1
00:00:07,520 --> 00:00:11,880
Speaker 1: Water man. Yeah, ain't got no sugaring. That's how we live, man.

2
00:00:12,080 --> 00:00:22,280
Speaker 1: You know black to be sugar water, right, man, congratulations

3
00:00:22,320 --> 00:00:27,600
Speaker 1: on everything. Appreciate you brother saying, man, really he was

4
00:00:27,640 --> 00:00:33,720
Speaker 1: really working man running you wanted just oh yeah, yeah yeah, man,

5
00:00:33,760 --> 00:00:35,720
Speaker 1: he didn't want who put me up on your music

6
00:00:35,800 --> 00:00:39,879
Speaker 1: years ago? Real? I appreciate this shit, man. Really, he's

7
00:00:39,920 --> 00:00:45,200
Speaker 1: been told me that ship. Wow. I was like, yeah,

8
00:00:45,360 --> 00:00:53,840
Speaker 1: we call that one. Give me knowing that nigg be knowing.

9
00:00:54,160 --> 00:00:56,200
Speaker 1: How know you've been down in the city. I just

10
00:00:56,240 --> 00:01:00,600
Speaker 1: got down here this morning. Uh No, I went on yesterday,

11
00:01:00,600 --> 00:01:02,320
Speaker 1: but I was in New York like punting two days.

12
00:01:02,400 --> 00:01:06,040
Speaker 1: You do that bitch is moving around. Man, jeez, you

13
00:01:06,080 --> 00:01:08,640
Speaker 1: got a video. Shoot, Thursday's gonna be on the good sing.

14
00:01:09,600 --> 00:01:11,600
Speaker 1: There's some quick shiit you here? You know snow a

15
00:01:11,680 --> 00:01:19,080
Speaker 1: legend man, Yeah, yeah, yeah, usual Detroit, big down that

16
00:01:19,480 --> 00:01:21,600
Speaker 1: bro like he really ain't like I ain't know to

17
00:01:21,760 --> 00:01:24,080
Speaker 1: like came to the city and seen like they had

18
00:01:24,120 --> 00:01:29,400
Speaker 1: a concert that you answer. Niggas was like, uh, what's

19
00:01:29,520 --> 00:01:31,760
Speaker 1: what's the mall? My moll? That summing said, I'm a

20
00:01:31,800 --> 00:01:34,080
Speaker 1: saying that summer say, getting right, that's how you know

21
00:01:34,120 --> 00:01:35,760
Speaker 1: that nig and that's how you know what nigga rich

22
00:01:35,800 --> 00:01:38,160
Speaker 1: Man he telling about what's the summer said, Yeah, you

23
00:01:38,240 --> 00:01:43,880
Speaker 1: know that's why you know fifth Field too, though, Yeah,

24
00:01:43,319 --> 00:01:49,360
Speaker 1: I know the way I listen, I've a autodd trait thinking. Man,

25
00:01:49,360 --> 00:01:52,600
Speaker 1: if I wasn't deep, they got definitely they go all

26
00:01:52,640 --> 00:01:59,640
Speaker 1: the way. It's a city regular got it. Got yack

27
00:01:59,680 --> 00:02:13,320
Speaker 1: on that bit that nigga. Yeah, hard man nigger those things. Yeah,

28
00:02:13,960 --> 00:02:16,160
Speaker 1: chick o. Man, all we do is got damn bring

29
00:02:16,160 --> 00:02:19,520
Speaker 1: ghetto legends through the trail. You ghet old niggas. Man

30
00:02:19,639 --> 00:02:25,720
Speaker 1: got my motherfucking nigga. When I win't ready, wein't ready.

31
00:02:26,360 --> 00:02:29,720
Speaker 1: We gotta send the atmosphere you want to man, whatever

32
00:02:29,760 --> 00:02:34,079
Speaker 1: I'm on whatever man, play that flat cards, Yeah, played

33
00:02:34,160 --> 00:02:36,920
Speaker 1: jack cards, all right, we got we gotta you know,

34
00:02:36,960 --> 00:02:40,480
Speaker 1: we gotta get a couple in check on the sauce.

35
00:02:41,240 --> 00:02:45,080
Speaker 1: You get this motherfucking atmosphere, right, you're feeling you, man,

36
00:02:45,120 --> 00:02:46,679
Speaker 1: I ain't the type of nigger they go to work

37
00:02:46,680 --> 00:02:49,400
Speaker 1: and just be working the whole time. You feel me,

38
00:02:49,440 --> 00:02:51,600
Speaker 1: I'm gonna take my goddamn time. You know, I'm on

39
00:02:51,720 --> 00:03:02,079
Speaker 1: black people times. Give me some volume, bron I'm a

40
00:03:02,240 --> 00:03:06,120
Speaker 1: jack cardis Yeah, manly rich out jack art, make it

41
00:03:06,160 --> 00:03:08,880
Speaker 1: shoup aside like a cat started. That's robbing thigging. What's

42
00:03:08,880 --> 00:03:14,520
Speaker 1: the boats gotta track hard? Ain't they im about the

43
00:03:14,560 --> 00:03:18,880
Speaker 1: track arc? I hate back walk. I'm a little we

44
00:03:19,000 --> 00:03:22,519
Speaker 1: call it pug around that will back all that back pattle.

45
00:03:22,680 --> 00:03:24,840
Speaker 1: I'll pull up and take a nap. Left the ass settle.

46
00:03:25,040 --> 00:03:27,839
Speaker 1: You're talking crooked head shot leave it damn get trying

47
00:03:27,880 --> 00:03:30,839
Speaker 1: to pull it up and trying to stack telling fay

48
00:03:30,919 --> 00:03:34,000
Speaker 1: me what I'm a crack seller. We also knew hunting

49
00:03:34,080 --> 00:03:42,200
Speaker 1: racks on telling half stepping as parody. Yeah, that's parody,

50
00:03:43,400 --> 00:03:46,920
Speaker 1: scar act like a skin of turn it on your serious.

51
00:03:46,960 --> 00:03:50,560
Speaker 1: You don't stretched to be a chap said made the

52
00:03:50,600 --> 00:03:52,480
Speaker 1: ship like I rank the rest like you don't know,

53
00:03:53,360 --> 00:03:56,720
Speaker 1: you just stand. I hate motherfucker talking kind of great.

54
00:03:57,640 --> 00:04:01,920
Speaker 1: We can see like a can of than play free

55
00:04:02,040 --> 00:04:10,120
Speaker 1: real free, real last straight up and working up to

56
00:04:10,200 --> 00:04:14,400
Speaker 1: cud kidding, working in and turn it outing on the right,

57
00:04:15,120 --> 00:04:18,000
Speaker 1: play curt on popping the in and strip club out

58
00:04:18,040 --> 00:04:23,760
Speaker 1: a party over and I say pop trip club at

59
00:04:23,800 --> 00:04:31,120
Speaker 1: the party over, real lady, a real man, and you

60
00:04:31,200 --> 00:04:37,839
Speaker 1: can puck any bliss you got forty four for Robert

61
00:04:37,920 --> 00:04:42,359
Speaker 1: ry Thomas. They can play mud baby, get that mud baby,

62
00:04:42,520 --> 00:04:46,200
Speaker 1: next the mud baby, mud baby, next, play that in

63
00:04:46,279 --> 00:04:49,680
Speaker 1: my first yeah, when they ain't yet had a top down.

64
00:04:49,760 --> 00:04:51,920
Speaker 1: Let that ship play on with that son. That's one

65
00:04:51,960 --> 00:04:54,840
Speaker 1: of those songs too, that one. Oh my, yeah, you

66
00:04:54,960 --> 00:04:57,080
Speaker 1: pull at the getting it on even you can't hit

67
00:04:57,160 --> 00:04:59,680
Speaker 1: a word, just slapped in the trollery. I didn't you

68
00:04:59,760 --> 00:05:05,440
Speaker 1: pull there this ship? Think goode a little bit. I

69
00:05:05,520 --> 00:05:08,760
Speaker 1: played this at ignorant level. Yeah he got to You

70
00:05:08,839 --> 00:05:11,120
Speaker 1: would have thought I was in that and then think

71
00:05:11,200 --> 00:05:14,240
Speaker 1: puld have been in furnt with that tall hell. Yeah, yeah,

72
00:05:14,360 --> 00:05:17,480
Speaker 1: I know he's just sticking ship. But the cop I

73
00:05:17,760 --> 00:05:20,440
Speaker 1: was like a BUTTL, I just will ship goofy. Nike

74
00:05:20,480 --> 00:05:22,760
Speaker 1: is trapping for three weeks and still ain't this ship.

75
00:05:23,320 --> 00:05:26,760
Speaker 1: Someone's fronting in new roading like a plater. Thirty seats

76
00:05:26,839 --> 00:05:30,280
Speaker 1: were forty one. Damn data bitch, maybe like I made

77
00:05:30,360 --> 00:05:32,680
Speaker 1: in one year, which I was late for this fucking

78
00:05:32,760 --> 00:05:36,559
Speaker 1: talking never do no like he's creatable flashing that jury

79
00:05:36,640 --> 00:05:40,480
Speaker 1: at your show. He coming take your ship. Damn. They

80
00:05:40,560 --> 00:05:43,000
Speaker 1: trying to major ship all the jury light of my

81
00:05:43,040 --> 00:05:46,040
Speaker 1: old nickl like the vague trip real roster brought me

82
00:05:46,120 --> 00:05:48,720
Speaker 1: a new matching Carsey had you in his treets and

83
00:05:48,760 --> 00:05:51,760
Speaker 1: still ain't took some million on some ladyship cracking sea

84
00:05:51,800 --> 00:05:54,080
Speaker 1: and finn of drinking, or I ain't know no saving ship,

85
00:05:54,360 --> 00:05:56,520
Speaker 1: make de fitty year with that, or a little a

86
00:05:56,640 --> 00:05:59,920
Speaker 1: baby ship hit the road to Ti thou Pi Wayne Bay,

87
00:06:00,040 --> 00:06:02,440
Speaker 1: and ship told my business stuff it in her couch.

88
00:06:02,480 --> 00:06:04,560
Speaker 1: He had to trade a bit tressed the work, do

89
00:06:04,720 --> 00:06:07,160
Speaker 1: it ship like yoga. That's my training, bitch, turn and

90
00:06:07,279 --> 00:06:09,840
Speaker 1: chopp up like a little kid. I've been a spensorship.

91
00:06:10,040 --> 00:06:12,520
Speaker 1: You would the opposite of number two and me you ain't.

92
00:06:12,600 --> 00:06:15,400
Speaker 1: The ship's clear, Throw me up ten racks a little

93
00:06:15,520 --> 00:06:18,440
Speaker 1: raining ship, ghetto girl, and she got a fatty that's

94
00:06:18,480 --> 00:06:21,320
Speaker 1: my favorite. Bitch, got the same bottles in my kitchen

95
00:06:21,360 --> 00:06:24,440
Speaker 1: at my babyship. Gotta sketching on me and whole thirty

96
00:06:24,520 --> 00:06:27,080
Speaker 1: and the pain. My mama said, I've got some screw

97
00:06:27,240 --> 00:06:30,640
Speaker 1: loose and needs some maintenance. Probate jack over here, first place,

98
00:06:30,680 --> 00:06:33,360
Speaker 1: you don't know Asian ship funk around and got another

99
00:06:33,720 --> 00:06:36,200
Speaker 1: me on a wait and this oh mom is playing

100
00:06:36,279 --> 00:06:39,200
Speaker 1: the background because they ain't legit out of halvings need

101
00:06:39,279 --> 00:06:42,760
Speaker 1: to quit my car. I can't be taking me. Yeah.

102
00:06:43,120 --> 00:06:45,560
Speaker 1: I never favors getting throw me up for three and

103
00:06:45,640 --> 00:06:48,640
Speaker 1: the crusold. It's a fatal twist things in the game

104
00:06:48,720 --> 00:06:51,839
Speaker 1: of finding out on some flavorship. How you get Goring.

105
00:06:51,960 --> 00:06:54,640
Speaker 1: He's the guy that has played us Papa's slat. It

106
00:06:54,760 --> 00:06:58,400
Speaker 1: makes it with a flat lettersatanship ella shooters blowshp like

107
00:06:58,480 --> 00:07:01,280
Speaker 1: a hook. A littervatorship told her, I can't lead you

108
00:07:01,360 --> 00:07:05,480
Speaker 1: like my drink. Belove your naked fay enough and that's

109
00:07:05,520 --> 00:07:07,600
Speaker 1: what impatiently got that save me one. I mean, I'm

110
00:07:07,600 --> 00:07:11,280
Speaker 1: feel like, yeah, I feel healthy here doing the right

111
00:07:11,400 --> 00:07:16,280
Speaker 1: Hell yeah, I feel like I'm doing the right, feel healthy. Yeah,

112
00:07:16,800 --> 00:07:20,840
Speaker 1: I gotta man, what this in a trophy? Man? My

113
00:07:21,000 --> 00:07:22,880
Speaker 1: last gonna give me more? Foster think I'm gonna take

114
00:07:22,920 --> 00:07:25,120
Speaker 1: him back. Damn I'm gonna take him back to that

115
00:07:25,200 --> 00:07:29,160
Speaker 1: curtain they give me. That's one man, Okay, may give

116
00:07:29,200 --> 00:07:34,239
Speaker 1: me Foster, dam boyd. Yeah, that's what we do around

117
00:07:34,280 --> 00:07:49,680
Speaker 1: this motherfucker. Man. Yeah, we're back like spans. Yeah yeah, yeah. Man.

118
00:07:49,760 --> 00:07:51,360
Speaker 1: This first song was one of the first song I

119
00:07:51,480 --> 00:07:53,800
Speaker 1: drive when I got to fit. I know, I swear

120
00:07:53,840 --> 00:08:02,000
Speaker 1: to I know. Yeah. So nice on my good blind food,

121
00:08:02,360 --> 00:08:05,560
Speaker 1: but the whole my bank and I signed forward the

122
00:08:05,640 --> 00:08:08,240
Speaker 1: reading nigger on the chicken touch chicken took all my

123
00:08:08,360 --> 00:08:13,880
Speaker 1: new money and my chicken talking first, Nigga Servia got

124
00:08:13,880 --> 00:08:19,280
Speaker 1: the bird and see the can come up and you

125
00:08:19,360 --> 00:08:25,240
Speaker 1: weren't well. I'm sorry. Rash streak a bud like a

126
00:08:25,360 --> 00:08:28,720
Speaker 1: wine plan, little brooches on my feet, got a toe finished.

127
00:08:28,720 --> 00:08:32,160
Speaker 1: It made a little more Candi by Mo Carrie, Where

128
00:08:32,200 --> 00:08:35,280
Speaker 1: my devil come by me. This nigga is talking shit.

129
00:08:35,720 --> 00:08:41,079
Speaker 1: Nigger leg but it's gonna take a whole harmy that

130
00:08:41,200 --> 00:08:47,320
Speaker 1: defeed me. Nigger be streak, get a bad be streak.

131
00:08:48,080 --> 00:08:53,559
Speaker 1: Motown chick had a pussy man we want this ship

132
00:08:53,640 --> 00:08:59,720
Speaker 1: is yeah, he on your move, f fool They bot

133
00:09:00,000 --> 00:09:18,480
Speaker 1: a man just super pots up. Nigga's like fort keep

134
00:09:18,520 --> 00:09:30,280
Speaker 1: a stick with me. See damn man, I get there. Look,

135
00:09:31,520 --> 00:09:34,160
Speaker 1: damn I was talking spicy on what I ain't gonna

136
00:09:34,240 --> 00:09:37,640
Speaker 1: why because I forgot about that bitch bro what you did.

137
00:09:37,760 --> 00:09:44,760
Speaker 1: I didn't mean of things. Fine, I'll jelling youself like

138
00:09:45,000 --> 00:09:47,880
Speaker 1: all the way back. Man, I just want to God right,

139
00:09:48,120 --> 00:09:50,959
Speaker 1: you gotta do one more? She stood one more? Yeah,

140
00:09:51,040 --> 00:09:52,840
Speaker 1: one more, but she didn't give me a honey kade,

141
00:09:52,840 --> 00:09:54,839
Speaker 1: then we're gonna stay on that that lord's they'll give

142
00:09:54,840 --> 00:09:58,360
Speaker 1: me a honeycake. It can't be forgetting about honey, can't

143
00:09:58,679 --> 00:10:04,839
Speaker 1: one of them? Bro? Come on, man, one more street chick,

144
00:10:05,600 --> 00:10:07,959
Speaker 1: just just to shoot, just to show how deep you

145
00:10:08,040 --> 00:10:12,280
Speaker 1: are in these streets, cheered me on honey cake. Man,

146
00:10:12,320 --> 00:10:19,760
Speaker 1: that nigga knows something, man, Bro, But that's what I'm saying.

