WEBVTT - Anthony Baxter and Dylan Avery

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the Thing. Recently,

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<v Speaker 1>I've been producing a documentary film series each summer on

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<v Speaker 1>Long Island on behalf of the Hampton's International Film Festival,

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<v Speaker 1>and I'm pretty much addicted to documentary films. A good

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<v Speaker 1>documentary film requires a mixture of four basic ingredients. A

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<v Speaker 1>great story, a filmmaker with passion, an experienced crew, and money.

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<v Speaker 1>Today on the show, I'll speak with two documentary filmmakers

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<v Speaker 1>who each made controversial political films using a slightly different formula.

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<v Speaker 1>The story was there, but without any money or experience,

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<v Speaker 1>they had to make up that deficit with excess passion

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<v Speaker 1>or perhaps a better word, obsession. My first guest is

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<v Speaker 1>Anthony Baxter. Baxter was a radio journalist for the b

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<v Speaker 1>b C who turned to filmmaking when a unique strip

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<v Speaker 1>of coastline near his home in northeast Scotland was threatened

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<v Speaker 1>with development by billionaire Donald Trump. Trump had purchased a

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<v Speaker 1>few thousand acres of land with the intent of building

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<v Speaker 1>a golf course. Baxter's film You've Been Trumped documents the

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<v Speaker 1>drama that unfolded amongst Trump, the Scottish government, who supported

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<v Speaker 1>the project and the community of people who were deeply

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<v Speaker 1>rooted there. I'm going to build for the people of

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<v Speaker 1>Scotland the greatest golf course anywhere in the world. There'll

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<v Speaker 1>be nothing like it, and it's going to be done

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<v Speaker 1>environmentally perfect. It's just so false. You know, all these

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<v Speaker 1>people alive and suited and booted and yes, Mr Trump, no,

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<v Speaker 1>Mr Trump. It's a real mosaic of habitats. You've got

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<v Speaker 1>everything from open sound to shrubs, two trees to wetlands.

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<v Speaker 1>I've received many environmental awards over the years. The greatest

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<v Speaker 1>thing I've ever done for the environment is what I'll

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<v Speaker 1>be doing right here in Aberdeen. People who don't approve

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<v Speaker 1>of this, I don't approve a Bullion. Filmmaker Anthony Baxter

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<v Speaker 1>lives in a tiny village just fifty miles south of

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<v Speaker 1>Aberdeenshire where the film takes place, and it was Baxter's

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<v Speaker 1>pure frustration that fueled the film. The first thing was

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<v Speaker 1>really I felt, look, this story is not being reported

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<v Speaker 1>accurately in the media. In the two local newspapers were

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<v Speaker 1>saying this is going to be a fantastic thing. For

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<v Speaker 1>the end. They were on board from the beginning. Absolutely,

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<v Speaker 1>Why do you think that is. Well, when Donald Trump arrived,

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<v Speaker 1>the red carpet was rolled out as private jet touchdown

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<v Speaker 1>at Aberdeen Airport. The press were invited and they all

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<v Speaker 1>came along and they all said, this is going to

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<v Speaker 1>be fantastic. In a way, I think it was celebrity

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<v Speaker 1>is coming to this little part of Scotland and Donald

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<v Speaker 1>Trump is going to bring with him all these jobs.

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<v Speaker 1>And the media kind of just latched onto this as

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<v Speaker 1>if it was going to be a saving thing for

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<v Speaker 1>for the area. Who is the primary employer that what's

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<v Speaker 1>the primary means of employment there? The main employer for

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<v Speaker 1>the area is is the oil industry. I would say

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<v Speaker 1>that has been the driving force of the economy in

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<v Speaker 1>that part of the world. That's why there is only

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<v Speaker 1>one percent unemployment one percent in Aberdeenshire, which is where

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<v Speaker 1>you know, Donald Trump said he was going to be

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<v Speaker 1>building a golf course resort and and employing thousands of people.

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<v Speaker 1>And so when I heard that was happening, When I

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<v Speaker 1>heard that this was going to be essentially saving the

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<v Speaker 1>local economy according to you, thought that was strange because

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<v Speaker 1>he didn't need saving. Well, there are two things that

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<v Speaker 1>struck me about it. One was you know, the economy

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<v Speaker 1>I felt didn't need saving. The other thing was that

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<v Speaker 1>the environmental impact of this development was going to be enormous.

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<v Speaker 1>I mean, this was being built on a stretch of

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<v Speaker 1>unique scientific interest. To cite a special scientific interest as

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<v Speaker 1>the highest accolade that our country can bestow to a

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<v Speaker 1>protected site. So it's the equivalent in like in the

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<v Speaker 1>unities of like a national seashore. Absolutely, when you have

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<v Speaker 1>some massive tract of land that is of unique environmental value. Yes,

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<v Speaker 1>so it wasn't protected land. It was protected. It was

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<v Speaker 1>supposed to protective and development. Now what happened was nobody

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<v Speaker 1>reported the environmental impact that this result was going to have.

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<v Speaker 1>And I knew, having made a documentary for the BBC,

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<v Speaker 1>that it was going to be significant. Knew that this

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<v Speaker 1>was a protected site. But none of the local press

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<v Speaker 1>was saying anything about this, and instead they were focusing

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<v Speaker 1>in on the spack between Donald Trump and a and

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<v Speaker 1>one local resident who didn't want to sell his property.

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<v Speaker 1>And you know, I felt that the local people were

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<v Speaker 1>being parodied, and so I went up and I spoke

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<v Speaker 1>to them. I usually get up about seven and let

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<v Speaker 1>the cut out, and in this dark mornings, I just

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<v Speaker 1>nipped back to bed again and turn on the TV

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<v Speaker 1>and little about c half to seven, Get ready, staff,

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<v Speaker 1>Nick Borridge, give this manor job, eaches, give this minor

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<v Speaker 1>job in a guard job. My father he sang songs

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<v Speaker 1>that you never hear of the day. And he used

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<v Speaker 1>to sing a song You'll never miss the water till

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<v Speaker 1>the well runs dry, which is a very true. Seeing

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<v Speaker 1>here are people who live in an almost kind of

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<v Speaker 1>harmetic and very innocent lifestyle, their minding their own business

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<v Speaker 1>on a farm on the Scottish coast, and along comes

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<v Speaker 1>Darth Vader, if you will, Who's going to grip the

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<v Speaker 1>whole thing down and displace all them? And they seem

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<v Speaker 1>incredibly incredibly innocent people. Did they strike you that way

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<v Speaker 1>that they just wanted to be left alone and go

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<v Speaker 1>about their business? Absolutely? I mean when I first spoke

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<v Speaker 1>to the people there, um, I said to them, look,

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<v Speaker 1>you know, I think that Donald Trump should be held

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<v Speaker 1>accountable for his actions here, and I want you to

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<v Speaker 1>give me your trust that I will follow this story

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<v Speaker 1>and and hold into account for this and all over

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<v Speaker 1>the world, you know, whether it's in New York or

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<v Speaker 1>whether it's in Michigan, and whether it's in Denver or

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<v Speaker 1>all the places we've shown the film, people can't to

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<v Speaker 1>us and they've said the same kind of thing is

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<v Speaker 1>happening here. You know, it's not always Donald Trump, but

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<v Speaker 1>often there is a developer coming in say look, we're

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<v Speaker 1>going to develop this land. We think it's going to

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<v Speaker 1>be fantastic for the economy, and the local government gets

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<v Speaker 1>on side. Maybe there's a real this is striking accord.

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<v Speaker 1>Let me just say that Trump is a very mixed bag.

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<v Speaker 1>If he was a filmmaker, you know, he'd have water

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<v Speaker 1>World on some of his slate, and he'd have I'm

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<v Speaker 1>not going to say Citizen Kane, but he'd have some

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<v Speaker 1>pretty estimable things. Trump is a very very complicated person.

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<v Speaker 1>And I'm wondering you were around him. How much were

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<v Speaker 1>you because in the film you doesn't seem like you

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<v Speaker 1>are in direct, you know, proximity to him all that often?

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<v Speaker 1>Is that true? Yeah? I mean I went up there.

