1
00:00:04,920 --> 00:00:12,479
Speaker 1: So it's me, blank Man, meteor Men, and Handyman, and

2
00:00:12,880 --> 00:00:18,320
Speaker 1: we're building sand castle versions of our favorite museums.

3
00:00:18,960 --> 00:00:19,080
Speaker 2: Uh.

4
00:00:20,440 --> 00:00:22,959
Speaker 1: Just you know, we've all agreed kind of we're not

5
00:00:22,960 --> 00:00:25,560
Speaker 1: going to use our powers, sort of our day off.

6
00:00:26,120 --> 00:00:33,720
Speaker 3: So is Handyman Hancock Handyman. Yeah, no, I just don't know.

7
00:00:34,720 --> 00:00:36,640
Speaker 3: He's on in living color.

8
00:00:37,600 --> 00:00:42,120
Speaker 1: It was a recurring sketch I believe, maybe played by

9
00:00:42,159 --> 00:00:48,080
Speaker 1: the same guy who played blank Man. So we are

10
00:00:48,280 --> 00:00:55,640
Speaker 1: building sand castles, and I, of course, uh live in

11
00:00:55,640 --> 00:01:01,840
Speaker 1: Los Angeles, So I'm building the Moca Gino froplatte.

12
00:01:03,440 --> 00:01:05,119
Speaker 3: Since one is grande.

13
00:01:04,840 --> 00:01:13,000
Speaker 1: I mean medium, huh. Anyway, uh, and blank Man is

14
00:01:14,000 --> 00:01:19,319
Speaker 1: building a love and I turn and I noticed that, uh,

15
00:01:19,360 --> 00:01:23,000
Speaker 1: you know, it has that beautiful glass structure. I am

16
00:01:23,040 --> 00:01:29,800
Speaker 1: pay designed it maybe, And and he is turning some

17
00:01:29,840 --> 00:01:32,720
Speaker 1: of the sand into glass using heat or something, and

18
00:01:33,000 --> 00:01:36,400
Speaker 1: it seemed like that's probably a power. So I turned

19
00:01:36,400 --> 00:01:42,080
Speaker 1: a meteor man, Robert Townsend, and I say, what do

20
00:01:42,120 --> 00:01:43,360
Speaker 1: you think about this guy cheating?

21
00:01:44,400 --> 00:01:47,480
Speaker 3: And he goes, I don't like it one bit?

22
00:01:49,320 --> 00:01:52,920
Speaker 2: Is this a competition? I'm sorry, I got like because

23
00:01:52,960 --> 00:01:56,320
Speaker 2: it seems like okay wasn't introduced that way.

24
00:01:56,200 --> 00:01:59,120
Speaker 1: I'm sorry, Caddie. Heigel's gonna judge us at the end.

25
00:02:02,360 --> 00:02:05,760
Speaker 1: So she's sort of waiting and I want her to know,

26
00:02:05,920 --> 00:02:07,800
Speaker 1: like you should pick his but he broke the rule.

27
00:02:07,880 --> 00:02:12,040
Speaker 2: And she's in the sound proof ben Stein's money booth

28
00:02:12,120 --> 00:02:13,920
Speaker 2: because she can't know.

29
00:02:15,120 --> 00:02:18,360
Speaker 1: Yeah, she's in the She's in the money booth with

30
00:02:18,480 --> 00:02:20,240
Speaker 1: Jimmy Kimmel and.

31
00:02:21,600 --> 00:02:23,480
Speaker 3: He's covering her eyes.

32
00:02:24,480 --> 00:02:29,760
Speaker 1: So uh, anyway, so I'm obviously I'm mad, and it's

33
00:02:29,880 --> 00:02:32,440
Speaker 1: and I'm like, if nobody's gonna tell her when she

34
00:02:32,560 --> 00:02:35,720
Speaker 1: comes out, then it's not gonna be a fair contest.

35
00:02:36,840 --> 00:02:39,839
Speaker 1: And so I just sort of lean a little bit,

36
00:02:40,280 --> 00:02:43,360
Speaker 1: just lean, you know, nothing big, but lean a little

37
00:02:43,360 --> 00:02:47,239
Speaker 1: bit on the earth and make it so the earth

38
00:02:47,520 --> 00:02:50,040
Speaker 1: is tilted a lit of it and maybe a big

39
00:02:50,080 --> 00:02:52,600
Speaker 1: wave is a little bigger than normal, and smash his

40
00:02:52,680 --> 00:02:54,560
Speaker 1: sick castle museum?

41
00:02:55,480 --> 00:02:56,360
Speaker 3: Is that bad?

42
00:02:58,200 --> 00:03:02,320
Speaker 2: Seth is ready to move on from knocked up? Oh God,

43
00:03:02,360 --> 00:03:04,080
Speaker 2: he's ready to move on. He's ready to move for it.

44
00:03:04,080 --> 00:03:05,880
Speaker 2: And he wasn't and he didn't even know she was upset.

45
00:03:06,960 --> 00:03:09,000
Speaker 3: Yeah, I think everything didn't fine on the side, everything

46
00:03:09,040 --> 00:03:09,440
Speaker 3: seemed fine.

47
00:03:09,520 --> 00:03:13,680
Speaker 1: Trickle back to him when he was on the side

48
00:03:13,720 --> 00:03:17,360
Speaker 1: everything was fine, and he's ready to move on. He

49
00:03:17,760 --> 00:03:23,200
Speaker 1: I remember, was not pissed, and John I think is

50
00:03:23,400 --> 00:03:28,360
Speaker 1: was not pissed. And on the set she wasn't pissed.

51
00:03:28,600 --> 00:03:32,600
Speaker 2: Everything seemed fine, She wasn't pissed. Can you find out

52
00:03:32,680 --> 00:03:33,480
Speaker 2: later maybe she was pissed.

53
00:03:33,480 --> 00:03:35,760
Speaker 1: He's ready to move on well, And that all got

54
00:03:36,000 --> 00:03:39,760
Speaker 1: so blown out of proportion by people that all she

55
00:03:39,880 --> 00:03:44,160
Speaker 1: said was every woman in his movies is a whining shrew.

56
00:03:45,840 --> 00:03:46,400
Speaker 1: That's it.

57
00:03:46,920 --> 00:03:54,120
Speaker 3: Yeah, and then it's misogynist. That's all she said.

58
00:03:54,320 --> 00:03:57,080
Speaker 1: She didn't say, I don't think the movie's funny. She

59
00:03:57,120 --> 00:03:59,640
Speaker 1: didn't say I don't think taking bong hits as funny.

60
00:04:00,160 --> 00:04:03,080
Speaker 2: And then later like the thing people add to it

61
00:04:03,120 --> 00:04:04,360
Speaker 2: is like, oh, and I'm pissed too.

62
00:04:04,800 --> 00:04:07,280
Speaker 1: Oh, you never said She never said she was pissed.

63
00:04:07,640 --> 00:04:12,560
Speaker 1: She said the character's underwritten. All the women are whining shrews.

64
00:04:12,560 --> 00:04:15,960
Speaker 1: They're all bitches. His perception of women is essentially that

65
00:04:16,000 --> 00:04:18,720
Speaker 1: they're all bitches who are problematic for you, and he

66
00:04:18,839 --> 00:04:21,760
Speaker 1: sort of must hate them, and so that's what's being

67
00:04:21,800 --> 00:04:23,000
Speaker 1: presented on screen in the movies.

68
00:04:23,000 --> 00:04:24,599
Speaker 2: But she didn't say she's piss And then in the

69
00:04:24,600 --> 00:04:27,279
Speaker 2: magazine article they say, plus I'm pissed.

70
00:04:27,400 --> 00:04:29,960
Speaker 1: Oh yeah, and they just throw that on there, just

71
00:04:29,960 --> 00:04:32,960
Speaker 1: a little word bubble, I'm pissed, and that's not really

72
00:04:33,000 --> 00:04:35,120
Speaker 1: fair to say. She didn't say she was pissed, and

73
00:04:35,160 --> 00:04:38,120
Speaker 1: I think she said I like it.

74
00:04:38,680 --> 00:04:41,880
Speaker 2: Hey, welcome Dollywood hamble gets. I just got to kicking

75
00:04:41,920 --> 00:04:43,760
Speaker 2: button dropping names of the red cover line back. Always

76
00:04:43,760 --> 00:04:46,920
Speaker 2: in this industry, we call showbiz no guest today. We've

77
00:04:46,960 --> 00:04:52,560
Speaker 2: had too many guests. It's been the year of guests.

78
00:04:52,720 --> 00:04:55,719
Speaker 2: I guess Hayes and I are natural introverts. If you

79
00:04:55,800 --> 00:04:57,880
Speaker 2: do our Briggs.

80
00:04:59,480 --> 00:05:03,839
Speaker 1: Yeah Myers, I call it the Oscars Myers. Yeah, Oscars

81
00:05:03,839 --> 00:05:08,239
Speaker 1: Myers bringing Tim Briggins and we.

82
00:05:09,960 --> 00:05:13,400
Speaker 3: Are both I NFP and so we are into my

83
00:05:13,600 --> 00:05:14,640
Speaker 3: Twitter bio.

84
00:05:14,880 --> 00:05:19,480
Speaker 1: Who need to recharge by being alone, and sometimes being

85
00:05:19,560 --> 00:05:22,440
Speaker 1: around a guest can create a social burden which really

86
00:05:22,520 --> 00:05:23,160
Speaker 1: drains us.

87
00:05:23,240 --> 00:05:26,240
Speaker 2: And just because we seem outgoing, just because we do

88
00:05:26,320 --> 00:05:29,080
Speaker 2: have a good conversation and we're sort of moving the

89
00:05:29,080 --> 00:05:31,440
Speaker 2: conversation forward and asking you questions and like really good

90
00:05:31,480 --> 00:05:33,520
Speaker 2: at engaging you, doesn't mean that inside we're not like

91
00:05:33,560 --> 00:05:36,120
Speaker 2: oh it actually maybe rather being at home.

92
00:05:36,080 --> 00:05:40,440
Speaker 1: And if with the book and a puzzle and some cocoa.

93
00:05:41,040 --> 00:05:43,640
Speaker 1: And so that's sort of what doing this episode is

94
00:05:43,680 --> 00:05:46,000
Speaker 1: going to be for us, is just drinking coco, doing

95
00:05:46,040 --> 00:05:49,120
Speaker 1: a puzzle, and just because I have a good personality

96
00:05:49,120 --> 00:05:51,080
Speaker 1: at parties and I'm kind of what makes the party me.

97
00:05:51,240 --> 00:05:54,880
Speaker 2: And I'm not thinking about stuff on the inside.

98
00:05:54,240 --> 00:05:57,000
Speaker 1: When I shot cannonball and make just about the biggest

99
00:05:57,000 --> 00:05:59,719
Speaker 1: splash you've ever seen, and actually kick off the party

100
00:06:00,160 --> 00:06:03,080
Speaker 1: wearing just my normal clothes, uh huh, and with my

101
00:06:03,160 --> 00:06:06,960
Speaker 1: phone in my pocket because it's just money. You can't

102
00:06:06,960 --> 00:06:09,880
Speaker 1: take it with you, folks. When I'm doing all that,

103
00:06:09,920 --> 00:06:13,800
Speaker 1: it doesn't mean that inside and under my skin, I'm

104
00:06:13,839 --> 00:06:18,159
Speaker 1: not actually screaming with somebody. Just leave me alone and

105
00:06:18,200 --> 00:06:18,839
Speaker 1: give me a moke.

106
00:06:19,480 --> 00:06:21,799
Speaker 2: While you're in the air slash, you go to the pool,

107
00:06:21,839 --> 00:06:23,800
Speaker 2: You're thinking, like, can I go home?

108
00:06:24,080 --> 00:06:26,040
Speaker 3: If I've been here long enough to just like finally

109
00:06:26,080 --> 00:06:29,040
Speaker 3: go home. As I'm doing a guitar solo.

110
00:06:28,720 --> 00:06:30,520
Speaker 2: You asked Tephie can we leave? And she's like, well,

111
00:06:30,560 --> 00:06:31,760
Speaker 2: you can leave whenever you want.

112
00:06:32,279 --> 00:06:38,600
Speaker 1: Yeah, right, because it's her work friends, so no guest.

113
00:06:39,040 --> 00:06:40,880
Speaker 2: And we've also had we had two women in a

114
00:06:40,960 --> 00:06:44,200
Speaker 2: row and it was I thought it was great.

115
00:06:44,520 --> 00:06:46,559
Speaker 3: Oh yeah, I loved it. I had such a good time,

116
00:06:46,920 --> 00:06:47,719
Speaker 3: but I.

117
00:06:47,839 --> 00:06:51,359
Speaker 1: Sometimes our voice can get a little lost when we

118
00:06:51,560 --> 00:06:53,000
Speaker 1: have women in the studio.

119
00:06:53,520 --> 00:06:55,840
Speaker 3: What is the show? I think every one of those things,

120
00:06:55,880 --> 00:06:57,160
Speaker 3: I'm just sort of like, what is the show?

121
00:06:57,480 --> 00:07:00,520
Speaker 1: Yeah, it's great that there are different perspectives there, and

122
00:07:00,560 --> 00:07:02,480
Speaker 1: I like to get a taste of that on the show,

123
00:07:02,560 --> 00:07:03,360
Speaker 1: but I don't like it.

