WEBVTT - The Meaning of Ricky Martin’s Evolution

0:00:01.480 --> 0:00:03.120
<v Speaker 1>Dear Latino USA listener.

0:00:03.440 --> 0:00:06.080
<v Speaker 2>Before we start, you should know that if you want

0:00:06.080 --> 0:00:10.240
<v Speaker 2>to listen to this episode ad free, just join Plus

0:00:10.760 --> 0:00:13.119
<v Speaker 2>and you can join for as little as seven dollars

0:00:13.160 --> 0:00:17.200
<v Speaker 2>a month. Joining also gets you behind the scenes access

0:00:17.280 --> 0:00:21.279
<v Speaker 2>and yes, some cheese may so click the link in

0:00:21.320 --> 0:00:25.560
<v Speaker 2>the episode description and after you do that, then click play.

0:00:25.960 --> 0:00:26.520
<v Speaker 1>Let's go to the.

0:00:26.520 --> 0:00:39.520
<v Speaker 2>Show, or Latino USA listener, I want to tell you

0:00:39.560 --> 0:00:42.080
<v Speaker 2>about a new show from Futuro Studios that we just

0:00:42.159 --> 0:00:47.160
<v Speaker 2>launched with iHeartRadio. It's called We Excited with Maria Garcia.

0:00:47.560 --> 0:00:51.080
<v Speaker 2>It's a really fun video podcast where Maria dives into

0:00:51.120 --> 0:00:54.560
<v Speaker 2>pop culture moments from the present in the past, and

0:00:54.600 --> 0:00:58.320
<v Speaker 2>then she tells us what these moments reveal about ourselves.

0:00:58.760 --> 0:01:02.120
<v Speaker 2>And you know, Maria loves pop culture. You probably remember

0:01:02.120 --> 0:01:06.400
<v Speaker 2>her previous podcast series Anything for Selena about the Tejano

0:01:06.520 --> 0:01:11.000
<v Speaker 2>singer Selena Kintanilla, and also the podcast My Devo about

0:01:11.080 --> 0:01:15.920
<v Speaker 2>Mexican musical icon Juan Gavilla. Well, this time Maria Garcia

0:01:16.080 --> 0:01:19.640
<v Speaker 2>is back to reflect on topics like why did the

0:01:19.640 --> 0:01:23.840
<v Speaker 2>power couple of Mariah Carey and Lis Migul not work out?

0:01:24.120 --> 0:01:28.760
<v Speaker 2>Or why do many people, especially Latinas yearn for Shakida's

0:01:28.920 --> 0:01:32.800
<v Speaker 2>Black Hair to make a comeback. Well, today we want

0:01:32.800 --> 0:01:35.840
<v Speaker 2>to share with you the very first episode of Muyi Excited.

0:01:36.240 --> 0:01:39.440
<v Speaker 2>It's about the one and only Ricky Martin. Here's Maria

0:01:39.480 --> 0:01:43.800
<v Speaker 2>with the first episode of Mui Excited, Enjoy.

0:01:44.520 --> 0:01:47.280
<v Speaker 1>I want to tell you about a moment earlier this year.

0:01:48.520 --> 0:01:50.960
<v Speaker 1>I was at my friend Ruby's house. We were gathered

0:01:50.960 --> 0:01:53.960
<v Speaker 1>to watch the Benito Bowl. Apparently there's some sort of

0:01:53.960 --> 0:01:58.160
<v Speaker 1>sporting event happening at the same time, but we were sat

0:01:58.320 --> 0:02:02.240
<v Speaker 1>for Benito Antonio Martinez, oh Gassio. Okay, Well, we weren't

0:02:02.280 --> 0:02:05.040
<v Speaker 1>exactly sad because all of us adults were standing in

0:02:05.080 --> 0:02:08.919
<v Speaker 1>a semi circle, entranced by the magic of Bad Bunny's

0:02:09.000 --> 0:02:13.880
<v Speaker 1>performance that starred in the sugarcane fields, all the Latino venders,

0:02:14.160 --> 0:02:18.520
<v Speaker 1>the actual wedding. It was the joy, the nourishment we

0:02:18.600 --> 0:02:24.200
<v Speaker 1>needed at the time. And then we see him dressed

0:02:24.240 --> 0:02:29.040
<v Speaker 1>in all white, his voice firm and smooth. It is

0:02:29.600 --> 0:02:35.679
<v Speaker 1>the one and only Ricky Martin singing arguably one of

0:02:35.720 --> 0:02:40.400
<v Speaker 1>the most political anti colonial anthems of Bad Bunny's catalog,

0:02:40.919 --> 0:02:46.040
<v Speaker 1>Loke Hawaii a quie against statehood for Puerto Rico and

0:02:46.280 --> 0:02:50.880
<v Speaker 1>I am in awe of this moment. I know immediately

0:02:50.960 --> 0:02:54.919
<v Speaker 1>the potency of the symbolism. Here, here is the artist

0:02:55.000 --> 0:02:58.000
<v Speaker 1>who most represents what some people called the Latin boom

0:02:58.120 --> 0:03:01.320
<v Speaker 1>in the late nineties, the moment in history when US

0:03:01.400 --> 0:03:04.359
<v Speaker 1>audiences were suddenly like, oh gosh, darn, look at these

0:03:04.440 --> 0:03:08.760
<v Speaker 1>fiery Latins. They exist. And now, about two and a

0:03:08.800 --> 0:03:13.040
<v Speaker 1>half decades later, Ricky Martin stands before us, not performing

0:03:13.160 --> 0:03:18.320
<v Speaker 1>in English to a white audience for recognition or acceptance. No,

0:03:18.480 --> 0:03:24.280
<v Speaker 1>he stands before us, singing a song of resistance in Spanish.

0:03:24.639 --> 0:03:28.200
<v Speaker 1>And I stand there acutely aware that I would remember

0:03:28.280 --> 0:03:32.600
<v Speaker 1>this moment for decades to come, that this was a

0:03:32.639 --> 0:03:36.000
<v Speaker 1>Touchstowe moment, not only for the long storied arc of

0:03:36.120 --> 0:03:41.160
<v Speaker 1>Ricky's career, but for the complicated narrative of Latino belonging

0:03:41.520 --> 0:03:46.760
<v Speaker 1>in the United States. And then my trance is interrupted

0:03:48.080 --> 0:03:51.800
<v Speaker 1>by the choir of boys behind me. Who is that?

0:03:53.040 --> 0:03:56.040
<v Speaker 1>Yells my eleven year old son and his two best friends,

0:03:56.680 --> 0:03:59.560
<v Speaker 1>And then all three of us moms turn around and yell,

0:04:00.120 --> 0:04:03.960
<v Speaker 1>what do you mean that's Ricky Martin? And the three

0:04:04.000 --> 0:04:12.000
<v Speaker 1>preteens say, who's Ricky Martin? And then I realize I

0:04:12.040 --> 0:04:16.680
<v Speaker 1>have failed my child. He has grown up knowing about

0:04:16.720 --> 0:04:21.760
<v Speaker 1>Juangareel de Carleon, Selena, Prince, Kate Bush, and so many

0:04:21.880 --> 0:04:26.040
<v Speaker 1>musical icons who paved away. But I have done him

0:04:26.120 --> 0:04:30.200
<v Speaker 1>a disservice by not teaching him about the man who

0:04:30.320 --> 0:04:33.760
<v Speaker 1>had to live a vida loca so bad Bunny could do.

