1 00:00:00,120 --> 00:00:02,240 Speaker 1: Hey, bet, why are you staring at that book and 2 00:00:02,279 --> 00:00:05,680 Speaker 1: clapping while you read? Hey, Elliott, I'm reading the place 3 00:00:05,760 --> 00:00:08,920 Speaker 1: by one of our famous figures today, William Shakespeare, and 4 00:00:09,039 --> 00:00:12,520 Speaker 1: clapping out the beats of the rhythm in iambic pantameter, 5 00:00:13,039 --> 00:00:15,800 Speaker 1: which is the style that he and most playwrights and 6 00:00:15,840 --> 00:00:18,279 Speaker 1: poets of his day wrote in. Yeah, but none of 7 00:00:18,360 --> 00:00:23,960 Speaker 1: you're here? Would you mind taking over? Uh? Sure, okay, 8 00:00:24,239 --> 00:00:26,159 Speaker 1: Now keep that beat, I'm going to use it to 9 00:00:26,160 --> 00:00:28,920 Speaker 1: play a song, just like our other famous figure, jazz 10 00:00:29,000 --> 00:00:38,159 Speaker 1: legend Louis Armstrong two when at twelve and hey, why 11 00:00:38,200 --> 00:00:40,800 Speaker 1: did you stop clapping? I was just getting started. I 12 00:00:40,840 --> 00:00:43,960 Speaker 1: was calling that one King Lear, after one of Shakespeare's 13 00:00:44,040 --> 00:00:47,080 Speaker 1: most famous plates. Well be it definitely sounded like a 14 00:00:47,159 --> 00:00:50,320 Speaker 1: tragedy to me. Come on, I just need a little 15 00:00:50,360 --> 00:00:53,080 Speaker 1: more practice. Now hit me with that measure for measure 16 00:00:53,080 --> 00:00:55,800 Speaker 1: and put a little English on it. Oh boy, Eric, 17 00:00:55,880 --> 00:01:03,000 Speaker 1: please play the theme song you go bloody? Think you 18 00:01:03,040 --> 00:01:08,520 Speaker 1: know about the Gates Room? The game is on. Get 19 00:01:08,600 --> 00:01:12,040 Speaker 1: somenag and buckle up in your brain, because it's time 20 00:01:12,240 --> 00:01:18,479 Speaker 1: to play the Whos podcast. Because it's time to play 21 00:01:16,800 --> 00:01:23,440 Speaker 1: books who live from Time to Land or so called 22 00:01:23,480 --> 00:01:26,760 Speaker 1: so cow Los Angeles. Welcome to Who Was, the history 23 00:01:26,800 --> 00:01:29,320 Speaker 1: quish show that gives contestants the chance to win mega 24 00:01:29,360 --> 00:01:33,880 Speaker 1: prizes and podcast glory. I'm Beat, your announcer for whom 25 00:01:33,920 --> 00:01:37,160 Speaker 1: all gifts are to be or not to be. And 26 00:01:37,200 --> 00:01:39,800 Speaker 1: here's your host, the man who always carries a skull 27 00:01:39,880 --> 00:01:43,680 Speaker 1: with him just in case. It's Elliott Galen, Thank you be, 28 00:01:44,040 --> 00:01:47,920 Speaker 1: and big twist, it's my skull. Welcome everyone to the 29 00:01:47,920 --> 00:01:50,680 Speaker 1: Who Was? Podcast. This show is like Jeopardy, only with 30 00:01:50,760 --> 00:01:54,320 Speaker 1: surprise guests, silly games, and pizza roles that we actually 31 00:01:54,400 --> 00:01:57,920 Speaker 1: let cool first before we eat. M These are good, 32 00:01:58,360 --> 00:02:01,200 Speaker 1: and so is the roof of my map. Great work be. 33 00:02:01,520 --> 00:02:04,160 Speaker 1: Our contestants were sent Who Was books about two great 34 00:02:04,240 --> 00:02:06,440 Speaker 1: figures from history. Now they're here to show off their 35 00:02:06,480 --> 00:02:10,840 Speaker 1: knowledge and the hopes of winning fantastic prizes, prizes prizes. 36 00:02:11,000 --> 00:02:14,079 Speaker 1: Today we're talking about two people who love play dates, 37 00:02:14,200 --> 00:02:18,160 Speaker 1: Louis Armstrong and William Shakespeare. But before we learn about them, 38 00:02:18,240 --> 00:02:23,560 Speaker 1: let's learn about our contestants. Okay, First up, we've got Gia. Gia, 39 00:02:23,840 --> 00:02:28,840 Speaker 1: please introduce yourself. Hi, I'm Jia. I'm a lovely pan 40 00:02:28,919 --> 00:02:33,720 Speaker 1: tegennist turning into a nineties summer t and tegennist trampoline 41 00:02:33,720 --> 00:02:38,600 Speaker 1: and tumbling. How many levels are there in in TNT gymnastics. Um, 42 00:02:38,680 --> 00:02:40,680 Speaker 1: so once you go to the ten, you go to 43 00:02:41,000 --> 00:02:45,720 Speaker 1: elite and then sorry it's junior ely then elite basically 44 00:02:45,760 --> 00:02:49,560 Speaker 1: will So how long have you been tumbling and trampolining? Uh? 45 00:02:49,639 --> 00:02:52,480 Speaker 1: Six years? Wow? I have one more question for you 46 00:02:52,600 --> 00:02:57,600 Speaker 1: to which do you prefer the trampolining or the tumbling? Tumbling? 47 00:02:57,600 --> 00:03:00,160 Speaker 1: Because that's my need advent and that sounds really cool. Mean, 48 00:03:00,200 --> 00:03:02,200 Speaker 1: I tumble a lot. I fall down quite a bit 49 00:03:02,240 --> 00:03:03,920 Speaker 1: because my balance is not so good. Do you think 50 00:03:03,960 --> 00:03:06,480 Speaker 1: I should get into jim Naso stumbling? You know what 51 00:03:06,560 --> 00:03:10,320 Speaker 1: I've been stumbling yet? Yeah? That that's like jazz tumbling 52 00:03:10,400 --> 00:03:15,160 Speaker 1: is stumbling. Yes, the flips that you don't do, Yeah, exactly. 53 00:03:15,240 --> 00:03:18,519 Speaker 1: Well that's very impressive. Yeah, that's fantastic. And our other 54 00:03:18,680 --> 00:03:21,399 Speaker 1: contestant port to day is Hazel. Hazel, would you please 55 00:03:21,400 --> 00:03:24,880 Speaker 1: introduce yourself. Hey, I'm Hazel. I used state pronouns. I'm 56 00:03:24,919 --> 00:03:28,560 Speaker 1: currently second for public form debate and yeah, tell us 57 00:03:28,600 --> 00:03:31,560 Speaker 1: more about this debate. I'm I'm curious about it. You 58 00:03:31,639 --> 00:03:34,440 Speaker 1: usually get a resolution each year, and for the resolution 59 00:03:34,920 --> 00:03:37,320 Speaker 1: last year was to the benefits of space travel out 60 00:03:37,400 --> 00:03:39,880 Speaker 1: with harms, and I was on the negative side, which 61 00:03:39,880 --> 00:03:42,680 Speaker 1: means I got to talk about environment and pollution and 62 00:03:42,680 --> 00:03:45,240 Speaker 1: I got to say how space travel was back and 63 00:03:45,360 --> 00:03:48,760 Speaker 1: me and my partner we went to a state competition 64 00:03:48,880 --> 00:03:52,880 Speaker 1: and now we're second in state. Oh my gosh, well congratulations. 