124
00:07:03,320 --> 00:07:06,039
Speaker 3: To take over. I'm always like what I just sort

125
00:07:06,040 --> 00:07:08,320
Speaker 3: of have to remember what were well, because what the

126
00:07:08,360 --> 00:07:11,080
Speaker 3: fuck is the show? Yes, that's always my question, what

127
00:07:11,200 --> 00:07:11,360
Speaker 3: is this?

128
00:07:11,520 --> 00:07:12,800
Speaker 1: Like? What's going on here?

129
00:07:12,880 --> 00:07:15,280
Speaker 2: And so I did have an amazing time doing that.

130
00:07:15,360 --> 00:07:17,240
Speaker 2: I just do want not want to do it again

131
00:07:17,400 --> 00:07:18,160
Speaker 2: for a year.

132
00:07:18,320 --> 00:07:20,080
Speaker 1: I think it's some of the highest quality stuff we've

133
00:07:20,080 --> 00:07:23,520
Speaker 1: ever done. I think it probably educated a lot of people,

134
00:07:23,600 --> 00:07:25,960
Speaker 1: and it was a huge opportunity for both of those women.

135
00:07:25,960 --> 00:07:28,760
Speaker 1: And I don't recall their names right now, but at

136
00:07:28,760 --> 00:07:32,920
Speaker 1: the same time, what's the fucking show? And I'd like

137
00:07:33,000 --> 00:07:35,560
Speaker 1: to take at least one year and figure that out

138
00:07:35,600 --> 00:07:36,640
Speaker 1: without them around.

139
00:07:37,720 --> 00:07:41,360
Speaker 2: So we just have and no, you know, no guest

140
00:07:41,360 --> 00:07:43,680
Speaker 2: today is some stuff we really just need to take

141
00:07:43,680 --> 00:07:44,520
Speaker 2: care of and catch up on.

142
00:07:44,520 --> 00:07:49,560
Speaker 3: What we said A name of the show, Hey, wear

143
00:07:49,600 --> 00:07:52,320
Speaker 3: a second, do we say a name of the show?

144
00:07:54,600 --> 00:07:58,120
Speaker 3: Can we do you remember? Cody? Can you play back

145
00:07:58,160 --> 00:07:58,720
Speaker 3: what we've said?

146
00:07:58,720 --> 00:07:58,800
Speaker 1: So?

147
00:07:59,000 --> 00:08:01,440
Speaker 2: I can't I to do it. It would be so

148
00:08:01,560 --> 00:08:04,840
Speaker 2: boring to do it again. Yeah, imagine people at all

149
00:08:04,920 --> 00:08:07,760
Speaker 2: if we did do it. Imagine people listening being like, yeah,

150
00:08:07,920 --> 00:08:11,280
Speaker 2: we know, and that would be so hurtful.

151
00:08:11,480 --> 00:08:14,760
Speaker 1: Well, imagine I'm listening to it because I do listen

152
00:08:14,840 --> 00:08:18,840
Speaker 1: to exclusively our show, and I hear us say it

153
00:08:18,880 --> 00:08:22,360
Speaker 1: twice and I drive my car off a bridge.

154
00:08:22,200 --> 00:08:25,760
Speaker 3: Kill myself. I can play you.

155
00:08:27,240 --> 00:08:32,920
Speaker 4: Another different episode, an episode which one Julie Klausner a links.

156
00:08:34,320 --> 00:08:35,760
Speaker 3: Yeah, just move on.

157
00:08:36,600 --> 00:08:36,720
Speaker 2: Uh.

158
00:08:38,320 --> 00:08:39,559
Speaker 3: One thing we urgently.

159
00:08:39,360 --> 00:08:46,000
Speaker 4: Sorry, which Julie Klausner, the one with the trampoline. Huh heyes,

160
00:08:46,080 --> 00:08:47,079
Speaker 4: jumped on the trampoline.

161
00:08:47,240 --> 00:08:48,000
Speaker 5: It's in a picture.

162
00:08:48,760 --> 00:08:52,479
Speaker 2: Oh it's an old vintage Klausner.

163
00:08:53,640 --> 00:08:58,319
Speaker 5: Dude, Jake Johnson, Uh, it'd be too sad.

164
00:08:58,640 --> 00:09:02,480
Speaker 3: Yeah, I've spoken to and quite sometime.

165
00:09:03,240 --> 00:09:08,920
Speaker 1: Let me Yeah, okay, Uh, never mind, Cody, Yes, we get,

166
00:09:09,080 --> 00:09:11,240
Speaker 1: just like, we just have stuff that we really need

167
00:09:11,280 --> 00:09:11,440
Speaker 1: to do.

168
00:09:12,160 --> 00:09:14,400
Speaker 2: So let's let's just do our we one thing we

169
00:09:14,520 --> 00:09:16,439
Speaker 2: urgently have to do is listen to all the other

170
00:09:16,480 --> 00:09:20,800
Speaker 2: Earwolf theb songs and rank them and also suggests improvements

171
00:09:20,880 --> 00:09:23,280
Speaker 2: if the songs are not good. Different ways of songs

172
00:09:23,280 --> 00:09:25,920
Speaker 2: can be good because one nice thing that about our

173
00:09:26,440 --> 00:09:28,760
Speaker 2: song is it has all the information in it.

174
00:09:28,840 --> 00:09:30,400
Speaker 3: And you know what you're getting into.

175
00:09:30,720 --> 00:09:33,440
Speaker 1: And so what we're gonna do, Hayz and Shawn's patented

176
00:09:33,480 --> 00:09:35,800
Speaker 1: stank ranks. This is the this is the ear Will

177
00:09:35,880 --> 00:09:40,480
Speaker 1: Song Steak Craik session, and we're raking how steak your

178
00:09:40,520 --> 00:09:43,120
Speaker 1: song is. And it goes and the scale goes from

179
00:09:43,160 --> 00:09:49,680
Speaker 1: dank to stank as always, so hopefully there's.

180
00:09:49,480 --> 00:09:51,120
Speaker 3: Something dank in here. But I got a feel and

181
00:09:51,120 --> 00:09:52,560
Speaker 3: we're gonna be stinking out some steak.

182
00:09:52,679 --> 00:09:54,560
Speaker 2: And if you earn enough stank, it goes into the

183
00:09:54,600 --> 00:09:59,360
Speaker 2: stank bake. You could spend it later at the stanker store.

184
00:10:00,240 --> 00:10:05,480
Speaker 2: Now I don't have my computer, the computer, I should say,

185
00:10:05,520 --> 00:10:11,040
Speaker 2: because I know you like to use it sometimes. Today

186
00:10:11,200 --> 00:10:17,760
Speaker 2: I put in the recycle bed, uh because Cody, I

187
00:10:17,800 --> 00:10:22,040
Speaker 2: was reading the newspaper, and traditionally, when I see read

188
00:10:22,080 --> 00:10:25,079
Speaker 2: the newspaper and see a news I don't like, a

189
00:10:25,160 --> 00:10:27,600
Speaker 2: way for me to express it is to slam it

190
00:10:27,640 --> 00:10:30,080
Speaker 2: in the recycle bin when it's the newspaper. But when

191
00:10:30,080 --> 00:10:32,520
Speaker 2: the newspaper's on the computer, the computer goes in there too,

192
00:10:33,280 --> 00:10:38,319
Speaker 2: I see, not to the trash, Not to the trash,

193
00:10:40,040 --> 00:10:44,480
Speaker 2: because recycling they use it again to make more trees.

194
00:10:44,960 --> 00:10:47,120
Speaker 3: Quick question, and I am going to be funny right now.

195
00:10:47,280 --> 00:10:48,479
Speaker 3: Was it the trash?

196
00:10:48,679 --> 00:10:48,760
Speaker 6: No?

197
00:10:49,240 --> 00:10:51,920
Speaker 3: See? And that's part of the joke.

198
00:10:52,440 --> 00:10:56,960
Speaker 1: So what we need is for somebody who does have

199
00:10:57,040 --> 00:10:58,120
Speaker 1: a computer.

200
00:10:58,920 --> 00:11:02,280
Speaker 3: Who's a little which who's a little computer with who's

201
00:11:02,280 --> 00:11:04,640
Speaker 3: our little whizzy?

202
00:11:05,600 --> 00:11:05,680
Speaker 6: Me?

203
00:11:06,440 --> 00:11:10,480
Speaker 3: Yes, that's right. And this is a new approach that

204
00:11:10,480 --> 00:11:11,000
Speaker 3: we're trying.

205
00:11:11,000 --> 00:11:16,960
Speaker 1: Whizzy Caplin over here, remember now, please do be helpful.

206
00:11:17,040 --> 00:11:20,360
Speaker 1: And the new technique we're doing is try it positive

207
00:11:21,160 --> 00:11:24,400
Speaker 1: like a sweetie and so and maybe he will become

208
00:11:24,440 --> 00:11:25,079
Speaker 1: a sweetie.

209
00:11:25,120 --> 00:11:29,160
Speaker 7: I wonder if I know any cute little sweeties who

210
00:11:29,200 --> 00:11:33,880
Speaker 7: are able to do a song theme song from another show,

211
00:11:33,920 --> 00:11:36,080
Speaker 7: and then we can put it through the stank rank

212
00:11:36,120 --> 00:11:37,600
Speaker 7: and rank it from deck to stank.

213
00:11:38,160 --> 00:11:43,920
Speaker 3: It's me, yes, that's nice, very sweet boy already. Mm hmmm.

214
00:11:45,320 --> 00:11:49,120
Speaker 3: This one's called no wait, don't no, don't tell us

215
00:11:49,160 --> 00:11:50,360
Speaker 3: what it is. What's it called?

216
00:11:51,000 --> 00:11:55,959
Speaker 4: I'm not going to tell you the show the song? Okay, okay,

217
00:11:56,520 --> 00:12:01,240
Speaker 4: So if you won't interrupt me. It's called be bob Cat.

218
00:12:01,360 --> 00:12:08,960
Speaker 1: He made him too strong with the.

219
00:12:10,760 --> 00:12:13,680
Speaker 3: Is this that Mark maren Cat show? No, that one

220
00:12:13,760 --> 00:12:14,760
Speaker 3: really took off?

221
00:12:15,520 --> 00:12:16,120
Speaker 5: Podcasts?

222
00:12:16,200 --> 00:12:29,760
Speaker 3: Boomer? Is there podcasts? Okay? So is this for? Is

223
00:12:29,840 --> 00:12:34,720
Speaker 3: that thing you do? Is that a show? Do you

224
00:12:34,760 --> 00:12:40,400
Speaker 3: think you when I'm gonna say, David Gregory, get on

225
00:12:40,440 --> 00:12:44,200
Speaker 3: this is it? Kurk Are we close?

226
00:12:44,440 --> 00:12:44,640
Speaker 4: No?

227
00:12:45,520 --> 00:12:47,920
Speaker 5: Kirk was close, because at least that's a show we have.

228
00:12:48,640 --> 00:12:52,319
Speaker 3: Okay, so is David Gregory? Cody? So, yeah, it is.

229
00:12:52,400 --> 00:12:56,640
Speaker 2: Look on the website under shows, look at it, Cody.

230
00:12:56,400 --> 00:12:59,760
Speaker 3: Beat that tap should always be open. What is that?

231
00:13:00,000 --> 00:13:00,360
Speaker 5: All right?

232
00:13:00,400 --> 00:13:01,040
Speaker 3: Cody?

233
00:13:01,760 --> 00:13:04,120
Speaker 2: God, I so wanted to treat you like a sweetie,

234
00:13:04,160 --> 00:13:06,040
Speaker 2: but you had to.

235
00:13:05,520 --> 00:13:07,640
Speaker 3: Fuck it up so badly.

236
00:13:07,960 --> 00:13:16,760
Speaker 1: Okay, stop this now that's enough. Now that stink. Now

237
00:13:19,000 --> 00:13:23,280
Speaker 1: with having heard that, here's what I think I would

238
00:13:23,320 --> 00:13:30,840
Speaker 1: be listening to, probably Billy Crystal swirling a glass of scotch,

239
00:13:31,520 --> 00:13:35,319
Speaker 1: taking a big sip and telling a story about Robin

240
00:13:35,400 --> 00:13:36,040
Speaker 1: and whoopee.

241
00:13:36,840 --> 00:13:38,000
Speaker 3: Yeah, that's that's right.

242
00:13:38,080 --> 00:13:43,520
Speaker 2: It's from the specific kind of incredibly successful nineties comedian.

243
00:13:44,720 --> 00:13:48,960
Speaker 3: That likes that. Oh, Kim Pollock, Kim Pollock, that's really close.

244
00:13:51,920 --> 00:13:55,040
Speaker 1: Oh, by the way, in conversation with Jeff Connolay, no, god,

245
00:13:56,360 --> 00:13:59,080
Speaker 1: how how getting closer?

246
00:13:59,120 --> 00:13:59,320
Speaker 2: Though?

247
00:14:01,880 --> 00:14:03,080
Speaker 1: What is that show?

248
00:14:03,559 --> 00:14:05,640
Speaker 3: And it's a show people listen to or no?

249
00:14:06,920 --> 00:14:11,280
Speaker 4: Okay, okay, some did.

