WEBVTT - QLS Classic: PJ Morton

0:00:00.320 --> 0:00:03.159
<v Speaker 1>Of Course Love Supreme is a production of I Heart Radio.

0:00:03.600 --> 0:00:07.000
<v Speaker 1>This classic episode was produced by the team at Pandora.

0:00:09.400 --> 0:00:11.280
<v Speaker 1>What's up, y'all? This is Quess Love and this is

0:00:11.320 --> 0:00:15.920
<v Speaker 1>another q lest classic. This episode, we talk to our

0:00:15.960 --> 0:00:20.200
<v Speaker 1>pal p J. Morton, member of Broom five Monster in

0:00:20.280 --> 0:00:22.840
<v Speaker 1>his own right Grammy winner, and he talks about his

0:00:22.920 --> 0:00:26.239
<v Speaker 1>journey uh for being a preacher's kid in New Orleans

0:00:26.680 --> 0:00:30.400
<v Speaker 1>to uh world domination. You know it should be quite dope.

0:00:30.400 --> 0:00:37.080
<v Speaker 1>I hope you enjoy it all right starting, Oh God,

0:00:37.159 --> 0:00:45.120
<v Speaker 1>here we go. Su Primo roll call, Surema, su Premo

0:00:45.320 --> 0:00:54.440
<v Speaker 1>role called sub primam roll call, Soma roll call, tenants

0:00:54.600 --> 0:00:59.440
<v Speaker 1>pool Yeah, Rocket Simmons shoes signs from the heaven above. Ye,

0:01:04.280 --> 0:01:11.399
<v Speaker 1>some water. Primo road call. My name is Fonte. Yeah,

0:01:11.600 --> 0:01:16.800
<v Speaker 1>I'm kicking my game. Yeah where everybody, Yeah knows my name.

0:01:20.480 --> 0:01:27.360
<v Speaker 1>Prima road call, some Prima Prima road here whole Yeah,

0:01:27.560 --> 0:01:31.840
<v Speaker 1>and you know I'm no sucker. Yeah yeah. Oh that

0:01:32.000 --> 0:01:40.679
<v Speaker 1>hurt like a motherfucker. Some Primo road Sorry you Prema

0:01:40.880 --> 0:01:45.399
<v Speaker 1>road call. My name is Sugar, Yeah, yes, please, yeah,

0:01:45.800 --> 0:01:52.720
<v Speaker 1>won't you come? Ye put it down on me. Cama

0:01:52.920 --> 0:01:59.440
<v Speaker 1>road call. Some Prima road call. It's like yeah, and

0:01:59.520 --> 0:02:03.360
<v Speaker 1>I'm all of that yeah with my boy PJ. Yeah

0:02:03.560 --> 0:02:10.720
<v Speaker 1>who that who that din me tell you you have

0:02:10.840 --> 0:02:15.919
<v Speaker 1>to do this? My name is p J. I could

0:02:16.040 --> 0:02:20.280
<v Speaker 1>just scream yeah, I finally made it quest love to

0:02:20.440 --> 0:02:39.760
<v Speaker 1>bring something roll roll. So wait, so let me get

0:02:39.800 --> 0:02:42.560
<v Speaker 1>it correct. You knew what you had to do on

0:02:42.639 --> 0:02:45.680
<v Speaker 1>this theme. Yeah, so it's it's taking us one hundred

0:02:45.720 --> 0:02:50.320
<v Speaker 1>plus episodes to get someone on the show that listens

0:02:50.360 --> 0:02:53.040
<v Speaker 1>to our show, I mean the first twenty and so

0:02:53.120 --> 0:02:55.840
<v Speaker 1>we can excuse him because you know, no, it's just

0:02:56.120 --> 0:02:59.160
<v Speaker 1>usually what what what listeners of our show don't know

0:02:59.440 --> 0:03:04.520
<v Speaker 1>is that no one is warned, you know, and they

0:03:04.560 --> 0:03:06.519
<v Speaker 1>don't listen. And PJ is actually like the first person

0:03:06.560 --> 0:03:11.040
<v Speaker 1>who actually listened. I take that we might have our

0:03:11.080 --> 0:03:15.200
<v Speaker 1>first music nerd. Actually the wait, we've done over a

0:03:15.280 --> 0:03:20.160
<v Speaker 1>hundred and this dude don't know what ordered roll calls in. Okay, sorry,

0:03:20.639 --> 0:03:22.720
<v Speaker 1>seems it seems like we was just going around in

0:03:22.760 --> 0:03:25.280
<v Speaker 1>the circle. Yeah, because that's how we always deal with Well,

0:03:25.280 --> 0:03:26.760
<v Speaker 1>you shouldn't have sent me in the seat, you should

0:03:26.760 --> 0:03:28.400
<v Speaker 1>have sent me where you were sitting. You got here

0:03:28.520 --> 0:03:30.799
<v Speaker 1>early ones like oh I'm the boss, I'm boss, Steve

0:03:30.919 --> 0:03:34.160
<v Speaker 1>Clear you're gonna bos'n that. Wait, you know what not

0:03:36.000 --> 0:03:39.160
<v Speaker 1>Sugar Network? Right? One year? Got a year? Right? One year?

0:03:40.720 --> 0:03:46.280
<v Speaker 1>Like a month ago? Yeah? Month? Yeah? Yeah, congratulations Steve,

0:03:46.400 --> 0:03:49.600
<v Speaker 1>thank you. So what what developments have occurred in the

0:03:49.640 --> 0:03:52.360
<v Speaker 1>Sugar Network? You know, the same as usual. We just

0:03:52.440 --> 0:03:56.760
<v Speaker 1>continue to grow, thanks to thanks. I saw some weird

0:03:56.880 --> 0:04:00.680
<v Speaker 1>last night. Yeah in grep Times. What was that? As

0:04:00.720 --> 0:04:04.200
<v Speaker 1>an electric circus? Was so dope? Yeah, one of the

0:04:04.440 --> 0:04:07.400
<v Speaker 1>one of the Sugar celebrities, Soldier, made that for network

0:04:07.640 --> 0:04:10.880
<v Speaker 1>to celebrate the first year. It's very cool graphics. It

0:04:10.960 --> 0:04:14.400
<v Speaker 1>was dope. It was it was everybody else on the

0:04:14.400 --> 0:04:16.160
<v Speaker 1>team except me and that I know. You want to

0:04:16.400 --> 0:04:19.520
<v Speaker 1>Bill that wasn't there either. You guys got to participate more.

0:04:19.600 --> 0:04:22.120
<v Speaker 1>Those are like the major select that hit him alive,

0:04:22.160 --> 0:04:27.279
<v Speaker 1>don't I'm I'm on social media completely now, So how's

0:04:27.320 --> 0:04:33.000
<v Speaker 1>that going? How's your social media fast? Is it? Because

0:04:33.080 --> 0:04:34.720
<v Speaker 1>on the group chat I made a reference to a

0:04:34.800 --> 0:04:36.760
<v Speaker 1>few things that you didn't know about, And you know what,

0:04:37.320 --> 0:04:41.040
<v Speaker 1>I have no no fear of missing out. I don't care, really,

0:04:41.120 --> 0:04:45.040
<v Speaker 1>I don't care. Hopefully really hopening up to the world

0:04:45.160 --> 0:04:48.000
<v Speaker 1>these days, then I guess hopefully more people will follow

0:04:48.040 --> 0:04:50.720
<v Speaker 1>the suit, you know, actually get stuff done on time.

0:04:50.800 --> 0:04:53.320
<v Speaker 1>Now you know that I can actually sit through a

0:04:53.360 --> 0:04:57.480
<v Speaker 1>television show and know what's happening. I wonder, but you

0:04:57.520 --> 0:04:59.640
<v Speaker 1>don't get tempted or all to look at trending topics

0:04:59.800 --> 0:05:03.279
<v Speaker 1>or no, I don't give a ship. That's why I quit.

0:05:03.560 --> 0:05:05.080
<v Speaker 1>That's why I quit in the first place, because I

0:05:05.120 --> 0:05:07.800
<v Speaker 1>looked at all this and I was like, I don't care. Wait,

0:05:07.920 --> 0:05:10.520
<v Speaker 1>back in the December, you told you just dropping your Facebook.

0:05:11.000 --> 0:05:12.720
<v Speaker 1>It was you think I was gonna drop everything once

0:05:12.760 --> 0:05:14.160
<v Speaker 1>and then you know, have shocking and go out and

0:05:14.200 --> 0:05:19.960
<v Speaker 1>steps like, actually, the way you're looking right now, that's

0:05:20.000 --> 0:05:23.000
<v Speaker 1>why I'm sitting because like, yeah, it was like, okay,

0:05:23.080 --> 0:05:24.839
<v Speaker 1>I quit Facebook because that was easy to do because

0:05:25.160 --> 0:05:28.680
<v Speaker 1>most most people, you know, I know everybody I keep

0:05:28.800 --> 0:05:31.760
<v Speaker 1>family on Facebook. I don't even keep family on Facebook.

0:05:31.760 --> 0:05:33.320
<v Speaker 1>That would have been too much, y'all would have y'all

0:05:33.320 --> 0:05:36.160
<v Speaker 1>would have unfriended me a long time ago. Um, But

0:05:36.560 --> 0:05:38.080
<v Speaker 1>you know, Twitter I hardly ever used, so it was

0:05:38.080 --> 0:05:40.680
<v Speaker 1>easy to just hit the delete button on that. Instagram

0:05:40.800 --> 0:05:44.880
<v Speaker 1>was probably the hardest. How do they do they delete?

0:05:45.120 --> 0:05:47.479
<v Speaker 1>Is it like are you sure click? Are you really

0:05:47.560 --> 0:05:50.640
<v Speaker 1>sure click? I mean I I downloaded all my information,

0:05:50.720 --> 0:05:52.200
<v Speaker 1>so you know, if I get all missy eyed for

0:05:52.279 --> 0:05:54.440
<v Speaker 1>the days of Twitter your I can go back and

0:05:54.520 --> 0:06:00.600
<v Speaker 1>read some bullshit. Okay, so wait it lets you download.

0:06:00.760 --> 0:06:04.239
<v Speaker 1>You can download you you can download everything, really because

0:06:04.279 --> 0:06:07.080
<v Speaker 1>it saves everything. It saves everything. It's the Internet. Nothing

0:06:07.160 --> 0:06:10.360
<v Speaker 1>is deleted. You can download what Twitter and Instagment and

0:06:10.480 --> 0:06:13.920
<v Speaker 1>Facebook and Instagram. You can download all that ship Okay,

0:06:14.000 --> 0:06:17.640
<v Speaker 1>I would like to revisit my old m hmm. Maybe

0:06:17.680 --> 0:06:21.360
<v Speaker 1>I need to do that, mm hmm, just in case. Yeah,

0:06:21.400 --> 0:06:24.240
<v Speaker 1>I mean, if you want job number twenty five. Yeah, exactly,

0:06:24.320 --> 0:06:27.599
<v Speaker 1>That's That's what I mean. Sort of make sure I'm straight.

0:06:28.800 --> 0:06:32.200
<v Speaker 1>I caught out there, not caught out there. Um wait,

0:06:32.640 --> 0:06:36.080
<v Speaker 1>did you want to, oh, tell me something? I had

0:06:36.120 --> 0:06:38.840
<v Speaker 1>a story. I don't worry, sir, Like you should know

0:06:38.920 --> 0:06:43.640
<v Speaker 1>the drill since your fans jump in. This is something

0:06:43.680 --> 0:06:45.200
<v Speaker 1>that as soon as it happened, I wanted to tell you,

0:06:45.279 --> 0:06:46.960
<v Speaker 1>but I was like, Yo, we're taking a show tonight.

0:06:47.360 --> 0:06:49.120
<v Speaker 1>I need to put this on the air. Oh no,

0:06:49.240 --> 0:06:52.640
<v Speaker 1>what did I do? Wait? Did I do something? No?

0:06:53.200 --> 0:06:56.400
<v Speaker 1>You were just on television and my mama wasn't was watching. Okay,

0:06:56.520 --> 0:07:01.880
<v Speaker 1>my phone rings okay, junior, what's this let's see on

0:07:01.960 --> 0:07:06.440
<v Speaker 1>television with quest Love and his daughter? Who is his daughter? What? Mom?

0:07:06.839 --> 0:07:09.640
<v Speaker 1>He ain't got no daughter. He he's he's on here

0:07:09.680 --> 0:07:11.920
<v Speaker 1>getting helping her get her wedding dress for her wedding.

0:07:12.280 --> 0:07:21.320
<v Speaker 1>I was like, Mama, that's his sister. First reactions like

0:07:21.440 --> 0:07:24.880
<v Speaker 1>congrat Don Thompson, who is unless you lead the older sister.

0:07:25.040 --> 0:07:29.000
<v Speaker 1>But you know, we don't know. I'm looking. I'm a

0:07:29.240 --> 0:07:36.480
<v Speaker 1>quote big brother three hundred plus. My mom thought your

0:07:36.480 --> 0:07:41.800
<v Speaker 1>sister was your daughter. Just thanks, I appreciate that. Thank you?

0:07:42.000 --> 0:07:44.960
<v Speaker 1>When did she? When did you get married? Three times ago?

0:07:45.120 --> 0:07:49.600
<v Speaker 1>We shouted six seven years ago, right ago, seven thousand fourteen.

0:07:50.000 --> 0:07:51.600
<v Speaker 1>My dad was still alive, so made me like yeah,

0:07:51.640 --> 0:07:57.320
<v Speaker 1>two December two thousand fourteen. Yeah, oh wow. He also said,

0:07:57.680 --> 0:08:02.880
<v Speaker 1>shout out guarantee of more. Uh yeah, that my daughter.

0:08:03.120 --> 0:08:07.760
<v Speaker 1>Apparently I haven't laughed that hard and so long like me,

0:08:07.840 --> 0:08:09.720
<v Speaker 1>and like you had. We had a conference call right afterwards,

0:08:09.800 --> 0:08:11.440
<v Speaker 1>and why I got on the phone. I was still laughing.

0:08:12.880 --> 0:08:16.600
<v Speaker 1>She really meant that. Damn. Then I look that old.

0:08:16.720 --> 0:08:19.200
<v Speaker 1>I don't know. Oh here's a killer. And she's like

0:08:19.760 --> 0:08:21.320
<v Speaker 1>she had one more thing to say and you know what,

0:08:21.920 --> 0:08:23.200
<v Speaker 1>he had the nerve to be at that winning with

0:08:23.240 --> 0:08:27.440
<v Speaker 1>that dog. Don't pick in his hair. Older people should

0:08:27.440 --> 0:08:30.680
<v Speaker 1>haven't adjusted to that. Yeah, that's a prep and you

0:08:30.840 --> 0:08:34.720
<v Speaker 1>that's a part of your fit. Apparently you know Cindy

0:08:34.800 --> 0:08:39.880
<v Speaker 1>Lou at work, Steve the other job we have. Yeah,

0:08:40.040 --> 0:08:47.360
<v Speaker 1>her mom about rest in Pisa. People die, no, no,

0:08:47.480 --> 0:08:52.679
<v Speaker 1>no no. Her mom says, uh, she always calls it

0:08:52.760 --> 0:08:56.360
<v Speaker 1>a fork, keep that fork. And I gave her the

0:08:56.440 --> 0:08:59.240
<v Speaker 1>fork for Christmas, just you know, because she's not a

0:08:59.320 --> 0:09:06.080
<v Speaker 1>new girl. Yeah she's Yeah, she's Asian. Okay, uses waiting

0:09:06.120 --> 0:09:13.360
<v Speaker 1>for the other one. Yeah, black black, I forgot it's

0:09:13.400 --> 0:09:16.160
<v Speaker 1>been i'ven't seen you guys. And you should have dropped

0:09:16.440 --> 0:09:19.320
<v Speaker 1>Bill's match it a minute ago because he was angry. Yeah,

0:09:20.559 --> 0:09:23.520
<v Speaker 1>sorry about that anyway. Ladies and gentlemen, Welcome to another

0:09:23.559 --> 0:09:29.000
<v Speaker 1>episode of Quest Love Supreme. We are we are here.

0:09:29.240 --> 0:09:32.559
<v Speaker 1>We gather it here today. We're here with no Orlans

0:09:32.760 --> 0:09:35.360
<v Speaker 1>Nolan Zone. Can I say no Orlans Sure you can't?

0:09:35.600 --> 0:09:43.120
<v Speaker 1>Okay by Nolan Zone, Grammy Award winning, winning, winning, we

0:09:43.200 --> 0:09:47.679
<v Speaker 1>will we will say the hot sauce to Maroon five

0:09:49.400 --> 0:09:57.480
<v Speaker 1>take a salad gumbo wearing in the Mustard Greens too. Yeah,

0:09:57.720 --> 0:10:01.640
<v Speaker 1>I say, I'm the only Marone in my road. So

0:10:01.800 --> 0:10:03.800
<v Speaker 1>my dad have you. Yeah. I was like to say,

0:10:04.000 --> 0:10:05.920
<v Speaker 1>has anyone ever said that to you? Oh? My dad

0:10:06.600 --> 0:10:09.599
<v Speaker 1>look like you? When they said yeah, yeah, that was

0:10:09.720 --> 0:10:11.440
<v Speaker 1>Oh no, it didn't come from No. Ladies and gentleman,

0:10:11.520 --> 0:10:14.800
<v Speaker 1>please welcome from the show. And apparently, uh lover of

0:10:14.840 --> 0:10:19.800
<v Speaker 1>the show, our first one, p J Borton. I talked

0:10:19.840 --> 0:10:24.360
<v Speaker 1>to him. I talked to Gregg filling games today and

0:10:24.679 --> 0:10:26.719
<v Speaker 1>it was because of the show that I knew, you know,

0:10:27.160 --> 0:10:29.079
<v Speaker 1>his history, and he was from the Stevie School and

0:10:29.080 --> 0:10:30.920
<v Speaker 1>I'm doing something with them, and I was like, he

0:10:31.280 --> 0:10:32.839
<v Speaker 1>was playing first be game while I was on the

0:10:32.880 --> 0:10:35.280
<v Speaker 1>phone my song and he was saying, I told him

0:10:35.280 --> 0:10:37.599
<v Speaker 1>I went to the Stevie School. Indirectly he went to

0:10:37.679 --> 0:10:40.360
<v Speaker 1>the real Stevie School. But yeah, that was this show

0:10:40.440 --> 0:10:43.600
<v Speaker 1>that connected me to that. Yeah, like that that great

0:10:43.679 --> 0:10:47.000
<v Speaker 1>episode is probably I mean, we we all hold the

0:10:47.040 --> 0:10:51.240
<v Speaker 1>Jimmy jam episode in highlight, but I'll say that the

0:10:51.400 --> 0:10:55.280
<v Speaker 1>Greg episode probably my second favorite. Yeah. It was a lot,

0:10:55.440 --> 0:10:58.599
<v Speaker 1>a lot of show of art. Yeah, it's edgy mccational

0:10:58.760 --> 0:11:02.640
<v Speaker 1>and he got great energy energy. It's crazy. Yes, great

0:11:02.760 --> 0:11:08.480
<v Speaker 1>natural energy. So wait, I gotta ask uh having won

0:11:08.800 --> 0:11:13.600
<v Speaker 1>that Grammy and that's your first grand because that's my first. Yeah,

0:11:16.080 --> 0:11:19.679
<v Speaker 1>well yeah, this this is funny. I actually didn't. I

0:11:19.760 --> 0:11:24.280
<v Speaker 1>thought I want to Grammy. We're doing a performance and

0:11:24.320 --> 0:11:27.640
<v Speaker 1>said a song No. I wrote on ind i re

0:11:27.800 --> 0:11:30.959
<v Speaker 1>S album. My first major placement was in college when

0:11:30.960 --> 0:11:34.319
<v Speaker 1>I was at Moorhouse and um bet she won Best

0:11:34.440 --> 0:11:37.640
<v Speaker 1>R and B Album and and for years I thought,

0:11:37.720 --> 0:11:40.800
<v Speaker 1>because I wrote and produced on that album, man, that

0:11:41.040 --> 0:11:43.440
<v Speaker 1>I was a Grammy Award winner. And it wasn't until

0:11:43.480 --> 0:11:46.280
<v Speaker 1>I became a governor of the Memphis Chapter and I

0:11:46.440 --> 0:11:50.280
<v Speaker 1>was that they were like, yeah, you know, you haven't

0:11:50.280 --> 0:11:57.760
<v Speaker 1>actually yeah a little yeah, I got the but this

0:11:57.800 --> 0:12:01.480
<v Speaker 1>is my first trophy, you know, but I didn't even know. Yeah,

0:12:01.559 --> 0:12:03.880
<v Speaker 1>good night, or at least you learned that way. I

0:12:04.040 --> 0:12:07.120
<v Speaker 1>learned in front of all radio city music all oh no,

0:12:07.559 --> 0:12:09.079
<v Speaker 1>all right, you So you remember the night when Old

0:12:09.120 --> 0:12:11.040
<v Speaker 1>Dirty got on stage and wu tanks for the children,

0:12:11.760 --> 0:12:17.079
<v Speaker 1>a lot of money, a lot of money and the

0:12:17.360 --> 0:12:21.840
<v Speaker 1>the the Sway Bomb Bob Dylan Knight wasn't and Aretha

0:12:21.880 --> 0:12:30.480
<v Speaker 1>Franklin taking over for prop um so Erica had one

0:12:31.720 --> 0:12:35.439
<v Speaker 1>album for bobois m And we didn't realize that with

0:12:36.120 --> 0:12:41.400
<v Speaker 1>the non main categories, even though they even have a

0:12:41.440 --> 0:12:45.280
<v Speaker 1>pop category, with the non main categories, that there's amount

0:12:45.480 --> 0:12:51.760
<v Speaker 1>of goal post moving that happens and the worst. I mean,

0:12:51.840 --> 0:12:54.280
<v Speaker 1>a lot of these rules were established because of the

0:12:54.400 --> 0:12:59.079
<v Speaker 1>amount of samples and writers, you know, like again like

0:12:59.240 --> 0:13:03.240
<v Speaker 1>if if uh, I remember last year when Kanye was

0:13:03.320 --> 0:13:09.160
<v Speaker 1>up for him for all day, all day, like Paul

0:13:09.240 --> 0:13:13.600
<v Speaker 1>McCartney and all these other people, Like even then you're

0:13:13.640 --> 0:13:19.000
<v Speaker 1>only limited to uh, I think only seventeen are allowed

0:13:19.120 --> 0:13:22.040
<v Speaker 1>to officially grab one. But whatever the case was, like,

0:13:22.480 --> 0:13:25.000
<v Speaker 1>I didn't know that the people can win one award

0:13:25.200 --> 0:13:28.920
<v Speaker 1>well for when the big ones right, like album or something,

0:13:29.080 --> 0:13:33.480
<v Speaker 1>Well for uh, I'm about to say, I don't want

0:13:33.480 --> 0:13:39.079
<v Speaker 1>to insult him by saying, Mr Kylie Jenner, Uh, Travis Scott,

0:13:39.120 --> 0:13:41.560
<v Speaker 1>I'm sorry. This is the only way I could have said.

0:13:41.800 --> 0:13:45.199
<v Speaker 1>I couldn't say it's that Rocky. I don't know. Wait,

0:13:45.200 --> 0:13:46.920
<v Speaker 1>I don't know if you guys been knowing, but TMZ

0:13:47.240 --> 0:13:51.480
<v Speaker 1>has been trolling asap kind of hard, like wherever he goes,

0:13:52.160 --> 0:13:58.000
<v Speaker 1>then they have a camera, like hey, Travis Scott, publicism

0:13:58.160 --> 0:14:00.880
<v Speaker 1>just you know, tip them off. No, literally, like the

0:14:01.200 --> 0:14:03.719
<v Speaker 1>fun of following TMZ now on social media. I know

0:14:03.840 --> 0:14:08.760
<v Speaker 1>you're off that now is watching tmz uh post up

0:14:08.760 --> 0:14:15.360
<v Speaker 1>another a SAP guiding movement. Yeah, it's they found something

0:14:15.440 --> 0:14:19.080
<v Speaker 1>viral that works. Okay, Yeah, so they're gonna overdo it

0:14:19.120 --> 0:14:22.040
<v Speaker 1>all right, I got it. Of course, you know TMC

0:14:22.680 --> 0:14:26.640
<v Speaker 1>the entertainment industry. But with Travis Uh, there were over

0:14:26.800 --> 0:14:33.400
<v Speaker 1>thirty writers for umio mode, but they have to figure

0:14:33.440 --> 0:14:40.200
<v Speaker 1>out the sevent um. Everybody's Sicko Mode is actually technically

0:14:40.400 --> 0:14:44.240
<v Speaker 1>four songs and Malcolm maated into one. All that publishing

0:14:44.280 --> 0:14:49.200
<v Speaker 1>you ain't getting listen. Yeah, like the Drake part of

0:14:49.240 --> 0:14:51.440
<v Speaker 1>the beginning. I know you probably never heard of single mode,

0:14:51.600 --> 0:14:54.800
<v Speaker 1>No I haven't, okay exactly. The Drake part of it

0:14:55.040 --> 0:14:57.080
<v Speaker 1>was a whole another song that was done by like

0:14:57.200 --> 0:15:03.000
<v Speaker 1>six people. And then because well and also because someone

0:15:03.000 --> 0:15:06.200
<v Speaker 1>I don't get about modern hip hop, where even if

0:15:06.240 --> 0:15:08.040
<v Speaker 1>they give a reference to a song, has it just

0:15:08.120 --> 0:15:11.280
<v Speaker 1>turned into the literally just says give me the loop,

0:15:11.440 --> 0:15:14.600
<v Speaker 1>and all of a sudden like Biggie and all this stuff.

0:15:14.600 --> 0:15:19.920
<v Speaker 1>And then he made uh a tribe reference and all

0:15:19.960 --> 0:15:22.440
<v Speaker 1>of them got from that song, and then what like

0:15:22.560 --> 0:15:27.360
<v Speaker 1>a k Luke right, Yeah, I stop getting get it

0:15:27.800 --> 0:15:31.040
<v Speaker 1>or not right? So literally, literally somebody just needs to

0:15:31.040 --> 0:15:32.920
<v Speaker 1>come to all these cats, stop giving your publish in

0:15:32.920 --> 0:15:34.760
<v Speaker 1>a way, come up with something originally, or you're gonna

0:15:34.760 --> 0:15:37.240
<v Speaker 1>be broke for the rest of your life. It's like

0:15:37.320 --> 0:15:40.760
<v Speaker 1>a hip hop but Himan Rhapsody, but without like just

0:15:40.840 --> 0:15:43.400
<v Speaker 1>a few writers writing. Are you guys telling me like,

0:15:43.440 --> 0:15:45.480
<v Speaker 1>basically hip hop is now the modern day brill building

0:15:46.920 --> 0:15:52.720
<v Speaker 1>even Yeah, well I'm not. I'm not. I'm talking where

0:15:52.720 --> 0:15:54.200
<v Speaker 1>you got basically just a whole bunch of people writing

0:15:54.200 --> 0:15:57.160
<v Speaker 1>ship songs written by committee. Oh no, that's exactly what

0:15:57.280 --> 0:15:59.480
<v Speaker 1>it Yeah, that's exactly what it is. Yeah, it's very

0:15:59.520 --> 0:16:02.480
<v Speaker 1>few people you'll see that actually work by themselves with

0:16:02.640 --> 0:16:09.400
<v Speaker 1>small groups like everything. Whenever you hear like or whatever. Yeah, yeah,

0:16:10.480 --> 0:16:12.800
<v Speaker 1>check the credits. I will, but I'm just going gott

0:16:12.800 --> 0:16:15.280
<v Speaker 1>to buy the album first. So Jimmy Jimmy Jan was

0:16:15.720 --> 0:16:19.120
<v Speaker 1>basically saying, it's problematic trying to figure out which one

0:16:19.160 --> 0:16:25.040
<v Speaker 1>of the seventeen will get an award. The killing killing

0:16:25.080 --> 0:16:27.240
<v Speaker 1>the business, that's not no, they're killing their own business.

0:16:28.160 --> 0:16:38.680
<v Speaker 1>Ye just fine, yeah, because they wanted that. How many

0:16:38.720 --> 0:16:40.840
<v Speaker 1>writers on the Casey mustgraz is album gonna look that up,

0:16:42.120 --> 0:16:45.200
<v Speaker 1>like just okay, I didn't even get my point out.

0:16:45.560 --> 0:16:50.600
<v Speaker 1>So my point was when Erica one yeah, and they

0:16:50.640 --> 0:16:53.200
<v Speaker 1>were like down, They're like, and I was like, but

0:16:54.080 --> 0:16:56.360
<v Speaker 1>produced this record? You one? But you didn't. Yeah. Well

0:16:56.400 --> 0:17:01.000
<v Speaker 1>I was headed on the stage. And then that's when

0:17:01.640 --> 0:17:04.920
<v Speaker 1>they told me afterwards that um, we would have to

0:17:05.040 --> 0:17:10.720
<v Speaker 1>produce yeah, because I think that's the same thing ninety seven.