0:04:36.600 --> 0:04:39.480
<v Speaker 1>And I'm going to be honest, I feel that I

0:04:39.560 --> 0:04:44.520
<v Speaker 1>have also failed myself because I've written a lot about

0:04:44.560 --> 0:04:48.080
<v Speaker 1>the late nineties Latin boom, which that term is sillly,

0:04:48.160 --> 0:04:50.240
<v Speaker 1>and we're going to talk about how even Ricky knew

0:04:50.279 --> 0:04:53.400
<v Speaker 1>it was a weird concept way back when. But anyway,

0:04:53.560 --> 0:04:56.880
<v Speaker 1>I have written a lot about this historic moment, but

0:04:56.960 --> 0:05:00.800
<v Speaker 1>I have very on Brad centered the diva of the moment,

0:05:00.880 --> 0:05:06.000
<v Speaker 1>jay Lo, Shaquidra, the og predecessor, Selina, and I have

0:05:06.400 --> 0:05:10.039
<v Speaker 1>mentioned Ricky, but I have never gone deep on what

0:05:10.279 --> 0:05:15.360
<v Speaker 1>he meant. Betro Yeah, no more. I'm gonna do right

0:05:15.400 --> 0:05:18.039
<v Speaker 1>by my son, by all of y'all out there who

0:05:18.080 --> 0:05:21.000
<v Speaker 1>may not know, or who may have forgotten, just how

0:05:21.120 --> 0:05:25.600
<v Speaker 1>much this man did for the culture. Because let me

0:05:25.640 --> 0:05:28.839
<v Speaker 1>tell you, whether you are Latino or queer, or just

0:05:28.920 --> 0:05:33.600
<v Speaker 1>someone who is trying to live more authentically you have

0:05:33.760 --> 0:05:39.279
<v Speaker 1>something to glean from Ricky Martin's life and legacy. This

0:05:39.360 --> 0:05:42.039
<v Speaker 1>man was out here figuring things out on his own,

0:05:42.520 --> 0:05:44.200
<v Speaker 1>surviving child's stardom.

0:05:44.839 --> 0:05:46.359
<v Speaker 3>I want to talk to you because you are the

0:05:46.400 --> 0:05:47.240
<v Speaker 3>cutest thing I have.

0:05:47.360 --> 0:05:50.960
<v Speaker 1>Seen being fetishized by American media.

0:05:51.400 --> 0:05:53.920
<v Speaker 4>You can call the Puerto Rican el and you.

0:05:53.800 --> 0:05:58.239
<v Speaker 1>Can understand why scrutinize obsessively about his sexuality.

0:05:58.640 --> 0:06:01.680
<v Speaker 5>And with you, there have been and the rumors that

0:06:01.800 --> 0:06:04.839
<v Speaker 5>question I'll talk about your sexual orientation. You must be

0:06:04.880 --> 0:06:06.680
<v Speaker 5>aware of Bason, of course.

0:06:06.960 --> 0:06:10.880
<v Speaker 1>And ultimately he stayed true to himself, to his roots,

0:06:10.920 --> 0:06:15.960
<v Speaker 1>to his integrity. So let's fucking go. This one's for

0:06:16.080 --> 0:06:24.000
<v Speaker 1>Ricky Martin. This is morely Excited, the show where we

0:06:24.040 --> 0:06:29.680
<v Speaker 1>explore cultural moments of the past and present today, the

0:06:29.800 --> 0:06:32.680
<v Speaker 1>meaning of Ricky Martin's evolution.

0:06:49.160 --> 0:06:51.919
<v Speaker 3>In the tradition of radio classics. Here in Tails of

0:06:51.960 --> 0:06:57.760
<v Speaker 3>the Night are the stories, horrors, and legends that inhabit

0:06:57.800 --> 0:07:01.919
<v Speaker 3>the streets of Mexico and liber America. The darkness of

0:07:01.960 --> 0:07:06.200
<v Speaker 3>the most successful and acclaimed horror podcast across all categories

0:07:06.200 --> 0:07:11.480
<v Speaker 3>in Latin America looms over you now. In English, Tales

0:07:11.520 --> 0:07:14.440
<v Speaker 3>of the Night, You're in now, but be warned, because

0:07:14.440 --> 0:07:17.040
<v Speaker 3>in the Silence of the Dog, you might just become

0:07:17.080 --> 0:07:19.680
<v Speaker 3>the next protagonist of Tales of the Night. Listen to

0:07:19.680 --> 0:07:27.440
<v Speaker 3>Tales of the Night wherever you get podcasts.

0:07:27.560 --> 0:07:31.240
<v Speaker 1>Enrique Ricky Martin Morales was born on December twenty fourth,

0:07:31.400 --> 0:07:35.520
<v Speaker 1>nineteen seventy one, in San Juan, Puerto Rico. His mother

0:07:35.680 --> 0:07:39.040
<v Speaker 1>was an accountant, his father a psychologist, and by the

0:07:39.120 --> 0:07:49.080
<v Speaker 1>early eighties he stars in commercials for Orange Crush soda

0:07:49.440 --> 0:07:55.640
<v Speaker 1>and for Burger King. I encourage you to watch this

0:07:55.680 --> 0:07:58.160
<v Speaker 1>episode on YouTube so you can see how sweet he

0:07:58.240 --> 0:08:01.960
<v Speaker 1>looks in nineteen eighty for when Ricky is twelve years

0:08:01.960 --> 0:08:08.120
<v Speaker 1>old he joins boy band Menudo. He is teeny tiny

0:08:08.200 --> 0:08:10.400
<v Speaker 1>when he joins the boy band, which is like a

0:08:10.480 --> 0:08:15.840
<v Speaker 1>Latin American Jackson five. We cannot gloss over Menudo. They

0:08:16.160 --> 0:08:21.040
<v Speaker 1>were huge. Their fandom was very Beatlemania esque, with mostly

0:08:21.160 --> 0:08:24.640
<v Speaker 1>young girls screaming franetically anytime they were close to the

0:08:24.640 --> 0:08:29.360
<v Speaker 1>boy band. Manuda was such a cultural phenomenon that the

0:08:29.440 --> 0:08:34.160
<v Speaker 1>band is seared into people's most formative memories. Here's my

0:08:34.240 --> 0:08:37.720
<v Speaker 1>friend and La Brega editor Lauda Bettis and Puerto Rico,

0:08:38.120 --> 0:08:41.280
<v Speaker 1>who remembers when Ricky was introduced in the band.

0:08:41.960 --> 0:08:46.800
<v Speaker 4>I was three years old, and I remember vividly not

0:08:46.840 --> 0:08:49.880
<v Speaker 4>only watching him, but what I felt, how it felt,

0:08:49.880 --> 0:08:54.120
<v Speaker 4>it was so exciting, and how I thought he was

0:08:54.120 --> 0:08:55.199
<v Speaker 4>the most beautiful boy.

