1 00:00:03,240 --> 00:00:13,960 Speaker 1: Transmitting Welcome to Monday Show Morning Studio. It's always weird 2 00:00:14,000 --> 00:00:15,560 Speaker 1: when I find out an actor on the show that 3 00:00:15,600 --> 00:00:18,000 Speaker 1: I watch is not American, when in the whole show 4 00:00:18,000 --> 00:00:20,280 Speaker 1: he's speaking like American English, and then you hear him 5 00:00:20,280 --> 00:00:24,439 Speaker 1: in an interview he's like, I'm like, what the first 6 00:00:24,480 --> 00:00:26,640 Speaker 1: time I think it happened was that damon guy who 7 00:00:26,720 --> 00:00:29,760 Speaker 1: was in Homeland. I didn't watch Billions, but that guy 8 00:00:30,800 --> 00:00:33,840 Speaker 1: he's doing like a award. He is like, I'll blow 9 00:00:33,880 --> 00:00:38,760 Speaker 1: a lot to play wall. Wait, what you're not You're 10 00:00:38,800 --> 00:00:45,879 Speaker 1: from New York And sometimes my wife can go they're not. 11 00:00:46,200 --> 00:00:48,440 Speaker 1: She can like hear a little accent. Sometimes people are 12 00:00:48,440 --> 00:00:50,560 Speaker 1: doing it and she's like, oh, they're not American. I 13 00:00:50,560 --> 00:00:53,120 Speaker 1: I can't. The other guy is the Walking Dead guy, 14 00:00:53,200 --> 00:00:55,720 Speaker 1: Andrew Lincoln, the guy from Walking Dead. He's like, Okay, 15 00:00:55,760 --> 00:00:57,320 Speaker 1: we're gonna get and we're gonna fight the zombies. 16 00:00:57,360 --> 00:00:58,000 Speaker 2: He's from Georgia. 17 00:00:58,000 --> 00:01:02,120 Speaker 1: And then all of a sudden, it's like, uh, the 18 00:01:02,200 --> 00:01:05,600 Speaker 1: latest one because I love the boys and the lead 19 00:01:05,680 --> 00:01:07,679 Speaker 1: guy in that show he plays like a mixture of 20 00:01:08,560 --> 00:01:11,800 Speaker 1: Captain American Superman. His name is Anthony Starr and he's 21 00:01:11,800 --> 00:01:14,759 Speaker 1: from New Zealand and He's like, well, they wrote all 22 00:01:14,800 --> 00:01:16,600 Speaker 1: my foreign accents are the same. In case you didn't want, 23 00:01:17,040 --> 00:01:21,199 Speaker 1: she wondered, We're gonna play is it American? So because 24 00:01:21,240 --> 00:01:23,400 Speaker 1: of this, I'm gonna give you a product or a person. 25 00:01:23,440 --> 00:01:26,639 Speaker 1: You tell me if it's American, because we definitely enjoy 26 00:01:26,680 --> 00:01:29,520 Speaker 1: and consume whatever this is in America. You tell me 27 00:01:29,560 --> 00:01:36,080 Speaker 1: if it's actually American. Lunchbox, Amy, here we go, Coca Cola? 28 00:01:36,680 --> 00:01:45,920 Speaker 1: Is it American Coca Cola? And then lunchbox that's American? Amy? Yes, yeah, 29 00:01:45,920 --> 00:01:48,640 Speaker 1: coc Cola is created Atlanta, Georgia US. 30 00:01:48,720 --> 00:01:54,440 Speaker 3: A apple Pie it's no more American than apple pie 31 00:01:54,520 --> 00:02:00,240 Speaker 3: than the saying American is apple pie a. 32 00:01:59,280 --> 00:02:03,639 Speaker 1: Lunchbox that is not American. Apple Pie has origins in Europe, 33 00:02:03,640 --> 00:02:07,280 Speaker 1: particularly in England. Apple pie is not American. Don't worry. 34 00:02:07,320 --> 00:02:09,120 Speaker 1: We've claimed it though, much like this land we stole. 35 00:02:10,200 --> 00:02:12,239 Speaker 1: We stuck a flag of that America in that apple pie. 36 00:02:12,280 --> 00:02:17,959 Speaker 4: Is that we now own this baseball and go yep, 37 00:02:18,000 --> 00:02:20,919 Speaker 4: I'm in. I mean yes, you answer yes, lunchbox a 38 00:02:20,960 --> 00:02:23,639 Speaker 4: lot of American as American gets is American? Yeah, it's 39 00:02:23,680 --> 00:02:26,480 Speaker 4: developed in the United States. Yes, the hot dog. 40 00:02:31,440 --> 00:02:31,720 Speaker 2: I'm in. 41 00:02:33,040 --> 00:02:33,400 Speaker 1: I'm in. 42 00:02:33,400 --> 00:02:37,920 Speaker 4: For the wind Lunchbox. Not American, Amy, No, the Frank Further. 43 00:02:39,120 --> 00:02:43,560 Speaker 4: It's journal Frank Burder. Frank Furder, You're all right though, 44 00:02:43,600 --> 00:02:43,960 Speaker 4: good job. 45 00:02:44,000 --> 00:02:47,880 Speaker 1: We'll do a couple more. We call it Frank for short. Huh, 46 00:02:48,560 --> 00:02:56,000 Speaker 1: Frank Further. Yeah, the Statue of Liberty, that's a tough one. 47 00:02:56,440 --> 00:02:57,720 Speaker 1: I'm in for the wind Lunchbox. 48 00:02:57,800 --> 00:03:00,600 Speaker 4: I mean by adoption American, but we were We're given 49 00:03:00,600 --> 00:03:02,399 Speaker 4: to it as a gift, so I said, not an American. 50 00:03:02,520 --> 00:03:07,400 Speaker 1: Who do you think gave it to us? Probably the British? Okay, Amy, 51 00:03:07,560 --> 00:03:10,440 Speaker 1: France gave it to us to us. Yeah, if you 52 00:03:10,440 --> 00:03:12,280 Speaker 1: miss one, you're out. Okay, we'll go seting death from 53 00:03:12,280 --> 00:03:19,040 Speaker 1: now on. Christian Bale the actors? Good for you? A 54 00:03:19,280 --> 00:03:19,840 Speaker 1: dark Knight? 55 00:03:23,520 --> 00:03:25,760 Speaker 2: Why does he sound so weird? 56 00:03:24,880 --> 00:03:26,360 Speaker 3: In for you? 57 00:03:26,919 --> 00:03:28,880 Speaker 1: He does not sound like the Lucky John's Leprechaun. I 58 00:03:28,880 --> 00:03:30,560 Speaker 1: can tell you that, whatever that is you have. 59 00:03:30,720 --> 00:03:32,680 Speaker 2: But does he have that accent? 60 00:03:32,880 --> 00:03:35,080 Speaker 1: I don't know. You tell me it's Christian Bale, American, 61 00:03:36,760 --> 00:03:39,640 Speaker 1: you lunchbox? Unfortunately, I said in and I had the 62 00:03:39,680 --> 00:03:42,480 Speaker 1: wrong act. What do you have? I had not American? 63 00:03:43,200 --> 00:03:45,920 Speaker 1: But I have the wrong actor. What actor were you thinking? 64 00:03:46,080 --> 00:03:49,840 Speaker 1: Hugh Jackman Wolverine. He is not American? Yeah, Amy, I 65 00:03:49,840 --> 00:03:52,480 Speaker 1: have a yes. He's an American, so you have two yeses. 66 00:03:52,880 --> 00:03:56,160 Speaker 1: I'm not American because I have Hugh Jackman. Well, but 67 00:03:56,280 --> 00:03:59,320 Speaker 1: you the answer is This is where it gets so confusing. 68 00:03:59,360 --> 00:04:02,200 Speaker 1: He's not American. You win the game, but you had 69 00:04:02,200 --> 00:04:03,320 Speaker 1: no idea you win the game. 70 00:04:04,560 --> 00:04:05,480 Speaker 2: Where's he from? 71 00:04:05,800 --> 00:04:09,600 Speaker 1: He's an English actor from Wales. Wow, he had it 72 00:04:09,600 --> 00:04:10,880 Speaker 1: the whole time. He knew it the whole time. 73 00:04:17,800 --> 00:04:30,560 Speaker 5: Sinba of a question to Ben. 74 00:04:26,760 --> 00:04:29,239 Speaker 1: Hello, Bobby Bones. When we were young and just dating, 75 00:04:29,320 --> 00:04:31,560 Speaker 1: I was okay with my husband spending a lot of 76 00:04:31,560 --> 00:04:34,239 Speaker 1: his free time playing video games, skateboarding or making music 77 00:04:34,279 --> 00:04:36,680 Speaker 1: with his friends. We've been married for a decade. He 78 00:04:36,720 --> 00:04:38,880 Speaker 1: has to kids now. When can I expect him to 79 00:04:38,880 --> 00:04:40,840 Speaker 1: grow up and stop wasting all his time goofing off? 80 00:04:41,320 --> 00:04:43,720 Speaker 1: I'm not unreasonable. He should spend some of his free 81 00:04:43,720 --> 00:04:45,680 Speaker 1: time relaxing and doing things that he loves. But he 82 00:04:45,720 --> 00:04:49,760 Speaker 1: has a family now and thinks that it's just he's 83 00:04:49,800 --> 00:04:51,479 Speaker 1: gonna go to work on a paycheck and that's enough. 84 00:04:51,839 --> 00:04:54,400 Speaker 1: It's not. How can I get him take his family 85 00:04:54,400 --> 00:04:59,800 Speaker 1: responsibilities more seriously? Signed Mary to a kidult that's funny, Well, 86 00:05:00,080 --> 00:05:03,359 Speaker 1: a little bit. He is who he is, and you 87 00:05:03,440 --> 00:05:04,760 Speaker 1: let him be who he is for ten years and 88 00:05:05,400 --> 00:05:08,360 Speaker 1: now it's becoming like a little bit. You've helped create 89 00:05:08,400 --> 00:05:13,600 Speaker 1: this monster by not setting boundaries way earlier. If there 90 00:05:13,600 --> 00:05:16,040 Speaker 1: are two kids, well, at one point there was one kid. Yeah, 91 00:05:16,080 --> 00:05:18,440 Speaker 1: and you said nothing. So I'm not saying you're wrong, 92 00:05:18,480 --> 00:05:20,880 Speaker 1: and I'll get to probably where we can manage this. 93 00:05:21,839 --> 00:05:23,480 Speaker 1: But a little bit, this is a look in the 94 00:05:23,480 --> 00:05:29,040 Speaker 1: mirror because both of you have allowed this situation to happen. 95 00:05:30,920 --> 00:05:32,839 Speaker 1: You cannot expect him to grow up and stop wasting 96 00:05:32,920 --> 00:05:35,760 Speaker 1: time goofing off if you just allow it, because he's 97 00:05:35,800 --> 00:05:37,839 Speaker 1: going to continue to be who he is and what 98 00:05:38,000 --> 00:05:43,040 Speaker 1: is allowed. He's showing you that there is a difficult 99 00:05:43,080 --> 00:05:48,480 Speaker 1: conversation of hey, my needs are being met because I'm 100 00:05:48,520 --> 00:05:51,080 Speaker 1: spending all this time doing ABC while you are doing 101 00:05:51,160 --> 00:05:55,440 Speaker 1: these things that I feel in this household are not 102 00:05:55,520 --> 00:05:58,239 Speaker 1: of equal value when it comes to the maturity level 103 00:05:58,240 --> 00:06:02,200 Speaker 1: that we need to be parents, and you can't shut 104 00:06:02,240 --> 00:06:04,440 Speaker 1: him down because that's gonna be met with complete anger. 105 00:06:04,839 --> 00:06:07,919 Speaker 1: So you're gonna have to wean him off. How do 106 00:06:07,960 --> 00:06:10,760 Speaker 1: you do that? So let's say I'm taking a pill, 107 00:06:10,839 --> 00:06:13,200 Speaker 1: and it's a one thousand milligram pill. They make pills 108 00:06:13,240 --> 00:06:16,200 Speaker 1: that big thousand milligrams. Sure, okay, let's say it's a 109 00:06:16,600 --> 00:06:19,039 Speaker 1: I take a thousand milligram pill, and I take a 110 00:06:19,040 --> 00:06:21,920 Speaker 1: thousand milligram pill every day for four years because I 111 00:06:21,960 --> 00:06:27,800 Speaker 1: have itchy nos idis, and I become dependent, maybe even 112 00:06:27,839 --> 00:06:29,679 Speaker 1: I don't want to say addicted, but I come become 113 00:06:29,720 --> 00:06:30,600 Speaker 1: dependent on that pill. 114 00:06:31,000 --> 00:06:31,680 Speaker 2: Body's used to it. 115 00:06:32,760 --> 00:06:34,560 Speaker 1: If I just stop taking a cold turkey, my body's 116 00:06:34,560 --> 00:06:36,599 Speaker 1: gonna go oh, I'm gonna get sick. I'm gonna have 117 00:06:36,960 --> 00:06:39,599 Speaker 1: with draws, I'm gonna have a headache and vomiting. Who knows, 118 00:06:39,920 --> 00:06:42,080 Speaker 1: And I'm using the nose itching pill? Could be any anything? 