WEBVTT - The Witches (1990)

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<v Speaker 1>On the Doll Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy zef invest start

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<v Speaker 1>changing it with the bec Del Cast. Hello Jamie, Hello Caitlynn,

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<v Speaker 1>it's me. Um. You know not. I'm not a witch.

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<v Speaker 1>But do you want some chocolate? Do I want something? No,

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<v Speaker 1>I'm just in my treehouse here. Don't worry. I didn't

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<v Speaker 1>poison it with any formula that's going to turn you

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<v Speaker 1>into a mouse. Okay, do you have a snake? Do

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<v Speaker 1>you have a snake? Um? Yeah, I have a snake.

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<v Speaker 1>But that's just because I know you love playing with snakes. Okay, pointed, Um,

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<v Speaker 1>and none of your business what I do in my

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<v Speaker 1>spare time. Well, I guess I'll I'll think about it,

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<v Speaker 1>but only if you promised to only appear in one

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<v Speaker 1>scene and never come back. Sure, Okay, yeah, yeah, Welcome

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<v Speaker 1>to the Bechtel Cast. Another perfect introduction, flawless, no notes.

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<v Speaker 1>My name is Jamie Loft, as my name is Caitlin Dronte,

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<v Speaker 1>and this is our show in which we examine movies

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<v Speaker 1>through an intersectional feminist lens using the beck Told test

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<v Speaker 1>as a jumping off point to initiate a larger discussion

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<v Speaker 1>representation in cinema. Do you have one of those Twitter

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<v Speaker 1>like scary Halloween names? Do you have you ever done that?

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<v Speaker 1>I've never done that. I have done it in the past.

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<v Speaker 1>I forgot to do it this year, Slash couldn't think

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<v Speaker 1>of anything clever. And have you have you done? I

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<v Speaker 1>know you've done Caitlin Bante, right, Bante? Yeah, which doesn't

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<v Speaker 1>even really make sense. I had one well, one year

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<v Speaker 1>I did nine tip Dracula because that is an anagram

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<v Speaker 1>of my name. Who could forget nine tip Jack? And

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<v Speaker 1>then there was another one I did that I was like,

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<v Speaker 1>I'll never top this. This is genius and I'm so smart,

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<v Speaker 1>but I couldn't. I can't remember what it was. So

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<v Speaker 1>this is not a good story. I've never I've never

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<v Speaker 1>had one. I don't I've never been able. But also

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<v Speaker 1>I'm notoriously like not good with puns. I just don't

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<v Speaker 1>have a good brain for it. And so I'm like,

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<v Speaker 1>maybe there's one that's just been sitting in front of

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<v Speaker 1>me my whole fucking life, But I've never Boo doesn't

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<v Speaker 1>fit any any damn place in my name. Ghost doesn't

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<v Speaker 1>fit what rhymes with Jamie scared, scare me loftus scar

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<v Speaker 1>that sucks. That sucks. I hate it about it. Wait, okay,

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<v Speaker 1>I actually, um, I think I can come around to this.

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<v Speaker 1>Um Okay, can I tell you what the Becteal test is?

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<v Speaker 1>Please at all pass the Bechtel test, by the way,

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<v Speaker 1>which is just proof that it doesn't. Although you could

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<v Speaker 1>argue that that was not a conversation that moved the

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<v Speaker 1>episode forward in a meaningful way. So I disagree. I

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<v Speaker 1>completely disagree. So so. The Bechdel test um is a

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<v Speaker 1>media metric created by queer cartoonist Alison Bechdel, often called

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<v Speaker 1>the Bechdel Wallace test um. It was originally made as

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<v Speaker 1>a kind of one off joke metric in Alican Becktel's

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<v Speaker 1>comic Dikes to Watch Out For which here's your occasional

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<v Speaker 1>reminder that you should read that comic. I have the

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<v Speaker 1>full collection and it fucking rocks. And there's a lot

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<v Speaker 1>of different versions of this metric. The one we use

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<v Speaker 1>requires that two people of a marginalized gender with names

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<v Speaker 1>such as Caitlin Bronte and Scare Me Loft have a

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<v Speaker 1>conversation about something other than a man for more than

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<v Speaker 1>two lines of dialogue, and it does need to move

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<v Speaker 1>the podcast the Bechtel Cast forward in order to count

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<v Speaker 1>this this movie. Today we're covering the Witches n Um,

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<v Speaker 1>not to be confused with The Witches twenty, which no

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<v Speaker 1>longer exists, has been wiped from the record, and I

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<v Speaker 1>have like just a little it doesn't have to do

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<v Speaker 1>with intersectional feminism, but it does have to do with

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<v Speaker 1>predatory capitalism, so sort of it does. So we'll get

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<v Speaker 1>there later. But nine nine Angelic Houston The Witches is

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<v Speaker 1>the topic of today's discussion, and I thought it would

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<v Speaker 1>pass the Bucktel test a little more handily than it does,

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<v Speaker 1>I'll be quite honest. But discussion for later, Jamie, what

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<v Speaker 1>is your relationship to this film slash intellectual property? Nothing?

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<v Speaker 1>Nothing at all. I don't I I couldn't tell you

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<v Speaker 1>why I didn't watch this movie growing up. But I

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<v Speaker 1>have no nostalgic attachment to it. I think the most

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<v Speaker 1>nostalgic attachment I have to this movie is just the

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<v Speaker 1>idea of Angelica Houston. And that's a powerful thing. Yes,

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<v Speaker 1>And I always like she is so campy, and like,

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<v Speaker 1>I think she's really fun in this movie. I think

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<v Speaker 1>it is like I didn't know Jim Henson was involved

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<v Speaker 1>in like I truly knew basically nothing. I just knew

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<v Speaker 1>it was a World Doll book that I never read,

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<v Speaker 1>and this is a movie that I've never seen, and so, uh,

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<v Speaker 1>this has been a request we've been getting for some time,

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<v Speaker 1>and I think we there was an uptick in it

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<v Speaker 1>when the reboot was released, which I've only seen clips of,

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<v Speaker 1>but is by all accounts so like also whatever not

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<v Speaker 1>good and no one has any nostalgic attachment to it either,

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<v Speaker 1>so whatever, So Mecas is in his flop era, baby,

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<v Speaker 1>he did, gosh, she's been in his flop era because

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<v Speaker 1>what what is it? We he welcomed us to Marwin

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<v Speaker 1>and we were like, I'm I'm weaving and then what

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<v Speaker 1>did he do it? He said what about Anne Hathaway

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<v Speaker 1>and the Witches? And You're like that sounds so Phoebe

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<v Speaker 1>Waller Bridges right there, like what do you? What are

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<v Speaker 1>you doing? And then most recently he was like, how

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<v Speaker 1>about Pinocchio? We were okay, no thanks, but and then

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<v Speaker 1>we were like but also but also soft plug for

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<v Speaker 1>the Matreon when we will be covering the Pinocchio Wars,

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<v Speaker 1>which Robert Zemeckis in his flop, Era has already managed,

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<v Speaker 1>I think, to lose in advance. The battle has not

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<v Speaker 1>even started and he's already lost. Because I everyone hated

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<v Speaker 1>that damn movie and it looks so scary. This movie

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<v Speaker 1>also looks so scary, but in a very different way.

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<v Speaker 1>I will say, right at the top, apologies to people

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<v Speaker 1>with a nostalgic attachment to the spoofy. I did not

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<v Speaker 1>like this movie. Uh and I I think it shows

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<v Speaker 1>all of and this is like been criticism since the

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<v Speaker 1>book came out. The book was released in eighty three.

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<v Speaker 1>We famously don't read books, but I did research the

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<v Speaker 1>differences and adaptation changes, and then this came out in

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<v Speaker 1>and rold All, who we'll get back to. We've just

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<v Speaker 1>we've covered we covered this last year on our Matilda episode,

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<v Speaker 1>but it is even more relevant in this adaptation than

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<v Speaker 1>it was in Matilda. I think of just this is

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<v Speaker 1>just like late Era Roll Doll, like all of his

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<v Speaker 1>famous prejudices against women and Jewish people in particular, and

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<v Speaker 1>Jewish women in particular are just all like cannon to

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<v Speaker 1>the story. And I h Angelica Houston is great, but

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<v Speaker 1>I just really had a hard time with this one, Caitlin,

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<v Speaker 1>what's your history with the Witches? Nine? I had not

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<v Speaker 1>seen this movie either, something that it seems like I

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<v Speaker 1>would have seen as a kid growing up. But I

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<v Speaker 1>don't think it was on TV a lot. Well, yes,

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<v Speaker 1>you didn't watch a lot of TV and I didn't

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<v Speaker 1>even have cable. Yeah, and I didn't watch much TV

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<v Speaker 1>as a kid. Also, I think, like my family is

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<v Speaker 1>just like not a spooky movie family. I missed a

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<v Speaker 1>lot of spooky movie Like I had never seen hocus

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<v Speaker 1>Pocus until well into my adulthood. Not that that's like

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<v Speaker 1>a scary, but like even just like I mean it

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<v Speaker 1>is like kid, kid, kid, And I think this movie

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<v Speaker 1>is like kids scary, oh my god. Yeah, and also

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<v Speaker 1>like kind of adult scary. Also, I do think like

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<v Speaker 1>there's so much wrong with like I don't like this movie.

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<v Speaker 1>I do think it was a kind of cool, bold

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<v Speaker 1>and interesting choice cool bold interesting. Wow, good words um

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<v Speaker 1>that they thank you that they hired a horror like

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<v Speaker 1>a famous horror director to do this movie. Like he

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<v Speaker 1>took the assignment and he's like, I'm just gonna do

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<v Speaker 1>this like I do my grown up movies. Is that cool?

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<v Speaker 1>And you're like, I don't know. Um. The main thing

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<v Speaker 1>I knew about this movie going in is that it

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<v Speaker 1>traumatized every child who had ever seen it. And I

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<v Speaker 1>understand why because the horror imagery in this movie is

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<v Speaker 1>horrific and I brutally yeah. Yeah, And I'm sure if

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<v Speaker 1>I had seen it as a child, I would have

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<v Speaker 1>been similarly traumatized. And I read that the director Nicholas

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<v Speaker 1>Rogue cut scenes from the movie that he thought would

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<v Speaker 1>be too scary for children after he saw his son's

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<v Speaker 1>reaction to the original HUT, so it was going to

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<v Speaker 1>be even scarier and he cut some of it out.

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<v Speaker 1>That is so gnarly. Uh. I want like just being

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<v Speaker 1>the kid of a horror director and then just being like,

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<v Speaker 1>all right, so if this trauma like you're you being

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<v Speaker 1>traumatized today could say I have other children for being

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<v Speaker 1>traumatized in this exact same way. Do you accept the assignment?

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<v Speaker 1>That's so all. I want Nicholas Rogue's kids to tell

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<v Speaker 1>us what was in the scenes. That's how what would

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<v Speaker 1>they what? I guess? Okay, I don't know. Sorry finished, So,

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<v Speaker 1>so your history is so I hadn't seen the movie,

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<v Speaker 1>but I did read the book as a kid. Oh,

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<v Speaker 1>we had a few Roal Doll books lying around the house,

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<v Speaker 1>and so I probably read this book when I was

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<v Speaker 1>maybe like ten or so. I also read Charlie and

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<v Speaker 1>the Chocolate Factory around that time, but I think those

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<v Speaker 1>are the only two Roal Doll books I ever read.

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<v Speaker 1>But I liked the book The Witches, and I thought

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<v Speaker 1>it was very scary reading it as a kid. Um,

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<v Speaker 1>So I I have, I would say, not even nostalgic

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<v Speaker 1>attachment to this story. But I went into the movie

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<v Speaker 1>knowing what it was going to be about and what

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<v Speaker 1>would happen in it, and remember the story pretty well,

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<v Speaker 1>so like when the events of the movie were unfolding,

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<v Speaker 1>I was like, oh, yeah, that does happen. The ending

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<v Speaker 1>is um quite different in the book. We'll talk about that,

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<v Speaker 1>but uh yeah, I um, I kind of I mean

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<v Speaker 1>for all the traumatic imagery that Nicholas rogue because he

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<v Speaker 1>was really a cinematographer, but like, yeah, like for all

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<v Speaker 1>the traumatic imagery he offers up. I kind of liked

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<v Speaker 1>that they changed the ending of like because the I mean,

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<v Speaker 1>I didn't realize the ending of the book is brutal.

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<v Speaker 1>I think that that's how the reboot ends, where it's

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<v Speaker 1>just like what they're like, the kid is going to

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<v Speaker 1>be a mouse forever and he has nine years to

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<v Speaker 1>live and he knows that. You're like, oh yeah, rough. Yeah.

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<v Speaker 1>So all this to say, I had I was familiar

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<v Speaker 1>with this story going in, but I hadn't seen the movie.

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<v Speaker 1>Definitely would have been traumatized by the imagery as a kid,

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<v Speaker 1>because as even as an adult, I was like, oh my,

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<v Speaker 1>like the transformations, like the scenes of like humans transforming

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<v Speaker 1>into mice. That is some of the scariest ship I've

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<v Speaker 1>ever seen. It's so yeah, this movie would have fucked

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<v Speaker 1>me up. I'm glad I didn't see it when as

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<v Speaker 1>a kid. Yeah, um, shall I do the recap and

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<v Speaker 1>we'll go from there. Let's do the recap and then

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<v Speaker 1>you know what, let's go from there. Okay, fine, we

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<v Speaker 1>will Okay, now we're fighting. Okay. So we open on

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<v Speaker 1>a grandmother telling her grandson Luke, who is we were

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<v Speaker 1>like also recently talking about how we do not know

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<v Speaker 1>how old children are. I guess he's like nine. I

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<v Speaker 1>guess he's canonically nine. Okay, Oh, maybe I'm better at

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<v Speaker 1>this than I thought. She is telling Luke about witches.

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<v Speaker 1>They are evil, they hate children, They basically hunt children

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<v Speaker 1>for sport, and she's lost a finger. Yes to to

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<v Speaker 1>a witch encounter. We press zoom. Maybe that's the scene

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<v Speaker 1>that are cut. Maybe you got to see Angelica Houston

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<v Speaker 1>bite Grandma's finger off. Maybe so. Grandma tells Luke that

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<v Speaker 1>which is dress in ordinary clothes. They look like ordinary women,

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<v Speaker 1>they live ordinary lives, but there are ways to spot

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<v Speaker 1>a real witch. One. They're bald, so they wear wigs

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<v Speaker 1>which itch and give them a scalp rash. Now, if

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<v Speaker 1>the baldest women aren't in charge in this movie, I mean,

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<v Speaker 1>this movie follows the rule. It enforces the rule. It Yeah,

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<v Speaker 1>I didn't even exist when this movie came out and

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<v Speaker 1>people were following that damn rule. Yeah. Um. The second

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<v Speaker 1>telltale sign is that their eyes have like a purplish

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<v Speaker 1>hue to them real which is also don't have toes,

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<v Speaker 1>and so their their feet are just square, so they

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<v Speaker 1>never wear pointed shoes and sure I guess uh. They

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<v Speaker 1>also have a very keen sense of smell and they

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<v Speaker 1>can smell children, and children smell very bad to them,

0:14:13.080 --> 0:14:16.120
<v Speaker 1>and the cleaner child is the stinkier they are to

0:14:16.240 --> 0:14:21.800
<v Speaker 1>a witch. Also, Grandma tells Luke about the grand high witch,

0:14:21.880 --> 0:14:26.920
<v Speaker 1>which is like the leader, which is the leader of

0:14:27.000 --> 0:14:31.480
<v Speaker 1>all the witches. Get it anyway, I get it. I

0:14:31.560 --> 0:14:35.880
<v Speaker 1>get it. So Grandma also tells this story about her

0:14:35.960 --> 0:14:38.880
<v Speaker 1>childhood best friend named Erica, who was abducted by a witch.

0:14:39.480 --> 0:14:41.800
<v Speaker 1>So we get all this backstory about witches. You know,

0:14:42.080 --> 0:14:44.280
<v Speaker 1>I was thinking, I was, I was trying to put

0:14:44.280 --> 0:14:46.240
<v Speaker 1>myself in like baby brain, and I think that I

0:14:46.240 --> 0:14:48.480
<v Speaker 1>would have been afraid of the horror imagery. But I

0:14:48.840 --> 0:14:53.040
<v Speaker 1>but I wonder like and for I am genuinely curious

0:14:53.080 --> 0:14:56.200
<v Speaker 1>for for those who have a nostalgic attachment to this movie,

0:14:56.800 --> 0:15:00.360
<v Speaker 1>were you more scared by the horror imagery? Or were

0:15:00.360 --> 0:15:04.040
<v Speaker 1>you more scared by ever looking at a painting again

0:15:04.240 --> 0:15:07.200
<v Speaker 1>and ever seeing someone in a painting being like that

0:15:07.560 --> 0:15:10.760
<v Speaker 1>they're going to die there? Yeah, that was the scary.

0:15:10.960 --> 0:15:12.680
<v Speaker 1>I was like, that would have sucked me up. That's

0:15:12.800 --> 0:15:16.360
<v Speaker 1>very current because I had that haunted Mandy Moore poster right,

0:15:16.520 --> 0:15:20.520
<v Speaker 1>Oh my gosh, and she still lives there in your poster,

0:15:21.280 --> 0:15:23.600
<v Speaker 1>in my poster. Yeah. It's one of It's one of

0:15:23.600 --> 0:15:27.320
<v Speaker 1>those conspiracy theories where the actress who's been on This

0:15:27.400 --> 0:15:30.320
<v Speaker 1>is Us for five years is a is a double

0:15:30.760 --> 0:15:35.120
<v Speaker 1>switched out by the government. The real Mandy Moore lives

0:15:35.360 --> 0:15:39.440
<v Speaker 1>in your poster still in my childhood bedroom. Yeah, yeah, no,

0:15:39.600 --> 0:15:45.480
<v Speaker 1>I believe it. Yeah. Okay, So one day Luke's parents

0:15:45.560 --> 0:15:50.760
<v Speaker 1>die in an accident, so Grandma becoming this batman him right, Yeah,

0:15:50.920 --> 0:15:55.800
<v Speaker 1>Luke wayne over here with his parents being like, they're

0:15:55.840 --> 0:16:00.160
<v Speaker 1>like bye, and then and then like the police have

0:16:00.240 --> 0:16:03.920
<v Speaker 1>her dress or something. I was like, what happened to that?