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<v Speaker 1>The first day I went up to film really was

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<v Speaker 1>in May when he came over. I heard on the

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<v Speaker 1>news he was there, So I went up and I

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<v Speaker 1>said to the guy on the door of this this

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<v Speaker 1>UM press conference, Look, I'm from Entres Pictures of the

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<v Speaker 1>production company, which I am and um. I went down

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<v Speaker 1>and I started filming there, and when I saw Donald

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<v Speaker 1>Trump standing there saying, we are going to stabilize the

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<v Speaker 1>dunes and make them better than they were previously. The

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<v Speaker 1>scientists had said to me that if you stabilize the junes,

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<v Speaker 1>it's the worst possible thing you can do. You know,

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<v Speaker 1>by stabilizing the dunes, you are taking away the thing

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<v Speaker 1>that makes them a site of special scientific interest. You know,

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<v Speaker 1>they've been there for many hundreds of years, moving and

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<v Speaker 1>shifting on their own, on their own accord. And if

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<v Speaker 1>you stabilize them to build a golf course, then you

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<v Speaker 1>are changing the landscape forever and that uniqueness. Well, you see.

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<v Speaker 1>You see. The thing is with with Donald Trump. He's

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<v Speaker 1>used to having media around who are going to give

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<v Speaker 1>him good press. But I disagree with you. I think

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<v Speaker 1>maybe that's the case over there. What was it about

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<v Speaker 1>what was going on over there that people bit the

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<v Speaker 1>Trump hook? Because in America they don't do them anymore.

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<v Speaker 1>Trump is someone who is viewed with as much skepticism

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<v Speaker 1>as he is with fascination. Who didn't say no? And

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<v Speaker 1>why didn't they say? Now? Well, first, Bore the local

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<v Speaker 1>government said no, and the Scottish government called in the decision,

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<v Speaker 1>over ruling the local guy. Do you think their argument

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<v Speaker 1>was that this is in the Scottish national interest, this

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<v Speaker 1>is going to create so many jobs. They said, look,

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<v Speaker 1>this is going to put Scotland on the map for golf,

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<v Speaker 1>even though as we all know Scotland as stuff full

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<v Speaker 1>of golf courses. Anyways, that's where golf was founded, you know,

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<v Speaker 1>St Andrew's. And it's baffling to me. I have to say,

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<v Speaker 1>I don't understand it myself, you know, I mean the end,

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<v Speaker 1>it was just someone who you could point to who

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<v Speaker 1>was ultimately responsible for their decision. On the national level. Well,

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<v Speaker 1>the First Minister of Scotland, Alex Salmond, refused to do

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<v Speaker 1>an interview with us, but essentially he was the one absolutely.

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<v Speaker 1>And now, of course we've got this extraordinary situation where

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<v Speaker 1>Donald Trump is furious about a wind farm which has

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<v Speaker 1>been planned off the coast. He's saying that if the

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<v Speaker 1>wind farmers built, he's out, He's out. Who's going to

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<v Speaker 1>make that decision. That's down to the Scottish government, to

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<v Speaker 1>Alex Salmond. But you see Mr Salmond has so there's

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<v Speaker 1>been a wall of silence after Donald Trump wrote a

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<v Speaker 1>couple of letters to the First Minister, furious letters saying

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<v Speaker 1>you promised me this wind farm wouldn't be built, did they? Um? Well,

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<v Speaker 1>the Scottish government's line at the moment is that was

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<v Speaker 1>the previous administration and I actually, you know, the thing

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<v Speaker 1>is is that this golf course development was given the

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<v Speaker 1>go ahead by Mr Salmon, who said, we're giving this

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<v Speaker 1>to go ahead because we believe the idea that's going

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<v Speaker 1>to bring all these jobs. We understand there's going to

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<v Speaker 1>be a serious environmental impact. But sometimes as a government

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<v Speaker 1>you have to make tough decisions. How did he address

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<v Speaker 1>the concerns about the environment, Well, he just ignored them.

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<v Speaker 1>He basically acknowledged there would be an environmental impact, but

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<v Speaker 1>he said that the economic developments, the economic gain, outweighed

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<v Speaker 1>the environmental concerns. In the film, you see that the

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<v Speaker 1>bulldozers have torn into the whole thing. The whole thing

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<v Speaker 1>is completely lacerated and it looks like a golf course

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<v Speaker 1>because the destruction, as you as you say, has been done.

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<v Speaker 1>But what hasn't happened yet is the skyscraper hotel and

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<v Speaker 1>the undred houses and all the facilities. The skyscraper hotel,

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<v Speaker 1>and he doesn't get the condos. Are they they're going

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<v Speaker 1>to still have a Gulf operation. They they're going to

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<v Speaker 1>have a couple of temporary buildings. But now he's saying

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<v Speaker 1>that work on the rest of it is on hold

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<v Speaker 1>until there's a wind farm decision. Once the status of

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<v Speaker 1>the wind farm decision, well, we're waiting for a decision

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<v Speaker 1>from the Scottish government on that, and you know that

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<v Speaker 1>remains to be seen. But Donald Trump is a developer.

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<v Speaker 1>That's what he does. He builds skyscrapers, he builds resorts.

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<v Speaker 1>The Scottish government said in this case, look, you know,

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<v Speaker 1>we understand there's this big environmental impact, but the economics

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<v Speaker 1>outweigh that, and I think that question has to be

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<v Speaker 1>put to the Scottish government. The Scottish government at the

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<v Speaker 1>moment is fighting to have Scotland as a fully independent country.

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<v Speaker 1>There's going to be a referendum in two thousand and

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<v Speaker 1>fourteen for true Scottish independence, where Scotland would be completely

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<v Speaker 1>separate to the rest of the United Kingdom. What's the

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<v Speaker 1>public support for that. Well, you know, it's an interesting question.

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<v Speaker 1>I don't know what the latest surveys are on that.

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<v Speaker 1>But if you are going to have a government which

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<v Speaker 1>overturns its own strict environmental policies in order to give

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<v Speaker 1>a developer the green light to build a golf course,

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<v Speaker 1>resort and a skyscraper, hotel and houses on one of

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<v Speaker 1>its last wilderness areas. Then you have to ask yourself

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<v Speaker 1>the question, you know, how will the Scottish government be

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<v Speaker 1>behaving in the future, right? You know, this was an

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<v Speaker 1>opportunity in a way for Scotland to stand up and say, look,

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<v Speaker 1>you know we have here a prized part of our

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<v Speaker 1>country which is beautiful. It's one of our last wilderness areas.

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<v Speaker 1>We could stand up now and say, look, we know

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<v Speaker 1>there is this development proposal to come in from Donald

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<v Speaker 1>Trump to build this resort. It's going to bring a

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<v Speaker 1>few jobs that the economists who we have in the

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<v Speaker 1>film say the number of jobs will be closer to zero.

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<v Speaker 1>You know, they had an opportunity to stand up for

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<v Speaker 1>the environment. The Scottish government had that opportunity and it

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<v Speaker 1>and it refused to take it. For the future of Scotland,

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<v Speaker 1>I think that sends out huge alarm bells. If you

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<v Speaker 1>have a fully independent Scotland, then it's going to allow

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<v Speaker 1>that kind of thing to happen again. But I'm wondering,

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<v Speaker 1>when you make films like this which involved these causes,

0:12:13.160 --> 0:12:15.080
<v Speaker 1>what does this do to you in the long term,

0:12:15.080 --> 0:12:18.480
<v Speaker 1>meaning the golf course is there, the damage is done

0:12:18.559 --> 0:12:22.000
<v Speaker 1>in the scenic beauty. Do you feel any compulsion to

0:12:22.040 --> 0:12:27.080
<v Speaker 1>participate in this process now beyond you having cut the

0:12:27.120 --> 0:12:29.000
<v Speaker 1>camera or do you just walk away from it now

0:12:29.000 --> 0:12:30.679
<v Speaker 1>and you're not really engaged by what's coming on? I

0:12:30.720 --> 0:12:33.640
<v Speaker 1>think it really does get under you still care. I

0:12:33.679 --> 0:12:35.840
<v Speaker 1>think the thing is is that the story doesn't really

0:12:35.920 --> 0:12:39.079
<v Speaker 1>leave you. I think in a way this as you say,

0:12:39.120 --> 0:12:41.520
<v Speaker 1>the golf course is there, it could be reclaimed in