119 00:06:42,160 --> 00:06:46,240 Speaker 1: Sure to wean yourself off would be you do your 120 00:06:46,279 --> 00:06:49,200 Speaker 1: thousand day two, You break off a little bit, You 121 00:06:49,279 --> 00:06:50,559 Speaker 1: do a nine to fifty, go back to one thousand 122 00:06:50,600 --> 00:06:52,719 Speaker 1: and day three, nine to fifty, one thousand, nine fifty 123 00:06:52,920 --> 00:06:56,520 Speaker 1: week two, one thousand, nine fifty nine fifty nine fifty 124 00:06:56,560 --> 00:07:02,400 Speaker 1: one thousand. Eventually you're going down to five hundred three hundred. 125 00:07:02,880 --> 00:07:05,200 Speaker 1: Then I understand the weaning, But what are we weaning 126 00:07:05,240 --> 00:07:11,120 Speaker 1: down this? He normally no, no, no, yes. Eventually that 127 00:07:11,160 --> 00:07:12,560 Speaker 1: you can get this. There's a lot of things he's 128 00:07:12,600 --> 00:07:14,160 Speaker 1: doing it, but well you can do. If you shut 129 00:07:14,240 --> 00:07:17,200 Speaker 1: any of it off, it's gonna be met probably in 130 00:07:17,200 --> 00:07:21,000 Speaker 1: an aggressive way or passive aggressive way. That's not gonna 131 00:07:21,040 --> 00:07:23,040 Speaker 1: be good for the relationship. So it's like, hey, I 132 00:07:23,040 --> 00:07:24,840 Speaker 1: need a little more help. I don't I know you, 133 00:07:25,040 --> 00:07:28,520 Speaker 1: but I need you to trim off twenty minutes, just 134 00:07:28,520 --> 00:07:30,720 Speaker 1: twenty minutes of all this stuff you're doing a week 135 00:07:30,760 --> 00:07:32,440 Speaker 1: to help me. And then all you have to do 136 00:07:32,480 --> 00:07:34,600 Speaker 1: is you slowly turn twenty minutes into thirty into forty five, 137 00:07:34,800 --> 00:07:37,440 Speaker 1: and you can get to a healthier, safer place. Because 138 00:07:37,480 --> 00:07:39,440 Speaker 1: if you just stop taking that one thousand milligram pill, 139 00:07:39,480 --> 00:07:41,000 Speaker 1: you can have with draws and it's gonna be miserable 140 00:07:41,040 --> 00:07:46,160 Speaker 1: for everybody. But if you're able to taper down, wean 141 00:07:46,280 --> 00:07:48,960 Speaker 1: yourself off of in him, of doing all of this 142 00:07:49,040 --> 00:07:51,360 Speaker 1: all the time, it's much easier to get to that point. 143 00:07:51,600 --> 00:07:54,360 Speaker 1: It's like boiling a frog. You know the story about 144 00:07:54,360 --> 00:07:56,120 Speaker 1: boiling a frog. No, you how to boil a frog. 145 00:07:56,160 --> 00:07:58,280 Speaker 1: You put in cold water, and while the frog's in 146 00:07:58,320 --> 00:08:01,040 Speaker 1: the cold water, you slowly turn the temperature like this analogy, 147 00:08:01,240 --> 00:08:03,600 Speaker 1: and the frog does not realize the frog is boiling 148 00:08:03,800 --> 00:08:06,240 Speaker 1: because it's moving. The temperature is going up so warm 149 00:08:06,360 --> 00:08:08,160 Speaker 1: it goes from cold water where it's comfortable, and the 150 00:08:08,200 --> 00:08:09,800 Speaker 1: degrees of the temperature is rising just a little by 151 00:08:09,840 --> 00:08:11,480 Speaker 1: a little by little. It doesn't realize until it's too 152 00:08:11,520 --> 00:08:14,040 Speaker 1: late and it is now boiled. It's a fairy tales. No, 153 00:08:14,160 --> 00:08:16,160 Speaker 1: this is a science. But you have to boil the 154 00:08:16,160 --> 00:08:18,400 Speaker 1: frog here as well, because if you drop it in 155 00:08:18,480 --> 00:08:20,120 Speaker 1: hotty trus Oh my god, I'm out of there. I'm 156 00:08:20,120 --> 00:08:23,880 Speaker 1: not a fop. So that's why that's that. Okay, it's 157 00:08:23,960 --> 00:08:27,680 Speaker 1: the anonymous. Uh, that's my answer. Good luck. You can 158 00:08:27,720 --> 00:08:29,720 Speaker 1: fix it, but you will not fix it fully because 159 00:08:29,720 --> 00:08:33,120 Speaker 1: that is not something to be fixed. It is something 160 00:08:33,160 --> 00:08:36,480 Speaker 1: for you, guys, to have a little merital negotiation on. 161 00:08:37,320 --> 00:08:40,160 Speaker 1: You both give a little. You're both still pretty happy. 162 00:08:40,800 --> 00:08:42,960 Speaker 1: Nobody's a full winner, but not everyone's a loser. 163 00:08:43,240 --> 00:08:46,760 Speaker 6: Or figure out a way to ride your skateboard, play 164 00:08:46,800 --> 00:08:49,040 Speaker 6: video games, and play music with your friends all at. 165 00:08:48,960 --> 00:08:49,480 Speaker 2: The same time. 166 00:08:50,160 --> 00:08:53,280 Speaker 1: That would be awesome. I'd want to do that three 167 00:08:53,280 --> 00:08:55,000 Speaker 1: times as much, though you can play a show at 168 00:08:55,040 --> 00:08:57,040 Speaker 1: the skateboard I got. That would be the greadest. That's 169 00:08:57,080 --> 00:08:58,440 Speaker 1: what I want to do all right, close it up. 170 00:08:58,760 --> 00:09:02,400 Speaker 1: So Bobby Bones Show Interviews in case you didn't now. 171 00:09:02,800 --> 00:09:04,960 Speaker 1: A year ago or so, this guy named Jason called 172 00:09:04,960 --> 00:09:06,560 Speaker 1: the show and he was like, I'm a brand new artist. 173 00:09:06,760 --> 00:09:08,959 Speaker 1: Am I even any good? Get through with this? Yeah? 174 00:09:09,000 --> 00:09:10,360 Speaker 1: And we were like, dang, you are kind of good. 175 00:09:10,520 --> 00:09:12,840 Speaker 1: And so he's playing baseball in college. He starts playing 176 00:09:12,840 --> 00:09:15,400 Speaker 1: little bars. We keep up with him. His name is 177 00:09:15,480 --> 00:09:17,080 Speaker 1: Jason Aren't. We've tried to get him to change his 178 00:09:17,120 --> 00:09:20,199 Speaker 1: name ten times. He's not going to, but we like him, 179 00:09:20,200 --> 00:09:22,839 Speaker 1: like he's a very likable person. And I'm about to 180 00:09:22,840 --> 00:09:25,080 Speaker 1: break the news to him that we're gonna play his song. 181 00:09:25,160 --> 00:09:27,440 Speaker 1: He's not on a label or anything, that we're gonna 182 00:09:27,440 --> 00:09:30,280 Speaker 1: play a song on the National Countdown Show, which is 183 00:09:30,280 --> 00:09:32,560 Speaker 1: in many places. So let's go talk to him now. 184 00:09:32,559 --> 00:09:34,560 Speaker 1: He does not know what's coming. This is Jason Aren't 185 00:09:35,520 --> 00:09:39,040 Speaker 1: on the Bobby Bones Show. Now, Jason, Jason, what's up, buddy? 186 00:09:39,520 --> 00:09:41,760 Speaker 1: How are we doing pretty good? It's I have not 187 00:09:41,920 --> 00:09:44,959 Speaker 1: seen this is so annoying. Jason comes on and he's 188 00:09:45,120 --> 00:09:46,679 Speaker 1: like a former ball player, and we look at his 189 00:09:46,679 --> 00:09:49,080 Speaker 1: Instagram and he's touring and we're like, man, he's an athlete, 190 00:09:49,120 --> 00:09:50,559 Speaker 1: and he's good looking. Now he's on zoom and he's 191 00:09:50,559 --> 00:09:55,400 Speaker 1: even better. This is so stupid. He's okay, Jason, how 192 00:09:55,400 --> 00:09:56,520 Speaker 1: are you doing, man? How's the road been? 193 00:09:56,840 --> 00:09:59,400 Speaker 7: It's it's the road, man. It's busy. It's busy. 194 00:09:59,400 --> 00:10:00,880 Speaker 8: It's a lot of works, it's a lot of time, 195 00:10:01,480 --> 00:10:03,559 Speaker 8: a little sleep, but we get through it. 196 00:10:04,000 --> 00:10:06,920 Speaker 1: Yeah, So you driving around a van or truck or what? 197 00:10:07,040 --> 00:10:08,000 Speaker 1: How you torn around? 198 00:10:08,440 --> 00:10:09,840 Speaker 8: So I take my truck and I just took a 199 00:10:09,840 --> 00:10:11,319 Speaker 8: trailer up to it and then we just we just 200 00:10:11,360 --> 00:10:13,160 Speaker 8: hit the road and we go until we stopped going. 201 00:10:13,200 --> 00:10:14,960 Speaker 8: Then we play, and then we go somewhere else until 202 00:10:14,960 --> 00:10:15,880 Speaker 8: we stopped going to play. 203 00:10:16,080 --> 00:10:18,640 Speaker 1: And you're committed now, like this is your life. It's music, 204 00:10:18,760 --> 00:10:21,199 Speaker 1: it's it's Plan A. And then if plan A doesn't work, 205 00:10:21,200 --> 00:10:22,280 Speaker 1: it's still plan A. Right. 206 00:10:22,840 --> 00:10:25,559 Speaker 7: Yeah, So I was working. I was working construction a lot. 207 00:10:25,640 --> 00:10:28,560 Speaker 8: So I graduated this May, and up until that point, 208 00:10:28,640 --> 00:10:30,800 Speaker 8: baseball was kind of the focal point. 209 00:10:30,840 --> 00:10:32,920 Speaker 7: And then I started working. 210 00:10:32,720 --> 00:10:36,160 Speaker 8: Construction during the week this summer Monday to Thursday before 211 00:10:36,160 --> 00:10:38,000 Speaker 8: the show's really started picking up. And now that the 212 00:10:38,000 --> 00:10:39,960 Speaker 8: shows have really started picking up, and we start going 213 00:10:40,000 --> 00:10:42,320 Speaker 8: all over the place, it's it's kind of hard to 214 00:10:42,360 --> 00:10:44,240 Speaker 8: do that. So I got rid of that and now 215 00:10:44,240 --> 00:10:45,440 Speaker 8: we're just going full time music. 