1 00:00:00,920 --> 00:00:05,480 Speaker 1: Two people from Mayor to Medicine won't be back on 2 00:00:05,559 --> 00:00:10,400 Speaker 1: the upcoming season of the show because one person doesn't 3 00:00:10,440 --> 00:00:13,800 Speaker 1: want to come back. At least that's what I was told, 4 00:00:14,240 --> 00:00:22,520 Speaker 1: and the other person allegedly was fired. Stay tuned, we'll 5 00:00:22,600 --> 00:00:32,080 Speaker 1: be right back after these quick ads. 6 00:00:27,160 --> 00:00:34,960 Speaker 2: Welcome to Reality with the King. 7 00:00:35,320 --> 00:00:39,080 Speaker 1: It's me Carlos King, the King of Reality TV and 8 00:00:39,080 --> 00:00:42,880 Speaker 1: one of the most sought after executive producers in reality 9 00:00:42,960 --> 00:00:46,520 Speaker 1: television with over ten years a production experience. 10 00:00:46,840 --> 00:00:49,559 Speaker 2: Once a week on Reality with the King, we'll. 11 00:00:49,360 --> 00:00:53,120 Speaker 1: Sit down with my friends across the entertainment industry, recap 12 00:00:53,240 --> 00:00:57,360 Speaker 1: our favorite reality shows and revisit unforgettable moments that we 13 00:00:57,440 --> 00:01:04,839 Speaker 1: are still talking and tweeting about. So let's get into 14 00:01:05,040 --> 00:01:08,080 Speaker 1: the Real Housewives of Potomac Part Child? 15 00:01:08,160 --> 00:01:10,600 Speaker 2: Was that Part three, four or five? Like? That was 16 00:01:10,640 --> 00:01:13,560 Speaker 2: a long reunion? I feel like I was not much 17 00:01:13,640 --> 00:01:15,800 Speaker 2: pregnant child. That's how long. 18 00:01:15,680 --> 00:01:22,119 Speaker 1: This reunion was. Where do I begin? This reunion was 19 00:01:22,200 --> 00:01:26,720 Speaker 1: not reunioning. This season was unseasoned. 20 00:01:30,080 --> 00:01:31,760 Speaker 2: Come on, now, this. 21 00:01:31,720 --> 00:01:36,720 Speaker 1: Season needed some lurries, some pepper, a splash of salt. 22 00:01:37,160 --> 00:01:39,920 Speaker 2: Baby, it needed some flavor. I know. 23 00:01:40,000 --> 00:01:44,119 Speaker 1: I said weeks ago that this current season was the 24 00:01:44,160 --> 00:01:47,600 Speaker 1: second worst season of Potomac history, because the first one 25 00:01:47,680 --> 00:01:48,920 Speaker 1: was in the worst of the. 26 00:01:48,840 --> 00:01:50,720 Speaker 2: White u Banks dreadful. 27 00:01:51,480 --> 00:01:54,360 Speaker 1: I think this may be the worst season of all 28 00:01:54,440 --> 00:02:00,400 Speaker 1: time for Potomac. I cannot believe that a show that 29 00:02:00,600 --> 00:02:05,440 Speaker 1: was once my favorite show on Bravo of course, second 30 00:02:05,480 --> 00:02:08,920 Speaker 1: behind Maritime Medicine. You could not have ever told me 31 00:02:09,360 --> 00:02:13,120 Speaker 1: that Potomac would be in its whack era. 32 00:02:13,639 --> 00:02:14,919 Speaker 2: I never thought I'll see today. 33 00:02:15,520 --> 00:02:19,080 Speaker 1: I thought after season one that they learned their lesson 34 00:02:19,720 --> 00:02:22,240 Speaker 1: below and behold, they give us more bs. 35 00:02:22,320 --> 00:02:23,840 Speaker 2: This reunion could have been one part. 36 00:02:24,320 --> 00:02:27,600 Speaker 1: Y'all could have put the rest up on BravoTV dot com, 37 00:02:27,919 --> 00:02:31,920 Speaker 1: along with Ramona showing her duplex apartment up in the 38 00:02:31,960 --> 00:02:34,480 Speaker 1: sky like that. This could have been a WE episode. 39 00:02:34,800 --> 00:02:37,600 Speaker 1: This was not a good reunion by no means. But 40 00:02:37,680 --> 00:02:41,480 Speaker 1: let's get right into it. Mia and Jacqueline Mia once 41 00:02:41,520 --> 00:02:45,160 Speaker 1: again miya blah, Yes. 42 00:02:45,120 --> 00:02:48,040 Speaker 2: Mia, listen, Mia, at this point, just own it. I 43 00:02:48,120 --> 00:02:48,840 Speaker 2: know you mad at me. 44 00:02:49,560 --> 00:02:52,440 Speaker 1: Let's just say I'm aware of how Mia feels. 45 00:02:56,280 --> 00:02:57,160 Speaker 2: I'll leave it at that. 46 00:02:57,720 --> 00:03:01,760 Speaker 1: Mia, your Pandora's box with a flop. You could have 47 00:03:01,919 --> 00:03:06,239 Speaker 1: boxed that thing up, went to your backyard, got a shovel, 48 00:03:06,760 --> 00:03:10,880 Speaker 1: duck up a hole, put that Pandora's box in the hole, 49 00:03:11,240 --> 00:03:13,519 Speaker 1: put the dirt on top of it, because it gave 50 00:03:13,639 --> 00:03:15,079 Speaker 1: very pet cemetery tease. 51 00:03:15,560 --> 00:03:17,960 Speaker 2: You went to Michael's to have. 52 00:03:18,040 --> 00:03:21,679 Speaker 1: The box bedazzled, only to show a receipt that you 53 00:03:21,760 --> 00:03:25,240 Speaker 1: then retracted, and you met at me for calling you Mia, 54 00:03:25,320 --> 00:03:25,840 Speaker 1: be lion. 55 00:03:26,560 --> 00:03:27,359 Speaker 2: If you were. 56 00:03:27,240 --> 00:03:31,079 Speaker 1: Going to expose Jacqueline, then just do it. My thing 57 00:03:31,160 --> 00:03:33,320 Speaker 1: is this, if you're gonna be that girl, be that girl. 58 00:03:33,560 --> 00:03:36,600 Speaker 1: If you're gonna start something, Mia, you have to finish it. 59 00:03:36,880 --> 00:03:40,040 Speaker 1: You can't sit up there and then have a certain 60 00:03:40,680 --> 00:03:44,520 Speaker 1: wind of morality show up and say, well, I'm not 61 00:03:44,520 --> 00:03:47,760 Speaker 1: gonna go there with her, Then why go there at all? Now, look, Noche, 62 00:03:48,160 --> 00:03:51,760 Speaker 1: y'all could have zoom Jacqueline and Sharisan the way y'all 63 00:03:51,760 --> 00:03:55,640 Speaker 1: did Miss Diana Jekins on Belly Hills. The only real 64 00:03:56,040 --> 00:03:59,960 Speaker 1: thing that happened this season was between Mia and her 65 00:04:00,120 --> 00:04:05,200 Speaker 1: real friend Jacqueline. That was a real issue with real friends. 66 00:04:05,440 --> 00:04:07,840 Speaker 1: Could Let's be clear, no one on that stage are 67 00:04:07,920 --> 00:04:12,280 Speaker 1: friends except Giselle and Robin. Me and Jacqueline have a 68 00:04:12,360 --> 00:04:16,560 Speaker 1: real friendship that spans over decades, and we only get 69 00:04:16,600 --> 00:04:19,960 Speaker 1: two minutes of that, y'all. 70 00:04:19,680 --> 00:04:20,960 Speaker 2: Did Jacqueline worse? 71 00:04:21,040 --> 00:04:24,240 Speaker 1: Y'all did a scalar like a schalar was on last season. 72 00:04:24,279 --> 00:04:26,320 Speaker 1: She was there just because she brought the dress child 73 00:04:26,400 --> 00:04:28,880 Speaker 1: and she had to show it off because the designer said, look, 74 00:04:29,160 --> 00:04:31,760 Speaker 1: I'm gonna give you credit to wear this dress, but 75 00:04:31,839 --> 00:04:34,400 Speaker 1: I'm gonna have to see it on TV. Allegedly, but 76 00:04:34,480 --> 00:04:36,800 Speaker 1: y'all break on miss Jaqueline and Mia and gave that 77 00:04:36,839 --> 00:04:39,960 Speaker 1: two minutes. Then we brought Sharise out, and y'all know, 78 00:04:40,000 --> 00:04:44,400 Speaker 1: I like Chariz. Once again, y'all could have skyped, zoomed 79 00:04:44,680 --> 00:04:49,040 Speaker 1: faith time sent a telegram for miss Scheriz. 80 00:04:49,760 --> 00:04:51,200 Speaker 2: That was a flop, y'all. 81 00:04:51,279 --> 00:04:54,560 Speaker 1: Let Karen dance around that stage like she was on Dancing. 