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Speaker 1: Podcast starts now.

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Speaker 2: Welcome all. We are here in New York City. It's

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Speaker 2: a beautiful spring day, and George is both deeply hungover

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Speaker 2: and more energetic than I've ever seen him in my entire.

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Speaker 3: I'm trying to make up for and you know what

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Speaker 3: else I did. I realized this was subconscious. Do you

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Speaker 3: see what I'm wearing Martini. I'm wearing my Martini shirt

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Speaker 3: almost being like, don't look at me. I'm normal when

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Speaker 3: it comes to alcohol. I'm not hungover.

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Speaker 1: You're like leaning in, you being like weird, Actually, who

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Speaker 1: wants to drink?

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Speaker 3: I'm like, I'm an alcohol.

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Speaker 1: You're like that doesn't even affect me at all.

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Speaker 3: I feel if I stop, it's the kind of thing

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Speaker 3: that if I stop talking, I might collapse.

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Speaker 1: I feel. It's it's the do you remember.

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Speaker 3: When you were like twenty three and it was like

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Speaker 3: a normal part of your life was being like deathly

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Speaker 3: hungover and.

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Speaker 1: Started at thirty four?

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Speaker 2: Folks, No, I'm like, I'm feeling this weird thing where

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Speaker 2: you're like, I'm so hungover and I keep killing it.

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Speaker 2: It's inspiring me, like a feeling of loser, dumb.

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Speaker 3: In me because you didn't drink enough last night.

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Speaker 2: I was completely responsible and normal. But you went out, Sure,

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Speaker 2: I had three drinks over the course of.

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Speaker 3: Four hours, right, and then you were drinking water throughout,

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Speaker 3: kind of checking on yourself.

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Speaker 1: One of the drinks was over dinner. Right.

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Speaker 3: It was like like a little pH strip for your

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Speaker 3: drinks to make sure they're.

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Speaker 1: By the way. Yeah, I was testing for pentanyl old pentanyl.

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Speaker 2: But I am visiting by the way, so I should

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Speaker 2: hear I should be fucking crazy. So and instead I was, interestingly,

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Speaker 2: and I'm like, let me, I'm just gonna go home.

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Speaker 3: Interestingly. The people that are responsible for my current state

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Speaker 3: are the Obama family.

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Speaker 1: Are you allowed to say that? Or is this classific?

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Speaker 3: I think I'm I'm gonna go ahead and talk about

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Speaker 3: it openly.

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Speaker 1: Okay.

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Speaker 3: The event that I went to last night, which was

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Speaker 3: our dear friends Hunter and Peyton, their podcast was actually

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Speaker 3: relaunched on the Higher Ground Network. Because if there's one

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Speaker 3: thing I always think of when I think about Hunter,

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Speaker 3: Harris and Paint Dicks is when others go low, they

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Speaker 3: actually go highigh, which I hadn't. I They're the only

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Speaker 3: people I know that they always go high when others

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Speaker 3: go low.

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Speaker 1: Everyone else in our community goes low.

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Speaker 3: But it's interesting that they wake up and choose to

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Speaker 3: go You know how people choose violence, they're so the

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Speaker 3: opposite of that that they choose to go high every

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Speaker 3: single day. And so I think that was probably the

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Speaker 3: synergy that the Obamas saw saw and they said we

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Speaker 3: need to get this on our network. Point being the

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Speaker 3: open bar that is the cause of my current state

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Speaker 3: was directly funded by the Obama family.

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Speaker 1: Wow.

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Speaker 2: Do you think it was an attack on our podcast

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Speaker 2: to try to injure you for too well?

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Speaker 3: I do wonder that because a lot of podcasters that

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Speaker 3: were not on the Higher Ground network were invited and

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Speaker 3: then knowing that they would have to record the next day.

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Speaker 3: Probably there's a bunch of podcasts right now if people

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Speaker 3: like me other gay guys being like, I'm really not

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Speaker 3: feeling well.

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Speaker 1: So what book are you promoting?

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Speaker 2: I think something happens with you that is the over correction.

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Speaker 2: You do it when you're late too.

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Speaker 1: And I have to say, today.

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Speaker 3: You were on time Comedy Central Roast of Today.

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Speaker 2: You were on time in a way that you had

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Speaker 2: told me you were hung over, like ten in the

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Speaker 2: morning or something, but I forgot and then I was

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Speaker 2: running late and you texted me something so sinister that

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Speaker 2: I could not believe.

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Speaker 3: I actually text you something really sick. I think it

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Speaker 3: harkens back to sort of my behavior. You know a

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Speaker 3: few years ago we knew each other, where I was

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Speaker 3: much more like, yeah, aggressive.

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Speaker 1: It's very joker esque.

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Speaker 2: You said, it's is it killing you that you'll be

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Speaker 2: late both times we recorded with Bobby, even though I'm

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Speaker 2: usually the late one dot dot dot And that's literally

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Speaker 2: exactly what I was thinking about.

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Speaker 1: To suffering.

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Speaker 3: Well, let's go ahead and bring him in. He's actually

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Speaker 3: looking amazing and a oh quiet luxury meets workware moment,

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Speaker 3: tones of big, tones of beige. Excuse me, don't talk yet.

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Speaker 4: I've been sitting pretty patiently and respectfully.

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Speaker 3: Plays Welcome Bobby Finger, who, by the way, has announced

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Speaker 3: three projects since we asked him to be on the podcast.

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Speaker 1: Yeah, he's a book, a judging program, and.

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Speaker 3: And another book.

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Speaker 1: Two books.

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Speaker 3: You have two books that are coming out of the

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Speaker 3: next calendar year.

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Speaker 1: I can't even read two books at the same time.

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Speaker 3: Okay, I know that I feel like you're the type

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Speaker 3: of person that would be embarrassed by the question I'm

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Speaker 3: about to ask, but I will ask it anyway, which is, so,

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Speaker 3: how do you do it? I know that this is

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Speaker 3: like probably a joke among you. It's a bit of

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Speaker 3: a joke, right, because you're it's like it's a sort

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Speaker 3: of insane level of productivity.

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Speaker 1: Would you like to know how I do it? Yes?

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Speaker 3: I wake up.

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Speaker 4: I think I finally have an answer for that.

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Speaker 3: Okay, for anyone listening, maybe they're not familiar with her work.

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Speaker 3: You've written, you host a podcast that is a full

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Speaker 3: time job. You have written three novels in six years.

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Speaker 1: Three novels and five years and five.

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Speaker 3: Years okay, and one, and you have co written one

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Speaker 3: nonfiction book, Essays with your host page Lindsay.

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Speaker 1: It's two hundred pages.

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Speaker 3: It's not that long's sort of Ben learnering. I've been learning.

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Speaker 1: I have not read that book. Weirdly, I did you did? Yeah,

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Speaker 1: I read it on the airplane. O.

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Speaker 3: I haven't read it.

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Speaker 2: Good.

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Speaker 1: Yeah it was good.

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Speaker 3: I should read it. You know what I said about

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Speaker 3: Ben letter books, I should read it. Yeah, this happened

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Speaker 3: with that book Perfection too. I recommended it to you

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Speaker 3: and then you read Yeah, you like, I've read this

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Speaker 3: was good.

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Speaker 2: Let me know what you think, because basically you're my

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Speaker 2: only wreck for books. So any book you say, I'm like, okay,

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Speaker 2: I'm gonna read that one.

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Speaker 3: So was it good?

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Speaker 2: Yeah?

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Speaker 1: I liked it?

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Speaker 3: Oh my god, we should we need to have them

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Speaker 3: on for book club. But go on, how do you

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Speaker 3: do it?

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Speaker 1: Okay?

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Speaker 4: My answer is, when's the last time you saw me?

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Speaker 1: When? Well, well we recorded record your podcast? Yeah, whence

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Speaker 1: the less time you saw me? Socially? You don't socialize? No,

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Speaker 1: I socialized.

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Speaker 4: I don't socialize that. I don't socialize as much as

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Speaker 4: let's say I did before the pandemic.

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Speaker 1: So okay, so Thursday night, you're not going out.

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Speaker 4: I have kind of a routine on Thursday nights. I

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Speaker 4: like going to the Almo draft House and seeing a

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Speaker 4: movie and then going home. Even though you member a

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Speaker 4: number of both WHOA two books to movie theaters remembers

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Speaker 4: I like, I got to I gotta movies a lot.

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Speaker 1: It actually does pay for itself. I get it.

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Speaker 4: As long as you see two a month, you've earned

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Speaker 4: your money back. I was a member of three gyms

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Speaker 4: in New York, so I get it. Which ones concurrently.

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Speaker 3: Like Equox?

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Speaker 1: No, so I was how do you do it? I

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Speaker 1: was a member of Blank because it was only fifteen

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Speaker 1: dollars a month. Uh huh. And then I was as you.

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Speaker 3: Go to the bathroom, it pays for it.

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Speaker 1: And then I was a.

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Speaker 2: Member of Absolute Power because it opened up in Bushwick

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Speaker 2: at the time.

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Speaker 1: Absolute Power. Yes, it's not white supremacist, it's just Absolute Power.

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Speaker 1: I was gonna say it sounds like a Clint movie.

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Speaker 2: But and so that was only forty five dollars a month,

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Speaker 2: and it was like less crowded than blank So you

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Speaker 2: could lift weights there and I could use the treadmills

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Speaker 2: at blink. Then I joined the y on fourteenth and

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Speaker 2: six because they have a pool, and.

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Speaker 1: So I was last.

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Speaker 4: They also different purposes, and you made it seem like

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Speaker 4: it was an accident. This is all very intentional, of

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Speaker 4: course strategy. How much was the why.

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Speaker 1: It was around ninety to one hundred three gyms cheaper

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Speaker 1: than one equinoxy than what.

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Speaker 3: I have monthly for one gym, access to one gym.

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Speaker 3: They currently doesn't have a locker room because they are

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Speaker 3: renovating it, so I have to go home and shower. Wow,

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Speaker 3: do you get any sort of like accredits? I do

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Speaker 3: They did give me for the period that this is

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Speaker 3: so interesting by the way. I thank everyone for watching

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Speaker 3: they did give me for the period that the locker

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Speaker 3: room has closed. Access to all gyms nationwide. I recently went.

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Speaker 3: I went to the Vancouver one.

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Speaker 1: Really.

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Speaker 3: Yeah, I flew just to go to the gym.

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Speaker 1: It's amazing. Okay, wait, sorry, we cut you off at

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Speaker 1: your routine Thursday movie.

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Speaker 4: Thursday movie, and that's it. I don't like doing things

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Speaker 4: on Thursday. Okay, I like seeing a movie on Thursday.

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Speaker 1: Friday. We're having a weekend I have.

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Speaker 4: I had plans, and then on the train here, my

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Speaker 4: husband texts me and he was like, what if we

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Speaker 4: don't go to this birthday party tonight? What if we

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Speaker 4: just stay home?

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Speaker 1: And I was like, oh, you told you? Told him no.

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Speaker 1: I said, thank you so much. I don't want to go.

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Speaker 4: It's his friend, it's not mine. Oh yeah, okay, oh

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Speaker 4: and we won't know anyone else there.

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Speaker 1: No.

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Speaker 3: The realization that I had in my early thirties that

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Speaker 3: you can say no to an invite is one that

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Speaker 3: I will never You're like, all white.

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Speaker 1: I'll learn it in my forties. Maybe.

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Speaker 4: Okay, it's nice, I just got there. It's nice to

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Speaker 4: be home. But it's also then when you do it

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Speaker 4: too often, then you miss people.

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Speaker 1: Yeah, because it's only.

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Speaker 4: When I go socialized I have a bad time. I

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Speaker 4: always have a great time. But then you have a

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Speaker 4: great time and you kind of regret not saying yes.

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Speaker 3: The other thing is, you know, in the same way

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Speaker 3: that I often feel like I have to watch or

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Speaker 3: read something even if I know it's bad to be

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Speaker 3: part of the discourse. I feel the way about new

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Speaker 3: people that are added to the group, where like, if

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Speaker 3: I don't go out for a few months, then suddenly

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Speaker 3: there's like a new guy named Jake, and everyone else's

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Speaker 3: friends knows, and everyone knows Jake, and they're like and

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Speaker 3: then they keep and then everyone also keeps being like,

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Speaker 3: I don't know where we met. I mean, you've he's

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Speaker 3: he's been around. They're like, no, he hasn't.

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Speaker 2: We need to someone bring a gun into the studio

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Speaker 2: and shoot me for what I'm about to say.

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Speaker 1: But of course this brings up New York versus LA.

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Speaker 2: Because sometimes, look, I would be happy if a gunman

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Speaker 2: walked in this room currently, but he's not here or she,

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Speaker 2: and so what I'm doing is valids to him. So

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Speaker 2: sometimes when I say now I'm in LA, I say yes.

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Speaker 2: To everything, because things happen like once every wen Whereas

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Speaker 2: sometimes I'll like have PTSD from New York, having things

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Speaker 2: to do all the time, and I'll say no to

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Speaker 2: a party and then I'll be like, what am I doing?

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Speaker 2: Just go to the thing, give him into something in

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Speaker 2: roughly a month.

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Speaker 1: Thoughts, I've never lived in LA. It sounds tough, it.

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Speaker 3: Sounds, but everyone that moves back to New York from LA,

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Speaker 3: it's like they're coming from war and they have like

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Speaker 3: war flashbacks to people, like staying in at eight pm

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Speaker 3: or like Famously, one time I went I went out

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Speaker 3: to dinner with a group of friends, dear friends in

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Speaker 3: Los Angeles, and then afterwards the plan was to go

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Speaker 3: over to one of their apartments. Those were Friday night,

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Speaker 3: and then everyone changed into sweatpants and then he apologized

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Speaker 3: to me for not having enough soft pants for me,

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Speaker 3: and I said, I'm going to keep my denim jeans

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Speaker 3: on actually, because on a Friday.

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Speaker 4: Did this person have like guest pants to give out?

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Speaker 3: Yes?

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Speaker 1: Really? Yes? This was maybe.

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Speaker 4: Two thousand and nine, the year I moved to New York.

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Speaker 4: I lived in a beautiful it was a very girl's

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Speaker 4: pre girls green Point apartment, of bar. Too many people

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Speaker 4: living in the same unit was sharing like a fake

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Speaker 4: room with the wall that I literally made out of

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Speaker 4: butcher paper just to separate the space. And our upstairs

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Speaker 4: neighbor had the same apartment, but he lived in it alone,

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Speaker 4: so it was the same size. Huge because it was

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Speaker 4: a work play situation. And I lived with three other

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Speaker 4: women and he had a crush on basically all of

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Speaker 4: them and was flirting with them all the time. And

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Speaker 4: he invited them up to play rock band. And I

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Speaker 4: went up and I was wearing socks with shoes and

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Speaker 4: he said he was a bit o CD. I can

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Speaker 4: say that because he said it. And he said, would

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Speaker 4: you mind taking off your shoes before you come in here?

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Speaker 1: Fine? Normal?

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Speaker 4: And I walked in and I thought, it's summer. I

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Speaker 4: know my feet stank. This is going to be rough.

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Speaker 4: And I took up my shoes and instantly I was like,

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Speaker 4: I have stinky feet.

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Speaker 1: This sucks.

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Speaker 4: And we walked in. He turned on rock band, started

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Speaker 4: floating with my friends, and he said his name was

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Speaker 4: Scott the artist, graphic designer, creative director type, I'm a

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Speaker 4: creative director. Sure lives in beautiful apartment.

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Speaker 3: Oh yeah, they're going to go ahead and not want shoes.

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Speaker 4: And he said, Bobby, would you come with me for

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Speaker 4: a second? And I said, sure, Scott, this is a

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Speaker 4: scary guy. And I went into his bedroom and he said,

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Speaker 4: why don't you come here? And he opened up his

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Speaker 4: dresser drawer to a like meticulously organized sock drawer were

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Speaker 4: they were all folded and arranged perfectly black and white

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Speaker 4: sox only, and he said, why did you take one

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Speaker 4: of these and put them on? And I said okay,

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Speaker 4: and then he goes, you can just put them on.

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Speaker 4: I'm gonna go back into the game and they're yours,

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Speaker 4: and I said, thanks. It was maybe I'm like sweating.

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Speaker 4: It was one of the most mortifying experiences of my life.

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Speaker 4: What do you have to say about that? That's really

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Speaker 4: tought pants? Does he have a sock drawer to give

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Speaker 4: out to stinky feet guests?

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Speaker 1: Why didn't you? I can't believe you stayed.

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Speaker 3: Yeah, no, I would have.

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Speaker 1: I would have my best friends I know, and I

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Speaker 1: don't even like rock band. I'm not good at it,

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Speaker 1: because of course that makes one of us your talented.

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Speaker 3: Video game is something that really scares me.

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Speaker 1: That's basically how I learn how to play the drums.

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Speaker 3: But it's also like it's not just that it's Sam

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Speaker 3: had to choose to stop playing Super Smash Brothers with

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Speaker 3: a group of friends because he kept beating everyone.

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Speaker 2: We can't get into it, Okay, I kind of want

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Speaker 2: to get into it.

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Speaker 3: I am the thing with an experience that is I

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Speaker 3: unfortn Maybe I'm better now that I'm older, but I

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Speaker 3: just my defense mechanism is to make a joke about it.

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Speaker 3: Like if that happened to me, I would immediately try

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Speaker 3: to make a joke that would make everything worse, because

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Speaker 3: that is the type of version that is not going

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Speaker 3: to respond to, like just telling me my fad like

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Speaker 3: he's just not gonna.

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Speaker 4: Enjoy sucked into my body. Ye, like I shriveled. Of

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Speaker 4: course I told all them when I left, and they

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Speaker 4: were like he's a freak. But I was like, do

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Speaker 4: you understand.

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Speaker 3: There's also there's something so condescending. It's very like strake,

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Speaker 3: I call you buddy to be like, hey, come here,

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Speaker 3: like let me walk you through this.

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Speaker 4: Like as he was trying to be like the nice

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Speaker 4: he was trying to kind of show off to them too,

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Speaker 4: because I think he knew I would relay that story

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Speaker 4: to them, and he wanted to seem like a good guy.

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Speaker 4: I gave stinky Bobby blacks. They were really nice songs too.

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Speaker 4: I have to say they were really nice songs. They

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Speaker 4: were just Oh I had them for a long time.

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Speaker 4: I could tell which ones were. He is in my

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Speaker 4: like sock drawer because they were like a night they

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Speaker 4: were nice.

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Speaker 1: Was it a bit erodic to have his songs? No?

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Speaker 2: I didn't.

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Speaker 1: I didn't. I wasn't attracted to him.

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Speaker 2: No.

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Speaker 3: Yeah, you know, but sometimes someone can be disgusting and

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Speaker 3: that is the reason why you're tracked.

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Speaker 1: That's true. Maybe he was happy, Maybe he was attracted

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Speaker 1: to me. I never thought of it.

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Speaker 3: Maybe he was in defeat, and maybe he wanted you

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Speaker 3: to take off your socks and he wanted your stinky

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Speaker 3: feet to touch his socks.