65 00:03:52,960 --> 00:03:55,160 Speaker 1: I love that second place. It means that you're hungry 66 00:03:55,200 --> 00:03:58,760 Speaker 1: for the first place, right, Yeah, that competition. That firing you. 67 00:03:59,080 --> 00:04:01,240 Speaker 1: And similar to what I was saying to Gee, I 68 00:04:01,280 --> 00:04:02,960 Speaker 1: wonder if I should take debate because we have a 69 00:04:03,000 --> 00:04:04,920 Speaker 1: lot of debates around my house. But it's more like 70 00:04:05,400 --> 00:04:07,520 Speaker 1: it's more like we're having spaghetti for dinner and my 71 00:04:07,600 --> 00:04:10,000 Speaker 1: kids go, no, we're not. In my family. It's like 72 00:04:10,120 --> 00:04:14,120 Speaker 1: we should have tacos. We should have tacos, like we 73 00:04:14,200 --> 00:04:16,680 Speaker 1: debate over like the example, we're on the same page 74 00:04:16,680 --> 00:04:18,640 Speaker 1: but still want to fight about it. That's the best 75 00:04:18,680 --> 00:04:22,000 Speaker 1: kind of debate where everybody everyone agrees but no, this 76 00:04:22,040 --> 00:04:25,800 Speaker 1: stuff exactly. And it's also the best kind of debate 77 00:04:25,839 --> 00:04:29,919 Speaker 1: because you get tacos. That dan sound. Yeah, every tacobates 78 00:04:30,000 --> 00:04:32,760 Speaker 1: all end in tacos. Well, thank you so much both 79 00:04:32,760 --> 00:04:34,760 Speaker 1: of you for joining us today. We're very excited to 80 00:04:34,760 --> 00:04:36,400 Speaker 1: have you on the show. And also thank you to Eric, 81 00:04:36,400 --> 00:04:39,440 Speaker 1: our musician providing our mythic contestants music and all the 82 00:04:39,480 --> 00:04:42,080 Speaker 1: music you're here today. So that's who is. Now let's 83 00:04:42,080 --> 00:04:48,600 Speaker 1: find out who was Louis Armstrong with four fast facts. 84 00:04:50,040 --> 00:04:52,600 Speaker 1: Louis Armstrong was born in nineteen o one and died 85 00:04:52,680 --> 00:04:55,960 Speaker 1: in nineteen seventy one. Louis started playing the cornet, a 86 00:04:56,000 --> 00:04:58,520 Speaker 1: brass instrument similar to a trumpet, when he was seven. 87 00:04:59,360 --> 00:05:02,560 Speaker 1: Louis became one of the most famous and influential voices 88 00:05:02,640 --> 00:05:06,080 Speaker 1: in jazz. Speaking of voices, Louis was also known for 89 00:05:06,120 --> 00:05:17,080 Speaker 1: his distinctive, gravelly voice. Fools, those facts were crazy interesting 90 00:05:17,400 --> 00:05:21,320 Speaker 1: you said it'd be. Louis Armstrong lived a very interesting life. Now, 91 00:05:21,440 --> 00:05:24,720 Speaker 1: I don't like to toot my own horn, but I'm 92 00:05:24,720 --> 00:05:28,839 Speaker 1: happy to let you folks continue. Louis Armstrong. A shout 93 00:05:28,880 --> 00:05:30,800 Speaker 1: out to the who was app for helping you get 94 00:05:30,839 --> 00:05:42,600 Speaker 1: here today? Who was wandering in the past? Oh, I 95 00:05:42,640 --> 00:05:45,360 Speaker 1: came here out of curiosity. I was just wondering if 96 00:05:45,400 --> 00:05:48,960 Speaker 1: either view fine contestants play an instrument or no anyone 97 00:05:49,040 --> 00:05:51,880 Speaker 1: who does. That's a great question. How about it? Do 98 00:05:51,880 --> 00:05:53,560 Speaker 1: you have time to play an instrument when you're not 99 00:05:53,600 --> 00:05:58,320 Speaker 1: tumbling your trampoline. Yes, I planned to be. That's great. 100 00:05:58,400 --> 00:06:01,039 Speaker 1: And Hazel, what about you do playing in I also 101 00:06:01,120 --> 00:06:04,159 Speaker 1: play viola and I also play piano to start viola, 102 00:06:05,000 --> 00:06:07,159 Speaker 1: So today I'm going to ignore the piano. I'm saying 103 00:06:07,160 --> 00:06:10,000 Speaker 1: it's viola versus viola. We've got a real viol off 104 00:06:10,360 --> 00:06:13,880 Speaker 1: as it's the It's w w V World War Viola 105 00:06:14,000 --> 00:06:18,200 Speaker 1: today on the Hula's podcast. Very exciting and very cool. Okay, Louis, 106 00:06:18,279 --> 00:06:20,120 Speaker 1: you came all this way. I would hate for you 107 00:06:20,160 --> 00:06:22,440 Speaker 1: to just leave after asking one question? Would you like 108 00:06:22,560 --> 00:06:27,120 Speaker 1: to post our first game? It's called true or false? False? 109 00:06:27,680 --> 00:06:30,000 Speaker 1: Is a true or false? Is it false? Or is 110 00:06:30,040 --> 00:06:32,160 Speaker 1: the true? Is the truth that it is false? Is 111 00:06:32,200 --> 00:06:35,760 Speaker 1: it false that it was true? Or true? True or fault? 112 00:06:37,040 --> 00:06:39,320 Speaker 1: In this game, Louis will ask our contestants a question 113 00:06:39,360 --> 00:06:40,880 Speaker 1: and they will let us know if it is true 114 00:06:41,120 --> 00:06:44,320 Speaker 1: or false. It's right there in the title. It's our 115 00:06:44,320 --> 00:06:46,720 Speaker 1: first game of the game, so each question is worth 116 00:06:46,800 --> 00:06:50,000 Speaker 1: one point. First question goes to Gia Ready when you 117 00:06:50,040 --> 00:06:53,120 Speaker 1: are Louis. When I was a little boy and the 118 00:06:53,160 --> 00:06:56,120 Speaker 1: other kids called me did Berth because I was a 119 00:06:56,200 --> 00:07:01,400 Speaker 1: huge gravity false fan false. That's right, it's false. They 120 00:07:01,400 --> 00:07:03,560 Speaker 1: didn't have gravity falls back then. Back when Louie was 121 00:07:03,560 --> 00:07:05,920 Speaker 1: a kid drinking water, it