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Speaker 1: No, WILLI.

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Speaker 2: I don't know what's morman the chords up? Man, my

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Speaker 2: fucking voice feels crazy.

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Speaker 1: You stressed your throat out, so it's like.

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Speaker 2: Raw, don't know my throat isn't raw, nigga. The fun

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Speaker 2: type of question is that to ask a real niggas

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Speaker 2: such as myself, he's your throat raw something? No eat

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Speaker 2: pussy raw, nigga.

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Speaker 1: You eat pussy raw, but won't funk raw?

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Speaker 2: Facts? I just facts.

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Speaker 1: It just doesn't make sense this guy.

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Speaker 2: Facts were rolling. Mm hmm.

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Speaker 3: So much isn't happening in the rap roup? Time to

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Speaker 3: go back to some simple as sign.

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Speaker 2: I know this is your ship? Well that was my ship.

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Speaker 2: I ain't you secretly had.

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Speaker 3: To sing this in your room, couldn't go outside?

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Speaker 2: All the small things probably shoot rings.

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Speaker 3: That's where I fall off to so you know.

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Speaker 2: Because everybody else doars rocking. I want to know you

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Speaker 2: know the first two bars, it's like, okay's cool at

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Speaker 2: my show?

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Speaker 3: Oh my god, wait, I can't even escape the Kardashians.

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Speaker 2: Are they in there in theba No?

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Speaker 3: Travis Barker, Oh he can't even just listen to blank

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Speaker 3: eighty two and peaks without carrying me your family getting

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Speaker 3: involved my family. Doom boom boom, doom, Doom, doom doom.

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Speaker 3: Chris is like a second mother.

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Speaker 2: Oh yes, yes she has Rory. Those were the lovely

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Speaker 2: sounds of was that blank on?

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Speaker 3: They were playing like.

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Speaker 2: This feels like a little t r O nostalgic moment.

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Speaker 3: No, I really t RL you real quick. They were

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Speaker 3: playing you don't have a t r O me buddy,

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Speaker 3: Total Total Request Live view. That sounds kinky, yo, shorty

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Speaker 3: t r L ME last night was crazy.

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Speaker 2: I means touching rim and lick yo.

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Speaker 3: Just what but this is the horniest podcast.

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Speaker 1: Starting this podcast like.

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Speaker 3: I'm going to clear the room with some suicide music

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Speaker 3: that was played on TIERRO.

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Speaker 2: It was just Green Day had the best suicide music.

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Speaker 1: Green Day was Paramour, Paramore. That's more of my.

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Speaker 3: Green Day was weird because they made like suicide music. No,

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Speaker 3: they made cool, like alternative rock music. Then one day

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Speaker 3: they're like, this isn't working.

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Speaker 2: Let's rocket is just cool suicide music.

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Speaker 3: What was that album?

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Speaker 2: Was like right before you do It?

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Speaker 3: Uh, Dookie. That was a funny name, but that was

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Speaker 3: a great album.

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Speaker 1: Dookie.

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Speaker 3: That's a classic album from Oh Green Day, I don't

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Speaker 3: remember Duke but this was before they put the fucking

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Speaker 3: eyeshadow on and became emo, and then they started doing

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Speaker 3: the Super Bowl, so it worked. But like the real alternative.

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Speaker 2: People with Green Dale, Blink one eighty two, mm hmm.

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Speaker 3: I don't think Blank one a two is a better

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Speaker 3: album than Dookie, but they went into the pop emo

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Speaker 3: world after that. Blank one a two kind of stayed

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Speaker 3: themselves for a few albums. Yeah, even though they were

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Speaker 3: kind of pop. Whatever happened to other two members of

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Speaker 3: blnkekoinn A Towo, Like, what's the bass player doing?

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Speaker 1: He can't date? He can't date?

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Speaker 3: Uh a Jenner?

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Speaker 2: H No, he's a little too old for Jenner, I believe,

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Speaker 2: but fair enough. Tiger No, the drummer and the bass

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Speaker 2: player from from Blank one eighty two. It is definitely

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Speaker 2: older than.

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Speaker 3: Tight Travis Scott, not Travis Scott, Travis Barker. Oh my god,

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Speaker 3: came too much going on. I forgot the lead singer's

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Speaker 3: name in the bass player's name.

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Speaker 2: Oh yeah, forgive us. I don't remember their names unless

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Speaker 2: the Marius wants to pull it up.

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Speaker 3: She's tweeting damarics don't care.

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Speaker 2: To DeMars told us some six ship she used to do.

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Speaker 2: I don't want to let that go before we forget

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Speaker 2: about it, right to. Damaris informed us that she would

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Speaker 2: make up the bed when she was at her oh boo,

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Speaker 2: because I don't want to incriminate her. So this is old,

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Speaker 2: old stuff.

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Speaker 3: Well, she didn't say if she was the main or

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Speaker 3: the side in that situation, though she didn't clarify who

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Speaker 3: she was.

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Speaker 2: Yes, yes she did.

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Speaker 3: I don't want to say.

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Speaker 1: It was, yes, okay.

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Speaker 3: So a whore for a boyfriends?

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Speaker 2: Oh man, God, I love a good whole boyfriend. So

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Speaker 2: Demaris informed us that she would in making up the

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Speaker 2: bed when she was at her boyfriend's house, she would

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Speaker 2: pluck some of her hair out of her scalp, yes

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Speaker 2: and roll it up into little balls and put it

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Speaker 2: underneath the pillows after she made up the bed, so

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Speaker 2: that in case he decided to have another friend over, uh,

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Speaker 2: they would find these balled up strands of hair under

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Speaker 2: the pillowcase, and which would cause turmoil and fucking.

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Speaker 3: Here's here's the thing, Here's where this is misgott it.

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Speaker 3: I thought she was the side in that situation because

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Speaker 3: as the main, I'm just gonna tell you the side,

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Speaker 3: chick I bring over it is not going to care

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Speaker 3: about your hair, And.

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Speaker 1: I found that out. I found that out the hardway.

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Speaker 2: Very true.

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Speaker 3: I thought character Maris was maybe, you know, wanted to

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Speaker 3: move into the slot as the main and was like,

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Speaker 3: let me get him caught real quick so he can

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Speaker 3: just come be with me.

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Speaker 2: But even one better the guy and the the man

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Speaker 2: in that situation, I don't think that he would care

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Speaker 2: to explain to the side, like who's here? That is

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Speaker 2: because if you have it's a side you don't explain

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Speaker 2: to the side. Sides don't get an explanations.

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Speaker 1: Old time shew who I was, and if they have

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Speaker 1: leverage over you whose hair? She didn't give a fuck

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Speaker 1: she knew who was she. Actually that's really a funny story.

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Speaker 1: I'll tell you guys one day. But actually the only

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Speaker 1: reason why she actually wanted to fuck my boyfriend is

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Speaker 1: because she wanted her life back so that I didn't

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Speaker 1: suck her boyfriend. She thought she I stole somebody that

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Speaker 1: she had a crush on that she thought belonged to

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Speaker 1: her and he didn't when I was in high school

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Speaker 1: and then so she wanted her look back. So she

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Speaker 1: went and I wanted to fuck my boyfriend.

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Speaker 3: I mean I appreciate the persistence.

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Speaker 2: So she get licked your boyfriend his back back.

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Speaker 1: I told him that she only wanted him because of me.

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Speaker 1: I thought. I was like, she don't really like you, like,

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Speaker 1: get your head gassed up.

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Speaker 3: Just let you know. He also did not care about

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Speaker 3: the reason.

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Speaker 2: Pussy all over.

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Speaker 3: He doesn't care care you gave it to me, give.

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Speaker 2: It to you. I don't care gave it she wants

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Speaker 2: to Okay, fine, Women always swear that that we care

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Speaker 2: about the reason behind us, Like use me as a tool, yeah,

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Speaker 2: use me as a stick in the war, like to

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Speaker 2: get back at your girlfriend or your homegirl, Like, yeah,

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Speaker 2: I don't care use me.

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Speaker 3: She only wants to fuck you because she saw the

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Speaker 3: headlines about the stitch your deal. Okay, only you don't

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Speaker 3: getting any of the money.

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Speaker 2: So yeah, I only want to because I asked what

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Speaker 2: fat like?

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Speaker 3: Both pretty shallow in this situation.

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Speaker 2: Oh man. With that being said, I want to send

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Speaker 2: prayers and condolences to uh the people over in Ukraine.

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Speaker 3: Yes, in Russia, right segu.

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Speaker 2: Well, I just you know, I figured we lead with

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Speaker 2: the with the funnies and get to uh, yeah, you know,

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Speaker 2: more more sad news. Uh. Uh Russia has declared war

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Speaker 2: on Ukraine. Uh so prayers in Uh, you know, thoughts

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Speaker 2: with anybody over there affected by the war. Anybody has

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Speaker 2: family in those areas. You know, it's just tough coming

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Speaker 2: out of a pandemic and then having to deal with

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Speaker 2: a war. It seems like you can't get a break,

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Speaker 2: you know what I mean. So here we are.