0:17:12.080 --> 0:17:14.520
<v Speaker 1>And then after hip hop really took over the Grammys,

0:17:14.560 --> 0:17:19.240
<v Speaker 1>then it was like, yeah, so statues got got expensive

0:17:19.280 --> 0:17:22.359
<v Speaker 1>to produce. Huh right, right? Can I ask you all

0:17:22.400 --> 0:17:24.400
<v Speaker 1>the question? And this might not be politically correct, see

0:17:24.400 --> 0:17:26.120
<v Speaker 1>and it's Doe PJ just coming off a fresh whim,

0:17:26.600 --> 0:17:31.080
<v Speaker 1>But was Drake right, like are the Grammys becoming not?

0:17:31.880 --> 0:17:34.000
<v Speaker 1>Well no, he's writing a lot of ways. Well I

0:17:34.080 --> 0:17:39.080
<v Speaker 1>think yeah. I think his point was it didn't define you,

0:17:39.359 --> 0:17:42.360
<v Speaker 1>which I agree with the reason I wanted to Grammys

0:17:42.359 --> 0:17:44.760
<v Speaker 1>because all my heroes one grand it's a personal thing,

0:17:45.040 --> 0:17:47.879
<v Speaker 1>doesn't validate me. I'm still doing what I'm but are

0:17:47.920 --> 0:17:49.960
<v Speaker 1>they going not now? But I feel like maybe the

0:17:50.040 --> 0:17:51.520
<v Speaker 1>next two years is it going to be the same

0:17:51.600 --> 0:17:54.159
<v Speaker 1>status situation that it is? Absolutely? You know, what. No,

0:17:54.520 --> 0:17:56.160
<v Speaker 1>I'm gonna say no, and I'm gonna tell you why.

0:17:57.240 --> 0:17:59.560
<v Speaker 1>Get on Wikipedia right now and type in list of

0:17:59.600 --> 0:18:02.920
<v Speaker 1>Grammy winners, and it's going to tell you how many

0:18:02.960 --> 0:18:04.959
<v Speaker 1>people have won Grammys, how many they've wanted, how many

0:18:05.000 --> 0:18:07.320
<v Speaker 1>times they've been nominated, And you're going to be disgusted

0:18:07.480 --> 0:18:08.760
<v Speaker 1>by some of the names you see the top, and

0:18:08.800 --> 0:18:10.480
<v Speaker 1>some of the names you see at the bottom, like

0:18:10.600 --> 0:18:13.720
<v Speaker 1>from we never won one because we like a Sealers

0:18:13.840 --> 0:18:18.080
<v Speaker 1>number one one. I think like Marley, Bob Marley number

0:18:18.080 --> 0:18:21.360
<v Speaker 1>one one, Like Marvin Gate has like what two? Yeah

0:18:21.480 --> 0:18:26.560
<v Speaker 1>that sexual and Beyonce have like forty like combined active. Yeah,

0:18:26.840 --> 0:18:32.159
<v Speaker 1>just looked it up yesterday. Beyonce has like yeah, I

0:18:32.200 --> 0:18:34.840
<v Speaker 1>looked up to Wow. But seventy seven nominations, jay Z

0:18:35.440 --> 0:18:37.720
<v Speaker 1>sixties six? How many times were for guest bots on

0:18:37.760 --> 0:18:40.639
<v Speaker 1>other people's records mainly yeah, when we like when we

0:18:40.720 --> 0:18:58.840
<v Speaker 1>were up for Gramm sping screw Yes, I like that. Yeah,

0:18:58.880 --> 0:19:01.520
<v Speaker 1>well we were, we forest, we were nominating and we

0:19:01.640 --> 0:19:03.640
<v Speaker 1>lost and it was like okay, and then I realized

0:19:03.680 --> 0:19:07.639
<v Speaker 1>that Ashanti at one one in your category. I was

0:19:07.680 --> 0:19:11.280
<v Speaker 1>good yet one one not category. But it was just

0:19:11.359 --> 0:19:13.080
<v Speaker 1>one of those things where it's like you know what, Yeah,

0:19:13.280 --> 0:19:15.280
<v Speaker 1>you can't, Like you said, you can't let it define

0:19:15.359 --> 0:19:18.719
<v Speaker 1>you can't. You know, it's just accepted for that motherfucker.

0:19:21.080 --> 0:19:24.920
<v Speaker 1>That's how I tech. I'm cool with never winning one again.

0:19:25.000 --> 0:19:29.440
<v Speaker 1>To be honest with you, that was a personal time out. Yeah,

0:19:29.640 --> 0:19:33.760
<v Speaker 1>time out me all right, I'm your Jacob Marley. Yeah

0:19:34.920 --> 0:19:38.719
<v Speaker 1>in the future. Yeah, you might want to be careful

0:19:38.760 --> 0:19:42.480
<v Speaker 1>with that quote. I'm just saying that it is possible.

0:19:43.160 --> 0:19:48.000
<v Speaker 1>I don't think there's no artist on earth that's not insatiable. Yeah.

0:19:48.760 --> 0:19:51.720
<v Speaker 1>And when I won that first Jordan you want more

0:19:52.320 --> 0:19:55.200
<v Speaker 1>then I was, I was like, cool, I'm cool with that. Well,

0:19:56.600 --> 0:19:59.359
<v Speaker 1>an example is I want I want mine in the

0:19:59.400 --> 0:20:03.000
<v Speaker 1>pretail before and I knew I was up for R

0:20:03.080 --> 0:20:05.760
<v Speaker 1>and B album on TV, but I was happy as

0:20:05.800 --> 0:20:07.520
<v Speaker 1>I could be on TV. Just like man, I don't

0:20:07.520 --> 0:20:10.119
<v Speaker 1>care if I lose. I'm probably gonna lose. But I

0:20:10.280 --> 0:20:13.960
<v Speaker 1>was this as a goal. I just I just wanted that.

0:20:14.320 --> 0:20:16.879
<v Speaker 1>I do want to win more. But I'm cool that

0:20:17.040 --> 0:20:20.400
<v Speaker 1>I did that, and I'm straight never if I never

0:20:20.520 --> 0:20:22.680
<v Speaker 1>do to me Like the best Grammy story and I

0:20:22.720 --> 0:20:26.320
<v Speaker 1>don't know if it was ever confirmed, but allegedly daft Punk.

0:20:26.359 --> 0:20:29.399
<v Speaker 1>When they won, sent other guys up there in the

0:20:29.680 --> 0:20:32.360
<v Speaker 1>in the suits. Yeah, and they watched. They watched from

0:20:32.359 --> 0:20:36.040
<v Speaker 1>the audience. Yeah, Like I thought that was like the

0:20:36.359 --> 0:20:39.400
<v Speaker 1>ship maybe to watch yourself get a Grammy. Like I've

0:20:39.440 --> 0:20:42.840
<v Speaker 1>seen one of those guys without this man, dude in

0:20:42.880 --> 0:20:45.840
<v Speaker 1>the purple gave you your award, right, the guy the

0:20:45.920 --> 0:20:53.440
<v Speaker 1>purple jacket, Jimmy was towards the end. Okay, okay, So

0:20:53.640 --> 0:20:55.800
<v Speaker 1>what was what was the feeling in your stomach when

0:20:55.840 --> 0:20:59.280
<v Speaker 1>you heard your Well, I heard tie first. That's what

0:20:59.359 --> 0:21:01.600
<v Speaker 1>they said in gentlemen, we have a tie. And I

0:21:01.720 --> 0:21:03.480
<v Speaker 1>was like, I was like, come on, man, so I've

0:21:03.520 --> 0:21:06.320
<v Speaker 1>been it's been ten nominations, right, So I used I

0:21:06.440 --> 0:21:10.119
<v Speaker 1>used to playing parties and stuff. What I used to

0:21:10.200 --> 0:21:12.960
<v Speaker 1>be like, hey man, we about to turn up. I

0:21:13.080 --> 0:21:15.440
<v Speaker 1>lost those. I lost those few times. I'm like, man,

0:21:15.480 --> 0:21:17.200
<v Speaker 1>we ain't. I ain't playing nothing, not this year. I

0:21:17.200 --> 0:21:19.760
<v Speaker 1>ain't playing nothing. So I'm just like when you said tie,

0:21:19.800 --> 0:21:22.760
<v Speaker 1>I'm like, oh man, what's about to happen? And it

0:21:22.920 --> 0:21:25.920
<v Speaker 1>was me and Leon Bridges. But once he said my name,

0:21:27.080 --> 0:21:29.159
<v Speaker 1>so he said your name last. Yeah, he said my

0:21:29.240 --> 0:21:37.040
<v Speaker 1>name last. Yes. I was like and Leon, Yeah, no,

0:21:37.320 --> 0:21:38.960
<v Speaker 1>it was a crazy feeling. I'm gonna tell you something

0:21:38.960 --> 0:21:44.520
<v Speaker 1>funny about that. So my manager was in was at

0:21:44.800 --> 0:21:48.439
<v Speaker 1>Fallon the first time you sat in with us, right okay,

0:21:50.240 --> 0:21:53.640
<v Speaker 1>and he said to me, he says, yo, I'm gonna

0:21:53.640 --> 0:21:58.160
<v Speaker 1>tell you something. He's like, on the low the way

0:21:58.240 --> 0:22:00.879
<v Speaker 1>y'all did it on stage, you need to approach him

0:22:00.920 --> 0:22:04.119
<v Speaker 1>now and do that ship. That's just gonna be a

0:22:04.240 --> 0:22:08.080
<v Speaker 1>Grammy Award winner. This is Rich saying this, no, no, no,

0:22:08.200 --> 0:22:11.879
<v Speaker 1>this is we we we we did. How deep is

0:22:11.880 --> 0:22:14.680
<v Speaker 1>your love? And like we hooked it up? All right?

0:22:15.280 --> 0:22:18.520
<v Speaker 1>And he's like, I'm telling you now the second that

0:22:18.600 --> 0:22:21.600
<v Speaker 1>ship he called that one from my phone, like what

0:22:21.680 --> 0:22:23.639
<v Speaker 1>did I tell you? What did I tell you? What

0:22:23.760 --> 0:22:27.520
<v Speaker 1>did you say? I? Alright, we weren't ready even you know,

0:22:28.000 --> 0:22:30.800
<v Speaker 1>we weren't in the no, I get it the headspace

0:22:30.880 --> 0:22:34.440
<v Speaker 1>to record. Then how much different is it now? Because

0:22:34.440 --> 0:22:36.399
<v Speaker 1>I'm like, he just did it every jam. And it's

0:22:36.400 --> 0:22:38.320
<v Speaker 1>funny because it's it's weird that that song like turns

0:22:38.359 --> 0:22:40.080
<v Speaker 1>the party out, even though you know it's a it's

0:22:40.080 --> 0:22:41.560
<v Speaker 1>an O B G song, but it's like feel new

0:22:41.600 --> 0:22:45.520
<v Speaker 1>when you do something. Yeah, Yeah, it's just it's just

0:22:45.600 --> 0:22:47.639
<v Speaker 1>interesting because everything you know, somebody can remake a song,

0:22:47.680 --> 0:22:49.600
<v Speaker 1>and that don't mean everybody's gonna jam to it. But

0:22:49.840 --> 0:22:52.760
<v Speaker 1>I didn't expect that that was the last Like when

0:22:52.800 --> 0:22:55.399
<v Speaker 1>I did on the studio version, it was like last minute.

0:22:55.440 --> 0:22:57.439
<v Speaker 1>I knew I wanted to do a cover. I had

0:22:57.480 --> 0:23:00.119
<v Speaker 1>always tried to do a cover on albums and just

0:23:00.400 --> 0:23:03.800
<v Speaker 1>never worked out. And um, so we had a contest

0:23:03.880 --> 0:23:05.560
<v Speaker 1>and I was looking up songs and I looked up

0:23:05.600 --> 0:23:08.040
<v Speaker 1>the top twenty songs of all time, I think, and

0:23:08.160 --> 0:23:09.879
<v Speaker 1>then I saw that one. I was like, oh, I

0:23:09.960 --> 0:23:12.280
<v Speaker 1>love how deep is your love? Anyway? And I figured

0:23:12.320 --> 0:23:16.040
<v Speaker 1>out last minute and handed it's always the afterthoughts. It

0:23:16.200 --> 0:23:18.200
<v Speaker 1>wasn't a grand plan or not. It was just like

0:23:18.800 --> 0:23:20.880
<v Speaker 1>last minute cut it not even in the studio where

0:23:20.880 --> 0:23:23.840
<v Speaker 1>I did the west rest of the record, just all different.

0:23:24.320 --> 0:23:27.480
<v Speaker 1>And then we toured and I just saw how crazy

0:23:27.560 --> 0:23:28.879
<v Speaker 1>was going and that's why I said we had to

0:23:28.920 --> 0:23:32.239
<v Speaker 1>record it live. And then I mean, here we are.

0:23:32.320 --> 0:23:35.200
<v Speaker 1>Whose idea was it for you to collaborate with? Yeah?

0:23:35.200 --> 0:23:37.840
<v Speaker 1>But yeah, but I um, I saw her singing my

0:23:38.119 --> 0:23:41.200
<v Speaker 1>version on Instagram and I was like, that was last

0:23:41.240 --> 0:23:48.520
<v Speaker 1>minute too, because we're playing that basically, I'm like, who

0:23:48.840 --> 0:23:52.720
<v Speaker 1>is she? Why is she so fantastic? Was on Instagram?

0:23:52.800 --> 0:23:55.000
<v Speaker 1>I asked her and she was like, yeah, I'll do it.

0:23:55.200 --> 0:23:57.040
<v Speaker 1>She lived in New York. Grahams were in New York

0:23:57.119 --> 0:24:04.359
<v Speaker 1>last year and she came and year too. I did

0:24:04.400 --> 0:24:06.560
<v Speaker 1>it because that was before she was on it. We

0:24:06.680 --> 0:24:10.199
<v Speaker 1>recorded it that same weekend, the day before I did

0:24:10.240 --> 0:24:15.679
<v Speaker 1>the Rust Jam lash. Yeah, damn yeah, you all up

0:24:15.720 --> 0:24:17.200
<v Speaker 1>in this story because if you think about I was

0:24:17.240 --> 0:24:19.080
<v Speaker 1>doing the mathterday and I was just doing my my

0:24:19.160 --> 0:24:21.560
<v Speaker 1>PJA research and I was saying, I saw that Adam

0:24:21.600 --> 0:24:24.040
<v Speaker 1>Blackstone kind of introduced you to the Room five, and

0:24:24.080 --> 0:24:27.400
<v Speaker 1>I was like, well, that's that's your our first day.

0:24:27.640 --> 0:24:31.960
<v Speaker 1>That that that's how we are. Yeah, yeah, that's okay. Yeah.

0:24:32.119 --> 0:24:35.520
<v Speaker 1>So for those who don't know the background story, I

0:24:35.640 --> 0:24:40.800
<v Speaker 1>guess after I'm plugged with jay Z, then everyone else

0:24:41.560 --> 0:24:43.960
<v Speaker 1>starts calling like put my band together, and Eminem and

0:24:44.480 --> 0:24:47.240
<v Speaker 1>pauling them call said put our band together, YadA, YadA, YadA,

0:24:47.359 --> 0:24:51.879
<v Speaker 1>And by that point we had just started failing. So

0:24:52.240 --> 0:24:55.440
<v Speaker 1>I couldn't the attention that I gave jay z s

0:24:55.480 --> 0:24:57.600
<v Speaker 1>band I couldn't do for everyone else because now I

0:24:57.800 --> 0:25:00.480
<v Speaker 1>quote have a day job, so I I gave that

0:25:00.600 --> 0:25:05.120
<v Speaker 1>to Adam Blackstone. So Adam had hit me up, Adam Levine,

0:25:06.119 --> 0:25:14.200
<v Speaker 1>Hi Levine Vine because wait, no, no, no, no, it's

0:25:14.240 --> 0:25:19.479
<v Speaker 1>only because I because a few months ago on folon Avril,

0:25:19.600 --> 0:25:25.679
<v Speaker 1>Levine was on the show. You said opposite of that, right, Okay,

0:25:25.760 --> 0:25:30.840
<v Speaker 1>so it's Levine, Adam Levin, Yes, hit me up about uh,

0:25:31.080 --> 0:25:38.399
<v Speaker 1>advil Levine? Is that? Sorry? Adam? Adam hit me up

0:25:38.440 --> 0:25:42.320
<v Speaker 1>about uh putting their show together, and I was like,

0:25:42.840 --> 0:25:45.920
<v Speaker 1>you want me to put a Room five show together?

0:25:46.040 --> 0:25:49.200
<v Speaker 1>And I agreed, but they're not. You know, someone's like, yo, dude,

0:25:50.119 --> 0:25:51.920
<v Speaker 1>just take Adam with you, have them carry the weight

0:25:52.040 --> 0:25:54.800
<v Speaker 1>and just be out there to babysitting. YadA, YadA, YadA.

0:25:55.080 --> 0:25:57.320
<v Speaker 1>So that day that we came out, that was your

0:25:57.359 --> 0:25:59.679
<v Speaker 1>first day with him. That was yeah, after I had

0:25:59.680 --> 0:26:01.919
<v Speaker 1>add and my first rehearsal was the day you were

0:26:01.960 --> 0:26:04.639
<v Speaker 1>in there. I had had that video of you like

0:26:04.840 --> 0:26:08.200
<v Speaker 1>playing this love to show him a different groove to

0:26:08.320 --> 0:26:11.320
<v Speaker 1>this love. It's kind of weird, like I didn't want to.

0:26:11.840 --> 0:26:14.399
<v Speaker 1>So I was. I was brand new. We were all

0:26:14.440 --> 0:26:17.159
<v Speaker 1>brand new. So me and Adam Blackstone, you had just

0:26:17.240 --> 0:26:20.680
<v Speaker 1>brought him in and he brought me in and so

0:26:20.800 --> 0:26:24.000
<v Speaker 1>we were that was so I'm known black I don't

0:26:24.040 --> 0:26:28.080
<v Speaker 1>know forever. I don't even know where we met. It's

0:26:28.119 --> 0:26:30.720
<v Speaker 1>like Franklin Bridge days. And I knew him when he

0:26:30.800 --> 0:26:33.400
<v Speaker 1>was in Franklin Bridge, so it was probably before then.

0:26:34.200 --> 0:26:43.680
<v Speaker 1>I don't remember how we met. Maybe he was remember no, no, no,

0:26:44.840 --> 0:26:46.560
<v Speaker 1>it was a TV show on ABC that did a

0:26:46.720 --> 0:26:52.440
<v Speaker 1>national Battle of the band. It was like bands. Oh wow,

0:26:52.520 --> 0:26:54.840
<v Speaker 1>okay about that. I don't know Blackstone just kind of

0:26:55.680 --> 0:26:59.080
<v Speaker 1>as far as I remember, Like, I don't remember meeting him.

0:26:59.359 --> 0:27:01.359
<v Speaker 1>I didn't met all those Philly guys that want was

0:27:01.520 --> 0:27:08.399
<v Speaker 1>the tie and those guys all the band show. No,

0:27:10.880 --> 0:27:18.200
<v Speaker 1>it's a small world. Yeah, so you you were born

0:27:18.200 --> 0:27:21.680
<v Speaker 1>in New Orleans, born and raised? Okay, we're part I was,

0:27:22.680 --> 0:27:25.920
<v Speaker 1>uh grew up in the East. I'm confused because I

0:27:26.000 --> 0:27:28.040
<v Speaker 1>lived there. Now I moved back, but I grew up

0:27:28.040 --> 0:27:30.800
<v Speaker 1>in the East. My whole life New Orleans eas So

0:27:31.800 --> 0:27:36.040
<v Speaker 1>what are the can you describe for most? For me? So?

0:27:36.440 --> 0:27:39.600
<v Speaker 1>So East, I guess in the eighties was considered like

0:27:39.720 --> 0:27:43.639
<v Speaker 1>the new town, like New New Orleans and um so

0:27:43.800 --> 0:27:46.760
<v Speaker 1>like I had where I grew up doesn't didn't really

0:27:46.880 --> 0:27:49.520
<v Speaker 1>look like up. It doesn't look like New Orleans in

0:27:49.600 --> 0:27:51.520
<v Speaker 1>that way. I had a palm tree in the front

0:27:51.560 --> 0:27:53.280
<v Speaker 1>of mine. It was like they made it like the

0:27:53.400 --> 0:27:55.760
<v Speaker 1>New suburbs, right, So that's where I grew up. There's

0:27:55.760 --> 0:27:59.640
<v Speaker 1>also a rough part of the East, which is why

0:28:00.000 --> 0:28:02.720
<v Speaker 1>the Katrina took them forever. It took like eight years

0:28:02.840 --> 0:28:05.480
<v Speaker 1>for them to even start to work on New Orleans

0:28:05.480 --> 0:28:07.639
<v Speaker 1>eas But um, I grew up in the East. Then

0:28:07.680 --> 0:28:10.840
<v Speaker 1>you have Uptown, which is where my dad's church was,

0:28:11.400 --> 0:28:13.200
<v Speaker 1>And then you have Downtown, which is kind of where

0:28:13.240 --> 0:28:16.960
<v Speaker 1>the super Dome is and Convention Center and all that stuff.

0:28:17.480 --> 0:28:20.159
<v Speaker 1>So away from when tourists come there, of course, we

0:28:20.240 --> 0:28:24.040
<v Speaker 1>come to the French Quarter. Yeah, that's downtown. So is

0:28:24.119 --> 0:28:28.920
<v Speaker 1>that the equivalent of you hanging out? Like? Not really,

0:28:29.119 --> 0:28:32.240
<v Speaker 1>that's I mean low key Bourbon Street is that? But

0:28:32.359 --> 0:28:34.879
<v Speaker 1>the French Quarters. What I love about New Orleans is

0:28:34.960 --> 0:28:37.440
<v Speaker 1>kind of like the Tories. The stuff overlaps with the

0:28:37.520 --> 0:28:43.200
<v Speaker 1>real stuff like that, where are you hanging? Um? I

0:28:43.280 --> 0:28:45.440
<v Speaker 1>mean I'll go down there. Are you holding a wall? Guy?

0:28:45.640 --> 0:28:48.400
<v Speaker 1>Are you like? But I'll go and play and listen

0:28:48.560 --> 0:28:51.880
<v Speaker 1>att on Frenchman Street. I'll listen to music on Frenchman Street.

0:28:52.080 --> 0:28:54.280
<v Speaker 1>I never go to Bourbon. Should you do Frenchman mayor?

0:28:54.440 --> 0:28:56.360
<v Speaker 1>Is that a bourbon? Because that's what I was told

0:28:56.360 --> 0:28:58.480
<v Speaker 1>to by New Orleans natives, like if you're gonna do

0:28:58.920 --> 0:29:02.640
<v Speaker 1>a street inversion, I mean I rarely do bourbon. Yeah,

0:29:03.560 --> 0:29:05.560
<v Speaker 1>I mean bourbon is a sitist. I do it when

0:29:05.640 --> 0:29:09.040
<v Speaker 1>people are visiting, you know what I'm saying, because it

0:29:09.240 --> 0:29:11.239
<v Speaker 1>is something to see that that is on. I mean,

0:29:11.320 --> 0:29:14.880
<v Speaker 1>it could be a random Wednesday night, you know, and

0:29:15.000 --> 0:29:17.560
<v Speaker 1>it's full, it's packed, just like like it is during

0:29:17.600 --> 0:29:21.160
<v Speaker 1>Marty Grass something, you know. So as far as like

0:29:21.760 --> 0:29:25.320
<v Speaker 1>seeing bands and are there still an abundant especially in

0:29:25.400 --> 0:29:30.040
<v Speaker 1>the wake of Katrina? Uh, which okay, I guess we're

0:29:31.120 --> 0:29:35.440
<v Speaker 1>years thirteen years later. Um, are there still an abundance

0:29:35.560 --> 0:29:39.000
<v Speaker 1>of musicians and band members there? Because I know that

0:29:39.240 --> 0:29:41.400
<v Speaker 1>there was a mass exodus. Oh yeah, a lot of

0:29:41.440 --> 0:29:43.800
<v Speaker 1>people got out. But there's a there's a new generation

0:29:43.920 --> 0:29:46.680
<v Speaker 1>now too of musicians and it's a bunch of it's

0:29:46.760 --> 0:29:48.800
<v Speaker 1>it's still a bunch of musicians. Now, how are they

0:29:48.880 --> 0:29:54.000
<v Speaker 1>with tradition? Um, the young guys, I mean they still

0:29:54.080 --> 0:29:55.600
<v Speaker 1>have to play in the quarters, they still have to

0:29:55.640 --> 0:29:58.560
<v Speaker 1>come up there, so it's almost like they go through

0:29:58.600 --> 0:30:00.880
<v Speaker 1>that little school of all right, I gotta know how

0:30:00.920 --> 0:30:02.440
<v Speaker 1>to do a shuffle, or I gotta know how to

0:30:02.520 --> 0:30:04.720
<v Speaker 1>do a second line be you know, because you have

0:30:04.920 --> 0:30:07.080
<v Speaker 1>to come through there to get to you can't really

0:30:07.120 --> 0:30:09.760
<v Speaker 1>skip that step unless you play in church, you know.

0:30:10.600 --> 0:30:12.240
<v Speaker 1>And even still when you want to go from Chi,

0:30:12.320 --> 0:30:14.160
<v Speaker 1>I just was lucky enough to leave and go to

0:30:14.200 --> 0:30:16.760
<v Speaker 1>school and start to write and stuff. But if you

0:30:16.800 --> 0:30:18.560
<v Speaker 1>want to stay a musician in New Orleans, you kind

0:30:18.560 --> 0:30:20.840
<v Speaker 1>of gotta go through that scene and play on bourbon

0:30:20.920 --> 0:30:24.080
<v Speaker 1>and stuff. Because I don't know if any place in

0:30:24.400 --> 0:30:27.360
<v Speaker 1>the United States or even the world that hanks so

0:30:27.560 --> 0:30:34.000
<v Speaker 1>tight to a tradition, probably Second Broadway. It's probably the

0:30:34.160 --> 0:30:36.920
<v Speaker 1>only other culture I know that's so stuck or like

0:30:38.080 --> 0:30:43.040
<v Speaker 1>post tim pan Alley, you know, Gercewin era jazz that

0:30:44.160 --> 0:30:47.400
<v Speaker 1>that I would love to just pry their hands off

0:30:47.480 --> 0:30:49.960
<v Speaker 1>of and have them start a new But yeah, that's

0:30:50.000 --> 0:30:52.240
<v Speaker 1>what I'm about since I've been back home too, you know.

0:30:52.640 --> 0:30:57.800
<v Speaker 1>But how is is New Orleans a place where some

0:30:57.920 --> 0:31:00.360
<v Speaker 1>people feel as though we need to eve of Like

0:31:00.680 --> 0:31:03.800
<v Speaker 1>are there people that just start straight bounces as a musician,

0:31:03.880 --> 0:31:06.760
<v Speaker 1>like I'm gonna start with or even now bounce is

0:31:06.840 --> 0:31:10.720
<v Speaker 1>like tradition. I mean the idea of Drake doing fifth

0:31:10.800 --> 0:31:15.720
<v Speaker 1>word webby type songs, yes, is old old school. So

0:31:17.240 --> 0:31:22.400
<v Speaker 1>you know, is there any space for trap culture in Yeah,

0:31:22.480 --> 0:31:24.320
<v Speaker 1>it's a brand new way. It's a brand new wave

0:31:24.400 --> 0:31:27.640
<v Speaker 1>in New Orleans. Now. Um of artists that I'm seeing

0:31:27.880 --> 0:31:30.960
<v Speaker 1>that are totally I mean they respect that history and

0:31:31.040 --> 0:31:33.040
<v Speaker 1>know it. But I think what I've been preaching since

0:31:33.200 --> 0:31:35.880
<v Speaker 1>and I've been back home three years, and um, kind

0:31:35.880 --> 0:31:38.480
<v Speaker 1>of what started me off Buddy Bolden's house, who is

0:31:38.880 --> 0:31:42.440
<v Speaker 1>attributed as the originator of jazz music, right, like Louis

0:31:42.520 --> 0:31:46.800
<v Speaker 1>Armstrong credits King Oliver, Buddy Bolden. Yeah, see I thought

0:31:46.920 --> 0:31:51.280
<v Speaker 1>King Oliver's right, he's King Oliver credits bit Buddy Bolden. Right,

0:31:51.320 --> 0:31:53.240
<v Speaker 1>So they say Buddy is that he lost his mind

0:31:53.280 --> 0:31:55.920
<v Speaker 1>when he was like twenty six and and and and

0:31:56.200 --> 0:31:58.160
<v Speaker 1>lived his life in a hospital in a hospital for

0:31:58.240 --> 0:32:01.960
<v Speaker 1>the rest of his life. But we the house is

0:32:02.040 --> 0:32:05.520
<v Speaker 1>like ten steps from my dad's church, and after Katrina

0:32:06.200 --> 0:32:09.480
<v Speaker 1>the my family bought up all the real estate around there,

0:32:09.560 --> 0:32:13.320
<v Speaker 1>not knowing that they bought Buddy Bolden's house, his childhood home.

0:32:13.640 --> 0:32:16.200
<v Speaker 1>I didn't know who Buddy Bolden was until I moved

0:32:16.240 --> 0:32:18.560
<v Speaker 1>back home, and they were like, Yo, we're about to

0:32:18.640 --> 0:32:20.400
<v Speaker 1>do something with this house. And people were coming from

0:32:20.480 --> 0:32:24.760
<v Speaker 1>Europe and lining up and making pilgrimages to to this place.

