<v Speaker 1>It's you. They want to see you. So so I

0:38:41.400 --> 0:38:45.640
<v Speaker 1>get I have one car. Now I've graduated to a point.

0:38:45.920 --> 0:38:57.960
<v Speaker 1>I've elevated my nice car. It's nice, don't get wrong,

0:38:58.960 --> 0:39:02.239
<v Speaker 1>but it's one. I mean I come from. I come

0:39:02.320 --> 0:39:06.920
<v Speaker 1>from landing in the back of the hatchback of a picture. Yeah, okay,

0:39:07.120 --> 0:39:09.600
<v Speaker 1>that's where I come from. Yeah, you know what I'm saying.

0:39:10.120 --> 0:39:13.080
<v Speaker 1>You know, not getting the new pair of shoes until

0:39:13.160 --> 0:39:15.640
<v Speaker 1>my foot was out of the shop, right, Yeah, you

0:39:15.719 --> 0:39:20.000
<v Speaker 1>understanding that. So certain parts, certain things for me are triggers. Yeah,

0:39:20.040 --> 0:39:22.640
<v Speaker 1>you're making that for lost time. I'm making for lost time, baby.

0:39:23.000 --> 0:39:24.880
<v Speaker 1>But let me tell you one car care what it was.

0:39:24.920 --> 0:39:27.360
<v Speaker 1>One car is fine, And I'm gonna give you an example.

0:39:27.520 --> 0:39:29.080
<v Speaker 1>This is what I tell my kids. Like back in

0:39:29.120 --> 0:39:31.759
<v Speaker 1>the day. See, I lived in Beverly Hills. I think

0:39:31.760 --> 0:39:35.400
<v Speaker 1>I was twenty four and I had and I was

0:39:35.440 --> 0:39:37.239
<v Speaker 1>twenty four. I know it was because I had a

0:39:37.320 --> 0:39:40.040
<v Speaker 1>Rose Royce. I had a Rose Royce at a Porsche,

0:39:40.480 --> 0:39:43.200
<v Speaker 1>at a g Hat, a Honda or something like that.

0:39:43.760 --> 0:39:45.400
<v Speaker 1>And I'll never forget I made when I made the

0:39:45.400 --> 0:39:47.560
<v Speaker 1>big money, I wanted to buy a Rose Royce convertible

0:39:47.560 --> 0:39:49.960
<v Speaker 1>because Slide the family stone Head one on his album.

0:39:49.960 --> 0:39:51.919
<v Speaker 1>Because I just gotta have Rose rog convertible. I gotta

0:39:51.960 --> 0:39:54.160
<v Speaker 1>be gram Street and Rose RoCE convery. But it was

0:39:54.200 --> 0:39:56.600
<v Speaker 1>important to me. Yeah, I'm like, what was so important

0:39:56.600 --> 0:39:58.759
<v Speaker 1>about that? But it was important at the time I had.

0:40:00.200 --> 0:40:06.040
<v Speaker 1>It was the driver, it was it was something give

0:40:06.080 --> 0:40:09.399
<v Speaker 1>me as Corniche convertible. It's definitely a foss And I'll

0:40:09.400 --> 0:40:11.080
<v Speaker 1>never get the car at that time was a hundred

0:40:11.120 --> 0:40:14.480
<v Speaker 1>and seven thousand dollars. Now, so I made that first money.

0:40:14.800 --> 0:40:17.239
<v Speaker 1>Jack and Joe the album Radio albums Head and I

0:40:17.280 --> 0:40:20.000
<v Speaker 1>first made I first passed a million for the first time.

0:40:20.000 --> 0:40:22.680
<v Speaker 1>I got the money, not my accounting lawyer. They're all

0:40:22.760 --> 0:40:25.000
<v Speaker 1>giving it up. You gotta pay you all your bills,

0:40:25.040 --> 0:40:28.160
<v Speaker 1>pay your manager, pay your account pay your lawyer, pay

0:40:28.200 --> 0:40:31.400
<v Speaker 1>all the bills, pay your taxes, gotta pay your taxes.

0:40:31.440 --> 0:40:34.080
<v Speaker 1>I paying all my taxes, and I had enough money left.

0:40:34.239 --> 0:40:37.120
<v Speaker 1>I got my mom and dad a house, and I

0:40:37.239 --> 0:40:40.520
<v Speaker 1>upgraded my house, and and I had this money left.

0:40:40.520 --> 0:40:42.640
<v Speaker 1>And I'll never forget my lawyers said, man, he said,

0:40:42.640 --> 0:40:45.240
<v Speaker 1>you like Slice so much. I got this whole catalog

0:40:45.320 --> 0:40:48.319
<v Speaker 1>you can buy for four and fifty thousand dollars. I

0:40:48.400 --> 0:40:49.960
<v Speaker 1>was like, what am I doing with them old songs?

0:40:50.000 --> 0:40:52.920
<v Speaker 1>You know, just being uneducated. I'm like, you know, yeah,

0:40:52.960 --> 0:40:56.200
<v Speaker 1>I know what. I'm dance to the music every day.

0:40:56.239 --> 0:41:00.640
<v Speaker 1>People with a my heart, my heart, And so I said, well,

0:41:00.680 --> 0:41:02.400
<v Speaker 1>I said, I gotta get my mama house. That's that.

0:41:02.760 --> 0:41:05.400
<v Speaker 1>And then there was so much of money left. I

0:41:05.440 --> 0:41:07.160
<v Speaker 1>wasn't thinking of finance. I just said, man, I gotta

0:41:07.160 --> 0:41:09.360
<v Speaker 1>get my rolls Royce. Don't y'all mess up the budget

0:41:09.360 --> 0:41:11.279
<v Speaker 1>with my rolls Royce, and I'll never get my lawyer

0:41:11.280 --> 0:41:13.160
<v Speaker 1>look at me, says, well, can't you use these songs.

0:41:13.200 --> 0:41:15.279
<v Speaker 1>He says, you know, people, we were both young. He said,

0:41:15.400 --> 0:41:17.680
<v Speaker 1>you know people are buying published and now they you know,

0:41:18.000 --> 0:41:20.360
<v Speaker 1>maybe they some value to but it was so early

0:41:20.440 --> 0:41:22.920
<v Speaker 1>nobody was doing that yet. You know, I said, man,

0:41:22.960 --> 0:41:27.320
<v Speaker 1>skip that pubs and at Rose Royce convertable right, and

0:41:27.320 --> 0:41:30.239
<v Speaker 1>and so in hindsight now I'm now we're gonna go

0:41:30.239 --> 0:41:36.600
<v Speaker 1>in hindsight, which is always okay. So in hindsight, Frankie

0:41:36.600 --> 0:41:39.719
<v Speaker 1>Cronker WBLS was the biggest station in New York. I

0:41:39.800 --> 0:41:42.120
<v Speaker 1>passed him on Las Airelea. He took my music off

0:41:42.120 --> 0:41:44.640
<v Speaker 1>the air for a year and a half in New York.

0:41:44.640 --> 0:41:47.000
<v Speaker 1>So I got no airplane in New York. Now, luckily

0:41:47.040 --> 0:41:48.400
<v Speaker 1>for me, I was selling so many records. I was

0:41:48.440 --> 0:41:50.880
<v Speaker 1>gonna go and planet anyway. But I know I felt

0:41:50.920 --> 0:41:52.959
<v Speaker 1>that missing. The New York said, what was that million?

0:41:53.280 --> 0:41:55.759
<v Speaker 1>I don't know how many million to that lost back?

0:41:55.920 --> 0:41:59.399
<v Speaker 1>I mean seventies dollars a million plus because I had

0:41:59.440 --> 0:42:01.479
<v Speaker 1>no air in New York for a year and a half.

0:42:01.520 --> 0:42:04.200
<v Speaker 1>Because he was pill Don Cornea saw me driving. I

0:42:04.280 --> 0:42:06.960
<v Speaker 1>passed him, and they'll give you that look like so

0:42:07.000 --> 0:42:10.440
<v Speaker 1>the Rolls Royce is making him feel this way Oh,

0:42:10.480 --> 0:42:13.040
<v Speaker 1>they liked me until they saw me rolling down the

0:42:13.120 --> 0:42:16.000
<v Speaker 1>Rose Royce and they're in the Rose Royce. They looked

0:42:16.000 --> 0:42:18.360
<v Speaker 1>at me like this. When I went frank Frankie Crocker,

0:42:18.400 --> 0:42:20.120
<v Speaker 1>who I thought we were boys. I mean, I played

0:42:20.120 --> 0:42:22.000
<v Speaker 1>his concerce for for free and you know all the

0:42:22.040 --> 0:42:24.440
<v Speaker 1>other stuff. Man, When he saw me pulling in the road,

0:42:24.520 --> 0:42:26.480
<v Speaker 1>he looked at me like this. I knew I was

0:42:26.520 --> 0:42:28.319
<v Speaker 1>in trouble when he when he looked at me like this,

0:42:28.560 --> 0:42:31.840
<v Speaker 1>he folded his arms at the red light and like that,

0:42:32.200 --> 0:42:34.719
<v Speaker 1>you know, and just the way he looked at me,

0:42:34.760 --> 0:42:37.200
<v Speaker 1>I knew I was in trouble. You know. I was like,

0:42:37.760 --> 0:42:39.560
<v Speaker 1>I know, if Clive Davis called me and said, what

0:42:39.600 --> 0:42:41.319
<v Speaker 1>did you do? Bang his wife or something? He said,

0:42:41.480 --> 0:42:44.520
<v Speaker 1>I can't buy your music on the radio. He said,

0:42:44.920 --> 0:42:46.759
<v Speaker 1>they won't even take the money to put you on

0:42:46.800 --> 0:42:49.960
<v Speaker 1>the radio. He said, what did you do? And I went,

0:42:50.360 --> 0:42:52.480
<v Speaker 1>I know, I know what happened. I saw it in

0:42:52.560 --> 0:42:55.200
<v Speaker 1>his eyes when I drove, you know, and I'm like happy,

0:42:55.280 --> 0:42:59.399
<v Speaker 1>like you're proud of me on having no No, that's

0:42:59.400 --> 0:43:03.319
<v Speaker 1>the other that's the other side of it. So now

0:43:03.400 --> 0:43:05.600
<v Speaker 1>let's let's talk about that. Like when just tell people

0:43:05.640 --> 0:43:07.799
<v Speaker 1>don't buy to me cars. How much did the rules

0:43:07.840 --> 0:43:10.480
<v Speaker 1>first cost? It did not cost me a hundred and

0:43:10.480 --> 0:43:12.239
<v Speaker 1>seven thousand dollars. First of all, I didn't buy a

0:43:12.239 --> 0:43:15.439
<v Speaker 1>Slack Catalog that's worth a hundred million dollars just that.