was kept in buckets. A 122 00:07:06,040 --> 00:07:08,440 Speaker 1: ladle called a dipper was used to pour water into 123 00:07:08,480 --> 00:07:10,600 Speaker 1: a cup. But all the kids like to drink straight 124 00:07:10,640 --> 00:07:12,960 Speaker 1: from the dipper the same way. My son's only want 125 00:07:12,960 --> 00:07:14,840 Speaker 1: to drink right out of the faucet, and Louie he 126 00:07:14,880 --> 00:07:17,800 Speaker 1: could drink an entire mouthful in one gulf, so the 127 00:07:17,880 --> 00:07:20,600 Speaker 1: kids called him Dipper. Now as a grown up, he 128 00:07:20,680 --> 00:07:24,040 Speaker 1: was known by the nickname Sachmo. Mr Armstrong. Why did 129 00:07:24,040 --> 00:07:26,880 Speaker 1: they call you Satchmo? That's a good question. That was 130 00:07:26,920 --> 00:07:30,640 Speaker 1: short for satchel mouth. People just couldn't stop talking about 131 00:07:30,680 --> 00:07:33,320 Speaker 1: my mouth. Well, it is a great mouth. Okay. The 132 00:07:33,400 --> 00:07:36,440 Speaker 1: next question goes to Hazel. When I first started playing 133 00:07:36,520 --> 00:07:40,600 Speaker 1: music professionally, I played clubs at night. It slept all day, 134 00:07:40,960 --> 00:07:44,559 Speaker 1: like some kind of jazz dracula. I think it's half true, 135 00:07:44,600 --> 00:07:47,080 Speaker 1: half false, because I remember in the book it said 136 00:07:47,080 --> 00:07:49,040 Speaker 1: that you only slept for a few hours before going 137 00:07:49,080 --> 00:07:52,960 Speaker 1: back to work. Yep, we'll take it. We're gonna say false. 138 00:07:53,000 --> 00:07:55,880 Speaker 1: But you provided exactly the reason why Louie's early music 139 00:07:55,920 --> 00:07:59,120 Speaker 1: careers started out in nightclubs called honky tonks. Honky talks 140 00:07:59,120 --> 00:08:01,480 Speaker 1: paid musicians very low wages, so LOUI had to have 141 00:08:01,520 --> 00:08:03,760 Speaker 1: a day job. He'd played long into the night to 142 00:08:03,800 --> 00:08:05,640 Speaker 1: sleep for a couple of hours and then go back 143 00:08:05,680 --> 00:08:09,040 Speaker 1: to work. Sounds more like a jazz batman to me. Okay, 144 00:08:09,080 --> 00:08:11,960 Speaker 1: the next question goes to you, Gia. I didn't learn 145 00:08:12,000 --> 00:08:17,040 Speaker 1: to read music until after I was already a professional musician. True, 146 00:08:17,640 --> 00:08:19,880 Speaker 1: that's right, it's true. Louis didn't learn to treat music 147 00:08:19,920 --> 00:08:23,000 Speaker 1: until he was nineteen years old, already a professional. He 148 00:08:23,080 --> 00:08:25,480 Speaker 1: was playing on a steamboat called the Dixie Bell. This 149 00:08:25,560 --> 00:08:28,200 Speaker 1: steamer took long trips down the Mississippi River, so he 150 00:08:28,280 --> 00:08:30,520 Speaker 1: used the spare time to learn to read music. Up 151 00:08:30,560 --> 00:08:33,000 Speaker 1: until then, his natural talent let him learn songs and 152 00:08:33,040 --> 00:08:36,760 Speaker 1: tunes just by hearing them. Okay, Hazel, here comes the 153 00:08:36,800 --> 00:08:40,240 Speaker 1: final question of the round. Wow. Recording a song of 154 00:08:40,360 --> 00:08:44,600 Speaker 1: mine called he Beat Gebs, I dropped the sheet music 155 00:08:44,920 --> 00:08:48,160 Speaker 1: and without the music, I just started singing silly nurses 156 00:08:48,280 --> 00:08:57,199 Speaker 1: like scooba to bob Bob do bo bamboo. True. That's right, 157 00:08:57,240 --> 00:08:59,959 Speaker 1: it's true. Back then, musicians had to record a song 158 00:09:00,240 --> 00:09:02,080 Speaker 1: all the way right through in one take, so if 159 00:09:02,080 --> 00:09:05,360 Speaker 1: you made a mistake, you couldn't stop. Lewis's scadding was 160 00:09:05,440 --> 00:09:09,040 Speaker 1: essentially a mistake, but people liked the sound. In fact, 161 00:09:09,200 --> 00:09:14,439 Speaker 1: some musicians say he invented scat singing. Okay, Elliott, I 162 00:09:14,440 --> 00:09:20,080 Speaker 1: don't know about invented. Now made better by Bop. I'm 163 00:09:20,120 --> 00:09:23,400 Speaker 1: here to talk to you about your car insurance. By 164 00:09:23,920 --> 00:09:27,600 Speaker 1: you know you can bumble and stay with Geico. The 165 00:09:27,679 --> 00:09:30,560 Speaker 1: best scatting always involves car insurance. And let the Armstrong 166 00:09:30,640 --> 00:09:35,280 Speaker 1: taught us that true and true, true, true hororful. Great 167 00:09:35,360 --> 00:09:37,920 Speaker 1: job both you, Ge and Hazel. A round of applause 168 00:09:38,120 --> 00:09:42,480 Speaker 1: to you both, the applause of an adoring audience south 169 00:09:42,640 --> 00:09:47,840 Speaker 1: to an artist's ears here. Yeah, we came here together. 170 00:09:48,320 --> 00:09:50,960 Speaker 1: But he said he wanted to make a fashionably late entrance. 171 00:09:51,280 --> 00:09:53,760 Speaker 1: We'll look at that Elizabethian rock and I'd say it's 172 00:09:53,800 --> 00:09:57,079 Speaker 1: just a late entrance. Seems that we've gotten appearance by 173 00:09:57,080 --> 00:10:00,360 Speaker 1: the green Heart monster. That phrase is one that I wrote, 174 00:10:00,360 --> 00:10:03,520 Speaker 1: but feel free to use it. Yes it is, I 175 00:10:03,640 --> 00:10:09,720 Speaker 1: poets playwright, the Bard of Avon. But please call me will. 176 00:10:13,000 --> 00:10:15,360 Speaker 1: I'm willing. Where there's a will, there's a way. The 177 00:10:15,440 --> 00:10:17,920 Speaker 1: O g MC and yeah, I wrote a few plays. 178 00:10:17,960 --> 00:10:20,600 Speaker 1: I came up for several phrases that you still use today. 