0:12:41.600 --> 0:12:44.760
<v Speaker 1>hundreds of years. In fact, there's a Scottish singer songwriter

0:12:44.800 --> 0:12:47.520
<v Speaker 1>called Kareem Poet. He has written a song inspired by

0:12:47.520 --> 0:12:52.120
<v Speaker 1>the film where the Steve Fogg in Scotland, which is

0:12:52.160 --> 0:12:55.280
<v Speaker 1>called the Heart reaps its quiet vengeance on the resort

0:12:55.960 --> 0:13:04.240
<v Speaker 1>and eventually it really is reclaimed by nature. The tist

0:13:04.280 --> 0:13:08.360
<v Speaker 1>of labs and flows where the Ethan meets the ocean,

0:13:09.240 --> 0:13:13.400
<v Speaker 1>and not even God himself could stop the northern leads

0:13:13.520 --> 0:13:19.559
<v Speaker 1>from blowing. You can tear these turns asunder bounders wondering

0:13:19.679 --> 0:13:25.720
<v Speaker 1>to dust with your cruel hands and crooked hearts, laden

0:13:25.960 --> 0:13:32.199
<v Speaker 1>with lost an expensive life. But the horror will stumble

0:13:32.360 --> 0:13:40.040
<v Speaker 1>in to color your eyes. The heart will stumble. And

0:13:42.880 --> 0:13:45.280
<v Speaker 1>how did you raise the money for? You've been trumped?

0:13:45.280 --> 0:13:47.839
<v Speaker 1>Where the money come from? So we didn't have any money.

0:13:47.960 --> 0:13:50.400
<v Speaker 1>The way it works now for filmmakers, as you go

0:13:50.480 --> 0:13:53.000
<v Speaker 1>to a pitching forum often and you say, look, I've

0:13:53.040 --> 0:13:54.520
<v Speaker 1>got this idea for this film I think is an

0:13:54.520 --> 0:13:57.280
<v Speaker 1>important story. You make a trailer, you found that yourself.

0:13:57.720 --> 0:13:59.839
<v Speaker 1>You then stand in front of a load of executives

0:14:00.440 --> 0:14:02.560
<v Speaker 1>from around the world and you tell them why you

0:14:02.600 --> 0:14:05.719
<v Speaker 1>think this story is really important as a documentary, and

0:14:05.800 --> 0:14:08.120
<v Speaker 1>they then decide whether or not they're going to fund

0:14:08.160 --> 0:14:10.600
<v Speaker 1>it or not. And so when I pitched this film

0:14:10.640 --> 0:14:14.560
<v Speaker 1>at the Edinburgh International Film Festival and we were voted

0:14:14.679 --> 0:14:18.080
<v Speaker 1>essentially the best pitch. However, one of the executives from

0:14:18.200 --> 0:14:20.640
<v Speaker 1>PBS actually said to me, I hope you've got a

0:14:20.640 --> 0:14:23.840
<v Speaker 1>good lawyer, because if you're going to take on Donald Trump,

0:14:23.920 --> 0:14:26.480
<v Speaker 1>you're going to need one. And there was no money

0:14:26.480 --> 0:14:30.680
<v Speaker 1>forthcoming from that pitching session, so I had to remortgage

0:14:30.800 --> 0:14:34.600
<v Speaker 1>the house and we hit the internet and crowdfunded this.

0:14:34.600 --> 0:14:37.680
<v Speaker 1>This is how many documentary filmmakers are making films now.

0:14:37.720 --> 0:14:42.560
<v Speaker 1>They hit a website like Indiego Go or Kickstarter, they

0:14:42.600 --> 0:14:45.200
<v Speaker 1>make a trailer and they ask people to contribute money.

0:14:45.240 --> 0:14:47.480
<v Speaker 1>I mean, you're in the land of Robert Townsend in

0:14:47.560 --> 0:14:50.400
<v Speaker 1>Hollywood Shuffle where you're putting it on your own credit

0:14:50.440 --> 0:14:52.760
<v Speaker 1>card and bar You're just you're just doing whatever you can.

0:14:53.400 --> 0:14:54.920
<v Speaker 1>It's the only way you can do it. What was

0:14:54.960 --> 0:14:58.120
<v Speaker 1>the budget of the film. Finally, I'm terribly British when

0:14:58.120 --> 0:14:59.880
<v Speaker 1>it comes to things like this. I talk about money.

0:15:00.160 --> 0:15:02.760
<v Speaker 1>I'm asking because I think people find this interesting. Meaning,

0:15:03.080 --> 0:15:08.680
<v Speaker 1>a guy on a zone found a way the couple together, X.

0:15:08.880 --> 0:15:11.560
<v Speaker 1>Would you say it was north of five dollars? Oh gosh,

0:15:11.560 --> 0:15:13.560
<v Speaker 1>if way south of that? I mean it was south

0:15:13.600 --> 0:15:16.680
<v Speaker 1>of that, Okay, I mean i'd say I'd say in

0:15:16.680 --> 0:15:18.400
<v Speaker 1>a way to be honest with you, Alec, if you

0:15:18.400 --> 0:15:21.600
<v Speaker 1>have a camera and you have memory cards or tapes

0:15:21.640 --> 0:15:23.880
<v Speaker 1>to put into the camera, you're really talking about your time.

0:15:24.240 --> 0:15:26.400
<v Speaker 1>And the location was to drive away from your exactly.

0:15:26.480 --> 0:15:28.680
<v Speaker 1>So I was able to drive up there, and that's

0:15:28.680 --> 0:15:30.520
<v Speaker 1>really what was so important to me. I mean that,

0:15:30.920 --> 0:15:33.760
<v Speaker 1>you know, and that's what documentary filmmaking for me is

0:15:33.800 --> 0:15:35.920
<v Speaker 1>all about trying to get to the truth of something

0:15:36.040 --> 0:15:40.800
<v Speaker 1>you find, well, is this real life? Is this really unfolding?

0:15:41.000 --> 0:15:45.000
<v Speaker 1>And sometimes real life is stranger than fiction, and this

0:15:45.080 --> 0:15:47.960
<v Speaker 1>is this is a classic example of that. I don't

0:15:47.960 --> 0:15:53.360
<v Speaker 1>think your film is finished. There's a there is a

0:15:53.400 --> 0:15:56.200
<v Speaker 1>part two. I think the thing is. What we've found

0:15:56.400 --> 0:15:59.160
<v Speaker 1>is that, for example, we've been showing the film in

0:15:59.240 --> 0:16:02.359
<v Speaker 1>Croatia recently, and we showed it in the town of Dobrovnik,

0:16:02.440 --> 0:16:04.760
<v Speaker 1>which is under threat from you know, an alleged as

0:16:04.880 --> 0:16:07.680
<v Speaker 1>Radia arms dealer who's building this golf court wants to

0:16:07.680 --> 0:16:10.080
<v Speaker 1>build a golf course resort overlooking the sound the town

0:16:10.120 --> 0:16:13.520
<v Speaker 1>of Dobrovnik, which is a UNISCO protected site, and the

0:16:13.560 --> 0:16:19.080
<v Speaker 1>local villagers put the film on to try and bring

0:16:19.200 --> 0:16:21.480
<v Speaker 1>home to people this is what the future could hold

0:16:21.520 --> 0:16:23.280
<v Speaker 1>for us if we allow this kind of thing to happen.

0:16:23.320 --> 0:16:26.880
<v Speaker 1>I mean, in Croatia, the government is supporting the building

0:16:26.880 --> 0:16:30.040
<v Speaker 1>of a hundred golf resorts. You know, in a way

0:16:30.400 --> 0:16:33.840
<v Speaker 1>the film where we've been screening it in America, there

0:16:33.840 --> 0:16:35.280
<v Speaker 1>are people who come up to us and they say,

0:16:35.600 --> 0:16:38.520
<v Speaker 1>you know, there's a similar kind of development being planned

0:16:38.560 --> 0:16:41.800
<v Speaker 1>for here, and so you're right. It isn't over. What

0:16:41.880 --> 0:16:45.040
<v Speaker 1>are you working on? Well, at the moment, I'm working

0:16:45.040 --> 0:16:46.840
<v Speaker 1>on trying to get the film out to an audience.

0:16:46.920 --> 0:16:48.960
<v Speaker 1>We think that this story is one that has to

0:16:48.960 --> 0:16:52.360
<v Speaker 1>be told, is one that resonates with people here in America.