216 00:10:45,480 --> 00:10:46,640 Speaker 7: We'll just hit it hard. 217 00:10:46,760 --> 00:10:48,920 Speaker 1: What about your band, Like who's on the road with you? 218 00:10:49,679 --> 00:10:52,880 Speaker 8: So it kind of changes here and there because it's 219 00:10:52,880 --> 00:10:56,560 Speaker 8: all local guys from North Carolina right now, and so 220 00:10:56,960 --> 00:10:59,560 Speaker 8: with some of those guys have kids and jobs and 221 00:10:59,559 --> 00:11:02,360 Speaker 8: that kind of stuff. So we try and keep it 222 00:11:02,400 --> 00:11:04,080 Speaker 8: the same so that we put on the same show 223 00:11:04,120 --> 00:11:05,760 Speaker 8: every time, but every once in a while you'll get 224 00:11:05,760 --> 00:11:07,800 Speaker 8: a different guy here and there that it'll come in 225 00:11:07,840 --> 00:11:09,720 Speaker 8: and give a different little flavor for my show, which 226 00:11:09,720 --> 00:11:10,560 Speaker 8: is also really cool. 227 00:11:10,679 --> 00:11:12,480 Speaker 1: So Jason Aren't is on with us. I have his 228 00:11:12,520 --> 00:11:15,520 Speaker 1: hat on. Look at this. I'm big supporter number one 229 00:11:15,520 --> 00:11:18,480 Speaker 1: fan club. That's me. I paid the monthly dues and 230 00:11:18,520 --> 00:11:20,200 Speaker 1: I get the stuff. It's pretty cool. Although I don't 231 00:11:20,200 --> 00:11:21,600 Speaker 1: I don't think that's the case. He actually send it 232 00:11:21,640 --> 00:11:23,840 Speaker 1: up here. I like it. So, Jason, here's why we 233 00:11:23,840 --> 00:11:26,360 Speaker 1: actually have you on. So I do a show on 234 00:11:26,400 --> 00:11:28,719 Speaker 1: the weekend. It's called The Country Top thirty. It's a 235 00:11:28,800 --> 00:11:31,360 Speaker 1: national countdown show and it's Cinemerica. It's in other countries too, 236 00:11:31,600 --> 00:11:33,640 Speaker 1: and we're going to actually play my July on the 237 00:11:33,720 --> 00:11:36,320 Speaker 1: National Countdown Show, and we wanted to call and let 238 00:11:36,360 --> 00:11:37,880 Speaker 1: you know that we were going to feature that sucker 239 00:11:37,920 --> 00:11:39,280 Speaker 1: and let everybody hear all around the world. 240 00:11:39,640 --> 00:11:40,319 Speaker 7: That's awesome. 241 00:11:40,440 --> 00:11:44,559 Speaker 1: Thank you so much, And do you want to cry. 242 00:11:45,120 --> 00:11:46,200 Speaker 7: A little bit exactly? 243 00:11:46,280 --> 00:11:50,440 Speaker 1: Yeah, yeah, yeah. So my jel like, tell me about 244 00:11:50,440 --> 00:11:51,640 Speaker 1: the song, like, what's the song about? 245 00:11:52,480 --> 00:11:55,480 Speaker 7: So this song, I'll tell you the story of how 246 00:11:55,520 --> 00:11:56,160 Speaker 7: it came about. 247 00:11:57,200 --> 00:11:59,760 Speaker 8: So I was sitting there, we were actually recording one 248 00:11:59,760 --> 00:12:03,000 Speaker 8: of my other songs, like a small Town at the time, 249 00:12:03,200 --> 00:12:05,720 Speaker 8: and my producer he kind of looked at me and 250 00:12:05,720 --> 00:12:07,240 Speaker 8: he goes, hey, man, look I got this song that 251 00:12:07,280 --> 00:12:10,080 Speaker 8: I kind of like, me and my buddy kind of 252 00:12:10,200 --> 00:12:11,959 Speaker 8: pieced it together and I want to see what you think. 253 00:12:12,000 --> 00:12:14,959 Speaker 8: And he played it and instantly like I could feel it. 254 00:12:15,080 --> 00:12:18,240 Speaker 8: I was like, Okay, that one's really really cool. And 255 00:12:18,280 --> 00:12:20,920 Speaker 8: so it was way different back in the and when 256 00:12:20,920 --> 00:12:23,040 Speaker 8: I heard it, but I knew it had a lot 257 00:12:23,040 --> 00:12:25,600 Speaker 8: of potentials. So we kind of that song went through 258 00:12:25,640 --> 00:12:29,000 Speaker 8: so many different phases and stages, and we tweaked it 259 00:12:29,080 --> 00:12:31,200 Speaker 8: so many times that we finally got it to where 260 00:12:31,240 --> 00:12:33,160 Speaker 8: I liked it and where I felt like it could 261 00:12:33,160 --> 00:12:35,760 Speaker 8: be something that I liked to play live, something that 262 00:12:35,800 --> 00:12:39,120 Speaker 8: I figured my fans might like. And so that's when 263 00:12:39,120 --> 00:12:41,120 Speaker 8: I felt comfortable to get ready to roll it out, 264 00:12:41,160 --> 00:12:42,880 Speaker 8: and we recorded it and we cut it and it 265 00:12:42,880 --> 00:12:46,720 Speaker 8: felt different, and so it was really cool to feel that. 266 00:12:47,440 --> 00:12:49,760 Speaker 1: Do you feel that the shows are growing a bit? 267 00:12:50,800 --> 00:12:50,959 Speaker 9: Oh? 268 00:12:51,040 --> 00:12:51,880 Speaker 7: Yeah, for sure. 269 00:12:52,000 --> 00:12:55,839 Speaker 8: Like I mean, when we first started, my first very 270 00:12:55,880 --> 00:12:59,080 Speaker 8: first show this summer tour after baseball finished, when we 271 00:12:59,120 --> 00:13:02,080 Speaker 8: got going, was in Wilmington, I'm pretty sure I played 272 00:13:02,120 --> 00:13:07,319 Speaker 8: to like forty five people, and so since then that 273 00:13:07,520 --> 00:13:11,480 Speaker 8: was second week of June, I believe by the time 274 00:13:11,520 --> 00:13:13,760 Speaker 8: we got to the end of July early August, I mean, 275 00:13:13,760 --> 00:13:16,040 Speaker 8: there's upwards of eight hundred to thousand. 276 00:13:15,720 --> 00:13:18,319 Speaker 7: Plus people at each show. Last weekend, we played in. 277 00:13:18,280 --> 00:13:22,280 Speaker 8: Charlotte on Saturday, and I think there was twelve fifteen 278 00:13:22,320 --> 00:13:25,440 Speaker 8: hundred people there at that bar, which was really cool. 279 00:13:26,880 --> 00:13:29,320 Speaker 8: And it's just it's been growing and it's so fun 280 00:13:29,360 --> 00:13:31,600 Speaker 8: to see all that stuff happen. And the coolest part 281 00:13:31,679 --> 00:13:35,240 Speaker 8: is when those people that are following you around they 282 00:13:35,679 --> 00:13:39,000 Speaker 8: sing your songs back to you. That's the coolest feeling. 283 00:13:39,840 --> 00:13:41,880 Speaker 8: With how fresh and how new all this stuff's been. 284 00:13:42,200 --> 00:13:43,959 Speaker 1: Are people singing My July back to you at all. 285 00:13:44,440 --> 00:13:47,640 Speaker 8: Absolutely, that's the most requested song I have. And that's 286 00:13:47,640 --> 00:13:49,760 Speaker 8: a cool feeling too, is when you're playing some songs 287 00:13:49,800 --> 00:13:52,000 Speaker 8: and someone will go, I want to. 288 00:13:51,960 --> 00:13:52,560 Speaker 7: Hear my July. 289 00:13:52,679 --> 00:13:55,760 Speaker 8: It's like wow, okay, like when I the way I 290 00:13:55,800 --> 00:13:58,679 Speaker 8: felt in that room when we cut it is exactly 291 00:13:58,720 --> 00:13:59,839 Speaker 8: how these people are feeling too. 292 00:14:00,080 --> 00:14:01,240 Speaker 7: That's that's what's so cool to me. 293 00:14:01,320 --> 00:14:03,520 Speaker 1: What if somebody says we want to hear Wonderwall. 294 00:14:04,040 --> 00:14:05,600 Speaker 7: Oh well that was tough. 295 00:14:08,400 --> 00:14:11,640 Speaker 1: Uh So this is Jason Aren't a r E N 296 00:14:11,760 --> 00:14:13,080 Speaker 1: D T. We tried to get him to change his 297 00:14:13,120 --> 00:14:14,600 Speaker 1: name for minds he's not doing He's not doing it, 298 00:14:14,640 --> 00:14:17,360 Speaker 1: you know what. I I'm proud of him. He stood 299 00:14:17,440 --> 00:14:19,640 Speaker 1: by it. It's impossible to say in the spell, but 300 00:14:19,680 --> 00:14:22,360 Speaker 1: you know what, that's what makes him special. And we're 301 00:14:22,400 --> 00:14:25,960 Speaker 1: gonna play this song My July on the National Countdown 302 00:14:26,000 --> 00:14:29,400 Speaker 1: show and I hope people hear it and they start 303 00:14:29,440 --> 00:14:33,080 Speaker 1: following him at it. It's but his name is also 304 00:14:33,160 --> 00:14:35,640 Speaker 1: at Jason Aren't right? I mean with underscore at the 305 00:14:35,720 --> 00:14:38,040 Speaker 1: end like he's made it. It's the most It's like 306 00:14:38,080 --> 00:14:40,520 Speaker 1: a maze to be a fan, like if at Jason 307 00:14:40,520 --> 00:14:42,400 Speaker 1: Aren't Underscore and you can't even spell, aren't You gotta 308 00:14:42,400 --> 00:14:45,400 Speaker 1: remember the underscore Jason, defend yourself again. I need it. 309 00:14:45,400 --> 00:14:47,880 Speaker 7: It's tough, you know. I mean, I'm not sure I 310 00:14:47,920 --> 00:14:48,240 Speaker 7: tried to. 311 00:14:48,280 --> 00:14:50,680 Speaker 8: I'm pretty sure I tried to go at Jason Aren't 312 00:14:51,080 --> 00:14:52,840 Speaker 8: and it was taken and I'm like, oh. 313 00:14:53,200 --> 00:14:57,920 Speaker 1: Exactly, like keep that name, go ahead, even the j y. 314 00:14:58,000 --> 00:14:58,600 Speaker 1: That's a great point. 315 00:14:58,920 --> 00:15:01,160 Speaker 2: Why n they are. 316 00:15:02,560 --> 00:15:04,320 Speaker 1: Taking underscore? Yeah, yeah, exactly what. 317 00:15:04,320 --> 00:15:05,840 Speaker 7: It had to beat me to it because there's no 318 00:15:05,880 --> 00:15:06,960 Speaker 7: way somebody else has got that. 319 00:15:07,360 --> 00:15:09,200 Speaker 2: They're squatting on it. Could you buy it? 320 00:15:10,240 --> 00:15:11,920 Speaker 7: I don't know. I like the underscore though, it makes 321 00:15:11,960 --> 00:15:12,680 Speaker 7: feel a little different. 322 00:15:13,200 --> 00:15:16,320 Speaker 1: You're right, buddy, it is Listen. We are rooting for you. 323 00:15:16,400 --> 00:15:18,400 Speaker 1: We've you know, talked to you for months and months. 324 00:15:18,960 --> 00:15:23,960 Speaker 1: Everybody go instagram at Jason Aren't Underscore with j A y? Abby? 325 00:15:23,960 --> 00:15:25,880 Speaker 1: Do you keep going to the to the computer to 326 00:15:25,880 --> 00:15:29,240 Speaker 1: see what he looks like? Abby? What's Abby's totally like 327 00:15:29,640 --> 00:15:30,880 Speaker 1: he's in low? Are you no? 328 00:15:30,920 --> 00:15:32,200 Speaker 2: I just want to see what he looks like because 329 00:15:32,200 --> 00:15:33,000 Speaker 2: I've talked to him on the phone. 330 00:15:33,040 --> 00:15:35,600 Speaker 1: Somebody You've walked over like three times to watch him. 331 00:15:36,400 --> 00:15:38,440 Speaker 1: You have I've watched you walk over to look at 332 00:15:38,480 --> 00:15:41,320 Speaker 1: him three times. Well, it wasn't one of the times 333 00:15:41,800 --> 00:15:46,560 Speaker 1: I wanted to wait till it was up. Hey, Jason, Okay, 334 00:15:46,640 --> 00:15:49,520 Speaker 1: so here's what I want to say. Jason has shows 335 00:15:49,600 --> 00:15:53,040 Speaker 1: coming up in Conway, South Carolina, more Head City, North Carolina, 336 00:15:53,040 --> 00:15:56,600 Speaker 1: Wilming in two shows Wilmington, North Carolina. Go watch Jason. 337 00:15:57,040 --> 00:15:59,360 Speaker 1: We have been talking to Jason for weeks and weeks 338 00:15:59,360 --> 00:16:02,160 Speaker 1: we never actually met him. And Jason, we're gonna play 339 00:16:02,160 --> 00:16:05,200 Speaker 1: this on the National Countdown Show. And good luck, buddy, 340 00:16:05,320 --> 00:16:07,280 Speaker 1: and I hope this is super cool for you, because 341 00:16:07,560 --> 00:16:09,040 Speaker 1: it's super cool for me to be able to do it. 342 00:16:09,560 --> 00:16:12,080 Speaker 7: Thank y'all so much. It is so cool. It's awesome. 