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Speaker 3: This is going to sound really ignorant, and I am

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Speaker 3: just asking and you can flood my mentions if you like,

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Speaker 3: with real answers. What does the UN do? I feel

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Speaker 3: like the UN wouldn't they be the people to step in, like, hey,

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Speaker 3: you guys should relax.

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Speaker 2: I think they tried that. But I think, uh President Putin,

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Speaker 2: he wasn't trying to Is he the president of Russia? Yes?

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Speaker 3: I thought he was like a dictator or some ship.

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Speaker 3: I'm listening verytor and be the president. I guess that's true. Yeah, yes,

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Speaker 3: Trump was one and Trump.

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Speaker 2: Yo, I'm not I'm not trying to them. I'm sorry,

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Speaker 2: I'm not going. I spoke to Donnie last night. Everything

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Speaker 2: was cool. Don't worry about it. We're good.

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Speaker 1: You spoke to Donny last night.

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Speaker 3: Of course, right there, he signed up for whatever that

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Speaker 3: new Twitter that.

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Speaker 2: Don got the new Twitter. I can't will them. I

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Speaker 2: can't wait to create my account. Give the world some

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Speaker 2: salacious news.

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Speaker 1: Are you guys going to sign up for Twitter Blue,

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Speaker 1: which allows you to edit your tweet, like, go back

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Speaker 1: and edit your tweets? I think I'm mistaken in case

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Speaker 1: you have like airror spelling errors and stuff like that.

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Speaker 3: Oh, I thought it was in case there was tweets

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Speaker 3: that we're going to get you canceled.

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Speaker 2: Yeah, can you go back and do that?

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Speaker 1: I don't. I don't think so. If you can edit

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Speaker 1: right just right before, yes, No, you can edit it

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Speaker 1: right before you so it. So I showed you I

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Speaker 1: can do that your tweet before you sent it.

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Speaker 2: I could do that now, I get it my tweet

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Speaker 2: before I said it.

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Speaker 3: They need to do that with text messages with me

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Speaker 3: when I drink. Yeah, like they've even made I need

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Speaker 3: I message. Of course, they're not like lusty. They're angry

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Speaker 3: your drunk messages.

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Speaker 2: Oh yeah, like come on and give me that tale.

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Speaker 3: No no, no, it's more like fuck you. I hate you.

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Speaker 2: Oh you go there, but I missed you. I love you,

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Speaker 2: but I love you though they will fuck you, though

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Speaker 2: you like you loving you.

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Speaker 1: Fucking the city when I'm not there, but I'm always.

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Speaker 3: In the city, and they still other people ask questions, Drake, Really,

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Speaker 3: there's a few things you're dressed.

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Speaker 2: That's a sick fucking question.

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Speaker 3: Well, how do you think it feels when you're in

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Speaker 3: the city and she still fuck someone else? I'm there, Like,

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Speaker 3: I'm there, I'm in the city.

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Speaker 2: And I know who you fucking? How about that you

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Speaker 2: haven't know you ever know who she fucking? You can't

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Speaker 2: say nothing about it.

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Speaker 3: Oh that's all the time because I still have that

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Speaker 3: weird old man code in me where you have to

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Speaker 3: hold it down.

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Speaker 2: You gotta hold it down. You can't bring up and

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Speaker 2: mention it to her that you know who she who

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Speaker 2: else she's sleeping with.

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Speaker 3: Like I wish I was more Kanye Sometimes, yeah, I

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Speaker 3: wish I hadn't.

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Speaker 2: It didn't give for every guy.

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Speaker 3: Like I wish I could get rid of that man

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Speaker 3: ship that my father instilled in me with integrity and.

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Speaker 2: Integrity.

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Speaker 3: But sometimes I wish I could act more like a bitch.

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Speaker 2: We could have fun though, like you could you could

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Speaker 2: elude and hint at like call it like ship like that.

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Speaker 2: It's kind of like okay, Or when he comes in

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Speaker 2: a room, and you know they like they're currently fucking

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Speaker 2: y'all in the same room. You can kind of just

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Speaker 2: like you know what I mean, like look at her

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Speaker 2: smile and ship like.

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Speaker 3: But I feel like that's even more sucking ship.

230
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Speaker 2: You just gotta got his zones. You don't say nothing.

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Speaker 3: Just got to stare straight, find a point, find a

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Speaker 3: point on.

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Speaker 2: The wall, hookah face, poker face or if.

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Speaker 3: You really ill, go dat woman become best friends with him.

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Speaker 2: No, I'm not doing that, yo, that.

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Speaker 1: I'm not doing women do that.

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Speaker 3: I hate one.

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Speaker 2: I do it too. Oh women, Oh yeah, y'all take

239
00:11:01,200 --> 00:11:04,280
Speaker 2: pictures with chicks and y'all fucking this like same guy. Woman,

240
00:11:04,360 --> 00:11:06,640
Speaker 2: y'all get that shit off, Like there's nothing you're saying

241
00:11:06,640 --> 00:11:07,559
Speaker 2: at the same table in the.

242
00:11:07,480 --> 00:11:09,719
Speaker 3: Club and they're trying to figure out who can leave

243
00:11:09,760 --> 00:11:12,120
Speaker 3: early enough to get with it. Where you at text

244
00:11:12,360 --> 00:11:13,840
Speaker 3: look at the games when played.

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00:11:13,679 --> 00:11:15,400
Speaker 2: Like the whole night is like a game of like

246
00:11:16,040 --> 00:11:17,959
Speaker 2: not Mario Brothers, but we got to find a name.

247
00:11:17,960 --> 00:11:19,880
Speaker 2: It's like you're trying to get to this nigga's house

248
00:11:19,880 --> 00:11:21,120
Speaker 2: at the end of the night, and you know, shorty

249
00:11:21,120 --> 00:11:23,880
Speaker 2: you sit next to the club, has already been to

250
00:11:23,920 --> 00:11:26,400
Speaker 2: his house. So it's kind of like y'all playing a

251
00:11:26,400 --> 00:11:29,200
Speaker 2: game to see who gets it, and it's.

252
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Speaker 3: A window who can send the where you're at or

253
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Speaker 3: what you're doing text before the other one. Sometimes whoever

254
00:11:34,520 --> 00:11:38,560
Speaker 3: gets there first is the winner. Oh, because I've been

255
00:11:38,600 --> 00:11:41,000
Speaker 3: tired and it's like, all right, well she hit me first,

256
00:11:41,160 --> 00:11:43,320
Speaker 3: so I'm going to say come through. I'm not going

257
00:11:43,360 --> 00:11:45,840
Speaker 3: to wait till two three o'clock in the morning for

258
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Speaker 3: Shorty to finish in the section and get into uber

259
00:11:48,480 --> 00:11:49,960
Speaker 3: backs in my house. It's too late for that.

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Speaker 2: Yeah, I'm not doing I'm not staying up. I'm not

261
00:11:52,000 --> 00:11:52,480
Speaker 2: staying up with.

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Speaker 3: I'm the midnight shift. Yeah, I'm not the three am.

263
00:11:55,200 --> 00:11:58,240
Speaker 3: If you're closing down the club, go to go to

264
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Speaker 3: cafeteria and go home with the club promote.

265
00:12:00,200 --> 00:12:03,200
Speaker 1: Yeah, no, cafeteria slander.

266
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Speaker 2: Don't do that. It's not I love cafeteria. Can't eat

267
00:12:05,679 --> 00:12:08,680
Speaker 2: it no more because because you're black, that too. They

268
00:12:08,720 --> 00:12:11,199
Speaker 2: don't really. Yeah, they were never there. They were the

269
00:12:11,240 --> 00:12:13,840
Speaker 2: biggest fan of black Have you waiting outside for two

270
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Speaker 2: hours and COVID?

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Speaker 1: Oh my god during COVID.

272
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Speaker 2: Come on, fam, it's ten people in there.

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Speaker 3: Yeah, well they have reservations.

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Speaker 1: Yeah, I'm at three am.

275
00:12:21,480 --> 00:12:23,280
Speaker 3: Yeah, we can advance.

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Speaker 2: Uh, So, what's been going on this week? I feel

277
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Speaker 2: like there's a lot of newsy ship going on, messy,

278
00:12:29,280 --> 00:12:31,040
Speaker 2: a lot of mess. It's it's been a mess out

279
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Speaker 2: here right I don't know why people don't just fucking relax, man,

280
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Speaker 2: What the fuck is going on with people? I don't like.

281
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Speaker 3: I don't like the mess as much as I used to.

282
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Speaker 3: I don't know if that's because I'm getting older and

283
00:12:40,480 --> 00:12:41,480
Speaker 3: maybe I'm more corny, but.