0:16:52.520 --> 0:16:56.120
<v Speaker 1>But we're doing distribution now we don't have Why do

0:16:56.160 --> 0:16:58.000
<v Speaker 1>you think you don't have distribution? Do you think that

0:16:58.120 --> 0:17:00.560
<v Speaker 1>some people are overlook the film if you were in

0:17:00.600 --> 0:17:04.119
<v Speaker 1>the distribution world, because what's new about spitting on Trump? Well?

0:17:04.160 --> 0:17:06.639
<v Speaker 1>I think on the film shows Donald Trump. Has you

0:17:06.760 --> 0:17:10.120
<v Speaker 1>never seen him before? I mean, because here you see

0:17:10.200 --> 0:17:15.320
<v Speaker 1>him bullying and harassing local people and developing a unique

0:17:15.320 --> 0:17:18.000
<v Speaker 1>wilderness area and destroying an environment. Store see, I happen

0:17:18.000 --> 0:17:22.280
<v Speaker 1>to be a very truthful person. His property is terribly maintained.

0:17:22.440 --> 0:17:26.520
<v Speaker 1>It's slum like, it's disgusting. He's got stuff thrown all

0:17:26.520 --> 0:17:28.639
<v Speaker 1>over the place. He lives like a pig. And I

0:17:28.680 --> 0:17:31.439
<v Speaker 1>did say that. And I'm an honest guy, and I

0:17:31.480 --> 0:17:33.879
<v Speaker 1>speak honestly, and I think that's why some people like

0:17:34.000 --> 0:17:36.520
<v Speaker 1>me and some people probably don't like me. But I

0:17:36.600 --> 0:17:38.640
<v Speaker 1>think you do himself a great service if you fixed

0:17:38.680 --> 0:17:41.440
<v Speaker 1>up this property, you do show it on camera. There's

0:17:41.480 --> 0:17:44.119
<v Speaker 1>a thing that Trump does, which is the thing I

0:17:44.160 --> 0:17:47.560
<v Speaker 1>loved most about the film. There is his Trump condemning

0:17:47.600 --> 0:17:51.840
<v Speaker 1>these people and marginalizing these innocent people, these completely innocent people.

0:17:51.920 --> 0:17:54.520
<v Speaker 1>We were surprised ourselves. I think about the impact it

0:17:54.560 --> 0:17:57.760
<v Speaker 1>would have on audiences, but people in theaters when they

0:17:57.840 --> 0:18:01.080
<v Speaker 1>see it, it's got a tremendous power, I think, because

0:18:01.119 --> 0:18:04.800
<v Speaker 1>people feel very strongly about what's happened, and they feel

0:18:04.920 --> 0:18:17.640
<v Speaker 1>very strongly for these people and for the environment. Donald

0:18:17.720 --> 0:18:22.560
<v Speaker 1>Trump's golf course in Aberdeen, Scotland opened last month. Plans

0:18:22.560 --> 0:18:25.560
<v Speaker 1>to build the hotel are on hold, pending a decision

0:18:25.560 --> 0:18:28.240
<v Speaker 1>by the Scottish government to allow a wind farm to

0:18:28.280 --> 0:18:31.920
<v Speaker 1>be built within view of the course. You've Been Trumped

0:18:32.280 --> 0:18:35.000
<v Speaker 1>is playing at the Village East Cinema in New York.

0:18:35.359 --> 0:18:44.320
<v Speaker 1>It opens in Los Angeles on August. My next guest,

0:18:44.760 --> 0:18:48.159
<v Speaker 1>Dylan Avery, was an eighteen year old film student in

0:18:48.240 --> 0:18:50.480
<v Speaker 1>upstate New York when he came up with an idea

0:18:50.560 --> 0:18:54.080
<v Speaker 1>for a summer action movie about a vast nine eleven

0:18:54.119 --> 0:18:59.080
<v Speaker 1>conspiracy while working as a waiter at Red Lobster. Avery

0:18:59.160 --> 0:19:02.840
<v Speaker 1>combed through undreds of hours of eyewitness accounts, news footage,

0:19:03.080 --> 0:19:08.040
<v Speaker 1>and official reports from nine eleven His fictional script gradually

0:19:08.119 --> 0:19:13.240
<v Speaker 1>dissolved into an obsessively researched documentary called Loose Change, which

0:19:13.280 --> 0:19:17.680
<v Speaker 1>alleged that nine eleven really was an inside job. Here's

0:19:17.680 --> 0:19:25.600
<v Speaker 1>a clip of only seven ft long high, has a

0:19:25.680 --> 0:19:30.040
<v Speaker 1>hundred and twenty ft wingspan and weighs almost one tons.

0:19:30.680 --> 0:19:33.080
<v Speaker 1>Are we supposed to believe that it disappeared into this

0:19:33.119 --> 0:19:36.520
<v Speaker 1>hole without leaving any wreckage on the outside? Why is

0:19:36.520 --> 0:19:38.879
<v Speaker 1>there no damage from where the wings, or the vertical

0:19:38.920 --> 0:19:41.959
<v Speaker 1>stabilizer or the engines would have slammed into the building.

0:19:43.680 --> 0:19:48.080
<v Speaker 1>Avery's film became an online sensation after being posted on

0:19:48.119 --> 0:19:51.840
<v Speaker 1>the Internet. Loose Change spawned a truth or movement composed

0:19:51.840 --> 0:19:54.919
<v Speaker 1>of people that believe the government orchestrated nine eleven and

0:19:54.960 --> 0:19:58.640
<v Speaker 1>then covered it up. And as with all conspiracy theories,

0:19:59.040 --> 0:20:01.359
<v Speaker 1>talking about them in public can get you into trouble.

0:20:02.000 --> 0:20:05.199
<v Speaker 1>That hasn't stopped Dylan Avery. The nine eleven Commission was

0:20:05.240 --> 0:20:07.080
<v Speaker 1>a cover up, and the only question is what it

0:20:07.119 --> 0:20:09.680
<v Speaker 1>was covering up. What do you think it was covering up?

0:20:09.720 --> 0:20:15.479
<v Speaker 1>Easily the the complete abundance of warnings that it appeared

0:20:15.480 --> 0:20:18.480
<v Speaker 1>the government received. When you have John Ashcroft flying private

0:20:18.520 --> 0:20:22.480
<v Speaker 1>jets in July two thousand one. When you have massive

0:20:22.720 --> 0:20:25.639
<v Speaker 1>put options placed on American United Airlines leading up to

0:20:25.640 --> 0:20:28.680
<v Speaker 1>the events, that is suspicious, to say the least, when

0:20:28.720 --> 0:20:31.240
<v Speaker 1>you take those facts because this is a game. Obviously

0:20:31.240 --> 0:20:34.199
<v Speaker 1>I shouldn't say game, but this is an exercise that

0:20:34.280 --> 0:20:37.600
<v Speaker 1>a lot of people have toyed with. One thing you

0:20:37.680 --> 0:20:39.480
<v Speaker 1>do sing in the film, which is the one I

0:20:39.520 --> 0:20:41.639
<v Speaker 1>can't let go of, is the destruction of the entire

0:20:42.359 --> 0:20:44.919
<v Speaker 1>Rolls Royce engine system and the entire fuselage of the

0:20:44.920 --> 0:20:49.560
<v Speaker 1>plane that goes into the Pentagon. Shanksville is more glaring

0:20:49.640 --> 0:20:53.200
<v Speaker 1>the Pentagon, because I mean, I've seen news footage taken

0:20:53.240 --> 0:20:56.360
<v Speaker 1>immediately after, I've seen photographs taken that day, days after

0:20:56.400 --> 0:20:59.000
<v Speaker 1>the fact, and there is just nothing there. There's a

0:20:59.000 --> 0:21:01.320
<v Speaker 1>hole in the ground, there's no fusilize, there's no engine,

0:21:01.359 --> 0:21:03.960
<v Speaker 1>there's no tail, there's no What did the eleven Commission

0:21:04.040 --> 0:21:06.359
<v Speaker 1>say about that? They simply said that the plane crashed

0:21:06.400 --> 0:21:09.199
<v Speaker 1>going at a very high rate of speed. There are

0:21:09.240 --> 0:21:13.960
<v Speaker 1>websites dedicated specifically to airplane crashes and to the debris leftover,

0:21:14.440 --> 0:21:18.600
<v Speaker 1>and you can go to any jumbo jet crash ever,

0:21:19.200 --> 0:21:21.960
<v Speaker 1>and you will see something some kind of trace. I mean,

0:21:21.960 --> 0:21:24.680
<v Speaker 1>the eyewitnesses that showed up to the site said themselves,

0:21:24.920 --> 0:21:26.480
<v Speaker 1>I didn't even know if I was in the right place.

