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Speaker 1: By the way, my brothers, whoever got the number the

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Speaker 1: new don't do it. I'm ready to block you, no

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Speaker 1: matter how much I love you.

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Speaker 2: I don't know.

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Speaker 1: Y'all. See what y'all See what happened? They got the

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Speaker 1: Netflix still Joe Man, Holly World, This this what up? Y'artist?

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Speaker 1: Joe cracked the dog. You know what it is, your boy, Jada,

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Speaker 1: you know what it is?

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Speaker 3: Did Joe and jadas show every show legendary, every show iconic?

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Speaker 1: Shut out the Netflix. We crushing y'all, niggas ah.

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Speaker 3: When you think of today's guests, hold on, that was

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Speaker 3: Netflix they called me. When you think of today's guests,

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Speaker 3: you think of a cold classic, a part of a

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Speaker 3: cold classic in every the error. You think of long range,

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Speaker 3: you think of chops. You think he can play a

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Speaker 3: police officer. He can play under he can play a detective.

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Speaker 3: He can go under Colt, he can play at Colle.

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Speaker 3: Out of the bat, he can play a doctor. He

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Speaker 3: can play anything. If you're around our age, you've seen you.

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Speaker 3: You grew with him to DJ a great family man.

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Speaker 3: He could play a living legends. I've seen him in

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Speaker 3: the hall way on tour, in the dressing room, kicking

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Speaker 3: with him, you know what I mean, Ladies and gentlemen

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Speaker 3: makes some noise for omar Ad.

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Speaker 1: You know, Omar you one of them. Guys. Man, there's

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Speaker 1: not enough to say about you because just like me

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Speaker 1: and Kiss, we grew up watching you on the movie

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Speaker 1: screen for all of our careers. So it's just's no

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Speaker 1: way to roll it out perfectly because we would be

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Speaker 1: here for like a fucking day just explaining, you know,

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Speaker 1: your contributions to the culture and the game.

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Speaker 4: But definitely I grew up with y'all. Appreciate that set, CDs,

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Speaker 4: all of that, you know what I mean. So we

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Speaker 4: was all that in that generation. It was all coming

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Speaker 4: up together, kids with dreams. You know what I'm saying.

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Speaker 4: We are born and bred, you know what I mean.

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Speaker 4: We covered all the bases. The show, right to me

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Speaker 4: is it's almost like a sitcom. So I told him

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Speaker 4: the other day.

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Speaker 1: But he ain't half fluidity. He was under the weather.

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Speaker 1: I was like, yo, you know, Netflix just started a

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Speaker 1: podcast thing and and big up everybody. But I watched

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Speaker 1: all the other podcasts a little fifteen minutes. They ain't

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Speaker 1: got the fluided, They ain't got on war FC it

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Speaker 1: fuck is shining in the Three Beasts to what it

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Speaker 1: set with it. I looked at all of them, and

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Speaker 1: there's some great people on there, but I'm hoping that

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Speaker 1: you're a random customer. Don't got nothing to do on

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Speaker 1: Netflix and they love podcasts and the one time they

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Speaker 1: go boom, they know yo, this ship like the Martin

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Speaker 1: Now y'all y'all killing them. I think I heard you more.

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Speaker 4: I've been watching y'all from the top, and I think

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Speaker 4: one time you said like, yeah, y'all, like the Honeymoon

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Speaker 4: is and I was like, Nah, it's like the Eye.

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Speaker 1: It's the odd couples, like the Eye couple. You know

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Speaker 1: what I'm saying.

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Speaker 4: It's like the odd couple because y'all you know, we

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Speaker 4: know y'all, Like I said, we grew up with y'all.

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Speaker 1: So I was like, everybody else, how's that going rock?

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Speaker 1: You know what I mean? And y'all just you just

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Speaker 1: can't be there. It's so organic, it's so authentic, you

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Speaker 1: know what I mean.

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Speaker 4: And it's just to have these conversations and we all

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Speaker 4: don't seen so much, like been around so many different

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Speaker 4: moments that you know what I mean.

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Speaker 1: It's the show itself. It's this guy like Jay read Man,

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Speaker 1: shoot me every shot. When I go home and watch

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Speaker 1: the repeat like you, I said, mother fuck this, don't

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Speaker 1: snipe me from the get that on the way off.

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Speaker 3: You iconic for the fact your skill and your ability

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Speaker 3: to be on screen and you know the roles you range.

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Speaker 3: You got to work with hellu, you got to work

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Speaker 3: with Pop? What was them days filming Juice? Like I was,

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Speaker 3: I was bak filming Juice was incredible. Man.

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Speaker 1: I was seventeen, specially out of high school, and he

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Speaker 1: was wearing these I was making. I'm saying you was

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Speaker 1: wearing below but you know, getting like in a sense,

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Speaker 1: it happened so fast that it was hard to take

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Speaker 1: in the magnitude of But I will say I felt

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Speaker 1: something special in the sense of the film characters, those

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Speaker 1: moments were speaking to me. I was living that.

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Speaker 4: I felt like, oh yeah, this is like us on

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Speaker 4: the block. So it just felt like I would go

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Speaker 4: see this, you know what I mean, and just like Pop,

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Speaker 4: it's funny because it's like nothing not funny, but like

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Speaker 4: this is.

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Speaker 1: He wasn't the.

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Speaker 4: Tupac everybody, No, he was just Pop just like he

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Speaker 4: was Tupac after that movie. He was But he was

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Speaker 4: like Oh that's my man, and like, you know what

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Speaker 4: I mean, you cooking up doing a music thing, spending

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Speaker 4: versus in the trailer.

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Speaker 1: But he was him. I was like, Yo, that dude

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Speaker 1: got he got something different. I mean, and at l

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Speaker 1: ll I'm sitting here, I'm like, that's crazy.

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Speaker 4: Like you're just sitting down, chopping up, just talking, just

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Speaker 4: giving me you know, business knowledge and things of that nature.

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Speaker 4: And we you know, it's it's interesting now you got

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Speaker 4: all these lists and if this and this that, and

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Speaker 4: it's just like, yo, you've never seen nothing like you know.

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Speaker 1: I think people don't realize how young he was when

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Speaker 1: in Bieber Facts. But I say that all the time.

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Speaker 1: You get mad at me. He's my idol with every.

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Speaker 3: Time, the first artist on Death Jim, and he's still

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Speaker 3: going to wrong and fucking powerful and active as ever.

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Speaker 1: But what I'm saying to you is, I'm a couple

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Speaker 1: of years older than you, and I was outside. Again,

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Speaker 1: I'm a couple of years older than your death and

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Speaker 1: I was outside and I've never seen that lo cool

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Speaker 1: Jake as well. I've seen Big Daddy came, I seen

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Speaker 1: nice and Strong. I've seen all of them. You couldn't

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Speaker 1: even see ll cool Jake. He was like justin Bieber.

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Speaker 1: He popped up so young. Nas used to be like that.

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Speaker 1: For me. It took me man years Nas, I didn't

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Speaker 1: see nothing. No, I was with now when I started.

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Speaker 1: I started with him. I got fitted took me. I've

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Speaker 1: been in funny hotels with Nazi. I've been in bummy

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Speaker 1: hotels with Nas. Talk about Yo, that you think not

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Speaker 1: just to be like, yo, we ever seeing the money gone?

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Speaker 1: I'm like, Yo, you nomadic, don't worry it's gonna come.

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Speaker 1: He be like, yo, god like he ain't no fluinity

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Speaker 1: in this look winter end. No, I was seeing not that.

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Speaker 1: What about Uh, Chris and I play ball? She Yetta,

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Speaker 1: she had both for that. She had two for that movie. Yeah,

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Speaker 1: she had to.

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Speaker 4: We was training and all of that, working with these

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Speaker 4: coaches and you know, to hit a shot when the

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Speaker 4: license on his hard.

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Speaker 1: Yeah, I mean the gym is easy.

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Speaker 4: And it's like, you know, he was really filming and

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Speaker 4: ice schools and all that.

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Speaker 1: You know, you know, crowds are at the ball game.

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Speaker 1: You don't care. Take twenty three, y'all. You know what

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Speaker 1: I mean. It's like, Yo, we're filming something. Man supposed

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Speaker 1: to miss the classic Dog. Yeah. How about the Wood?

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Speaker 1: How is that all filming that?

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Speaker 4: Yeah?

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Speaker 1: Yeah, that's a whole boss. Now twenty six balls for

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Speaker 1: they kill You? I wasn't you got on the title

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Speaker 1: of the movie. Nah, that ship Polly, They're gonna get Inglewood. Say,

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Speaker 1: how is it feeling ingle with Anglewood? Inglewood? Is it? Non? Balls?

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Speaker 1: But the Wood? I think that was like a mature.

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Speaker 4: Version of like the Brotherhood, you know what I mean,

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Speaker 4: Like like you know, they were still from the Mud,

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Speaker 4: but like doing different things.

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Speaker 1: And I think it was a dolt depiction of that

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Speaker 1: version of Brotherhood. And uh, that was fun. Man. Now

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Speaker 1: you got you did about seven eight years on the House.

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Speaker 1: That's the doctor? How is that you just because you

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Speaker 1: get to House and stuff like that. They not cast casting.

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Speaker 1: But that's a.

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Speaker 4: Big part of the reason I wanted to do House

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Speaker 4: is because I'm like, they're not gonna see this coming,

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Speaker 4: because I was aware, or at least in my mind.

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Speaker 1: I'm like, they probably have seen me like this. They

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Speaker 1: think I can only do this. I'm gonna go make

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Speaker 1: this left right here and bring us with me, you

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Speaker 1: know what I mean.

