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Speaker 1: Eighty Welcome back to the eighty five South Show. It

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Speaker 1: is your man, Carlos Miller. I'm in the studio today

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Speaker 1: and I have a real treat for you guys. I

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Speaker 1: had to call everybody that I know and then call

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Speaker 1: my auntie sister, the girls she used to work with,

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Speaker 1: who called her brother, who had to call this nigga

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Speaker 1: manager and got voicemail in the studio to day with

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Speaker 1: my man, Danielle Rawlins, and you already know it's going

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Speaker 1: down on the eighty five South Show. Danielle. I heard

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Speaker 1: you recently change your name. You are no longer Ashy

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Speaker 1: Larry after ten years ago. My game out. I'm the

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Speaker 1: artist formerly known as ash Larry, and um, I have

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Speaker 1: a little bit of arrogance with that title. It's Ashford

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Speaker 1: Lawrence now Ashford Laurie. Yeah, he has he has a

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Speaker 1: from laugh to as she Larry laugh get like ast

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Speaker 1: for Lawrence laughed like so you know the upgraded the

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Speaker 1: whole styff I've upgraded and the lotion that I used, man,

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Speaker 1: I used to use My favorite lotion was like vasoline,

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Speaker 1: but now I have imported lotion from France. That's how

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Speaker 1: I know you from the hood. You said, your favorite

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Speaker 1: lotion was vassoline. Vas Only Black people use the cure

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Speaker 1: to everything. You run out of motor oil vasseling. You

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Speaker 1: got some bolts or some nuts or something you need

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Speaker 1: to loosen up vasseling. Vassline is to keep everything vasseling.

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Speaker 1: If you do a mixture of vassling at Chrisco, you

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Speaker 1: win and burn yourself in the kitchen. What you use

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Speaker 1: if you Chrisco Chrisco vasolating. But that's all you need. Man,

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Speaker 1: it's so good to see you, my nigga. Thanks for

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Speaker 1: having then she thank you for doing this, and I

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Speaker 1: thank you for They called me every fifteen minutes. Man,

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Speaker 1: that's what he did to call from They confirmed last night.

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Speaker 1: Confirmed on camera. Nigger was calling leaving voicemail like he

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Speaker 1: like he got a number from a chick a ship.

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Speaker 1: You know they're nervous if you're gonna shove, like, could

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Speaker 1: you just give us a text when you're on your

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Speaker 1: way out, give us a text when you're on eighty five,

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Speaker 1: give us a text when you outside the build it.

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Speaker 1: But I'm here. I told him my word was my bonds.

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Speaker 1: That excited man. That's what's up before we even get

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Speaker 1: into this ship. Man, how you doing. I'm going to break.

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Speaker 1: I'm in this business. You're in the bid I mean

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Speaker 1: you've been in this? How far back this? How long

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Speaker 1: I've been a fan? Man? People might not eat this

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Speaker 1: is my don nere roling this. When you made me

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Speaker 1: a fan, when you let fat tyrone rajet bike? That's history.

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Speaker 1: Sound that was like maybe like nineteen years ago. Man'

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Speaker 1: that's how long I've been down that was that's a

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Speaker 1: true story to the funny thing about it. When I

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Speaker 1: first started off, I had like two jokes. I had

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Speaker 1: this joke about working in a safe way where people

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Speaker 1: used to come in and still and I used to

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Speaker 1: catch them, and I had fat on the first time

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Speaker 1: I did the fat time around joke. It was only

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Speaker 1: a premise and I started off. I was like, you

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Speaker 1: ever you remember when you had your first bike and

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Speaker 1: the last thing mother said was don't let anybody Roger back.

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Speaker 1: That was the beginning of the joke. And it was

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Speaker 1: a comedian, not a d C name Royal Walkers. He

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Speaker 1: saw the potential of the joke and he bought the

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Speaker 1: joke the premise from me. I was broke. He said,

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Speaker 1: you want to out. I sold to him for twenty

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Speaker 1: fives right. Put didn't tell him I was gonna try

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Speaker 1: it again. So like a week later I tried to

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Speaker 1: joke again. It worked and I called him. I said,

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Speaker 1: here back, and I was like, one of my signature bits.

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Speaker 1: That's the joke I did on Death Man. That joke

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Speaker 1: is fun is hell because that's that's really the last

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Speaker 1: instructions that you get before you take your back out.

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Speaker 1: Don't let nobody rab your back. And it wasn't that.

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Speaker 1: I think I was scared he was gonna wap my ass.

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Speaker 1: I tried to act like I was been friendly, but

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Speaker 1: I was like, it's either I'm gonna give it to

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Speaker 1: him or he gonna take and I don't get an

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Speaker 1: asked women, or he's gonna take it. I was like,

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Speaker 1: here you go out talk. Have you seen fat Tyrone

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Speaker 1: since then? You haven't haven't seen him shout out the

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Speaker 1: fact that's wrong'd probably be dead. You can't have a

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Speaker 1: life of stealing bikes and live that man. You probably

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Speaker 1: he might be skinning as no fat to If I

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Speaker 1: see you out there, I'm smacking in your face. Man.

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Speaker 1: Hell yeah, So runners down the history man, you've been

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Speaker 1: You've been our favorite comedian for the fucking longest man.

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Speaker 1: What was your first TV spot? The first TV spot

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Speaker 1: I did was death comedy comedy. And it's interesting because

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Speaker 1: I did it. I was I was only doing a

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Speaker 1: comedy for five months. Tell me your deaf comedy jam story.

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Speaker 1: The story was the same guy was telling you about

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Speaker 1: Royal Watkers, right, Royo Walkers is a beast to the

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Speaker 1: people who don't know, Royal walker is one of the

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Speaker 1: funniest Niggers, best writers in the game. Well, Royo Watkers,

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Speaker 1: he was already signed with RUSSI Communication. That was Russell

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Speaker 1: Simmons h that was his company, like years ago, and

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Speaker 1: Royo gave me a card with the name Bob Something

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Speaker 1: on it because I told him I wanted to do

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Speaker 1: a show. How could I get you? He's supposed to

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Speaker 1: my boy. He said, you gotta talk to my people.

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Speaker 1: I'm like, Nick, I don't even know you had people.

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Speaker 1: So one day I was like, I'm gonna try someth

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Speaker 1: I'm gonna try to see if I can get Bob

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Speaker 1: Something on the line to talk to him. But I

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Speaker 1: was like, it's not gonna be a good idea if

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Speaker 1: I go up there and act like I'm looking for

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Speaker 1: I mean calling it act like I'm looking for an audition.

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Speaker 1: So I called the office and Christian she answered the phone,

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Speaker 1: act like I already knew Bob. I was like, yo,

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Speaker 1: this don hell with Bob and put Bob on the

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Speaker 1: phone right and she she was a little nervous. She

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Speaker 1: was thought out was somebody, but she said okay, hold on,

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Speaker 1: cut to the next thing out here, was like, this

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Speaker 1: is Bob something. I was like, look, I tricked your

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Speaker 1: secretary into getting you on the line. I'm a funny comic.

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Speaker 1: I worked with some of the some of the people representation.

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Speaker 1: I come up. Didn't get a shot on Death Jair

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Speaker 1: or an audition. He was like, can you come Thursday.

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Speaker 1: At the time I was I already had a regular job,

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Speaker 1: so I couldn't get off. I said, I'm not a vellow.

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Speaker 1: Then he said let me know when you're serious. I

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Speaker 1: was like, the following week and go up, went up there.

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Speaker 1: The Peppermint Lounge, if you know, the pepperin Lounge was

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Speaker 1: the place where Jersey Jersey. If you could work the

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Speaker 1: peppermin Lounge was harder than the actual show. If you

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Speaker 1: could work the Peppermint Lounge and rip it, there's a

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Speaker 1: chance to get on Death Jam. So I went on stage.

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Speaker 1: They give you a seven minutes set. I'm on stage

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Speaker 1: for five minutes. Royo Walkers come to the side of

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Speaker 1: the stage. He said, Bob loves you. You got the show.

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Speaker 1: The many he said that I didn't take no more

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Speaker 1: chances out of the minute he said, you got the

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Speaker 1: chill was like, thank you, good night. I'm out of here.

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Speaker 1: And that's how I got on the jam man. But

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Speaker 1: the first experience, to be quite honest, I wasn't even

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Speaker 1: supposed to be on that episode because when you do

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Speaker 1: death Jam, they record four comedians. One commedian gets cut.

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Speaker 1: At the time, I was I was funny, but my

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Speaker 1: set wasn't explosive. The person that was explosive on that

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Speaker 1: show was Michael Blackson. Michael Blackson destroyed the show. But

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Speaker 1: what happened was Michael Blackson did not minutes. He ripped

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Speaker 1: people going crazy and at the end of his set

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Speaker 1: he said, I'm African, and you know what that means.

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Speaker 1: I have a beak deek, right, and he said, anybody

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Speaker 1: want see my dick? They said yeah, and he pulled

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Speaker 1: out this big as prosthetic dick ship was about two

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Speaker 1: ft long. Right, damn he pulled it out, wave to

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Speaker 1: the camera. The crowd went crazy, but there was no

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Speaker 1: way the death Jam could air like the show was

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Speaker 1: row but to go up there and just see somebody

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Speaker 1: put out a fake dick. So basically, Michael Blackson pulling

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Speaker 1: his dick out got me the show. Shout out to

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Speaker 1: Michael Michael black anytime you want to pull your dick

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Speaker 1: out and get me another show. Side Paul's no homeo. Alright,

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Speaker 1: done there, So now we got to catch up on

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Speaker 1: some comedy hype news Man. That's where we we tracked

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Speaker 1: the comedians down and see what comedians pop up In

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Speaker 1: the news Man. We always got some news. Bill Bellamy

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Speaker 1: is going to play an ex NFL linebacker in an

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Speaker 1: innerational relationship on the new Fox comedy show. That's sound

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Speaker 1: like a true story. Out like a true story. The manute,

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Speaker 1: you're going to league, just like your taste of white

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Speaker 1: chicks go up like a hundred percent. So damn okay

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Speaker 1: uh No small talk comedy series Serious premiers on title April.

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Speaker 1: The First Man. They shot this at New York. Shot

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Speaker 1: this in New York at The Comedy Seller, got new comedians,

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Speaker 1: veteran comedians, hosted by Chris This, Stefano, grib Barnes, Tony

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Speaker 1: Woods is on there. Tony Woods be every well town.

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Speaker 1: Tony Woods is like a legend d C. Anybody that

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Speaker 1: ever went through the comedy scene, d C. Probably Tony

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Speaker 1: Woods was was that mentor. He He pretty much started

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Speaker 1: me when I first moved from DC to New York

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Speaker 1: and I had just been working to chip and serving

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Speaker 1: like the black circles, and whenever I would go in

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Speaker 1: front of the audience of all white folks, all I

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Speaker 1: would kept saying was like, I'm black, I'm black. And

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Speaker 1: Tony came to when he said, Yo, nobody care about

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Speaker 1: what color you are, Shorty. They care about if you're funny.

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Speaker 1: So the minute he told me that, I always always

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Speaker 1: thought like they wouldn't laugh because they couldn't relate to

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Speaker 1: like my background. But at the end of the day,

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Speaker 1: funny wins and all the time. That was some guidance

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Speaker 1: that got me started starting to doing mainstream, start doing

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Speaker 1: cross over stuff. And you worked out for Yeah, Tony

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Speaker 1: was one of the funniest things I've ever seen it.

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Speaker 1: Bill Bellamy don't need to get no more jobs, man man.

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Speaker 1: Bill Bellamy been working for since he was a little boy.

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Speaker 1: He hosted this show called Asked America, right, and it

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Speaker 1: was up it came down. I tested for that show.

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Speaker 1: It came down to like four people. Bill was one

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Speaker 1: of them. I was another one. And it was one

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Speaker 1: of those gifts that was going to get you like

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Speaker 1: a half million dollars, like in a month. Right. So

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Speaker 1: I had already count the money, right, But I didn't

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Speaker 1: know this when you come and test for it, they

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Speaker 1: was gonna pull him teleprompters out on you, right man.

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Speaker 1: They pulled four teleprompters on me. I felt like I

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Speaker 1: was Floyd Mayweather or that I couldn't read them. It

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Speaker 1: wouldn't I couldn't read them just too much. You had

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Speaker 1: to read this one, you had to read that one.

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Speaker 1: Then you had to interact right here. I gotta be.

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Speaker 1: I started off anytime you start with like um um um.

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Speaker 1: They was like, okay, Doniel, nice, nice to see you.

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Speaker 1: But Bill got the job. But Bill is one of

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Speaker 1: those people that a really good good brother, Bill Bellamy.

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Speaker 1: In fact, when I did def jam Um Bill be,

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Speaker 1: Bill Bellamy gave me a good recommendation to Bob something.

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Speaker 1: He's one of those dudes that, no matter how successful

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Speaker 1: is he always is willing to give. Hoke Hogan just

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Speaker 1: got a watered a hundred and fifteen million dollars for

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Speaker 1: his sex tape. That's taking sex tape. I'm gonna hire

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Speaker 1: somebody to record my sex tape to sell that. John.

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Speaker 1: Anytime I have sex is on tape from here on now, Ship,

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Speaker 1: I wonder if he did it. Did did he like

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Speaker 1: a wrestler though? He was sucking his homeboy's wife disrespectful?

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Speaker 1: But you know, they get to a certain level. They

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Speaker 1: don't call it freaky, they call it accentric. He was

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Speaker 1: being real freaky. I wouldn't let hold Cogan my wife. Well,

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Speaker 1: maybe fo a hundred and fifteen million dollars, brother, I

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Speaker 1: don't know. I don't know, Ship, that's a lot of

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Speaker 1: fucking money. That is a lot of money. But you

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Speaker 1: gotta deal. That videotape is gonna be. Well. Whatever he got,

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Speaker 1: pa I made his Hogan he liked seventy one. Now,

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Speaker 1: you don't give a fuck. But he still got that.

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Speaker 1: He got the same mustache from like thirty years ago. Well,

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Speaker 1: actually that's the funny part, because the whole sex tape

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Speaker 1: was just the mustache. Ho Cogan wasn't really even in

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Speaker 1: the sex tape. It was his mustache. You know, you

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Speaker 1: take to the next level. You can make a chick

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Speaker 1: have an orgasm with much Only people can do that.

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Speaker 1: It's Hall Kogan and Chef Boyard Ds. They got the

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Speaker 1: elongated mustache. The elongated mustache. Man, that's crazy as hell. Man.

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Speaker 1: So you've been in some ship later, I don't know

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Speaker 1: what that means. You know what that ship means. This

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Speaker 1: is real last podcast, and you've been in some ship.

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Speaker 1: I don't know what you're talking about. If you're talking

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Speaker 1: about the incident that happened in Philadelphia. By the instructions

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Speaker 1: of my lawyer, they told me to explain it as this.

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Speaker 1: It wasn't a fight. It was a verbal conference, verbal

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Speaker 1: confrontation which ended in a light a fray of punches. Okay,

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Speaker 1: that's that's how you explained for the white people that

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Speaker 1: it was a verbal confrontation which ended in a light

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Speaker 1: of frail punches. Because I thought I was in imminent danger.

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Speaker 1: Thank you. You know what imminent danger is. That means

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Speaker 1: danger right now right next to you. I didn't know

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Speaker 1: what imminent danger was. I had an incident Jersey years ago,

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Speaker 1: uh and Jersey of years ago when I got an

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Speaker 1: altercation was like a role raged situation, and who had

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Speaker 1: the row rage? It was a white dude. It was

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Speaker 1: a white dude. Um, I was I was double park.

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Speaker 1: He was behind me, right. He started beating his horn

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Speaker 1: and he started getting raised. Yo. He said buddy, no,

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Speaker 1: he said, get out of the way, nigger, right, and

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Speaker 1: somebody asked, can't give you no? I thought I was

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Speaker 1: on an HBO documentary, right, And then I got the

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Speaker 1: cause of what are you talking about? He caught me

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Speaker 1: like the N word like fifteen times. I was like,

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Speaker 1: one more things, I'm gonna set it off, right, So

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Speaker 1: it was it was a two nigga limits, right. He

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Speaker 1: went past that by about fifteen damn. So we we

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Speaker 1: got to pop it on the street, right. And as

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Speaker 1: black person, it don't matter what situation. And you think

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Speaker 1: that you're gonna be guilty or something, right, so you

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Speaker 1: might as well go all out. So they had a

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Speaker 1: videotape of it, but on the videotape they didn't have audio, right,

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Speaker 1: so all you saw was me and him arguing. The

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Speaker 1: next thing, you know, I set it off. So I

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Speaker 1: talked to a lawyer. I was like, you think they're

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Speaker 1: gonna try to like charge me with I saw something.