147
00:10:19,800 --> 00:10:22,520
Speaker 1: They got the road to Detroit. Nigga, are you beat

148
00:10:22,559 --> 00:10:26,640
Speaker 1: on that bitch moving around the head bitch too, ain't

149
00:10:26,679 --> 00:10:37,240
Speaker 1: gonna last. Das gonna see some little gooch nigga something

150
00:10:37,880 --> 00:10:54,960
Speaker 1: always chasing nothing signs my nigga. Think if you ain't,

151
00:10:55,160 --> 00:10:57,040
Speaker 1: if you ain't never heard, just then when you got

152
00:10:57,120 --> 00:10:59,160
Speaker 1: some ship of your whip, nigga, put this or the

153
00:10:59,440 --> 00:11:04,439
Speaker 1: Manniga to school. Your motherfucking riffing miracle starts working. Maga

154
00:11:04,880 --> 00:11:07,160
Speaker 1: sta't getting money this ship ain't. They're gonna run it

155
00:11:07,280 --> 00:11:11,280
Speaker 1: up right here. Yeah, your ship ain't eating to your mirror,

156
00:11:11,360 --> 00:11:19,000
Speaker 1: hall off, you're backing. We're running the mirror fall out

157
00:11:19,040 --> 00:11:29,559
Speaker 1: when the river mirror said follows pu, yeah, I surprise,

158
00:11:30,040 --> 00:11:48,360
Speaker 1: thank yeah, step chalking out. You are loving a six man.

159
00:11:48,960 --> 00:11:52,720
Speaker 1: She's like, I'm flying my nigga always in the club.

160
00:11:52,840 --> 00:12:02,959
Speaker 1: Don't sign my nigger time my nigga go to and

161
00:12:03,080 --> 00:12:17,079
Speaker 1: a man say yeah, I think around through the d

162
00:12:17,240 --> 00:12:25,520
Speaker 1: like niggas no security, no man in the city man

163
00:12:25,640 --> 00:12:28,360
Speaker 1: like Detroit one of them cities. Man. And you know,

164
00:12:28,840 --> 00:12:31,120
Speaker 1: like I tell you, like how I met this nigga,

165
00:12:31,240 --> 00:12:35,840
Speaker 1: Like we was doing a shoot for Charlemagne show at

166
00:12:35,920 --> 00:12:39,959
Speaker 1: this mental health gym in Detroit, and uh, you know,

167
00:12:40,640 --> 00:12:43,240
Speaker 1: you don't you know the music. I knew the music Pride,

168
00:12:43,360 --> 00:12:45,360
Speaker 1: but you don't know what the story is behind the

169
00:12:45,440 --> 00:12:47,959
Speaker 1: man and make the music. And when we met man

170
00:12:48,120 --> 00:12:50,199
Speaker 1: like just you know, it's one thing to connect with

171
00:12:50,280 --> 00:12:52,040
Speaker 1: the nigga because you like they are, but when you

172
00:12:52,160 --> 00:12:54,040
Speaker 1: see the type of man that the nigga is and

173
00:12:54,120 --> 00:12:56,000
Speaker 1: the type of ship that makes you speak the way

174
00:12:56,080 --> 00:12:59,160
Speaker 1: that you speak like men, this nigga locked in immediately

175
00:12:59,240 --> 00:13:02,120
Speaker 1: because Slim the been through so much and this ability

176
00:13:02,160 --> 00:13:05,480
Speaker 1: to be able to express himself being a nigga that's

177
00:13:05,480 --> 00:13:07,640
Speaker 1: from the streets of Detroit, one of the realest cities

178
00:13:07,679 --> 00:13:10,199
Speaker 1: in the world, but still be able to express himself

179
00:13:10,280 --> 00:13:13,000
Speaker 1: in the manner with people that's like us from everywhere.

180
00:13:13,040 --> 00:13:15,599
Speaker 1: Get to understand, nigga, you're going through some ship that

181
00:13:16,080 --> 00:13:18,199
Speaker 1: you can make it through. You can get through. You

182
00:13:18,320 --> 00:13:20,120
Speaker 1: can come out on the other side of and be

183
00:13:20,240 --> 00:13:22,960
Speaker 1: successful and take care of your family. Man. So, man,

184
00:13:23,000 --> 00:13:24,600
Speaker 1: that just made me fall a little with the nigga

185
00:13:24,640 --> 00:13:26,240
Speaker 1: even more, Like I woke up all the nigga. He

186
00:13:26,280 --> 00:13:30,719
Speaker 1: was like, what's up, Slam you think just because that

187
00:13:30,920 --> 00:13:33,520
Speaker 1: that respect is dead. Man. So this nigga is one

188
00:13:33,520 --> 00:13:35,400
Speaker 1: of the most You know, we meet a lot of

189
00:13:35,480 --> 00:13:36,920
Speaker 1: niggas in this game. We haven't met a lot of

190
00:13:37,000 --> 00:13:38,959
Speaker 1: niggas lost. You know. We come in contact with a

191
00:13:39,000 --> 00:13:40,880
Speaker 1: lot of niggas and a lot of them disappoint you.

192
00:13:41,000 --> 00:13:43,240
Speaker 1: But this nigga right here one of the realist niggas

193
00:13:43,240 --> 00:13:45,400
Speaker 1: you can ever meet. Man all the way. So it's

194
00:13:45,400 --> 00:13:50,679
Speaker 1: the honor to have you in the trap. Man all

195
00:13:50,720 --> 00:13:53,760
Speaker 1: the way. And if you didn't know, because I could,

196
00:13:53,760 --> 00:13:56,599
Speaker 1: I do it. I mean all the way from the

197
00:13:56,800 --> 00:14:00,719
Speaker 1: six the east side of Detroit. You know what I mean.

198
00:14:01,320 --> 00:14:04,959
Speaker 1: The drunk guard nigga. You already know, nigga, I just

199
00:14:05,080 --> 00:14:12,240
Speaker 1: start how you and my motherfucking nigga, the one and

200
00:14:12,360 --> 00:14:15,440
Speaker 1: only ice wear Vezo. Man, there's a trap for us

201
00:14:16,400 --> 00:14:22,640
Speaker 1: for real. Yeah, and I appreciate your niggas though for real, bro, Like,

202
00:14:22,800 --> 00:14:25,360
Speaker 1: y'all platform mean a lot to us, Like you know

203
00:14:25,400 --> 00:14:28,160
Speaker 1: what I'm saying. Just and them trenches overall, bro, Like,

204
00:14:28,240 --> 00:14:31,880
Speaker 1: y'all really are the culture. Y'all helped pushing that culture forward,

205
00:14:31,920 --> 00:14:33,880
Speaker 1: you know what I'm saying. So this ship, this ship,

206
00:14:33,960 --> 00:14:35,920
Speaker 1: this ship turned from me. Bro, this ship feel big

207
00:14:36,040 --> 00:14:38,080
Speaker 1: for me, Bro, real nigga ship and I mean that too.

208
00:14:38,520 --> 00:14:39,960
Speaker 1: You know what I'm saying. You told us, told me

209
00:14:40,000 --> 00:14:42,360
Speaker 1: when we met. He was like thet in the face nigga,

210
00:14:42,400 --> 00:14:44,480
Speaker 1: that wilding out and you bet not turn the channel

211
00:14:44,600 --> 00:14:47,880
Speaker 1: or listen. Bro, that's our big nigg in real life,

212
00:14:48,000 --> 00:14:51,200
Speaker 1: like for real, like man wilding out like love hip

213
00:14:51,240 --> 00:14:53,960
Speaker 1: hop them to them two shows right there, because you

214
00:14:54,080 --> 00:14:56,560
Speaker 1: gotta think rather women on their day, y'all think it's

215
00:14:56,600 --> 00:14:59,760
Speaker 1: funny as ship. Bro, Like we that's all we tuned into. Bro,

216
00:15:00,160 --> 00:15:03,040
Speaker 1: Nigga bat not turn that TV bro everything. I look,

217
00:15:03,240 --> 00:15:05,320
Speaker 1: you know we had we had a whole TV room

218
00:15:05,400 --> 00:15:07,560
Speaker 1: for detraiting ship. Bro. I was like there was so

219
00:15:07,680 --> 00:15:09,880
Speaker 1: many DC I know. Yeah, you know what I'm saying.

220
00:15:10,720 --> 00:15:13,160
Speaker 1: Shut out the niggas and jail wasn't well and now,

221
00:15:13,280 --> 00:15:15,960
Speaker 1: while not really one of the biggest souls, ain't the

222
00:15:16,040 --> 00:15:20,720
Speaker 1: fans brot me now, I swear to God, you never broke.

223
00:15:21,000 --> 00:15:23,600
Speaker 1: They come up, they tell us that I'm not thinking that.

224
00:15:23,720 --> 00:15:28,960
Speaker 1: I'm thinking like jail No, No, we're sick. We in

225
00:15:29,040 --> 00:15:32,760
Speaker 1: the rotation, Nigga. Bro, listen, my nigga, the fans, Bro,

226
00:15:33,000 --> 00:15:35,880
Speaker 1: if were sitting and watching that ship, we're knowing what timing.

227
00:15:36,000 --> 00:15:38,400
Speaker 1: Come on, niggas is cooking food. Look, my man, my

228
00:15:38,520 --> 00:15:41,320
Speaker 1: manager's got out. Bro. He didn't tell you too. Nigga

229
00:15:41,360 --> 00:15:43,920
Speaker 1: were cooking food meals to watch Wild and Out by

230
00:15:44,080 --> 00:15:49,600
Speaker 1: my kids. Nigger having serious Bro. I wish I could

231
00:15:49,680 --> 00:15:53,280
Speaker 1: explain this ship anymore. Bro. We're cooking fools meals. Man,

232
00:15:53,360 --> 00:15:55,920
Speaker 1: Nigga make sure they got their work out in everything, bro,

233
00:15:56,240 --> 00:16:00,600
Speaker 1: before while and not come on on me bro. Yeah

234
00:16:01,280 --> 00:16:04,720
Speaker 1: tight up, sir, Yeah man, Like I've been a fan

235
00:16:04,960 --> 00:16:07,520
Speaker 1: of your music before you went to the Fizz, like

236
00:16:07,680 --> 00:16:10,480
Speaker 1: just because I gotta love for Detroit like I always

237
00:16:10,520 --> 00:16:12,520
Speaker 1: you know, we all do, but for me, you know,

238
00:16:12,640 --> 00:16:15,320
Speaker 1: being from d C. Like, it's it's certain cities that

239
00:16:15,480 --> 00:16:17,680
Speaker 1: remind me of the city I grew up in because

240
00:16:17,800 --> 00:16:19,880
Speaker 1: you know, that it's still black. You know what I'm saying,

241
00:16:19,960 --> 00:16:22,640
Speaker 1: Like you going, it's the culture is so rich in Detroit.

242
00:16:22,760 --> 00:16:24,480
Speaker 1: So I fell in love with Detroit when I fought.

243
00:16:24,520 --> 00:16:26,440
Speaker 1: When I went in, you was one of the first

244
00:16:26,480 --> 00:16:30,360
Speaker 1: people that I discovered you. You know, peasy, You know

245
00:16:30,400 --> 00:16:32,560
Speaker 1: what I mean? Though, boy cash out, of course you

246
00:16:32,600 --> 00:16:35,080
Speaker 1: know what I'm saying, Like you know, baby face, Rade,

247
00:16:35,120 --> 00:16:37,800
Speaker 1: all y'all niggas. I've been working with y'all niggas way

248
00:16:37,920 --> 00:16:40,080
Speaker 1: way before, but I lose to tell you. I always

249
00:16:40,200 --> 00:16:42,920
Speaker 1: just say, man knees, niggas is the next niggas Like

250
00:16:43,120 --> 00:16:45,920
Speaker 1: these is the niggas that's gonna change the game. And

251
00:16:46,280 --> 00:16:48,240
Speaker 1: you know what I mean, Like I always knew. And

252
00:16:48,320 --> 00:16:50,640
Speaker 1: that's why when you made the statement that was controversial

253
00:16:50,680 --> 00:16:52,400
Speaker 1: a couple of weeks ago that you changed the sound

254
00:16:52,480 --> 00:16:55,360
Speaker 1: to rap, I was one of the motherfucker's like, yeah, nigga, Like,

255
00:16:56,200 --> 00:16:59,000
Speaker 1: didn't the nigga change the sound? Like so what made

256
00:16:59,040 --> 00:17:01,440
Speaker 1: you comfortable? And up? We all jump right into that.

257
00:17:01,560 --> 00:17:03,520
Speaker 1: What made you comfortable enough to come out and and

258
00:17:03,760 --> 00:17:05,920
Speaker 1: talk like that? Now? You know, it's so crazy, Like

259
00:17:06,200 --> 00:17:08,040
Speaker 1: I think a lot of niggas took that as me

260
00:17:08,160 --> 00:17:11,399
Speaker 1: saying like like overall, like I changed the sound or

261
00:17:11,440 --> 00:17:14,280
Speaker 1: the rap game. And I'm just speaking from like, you know,

262
00:17:14,480 --> 00:17:16,359
Speaker 1: from the from the level I'm on, like I'm at

263
00:17:16,680 --> 00:17:18,800
Speaker 1: I'm at, I'm at my ground. I feel like I'm

264
00:17:18,840 --> 00:17:20,359
Speaker 1: at the ground level. I'm in the trenches. We're in

265
00:17:20,400 --> 00:17:22,560
Speaker 1: the streets, you know what I'm saying that, Like, you know,

266
00:17:22,680 --> 00:17:25,080
Speaker 1: as far as all the artists coming from the streets

267
00:17:25,119 --> 00:17:27,800
Speaker 1: and what we're listening to in them clubs and strip clubs.

268
00:17:27,800 --> 00:17:30,800
Speaker 1: What nigga's right too, is that is that sound that

269
00:17:31,480 --> 00:17:33,720
Speaker 1: I feel like I brought back to the game. You

270
00:17:33,800 --> 00:17:37,040
Speaker 1: know it Rap ain't nothing new. I'm gonna how you

271
00:17:37,200 --> 00:17:39,080
Speaker 1: how you doing how you say it ain't ain't nothing

272
00:17:39,119 --> 00:17:41,680
Speaker 1: new everything that I'm being done. It's just niggas do

273
00:17:41,800 --> 00:17:43,520
Speaker 1: it differently. You know what I'm saying. The way of

274
00:17:43,600 --> 00:17:45,360
Speaker 1: nigga do it is new. You know what I'm saying.

275
00:17:45,400 --> 00:17:48,480
Speaker 1: So just rapping on like the real gritty gutta beasts

276
00:17:48,520 --> 00:17:50,720
Speaker 1: that sounds like a nigga made them bitches in the closet,

277
00:17:50,840 --> 00:17:53,320
Speaker 1: like niggas weren't coming in and I came that, you

278
00:17:53,400 --> 00:17:54,920
Speaker 1: know what I mean. So I was just speaking for

279
00:17:55,440 --> 00:17:57,480
Speaker 1: like the trenches and like niggas that's on the come

280
00:17:57,560 --> 00:18:00,000
Speaker 1: up right now, Like that's the that's the sound niggas

281
00:18:00,119 --> 00:18:02,520
Speaker 1: is wrapping up. And I wasn't saying it most so

282
00:18:02,720 --> 00:18:05,560
Speaker 1: like you know, like man, I I changed it out.

283
00:18:05,840 --> 00:18:07,480
Speaker 1: I don't want no need to rapping on this. No.

284
00:18:07,720 --> 00:18:11,439
Speaker 1: I appreciate everybody rocking like that, but I'm a humble nigger. Bro.

285
00:18:11,520 --> 00:18:13,600
Speaker 1: You already know. I just was staying the fact and

286
00:18:13,680 --> 00:18:17,520
Speaker 1: I did. Yeah overall though, but and that's the goal

287
00:18:17,640 --> 00:18:22,240
Speaker 1: intentionally to change it. Overall people are gonna reacting like that.

288
00:18:22,680 --> 00:18:25,400
Speaker 1: I'm just starting saying it like that too. Then, Yeah,

289
00:18:25,880 --> 00:18:32,040
Speaker 1: I changed the way niggas tell ju that's a but

290
00:18:34,160 --> 00:18:39,920
Speaker 1: it's sounded like before I came out. Yeah, as a fact,

291
00:18:40,080 --> 00:18:43,040
Speaker 1: but like sneaking and doing my ship, h you know,

292
00:18:43,240 --> 00:18:45,600
Speaker 1: like me, we can collaborate and I'll show you how

293
00:18:45,640 --> 00:18:49,600
Speaker 1: to do you. Yeah, I've been saying this, like my

294
00:18:49,760 --> 00:18:51,879
Speaker 1: favorite rap come out of Detroit and Flint, you know

295
00:18:51,920 --> 00:18:54,760
Speaker 1: what I mean, Like just what with the Detroit sound

296
00:18:54,800 --> 00:18:56,720
Speaker 1: of the Flint sound like with y'all and then what

297
00:18:56,920 --> 00:19:03,200
Speaker 1: what what places change that ship too? Though, Mike and

298
00:19:03,600 --> 00:19:05,840
Speaker 1: the Coucie Man and all them niggas like just that

299
00:19:06,040 --> 00:19:09,280
Speaker 1: area that sound, Like what do you think that comes from?

300
00:19:09,400 --> 00:19:12,080
Speaker 1: Like just that that sound that y'all produced, like because

301
00:19:12,119 --> 00:19:14,400
Speaker 1: it's been around if you go all the way back

302
00:19:14,480 --> 00:19:19,080
Speaker 1: to Goddamn, you know, Blade always had a different sound.