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Speaker 4: I would love to say I agree with you. I

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Speaker 4: think he really just couldn't stand it totally.

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Speaker 3: And I think that potentially that's why he told you

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Speaker 3: to keep the socks.

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Speaker 1: Yeah, Oh he was grossed out. Yeah.

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Speaker 2: I want to return to something. Yeah, I want to

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Speaker 2: return to your schedule because it's not that and it's

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Speaker 2: truly nothing now. But we didn't finish it, and I

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Speaker 2: keep thinking about it. Okay, so Friday you're saying no

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Speaker 2: to a birthday party, so that Friday I would do stuff.

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Speaker 2: You would do stuff.

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Speaker 4: Yeah, and I and I typically found myself like if

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Speaker 4: I do if I socialize on a Friday, maybe I

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Speaker 4: won't on a Saturday. So it's one day a week.

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Speaker 4: I mean that's what I would like it to be.

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Speaker 4: Sometimes it's more. Sometimes it's less because again, like I

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Speaker 4: do find myself like when you are in a space.

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Speaker 3: Because it's like some people have children, yeah, but you don't, right, No,

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Speaker 3: I don't want to care act like no one has

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Speaker 3: ever like not gone out every name if.

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Speaker 2: He had a child, of course I would say stay

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Speaker 2: in diva.

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Speaker 3: Raise average person. You're not like a hermit, like you

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Speaker 3: have like an active social life. It's just like the

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Speaker 3: people we know are like gay guys.

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Speaker 1: Based on my sample, you are a hermit.

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Speaker 4: And like my closest friend and podcast co host is

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Speaker 4: as you know, Lindsey incredibly social, makes a new friend

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Speaker 4: every week of her life and is that person who's like,

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Speaker 4: you know, Jake.

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Speaker 3: She has producer.

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Speaker 4: You're definitely met Jake, and I'm like, I haven't met

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Speaker 4: Jake because I wasn't at those past nine things. And

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Speaker 4: it's it's both intimidating but at the same time, it's

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Speaker 4: kind of comforting to know that, like, if I want

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Speaker 4: to feel social on any given day, something's going on,

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Speaker 4: Like I think that that's really nice.

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Speaker 3: Because you are plugged into the networks. Yeah, and you

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Speaker 3: can at any point activate the node you be Like.

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Speaker 4: Last time I saw you socially at your what was it?

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Speaker 1: It was for your show?

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Speaker 4: Yes, it was your like party for the chefs with us,

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Speaker 4: And I saw a lot of people that I knew.

383
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Speaker 4: I met a few, but I didn't and it was

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Speaker 4: good to see them. And I felt like I had

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Speaker 4: reset the clock in a way. And it's sort of

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Speaker 4: like but also that's very it's almost like lecherous because

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Speaker 4: I'm like putting I'm putting the obligation on other friends

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Speaker 4: to like have events for me. I'm not doing it myself.

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Speaker 4: I just turned forty. I didn't have a party. I

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Speaker 4: didn't want one.

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Speaker 1: Wow.

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00:16:16,520 --> 00:16:21,840
Speaker 4: Yeah, and why because Lindsay had a party two weeks

393
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Speaker 4: before and I saw the people don't wanted to say

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Speaker 4: most of them, most of them.

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Speaker 2: When Lindsay is like, oh, have you met new Jake

396
00:16:29,160 --> 00:16:31,840
Speaker 2: everyone knows Jake. Now you should just go like, oh,

397
00:16:31,880 --> 00:16:33,360
Speaker 2: that's funny. Have you met my new book?

398
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Speaker 3: Nothing is She should say that by me that she.

399
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Speaker 4: Read it already. She reads it first, so I don't know,

400
00:16:40,960 --> 00:16:41,480
Speaker 4: but I'm fine.

401
00:16:41,520 --> 00:16:44,160
Speaker 3: I'm like, would you say your characters are kind of

402
00:16:44,200 --> 00:16:45,760
Speaker 3: your your community?

403
00:16:45,920 --> 00:16:49,400
Speaker 4: I would never say that. If the shooter who came

404
00:16:49,400 --> 00:16:51,600
Speaker 4: to the city of New York put a gun to

405
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Speaker 4: my head and said, would you say that? I would say,

406
00:16:53,640 --> 00:16:59,200
Speaker 4: kill me, just fire It's fine. You know, Wow, what

407
00:16:59,280 --> 00:17:03,040
Speaker 4: is in your book about? It's about It's called Gathered

408
00:17:03,040 --> 00:17:05,520
Speaker 4: here Today. We are gathered here today. It was originally

409
00:17:05,760 --> 00:17:08,600
Speaker 4: titled The Hour of Disrespect. They said that's not script

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00:17:08,600 --> 00:17:10,480
Speaker 4: of enough. So I said, call it gay Marriage. There's

411
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Speaker 4: no novel called just gay marriage.

412
00:17:11,880 --> 00:17:12,280
Speaker 3: That's fun.

413
00:17:12,480 --> 00:17:16,440
Speaker 4: And they said that's a good title. That's terrible for SEO, right,

414
00:17:16,480 --> 00:17:19,000
Speaker 4: and which is you know, hard to argue at that,

415
00:17:19,160 --> 00:17:21,000
Speaker 4: And then they said it needs a new title. I

416
00:17:21,000 --> 00:17:22,480
Speaker 4: could have. I couldn't think of on. I was being

417
00:17:22,480 --> 00:17:24,560
Speaker 4: like a little stubborn bitch about it. I was like, well,

418
00:17:24,560 --> 00:17:27,320
Speaker 4: there's no other title. It's those And they came up

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Speaker 4: with that, and I was like, fine, is the.

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Speaker 3: Book kind of like about how love wins?

421
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Speaker 4: It's is it about how love wins?

422
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Speaker 1: Yeah?

423
00:17:35,760 --> 00:17:38,879
Speaker 4: Yes, yeah, fine, yes, yeah, oh yes, it's about it.

424
00:17:38,880 --> 00:17:41,800
Speaker 4: It's about a wedding, a destination wedding weekend in Texas.

425
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Speaker 4: I'm from in central Texas and middle of nowhere at

426
00:17:45,800 --> 00:17:48,680
Speaker 4: a like wild West themed venue, so it's very themed

427
00:17:48,720 --> 00:17:53,360
Speaker 4: and it's three nights and the protagonist is gay guy

428
00:17:53,440 --> 00:17:55,760
Speaker 4: from New York but also from Texas, so he's coming home.

429
00:17:55,760 --> 00:17:58,480
Speaker 4: It's his cousin's wedding. He's officiating, and you know, it's

430
00:17:58,520 --> 00:18:02,800
Speaker 4: like extended family. But table that he's seated at for

431
00:18:02,920 --> 00:18:07,000
Speaker 4: the wedding is the cast offs, like the other like queers,

432
00:18:07,280 --> 00:18:09,160
Speaker 4: so he like makes friends with them.

433
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Speaker 1: One of them he knows and he's engaged.

434
00:18:13,200 --> 00:18:15,440
Speaker 4: They hate each other, they like each other. He sort

435
00:18:15,440 --> 00:18:17,159
Speaker 4: of like falls for one of them even though he's engaged,

436
00:18:17,160 --> 00:18:19,680
Speaker 4: and blah blah blah blah blah. That's what it's about.

437
00:18:19,880 --> 00:18:23,280
Speaker 4: It's about it's about it's about marriage, it's about friendship.

438
00:18:23,520 --> 00:18:27,040
Speaker 3: And is a destination wedding gay or he's straight. It's

439
00:18:27,080 --> 00:18:29,080
Speaker 3: straight and he okay, So it's like not about the

440
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Speaker 3: gay people.

441
00:18:29,960 --> 00:18:33,400
Speaker 4: At the straight and it's a lot of like complaining

442
00:18:33,440 --> 00:18:36,639
Speaker 4: about weddings, complaining about marriage about straight people.

443
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Speaker 3: I'm really happy because I'm Initially I thought it was

444
00:18:38,800 --> 00:18:40,320
Speaker 3: about a gay wedding. I was less interested in that man.

445
00:18:40,400 --> 00:18:42,199
Speaker 3: Now and now I actually agree.

446
00:18:42,560 --> 00:18:45,000
Speaker 4: I wanted to I specifically wanted to write a wedding

447
00:18:45,000 --> 00:18:47,960
Speaker 4: book about gay marriage at a straight wedding, Okay, and

448
00:18:47,960 --> 00:18:49,359
Speaker 4: then went from there.

449
00:18:49,560 --> 00:18:52,080
Speaker 3: Bobby, that actually makes me want to read it.

450
00:18:52,359 --> 00:18:55,000
Speaker 4: Sam, there's a book you should read. It's called We

451
00:18:55,040 --> 00:18:58,040
Speaker 4: Are Gathered here Today. I think you would like it. Yeah, maybe, yeah,

452
00:18:58,119 --> 00:19:01,160
Speaker 4: you should read it. Yeah.

453
00:19:01,200 --> 00:19:14,200
Speaker 5: So, George Wall, should we do our first Yeah, let's

454
00:19:14,200 --> 00:19:15,440
Speaker 5: do it because I want to get on the topic.

455
00:19:15,760 --> 00:19:20,120
Speaker 1: Yeah. So yes, Well, our first segment basically it was.

456
00:19:20,080 --> 00:19:22,720
Speaker 3: Literally gonna promote Bobby's other book that's coming out. But

457
00:19:22,720 --> 00:19:24,360
Speaker 3: you know what, we have a whole episode.

458
00:19:24,400 --> 00:19:26,520
Speaker 2: We have a whole damn app So our first segment

459
00:19:26,520 --> 00:19:28,159
Speaker 2: is called straight Shooters, and in this segment, we're going

460
00:19:28,200 --> 00:19:30,640
Speaker 2: to ask you a series of rapid fire questions. It's

461
00:19:30,680 --> 00:19:32,960
Speaker 2: basically this thing or this other thing, and the only

462
00:19:33,040 --> 00:19:35,119
Speaker 2: rule is you can't ask any follow up questions or

463
00:19:35,119 --> 00:19:38,919
Speaker 2: we will scream at you can. I forgot what the

464
00:19:38,960 --> 00:19:41,439
Speaker 2: word for segment was for a second, Oh, that happens

465
00:19:41,440 --> 00:19:41,639
Speaker 2: to me.

466
00:19:42,400 --> 00:19:44,840
Speaker 3: I actually have forgotten most words that I once knew.

467
00:19:45,600 --> 00:19:48,120
Speaker 2: That's where it gets complicated, because we're too busy going

468
00:19:48,160 --> 00:19:56,640
Speaker 2: out Bobby seeing Audrey Hobert, or skating on street.

469
00:19:56,400 --> 00:20:02,120
Speaker 4: Or vert seeing Audrey Hobert, full metal jacket or half

470
00:20:02,160 --> 00:20:07,040
Speaker 4: off Blazer, half off Blazer, Lena Dunham's fame sick or

471
00:20:07,119 --> 00:20:08,240
Speaker 4: lyme disease from.

472
00:20:08,200 --> 00:20:09,680
Speaker 1: Ticks, same sick.

473
00:20:13,000 --> 00:20:16,720
Speaker 3: Fan duel or Deadpool fan duel.

474
00:20:17,560 --> 00:20:23,000
Speaker 2: E bike ebook, e Bomb's World ebook.

475
00:20:22,640 --> 00:20:25,840
Speaker 3: Watching the Madison on Paramount Plus, or booking a stay

476
00:20:25,840 --> 00:20:27,879
Speaker 3: at the Radison because you have wanderlust.

477
00:20:32,280 --> 00:20:33,640
Speaker 1: This is hard, okay.

478
00:20:35,000 --> 00:20:37,080
Speaker 4: Watching the Madison on Paramount Plus.

479
00:20:37,000 --> 00:20:41,280
Speaker 2: Yew okay taking ayahuasca or saying I don't wanna.

480
00:20:43,160 --> 00:20:46,920
Speaker 3: I don't wanna, frankly, my dear, I don't give a

481
00:20:47,000 --> 00:20:50,400
Speaker 3: damn or blankly I stare at that piece of ham.

482
00:20:50,640 --> 00:20:57,160
Speaker 4: Oh, blankly, I stare at that piece of ham.

483
00:20:57,520 --> 00:21:00,600
Speaker 3: Can I say something? First of all that you did

484
00:21:00,640 --> 00:21:01,400
Speaker 3: incredibly well.

485
00:21:02,920 --> 00:21:05,160
Speaker 4: I feel like I'm read, I'm nervous. I'm very nervous.

486
00:21:05,520 --> 00:21:06,400
Speaker 1: It's the lights too.

487
00:21:06,400 --> 00:21:09,920
Speaker 3: What would you say? In honor of Gaga's new song,

488
00:21:10,040 --> 00:21:14,440
Speaker 3: featuring dough Cheet Runway Runway, Yes, how many doves would

489
00:21:14,440 --> 00:21:14,680
Speaker 3: you give?

490
00:21:14,720 --> 00:21:18,000
Speaker 1: Bobby, I'm sorry the connection.

491
00:21:18,720 --> 00:21:20,960
Speaker 3: Well, we haven't done doves in a while, but now

492
00:21:21,000 --> 00:21:23,440
Speaker 3: in honor of Gaga's new song, let's do doves again.

493
00:21:23,920 --> 00:21:26,320
Speaker 1: Oh, we've still been doing does not.

494
00:21:26,400 --> 00:21:28,680
Speaker 3: According to some of our commenters, they say, bring back

495
00:21:28,720 --> 00:21:31,040
Speaker 3: doves we've been doing to give me a thousand.

496
00:21:31,960 --> 00:21:34,800
Speaker 2: I think you got nine eighty seven dollars. That's a

497
00:21:34,880 --> 00:21:39,000
Speaker 2: really well because it was really, really studied. You could

498
00:21:39,040 --> 00:21:39,399
Speaker 2: feel that.

499
00:21:41,880 --> 00:21:44,439
Speaker 4: I'm thrilled. I feel like I'm in grad school.

500
00:21:44,440 --> 00:21:48,760
Speaker 3: It's really and you are never you are I'd never

501
00:21:49,119 --> 00:21:50,720
Speaker 3: this is we're affiliated with Barred.

502
00:21:54,119 --> 00:21:57,240
Speaker 4: I almost went to GRATS. I almost applied or took

503
00:21:57,240 --> 00:22:00,160
Speaker 4: the gre Then I was like, what are you thinking?

504
00:22:00,200 --> 00:22:02,560
Speaker 3: Well, as someone who I went to grad school and

505
00:22:02,600 --> 00:22:05,800
Speaker 3: then three years after I graduated, my program stopped existing,

506
00:22:06,280 --> 00:22:09,400
Speaker 3: so it sort of doesn't even mean anything on my resume.

507
00:22:11,119 --> 00:22:13,600
Speaker 1: I always liked the potential of grad school.

508
00:22:13,720 --> 00:22:15,560
Speaker 3: Well, it's always there for you, it's always I mean,

509
00:22:15,600 --> 00:22:16,920
Speaker 3: I'm still like I could go back.

510
00:22:17,160 --> 00:22:18,080
Speaker 1: It's like the military.

511
00:22:18,440 --> 00:22:21,760
Speaker 3: Yes, well you can be too old for the military. Actually,

512
00:22:23,160 --> 00:22:24,440
Speaker 3: if you have one of the computer job. I don't know,

513
00:22:24,440 --> 00:22:26,880
Speaker 3: but I had the experience of, you know how there

514
00:22:26,960 --> 00:22:28,440
Speaker 3: was some ustray that was like, we're going to bring

515
00:22:28,440 --> 00:22:31,480
Speaker 3: back the draft. I literally clicked on it control f

516
00:22:31,560 --> 00:22:33,760
Speaker 3: search like age. It was like eighteen or twenty five,

517
00:22:33,800 --> 00:22:34,880
Speaker 3: and I was like, don't need to read the rest

518
00:22:34,880 --> 00:22:37,000
Speaker 3: of this. No, I don't care about don't care about

519
00:22:37,040 --> 00:22:39,280
Speaker 3: like what it means for the country or like for war.

520
00:22:39,600 --> 00:22:41,680
Speaker 3: I was like, I've marked mark myself safe.

521
00:22:41,840 --> 00:22:43,840
Speaker 4: I definitely have some kind of condition that would prevent

522
00:22:43,880 --> 00:22:44,680
Speaker 4: me from me too.

523
00:22:44,840 --> 00:22:45,159
Speaker 1: Yeah.

524
00:22:45,359 --> 00:22:47,879
Speaker 4: Yeah, being something would be wrong, they'd catch something, they'd

525
00:22:47,880 --> 00:22:48,320
Speaker 4: likenew it.

526
00:22:48,880 --> 00:22:51,360
Speaker 3: They would be like he walks like that, Like that's

527
00:22:51,400 --> 00:22:53,560
Speaker 3: surely that I can't work on the field.

528
00:22:54,200 --> 00:22:59,080
Speaker 2: His biceps are trash. He's not getting in. No free

529
00:22:59,080 --> 00:23:01,960
Speaker 2: college for you, Bobby. What is your straight topic today?

530
00:23:02,080 --> 00:23:04,359
Speaker 2: Oh my gosh, what an amazing transition. Actually, that was

531
00:23:04,400 --> 00:23:04,840
Speaker 2: so good.

532
00:23:05,160 --> 00:23:07,960
Speaker 4: My straight topic today is why should I Actually I

533
00:23:07,960 --> 00:23:10,920
Speaker 4: said what it was. What's a good name for it?

534
00:23:11,119 --> 00:23:13,280
Speaker 4: Jason Bourning. I think I'm gonna I'm gonna make his

535
00:23:13,359 --> 00:23:13,840
Speaker 4: name avert.

536
00:23:13,920 --> 00:23:16,399
Speaker 3: Oh it's not. It's not the character Jason Bourne or

537
00:23:16,440 --> 00:23:17,280
Speaker 3: the Born franchise.

538
00:23:17,440 --> 00:23:17,760
Speaker 1: It is.

539
00:23:17,840 --> 00:23:23,520
Speaker 4: It is the idea of waking up and not knowing, okay,

540
00:23:23,680 --> 00:23:26,479
Speaker 4: the pot are what your past is and choose and

541
00:23:26,560 --> 00:23:29,359
Speaker 4: being so devastated that you're like, I have to figure

542
00:23:29,359 --> 00:23:31,600
Speaker 4: out who I was before, because I think it's very

543
00:23:31,600 --> 00:23:33,720
Speaker 4: straight to say I have to remake my same life

544
00:23:33,720 --> 00:23:37,119
Speaker 4: over instead of saying, this is an opportunity to be

545
00:23:37,240 --> 00:23:40,480
Speaker 4: someone new, to be someone different, to be my true self, right,

546
00:23:40,560 --> 00:23:42,720
Speaker 4: like go with my instincts and actual urges.

547
00:23:42,840 --> 00:23:47,119
Speaker 3: To kind of show up as your full ass authenticy Yeah. Yeah, yeah.