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Speaker 4: Like when I first did House, the one when I

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Speaker 4: was first meeting with them.

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Speaker 1: I was like, yo, it's like, yo, is anything you

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Speaker 1: want the character? You like this, that and the other.

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Speaker 1: And I was like, I want them to keep.

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Speaker 4: Attached to hand because he's from rough and tumbling all this,

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Speaker 4: and I'm like, yeah, yeah, yeah.

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Speaker 1: It was for little kids that look like us. It

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Speaker 1: was like a dog whistle to the like, yo, you

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Speaker 1: could have the white.

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Speaker 4: Jackets too, Because the power of imagery is it's different

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Speaker 4: from the power of voice, like audio.

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Speaker 1: You know what I'm saying, Like all that is so powerful. Man.

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Speaker 1: When we do I feel like we breoled some SAgs.

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Speaker 4: But like you know, listening to a song a fighter

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Speaker 4: before the fight, like yo, it's getting them amp or

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Speaker 4: the ball player before the game. Or you know, when

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Speaker 4: we listen to a song, we sad it put you

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Speaker 4: in a certain move. You can hear a song and

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Speaker 4: smell your grandmother cooking, and you know what I mean,

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Speaker 4: Like the these type of things. So what we do

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Speaker 4: we need we know the power of it, and the

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Speaker 4: younger generation need to know that it's not disposable.

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Speaker 1: It's not just for the dollar. You know what I'm saying,

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Speaker 1: It's much more powerful. You know, it's crazy because my

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Speaker 1: mother she passed away recently. If she was alive right now,

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Speaker 1: she'd be right by the TV listening to the Temptations

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Speaker 1: and the Ojs and all that. And I ain't been

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Speaker 1: able to listen to that kind of music since she

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Speaker 1: passed because it just automatically puts you in that space

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Speaker 1: where I've been, Like, you know what I'm saying. My

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Speaker 1: wife tried to throw that shit on the other day.

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Speaker 1: I was like, Yo, I ain't ready to hear that

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Speaker 1: shit right now, but you will be one day. But

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Speaker 1: you just said you ain't ready. But you see what

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Speaker 1: I'm saying.

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Speaker 4: Like we be so caught up in the hustle, the

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Speaker 4: business of it, but it's a whole other side to

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Speaker 4: this thing.

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Speaker 1: That the reason why we all got in.

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Speaker 4: But I really spoke to us, motivated us from when

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Speaker 4: we're young like I and then we find you gotta

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Speaker 4: lean with that thing, you know what I mean. I'll

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Speaker 4: tell you what I've been doing this thirty years. It's

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Speaker 4: just a blessing every day.

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Speaker 1: Man. Let me tell you something. You look great. Thank

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Speaker 1: you your wife's sister. What is the skin remedy for

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Speaker 1: you guys today? Because your ship looking brand new? Boys?

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Speaker 1: You your wife is a different fluidity. Are you all like,

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Speaker 1: wake up every game? They got a special shape, buddy.

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Speaker 1: Do y'all do pilates at yoga in the house. Everybody like,

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Speaker 1: what's going on? Taking care of yourself for me? You know, listen, wife,

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Speaker 1: you man, just being happy, being happy and got a.

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Speaker 4: Beautiful family, beautiful kids, you know what I'm saying, and

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Speaker 4: the constant state of gratitude and.

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Speaker 1: You know's take care of myself.

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Speaker 4: Let's get to the new movie Moses the Black that

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Speaker 4: some black Yeah, Moses Black Man.

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Speaker 1: I'm excited about this.

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Speaker 4: It's a story about a man who comes to an

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Speaker 4: impact of his life where he realizes he has to

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Speaker 4: become the.

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Speaker 1: Thing that he's right and that's the character I played Elik.

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Speaker 4: And he gets out of prison and he realizes something

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Speaker 4: has to change, he has to become the change. And

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Speaker 4: its juxtapos against the story of the true story of

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Speaker 4: Moses the Black, the Ethiopian who was a saint, and

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Speaker 4: how their story is parallel. So the Moses the Black

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Speaker 4: from fourth century, he was he was the real Robin

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Speaker 4: Hood Like he was a super gangster, you know.

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Speaker 3: What I mean.

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Speaker 4: And then he had a moment where he shifted and

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Speaker 4: went on to evolve to a point to where he's

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Speaker 4: a saint, like going churches around the world. They got

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Speaker 4: the picture of the open man like along with all

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Speaker 4: the other saints that we know right there. So it's

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Speaker 4: kind of like how their stories is running parallel.

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Speaker 1: It's different. It was different.

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Speaker 3: What was it like working with Kwewo that was dope man,

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Speaker 3: Waeo was dope with Shill.

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Speaker 1: You know.

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Speaker 4: The thing is like for us again when I say

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Speaker 4: like storytellers, people always oh rapping this, I'm telling it's

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Speaker 4: just a different format, you know what I mean. And

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Speaker 4: it's the type of project that I feel like everybody

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Speaker 4: that was dead was there for the right reason, so

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Speaker 4: they were open to the process, you know what I'm saying.

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Speaker 4: So it was just dope to see them do their thing,

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Speaker 4: you know, like we're it's done some stuff before.

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Speaker 1: But some of them was just getting the feet. But

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Speaker 1: that's not a poor man because I know, y'all super poor.

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Speaker 1: It's cool. Are you sure? Shut it? You know, I started,

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Speaker 1: I started in this y'all arena. I was like, y'all,

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Speaker 1: I don't play that poor ship. Now. I'm you know,

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Speaker 1: the poors king throwing flags every ten seconds. It's just

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Speaker 1: a strange. It's it's fun as a game, but we

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Speaker 1: can't do that.

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Speaker 4: Everybody like, guys, come on, guys, it's just it's just.

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Speaker 1: The English language. My good, they do it.

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Speaker 3: It's just I really shut out to Cam, shut out

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Speaker 3: to everybody that started it. I really never want to play.

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Speaker 3: But sometimes some of the things people say it like

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Speaker 3: it's coach from the heavens above is like Jesus crazy.

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Speaker 4: Oh my god, it's a lot of it's a lot

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Speaker 4: of lyrics from back in the days.

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Speaker 1: Oh tell me about it. I'm just saying, if you

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Speaker 1: want to go there in to that it be a

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Speaker 1: whole you know you can.

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Speaker 3: It would be that it's never hidden, or if you

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Speaker 3: die your research, it can go on and on and on.

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Speaker 1: No, no, that's crazy if you go to the back

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Speaker 1: in the day's lyrics. But the culture don't change. The

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Speaker 1: slang change. So let me ask you to who baby,

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Speaker 1: I like you? Bro? Is that like a pause? Like mania?

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Speaker 1: I say, how falls that just like crazy?

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Speaker 3: We just knew oh dB was crazy, so that that

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Speaker 3: went perfect with his persona.

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Speaker 1: But in finish, anybody like it wrong.

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Speaker 3: Fact up, one that's really from somewhere in the Bible

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Speaker 3: is reworded.

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Speaker 1: That's that's in there. This is it. They just put

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Speaker 1: it different, you know, the actors and industry and shout out.

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Speaker 1: My sister Tiana, she called me yesterday, shout out, she

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Speaker 1: got you, she got me, She got you. You're fluid.

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Speaker 1: You see how your brother? Yeah, come on, man, don't

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Speaker 1: do that. She got your fluidity. You know what I'm saying.

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Speaker 1: The guy on me, he got me. I'm like, if

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Speaker 1: I go to CBS, I got him with I swear

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Speaker 1: to god, they think I got Jada. Does that happen

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Speaker 1: to you now? On the street they think I got

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Speaker 1: Jada kissed with me. I'm in the CBS. I could

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Speaker 1: be in the show Jaya. Where's Joe? Joe little fucking

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Speaker 1: smoke cigars just ringing the moviewhere. I'm like, yo, bro,

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Speaker 1: he's home. He's doing this thing. Like what are y'all

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Speaker 1: asking for? What? That came my way?

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Speaker 3: If I ever call you a FaceTime I charged the

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Speaker 3: five thousand.

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Speaker 1: You want to see joahs your crack? I mean, I'll

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Speaker 1: let you somebody there. They gave me five. It's my

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Speaker 1: number for the first time in thirty years, not because

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Speaker 1: I was getting threats or nothing like that. What happened

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Speaker 1: to me was I had friends that I truly love,

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Speaker 1: that I love that I grew up with this stuff

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Speaker 1: like that. Still have my number and anytime they would

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Speaker 1: call me at any time of the day and it's

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Speaker 1: always face tied be like, yo, I told you he's here.

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Speaker 1: I hate that shit like no, no, it's a pet peeve.

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Speaker 1: Like By the way, my brothers, whoever got the number

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Speaker 1: the new don't do it. I'm ready to block you,

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Speaker 1: no matter how much I love you. I don't know.

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Speaker 1: You see what ye see what happened they got the Netflix?

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Speaker 1: Still show me Hollywood this That's not what I'm saying.

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Speaker 1: I figure.

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Speaker 3: What I'm saying is, don't FaceTime nobody with no surprises.

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Speaker 1: Chef Mark my brother, one of my true with friends,

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Speaker 1: my best friends in the world. Don't go to the

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Speaker 1: random restaurant and bring out the chef on that I

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Speaker 1: might be topless, yo, you know that. You know, let's

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Speaker 1: say that fly. You know, Puerto Rican's real top You

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Speaker 1: call any of your Puerto Rican homies in the house.

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Speaker 1: They never got a shirt on even when I call them.

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Speaker 1: I'm keeping it real with you. They topless, right, So,

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Speaker 1: but your chef, you know it's like one of my

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Speaker 1: best friends on earth. When I ain't have a dollar.