179 00:10:20,640 --> 00:10:22,400 Speaker 1: So let me lead you on to hear this one 180 00:10:22,480 --> 00:10:25,240 Speaker 1: wild Google. She let me break the ice because there's 181 00:10:25,240 --> 00:10:28,320 Speaker 1: a method to my madness, ask Camlet. I can be funny, 182 00:10:28,480 --> 00:10:32,160 Speaker 1: I'll be tragic. I love words like Juliet loves Romeo, 183 00:10:32,280 --> 00:10:34,960 Speaker 1: like Antonio said the Sebastian. I'll teach you how to fly. 184 00:10:35,120 --> 00:10:37,680 Speaker 1: I am the concentrata. Yeah, I set the program that's 185 00:10:37,720 --> 00:10:39,960 Speaker 1: for stories that will be told three hundred years later 186 00:10:40,040 --> 00:10:42,280 Speaker 1: on cameras. But isn't it the worst. Let's be a 187 00:10:42,360 --> 00:10:44,800 Speaker 1: riddle universe, and it's so hidden in the words they 188 00:10:44,800 --> 00:10:47,560 Speaker 1: get a little bit discursed. So forget if you heard this. 189 00:10:47,600 --> 00:10:50,040 Speaker 1: Bart was only for the birds, right, for everyone, from 190 00:10:50,080 --> 00:10:53,480 Speaker 1: peasants to Elizabeth the First. I am literally literature. You 191 00:10:53,520 --> 00:10:55,079 Speaker 1: know how they came up with the Lion King and 192 00:10:55,160 --> 00:10:57,840 Speaker 1: west Side story. I won't make you guess my stories, 193 00:10:58,040 --> 00:10:59,920 Speaker 1: so as you like it. I wrote sword fights and 194 00:11:00,040 --> 00:11:03,360 Speaker 1: in Sinkings, also true Love Blooming in midday strings. I 195 00:11:03,440 --> 00:11:05,720 Speaker 1: was so busy writing I have not slept one wig. 196 00:11:05,800 --> 00:11:07,840 Speaker 1: So I'll endo my intro here unless we have too 197 00:11:07,960 --> 00:11:12,640 Speaker 1: much of a good thing. Wow, that slaps yes, a 198 00:11:12,800 --> 00:11:16,640 Speaker 1: true boy, Thank you, thank you. It was totally off 199 00:11:16,640 --> 00:11:19,040 Speaker 1: the cuff part. And I know we're from different times. 200 00:11:19,440 --> 00:11:22,720 Speaker 1: Did off the cuff mean practice all the way here 201 00:11:22,760 --> 00:11:26,360 Speaker 1: in your era? Louis? I love your honest nature and 202 00:11:26,400 --> 00:11:30,360 Speaker 1: your wonderful horn. Speaking of which, didn't you mention jamming 203 00:11:30,400 --> 00:11:37,200 Speaker 1: out with Jimmy Hendricks later? Surely it's become later, Okay, okay, 204 00:11:37,520 --> 00:11:41,920 Speaker 1: oh raspberries right. I've had a lot of fun with 205 00:11:42,000 --> 00:11:46,360 Speaker 1: you folks today, especially these contestants, even even if they 206 00:11:46,360 --> 00:11:53,720 Speaker 1: are players. About his cabattle farewell, the sachement made the 207 00:11:53,760 --> 00:11:57,199 Speaker 1: delicate hand of fake guide your every step. Yeah, sure whatever, cool? Good, 208 00:11:57,240 --> 00:11:59,599 Speaker 1: mean you too, man? And thanks again? Who was that? 209 00:12:04,280 --> 00:12:07,120 Speaker 1: We should also get going to a short break, that is, 210 00:12:07,360 --> 00:12:09,640 Speaker 1: we'll check in with producer Jane with the scores right 211 00:12:09,679 --> 00:12:13,559 Speaker 1: after this. Eric play us some jazz draccula music. Please, 212 00:12:15,880 --> 00:12:18,200 Speaker 1: it's the blood you don't drink that matters, you know. 213 00:12:20,920 --> 00:12:23,839 Speaker 1: Welcome back to the Who Was? Podcast? Today we're learning 214 00:12:23,840 --> 00:12:27,640 Speaker 1: all about who was Louis Armstrong and who was William Shakespeare? 215 00:12:27,679 --> 00:12:30,880 Speaker 1: And now back to your host, Elliot Kalin. Thanks be 216 00:12:31,280 --> 00:12:34,040 Speaker 1: let's scat on over to producer Jane with our scores 217 00:12:34,080 --> 00:12:41,160 Speaker 1: so far Elliott, be uh Scooby, pop pop up Up, Dewey, 218 00:12:41,880 --> 00:12:46,720 Speaker 1: Hazel and Gia are tied at two. Oh nice one, Jane, 219 00:12:46,720 --> 00:12:50,040 Speaker 1: you love that scatting and rhyming with the scatting. A 220 00:12:50,240 --> 00:12:53,360 Speaker 1: very talented producer, thanks me. It's as close as a 221 00:12:53,360 --> 00:12:56,280 Speaker 1: game can get all tied up. So let's go on 222 00:12:56,400 --> 00:12:59,120 Speaker 1: to the next game, because here's the thing. The plays 223 00:12:59,240 --> 00:13:02,199 Speaker 1: the thing. So let's find out who was William Shakespeare 224 00:13:02,240 --> 00:13:08,200 Speaker 1: with four fast facts paspacts. William Shakespeare was born in 225 00:13:08,240 --> 00:13:12,320 Speaker 1: fifteen sixty four and died in sixteen sixteen. To this day, 226 00:13:12,360 --> 00:13:16,280 Speaker 1: he is considered the world's greatest playwright. Take that, Tom Stoppard. 227 00:13:16,920 --> 00:13:19,520 Speaker 1: He coined hundreds of words and phrases that are still 228 00:13:19,520 --> 00:13:23,319 Speaker 1: in use today. Some of Shakespeare's plays include Hamlet, Romeo 229 00:13:23,360 --> 00:13:30,160 Speaker 1: and Juliet, King Lear and Othello fo faspacts. Did anyone 230 00:13:30,280 --> 00:13:32,800 Speaker 1: know that in the corridor there's a machine field with 231 00:13:32,960 --> 00:13:37,000 Speaker 1: chips made of potato and something encased in chocolate called newgat. 