0:43:16.440 --> 0:43:23.720
<v Speaker 1>So the car cost me over a hundred million dollars. Okay,

0:43:23.760 --> 0:43:25.680
<v Speaker 1>it's cost So you gotta think, you know, and I'm

0:43:25.719 --> 0:43:27.680
<v Speaker 1>trying to teach my kids, you know, give him take.

0:43:28.320 --> 0:43:31.160
<v Speaker 1>I did really well. My best investment in all is

0:43:31.560 --> 0:43:33.880
<v Speaker 1>that little electric car that came out with Tesla. You know,

0:43:34.360 --> 0:43:36.520
<v Speaker 1>I heard I heard about it that on the streets. Man.

0:43:36.560 --> 0:43:39.640
<v Speaker 1>I had a whole bunch of Tesla stock. Okay. And

0:43:39.640 --> 0:43:41.560
<v Speaker 1>and when did you do that? Oh? I did in

0:43:41.640 --> 0:43:45.360
<v Speaker 1>two thousand twelve a lot of it, like over a

0:43:45.400 --> 0:43:50.680
<v Speaker 1>hundred thousand ships. Okay. So I took so some shares

0:43:50.800 --> 0:43:52.799
<v Speaker 1>when it was on its way up because I wanted

0:43:52.800 --> 0:43:55.120
<v Speaker 1>to build a studio. I want to build a house

0:43:55.160 --> 0:43:57.399
<v Speaker 1>next to my house, put a nice studio, and all

0:43:57.440 --> 0:43:59.919
<v Speaker 1>this to cast a couple of million dollars. That cup

0:44:00.080 --> 0:44:02.360
<v Speaker 1>a million dollars of what I sold just to building

0:44:02.680 --> 0:44:06.440
<v Speaker 1>that costs me like million, right, So you look at

0:44:06.480 --> 0:44:09.240
<v Speaker 1>it back and go if he just waited, not build

0:44:09.280 --> 0:44:14.120
<v Speaker 1>that put the bill there. Yeah, so everybody looks at

0:44:14.120 --> 0:44:16.439
<v Speaker 1>the different that's really nice, man, increase the value your house,

0:44:16.440 --> 0:44:18.520
<v Speaker 1>but not twenty five millions and didn't increase the vout

0:44:18.600 --> 0:44:21.080
<v Speaker 1>my house. But that costs that. You know, I sold

0:44:21.120 --> 0:44:22.920
<v Speaker 1>something I did carefully. I didn't keep all of it.

0:44:22.960 --> 0:44:24.360
<v Speaker 1>I sold it on the way I made it. You

0:44:24.520 --> 0:44:26.680
<v Speaker 1>made it reasonable, but it had I held just that

0:44:27.040 --> 0:44:31.799
<v Speaker 1>people just that one portion another twenty five million. Now,

0:44:31.880 --> 0:44:33.480
<v Speaker 1>so I tell my sons, I said, it's not that

0:44:33.600 --> 0:44:36.120
<v Speaker 1>you And by the way, you can't count everything like that.

0:44:36.320 --> 0:44:37.719
<v Speaker 1>Like you said, you get your one. You gotta have

0:44:37.760 --> 0:44:39.560
<v Speaker 1>some fun you're working for. You gotta have something to

0:44:39.560 --> 0:44:41.680
<v Speaker 1>motivate you to go. He's a nice place. You gotta

0:44:41.719 --> 0:44:43.560
<v Speaker 1>have something to motivate you to go to the next step.

0:44:43.920 --> 0:44:46.960
<v Speaker 1>But just know that some of those extra little things.

0:44:47.440 --> 0:44:49.040
<v Speaker 1>Did you think it ain't a big they only spent

0:44:49.120 --> 0:44:53.800
<v Speaker 1>three hundred grand that right, you know what exactly it

0:44:53.880 --> 0:44:56.640
<v Speaker 1>could cost you. I mean I got examples of that

0:44:56.680 --> 0:44:58.919
<v Speaker 1>all day long. Cause you're a lot more than that.

0:44:59.280 --> 0:45:02.960
<v Speaker 1>You think you can't to do this, then that went

0:45:03.000 --> 0:45:07.719
<v Speaker 1>there because even crazier part right, just aside from just

0:45:08.000 --> 0:45:11.520
<v Speaker 1>like the money stuff right and its success and in

0:45:11.560 --> 0:45:18.200
<v Speaker 1>the waves of different times, right of your successes from

0:45:18.200 --> 0:45:23.000
<v Speaker 1>the Motown days, Very White to Stevie Wonder, Marvin Gaye,

0:45:23.040 --> 0:45:26.160
<v Speaker 1>all those things. The way I found out about you

0:45:27.160 --> 0:45:31.680
<v Speaker 1>was missed a Telephone Manah right like you are? You

0:45:31.719 --> 0:45:36.480
<v Speaker 1>are generations of R and B music. No, it's a

0:45:36.480 --> 0:45:40.680
<v Speaker 1>wealth of catalog and a wealth of stories and amazing things.

0:45:41.200 --> 0:45:44.080
<v Speaker 1>And I remember the first time I heard that record,

0:45:44.120 --> 0:45:46.360
<v Speaker 1>and I remember what the video looked like, and and

0:45:46.400 --> 0:45:48.680
<v Speaker 1>they on the street and the guys got the little

0:45:48.680 --> 0:45:52.640
<v Speaker 1>telephones and they man, you know what I'm saying, Like

0:45:53.320 --> 0:45:56.080
<v Speaker 1>I remember it vividly. For me, that's a screw up.

0:45:57.480 --> 0:46:01.800
<v Speaker 1>What yeah? I mean? Telephone Man is a song called

0:46:01.840 --> 0:46:05.200
<v Speaker 1>a Woman's Love just like you did? Remember the hit

0:46:05.239 --> 0:46:08.040
<v Speaker 1>on hand and one of these loves number one. I

0:46:06.719 --> 0:46:09.000
<v Speaker 1>don't know that. I don't know. You better listen to

0:46:09.000 --> 0:46:12.000
<v Speaker 1>that because that was a huge record. And I didn't

0:46:12.040 --> 0:46:14.280
<v Speaker 1>like what I did with Telephone Man, which I wrote first,

0:46:14.600 --> 0:46:17.640
<v Speaker 1>so I changed the move. The music is almost the same.

0:46:17.719 --> 0:46:20.239
<v Speaker 1>I changed the words and wrote a Woman's Loves just

0:46:20.280 --> 0:46:23.240
<v Speaker 1>like You with number one record pop everything I just smashed.

0:46:24.000 --> 0:46:27.560
<v Speaker 1>Then the new edition heard Telephone man, which I should

0:46:27.560 --> 0:46:30.080
<v Speaker 1>have recorded myself, because you know, if you're the star

0:46:30.239 --> 0:46:32.359
<v Speaker 1>and you wrote it, it's much better than just giveing

0:46:32.320 --> 0:46:34.799
<v Speaker 1>it to somebody else. Okay, so what I do that for?

0:46:35.320 --> 0:46:37.320
<v Speaker 1>So the new edition did it, and I was nervous

0:46:37.360 --> 0:46:39.520
<v Speaker 1>and scared, and even when I gave it to the

0:46:39.600 --> 0:46:41.719
<v Speaker 1>Joe Buzzby the record come, I got slid under the

0:46:41.760 --> 0:46:43.640
<v Speaker 1>door and ran out, you know, and he's like, this

0:46:43.680 --> 0:46:46.000
<v Speaker 1>is the second thing I said it is. I'm like,

0:46:46.000 --> 0:46:49.280
<v Speaker 1>oh my god, You're like, I just missed. I misread

0:46:49.320 --> 0:46:51.160
<v Speaker 1>that song. I didn't think that was gonna be any

0:46:51.200 --> 0:46:53.520
<v Speaker 1>didn't really think anything I told. I told the guys

0:46:53.520 --> 0:46:55.799
<v Speaker 1>that too. I said, man, you guys really delivered this

0:46:55.800 --> 0:46:57.440
<v Speaker 1>one because I just didn't think it was gonna do

0:46:57.520 --> 0:46:59.200
<v Speaker 1>you know, we're gonna do that, you know, And it

0:46:59.320 --> 0:47:05.000
<v Speaker 1>was a smash supersmanish that mistake. It's like, well, what

0:47:05.120 --> 0:47:07.160
<v Speaker 1>did not? That could have been another one? Another notch

0:47:07.239 --> 0:47:10.000
<v Speaker 1>in my bilt? You know what am I doing? Do

0:47:10.120 --> 0:47:12.080
<v Speaker 1>you think? Though? Okay? So here we go with that

0:47:12.160 --> 0:47:14.440
<v Speaker 1>from from the artist side and the writer's side, because

0:47:14.920 --> 0:47:18.200
<v Speaker 1>you know, Tank is fully immersed on both. But with me,

0:47:18.239 --> 0:47:22.680
<v Speaker 1>I just you know, I learned early. I forgot. I

0:47:22.719 --> 0:47:25.120
<v Speaker 1>don't know who even told me this, but they told me,

0:47:25.160 --> 0:47:29.000
<v Speaker 1>don't fall in love with the records as a songwriter. Right.