0:16:04.040 --> 0:16:08.040
<v Speaker 1>I'm not sure what we were looking at, but Luca

0:16:08.280 --> 0:16:12.760
<v Speaker 1>Luke to them. Luca's orphaned and Grandma becomes his primary caregiver,

0:16:13.080 --> 0:16:16.360
<v Speaker 1>so she takes him to England, where a woman with

0:16:16.400 --> 0:16:20.280
<v Speaker 1>purple eyes tries to give a snake to Luke and

0:16:20.400 --> 0:16:22.120
<v Speaker 1>a chocolate bar, and I'm like, is that a Willy

0:16:22.240 --> 0:16:25.760
<v Speaker 1>Wonka chocolate bar? Are we? You know? Are we what's

0:16:25.800 --> 0:16:28.320
<v Speaker 1>happening here? We're going to really? I mean we talked

0:16:28.360 --> 0:16:31.160
<v Speaker 1>about it until the Tupit just like the way rold

0:16:31.240 --> 0:16:38.080
<v Speaker 1>Doll turns food into weapons is so oh gosh. Yeah,

0:16:38.120 --> 0:16:40.520
<v Speaker 1>I will say this first witch. I liked her a

0:16:40.520 --> 0:16:44.920
<v Speaker 1>lot and I she had perfect teeth. Okay, yeah, another

0:16:44.920 --> 0:16:48.680
<v Speaker 1>telltale sign of witches. I have shitty I think I

0:16:48.960 --> 0:16:51.200
<v Speaker 1>just have gum disease. So when someone has nice teeth,

0:16:51.200 --> 0:16:57.720
<v Speaker 1>I'm like, okay, who are you a millionaire? Okay? So

0:16:57.760 --> 0:17:02.200
<v Speaker 1>then on Luke's birthday, Grandma gives him some mice, which

0:17:02.200 --> 0:17:07.359
<v Speaker 1>he names William and Mary. Horrible gift, I gift bad

0:17:07.400 --> 0:17:11.199
<v Speaker 1>mice names. There, I said it are they kids? I

0:17:11.240 --> 0:17:14.760
<v Speaker 1>don't think because they can't talk. They're just mice, right,

0:17:14.880 --> 0:17:20.600
<v Speaker 1>And they're not from the Henson the Creature the creature shop, right, Yeah, yeah,

0:17:20.800 --> 0:17:26.560
<v Speaker 1>they're just another yeah. But oh no. Grandma collapses, she

0:17:26.720 --> 0:17:30.000
<v Speaker 1>has fallen ill. Turns out she has diabetes. But when

0:17:30.000 --> 0:17:34.040
<v Speaker 1>she recovers, she takes Luke and his mice on a

0:17:34.119 --> 0:17:38.200
<v Speaker 1>little trip to a hotel by the sea to Casa

0:17:38.280 --> 0:17:45.440
<v Speaker 1>day Mr Bean. Mr Bean is the hotel manager. Also

0:17:45.520 --> 0:17:49.439
<v Speaker 1>at this hotel, dozens of women show up for the

0:17:49.520 --> 0:17:53.600
<v Speaker 1>convention for the Royal Society for the Prevention of Cruelty

0:17:53.680 --> 0:17:57.160
<v Speaker 1>to Children. And that's the most prepositions I've ever said

0:17:57.160 --> 0:18:00.480
<v Speaker 1>in a single sentence. That is that of all the

0:18:01.200 --> 0:18:04.159
<v Speaker 1>that gotta chuckle out of me, because I was like,

0:18:04.280 --> 0:18:09.400
<v Speaker 1>that's the witch there? Um, did you pick up on?

0:18:09.640 --> 0:18:13.480
<v Speaker 1>This is so goofy? But they made a diabetes joke

0:18:13.560 --> 0:18:16.320
<v Speaker 1>in this movie. I was like, that's the most there's

0:18:16.359 --> 0:18:18.479
<v Speaker 1>not a lot of things about this movie outside of

0:18:18.520 --> 0:18:21.359
<v Speaker 1>the wild number of tropes that are used in a

0:18:21.359 --> 0:18:25.640
<v Speaker 1>bad way. But like, this movie isn't like especially dated

0:18:26.040 --> 0:18:27.720
<v Speaker 1>to me. I guess a little bit with the clothes,

0:18:27.760 --> 0:18:29.840
<v Speaker 1>but most world all movies kind of feel a little

0:18:29.840 --> 0:18:32.600
<v Speaker 1>bit like out of time. But they just drop a

0:18:32.680 --> 0:18:36.880
<v Speaker 1>diabetes joke, like yeah, and that commercial didn't exist till

0:18:38.000 --> 0:18:41.040
<v Speaker 1>I was like, damn, you're showing your hands. You couldn't

0:18:41.040 --> 0:18:43.920
<v Speaker 1>you couldn't resist making a nine year old said diabetes

0:18:44.960 --> 0:18:53.399
<v Speaker 1>tomfoolery indeed. Okay, So Angelica Houston has entered the film.

0:18:54.359 --> 0:18:58.879
<v Speaker 1>She seems to be the leader of this royal Society

0:18:58.960 --> 0:19:01.520
<v Speaker 1>for the Prevention of cruel teacher children, and she's so

0:19:01.600 --> 0:19:04.560
<v Speaker 1>hot and she's very hot. Her name is Miss Ernst,

0:19:05.440 --> 0:19:09.680
<v Speaker 1>and the women adore her. And then there's some little

0:19:09.720 --> 0:19:14.440
<v Speaker 1>clues that seems like maybe these are not women who

0:19:14.720 --> 0:19:18.560
<v Speaker 1>want to prevent cruelty to children, but maybe they want

0:19:18.600 --> 0:19:23.640
<v Speaker 1>to cause cruelty to children because maybe they're witches. Oh

0:19:23.680 --> 0:19:27.199
<v Speaker 1>there is I mean, I I you know, exploiting the

0:19:27.280 --> 0:19:33.000
<v Speaker 1>inherent sinister nature of a hotel convention is kind of fun. Yeah,

0:19:33.080 --> 0:19:36.600
<v Speaker 1>that's a fun idea. Um, I'm trying to figure out

0:19:36.720 --> 0:19:40.520
<v Speaker 1>is this this movie came out, this is the year

0:19:40.600 --> 0:19:44.000
<v Speaker 1>before The Adams Family, So this is I feel like

0:19:44.320 --> 0:19:47.520
<v Speaker 1>Angela Houston's She's just she's just warming up for the

0:19:47.560 --> 0:19:51.840
<v Speaker 1>main events for more Tisia. Yeah, definitely. Okay. So then

0:19:51.960 --> 0:19:56.400
<v Speaker 1>Luke explores the hotel. He meets another boy named Bruno.

0:19:57.480 --> 0:20:03.359
<v Speaker 1>Luke gets yelled at by Mr Bean for having loose mice,

0:20:03.880 --> 0:20:08.000
<v Speaker 1>and we're literally like Mr Bean and you can't you

0:20:08.040 --> 0:20:10.399
<v Speaker 1>can't done see it? Yeah, And then we're also like,

0:20:10.440 --> 0:20:13.000
<v Speaker 1>I guess this is for all these these mice are

0:20:13.080 --> 0:20:19.760
<v Speaker 1>like foreshadowing Chekhov's Mouse. Yeah, okay. So Luke is like

0:20:19.800 --> 0:20:22.840
<v Speaker 1>running around the hotel and he winds up in this

0:20:22.920 --> 0:20:27.919
<v Speaker 1>big room where the women from the Society for the

0:20:27.960 --> 0:20:30.800
<v Speaker 1>Prevention of Cruelty to Children a k a. The Witches

0:20:31.119 --> 0:20:34.000
<v Speaker 1>come in and gather for a meeting, and Luke is

0:20:34.040 --> 0:20:36.480
<v Speaker 1>hiding in the corner and he watches as all the

0:20:36.520 --> 0:20:40.159
<v Speaker 1>women remove their shoes and their wigs because guess what,

0:20:40.720 --> 0:20:44.199
<v Speaker 1>confirmed they are witches. I thought it was really funny

0:20:44.280 --> 0:20:47.240
<v Speaker 1>that she has her like Angela he used, and takes

0:20:47.240 --> 0:20:50.480
<v Speaker 1>her face halfway off before being like, oh wait, is

0:20:50.520 --> 0:20:55.199
<v Speaker 1>the door closed. That was when I started coming up

0:20:55.240 --> 0:20:58.719
<v Speaker 1>with my um tory story theory, where I'm just like,

0:20:58.760 --> 0:21:01.840
<v Speaker 1>this is applying the lodge of toy story, but instead

0:21:01.880 --> 0:21:04.760
<v Speaker 1>it's just leaving a bunch of women over thirty five

0:21:04.800 --> 0:21:08.880
<v Speaker 1>in a room alone, and then they turned into evil witches.

0:21:09.200 --> 0:21:12.119
<v Speaker 1>And that is true. That does happen in real life.

0:21:12.840 --> 0:21:16.840
<v Speaker 1>So miss Ernst takes off her face mask because she's

0:21:16.920 --> 0:21:22.919
<v Speaker 1>the Grand High Witch with a scary face. Miss Ernst

0:21:23.040 --> 0:21:27.240
<v Speaker 1>is like, you witches are a disgrace. You're not killing

0:21:27.400 --> 0:21:32.439
<v Speaker 1>enough children, and that's why I created formula eighties six,

0:21:32.960 --> 0:21:39.040
<v Speaker 1>which turns children into mice. Another toy story parallel. Much

0:21:39.119 --> 0:21:43.879
<v Speaker 1>like the character said, miss Ernst is a scientific genius

0:21:43.960 --> 0:21:48.000
<v Speaker 1>who just needs her energy directed in a more positive

0:21:48.040 --> 0:21:51.680
<v Speaker 1>direction where yeah, she could really help people, much like

0:21:52.080 --> 0:21:55.880
<v Speaker 1>Sid's parents should have just been like, you're a creative kid,

0:21:56.560 --> 0:22:00.479
<v Speaker 1>let's let's take you to it after school program. Anywow, Okay,

0:22:00.520 --> 0:22:04.160
<v Speaker 1>I'm starting to see the toy story parallels. That's it.

0:22:04.280 --> 0:22:08.800
<v Speaker 1>That's the end of the similarities. Yeah, okay, So she's

0:22:08.800 --> 0:22:11.879
<v Speaker 1>talking about this formula that turns children into mice, and

0:22:11.920 --> 0:22:15.960
<v Speaker 1>she demonstrates it on that kid Bruno, who she has

0:22:16.040 --> 0:22:19.600
<v Speaker 1>lured into the room with chocolate. She has already given

0:22:19.680 --> 0:22:22.679
<v Speaker 1>him the formula. It works on like a time delay,

0:22:22.960 --> 0:22:26.240
<v Speaker 1>and then the witches and Luke, who is still hiding

0:22:26.240 --> 0:22:30.080
<v Speaker 1>in the corner, watch as Bruno transforms into a mouse.

0:22:30.720 --> 0:22:33.760
<v Speaker 1>That transformation is also like truly one of the scariest

0:22:33.800 --> 0:22:37.840
<v Speaker 1>things I've ever seen. Yeah, I mean that the raw

0:22:38.119 --> 0:22:43.840
<v Speaker 1>fucking body horror and this um is just like it is,

0:22:44.560 --> 0:22:47.919
<v Speaker 1>and that I mean that whole scene that is so long.

0:22:48.000 --> 0:22:49.800
<v Speaker 1>That was the other thing where I was just like, Wow,

0:22:49.880 --> 0:22:52.119
<v Speaker 1>this movie gets a lot of mileage out of like

0:22:52.359 --> 0:22:57.320
<v Speaker 1>very very few locations. But in any case, that scene

0:22:57.359 --> 0:23:00.440
<v Speaker 1>is so loaded. But just even on its face is Oh,

0:23:00.480 --> 0:23:02.479
<v Speaker 1>that would have scared the ship out of me. As

0:23:02.520 --> 0:23:07.760
<v Speaker 1>a kid. Roll hates when children are hungry. What is

0:23:07.800 --> 0:23:14.560
<v Speaker 1>wrong with him? He's like, if you're hungry, you're gonna explode.

0:23:13.720 --> 0:23:18.080
<v Speaker 1>You're gonna too bad. Oh, he's such a fucking asshole.

0:23:18.200 --> 0:23:21.560
<v Speaker 1>Like you know, I did to say the least, but like, yeah,

0:23:21.600 --> 0:23:25.119
<v Speaker 1>that was that and to have like this was I

0:23:25.160 --> 0:23:27.359
<v Speaker 1>think this was like the last movie that Jim Henson

0:23:27.520 --> 0:23:32.399
<v Speaker 1>was well enough to work on. And he's really uh

0:23:33.240 --> 0:23:36.680
<v Speaker 1>he put the creature shop to work. It's so fucking scary.

0:23:37.160 --> 0:23:40.720
<v Speaker 1>So again, we like listeners. If you happened to see

0:23:41.240 --> 0:23:45.560
<v Speaker 1>the reboot while it was still available for streaming, we

0:23:45.640 --> 0:23:48.680
<v Speaker 1>couldn't watch it, but I'm assuming that it was probably

0:23:48.800 --> 0:23:51.600
<v Speaker 1>less scary in the new one, because there's like you

0:23:51.640 --> 0:23:54.560
<v Speaker 1>can just sort of do a boring c G I like,

0:23:54.760 --> 0:23:57.960
<v Speaker 1>I'm a mouse, but like with the practical effects, it

0:23:58.119 --> 0:24:02.560
<v Speaker 1>is so gnarly. It is brew a truly. Yeah. Okay,

0:24:02.600 --> 0:24:06.120
<v Speaker 1>So the meeting is about to disperse, but then one

0:24:06.119 --> 0:24:10.359
<v Speaker 1>of the witches smells Luke. They find him. They chase

0:24:10.440 --> 0:24:14.159
<v Speaker 1>him around for a bit and eventually catch him and

0:24:14.200 --> 0:24:18.840
<v Speaker 1>Miss Ernst gives him five hundred doses of formula six,

0:24:19.240 --> 0:24:23.479
<v Speaker 1>which transforms Luke into a mouse immediately, and the witches

0:24:23.480 --> 0:24:25.840
<v Speaker 1>trying to step on him and kill him, but mouse

0:24:25.920 --> 0:24:29.680
<v Speaker 1>Luke runs away. He finds mouse Bruno. They can both

0:24:29.840 --> 0:24:34.000
<v Speaker 1>still talk, so they scurry through the d talk about Bruno.

0:24:34.160 --> 0:24:38.520
<v Speaker 1>In this movie, they never hesitate to talk about Bruno. Yeah,

0:24:38.680 --> 0:24:43.639
<v Speaker 1>that was the exact laugh I was hoping for. And

0:24:43.880 --> 0:24:46.360
<v Speaker 1>Grandma especially is trying to talk about Bruno. She's trying

0:24:46.400 --> 0:24:49.679
<v Speaker 1>to tell his parents about b and they are not

0:24:49.800 --> 0:24:52.440
<v Speaker 1>having it. The parents are sort of like, we don't

0:24:52.440 --> 0:24:57.000
<v Speaker 1>talk about Bruno, not during whiskey and sherry time, and

0:24:57.040 --> 0:25:00.280
<v Speaker 1>she's like, we needed to wow the parallels. Did you

0:25:00.320 --> 0:25:05.720
<v Speaker 1>recognize Bruno's mom? No, she is played by Brenda bleth

0:25:05.800 --> 0:25:09.680
<v Speaker 1>In a k a. Mrs Bennett from Pride and Prejudice

0:25:09.720 --> 0:25:13.920
<v Speaker 1>two thousand five. Wow. I did not. Wow. I guess

0:25:13.960 --> 0:25:16.359
<v Speaker 1>that she was really in her nineties hair bag because

0:25:16.400 --> 0:25:19.840
<v Speaker 1>I didn't notice. That's like, I have a thought on

0:25:20.000 --> 0:25:22.960
<v Speaker 1>that character as well, too, but like, for now, all

0:25:23.000 --> 0:25:26.960
<v Speaker 1>I'll say is she really knows how to give a

0:25:27.080 --> 0:25:33.600
<v Speaker 1>surprised face. True. Alright, So the two mice boys scurry

0:25:33.680 --> 0:25:37.440
<v Speaker 1>through the hotel back to Luke's grandma's room, and Luke

0:25:37.600 --> 0:25:42.600
<v Speaker 1>is like, hey, Grandma, so I got turned into a

0:25:42.640 --> 0:25:46.440
<v Speaker 1>mouse by some witches. And also, is it just me

0:25:46.640 --> 0:25:51.040
<v Speaker 1>or did Grandma barely react to the information that her

0:25:51.320 --> 0:25:54.840
<v Speaker 1>so grandson is a mouse? Snow? I thought that too,

0:25:54.880 --> 0:25:58.320
<v Speaker 1>And then I'm just like, she's been I guess, ostensibly

0:25:58.920 --> 0:26:02.119
<v Speaker 1>hunting witches for years? Does she like, no, this is

0:26:02.160 --> 0:26:04.919
<v Speaker 1>on the table? Angelica Houston sounded like it was a

0:26:04.920 --> 0:26:07.960
<v Speaker 1>new thing, so I feel like she should have been

0:26:08.000 --> 0:26:10.760
<v Speaker 1>more surprised, But I'm like, maybe maybe this is in

0:26:10.800 --> 0:26:14.679
<v Speaker 1>their playbook. I don't know, I don't or maybe also

0:26:14.880 --> 0:26:17.240
<v Speaker 1>the thing that and I don't think that this story

0:26:17.840 --> 0:26:20.400
<v Speaker 1>has any interest in exploring this side of it, which

0:26:20.480 --> 0:26:23.800
<v Speaker 1>is like fine, but I was just like, also, you know,

0:26:24.920 --> 0:26:28.119
<v Speaker 1>in a realistic world, which is obviously isn't these two

0:26:28.240 --> 0:26:33.000
<v Speaker 1>would be like overcome with grief because her daughter just

0:26:33.240 --> 0:26:37.280
<v Speaker 1>died and his parents just got Bruce wayned. And so

0:26:37.520 --> 0:26:41.000
<v Speaker 1>I'm just like, maybe she's just like still emotionally, she's

0:26:41.040 --> 0:26:46.480
<v Speaker 1>like sure, sure what next? My grandson's amuse great. She

0:26:46.560 --> 0:26:49.639
<v Speaker 1>could be just numb, she could just be in shock,

0:26:50.040 --> 0:26:52.480
<v Speaker 1>could be a lot of stuff we don't know. But

0:26:53.760 --> 0:26:57.200
<v Speaker 1>mouse Luke has a plan. He wants to put formula

0:26:57.280 --> 0:27:00.879
<v Speaker 1>eighty six into the witches soup at their dinner that

0:27:01.080 --> 0:27:04.199
<v Speaker 1>night and turn all of the witches into mice. So

0:27:04.280 --> 0:27:09.280
<v Speaker 1>Grandma helps him get into the Grand High Witches room,

0:27:09.320 --> 0:27:12.800
<v Speaker 1>though her cat makes it a little tricky. I liked

0:27:13.040 --> 0:27:16.560
<v Speaker 1>that part. Me and Flee were cheering. We're cheering for

0:27:16.640 --> 0:27:19.080
<v Speaker 1>the cat, and it's a cat that looks a bit

0:27:19.160 --> 0:27:21.959
<v Speaker 1>like Flee. Oh well, because yeah, I mean please please

0:27:22.080 --> 0:27:27.159
<v Speaker 1>the classic uh which is cat? True? Yeah? Um, Okay,

0:27:27.160 --> 0:27:31.280
<v Speaker 1>so then Luke manages to get the formula and scurries

0:27:31.320 --> 0:27:35.399
<v Speaker 1>back to Grandma's room. So she takes Mouse Luke and

0:27:35.480 --> 0:27:39.200
<v Speaker 1>mouse Bruno to Bruno's parents and tries to explain the situation.