548
00:23:47,160 --> 00:23:50,199
Speaker 3: So if you woke up and suddenly you didn't remember anything,

549
00:23:50,720 --> 00:23:52,320
Speaker 3: I'm going to turn around, there's a stranger next to

550
00:23:52,359 --> 00:23:52,920
Speaker 3: you in your bed.

551
00:23:53,080 --> 00:23:53,760
Speaker 1: What would you do?

552
00:23:55,000 --> 00:23:57,760
Speaker 4: I would I would freak out probably, But then I

553
00:23:57,760 --> 00:24:00,000
Speaker 4: think I would see it as some kind of gift, right,

554
00:24:00,119 --> 00:24:01,720
Speaker 4: And it's not anything to do because I was like,

555
00:24:01,720 --> 00:24:03,920
Speaker 4: how do I do this without being disrespectful to people

556
00:24:03,920 --> 00:24:07,600
Speaker 4: in my life and like the adult I actually am,

557
00:24:07,720 --> 00:24:10,080
Speaker 4: And it's like, it's not about disrespecting that, it's about

558
00:24:10,600 --> 00:24:15,000
Speaker 4: seeing opportunity that maybe you didn't have before, like seeing

559
00:24:15,080 --> 00:24:18,200
Speaker 4: like it feels very like gay, It feels very queer

560
00:24:18,320 --> 00:24:20,600
Speaker 4: to say like there's a period of my life like

561
00:24:20,640 --> 00:24:25,359
Speaker 4: these early years where I didn't have the ability or

562
00:24:25,400 --> 00:24:28,040
Speaker 4: the confidence to do X, y Z whatever it is

563
00:24:28,080 --> 00:24:28,600
Speaker 4: I wanted to do.

564
00:24:29,480 --> 00:24:30,280
Speaker 1: It wasn't easy.

565
00:24:30,960 --> 00:24:33,320
Speaker 4: Where it's like I feel like that urge as was

566
00:24:33,520 --> 00:24:35,199
Speaker 4: primal maybe in.

567
00:24:37,320 --> 00:24:37,920
Speaker 1: A gay person.

568
00:24:38,000 --> 00:24:39,840
Speaker 3: This is kind of genius because it's like a metaphor

569
00:24:39,920 --> 00:24:42,560
Speaker 3: for coming out almost. It's, yeah, you live through life

570
00:24:42,600 --> 00:24:45,119
Speaker 3: thinking this is what my future will look like, and

571
00:24:45,160 --> 00:24:48,639
Speaker 3: then at some point when you're you know, twelve, thirteen, seventeen,

572
00:24:48,840 --> 00:24:51,560
Speaker 3: every coming out years, yeah, like you're like, oh, this

573
00:24:51,640 --> 00:24:53,920
Speaker 3: one thing is different about me, and that will radically

574
00:24:54,000 --> 00:24:57,119
Speaker 3: change the possible future I can have. And your choices

575
00:24:57,119 --> 00:24:59,800
Speaker 3: are either to like push that down and try to

576
00:24:59,800 --> 00:25:02,280
Speaker 3: make tain consistency and be like, Nope, this is who

577
00:25:02,320 --> 00:25:05,000
Speaker 3: I am, or to like embrace it and be like

578
00:25:06,200 --> 00:25:08,960
Speaker 3: I'm buying Born this Way by Lady Gaga exactly.

579
00:25:09,200 --> 00:25:10,960
Speaker 4: That would be my instinct, and I'd be like, I

580
00:25:11,000 --> 00:25:13,080
Speaker 4: think I gotta get out of here. I gotta spend

581
00:25:13,119 --> 00:25:14,560
Speaker 4: too much money on the Mayhem Ball or something.

582
00:25:14,680 --> 00:25:14,880
Speaker 1: Yeah.

583
00:25:15,000 --> 00:25:17,960
Speaker 3: Seeing the uncertainty as an opportunity rather than a hindrance.

584
00:25:18,160 --> 00:25:20,280
Speaker 4: Yeah, it's almost like there's another movie now that I'm

585
00:25:20,320 --> 00:25:22,919
Speaker 4: saying it out loud, because the way I came to this,

586
00:25:22,960 --> 00:25:25,000
Speaker 4: I was like, what is the straightest thing that I

587
00:25:25,040 --> 00:25:28,080
Speaker 4: really like? That's kind of embarrassing, And there's plenty of them,

588
00:25:28,160 --> 00:25:30,320
Speaker 4: but one of them is like the Jason Bourne movies.

589
00:25:30,400 --> 00:25:32,119
Speaker 4: I fucking love them and I watch them all the

590
00:25:32,160 --> 00:25:37,760
Speaker 4: time when I'm not going to parties. And so it

591
00:25:37,840 --> 00:25:39,960
Speaker 4: was like, this is what is what is it about

592
00:25:39,960 --> 00:25:42,679
Speaker 4: this that is especially straight? And how would a gay

593
00:25:42,720 --> 00:25:44,840
Speaker 4: person react in the Jason Bourne situation? And I was

594
00:25:44,840 --> 00:25:46,920
Speaker 4: like that could be something also family man, like if

595
00:25:46,960 --> 00:25:49,240
Speaker 4: I if a gay guy will up in Tileoni's bed, well,

596
00:25:49,280 --> 00:25:51,119
Speaker 4: I guess he would be kind of excited, yeah, but

597
00:25:51,200 --> 00:25:54,160
Speaker 4: like he would also say, I'm getting it, I'm leaving.

598
00:25:54,680 --> 00:25:55,959
Speaker 1: These are my kids. You know what.

599
00:25:55,960 --> 00:25:59,240
Speaker 3: The gay version of Jason Burning is the Amy Schumer movie.

600
00:25:59,240 --> 00:26:03,560
Speaker 3: I feel pretty catch like a gay person's idea of

601
00:26:03,600 --> 00:26:07,240
Speaker 3: Jason Bardings wake up being like I'm snatched that one.

602
00:26:07,560 --> 00:26:10,720
Speaker 2: Or it's like there's almost like a sorry to bring

603
00:26:10,720 --> 00:26:13,320
Speaker 2: it up, but the Harry Potter plot line of like,

604
00:26:13,400 --> 00:26:15,800
Speaker 2: oh there's another world where I'm fucking famous.

605
00:26:15,880 --> 00:26:18,920
Speaker 1: Yeah, I'm actually and rich.

606
00:26:19,200 --> 00:26:25,080
Speaker 3: Yeah, fants what's Freaky Friday? Because that's interesting because you

607
00:26:25,119 --> 00:26:25,800
Speaker 3: are It's.

608
00:26:25,600 --> 00:26:28,400
Speaker 4: This age were's weird age stuff. But maybe if you're

609
00:26:28,960 --> 00:26:30,920
Speaker 4: gay teen suddenly adult.

610
00:26:32,160 --> 00:26:32,720
Speaker 1: Is that fun.

611
00:26:34,720 --> 00:26:35,040
Speaker 2: Freaky.

612
00:26:35,040 --> 00:26:38,200
Speaker 4: Frida is a little too freaky. She might actually be

613
00:26:38,280 --> 00:26:38,760
Speaker 4: too freaky.

614
00:26:38,840 --> 00:26:40,480
Speaker 2: I think if I were to wake up Jason Borne

615
00:26:40,520 --> 00:26:42,520
Speaker 2: and truly it was like I don't know anything, I

616
00:26:42,520 --> 00:26:43,600
Speaker 2: don't know who I am, I don't know what my

617
00:26:43,680 --> 00:26:45,760
Speaker 2: name is, I would definitely try to lie.

618
00:26:46,119 --> 00:26:47,600
Speaker 1: I think my first instinct would be.

619
00:26:47,560 --> 00:26:49,679
Speaker 2: Like, I'm gonna pretend I know who I am and

620
00:26:49,720 --> 00:26:52,720
Speaker 2: what's going on until someone stops me. I think I'd

621
00:26:52,720 --> 00:26:56,120
Speaker 2: be like, oh I am Jeff.

622
00:26:57,280 --> 00:27:00,680
Speaker 3: And ethos would really come out. I don't like at

623
00:27:00,720 --> 00:27:03,520
Speaker 3: an office job like coding and like accidentally making a bomb,

624
00:27:03,600 --> 00:27:04,080
Speaker 3: and you'd be.

625
00:27:03,960 --> 00:27:07,639
Speaker 2: Like, oh yeah, I wonder if if my whole memory

626
00:27:07,680 --> 00:27:10,280
Speaker 2: was erased and my name, would might improv training be

627
00:27:10,359 --> 00:27:10,879
Speaker 2: rased as well?

628
00:27:10,920 --> 00:27:11,720
Speaker 1: That's right, Oh that's a.

629
00:27:11,720 --> 00:27:13,200
Speaker 3: Really good pot I don't think it would be.

630
00:27:13,720 --> 00:27:14,119
Speaker 1: Well, here's a.

631
00:27:14,160 --> 00:27:17,240
Speaker 3: Question about Jason Bourne. Okay, I have watched the movies,

632
00:27:17,280 --> 00:27:21,640
Speaker 3: but not in a while. His innate personality is the same. Yeah,

633
00:27:21,680 --> 00:27:23,320
Speaker 3: he just doesn't remember who he is.

634
00:27:23,359 --> 00:27:25,800
Speaker 1: It's like memory and his combat skills are still the same. Oh,

635
00:27:25,840 --> 00:27:28,200
Speaker 1: they're all there. Oh, they're they're yeah, they're all there.

636
00:27:28,320 --> 00:27:30,600
Speaker 4: But like I that's you would wake up and be like,

637
00:27:30,640 --> 00:27:32,480
Speaker 4: how could I be a little trickster? You know, Like

638
00:27:32,640 --> 00:27:35,440
Speaker 4: I don't think Matt Damon would do that, you know, yeah,

639
00:27:35,480 --> 00:27:37,639
Speaker 4: he's like who am I? Like, it's fun to not

640
00:27:37,720 --> 00:27:38,400
Speaker 4: know who you are?

641
00:27:38,440 --> 00:27:41,320
Speaker 3: Do you remember that Disney Channel series The Jersey No

642
00:27:41,560 --> 00:27:44,879
Speaker 3: remind me? Okay, so this was there was a magic

643
00:27:44,960 --> 00:27:48,399
Speaker 3: jersey and whoever put it on suddenly was in the

644
00:27:48,400 --> 00:27:51,320
Speaker 3: body of a professional athlete. And if I remember correctly,

645
00:27:51,440 --> 00:27:54,680
Speaker 3: the series literally had real athletes guest star as themselves

646
00:27:54,720 --> 00:27:56,320
Speaker 3: for each episodes. It was kind of like a funny.

647
00:27:56,520 --> 00:27:58,800
Speaker 3: It was like a way to like, have you know

648
00:27:58,880 --> 00:28:03,560
Speaker 3: some famous hockey player, and obviously that's like a fun

649
00:28:04,720 --> 00:28:07,919
Speaker 3: premise for a kids show. It petrified me because I

650
00:28:07,960 --> 00:28:10,800
Speaker 3: was literally I'm not even good enough as a middle

651
00:28:10,800 --> 00:28:13,760
Speaker 3: schooler playing soccer. Imagine suddenly waking up and you have

652
00:28:13,800 --> 00:28:18,200
Speaker 3: to be me a ham Like, can you think of

653
00:28:18,240 --> 00:28:19,960
Speaker 3: anything worse? I was watching the Olympics this year and

654
00:28:20,000 --> 00:28:21,600
Speaker 3: I was like, what if I put on the jersey

655
00:28:21,640 --> 00:28:23,879
Speaker 3: and suddenly I'm a liss Lou and it's up to

656
00:28:23,920 --> 00:28:27,040
Speaker 3: me to bring home the gold and then everyone's booing

657
00:28:27,119 --> 00:28:29,240
Speaker 3: you and you like can't even skate in a straight line.

658
00:28:29,920 --> 00:28:32,679
Speaker 2: Yeah, sorry, Well them assuming you'll have like the powers

659
00:28:32,680 --> 00:28:35,520
Speaker 2: of knowing how to do everything. It's a fantasy in

660
00:28:35,560 --> 00:28:37,240
Speaker 2: the sense of like I don't have that. I've never

661
00:28:37,240 --> 00:28:40,840
Speaker 2: had that face. Yeah, I'm always tiptoeing into things. I've

662
00:28:40,840 --> 00:28:42,240
Speaker 2: always wanted to be one of those people that's like,

663
00:28:42,600 --> 00:28:44,200
Speaker 2: fuck it, I'm gonna do that thing.

664
00:28:44,480 --> 00:28:46,640
Speaker 1: But I'm always like, I can do something for ten.

665
00:28:46,600 --> 00:28:49,080
Speaker 2: Years and be like I don't know, wait, what do

666
00:28:49,160 --> 00:28:51,480
Speaker 2: you mean? I mean like it is like a straight

667
00:28:51,560 --> 00:28:54,680
Speaker 2: child the jersey is a straight child's dream. Oh, Because

668
00:28:54,720 --> 00:28:56,760
Speaker 2: they're like, if you put me in that position, I

669
00:28:56,800 --> 00:28:59,400
Speaker 2: would do a great job, Whereas I'm like, even if

670
00:28:59,440 --> 00:29:02,400
Speaker 2: I've literally been training at sports for my whole life,

671
00:29:02,400 --> 00:29:03,400
Speaker 2: I'd be like, don't put me in.

672
00:29:03,600 --> 00:29:06,640
Speaker 3: Well, it's like running for office, like the idea, because

673
00:29:06,640 --> 00:29:09,880
Speaker 3: that's something you cannot have training in until you do

674
00:29:10,040 --> 00:29:12,720
Speaker 3: literally get elected. What if I'm amazing at campaigning but

675
00:29:12,800 --> 00:29:15,640
Speaker 3: terrible at governing, There's no way to know until you try.

676
00:29:15,840 --> 00:29:18,040
Speaker 3: I'm not risking that. It's not writing down the whole community.

677
00:29:18,040 --> 00:29:20,200
Speaker 3: He was great on the debate team, yet no it

678
00:29:20,200 --> 00:29:26,680
Speaker 3: doesn't work at all. You have to coalition builds. Okay, So,

679
00:29:27,280 --> 00:29:31,920
Speaker 3: Jason Bourning, this is I'm interested in this genre. And

680
00:29:32,040 --> 00:29:35,120
Speaker 3: for your Friday, Jason Bourning, I feel pretty the jersey

681
00:29:35,160 --> 00:29:37,240
Speaker 3: of like waking up and something is different and you

682
00:29:37,280 --> 00:29:38,040
Speaker 3: have to figure it out.

683
00:29:38,160 --> 00:29:39,440
Speaker 1: Yeah.

684
00:29:39,520 --> 00:29:42,320
Speaker 4: And is that an opportunity or is it like terrifying?

685
00:29:42,440 --> 00:29:42,640
Speaker 1: Yes?

686
00:29:42,840 --> 00:29:44,600
Speaker 4: And I think that that's the dividing line.

687
00:29:44,720 --> 00:29:46,320
Speaker 1: Yeah. Yeah, I think.

688
00:29:46,120 --> 00:29:49,280
Speaker 2: They all stem from the same thing of feeling underappreciated

689
00:29:49,280 --> 00:29:52,680
Speaker 2: and normal. It's like you are a idea and you're like,

690
00:29:52,840 --> 00:29:54,760
Speaker 2: I just wish there was a secret thing where I

691
00:29:54,800 --> 00:29:56,200
Speaker 2: was like, actually really amazing.

692
00:29:56,520 --> 00:29:59,240
Speaker 3: Yeah, that's what it all is, okay.

693
00:29:59,400 --> 00:29:59,600
Speaker 1: Yes.

694
00:29:59,800 --> 00:30:03,520
Speaker 3: So so it's almost like the two types of subjectivity

695
00:30:03,520 --> 00:30:06,040
Speaker 3: you can have are either being like I'm such a

696
00:30:06,040 --> 00:30:09,600
Speaker 3: flop I wish I were great, or thinking I know

697
00:30:09,720 --> 00:30:12,000
Speaker 3: I'm great and I have not been given the opportunity

698
00:30:12,240 --> 00:30:13,000
Speaker 3: for that to shine.

699
00:30:13,120 --> 00:30:13,320
Speaker 2: Yeah.

700
00:30:13,560 --> 00:30:16,400
Speaker 3: Yeah, yeah, and like which one am I?

701
00:30:17,680 --> 00:30:17,880
Speaker 1: You know?

702
00:30:18,400 --> 00:30:19,960
Speaker 3: I guess if you're a healthy person like me, it

703
00:30:20,000 --> 00:30:22,000
Speaker 3: goes back and forth. Like some days I feel like

704
00:30:22,080 --> 00:30:25,720
Speaker 3: I'm really innately great and sometimes sometimes I feel like.

705
00:30:25,880 --> 00:30:28,400
Speaker 1: No, it does. It does go back and forth, but.

706
00:30:28,360 --> 00:30:32,280
Speaker 4: Also Jason Bourne, like he remembers how to get his

707
00:30:33,840 --> 00:30:38,680
Speaker 4: safety deposit box. Yeah, with passports and money. M hm,

708
00:30:38,880 --> 00:30:40,920
Speaker 4: you have no memory, but you have a passport to

709
00:30:40,960 --> 00:30:43,240
Speaker 4: every country and a bunch of money and a gun.

710
00:30:43,520 --> 00:30:44,080
Speaker 1: That's exciting.

711
00:30:44,120 --> 00:30:45,240
Speaker 3: Yeah, Like we're going on vacation.

712
00:30:45,360 --> 00:30:49,640
Speaker 4: We're gonna be Okay, we're gonna be yeah, and run

713
00:30:49,680 --> 00:30:51,360
Speaker 4: Little Run is here, Like that's great.

714
00:30:51,480 --> 00:30:54,080
Speaker 3: So this is because initially when you said Jason Bourne,

715
00:30:54,120 --> 00:30:56,280
Speaker 3: I thought your topic was gonna be like the film

716
00:30:56,320 --> 00:30:57,880
Speaker 3: series Jason Bourne.

717
00:30:57,920 --> 00:30:59,720
Speaker 4: And I were prepared them that comes out.

718
00:30:59,800 --> 00:31:01,880
Speaker 3: And I was like, my sort of rebuttal would have

719
00:31:01,920 --> 00:31:05,040
Speaker 3: been like, but to cast the romantically, does Run Lola

720
00:31:05,120 --> 00:31:06,400
Speaker 3: Run is so gay.

721
00:31:06,200 --> 00:31:08,800
Speaker 4: Because Joe Allen is there being cunty.

722
00:31:08,960 --> 00:31:12,440
Speaker 3: Yeah, it's like it's weirdly actually, like I mean literally,

723
00:31:12,520 --> 00:31:14,560
Speaker 3: to cast Run Lola un is crazy, Like that should

724
00:31:14,600 --> 00:31:17,120
Speaker 3: have been Jessica Alba. If it was cast by a

725
00:31:17,120 --> 00:31:20,080
Speaker 3: straight person, can you imagine everything else is the same.