0:21:26.480 --> 0:21:29.160
<v Speaker 1>I didn't see a plane. What happened to the people

0:21:29.160 --> 0:21:30.840
<v Speaker 1>that were on the plane that that plane took off?

0:21:30.920 --> 0:21:34.600
<v Speaker 1>What have people postulated to you has happened? Oh man,

0:21:34.720 --> 0:21:37.800
<v Speaker 1>there's that makes sense to you. There's a lot of

0:21:37.840 --> 0:21:40.080
<v Speaker 1>theories out there, but I and that's the one thing

0:21:40.080 --> 0:21:42.080
<v Speaker 1>that I've tried to avoid talking about in the past

0:21:42.119 --> 0:21:45.640
<v Speaker 1>couple of years is theories because it's just dangerous territory

0:21:45.680 --> 0:21:47.560
<v Speaker 1>and you start talking about things that may or may

0:21:47.560 --> 0:21:50.000
<v Speaker 1>not have happened to the extent without endorsing or even

0:21:50.040 --> 0:21:53.080
<v Speaker 1>discussing any theory. Are there any that addressed that, for example,

0:21:53.119 --> 0:21:54.639
<v Speaker 1>that have made any sense to you at all? I

0:21:54.640 --> 0:21:57.480
<v Speaker 1>mean that there's all kinds that the four original planes

0:21:57.520 --> 0:21:59.760
<v Speaker 1>were herded to an Air Force space and then the

0:21:59.760 --> 0:22:02.760
<v Speaker 1>path messengers because all four of the planes on the

0:22:02.800 --> 0:22:06.960
<v Speaker 1>morning of nine eleven averaged about capacity. I don't know

0:22:06.960 --> 0:22:09.479
<v Speaker 1>how often you fly ALEC, but even back in two

0:22:09.560 --> 0:22:12.000
<v Speaker 1>thousand one on a weekday morning, it was hard to

0:22:12.000 --> 0:22:15.720
<v Speaker 1>get four planes that empty. One of the theories is

0:22:15.760 --> 0:22:18.359
<v Speaker 1>that the four planes were shepherded into an air Force space.

0:22:18.440 --> 0:22:20.679
<v Speaker 1>The people were taken off of that plane put onto

0:22:20.880 --> 0:22:24.000
<v Speaker 1>a fifth plane, and then that plane shot down again.

0:22:24.240 --> 0:22:26.439
<v Speaker 1>Just a theory. I'm not saying that's what I believe.

0:22:26.560 --> 0:22:28.920
<v Speaker 1>But but let me just finish this school. We could

0:22:28.920 --> 0:22:30.800
<v Speaker 1>go on and on and you can take all the

0:22:31.440 --> 0:22:34.040
<v Speaker 1>truth movement, and you can take all that information and

0:22:34.040 --> 0:22:36.720
<v Speaker 1>set it aside, because what's daunting is you never will know.

0:22:37.480 --> 0:22:40.120
<v Speaker 1>So we go down there now and what do we have.

0:22:40.760 --> 0:22:43.200
<v Speaker 1>What do you think about what's been what's happening at

0:22:43.240 --> 0:22:45.800
<v Speaker 1>the site of the World Trade Center now, at the

0:22:45.880 --> 0:22:49.560
<v Speaker 1>site itself. Uh, it would be nice for everything to

0:22:49.600 --> 0:22:51.600
<v Speaker 1>have been built and for they're not to have been

0:22:51.640 --> 0:22:54.400
<v Speaker 1>this long drawn out battle of the memorial. It would

0:22:54.400 --> 0:22:56.760
<v Speaker 1>have been nice for the tenure anniversary for everything to

0:22:56.960 --> 0:23:00.440
<v Speaker 1>have been I don't want to see it back to normal, um,

0:23:00.480 --> 0:23:02.439
<v Speaker 1>because you know, how are things ever going to get

0:23:02.440 --> 0:23:05.000
<v Speaker 1>back to normal in this country. It just it seemed

0:23:05.040 --> 0:23:10.360
<v Speaker 1>like something wasn't complete. Um. It was a very surreal

0:23:10.960 --> 0:23:13.400
<v Speaker 1>day for me because you know, it's ten years after

0:23:13.440 --> 0:23:15.200
<v Speaker 1>the fact. You know, a lot has happened in the

0:23:15.240 --> 0:23:18.159
<v Speaker 1>past decade, A lot has happened with the movement with

0:23:18.320 --> 0:23:22.840
<v Speaker 1>the country. I mean Ground zero was a madhouse. It

0:23:22.920 --> 0:23:24.439
<v Speaker 1>was just amaze. You know. We all felt like we

0:23:24.440 --> 0:23:27.000
<v Speaker 1>were just kind of being corralled through these gates and

0:23:27.040 --> 0:23:30.399
<v Speaker 1>fences and eventually made our way to the free speech

0:23:30.480 --> 0:23:34.880
<v Speaker 1>zone where the truth movement was assembled. Essentially, when you say,

0:23:34.960 --> 0:23:37.280
<v Speaker 1>quote unquote the truth movement was assembled, is it a

0:23:37.320 --> 0:23:40.960
<v Speaker 1>desperate bunch of people from different distinct groups. Who's part

0:23:40.960 --> 0:23:43.439
<v Speaker 1>of that umbrella? You know, it's tricky. I suppose it

0:23:43.480 --> 0:23:45.639
<v Speaker 1>is a giant umbrella at this point, because you know,

0:23:45.680 --> 0:23:47.880
<v Speaker 1>when you you tell somebody you want the truth about

0:23:47.960 --> 0:23:51.960
<v Speaker 1>nine eleven, they they probably already have many preconceived notions

0:23:51.960 --> 0:23:54.200
<v Speaker 1>about what it is you're asking, just because they've seen

0:23:54.320 --> 0:23:57.000
<v Speaker 1>so many different aspects of this movement over the past decade.

0:23:57.880 --> 0:24:00.800
<v Speaker 1>There's a lot of it propelled by your film, A

0:24:00.840 --> 0:24:04.520
<v Speaker 1>good percentage of it the wind of the truth movement. Yeah,

0:24:04.560 --> 0:24:08.280
<v Speaker 1>and you know, unintentionally, so you know it was never

0:24:08.640 --> 0:24:10.640
<v Speaker 1>yeah it was it was never a goal of your Yeah,

0:24:10.640 --> 0:24:12.560
<v Speaker 1>it was just, hey, let's make this movie to express

0:24:12.600 --> 0:24:16.720
<v Speaker 1>these things. You say. You're there. Are you treated like

0:24:16.760 --> 0:24:18.520
<v Speaker 1>a deity among those people? Do they kind of like

0:24:18.640 --> 0:24:22.399
<v Speaker 1>you're you know, I actually I don't like being idolized,

0:24:22.400 --> 0:24:24.480
<v Speaker 1>and I don't like being put up on a pedestal

0:24:24.640 --> 0:24:26.840
<v Speaker 1>and having attention drawn to you. Yeah, because it's just

0:24:26.880 --> 0:24:29.000
<v Speaker 1>I'm just a filmmaker. That's all. That's all it's ever

0:24:29.040 --> 0:24:31.840
<v Speaker 1>come from. So when when you first get into this

0:24:31.880 --> 0:24:33.639
<v Speaker 1>and when you first kind of start to open your

0:24:33.640 --> 0:24:36.320
<v Speaker 1>eyes to this information, it's very easy to get sucked in,

0:24:36.760 --> 0:24:40.560
<v Speaker 1>and it's very easy to feel overwhelmed and like almost

0:24:40.600 --> 0:24:43.479
<v Speaker 1>anything could be true more or less. But you have

0:24:43.560 --> 0:24:45.240
<v Speaker 1>to kind of reach that point where you take a