284
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Speaker 2: Some of that too, some of it is getting older,

285
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Speaker 2: and it's I think the mess is just more like

286
00:12:47,920 --> 00:12:50,320
Speaker 2: consistent these days. It's like always mess.

287
00:12:50,800 --> 00:12:53,080
Speaker 1: Mess is not is fun when it's like constant mess.

288
00:12:53,160 --> 00:12:55,760
Speaker 2: Yeah, It's like it's just fucking crazy out here in

289
00:12:55,800 --> 00:12:57,320
Speaker 2: these streets right now. Yeah.

290
00:12:57,440 --> 00:13:00,240
Speaker 3: And and I'm just starting to realize, like this gonna

291
00:13:00,240 --> 00:13:03,800
Speaker 3: sounds so corny. These are people's actual lives again. That's

292
00:13:03,840 --> 00:13:06,560
Speaker 3: like I want to joke, let's.

293
00:13:06,440 --> 00:13:09,560
Speaker 1: Celebrities now and caring about people actual One.

294
00:13:09,480 --> 00:13:11,480
Speaker 3: I'm not a celebrity. Two, people do not care about

295
00:13:11,520 --> 00:13:13,360
Speaker 3: my life, celebrities, my.

296
00:13:13,240 --> 00:13:16,360
Speaker 2: Person You said, p list, that's sick as fun because

297
00:13:16,880 --> 00:13:21,200
Speaker 2: this is crazy yo, being a yeah, being a pless celebrity?

298
00:13:21,200 --> 00:13:25,160
Speaker 3: Who else is in the piece? Like I got label mates?

299
00:13:26,520 --> 00:13:28,560
Speaker 2: Who's like, who's my teammates?

300
00:13:28,559 --> 00:13:29,200
Speaker 1: As a p list?

301
00:13:29,920 --> 00:13:31,559
Speaker 2: I'm with it. If you can give me who my

302
00:13:31,559 --> 00:13:34,280
Speaker 2: my teammates are, I'll ride with you. I'm like, you

303
00:13:34,280 --> 00:13:36,319
Speaker 2: know what, I'm a peeless celebrity. I don't think I'm

304
00:13:36,320 --> 00:13:38,320
Speaker 2: a celebrity at all. Way pless, Just tell me who

305
00:13:38,360 --> 00:13:38,920
Speaker 2: else is with me?

306
00:13:40,240 --> 00:13:45,040
Speaker 1: Yeah, Adam, what you think?

307
00:13:47,240 --> 00:13:50,400
Speaker 3: I went to the h Cordy Show to see Black

308
00:13:50,440 --> 00:13:52,880
Speaker 3: Odyssey open up and ran into two podcasts fans that

309
00:13:52,880 --> 00:13:55,760
Speaker 3: I took a photo with, and they said we actually

310
00:13:55,800 --> 00:13:57,920
Speaker 3: were walking in and we're like, yo, be Miller to

311
00:13:57,920 --> 00:13:59,680
Speaker 3: get a photo with Rory, then it will with Corday.

312
00:13:59,840 --> 00:14:00,480
Speaker 1: So if you.

313
00:14:00,480 --> 00:14:01,679
Speaker 3: Want to, I don't know where you want to go.

314
00:14:01,800 --> 00:14:02,720
Speaker 3: He's peelis ship.

315
00:14:03,720 --> 00:14:07,040
Speaker 2: Niggas want before? What's court that's big?

316
00:14:07,240 --> 00:14:09,400
Speaker 3: And are we talking on a fame level like selling

317
00:14:09,400 --> 00:14:11,600
Speaker 3: tickets and numbers and like actual tangible ship?

318
00:14:12,240 --> 00:14:12,400
Speaker 1: Yeo?

319
00:14:12,559 --> 00:14:13,840
Speaker 3: Because I know a lot of rapers that are more

320
00:14:13,840 --> 00:14:14,960
Speaker 3: famous than me. But I can sell more.

321
00:14:14,880 --> 00:14:17,320
Speaker 2: Tickets and put together a better show and more merch.

322
00:14:19,200 --> 00:14:22,240
Speaker 1: Oh oh yeah yeah, talk about that some ship name

323
00:14:22,280 --> 00:14:24,680
Speaker 1: one y.

324
00:14:27,000 --> 00:14:30,040
Speaker 2: You don't never want to drop now, yeah, because that's

325
00:14:30,080 --> 00:14:32,040
Speaker 2: like like weight snitching. But we ain't gonna do that.

326
00:14:32,240 --> 00:14:33,320
Speaker 1: It ain't lightweight snitch.

327
00:14:33,400 --> 00:14:36,320
Speaker 2: Light weight snitching to tell I saw more rectors there,

328
00:14:36,360 --> 00:14:39,360
Speaker 2: I saw more tickets than him. Come on and put

329
00:14:39,360 --> 00:14:41,000
Speaker 2: that man and put that man out there like.

330
00:14:40,920 --> 00:14:43,400
Speaker 3: That, and don't interrupt me talking my ship with like

331
00:14:43,480 --> 00:14:45,160
Speaker 3: real life facts and ship. I mean, they have to

332
00:14:45,160 --> 00:14:47,680
Speaker 3: explain myself. I don't want to explain myself when.

333
00:14:48,240 --> 00:14:50,920
Speaker 2: The listeners be getting off, you don't interrupt with facts.

334
00:14:51,960 --> 00:14:54,040
Speaker 3: Three nights of that Sobs back to back to back,

335
00:14:54,320 --> 00:14:54,800
Speaker 3: sold out?

336
00:14:54,840 --> 00:14:55,680
Speaker 2: Who else with us?

337
00:14:56,880 --> 00:14:57,080
Speaker 1: Mad?

338
00:14:57,360 --> 00:14:59,560
Speaker 3: Mad man? I feel like everyone.

339
00:15:00,000 --> 00:15:02,560
Speaker 1: I feel like Carl was dancing sold outb show.

340
00:15:02,920 --> 00:15:05,400
Speaker 2: Carl was definitely dancing at the sold out s OB shows.

341
00:15:05,440 --> 00:15:07,640
Speaker 2: He would be dancing at the sold out SOOB show.

342
00:15:08,240 --> 00:15:10,480
Speaker 2: Like when do you stop chasing that dream though of

343
00:15:10,560 --> 00:15:11,280
Speaker 2: being a dancer.

344
00:15:11,440 --> 00:15:13,239
Speaker 1: Oh, you ain't gonna do that to him because he.

345
00:15:13,160 --> 00:15:15,000
Speaker 2: No, no calls my god. But I'm just saying in general,

346
00:15:15,080 --> 00:15:17,360
Speaker 2: like if you're a dancer and like you didn't make

347
00:15:17,440 --> 00:15:19,960
Speaker 2: it to like let's say your goal is to go

348
00:15:20,000 --> 00:15:23,560
Speaker 2: on tour with like one of the biggest acts. Okay,

349
00:15:23,640 --> 00:15:26,840
Speaker 2: Chris Brown, Right, and it didn't happen yet, Like, do

350
00:15:26,920 --> 00:15:29,440
Speaker 2: you stop before like the knees and the ankles start

351
00:15:29,440 --> 00:15:32,120
Speaker 2: to get we can give out, or do you continue

352
00:15:32,160 --> 00:15:33,880
Speaker 2: to chase it until it happens.

353
00:15:33,920 --> 00:15:35,640
Speaker 3: I feel like they have a lifespan of like a

354
00:15:35,720 --> 00:15:38,720
Speaker 3: running back though. Yeah, it takes a lot out of.

355
00:15:38,720 --> 00:15:40,760
Speaker 2: You running back knees and dancing these are kind of

356
00:15:40,800 --> 00:15:41,080
Speaker 2: the same.

357
00:15:41,240 --> 00:15:43,200
Speaker 3: Yeah, and you only you have probably a ten year

358
00:15:43,240 --> 00:15:44,680
Speaker 3: window starting.

359
00:15:44,480 --> 00:15:45,760
Speaker 2: Him start to give out a little bit.

360
00:15:45,880 --> 00:15:49,600
Speaker 3: Yeah, and unless Missy Elliot's making videos again, kids aren't

361
00:15:49,680 --> 00:15:52,480
Speaker 3: dancers anymore. That error's going now, it's just bit just tworking.

362
00:15:52,920 --> 00:15:54,800
Speaker 3: But I digress.

363
00:15:54,880 --> 00:15:56,600
Speaker 1: I feel like he could go on TikTok and make,

364
00:15:57,120 --> 00:15:59,360
Speaker 1: you know, like he can divert his dream because the

365
00:15:59,360 --> 00:16:03,360
Speaker 1: world evolved, So I feel like the dream.

366
00:16:02,200 --> 00:16:04,520
Speaker 2: And I'm gonna showing my age here. But wasn't there

367
00:16:04,680 --> 00:16:06,760
Speaker 2: a dance move called the TikTok at one point?

368
00:16:07,600 --> 00:16:07,880
Speaker 1: Yes?