250
00:14:12,280 --> 00:14:19,520
Speaker 1: Oh and so it's went away and it's.

251
00:14:19,480 --> 00:14:23,520
Speaker 5: Close Leonard Malton's movie podcast.

252
00:14:23,760 --> 00:14:27,920
Speaker 3: Okay, okay, that's not close. Kevin Pollard is not close.

253
00:14:30,960 --> 00:14:36,560
Speaker 3: Hat who is poll Yeah? So am I? Leonard Malton

254
00:14:36,600 --> 00:14:38,000
Speaker 3: does movies. Yees.

255
00:14:38,040 --> 00:14:40,200
Speaker 2: So it's like everyone else, like everyone else on the

256
00:14:40,240 --> 00:14:43,560
Speaker 2: network has like some affiliation with the entertainment industry.

257
00:14:45,360 --> 00:14:47,400
Speaker 3: Well it felt close at the time.

258
00:14:48,240 --> 00:14:52,000
Speaker 1: Okay, So that one's stank, Yeah, that one that one did.

259
00:14:52,640 --> 00:14:54,200
Speaker 1: How would I that one has?

260
00:14:54,200 --> 00:14:58,360
Speaker 3: How would we change that? There are no movies in it.

261
00:14:58,360 --> 00:15:01,240
Speaker 2: It should be like Leonard Maltin be like, uh that

262
00:15:01,320 --> 00:15:03,920
Speaker 2: he's like actually lying on top of some movies.

263
00:15:04,320 --> 00:15:05,800
Speaker 3: Let me give you a baseline.

264
00:15:06,680 --> 00:15:12,720
Speaker 2: Boom doom, doom, doom, Clader Mountain waiting on the mattress,

265
00:15:12,880 --> 00:15:18,960
Speaker 2: keep going boom, the mattresses, a little lumpy, what's this

266
00:15:19,080 --> 00:15:24,400
Speaker 2: thunder here? Black hawk down? So he's on the movies.

267
00:15:26,160 --> 00:15:28,800
Speaker 1: That would have been a good theme. So then baron

268
00:15:28,920 --> 00:15:30,680
Speaker 1: there like breakfast time, you.

269
00:15:30,680 --> 00:15:35,640
Speaker 3: Know, Yeah, yeah. Yeah, no Baron shows up, So another show,

270
00:15:35,680 --> 00:15:36,480
Speaker 3: correct and correct.

271
00:15:36,520 --> 00:15:38,880
Speaker 5: The show is like gone and he's not with it

272
00:15:38,920 --> 00:15:39,280
Speaker 5: at all.

273
00:15:39,920 --> 00:15:44,360
Speaker 1: Yeah, yeah, that's too bad.

274
00:15:44,920 --> 00:15:46,080
Speaker 3: He went to Nerdice.

275
00:15:47,760 --> 00:15:51,600
Speaker 2: Okay, can we do that? Can you just do that

276
00:15:51,680 --> 00:15:57,080
Speaker 2: at any time? Just going to nerdue Okay, next, all right.

277
00:15:57,120 --> 00:16:00,320
Speaker 4: This one's called I can't tell you what it's called

278
00:16:00,320 --> 00:16:02,440
Speaker 4: because it's got the name of the show in the title.

279
00:16:06,360 --> 00:16:07,280
Speaker 3: Has it? Jeff Garlic?

280
00:16:09,880 --> 00:16:10,160
Speaker 2: Wow?

281
00:16:11,120 --> 00:16:16,920
Speaker 3: Fake Nations? It sounds like curb you know. Yeah, Hard Nation,

282
00:16:19,120 --> 00:16:24,720
Speaker 3: No Long and Shortest Time. No, Hello from the Magic Tavern? No,

283
00:16:25,480 --> 00:16:26,680
Speaker 3: how many of these are there?

284
00:16:27,160 --> 00:16:27,320
Speaker 1: Is this?

285
00:16:27,440 --> 00:16:28,320
Speaker 3: David Gregory?

286
00:16:28,680 --> 00:16:33,440
Speaker 1: No, but you admit that as a show? Now nerd Poker.

287
00:16:33,920 --> 00:16:37,400
Speaker 1: No short Wave with Grantley Phillips.

288
00:16:37,880 --> 00:16:42,880
Speaker 3: Wow, No, it made me so excited later in the garbage.

289
00:16:43,400 --> 00:16:48,680
Speaker 2: No, it's so to rely on your reactions for information

290
00:16:48,920 --> 00:16:54,040
Speaker 2: as a fool. Errand okay, it can only lead me farther.

291
00:16:54,320 --> 00:17:02,280
Speaker 3: From the truth. Cry babies, good guess it's a really

292
00:17:02,320 --> 00:17:03,160
Speaker 3: good guess. No it's not.

293
00:17:04,119 --> 00:17:05,280
Speaker 5: It's not a crier song.

294
00:17:06,400 --> 00:17:09,000
Speaker 3: Get up on this, No, and not be get up

295
00:17:09,040 --> 00:17:10,560
Speaker 3: on this. Okay, I give up.

296
00:17:10,720 --> 00:17:14,159
Speaker 4: It's the wolf done the old version, the old Wolfe. I,

297
00:17:15,000 --> 00:17:16,600
Speaker 4: so give me the new version.

298
00:17:16,800 --> 00:17:19,560
Speaker 3: Yeah, and that one. I yeah, that one. I'll know.

299
00:17:19,800 --> 00:17:22,679
Speaker 3: I can jam to that one. I can sing along too.

300
00:17:24,200 --> 00:17:29,639
Speaker 3: Here it is that sounds the same?

301
00:17:30,920 --> 00:17:31,760
Speaker 5: I can't find it.

302
00:17:31,840 --> 00:17:34,280
Speaker 1: Okay, well, hey, let's get let's us give him the

303
00:17:34,320 --> 00:17:36,040
Speaker 1: new version. Give me a bassline?

304
00:17:36,240 --> 00:17:49,640
Speaker 3: Please? Boom boom boom boom waking up? Am I gonna

305
00:17:49,680 --> 00:17:59,560
Speaker 3: have my conversation with Jesse Thorn? So? Okay?

306
00:17:59,720 --> 00:18:03,080
Speaker 1: So and see now you're in the wolf den baby

307
00:18:04,320 --> 00:18:05,800
Speaker 1: and he was in hibernation.

308
00:18:07,920 --> 00:18:13,120
Speaker 2: Think about that, the baby wolf suckling on his big teats.

309
00:18:13,400 --> 00:18:16,200
Speaker 3: Yeah, he's got a lot of kids. Yeah, that's what

310
00:18:16,320 --> 00:18:17,600
Speaker 3: I'm said. That's what I said.

311
00:18:17,680 --> 00:18:23,760
Speaker 1: Yeah, hey said that part. Now we should probably do

312
00:18:23,800 --> 00:18:25,159
Speaker 1: at least one more song.

313
00:18:26,200 --> 00:18:31,760
Speaker 3: Oh no, here comes Kevin. Guys. Kevin just came in

314
00:18:31,840 --> 00:18:32,479
Speaker 3: with the camera.

315
00:18:35,040 --> 00:18:36,920
Speaker 6: She'd just let him struggle at the door.

316
00:18:37,440 --> 00:18:47,280
Speaker 1: Oh hey Kevin, Hey guys. Yeah, oh good good.

317
00:18:47,560 --> 00:18:48,440
Speaker 5: Stay off mic place.

318
00:18:52,720 --> 00:18:53,640
Speaker 1: Should we get this over?

319
00:19:05,320 --> 00:19:05,600
Speaker 2: Kevin?

320
00:19:05,640 --> 00:19:06,359
Speaker 3: Who's baking?

321
00:19:06,400 --> 00:19:06,720
Speaker 4: You do.

322
00:19:10,359 --> 00:19:16,800
Speaker 3: Scripts? They said, go in interrupt the show twelve minutes

323
00:19:16,840 --> 00:19:18,600
Speaker 3: into every show.

324
00:19:18,080 --> 00:19:20,760
Speaker 1: Do you wait outside until it feels like we've got

325
00:19:20,800 --> 00:19:23,120
Speaker 1: something of a flow standing out there?

326
00:19:23,160 --> 00:19:23,760
Speaker 3: The whole time.

327
00:19:23,880 --> 00:19:26,320
Speaker 2: I wait till I hear laughter and the night he

328
00:19:26,400 --> 00:19:27,679
Speaker 2: said this would be a good moment.

329
00:19:27,760 --> 00:19:30,320
Speaker 1: Yeah, that's good.

330
00:19:30,800 --> 00:19:36,879
Speaker 3: Okay, well all right, I'm not even here. Okay, Cody,

331
00:19:37,040 --> 00:19:42,760
Speaker 3: but give me another song. Here we go, baby, I

332
00:19:42,800 --> 00:19:43,440
Speaker 3: know this one.

333
00:19:44,640 --> 00:19:51,520
Speaker 2: This is Jeff. Who is Jeff Jeff Garland? No you worm?

334
00:19:51,920 --> 00:19:53,240
Speaker 3: Well, well.

335
00:19:54,600 --> 00:20:02,320
Speaker 2: I know this the Cannon Nope, nope, what.

336
00:20:03,760 --> 00:20:05,560
Speaker 5: The Jake Fobleanest files.

337
00:20:05,880 --> 00:20:09,920
Speaker 2: Oh it's like detective Right, Okay, this one's dank.

338
00:20:10,000 --> 00:20:14,080
Speaker 3: It's like detective detective. Yeah, that's dank. That's dank. That's dank.

339
00:20:14,560 --> 00:20:17,840
Speaker 1: Oh yeah, he's digging into the files to get out.

340
00:20:18,119 --> 00:20:21,480
Speaker 1: So you could watch an old YouTube clip he remembers.

341
00:20:21,960 --> 00:20:23,720
Speaker 3: Can't wait for it to come back. He did promise

342
00:20:23,760 --> 00:20:27,159
Speaker 3: it would come back. What's he uh? Once he came

343
00:20:27,240 --> 00:20:31,040
Speaker 3: up for air? Yeah, well, work on a TV show? Easy?

344
00:20:31,040 --> 00:20:33,280
Speaker 2: To write for a show, Yeah, write a show. To

345
00:20:33,280 --> 00:20:35,320
Speaker 2: do a podcast, it's impossible, and no, we ever.

346
00:20:35,160 --> 00:20:37,800
Speaker 1: Does can't do both. You have to either pick one

347
00:20:37,880 --> 00:20:38,560
Speaker 1: or the other, you know.

348
00:20:38,720 --> 00:20:42,960
Speaker 3: Yeah, I thought he worked it serious.

349
00:20:44,280 --> 00:20:47,240
Speaker 2: Yeah, he was in the raw Dog comedy family for

350
00:20:47,280 --> 00:20:47,920
Speaker 2: a little while.

351
00:20:48,760 --> 00:20:50,119
Speaker 3: Well, he was one of the outlaws.

352
00:20:50,359 --> 00:20:59,760
Speaker 1: Yeah, it was him. George Jones, Waylon Jennings, Merle Merle,

353
00:21:01,320 --> 00:21:04,520
Speaker 1: uh Hank obviously.

354
00:21:05,720 --> 00:21:07,120
Speaker 3: The area and.

355
00:21:07,119 --> 00:21:13,480
Speaker 1: Uh Tammy Whyette. So he was one of the outlaws

356
00:21:13,560 --> 00:21:16,159
Speaker 1: and then he moved over to raw dot comedy and

357
00:21:16,200 --> 00:21:17,919
Speaker 1: then he was either OPI or Anthony or.

358
00:21:17,920 --> 00:21:18,640
Speaker 3: Kimber which one.

359
00:21:19,920 --> 00:21:23,160
Speaker 1: And he's carved out a nice little space for himself now.

360
00:21:23,359 --> 00:21:26,400
Speaker 3: Yeah, and he does all the music as well, does

361
00:21:26,440 --> 00:21:30,840
Speaker 3: all the music. Yeah, that's dank. That's dank.

362
00:21:31,080 --> 00:21:33,960
Speaker 1: So obviously he's gonna have good music since he's music man,

363
00:21:34,200 --> 00:21:37,840
Speaker 1: and uh freaking I look forward to hearing the soundtrack

364
00:21:37,880 --> 00:21:38,800
Speaker 1: on a hashtag roboss.

365
00:21:39,720 --> 00:21:47,480
Speaker 2: So yeah, no, no, Cody, you go no sorry, by

366
00:21:47,520 --> 00:21:49,120
Speaker 2: all means, Cody did Hayes interrupted?

367
00:21:49,240 --> 00:21:50,240
Speaker 3: Cody, go ahead?

368
00:21:50,640 --> 00:21:52,600
Speaker 5: Please forgive me, he talked at the same time.

369
00:21:52,560 --> 00:21:54,439
Speaker 1: Really wanted to treat him like a sweetie.

370
00:21:54,560 --> 00:21:55,639
Speaker 5: I wanted to do one more.

371
00:21:56,119 --> 00:21:56,560
Speaker 3: That's great.