82 00:04:54,279 --> 00:04:55,120 Speaker 2: With the Stars. 83 00:04:55,480 --> 00:04:59,920 Speaker 1: She danced around every question, y'all did not dig deeper 84 00:05:00,160 --> 00:05:02,560 Speaker 1: into what Cherise was really saying. 85 00:05:02,880 --> 00:05:03,719 Speaker 2: And let's be clear. 86 00:05:03,960 --> 00:05:07,360 Speaker 1: On my podcast, allegedly Karen told the girls if y'all 87 00:05:07,400 --> 00:05:10,159 Speaker 1: don't check shares, but being on Carlo's podcast, allegedly she 88 00:05:10,200 --> 00:05:15,760 Speaker 1: ain't come to the reunion AnyWho. Once again, we suffered 89 00:05:16,400 --> 00:05:21,760 Speaker 1: through a half assed season and the only interesting thing 90 00:05:22,200 --> 00:05:26,600 Speaker 1: besides me and Jacqueline were these sort of accusations, if 91 00:05:26,640 --> 00:05:31,640 Speaker 1: you will, about Karen. Y'all didn't even give that enough material. 92 00:05:32,200 --> 00:05:35,800 Speaker 1: Y'all don't really dig deep to say, Karen, there's been 93 00:05:35,880 --> 00:05:39,680 Speaker 1: rumors about you for years, not just this season. The 94 00:05:39,760 --> 00:05:43,400 Speaker 1: reason why the producers allegedly brought Cheries back to the 95 00:05:43,440 --> 00:05:45,520 Speaker 1: show is because she had dirt on you. 96 00:05:45,920 --> 00:05:47,480 Speaker 2: Charise did I beg to come back? 97 00:05:47,800 --> 00:05:50,240 Speaker 1: I know for a fact Charisse was brought back to 98 00:05:50,320 --> 00:05:54,080 Speaker 1: expose Karen, Allegedly. If y'all listened to my podcast episode 99 00:05:54,120 --> 00:05:57,800 Speaker 1: with Scherise, she said that she was contacted by the 100 00:05:57,839 --> 00:05:59,520 Speaker 1: producers of Potomac. 101 00:06:00,120 --> 00:06:02,120 Speaker 2: I wasn't Karen asked. 102 00:06:01,839 --> 00:06:05,760 Speaker 1: Deep questions about like, look, there's been rumors about you 103 00:06:05,880 --> 00:06:10,200 Speaker 1: allegedly having all of these sordid affairs on Ray. 104 00:06:10,520 --> 00:06:12,480 Speaker 2: We heard it with the Blue Eye guy. 105 00:06:12,960 --> 00:06:16,280 Speaker 1: It's constant conversation about it. 106 00:06:16,680 --> 00:06:18,640 Speaker 2: Y'all did not even go there with Karen. 107 00:06:19,440 --> 00:06:22,400 Speaker 1: I thought, at least the reason why Karen had first 108 00:06:22,400 --> 00:06:24,880 Speaker 1: seat is because y'all were going to grill her like 109 00:06:24,960 --> 00:06:28,000 Speaker 1: a tea bone steak on the fourth of July at 110 00:06:28,040 --> 00:06:32,960 Speaker 1: a family reunion. Y'alln't ask Karen any deep questions that 111 00:06:33,040 --> 00:06:36,960 Speaker 1: the audience can take away and say, okay, I. 112 00:06:37,040 --> 00:06:38,480 Speaker 2: Now know more about it. 113 00:06:38,880 --> 00:06:41,960 Speaker 1: Listen, Do I believe Karen will ever admit that. 114 00:06:41,800 --> 00:06:44,039 Speaker 2: She steps out on ray allegedly? 115 00:06:44,600 --> 00:06:47,839 Speaker 1: No? But now I see why y'all don't push Karen. 116 00:06:48,680 --> 00:06:50,880 Speaker 1: Y'all could have pushed Karen aside and had Kansas sit 117 00:06:50,960 --> 00:06:53,760 Speaker 1: next to the host. But what's crazy is Karen got 118 00:06:53,760 --> 00:06:57,479 Speaker 1: off Scott Freed Marcel Scott on Love and Marriage Huntsville, 119 00:06:57,680 --> 00:06:59,080 Speaker 1: don't even get off Scott Freed. 120 00:07:01,080 --> 00:07:03,279 Speaker 2: I can't believe my show is ruined. 121 00:07:04,120 --> 00:07:06,440 Speaker 1: This used to be my favorite show because it used 122 00:07:06,440 --> 00:07:10,120 Speaker 1: to be so fun and we used to key key 123 00:07:10,240 --> 00:07:15,040 Speaker 1: and laugh. I went on a limb and said for 124 00:07:15,080 --> 00:07:18,440 Speaker 1: two years in a row that Potomac was the best 125 00:07:18,480 --> 00:07:21,960 Speaker 1: reality show of those years. I can't believe we're here, 126 00:07:22,400 --> 00:07:25,080 Speaker 1: but chiad, let me move on, honey. Then Chris Bassett 127 00:07:25,080 --> 00:07:28,960 Speaker 1: comes on, and I have to say this. Chris had 128 00:07:29,000 --> 00:07:31,200 Speaker 1: more decorum than I would have had if I was 129 00:07:31,240 --> 00:07:31,760 Speaker 1: in his shoes. 130 00:07:31,760 --> 00:07:32,560 Speaker 2: And I'm just being real. 131 00:07:33,080 --> 00:07:37,680 Speaker 1: I thought Chris carried hisself like a gentleman. Chris is 132 00:07:37,720 --> 00:07:41,520 Speaker 1: the most likable person on that show. We hear constantly 133 00:07:42,400 --> 00:07:47,640 Speaker 1: about this environment where men aren't able to defend themselves 134 00:07:48,080 --> 00:07:49,680 Speaker 1: in certain situations right. 135 00:07:50,360 --> 00:07:51,120 Speaker 2: I've said from. 136 00:07:51,040 --> 00:07:55,640 Speaker 1: Day one that I always felt that Chris was dubbed 137 00:07:55,680 --> 00:07:59,080 Speaker 1: a bad hand in this and speaking as a man myself, 138 00:07:59,240 --> 00:08:01,800 Speaker 1: y'all did Chris And y'all gonna have to explain that 139 00:08:01,880 --> 00:08:05,320 Speaker 1: to your sons, to the men and your family. Karma 140 00:08:05,400 --> 00:08:09,280 Speaker 1: is real. Y'all saw what happened with Jamal Bryant, y'all 141 00:08:09,280 --> 00:08:11,280 Speaker 1: saw what is happening with Wan Dixon. 142 00:08:11,560 --> 00:08:15,320 Speaker 2: Why do that to another man? 143 00:08:16,040 --> 00:08:19,040 Speaker 1: And listen, I want to say this, Gazelle feeling uncomfortable. 144 00:08:19,080 --> 00:08:21,840 Speaker 1: I will always stand by this. If that's how she feels, 145 00:08:21,880 --> 00:08:24,120 Speaker 1: we need to honor her feelings. But this ghost is 146 00:08:24,240 --> 00:08:27,400 Speaker 1: show you why we all are having issues with this show, 147 00:08:27,960 --> 00:08:32,079 Speaker 1: because ain't none of y'all friends. As a producer, I 148 00:08:32,160 --> 00:08:36,320 Speaker 1: do believe that when something happens and you're on a 149 00:08:36,360 --> 00:08:40,000 Speaker 1: reality show, talk about it on the reality show. I 150 00:08:40,080 --> 00:08:42,400 Speaker 1: know for a fact because me and Gazille have a 151 00:08:42,520 --> 00:08:47,040 Speaker 1: mutual friend who shall remain nameless. This mutual friend said 152 00:08:47,080 --> 00:08:49,920 Speaker 1: to me that she too, was told, maybe a day 153 00:08:50,000 --> 00:08:53,160 Speaker 1: or two after the reunion of last season, that Giselle 154 00:08:53,200 --> 00:08:56,280 Speaker 1: did tell her she felt uncomfortable. No one is disputing 155 00:08:56,280 --> 00:09:00,000 Speaker 1: that Gazelle felt uncomfortable. I think we're all wondering why 156 00:09:00,720 --> 00:09:04,840 Speaker 1: it was never a conversation with your friend Candace, Giselle 157 00:09:04,880 --> 00:09:07,319 Speaker 1: said out of her own me and Candace were friends 158 00:09:07,400 --> 00:09:09,600 Speaker 1: at the time. If you were friends at the time 159 00:09:09,640 --> 00:09:11,719 Speaker 1: and you felt that way, this is the part that's 160 00:09:11,760 --> 00:09:12,480 Speaker 1: confusing to me. 161 00:09:12,960 --> 00:09:16,080 Speaker 2: Why go to everyone else and. 162 00:09:16,000 --> 00:09:22,000 Speaker 1: Express how you feel uncomfortable then the person that you 163 00:09:22,120 --> 00:09:26,240 Speaker 1: are supposedly friends with, That to me just wouldn't make 164 00:09:26,280 --> 00:09:26,880 Speaker 1: any sense. 