369
00:16:08,360 --> 00:16:09,000
Speaker 2: It was right?

370
00:16:09,880 --> 00:16:10,760
Speaker 1: Ticking is damp?

371
00:16:10,960 --> 00:16:11,320
Speaker 3: That one?

372
00:16:11,480 --> 00:16:14,280
Speaker 2: What is that?

373
00:16:12,360 --> 00:16:15,680
Speaker 3: Just remember that that move?

374
00:16:15,800 --> 00:16:18,040
Speaker 2: It looks like playing two cocks together. But what are

375
00:16:18,080 --> 00:16:18,360
Speaker 2: you doing?

376
00:16:18,560 --> 00:16:19,360
Speaker 3: How did you see that?

377
00:16:20,080 --> 00:16:22,600
Speaker 2: You hold in your head like this and he got one?

378
00:16:22,720 --> 00:16:24,520
Speaker 2: There you go the cock here, the cocky.

379
00:16:24,640 --> 00:16:28,840
Speaker 3: How that when I'm now questioning I'm not even holding

380
00:16:28,840 --> 00:16:33,760
Speaker 3: about something like this, like what is this? When is

381
00:16:33,840 --> 00:16:37,760
Speaker 3: anyone taking too what you're watching? Nastier porn?

382
00:16:37,760 --> 00:16:40,200
Speaker 2: To my father, Alexis Texas has done this before with

383
00:16:40,240 --> 00:16:40,960
Speaker 2: two cocks.

384
00:16:41,600 --> 00:16:42,680
Speaker 3: That was not my algorithm.

385
00:16:44,520 --> 00:16:47,160
Speaker 2: Shout out to Alexis Texas and those two gentlemen. I

386
00:16:47,240 --> 00:16:52,720
Speaker 2: helped her, Okay, ship, Yeah, that's why I see. I

387
00:16:52,760 --> 00:16:54,360
Speaker 2: was never a fan of that type of ship though,

388
00:16:54,400 --> 00:16:56,560
Speaker 2: like like running train on the girl for that reason,

389
00:16:57,240 --> 00:16:59,360
Speaker 2: Like I'm not bumping cocks with a nigga, bro, Like

390
00:16:59,400 --> 00:17:02,000
Speaker 2: that's not that's not happening, Like we're not doing that.

391
00:17:02,680 --> 00:17:04,800
Speaker 2: That's that's just crazy. Like when you see pawing in

392
00:17:04,880 --> 00:17:06,600
Speaker 2: like she'd be sucking two dicks at the same time.

393
00:17:06,840 --> 00:17:08,920
Speaker 2: I'm like, fam, you can feel his meat on your meat.

394
00:17:08,960 --> 00:17:13,120
Speaker 3: Bro, Listen, I've been very opened that I've never.

395
00:17:13,160 --> 00:17:15,760
Speaker 1: We were just talking about dance, interested in the did

396
00:17:15,760 --> 00:17:16,720
Speaker 1: we get to you now?

397
00:17:16,720 --> 00:17:18,800
Speaker 3: You're right, man, I'm sorry, but this was a dance

398
00:17:18,880 --> 00:17:21,480
Speaker 3: move and it's a clock the talk.

399
00:17:22,040 --> 00:17:28,280
Speaker 2: We're club. They was doing that too, you know club.

400
00:17:28,440 --> 00:17:29,639
Speaker 2: We ain't gonna say it because I don't want to

401
00:17:29,640 --> 00:17:31,240
Speaker 2: get canceled, but you know what club they was doing

402
00:17:31,280 --> 00:17:38,239
Speaker 2: that move? Man, you gotta list it's not a move, bro,

403
00:17:38,320 --> 00:17:40,160
Speaker 2: You're not gonna station.

404
00:17:40,280 --> 00:17:43,560
Speaker 3: It's just I can't go before rotation my knees.

405
00:17:43,640 --> 00:17:46,240
Speaker 2: Man, what fucking club was they getting that move over?

406
00:17:46,440 --> 00:17:50,480
Speaker 1: Never doing? If he's talking about ticking, that's like a

407
00:17:50,560 --> 00:17:53,320
Speaker 1: clock TikTok, that's a wasting you see.

408
00:17:53,359 --> 00:17:57,320
Speaker 2: The man she was like, is such a bird? Like

409
00:17:57,480 --> 00:18:01,160
Speaker 2: the bird just seeps out like you stuff moving away?

410
00:18:03,200 --> 00:18:05,080
Speaker 1: So I could do fuckingtok.

411
00:18:06,720 --> 00:18:08,359
Speaker 2: Now you got your up. You look good doing that.

412
00:18:08,600 --> 00:18:10,920
Speaker 2: He looks at I've never seen that, and you're not

413
00:18:10,960 --> 00:18:12,640
Speaker 2: gonna tell me that. He's just not the culture. That's

414
00:18:12,680 --> 00:18:17,600
Speaker 2: all that ain't part about culture. Yeah, it's a lot

415
00:18:17,640 --> 00:18:19,560
Speaker 2: of somebody's culture, not hip hop culture.

416
00:18:19,840 --> 00:18:21,800
Speaker 3: The clock what was it called the TikTok?

417
00:18:22,200 --> 00:18:25,040
Speaker 2: The TikTok? What the marriage did was the tick? I

418
00:18:25,440 --> 00:18:28,680
Speaker 2: remember that. I remember the West Indie talk Nah that

419
00:18:28,880 --> 00:18:31,720
Speaker 2: movie that was crazy, bro. I don't know what that was.

420
00:18:33,280 --> 00:18:34,960
Speaker 2: But yeah, it's a lot of crazy shit going on.

421
00:18:35,280 --> 00:18:36,680
Speaker 2: I don't know if y'all want to talk about it.

422
00:18:36,680 --> 00:18:38,399
Speaker 2: I guess now you don't want to talk about it?

423
00:18:38,720 --> 00:18:41,240
Speaker 3: Why not? No, let's talk about less. We can get

424
00:18:41,240 --> 00:18:41,399
Speaker 3: through it.

425
00:18:41,440 --> 00:18:42,919
Speaker 2: Okay, it's kind of clean up the messa a little bit.

426
00:18:43,119 --> 00:18:44,000
Speaker 3: We're not gonna clean anything.

427
00:18:45,119 --> 00:18:48,639
Speaker 2: I want everyone to just stop trying to be the

428
00:18:48,800 --> 00:18:51,000
Speaker 2: first to report ship because I feel like that's what

429
00:18:51,040 --> 00:18:53,080
Speaker 2: a lot of the Let's start at the top. I

430
00:18:53,119 --> 00:18:55,359
Speaker 2: think a lot of pages, a lot of accounts, a

431
00:18:55,440 --> 00:18:58,000
Speaker 2: lot of blogs, a lot of I think that people

432
00:18:58,200 --> 00:19:01,040
Speaker 2: because I'm not gonna name individuals because I just don't

433
00:19:01,480 --> 00:19:04,800
Speaker 2: want to give individuals that light. And I don't want

434
00:19:04,800 --> 00:19:06,520
Speaker 2: to get into a back and forth because I don't

435
00:19:06,520 --> 00:19:08,520
Speaker 2: know any of y'all. I don't got problems with any

436
00:19:08,560 --> 00:19:12,400
Speaker 2: of y'all. And half of y'all are weird, but only half.

437
00:19:13,080 --> 00:19:15,600
Speaker 2: Let's say half. Let's start at half. If it could go,

438
00:19:15,680 --> 00:19:19,840
Speaker 2: it's room for improvement. But yeah, that's the first thing.

439
00:19:19,960 --> 00:19:22,680
Speaker 2: People need to stop trying to be the first to

440
00:19:22,840 --> 00:19:26,200
Speaker 2: report on shit and be the first with the inside

441
00:19:26,240 --> 00:19:28,920
Speaker 2: scoop and the first to you know, get as many

442
00:19:29,000 --> 00:19:32,639
Speaker 2: clicks because they tweeted something about a situation that's happening,

443
00:19:32,720 --> 00:19:35,639
Speaker 2: and everyone's invested and everyone MutS to know what's going on.

444
00:19:36,680 --> 00:19:38,600
Speaker 3: It's just lime, though, No, isn't that the game?

445
00:19:38,680 --> 00:19:41,480
Speaker 2: But we're talking about real life situations. We're talking about

446
00:19:41,520 --> 00:19:44,720
Speaker 2: real circumstances, We're talking about real consequences for people involved

447
00:19:45,280 --> 00:19:47,520
Speaker 2: in some of these situations. And that's where I think

448
00:19:47,640 --> 00:19:50,080
Speaker 2: it gets a little trick yet, Like if if it's

449
00:19:50,160 --> 00:19:52,240
Speaker 2: something fun and you know, it's just kind of like

450
00:19:52,320 --> 00:19:54,760
Speaker 2: you're having a good time, then okay, you can, you know,

451
00:19:54,880 --> 00:19:57,080
Speaker 2: have fun with that. But when it's real shit happening,

452
00:19:57,520 --> 00:20:00,919
Speaker 2: like people are really in like court and people are

453
00:20:00,960 --> 00:20:04,480
Speaker 2: really going through things, let's just kind of stay away

454
00:20:04,520 --> 00:20:07,760
Speaker 2: from that because that's a little like, it's real people

455
00:20:08,240 --> 00:20:10,640
Speaker 2: involved in this ship and there's a consequences behind this ship.