726
00:31:20,080 --> 00:31:21,640
Speaker 4: But as Jessica Albu, it never would have gotten a

727
00:31:21,640 --> 00:31:24,280
Speaker 4: second one. Although she does die at the end of

728
00:31:24,360 --> 00:31:24,920
Speaker 4: at the beginning of.

729
00:31:24,960 --> 00:31:28,160
Speaker 3: And also Julius Styles doing Julia Styles voice, She's she's.

730
00:31:28,000 --> 00:31:30,280
Speaker 4: The worst part of those movies and her highlights are

731
00:31:30,320 --> 00:31:33,160
Speaker 4: crazy also, and then they kind of wreckcon. It's like, no,

732
00:31:33,160 --> 00:31:35,040
Speaker 4: Matt Damon and Julia Styles had a thing. It's like,

733
00:31:35,120 --> 00:31:36,800
Speaker 4: no they didn't. That's insane.

734
00:31:36,880 --> 00:31:37,840
Speaker 3: Oh I forgot about that.

735
00:31:37,960 --> 00:31:39,080
Speaker 4: Yeah, they kind of worked that in.

736
00:31:39,080 --> 00:31:39,680
Speaker 1: In the third one.

737
00:31:40,600 --> 00:31:44,160
Speaker 3: Do you remember when she was in Hustlers. Isn't she

738
00:31:44,240 --> 00:31:45,960
Speaker 3: a journalist? She's a journalist. Then they have her in

739
00:31:46,000 --> 00:31:49,200
Speaker 3: like journalist drag like everyone else is literally like obviously

740
00:31:49,200 --> 00:31:51,920
Speaker 3: looking amazing because they're all strippers, and then they Julia

741
00:31:51,960 --> 00:31:54,560
Speaker 3: Style's beautiful woman, but they had to make her bring

742
00:31:54,600 --> 00:31:55,960
Speaker 3: her down to earth because she's a journalist, and they

743
00:31:56,000 --> 00:31:57,560
Speaker 3: put her in these like ugly kitten heels and like

744
00:31:57,560 --> 00:31:59,800
Speaker 3: a cardigan and they're like, go report.

745
00:32:00,000 --> 00:32:02,160
Speaker 1: I think she also had a character poster as well. Yes,

746
00:32:02,440 --> 00:32:03,680
Speaker 1: she since wu j lo.

747
00:32:06,640 --> 00:32:09,680
Speaker 3: Everyone else is literally doing pin up pose with the

748
00:32:09,720 --> 00:32:12,200
Speaker 3: poll and then Julius Styles is like has a reporter

749
00:32:12,320 --> 00:32:12,800
Speaker 3: noteook and I.

750
00:32:12,760 --> 00:32:15,320
Speaker 4: Was like, do you remember this, like the Bits of

751
00:32:15,320 --> 00:32:17,520
Speaker 4: Celebrity Trivia, do you remember this thing that Julia Styles

752
00:32:17,960 --> 00:32:20,719
Speaker 4: did in like the early two thousands. She was proting

753
00:32:20,760 --> 00:32:23,200
Speaker 4: something on I want to say it was David Letterman,

754
00:32:23,400 --> 00:32:25,840
Speaker 4: So it was maybe Save the Last Dance, maybe ten

755
00:32:25,880 --> 00:32:27,560
Speaker 4: Things I Hate about You, famous enough to be on

756
00:32:27,920 --> 00:32:30,520
Speaker 4: a late night show and she was going to Columbia

757
00:32:30,600 --> 00:32:34,600
Speaker 4: at the time and made fun of the employees of

758
00:32:34,720 --> 00:32:35,560
Speaker 4: the cafeteria.

759
00:32:35,720 --> 00:32:37,080
Speaker 3: I've actually heard this on your podcast, and.

760
00:32:37,120 --> 00:32:40,120
Speaker 4: Everyone at Columbia like revolted and they were like, fuck

761
00:32:40,200 --> 00:32:41,760
Speaker 4: Julia Styles. And then she had to write an op

762
00:32:41,840 --> 00:32:44,280
Speaker 4: ed in the Columbia paper about like how being an

763
00:32:44,280 --> 00:32:46,280
Speaker 4: actor requires you to say certain things when you are

764
00:32:46,280 --> 00:32:48,360
Speaker 4: doing press for a film and you should not be

765
00:32:48,440 --> 00:32:50,720
Speaker 4: taking me so seriously and blah blah blah blah blah.

766
00:32:50,760 --> 00:32:54,400
Speaker 1: I feel like that tanked her career, that's why. Not really,

767
00:32:54,440 --> 00:32:55,960
Speaker 1: but you know, that was a real.

768
00:32:55,920 --> 00:32:58,920
Speaker 3: Golden era of actresses going to college, because that's Natalie

769
00:32:58,920 --> 00:33:01,400
Speaker 3: Porman was, and Harvard else and even like a little

770
00:33:01,400 --> 00:33:04,920
Speaker 3: bit later, but like Emma Watson going to Brown Yeah yeah, yeah,

771
00:33:04,920 --> 00:33:06,880
Speaker 3: oh yeah, they don't do that anymore.

772
00:33:06,920 --> 00:33:10,440
Speaker 4: I saw Reese Witherspoon, she dropped out of Stanford exactly,

773
00:33:11,200 --> 00:33:15,560
Speaker 4: and she went to take her kid to school. She

774
00:33:15,640 --> 00:33:17,120
Speaker 4: was in Stanford for some reason, and it was like,

775
00:33:17,160 --> 00:33:19,600
Speaker 4: Reese Witherspoon visits her Stanford dorm and I was like,

776
00:33:19,640 --> 00:33:23,520
Speaker 4: the one she was there for three months in like

777
00:33:23,520 --> 00:33:24,800
Speaker 4: like that's not exciting to me.

778
00:33:25,040 --> 00:33:25,560
Speaker 1: You left.

779
00:33:25,960 --> 00:33:28,200
Speaker 3: You know, there's Chelsea Clinton went to Stanford and you

780
00:33:28,240 --> 00:33:30,520
Speaker 3: can see where her former dorm is because it's the

781
00:33:30,600 --> 00:33:33,120
Speaker 3: only one with bulletproof glass on the windows, and it

782
00:33:33,200 --> 00:33:35,000
Speaker 3: like gets a different tint than the rest of them.

783
00:33:34,920 --> 00:33:43,080
Speaker 1: Doesn't reflect the same way. Yeah, I believe you. What

784
00:33:43,120 --> 00:33:44,640
Speaker 1: else did they do to the room to make it

785
00:33:44,720 --> 00:33:46,000
Speaker 1: like safe? Just the glass?

786
00:33:47,040 --> 00:33:49,640
Speaker 3: Imagine maybe it was like, yes, they put her in

787
00:33:49,640 --> 00:33:50,320
Speaker 3: a special box.

788
00:33:50,600 --> 00:33:52,600
Speaker 4: It's like a skiff. Like what did they do for

789
00:33:52,680 --> 00:33:57,959
Speaker 4: her extra anti slip pads on the bathroom? You know,

790
00:33:58,080 --> 00:33:59,360
Speaker 4: like this is a really good stuff.

791
00:33:59,440 --> 00:34:01,720
Speaker 3: Well it's alsually at that point, just put her off campus,

792
00:34:01,840 --> 00:34:04,920
Speaker 3: like there's fully sacred service people there taking her to

793
00:34:05,000 --> 00:34:07,680
Speaker 3: her dorm where her roommate whose names like Jessica is

794
00:34:07,720 --> 00:34:08,319
Speaker 3: like hey.

795
00:34:10,480 --> 00:34:13,840
Speaker 4: Jennifer t my yeah a few years before me.

796
00:34:14,360 --> 00:34:19,560
Speaker 2: Wait, imagine this. Okay, here's a plot. Chelsea Clinton. She's

797
00:34:19,600 --> 00:34:22,640
Speaker 2: at college, she slips in the bathtub, she wakes up,

798
00:34:22,760 --> 00:34:25,440
Speaker 2: she's Jason Bourne. She doesn't remember who she is, she

799
00:34:25,480 --> 00:34:27,440
Speaker 2: doesn't know why she has bullet who class.

800
00:34:29,040 --> 00:34:29,920
Speaker 1: She decides to live in.

801
00:34:30,360 --> 00:34:32,720
Speaker 4: Normal Their secret service outside she's.

802
00:34:34,160 --> 00:34:36,000
Speaker 3: Men are following her and she keeps being like, why

803
00:34:36,040 --> 00:34:38,560
Speaker 3: are you following me? But they're trained, they're trained to

804
00:34:38,600 --> 00:34:40,840
Speaker 3: not like engage, so they're just being stoic and they're like,

805
00:34:40,840 --> 00:34:42,440
Speaker 3: don't engage, don't engage and engage and.

806
00:34:42,440 --> 00:34:44,440
Speaker 1: She's like, fuck, Like what is happening?

807
00:34:44,680 --> 00:34:45,799
Speaker 4: Is so tough for her?

808
00:34:45,960 --> 00:34:47,440
Speaker 1: Yeah, okay, this is a good movie.

809
00:34:47,480 --> 00:34:50,120
Speaker 3: And then also like all the other friends at Stanford

810
00:34:50,160 --> 00:34:52,440
Speaker 3: are like, I think she's going through something well.

811
00:34:52,480 --> 00:34:54,200
Speaker 2: And also all the other friends at Stanford were kind

812
00:34:54,200 --> 00:34:56,000
Speaker 2: of annoyed with her. They were like, only we're friends

813
00:34:56,040 --> 00:34:57,759
Speaker 2: with her because she's Chelsea Clinton. We have to be

814
00:34:58,160 --> 00:35:00,919
Speaker 2: but that like we're literally paid, bron paid. And then

815
00:35:01,360 --> 00:35:04,080
Speaker 2: she bunked her head. She doesn't know anymore. She's so

816
00:35:04,280 --> 00:35:06,439
Speaker 2: fucking fun, like she's like the life of the party.

817
00:35:06,440 --> 00:35:08,440
Speaker 2: There's a scene where she's dancing on the table at

818
00:35:08,480 --> 00:35:10,680
Speaker 2: the frat party and everyone's like, I actually like Chelsea.

819
00:35:11,080 --> 00:35:14,600
Speaker 2: She's like, Chelsea, that is my name, isn't it. I

820
00:35:14,600 --> 00:35:15,920
Speaker 2: feel like she say, what.

821
00:35:15,920 --> 00:35:17,359
Speaker 3: If Meghan McCaine bunks her head?

822
00:35:17,800 --> 00:35:20,640
Speaker 1: Oh right, I forgot about her? Okay, Meghan?

823
00:35:20,840 --> 00:35:25,279
Speaker 4: Like anyway, she shows up to the studio the view

824
00:35:26,000 --> 00:35:28,719
Speaker 4: something brought me here. I don't know why that's where

825
00:35:28,719 --> 00:35:31,800
Speaker 4: she is. Yeah, just wanderers there.

826
00:35:32,040 --> 00:35:34,719
Speaker 3: That actually she's she's not you know, doesn't have hair

827
00:35:34,719 --> 00:35:36,880
Speaker 3: and make up. Her leg is on like completely incorrectly.

828
00:35:37,000 --> 00:35:40,440
Speaker 3: The bangs are on the side, and she's like, I

829
00:35:40,480 --> 00:35:42,600
Speaker 3: don't know, I think it's not so it's not.

830
00:35:42,560 --> 00:35:46,399
Speaker 4: Right what Zaron said. I have a feeling I don't

831
00:35:46,440 --> 00:35:48,200
Speaker 4: like the mayor of this place where I woke up.

832
00:35:49,120 --> 00:35:50,520
Speaker 4: Something isn't rubbing me.

833
00:35:50,480 --> 00:35:54,480
Speaker 1: The right way. You no, huh. Who are the other

834
00:35:54,920 --> 00:35:55,760
Speaker 1: Sasha and Malia?

835
00:35:57,000 --> 00:35:59,279
Speaker 3: I think they bunked their heads. They're the exact same.

836
00:35:59,320 --> 00:36:01,520
Speaker 3: I think they're living Yeah, they're living there.

837
00:36:02,840 --> 00:36:03,040
Speaker 1: Yeah.

838
00:36:03,040 --> 00:36:04,160
Speaker 3: They somehow like did it.

839
00:36:04,160 --> 00:36:05,480
Speaker 4: Like they need to get George drunk.

840
00:36:05,640 --> 00:36:07,359
Speaker 3: Yeah, like they didn't get the memo that they were

841
00:36:07,400 --> 00:36:10,800
Speaker 3: not supposed to be like completely slaying and being iconic.

842
00:36:11,000 --> 00:36:13,640
Speaker 3: No one told them that they had to meet media trained.

843
00:36:13,640 --> 00:36:16,440
Speaker 1: They Oh, we're just like normal girls who grew up

844
00:36:16,520 --> 00:36:16,839
Speaker 1: kind of rich.

845
00:36:16,920 --> 00:36:18,640
Speaker 3: Well not just normal girls, but cool girls.

846
00:36:18,640 --> 00:36:20,359
Speaker 1: Well yeah that's the rich part, you know what I mean?

847
00:36:20,480 --> 00:36:25,239
Speaker 3: Like, yeah, totally yeah, Yeah, they're sort of like at Coachella.

848
00:36:25,760 --> 00:36:29,719
Speaker 1: I see one of them around l A. Yeah really yeah,

849
00:36:29,920 --> 00:36:33,160
Speaker 1: she's at the spots. Cool. Oh, they're at the spots.

850
00:36:33,200 --> 00:36:34,880
Speaker 4: They're at the spots, and so were You're always at

851
00:36:34,880 --> 00:36:37,160
Speaker 4: the spot. Well as we know, you're all at the spots.

852
00:36:37,320 --> 00:36:39,040
Speaker 1: I have to be. That's why I have zero books.

853
00:36:39,120 --> 00:36:41,400
Speaker 3: I feel like Megan McCain probably is that so was

854
00:36:41,440 --> 00:36:43,719
Speaker 3: at soho house or something like the spots for her

855
00:36:43,800 --> 00:36:46,120
Speaker 3: when she was like twenty three, she was like going around,

856
00:36:46,239 --> 00:36:48,600
Speaker 3: yeah and gabbing with people. Remember when she wrote a

857
00:36:48,600 --> 00:36:50,879
Speaker 3: book with that guy from what America Michael and Black

858
00:36:50,920 --> 00:36:53,560
Speaker 3: Michael and Blacks. It was called America.

859
00:36:53,200 --> 00:36:56,839
Speaker 1: You Sexy bit. Oh, I do remember this and them.

860
00:36:57,080 --> 00:36:57,920
Speaker 1: It's that like.

861
00:36:57,880 --> 00:37:01,280
Speaker 2: Bums me out in a really same way totally, because

862
00:37:01,320 --> 00:37:03,719
Speaker 2: I'm like, there used to be a time where we

863
00:37:03,760 --> 00:37:05,480
Speaker 2: were so naive to be like.

864
00:37:06,560 --> 00:37:10,120
Speaker 6: It's all just politics, y'all. America book, the other book

865
00:37:10,200 --> 00:37:14,520
Speaker 6: have some fun. I mean crossfire, I mean, let's wake

866
00:37:14,560 --> 00:37:18,600
Speaker 6: that up. The idea of like.

867
00:37:18,640 --> 00:37:21,279
Speaker 3: James Carville being married to a Republican and it's like

868
00:37:22,280 --> 00:37:24,000
Speaker 3: it's a sitcom, like SHA's.

869
00:37:26,320 --> 00:37:28,000
Speaker 4: What if James Carvill knocks his head on the back.

870
00:37:28,200 --> 00:37:31,440
Speaker 3: Oh my god, he's wait, he's literally like gay and

871
00:37:31,520 --> 00:37:35,120
Speaker 3: into like hardcore bondage. I think that's what.

872
00:37:35,280 --> 00:37:39,880
Speaker 4: Happened, so which sometimes sometimes the head bunk can just

873
00:37:39,960 --> 00:37:40,640
Speaker 4: change your sexually.

874
00:37:40,800 --> 00:37:43,920
Speaker 3: I think James Carville will want literally things you have

875
00:37:44,200 --> 00:37:47,600
Speaker 3: never even heard of to happen to his balls, cock

876
00:37:47,640 --> 00:37:48,080
Speaker 3: and hole.

877
00:38:01,120 --> 00:38:03,839
Speaker 2: I do feel that a head bonk story is like

878
00:38:03,920 --> 00:38:07,520
Speaker 2: a popular story in sort of Daily Mail UK something

879
00:38:07,520 --> 00:38:11,600
Speaker 2: that I like, they're always like, it's the Italian. Yeah,

880
00:38:12,200 --> 00:38:14,200
Speaker 2: look at the former military man who bonked his head

881
00:38:14,200 --> 00:38:15,720
Speaker 2: and is now a trans hair dresser.

882
00:38:15,800 --> 00:38:20,799
Speaker 3: Didn't happen, And you're sort of like Mary Steinburgen, like

883
00:38:20,920 --> 00:38:23,439
Speaker 3: she banked her head and now like a musician pitch

884
00:38:23,480 --> 00:38:23,799
Speaker 3: or something.

885
00:38:23,840 --> 00:38:29,080
Speaker 4: Yeah, now, yes, that's she can write like Oscar nominated songs.

886
00:38:29,920 --> 00:38:33,640
Speaker 3: During this she's curb. Yeah, it's time to get bonked. No,

887
00:38:33,719 --> 00:38:37,080
Speaker 3: it's time to get bonked. In twenty six hashtag get bonked.

888
00:38:37,239 --> 00:38:40,320
Speaker 4: And I think I'm very scared of head injuries totally really,

889
00:38:40,440 --> 00:38:42,520
Speaker 4: and so it's kind of I am maybe part of that.

890
00:38:42,560 --> 00:38:44,759
Speaker 4: Have you seen the movie Apex with Charlie's Throne and

891
00:38:44,800 --> 00:38:47,520
Speaker 4: Taron Edgerton, Sorry, there's just a lot of head bunking

892
00:38:47,600 --> 00:38:49,359
Speaker 4: in it, Okay, And I think that head bunking is

893
00:38:50,200 --> 00:38:52,960
Speaker 4: on its face really scary. I don't like thinking about it.

894
00:38:52,960 --> 00:38:54,360
Speaker 4: One of the reasons I moved to New York is

895
00:38:54,360 --> 00:38:55,840
Speaker 4: that I didn't have to so I don't drive anymore.

896
00:38:55,840 --> 00:38:57,000
Speaker 4: Like I got to do a bad a car accident

897
00:38:57,520 --> 00:38:59,920
Speaker 4: my head. I got a concussion. Very scared of cars

898
00:39:00,080 --> 00:39:02,920
Speaker 4: and bonking my head. But maybe to me there's some

899
00:39:03,000 --> 00:39:06,040
Speaker 4: kind of fantasy and like the fun side of bunking.

900
00:39:06,200 --> 00:39:09,279
Speaker 4: What were you like before you bunked your head? It

901
00:39:09,440 --> 00:39:10,840
Speaker 4: was the same, only with the car.

902
00:39:11,040 --> 00:39:13,359
Speaker 1: Oh yeah, yeah, it was the same, only with the car,

903
00:39:13,760 --> 00:39:15,279
Speaker 1: the same but without trauma and fear.