0:27:39.640 --> 0:27:44.480
<v Speaker 1>They don't believe her. Bruno's mom is like, and you know,

0:27:44.520 --> 0:27:48.360
<v Speaker 1>screams at the site of mice because you know, women

0:27:48.400 --> 0:27:55.040
<v Speaker 1>be hysterical. Well, it's blonde women and women with children generally,

0:27:55.080 --> 0:27:56.800
<v Speaker 1>with the exception of the maid who is brunette and

0:27:56.800 --> 0:27:59.280
<v Speaker 1>we don't know if she has kids. Um, but generally,

0:27:59.400 --> 0:28:02.880
<v Speaker 1>blonde women and mothers are afraid of mice. Women with

0:28:03.200 --> 0:28:08.080
<v Speaker 1>dark hair or non white women are witches. They want

0:28:08.240 --> 0:28:11.880
<v Speaker 1>more mice, more mice, more mice. That's the rule. So

0:28:11.920 --> 0:28:16.040
<v Speaker 1>then mouse Luke goes into the hotel kitchen and puts

0:28:16.240 --> 0:28:20.640
<v Speaker 1>formula six into the cress soup. No idea what crest

0:28:20.680 --> 0:28:23.560
<v Speaker 1>soup is, but that's the soup that will be served

0:28:23.640 --> 0:28:26.679
<v Speaker 1>to the witches. And then he runs up the pants

0:28:26.680 --> 0:28:31.000
<v Speaker 1>of the chef ak the butler from Downton Abbey. So

0:28:31.040 --> 0:28:35.560
<v Speaker 1>that was a fun little yeah, I never I never

0:28:35.680 --> 0:28:39.200
<v Speaker 1>did Doubton Nabby and it's it's been you know, I've

0:28:39.240 --> 0:28:41.560
<v Speaker 1>heard it's great. Is that a hot take in two

0:28:41.640 --> 0:28:45.960
<v Speaker 1>thousand twenty two. I'm hearing good things about this doubton Nabby,

0:28:46.560 --> 0:28:50.440
<v Speaker 1>I mean I generally like it. Yeah, um okay. So

0:28:50.480 --> 0:28:53.239
<v Speaker 1>then the soup is served, the witches eat it, and

0:28:53.280 --> 0:28:58.320
<v Speaker 1>then chaos and horror ensues as the witches turn into mice,

0:28:59.160 --> 0:29:01.720
<v Speaker 1>and then also the Grand High witch turning into a

0:29:01.760 --> 0:29:05.680
<v Speaker 1>mouse is the other scariest thing I've ever seen. Oh

0:29:05.760 --> 0:29:08.520
<v Speaker 1>my gosh, I like, how right before that happens? Um,

0:29:08.560 --> 0:29:11.920
<v Speaker 1>Angelica Houston, I mean she is, uh, there are a

0:29:12.000 --> 0:29:14.080
<v Speaker 1>few moments. One of the moments that I really, I

0:29:14.280 --> 0:29:18.120
<v Speaker 1>genuinely was like, wow, that was cool was when the

0:29:18.160 --> 0:29:22.840
<v Speaker 1>first witch, who is like in the kitchen realizes what

0:29:23.040 --> 0:29:24.600
<v Speaker 1>is happening, is the first to try to the soup,

0:29:24.720 --> 0:29:27.000
<v Speaker 1>is the first to turn into a mouse. She screws

0:29:27.040 --> 0:29:30.280
<v Speaker 1>out a mouse form to try to warn everybody. Ajelica

0:29:30.520 --> 0:29:35.440
<v Speaker 1>used to just steps on her and she clothes into goo.

0:29:35.840 --> 0:29:41.360
<v Speaker 1>What are the rules? Um? But that was that was

0:29:41.400 --> 0:29:45.080
<v Speaker 1>awesome because I guess Angelica Houston assumed that was a

0:29:45.160 --> 0:29:47.080
<v Speaker 1>child mouse and so she was like, well, let me

0:29:47.120 --> 0:29:50.880
<v Speaker 1>just kill this. But it was just like wow, wow,

0:29:51.000 --> 0:29:56.080
<v Speaker 1>she really uh, what's what's my shittiest clickbait um. The

0:29:56.200 --> 0:30:00.240
<v Speaker 1>lack of empathy that Angelica Houston's character demonst it's in

0:30:00.280 --> 0:30:05.240
<v Speaker 1>the Witches is shocking, right it it writes itself. Okay,

0:30:05.320 --> 0:30:08.560
<v Speaker 1>so the hotel staff are trying to squash and kill

0:30:08.640 --> 0:30:14.080
<v Speaker 1>the mice. Rowan Atkinson chops and kills mouse, Angelica Houston

0:30:14.200 --> 0:30:18.280
<v Speaker 1>with a clever It's chaos, but things kind of settle

0:30:18.360 --> 0:30:22.720
<v Speaker 1>down and mouse Luke and Grandma say goodbye to Bruno

0:30:22.760 --> 0:30:25.200
<v Speaker 1>and his parents, and then they leave the hotel and

0:30:25.240 --> 0:30:28.400
<v Speaker 1>go back home, and Luke is like, hey, being a

0:30:28.400 --> 0:30:33.400
<v Speaker 1>mouse isn't so bad, and Grandma is like, yep, and

0:30:34.440 --> 0:30:39.280
<v Speaker 1>that friend is really sad. Yeah, it's good to know. Like, also,

0:30:39.360 --> 0:30:44.000
<v Speaker 1>I wanted to mention why does Mr Bean get the kill? Like?

0:30:44.080 --> 0:30:48.120
<v Speaker 1>Why does Mr Mean this has been Grandma? I have

0:30:48.200 --> 0:30:51.120
<v Speaker 1>a theory as to why. I think it's because she

0:30:51.360 --> 0:30:53.760
<v Speaker 1>has to be the good one and so we can't

0:30:53.800 --> 0:30:58.120
<v Speaker 1>see her actually killing her harming anyone that directly. I

0:30:58.160 --> 0:31:00.320
<v Speaker 1>wonder what happens in the book. I act, we didn't

0:31:00.360 --> 0:31:02.479
<v Speaker 1>check who kills her in the book because it just

0:31:02.520 --> 0:31:07.760
<v Speaker 1>feels like logically Grandma has been hunting this specific which

0:31:08.080 --> 0:31:12.880
<v Speaker 1>for decades. This woman took her finger off, like why,

0:31:13.120 --> 0:31:14.960
<v Speaker 1>but she just puts a little dish over her and

0:31:15.000 --> 0:31:17.600
<v Speaker 1>it's like turns around and then Mr Bean get I

0:31:17.640 --> 0:31:20.080
<v Speaker 1>was like, Mr Bean's got no you know, he's got

0:31:20.120 --> 0:31:24.480
<v Speaker 1>no stake in the game, Like hey, but he whatever.

0:31:24.720 --> 0:31:27.800
<v Speaker 1>The whole premises is flawed from the jump. But I'm like,

0:31:28.000 --> 0:31:31.240
<v Speaker 1>if I'm watching this movie, let Grandma kill Angelica Houston,

0:31:31.320 --> 0:31:34.920
<v Speaker 1>what are we doing? Yeah for sure? Um okay. So

0:31:34.960 --> 0:31:38.120
<v Speaker 1>then they're like coming to terms with Luke being a

0:31:38.120 --> 0:31:41.120
<v Speaker 1>mouse forever. But wait a minute. There was one which

0:31:41.760 --> 0:31:45.480
<v Speaker 1>Ms Ernst Secretary I think, who was not turned into

0:31:45.520 --> 0:31:48.960
<v Speaker 1>a mouse, and she has been following Luke and Grandma

0:31:49.040 --> 0:31:50.920
<v Speaker 1>and it seems like she might be up to no good.

0:31:51.480 --> 0:31:55.120
<v Speaker 1>But it turns out that she's like a good witch

0:31:55.280 --> 0:31:59.239
<v Speaker 1>or she doesn't want to participate in child hunting, and

0:31:59.360 --> 0:32:04.240
<v Speaker 1>she with magic turns Luke back into a human and

0:32:04.280 --> 0:32:07.160
<v Speaker 1>that's how the movie ends, which is a big departure

0:32:07.200 --> 0:32:09.720
<v Speaker 1>from how the book ends, which is that he stays

0:32:09.880 --> 0:32:15.480
<v Speaker 1>a mouse, knowing that he will die soon. It feels

0:32:15.520 --> 0:32:20.760
<v Speaker 1>like a major departure because of how abrupt and out

0:32:20.800 --> 0:32:23.320
<v Speaker 1>of step with the rest of the story it feels,

0:32:23.400 --> 0:32:26.640
<v Speaker 1>because it's like that maybe I was like, I mean,

0:32:26.680 --> 0:32:29.160
<v Speaker 1>I've I've watched the movie twice. I was paying attention.

0:32:29.240 --> 0:32:32.320
<v Speaker 1>I was like, but that, which is sudden, like I'm

0:32:32.440 --> 0:32:37.040
<v Speaker 1>nice now and like and then she's like Glinda the

0:32:37.080 --> 0:32:40.720
<v Speaker 1>good which and then he has to like it's so

0:32:41.360 --> 0:32:43.880
<v Speaker 1>shoehorned into the last ninety seconds of the movie that

0:32:44.000 --> 0:32:48.200
<v Speaker 1>Luke literally has to yell out the window Bruno next like,

0:32:48.280 --> 0:32:55.000
<v Speaker 1>don't forget about Bruno, don't forget about Bruno, and like

0:32:55.240 --> 0:32:58.400
<v Speaker 1>I'm glad for the children. I'm glad that that change

0:32:58.480 --> 0:33:02.840
<v Speaker 1>was made. But just watching it in with like movie logic,

0:33:02.920 --> 0:33:05.440
<v Speaker 1>you're like, oh yeah, this, uh, this doesn't match up

0:33:05.480 --> 0:33:07.479
<v Speaker 1>with anything else that happens. It makes sense that they

0:33:07.560 --> 0:33:11.360
<v Speaker 1>changed it. Okay, let's take a quick break and we

0:33:11.440 --> 0:33:22.880
<v Speaker 1>will come back to discuss and we are back where Okay,

0:33:22.960 --> 0:33:26.680
<v Speaker 1>where to begin? I would like to start, if it's

0:33:26.720 --> 0:33:31.600
<v Speaker 1>okay with how and this, I mean this, it's all

0:33:31.640 --> 0:33:34.040
<v Speaker 1>sort of like part of the same conversation of how

0:33:34.920 --> 0:33:41.560
<v Speaker 1>roll Dolls. Personal prejudices are very much on display in this.

0:33:42.160 --> 0:33:44.920
<v Speaker 1>The three main areas that stood out to me that

0:33:45.000 --> 0:33:49.480
<v Speaker 1>are also like, I mean, so, we'll probably be repeating

0:33:49.560 --> 0:33:53.520
<v Speaker 1>some stuff that we've mentioned in the Matilda episode previously,

0:33:54.240 --> 0:33:56.560
<v Speaker 1>but I think it really does bear repeating. So a

0:33:56.640 --> 0:34:01.160
<v Speaker 1>quick trigger warning for particularly anti Simon to them and um,

0:34:01.240 --> 0:34:03.760
<v Speaker 1>fat phobia. But I think that the three areas that

0:34:03.760 --> 0:34:06.720
<v Speaker 1>we're really jumping out to me was something that we've

0:34:06.720 --> 0:34:11.799
<v Speaker 1>discussed in Doll adaptations before, which is fat phobia, he

0:34:12.480 --> 0:34:16.000
<v Speaker 1>but also misogyny and anti semitism. I think we're just

0:34:16.360 --> 0:34:22.279
<v Speaker 1>like just running rampant. The story can't happen without that.

0:34:23.360 --> 0:34:27.279
<v Speaker 1>So I just wanted to start by going over rolled

0:34:27.320 --> 0:34:30.920
<v Speaker 1>all again. So if you've heard this information before, you

0:34:30.960 --> 0:34:34.400
<v Speaker 1>already know. If you haven't heard this information before, you know,

0:34:34.719 --> 0:34:38.279
<v Speaker 1>sorry if this is at least you're finding out from

0:34:38.440 --> 0:34:44.360
<v Speaker 1>your para social friends, but just but you know, like

0:34:44.560 --> 0:34:47.399
<v Speaker 1>Rold All was unlike I think that there's a lot

0:34:47.520 --> 0:34:50.560
<v Speaker 1>of creators that people will go to the map for

0:34:50.680 --> 0:34:53.560
<v Speaker 1>where they're like, well, we don't know for sure if

0:34:53.600 --> 0:34:56.440
<v Speaker 1>they were, but like rolled all of Rold Doll's prejudices

0:34:56.880 --> 0:34:59.759
<v Speaker 1>he was very vocal about. He literally said, I am

0:34:59.800 --> 0:35:05.719
<v Speaker 1>an anti semi like, there is no room for any argument, um,

0:35:05.760 --> 0:35:07.960
<v Speaker 1>even if you wanted to fucking straw man this issue.

0:35:08.440 --> 0:35:12.080
<v Speaker 1>He was very very anti Semitic um. He was known

0:35:12.120 --> 0:35:16.120
<v Speaker 1>to be horrible to his first wife in particular, but

0:35:16.239 --> 0:35:18.239
<v Speaker 1>also a lot of women in his life. He was

0:35:18.360 --> 0:35:22.480
<v Speaker 1>known to be extremely volatile and mean. He also said

0:35:22.520 --> 0:35:26.640
<v Speaker 1>to his wife, his wife, his wife on their first date.

0:35:27.000 --> 0:35:30.799
<v Speaker 1>Let me let me pull up the quote, I'd rather

0:35:30.920 --> 0:35:34.640
<v Speaker 1>be dead than fat unquote. He's just like a piece

0:35:34.680 --> 0:35:38.759
<v Speaker 1>of ship person like demonstrably so. And if you have

0:35:39.000 --> 0:35:42.240
<v Speaker 1>attachments to his works, I would say, like most people

0:35:42.320 --> 0:35:45.439
<v Speaker 1>do who are at least in our age range, and

0:35:45.600 --> 0:35:48.400
<v Speaker 1>but like it's very relevant information because they're going to

0:35:48.440 --> 0:35:52.960
<v Speaker 1>continue to adapt his work. Netflix paid a billion dollars

0:35:53.000 --> 0:35:57.200
<v Speaker 1>to license his entire catalog in the last couple of years.

0:35:57.880 --> 0:36:01.120
<v Speaker 1>But anyways, I just wanted to start by saying, like,

0:36:01.280 --> 0:36:03.120
<v Speaker 1>we're going to be taking a look at this, and

0:36:03.200 --> 0:36:07.680
<v Speaker 1>also it is very inherent to the author. The way

0:36:07.680 --> 0:36:11.359
<v Speaker 1>that women and the way that anti Semitic tropes are

0:36:11.480 --> 0:36:16.239
<v Speaker 1>presented in this work and in this movie are definitely

0:36:16.280 --> 0:36:21.040
<v Speaker 1>not a mistake intentional to the point where this book

0:36:21.400 --> 0:36:24.360
<v Speaker 1>was when it came out in eighty three. I mean, normally,

0:36:25.120 --> 0:36:28.400
<v Speaker 1>in most cases I'm very skeptical of like a band

0:36:28.480 --> 0:36:32.520
<v Speaker 1>book because that usually they're usually bad for the wrong

0:36:32.600 --> 0:36:36.520
<v Speaker 1>reasons right right, and it's like a puritanical thing. But

0:36:36.600 --> 0:36:39.560
<v Speaker 1>there was a lot of controversy about the Witches when

0:36:39.560 --> 0:36:43.839
<v Speaker 1>it was released in the book because people were like,

0:36:43.960 --> 0:36:48.000
<v Speaker 1>this is really misogynist, Like the first page it's all

0:36:48.040 --> 0:36:50.880
<v Speaker 1>about how I mean, I think that he's also like

0:36:50.960 --> 0:36:54.319
<v Speaker 1>going on this weird tirade about childless women, and like

0:36:54.719 --> 0:36:58.040
<v Speaker 1>just all of his shitty politics are so um on

0:36:58.120 --> 0:37:02.560
<v Speaker 1>display here. I don't want to really read any of

0:37:03.000 --> 0:37:08.600
<v Speaker 1>his specific comments about women. Um were about Jewish people.

0:37:09.000 --> 0:37:12.319
<v Speaker 1>You can seek those out. They are out there. He

0:37:12.400 --> 0:37:16.400
<v Speaker 1>has also said a number of racist things. There's uh

0:37:16.680 --> 0:37:19.600
<v Speaker 1>I this was my I don't think I found this

0:37:19.680 --> 0:37:22.680
<v Speaker 1>in my Matilda research. But apparently like he was like

0:37:23.160 --> 0:37:26.640
<v Speaker 1>let go by his editors at one point, like one

0:37:26.680 --> 0:37:31.640
<v Speaker 1>of them. And this is an incredibly lucrative author obviously, um,

0:37:31.719 --> 0:37:36.040
<v Speaker 1>but it was literally like he was too a extremely

0:37:36.120 --> 0:37:40.560
<v Speaker 1>mean and bad to work with and be editors at,

0:37:40.719 --> 0:37:43.360
<v Speaker 1>especially at this point in his career when he was older,

0:37:44.040 --> 0:37:47.800
<v Speaker 1>Like he would refuse to write out racist and misogynist stuff,

0:37:47.800 --> 0:37:50.319
<v Speaker 1>and his editors were like pleading with him and he

0:37:50.320 --> 0:37:52.000
<v Speaker 1>would say no, So they were like, well, we can't

0:37:52.000 --> 0:37:54.680
<v Speaker 1>work with you anymore. If you are like I I

0:37:54.760 --> 0:37:58.759
<v Speaker 1>refused to publish the children's book without misogyny, like it's

0:37:58.800 --> 0:38:04.680
<v Speaker 1>just absolutely wild and gross and um so so. But

0:38:04.920 --> 0:38:07.080
<v Speaker 1>as it pertains to the witches specifically, I do want

0:38:07.080 --> 0:38:11.239
<v Speaker 1>to share what he said to his editor because it

0:38:11.320 --> 0:38:13.760
<v Speaker 1>was flagged by the editorial team of like, this seems

0:38:13.840 --> 0:38:18.480
<v Speaker 1>like maybe you're working through some stuff, buddy, seems more

0:38:18.480 --> 0:38:22.320
<v Speaker 1>like a scary diary entry. But his editor, um whose

0:38:22.400 --> 0:38:24.600
<v Speaker 1>last name is Rocksburg, I don't have his first name here,

0:38:24.960 --> 0:38:27.480
<v Speaker 1>said that, you know, he pushed back and he's like,

0:38:28.040 --> 0:38:31.480
<v Speaker 1>next draft, let's uh, let's take it easy on those

0:38:31.520 --> 0:38:33.800
<v Speaker 1>damn witches a little bit when it comes to the

0:38:33.840 --> 0:38:36.880
<v Speaker 1>misogynist tropes, or like let's mix it up. Uh and

0:38:36.960 --> 0:38:39.719
<v Speaker 1>roll Dall replied, quote, I don't agree with you about

0:38:39.719 --> 0:38:42.040
<v Speaker 1>women coming in for a lot of this, for a

0:38:42.080 --> 0:38:44.960
<v Speaker 1>lot of the stick all the way through. The nicest

0:38:44.960 --> 0:38:47.000
<v Speaker 1>person in the whole thing is a woman, the grandmother.

0:38:47.160 --> 0:38:50.800
<v Speaker 1>So I have not changed anything. And so he like really,

0:38:51.200 --> 0:38:53.840
<v Speaker 1>you know, doubled down on every I mean, he's he

0:38:53.960 --> 0:38:57.240
<v Speaker 1>had issues with the n double a c P who

0:38:57.400 --> 0:39:00.600
<v Speaker 1>came out against some stuff. He wrote, Um, I think

0:39:00.680 --> 0:39:03.480
<v Speaker 1>as it pertains to the BFG and early draft of

0:39:03.480 --> 0:39:06.480
<v Speaker 1>the VFG that he did have to fix and was

0:39:06.560 --> 0:39:09.560
<v Speaker 1>forced to fix by the editor. But like, it's just

0:39:09.800 --> 0:39:13.799
<v Speaker 1>like on almost every marginalized person you could imagine, he

0:39:13.840 --> 0:39:17.960
<v Speaker 1>has said something deeply cruel. And this is like one

0:39:18.000 --> 0:39:21.160
<v Speaker 1>of the most famous children's authors of all time. Also,

0:39:21.200 --> 0:39:24.920
<v Speaker 1>his granddaughter became a very famous plus size model, So

0:39:25.120 --> 0:39:29.080
<v Speaker 1>fuck you, rold Doll. But anyway, so so that's all

0:39:29.120 --> 0:39:31.160
<v Speaker 1>I mean. Did you have anything else you wanted to

0:39:31.239 --> 0:39:33.040
<v Speaker 1>jump in to add to that? I just like, I

0:39:33.080 --> 0:39:36.360
<v Speaker 1>don't want to share specific comments but no, but I

0:39:36.440 --> 0:39:40.360
<v Speaker 1>will share a very very quick excerpt that I pulled

0:39:40.560 --> 0:39:43.359
<v Speaker 1>from the book because I went back and skimmed through

0:39:43.600 --> 0:39:47.239
<v Speaker 1>parts of it. Um, this is from the book, and

0:39:47.320 --> 0:39:51.000
<v Speaker 1>I believe the context here is that it's the grandmother

0:39:51.239 --> 0:39:53.839
<v Speaker 1>talking to I don't well, actually no, I'm not sure

0:39:53.840 --> 0:39:57.440
<v Speaker 1>if it's this is what the grandmother is saying to Luke,

0:39:57.800 --> 0:40:02.239
<v Speaker 1>or if this is just sort of like omniscient narration.