303
00:19:19,200 --> 00:19:21,480
Speaker 1: But what do you think y'all was able to y'all

304
00:19:21,560 --> 00:19:24,000
Speaker 1: like come together and have like that, sit down and say, no,

305
00:19:24,160 --> 00:19:26,600
Speaker 1: this is where we all pushing on. Organically, that ship

306
00:19:26,800 --> 00:19:29,479
Speaker 1: organically happened, like you know what I'm saying, Like you say, Blade,

307
00:19:29,840 --> 00:19:33,879
Speaker 1: the Cheddar Boys, the whole Street, Lord, rock Bottom, Lives Boys,

308
00:19:34,640 --> 00:19:36,959
Speaker 1: May West, all the niggles are already wrapping on them

309
00:19:37,000 --> 00:19:39,560
Speaker 1: type of beats. They just was a little slower back

310
00:19:39,600 --> 00:19:41,680
Speaker 1: when they was doing it. And then the trade all

311
00:19:41,720 --> 00:19:43,720
Speaker 1: our music sped up. Like you go to the club.

312
00:19:43,880 --> 00:19:46,600
Speaker 1: Every song you're hearing the club that makes super fast,

313
00:19:46,680 --> 00:19:48,960
Speaker 1: you know what I'm saying. So we already was rocking

314
00:19:49,040 --> 00:19:51,159
Speaker 1: with our our music like that. So we just had

315
00:19:51,240 --> 00:19:53,879
Speaker 1: the producer start making the beats fat We're rocking on

316
00:19:54,000 --> 00:19:57,280
Speaker 1: that ship like that shop organic beat so faster, like

317
00:19:57,640 --> 00:20:00,000
Speaker 1: we speed the songs up in the clubs, like literally

318
00:20:00,119 --> 00:20:02,440
Speaker 1: like speed them, but just up like you would you

319
00:20:02,480 --> 00:20:06,919
Speaker 1: would notice. And all the clubs, even on our radio stations,

320
00:20:06,960 --> 00:20:09,359
Speaker 1: we speed to music of all our music spaed up

321
00:20:09,720 --> 00:20:12,199
Speaker 1: on the fast side, he heard. So we just had

322
00:20:12,320 --> 00:20:14,359
Speaker 1: to produce start making that ship fast. We ain't got

323
00:20:14,480 --> 00:20:16,320
Speaker 1: to speed it up no more, you know, but like

324
00:20:16,560 --> 00:20:19,520
Speaker 1: organically we are just we're pushing that sound. And I

325
00:20:19,640 --> 00:20:21,960
Speaker 1: know for a fact, like when Rio was out, Nigga,

326
00:20:22,080 --> 00:20:24,520
Speaker 1: everybody on that on that ground level that I'm speaking to,

327
00:20:24,640 --> 00:20:26,920
Speaker 1: everybody was wrapping on them beats on that on this

328
00:20:26,960 --> 00:20:29,359
Speaker 1: ship that Rio wrapped on. Then I came with like

329
00:20:29,480 --> 00:20:31,960
Speaker 1: the slower, the slower vibe a little bit, you know,

330
00:20:32,080 --> 00:20:34,920
Speaker 1: the crunch of beats and niggas rapping on that. Yeah,

331
00:20:35,080 --> 00:20:37,320
Speaker 1: that's what That's how I discovered the music, Like being

332
00:20:37,440 --> 00:20:40,240
Speaker 1: in Detroit, being on the grind like Nigga, I'm I'm

333
00:20:40,280 --> 00:20:44,320
Speaker 1: at the uh what's the casino? Um? Not the MGM,

334
00:20:44,400 --> 00:20:47,120
Speaker 1: the other one, the Greek Town. At the Greek Town,

335
00:20:47,160 --> 00:20:49,320
Speaker 1: I met the light of the Greek Town. Nigga pull

336
00:20:49,400 --> 00:20:51,440
Speaker 1: up beside me bumping some ship. The last thing I

337
00:20:51,600 --> 00:20:54,960
Speaker 1: hear as the nigga said, Uh, the nigga, Rio said

338
00:20:55,040 --> 00:20:57,120
Speaker 1: dead people in my pocket? You know what he say?

339
00:20:57,160 --> 00:20:59,359
Speaker 1: Did people in my pocket? That my clothes smell? I

340
00:20:59,480 --> 00:21:01,560
Speaker 1: was like, Nigga, what the funk was that? And I

341
00:21:01,600 --> 00:21:04,920
Speaker 1: couldn't make it an hansome. So it's like just that

342
00:21:05,160 --> 00:21:07,719
Speaker 1: Detroit that I think I said about Detroit is when

343
00:21:07,720 --> 00:21:11,200
Speaker 1: you go to Detroit, Detroit played Detroit music. Like that's

344
00:21:11,240 --> 00:21:16,040
Speaker 1: making a strange happened to me in Detroit, mother fucking

345
00:21:16,080 --> 00:21:20,040
Speaker 1: police pulled up only in a box shifting. Damn, this

346
00:21:20,160 --> 00:21:23,200
Speaker 1: is about two years ago. Like they still draft a

347
00:21:23,240 --> 00:21:27,000
Speaker 1: box shift. I know he painted, he's not listening to ship.

348
00:21:27,640 --> 00:21:33,240
Speaker 1: I pull over and they can pull over in box

349
00:21:34,640 --> 00:21:37,920
Speaker 1: not pull over. So like being from Detroit, like what

350
00:21:38,040 --> 00:21:40,440
Speaker 1: do you think that you know, y'all? You know, because

351
00:21:40,440 --> 00:21:42,959
Speaker 1: you know Atlanta but all in no Atlanta as far

352
00:21:43,000 --> 00:21:45,879
Speaker 1: as they they submit in the game and and and

353
00:21:46,040 --> 00:21:48,399
Speaker 1: far establishing culture. But what do you feel like the

354
00:21:48,560 --> 00:21:51,720
Speaker 1: Detroit is now and the you know, the pantheon of

355
00:21:51,880 --> 00:21:55,000
Speaker 1: establishing culture and being appreciated and respected in the rap game.

356
00:21:55,320 --> 00:21:56,960
Speaker 1: I feel like we pushed it through, you know what

357
00:21:57,000 --> 00:22:00,040
Speaker 1: I'm saying, Like every every city and every reason and

358
00:22:00,119 --> 00:22:03,080
Speaker 1: had that wave, like you know, Chicago got their wave,

359
00:22:03,320 --> 00:22:05,720
Speaker 1: used to caught their wave, Atlanta got their way in

360
00:22:05,760 --> 00:22:08,400
Speaker 1: New York. I feel like right now, you know It's

361
00:22:08,480 --> 00:22:11,560
Speaker 1: just it's it's a hard turn to just really catch

362
00:22:11,640 --> 00:22:13,720
Speaker 1: that wave and push that ship through a siling, you

363
00:22:13,760 --> 00:22:15,240
Speaker 1: know what I mean. I think we like right on

364
00:22:15,320 --> 00:22:18,000
Speaker 1: the breaker, really really going big with that ship. You

365
00:22:18,040 --> 00:22:21,359
Speaker 1: know what I'm saying again, recognition globally you hurt, like,

366
00:22:21,760 --> 00:22:23,560
Speaker 1: but you know how to even get that wave? Though,

367
00:22:24,200 --> 00:22:26,679
Speaker 1: Everybody gotta work with each other. If you look at

368
00:22:26,720 --> 00:22:30,080
Speaker 1: any city that had a run and come from when

369
00:22:30,160 --> 00:22:34,280
Speaker 1: everybody started working with each other, it's a fact as

370
00:22:34,320 --> 00:22:36,280
Speaker 1: soon as I'm talking about it gotta be all across

371
00:22:36,359 --> 00:22:38,879
Speaker 1: the board. Though. The trap niggas gotta funk with the

372
00:22:38,960 --> 00:22:43,040
Speaker 1: niggas who do backpack wrapps. Like, once everybody get on

373
00:22:43,080 --> 00:22:49,560
Speaker 1: the same page, that's how they make a run. It's

374
00:22:49,560 --> 00:22:51,919
Speaker 1: always gonna work like that. I think the main problem

375
00:22:52,080 --> 00:22:54,560
Speaker 1: just be you know a lot of niggas just be

376
00:22:54,720 --> 00:22:56,840
Speaker 1: thinking it can only be one, you know what I mean,

377
00:22:57,119 --> 00:23:00,440
Speaker 1: everything you're doing that's a problem. Just as as black Man,

378
00:23:00,560 --> 00:23:03,400
Speaker 1: we got that real bad thinking. You know, it's supposed

379
00:23:03,440 --> 00:23:06,000
Speaker 1: to only be one. That's just like it's saying it's

380
00:23:06,000 --> 00:23:08,520
Speaker 1: only one dollar in the world, you know, makes sense,

381
00:23:08,560 --> 00:23:10,720
Speaker 1: you know what I mean, It's room for everybody, So yeah,

382
00:23:10,760 --> 00:23:13,280
Speaker 1: you're right about that. Long as soon as niggas could

383
00:23:13,560 --> 00:23:17,240
Speaker 1: acknowledge that and move on that that ship. How did

384
00:23:17,320 --> 00:23:19,080
Speaker 1: y'all get past that in Detroit? Because you know, the

385
00:23:19,119 --> 00:23:21,920
Speaker 1: east side west side ship is major in Detroit, and

386
00:23:22,000 --> 00:23:24,600
Speaker 1: that's something that's been going on internally in yall city

387
00:23:24,680 --> 00:23:27,760
Speaker 1: for nigger before you was around, for everybody was around.

388
00:23:27,800 --> 00:23:30,520
Speaker 1: So how did y'all become, you know, at this point,

389
00:23:30,640 --> 00:23:32,119
Speaker 1: to get to a point where y'all were able to

390
00:23:32,200 --> 00:23:35,240
Speaker 1: figure it out to move you know necessary. Everybody ain't

391
00:23:35,240 --> 00:23:39,399
Speaker 1: gotta be buddy buddy and friends, but just respect. How

392
00:23:39,440 --> 00:23:42,000
Speaker 1: did y'all establish that? I know for a fact we

393
00:23:42,200 --> 00:23:44,880
Speaker 1: learned from the people that came before. You know, we've

394
00:23:44,960 --> 00:23:48,280
Speaker 1: seen what they didn't do and where they went wrong,

395
00:23:48,400 --> 00:23:50,840
Speaker 1: and we learned from their mistakes as we should, as

396
00:23:50,880 --> 00:23:53,080
Speaker 1: we're supposed that did, you know what I mean? We

397
00:23:53,200 --> 00:23:56,399
Speaker 1: watched them not really come together like they when they

398
00:23:56,480 --> 00:23:59,320
Speaker 1: came together. But I feel like niggas ain't stay together,

399
00:23:59,440 --> 00:24:01,159
Speaker 1: you heard it, like you said, just be able to

400
00:24:01,200 --> 00:24:04,960
Speaker 1: coexist with each other. How that mutual respect, the mutual understanding,

401
00:24:05,040 --> 00:24:07,000
Speaker 1: And that's what I know for a fact we did.

402
00:24:07,119 --> 00:24:09,240
Speaker 1: We just learned from we learned from them stakes of

403
00:24:09,320 --> 00:24:11,720
Speaker 1: people that was before us. You know what I'm saying, Like,

404
00:24:12,200 --> 00:24:14,200
Speaker 1: even like in Detroit, when it comes like to the

405
00:24:14,320 --> 00:24:17,680
Speaker 1: rap community, our problems don't win win. Don't bring that

406
00:24:17,720 --> 00:24:19,760
Speaker 1: ship to the world because it ain't got nothing to

407
00:24:19,840 --> 00:24:20,879
Speaker 1: do with the rest of the world. You know what

408
00:24:20,920 --> 00:24:23,720
Speaker 1: I'm saying. Niggas got shipping wing on amongst each other

409
00:24:23,800 --> 00:24:25,800
Speaker 1: behind the scenes, and we make sure that ship can

410
00:24:25,840 --> 00:24:28,720
Speaker 1: stay behind the scenes as much as possible. It don't

411
00:24:28,760 --> 00:24:30,800
Speaker 1: work in every case or all the time, but for

412
00:24:30,880 --> 00:24:32,960
Speaker 1: the most part to do. It's a lot of niggas

413
00:24:33,000 --> 00:24:35,399
Speaker 1: that might not like each other, that rapid Detroit, but

414
00:24:35,560 --> 00:24:36,920
Speaker 1: it ain't got nothing to do with the rest of

415
00:24:36,920 --> 00:24:38,840
Speaker 1: the world. Ain't they business, you know what I'm saying.

416
00:24:38,920 --> 00:24:41,520
Speaker 1: And we keep that ship in huns And now I

417
00:24:41,640 --> 00:24:44,960
Speaker 1: gotta salute my hat to every artist in Detroit for

418
00:24:45,040 --> 00:24:47,880
Speaker 1: that because we do it subconsciously. You know what I'm saying.

419
00:24:47,960 --> 00:24:51,119
Speaker 1: That come from that mutual understanding, that mutual respect. This

420
00:24:51,119 --> 00:24:53,240
Speaker 1: ship ain't start on Instagram, so it don't need to

421
00:24:53,640 --> 00:24:54,879
Speaker 1: you know what I mean, You don't need to finish

422
00:24:54,920 --> 00:24:57,159
Speaker 1: on Instagram. We ain't gotta not saying they need to

423
00:24:57,200 --> 00:25:00,680
Speaker 1: go for and jumping on crazy wild street ship. What

424
00:25:00,800 --> 00:25:03,520
Speaker 1: I mean is like even the conversation that needs to

425
00:25:03,560 --> 00:25:05,919
Speaker 1: be had that ship happened behind the scene. Ain't got

426
00:25:05,960 --> 00:25:07,600
Speaker 1: nothing to do with social media, you know what I'm saying.

427
00:25:07,640 --> 00:25:09,920
Speaker 1: So I think that's important and I know that we

428
00:25:10,040 --> 00:25:13,560
Speaker 1: do do that, and we absolutely learned from people mistakes

429
00:25:13,600 --> 00:25:16,440
Speaker 1: that other force with some of the artists that you

430
00:25:16,600 --> 00:25:19,480
Speaker 1: know are coming up. Only you know from your side

431
00:25:19,720 --> 00:25:23,040
Speaker 1: Detroit that the world needs to know about Man Cheddi

432
00:25:23,119 --> 00:25:28,919
Speaker 1: Boy Malik tough tone, a tone tone man. Them them uh,

433
00:25:29,640 --> 00:25:32,959
Speaker 1: the whole Chedder boys. Honestly, that whole little wave right there.

434
00:25:33,000 --> 00:25:35,600
Speaker 1: Them boys that are real and stretched money, the boys

435
00:25:35,680 --> 00:25:38,280
Speaker 1: at a real man stretch up my fucking legend. Man,

436
00:25:38,320 --> 00:25:40,560
Speaker 1: I think it really can rap. You know. It was

437
00:25:40,600 --> 00:25:43,080
Speaker 1: at one point where homes the biggest artist in Detroit,

438
00:25:43,480 --> 00:25:45,560
Speaker 1: you know what I'm saying. So like, yeah, they got

439
00:25:45,600 --> 00:25:48,320
Speaker 1: fun with his Louke Braham Man call that big Gulp

440
00:25:48,440 --> 00:26:00,119
Speaker 1: Man's Big Ye Big Shift was named the artist that

441
00:26:00,200 --> 00:26:03,360
Speaker 1: I like. But they're very controversial, so I'll just keep

442
00:26:03,400 --> 00:26:07,560
Speaker 1: it neutral. And like a lot of people don't know

443
00:26:07,640 --> 00:26:10,000
Speaker 1: your backstory though, Man, you was you know, you was

444
00:26:10,119 --> 00:26:13,480
Speaker 1: big in the streets of Detroit before you ever made

445
00:26:13,520 --> 00:26:16,480
Speaker 1: a record. I'm talking about owning car washers and businesses

446
00:26:16,520 --> 00:26:19,879
Speaker 1: and all of that. So, like, how did you utilize

447
00:26:19,960 --> 00:26:23,119
Speaker 1: that business mindset that you had doing it with you know,

448
00:26:23,359 --> 00:26:25,200
Speaker 1: the wrong way? As people would say, how did you

449
00:26:25,280 --> 00:26:28,520
Speaker 1: transition that into what you do now? I use everything

450
00:26:28,680 --> 00:26:30,639
Speaker 1: that I did then. I used the ship with the

451
00:26:30,760 --> 00:26:32,760
Speaker 1: music ship. You know what I'm saying, Like, I ain't

452
00:26:32,800 --> 00:26:35,320
Speaker 1: taking no for an answers, I ain't letting my foot

453
00:26:35,400 --> 00:26:38,119
Speaker 1: up off the gas and I just keep going, you

454
00:26:38,160 --> 00:26:39,840
Speaker 1: know what I'm saying. The same way I be out

455
00:26:39,880 --> 00:26:42,320
Speaker 1: in the streets doing the wrong ship is the same

456
00:26:42,359 --> 00:26:45,040
Speaker 1: approach I take doing the right ship, you know, with

457
00:26:45,160 --> 00:26:47,640
Speaker 1: the same enthusiasm, you know what I mean. It ain't

458
00:26:47,680 --> 00:26:50,320
Speaker 1: going the house till late at night doing some dumb ships.