343 00:16:12,520 --> 00:16:14,720 Speaker 1: All Right, anything else from you guys? Have you anything 344 00:16:14,760 --> 00:16:16,760 Speaker 1: else you want to come to? Get more? Pixie? 345 00:16:17,400 --> 00:16:21,600 Speaker 6: I thought, I just want to see his reaction. 346 00:16:22,240 --> 00:16:25,280 Speaker 1: Yeah, Gil doesn't see his reaction, all right, Jason. Hey, 347 00:16:25,560 --> 00:16:28,480 Speaker 1: congratulations Buddy. And Hey, does anybody ever say, hey, are 348 00:16:28,480 --> 00:16:30,280 Speaker 1: you the guy from the Hurds you of the Bybone Show. 349 00:16:31,640 --> 00:16:32,960 Speaker 7: I've had a lot of it on socials. 350 00:16:33,000 --> 00:16:34,920 Speaker 8: Actually, there have been people that will reach out and 351 00:16:34,960 --> 00:16:36,120 Speaker 8: say that, which is really cool. 352 00:16:36,400 --> 00:16:38,120 Speaker 1: But nobody in person because they can't find you. They're 353 00:16:38,160 --> 00:16:43,560 Speaker 1: like they can't find me exactly. Jason. Congratulations and hopefully 354 00:16:43,560 --> 00:16:44,480 Speaker 1: we'll talk to you soon, buddy. 355 00:16:44,520 --> 00:16:46,360 Speaker 7: Thank you very much. Y'all are awesome, all right, see. 356 00:16:46,280 --> 00:16:51,840 Speaker 2: By it's time for the good news. 357 00:16:54,960 --> 00:16:57,440 Speaker 6: So this is like the movie Father of the Bride, 358 00:16:57,800 --> 00:16:59,560 Speaker 6: like the wedding that takes place at the home there, 359 00:16:59,600 --> 00:17:02,280 Speaker 6: but in real life. So this daughter really had this 360 00:17:02,360 --> 00:17:04,919 Speaker 6: desire to get married at her childhood home, but the 361 00:17:04,960 --> 00:17:07,760 Speaker 6: house just really wasn't equipped for that. The backyard, like 362 00:17:07,840 --> 00:17:10,960 Speaker 6: nothing really would have worked. So her parents spent a 363 00:17:11,119 --> 00:17:14,879 Speaker 6: year getting everything together, doing as much as they could, 364 00:17:14,960 --> 00:17:17,240 Speaker 6: even on their own, like a mom was doing stuff inside, 365 00:17:17,320 --> 00:17:19,360 Speaker 6: dad was doing work in the yard, and they got 366 00:17:19,359 --> 00:17:21,320 Speaker 6: it totally ready, and she was able to have the 367 00:17:21,359 --> 00:17:23,560 Speaker 6: wedding of her dreams right in her childhood home. 368 00:17:23,960 --> 00:17:25,800 Speaker 1: Minds me that home Depot commercial where the guy like 369 00:17:26,760 --> 00:17:29,679 Speaker 1: secretly builds the daughter of the arts and all. Yeah, 370 00:17:29,760 --> 00:17:31,520 Speaker 1: and then I also like wasn't married at the time, 371 00:17:31,600 --> 00:17:33,119 Speaker 1: nor did I have a dad or a daughter, and 372 00:17:33,119 --> 00:17:35,679 Speaker 1: there was no reason for me to be weepy, but 373 00:17:35,760 --> 00:17:38,479 Speaker 1: I was because it's like the real personal stuff that's 374 00:17:38,480 --> 00:17:41,400 Speaker 1: awesome and it may Now they have to stay together 375 00:17:41,400 --> 00:17:44,080 Speaker 1: for a while though, because that year they dedicated to the backyard, 376 00:17:44,119 --> 00:17:45,800 Speaker 1: you at least got to give five years of marriage. 377 00:17:45,960 --> 00:17:47,600 Speaker 2: Yeah, yeah, yeah, they can't go with your mom. 378 00:17:47,520 --> 00:17:50,080 Speaker 1: And the dad. That's correct a great story. That's that's 379 00:17:50,080 --> 00:17:51,919 Speaker 1: a real family right there. That's what it's all about. 380 00:17:52,400 --> 00:17:54,960 Speaker 1: That was telling me something good. They would go on 381 00:17:55,040 --> 00:17:58,480 Speaker 1: the Bobby Bone Show. Now Langley, Yeah, I became a 382 00:17:58,480 --> 00:18:01,920 Speaker 1: big fan. Just buy TikTok. I mean you pop it 383 00:18:02,000 --> 00:18:03,679 Speaker 1: up an algorithm because obviously I have a lot of 384 00:18:03,680 --> 00:18:07,040 Speaker 1: country music and algorithm and it's been really cool to 385 00:18:07,119 --> 00:18:10,440 Speaker 1: watch it organically, like especially this song just become a monster. 386 00:18:10,720 --> 00:18:11,360 Speaker 9: Yeah. 387 00:18:11,800 --> 00:18:15,240 Speaker 1: What does that felt like to you? Is like more 388 00:18:15,280 --> 00:18:19,720 Speaker 1: people recognizing you, more people come into when you're playing, Like, 389 00:18:19,760 --> 00:18:20,520 Speaker 1: what's been happening? 390 00:18:21,200 --> 00:18:24,640 Speaker 10: Well, I've wanted to do this my whole entire life. 391 00:18:24,640 --> 00:18:27,040 Speaker 10: This isn't something I just kind of stumbled upon and 392 00:18:27,160 --> 00:18:29,320 Speaker 10: was like, yeah, I like playing guitar or I love singing, 393 00:18:29,359 --> 00:18:31,520 Speaker 10: Like this is just like it's it's like a limb. 394 00:18:31,840 --> 00:18:33,679 Speaker 10: It's just something I was always going to do this, 395 00:18:34,560 --> 00:18:36,680 Speaker 10: and I've been working really hard at it for a minute. 396 00:18:36,680 --> 00:18:39,080 Speaker 10: I moved here five years ago, and before that, I 397 00:18:39,119 --> 00:18:41,520 Speaker 10: was going to school at Auburn and you went to 398 00:18:41,520 --> 00:18:43,840 Speaker 10: sold really yeah, yeah I went for the two years 399 00:18:43,840 --> 00:18:45,800 Speaker 10: when I went to school. Yeah, and then I dropped 400 00:18:45,800 --> 00:18:48,440 Speaker 10: out and moved here. But yeah, I just play a 401 00:18:48,440 --> 00:18:50,920 Speaker 10: lot of cover gigs. I started out restaurants. I mean 402 00:18:51,000 --> 00:18:52,879 Speaker 10: literally every kind of gig you can play, I've done it. 403 00:18:52,920 --> 00:18:54,880 Speaker 10: Whatever you can travel there in, I've done that too. 404 00:18:55,119 --> 00:18:58,960 Speaker 1: Like just traditional, someone moves to Nashville with a dream. 405 00:18:59,119 --> 00:19:01,320 Speaker 1: You're playing anything you play to make money to survive 406 00:19:01,400 --> 00:19:04,960 Speaker 1: so you can chase the bigger dream. But then this 407 00:19:05,040 --> 00:19:09,560 Speaker 1: song hits so hard again, I would just start singing 408 00:19:09,560 --> 00:19:12,119 Speaker 1: it forgetting where I would even ever have heard it, Yeah, 409 00:19:12,160 --> 00:19:14,560 Speaker 1: because it would pop up and not just in your 410 00:19:14,640 --> 00:19:16,040 Speaker 1: video as it would start to be used in other 411 00:19:16,080 --> 00:19:19,000 Speaker 1: places too. I just wonder what that feels like when 412 00:19:19,040 --> 00:19:21,240 Speaker 1: something starts to build wherever it starts to build, do 413 00:19:21,280 --> 00:19:26,439 Speaker 1: you actually, day to day feel again more people pursuing 414 00:19:27,040 --> 00:19:29,760 Speaker 1: like your music, or is it like, man, I know 415 00:19:29,800 --> 00:19:32,280 Speaker 1: it's blowing up, but I'm really not seeing it yet. 416 00:19:32,720 --> 00:19:34,560 Speaker 9: Oh I'm seeing it. I'm seeing it. 417 00:19:34,560 --> 00:19:36,400 Speaker 10: It's this song is crazy, That's what I was saying. 418 00:19:36,440 --> 00:19:38,479 Speaker 10: I've been doing this for so long, and it's been 419 00:19:38,520 --> 00:19:40,560 Speaker 10: a slow climb, and I've put out single after single 420 00:19:40,640 --> 00:19:43,680 Speaker 10: and kind of just organically grown fans. But this song, 421 00:19:43,720 --> 00:19:46,200 Speaker 10: it's the things that's done. And we didn't even plan 422 00:19:46,240 --> 00:19:49,080 Speaker 10: on this song was never supposed to leave my audio 423 00:19:49,160 --> 00:19:50,840 Speaker 10: recordings on my phone. I wrote it as a joke 424 00:19:50,920 --> 00:19:53,840 Speaker 10: with Aaron Raytier first, and then the label heard it 425 00:19:53,880 --> 00:19:55,920 Speaker 10: and loved it, and then Riley asked us on tour, 426 00:19:56,640 --> 00:19:58,879 Speaker 10: and him and I just kind of being from the 427 00:19:58,880 --> 00:20:00,800 Speaker 10: same area, growing up on this same kind of music, 428 00:20:00,840 --> 00:20:02,320 Speaker 10: and I was thinking maybe we could do it out 429 00:20:02,359 --> 00:20:02,800 Speaker 10: in the road. 430 00:20:04,280 --> 00:20:05,280 Speaker 9: That's why I asked him to do it. 431 00:20:05,320 --> 00:20:06,879 Speaker 10: And I was like, hey, just kind of write the 432 00:20:06,880 --> 00:20:09,480 Speaker 10: second verse how you would respond to a girl coming 433 00:20:09,560 --> 00:20:10,720 Speaker 10: up to you in the bar like that. 434 00:20:10,880 --> 00:20:14,680 Speaker 1: What I like about it is it's so old school 435 00:20:15,840 --> 00:20:20,240 Speaker 1: talkie singing, which very much happened in the forties fifties, 436 00:20:20,320 --> 00:20:24,119 Speaker 1: Like it sounds super, super super traditional with people that 437 00:20:24,160 --> 00:20:26,359 Speaker 1: aren't born in the forties in the fifties. Is that 438 00:20:26,440 --> 00:20:29,359 Speaker 1: probably why it wasn't supposed to be more than a 439 00:20:29,440 --> 00:20:31,560 Speaker 1: voice recording, because you thought, I don't know, well, anybody 440 00:20:31,600 --> 00:20:33,440 Speaker 1: even think this is a legitimate song. 441 00:20:34,119 --> 00:20:37,200 Speaker 9: No, I think it's just kind of more I'm drunking. 442 00:20:37,280 --> 00:20:38,680 Speaker 9: I'm really you know. 443 00:20:38,680 --> 00:20:42,200 Speaker 10: It's kind of silly, you know, But yeah, I guess 444 00:20:41,480 --> 00:20:43,800 Speaker 10: it's a little bit of a risk, you know, just 445 00:20:43,880 --> 00:20:47,320 Speaker 10: because it's not something. It's not the popular thing to do, 446 00:20:47,840 --> 00:20:50,360 Speaker 10: you know, and traditional country is only just now kind 447 00:20:50,359 --> 00:20:51,080 Speaker 10: of coming back. 448 00:20:52,400 --> 00:20:54,520 Speaker 9: So yeah, I don't know, but I grew up on it. 449 00:20:54,560 --> 00:20:56,040 Speaker 10: I love it, and I'm just kind of doing what 450 00:20:56,119 --> 00:20:57,560 Speaker 10: I love to do and not what I think other 451 00:20:57,560 --> 00:20:59,199 Speaker 10: people think they want me to do. 452 00:20:59,400 --> 00:21:03,040 Speaker 1: Did anybody suggest that you change some of when you 453 00:21:03,119 --> 00:21:07,200 Speaker 1: recorded it, some of like the talking parts of the song. Yeah. 454 00:21:07,240 --> 00:21:09,439 Speaker 10: We went back and forth a lot on it, on singing, 455 00:21:09,720 --> 00:21:12,800 Speaker 10: singing it, on all kinds of different things. I never 456 00:21:12,840 --> 00:21:14,680 Speaker 10: wanted to sing. I never wanted a song. I'm never 457 00:21:14,720 --> 00:21:16,240 Speaker 10: going to release the version where it's a song. 458 00:21:17,359 --> 00:21:19,320 Speaker 1: It's a song. I have yea that. 459 00:21:19,480 --> 00:21:22,160 Speaker 10: My argument to the label was every other song I've 460 00:21:22,160 --> 00:21:24,480 Speaker 10: put out sings the verses, so can I not just 461 00:21:24,520 --> 00:21:25,399 Speaker 10: have one that doesn't. 462 00:21:26,440 --> 00:21:27,960 Speaker 1: And that's why it sticks out so much though, right? 