0:08:55.960 --> 0:08:58.560
<v Speaker 1>You can see the frenzy when the band, including newly

0:08:58.600 --> 0:09:01.679
<v Speaker 1>integrated Little Ricky, was a guest on one of Oprah's

0:09:01.720 --> 0:09:04.320
<v Speaker 1>early TV shows. I want to talk to.

0:09:04.320 --> 0:09:06.319
<v Speaker 3>You because you are the cutest thing I have sued.

0:09:09.000 --> 0:09:10.160
<v Speaker 4>When you first knew that.

0:09:10.160 --> 0:09:12.000
<v Speaker 1>You were going to be picked to be in this group,

0:09:12.720 --> 0:09:15.240
<v Speaker 1>what did you do to go home and celebrate? Well,

0:09:16.960 --> 0:09:18.520
<v Speaker 1>all my parents, two of my family.

0:09:18.800 --> 0:09:23.720
<v Speaker 4>Yes, listen, don't purr back there. We gotta hear her,

0:09:24.440 --> 0:09:25.280
<v Speaker 4>all your family.

0:09:25.920 --> 0:09:29.960
<v Speaker 1>Ricky's hair is perfectly corved with layered strands raining his

0:09:30.040 --> 0:09:34.320
<v Speaker 1>little face, and he looks dowie, earnest, maybe a little nervous.

0:09:34.679 --> 0:09:39.600
<v Speaker 1>His English still a bit halting and disco fight.

0:09:39.800 --> 0:09:40.960
<v Speaker 2>You went to a disco.

0:09:40.600 --> 0:09:41.520
<v Speaker 5>Hardy after that?

0:09:42.760 --> 0:09:47.560
<v Speaker 1>Oh, a disco party. Now, twelve year old Ricky doesn't

0:09:47.600 --> 0:09:50.800
<v Speaker 1>just join a boy band when he joins Menudo, he

0:09:50.920 --> 0:09:56.920
<v Speaker 1>joins a strict, very regimented machine with a strategy on youth.

0:09:57.640 --> 0:10:00.320
<v Speaker 1>Every member of Menuda was cycled out once they were

0:10:00.360 --> 0:10:03.360
<v Speaker 1>sixteen or seventeen, when their voice is changed or they

0:10:03.400 --> 0:10:07.680
<v Speaker 1>got facial hair. Menudo was a chronic youth group, but

0:10:07.720 --> 0:10:12.040
<v Speaker 1>with the responsibilities and pressures of adults. Many years after

0:10:12.120 --> 0:10:15.520
<v Speaker 1>Ricky's tenure in Manudo, other band members will say the

0:10:15.559 --> 0:10:20.080
<v Speaker 1>band was riddled with abuse and untenable pressure, but Ricky

0:10:20.160 --> 0:10:24.280
<v Speaker 1>has never said anything negative about Manudo on record. In fact,

0:10:24.360 --> 0:10:27.880
<v Speaker 1>in the late nineties, he tells Rosie O'Donnell Manudo provided

0:10:27.920 --> 0:10:29.199
<v Speaker 1>him with preparation.

0:10:29.760 --> 0:10:30.560
<v Speaker 3>Manuda was great.

0:10:30.559 --> 0:10:33.240
<v Speaker 2>I mean five years of intense discipline of working a lot.

0:10:34.440 --> 0:10:36.080
<v Speaker 2>You know, if I had to start all over again,

0:10:36.120 --> 0:10:38.559
<v Speaker 2>I would do it because I guess I'm where I'm

0:10:38.559 --> 0:10:40.360
<v Speaker 2>at today because of the discipline that I got being

0:10:40.520 --> 0:10:40.800
<v Speaker 2>in a.

0:10:40.840 --> 0:10:41.480
<v Speaker 4>Band like this.

0:10:42.080 --> 0:10:46.040
<v Speaker 1>So this is his entire adolescence. He sings in Spanish

0:10:46.120 --> 0:10:50.040
<v Speaker 1>and English and French and Portuguese. He turns on the

0:10:50.160 --> 0:10:54.080
<v Speaker 1>charm and he is great at it. Other band members

0:10:54.080 --> 0:10:57.000
<v Speaker 1>have said Ricky was like the golden boy of Menudo,

0:10:57.640 --> 0:11:01.440
<v Speaker 1>and this is his life until seventeen years old, when

0:11:01.480 --> 0:11:05.440
<v Speaker 1>he inevitably ages out of the boy band. A couple

0:11:05.559 --> 0:11:09.640
<v Speaker 1>years later, he puts out his first solo record in Spanish,

0:11:10.040 --> 0:11:14.920
<v Speaker 1>self titled Ricky Martin. We're gonna include this video in

0:11:15.000 --> 0:11:16.840
<v Speaker 1>our show notes so you can take a look at

0:11:16.920 --> 0:11:23.000
<v Speaker 1>Ricky with his perfectly wavy beach locks, with an Adonis fysique,

0:11:23.440 --> 0:11:27.400
<v Speaker 1>shirtless with only a sleeveless open black vest hanging over

0:11:27.440 --> 0:11:31.400
<v Speaker 1>his shoulders and a big silver Gothic cross on his

0:11:31.600 --> 0:11:35.679
<v Speaker 1>glistening chest. He's wearing wide like black jeans with a

0:11:35.720 --> 0:11:40.959
<v Speaker 1>big belt buckle, and he is swaying those hips smiling

0:11:41.000 --> 0:11:46.520
<v Speaker 1>at the crowd. Honey, he is giving hot vampire muse Okay,

0:11:46.960 --> 0:11:50.640
<v Speaker 1>like the vampire less Scott would want to spend eternity

0:11:50.720 --> 0:11:54.120
<v Speaker 1>with this man. Look, there's a lot to say about

0:11:54.200 --> 0:11:58.319
<v Speaker 1>Ricky Martin's character and his kind heart and his long career,

0:11:58.720 --> 0:12:01.200
<v Speaker 1>and we're gonna get to all of that, but Babe,

0:12:01.600 --> 0:12:05.720
<v Speaker 1>we gotta take a moment to just state the obvious.

0:12:05.760 --> 0:12:11.120
<v Speaker 1>This man is absolutely gorgeous. Not to be weird. There

0:12:11.160 --> 0:12:15.080
<v Speaker 1>are beautiful people out there, and then there are beautiful people,

0:12:15.760 --> 0:12:20.959
<v Speaker 1>and he is beautiful in capital letters. Gon mucho respeto

0:12:21.080 --> 0:12:24.840
<v Speaker 1>with love and admiration from my queer heart. You know,

0:12:25.120 --> 0:12:29.280
<v Speaker 1>for me, Ricky was always in the background, and I

0:12:29.360 --> 0:12:33.760
<v Speaker 1>grew up knowing he was massively successful and beautiful. But

0:12:33.840 --> 0:12:35.920
<v Speaker 1>I feel like I took him for granted. You know,

0:12:36.040 --> 0:12:38.960
<v Speaker 1>I was too obsessed with the divas, just you know,

0:12:39.200 --> 0:12:42.240
<v Speaker 1>not realizing how gay I was. But when I spent

0:12:42.559 --> 0:12:46.160
<v Speaker 1>hours going through archival videos of him for this episode,

0:12:46.280 --> 0:12:50.600
<v Speaker 1>I was like, Oh, my goodness, this is a once

0:12:50.640 --> 0:12:53.480
<v Speaker 1>in a generation of beauty. This is the kind of