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Speaker 1: He you know, he's always been there for me. I

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Speaker 1: love him at depth of your chef. Stop like, y'all

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Speaker 1: gotta stop calling me with yo. I don't want that.

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Speaker 1: That's one thing I'm not.

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Speaker 4: The face sounds being Trueive, I feel you on that

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Speaker 4: depending that a just.

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Speaker 3: Call me, but you on the side of the road

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Speaker 3: with it. No face time it should be unless it's something.

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Speaker 3: Face time is great, but at the same time it ain't.

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Speaker 1: It eliminates the mystery right Like It's like, you can't

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Speaker 1: disappear no more like that right right? You could have

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Speaker 1: disappeared right You could have told somebody, yo, I'm in Miami.

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Speaker 1: You could be down the block. They can't see you

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Speaker 1: right now. I was like, Yo, my man, what's up

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Speaker 1: with the palm tree? Like they know that's why you

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Speaker 1: can't all that location. You can fake it though, go

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Speaker 1: right by the speaker. Let me can't cool with a

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Speaker 1: white background. That's crazy. That's the one thing my wife

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Speaker 1: hates about this set is the fake palm trees. Every

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Speaker 1: time she bought to she be like, man, I'm fake

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Speaker 1: palm trees. I'd be like, yo, ma, we need some

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Speaker 1: fluid it motherfucker. We get real. It's a fields. My

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Speaker 1: shit is if it ain't broke, don't fix fix sh it.

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Speaker 3: We out here least he COMPLI minute the set when

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Speaker 3: he came, You're like, yo, this you know, listen, we

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Speaker 3: expla ain't suning you man.

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Speaker 1: Nah, I don't want to go back. O. Myams came

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Speaker 1: in clean and all that. Don't don't this executive. You

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Speaker 1: know I'm crazy, man, y'all strike this executive produced about

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Speaker 1: fifty Yeah, yeah, bout fifty myself for real. That's beautiful.

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Speaker 1: One of my one of my questions was Black Hollywood

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Speaker 1: in like the nineties. What was that like out there?

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Speaker 1: Who was coming up?

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Speaker 4: And I mean everybody you could think of me, you know,

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Speaker 4: the friends kind fives. It was a beautiful time, you

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Speaker 4: know what I'm talking about? Like, Yo, it was so

359
00:19:39,440 --> 00:19:42,440
Speaker 4: much love back. Everybody had they little beef or whatever,

360
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Speaker 4: but it was I just remember so much love back

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Speaker 4: in the day. Unity, unity, like real unity, Like everybody

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Speaker 4: was just fat Joe in the early nineties was in

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Speaker 4: the Qualm May video.

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Speaker 1: It wasn't a bit. They called me up and be like, yo, come,

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Speaker 1: I come talking about I'm just saying I was bro

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Speaker 1: when I came in the game. It was about love.

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Speaker 1: It was about everybody jumping in everybody's video, everybody loving

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Speaker 1: each other, supporting each other, and this and somewhere where

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Speaker 1: he's trying to say, I could tell you a hip hop.

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Speaker 1: It all started when people actually started making money. That's

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Speaker 1: when that ego turned into like, y'all, I'm better than you.

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Speaker 1: I'm bigger than you. My shit bigger. Our crew is

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Speaker 1: more rugged we got. As soon as they started handing

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Speaker 1: over that bag, I watched the nicest pedestrians turn into

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Speaker 1: gang bangers, all type of things. I'm like, oh, this

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Speaker 1: shit crazy. That's like, I guess it's a part of

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Speaker 1: the process, right.

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Speaker 4: I think when the bag comes into anything, then you

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Speaker 4: get to see, you know, characters, you know people Gotta

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Speaker 4: give them a chance to grow and evolve too, because

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Speaker 4: it's something you.

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Speaker 1: Speak about a lot, and I'm like, I relate to that.

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Speaker 4: Like I've been around, I've seen I was young, so

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Speaker 4: a lot of the older heads don't remember.

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Speaker 1: That was me, the quiet kid in the corner. I've

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Speaker 1: seen you do that.

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Speaker 4: I've seen this, I've seen that, and I'm just taking

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Speaker 4: notes the whole time. And I've seen people talk to

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Speaker 4: certain people or treating but a certain way. Look up

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00:21:16,920 --> 00:21:20,560
Speaker 4: for four years they running that company and they treat

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Speaker 4: Reezy and you wondering why I'm sitting there like that's

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Speaker 4: right because you used to shop on that person or

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Speaker 4: whatever the case. So it's just you know, you learned

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Speaker 4: living learning, and you know, for the younger generation, they baggings.

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Speaker 4: It's almost like it's not fair. It's like it's sports, right.

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Speaker 4: We happy for them, but it ain't fair. But I'm

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Speaker 4: saying it ain't we happy form, but it ain't fair.

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Speaker 4: It ain't fit in them because if you're.

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Speaker 1: Coming in eighteen nineteen.

400
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Speaker 4: You know too much money that like when you're doing

401
00:21:54,920 --> 00:21:58,560
Speaker 4: five hundred show, seven hundred show, you you're like you

402
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Speaker 4: can feel the weight of what or earning.

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Speaker 1: If somebody just come off top, like yo, here's a

404
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Speaker 1: hundred milon see.

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Speaker 3: You're a teenager or whatever.

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Speaker 1: He I mean, we just that that lineage. We never

407
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Speaker 1: had that we could play Moses Black. But if we

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Speaker 1: wasn't knowing, you would go back a hundred years to

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Speaker 1: see if somebody in my family got money. They ain't

410
00:22:23,320 --> 00:22:25,800
Speaker 1: never get money like this or had that like so

411
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Speaker 1: this is all learning why you're growing, you know, and

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Speaker 1: and and with me, I had a lot of like today,

413
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Speaker 1: I cut somebody off. They had somebody after you guess.

414
00:22:36,600 --> 00:22:39,320
Speaker 1: I watched the ship. It was an amazing story. I

415
00:22:39,359 --> 00:22:41,080
Speaker 1: found out he was a rat. I said, Yo, he

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Speaker 1: can't come up here on this couch. That Nick can't

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Speaker 1: come in here. Hey, he just can't. You can't come

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Speaker 1: on this couch for my fluidity. Right. But what I'm

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00:22:55,119 --> 00:23:00,800
Speaker 1: saying to you, Ish, this is years of developing and

420
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Speaker 1: these characters and going through mistakes and floors, and there's nothing.

421
00:23:05,280 --> 00:23:08,199
Speaker 1: We ain't know nothing, you know what I'm saying. You

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Speaker 1: know the beauty Joe, not the cuts from that.

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Speaker 4: We gave ourselves a chance to evall and to learn.

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00:23:14,760 --> 00:23:18,040
Speaker 4: This younger generation they cutting themselves at the means. It's

425
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Speaker 4: like getting to this stage.

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Speaker 1: It's a luxible. It's a blessings, you know what I mean?

427
00:23:23,960 --> 00:23:28,480
Speaker 1: Every single let them know. Get that's that real single

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Speaker 1: day we wake up we call each other, yo, thank

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Speaker 1: god we got another day right now at this point

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00:23:34,720 --> 00:23:38,040
Speaker 1: Highway Robbins. Right. So my wife and my daughter went

431
00:23:38,080 --> 00:23:41,200
Speaker 1: out last night and I stood home by by the way.

432
00:23:41,280 --> 00:23:48,400
Speaker 1: It feels good. Being home by yourself. They fit is incredible. Email.

433
00:23:48,520 --> 00:23:53,000
Speaker 1: Why I don't know this ship? I go pause? Did

434
00:23:53,000 --> 00:23:58,240
Speaker 1: you cut the hold up? I got the new set, yo, Listen,

435
00:23:58,320 --> 00:24:01,600
Speaker 1: I got a new massage ship. It's so expensive. Don't

436
00:24:01,640 --> 00:24:05,440
Speaker 1: try this at home. But I bought the motherfucker and

437
00:24:05,480 --> 00:24:07,600
Speaker 1: I went up in there. Right, you went with me,

438
00:24:07,600 --> 00:24:11,840
Speaker 1: may But listen what I'm saying that I like taking bath.

439
00:24:11,960 --> 00:24:15,719
Speaker 1: So I got the big jakouzie. I'm by myself. I'm

440
00:24:15,720 --> 00:24:19,399
Speaker 1: playing I want. It's a paus moment.

441
00:24:19,600 --> 00:24:22,399
Speaker 3: That's what he pre fall. He through the flag early.

442
00:24:23,320 --> 00:24:25,919
Speaker 3: Let's just get it out the way. Let's get him

443
00:24:25,960 --> 00:24:28,520
Speaker 3: out the way. Now you can tell the story and peace.

444
00:24:28,600 --> 00:24:31,399
Speaker 3: We had to throw the flags. He already heard the bath.

445
00:24:33,040 --> 00:24:35,639
Speaker 1: Listen, Malls, he's playing that ship up on there. Someone

446
00:24:35,880 --> 00:24:38,399
Speaker 1: thank you. Then I'm just looking at little ship, like

447
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Speaker 1: the light bulbs and the fucking marble with the and

448
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449
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450
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451
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Speaker 1: and I'm looking at the light bulbs. That's real, motherfucker.

452
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Speaker 1: This is great. And I've been living there fourth I'm like.