459
00:26:50,359 --> 00:26:52,600
Speaker 1: So I ain't going it, you know, stay out and

460
00:26:52,920 --> 00:26:54,800
Speaker 1: grinding ship out doing the right ship, you know what

461
00:26:54,840 --> 00:26:57,480
Speaker 1: I'm saying. So it's just most of that focused, you know,

462
00:26:57,560 --> 00:26:59,840
Speaker 1: I keep that same focused. I ain't let that I

463
00:27:00,160 --> 00:27:02,760
Speaker 1: let that focus dot and a gun at that ship. Bro,

464
00:27:02,920 --> 00:27:06,240
Speaker 1: Like I already I speak everything about my life and

465
00:27:06,320 --> 00:27:08,320
Speaker 1: to exist, I know what I want to be. I

466
00:27:08,440 --> 00:27:10,200
Speaker 1: know who I am gonna be. I know who I am,

467
00:27:10,600 --> 00:27:12,280
Speaker 1: You know what I mean. I manifest that ship, and

468
00:27:12,359 --> 00:27:16,879
Speaker 1: I firmly and strongly believe in my path and my story,

469
00:27:17,240 --> 00:27:19,080
Speaker 1: you know. And I got to understand and knowing that

470
00:27:19,640 --> 00:27:22,840
Speaker 1: I can't create. I can't create my story. I can't

471
00:27:22,920 --> 00:27:25,560
Speaker 1: create my own path. I can't be who the funk

472
00:27:25,600 --> 00:27:27,640
Speaker 1: I want to be. You don't matter that Nick ain't

473
00:27:27,640 --> 00:27:30,040
Speaker 1: graduate high school, I ain't go to college, I ain't

474
00:27:30,040 --> 00:27:31,600
Speaker 1: had no jobs. I ain't do none of that ship.

475
00:27:31,680 --> 00:27:34,080
Speaker 1: I don't mean, nothing's not stopping, you know what I'm saying.

476
00:27:34,160 --> 00:27:36,679
Speaker 1: I had that same mentality when I was in the streets,

477
00:27:36,720 --> 00:27:38,760
Speaker 1: and I got that same mentality nothing you know what

478
00:27:38,800 --> 00:27:42,119
Speaker 1: I mean. I bought a restaurant car wash ain't dispenser

479
00:27:42,119 --> 00:27:44,639
Speaker 1: when I was a kid, like a last kid, bro,

480
00:27:44,760 --> 00:27:47,359
Speaker 1: and I bought all that ship you heard. So I'm

481
00:27:47,400 --> 00:27:49,320
Speaker 1: on the same thing with the music ship, you know,

482
00:27:49,800 --> 00:27:52,200
Speaker 1: pushing my own record label all that. I'm do what

483
00:27:52,280 --> 00:27:55,320
Speaker 1: I gotta do for myself, turn myself up and turn

484
00:27:55,400 --> 00:28:02,320
Speaker 1: my niggas up. That's how I gotta go. Now. I

485
00:28:02,400 --> 00:28:05,520
Speaker 1: want to speak to just the strength that you, that

486
00:28:05,680 --> 00:28:08,200
Speaker 1: you possessed because you had all of that, but then

487
00:28:08,240 --> 00:28:10,879
Speaker 1: you lost it. So how do you keep yourself in

488
00:28:10,960 --> 00:28:13,159
Speaker 1: that mentality when you lose all of that and had

489
00:28:13,200 --> 00:28:15,480
Speaker 1: to start from bottom again? Like, how do you get

490
00:28:15,520 --> 00:28:18,400
Speaker 1: to the point where you don't quit and say funk

491
00:28:18,440 --> 00:28:19,920
Speaker 1: it and go back to what you know? And this,

492
00:28:20,160 --> 00:28:21,359
Speaker 1: you know what I mean, all of the things that

493
00:28:21,480 --> 00:28:25,359
Speaker 1: go into having a push past. You know what, people

494
00:28:25,400 --> 00:28:27,480
Speaker 1: look at this failure, How did you do that? I

495
00:28:27,520 --> 00:28:30,600
Speaker 1: don't want to know. It's so crazy. Everything I lost

496
00:28:30,640 --> 00:28:32,720
Speaker 1: I wanted to lose. I ain't want that ship. I

497
00:28:32,760 --> 00:28:35,320
Speaker 1: ain't want it that way because I do know one thing,

498
00:28:35,480 --> 00:28:38,240
Speaker 1: Like with this tree ship, it ain't never no winners

499
00:28:38,320 --> 00:28:40,880
Speaker 1: and Nick ain't gonna never win, and it ain't no

500
00:28:41,040 --> 00:28:42,560
Speaker 1: end game with that ship. You know what I'm saying.

501
00:28:42,560 --> 00:28:44,600
Speaker 1: That ship go either two ways and we all know

502
00:28:45,120 --> 00:28:47,080
Speaker 1: which way that go, and I ain't want that ship.

503
00:28:47,200 --> 00:28:50,240
Speaker 1: True story. I was driving home from my car wise

504
00:28:50,320 --> 00:28:52,080
Speaker 1: one day, and it was just a wild day, bro,

505
00:28:52,280 --> 00:28:54,640
Speaker 1: Like a lot of weird ass energy, just a bunch

506
00:28:54,680 --> 00:28:57,000
Speaker 1: of stupid ship just kept happening, you know what I mean.

507
00:28:57,080 --> 00:28:58,600
Speaker 1: I pulled up on the side and pulled over on

508
00:28:58,680 --> 00:29:01,160
Speaker 1: the side of the road, like bros. A true story.

509
00:29:01,560 --> 00:29:03,520
Speaker 1: And I just talking to Guy, like, you know, I

510
00:29:03,640 --> 00:29:05,840
Speaker 1: know I prayed for this, and I know I asked

511
00:29:05,880 --> 00:29:08,080
Speaker 1: for this. And when i'm when I say this, I

512
00:29:08,200 --> 00:29:10,160
Speaker 1: meant money, you know what I mean? Like, I know

513
00:29:10,240 --> 00:29:12,200
Speaker 1: I prayed for it, I asked for and I wanted it.

514
00:29:12,560 --> 00:29:14,760
Speaker 1: But this is not the way I wanted. I wanted

515
00:29:14,880 --> 00:29:17,360
Speaker 1: this way. I'm not happy. I don't feel right. I

516
00:29:17,480 --> 00:29:20,120
Speaker 1: got indicted a few weeks later and lost everything I had,

517
00:29:20,400 --> 00:29:22,600
Speaker 1: and I was I was extremely happy. And I was

518
00:29:22,680 --> 00:29:24,640
Speaker 1: happy because I knew I had a chance to start

519
00:29:24,680 --> 00:29:27,600
Speaker 1: from zero, and I knew Guy answered my prayer because

520
00:29:27,640 --> 00:29:30,640
Speaker 1: I wouldn't have I lost ship way too fast. It

521
00:29:30,760 --> 00:29:33,520
Speaker 1: was like a domino effect. I lost hundreds of thousands

522
00:29:33,560 --> 00:29:38,000
Speaker 1: of dollars. I lost businesses, car full full owned running

523
00:29:38,120 --> 00:29:41,680
Speaker 1: businesses that was doing well at the time, cars or

524
00:29:41,720 --> 00:29:44,080
Speaker 1: a type of ship. I knew Guy answered my prayer,

525
00:29:44,320 --> 00:29:46,200
Speaker 1: and it made me happy because I knew that was

526
00:29:46,280 --> 00:29:48,400
Speaker 1: just the first part of my prayer, because I asked

527
00:29:48,440 --> 00:29:50,040
Speaker 1: for it to have it the right way. And when

528
00:29:50,080 --> 00:29:51,959
Speaker 1: I lost all that ship, that was the happiest day

529
00:29:52,000 --> 00:29:54,280
Speaker 1: of my life in real life, you know what I'm saying.

530
00:29:54,360 --> 00:29:56,440
Speaker 1: So I knew it was trying to get it the

531
00:29:56,600 --> 00:29:58,400
Speaker 1: right way and do that ship, to do it the

532
00:29:58,440 --> 00:30:00,120
Speaker 1: way I wanted to do it. Do it in a

533
00:30:00,160 --> 00:30:01,680
Speaker 1: way that's gonna make me happy, Do it in a

534
00:30:01,720 --> 00:30:04,360
Speaker 1: way that's gonna make me appreciate it. Because I didn't

535
00:30:04,360 --> 00:30:07,000
Speaker 1: appreciate that money. I don't careful. It was too much

536
00:30:07,040 --> 00:30:08,719
Speaker 1: ship that came with it, you know what I mean.

537
00:30:08,840 --> 00:30:10,600
Speaker 1: And it wasn't even about the pressure. It was just

538
00:30:10,720 --> 00:30:13,560
Speaker 1: me being a nigger that I know how to think that. No, like, man,

539
00:30:13,600 --> 00:30:16,520
Speaker 1: I sink this ship a million times, I know where

540
00:30:16,560 --> 00:30:18,600
Speaker 1: I'm at it, I know where I'm about, I know

541
00:30:18,640 --> 00:30:20,600
Speaker 1: where I'm hit it. That was your first step to

542
00:30:20,680 --> 00:30:26,240
Speaker 1: doing it right. So you said you're starting over from scratch.

543
00:30:26,480 --> 00:30:29,560
Speaker 1: What was your first step? First step? First, I went

544
00:30:29,600 --> 00:30:31,360
Speaker 1: to the fairs. I had to go to jail when

545
00:30:31,400 --> 00:30:33,320
Speaker 1: I got when I'm saying, when you had you going

546
00:30:33,400 --> 00:30:36,200
Speaker 1: through the process. Once I lost that ship, it was over.

547
00:30:36,640 --> 00:30:39,040
Speaker 1: That was my first step was renewing from going back.

548
00:30:39,440 --> 00:30:41,840
Speaker 1: That's the first step. That's knowing when to quit. That's

549
00:30:41,880 --> 00:30:44,400
Speaker 1: a step in itself. That to be honest with you,

550
00:30:44,520 --> 00:30:47,160
Speaker 1: that's the that's the strongest part. That's that's where the

551
00:30:47,160 --> 00:30:50,160
Speaker 1: strength come in. Knowing when to quit that ship is hard.

552
00:30:50,720 --> 00:30:52,640
Speaker 1: That was my first step. I knew when it was time,

553
00:30:52,760 --> 00:30:54,680
Speaker 1: it was done. It was over with. You heard when

554
00:30:54,680 --> 00:30:56,360
Speaker 1: I lost all that ship, it was let me fight

555
00:30:56,480 --> 00:30:58,800
Speaker 1: this case. Do what I gotta do. I got a daughter,

556
00:30:58,880 --> 00:31:00,920
Speaker 1: I got a son on the way. Fuck this ship.

557
00:31:00,960 --> 00:31:03,080
Speaker 1: I'm gonna go sit down and do my time. Nigga,

558
00:31:03,120 --> 00:31:04,760
Speaker 1: My wife and my kids were living in the middle

559
00:31:04,800 --> 00:31:07,200
Speaker 1: of the hood with her grandparents. I ain't never told

560
00:31:07,240 --> 00:31:10,200
Speaker 1: nobody this story. Only people noticed is my immediate family

561
00:31:10,240 --> 00:31:13,200
Speaker 1: and my circle. I'm ice or Vezzo at the time. Man,

562
00:31:13,440 --> 00:31:17,800
Speaker 1: I'm the same nigga. Just had restaurants, car washes, five

563
00:31:17,880 --> 00:31:21,120
Speaker 1: six cars on rims, cribs, all this ship. I'm me

564
00:31:21,280 --> 00:31:24,280
Speaker 1: at this point, popping like a well known nigga. And

565
00:31:24,360 --> 00:31:27,240
Speaker 1: I was fucked up. Bro with a name, got songs

566
00:31:27,320 --> 00:31:30,520
Speaker 1: all this ship. You know, wife and kids in the

567
00:31:30,600 --> 00:31:32,479
Speaker 1: middle of the hood. Bro, You know what I mean,

568
00:31:32,680 --> 00:31:36,040
Speaker 1: Like nigga had to sit down, got back out, bro,

569
00:31:36,160 --> 00:31:38,920
Speaker 1: and I still rekneed gotta deal. That ship ain't do

570
00:31:39,040 --> 00:31:41,880
Speaker 1: nothing for me as far as financially, it did a

571
00:31:41,960 --> 00:31:44,000
Speaker 1: lot for me because I gained a lot of knowledge

572
00:31:44,320 --> 00:31:46,440
Speaker 1: and I had got a record deal by some good people,

573
00:31:46,760 --> 00:31:48,360
Speaker 1: you know what I mean. But ship, nig it just

574
00:31:48,840 --> 00:31:51,120
Speaker 1: stuck to that ship. Bro, When I tell you I

575
00:31:51,240 --> 00:31:54,160
Speaker 1: believe in myself, I really believe in myself. I didn't

576
00:31:54,200 --> 00:31:56,040
Speaker 1: even have I don't. I don't. I don't know the plan.

577
00:31:56,440 --> 00:31:57,920
Speaker 1: I just knew where I was gonna be, and I

578
00:31:58,000 --> 00:31:59,920
Speaker 1: knew where I wanted to go. And that ship came

579
00:32:00,080 --> 00:32:02,640
Speaker 1: to fruition. You know what I'm saying. I got everything

580
00:32:02,760 --> 00:32:05,120
Speaker 1: I ever lost, times ten, and I'm gonna hold on

581
00:32:05,280 --> 00:32:07,560
Speaker 1: to this ship because now I know how to have it.

582
00:32:08,080 --> 00:32:09,480
Speaker 1: You know what I mean. I know how to have

583
00:32:09,640 --> 00:32:12,000
Speaker 1: something I know. I know how to be a nigga

584
00:32:12,040 --> 00:32:13,680
Speaker 1: with money, bro, I know how to I know how

585
00:32:13,760 --> 00:32:15,400
Speaker 1: to handle this ship. I know how to stay humble.

586
00:32:15,600 --> 00:32:18,000
Speaker 1: I know how to respect other people. I know how

587
00:32:18,080 --> 00:32:20,760
Speaker 1: not to crash out, how not to think too much

588
00:32:20,800 --> 00:32:23,080
Speaker 1: of myself and jump on that high hors. You know

589
00:32:23,080 --> 00:32:25,160
Speaker 1: what I'm saying. Not let that money make me tweak out.

590
00:32:25,440 --> 00:32:27,280
Speaker 1: I know how to had all this ship, you know

591
00:32:27,320 --> 00:32:30,800
Speaker 1: what I mean? So go back to initial uh question.

592
00:32:30,920 --> 00:32:33,800
Speaker 1: My first My first step was to renegue and not

593
00:32:33,960 --> 00:32:38,080
Speaker 1: go back telling you man this nigga here, Like when

594
00:32:38,120 --> 00:32:40,360
Speaker 1: I talked to him when we had the conversation, it

595
00:32:40,520 --> 00:32:42,880
Speaker 1: was just like you know, you we it's very rare.

596
00:32:42,920 --> 00:32:45,000
Speaker 1: We get the look in the mirror with perspective loads

597
00:32:45,040 --> 00:32:47,280
Speaker 1: like especially us, the way we think about you know,

598
00:32:47,400 --> 00:32:49,400
Speaker 1: me and this nigga, Like I told me and this

599
00:32:49,560 --> 00:32:52,320
Speaker 1: nigga for years when we ain't had nothing, nigga would

600
00:32:52,320 --> 00:32:55,880
Speaker 1: just ride around and just talk about this ship. You

601
00:32:55,960 --> 00:32:57,920
Speaker 1: know what I mean, ways and and and and and

602
00:32:58,560 --> 00:33:01,040
Speaker 1: and different type of methods we could do with what

603
00:33:01,200 --> 00:33:02,680
Speaker 1: we could do, but what we need to not do,

604
00:33:02,920 --> 00:33:05,360
Speaker 1: what we need to change before any of this ship.

605
00:33:05,560 --> 00:33:07,840
Speaker 1: So when you hear somebody talk about it from a

606
00:33:07,880 --> 00:33:10,400
Speaker 1: perspective of your like your perspective, it was just it

607
00:33:10,520 --> 00:33:13,440
Speaker 1: was refreshing to me because a lot of niggas that

608
00:33:13,560 --> 00:33:16,480
Speaker 1: come from the streets don't allow themselves to get to

609
00:33:16,560 --> 00:33:19,280
Speaker 1: that point because of the fear of what other people

610
00:33:19,320 --> 00:33:21,360
Speaker 1: are gonna say about And that's why I asked, what's

611
00:33:21,400 --> 00:33:24,040
Speaker 1: the first step? You think what I'm saying is it's

612
00:33:24,080 --> 00:33:27,680
Speaker 1: like it don't matter if he said he said the

613
00:33:28,040 --> 00:33:31,200
Speaker 1: niggas who were gonna here, you said, it's gonna spark something.

614
00:33:31,680 --> 00:33:33,200
Speaker 1: And you know what I'm saying, because it's people who

615
00:33:33,200 --> 00:33:35,720
Speaker 1: are standing right there, like ship, I'm ready to do

616
00:33:35,840 --> 00:33:39,760
Speaker 1: the ship now what I need to do? You think

617
00:33:39,840 --> 00:33:42,160
Speaker 1: what I'm saying, But you gotta but see when the

618
00:33:42,200 --> 00:33:44,440
Speaker 1: nigga asked, they set that question that go back to

619
00:33:44,520 --> 00:33:48,080
Speaker 1: what I said, that first step is normally reneg because

620
00:33:48,120 --> 00:33:50,400
Speaker 1: you gotta nigga that to ask that, to say that, like,

621
00:33:50,560 --> 00:33:52,680
Speaker 1: all right, I'm ready to go right now what I

622
00:33:52,800 --> 00:33:55,600
Speaker 1: need to do, and the nigga puts something in front

623
00:33:55,640 --> 00:33:57,760
Speaker 1: of them for a certain amount of money and nigga

624
00:33:57,760 --> 00:33:59,600
Speaker 1: to do it and not care what it is they're doing.