165 00:09:27,240 --> 00:09:30,240 Speaker 2: And then a year later, you go on. 166 00:09:30,200 --> 00:09:36,120 Speaker 1: TV after Ashley, who is searching for a storyline to 167 00:09:36,240 --> 00:09:39,800 Speaker 1: reveal Chris's DMS about y'all should have came to the 168 00:09:39,960 --> 00:09:43,160 Speaker 1: w and you took that as something more than what 169 00:09:43,200 --> 00:09:46,640 Speaker 1: it was. Ashley, you are raising two boys, and this 170 00:09:46,679 --> 00:09:49,440 Speaker 1: is the issue that we're having with this show. None 171 00:09:49,520 --> 00:09:52,760 Speaker 1: of you guys are living real. I said it once, 172 00:09:52,800 --> 00:09:54,680 Speaker 1: and I said again. The only ones I think who 173 00:09:54,720 --> 00:09:57,800 Speaker 1: really wants to give the reality to the show is 174 00:09:57,800 --> 00:09:58,800 Speaker 1: Wendy and Candace. 175 00:09:58,800 --> 00:09:59,920 Speaker 2: And I say as child. 176 00:09:59,640 --> 00:10:02,400 Speaker 1: Even but Mia, you got me to look at you, Saidee, 177 00:10:03,200 --> 00:10:07,000 Speaker 1: because I do feel like you and Jacqueline have something 178 00:10:07,040 --> 00:10:10,640 Speaker 1: interesting that I would like to watch. But you gotta 179 00:10:10,679 --> 00:10:13,839 Speaker 1: stop kissing ass Mia, and I love you. I feel 180 00:10:13,880 --> 00:10:16,640 Speaker 1: like you really want to be with the cool girls, 181 00:10:16,679 --> 00:10:20,600 Speaker 1: and the cool girls clearly is Giselle and her crew. 182 00:10:21,160 --> 00:10:24,720 Speaker 1: I feel like Mia, who's a newbie, is so desperate 183 00:10:25,080 --> 00:10:29,720 Speaker 1: being included in the cool girls club that she truly 184 00:10:30,040 --> 00:10:35,239 Speaker 1: doesn't understand that. The reason why the audience is confused 185 00:10:35,280 --> 00:10:41,280 Speaker 1: by you is because you have this inability to choose 186 00:10:41,480 --> 00:10:42,360 Speaker 1: the side. 187 00:10:42,200 --> 00:10:44,560 Speaker 2: In which you really believe is real. 188 00:10:45,040 --> 00:10:49,840 Speaker 1: When Candace made that comment about Giselle being white, we 189 00:10:49,960 --> 00:10:53,199 Speaker 1: talked about last week about colorism, I saw more passion 190 00:10:53,280 --> 00:10:57,440 Speaker 1: from this cast about Candace making a comment calling Gaselle 191 00:10:57,520 --> 00:11:00,160 Speaker 1: white than I saw in the Two Men and the 192 00:11:00,280 --> 00:11:03,800 Speaker 1: Colorism segment last week. Y'all had way more smoke for 193 00:11:04,000 --> 00:11:07,480 Speaker 1: Candace making a comment. And I'm gonna say this, Candace 194 00:11:07,480 --> 00:11:09,720 Speaker 1: should not have made that comment. Did I think the 195 00:11:09,760 --> 00:11:12,840 Speaker 1: comment was appropriate? I don't think so, But that's my opinion. 196 00:11:13,520 --> 00:11:16,680 Speaker 1: You can't fight fire with fire. I feel like there's 197 00:11:16,679 --> 00:11:19,640 Speaker 1: more reason to say than to comment on a black 198 00:11:19,640 --> 00:11:20,520 Speaker 1: woman's complexion. 199 00:11:20,760 --> 00:11:23,760 Speaker 2: That's my opinion. It is what it is. 200 00:11:24,280 --> 00:11:28,920 Speaker 1: With that being said, although Candace, in my opinion, should 201 00:11:28,960 --> 00:11:31,440 Speaker 1: not have said it. The way y'all have smoke for 202 00:11:31,559 --> 00:11:34,360 Speaker 1: Candace was weird to me. Y'all should have had that 203 00:11:34,400 --> 00:11:37,880 Speaker 1: smoke last week in that two minute segment, y'all all 204 00:11:38,000 --> 00:11:41,400 Speaker 1: raised up out of your seat and them gowns Honey 205 00:11:41,640 --> 00:11:45,240 Speaker 1: with the peacock flying and the bedazzled jews falling on 206 00:11:45,240 --> 00:11:47,840 Speaker 1: the couch and the rhinestones, and y'all are ready to 207 00:11:47,920 --> 00:11:51,319 Speaker 1: check Candace and look. I like the fact that Wendy 208 00:11:51,600 --> 00:11:53,520 Speaker 1: is able to tell her friend, like, hey, I think 209 00:11:53,559 --> 00:11:56,800 Speaker 1: you were wrong. That's what real friends do, whether or 210 00:11:56,840 --> 00:11:59,120 Speaker 1: not Candace was wrong. And there's going to be people 211 00:11:59,160 --> 00:12:01,679 Speaker 1: who think Candace was right, and there's going to be 212 00:12:01,760 --> 00:12:04,720 Speaker 1: people who think Candace was wrong. What I like about 213 00:12:04,760 --> 00:12:07,720 Speaker 1: real friendships is the fact that Wendy felt that she 214 00:12:07,840 --> 00:12:11,360 Speaker 1: was wrong, and Wendy is entitled to how she feels. 215 00:12:11,760 --> 00:12:15,920 Speaker 1: Let's be happy that we have two friends that can disagree, 216 00:12:16,080 --> 00:12:19,160 Speaker 1: because there's more licking ass and kissing ass on that 217 00:12:19,280 --> 00:12:22,240 Speaker 1: couch with everybody now holding each other account of bow that. 218 00:12:22,320 --> 00:12:25,160 Speaker 1: It was nice to see two real friends say I 219 00:12:25,240 --> 00:12:28,120 Speaker 1: disagree with you. I like that. That's what we want 220 00:12:28,120 --> 00:12:31,080 Speaker 1: to see from this show. And then Mia, you had 221 00:12:31,160 --> 00:12:35,360 Speaker 1: all this smoke for Candace about making that comment. Giselle said, 222 00:12:35,440 --> 00:12:39,640 Speaker 1: your business was going through an embezzlement allegedly, and you 223 00:12:39,720 --> 00:12:41,840 Speaker 1: sat there and was combing the back of your hair 224 00:12:42,120 --> 00:12:46,240 Speaker 1: with your fingers. Gazelle kept saying embezzament as if she 225 00:12:46,360 --> 00:12:49,640 Speaker 1: was a producer on Birdie madeoff special on Netflix, and 226 00:12:49,720 --> 00:12:52,480 Speaker 1: you sat there and took it. But Candace makes one 227 00:12:52,559 --> 00:12:55,600 Speaker 1: comment and you you should never caught a black woman. 228 00:12:56,040 --> 00:13:00,120 Speaker 1: I would like to see somebody other than Candace and 229 00:13:00,200 --> 00:13:03,080 Speaker 1: even Wendy. I would love to see more people hold 230 00:13:03,120 --> 00:13:07,720 Speaker 1: her accountable. And that's why Gizelle gets away with everything. 231 00:13:09,000 --> 00:13:12,320 Speaker 1: No one is there to hold her accountable. And that's 232 00:13:12,360 --> 00:13:15,559 Speaker 1: the problem with this show. And then Robin talked about 233 00:13:15,600 --> 00:13:18,800 Speaker 1: Wan and the wedding from the iPhone six ex edition, 234 00:13:19,679 --> 00:13:23,120 Speaker 1: and then Robin said that her and Wan signed a 235 00:13:23,200 --> 00:13:23,839 Speaker 1: prenup that. 236 00:13:23,840 --> 00:13:26,880 Speaker 2: Is fifty to fifty fifty fifty. 