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Speaker 1: He was like, No, Donnelle, all you gotta do is

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Speaker 1: say you felt you were an imminent danger. I didn't

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Speaker 1: know what imminent danger was. I didn't know that you

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Speaker 1: could suck somebody up because you thought it was about

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Speaker 1: to fun you up, right, And that's what I didn't

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Speaker 1: need to write the law like that. So niggas can

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Speaker 1: understand if somebody about to funk you up, you can

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Speaker 1: you can suck them up. But the thing about it

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Speaker 1: was I got addicted to him, him in the danger

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Speaker 1: drafter that everywhere I went, I'd be a McDonald's. Let

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Speaker 1: me get a large tray to catch up. We don't

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Speaker 1: have to catch your body. I thought. I thought I

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Speaker 1: was old on. Man, the French trials is gonna put

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Speaker 1: me in emmy dangers. Who the fucking eat McDonald's friends

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Speaker 1: with no catchup nobody? That is child abuse. That's when

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Speaker 1: you feel immedy danger imminent, than just set it off. Man.

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Speaker 1: You one of the funniest niggas, just naturally like I

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Speaker 1: follow you on Instagram, right, and I remember one day

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Speaker 1: you were just riding around and you saw this black

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Speaker 1: Catalec and you bought this black catllac and name of

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Speaker 1: Charlie Murphy. I did. I named the darkness Charlie I was,

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Speaker 1: And what the reason I got a catalect years ago?

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Speaker 1: My dad he was in the game. He was out there.

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Speaker 1: It's what I said. He was illegal. He was into

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Speaker 1: illegal pharmaceutical distribution. Okay, he sold heroin exactly. But he

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Speaker 1: had a lot of cars, right, was he like a

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Speaker 1: real heroin dealer? And I respected that because nothing like

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Speaker 1: in the black community, you get proud about different things. Yeah,

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Speaker 1: he was a son of a drug dealer, not just

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Speaker 1: I mean he was a kingspan, That's what I'm saying.

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Speaker 1: So you had bikes and gold chains and all types

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Speaker 1: of TVs and ship at the house. He wasn't He

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Speaker 1: wasn't like on his He wasn't the street soldier. He

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Speaker 1: was that dude. You know. I was just proud. I

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Speaker 1: was like, yeah, he's selling drugs, but he's getting money.

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Speaker 1: But he offered to give me this when on my

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Speaker 1: sixteen birthday he wanted to give me this CATIEC he

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Speaker 1: had it. He didn't want to use it, right, And

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Speaker 1: my mom was, I don't think that's a good idea,

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Speaker 1: because you know, the neighborhood be looking at it just

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Speaker 1: wouldn't look right. Sixty year old kid uh with his callec. So.

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Speaker 1: I was in Virginia Beach. I was doing some shows

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Speaker 1: out there, driving, like you said, driving down the street,

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Speaker 1: and I saw this Cadillac on the grass. It was

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Speaker 1: like the same one, and my dad's gonna get it.

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Speaker 1: I pulled over. I didn't care how much it's gonna cost,

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Speaker 1: but I decided I was gonna buy it. And me

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Speaker 1: and Charlie Murphy we got an ongoing war. It's all fun,

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Speaker 1: but it's Charlie versus Danielle. But I said, I'm attributed

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Speaker 1: this catilla. It's a black Elderado. So I named the

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Speaker 1: Cadillac Darkness. I'm gonna get personalized tags just say Darkness

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Speaker 1: and the name the car is Charlie Murphy Dualkins. And

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Speaker 1: that's how I got to that's what you try to

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Speaker 1: buy it from you as soon as you posted that,

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Speaker 1: like what you want for that want? Because I bought

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Speaker 1: me a Calais. So I bought the eighty seven Fleetwood.

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Speaker 1: Hell yeah, that ship this car, sweet man, you could

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Speaker 1: just like it just you know, back in the days,

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Speaker 1: those are the type of cars where you could get

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Speaker 1: it popping right. That's before they had middle consoles like

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Speaker 1: then with the bench seat and you get you get

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Speaker 1: a chick. And then they had the electric drink to

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Speaker 1: go back and you even got to say nothing to

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Speaker 1: you girl. Once you hit that little switch, it's time.

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Speaker 1: You know your mouth is about to be in the

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Speaker 1: imminent danger. That's right there. What's about that mouth? Dude?

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Speaker 1: Your mouth was an imminent danger that you give it

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Speaker 1: to him. We've got some fan questions in here for

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Speaker 1: you down there. It says how did Ashon Larry come

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Speaker 1: about as Larry? If you if you look at the

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Speaker 1: Chapelle show, if you take an editor and the edit,

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Speaker 1: every time I spoke on that show, out of two

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Speaker 1: and a half years, I probably spoke a total on

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Speaker 1: the time it would be like five minutes. So anytime

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Speaker 1: that they game me a character, I knew that if

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Speaker 1: I wasn't able to be vocal, I had physically I

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Speaker 1: had to be funny. So when the breakdown came for um,

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Speaker 1: it wasn't ask Larry, it was just Larry. Right, it

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Speaker 1: was a dude. The description was to do with boxers

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Speaker 1: and like some dress shoes. But when I was younger,

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Speaker 1: I used to shoot dice all the time. The way

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Speaker 1: I would get caught. My mother will look at my knees.

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Speaker 1: She was like, were you shooting dice? I was like no,

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Speaker 1: She's like, why your knees so ashy? You was shooting dice.

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Speaker 1: So when I saw the guy as a dice player

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Speaker 1: from the hood, I said, you know what, I want

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Speaker 1: to be ashy. I want to be so ashy that

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Speaker 1: I could write how much money people one me on

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Speaker 1: the side of my legs. So I pitched that today.

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Speaker 1: Dave fell in love with it. The character just was Larry,

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Speaker 1: and I put the ash to it, so to do

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Speaker 1: with from he went from he went from Larry to

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Speaker 1: act Larry. And for some reason America loves ashy people.

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Speaker 1: That's like one of those who would have ever thought that.

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Speaker 1: I don't know, I don't know it's I don't know

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Speaker 1: what it is, but it's just something about I asked, person,

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Speaker 1: you want to root for him? And after that that

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Speaker 1: character be care I'm not being cockyback. It probably became

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Speaker 1: one of the most iconic characters in sketch history. People

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Speaker 1: like like, oh, yeah, y'all made a lot of history.

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Speaker 1: Yeah wee, But like everyoney and it's so funny because

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Speaker 1: that that that character has haunted me, Like I was

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Speaker 1: dating this girl and she never thought I was cheating

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Speaker 1: at her, but anytime I would put lotion on, she

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Speaker 1: thought something was going on. She was like, just what

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Speaker 1: do you think you're going with all that lotion? Know

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Speaker 1: your skin is about it to be an imminent danger. Boy? Yeah,

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Speaker 1: but it was. It was just one of those things.

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Speaker 1: And when even when I was that sketch, it wasn't

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Speaker 1: designed for me to blow up. It was the first

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Speaker 1: sketch where we had somebody outside of our core group.

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Speaker 1: Like that sketch was for Eddie Griffith and and Um

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Speaker 1: and Dave Schapelle. They had the most lines. When I

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Speaker 1: was doing it, you know, I got in the zone.

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Speaker 1: And when we were doing that, Charlie Murphy was standing

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Speaker 1: on the side of the cameras he came up to me,

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Speaker 1: he was like, this, nigked, do you know what you're

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Speaker 1: doing this character? I was like, I had no idea.

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Speaker 1: I'm just you know, I'm into it. You know, sometimes

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Speaker 1: you get into something you don't know until you see

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Speaker 1: the results of it. With the Dallas, but that that

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Speaker 1: sketch is that sketching that characters, the one that I'm

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Speaker 1: still eating off for people like do you ever get

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00:16:57,840 --> 00:16:59,800
Speaker 1: tired of people calling you? Ask me? I'm like a

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00:17:00,040 --> 00:17:02,160
Speaker 1: she is an L l C. You fee got to

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Speaker 1: check to Donnie Rawlings. Oh you can write a check

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Speaker 1: to ash Larry. So send a check Tory right now

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00:17:07,880 --> 00:17:10,320
Speaker 1: as Larry LLLC. And I'm caring okay, this one. You know,

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Speaker 1: I gotta do it because I see it all the time,

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Speaker 1: just randomly. You you and Charlie Murphy, back and forth

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Speaker 1: with the with the Ashley Lair Donna Rawlins versus Charlie Murphy.

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Speaker 1: Give me one of your favorite Charlie Murphy stories, because

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Speaker 1: I've been with you, Charlie telling stories all damn day.

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Speaker 1: Charlie Murphy never stopped talking. You gotta Charlie Murphy story

400
00:17:27,680 --> 00:17:30,399
Speaker 1: you want to share with the Charlie Murphy stories are

401
00:17:30,440 --> 00:17:36,320
Speaker 1: all lies. I'm here to tell everybody everything about Charlie

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00:17:36,400 --> 00:17:40,040
Speaker 1: Murphy is a lie. His teeth is a lie, his

403
00:17:40,200 --> 00:17:44,840
Speaker 1: teeth is a lie. His teeth are Porcelain Charlie Murphy teeth.

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00:17:44,880 --> 00:17:48,680
Speaker 1: I'm telling you, Charlie Murphy is nothing about a liar,

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Speaker 1: all right. I don't have no doubt. Doctors Charlie Murphy. Now,

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00:17:52,640 --> 00:17:54,760
Speaker 1: Charlie was a funny story. I got it's it's a

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00:17:54,840 --> 00:17:57,080
Speaker 1: Charlie Murphy and the Bill Burd story when we were

408
00:17:57,119 --> 00:17:59,480
Speaker 1: when we story when we were doing Rich Bitch Tour

409
00:18:00,080 --> 00:18:02,520
Speaker 1: years ago. This was more reflection of who Bill Burr

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Speaker 1: is and how white man can trick you. Like me

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00:18:04,840 --> 00:18:07,280
Speaker 1: and Charlie Murphy were white man. We would we would

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Speaker 1: go out and like we would party. We would turn

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00:18:09,000 --> 00:18:11,160
Speaker 1: up the night before and Bill Burt we were getting

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Speaker 1: in in the car and Bill Burd wanted to get

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Speaker 1: us to go to see because he didn't want us

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Speaker 1: to hassle him and Bill Bird this is so racist.

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00:18:17,840 --> 00:18:19,960
Speaker 1: He would show up like a twelve piece Popeye's chicken

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Speaker 1: every every day and he knew if he gave me

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00:18:22,600 --> 00:18:25,879
Speaker 1: and Charlie Murphy Popeyes chicken, who'd fall asleep? So twelve

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00:18:25,920 --> 00:18:28,320
Speaker 1: piece chicking two bites into it, we would fall asleep.

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00:18:28,400 --> 00:18:31,240
Speaker 1: It's probably my most interesting Charlie Murphy story. But Charlie

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Speaker 1: Murphy has nothing, nothing but a life, nothing but the life.

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Speaker 1: So what was it like being that This is another

424
00:18:38,040 --> 00:18:40,080
Speaker 1: fan question. What was it like being at the writer's

425
00:18:40,080 --> 00:18:42,280
Speaker 1: table for the Chappelle Show. It was I was like

426
00:18:42,400 --> 00:18:46,840
Speaker 1: more of an if you want to say, contributed contributing writer,

427
00:18:47,320 --> 00:18:49,320
Speaker 1: Like we would pitch ideas to them and then for

428
00:18:49,359 --> 00:18:51,639
Speaker 1: the most part David Neil would write it out. But

429
00:18:52,000 --> 00:18:53,600
Speaker 1: it was one of those man working on shows, one

430
00:18:53,640 --> 00:18:56,040
Speaker 1: of the shows where I didn't even feel like I

431
00:18:56,080 --> 00:18:58,359
Speaker 1: was ever at work, you know what I'm saying. We

432
00:18:58,400 --> 00:19:00,760
Speaker 1: would work sixteen and seventeen hour days, never feel like

433
00:19:00,760 --> 00:19:04,800
Speaker 1: we were working. And I used to be on that show.

434
00:19:05,160 --> 00:19:07,040
Speaker 1: I would go like, if we had a seven day

435
00:19:07,040 --> 00:19:09,680
Speaker 1: week schedule, if I was off four days, I would

436
00:19:09,680 --> 00:19:12,880
Speaker 1: go to work every day for one I was broken home.

437
00:19:12,960 --> 00:19:14,920
Speaker 1: We first start doing the show, so it's an easy

438
00:19:14,960 --> 00:19:17,440
Speaker 1: way for me to get free food craft services and

439
00:19:17,480 --> 00:19:19,879
Speaker 1: shout out the craft services services on point. Did you

440
00:19:19,880 --> 00:19:21,760
Speaker 1: ever go to craft service and make your own sound?

441
00:19:21,960 --> 00:19:25,640
Speaker 1: I'm a peanut butter, jelly salads, all that toast they

442
00:19:25,680 --> 00:19:27,720
Speaker 1: have that white people letters with the vein in the middle.

443
00:19:28,080 --> 00:19:30,720
Speaker 1: Not not not that iceberg, that fly let us the

444
00:19:30,800 --> 00:19:34,399
Speaker 1: dark green yet the sun rocket they call it rocket

445
00:19:34,720 --> 00:19:37,119
Speaker 1: in a rug land ship like all that. But I

446
00:19:37,240 --> 00:19:39,719
Speaker 1: knew switched cheese on the neg That's when you know

447
00:19:39,840 --> 00:19:44,080
Speaker 1: you go to the Jon Mustart and switch cheese. You

448
00:19:44,080 --> 00:19:45,960
Speaker 1: don't know nothing about that. And I don't even know

449
00:19:46,080 --> 00:19:50,720
Speaker 1: two cheese is American and that block cheese. In fact,

450
00:19:50,720 --> 00:19:52,520
Speaker 1: in the black community, if you switch your cheese up,

451
00:19:52,560 --> 00:19:55,480
Speaker 1: niggas think you changed right. Come outside with some white

452
00:19:55,560 --> 00:19:59,960
Speaker 1: cheese on your sounds, talk about I want a blue cheeseburger.

453
00:20:00,000 --> 00:20:01,920
Speaker 1: I think brous like Paul's No Home or you eat

454
00:20:01,920 --> 00:20:05,520
Speaker 1: blue cheese. Now get this ship we're going back to.

455
00:20:05,680 --> 00:20:07,959
Speaker 1: You know, I said about working on that show, like

456
00:20:08,040 --> 00:20:10,639
Speaker 1: I knew because it was so loose on this, on

457
00:20:10,640 --> 00:20:13,639
Speaker 1: on on on on on the on the set that

458
00:20:13,680 --> 00:20:15,760
Speaker 1: I knew if I went to work again, I got

459
00:20:15,800 --> 00:20:18,000
Speaker 1: free food. But it was always a chance of me

460
00:20:18,160 --> 00:20:20,560
Speaker 1: just Dave would just throw me in the sketch, like

461
00:20:20,560 --> 00:20:22,959
Speaker 1: when we did the Black Butch sketch. I was just

462
00:20:23,080 --> 00:20:25,080
Speaker 1: hanging out, you know. The outf of that head was

463
00:20:25,119 --> 00:20:27,280
Speaker 1: like like just my regular day to day clothes and

464
00:20:27,320 --> 00:20:31,399
Speaker 1: there was an extra or or you five, they had lines,

465
00:20:31,440 --> 00:20:33,200
Speaker 1: but he kept blowing it. So Dave was like, it's

466
00:20:33,200 --> 00:20:34,639
Speaker 1: done here. You want to give him a chance at it.

467
00:20:34,800 --> 00:20:36,520
Speaker 1: I went in there and I rocked it, you know

468
00:20:36,520 --> 00:20:39,760
Speaker 1: what I'm saying, Like every I think of the sketches,

469
00:20:39,800 --> 00:20:41,080
Speaker 1: I was in. I wasn't supposed to be there with

470
00:20:41,160 --> 00:20:43,160
Speaker 1: just me hanging out. And that was one thing dope

471
00:20:43,200 --> 00:20:47,280
Speaker 1: about um the show. Dave would trust your comedic sensibility

472
00:20:47,600 --> 00:20:49,399
Speaker 1: and if you was bringing something to the table, he

473
00:20:49,440 --> 00:20:51,399
Speaker 1: would let you continue. And you know, that's a tribute

474
00:20:51,440 --> 00:20:53,280
Speaker 1: to what type of person is And once you let

475
00:20:53,280 --> 00:20:56,040
Speaker 1: trust people to do their thing and don't just make

476
00:20:56,119 --> 00:20:58,480
Speaker 1: them stuck to the words. And I'm saying you have

477
00:20:58,520 --> 00:21:01,000
Speaker 1: to have some discmpline because people are going crazy. But

478
00:21:01,280 --> 00:21:03,320
Speaker 1: if people if they trust you and you know you

479
00:21:03,320 --> 00:21:04,880
Speaker 1: can bring it, you know, you create a great show

480
00:21:04,920 --> 00:21:06,320
Speaker 1: like spell show. And that's what we did, was like

481
00:21:06,359 --> 00:21:08,960
Speaker 1: trust how communic fility and we did Hell yeah, So

482
00:21:09,040 --> 00:21:10,960
Speaker 1: tell me the difference. Like when you first started, you

483
00:21:10,960 --> 00:21:14,439
Speaker 1: said he just broke his help with then you got rich. Bitch.