0:32:24.840 --> 0:32:26.800
<v Speaker 1>And we didn't know what it was. And when I

0:32:26.920 --> 0:32:29.840
<v Speaker 1>got home, you know, um, but it made me start

0:32:29.920 --> 0:32:33.160
<v Speaker 1>to like think about that history. And I think that

0:32:33.280 --> 0:32:35.400
<v Speaker 1>New Orleans and the reason I left, the reason why

0:32:35.400 --> 0:32:37.560
<v Speaker 1>a lot of us leave, is because we focused so

0:32:37.760 --> 0:32:40.680
<v Speaker 1>much on jazz, jazz, jazz, like we started this, this

0:32:40.880 --> 0:32:43.800
<v Speaker 1>is what and and I think what needs to be

0:32:43.880 --> 0:32:46.320
<v Speaker 1>more focused on with New Orleans is innovation. Right. It

0:32:46.440 --> 0:32:49.560
<v Speaker 1>was Buddy saying, I know y'all playing Dixie, and this

0:32:49.600 --> 0:32:51.080
<v Speaker 1>is how I want to play my horn, and it's

0:32:51.120 --> 0:32:54.120
<v Speaker 1>gonna be different from everybody else. And that's what created that.

0:32:54.200 --> 0:32:57.520
<v Speaker 1>That's what created Bounce, was us not caring New Orleans

0:32:57.600 --> 0:32:59.640
<v Speaker 1>could just a bubble in that way, was like, I

0:32:59.640 --> 0:33:01.280
<v Speaker 1>don't it was on the radio, I don't care what

0:33:01.520 --> 0:33:04.000
<v Speaker 1>this is our what we're doing. But I think that

0:33:04.320 --> 0:33:08.240
<v Speaker 1>is what makes us special, not the actual thing, not jazz,

0:33:08.440 --> 0:33:12.200
<v Speaker 1>not bounced, but the not caring, right, and the gift

0:33:12.240 --> 0:33:14.239
<v Speaker 1>of that and the innovation of that. So I think

0:33:14.280 --> 0:33:17.480
<v Speaker 1>a lot of the generation now and the and the

0:33:17.560 --> 0:33:21.800
<v Speaker 1>generation coming up they're thinking that way. But it's still

0:33:21.880 --> 0:33:25.040
<v Speaker 1>that same I don't care attitude. I mean, you still

0:33:25.120 --> 0:33:28.840
<v Speaker 1>have the I mean I would say that the not

0:33:29.040 --> 0:33:36.440
<v Speaker 1>necessarily the entire Marcella's family, but definitely is head, headstrong, purist. Yeah,

0:33:36.680 --> 0:33:38.959
<v Speaker 1>but he's also not in New Orleans. It hasn't been

0:33:39.000 --> 0:33:41.800
<v Speaker 1>for a very long time. You know, uh, more New

0:33:41.880 --> 0:33:45.120
<v Speaker 1>York than anything. Yeah. Yeah, he been in New York

0:33:45.200 --> 0:33:47.400
<v Speaker 1>for a very long time. So I'm saying, as far

0:33:47.440 --> 0:33:49.760
<v Speaker 1>as the scene is going, that's that's cool, And that's

0:33:49.800 --> 0:33:52.680
<v Speaker 1>what happened, by the way, like that jazz went came

0:33:52.720 --> 0:33:54.800
<v Speaker 1>to New York and the jazz we know now is

0:33:54.880 --> 0:33:57.560
<v Speaker 1>that right? Our jazz turned into R and B and

0:33:57.760 --> 0:34:01.200
<v Speaker 1>like Fats you know, in rock and so like that.

0:34:01.360 --> 0:34:05.320
<v Speaker 1>That's the extension of us more than preaching jazz is

0:34:05.360 --> 0:34:06.880
<v Speaker 1>how we know it now, you know. So are there

0:34:07.000 --> 0:34:11.440
<v Speaker 1>funk bands that we're in the tradition of the meters? Like,

0:34:11.480 --> 0:34:14.799
<v Speaker 1>are there still people that I don't really? Not? Not really.

0:34:14.840 --> 0:34:17.440
<v Speaker 1>I mean you got like Galactic. I was gonna say

0:34:17.520 --> 0:34:22.480
<v Speaker 1>Galactic it take the jam band, yeah sort of thing.

0:34:22.600 --> 0:34:28.200
<v Speaker 1>So Galactic is now the the steady groove, that's the

0:34:28.320 --> 0:34:32.080
<v Speaker 1>standard funky jam band type thing. Yeah, if you're if

0:34:32.160 --> 0:34:38.160
<v Speaker 1>you're a musician in New Orleans. Um, and let's say,

0:34:38.760 --> 0:34:42.680
<v Speaker 1>how were you when you first started? I was like eight, Okay,

0:34:42.760 --> 0:34:47.000
<v Speaker 1>So what's the first thing that you're taught? Is it

0:34:47.040 --> 0:34:49.800
<v Speaker 1>a boogie woogie? Like, what's the what's the what's the

0:34:50.000 --> 0:34:52.120
<v Speaker 1>top five? Like stuff that has to be in your

0:34:52.200 --> 0:34:56.000
<v Speaker 1>DNA or for you get respect by. So to me,

0:34:56.120 --> 0:34:58.040
<v Speaker 1>it was like two different worlds, right. I didn't. I

0:34:58.080 --> 0:35:01.800
<v Speaker 1>didn't really get into that French court of world until

0:35:01.880 --> 0:35:04.480
<v Speaker 1>I was older. My dad was I was. It was

0:35:04.560 --> 0:35:07.680
<v Speaker 1>all church for me. That's where all my music came from.

0:35:07.680 --> 0:35:10.239
<v Speaker 1>I'm a preacher's kid. Your father must have a rather

0:35:10.440 --> 0:35:12.480
<v Speaker 1>large church, right, because your father is very known in

0:35:12.560 --> 0:35:16.399
<v Speaker 1>the community, correctly. Yeah. Pre Katrina, we had like twenty members,

0:35:16.480 --> 0:35:19.080
<v Speaker 1>So it was like a huge church. Brought up a

0:35:19.120 --> 0:35:26.320
<v Speaker 1>lot of said, you brought a lot of property. I want, yeah,

0:35:26.360 --> 0:35:28.000
<v Speaker 1>but but yeah, so my my dad was kind of

0:35:28.040 --> 0:35:32.000
<v Speaker 1>like the premier church you know in New Orleans pre Katrina,

0:35:32.520 --> 0:35:35.080
<v Speaker 1>and that brought through a lot. But my dad's from Windsor.

0:35:35.160 --> 0:35:38.799
<v Speaker 1>My dad's from Canada, right, so he and his father

0:35:39.040 --> 0:35:41.719
<v Speaker 1>was a huge pastor. The first pastor to have a

0:35:41.840 --> 0:35:45.400
<v Speaker 1>church in Detroit and to have a church in and Canada,

0:35:45.840 --> 0:35:49.040
<v Speaker 1>so that connection. My dad grew up with the Clark's

0:35:49.040 --> 0:35:51.359
<v Speaker 1>sisters in the Windings and all of them. So when

0:35:51.400 --> 0:35:53.960
<v Speaker 1>he when he came to New Orleans and started a church,

0:35:54.200 --> 0:35:56.759
<v Speaker 1>he brought musicians from there. My my heroes were like

0:35:57.000 --> 0:35:59.840
<v Speaker 1>this guy Joey Britain from Detroit and guys like that

0:36:00.080 --> 0:36:03.040
<v Speaker 1>that he brought down. So the flavor was totally different

0:36:03.080 --> 0:36:05.719
<v Speaker 1>in our church than outside of the honest so I

0:36:05.840 --> 0:36:08.200
<v Speaker 1>was I came up with. I didn't get the New

0:36:08.280 --> 0:36:11.600
<v Speaker 1>Orleans training early, and it's probably why I was so different.

0:36:11.719 --> 0:36:14.439
<v Speaker 1>You know. Ellis Marcelle's wanted me to saw me play

0:36:14.480 --> 0:36:16.600
<v Speaker 1>when I was like ten or twelve and wanted me

0:36:16.680 --> 0:36:18.680
<v Speaker 1>to go to NOCA, but I wanted to go to

0:36:18.760 --> 0:36:21.000
<v Speaker 1>this high school saying, oh you know what I'm saying

0:36:21.000 --> 0:36:22.960
<v Speaker 1>that was known for his margin band. So I was

0:36:23.040 --> 0:36:26.440
<v Speaker 1>a little different, which is kind of why I always

0:36:26.480 --> 0:36:28.320
<v Speaker 1>felt out of place kind of growing up. You know,

0:36:28.440 --> 0:36:30.719
<v Speaker 1>it was like I'm not really that New Orleans guy

0:36:30.840 --> 0:36:34.880
<v Speaker 1>in that way. How lenient as a PK. How lenient

0:36:35.040 --> 0:36:40.480
<v Speaker 1>were your family on music outside secular music? Yeah, it

0:36:40.600 --> 0:36:42.920
<v Speaker 1>was it was it was strict, strict, yeah, it was.

0:36:43.000 --> 0:36:46.759
<v Speaker 1>It was a balance because my dad was from Detroit, like,

0:36:46.880 --> 0:36:49.440
<v Speaker 1>I mean, he loved Anita, he loved certain things right,

0:36:49.560 --> 0:36:52.360
<v Speaker 1>and my dad was a singer and a real musician

0:36:52.440 --> 0:36:55.920
<v Speaker 1>in that way. So he always appreciated the Stevis and stuff,

0:36:56.040 --> 0:37:00.000
<v Speaker 1>you know. He tell me stuff. Yeah, my uncle played

0:37:00.239 --> 0:37:03.400
<v Speaker 1>on some early some old town things back then. I

0:37:03.480 --> 0:37:06.160
<v Speaker 1>used to play for cl Franklin right, so like, and

0:37:06.280 --> 0:37:08.399
<v Speaker 1>they tell me stories of Stevie coming in and doing

0:37:08.520 --> 0:37:11.320
<v Speaker 1>a show at the church, you know. So it was

0:37:11.360 --> 0:37:13.239
<v Speaker 1>always a line. I remember we couldn't listen to the

0:37:13.239 --> 0:37:17.719
<v Speaker 1>secondar stuff on Sundays, but but you know, it was

0:37:17.719 --> 0:37:20.640
<v Speaker 1>only gospel music on Sundays. But they were pretty I

0:37:20.680 --> 0:37:25.359
<v Speaker 1>mean I listened to Michael Jackson growing up and even strict. Yeah,

0:37:25.360 --> 0:37:27.440
<v Speaker 1>it wasn't crazy like that. I think his childhood was

0:37:27.520 --> 0:37:33.320
<v Speaker 1>so strict I was. Yeah, and what your people like

0:37:33.360 --> 0:37:35.040
<v Speaker 1>you said, he was from Canada, so where y'all people

0:37:35.040 --> 0:37:36.760
<v Speaker 1>always I don't know why. I always think the Canadian

0:37:36.800 --> 0:37:38.920
<v Speaker 1>black foles have like a lot of Island influence on

0:37:39.040 --> 0:37:41.319
<v Speaker 1>them and whatnot. But were they yeah, I think there

0:37:41.400 --> 0:37:44.239
<v Speaker 1>was some with my grandparents, well not my grandmother. She

0:37:44.440 --> 0:37:46.680
<v Speaker 1>was like from Missouri. So they both passed away. Before

0:37:46.680 --> 0:37:48.880
<v Speaker 1>they passed away, my dad his father when he was

0:37:48.920 --> 0:37:51.000
<v Speaker 1>twelve and his mother when he was nineteen, so way

0:37:51.080 --> 0:37:56.840
<v Speaker 1>before me. But I think my grandfather had some West Indiana, Missouri.

0:37:56.920 --> 0:38:02.560
<v Speaker 1>They went up. Yeah, he found her somewhere. They found

0:38:02.600 --> 0:38:07.840
<v Speaker 1>each other somewhere. Yeah. So he your father was initially

0:38:07.960 --> 0:38:10.560
<v Speaker 1>preaching up in the d and then yeah, so he

0:38:10.680 --> 0:38:12.759
<v Speaker 1>why why what was this decision to come down to?

0:38:14.040 --> 0:38:15.799
<v Speaker 1>He said, God told him to move to New Orleans.

0:38:16.000 --> 0:38:18.880
<v Speaker 1>That's that's the only reason I've heard. And he said

0:38:19.480 --> 0:38:24.239
<v Speaker 1>he went and did a revival in Cleveland, and when

0:38:24.320 --> 0:38:26.000
<v Speaker 1>when he knew it was time for him to move,

0:38:26.440 --> 0:38:29.200
<v Speaker 1>and somebody stole all of his clothes out of his

0:38:29.320 --> 0:38:32.960
<v Speaker 1>car and everything. And he said, after he got robbed,

0:38:33.080 --> 0:38:36.440
<v Speaker 1>he moved. That's that's when he finally moved. Yeah, my

0:38:36.560 --> 0:38:50.680
<v Speaker 1>dad's got it's a crazy story. Yeah, because Hap with

0:38:51.280 --> 0:38:55.000
<v Speaker 1>Trek and Michelle first moved to brought their sprawling Uh

0:38:55.880 --> 0:39:00.480
<v Speaker 1>they would house it everything. Yeah, Tike came home and

0:39:00.560 --> 0:39:02.719
<v Speaker 1>packed all of the ship like me and to go

0:39:02.840 --> 0:39:05.200
<v Speaker 1>to pull the opposite each other. So every outfits reet

0:39:05.239 --> 0:39:09.880
<v Speaker 1>weears like worth like billion dollars, so you know, it

0:39:10.040 --> 0:39:11.560
<v Speaker 1>was like first day of school for like all of

0:39:11.640 --> 0:39:15.040
<v Speaker 1>his good clothes. He's he's packing his car, his Porsche

0:39:15.040 --> 0:39:16.920
<v Speaker 1>of ball things like he's packing off his stuff in

0:39:16.960 --> 0:39:21.480
<v Speaker 1>the car and like four, I guess four in the morning,

0:39:21.560 --> 0:39:23.919
<v Speaker 1>Like someone just came and took all of two weeks

0:39:23.920 --> 0:39:27.239
<v Speaker 1>skills out of his car, out of the car. A

0:39:27.280 --> 0:39:28.640
<v Speaker 1>lot of people ate off of him clothes, you know

0:39:28.760 --> 0:39:34.719
<v Speaker 1>that a lot of people smoke. It's almost like it's

0:39:34.760 --> 0:39:37.719
<v Speaker 1>almost like I think he wanted to stay an extra

0:39:37.800 --> 0:39:40.439
<v Speaker 1>week before that, you know that coming to American scene

0:39:40.440 --> 0:39:55.960
<v Speaker 1>where like stop let them stress ten thous dollar e vs. Jeans.

0:39:57.280 --> 0:39:59.880
<v Speaker 1>I know it was you, uh but yeah, no, he

0:40:00.040 --> 0:40:01.680
<v Speaker 1>said God told him to go and he didn't know

0:40:01.760 --> 0:40:04.960
<v Speaker 1>anybody in New Orleans. He said his first job was

0:40:05.000 --> 0:40:07.439
<v Speaker 1>like he was like a gas attendant around the church

0:40:07.680 --> 0:40:09.439
<v Speaker 1>and one of the guys invited him to the church.

0:40:09.920 --> 0:40:19.759
<v Speaker 1>What is the time span from that to ye maybe

0:40:19.880 --> 0:40:22.080
<v Speaker 1>six or something is when he got to New Orleans

0:40:22.239 --> 0:40:25.560
<v Speaker 1>something like that, and it was, um, I don't know,

0:40:25.640 --> 0:40:28.880
<v Speaker 1>it was up to twenty by the time before Katrina

0:40:29.000 --> 0:40:32.320
<v Speaker 1>so oh four. Were you a part of your father's

0:40:32.640 --> 0:40:36.000
<v Speaker 1>music outreach or were you part of the gospel. Yeah,

0:40:36.040 --> 0:40:38.800
<v Speaker 1>I was like the music director for a while until

0:40:38.800 --> 0:40:43.280
<v Speaker 1>I went to college and the choice. Um yeah, actually

0:40:43.320 --> 0:40:46.160
<v Speaker 1>that's what my friends were. My friends, my musician form

0:40:46.200 --> 0:40:48.680
<v Speaker 1>my drumma right now is still is the guy that

0:40:48.800 --> 0:40:51.879
<v Speaker 1>I used to play with. So for me and my church,

0:40:52.120 --> 0:40:55.040
<v Speaker 1>it was fun and the music and my friends was

0:40:55.120 --> 0:40:57.319
<v Speaker 1>all I needed. You know, I was a preacher's kids.

0:40:57.400 --> 0:40:59.600
<v Speaker 1>I was doing what I was doing. Whatever I was doing,

0:40:59.680 --> 0:41:02.959
<v Speaker 1>I was have been fine, but that was my source. Really.

0:41:03.120 --> 0:41:04.919
<v Speaker 1>Like I said, I wasn't on this New Orleans scene.

0:41:05.120 --> 0:41:08.080
<v Speaker 1>So all my musician friends were in church. See that. Okay,

0:41:08.160 --> 0:41:12.080
<v Speaker 1>Now it makes sense because I didn't know this backstory. See,

0:41:12.320 --> 0:41:14.880
<v Speaker 1>whenever it's jam session time or when you sit in

0:41:15.000 --> 0:41:18.720
<v Speaker 1>with us, it's always well, you know, like we always

0:41:18.760 --> 0:41:22.960
<v Speaker 1>go there and do these right, get the gospel, go

0:41:23.160 --> 0:41:26.320
<v Speaker 1>straight church. That's why it's it's fun and authentic to

0:41:26.400 --> 0:41:28.960
<v Speaker 1>do that with for sure, because that's why I get

0:41:29.000 --> 0:41:32.879
<v Speaker 1>it when you when you say it. So any of course,

0:41:33.239 --> 0:41:36.240
<v Speaker 1>I think I don't know if there's any soul singer

0:41:36.320 --> 0:41:41.200
<v Speaker 1>alive that doesn't long to do a gospel record, But yeah,

0:41:41.640 --> 0:41:44.160
<v Speaker 1>is that in your future eventually? No, you know what

0:41:44.360 --> 0:41:48.360
<v Speaker 1>I started out as a songwriter, and so I've written

0:41:48.440 --> 0:41:50.680
<v Speaker 1>gospel songs for people that have done well. Like I

0:41:50.760 --> 0:41:53.919
<v Speaker 1>wrote this big gospel song called let Go Let God,

0:41:54.040 --> 0:41:56.440
<v Speaker 1>this guy Dwayne was did and it was like seventy

0:41:56.480 --> 0:42:00.160
<v Speaker 1>two weeks in the top ten. So um, I want

0:42:00.160 --> 0:42:03.680
<v Speaker 1>to yeah, like a Stellar Awards, maybe a Dove. Um.

0:42:04.080 --> 0:42:08.120
<v Speaker 1>But if I do anything, it'll be like my songbook

0:42:08.320 --> 0:42:10.120
<v Speaker 1>and other artists singing. But I don't. I have no

0:42:10.280 --> 0:42:14.080
<v Speaker 1>desire to do a gospel record at all. No. I

0:42:14.200 --> 0:42:18.360
<v Speaker 1>feel like my my soul, my r and stage a

0:42:18.480 --> 0:42:21.839
<v Speaker 1>couple months ago. Yeah. But but but but we were

0:42:21.880 --> 0:42:23.920
<v Speaker 1>doing my song sticking to my guns, you know what

0:42:23.960 --> 0:42:26.759
<v Speaker 1>I'm saying. Like, I feel like when when Stevie wanted

0:42:26.800 --> 0:42:30.440
<v Speaker 1>to to talk about God, then he just did, right,

0:42:30.640 --> 0:42:32.160
<v Speaker 1>then I have to go and make a gospel record

0:42:32.200 --> 0:42:34.200
<v Speaker 1>to do it. And that's that's kind of my That's

0:42:34.239 --> 0:42:37.600
<v Speaker 1>what kind of with Marvin. If he wanted to reference

0:42:37.680 --> 0:42:40.319
<v Speaker 1>God to talk about guy Donnie, you felt even if

0:42:40.360 --> 0:42:43.400
<v Speaker 1>he wasn't talking about God, it felt like church. So

0:42:43.640 --> 0:42:46.440
<v Speaker 1>I get that same thing, whatever that is that you

0:42:46.560 --> 0:42:48.520
<v Speaker 1>want from that. One of the things I really like,

0:42:48.680 --> 0:42:50.879
<v Speaker 1>like my how I first got onto you, I mentioned

0:42:50.920 --> 0:42:53.359
<v Speaker 1>in my road call My Home girl. Carlita Durrant. She's

0:42:53.400 --> 0:42:56.120
<v Speaker 1>a young singer. She's in uh from Durham. And so

0:42:56.360 --> 0:42:58.320
<v Speaker 1>she we were this is man, this is like a

0:42:58.360 --> 0:43:00.560
<v Speaker 1>decade ago, it's like teen years ago. She was like, yo,

0:43:00.880 --> 0:43:03.439
<v Speaker 1>um you up on p J. Morton. I was like nah,

0:43:03.719 --> 0:43:06.040
<v Speaker 1>I was like the preacher. She's like, no, this's his daddy,

0:43:06.120 --> 0:43:07.840
<v Speaker 1>like his dad, he has a son. I was like,

0:43:07.880 --> 0:43:10.200
<v Speaker 1>oh ship. Yes. So she was like, um. So she

0:43:10.320 --> 0:43:11.880
<v Speaker 1>played me the first thing I heard of yours. It

0:43:12.000 --> 0:43:14.600
<v Speaker 1>was it was a live show and you ended with

0:43:14.920 --> 0:43:20.080
<v Speaker 1>the cheers things where everybody yeah, like dude, but he

0:43:20.280 --> 0:43:24.359
<v Speaker 1>does it like he turns. Yeah. Oh god. She was like, yo,

0:43:24.400 --> 0:43:26.560
<v Speaker 1>you gotta hear him. He got three background scenes to

0:43:26.600 --> 0:43:29.839
<v Speaker 1>sound just like him. And so we played this ship

0:43:29.960 --> 0:43:32.320
<v Speaker 1>and so I could hearing you. Now I could understand

0:43:32.360 --> 0:43:35.279
<v Speaker 1>how to find the church and whatever you see the

0:43:35.360 --> 0:43:38.200
<v Speaker 1>same feeling, it gives me the same whatever that is.

0:43:38.320 --> 0:43:41.040
<v Speaker 1>You know what I'm saying, um, which is why I

0:43:41.160 --> 0:43:44.160
<v Speaker 1>just never say I would never say, Okay, now here's

0:43:44.200 --> 0:43:46.560
<v Speaker 1>the gospel record. It's like, now it would be sprinkled

0:43:46.600 --> 0:43:48.080
<v Speaker 1>in there. If I want to go there, you gotta

0:43:48.080 --> 0:43:50.000
<v Speaker 1>find it. You gotta get to it. Let me find

0:43:50.080 --> 0:43:52.719
<v Speaker 1>you rather. What's the name of the gospel choir your

0:43:52.800 --> 0:43:57.000
<v Speaker 1>dad's church? Um? What was great to St. Stephen's Mass choir? Okay?

0:43:57.200 --> 0:43:59.920
<v Speaker 1>Did they have records and some records? Yeah, my dad

0:44:00.040 --> 0:44:04.239
<v Speaker 1>had some records, like Your Tears was a big song

0:44:04.360 --> 0:44:06.480
<v Speaker 1>that he did. Let It Rain was later on, but

0:44:06.600 --> 0:44:09.080
<v Speaker 1>that was a big song. It was like purple Rain

0:44:09.200 --> 0:44:14.000
<v Speaker 1>and Okay, how do we hear this gospel version of

0:44:14.120 --> 0:44:16.359
<v Speaker 1>cheers out of here? Um? I saw on his record

0:44:16.400 --> 0:44:19.320
<v Speaker 1>I did called Live in l A. Yeah, where everybody

0:44:19.360 --> 0:44:22.480
<v Speaker 1>knows as Yeah, but it felt that that's the way

0:44:22.520 --> 0:44:26.080
<v Speaker 1>we ended the shows for like eight years or something.

0:44:26.160 --> 0:44:31.840
<v Speaker 1>There was a period we I think we ended we

0:44:32.040 --> 0:44:35.360
<v Speaker 1>stopped doing it. One time I did it, Samuel Jackson

0:44:35.480 --> 0:44:38.120
<v Speaker 1>was in the audience and he was looking like huh.

0:44:38.840 --> 0:44:41.040
<v Speaker 1>And then I think we dropped I think what term

0:44:42.719 --> 0:44:45.319
<v Speaker 1>and just started doing like TV themes at the end. Yeah.

0:44:45.600 --> 0:44:47.719
<v Speaker 1>I did it in Europe or Asia and they were

0:44:47.800 --> 0:44:51.880
<v Speaker 1>looking like I was like, I don't want to do

0:44:51.960 --> 0:44:54.160
<v Speaker 1>it anymore. That's what kind of stopped me from doing it.

0:44:54.320 --> 0:44:56.120
<v Speaker 1>Just shout out to the jazzy because I used that's

0:44:56.160 --> 0:44:57.480
<v Speaker 1>how they used to close their set at the Black

0:44:57.520 --> 0:45:03.240
<v Speaker 1>Lily every Tuesday. Oh really yeah, really yeah, they didn't

0:45:03.239 --> 0:45:06.120
<v Speaker 1>tell was that you was on what they gonna tell you?

0:45:06.440 --> 0:45:10.240
<v Speaker 1>I wonder where they got that idea. Who did it first? Question?

0:45:10.480 --> 0:45:17.120
<v Speaker 1>Who did it first? Gary Portnoy did it? I got

0:45:17.160 --> 0:45:22.359
<v Speaker 1>that forty five. Yeah, that's like, that's such a good song. Yeah,

0:45:22.400 --> 0:45:24.600
<v Speaker 1>I love that song. I'm trying to figure out if

0:45:25.040 --> 0:45:28.240
<v Speaker 1>there's a full album that, like a Gary Portnoy album.

0:45:28.440 --> 0:45:30.520
<v Speaker 1>I never did the verse, but I love the verse. Wait,

0:45:30.680 --> 0:45:34.719
<v Speaker 1>Gary port knew there's two verses in the real Yeah,

0:45:34.719 --> 0:45:45.680
<v Speaker 1>I've heard it. Yeah, Steve song, Yeah song, I like

0:45:45.800 --> 0:45:49.000
<v Speaker 1>when you sing alone. Shout out to Gary Portnoy. You

0:45:49.040 --> 0:45:51.480
<v Speaker 1>know he doesn't he doesn't get enough nobody talks about

0:45:51.800 --> 0:45:55.080
<v Speaker 1>I know, man, did he spend his check? But he

0:45:55.440 --> 0:45:57.040
<v Speaker 1>did he write that song? Or did he just sing it?

0:45:57.080 --> 0:45:59.239
<v Speaker 1>I don't really know. I'm not sure. I'm not sure

0:45:59.840 --> 0:46:03.719
<v Speaker 1>you acted like you knew Steve would know the history

0:46:03.760 --> 0:46:05.719
<v Speaker 1>of it. But I'm just being honest. Oh yeah, no,

0:46:05.800 --> 0:46:08.360
<v Speaker 1>I don't. I don't know he wrote it along with

0:46:08.440 --> 0:46:12.399
<v Speaker 1>Judy hart Angelo. Well, since you're one of the few

0:46:12.640 --> 0:46:18.399
<v Speaker 1>or first leaders of a gospel choir church, I gotta

0:46:18.440 --> 0:46:21.520
<v Speaker 1>know how how how First of all, what's the membership?

0:46:21.600 --> 0:46:27.719
<v Speaker 1>What's the size? And yes, um, and I don't know.

0:46:27.760 --> 0:46:34.120
<v Speaker 1>I was, I was young. I don't visually maybe people

0:46:34.280 --> 0:46:39.080
<v Speaker 1>that's my worst nightmare. Yeah, I mean I already shaky

0:46:39.239 --> 0:46:42.200
<v Speaker 1>as an empty of my own situation that I actually created.

0:46:42.280 --> 0:46:47.480
<v Speaker 1>But how how are you able to maintain the respect

0:46:47.560 --> 0:46:50.399
<v Speaker 1>and the attention of over two hundred people? Now, I've

0:46:50.440 --> 0:46:52.920
<v Speaker 1>seen it that I never so as music director I was,

0:46:53.080 --> 0:46:54.800
<v Speaker 1>it was just banned. I didn't I never had to

0:46:54.880 --> 0:46:59.880
<v Speaker 1>deal with choir members. That's a whole that was never

0:47:00.040 --> 0:47:02.680
<v Speaker 1>about to be my jam. Yeah. No, I've seen that.

0:47:02.880 --> 0:47:05.600
<v Speaker 1>We've seen the wrangle the choir members and stuff. But no,

0:47:06.000 --> 0:47:10.879
<v Speaker 1>it was always the band. Okay, So I don't know. Yeah,

0:47:11.400 --> 0:47:14.160
<v Speaker 1>Now you went when when did you go to the house? Um?

0:47:14.440 --> 0:47:18.480
<v Speaker 1>I went nine graduating? No three, that's the one thing.

0:47:18.560 --> 0:47:21.120
<v Speaker 1>We were almost almost classmates. What is that the house?