904
00:39:15,400 --> 00:39:18,080
Speaker 4: Yeah, gave me a concussion and it was tough. Months

905
00:39:18,120 --> 00:39:21,279
Speaker 4: after Natasha Richardson or maybe a year balked her head

906
00:39:21,280 --> 00:39:22,840
Speaker 4: and died, and I was very scared.

907
00:39:22,840 --> 00:39:24,520
Speaker 1: It was happening to me. Key bunks hit different.

908
00:39:24,920 --> 00:39:30,520
Speaker 4: They do too, Sonny Bono di c ski Skiing is

909
00:39:30,560 --> 00:39:33,200
Speaker 4: the stupidest sport. It is a classic example of the

910
00:39:33,239 --> 00:39:36,400
Speaker 4: spitest one. It's literally like how the Kennedy curses just

911
00:39:36,440 --> 00:39:38,759
Speaker 4: because all of them think they can fly a plane. Yeah,

912
00:39:38,960 --> 00:39:42,359
Speaker 4: it's like it's like just like a softer Every rich

913
00:39:42,400 --> 00:39:44,480
Speaker 4: person thinks they will be the one not to get

914
00:39:44,560 --> 00:39:46,200
Speaker 4: killed skiing, but to.

915
00:39:46,160 --> 00:39:48,319
Speaker 2: Be very I'm like, why what are you guys? How

916
00:39:48,320 --> 00:39:50,400
Speaker 2: are you running the trees? There's no trees on that path.

917
00:39:52,440 --> 00:39:53,880
Speaker 4: They're on the side, they're on the margins.

918
00:39:53,960 --> 00:39:58,319
Speaker 3: You can't stop yourself. The path is so wide, there's

919
00:39:58,400 --> 00:39:59,279
Speaker 3: so many people there.

920
00:39:59,400 --> 00:40:01,160
Speaker 1: M gotta get out of the way. And then I'm

921
00:40:01,200 --> 00:40:02,280
Speaker 1: victim blaming these people.

922
00:40:03,200 --> 00:40:06,960
Speaker 4: And Natasha Richardson wasn't even on like a major slope. No,

923
00:40:07,040 --> 00:40:09,640
Speaker 4: it's it's very scary. It's really head.

924
00:40:11,320 --> 00:40:12,719
Speaker 3: But it can also be fun.

925
00:40:15,040 --> 00:40:17,560
Speaker 4: If you are Liz Cheney's James Scarville.

926
00:40:17,600 --> 00:40:20,560
Speaker 3: Has there been I'm just thinking, like, is the head

927
00:40:20,600 --> 00:40:24,719
Speaker 3: bonking genre a straight genre overall? I know that some

928
00:40:24,760 --> 00:40:26,239
Speaker 3: of them, we said, some of them are more like

929
00:40:26,239 --> 00:40:28,200
Speaker 3: I feel pretty is more gay than Jason boarding? But

930
00:40:28,719 --> 00:40:32,839
Speaker 3: is the whole thing? Is the whole genre straight overall?

931
00:40:32,840 --> 00:40:35,120
Speaker 3: Because I'm trying to think, has there been a oh wait,

932
00:40:35,760 --> 00:40:40,080
Speaker 3: shallow hell a head bonk? Yes, that's that's head bunk too,

933
00:40:40,160 --> 00:40:41,160
Speaker 3: That's definitely head bunk.

934
00:40:41,800 --> 00:40:44,359
Speaker 4: Well, it's about it's about getting back to the status quo, right,

935
00:40:44,360 --> 00:40:46,839
Speaker 4: It's about returning to normalcy. So I think it has

936
00:40:46,880 --> 00:40:47,839
Speaker 4: to be straight.

937
00:40:47,640 --> 00:40:49,680
Speaker 3: Yeah, you know, but it's also like what you learn

938
00:40:49,760 --> 00:40:52,680
Speaker 3: from the head. Bunk is the lesson and you take

939
00:40:52,680 --> 00:40:54,439
Speaker 3: it with you when you undo the head and what you.

940
00:40:54,360 --> 00:40:56,640
Speaker 4: Always learn is what you had was really good.

941
00:40:56,760 --> 00:41:00,440
Speaker 3: Yes, this is what it is. What's straight about it

942
00:41:00,480 --> 00:41:02,680
Speaker 3: is that they actually they learned the lesson but always

943
00:41:02,719 --> 00:41:05,640
Speaker 3: return to safety. The gay head bank movie would be

944
00:41:05,760 --> 00:41:09,200
Speaker 3: guess what, it's Freaky Friday. They stay switched. Well, they

945
00:41:09,280 --> 00:41:11,560
Speaker 3: like fully learned to live. Yeah, like she learns to

946
00:41:11,560 --> 00:41:14,239
Speaker 3: live as a mother and they have fun and it's

947
00:41:14,280 --> 00:41:16,640
Speaker 3: like a lot more empathy. Yeah, it's like there's no

948
00:41:17,000 --> 00:41:19,239
Speaker 3: because the straight version of the coming out narrative, if

949
00:41:19,239 --> 00:41:22,319
Speaker 3: we're going in that direction, is like you find out

950
00:41:22,360 --> 00:41:24,440
Speaker 3: your gay. This is the straight head bonk version of

951
00:41:24,480 --> 00:41:26,439
Speaker 3: coming out. You find out you're gay, you come out,

952
00:41:26,719 --> 00:41:28,680
Speaker 3: and then like six months later it's like just kidding

953
00:41:28,719 --> 00:41:32,040
Speaker 3: you were straight, but you learn that toxic masculinity is bad. Well,

954
00:41:32,080 --> 00:41:37,160
Speaker 3: the gay the gay bonk is everything post bonk is better. Yes, exactly.

955
00:41:37,239 --> 00:41:39,160
Speaker 4: It's like, yeah, you got what you really need it

956
00:41:39,200 --> 00:41:42,319
Speaker 4: now you can say yeah, yeah, because if you're Amy

957
00:41:42,320 --> 00:41:45,919
Speaker 4: Schumer and I feel pretty to me, it sounds perfect.

958
00:41:45,560 --> 00:41:47,919
Speaker 3: To just like think you're slaying the whole time. Why

959
00:41:47,920 --> 00:41:50,120
Speaker 3: do you have to go back to accepting your quote

960
00:41:50,200 --> 00:41:53,480
Speaker 3: unquote imperfect body. Just think you're perfect, And you know what,

961
00:41:53,480 --> 00:41:54,400
Speaker 3: it sounds amazing to me.

962
00:41:55,000 --> 00:41:59,080
Speaker 4: It's not head bonk. But I recently rewatched About Time,

963
00:41:59,600 --> 00:42:02,799
Speaker 4: very strict movie that I happen to enjoy. But the

964
00:42:02,880 --> 00:42:04,799
Speaker 4: lesson have you seen About Time? I don't think so.

965
00:42:05,000 --> 00:42:08,000
Speaker 4: It's when Donald Leeson learns that he can go back

966
00:42:08,040 --> 00:42:09,000
Speaker 4: in time whenever he wants to.

967
00:42:09,200 --> 00:42:10,920
Speaker 3: Oh, okay, and Rachel McAdams is in.

968
00:42:11,040 --> 00:42:13,240
Speaker 4: And the big sort of like very which is actually

969
00:42:13,280 --> 00:42:17,439
Speaker 4: Chel's she's there, and Bill Ny is there too, and

970
00:42:18,520 --> 00:42:22,800
Speaker 4: so is Vanessa Kirby. Oh like v one Vanessa Vanessa Curby.

971
00:42:22,800 --> 00:42:23,680
Speaker 1: So that's great.

972
00:42:24,200 --> 00:42:26,920
Speaker 4: And the lesson that he learns at the end of

973
00:42:27,000 --> 00:42:29,319
Speaker 4: About Time is that, like, you don't need to go

974
00:42:29,360 --> 00:42:32,120
Speaker 4: back in time, you can just enjoy the present. I

975
00:42:32,160 --> 00:42:34,920
Speaker 4: think the gay version of About Time is they're constantly

976
00:42:34,960 --> 00:42:37,800
Speaker 4: just doing it over again, yea as many times as possible.

977
00:42:37,840 --> 00:42:38,600
Speaker 1: Well, I think.

978
00:42:39,000 --> 00:42:41,640
Speaker 2: Because the real it's like propaganda for like don't leave

979
00:42:41,680 --> 00:42:43,879
Speaker 2: your family. Yeah, they're all basically like, hey, by the way,

980
00:42:43,920 --> 00:42:45,400
Speaker 2: I know you want to leave your family.

981
00:42:45,480 --> 00:42:47,279
Speaker 1: Totally, it's important you stick her.

982
00:42:47,400 --> 00:42:50,520
Speaker 4: You have to be tail only needs you with the kids.

983
00:42:50,680 --> 00:42:53,000
Speaker 3: You live in New Jersey of a mortgage, not just

984
00:42:53,160 --> 00:42:56,359
Speaker 3: not just leave your family. I know you hate your life, yeah,

985
00:42:56,400 --> 00:43:00,160
Speaker 3: like I know that. Literally there is an emptiness you

986
00:43:00,280 --> 00:43:02,200
Speaker 3: that will never be filled. But what if you got

987
00:43:02,239 --> 00:43:05,960
Speaker 3: to taste But but like it could be worse. That's

988
00:43:05,960 --> 00:43:08,239
Speaker 3: the message. That's the inspiring message. Hey, could be worse.

989
00:43:08,320 --> 00:43:09,839
Speaker 1: Yeah, well, how do you guys feel about like it's

990
00:43:09,840 --> 00:43:11,880
Speaker 1: a wonderful life? Of course? Where does this fit in?

991
00:43:11,960 --> 00:43:14,640
Speaker 2: Where it's like you because one of my favorite films

992
00:43:14,640 --> 00:43:16,040
Speaker 2: of all time, of course.

993
00:43:15,840 --> 00:43:18,120
Speaker 4: Kind of a head bunk, but it's it's temperature shock, right,

994
00:43:18,160 --> 00:43:20,640
Speaker 4: he falls into the the water and wait what happened?

995
00:43:20,680 --> 00:43:21,359
Speaker 4: That's a head bunk.

996
00:43:21,600 --> 00:43:24,439
Speaker 2: So he sees the world with him dead, basically everyone

997
00:43:24,600 --> 00:43:27,359
Speaker 2: like unhappy and miserable. And then he comes back and

998
00:43:27,400 --> 00:43:29,319
Speaker 2: he's like, actually, I don't want to kill myself. I'm

999
00:43:29,320 --> 00:43:32,080
Speaker 2: so happy that I'm in my shitty house, so happy

1000
00:43:32,080 --> 00:43:33,040
Speaker 2: I have all these kids.

1001
00:43:33,120 --> 00:43:36,680
Speaker 3: Well that's also a Christmas Carol, yeah, right, like he

1002
00:43:36,800 --> 00:43:40,800
Speaker 3: sees like ghosts of Christmas present the Twims twist.

1003
00:43:41,520 --> 00:43:44,000
Speaker 1: It's the it's a bunk. It's a bunk. It's a bunk.

1004
00:43:44,280 --> 00:43:47,560
Speaker 2: But I feel like I remember watching It's Wonderful Life,

1005
00:43:47,600 --> 00:43:50,239
Speaker 2: and of course I can. I'm like, that's beautiful, it's

1006
00:43:50,239 --> 00:43:50,840
Speaker 2: so stunning.

1007
00:43:50,840 --> 00:43:53,200
Speaker 1: I always cry. But like I do remember being like, damn,

1008
00:43:53,200 --> 00:43:53,560
Speaker 1: it sucks.

1009
00:43:53,560 --> 00:43:56,080
Speaker 2: He never went to Europe, Like I remembering, like so

1010
00:43:56,160 --> 00:43:57,799
Speaker 2: that he's never He's really never going to get the

1011
00:43:57,800 --> 00:43:58,200
Speaker 2: go He.

1012
00:43:58,200 --> 00:44:00,440
Speaker 4: Really wanted to work for National Geographic.

1013
00:44:00,040 --> 00:44:02,960
Speaker 2: And his brother gets to go to Europe and because

1014
00:44:02,960 --> 00:44:04,920
Speaker 2: of the war, well, but then he get to go.

1015
00:44:05,000 --> 00:44:08,040
Speaker 3: He gets drafted the ring or film podcast.

1016
00:44:08,080 --> 00:44:10,879
Speaker 1: His brother gets to go to Europe, but.

1017
00:44:10,840 --> 00:44:12,719
Speaker 2: Then he gets to go have a big, fancy life

1018
00:44:12,719 --> 00:44:14,160
Speaker 2: and he has to stay in the shitty house all

1019
00:44:14,160 --> 00:44:15,280
Speaker 2: because he didn't get to go to Europe.

1020
00:44:15,280 --> 00:44:15,680
Speaker 1: That's true.

1021
00:44:15,880 --> 00:44:18,560
Speaker 3: I have a question, has there ever been This is

1022
00:44:18,560 --> 00:44:20,000
Speaker 3: a plot that would be the plot of like a

1023
00:44:20,239 --> 00:44:23,239
Speaker 3: nineties low budget indie gay movie like Trick. Have you

1024
00:44:23,280 --> 00:44:23,839
Speaker 3: ever seen Trip?

1025
00:44:24,000 --> 00:44:25,759
Speaker 1: You know he told me about. Okay, sorry, but I

1026
00:44:25,800 --> 00:44:27,279
Speaker 1: swear I've seen some movies.

1027
00:44:27,040 --> 00:44:31,319
Speaker 3: Okay, but wonderful. Yes, I want a gay head bank

1028
00:44:31,400 --> 00:44:33,799
Speaker 3: movie where the this is so obvious the bunk is

1029
00:44:34,320 --> 00:44:37,640
Speaker 3: gay guy has a perfectly normal life, works in advertising,

1030
00:44:37,680 --> 00:44:40,360
Speaker 3: wakes up he's straight. How funny would that?

1031
00:44:40,400 --> 00:44:42,600
Speaker 1: Oh? My God. But something's not right.

1032
00:44:42,640 --> 00:44:47,080
Speaker 3: But something's not right. Yeah, yeah, there's so much there.

1033
00:44:47,120 --> 00:44:49,000
Speaker 1: Tell me what because here's the tool.

1034
00:44:49,120 --> 00:44:51,560
Speaker 3: Does he have a set relationship? Yeah, it's like, does

1035
00:44:51,600 --> 00:44:53,680
Speaker 3: he wake up in the body of a straight man

1036
00:44:53,680 --> 00:44:55,680
Speaker 3: but he's still gay inside and doesn't know how to

1037
00:44:55,719 --> 00:44:58,759
Speaker 3: tell his wife? Or does he wake up and suddenly

1038
00:44:59,640 --> 00:45:02,040
Speaker 3: his entire personality is the same, but he literally is

1039
00:45:02,040 --> 00:45:04,720
Speaker 3: attracted to not men and women. So it's tough because

1040
00:45:04,800 --> 00:45:07,120
Speaker 3: he's part of a gay friend group. They're always going out.

1041
00:45:07,360 --> 00:45:08,320
Speaker 4: So he body swapped.

1042
00:45:08,840 --> 00:45:10,319
Speaker 3: I don't know, that's the thing. It's I think would

1043
00:45:10,320 --> 00:45:12,080
Speaker 3: have to be a bodies You think body swap.

1044
00:45:12,000 --> 00:45:17,720
Speaker 4: A gay A gay personality goes in stratody. Yeah, Andy

1045
00:45:17,719 --> 00:45:21,560
Speaker 4: Cohen goes into James carp I guess not. Actually, I

1046
00:45:21,560 --> 00:45:23,920
Speaker 4: would have to be you know, Brian Williams.

1047
00:45:24,239 --> 00:45:25,080
Speaker 1: Yes, love that.

1048
00:45:25,160 --> 00:45:29,080
Speaker 3: Okay, Andy Cohen and Brian Williams body swap comedy that.

1049
00:45:29,120 --> 00:45:29,799
Speaker 1: Needs to be made.

1050
00:45:30,200 --> 00:45:32,440
Speaker 2: Okay, what what if it was like a thirteen around

1051
00:45:32,440 --> 00:45:33,799
Speaker 2: thirty where you have like a tea.

1052
00:45:33,760 --> 00:45:36,640
Speaker 3: Now that's a good day, who's like that's gay headbunk.

1053
00:45:36,520 --> 00:45:39,839
Speaker 2: But where you have like a teen boy who's gay, Yeah,

1054
00:45:39,840 --> 00:45:40,560
Speaker 2: and he's like, I.

1055
00:45:40,480 --> 00:45:42,239
Speaker 1: Don't want to be gay. I don't want to be gay.

1056
00:45:42,280 --> 00:45:45,040
Speaker 2: Cut to he's an adult and he's straight, and then

1057
00:45:45,080 --> 00:45:47,719
Speaker 2: he's like, then there's a moral yeah yeah, and he

1058
00:45:47,800 --> 00:45:49,920
Speaker 2: learns he has an it's wonderful life being a closet

1059
00:45:50,000 --> 00:45:50,800
Speaker 2: gay team he's.

1060
00:45:50,640 --> 00:45:51,399
Speaker 1: Like, I should come out.

1061
00:45:51,520 --> 00:45:53,319
Speaker 4: Yeah, and then he at the end when he switches out,

1062
00:45:53,360 --> 00:45:54,920
Speaker 4: he comes out, and that's the other movie.

1063
00:45:54,920 --> 00:45:58,480
Speaker 3: Wait, is his future that he's closeted or that he's

1064
00:45:58,520 --> 00:46:00,680
Speaker 3: literally straight, literally straight and he hates his life.

1065
00:46:00,760 --> 00:46:02,839
Speaker 4: Yeah, that is so good.

1066
00:46:03,160 --> 00:46:04,279
Speaker 3: That's really good. Write that down.

1067
00:46:04,560 --> 00:46:06,879
Speaker 1: You gotta write it. DIBs, DIBs, dips, dips, dope. It's

1068
00:46:06,920 --> 00:46:07,399
Speaker 1: so good.

1069
00:46:09,280 --> 00:46:11,719
Speaker 4: It's the family Man, but also thirteen going on thirty,

1070
00:46:11,719 --> 00:46:12,719
Speaker 4: and it's about being gay.

1071
00:46:12,760 --> 00:46:15,560
Speaker 1: It's about being gay in closet it. Oh, I love that.

1072
00:46:16,040 --> 00:46:20,520
Speaker 1: Oh that's gonna go amazing. When Obama is president again, we'll.

1073
00:46:20,320 --> 00:46:21,239
Speaker 3: Talk about a head bunk.

1074
00:46:22,320 --> 00:46:24,279
Speaker 4: It would be because it would be really funny and

1075
00:46:24,320 --> 00:46:26,920
Speaker 4: it would have like a very moving conclusion.

1076
00:46:27,160 --> 00:46:30,399
Speaker 1: Yeah, I think we hacked it. It's good. I'm gonna start.