0:24:45.240 --> 0:24:48.639
<v Speaker 1>step back and you start to analyze things and just like,

0:24:48.680 --> 0:24:51.439
<v Speaker 1>all right, well, what what's good for the movement? You know,

0:24:51.480 --> 0:24:53.600
<v Speaker 1>what's good for the cause, and what are the things

0:24:53.680 --> 0:24:56.879
<v Speaker 1>that truly matter? You just said the movement. Do you

0:24:56.920 --> 0:24:59.480
<v Speaker 1>believe that you're a filmmaker who's making films and you're

0:24:59.480 --> 0:25:01.520
<v Speaker 1>pointing in casting a lightem what you think is a

0:25:01.560 --> 0:25:03.600
<v Speaker 1>set of facts or do you think you're part of

0:25:03.600 --> 0:25:06.320
<v Speaker 1>a movement or both or neither? Which is it? Primarily

0:25:06.320 --> 0:25:08.280
<v Speaker 1>I'm a filmmaker, and that's that's the whole reason loose

0:25:08.359 --> 0:25:10.399
<v Speaker 1>change exists. But and then I wrong to assume that

0:25:10.400 --> 0:25:12.320
<v Speaker 1>you've kind of gotten out of the movement business. The

0:25:12.359 --> 0:25:14.720
<v Speaker 1>last couple of years. That's well, it's tough to say,

0:25:14.760 --> 0:25:16.560
<v Speaker 1>I mean, because I'm still involved. I was still there

0:25:16.600 --> 0:25:18.600
<v Speaker 1>at Ground zero and the tenth anniversary. I still talk

0:25:18.680 --> 0:25:20.600
<v Speaker 1>to all the people that are actively Why did you go?

0:25:21.280 --> 0:25:24.080
<v Speaker 1>I went mostly to pay my respects and to see

0:25:24.080 --> 0:25:26.639
<v Speaker 1>how construction had come along, and also to see the

0:25:26.680 --> 0:25:28.600
<v Speaker 1>people that I hadn't seen since two thousand and six.

0:25:28.840 --> 0:25:31.600
<v Speaker 1>I think you cared about. Yeah, this is a movement,

0:25:31.680 --> 0:25:33.520
<v Speaker 1>and these are people that I care about and that

0:25:33.640 --> 0:25:36.600
<v Speaker 1>I know you know, And I went down to Ground

0:25:36.680 --> 0:25:40.520
<v Speaker 1>zero mostly just to be there. So tell us how

0:25:40.560 --> 0:25:45.520
<v Speaker 1>does Loose Change begin? Um? The original Loose Change feature

0:25:45.560 --> 0:25:48.960
<v Speaker 1>film script was ambitious. If I had to pick one work,

0:25:49.000 --> 0:25:52.240
<v Speaker 1>it had card chases, It had people assembling at the

0:25:52.240 --> 0:25:54.160
<v Speaker 1>White House on the end, It had this, It had

0:25:54.200 --> 0:25:56.440
<v Speaker 1>that I did. I wrote a script without any care

0:25:56.560 --> 0:25:59.320
<v Speaker 1>to budget or how I would actually film it. So

0:25:59.320 --> 0:26:02.080
<v Speaker 1>when the time came around to actually start and plan

0:26:02.160 --> 0:26:04.119
<v Speaker 1>out this film, that's the thing that I had spent

0:26:04.240 --> 0:26:07.439
<v Speaker 1>a year two years writing. It was kind of a

0:26:07.480 --> 0:26:10.480
<v Speaker 1>slow realization that the film that I wanted to make

0:26:10.680 --> 0:26:15.640
<v Speaker 1>was not possible. So it was especially after Corey came back.

0:26:15.680 --> 0:26:18.879
<v Speaker 1>My best friend Corey who signed up to the army,

0:26:18.960 --> 0:26:21.879
<v Speaker 1>and he signed up after nine eleven. He signed up

0:26:21.920 --> 0:26:25.760
<v Speaker 1>before his first day of basic training was on September eleventh,

0:26:25.800 --> 0:26:27.719
<v Speaker 1>because he signed up in August two thousand and one.

0:26:27.800 --> 0:26:29.359
<v Speaker 1>It was kind of a running joke at the time.

0:26:29.440 --> 0:26:31.400
<v Speaker 1>It was, well, you know, we're we're not in a war.

0:26:31.560 --> 0:26:33.439
<v Speaker 1>There's not gonna be a war anytime soon, so we

0:26:33.480 --> 0:26:35.360
<v Speaker 1>don't have to worry about you. You know, it'll be fine.

0:26:35.400 --> 0:26:38.800
<v Speaker 1>And then the timing couldn't have been creepier. Um So

0:26:39.280 --> 0:26:42.280
<v Speaker 1>I would send him DVDs of the movie as it

0:26:42.320 --> 0:26:46.000
<v Speaker 1>was over to Iraq. Yeah, so while he was over

0:26:46.000 --> 0:26:48.960
<v Speaker 1>in Iraq fighting the Iraq War. Um So, while your

0:26:49.040 --> 0:26:52.560
<v Speaker 1>best friend was over in the Iraq fighting the Iraq War,

0:26:52.680 --> 0:26:56.240
<v Speaker 1>you were sending him the basic elements of your nine

0:26:56.280 --> 0:27:00.960
<v Speaker 1>eleven conspiracy theory film. Well, yeah, I don't. I'm hesitant

0:27:00.960 --> 0:27:03.920
<v Speaker 1>to use conspiracy theory, but whatever, whatever, whatever you want

0:27:03.920 --> 0:27:05.600
<v Speaker 1>to call it, you know, but I would prefer to

0:27:05.600 --> 0:27:08.159
<v Speaker 1>at least have some common language with you, which the

0:27:08.200 --> 0:27:11.240
<v Speaker 1>phrase you would rather use. I suppose the nine eleven

0:27:11.280 --> 0:27:15.080
<v Speaker 1>Truth film. You're sending your friend the elements, the raw

0:27:15.160 --> 0:27:18.040
<v Speaker 1>elements of your nine eleven Truth film. While he's fighting

0:27:18.040 --> 0:27:20.240
<v Speaker 1>a war that is founded upon the events of not

0:27:20.400 --> 0:27:23.360
<v Speaker 1>eleven essentially, So yeah, it's it was a very interesting

0:27:23.359 --> 0:27:25.080
<v Speaker 1>time to be alive. And then he comes back and

0:27:25.160 --> 0:27:27.119
<v Speaker 1>what happened. So when he got back, we tried shooting

0:27:27.160 --> 0:27:30.120
<v Speaker 1>a couple of scenes, and you know, in hindsight, for

0:27:30.200 --> 0:27:33.160
<v Speaker 1>like my first time directing with a little mini DV

0:27:33.320 --> 0:27:35.760
<v Speaker 1>camera and no experience whatsoever. I mean, some of the

0:27:35.800 --> 0:27:38.720
<v Speaker 1>scenes didn't turn out too bad, but it became apparent

0:27:38.760 --> 0:27:41.280
<v Speaker 1>after I started cutting it together or attempting to cut

0:27:41.280 --> 0:27:44.000
<v Speaker 1>it together, I realized the film just wasn't gonna happen,

0:27:44.080 --> 0:27:47.359
<v Speaker 1>not the way that I envisioned it. When you crossed

0:27:47.440 --> 0:27:50.640
<v Speaker 1>the line from the narrative film to the documentary film

0:27:50.800 --> 0:27:54.080
<v Speaker 1>with a fact similar, the facts were definitely similar in

0:27:54.160 --> 0:27:56.360
<v Speaker 1>a lot of the basic premises. But the really interesting

0:27:56.400 --> 0:28:00.440
<v Speaker 1>thing about it is that the Loose Change screenplay predicated

0:28:00.480 --> 0:28:03.680
<v Speaker 1>the actual events of what happened after Loose Change occurred

0:28:03.840 --> 0:28:07.000
<v Speaker 1>or after Loose Change went viral. Because in this script,

0:28:07.000 --> 0:28:10.160
<v Speaker 1>these three characters see these problems with the official story

0:28:10.200 --> 0:28:13.400
<v Speaker 1>and with what their government is doing, and slowly take

0:28:13.440 --> 0:28:17.040
<v Speaker 1>steps to educate the public, and then those steps go

0:28:17.320 --> 0:28:19.879
<v Speaker 1>essentially viral around the world, and suddenly they're held up

0:28:19.920 --> 0:28:23.840
<v Speaker 1>to be this thing that they wanted to accomplish, but

0:28:23.840 --> 0:28:26.160
<v Speaker 1>didn't expect the actual the whole world to actually listen

0:28:26.160 --> 0:28:28.760
<v Speaker 1>to them. So it was very interesting when Loose Change,

0:28:28.800 --> 0:28:31.800
<v Speaker 1>the documentary was released and it went viral around the

0:28:31.840 --> 0:28:35.160
<v Speaker 1>world and back and gave people some confidence to question

0:28:35.200 --> 0:28:37.639
<v Speaker 1>the official story, and the popularity of the war was

0:28:37.680 --> 0:28:39.840
<v Speaker 1>waning as well, and the popular the war was waning.