232 00:13:37,720 --> 00:13:41,920 Speaker 1: It's a remarkable time, oh William Shakespeare. I'm glad you're 233 00:13:42,000 --> 00:13:44,280 Speaker 1: still here. We're actually about to start a game called 234 00:13:44,360 --> 00:13:47,400 Speaker 1: by any other Name, And it seems appropriate that maybe 235 00:13:47,400 --> 00:13:49,240 Speaker 1: you could host it, seeing as how you wrote the 236 00:13:49,280 --> 00:13:52,000 Speaker 1: famous line a rose by any other name would smell 237 00:13:52,080 --> 00:13:54,680 Speaker 1: as sweet in the play Romeo and Juliet. If you'd 238 00:13:54,679 --> 00:13:58,199 Speaker 1: like to host the game, of course, the games the foot. 239 00:14:04,080 --> 00:14:07,200 Speaker 1: In this game, William Shakespeare will describe some aspect of 240 00:14:07,240 --> 00:14:10,400 Speaker 1: his life, but use an odd rhyming word or phrase 241 00:14:10,440 --> 00:14:13,160 Speaker 1: instead of the exact word that we're looking for. So 242 00:14:13,200 --> 00:14:15,360 Speaker 1: you must decipher what he's saying and tell us the 243 00:14:15,440 --> 00:14:18,560 Speaker 1: real word that rhymes with the nonsense word so okay. 244 00:14:18,600 --> 00:14:21,680 Speaker 1: For example, if the answer is big deal, Will would 245 00:14:21,720 --> 00:14:24,640 Speaker 1: say something funny that rhymes with it, like pig reel, 246 00:14:24,960 --> 00:14:26,960 Speaker 1: which is what I call the outtakes from Baby Pig 247 00:14:26,960 --> 00:14:28,800 Speaker 1: in the City. It's a movie starting a pig. And 248 00:14:28,840 --> 00:14:31,400 Speaker 1: because this is our second game, each question is worth 249 00:14:31,640 --> 00:14:34,880 Speaker 1: two points. Hazel, you're a first will break a leg. 250 00:14:35,400 --> 00:14:38,680 Speaker 1: I maybe considered the world's greatest play right now, but 251 00:14:38,800 --> 00:14:41,440 Speaker 1: I shall always proudly be the son of a humble 252 00:14:41,760 --> 00:14:49,840 Speaker 1: above faker. Uh, leather maker or glovemaker. That's right, The 253 00:14:49,840 --> 00:14:53,920 Speaker 1: answer is glovemaker. Remember the answer needs to rhyme. Glovemaker. 254 00:14:54,160 --> 00:14:58,440 Speaker 1: Will's father made gloves, belts, purses, and aprons, all leather products. 255 00:14:58,440 --> 00:15:01,360 Speaker 1: Will's family was firmly middle class, which means while they 256 00:15:01,360 --> 00:15:05,400 Speaker 1: weren't poor, they weren't rich or the nobility either. Okay, Gia, 257 00:15:05,800 --> 00:15:09,000 Speaker 1: you have the next question. When I first moved to London, 258 00:15:09,080 --> 00:15:11,560 Speaker 1: I was not put you a call well off. But 259 00:15:11,640 --> 00:15:14,040 Speaker 1: I still love to stand and watch plays with the 260 00:15:14,080 --> 00:15:19,240 Speaker 1: other bound things. I don't know, that's all right. The 261 00:15:19,280 --> 00:15:22,560 Speaker 1: answer is the ground lanes. In Will's time, tickets to 262 00:15:22,600 --> 00:15:26,200 Speaker 1: a theater performance were sixpence or sixpennies for the best seats. 263 00:15:26,400 --> 00:15:29,240 Speaker 1: That bought you a seat with a cushion. Must be nice. 264 00:15:29,440 --> 00:15:31,800 Speaker 1: The cheapest tickets were a penny allowed you to stand 265 00:15:31,880 --> 00:15:34,480 Speaker 1: close to the stage with the other cheap ticket holders 266 00:15:34,480 --> 00:15:36,800 Speaker 1: that were known as groundlings because they were standing on 267 00:15:36,840 --> 00:15:39,880 Speaker 1: the ground. Okay, Hazel, this next one is for you. 268 00:15:40,600 --> 00:15:43,400 Speaker 1: I use Iambic pentameter to write in what was a 269 00:15:43,440 --> 00:15:48,800 Speaker 1: wonderfully lyrical style called drank first. In fact, some say 270 00:15:48,840 --> 00:15:51,240 Speaker 1: I became a master of that style, and I'm not 271 00:15:51,320 --> 00:15:56,640 Speaker 1: particularly prone to disagreement. I don't know. This is a 272 00:15:56,680 --> 00:15:59,960 Speaker 1: tough one. The answer is blank verse. Blank verse doesn't rhyme, 273 00:16:00,120 --> 00:16:02,640 Speaker 1: but it does have rhythm. I ambic contamperater is the 274 00:16:02,640 --> 00:16:05,320 Speaker 1: fancy name of this rhythm or pattern. And if you 275 00:16:05,400 --> 00:16:07,960 Speaker 1: clap to this rhythm, every other beat is loud. So 276 00:16:08,040 --> 00:16:10,880 Speaker 1: here's an example. Be could you do the example? Yes, 277 00:16:14,200 --> 00:16:17,880 Speaker 1: there you go, riveting. Yeah, that pattern repeats five times 278 00:16:17,880 --> 00:16:20,720 Speaker 1: in each line of blank verse. Thank you Be and Jia. 279 00:16:20,840 --> 00:16:26,040 Speaker 1: Here's the final question for you. During the horrible, difficult 280 00:16:26,080 --> 00:16:28,960 Speaker 1: time of the bubonic plague, it was not possible to 281 00:16:29,000 --> 00:16:33,080 Speaker 1: perform on stage, so I became a poet and started 282 00:16:33,120 --> 00:16:38,200 Speaker 1: writing bonnets. That's right. The answer is sonnets. Sonnets are 283 00:16:38,240 --> 00:16:41,360 Speaker 1: fourteen line poems with a very complicated rhyme pattern. Will 284 00:16:41,400 --> 00:16:43,960 Speaker 1: wrote a hundred and fifty four sonnets over the years, 285 00:16:44,000 --> 00:16:46,720 Speaker 1: and books of his sonnets are still in print today. 286 00:16:47,000 --> 00:16:53,600 Speaker 1: And that, Folks, is the end of by any other name, 287 00:16:55,440 --> 00:16:57,360 Speaker 1: great work, both of you. That's a tough game, and 288 00:16:57,400 --> 00:17:01,760 Speaker 1: you both did really And now exit to Jane. Pursued 289 00:17:01,800 --> 00:17:04,800 Speaker 1: by the scores. It's a fancy, fancy way of asking 290 00:17:04,800 --> 00:17:07,760 Speaker 1: for the scores exactly, and that's that's the what I'll 291 00:17:07,800 --> 00:17:12,280 Speaker 1: do is tell you, uh, and so Hazel and Gia, 292 00:17:12,760 --> 00:17:16,960 Speaker 1: I must implore you know that you both scored four 293 00:17:18,040 --> 00:17:23,680 Speaker 1: oh so I am a contamina. Thank you. Beautifully done, 294 00:17:23,720 --> 00:17:26,600 Speaker 1: beautifully done. I think we've got a modern day Shakespeare 295 00:17:26,640 --> 00:17:31,880 Speaker 1: right here. Sorry, sorry, I mean I mean, I mean Shakespeare. 