0:12:53.520 --> 0:12:56.600
<v Speaker 1>man who'd made to find bus and sculptures of had

0:12:56.640 --> 0:12:59.920
<v Speaker 1>he lived in Grecian times. So I could not do

0:13:00.080 --> 0:13:03.800
<v Speaker 1>one episode on Ricky Martin without a proper acknowledgment of

0:13:03.840 --> 0:13:10.080
<v Speaker 1>his beauty. Anyway, Ricky's first album is a major success

0:13:10.160 --> 0:13:13.000
<v Speaker 1>in nineteen ninety one. It's one of the highest debuts

0:13:13.080 --> 0:13:16.319
<v Speaker 1>for a Latin artist under Sony, and at this point

0:13:16.640 --> 0:13:20.720
<v Speaker 1>he's on a roll. His second album, Skyrock, is to

0:13:20.760 --> 0:13:23.680
<v Speaker 1>the top of the Latin charts, and he soon named

0:13:23.840 --> 0:13:27.360
<v Speaker 1>Top New Latin Artist at the nineteen ninety three Billboard

0:13:27.440 --> 0:13:31.199
<v Speaker 1>Music Awards. He then ventures into acting, does a sitcom

0:13:31.320 --> 0:13:33.160
<v Speaker 1>role in English here.

0:13:33.080 --> 0:13:35.959
<v Speaker 3>Huh, I brought you this of You?

0:13:37.000 --> 0:13:40.040
<v Speaker 1>And then no big deal. He lands a regular character

0:13:40.200 --> 0:13:42.800
<v Speaker 1>on General Hospital, one of the biggest soaps in the

0:13:42.880 --> 0:13:46.280
<v Speaker 1>United States. He plays a singer named Miel Morris.

0:13:46.880 --> 0:13:49.600
<v Speaker 2>I just found out a friend of mine as ages

0:13:50.320 --> 0:13:51.640
<v Speaker 2>and uses satiny deeply.

0:13:52.480 --> 0:13:55.240
<v Speaker 1>By the way, Ricky Leader says he hated going to

0:13:55.280 --> 0:13:59.199
<v Speaker 1>the general hospital set he doesn't feel comfortable. Remember this

0:13:59.280 --> 0:14:03.480
<v Speaker 1>is nineteen ninety four nineteen ninety six. Our man is

0:14:03.559 --> 0:14:07.880
<v Speaker 1>often the only Latino in the room. I imagine it slonely.

0:14:08.520 --> 0:14:11.200
<v Speaker 1>So he returns to his love of music and he

0:14:11.280 --> 0:14:18.080
<v Speaker 1>releases his third album with a chart topper Maria. For

0:14:18.160 --> 0:14:20.480
<v Speaker 1>all of you young ones watching, who they think, Oh

0:14:20.520 --> 0:14:23.880
<v Speaker 1>this is Senyora music, Babe, let me school you a little, okay.

0:14:24.520 --> 0:14:28.600
<v Speaker 1>First of all, Senoras are cool, okay. Second, this song

0:14:28.680 --> 0:14:34.360
<v Speaker 1>fuse together Flamenco, salsa, dance and Afro Caribbean rhythms. Was

0:14:34.360 --> 0:14:37.000
<v Speaker 1>there at the time an industry push to use some

0:14:37.040 --> 0:14:40.920
<v Speaker 1>of these sounds in Latin music. Yes, but I also

0:14:41.000 --> 0:14:44.520
<v Speaker 1>think ar Brimo Ricky Martin was out here evolving the

0:14:44.560 --> 0:14:50.640
<v Speaker 1>pop song formula. This song is everywhere, and I think

0:14:50.760 --> 0:14:56.280
<v Speaker 1>seeing Ricky become an international hit while being so legible

0:14:56.360 --> 0:14:59.560
<v Speaker 1>as a Latino meant a lot to people. Here's futuro

0:15:00.080 --> 0:15:03.840
<v Speaker 1>producer and hardcore Ricky Martin fan Gini Montalvo, who was

0:15:03.840 --> 0:15:05.880
<v Speaker 1>growing up in Georgia when this song came.

0:15:05.680 --> 0:15:08.560
<v Speaker 3>Out Go Ahead. I just remember that song like blew

0:15:08.640 --> 0:15:11.880
<v Speaker 3>my mind because I was discovering my Latinidad, also as

0:15:11.880 --> 0:15:15.680
<v Speaker 3>a teenager having grow up in the most non Latino place.

0:15:15.640 --> 0:15:21.000
<v Speaker 4>On the planet, and God, that song just meant everything

0:15:21.080 --> 0:15:21.320
<v Speaker 4>to me.

0:15:22.080 --> 0:15:25.760
<v Speaker 1>Maria also solidified Ricky Martin not just as a beloved

0:15:25.880 --> 0:15:30.440
<v Speaker 1>Latin American star, but a global pop king in the making.

0:15:31.160 --> 0:15:33.160
<v Speaker 1>And then, because he can and he's a man of

0:15:33.240 --> 0:15:36.240
<v Speaker 1>many talents, he's like, Okay, I'm gonna try Broadway now,

0:15:36.480 --> 0:15:40.040
<v Speaker 1>and he plays a lead role Marius Pontmerci in Le Miserrab.

0:15:40.760 --> 0:15:44.440
<v Speaker 1>After Le miss Is when things get really cooking, Ricky

0:15:44.480 --> 0:15:48.120
<v Speaker 1>returns to the studio for his fourth album, Vuelve, which

0:15:48.200 --> 0:15:50.960
<v Speaker 1>lands him a Grammy nomination. And I'm not talking about

0:15:51.040 --> 0:15:55.400
<v Speaker 1>a Latin Grammy. This was before the Latin Grammys ever existed.

0:15:55.960 --> 0:16:00.520
<v Speaker 1>I'm talking mainstream English Grammys. Ricky Martin is set to

0:16:00.560 --> 0:16:04.560
<v Speaker 1>perform at the award in nineteen ninety nine. Actually, he's

0:16:04.600 --> 0:16:08.520
<v Speaker 1>going to sing the Cup of Life, his FIFA World

0:16:08.560 --> 0:16:11.520
<v Speaker 1>Cup song, which by the way, has been hailed as

0:16:11.600 --> 0:16:16.280
<v Speaker 1>the best World Cup anthem of all time, and he

0:16:16.720 --> 0:16:22.720
<v Speaker 1>absolutely devours Oh I can't play the song here but

0:16:22.800 --> 0:16:25.680
<v Speaker 1>I have a video about it on my Instagram. Maria

0:16:25.880 --> 0:16:29.840
<v Speaker 1>is mo way excited with underscores between every word. This

0:16:30.000 --> 0:16:35.200
<v Speaker 1>is a historic performance. The music industry, including the Grammys themselves,

0:16:35.720 --> 0:16:40.680
<v Speaker 1>officially recognize this moment as the defining event that ushers

0:16:40.720 --> 0:16:45.560
<v Speaker 1>in what people call the so called Latin Boom. I

0:16:45.640 --> 0:16:49.240
<v Speaker 1>really can't overstate what a momentous performance this is. I

0:16:49.280 --> 0:16:52.880
<v Speaker 1>ask Puturo Senior producer and Ricky Martin Loyo Fancini Montalvo

0:16:53.000 --> 0:16:56.640
<v Speaker 1>again to describe what it was like watching this on TV.