0:28:39.880 --> 0:28:43.160
<v Speaker 1>So you not only had this increased flow of information

0:28:43.240 --> 0:28:45.400
<v Speaker 1>about nine eleven and what had happened, but you also

0:28:45.440 --> 0:28:48.160
<v Speaker 1>had this increased distrust of the government, and you had

0:28:48.160 --> 0:28:51.000
<v Speaker 1>this climate where it seemed like almost anything was possible.

0:28:51.320 --> 0:28:54.239
<v Speaker 1>So it for a lot of people you think a

0:28:54.240 --> 0:28:57.280
<v Speaker 1>little bit, yeah, but did you see that leap now

0:28:57.640 --> 0:28:59.959
<v Speaker 1>differently than you did back then, that that's a bit

0:29:00.000 --> 0:29:02.480
<v Speaker 1>of a leap. Well, to some people, that maybe, but

0:29:02.520 --> 0:29:05.200
<v Speaker 1>then you you look back, you look at the pretenses

0:29:05.200 --> 0:29:07.200
<v Speaker 1>that have been used for war and things like the

0:29:07.200 --> 0:29:10.400
<v Speaker 1>Gulf of Tonkin. While although three thousand people were not

0:29:10.520 --> 0:29:12.719
<v Speaker 1>killed in broad daylight and the Gulf of Tonkin incident,

0:29:12.800 --> 0:29:16.520
<v Speaker 1>you see these events which later turn out to not

0:29:16.680 --> 0:29:19.160
<v Speaker 1>be everything they were cracked up to. Be. What was

0:29:19.200 --> 0:29:23.160
<v Speaker 1>this like for you in terms of your own personal life?

0:29:23.640 --> 0:29:25.800
<v Speaker 1>What was the cost for you of doing this Where

0:29:25.800 --> 0:29:27.680
<v Speaker 1>you were saying in the middle of a war, the

0:29:27.720 --> 0:29:33.040
<v Speaker 1>government's fingerprints are on this, Potentially the cost wasn't terribly drastic.

0:29:33.080 --> 0:29:35.320
<v Speaker 1>I didn't. I had a couple of friends that, while

0:29:35.360 --> 0:29:39.280
<v Speaker 1>they didn't necessarily distance themselves or disappear from my life entirely,

0:29:39.320 --> 0:29:42.760
<v Speaker 1>they certainly didn't agree with it. What about their parents, parents?

0:29:43.200 --> 0:29:45.680
<v Speaker 1>Not a lot of interaction. I didn't really interact a

0:29:45.680 --> 0:29:48.360
<v Speaker 1>lot with my friends parents on the topic, because, again,

0:29:48.520 --> 0:29:50.320
<v Speaker 1>I was aware that it was a very about your

0:29:50.320 --> 0:29:54.640
<v Speaker 1>own family. My mom supportive from day one. You know,

0:29:54.760 --> 0:29:57.400
<v Speaker 1>I'm I'm her shining star and she will do anything

0:29:57.440 --> 0:30:02.120
<v Speaker 1>to support me. My father no idea. He's not really

0:30:02.120 --> 0:30:06.000
<v Speaker 1>been in my life. So um my grandmother staunch Bush

0:30:06.080 --> 0:30:08.760
<v Speaker 1>voting Republican. UH, thought it would be better if I

0:30:08.760 --> 0:30:12.920
<v Speaker 1>focused on my cartooning as opposed as opposed to my filmmaking.

0:30:13.360 --> 0:30:16.040
<v Speaker 1>So I see any conversations with her about that, they're

0:30:16.120 --> 0:30:19.440
<v Speaker 1>they're brief, but it's I mean, and she's she saw

0:30:19.520 --> 0:30:22.960
<v Speaker 1>like early early editions of it, you're making a movie.

0:30:23.040 --> 0:30:25.360
<v Speaker 1>Now I'm working on a couple of things. I'm wrapping

0:30:25.440 --> 0:30:27.800
<v Speaker 1>up a short film. I have a couple of film

0:30:27.840 --> 0:30:30.280
<v Speaker 1>about what it's about. A guy who wakes up in

0:30:30.320 --> 0:30:33.400
<v Speaker 1>a hotel room, has no recollection of how he got there.

0:30:33.440 --> 0:30:35.600
<v Speaker 1>He's dressed in a three piece suit. There's a gun

0:30:35.600 --> 0:30:37.760
<v Speaker 1>on the bedside table. He gets a call on his

0:30:37.800 --> 0:30:40.080
<v Speaker 1>cell phone and before he knows that he's beating someone

0:30:40.120 --> 0:30:42.680
<v Speaker 1>to death, and of course immediately realizes what he's doing

0:30:42.720 --> 0:30:46.240
<v Speaker 1>and stops. Um it's called Olsen and it's it has

0:30:46.560 --> 0:30:49.120
<v Speaker 1>shades of some real events that happened back in the fifties,

0:30:49.160 --> 0:30:52.040
<v Speaker 1>but the script has become its own entity. Now you're

0:30:52.040 --> 0:30:56.240
<v Speaker 1>making a film about coffee that I made that last year.

0:30:56.560 --> 0:30:58.080
<v Speaker 1>That was a documentary made when I was living down

0:30:58.120 --> 0:31:01.200
<v Speaker 1>an ocean beach. What's that film called buzz Kill? That

0:31:01.480 --> 0:31:03.120
<v Speaker 1>was just pretty much a fun project that me and

0:31:03.160 --> 0:31:07.400
<v Speaker 1>Wes Davis my buddy made. Um My, my buddy West

0:31:07.440 --> 0:31:10.320
<v Speaker 1>goes twenty one days without drinking coffee. I know, I

0:31:10.360 --> 0:31:13.360
<v Speaker 1>go from nine eleven to no coffee. Um, But it

0:31:13.440 --> 0:31:15.280
<v Speaker 1>was just a fun project. Like he we were hanging

0:31:15.280 --> 0:31:16.840
<v Speaker 1>out at the buddy's house and he mentioned it and

0:31:16.920 --> 0:31:18.800
<v Speaker 1>sounded funny. Did you feel that you needed that though,

0:31:18.840 --> 0:31:20.840
<v Speaker 1>because like in my work, if I find that scessory,

0:31:20.880 --> 0:31:23.000
<v Speaker 1>you can go from doing King Lear and the next

0:31:23.000 --> 0:31:24.800
<v Speaker 1>thing you want to do is like The Sunshine Boys

0:31:24.880 --> 0:31:26.720
<v Speaker 1>or something. Yeah, it was nice. It was nice to

0:31:26.760 --> 0:31:28.680
<v Speaker 1>do a documentary and to go into somewhere and be

0:31:28.760 --> 0:31:30.480
<v Speaker 1>like to take a break. Yeah, to take a break.

0:31:30.520 --> 0:31:33.080
<v Speaker 1>Do you find that sometimes was suffocating? It was suffocating.