463 00:21:28,040 --> 00:21:30,720 Speaker 10: Yeah, well that I mean start a girl walking up 464 00:21:30,720 --> 00:21:32,119 Speaker 10: to a guy in a bar, you know, it's like 465 00:21:32,200 --> 00:21:36,119 Speaker 10: that's also not a common thing in country, well not 466 00:21:36,240 --> 00:21:37,240 Speaker 10: over the past ten years. 467 00:21:37,280 --> 00:21:40,439 Speaker 9: Now recently it has been. But yeah, so I don't know. 468 00:21:40,480 --> 00:21:42,399 Speaker 10: It's kind of a risky thing to do, but it's 469 00:21:42,560 --> 00:21:44,720 Speaker 10: it's crazy to see the reaction. It's I just started 470 00:21:44,800 --> 00:21:47,800 Speaker 10: my first headlining tour and it's a little nerve racking 471 00:21:47,920 --> 00:21:51,399 Speaker 10: to have such a viral song and wonder are they 472 00:21:51,400 --> 00:21:53,360 Speaker 10: going to be here just for that? But I put 473 00:21:53,359 --> 00:21:57,240 Speaker 10: out the my debut record, which is what You Look 474 00:21:57,320 --> 00:21:59,960 Speaker 10: Like You Love Me came off of, and they're singing 475 00:22:00,080 --> 00:22:02,320 Speaker 10: every word to every song. It's crazy. They're listening to 476 00:22:02,320 --> 00:22:05,159 Speaker 10: the whole thing and it's just wild. It's like, just 477 00:22:05,160 --> 00:22:06,359 Speaker 10: watch my dreams come true. 478 00:22:06,480 --> 00:22:08,240 Speaker 1: It's that one viral thing though they get them to 479 00:22:08,240 --> 00:22:09,480 Speaker 1: even pay attention to the rest, right. 480 00:22:09,840 --> 00:22:11,879 Speaker 10: Yeah, Well it's also cool too, just a lot of 481 00:22:11,880 --> 00:22:14,439 Speaker 10: these fans are not just the song, but you know, 482 00:22:14,480 --> 00:22:16,040 Speaker 10: I saw you out with Randy Hawser that was my 483 00:22:16,040 --> 00:22:18,040 Speaker 10: first tour three years ago, or I saw you John Party, 484 00:22:18,119 --> 00:22:19,800 Speaker 10: or I saw your Riley or you know, it's a 485 00:22:20,119 --> 00:22:22,119 Speaker 10: lot of these fans that we've grown through playing so 486 00:22:22,160 --> 00:22:24,760 Speaker 10: many shows over the years and just working hard that way. 487 00:22:24,800 --> 00:22:28,200 Speaker 10: But yeah, the it's wild to see when that song went. 488 00:22:30,000 --> 00:22:31,280 Speaker 9: We did it in Hyde Park too. 489 00:22:32,000 --> 00:22:36,240 Speaker 10: That was probably the wildest time thus far. It's fifty 490 00:22:36,280 --> 00:22:37,000 Speaker 10: thousand people. 491 00:22:37,200 --> 00:22:37,760 Speaker 1: That's crazy. 492 00:22:37,800 --> 00:22:41,400 Speaker 9: We opened it for Morgan and it was just crazy. 493 00:22:41,480 --> 00:22:42,000 Speaker 1: That was. 494 00:22:43,400 --> 00:22:47,159 Speaker 10: Probably the first time I had seen a crowd a 495 00:22:47,280 --> 00:22:50,280 Speaker 10: mat like a massive amount of people sing words that 496 00:22:50,280 --> 00:22:52,760 Speaker 10: I had written, and for it to be fifty thousand 497 00:22:52,760 --> 00:22:58,399 Speaker 10: people in the UK was It's just hard to I 498 00:22:58,440 --> 00:22:59,920 Speaker 10: don't know, it's hard to put into words on my 499 00:23:00,160 --> 00:23:02,680 Speaker 10: so I remember I had my ears in because when 500 00:23:02,680 --> 00:23:04,439 Speaker 10: you're way way out there at the slap back was 501 00:23:04,440 --> 00:23:06,240 Speaker 10: so bad, so it's like you can't keep up with 502 00:23:06,240 --> 00:23:08,320 Speaker 10: a drum. You gotta keep ears in, so it's hard 503 00:23:08,359 --> 00:23:10,760 Speaker 10: to hear the crowd. And I kind of remember walking 504 00:23:10,800 --> 00:23:12,280 Speaker 10: back being like that was crazy, you know. I just 505 00:23:12,320 --> 00:23:15,080 Speaker 10: like I don't know if I registered anything, and I 506 00:23:15,119 --> 00:23:17,040 Speaker 10: was like walking back thinking like just a normal time 507 00:23:17,080 --> 00:23:20,639 Speaker 10: of us singing the song and everyone that was like 508 00:23:21,280 --> 00:23:22,960 Speaker 10: on both of our teams, I was like, was that crazy? 509 00:23:23,040 --> 00:23:25,119 Speaker 10: And they showed me back the video and I mean 510 00:23:25,200 --> 00:23:28,200 Speaker 10: and Riley both watched it and it was just like massive, 511 00:23:28,280 --> 00:23:30,320 Speaker 10: So I think that's what when we both realized it 512 00:23:30,440 --> 00:23:33,640 Speaker 10: was like the song is doing something ridiculous. 513 00:23:33,960 --> 00:23:38,920 Speaker 1: And also, I mean, Riley's a massive star and he's 514 00:23:38,960 --> 00:23:41,240 Speaker 1: like perfect for the song as well. Yeah, like all 515 00:23:41,280 --> 00:23:44,320 Speaker 1: the stars kind of aligned with him, going, y'all do 516 00:23:44,359 --> 00:23:46,960 Speaker 1: the song. That's cool. And he's also a big star 517 00:23:47,000 --> 00:23:50,120 Speaker 1: and it works with him. Yeah, what was the ad? 518 00:23:50,160 --> 00:23:52,280 Speaker 1: How did you ask him? What would hey, you want 519 00:23:52,280 --> 00:23:55,000 Speaker 1: to do this song? Well? Text of a version of it? 520 00:23:55,080 --> 00:23:57,040 Speaker 1: Was it always a duet? No? 521 00:23:57,160 --> 00:23:58,880 Speaker 10: I mean, like I said, I wrote it just for fun. 522 00:23:58,960 --> 00:23:59,960 Speaker 10: I mean, it wasn't like. 523 00:24:00,240 --> 00:24:01,879 Speaker 1: You didn't write it for fun, like another a duet. 524 00:24:02,000 --> 00:24:04,320 Speaker 10: No, no, no, no, I just I just I was just 525 00:24:04,400 --> 00:24:06,800 Speaker 10: listening to it after we cut it. It was not 526 00:24:06,800 --> 00:24:08,520 Speaker 10: going to be a duet right when we first cut it, 527 00:24:08,560 --> 00:24:12,000 Speaker 10: but Riley asked us on tour right around the same time. 528 00:24:12,080 --> 00:24:13,720 Speaker 10: So I don't know, I just I just thought of 529 00:24:13,720 --> 00:24:15,600 Speaker 10: the idea. I was like, oh, what if we asked 530 00:24:15,640 --> 00:24:17,520 Speaker 10: Riley to sing the second verse and then we could 531 00:24:17,680 --> 00:24:19,719 Speaker 10: do it on the road. And obviously I didn't think 532 00:24:19,760 --> 00:24:21,480 Speaker 10: it would just do what it's doing now. It's hard 533 00:24:21,520 --> 00:24:23,200 Speaker 10: to expect something like this, But. 534 00:24:23,680 --> 00:24:25,840 Speaker 2: So did you have a second verse before he came in? 535 00:24:25,960 --> 00:24:26,120 Speaker 8: Yeah? 536 00:24:26,359 --> 00:24:28,240 Speaker 10: Yeah, and that's what I'm singing out on the Actually 537 00:24:28,240 --> 00:24:30,200 Speaker 10: we wrote a lot of verses. When we wrote the song, 538 00:24:30,240 --> 00:24:33,359 Speaker 10: we just kind of giggled and wrote as many verses 539 00:24:33,359 --> 00:24:34,800 Speaker 10: as we had in this, and then we just picked 540 00:24:34,800 --> 00:24:37,680 Speaker 10: our favorite ones. So I kind of throw those alt 541 00:24:37,760 --> 00:24:40,200 Speaker 10: verses in the live show right now. 542 00:24:40,600 --> 00:24:42,399 Speaker 9: I usually start off with like before. 543 00:24:42,119 --> 00:24:44,280 Speaker 10: There was a main named Riley Green singing this song 544 00:24:44,359 --> 00:24:47,120 Speaker 10: and then all the girls were like, and I'm like, ah, 545 00:24:47,160 --> 00:24:49,480 Speaker 10: I was singing the second verse. Yeah. 546 00:24:49,480 --> 00:24:50,879 Speaker 1: I tried to really do a do it with me. 547 00:24:50,920 --> 00:24:52,640 Speaker 1: He turned it down, so I was just jealous us. 548 00:24:52,720 --> 00:24:53,760 Speaker 1: Yeah didn't. 549 00:24:54,119 --> 00:24:58,440 Speaker 10: Well really, my manager, Bradley Jordan, he's he's kind of 550 00:24:58,560 --> 00:25:01,040 Speaker 10: the reason I met Riley and he's just help a 551 00:25:01,119 --> 00:25:03,840 Speaker 10: lot of artists coming up. But he showed it to him, 552 00:25:03,920 --> 00:25:06,520 Speaker 10: I say, and then uh, and then yeah, I think 553 00:25:06,600 --> 00:25:09,399 Speaker 10: Actually I played a show with Riley and went on 554 00:25:09,440 --> 00:25:11,760 Speaker 10: his bus and I said, I think My first line 555 00:25:11,800 --> 00:25:15,480 Speaker 10: was Riley, uh, do you like making money? That was 556 00:25:15,480 --> 00:25:17,399 Speaker 10: my first pick up. Well, that was my first line. 557 00:25:17,840 --> 00:25:19,840 Speaker 10: And didn't know he was going to do anything from there, 558 00:25:19,880 --> 00:25:21,600 Speaker 10: but so I started. 559 00:25:21,600 --> 00:25:23,800 Speaker 1: And now he now here it is he makes money 560 00:25:23,920 --> 00:25:26,359 Speaker 1: does makes it makes it anyway, but they make max more. Now. 561 00:25:26,760 --> 00:25:30,080 Speaker 1: It was always fun. I'm being told that Riley just arrived. Riley, 562 00:25:30,200 --> 00:25:33,120 Speaker 1: Riley Green has entered the building. So why don't we 563 00:25:33,520 --> 00:25:37,359 Speaker 1: take a break? Ella Langley's here? Is that true? Scuba 564 00:25:37,400 --> 00:25:40,760 Speaker 1: is Riley here? He's in the green room. Okay, Riley 565 00:25:40,760 --> 00:25:44,200 Speaker 1: Green has entered the building. Uh wow, they're there. They're 566 00:25:44,280 --> 00:25:47,439 Speaker 1: underwear being thrown at him as he walks down. We 567 00:25:47,440 --> 00:25:49,120 Speaker 1: don't even know there's nobody else in the whole building. 