237 00:13:27,720 --> 00:13:30,600 Speaker 1: You just as bad as Ashley with a herd non 238 00:13:30,640 --> 00:13:37,199 Speaker 1: existent prenup. And you said, because y'all both brought something 239 00:13:37,240 --> 00:13:41,520 Speaker 1: to each other, Robin, but you know what that revealed 240 00:13:41,520 --> 00:13:49,200 Speaker 1: to me. Wan and Robin have an agreement. Wan makes 241 00:13:49,280 --> 00:13:53,920 Speaker 1: these blue moon appearances on Potomac because he knows it 242 00:13:54,040 --> 00:13:57,360 Speaker 1: saves his wife's job. They need each other in order 243 00:13:57,600 --> 00:14:00,520 Speaker 1: for Robin to stay on the show, and another time 244 00:14:00,600 --> 00:14:03,120 Speaker 1: thinking well, Giselle gets away with not having a man 245 00:14:03,160 --> 00:14:07,880 Speaker 1: on the show. Listen, there's a stark difference between Giselle 246 00:14:08,000 --> 00:14:11,360 Speaker 1: and Robin. The reason why I called Gazelle Kobe Bryant 247 00:14:11,600 --> 00:14:15,560 Speaker 1: is because before this season, Giselle would just push story 248 00:14:15,600 --> 00:14:18,800 Speaker 1: forward in a very interesting way. Robin knows that she 249 00:14:18,880 --> 00:14:21,480 Speaker 1: needs something outside of being Gazelle's psychic. 250 00:14:21,760 --> 00:14:24,320 Speaker 2: Wan and Robin are in on the joke. 251 00:14:24,760 --> 00:14:29,080 Speaker 1: I believe that their marriage is a marriage of convenience 252 00:14:29,400 --> 00:14:32,840 Speaker 1: courtesy of the show. In my opinion, if Robin was 253 00:14:32,920 --> 00:14:36,800 Speaker 1: to ever get fired from Potomac, I believe that her 254 00:14:36,840 --> 00:14:39,200 Speaker 1: and Wan will be divorced in a couple of years. 255 00:14:39,480 --> 00:14:42,680 Speaker 1: When I see Robin and Wan together, I don't see 256 00:14:42,840 --> 00:14:45,640 Speaker 1: two people who are madly in love with each other. 257 00:14:45,800 --> 00:14:48,320 Speaker 1: I don't see it. Win can't be bothered and no, 258 00:14:48,400 --> 00:14:51,320 Speaker 1: not by the cameras. Why cannot be bothered by Robin? 259 00:14:51,520 --> 00:14:53,280 Speaker 2: That's why he always yells at her. 260 00:14:53,560 --> 00:14:55,600 Speaker 1: He was caught on a hot mic a couple of 261 00:14:55,680 --> 00:14:59,040 Speaker 1: years ago telling a producer Robin knows what it is 262 00:14:59,400 --> 00:15:02,400 Speaker 1: that whole story, Sorry about why going to the hotel 263 00:15:02,520 --> 00:15:06,640 Speaker 1: to payer like Robin? You are giving very Monique and 264 00:15:06,680 --> 00:15:08,760 Speaker 1: Derek from Love at the Lockup. 265 00:15:09,160 --> 00:15:10,840 Speaker 2: If you like your Robin, I love it. 266 00:15:11,200 --> 00:15:14,600 Speaker 1: You and Wan are together for the show and no 267 00:15:14,640 --> 00:15:19,520 Speaker 1: one can tell me differently. And then this whole segment 268 00:15:19,560 --> 00:15:21,520 Speaker 1: between you and Andy, which y'all could have kept that 269 00:15:21,720 --> 00:15:25,400 Speaker 1: as a wepisode to chat on BravoTV dot com. Robin, 270 00:15:25,760 --> 00:15:28,880 Speaker 1: you look nervous because it looked like you were reading 271 00:15:28,880 --> 00:15:31,000 Speaker 1: a script that Mia wrote. 272 00:15:31,440 --> 00:15:37,040 Speaker 2: G So what's my lines again? Okay? Yeah? 273 00:15:37,120 --> 00:15:40,920 Speaker 1: He said, wait, wait one second, okay, yeah. He said 274 00:15:41,040 --> 00:15:43,760 Speaker 1: that he had to pay the hotel receipt, and. 275 00:15:43,680 --> 00:15:44,520 Speaker 2: I believe him. 276 00:15:44,960 --> 00:15:48,880 Speaker 1: And this is the reason why I'm happy that we're 277 00:15:48,920 --> 00:15:52,320 Speaker 1: done with this season. I am in disbelief that a 278 00:15:52,480 --> 00:15:57,600 Speaker 1: show that has so much promise of comedy and interesting 279 00:15:57,760 --> 00:16:04,760 Speaker 1: storylines and layers have turn into scandals and allegations. This 280 00:16:04,840 --> 00:16:06,920 Speaker 1: is not the show that we signed up for. This 281 00:16:06,960 --> 00:16:10,600 Speaker 1: show is in trouble. This is probably And when I 282 00:16:10,640 --> 00:16:14,680 Speaker 1: say this, I'm not talking about anybody individually. The collective 283 00:16:14,920 --> 00:16:19,160 Speaker 1: cast is by far the most unlikable cast on television. 284 00:16:19,560 --> 00:16:23,280 Speaker 1: Y'all aren't filling each other. Y'all don't like each other. 285 00:16:23,760 --> 00:16:25,600 Speaker 1: I can't believe I'm about to say this, but I 286 00:16:25,720 --> 00:16:28,320 Speaker 1: have to be honest. This show needs to be put 287 00:16:28,360 --> 00:16:31,440 Speaker 1: on palls and no, I don't mean New York City's paused. 288 00:16:31,600 --> 00:16:33,080 Speaker 2: I think Potomac needs. 289 00:16:32,880 --> 00:16:36,280 Speaker 1: To go through a real Housewives of Beverly Hills pause 290 00:16:36,880 --> 00:16:40,000 Speaker 1: to where they had like two to three months off 291 00:16:40,320 --> 00:16:42,720 Speaker 1: to really figure things out. I don't want to see 292 00:16:42,720 --> 00:16:45,800 Speaker 1: the same exact cast next season. I think Ashley needs 293 00:16:45,840 --> 00:16:49,160 Speaker 1: to go. I would like to see Jacqueline replace Ashley, 294 00:16:49,880 --> 00:16:53,960 Speaker 1: because can I please get two women who are friends 295 00:16:54,240 --> 00:16:58,360 Speaker 1: that are going to hold each other accountable, read each other, 296 00:16:58,520 --> 00:17:03,680 Speaker 1: give us some rich history, cry make up something if 297 00:17:03,760 --> 00:17:07,679 Speaker 1: one isn't on this show full time next season. Robin, 298 00:17:08,080 --> 00:17:13,040 Speaker 1: you got to go to baby Giselle. You must take 299 00:17:13,080 --> 00:17:16,320 Speaker 1: off the producer hat. You have to get back into 300 00:17:16,320 --> 00:17:20,360 Speaker 1: the game. I don't believe Gazelle is into this Winterhouse guy. 301 00:17:20,480 --> 00:17:22,959 Speaker 1: I think it's a good look. In terms of social media, 302 00:17:23,600 --> 00:17:26,239 Speaker 1: I want to see a real relationship. I don't want 303 00:17:26,240 --> 00:17:28,639 Speaker 1: to see no more rented boyfriends. I don't want to 304 00:17:28,640 --> 00:17:30,840 Speaker 1: see none of that. We need some mix ups, we 305 00:17:30,880 --> 00:17:35,000 Speaker 1: need some fresh blood all around. We need something new 306 00:17:35,040 --> 00:17:39,359 Speaker 1: to see and Karen, I love you this grand Don fiasco. 307 00:17:39,680 --> 00:17:40,159 Speaker 2: Give it up. 308 00:17:40,240 --> 00:17:43,400 Speaker 1: Child, give it up, turn it loose in Vogue. Baby, 309 00:17:43,760 --> 00:17:46,040 Speaker 1: you gotta show us something real. I really want to 310 00:17:46,080 --> 00:17:48,119 Speaker 1: see what's going on with you and Ray you coming 311 00:17:48,160 --> 00:17:51,480 Speaker 1: on on set and looking at people eating the free 312 00:17:51,520 --> 00:17:55,960 Speaker 1: meals and giving good interviews only in Confessionals, Karen, I'm 313 00:17:56,000 --> 00:17:56,760 Speaker 1: onto your tricks. 