296 00:17:31,880 --> 00:17:35,480 Speaker 1: You're great too, You're great too. Okay, close game, very close, 297 00:17:35,600 --> 00:17:39,200 Speaker 1: just like Jane's abilities are very close to Shakespeare's. And again, Shakespeare, 298 00:17:39,240 --> 00:17:41,840 Speaker 1: thank you so much for joining us today. It was 299 00:17:41,920 --> 00:17:45,480 Speaker 1: truly a delight. But now, dear friends, I must away 300 00:17:45,520 --> 00:17:49,040 Speaker 1: to go eat chicken fingers, poultry, not poultry with my 301 00:17:49,119 --> 00:17:53,159 Speaker 1: great colorades, and I'm carried gracefully on the wings of 302 00:17:53,160 --> 00:17:59,600 Speaker 1: the Who Was? App Who Was More? Cool? Good meeting 303 00:17:59,640 --> 00:18:03,000 Speaker 1: YouTube man. We'll be back with our final game after 304 00:18:03,040 --> 00:18:05,399 Speaker 1: this break. Eric, would you happen to have some glove 305 00:18:05,480 --> 00:18:07,800 Speaker 1: and purse making music you could play for us? Please? 306 00:18:14,240 --> 00:18:22,159 Speaker 1: Driving Moves, Daisy Sally? Who was there? Marie Curie? You 307 00:18:22,200 --> 00:18:26,439 Speaker 1: may remember me from winning multiple Nobel Prizes, or perhaps 308 00:18:26,520 --> 00:18:29,080 Speaker 1: from my episode of the Who Worst Podcast where I 309 00:18:29,160 --> 00:18:32,440 Speaker 1: played myself. I wanted to take a moment to read 310 00:18:32,480 --> 00:18:35,639 Speaker 1: one of my favorite reviews about the Who Was podcast. 311 00:18:37,080 --> 00:18:40,560 Speaker 1: This is from Shaken Bay and it reads loved this 312 00:18:41,400 --> 00:18:44,639 Speaker 1: Me and my little sister love this show more. Please, 313 00:18:45,080 --> 00:18:48,760 Speaker 1: our faith is Ariet Toman. If you want to hear 314 00:18:48,840 --> 00:18:51,680 Speaker 1: your review right on the air, make sure to subscribe, 315 00:18:52,000 --> 00:18:55,040 Speaker 1: like and review to the worst podcasts in the I 316 00:18:55,200 --> 00:18:59,200 Speaker 1: Heart Radio up or wherever you give your podcasts revoir 317 00:18:59,600 --> 00:19:07,639 Speaker 1: or should say abio. Welcome back to the Who Was Plodcast? 318 00:19:07,720 --> 00:19:10,760 Speaker 1: Today we're learning about old school players Louis Armstrong and 319 00:19:10,840 --> 00:19:14,560 Speaker 1: William Shakespeare. Before the break, Gia had four points and 320 00:19:14,760 --> 00:19:18,280 Speaker 1: Hazel had four points. Lots of tip. Now back to 321 00:19:18,320 --> 00:19:21,800 Speaker 1: our host, Elliot Kalin. Thanks me. You know, I was 322 00:19:21,880 --> 00:19:24,960 Speaker 1: just thinking about how film is the modern day equivalent 323 00:19:25,080 --> 00:19:27,560 Speaker 1: to what plays were in Shakespeare's day in terms of 324 00:19:27,560 --> 00:19:29,960 Speaker 1: popularity and you know, in words for people. I thought 325 00:19:30,000 --> 00:19:33,160 Speaker 1: it'd be fun to ask our contestants what's their favorite movie? Jia, 326 00:19:33,240 --> 00:19:34,800 Speaker 1: do you have a favorite movie? What is it? If 327 00:19:34,840 --> 00:19:39,440 Speaker 1: you do, um, it's actually an old movie. It's Baseball. 328 00:19:40,440 --> 00:19:43,960 Speaker 1: Oh what a great movie. Good answer. That is a 329 00:19:43,960 --> 00:19:46,760 Speaker 1: really funny movie. Hazel, what about you? What's your favorite movie? 330 00:19:47,200 --> 00:19:50,040 Speaker 1: I also actually prefer old movies. My favorite movie right 331 00:19:50,040 --> 00:19:54,359 Speaker 1: now is Bend It Like Beckham, how sad for me 332 00:19:54,440 --> 00:19:57,720 Speaker 1: that that is considered an old movie now? I also 333 00:19:57,800 --> 00:20:00,560 Speaker 1: feel similarly as those are movies that came out when 334 00:20:00,560 --> 00:20:03,000 Speaker 1: I was a kid. That's all right, it came up 335 00:20:03,000 --> 00:20:07,320 Speaker 1: when I was an adult. Well, those are both great movies. 336 00:20:07,600 --> 00:20:09,720 Speaker 1: I will say. I also love old movies, but like 337 00:20:09,800 --> 00:20:11,600 Speaker 1: really old movies, and I think my favorite movie is 338 00:20:11,640 --> 00:20:14,080 Speaker 1: probably The Wizard of Oz. I find it very magical 339 00:20:14,280 --> 00:20:15,760 Speaker 1: and I always kind of cry a little bit at 340 00:20:15,760 --> 00:20:18,679 Speaker 1: the end. Be what's your favorite movie? Well, my favorite 341 00:20:18,680 --> 00:20:21,920 Speaker 1: movie is B Movie, of course. Yeah. Sure, B Movie 342 00:20:21,960 --> 00:20:24,880 Speaker 1: is a fun movie. No, it hasn't been made yet. 343 00:20:24,920 --> 00:20:28,359 Speaker 1: It's the screenplay for my bio pick. I hate to 344 00:20:28,400 --> 00:20:30,840 Speaker 1: break it to be, but there's already a B movie 345 00:20:30,880 --> 00:20:33,480 Speaker 1: like the kind of bee that flies around? I fly 346 00:20:33,560 --> 00:20:35,840 Speaker 1: around in my movie. I have this great idea that 347 00:20:35,960 --> 00:20:38,440 Speaker 1: Jerry Seinfeld is going to do my voice. Okay, no, 348 00:20:38,840 --> 00:20:41,000 Speaker 1: be Well, we'll talk about this after the game. After 349 00:20:41,040 --> 00:20:43,720 Speaker 1: our final game, which is coming up right now, Converge 350 00:20:43,760 --> 00:20:56,920 Speaker 1: of Greatness. In this multiple choice game B, we'll read 351 00:20:57,000 --> 00:21:00,359 Speaker 1: questions where our two strocal figures overlap or con urge. 352 00:21:00,520 --> 00:21:03,159 Speaker 1: And because recovering two times the history, this game is 353 00:21:03,160 --> 00:21:06,440 Speaker 1: worth three points for each question. It's not a math podcast. 354 00:21:06,640 --> 00:21:09,359 Speaker 1: Picked the best option as your answer, Jia. This first 355 00:21:09,440 --> 00:21:12,880 Speaker 1: question is for you take it away be. Both Armstrong 356 00:21:12,920 --> 00:21:15,399 Speaker 1: and Shakespeare did not mince words when it came to 357 00:21:15,480 --> 00:21:18,760 Speaker 1: talking about those in power. But while Shakespeare and other 358 00:21:18,800 --> 00:21:22,000 Speaker 1: poets of his day often flattered the monarchs with their work, 359 00:21:22,440 --> 00:21:28,400 Speaker 1: Armstrong was more outspoken. Who did Louis call an uneducated plowboy? 