0:47:29.080 --> 0:47:30.960
<v Speaker 1>They were like, because you know your feelings that get hurt,

0:47:31.000 --> 0:47:33.239
<v Speaker 1>your feelings that get hurt in this thing by you know,

0:47:33.280 --> 0:47:35.319
<v Speaker 1>you're giving away your children in a sense because you

0:47:35.360 --> 0:47:39.520
<v Speaker 1>know this this comes from us, right, and so for you,

0:47:41.800 --> 0:47:45.960
<v Speaker 1>how how was that process at times? Thinking? You know,

0:47:46.000 --> 0:47:48.319
<v Speaker 1>I see you had a piece of it where you're like, well,

0:47:48.360 --> 0:47:51.440
<v Speaker 1>I should have kept it. But do you think you

0:47:51.560 --> 0:47:53.480
<v Speaker 1>at this point you're grown? Man? You probably what thirty

0:47:53.560 --> 0:47:56.760
<v Speaker 1>years old when you were man or somewhere in there?

0:47:56.600 --> 0:48:00.799
<v Speaker 1>Are you still nineteen? Then? Yes, it was I wrote Jack,

0:48:00.800 --> 0:48:03.560
<v Speaker 1>when I wrote Jack and Jill another song, So this

0:48:03.600 --> 0:48:05.640
<v Speaker 1>record don't come out for a minute, don't come out

0:48:05.640 --> 0:48:09.840
<v Speaker 1>for almost ten years. They don't come out till they're

0:48:09.880 --> 0:48:12.920
<v Speaker 1>almost a team. And there the age I was when

0:48:12.920 --> 0:48:15.640
<v Speaker 1>I wrote it, Mr telephone man, it's ten years old

0:48:15.680 --> 0:48:19.279
<v Speaker 1>when it comes out. Yes, oh yes, and you would

0:48:19.320 --> 0:48:20.920
<v Speaker 1>have been you would have been a kid singing it too,

0:48:20.960 --> 0:48:30.560
<v Speaker 1>because that's that was my question. Oh yeah, yeah, I

0:48:30.600 --> 0:48:32.560
<v Speaker 1>would have been the kids singing it. Yeah. We gotta

0:48:32.640 --> 0:48:34.520
<v Speaker 1>go in the computer and see if there's some ten

0:48:34.600 --> 0:48:38.960
<v Speaker 1>year old records. It would have been more relevant if

0:48:39.000 --> 0:48:41.480
<v Speaker 1>I sang it, because cell phones were coming out when

0:48:41.520 --> 0:48:44.600
<v Speaker 1>they sing it, and it wasn't no party lines and stuff.

0:48:44.640 --> 0:48:46.520
<v Speaker 1>You know, some of the stuff in the song didn't

0:48:46.560 --> 0:48:49.640
<v Speaker 1>even exist. Sort of later, all that party line stuff

0:48:49.680 --> 0:48:52.320
<v Speaker 1>your your MoMA take. But that's the seventies. When you

0:48:52.360 --> 0:48:54.480
<v Speaker 1>pick up the phone and the neighbor down the street

0:48:54.520 --> 0:48:57.320
<v Speaker 1>is on the same line you on, that's what that means.

0:48:57.320 --> 0:48:59.080
<v Speaker 1>Just so you don't know, we say this ain't no,

0:48:59.200 --> 0:49:01.759
<v Speaker 1>I ain't got no already lined the party line is.

0:49:01.760 --> 0:49:04.360
<v Speaker 1>In the old days, you didn't get your own phone line.

0:49:04.840 --> 0:49:06.920
<v Speaker 1>You shared it with the two or three neighbors. Now. Man,

0:49:06.960 --> 0:49:08.200
<v Speaker 1>when I was a kid, I just thought that was

0:49:08.200 --> 0:49:13.160
<v Speaker 1>something that means it's going up, he's going out, it's

0:49:13.200 --> 0:49:16.000
<v Speaker 1>going up. But that's not what it means. There was

0:49:16.080 --> 0:49:18.600
<v Speaker 1>really a party line where you pick up the phone

0:49:18.600 --> 0:49:20.319
<v Speaker 1>and you be cussing out your neighbor like, hey man,

0:49:20.320 --> 0:49:21.480
<v Speaker 1>you've been on the phone for a long time. I

0:49:21.520 --> 0:49:23.680
<v Speaker 1>gotta call my friend, I gotta call you, gotta get

0:49:23.680 --> 0:49:26.520
<v Speaker 1>off the phone. And so nobody had their own lines

0:49:26.600 --> 0:49:29.600
<v Speaker 1>back in the early late sixties and early seventies when

0:49:29.680 --> 0:49:31.840
<v Speaker 1>we grew up. So when you hit party and everybody

0:49:31.840 --> 0:49:34.640
<v Speaker 1>knows what I'm talking about, who's older. So there's things

0:49:34.640 --> 0:49:36.640
<v Speaker 1>in that song were not a whole thing though. They

0:49:36.640 --> 0:49:38.640
<v Speaker 1>ain't no miss the telephone. They ain't no telephone no

0:49:38.760 --> 0:49:41.239
<v Speaker 1>more so not the whole song is different, you know.

0:49:41.280 --> 0:49:43.480
<v Speaker 1>But I mean they heard now I'm play I'm gonna

0:49:43.480 --> 0:49:46.480
<v Speaker 1>play that song for my kids later. Yeah, and there's

0:49:46.520 --> 0:49:49.160
<v Speaker 1>a kid on the m c A named Junior Tucker

0:49:49.160 --> 0:49:53.160
<v Speaker 1>who released it first. So the new edition heard Junior

0:49:53.200 --> 0:49:56.160
<v Speaker 1>Tucker sothing and he sounds almost like the new edition.

0:49:56.200 --> 0:49:59.160
<v Speaker 1>They got that kind of frill scareboys. And they heard

0:49:59.239 --> 0:50:02.040
<v Speaker 1>that and when they when they met me, they said, look,

0:50:02.080 --> 0:50:04.759
<v Speaker 1>we want you to cut it this. I'll give them

0:50:04.800 --> 0:50:07.600
<v Speaker 1>credit for They said, don't update it, don't make it

0:50:07.640 --> 0:50:10.279
<v Speaker 1>sound like the new stuff. Cut it like you would

0:50:10.280 --> 0:50:21.160
<v Speaker 1>have cut it ten years. We sold the record twice,

0:50:21.920 --> 0:50:24.480
<v Speaker 1>so yeah, dude, they said, cut it like you would have.

0:50:24.600 --> 0:50:26.480
<v Speaker 1>In fact, they wanted to track from another kid that

0:50:26.600 --> 0:50:28.279
<v Speaker 1>can we had that. I'll make it better than that,

0:50:28.320 --> 0:50:30.400
<v Speaker 1>they said. We don't make it too better, just make

0:50:30.480 --> 0:50:32.800
<v Speaker 1>we want that old We need that feel, so we

0:50:32.880 --> 0:50:34.840
<v Speaker 1>get that old field. We got our steps and everything

0:50:34.880 --> 0:50:37.080
<v Speaker 1>we do to it, and we flew a jet down

0:50:37.080 --> 0:50:39.520
<v Speaker 1>to the Bahamas and saw them performing and all that

0:50:39.600 --> 0:50:42.480
<v Speaker 1>kind of stuff hung out and so I cut it

0:50:42.640 --> 0:50:44.640
<v Speaker 1>just like I would have cut it if I was there.

0:50:46.000 --> 0:50:48.279
<v Speaker 1>And the song was the song the nine years old

0:50:48.320 --> 0:50:54.359
<v Speaker 1>for it came out, they released it. I'm stuck now.

0:50:54.400 --> 0:50:56.879
<v Speaker 1>This is this is this is amazing because the other

0:50:56.920 --> 0:51:01.799
<v Speaker 1>thing is that we haven't even gotten gotten to get

0:51:01.840 --> 0:51:05.360
<v Speaker 1>to it. So when I was in preschool, there's a

0:51:05.400 --> 0:51:09.160
<v Speaker 1>picture of me and I have a shirt on that

0:51:09.200 --> 0:51:19.080
<v Speaker 1>says I ain't fraid of know. I have a mouthful

0:51:19.080 --> 0:51:21.840
<v Speaker 1>of silver teeth and a T shirt that said I

0:51:21.880 --> 0:51:27.040
<v Speaker 1>Ain't afraid of no ghost and the only And that's

0:51:27.080 --> 0:51:31.960
<v Speaker 1>the thing, like for black people, right, for black people especially,

0:51:32.680 --> 0:51:37.880
<v Speaker 1>Like Yes, Ghostbusters is a great movie. It's about your records.

0:51:38.560 --> 0:51:42.800
<v Speaker 1>It is about your song. And I'm sure you've talked

0:51:42.800 --> 0:51:46.440
<v Speaker 1>about this song a trillion times over and over, but

0:51:46.800 --> 0:51:50.560
<v Speaker 1>while you're here, I just want to say, I'm sure

0:51:50.640 --> 0:51:55.280
<v Speaker 1>he wants to say thank you, thank you for that record.

0:51:55.520 --> 0:51:59.319
<v Speaker 1>That record was, that record was my childhood with that

0:51:59.400 --> 0:52:03.520
<v Speaker 1>record almost didn't happen at all. And why is that?

0:52:04.040 --> 0:52:06.120
<v Speaker 1>Because I didn't think that was any kind of music

0:52:06.160 --> 0:52:09.120
<v Speaker 1>that I should be cutting. Really yeah, and it wasn't

0:52:09.120 --> 0:52:13.239
<v Speaker 1>supposed to be no record that the guy, the guy

0:52:13.360 --> 0:52:16.280
<v Speaker 1>that no, this is better than that, the guy who

0:52:16.480 --> 0:52:19.360
<v Speaker 1>worked with me on Barry White. When I said I

0:52:19.400 --> 0:52:21.440
<v Speaker 1>did the songs and I didn't get the publish was

0:52:22.000 --> 0:52:25.319
<v Speaker 1>Barry White was always published by Aaron Schroder Music. And

0:52:25.360 --> 0:52:28.080
<v Speaker 1>the guy who was there was Gary Lemil, who's this

0:52:28.080 --> 0:52:30.879
<v Speaker 1>this contact person. So we worked together in the very

0:52:30.880 --> 0:52:34.360
<v Speaker 1>white days, and then I started dating years later, I

0:52:34.360 --> 0:52:38.280
<v Speaker 1>started dating back to this kind of stuff, dating his secretary,

0:52:38.400 --> 0:52:41.400
<v Speaker 1>Gary Secord. So that hooked me and Gary back up,

0:52:41.719 --> 0:52:44.040
<v Speaker 1>and he thought I was the right guy to write

0:52:44.080 --> 0:52:46.319
<v Speaker 1>a song for this film. But it wasn't gonna be

0:52:46.360 --> 0:52:48.760
<v Speaker 1>a song, which because they need like a twenty seconds

0:52:49.160 --> 0:52:52.160
<v Speaker 1>or something over the library scene, and the guy wanted

0:52:52.200 --> 0:52:54.480
<v Speaker 1>to chant Ghostbusters in it. So he let me. They

0:52:54.560 --> 0:52:56.480
<v Speaker 1>let me see the film and I went okay. So

0:52:56.520 --> 0:52:59.080
<v Speaker 1>I met with the director and the director started telling

0:52:59.080 --> 0:53:00.560
<v Speaker 1>about how he wanted to be need to go and

0:53:00.600 --> 0:53:03.000
<v Speaker 1>all that kind of like that name what they might be.