372
00:21:57,160 --> 00:22:00,800
Speaker 2: Oh well, then by all means it's it's honestly, Cody,

373
00:22:00,840 --> 00:22:03,520
Speaker 2: it's your show. So wait no, wait, you maybe said

374
00:22:03,560 --> 00:22:05,760
Speaker 2: you wanted to do one more whatever, please whatever you

375
00:22:05,800 --> 00:22:12,280
Speaker 2: want to do, go ahead, it's really cool.

376
00:22:14,359 --> 00:22:14,920
Speaker 3: That's great.

377
00:22:18,600 --> 00:22:24,640
Speaker 1: Yeah yeah, big move so funny, huh yeah, hilarious, fucking

378
00:22:24,680 --> 00:22:26,359
Speaker 1: with me on my fucking show.

379
00:22:28,400 --> 00:22:29,560
Speaker 3: What is this show.

380
00:22:29,400 --> 00:22:35,359
Speaker 2: Remind me of something that I put my my life

381
00:22:35,400 --> 00:22:39,800
Speaker 2: into for thirty nine weeks of my life.

382
00:22:41,920 --> 00:22:44,560
Speaker 3: It'll be easy to keep doing the show, now, Cody,

383
00:22:44,600 --> 00:22:46,200
Speaker 3: you do one? You do one?

384
00:22:46,280 --> 00:22:52,280
Speaker 1: You do One's son? And ps, that was dank Do

385
00:22:52,280 --> 00:22:53,359
Speaker 1: you have to stank rank in it?

386
00:22:54,119 --> 00:22:58,520
Speaker 2: And it was in a Splitsider Awards list for one

387
00:22:58,560 --> 00:23:01,000
Speaker 2: of the best theme songs pick up Crack, and a

388
00:23:01,040 --> 00:23:03,920
Speaker 2: lot of people online said it is actually really catchy,

389
00:23:04,200 --> 00:23:09,000
Speaker 2: So please you do one, Cody, I have one? What

390
00:23:09,240 --> 00:23:10,199
Speaker 2: is it?

391
00:23:10,200 --> 00:23:13,959
Speaker 5: It's called the tom yum bum.

392
00:23:14,440 --> 00:23:15,760
Speaker 1: That's so bad.

393
00:23:17,160 --> 00:23:18,960
Speaker 5: I go around the city and.

394
00:23:19,600 --> 00:23:21,920
Speaker 1: Please, it's gonna be a little racist when you start.

395
00:23:21,960 --> 00:23:25,639
Speaker 1: It's gonna be you don't know when you're doing something

396
00:23:25,680 --> 00:23:28,000
Speaker 1: that's not okay, and I don't want you out on

397
00:23:28,040 --> 00:23:28,600
Speaker 1: that lamb.

398
00:23:29,040 --> 00:23:31,360
Speaker 3: It's worse because it's on my show. Then I'm part

399
00:23:31,359 --> 00:23:35,560
Speaker 3: of it. And also like and it's our fault for.

400
00:23:37,200 --> 00:23:40,800
Speaker 2: Empowering, for pretending he was sweetie before and now yeah,

401
00:23:40,920 --> 00:23:43,240
Speaker 2: it's like we like it.

402
00:23:43,320 --> 00:23:44,800
Speaker 3: And we created Franking Steins.

403
00:23:45,720 --> 00:23:50,359
Speaker 1: This is specifics Well, it's like the scene in Frankenstein.

404
00:23:51,200 --> 00:23:52,800
Speaker 3: When he says, what have I done? You know?

405
00:23:53,440 --> 00:23:55,800
Speaker 1: Uh? This is what I wanted. I created this monster.

406
00:23:56,000 --> 00:24:01,240
Speaker 1: And now the monster is beating everybody up and pretending

407
00:24:01,280 --> 00:24:03,119
Speaker 1: it has a tommyum Bum podcast.

408
00:24:03,200 --> 00:24:05,240
Speaker 3: It's so fucking battle.

409
00:24:05,920 --> 00:24:10,240
Speaker 1: And and he looks in the mirror and he goes,

410
00:24:11,640 --> 00:24:16,240
Speaker 1: I can't believe I own this whole city, you know, Yeah,

411
00:24:16,440 --> 00:24:20,760
Speaker 1: well what is the show? It's these women. They've gotten

412
00:24:20,840 --> 00:24:25,159
Speaker 1: us all out of, very twisted up. They've twisted us up.

413
00:24:25,440 --> 00:24:31,000
Speaker 2: More pictures, Kevin, At what point do we have enough pictures?

414
00:24:31,080 --> 00:24:33,320
Speaker 3: This is what he does. He this is I know.

415
00:24:33,720 --> 00:24:36,760
Speaker 2: It's like part of the craft for him is to

416
00:24:36,800 --> 00:24:39,720
Speaker 2: take so many pictures until he finally gets a big

417
00:24:41,200 --> 00:24:44,520
Speaker 2: angry reaction for me, the one that's.

418
00:24:44,280 --> 00:24:47,160
Speaker 1: A scandal or whatever, and then we have to pay

419
00:24:47,200 --> 00:24:48,520
Speaker 1: him to get the picture away.

420
00:24:48,600 --> 00:24:50,760
Speaker 2: And you've been stretched a little thin as well, I feel,

421
00:24:50,800 --> 00:24:53,240
Speaker 2: and there's no reason to lean right at the bike,

422
00:24:53,280 --> 00:24:55,160
Speaker 2: which Cody has not turned out for you.

423
00:24:55,840 --> 00:24:58,400
Speaker 1: And just flashing so much cash. You see a little

424
00:24:58,440 --> 00:25:00,080
Speaker 1: polo player on Kevin's.

425
00:24:59,800 --> 00:25:01,840
Speaker 3: Yeah, so believe me, I noticed it.

426
00:25:01,920 --> 00:25:04,560
Speaker 1: To get a picture of that, please Kevin, because that's

427
00:25:04,880 --> 00:25:05,919
Speaker 1: for rich people.

428
00:25:07,680 --> 00:25:12,480
Speaker 3: And so you know I'm gonna pass, You're gonna pass.

429
00:25:13,160 --> 00:25:14,879
Speaker 1: Well, we'll see, I'll get a picture of it and

430
00:25:14,920 --> 00:25:20,480
Speaker 1: I'll email it to fans. Now, what is it about

431
00:25:20,640 --> 00:25:23,800
Speaker 1: these theme songs? And why do we sit to analyze

432
00:25:23,880 --> 00:25:28,200
Speaker 1: them like this? You probably ask yourself when you're listening

433
00:25:28,920 --> 00:25:34,639
Speaker 1: on a podcast and Hayes, you know, tell the audience

434
00:25:34,800 --> 00:25:36,840
Speaker 1: what the intention is here?

435
00:25:38,000 --> 00:25:43,240
Speaker 3: It's with these other show themes. Yes, it's mood. It's

436
00:25:43,240 --> 00:25:44,200
Speaker 3: setting the right mood.

437
00:25:45,080 --> 00:25:48,440
Speaker 2: A nice little piano tinkle for I believe every single one,

438
00:25:49,880 --> 00:25:51,440
Speaker 2: or a rich baseline.

439
00:25:53,280 --> 00:25:54,120
Speaker 3: That's just like.

440
00:25:54,080 --> 00:25:56,119
Speaker 2: Getting you in the mood because when you start hearing it,

441
00:25:56,160 --> 00:25:57,960
Speaker 2: you're not necessarily ready to hear.

442
00:25:58,720 --> 00:26:03,000
Speaker 3: Funny comedy or interesting videos.

443
00:26:03,640 --> 00:26:05,600
Speaker 1: And with many of these shows, you're never going to

444
00:26:05,640 --> 00:26:10,040
Speaker 1: be ready for that. Now, our show is a little different.

445
00:26:11,800 --> 00:26:20,720
Speaker 1: We put lyrics that we wrote because we wanted to

446
00:26:20,760 --> 00:26:24,959
Speaker 1: put one fucking second of thought into what you're hearing

447
00:26:25,680 --> 00:26:27,080
Speaker 1: when you put the fucking show on.

448
00:26:28,200 --> 00:26:30,040
Speaker 3: And it's not just like an Apple loop.

449
00:26:31,000 --> 00:26:32,840
Speaker 2: Yeah, and we got our friend to do it instead

450
00:26:32,880 --> 00:26:35,320
Speaker 2: of going on instead of googling.

451
00:26:36,280 --> 00:26:38,000
Speaker 3: The most normal music.

452
00:26:40,320 --> 00:26:42,600
Speaker 1: Ww dot normal music.

453
00:26:44,480 --> 00:26:46,159
Speaker 3: Dot com backslash free.

454
00:26:47,160 --> 00:26:51,159
Speaker 2: But please go right ahead with your podcast that everyone

455
00:26:51,320 --> 00:26:51,920
Speaker 2: loves more.

456
00:26:52,040 --> 00:26:54,280
Speaker 3: Yeah, everybody will like that. One sessed.

457
00:26:57,080 --> 00:27:00,520
Speaker 1: Well, uh, we'll be right back without a gain asked,

458
00:27:00,560 --> 00:27:03,240
Speaker 1: just because we're kind of still finding our feet here.

459
00:27:10,320 --> 00:27:18,920
Speaker 2: So watching freaky animal videos, see a lobster who lived

460
00:27:19,080 --> 00:27:20,280
Speaker 2: a thousand years.

461
00:27:20,080 --> 00:27:24,600
Speaker 3: Old, I say, hmm, I could go for some of that.

462
00:27:24,760 --> 00:27:25,320
Speaker 3: This guy.

463
00:27:28,320 --> 00:27:30,520
Speaker 2: Never met me, I guess, because then he wouldn't live

464
00:27:30,600 --> 00:27:31,960
Speaker 2: to be a thousand years old, because you know I

465
00:27:32,000 --> 00:27:32,520
Speaker 2: love lobsters.

466
00:27:32,760 --> 00:27:34,359
Speaker 3: Did you mean to eat him in the pot?

467
00:27:34,560 --> 00:27:37,639
Speaker 2: Yeah, so I say, oh, I mean that puts me

468
00:27:37,680 --> 00:27:44,160
Speaker 2: in the mood. I go to the ocean, set out

469
00:27:44,440 --> 00:27:48,359
Speaker 2: on my little dinghy, pull up the tribes not to

470
00:27:48,400 --> 00:27:49,119
Speaker 2: eat this lobster.

471
00:27:49,280 --> 00:27:55,600
Speaker 3: Necessarily eat his wife or something or his best friend. Sure,

472
00:27:57,520 --> 00:28:04,040
Speaker 3: I pull the trap. Guess guess what? Oh no, it

473
00:28:04,160 --> 00:28:07,239
Speaker 3: was on your foot. It's on my foot, and need

474
00:28:07,280 --> 00:28:08,960
Speaker 3: to turn you upside down in the water.

475
00:28:10,280 --> 00:28:12,879
Speaker 1: And the lobster, I was a little lobster forking knife

476
00:28:12,880 --> 00:28:15,040
Speaker 1: and starts rubbing together like you're for dinner.

477
00:28:15,119 --> 00:28:17,080
Speaker 3: And I was in a fire side cartoon.

478
00:28:17,280 --> 00:28:24,840
Speaker 1: Oh hey, what a funny cartoon to be a part of. Well,

479
00:28:24,880 --> 00:28:26,920
Speaker 1: I knew I recognized you from somewhere.

480
00:28:27,040 --> 00:28:28,960
Speaker 2: I got tricked into being of a fire side cartoon.

481
00:28:29,040 --> 00:28:31,160
Speaker 2: Yet again, I was a little kid, the fat little

482
00:28:31,240 --> 00:28:34,399
Speaker 2: kid with the glasses this time?

483
00:28:35,640 --> 00:28:39,440
Speaker 1: Can I say congratulations because I've I've always just been

484
00:28:39,480 --> 00:28:43,040
Speaker 1: a non sequitur. That's the only one panel comic I

485
00:28:43,120 --> 00:28:46,760
Speaker 1: can get into by Wiley. Yeah, that's only one panel

486
00:28:46,800 --> 00:28:47,840
Speaker 1: comic that'll have me.

487
00:28:48,320 --> 00:28:51,480
Speaker 3: Mm hm. So just being in farside, that's creaming the crop.

488
00:28:51,600 --> 00:28:53,120
Speaker 1: You're a little fat kid with the glass and the

489
00:28:53,160 --> 00:28:55,360
Speaker 1: freckles and the striped shirt.

490
00:28:55,120 --> 00:28:58,320
Speaker 2: And the lobster is gonna eat me this time? Yes,

491
00:28:58,440 --> 00:29:01,840
Speaker 2: wear a good bib, Yes, has my face on it.

492
00:29:02,040 --> 00:29:02,880
Speaker 2: That's a little kid.

493
00:29:03,480 --> 00:29:03,920
Speaker 3: Yeah.

494
00:29:04,320 --> 00:29:07,480
Speaker 1: And then he's probably saying something, Yes, he's got the butter,

495
00:29:07,640 --> 00:29:10,040
Speaker 1: Yes he's got I was gonna say, he's probably saying

496
00:29:10,080 --> 00:29:13,400
Speaker 1: that like, pardon me, Garson. You know you got even butter,

497
00:29:13,920 --> 00:29:16,200
Speaker 1: you know, but but he has the butter, so you

498
00:29:16,360 --> 00:29:17,320
Speaker 1: have to say something else.