360 00:21:28,600 --> 00:21:32,520 Speaker 1: Was it a President Jimmy Carter be Governor of Arkansas? 361 00:21:32,680 --> 00:21:37,840 Speaker 1: Or ol Fabis or see the King Elvis Presley B. 362 00:21:39,240 --> 00:21:41,639 Speaker 1: That's right. The answer is be. During the Little Rock 363 00:21:41,800 --> 00:21:44,320 Speaker 1: nine incident, when the governor of Arkansas was refusing to 364 00:21:44,440 --> 00:21:47,359 Speaker 1: end segregation in the state schools, Louis Armstrong was so 365 00:21:47,480 --> 00:21:49,800 Speaker 1: outraged at what he saw he called the governor an 366 00:21:49,840 --> 00:21:53,280 Speaker 1: uneducated plowboy. Lou was a very popular black musician at 367 00:21:53,280 --> 00:21:55,080 Speaker 1: the time, and he risked a lot when he was 368 00:21:55,080 --> 00:21:57,280 Speaker 1: speaking truth to power and giving his support to the 369 00:21:57,280 --> 00:22:00,600 Speaker 1: civil rights movement in the nineteen sixties. Hazel you right next. 370 00:22:02,040 --> 00:22:05,920 Speaker 1: Both Louis Armstrong and William Shakespeare worked in team based professions. 371 00:22:06,400 --> 00:22:08,960 Speaker 1: Louis was in many bands in his career before leading 372 00:22:09,000 --> 00:22:12,120 Speaker 1: his own. When William moved to London, he joined an 373 00:22:12,160 --> 00:22:17,680 Speaker 1: acting troop called a Lord Chamberlain's Men b Mystery Men 374 00:22:18,080 --> 00:22:22,760 Speaker 1: or see the fun time play guys. A, that's right, 375 00:22:22,800 --> 00:22:25,240 Speaker 1: The answer is A. Shakespeare not only joined the troop, 376 00:22:25,320 --> 00:22:27,080 Speaker 1: but thanks to the money from his poetry, he was 377 00:22:27,119 --> 00:22:29,760 Speaker 1: able to become part owner of the company. In fact, 378 00:22:29,800 --> 00:22:32,439 Speaker 1: he'd stay with this troop for the rest of his career, 379 00:22:32,760 --> 00:22:34,960 Speaker 1: which is how you know it's not an improv troop. Boom, 380 00:22:35,040 --> 00:22:37,920 Speaker 1: take that improv Gia. Back to you for the next question. 381 00:22:38,160 --> 00:22:42,000 Speaker 1: Louis Armstrong and William Shakespeare were both writers. Most people 382 00:22:42,040 --> 00:22:45,520 Speaker 1: know Louis Armstrong wrote music, but he also wrote books. 383 00:22:45,560 --> 00:22:49,480 Speaker 1: His first book was called A Swing That Music. B. 384 00:22:50,119 --> 00:22:55,200 Speaker 1: Please stop talking about my mouth or see the Hunger Games. A. 385 00:22:56,080 --> 00:22:58,480 Speaker 1: That's right, The answer is A Swing That Music was 386 00:22:58,520 --> 00:23:01,399 Speaker 1: published in nineteen thirties six. Not only was it louise 387 00:23:01,480 --> 00:23:04,440 Speaker 1: first book, who was also the very first autobiography by 388 00:23:04,560 --> 00:23:07,800 Speaker 1: a jazz musician. Over the years, he wrote two autobiographies, 389 00:23:07,920 --> 00:23:11,040 Speaker 1: over ten magazine articles, hundreds of pages of memoirs, and 390 00:23:11,119 --> 00:23:13,720 Speaker 1: hundreds of letters. And that's aside from the dozens of 391 00:23:13,760 --> 00:23:17,560 Speaker 1: songs he wrote that are considered jazz classics today. Oh, 392 00:23:17,600 --> 00:23:19,320 Speaker 1: I suddenly feel like I should dust off my to 393 00:23:19,359 --> 00:23:22,280 Speaker 1: do list, Hazel. The next and final question of the 394 00:23:22,320 --> 00:23:26,760 Speaker 1: game is yours. Both Louis and Shakespeare got creative with words. 395 00:23:27,240 --> 00:23:30,160 Speaker 1: Jazz musicians had their own way of talking. Cat meant 396 00:23:30,280 --> 00:23:33,480 Speaker 1: musician and gig meant job, and he was great at 397 00:23:33,480 --> 00:23:36,919 Speaker 1: improvising words when he would scat in a song. Shakespeare 398 00:23:36,960 --> 00:23:40,080 Speaker 1: is credited with introducing many words and phrases we still 399 00:23:40,160 --> 00:23:45,080 Speaker 1: use today. Which of the following is not one? Shakespeare 400 00:23:45,080 --> 00:23:51,280 Speaker 1: supposedly created a cold blooded be puppy dog or see 401 00:23:51,400 --> 00:23:56,400 Speaker 1: on fleek. See that's right the answer to see Shakespeare 402 00:23:56,440 --> 00:23:59,120 Speaker 1: didn't invent on fleek. Kayla Newman a k a At 403 00:23:59,119 --> 00:24:02,000 Speaker 1: peaches Monroe's credit with that phrase. The phrases like cold 404 00:24:02,000 --> 00:24:05,119 Speaker 1: blooded or wild goose chase make their first appearances in 405 00:24:05,200 --> 00:24:09,399 Speaker 1: Shakespeare's scripts. He also supposedly came up with every comedian's 406 00:24:09,520 --> 00:24:14,159 Speaker 1: favorite phrase, knock knock, who's there? The winner is? The 407 00:24:14,200 --> 00:24:17,000 Speaker 1: winner is who We're about to find out just after 408 00:24:17,080 --> 00:24:29,639 Speaker 1: this That sound means we're at the end of the game, 409 00:24:29,760 --> 00:24:32,280 Speaker 1: and alas at the end of the show. Parting is 410 00:24:32,359 --> 00:24:34,720 Speaker 1: such sweet sorrow when we wait for Jane to tell 411 00:24:34,720 --> 00:24:37,400 Speaker 1: you the points I'd love to hear from the contestants. Hazel, 412 00:24:37,600 --> 00:24:40,679 Speaker 1: what's the favorite thing you learned about Shakespeare or Louis Armstrong. 