0:53:03.160 --> 0:53:05.560
<v Speaker 1>You know, it's like a rapper. That ain't what I do.

0:53:05.640 --> 0:53:07.560
<v Speaker 1>That's just not and my sons are always that ain't

0:53:07.600 --> 0:53:09.359
<v Speaker 1>what they're doing. I tell me you better watch that.

0:53:09.360 --> 0:53:14.799
<v Speaker 1>That ain't what you right do it, you know, and

0:53:14.960 --> 0:53:17.560
<v Speaker 1>nothing defines that for me better and Ghostbusters. I mean,

0:53:17.560 --> 0:53:20.160
<v Speaker 1>if you listen to my whole catalog and music and

0:53:20.160 --> 0:53:22.560
<v Speaker 1>you were familiar with it, you say, what, he's never

0:53:22.600 --> 0:53:24.560
<v Speaker 1>gonna write that. I mean, that has nothing to do

0:53:24.640 --> 0:53:26.680
<v Speaker 1>with that. Ain't his groove. That ain't where he comes from.

0:53:26.800 --> 0:53:29.600
<v Speaker 1>He's funking that. Just think that. And so you know,

0:53:29.640 --> 0:53:32.759
<v Speaker 1>the director told me what he wanted, and then they

0:53:32.800 --> 0:53:36.040
<v Speaker 1>threw the what I'll call a nice curveball. It's it's

0:53:36.080 --> 0:53:38.480
<v Speaker 1>only gonna be twenty seconds. He has write us a

0:53:38.560 --> 0:53:42.080
<v Speaker 1>minute of music, and you've got three days, and if

0:53:42.120 --> 0:53:44.359
<v Speaker 1>we don't like it, you keep the fifth. We're gonna

0:53:44.400 --> 0:53:48.440
<v Speaker 1>get a fifty grand, you know. Now that's in nineteen

0:53:48.800 --> 0:53:51.120
<v Speaker 1>eighty three or eighty four. That's a lot of money.

0:53:51.120 --> 0:53:55.880
<v Speaker 1>Fifty grand give me that, but three about this fifty grand?

0:53:55.920 --> 0:53:58.120
<v Speaker 1>Then that's like four grand. Now you know, you're gonna

0:53:58.120 --> 0:54:00.680
<v Speaker 1>get some music for me in three days. Gonna get something,

0:54:00.800 --> 0:54:03.040
<v Speaker 1>But I don't care what it's gonna get something. So

0:54:03.120 --> 0:54:06.359
<v Speaker 1>I listened to what the director said, and I came

0:54:06.440 --> 0:54:07.920
<v Speaker 1>up with a piece of music. I didn't think it

0:54:07.960 --> 0:54:09.360
<v Speaker 1>was bad. I didn't think it was nothing right at

0:54:09.400 --> 0:54:10.920
<v Speaker 1>home about. But I don't think it was bad, you know.

0:54:11.400 --> 0:54:13.520
<v Speaker 1>And uh, the voices all that, I ain't for you

0:54:13.560 --> 0:54:14.960
<v Speaker 1>to go to you So that was supposed to be

0:54:15.320 --> 0:54:18.200
<v Speaker 1>the background voices and all that stuff. The director said,

0:54:18.239 --> 0:54:20.440
<v Speaker 1>I like the way you're saying it. I said, yeah,

0:54:20.440 --> 0:54:22.200
<v Speaker 1>but what am I saying that? There's nothing on it.

0:54:22.200 --> 0:54:23.400
<v Speaker 1>I'm just saying I ain't for you to go. I'm

0:54:23.400 --> 0:54:24.960
<v Speaker 1>gonna get some girls this thing that. He was like, no,

0:54:25.000 --> 0:54:26.239
<v Speaker 1>I don't want a girls singing that. I like the

0:54:26.280 --> 0:54:27.960
<v Speaker 1>way you're saying it, you know. And then he was

0:54:28.040 --> 0:54:31.600
<v Speaker 1>like he had already said at the meeting, the music

0:54:31.640 --> 0:54:33.759
<v Speaker 1>is not that important, but the movies coming out in

0:54:33.760 --> 0:54:36.000
<v Speaker 1>a few weeks, we're in a hurry. Just give us

0:54:36.040 --> 0:54:38.200
<v Speaker 1>twenty seconds of music and things. I only cut. I

0:54:38.239 --> 0:54:40.279
<v Speaker 1>only cut like a minute of it. I mean there's

0:54:40.320 --> 0:54:42.920
<v Speaker 1>there's really I cut one verse in one chorus. That's it.

0:54:43.960 --> 0:54:46.120
<v Speaker 1>And so they heard that, and then he directed liked

0:54:46.120 --> 0:54:49.160
<v Speaker 1>it a little bits, and so my lawyer drew up

0:54:49.160 --> 0:54:51.880
<v Speaker 1>a big contract looked like the book, and he said, man,

0:54:51.920 --> 0:54:53.680
<v Speaker 1>did you read what I wrote over the weekend. I said,

0:54:53.719 --> 0:54:55.320
<v Speaker 1>I don't read more than one page, just things like

0:54:55.360 --> 0:54:59.200
<v Speaker 1>twenty pages. What are you talking about long? And he says,

0:54:59.280 --> 0:55:02.920
<v Speaker 1>if anything happens other than them using it in the

0:55:02.960 --> 0:55:06.799
<v Speaker 1>twenty seconds, it's gonna be good. That's what he says.

0:55:06.800 --> 0:55:08.760
<v Speaker 1>It's gonna be good. But the first thing that happened

0:55:08.760 --> 0:55:12.160
<v Speaker 1>is the director called Bank says, man, uh, can you

0:55:12.200 --> 0:55:14.440
<v Speaker 1>make it longer? He says, maybe we should make a record.

0:55:14.480 --> 0:55:16.680
<v Speaker 1>I'm like record, They can't make no record to me

0:55:16.719 --> 0:55:18.399
<v Speaker 1>singing about the team and to it go something. I'm

0:55:18.400 --> 0:55:20.240
<v Speaker 1>the guy in the ladies. Man, what are you talking about?

0:55:21.000 --> 0:55:23.120
<v Speaker 1>I mean, what are you talking about? Yeah, I'm the man?

0:55:23.200 --> 0:55:26.440
<v Speaker 1>What are you doing? I don't do that feeling that.

0:55:26.760 --> 0:55:29.279
<v Speaker 1>I'm not feeling that, you know. So we're tossing this

0:55:29.400 --> 0:55:31.880
<v Speaker 1>around and Clive Davis didn't really like it in the beginning,

0:55:31.920 --> 0:55:35.239
<v Speaker 1>and so we're tossing all this stuff around, and so

0:55:35.280 --> 0:55:36.960
<v Speaker 1>finally I come up with idea. I said, well, you know,

0:55:37.320 --> 0:55:39.359
<v Speaker 1>you got Dan Accord them guys, And I said, maybe

0:55:39.400 --> 0:55:41.880
<v Speaker 1>if you get the Saturday Night Live guys in the video,

0:55:42.239 --> 0:55:45.400
<v Speaker 1>we can curve it, make it go somewhere else. And

0:55:45.520 --> 0:55:48.640
<v Speaker 1>he took that and put everybody. He put everybody in

0:55:48.640 --> 0:55:50.799
<v Speaker 1>the video, you know, and I was like, man, this

0:55:50.840 --> 0:55:52.600
<v Speaker 1>is this is crazy. You know. Then all of a

0:55:52.640 --> 0:55:55.120
<v Speaker 1>sudden he says, you know, we should make it a record,

0:55:55.200 --> 0:55:58.920
<v Speaker 1>you know record. I really got nervous, give me like

0:55:59.040 --> 0:56:02.520
<v Speaker 1>longer and yeah, that's standing there. You know. So when

0:56:02.560 --> 0:56:05.840
<v Speaker 1>I was done, and we were really nervous, right, the

0:56:05.880 --> 0:56:09.600
<v Speaker 1>record company was nervous. I was nervous, And I'm playing

0:56:09.640 --> 0:56:12.319
<v Speaker 1>this song back. Who doesn't sound like anything I've ever

0:56:12.400 --> 0:56:14.680
<v Speaker 1>done before, I mean nothing. I'm like playing the song

0:56:14.800 --> 0:56:17.239
<v Speaker 1>day like, Man, I don't know if they're gonna think

0:56:17.239 --> 0:56:20.200
<v Speaker 1>I'm gonna sell out or you know, you know. And

0:56:20.239 --> 0:56:22.000
<v Speaker 1>when most people heard it from the beginning, they were like,

0:56:22.120 --> 0:56:24.040
<v Speaker 1>they ain't know Ray Pocket Jr. They ain't what that

0:56:24.040 --> 0:56:25.719
<v Speaker 1>ain't what we used to hear it. You know, that

0:56:25.800 --> 0:56:28.640
<v Speaker 1>ain't it. And that song came out and just went

0:56:29.360 --> 0:56:31.400
<v Speaker 1>I mean, I'll never forget. It's the only record I

0:56:31.440 --> 0:56:33.879
<v Speaker 1>had in my life. Would a head of promotion called

0:56:33.880 --> 0:56:36.720
<v Speaker 1>me five days after the record came out and he says,

0:56:37.320 --> 0:56:39.480
<v Speaker 1>I'm done with your record. I've closed it out. It's

0:56:39.520 --> 0:56:47.640
<v Speaker 1>on every station five days, five days. Something strange. He

0:56:47.960 --> 0:56:51.600
<v Speaker 1>had all the P one stations, He had all the stations,

0:56:51.880 --> 0:56:56.200
<v Speaker 1>anything that was available, anything it was available, everything, anything

0:56:56.200 --> 0:56:58.759
<v Speaker 1>that was available to play it on was done in

0:56:58.840 --> 0:57:01.359
<v Speaker 1>five days. He says, I'm done with your record. He said,

0:57:01.360 --> 0:57:03.520
<v Speaker 1>we'll just my guys will just monitor. He said, but

0:57:03.760 --> 0:57:06.439
<v Speaker 1>it's closed out, and I went, what does that mean?