1077
00:46:31,880 --> 00:46:35,600
Speaker 1: What's it called? Oh god, it is called fuck.

1078
00:46:37,480 --> 00:46:37,680
Speaker 5: Far.

1079
00:46:38,840 --> 00:46:40,520
Speaker 3: You know it has to be a pun. The word

1080
00:46:40,960 --> 00:46:45,000
Speaker 3: like far out because it's like, so, well, you.

1081
00:46:44,960 --> 00:46:45,840
Speaker 4: Did it, that's done.

1082
00:46:46,120 --> 00:46:49,640
Speaker 1: That's good. That's all you need. That's the idea in

1083
00:46:49,680 --> 00:46:51,080
Speaker 1: the time. Really good.

1084
00:46:51,239 --> 00:46:54,279
Speaker 4: Sam, Hey, I can like I can like hear the

1085
00:46:54,320 --> 00:46:56,799
Speaker 4: gears turning from over there.

1086
00:46:56,840 --> 00:46:57,560
Speaker 1: They're freaky.

1087
00:46:57,719 --> 00:47:00,200
Speaker 3: I'm feeling like this is not Taron Dritan, who's other

1088
00:47:00,239 --> 00:47:05,319
Speaker 3: guy who's currently in Becky Shaw. I don't know why

1089
00:47:05,360 --> 00:47:08,040
Speaker 3: that's who came to me. He's not even I do too,

1090
00:47:08,440 --> 00:47:10,560
Speaker 3: And I actually think him playing gay would be amazing

1091
00:47:10,640 --> 00:47:13,000
Speaker 3: for the whole community.

1092
00:47:13,160 --> 00:47:14,960
Speaker 1: Oh yeah, Taron Edgerton too, why not?

1093
00:47:15,600 --> 00:47:17,360
Speaker 3: But also if he's playing the future version, it's like

1094
00:47:17,400 --> 00:47:20,320
Speaker 3: a straight that's a straight man, So it actually wouldn't

1095
00:47:20,320 --> 00:47:23,320
Speaker 3: even be actually taking a role from an LGBTQ plus actor.

1096
00:47:23,560 --> 00:47:26,360
Speaker 4: Would you would you want it to be a straighter

1097
00:47:26,400 --> 00:47:27,880
Speaker 4: gay actor playing straight?

1098
00:47:28,000 --> 00:47:28,600
Speaker 3: Well? I want?

1099
00:47:28,840 --> 00:47:31,120
Speaker 4: Is there comedy in this is in a gay actor

1100
00:47:31,160 --> 00:47:31,640
Speaker 4: pretending to.

1101
00:47:31,760 --> 00:47:38,759
Speaker 3: Straight grand living with like a woman named Marcia in

1102
00:47:38,760 --> 00:47:39,440
Speaker 3: in Cleveland.

1103
00:47:39,480 --> 00:47:41,880
Speaker 4: Okay, Frankie Grande, but who's playing the adult Frankie Grande.

1104
00:47:46,080 --> 00:47:48,560
Speaker 4: Frankie Grande turns into Luke Evans and then we have

1105
00:47:48,600 --> 00:47:50,720
Speaker 4: a movie.

1106
00:47:50,440 --> 00:47:53,719
Speaker 2: I wrote in my notes that recently and I don't

1107
00:47:53,760 --> 00:47:56,359
Speaker 2: remember the context for why I thought this was. I

1108
00:47:56,440 --> 00:47:58,360
Speaker 2: was like, I was like, there just needs to be

1109
00:47:58,440 --> 00:48:02,960
Speaker 2: a movie about Frankie Gronde.

1110
00:48:04,120 --> 00:48:06,600
Speaker 1: There's something about him that is so interesting.

1111
00:48:07,880 --> 00:48:10,720
Speaker 3: I mean, I do think that always the last famous

1112
00:48:10,719 --> 00:48:12,120
Speaker 3: sibling that's like such a funny thing.

1113
00:48:12,400 --> 00:48:15,200
Speaker 2: Well that and he's just pretty comfortable being like, yeah,

1114
00:48:15,280 --> 00:48:17,759
Speaker 2: make fun of me, like I'm really weird about him.

1115
00:48:18,520 --> 00:48:19,760
Speaker 1: Let her rip, I'm weird.

1116
00:48:20,280 --> 00:48:23,600
Speaker 3: I've always thought there needs to be more like curb

1117
00:48:23,840 --> 00:48:28,800
Speaker 3: style things about remember Fat Actress with Christy Ally, Like, there.

1118
00:48:28,680 --> 00:48:30,600
Speaker 2: Needs to be I can't hear that without you doing

1119
00:48:30,600 --> 00:48:36,680
Speaker 2: your Lord parody.

1120
00:48:37,800 --> 00:48:41,840
Speaker 3: God, that's good. But anyway, I think that Frankie Grande

1121
00:48:42,000 --> 00:48:45,680
Speaker 3: in like a semi scripted curb style show that's like

1122
00:48:45,760 --> 00:48:47,880
Speaker 3: literally my life on the deal List, but I'm Frankie Grande.

1123
00:48:47,920 --> 00:48:48,759
Speaker 3: It would be so fun.

1124
00:48:49,280 --> 00:48:49,880
Speaker 1: Yeah.

1125
00:48:49,960 --> 00:48:52,880
Speaker 2: Well, I was recently like of course, working on the

1126
00:48:52,920 --> 00:48:54,200
Speaker 2: Queer Teas and they were like, well, we can put

1127
00:48:54,200 --> 00:48:56,160
Speaker 2: it Frankie Grandi joke in there. He's actually pretty chill

1128
00:48:56,200 --> 00:48:59,720
Speaker 2: about that stuff. And I was like, oh, imagine, he wasn't.

1129
00:49:00,120 --> 00:49:02,680
Speaker 1: All like fair game and he like kind of likes it.

1130
00:49:02,680 --> 00:49:07,360
Speaker 4: It's all good for him. Again, on Broadway. Yeah, it's amazing.

1131
00:49:07,360 --> 00:49:15,400
Speaker 3: You know he's never done Broadway Ariana, well not I

1132
00:49:15,520 --> 00:49:16,640
Speaker 3: never seen around on Broadway.

1133
00:49:16,719 --> 00:49:19,600
Speaker 1: Interesting, kind of weird, pretty lazy. You know who didn't

1134
00:49:19,600 --> 00:49:30,359
Speaker 1: get an Oscar nomination Arihana Ah. It's this is off top.

1135
00:49:30,400 --> 00:49:33,520
Speaker 2: But there's another another, like gay fantasy is just being

1136
00:49:33,520 --> 00:49:35,680
Speaker 2: spotted and being like, oh, you're a model, Like oh.

1137
00:49:35,600 --> 00:49:35,960
Speaker 1: You should be.

1138
00:49:36,120 --> 00:49:40,759
Speaker 2: Oh yeah, I always as a child that was my dream. Well,

1139
00:49:40,800 --> 00:49:43,040
Speaker 2: I do discuffered just to be walking down the street

1140
00:49:43,040 --> 00:49:46,400
Speaker 2: and someone be like, wait a minute, you are a model?

1141
00:49:47,480 --> 00:49:50,759
Speaker 4: That is that is like an incredible dream. Yeah, because

1142
00:49:50,760 --> 00:49:53,440
Speaker 4: then you're just like whisked into it, yeah, so fast.

1143
00:49:53,320 --> 00:49:55,840
Speaker 2: No effort, and you don't have any stress about it

1144
00:49:55,880 --> 00:49:58,040
Speaker 2: because he didn't work that hard. You're just like, yeah,

1145
00:49:58,080 --> 00:49:59,600
Speaker 2: I'm a model, It's fine.

1146
00:50:00,160 --> 00:50:00,480
Speaker 1: Okay.

1147
00:50:00,600 --> 00:50:03,160
Speaker 3: There should be a headbunk movie about someone being cast

1148
00:50:03,200 --> 00:50:06,279
Speaker 3: as a model, not not had literally like someone casts

1149
00:50:06,280 --> 00:50:09,680
Speaker 3: a model, but it's like someone that's a legitimately weird

1150
00:50:09,840 --> 00:50:13,879
Speaker 3: looking freak. But then like a kind of like New

1151
00:50:13,960 --> 00:50:17,239
Speaker 3: York City casting agent who's looking for like non traditional

1152
00:50:17,320 --> 00:50:20,120
Speaker 3: models is like roaming the streets of some random city

1153
00:50:20,160 --> 00:50:23,520
Speaker 3: and is like, I love your luck. To Manhattan. Yeah,

1154
00:50:23,560 --> 00:50:27,440
Speaker 3: and then he's like walking to Vikara show and then

1155
00:50:27,680 --> 00:50:31,320
Speaker 3: and then it's like him becoming part of this community

1156
00:50:31,320 --> 00:50:32,440
Speaker 3: of queer creators.

1157
00:50:33,640 --> 00:50:38,239
Speaker 4: That's these are all very good ideas. Well, here's an

1158
00:50:38,239 --> 00:50:38,759
Speaker 4: evil pitch.

1159
00:50:38,800 --> 00:50:42,239
Speaker 2: Okay, yeah, So instead it's like a jury duty type thing.

1160
00:50:44,160 --> 00:50:46,719
Speaker 3: Oh my god, it's literally an ugly person, and you

1161
00:50:46,800 --> 00:50:48,360
Speaker 3: convince them that they've been street.

1162
00:50:52,160 --> 00:50:55,359
Speaker 2: You get literally like annointur to be like, holy shit,

1163
00:50:55,480 --> 00:50:58,319
Speaker 2: it's so hot, Like I've never seen someone like you,

1164
00:50:58,520 --> 00:51:01,319
Speaker 2: and they're not just like the normal, like the most

1165
00:51:01,360 --> 00:51:02,680
Speaker 2: normal person you've ever seen.

1166
00:51:03,040 --> 00:51:06,200
Speaker 4: Who do you think Anna Wintour has said, holy shit

1167
00:51:06,360 --> 00:51:08,319
Speaker 4: is so hot too about because I don't think I

1168
00:51:08,360 --> 00:51:09,600
Speaker 4: know what's a celeb that she's.

1169
00:51:09,440 --> 00:51:11,480
Speaker 1: Said, Oh you know who she's obsessed with?

1170
00:51:11,520 --> 00:51:12,240
Speaker 3: Sienna Miller.

1171
00:51:12,640 --> 00:51:15,239
Speaker 4: Really yeah, I watched the September issue and last night.

1172
00:51:15,320 --> 00:51:18,360
Speaker 3: Can you imagine? I love Sanna Miller? But like the

1173
00:51:18,480 --> 00:51:20,920
Speaker 3: idea that there is a definitive documentary about Vogue and

1174
00:51:20,960 --> 00:51:23,560
Speaker 3: the person on that cover is Cienna Miller.

1175
00:51:23,920 --> 00:51:26,200
Speaker 4: Crazy is crazy, It's crazy, And half of the movie

1176
00:51:26,239 --> 00:51:28,200
Speaker 4: is them being like, she looks terrible on this butt,

1177
00:51:28,320 --> 00:51:29,400
Speaker 4: she looks terrible in this photto.

1178
00:51:29,560 --> 00:51:30,120
Speaker 1: She needs a wig.

1179
00:51:30,200 --> 00:51:32,560
Speaker 3: She needs a wig, you know. But she Anna has

1180
00:51:32,640 --> 00:51:35,719
Speaker 3: like a soft spot for like obviously very beautiful, but

1181
00:51:36,000 --> 00:51:41,080
Speaker 3: not not like number one successful blonde British women, you

1182
00:51:41,080 --> 00:51:41,520
Speaker 3: know what I mean?

1183
00:51:42,920 --> 00:51:45,880
Speaker 1: And that she's so hot. I need to get bonged

1184
00:51:45,920 --> 00:51:48,479
Speaker 1: where I can picture a person when you say their.

1185
00:51:48,440 --> 00:51:50,400
Speaker 3: Name like Sana, well, Santa Miller. I think that's one

1186
00:51:50,440 --> 00:51:51,960
Speaker 3: of her issues is that it's tough to picture.

1187
00:51:52,360 --> 00:51:54,080
Speaker 2: Basically every person you've said so far, I've been like,

1188
00:51:55,320 --> 00:51:57,400
Speaker 2: except for Rachel McAdams.

1189
00:51:57,160 --> 00:51:59,879
Speaker 4: How would you describe Ciana Miller? Like, that's the thing

1190
00:52:00,040 --> 00:52:03,640
Speaker 4: I'll see ouch. I would not describe her his mousey.

1191
00:52:04,120 --> 00:52:05,799
Speaker 3: Have you under I saw her in real life when

1192
00:52:05,800 --> 00:52:07,320
Speaker 3: she was like one of the most beautiful.

1193
00:52:08,160 --> 00:52:10,960
Speaker 4: I understand that just and I do like her. And

1194
00:52:11,000 --> 00:52:14,520
Speaker 4: speaking of Curb, she was funny, asked herself on Curb

1195
00:52:14,600 --> 00:52:15,520
Speaker 4: and I was like, where have you been?

1196
00:52:15,600 --> 00:52:15,839
Speaker 1: Girl?

1197
00:52:15,920 --> 00:52:18,359
Speaker 4: But I don't know how I would describe her because

1198
00:52:18,360 --> 00:52:21,200
Speaker 4: she's just so like blonde blonde, but there's something small,

1199
00:52:21,320 --> 00:52:24,279
Speaker 4: there's something kind of dainty about her, yeah, but also

1200
00:52:24,320 --> 00:52:26,200
Speaker 4: a little like you know that she could have a

1201
00:52:26,200 --> 00:52:26,640
Speaker 4: good time.

1202
00:52:27,280 --> 00:52:35,839
Speaker 3: Well she does gives. Don't you think I was if

1203
00:52:35,880 --> 00:52:39,280
Speaker 3: I was a sexist male writer, and I was casting

1204
00:52:39,360 --> 00:52:42,839
Speaker 3: for home Wrecker. I would get standon Miller. It's like,

1205
00:52:42,840 --> 00:52:46,200
Speaker 3: this is a wily minx. He was just going to

1206
00:52:46,239 --> 00:52:49,000
Speaker 3: work and she was the secretary that took one of

1207
00:52:49,000 --> 00:52:49,960
Speaker 3: her tits.

1208
00:52:49,640 --> 00:52:51,759
Speaker 1: Out and it was over for her.

1209
00:52:51,840 --> 00:52:54,120
Speaker 4: It was her fault. And then he went back to

1210
00:52:54,160 --> 00:52:56,280
Speaker 4: his family and realized how much he appreciate.

1211
00:52:55,880 --> 00:53:01,200
Speaker 3: Exactly you know, And she's like, come out, sorry, now

1212
00:53:01,200 --> 00:53:04,839
Speaker 3: I'm stuck in plots. Yeah, well, you have a writer's heart,

1213
00:53:05,040 --> 00:53:07,080
Speaker 3: you know, and I have more of a casting director's heart.

1214
00:53:07,200 --> 00:53:09,279
Speaker 1: And that's that's why we work.

1215
00:53:09,360 --> 00:53:10,000
Speaker 3: That's why I work.

1216
00:53:11,760 --> 00:53:15,279
Speaker 2: I do think it's funny when someone is a sleeper cell,

1217
00:53:15,719 --> 00:53:18,719
Speaker 2: specifically when it comes to combat skills, like that is

1218
00:53:18,800 --> 00:53:21,279
Speaker 2: fun Like if you're in the club and like you

1219
00:53:21,360 --> 00:53:24,319
Speaker 2: hear a certain pitch that like awakens you and you're like,

1220
00:53:24,440 --> 00:53:25,600
Speaker 2: fuck kill.

1221
00:53:26,719 --> 00:53:30,680
Speaker 4: I like the rare, the rare woman Bonk movie, which

1222
00:53:30,719 --> 00:53:35,040
Speaker 4: one the long kiss good night? What's Geena Davis gets

1223
00:53:35,120 --> 00:53:38,680
Speaker 4: bunked on the head this literally she gets bunked on

1224
00:53:38,719 --> 00:53:43,839
Speaker 4: the head and she is a housewife and then over

1225
00:53:43,880 --> 00:53:46,759
Speaker 4: time she's like, wait, why am I good at assassinating

1226
00:53:46,800 --> 00:53:49,200
Speaker 4: and like fighting? And then she realizes she's an assassin

1227
00:53:49,200 --> 00:53:51,560
Speaker 4: who got bunked on the head and then fell into

1228
00:53:51,600 --> 00:53:53,479
Speaker 4: this domestic life.

1229
00:53:54,440 --> 00:53:59,319
Speaker 2: The bonk made her housewife, but then she bunked again

1230
00:53:59,480 --> 00:54:02,839
Speaker 2: and then became him cool again. God, yeah, wow, this

1231
00:54:02,920 --> 00:54:04,839
Speaker 2: movie exists. Okay, how's just gonna be quick.

1232
00:54:05,120 --> 00:54:07,080
Speaker 4: But yeah, it's fun when it's like, wait, why am

1233
00:54:07,120 --> 00:54:07,719
Speaker 4: I good at.

1234
00:54:07,640 --> 00:54:08,360
Speaker 1: All of these movies?

1235
00:54:08,640 --> 00:54:11,960
Speaker 2: I love the idea of like secretly being good at fighting.

1236
00:54:12,640 --> 00:54:14,719
Speaker 3: I'm imagining a movie. It's not gonna come new, but

1237
00:54:14,760 --> 00:54:18,600
Speaker 3: it's like the idea is like, you know, someone throws

1238
00:54:18,600 --> 00:54:21,120
Speaker 3: a ball or something, and then the person who's exactly

1239
00:54:21,239 --> 00:54:23,239
Speaker 3: the person who's been bombed, you know what it is.

1240
00:54:23,280 --> 00:54:23,960
Speaker 1: It's like X Men.

1241
00:54:24,000 --> 00:54:27,360
Speaker 4: It's like realizing, yeah, because it's all in the exactly

1242
00:54:27,360 --> 00:54:30,799
Speaker 4: because X men don't require like practice totally, and that's

1243
00:54:30,800 --> 00:54:32,680
Speaker 4: the real fantasy. That's what you don't have to put

1244
00:54:32,719 --> 00:54:39,319
Speaker 4: in the work. You're born, Yeah, you're born. You're you're born,

1245
00:54:38,680 --> 00:54:39,799
Speaker 4: you are this way.

1246
00:54:40,120 --> 00:54:42,759
Speaker 2: Oh my god, if this was two thousand and seven

1247
00:54:42,760 --> 00:54:45,560
Speaker 2: and we made a parody, that would be so fucking.

1248
00:54:45,640 --> 00:54:49,920
Speaker 4: You're like, I love him and capital hi and it's amazing.

1249
00:54:50,120 --> 00:54:50,920
Speaker 1: It would be amazing.

1250
00:54:50,960 --> 00:54:53,120
Speaker 3: You know, my Foundation, The Born This Way spelled. The

1251
00:54:53,200 --> 00:54:56,880
Speaker 3: Jason Bourde Stouth Foundation helps young youth that struggle from amnesia.