0:47:21.640 --> 0:47:24.359
<v Speaker 1>I almost went there? You almost went there almost? Now

0:47:25.080 --> 0:47:31.000
<v Speaker 1>I went there to classes. Wait, I want some spelling knights,

0:47:31.000 --> 0:47:32.880
<v Speaker 1>And where would you go? No, you didn't go to

0:47:32.920 --> 0:47:37.839
<v Speaker 1>spelling I'm just saying, no, she just went to more house.

0:47:38.400 --> 0:47:43.359
<v Speaker 1>I love. I was saying I had some spelling knights

0:47:43.400 --> 0:47:46.280
<v Speaker 1>in my class. I didn't have any Clark students. Okay, alright,

0:47:46.320 --> 0:47:47.839
<v Speaker 1>well I did you over there? I was over there.

0:47:47.880 --> 0:47:49.520
<v Speaker 1>I did some Spellman's ones too. You might as well

0:47:49.719 --> 0:47:53.640
<v Speaker 1>paying for it. It's when Spike was on the show.

0:47:53.680 --> 0:47:56.560
<v Speaker 1>We didn't get into it. But what what is it

0:47:56.719 --> 0:48:00.600
<v Speaker 1>like at Morehouse? And was it? Is it as prestidges

0:48:00.719 --> 0:48:03.920
<v Speaker 1>as it's as the folklore of it, I'll say that

0:48:04.040 --> 0:48:08.160
<v Speaker 1>it it does instill some pride, like you know so

0:48:08.400 --> 0:48:10.560
<v Speaker 1>so so when I was in New Orleans growing up

0:48:10.600 --> 0:48:12.919
<v Speaker 1>and I was the flat preacher's kid, right who could

0:48:13.000 --> 0:48:16.000
<v Speaker 1>play and all of that, um, it was like one

0:48:16.080 --> 0:48:18.120
<v Speaker 1>of me kinda right. Then you go to more House

0:48:18.160 --> 0:48:23.840
<v Speaker 1>and you know what I'm saying, and it shows you like, okay,

0:48:23.960 --> 0:48:27.680
<v Speaker 1>well I'm not alone in that, and it it kind

0:48:27.719 --> 0:48:29.959
<v Speaker 1>of demands you to want to have a certain level

0:48:30.520 --> 0:48:33.120
<v Speaker 1>uh and some of the history there and the way

0:48:33.239 --> 0:48:35.320
<v Speaker 1>they teach you about that history and make sure you

0:48:35.480 --> 0:48:38.440
<v Speaker 1>know it, um, you know, and who went there too,

0:48:38.640 --> 0:48:41.360
<v Speaker 1>you know from the mL case y'all lifted up a

0:48:41.480 --> 0:48:45.000
<v Speaker 1>mail more House man like and make sure that pride

0:48:45.120 --> 0:48:47.880
<v Speaker 1>is there. Um. So whatever you do after that, and

0:48:48.000 --> 0:48:51.359
<v Speaker 1>you at least you have that. You know what I'm saying. Really, yeah,

0:48:51.800 --> 0:48:53.319
<v Speaker 1>don't you don't get mad like I do when those

0:48:53.400 --> 0:48:58.960
<v Speaker 1>alumni emails come through and you're like, no, where I

0:48:59.000 --> 0:49:01.440
<v Speaker 1>went to me? I went to a small state school Indiana,

0:49:01.880 --> 0:49:04.160
<v Speaker 1>but only because they paid for everything. So that's what

0:49:04.440 --> 0:49:08.600
<v Speaker 1>was where I went to Flying the Central University, graduated

0:49:08.640 --> 0:49:16.239
<v Speaker 1>in oh one Steve, the University of Maryland, Yes, Clark

0:49:16.760 --> 0:49:20.920
<v Speaker 1>and Morgan State. Damn, I'm the only motherfucker college. But

0:49:21.800 --> 0:49:28.160
<v Speaker 1>every time, all right, O, man, I want to go

0:49:28.239 --> 0:49:31.120
<v Speaker 1>to college. Man, they give you a degree, you know,

0:49:31.200 --> 0:49:32.480
<v Speaker 1>they just give you one. We had to go there,

0:49:32.480 --> 0:49:36.359
<v Speaker 1>and it's true, it's I'm sure you've been offered many.

0:49:36.520 --> 0:49:40.320
<v Speaker 1>I just got my degree from Princeton University and what

0:49:40.640 --> 0:49:45.799
<v Speaker 1>back back in February without going to one class I've taught. Yes,

0:49:45.840 --> 0:49:47.959
<v Speaker 1>I got my honor so you can call me doctor

0:49:48.080 --> 0:50:00.200
<v Speaker 1>Love now. Yeah, I'm doctor Love now. Congratulations. Weird in enough.

0:50:00.360 --> 0:50:03.719
<v Speaker 1>They want me to teach there and give lectures there,

0:50:03.920 --> 0:50:06.720
<v Speaker 1>but you know, I don't know if I could actually

0:50:06.880 --> 0:50:10.040
<v Speaker 1>have the jobs to that's certificate. But you don't keep

0:50:10.040 --> 0:50:14.680
<v Speaker 1>that in the bathroom. In the bathroom, keep everything in

0:50:14.760 --> 0:50:17.359
<v Speaker 1>the bathroom. I gave out the plone with my MoMA.

0:50:17.480 --> 0:50:19.120
<v Speaker 1>I gave it. I just I've never even seen mine.

0:50:19.120 --> 0:50:21.160
<v Speaker 1>I don't know where mine is. That's fun, mine's box stuff.

0:50:21.320 --> 0:50:28.440
<v Speaker 1>I'll sell your mine. Got to love. No, But I'm

0:50:28.520 --> 0:50:33.160
<v Speaker 1>just saying that from watching, from watching a different world,

0:50:33.520 --> 0:50:41.600
<v Speaker 1>and you know how sure, yeah, that's that's not but

0:50:41.800 --> 0:50:44.520
<v Speaker 1>it was. It was fun man, and and it's your people.

0:50:44.719 --> 0:50:49.439
<v Speaker 1>And so the whole school days and all that wasn't

0:50:49.520 --> 0:50:53.480
<v Speaker 1>a thing much more Greeks against you, goddamn individuals g

0:50:53.600 --> 0:50:55.520
<v Speaker 1>D I s. So in that way, that's what we

0:50:55.600 --> 0:50:57.279
<v Speaker 1>called ourselves. I was a g D. I was you

0:50:57.360 --> 0:50:58.719
<v Speaker 1>not a g D I Bill, I know you was

0:50:58.760 --> 0:51:00.440
<v Speaker 1>a g D. I I was, but I never heard

0:51:00.440 --> 0:51:05.399
<v Speaker 1>that term. I'm mad. I didn't hear in twenty years. Yeah, yeah,

0:51:05.480 --> 0:51:08.560
<v Speaker 1>he had an album. Yeah, I never wait, he was

0:51:08.640 --> 0:51:11.719
<v Speaker 1>real not he was real? He was a real No.

0:51:12.880 --> 0:51:14.920
<v Speaker 1>I know, I just saved me find me when they

0:51:14.920 --> 0:51:18.760
<v Speaker 1>asked me what I was pledging as I also remember

0:51:18.800 --> 0:51:21.000
<v Speaker 1>Mousa moved, but that's because I watched too much BT

0:51:21.120 --> 0:51:26.160
<v Speaker 1>back into the college hits from the streets and when

0:51:26.200 --> 0:51:29.200
<v Speaker 1>he went around in the he went to Howard and

0:51:29.200 --> 0:51:30.719
<v Speaker 1>when I went to high school, he's working the store

0:51:30.719 --> 0:51:32.880
<v Speaker 1>across street was over there, and he would entertain us.

0:51:32.920 --> 0:51:35.600
<v Speaker 1>He was funny. Yeah. Yeah, we didn't have the I

0:51:35.640 --> 0:51:37.400
<v Speaker 1>mean we had the for terms of course, but I

0:51:37.440 --> 0:51:40.080
<v Speaker 1>mean I played football, so I turned. It wasn't g

0:51:40.239 --> 0:51:42.600
<v Speaker 1>D it was it was severe play football in college. Yeah,

0:51:43.080 --> 0:51:46.359
<v Speaker 1>my first time. Yeah, I didn't wanna do that ship.

0:51:46.400 --> 0:51:51.960
<v Speaker 1>I was tired. He gave a job. Like, nigga, you

0:51:52.160 --> 0:51:54.239
<v Speaker 1>like that ship is your life, Like you were on

0:51:54.320 --> 0:51:56.520
<v Speaker 1>a football scholarship. No, no, no, I was on academic

0:51:56.560 --> 0:51:59.400
<v Speaker 1>scholarship and then I just walked on the team. And

0:51:59.520 --> 0:52:03.120
<v Speaker 1>so hey, guys, okay, yeah, yeah, that's the thing in

0:52:03.160 --> 0:52:05.160
<v Speaker 1>college football, like they don't really well, at least at

0:52:05.200 --> 0:52:08.040
<v Speaker 1>our school. You didn't really make cuts, so to speak.

0:52:08.400 --> 0:52:10.160
<v Speaker 1>So like if your grades was on point, you could

0:52:10.160 --> 0:52:12.000
<v Speaker 1>come out for the team. But by the time you

0:52:12.000 --> 0:52:17.120
<v Speaker 1>get through workouts, between injuries, between niggas, that's ineligible. Somebody

0:52:17.160 --> 0:52:19.000
<v Speaker 1>didn't got his girlfriend pregnant by the end of the

0:52:19.040 --> 0:52:23.000
<v Speaker 1>summer workouts, some space, that's who left. You can make it.

0:52:25.200 --> 0:52:27.480
<v Speaker 1>It's like it's like you made it. You on the team.

0:52:27.520 --> 0:52:29.959
<v Speaker 1>You didn't quit, you didn't you didn't flunk out whatever.

0:52:30.480 --> 0:52:32.239
<v Speaker 1>So yeah, that it was crazy. So we just call

0:52:32.400 --> 0:52:35.120
<v Speaker 1>people civilians, like if you didn't playing like when I stopped,

0:52:35.160 --> 0:52:37.680
<v Speaker 1>when I stopped playing ball, all the boys like, you're

0:52:37.680 --> 0:52:39.919
<v Speaker 1>about to go live civilian life like Seville, Like that's

0:52:40.000 --> 0:52:42.680
<v Speaker 1>what it was. So between civilian life and the AUC

0:52:42.920 --> 0:52:46.400
<v Speaker 1>and then the whole hierarchy of the Moorhouse Spellman Clark

0:52:46.440 --> 0:52:48.279
<v Speaker 1>and then at the time Morris Brown wasn't there when

0:52:48.320 --> 0:52:50.880
<v Speaker 1>you were there. I think it was on its way out. Okay,

0:52:51.000 --> 0:52:53.000
<v Speaker 1>So yeah, that was a whole. That was a thing too,

0:52:53.160 --> 0:52:54.600
<v Speaker 1>a little thing, but not as much as it was

0:52:54.719 --> 0:52:57.439
<v Speaker 1>on the movie. Because my first girlfriend went to Mars Brown.

0:52:57.640 --> 0:53:01.440
<v Speaker 1>Good for you, I jumped over freshman a year. Freshman year.

0:53:01.840 --> 0:53:05.560
<v Speaker 1>You brought her outside? What does that mean? She was

0:53:05.600 --> 0:53:11.520
<v Speaker 1>outside of What does that mean? Because I tell him

0:53:11.560 --> 0:53:14.000
<v Speaker 1>the phrase, PJ. You what you married a spellman? You know,

0:53:14.120 --> 0:53:16.960
<v Speaker 1>don't you know? The phrase you married the whole phrase?

0:53:17.080 --> 0:53:21.239
<v Speaker 1>But but basically, yeah, unfortunately, there was a hierarchy. You

0:53:21.320 --> 0:53:23.399
<v Speaker 1>married Calman girl, you cheat on her with the Clark

0:53:23.440 --> 0:53:25.120
<v Speaker 1>girl and then the Morris Brown one, you know, the

0:53:25.200 --> 0:53:38.200
<v Speaker 1>moors Browns to jump off. Yeah, wow, you brought her outside? Yeah,

0:53:40.040 --> 0:53:45.200
<v Speaker 1>I will say unfortunately to to help the stereotype, the stereotype.

0:53:45.520 --> 0:53:47.520
<v Speaker 1>She just had to come to Morris Brown for the

0:53:47.560 --> 0:53:50.320
<v Speaker 1>first semester because the spell and stuff was late, and

0:53:50.360 --> 0:53:53.080
<v Speaker 1>then she went second semester spelling. So you cheated. That

0:53:53.120 --> 0:53:55.480
<v Speaker 1>ain't a real more brown girl. Hey that I was

0:53:55.560 --> 0:53:57.800
<v Speaker 1>over there on that campus and it was like what

0:53:57.920 --> 0:54:00.920
<v Speaker 1>you're doing over you know that what I'm doing over there?

0:54:02.000 --> 0:54:04.239
<v Speaker 1>They locked the gates spellman in like eight o'clock a night.

0:54:05.400 --> 0:54:07.239
<v Speaker 1>So that's the thing. So that's the thing. So in

0:54:07.320 --> 0:54:11.759
<v Speaker 1>the black straight up, I mean, because I remember you're

0:54:11.800 --> 0:54:16.160
<v Speaker 1>in the Bible Belt. So coed visitation is like that's

0:54:16.239 --> 0:54:17.759
<v Speaker 1>like a thing. So what you would have to do,

0:54:17.960 --> 0:54:20.560
<v Speaker 1>like in our dorm in Chile, like you would have

0:54:20.680 --> 0:54:23.279
<v Speaker 1>to sign in your guests, but like niggas never wanted

0:54:23.320 --> 0:54:26.560
<v Speaker 1>to sign in because you don't want other people. Yeah,

0:54:27.080 --> 0:54:29.000
<v Speaker 1>so you could just sneak a john on the side

0:54:29.080 --> 0:54:31.239
<v Speaker 1>or whatever, like you sneak joints in. And so the

0:54:31.280 --> 0:54:33.800
<v Speaker 1>first sign like we came and we went to the

0:54:33.840 --> 0:54:36.200
<v Speaker 1>first time we parted at you and see Carolina Chapel Hill,

0:54:36.480 --> 0:54:39.080
<v Speaker 1>which is like the big white school like fifteen twenty

0:54:39.080 --> 0:54:42.279
<v Speaker 1>minutes down the road, and like we saw how they

0:54:42.400 --> 0:54:44.920
<v Speaker 1>lived over there how like it was like two girls.

0:54:45.160 --> 0:54:48.240
<v Speaker 1>It's like four girls in a suite and it's just open.

0:54:48.600 --> 0:54:53.880
<v Speaker 1>Just come. Is you different? Way different? No? No, no

0:54:54.239 --> 0:54:56.160
<v Speaker 1>she was because the thing was like she was. It

0:54:56.280 --> 0:54:58.960
<v Speaker 1>was she was black, but like she had like white

0:54:59.040 --> 0:55:02.000
<v Speaker 1>home girls and ship. But the thing was like Central.

0:55:02.160 --> 0:55:04.000
<v Speaker 1>So I guess the hierarchy, the whole hierarchy in the

0:55:04.040 --> 0:55:12.560
<v Speaker 1>triangle was, I guess you marry a duke nigga, if

0:55:13.040 --> 0:55:15.160
<v Speaker 1>you could get one, you catch you can catch your

0:55:15.200 --> 0:55:19.839
<v Speaker 1>duke because he got this white girl. If you get

0:55:19.880 --> 0:55:22.560
<v Speaker 1>your dukee nigga. But like, but like Central, we had

0:55:22.600 --> 0:55:25.600
<v Speaker 1>the reputation for just being just cool and like we

0:55:25.840 --> 0:55:28.799
<v Speaker 1>was just niggas, like just so like all the chicken

0:55:28.800 --> 0:55:30.200
<v Speaker 1>they like they used to funk with us because we

0:55:30.320 --> 0:55:33.200
<v Speaker 1>just didn't care. So we go to Carolina, like you know,

0:55:33.360 --> 0:55:35.759
<v Speaker 1>we're like many digs corny, Like we used to take

0:55:35.800 --> 0:55:41.560
<v Speaker 1>all they hold but their food in their good cafeteria. Right,

0:55:42.280 --> 0:55:46.440
<v Speaker 1>different countries, being representative ship they had when you got

0:55:46.480 --> 0:55:50.359
<v Speaker 1>to the white school. Because I have friends that went

0:55:50.400 --> 0:55:52.040
<v Speaker 1>to white had a friend and went to w and

0:55:52.200 --> 0:55:53.840
<v Speaker 1>have a friend and with the pits around in California

0:55:53.880 --> 0:55:57.160
<v Speaker 1>and that life was just like it opened my I

0:55:57.320 --> 0:55:59.320
<v Speaker 1>was like like one of my boys, Like he moved

0:55:59.400 --> 0:56:01.239
<v Speaker 1>in over the he was like living with a girl

0:56:01.320 --> 0:56:03.800
<v Speaker 1>in the house that was the dorm Aeron house. Like

0:56:03.840 --> 0:56:06.239
<v Speaker 1>he was Damn, I'm like, nigga, where you being? You

0:56:06.280 --> 0:56:13.080
<v Speaker 1>know what I manto And this is pre Instagram, pre

0:56:13.400 --> 0:56:16.520
<v Speaker 1>like fake soul. Ain't no track in your moves, man.

0:56:17.760 --> 0:56:19.600
<v Speaker 1>But I would not trade I can and I'm sure PJ.

0:56:19.640 --> 0:56:22.440
<v Speaker 1>I'm sure I would not trade my black college experience,

0:56:22.480 --> 0:56:25.520
<v Speaker 1>no way nothing. It was so good. And if you

0:56:25.640 --> 0:56:28.000
<v Speaker 1>got caught where this was the rumor, if you got

0:56:28.080 --> 0:56:31.440
<v Speaker 1>caught leaving Spellman's campus too late, they the security had

0:56:31.520 --> 0:56:35.279
<v Speaker 1>rubber bullets ship so you would have to run like

0:56:35.320 --> 0:56:38.480
<v Speaker 1>it was Vietnam duty. I never experienced it, but that

0:56:38.600 --> 0:56:40.799
<v Speaker 1>was the that was the folklore. They put them tricks

0:56:40.840 --> 0:56:46.000
<v Speaker 1>on pedestals too, but they was always falling off. Still better,

0:56:47.520 --> 0:56:52.439
<v Speaker 1>that's that's now. Benett was like that too, and well

0:56:52.800 --> 0:56:55.800
<v Speaker 1>now they've saved. Been in college in Greensboro. But I

0:56:55.840 --> 0:56:57.600
<v Speaker 1>grew up down the street from Bennett, and it was

0:56:57.640 --> 0:56:59.279
<v Speaker 1>the same thing. Like if you saw a Benet girl

0:56:59.680 --> 0:57:03.200
<v Speaker 1>the eight lots at a certain time and you gotta

0:57:03.200 --> 0:57:05.839
<v Speaker 1>get up back didn't get a clock girl any time

0:57:05.880 --> 0:57:10.400
<v Speaker 1>of the day we're here. Yeah, they like girls. Clode

0:57:10.440 --> 0:57:13.239
<v Speaker 1>girls were cool, though. I like cloth girls because they

0:57:13.320 --> 0:57:17.800
<v Speaker 1>were used to the guys being around. It wasn't too crazy.

0:57:17.840 --> 0:57:21.440
<v Speaker 1>They were always a little more chill. All right, So now,

0:57:21.560 --> 0:57:23.960
<v Speaker 1>all right, I always wanted to do this question, no,

0:57:24.200 --> 0:57:30.480
<v Speaker 1>because for from an outsider point of view, especially going

0:57:30.600 --> 0:57:33.960
<v Speaker 1>to Atlanta a lot in the nineties and which booty

0:57:34.000 --> 0:57:38.280
<v Speaker 1>clubs were, Like, yeah, you know, it was the thing

0:57:38.400 --> 0:57:41.240
<v Speaker 1>to do, but I also know that there's a certain

0:57:41.240 --> 0:57:44.480
<v Speaker 1>amount of bawling you have to do in order to

0:57:45.600 --> 0:57:53.800
<v Speaker 1>do that. But on ya, every fun out on the

0:57:53.880 --> 0:57:57.800
<v Speaker 1>college level, like how is that possible? Like house the

0:57:57.840 --> 0:58:00.600
<v Speaker 1>spelling in a different world? The rich suck a mirror,

0:58:00.680 --> 0:58:03.320
<v Speaker 1>like I transferred from Morgan State, right, I'm telling you

0:58:03.480 --> 0:58:05.080
<v Speaker 1>right now. When I walked on that campus, I was

0:58:05.160 --> 0:58:08.520
<v Speaker 1>like what fun freshmen were like BMW's and Benzses and

0:58:08.560 --> 0:58:11.360
<v Speaker 1>ship like you see, his daddy had twenty thousand people

0:58:11.400 --> 0:58:12.960
<v Speaker 1>in the congregation and he was the broke one in

0:58:13.040 --> 0:58:17.320
<v Speaker 1>the Like alright, Well, I was a musician already, so

0:58:17.400 --> 0:58:22.280
<v Speaker 1>I was working myself, so I did alright, Uh, but

0:58:23.160 --> 0:58:25.080
<v Speaker 1>but I wasn't a big on strip. So I was

0:58:25.120 --> 0:58:27.320
<v Speaker 1>trying to I was a nerd in the censeer. I

0:58:27.360 --> 0:58:30.440
<v Speaker 1>didn't mean. I'm just saying that the things that I

0:58:30.600 --> 0:58:34.440
<v Speaker 1>know Atlanta for is falsely culture is concerned. I mean

0:58:34.760 --> 0:58:38.400
<v Speaker 1>I kind of think that in order to really experience

0:58:38.840 --> 0:58:41.600
<v Speaker 1>the Atlanta that's always shown to me in TV and

0:58:41.680 --> 0:58:45.120
<v Speaker 1>movies and videos, you always gotta I'm and I'm being

0:58:45.240 --> 0:58:49.080
<v Speaker 1>very I'm trying to be those guys. You need two

0:58:49.320 --> 0:58:52.480
<v Speaker 1>d really my mind, I'm thinking, yeah, you need about

0:58:52.480 --> 0:58:56.200
<v Speaker 1>seven thousand dollars too. I don't want you to make

0:58:56.240 --> 0:59:01.760
<v Speaker 1>fun of Mese. Not a magic sitting listen. I never

0:59:01.880 --> 0:59:05.560
<v Speaker 1>had it, those dudes. That's why I should tell people, PJ,

0:59:05.720 --> 0:59:07.640
<v Speaker 1>why are you paying for dance when the dude beside

0:59:07.680 --> 0:59:09.600
<v Speaker 1>you was right there with the chick, just look like,

0:59:09.720 --> 0:59:12.680
<v Speaker 1>go ahead, man yourself. And then Atlanta at that time,

0:59:12.720 --> 0:59:15.440
<v Speaker 1>because this is when when I was there, Trip club

0:59:15.520 --> 0:59:18.800
<v Speaker 1>culture was like really starting to pop. It wasn't all

0:59:18.840 --> 0:59:21.240
<v Speaker 1>the wait at his head, but it was like really

0:59:21.280 --> 0:59:24.440
<v Speaker 1>starting to pop. And them dudes, I couldn't understand it.

0:59:24.520 --> 0:59:27.520
<v Speaker 1>They won't even be looking at the chicks like it's

0:59:27.560 --> 0:59:29.680
<v Speaker 1>a status thing. I guess, but I could never wrap

0:59:29.760 --> 0:59:31.640
<v Speaker 1>my head around it, and I'm like, I like money

0:59:31.680 --> 0:59:38.960
<v Speaker 1>too much, but they just talk throwing. I'm like, it's

0:59:39.000 --> 0:59:42.600
<v Speaker 1>it's a networking thing. Like it's almost like yeah, it's yeah,

0:59:42.760 --> 0:59:44.200
<v Speaker 1>like you don't I mean, you go for the women

0:59:44.240 --> 0:59:47.680
<v Speaker 1>are there, but it's almost they're just like decorations. But yeah, accessories.

0:59:48.160 --> 0:59:49.600
<v Speaker 1>I mean I got that when I went with my

0:59:49.720 --> 0:59:51.840
<v Speaker 1>friends and and we would just be hanging out for

0:59:51.960 --> 0:59:54.080
<v Speaker 1>birthday or something. But I don't know this dudes that

0:59:54.160 --> 0:59:56.920
<v Speaker 1>did that a lot, you know what I'm saying, And

0:59:56.960 --> 0:59:59.000
<v Speaker 1>I'm like, man, I don't have it like that the

0:59:59.120 --> 1:00:01.680
<v Speaker 1>first time. I when when like make it ring culture

1:00:01.800 --> 1:00:04.800
<v Speaker 1>is like really just starting to the point where they

1:00:04.920 --> 1:00:11.000
<v Speaker 1>keep they would keep score of I think, ah, what

1:00:11.280 --> 1:00:14.560
<v Speaker 1>is everybody in the club getting tipsy? What was right?

1:00:14.920 --> 1:00:17.360
<v Speaker 1>He was the chance like they keep a high score.

1:00:17.720 --> 1:00:21.680
<v Speaker 1>I guess the point is that who can throw. Well,

1:00:21.800 --> 1:00:25.960
<v Speaker 1>it wasn't that it was based on It was based

1:00:26.080 --> 1:00:29.840
<v Speaker 1>on when the last dollar would drop to the floor

1:00:30.360 --> 1:00:35.480
<v Speaker 1>and then they would stop the climate. Right And after

1:00:35.520 --> 1:00:37.600
<v Speaker 1>a while what's his name took me, Chris Robinson took

1:00:37.680 --> 1:00:41.240
<v Speaker 1>me and I said, yo, I said, they're not They're

1:00:41.280 --> 1:00:44.360
<v Speaker 1>not you know, he was still doing outcast videos or whatever.

1:00:44.960 --> 1:00:47.680
<v Speaker 1>But at one point I was like, wait a minute,

1:00:47.720 --> 1:00:49.360
<v Speaker 1>why do I get the feeling that they're not even

1:00:49.520 --> 1:00:52.600
<v Speaker 1>paying attention to that said, yeah, they're not, like they're

1:00:52.600 --> 1:00:56.360
<v Speaker 1>not here to trick off of the women or whatever.

1:00:56.520 --> 1:00:59.959
<v Speaker 1>They're here basically to let each other know my money

1:01:00.080 --> 1:01:03.720
<v Speaker 1>stronger than yours. At the time I was there, it

1:01:03.880 --> 1:01:06.840
<v Speaker 1>was Chuck. I guess it was a I a I

1:01:07.160 --> 1:01:11.160
<v Speaker 1>versus and I forget who. It's some football player or whatever.

1:01:12.280 --> 1:01:18.640
<v Speaker 1>There was a bank in the basement. It wasn't Magic City,

1:01:18.720 --> 1:01:21.480
<v Speaker 1>but it was like whatever is whatever it was popping

1:01:21.760 --> 1:01:26.880
<v Speaker 1>in two thousand and five. It wasn't this the other

1:01:26.920 --> 1:01:29.240
<v Speaker 1>one I remember that. I think that was the first

1:01:29.280 --> 1:01:31.400
<v Speaker 1>one I went to making certificate, getting certificates of the

1:01:31.440 --> 1:01:34.640
<v Speaker 1>posts after right, No, it was it was it was

1:01:35.280 --> 1:01:39.640
<v Speaker 1>just like players Club, like some some they gave them,

1:01:39.760 --> 1:01:42.120
<v Speaker 1>they gave them whatever, and then they came they will

1:01:42.240 --> 1:01:49.320
<v Speaker 1>back a big gass uh will barrow of like twenties here.

1:01:49.480 --> 1:01:52.320
<v Speaker 1>So here's the thing. So AI threw his his his

1:01:52.480 --> 1:01:56.960
<v Speaker 1>drawings up right and they fell down. One of those

1:01:57.040 --> 1:02:01.360
<v Speaker 1>twenties wins right between my afro pick in my afro.

1:02:03.440 --> 1:02:06.200
<v Speaker 1>I swear to God, I literally and the guy the

1:02:06.320 --> 1:02:11.560
<v Speaker 1>guards stopped me. I'll get that for you, and wow,

1:02:11.960 --> 1:02:15.680
<v Speaker 1>because that's her money, dude, b it was you know

1:02:15.760 --> 1:02:19.560
<v Speaker 1>how slippery a cheesecake factory is, like with all the

1:02:19.600 --> 1:02:24.480
<v Speaker 1>oil on the ground. Why are you laughing? Have you

1:02:24.600 --> 1:02:32.480
<v Speaker 1>ever walked in a cheesecake factory only with you? It

1:02:32.680 --> 1:02:37.040
<v Speaker 1>is noted. I think that. Look, listeners, if you listen

1:02:37.080 --> 1:02:39.440
<v Speaker 1>out there, please verify. And he gets this far in

1:02:39.600 --> 1:02:45.920
<v Speaker 1>this conversation. Deep down, I'm telling you cheesecake factories have

1:02:46.720 --> 1:02:50.920
<v Speaker 1>the slippery ist marble floor. That the collection of grease,

1:02:51.560 --> 1:02:54.400
<v Speaker 1>the collective grease on the floor. It's like ice skating.