0:40:03.320 --> 0:40:07.200
<v Speaker 1>Not entirely sure. But what it says is quote A

0:40:07.320 --> 0:40:10.239
<v Speaker 1>which is always a woman. I do not wish to

0:40:10.280 --> 0:40:13.759
<v Speaker 1>speak badly about women. Most women are lovely, but the

0:40:13.760 --> 0:40:17.480
<v Speaker 1>fact remains that all which is our women there was

0:40:17.560 --> 0:40:19.960
<v Speaker 1>no such thing as a male, which, on the other hand,

0:40:20.040 --> 0:40:23.360
<v Speaker 1>a ghoul is always a male, so indeed is a

0:40:23.480 --> 0:40:25.359
<v Speaker 1>bar guesst. I don't know what the funk that is.

0:40:25.719 --> 0:40:28.440
<v Speaker 1>Both are dangerous, but neither of them is half as

0:40:28.520 --> 0:40:34.759
<v Speaker 1>dangerous as a real witch, right unquote. So I get

0:40:34.840 --> 0:40:37.800
<v Speaker 1>why you could read that and be like, that's pretty cool,

0:40:38.280 --> 0:40:42.719
<v Speaker 1>Like women are the most fearsome and terrifying of everybody.

0:40:42.760 --> 0:40:45.959
<v Speaker 1>That's fun. I don't know, I was, I was trying

0:40:46.040 --> 0:40:49.480
<v Speaker 1>to read through, like because this this is a been

0:40:49.520 --> 0:40:53.120
<v Speaker 1>a divisive work. I'm talking more about the book than

0:40:53.200 --> 0:40:56.360
<v Speaker 1>the movie when I say this, but like it was

0:40:56.400 --> 0:40:59.120
<v Speaker 1>a very divisive book, and there are a lot of

0:40:59.120 --> 0:41:01.520
<v Speaker 1>people who like read claim it on the basis of

0:41:01.640 --> 0:41:04.640
<v Speaker 1>that um where they're like, well, you know, he's created

0:41:04.680 --> 0:41:07.719
<v Speaker 1>a world where like this group of women are like

0:41:07.800 --> 0:41:12.720
<v Speaker 1>the most fearsome, powerful people in the entire world. Yeah,

0:41:12.880 --> 0:41:16.760
<v Speaker 1>like they're all powerful, and um, what we'll say about

0:41:16.760 --> 0:41:20.160
<v Speaker 1>those reclaimings as they conveniently don't mention any of the

0:41:20.600 --> 0:41:25.160
<v Speaker 1>anti Semitism, but that passage is cool, Like that's that

0:41:25.320 --> 0:41:28.200
<v Speaker 1>I wish that. I don't know, like they're they're but

0:41:28.280 --> 0:41:32.239
<v Speaker 1>it's also like demonstrating like, yeah, I'm saying that I

0:41:32.280 --> 0:41:35.520
<v Speaker 1>think that most women are lovely, but I actually secretly

0:41:36.160 --> 0:41:39.359
<v Speaker 1>find women scary and think that a lot of them

0:41:39.400 --> 0:41:43.160
<v Speaker 1>are evil witches, right, Like, I mean, you can take

0:41:43.160 --> 0:41:46.360
<v Speaker 1>it in a few different ways, but it's just so wild,

0:41:46.440 --> 0:41:51.000
<v Speaker 1>like yeah, there's no there's no um defending and also

0:41:51.160 --> 0:41:54.240
<v Speaker 1>like there's I'm pretty sure that because Matilda was recently

0:41:54.280 --> 0:41:57.880
<v Speaker 1>turned into a Broadway musical, I believe it's being um.

0:41:57.960 --> 0:42:00.239
<v Speaker 1>And then do you remember there was a big Emma

0:42:00.239 --> 0:42:02.360
<v Speaker 1>Thompson was cast as Miss trunch Bull. There was a

0:42:02.400 --> 0:42:05.240
<v Speaker 1>controversy about that because they didn't cast a fact actor

0:42:05.280 --> 0:42:08.000
<v Speaker 1>in a fat part. But so like all that to

0:42:08.040 --> 0:42:13.040
<v Speaker 1>say that there's like there's another rollout of Roll Doll's work,

0:42:13.560 --> 0:42:16.000
<v Speaker 1>as we talked about this in the Matilda episode, but

0:42:16.120 --> 0:42:23.040
<v Speaker 1>his family released an apology postmortem right after making a

0:42:23.080 --> 0:42:28.640
<v Speaker 1>billion dollars that was also divisive. Um, the apology I

0:42:28.680 --> 0:42:30.719
<v Speaker 1>think is like not a bad one. I think it

0:42:30.800 --> 0:42:34.520
<v Speaker 1>was the timing that people were a little more suspect about. Quote.

0:42:34.520 --> 0:42:37.080
<v Speaker 1>The Doll family and the Roll Tolls Story Company deeply

0:42:37.080 --> 0:42:39.840
<v Speaker 1>apologized for the lasting and understandable hurt caused by some

0:42:39.920 --> 0:42:43.279
<v Speaker 1>of Roll Doll's statements. It goes on from there. It

0:42:43.480 --> 0:42:47.319
<v Speaker 1>is good that his family and company can acknowledge it,

0:42:47.880 --> 0:42:51.560
<v Speaker 1>but also I think it was, in my opinion, rightfully

0:42:51.600 --> 0:42:54.520
<v Speaker 1>speculated that that was just so no one would yell

0:42:54.560 --> 0:42:58.319
<v Speaker 1>at them for taking the one billion Netflix dollars, so

0:42:58.360 --> 0:43:01.320
<v Speaker 1>that these could be adapted again. And there's no quality.

0:43:01.320 --> 0:43:03.759
<v Speaker 1>I mean, I don't know how much say the role

0:43:03.840 --> 0:43:07.520
<v Speaker 1>Doll company will have if you're to take the new

0:43:07.680 --> 0:43:11.440
<v Speaker 1>adaptation of the witches um that came out. It seems

0:43:11.480 --> 0:43:14.120
<v Speaker 1>like a lot of the tropes were not improved on

0:43:14.600 --> 0:43:18.400
<v Speaker 1>at all, and so it's no guarantee that they'll do better, right,

0:43:18.400 --> 0:43:21.960
<v Speaker 1>because again, the whole story is rooted in one big

0:43:22.000 --> 0:43:27.560
<v Speaker 1>anti Semitic stereotype. So we'll talk about that, should be,

0:43:27.880 --> 0:43:33.719
<v Speaker 1>let's get into that. Yes, let's all right. So the

0:43:33.800 --> 0:43:38.600
<v Speaker 1>Grand High Witch when Angelica Houston takes her Angelica Houston

0:43:38.680 --> 0:43:42.960
<v Speaker 1>face off, face off, and then we have the Grand

0:43:43.040 --> 0:43:48.320
<v Speaker 1>High Witch as she actually is. The character design here

0:43:49.239 --> 0:43:55.959
<v Speaker 1>very closely resembles anti Semitic caricatures that have been illustrated

0:43:56.320 --> 0:44:00.839
<v Speaker 1>of Jewish people throughout history. No ambiguity about it, right,

0:44:01.280 --> 0:44:05.560
<v Speaker 1>you know, various features the large hook knows being perhaps

0:44:05.600 --> 0:44:09.680
<v Speaker 1>the most obvious one those anti Semitic caricatures that have

0:44:09.760 --> 0:44:13.239
<v Speaker 1>existed throughout history. Visually speaking, feels like it was just

0:44:13.280 --> 0:44:16.640
<v Speaker 1>like mapped onto the character design of the Grand High

0:44:16.640 --> 0:44:21.560
<v Speaker 1>Witch um and and also like they I've read some

0:44:21.840 --> 0:44:24.920
<v Speaker 1>analysis that was like they go out of their way

0:44:24.960 --> 0:44:28.640
<v Speaker 1>to like give the witches like reptilian features, and just

0:44:28.680 --> 0:44:32.440
<v Speaker 1>like it just seems like they do the absolute most

0:44:32.520 --> 0:44:38.040
<v Speaker 1>you could possibly do. Yeah, it's upset. And then there

0:44:38.400 --> 0:44:43.000
<v Speaker 1>is the again, the premise that the movie is based on,

0:44:43.200 --> 0:44:49.600
<v Speaker 1>which is that these witches want to hunt children. And

0:44:49.640 --> 0:44:52.640
<v Speaker 1>if you consider the fact that the main character of

0:44:52.680 --> 0:44:56.040
<v Speaker 1>this movie, Luke, the you know, the little boy Luke,

0:44:56.719 --> 0:45:01.879
<v Speaker 1>he is a you know, blonde haired wied kid, and

0:45:02.040 --> 0:45:08.680
<v Speaker 1>these witches are hell bent on like him Norwegian. Like, yeah,

0:45:08.760 --> 0:45:11.080
<v Speaker 1>So I'm going to read a quote from a piece

0:45:11.120 --> 0:45:16.400
<v Speaker 1>by Shelley J. From entitled looking back on the anti

0:45:16.440 --> 0:45:22.320
<v Speaker 1>Semitism in Rhode Dolls the Witches quote attributing Jewish features

0:45:22.400 --> 0:45:26.160
<v Speaker 1>to quote unquote bad witches goes back centuries. In an

0:45:26.239 --> 0:45:30.480
<v Speaker 1>article about the origins of archetypal witches, Ellie Buford writes,

0:45:31.239 --> 0:45:34.680
<v Speaker 1>the stereotype of the Jewish nose is often used in

0:45:34.840 --> 0:45:39.160
<v Speaker 1>anti Semitic media, including Nazi propaganda such as The Eternal Jew.

0:45:39.680 --> 0:45:43.359
<v Speaker 1>While in early folklore it was likely not initially tied

0:45:43.400 --> 0:45:46.920
<v Speaker 1>to anti Semitism, the feature is used in modern times

0:45:46.960 --> 0:45:51.000
<v Speaker 1>to code characters as Jewish. Shelly J goes on to

0:45:51.080 --> 0:45:55.040
<v Speaker 1>say the child snatching and blood libel tropes of the

0:45:55.080 --> 0:45:58.680
<v Speaker 1>witches also have their roots in folklore, going all the

0:45:58.719 --> 0:46:02.840
<v Speaker 1>way back to Chaucer. Buford notes blood libel was a

0:46:02.960 --> 0:46:06.640
<v Speaker 1>charge frequently leveled at Jewish people during the Middle Ages.

0:46:07.080 --> 0:46:10.920
<v Speaker 1>People believed that any time a gentile parentheses non Jewish

0:46:11.200 --> 0:46:15.040
<v Speaker 1>child went missing, that Jewish people had kidnapped and killed

0:46:15.120 --> 0:46:21.040
<v Speaker 1>the child, either for ritual purposes or to use for food. Unquote.

0:46:21.400 --> 0:46:25.440
<v Speaker 1>And what does the Jewish coded grand high witch do

0:46:25.760 --> 0:46:28.279
<v Speaker 1>in this movie? And what does she want all the

0:46:28.320 --> 0:46:32.960
<v Speaker 1>other witches to do? Kidnap and kill aryan looking children.

0:46:33.440 --> 0:46:38.080
<v Speaker 1>They're also portrayed as having unlimited money and resources. Right,

0:46:38.480 --> 0:46:40.880
<v Speaker 1>That's that's what I meant when I said, like it is,

0:46:41.360 --> 0:46:44.960
<v Speaker 1>you know cool in theory that roll dolls presenting these

0:46:44.960 --> 0:46:48.960
<v Speaker 1>women is all powerful, but through the lens of anti Semitism,

0:46:49.200 --> 0:46:53.960
<v Speaker 1>he is and had and literally like textually said a

0:46:54.000 --> 0:46:58.560
<v Speaker 1>bunch of really stereotypical comments about Jewish people and money.

0:46:58.680 --> 0:47:01.920
<v Speaker 1>And that is also a part of the Witches right,

0:47:01.960 --> 0:47:04.960
<v Speaker 1>because the Grand high Witch has a trunk full of

0:47:05.040 --> 0:47:09.399
<v Speaker 1>cash and she is like throwing money at the other

0:47:09.440 --> 0:47:12.520
<v Speaker 1>witches and saying, here, take this and buy buy up.

0:47:12.520 --> 0:47:17.160
<v Speaker 1>All the candy stores in England offer people three to

0:47:17.239 --> 0:47:21.120
<v Speaker 1>four times what the shops are actually worth, just so

0:47:21.360 --> 0:47:24.759
<v Speaker 1>that you have this way to lure children in, to

0:47:24.920 --> 0:47:29.400
<v Speaker 1>capture them and to kill them. Yeah, I saw, and

0:47:29.480 --> 0:47:33.040
<v Speaker 1>I genuinely I mean, just a reminder for our listeners,

0:47:33.239 --> 0:47:37.320
<v Speaker 1>Caitlin and myself, we're not Jewish, so our perspective is limited,

0:47:37.480 --> 0:47:40.880
<v Speaker 1>and so there's stuff we're missing. We always want to

0:47:40.880 --> 0:47:43.759
<v Speaker 1>know it because, in fact, in a recent episode we

0:47:44.320 --> 0:47:48.840
<v Speaker 1>missed originally that there was an anti Semitic trope and

0:47:49.000 --> 0:47:54.080
<v Speaker 1>animation tropes being used in Mother Gothel from Tangled. So

0:47:54.880 --> 0:47:57.719
<v Speaker 1>we want to get shit right and we want to

0:47:57.760 --> 0:48:01.239
<v Speaker 1>continue learning. So if we're missing any thing, please, um

0:48:01.280 --> 0:48:05.320
<v Speaker 1>we are always you know, do people still say bang

0:48:05.400 --> 0:48:08.359
<v Speaker 1>my line. I've never said that. I was like, bang

0:48:08.400 --> 0:48:13.960
<v Speaker 1>our line. I've never heard that at all. What do

0:48:14.000 --> 0:48:18.160
<v Speaker 1>you mean it's been said. I think it's like a landline,

0:48:18.600 --> 0:48:22.359
<v Speaker 1>like land bang my lind give me a call, drop,

0:48:22.520 --> 0:48:27.520
<v Speaker 1>drop me a line. I've heard that. God, we're so old, okay, um.

0:48:27.960 --> 0:48:30.080
<v Speaker 1>I think that that's an older phrase, though I think

0:48:30.080 --> 0:48:32.680
<v Speaker 1>that phrase predates us bang my log. It was when

0:48:32.680 --> 0:48:37.080
<v Speaker 1>people were calling each other's landlord, landlord land line, let's

0:48:37.120 --> 0:48:42.680
<v Speaker 1>move on, um okay. So another thing, because I was

0:48:42.760 --> 0:48:46.400
<v Speaker 1>like coming through pieces, I was coming through right it.

0:48:46.440 --> 0:48:48.960
<v Speaker 1>I just was like, what you know, I want to

0:48:49.000 --> 0:48:51.400
<v Speaker 1>be brought up to speed here. It was also I

0:48:51.440 --> 0:48:54.120
<v Speaker 1>thought I saw speculated in a few places that the

0:48:54.400 --> 0:48:59.839
<v Speaker 1>accent that Angelic Houston takes on has been generally interpreted

0:49:00.000 --> 0:49:03.319
<v Speaker 1>as German, but there are plenty of Jewish people in

0:49:03.360 --> 0:49:07.360
<v Speaker 1>Germany as well as Um. Some people would argue that

0:49:07.400 --> 0:49:10.040
<v Speaker 1>it is more of a Yiddish accent. I don't have

0:49:10.520 --> 0:49:15.120
<v Speaker 1>the know how to say one way or the other,

0:49:15.200 --> 0:49:17.960
<v Speaker 1>and I wasn't able to find any production notes on

0:49:18.920 --> 0:49:22.560
<v Speaker 1>what she was doing, but I wanted to mention that.

0:49:22.640 --> 0:49:26.960
<v Speaker 1>And then for me, where the anti semitism and the

0:49:27.000 --> 0:49:35.120
<v Speaker 1>misogyny um sort of started blending. Yes, yes, the intersection

0:49:35.239 --> 0:49:38.839
<v Speaker 1>of misogyny and anti semitism, which unfortunately is a very

0:49:38.920 --> 0:49:43.040
<v Speaker 1>very real thing. But I think that where it like

0:49:43.360 --> 0:49:49.480
<v Speaker 1>overlapped most severely for me was in that like opening

0:49:49.600 --> 0:49:53.279
<v Speaker 1>sequence of the description, because I honestly didn't put this

0:49:53.320 --> 0:49:57.239
<v Speaker 1>together as an anti Semitic trope until I read it.

0:49:57.360 --> 0:49:59.360
<v Speaker 1>Let me get the name of the writer so I

0:49:59.400 --> 0:50:04.839
<v Speaker 1>can cry out at them for this insight. Tom. So

0:50:04.880 --> 0:50:07.960
<v Speaker 1>this is um from a piece that was written for

0:50:08.320 --> 0:50:14.600
<v Speaker 1>Vox by Aja Romano Um when The Witches came out. Um.

0:50:14.680 --> 0:50:18.120
<v Speaker 1>So this is a reflection on just the story at large.

0:50:18.400 --> 0:50:21.480
<v Speaker 1>UM not specific to this movie, but it definitely applies here. Quote.