0:57:06.840 --> 0:57:09.439
<v Speaker 1>He says, there are no more places to play your music?

0:57:10.880 --> 0:57:13.440
<v Speaker 1>And he just went like through the roof and the

0:57:13.520 --> 0:57:16.320
<v Speaker 1>first thing we knew where it was big super big.

0:57:16.440 --> 0:57:19.400
<v Speaker 1>Not only was that, but Clive called me up. He says, Man,

0:57:19.560 --> 0:57:21.880
<v Speaker 1>we weren't going to release the record till the movie

0:57:21.960 --> 0:57:25.280
<v Speaker 1>comes out, like Overseas, which takes nine months. He says,

0:57:25.360 --> 0:57:28.800
<v Speaker 1>we've exported for a half night records in the first

0:57:28.840 --> 0:57:30.520
<v Speaker 1>couple of weeks. He says, they don't know what you're

0:57:30.560 --> 0:57:32.880
<v Speaker 1>saying over there. He says, why are they buying the record?

0:57:32.920 --> 0:57:35.000
<v Speaker 1>They don't know what you're saying. I said, heck if

0:57:35.000 --> 0:57:36.680
<v Speaker 1>I know. If I knew that I cut some are

0:57:36.960 --> 0:57:44.760
<v Speaker 1>something four and a half, that tagline, yeah, that and

0:57:44.800 --> 0:57:48.400
<v Speaker 1>that tagline. What was interesting. What was interested is I'm

0:57:48.440 --> 0:57:50.720
<v Speaker 1>like a kid who does his homework late over the

0:57:50.760 --> 0:57:52.960
<v Speaker 1>weekend Sunday night. Now you got turned in Monday morning.

0:57:53.680 --> 0:57:55.680
<v Speaker 1>I had the music because he told me what he

0:57:55.720 --> 0:57:59.080
<v Speaker 1>wanted for the music. But the the part that was

0:57:59.080 --> 0:58:01.000
<v Speaker 1>gonna be in genius that I hadn't figured out yet

0:58:01.120 --> 0:58:03.480
<v Speaker 1>was the hard part. How do you put go the

0:58:03.480 --> 0:58:06.760
<v Speaker 1>word Ghostbusters to a song? It was impossible. It didn't

0:58:06.840 --> 0:58:09.320
<v Speaker 1>sing right about how I sang it. No matter what

0:58:09.360 --> 0:58:11.880
<v Speaker 1>I did, it sounded terrible. You couldn't sing it. And

0:58:11.880 --> 0:58:14.760
<v Speaker 1>that's why that's why nobody else had it. Nobody else

0:58:14.840 --> 0:58:17.360
<v Speaker 1>had it either, because he hired Lindsay Buggy, he had

0:58:17.400 --> 0:58:20.040
<v Speaker 1>a hold bunch of famous people to do it before me.

0:58:20.360 --> 0:58:22.440
<v Speaker 1>I was the first call. They've been working on this

0:58:22.520 --> 0:58:24.640
<v Speaker 1>for a whole year, and they spent a fortune, and

0:58:24.680 --> 0:58:27.360
<v Speaker 1>he hated every song. But I looked at it, and

0:58:27.360 --> 0:58:29.959
<v Speaker 1>I'll never forget what it occurred to me. I knew

0:58:30.040 --> 0:58:34.520
<v Speaker 1>right away to me, the Ghostbusters were soldiers, so the

0:58:34.600 --> 0:58:37.040
<v Speaker 1>music had to be stiff. It had to be military time,

0:58:37.840 --> 0:58:40.440
<v Speaker 1>so I knew it was military sound on then I

0:58:40.480 --> 0:58:43.240
<v Speaker 1>saw a commercial on TV about I think it was

0:58:43.320 --> 0:58:45.000
<v Speaker 1>rotary and one of these kind of things where they

0:58:45.040 --> 0:58:48.760
<v Speaker 1>have the guy's insect guys or whatever. Just great, and

0:58:49.120 --> 0:58:51.480
<v Speaker 1>the part of the Ghostbusters movie had the phone number. Brother,

0:58:51.800 --> 0:58:54.480
<v Speaker 1>I said, that's it. I gotta go goldmer pound on

0:58:54.560 --> 0:58:57.840
<v Speaker 1>these bad boys sound off too, So it's a up

0:58:57.880 --> 0:59:02.200
<v Speaker 1>to three fourths on who you're gonna called about? You know,

0:59:02.280 --> 0:59:06.200
<v Speaker 1>like a sound off. Even in the back, I go,

0:59:06.400 --> 0:59:09.240
<v Speaker 1>I can't hear you louder, you know. So it's a

0:59:09.320 --> 0:59:12.360
<v Speaker 1>military song. So when bands playing in the bar and

0:59:12.400 --> 0:59:14.320
<v Speaker 1>they try to get cool, it's not a cool song.

0:59:14.680 --> 0:59:17.200
<v Speaker 1>It's got to be a military song. It's gotta be stiff,

0:59:17.360 --> 0:59:19.520
<v Speaker 1>and it's gotta be corny, and so you give it

0:59:19.600 --> 0:59:22.280
<v Speaker 1>that military feel. And then I figured out I can

0:59:22.360 --> 0:59:25.560
<v Speaker 1>never say the words ghostbusters and singing. I gotta say

0:59:25.640 --> 0:59:30.160
<v Speaker 1>who are you gonna come? And let the crowd delivered ghostbusters. Yeah,

0:59:30.280 --> 0:59:34.080
<v Speaker 1>And that's all for us as kids. That's exactly if

0:59:34.160 --> 0:59:36.880
<v Speaker 1>you couldn't wait to yea yeah yeah. But all that's

0:59:36.920 --> 0:59:39.440
<v Speaker 1>by accident, you know. So then it came out and

0:59:39.920 --> 0:59:43.439
<v Speaker 1>so that record, now, that is my style. That defines me. Now,

0:59:43.760 --> 0:59:45.520
<v Speaker 1>you know, whether I like it or not don't matter.

0:59:45.800 --> 0:59:47.640
<v Speaker 1>That's it, you know. And they all the kids were happy,

0:59:47.640 --> 0:59:49.400
<v Speaker 1>and the kids now are still happy. By the way.

0:59:50.000 --> 0:59:52.000
<v Speaker 1>You get some kids that are seven years old now

0:59:52.880 --> 0:59:55.360
<v Speaker 1>and and you can have a bunch of us rock

0:59:55.400 --> 0:59:57.680
<v Speaker 1>stars or whatever, older guys. They'd be looking like me

0:59:57.760 --> 1:00:01.360
<v Speaker 1>and Stevie And then you say rape Parker. Did you

1:00:01.400 --> 1:00:03.080
<v Speaker 1>say that's the guy that did? Who you gonna call?

1:00:03.560 --> 1:00:05.600
<v Speaker 1>All that time? They wanted to come hug you, hug

1:00:05.600 --> 1:00:07.880
<v Speaker 1>your legs down here, take a picture into you like

1:00:08.080 --> 1:00:11.480
<v Speaker 1>can we just watched We just watched the New Ones.

1:00:12.560 --> 1:00:14.200
<v Speaker 1>And so the kids hear that song and it's just

1:00:14.320 --> 1:00:16.960
<v Speaker 1>something in there. They just go crazy. I mean, it works,

1:00:17.000 --> 1:00:19.800
<v Speaker 1>you know, And so that was that was the one.

1:00:20.080 --> 1:00:23.959
<v Speaker 1>You know, who would have thought that was the one? Amazing? Yeah,

1:00:24.000 --> 1:00:26.440
<v Speaker 1>I said that all the time. I never called him,

1:00:26.520 --> 1:00:29.040
<v Speaker 1>And what's funny about that calling. I was only here

1:00:29.080 --> 1:00:30.920
<v Speaker 1>to get the phone call and do all the rest

1:00:30.960 --> 1:00:33.040
<v Speaker 1>of it because I was doing that song, Mr Telephone Man,

1:00:34.240 --> 1:00:36.480
<v Speaker 1>because my parents were sick, so I was going I

1:00:36.520 --> 1:00:38.919
<v Speaker 1>was staying in Detroit most of the time. I hadn't

1:00:38.920 --> 1:00:40.480
<v Speaker 1>been in l A. I hadn't been in my studio,

1:00:40.880 --> 1:00:42.920
<v Speaker 1>had been doing stuff. I'm thinking, Yeah, my career is over.

1:00:42.960 --> 1:00:44.560
<v Speaker 1>I gotta take care of my mom and dad. And

1:00:44.840 --> 1:00:47.280
<v Speaker 1>the good thing I saved my money. I'm gonna be okay.

1:00:47.800 --> 1:00:49.440
<v Speaker 1>So I came out to l a just to do

1:00:49.600 --> 1:00:52.280
<v Speaker 1>the new edition. And while I was doing a new

1:00:52.440 --> 1:00:55.040
<v Speaker 1>edition across the Spot Street and Spargo, there was that

1:00:55.120 --> 1:00:57.080
<v Speaker 1>black poster with the red they put in the red

1:00:57.160 --> 1:00:59.720
<v Speaker 1>circle and like, the heck is that? Then my phone

1:00:59.800 --> 1:01:02.680
<v Speaker 1>ring this garrety mail. Can you come down to Warner Brothers?

1:01:02.680 --> 1:01:06.720
<v Speaker 1>And how and how old are you at this point?