0:16:57.200 --> 0:17:01.280
<v Speaker 3>Like, I literally I remember standing in my living watching

0:17:01.320 --> 0:17:04.080
<v Speaker 3>as these like it looked on Bonus like came down

0:17:04.119 --> 0:17:06.800
<v Speaker 3>the aisles at the Gringo Grammys.

0:17:06.800 --> 0:17:09.000
<v Speaker 2>This was before the Latin Grammys, the last year before

0:17:09.000 --> 0:17:13.400
<v Speaker 2>the Latin Grammys were inaugurated, and like people were so excited.

0:17:14.160 --> 0:17:16.919
<v Speaker 1>So naturally we get to the era of Ricky Martin.

0:17:17.200 --> 0:17:21.240
<v Speaker 1>You probably remember when he was living La Vida Loca

0:17:21.320 --> 0:17:25.000
<v Speaker 1>and becomes the first Latino to debut a song at

0:17:25.119 --> 0:17:29.919
<v Speaker 1>number one on the US Billboard two hundred charts. He

0:17:30.040 --> 0:17:33.359
<v Speaker 1>draws the largest crowd in the history of the Today Show.

0:17:33.600 --> 0:17:37.280
<v Speaker 1>Up to that point, you've recalled the Puerto Rican Elvis

0:17:37.359 --> 0:17:41.159
<v Speaker 1>and you can understand why he's proud. All graming is

0:17:41.240 --> 0:17:44.280
<v Speaker 1>when the boat we gathered, when Elvis Presley would.

0:17:44.119 --> 0:17:48.080
<v Speaker 5>Goada die on the green and probably with the Beatles.

0:17:48.160 --> 0:17:51.320
<v Speaker 1>Ricky appears on the cover of Time Magazine and Rolling

0:17:51.359 --> 0:17:55.760
<v Speaker 1>Stone and also New York Magazine, Interview Magazine, People, Team, People,

0:17:56.240 --> 0:18:02.040
<v Speaker 1>and Entertainment Magazine and Ricky Mania is real. Here he

0:18:02.119 --> 0:18:05.080
<v Speaker 1>is on the Rose O'Donnell show the day his English

0:18:05.119 --> 0:18:06.040
<v Speaker 1>album releases.

0:18:06.520 --> 0:18:09.320
<v Speaker 3>I've recorded in many languages, but come on English, it's

0:18:09.359 --> 0:18:11.000
<v Speaker 3>so important. And then let me tell you something.

0:18:11.040 --> 0:18:12.240
<v Speaker 4>America is in love.

0:18:12.080 --> 0:18:17.000
<v Speaker 1>With you, right, that's important. I want you to remember

0:18:17.040 --> 0:18:21.000
<v Speaker 1>that Ricky saying how essential it is to sing in English.

0:18:21.040 --> 0:18:24.679
<v Speaker 1>But let's get something clear. Even at the height of

0:18:24.920 --> 0:18:29.800
<v Speaker 1>English Ricky mania, he is adamant. He'll never abandon Spanish.

0:18:30.240 --> 0:18:31.720
<v Speaker 1>Here's Ricky with Jay Leno.

0:18:32.920 --> 0:18:34.680
<v Speaker 2>I will not stop singing in Spanish.

0:18:37.400 --> 0:18:39.919
<v Speaker 1>Better now that he is considered a pop star in

0:18:39.960 --> 0:18:45.320
<v Speaker 1>the United States. While American journalists start prying into some

0:18:45.440 --> 0:18:47.080
<v Speaker 1>rumors about Ricky.

0:18:47.320 --> 0:18:52.280
<v Speaker 5>You know you could stop. You could say, as many

0:18:52.359 --> 0:18:55.240
<v Speaker 5>artists have, Yes, I am gay.

0:18:57.119 --> 0:19:00.119
<v Speaker 1>We'll be right back with guess what another Quinn when

0:19:00.160 --> 0:19:03.840
<v Speaker 1>she interview from the two thousands and also the not

0:19:04.000 --> 0:19:18.240
<v Speaker 1>cringey way. Ricky Martin responds and rises, it is the

0:19:18.320 --> 0:19:22.119
<v Speaker 1>year two thousand, a year we love on the show,

0:19:22.520 --> 0:19:27.040
<v Speaker 1>and Ricky Martin releases his second English album, Sound Loaded,

0:19:27.520 --> 0:19:32.800
<v Speaker 1>with a hit lead single, she Bangs. We need a

0:19:32.840 --> 0:19:36.480
<v Speaker 1>moment to talk about this video. The premise is hot

0:19:36.600 --> 0:19:41.399
<v Speaker 1>Horny Underwater Club, and it starts with some really fine

0:19:41.520 --> 0:19:46.840
<v Speaker 1>octopus men, no, literally half naked men with cgi octopus tentacles.

0:19:47.320 --> 0:19:50.400
<v Speaker 1>Most everyone in the video is half naked, actually kind

0:19:50.400 --> 0:19:54.520
<v Speaker 1>of twerking. There's some girl on girl grinding. Almost everyone

0:19:54.600 --> 0:19:57.560
<v Speaker 1>has a certain look on their face, lip half raised,

0:19:57.600 --> 0:20:00.720
<v Speaker 1>looking a little feral. At one point point, Ricky is

0:20:00.840 --> 0:20:04.680
<v Speaker 1>laying down with his shirt open, with various hands rubbing

0:20:04.720 --> 0:20:09.760
<v Speaker 1>his body, his blue jeans unbuttoned, and he's making all

0:20:10.000 --> 0:20:13.600
<v Speaker 1>kinds of faces. I can't play you the music in

0:20:13.640 --> 0:20:16.760
<v Speaker 1>this episode because of copyright laws, but if you follow

0:20:16.840 --> 0:20:19.920
<v Speaker 1>me on Instagram, I have a real showing you this

0:20:20.040 --> 0:20:23.840
<v Speaker 1>risky video and explaining why I think it's the predecessor

0:20:24.040 --> 0:20:27.639
<v Speaker 1>of a certain bad bunny song I met Maria is

0:20:27.760 --> 0:20:33.240
<v Speaker 1>we excited on Instagram with underscores between each word. Anyway,

0:20:33.560 --> 0:20:36.479
<v Speaker 1>the conventional thinking of this time is that artists have

0:20:36.520 --> 0:20:39.919
<v Speaker 1>to cross over to the English market. No one in

0:20:39.960 --> 0:20:42.520
<v Speaker 1>this era, or at least that I can remember, really

0:20:42.640 --> 0:20:45.399
<v Speaker 1>challenge this notion in a big way. And you know,

0:20:45.520 --> 0:20:48.960
<v Speaker 1>it's very clear that Ricky is treated by US media

0:20:49.040 --> 0:20:53.199
<v Speaker 1>as a sort of hot Latin lover trope. But you know,

0:20:53.440 --> 0:20:56.520
<v Speaker 1>when I see she bangs, I don't see a Latino

0:20:56.640 --> 0:21:00.800
<v Speaker 1>artist necessarily pandering to a trope. I think that would