0:50:21.520 --> 0:50:25.000
<v Speaker 1>The anti Semitism Doll himself professed doesn't necessarily play a

0:50:25.080 --> 0:50:27.880
<v Speaker 1>role in most of his other works, but it's directly

0:50:27.920 --> 0:50:31.600
<v Speaker 1>relevant to The Witches, a story that's explicitly about detecting

0:50:31.640 --> 0:50:35.440
<v Speaker 1>impostors in the midst of society. This is, to be blunt,

0:50:35.560 --> 0:50:38.840
<v Speaker 1>the theme of most anti Semitic conspiracy throughout history, and

0:50:38.880 --> 0:50:42.240
<v Speaker 1>has led, in its most extreme form to the idea

0:50:42.320 --> 0:50:45.960
<v Speaker 1>that Jewish people quote hide in plain sight while essentially

0:50:45.960 --> 0:50:49.520
<v Speaker 1>controlling the world. Unquote. I did not put that together

0:50:49.560 --> 0:50:52.960
<v Speaker 1>on my viewing, but I completely agree and like no

0:50:53.239 --> 0:50:57.680
<v Speaker 1>knowing role Doll's feelings, I'm sure that that was his

0:50:57.880 --> 0:51:03.920
<v Speaker 1>intense inspired whole narrative he is uh, he's a bad man,

0:51:04.280 --> 0:51:08.600
<v Speaker 1>he sucks hot take. And I think also within that

0:51:08.880 --> 0:51:11.360
<v Speaker 1>same um, I think where I got thrown off in

0:51:11.440 --> 0:51:14.960
<v Speaker 1>addition to just like I don't have a Jewish perspective,

0:51:15.000 --> 0:51:18.480
<v Speaker 1>but I um, I mean like it is an inherently

0:51:18.560 --> 0:51:22.520
<v Speaker 1>scary idea that something is hiding in plain sight and

0:51:22.600 --> 0:51:25.320
<v Speaker 1>can hurt you, Like that's whatever you used in horror

0:51:25.360 --> 0:51:28.440
<v Speaker 1>all the time. But I thought it was like, you know,

0:51:28.480 --> 0:51:32.359
<v Speaker 1>where it sort of crossed into more generalized misogyny for

0:51:32.440 --> 0:51:35.799
<v Speaker 1>me was like the ways in which the witches had

0:51:35.840 --> 0:51:40.400
<v Speaker 1>to hide the parts of them that were seen as grotesque,

0:51:40.680 --> 0:51:44.720
<v Speaker 1>where it was all very like stuff we've talked about before,

0:51:44.760 --> 0:51:48.120
<v Speaker 1>but like this might be the most extreme example that

0:51:48.719 --> 0:51:52.319
<v Speaker 1>we've ever covered, where you know, like the trappings of

0:51:52.360 --> 0:51:55.319
<v Speaker 1>classic femininity with like the wigs. You know, your hair

0:51:55.360 --> 0:51:57.200
<v Speaker 1>has to look a certain way, your makeup has to

0:51:57.239 --> 0:51:59.040
<v Speaker 1>be on point, you have to like look good, you

0:51:59.040 --> 0:52:01.400
<v Speaker 1>have to look glamorous, have to wear high heeled shoes,

0:52:01.560 --> 0:52:07.040
<v Speaker 1>like all this ship and the implication that which is

0:52:07.080 --> 0:52:11.200
<v Speaker 1>just like Galaxy brain, the implication that the story has

0:52:11.400 --> 0:52:17.319
<v Speaker 1>is that women are doing this to fool you, so

0:52:17.400 --> 0:52:22.080
<v Speaker 1>you don't notice that they're evil, and there is no whatever,

0:52:22.200 --> 0:52:26.839
<v Speaker 1>there is no implication that this might be something that

0:52:27.000 --> 0:52:32.600
<v Speaker 1>is demanded of of many women, especially you know, the

0:52:32.600 --> 0:52:36.640
<v Speaker 1>further back in time you go, right, So it's just

0:52:36.880 --> 0:52:40.480
<v Speaker 1>like again, it's like, oh, it's uh. If you feel

0:52:41.040 --> 0:52:45.279
<v Speaker 1>pressure to look a certain way, that's your fault. And

0:52:45.360 --> 0:52:49.920
<v Speaker 1>also it removes the possibility that you might just enjoy

0:52:49.960 --> 0:52:55.840
<v Speaker 1>presenting feminine, Like there's just no there's there's no nothing.

0:52:56.200 --> 0:53:01.439
<v Speaker 1>The rigid expectations are rigid. Um. Yeah. Something that really

0:53:01.520 --> 0:53:07.200
<v Speaker 1>struck me was the I would say, casting and makeup

0:53:07.280 --> 0:53:11.440
<v Speaker 1>choices for the witches, because there's a room full of

0:53:11.480 --> 0:53:16.680
<v Speaker 1>like a hundred of them, give or take, and the

0:53:16.719 --> 0:53:19.799
<v Speaker 1>people that were cast as witches, and the kind of

0:53:19.840 --> 0:53:24.520
<v Speaker 1>just character design of the witches in general carries some

0:53:24.800 --> 0:53:30.359
<v Speaker 1>troubling implications. So many of the women who are cast

0:53:30.400 --> 0:53:34.040
<v Speaker 1>as witches are middle aged or older, which is actually

0:53:34.120 --> 0:53:36.800
<v Speaker 1>I guess, a deviation from the book um the ground

0:53:36.840 --> 0:53:40.880
<v Speaker 1>which is described in the book as being okay. So

0:53:40.960 --> 0:53:43.880
<v Speaker 1>I think that this is like specifically a movie issue,

0:53:44.160 --> 0:53:46.640
<v Speaker 1>and I feel like what it's implying is what I

0:53:46.800 --> 0:53:50.080
<v Speaker 1>jumped to, was implying like women without children are more

0:53:50.120 --> 0:53:54.440
<v Speaker 1>likely to be evil, scary and like, and it's not

0:53:54.520 --> 0:53:58.120
<v Speaker 1>that it's not just that I don't want children, it's

0:53:58.160 --> 0:54:00.600
<v Speaker 1>that I hate children and I want them to die,

0:54:00.800 --> 0:54:03.200
<v Speaker 1>which is just like whatever, It's just everything is so

0:54:03.280 --> 0:54:09.160
<v Speaker 1>fucking absolutist and in this specific world, yes, um, there's

0:54:09.239 --> 0:54:13.040
<v Speaker 1>that there is similar to what you were just talking about.

0:54:13.280 --> 0:54:17.600
<v Speaker 1>Certain markers of quote unquote femininity are like removed from

0:54:18.040 --> 0:54:21.160
<v Speaker 1>the witches where you know, they make them bald, they

0:54:21.280 --> 0:54:25.560
<v Speaker 1>have rashy skin. Certain choices are made to for like

0:54:25.600 --> 0:54:29.000
<v Speaker 1>they're like makeup and costuming. In addition to that, there's

0:54:29.040 --> 0:54:32.280
<v Speaker 1>like some of them are given like prosthetic teeth. Basically

0:54:32.320 --> 0:54:38.000
<v Speaker 1>they are made to seem unattractive by traditional Western beauty standards,

0:54:38.080 --> 0:54:41.560
<v Speaker 1>which I think is like supported by like virtually every

0:54:41.600 --> 0:54:46.680
<v Speaker 1>cinematography choice is the movie like is supporting that like,

0:54:47.200 --> 0:54:50.719
<v Speaker 1>which is again it's just like I don't think that

0:54:50.760 --> 0:54:53.920
<v Speaker 1>there's any way to adapt this story that isn't offensive.

0:54:54.520 --> 0:54:57.040
<v Speaker 1>And I think some of the cool like if I'm

0:54:57.080 --> 0:55:00.360
<v Speaker 1>just thinking, like Jamie likes watching a movie brain, I

0:55:00.360 --> 0:55:03.160
<v Speaker 1>think some of the cooler choices are in the cinematography

0:55:03.200 --> 0:55:06.400
<v Speaker 1>because it's like, it's really fucking scary but like, you know,

0:55:06.440 --> 0:55:10.120
<v Speaker 1>all of the like movie language choices totally support what

0:55:10.160 --> 0:55:14.200
<v Speaker 1>you're supposed to not like about them, like unflattering camera angles,

0:55:15.080 --> 0:55:18.759
<v Speaker 1>unflattering lenses like fish eye lens kind of stuff. And

0:55:18.800 --> 0:55:24.520
<v Speaker 1>then something I noticed, And we couldn't find any information

0:55:24.560 --> 0:55:27.520
<v Speaker 1>about how intentional this was as far as casting goes,

0:55:28.160 --> 0:55:33.360
<v Speaker 1>but several of the witches who are in the group

0:55:33.800 --> 0:55:39.319
<v Speaker 1>at the meeting are men, So I in this is

0:55:39.440 --> 0:55:43.360
<v Speaker 1>speculation here, but I would speculate that that's just another

0:55:43.440 --> 0:55:46.279
<v Speaker 1>thing that contributes to this idea that if you're not

0:55:46.480 --> 0:55:52.920
<v Speaker 1>adhering to a very you know, traditional binary standard of beauty,

0:55:53.080 --> 0:55:58.640
<v Speaker 1>then you're evil. If you are a woman with masculine features,

0:55:59.040 --> 0:56:03.640
<v Speaker 1>that's scary, that bad. The implications here are you know,

0:56:03.719 --> 0:56:07.200
<v Speaker 1>a whole number of you know, just very harmful queer phobic,

0:56:07.920 --> 0:56:14.360
<v Speaker 1>transphobic implications. There's just a lot done in this movie

0:56:14.440 --> 0:56:17.800
<v Speaker 1>that I feel like is was probably intentional. Again, we

0:56:17.800 --> 0:56:20.719
<v Speaker 1>couldn't find anything to confirm this, but we really we

0:56:20.800 --> 0:56:24.080
<v Speaker 1>really did look. I mean, but and and even fans

0:56:24.120 --> 0:56:28.600
<v Speaker 1>of this movie have speculated something very similar. Yeah, I mean,

0:56:28.600 --> 0:56:30.799
<v Speaker 1>there's kind of like, as far as I know, like,

0:56:30.840 --> 0:56:33.000
<v Speaker 1>there wasn't a lot available in terms of like finding

0:56:33.000 --> 0:56:35.800
<v Speaker 1>out about the production process of this movie outside of

0:56:35.880 --> 0:56:38.160
<v Speaker 1>kind of like the basics, because I have all these questions,

0:56:38.360 --> 0:56:42.960
<v Speaker 1>but Nicholas Rogue is dead, so I don't know a

0:56:42.960 --> 0:56:45.120
<v Speaker 1>lot of the answer. But yeah, I I genuine I

0:56:45.160 --> 0:56:48.200
<v Speaker 1>didn't notice that on my viewings. But once you pointed out,

0:56:48.320 --> 0:56:51.560
<v Speaker 1>I I see what you're saying. I agree, right, And

0:56:51.600 --> 0:56:55.480
<v Speaker 1>we had a similar discussion on the Matilda episode with

0:56:55.640 --> 0:57:00.120
<v Speaker 1>the Mistrunchable versus Miss Honey characters, where if you who

0:57:00.120 --> 0:57:04.799
<v Speaker 1>are a woman who presents as traditionally feminine and traditionally

0:57:04.840 --> 0:57:10.359
<v Speaker 1>pretty and who has like mothering type of qualities, you're

0:57:10.360 --> 0:57:13.360
<v Speaker 1>a good person. And if you're a woman with masculine

0:57:13.360 --> 0:57:18.080
<v Speaker 1>features who would not perhaps be considered as attractive by

0:57:18.160 --> 0:57:21.720
<v Speaker 1>Western standards of beauty, you are a mean, bad person

0:57:21.760 --> 0:57:26.240
<v Speaker 1>who hates children. Right, But it's well, I don't see

0:57:26.280 --> 0:57:30.560
<v Speaker 1>I haven't I haven't revisited anything remotely Charlie and the

0:57:30.640 --> 0:57:34.720
<v Speaker 1>Chocolate Factory in a very very long time. I know that,

0:57:34.800 --> 0:57:38.480
<v Speaker 1>like Willy Wonka is like a villain, but he's a

0:57:38.560 --> 0:57:41.680
<v Speaker 1>villain in a different way than the Witches are villains,

0:57:41.720 --> 0:57:44.800
<v Speaker 1>and in a different way than Miss trunch Ball is

0:57:44.840 --> 0:57:48.520
<v Speaker 1>presented as a villain. I so take this with a

0:57:48.560 --> 0:57:51.439
<v Speaker 1>grain of salt because I haven't revisited in a while,

0:57:51.520 --> 0:57:53.840
<v Speaker 1>but just my memory of because I read those books

0:57:53.880 --> 0:57:57.360
<v Speaker 1>and watched the movies, and he's definitely a villain, but

0:57:57.400 --> 0:58:01.240
<v Speaker 1>he's more like he's a trickster. Uh, you like him,

0:58:01.240 --> 0:58:04.640
<v Speaker 1>but you are never you know, like Miss Trench Bull

0:58:04.760 --> 0:58:09.920
<v Speaker 1>and Um, I think Angelica Houston's character are highly reclaimable characters,

0:58:09.960 --> 0:58:12.919
<v Speaker 1>but they're meant to be despicable, like from the first

0:58:12.960 --> 0:58:15.840
<v Speaker 1>moment you see them, where I feel like Willy Wonka,

0:58:15.960 --> 0:58:19.040
<v Speaker 1>you're no matter what form he appears, and you're supposed

0:58:19.120 --> 0:58:22.240
<v Speaker 1>to still kind of like him even though he's an asshole.

0:58:22.920 --> 0:58:28.360
<v Speaker 1>So that's, you know, a very rold Doll thing. It's

0:58:28.400 --> 0:58:30.720
<v Speaker 1>so wild to me. I mean it's like, I love

0:58:31.480 --> 0:58:35.280
<v Speaker 1>I love the character of Matilda and the fact that

0:58:35.360 --> 0:58:38.520
<v Speaker 1>Jim Henson was so deeply involved in making these like

0:58:39.160 --> 0:58:42.600
<v Speaker 1>horrific anti Semitic prosthetics, and yet this is the same

0:58:42.600 --> 0:58:46.680
<v Speaker 1>person who gave us Miss Piggy. I just I'm like, uh, hello,

0:58:47.600 --> 0:58:50.840
<v Speaker 1>it doesn't whatever. I'm not I can't lose sleep sleep

0:58:50.880 --> 0:58:55.160
<v Speaker 1>over it at this time. Um, we're tired. Yeah, but

0:58:55.240 --> 0:58:58.040
<v Speaker 1>I mean, and and just to sort of close the

0:58:58.040 --> 0:59:01.760
<v Speaker 1>loop on the misogyny of it all. So this is

0:59:01.840 --> 0:59:04.200
<v Speaker 1>I mean, this is a very very white movie. I

0:59:04.240 --> 0:59:07.120
<v Speaker 1>believe that there are some women of color in the

0:59:07.160 --> 0:59:10.520
<v Speaker 1>background who appear. I think that there are a few

0:59:10.640 --> 0:59:14.360
<v Speaker 1>witches who are not white, but you only witches first

0:59:14.360 --> 0:59:17.520
<v Speaker 1>of all. Um, even outside of that, like I feel

0:59:17.760 --> 0:59:21.320
<v Speaker 1>it feels just like, yeah, most of the women who

0:59:21.400 --> 0:59:26.360
<v Speaker 1>are afraid of mice are maternal or blonde, all of

0:59:26.400 --> 0:59:32.440
<v Speaker 1>the like, any woman who expresses anything is either maternal

0:59:32.560 --> 0:59:37.200
<v Speaker 1>or blonde, and that's just how the world works in

0:59:37.320 --> 0:59:41.240
<v Speaker 1>Mr Bean's hotel. I don't like it. Um, I do

0:59:42.040 --> 0:59:47.040
<v Speaker 1>want to Well, let's let's talk about Grandma really quick,

0:59:47.920 --> 0:59:51.360
<v Speaker 1>because there's a lot of ways to come back Grandma.

0:59:51.440 --> 0:59:56.160
<v Speaker 1>I do think that she and Angelica Houston are the

0:59:56.200 --> 1:00:03.360
<v Speaker 1>most motivated characters in the movie. Sure, which is which? Which?

1:00:03.600 --> 1:00:07.040
<v Speaker 1>Which is? Like? You know whatever? For me, all the

1:00:07.120 --> 1:00:10.760
<v Speaker 1>fucking anti semitism, uh cancels out anything that I would

1:00:10.880 --> 1:00:14.600
<v Speaker 1>like about it. But you know, I can I can

1:00:14.760 --> 1:00:18.080
<v Speaker 1>respect that the two most motivated characters are women. I

1:00:18.120 --> 1:00:20.600
<v Speaker 1>sort of wish that if that's the case, then like

1:00:20.760 --> 1:00:23.640
<v Speaker 1>lean into that rivalry more like I don't know why

1:00:23.680 --> 1:00:25.840
<v Speaker 1>we're with I I know what, Ever, like you needed

1:00:25.840 --> 1:00:28.640
<v Speaker 1>a child protagonist as the World Doll book, but I'm

1:00:28.680 --> 1:00:30.640
<v Speaker 1>just like, I don't really give a shit about Luke.

1:00:31.200 --> 1:00:35.840
<v Speaker 1>He's very just there, and I guess that the mouse

1:00:35.960 --> 1:00:38.160
<v Speaker 1>practical effects are cool, but like I just didn't I

1:00:38.160 --> 1:00:40.680
<v Speaker 1>don't know. I was like, the grandma is the more

1:00:40.760 --> 1:00:45.800
<v Speaker 1>interesting character, but also she's the one that's like sharing

1:00:45.840 --> 1:00:50.320
<v Speaker 1>this misogynist uh theory she's been forming for her entire

1:00:50.440 --> 1:00:55.360
<v Speaker 1>life at the beginning, So you're like, well, that's I

1:00:55.400 --> 1:00:59.240
<v Speaker 1>don't know. I didn't hate the grandma character. Like I

1:00:59.280 --> 1:01:02.800
<v Speaker 1>thought it was cool that at every step she did

1:01:03.040 --> 1:01:07.120
<v Speaker 1>believe her grandson when he and no one ever believes

1:01:07.240 --> 1:01:10.400
<v Speaker 1>children in books also very often in real life. I

1:01:10.400 --> 1:01:13.920
<v Speaker 1>think that that is always a valuable thing to include

1:01:13.920 --> 1:01:17.800
<v Speaker 1>in children's media of like just a kid, something weird,

1:01:17.880 --> 1:01:20.600
<v Speaker 1>specific horrible happening to a kid and having them be

1:01:20.680 --> 1:01:24.520
<v Speaker 1>believed by an adult they love. That's very important. That's nice.

1:01:25.320 --> 1:01:29.640
<v Speaker 1>But she's a conspirace, like it's it's all very weird.

1:01:29.760 --> 1:01:34.040
<v Speaker 1>But she basically says, like, be wary of any woman

1:01:34.120 --> 1:01:37.120
<v Speaker 1>you come across a little boy, because there's a chance

1:01:37.200 --> 1:01:40.720
<v Speaker 1>she might be a witch. So I have a fundamental

1:01:40.800 --> 1:01:45.120
<v Speaker 1>distrust of women right right and literally. And at first

1:01:45.120 --> 1:01:47.760
<v Speaker 1>I was like you gol. Lucacy was like that can't

1:01:47.800 --> 1:01:50.840
<v Speaker 1>be true. It was like Luke's living in the year.

1:01:51.800 --> 1:01:54.400
<v Speaker 1>And then she's like, no, we gotta roll that clock backwards.

1:01:54.560 --> 1:01:59.320
<v Speaker 1>Don't trust a woman in the entire world. Um, it's

1:01:59.440 --> 1:02:04.280
<v Speaker 1>so bizarre. I do like there and and and the

1:02:04.280 --> 1:02:08.560
<v Speaker 1>other thing. I'll hand too to Grandma. I guess in

1:02:08.600 --> 1:02:10.960
<v Speaker 1>the book she's grandmama. They give they give people names

1:02:11.360 --> 1:02:12.959
<v Speaker 1>in the movie, they didn't give them in the book.

1:02:12.960 --> 1:02:17.160
<v Speaker 1>I guess everyone it's like boy, grandmama, grand witch. Um,

1:02:17.200 --> 1:02:19.720
<v Speaker 1>but she's named Helga. In this she has a name.

1:02:20.440 --> 1:02:24.240
<v Speaker 1>And when the action of the movie, because this movie

1:02:24.280 --> 1:02:27.360
<v Speaker 1>is like kind of like a how some funky pacing

1:02:27.440 --> 1:02:29.840
<v Speaker 1>to like it takes longer than I thought it was

1:02:29.840 --> 1:02:32.440
<v Speaker 1>going to take for him to become a mouse whatever.

1:02:34.200 --> 1:02:37.800
<v Speaker 1>But once that is happening, you know, like she is

1:02:37.920 --> 1:02:42.320
<v Speaker 1>very active in basically everything moving forward. They're working together.

1:02:42.800 --> 1:02:47.160
<v Speaker 1>She believes him. I think the only if the story

1:02:47.200 --> 1:02:48.720
<v Speaker 1>has to go the way it has to go, the

1:02:48.760 --> 1:02:51.520
<v Speaker 1>only thing I wish had gone differently was that she

1:02:51.520 --> 1:02:54.920
<v Speaker 1>should have gotten to kill Angelica Houston after all of that.