484
00:21:14,960 --> 00:21:16,919
Speaker 1: Oh you know that phrase got me into a lot

485
00:21:16,960 --> 00:21:19,159
Speaker 1: of trouble because a lot of times I go out

486
00:21:19,160 --> 00:21:21,080
Speaker 1: of my friends when the check cup nicks don't even

487
00:21:21,200 --> 00:21:23,800
Speaker 1: look at the wallet first. They say, I thought you

488
00:21:23,880 --> 00:21:26,840
Speaker 1: said you was rich rich, I'm stuck with the check.

489
00:21:26,880 --> 00:21:30,000
Speaker 1: But that show was like people always say, Danielle will

490
00:21:30,080 --> 00:21:32,200
Speaker 1: if it wasn't for the Chapelle show blah blah blah,

491
00:21:32,280 --> 00:21:33,879
Speaker 1: this and that. But I look at it like this,

492
00:21:33,960 --> 00:21:36,120
Speaker 1: if you compare it to like you're on the basketball team.

493
00:21:36,160 --> 00:21:37,639
Speaker 1: You know you get a shot, but it's what you

494
00:21:37,680 --> 00:21:39,639
Speaker 1: do when you get in the game. Like we didn't

495
00:21:39,680 --> 00:21:43,040
Speaker 1: have us, Uh, we didn't have Like. It wasn't a cast.

496
00:21:43,080 --> 00:21:45,000
Speaker 1: It was like you as good as your last sketch.

497
00:21:45,040 --> 00:21:47,720
Speaker 1: So if you rocked one sketch, you had an opportunity

498
00:21:47,760 --> 00:21:50,760
Speaker 1: to get um to be in another sketch. But I

499
00:21:50,760 --> 00:21:54,800
Speaker 1: will say that show gave me the platform for people

500
00:21:54,800 --> 00:21:56,440
Speaker 1: to see what I've been doing for years. You know

501
00:21:56,440 --> 00:21:58,760
Speaker 1: what I'm saying. They didn't make me funny as much

502
00:21:58,800 --> 00:22:01,880
Speaker 1: as Dave gave me an opportunity. I contribute to the show,

503
00:22:01,920 --> 00:22:03,359
Speaker 1: and I made a show funny. So at the end

504
00:22:03,359 --> 00:22:04,960
Speaker 1: of the day, it was like a winning win for

505
00:22:05,040 --> 00:22:07,399
Speaker 1: everybody concerned. Hey, yeah, what are some of your favorite

506
00:22:07,400 --> 00:22:12,639
Speaker 1: sketches on the show? My my favorite sketch was the

507
00:22:12,720 --> 00:22:15,600
Speaker 1: Wayne Brady sketch. And the reason why it was funny

508
00:22:15,600 --> 00:22:18,639
Speaker 1: because the way it came about, like Dave did, I

509
00:22:18,640 --> 00:22:20,639
Speaker 1: think it was like it was a sketch with Paul

510
00:22:20,680 --> 00:22:23,440
Speaker 1: Mooney and Paul Mooney did a disc on Wayne Brady

511
00:22:23,560 --> 00:22:26,480
Speaker 1: and Wayne Um. Wayne Brady saw Dave at a club

512
00:22:26,600 --> 00:22:28,119
Speaker 1: somewhere in New York and he was a little offended

513
00:22:28,160 --> 00:22:30,159
Speaker 1: by because Wayne Brady is a good guy man and

514
00:22:30,160 --> 00:22:31,760
Speaker 1: he was a fan of the show. And Dave felt,

515
00:22:31,840 --> 00:22:34,000
Speaker 1: you know, some some type of way about it. So

516
00:22:34,080 --> 00:22:37,359
Speaker 1: he invited Wayne Brady to do the sketch. And for me,

517
00:22:37,480 --> 00:22:40,360
Speaker 1: that sketch was deep because it took Wayne Brady out

518
00:22:40,359 --> 00:22:42,840
Speaker 1: of the character that everybody knew him. For everybody know

519
00:22:42,920 --> 00:22:45,280
Speaker 1: Wayne Brady is a straight ladies guy, but they don't

520
00:22:45,280 --> 00:22:47,600
Speaker 1: know how great an actor is. So for for Wayne

521
00:22:47,600 --> 00:22:49,879
Speaker 1: Brady to go from the guy from whose line is

522
00:22:49,920 --> 00:22:52,520
Speaker 1: it anyway? To a guy like Wayne Brady, is Wayne

523
00:22:52,520 --> 00:22:54,720
Speaker 1: Brady gonna have to slap a pit? The funny thing

524
00:22:54,760 --> 00:22:57,440
Speaker 1: about that part it took us probably thirty five minutes

525
00:22:57,440 --> 00:23:00,199
Speaker 1: to get Wayne Brady to say that because that not

526
00:23:00,320 --> 00:23:02,760
Speaker 1: his style. Wayne Bradys, you know, like straight lace dude.

527
00:23:02,920 --> 00:23:05,199
Speaker 1: So he was given every option. Wayne Brady was like this,

528
00:23:05,359 --> 00:23:06,920
Speaker 1: can I say it? Is Wayne Brady gonna have to

529
00:23:06,960 --> 00:23:11,159
Speaker 1: harm a young lady? He was trying to clean that

530
00:23:11,320 --> 00:23:12,920
Speaker 1: joint up right. He's like, can I say I feel

531
00:23:12,960 --> 00:23:15,359
Speaker 1: more comfortable? And we was like, no, it's Wayne Brady,

532
00:23:15,400 --> 00:23:17,480
Speaker 1: gonna have to choke a bit and when it hit,

533
00:23:17,600 --> 00:23:20,200
Speaker 1: it hit. But I'll tell you another thing about Chappelle Show.

534
00:23:21,040 --> 00:23:24,080
Speaker 1: I consider myself to be like the like the second

535
00:23:24,119 --> 00:23:26,520
Speaker 1: casting on that show, because every time they needed somebody

536
00:23:26,880 --> 00:23:29,040
Speaker 1: for a senior last minute, I would call my friends.

537
00:23:29,320 --> 00:23:31,960
Speaker 1: Anytime you saw a scene on Chapelle Show where it

538
00:23:32,000 --> 00:23:33,880
Speaker 1: was real niggas in the background, it was really real

539
00:23:33,960 --> 00:23:36,480
Speaker 1: niggas in the background, it was like my boys because

540
00:23:36,480 --> 00:23:38,520
Speaker 1: I my boys weren't working. So I was like, yo,

541
00:23:38,680 --> 00:23:40,359
Speaker 1: I got an opportunities, Like what I'm gonna put you

542
00:23:40,440 --> 00:23:41,720
Speaker 1: on this show. There was like, we don't want to

543
00:23:41,720 --> 00:23:43,639
Speaker 1: do that. I was like, it paid semi five all us.

544
00:23:43,840 --> 00:23:46,840
Speaker 1: You get to get craft services, but more importantly, you

545
00:23:46,880 --> 00:23:50,280
Speaker 1: get I wanted to get my dudes opportunities. See another thing,

546
00:23:50,359 --> 00:23:52,160
Speaker 1: So anytime you saw a real nigga, it was really

547
00:23:52,160 --> 00:23:54,679
Speaker 1: a real nigger, you know what I'm saying. So that

548
00:23:54,680 --> 00:23:57,800
Speaker 1: that was that was That's that The show was just awesome.

549
00:23:57,880 --> 00:24:01,000
Speaker 1: It was an opportunity for people that weren't experiencing this

550
00:24:01,119 --> 00:24:03,520
Speaker 1: business to get involved with it, you know what I'm saying.

551
00:24:03,520 --> 00:24:05,199
Speaker 1: I did everything I could do to try to make

552
00:24:05,240 --> 00:24:07,160
Speaker 1: the show hot. And you know, like I will say

553
00:24:07,359 --> 00:24:09,320
Speaker 1: twelve years later, the show hasn't been on for twelve years,

554
00:24:09,320 --> 00:24:11,320
Speaker 1: but people make it feel make me feel like these

555
00:24:11,320 --> 00:24:13,720
Speaker 1: shows on like every week. That's a testament when you

556
00:24:13,720 --> 00:24:16,440
Speaker 1: put something solid down people to following. Hell yeah, man.

557
00:24:16,520 --> 00:24:19,479
Speaker 1: Another fan question, people say, um, you know you talk

558
00:24:19,560 --> 00:24:21,240
Speaker 1: about being in the Air Force. You know where did

559
00:24:21,560 --> 00:24:24,240
Speaker 1: like a lot and you set what do you get

560
00:24:24,840 --> 00:24:28,200
Speaker 1: like your inspiration and how do you mix all that together? Well,

561
00:24:28,280 --> 00:24:30,720
Speaker 1: I know, just going from that world to the comedy world.

562
00:24:30,800 --> 00:24:33,160
Speaker 1: Some people like have sisters where they try to write

563
00:24:33,200 --> 00:24:35,480
Speaker 1: the perfect joke. I don't really like to try to

564
00:24:35,480 --> 00:24:37,399
Speaker 1: write the perfect joke. I like to be able to,

565
00:24:37,640 --> 00:24:40,600
Speaker 1: you know, just share my life, you know, every every day.

566
00:24:40,920 --> 00:24:42,159
Speaker 1: You're a comic, you know what I'm saying. You're a

567
00:24:42,240 --> 00:24:44,600
Speaker 1: natural comic. So we get as long as you can

568
00:24:44,720 --> 00:24:48,639
Speaker 1: put yourself around people and be engaged, like in life,

569
00:24:48,680 --> 00:24:51,720
Speaker 1: you'll find some funny stuff so opposed like this joke

570
00:24:51,800 --> 00:24:54,720
Speaker 1: about me being a rocket scientist. If it's not real

571
00:24:54,920 --> 00:24:56,639
Speaker 1: to me, I'm not gonna do it. So what I

572
00:24:56,680 --> 00:24:58,800
Speaker 1: try to do is just recreate scenes and things that

573
00:24:58,880 --> 00:25:00,760
Speaker 1: have in my life. If you get up there storytelling.

574
00:25:00,760 --> 00:25:02,840
Speaker 1: If you could get up there and share that story that,

575
00:25:03,040 --> 00:25:05,280
Speaker 1: I think that's some of the best comments. You know,

576
00:25:05,320 --> 00:25:07,560
Speaker 1: everybody got the dish. You've got different styles. Some people

577
00:25:07,560 --> 00:25:10,680
Speaker 1: got that the joke to set up the punch, the callback.

578
00:25:11,040 --> 00:25:13,560
Speaker 1: I just like to tell you about my life and

579
00:25:13,600 --> 00:25:15,439
Speaker 1: try to put a comedic twist on that and make

580
00:25:15,480 --> 00:25:20,240
Speaker 1: it real funny. Ship, Yes, sir, funny shoot man. Um,

581
00:25:20,720 --> 00:25:23,760
Speaker 1: that's the same question where you're doing inspiration from. Who

582
00:25:23,760 --> 00:25:28,040
Speaker 1: are some of your favorite comedians to watch? Um? Nig

583
00:25:28,160 --> 00:25:29,919
Speaker 1: as you think are funny. It's a lot of funny

584
00:25:29,960 --> 00:25:33,240
Speaker 1: motherfucker's that here. Um. I like Tony Robbers is one

585
00:25:33,240 --> 00:25:36,159
Speaker 1: of my favorite Tony Robbers is. It's one of my

586
00:25:36,200 --> 00:25:38,040
Speaker 1: favorite because he's one of them dudes just like he's

587
00:25:38,119 --> 00:25:40,960
Speaker 1: like he's animated. He's over the top, and you never

588
00:25:41,000 --> 00:25:43,040
Speaker 1: you can see a person's act, but you always know

589
00:25:43,080 --> 00:25:45,639
Speaker 1: it's gonna be something that's off the cuff. When I

590
00:25:45,680 --> 00:25:49,480
Speaker 1: first started, Martin Lawrence countered like got me excited about

591
00:25:49,480 --> 00:25:52,320
Speaker 1: comming because the first time I saw Martin Lawrence performed,

592
00:25:52,359 --> 00:25:55,360
Speaker 1: I was like his his common was so just regular

593
00:25:55,440 --> 00:25:57,399
Speaker 1: around the way. Ship, you know what I'm saying, Like

594
00:25:57,440 --> 00:26:01,080
Speaker 1: every joke, every story Martin that it was like, oh man,

595
00:26:01,160 --> 00:26:03,200
Speaker 1: I remember that I did the same thing. Martin. Lawrence

596
00:26:03,440 --> 00:26:05,440
Speaker 1: reminds me of somebody when you go to the barbershop.

597
00:26:05,480 --> 00:26:07,840
Speaker 1: There's always one dude in there as funny as hell.

598
00:26:07,680 --> 00:26:11,600
Speaker 1: I enjoyed watching him, um Rob the late great Robin Harris.

599
00:26:12,040 --> 00:26:13,960
Speaker 1: Robin Harris is one of the dudes that had every style.

600
00:26:14,000 --> 00:26:15,920
Speaker 1: He could do a stock joke, he could go on

601
00:26:15,960 --> 00:26:18,080
Speaker 1: the audience at messu, or he could tell a true

602
00:26:18,080 --> 00:26:21,160
Speaker 1: life story to himself. And of course, like I never

603
00:26:21,359 --> 00:26:25,120
Speaker 1: saw Richard Prior performing live, but Richard Pryor was like,

604
00:26:25,119 --> 00:26:27,640
Speaker 1: like like one of my favorite comments to watch because

605
00:26:27,640 --> 00:26:29,000
Speaker 1: when Richard Pryor was out, he was one of this

606
00:26:29,160 --> 00:26:31,320
Speaker 1: you could test. You could tell that he was testing

607
00:26:31,400 --> 00:26:34,000
Speaker 1: the industry and everything that he did was like not

608
00:26:34,080 --> 00:26:35,919
Speaker 1: so much shock, but it was he was he was

609
00:26:35,960 --> 00:26:39,280
Speaker 1: going where no other comics would go, you know, one

610
00:26:39,280 --> 00:26:42,080
Speaker 1: of my favorites to watch. Yeah, so you got any

611
00:26:42,080 --> 00:26:47,080
Speaker 1: more movies coming up? It's not really seeing you all

612
00:26:47,119 --> 00:26:49,879
Speaker 1: around the place doing movies right now. Now now I

613
00:26:49,920 --> 00:26:53,399
Speaker 1: don't really have anything in terms of like any like

614
00:26:53,520 --> 00:26:56,000
Speaker 1: theatrical releases, Like the last couple of years, I've really

615
00:26:56,040 --> 00:26:58,639
Speaker 1: been going heavy with standout. Yeah, but see, you'd be

616
00:26:58,640 --> 00:27:01,240
Speaker 1: sneaking in on ship though like ya, You'll be just

617
00:27:01,320 --> 00:27:04,359
Speaker 1: doing regular ship during a whole bunch uh stand up shows,

618
00:27:04,359 --> 00:27:06,119
Speaker 1: and then your ads just pop up in a movie

619
00:27:06,119 --> 00:27:08,359
Speaker 1: and you got you know, Like to be quite honest,

620
00:27:08,400 --> 00:27:11,320
Speaker 1: I don't make money with film and television like stand

621
00:27:11,400 --> 00:27:12,800
Speaker 1: up is my thing, you know what I'm saying. So

622
00:27:13,160 --> 00:27:15,360
Speaker 1: I think that the way my career going, it's gonna

623
00:27:15,359 --> 00:27:18,480
Speaker 1: be similar to like the route Chris Rock took. Chris

624
00:27:18,640 --> 00:27:21,040
Speaker 1: Rock was a regular on certainly a lot, but it

625
00:27:21,080 --> 00:27:23,439
Speaker 1: didn't really pop them off. So Chris Rock when he

626
00:27:23,520 --> 00:27:25,440
Speaker 1: left now he went on the road for like a year.

627
00:27:25,840 --> 00:27:27,399
Speaker 1: He was like, you know what I'm gonna I'm gonna

628
00:27:27,640 --> 00:27:30,919
Speaker 1: do an hour special. It's gonna blow everybody away. I

629
00:27:30,960 --> 00:27:32,879
Speaker 1: think that if I can get people to continue to

630
00:27:32,880 --> 00:27:35,560
Speaker 1: support me on the stand up, I can make myself

631
00:27:35,680 --> 00:27:37,520
Speaker 1: enough of a brand that people want to put me

632
00:27:37,880 --> 00:27:39,480
Speaker 1: in more movies. But at the end of the day,

633
00:27:39,720 --> 00:27:42,280
Speaker 1: if I can make money doing stand up, I'll do that.