1:02:55.080 --> 1:02:57.600
<v Speaker 1>It's like a lawsuit waiting to happen. And I'm still

1:02:57.640 --> 1:03:03.160
<v Speaker 1>going to spot I mean you godamn anyway, Yeah, you

1:03:03.240 --> 1:03:04.800
<v Speaker 1>can't get out of there with nothing less than like

1:03:04.840 --> 1:03:10.960
<v Speaker 1>two thousand colors, like like it was in the Eat

1:03:11.040 --> 1:03:13.800
<v Speaker 1>this dot net Eat This not that book and like

1:03:14.400 --> 1:03:16.880
<v Speaker 1>I bought and they were just like basically like never

1:03:16.960 --> 1:03:19.840
<v Speaker 1>eat here. Yeah. They was like, yo, this is a

1:03:20.480 --> 1:03:24.840
<v Speaker 1>never and she can't get to it because after you finished,

1:03:25.040 --> 1:03:29.080
<v Speaker 1>you're done. Yeah, the portion size is a huge, But

1:03:29.200 --> 1:03:32.760
<v Speaker 1>the point my point was that My point was that

1:03:34.280 --> 1:03:38.320
<v Speaker 1>a half hour after making it rain. It's just literally

1:03:38.680 --> 1:03:43.000
<v Speaker 1>just twenties on the ground and um. But then just

1:03:43.160 --> 1:03:45.920
<v Speaker 1>like the Players Club movie, like someone presses a green

1:03:46.000 --> 1:03:48.479
<v Speaker 1>button and then all of a sudden, like twenty people

1:03:48.520 --> 1:03:52.920
<v Speaker 1>coming out with with uh brooms and dust pans and

1:03:54.080 --> 1:03:56.640
<v Speaker 1>garbage bags and put the money inside. So then how

1:03:56.720 --> 1:03:59.920
<v Speaker 1>do they so, how did they determine who gets the twenties?

1:04:00.120 --> 1:04:03.720
<v Speaker 1>Like how it's a trust system. There's one club that

1:04:03.840 --> 1:04:08.520
<v Speaker 1>I know of in which the owner actually pays them.

1:04:09.440 --> 1:04:14.600
<v Speaker 1>I think their system is more like a like a contractor. Yeah, yeah,

1:04:14.760 --> 1:04:19.200
<v Speaker 1>it's a contracted thing. Um, and there's a pre arranged

1:04:19.240 --> 1:04:23.360
<v Speaker 1>thing so like none of the tips have a minimum. Yeah,

1:04:23.760 --> 1:04:29.440
<v Speaker 1>so wow, that was a major rabbit might be the

1:04:29.480 --> 1:04:37.520
<v Speaker 1>most random rabbit hole of history. Slippery cheesecake back. I

1:04:37.560 --> 1:04:39.160
<v Speaker 1>looked that up on Google and a lot of people

1:04:39.200 --> 1:04:42.920
<v Speaker 1>ask the same question about the floor. It is noted

1:04:43.400 --> 1:04:48.520
<v Speaker 1>that Cheesecake Factory has the slipperyest floor ever. Yeah, like

1:04:48.640 --> 1:04:50.919
<v Speaker 1>I would you could if you really want to take

1:04:50.960 --> 1:04:53.400
<v Speaker 1>off a petty lawsuit. How do you know what I

1:04:53.520 --> 1:05:01.320
<v Speaker 1>was thinking about doing this weekend? Oh wait, we're recording this.

1:05:01.560 --> 1:05:11.120
<v Speaker 1>Damn my back? Wait, damn, this is even fundamental do

1:05:11.200 --> 1:05:16.280
<v Speaker 1>you have any siblings? Are you the only Yeah, we

1:05:16.400 --> 1:05:19.240
<v Speaker 1>put you in college in the strip club. I got

1:05:19.320 --> 1:05:22.720
<v Speaker 1>two sisters, older and younger in the middle only boy,

1:05:23.160 --> 1:05:26.160
<v Speaker 1>are they in the arts at all? Or? Um? My

1:05:26.440 --> 1:05:29.400
<v Speaker 1>oldest sister is a singer. Well, she doesn't really sing

1:05:29.520 --> 1:05:32.880
<v Speaker 1>that much anymore, but she's she can sing. My younger

1:05:32.960 --> 1:05:37.000
<v Speaker 1>sister is like a dope graphic artist. Actually, okay, okay now,

1:05:37.640 --> 1:05:39.920
<v Speaker 1>And no one else in your family's musically inclined and

1:05:40.480 --> 1:05:44.320
<v Speaker 1>no I mean my dad, yeah, my uncle. Um, did

1:05:44.360 --> 1:05:50.160
<v Speaker 1>your wife sing? She's a hair stylist. Yeah. Not. I

1:05:50.320 --> 1:05:59.560
<v Speaker 1>used to date musicians all the time, like singers. I'm like,

1:05:59.640 --> 1:06:02.240
<v Speaker 1>I want you to understand it, but I don't. I

1:06:02.240 --> 1:06:03.800
<v Speaker 1>don't want you to be in it. That's a no. No.

1:06:04.080 --> 1:06:05.720
<v Speaker 1>That means y'all all know how difficult it is to

1:06:05.800 --> 1:06:09.080
<v Speaker 1>date yourself. Absolutely, Yeah, you can't. That's why I don't

1:06:09.920 --> 1:06:12.120
<v Speaker 1>know for real. Yeah, there's there's only one Mike in

1:06:12.200 --> 1:06:29.800
<v Speaker 1>this house. Actually, they're yeah, what'slow superior and not be appropriate? Yeah,

1:06:30.000 --> 1:06:32.360
<v Speaker 1>the artist artist relationship, that ship is not not. Yeah,

1:06:32.360 --> 1:06:36.440
<v Speaker 1>I mean it's good theory when you think theory, has

1:06:36.480 --> 1:06:45.120
<v Speaker 1>it ever worked? Beyonce? You know I said you was

1:06:45.160 --> 1:06:46.920
<v Speaker 1>going down, just like the elema I got you, I

1:06:47.000 --> 1:06:50.560
<v Speaker 1>got your artist artist relationship? What uh do Angela and

1:06:50.640 --> 1:06:56.080
<v Speaker 1>Courtney Beans? Yeah that counts. And I'm saying I believe that.

1:06:57.560 --> 1:07:03.160
<v Speaker 1>I feel like musicians are a different level of thinking.

1:07:03.440 --> 1:07:07.600
<v Speaker 1>If you knew how before he was famous, of any

1:07:07.760 --> 1:07:12.120
<v Speaker 1>I think actors can do it. But hmmm, because even

1:07:12.280 --> 1:07:14.400
<v Speaker 1>when like people are like, hey man, why don't you

1:07:14.480 --> 1:07:16.520
<v Speaker 1>take no no no, no no no, and I know

1:07:16.680 --> 1:07:22.040
<v Speaker 1>how crazy no no no, no, no no no, yeah,

1:07:22.120 --> 1:07:26.000
<v Speaker 1>all the people that people imagine me getting paired up with,

1:07:26.800 --> 1:07:31.880
<v Speaker 1>it's just it's you know, a matter of fact, weren't

1:07:31.880 --> 1:07:35.880
<v Speaker 1>you with me? Uh? Did you go to the Rock

1:07:35.960 --> 1:07:40.919
<v Speaker 1>and Roll Hall of Fame? Uh? With us? The year

1:07:41.840 --> 1:07:44.120
<v Speaker 1>I don't know if I inducted Hall of Notes. Maybe

1:07:44.120 --> 1:07:47.480
<v Speaker 1>it was the year after, remember n w A got

1:07:47.840 --> 1:07:52.960
<v Speaker 1>uh inducted in Chicago. Yeah, but there was there was

1:07:53.040 --> 1:07:56.800
<v Speaker 1>a there was an incident, a meltdown incident with a

1:07:57.640 --> 1:07:59.840
<v Speaker 1>well done. If you ain't gonna give us no names,

1:07:59.840 --> 1:08:01.520
<v Speaker 1>don't we tell him us no story? Come on now

1:08:01.560 --> 1:08:04.000
<v Speaker 1>and give us us. Let him finish what he's saying.

1:08:04.040 --> 1:08:06.680
<v Speaker 1>They maybe we can figure it out anyway. So p

1:08:06.880 --> 1:08:12.479
<v Speaker 1>J No, I'm world famous for not dropping. That makes

1:08:12.720 --> 1:08:18.439
<v Speaker 1>Fonte angry. I'm gonna figure out because Hall of Fame

1:08:18.479 --> 1:08:20.360
<v Speaker 1>that night and I can't remember. I'm sorry. No, no, no,

1:08:20.560 --> 1:08:24.519
<v Speaker 1>she was. I mean she was my date. But it's weird.

1:08:24.640 --> 1:08:26.560
<v Speaker 1>I was too busy trip. I was sitting next to

1:08:26.640 --> 1:08:31.760
<v Speaker 1>David Burns. You were there with I was at that table, right, Yeah,

1:08:31.920 --> 1:08:34.479
<v Speaker 1>they got inducted a year because I was cracking up

1:08:34.479 --> 1:08:37.240
<v Speaker 1>because it was nine eleven, like nine eleven when they

1:08:37.360 --> 1:08:41.800
<v Speaker 1>when they got inducted. What year? Who was was Bonnie

1:08:41.920 --> 1:08:43.840
<v Speaker 1>right there at all? That night? I don't think so.

1:08:43.920 --> 1:08:46.080
<v Speaker 1>Steve Miller was there, Okay, okay, okay, No, this is

1:08:46.120 --> 1:08:50.240
<v Speaker 1>the night where uh Linda ron Stat and the Eas

1:08:50.240 --> 1:08:52.720
<v Speaker 1>Street Band was. I wasn't there that so maybe that's

1:08:52.760 --> 1:08:58.320
<v Speaker 1>the year before. Yeah, I was seeing someone notable in

1:08:58.840 --> 1:09:03.160
<v Speaker 1>R and b uh during this time period of genre

1:09:04.120 --> 1:09:12.400
<v Speaker 1>we're near right now. She she was known, she was known.

1:09:13.240 --> 1:09:16.400
<v Speaker 1>She you know, she she had love one. She she

1:09:16.560 --> 1:09:18.960
<v Speaker 1>might have one of the six in park Love you know,

1:09:19.240 --> 1:09:31.240
<v Speaker 1>okay of that, um n. Yeah. But it was just

1:09:31.360 --> 1:09:36.320
<v Speaker 1>weird because in that particular environment, which you know, the

1:09:36.400 --> 1:09:39.640
<v Speaker 1>Rock and Roll Hall of Fame is is uh you know,

1:09:40.400 --> 1:09:43.720
<v Speaker 1>presented by Rolling Stone magazine and the kind of old

1:09:43.800 --> 1:09:47.920
<v Speaker 1>boy network. Okay, yes that means you mean white people

1:09:47.960 --> 1:09:53.320
<v Speaker 1>with mirror Yes, exactly why people? Right, So it wasn't

1:09:54.080 --> 1:09:57.719
<v Speaker 1>she wasn't that known to them, and so it didn't

1:09:57.720 --> 1:09:59.920
<v Speaker 1>make a difference. But then I've been in situation was

1:10:00.000 --> 1:10:01.960
<v Speaker 1>with her where it's like, but we would know how

1:10:02.120 --> 1:10:04.280
<v Speaker 1>she has way more followers than I do. Yeah, and

1:10:04.400 --> 1:10:08.000
<v Speaker 1>so um yeah, that that night was really weird with

1:10:08.080 --> 1:10:10.840
<v Speaker 1>the red carpet thing, because you know, I felt like, well,

1:10:11.880 --> 1:10:14.360
<v Speaker 1>you could take photos on your own red carpet, huh.

1:10:14.520 --> 1:10:21.920
<v Speaker 1>But because let's see what Getty talking about. There isn't

1:10:22.360 --> 1:10:25.960
<v Speaker 1>photos of us together because Getty got it, get it,

1:10:26.120 --> 1:10:27.519
<v Speaker 1>get it. Might be it might be out of the

1:10:27.600 --> 1:10:30.840
<v Speaker 1>let me see what I am is talking about. Really, guys, Okay,

1:10:31.920 --> 1:10:36.000
<v Speaker 1>just helped though. It's probably if there's some random R

1:10:36.080 --> 1:10:38.360
<v Speaker 1>and B that wasn't supposed to be at this all

1:10:38.439 --> 1:10:41.280
<v Speaker 1>that it's supposed to be. It's just that not less

1:10:41.400 --> 1:10:44.719
<v Speaker 1>like that wasn't her scene necessary? Right, That wasn't her scene,

1:10:44.760 --> 1:10:47.640
<v Speaker 1>and I think she wasn't used to it would be

1:10:47.760 --> 1:10:51.960
<v Speaker 1>that I'm really like to shanty, but I'm just saying

1:10:52.920 --> 1:10:55.840
<v Speaker 1>that I missed it. I'm missed it. I missed it.

1:10:56.120 --> 1:11:01.360
<v Speaker 1>I had to be quick. Um no, no, she's on me.

1:11:01.560 --> 1:11:13.799
<v Speaker 1>But I'm just saying that. But did she miss that? Anyway?

1:11:13.960 --> 1:11:20.639
<v Speaker 1>My point, my point is that because of this environment,

1:11:20.720 --> 1:11:23.800
<v Speaker 1>this person wasn't that known. It was a little problematic,

1:11:24.479 --> 1:11:27.639
<v Speaker 1>and um, for that person, it's a problemating the people

1:11:27.640 --> 1:11:29.880
<v Speaker 1>don't know who that person was. For her, well, you

1:11:30.000 --> 1:11:33.960
<v Speaker 1>know it's it's it's an ego blow. It's an ego blow,

1:11:34.240 --> 1:11:37.360
<v Speaker 1>and so it comes out in other ways. And you know,

1:11:37.680 --> 1:11:39.120
<v Speaker 1>I'm just waiting the next year. You tell us you

1:11:39.200 --> 1:11:48.360
<v Speaker 1>at Chef's house with lam. Where are you trying to say? Teams? Yeah,

1:11:48.520 --> 1:11:55.920
<v Speaker 1>I think she really really, I don't know. Are you

1:11:55.960 --> 1:11:57.600
<v Speaker 1>trying to start rumors? No, no, I wasn't. I just

1:11:58.200 --> 1:11:59.800
<v Speaker 1>you just check it on Google see if there's anything

1:11:59.800 --> 1:12:04.880
<v Speaker 1>first before you start putting stuff out on it. So

1:12:04.920 --> 1:12:07.080
<v Speaker 1>that's a compliment. I know nothing about her other than

1:12:07.200 --> 1:12:11.320
<v Speaker 1>just that song. So I just don't even know. The

1:12:11.360 --> 1:12:13.960
<v Speaker 1>song sounds just like the other one testing trying with it,

1:12:14.000 --> 1:12:25.639
<v Speaker 1>called to testify, bowed back up. I'm bowed up again? Okay,

1:12:25.640 --> 1:12:30.519
<v Speaker 1>so joy, Yeah, yeah, so I was creous. So did

1:12:30.600 --> 1:12:34.400
<v Speaker 1>you learn to play? Were you formally trained just by ear. No,

1:12:34.560 --> 1:12:38.680
<v Speaker 1>it's all ear. Yeah. And my mom was from the

1:12:38.760 --> 1:12:40.920
<v Speaker 1>old school and really wanted me to learn how to play,

1:12:41.520 --> 1:12:43.720
<v Speaker 1>and you know I wanted to, but I was like

1:12:43.800 --> 1:12:47.640
<v Speaker 1>playing stuff on the radio and TV show things and

1:12:49.120 --> 1:12:51.280
<v Speaker 1>that after that is when she put me in lessons.

1:12:51.320 --> 1:12:53.760
<v Speaker 1>And then I went back to and I was like,

1:12:54.280 --> 1:12:56.720
<v Speaker 1>I can't so what was the first thing to discipline?

1:12:56.920 --> 1:13:00.840
<v Speaker 1>Where's the first song you learned? Uh? I thought it

1:13:00.920 --> 1:13:02.880
<v Speaker 1>was something I wrote. Then I realized it was something

1:13:02.960 --> 1:13:06.360
<v Speaker 1>that existed already. Yeah, I used to play this this

1:13:06.520 --> 1:13:09.000
<v Speaker 1>thing and see I don't know what it's called, but um,

1:13:09.400 --> 1:13:14.840
<v Speaker 1>like the first song I can really remember. Um maybe

1:13:14.960 --> 1:13:18.439
<v Speaker 1>like like those were the days like all in the family,

1:13:18.840 --> 1:13:25.439
<v Speaker 1>which but yeah, like real songs. So I used to

1:13:25.520 --> 1:13:30.120
<v Speaker 1>play little things, you know, uh, little like pieces of things,

1:13:30.600 --> 1:13:32.880
<v Speaker 1>but I don't know if they were actually songs because

1:13:33.080 --> 1:13:35.559
<v Speaker 1>so in church, you know, with the talking music and stuff, right,

1:13:35.640 --> 1:13:38.960
<v Speaker 1>like like the guys sitting on the organ plane. Yeah,

1:13:39.400 --> 1:13:42.040
<v Speaker 1>I was playing person in the entire church. That was

1:13:42.080 --> 1:13:44.960
<v Speaker 1>my favorite person in Yeah, so I would learn things

1:13:45.080 --> 1:13:49.679
<v Speaker 1>that weren't actually songs, but they would just pieces. Yeah.

1:13:49.960 --> 1:13:51.400
<v Speaker 1>I remember people used to walk up to me, like

1:13:51.479 --> 1:13:53.080
<v Speaker 1>what you're playing and I'm like, I don't know, I

1:13:53.200 --> 1:13:57.280
<v Speaker 1>just I just playing it. Yeah yeah, but All in

1:13:57.360 --> 1:14:00.320
<v Speaker 1>the Family was one like and well, that's watching the

1:14:00.560 --> 1:14:04.880
<v Speaker 1>end credits or the beginning ones, because oh yeah, because

1:14:04.920 --> 1:14:09.439
<v Speaker 1>again the end credits or we learned that all that family. No, no,

1:14:09.600 --> 1:14:12.439
<v Speaker 1>at the end, you're talking about what's happened. That's what's happening. No, no, no,

1:14:13.280 --> 1:14:17.160
<v Speaker 1>at the end of at the end of talking about

1:14:17.160 --> 1:14:21.040
<v Speaker 1>the beginning right, right, So at the end of All

1:14:21.080 --> 1:14:22.720
<v Speaker 1>the Family, when the credits are growing up, it's more

1:14:22.760 --> 1:14:24.960
<v Speaker 1>of a Dixie Land. Okay, No, I didn't know. I didn't.

1:14:25.240 --> 1:14:30.400
<v Speaker 1>I didn't play that parts. You know, it's still the

1:14:30.520 --> 1:14:37.800
<v Speaker 1>same it's it's still the same field, right, but it's

1:14:38.200 --> 1:14:41.599
<v Speaker 1>piano in the Wait a minute, me and light ye

1:14:41.600 --> 1:14:44.080
<v Speaker 1>are the only ones that recognize all the families. The

1:14:44.160 --> 1:14:48.559
<v Speaker 1>other things I wasn't really annoying. What what you mean

1:14:48.640 --> 1:14:53.880
<v Speaker 1>that I wasn't I watched. I wasn't watching. I wasn't

1:14:53.880 --> 1:14:55.720
<v Speaker 1>allowed to watch All the Family. But I still know

1:14:56.000 --> 1:14:57.880
<v Speaker 1>that that part was. I mean, I know the theme song,

1:14:57.960 --> 1:15:00.800
<v Speaker 1>those were the days, you know. I'm knew that. I

1:15:00.840 --> 1:15:02.760
<v Speaker 1>don't know if I really watched it like, I don't know,

1:15:03.280 --> 1:15:07.640
<v Speaker 1>because I was later on exactly that she would come

1:15:07.680 --> 1:15:09.840
<v Speaker 1>on like, well, we're watching it. Yeah someth maybe I

1:15:09.960 --> 1:15:12.040
<v Speaker 1>heard that first ever get it just like it was

1:15:12.080 --> 1:15:20.120
<v Speaker 1>time to go to bed with Masha the Mash want

1:15:20.160 --> 1:15:22.720
<v Speaker 1>to tend. I don't know, I don't know. I know

1:15:22.800 --> 1:15:28.000
<v Speaker 1>it was dead when I came on. Yeah, but I

1:15:28.360 --> 1:15:32.960
<v Speaker 1>was watching addicted to it in syndication. Used to always

1:15:33.000 --> 1:15:35.720
<v Speaker 1>come on at ten o'clock. Yeah, it was time to go. Yeah,

1:15:35.760 --> 1:15:38.960
<v Speaker 1>I was gonna say that. Yeah, I only know mash

1:15:39.000 --> 1:15:44.760
<v Speaker 1>Fords theme and it's in credit. Yeah, exactly, brought to

1:15:44.800 --> 1:15:49.519
<v Speaker 1>you by you know, like but literally never seemed Mash

1:15:49.600 --> 1:15:51.920
<v Speaker 1>and always wanted to know what made it so great. No,

1:15:52.080 --> 1:15:53.840
<v Speaker 1>I never watched that show either. I wasn't a lave

1:15:53.880 --> 1:15:56.519
<v Speaker 1>in the seventies doing a fet not more so be

1:15:56.600 --> 1:15:58.040
<v Speaker 1>able to really give you a good answer for that

1:15:58.280 --> 1:16:01.439
<v Speaker 1>not relevant content. So what is your what is what

1:16:01.640 --> 1:16:07.400
<v Speaker 1>is your your your practice riche or your creative rituals? Like, um,

1:16:09.080 --> 1:16:11.439
<v Speaker 1>I'm sure, I'm sure it's more than just learning TV

1:16:11.600 --> 1:16:15.559
<v Speaker 1>themes and you know what, I used to ask people

1:16:15.640 --> 1:16:18.040
<v Speaker 1>how to practice. Okay, So since I didn't know that,

1:16:18.200 --> 1:16:22.720
<v Speaker 1>since I didn't learn formally. Um My, my practice was

1:16:22.920 --> 1:16:25.879
<v Speaker 1>playing what I knew right until I made a mistake.

1:16:26.479 --> 1:16:28.840
<v Speaker 1>And a lot of times my mistakes would lead me

1:16:28.960 --> 1:16:32.400
<v Speaker 1>to like whatever the next thing is, and I'm like, oh,

1:16:32.520 --> 1:16:35.640
<v Speaker 1>that's how they played that. But I didn't have a

1:16:35.840 --> 1:16:38.880
<v Speaker 1>practice regiment, and I was playing so much because you

1:16:38.960 --> 1:16:42.760
<v Speaker 1>had you know, you had Sunday and then you had

1:16:43.040 --> 1:16:45.680
<v Speaker 1>like rehearsal on Tuesday, and then you had like mid

1:16:45.800 --> 1:16:49.400
<v Speaker 1>day on Wednesday. So I felt like I was that

1:16:49.600 --> 1:16:52.679
<v Speaker 1>was more of my practice was like on the while

1:16:52.760 --> 1:16:55.120
<v Speaker 1>I was playing with my friends, as opposed to I

1:16:55.200 --> 1:16:59.200
<v Speaker 1>didn't know how to practice, which sounds weird. Are you

1:16:59.280 --> 1:17:02.880
<v Speaker 1>the first I mean winner that I didn't have that

1:17:03.360 --> 1:17:05.720
<v Speaker 1>You weren't under the tutelage or the thumb of a

1:17:05.880 --> 1:17:11.920
<v Speaker 1>drill sergeant Joe Jackson esque figure. No, like doesn't mean

1:17:12.360 --> 1:17:15.080
<v Speaker 1>my dad. My dad knew how to play like one

1:17:15.160 --> 1:17:18.080
<v Speaker 1>thing really well, and I thought he could really play

1:17:18.280 --> 1:17:20.320
<v Speaker 1>when I before I could play, and I'm like, man,

1:17:20.400 --> 1:17:22.599
<v Speaker 1>show me that, and I started to pass him up.

1:17:22.800 --> 1:17:24.439
<v Speaker 1>He was like, you don't want to learn from me.

1:17:24.479 --> 1:17:28.479
<v Speaker 1>So I didn't have anybody who was like I really

1:17:28.880 --> 1:17:31.600
<v Speaker 1>just wanted to do it, you know, So nobody had

1:17:31.640 --> 1:17:33.880
<v Speaker 1>to push me. Once I got out of lessons, Once

1:17:33.920 --> 1:17:36.720
<v Speaker 1>I got out of like somebody trying to teach me

1:17:36.760 --> 1:17:39.439
<v Speaker 1>how to play, it just was my That was That

1:17:39.560 --> 1:17:42.920
<v Speaker 1>became my basketball once I stop growing. Yo, I gotta

1:17:43.000 --> 1:17:45.000
<v Speaker 1>know what your dad said the day you told him

1:17:45.000 --> 1:17:47.160
<v Speaker 1>you got the MA Room five job, because I feel

1:17:47.200 --> 1:17:48.519
<v Speaker 1>like he was like, huh, well, I don't know if

1:17:48.600 --> 1:17:51.800
<v Speaker 1>my dad knew who He didn't at what point did

1:17:51.840 --> 1:17:53.880
<v Speaker 1>he feel? At what point did he know? And then

1:17:54.000 --> 1:17:55.519
<v Speaker 1>was like, oh, I guess this is probably one of

1:17:55.560 --> 1:17:58.320
<v Speaker 1>those war shows. He's like, boy, you been all right? Boy,

1:17:59.320 --> 1:18:01.000
<v Speaker 1>see you up there. I saw you on that go

1:18:01.800 --> 1:18:04.000
<v Speaker 1>probably the Grammys or something. You know. I was playing.

1:18:04.080 --> 1:18:06.040
<v Speaker 1>We played my first year. I think we did like

1:18:06.080 --> 1:18:09.360
<v Speaker 1>a Beach Boys tribute, and he and my dad probably

1:18:11.439 --> 1:18:14.240
<v Speaker 1>deal how did that come about? How did you come

1:18:14.280 --> 1:18:16.439
<v Speaker 1>and get into the band? So that that is quest

1:18:16.479 --> 1:18:22.880
<v Speaker 1>that was basically, um, um, thank you. They were looking

1:18:22.960 --> 1:18:25.880
<v Speaker 1>for a keyboard well, unbeknowns to me at that time too,

1:18:26.160 --> 1:18:30.000
<v Speaker 1>the original keyboard player was planning on leaving the band,

1:18:30.680 --> 1:18:33.479
<v Speaker 1>but I didn't know that. I think they kind of

1:18:33.560 --> 1:18:36.280
<v Speaker 1>had conversations about it, which is how I was able

1:18:36.320 --> 1:18:40.439
<v Speaker 1>to come in because after Matt like the drummer, and

1:18:40.479 --> 1:18:42.360
<v Speaker 1>said he was like, man, we didn't want another player,

1:18:42.520 --> 1:18:44.200
<v Speaker 1>like we didn't want anybody else in the band. This

1:18:44.320 --> 1:18:47.639
<v Speaker 1>was kind of Jesse's idea in a way. Um um,

1:18:47.880 --> 1:18:50.000
<v Speaker 1>and shout out to Jesse, because he just he's the

1:18:50.040 --> 1:18:53.840
<v Speaker 1>most loving person, like he wanted another keyboard player with him, right,

1:18:53.960 --> 1:18:58.519
<v Speaker 1>So the first two years, Um, well, so they called

1:18:58.680 --> 1:19:01.040
<v Speaker 1>you and you couldn't do it because you just got foulon.

1:19:01.120 --> 1:19:04.800
<v Speaker 1>This was almost nine years ago, and black Stone came

1:19:04.840 --> 1:19:07.280
<v Speaker 1>in and they asked him if he knew anybody who

1:19:07.320 --> 1:19:11.040
<v Speaker 1>could play and sing, and so black called me. I

1:19:11.160 --> 1:19:12.920
<v Speaker 1>canceled the rest of my tour. I had like three

1:19:13.000 --> 1:19:15.240
<v Speaker 1>days left on my tour. I'm like I was tired anyway,

1:19:15.240 --> 1:19:18.120
<v Speaker 1>because I was just on that same little little carousel.

1:19:18.600 --> 1:19:21.160
<v Speaker 1>I went to l a audition for them. It was

1:19:21.240 --> 1:19:25.040
<v Speaker 1>my first audition in life, you know, um, And it

1:19:25.200 --> 1:19:27.320
<v Speaker 1>was their first audition, like they had been a band

1:19:27.360 --> 1:19:30.320
<v Speaker 1>since eighth grade. So they brought me in the first day.

1:19:30.360 --> 1:19:32.800
<v Speaker 1>I auditioned first, and I could just feel like maybe

1:19:32.880 --> 1:19:35.800
<v Speaker 1>it was my ignorance of not auditioning before, but they

1:19:35.840 --> 1:19:37.760
<v Speaker 1>just want me to learn. Sunday morning, I played that

1:19:38.200 --> 1:19:39.439
<v Speaker 1>and they were like, well, what else you know? And

1:19:39.439 --> 1:19:40.720
<v Speaker 1>I was like, I know a little bit of what.

1:19:40.920 --> 1:19:43.280
<v Speaker 1>So we started just jamming and it started to feel

1:19:43.360 --> 1:19:47.040
<v Speaker 1>more like friends. I could tell they were the cats.