499
00:29:17,560 --> 00:29:21,360
Speaker 2: Yeah, So constantly getting tricked into this isn't this one

500
00:29:21,400 --> 00:29:22,160
Speaker 2: a little small?

501
00:29:22,680 --> 00:29:26,440
Speaker 3: Yeah? And these and these good cartoons.

502
00:29:27,560 --> 00:29:31,040
Speaker 1: But being in a good cartoon can be a blessing

503
00:29:31,280 --> 00:29:37,120
Speaker 1: and a curse. And speaking of that, we're gonna have

504
00:29:37,440 --> 00:29:42,200
Speaker 1: a show segment now. Well, hang on, let me take

505
00:29:42,240 --> 00:29:47,040
Speaker 1: this again. Hollywood Handbook is a show made of podcasts.

506
00:29:47,080 --> 00:29:52,280
Speaker 1: That is doing funnies with Hayes and Sean. We're always

507
00:29:52,480 --> 00:29:56,239
Speaker 1: together and we're never a part. It's the friendship that

508
00:29:56,320 --> 00:29:57,120
Speaker 1: makes it work.

509
00:29:57,720 --> 00:30:01,640
Speaker 3: Now, that's one of the juice friends Clearest and.

510
00:30:01,960 --> 00:30:03,440
Speaker 1: Yes, and.

511
00:30:05,000 --> 00:30:08,920
Speaker 3: Unfortunately we have money problems. I think that's a pretty

512
00:30:08,920 --> 00:30:12,800
Speaker 3: open secret at this point. The show might be profitable,

513
00:30:12,840 --> 00:30:13,280
Speaker 3: it might not.

514
00:30:13,400 --> 00:30:16,640
Speaker 1: We can't make Hide nor Hair of the host reports,

515
00:30:17,280 --> 00:30:24,320
Speaker 1: so we need alternate revenue stream. And the idea we've

516
00:30:24,360 --> 00:30:26,040
Speaker 1: had now is Hollywood Handbook.

517
00:30:26,040 --> 00:30:26,320
Speaker 3: The game.

518
00:30:26,320 --> 00:30:32,120
Speaker 1: We've been working on it for eighteen years. I mean

519
00:30:32,240 --> 00:30:35,280
Speaker 1: it's been a while. Yeah, it's had to change. The

520
00:30:35,520 --> 00:30:40,880
Speaker 1: technology is often outpacing the development of the game, so

521
00:30:40,920 --> 00:30:43,720
Speaker 1: sometimes we will finish a version of it, uh huh.

522
00:30:43,760 --> 00:30:46,760
Speaker 1: And like then Trouble comes out with a little popomatic

523
00:30:47,640 --> 00:30:50,520
Speaker 1: bubble and we say, okay, well maybe we need to

524
00:30:50,680 --> 00:30:51,200
Speaker 1: go back.

525
00:30:51,720 --> 00:30:53,360
Speaker 3: Yeah, and ID like some of that.

526
00:30:53,400 --> 00:30:55,800
Speaker 1: There's got to be a popomatic bubble we're going to

527
00:30:55,880 --> 00:30:58,320
Speaker 1: have to use. You know, Yachtsi's using five dice, so

528
00:30:58,360 --> 00:30:58,720
Speaker 1: we got.

529
00:30:58,640 --> 00:30:59,440
Speaker 3: To have eight dice.

530
00:30:59,600 --> 00:31:01,680
Speaker 1: Yes, And we see that there's a twenty sided dice,

531
00:31:01,720 --> 00:31:03,840
Speaker 1: so it's got to be eight twenty two sided dice.

532
00:31:03,880 --> 00:31:08,000
Speaker 2: And then seeing it trivia comes out. See any we

533
00:31:08,080 --> 00:31:11,360
Speaker 2: need some sort of visual DVD component.

534
00:31:12,040 --> 00:31:16,840
Speaker 3: Why is it's all the movie scenes. It's in that.

535
00:31:16,960 --> 00:31:20,000
Speaker 1: Kind of we're not able to we're watching it, you know,

536
00:31:20,160 --> 00:31:23,560
Speaker 1: doggle it's a different They show you a square of

537
00:31:23,600 --> 00:31:25,360
Speaker 1: a post, you got to guess what it is. It's

538
00:31:25,360 --> 00:31:28,000
Speaker 1: a walk in the clouds with counter Reeves. You think, oh,

539
00:31:28,120 --> 00:31:31,640
Speaker 1: maybe it's not that. It's like a period romance, and

540
00:31:31,720 --> 00:31:34,320
Speaker 1: so uh we have to then watch and walk in

541
00:31:34,360 --> 00:31:38,760
Speaker 1: the clouds and then we can't remember what we were

542
00:31:38,800 --> 00:31:43,640
Speaker 1: doing before figure out how the game works. But all

543
00:31:43,680 --> 00:31:46,920
Speaker 1: of the hard work has paid off. There's so many

544
00:31:46,960 --> 00:31:49,680
Speaker 1: elements to this game. They're all fun. It's truly a

545
00:31:49,720 --> 00:31:52,360
Speaker 1: full on adult sized bangoru and kids can play it too.

546
00:31:54,800 --> 00:31:58,600
Speaker 1: And and when you know, when the industry, when the

547
00:31:58,600 --> 00:32:01,959
Speaker 1: board game industry bangs you, you bang them back. And

548
00:32:02,040 --> 00:32:06,880
Speaker 1: that's exactly what we've done. I would personally say it's

549
00:32:06,880 --> 00:32:10,000
Speaker 1: the most fun game out there, and it's worth the expense.

550
00:32:12,440 --> 00:32:15,840
Speaker 2: And it's this is what people don't realize. It's for families.

551
00:32:16,600 --> 00:32:21,920
Speaker 3: Well, yeah, it's for work. It's for like work partners.

552
00:32:22,560 --> 00:32:25,440
Speaker 1: Yeah, it's for kissing, it's for babies.

553
00:32:25,560 --> 00:32:27,800
Speaker 3: Yeah, it's for like a d a kissing date. Yes,

554
00:32:27,880 --> 00:32:28,480
Speaker 3: go on a date.

555
00:32:28,720 --> 00:32:31,080
Speaker 1: Go on a date to play the game on the date.

556
00:32:31,680 --> 00:32:35,520
Speaker 1: Maybe you finish the game, maybe you don't.

557
00:32:35,760 --> 00:32:36,200
Speaker 3: Uh.

558
00:32:36,280 --> 00:32:43,160
Speaker 1: It's for track stars, it's for animals.

559
00:32:43,240 --> 00:32:44,240
Speaker 3: It's for.

560
00:32:46,520 --> 00:32:52,720
Speaker 1: High flying Uh, you know Daredevil's the red baron Snoopy everyone.

561
00:32:53,520 --> 00:32:53,680
Speaker 6: Uh.

562
00:32:54,960 --> 00:32:55,760
Speaker 3: It's for.

563
00:32:57,880 --> 00:33:04,280
Speaker 1: You know, nightcourt criminals. It's for magicians, can use the pieces,

564
00:33:04,360 --> 00:33:05,280
Speaker 1: you know, for tricks.

565
00:33:06,600 --> 00:33:08,880
Speaker 3: Uh.

566
00:33:08,960 --> 00:33:23,520
Speaker 1: It's for really you know, uh, just like for you guys.

567
00:33:23,600 --> 00:33:28,760
Speaker 3: So what we're gonna do? Yeah, fans, that's right, that's

568
00:33:28,760 --> 00:33:30,840
Speaker 3: a big one. People that we can take that pause

569
00:33:30,880 --> 00:33:33,640
Speaker 3: out right. It shouldn't.

570
00:33:34,160 --> 00:33:35,960
Speaker 2: It should not take so long to think of that,

571
00:33:36,240 --> 00:33:37,640
Speaker 2: think that, But I just don't.

572
00:33:37,760 --> 00:33:40,040
Speaker 3: It's such a it's such a simple.

573
00:33:41,280 --> 00:33:43,640
Speaker 2: Concept, even compared to all the other ones, which are

574
00:33:43,680 --> 00:33:49,080
Speaker 2: like a farther it's a much farther reach. H that's yeah, yeah,

575
00:33:50,040 --> 00:33:53,960
Speaker 2: it almost is just a brain problem to be thinking

576
00:33:54,000 --> 00:33:56,880
Speaker 2: about seeks to think for so long.

577
00:33:56,800 --> 00:33:59,920
Speaker 3: That I have a brain problem. Yes, but like the concept,

578
00:34:00,080 --> 00:34:01,520
Speaker 3: like you guys, like the fans.

579
00:34:01,440 --> 00:34:03,200
Speaker 6: Well that would make a lot of other stuff that's

580
00:34:03,200 --> 00:34:05,280
Speaker 6: going on, but we make a lot more sense. Yeah,

581
00:34:06,120 --> 00:34:08,440
Speaker 6: I mean, I'm just not enjoying what I used to enjoy,

582
00:34:10,120 --> 00:34:11,560
Speaker 6: and I'm in a lot of hit pain.

583
00:34:12,040 --> 00:34:15,080
Speaker 3: Yeah, and that's the way you say. It's like not

584
00:34:15,280 --> 00:34:15,960
Speaker 3: jug what he used to.

585
00:34:16,120 --> 00:34:21,520
Speaker 2: You mean like tasting food you don't taste me well, yeah, yeah.

586
00:34:20,880 --> 00:34:23,600
Speaker 1: And I'm putting wild stuff on it just to be

587
00:34:23,800 --> 00:34:26,319
Speaker 1: Is this going to generate some kind of sensation in there?

588
00:34:28,560 --> 00:34:35,880
Speaker 1: The answer is no. I mean, roundly and completely the answer.

589
00:34:35,520 --> 00:34:42,240
Speaker 3: Has been no. And I'm talking Staracha sauce. I'm talking about.

590
00:34:42,160 --> 00:34:46,000
Speaker 2: The most flavor like And I feel so sad for

591
00:34:46,080 --> 00:34:49,320
Speaker 2: you because mm hmm, that was like your daily tree,

592
00:34:49,360 --> 00:34:52,560
Speaker 2: the pink salt, the Himalaya pink salt.

593
00:34:54,600 --> 00:35:01,160
Speaker 6: I'm talking about maple syrup, truffle butter. I mean, I'm

594
00:35:01,200 --> 00:35:03,160
Speaker 6: even talking about and I didn't mean to go there

595
00:35:03,160 --> 00:35:07,280
Speaker 6: with Trump, but I'm even talking about Nana when I'm chopping,

596
00:35:07,520 --> 00:35:14,040
Speaker 6: you know, just slurping up in the downstairs seller, you know,

597
00:35:14,160 --> 00:35:16,680
Speaker 6: the cellar door of a woman in the most beautiful

598
00:35:16,760 --> 00:35:20,960
Speaker 6: word in English language. And remember, Donny Darko had such

599
00:35:20,960 --> 00:35:26,920
Speaker 6: a good teacher, No Wiley, doctor John Carter and amazing teacher,

600
00:35:27,280 --> 00:35:34,200
Speaker 6: the one of the greatest teachers so and his and

601
00:35:34,320 --> 00:35:37,319
Speaker 6: both of his teachers were kind of good looking, right.

602
00:35:37,360 --> 00:35:40,360
Speaker 6: He had another teacher as well mm hm who was that?

603
00:35:40,560 --> 00:35:43,560
Speaker 6: Drew Merrimer, the fire Starter herself.

604
00:35:47,120 --> 00:35:50,760
Speaker 1: So we thought we would play the game, yes uh,

605
00:35:50,800 --> 00:35:53,600
Speaker 1: in a way to introduce you fans to the game.

606
00:35:54,040 --> 00:35:55,839
Speaker 1: What we wanted to do is just play a quick round.

607
00:35:55,840 --> 00:35:59,720
Speaker 1: We've given engineer Cody. We've all selected our pieces, and Cody,

608
00:35:59,760 --> 00:36:01,920
Speaker 1: if you want to hold up your little totem that's

609
00:36:01,960 --> 00:36:04,200
Speaker 1: going to be making its way around the board.

610
00:36:04,280 --> 00:36:08,000
Speaker 3: This one mm hmmm. And if you want to describe

611
00:36:08,040 --> 00:36:09,920
Speaker 3: it to everyone at home, it's very.

612
00:36:11,520 --> 00:36:17,880
Speaker 4: That's that sounds good, and it's it's a good totem.

613
00:36:17,960 --> 00:36:21,440
Speaker 1: Yeah, heavy, And we all picked ones that sort of

614
00:36:21,480 --> 00:36:23,240
Speaker 1: represent us.

615
00:36:23,080 --> 00:36:24,560
Speaker 3: Yeah, different things from the show.

616
00:36:25,040 --> 00:36:28,040
Speaker 2: Cody has the Hamburger sandwich, which is of course a

617
00:36:28,080 --> 00:36:32,560
Speaker 2: famous phrase that we've been used that people really love

618
00:36:32,840 --> 00:36:34,040
Speaker 2: have latched onto.

619
00:36:34,120 --> 00:36:34,760
Speaker 3: From the show.

620
00:36:35,719 --> 00:36:39,440
Speaker 2: I of course have the how Rudnick piece, how Runnick

621
00:36:39,520 --> 00:36:43,880
Speaker 2: being a famous guest of the show, one of the

622
00:36:43,920 --> 00:36:46,600
Speaker 2: most popular guests as well, and so now I get

623
00:36:46,600 --> 00:36:49,200
Speaker 2: to be how Rudnick sort of racing around the board.