314 00:17:56,760 --> 00:17:57,040 Speaker 2: Baby. 315 00:17:57,160 --> 00:17:59,600 Speaker 1: Karen's good on Confessionals and every once in a while 316 00:17:59,640 --> 00:18:01,880 Speaker 1: she gets activated, but I need to see more. 317 00:18:01,960 --> 00:18:04,440 Speaker 2: You're an og And the sad part. 318 00:18:04,320 --> 00:18:07,440 Speaker 1: Is, I just don't know if you guys are humble 319 00:18:07,640 --> 00:18:12,359 Speaker 1: enough to give us that. There was a TikTok video 320 00:18:12,440 --> 00:18:16,840 Speaker 1: in a photo the other day of Giselle, Robin, Ashley, 321 00:18:16,920 --> 00:18:20,560 Speaker 1: Mia and Cheriz at dinner and the song in the 322 00:18:20,600 --> 00:18:24,960 Speaker 1: TikTok was F Bitches Get Money and y'all were dancing 323 00:18:25,000 --> 00:18:28,040 Speaker 1: offbeat as usual. When I watched that video and I 324 00:18:28,119 --> 00:18:32,520 Speaker 1: heard the song F Bitches Get Money, I was like, Wow, y'all, 325 00:18:32,600 --> 00:18:35,399 Speaker 1: just y'all. Don't get it, y'all making people not like 326 00:18:35,520 --> 00:18:36,439 Speaker 1: y'all even worse. 327 00:18:37,200 --> 00:18:40,280 Speaker 2: F Bitches get money? Who are the bitches? Is it us? 328 00:18:40,320 --> 00:18:40,960 Speaker 2: The audience? 329 00:18:41,720 --> 00:18:45,879 Speaker 1: Are you saying f us? Is it Wendy and Candice? 330 00:18:46,240 --> 00:18:49,120 Speaker 1: Are they the bitches? F them and get money? So 331 00:18:49,280 --> 00:18:50,399 Speaker 1: is that what it's all about? 332 00:18:50,600 --> 00:18:54,040 Speaker 2: Money? Y'all really think that was cute to post? 333 00:18:54,560 --> 00:18:56,760 Speaker 1: I know that at least two of y'all on that 334 00:18:56,880 --> 00:18:58,840 Speaker 1: video are not at your best. 335 00:18:59,400 --> 00:19:02,320 Speaker 2: As a matter of three of y'all are not at 336 00:19:02,400 --> 00:19:02,800 Speaker 2: your best. 337 00:19:03,160 --> 00:19:07,000 Speaker 1: And instead of giving us some humility, instead of doing 338 00:19:07,040 --> 00:19:12,440 Speaker 1: a video talking about, hey, I want to dress something 339 00:19:12,480 --> 00:19:15,160 Speaker 1: that happened apart two reunion, I would like to say, 340 00:19:15,720 --> 00:19:18,840 Speaker 1: da da da da. Instead of showing us some vulnerability 341 00:19:19,160 --> 00:19:22,680 Speaker 1: and showing the human side of you, I think people 342 00:19:22,720 --> 00:19:27,719 Speaker 1: would have appreciated that versus a TikTok where the message 343 00:19:27,760 --> 00:19:31,880 Speaker 1: is f bitches, get money and this is what y'all 344 00:19:31,960 --> 00:19:35,280 Speaker 1: want us to come back next season to watch, put 345 00:19:35,280 --> 00:19:38,200 Speaker 1: the show on pause, and get rid of some folks because. 346 00:19:37,920 --> 00:19:39,119 Speaker 2: Some of y'all are too comfortable. 347 00:19:39,680 --> 00:19:43,480 Speaker 1: So now that we are free at last, Potomac has ended. 348 00:19:44,400 --> 00:19:48,920 Speaker 1: Next week, I am going to do an episode dedicated 349 00:19:48,960 --> 00:19:53,000 Speaker 1: to how to make Potomac great again? And I have 350 00:19:53,119 --> 00:19:57,160 Speaker 1: a guest who is a fan favorite for my podcast 351 00:19:58,040 --> 00:20:01,600 Speaker 1: that My Reality with the King rain Drops and listeners love. 352 00:20:02,440 --> 00:20:05,560 Speaker 1: She's a black woman, and we are going to talk 353 00:20:05,600 --> 00:20:09,960 Speaker 1: about how to say Potomac and what's interesting about this 354 00:20:10,000 --> 00:20:15,040 Speaker 1: conversation next week is the fact that she stopped watching 355 00:20:15,080 --> 00:20:18,640 Speaker 1: the show and sadly she has no plans on returning. 356 00:20:18,760 --> 00:20:21,879 Speaker 2: And you're going to hear why, child. We are just 357 00:20:21,920 --> 00:20:22,720 Speaker 2: getting started. 358 00:20:22,920 --> 00:20:25,679 Speaker 1: Stay tuned when we come back from break, we are 359 00:20:25,720 --> 00:20:34,320 Speaker 1: going to get into Fadri's presence on Married to Medicine. 360 00:20:36,640 --> 00:20:39,440 Speaker 1: This is reality with the King and I'm Carlos King. 361 00:20:39,920 --> 00:20:45,479 Speaker 1: Let's get back into the show. If you don't know 362 00:20:45,560 --> 00:20:49,840 Speaker 1: by now breaking news, Phaedra Parks is coming back to 363 00:20:49,880 --> 00:20:55,000 Speaker 1: the screens. And yes, Faedra Parks is going to allegedly 364 00:20:55,520 --> 00:21:02,480 Speaker 1: join Married to Medicine. Let's get right into it, okay. 365 00:21:03,240 --> 00:21:07,840 Speaker 1: Fhaja Parks was one hundred percent approached to be a 366 00:21:07,920 --> 00:21:12,159 Speaker 1: maritime medicine At the same time, she was also approached 367 00:21:12,520 --> 00:21:16,480 Speaker 1: to appear on the next season of The Real Housewives 368 00:21:16,480 --> 00:21:22,880 Speaker 1: of Atlanta. The network loves Phaedra, loves her. That's why 369 00:21:22,880 --> 00:21:24,879 Speaker 1: you saw Miss Think on Dubai, which I thought was 370 00:21:24,920 --> 00:21:30,760 Speaker 1: so random. I'm like, listen, I get that you want 371 00:21:30,800 --> 00:21:34,479 Speaker 1: to make fetch happen, which is Dubai, and by adding 372 00:21:34,480 --> 00:21:36,840 Speaker 1: Faedra Parks on it would get people to tune in. 373 00:21:36,920 --> 00:21:39,600 Speaker 1: Although I don't think that helped either, but it goes 374 00:21:39,680 --> 00:21:42,600 Speaker 1: to show you that Phaedra is somebody who the network loved. 375 00:21:42,720 --> 00:21:45,440 Speaker 2: They love Fedra, and when Fadra. 376 00:21:45,200 --> 00:21:49,480 Speaker 1: Appeared on the Real Housewives Ultimate Girls Trip, you can 377 00:21:49,520 --> 00:21:53,360 Speaker 1: say what you want about Fajora Parks, she is fantastic television. 378 00:21:53,760 --> 00:21:59,280 Speaker 1: I hollered the entire season of Ultimate Girls Trip. Phaeder 379 00:21:59,440 --> 00:22:04,240 Speaker 1: reminded everybody what a formidable player she is in reality TV. 380 00:22:04,560 --> 00:22:07,160 Speaker 1: And this is the beauty of Phaedra. Obviously, as someone 381 00:22:07,200 --> 00:22:09,920 Speaker 1: who has worked with her since season three, that's when 382 00:22:09,960 --> 00:22:13,040 Speaker 1: she joined along with Cynthia Bailey, I always knew that 383 00:22:13,080 --> 00:22:16,120 Speaker 1: Phaedria was a star, that she was funny, and Faedra 384 00:22:16,280 --> 00:22:19,400 Speaker 1: definitely has some iconic reads. Whether or not y'all think 385 00:22:19,440 --> 00:22:21,720 Speaker 1: it's rehearsed or not. I'm not here to confirm that. 386 00:22:21,680 --> 00:22:22,480 Speaker 2: Girls, but. 387 00:22:24,359 --> 00:22:28,920 Speaker 1: Phaedra is great television and you can't deny that. Because 388 00:22:28,960 --> 00:22:33,360 Speaker 1: she appeared on Ultimate Girl's Trip, it reminded everybody how 389 00:22:33,400 --> 00:22:36,520 Speaker 1: great she was on the Real house Squats of Atlanta. 390 00:22:36,640 --> 00:22:38,120 Speaker 2: Now, yes, I know what y'all thinking. 