1:01:06.280 --> 1:01:10.240
<v Speaker 1>And You're saying to yourself, my career is old. Well, yeah,

1:01:10.240 --> 1:01:12.080
<v Speaker 1>because my parents were sick and they're telling me to

1:01:12.080 --> 1:01:13.640
<v Speaker 1>cut a new record. I ain't no item for no

1:01:13.720 --> 1:01:15.800
<v Speaker 1>new records, ain't cutting no new anything. I'm going to

1:01:15.840 --> 1:01:17.920
<v Speaker 1>stay with my mom. And they were like, yeah, go

1:01:17.960 --> 1:01:20.000
<v Speaker 1>see your parents for the weekend, come back, come we

1:01:20.200 --> 1:01:22.560
<v Speaker 1>in black folks, Wenna do that. I'm gonna stay. I

1:01:22.600 --> 1:01:24.720
<v Speaker 1>want to stay with my parents. Yeah, this is this

1:01:24.840 --> 1:01:26.880
<v Speaker 1>is it's two or three years. I'm gonna stay, you know.

1:01:27.960 --> 1:01:31.040
<v Speaker 1>And so yeah, I'm thinking things might be a little

1:01:31.040 --> 1:01:33.680
<v Speaker 1>over and and God's getting ready to get me the

1:01:33.720 --> 1:01:36.720
<v Speaker 1>biggest blessing of all and two blessings at the same

1:01:36.840 --> 1:01:39.320
<v Speaker 1>week or two weeks. First, you come out and cut

1:01:39.320 --> 1:01:41.040
<v Speaker 1>the song in the new edition that you didn't like

1:01:41.320 --> 1:01:47.680
<v Speaker 1>that you roam and the song and then already Ghostbusters

1:01:47.720 --> 1:01:50.959
<v Speaker 1>the next weekend. I'm done. That was only two weeks.

1:01:51.000 --> 1:01:54.600
<v Speaker 1>I worked all year those two man. Shout out to

1:01:54.640 --> 1:01:59.720
<v Speaker 1>those two, shut up because those are amazing. Yeah. So

1:02:00.000 --> 1:02:03.960
<v Speaker 1>when I come to l A, I had been here

1:02:04.000 --> 1:02:08.320
<v Speaker 1>maybe six months. I meet you. I don't even know

1:02:08.320 --> 1:02:13.400
<v Speaker 1>if you remember this. I'm gonna give your down Damon Thomas.

1:02:15.080 --> 1:02:19.680
<v Speaker 1>At the time, he he doesn't even mention the Ghostbusters thing.

1:02:19.720 --> 1:02:22.680
<v Speaker 1>He's like, yeah, you know this, he owns American Studios,

1:02:23.480 --> 1:02:28.240
<v Speaker 1>right or Mayory I can studios Ray Yeah h they

1:02:28.240 --> 1:02:34.560
<v Speaker 1>started you early with the raise everything he's putting every

1:02:35.360 --> 1:02:40.760
<v Speaker 1>radio Mayor Ray can't. Yes. So and I was for

1:02:40.880 --> 1:02:43.800
<v Speaker 1>me before he even said that anything about Ghostbusters. I'm

1:02:43.840 --> 1:02:46.720
<v Speaker 1>eighteen years eighteen years old at the time, I didn't

1:02:46.800 --> 1:02:50.680
<v Speaker 1>know of any black men owning studio. And I've been

1:02:50.720 --> 1:02:53.040
<v Speaker 1>a kid of music and love music, and I just

1:02:53.160 --> 1:02:55.400
<v Speaker 1>never knew of anyone. I've been to your studio and

1:02:55.400 --> 1:03:00.800
<v Speaker 1>I'm like, wait, he owns he owns the studio? This right,

1:03:01.320 --> 1:03:03.320
<v Speaker 1>This is what you're thinking when you're eighteen years old.

1:03:03.680 --> 1:03:07.280
<v Speaker 1>And then he's like, oh yeah, and it's way Parker Jr.

1:03:07.280 --> 1:03:13.480
<v Speaker 1>I'm like, wait, Parker, wait, goals bust. So when we

1:03:13.880 --> 1:03:18.480
<v Speaker 1>had Damon's house and we start talking and I think

1:03:18.520 --> 1:03:20.960
<v Speaker 1>I maybe I think that. I think I played you

1:03:22.040 --> 1:03:25.560
<v Speaker 1>what became Tyrese's record I Like Them Girls, which was

1:03:25.600 --> 1:03:31.200
<v Speaker 1>the first Underdog record ever, and I played you the

1:03:31.240 --> 1:03:34.960
<v Speaker 1>record and he would like, I like you. I remember this,

1:03:35.040 --> 1:03:37.919
<v Speaker 1>I'll never forget you. Were like like, I like you, man,

1:03:39.000 --> 1:03:41.959
<v Speaker 1>good head on your shoulders. Good look kid, You're gonna

1:03:42.000 --> 1:03:44.840
<v Speaker 1>make some money in this game. He's like, I'm gonna

1:03:44.840 --> 1:03:47.360
<v Speaker 1>give you some advice. I'm thinking you're about to just

1:03:47.360 --> 1:03:50.840
<v Speaker 1>start running on running down. Somebody said you like, get

1:03:50.840 --> 1:03:56.160
<v Speaker 1>it a sector me and I was like, I told

1:03:56.240 --> 1:03:59.720
<v Speaker 1>David the same thing. I'm thinking that. I'm thinking in

1:03:59.840 --> 1:04:05.080
<v Speaker 1>my I can't even spell this sect is he talking about?

1:04:05.360 --> 1:04:07.560
<v Speaker 1>But if breaking Parker JIU isn't here telling me that,

1:04:07.600 --> 1:04:09.200
<v Speaker 1>I need to say, I'm gonna find out what it

1:04:09.200 --> 1:04:12.439
<v Speaker 1>was set. And then you told me the story which

1:04:12.480 --> 1:04:14.080
<v Speaker 1>is long and we won't go into that, but you

1:04:14.160 --> 1:04:18.640
<v Speaker 1>told me a story about how getting INVOSECTI. He saved

1:04:18.680 --> 1:04:21.560
<v Speaker 1>you millions of dollars. Yeah, and I did it too late.

1:04:22.560 --> 1:04:25.080
<v Speaker 1>I should have done it a couple more years earlier.

1:04:25.120 --> 1:04:27.560
<v Speaker 1>I would have been involved, man. And that's what you

1:04:27.680 --> 1:04:32.400
<v Speaker 1>told me. I can look at him and see he's

1:04:32.400 --> 1:04:36.040
<v Speaker 1>gonna get in trouble when it's younger. You can look

1:04:36.080 --> 1:04:37.920
<v Speaker 1>at it. That's what I said, good looking guy, I

1:04:37.920 --> 1:04:39.920
<v Speaker 1>can see where you hit it. I've been there. I

1:04:41.040 --> 1:04:45.080
<v Speaker 1>just don't want to touch the Lord's work. I think

1:04:45.120 --> 1:04:47.240
<v Speaker 1>if he meant for us to have a voalve to

1:04:47.320 --> 1:04:50.160
<v Speaker 1>cut it on and off, he would have provided it.

1:04:50.440 --> 1:04:52.640
<v Speaker 1>And I agree with you, but there's also people who

1:04:52.640 --> 1:04:54.960
<v Speaker 1>made rubbers man. This is somebody who didn't know what

1:04:54.960 --> 1:04:59.280
<v Speaker 1>I'm talking about, never heard of it. I agree with you,

1:04:59.520 --> 1:05:01.280
<v Speaker 1>But he also meant for us to do a whole

1:05:01.320 --> 1:05:04.680
<v Speaker 1>bunch of other things that would have prevented that too,

1:05:04.920 --> 1:05:07.880
<v Speaker 1>that we didn't do. Think we're already cheating in the

1:05:07.920 --> 1:05:10.560
<v Speaker 1>first place. I think you just gotta be responsible. You

1:05:10.640 --> 1:05:12.600
<v Speaker 1>know what I'm saying. Your your hip, your hip game.

1:05:13.320 --> 1:05:15.080
<v Speaker 1>You know what I'm saying. You gotta be responsible with

1:05:15.160 --> 1:05:17.120
<v Speaker 1>your hips. You gotta get out of it. You gotta

1:05:17.160 --> 1:05:20.280
<v Speaker 1>pull that piece out. Sometimes you're getting lost in the sauce.

1:05:20.400 --> 1:05:24.800
<v Speaker 1>Man this and man, I know I know how many

1:05:24.880 --> 1:05:29.200
<v Speaker 1>kids you got, five got I got to I was

1:05:29.240 --> 1:05:34.320
<v Speaker 1>in six. But I'm down to hold on, hold on, hold,

1:05:34.320 --> 1:05:40.320
<v Speaker 1>on segue, how do you go from six to four DNA?

1:05:41.320 --> 1:05:50.760
<v Speaker 1>Thank you God for DNA A lot on your kid

1:05:50.920 --> 1:05:54.920
<v Speaker 1>is not my kid, not my fun. People don't realize.

1:05:54.960 --> 1:06:00.160
<v Speaker 1>Michael Jackson was talking about that early about sometimes what

1:06:00.200 --> 1:06:03.320
<v Speaker 1>they try to do to you, the two extra kids

1:06:03.320 --> 1:06:07.560
<v Speaker 1>on you. Yeah, yes, and back then you couldn't swab

1:06:07.640 --> 1:06:09.240
<v Speaker 1>them out. I mean, you know you had to like

1:06:09.560 --> 1:06:13.040
<v Speaker 1>take care of the kids for three years. How much

1:06:13.080 --> 1:06:18.280
<v Speaker 1>that cost before you could before you Yes, yes, mama's baby,

1:06:18.360 --> 1:06:22.600
<v Speaker 1>daddy's maybe three years, three years, three years because that's

1:06:22.640 --> 1:06:26.320
<v Speaker 1>the DNA wasn't that developed yet. When first of all,

1:06:26.480 --> 1:06:30.560
<v Speaker 1>I'm lucky to have DNA before then you just paid period.

1:06:30.840 --> 1:06:33.920
<v Speaker 1>So whoever, whoever they just said, is the daddy, that's what.