1:19:47.120 --> 1:19:49.599
<v Speaker 1>They were one of the guys you know. And um,

1:19:49.720 --> 1:19:53.439
<v Speaker 1>so they had another guy there waiting and they were like,

1:19:53.520 --> 1:19:55.519
<v Speaker 1>we knew already, but they just let him audition. And

1:19:55.560 --> 1:19:57.879
<v Speaker 1>they had a second day of auditions that they just canceled,

1:19:58.360 --> 1:20:00.680
<v Speaker 1>and I was they told me the next day and

1:20:00.760 --> 1:20:02.760
<v Speaker 1>that the rest was history. And I guess that next

1:20:02.800 --> 1:20:04.960
<v Speaker 1>week is probably when you came in and we actually

1:20:04.960 --> 1:20:08.680
<v Speaker 1>started rehearsals, and um, what album was that you came

1:20:08.720 --> 1:20:11.160
<v Speaker 1>in on? So they just had finished this album hands

1:20:11.200 --> 1:20:16.640
<v Speaker 1>all over. Um so just before his Boy and this

1:20:16.800 --> 1:20:19.360
<v Speaker 1>is before moves like Jack. We always call it post

1:20:19.479 --> 1:20:22.120
<v Speaker 1>moves like jaggering and pre moves like jagging. So was

1:20:22.200 --> 1:20:24.479
<v Speaker 1>that was that the records? I mean, I know, but

1:20:24.520 --> 1:20:26.800
<v Speaker 1>I don't know, like that was moved like Jack of

1:20:26.840 --> 1:20:29.760
<v Speaker 1>the one that really kind of took them to the other. Yea.

1:20:33.000 --> 1:20:36.439
<v Speaker 1>So they had this love and she will be loved.

1:20:36.880 --> 1:20:39.160
<v Speaker 1>That was they were big, right, and then there was

1:20:39.360 --> 1:20:42.880
<v Speaker 1>like a plateau kind of period. Uh, it was when

1:20:42.920 --> 1:20:46.639
<v Speaker 1>I came in. I felt like Billy Preston coming in. Yeah.

1:20:47.040 --> 1:20:51.320
<v Speaker 1>And and but then we toured that album hands all Over,

1:20:51.439 --> 1:20:53.640
<v Speaker 1>which was kind of first record that they did the

1:20:53.760 --> 1:20:56.599
<v Speaker 1>same way, all writing in the room together and um.

1:20:57.120 --> 1:21:00.200
<v Speaker 1>And then I remember when the voice call came man

1:21:01.000 --> 1:21:02.840
<v Speaker 1>and this song moves like Jagger, and it was kind

1:21:02.880 --> 1:21:06.000
<v Speaker 1>of a you know, kind of a conscious effort like

1:21:06.040 --> 1:21:08.639
<v Speaker 1>all right, do we want to you know, be big

1:21:09.040 --> 1:21:11.000
<v Speaker 1>just here or do we want to be big big?

1:21:11.160 --> 1:21:12.880
<v Speaker 1>You know? And I think I think it was a

1:21:12.920 --> 1:21:15.680
<v Speaker 1>conscious effort to like turn a corner. And that's when

1:21:15.720 --> 1:21:18.680
<v Speaker 1>moves like Jagger came in. And and then we did

1:21:18.880 --> 1:21:21.240
<v Speaker 1>Overexposed and that was pay phone and it was like

1:21:21.320 --> 1:21:27.280
<v Speaker 1>five number ones in a row usually uh are or

1:21:27.880 --> 1:21:32.320
<v Speaker 1>was Maroon five? Ambracive of these new shoes that they

1:21:32.360 --> 1:21:35.720
<v Speaker 1>were about to wear, because usually if you get hits

1:21:35.800 --> 1:21:40.800
<v Speaker 1>that easy and that I guess palatable to to America's

1:21:41.600 --> 1:21:44.000
<v Speaker 1>ears or whatnot, a lot of times out of ten

1:21:44.120 --> 1:21:47.280
<v Speaker 1>people will shy away from that. You know. I've seen

1:21:48.080 --> 1:21:52.320
<v Speaker 1>I've seen about ten artists have something so captain obvious

1:21:52.479 --> 1:21:54.519
<v Speaker 1>that it's just like this is gonna be it for them,

1:21:54.640 --> 1:21:57.320
<v Speaker 1>and I'll find that they will figure out a way

1:21:57.439 --> 1:22:02.800
<v Speaker 1>to get out of that situation. But with these guys,

1:22:03.800 --> 1:22:10.000
<v Speaker 1>especially once um overexposed happens and stuff like h like,

1:22:10.200 --> 1:22:13.000
<v Speaker 1>was it even hesitgency? Like what was the feelings of, Okay, well,

1:22:13.400 --> 1:22:15.720
<v Speaker 1>I'm gonna do this reality show and this month? I

1:22:15.800 --> 1:22:19.160
<v Speaker 1>think there was there. It was hesitant initially just for

1:22:19.280 --> 1:22:23.320
<v Speaker 1>the show, right, just because at that time, I guess

1:22:23.800 --> 1:22:27.080
<v Speaker 1>moves like I mean, the voice was like a Dutch

1:22:27.160 --> 1:22:29.360
<v Speaker 1>show or something like that, right, and it it had

1:22:29.400 --> 1:22:31.880
<v Speaker 1>been kind of successful, but nobody knew what it was

1:22:31.880 --> 1:22:34.120
<v Speaker 1>gonna be here in the States, so they were like, man,

1:22:34.240 --> 1:22:36.880
<v Speaker 1>reality TV, you know, we're a band, blah blah blah.

1:22:37.320 --> 1:22:39.680
<v Speaker 1>We don't know. And then that ended up being like

1:22:39.800 --> 1:22:42.200
<v Speaker 1>a huge blessing for us, like we premiered every single

1:22:42.320 --> 1:22:45.000
<v Speaker 1>on there that went number one. You know what I'm saying,

1:22:45.360 --> 1:22:49.559
<v Speaker 1>I got more out well straight up, I always say

1:22:49.600 --> 1:22:57.920
<v Speaker 1>that the coaches are the winners. Yeah, yeah, who's the

1:22:58.920 --> 1:23:04.120
<v Speaker 1>Kelly Clarkson of a voice? Who's the It was your

1:23:04.160 --> 1:23:07.200
<v Speaker 1>boy Noel what's his name? That peach back And he

1:23:07.280 --> 1:23:09.519
<v Speaker 1>came one like the second year Adam. He was one

1:23:09.520 --> 1:23:12.160
<v Speaker 1>of Adam's winners. But he actually had a record out

1:23:12.200 --> 1:23:14.040
<v Speaker 1>like ten years before the Africa. I know you're talking

1:23:14.040 --> 1:23:19.960
<v Speaker 1>about you can Eat for Hours. Yeah, yeah, he won

1:23:20.040 --> 1:23:26.960
<v Speaker 1>the voice like second year, I think, yeah, because yeah,

1:23:27.000 --> 1:23:29.320
<v Speaker 1>see one, but I know you're talking about but not

1:23:29.760 --> 1:23:32.920
<v Speaker 1>Navier had a record out before. Yeah, Okay, I'm gonna

1:23:32.920 --> 1:23:35.640
<v Speaker 1>figure it out. I didn't know it because I know

1:23:35.800 --> 1:23:41.559
<v Speaker 1>that the Peach for Hour dude toward with Us he was, Yeah,

1:23:41.560 --> 1:23:46.120
<v Speaker 1>it was on Raucus Smokey Robinson. Yeah yeah, yeah, yeah,

1:23:46.120 --> 1:23:50.040
<v Speaker 1>but I think, um, at least I mean for for

1:23:50.960 --> 1:23:55.040
<v Speaker 1>Adam and Blake, it really like put it put a

1:23:55.240 --> 1:23:57.560
<v Speaker 1>you know, a battery in our backs and like the

1:23:57.640 --> 1:23:59.840
<v Speaker 1>only reason why I know who Blake shot us. Yeah.

1:23:59.880 --> 1:24:03.240
<v Speaker 1>I remember Adam saying who was going to be on

1:24:03.320 --> 1:24:06.400
<v Speaker 1>the show that first season with c Christina, him and Blake.

1:24:06.920 --> 1:24:08.880
<v Speaker 1>He and I remember us calling him the country guy

1:24:09.160 --> 1:24:10.920
<v Speaker 1>because we didn't know, you know, he was like, this

1:24:11.080 --> 1:24:14.280
<v Speaker 1>is some country guy. And then but a year later, Blake,

1:24:14.800 --> 1:24:16.840
<v Speaker 1>I mean, and he was already huge in that world,

1:24:17.080 --> 1:24:19.280
<v Speaker 1>but we just didn't didn't know, you know, kind of

1:24:19.280 --> 1:24:23.240
<v Speaker 1>a natural fit for television. Yeah, he actually I think

1:24:24.720 --> 1:24:28.560
<v Speaker 1>after sitting after sitting in with Us, Adam said in

1:24:29.000 --> 1:24:33.240
<v Speaker 1>with the with Us on a particular day that whoever

1:24:33.479 --> 1:24:37.559
<v Speaker 1>is the showrunner or the voice happened to be at

1:24:37.640 --> 1:24:40.680
<v Speaker 1>thirty Rock and saw it was like, oh, this guy

1:24:40.760 --> 1:24:44.559
<v Speaker 1>is charismatic whatever, and then at the commercial break they

1:24:44.720 --> 1:24:46.880
<v Speaker 1>that's when they actually pitched it. Like, I think it

1:24:46.960 --> 1:24:49.400
<v Speaker 1>was great for him because that was the thing. Nobody

1:24:50.000 --> 1:24:54.040
<v Speaker 1>knew his personality and he is a cool, fun person,

1:24:54.280 --> 1:24:56.160
<v Speaker 1>so it was kind of a perfect fit for TV.

1:24:56.760 --> 1:24:58.840
<v Speaker 1>And there's just something to be said about being in

1:24:58.920 --> 1:25:03.120
<v Speaker 1>people's houses three times a week at night. It just

1:25:03.240 --> 1:25:06.960
<v Speaker 1>starts to you three times a week. Yeah, once they

1:25:07.000 --> 1:25:09.439
<v Speaker 1>get into those live shows and the competition and the

1:25:10.520 --> 1:25:12.599
<v Speaker 1>it's a lot of you know what I'm saying, um,

1:25:13.040 --> 1:25:14.880
<v Speaker 1>And that's just I mean, if even if you're I

1:25:14.960 --> 1:25:17.120
<v Speaker 1>mean think with Cosby Show, even if it's one week,

1:25:17.640 --> 1:25:19.800
<v Speaker 1>one day a week, you know what I'm saying, you

1:25:19.960 --> 1:25:22.920
<v Speaker 1>start to know those people. And it just really helped

1:25:23.240 --> 1:25:25.840
<v Speaker 1>because now as being an artist, you know, it goes

1:25:25.920 --> 1:25:28.040
<v Speaker 1>way beyond the music. It's like, oh I like him,

1:25:28.160 --> 1:25:31.719
<v Speaker 1>so I'm gonna support So they felt start to feel

1:25:31.720 --> 1:25:33.720
<v Speaker 1>like they knew Adam in a different way. You know,

1:25:34.080 --> 1:25:35.680
<v Speaker 1>my mom knows him now, so that's how I know

1:25:35.720 --> 1:25:37.720
<v Speaker 1>it's official. Yeah, I bought my wife a car, and

1:25:37.800 --> 1:25:40.120
<v Speaker 1>this guy who's selling me the car was like, oh

1:25:40.240 --> 1:25:51.280
<v Speaker 1>the voice my name is Ruthy Rute. So how does

1:25:51.320 --> 1:25:53.120
<v Speaker 1>that So how does that work in terms of I

1:25:53.200 --> 1:25:55.760
<v Speaker 1>mean in terms of your life, because you know, you're

1:25:55.800 --> 1:25:58.920
<v Speaker 1>part of this you know, huge band, but you also

1:25:59.240 --> 1:26:01.479
<v Speaker 1>just you like, are you able to still go to

1:26:01.520 --> 1:26:03.880
<v Speaker 1>the grocery store and just in peace? Yeah? I think

1:26:03.920 --> 1:26:06.120
<v Speaker 1>that's one of the benefits. I mean, well, now I'm

1:26:06.600 --> 1:26:09.400
<v Speaker 1>you know, I've started to have my own thing because

1:26:09.439 --> 1:26:11.040
<v Speaker 1>of my my records and stuff, and some of the

1:26:11.040 --> 1:26:13.280
<v Speaker 1>stuff is happening. But I think one of the coolest

1:26:13.360 --> 1:26:16.479
<v Speaker 1>parts about like Mickey, you know, the bass player, is

1:26:17.280 --> 1:26:20.519
<v Speaker 1>they've they've they've been equal partners for years, you know,

1:26:20.880 --> 1:26:23.880
<v Speaker 1>like I said, since eighth grade. And he can walk anywhere,

1:26:24.080 --> 1:26:27.040
<v Speaker 1>you know what I'm saying. So have the same life,

1:26:27.680 --> 1:26:30.320
<v Speaker 1>but but but not the not the fame. There's something

1:26:30.360 --> 1:26:32.880
<v Speaker 1>to that that's kind of cool. Me being the only

1:26:32.960 --> 1:26:35.479
<v Speaker 1>black guy. I think James long hair guy and then

1:26:35.560 --> 1:26:40.160
<v Speaker 1>me black guy. They're like, okay, you know what, yeah, yeah,

1:26:40.520 --> 1:26:43.400
<v Speaker 1>but um, I think that's kind of a I knew

1:26:43.479 --> 1:26:45.400
<v Speaker 1>he I know he enjoys that, you know what, I'm saying,

1:26:45.439 --> 1:26:48.280
<v Speaker 1>because he's got that same life. Um, but for me

1:26:48.400 --> 1:26:49.960
<v Speaker 1>it's not as bad. Not unless we go to like

1:26:50.040 --> 1:26:53.360
<v Speaker 1>South America something like what they really know you Asia,

1:26:53.800 --> 1:26:56.320
<v Speaker 1>you know, and they're like, I'm I'm waiting for PJ.

1:26:56.880 --> 1:27:01.240
<v Speaker 1>How okay? So how are you able to split? How

1:27:01.280 --> 1:27:05.360
<v Speaker 1>are you guys able to divide h Adam voice time

1:27:06.320 --> 1:27:11.600
<v Speaker 1>with Maroom five studio and recording time and p J

1:27:11.800 --> 1:27:16.719
<v Speaker 1>Morton studio recording, songwriting, producing time. It took me a minute.

1:27:16.760 --> 1:27:19.160
<v Speaker 1>So maybe the first couple of years I just was

1:27:19.200 --> 1:27:21.120
<v Speaker 1>trying to figure out how to be in Maron five.

1:27:21.280 --> 1:27:23.040
<v Speaker 1>You know, so how long just how long have you

1:27:23.080 --> 1:27:27.160
<v Speaker 1>been in the band at this point nine years in July. Yeah,

1:27:27.840 --> 1:27:30.560
<v Speaker 1>So so that first I just had to figure it

1:27:30.600 --> 1:27:33.040
<v Speaker 1>out and I wasn't doing anything. So, like I said,

1:27:33.240 --> 1:27:35.439
<v Speaker 1>when they called me, I felt like it was a

1:27:35.560 --> 1:27:37.640
<v Speaker 1>prayer being answered because I was burnt. I was kind

1:27:37.680 --> 1:27:39.600
<v Speaker 1>of burnt out, you know what I'm saying. So I'm like,

1:27:39.680 --> 1:27:41.599
<v Speaker 1>it's cool, I don't need I don't want to focus

1:27:41.680 --> 1:27:43.800
<v Speaker 1>on me for a while. So that first little while

1:27:44.040 --> 1:27:47.160
<v Speaker 1>was just like me just being in the band. And

1:27:47.280 --> 1:27:50.760
<v Speaker 1>then um, but when I started to get back into

1:27:50.880 --> 1:27:53.800
<v Speaker 1>my stuff I signed a young money, like my second

1:27:53.920 --> 1:27:58.360
<v Speaker 1>year being in Maroon five, And that's when I'm gonna

1:28:00.240 --> 1:28:04.800
<v Speaker 1>how are those baby checks? Just that smile right there,

1:28:04.840 --> 1:28:08.680
<v Speaker 1>it tells me you got stories finished that I've never

1:28:08.760 --> 1:28:13.320
<v Speaker 1>seen the baby check. I knew that anyway, but um

1:28:13.600 --> 1:28:16.360
<v Speaker 1>but but so so when I started to get him

1:28:16.400 --> 1:28:18.600
<v Speaker 1>to my artist thing, the voice came right and it

1:28:18.720 --> 1:28:21.200
<v Speaker 1>was kind of a help because then on our calendar,

1:28:21.200 --> 1:28:23.599
<v Speaker 1>I could see like, oh, he's got live shows right here,

1:28:23.880 --> 1:28:26.280
<v Speaker 1>he's taping right here. So it kind of allowed me

1:28:26.400 --> 1:28:29.519
<v Speaker 1>to like do my stuff in these gaps. I mean,

1:28:29.880 --> 1:28:33.200
<v Speaker 1>it made me busier than everybody, but I just used

1:28:33.240 --> 1:28:35.320
<v Speaker 1>those gaps. So I hired us here, high us there.

1:28:35.320 --> 1:28:38.439
<v Speaker 1>We're gonna take three weeks off here. And because like

1:28:38.560 --> 1:28:42.320
<v Speaker 1>before the voice, rehearsals would be called just out of

1:28:42.320 --> 1:28:44.800
<v Speaker 1>the blue, like hey, y'all, let's rehearse that. You know

1:28:44.840 --> 1:28:46.960
<v Speaker 1>what I'm saying. But then when the voice came, it

1:28:47.080 --> 1:28:50.559
<v Speaker 1>was like everything started to be structured, structured a little

1:28:50.560 --> 1:28:52.479
<v Speaker 1>bit more because it had to be so I could

1:28:52.520 --> 1:28:56.479
<v Speaker 1>play stuff. Yeah, hey, can you just describe did you

1:28:56.640 --> 1:29:00.280
<v Speaker 1>have a relationship at all with Jordan's Yeah? I did. Yeah,

1:29:00.600 --> 1:29:03.880
<v Speaker 1>what was what was he like Jordan's. Um is uh

1:29:04.200 --> 1:29:09.479
<v Speaker 1>Jonah Hill's brother who used to manage five and passed away. Yeah,

1:29:10.439 --> 1:29:14.599
<v Speaker 1>Jordan was so so so Jordan's has been their manager

1:29:14.640 --> 1:29:17.000
<v Speaker 1>since the beginning. Um and they probably could tell this

1:29:17.040 --> 1:29:20.840
<v Speaker 1>story better. But the reason he that what separated him

1:29:20.880 --> 1:29:22.560
<v Speaker 1>because he was a young man. He's probably just a

1:29:22.640 --> 1:29:25.920
<v Speaker 1>year older than them. Um. He bought the whole band

1:29:26.000 --> 1:29:27.759
<v Speaker 1>cell phones. He was like, if you let me manage,

1:29:27.760 --> 1:29:33.439
<v Speaker 1>I buy you all cell phones. And literally until I

1:29:33.600 --> 1:29:35.720
<v Speaker 1>was in the band, until Jordan passed away, we got

1:29:35.800 --> 1:29:37.720
<v Speaker 1>new phones every time a new phone came out. So

1:29:37.760 --> 1:29:42.679
<v Speaker 1>I think that became a tradition man of his management.

1:29:42.760 --> 1:29:46.719
<v Speaker 1>But Jordan's was like a kind of a silent genius.

1:29:46.840 --> 1:29:50.320
<v Speaker 1>He was. Yeah, he when I when I talked to

1:29:50.439 --> 1:29:53.720
<v Speaker 1>him about strategy, When he started to talk to me

1:29:53.800 --> 1:29:56.559
<v Speaker 1>about strategy and how he would roll out things kind

1:29:56.560 --> 1:29:59.639
<v Speaker 1>of blew my mind, you know. But he was very quiet.

1:30:00.160 --> 1:30:02.960
<v Speaker 1>Wasn't the buddy buddy manager, even though he was a

1:30:03.040 --> 1:30:06.880
<v Speaker 1>year older. It was he was like, not buddy buddy.

1:30:06.960 --> 1:30:08.960
<v Speaker 1>It was like business, you know what I'm saying, which

1:30:09.080 --> 1:30:11.320
<v Speaker 1>is kind of you know whatever it was. I had

1:30:11.360 --> 1:30:14.120
<v Speaker 1>to get used to that part and understand who Jordan

1:30:14.280 --> 1:30:16.800
<v Speaker 1>was in that way. Um, but man, he was. He

1:30:16.920 --> 1:30:21.400
<v Speaker 1>was a silent, silent killer man, you know in his planning. Um,

1:30:21.800 --> 1:30:24.040
<v Speaker 1>I saw how his brain worked, Like one time when

1:30:24.080 --> 1:30:26.200
<v Speaker 1>he we were talking about my stuff and he was

1:30:26.280 --> 1:30:28.960
<v Speaker 1>saying how he saw and I was just like, oh,

1:30:29.520 --> 1:30:32.479
<v Speaker 1>that's why you're Jordan's Felstein, Like I get it now,

1:30:32.680 --> 1:30:36.320
<v Speaker 1>like you Yeah, that was a lost man. Time was

1:30:36.360 --> 1:30:47.080
<v Speaker 1>a cool cat MANI. Um, So with where you are

1:30:47.160 --> 1:30:51.920
<v Speaker 1>now in your career and you know, I'm I'm really

1:30:52.000 --> 1:30:56.559
<v Speaker 1>curious on the moves that you make because me also

1:30:56.840 --> 1:31:02.680
<v Speaker 1>being a multi tasker and different things. Um, should your

1:31:03.080 --> 1:31:07.200
<v Speaker 1>situation elevate? Do you still see it as a way

1:31:07.280 --> 1:31:10.639
<v Speaker 1>where you can do both at the same time or yeah?

1:31:10.760 --> 1:31:12.519
<v Speaker 1>I mean and we kind of had that. So so

1:31:12.840 --> 1:31:14.600
<v Speaker 1>when I when I signed a Young Money, when that

1:31:14.680 --> 1:31:18.720
<v Speaker 1>record came out, Um, and what you was that was that? Uh?

1:31:19.160 --> 1:31:24.680
<v Speaker 1>That record came out? Ok, and um, they let me

1:31:24.760 --> 1:31:26.880
<v Speaker 1>open up a tour, they let me open up. It

1:31:27.040 --> 1:31:30.400
<v Speaker 1>was me opening up with my soul band and then

1:31:30.479 --> 1:31:33.439
<v Speaker 1>Kelly Clarkson and then Maroon and then we went to

1:31:33.560 --> 1:31:36.600
<v Speaker 1>Europe and it was me Robin thinking Maroon. UM and

1:31:36.720 --> 1:31:38.519
<v Speaker 1>Adam told me in the beginning, like, bro, if you

1:31:38.600 --> 1:31:40.280
<v Speaker 1>get as big as us, then we'll just have to

1:31:40.400 --> 1:31:43.479
<v Speaker 1>co headline or something. You know. So the support is

1:31:43.560 --> 1:31:49.040
<v Speaker 1>there now you can't leave, But I don't see a reason,

1:31:49.920 --> 1:31:52.240
<v Speaker 1>Like I don't feel a need to leave, just because

1:31:53.360 --> 1:31:56.439
<v Speaker 1>I think people leave for not being appreciated, right, And

1:31:56.800 --> 1:31:59.320
<v Speaker 1>they showed me like we support you. Like the whole

1:31:59.439 --> 1:32:02.080
<v Speaker 1>joke this time around at the Grammys was Pj's up

1:32:02.120 --> 1:32:04.040
<v Speaker 1>for three Grammys Maroons up for one? You know what

1:32:04.120 --> 1:32:05.800
<v Speaker 1>I'm saying, But that was a joke in the chat,

1:32:06.240 --> 1:32:08.439
<v Speaker 1>like at least, at least PJ can win a Grammy

1:32:08.479 --> 1:32:13.280
<v Speaker 1>around here, you know, yeah, they won three early on.

1:32:13.880 --> 1:32:18.000
<v Speaker 1>You know, Grammys really liked songs about Jane that error, right, yeah,

1:32:18.080 --> 1:32:20.960
<v Speaker 1>but once yeah, I mean the best New Artists. They

1:32:21.000 --> 1:32:24.400
<v Speaker 1>beat Kanye for Best New Artists. But like so early on,

1:32:25.360 --> 1:32:28.640
<v Speaker 1>But I think the support is there, and if the

1:32:28.680 --> 1:32:32.320
<v Speaker 1>schedule remains like because to be honest, we've we've started

1:32:32.360 --> 1:32:37.040
<v Speaker 1>to tour less um for the same amount, you know

1:32:37.040 --> 1:32:41.080
<v Speaker 1>what I'm saying, like have the same impact. Yeah, you

1:32:41.120 --> 1:32:43.479
<v Speaker 1>know what I'm saying. So I toured more than Maroon

1:32:43.640 --> 1:32:45.479
<v Speaker 1>did last year, you know what I'm saying. I went

1:32:45.560 --> 1:32:47.840
<v Speaker 1>all around the world and Maroon we did like two

1:32:48.400 --> 1:32:52.400
<v Speaker 1>US runs last year, so it's allowed me to to

1:32:52.680 --> 1:32:55.800
<v Speaker 1>to get my space. So um, there definitely have been

1:32:56.080 --> 1:32:58.600
<v Speaker 1>a couple of conflicts in the past. I had to

1:32:58.640 --> 1:33:00.880
<v Speaker 1>pass up some big things that I thought But in

1:33:00.960 --> 1:33:04.519
<v Speaker 1>the grand scheme of things, it's just it hasn't seemed

1:33:04.560 --> 1:33:07.120
<v Speaker 1>worked it to me yet to like have to leave

1:33:07.240 --> 1:33:10.200
<v Speaker 1>I'm cool, you know, yeah, I like I like both.

1:33:10.400 --> 1:33:12.240
<v Speaker 1>Just to rewind a little bit, can we talk a

1:33:12.280 --> 1:33:14.600
<v Speaker 1>little bit about the Was there an adjustment period for

1:33:14.640 --> 1:33:16.200
<v Speaker 1>you when you joined the band, because like, you're coming

1:33:16.200 --> 1:33:19.040
<v Speaker 1>into a unit that's been Yeah, like that's already formed,

1:33:19.080 --> 1:33:22.160
<v Speaker 1>you know, it's been together forever. Now there was there

1:33:22.320 --> 1:33:24.679
<v Speaker 1>was what was cool. That's why I kind of liked

1:33:25.520 --> 1:33:28.280
<v Speaker 1>when the voice happened and moves like Jagger happened, because

1:33:28.360 --> 1:33:31.040
<v Speaker 1>up until then, like the two the first two years,

1:33:32.080 --> 1:33:35.479
<v Speaker 1>I felt like the outsider and a little you know, everything,

1:33:35.520 --> 1:33:37.280
<v Speaker 1>because they had done all of this stuff. I'm hype.

1:33:37.400 --> 1:33:40.880
<v Speaker 1>I'm like, oh shoot, at first, my first blah blah blah.

1:33:41.320 --> 1:33:44.160
<v Speaker 1>But then after that, yeah, they're like, yeah, cool you

1:33:44.479 --> 1:33:48.960
<v Speaker 1>it's so cute. PJ. You like you like that? Yeah,

1:33:49.320 --> 1:33:52.680
<v Speaker 1>it's like I look at pj enjoined but um, but

1:33:53.640 --> 1:33:56.720
<v Speaker 1>after Jagger and the voice, it was new to everybody,

1:33:56.960 --> 1:33:59.599
<v Speaker 1>like everything was new. Was like, oh dang five number

1:33:59.640 --> 1:34:03.280
<v Speaker 1>one they had had, um, you know, like how they

1:34:03.400 --> 1:34:06.439
<v Speaker 1>see number one's a lot, you know, was used to that,

1:34:06.600 --> 1:34:10.080
<v Speaker 1>but like a hot one hundred, you know, like real

1:34:10.280 --> 1:34:14.800
<v Speaker 1>number one. Um, it's a whole different thing. And we

1:34:14.960 --> 1:34:17.960
<v Speaker 1>started to see. So then we became closer because we

1:34:18.040 --> 1:34:20.920
<v Speaker 1>were experiencing all this stuff all together, you know what

1:34:20.960 --> 1:34:24.519
<v Speaker 1>I'm saying. Um, But musically, because I was, I was

1:34:24.560 --> 1:34:26.479
<v Speaker 1>curious in that way with Bill asked, I'm like, musically,

1:34:26.560 --> 1:34:28.960
<v Speaker 1>did you always feel comfortable giving your full stuff where

1:34:28.960 --> 1:34:30.160
<v Speaker 1>you're like, Okay, I'm at a job. I know what

1:34:30.240 --> 1:34:31.800
<v Speaker 1>they expected me. I'm not going to give them all

1:34:31.840 --> 1:34:34.680
<v Speaker 1>this church That's now. I wasn't. I was. I was

1:34:34.760 --> 1:34:36.479
<v Speaker 1>coming off of your question. That's that's what I was

1:34:36.560 --> 1:34:39.880
<v Speaker 1>just starting with your I was expanding. But was there

1:34:39.880 --> 1:34:41.479
<v Speaker 1>a period for that too, like when you felt like

1:34:41.600 --> 1:34:43.800
<v Speaker 1>all right or did you always just feel like this

1:34:43.920 --> 1:34:45.080
<v Speaker 1>is me and I'm gonna just be me and I

1:34:45.360 --> 1:34:49.040
<v Speaker 1>think with anything? And my my take was always what

1:34:49.240 --> 1:34:51.640
<v Speaker 1>what what do I bring to the table? You know

1:34:52.000 --> 1:34:54.560
<v Speaker 1>it wasn't. It wasn't a selfish thing of like I

1:34:54.680 --> 1:34:56.519
<v Speaker 1>want to I want to make sure I put PJ

1:34:56.720 --> 1:34:59.160
<v Speaker 1>in there somewhere. No, I was just wondering because of

1:34:59.240 --> 1:35:01.719
<v Speaker 1>your background and might be different than their especially musically

1:35:01.840 --> 1:35:03.920
<v Speaker 1>because of that church background. Like when that came into

1:35:03.960 --> 1:35:05.720
<v Speaker 1>a fact, I think what I started to what I

1:35:05.800 --> 1:35:09.320
<v Speaker 1>started to realize what it was. There was like less

1:35:09.400 --> 1:35:14.920
<v Speaker 1>different about us, Like they listened to whatever rock music

1:35:15.000 --> 1:35:17.240
<v Speaker 1>that was going, right, But then I didn't. I hadn't

1:35:17.280 --> 1:35:18.800
<v Speaker 1>listened to a lot of that stuff. I mean I

1:35:18.920 --> 1:35:22.519
<v Speaker 1>was a big Beatles guy, big James Taylor guy, So

1:35:22.680 --> 1:35:25.880
<v Speaker 1>I had listened to a lot of music. But um,

1:35:26.600 --> 1:35:28.360
<v Speaker 1>what I realized was that That's what I'm saying. That

1:35:28.439 --> 1:35:31.479
<v Speaker 1>first audition, I was like, Oh, we're kind of the same,

1:35:31.640 --> 1:35:34.519
<v Speaker 1>Like we could they could play, like Adam could play.