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Speaker 1: It's amazing, man, to get to that point and still

496
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Speaker 1: be trying to grow. Oh yeah, and still it's a

497
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Speaker 1: lot of stuff like Fat Joe. I don't want to

498
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Speaker 1: interview myself. They say, yeah, Joety too much. But I

499
00:27:32,640 --> 00:27:36,440
Speaker 1: had to work on myself. I was a really bad guy,

500
00:27:36,840 --> 00:27:39,600
Speaker 1: like a really bad guy, and they knew it, and

501
00:27:39,680 --> 00:27:42,240
Speaker 1: so they were scared of me. This whole fucking industry

502
00:27:42,359 --> 00:27:46,160
Speaker 1: was terrified. And so what they do when they terrified

503
00:27:46,160 --> 00:27:50,080
Speaker 1: of a guy, they block your blessings and they're like, yo,

504
00:27:50,119 --> 00:27:52,440
Speaker 1: why would you? It's same thing in the drug game.

505
00:27:53,760 --> 00:27:57,520
Speaker 1: I'm the connect, I'm l Choppo. I got a guy

506
00:27:57,560 --> 00:28:00,960
Speaker 1: who's a nice guy, who's nonviolent, who always turns his

507
00:28:01,119 --> 00:28:04,200
Speaker 1: money in time. Now that another guy who might kill

508
00:28:04,280 --> 00:28:07,160
Speaker 1: me for these bricks? Why would I want to make

509
00:28:07,240 --> 00:28:11,119
Speaker 1: him powerful and feed him when I could keep dealing

510
00:28:11,160 --> 00:28:13,960
Speaker 1: with all right, so we could deal with Fat Joe,

511
00:28:14,080 --> 00:28:15,719
Speaker 1: you could deal with Lupe Fiasco.

512
00:28:15,960 --> 00:28:18,320
Speaker 4: But you know what those But you know what, though, joke,

513
00:28:18,480 --> 00:28:20,720
Speaker 4: you always had a good heart. I'll tell you a

514
00:28:20,760 --> 00:28:22,840
Speaker 4: story that you fight don't even remember. I don't know

515
00:28:22,880 --> 00:28:27,119
Speaker 4: speak on the God off God bless When pun hal

516
00:28:27,200 --> 00:28:30,320
Speaker 4: first past, Steve Rifkin called me one day, you was

517
00:28:30,400 --> 00:28:31,000
Speaker 4: on the phone.

518
00:28:31,200 --> 00:28:33,200
Speaker 1: He called me like God talks from me. That's a

519
00:28:33,520 --> 00:28:37,680
Speaker 1: very you know, uh sensitive moment. He was just like, yo,

520
00:28:37,760 --> 00:28:41,160
Speaker 1: you're long to say, and I'm all right, we got

521
00:28:41,200 --> 00:28:44,240
Speaker 1: on three yo. You was really feeling it devastated.

522
00:28:44,360 --> 00:28:47,240
Speaker 4: We talked for a minute or whatever, but I just like, damn,

523
00:28:47,800 --> 00:28:50,120
Speaker 4: and I told you, I was like, yo, in a

524
00:28:50,200 --> 00:28:54,040
Speaker 4: way kind of like humanized like hip hop, like.

525
00:28:54,400 --> 00:28:56,800
Speaker 6: Human stuff can happen to it because we all grew

526
00:28:56,880 --> 00:28:59,840
Speaker 6: up all we all like we thought every rappers is

527
00:29:00,640 --> 00:29:03,560
Speaker 6: like literally like I heard y'all talk about this on it,

528
00:29:03,680 --> 00:29:05,240
Speaker 6: but I'm like, yo, it's a little kid nap. We

529
00:29:05,360 --> 00:29:07,120
Speaker 6: really thought that, you know what I'm saying, And so

530
00:29:07,160 --> 00:29:09,560
Speaker 6: something like health and things of that nation.

531
00:29:09,760 --> 00:29:12,240
Speaker 1: I remember me and you was talking about that. Only

532
00:29:12,280 --> 00:29:15,160
Speaker 1: say that to say you always had a good heart.

533
00:29:15,400 --> 00:29:17,760
Speaker 4: You might've you know, done some things here and there,

534
00:29:17,840 --> 00:29:21,120
Speaker 4: but I think that's why continue to get blessed, you

535
00:29:21,120 --> 00:29:23,960
Speaker 4: know what I'm saying, because your your heart was kind

536
00:29:23,960 --> 00:29:25,280
Speaker 4: of like always in the right place.

537
00:29:25,280 --> 00:29:28,480
Speaker 1: You felling what I'm saying. Yeah, So yeah, thank you

538
00:29:28,560 --> 00:29:32,600
Speaker 1: man for that. Yeah, I got a good heart. Huh.

539
00:29:32,960 --> 00:29:35,240
Speaker 1: Let me tell you something. Yeah, my heart was always

540
00:29:35,240 --> 00:29:37,000
Speaker 1: in the right place, even when I grew up in

541
00:29:37,000 --> 00:29:39,840
Speaker 1: the Bronx before rap music. It was always trying to

542
00:29:39,880 --> 00:29:42,680
Speaker 1: help people and look out for people. But you know,

543
00:29:42,760 --> 00:29:45,040
Speaker 1: it's a matter of about You know. I got a

544
00:29:45,080 --> 00:29:50,120
Speaker 1: friendly passed away, older white guy, my man, Kevin Buckman

545
00:29:50,200 --> 00:29:55,040
Speaker 1: rest in peace, Remark of America. And we had these

546
00:29:55,080 --> 00:29:59,400
Speaker 1: conferences where we talked to like fifty thousand people and

547
00:29:59,520 --> 00:30:02,240
Speaker 1: motivate them and stuff like that to be entrepreneurs. So

548
00:30:02,280 --> 00:30:04,440
Speaker 1: one day I sit in the back with him and

549
00:30:04,480 --> 00:30:06,479
Speaker 1: we talked and he was like, Yojoe, tell me how

550
00:30:06,520 --> 00:30:08,800
Speaker 1: you grew up. I said, oo, Cav, you know I

551
00:30:08,840 --> 00:30:11,240
Speaker 1: grew up. He was like, no, not, I'm interested because

552
00:30:11,240 --> 00:30:14,200
Speaker 1: he was a big coach. I said, well, sold a

553
00:30:14,240 --> 00:30:19,040
Speaker 1: lot of drugs. Said you know, I'm embarrassed. I'm actually

554
00:30:19,080 --> 00:30:24,360
Speaker 1: ashamed of you. He said, we shouldn't And I said,

555
00:30:24,360 --> 00:30:28,640
Speaker 1: what you mean, Cav. He said, that was your natural habitat.

556
00:30:28,720 --> 00:30:31,320
Speaker 1: You did what you had to do to survive. He said,

557
00:30:31,320 --> 00:30:33,320
Speaker 1: you think if I ain't grow up in them projects

558
00:30:33,360 --> 00:30:35,840
Speaker 1: in the Bronx and the only way to get up

559
00:30:35,880 --> 00:30:38,400
Speaker 1: out of there was selling drugs, I wouldn't have sold drugs.

560
00:30:38,480 --> 00:30:42,240
Speaker 1: This was shocking to me that he even thought like that.

561
00:30:43,160 --> 00:30:45,239
Speaker 1: Although we're not proud about it, but he was just

562
00:30:45,320 --> 00:30:48,320
Speaker 1: like Yo, you dealt with what was strown at you,

563
00:30:48,400 --> 00:30:50,520
Speaker 1: with the cards that were stown at you. You had

564
00:30:50,560 --> 00:30:53,440
Speaker 1: to deal with that. And pretty much that's the story

565
00:30:53,440 --> 00:30:54,960
Speaker 1: of my life. I think if I grew up in

566
00:30:55,000 --> 00:30:57,720
Speaker 1: a better place and shit like that, I might have

567
00:30:57,760 --> 00:30:58,080
Speaker 1: been But.

568
00:30:58,040 --> 00:30:59,960
Speaker 7: We always say that, even when we look at the

569
00:31:00,480 --> 00:31:02,640
Speaker 7: old heads that was legends and all of that, you

570
00:31:02,840 --> 00:31:04,960
Speaker 7: always be like, Yo, they grew up and went to

571
00:31:05,040 --> 00:31:06,840
Speaker 7: stamping and you know, this dude could have ran a

572
00:31:06,880 --> 00:31:09,120
Speaker 7: fortune five hundred you know what I mean, But he

573
00:31:09,160 --> 00:31:11,080
Speaker 7: grew up in the peas over here, you know what

574
00:31:11,080 --> 00:31:13,280
Speaker 7: I'm saying, off work or whatever.

575
00:31:13,920 --> 00:31:16,959
Speaker 1: And that's what it was. And they were entrepreneurs. Just

576
00:31:17,760 --> 00:31:20,200
Speaker 1: the product that was available. It was when it was

577
00:31:20,240 --> 00:31:24,120
Speaker 1: given actually worked harder because you got your friends trying

578
00:31:24,120 --> 00:31:27,640
Speaker 1: to kill you and come up, you got the police

579
00:31:27,680 --> 00:31:29,800
Speaker 1: trying to lock you up every day. Then you got

580
00:31:29,800 --> 00:31:32,680
Speaker 1: the fast deal giving you the long term.

581
00:31:32,760 --> 00:31:37,920
Speaker 3: I mean, that's the long term for four hundred showered policy.

582
00:31:38,040 --> 00:31:40,000
Speaker 1: So you got that. They all be Yo.

583
00:31:40,920 --> 00:31:44,880
Speaker 4: I was watching this documentary remember Crazy Eddie. Yeah, they

584
00:31:44,880 --> 00:31:47,800
Speaker 4: had the documentary. I'm like, yo, I remember Crazy Yo wreck.

585
00:31:48,200 --> 00:31:50,960
Speaker 4: What's crazy versus is insane?