625
00:34:00,040 --> 00:34:02,200
Speaker 1: You gotta know how to renew. You gotta know how

626
00:34:02,240 --> 00:34:04,280
Speaker 1: to You know what I'm saying, funk that ship. Let

627
00:34:04,320 --> 00:34:06,360
Speaker 1: me figure it out. Let me find another way. That

628
00:34:06,440 --> 00:34:10,239
Speaker 1: ship is hard, bro, How that ship is hard? Hard man?

629
00:34:10,320 --> 00:34:11,960
Speaker 1: You know how hard it is, how your wife and

630
00:34:12,080 --> 00:34:13,799
Speaker 1: kids living in the middle with the hood. Bro, Why

631
00:34:13,800 --> 00:34:16,120
Speaker 1: are you in prison and you get out of prison?

632
00:34:16,200 --> 00:34:18,080
Speaker 1: Gotta figure this ship? You know how hard it is

633
00:34:18,480 --> 00:34:20,560
Speaker 1: not to go pick up a bag or go get

634
00:34:20,640 --> 00:34:22,960
Speaker 1: some real when you know you can, when you know

635
00:34:23,120 --> 00:34:25,480
Speaker 1: how good you is that this ship, how good? How

636
00:34:25,560 --> 00:34:28,520
Speaker 1: good you are just as equally talented as you is

637
00:34:28,600 --> 00:34:31,920
Speaker 1: with moving everything else with this ship. That ship is.

638
00:34:32,000 --> 00:34:34,120
Speaker 1: That ship is hard. Bro. Why I didn't go home

639
00:34:34,160 --> 00:34:36,759
Speaker 1: when I started doing comedy because I refused because it's like,

640
00:34:36,840 --> 00:34:38,880
Speaker 1: it's different when it's the people that care about you.

641
00:34:39,440 --> 00:34:41,520
Speaker 1: When it's strangers, you don't give a funk, But when

642
00:34:41,520 --> 00:34:43,800
Speaker 1: it's your mama, like nigga, you ain't eat again today,

643
00:34:44,360 --> 00:34:46,960
Speaker 1: like people know when people people won'ta treat you like

644
00:34:47,000 --> 00:34:49,120
Speaker 1: they used to seeing you. So when they see you

645
00:34:49,200 --> 00:34:51,120
Speaker 1: in a sense of you the nigga with all the

646
00:34:51,200 --> 00:34:53,360
Speaker 1: cause and all of this, and then you come and

647
00:34:53,440 --> 00:34:56,080
Speaker 1: you're doing something completely different, niggas like damn, and when

648
00:34:56,120 --> 00:34:58,279
Speaker 1: it's somebody that you know not being malicious and make

649
00:34:58,360 --> 00:35:00,919
Speaker 1: you say, man, why am I struggling when I ain't

650
00:35:00,960 --> 00:35:03,160
Speaker 1: gotta be like that ship difficult to do, man, So

651
00:35:03,320 --> 00:35:06,160
Speaker 1: salute to you from making that transition because now you

652
00:35:06,440 --> 00:35:08,759
Speaker 1: you you know, I watched the documentary you did when

653
00:35:08,800 --> 00:35:11,920
Speaker 1: you went back to a restaurant that you frequented on

654
00:35:12,040 --> 00:35:14,120
Speaker 1: the East Side and just talked about one of the

655
00:35:14,200 --> 00:35:17,040
Speaker 1: ladies that that showed you love, like speak about that

656
00:35:17,200 --> 00:35:19,560
Speaker 1: like the people that that did see the great that

657
00:35:19,640 --> 00:35:21,960
Speaker 1: saved you prid, Like did you have an abundance of

658
00:35:22,040 --> 00:35:25,160
Speaker 1: those people or or was it just a couple of

659
00:35:25,239 --> 00:35:27,400
Speaker 1: people that just spoke so much into you that you

660
00:35:27,440 --> 00:35:29,440
Speaker 1: didn't need a whole bunch of us. And you know,

661
00:35:29,840 --> 00:35:31,680
Speaker 1: I'm gonna be honest, it was a lot of people.

662
00:35:32,160 --> 00:35:34,720
Speaker 1: You know. Usually like when niggas get asked that question,

663
00:35:35,520 --> 00:35:38,960
Speaker 1: especially like rappers, like we got it bad. We're just saying, man,

664
00:35:39,080 --> 00:35:42,680
Speaker 1: they ain't did nothing for me. But when yeah, on

665
00:35:42,760 --> 00:35:46,160
Speaker 1: my own, for me, it wasn't like that, I had

666
00:35:46,160 --> 00:35:48,120
Speaker 1: a lot of support. I had a lot of people

667
00:35:48,200 --> 00:35:50,040
Speaker 1: that believed in me. You know, since I was a

668
00:35:50,120 --> 00:35:53,320
Speaker 1: shorty bro. Even my homeboy, my best friend Ghost like

669
00:35:53,640 --> 00:35:56,560
Speaker 1: when we was kids. Bro, he knew that he believed.

670
00:35:56,600 --> 00:35:59,080
Speaker 1: He knew that this ship happened for he knew it.

671
00:35:59,440 --> 00:36:02,000
Speaker 1: My big that j did he in here, he knew it.

672
00:36:02,440 --> 00:36:04,279
Speaker 1: You know what I'm saying. My my, my Mama, my

673
00:36:04,400 --> 00:36:07,560
Speaker 1: brother Rick, my nigga web Ball, like my nigga Little Jay,

674
00:36:07,640 --> 00:36:09,839
Speaker 1: like I had real support. We used to go half

675
00:36:09,880 --> 00:36:12,239
Speaker 1: for my mixtapes type ship like for real bro, like

676
00:36:12,560 --> 00:36:15,280
Speaker 1: them niggas don went broke to help me out, especially

677
00:36:15,360 --> 00:36:18,400
Speaker 1: Webball like that, man, I'm spent all his money on

678
00:36:18,600 --> 00:36:21,560
Speaker 1: my music and he rapped too, like he helped me

679
00:36:21,640 --> 00:36:24,520
Speaker 1: get in the studio before he did this ship for himself.

680
00:36:24,560 --> 00:36:26,799
Speaker 1: I had a lot of support, and that's another reason

681
00:36:26,880 --> 00:36:29,120
Speaker 1: why I was like, this ship gotta work because too

682
00:36:29,160 --> 00:36:31,799
Speaker 1: many people believe in me, you know what I mean?

683
00:36:32,400 --> 00:36:35,160
Speaker 1: At times, I felt like I felt like I ain't

684
00:36:35,160 --> 00:36:38,200
Speaker 1: deserve that type of belief because I knew, you know

685
00:36:38,960 --> 00:36:41,359
Speaker 1: where I was the path I was head down. It's

686
00:36:41,400 --> 00:36:43,400
Speaker 1: just like I don't deserve for y'all to believe in

687
00:36:44,000 --> 00:36:45,880
Speaker 1: you know what I mean? I just I felt like

688
00:36:45,920 --> 00:36:49,800
Speaker 1: I ain't deserve it. But now I understand my manager Chanel.

689
00:36:50,239 --> 00:36:54,759
Speaker 1: I met her two thousand and twelve. First I've heard.

690
00:36:54,880 --> 00:37:03,200
Speaker 1: She's amazing. She's amazing, man, that's a blessing that I

691
00:37:03,239 --> 00:37:05,080
Speaker 1: ain't gonna lie. Bro feel like I ain't deserve this.

692
00:37:05,520 --> 00:37:07,520
Speaker 1: Even my old lady from me and me and my

693
00:37:07,600 --> 00:37:10,720
Speaker 1: wife been together since we got and twelve and thirteen

694
00:37:10,800 --> 00:37:21,160
Speaker 1: years old Brood studio driving to gas How the current

695
00:37:21,200 --> 00:37:23,239
Speaker 1: sy no money to putting that bitch man like no,

696
00:37:23,360 --> 00:37:27,160
Speaker 1: I had a good support systems was kids and he

697
00:37:27,239 --> 00:37:30,880
Speaker 1: was kids were still. How do you speak to that?

698
00:37:31,400 --> 00:37:33,200
Speaker 1: How you keep that together with all of this ship

699
00:37:33,280 --> 00:37:35,600
Speaker 1: that come with the rapping and and all of that,

700
00:37:35,840 --> 00:37:37,200
Speaker 1: Like you know what I mean, Like, how do you

701
00:37:37,320 --> 00:37:40,759
Speaker 1: keep that together? Because that's a real ship, you know,

702
00:37:40,880 --> 00:37:43,080
Speaker 1: that's important for people to know. But the process, though,

703
00:37:43,200 --> 00:37:44,640
Speaker 1: is what I think a lot of people don't get

704
00:37:44,640 --> 00:37:47,640
Speaker 1: an insight into, Like how you stay together with all

705
00:37:47,760 --> 00:37:49,719
Speaker 1: the success and all of the stigma that comes with

706
00:37:49,800 --> 00:37:51,799
Speaker 1: being a nigger that got it? How do you stay

707
00:37:51,920 --> 00:37:55,040
Speaker 1: locked in throughout that process? How do you keep somebody

708
00:37:55,120 --> 00:37:56,719
Speaker 1: down with you when you gotta go to jail and

709
00:37:56,719 --> 00:37:58,160
Speaker 1: they gotta live in the middle of the hood. When

710
00:37:58,239 --> 00:38:00,000
Speaker 1: she knows she can go funk with the next nigger

711
00:38:00,000 --> 00:38:01,640
Speaker 1: that got it? You know what I mean, how do

712
00:38:01,719 --> 00:38:04,840
Speaker 1: you keep that in pocket? And they go back to

713
00:38:04,960 --> 00:38:08,680
Speaker 1: the mutual understanding? Like we respect each other, we understand

714
00:38:08,719 --> 00:38:11,120
Speaker 1: each other. This ship deeper than just like some love ship,

715
00:38:11,239 --> 00:38:13,839
Speaker 1: Like as my partner, you know what I'm saying, we're

716
00:38:13,880 --> 00:38:16,839
Speaker 1: fifty fifty on this ship. Like when I heard, she heard,

717
00:38:16,920 --> 00:38:19,239
Speaker 1: when she heard I heard, it's not even about no

718
00:38:19,480 --> 00:38:21,759
Speaker 1: love and no marriage and the relationship at that point,

719
00:38:21,840 --> 00:38:24,120
Speaker 1: Like we're far beyond that, you know what I'm saying.

720
00:38:24,160 --> 00:38:26,920
Speaker 1: We we life partners, Like that's really my dog, Like

721
00:38:27,040 --> 00:38:29,120
Speaker 1: we we hummies. You know what I'm saying. We haven't

722
00:38:29,200 --> 00:38:31,640
Speaker 1: been through so much ship bro, and ain't none of

723
00:38:31,719 --> 00:38:33,880
Speaker 1: that ship breakers. It's like at this point we just

724
00:38:34,040 --> 00:38:36,759
Speaker 1: locked in and the crazy thing. Even when the nigga

725
00:38:36,840 --> 00:38:38,759
Speaker 1: had got funked up and lost all that ship, we

726
00:38:38,840 --> 00:38:42,719
Speaker 1: were the happiest then. We're happy happy now. But I'm saying, like,

727
00:38:46,239 --> 00:38:48,000
Speaker 1: you know, when the nigga had all that paper and

728
00:38:48,040 --> 00:38:51,200
Speaker 1: ship like that, when I lost that cheese, we was

729
00:38:51,320 --> 00:38:54,760
Speaker 1: more happier then because even she she felt what I felt,

730
00:38:54,920 --> 00:38:56,880
Speaker 1: she knew it was, she knew it was coming, she

731
00:38:56,960 --> 00:38:59,640
Speaker 1: knew this ship, she knew what she seen it about

732
00:38:59,640 --> 00:39:01,600
Speaker 1: to turn up. You get you're gonna get rich, You're

733
00:39:01,600 --> 00:39:03,839
Speaker 1: gonna be rich, You're gonna be a millionaire. She used

734
00:39:03,840 --> 00:39:06,239
Speaker 1: to tell me that will not be frustrated. And I

735
00:39:06,320 --> 00:39:08,920
Speaker 1: had to do six months and an old I did

736
00:39:09,000 --> 00:39:10,560
Speaker 1: three months, got out for a week, and went back

737
00:39:10,600 --> 00:39:13,080
Speaker 1: for another three months. She came to see me that vision.

738
00:39:13,160 --> 00:39:16,200
Speaker 1: I'm mad as fun threw my wrap book away. I

739
00:39:16,239 --> 00:39:19,040
Speaker 1: gotta write my wraps on the fucking milk crk. I'm

740
00:39:19,120 --> 00:39:22,040
Speaker 1: mad venting to her, she like, what is you tripping forward?

741
00:39:22,200 --> 00:39:23,920
Speaker 1: You're about to be a millionaire. When we get out,

742
00:39:24,120 --> 00:39:25,840
Speaker 1: you're really about to be rich. I'm talking about with

743
00:39:25,880 --> 00:39:28,400
Speaker 1: no plan. She ain't got no plan. I ain't got

744
00:39:28,480 --> 00:39:30,800
Speaker 1: no plan. She just knew it. You're so are we

745
00:39:30,960 --> 00:39:33,040
Speaker 1: locked in? Like that's my that's my dog at this

746
00:39:33,160 --> 00:39:37,600
Speaker 1: point that she's like, you know, I mean, that's that's

747
00:39:37,680 --> 00:39:43,279
Speaker 1: beautiful man like. So so you know q C, why them? Yeah?

748
00:39:43,480 --> 00:39:45,960
Speaker 1: Fun with Pete pe solid bro like and coach k

749
00:39:46,200 --> 00:39:49,200
Speaker 1: like they hold system the whole team and Pete been

750
00:39:49,280 --> 00:39:52,480
Speaker 1: rotating for like two years before I even signed with him.

751
00:39:52,480 --> 00:39:54,879
Speaker 1: And Ship we've just been building, getting to know each

752
00:39:54,920 --> 00:39:57,040
Speaker 1: other and like we we got a lot in coming.

753
00:39:57,440 --> 00:40:00,080
Speaker 1: His mentality, his come up, you know the way you

754
00:40:00,200 --> 00:40:02,680
Speaker 1: see Ship. And you know as far as like with QC,

755
00:40:03,160 --> 00:40:05,319
Speaker 1: they don't they let the artists be artists. They let

756
00:40:05,400 --> 00:40:07,320
Speaker 1: the artists work, like you know, you go to a

757
00:40:07,400 --> 00:40:10,160
Speaker 1: lot of labels and they yelled that creative control Ship

758
00:40:10,400 --> 00:40:12,000
Speaker 1: as soon as you signed them down in line and

759
00:40:12,000 --> 00:40:13,719
Speaker 1: then you can't drop no music and none of that.

760
00:40:13,880 --> 00:40:17,080
Speaker 1: Like it ain't even know discussion with QC. Listen, it's

761
00:40:17,120 --> 00:40:19,680
Speaker 1: coming out Friday, alright, cool, it's running you know what

762
00:40:19,680 --> 00:40:22,400
Speaker 1: I mean, ain't no business, ain't no business better than

763
00:40:22,480 --> 00:40:24,680
Speaker 1: that kind of business. When they go back to the

764
00:40:24,800 --> 00:40:28,279
Speaker 1: initial thing, that mutual understand that ship is important to

765
00:40:28,320 --> 00:40:31,920
Speaker 1: anything you do, any relationship, any bids and shift, any friendship.

766
00:40:32,040 --> 00:40:35,000
Speaker 1: You gotta be an understanding, gotta be you gotta have

767
00:40:35,080 --> 00:40:38,279
Speaker 1: an understand I don't wan't know love. I won't understanding

768
00:40:39,160 --> 00:40:44,919
Speaker 1: and understand each other all the way now, like being

769
00:40:45,040 --> 00:40:47,920
Speaker 1: from Detroit and then you know, signing to an Atlanta label.

770
00:40:48,360 --> 00:40:49,480
Speaker 1: You know what I mean. You get a lot of

771
00:40:49,520 --> 00:40:52,279
Speaker 1: people who who say, man, what ship? Why not keep

772
00:40:52,320 --> 00:40:55,000
Speaker 1: it all the way in in in in pocketing at

773
00:40:55,040 --> 00:40:57,360
Speaker 1: the crib and why not just you know, do it

774
00:40:57,480 --> 00:41:00,440
Speaker 1: dead and then y'all create your own conglomeratespe to why

775
00:41:00,800 --> 00:41:03,320
Speaker 1: you gotta have an understanding that it's it's cool to

776
00:41:04,360 --> 00:41:08,680
Speaker 1: vent you out you know, bigger picture, bro, When when

777
00:41:08,719 --> 00:41:11,160
Speaker 1: you gotta play some ship, just be the first step.

778
00:41:11,280 --> 00:41:13,480
Speaker 1: This is just the first step. Like I say, you know,

779
00:41:13,640 --> 00:41:16,839
Speaker 1: I'm putting myself on the line. I'm risking my own music,

780
00:41:16,920 --> 00:41:20,160
Speaker 1: I'm risking my own contractual freedom. You know what I

781
00:41:20,280 --> 00:41:22,480
Speaker 1: mean to make money and be in a position, so

782
00:41:22,680 --> 00:41:25,680
Speaker 1: I can't take that back back to Detroit. Not can't.