0:21:00.840 --> 0:21:04.960
<v Speaker 1>be a lazy take. Is there maybe some artistic engineering

0:21:05.080 --> 0:21:07.959
<v Speaker 1>around his image? Like does his team maybe play up

0:21:08.000 --> 0:21:10.879
<v Speaker 1>his strengths, I e. He's beautiful and sexy and an

0:21:10.920 --> 0:21:15.520
<v Speaker 1>amazing dancer and creating this really exciting fusion music. Yes,

0:21:16.160 --> 0:21:19.160
<v Speaker 1>does US media then take all this and play into

0:21:19.240 --> 0:21:25.280
<v Speaker 1>a trope? Also? Yes, Billboard magazine called him a hot Tamali,

0:21:25.960 --> 0:21:30.600
<v Speaker 1>which Tamalis are Mexican and also the singular of tamales

0:21:30.800 --> 0:21:34.199
<v Speaker 1>is tamal. A grammatical hill. I will die on a

0:21:34.200 --> 0:21:39.560
<v Speaker 1>personal pet peeve of mine, But anyway, grammatically incorrect cliches aside,

0:21:40.040 --> 0:21:44.639
<v Speaker 1>The coverage around Ricky feels charged at this time, in

0:21:44.720 --> 0:21:50.200
<v Speaker 1>most notably a now infamous interview also from two thousand and.

0:21:50.160 --> 0:21:53.680
<v Speaker 5>With you, there have been the rumors that question, I'll

0:21:53.720 --> 0:21:56.840
<v Speaker 5>talk about your sexual orientation. You must be aware of biggers.

0:21:57.040 --> 0:22:00.800
<v Speaker 1>M of course, when Barbara Walters tries to make him

0:22:01.080 --> 0:22:01.879
<v Speaker 1>come out.

0:22:02.160 --> 0:22:07.160
<v Speaker 5>You know you could stop. You could say, as many

0:22:07.240 --> 0:22:11.960
<v Speaker 5>artists have, yes I am gay, or you could say no,

0:22:12.000 --> 0:22:16.560
<v Speaker 5>I'm not, or you could leave it as you are ambiguous.

0:22:18.640 --> 0:22:21.880
<v Speaker 5>I don't want to put you on the spot. It's

0:22:21.920 --> 0:22:25.160
<v Speaker 5>in your power, and I'm bringing it up, Vicky, because

0:22:25.200 --> 0:22:30.119
<v Speaker 5>you know you want to be named for giving me

0:22:30.160 --> 0:22:32.560
<v Speaker 5>the opportunity to express.

0:22:33.880 --> 0:22:34.920
<v Speaker 1>The rumors.

0:22:36.600 --> 0:22:36.959
<v Speaker 2>Reever.

0:22:37.160 --> 0:22:41.199
<v Speaker 1>For some reason, I just don't feel like it. I

0:22:41.280 --> 0:22:46.040
<v Speaker 1>love that answer, I just don't feel like it. That

0:22:46.160 --> 0:22:48.680
<v Speaker 1>should be enough, and it feels like it was an

0:22:48.720 --> 0:22:51.639
<v Speaker 1>answer that was ahead of its time. Why would he

0:22:51.720 --> 0:22:54.280
<v Speaker 1>come out on her terms in an ambush moment?

0:22:54.920 --> 0:22:55.800
<v Speaker 4>And I love that.

0:22:55.800 --> 0:23:01.280
<v Speaker 1>He centers his feelings. I don't feel like it new mantra, Babe.

0:23:01.280 --> 0:23:06.240
<v Speaker 1>I don't feel like it period. You know now coming

0:23:06.280 --> 0:23:10.680
<v Speaker 1>out is kind of antiquated in some circles, Thank goodness.

0:23:10.760 --> 0:23:13.280
<v Speaker 1>A lot of queer people nowadays don't need to come

0:23:13.320 --> 0:23:18.200
<v Speaker 1>out because well, they were never in, never living in

0:23:18.320 --> 0:23:23.600
<v Speaker 1>a heteronormative straight reality. Pababe. In two thousand, the entire

0:23:24.080 --> 0:23:29.560
<v Speaker 1>public world was a heteronormative, straight reality, and coming out

0:23:29.680 --> 0:23:33.760
<v Speaker 1>was a big deal. It was risky and could hurt

0:23:33.800 --> 0:23:38.240
<v Speaker 1>your livelihood, not to mention the emotional scarring of someone

0:23:38.280 --> 0:23:42.359
<v Speaker 1>trying to force you on national television to come out.

0:23:43.320 --> 0:23:46.560
<v Speaker 1>Ricky wrote this in his memoir quote, it was a

0:23:46.560 --> 0:23:49.879
<v Speaker 1>topic I constantly struggled with, one that caused me a

0:23:49.880 --> 0:23:53.560
<v Speaker 1>lot of pain and anxiety. And every time someone wrote

0:23:53.600 --> 0:23:56.720
<v Speaker 1>in an article that I was a homosexual, or each

0:23:56.760 --> 0:23:59.159
<v Speaker 1>time this was asked of me in an interview, and

0:23:59.280 --> 0:24:03.280
<v Speaker 1>not very so, it pushed me further away from my truth.

0:24:03.880 --> 0:24:07.800
<v Speaker 1>The rumors and questions only increased my insecurity and my

0:24:07.920 --> 0:24:12.159
<v Speaker 1>self rejection. They reminded me of all the reasons why

0:24:12.240 --> 0:24:16.040
<v Speaker 1>I was uncomfortable in my own skin. At times, I

0:24:16.080 --> 0:24:20.560
<v Speaker 1>felt I hated myself because it was always presented under

0:24:20.640 --> 0:24:25.400
<v Speaker 1>such a negative lens as something scandalous and bad. It

0:24:25.520 --> 0:24:31.439
<v Speaker 1>reinforced my desire to deny. Oh, Ricky, we Love You.

0:24:36.320 --> 0:24:39.439
<v Speaker 1>Coming off of Ricky Mania and his massive success in

0:24:39.480 --> 0:24:43.520
<v Speaker 1>the US, Ricky releases a couple more albums, one in Spanish,

0:24:43.600 --> 0:24:46.639
<v Speaker 1>another in English. In two thousand and eight, he becomes

0:24:46.640 --> 0:24:51.400
<v Speaker 1>a dad, welcoming two baby boys, He talks about loving

0:24:51.640 --> 0:24:54.760
<v Speaker 1>being a dad, and it really suits him because there's

0:24:54.800 --> 0:24:59.280
<v Speaker 1>always been something really tender and caring about Ricky. We

0:24:59.320 --> 0:25:02.840
<v Speaker 1>really see this. In twenty ten, inspired by his children

0:25:02.920 --> 0:25:05.480
<v Speaker 1>and the legacy he wants to leave for them, he

0:25:05.600 --> 0:25:09.119
<v Speaker 1>comes out through a statement on his website. It's a

0:25:09.160 --> 0:25:11.000
<v Speaker 1>long statement, so I can't read it all, but I

0:25:11.040 --> 0:25:14.920
<v Speaker 1>really encourage you to. It's quite touching and earnest. Let

0:25:14.920 --> 0:25:19.000
<v Speaker 1>me read you some excerpts. Quote. To keep living as

0:25:19.040 --> 0:25:22.760
<v Speaker 1>I did up until today would be to indirectly diminish

0:25:22.800 --> 0:25:27.240
<v Speaker 1>the glow that my kids were born with. Enough is enough.