634
00:27:42,359 --> 00:27:45,040
Speaker 1: You know, I'm not thirsty for TV rolls, and I'm

635
00:27:45,040 --> 00:27:47,240
Speaker 1: thirsty to make money. And you know, after twenty years,

636
00:27:47,480 --> 00:27:49,720
Speaker 1: I positioned myself to be able to do six at

637
00:27:49,800 --> 00:27:52,640
Speaker 1: least six figures a year cracking jokes for a good

638
00:27:52,720 --> 00:27:56,080
Speaker 1: dude that only has a military background, high school education.

639
00:27:56,560 --> 00:27:58,080
Speaker 1: You know, at the end of the day, I'm winning,

640
00:27:58,119 --> 00:28:00,160
Speaker 1: doing something I love and making people that can eat

641
00:28:00,160 --> 00:28:02,520
Speaker 1: that ship. Yeah, how you feel about the new the

642
00:28:02,560 --> 00:28:05,960
Speaker 1: new online comedy. I think that it's one of those

643
00:28:06,000 --> 00:28:07,800
Speaker 1: things like old school dudes to tell you when I

644
00:28:07,880 --> 00:28:10,040
Speaker 1: was coming up. But at the end of the day,

645
00:28:10,480 --> 00:28:12,960
Speaker 1: everything evolves. You know what I'm saying. I'm from the

646
00:28:12,960 --> 00:28:15,520
Speaker 1: flyer flyer era. You know what I'm saying. You know

647
00:28:15,560 --> 00:28:18,919
Speaker 1: you thought about your hand to hand five thousand flyers,

648
00:28:19,440 --> 00:28:22,560
Speaker 1: but motherfucker's personality was dictated by that flyer. You know,

649
00:28:22,640 --> 00:28:24,400
Speaker 1: you have something when you talk to a girl, let's

650
00:28:24,440 --> 00:28:26,200
Speaker 1: they had a flyer in their hand. But I think

651
00:28:26,240 --> 00:28:28,760
Speaker 1: that I think that it's the trip. I think that

652
00:28:28,960 --> 00:28:31,240
Speaker 1: the beauty of social media avery thing is that you

653
00:28:31,280 --> 00:28:33,359
Speaker 1: don't have to wait for a network to blow you up.

654
00:28:33,680 --> 00:28:35,600
Speaker 1: You know you can. You can. You can blow yourself

655
00:28:35,640 --> 00:28:38,040
Speaker 1: up in front of your uh, in front of a laptop.

656
00:28:38,360 --> 00:28:40,920
Speaker 1: The only thing is you still gotta you gotta marry

657
00:28:40,960 --> 00:28:42,880
Speaker 1: that with some type of talent. You know what I'm saying.

658
00:28:42,920 --> 00:28:44,680
Speaker 1: You don't want to just be the comedian that the

659
00:28:44,760 --> 00:28:47,040
Speaker 1: only thing you know is like that moment, you know

660
00:28:47,120 --> 00:28:50,120
Speaker 1: when that's what I call it. Those type of comments,

661
00:28:50,360 --> 00:28:53,520
Speaker 1: they're just like everything, the facial expiration expressions in the

662
00:28:53,600 --> 00:28:58,240
Speaker 1: same way. You know, you will get a shot and

663
00:28:58,280 --> 00:29:00,640
Speaker 1: you can build a network off that, but when people

664
00:29:00,640 --> 00:29:03,160
Speaker 1: start coming to see you perform, they're going to see

665
00:29:03,440 --> 00:29:05,480
Speaker 1: more than that. So if you can find a nice

666
00:29:05,520 --> 00:29:08,320
Speaker 1: way to combine what you can do with social media

667
00:29:08,680 --> 00:29:11,040
Speaker 1: and having some talent, I think that disguise a limit

668
00:29:11,080 --> 00:29:13,680
Speaker 1: and you don't have to wait for networks to pass.

669
00:29:13,720 --> 00:29:16,040
Speaker 1: You can do it yourself. And you know, like I

670
00:29:16,120 --> 00:29:19,080
Speaker 1: know now the networks they're coming to you. They're looking

671
00:29:19,120 --> 00:29:23,520
Speaker 1: at your social presence. I've known that I've been uh

672
00:29:23,840 --> 00:29:26,720
Speaker 1: certain jobs I should have got, But I know when

673
00:29:26,760 --> 00:29:28,920
Speaker 1: they look at the stats. Okay, this guy has this

674
00:29:28,960 --> 00:29:32,440
Speaker 1: many follows, this guy has that many follows. A network

675
00:29:32,440 --> 00:29:34,600
Speaker 1: has to make a decision on how they make money

676
00:29:34,640 --> 00:29:37,480
Speaker 1: off of. So follow the guys out there, the six

677
00:29:37,560 --> 00:29:40,440
Speaker 1: second dudes, the fifties second dudes. There's nothing wrong with that,

678
00:29:40,520 --> 00:29:42,280
Speaker 1: but at least have some talent to back it. Up

679
00:29:42,280 --> 00:29:44,160
Speaker 1: and then you can kill the game. Hell yeah, the

680
00:29:44,240 --> 00:29:46,320
Speaker 1: game needs to be killed. Like, have you had that

681
00:29:46,400 --> 00:29:49,240
Speaker 1: moment in your career where you're like, Okay, this is

682
00:29:49,280 --> 00:29:51,360
Speaker 1: some success that I could be proud of, Like that

683
00:29:51,440 --> 00:29:55,160
Speaker 1: moment where you're like, okay, I will. I won't know

684
00:29:55,320 --> 00:30:00,240
Speaker 1: if it's one specific moment that would let you would

685
00:30:00,280 --> 00:30:02,360
Speaker 1: lead you believe that for me that that was the

686
00:30:02,400 --> 00:30:05,280
Speaker 1: one that set me up. But there was I think

687
00:30:05,280 --> 00:30:06,680
Speaker 1: one of the greatest shows I've ever had. It was

688
00:30:06,720 --> 00:30:09,760
Speaker 1: like a year ago. I had to do a show

689
00:30:09,800 --> 00:30:13,960
Speaker 1: at Magoobi's Comedy Joke House in Maryland, right, So it's

690
00:30:14,000 --> 00:30:16,719
Speaker 1: a it's a small comedy theory, like three people. So

691
00:30:16,760 --> 00:30:20,560
Speaker 1: I'm on stage for three minutes. My intro was killing.

692
00:30:20,920 --> 00:30:23,160
Speaker 1: I'm ripping the room first three minutes, and and all

693
00:30:23,160 --> 00:30:24,920
Speaker 1: of a sudden, the lights went out in the venue.

694
00:30:25,160 --> 00:30:26,800
Speaker 1: Not only the venue, but the lights went out in

695
00:30:26,840 --> 00:30:31,200
Speaker 1: the entire time, in an entire town. It's it's pitch black,

696
00:30:31,240 --> 00:30:34,360
Speaker 1: and their only lights in there are like the emergency lights,

697
00:30:34,360 --> 00:30:36,240
Speaker 1: you know how you have the exit sign emergeny lights.

698
00:30:36,600 --> 00:30:38,680
Speaker 1: And I knew that if I wouldn't continue my show,

699
00:30:38,720 --> 00:30:40,760
Speaker 1: the club was gonna lose money. There wasn't gonna be

700
00:30:40,800 --> 00:30:44,200
Speaker 1: able to run credit cards or anything. So I did um.

701
00:30:44,240 --> 00:30:47,040
Speaker 1: I never stopped my show, dropped the mic. I went

702
00:30:47,080 --> 00:30:48,960
Speaker 1: on to the audience and I told him. I was like, look,

703
00:30:48,960 --> 00:30:50,480
Speaker 1: we don't have no lights. When I need everybody to

704
00:30:50,480 --> 00:30:52,600
Speaker 1: do it is like anybody with a cell phone, I

705
00:30:52,640 --> 00:30:54,560
Speaker 1: need you to take your cell phone out and turn

706
00:30:54,960 --> 00:30:58,600
Speaker 1: light on and on the cell phone. So I went

707
00:30:58,720 --> 00:31:02,800
Speaker 1: into the audience. Everybody hit itself on theself on. It

708
00:31:02,840 --> 00:31:07,480
Speaker 1: illuminated the audience and I did an hour with no microphone,

709
00:31:08,240 --> 00:31:11,640
Speaker 1: with no lights, no nothing. And the funny thing about

710
00:31:11,640 --> 00:31:13,320
Speaker 1: it at the end of the show was I was

711
00:31:13,400 --> 00:31:15,720
Speaker 1: going down coming to the closer in the show and

712
00:31:15,720 --> 00:31:17,280
Speaker 1: I saw this girl in there I knew. I was like, yo,

713
00:31:17,320 --> 00:31:18,920
Speaker 1: what's up. I said, I'm not gonna talk to you

714
00:31:19,000 --> 00:31:21,360
Speaker 1: because I know you know me personally and if you

715
00:31:21,760 --> 00:31:24,960
Speaker 1: started sharing some of my stories with you years ago.

716
00:31:25,320 --> 00:31:27,200
Speaker 1: The lights to come back on in this motherfucker. And

717
00:31:27,200 --> 00:31:29,960
Speaker 1: the minute I said that, our later the lights came

718
00:31:30,040 --> 00:31:31,720
Speaker 1: right back on and I was like, look, I'm got

719
00:31:31,800 --> 00:31:35,320
Speaker 1: up in this bit. That's like comics. You you got moments,

720
00:31:35,480 --> 00:31:37,520
Speaker 1: you know you've seen people before where the room is

721
00:31:37,640 --> 00:31:40,440
Speaker 1: ripping it's not a chance to have a defining moment

722
00:31:40,480 --> 00:31:42,880
Speaker 1: because everybody ripping. But for me to be able to

723
00:31:42,880 --> 00:31:46,240
Speaker 1: go and do an hour complete dark with just lights

724
00:31:46,240 --> 00:31:48,760
Speaker 1: from the camera, for me personally, that was like a

725
00:31:48,760 --> 00:31:51,600
Speaker 1: defining moment in my career. Yeah. So what are some

726
00:31:51,680 --> 00:31:53,640
Speaker 1: of your favorite cities to go perform? The ones with

727
00:31:53,720 --> 00:31:56,080
Speaker 1: the biggest checks? Hell yeah, I know. I'm not a

728
00:31:56,080 --> 00:31:57,720
Speaker 1: big fan of Philly. If they're trying to suck me

729
00:31:57,760 --> 00:32:02,640
Speaker 1: up and I got damn Planca now anybody. People always

730
00:32:02,680 --> 00:32:06,120
Speaker 1: say what's your favorite city? I think that every city

731
00:32:06,200 --> 00:32:09,480
Speaker 1: has something different, has a different vibe. At the end

732
00:32:09,480 --> 00:32:12,080
Speaker 1: of the day, it's our job, you know, to make

733
00:32:12,120 --> 00:32:14,360
Speaker 1: ourselves come from that city and go find it and

734
00:32:14,360 --> 00:32:16,480
Speaker 1: go find it. Don't have a favorite city. It's certain

735
00:32:16,480 --> 00:32:18,280
Speaker 1: places that you feel more because the one you get

736
00:32:18,320 --> 00:32:20,320
Speaker 1: the biggest check and you're like, hopefully I'll come back

737
00:32:20,360 --> 00:32:23,360
Speaker 1: to that. But there's always some weird as place they

738
00:32:23,440 --> 00:32:27,120
Speaker 1: got the big ass check. Calumu Zoom calm, like the

739
00:32:27,240 --> 00:32:29,560
Speaker 1: fuckers in caluman Zoo. I think my life is an

740
00:32:29,560 --> 00:32:33,320
Speaker 1: imminent danger with this city. Danger You gotta use that.

741
00:32:34,240 --> 00:32:38,080
Speaker 1: Hell no, man, So what's what's next for done? Their rotlins? Man,

742
00:32:38,280 --> 00:32:40,240
Speaker 1: where are you going with it? Um? I want to

743
00:32:40,240 --> 00:32:43,320
Speaker 1: do another special. I think another special. I've been, you know,

744
00:32:43,920 --> 00:32:46,640
Speaker 1: been touring hard for a while. The last special I

745
00:32:46,680 --> 00:32:48,920
Speaker 1: did was like five years ago, and I got so

746
00:32:49,000 --> 00:32:51,760
Speaker 1: much material that I gotta, um, I gotta down. I

747
00:32:51,800 --> 00:32:53,560
Speaker 1: gotta just drop it somewhere you don't have to while

748
00:32:55,360 --> 00:32:57,880
Speaker 1: you get to travel a lot and move around and

749
00:32:58,120 --> 00:32:59,760
Speaker 1: you know, hit a whole bunch of different cities, do

750
00:32:59,840 --> 00:33:02,560
Speaker 1: you do you get to see the cultural impact that

751
00:33:02,600 --> 00:33:04,680
Speaker 1: the Chappelle Show had, you know what I mean? Yeah,

752
00:33:04,720 --> 00:33:07,600
Speaker 1: I definitely noticed it when I go my audience, Like

753
00:33:07,680 --> 00:33:10,920
Speaker 1: I don't my audience not just specific to like to

754
00:33:11,000 --> 00:33:14,000
Speaker 1: a black audience. When I go to my shows, it's

755
00:33:14,080 --> 00:33:18,160
Speaker 1: like old people, it's white people, it's Indian, it's Asian

756
00:33:18,640 --> 00:33:21,840
Speaker 1: and everybody. And I know that's definitely, you know, contribute

757
00:33:21,840 --> 00:33:25,360
Speaker 1: to being on Chappelle Show. That's Chappelle Show broke all

758
00:33:25,440 --> 00:33:27,320
Speaker 1: types of brothers. You know what I'm saying. I'll have

759
00:33:27,400 --> 00:33:29,960
Speaker 1: a I'll have a show where it's like, Yo, what up, ma, nigga?

760
00:33:30,000 --> 00:33:32,680
Speaker 1: You funny like? And then I have some another players like, man,

761
00:33:32,720 --> 00:33:36,360
Speaker 1: when y'all did dad sketch about reparations? I really love

762
00:33:36,480 --> 00:33:40,080
Speaker 1: that man, but that that that show definitely like cross

763
00:33:40,160 --> 00:33:42,280
Speaker 1: the lines and everything, and that helped me out because

764
00:33:42,280 --> 00:33:44,320
Speaker 1: when you go to my shows now, it's like it's

765
00:33:44,320 --> 00:33:47,600
Speaker 1: like everybody, and I offended everybody, not just one race,

766
00:33:47,800 --> 00:33:51,160
Speaker 1: one person, offend everybody. If you're gonna be offensive, offended everybody.

767
00:33:51,240 --> 00:33:53,280
Speaker 1: That's what's dope as hell though. Like as a comedian,

768
00:33:53,320 --> 00:33:55,560
Speaker 1: you know when you're at your show and you're Atlantic

769
00:33:55,600 --> 00:33:57,680
Speaker 1: and you just look out in the audience and you

770
00:33:57,760 --> 00:33:59,880
Speaker 1: see that all these different people came to see you,

771
00:34:00,120 --> 00:34:02,440
Speaker 1: people you would never think would even be fucking with you.

772
00:34:02,600 --> 00:34:05,600
Speaker 1: The funny thing about it's funny when you first start coming,

773
00:34:05,640 --> 00:34:07,720
Speaker 1: you know, you don't have an audience, you know what

774
00:34:07,720 --> 00:34:09,840
Speaker 1: I'm saying. Normally the promoter have audiences. You know what

775
00:34:09,840 --> 00:34:11,879
Speaker 1: I'm saying, Like you're you're here, like you know, like

776
00:34:11,880 --> 00:34:16,319
Speaker 1: like dyning bite Tuesdays or more better Mondays than everything. Yeah,

777
00:34:16,320 --> 00:34:18,200
Speaker 1: you can't work with my crop. But the thing is

778
00:34:18,480 --> 00:34:21,160
Speaker 1: they provide that audience. They provide the audience. But it's

779
00:34:21,160 --> 00:34:23,080
Speaker 1: your job to be a great comic in the audience.