568 00:25:49,160 --> 00:25:51,720 Speaker 1: Underwear still landing on his head. We'll be back in 569 00:25:51,760 --> 00:25:53,760 Speaker 1: one second. We'll get Riley in studio. You guys are 570 00:25:53,760 --> 00:25:57,520 Speaker 1: perform it? Yeah, all right, back in one second. Okay. So, 571 00:25:57,600 --> 00:25:59,640 Speaker 1: Ella Langley's here. Riley Green has entered the room. Really 572 00:25:59,640 --> 00:26:00,000 Speaker 1: good to see. 573 00:26:00,480 --> 00:26:01,879 Speaker 5: Yeah, thanks for having me. 574 00:26:02,080 --> 00:26:03,680 Speaker 1: Thanks for coming up. And so I think what we'll 575 00:26:03,680 --> 00:26:06,320 Speaker 1: do first, if you don't mind, why, I would love 576 00:26:06,359 --> 00:26:07,560 Speaker 1: to hear the song live and then we can just 577 00:26:07,560 --> 00:26:09,560 Speaker 1: talk a little more. You guys get with that, okay. 578 00:26:09,880 --> 00:26:11,679 Speaker 1: So this is the song that I love. I've been 579 00:26:11,680 --> 00:26:14,960 Speaker 1: playing on the show and I sometimes sing it and 580 00:26:14,960 --> 00:26:16,399 Speaker 1: wonder where did I hear it, and then realize it 581 00:26:16,440 --> 00:26:19,679 Speaker 1: was on like nine different videos from nine different people. 582 00:26:19,960 --> 00:26:21,639 Speaker 1: And this is called you Look Like You Love Me. 583 00:26:21,840 --> 00:26:23,280 Speaker 1: It's Ella Langley and Riley Green. 584 00:26:23,680 --> 00:26:24,000 Speaker 7: Oh. 585 00:26:24,359 --> 00:26:28,640 Speaker 5: I'm sorry we can't post a live performance on the podcast, 586 00:26:28,880 --> 00:26:31,200 Speaker 5: but if you go to our YouTube page, you can 587 00:26:31,240 --> 00:26:31,720 Speaker 5: watch it. 588 00:26:31,680 --> 00:26:33,800 Speaker 1: There or maybe listen live. 589 00:26:34,240 --> 00:26:37,639 Speaker 7: Okay, all right, now back to the podcast. 590 00:26:38,080 --> 00:26:39,520 Speaker 1: How many times do you think you guys to play 591 00:26:39,600 --> 00:26:41,560 Speaker 1: that together? Now? First time? It's right? 592 00:26:41,840 --> 00:26:42,000 Speaker 5: Good? 593 00:26:42,040 --> 00:26:45,440 Speaker 9: Hey, I think we've done it the same time. Twice. 594 00:26:45,480 --> 00:26:46,480 Speaker 9: It's the same way twice. 595 00:26:46,560 --> 00:26:51,520 Speaker 1: Yeah, no, over over fifty now at this point, can 596 00:26:51,560 --> 00:26:53,720 Speaker 1: you like it? Because again, when you I'm not good 597 00:26:53,760 --> 00:26:56,840 Speaker 1: with numbers, but I would say. 598 00:26:57,880 --> 00:27:00,960 Speaker 5: Tune okay, so well yeah, okay, see, I'm not good 599 00:27:00,960 --> 00:27:01,119 Speaker 5: with it. 600 00:27:01,160 --> 00:27:04,760 Speaker 9: I don't know, I don't know. Probably like us together. Probably, 601 00:27:04,800 --> 00:27:06,040 Speaker 9: like I'll say. 602 00:27:05,960 --> 00:27:08,239 Speaker 5: It's gotten louder every time we played it, which has 603 00:27:08,280 --> 00:27:09,200 Speaker 5: been really fun to watch. 604 00:27:09,240 --> 00:27:10,480 Speaker 1: Why'd you say yes to the song? 605 00:27:11,600 --> 00:27:11,719 Speaker 5: Uh? 606 00:27:11,960 --> 00:27:12,880 Speaker 1: Well? I always like Della. 607 00:27:14,240 --> 00:27:21,479 Speaker 5: She's from Alabama, very very country, uh musically and in spiritually. Uh. 608 00:27:21,960 --> 00:27:24,240 Speaker 5: And we just grew up the same way. Bradley Jordan, 609 00:27:24,280 --> 00:27:25,960 Speaker 5: her her managers, a really good buddy of mine, and 610 00:27:26,000 --> 00:27:28,840 Speaker 5: he kind of put me on tour. And I just 611 00:27:28,920 --> 00:27:31,040 Speaker 5: like to see good folks do well. And and she 612 00:27:31,119 --> 00:27:32,280 Speaker 5: was on tour with me. I thought it made a 613 00:27:32,280 --> 00:27:34,560 Speaker 5: lot of sense. I thought the song was fun, had 614 00:27:34,600 --> 00:27:37,320 Speaker 5: no clue it was a giant hit, you know. I 615 00:27:37,320 --> 00:27:39,600 Speaker 5: thought Talking Versus was probably a little too old school, 616 00:27:39,600 --> 00:27:42,000 Speaker 5: a little too traditional. But how cool is it that 617 00:27:42,040 --> 00:27:44,040 Speaker 5: a song that's this country is doing this? 618 00:27:44,160 --> 00:27:47,720 Speaker 1: Well? You know, when did you start to notice, oh, crap, 619 00:27:47,760 --> 00:27:51,639 Speaker 1: this is a this is a monster, Like did it 620 00:27:51,720 --> 00:27:54,240 Speaker 1: randomly ever just come up or were your people just 621 00:27:54,320 --> 00:27:54,760 Speaker 1: letting you. 622 00:27:54,720 --> 00:27:57,720 Speaker 5: Know, like, well, no, I mean I've never had any 623 00:27:57,760 --> 00:28:00,359 Speaker 5: type of I guess what you would call is like viral, 624 00:28:00,840 --> 00:28:03,400 Speaker 5: you know, and this song is really like viral. I mean, 625 00:28:03,560 --> 00:28:05,280 Speaker 5: I can barely work TikTok. I don't really know how 626 00:28:05,320 --> 00:28:07,520 Speaker 5: that works, but it's just everywhere. So you'd get your 627 00:28:07,520 --> 00:28:09,520 Speaker 5: phone out and it was every scroll. Would you hear 628 00:28:09,520 --> 00:28:11,159 Speaker 5: this song playing? So I guess that was kind of 629 00:28:11,160 --> 00:28:15,760 Speaker 5: the eye opening thing about it. But certainly playing it 630 00:28:15,800 --> 00:28:18,199 Speaker 5: at a show, I think maybe yeah. I mean some 631 00:28:18,240 --> 00:28:20,480 Speaker 5: of the stuff I would just kind of randomly bring 632 00:28:20,640 --> 00:28:22,320 Speaker 5: L up and we would do a couple of songs together, 633 00:28:22,359 --> 00:28:23,880 Speaker 5: and we did this one of a couple of times 634 00:28:23,920 --> 00:28:25,480 Speaker 5: and it just didn't take long. 635 00:28:25,760 --> 00:28:29,880 Speaker 1: That's crazy. That's so cool that because it organically happened 636 00:28:30,040 --> 00:28:33,240 Speaker 1: right like you. Yeah, and any creator, any musician and 637 00:28:33,320 --> 00:28:37,600 Speaker 1: the artist. You're always one really special piece of content 638 00:28:37,720 --> 00:28:41,920 Speaker 1: away from having a real shot going viral. You never 639 00:28:42,040 --> 00:28:44,600 Speaker 1: know what it can be. And there are people that 640 00:28:44,880 --> 00:28:47,760 Speaker 1: it's a weird dynamic because you know, you're like, you 641 00:28:47,760 --> 00:28:49,400 Speaker 1: don't want to give it too much power. But also 642 00:28:49,640 --> 00:28:51,440 Speaker 1: if it's really good and nobody's given it a chance, 643 00:28:51,480 --> 00:28:53,640 Speaker 1: sometimes the chance is right here, like it's a platform 644 00:28:53,840 --> 00:28:55,520 Speaker 1: that is able to be used. And I think this 645 00:28:55,600 --> 00:28:58,400 Speaker 1: is one of those examples of five hundred executives are 646 00:28:58,400 --> 00:29:00,120 Speaker 1: going to hear that song and go like what you 647 00:29:00,120 --> 00:29:02,120 Speaker 1: just said, Riley, it's maybe this a little too old school. 648 00:29:02,200 --> 00:29:04,960 Speaker 1: We're probably not gonna invest any money. However, the people 649 00:29:05,080 --> 00:29:07,400 Speaker 1: freaking loved it, and that's what makes all the difference 650 00:29:07,440 --> 00:29:07,640 Speaker 1: in it. 651 00:29:07,880 --> 00:29:09,960 Speaker 2: Even now after you wrote it, you're like, I don't 652 00:29:10,000 --> 00:29:12,160 Speaker 2: know that any video I'll ever hear this. 653 00:29:12,360 --> 00:29:14,200 Speaker 10: Well, yeah, I mean I just kind of like my 654 00:29:14,240 --> 00:29:17,080 Speaker 10: whole goal for writing song was just to honestly, this 655 00:29:17,160 --> 00:29:18,520 Speaker 10: is what I was still playing a lot of rounds 656 00:29:18,560 --> 00:29:20,680 Speaker 10: in town, is to just have a song where like 657 00:29:20,680 --> 00:29:23,280 Speaker 10: no one's listening, they're all talking to maybe they'd laugh 658 00:29:23,320 --> 00:29:25,280 Speaker 10: a little bit because I'm talking in the verses, you know, 659 00:29:26,520 --> 00:29:28,920 Speaker 10: but yeah, some of my hands. And she works on 660 00:29:28,960 --> 00:29:30,720 Speaker 10: my on my team, and she heard it and she 661 00:29:30,880 --> 00:29:32,560 Speaker 10: just was like, dude, you've got to You've got to 662 00:29:32,600 --> 00:29:34,960 Speaker 10: send this in. And I just fought it for so long. 663 00:29:35,080 --> 00:29:36,600 Speaker 1: So this is the first time you put it up 664 00:29:36,640 --> 00:29:38,320 Speaker 1: that people reacted to it or it take a few times. 665 00:29:38,400 --> 00:29:39,360 Speaker 9: No, No, it did not. 666 00:29:40,520 --> 00:29:44,000 Speaker 10: It just wasn't that hard. Like I just posted one. Uh, 667 00:29:44,040 --> 00:29:45,640 Speaker 10: we were out on the roads, I think on the 668 00:29:45,640 --> 00:29:48,280 Speaker 10: West Coast towards the end of the tour, and I 669 00:29:48,360 --> 00:29:50,240 Speaker 10: just posted like a video of me doing the verse 670 00:29:50,400 --> 00:29:52,320 Speaker 10: and that's it, and it just that's kind of what 671 00:29:52,360 --> 00:29:54,800 Speaker 10: started it. And then I did one other video of 672 00:29:54,840 --> 00:29:56,880 Speaker 10: just me singing the chorus, and that's the sound that 673 00:29:56,920 --> 00:29:59,959 Speaker 10: everyone's been using. But then whenever we did red Rock 674 00:30:00,440 --> 00:30:04,160 Speaker 10: and posted us that he's actually on the song. And 675 00:30:04,200 --> 00:30:07,400 Speaker 10: then yeah, when we did it for the show the 676 00:30:07,480 --> 00:30:09,080 Speaker 10: last day of the tour too. 677 00:30:09,600 --> 00:30:12,479 Speaker 1: So I'm a sports nerd and I was and I 678 00:30:12,520 --> 00:30:17,960 Speaker 1: like sports memorabilia. This is gonna be a This is 679 00:30:17,960 --> 00:30:19,760 Speaker 1: how I heard the song the first time. As I 680 00:30:19,800 --> 00:30:22,680 Speaker 1: was watching this sports memorabilia being broken. The song's playing 681 00:30:22,680 --> 00:30:25,000 Speaker 1: in the background. And I'm like, that sounds like Riley. 