783
00:41:25,960 --> 00:41:28,560
Speaker 1: I am I'm doing that now. I'm bringing that back

784
00:41:28,640 --> 00:41:30,920
Speaker 1: back to Detroit, and I'm investing in other I got

785
00:41:31,000 --> 00:41:34,319
Speaker 1: an artists with me right now, sbr ps Nagavano here

786
00:41:34,320 --> 00:41:37,239
Speaker 1: at Milly, Like we're really bringing that bag back home,

787
00:41:37,480 --> 00:41:40,560
Speaker 1: back ice the records, back to Detroit, Michigan. You know

788
00:41:40,600 --> 00:41:42,719
Speaker 1: what I'm saying. So it's just like, you know, it's

789
00:41:42,760 --> 00:41:45,120
Speaker 1: just a process. Can't You can't do nothing by yourself.

790
00:41:45,440 --> 00:41:47,200
Speaker 1: If you got it in your mind that you're about

791
00:41:47,239 --> 00:41:49,360
Speaker 1: to make some ship work, and it's just you you

792
00:41:49,440 --> 00:41:51,560
Speaker 1: watch you watch your mind. You lost it. You don't

793
00:41:51,560 --> 00:41:53,600
Speaker 1: work like that, you know what I'm saying. So it's

794
00:41:53,640 --> 00:41:55,759
Speaker 1: just one of these situations where it's like, all right, fun,

795
00:41:55,960 --> 00:41:58,120
Speaker 1: let me strap my nuts song, let me go lock

796
00:41:58,239 --> 00:42:00,600
Speaker 1: myself in some type agreement, run it up, and I'm

797
00:42:00,600 --> 00:42:02,759
Speaker 1: gonna bring it back home. That's all I'm doing all

798
00:42:02,800 --> 00:42:09,680
Speaker 1: the way. And speaking of I want to talk to

799
00:42:09,760 --> 00:42:13,600
Speaker 1: the music, that actual music, like you know, Detroit got

800
00:42:13,719 --> 00:42:16,840
Speaker 1: a you know, a unique sound as far as the

801
00:42:16,960 --> 00:42:19,680
Speaker 1: music side. But the word play like somebody like you

802
00:42:19,960 --> 00:42:22,440
Speaker 1: pay roll, you know, all the niggas that speak that

803
00:42:22,640 --> 00:42:26,279
Speaker 1: that that hustler talk, like that motivational ship game that

804
00:42:26,480 --> 00:42:28,800
Speaker 1: good game that that's really teaching the niggat how to

805
00:42:28,880 --> 00:42:31,920
Speaker 1: do it and not just glorifying would come with the

806
00:42:32,000 --> 00:42:34,200
Speaker 1: good part, but also explain it to you, nigga, You're

807
00:42:34,200 --> 00:42:36,920
Speaker 1: going to jail. You know what I'm saying all of that, Like,

808
00:42:38,000 --> 00:42:40,239
Speaker 1: did you is that a Detroit thing or is that

809
00:42:40,440 --> 00:42:42,920
Speaker 1: just a thing that just happens to you know, come

810
00:42:43,040 --> 00:42:51,520
Speaker 1: from you personally? What was check checking? Yeah? I asked

811
00:42:51,560 --> 00:42:54,160
Speaker 1: about just the message and the music. You know, I

812
00:42:54,280 --> 00:42:58,200
Speaker 1: was talking about niggas like Payroll and yourself and pee

813
00:42:58,239 --> 00:42:59,919
Speaker 1: all y'all. You know what I'm saying, all the whole

814
00:43:00,000 --> 00:43:03,680
Speaker 1: Detroit baby face all, y'all speak a certain level of

815
00:43:03,840 --> 00:43:06,239
Speaker 1: music that on a certain level of game and the

816
00:43:06,360 --> 00:43:08,440
Speaker 1: music that I think is kind of non existent now

817
00:43:08,960 --> 00:43:11,880
Speaker 1: across the board. Everybody just partying and popping peels and

818
00:43:12,440 --> 00:43:14,800
Speaker 1: you know, sipping lean and all that ship cool. But

819
00:43:14,880 --> 00:43:16,799
Speaker 1: y'all got a deeper message in the music that really

820
00:43:16,800 --> 00:43:19,520
Speaker 1: teaching nigga how to go get something for itself. I said,

821
00:43:19,600 --> 00:43:21,480
Speaker 1: is that a Detroit thing or is that just something

822
00:43:21,560 --> 00:43:25,400
Speaker 1: that you personally just happy? I just think that's more

823
00:43:25,440 --> 00:43:29,440
Speaker 1: of a a nigga being responsible, Like I know for

824
00:43:29,560 --> 00:43:32,560
Speaker 1: a fact, like like as far as everybody name, we

825
00:43:32,760 --> 00:43:35,880
Speaker 1: all understand our road we play, you know what I

826
00:43:35,960 --> 00:43:38,960
Speaker 1: mean with just like the influence on on the young

827
00:43:39,040 --> 00:43:43,040
Speaker 1: niggas and and you know how rap can influence other

828
00:43:43,120 --> 00:43:46,920
Speaker 1: people sometimes, I think we just we all understand that.

829
00:43:47,080 --> 00:43:49,799
Speaker 1: So it's important that niggas throw that message out there

830
00:43:49,840 --> 00:43:51,880
Speaker 1: and let it. Nigga know, like you know, ain't know

831
00:43:52,000 --> 00:43:54,160
Speaker 1: any resorts to this ship. This ship. It might be

832
00:43:54,320 --> 00:43:56,640
Speaker 1: fun on one track and the next trick is like, yeah,

833
00:43:57,320 --> 00:43:59,759
Speaker 1: this was gonna happen, you know, playing the games moving

834
00:44:00,360 --> 00:44:02,960
Speaker 1: like that, Like we just all understand that. And we've

835
00:44:03,000 --> 00:44:05,040
Speaker 1: been through that ship. Nigs really from that ship, we

836
00:44:05,160 --> 00:44:08,400
Speaker 1: sink that ship, and I came up off of that

837
00:44:08,520 --> 00:44:11,000
Speaker 1: type of music, like what niggas like Big Hurt, Like

838
00:44:11,400 --> 00:44:14,320
Speaker 1: Big Hurt was a reality rapper. Dude, he front Detroit

839
00:44:14,440 --> 00:44:16,520
Speaker 1: to the alleged he fired. You know what I'm saying.

840
00:44:16,600 --> 00:44:19,920
Speaker 1: Homes make club music, make street music, but most and

841
00:44:20,000 --> 00:44:22,600
Speaker 1: foremost he was a reality rapper. Like he spoke on

842
00:44:22,680 --> 00:44:25,480
Speaker 1: the street ship, but he ain't only glorified that ship.

843
00:44:25,840 --> 00:44:28,279
Speaker 1: He spoke on what came from that ship, and he

844
00:44:28,520 --> 00:44:31,600
Speaker 1: influenced my music. You know, as a young nigger, you

845
00:44:31,600 --> 00:44:33,360
Speaker 1: know what I'm saying, so I just thought it was

846
00:44:33,400 --> 00:44:36,799
Speaker 1: important that sometimes I do the same. I gotta ask

847
00:44:36,840 --> 00:44:40,200
Speaker 1: you this, though you're talking about Lane, you know, you're

848
00:44:40,200 --> 00:44:44,319
Speaker 1: talking about Detroit and hood ship, but now this ship

849
00:44:44,520 --> 00:44:46,840
Speaker 1: is just global, like and I know you hear this

850
00:44:46,920 --> 00:44:49,160
Speaker 1: ship from other countries where they got their kind of

851
00:44:49,360 --> 00:44:53,480
Speaker 1: version of like ship. That's almost like some ship that

852
00:44:53,600 --> 00:44:55,879
Speaker 1: reminds you of some ship. But it's like you could

853
00:44:55,920 --> 00:44:58,200
Speaker 1: tell the ship that they heard that, you know, made

854
00:44:58,280 --> 00:45:00,840
Speaker 1: them make this ship. It's kind of like the you know,

855
00:45:00,920 --> 00:45:07,359
Speaker 1: the language. Basically, it's like a whole little genreal music

856
00:45:07,440 --> 00:45:10,320
Speaker 1: and ship. I know, you see like different subcultures of

857
00:45:10,440 --> 00:45:13,279
Speaker 1: music popping up around the world, just not for show.

858
00:45:13,680 --> 00:45:15,960
Speaker 1: But you know what, Brian ain't gonna lie. Just need

859
00:45:16,040 --> 00:45:19,200
Speaker 1: that ship, like I see it, like niggas just helping

860
00:45:19,280 --> 00:45:22,840
Speaker 1: push that sounds, helping push that agenda. That's it important,

861
00:45:23,120 --> 00:45:25,960
Speaker 1: you know what I'm saying. The motive marrier. You know,

862
00:45:26,239 --> 00:45:28,840
Speaker 1: it could be just us, but if it's us and

863
00:45:29,040 --> 00:45:31,560
Speaker 1: niggas from outside of his motherfucker, that ship gonna go

864
00:45:32,080 --> 00:45:35,560
Speaker 1: even faster. Yeah, I mean, I do be hearing some

865
00:45:35,719 --> 00:45:40,120
Speaker 1: generic ship. So I'm like Brian, and I'll be like, man,

866
00:45:40,160 --> 00:45:42,960
Speaker 1: what the funk is this? Like, especially like the beats,

867
00:45:43,040 --> 00:45:45,800
Speaker 1: but sometimes some of them niggas be going crazy. That

868
00:45:45,880 --> 00:45:48,600
Speaker 1: should be hard as fun. Man. Detroit culture, Man, like

869
00:45:48,800 --> 00:45:53,640
Speaker 1: the culture. It's something. I'm glad y'all guess that. Man. Yeah,

870
00:45:53,640 --> 00:45:57,440
Speaker 1: I'm glad y'all get recognition for now. But like you know,

871
00:45:57,760 --> 00:46:01,560
Speaker 1: just I just give an example CARDI frames like buffs,

872
00:46:02,040 --> 00:46:04,879
Speaker 1: but the stones and the glasses and all that ship

873
00:46:05,000 --> 00:46:08,719
Speaker 1: that comes from out of Detroit, Michigan hands down. So

874
00:46:09,280 --> 00:46:12,000
Speaker 1: like now that you see that, this is y'all getting

875
00:46:12,000 --> 00:46:14,120
Speaker 1: the credit, do it feel good or did you you know?

876
00:46:14,280 --> 00:46:15,919
Speaker 1: Do it? Is it? Like I knew it was coming

877
00:46:16,000 --> 00:46:18,120
Speaker 1: with just a man, Hell yeah, that's it. When that

878
00:46:18,200 --> 00:46:21,560
Speaker 1: ship feels good, Like I ain't see bus blowing up

879
00:46:21,680 --> 00:46:23,759
Speaker 1: like that. I'm not gonna lie like because for a

880
00:46:23,840 --> 00:46:31,239
Speaker 1: lot of time and it was so straight up and

881
00:46:31,320 --> 00:46:34,480
Speaker 1: the nis really used to die for them. I ain't

882
00:46:34,480 --> 00:46:38,480
Speaker 1: got my first My first case was an ribery for

883
00:46:38,640 --> 00:46:41,560
Speaker 1: snatching the nigga bus bro when I was a kid, bro,

884
00:46:41,800 --> 00:46:44,920
Speaker 1: sixteen years old. Bro. That ship was that serious down

885
00:46:45,000 --> 00:46:48,640
Speaker 1: that one. But like, yeah, niggas ain't used to understand

886
00:46:48,719 --> 00:46:51,280
Speaker 1: that ship, like why we were so infactuated with them buches,

887
00:46:51,360 --> 00:46:54,400
Speaker 1: so I ain't see it blowing up like that. That's harder.

888
00:46:54,719 --> 00:46:57,960
Speaker 1: I mean. And the jewelry, like you know, the jewelry

889
00:46:58,040 --> 00:47:00,799
Speaker 1: out of Detroit, like you know, some piece to hunt,

890
00:47:01,080 --> 00:47:03,560
Speaker 1: like you know what I'm saying, Like that you put me,

891
00:47:03,800 --> 00:47:06,680
Speaker 1: you know, order that like not necessarily put me on

892
00:47:06,760 --> 00:47:09,239
Speaker 1: to it, but plug me in with when I went

893
00:47:09,320 --> 00:47:11,239
Speaker 1: in and say ice wear, then it was like, oh

894
00:47:11,640 --> 00:47:14,279
Speaker 1: with ice coming around the corner, man show you something.

895
00:47:14,320 --> 00:47:17,279
Speaker 1: You must must be all right, But like like the

896
00:47:17,400 --> 00:47:20,400
Speaker 1: creativity and the pieces like where that comes from, you

897
00:47:20,440 --> 00:47:22,239
Speaker 1: know what I'm saying. Because it's one thing that had

898
00:47:22,280 --> 00:47:24,000
Speaker 1: the money to get some ship. But you haven't seen

899
00:47:24,040 --> 00:47:26,640
Speaker 1: some niggers that got some diamonds that you'd be like, man,

900
00:47:26,680 --> 00:47:28,960
Speaker 1: you could have left that ship at the jeweler. But

901
00:47:29,600 --> 00:47:33,040
Speaker 1: I don't think everybody ship is supposed to be good. Man.

902
00:47:33,080 --> 00:47:35,560
Speaker 1: That's an important Detroit And they gotta had the right

903
00:47:35,680 --> 00:47:38,640
Speaker 1: diamonds like that the kid you got, Yeah you gotta.

904
00:47:39,480 --> 00:47:42,120
Speaker 1: It's just just an interpretation. Yeah, they gotta have that

905
00:47:42,239 --> 00:47:45,680
Speaker 1: ship on though, like they can't have the motherfucker size

906
00:47:45,800 --> 00:47:48,680
Speaker 1: and lab diamonds. That ship got to be here that's

907
00:47:48,719 --> 00:47:53,479
Speaker 1: what Detroit eyeball your ship like, oh yeah, you gotta

908
00:47:53,520 --> 00:47:55,520
Speaker 1: get that ship. Now, you gotta put it in the

909
00:47:55,640 --> 00:48:04,279
Speaker 1: brains on the lab put pick any But I mean,

910
00:48:04,360 --> 00:48:06,480
Speaker 1: like you you take that ship serious, like it's a

911
00:48:06,560 --> 00:48:08,360
Speaker 1: real thing, not and it's and it's bigger than I

912
00:48:08,440 --> 00:48:10,200
Speaker 1: could tell. He's bigger than the money. I shared this

913
00:48:10,239 --> 00:48:12,720
Speaker 1: story and we were shooting, you're one of your pieces

914
00:48:12,800 --> 00:48:15,080
Speaker 1: had broke and you had the jeweler that made the

915
00:48:15,120 --> 00:48:19,400
Speaker 1: ship come up there damn that remember everything. Yeah, but

916
00:48:19,600 --> 00:48:21,080
Speaker 1: he was like, and I've seen the way he was

917
00:48:21,120 --> 00:48:22,840
Speaker 1: talking to him. It wasn't like no fuss. It was

918
00:48:22,920 --> 00:48:26,279
Speaker 1: like listen, man, this and he talking like he made

919
00:48:26,320 --> 00:48:28,719
Speaker 1: the motherfucker. I was like, I need to get with him,

920
00:48:28,719 --> 00:48:31,800
Speaker 1: make my ship. I didn't even know the ask question,

921
00:48:32,120 --> 00:48:33,680
Speaker 1: So how do you get that in depth with it?

922
00:48:33,840 --> 00:48:35,799
Speaker 1: Is that's something that you just come from over time

923
00:48:35,840 --> 00:48:38,440
Speaker 1: and buying jewelry or did you just you know that

924
00:48:38,480 --> 00:48:40,320
Speaker 1: you say, funk that I'm spending my money on this

925
00:48:41,560 --> 00:48:45,880
Speaker 1: being cheap, I'm spending my money every I need to

926
00:48:46,000 --> 00:48:51,279
Speaker 1: know the ends and house all this ship. You want

927
00:48:51,320 --> 00:48:56,560
Speaker 1: to know everything, man, put a little book out and

928
00:48:56,800 --> 00:48:58,960
Speaker 1: read the whole little book and let me put as

929
00:48:59,000 --> 00:49:01,719
Speaker 1: a certification the g I A. I need all that

930
00:49:02,280 --> 00:49:07,800
Speaker 1: fact foiling, you know what I mean? Like not I

931
00:49:07,880 --> 00:49:10,080
Speaker 1: only wear at home? You only wear that good ship

932
00:49:10,120 --> 00:49:12,680
Speaker 1: at home? Yeah, I mean I you know, I pull

933
00:49:12,719 --> 00:49:14,960
Speaker 1: it out when I worked. But you know it's so crazy, bro,

934
00:49:15,040 --> 00:49:17,040
Speaker 1: I ain't gonna lie, ain't wrap. I wouldn't even be

935
00:49:17,120 --> 00:49:19,440
Speaker 1: buying this ship for it. This ship is just like

936
00:49:19,680 --> 00:49:22,920
Speaker 1: I play a watch chain. You know what I'm saying.

937
00:49:23,080 --> 00:49:25,760
Speaker 1: I ain't all that at five six chang man funk

938
00:49:25,840 --> 00:49:28,680
Speaker 1: that s boy? Fine wrap like I just don't care.