1:35:34.960 --> 1:35:37.560
<v Speaker 1>You know what I'm saying. Those guys can play. So

1:35:37.640 --> 1:35:40.080
<v Speaker 1>I I just felt like, oh, it's just musicians. Kind

1:35:40.080 --> 1:35:44.240
<v Speaker 1>of gotta say I didn't know that he was a shredder. Yeah,

1:35:44.600 --> 1:35:46.760
<v Speaker 1>I'm saying all that was new to me once. I

1:35:46.920 --> 1:35:49.479
<v Speaker 1>was a fan of this love and all of that stuff. Right,

1:35:50.200 --> 1:35:52.960
<v Speaker 1>I watched TRL when you know what I'm saying I

1:35:53.120 --> 1:35:56.120
<v Speaker 1>was a fan and still and I knew the music

1:35:56.280 --> 1:35:58.599
<v Speaker 1>was cool, like those diminished chords. But I'm like, okay,

1:35:58.920 --> 1:36:01.600
<v Speaker 1>but this is a record, you know. But when I

1:36:01.680 --> 1:36:04.640
<v Speaker 1>got in that room, I'm like, oh, this is like

1:36:04.800 --> 1:36:06.560
<v Speaker 1>what I'm used to. This is like the Homies. We

1:36:06.640 --> 1:36:09.479
<v Speaker 1>can all play, so, you know, And so there wasn't

1:36:09.520 --> 1:36:11.960
<v Speaker 1>a big adjustment. They had to be three for me there,

1:36:12.120 --> 1:36:13.800
<v Speaker 1>you know what I'm saying. I was doing what I

1:36:13.920 --> 1:36:17.280
<v Speaker 1>do and I related to that stuff. Um, I think

1:36:17.479 --> 1:36:20.160
<v Speaker 1>with Maroon because so they were a punk rock band

1:36:20.240 --> 1:36:24.320
<v Speaker 1>initially called Cares Flowers and then they added another member,

1:36:24.400 --> 1:36:27.880
<v Speaker 1>became five and after they had listened to Stevie Wonder

1:36:28.360 --> 1:36:30.519
<v Speaker 1>and kind of said, Okay, I'm gonna mix all of

1:36:30.560 --> 1:36:33.320
<v Speaker 1>this stuff, and you know their version of mixing it

1:36:33.560 --> 1:36:37.080
<v Speaker 1>Timberland and Missy Stevie and all this rock stuff that

1:36:37.160 --> 1:36:39.840
<v Speaker 1>we grew up with. Right, So when I hear Maroon,

1:36:39.960 --> 1:36:42.679
<v Speaker 1>I hear the more of the soul stuff the side

1:36:42.840 --> 1:36:46.080
<v Speaker 1>that side, And they probably hear a different way, but

1:36:46.200 --> 1:36:48.960
<v Speaker 1>for me it was like it translated to me, you know,

1:36:49.360 --> 1:36:53.479
<v Speaker 1>it was meant to be. So how how are songs written?

1:36:53.720 --> 1:36:57.040
<v Speaker 1>Is it jam sessions? Is the sound check is it? Yeah,

1:36:57.439 --> 1:37:00.840
<v Speaker 1>that that was before I got they're really like the

1:37:01.640 --> 1:37:05.000
<v Speaker 1>jam sessions, the together thing. Uh, it became a little

1:37:05.080 --> 1:37:10.679
<v Speaker 1>more of a machine businessman. Yeah, um post post jack.

1:37:11.360 --> 1:37:13.080
<v Speaker 1>You know, I'm just saying, like a joint, like girl

1:37:13.120 --> 1:37:15.960
<v Speaker 1>like you whatever, Like is it like you all jamming

1:37:16.000 --> 1:37:17.760
<v Speaker 1>one day and say hey, let's do that or was

1:37:17.840 --> 1:37:20.479
<v Speaker 1>it like a song that someone written. Yeah, that came in.

1:37:20.640 --> 1:37:23.840
<v Speaker 1>That came in from a songwriter and we we kind

1:37:23.880 --> 1:37:26.479
<v Speaker 1>of just put our things on it and Adam usually

1:37:28.479 --> 1:37:31.320
<v Speaker 1>with those people, what about like wait, the new the weight,

1:37:31.439 --> 1:37:35.040
<v Speaker 1>like the jam? Wait, how did that? Man? Yeah? I

1:37:35.560 --> 1:37:40.479
<v Speaker 1>love way to Yeah that's the only joint I could

1:37:40.520 --> 1:37:49.080
<v Speaker 1>do this too. Yeah yeah, yeah, exactly right. So okay,

1:37:49.600 --> 1:37:51.880
<v Speaker 1>I'm gonna go there all right, Yeah, let's let's get it.

1:37:51.880 --> 1:37:56.280
<v Speaker 1>Come on, I'm ready started. Well, I didn't know what

1:37:56.360 --> 1:37:57.880
<v Speaker 1>angle you was going for, but I was just gonna

1:37:57.880 --> 1:37:59.640
<v Speaker 1>say that I would like to have seen you more

1:37:59.680 --> 1:38:01.240
<v Speaker 1>on that's both stage. I told him that when I

1:38:01.240 --> 1:38:03.000
<v Speaker 1>saw him in person, I was like, you were the

1:38:03.080 --> 1:38:04.840
<v Speaker 1>only black man they didn't really show too much of

1:38:05.439 --> 1:38:07.200
<v Speaker 1>But that's that's not what your point was. I knew.

1:38:07.600 --> 1:38:09.599
<v Speaker 1>So wherever you was gonna go with your super Bowl

1:38:09.880 --> 1:38:14.920
<v Speaker 1>you know, soun like his or because for me, I

1:38:15.040 --> 1:38:16.800
<v Speaker 1>was like, PJ is going to be on the Super

1:38:16.840 --> 1:38:18.439
<v Speaker 1>Bowl half time show. I ain't supposed to be watching

1:38:18.439 --> 1:38:19.920
<v Speaker 1>this ship, but PJ is doing it, so I'm gonna

1:38:19.920 --> 1:38:23.040
<v Speaker 1>watch it. Right. So that's when I was like, well wait, wait, yeah,

1:38:23.040 --> 1:38:27.559
<v Speaker 1>oh wait is that an orange hat? Wait? How how nervous?

1:38:27.680 --> 1:38:30.280
<v Speaker 1>I mean I'm certain that you know, it's it's hard

1:38:30.320 --> 1:38:38.040
<v Speaker 1>to you know, too ignore you know, whatever social media dictates.

1:38:38.120 --> 1:38:44.120
<v Speaker 1>But how nervous where you guys are worried about rocking

1:38:44.160 --> 1:38:50.000
<v Speaker 1>the boat with the unpopular decision of doing the halftime show. Um,

1:38:50.960 --> 1:38:55.640
<v Speaker 1>there were a bunch of phases of it, right, like

1:38:55.920 --> 1:38:59.800
<v Speaker 1>my initial I remember when, and these were hardly my decisions, right,

1:38:59.840 --> 1:39:03.880
<v Speaker 1>I'm I was, I was gonna be rocking. I was

1:39:03.920 --> 1:39:05.720
<v Speaker 1>gonna be back there playing my keyboard, you know what.

1:39:06.960 --> 1:39:10.799
<v Speaker 1>But but but um, there were phases like I remember

1:39:10.840 --> 1:39:13.840
<v Speaker 1>the initial when Adam told me pace time me and say, bro,

1:39:13.960 --> 1:39:17.080
<v Speaker 1>we got the super Bowl. I was like, I've been

1:39:17.120 --> 1:39:19.760
<v Speaker 1>on the Super Bowl. Everyone's dream, you know what I'm saying.

1:39:19.920 --> 1:39:23.240
<v Speaker 1>So that was my initial thing. Then I say, ah, damn,

1:39:23.400 --> 1:39:28.200
<v Speaker 1>it wasn't this season. Between those two thoughts. How much

1:39:28.240 --> 1:39:30.880
<v Speaker 1>time in between? Um no, that was probably like the

1:39:30.960 --> 1:39:33.560
<v Speaker 1>next day when I was like, oh shoot, but that

1:39:34.320 --> 1:39:37.880
<v Speaker 1>and then um so then there was the phase of like, man,

1:39:37.920 --> 1:39:39.479
<v Speaker 1>I don't think we don't think we should do it,

1:39:39.720 --> 1:39:42.799
<v Speaker 1>you know, once the soft announcement came, the leak whatever

1:39:42.920 --> 1:39:45.599
<v Speaker 1>that was. Once that came and I saw him like, man,

1:39:45.880 --> 1:39:47.759
<v Speaker 1>it's not worth it. We we got a great career,

1:39:48.200 --> 1:39:51.920
<v Speaker 1>blah blah blah. So we went there. Then the petition came.

1:39:53.080 --> 1:39:55.160
<v Speaker 1>There was a petition. There was a petition for us

1:39:55.200 --> 1:39:57.280
<v Speaker 1>not to play. Oh wait, not even the artists and

1:39:57.400 --> 1:40:01.960
<v Speaker 1>they won't play. Just I got the thoughts on the

1:40:02.160 --> 1:40:04.920
<v Speaker 1>artists saying they wouldn't play. I don't know, yes, I

1:40:07.840 --> 1:40:12.720
<v Speaker 1>don't know that. As many artists were presented the opportunity.

1:40:14.400 --> 1:40:17.080
<v Speaker 1>It's easy, course you would say no if you're not right.

1:40:17.160 --> 1:40:19.840
<v Speaker 1>It's easy to boycott fucking Gucy when you can't afford it.

1:40:21.080 --> 1:40:23.479
<v Speaker 1>So so I can't really speak on that part. But

1:40:23.600 --> 1:40:25.760
<v Speaker 1>there was a petition for us not to play. And

1:40:25.960 --> 1:40:28.640
<v Speaker 1>then that's when I turned right, because this is me,

1:40:30.080 --> 1:40:34.200
<v Speaker 1>so I'm a cap supporter, right. I didn't watch football

1:40:34.240 --> 1:40:36.960
<v Speaker 1>all season when my Saints was bawling out on everybody.

1:40:38.640 --> 1:40:45.160
<v Speaker 1>And I love, Yes, I hate the refs. I don't

1:40:45.160 --> 1:40:48.400
<v Speaker 1>hate l A. I'm like, look l A like so

1:40:49.000 --> 1:40:51.200
<v Speaker 1>Maroon and all of them l A. They were they

1:40:51.240 --> 1:40:53.360
<v Speaker 1>were apologizing to me. I felt bad for them because

1:40:53.360 --> 1:40:54.920
<v Speaker 1>they were in the position like what are you gonna do?

1:40:55.880 --> 1:40:59.840
<v Speaker 1>Overturn that? Give them the ball? Yeah we did, but

1:41:00.320 --> 1:41:06.040
<v Speaker 1>so I didn't watch. Yeah, that's what James would say.

1:41:06.040 --> 1:41:10.559
<v Speaker 1>I'm still um so so so when the petition came,

1:41:10.600 --> 1:41:18.000
<v Speaker 1>I'm like, so, I'm boycotting football, right, like for cap um. First,

1:41:18.040 --> 1:41:21.519
<v Speaker 1>CAP isn't telling me anything. I'm not hearing anything from CAP,

1:41:21.640 --> 1:41:24.840
<v Speaker 1>like as leadership, right, and I'm looking. So when Eric

1:41:24.920 --> 1:41:28.439
<v Speaker 1>read get signed to the to the Panthers, I'm like,

1:41:28.960 --> 1:41:31.800
<v Speaker 1>all right, what are we doing? Are we happy about this?

1:41:32.479 --> 1:41:35.120
<v Speaker 1>Eric Reid was the guy who kneeled next to him

1:41:38.040 --> 1:41:42.200
<v Speaker 1>and also and also got black balled, right, but what

1:41:42.439 --> 1:41:45.120
<v Speaker 1>was was a superstar right and needed to be playing

1:41:45.160 --> 1:41:48.759
<v Speaker 1>football signed to the Panthers. And so then I started

1:41:48.760 --> 1:41:52.760
<v Speaker 1>getting confused on the cherry picking of Okay, so he

1:41:52.880 --> 1:41:56.120
<v Speaker 1>can work, he can play for the NFL and support CAP,

1:41:56.960 --> 1:42:00.800
<v Speaker 1>but I can't. But I can't play one game and

1:42:00.920 --> 1:42:08.400
<v Speaker 1>support CAP and also also we're we're boycott is so

1:42:08.560 --> 1:42:11.160
<v Speaker 1>Cap can play for this corporation that you don't want

1:42:11.200 --> 1:42:13.280
<v Speaker 1>me to play for. Y'all need to find a god

1:42:13.320 --> 1:42:17.400
<v Speaker 1>damn agenda. So what I'm saying, right, So like certain things,

1:42:17.520 --> 1:42:20.120
<v Speaker 1>you know, I mean social media, it was just like

1:42:20.400 --> 1:42:23.960
<v Speaker 1>a lot of cherry picking, right, So, like you know,

1:42:24.840 --> 1:42:26.880
<v Speaker 1>people saying they're not playing the super Bowl, but then

1:42:26.880 --> 1:42:30.280
<v Speaker 1>they play super Bowl parties but they do super Bowl

1:42:30.320 --> 1:42:34.320
<v Speaker 1>commercials or like, so I'm like, okay, and then even

1:42:34.600 --> 1:42:38.800
<v Speaker 1>even Jay asking Travis not to perform, but then Chloe

1:42:38.880 --> 1:42:44.320
<v Speaker 1>and Halley perform and it's in the whale House, so

1:42:44.520 --> 1:42:48.840
<v Speaker 1>I'm like, beautiful. They did great. By the way, they

1:42:49.360 --> 1:42:52.000
<v Speaker 1>really did. What I'm just saying was trying to get

1:42:52.000 --> 1:42:53.200
<v Speaker 1>you out to place so we could get read it

1:42:53.320 --> 1:43:00.280
<v Speaker 1>or on the bill or something. You know that she's

1:43:00.280 --> 1:43:04.439
<v Speaker 1>still signed the Rock Nation. Didn't she think she got

1:43:04.479 --> 1:43:07.400
<v Speaker 1>out of it? Well, I still have no idea. But anyway,

1:43:07.520 --> 1:43:10.519
<v Speaker 1>so that's when that's when I started to feel like, Hey,

1:43:11.200 --> 1:43:15.479
<v Speaker 1>I love everybody, but like also forget everybody, you know

1:43:15.520 --> 1:43:18.840
<v Speaker 1>what I'm saying, because ultimately, and this is what I

1:43:18.920 --> 1:43:21.200
<v Speaker 1>felt like, because I think it's about disruption, right, what

1:43:21.840 --> 1:43:24.760
<v Speaker 1>would actually disrupt. It's not me not playing the super Bowl,

1:43:24.800 --> 1:43:27.400
<v Speaker 1>because if we say no, then somebody else is gonna

1:43:27.400 --> 1:43:30.840
<v Speaker 1>come and play, and it's gonna like even even the like,

1:43:31.000 --> 1:43:34.760
<v Speaker 1>the closest thing I can um like compared to was

1:43:35.600 --> 1:43:40.479
<v Speaker 1>that Trump inauguration thing, right, and we don't really yeah

1:43:40.560 --> 1:43:43.960
<v Speaker 1>exactly what Crossette and you know, but but but she

1:43:44.200 --> 1:43:48.960
<v Speaker 1>fucked she is. But my point is you don't remember

1:43:49.000 --> 1:43:53.639
<v Speaker 1>who turned it down. They're they're not remembered, right. It's

1:43:53.680 --> 1:43:56.280
<v Speaker 1>to please a certain group of people, which I didn't agree.

1:43:56.600 --> 1:43:58.599
<v Speaker 1>I wouldn't have. I wouldn't have I wouldn't have played

1:43:58.680 --> 1:44:02.360
<v Speaker 1>the Trump inauguration. But what I'm saying is you don't

1:44:02.400 --> 1:44:06.360
<v Speaker 1>remember those people, So why not just have that platform

1:44:06.600 --> 1:44:08.160
<v Speaker 1>and be able to speak as loud as I can

1:44:08.240 --> 1:44:15.160
<v Speaker 1>to Yes, that particular aforementioned person wants to come on

1:44:15.320 --> 1:44:26.479
<v Speaker 1>qors conversation. We've got some good conversations. Yeah, but wait,

1:44:26.600 --> 1:44:28.760
<v Speaker 1>so let me ask you this then, because we know

1:44:28.920 --> 1:44:31.080
<v Speaker 1>that we didn't get the press conference that we usually

1:44:31.120 --> 1:44:33.599
<v Speaker 1>get because whatever, we don't want to be asked the questions.

1:44:33.880 --> 1:44:35.720
<v Speaker 1>And we know that in that press release it was

1:44:35.800 --> 1:44:38.080
<v Speaker 1>like marooting five is gonna give you. We're gonna show

1:44:38.080 --> 1:44:39.519
<v Speaker 1>you what we're gonna do in our performance. So my

1:44:39.640 --> 1:44:42.479
<v Speaker 1>question was, as watching that performance, is is that gospel

1:44:42.520 --> 1:44:44.360
<v Speaker 1>in that Travis? Is that what y'all showing me? That

1:44:44.600 --> 1:44:46.439
<v Speaker 1>is that how you feel? Is the gospel and the

1:44:46.479 --> 1:44:48.920
<v Speaker 1>Travis Scott like the we gave y'all how we feel.

1:44:49.080 --> 1:44:51.679
<v Speaker 1>I'm not sure. I didn't see that interview or whatever.

1:44:52.479 --> 1:44:54.280
<v Speaker 1>It was a press release instead of them actually and

1:44:54.280 --> 1:44:56.559
<v Speaker 1>Steady all actually doing the press conference, which both half

1:44:56.640 --> 1:45:01.280
<v Speaker 1>times that yeah, and the last the first time a

1:45:01.320 --> 1:45:04.240
<v Speaker 1>press conference. But so they sent out and they sent

1:45:04.280 --> 1:45:07.360
<v Speaker 1>out a press release and basically it read inflammation that

1:45:07.560 --> 1:45:10.840
<v Speaker 1>we're going to show you through our performance how we feel. Well.

1:45:10.880 --> 1:45:15.639
<v Speaker 1>I think I think the group's um position was we're

1:45:15.680 --> 1:45:18.760
<v Speaker 1>just gonna play music, you know, like we can't get

1:45:18.840 --> 1:45:21.519
<v Speaker 1>caught up. And also I think that is just to

1:45:21.840 --> 1:45:23.960
<v Speaker 1>to feel woke, you know what I'm saying, but not

1:45:24.080 --> 1:45:29.960
<v Speaker 1>actually be it's performing performing I'm doing I'm doing that. Well, No,

1:45:30.080 --> 1:45:31.840
<v Speaker 1>I think that's what he wanted to do. I think

1:45:31.920 --> 1:45:34.519
<v Speaker 1>that's just what he wanted to do as a performance. Um,

1:45:34.720 --> 1:45:36.960
<v Speaker 1>I don't think that was a statement or anything, because

1:45:37.000 --> 1:45:38.559
<v Speaker 1>you know, we would think it would be a statement

1:45:38.600 --> 1:45:40.200
<v Speaker 1>if you didn't make a statement. He said the statement

1:45:40.240 --> 1:45:41.720
<v Speaker 1>was gonna be on stage. So I'm looking at the

1:45:41.760 --> 1:45:47.280
<v Speaker 1>stage like choir and I barely see p J. That's

1:45:47.320 --> 1:45:49.120
<v Speaker 1>all right, that's a statement. I think that was a

1:45:49.280 --> 1:45:56.559
<v Speaker 1>director cameraman thing, not like, yeah, I feel you. I listen. Yeah,

1:45:56.640 --> 1:45:58.920
<v Speaker 1>I got a cut a cut of rehearsal that I saw.

1:45:59.000 --> 1:46:01.800
<v Speaker 1>I was. I was on a little bit more so

1:46:01.880 --> 1:46:04.280
<v Speaker 1>I was surprised when I looked back, I was like, oh, word,

1:46:04.520 --> 1:46:08.160
<v Speaker 1>like it's something my hat had listen I played the

1:46:08.200 --> 1:46:16.040
<v Speaker 1>Super Bowl. You didn't admit that the NFL is worse

1:46:16.080 --> 1:46:18.080
<v Speaker 1>than crack because niggas just can't be quitted no matter

1:46:18.160 --> 1:46:23.639
<v Speaker 1>what to dune. Because that's how I feel my well,

1:46:23.760 --> 1:46:27.240
<v Speaker 1>for me, it's I think, I think the NFL is

1:46:27.720 --> 1:46:30.040
<v Speaker 1>something that it's gonna be. It's gonna be interesting to

1:46:30.080 --> 1:46:32.160
<v Speaker 1>see how it develops over the next ten fifteen years,

1:46:32.200 --> 1:46:34.880
<v Speaker 1>because what's happening is you're not seeing a lot of

1:46:35.000 --> 1:46:38.000
<v Speaker 1>kids playing football no more like even like with my keys,

1:46:38.120 --> 1:46:43.080
<v Speaker 1>I kind of helped my son basketball and baseball. That's it,

1:46:43.160 --> 1:46:48.240
<v Speaker 1>and really more even more so basketball because baseball, I mean,

1:46:48.280 --> 1:46:50.840
<v Speaker 1>basketball is like social so it's like, you know, they

1:46:50.960 --> 1:46:52.720
<v Speaker 1>want to. You know, they can put their ship up

1:46:52.760 --> 1:46:55.720
<v Speaker 1>on I G or whatever. Like my sons they love basketball,

1:46:56.040 --> 1:46:59.840
<v Speaker 1>but football, like that's like some kind of like barbaric ship.

1:47:00.479 --> 1:47:02.240
<v Speaker 1>But it would be fun. I mean not for nothing.

1:47:02.280 --> 1:47:03.960
<v Speaker 1>I see what you're saying, like it might die because

1:47:03.960 --> 1:47:05.880
<v Speaker 1>it's barbaric, but not because they're just treating niggas like

1:47:05.880 --> 1:47:07.960
<v Speaker 1>we don't give a fun. No. No, I think this

1:47:08.720 --> 1:47:10.280
<v Speaker 1>is gonna have to die out a little bit. I

1:47:10.360 --> 1:47:12.080
<v Speaker 1>think I don't think. I think it's less about that.

1:47:12.320 --> 1:47:14.479
<v Speaker 1>To be honest, I know it is. Yeah, it's less

1:47:14.479 --> 1:47:18.680
<v Speaker 1>about what I'm saying. I know it is because how

1:47:18.720 --> 1:47:20.519
<v Speaker 1>many times they have to tell you you don't matter

1:47:20.680 --> 1:47:22.479
<v Speaker 1>to me, Like I don't know, They're do it in

1:47:22.560 --> 1:47:24.479
<v Speaker 1>so many different ways. You can't even own a team, nigga,

1:47:24.560 --> 1:47:28.880
<v Speaker 1>you don't match. I mean, at least they fake about them.

1:47:32.439 --> 1:47:34.720
<v Speaker 1>I mean I want did I'm gonna say more for

1:47:34.800 --> 1:47:38.120
<v Speaker 1>that than the NBA had the same situation with old

1:47:38.200 --> 1:47:44.680
<v Speaker 1>boy from Sacramento the coach or the owner. Right. I

1:47:44.760 --> 1:47:48.200
<v Speaker 1>think the NBA does They do a good job as

1:47:48.280 --> 1:47:51.320
<v Speaker 1>far as even just dealing with them in the office.

1:47:51.479 --> 1:47:54.519
<v Speaker 1>Even Chris Paul and like the people who like it's

1:47:54.520 --> 1:47:56.840
<v Speaker 1>a different maundset. My thing is just like when I

1:47:56.920 --> 1:47:58.840
<v Speaker 1>see niggas get on that ship, I'm just like, look, man,

1:47:58.960 --> 1:48:01.720
<v Speaker 1>you motherfucker's, live your life and let me live. Mind like,

1:48:02.320 --> 1:48:04.720
<v Speaker 1>don't speak for other motherfucker's because you don't know what

1:48:04.800 --> 1:48:07.200
<v Speaker 1>they're putting up. So you're asking p J. Morton and

1:48:07.320 --> 1:48:10.040
<v Speaker 1>Moon five don't play the super Bowl. You don't know

1:48:10.160 --> 1:48:12.680
<v Speaker 1>what this band is doing with his super Bowl check.

1:48:12.760 --> 1:48:14.760
<v Speaker 1>You don't know how many other people you're supporting. You

1:48:15.280 --> 1:48:17.680
<v Speaker 1>don't know what the gonna have a revolution with that

1:48:17.720 --> 1:48:25.559
<v Speaker 1>way of thought, are just any time in your bank account.

1:48:26.400 --> 1:48:31.360
<v Speaker 1>My thing is petition all the players, petition all the

1:48:31.439 --> 1:48:34.760
<v Speaker 1>players to not play, and then we don't have we

1:48:34.800 --> 1:48:36.960
<v Speaker 1>don't have a super Bowl. Right. But again he goes

1:48:37.000 --> 1:48:38.800
<v Speaker 1>back to my point of NFL is worse than crack.

1:48:38.840 --> 1:48:40.439
<v Speaker 1>It's an addiction, and who's going to do with that.

1:48:40.640 --> 1:48:43.040
<v Speaker 1>It's not those guys. Those guys are doing a job

1:48:43.280 --> 1:48:47.679
<v Speaker 1>and they get paid in the in the higher three,

1:48:47.840 --> 1:48:49.760
<v Speaker 1>they get paid the least. So it is that too.

1:48:49.800 --> 1:48:51.880
<v Speaker 1>It's like the injuries to pay and what the NFL

1:48:52.040 --> 1:48:55.320
<v Speaker 1>versus the in the MLB and the fucking NBA. It's

1:48:55.360 --> 1:48:57.439
<v Speaker 1>just totally different game. The money game is different. No

1:48:57.520 --> 1:49:00.400
<v Speaker 1>it is yeah, no, no no. And the treat the

1:49:00.439 --> 1:49:02.880
<v Speaker 1>treatment is different. I mean, NBA, if you get hurt,

1:49:02.880 --> 1:49:04.920
<v Speaker 1>you're gonna sit on that bench and still collect your check.

1:49:05.120 --> 1:49:08.240
<v Speaker 1>I get that part. But sometimes that's when I heard

1:49:08.280 --> 1:49:10.719
<v Speaker 1>somebody talk about it, and they talk about the injuries,

1:49:10.800 --> 1:49:14.479
<v Speaker 1>even I think, uh my boy from Oakland, Um, But

1:49:14.720 --> 1:49:16.560
<v Speaker 1>but when he was like, but if this is my

1:49:16.720 --> 1:49:19.120
<v Speaker 1>shot to take care of my family and do all

1:49:19.160 --> 1:49:21.960
<v Speaker 1>of this, let me let me do that. How do

1:49:22.080 --> 1:49:24.080
<v Speaker 1>you fight that? How you can't? I tell you how

1:49:24.160 --> 1:49:26.479
<v Speaker 1>you do it? You blame a round five and say

1:49:26.560 --> 1:49:28.720
<v Speaker 1>y'all shouldn't play that halftime. So you know what I'm saying,

1:49:28.840 --> 1:49:31.880
<v Speaker 1>because because then, because because because you don't have you

1:49:31.960 --> 1:49:33.960
<v Speaker 1>don't have it in you to be like, don't play football,

1:49:34.000 --> 1:49:35.920
<v Speaker 1>don't do your job, don't feed your kids. So hey,

1:49:36.400 --> 1:49:39.000
<v Speaker 1>big band that's playing the halftime show for twelve minutes,

1:49:39.360 --> 1:49:42.400
<v Speaker 1>y'all be the ones to disrupt this old thing and

1:49:42.680 --> 1:49:46.000
<v Speaker 1>and boycott nevertis just paying all this money to put

1:49:46.040 --> 1:49:48.200
<v Speaker 1>it out on the show. We're not going to boycott you.