586
00:31:51,280 --> 00:31:53,760
Speaker 1: It was insane for real. It was a whole operation

587
00:31:53,920 --> 00:31:57,360
Speaker 1: where it was movie shit. Him, Michael Milker, like all

588
00:31:57,400 --> 00:31:57,960
Speaker 1: these dudes.

589
00:31:57,960 --> 00:31:59,680
Speaker 4: It's like, yo, they you know, when they come to

590
00:31:59,680 --> 00:32:01,920
Speaker 4: the black and brown community, they always try to put

591
00:32:01,920 --> 00:32:03,280
Speaker 4: this stigma on us.

592
00:32:03,320 --> 00:32:06,280
Speaker 1: But it's like when you turn the light on other communities.

593
00:32:06,280 --> 00:32:09,320
Speaker 1: Ainybody doing the same thing. You know what I'm saying.

594
00:32:09,560 --> 00:32:11,680
Speaker 1: We just we just had of control. We just be

595
00:32:11,760 --> 00:32:14,360
Speaker 1: styling on themselves. How was it big?

596
00:32:14,520 --> 00:32:19,160
Speaker 3: Managing a household with you a superstar actor and your

597
00:32:19,240 --> 00:32:24,080
Speaker 3: wife a superstar singing part of a superstar group, down

598
00:32:24,120 --> 00:32:25,520
Speaker 3: with a superstar label.

599
00:32:26,600 --> 00:32:29,240
Speaker 1: Man wifey man, That's that's my world right there.

600
00:32:29,600 --> 00:32:32,560
Speaker 4: We've been down so long, like as far as like

601
00:32:33,200 --> 00:32:36,800
Speaker 4: knowing each other and growing together andy thing like that.

602
00:32:36,920 --> 00:32:40,760
Speaker 4: So starting the family was just kind of like, she's

603
00:32:40,760 --> 00:32:43,880
Speaker 4: to me more beautiful on the inside than the out,

604
00:32:43,960 --> 00:32:46,440
Speaker 4: and that's what counts. And so to be able to

605
00:32:46,520 --> 00:32:49,880
Speaker 4: have a family for that.

606
00:32:51,760 --> 00:32:53,840
Speaker 1: You live in that little town they told us about

607
00:32:53,840 --> 00:32:58,600
Speaker 1: a little town in Georgia. That wasn't you who what

608
00:32:58,840 --> 00:33:01,200
Speaker 1: was it? Somebody? Bam one of them told us they

609
00:33:01,240 --> 00:33:04,640
Speaker 1: live in the Alpinia, Georgia. Nona, No, now we out,

610
00:33:04,680 --> 00:33:07,640
Speaker 1: we out on the West coast. But a man right started,

611
00:33:07,680 --> 00:33:10,080
Speaker 1: I want to live in the little town one day.

612
00:33:10,560 --> 00:33:17,560
Speaker 1: You know how that fit like big ja Coozie's big ship.

613
00:33:17,720 --> 00:33:22,040
Speaker 1: I get that on the way home, mother fucking night,

614
00:33:24,120 --> 00:33:26,320
Speaker 1: right in my face, I get that on the way home.

615
00:33:26,560 --> 00:33:29,719
Speaker 1: Its trazy. I've always dreamed of. Like you know, when

616
00:33:29,760 --> 00:33:32,480
Speaker 1: we go on tour and we drive them buses all over,

617
00:33:32,520 --> 00:33:35,720
Speaker 1: I'll be like, damn, I would like to live it's

618
00:33:35,720 --> 00:33:36,640
Speaker 1: some ship like.

619
00:33:36,680 --> 00:33:38,560
Speaker 4: This, Now you want to have it? We might have

620
00:33:38,800 --> 00:33:42,640
Speaker 4: a spot there. But listen, we city kids do them too.

621
00:33:43,280 --> 00:33:45,600
Speaker 1: It is me right, you know what. I bought a

622
00:33:45,680 --> 00:33:49,160
Speaker 1: house in fucking this ship is crazy. I bought a

623
00:33:49,200 --> 00:33:53,200
Speaker 1: house when I first moved to Miami. I start hanging

624
00:33:53,200 --> 00:33:57,280
Speaker 1: out with all these all football players and the football

625
00:33:57,280 --> 00:34:00,680
Speaker 1: players they live out western plantation acres, and he got

626
00:34:00,920 --> 00:34:06,040
Speaker 1: big ass houses. I mean my house was big, and

627
00:34:06,120 --> 00:34:09,239
Speaker 1: the next door neighbor ships was three times bigger than mine.

628
00:34:09,280 --> 00:34:11,879
Speaker 1: Every guy on the block was a football player, right,

629
00:34:11,960 --> 00:34:16,040
Speaker 1: So people riding horses and ship I'm coming from New York,

630
00:34:16,200 --> 00:34:17,960
Speaker 1: you know what I'm saying. With the New York fluidity,

631
00:34:18,040 --> 00:34:20,000
Speaker 1: I thought that's what I wanted when I went there.

632
00:34:20,160 --> 00:34:25,520
Speaker 1: Man middle of the night. You hear that you got

633
00:34:25,640 --> 00:34:30,400
Speaker 1: fucking posses of rack coons. I was shockl posses Nick

634
00:34:30,520 --> 00:34:36,000
Speaker 1: kicks Scullies on the coming on the window. I'm like, yoall,

635
00:34:36,040 --> 00:34:38,640
Speaker 1: get the fuck. They're like, yo, my man, like your

636
00:34:38,719 --> 00:34:42,960
Speaker 1: raccoons ain't scared of nobody. Bang on and shit do

637
00:34:43,120 --> 00:34:51,799
Speaker 1: whatever you listen your raccoons was Cully's joke. I'm just

638
00:34:51,840 --> 00:34:55,520
Speaker 1: trying to tell you that in Miami they did not

639
00:34:55,680 --> 00:34:59,120
Speaker 1: well they could at least somebodys ther motherfuckers don't give

640
00:34:59,120 --> 00:35:02,640
Speaker 1: a fuck, Like I'm banging on the window. Yo, Yo, Yo, Yo, Trump,

641
00:35:02,719 --> 00:35:05,880
Speaker 1: They're not scared. Now go in your garbage right in

642
00:35:05,880 --> 00:35:09,880
Speaker 1: front of you. It is cool playing. They fucking Doug.

643
00:35:11,280 --> 00:35:15,040
Speaker 1: You know what you know, Florida people have like animals,

644
00:35:15,080 --> 00:35:19,919
Speaker 1: like animals they're not supposed to have. Florida Wilde. I'm

645
00:35:19,920 --> 00:35:26,359
Speaker 1: mad them niggas just going I'm like, what the it's

646
00:35:26,400 --> 00:35:30,960
Speaker 1: got a camel fucking or something. This ship out of control, Like,

647
00:35:31,640 --> 00:35:34,400
Speaker 1: I'm scared that the only good thing about Florida. I

648
00:35:34,440 --> 00:35:38,239
Speaker 1: got the Tony Monte Yo, always waiting for somebody come now.

649
00:35:39,440 --> 00:35:43,640
Speaker 1: I had the big ship man say, I loaded my know,

650
00:35:43,760 --> 00:35:48,240
Speaker 1: the stupid dumb them ship man, somebody try to break

651
00:35:48,280 --> 00:35:51,960
Speaker 1: in that front door. I just couldn't wait, guys, carry

652
00:35:52,040 --> 00:35:54,440
Speaker 1: so I got this, and all you guys that live

653
00:35:54,520 --> 00:35:57,520
Speaker 1: in a legal gun state all got one of them

654
00:35:57,520 --> 00:36:00,200
Speaker 1: shits by the door. Wait for somebody to walk up

655
00:36:00,280 --> 00:36:02,200
Speaker 1: in that bitch. I'll be like where they come up

656
00:36:02,440 --> 00:36:04,560
Speaker 1: terminated to that ship.

657
00:36:04,960 --> 00:36:08,920
Speaker 3: I can't wait right now, right the bell house now

658
00:36:09,160 --> 00:36:11,040
Speaker 3: terminated to come in.

659
00:36:15,520 --> 00:36:17,960
Speaker 1: Yeah, but you know, I mean, it was an experience,

660
00:36:18,080 --> 00:36:19,839
Speaker 1: But I always say I wish I could live in

661
00:36:19,880 --> 00:36:20,800
Speaker 1: like a little town.

662
00:36:22,239 --> 00:36:25,040
Speaker 4: I like visiting, But you know, unless I'm on like

663
00:36:25,320 --> 00:36:28,000
Speaker 4: Allen somewhere, like when I travel the world, that's when

664
00:36:28,000 --> 00:36:30,680
Speaker 4: I be like, man, I can pick up a thing.

665
00:36:30,800 --> 00:36:33,200
Speaker 4: Plus my son and we are senior in high school,

666
00:36:33,239 --> 00:36:36,399
Speaker 4: so we about to be empty Nesta's so.

667
00:36:36,360 --> 00:36:40,040
Speaker 1: I'm already like, yeah, you know what I'm saying. You

668
00:36:40,080 --> 00:36:42,120
Speaker 1: know what I mean, we could fly to work. Well

669
00:36:42,920 --> 00:36:43,759
Speaker 1: now I'm ready to.

670
00:36:44,080 --> 00:36:47,719
Speaker 3: Allan is nice as far as the bag, I know

671
00:36:47,800 --> 00:36:51,400
Speaker 3: that's always lovely and a plus. But you still do

672
00:36:51,400 --> 00:36:55,960
Speaker 3: you have that same passion about for sure, because it's

673
00:36:56,000 --> 00:37:00,640
Speaker 3: it never leaves you in evolving, you know, doing right.