1252
00:54:57,800 --> 00:55:01,200
Speaker 1: God, I've always wanted to youth has been born bunked?

1253
00:55:01,239 --> 00:55:03,120
Speaker 3: You youth.

1254
00:55:03,760 --> 00:55:05,600
Speaker 4: Someone needs to speak up for the bunked youth.

1255
00:55:06,000 --> 00:55:08,600
Speaker 1: You know they're out there. I was a bunked youth.

1256
00:55:08,640 --> 00:55:10,800
Speaker 2: I got I got a concussion playing dodgeball as a

1257
00:55:10,960 --> 00:55:13,960
Speaker 2: child in sixth grade. I ran and you suddenly had

1258
00:55:14,640 --> 00:55:17,319
Speaker 2: And then before that I was doing my taxes. They

1259
00:55:18,640 --> 00:55:21,680
Speaker 2: did you like, did you get did you get knocked out? Yeah,

1260
00:55:21,719 --> 00:55:23,719
Speaker 2: for a little bit. I ran into a brick wall

1261
00:55:24,320 --> 00:55:26,520
Speaker 2: because I was running to get it. And oh, so

1262
00:55:26,560 --> 00:55:30,640
Speaker 2: the ball didn't give you the brick wall you were

1263
00:55:30,680 --> 00:55:34,279
Speaker 2: trying to brickwall nine three quarters or whatever it is.

1264
00:55:34,560 --> 00:55:36,359
Speaker 2: Harry Potter, Oh you know what it is?

1265
00:55:36,640 --> 00:55:37,160
Speaker 3: What is it?

1266
00:55:37,600 --> 00:55:37,960
Speaker 1: You guys?

1267
00:55:39,480 --> 00:55:42,239
Speaker 3: The idea that I know that, that's that's crazy. I

1268
00:55:42,239 --> 00:55:45,279
Speaker 3: haven't thought about that that book since I was reading it,

1269
00:55:45,680 --> 00:55:45,960
Speaker 3: you know.

1270
00:55:46,040 --> 00:55:47,480
Speaker 4: And then you got bunked in front. I read them,

1271
00:55:47,520 --> 00:55:48,760
Speaker 4: but the nine and three quarters stayed.

1272
00:55:48,840 --> 00:55:52,200
Speaker 3: Yeah, wow, you know you know they should make and

1273
00:55:52,360 --> 00:55:55,040
Speaker 3: it follows, But the thing that follows is having.

1274
00:55:56,320 --> 00:55:58,840
Speaker 1: You can send a more positive message. That's like the

1275
00:55:58,880 --> 00:56:00,560
Speaker 1: premise of like a lot of videos.

1276
00:56:00,560 --> 00:56:02,520
Speaker 3: I think totally.

1277
00:56:03,320 --> 00:56:06,040
Speaker 2: You know, I'm remembering, someone needs to bonk me because

1278
00:56:06,040 --> 00:56:10,760
Speaker 2: we've talked about getting bonked. Someone needs to bank bonk me, please.

1279
00:56:11,120 --> 00:56:12,640
Speaker 1: I feel like we've talked about being banned.

1280
00:56:13,000 --> 00:56:14,000
Speaker 3: If I've talked about this before.

1281
00:56:14,560 --> 00:56:16,840
Speaker 4: Well, the great thing about being bonked is that the

1282
00:56:16,920 --> 00:56:20,600
Speaker 4: bonk is a is a button totally in every bank story,

1283
00:56:20,760 --> 00:56:23,200
Speaker 4: you can be unbonked with another bonk. And I think

1284
00:56:23,280 --> 00:56:24,439
Speaker 4: that's really interesting too.

1285
00:56:24,520 --> 00:56:26,319
Speaker 3: Well that's also a straight fantasy of like we can

1286
00:56:26,360 --> 00:56:26,680
Speaker 3: undo all.

1287
00:56:26,760 --> 00:56:27,480
Speaker 4: Yeah, it's a switch.

1288
00:56:27,600 --> 00:56:29,719
Speaker 1: Yeah, yeah, yeah, I do.

1289
00:56:29,840 --> 00:56:32,319
Speaker 3: Like in Freaky Friday when they try to unbonk by

1290
00:56:32,760 --> 00:56:33,759
Speaker 3: running into each other.

1291
00:56:33,960 --> 00:56:38,280
Speaker 1: That's classic. That's classic. It's classic.

1292
00:56:38,480 --> 00:56:41,080
Speaker 3: One of the amazing parts of bonk movies is that

1293
00:56:41,239 --> 00:56:45,759
Speaker 3: it gives adult actors a chance to like really act,

1294
00:56:45,760 --> 00:56:49,640
Speaker 3: to act like in like almost an offensive way, child Blake,

1295
00:56:49,960 --> 00:56:51,439
Speaker 3: you know what I mean, Like if you don't quite

1296
00:56:51,480 --> 00:56:53,920
Speaker 3: hit the right notes, it actually is offensive. Like Jennifer

1297
00:56:53,920 --> 00:56:56,719
Speaker 3: Garner in thirteen going on thirty, that's an offensive performance.

1298
00:56:57,520 --> 00:56:59,080
Speaker 1: I hate that. Yeah, I hate that.

1299
00:56:59,520 --> 00:57:02,279
Speaker 2: Yeah, what are we like? I'm not trying to I'm

1300
00:57:02,280 --> 00:57:03,799
Speaker 2: just like I literally need to look at a clock like.

1301
00:57:03,840 --> 00:57:05,400
Speaker 2: It's not that I want it to end, I just want.

1302
00:57:05,280 --> 00:57:07,440
Speaker 3: To No, No, I think we could do a final segment.

1303
00:57:08,040 --> 00:57:12,120
Speaker 3: Any final thoughts on I really want to thank you

1304
00:57:12,160 --> 00:57:15,080
Speaker 3: for bringing this topic because this was very generative. I

1305
00:57:15,080 --> 00:57:15,879
Speaker 3: have so much to think.

1306
00:57:16,000 --> 00:57:17,480
Speaker 1: I'm thrilled. I was like a little nervous.

1307
00:57:17,480 --> 00:57:18,640
Speaker 3: I was like, no, it's real.

1308
00:57:18,760 --> 00:57:22,120
Speaker 4: I mean, and I didn't need to get bunked to

1309
00:57:22,120 --> 00:57:22,520
Speaker 4: come up with it.

1310
00:57:22,600 --> 00:57:24,720
Speaker 3: No, I'm going straight to a general with HBO Max

1311
00:57:24,720 --> 00:57:25,080
Speaker 3: after this.

1312
00:57:26,680 --> 00:57:29,520
Speaker 1: I know I don't have any other thoughts on bunking, but.

1313
00:57:29,520 --> 00:57:35,320
Speaker 3: I'm like, I now want to program a bonking sort

1314
00:57:35,320 --> 00:57:38,720
Speaker 3: of movie week at BAM or something.

1315
00:57:38,920 --> 00:57:43,840
Speaker 1: Yeah, bunked at BAM. Yeah, I got bunked at this Pride.

1316
00:57:44,240 --> 00:57:45,720
Speaker 3: I got bunked at BAM and all I got was

1317
00:57:45,720 --> 00:57:46,480
Speaker 3: this lousy.

1318
00:57:46,160 --> 00:57:46,680
Speaker 1: A T shirt.

1319
00:57:48,520 --> 00:57:51,520
Speaker 2: I will say, sleeper, cell. I do feel like that's

1320
00:57:51,520 --> 00:57:54,120
Speaker 2: sort of what nostalgia is like. Sometimes I'll listen.

1321
00:57:53,920 --> 00:57:55,520
Speaker 3: To that happened to me with Devils Product.

1322
00:57:55,680 --> 00:57:58,200
Speaker 2: Yes, I sometimes will try to listen to something old

1323
00:57:58,400 --> 00:58:00,600
Speaker 2: so I can be like, let's put me back there,

1324
00:58:00,800 --> 00:58:02,440
Speaker 2: let me remember what it was like, so I can

1325
00:58:02,520 --> 00:58:03,560
Speaker 2: like feel like I'm in college.

1326
00:58:03,560 --> 00:58:04,320
Speaker 1: For one second.

1327
00:58:04,680 --> 00:58:07,360
Speaker 3: I'm literally in the middle of watching Devilish Product too.

1328
00:58:07,400 --> 00:58:11,440
Speaker 3: I I had like an overwhelming emotional experience of being like,

1329
00:58:12,480 --> 00:58:13,960
Speaker 3: these women are everything to me.

1330
00:58:15,920 --> 00:58:17,680
Speaker 1: I love. When that happened, I was like.

1331
00:58:18,120 --> 00:58:20,840
Speaker 3: I like could cry. I was like, thank god.

1332
00:58:21,520 --> 00:58:24,320
Speaker 4: Yeah, there's a there's without spoilers, there's a scene between

1333
00:58:24,320 --> 00:58:26,320
Speaker 4: Anne Hathaway and Emily Blunt near the end of the

1334
00:58:26,400 --> 00:58:29,000
Speaker 4: movie that I was like, Yeah, I'm so happy for

1335
00:58:29,040 --> 00:58:29,640
Speaker 4: them because.

1336
00:58:29,400 --> 00:58:33,000
Speaker 1: This is so wonderful. I can't wait to see it.

1337
00:58:33,040 --> 00:58:36,760
Speaker 4: But it's it's funny thinking about nostalgia as like you

1338
00:58:36,800 --> 00:58:39,200
Speaker 4: want to will yourself to be bonked. I wish I

1339
00:58:39,240 --> 00:58:42,920
Speaker 4: could be bunked in some way. Nostalgia is the is

1340
00:58:42,960 --> 00:58:45,280
Speaker 4: the button, Yes that could bunk me into something.

1341
00:58:45,320 --> 00:58:47,520
Speaker 2: Maybe I'll be bumped into that emotion. Yeah that's true,

1342
00:58:47,520 --> 00:58:48,200
Speaker 2: former self.

1343
00:58:48,480 --> 00:58:49,880
Speaker 1: Yeah I like that.

1344
00:58:50,920 --> 00:58:55,000
Speaker 3: Wow, Nostalgia is really the dream of being bonked. I

1345
00:58:55,040 --> 00:58:57,800
Speaker 3: think everyone kind of actually straight about it.

1346
00:58:57,840 --> 00:58:59,960
Speaker 1: If you think about it. Whoa going to the past,

1347
00:59:00,080 --> 00:59:00,600
Speaker 1: going to things.

1348
00:59:00,520 --> 00:59:03,480
Speaker 4: Were better than instead of thinking they could be the possibility.

1349
00:59:03,640 --> 00:59:06,760
Speaker 1: Yeah, yes, it is straight.

1350
00:59:07,080 --> 00:59:13,120
Speaker 3: It's oh my god, oh okay. The nostalgia is the

1351
00:59:13,200 --> 00:59:15,919
Speaker 3: desire for the third act of the Bunking movie to happen,

1352
00:59:15,920 --> 00:59:17,439
Speaker 3: where you return to your initial state.

1353
00:59:17,680 --> 00:59:19,400
Speaker 1: Oh you know what I mean.

1354
00:59:19,920 --> 00:59:23,200
Speaker 3: It's like you're Jennifer Garner as an adult. You're craving

1355
00:59:23,240 --> 00:59:24,360
Speaker 3: being thirteen again.

1356
00:59:25,600 --> 00:59:28,800
Speaker 4: And I'm taking my wisdom with me. Yes, yeah, and

1357
00:59:28,840 --> 00:59:32,280
Speaker 4: I'm doing it over because I had the gift of bunk,

1358
00:59:33,200 --> 00:59:33,919
Speaker 4: the gift of bunk.

1359
00:59:35,160 --> 00:59:36,400
Speaker 3: Is it too late to change your book title?

1360
00:59:38,720 --> 00:59:38,880
Speaker 2: Oh?

1361
00:59:38,920 --> 00:59:41,400
Speaker 1: Write another one, the gift of the Gift of bunk.

1362
00:59:41,520 --> 00:59:42,000
Speaker 3: That's big.

1363
00:59:47,360 --> 00:59:52,440
Speaker 4: Wow.

1364
00:59:52,880 --> 00:59:54,520
Speaker 1: Well, let's saw a final segment.

1365
00:59:54,600 --> 00:59:55,520
Speaker 3: Let's do it so.

1366
00:59:55,640 --> 00:59:58,200
Speaker 2: Our final segment is called shout outs. And in the

1367
00:59:58,200 --> 01:00:00,480
Speaker 2: homage of the Grand Straight tradition of the re shout out,

1368
01:00:00,480 --> 01:00:01,280
Speaker 2: we shout out anything.

1369
01:00:02,080 --> 01:00:05,600
Speaker 1: Sorry, I told you, I'm forgetting words today. Thank you

1370
01:00:05,640 --> 01:00:08,800
Speaker 1: for calling me in. In the what do we say,

1371
01:00:09,200 --> 01:00:12,800
Speaker 1: it's I'm not even over. I slept a lot last night.

1372
01:00:13,400 --> 01:00:14,760
Speaker 1: I want to jump off a clue.

1373
01:00:14,840 --> 01:00:19,919
Speaker 3: We say homage to the grand site. What I say

1374
01:00:20,760 --> 01:00:28,919
Speaker 3: in the homage, we pay homage to the grand Straight

1375
01:00:28,960 --> 01:00:31,040
Speaker 3: tradition of the radio shout out. You're shouting out to

1376
01:00:31,080 --> 01:00:33,120
Speaker 3: your friends back home on the one hundred, and you're

1377
01:00:33,120 --> 01:00:36,840
Speaker 3: shouting out something that you are enjoying people, places, things

1378
01:00:36,880 --> 01:00:38,520
Speaker 3: ideas well. Mine was going to be double part of

1379
01:00:39,240 --> 01:00:46,040
Speaker 3: it still can't be. Okay, but no spoilers. Okay the spot, Okay,

1380
01:00:46,040 --> 01:00:48,520
Speaker 3: we make the Yes, we make them up on the spot.

1381
01:00:48,960 --> 01:00:50,160
Speaker 1: Do you want to go first? Sure?

1382
01:00:53,840 --> 01:00:56,240
Speaker 2: What's up freaks, losers and perverts around the globe. I

1383
01:00:56,280 --> 01:00:59,040
Speaker 2: want to give a huge shout out to McNally Jackson.

1384
01:00:59,520 --> 01:01:03,000
Speaker 2: I was in Los Angeles, where I currently live, and

1385
01:01:03,280 --> 01:01:05,720
Speaker 2: I went to two bookstores, neither of which had Lena

1386
01:01:05,760 --> 01:01:09,000
Speaker 2: Dunamas Famesick. I said, what is happening in this damn city?

1387
01:01:09,120 --> 01:01:10,800
Speaker 2: And why is this the most sold out book on

1388
01:01:10,920 --> 01:01:13,400
Speaker 2: planet Earth? I thought people weren't reading anymore? And now

1389
01:01:13,400 --> 01:01:16,080
Speaker 2: I can't find this book at two bookstores. And if

1390
01:01:16,120 --> 01:01:17,960
Speaker 2: you know the city of Los Angeles, you know you

1391
01:01:17,960 --> 01:01:20,000
Speaker 2: can just walk around a bunch of bookstores. You're getting

1392
01:01:20,000 --> 01:01:22,439
Speaker 2: in your car and you're driving another one. So I said, well,

1393
01:01:22,440 --> 01:01:24,240
Speaker 2: this fucking sucks. I'm gonna wait time in New York

1394
01:01:24,240 --> 01:01:26,080
Speaker 2: and I'm in a real fucking city and I can

1395
01:01:26,080 --> 01:01:28,960
Speaker 2: buy Londona's Famesick. I walk into one bookstore to McNally

1396
01:01:29,080 --> 01:01:31,960
Speaker 2: Jackson and Williamsburg Brooklyn, and you better believe they got

1397
01:01:32,000 --> 01:01:35,040
Speaker 2: stacks on stacks on stacks of fame sick and I said, great,

1398
01:01:35,080 --> 01:01:38,000
Speaker 2: thank you. That'll be thirty eight dollars and I will

1399
01:01:38,040 --> 01:01:40,200
Speaker 2: read it in one day and I'm so excited. So

1400
01:01:40,240 --> 01:01:43,000
Speaker 2: shout out to McNally Jackson and I love you, Lena

1401
01:01:43,040 --> 01:01:45,760
Speaker 2: Dunham Xixo Sam, And I just want to say, I

1402
01:01:45,840 --> 01:01:48,760
Speaker 2: just want to give a people people it's there to

1403
01:01:48,800 --> 01:01:50,360
Speaker 2: be mad at me in LA because I should.

1404
01:01:50,160 --> 01:01:50,880
Speaker 1: Talk it all the time.

1405
01:01:50,960 --> 01:01:54,040
Speaker 2: It is constant, but I want to It's like a

1406
01:01:54,120 --> 01:01:56,880
Speaker 2: bit like I like it now, Like I'm still living there,

1407
01:01:57,000 --> 01:01:59,720
Speaker 2: like I joined my amazing gym, I have a happy

1408
01:01:59,760 --> 01:02:02,280
Speaker 2: life if and I have friends and so sort of

1409
01:02:02,400 --> 01:02:03,080
Speaker 2: enjoying LA.

1410
01:02:03,280 --> 01:02:04,959
Speaker 1: So when I sort of shit talk it, it's because

1411
01:02:05,000 --> 01:02:05,480
Speaker 1: it's fun.

1412
01:02:05,600 --> 01:02:07,560
Speaker 3: Yeah, But they don't really have a sense of irony over.

1413
01:02:07,440 --> 01:02:09,120
Speaker 1: There, I know, and you can tell you know what

1414
01:02:09,160 --> 01:02:09,480
Speaker 1: it is.

1415
01:02:09,480 --> 01:02:12,240
Speaker 3: It's like you're here, you're doing the thing that like

1416
01:02:12,480 --> 01:02:15,680
Speaker 3: I used to. You know, you think you can joke

1417
01:02:15,720 --> 01:02:17,560
Speaker 3: about let's say a pop star or whatever, but in

1418
01:02:17,600 --> 01:02:20,080
Speaker 3: this climate you literally can't because they're like armed and

1419
01:02:20,120 --> 01:02:22,360
Speaker 3: ready to come to your home and shoot you. Yeah,

1420
01:02:22,360 --> 01:02:23,800
Speaker 3: like I should be able to lov ing I like

1421
01:02:23,880 --> 01:02:26,040
Speaker 3: Lady Gaga. I should be able to lovingly make fun

1422
01:02:26,040 --> 01:02:30,680
Speaker 3: of the new song with doci, of course, but I can't, yeah,

1423
01:02:30,720 --> 01:02:32,680
Speaker 3: because then people will be like, she was fighting for

1424
01:02:32,760 --> 01:02:33,280
Speaker 3: your rights.

1425
01:02:33,320 --> 01:02:33,520
Speaker 1: You know.

1426
01:02:34,200 --> 01:02:37,240
Speaker 2: I've literally had people be like, we heard what you said. Yeah,

1427
01:02:37,280 --> 01:02:39,040
Speaker 2: Like it's time to stop hating on LA.