456
00:20:10,800 --> 00:20:12,159
Speaker 3: Well, I'm not going to go ahead and think that

457
00:20:12,680 --> 00:20:17,440
Speaker 3: bloggers or even integrity and they give a fuck about

458
00:20:18,000 --> 00:20:18,960
Speaker 3: people's actual lives.

459
00:20:19,119 --> 00:20:20,680
Speaker 2: No, But I'm just saying, even if you don't, some

460
00:20:20,880 --> 00:20:24,560
Speaker 2: bloggers make sure that they do report we're facts, and

461
00:20:24,640 --> 00:20:26,679
Speaker 2: they do report the right shit, and they do put

462
00:20:26,720 --> 00:20:29,840
Speaker 2: the right shit out there. It's just the people that

463
00:20:30,040 --> 00:20:32,560
Speaker 2: are quick to jump the shit and they don't know exactly,

464
00:20:32,840 --> 00:20:34,520
Speaker 2: like they're hearing things. It's like I heard, I heard,

465
00:20:34,560 --> 00:20:36,600
Speaker 2: I heard, and it's like, yeah, but this is a

466
00:20:36,640 --> 00:20:39,200
Speaker 2: real circumstance, and I'm probably guilty of doing that on

467
00:20:39,359 --> 00:20:42,720
Speaker 2: my platform before. But that's don't believe us though, we're

468
00:20:42,720 --> 00:20:45,040
Speaker 2: not going to regognize. Yeah, I'll be the first to

469
00:20:45,119 --> 00:20:46,639
Speaker 2: tell you. Half of the time, I don't even know

470
00:20:46,640 --> 00:20:48,879
Speaker 2: what the un does. Yeah no, but yeah, it's just

471
00:20:49,000 --> 00:20:51,520
Speaker 2: like that's the biggest part of the message, because that

472
00:20:51,560 --> 00:20:55,440
Speaker 2: shit starts to grow legs and narratives start to take

473
00:20:55,520 --> 00:20:58,240
Speaker 2: off and shit like that, And to me, that's part

474
00:20:58,720 --> 00:21:00,520
Speaker 2: of the that's the biggest part of the problem is

475
00:21:00,560 --> 00:21:03,320
Speaker 2: that people are so quick to report full ship.

476
00:21:04,800 --> 00:21:08,600
Speaker 3: I agree with you, but I well, I never expect bloggers,

477
00:21:08,640 --> 00:21:11,920
Speaker 3: which is is a really weird uh yin and yang

478
00:21:12,040 --> 00:21:16,040
Speaker 3: of how obsessed bloggers are about other people and what

479
00:21:16,160 --> 00:21:19,800
Speaker 3: they're doing, but not obsessed with their actual life, if

480
00:21:19,840 --> 00:21:21,600
Speaker 3: that makes sense. They don't particularly care what happened in

481
00:21:21,640 --> 00:21:23,359
Speaker 3: their lives as long as it's something they can report.

482
00:21:23,840 --> 00:21:26,600
Speaker 3: But I don't. I don't expect bloggers. It's like a

483
00:21:26,680 --> 00:21:28,680
Speaker 3: bloggers are like it's like a fucking high school paper.

484
00:21:29,280 --> 00:21:31,399
Speaker 3: Like I don't think there's gonna be integrity with it.

485
00:21:31,440 --> 00:21:33,960
Speaker 2: I don't think there's gonna be anything. Should this should

486
00:21:34,000 --> 00:21:35,440
Speaker 2: be integrity and everything? You do know?

487
00:21:35,920 --> 00:21:39,399
Speaker 1: Yes, should right? That's in a dream world that's not

488
00:21:39,520 --> 00:21:40,040
Speaker 1: the real world.

489
00:21:40,359 --> 00:21:45,720
Speaker 3: But the genre in the metaverse, the genre in itself

490
00:21:46,119 --> 00:21:49,879
Speaker 3: doesn't have It does not call for integrity. It calls

491
00:21:50,400 --> 00:21:54,800
Speaker 3: for salaciousness. So I can't I can't expect integrity to

492
00:21:54,880 --> 00:21:58,520
Speaker 3: be in a genre that is built on the opposite.

493
00:21:59,440 --> 00:22:05,560
Speaker 3: It's sinceationalism and laziness and what headline can I get

494
00:22:05,640 --> 00:22:09,880
Speaker 3: up before the next blog? So yeah, it's all irresponsible,

495
00:22:09,960 --> 00:22:13,359
Speaker 3: but it's blogging. It's just really I get it, and

496
00:22:13,520 --> 00:22:14,160
Speaker 3: I understand.

497
00:22:14,200 --> 00:22:16,280
Speaker 2: You know, that's what sells, and that's what takes off,

498
00:22:16,320 --> 00:22:18,920
Speaker 2: and that's what gets clicks, and that's what you know.

499
00:22:19,119 --> 00:22:22,159
Speaker 2: But again, have some integrity and everything you do. You

500
00:22:22,240 --> 00:22:24,520
Speaker 2: can have fun, and you can you know, be salacious

501
00:22:24,600 --> 00:22:26,800
Speaker 2: and have headlines that are going to get people to click,

502
00:22:27,359 --> 00:22:29,960
Speaker 2: but at least have some integrity. But especially when it's

503
00:22:30,000 --> 00:22:33,120
Speaker 2: a situation involving people going through real, real life circumstances

504
00:22:33,680 --> 00:22:36,399
Speaker 2: and real consequences at hand. Like that's that's that's all.

505
00:22:36,680 --> 00:22:37,440
Speaker 2: That's all I'm saying.

506
00:22:37,600 --> 00:22:41,720
Speaker 3: Well, there's no uh, there's no like Internet Committee except

507
00:22:41,760 --> 00:22:46,120
Speaker 3: for like Mark Zuckerberg, Like, there's no penalty to misinformation,

508
00:22:46,240 --> 00:22:48,240
Speaker 3: and it should be not only with bloggers, we see

509
00:22:48,280 --> 00:22:51,720
Speaker 3: it with the fucking actual news, which has went from

510
00:22:51,720 --> 00:22:55,040
Speaker 3: straight news to opinion news. And similar to bloggers who

511
00:22:55,080 --> 00:22:57,879
Speaker 3: can break the next bullshit the quickest, or who can

512
00:22:57,920 --> 00:23:01,680
Speaker 3: make up the most, there needs to be some repercussions

513
00:23:01,800 --> 00:23:04,120
Speaker 3: for putting out false information.

514
00:23:05,359 --> 00:23:05,719
Speaker 2: Agreed.

515
00:23:06,240 --> 00:23:08,400
Speaker 3: And I don't know if that means you're shut down

516
00:23:08,440 --> 00:23:10,080
Speaker 3: for a certain amount of time. I mean we have

517
00:23:10,160 --> 00:23:13,399
Speaker 3: seen it certain with ad dollars and things of that nature,

518
00:23:13,480 --> 00:23:16,760
Speaker 3: but there is no committee with the Internet that could

519
00:23:16,800 --> 00:23:20,480
Speaker 3: be like, yo, that's bad, and there never will because

520
00:23:20,480 --> 00:23:22,440
Speaker 3: the Internet is the fucking wild wild West, and actually

521
00:23:22,440 --> 00:23:23,920
Speaker 3: why we like it is because of that. But you

522
00:23:23,960 --> 00:23:26,080
Speaker 3: guys just start one the U N of the Internet.

523
00:23:26,280 --> 00:23:28,000
Speaker 2: I would never want to do that, the U N

524
00:23:28,080 --> 00:23:28,920
Speaker 2: of the Internet. The UN.

525
00:23:28,960 --> 00:23:30,399
Speaker 3: I still don't know what they do, but I assume

526
00:23:30,840 --> 00:23:33,200
Speaker 3: United Nations could do something on the Internet.

527
00:23:34,240 --> 00:23:35,960
Speaker 1: United Niggas against misinformation.

528
00:23:36,520 --> 00:23:38,240
Speaker 3: You know, I don't think I could be in that one,

529
00:23:38,400 --> 00:23:42,080
Speaker 3: but United Gingers we've all seen it on the playground,

530
00:23:42,160 --> 00:23:43,719
Speaker 3: at the store, walking on the streets.

531
00:23:44,000 --> 00:23:45,680
Speaker 2: They creep us out and make us feel sick to

532
00:23:45,760 --> 00:23:48,520
Speaker 2: our stomachs. I'm talking of course about Ginger kids.