391 00:22:38,160 --> 00:22:41,280 Speaker 1: Well, Carlos, season nine, you know everything that happened, your 392 00:22:41,359 --> 00:22:43,920 Speaker 1: name was involved, although I told y'all I had nothing 393 00:22:43,960 --> 00:22:46,679 Speaker 1: to do with it. Dave Quinn, a friend of mine, 394 00:22:47,080 --> 00:22:49,960 Speaker 1: wrote the book Now All Diamonds in Rose. It was 395 00:22:50,040 --> 00:22:52,119 Speaker 1: also revealed I had nothing to do with that mess. 396 00:22:52,240 --> 00:22:54,639 Speaker 1: But again, y'all like to think I'm the messies of 397 00:22:54,680 --> 00:22:55,520 Speaker 1: the mess, and that's fine. 398 00:22:55,560 --> 00:22:58,760 Speaker 2: I don't really give a shit. But it also goes. 399 00:22:58,560 --> 00:23:00,200 Speaker 1: To show you that at the end of the day day, 400 00:23:00,760 --> 00:23:04,720 Speaker 1: there could be an opportunity to where there's grace involved, 401 00:23:04,800 --> 00:23:11,000 Speaker 1: there's mercy when it comes to that situation. Faedra has 402 00:23:11,160 --> 00:23:14,840 Speaker 1: always been talked about to appear back on the Real 403 00:23:14,880 --> 00:23:18,080 Speaker 1: Houswalds of Atlanta, and we ain got to go into 404 00:23:18,080 --> 00:23:20,400 Speaker 1: detail as to why she's not back on. 405 00:23:20,480 --> 00:23:22,280 Speaker 2: I think we all know why. I think it's been 406 00:23:22,320 --> 00:23:23,119 Speaker 2: publicly said. 407 00:23:23,480 --> 00:23:27,080 Speaker 1: Everybody knows the reason why Fedra isn't on the Real 408 00:23:27,119 --> 00:23:30,679 Speaker 1: Housewalds of Atlanta. I do believe you have to have 409 00:23:30,760 --> 00:23:33,560 Speaker 1: mercy and graceful people. We live in this world right 410 00:23:33,600 --> 00:23:37,159 Speaker 1: now where everybody wants to say never this, never, that was, 411 00:23:37,200 --> 00:23:39,560 Speaker 1: she did this, she did that. I'm not the judge 412 00:23:39,600 --> 00:23:42,760 Speaker 1: or the jury. Honey, I don't have esquire after my 413 00:23:43,040 --> 00:23:43,600 Speaker 1: last name. 414 00:23:43,720 --> 00:23:44,080 Speaker 2: Okay. 415 00:23:44,280 --> 00:23:48,480 Speaker 1: What I can say is Fedra, in my opinion, deserves 416 00:23:48,480 --> 00:23:51,680 Speaker 1: to get back on the show. I as a former 417 00:23:51,760 --> 00:23:54,560 Speaker 1: producer and still a fan of the Real Housewads of Atlanta, 418 00:23:55,160 --> 00:23:57,760 Speaker 1: I would love to see a conversation between those two 419 00:23:57,800 --> 00:24:02,400 Speaker 1: parties take place. Horsha even forgiven Phedra and again Portia 420 00:24:02,520 --> 00:24:05,360 Speaker 1: is our own woman. But I also feel like we 421 00:24:05,359 --> 00:24:09,720 Speaker 1: were robbed of being told that story. We as the audience, 422 00:24:09,760 --> 00:24:12,320 Speaker 1: and I will always consider myself a viewer, We as 423 00:24:12,359 --> 00:24:16,200 Speaker 1: the audience, was robbed of not seeing that story being 424 00:24:16,320 --> 00:24:19,760 Speaker 1: told and not seeing what it was like to have 425 00:24:20,400 --> 00:24:24,960 Speaker 1: two former friends deal with that situation. And it's not 426 00:24:25,040 --> 00:24:28,840 Speaker 1: a coincidence that the show has not been the same since, 427 00:24:29,359 --> 00:24:32,680 Speaker 1: because I think for a lot of people, what we're 428 00:24:32,720 --> 00:24:37,240 Speaker 1: missing from The Real Housewives of Atlanta is the organic 429 00:24:37,440 --> 00:24:39,639 Speaker 1: friendships and relationships. 430 00:24:40,400 --> 00:24:44,280 Speaker 2: And when you cast these newbies, it takes. 431 00:24:44,040 --> 00:24:47,879 Speaker 1: A while to have them clicked into the foundation that 432 00:24:48,000 --> 00:24:51,879 Speaker 1: was already set. And the reason why merrit To Medicine 433 00:24:52,000 --> 00:24:54,520 Speaker 1: is the best show on Bravo that you're not watching 434 00:24:55,200 --> 00:24:58,400 Speaker 1: is because they literally have the same cast members since 435 00:24:58,400 --> 00:25:04,240 Speaker 1: season one, and the genius of the creator of this show, 436 00:25:04,280 --> 00:25:10,000 Speaker 1: Mariah Hawk, to cast women that she was friends with 437 00:25:10,240 --> 00:25:12,800 Speaker 1: that they all knew each other and even when you 438 00:25:12,840 --> 00:25:16,960 Speaker 1: brought on doctor. Heavenly, they still knew her even when 439 00:25:16,960 --> 00:25:18,320 Speaker 1: you brought on Contessa. 440 00:25:18,920 --> 00:25:21,320 Speaker 2: There was an establishment of history there. 441 00:25:22,240 --> 00:25:25,840 Speaker 1: What makes Marriton Medicine so great is that, And what 442 00:25:26,040 --> 00:25:29,040 Speaker 1: makes real housepossible Atlanta not so great as it used 443 00:25:29,080 --> 00:25:31,879 Speaker 1: to be is because they don't have that. There was 444 00:25:32,000 --> 00:25:34,720 Speaker 1: conversation of whether or not Phaedra would come back to 445 00:25:34,720 --> 00:25:35,919 Speaker 1: Atlanta Housewives. 446 00:25:36,359 --> 00:25:39,359 Speaker 2: But I think the parties that be are. 447 00:25:39,359 --> 00:25:43,000 Speaker 1: Just afraid to ruffle the feathers, is what I'll say. 448 00:25:43,720 --> 00:25:47,840 Speaker 1: And that leads Phaedra a fan favorite of the network, 449 00:25:47,960 --> 00:25:51,520 Speaker 1: a fan favorite of the audience, hanging like, what can 450 00:25:51,600 --> 00:25:54,840 Speaker 1: we do with this woman? People love her, They love 451 00:25:54,880 --> 00:25:58,000 Speaker 1: her so fucking much. She's back on Ultimate Girls Trip, 452 00:25:58,320 --> 00:26:02,040 Speaker 1: her Brandy, Vicki, and Eva all returning back to do 453 00:26:02,119 --> 00:26:07,480 Speaker 1: another installment because Faedra is special. Fajia's great television. You 454 00:26:07,560 --> 00:26:12,359 Speaker 1: can't deny Siss's iconic, funny moments with the blonde wig 455 00:26:12,440 --> 00:26:12,960 Speaker 1: and everything. 456 00:26:13,040 --> 00:26:14,520 Speaker 2: Faedro was giving us great TV. 457 00:26:15,080 --> 00:26:19,320 Speaker 1: And that left people thinking, we have this star, but 458 00:26:19,400 --> 00:26:23,840 Speaker 1: we know this star more than likely is unable to 459 00:26:24,160 --> 00:26:27,200 Speaker 1: appear on this show that made her a household name, 460 00:26:27,520 --> 00:26:30,520 Speaker 1: So what can we do with her? And that leads 461 00:26:30,720 --> 00:26:35,000 Speaker 1: us to Faedra being approached to appear a marrit To 462 00:26:35,119 --> 00:26:39,359 Speaker 1: Medicine because she is dating a doctor. Now, For all 463 00:26:39,400 --> 00:26:42,399 Speaker 1: those who watched Ultimate Girl's Trip, Phaedra did allude that 464 00:26:42,440 --> 00:26:48,200 Speaker 1: she was dating somebody, a doctor. She loves him, and 465 00:26:48,240 --> 00:26:50,400 Speaker 1: we all were like, well, bitch, you want to see this. 466 00:26:51,000 --> 00:26:54,080 Speaker 1: And now it made sense for them to say, you 467 00:26:54,160 --> 00:26:58,440 Speaker 1: know what, how interesting would it be to have Fedra 468 00:26:59,000 --> 00:27:03,800 Speaker 1: appear on Maritime Medicine because she is dating a doctor. Now, 469 00:27:03,840 --> 00:27:06,800 Speaker 1: the headline alone and the press alone, that's going to 470 00:27:06,840 --> 00:27:10,040 Speaker 1: get people to tune in. Anyway, This is me putting 471 00:27:10,040 --> 00:27:13,879 Speaker 1: on my producer hat, because Mereti Medicine once again, is 472 00:27:13,920 --> 00:27:17,280 Speaker 1: the best show on Brable that you're not watching. Fedra 473 00:27:17,520 --> 00:27:21,080 Speaker 1: appearing on the show as a full time cast member 474 00:27:21,680 --> 00:27:26,320 Speaker 1: may actually get the eyeballs that that particular show deserves, 475 00:27:26,560 --> 00:27:30,600 Speaker 1: because the fans of Faedra and the fans of Housewives 476 00:27:30,600 --> 00:27:35,480 Speaker 1: of Atlanta, they will stay tuned to see that show 477 00:27:35,680 --> 00:27:38,159 Speaker 1: if Faedra is on it. So I think it's a 478 00:27:38,280 --> 00:27:42,400 Speaker 1: genius move for marketing. I also think it's a genius 479 00:27:42,480 --> 00:27:50,360 Speaker 1: move for Faedra. It's very, very, very challenging for a 480 00:27:50,400 --> 00:27:54,400 Speaker 1: former housewife to get a full time job on another network. 