1:06:34.080 --> 1:06:36.560
<v Speaker 1>That's what. If you took a blood test and you

1:06:36.560 --> 1:06:39.080
<v Speaker 1>were close, you would have if you were close, if

1:06:39.120 --> 1:06:42.720
<v Speaker 1>you were close close, not nocent either, I'm talking about

1:06:42.720 --> 1:06:44.920
<v Speaker 1>just if the real blood type was the same. You

1:06:45.440 --> 1:06:49.280
<v Speaker 1>happen to be Black's right, Yeah, you happen to be

1:06:49.640 --> 1:06:51.120
<v Speaker 1>the Only way you're gonna escape is if it's a

1:06:51.200 --> 1:06:54.360
<v Speaker 1>Chinese kid comes out and you know, and in three years,

1:06:54.440 --> 1:06:57.680
<v Speaker 1>how much you think you paid, Oh, hundreds of thousands

1:06:57.680 --> 1:07:00.200
<v Speaker 1>of dollars. But first of all, you got the initial right,

1:07:01.480 --> 1:07:05.600
<v Speaker 1>and you notice you don't, you're not it's not her lawyer,

1:07:05.840 --> 1:07:10.080
<v Speaker 1>it's your son's lawyer. So since it's claimed to be

1:07:10.120 --> 1:07:14.240
<v Speaker 1>your son, you have to pay for your lawyer, your accountant,

1:07:14.920 --> 1:07:18.280
<v Speaker 1>his lawyer, his accountant. Of course he's in the cradle

1:07:18.320 --> 1:07:20.960
<v Speaker 1>and she's constructing it. She's in charge of it. But

1:07:21.040 --> 1:07:24.040
<v Speaker 1>you gotta pay for all four. So you're down a

1:07:24.040 --> 1:07:26.200
<v Speaker 1>couple of hundred grand back in the early eighties. But

1:07:26.400 --> 1:07:29.760
<v Speaker 1>that's before anything happens. Down a couple of rolls Royces.

1:07:29.880 --> 1:07:31.720
<v Speaker 1>Oh yeah, yeah, yeah, a couple of rolls Royce being

1:07:31.920 --> 1:07:34.640
<v Speaker 1>because they weren't that they were cheaper than they were.

1:07:35.200 --> 1:07:38.920
<v Speaker 1>That's two rolls royces. You're down four rolls royces before

1:07:39.640 --> 1:07:44.160
<v Speaker 1>you get how much you gotta pay man four roys.

1:07:44.200 --> 1:07:48.720
<v Speaker 1>And then one day you get a phone call that says, no,

1:07:48.840 --> 1:07:50.720
<v Speaker 1>you don't get a phone call. You gotta wait a

1:07:50.720 --> 1:07:53.720
<v Speaker 1>few years. Then you gotta say everybody's you gotta hire

1:07:53.720 --> 1:07:56.360
<v Speaker 1>the lawyers again, because you gotta get her and the

1:07:56.440 --> 1:07:58.400
<v Speaker 1>kid to go to the house bill and you take

1:07:58.440 --> 1:08:01.200
<v Speaker 1>the tests that ain't free either. You gotta get that.

1:08:02.080 --> 1:08:04.000
<v Speaker 1>So you gotta go back again. Man, I hope you're

1:08:04.000 --> 1:08:11.720
<v Speaker 1>paying attention. Yeah, I'm not getting overseting. The Lord designed

1:08:11.720 --> 1:08:15.200
<v Speaker 1>me a certain way. If I didn't get y'all, I

1:08:15.200 --> 1:08:17.680
<v Speaker 1>didn't get one. He's now married and he's taking an

1:08:17.680 --> 1:08:21.080
<v Speaker 1>oath to do right. I'm as long as he does row.

1:08:21.200 --> 1:08:23.360
<v Speaker 1>But if you're on a straight narrow that means you

1:08:23.360 --> 1:08:29.080
<v Speaker 1>won't be on TMZ and pull out kim piece of hood.

1:08:29.080 --> 1:08:32.800
<v Speaker 1>But anything other than that. I told my kids, by

1:08:32.800 --> 1:08:35.920
<v Speaker 1>the way, my two younger kids for me getting the reversal,

1:08:37.640 --> 1:08:40.040
<v Speaker 1>because you put some up. Oh no, no, no, I

1:08:40.080 --> 1:08:41.960
<v Speaker 1>just gotta reverse. No, you get a reversal, you can

1:08:42.000 --> 1:08:44.360
<v Speaker 1>do you can go right back to it. You don't

1:08:44.400 --> 1:08:47.280
<v Speaker 1>putting up for I put I put some up because

1:08:47.320 --> 1:08:49.800
<v Speaker 1>I was scared. You know, I'm wanted my immortality thing.

1:08:50.040 --> 1:08:52.639
<v Speaker 1>But I didn't use that. I just gotta be versa,

1:08:52.800 --> 1:08:57.080
<v Speaker 1>got married right back to where I was. Yeah. So,

1:08:57.080 --> 1:09:04.960
<v Speaker 1>so guys, you don't lose, You don't lose all your bullets.

1:09:04.960 --> 1:09:08.439
<v Speaker 1>It's not over. I'm just talking about putting in suspend

1:09:08.479 --> 1:09:12.679
<v Speaker 1>putting in suspended animation for a little one. Save yourself

1:09:12.720 --> 1:09:15.479
<v Speaker 1>a hundred million dollars or whatever you're gonna lose and

1:09:15.600 --> 1:09:20.040
<v Speaker 1>just take you be responsible, you know. So we got

1:09:20.040 --> 1:09:22.600
<v Speaker 1>a part of this show. We got a part of

1:09:22.640 --> 1:09:24.800
<v Speaker 1>this show. It's a very important part of this show.

1:09:25.600 --> 1:09:28.599
<v Speaker 1>This is gonna be good because you didn't. You didn't

1:09:28.600 --> 1:09:32.040
<v Speaker 1>gave us so many bars, so many bars that are

1:09:32.080 --> 1:09:34.439
<v Speaker 1>attached to people, right and wet. We were able to

1:09:34.439 --> 1:09:38.320
<v Speaker 1>speak to names and you know, and speak freely. I

1:09:38.400 --> 1:09:40.679
<v Speaker 1>need you to give us we got okay, before before

1:09:40.680 --> 1:09:43.560
<v Speaker 1>I tell you that the name of the show, the

1:09:43.640 --> 1:09:45.280
<v Speaker 1>name of the name of the portion of the show

1:09:46.000 --> 1:09:50.400
<v Speaker 1>it's called. I ain't saying no names. So the story

1:09:50.479 --> 1:09:55.680
<v Speaker 1>can be either funny or fucked up or both. But

1:09:57.040 --> 1:10:00.280
<v Speaker 1>you can't say the name of the person in gonna

1:10:00.280 --> 1:10:03.200
<v Speaker 1>be trying to figure out a guilty party. Yeah, he's

1:10:03.360 --> 1:10:05.519
<v Speaker 1>a lot of people. They're gonna know the guilty party.

1:10:05.680 --> 1:10:11.439
<v Speaker 1>I mean the streets out what the streets. I got

1:10:11.439 --> 1:10:14.880
<v Speaker 1>a problem with that. So give us get off, give

1:10:15.000 --> 1:10:16.639
<v Speaker 1>us a good one, Give us give us one, give

1:10:16.720 --> 1:10:19.200
<v Speaker 1>us one. Give us. You mean I got to create

1:10:19.240 --> 1:10:22.599
<v Speaker 1>the story. You have to create. But I'm telling your story.

1:10:22.640 --> 1:10:25.120
<v Speaker 1>But I can't say the name. Can't say any name.

1:10:28.000 --> 1:10:33.840
<v Speaker 1>Oh my gosh, like, which one do we go here? Yeah? Well,

1:10:33.920 --> 1:10:40.000
<v Speaker 1>I can think of it huge record executive, and she's

1:10:40.000 --> 1:10:49.120
<v Speaker 1>not gonna say anything because she will be busted. Hey

1:10:49.360 --> 1:10:53.800
<v Speaker 1>White and I didn't do it, but you know, she

1:10:53.880 --> 1:10:55.720
<v Speaker 1>used to call me and wanted me to take her

1:10:55.760 --> 1:10:58.439
<v Speaker 1>here and take her there, And I'm thinking, holy crap,

1:10:58.479 --> 1:11:01.760
<v Speaker 1>I didn't know at first. I thought she was sincere

1:11:02.160 --> 1:11:03.680
<v Speaker 1>and just wanted me to go somewhere with her. But

1:11:03.720 --> 1:11:09.200
<v Speaker 1>I find like the opening of his clothing store, why

1:11:09.280 --> 1:11:12.200
<v Speaker 1>we ain't gonna go to movies? What is going in

1:11:12.200 --> 1:11:14.719
<v Speaker 1>the wrong direction? And if you know anything about girls,

1:11:14.720 --> 1:11:17.360
<v Speaker 1>you can't really you know, guys, hey baby, give me

1:11:17.360 --> 1:11:20.720
<v Speaker 1>a number. No, okay, smack, you're done. We used to

1:11:20.760 --> 1:11:22.559
<v Speaker 1>that and we get to know all the time. But

1:11:22.600 --> 1:11:27.720
<v Speaker 1>you don't really tell him no high prep high you know.

1:11:31.040 --> 1:11:37.840
<v Speaker 1>You don't really tell unimportant, high end, high level. A

1:11:38.240 --> 1:11:43.200
<v Speaker 1>woman know that a couple of syllables with you, you know,

1:11:43.320 --> 1:11:45.880
<v Speaker 1>But I'm saying you don't really, So you got to

1:11:45.960 --> 1:11:48.960
<v Speaker 1>like go you got to think about this, yes, because

1:11:48.960 --> 1:11:51.439
<v Speaker 1>if you tell you know, women ain't really they don't

1:11:51.479 --> 1:11:54.479
<v Speaker 1>really get into no. By the time they decided you're

1:11:54.479 --> 1:11:56.840
<v Speaker 1>the one, You're lucky to get it, and you should

1:11:56.840 --> 1:12:00.720
<v Speaker 1>be appreciative and thank your lucky stars. And so you

1:12:00.760 --> 1:12:03.120
<v Speaker 1>can't just say no, I don't do that, because that

1:12:03.200 --> 1:12:06.479
<v Speaker 1>could kill the whole thing too, you know, and this

1:12:06.520 --> 1:12:10.240
<v Speaker 1>person could bury you easily. Yeah. And she even said,

1:12:10.240 --> 1:12:12.920
<v Speaker 1>I'm I'm I'm the one here forget him. He does

1:12:12.960 --> 1:12:18.400
<v Speaker 1>what I you know, I'm here. I turned in yeah, yeah, yeah.