939
00:49:29,120 --> 00:49:34,200
Speaker 1: I come one rolling, you know what I'm saying? Pressure? Yeah, man,

940
00:49:34,320 --> 00:49:40,400
Speaker 1: this ship is frivolous. Brother. I used to honestly this

941
00:49:40,600 --> 00:49:44,320
Speaker 1: nig I used to love this ship. I was. I

942
00:49:44,520 --> 00:49:48,120
Speaker 1: used to be infatuated by this ship, but not just like, man,

943
00:49:48,200 --> 00:49:51,279
Speaker 1: what the funk? Bro? They got on three hundreds? Bro,

944
00:49:51,320 --> 00:49:53,840
Speaker 1: I don't spent four hundred thousand on jury. Bro, you

945
00:49:53,920 --> 00:49:57,480
Speaker 1: know fucking stupid. That sounds to a to a motherfucker.

946
00:49:57,560 --> 00:49:59,759
Speaker 1: That's a bill there with no jury. You know what

947
00:49:59,800 --> 00:50:02,440
Speaker 1: I'm ain't like four hunting rack Man ship is just frivolous.

948
00:50:02,640 --> 00:50:05,120
Speaker 1: I wouldn't wear that ship if I answer with it's

949
00:50:05,160 --> 00:50:09,719
Speaker 1: all gangster, you know what I'm saying. It's all I

950
00:50:09,840 --> 00:50:13,560
Speaker 1: mean for me, it's just like you know, we come

951
00:50:13,600 --> 00:50:15,120
Speaker 1: from a place where we don't get to get you

952
00:50:15,480 --> 00:50:17,000
Speaker 1: ship a lot, you know what i mean. So the

953
00:50:17,080 --> 00:50:19,359
Speaker 1: more shiny ship you can get weird. You know its

954
00:50:19,440 --> 00:50:22,200
Speaker 1: value does because you know them just shipped. At the

955
00:50:22,280 --> 00:50:24,360
Speaker 1: end of the day, that ship ours anyway, them diamonds

956
00:50:24,400 --> 00:50:26,760
Speaker 1: and ship comes out of come from. So we should

957
00:50:26,760 --> 00:50:29,000
Speaker 1: be able to shock a Zulu and them niggas ain't

958
00:50:29,040 --> 00:50:31,600
Speaker 1: say it was the ship. That ship definitely able to

959
00:50:31,680 --> 00:50:33,920
Speaker 1: go get that ship out of the backyard, Nigga. That

960
00:50:34,040 --> 00:50:36,760
Speaker 1: was the only difference. Now that ship definitely a trophy.

961
00:50:36,800 --> 00:50:39,319
Speaker 1: But I just play like I wouldn't have as much

962
00:50:39,440 --> 00:50:41,759
Speaker 1: jury as I got though, you know what I'm saying,

963
00:50:41,880 --> 00:50:44,440
Speaker 1: I keep it cool. Somebody who's shipped that you have

964
00:50:44,560 --> 00:50:48,040
Speaker 1: seen him and like Nigga, I'm dad that Nigga got

965
00:50:48,120 --> 00:50:51,640
Speaker 1: some of the best ice in the wrap. Man got

966
00:50:51,719 --> 00:50:54,680
Speaker 1: the best some of the best jury. That Nigga ship.

967
00:50:54,800 --> 00:50:58,560
Speaker 1: We turned its ship crazy. I ain't gonna lie. I

968
00:50:58,680 --> 00:51:00,719
Speaker 1: stopped Bart with his heart. You to be that Nigga

969
00:51:00,800 --> 00:51:02,640
Speaker 1: been doing it. I'm talking about the ship he got

970
00:51:02,760 --> 00:51:07,200
Speaker 1: not Yeah, no, he didn't have that with the blunt

971
00:51:07,320 --> 00:51:11,520
Speaker 1: nigga that niggas used to have a colorful diamonds for real,

972
00:51:11,640 --> 00:51:13,880
Speaker 1: what you look back at that it's your jewelry for

973
00:51:14,640 --> 00:51:20,960
Speaker 1: Jane used to be nineties six inches all the way

974
00:51:21,040 --> 00:51:29,040
Speaker 1: down here camera on the nigger. That the ankle. Now,

975
00:51:29,080 --> 00:51:31,920
Speaker 1: we used to be tweaking with the with the clothes

976
00:51:32,000 --> 00:51:34,120
Speaker 1: and ship back then, bro, that ship kind of coming

977
00:51:34,120 --> 00:51:36,799
Speaker 1: back in though, Man, I know my fucking tar edit

978
00:51:36,840 --> 00:51:39,520
Speaker 1: the baggy ship. Bro, we used to wear. Niggas used

979
00:51:39,520 --> 00:51:42,680
Speaker 1: to wear tar teeth and you've seen that short fut

980
00:51:42,760 --> 00:51:47,239
Speaker 1: out Nah nigga, everybody looked like Milton Man used to

981
00:51:47,320 --> 00:51:51,480
Speaker 1: wear teeth and clearing force ones man, the funds we

982
00:51:52,239 --> 00:51:53,800
Speaker 1: oh yeah, but the niggas that used to wear the

983
00:51:53,840 --> 00:51:56,520
Speaker 1: clear forces with no socks and falking on their side,

984
00:51:56,520 --> 00:52:01,640
Speaker 1: and niggas had no clear was I just tried to

985
00:52:01,760 --> 00:52:06,120
Speaker 1: drop the LANs somewhere. I'm just I'm just saying just

986
00:52:06,280 --> 00:52:09,000
Speaker 1: the coature over. Yeah, I never had the clear Force,

987
00:52:09,200 --> 00:52:11,759
Speaker 1: but I definitely had some Jay's with SpongeBob on the

988
00:52:11,840 --> 00:52:16,400
Speaker 1: side of definitely had the bullshit Jay's and most bullshit

989
00:52:16,560 --> 00:52:20,600
Speaker 1: James I ever had was the one with Barack Obama on. Yeah,

990
00:52:21,600 --> 00:52:32,760
Speaker 1: I was too excited number for real, But I actually

991
00:52:32,800 --> 00:52:35,239
Speaker 1: have them. They just had that ship Blessia putting our

992
00:52:35,440 --> 00:52:39,319
Speaker 1: biggest fuck me. You see that ships be drowning that ship.

993
00:52:40,000 --> 00:52:44,880
Speaker 1: That's what me what French for the biggest fuck. I'm

994
00:52:44,880 --> 00:52:50,799
Speaker 1: gonna take your words. I just made that up. Yeah,

995
00:52:50,880 --> 00:52:56,160
Speaker 1: I'm like tweaking. So man, I gotta ask you all

996
00:52:56,239 --> 00:52:58,680
Speaker 1: your projects, which one you think is the most meaningful

997
00:52:58,719 --> 00:53:01,719
Speaker 1: to your career? If we had to pick one, Clarity Too,

998
00:53:02,560 --> 00:53:06,760
Speaker 1: Yeah that's the biggest. That's the biggest one. Uh. Ain't

999
00:53:06,800 --> 00:53:09,920
Speaker 1: nothing ever mean more than Cleary Too. For me, that's

1000
00:53:09,960 --> 00:53:11,960
Speaker 1: the one that turned me up. That's when I blew

1001
00:53:12,040 --> 00:53:14,200
Speaker 1: up on you know what I mean, bro, I dropped

1002
00:53:14,239 --> 00:53:16,600
Speaker 1: that bitch right. I put well, not not the whole tape,

1003
00:53:16,640 --> 00:53:18,920
Speaker 1: but I put like most of the songs out. I

1004
00:53:19,040 --> 00:53:21,160
Speaker 1: had to do a big back then put that ship out,

1005
00:53:21,560 --> 00:53:24,120
Speaker 1: turned myself in there. I'm in jail, a regular nick.

1006
00:53:24,160 --> 00:53:26,800
Speaker 1: I'm in the bullpin norm within the bitch. I go

1007
00:53:26,960 --> 00:53:30,799
Speaker 1: to the to my rock. I'm in that bitch, normal man. Gradually,

1008
00:53:30,880 --> 00:53:34,400
Speaker 1: over months, Niggers just got popular in prison, like everybody

1009
00:53:34,880 --> 00:53:37,080
Speaker 1: every nig in the prison just knew me and my

1010
00:53:37,239 --> 00:53:39,960
Speaker 1: girl at the time, just letting me know, like your

1011
00:53:40,000 --> 00:53:42,480
Speaker 1: ship turned out here like you were a big artist.

1012
00:53:42,800 --> 00:53:44,840
Speaker 1: And it was because of clarity too, was the songs

1013
00:53:44,880 --> 00:53:47,040
Speaker 1: on that ship. When I got out, I dropped it.

1014
00:53:47,120 --> 00:53:49,400
Speaker 1: I dropped the whole tape. Man ship just been up

1015
00:53:49,480 --> 00:53:51,840
Speaker 1: since then for me as far as like in Detroit,

1016
00:53:51,960 --> 00:53:54,279
Speaker 1: like that ship really put me up, like all the way.

1017
00:53:54,360 --> 00:53:59,879
Speaker 1: U that's hard, all right, if you're stupid too, well,

1018
00:54:00,360 --> 00:54:02,840
Speaker 1: that's one of my favorite clergy too. Now you know

1019
00:54:03,440 --> 00:54:06,520
Speaker 1: what's in the slash that damn he took that thought

1020
00:54:06,520 --> 00:54:10,000
Speaker 1: out my birst. As far as music whatever, the music

1021
00:54:10,239 --> 00:54:13,160
Speaker 1: media ship. I gotta, I gotta movie about to drop

1022
00:54:13,320 --> 00:54:16,080
Speaker 1: November twenty three. We're gonna do it at Imagining Theater,

1023
00:54:16,920 --> 00:54:25,600
Speaker 1: Local executive executive produced that motherfucker co writ I wrote

1024
00:54:25,680 --> 00:54:27,920
Speaker 1: the whole movie, but my man's Comar Smith did the

1025
00:54:27,960 --> 00:54:30,600
Speaker 1: script for me. You know what I'm saying, And I'm

1026
00:54:30,680 --> 00:54:34,360
Speaker 1: acting in that Motherfucker's dropping November twenty three, imagin Theaters,

1027
00:54:34,680 --> 00:54:39,120
Speaker 1: Wor Michigan. Then we're gonna stream it in December. Tag

1028
00:54:39,680 --> 00:54:42,319
Speaker 1: it's about It's like a Detroit up to date New

1029
00:54:42,440 --> 00:54:45,400
Speaker 1: Jersey Drive just with with our little twist on it.

1030
00:54:45,400 --> 00:54:50,040
Speaker 1: You know what I'm saying, It's it's car tag because

1031
00:54:50,200 --> 00:54:52,600
Speaker 1: you know Nigga's Carl that when you retag your car

1032
00:54:52,680 --> 00:54:55,640
Speaker 1: and resell it. So the movie fire that bitch who

1033
00:54:56,239 --> 00:55:03,800
Speaker 1: said back the the face. I got a Gangster girls

1034
00:55:03,880 --> 00:55:11,360
Speaker 1: dropping December eight Me and DJ Dramma. Oh is that

1035
00:55:11,640 --> 00:55:13,520
Speaker 1: was that something that you wanted to do with, something

1036
00:55:13,560 --> 00:55:14,960
Speaker 1: that they wanted you to do that was on my

1037
00:55:15,040 --> 00:55:18,640
Speaker 1: bucket list? Yeah? At this point that's some historic like

1038
00:55:18,760 --> 00:55:22,800
Speaker 1: when you're stamping the game that DJ Dramma that that

1039
00:55:22,960 --> 00:55:25,920
Speaker 1: gainst the Grills. Yeah, man, like like do you feel like,

1040
00:55:26,719 --> 00:55:29,000
Speaker 1: do you feel more pressure to come different on this

1041
00:55:29,120 --> 00:55:31,040
Speaker 1: one than you do on any of your own projects

1042
00:55:31,080 --> 00:55:32,960
Speaker 1: because of the stigmas that I mean because it was

1043
00:55:33,000 --> 00:55:35,400
Speaker 1: attached to the Gainster Grill. I did at first, but

1044
00:55:35,520 --> 00:55:37,360
Speaker 1: then I'm like, you know what if I think like that,

1045
00:55:37,440 --> 00:55:39,480
Speaker 1: then I'm gonna drop the ball like funk this ship.

1046
00:55:39,560 --> 00:55:42,120
Speaker 1: I'm just gonna keep making music that I like to

1047
00:55:42,200 --> 00:55:44,719
Speaker 1: listen to. I go to studio bro, I make sure

1048
00:55:44,800 --> 00:55:47,080
Speaker 1: that I know I'm gonna listen to in my carfee

1049
00:55:47,200 --> 00:55:48,759
Speaker 1: you know, I mean, i'd be able to have more

1050
00:55:48,840 --> 00:55:53,040
Speaker 1: fun with that ship. Just keep talking ship in your wraps.

1051
00:55:53,280 --> 00:55:57,640
Speaker 1: Oh yeah to mother, I don't say some look like

1052
00:55:57,840 --> 00:56:00,040
Speaker 1: talk a little shit. I ain't got really with it.

1053
00:56:00,600 --> 00:56:02,400
Speaker 1: I gotta talk that shit that but I got some

1054
00:56:02,480 --> 00:56:06,560
Speaker 1: ship on there with Jeezy, got future on that motherfucker

1055
00:56:07,120 --> 00:56:16,719
Speaker 1: Kodak black Man Man, the Droit Man got so many

1056
00:56:16,880 --> 00:56:19,399
Speaker 1: artists that you know, if you if you tap into

1057
00:56:19,520 --> 00:56:21,320
Speaker 1: what they got going on, and I think, you know,

1058
00:56:23,840 --> 00:56:27,480
Speaker 1: that's a somebody house. Yeah, that's what I'm saying. Into

1059
00:56:29,440 --> 00:56:31,920
Speaker 1: really see what the music do. Like this ship is

1060
00:56:32,040 --> 00:56:34,560
Speaker 1: just it's bigger than just some niggas on the microphone.

1061
00:56:34,640 --> 00:56:36,640
Speaker 1: Like when you go out there, you see how that

1062
00:56:36,719 --> 00:56:39,200
Speaker 1: ship affect Like these niggas is riding around listening to

1063
00:56:39,280 --> 00:56:42,120
Speaker 1: this ship they're playing on the radio, Like you know,

1064
00:56:42,360 --> 00:56:44,120
Speaker 1: that's one of the only places that I didn't went

1065
00:56:44,160 --> 00:56:46,439
Speaker 1: to and I listened to the radio and heard ship

1066
00:56:46,520 --> 00:56:49,200
Speaker 1: that I didn't hear anywhere but Detroit, you know what

1067
00:56:49,200 --> 00:56:54,120
Speaker 1: I mean, Like that's that's they always our music, Like

1068
00:56:54,400 --> 00:56:57,160
Speaker 1: that's all niggas listened to is Detroit music and Detroit.

1069
00:56:57,320 --> 00:56:59,800
Speaker 1: Like you know what I'm saying, we are biggest fans.

1070
00:57:00,320 --> 00:57:02,360
Speaker 1: I think that ship dope too, I funk with that.

1071
00:57:04,120 --> 00:57:07,240
Speaker 1: Give give us some some some must dudes in Detroit.

1072
00:57:07,680 --> 00:57:10,520
Speaker 1: Where if somebody ain't never been to Detroit, like, you know,

1073
00:57:10,680 --> 00:57:12,880
Speaker 1: somewhere to go eat, you know what I mean, somewhere

1074
00:57:12,920 --> 00:57:16,200
Speaker 1: to to to to go site sight see in the city.

1075
00:57:16,200 --> 00:57:18,600
Speaker 1: Because you know, you get a Detroit, get a bad repper.

1076
00:57:18,680 --> 00:57:20,840
Speaker 1: It's funked up and all that, but it's a beautiful place.

1077
00:57:21,280 --> 00:57:25,000
Speaker 1: Check this out. You get a Detroit on the food side,

1078
00:57:25,800 --> 00:57:29,000
Speaker 1: the you gotta go to sloppy crabs, that bitch turned,

1079
00:57:29,320 --> 00:57:32,440
Speaker 1: gotta funk a piece of cat, that bitch, that nig

1080
00:57:32,720 --> 00:57:37,000
Speaker 1: gotta hit the Desorbs Coney Islands. That should be a

1081
00:57:37,840 --> 00:57:41,240
Speaker 1: y'all niggas argue about that ship like niggas in Chicago

1082
00:57:41,360 --> 00:57:44,200
Speaker 1: were hurls and niggas in d C with mambo saw.

1083
00:57:44,360 --> 00:57:48,360
Speaker 1: You gotta go to the right one, Go to Zorbers

1084
00:57:48,400 --> 00:57:52,000
Speaker 1: Coney Island on six Mile and Gunston. That's in my hood.

1085
00:57:52,080 --> 00:57:56,800
Speaker 1: That's the best, one of the best conies in that motherfucker. Yeah,

1086
00:57:57,240 --> 00:58:00,280
Speaker 1: Deservers on the on the on the on the gear

1087
00:58:00,400 --> 00:58:03,840
Speaker 1: side though, you gotta you already know Somerset. Yeah, that's

1088
00:58:03,880 --> 00:58:05,560
Speaker 1: the bad You know what I'm saying that we got

1089
00:58:05,720 --> 00:58:09,240
Speaker 1: no Joe kicks. We got we got the be stroke

1090
00:58:09,720 --> 00:58:11,480
Speaker 1: that bitch. They got some ship up in there. I

1091
00:58:11,560 --> 00:58:14,000
Speaker 1: gotta get a shout out to my favorite but Sweetwater

1092
00:58:14,120 --> 00:58:21,320
Speaker 1: Winds Sweetwater, five Water, Nigger Sweetwater. Then on the club side,

1093
00:58:21,480 --> 00:58:26,840
Speaker 1: you gotta funk with truth and next a Spade Society.