1:02:55.240 --> 1:02:58.680
<v Speaker 1>So weird that they let Mr Bean do it, especially

1:02:58.680 --> 1:03:04.720
<v Speaker 1>because it's been suggested, if not overtly stated, that her

1:03:04.760 --> 1:03:08.880
<v Speaker 1>injury on her hand was caused by Angelica Houston, which

1:03:09.120 --> 1:03:12.200
<v Speaker 1>and like they had a rivalry, they recognize each other,

1:03:12.400 --> 1:03:14.720
<v Speaker 1>you know, So it would have been so much more

1:03:14.760 --> 1:03:18.760
<v Speaker 1>cathartic if Grandma was able to land the killing blow.

1:03:19.920 --> 1:03:23.120
<v Speaker 1>It's so bizarre to be that that that didn't happen, because, Yeah,

1:03:23.120 --> 1:03:25.400
<v Speaker 1>I think that Angelica Houston kind of like confirms that

1:03:25.440 --> 1:03:28.480
<v Speaker 1>when she goes to see like she first of all

1:03:29.000 --> 1:03:33.280
<v Speaker 1>triggers a diabetic attack. She's so evil in poor Grandma

1:03:33.880 --> 1:03:37.240
<v Speaker 1>and like walks in, She's like, oh this bitch again,

1:03:38.280 --> 1:03:41.040
<v Speaker 1>she's old. Now I know who this is blah blah blah,

1:03:41.080 --> 1:03:43.400
<v Speaker 1>which also implies that the witches are immortal. I guess

1:03:43.440 --> 1:03:46.880
<v Speaker 1>I don't know. Yeah, hard to say, but yeah, I

1:03:46.920 --> 1:03:49.040
<v Speaker 1>think it. I think that we're supposed to believe that

1:03:49.080 --> 1:03:53.240
<v Speaker 1>Angelica Houston something, whatever happened with the finger was her.

1:03:54.040 --> 1:03:55.760
<v Speaker 1>She didn't even get to kill her. What's the point.

1:03:55.800 --> 1:03:59.000
<v Speaker 1>Why am I watching this movie? Um? I would The

1:03:59.040 --> 1:04:02.920
<v Speaker 1>other thing with the Grandma character is that so she

1:04:03.200 --> 1:04:05.720
<v Speaker 1>learns towards the beginning of the story that she has diabetes,

1:04:06.520 --> 1:04:10.000
<v Speaker 1>and I feel, and maybe this is me misinterpreting or

1:04:10.080 --> 1:04:12.800
<v Speaker 1>reading too far into this, but I feel like the

1:04:12.800 --> 1:04:18.560
<v Speaker 1>movie implies that her diabetes is making her a bad caregiver,

1:04:18.880 --> 1:04:22.080
<v Speaker 1>and it's like the fault of her diabetes that is

1:04:22.200 --> 1:04:25.680
<v Speaker 1>why Luke got caught by the witches and turned into

1:04:26.120 --> 1:04:32.640
<v Speaker 1>a mouse, which obviously has very ablest implications if true. Um,

1:04:32.680 --> 1:04:34.720
<v Speaker 1>because like there's a scene where she's like laid up

1:04:34.720 --> 1:04:38.040
<v Speaker 1>in bed and Luke even says like, I'm not sure

1:04:38.040 --> 1:04:41.200
<v Speaker 1>if it was the witches or if it was her diabetes,

1:04:41.320 --> 1:04:45.080
<v Speaker 1>but she was like not able to look after him,

1:04:45.120 --> 1:04:47.680
<v Speaker 1>and that's why he got caught by witches and turned

1:04:47.720 --> 1:04:51.400
<v Speaker 1>into a mouse. I don't know. I that did not

1:04:51.640 --> 1:04:54.760
<v Speaker 1>occur to me, but I think it is interesting. I

1:04:54.760 --> 1:04:57.160
<v Speaker 1>don't know, yeah, I I honestly sort of just like

1:04:57.200 --> 1:04:59.440
<v Speaker 1>any time I see a kid just like running around

1:04:59.560 --> 1:05:01.400
<v Speaker 1>and you're there, should be an adult there. I'm like, oh,

1:05:01.400 --> 1:05:04.840
<v Speaker 1>this movie came out in that was probably just allowed.

1:05:04.920 --> 1:05:07.200
<v Speaker 1>I don't know, but that but that is an interesting point.

1:05:06.960 --> 1:05:09.960
<v Speaker 1>I didn't think about that. There are a lot I mean,

1:05:10.000 --> 1:05:13.840
<v Speaker 1>there's like mostly female characters in this movie. Another one

1:05:13.880 --> 1:05:16.720
<v Speaker 1>I would like to talk about really quick is the

1:05:16.760 --> 1:05:20.600
<v Speaker 1>one that was changed and I think maybe added with

1:05:20.640 --> 1:05:25.200
<v Speaker 1>specificity entirely for this movie, which is um Susan the

1:05:25.280 --> 1:05:28.080
<v Speaker 1>Good which I didn't hear her ever be called Susan,

1:05:28.080 --> 1:05:30.880
<v Speaker 1>but apparently her name is Susan. I think that this

1:05:30.960 --> 1:05:35.360
<v Speaker 1>is like for me, like whatever, I'm old, and this

1:05:35.480 --> 1:05:39.000
<v Speaker 1>movie is for kids, so I'm not handing it to myself,

1:05:39.160 --> 1:05:42.480
<v Speaker 1>but I feel like you're told immediately that like this,

1:05:42.960 --> 1:05:45.320
<v Speaker 1>which isn't like the other which because she's wearing white

1:05:45.680 --> 1:05:48.040
<v Speaker 1>all the time, and she's blonde, and she's none of

1:05:48.080 --> 1:05:53.080
<v Speaker 1>the other witches where light colors or have these aryan

1:05:53.200 --> 1:05:57.800
<v Speaker 1>complexions which enrolled dolls. Ship is always intentional, so she's

1:05:57.880 --> 1:06:00.920
<v Speaker 1>the only that I could spot anyways, the only blonde

1:06:01.280 --> 1:06:05.840
<v Speaker 1>which and she the few times you see her, uh Eva,

1:06:06.280 --> 1:06:09.160
<v Speaker 1>Angelica Houston's bossing her around, being an asshole to her,

1:06:09.760 --> 1:06:12.360
<v Speaker 1>and then at the end, she's fed up and she

1:06:12.360 --> 1:06:15.000
<v Speaker 1>she leaves the dinner. So she's the only witch that

1:06:15.080 --> 1:06:18.760
<v Speaker 1>doesn't eat the soup and turn into a mouse. And

1:06:18.800 --> 1:06:23.080
<v Speaker 1>then she goes like, can you help me trace what

1:06:23.240 --> 1:06:26.160
<v Speaker 1>goes on there? Because she goes we see like there's like,

1:06:26.320 --> 1:06:29.800
<v Speaker 1>I don't know if this is I haven't seen Nicholas Rogues,

1:06:29.920 --> 1:06:32.520
<v Speaker 1>Like I haven't seen others of his movies. I'm like,

1:06:32.520 --> 1:06:34.160
<v Speaker 1>I don't know if this is his style. But there's

1:06:34.240 --> 1:06:37.840
<v Speaker 1>like occasionally in this movie, just like really quick shots

1:06:38.040 --> 1:06:40.200
<v Speaker 1>that are like supposed to be a whole scene and

1:06:40.240 --> 1:06:43.320
<v Speaker 1>then and then you're like, wait what they cut up

1:06:43.400 --> 1:06:45.720
<v Speaker 1>to Susan the good Witch at some point in the

1:06:45.720 --> 1:06:48.200
<v Speaker 1>middle of like the peak of the movie, and it's

1:06:48.200 --> 1:06:50.840
<v Speaker 1>just like her in her hotel room by herself, drinking

1:06:51.000 --> 1:06:54.360
<v Speaker 1>a cup of tea by herself. She doesn't even speak,

1:06:54.480 --> 1:06:56.840
<v Speaker 1>but you hear her thoughts for a second, which doesn't

1:06:56.880 --> 1:07:00.800
<v Speaker 1>happen anywhere else in the movie, and it just goes like, well,

1:07:00.880 --> 1:07:03.040
<v Speaker 1>I didn't want to hang out with them anyways, or

1:07:03.080 --> 1:07:06.760
<v Speaker 1>like whatever it was. I was like, what was that?

1:07:06.760 --> 1:07:10.600
<v Speaker 1>That was self bizarre? And then like that's the only

1:07:11.640 --> 1:07:17.360
<v Speaker 1>it's that. And then when Grandma and Luke Mouse are

1:07:17.440 --> 1:07:24.320
<v Speaker 1>leaving Mr Bean, sorry, Luky Mouse, Lukie Mouse are leaving

1:07:24.400 --> 1:07:28.400
<v Speaker 1>Mr Bean's hotel, she's like looking at them, and then

1:07:28.480 --> 1:07:31.800
<v Speaker 1>that's the only information you get before you find out, oh,

1:07:31.880 --> 1:07:36.400
<v Speaker 1>actually she's so good and you're like what I could not.

1:07:37.040 --> 1:07:40.960
<v Speaker 1>I think it's implied that the grand high Witch who

1:07:41.040 --> 1:07:46.640
<v Speaker 1>is her boss, mistreats this quote unquote good witch, and

1:07:46.720 --> 1:07:50.840
<v Speaker 1>so she just was fed up with being mistreated, so

1:07:50.880 --> 1:07:56.120
<v Speaker 1>she decides to like rebel against this evil witchery and

1:07:56.280 --> 1:08:00.400
<v Speaker 1>use her magic for good? Is the load chick that

1:08:00.480 --> 1:08:04.720
<v Speaker 1>I could kind of track? Yeah, I mean, I'm not

1:08:04.760 --> 1:08:09.160
<v Speaker 1>opposed to the change made to the ending. These poor

1:08:09.240 --> 1:08:12.760
<v Speaker 1>children have suffered enough. I don't mind there being a

1:08:12.840 --> 1:08:15.280
<v Speaker 1>random happy ending, but it is a very gendered happy

1:08:15.360 --> 1:08:18.840
<v Speaker 1>ending that that um, even though it doesn't align with

1:08:18.880 --> 1:08:21.040
<v Speaker 1>the story logic, it aligns with the view of women

1:08:21.080 --> 1:08:23.440
<v Speaker 1>that we've seen this whole time, which is that, um,

1:08:23.560 --> 1:08:29.679
<v Speaker 1>blonde women are nice. Yeah, so that I just wanted

1:08:29.720 --> 1:08:34.280
<v Speaker 1>to just even just to unpack, like they really half asked,

1:08:34.640 --> 1:08:39.599
<v Speaker 1>letting us know why she was good and who else

1:08:39.640 --> 1:08:41.439
<v Speaker 1>do we have? We have the made There's not really

1:08:41.520 --> 1:08:46.479
<v Speaker 1>much to say there, I think as far as uh oh,

1:08:46.520 --> 1:08:50.760
<v Speaker 1>this is a fun transition. Um Bruno's mom a k

1:08:50.920 --> 1:08:56.120
<v Speaker 1>as mom. I think she's just like she's characterized as

1:08:56.760 --> 1:09:02.080
<v Speaker 1>very shrill, shrill and hysterical. Yes, and that's kind of

1:09:02.160 --> 1:09:05.519
<v Speaker 1>unchallenged both to be fair, like a lot of world

1:09:05.760 --> 1:09:11.400
<v Speaker 1>roll Doll parents. They're just kind of incompetent assholes, um,

1:09:11.720 --> 1:09:14.400
<v Speaker 1>the both of them. But the way that they're incompetent

1:09:14.400 --> 1:09:18.920
<v Speaker 1>assholes is very gendered for sure. Yes, but they are

1:09:19.920 --> 1:09:23.559
<v Speaker 1>bad parents. Speaking of Bruno, should we talk about Bruno?

1:09:23.640 --> 1:09:27.360
<v Speaker 1>There we go, we have we simply have to talk

1:09:27.400 --> 1:09:31.519
<v Speaker 1>about Bruno. No, no, actually, let's take another quick break

1:09:31.760 --> 1:09:43.200
<v Speaker 1>and then we will talk about Bruno. Okay, we're back

1:09:43.240 --> 1:09:47.599
<v Speaker 1>and we're talking about Bruno. So Bruno. I didn't realize.

1:09:47.640 --> 1:09:49.439
<v Speaker 1>I was sort of wondering. I'm like, is this the

1:09:49.479 --> 1:09:53.960
<v Speaker 1>one Rold Doll movie where there's not whole sequence or

1:09:54.080 --> 1:09:57.519
<v Speaker 1>and or character dedicated to fat phobia? It is not.

1:09:57.760 --> 1:10:01.360
<v Speaker 1>The character is still there. Um. Yeah, this is a

1:10:01.439 --> 1:10:05.320
<v Speaker 1>very common theme in roll Doll's work. We talked about

1:10:05.320 --> 1:10:09.360
<v Speaker 1>this extensively on the Matilda episode. There's a similar character

1:10:10.160 --> 1:10:14.200
<v Speaker 1>in Charlie and the Chocolate Factory. If I'm remembering this correct. Yeah,

1:10:14.280 --> 1:10:17.439
<v Speaker 1>So he's a kid who is fat and who is

1:10:17.439 --> 1:10:22.280
<v Speaker 1>obsessed with food, which leads to his demise. And also

1:10:22.400 --> 1:10:25.120
<v Speaker 1>they much like they do with Bruno in the case

1:10:25.120 --> 1:10:30.160
<v Speaker 1>of Augustus group, not only is the child punished and

1:10:30.400 --> 1:10:32.559
<v Speaker 1>there's all of these troops that we we'll talk about.

1:10:32.560 --> 1:10:37.760
<v Speaker 1>But roll Doll also specifically blames the parents in every

1:10:37.800 --> 1:10:41.760
<v Speaker 1>case because it Bruno's parents are also, you know, covertly

1:10:42.080 --> 1:10:45.880
<v Speaker 1>blamed for their child not being rail Finn, which is

1:10:45.960 --> 1:10:49.360
<v Speaker 1>for some reason roll Doll is like so in love

1:10:49.400 --> 1:10:54.680
<v Speaker 1>with that idea of restriction and control. Um, but there

1:10:54.800 --> 1:10:58.080
<v Speaker 1>was I was reading. There's a really good Slate piece

1:10:58.760 --> 1:11:02.360
<v Speaker 1>about Rolled Dall and the way food is presented in

1:11:02.479 --> 1:11:07.000
<v Speaker 1>his entire It's by Anna Lisa Quinn and it came

1:11:07.040 --> 1:11:11.680
<v Speaker 1>out in UM and she she points out a lot

1:11:11.720 --> 1:11:15.320
<v Speaker 1>of different stuff, but she even, like I I appreciate

1:11:15.400 --> 1:11:19.599
<v Speaker 1>she mentions the inverse as well, because Augustus Group much whatever.

1:11:20.200 --> 1:11:22.640
<v Speaker 1>I'm sure we'll cover Willy Wonka at some point, but

1:11:22.760 --> 1:11:26.320
<v Speaker 1>all the kids in that movie represent what Roald Dahl

1:11:26.600 --> 1:11:30.960
<v Speaker 1>perceives to be a societal evil, usually related to consumption,

1:11:31.400 --> 1:11:35.000
<v Speaker 1>and uh puts that blame on children that he kills.

1:11:35.720 --> 1:11:40.639
<v Speaker 1>Cool except for Charlie, who is famously boring. UM. But

1:11:40.840 --> 1:11:44.879
<v Speaker 1>the way so Augustus Group, you know, meets his demise,

1:11:45.160 --> 1:11:48.439
<v Speaker 1>there's extreme body horror with him. He basically meets himself

1:11:48.439 --> 1:11:53.120
<v Speaker 1>to debt like it's just it's it's really the but um,

1:11:53.240 --> 1:11:58.240
<v Speaker 1>the inverse is also true where he talks about people

1:11:58.479 --> 1:12:02.479
<v Speaker 1>and children in this is Charlie who like restrict themselves

1:12:02.479 --> 1:12:06.760
<v Speaker 1>from eating as a very virtuous thing to do. So,

1:12:06.880 --> 1:12:12.080
<v Speaker 1>like when Charlie first gets a candy bar, like Roldal

1:12:12.120 --> 1:12:15.400
<v Speaker 1>spends a whole page describing how slowly he eats it

1:12:15.800 --> 1:12:20.120
<v Speaker 1>and how like much control he exerts over himself. And

1:12:20.240 --> 1:12:23.600
<v Speaker 1>that is like, not the reason but one of the

1:12:23.680 --> 1:12:28.120
<v Speaker 1>reasons that he is perceived as a more virtuous character,

1:12:29.120 --> 1:12:36.240
<v Speaker 1>which is just like, you fucking weirdos. Give a hungry child,

1:12:36.680 --> 1:12:39.400
<v Speaker 1>you're like, and that's practiced. Like, what the funk are

1:12:39.439 --> 1:12:42.479
<v Speaker 1>you talking about? Um? Anyways, I'll reference that piece a

1:12:42.479 --> 1:12:45.360
<v Speaker 1>little more, but let's talk about Bruno. Yes, so Bruno

1:12:45.680 --> 1:12:48.760
<v Speaker 1>is a little chubby, and this is something that he

1:12:48.840 --> 1:12:52.040
<v Speaker 1>is punished for by the story throughout the entire movie,

1:12:52.600 --> 1:12:56.720
<v Speaker 1>and the movie leans into a number of fat phobic stereotypes.

1:12:57.360 --> 1:13:02.599
<v Speaker 1>For example, we meet him and he's scarfing down food.

1:13:03.160 --> 1:13:06.679
<v Speaker 1>He is lowered in by the witches with the promise

1:13:06.760 --> 1:13:10.640
<v Speaker 1>of several candy bars. He loves food so much that

1:13:10.720 --> 1:13:14.080
<v Speaker 1>he doesn't notice that he got turned into a mouse

1:13:15.080 --> 1:13:21.880
<v Speaker 1>because he's too distracted by food. Yeah, um, when there's

1:13:21.960 --> 1:13:25.480
<v Speaker 1>not a single line with him that passes without him

1:13:25.520 --> 1:13:29.639
<v Speaker 1>noticing the nearest food he is not, He's like, I mean,

1:13:29.640 --> 1:13:32.080
<v Speaker 1>I guess like I wanted Luke to be. I wanted

1:13:32.080 --> 1:13:34.160
<v Speaker 1>all the kids to be more upset than they were mice.

1:13:34.800 --> 1:13:37.080
<v Speaker 1>Why are all the kids so fine with bi Literally

1:13:37.160 --> 1:13:39.840
<v Speaker 1>the end, Luke's like, oh, yeah, I'm probably I'm gonna

1:13:39.840 --> 1:13:42.120
<v Speaker 1>die any day now, but it's all good, and You're

1:13:42.160 --> 1:13:44.600
<v Speaker 1>just like, what the fuck. They're both like, oh, we

1:13:44.640 --> 1:13:46.839
<v Speaker 1>don't have to go to school or do homework anymore.

1:13:47.120 --> 1:13:50.719
<v Speaker 1>Being a mouse is awesome. It's like, and you're never

1:13:50.760 --> 1:13:56.040
<v Speaker 1>gonna have sex, like what they well, it's something that

1:13:56.160 --> 1:13:58.439
<v Speaker 1>I was like, that's what I mean. It maybe that

1:13:58.520 --> 1:14:00.840
<v Speaker 1>they're nine, that's not on their minds, but just like

1:14:00.960 --> 1:14:06.240
<v Speaker 1>saying that sucks. But anyways, but but yeah, I mean, brute.