624
00:36:50,400 --> 00:36:54,239
Speaker 3: And then I have half of Paul F.

625
00:36:54,280 --> 00:36:58,960
Speaker 1: Tompkins old blueberry scone that just got left in the

626
00:36:58,960 --> 00:37:01,960
Speaker 1: studio before we came in, and so that's sort of

627
00:37:01,960 --> 00:37:04,240
Speaker 1: a famous thing when we come in here, there's someone's

628
00:37:04,280 --> 00:37:06,600
Speaker 1: garbage is in here a lot, and we just sort

629
00:37:06,600 --> 00:37:09,239
Speaker 1: of have to fucking deal with it because nobody gives

630
00:37:09,239 --> 00:37:10,640
Speaker 1: a shit about us.

631
00:37:10,520 --> 00:37:13,200
Speaker 3: Or I think even worse, they think that we would

632
00:37:13,360 --> 00:37:13,719
Speaker 3: like it.

633
00:37:13,840 --> 00:37:16,160
Speaker 1: Yes, they're sort of I think it's meant to be

634
00:37:16,200 --> 00:37:17,319
Speaker 1: a kind gesture.

635
00:37:17,120 --> 00:37:20,560
Speaker 2: Without it, without having to it's kind of an utspoken

636
00:37:20,760 --> 00:37:24,200
Speaker 2: it dignify us that, you know, they think it's offering

637
00:37:24,239 --> 00:37:24,839
Speaker 2: it to our face.

638
00:37:24,880 --> 00:37:26,080
Speaker 3: It's an open secret at this point.

639
00:37:26,120 --> 00:37:29,719
Speaker 1: We have some financial problems and uh, they're not going

640
00:37:29,760 --> 00:37:30,640
Speaker 1: to be solved.

641
00:37:30,320 --> 00:37:31,400
Speaker 3: By the show.

642
00:37:31,560 --> 00:37:36,920
Speaker 1: The pay structure that we're under is not yielding dividends

643
00:37:36,960 --> 00:37:41,600
Speaker 1: for anyone that I know of, but certainly not for us. So, uh,

644
00:37:42,239 --> 00:37:45,239
Speaker 1: hopefully we'll get a bigger slice of this board game,

645
00:37:45,280 --> 00:37:46,560
Speaker 1: and I think you're gonna have a lot of fun.

646
00:37:46,640 --> 00:37:48,160
Speaker 2: The kind of thing you look at these host reports

647
00:37:48,160 --> 00:37:50,000
Speaker 2: and you say like, is this like what like the

648
00:37:50,040 --> 00:37:52,680
Speaker 2: sixth or seventh most successful show on the network, And

649
00:37:52,719 --> 00:37:56,319
Speaker 2: you say like wow, mm hmm. If you think about

650
00:37:56,320 --> 00:37:58,279
Speaker 2: it for just like even a second, you just have

651
00:37:58,360 --> 00:37:59,919
Speaker 2: to be like, oh, my god.

652
00:38:00,120 --> 00:38:02,480
Speaker 1: Well, and the most and the most successful ones are

653
00:38:03,040 --> 00:38:04,400
Speaker 1: like seven multiples the.

654
00:38:06,800 --> 00:38:14,120
Speaker 3: Fucking better. Yes, so it's like, wow, holy.

655
00:38:13,920 --> 00:38:20,200
Speaker 1: Shit, I wonder they're moving offices, I guess, but but

656
00:38:20,360 --> 00:38:25,160
Speaker 1: what you know, I will of course spin first. Let

657
00:38:25,200 --> 00:38:28,880
Speaker 1: me just draw the card and roll to see which

658
00:38:28,960 --> 00:38:31,200
Speaker 1: spinner I'm gonna move the dial on.

659
00:38:42,640 --> 00:38:45,359
Speaker 3: Zoom.

660
00:38:45,560 --> 00:38:48,759
Speaker 1: And that was opening the box of the board game.

661
00:38:48,960 --> 00:38:50,520
Speaker 1: And now I will.

662
00:38:51,400 --> 00:38:54,080
Speaker 3: Just draw the card.

663
00:38:55,640 --> 00:39:05,040
Speaker 1: And it says, dear player, you've won. So okay, that

664
00:39:05,160 --> 00:39:07,960
Speaker 1: was a fast round of the gate. That can happen,

665
00:39:08,840 --> 00:39:12,400
Speaker 1: you know, we were warned that that would sometimes happen.

666
00:39:12,480 --> 00:39:16,200
Speaker 1: Sometimes that will happen, so that from the Winter pile, Yes,

667
00:39:17,440 --> 00:39:20,560
Speaker 1: spinner landed on Winter pile. Well, when you open the box,

668
00:39:20,600 --> 00:39:22,440
Speaker 1: you take a winter card to see whether you've won

669
00:39:22,600 --> 00:39:26,480
Speaker 1: or not. Now, if you've won, you know, good news.

670
00:39:26,560 --> 00:39:27,720
Speaker 3: But some of them are.

671
00:39:29,200 --> 00:39:33,000
Speaker 1: Some of them are lose cards, yeah, which you know,

672
00:39:33,520 --> 00:39:35,960
Speaker 1: just bad luck. Well, and some of them are draw cards, yes,

673
00:39:36,040 --> 00:39:38,440
Speaker 1: some of them are yes, draw another.

674
00:39:39,480 --> 00:39:43,160
Speaker 2: So sometimes you don't wait or lose the first card.

675
00:39:43,800 --> 00:39:47,120
Speaker 2: You have to draw another card and then see what

676
00:39:47,160 --> 00:39:49,680
Speaker 2: happens on that card mm hm.

677
00:39:49,719 --> 00:39:51,359
Speaker 3: And you're in control of what happens on it because

678
00:39:51,360 --> 00:39:51,920
Speaker 3: you're drawing it.

679
00:39:53,560 --> 00:39:59,000
Speaker 2: Yeah, it's a blank card, yeah, that you draw, so

680
00:39:59,000 --> 00:39:59,880
Speaker 2: so it's like creamy.

681
00:40:00,120 --> 00:40:02,680
Speaker 3: Uh, it's so much like cranium.

682
00:40:02,840 --> 00:40:10,040
Speaker 1: It's so much like uh, roomy cube. It's so much

683
00:40:10,280 --> 00:40:21,680
Speaker 1: like apples to apples cards against. Oh wow, thank you.

684
00:40:21,920 --> 00:40:25,040
Speaker 1: Have you ever played Ticket to Ride? No, Cody, you'd

685
00:40:25,040 --> 00:40:27,000
Speaker 1: love it. It's a train tracks or something.

686
00:40:27,800 --> 00:40:31,600
Speaker 2: Yeah, it's actually the train tracks and it's it's mostly

687
00:40:31,600 --> 00:40:32,360
Speaker 2: about strategy.

688
00:40:32,440 --> 00:40:34,719
Speaker 3: Have you ever played diplomacy Cody that?

689
00:40:34,920 --> 00:40:39,440
Speaker 1: Uh no, Oh wow, you wouldn't be very good at it,

690
00:40:40,520 --> 00:40:41,960
Speaker 1: because if you were going to be good at it,

691
00:40:41,960 --> 00:40:43,799
Speaker 1: you would have told me, yes, I have played, because

692
00:40:43,800 --> 00:40:47,120
Speaker 1: a lot of that is just seeming so confident now.

693
00:40:47,719 --> 00:40:50,600
Speaker 3: But that's not the and that's not the only reason

694
00:40:50,640 --> 00:40:51,359
Speaker 3: you would be good.

695
00:40:51,640 --> 00:40:54,840
Speaker 1: I can name games all day, but that would probably

696
00:40:54,840 --> 00:40:57,319
Speaker 1: distract from playing our game, which is a lot like

697
00:40:57,360 --> 00:41:01,120
Speaker 1: a lot of other games. So what I'm gonna do,

698
00:41:01,160 --> 00:41:03,480
Speaker 1: since I did win the first game, is now it's

699
00:41:03,560 --> 00:41:09,880
Speaker 1: my right to uh tumble the word cube and just

700
00:41:10,120 --> 00:41:12,239
Speaker 1: assign a word to one of you guys, and you

701
00:41:12,360 --> 00:41:24,760
Speaker 1: have to act like that, okay, And so the word

702
00:41:24,840 --> 00:41:26,920
Speaker 1: that came up, that's.

703
00:41:26,560 --> 00:41:30,880
Speaker 2: The word wizard inside the cube. He's thinking of a

704
00:41:31,640 --> 00:41:34,560
Speaker 2: there's a sort of a three it's not great that

705
00:41:34,560 --> 00:41:35,799
Speaker 2: you can't see it, but there's sort of a three

706
00:41:35,880 --> 00:41:37,960
Speaker 2: D rendering of a word wizard inside the cube, and

707
00:41:38,000 --> 00:41:40,600
Speaker 2: as he's like being knocked around inside, when you flip

708
00:41:40,640 --> 00:41:43,439
Speaker 2: it over, you can see the like him.

709
00:41:43,719 --> 00:41:45,560
Speaker 1: Yeah, he goes to his wall of potions, and when

710
00:41:45,600 --> 00:41:48,120
Speaker 1: the cube starts to tumble, the potions start to spell

711
00:41:48,120 --> 00:41:50,720
Speaker 1: and spell different letters, and then he's selecting the letters

712
00:41:50,760 --> 00:41:54,839
Speaker 1: and kind of affixing them to himself. But he now

713
00:41:55,000 --> 00:41:57,759
Speaker 1: has gotten all the letters and he's made a.

714
00:41:57,680 --> 00:41:59,920
Speaker 3: Really young wizard. Yeah.

715
00:42:00,320 --> 00:42:02,160
Speaker 1: Well he looks a lot like.

716
00:42:03,360 --> 00:42:04,640
Speaker 3: Engineeran Will Wheaton.

717
00:42:04,800 --> 00:42:05,480
Speaker 1: Oh h.

718
00:42:07,440 --> 00:42:09,920
Speaker 3: Is that better Engineer Ryan?

719
00:42:09,960 --> 00:42:14,279
Speaker 1: Should I do? I want to say that I appreciate

720
00:42:14,400 --> 00:42:22,000
Speaker 1: the thought. So he looks a lot like Engineer Ryan and.

721
00:42:24,719 --> 00:42:26,160
Speaker 3: The word that he's.

722
00:42:26,120 --> 00:42:28,680
Speaker 1: Affixed to himself and this is just a lucky one.

723
00:42:30,600 --> 00:42:36,680
Speaker 1: It's uh, engineer Cody. And so I guess I'm gonna

724
00:42:36,800 --> 00:42:41,680
Speaker 1: assign Hayes to act like engineer Cody, because you get

725
00:42:41,800 --> 00:42:43,799
Speaker 1: you have to do with what the word cube wizard says.

726
00:42:43,880 --> 00:42:47,399
Speaker 2: Okay, that means I have to draw a card from

727
00:42:47,440 --> 00:42:54,600
Speaker 2: the engineer Cody specific bile, which is all the jokes

728
00:42:54,600 --> 00:42:59,960
Speaker 2: that Cody has made on the show. So I guess

729
00:43:00,239 --> 00:43:02,600
Speaker 2: draw a car from this pilot and make one of

730
00:43:02,880 --> 00:43:07,759
Speaker 2: one of Cody's jokes. I'm gonna need you to keep

731
00:43:07,800 --> 00:43:11,160
Speaker 2: it Disney. Okay, that was from our last episode. That

732
00:43:11,200 --> 00:43:15,040
Speaker 2: was something Cody said in our last episode. Oh yeah,

733
00:43:15,719 --> 00:43:17,480
Speaker 2: oh yeah, I'd almost forgotten about that.

734
00:43:21,719 --> 00:43:24,719
Speaker 3: Okay, so great. So now you passed the turn on.

735
00:43:25,239 --> 00:43:30,719
Speaker 2: Okay, so I you know, now I hold the sort

736
00:43:30,719 --> 00:43:35,279
Speaker 2: of the turn squeezer, just a little thing you could

737
00:43:35,280 --> 00:43:37,000
Speaker 2: squeeze in your hand while you make a turn.

738
00:43:37,320 --> 00:43:39,680
Speaker 3: Yeah, it's still Yes, it's still your action. I'm sorry

739
00:43:39,680 --> 00:43:41,399
Speaker 3: you have the turn squeezer. Yeah, still your act.

740
00:43:41,440 --> 00:43:43,919
Speaker 1: If there's any other moves, if there's any purchases you'd

741
00:43:43,920 --> 00:43:44,560
Speaker 1: like to make at.

742
00:43:44,440 --> 00:43:48,440
Speaker 2: This time, yes, I actually would like to cash in

743
00:43:48,520 --> 00:43:51,560
Speaker 2: some of my So you accumulated at the beginning. You

744
00:43:52,719 --> 00:43:56,600
Speaker 2: show up with bus tokens, like because like you know,

745
00:43:56,640 --> 00:43:59,040
Speaker 2: people get like Hollywood has buss like these like buses

746
00:43:59,040 --> 00:44:00,799
Speaker 2: that everyone like rides around, so like those are like

747
00:44:00,840 --> 00:44:02,400
Speaker 2: the currency of the game that he's bus token.