780
00:34:23,280 --> 00:34:25,759
Speaker 1: But you know, sometimes you know it's overwhelming me because

781
00:34:25,760 --> 00:34:29,120
Speaker 1: I'll go and I'll sell our shows different cities, not everywhere,

782
00:34:29,160 --> 00:34:30,920
Speaker 1: but you know, I do well. And then when you

783
00:34:30,960 --> 00:34:33,000
Speaker 1: when you go out there and you realize that people

784
00:34:33,320 --> 00:34:36,440
Speaker 1: are actually there to see you, not just the audience

785
00:34:36,480 --> 00:34:39,040
Speaker 1: that the promoters provided, but to see that's when you're like,

786
00:34:39,400 --> 00:34:41,439
Speaker 1: you know what, you're doing something because it's hard. People

787
00:34:41,480 --> 00:34:43,480
Speaker 1: can be funny, but it's hard to get to that

788
00:34:43,560 --> 00:34:46,879
Speaker 1: point where you you're actually a draw and you make

789
00:34:46,920 --> 00:34:48,920
Speaker 1: money for the stabbus and yourself, and that's when you

790
00:34:48,960 --> 00:34:50,759
Speaker 1: can patch something back you say, your hard work is

791
00:34:50,760 --> 00:34:56,279
Speaker 1: paying off. Hey, this is dope, Hail the heavy right

792
00:34:56,320 --> 00:34:59,120
Speaker 1: here on the eighty five self show. You in Atlantic

793
00:34:59,200 --> 00:35:01,320
Speaker 1: to now you perform on me? Do you have a

794
00:35:01,440 --> 00:35:03,800
Speaker 1: history with the city of Atlantic? You know, Atlanta always

795
00:35:03,800 --> 00:35:06,280
Speaker 1: been like a dope as comedy market, like in the beginning.

796
00:35:06,360 --> 00:35:08,359
Speaker 1: So how long you've been coming to Atlanta? I've been

797
00:35:08,360 --> 00:35:12,920
Speaker 1: coming here since Jamie Foxton. Yeah. Yeah, that was a

798
00:35:12,920 --> 00:35:16,280
Speaker 1: shout out to Jamie Fox, Marcus King and everybody involved

799
00:35:16,320 --> 00:35:18,680
Speaker 1: that that was one of those showcases where like when

800
00:35:18,760 --> 00:35:21,239
Speaker 1: I first started uh on the Black Common scene, we

801
00:35:21,239 --> 00:35:23,520
Speaker 1: didn't have a lot of showcases, you know what I'm saying,

802
00:35:23,560 --> 00:35:25,600
Speaker 1: Like it wasn't a lot of us getting invited to

803
00:35:25,600 --> 00:35:29,000
Speaker 1: the Montreal Comedy Festival. So Marcus King and Jamie Fox said,

804
00:35:29,000 --> 00:35:32,040
Speaker 1: you know what, you know this in the black community.

805
00:35:32,200 --> 00:35:35,719
Speaker 1: You know, we got strong people support we do right now.

806
00:35:36,120 --> 00:35:37,440
Speaker 1: It would be good to have it back. But I

807
00:35:37,480 --> 00:35:39,600
Speaker 1: remember that was I think that was maybe like twelve twelve,

808
00:35:39,719 --> 00:35:41,400
Speaker 1: maybe like fourteen years ago. Last when they did was

809
00:35:41,440 --> 00:35:43,719
Speaker 1: maybe like eight Old Man, Yeah, and that was like

810
00:35:43,760 --> 00:35:47,120
Speaker 1: that was like, that was like my first introduction to Atlanta.

811
00:35:47,120 --> 00:35:49,239
Speaker 1: I thought Atlanta was like Montreal. I was like, I'm

812
00:35:49,239 --> 00:35:51,640
Speaker 1: about to blow up doing the Lap of a Loser.

813
00:35:51,719 --> 00:35:54,880
Speaker 1: I think Central Entertainer had something especially there. But Atlanta

814
00:35:54,920 --> 00:35:58,160
Speaker 1: is always good. Atlanta. It's one of those markets, especially

815
00:35:58,160 --> 00:36:01,880
Speaker 1: for black artists. It's like consider the Black Hollywood. You know.

816
00:36:01,880 --> 00:36:04,040
Speaker 1: I'm saying, if you don't go to California, go to

817
00:36:04,080 --> 00:36:06,040
Speaker 1: New York, You've got a good chance of doing something

818
00:36:06,040 --> 00:36:07,840
Speaker 1: good for yourself in Atlanta. It's one of those places

819
00:36:07,840 --> 00:36:10,200
Speaker 1: I always come and perform till Like a lot of

820
00:36:10,239 --> 00:36:12,520
Speaker 1: young comedians watch the eighty five Self Show and ships,

821
00:36:12,520 --> 00:36:14,520
Speaker 1: so tell them about that New York run. Like a

822
00:36:14,560 --> 00:36:16,640
Speaker 1: lot of comedians that you know, it's when you do

823
00:36:16,719 --> 00:36:19,479
Speaker 1: your first New York run and you come back everything changed.

824
00:36:19,520 --> 00:36:22,600
Speaker 1: So give him some of that. Especially when I was

825
00:36:22,640 --> 00:36:24,439
Speaker 1: coming to the comedy market was hard as ship. And

826
00:36:24,520 --> 00:36:27,640
Speaker 1: one thing about New York I advise anybody if you

827
00:36:27,680 --> 00:36:30,040
Speaker 1: think about, especially on the stand up side. Everybody's like,

828
00:36:30,040 --> 00:36:32,319
Speaker 1: I want to go to Hollywood. That's good if you

829
00:36:32,400 --> 00:36:34,640
Speaker 1: have acting chops, if you took some acting classes. But

830
00:36:34,719 --> 00:36:36,279
Speaker 1: the place if you want to get your weight up

831
00:36:36,680 --> 00:36:38,279
Speaker 1: is New York. You can do like three or four

832
00:36:38,320 --> 00:36:40,520
Speaker 1: shows a night. You know what I'm saying. Everybody has

833
00:36:40,520 --> 00:36:42,359
Speaker 1: a room you can do like you can do like

834
00:36:42,440 --> 00:36:45,040
Speaker 1: you know, the Black Commune circuit, you can do the mainstream.

835
00:36:45,080 --> 00:36:47,279
Speaker 1: But I really believe that if you can come up

836
00:36:47,320 --> 00:36:49,000
Speaker 1: and you can do it in New York and rip

837
00:36:49,080 --> 00:36:51,000
Speaker 1: orders in New York, it prepares you to be able

838
00:36:51,040 --> 00:36:53,520
Speaker 1: to perform anywhere. It's just something. New York is a

839
00:36:53,520 --> 00:36:55,520
Speaker 1: gritty town man. At the end of the day, they

840
00:36:55,560 --> 00:36:59,440
Speaker 1: will let you know if you're funny. If you're not right,

841
00:36:59,480 --> 00:37:03,680
Speaker 1: then it ain't no waiting. Come and say tell a

842
00:37:03,760 --> 00:37:06,720
Speaker 1: jo mother fun I'm gonna tell you. Like. The biggest

843
00:37:06,719 --> 00:37:08,319
Speaker 1: thing I noticed when I moved from New York to

844
00:37:08,440 --> 00:37:10,759
Speaker 1: l A is that in New York again, if you're

845
00:37:10,800 --> 00:37:13,239
Speaker 1: not funny, you know in three minutes, you know quick

846
00:37:13,600 --> 00:37:16,040
Speaker 1: in l A, like if you're if there's a lot

847
00:37:16,040 --> 00:37:18,000
Speaker 1: in you, like twelve minutes, do your set. If you're

848
00:37:18,040 --> 00:37:20,600
Speaker 1: not funny, they will let you keep going and do

849
00:37:20,719 --> 00:37:23,960
Speaker 1: your entire twelve minutes. And I never understood that in

850
00:37:24,280 --> 00:37:27,319
Speaker 1: New York three minutes you getting that motherfucker wrap up

851
00:37:27,360 --> 00:37:30,000
Speaker 1: sign and another persons getting that time. But New York

852
00:37:30,040 --> 00:37:32,000
Speaker 1: for all the young comments out there, if you want

853
00:37:32,040 --> 00:37:34,040
Speaker 1: to be like a top notch stand up and you

854
00:37:34,080 --> 00:37:36,120
Speaker 1: want to be able to work out every night and

855
00:37:36,160 --> 00:37:38,840
Speaker 1: get your and get your skill set up, definitely started

856
00:37:38,880 --> 00:37:41,160
Speaker 1: New York and then go to l A and showcase

857
00:37:41,200 --> 00:37:44,239
Speaker 1: and you will kill it. Most people you notice, like

858
00:37:44,239 --> 00:37:46,400
Speaker 1: like Mike Else, Me and Mike else moved to UM

859
00:37:46,440 --> 00:37:48,839
Speaker 1: to New York at the same time. Most people when

860
00:37:48,840 --> 00:37:52,319
Speaker 1: they when they when they build that network and and

861
00:37:52,320 --> 00:37:54,239
Speaker 1: and and and get stronger in New York, when they

862
00:37:54,239 --> 00:37:56,839
Speaker 1: go to l A, they take it by storm because

863
00:37:56,840 --> 00:37:58,640
Speaker 1: it's like we never see anything like that. The energy

864
00:37:58,719 --> 00:38:04,440
Speaker 1: is different. People back there. Hell yeah, oh ship. This

865
00:38:04,520 --> 00:38:07,759
Speaker 1: is my favorite part of the show Man. On the

866
00:38:07,760 --> 00:38:09,840
Speaker 1: eighty five South show, we got this ship called the

867
00:38:09,920 --> 00:38:13,480
Speaker 1: nigga please award. That's where we just give out awards

868
00:38:13,520 --> 00:38:17,040
Speaker 1: for people who've been showing their ass lately. Man, anybody

869
00:38:17,040 --> 00:38:19,640
Speaker 1: you want to give a nigga please award to Cat Williams.

870
00:38:21,160 --> 00:38:24,120
Speaker 1: You know what Cat wims? Come on, man, this is

871
00:38:24,120 --> 00:38:26,480
Speaker 1: no disrespect. I love you, son, but how do you

872
00:38:26,640 --> 00:38:29,640
Speaker 1: start a beef with Cavin Hart? Man? Cavin Hart is

873
00:38:29,640 --> 00:38:33,360
Speaker 1: the nicest nigga entertainment. Starting beef with Kevin Hart is

874
00:38:33,400 --> 00:38:36,480
Speaker 1: like trying to fight Snoopy? Nigger? Who the fun? Who

875
00:38:36,480 --> 00:38:40,319
Speaker 1: the funk? Want to fight Snoopy? Come on, chat? We

876
00:38:40,480 --> 00:38:42,200
Speaker 1: love you something. We don't want to see in prison.

877
00:38:42,440 --> 00:38:45,359
Speaker 1: We want to see you on TV, want to see

878
00:38:45,360 --> 00:38:49,640
Speaker 1: you doing live performances. Son, Cat Williams, stop it and

879
00:38:49,640 --> 00:38:51,799
Speaker 1: you're getting the rest of in weird places? Who the fun?

880
00:38:51,840 --> 00:38:55,120
Speaker 1: Get locked up in the pool supply? Who does that

881
00:38:55,560 --> 00:38:59,919
Speaker 1: nigga buy chlorine in the wintertime? We love you cat?

882
00:39:00,000 --> 00:39:03,240
Speaker 1: When the Cat Williams swimming that, I don't know. You

883
00:39:03,280 --> 00:39:07,560
Speaker 1: know something not right? When you you go with uh,

884
00:39:07,600 --> 00:39:09,759
Speaker 1: you go a Kevin then you go to his hometown.

885
00:39:10,600 --> 00:39:13,320
Speaker 1: You're getting a fight at a club, at a Bennie

886
00:39:13,360 --> 00:39:15,919
Speaker 1: Single concert and then as a reward for the fight.

887
00:39:15,960 --> 00:39:19,360
Speaker 1: You give Bennie Siegal a two hundred thousand dollar Lambo

888
00:39:19,520 --> 00:39:23,240
Speaker 1: as a birthday gift. You know, if Bennie Sele was happy,

889
00:39:24,200 --> 00:39:27,880
Speaker 1: he was, he was cited about it until that goddamn

890
00:39:27,880 --> 00:39:30,640
Speaker 1: red engine light come on. That's I don't know if

891
00:39:30,640 --> 00:39:33,040
Speaker 1: this was a good gift. So you can't afford the

892
00:39:33,080 --> 00:39:37,440
Speaker 1: old trains of the Lambo the n award. I have

893
00:39:37,560 --> 00:39:39,200
Speaker 1: to do that. Cat, we love you told the police

894
00:39:39,239 --> 00:39:40,880
Speaker 1: comming what you think he needs to do to get

895
00:39:40,920 --> 00:39:43,920
Speaker 1: his ship back? Right, man? Nothing Cat William's is Cat Williams.

896
00:39:43,920 --> 00:39:46,600
Speaker 1: Certain people are extenu certain people. You know that. That's

897
00:39:46,640 --> 00:39:48,719
Speaker 1: the thing that drives Jim. You know, Cat WiM's the

898
00:39:48,719 --> 00:39:51,399
Speaker 1: type of person that he's he was. He's an outspoken person.

899
00:39:51,800 --> 00:39:53,760
Speaker 1: He got his views on a certain things. That's okay,

900
00:39:53,800 --> 00:39:56,480
Speaker 1: But just don't get arrested in that process, you know

901
00:39:56,520 --> 00:39:59,320
Speaker 1: what I'm saying, Like, keep it cool, man, Like everybody

902
00:39:59,360 --> 00:40:01,759
Speaker 1: every the community love Cat wins. At the end of

903
00:40:01,760 --> 00:40:04,040
Speaker 1: the day, he can do no wrong. But at the

904
00:40:04,080 --> 00:40:06,319
Speaker 1: same time, we don't want to have to continue to

905
00:40:06,360 --> 00:40:09,880
Speaker 1: defend your character when that goes. We don't want to

906
00:40:09,880 --> 00:40:11,279
Speaker 1: have to say we don't want to have to say,

907
00:40:11,360 --> 00:40:13,520
Speaker 1: Oh no, I was just we love you, nigga. We

908
00:40:13,600 --> 00:40:15,200
Speaker 1: love you like your mother love you. You know what

909
00:40:15,239 --> 00:40:17,480
Speaker 1: I'm saying, Like you know, if you get locked up

910
00:40:17,480 --> 00:40:19,760
Speaker 1: where he didn't really kill all those people they said

911
00:40:19,800 --> 00:40:22,399
Speaker 1: something to him. You know what I'm saying, that's motherly love.

912
00:40:22,440 --> 00:40:24,400
Speaker 1: But I'm just saying, man, we don't want to give

913
00:40:24,440 --> 00:40:26,960
Speaker 1: people opportunity to shoot on your name. Whatever. Your talented

914
00:40:27,000 --> 00:40:29,200
Speaker 1: brother been in the game for for a long time.

915
00:40:29,400 --> 00:40:31,359
Speaker 1: And Cat Wims and what I know of Cat Wins

916
00:40:31,400 --> 00:40:33,759
Speaker 1: and what I've heard the story cat Wims, you know,

917
00:40:33,840 --> 00:40:35,640
Speaker 1: helps a lot of people in his family in the community.

918
00:40:35,640 --> 00:40:37,320
Speaker 1: So I'm just saying, you know, when I give you

919
00:40:37,360 --> 00:40:39,520
Speaker 1: the nigger please award, I'm not there just epet. I'm

920
00:40:39,560 --> 00:40:41,239
Speaker 1: saying that out of love and we want you. We

921
00:40:41,280 --> 00:40:42,719
Speaker 1: want to be able to see you perform, live and

922
00:40:42,719 --> 00:40:45,200
Speaker 1: do your thing. Funk all this bullshit. Let's get this money,

923
00:40:45,239 --> 00:40:48,399
Speaker 1: like you said years ago, funny money. Let's this funny money.

924
00:40:48,440 --> 00:40:51,160
Speaker 1: Let's get this. I want to go get some funny money. Man. Yeah,

925
00:40:51,239 --> 00:40:53,360
Speaker 1: shout out to Bennie Seagulls. I know that I know

926
00:40:53,440 --> 00:40:57,040
Speaker 1: that Mother Lambos is on eBay right now. So man,

927
00:40:57,080 --> 00:40:59,440
Speaker 1: it's probably like phone niggers right into the stow to

928
00:40:59,440 --> 00:41:01,560
Speaker 1: get some just in there. You know, it's when you

929
00:41:01,560 --> 00:41:04,200
Speaker 1: can't afford maintenance on the car. I mean when when

930
00:41:04,239 --> 00:41:05,800
Speaker 1: when when when I was younger, at we get in

931
00:41:05,880 --> 00:41:08,280
Speaker 1: my career, you go to mechanic nig you'd be nervous

932
00:41:08,280 --> 00:41:10,480
Speaker 1: and ship anything. He said, you repeat back to him,

933
00:41:11,040 --> 00:41:15,200
Speaker 1: then said carverre like carbrector. He said, I need a

934
00:41:15,239 --> 00:41:21,319
Speaker 1: cover you like water water. I'm gonna kill myself. I'm

935
00:41:21,320 --> 00:41:22,759
Speaker 1: gonna tell you the worst thing you want to hear.