413 00:24:41,119 --> 00:24:43,760 Speaker 1: I didn't know that Louis Armstrong's book was actually the 414 00:24:43,760 --> 00:24:47,920 Speaker 1: first autobiography published by jazz musician. I thought other musicians 415 00:24:47,920 --> 00:24:50,320 Speaker 1: would have done that one by now, but they hadn't. 416 00:24:50,440 --> 00:24:52,600 Speaker 1: It's what's funny to think about is how kind of 417 00:24:52,720 --> 00:24:55,480 Speaker 1: new jazz was to most people at that time. Jazz 418 00:24:55,560 --> 00:24:58,119 Speaker 1: back then it was kind of like what well I 419 00:24:58,160 --> 00:24:59,840 Speaker 1: was about to name what the new music is now? 420 00:25:00,080 --> 00:25:01,640 Speaker 1: I don't know what the new music is now because 421 00:25:01,680 --> 00:25:04,119 Speaker 1: I'm too old for it. What's the new music now, Ja, Hazel, 422 00:25:04,160 --> 00:25:05,880 Speaker 1: what's the music now? Tell us what the new music 423 00:25:05,960 --> 00:25:08,919 Speaker 1: is now? Kids are back into vintage. We kind of 424 00:25:08,960 --> 00:25:11,320 Speaker 1: like just pretending that we were all born in the 425 00:25:11,400 --> 00:25:15,520 Speaker 1: year two thousand. It's nice. I guess maybe viola music 426 00:25:15,680 --> 00:25:18,600 Speaker 1: is is the new the new anything on the on 427 00:25:18,680 --> 00:25:21,479 Speaker 1: the block. Yeah, the future of music is that viola sound. 428 00:25:21,880 --> 00:25:24,280 Speaker 1: That's right. I can't wait to hear it. Thank you 429 00:25:24,359 --> 00:25:26,240 Speaker 1: so much both of you for sharing that with us. 430 00:25:26,240 --> 00:25:28,600 Speaker 1: And now it's time for the big moment. Jane, please 431 00:25:28,600 --> 00:25:32,200 Speaker 1: announced our winner. Hell and b I will not lie. 432 00:25:33,040 --> 00:25:38,760 Speaker 1: Hazelnia had ten points both and that's a time amazing. 433 00:25:38,800 --> 00:25:41,520 Speaker 1: We've got two winners today, and we've got to rhyme 434 00:25:41,720 --> 00:25:44,960 Speaker 1: im and all the time. Jane, the raming is getting 435 00:25:44,960 --> 00:25:50,160 Speaker 1: out of control. Thank you for nursing. You're welcome. Well, 436 00:25:50,280 --> 00:25:53,360 Speaker 1: it's fantastic, Jia, Hazel, we both played great games. You're 437 00:25:53,400 --> 00:25:56,120 Speaker 1: both winners, so you both get ten seconds for shout outs. 438 00:25:56,440 --> 00:25:57,840 Speaker 1: G if you'd like to go first. Who would you 439 00:25:57,840 --> 00:26:00,800 Speaker 1: like to thank for helping you to this sheer victory today? 440 00:26:02,080 --> 00:26:04,719 Speaker 1: My sisters because they said for me to keep reading 441 00:26:04,760 --> 00:26:09,120 Speaker 1: and reading and reading the books. That's fantastic. And Hazel, 442 00:26:09,240 --> 00:26:11,160 Speaker 1: you've got ten seconds. Who would you like to thank 443 00:26:11,320 --> 00:26:14,000 Speaker 1: for your victory. I'd like to thank my friends Evie 444 00:26:14,000 --> 00:26:16,080 Speaker 1: and Ali, and I'd also like to thank my cats, 445 00:26:16,080 --> 00:26:19,400 Speaker 1: fake awesome, fantastic for a cat Wow. We have some 446 00:26:19,520 --> 00:26:23,920 Speaker 1: great pet names today, especially a helpful cat. Our winners 447 00:26:23,960 --> 00:26:26,439 Speaker 1: and their libraries of choice. We're receiving a selection of 448 00:26:26,480 --> 00:26:28,240 Speaker 1: Who was books, and I'm going to give my own 449 00:26:28,240 --> 00:26:31,000 Speaker 1: shout outs to intern zactly, to Jane, to Eric, to 450 00:26:31,160 --> 00:26:34,439 Speaker 1: Ryan Darbon or Darwin for being our Louis Armstrong and 451 00:26:34,560 --> 00:26:37,240 Speaker 1: Adam protect Her for being our William Shakespeare and of 452 00:26:37,280 --> 00:26:39,200 Speaker 1: course to be and a big thank you to both 453 00:26:39,200 --> 00:26:42,040 Speaker 1: in our contestants who played a fantastic game, And to 454 00:26:42,200 --> 00:26:44,560 Speaker 1: you wherever you are for listening. Thank you so much 455 00:26:44,560 --> 00:26:46,880 Speaker 1: for being with us. Until next time. This is Elliott 456 00:26:46,920 --> 00:26:50,240 Speaker 1: stop talking about my mouth kable and saying we are history. Goodbye. 457 00:26:50,320 --> 00:26:55,320 Speaker 1: Everybody got a question for any of our famous figures, 458 00:26:55,440 --> 00:26:58,120 Speaker 1: Send us a voice memo at who Was Podcast at 459 00:26:58,160 --> 00:27:00,800 Speaker 1: gmail dot com. It might just end up on the show. 460 00:27:01,680 --> 00:27:04,000 Speaker 1: Who Was Podcast is produced by a radio point I 461 00:27:04,160 --> 00:27:06,879 Speaker 1: Heart Media and Penguin Workshop and is based on the 462 00:27:06,880 --> 00:27:10,560 Speaker 1: best selling who h Q series published by Penguin, hosted 463 00:27:10,560 --> 00:27:13,520 Speaker 1: by Elliott Caylin with co host Megan O'Neill as b 464 00:27:14,240 --> 00:27:18,400 Speaker 1: also starring Jane Baker as Producer, Jane, Eric Shackney as Eric, 465 00:27:18,600 --> 00:27:23,160 Speaker 1: Adam Protecter as William Shakespeare, and Ryan Darwin as Louis Armstrong. 466 00:27:23,680 --> 00:27:27,840 Speaker 1: Executive producers are Richard Porson, Alex Bach, Elliott Caylin, Megan O'Neil, 467 00:27:28,080 --> 00:27:31,560 Speaker 1: Daniel Powell, and Houston Snyder. Our executive producer for Penuin 468 00:27:31,560 --> 00:27:35,359 Speaker 1: Workshop is Francesco Sadda. Our executive producer for iHeart Media 469 00:27:35,520 --> 00:27:39,119 Speaker 1: is Lindsay Hoffman. Written by Devin Coleman, Elliott Caylin and 470 00:27:39,240 --> 00:27:43,200 Speaker 1: Megan O'Neill, produced by Bernie Kaminsky and Taylor Kawalski. Our 471 00:27:43,200 --> 00:27:46,399 Speaker 1: talent producer is Jane Baker. Our theme song and music 472 00:27:46,560 --> 00:27:50,320 Speaker 1: composed and performed by Eric Shackney. Additional music by Adam 473 00:27:50,359 --> 00:27:54,520 Speaker 1: Protect and Alan Elvardo, edited and mixed by Kate Moldenhower. 474 00:27:54,680 --> 00:27:58,560 Speaker 1: Recorded by Joanna Samuels. Special thanks to Zach Timpson, Charlotte DeAnda, 475 00:27:58,800 --> 00:28:02,520 Speaker 1: and Michael Lewis Howard. Sound services provided by Great City 476 00:28:02,600 --> 00:28:09,840 Speaker 1: Posts Podcast. Because it's standard Flabor Worlds, whos