1:14:06.320 --> 1:14:08.439
<v Speaker 1>The way that Bruno is unbothered about it is by

1:14:08.560 --> 1:14:11.800
<v Speaker 1>only talking about food, which is also the only thing

1:14:11.840 --> 1:14:14.479
<v Speaker 1>that he talked about when he was a human child. Yes,

1:14:14.680 --> 1:14:19.719
<v Speaker 1>there's also when mouse Bruno and mouse Luke are running

1:14:19.720 --> 1:14:23.280
<v Speaker 1>away from the witches, Bruno complains about having to run.

1:14:23.760 --> 1:14:26.200
<v Speaker 1>He says it gives him indigestion. He doesn't like it.

1:14:26.520 --> 1:14:30.240
<v Speaker 1>He's um. He says something like, no more sports because

1:14:30.280 --> 1:14:33.880
<v Speaker 1>they're running away to safety. Um. And then and then

1:14:34.680 --> 1:14:37.400
<v Speaker 1>the last time we see his character on screen is

1:14:37.920 --> 1:14:40.800
<v Speaker 1>Luke's grandma telling Bruno that he needs to go on

1:14:40.840 --> 1:14:44.759
<v Speaker 1>a diet and then I know. And then Bruno saying

1:14:44.800 --> 1:14:47.760
<v Speaker 1>to his mom, Oh, mom, you always wanted me to

1:14:47.800 --> 1:14:51.280
<v Speaker 1>lose weight. Well, now I'm a mouse, and she as

1:14:51.280 --> 1:14:53.479
<v Speaker 1>if to say, I lost a bunch of weight because

1:14:53.479 --> 1:14:57.200
<v Speaker 1>I'm a rodent now. Um, and she's like, I'm hysterical,

1:14:57.360 --> 1:15:01.040
<v Speaker 1>So I can't respond to that at this time. But um,

1:15:01.080 --> 1:15:04.600
<v Speaker 1>and I think that, like when I mean, everyone's transformation

1:15:04.680 --> 1:15:07.719
<v Speaker 1>into a mouse is horrific. But I felt I felt

1:15:07.720 --> 1:15:10.839
<v Speaker 1>like the way that Bruno was transformed was also pointed

1:15:11.120 --> 1:15:12.960
<v Speaker 1>in the way that it was designed because his like

1:15:13.040 --> 1:15:18.599
<v Speaker 1>belly is exposed, whereas when Luke is transformed into a mouse,

1:15:18.680 --> 1:15:21.000
<v Speaker 1>you don't even really see it. You're just kind of

1:15:21.040 --> 1:15:25.840
<v Speaker 1>like the camera is is untransformed and he's naked, questioned naked,

1:15:26.040 --> 1:15:29.559
<v Speaker 1>and you're like, did what did I just see? I

1:15:29.640 --> 1:15:31.360
<v Speaker 1>was like, I'm not going to rewind that, but I'm

1:15:32.840 --> 1:15:35.400
<v Speaker 1>I'm like, I like that one I was just like,

1:15:35.479 --> 1:15:37.759
<v Speaker 1>I'm not touching that one. I don't want the fuck.

1:15:38.840 --> 1:15:42.400
<v Speaker 1>I hope I was wrong, but yeah, I'm like, well,

1:15:42.439 --> 1:15:45.519
<v Speaker 1>I'm not sure what I saw, but he's definitely naked,

1:15:45.560 --> 1:15:50.479
<v Speaker 1>and we maybe saw too much. UM. Basically the point

1:15:50.520 --> 1:15:54.200
<v Speaker 1>is this story, and it seems like most, if not all,

1:15:54.280 --> 1:15:59.800
<v Speaker 1>of Rhodol's work are making very harsh judgments against fat

1:15:59.840 --> 1:16:02.800
<v Speaker 1>and us and saying that fat people and fat kids

1:16:02.880 --> 1:16:08.120
<v Speaker 1>especially are ravenous. They're greedy, they're lazy, it's their fault

1:16:08.439 --> 1:16:11.120
<v Speaker 1>that they're fat, and being fat is a bad thing.

1:16:11.280 --> 1:16:14.760
<v Speaker 1>And that's a common theme throughout his work, and it's

1:16:14.960 --> 1:16:19.200
<v Speaker 1>very much on display here in this story, and it's

1:16:19.200 --> 1:16:24.840
<v Speaker 1>a very common theme across everything. But like across children's literature. UM.

1:16:24.880 --> 1:16:28.760
<v Speaker 1>I did a little bit of research to this end,

1:16:28.920 --> 1:16:32.200
<v Speaker 1>because with Roald dall Um, the examples that came to

1:16:32.240 --> 1:16:34.599
<v Speaker 1>mind were, um, I forget the name of the character

1:16:34.640 --> 1:16:39.000
<v Speaker 1>in Matilda, but the cake scene in Matilda, Augustus Gloop,

1:16:39.560 --> 1:16:45.479
<v Speaker 1>and now Bruno, who I recently learned exists. UM. But um,

1:16:45.560 --> 1:16:49.880
<v Speaker 1>fat phobia is so rampant in children's literature, especially like

1:16:50.120 --> 1:16:53.400
<v Speaker 1>and it's something that unfortunately, like we still need to

1:16:53.439 --> 1:16:57.080
<v Speaker 1>be very mindful of because all this ship is getting

1:16:57.120 --> 1:16:59.559
<v Speaker 1>readapted because you're not allowed to write a new story

1:16:59.640 --> 1:17:03.360
<v Speaker 1>any so whatever, I'm being a drama queen, but you

1:17:03.400 --> 1:17:09.000
<v Speaker 1>know this is being readapted. So I found piece by

1:17:09.040 --> 1:17:13.559
<v Speaker 1>Rebecca Rabinowitz. She wrote something called Who's that Fat Kid?

1:17:13.680 --> 1:17:17.559
<v Speaker 1>Fat Politics and Children's Literature for the Children's Book Council

1:17:17.640 --> 1:17:22.920
<v Speaker 1>Diversity Blog UM, and she kind of um unpacks a

1:17:22.920 --> 1:17:26.200
<v Speaker 1>lot of tropes that are leveraged against fat or just

1:17:26.320 --> 1:17:31.320
<v Speaker 1>not finned children in general. In books, they're often characterized

1:17:31.360 --> 1:17:36.600
<v Speaker 1>as of lower intelligence. They're characterized as hyper fixated on

1:17:36.760 --> 1:17:41.960
<v Speaker 1>food and defined by hunger and or fatness, and they're

1:17:42.080 --> 1:17:46.639
<v Speaker 1>very often found to be either bullies or the victims

1:17:46.640 --> 1:17:51.200
<v Speaker 1>of bullying. And I honestly as I didn't I I

1:17:51.280 --> 1:17:55.639
<v Speaker 1>don't know if the bully trope ever really like clocked

1:17:55.880 --> 1:17:57.800
<v Speaker 1>for me. But then when she unpacked it, I was like, oh,

1:17:57.840 --> 1:18:01.720
<v Speaker 1>that actually makes sense. She's uh. Basically every bully in

1:18:01.760 --> 1:18:06.799
<v Speaker 1>the Harry Potter books is fat. There's Dudley Crab and Goyle.

1:18:07.439 --> 1:18:10.920
<v Speaker 1>Um are all kids that are not rayl fin like

1:18:11.479 --> 1:18:14.280
<v Speaker 1>Harry Potter and our Luke um. And then there's also

1:18:14.479 --> 1:18:18.880
<v Speaker 1>a lot of fat characters that are bullied. It's just whatever.

1:18:18.920 --> 1:18:23.120
<v Speaker 1>It's just like defining someone by their experience. Um. It's

1:18:23.120 --> 1:18:26.640
<v Speaker 1>been found that anti fat attitudes begin as early as

1:18:26.720 --> 1:18:30.960
<v Speaker 1>age three, and another study found that children are less

1:18:30.960 --> 1:18:34.840
<v Speaker 1>likely to want to be friends with fat characters, which

1:18:35.320 --> 1:18:37.759
<v Speaker 1>is not the fault of the children, it's the fault

1:18:37.760 --> 1:18:41.720
<v Speaker 1>of how fat characters are presented to them, and and

1:18:41.760 --> 1:18:45.880
<v Speaker 1>also that they're very rarely main characters. Um, there's always

1:18:45.880 --> 1:18:50.599
<v Speaker 1>they're either a best friend or a bully or uh,

1:18:50.640 --> 1:18:54.720
<v Speaker 1>you know, side character that a thin hero needs to

1:18:54.800 --> 1:19:00.360
<v Speaker 1>rescue from bullying. So I just wanted to shout out that, Um,

1:19:00.439 --> 1:19:05.080
<v Speaker 1>Rebecca Rabinowitz piece, it was very helpful. Also just rolled

1:19:05.120 --> 1:19:08.680
<v Speaker 1>all Um loves to talk about, like James and the

1:19:08.720 --> 1:19:12.240
<v Speaker 1>Giant Peach. Also, like there's just there's just so much

1:19:12.439 --> 1:19:17.599
<v Speaker 1>is his obsession with people's body sizes and food and

1:19:18.120 --> 1:19:23.840
<v Speaker 1>the restriction thereof I'll say it, I'm glad he's dead. Uh, well,

1:19:23.880 --> 1:19:26.320
<v Speaker 1>he would rather be dead than fat, and so he

1:19:26.760 --> 1:19:33.040
<v Speaker 1>got his wish. Okay, bye, yeah, good riddance. So yeah yeah.

1:19:33.600 --> 1:19:35.479
<v Speaker 1>The last thing I want to just touch on a

1:19:35.560 --> 1:19:42.639
<v Speaker 1>bit more is the just witches and the representation of

1:19:42.680 --> 1:19:47.240
<v Speaker 1>them in media. We've talked about the portrayal of which

1:19:47.320 --> 1:19:51.000
<v Speaker 1>is in other episodes such as The Love Witch, and

1:19:52.840 --> 1:19:56.479
<v Speaker 1>of course I think that that's probably where we did

1:19:56.479 --> 1:20:02.080
<v Speaker 1>at the best, The VIC and The Love which yeah,

1:20:02.640 --> 1:20:05.360
<v Speaker 1>iconic episodes. Sorry, I was just thinking of other movies

1:20:05.400 --> 1:20:07.360
<v Speaker 1>we've covered that had witches, but I don't think that

1:20:07.400 --> 1:20:11.360
<v Speaker 1>we got as in depth hocus Pocus the Craft, which

1:20:11.400 --> 1:20:14.280
<v Speaker 1>is of Eastwick the Craft. We've covered a lot of

1:20:14.280 --> 1:20:18.000
<v Speaker 1>witch movies. There's well, because all women are witches, um,

1:20:18.040 --> 1:20:20.880
<v Speaker 1>and I mean, and that's a fact. I love the

1:20:21.000 --> 1:20:24.280
<v Speaker 1>right kind of witch media, you know, is it can

1:20:24.320 --> 1:20:28.280
<v Speaker 1>be some of the greatest ship in the world. But

1:20:28.280 --> 1:20:32.160
<v Speaker 1>but that is not often how which is are presented

1:20:32.280 --> 1:20:35.240
<v Speaker 1>in media. So we've talked about the various tropes that

1:20:35.439 --> 1:20:40.280
<v Speaker 1>surround which characters and stories about which is. Um. We've

1:20:40.600 --> 1:20:46.479
<v Speaker 1>unpacked a little bit the historical context of people, usually women,

1:20:46.880 --> 1:20:51.679
<v Speaker 1>who have been perceived as being witches and the literal

1:20:51.800 --> 1:20:56.040
<v Speaker 1>witch hunts that have happened throughout history. I've referenced this

1:20:56.080 --> 1:20:59.320
<v Speaker 1>book before. I'll recommend it again, the book which is

1:20:59.479 --> 1:21:05.760
<v Speaker 1>Sluts Feminists by Kristen J. Sole, which dives into that

1:21:05.960 --> 1:21:12.000
<v Speaker 1>historical context and, among among other things, but basically, again,

1:21:12.120 --> 1:21:16.679
<v Speaker 1>people and especially women throughout history who have just not

1:21:16.960 --> 1:21:21.920
<v Speaker 1>fit the mold of very rigid gender roles and expectations,

1:21:22.560 --> 1:21:27.600
<v Speaker 1>and that ranges from anything to like interest or profession,

1:21:28.320 --> 1:21:33.479
<v Speaker 1>their sexuality. They're just physical presentation, all manner of things,

1:21:34.120 --> 1:21:37.839
<v Speaker 1>and just a fundamental misunderstanding of women in their bodies

1:21:38.160 --> 1:21:42.400
<v Speaker 1>has led to the perception that a bunch of women

1:21:42.520 --> 1:21:46.680
<v Speaker 1>must be witches. This movie leans into a lot of

1:21:46.720 --> 1:21:50.839
<v Speaker 1>those tropes because it, you know, it demonizes women who

1:21:51.320 --> 1:21:55.840
<v Speaker 1>don't want children, It demonizes older women, it demonizes The

1:21:55.880 --> 1:21:58.200
<v Speaker 1>movie doesn't come out and say this, really, but if

1:21:58.320 --> 1:22:01.400
<v Speaker 1>it seems like all these women are also unmarried, I

1:22:01.439 --> 1:22:03.720
<v Speaker 1>think that kind of comes with a territory of like,

1:22:03.920 --> 1:22:06.679
<v Speaker 1>I guess that I I can't prove that they are

1:22:06.800 --> 1:22:10.080
<v Speaker 1>unmarried and childless, but I would. I would put money

1:22:10.200 --> 1:22:12.719
<v Speaker 1>on that that's what we're supposed to believe, because any

1:22:12.760 --> 1:22:14.920
<v Speaker 1>woman we know that has a child or married, we

1:22:14.960 --> 1:22:17.519
<v Speaker 1>see them with their husband or their kid. I think

1:22:17.560 --> 1:22:20.559
<v Speaker 1>that there's also just like a thing with which is that.

1:22:20.800 --> 1:22:23.040
<v Speaker 1>I'm sure we've talked about this at some point, but

1:22:23.400 --> 1:22:27.000
<v Speaker 1>not only is it, you know, a way to rationalize

1:22:27.520 --> 1:22:33.640
<v Speaker 1>not adhering to the rigid expectations of women across cultures.

1:22:33.640 --> 1:22:35.880
<v Speaker 1>And that's like another thing where it's like we are

1:22:36.040 --> 1:22:40.479
<v Speaker 1>so focused on um, you know, characters who are white,

1:22:40.560 --> 1:22:45.240
<v Speaker 1>who are which is when? Which culture is with with?

1:22:45.439 --> 1:22:49.599
<v Speaker 1>I think very few exceptions a universal thing. Misogyny really

1:22:50.479 --> 1:22:55.040
<v Speaker 1>is everywhere in most places and has been forever. But

1:22:55.080 --> 1:22:58.240
<v Speaker 1>I think it it also is like in uh meant

1:22:58.280 --> 1:23:04.320
<v Speaker 1>to inherently discourage or to imply that, um, women talking

1:23:04.360 --> 1:23:08.559
<v Speaker 1>to each other means something bad. It is like a

1:23:08.600 --> 1:23:10.880
<v Speaker 1>force of evil for women to talk to each other

1:23:10.920 --> 1:23:14.280
<v Speaker 1>because whatever, You don't want them to start getting ideas

1:23:15.280 --> 1:23:18.040
<v Speaker 1>uh and talk to each other about how scary the

1:23:18.080 --> 1:23:21.519
<v Speaker 1>men around them might be. Well, that's I literally was

1:23:21.560 --> 1:23:24.040
<v Speaker 1>thinking about because I'm always thinking about hot dogs. But

1:23:24.040 --> 1:23:27.519
<v Speaker 1>there's a thing that I, um, there's a story that

1:23:27.680 --> 1:23:30.519
<v Speaker 1>I talk about in the Hot Dog Book, which you

1:23:30.520 --> 1:23:34.160
<v Speaker 1>can pre order now. Yeah, do it. So. One of

1:23:34.160 --> 1:23:35.800
<v Speaker 1>the anecdotes that really stuck out to me that I

1:23:35.800 --> 1:23:40.160
<v Speaker 1>know I've told you before, UM is the creator of

1:23:40.280 --> 1:23:44.400
<v Speaker 1>Auntie AND's Pretzels, who are famous for their pretzel dogs,

1:23:44.800 --> 1:23:49.240
<v Speaker 1>was from an Amish community, UM, where women are you know,

1:23:49.360 --> 1:23:52.639
<v Speaker 1>not encouraged to talk to each other, especially about something traumatic,

1:23:52.800 --> 1:23:55.040
<v Speaker 1>and there's a lot of shame, as there are in

1:23:55.720 --> 1:23:58.439
<v Speaker 1>across most religions. I'm not trying to target the Amish

1:23:58.479 --> 1:24:02.559
<v Speaker 1>community specifically. Sure she you know, she she was being

1:24:02.920 --> 1:24:06.679
<v Speaker 1>abused by a priest in the community, and it wasn't

1:24:06.760 --> 1:24:09.439
<v Speaker 1>until she spoke to the community of women that she

1:24:09.520 --> 1:24:12.240
<v Speaker 1>found out everyone was being abused by the priest and

1:24:12.280 --> 1:24:17.679
<v Speaker 1>the priest was weaponizing the inherent shame that came with

1:24:18.280 --> 1:24:25.200
<v Speaker 1>religion and also communing among women that you know protected him. Well,

1:24:25.240 --> 1:24:29.599
<v Speaker 1>if women commune, they become a coven and are which

1:24:29.720 --> 1:24:32.640
<v Speaker 1>is right. I mean, it's just sucking, but it's like,

1:24:32.680 --> 1:24:39.000
<v Speaker 1>it's true. It's just it's ridiculous. But yeah, yeah, all

1:24:39.080 --> 1:24:44.400
<v Speaker 1>this to say that women have been perceived as witches

1:24:44.640 --> 1:24:49.120
<v Speaker 1>throughout history and punished and killed for it time and

1:24:49.120 --> 1:24:54.920
<v Speaker 1>time again because they defy gender roles and expectations, and

1:24:54.960 --> 1:24:59.480
<v Speaker 1>then harmful tropes in media and and you know, entertainment

1:24:59.479 --> 1:25:05.719
<v Speaker 1>and literature, cinema, etcetera have arisen a rose. I don't

1:25:06.360 --> 1:25:10.720
<v Speaker 1>don't remember it sounds good how to speak, but they've

1:25:10.800 --> 1:25:17.600
<v Speaker 1>emerged over the years without like challenging all the sexism

1:25:17.680 --> 1:25:23.280
<v Speaker 1>inherent in perceiving women as witches. And they're just like, yeah, no,

1:25:23.400 --> 1:25:26.719
<v Speaker 1>witches are evil and a lot of women are witches,

1:25:26.960 --> 1:25:30.679
<v Speaker 1>and therefore a lot of women are evil and this movie,

1:25:31.320 --> 1:25:37.080
<v Speaker 1>this story just presents that as a simple fact. So yes,

1:25:37.200 --> 1:25:40.040
<v Speaker 1>and I think that it is just like a I

1:25:40.040 --> 1:25:42.760
<v Speaker 1>don't know, I I understand why. And also it's like

1:25:43.280 --> 1:25:45.760
<v Speaker 1>I hate I need to stop thinking of like what

1:25:45.840 --> 1:25:48.880
<v Speaker 1>are people going to be mad at us about now? Um,

1:25:48.920 --> 1:25:52.200
<v Speaker 1>But just for the sake of saying it, we understand

1:25:52.240 --> 1:25:54.040
<v Speaker 1>that this is a very campy movie. There are a

1:25:54.080 --> 1:25:57.080
<v Speaker 1>lot of elements of this movie that are really really reclaimable,

1:25:57.240 --> 1:26:01.200
<v Speaker 1>Like sure, but it's our job to get the text.