481 00:27:54,560 --> 00:27:59,040 Speaker 1: It's very hard because most networks likes to brand themselves 482 00:27:59,119 --> 00:28:02,160 Speaker 1: as this is what we do over here, and this 483 00:28:02,240 --> 00:28:04,399 Speaker 1: is what y'all do over there, and they don't like 484 00:28:04,440 --> 00:28:08,680 Speaker 1: to mix it to So with Faedra, who's a great talent, 485 00:28:09,720 --> 00:28:12,520 Speaker 1: it makes sense to be back on the network that 486 00:28:12,600 --> 00:28:16,000 Speaker 1: made your household name, but to also appear on Mariti 487 00:28:16,080 --> 00:28:21,240 Speaker 1: Medicine because it's an opportunity for Faeda to rebrand herself, 488 00:28:21,720 --> 00:28:26,280 Speaker 1: to not have the housewife title follow her like a shadow. 489 00:28:27,080 --> 00:28:31,760 Speaker 1: It's an opportunity for Faedra to really look back. And 490 00:28:31,800 --> 00:28:36,840 Speaker 1: if I was Faedra's manager or publicist, I would say 491 00:28:36,960 --> 00:28:39,760 Speaker 1: jump on the chance of doing this. You want people 492 00:28:39,800 --> 00:28:43,440 Speaker 1: to forget about you being on Housewives. If you're not 493 00:28:43,440 --> 00:28:46,040 Speaker 1: going to come back on the show, what better way 494 00:28:46,600 --> 00:28:50,560 Speaker 1: to rebrand your image and go on a show to 495 00:28:50,640 --> 00:28:54,400 Speaker 1: where you are also a part of some very funny, 496 00:28:55,000 --> 00:29:00,000 Speaker 1: educated black women, whether they're doctors or the wives ofs 497 00:29:00,040 --> 00:29:02,160 Speaker 1: that a sense a great cast. So when it comes 498 00:29:02,200 --> 00:29:05,240 Speaker 1: to Fedra, this is the part that's going to be interesting. 499 00:29:06,040 --> 00:29:09,920 Speaker 1: We all love Mary to Medicine because of the organic relationships, 500 00:29:10,120 --> 00:29:14,720 Speaker 1: so that begs the question will Phaedra appear to be 501 00:29:14,920 --> 00:29:19,280 Speaker 1: a distraction because she doesn't have an established rapport with 502 00:29:19,320 --> 00:29:19,960 Speaker 1: all the women. 503 00:29:20,560 --> 00:29:24,080 Speaker 2: So this is what I know. Phaedra and Quad are 504 00:29:24,240 --> 00:29:26,320 Speaker 2: friends because. 505 00:29:25,920 --> 00:29:29,920 Speaker 1: When we were filming Season eight of the Real Housewives 506 00:29:29,920 --> 00:29:36,240 Speaker 1: of Atlanta, we filmed Phaedra going over Quad's house when 507 00:29:36,280 --> 00:29:40,600 Speaker 1: she was married to Doctor G. Doctor G and Faedra 508 00:29:41,240 --> 00:29:46,320 Speaker 1: are friends and they have history. So courtesy of Phaedra 509 00:29:46,400 --> 00:29:50,080 Speaker 1: and Doctor G being friends is how Faedra and Quad 510 00:29:50,320 --> 00:29:54,000 Speaker 1: knows each other. So what would make sense is Fhedra 511 00:29:54,160 --> 00:29:57,160 Speaker 1: is brought in through Quad. What I don't know is 512 00:29:57,200 --> 00:30:01,160 Speaker 1: how deep the rapport goes with Fa the other women. 513 00:30:01,560 --> 00:30:04,800 Speaker 1: But what I can say to you, honey, Atlanta is 514 00:30:04,920 --> 00:30:09,800 Speaker 1: very small, which is why doctor Jackie is everybody's obgyn. 515 00:30:09,840 --> 00:30:11,760 Speaker 2: Honey, that's how small Atlanta is. 516 00:30:11,960 --> 00:30:14,040 Speaker 1: You would think, well, all these educated black folks, child, 517 00:30:14,080 --> 00:30:18,560 Speaker 1: that you'll have another obg yn. No, they all go 518 00:30:18,600 --> 00:30:24,440 Speaker 1: to doctor Jackie. So that is how small Atlanta is. Right, 519 00:30:25,680 --> 00:30:28,360 Speaker 1: But this is the gag of the gag gag gags. 520 00:30:28,560 --> 00:30:32,400 Speaker 1: So come closer, Yes, turn up the volume, because here's 521 00:30:32,400 --> 00:30:35,840 Speaker 1: some teeth for you. Baby. Phaedra ain't cheap. She's a 522 00:30:35,880 --> 00:30:40,680 Speaker 1: staple in reality television. So in order to afford Phaedra, 523 00:30:41,520 --> 00:30:42,680 Speaker 1: you have to get rid. 524 00:30:42,520 --> 00:30:43,120 Speaker 2: Of some people. 525 00:30:43,640 --> 00:30:49,760 Speaker 1: And this is where the alleged report. Okay, so allegedly 526 00:30:50,320 --> 00:30:54,880 Speaker 1: two people from May to Medicine won't be back on 527 00:30:54,920 --> 00:30:59,760 Speaker 1: the upcoming season of the show because one person doesn't 528 00:30:59,760 --> 00:31:03,200 Speaker 1: want to come back, at least that's what I was told, 529 00:31:03,640 --> 00:31:07,080 Speaker 1: and the other person allegedly was fired. 530 00:31:07,760 --> 00:31:09,280 Speaker 2: I'm not gonna name names in. 531 00:31:09,320 --> 00:31:18,520 Speaker 1: Terms of who fits which category, but allegedly Contessa and 532 00:31:18,600 --> 00:31:25,360 Speaker 1: Anila would not come back to the upcoming season American Medicine. 533 00:31:25,480 --> 00:31:29,840 Speaker 1: Word on the street is Contessa and Aniela would not 534 00:31:29,920 --> 00:31:35,880 Speaker 1: be returning to the upcoming season of Married to Medicine. Now, look, 535 00:31:36,280 --> 00:31:40,760 Speaker 1: I love Contessa. I think Contesta's fantastic television. I think 536 00:31:40,760 --> 00:31:45,400 Speaker 1: she's great TV. I'm invested in Contesta and Scott's storyline. 537 00:31:45,480 --> 00:31:46,640 Speaker 2: I really, really am. 538 00:31:47,200 --> 00:31:50,440 Speaker 1: I thought Contessa fit like a glove when it comes 539 00:31:50,440 --> 00:31:52,400 Speaker 1: to the rest of the cast members. And word on 540 00:31:52,440 --> 00:31:55,080 Speaker 1: the street is that allegedly she doesn't want to come 541 00:31:55,080 --> 00:31:58,120 Speaker 1: back because she wants to do other things. Now with Anila, 542 00:31:58,640 --> 00:32:02,520 Speaker 1: I've said this from day one. Anila never made sense 543 00:32:02,560 --> 00:32:05,760 Speaker 1: to me. The math wasn't mathing, and the match wasn't matching, 544 00:32:05,760 --> 00:32:07,960 Speaker 1: and the cast wasn't casting period. 