1:12:18.439 --> 1:12:20.599
<v Speaker 1>And so I'm sitting here like, whole crap, I'm about

1:12:20.640 --> 1:12:23.320
<v Speaker 1>to lose my whole career. I'm seeing how do I

1:12:23.439 --> 1:12:25.519
<v Speaker 1>not do this? Because I said that there's no happy

1:12:25.560 --> 1:12:27.680
<v Speaker 1>ending to this story. I mean, it only ends with

1:12:27.720 --> 1:12:31.840
<v Speaker 1>me getting screwed like one way another. Yeah, So I

1:12:31.880 --> 1:12:34.160
<v Speaker 1>had to. I had to wheeze on my way out

1:12:34.200 --> 1:12:36.719
<v Speaker 1>of there. And I told her my religious beliefs and

1:12:36.960 --> 1:12:39.040
<v Speaker 1>how much I really wanted to be with her and

1:12:39.439 --> 1:12:42.479
<v Speaker 1>now that, but it was against my religious convictions Muhammad

1:12:42.479 --> 1:12:44.800
<v Speaker 1>Ali style. You know, I said, it's nothing wrong with

1:12:44.880 --> 1:12:46.439
<v Speaker 1>you name. I mean, I'm ready to go. I mean,

1:12:46.439 --> 1:12:48.280
<v Speaker 1>oh my gosh, I wish I could. Oh. I mean,

1:12:48.320 --> 1:12:51.480
<v Speaker 1>I just you know, so I made her feel very

1:12:51.640 --> 1:12:54.680
<v Speaker 1>wanted and fed her ego the way it needs to

1:12:54.680 --> 1:12:57.040
<v Speaker 1>be fair. But I did not do the deed, because

1:12:57.479 --> 1:12:59.560
<v Speaker 1>once you do the d that's like sign the contract

1:12:59.560 --> 1:13:01.840
<v Speaker 1>that you don't you read the contract, you know, a

1:13:01.920 --> 1:13:04.599
<v Speaker 1>million pages young. So I didn't do that. But if

1:13:04.760 --> 1:13:08.599
<v Speaker 1>that was the dangerous one, I remember thinking, my life's

1:13:08.600 --> 1:13:11.120
<v Speaker 1>gonna be over. How did that before? How is this

1:13:11.160 --> 1:13:15.640
<v Speaker 1>gonna Did you ever in your mind think, well, if

1:13:15.680 --> 1:13:19.720
<v Speaker 1>I knock it down, knock it down. If I knock

1:13:19.760 --> 1:13:21.519
<v Speaker 1>it down the way I'm just supposed to knock you down,

1:13:21.680 --> 1:13:25.360
<v Speaker 1>I'd be dead completely. Didn't. Yeah, that's the other thing too.

1:13:25.640 --> 1:13:27.840
<v Speaker 1>This was one of those situations where if I took

1:13:27.840 --> 1:13:29.840
<v Speaker 1>it down the right way, then I'd be a percent

1:13:29.960 --> 1:13:32.519
<v Speaker 1>dead because by time, you know, if it went that way,

1:13:32.600 --> 1:13:34.200
<v Speaker 1>then the husband found I me, I just he was

1:13:34.240 --> 1:13:35.800
<v Speaker 1>in the whole another group I'd be I'll be out

1:13:35.840 --> 1:13:38.120
<v Speaker 1>of here. That just big. We just they put him

1:13:38.120 --> 1:13:45.000
<v Speaker 1>in the desert with the rest of the back part. Yea.

1:13:46.479 --> 1:13:48.320
<v Speaker 1>He went to dinner with me, shook my head, came

1:13:48.360 --> 1:13:50.479
<v Speaker 1>to my house dinner, and he's doing my put him

1:13:50.479 --> 1:13:55.120
<v Speaker 1>into that Maryland and you don't mess what nobody's wife exactly. Yeah.

1:13:55.760 --> 1:14:00.360
<v Speaker 1>Control shot out to religious beliefs. I think, well, I said,

1:14:00.360 --> 1:14:05.680
<v Speaker 1>at least it's always to Lord, don't want me to

1:14:05.720 --> 1:14:07.920
<v Speaker 1>do this, that's right, I want to do. I want

1:14:07.960 --> 1:14:10.639
<v Speaker 1>to do it, I promise you and the Devil want

1:14:10.640 --> 1:14:13.439
<v Speaker 1>to do in the Devil. I'm not gonna listen with him.

1:14:13.439 --> 1:14:16.480
<v Speaker 1>I'm not gonna go with it. Confirmed blowing your backhouse

1:14:17.040 --> 1:14:19.200
<v Speaker 1>with the Lord and it ain't fair to you. But

1:14:20.040 --> 1:14:21.880
<v Speaker 1>I don't want to be unfair to you. What kind

1:14:21.880 --> 1:14:24.400
<v Speaker 1>of person would I be if I treated you like that? Oh?

1:14:24.479 --> 1:14:27.880
<v Speaker 1>My god? R and b R and be the game

1:14:28.640 --> 1:14:30.880
<v Speaker 1>he had, He had a top ten record called the

1:14:30.880 --> 1:14:40.400
<v Speaker 1>Other Woman. So I happened right then. Listen to my brother, Sir,

1:14:41.240 --> 1:14:46.920
<v Speaker 1>Sir Ray Parker Jr. We Um, I've been I've been

1:14:46.960 --> 1:14:50.800
<v Speaker 1>messed up. I've been messed up. I'm a talker, but

1:14:51.160 --> 1:14:55.719
<v Speaker 1>I have been in class taking notes from this session.

1:14:56.880 --> 1:14:59.840
<v Speaker 1>You being able to sit here with you, Um, the

1:15:00.080 --> 1:15:03.360
<v Speaker 1>is the best. This is fun. I'm having a good time.

1:15:03.439 --> 1:15:08.600
<v Speaker 1>We we we truly honor you and appreciate you on

1:15:08.640 --> 1:15:11.960
<v Speaker 1>a level that you probably will never understand, because we

1:15:12.000 --> 1:15:15.479
<v Speaker 1>are here because of you and this platform, all these

1:15:15.560 --> 1:15:18.360
<v Speaker 1>like you see, all of this, it's because of you.

1:15:18.880 --> 1:15:23.920
<v Speaker 1>So we thank you wholeheartedly. Forgive your thanks. And can

1:15:23.920 --> 1:15:28.040
<v Speaker 1>I give a little message to yourself to y'all, don't

1:15:28.040 --> 1:15:31.080
<v Speaker 1>get crazy with this stuff, but get your a little

1:15:31.080 --> 1:15:34.120
<v Speaker 1>real estate. We see all that Amazon and Apple all it,

1:15:34.160 --> 1:15:35.679
<v Speaker 1>so if you gotta buy all of it, just get

1:15:35.720 --> 1:15:37.439
<v Speaker 1>you a little bit of all that stuff and just

1:15:37.479 --> 1:15:39.760
<v Speaker 1>put us like, get some cryptocurrencies, even though I don't

1:15:39.800 --> 1:15:43.080
<v Speaker 1>understand why you cannot buy this with this currency, thinking

1:15:43.080 --> 1:15:45.720
<v Speaker 1>about that, Just get a little bit of everything. You

1:15:45.800 --> 1:15:47.479
<v Speaker 1>really don't need a lot of it, but just have

1:15:47.560 --> 1:15:49.559
<v Speaker 1>a little bit of everything because if one of them

1:15:49.560 --> 1:15:52.400
<v Speaker 1>thinks takes off, and one will surely go, if you

1:15:52.439 --> 1:15:54.840
<v Speaker 1>have a bunch of it, you that could solve all

1:15:54.880 --> 1:15:57.280
<v Speaker 1>your problems. Just that. And if you want to get

1:15:57.280 --> 1:15:59.880
<v Speaker 1>more sophisticated that that's a whole another conversation. But just

1:16:00.040 --> 1:16:01.839
<v Speaker 1>to make sure you have a little bit of everything.

1:16:02.040 --> 1:16:04.840
<v Speaker 1>I wish i'd done more of that. Just a little

1:16:04.880 --> 1:16:07.439
<v Speaker 1>bit of everything, you know, and when that takes off, man,

1:16:07.439 --> 1:16:09.760
<v Speaker 1>you'd be shocked, you know. And that's the money I'm

1:16:09.800 --> 1:16:12.000
<v Speaker 1>talking about. Is when you get your first porsh you

1:16:12.040 --> 1:16:14.160
<v Speaker 1>don't have to buy the second and third one. Take

1:16:14.240 --> 1:16:20.480
<v Speaker 1>that money. But yeah, that is a lesson from sir

1:16:20.720 --> 1:16:25.880
<v Speaker 1>Ray Parker. Ray Parker, I'm tanking and this has been

1:16:26.560 --> 1:16:31.160
<v Speaker 1>the R and B money Lise. It's come on, I

1:16:31.200 --> 1:16:48.679
<v Speaker 1>Like it Ship R and Money. R and B Money

1:16:48.760 --> 1:16:51.800
<v Speaker 1>is the production of the Black Effect podcast Network. For

1:16:51.920 --> 1:16:54.960
<v Speaker 1>more podcasts from I Heart Radio, visit the R Heart

1:16:55.040 --> 1:16:58.040
<v Speaker 1>Radio Apple Apple Podcast, or wherever you're listen to your

1:16:58.040 --> 1:17:01.320
<v Speaker 1>favorite shows. Don't forget to subscrip, ride to and rate

1:17:01.400 --> 1:17:04.080
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1:17:04.120 --> 1:17:07.840
<v Speaker 1>media via at R and B Money podcast or at

1:17:07.840 --> 1:17:09.960
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