748
00:44:02,600 --> 00:44:05,839
Speaker 3: Could have you ever played Access and Allies that one

749
00:44:06,239 --> 00:44:10,319
Speaker 3: have you played it? Oh? Yeah, I'm love that. It's

750
00:44:11,239 --> 00:44:13,280
Speaker 3: uh like World War two?

751
00:44:15,120 --> 00:44:18,640
Speaker 5: Yes, I remember that that game go ahead.

752
00:44:18,680 --> 00:44:20,759
Speaker 2: So I would like to go to the store and

753
00:44:21,080 --> 00:44:24,160
Speaker 2: catching some of my bus tokens which I can use

754
00:44:24,239 --> 00:44:29,600
Speaker 2: to do give my carrot to give how attribute points

755
00:44:30,280 --> 00:44:33,239
Speaker 2: that will have a pretty serious effect on the next

756
00:44:33,320 --> 00:44:34,719
Speaker 2: of the next turn that I do. So you are

757
00:44:34,800 --> 00:44:38,400
Speaker 2: going to want to do that obviously before before you

758
00:44:38,440 --> 00:44:39,600
Speaker 2: act on turn two.

759
00:44:40,080 --> 00:44:43,400
Speaker 3: Mm hmm. So you and this case are the store manager.

760
00:44:43,680 --> 00:44:50,840
Speaker 2: Yeah, So what I need if I'm going around the

761
00:44:50,840 --> 00:44:58,640
Speaker 2: the second alley, I'm gonna need a strength potion. Uh huh,

762
00:44:58,840 --> 00:45:02,239
Speaker 2: I'm gonna need a utility belt or like, well, what's

763
00:45:02,239 --> 00:45:06,400
Speaker 2: gonna give me more storage? I guess just a larger backpack.

764
00:45:07,560 --> 00:45:07,880
Speaker 3: Okay.

765
00:45:08,520 --> 00:45:18,160
Speaker 1: So obviously my affiliation is kind chaotic and so I,

766
00:45:18,239 --> 00:45:22,400
Speaker 1: you know, not unlike the joker, am having fun smiling

767
00:45:22,520 --> 00:45:25,160
Speaker 1: like a kind guy. What I actually want chaos. So

768
00:45:25,239 --> 00:45:27,279
Speaker 1: what you've ordered, I'm not going to send you. And

769
00:45:27,760 --> 00:45:30,520
Speaker 1: if Cody, if you want to check your email right now,

770
00:45:30,840 --> 00:45:34,120
Speaker 1: you're getting an email from Nikki Glazer saying that she

771
00:45:34,280 --> 00:45:36,800
Speaker 1: actually forgot that she scheduled the record with us today

772
00:45:37,280 --> 00:45:38,759
Speaker 1: and she's not going to be able to make it

773
00:45:38,800 --> 00:45:41,560
Speaker 1: into the show, and so that, and so this is

774
00:45:41,560 --> 00:45:46,680
Speaker 1: something that happens in the Hollywood Handbook game. Ye, people

775
00:45:47,080 --> 00:45:50,359
Speaker 1: don't always you know, follow through. And it's okay, Yes,

776
00:45:51,120 --> 00:45:52,600
Speaker 1: you have to pivot.

777
00:45:53,680 --> 00:45:55,640
Speaker 2: And now she and she does see in the email

778
00:45:55,640 --> 00:45:58,319
Speaker 2: that she'd love to schedule for another time. So I'm

779
00:45:58,320 --> 00:46:04,080
Speaker 2: going to draw a skip one hundred turns card to

780
00:46:04,200 --> 00:46:05,120
Speaker 2: jump ahead.

781
00:46:05,080 --> 00:46:10,400
Speaker 3: Two years at the future. Mm hmm. And now can

782
00:46:10,480 --> 00:46:11,919
Speaker 3: you check your email and see if you got an email?

783
00:46:12,080 --> 00:46:13,759
Speaker 3: Did she check in with you in that time.

784
00:46:14,160 --> 00:46:17,120
Speaker 4: In two years? Yeah, it looks like she did at

785
00:46:17,160 --> 00:46:22,600
Speaker 4: seven two pm, seven today of two years from now today,

786
00:46:23,520 --> 00:46:25,359
Speaker 4: like this day in history, two years from now.

787
00:46:25,640 --> 00:46:26,640
Speaker 3: Okay, what's it say?

788
00:46:27,640 --> 00:46:34,040
Speaker 4: It says, sorry, I had my cat got very sick

789
00:46:35,000 --> 00:46:37,400
Speaker 4: and I had to take her to.

790
00:46:36,000 --> 00:46:39,320
Speaker 3: The Sorry, sorry I had dot dot dot.

791
00:46:39,480 --> 00:46:41,680
Speaker 1: Sorry I had my cat got very sick and I

792
00:46:41,719 --> 00:46:44,400
Speaker 1: had to take her to was there an uhem there.

793
00:46:45,280 --> 00:46:48,920
Speaker 4: She misspelled pet and she said Platt hospital. She put

794
00:46:48,920 --> 00:46:53,760
Speaker 4: an L in there in van Nice. So and it's okay.

795
00:46:54,640 --> 00:46:57,279
Speaker 1: And it looks like that email changes fonts a few times.

796
00:46:57,600 --> 00:46:59,880
Speaker 5: She didn't even say thanks or anything. She just said

797
00:47:00,280 --> 00:47:01,880
Speaker 5: like dash.

798
00:47:01,440 --> 00:47:02,520
Speaker 3: And can I just say on the Joker.

799
00:47:02,560 --> 00:47:06,160
Speaker 2: Think Scott did tweet a joke reference to the Joker

800
00:47:06,200 --> 00:47:09,719
Speaker 2: a couple of days ago, so yeah, yeah, sort of, yes,

801
00:47:10,719 --> 00:47:11,480
Speaker 2: a thread.

802
00:47:11,320 --> 00:47:13,880
Speaker 3: About how the Joker like worships chaos all this.

803
00:47:14,920 --> 00:47:16,319
Speaker 2: So, and he did say he could do that at

804
00:47:16,320 --> 00:47:18,960
Speaker 2: the beginning of that was part of our your world

805
00:47:19,040 --> 00:47:21,520
Speaker 2: and I'm not supposed to be you cannot you should

806
00:47:21,560 --> 00:47:22,280
Speaker 2: not do that anymore.

807
00:47:22,360 --> 00:47:23,359
Speaker 3: I am sorry about that.

808
00:47:24,960 --> 00:47:29,120
Speaker 1: I I don't know why I thought I had stiked

809
00:47:29,120 --> 00:47:35,640
Speaker 1: out that corner. Well, it's fair game. It's a big character. Yeah, yeah,

810
00:47:36,520 --> 00:47:39,720
Speaker 1: and I will lay off. I will find the next

811
00:47:39,719 --> 00:47:41,640
Speaker 1: thing that people will.

812
00:47:43,400 --> 00:47:50,000
Speaker 3: Want to make jokes about. Okay, Cody, So now it

813
00:47:50,080 --> 00:47:54,440
Speaker 3: is your turn. Do you have the clay? Yeah? Okay,

814
00:47:54,520 --> 00:48:00,320
Speaker 3: Now what you need to do is mash up the clay. Yeah.

815
00:48:00,560 --> 00:48:04,040
Speaker 3: And what you're doing is you're making something so sticky. Yes.

816
00:48:04,200 --> 00:48:06,200
Speaker 1: Yeah, Well there's a lot of beans in it.

817
00:48:08,120 --> 00:48:10,439
Speaker 2: That is Yes, there is an issue with a bunch

818
00:48:10,480 --> 00:48:12,680
Speaker 2: of cooked beans making their way into the clay. We

819
00:48:12,760 --> 00:48:15,399
Speaker 2: did make a lot of our pieces for this game

820
00:48:15,480 --> 00:48:21,440
Speaker 2: in the Goya factory. There was some confusion over shipments

821
00:48:21,480 --> 00:48:24,920
Speaker 2: that got mixed up where yes, some fully cooked pinto

822
00:48:24,960 --> 00:48:28,960
Speaker 2: beans did go out with our with our supply of clay,

823
00:48:29,080 --> 00:48:30,280
Speaker 2: which I think is fine.

824
00:48:30,320 --> 00:48:32,040
Speaker 3: I think is I think it's better.

825
00:48:32,840 --> 00:48:35,560
Speaker 1: It's it's way better because so many of these games

826
00:48:35,560 --> 00:48:38,200
Speaker 1: don't have any cooked pinto beans, and you go to

827
00:48:38,280 --> 00:48:42,279
Speaker 1: play and you're trying to do uno or something and

828
00:48:43,280 --> 00:48:46,120
Speaker 1: you also have to cook separately, and it's just like

829
00:48:46,600 --> 00:48:48,200
Speaker 1: so such bullshit.

830
00:48:47,800 --> 00:48:49,760
Speaker 3: And a lot of these games just smell like nothing.

831
00:48:50,840 --> 00:48:54,320
Speaker 1: That's true. That's one of the promises we make. And

832
00:48:54,400 --> 00:48:57,560
Speaker 1: we've all been obviously holding back on the ordering process

833
00:48:57,560 --> 00:49:00,840
Speaker 1: and the price for a Hollywood Handbook board game, and

834
00:49:00,920 --> 00:49:02,440
Speaker 1: part of that is we want you to have a

835
00:49:02,440 --> 00:49:05,440
Speaker 1: good picture of this Thing's gonna smell like a lot

836
00:49:06,400 --> 00:49:08,560
Speaker 1: different parts of the game are gonna smell like different

837
00:49:08,560 --> 00:49:12,040
Speaker 1: places that you could go in Hollywood, or different foods,

838
00:49:12,160 --> 00:49:15,480
Speaker 1: or different sections of different hospitals.

839
00:49:16,040 --> 00:49:19,080
Speaker 3: And it's just such a.

840
00:49:19,120 --> 00:49:22,680
Speaker 1: Rich experience for all of your senses, not just your

841
00:49:22,719 --> 00:49:24,560
Speaker 1: brain and your hands, like a lot of board games,

842
00:49:24,600 --> 00:49:29,560
Speaker 1: but also for your nose, for your uh, for your

843
00:49:30,200 --> 00:49:32,000
Speaker 1: you know, hospital part of your.

844
00:49:33,480 --> 00:49:38,800
Speaker 3: Memories. And there's a lot to touch.

845
00:49:39,320 --> 00:49:41,440
Speaker 2: So Cody, now we look at what you've mashed up.

846
00:49:41,920 --> 00:49:44,480
Speaker 2: I made this Okay, and now and now with this

847
00:49:44,520 --> 00:49:46,040
Speaker 2: part of the game is, of course, would shell be

848
00:49:46,160 --> 00:49:46,960
Speaker 2: Pharaoh like that?

849
00:49:48,520 --> 00:49:52,239
Speaker 3: And so the other the panelists there are the.

850
00:49:52,280 --> 00:49:54,480
Speaker 2: Other two players get to decide if Shelby Pharaoh would

851
00:49:54,560 --> 00:49:55,759
Speaker 2: like what cold he made.

852
00:49:56,719 --> 00:50:01,439
Speaker 1: Okay, so I could see her even if she did

853
00:50:01,640 --> 00:50:04,480
Speaker 1: like it, Yeah, being kind of over it.

854
00:50:04,520 --> 00:50:07,200
Speaker 3: Because it's it. Yeah, it's tough.

855
00:50:07,239 --> 00:50:09,160
Speaker 2: It's unfortunate for you, Cody, because I think she might

856
00:50:09,200 --> 00:50:11,319
Speaker 2: actually look at that and secretly like it. But it's

857
00:50:11,360 --> 00:50:14,879
Speaker 2: about like what like what she whether she would say

858
00:50:14,920 --> 00:50:15,600
Speaker 2: she would like it?

859
00:50:15,840 --> 00:50:17,960
Speaker 3: Yes, that it has to be part of it.

860
00:50:18,200 --> 00:50:20,479
Speaker 1: Yeah, and I actually know she's a friend of mine

861
00:50:20,560 --> 00:50:21,960
Speaker 1: and I don't think that she.

862
00:50:22,000 --> 00:50:24,160
Speaker 2: Would, but a big part of her sort of brand

863
00:50:24,280 --> 00:50:26,000
Speaker 2: is being over it, and so I think she would

864
00:50:26,040 --> 00:50:27,839
Speaker 2: actually look at that and sort of be like, I'm

865
00:50:27,880 --> 00:50:28,319
Speaker 2: over it.

866
00:50:28,480 --> 00:50:31,360
Speaker 5: But the bean is kind of turned into a little

867
00:50:31,360 --> 00:50:34,000
Speaker 5: bit of look, oh, Cody, no one's ignoring what you

868
00:50:34,040 --> 00:50:34,719
Speaker 5: did with the bean.

869
00:50:35,560 --> 00:50:37,759
Speaker 1: I mean, please, if this was purely a judgment on

870
00:50:37,840 --> 00:50:39,560
Speaker 1: do I think you did a great job with the bean,

871
00:50:39,640 --> 00:50:41,239
Speaker 1: turning it sort of out a little bit.