682 00:30:25,000 --> 00:30:26,680 Speaker 1: I don't know who the girl is. What is that song? 683 00:30:26,960 --> 00:30:29,320 Speaker 1: I hear it as a background sound when I'm watching 684 00:30:29,320 --> 00:30:32,520 Speaker 1: them freaking break signed helmets, and so I've searched for 685 00:30:32,560 --> 00:30:34,320 Speaker 1: a couple of things I heard. That's where I heard it. 686 00:30:34,400 --> 00:30:40,200 Speaker 1: Then it was so ubiquitous, just existing everywhere. Then that's 687 00:30:40,200 --> 00:30:43,040 Speaker 1: when I started to play it here. But like congratulations, 688 00:30:43,040 --> 00:30:49,040 Speaker 1: like it's it's something that's so awkwardly awesome that it 689 00:30:49,120 --> 00:30:51,200 Speaker 1: makes all the bit of sense, and it's why it 690 00:30:51,280 --> 00:30:54,120 Speaker 1: resonates so much because it doesn't sound like everything else 691 00:30:54,400 --> 00:30:54,880 Speaker 1: and it's good. 692 00:30:55,200 --> 00:30:57,960 Speaker 10: Well, I think it's also like kind of for this 693 00:30:58,080 --> 00:31:01,440 Speaker 10: next record. I'm already work on it, but just like 694 00:31:01,480 --> 00:31:03,760 Speaker 10: the creative freedom I have now, just just like there's 695 00:31:03,800 --> 00:31:06,040 Speaker 10: literally no singing in the verses, and this songs on 696 00:31:06,160 --> 00:31:08,480 Speaker 10: radio doing well right now in as wild, so I 697 00:31:08,560 --> 00:31:10,840 Speaker 10: kind of feel like it's kind of ripping the structure 698 00:31:10,840 --> 00:31:12,680 Speaker 10: out of my head a little bit and just doing 699 00:31:12,720 --> 00:31:13,360 Speaker 10: what feels good. 700 00:31:13,400 --> 00:31:16,040 Speaker 1: I mean when I think about like Conway Loretta, because 701 00:31:16,040 --> 00:31:18,680 Speaker 1: they were awesome and they did their music together. They 702 00:31:18,880 --> 00:31:21,520 Speaker 1: do funny songs, they do talkie songs, they do singy songs. 703 00:31:21,600 --> 00:31:25,120 Speaker 1: That's what it kind of feels like to me. It's here, yeah, 704 00:31:25,440 --> 00:31:31,880 Speaker 1: so yeah, it's yeah, you know those songs a archa Yeah, Riley, 705 00:31:31,920 --> 00:31:33,520 Speaker 1: I was talking about your own social media. I didn't 706 00:31:33,520 --> 00:31:37,240 Speaker 1: know you're gonna be here, And at one point I 707 00:31:37,240 --> 00:31:38,720 Speaker 1: was like, I want everybody to make sure that they 708 00:31:38,760 --> 00:31:40,640 Speaker 1: know this is a compliment. But I was talking about 709 00:31:40,640 --> 00:31:42,760 Speaker 1: how your everybody knows you're a star and you have 710 00:31:42,760 --> 00:31:44,600 Speaker 1: a lot of hits, and but I don't think people 711 00:31:44,760 --> 00:31:49,360 Speaker 1: understand the amount of megastar you are at shows. Meaning 712 00:31:50,000 --> 00:31:51,440 Speaker 1: what I compared it to is you have a lot 713 00:31:51,440 --> 00:31:53,880 Speaker 1: of number one songs, a lot, and you have a 714 00:31:53,920 --> 00:31:56,640 Speaker 1: very successful career. But any other people that I know 715 00:31:56,640 --> 00:31:58,120 Speaker 1: that have had that many number one songs, they don't 716 00:31:58,160 --> 00:32:00,000 Speaker 1: have the crowds that you have. And I was talking, 717 00:32:00,000 --> 00:32:01,479 Speaker 1: you know, the only other artist I've seen do it 718 00:32:01,560 --> 00:32:05,560 Speaker 1: like this kind of low key megastar it is Kane Brown, 719 00:32:05,800 --> 00:32:09,360 Speaker 1: who it took forever for people to understand the Caine 720 00:32:09,480 --> 00:32:14,440 Speaker 1: had built this following that it was selling out arena's 721 00:32:14,920 --> 00:32:16,880 Speaker 1: until people are like, oh, yeah, I can't, but that's 722 00:32:16,960 --> 00:32:21,880 Speaker 1: you now. And I think what you're doing is on 723 00:32:21,920 --> 00:32:24,600 Speaker 1: such a level and people don't even understand the level 724 00:32:24,600 --> 00:32:27,080 Speaker 1: that's on right now, and I just want to congratulate 725 00:32:27,120 --> 00:32:29,800 Speaker 1: you and celebrate you because you are You're killing it. 726 00:32:30,120 --> 00:32:31,720 Speaker 1: So I was talking about you a little bit on it. 727 00:32:31,840 --> 00:32:33,760 Speaker 5: Well, I took it as a compliment regardless of how 728 00:32:33,760 --> 00:32:35,360 Speaker 5: you meant it when I heard it, So I appreciate 729 00:32:35,360 --> 00:32:39,640 Speaker 5: the kind words. And it's man, it's it's it's a 730 00:32:39,680 --> 00:32:41,600 Speaker 5: wild time. I think it has to do with a 731 00:32:41,600 --> 00:32:43,960 Speaker 5: lot of putting out a lot of music. 732 00:32:44,040 --> 00:32:44,240 Speaker 1: You know. 733 00:32:44,280 --> 00:32:46,200 Speaker 5: I've got a lot of songs that haven't been on 734 00:32:46,240 --> 00:32:48,640 Speaker 5: the radio that people seem to know. And you know, 735 00:32:48,680 --> 00:32:50,320 Speaker 5: the song with La is a great example of you 736 00:32:50,440 --> 00:32:52,360 Speaker 5: just never know what somebody's gonna latch onto. 737 00:32:52,440 --> 00:32:53,640 Speaker 1: You know. I thought the. 738 00:32:53,520 --> 00:32:55,920 Speaker 5: Chorus was catchy, you know, in the in the song, 739 00:32:55,960 --> 00:32:57,680 Speaker 5: and maybe it'd be a little bit of an earworm. 740 00:32:57,720 --> 00:32:59,080 Speaker 5: But to see it be as big of a song 741 00:32:59,120 --> 00:33:01,640 Speaker 5: it is, it's proved you never know, and uh, you know, 742 00:33:01,800 --> 00:33:04,400 Speaker 5: writing from where you come from and hopefully people can 743 00:33:04,440 --> 00:33:06,320 Speaker 5: relate to it. And I think that's what Ella does 744 00:33:06,360 --> 00:33:10,040 Speaker 5: really well. And uh, it's working really well for us 745 00:33:10,120 --> 00:33:12,200 Speaker 5: right now. So I'm blessed to be out here doing it. 746 00:33:12,320 --> 00:33:15,240 Speaker 1: Are you? Are you? On the road every weekend. Now, yeah, 747 00:33:15,240 --> 00:33:17,280 Speaker 1: I thought I was on the road today, you are 748 00:33:17,280 --> 00:33:18,560 Speaker 1: on the road. Wake up, wake up. 749 00:33:19,360 --> 00:33:19,479 Speaker 8: Now. 750 00:33:19,480 --> 00:33:21,720 Speaker 5: I had to come play a guitar gig today for. 751 00:33:23,640 --> 00:33:24,200 Speaker 9: Guitar players. 752 00:33:24,200 --> 00:33:25,080 Speaker 5: That's how big the song is. 753 00:33:25,120 --> 00:33:28,440 Speaker 1: I'm playing guitar for Ella Langley. And by the way, 754 00:33:28,480 --> 00:33:30,840 Speaker 1: Ella's album is out. It's it's called Hungover. It came 755 00:33:30,840 --> 00:33:32,959 Speaker 1: out in August. So hopefully you hear this song. And 756 00:33:33,000 --> 00:33:35,200 Speaker 1: what it does is you go, oh, I like that. 757 00:33:35,440 --> 00:33:37,440 Speaker 1: Let me go check out some other stuff. That's the 758 00:33:37,560 --> 00:33:40,280 Speaker 1: great thing about something popping is that people check out 759 00:33:40,280 --> 00:33:43,280 Speaker 1: the other stuff. If they playing Yeah and Riley Green, 760 00:33:43,320 --> 00:33:44,400 Speaker 1: maybe you've heard of them a big deal. 761 00:33:45,040 --> 00:33:46,520 Speaker 2: So does the line work, though. 762 00:33:48,080 --> 00:33:49,600 Speaker 1: It depends what the depends of the girl looks like 763 00:33:49,600 --> 00:33:52,160 Speaker 1: I dumped the guy is That's generally what I'm waiting. 764 00:33:51,920 --> 00:33:54,240 Speaker 10: To hear about, Like you know, you're that pickup line 765 00:33:54,240 --> 00:33:54,960 Speaker 10: got us married? 766 00:33:55,080 --> 00:33:57,200 Speaker 9: Yes, I'm ready for that, or you just you see 767 00:33:57,200 --> 00:33:57,840 Speaker 9: this kid right. 768 00:33:57,760 --> 00:34:01,440 Speaker 1: Here, except it's like here say this kid, we're not married, 769 00:34:01,440 --> 00:34:01,880 Speaker 1: but thank you. 770 00:34:03,080 --> 00:34:03,640 Speaker 7: I said that. 771 00:34:05,160 --> 00:34:08,879 Speaker 1: Yeah, Ella, Riley, thank you guys for coming in. Appreciate congratulations, 772 00:34:08,920 --> 00:34:11,440 Speaker 1: looking forward to LS and a whole lot more. Thank you, 773 00:34:11,800 --> 00:34:16,719 Speaker 1: they are Ellen Riley, good job. Many times a week? 774 00:34:16,719 --> 00:34:17,480 Speaker 1: Do you take a nap? 775 00:34:18,360 --> 00:34:19,400 Speaker 2: None? 776 00:34:21,000 --> 00:34:24,319 Speaker 1: None? Good? Yeah? I don't either. I might. I might 777 00:34:24,360 --> 00:34:27,319 Speaker 1: get one in if it's like a really really early 778 00:34:27,320 --> 00:34:28,800 Speaker 1: packed day and I get I sit on the couch 779 00:34:29,040 --> 00:34:31,080 Speaker 1: and I'll set my alarm fifteen minutes and sometimes I 780 00:34:31,120 --> 00:34:34,160 Speaker 1: wonder dead falsely, that's weird. I know that's weird, but 781 00:34:34,200 --> 00:34:36,160 Speaker 1: I'm my Why do you How many do you get 782 00:34:36,160 --> 00:34:39,399 Speaker 1: a week? Probably five every day? Huh No, not every 783 00:34:39,480 --> 00:34:42,960 Speaker 1: day every workday. No, Sometimes I don't get on a 784 00:34:42,960 --> 00:34:45,000 Speaker 1: work day. Sometimes it's on a Saturday or Sunday. 785 00:34:45,680 --> 00:34:50,640 Speaker 4: Average nap length of those five, oh, our hour fifteen? 786 00:34:51,040 --> 00:34:53,759 Speaker 1: I think that's awesome. That's good. Yeah, summer shorter, and 787 00:34:53,800 --> 00:34:55,960 Speaker 1: it's like we're not even hating, but summer longer. Oh, 788 00:34:56,000 --> 00:34:58,640 Speaker 1: summer longer. What's what's a long nap? Long nap is 789 00:34:58,640 --> 00:35:02,640 Speaker 1: three hours? That's that's my sleep at nights. That leaves 790 00:35:03,040 --> 00:35:05,960 Speaker 1: it sucks. That is awesome. Like sometimes on the weekends, 791 00:35:06,000 --> 00:35:07,319 Speaker 1: like I'll take a nap and the kids will wake 792 00:35:07,360 --> 00:35:09,759 Speaker 1: go from their nap where I do? Oh, your kids 793 00:35:09,760 --> 00:35:11,760 Speaker 1: still nap and they just take care of themselves, feed themselves. 794 00:35:11,800 --> 00:35:14,160 Speaker 1: There it's a jungle. You guys are all Mowgli and 795 00:35:14,200 --> 00:35:16,200 Speaker 1: the forests of jungle buck and lunch. How long did 796 00:35:16,320 --> 00:35:19,080 Speaker 1: you guys get out there? We've been watching a movie. 797 00:35:19,480 --> 00:35:19,640 Speaker 5: Uh. 798 00:35:19,680 --> 00:35:21,920 Speaker 1: Sixty five percent of people say they frequently want to 799 00:35:22,000 --> 00:35:25,600 Speaker 1: nap before noon. Average person gets about a thirty minute 800 00:35:25,640 --> 00:35:28,440 Speaker 1: nap a week in general, all days in so and 801 00:35:28,600 --> 00:35:30,680 Speaker 1: Lunchbock's five days a week. Yeah, rocking it good for 802 00:35:30,800 --> 00:35:32,960 Speaker 1: him A pile of stories. 