533
00:23:49,800 --> 00:23:51,320
Speaker 1: Ah sick wells.

534
00:23:51,720 --> 00:23:54,399
Speaker 2: There is a ginger nigga without ginger. We know that

535
00:23:54,560 --> 00:23:56,840
Speaker 2: we've we've checked the wars, We've researched this thing.

536
00:23:56,960 --> 00:23:59,280
Speaker 3: There's a ginger festival in June.

537
00:23:59,320 --> 00:24:01,680
Speaker 1: Where ready, keynote speaker, We're going.

538
00:24:01,800 --> 00:24:03,000
Speaker 3: I would be fucking honored.

539
00:24:03,160 --> 00:24:04,119
Speaker 2: Are we going? Uh?

540
00:24:04,440 --> 00:24:05,840
Speaker 3: Of course we are. We'll just get you a wig.

541
00:24:06,440 --> 00:24:07,280
Speaker 2: We're fucking going.

542
00:24:07,359 --> 00:24:09,840
Speaker 3: Bro hold on, let me find it. I definitely thought

543
00:24:09,880 --> 00:24:10,760
Speaker 3: I saved it all.

544
00:24:10,800 --> 00:24:13,280
Speaker 1: You're gonna let me dye your beard orange, I'll do that.

545
00:24:14,160 --> 00:24:16,160
Speaker 3: But what if I out you and as a fraud,

546
00:24:17,000 --> 00:24:18,800
Speaker 3: like you're not a natural gen I think they know

547
00:24:18,960 --> 00:24:20,600
Speaker 3: that I'm not a natural ginger.

548
00:24:21,000 --> 00:24:22,920
Speaker 2: I can stand in the sun. There's black people that

549
00:24:23,000 --> 00:24:24,200
Speaker 2: have natural layer this.

550
00:24:24,480 --> 00:24:28,439
Speaker 3: Yeah, did Malcolm X right here?

551
00:24:28,560 --> 00:24:28,760
Speaker 1: Yeah?

552
00:24:28,840 --> 00:24:34,399
Speaker 3: His name was Detroit red i'm's the pet Okay, did

553
00:24:34,480 --> 00:24:37,159
Speaker 3: not know that the annual Redhead Festival is in uh

554
00:24:37,560 --> 00:24:40,879
Speaker 3: Brita b R E d A. I'm assuming it doesn't

555
00:24:40,880 --> 00:24:42,320
Speaker 3: give a date, but I would imagine if it's going

556
00:24:42,400 --> 00:24:43,840
Speaker 3: to be outside, we couldn't do it in the summer.

557
00:24:44,200 --> 00:24:45,239
Speaker 3: It'd have to be a full thing.

558
00:24:45,520 --> 00:24:47,600
Speaker 1: If all in the advertisement.

559
00:24:49,160 --> 00:24:50,720
Speaker 3: Yeah, but that could just be to throw us off

560
00:24:50,760 --> 00:24:53,959
Speaker 3: with lighting. Ah, but I mean you'd have to think

561
00:24:54,040 --> 00:24:56,479
Speaker 3: that's a lot of SPF in one place. If Banana

562
00:24:56,480 --> 00:24:58,960
Speaker 3: Boat is not sponsoring that, you guys need to rethink

563
00:24:59,000 --> 00:24:59,680
Speaker 3: your marketing plan.

564
00:25:01,160 --> 00:25:03,800
Speaker 2: We need to go. I think that we should be there.

565
00:25:03,960 --> 00:25:05,560
Speaker 2: I think that we should do a pod there, and

566
00:25:05,640 --> 00:25:07,800
Speaker 2: we should talk to others. We should talk to your

567
00:25:08,320 --> 00:25:09,360
Speaker 2: brothers and sisters. Yeah.

568
00:25:09,520 --> 00:25:11,119
Speaker 3: I just want to go there to donate sperm.

569
00:25:12,320 --> 00:25:15,879
Speaker 1: Okay, I need you to lead us.

570
00:25:16,080 --> 00:25:18,640
Speaker 2: Would just sperm be considered like doctor Pepper.

571
00:25:19,880 --> 00:25:21,400
Speaker 3: No sun kissed for sure?

572
00:25:21,840 --> 00:25:22,000
Speaker 2: Oh?

573
00:25:22,640 --> 00:25:24,400
Speaker 3: Okay, maybe Orange.

574
00:25:24,119 --> 00:25:27,399
Speaker 1: Fantas can you can you let us know how you

575
00:25:27,800 --> 00:25:30,000
Speaker 1: got to the point that you need to donate sperm?

576
00:25:30,080 --> 00:25:32,360
Speaker 3: Like you, because in I don't know how many years,

577
00:25:32,760 --> 00:25:36,280
Speaker 3: redheads are going to be extinct because we're self hating people.

578
00:25:36,400 --> 00:25:38,200
Speaker 3: We don't want to sleep with each other. We're just

579
00:25:38,280 --> 00:25:42,960
Speaker 3: gradually going to fade out. So, because I also am

580
00:25:43,000 --> 00:25:46,320
Speaker 3: a self hating redhead and likely will not pro create

581
00:25:46,520 --> 00:25:50,040
Speaker 3: with a redhead, I still want us as a race

582
00:25:50,160 --> 00:25:54,720
Speaker 3: to continue on. So I could donate my sperm to

583
00:25:55,320 --> 00:25:59,320
Speaker 3: whatever DNA would work to continue the Redhead's going. Okay,

584
00:26:00,119 --> 00:26:01,040
Speaker 3: it's a selfless act.

585
00:26:01,200 --> 00:26:04,000
Speaker 2: Yeah, to be quite honest, and you're dying for your country. Yeah,

586
00:26:04,400 --> 00:26:07,280
Speaker 2: dying for my genetics, dyeing the hair, not actually dying.

587
00:26:07,720 --> 00:26:10,359
Speaker 3: If you're dying, what you're going to have, I'm going

588
00:26:10,400 --> 00:26:10,760
Speaker 3: to kill you.

589
00:26:12,240 --> 00:26:12,720
Speaker 1: Anyways.

590
00:26:13,720 --> 00:26:17,560
Speaker 3: Spread of misinformation, Yes, the DNA on the gun or not?

591
00:26:18,720 --> 00:26:21,560
Speaker 1: Yo, Oh my god.

592
00:26:21,920 --> 00:26:25,119
Speaker 3: You know what's so funny about everyone on Twitter and

593
00:26:25,359 --> 00:26:28,240
Speaker 3: Instagram and all that debating back and forth and Megan

594
00:26:28,359 --> 00:26:32,200
Speaker 3: saying stuff and all that court is going to happen. Yeah,

595
00:26:33,320 --> 00:26:35,920
Speaker 3: we don't need to debate and people a scientists will

596
00:26:35,960 --> 00:26:38,399
Speaker 3: come in and be like, hey, this is what happened.

597
00:26:38,520 --> 00:26:42,879
Speaker 1: People also need to prepare themselves for the possibility, but

598
00:26:43,200 --> 00:26:45,879
Speaker 1: not even prepare themselves. We will never know what happened

599
00:26:45,920 --> 00:26:47,679
Speaker 1: because we were not there. People keep saying, well, it's

600
00:26:47,680 --> 00:26:48,840
Speaker 1: going to come out in court. You know how many

601
00:26:48,840 --> 00:26:50,920
Speaker 1: people go to court who were wrongly accused. You know

602
00:26:50,960 --> 00:26:53,840
Speaker 1: how many people go to get off. Like, it doesn't court,

603
00:26:54,600 --> 00:26:57,240
Speaker 1: it's not called it's the legal system, not the justice system.

604
00:26:57,400 --> 00:27:00,479
Speaker 1: Like it doesn't mean that, it's whoever can prove their

605
00:27:00,560 --> 00:27:02,840
Speaker 1: side the best. You don't know what happened. We were

606
00:27:02,920 --> 00:27:05,159
Speaker 1: not there. We're never gonna fucking know what happened. And

607
00:27:05,240 --> 00:27:07,040
Speaker 1: we need to let we really need to let that

608
00:27:07,240 --> 00:27:07,600
Speaker 1: part go.

609
00:27:08,200 --> 00:27:09,320
Speaker 3: Is Megan even.

610
00:27:10,920 --> 00:27:12,920
Speaker 2: Will she be in every court here because she's not

611
00:27:13,119 --> 00:27:15,199
Speaker 2: charged with anything, she's just not a witness.

612
00:27:15,200 --> 00:27:17,720
Speaker 1: One day, yeah, probably one day she'll be a witness.

613
00:27:18,840 --> 00:27:20,560
Speaker 2: She's like victim, the.

614
00:27:20,600 --> 00:27:24,040
Speaker 3: Victim witness, that's the best witness. Hey, this happened to me.