936
00:41:22,800 --> 00:41:24,600
Speaker 1: You think you'd afford all that ship. But the minute

937
00:41:24,640 --> 00:41:26,960
Speaker 1: somebody say you blow a head gas, you know, like

938
00:41:29,840 --> 00:41:31,440
Speaker 1: you don't even want to take your car. It makes

939
00:41:31,440 --> 00:41:33,120
Speaker 1: it sound like your car got aids and it ain't

940
00:41:33,160 --> 00:41:35,799
Speaker 1: gonna make it after that. And it's always that. It's

941
00:41:35,800 --> 00:41:38,640
Speaker 1: always a greasy mechanic mother. He always got some aill

942
00:41:38,719 --> 00:41:40,160
Speaker 1: up on his finger. They're like, oh, man, I'm gonna

943
00:41:40,160 --> 00:41:41,600
Speaker 1: tell you what you need right then, I need you

944
00:41:41,640 --> 00:41:44,719
Speaker 1: to get out of my face. That's what I need

945
00:41:44,840 --> 00:41:47,400
Speaker 1: you to do. Yeah, that's what it is. Man. You

946
00:41:47,440 --> 00:41:50,520
Speaker 1: got any family in the South, um, one of my

947
00:41:50,560 --> 00:41:53,040
Speaker 1: one of my sisters, one of my sisters, live here.

948
00:41:53,440 --> 00:41:55,200
Speaker 1: My sister, one of my sisters on my father's side,

949
00:41:55,239 --> 00:41:57,040
Speaker 1: because black people, the only people would have would have

950
00:41:57,120 --> 00:41:59,480
Speaker 1: a father's side. That's why I was asking, because everybody

951
00:41:59,480 --> 00:42:01,399
Speaker 1: in their MoMA, Yeah, you're like this, You got any brothers,

952
00:42:01,360 --> 00:42:04,000
Speaker 1: says as well on my on my mother's side. I

953
00:42:04,080 --> 00:42:06,440
Speaker 1: got three. On my father's side, we stopped counting when

954
00:42:06,440 --> 00:42:10,600
Speaker 1: you got kids separate. Yeah, but yeah, my I got

955
00:42:10,640 --> 00:42:12,640
Speaker 1: assistant lives here, but for most part, most of my

956
00:42:12,680 --> 00:42:15,560
Speaker 1: family's in the UH in a d C, DC, Maryland area.

957
00:42:15,719 --> 00:42:18,640
Speaker 1: This is always an interesting to ask question people ask comedians.

958
00:42:18,760 --> 00:42:22,799
Speaker 1: If it wasn't comedy, what would it be the weird thing?

959
00:42:22,840 --> 00:42:26,000
Speaker 1: I would have been a cop? What? And and and

960
00:42:26,120 --> 00:42:27,520
Speaker 1: The reason why I said that because I was in

961
00:42:27,520 --> 00:42:29,040
Speaker 1: the Air Force for four years. I was a police

962
00:42:29,040 --> 00:42:31,440
Speaker 1: officer in the Air Force. So when you're in the military,

963
00:42:31,520 --> 00:42:33,880
Speaker 1: whatever you're whatever you're trained on, that's usually what we

964
00:42:33,920 --> 00:42:35,960
Speaker 1: have the skill set for to do. So when I

965
00:42:36,000 --> 00:42:39,440
Speaker 1: first uh UM, when I UM. When I got out

966
00:42:39,480 --> 00:42:41,040
Speaker 1: of the military, I was waiting to be a DC

967
00:42:41,120 --> 00:42:43,799
Speaker 1: police officer and I used to work security for Safe Way,

968
00:42:43,840 --> 00:42:46,240
Speaker 1: you know, the grocery store. I was like head of security.

969
00:42:46,360 --> 00:42:48,040
Speaker 1: I think like that makes it big. I was like

970
00:42:48,680 --> 00:42:51,480
Speaker 1: that again. I was what I was head of security.

971
00:42:51,760 --> 00:42:56,120
Speaker 1: I wasn't just a renting car. When security started, it

972
00:42:56,120 --> 00:42:59,040
Speaker 1: gives you first Yeah, I was, I was, I was,

973
00:42:59,360 --> 00:43:01,160
Speaker 1: and I made my self a colonel nigger. I just

974
00:43:01,200 --> 00:43:03,400
Speaker 1: went up to the uniform shop said give me one

975
00:43:03,400 --> 00:43:06,160
Speaker 1: of the colonel joints. Boy, this this is not this

976
00:43:06,239 --> 00:43:07,880
Speaker 1: is not a lot. I was waiting a minute. I

977
00:43:07,960 --> 00:43:10,319
Speaker 1: was waiting to be a d C police officer. I

978
00:43:10,400 --> 00:43:11,840
Speaker 1: was working for safe Way and at the time it

979
00:43:11,880 --> 00:43:14,000
Speaker 1: was a comedian out of d C named Mike Washington.

980
00:43:14,280 --> 00:43:16,400
Speaker 1: He used to work for Hostess, you know, like the

981
00:43:16,560 --> 00:43:18,640
Speaker 1: like the cake costest cake, and he used to come

982
00:43:18,680 --> 00:43:21,040
Speaker 1: to our store and he was stocked to shells and

983
00:43:21,040 --> 00:43:22,920
Speaker 1: didn't get Nick's flyers for the show. At the same

984
00:43:22,960 --> 00:43:25,839
Speaker 1: time to try to, you know, so, we would go

985
00:43:26,280 --> 00:43:28,520
Speaker 1: at my job. We would go to open mic, just

986
00:43:29,160 --> 00:43:32,000
Speaker 1: as some fun CAMARADERI ship to do. And um I

987
00:43:32,000 --> 00:43:36,000
Speaker 1: would go and I just started heckling the comedians. I

988
00:43:36,080 --> 00:43:39,839
Speaker 1: started as a heckler. I would heckle comedians. I was nice, though,

989
00:43:40,280 --> 00:43:42,399
Speaker 1: get I got all the niggas. Who who's the one

990
00:43:42,400 --> 00:43:45,280
Speaker 1: did you got? Damn? I used to hit uh Chris

991
00:43:45,320 --> 00:43:48,560
Speaker 1: Thomas all over listen. I used to go and I

992
00:43:48,640 --> 00:43:50,160
Speaker 1: was so nice as to heckling. They used to come

993
00:43:50,239 --> 00:43:52,120
Speaker 1: to me like, Yo, man, don't funk with me today.

994
00:43:52,160 --> 00:43:55,200
Speaker 1: I'm trying to work on some new ship. This is

995
00:43:55,239 --> 00:43:56,799
Speaker 1: not a lot. This is a true story. They'll tell

996
00:43:56,840 --> 00:43:59,799
Speaker 1: you in DC. And I got so good at being

997
00:43:59,800 --> 00:44:02,839
Speaker 1: a I started drawing the audience. People used to come

998
00:44:02,920 --> 00:44:05,239
Speaker 1: to the club to see the heckling nigga in the

999
00:44:05,280 --> 00:44:08,000
Speaker 1: front row, and I was so cocky about it. I

1000
00:44:08,040 --> 00:44:09,879
Speaker 1: went to the club owner and I tried to get

1001
00:44:09,880 --> 00:44:14,839
Speaker 1: a door deal, get the ass. I was like, look,

1002
00:44:14,840 --> 00:44:17,239
Speaker 1: I've increased your business about thirty I need it's time

1003
00:44:17,280 --> 00:44:18,879
Speaker 1: for you all to come up off that cash. Right.

1004
00:44:19,400 --> 00:44:21,160
Speaker 1: So any club on they're like, who the hell are

1005
00:44:21,200 --> 00:44:23,400
Speaker 1: you right? I was like, I'm the heckling nigga. Who

1006
00:44:23,440 --> 00:44:25,320
Speaker 1: you think I am? Right? So they want you to

1007
00:44:25,320 --> 00:44:27,200
Speaker 1: shut up. And this is the case with most club owners.

1008
00:44:27,440 --> 00:44:29,759
Speaker 1: They won't challenge because just because you're heckling on me,

1009
00:44:29,840 --> 00:44:31,880
Speaker 1: you could be a stand up, so they would challenge you.

1010
00:44:32,040 --> 00:44:33,320
Speaker 1: And he was like, you think you're funny once you

1011
00:44:33,360 --> 00:44:35,319
Speaker 1: go up stage. So I was a nervous didn't go

1012
00:44:35,360 --> 00:44:38,640
Speaker 1: up that time, and like I went home and I

1013
00:44:38,640 --> 00:44:40,600
Speaker 1: started writing jokes and I thought I had a half

1014
00:44:40,640 --> 00:44:43,759
Speaker 1: hours show. I was like, I'm I'm with that. And

1015
00:44:43,800 --> 00:44:45,879
Speaker 1: the first time I went on stage, all the jokes

1016
00:44:45,920 --> 00:44:48,760
Speaker 1: that I wrote, I forget everything. I drew a blank.

1017
00:44:48,920 --> 00:44:51,000
Speaker 1: But what happened was I went in the audience. I

1018
00:44:51,040 --> 00:44:53,319
Speaker 1: went in on the audience. I destroyed the audience right,

1019
00:44:53,680 --> 00:44:55,560
Speaker 1: and like the first time I ever won on stage,

1020
00:44:56,040 --> 00:44:58,320
Speaker 1: I've ripped right. And I didn't even know what the

1021
00:44:58,400 --> 00:45:00,319
Speaker 1: light was. I didn't know the light man. They gave

1022
00:45:00,360 --> 00:45:01,719
Speaker 1: me the light. Soon like at the light, I was like, oh,

1023
00:45:01,719 --> 00:45:03,200
Speaker 1: they gave me the light. I came to that. You

1024
00:45:03,200 --> 00:45:05,000
Speaker 1: know how it is when you say they gave you

1025
00:45:05,000 --> 00:45:11,160
Speaker 1: the light when they came, Oh, this club, I pay you,

1026
00:45:11,520 --> 00:45:13,600
Speaker 1: I pay you. It's always been one nigger who acts

1027
00:45:13,600 --> 00:45:15,200
Speaker 1: like he's gonna pay you. Get him back up there.

1028
00:45:15,520 --> 00:45:18,440
Speaker 1: But that was that was my transition, if it was.

1029
00:45:18,600 --> 00:45:22,000
Speaker 1: And then like the minute that I was on stage

1030
00:45:22,120 --> 00:45:25,240
Speaker 1: and I ripped, I was like, I stopped the process.

1031
00:45:25,280 --> 00:45:27,520
Speaker 1: I was at the process where they was doing like

1032
00:45:27,840 --> 00:45:30,040
Speaker 1: the background check to be a cop, and I stopped

1033
00:45:30,040 --> 00:45:32,360
Speaker 1: that process. And I knew that this was what I

1034
00:45:32,400 --> 00:45:34,239
Speaker 1: wanted to do for the rest of my life, so

1035
00:45:34,280 --> 00:45:36,120
Speaker 1: I would have probably, I'm quite sure I would have

1036
00:45:36,160 --> 00:45:37,799
Speaker 1: been a cop. I would have been a corrupt cop.

1037
00:45:38,280 --> 00:45:40,799
Speaker 1: I was just would be everything right now. I would

1038
00:45:41,000 --> 00:45:42,759
Speaker 1: I would have probably retired by now, but I wouldn't have.

1039
00:45:42,960 --> 00:45:44,279
Speaker 1: I would have been a cop, but I would have

1040
00:45:44,320 --> 00:45:45,680
Speaker 1: been one of the cops. Like whit what happened to

1041
00:45:45,719 --> 00:45:48,239
Speaker 1: that ship? In the evidence locking, it was like it

1042
00:45:48,320 --> 00:45:50,359
Speaker 1: was two pounds a week. Now there's two pounds as well,

1043
00:45:52,480 --> 00:45:54,480
Speaker 1: but that's definitely I probably that would have been. It was.

1044
00:45:54,680 --> 00:45:57,280
Speaker 1: It was when when you talk about a career shift,

1045
00:45:57,600 --> 00:45:59,520
Speaker 1: definitely a career shift from a cop to being a

1046
00:45:59,520 --> 00:46:01,640
Speaker 1: stand up. Never would expected this, but this is what

1047
00:46:01,680 --> 00:46:03,359
Speaker 1: it is, and I embraced. I thought you was gonna

1048
00:46:03,400 --> 00:46:05,360
Speaker 1: say a shift, you'd be shifting up some ship. The

1049
00:46:05,360 --> 00:46:07,560
Speaker 1: only reason I love to cook now becausehen I first

1050
00:46:07,560 --> 00:46:10,040
Speaker 1: started gun, I was so broke that I couldn't afford

1051
00:46:10,080 --> 00:46:12,200
Speaker 1: to take a chick on a nice date. You know how,

1052
00:46:12,239 --> 00:46:14,960
Speaker 1: you know in the MoMA, Yeah, motherfucker's the most romantic

1053
00:46:14,960 --> 00:46:17,720
Speaker 1: when they broke. When you broke your candle in the minute,

1054
00:46:17,760 --> 00:46:19,719
Speaker 1: you don't even tell her that, and it won't even

1055
00:46:19,719 --> 00:46:21,520
Speaker 1: be a good count. It'd be one of them. R. I. P.

1056
00:46:21,719 --> 00:46:25,480
Speaker 1: Candles one of the memorials, one of the religious joints

1057
00:46:25,480 --> 00:46:27,239
Speaker 1: that you're like, you know you gotta when you don't

1058
00:46:27,239 --> 00:46:29,120
Speaker 1: have the money, you have to be creative and like

1059
00:46:29,200 --> 00:46:30,640
Speaker 1: that's what that was one of the things that got

1060
00:46:30,640 --> 00:46:32,200
Speaker 1: me e sorry about cooking, Like women's like we don't

1061
00:46:32,200 --> 00:46:34,000
Speaker 1: even need to go out. I'll take your food like

1062
00:46:34,000 --> 00:46:35,719
Speaker 1: I could take you. Gotta learn how to work on

1063
00:46:35,760 --> 00:46:38,600
Speaker 1: a budget. Another advice I would tell new comments coming

1064
00:46:38,680 --> 00:46:40,320
Speaker 1: up you, they was like what do I need to

1065
00:46:40,360 --> 00:46:41,719
Speaker 1: do to make I was like, learning how to be

1066
00:46:41,760 --> 00:46:44,560
Speaker 1: happy broke. If you can't be happy broke, you're gonna

1067
00:46:44,560 --> 00:46:46,799
Speaker 1: be fucked up because eighty percent in your career you're

1068
00:46:46,840 --> 00:46:49,279
Speaker 1: not gonna make much. That apply to everybody. Yeah, you

1069
00:46:49,280 --> 00:46:51,319
Speaker 1: gotta learn how to be happy broke, because then when

1070
00:46:51,320 --> 00:46:52,799
Speaker 1: you when if you're going to be happy broke, once

1071
00:46:52,840 --> 00:46:55,120
Speaker 1: you start getting you you appreciate it more. It means more.

1072
00:46:55,239 --> 00:46:58,120
Speaker 1: Take Yeah, be happy broke. What was some of the

1073
00:46:58,120 --> 00:47:00,960
Speaker 1: ship you used to do to stay happy while you

1074
00:47:00,960 --> 00:47:03,200
Speaker 1: you don't never missed him day? Just go on stage.

1075
00:47:03,200 --> 00:47:05,839
Speaker 1: That's how I always wanted to get on stage when

1076
00:47:05,840 --> 00:47:07,719
Speaker 1: I when I first move to New York, like I

1077
00:47:07,880 --> 00:47:09,760
Speaker 1: always wanted to, you know, say it was I remembers

1078
00:47:09,760 --> 00:47:11,360
Speaker 1: one particularly one of them, a little small clubs they

1079
00:47:11,440 --> 00:47:15,200
Speaker 1: pay like spots. I would go like it was every Thursday.

1080
00:47:15,360 --> 00:47:17,279
Speaker 1: I would go every Thursday. Was I was like, can

1081
00:47:17,280 --> 00:47:18,960
Speaker 1: I get on? It was like it was Brooklyn Mike.

1082
00:47:19,000 --> 00:47:20,200
Speaker 1: He was I can't get you on. He was just

1083
00:47:20,400 --> 00:47:22,200
Speaker 1: here last week. I was like, Nick, I got new jokes.

1084
00:47:22,680 --> 00:47:24,040
Speaker 1: You know I'm saying. That was the one thing when

1085
00:47:24,040 --> 00:47:26,879
Speaker 1: I when I didn't have anything, My thing that made

1086
00:47:26,880 --> 00:47:28,799
Speaker 1: me happy was performing. So as long as I could

1087
00:47:28,800 --> 00:47:31,719
Speaker 1: get on stage, I thought. I was like like, like, creatively,

1088
00:47:32,120 --> 00:47:34,359
Speaker 1: I was eating. I didn't have ship. But you know,

1089
00:47:34,400 --> 00:47:36,520
Speaker 1: I've always felt good if I could do a brand

1090
00:47:36,560 --> 00:47:38,640
Speaker 1: new bit, and I'm like, yo, I just killed this shot.