0:25:27.440 --> 0:25:30.480
<v Speaker 1>This has to change. This was not supposed to happen

0:25:30.520 --> 0:25:33.480
<v Speaker 1>five or ten years ago. It's supposed to happen now.

0:25:34.280 --> 0:25:37.000
<v Speaker 1>I am proud to say that I am a fortunate

0:25:37.320 --> 0:25:44.639
<v Speaker 1>homosexual man. I'm very blessed to be who I am.

0:25:44.840 --> 0:25:50.159
<v Speaker 1>I am blessed to be who I am. Wow you are, Ricky,

0:25:50.760 --> 0:25:55.240
<v Speaker 1>we all are. What a pioneer. The next year, in

0:25:55.280 --> 0:26:00.439
<v Speaker 1>twenty eleven, Ricky releases Musika Alma Sexo, which is a

0:26:00.560 --> 0:26:04.399
<v Speaker 1>critical hit. A few years later, he stars as a

0:26:04.400 --> 0:26:08.080
<v Speaker 1>coach on the Voice Australia. He releases another album in

0:26:08.160 --> 0:26:12.560
<v Speaker 1>twenty fifteen, which wins a Grammy for Best Latin Pop Album.

0:26:12.840 --> 0:26:16.919
<v Speaker 1>He gets married, then divorce, does some acting, and in

0:26:16.960 --> 0:26:21.480
<v Speaker 1>twenty nineteen, when Puerto Rico's governor was exposed for homophobic

0:26:21.600 --> 0:26:27.040
<v Speaker 1>text messages, including about Ricky himself, Ricky Martin flew home

0:26:27.400 --> 0:26:31.000
<v Speaker 1>and was one of a few cultural figures who joined

0:26:31.119 --> 0:26:35.800
<v Speaker 1>hundreds of thousands of protesters forcing the governor to resign.

0:26:36.480 --> 0:26:46.720
<v Speaker 1>Here he is protesting in a clip from Bloomberg News.

0:26:49.320 --> 0:26:52.160
<v Speaker 1>I want to contrast this moment in twenty nineteen when

0:26:52.200 --> 0:26:56.000
<v Speaker 1>he's protesting with a point he makes in his memoir.

0:26:56.320 --> 0:26:59.280
<v Speaker 1>He writes, quote, I think that one of the reasons

0:26:59.320 --> 0:27:02.879
<v Speaker 1>why I found it's so hard to accept myself was

0:27:02.920 --> 0:27:06.280
<v Speaker 1>because in my profession, I have often been considered to

0:27:06.320 --> 0:27:10.119
<v Speaker 1>be a Latin idol, a pop star, and for some

0:27:10.480 --> 0:27:12.760
<v Speaker 1>a sex symbol. I don't know if it has to

0:27:12.800 --> 0:27:14.720
<v Speaker 1>do with the fact that I'm Latin, or it has

0:27:14.760 --> 0:27:17.680
<v Speaker 1>to do with the global image of the quote Latin lover.

0:27:18.400 --> 0:27:20.800
<v Speaker 1>But I always had the feeling that certain things were

0:27:20.800 --> 0:27:24.080
<v Speaker 1>expected of me, among which was the fact that I

0:27:24.119 --> 0:27:27.520
<v Speaker 1>was supposed to seduce and allow myself to be seduced

0:27:27.680 --> 0:27:32.639
<v Speaker 1>by women. Maybe if there had been another artist, another

0:27:32.760 --> 0:27:36.119
<v Speaker 1>Latin idol who had come before me. I might have

0:27:36.280 --> 0:27:39.760
<v Speaker 1>been less afraid, but the reality is that I didn't

0:27:39.800 --> 0:27:43.080
<v Speaker 1>have a role model, and that, in my mind, helped

0:27:43.080 --> 0:27:50.200
<v Speaker 1>make the whole thing entirely inconceivable. End quote. I bring

0:27:50.280 --> 0:27:52.960
<v Speaker 1>up this quote because the so called Latin boom was

0:27:53.000 --> 0:27:58.600
<v Speaker 1>both a touchstone for Latinos but also harmful. I believe

0:27:58.640 --> 0:28:01.840
<v Speaker 1>that the way Ricky Martin was framed prevented him from

0:28:01.880 --> 0:28:06.600
<v Speaker 1>being the full dimensional person he is, and he had

0:28:06.640 --> 0:28:09.720
<v Speaker 1>to write the script on his own. How to come

0:28:09.760 --> 0:28:12.119
<v Speaker 1>out and to come out with a message of self

0:28:12.200 --> 0:28:16.159
<v Speaker 1>love and celebration. How to come back to singing in Spanish,

0:28:16.200 --> 0:28:20.280
<v Speaker 1>to his original audience, to his artistic roots even after

0:28:20.320 --> 0:28:25.440
<v Speaker 1>the crossover success. How to be very publicly Latino without

0:28:25.640 --> 0:28:29.560
<v Speaker 1>pandering to the reductive notions of Latinidad of the time.

0:28:30.960 --> 0:28:35.000
<v Speaker 1>And look did he always do perfect? No ask me

0:28:35.080 --> 0:28:35.840
<v Speaker 1>how do I feel?

0:28:35.880 --> 0:28:36.960
<v Speaker 3>As how do you feel?

0:28:39.840 --> 0:28:44.400
<v Speaker 1>But I believe Ricky Martin's legacy changed the game. I'm

0:28:44.400 --> 0:28:46.960
<v Speaker 1>not trying to be cute when I say bad Bunny

0:28:47.080 --> 0:28:50.400
<v Speaker 1>is able to be as free, as unapologetic as he

0:28:50.520 --> 0:28:54.800
<v Speaker 1>is because of the iterative and very real progress Ricky

0:28:54.800 --> 0:28:58.000
<v Speaker 1>Martin made. Remember when Ricky Martin said.

0:28:57.760 --> 0:29:00.720
<v Speaker 4>This, I've recorded in many of that, or just come on,

0:29:00.800 --> 0:29:01.960
<v Speaker 4>English is so important.

0:29:02.880 --> 0:29:05.480
<v Speaker 1>Isn't it kind of stunning that we went from that

0:29:06.120 --> 0:29:10.400
<v Speaker 1>to Bad Bunny in just two plus decades saying this

0:29:10.720 --> 0:29:12.040
<v Speaker 1>about singing in English.

0:29:12.760 --> 0:29:13.760
<v Speaker 3>I don't care.