1:49:48.280 --> 1:49:59.439
<v Speaker 1>But talking about PEPSI yeah, you're I don't care what

1:49:59.600 --> 1:50:01.360
<v Speaker 1>we do is it. I don't care if t Linty

1:50:01.479 --> 1:50:06.200
<v Speaker 1>owned slaves. Now we are not boycott. I don't know.

1:50:06.280 --> 1:50:09.840
<v Speaker 1>It's like it's like Specier ship and the clear thing

1:50:09.920 --> 1:50:17.240
<v Speaker 1>with the brown top. Yeah that's what it was called neither.

1:50:17.320 --> 1:50:25.240
<v Speaker 1>I never knew how pronouncing the fancy with Yeah, that's something.

1:50:25.280 --> 1:50:35.880
<v Speaker 1>But I pray they don't do nothing wrong. Yeah, no,

1:50:36.040 --> 1:50:37.880
<v Speaker 1>it's listen. I guess my thing is just like, look,

1:50:37.920 --> 1:50:41.320
<v Speaker 1>we live in America. This America was founded by racist

1:50:41.360 --> 1:50:43.920
<v Speaker 1>white people that felt like you niggas ain't ship worked

1:50:43.920 --> 1:50:46.680
<v Speaker 1>for us. So anything you do, any industry you work in,

1:50:46.760 --> 1:50:49.680
<v Speaker 1>whatever you do, it goes back to the original sin

1:50:50.080 --> 1:50:54.240
<v Speaker 1>so asked niggas the boycotting look nigga like. But that's

1:50:54.240 --> 1:50:57.760
<v Speaker 1>the thing. I was in a weird position because I

1:50:58.040 --> 1:51:01.160
<v Speaker 1>was boycotting and still didn't know what to do. I

1:51:01.200 --> 1:51:04.479
<v Speaker 1>didn't still did Colin didn't call you, He still didn't say, like, listen,

1:51:04.600 --> 1:51:07.880
<v Speaker 1>when Eric read signed to the Panthers, I'm like, it's

1:51:07.920 --> 1:51:10.120
<v Speaker 1>kind of over. I'm like, what do we what are

1:51:10.160 --> 1:51:15.599
<v Speaker 1>we doing? Apparently every time it comes out that they

1:51:15.640 --> 1:51:18.080
<v Speaker 1>say he doesn't really want to play, I see people

1:51:18.160 --> 1:51:20.719
<v Speaker 1>come out. My buddy Shaun King saying that is not true.

1:51:21.040 --> 1:51:24.280
<v Speaker 1>He wants to play. He's working out every day. So

1:51:25.520 --> 1:51:28.120
<v Speaker 1>to be honest with you, I'm kind of confused, you

1:51:28.160 --> 1:51:30.840
<v Speaker 1>know what I'm saying, Like genuinely, as a supporter of

1:51:30.920 --> 1:51:33.680
<v Speaker 1>the movement, I didn't know where to go, and I'm like,

1:51:34.320 --> 1:51:39.080
<v Speaker 1>what are we doing? Like so rees playing, we congratulate that.

1:51:39.160 --> 1:51:41.280
<v Speaker 1>I saw people congratulate him from making a stand and

1:51:41.320 --> 1:51:46.479
<v Speaker 1>coming and coming back and he still kneels every game. Yeah,

1:51:46.640 --> 1:51:50.200
<v Speaker 1>I'm just no disruption really yeah, you know, I mean

1:51:50.280 --> 1:51:52.920
<v Speaker 1>cap Is is the face of the movement and you

1:51:53.000 --> 1:51:55.640
<v Speaker 1>know so, but people aren't gonna be happy until the

1:51:55.720 --> 1:51:57.479
<v Speaker 1>face has got a job. I know. But what I'm

1:51:57.520 --> 1:51:59.519
<v Speaker 1>saying is cap tell me what to do after air

1:51:59.640 --> 1:52:03.559
<v Speaker 1>Reed get signed, like he didn't need to say or somebody.

1:52:03.880 --> 1:52:06.920
<v Speaker 1>There's no there's a lack of leadership there. And I'm

1:52:06.960 --> 1:52:09.240
<v Speaker 1>saying that as a supporter like that was That's why

1:52:09.280 --> 1:52:11.240
<v Speaker 1>I got offended because I'm like, oh, you're petitioning me.

1:52:11.600 --> 1:52:13.920
<v Speaker 1>I bet you've been watching football every week. I've been

1:52:13.960 --> 1:52:16.720
<v Speaker 1>sacrificing not watching football, and you want to petition me,

1:52:17.120 --> 1:52:19.400
<v Speaker 1>you know what I'm saying. So it was it was

1:52:20.120 --> 1:52:21.920
<v Speaker 1>let's not forget it ain't all about him neither, because

1:52:21.920 --> 1:52:23.720
<v Speaker 1>it was all about what he was really nailing forward

1:52:23.760 --> 1:52:27.559
<v Speaker 1>to what you got past that? Right, So what I'm saying,

1:52:28.240 --> 1:52:29.960
<v Speaker 1>But what I'm saying is I could. I could do

1:52:30.080 --> 1:52:34.280
<v Speaker 1>my job and be against police brutality and be against

1:52:34.680 --> 1:52:37.720
<v Speaker 1>and before peacefully protesting. I can support. I can do

1:52:37.840 --> 1:52:41.360
<v Speaker 1>both of those contain multitudes, niggers. I can do all

1:52:41.439 --> 1:52:47.519
<v Speaker 1>that ship at the same damn time. Yet if everybody

1:52:47.600 --> 1:52:53.240
<v Speaker 1>just logged off social media, it's that I'm waiting, Yeah,

1:52:53.560 --> 1:52:57.280
<v Speaker 1>we damn can we can we have a chance? Can

1:52:57.360 --> 1:52:59.120
<v Speaker 1>I do this? No, you can't do it. You can't

1:52:59.120 --> 1:53:01.120
<v Speaker 1>do it. You got you too addicted. You are too addicted.

1:53:04.680 --> 1:53:13.439
<v Speaker 1>Excuse me, challenge accepted. What we're really saying, what we're saying,

1:53:13.520 --> 1:53:15.599
<v Speaker 1>I'm saying your stories be like Michael X the movie

1:53:16.080 --> 1:53:20.760
<v Speaker 1>saying the babies. So what we're saying is that you're

1:53:20.760 --> 1:53:23.240
<v Speaker 1>going you're gonna know how important Rodney Allen Rippy was

1:53:24.240 --> 1:53:27.280
<v Speaker 1>not that. This is what you're saying is you're not

1:53:27.320 --> 1:53:29.240
<v Speaker 1>going to be on social media till this episode air's

1:53:29.320 --> 1:53:31.360
<v Speaker 1>Is that what you're saying. I don't think he can

1:53:31.400 --> 1:53:35.160
<v Speaker 1>afford to do that. So I waited at the break

1:53:35.200 --> 1:53:37.000
<v Speaker 1>while I canna be working on an album. I did

1:53:37.080 --> 1:53:38.840
<v Speaker 1>like a month and all of that. When it is

1:53:38.920 --> 1:53:40.880
<v Speaker 1>time to I guess you get you can get your

1:53:40.920 --> 1:53:43.519
<v Speaker 1>people to It doesn't feel the same though, I'll tell

1:53:43.520 --> 1:53:49.200
<v Speaker 1>you this much. I only do it really a majority

1:53:49.240 --> 1:53:54.320
<v Speaker 1>of my interaction. It's during the show when I'm bored

1:53:55.439 --> 1:54:03.000
<v Speaker 1>my computers. Partly, what's a part of the problem with

1:54:03.120 --> 1:54:05.680
<v Speaker 1>social media is just having access to people's thoughts all

1:54:05.760 --> 1:54:10.400
<v Speaker 1>the time in your pocket and just be digging in

1:54:10.479 --> 1:54:13.200
<v Speaker 1>your pocket all time, just reading some random motherfucker thinks

1:54:13.720 --> 1:54:15.800
<v Speaker 1>any time of the day. That's not healthy. You don't

1:54:15.800 --> 1:54:18.320
<v Speaker 1>need that ship in your life. You don't like there's

1:54:18.320 --> 1:54:21.200
<v Speaker 1>like a psychological I think like some scientists like broke

1:54:21.280 --> 1:54:23.600
<v Speaker 1>this paper is like basically like we only have the capacity.

1:54:23.680 --> 1:54:26.439
<v Speaker 1>I think it's something around like it's like thirty to

1:54:26.560 --> 1:54:29.960
<v Speaker 1>fifty people. That's like the most that your brain can handle.

1:54:30.000 --> 1:54:31.720
<v Speaker 1>It's not even that, it's just mostly people are just

1:54:31.800 --> 1:54:34.200
<v Speaker 1>full of ship. Can you give them a platform where

1:54:34.200 --> 1:54:36.879
<v Speaker 1>they can say whatever? The option to freeze our accounts.

1:54:37.520 --> 1:54:41.320
<v Speaker 1>You can deactivate, man, don't you You could just be

1:54:41.480 --> 1:54:43.800
<v Speaker 1>off just don't race it off your phone and like

1:54:44.760 --> 1:54:47.160
<v Speaker 1>a freeze option. No, you don't. You don't. You don't

1:54:47.160 --> 1:54:49.960
<v Speaker 1>have to do it. Doesn't like whet a social diet,

1:54:50.200 --> 1:54:52.040
<v Speaker 1>that's what you do. Just delete the app from your

1:54:52.040 --> 1:54:54.960
<v Speaker 1>phone and don't log on your on your computer. But

1:54:55.000 --> 1:54:59.840
<v Speaker 1>then who's going to I wanted this to be a

1:55:00.000 --> 1:55:02.600
<v Speaker 1>want this to be a QLs challenge. Dude, it's not

1:55:02.720 --> 1:55:07.800
<v Speaker 1>gonna happen. You do it for a month, wen, I'm

1:55:07.840 --> 1:55:10.160
<v Speaker 1>like two months deep already, so I don't have any

1:55:10.200 --> 1:55:13.280
<v Speaker 1>friends in the I can do it usually usually when

1:55:13.280 --> 1:55:16.280
<v Speaker 1>I get in trouble. Usually when I get in trouble,

1:55:17.120 --> 1:55:20.000
<v Speaker 1>I can freeze. You can tell when a mirrors in trouble.

1:55:21.000 --> 1:55:22.600
<v Speaker 1>Usually you don't see a post from me from like

1:55:22.640 --> 1:55:29.680
<v Speaker 1>a week and two. I gotta So I don't think

1:55:29.760 --> 1:55:31.560
<v Speaker 1>I take a quit Twitter. I don't think he could.

1:55:31.840 --> 1:55:34.640
<v Speaker 1>I mean, I listen, I want to quit all this ship,

1:55:35.240 --> 1:55:37.680
<v Speaker 1>but I gotta. I got out to sale. So like

1:55:39.160 --> 1:55:41.600
<v Speaker 1>ship loll off, you ain't got to interact with them.

1:55:41.640 --> 1:55:44.560
<v Speaker 1>But I don't interact as much as I used to

1:55:44.800 --> 1:55:48.000
<v Speaker 1>for the very reason that you visit like we've all

1:55:48.040 --> 1:55:55.560
<v Speaker 1>slowed down significantly. Yeah, pick up stick. Wait wait, this

1:55:55.720 --> 1:55:57.760
<v Speaker 1>leads back to the very beginning of the show. I

1:55:57.840 --> 1:56:01.240
<v Speaker 1>saw something very weird on the Sugar Network yesterday. I

1:56:01.320 --> 1:56:04.920
<v Speaker 1>was singing Barry Manolo again. No, I'm just saying that

1:56:05.520 --> 1:56:09.120
<v Speaker 1>it was knowing no this one time, not even yesterday,

1:56:09.160 --> 1:56:21.960
<v Speaker 1>but back in February. Great, great word right, one of

1:56:22.040 --> 1:56:25.320
<v Speaker 1>the Sugar Network dude was out. I swear to It

1:56:25.400 --> 1:56:27.880
<v Speaker 1>was cold as hell, it was icy, it was cold,

1:56:27.920 --> 1:56:33.600
<v Speaker 1>it was like sleep outside, and like he opted to

1:56:33.720 --> 1:56:37.280
<v Speaker 1>do his his own network under your network or whatever

1:56:37.360 --> 1:56:41.640
<v Speaker 1>it was. Wait, you're really in the network, yeah, Robbie

1:56:42.400 --> 1:56:45.800
<v Speaker 1>let Yeah, I don't know if that's what you're talking about,

1:56:45.800 --> 1:56:51.560
<v Speaker 1>But can he just continue to tell that woman, I

1:56:51.640 --> 1:57:00.840
<v Speaker 1>didn't even know that you knew who come twice? No,

1:57:01.080 --> 1:57:06.680
<v Speaker 1>that's I realized that when he'd rather stand outside like

1:57:06.840 --> 1:57:11.680
<v Speaker 1>twenty degree freezing weather instead of staying inside the warm

1:57:11.880 --> 1:57:16.440
<v Speaker 1>where you know Shakeenheimer. You m yeah, Like that's what

1:57:16.600 --> 1:57:19.320
<v Speaker 1>I knew that this is bad. People on the Sugar

1:57:19.400 --> 1:57:22.040
<v Speaker 1>Network will walk to the ends of the frozen earth

1:57:22.160 --> 1:57:27.640
<v Speaker 1>for Sugar Steve. That's what I love it. Man. Okay,

1:57:27.720 --> 1:57:31.120
<v Speaker 1>My closest question, what do you what do you what

1:57:31.240 --> 1:57:35.880
<v Speaker 1>do your future players wait before anything? Yeah? What was

1:57:35.920 --> 1:57:39.200
<v Speaker 1>it like we're doing with your hero Stevie wonder Man.

1:57:39.880 --> 1:57:42.240
<v Speaker 1>Um So, like I said, I worked with him on

1:57:42.280 --> 1:57:45.080
<v Speaker 1>the Young Money album, but that was kind of like

1:57:45.680 --> 1:57:50.440
<v Speaker 1>so much money question to ask you, So just young

1:57:50.560 --> 1:57:54.400
<v Speaker 1>Money wasn't as random as it. Young money not cash money.

1:57:56.800 --> 1:57:59.960
<v Speaker 1>It's the same thing. Yeah, all my everything. You still

1:58:00.360 --> 1:58:07.880
<v Speaker 1>had any issues east So mcmahin the president was we

1:58:07.920 --> 1:58:10.960
<v Speaker 1>went to high school together, the president of Young Money

1:58:11.600 --> 1:58:15.920
<v Speaker 1>that yeah, um and was all throughout that whole Drake Nikki,

1:58:17.560 --> 1:58:21.040
<v Speaker 1>but we went to high school together and so he

1:58:21.280 --> 1:58:23.800
<v Speaker 1>was like a fan of mine. And when Wayne was

1:58:23.920 --> 1:58:25.880
<v Speaker 1>locked up, when we started to talk about it and

1:58:26.000 --> 1:58:28.880
<v Speaker 1>you just got out. But I think they were in

1:58:29.000 --> 1:58:32.520
<v Speaker 1>a way kind of trying to open it up, you

1:58:32.560 --> 1:58:35.280
<v Speaker 1>know what I'm saying, and make it your prestige exactly.

1:58:35.680 --> 1:58:38.360
<v Speaker 1>You know, they were trying to diversify, and um so

1:58:38.560 --> 1:58:41.120
<v Speaker 1>I was in an effort to do that. Um and

1:58:41.200 --> 1:58:44.520
<v Speaker 1>I managed to release an album in a year, and

1:58:45.120 --> 1:58:49.080
<v Speaker 1>you gotta add out for mcmaintie. For a lot of people,

1:58:50.320 --> 1:58:56.200
<v Speaker 1>weren't the last two albums on yeah yeah. Um, anyways,

1:58:56.840 --> 1:58:58.640
<v Speaker 1>I don't remember why I went back to Young Money.

1:58:58.840 --> 1:59:01.880
<v Speaker 1>Oh oh Stevie so so that song, but we we

1:59:02.000 --> 1:59:05.040
<v Speaker 1>didn't really connect and it felt really real this time

1:59:06.240 --> 1:59:09.320
<v Speaker 1>Christmas when I did his show, because I really played

1:59:09.440 --> 1:59:13.160
<v Speaker 1>with him the toy opening. Yeah, but we we we

1:59:13.400 --> 1:59:18.520
<v Speaker 1>like actually we actually sang and I played on his piano.

1:59:18.680 --> 1:59:20.560
<v Speaker 1>He was on the on the road, on the on

1:59:20.640 --> 1:59:24.800
<v Speaker 1>the keyboard, and it's just, I mean, he's literally the

1:59:24.920 --> 1:59:28.160
<v Speaker 1>reason I'm doing it, you know, the reason I wanted

1:59:28.240 --> 1:59:31.840
<v Speaker 1>to do this right, and and so you know, I

1:59:32.000 --> 1:59:35.400
<v Speaker 1>used to kind of like shy away from the Stevie

1:59:35.480 --> 1:59:38.200
<v Speaker 1>and me right because I didn't want people to be like, yo,

1:59:38.280 --> 1:59:41.000
<v Speaker 1>he's trying, he's trying to copy Stevie. But I listened.

1:59:41.000 --> 1:59:44.320
<v Speaker 1>I went on. I was obsessive when I was thirteen,

1:59:45.000 --> 1:59:46.960
<v Speaker 1>and I would go to the Circuit City and buy

1:59:47.280 --> 1:59:50.840
<v Speaker 1>in chronological order, every CD, every Stevie CD a week,

1:59:50.920 --> 1:59:56.920
<v Speaker 1>every issue. Yeah, I just three is easy to go.

1:59:57.000 --> 2:00:00.160
<v Speaker 1>Top three intervision music of my mind, um, with the

2:00:00.200 --> 2:00:04.760
<v Speaker 1>classes where I'm coming from probably um. But so, so

2:00:04.920 --> 2:00:06.640
<v Speaker 1>I was listening, and this is before I was writing

2:00:06.640 --> 2:00:09.200
<v Speaker 1>any songs, before I was really really playing. And then

2:00:09.280 --> 2:00:12.240
<v Speaker 1>once once I started to write, I just started I

2:00:12.320 --> 2:00:15.160
<v Speaker 1>was doing stuff like Stevie. But for years I kind

2:00:15.160 --> 2:00:17.520
<v Speaker 1>of tried to mute that a little bit. This last

2:00:17.600 --> 2:00:19.640
<v Speaker 1>run is when I was just like, man, I'm gonna

2:00:19.680 --> 2:00:21.480
<v Speaker 1>just do what I feel, you know, And I think

2:00:21.880 --> 2:00:25.600
<v Speaker 1>that authentic me is part of the reason why, you know,

2:00:25.840 --> 2:00:29.600
<v Speaker 1>things things started to look up this time around, you know.

2:00:30.520 --> 2:00:32.480
<v Speaker 1>And then when Stevie gave me a stamp of approval,

2:00:32.880 --> 2:00:34.960
<v Speaker 1>Stevie just told me he wished he wrote my song.

2:00:35.120 --> 2:00:37.800
<v Speaker 1>First beginning, well, he played They played Crazy on his

2:00:37.840 --> 2:00:41.400
<v Speaker 1>station too, Yeah, yeah, they've always supported yeah. But but

2:00:41.480 --> 2:00:43.040
<v Speaker 1>when I played it, he walked up to me, he

2:00:43.120 --> 2:00:44.640
<v Speaker 1>was like, man, I wish I wrote that song. So

2:00:45.040 --> 2:00:47.280
<v Speaker 1>when when Stevie and then being on my record, you know,

2:00:47.440 --> 2:00:49.440
<v Speaker 1>he's not on a lot of people's records, you know,

2:00:49.960 --> 2:00:51.320
<v Speaker 1>so when he gave me the stamp, I was like,

2:00:51.360 --> 2:00:53.400
<v Speaker 1>I don't care about these other people, like I'm gonna

2:00:53.400 --> 2:00:55.480
<v Speaker 1>just beat me. I'm his son in a way. You know,

2:00:55.560 --> 2:00:59.760
<v Speaker 1>it's no different thing speaking of Stevie on other people's records.

2:00:59.800 --> 2:01:01.600
<v Speaker 1>I heard of rumors that if you asked Stevie to

2:01:01.840 --> 2:01:03.760
<v Speaker 1>just play harmonica on the record, he'll do it, no

2:01:03.920 --> 2:01:05.840
<v Speaker 1>questions asked, just because he wants to hear more harmonic

2:01:05.920 --> 2:01:10.240
<v Speaker 1>on the radio. Maybe because he played harmonic on my record,

2:01:11.800 --> 2:01:16.480
<v Speaker 1>he didn't sing so so maybe so yeah, the uh

2:01:16.800 --> 2:01:19.920
<v Speaker 1>if you want to know a funny story, you gotta

2:01:19.960 --> 2:01:26.400
<v Speaker 1>look up Rick James speaking about uh, Mr Policeman the

2:01:26.760 --> 2:01:30.720
<v Speaker 1>last on side one of Street Songs cursing out Stevie

2:01:30.800 --> 2:01:37.160
<v Speaker 1>Wonder over the harmonica solo. Very hilarious story. So now

2:01:37.240 --> 2:01:40.040
<v Speaker 1>I'm gonna ask, what what is your your your two

2:01:40.080 --> 2:01:43.200
<v Speaker 1>thousand nineteen plays your goals? Well, I moved back to

2:01:43.280 --> 2:01:45.920
<v Speaker 1>New Orleans like three years ago, and um like I

2:01:46.000 --> 2:01:47.960
<v Speaker 1>told you about the Buddy Bowden House, but also I

2:01:48.040 --> 2:01:51.760
<v Speaker 1>started Morton Records, and it's kind of because I saw

2:01:51.840 --> 2:01:55.680
<v Speaker 1>the same business music business infrastructure that didn't exist when

2:01:55.680 --> 2:01:57.680
<v Speaker 1>I was there, and the reason I had to leave

2:01:58.040 --> 2:02:00.920
<v Speaker 1>was still kind of there. And um so I've started

2:02:00.960 --> 2:02:03.720
<v Speaker 1>to focus on that focus on some New Orleans talent

2:02:03.880 --> 2:02:06.880
<v Speaker 1>and some outside my background singers though more's I'm about

2:02:06.880 --> 2:02:09.480
<v Speaker 1>to put out a record on all yeah, um so,

2:02:09.840 --> 2:02:11.720
<v Speaker 1>a lot of it is is me focusing on some

2:02:11.840 --> 2:02:13.920
<v Speaker 1>acts outside of me. There's just rapper three D Nat

2:02:14.480 --> 2:02:16.200
<v Speaker 1>in New Orleans too that I'm about to do a

2:02:16.280 --> 2:02:20.520
<v Speaker 1>record on and um yeah so so and I'm gonna

2:02:20.520 --> 2:02:23.400
<v Speaker 1>do another record this year, but that's that's my main

2:02:23.480 --> 2:02:25.840
<v Speaker 1>focus is trying to get more than records. I mean, shoot,

2:02:25.920 --> 2:02:28.720
<v Speaker 1>my little indie labels got up a Grammy already. You

2:02:28.760 --> 2:02:32.160
<v Speaker 1>know what I'm saying, we did already. Yeah, so I'm

2:02:32.320 --> 2:02:34.440
<v Speaker 1>just trying to keep that going and really build the city.

2:02:34.480 --> 2:02:37.560
<v Speaker 1>I'm I'm about to um open up this compound in

2:02:37.640 --> 2:02:40.960
<v Speaker 1>New Orleans, uh Gumbo Studios, and you know it's gonna

2:02:41.000 --> 2:02:43.840
<v Speaker 1>be a couple of rehearsal studios in there. When is

2:02:43.880 --> 2:02:45.560
<v Speaker 1>that we're gonna because we need to do some New

2:02:45.680 --> 2:02:51.160
<v Speaker 1>Orleans shows, you know when this is. But but whenever

2:02:51.240 --> 2:02:59.320
<v Speaker 1>y'all come hit me up already Yeah, Okay, maybe as

2:03:00.040 --> 2:03:04.360
<v Speaker 1>has New Orleans whatever it was weird, has New Orleans

2:03:04.640 --> 2:03:09.200
<v Speaker 1>totally recovered from it's post Katrina. I think it's just

2:03:09.360 --> 2:03:13.400
<v Speaker 1>turning that corner right now, like I feel like thirteen years,

2:03:13.480 --> 2:03:16.400
<v Speaker 1>I think it's just starting because part of the thing

2:03:16.520 --> 2:03:19.360
<v Speaker 1>that makes New Orleans is like the people, the energy

2:03:19.440 --> 2:03:22.320
<v Speaker 1>from the people, right, and so the people were gone

2:03:22.440 --> 2:03:25.240
<v Speaker 1>for so long that and it was just shell shock,

2:03:25.400 --> 2:03:29.440
<v Speaker 1>Like yeah, it's hard to explain that experience, like of

2:03:29.560 --> 2:03:32.920
<v Speaker 1>having to leave your whole city and seeing everybody gone.

2:03:33.440 --> 2:03:37.120
<v Speaker 1>I think there wasn't enough attention on the mental aspect

2:03:37.160 --> 2:03:41.440
<v Speaker 1>of that kids. My little sister like in her senior

2:03:41.520 --> 2:03:43.960
<v Speaker 1>year in high school, having to go to Atlanta and

2:03:44.120 --> 2:03:46.920
<v Speaker 1>go to another school and leave all her friends and

2:03:47.040 --> 2:03:49.160
<v Speaker 1>then want to go home to New Orleans so bad

2:03:49.240 --> 2:03:51.640
<v Speaker 1>that she goes back and her friends aren't even there.

2:03:51.920 --> 2:03:54.800
<v Speaker 1>So then she finished. So it was this trauma man,

2:03:55.040 --> 2:03:57.560
<v Speaker 1>you know. Um, but now I feel like it's just

2:03:57.600 --> 2:04:00.240
<v Speaker 1>starting to turn the corner and we're getting back to us.

2:04:00.360 --> 2:04:05.160
<v Speaker 1>It feels like that now, you know, yeah, crazy well

2:04:05.360 --> 2:04:08.240
<v Speaker 1>you know, ear's ears to you rebuilding the city and

2:04:08.400 --> 2:04:10.960
<v Speaker 1>bringing it back, trying to do my my my little part.

2:04:11.320 --> 2:04:13.760
<v Speaker 1>All right, that's all you can do, all right, brother Morton,

2:04:14.000 --> 2:04:16.640
<v Speaker 1>We thank you for coming on the show. Thank y'all.

2:04:16.760 --> 2:04:19.480
<v Speaker 1>Thank you man. Like I just wanted to just just

2:04:19.640 --> 2:04:21.880
<v Speaker 1>from you. Man, I've seen your grind like i've seen

2:04:22.280 --> 2:04:23.680
<v Speaker 1>I mean, like I said, you know teen years ago

2:04:23.760 --> 2:04:26.760
<v Speaker 1>that was presor just salute to you man, just what

2:04:26.880 --> 2:04:29.480
<v Speaker 1>you just the way you've been able to move just

2:04:29.600 --> 2:04:31.800
<v Speaker 1>going from like I know how hard it is, you

2:04:31.840 --> 2:04:34.840
<v Speaker 1>know to reinvent yourself and do like so no, no brother,

2:04:34.960 --> 2:04:37.720
<v Speaker 1>just respect, salute you must love and thank you man,

2:04:37.760 --> 2:04:39.920
<v Speaker 1>appreciate that and thank you for going back home, because

2:04:39.920 --> 2:04:41.760
<v Speaker 1>if more artists went back home to their hometowns and

2:04:41.880 --> 2:04:44.200
<v Speaker 1>built it up, and you know, we have some better cities,

2:04:44.280 --> 2:04:47.280
<v Speaker 1>build it up, build it, I build it. I built

2:04:47.280 --> 2:04:49.840
<v Speaker 1>it out, thanking a gamble, damn see the sun. That

2:04:49.920 --> 2:05:00.400
<v Speaker 1>came to my mind was we built this, Oh God, Indiana,

2:05:04.040 --> 2:05:14.840
<v Speaker 1>and now it's solid anyway. It's like Fonte and and

2:05:15.000 --> 2:05:19.400
<v Speaker 1>Sugar Stephen Boss building unpaid bills somewhere children, Grover's smoking

2:05:19.400 --> 2:05:23.800
<v Speaker 1>a split on Sesame Street, cussing up a store. P J. Morton,

2:05:23.840 --> 2:05:26.000
<v Speaker 1>thank you very much for coming on the show, and

2:05:26.440 --> 2:05:28.200
<v Speaker 1>we will see you on the next go round. Of course,

2:05:28.280 --> 2:05:41.560
<v Speaker 1>Love Supria Course, Love Supreme is a production of My

2:05:41.720 --> 2:05:45.120
<v Speaker 1>Heart Radio. This classic episode was produced by the team

2:05:45.360 --> 2:05:50.800
<v Speaker 1>at Pandora. For more podcasts for my heart Radio, visit

2:05:50.840 --> 2:05:54.000
<v Speaker 1>the I Heart Radio app, Apple podcast, or wherever you

2:05:54.080 --> 2:05:55.240
<v Speaker 1>listen to your favorite shows.