803 00:35:33,080 --> 00:35:34,680 Speaker 6: So a hot topic right now is what type of 804 00:35:34,719 --> 00:35:36,400 Speaker 6: friend you are? Are you Type A or are you 805 00:35:36,440 --> 00:35:36,799 Speaker 6: Type B? 806 00:35:37,120 --> 00:35:37,920 Speaker 1: For The difference is. 807 00:35:37,960 --> 00:35:41,239 Speaker 6: Type A is the very responsible one. You plan and 808 00:35:41,400 --> 00:35:44,080 Speaker 6: organize everything. You have a sense of urgency, and you 809 00:35:44,120 --> 00:35:46,920 Speaker 6: make sure things like, you know, vacations. 810 00:35:46,280 --> 00:35:47,080 Speaker 1: Don't fall apart. 811 00:35:47,880 --> 00:35:50,759 Speaker 6: Type B Uh, you'd give someone the shirt off your back, 812 00:35:50,840 --> 00:35:53,880 Speaker 6: but you need help to You're forgetful, you leave stuff behind, 813 00:35:53,880 --> 00:35:54,560 Speaker 6: and your phone. 814 00:35:54,360 --> 00:35:57,319 Speaker 1: Is always dead. I'd like to assign these to I 815 00:35:57,360 --> 00:36:01,640 Speaker 1: am Type A extremely knowingly, like, don't get me wrong, 816 00:36:01,680 --> 00:36:03,919 Speaker 1: I get it. I'm a little over uh, and then 817 00:36:04,239 --> 00:36:06,479 Speaker 1: all the rest of your hype very much. 818 00:36:06,680 --> 00:36:12,920 Speaker 4: Definitely, it's difficult to be both. 819 00:36:13,040 --> 00:36:13,960 Speaker 2: I've never felt more so. 820 00:36:14,120 --> 00:36:15,640 Speaker 1: Do you guys not feel like it's difficult to be 821 00:36:15,680 --> 00:36:17,839 Speaker 1: a bee. It's hard to be a bee? 822 00:36:18,239 --> 00:36:20,080 Speaker 2: How is it great to be a bee? 823 00:36:22,440 --> 00:36:24,839 Speaker 1: Like? I naturally am an a, but sometimes I just 824 00:36:25,000 --> 00:36:28,360 Speaker 1: am like too much of an a and I'm like 825 00:36:28,520 --> 00:36:31,880 Speaker 1: myself because I'm just I'm not. No, I don't not 826 00:36:31,960 --> 00:36:33,719 Speaker 1: annoyed with the bees so much. If that's what I 827 00:36:33,760 --> 00:36:35,560 Speaker 1: know you for, and that's what I know you guys for, 828 00:36:36,480 --> 00:36:38,080 Speaker 1: but you give me the shot off your back, that's 829 00:36:38,080 --> 00:36:39,439 Speaker 1: what I else. 830 00:36:39,600 --> 00:36:42,279 Speaker 6: So, speaking of friendships, is it okay to lie to 831 00:36:42,320 --> 00:36:44,400 Speaker 6: your friends about what time and events starts? 832 00:36:45,080 --> 00:36:48,480 Speaker 1: Yeah? How about why? Yes? Then too everybody. It's not 833 00:36:48,840 --> 00:36:52,160 Speaker 1: just in general, it's people that you know are going 834 00:36:52,200 --> 00:36:55,839 Speaker 1: to be chronically late. So you start, you just bumped 835 00:36:55,880 --> 00:36:57,520 Speaker 1: the time. The problem is once they start to realize 836 00:36:57,520 --> 00:36:58,640 Speaker 1: your bump at the time, then you got a double 837 00:36:58,680 --> 00:37:00,440 Speaker 1: bump time. Then they just I had to be on 838 00:37:00,520 --> 00:37:03,120 Speaker 1: time one time, and when you double bumped the time, 839 00:37:03,280 --> 00:37:04,960 Speaker 1: and then you're there forty five minutes early, so then 840 00:37:04,960 --> 00:37:06,839 Speaker 1: you never can bump it again. Right, I'm not from 841 00:37:06,880 --> 00:37:08,000 Speaker 1: personal experience or anything. 842 00:37:08,080 --> 00:37:10,680 Speaker 6: I bring this up because of a viral TikTok video 843 00:37:10,719 --> 00:37:12,799 Speaker 6: where this happened to a woman. If you're my best 844 00:37:12,800 --> 00:37:15,680 Speaker 6: friends who just made a reservation for eight thirty and told. 845 00:37:15,440 --> 00:37:19,200 Speaker 9: Me eight, Uh, well played, because I just showed up 846 00:37:19,200 --> 00:37:21,600 Speaker 9: at eight twenty two and was like to those systs, 847 00:37:21,920 --> 00:37:24,279 Speaker 9: like this co for eight o'clock and she was. 848 00:37:24,280 --> 00:37:25,120 Speaker 1: Like three thirty. 849 00:37:25,560 --> 00:37:26,960 Speaker 9: She was like you're the first one here, and I 850 00:37:27,000 --> 00:37:30,000 Speaker 9: was like, well played, well blued. 851 00:37:29,960 --> 00:37:31,720 Speaker 1: So type again and you got that hype? 852 00:37:32,120 --> 00:37:35,400 Speaker 6: Yeah, okay, h do you know what the O N 853 00:37:35,520 --> 00:37:36,680 Speaker 6: O clock stands for? 854 00:37:36,760 --> 00:37:38,240 Speaker 2: Since we're talking about time. 855 00:37:38,440 --> 00:37:43,480 Speaker 1: I don't, I mean think about this four o clock four? 856 00:37:44,400 --> 00:37:46,480 Speaker 1: Oh crap, you guys are late. I've been wait ninety 857 00:37:46,480 --> 00:37:48,560 Speaker 1: for a while. I don't know, I have no idea. 858 00:37:48,719 --> 00:37:48,919 Speaker 8: Yeah. 859 00:37:48,960 --> 00:37:52,239 Speaker 6: Well, so when they would talk about time, be like, 860 00:37:52,320 --> 00:37:54,839 Speaker 6: well of the clock, it'd be like that is oh 861 00:37:54,880 --> 00:37:56,320 Speaker 6: of the of the clock? 862 00:37:56,600 --> 00:37:57,000 Speaker 1: Interesting? 863 00:37:57,080 --> 00:37:58,799 Speaker 2: And so the O is of the. 864 00:37:59,239 --> 00:38:00,359 Speaker 1: You know what cock stands for? 865 00:38:00,520 --> 00:38:02,279 Speaker 7: What you say? 866 00:38:02,880 --> 00:38:05,959 Speaker 1: Cop? Cop? What do you think? Yep? 867 00:38:05,600 --> 00:38:09,960 Speaker 6: Or obviously it's police because you can cop to something. 868 00:38:10,000 --> 00:38:14,000 Speaker 4: Good point amy cop is short for something no, yes, 869 00:38:14,160 --> 00:38:15,640 Speaker 4: but no, but you know you know where it comes from. 870 00:38:17,520 --> 00:38:19,480 Speaker 1: It's not an acronym. No, we don't know. 871 00:38:21,080 --> 00:38:24,400 Speaker 4: I've never thought about it, meaning it deserves police copture. 872 00:38:24,560 --> 00:38:27,160 Speaker 4: But then a cop copper. 873 00:38:28,360 --> 00:38:30,759 Speaker 1: I laugh because copture is funny, but it actually is 874 00:38:30,800 --> 00:38:34,080 Speaker 1: like a foreign language, very French, to capture where it 875 00:38:34,120 --> 00:38:37,680 Speaker 1: comes from. Oh to copture? No, not culture, that's not it. 876 00:38:38,000 --> 00:38:40,880 Speaker 1: That is not it. I am going to capture. But 877 00:38:40,960 --> 00:38:43,480 Speaker 1: I never thought about cop meaning something I didn't even know. 878 00:38:43,920 --> 00:38:50,080 Speaker 1: Bad boys, bad boys? Thank you? Is that it? So? 879 00:38:50,160 --> 00:38:52,560 Speaker 1: It's the word copper was the original word used in 880 00:38:52,600 --> 00:38:55,520 Speaker 1: Britain to mean someone who captures, and copper is from 881 00:38:55,960 --> 00:38:59,600 Speaker 1: the uh sigayer, which is a different word, but copper 882 00:39:00,080 --> 00:39:02,720 Speaker 1: cop is from copper which means to capture, which is cigar. 883 00:39:04,760 --> 00:39:06,720 Speaker 1: I never have just thought about that, but cop Anyway, 884 00:39:06,880 --> 00:39:11,040 Speaker 1: my best membrain O brain on OCD. That was Amy's 885 00:39:11,080 --> 00:39:14,560 Speaker 1: Pile of stories. It's time for the good news. Bobby 886 00:39:18,719 --> 00:39:21,280 Speaker 1: Robert Kirk is a Walmart greader in Salt Lake City 887 00:39:21,560 --> 00:39:23,000 Speaker 1: and he does this thing. He comes to them people 888 00:39:23,160 --> 00:39:26,399 Speaker 1: like what what's up? Little jokes, old stuff, And so 889 00:39:26,520 --> 00:39:29,040 Speaker 1: Cody Wilson and her family they would go into Walmart 890 00:39:29,600 --> 00:39:32,040 Speaker 1: and Robert would talk to her and could tell Cody 891 00:39:32,080 --> 00:39:35,160 Speaker 1: was struggling. There was a sudden shift in her mom's health, 892 00:39:35,600 --> 00:39:39,200 Speaker 1: there was some financial issues and so again Robert Kirk, 893 00:39:39,200 --> 00:39:42,399 Speaker 1: who by the way, Walmart greaders, they're not making six figures, right, 894 00:39:42,800 --> 00:39:46,040 Speaker 1: they're showing up doing their job. He learned that she 895 00:39:46,080 --> 00:39:48,960 Speaker 1: was living on Social Security, and so he was like, hey, 896 00:39:49,000 --> 00:39:50,880 Speaker 1: first she went to the people at Walmart. Then he 897 00:39:50,960 --> 00:39:53,600 Speaker 1: started a crowd fun campaign just to raise a little 898 00:39:53,600 --> 00:39:55,399 Speaker 1: bit to get a little bit of financial relief, telling 899 00:39:55,440 --> 00:39:57,719 Speaker 1: her story. He did all this on his own, and 900 00:39:57,760 --> 00:39:59,680 Speaker 1: she came in and he gave her ten thousand bucks. 901 00:40:00,120 --> 00:40:02,960 Speaker 1: Wow from it just from like hearing her story, working, 902 00:40:04,640 --> 00:40:07,000 Speaker 1: working the people in and then throwing up a little 903 00:40:07,000 --> 00:40:09,759 Speaker 1: crowdfund that didn't even go that viral. It wasn't like 904 00:40:09,760 --> 00:40:12,200 Speaker 1: a ten million dollar crowdfund, but just the people in 905 00:40:12,239 --> 00:40:14,840 Speaker 1: the area that he knew made ten thousand bucks and 906 00:40:14,920 --> 00:40:16,080 Speaker 1: was able to help her get out of a pretty 907 00:40:16,120 --> 00:40:19,960 Speaker 1: rough place financially while she dealt with other stuff. See now, 908 00:40:20,040 --> 00:40:23,919 Speaker 1: Robert Kirk, the greeter needs either a rays hopefully raise, 909 00:40:23,960 --> 00:40:26,640 Speaker 1: but two if they give him like military like stars 910 00:40:26,800 --> 00:40:28,719 Speaker 1: or like Cracker Brow, you get more stars along. Yeah, 911 00:40:29,000 --> 00:40:32,280 Speaker 1: you should get some extra flair. That's like boy scouts, 912 00:40:32,280 --> 00:40:34,680 Speaker 1: Like you get a new something because you just changed 913 00:40:34,680 --> 00:40:37,759 Speaker 1: somebody's life. Yeah, it's a great story. Robert Kirk shout 914 00:40:37,800 --> 00:40:40,720 Speaker 1: out that story from KSLTV. That's what it's all about. 915 00:40:41,239 --> 00:40:45,239 Speaker 1: That was telling me something good. And that is the 916 00:40:45,360 --> 00:40:49,759 Speaker 1: end of the first half of the podcast. Is the 917 00:40:49,880 --> 00:40:54,279 Speaker 1: end of the first half of the podcast. That the podcast. 918 00:40:54,360 --> 00:40:56,800 Speaker 1: That is the end of the first time of the podcast. 919 00:40:56,920 --> 00:40:59,759 Speaker 1: You can go to a podcast too, or you good 920 00:40:59,800 --> 00:41:01,719 Speaker 1: wait so I guess you come out