0:29:17.480 --> 0:29:19.480
<v Speaker 1>That clip, by the way, is from an interview with

0:29:19.520 --> 0:29:22.680
<v Speaker 1>The New York Times. This popcast, I don't think we

0:29:22.760 --> 0:29:27.479
<v Speaker 1>could have gone straight to Bad Bunny's defiance. Ricky Martin

0:29:27.680 --> 0:29:30.840
<v Speaker 1>had to set the stage, not just as an artist,

0:29:31.000 --> 0:29:34.040
<v Speaker 1>but also as a queer person. I think of how

0:29:34.120 --> 0:29:38.280
<v Speaker 1>Juan Gabriel couldn't really come out a generation before, and

0:29:38.360 --> 0:29:42.240
<v Speaker 1>then Ricky Martin did, but with a lot of controversy

0:29:42.320 --> 0:29:46.040
<v Speaker 1>leading up to it. And now artists like young Miko

0:29:46.240 --> 0:29:49.680
<v Speaker 1>can be as queer as they want on stage. People

0:29:49.800 --> 0:29:52.840
<v Speaker 1>don't necessarily have to come out all the time anymore

0:29:53.240 --> 0:29:57.840
<v Speaker 1>because queer elders like Ricky once had the courage to

0:29:57.920 --> 0:30:02.120
<v Speaker 1>do so, or so, for example, Jenna Ortega can be

0:30:02.160 --> 0:30:05.720
<v Speaker 1>as goth and as eccentric as she wants. Latinos are

0:30:05.840 --> 0:30:09.760
<v Speaker 1>less and less beholden to the fiery Mummy or hot

0:30:09.880 --> 0:30:14.920
<v Speaker 1>Latin lover trope. I believe Ricky Martin played a key

0:30:15.080 --> 0:30:22.440
<v Speaker 1>role in that cultural evolution. Art has lineage, queerness has lineage,

0:30:22.800 --> 0:30:26.280
<v Speaker 1>and Ricky Martin, in my opinion, is an important elder

0:30:26.680 --> 0:30:31.640
<v Speaker 1>in both of those lineages. Maybe a Zaddy elder, but

0:30:31.800 --> 0:30:35.400
<v Speaker 1>really I think one hundred years from now, Latinos will

0:30:35.480 --> 0:30:40.720
<v Speaker 1>use Ricky Martin's long career arc to understand belonging and

0:30:40.960 --> 0:30:45.320
<v Speaker 1>history in this country. Or actually, I think we can

0:30:45.360 --> 0:30:49.160
<v Speaker 1>take it beyond that. I think Ricky Martin's legacy, as

0:30:49.200 --> 0:30:52.960
<v Speaker 1>our producer Britney Cronan pointed out to me, shows the

0:30:53.000 --> 0:30:59.000
<v Speaker 1>evolution of Latinos and queer people beyond belonging in the US.

0:30:59.840 --> 0:31:03.800
<v Speaker 1>The key to understanding this is in Ricky's performance of

0:31:03.880 --> 0:31:09.480
<v Speaker 1>Lokelepas Hawaii at the Super Bowl. This is arguably the

0:31:09.480 --> 0:31:15.560
<v Speaker 1>most high profile anti colonial anthem of our time. It's

0:31:15.600 --> 0:31:19.520
<v Speaker 1>a cry against statehood. It's a rally for resistance, and

0:31:19.600 --> 0:31:23.160
<v Speaker 1>I want to talk about the specific section. Ricky sings

0:31:24.120 --> 0:31:32.560
<v Speaker 1>Noel lavandera nilviden Elelolai geno ko nio Lokele Hawaii. He sings.

0:31:33.640 --> 0:31:38.480
<v Speaker 1>The Lelolai is a traditional vocal improvisation sung by Hivarros.

0:31:38.920 --> 0:31:42.080
<v Speaker 1>The song is imploring Puerto Ricans to hold on to

0:31:42.200 --> 0:31:49.480
<v Speaker 1>cultural specificity to collective memory, to identity as resistance and

0:31:49.600 --> 0:31:52.480
<v Speaker 1>bad Bunny in the song is not asking to belong

0:31:52.640 --> 0:31:57.160
<v Speaker 1>in or to the United States in any way. In fact,

0:31:57.360 --> 0:32:01.960
<v Speaker 1>Lokelepas Hawaii is the opposite. It is saying we do

0:32:02.080 --> 0:32:06.040
<v Speaker 1>not want to belong, We want to hold on to

0:32:06.120 --> 0:32:11.920
<v Speaker 1>what is ours. And how powerful to have Ricky Martin

0:32:12.320 --> 0:32:16.360
<v Speaker 1>seeing this verse the artists who the industry in a

0:32:16.400 --> 0:32:21.080
<v Speaker 1>way forced to belong to the American mainstream, insisting on

0:32:21.200 --> 0:32:25.680
<v Speaker 1>framing him within these tropes of latinidad hat straight Latin

0:32:25.760 --> 0:32:31.720
<v Speaker 1>lover that flattened his dimensionality, but no more, what a

0:32:31.840 --> 0:32:35.320
<v Speaker 1>joy it is to see him break free from those stereotypes.

0:32:36.040 --> 0:32:39.560
<v Speaker 1>And because he has, he has given all of us,

0:32:40.000 --> 0:32:44.440
<v Speaker 1>including my son, who will know who Ricky is, permission

0:32:44.960 --> 0:32:49.640
<v Speaker 1>to do the same. And in this way we all,

0:32:50.080 --> 0:33:13.480
<v Speaker 1>Oh Ricky Martin. We Excited. Is written by me Maria

0:33:13.520 --> 0:33:16.840
<v Speaker 1>Garcia and it's produced by Futuro Studios in collaboration with

0:33:16.920 --> 0:33:22.440
<v Speaker 1>Iheart's My Gultura podcast Network. Our senior producer is Marta Martinez.

0:33:22.520 --> 0:33:25.920
<v Speaker 1>Our associate producer is Brittany Cronin, with support for this

0:33:26.000 --> 0:33:30.360
<v Speaker 1>episode from Roxanna Aguirre. Our editor is Marlon Bishop. Our

0:33:30.400 --> 0:33:35.200
<v Speaker 1>production manager is Victoria Estrada. Our graphic designer is Juan

0:33:35.480 --> 0:33:40.400
<v Speaker 1>Carlos Belaes, Mixing by Brandon Grugel at Multitude and legal

0:33:40.440 --> 0:33:44.959
<v Speaker 1>review by Jonathan Fisher. Our executive producers are Marlon Bishop

0:33:44.960 --> 0:33:48.560
<v Speaker 1>and me at Futuro Studios and Futudo Media was founded

0:33:48.600 --> 0:33:53.880
<v Speaker 1>by Maria Inojosa. Executive producers at iHeart are Leo Gomez

0:33:54.000 --> 0:33:57.520
<v Speaker 1>and Arlene Santana. You can listen to more episodes on

0:33:57.560 --> 0:34:01.200
<v Speaker 1>the iHeartRadio app, Apple Podcasts or wherever you get your podcast,

0:34:01.280 --> 0:34:04.520
<v Speaker 1>and remember you can also watch us on YouTube. It's

0:34:04.640 --> 0:34:06.960
<v Speaker 1>very fun there, and if you like our show, please

0:34:07.000 --> 0:34:09.960
<v Speaker 1>don't forget to rate and review. It really helps us.

0:34:10.400 --> 0:34:13.120
<v Speaker 1>I'm your host, Maria Garcia. Thanks for listening, See you

0:34:13.160 --> 0:34:24.200
<v Speaker 1>next time. Latino USA is made possible in part by

0:34:24.920 --> 0:34:30.600
<v Speaker 1>Latino Community Foundation, building a flourishing Latino Future, Skyline Foundation

0:34:31.280 --> 0:34:32.600
<v Speaker 1>and the TAWL Foundation.