674
00:37:00,719 --> 00:37:02,400
Speaker 1: And I'm going to direct one day.

675
00:37:02,600 --> 00:37:05,120
Speaker 4: You know, just evolving, getting into the other parts of it,

676
00:37:05,280 --> 00:37:07,279
Speaker 4: not just you know, in front of the camera. When

677
00:37:07,320 --> 00:37:09,160
Speaker 4: I am in front of the camera, it's really something

678
00:37:09,160 --> 00:37:10,280
Speaker 4: that I want to be.

679
00:37:10,480 --> 00:37:12,719
Speaker 1: It's really how I want to spend my time. And

680
00:37:12,840 --> 00:37:14,240
Speaker 1: I feel like front of the camera.

681
00:37:14,440 --> 00:37:16,799
Speaker 4: Yeah, in front of the camera, but yeah, being an

682
00:37:16,880 --> 00:37:20,040
Speaker 4: actor and it's you know, the artist forever.

683
00:37:20,440 --> 00:37:21,040
Speaker 1: This is a crap.

684
00:37:21,120 --> 00:37:23,600
Speaker 4: I think you will much like you know write, and

685
00:37:23,640 --> 00:37:27,439
Speaker 4: I think get better in time because you live more,

686
00:37:28,200 --> 00:37:29,799
Speaker 4: got more rain, you.

687
00:37:29,760 --> 00:37:32,640
Speaker 1: Know what I mean. So you know, I'm excited about

688
00:37:32,680 --> 00:37:36,640
Speaker 1: this next chapter. What are some of the black actors'

689
00:37:36,640 --> 00:37:38,320
Speaker 1: most iconic scenes?

690
00:37:41,280 --> 00:37:45,600
Speaker 4: Jack cogg I can't front Joe. Nobody's ever asked for

691
00:37:45,680 --> 00:37:52,160
Speaker 4: that question ever, so I can't front. So I'm the

692
00:37:52,320 --> 00:37:59,080
Speaker 4: first scene I'm thinking of Sydney Poitier. It was basically

693
00:37:59,120 --> 00:38:01,640
Speaker 4: the first time seeing a black man smack a white

694
00:38:01,719 --> 00:38:04,920
Speaker 4: man camp. Damn, I've seen that on the clip. I've

695
00:38:04,960 --> 00:38:07,719
Speaker 4: seen that in the heat of the night, I believe. Yeah, yeah,

696
00:38:08,000 --> 00:38:10,960
Speaker 4: it was just so jarring. You never seen that before.

697
00:38:11,719 --> 00:38:16,520
Speaker 4: But that's also my acting hero since you know what

698
00:38:16,560 --> 00:38:19,160
Speaker 4: I mean, rest in peace. Trying to think of that.

699
00:38:19,280 --> 00:38:22,600
Speaker 4: There's so many scenes and do the right thing like

700
00:38:23,239 --> 00:38:26,759
Speaker 4: three or four of them. I mean, that was a

701
00:38:26,800 --> 00:38:29,000
Speaker 4: great question. Yeah, that was a great question. But that's

702
00:38:29,000 --> 00:38:32,440
Speaker 4: the first one that comes from mind. Yeah, that was

703
00:38:32,480 --> 00:38:35,200
Speaker 4: some of the act. Hold up was one of the

704
00:38:35,200 --> 00:38:40,560
Speaker 4: most iconic scenes. Did you would call this same question

705
00:38:40,640 --> 00:38:45,839
Speaker 4: for you Cane's grandfather? Do you care whether you live

706
00:38:45,960 --> 00:38:51,760
Speaker 4: or die? I don't know, m look at his face.

707
00:38:53,880 --> 00:38:54,319
Speaker 1: You can't.

708
00:38:54,400 --> 00:38:54,600
Speaker 3: You know?

709
00:38:54,680 --> 00:38:59,080
Speaker 1: Your man? Your man always gone your man. I always

710
00:38:59,120 --> 00:39:04,160
Speaker 1: got to revolve, man, how is he looking at me?

711
00:39:04,400 --> 00:39:04,440
Speaker 6: Do?

712
00:39:04,800 --> 00:39:09,000
Speaker 1: Now? That was like is there we had seen would

713
00:39:09,040 --> 00:39:17,520
Speaker 1: be anybody looked at me, anybody said something, anybody ever

714
00:39:17,800 --> 00:39:22,600
Speaker 1: has some mated jealousy. I'm a chill stick yo. That's

715
00:39:22,719 --> 00:39:31,839
Speaker 1: ship man to yo. I feel like that like in

716
00:39:31,920 --> 00:39:37,360
Speaker 1: real life. That that that was very powerful. Oh, that

717
00:39:37,480 --> 00:39:41,440
Speaker 1: was very powerful. That's a great, great question. We really

718
00:39:41,440 --> 00:39:45,040
Speaker 1: skated past juice. Not we ain't given enough praise, but

719
00:39:45,960 --> 00:39:49,680
Speaker 1: to me, juice And and that's why I said, we

720
00:39:49,719 --> 00:39:52,239
Speaker 1: don't want to type cast you. Whatever the case may be,

721
00:39:52,400 --> 00:39:57,440
Speaker 1: you young hood. But that's an illmatic. That movie, to

722
00:39:57,480 --> 00:40:01,320
Speaker 1: me is like such an illmatic, a classic.

723
00:40:02,160 --> 00:40:06,480
Speaker 3: Watching it's timeless to watch it. Whenever he comes on

724
00:40:06,600 --> 00:40:09,279
Speaker 3: and whenever you catch it, you can watch it. You know,

725
00:40:09,320 --> 00:40:11,200
Speaker 3: it's the only ship with that. That guy at the

726
00:40:11,320 --> 00:40:15,200
Speaker 3: end he started working for BT. So every time we

727
00:40:15,280 --> 00:40:18,160
Speaker 3: go to the BET Awards, I see him at the

728
00:40:18,280 --> 00:40:22,160
Speaker 3: end and tell him you got the juice that looking

729
00:40:22,719 --> 00:40:24,880
Speaker 3: They're like, oh, ship, that's really it.

730
00:40:25,520 --> 00:40:30,320
Speaker 1: I met Tupac shortly after that, but I met Tupac

731
00:40:30,360 --> 00:40:34,680
Speaker 1: from Juice. I didn't meet that Pop, right did you? Underground?

732
00:40:34,760 --> 00:40:39,279
Speaker 1: And right right for a little bit of Bishop and man, boy,

733
00:40:39,360 --> 00:40:42,160
Speaker 1: I tell you I was dead. Came confirmed the story.

734
00:40:42,440 --> 00:40:46,160
Speaker 1: I'm in the crowd, got the game's performing, and Biggie

735
00:40:46,200 --> 00:40:49,319
Speaker 1: and Pop come in. There's this quick car together. But

736
00:40:49,400 --> 00:40:51,640
Speaker 1: they come through the back through the crowd. They're not

737
00:40:51,680 --> 00:40:56,160
Speaker 1: coming through back. They walked through the crowd and the

738
00:40:56,200 --> 00:40:59,920
Speaker 1: man was full flash juice Tupac. He was walking through

739
00:40:59,920 --> 00:41:03,120
Speaker 1: the crowd like he was like yo' spot. He was

740
00:41:03,239 --> 00:41:06,560
Speaker 1: walking through like pot like Biggie with him. And that's

741
00:41:06,600 --> 00:41:09,600
Speaker 1: when they do that I got seven back eleven's about eight.

742
00:41:10,200 --> 00:41:12,560
Speaker 1: That shit, that's legend. Legend.

743
00:41:12,840 --> 00:41:18,120
Speaker 4: That's it's ill because like the kids don't understand, like

744
00:41:18,280 --> 00:41:22,839
Speaker 4: before social media, they can't even comprehend. They don't understand

745
00:41:23,040 --> 00:41:26,600
Speaker 4: like the magnitude when you say like coming through or whoever.

746
00:41:26,920 --> 00:41:29,279
Speaker 4: I got so many memories of people like that. That's

747
00:41:29,320 --> 00:41:32,240
Speaker 4: the only time you saw them. So to see somebody

748
00:41:32,239 --> 00:41:33,280
Speaker 4: in person.

749
00:41:33,160 --> 00:41:37,520
Speaker 1: One hard Drive, people went crazy Banana.

750
00:41:37,560 --> 00:41:40,000
Speaker 4: It's like all the video for you you see Michael

751
00:41:40,080 --> 00:41:41,680
Speaker 4: Jackson back in the day's people.

752
00:41:42,239 --> 00:41:44,880
Speaker 1: It was like that be for us, you know what

753
00:41:44,880 --> 00:41:48,040
Speaker 1: I mean. They don't understand brow tu box should call

754
00:41:49,760 --> 00:41:56,480
Speaker 1: walked in like the juice Yep, we have to scully

755
00:41:56,600 --> 00:41:59,120
Speaker 1: like that. The for even dressed just like this right now,

756
00:41:59,280 --> 00:42:02,200
Speaker 1: was walking in like even me. I know him. I'm

757
00:42:02,239 --> 00:42:05,520
Speaker 1: looking like yo, that ship you know, we know. You

758
00:42:05,560 --> 00:42:08,080
Speaker 1: know what's crazy is my brother DJ Calid. You know,

759
00:42:08,280 --> 00:42:11,920
Speaker 1: one day I'm in the backyard, I mean your caliber,

760
00:42:12,719 --> 00:42:15,440
Speaker 1: God blessed j Caliber. I don't even know how to

761
00:42:15,520 --> 00:42:18,279
Speaker 1: explain this shit to you, rights, but I'm in the

762
00:42:18,320 --> 00:42:22,440
Speaker 1: backyard with him. And he said, you know, Joe, you're

763
00:42:22,600 --> 00:42:26,160
Speaker 1: star and this and this and that, he said, but

764
00:42:26,200 --> 00:42:29,919
Speaker 1: it was nothing like watching you walk in with big

765
00:42:31,040 --> 00:42:35,319
Speaker 1: h He said, you walking in with big pun both

766
00:42:35,320 --> 00:42:39,080
Speaker 1: of y'all together big He said that ship was like

767
00:42:39,360 --> 00:42:43,200
Speaker 1: superheroes walking see yo, man, y'all two used to walk

768
00:42:43,239 --> 00:42:46,560
Speaker 1: in like Joe and Pond. You know what I'm saying.