1094
00:58:27,200 --> 00:58:29,880
Speaker 1: When you get your first from I don't need I

1095
00:58:29,920 --> 00:58:32,600
Speaker 1: ain't gonna lie on where the first get when you

1096
00:58:32,680 --> 00:58:36,600
Speaker 1: get the first from what's the name of the spot? Man,

1097
00:58:37,080 --> 00:58:42,960
Speaker 1: God damn, I don't forgot the name. That's why I

1098
00:58:43,040 --> 00:58:45,440
Speaker 1: funk without that Theatris that's on the bullyvar always. I

1099
00:58:45,520 --> 00:58:47,800
Speaker 1: get all my bus from Hutch. I got a few

1100
00:58:47,840 --> 00:58:49,840
Speaker 1: pair from fair An. I ain't gonna lie from M

1101
00:58:49,920 --> 00:58:52,080
Speaker 1: and F. I'm gonna keep it real, nigger. I don't

1102
00:58:52,080 --> 00:58:53,600
Speaker 1: got a couple of pain from M and you know

1103
00:58:53,640 --> 00:58:56,400
Speaker 1: what I mean. But you know, I just sunk with

1104
00:58:56,480 --> 00:58:58,960
Speaker 1: the culture of the city. Man. I'm actually there January

1105
00:58:59,080 --> 00:59:01,560
Speaker 1: thirteenth at the MG. Yeah. Man, I'm so excited about

1106
00:59:01,640 --> 00:59:05,000
Speaker 1: that show, just because pulling up in Detroit then one

1107
00:59:05,000 --> 00:59:08,760
Speaker 1: of the first two shities I've ever traveled to. Real hell, yeah,

1108
00:59:09,080 --> 00:59:11,680
Speaker 1: I mean, just when you started as a comedian as

1109
00:59:11,720 --> 00:59:15,880
Speaker 1: a kid in life. For real, Why what what your

1110
00:59:15,920 --> 00:59:19,440
Speaker 1: family over? Yeah? Man, I remember we drove all the

1111
00:59:19,480 --> 00:59:26,040
Speaker 1: way from Mississippi Flint about third twelve thirties, probably fifteen,

1112
00:59:28,360 --> 00:59:30,600
Speaker 1: and then like all my family from Detroit, like they

1113
00:59:30,640 --> 00:59:33,080
Speaker 1: would just drive down and like spend the whole summer

1114
00:59:33,400 --> 00:59:38,080
Speaker 1: down something in Mississippi. Yeah, family all over Michigan. Man

1115
00:59:38,200 --> 00:59:45,439
Speaker 1: ship crazy. Shout out and tell everybody in the Midwest nigga,

1116
00:59:45,480 --> 00:59:47,680
Speaker 1: the mid West Man and West niggas is some of

1117
00:59:47,760 --> 00:59:50,640
Speaker 1: the the flies niggas, some of the relist niggas that

1118
00:59:50,720 --> 00:59:53,280
Speaker 1: you ever meet. And Detroit got some of the finest

1119
00:59:53,720 --> 00:59:57,240
Speaker 1: black women in the world. Oh my god, the fattest

1120
00:59:58,440 --> 01:00:02,680
Speaker 1: they got. Real they got, they got money is not normal.

1121
01:00:02,840 --> 01:00:07,520
Speaker 1: They got mother and my motherfucker my my layoff fly

1122
01:00:07,640 --> 01:00:09,840
Speaker 1: to Dallas to get a bit from Detroit to bring

1123
01:00:14,080 --> 01:00:16,080
Speaker 1: them answering SI different. I don't know if because it

1124
01:00:16,240 --> 01:00:18,280
Speaker 1: be cold all the time and them answering to be

1125
01:00:18,360 --> 01:00:27,320
Speaker 1: like man that did Chili dogs. So so you know,

1126
01:00:27,440 --> 01:00:31,200
Speaker 1: the next project is December eight, and that's the Gangster

1127
01:00:31,240 --> 01:00:35,200
Speaker 1: grill Aster Grills called Paint the City the City. So

1128
01:00:35,680 --> 01:00:39,080
Speaker 1: we all want on that one up and now who

1129
01:00:39,200 --> 01:00:41,160
Speaker 1: haven't you worked with that you want to work with

1130
01:00:41,240 --> 01:00:43,520
Speaker 1: because you've been going You've got some crazy as features.

1131
01:00:44,280 --> 01:00:47,120
Speaker 1: Like I'm saying, like ship that you featured on, you

1132
01:00:47,200 --> 01:00:49,240
Speaker 1: got a long list of motherfucker's who you want to

1133
01:00:49,320 --> 01:00:51,560
Speaker 1: work with? Now. I want to funk with Crazy. I

1134
01:00:51,680 --> 01:00:55,560
Speaker 1: fun with Dre. That should have go both of y'all

1135
01:00:55,600 --> 01:00:57,880
Speaker 1: from the city. We're funded. That's why that's why we

1136
01:00:58,000 --> 01:00:59,919
Speaker 1: broth front of sick. I gotta put them on water

1137
01:01:00,160 --> 01:01:03,920
Speaker 1: raggedy as beach too, so he could talk crazy up fun.

1138
01:01:04,080 --> 01:01:08,920
Speaker 1: That bitch up Drazzy. That's what you're calling the raggedy

1139
01:01:08,960 --> 01:01:13,920
Speaker 1: motherfucker's you just put that's it, raggedy as beach. They

1140
01:01:14,080 --> 01:01:17,320
Speaker 1: sounded like that. You bitch is hard nigger. I'm talking

1141
01:01:17,320 --> 01:01:20,400
Speaker 1: about nigga. You put them, got their buffs on. It's

1142
01:01:20,440 --> 01:01:24,640
Speaker 1: like that ship like motherfucker Captain Planet got called nigger.

1143
01:01:24,680 --> 01:01:30,880
Speaker 1: You you're the Detroit hood movies. Hell yeah, fun with

1144
01:01:31,080 --> 01:01:35,080
Speaker 1: um um price of Love, that bits crazy. I gotta

1145
01:01:35,120 --> 01:01:38,320
Speaker 1: watch that. I buffed up my ship. No tweet, Levin,

1146
01:01:38,360 --> 01:01:40,920
Speaker 1: though you ever seen tweet level, you know I'm meant tweet.

1147
01:01:41,080 --> 01:01:45,160
Speaker 1: What's the nigger name? With all the movies murder. You're

1148
01:01:45,200 --> 01:01:53,240
Speaker 1: talking about murder. Shout that's murder. That's murder and move out.

1149
01:01:53,480 --> 01:01:55,640
Speaker 1: That's two eleven His Day movie. But me and murder

1150
01:01:55,760 --> 01:01:58,600
Speaker 1: starting in that bitch, what's out of that? Like a

1151
01:01:58,720 --> 01:02:03,120
Speaker 1: real nigger ship, bro two Levin's like minister society in Detroit,

1152
01:02:03,280 --> 01:02:09,040
Speaker 1: like real life for that bit them. What's side of town? Murder, paper, murder, pain?

1153
01:02:09,640 --> 01:02:13,200
Speaker 1: From the west side? Where is he from? From Southwest?

1154
01:02:13,800 --> 01:02:16,400
Speaker 1: From southwest? It's a different That's why I said that matter.

1155
01:02:16,520 --> 01:02:19,120
Speaker 1: He's from southwest. What's a difference. I mean the west

1156
01:02:19,160 --> 01:02:22,000
Speaker 1: side of the west side, Southwest and southwest. They like

1157
01:02:22,160 --> 01:02:24,240
Speaker 1: their own city down that, you know what I mean.

1158
01:02:24,600 --> 01:02:27,560
Speaker 1: That's where meeting them. Boys are from from southwest, Southwest. Yeah,

1159
01:02:27,680 --> 01:02:30,560
Speaker 1: so so the boys. That's got my gray. That ship

1160
01:02:30,680 --> 01:02:32,440
Speaker 1: shot over there, you know what I mean, in the neighborhood.

1161
01:02:32,480 --> 01:02:35,960
Speaker 1: That's the you're gonna work with anything else? You got

1162
01:02:36,040 --> 01:02:41,040
Speaker 1: the bag put it's coming like a tag the movie

1163
01:02:41,160 --> 01:02:43,760
Speaker 1: dropping on the twenty three. Yeah, we got that rocket.

1164
01:02:43,840 --> 01:02:46,439
Speaker 1: We got Price of Love out and I'm Coming Home

1165
01:02:46,640 --> 01:02:50,880
Speaker 1: series January on the floor. It's on the floor. Yeah, yeah,

1166
01:02:51,600 --> 01:02:54,720
Speaker 1: maybe what up though? Detroit ship? So man, it's an

1167
01:02:54,800 --> 01:02:57,400
Speaker 1: honor Mano. You know it wouldn't be right. New Face

1168
01:02:57,440 --> 01:03:01,320
Speaker 1: you got something. Oh yeah, you know New Face. This

1169
01:03:01,520 --> 01:03:05,120
Speaker 1: is show hip hoper story and he's the story. He

1170
01:03:05,640 --> 01:03:10,520
Speaker 1: is a preserver of the culture. He got all the

1171
01:03:10,640 --> 01:03:13,400
Speaker 1: hip hop artifacts. Yeah, so I don't tell her what

1172
01:03:13,480 --> 01:03:15,640
Speaker 1: they might hit you with. Any from Detroit in front

1173
01:03:15,640 --> 01:03:19,520
Speaker 1: of city. Yeah, the real, the real, real nigga. Yeah

1174
01:03:19,560 --> 01:03:21,880
Speaker 1: he got that ship. Only got a detroittion over over

1175
01:03:21,960 --> 01:03:27,320
Speaker 1: there by all them got shut down somewhere and Mansfield

1176
01:03:27,400 --> 01:03:29,400
Speaker 1: right Crosstreet from the hip hop shop. How are you

1177
01:03:30,760 --> 01:03:35,160
Speaker 1: or I get I'm pulling out some ship that you

1178
01:03:35,240 --> 01:03:39,120
Speaker 1: know that nigger got the tapes? Man, tell me from

1179
01:03:39,120 --> 01:03:42,280
Speaker 1: a Detroit head. You know who these people are, and

1180
01:03:43,000 --> 01:03:45,360
Speaker 1: throw with him the influences of the city right there.

1181
01:03:46,160 --> 01:03:48,520
Speaker 1: You know what I'm saying you when you go to that.

1182
01:03:48,680 --> 01:03:52,240
Speaker 1: I got a book right here, everybody from Detroit. We

1183
01:03:52,320 --> 01:03:55,800
Speaker 1: got this right there on that page. Real nigga, man,

1184
01:03:56,160 --> 01:03:59,440
Speaker 1: check it out. Breathe breathe from Flint though, that nigging

1185
01:03:59,520 --> 01:04:02,760
Speaker 1: the legends, So you already know Flinty trait. That's one.

1186
01:04:02,880 --> 01:04:07,600
Speaker 1: That's it. Yeah, my dating family from this from Flint

1187
01:04:07,640 --> 01:04:10,520
Speaker 1: to East Sign that nigga, my fucking real legend bro,

1188
01:04:10,680 --> 01:04:15,080
Speaker 1: like a real legend bro. Like he really liked that

1189
01:04:16,280 --> 01:04:18,920
Speaker 1: day and family they from Flint to the Boys huge

1190
01:04:18,960 --> 01:04:22,400
Speaker 1: out that bitch too. I know the Dating Family. I don't.

1191
01:04:22,560 --> 01:04:26,320
Speaker 1: I ain't gonna lie. I don't know who buddy, Okay,

1192
01:04:26,440 --> 01:04:31,120
Speaker 1: they are seen Troy Damn show. They was like no

1193
01:04:31,240 --> 01:04:35,160
Speaker 1: original Detroit O gr that's hard. I heard it Detroit

1194
01:04:35,240 --> 01:04:38,880
Speaker 1: most one for so I don't know this out there.

1195
01:04:38,960 --> 01:04:41,400
Speaker 1: I don't know this one though, but these three right

1196
01:04:41,480 --> 01:04:45,720
Speaker 1: here without a doubt, Bred East Sound and Daton family

1197
01:04:46,280 --> 01:04:51,280
Speaker 1: real legends. You know. Five years ago Step Dating Sports

1198
01:04:51,520 --> 01:04:53,920
Speaker 1: signed in front of this hey Roll signed it. I

1199
01:04:54,000 --> 01:04:57,080
Speaker 1: got Hills out from Snow Village. He really signed it.

1200
01:04:57,200 --> 01:04:59,160
Speaker 1: So I just used to do kid Fishes, which is

1201
01:04:59,280 --> 01:05:01,120
Speaker 1: Roy's brother. Yeah you know what I'm saying, and just

1202
01:05:01,200 --> 01:05:03,360
Speaker 1: talked about the day of how this came about with

1203
01:05:03,480 --> 01:05:06,720
Speaker 1: this photo and where this was, and he signed rest

1204
01:05:06,800 --> 01:05:09,840
Speaker 1: in peace, big load man. This is my big brother.

1205
01:05:09,920 --> 01:05:12,840
Speaker 1: That's my o G. This man took care of me, bro.

1206
01:05:13,000 --> 01:05:15,240
Speaker 1: He did a lot for me. You know, during my

1207
01:05:15,400 --> 01:05:19,040
Speaker 1: whole bid, before my bid, after my bid, I looked

1208
01:05:19,120 --> 01:05:21,480
Speaker 1: up to him, honor him. I got a lot of

1209
01:05:21,600 --> 01:05:25,240
Speaker 1: love for him, for his family, for his wife, his

1210
01:05:25,400 --> 01:05:28,800
Speaker 1: kids and everything. This big load car rest in peace,

1211
01:05:28,880 --> 01:05:31,920
Speaker 1: lonely a loak. That was my big home. When he passed,

1212
01:05:32,040 --> 01:05:34,120
Speaker 1: a lot of us was hurt and were still hurting.

1213
01:05:34,480 --> 01:05:36,480
Speaker 1: You know what I'm saying. We did this at his crib,

1214
01:05:37,080 --> 01:05:39,880
Speaker 1: this his car two days before I turned myself in

1215
01:05:40,040 --> 01:05:43,439
Speaker 1: fit and see them bags in the mine yea, yeah,

1216
01:05:44,160 --> 01:05:49,080
Speaker 1: was covered. Yeah, this nigga got a song on hit

1217
01:05:49,160 --> 01:05:53,439
Speaker 1: car Plus. He ain't got no face. I'm listening, pull

1218
01:05:53,480 --> 01:06:01,560
Speaker 1: it up. It's crazy on the way. Appreciate you manus

1219
01:06:01,680 --> 01:06:05,920
Speaker 1: five hard. But that nigga pulled out the day and

1220
01:06:06,000 --> 01:06:16,000
Speaker 1: family official speakers in that bitch reserving the culture. One

1221
01:06:16,080 --> 01:06:24,840
Speaker 1: tape at a town an that's who was in that picture,

1222
01:06:24,880 --> 01:06:27,520
Speaker 1: but that was actually five years ago to day. That's

1223
01:06:27,680 --> 01:06:32,840
Speaker 1: me Payroll, Peasy and t Grit. That was a Peasy

1224
01:06:32,960 --> 01:06:38,040
Speaker 1: video shoot for that quick remix that went up. That

1225
01:06:38,160 --> 01:06:41,360
Speaker 1: was the first person we had took with one of

1226
01:06:41,400 --> 01:06:46,360
Speaker 1: the never wherever whatever you want to hit the corner, Yeah,

1227
01:06:46,480 --> 01:06:53,880
Speaker 1: there we go. What's s Yeah, I see there we go.

1228
01:06:54,600 --> 01:06:59,040
Speaker 1: Big ice on that motherfucker. Man you heard man appreciate

1229
01:06:59,120 --> 01:07:01,959
Speaker 1: your first time. But it's just your first time. First

1230
01:07:02,040 --> 01:07:04,800
Speaker 1: a minute vis. You know what I mean? You see it, man,

1231
01:07:04,920 --> 01:07:08,000
Speaker 1: This nigger right here is on the legendary court. Remember

1232
01:07:08,000 --> 01:07:12,240
Speaker 1: where you heard it first? Nigg Ice the record? What's

1233
01:07:12,280 --> 01:07:16,360
Speaker 1: your social media? I swear underscore vessel on all social

1234
01:07:16,400 --> 01:07:21,040
Speaker 1: media sites, don't forget. Paint the City, Gangster Real December eight,

1235
01:07:21,440 --> 01:07:25,520
Speaker 1: Tag the movie November twenty thirty, Magic Theatery, low streaming

1236
01:07:25,560 --> 01:07:29,000
Speaker 1: the Center. Let's get it. I appreciate you than really. Lord,

1237
01:07:33,000 --> 01:07:36,320
Speaker 1: we out of him. Let's get a photo that's been

1238
01:07:36,440 --> 01:07:41,920
Speaker 1: hard for real. New face, got on the plugs, man,