1:26:01.320 --> 1:26:05.000
<v Speaker 1>And this is, you know, based on really anti semitic

1:26:05.080 --> 1:26:10.120
<v Speaker 1>children's book. So um, you know, I I understand why

1:26:10.400 --> 1:26:13.640
<v Speaker 1>people like this movie. I understand why it's campy, but

1:26:13.760 --> 1:26:17.120
<v Speaker 1>we just don't have any attachment to it. I fear right,

1:26:17.200 --> 1:26:20.759
<v Speaker 1>that's it's true. Um. Another like trope that gets leaned

1:26:20.760 --> 1:26:23.240
<v Speaker 1>into is like the woman or the witch as a

1:26:23.320 --> 1:26:27.760
<v Speaker 1>sed actress to like kind of lure someone in This

1:26:27.840 --> 1:26:32.559
<v Speaker 1>happened in the Vivich where sometimes the Viviach presents, as

1:26:32.920 --> 1:26:37.439
<v Speaker 1>you know, of a traditionally beautiful seductress who's like walking

1:26:37.439 --> 1:26:41.120
<v Speaker 1>around naked in the woods to lure people in. But

1:26:41.200 --> 1:26:44.280
<v Speaker 1>then when you see her in her quote unquote true form,

1:26:44.320 --> 1:26:48.120
<v Speaker 1>that's leaning into another trope, which is an older woman

1:26:48.200 --> 1:26:52.719
<v Speaker 1>who does not you know, have a victorious secret model body.

1:26:53.280 --> 1:26:57.960
<v Speaker 1>Um is evil and scary. Uh So the director Nicholas

1:26:58.040 --> 1:27:04.120
<v Speaker 1>Rogue deliberately costumed Angelica Houston too, like have you know

1:27:04.160 --> 1:27:07.559
<v Speaker 1>she's wearing like a sleek black dress which like shows

1:27:07.640 --> 1:27:12.479
<v Speaker 1>Cleavagh's mortisia hang out. Yeah, right, and um, that was

1:27:12.520 --> 1:27:15.120
<v Speaker 1>a very deliberate choice. He wanted the grand high witch

1:27:15.840 --> 1:27:19.880
<v Speaker 1>when she's like Angelica Houston, uh and not a horrible

1:27:19.920 --> 1:27:25.080
<v Speaker 1>anti Semitic stereotype to have sex appeal. And then and

1:27:25.080 --> 1:27:28.200
<v Speaker 1>then you see like is it Bruno's dad who's hitting

1:27:28.240 --> 1:27:32.479
<v Speaker 1>on Angelica Houston in various scenes? Yes, and then you

1:27:32.520 --> 1:27:36.200
<v Speaker 1>get a dirty look from Bruno's mom. Um, Yeah, I

1:27:36.240 --> 1:27:40.439
<v Speaker 1>mean that's at least if I'm going to reclaim one

1:27:40.520 --> 1:27:43.600
<v Speaker 1>of those elements, I guess that that's one of the

1:27:43.640 --> 1:27:46.600
<v Speaker 1>more reclaimable things. To me is like you know, I

1:27:46.840 --> 1:27:50.200
<v Speaker 1>feel like whatever, that's a two pronged thing for me,

1:27:50.200 --> 1:27:53.479
<v Speaker 1>where it's like sometimes it's like yeah, especially because this

1:27:53.680 --> 1:27:57.640
<v Speaker 1>is written, scripted, designed and shaped entirely by men. I

1:27:57.640 --> 1:28:00.719
<v Speaker 1>feel like there is this assumption that it is scary.

1:28:01.200 --> 1:28:04.920
<v Speaker 1>A scary thing of woman can do is like manipulate

1:28:05.000 --> 1:28:11.600
<v Speaker 1>you with her body and sexuality. But also I like when, uh,

1:28:11.680 --> 1:28:16.240
<v Speaker 1>when that does happen because all of the men too,

1:28:16.560 --> 1:28:19.599
<v Speaker 1>If nothing else, all of the men in this movie

1:28:19.720 --> 1:28:26.080
<v Speaker 1>are pretty incompetent and and horny. Yeah, horny and incompetent

1:28:26.200 --> 1:28:32.160
<v Speaker 1>and like horrible basically useless. Like it's the kids, and um,

1:28:32.200 --> 1:28:36.480
<v Speaker 1>the women are fully the only like you know, active characters.

1:28:36.560 --> 1:28:38.760
<v Speaker 1>Like there's things that like Mr Bean tries to do,

1:28:38.880 --> 1:28:40.880
<v Speaker 1>but he's not really successful in any of it. And

1:28:40.960 --> 1:28:42.880
<v Speaker 1>the same goes for Bruno's dad, and those are kind

1:28:42.920 --> 1:28:47.679
<v Speaker 1>of the only male characters. And so sure that's fun.

1:28:48.120 --> 1:28:54.120
<v Speaker 1>Uh And what I I mean Angelica Houston, I just

1:28:54.160 --> 1:28:56.400
<v Speaker 1>love her so much. I just yeah, but this movie

1:28:56.520 --> 1:29:02.799
<v Speaker 1>is not not good to do anything else. I don't

1:29:03.360 --> 1:29:10.439
<v Speaker 1>think so me either, Yeah, I I this movie does

1:29:11.120 --> 1:29:13.519
<v Speaker 1>pass the back toll test, not as much as I

1:29:13.560 --> 1:29:15.880
<v Speaker 1>would have thought. There's a lot of Grandma and Luke,

1:29:15.920 --> 1:29:20.519
<v Speaker 1>Grandmat and Luke, Bruno and Luke, and then Angelica Houston

1:29:21.080 --> 1:29:23.200
<v Speaker 1>will talk to other witches but we don't know who

1:29:23.240 --> 1:29:25.880
<v Speaker 1>most of what most of their names are true. I

1:29:25.880 --> 1:29:28.720
<v Speaker 1>would say that the only witches that are remotely characterized

1:29:28.720 --> 1:29:33.200
<v Speaker 1>are her Eva and kind of Susan and a few

1:29:33.200 --> 1:29:37.519
<v Speaker 1>of their exchanges would pass. But on in such an

1:29:37.560 --> 1:29:41.479
<v Speaker 1>overwhelmingly you know, women driven movie, Um, I kind of

1:29:41.479 --> 1:29:44.839
<v Speaker 1>thought it would happen more. It does happen though. Yeah. True,

1:29:45.160 --> 1:29:48.840
<v Speaker 1>But how about that nipple scale of ours? Wow, that's

1:29:48.880 --> 1:29:53.439
<v Speaker 1>what really counts. That's a really major metric here, boy,

1:29:53.479 --> 1:29:58.480
<v Speaker 1>I mean, so zero to five nipples. Based on examining

1:29:58.479 --> 1:30:03.200
<v Speaker 1>the movie through an interest actional feminist lens, yeah, I would.

1:30:03.560 --> 1:30:09.680
<v Speaker 1>I would say between the blatant anti semitism, sexism, and

1:30:09.760 --> 1:30:12.800
<v Speaker 1>fat phobia, you know, not not going to get very

1:30:12.840 --> 1:30:16.120
<v Speaker 1>high marks. If you don't have any attachment to this movie,

1:30:16.680 --> 1:30:19.320
<v Speaker 1>I wouldn't watch it. I don't know. There's so many

1:30:19.600 --> 1:30:24.520
<v Speaker 1>better movies that have the themes that this movie is mishandling.

1:30:24.600 --> 1:30:27.479
<v Speaker 1>Like I love body horror, I just don't like what

1:30:27.640 --> 1:30:31.479
<v Speaker 1>it's anti semitic, like, you know, like there's there's just

1:30:31.720 --> 1:30:35.120
<v Speaker 1>for anything that the people hold onto for nostalgic reasons

1:30:35.120 --> 1:30:38.160
<v Speaker 1>to this movie. There is a movie that does the

1:30:38.200 --> 1:30:41.719
<v Speaker 1>same thing better so if you haven't seen it, Honestly,

1:30:41.920 --> 1:30:46.280
<v Speaker 1>I wouldn't bother skip it. Yeah, but I guess you know.

1:30:46.760 --> 1:30:52.080
<v Speaker 1>I like the Little Mouse puppets. I mean the hands. Yeah,

1:30:52.120 --> 1:30:55.680
<v Speaker 1>there's uh whatever though no funck the mice. I don't know.

1:30:55.960 --> 1:31:00.600
<v Speaker 1>I just like this movie. This movie, I didn't like it.

1:31:00.600 --> 1:31:03.120
<v Speaker 1>It's uh, it's doing a lot of bad things. Um,

1:31:03.160 --> 1:31:05.799
<v Speaker 1>I'll give it any nippies. I'll give it one nipple

1:31:05.960 --> 1:31:15.519
<v Speaker 1>for it's potentially reclaimable stuff. Mostly I just love Angelica Houston.

1:31:16.160 --> 1:31:20.360
<v Speaker 1>But maybe it doesn't even deserve nipple. I'll drop it

1:31:20.400 --> 1:31:23.519
<v Speaker 1>down to a half nipple and I'll give it to

1:31:24.439 --> 1:31:30.200
<v Speaker 1>Angelica Houston as Morticia Adams. Yeah, I'm gonna do it

1:31:30.320 --> 1:31:35.639
<v Speaker 1>half as well. I just, uh, it like, is not

1:31:35.720 --> 1:31:39.559
<v Speaker 1>that this super matters, but just personally griping it annoys

1:31:39.600 --> 1:31:42.920
<v Speaker 1>me when there's like a movie that I feel like

1:31:43.320 --> 1:31:46.320
<v Speaker 1>I should like because I love body horror and I

1:31:46.400 --> 1:31:50.280
<v Speaker 1>love casts of women doing evil shit, and I love

1:31:50.280 --> 1:31:54.680
<v Speaker 1>Angelica Houston and so you know, on its face, but

1:31:54.840 --> 1:31:57.160
<v Speaker 1>it's just like it just pissed me off to watch.

1:31:57.160 --> 1:31:59.439
<v Speaker 1>I didn't like it for all the reasons We've been

1:31:59.439 --> 1:32:02.200
<v Speaker 1>talking about for two hours now. So I'm just gonna

1:32:02.240 --> 1:32:05.360
<v Speaker 1>give it a half nipple for camp and I'm gonna

1:32:05.360 --> 1:32:08.639
<v Speaker 1>give it to the mom who gets you know, nuked

1:32:08.720 --> 1:32:11.800
<v Speaker 1>in the first two seconds of the movie. Um, I

1:32:11.920 --> 1:32:14.400
<v Speaker 1>didn't know what her name was, but she was I

1:32:14.479 --> 1:32:18.280
<v Speaker 1>did appreciate that she was like Grandma stopped telling Luke

1:32:18.360 --> 1:32:25.280
<v Speaker 1>all your misogynist conspiracy theories, and Grandma was like, yeah, yeah,

1:32:25.320 --> 1:32:27.080
<v Speaker 1>so I'll give it. I'll give it to her, but

1:32:27.320 --> 1:32:31.479
<v Speaker 1>um yeah, this this bummed me out. This bummed me out.

1:32:32.479 --> 1:32:36.840
<v Speaker 1>So uh, that's the Witches. Oh the thing. I was

1:32:36.840 --> 1:32:38.960
<v Speaker 1>gonna say, well, we'll talk about it in on a

1:32:39.000 --> 1:32:43.760
<v Speaker 1>Matrion episode. But the reason that we cannot because I

1:32:43.880 --> 1:32:48.080
<v Speaker 1>honestly I would have watched movie. So here's a little PostScript.

1:32:48.400 --> 1:32:51.160
<v Speaker 1>I would have watched thee to prepare for this episode.

1:32:51.360 --> 1:32:54.280
<v Speaker 1>But you literally, at least in the US, I'm pretty

1:32:54.280 --> 1:32:57.000
<v Speaker 1>sure this is true across the board. You literally cannot.

1:32:57.360 --> 1:32:59.760
<v Speaker 1>It is media that came out less than two years

1:32:59.760 --> 1:33:05.840
<v Speaker 1>ago that is no longer available anymore. You can't because

1:33:05.960 --> 1:33:09.320
<v Speaker 1>there is like this horrible thing going on right now

1:33:09.439 --> 1:33:13.120
<v Speaker 1>that is like I researched it very intensely because the

1:33:13.160 --> 1:33:15.759
<v Speaker 1>production of a show I'm working on is like really

1:33:15.800 --> 1:33:19.200
<v Speaker 1>tied up in all of this ship. But Warner Brothers

1:33:19.280 --> 1:33:25.360
<v Speaker 1>and HBO, they're like legally making existing you know, art,

1:33:25.439 --> 1:33:31.000
<v Speaker 1>whether it's good or not. Because I hear that, but

1:33:31.000 --> 1:33:34.360
<v Speaker 1>but you shouldn't be allowed to disappear. You know a

1:33:34.360 --> 1:33:36.879
<v Speaker 1>movie that came out two years ago, it's just absolutely

1:33:36.880 --> 1:33:40.200
<v Speaker 1>and it's not being done because it was offensive. It

1:33:40.280 --> 1:33:43.040
<v Speaker 1>was not being done because it wasn't good. Bad movies

1:33:43.080 --> 1:33:46.400
<v Speaker 1>exist fucking everywhere. It's being done because it is like

1:33:46.479 --> 1:33:49.559
<v Speaker 1>a corporate loophole that was just made possible by the

1:33:49.560 --> 1:33:53.120
<v Speaker 1>Supreme Court a couple of years ago that allows huge

1:33:53.160 --> 1:33:58.960
<v Speaker 1>companies like Warner Brothers and like HBO to make stuff

1:33:58.960 --> 1:34:02.160
<v Speaker 1>disappear in order to not pay taxes, in order to

1:34:02.160 --> 1:34:04.720
<v Speaker 1>consolidate money and not pay taxes. So it's all a

1:34:04.840 --> 1:34:10.120
<v Speaker 1>fucking like if you watch the movie and hated it,

1:34:10.400 --> 1:34:12.479
<v Speaker 1>I wish I could have watched it and hated it too,

1:34:12.520 --> 1:34:15.920
<v Speaker 1>because it's just like I think it's corporate evil, and

1:34:15.960 --> 1:34:19.280
<v Speaker 1>I think it's really disrespectful to people who worked hard

1:34:19.400 --> 1:34:22.439
<v Speaker 1>and made a whole fucking movie. Even if that movie sucks.

1:34:23.000 --> 1:34:25.880
<v Speaker 1>You shouldn't be allowed to disappear something like that. Um,

1:34:26.200 --> 1:34:29.200
<v Speaker 1>And it's been happening to a lot of people, so

1:34:29.280 --> 1:34:32.320
<v Speaker 1>I'm just personally piste off about it. And literally, as

1:34:32.360 --> 1:34:35.719
<v Speaker 1>we were recording this cartoon network got shut down. So

1:34:36.120 --> 1:34:39.519
<v Speaker 1>what Yeah, I'm a fucking animation writer. I just like,

1:34:39.560 --> 1:34:42.920
<v Speaker 1>I hate this ship so much. Um, so the Witches,

1:34:43.080 --> 1:34:45.840
<v Speaker 1>you know, the Witch is. Will it be missed very much?

1:34:46.280 --> 1:34:49.880
<v Speaker 1>Probably not? But but you know, CEO shouldn't get to

1:34:49.920 --> 1:34:52.439
<v Speaker 1>decide what art exists in the world and what doesn't.

1:34:52.439 --> 1:34:55.400
<v Speaker 1>That's a fucking nasty precedent and I hate it. Uh

1:34:55.439 --> 1:35:03.519
<v Speaker 1>And on that note, goodbye, Yes, uh, thanks for listening. Um.

1:35:03.560 --> 1:35:07.799
<v Speaker 1>You can follow us on social media at spectel cast,

1:35:07.960 --> 1:35:12.000
<v Speaker 1>on Twitter and Instagram. Hey, because it's just us, I'm

1:35:12.000 --> 1:35:16.599
<v Speaker 1>gonna plug my social media. You can follow me on

1:35:16.840 --> 1:35:21.360
<v Speaker 1>those same platforms at Caitlin Durante and Hey, Jamie, do

1:35:21.439 --> 1:35:24.080
<v Speaker 1>you have anything that you want to plug? Maybe like

1:35:24.320 --> 1:35:28.240
<v Speaker 1>a book about hot dogs or anything. If you want

1:35:28.240 --> 1:35:31.000
<v Speaker 1>to buy my book about hot dogs, it is available

1:35:31.040 --> 1:35:34.439
<v Speaker 1>for pre sale now. It's called raw Dog, The Naked

1:35:34.439 --> 1:35:37.200
<v Speaker 1>Truth about hot Dogs by Jamie Loftus comes to you,

1:35:38.040 --> 1:35:41.200
<v Speaker 1>That's me. It comes out in stores on May nine,

1:35:41.280 --> 1:35:45.280
<v Speaker 1>but uh, pre sales are cheaper and really helpful. Um,

1:35:45.320 --> 1:35:48.160
<v Speaker 1>I would recommend, and we'll link this in the description,

1:35:48.160 --> 1:35:50.639
<v Speaker 1>I would recommend you buy it on bookshop dot org.

1:35:51.160 --> 1:35:53.719
<v Speaker 1>It's a really cool website. It's where I got mine,

1:35:54.160 --> 1:35:57.240
<v Speaker 1>and it connects you to your nearest local independent seller

1:35:57.640 --> 1:35:59.800
<v Speaker 1>and you save money. Please don't buy the book on

1:36:00.080 --> 1:36:02.479
<v Speaker 1>us on I'll be so sad. So there you go,

1:36:03.280 --> 1:36:05.200
<v Speaker 1>and I really hope you watch it, and you can

1:36:05.240 --> 1:36:08.320
<v Speaker 1>get our merch at t public dot com slash becktel cast.

1:36:08.840 --> 1:36:11.120
<v Speaker 1>You can follow you don't have to follow me online.

1:36:11.160 --> 1:36:14.519
<v Speaker 1>I need to get off that fucking thing. Anyways, it's toxic.

1:36:14.880 --> 1:36:17.080
<v Speaker 1>We're the first people who have ever said that. Um,

1:36:17.479 --> 1:36:20.320
<v Speaker 1>but hey, you know what's not toxic is our Matreon

1:36:21.880 --> 1:36:26.360
<v Speaker 1>matres a little toxic, it's a little chaotic, I would say. Um,

1:36:26.439 --> 1:36:29.519
<v Speaker 1>you can subscribe to that at Patreon dot com slash

1:36:29.560 --> 1:36:33.719
<v Speaker 1>becktel Cast, where you'll get access to to bonus episodes

1:36:33.760 --> 1:36:36.720
<v Speaker 1>every month, plus the entire back catalog of all the

1:36:36.800 --> 1:36:41.160
<v Speaker 1>Matreon bonuses we've done. And it is five dollars a month. Wow,

1:36:41.160 --> 1:36:43.680
<v Speaker 1>what a deal, What a deal with a steal and

1:36:43.720 --> 1:36:47.559
<v Speaker 1>I'm not even joking, it's a good deal. We're only

1:36:47.600 --> 1:36:51.280
<v Speaker 1>releasing the hits so and and this month because it

1:36:51.520 --> 1:36:56.200
<v Speaker 1>is the scary month. Um. We did Final Destination three

1:36:56.560 --> 1:36:59.840
<v Speaker 1>and we're doing Malignant, a James Wong movie and a

1:37:00.040 --> 1:37:04.080
<v Speaker 1>James Wan movie. You're going to love it for my books. Truly,

1:37:05.080 --> 1:37:07.360
<v Speaker 1>I feel like we can really cut loose on the matrion.

1:37:08.080 --> 1:37:11.840
<v Speaker 1>It's exciting. Um. So that was the Witches. Thank you

1:37:11.920 --> 1:37:16.559
<v Speaker 1>for staying for my corporate rage PostScript and we'll we'll

1:37:16.600 --> 1:37:19.400
<v Speaker 1>see you next week. Bye bye bye