1091
00:47:38,680 --> 00:47:40,879
Speaker 1: I can't wait because I knew that I was gonna

1092
00:47:40,880 --> 00:47:43,480
Speaker 1: get a shot eventually. The whole thing is like in

1093
00:47:43,520 --> 00:47:47,080
Speaker 1: this business, you will if you have work ethics and

1094
00:47:47,120 --> 00:47:49,000
Speaker 1: your talent, you will get a shot. But as you

1095
00:47:49,080 --> 00:47:51,440
Speaker 1: gotta be prepared. And know what I'm saying, when you prepared,

1096
00:47:51,440 --> 00:47:52,680
Speaker 1: because you don't want to be hit in the back

1097
00:47:52,719 --> 00:47:54,680
Speaker 1: of the rim or the backboard when you get a shot,

1098
00:47:55,000 --> 00:47:56,920
Speaker 1: you gotta hit all nets, and you continue to do

1099
00:47:56,960 --> 00:47:59,200
Speaker 1: that and then you'll you'll you'll make it. What was

1100
00:47:59,239 --> 00:48:02,440
Speaker 1: some of your broke his comedy moment one of my

1101
00:48:02,480 --> 00:48:06,080
Speaker 1: brothers coming. I remember, I remember I had a show,

1102
00:48:06,200 --> 00:48:09,719
Speaker 1: was living in Brooklyn and I had a show in

1103
00:48:09,840 --> 00:48:12,000
Speaker 1: Long Island. Had to do a college I didn't have

1104
00:48:12,080 --> 00:48:14,520
Speaker 1: no money. In fact, my roommate I robbed and nil

1105
00:48:14,640 --> 00:48:18,400
Speaker 1: change bucket. You robbed your roommate for his change and

1106
00:48:18,440 --> 00:48:20,319
Speaker 1: he knew I was robbed him because you know how

1107
00:48:20,320 --> 00:48:21,880
Speaker 1: when you hit the change bucket, you hit all the

1108
00:48:21,960 --> 00:48:26,640
Speaker 1: quarters first, right, Yo, I took a week of quarters right.

1109
00:48:26,680 --> 00:48:28,360
Speaker 1: That little was like, yo, I'm down, and that you

1110
00:48:28,400 --> 00:48:32,120
Speaker 1: go from quarters to the dimes to the nickels right.

1111
00:48:32,440 --> 00:48:34,400
Speaker 1: And I had a show in Long Island and I

1112
00:48:34,440 --> 00:48:36,840
Speaker 1: had just slaughtered his change joint and I had to

1113
00:48:36,880 --> 00:48:38,680
Speaker 1: get a ticket for the Long Island River and it

1114
00:48:38,960 --> 00:48:42,520
Speaker 1: was thirteen dollars, and I had thirteen dollars in nickels

1115
00:48:42,520 --> 00:48:45,240
Speaker 1: and dimes. And when I was walking through the subway,

1116
00:48:45,280 --> 00:48:48,800
Speaker 1: I could hear this ship like and then the worst

1117
00:48:48,840 --> 00:48:51,000
Speaker 1: thing is like I had the pocket. I had the

1118
00:48:51,040 --> 00:48:54,400
Speaker 1: thirteen dollars counted in one pocket, so I didn't have to.

1119
00:48:54,719 --> 00:48:57,120
Speaker 1: I wasn't gonna do this, right. I just was empty

1120
00:48:57,120 --> 00:48:59,040
Speaker 1: and ship and throw it in the thing, right, and

1121
00:48:59,080 --> 00:49:01,520
Speaker 1: that lady counted it and I was short, like about

1122
00:49:01,520 --> 00:49:03,200
Speaker 1: eighty two cents. So I had to go into the

1123
00:49:03,200 --> 00:49:07,680
Speaker 1: backup pocket with the pennies and I had to do that.

1124
00:49:07,880 --> 00:49:10,279
Speaker 1: But I was like, you know what, I don't give

1125
00:49:10,320 --> 00:49:12,960
Speaker 1: a funk because I had a gig on the end

1126
00:49:13,000 --> 00:49:15,080
Speaker 1: of this. Right. So the school was so petty. They

1127
00:49:15,080 --> 00:49:17,239
Speaker 1: were supposed to pick me up the train station. They

1128
00:49:17,320 --> 00:49:19,080
Speaker 1: was like, we can't get picked nobody can come pick

1129
00:49:19,120 --> 00:49:20,919
Speaker 1: you up. So I had to go in the pocket again.

1130
00:49:20,960 --> 00:49:23,440
Speaker 1: The cab driver. I was like, look, man, I don't

1131
00:49:23,480 --> 00:49:26,640
Speaker 1: have enough money. Damn. I said, I think I'm gonna

1132
00:49:26,640 --> 00:49:28,959
Speaker 1: be big time one year. Man, I mean sooner or later.

1133
00:49:29,080 --> 00:49:30,560
Speaker 1: And you can remember my name. Man, I got a

1134
00:49:30,560 --> 00:49:32,680
Speaker 1: pocket for the Nichols man, could you take it and

1135
00:49:32,719 --> 00:49:34,120
Speaker 1: do it? Was like, you know what, don't even worry

1136
00:49:34,120 --> 00:49:36,080
Speaker 1: about it. He took the change, and that was like

1137
00:49:36,120 --> 00:49:38,399
Speaker 1: one of the one of my brokest moments right there.

1138
00:49:38,560 --> 00:49:39,960
Speaker 1: But it had something. I was like, this, as long

1139
00:49:40,000 --> 00:49:43,040
Speaker 1: as I get there, I'm good. Not abrupt moment this

1140
00:49:43,120 --> 00:49:47,480
Speaker 1: dude Toddling. Alright, Toddler and Toddling got this girl and

1141
00:49:47,520 --> 00:49:50,399
Speaker 1: he was dating the time she sold him. She gave

1142
00:49:50,480 --> 00:49:55,640
Speaker 1: him this bootle, this fucking hoopie Saturn. Right, it was,

1143
00:49:55,680 --> 00:49:58,000
Speaker 1: I don't know, it was like like an eighty nine Saturn.

1144
00:49:58,400 --> 00:50:00,960
Speaker 1: Todd didn't want it because in New York you got

1145
00:50:01,000 --> 00:50:03,440
Speaker 1: more chance to getting tickets then driving a car. So

1146
00:50:03,480 --> 00:50:06,120
Speaker 1: he sold that ship to me for three hundred dollars.

1147
00:50:06,160 --> 00:50:08,840
Speaker 1: This ship was so bootlet you had flip lights that

1148
00:50:08,920 --> 00:50:12,719
Speaker 1: flip up right whether lights was broke, so it looked

1149
00:50:12,760 --> 00:50:15,719
Speaker 1: like Forest Winnaker, I right, And when I used to

1150
00:50:15,800 --> 00:50:17,960
Speaker 1: drive around the highway, it looked like the helicopters was

1151
00:50:18,000 --> 00:50:20,000
Speaker 1: following me right, because all you see is it's like

1152
00:50:20,120 --> 00:50:22,480
Speaker 1: one of the trees. But the day I bought that car,

1153
00:50:22,520 --> 00:50:24,080
Speaker 1: I brought it from him for three dollars. I had

1154
00:50:24,120 --> 00:50:26,520
Speaker 1: a gig a long out for five hundred, so I

1155
00:50:26,600 --> 00:50:28,600
Speaker 1: made a two hundred dollar profit off that hookie car.

1156
00:50:29,000 --> 00:50:30,680
Speaker 1: That was one of them. In the New York you

1157
00:50:30,680 --> 00:50:32,719
Speaker 1: don't have to have a fly car. You can just

1158
00:50:32,760 --> 00:50:34,920
Speaker 1: have a car in the wintertime. And I had four

1159
00:50:34,960 --> 00:50:40,040
Speaker 1: ward drive vengeance, I mean young ladies, queens that respect side.

1160
00:50:40,080 --> 00:50:41,680
Speaker 1: But he was like, oh, ship, we ain't gonna go

1161
00:50:41,719 --> 00:50:43,279
Speaker 1: to the train. I was living in that car I had.

1162
00:50:43,280 --> 00:50:45,920
Speaker 1: I had a m from radio, I had heat, and

1163
00:50:45,960 --> 00:50:48,279
Speaker 1: I had a hatch back in the back. And then

1164
00:50:48,280 --> 00:50:50,200
Speaker 1: the summertime I would blast a ready on had my

1165
00:50:50,200 --> 00:50:52,640
Speaker 1: ship and I was picking chicks up from the train station.

1166
00:50:54,280 --> 00:50:55,960
Speaker 1: I kept it for like a year. This ship was

1167
00:50:56,000 --> 00:50:57,960
Speaker 1: sol that if you buy a car for three hundred

1168
00:50:58,000 --> 00:51:00,120
Speaker 1: dollars and you have it for a year, you fucking

1169
00:51:00,200 --> 00:51:01,879
Speaker 1: But this ship was so bad I lost the key

1170
00:51:01,880 --> 00:51:03,560
Speaker 1: in it, so we had to um. We had to

1171
00:51:03,840 --> 00:51:06,000
Speaker 1: the gym with the screw drip the screw d. But

1172
00:51:06,800 --> 00:51:10,160
Speaker 1: I was up in Brownsville. Everybody knew that it was

1173
00:51:10,280 --> 00:51:12,600
Speaker 1: rigged right, So niggas should just take my car and

1174
00:51:12,640 --> 00:51:16,560
Speaker 1: go to the store, didn't he ask? Yeah, I look outside,

1175
00:51:17,120 --> 00:51:20,680
Speaker 1: we took your We'll be right back for those. To

1176
00:51:20,719 --> 00:51:24,080
Speaker 1: be quite honest, there's more success you get. You remember

1177
00:51:24,200 --> 00:51:26,719
Speaker 1: those stories of when you was people you you appreciate

1178
00:51:26,760 --> 00:51:30,279
Speaker 1: those stories more than it's successful when you get successful.

1179
00:51:30,440 --> 00:51:32,200
Speaker 1: You know what I'm saying, Like, those those are stories

1180
00:51:32,200 --> 00:51:34,560
Speaker 1: that to drive you and and and and and put

1181
00:51:34,680 --> 00:51:37,120
Speaker 1: put things in perspective and know what you're doing it for.

1182
00:51:37,640 --> 00:51:40,719
Speaker 1: Damn man, man, I really appreciate you coming through and

1183
00:51:40,800 --> 00:51:43,200
Speaker 1: kicking it with us, appreciate having me something, just laying

1184
00:51:43,239 --> 00:51:45,279
Speaker 1: their game on. We got we got any um, we

1185
00:51:45,360 --> 00:51:47,200
Speaker 1: got hold up before we do that, we got any

1186
00:51:47,280 --> 00:51:51,400
Speaker 1: questions from anybody in the room. What was your favorite

1187
00:51:51,440 --> 00:51:58,560
Speaker 1: ship Helle sketch that never aired? I don't hmm. I

1188
00:51:58,560 --> 00:52:01,680
Speaker 1: don't really have a particular sketch that never aired. Like

1189
00:52:01,719 --> 00:52:04,879
Speaker 1: I wish that some of the stuff that we did

1190
00:52:04,920 --> 00:52:08,200
Speaker 1: that didn't make it because um standards in practices where

1191
00:52:08,239 --> 00:52:10,600
Speaker 1: they made on, because it's as much stuff as that

1192
00:52:10,760 --> 00:52:12,919
Speaker 1: made it to air, like the stuff that they cut

1193
00:52:12,960 --> 00:52:16,560
Speaker 1: out like that ship. How did you end up on

1194
00:52:16,600 --> 00:52:19,600
Speaker 1: the wire? The Wire? Yeah, I wasn't gonna be to

1195
00:52:19,600 --> 00:52:22,920
Speaker 1: answer that question, so I smoke too much weed. I forgot,

1196
00:52:23,000 --> 00:52:29,279
Speaker 1: Like what nice transition. I wasn't the wire I saw you,

1197
00:52:30,719 --> 00:52:35,360
Speaker 1: but the way I the way I got on the wire,

1198
00:52:35,440 --> 00:52:38,840
Speaker 1: I was on the show called The Corner. Remember The

1199
00:52:38,880 --> 00:52:41,680
Speaker 1: Corner was a six part a mini series and The

1200
00:52:41,760 --> 00:52:45,960
Speaker 1: Wire was a spin off of of the Corner. In fact,

1201
00:52:45,960 --> 00:52:48,720
Speaker 1: when I when I auditioned for The Corner, I didn't

1202
00:52:48,719 --> 00:52:50,680
Speaker 1: even think that I was supposed to be on that

1203
00:52:50,719 --> 00:52:55,080
Speaker 1: show because the character I auditioned for it was his

1204
00:52:55,160 --> 00:52:57,360
Speaker 1: name was Bread and he was a dope thing like

1205
00:52:57,400 --> 00:52:59,040
Speaker 1: when you know, when you get your when your side,

1206
00:52:59,080 --> 00:53:01,400
Speaker 1: you don't all necessary to get the whole script, just

1207
00:53:01,400 --> 00:53:05,879
Speaker 1: get a part of it. And then he was trying

1208
00:53:05,880 --> 00:53:09,120
Speaker 1: to look dirty. You're like, yeah, I look thirty. But

1209
00:53:09,360 --> 00:53:11,840
Speaker 1: I didn't know the dude was a heroinatic. So I

1210
00:53:11,840 --> 00:53:14,799
Speaker 1: when I auditioned, I didn't I didn't go into the

1211
00:53:15,640 --> 00:53:20,239
Speaker 1: um certal stereotypical characteristics of a dope fing. I act

1212
00:53:20,280 --> 00:53:21,759
Speaker 1: like it was just a got on the street. So

1213
00:53:21,880 --> 00:53:24,719
Speaker 1: when I got the role um and when I was

1214
00:53:24,760 --> 00:53:26,960
Speaker 1: an audition, I didn't think I was doing well. Jackie

1215
00:53:26,960 --> 00:53:30,160
Speaker 1: Brown Carmen, she was like a big casting director back then,

1216
00:53:30,400 --> 00:53:33,239
Speaker 1: I'm in the audition, I'm sucking up. I was like,

1217
00:53:33,280 --> 00:53:35,320
Speaker 1: I don't know, I'm a little nervous. She was like, Danielle,

1218
00:53:35,680 --> 00:53:38,239
Speaker 1: just relaxed. God is in the room. He's gonna help you.

1219
00:53:38,480 --> 00:53:40,080
Speaker 1: And then you know, I made peace with that and

1220
00:53:40,080 --> 00:53:42,160
Speaker 1: I called myself down and I did it. So when

1221
00:53:42,200 --> 00:53:44,400
Speaker 1: I got on the set, I asked David Simon, who

1222
00:53:44,440 --> 00:53:46,440
Speaker 1: wrote it, I was like, how did I get this? Role.

1223
00:53:46,440 --> 00:53:48,920
Speaker 1: I said, I thought I sucked in the audition. He said,

1224
00:53:49,239 --> 00:53:52,160
Speaker 1: we liked the fact that you didn't feed into the

1225
00:53:52,320 --> 00:53:55,200
Speaker 1: stereotype of a heroinatic. You played it as just a

1226
00:53:55,320 --> 00:53:58,120
Speaker 1: regular dude. And that's what got at the time Tasha Smith,

1227
00:53:58,160 --> 00:54:00,000
Speaker 1: I didn't know that was the biggest thing I've talked.

1228
00:54:00,239 --> 00:54:03,160
Speaker 1: Smith was like acting coach, if you want to say.

1229
00:54:03,320 --> 00:54:06,160
Speaker 1: She helped me out with that. And then David Simon,

1230
00:54:06,200 --> 00:54:08,520
Speaker 1: he's one of those uh producers of creators that he

1231
00:54:08,600 --> 00:54:10,960
Speaker 1: likes to work with the same people. So because of

1232
00:54:10,960 --> 00:54:13,560
Speaker 1: what I did on the Corner, he gave me opportunity

1233
00:54:13,560 --> 00:54:14,640
Speaker 1: to be on The Wire. I was on the first

1234
00:54:14,640 --> 00:54:16,479
Speaker 1: season The Wire, and then it was on the second

1235
00:54:16,520 --> 00:54:19,320
Speaker 1: season The Wire. My character got lost after the first season,

1236
00:54:19,400 --> 00:54:23,320
Speaker 1: came back the last season, and I was excited about

1237
00:54:23,320 --> 00:54:25,280
Speaker 1: being on the Wire again. But I know, like on HBO,

1238
00:54:25,840 --> 00:54:29,280
Speaker 1: anytime it's the last season anything, the writers get vindictive

1239
00:54:29,680 --> 00:54:32,040
Speaker 1: and then write crazy stuff, Like the last season of Odds,

1240
00:54:32,560 --> 00:54:34,360
Speaker 1: it was guys that was getting raped on Odds and

1241
00:54:34,400 --> 00:54:36,600
Speaker 1: wasn't even on Odds. That's crazy. They was like, Yo,

1242
00:54:36,640 --> 00:54:38,400
Speaker 1: I'm on Nickelodeon and I'm just trying to go to

1243
00:54:38,440 --> 00:54:43,520
Speaker 1: the bathroom. What the you're like, go take the other bathroom.