0:31:33.080 --> 0:31:35.640
<v Speaker 1>Oh yeah. Even to this day, I still can't get

0:31:35.720 --> 0:31:38.000
<v Speaker 1>jobs because people were like, oh, I want to direct

0:31:38.040 --> 0:31:40.160
<v Speaker 1>a feature film, and I was like, okay, what didn't

0:31:40.160 --> 0:31:44.440
<v Speaker 1>you make that nine eleven documentary? No thanks. It's it's

0:31:44.480 --> 0:31:48.040
<v Speaker 1>tricky because lose change happened because I wanted to make

0:31:48.040 --> 0:31:50.200
<v Speaker 1>a film. It came. It was born out of the

0:31:50.240 --> 0:31:54.000
<v Speaker 1>passion of being a filmmaker, and then lose change took

0:31:54.000 --> 0:31:57.760
<v Speaker 1>over my life. And now it's almost like like like

0:31:57.840 --> 0:31:59.760
<v Speaker 1>filmmaking is completely out of the equation now. But do

0:31:59.800 --> 0:32:03.240
<v Speaker 1>you feel for you personally? That's one of the greatest

0:32:03.480 --> 0:32:08.640
<v Speaker 1>impacts of the loss for you of you as a filmmaker. Well,

0:32:08.680 --> 0:32:10.800
<v Speaker 1>that's exactly as I get compliments on the film and

0:32:10.800 --> 0:32:13.720
<v Speaker 1>how it's made, but no one's ever like, here's some money,

0:32:13.920 --> 0:32:19.280
<v Speaker 1>let's make something. You know, No all I've ever had

0:32:19.360 --> 0:32:22.280
<v Speaker 1>is really just broken promises and phones that don't get answered.

0:32:22.560 --> 0:32:24.760
<v Speaker 1>And I've tried, and I've tried, and I've tried reaching.

0:32:26.360 --> 0:32:30.480
<v Speaker 1>Uh what funding right? It was? It was the cost

0:32:30.520 --> 0:32:32.600
<v Speaker 1>of gas. Food. So do you find that's the kind

0:32:32.600 --> 0:32:34.320
<v Speaker 1>of movie you're forced to make? Now? You have to

0:32:34.320 --> 0:32:36.520
<v Speaker 1>do films that are very very yeah, I mean even

0:32:36.560 --> 0:32:39.080
<v Speaker 1>my short. I mean, I just it's been like a

0:32:39.080 --> 0:32:41.200
<v Speaker 1>couple of hundred bucks and that's mostly just food and

0:32:41.240 --> 0:32:43.920
<v Speaker 1>you know, taking care of everybody, which is fine, I mean,

0:32:43.960 --> 0:32:47.600
<v Speaker 1>everybody has to get their start doing that. But to

0:32:47.800 --> 0:32:50.240
<v Speaker 1>be at this place where I have, I mean, Vanity

0:32:50.280 --> 0:32:53.640
<v Speaker 1>Ferret called it the first Internet blockbuster. You really don't

0:32:53.640 --> 0:32:56.120
<v Speaker 1>get much more of a glaring review than that, at

0:32:56.160 --> 0:32:58.400
<v Speaker 1>least at the time. I mean, the Vanity Fair article

0:32:58.440 --> 0:33:00.520
<v Speaker 1>in two thousand and six came, it's such a great

0:33:00.560 --> 0:33:03.400
<v Speaker 1>time and it was such a positive piece. Have you

0:33:03.440 --> 0:33:06.200
<v Speaker 1>wanted to pull adult in Trombo? Have you ever been

0:33:06.200 --> 0:33:07.920
<v Speaker 1>ahead anybody that was willing to hire you and you

0:33:07.960 --> 0:33:09.440
<v Speaker 1>just didn't put your name on the film and you

0:33:09.560 --> 0:33:11.840
<v Speaker 1>use a different name. Note not even that you wouldn't

0:33:11.880 --> 0:33:14.480
<v Speaker 1>even know, You wouldn't do that, You wouldn't accept that.

0:33:14.640 --> 0:33:16.800
<v Speaker 1>I don't know at this point. I mean it depends

0:33:16.800 --> 0:33:20.520
<v Speaker 1>on the paycheck. What do you love about making film?

0:33:20.560 --> 0:33:23.320
<v Speaker 1>You're creating these little universes, and you know, you're you're

0:33:23.360 --> 0:33:25.239
<v Speaker 1>inviting people into them for an hour or two at

0:33:25.240 --> 0:33:27.960
<v Speaker 1>a time. And you had this, you had this legitimate

0:33:28.000 --> 0:33:31.320
<v Speaker 1>opportunity to take people away for an hour or two

0:33:31.360 --> 0:33:34.320
<v Speaker 1>and to just suck them out of whatever's going on

0:33:34.360 --> 0:33:37.320
<v Speaker 1>in their life. And you're you're giving them escape, You're

0:33:37.320 --> 0:33:39.600
<v Speaker 1>giving them a vacation for an hour or two. And

0:33:40.400 --> 0:33:43.720
<v Speaker 1>directing right now is like in a superpower to me

0:33:43.800 --> 0:33:45.760
<v Speaker 1>that I'm slowly working my way up to, because it's

0:33:45.760 --> 0:33:47.120
<v Speaker 1>just like when you can get on a set and

0:33:47.160 --> 0:33:49.160
<v Speaker 1>when you can get these performances out of these people

0:33:49.200 --> 0:33:52.560
<v Speaker 1>that just go down in history. I mean, that's that's

0:33:52.680 --> 0:33:56.680
<v Speaker 1>art right there. And who were some filmmakers that you admire?

0:33:58.600 --> 0:34:02.200
<v Speaker 1>I hate to be cliche, but Kubrick, I mean Stanley Kubrick.

0:34:02.320 --> 0:34:05.520
<v Speaker 1>I mean that that man commanded such power with his films,

0:34:05.520 --> 0:34:08.080
<v Speaker 1>and he had most powerful He had such a way

0:34:08.480 --> 0:34:10.560
<v Speaker 1>with what he did, just the way his films came

0:34:10.600 --> 0:34:13.920
<v Speaker 1>together and the way he approached it. But also maybe

0:34:14.239 --> 0:34:15.840
<v Speaker 1>kind of a minor point for some people, but his

0:34:15.880 --> 0:34:18.960
<v Speaker 1>penchant for natural lighting. I Yeah, Kubrick to me was

0:34:19.160 --> 0:34:22.640
<v Speaker 1>someone who was who occupied his own zip code, so

0:34:22.719 --> 0:34:24.680
<v Speaker 1>to speak, in terms of films, in terms of a tone,

0:34:24.760 --> 0:34:28.280
<v Speaker 1>in a mood. And it doesn't surprise me that Kubrick

0:34:28.360 --> 0:34:31.480
<v Speaker 1>is your favorite director, one of your favorite directors, because Kubrick,

0:34:31.520 --> 0:34:35.320
<v Speaker 1>to me, is the ultimate truth or filmmaker. His films

0:34:35.400 --> 0:34:39.640
<v Speaker 1>are disturbingly truthful the way people behave, what they do,

0:34:39.960 --> 0:34:45.120
<v Speaker 1>the nakedness of their ambitions and their intentions. Yeah, if

0:34:45.600 --> 0:34:48.960
<v Speaker 1>Loose Change hadn't gone in the direction it went, if

0:34:48.960 --> 0:34:52.480
<v Speaker 1>it hadn't put you where you are now, what do

0:34:52.480 --> 0:34:55.160
<v Speaker 1>you think you'd be doing right now? That's a very

0:34:55.160 --> 0:34:58.600
<v Speaker 1>good question. Maybe I would be directing feature films, you know.

0:34:58.600 --> 0:35:00.880
<v Speaker 1>Maybe I would have a career. Maybe I have all

0:35:00.880 --> 0:35:03.759
<v Speaker 1>the things that I dream of right now. Or maybe

0:35:03.760 --> 0:35:06.759
<v Speaker 1>I wouldn't. Maybe I would still be an oneana trying

0:35:06.800 --> 0:35:08.520
<v Speaker 1>to figure my life out and trying to figure out

0:35:08.520 --> 0:35:14.440
<v Speaker 1>how to break through. It's tough to say, it really is. Um.

0:35:14.480 --> 0:35:18.279
<v Speaker 1>I do have those moments a lot where I think

0:35:18.320 --> 0:35:29.759
<v Speaker 1>about what if. M H. Dylan Avery still lives in

0:35:29.840 --> 0:35:33.400
<v Speaker 1>Los Angeles, writing scripts and working towards his dream of

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<v Speaker 1>directing feature films. Loose Change is still available on the

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<v Speaker 1>Internet as well as Netflix. This is Alec Baldwin and

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<v Speaker 1>you're listening to Here's the Thing.