872
00:50:41,280 --> 00:50:44,040
Speaker 2: And I apologize for not mentioning that because I know

873
00:50:44,120 --> 00:50:46,040
Speaker 2: this was something that you kind of needed and I

874
00:50:46,080 --> 00:50:48,800
Speaker 2: could say that when not like you needed the clay.

875
00:50:48,920 --> 00:50:50,560
Speaker 3: Although that is very funny that I did that.

876
00:50:50,760 --> 00:50:52,719
Speaker 5: It's just I want to be creative sometimes.

877
00:50:53,160 --> 00:50:54,680
Speaker 2: No, I know, I know, And I could tell when

878
00:50:54,680 --> 00:50:56,480
Speaker 2: you were finished you were saying like, ah, this will

879
00:50:56,520 --> 00:50:58,080
Speaker 2: be this.

880
00:50:58,080 --> 00:51:02,600
Speaker 5: This fucking job is not fucking creative all so fucking

881
00:51:03,160 --> 00:51:05,759
Speaker 5: tasks do.

882
00:51:05,840 --> 00:51:08,640
Speaker 2: This right, right, right, right right right. But then every

883
00:51:08,680 --> 00:51:11,000
Speaker 2: time you get a chance to be creative, it's so bad.

884
00:51:10,880 --> 00:51:14,040
Speaker 5: Right, I mean, they don't. They don't let me be

885
00:51:14,080 --> 00:51:15,200
Speaker 5: creative enough that Yeah.

886
00:51:15,480 --> 00:51:18,880
Speaker 3: Sometimes when they do, but sometimes you do, it should

887
00:51:18,920 --> 00:51:19,480
Speaker 3: be more.

888
00:51:20,760 --> 00:51:24,120
Speaker 1: So, more bad stuff in the hopes that it turns

889
00:51:24,120 --> 00:51:26,280
Speaker 1: a corner at some point.

890
00:51:26,760 --> 00:51:30,360
Speaker 5: I think that, Yeah, yeah.

891
00:51:29,480 --> 00:51:32,600
Speaker 3: Like, what's something you want to do that's bad? Yeah?

892
00:51:32,680 --> 00:51:34,799
Speaker 1: Do you have any bad ideas for creative things you

893
00:51:34,800 --> 00:51:37,200
Speaker 1: could make? And you know we can give you some

894
00:51:37,239 --> 00:51:38,120
Speaker 1: space right now?

895
00:51:38,360 --> 00:51:39,400
Speaker 3: Yeah, i'd like to.

896
00:51:39,600 --> 00:51:42,680
Speaker 5: I I carpentries would be fun.

897
00:51:43,000 --> 00:51:47,800
Speaker 2: Yeah, I can make some wood dolls.

898
00:51:50,480 --> 00:51:52,200
Speaker 1: And you seem to have cracked yourself up with that

899
00:51:52,320 --> 00:52:00,520
Speaker 1: last comment. Do you want to talk about what was

900
00:52:00,560 --> 00:52:02,920
Speaker 1: so funny for you?

901
00:52:05,680 --> 00:52:11,640
Speaker 3: Do? I have to? I think it would help. I

902
00:52:11,680 --> 00:52:14,960
Speaker 3: know what helped me. I certainly think Hayes would appreciate it. No, yeah,

903
00:52:15,080 --> 00:52:15,439
Speaker 3: that would.

904
00:52:17,360 --> 00:52:19,439
Speaker 2: I know something is bad about this, but that would

905
00:52:19,480 --> 00:52:24,120
Speaker 2: help me like articulate exactly what because sometimes with you,

906
00:52:24,200 --> 00:52:25,239
Speaker 2: it's like it's hard to.

907
00:52:26,000 --> 00:52:29,480
Speaker 3: I don't know why it makes you feel so awful.

908
00:52:29,719 --> 00:52:33,720
Speaker 1: There's a real disconnect between. I know that what you're

909
00:52:33,800 --> 00:52:37,240
Speaker 1: trying to transmit to me is not what I'm getting,

910
00:52:38,440 --> 00:52:41,080
Speaker 1: so I always like to try to peel back to

911
00:52:41,120 --> 00:52:42,759
Speaker 1: carent I also don't think you're going to be able

912
00:52:42,800 --> 00:52:45,680
Speaker 1: to communicate why it came out the way it did.

913
00:52:46,040 --> 00:52:48,600
Speaker 2: But it's a clue.

914
00:52:51,480 --> 00:52:55,959
Speaker 4: I mean, maybe it's an early childhood imprinting or something subconscious,

915
00:52:56,440 --> 00:53:01,719
Speaker 4: right based on my upbringing, your you know, or you

916
00:53:01,760 --> 00:53:04,120
Speaker 4: know my parents, you know how they fucked me up

917
00:53:04,200 --> 00:53:04,600
Speaker 4: or something.

918
00:53:04,760 --> 00:53:05,200
Speaker 5: I don't know.

919
00:53:05,800 --> 00:53:07,280
Speaker 3: M hm okay.

920
00:53:07,400 --> 00:53:11,919
Speaker 2: And he wants like sympathy, and and I do understand

921
00:53:11,760 --> 00:53:15,759
Speaker 2: the desire to sort of change your what people think

922
00:53:15,800 --> 00:53:18,880
Speaker 2: about you to like, oh, he's like so like fucked

923
00:53:18,960 --> 00:53:21,879
Speaker 2: up and crazy, like something like as if we were

924
00:53:21,920 --> 00:53:24,920
Speaker 2: looking at you derange or whatever, instead of just like oh,

925
00:53:24,960 --> 00:53:26,680
Speaker 2: it's just like sucks.

926
00:53:27,080 --> 00:53:30,239
Speaker 1: The flaw the fly is that you assume anyone was

927
00:53:30,280 --> 00:53:32,560
Speaker 1: looking at you and thinking that your parents got it

928
00:53:32,680 --> 00:53:36,840
Speaker 1: right like that. We weren't already taking into consideration like

929
00:53:37,000 --> 00:53:43,640
Speaker 1: obviously he's had a hard life start like this, right,

930
00:53:46,200 --> 00:53:52,520
Speaker 1: We already were spotting you that, and even with the handicap.

931
00:53:55,040 --> 00:53:56,720
Speaker 3: That we were sort of ended up where we were,

932
00:53:56,960 --> 00:54:02,560
Speaker 3: you know. Yeah. Anyway, Shelby, this is an automatic lose card. Yeah,

933
00:54:02,600 --> 00:54:05,000
Speaker 3: so you got to eat the loose handicap. You have

934
00:54:05,040 --> 00:54:06,000
Speaker 3: to eat the lose car.

935
00:54:06,200 --> 00:54:09,759
Speaker 2: And that the lose cards that virtually do not have

936
00:54:09,920 --> 00:54:10,600
Speaker 2: enough beans.

937
00:54:10,960 --> 00:54:14,640
Speaker 1: No, they were supposed to be almost entirely pressed bean

938
00:54:15,320 --> 00:54:20,279
Speaker 1: and uh, unfortunately they I guess so many of the

939
00:54:20,280 --> 00:54:22,560
Speaker 1: beans went in the clay that they couldn't make it

940
00:54:22,600 --> 00:54:23,200
Speaker 1: all out of that.

941
00:54:23,440 --> 00:54:29,920
Speaker 5: So yeah, okay, I guess it's like lead in here

942
00:54:30,000 --> 00:54:30,440
Speaker 5: or something.

943
00:54:30,719 --> 00:54:31,120
Speaker 3: Yeah.

944
00:54:31,200 --> 00:54:35,680
Speaker 1: And they did supplement the beans with some lead that

945
00:54:35,719 --> 00:54:36,560
Speaker 1: Goya factory.

946
00:54:38,160 --> 00:54:40,000
Speaker 2: Some of the lead that was supposed to be in

947
00:54:40,040 --> 00:54:42,960
Speaker 2: the cans, and yes, ended up inside the beans.

948
00:54:42,960 --> 00:54:43,680
Speaker 3: All right, I ate it.

949
00:54:43,840 --> 00:54:44,640
Speaker 5: What do you want now?

950
00:54:47,080 --> 00:54:50,439
Speaker 3: Nothing? I mean that's you know, you lost the game.

951
00:54:50,480 --> 00:54:51,600
Speaker 3: So I've won one round.

952
00:54:51,719 --> 00:54:54,360
Speaker 1: Cody's lost one round, right, Hey, is you're at a

953
00:54:54,560 --> 00:54:55,200
Speaker 1: wash right now?

954
00:54:55,360 --> 00:54:58,480
Speaker 3: Yes? And some beans. That's a good place to. Oh, yeah,

955
00:54:58,560 --> 00:55:02,160
Speaker 3: because you have to. I mean you have to.

956
00:55:02,520 --> 00:55:05,440
Speaker 2: The game is not over until all three people have

957
00:55:05,520 --> 00:55:08,600
Speaker 2: had a different result, and so that actually normally takes

958
00:55:08,600 --> 00:55:09,280
Speaker 2: a lot longer.

959
00:55:10,800 --> 00:55:14,120
Speaker 3: Yeah. So I guess we'll do the rubber match double round.

960
00:55:14,280 --> 00:55:20,160
Speaker 1: Yeah, which as long as Cody doesn't win, should mean

961
00:55:20,200 --> 00:55:23,759
Speaker 1: that somebody will be the definitive victor. And there's not

962
00:55:23,800 --> 00:55:25,640
Speaker 1: a whole lot of danger of that, just based on

963
00:55:25,680 --> 00:55:28,160
Speaker 1: the way the game's structured. Yeah, and are we doing

964
00:55:28,200 --> 00:55:30,680
Speaker 1: that off the air, Yeah, We're going to do that

965
00:55:30,840 --> 00:55:37,120
Speaker 1: at home over Skype. So one thing I did want

966
00:55:37,160 --> 00:55:42,240
Speaker 1: to remind everyone about is downloading this show and telling

967
00:55:42,280 --> 00:55:45,720
Speaker 1: your friends about it is a great way to help

968
00:55:45,800 --> 00:55:50,880
Speaker 1: us get advertisers. You are the ad budget for this show, Okay,

969
00:55:51,680 --> 00:55:55,759
Speaker 1: we don't have a big promotion budget like X Men

970
00:55:55,800 --> 00:55:59,799
Speaker 1: Apocalypse did. And so you like it, tell people, because

971
00:55:59,840 --> 00:56:02,920
Speaker 1: then we get to make more if you yes, if

972
00:56:02,960 --> 00:56:05,440
Speaker 1: you like it. We don't get to make more if

973
00:56:05,480 --> 00:56:08,640
Speaker 1: you don't tell everyone about that. So please go on

974
00:56:08,680 --> 00:56:11,520
Speaker 1: your Facebook page, go it, you know, go to your

975
00:56:11,600 --> 00:56:13,879
Speaker 1: dad's bank and put put up a.

976
00:56:13,800 --> 00:56:16,160
Speaker 3: Sign in the line. They'll usually let you put a

977
00:56:16,200 --> 00:56:17,640
Speaker 3: sign on the windows there.

978
00:56:18,840 --> 00:56:22,520
Speaker 2: And go to your local or like if there's a podcast,

979
00:56:23,080 --> 00:56:25,920
Speaker 2: like if Spotify or something isn't doing the show, go

980
00:56:26,000 --> 00:56:27,839
Speaker 2: and be like, put the show on there.

981
00:56:28,040 --> 00:56:31,000
Speaker 1: Request if you see that there's a you know, if

982
00:56:31,040 --> 00:56:33,359
Speaker 1: there's a local record store in your town, if they

983
00:56:33,360 --> 00:56:38,400
Speaker 1: don't have any you know, editions of this podcast, go

984
00:56:38,520 --> 00:56:40,919
Speaker 1: in and say, hey, why isn't this playing here?

985
00:56:41,000 --> 00:56:46,880
Speaker 3: This should be on the speakers. It's your problem. And

986
00:56:46,920 --> 00:56:54,280
Speaker 3: that if they say no, say like why, say like that.

987
00:56:54,560 --> 00:56:58,759
Speaker 1: Why yes? Please? You know, carry the voice of this

988
00:56:58,880 --> 00:56:59,480
Speaker 1: show with you.

989
00:57:00,080 --> 00:57:04,040
Speaker 3: Asked the question the way we would whye, how come

990
00:57:04,800 --> 00:57:07,080
Speaker 3: we I want it?

991
00:57:08,280 --> 00:57:10,960
Speaker 1: I made it so I get to say whether it's

992
00:57:11,040 --> 00:57:14,399
Speaker 1: good and it really works this show, So do get

993
00:57:14,440 --> 00:57:17,840
Speaker 1: out there. You are the ad budget for this show guys,

994
00:57:18,440 --> 00:57:22,439
Speaker 1: so you know, word of mouth is our greatest asset here.

995
00:57:22,720 --> 00:57:26,240
Speaker 1: And please bother everyone else.

996
00:57:26,520 --> 00:57:29,240
Speaker 3: Bye.

997
00:57:31,680 --> 00:57:36,000
Speaker 1: Hollywood Handbook is brought to you by Wolf Cool Production.

998
00:57:35,720 --> 00:57:37,680
Speaker 3: To subsidiary of Calvin who

999
00:57:37,880 --> 00:57:48,560
Speaker 1: Dabbs ow Baby