769
00:42:46,680 --> 00:42:50,040
Speaker 1: It's certain people got that presence. You know where you

770
00:42:50,160 --> 00:42:54,520
Speaker 1: got that superhero presence? You know, I don't want to

771
00:42:54,560 --> 00:42:59,359
Speaker 1: say five, but give me five albums that inspired you. Yeah, yeah,

772
00:42:59,480 --> 00:43:03,440
Speaker 1: artists and and nol. But it ain't gotta be top five.

773
00:43:03,560 --> 00:43:07,960
Speaker 1: And we start her boot tape. I don't know, it's

774
00:43:08,000 --> 00:43:13,400
Speaker 1: not here, that's yours, beloved. I don't I don't like

775
00:43:13,440 --> 00:43:17,680
Speaker 1: the five and the three. You kind of gotta do

776
00:43:18,640 --> 00:43:20,719
Speaker 1: top five, you gotta do like Errors.

777
00:43:20,840 --> 00:43:24,040
Speaker 4: I think errors is more fit because like the first time,

778
00:43:24,080 --> 00:43:26,960
Speaker 4: I remember the first time I heard ain't no halfstuff

779
00:43:27,840 --> 00:43:31,239
Speaker 4: on the radio. The first time I heard that, I

780
00:43:31,320 --> 00:43:35,040
Speaker 4: wanted to jump through the wall. We never heard nothing

781
00:43:35,160 --> 00:43:37,200
Speaker 4: like that, but it was like, what is that?

782
00:43:37,680 --> 00:43:39,200
Speaker 1: You know what I mean? And then by the time

783
00:43:39,200 --> 00:43:43,480
Speaker 1: a video came out and all of this something video music.

784
00:43:43,560 --> 00:43:48,440
Speaker 1: But I was hired, right, I was fired. I was

785
00:43:48,480 --> 00:43:51,799
Speaker 1: a terrible guy, and I grew up with violence. And

786
00:43:52,120 --> 00:43:54,600
Speaker 1: if you wanted people beat up whatever, you merse on

787
00:43:54,640 --> 00:43:57,160
Speaker 1: every joke, Yeah, you come pick up fat Joe and

788
00:43:57,880 --> 00:44:02,680
Speaker 1: right real talk first in every joke. That's the name

789
00:44:02,680 --> 00:44:06,760
Speaker 1: of the movie. They come. That's it. They come and say,

790
00:44:06,800 --> 00:44:10,560
Speaker 1: Fat Joe, I'm gonna buy you three per Jordan's and

791
00:44:10,600 --> 00:44:13,480
Speaker 1: the pelee. I need you to put in this work.

792
00:44:13,760 --> 00:44:16,000
Speaker 1: And I would jumping, I'm saying, and they say, the

793
00:44:16,040 --> 00:44:18,560
Speaker 1: guy with the red shirt. Anything in the world. I

794
00:44:18,719 --> 00:44:23,040
Speaker 1: jump out there like clashing the type. That's what I did, right,

795
00:44:23,239 --> 00:44:26,200
Speaker 1: the first guy I met, I'm not saying the hit man.

796
00:44:26,280 --> 00:44:32,120
Speaker 1: Let's eliminate that one day. My reputation got out there

797
00:44:32,239 --> 00:44:36,840
Speaker 1: so much. And he's my brother, this guy named Scarfee Steve.

798
00:44:36,880 --> 00:44:40,640
Speaker 1: He's the first kingpin I ever met. And so he

799
00:44:40,680 --> 00:44:42,920
Speaker 1: came to my block looking for me at the Cherry

800
00:44:42,960 --> 00:44:46,799
Speaker 1: red three hundred with the wide body kit. And the

801
00:44:46,840 --> 00:44:50,759
Speaker 1: reason I'm telling you this story is I'm a bumm okay, Like,

802
00:44:50,840 --> 00:44:54,160
Speaker 1: I don't know if these people understand I'm a bump.

803
00:44:54,280 --> 00:44:57,000
Speaker 1: I was tough, but I had two dollars in my

804
00:44:57,000 --> 00:45:00,920
Speaker 1: pockets if that might have been one. So he comes

805
00:45:00,960 --> 00:45:04,080
Speaker 1: picked me up. You know you're thinking he changing your life.

806
00:45:04,120 --> 00:45:06,719
Speaker 1: That's like e F. Hunting is some shit, right, So

807
00:45:06,800 --> 00:45:10,399
Speaker 1: he pull up y'all Fat Joe, Yeah, yo, getting the call.

808
00:45:11,320 --> 00:45:14,280
Speaker 1: I'm looking at the whole project the block, like y'all

809
00:45:15,200 --> 00:45:17,959
Speaker 1: Sniggy can't get me in this fucking cherry red best

810
00:45:18,560 --> 00:45:21,320
Speaker 1: and I locked the door. He had a white popped

811
00:45:21,320 --> 00:45:24,760
Speaker 1: out of the group and this ship just said on

812
00:45:25,040 --> 00:45:32,160
Speaker 1: and on and on, ain't no half stepping. And the

813
00:45:32,320 --> 00:45:36,319
Speaker 1: knees start driving off, you know how the dogs be

814
00:45:36,440 --> 00:45:38,279
Speaker 1: in the car where they be having their head for

815
00:45:38,360 --> 00:45:41,520
Speaker 1: the wind. I got my face out of that window

816
00:45:42,560 --> 00:45:45,839
Speaker 1: and I made him drive me ten times around the

817
00:45:45,880 --> 00:45:52,680
Speaker 1: projects on and on. Right. No, man, that's your sake.

818
00:45:53,000 --> 00:45:55,560
Speaker 1: That shit changed my life right there. Man, it shout

819
00:45:55,560 --> 00:46:02,840
Speaker 1: out to Steve Man. Listen, that ain't no half step

820
00:46:02,840 --> 00:46:05,560
Speaker 1: in it. It's Joy's like that is it? You're right?

821
00:46:05,800 --> 00:46:11,879
Speaker 1: It's ever album. Oh we're talking about it the other

822
00:46:11,960 --> 00:46:14,040
Speaker 1: day when I was somebody yesterday.

823
00:46:14,719 --> 00:46:19,520
Speaker 4: Midnight Marauder's album, same thing, Yo. We drove around, we

824
00:46:19,640 --> 00:46:22,480
Speaker 4: drove back to Queens. It's like one in the morning,

825
00:46:23,280 --> 00:46:26,720
Speaker 4: we hit daylight, just back to back to just listening

826
00:46:26,760 --> 00:46:30,520
Speaker 4: to the album. Yo, this is the most incredible, you know,

827
00:46:31,239 --> 00:46:35,319
Speaker 4: moments like that. The music, just just the music and

828
00:46:35,360 --> 00:46:39,000
Speaker 4: the people making the music. You understand I'm saying, the

829
00:46:39,160 --> 00:46:42,240
Speaker 4: artists is driving it. What we're doing for not only

830
00:46:42,680 --> 00:46:45,440
Speaker 4: ourselves and our family. What we're doing for this culture

831
00:46:45,520 --> 00:46:50,040
Speaker 4: that that we were bestowed sort of passed on to us,

832
00:46:50,400 --> 00:46:53,440
Speaker 4: you know what I mean? And I think you know

833
00:46:53,680 --> 00:46:55,719
Speaker 4: we're still in it, but we left it in great

834
00:46:55,760 --> 00:47:00,440
Speaker 4: shape from the Jones that they they want it up

835
00:47:00,520 --> 00:47:01,000
Speaker 4: right now.

836
00:47:02,120 --> 00:47:05,040
Speaker 1: Crazy, Yeah, they just got to come outside to the yard.

837
00:47:05,160 --> 00:47:08,480
Speaker 1: Unless in your kiss listen, you ever went to somebody's

838
00:47:08,560 --> 00:47:12,200
Speaker 1: neighborhood like you love an artist and you had to

839
00:47:12,239 --> 00:47:16,520
Speaker 1: go there like like you didn't know them yet, rappers

840
00:47:16,520 --> 00:47:18,960
Speaker 1: and you was like, nah, I wasn't one of those niggas.

841
00:47:19,000 --> 00:47:19,200
Speaker 6: I was.

842
00:47:19,520 --> 00:47:21,440
Speaker 1: I'm coming to y' all. Hell all the way today.

843
00:47:21,520 --> 00:47:24,080
Speaker 3: I wasn't into the baby and maybe in Mount Vernon,

844
00:47:24,440 --> 00:47:26,240
Speaker 3: see if you see he or something.

845
00:47:26,320 --> 00:47:26,719
Speaker 1: I wasn't.

846
00:47:27,840 --> 00:47:28,239
Speaker 4: I drive.

847
00:47:28,360 --> 00:47:31,440
Speaker 1: I drove to jay Zon, I drove.