615
00:27:24,200 --> 00:27:26,080
Speaker 2: Okay, I don't know that that's what they classified them

616
00:27:26,080 --> 00:27:26,960
Speaker 2: as witness. Okay.

617
00:27:30,000 --> 00:27:33,119
Speaker 1: She can choose not to take the stand, Okay, but

618
00:27:33,200 --> 00:27:34,800
Speaker 1: I don't think that would help her case.

619
00:27:35,480 --> 00:27:37,520
Speaker 2: And they go back April fifth, right, I think it's

620
00:27:37,560 --> 00:27:38,960
Speaker 2: been pushed back into April.

621
00:27:38,760 --> 00:27:41,280
Speaker 1: Fifth on vacation. By the way, I put that in

622
00:27:41,359 --> 00:27:41,800
Speaker 1: the calendar.

623
00:27:42,760 --> 00:27:50,080
Speaker 2: Yes, we saw that pop up. Thank you, denied, spoke

624
00:27:50,119 --> 00:27:51,399
Speaker 2: to hr fucking denied.

625
00:27:51,600 --> 00:27:53,840
Speaker 3: I know we find this stuff so normal now because

626
00:27:53,840 --> 00:27:56,600
Speaker 3: so much crazy shit happens. But I'm gonna repeat myself again.

627
00:27:57,440 --> 00:28:01,240
Speaker 3: One of the biggest acts at the time allegedly shot

628
00:28:02,520 --> 00:28:04,280
Speaker 3: one of the other big one of the other biggest

629
00:28:04,320 --> 00:28:07,119
Speaker 3: act that was a woman, and then went on Twitter

630
00:28:07,240 --> 00:28:10,120
Speaker 3: yesterday and said it's only because I got a good dick.

631
00:28:10,200 --> 00:28:15,640
Speaker 3: I was fucking both of them. Anyone realized what listen,

632
00:28:15,720 --> 00:28:18,800
Speaker 3: fucking world we're in right now. Listen this is insane.

633
00:28:18,920 --> 00:28:21,320
Speaker 2: No, and I'm with you. It's not a funny situation,

634
00:28:21,560 --> 00:28:26,400
Speaker 2: but it's funny moments after the situation, like twitter tweets

635
00:28:26,400 --> 00:28:29,120
Speaker 2: from both sides. I mean, it wasn't nothing funny about

636
00:28:29,119 --> 00:28:33,320
Speaker 2: what Meg was tweeting, but Tory was having he was

637
00:28:33,400 --> 00:28:36,840
Speaker 2: having a little fun with it. And you know, listen,

638
00:28:36,880 --> 00:28:40,080
Speaker 2: if you're in a situation like that and you you

639
00:28:40,120 --> 00:28:42,560
Speaker 2: feel like you didn't do anything and that's your stance,

640
00:28:42,880 --> 00:28:44,960
Speaker 2: then I guess you can have fun with it, you

641
00:28:45,040 --> 00:28:46,480
Speaker 2: know what I mean? You can because you know what

642
00:28:46,560 --> 00:28:48,840
Speaker 2: you feel or you feel or you know you didn't

643
00:28:48,840 --> 00:28:52,560
Speaker 2: do anything. Is it a little inventing Anna vibes with it? Maybe?

644
00:28:53,200 --> 00:28:55,959
Speaker 3: Well he was suggesting that because because Megan put out

645
00:28:55,960 --> 00:28:58,720
Speaker 3: which again I still don't understand. You don't need to

646
00:28:58,760 --> 00:29:01,520
Speaker 3: do the court of public opinion right now. You can

647
00:29:01,640 --> 00:29:03,720
Speaker 3: just do court and then the public will decide after court,

648
00:29:03,960 --> 00:29:08,120
Speaker 3: right you putting up text messages and Tory replying, It's

649
00:29:08,200 --> 00:29:11,880
Speaker 3: like this is the most the way we joke about

650
00:29:11,880 --> 00:29:16,360
Speaker 3: the babies. Publicist lawyers are probably like, Yo, what the

651
00:29:16,480 --> 00:29:17,520
Speaker 3: fuck is wrong with y'all?

652
00:29:17,760 --> 00:29:19,000
Speaker 2: Want to I want to talk to the lawyers and

653
00:29:19,040 --> 00:29:21,560
Speaker 2: the publishers right now. I want to see post those

654
00:29:21,920 --> 00:29:23,280
Speaker 2: screenshots of your lawyer and.

655
00:29:23,280 --> 00:29:26,480
Speaker 1: Your public y'all think lawyers don't use the court of

656
00:29:26,560 --> 00:29:29,960
Speaker 1: public opinion to their own divide like they do that

657
00:29:30,040 --> 00:29:30,720
Speaker 1: a lot on purpose.

658
00:29:31,560 --> 00:29:34,720
Speaker 2: For sure, the jury is only six people from the public, Like,

659
00:29:34,920 --> 00:29:37,840
Speaker 2: that's public opinion. It's the jury box. That's what people

660
00:29:37,840 --> 00:29:40,880
Speaker 2: don't understand about that, Like, that's the public if we

661
00:29:40,960 --> 00:29:42,960
Speaker 2: can't have the whole world sitting in there, So we're

662
00:29:42,960 --> 00:29:46,640
Speaker 2: gonna pick six individuals or twelve is twelve twelve individuals

663
00:29:46,960 --> 00:29:48,600
Speaker 2: and have them come in here and listen to this

664
00:29:48,640 --> 00:29:51,440
Speaker 2: shit and give their public opinion on the outside just

665
00:29:51,520 --> 00:29:54,680
Speaker 2: looking at the bullshit. I mean, you think those jurors

666
00:29:54,760 --> 00:29:57,240
Speaker 2: don't have some of them don't have social media? You

667
00:29:57,320 --> 00:29:59,200
Speaker 2: think some of them don't or not don't have Like

668
00:29:59,240 --> 00:30:02,160
Speaker 2: I don't know how old the jurors are, but you

669
00:30:02,200 --> 00:30:06,480
Speaker 2: think some of them don't have grandchildren on the nephews

670
00:30:06,560 --> 00:30:09,440
Speaker 2: that they talked to about this shit, Like, like what

671
00:30:09,520 --> 00:30:10,160
Speaker 2: do you think about this?

672
00:30:11,280 --> 00:30:14,040
Speaker 3: I just want Kylie to get subpoena just for laughs,

673
00:30:15,960 --> 00:30:16,440
Speaker 3: just for laughs.

674
00:30:17,160 --> 00:30:20,240
Speaker 2: That would be a fucking show waiting to happen. That's

675
00:30:20,280 --> 00:30:21,360
Speaker 2: another Netflix special.

676
00:30:21,840 --> 00:30:24,120
Speaker 3: That's the part two of the People Versus O. J. Simpsons,

677
00:30:24,120 --> 00:30:25,680
Speaker 3: Absolutely without a doctor.

678
00:30:26,360 --> 00:30:29,840
Speaker 2: If Kylie has to do People versu. Day Star, if

679
00:30:29,880 --> 00:30:33,120
Speaker 2: she has to come to court, bro, it's gonna be.

680
00:30:33,280 --> 00:30:35,280
Speaker 2: This is gonna be a bigger media event than we

681
00:30:35,880 --> 00:30:38,440
Speaker 2: ever thought it would be. For sure, it's already a

682
00:30:38,480 --> 00:30:41,840
Speaker 2: big event because again, it's two of our bigger stars

683
00:30:41,920 --> 00:30:44,560
Speaker 2: of our culture, two of our more talented artists in

684
00:30:44,560 --> 00:30:49,400
Speaker 2: our culture, and a situation that we've never ever seen

685
00:30:49,480 --> 00:30:50,120
Speaker 2: in our culture.

686
00:30:50,400 --> 00:30:53,640
Speaker 3: The debate about what those apology text messages that make

687
00:30:53,680 --> 00:30:56,600
Speaker 3: posts for those that don't know she posted text messages

688
00:30:56,600 --> 00:31:00,800
Speaker 3: of Tory apologizing to her. The debate of one person

689
00:31:00,920 --> 00:31:05,360
Speaker 3: saying you're apologizing for shooting me and then the other

690
00:31:05,480 --> 00:31:10,280
Speaker 3: side saying, no, I'm apologizing for fucking both. Y'all's if

691
00:31:10,480 --> 00:31:13,000
Speaker 3: anyone realized the world we're living in right now.

692
00:31:13,040 --> 00:31:14,640
Speaker 2: No, it's fucking crazy. It's a mess.

693
00:31:14,840 --> 00:31:15,400
Speaker 1: It's insane.

694
00:31:15,440 --> 00:31:18,200
Speaker 2: It's a mess. Some people need to be sent to

695
00:31:18,240 --> 00:31:20,520
Speaker 2: their corners. Go sit in the corner. That's what it

696
00:31:20,600 --> 00:31:23,560
Speaker 2: used to happen. Everybody goes shit in the corner Ukraine,

697
00:31:24,440 --> 00:31:29,880
Speaker 2: everybody shit in the fucking corner. Sit down, relax, breathe,

698
00:31:30,600 --> 00:31:32,040
Speaker 2: life is supposed to be beautiful.