545 00:32:08,000 --> 00:32:09,800 Speaker 2: Point in the blank. Okay. 546 00:32:10,640 --> 00:32:16,120 Speaker 1: I always thought that Niela's culture was the reason why 547 00:32:16,160 --> 00:32:19,160 Speaker 1: she was hired due to the fact that the creator, Honey, 548 00:32:19,200 --> 00:32:23,720 Speaker 1: the legend, the executive producer Marijah Huck brought to the show. 549 00:32:23,840 --> 00:32:24,880 Speaker 2: I always felt that way. 550 00:32:25,240 --> 00:32:29,040 Speaker 1: Yes, I know she's neighbors with Toya, it still doesn't 551 00:32:29,040 --> 00:32:31,760 Speaker 1: make sense, Honey, I'm neighbors with some folks that I 552 00:32:31,800 --> 00:32:35,040 Speaker 1: wouldn't hang out with. Okay, so that's not a reason 553 00:32:35,120 --> 00:32:37,800 Speaker 1: to be on the show. Okay, Carlo, She's married to 554 00:32:37,840 --> 00:32:41,440 Speaker 1: a doctor and what it still did not make sense 555 00:32:41,440 --> 00:32:43,800 Speaker 1: for Nila to be on the show. I never felt 556 00:32:43,800 --> 00:32:46,520 Speaker 1: that Nila made sense to be on that show. So 557 00:32:46,600 --> 00:32:50,600 Speaker 1: Anila getting her walking papers, I think that's a good idea. 558 00:32:51,080 --> 00:32:53,440 Speaker 2: No, I'm not an advocate for people getting fired. 559 00:32:53,760 --> 00:33:01,640 Speaker 1: But let's be clear, Honey, Aniela and her blog, come 560 00:33:01,680 --> 00:33:05,480 Speaker 1: on blog, Anila and her blog, Honey, They're gonna do 561 00:33:05,600 --> 00:33:10,560 Speaker 1: just fine because her hobby makes all the money. They 562 00:33:10,640 --> 00:33:14,360 Speaker 1: got that big house, and look, she's not going to 563 00:33:14,400 --> 00:33:19,840 Speaker 1: be missing any meals. So Anila, Bye bye, Contessa. I'm 564 00:33:19,880 --> 00:33:24,760 Speaker 1: going to miss you. But look if Contessa and Anila 565 00:33:24,880 --> 00:33:28,600 Speaker 1: are both gone, and now makes room to pay Phedra 566 00:33:28,800 --> 00:33:32,920 Speaker 1: the big bucks that look no, she Faedra deserves. Now 567 00:33:32,960 --> 00:33:37,880 Speaker 1: here's the kicker girls and guys. Allegedly Quad's ex husband, 568 00:33:38,160 --> 00:33:45,080 Speaker 1: Doctor G, has remarried, and allegedly his wife is coming 569 00:33:45,160 --> 00:33:52,600 Speaker 1: on the show. Hey, y'all better resurrect married to medicine. 570 00:33:52,800 --> 00:33:56,680 Speaker 1: When I say to you, that is genius. And here's 571 00:33:56,840 --> 00:34:00,880 Speaker 1: why Phaedra and Doctor G used to date. They're old 572 00:34:01,120 --> 00:34:07,440 Speaker 1: college friends. Okay, they have a history together. Phaedra and 573 00:34:07,560 --> 00:34:13,279 Speaker 1: Quad are friends courtesy of doctor G. Doctor G and 574 00:34:13,440 --> 00:34:18,480 Speaker 1: Quad are exes to bring on this man's new wife 575 00:34:18,800 --> 00:34:24,200 Speaker 1: because guess what, Doctor G's wife is married to medicine. 576 00:34:24,360 --> 00:34:29,479 Speaker 1: She fits the staple of the show. So Quad has 577 00:34:29,560 --> 00:34:34,400 Speaker 1: to be around Doctor G's new wife, which also means 578 00:34:34,480 --> 00:34:37,840 Speaker 1: that Quad has to now be around Doctor G, which 579 00:34:37,960 --> 00:34:41,720 Speaker 1: also means Phaedra has to be the buffer. And well, 580 00:34:42,239 --> 00:34:46,279 Speaker 1: I'm getting oh ooh, this may be explicit an x rated, 581 00:34:46,280 --> 00:34:48,880 Speaker 1: because baby, I'm getting hot over the storyline that is 582 00:34:48,920 --> 00:34:55,080 Speaker 1: brewing Phaedra, doctor G, Miss Quad, and Doctor G's wife. 583 00:34:55,280 --> 00:34:59,799 Speaker 1: If that's what I'm getting, child, y'all can also give 584 00:34:59,840 --> 00:35:00,600 Speaker 1: it a some mode. 585 00:35:00,600 --> 00:35:02,120 Speaker 2: If that's the case, maybe. 586 00:35:02,120 --> 00:35:07,160 Speaker 1: No shade like some old child mag brood for this storyline. 587 00:35:07,480 --> 00:35:10,279 Speaker 2: I am here for it. 588 00:35:10,280 --> 00:35:15,719 Speaker 1: It is going to be fantastic. The drama, the comedy, 589 00:35:15,840 --> 00:35:20,399 Speaker 1: the steaks, the uncomfortableness, the awkwardness, and then we get 590 00:35:20,400 --> 00:35:22,279 Speaker 1: to get the new iteration of freaking frack. 591 00:35:22,840 --> 00:35:24,600 Speaker 2: Sorry Porsche, but to. 592 00:35:24,560 --> 00:35:28,680 Speaker 1: See Hey my bad Porsche. 593 00:35:28,840 --> 00:35:31,040 Speaker 2: I love you girl, but look, the new. 594 00:35:30,920 --> 00:35:33,840 Speaker 1: Freaking frack is going to be miss Quad and Phaedra Baby. 595 00:35:34,920 --> 00:35:38,600 Speaker 1: I cannot wait until this season airs. 596 00:35:39,000 --> 00:35:42,040 Speaker 2: And this is the gag of the gaggag gag gag gags. 597 00:35:42,640 --> 00:35:43,239 Speaker 2: One of the. 598 00:35:43,320 --> 00:35:48,400 Speaker 1: Executives at Bravo did an interview recently and he said, 599 00:35:48,520 --> 00:35:53,720 Speaker 1: and I quote, that Meriton Medicine is going through a change. 600 00:35:54,719 --> 00:35:56,760 Speaker 1: This is the part that's going to be very interesting 601 00:35:57,239 --> 00:35:59,719 Speaker 1: because if you are a fan of Meriti Medicine, you 602 00:36:00,160 --> 00:36:03,160 Speaker 1: to ask yourself, well, Carlos, if it ain't brokedn't fix it. 603 00:36:03,440 --> 00:36:07,480 Speaker 1: So the question remains, will Phaedra's presence be such a 604 00:36:07,520 --> 00:36:12,560 Speaker 1: distraction that it'll lose the organic nature? Okay of why 605 00:36:12,600 --> 00:36:15,520 Speaker 1: that show is so great and why that show has 606 00:36:15,600 --> 00:36:18,400 Speaker 1: always been so great, and why that show is a 607 00:36:18,440 --> 00:36:22,600 Speaker 1: show that people love to watch. My opinion is this 608 00:36:22,719 --> 00:36:28,320 Speaker 1: is the change that it needed. So Phaedra, welcome back, bitch, 609 00:36:28,880 --> 00:36:31,960 Speaker 1: and I for one cannot wait to see it. 610 00:36:36,280 --> 00:36:38,520 Speaker 2: Thank you for listening to Reality with the King. 611 00:36:38,960 --> 00:36:45,440 Speaker 1: New episodes drop every Tuesday, Share, comment, follow, and subscribe 612 00:36:45,880 --> 00:36:49,040 Speaker 1: to Reality with the King. Wherever you get your podcast, 613 00:36:49,640 --> 00:36:53,520 Speaker 1: visit Reality Withtheking dot com and be sure to follow 614 00:36:53,560 --> 00:36:58,640 Speaker 1: me at the Carlos King Underscore on Instagram, Twitter, TikTok, 615 00:36:58,800 --> 00:37:01,719 Speaker 1: and Yes Baby, my YouTube channel where you could get 616 00:37:01,760 --> 00:37:05,959 Speaker 1: all of my visuals, baby, my expressions. Yeah, and don't 617 00:37:05,960 --> 00:37:09,200 Speaker 1: forget tweet me your thoughts and hot takes about this 618 00:37:09,400 --> 00:37:16,640 Speaker 1: episode using the hashtag reality with the King. Reality with 619 00:37:16,680 --> 00:37:20,920 Speaker 1: the King is a production of Kingdom Rain Entertainment. It 620 00:37:21,000 --> 00:37:25,520 Speaker 1: is produced by Sierra Spragley Rix An executive produced by 621 00:37:25,600 --> 00:37:39,359 Speaker 1: Me Carlos King, Kingdom Rain Entertainment, Baby, Yes,