848
00:47:31,360 --> 00:47:35,160
Speaker 3: See you and for them all the concourse, so real

849
00:47:35,239 --> 00:47:38,719
Speaker 3: ship we wasn't I should was for I shop was

850
00:47:38,760 --> 00:47:41,600
Speaker 3: like one twenty fifth, one forty fifth.

851
00:47:42,760 --> 00:47:48,320
Speaker 1: Ju Man for them. That was the Then then it

852
00:47:48,400 --> 00:47:51,880
Speaker 1: switched almost sat paron Bronx Man, where you guys are

853
00:47:51,920 --> 00:47:55,160
Speaker 1: like connected to the Bronx, Likecaus is like a part

854
00:47:55,200 --> 00:47:59,000
Speaker 1: of the Bronx. It's connected literally. Yeah. Yeah, after the

855
00:47:59,080 --> 00:48:02,719
Speaker 1: Bronxie go in his jackets. Man, I never forget I

856
00:48:02,719 --> 00:48:05,439
Speaker 1: had my man. He he was running the Bronx. He's

857
00:48:05,440 --> 00:48:09,120
Speaker 1: in jail forty six years and but he lived. His

858
00:48:09,239 --> 00:48:13,520
Speaker 1: crib was on the lo. Yonkis man. I fucked up, man,

859
00:48:14,000 --> 00:48:16,640
Speaker 1: we did. Uh. It was the Sauce Awards, the Sorce

860
00:48:16,680 --> 00:48:19,560
Speaker 1: Awards where Sugar Night, this buff Daddy and all that

861
00:48:19,680 --> 00:48:23,160
Speaker 1: shit and out cast one. So I gassed the nigga.

862
00:48:23,200 --> 00:48:26,160
Speaker 1: He had the new five hundred bends. It was like Joe,

863
00:48:26,280 --> 00:48:29,440
Speaker 1: pull it out. He was like, nah, Joe, this, I

864
00:48:29,480 --> 00:48:31,520
Speaker 1: mean the big ship that pun you to. But I mean,

865
00:48:31,880 --> 00:48:36,480
Speaker 1: I'm talking about a year before someone seemed one humanly possible,

866
00:48:36,520 --> 00:48:38,520
Speaker 1: and I was gassing the nigga. Yo, we gotta pull

867
00:48:38,640 --> 00:48:41,520
Speaker 1: up sort some wards, yo. Man. We got on the highway.

868
00:48:41,600 --> 00:48:44,399
Speaker 1: We crashed that fucking bend on the way that that

869
00:48:44,640 --> 00:48:49,120
Speaker 1: fucking that nigga wanted to kill me paralyzed face, yo,

870
00:48:49,320 --> 00:48:53,120
Speaker 1: fat boy. He made me crash this ship because it

871
00:48:53,239 --> 00:48:55,400
Speaker 1: was like, you know, it's almost like a broach, like

872
00:48:55,960 --> 00:48:58,200
Speaker 1: you know that ship, like you driving a boat. Them

873
00:48:58,280 --> 00:49:01,319
Speaker 1: joints was heavy. Nobody you had them ships. This ship

874
00:49:01,520 --> 00:49:03,279
Speaker 1: was only that. If you had a three hundred, you

875
00:49:03,400 --> 00:49:06,280
Speaker 1: was the man ain't man the five hundred big body

876
00:49:06,360 --> 00:49:09,279
Speaker 1: shit shit crashed up on the side of that ship.

877
00:49:09,360 --> 00:49:13,960
Speaker 1: From your whole mind, I thought he was gonna kill me.

878
00:49:14,040 --> 00:49:16,560
Speaker 1: Then we had to go and get a regular card.

879
00:49:16,760 --> 00:49:19,799
Speaker 1: Just go to this Sauce Awards that day. But that ship,

880
00:49:20,120 --> 00:49:22,839
Speaker 1: you know, I remember gassing them. You know, hey, it's

881
00:49:22,840 --> 00:49:26,200
Speaker 1: good to know that you have different levels of that life.

882
00:49:26,320 --> 00:49:28,439
Speaker 1: You know what I'm saying. You gotta always remember those

883
00:49:28,520 --> 00:49:31,080
Speaker 1: things when you had to cash your man to jump

884
00:49:31,080 --> 00:49:33,080
Speaker 1: in his w and ship like that. You know what

885
00:49:33,080 --> 00:49:36,360
Speaker 1: I'm saying that that's a big deal. Right, I'm pulling

886
00:49:36,440 --> 00:49:39,399
Speaker 1: up the Sauce Awards. I'm like, Yo, she gonna be crazy. Man,

887
00:49:39,440 --> 00:49:42,479
Speaker 1: we need to fight. The man told me mad Boy

888
00:49:44,719 --> 00:49:48,160
Speaker 1: made novel made.

889
00:49:49,800 --> 00:49:53,520
Speaker 4: We funked out getting they catch Moses to But Moses

890
00:49:53,560 --> 00:49:54,799
Speaker 4: Black is in theaters.

891
00:49:55,320 --> 00:49:57,759
Speaker 1: Let's go, man, Let's get your ass out of here.

892
00:49:57,960 --> 00:50:00,680
Speaker 3: Rib go to the theater's papers of take get your men,

893
00:50:01,440 --> 00:50:02,520
Speaker 3: support our people.

894
00:50:02,840 --> 00:50:05,760
Speaker 1: How So until it gets in like the streaming appsing,

895
00:50:06,120 --> 00:50:08,360
Speaker 1: by the time this episode comes out is in the

896
00:50:10,280 --> 00:50:16,000
Speaker 1: no it's in theaters. I'm just gonna go to the Yo.

897
00:50:16,080 --> 00:50:19,160
Speaker 1: We got a hard out this ship, right, here gotta

898
00:50:19,239 --> 00:50:22,080
Speaker 1: come out because the movie out, because that ship to

899
00:50:22,200 --> 00:50:24,640
Speaker 1: be in the chappa Z Bridge before you know this

900
00:50:24,760 --> 00:50:29,160
Speaker 1: ship it guys right here, But go to the theater.

901
00:50:29,239 --> 00:50:32,719
Speaker 1: You know, we're talking about the theaters. It's about the experience,

902
00:50:33,160 --> 00:50:33,680
Speaker 1: you know what I mean.

903
00:50:33,840 --> 00:50:36,520
Speaker 4: It's going to see not only with your people's but

904
00:50:36,880 --> 00:50:39,600
Speaker 4: people you don't know, y'all reacting to the same part

905
00:50:39,960 --> 00:50:40,680
Speaker 4: two months straight?

906
00:50:40,760 --> 00:50:47,600
Speaker 1: No call, yeah, yeah, you know that the theater. Get

907
00:50:47,640 --> 00:50:52,120
Speaker 1: me back into that dyke coke that popcorn. You gotta

908
00:50:52,160 --> 00:50:54,680
Speaker 1: have a gliss you know that ship.

909
00:50:55,520 --> 00:51:02,000
Speaker 3: Yeah you eat popcorn, no butter.

910
00:51:02,560 --> 00:51:04,279
Speaker 1: Yeah, but it's a car. You know, I ain't been

911
00:51:04,360 --> 00:51:08,279
Speaker 1: fucking a car. But yo, the movie theater. We need

912
00:51:08,320 --> 00:51:11,279
Speaker 1: everybody to go in there to the movie theater. Go

913
00:51:11,560 --> 00:51:14,920
Speaker 1: supposes the black one of that Marty Supreme and you

914
00:51:15,040 --> 00:51:18,120
Speaker 1: going to all that other shit. Yeah, we need you

915
00:51:18,560 --> 00:51:20,520
Speaker 1: all right before we leave, I know it's time for

916
00:51:20,560 --> 00:51:23,440
Speaker 1: you to go. But how proud are we of Tianna

917
00:51:23,520 --> 00:51:27,120
Speaker 1: Taylor Man? Incredible, incredibly proud man. Tianna.

918
00:51:27,480 --> 00:51:32,959
Speaker 8: You know, she from the town, but she is ridiculously talented,

919
00:51:33,320 --> 00:51:37,000
Speaker 8: she always has been, and it's just so dope to

920
00:51:37,000 --> 00:51:40,680
Speaker 8: see her. Get her just just do and to get

921
00:51:40,680 --> 00:51:42,760
Speaker 8: these opportunities because she only getting started.

922
00:51:43,160 --> 00:51:47,400
Speaker 1: Yeah, I mean that, looking like Viola Davison all under

923
00:51:47,480 --> 00:51:50,840
Speaker 1: me now. And she's young. She's young, so I'm like,

924
00:51:51,000 --> 00:51:54,919
Speaker 1: you know, I feel like she moving AI. That's only

925
00:51:54,960 --> 00:51:55,960
Speaker 1: it's only one of her.

926
00:51:56,120 --> 00:51:59,880
Speaker 4: It's just dope to see her get her just due

927
00:52:00,040 --> 00:52:03,040
Speaker 4: and get those opportunities. And because she she she hitting

928
00:52:03,080 --> 00:52:07,279
Speaker 4: home runs every time. So saluting Tiana. Were proudly loved you.

929
00:52:07,640 --> 00:52:11,520
Speaker 4: You know we proudly too, Yo. This ain't that. That

930
00:52:11,600 --> 00:52:15,960
Speaker 4: ain't this cracking kiss makes some noise for home as blade,

931
00:52:17,360 --> 00:52:21,799
Speaker 4: thank you really, thank you, thank you.

932
00:52:22,200 --> 00:52:25,439
Speaker 1: Thank you for pulling up his six degree weather o ship.

933
00:52:25,560 --> 00:52:27,040
Speaker 1: Real out there, it ain't nothing