1244
00:54:43,560 --> 00:54:46,560
Speaker 1: But that was to be able to say I was

1245
00:54:46,640 --> 00:54:49,239
Speaker 1: on two of like the greatest television shows and like

1246
00:54:49,280 --> 00:54:52,160
Speaker 1: the last twenty years of Wire and Chappelle. If anything

1247
00:54:52,200 --> 00:54:54,400
Speaker 1: else comething that has happened to my career, you know

1248
00:54:54,560 --> 00:54:56,319
Speaker 1: that'll go down in some fly ship because not too

1249
00:54:56,320 --> 00:54:59,120
Speaker 1: many people can say they did that. Hell yeah, that's

1250
00:54:59,120 --> 00:55:02,400
Speaker 1: maybe it's you. Maybe all the ship you do the story.

1251
00:55:02,520 --> 00:55:05,960
Speaker 1: Never take never, I think the best thing, the best

1252
00:55:05,960 --> 00:55:08,359
Speaker 1: thing you do in this business. Always stay humble, Stay humble,

1253
00:55:08,400 --> 00:55:10,759
Speaker 1: and always realize it's not just you, it's people that

1254
00:55:10,800 --> 00:55:14,520
Speaker 1: support you. It's the man above. And just stay focused,

1255
00:55:14,520 --> 00:55:17,839
Speaker 1: have work ethers and then a little talent, because work

1256
00:55:17,880 --> 00:55:20,000
Speaker 1: ethic is gonna take you a lot further than your talent.

1257
00:55:20,040 --> 00:55:24,279
Speaker 1: Will work your nuts off man on the eighty five

1258
00:55:24,360 --> 00:55:27,040
Speaker 1: South Show, we have a very I guess you could

1259
00:55:27,040 --> 00:55:29,920
Speaker 1: say eclectic audience. E collected. That's a new word. Niggas

1260
00:55:29,920 --> 00:55:32,520
Speaker 1: love when they get a new word. You're got a

1261
00:55:32,560 --> 00:55:34,759
Speaker 1: new word. You use that for anything. Let me get

1262
00:55:34,800 --> 00:55:37,240
Speaker 1: let me get a five chicken wings with an eclected

1263
00:55:37,280 --> 00:55:40,520
Speaker 1: group of catch up exactly. So that's where we are

1264
00:55:40,600 --> 00:55:43,759
Speaker 1: so eighty five South Show. This podcast is for the

1265
00:55:43,800 --> 00:55:48,360
Speaker 1: people man. This podcast right here. It's for all the

1266
00:55:48,480 --> 00:55:51,640
Speaker 1: motherfucking truck drivers who want to quit their job, but

1267
00:55:51,800 --> 00:55:54,520
Speaker 1: they can't because they already advanced their next two checks.

1268
00:55:55,040 --> 00:55:58,040
Speaker 1: You can't do that. This podcast right here. It's for

1269
00:55:58,080 --> 00:56:01,760
Speaker 1: all the strippers who can't dance. That's what most strippers

1270
00:56:01,760 --> 00:56:03,440
Speaker 1: can't dance, or you gotta do is be able to

1271
00:56:03,440 --> 00:56:07,600
Speaker 1: get that anster prop. That's not dancing exactly. This podcast

1272
00:56:08,040 --> 00:56:10,359
Speaker 1: is for all the Asian people who work in black

1273
00:56:10,400 --> 00:56:14,120
Speaker 1: communities and don't like black people. Your all the motherfucker's sons.

1274
00:56:14,160 --> 00:56:17,160
Speaker 1: A bit shut the fuck a mouse, that's what it's for.

1275
00:56:17,480 --> 00:56:21,600
Speaker 1: Goddamn you're paying four and the nine nine. This shut

1276
00:56:21,680 --> 00:56:26,040
Speaker 1: the mouse. Shut the damn O. J. Simpson nigga, fuck

1277
00:56:26,040 --> 00:56:30,719
Speaker 1: a mouse. Shut the mouse. That's due this podcast. Why

1278
00:56:30,760 --> 00:56:33,000
Speaker 1: are you every day? Come inside store and the no

1279
00:56:33,160 --> 00:56:36,920
Speaker 1: bodies sound A bit shut the mouse. That's for you, Mr. Kell,

1280
00:56:38,400 --> 00:56:41,640
Speaker 1: don't disrespect. This podcast is for all the lesbians who

1281
00:56:41,680 --> 00:56:48,600
Speaker 1: don't eat pussies slicking lips. You can't deal lesbians don't

1282
00:56:48,600 --> 00:56:53,359
Speaker 1: eat pussy? Yes, what are those cards studs or those

1283
00:56:53,480 --> 00:56:55,120
Speaker 1: strap on? I heard they'd be in the clubs when

1284
00:56:55,160 --> 00:56:59,040
Speaker 1: they strapped. You know that those dast when you're in

1285
00:56:59,040 --> 00:57:01,920
Speaker 1: this club with your trap, just about that light plastics

1286
00:57:01,920 --> 00:57:05,319
Speaker 1: in the building. You ever smell some lesbian pus smell

1287
00:57:05,440 --> 00:57:09,000
Speaker 1: like a new car? Goddamn hell yeah? What do old

1288
00:57:09,200 --> 00:57:16,040
Speaker 1: Cadillac lesbian smell like? Old lesbian ice lesbian smell like?

1289
00:57:16,400 --> 00:57:19,400
Speaker 1: Don't disrespect to lesbians out there. No, we never disrespect

1290
00:57:19,480 --> 00:57:22,560
Speaker 1: the lesbians on this show. Weever, we love the same things.

1291
00:57:22,600 --> 00:57:25,760
Speaker 1: That for JJ. That for JJ. This podcast is for

1292
00:57:25,840 --> 00:57:28,160
Speaker 1: niggas who sleep with do rags on and don't even

1293
00:57:28,200 --> 00:57:31,160
Speaker 1: have no waves. You're talking about me something. No, I'm

1294
00:57:31,200 --> 00:57:35,000
Speaker 1: just saying that. That's why we make this stuff everyone.

1295
00:57:35,080 --> 00:57:36,800
Speaker 1: I try to put it on Instagram. It's like, if

1296
00:57:36,840 --> 00:57:38,360
Speaker 1: you don't take that ship off, so when you were,

1297
00:57:38,480 --> 00:57:41,000
Speaker 1: do you leave a flap out? Do you tuck the flap?

1298
00:57:41,200 --> 00:57:44,720
Speaker 1: Flap that ship flap that ship your eye just for

1299
00:57:44,760 --> 00:57:46,480
Speaker 1: some reason, when your eyes get lower when you put

1300
00:57:46,480 --> 00:57:47,720
Speaker 1: a d y, you just do like this for no

1301
00:57:47,840 --> 00:57:51,760
Speaker 1: reason to be mean, mother mus This podcast is for

1302
00:57:51,800 --> 00:57:54,200
Speaker 1: everybody who work out three days a week but still

1303
00:57:54,280 --> 00:58:00,240
Speaker 1: got a regular as body. Disrespectful ass motherfucker's this podcast right? Hit.

1304
00:58:00,640 --> 00:58:02,520
Speaker 1: It's for niggas who live with their mama and get

1305
00:58:02,560 --> 00:58:04,680
Speaker 1: attitude every time she asked you to pay a bill

1306
00:58:04,840 --> 00:58:06,800
Speaker 1: or something, and then you'll be telling all your friends, now,

1307
00:58:06,800 --> 00:58:11,440
Speaker 1: I just bought this house for her. Exactly, No you didn't. Yeah,

1308
00:58:11,520 --> 00:58:13,080
Speaker 1: I'm gonna be and my mother bought it for her.

1309
00:58:13,120 --> 00:58:15,360
Speaker 1: You know, get off her feet, You align your motherfucker cook,

1310
00:58:15,320 --> 00:58:17,640
Speaker 1: get your own ship. This podcast right here is for

1311
00:58:17,680 --> 00:58:19,520
Speaker 1: people who have a job, but they'll never know how

1312
00:58:19,520 --> 00:58:23,160
Speaker 1: to funk. They're gonna get home. Think that bus is

1313
00:58:23,200 --> 00:58:25,880
Speaker 1: no good son. I'm talking about the motherfucker's who live.

1314
00:58:25,960 --> 00:58:28,320
Speaker 1: Ain't no bus. They just have to find a rat

1315
00:58:28,440 --> 00:58:32,600
Speaker 1: that's funked up. Hitchhiking in Atlanta is horrible, exactly, it's

1316
00:58:32,640 --> 00:58:34,600
Speaker 1: fucked up. But that's what we that's what we do

1317
00:58:34,720 --> 00:58:40,920
Speaker 1: this podcast. This is the motherfucker's skins that is moisturely challenged.

1318
00:58:41,760 --> 00:58:44,760
Speaker 1: There's a campaign out here, fuck the water in Flint.

1319
00:58:44,840 --> 00:58:47,880
Speaker 1: I'm trying to get lotion in flint because ash is

1320
00:58:47,880 --> 00:58:53,160
Speaker 1: a terrible thing to lose. This everything around me cream,

1321
00:58:53,200 --> 00:58:59,160
Speaker 1: get the lotion dollar Nanni nine, y'all, speaking of flint.

1322
00:58:59,440 --> 00:59:01,680
Speaker 1: This probably cast is for all the bad business and

1323
00:59:01,800 --> 00:59:04,680
Speaker 1: Flint who moved to Detroit. Don't trust him because I'm

1324
00:59:04,800 --> 00:59:07,240
Speaker 1: just ain't took showers in the years. That's fucked up.

1325
00:59:07,240 --> 00:59:12,080
Speaker 1: I wasn't gonna say it, but since you said, I

1326
00:59:12,120 --> 00:59:14,040
Speaker 1: don't know if I want no Flint pussy, soide, I

1327
00:59:14,080 --> 00:59:17,400
Speaker 1: don't know if I can do this. You gott I

1328
00:59:17,440 --> 00:59:19,040
Speaker 1: don't know, do me a favor. Fun that I just

1329
00:59:19,120 --> 00:59:22,160
Speaker 1: lost some fans, No disrespect, crazy man. You ain't never

1330
00:59:22,160 --> 00:59:24,560
Speaker 1: gonna lose no fans. I appreciate you coming through your

1331
00:59:24,560 --> 00:59:27,120
Speaker 1: real lass nigger. You always welcome to come through the

1332
00:59:27,160 --> 00:59:30,800
Speaker 1: eighty five South Show anytime you're in the city. Any

1333
00:59:30,840 --> 00:59:33,280
Speaker 1: promo you want to drop. What you would be looking

1334
00:59:33,280 --> 00:59:36,120
Speaker 1: at for? What's your social media? Donnie Rawlings, I would

1335
00:59:36,160 --> 00:59:37,720
Speaker 1: say google me, but this is a weird ship to

1336
00:59:37,760 --> 00:59:40,560
Speaker 1: pop up. Now we'll come up when you google down

1337
00:59:42,280 --> 00:59:44,760
Speaker 1: tims me working with you. You know how long it

1338
00:59:44,760 --> 00:59:48,160
Speaker 1: took me to get that DUI off my TMZ my

1339
00:59:48,240 --> 00:59:50,400
Speaker 1: search engine. You know what I'm saying, like two years

1340
00:59:50,400 --> 00:59:52,880
Speaker 1: ago called a d u I, right, it took me

1341
00:59:52,920 --> 00:59:54,520
Speaker 1: two years for when you put my name up, it

1342
00:59:54,680 --> 00:59:57,120
Speaker 1: goes to my Wikipedia, my website. As soon as that

1343
00:59:57,160 --> 00:59:59,160
Speaker 1: motherfucker feelly ship went happened soon as you put my

1344
00:59:59,240 --> 01:00:01,520
Speaker 1: name in this ship happens. But at the end of

1345
01:00:01,560 --> 01:00:06,600
Speaker 1: the day, I will not be disrespected. If you try

1346
01:00:06,600 --> 01:00:09,400
Speaker 1: to insult me and you try to fucking come with me,

1347
01:00:09,640 --> 01:00:11,840
Speaker 1: I'm coming back at you. I don't want to fight.

1348
01:00:11,920 --> 01:00:15,720
Speaker 1: Nigga's too old to fight. I got drinking, man, I

1349
01:00:15,760 --> 01:00:25,400
Speaker 1: wasn't driving, And no, I wasn't driving. I'm not any

1350
01:00:27,000 --> 01:00:30,240
Speaker 1: You must be trying to get this. I wasn't. I know,

1351
01:00:30,320 --> 01:00:33,840
Speaker 1: I wasn't dropping up in my lap. I pushed the bitch.

1352
01:00:33,840 --> 01:00:36,680
Speaker 1: Oh that's all I know. Mr Turning. You take me

1353
01:00:36,720 --> 01:00:39,640
Speaker 1: to jail, then you know you can't do old to

1354
01:00:39,680 --> 01:00:41,600
Speaker 1: fight when you throw a right and you suck your

1355
01:00:41,680 --> 01:00:46,400
Speaker 1: left shoulder. But I will not be disrespected. Shout out

1356
01:00:46,400 --> 01:00:48,200
Speaker 1: of people to bear with me through all that shot.

1357
01:00:48,680 --> 01:00:50,840
Speaker 1: Timz was fair to me. Tim Z called me the

1358
01:00:50,920 --> 01:00:53,280
Speaker 1: night before I didn't even remember what happened. Should have said,

1359
01:00:53,280 --> 01:00:59,840
Speaker 1: we gotta take me fighting. I'm like, I was like fighting,

1360
01:01:01,640 --> 01:01:03,640
Speaker 1: T is fair to me. I'm fair of my people,

1361
01:01:03,720 --> 01:01:05,640
Speaker 1: you know. But I just want to say, really, thank

1362
01:01:05,640 --> 01:01:07,640
Speaker 1: you for having me on this podcast. You know anytime

1363
01:01:07,880 --> 01:01:09,080
Speaker 1: you know you caught me. A couple of times you

1364
01:01:09,080 --> 01:01:11,080
Speaker 1: didn't think I was gonna be here, but my word,

1365
01:01:11,360 --> 01:01:13,080
Speaker 1: they didn't think. I was being like, no, you didn't

1366
01:01:13,360 --> 01:01:18,760
Speaker 1: blame people. It ain't me to keep asking you like

1367
01:01:18,800 --> 01:01:22,120
Speaker 1: this day all my backs, but I was like whatever, man,

1368
01:01:22,480 --> 01:01:24,360
Speaker 1: it was like, nigga, did you call hang up right

1369
01:01:24,360 --> 01:01:27,160
Speaker 1: now and call letting nigga right now? No, this thing

1370
01:01:27,240 --> 01:01:29,520
Speaker 1: he told me to drop a pen. Nigga, give me

1371
01:01:29,560 --> 01:01:32,480
Speaker 1: your location right now, location right now? What's your e

1372
01:01:32,600 --> 01:01:35,160
Speaker 1: T eight? But you know, I'm a man of my where.

1373
01:01:35,200 --> 01:01:37,720
Speaker 1: I always support people that's doing this ship and everything

1374
01:01:37,760 --> 01:01:39,800
Speaker 1: that followed. You guys doing it's all professional and some

1375
01:01:39,880 --> 01:01:42,240
Speaker 1: good ship, y'all employed, some what my Funcker's and y'all

1376
01:01:42,240 --> 01:01:44,520
Speaker 1: the future. So I appreciate that. Man, thank you, thank

1377
01:01:44,560 --> 01:01:47,520
Speaker 1: you very much. This is the eighty five Sealth Show.

1378
01:01:47,760 --> 01:01:51,600
Speaker 1: I'm your man, Carlos Miller. This my man, Ashford Lawrence

1379
01:01:51,840 --> 01:01:56,200
Speaker 1: a k a. Don Rollers were here eighty five Sealth Show.

1380
01:01:56,480 --> 01:02:08,240
Speaker 1: We're out first. My brother woman eighty fine, eighty pie

1381
01:02:10,120 --> 01:02:31,520
Speaker 1: eighty pie Bie pie. H m hm