1428
01:02:39,160 --> 01:02:41,280
Speaker 3: Seriously, I do think it's being talked about. People have

1429
01:02:41,280 --> 01:02:41,960
Speaker 3: talked to me about it.

1430
01:02:42,080 --> 01:02:48,080
Speaker 1: Really Yeah. People here, No, oh, George, you're supposed to

1431
01:02:48,080 --> 01:02:50,080
Speaker 1: be my eyes and ears. Someone's shit talking to you.

1432
01:02:50,600 --> 01:02:53,240
Speaker 3: No, no one should talking you. People are like people

1433
01:02:53,240 --> 01:02:56,480
Speaker 3: are like I hope, I hope Sam. People will be like,

1434
01:02:56,520 --> 01:02:58,520
Speaker 3: I know Sam doesn't like LA, but like he seemed

1435
01:02:58,520 --> 01:02:59,760
Speaker 3: to be having a good time the other night.

1436
01:03:00,320 --> 01:03:04,240
Speaker 4: Oh that's t Do you think LA hatred persists after bonking?

1437
01:03:05,360 --> 01:03:05,720
Speaker 1: Whoa?

1438
01:03:06,520 --> 01:03:08,760
Speaker 4: Or is it something learned? Is it in nat or

1439
01:03:08,760 --> 01:03:09,280
Speaker 4: is it learned?

1440
01:03:09,720 --> 01:03:10,680
Speaker 1: I'm gonna have an it's one of you.

1441
01:03:11,560 --> 01:03:13,920
Speaker 3: You kind of bonked your head when you joined your

1442
01:03:14,040 --> 01:03:15,560
Speaker 3: LA gym that made you love La?

1443
01:03:15,720 --> 01:03:18,720
Speaker 1: That's true. That's true. When I joined my gym, that

1444
01:03:18,760 --> 01:03:19,920
Speaker 1: was a bonk for sure.

1445
01:03:20,160 --> 01:03:23,880
Speaker 3: The gym that makes you love LA. Anytime you have

1446
01:03:23,960 --> 01:03:27,040
Speaker 3: like a revelation or something changes that's a bonk if

1447
01:03:27,080 --> 01:03:28,520
Speaker 3: you're thinking on bombed terms.

1448
01:03:28,960 --> 01:03:31,000
Speaker 2: Yeah, the biggest bonk is when I joined the gym

1449
01:03:31,040 --> 01:03:32,360
Speaker 2: and it made me love Los Angeles.

1450
01:03:32,400 --> 01:03:34,160
Speaker 3: Yeah, like you can read a book and it's a bonk.

1451
01:03:34,280 --> 01:03:35,680
Speaker 3: Like you can do the artist way and it's like

1452
01:03:35,800 --> 01:03:37,520
Speaker 3: that's a that unbonked something in me.

1453
01:03:39,200 --> 01:03:41,440
Speaker 1: Bonk and unbonking do the same thing. Yeah, it's the

1454
01:03:41,480 --> 01:03:42,160
Speaker 1: same mechanism.

1455
01:03:43,400 --> 01:03:47,760
Speaker 3: Yeah, what's up freaks some losers. I want to give

1456
01:03:47,760 --> 01:03:50,800
Speaker 3: a shout out to the actor Emily Blunt, and I

1457
01:03:50,800 --> 01:03:53,840
Speaker 3: actually want to encourage her to do more broad comedy

1458
01:03:53,880 --> 01:03:56,360
Speaker 3: because I know you were amazing in Oppenheimer and I

1459
01:03:56,440 --> 01:03:58,400
Speaker 3: love when you refuse to shake that one guy's hand

1460
01:03:59,040 --> 01:04:01,720
Speaker 3: and that was iconic. And it was also really cool

1461
01:04:01,840 --> 01:04:03,400
Speaker 3: that year that you were in the Boy movie, even

1462
01:04:03,440 --> 01:04:06,040
Speaker 3: though Barbie was also a movie, and you could also

1463
01:04:06,120 --> 01:04:08,200
Speaker 3: you could kind of be like, congrats on all the

1464
01:04:08,200 --> 01:04:10,520
Speaker 3: pink guys. But I'm like kind of interested in science.

1465
01:04:11,840 --> 01:04:14,280
Speaker 3: But the point being, she's so good enough. The worst

1466
01:04:14,280 --> 01:04:16,560
Speaker 3: proud of both went into She's an amazing she has

1467
01:04:16,640 --> 01:04:18,960
Speaker 3: amazing comedic timing. I heard that I love my job,

1468
01:04:19,000 --> 01:04:20,520
Speaker 3: I love my job. I love my job was ad

1469
01:04:20,560 --> 01:04:23,240
Speaker 3: libbed which I didn't know. Yes, an an amazing line,

1470
01:04:23,360 --> 01:04:25,360
Speaker 3: and I pretty much think that we need to be

1471
01:04:25,400 --> 01:04:28,240
Speaker 3: giving her opportunities that are being given to, you know,

1472
01:04:28,360 --> 01:04:33,400
Speaker 3: the Melissa McCarthy's of the world. I actually also would

1473
01:04:33,440 --> 01:04:35,360
Speaker 3: like for Melissa McCarthy to keep working, but maybe a

1474
01:04:35,360 --> 01:04:38,480
Speaker 3: butt buddy comedy. Maybe a buddy comedy, you know what.

1475
01:04:38,520 --> 01:04:38,720
Speaker 1: I think.

1476
01:04:38,760 --> 01:04:40,160
Speaker 3: I think Emily Blunk can have a sort of more

1477
01:04:40,240 --> 01:04:43,160
Speaker 3: Rose Burn career where she effortlessly goes between broad comedy

1478
01:04:43,520 --> 01:04:46,000
Speaker 3: and druma or even Elizabeth Thanks, although I actually think

1479
01:04:46,040 --> 01:04:47,480
Speaker 3: Elizabeth think should stick to comedy.

1480
01:04:47,920 --> 01:04:48,560
Speaker 1: I agree.

1481
01:04:48,880 --> 01:04:51,760
Speaker 3: I agree, So yeah, shout out to those actresses, and

1482
01:04:51,840 --> 01:04:53,920
Speaker 3: just one note on your shout out, of course, But

1483
01:04:53,960 --> 01:04:56,320
Speaker 3: I want to say that this whole thing of did

1484
01:04:56,360 --> 01:04:57,800
Speaker 3: you know that actor improvised that line?

1485
01:04:57,840 --> 01:04:59,280
Speaker 1: I'm like, what's going on there?

1486
01:04:59,480 --> 01:05:02,320
Speaker 2: There's some thing a sinister happening with like did you

1487
01:05:02,360 --> 01:05:03,640
Speaker 2: know that actor improvised that line?

1488
01:05:03,680 --> 01:05:06,320
Speaker 3: I think it's also rooted in nostalgia.

1489
01:05:06,440 --> 01:05:08,880
Speaker 2: People like love to say that, and I'm like, I'm

1490
01:05:09,040 --> 01:05:12,720
Speaker 2: gonna start needing some proof because every actor didn't improvise

1491
01:05:12,760 --> 01:05:15,120
Speaker 2: every line, and it's starting to feel like they did.

1492
01:05:15,440 --> 01:05:18,560
Speaker 4: People don't, people aren't impressed enough by the idea of acting,

1493
01:05:18,600 --> 01:05:19,000
Speaker 4: they need.

1494
01:05:18,920 --> 01:05:21,040
Speaker 1: To do more. Literally, it is great. I'm like, I

1495
01:05:21,120 --> 01:05:22,720
Speaker 1: like the line when she said yeah.

1496
01:05:22,800 --> 01:05:24,880
Speaker 3: Something I didn't like is the in Lena Dunham's book

1497
01:05:24,920 --> 01:05:28,880
Speaker 3: where she reveals that she very generously gives credit to

1498
01:05:28,880 --> 01:05:31,040
Speaker 3: a different writer for coming up with a voice of

1499
01:05:31,040 --> 01:05:33,720
Speaker 3: a generation. And I was like, no, no, you wrote that.

1500
01:05:34,920 --> 01:05:38,200
Speaker 3: I need to believe that you wrote that's fun, you

1501
01:05:38,240 --> 01:05:41,200
Speaker 3: know what I mean? What are we doing?

1502
01:05:41,680 --> 01:05:43,480
Speaker 1: Should I do mine? Yes? Please? I don't know.

1503
01:05:43,560 --> 01:05:45,000
Speaker 4: I was like on the train, I was like, am

1504
01:05:45,000 --> 01:05:46,520
Speaker 4: I gonna do it? Kind of a I can't do

1505
01:05:46,560 --> 01:05:46,919
Speaker 4: you can't.

1506
01:05:46,920 --> 01:05:48,440
Speaker 1: I can't do it. I can't do it. I know

1507
01:05:48,720 --> 01:05:50,280
Speaker 1: when you're in a room, it's like kind of weird.

1508
01:05:50,360 --> 01:05:51,600
Speaker 1: I know. I'm just like, I can't.

1509
01:05:52,600 --> 01:05:57,480
Speaker 4: So my shout out is because y'all so graciously shouted

1510
01:05:57,520 --> 01:05:59,439
Speaker 4: out my book, I'm going to shout out another book,

1511
01:05:59,560 --> 01:06:02,880
Speaker 4: and both because I really like it. It comes out next month.

1512
01:06:03,440 --> 01:06:05,880
Speaker 4: And two it got me out of like a reading funk.

1513
01:06:06,160 --> 01:06:07,959
Speaker 4: He's like, read so much and I just don't read

1514
01:06:08,360 --> 01:06:10,360
Speaker 4: as much as I would like to. Though I did

1515
01:06:10,400 --> 01:06:12,560
Speaker 4: read Famesick and I loved it. It's so good, But

1516
01:06:12,640 --> 01:06:14,439
Speaker 4: A recent novel that I read that I really liked

1517
01:06:14,840 --> 01:06:17,720
Speaker 4: is called There's Only One Sin in Hollywood.

1518
01:06:17,240 --> 01:06:17,919
Speaker 1: Your favorite place.

1519
01:06:18,000 --> 01:06:19,040
Speaker 3: There's only One Sin.

1520
01:06:19,160 --> 01:06:22,280
Speaker 4: There's only One Sin in Hollywood. That's that's great. I

1521
01:06:22,280 --> 01:06:24,520
Speaker 4: feel like it'll be a limited series in two seconds.

1522
01:06:24,560 --> 01:06:29,760
Speaker 4: It's by author who lives in Los Angeles named Rashid Nussen,

1523
01:06:29,920 --> 01:06:34,840
Speaker 4: and it is about it's like an old Hollywood story

1524
01:06:35,920 --> 01:06:39,320
Speaker 4: about this gay guy who has to work for a

1525
01:06:39,400 --> 01:06:43,480
Speaker 4: like a Paramounty movie studio and like take care of actors,

1526
01:06:43,760 --> 01:06:47,280
Speaker 4: like make sure they're not like misbehaving. And it goes

1527
01:06:47,400 --> 01:06:49,800
Speaker 4: through this narrative about this guy's life and how he

1528
01:06:49,800 --> 01:06:51,920
Speaker 4: made it there, how he got in this situation. But

1529
01:06:52,000 --> 01:06:56,560
Speaker 4: it's including like actual historical figures in Hollywood. And I

1530
01:06:56,600 --> 01:06:58,960
Speaker 4: thought it was interesting that in a sense it's almost

1531
01:06:59,000 --> 01:07:00,640
Speaker 4: for as Gumpy, that she spends it in a way

1532
01:07:00,640 --> 01:07:03,400
Speaker 4: that it's so much better than but including like, oh,

1533
01:07:03,400 --> 01:07:06,160
Speaker 4: he's having a run in with like Sydney Potier, you know,

1534
01:07:06,240 --> 01:07:09,360
Speaker 4: like in a way that kind of like takes that

1535
01:07:09,520 --> 01:07:13,120
Speaker 4: sort of nostalgic content that we see in movies like

1536
01:07:13,160 --> 01:07:14,919
Speaker 4: Forrest Gump and like makes it gay.

1537
01:07:15,240 --> 01:07:18,760
Speaker 3: Well, I'm sorry to bring this concept into the space

1538
01:07:18,760 --> 01:07:20,160
Speaker 3: but a little Midnight in Paris.

1539
01:07:20,480 --> 01:07:23,240
Speaker 4: Yes, yes, but like what if a gay guy that person?

1540
01:07:23,360 --> 01:07:25,000
Speaker 4: What if what if it was about a gay person?

1541
01:07:25,320 --> 01:07:28,520
Speaker 3: What if they remade Midnight in Paris? But Owen, what's

1542
01:07:28,520 --> 01:07:32,080
Speaker 3: his name? Wilson was like, really gay? I would and

1543
01:07:32,240 --> 01:07:35,720
Speaker 3: it was Frankie Grande and it was written and directed

1544
01:07:35,720 --> 01:07:40,200
Speaker 3: by Frankie Grande. Kay, so there's only one there's only one.

1545
01:07:40,080 --> 01:07:44,000
Speaker 4: Cent in Hollywow, I'm it's so good. You'll really like it.

1546
01:07:44,320 --> 01:07:45,360
Speaker 4: That's about your favorite.

1547
01:07:45,040 --> 01:07:47,120
Speaker 1: Place you read.

1548
01:07:47,240 --> 01:07:49,080
Speaker 3: I'm sorry, I said literally only one person.

1549
01:07:50,040 --> 01:07:53,520
Speaker 1: It's not you don't have to say it's oh, well

1550
01:07:54,440 --> 01:07:55,040
Speaker 1: that checks out.

1551
01:07:55,120 --> 01:08:02,560
Speaker 3: Yeah, Bobby, you're leaving that. And you actually talk about,

1552
01:08:02,880 --> 01:08:05,480
Speaker 3: just briefly, your book that's coming out before the novel.

1553
01:08:06,160 --> 01:08:08,040
Speaker 4: No the novel comes out first. The novel comes out

1554
01:08:08,080 --> 01:08:10,640
Speaker 4: in June. It's called We Are Gathered Here Today. And

1555
01:08:10,720 --> 01:08:12,680
Speaker 4: the next book that I wrote with my co host

1556
01:08:12,760 --> 01:08:17,519
Speaker 4: and Weber Past Guest, Past Guest, it's called I Want

1557
01:08:17,560 --> 01:08:21,800
Speaker 4: to Be Famous? How Everyone and no One Is a Celebrity?

1558
01:08:22,720 --> 01:08:25,040
Speaker 4: Why Everyone and no One is a Celebrity. The subtitle

1559
01:08:25,040 --> 01:08:25,519
Speaker 4: came second.

1560
01:08:25,640 --> 01:08:27,320
Speaker 3: It wastriated byrank ggred.

1561
01:08:28,160 --> 01:08:33,880
Speaker 4: The subtitle came prebunk. So it is about kind of

1562
01:08:33,920 --> 01:08:37,800
Speaker 4: the history of the past ten years of celebrity, how

1563
01:08:37,840 --> 01:08:41,280
Speaker 4: celebrity has evolved since we started doing our podcast, essentially

1564
01:08:41,280 --> 01:08:43,200
Speaker 4: the past like ten fifteen years of celebrity, and how

1565
01:08:43,280 --> 01:08:45,000
Speaker 4: what it means to be a celebrity in this day

1566
01:08:45,000 --> 01:08:48,120
Speaker 4: and age, and why being a celebrity in the present

1567
01:08:48,200 --> 01:08:50,320
Speaker 4: day is so different than it was in the past,

1568
01:08:50,360 --> 01:08:52,200
Speaker 4: how it's changed essays.

1569
01:08:52,280 --> 01:08:55,200
Speaker 1: You know, sounds amazing. I think it's pretty good.

1570
01:08:55,400 --> 01:08:57,360
Speaker 3: If someone were to tell you right now, who is

1571
01:08:57,400 --> 01:08:59,000
Speaker 3: your favorite celebrity, who would it be.

1572
01:09:00,000 --> 01:09:01,360
Speaker 1: Oh my god, that's such a hard one.

1573
01:09:01,400 --> 01:09:03,960
Speaker 4: That's like, that's a really hard that's a really because

1574
01:09:04,880 --> 01:09:09,960
Speaker 4: actors singer. Okay, no, that's that's hard. It's Lady Goga.

1575
01:09:10,080 --> 01:09:13,600
Speaker 4: That's hard. It's Lady Gaga because because I didn't probably

1576
01:09:13,680 --> 01:09:16,200
Speaker 4: I didn't want to choose. My impulse was actor. But

1577
01:09:16,200 --> 01:09:18,280
Speaker 4: then it's like, well, no, it's not necessarily they're not

1578
01:09:18,320 --> 01:09:20,160
Speaker 4: necessarily as celebrity as I want someone.

1579
01:09:19,960 --> 01:09:21,519
Speaker 1: Who does it all, and she does it all. She

1580
01:09:21,560 --> 01:09:22,160
Speaker 1: really does it all.

1581
01:09:22,160 --> 01:09:26,160
Speaker 4: It's such a stupid, gay ass answer, but whatever. Having

1582
01:09:26,360 --> 01:09:28,280
Speaker 4: just seen Devilwar's product, you again, I.

1583
01:09:31,400 --> 01:09:32,800
Speaker 1: Really good in it. She's really good.

1584
01:09:32,960 --> 01:09:36,320
Speaker 2: Okay, well, this has been a real delight, It really has.

1585
01:09:36,600 --> 01:09:39,559
Speaker 1: It's been such a delight. Thanks for doing the pod.

1586
01:09:39,720 --> 01:09:41,680
Speaker 4: I hope I never get bumped because I don't want

1587
01:09:41,680 --> 01:09:42,280
Speaker 4: to forget this.

1588
01:09:44,439 --> 01:09:45,679
Speaker 1: Okay, bye bye.

1589
01:09:46,560 --> 01:09:49,960
Speaker 3: Podcast ends now for our visual learners. You can watch

1590
01:09:50,000 --> 01:09:52,599
Speaker 3: full video episodes on our YouTube channel and.

1591
01:09:52,560 --> 01:09:55,559
Speaker 1: Subscribe to our Patreon for two extra episodes a month.

1592
01:09:55,760 --> 01:09:58,240
Speaker 3: At patreon dot com. Slash Stradio Lab.

1593
01:09:58,640 --> 01:10:00,960
Speaker 2: Stradio Lab is a production by Will Ferrell's Big Money

1594
01:10:00,960 --> 01:10:02,760
Speaker 2: Players Network and iHeart Podcasts.

1595
01:10:02,840 --> 01:10:05,920
Speaker 3: Created and hosted by me George Severs and Sam Taggart.

1596
01:10:06,080 --> 01:10:09,840
Speaker 2: Executive produced by Jenna Cagel, co produced by Becca Ramos.

1597
01:10:09,479 --> 01:10:12,200
Speaker 3: Edited by Laurence Stump, and mixed and mastered by Doug Bain.

1598
01:10:12,680 --> 01:10:15,320
Speaker 2: Artwork by Michael Failes and Matt Grubb. Theme music by

1599
01:10:15,320 --> 01:10:15,800
Speaker 2: Ben Kling.