699
00:31:33,040 --> 00:31:36,120
Speaker 3: Bill Gates just said, yeah, COVID's over, but another one's coming.

700
00:31:39,120 --> 00:31:40,720
Speaker 3: I looked at what going through.

701
00:31:41,320 --> 00:31:43,160
Speaker 1: I don't know what he fuck up my summer because

702
00:31:43,160 --> 00:31:45,240
Speaker 1: I'm trying to redo summer sixteen. And if he fuck

703
00:31:45,360 --> 00:31:46,640
Speaker 1: up my summer, bro, you're.

704
00:31:46,480 --> 00:31:48,520
Speaker 2: Trying to read sixteen. Would you like to share what

705
00:31:48,600 --> 00:31:49,960
Speaker 2: you were doing on summer sixteen?

706
00:31:50,000 --> 00:31:52,520
Speaker 1: We always lit Summer sixteen. If he wasn't lit Summer sixteen,

707
00:31:52,560 --> 00:31:53,240
Speaker 1: he wasn't outside.

708
00:31:53,480 --> 00:31:56,440
Speaker 3: He kind of laying Summer thirteen and summer sixteen. If

709
00:31:56,480 --> 00:31:58,480
Speaker 3: you ain't doing nothing, he was like, yeah, there's something

710
00:31:58,520 --> 00:31:59,080
Speaker 3: really wrong with you.

711
00:31:59,640 --> 00:32:03,600
Speaker 2: Some thirteen was a good summer. Summer sixteen was. It

712
00:32:03,720 --> 00:32:04,360
Speaker 2: was a good summer.

713
00:32:04,480 --> 00:32:07,080
Speaker 1: Summer sixteen was the year that Work came out.

714
00:32:08,720 --> 00:32:13,280
Speaker 3: Remember that year Work, Rihanna, Yes, I don't remember how.

715
00:32:15,320 --> 00:32:17,040
Speaker 2: They was throwing ass all some of that summer.

716
00:32:17,600 --> 00:32:19,360
Speaker 3: I think then we get Lemonade.

717
00:32:19,400 --> 00:32:22,840
Speaker 1: That's yep, lemonade. That summer we got Anti and Lemonade and.

718
00:32:23,080 --> 00:32:28,280
Speaker 3: Views and Blonde, and I feel like there was and

719
00:32:28,560 --> 00:32:29,560
Speaker 3: life of Pablo.

720
00:32:29,480 --> 00:32:31,160
Speaker 2: Blonde life the summer.

721
00:32:31,720 --> 00:32:32,720
Speaker 3: I don't know, it's the summer.

722
00:32:32,880 --> 00:32:33,760
Speaker 1: Came out later that year.

723
00:32:34,320 --> 00:32:35,320
Speaker 2: I say, I think it was kind of coold.

724
00:32:35,320 --> 00:32:37,880
Speaker 3: I'm just talking about twenty sixteen was going. Yeah, twenty

725
00:32:37,920 --> 00:32:41,239
Speaker 3: sixteen was crazy as far as music. Did we get

726
00:32:41,240 --> 00:32:42,479
Speaker 3: four forty? No, we got that thing.

727
00:32:43,160 --> 00:32:43,200
Speaker 2: No.

728
00:32:43,320 --> 00:32:44,720
Speaker 1: Four twenty seventeen.

729
00:32:44,960 --> 00:32:45,840
Speaker 2: I think it was after.

730
00:32:46,040 --> 00:32:48,520
Speaker 3: It was after, of course. And I think we got

731
00:32:48,560 --> 00:32:50,160
Speaker 3: seated the table in twenty sixteen.

732
00:32:50,240 --> 00:32:50,959
Speaker 1: Yeah, I think so too.

733
00:32:51,520 --> 00:32:53,920
Speaker 3: That year is crazy. But yes, everyone needs to go

734
00:32:53,920 --> 00:32:55,800
Speaker 3: to their corners. This is insane.

735
00:32:56,680 --> 00:32:57,160
Speaker 2: I don't know why.

736
00:32:57,200 --> 00:32:58,640
Speaker 3: Why do they pushed April for this court.

737
00:32:59,080 --> 00:33:01,520
Speaker 1: I don't know they gotta I think they're getting another

738
00:33:03,400 --> 00:33:06,720
Speaker 1: professional or scientists or whatever. I don't know the exact

739
00:33:06,760 --> 00:33:11,320
Speaker 1: terminology to look at the DNA evidence, something like.

740
00:33:11,440 --> 00:33:14,920
Speaker 2: Just gathering more information. Things like that, and that's and

741
00:33:15,040 --> 00:33:16,960
Speaker 2: that's what happens when it's a case like this, a

742
00:33:17,040 --> 00:33:18,080
Speaker 2: high profile case.

743
00:33:18,160 --> 00:33:19,960
Speaker 1: And he said, she said, yeah, you.

744
00:33:20,000 --> 00:33:21,960
Speaker 2: Got to make sure that all the bases of colored,

745
00:33:22,000 --> 00:33:24,760
Speaker 2: all the evidence is in and then you can present

746
00:33:24,960 --> 00:33:28,800
Speaker 2: and defend and talk to the jury and you know

747
00:33:28,880 --> 00:33:29,880
Speaker 2: a decision will be made.

748
00:33:30,040 --> 00:33:32,000
Speaker 3: It's funny brought up Anna Tory might end up in

749
00:33:32,040 --> 00:33:33,160
Speaker 3: ice with with Anna.

750
00:33:34,000 --> 00:33:36,760
Speaker 2: Yeah, because he was born in Canada, right, h Yeah,

751
00:33:37,600 --> 00:33:40,680
Speaker 2: it's it's a fucked up situation. Man, it's a fucked

752
00:33:40,720 --> 00:33:43,880
Speaker 2: up situation. I mean, you know, again, we've never seen

753
00:33:43,920 --> 00:33:46,480
Speaker 2: nothing like this, so it's kind of like is this real?

754
00:33:47,800 --> 00:33:49,440
Speaker 2: Like we even, like I said, even against some of

755
00:33:49,440 --> 00:33:52,200
Speaker 2: those tweets yesterday, it's like, wait, this is a real case,

756
00:33:52,960 --> 00:33:55,440
Speaker 2: Like they're really going to court because it feels like

757
00:33:55,520 --> 00:33:57,960
Speaker 2: this is some ship that's just like a Twitter timeline story.

758
00:33:58,040 --> 00:34:01,680
Speaker 2: Like it doesn't even seem like that's yeah, like these

759
00:34:01,720 --> 00:34:04,560
Speaker 2: people are really going to court. This feels like somebody

760
00:34:04,600 --> 00:34:06,240
Speaker 2: that flew out to me the girl and like it

761
00:34:06,360 --> 00:34:11,879
Speaker 2: went terrible. It doesn't threat yeah, like it doesn't feel

762
00:34:11,920 --> 00:34:13,839
Speaker 2: like a real case that's in the court of law

763
00:34:13,960 --> 00:34:17,200
Speaker 2: right now. Like it's it's fucking crazy. But either way, man,

764
00:34:17,280 --> 00:34:20,360
Speaker 2: prayers to both sides, Prayers to you know, everybody involved

765
00:34:20,400 --> 00:34:22,359
Speaker 2: in that ship and the truth whatever press the truth.

766
00:34:22,520 --> 00:34:24,640
Speaker 2: Prayers to the truth as well, and prayers to put

767
00:34:24,800 --> 00:34:27,840
Speaker 2: you and prais the party. I mean that dead serious

768
00:34:28,120 --> 00:34:30,600
Speaker 2: for real, because I know that he's going as if

769
00:34:30,680 --> 00:34:33,200
Speaker 2: your girlfriend is going through something like that, and I'm

770
00:34:33,239 --> 00:34:37,520
Speaker 2: sure they've talked about the situation that happened. As a man,

771
00:34:37,640 --> 00:34:39,400
Speaker 2: as you know, you want to be there to defend

772
00:34:39,440 --> 00:34:41,600
Speaker 2: your woman and you know, a man talking to her

773
00:34:41,719 --> 00:34:44,800
Speaker 2: like that about a situation that happened, and you know,

774
00:34:44,880 --> 00:34:50,000
Speaker 2: I understand them. Emotions are high. But again, everybody just

775
00:34:50,280 --> 00:34:53,080
Speaker 2: you know, let let what's going to happen happen, Let

776
00:34:53,160 --> 00:34:55,520
Speaker 2: things fall into the right place and let the courts

777
00:34:55,560 --> 00:34:56,520
Speaker 2: handle it. Yeah.

778
00:34:56,640 --> 00:34:59,480
Speaker 3: And as someone that has a temper, sometimes just knowing

779
00:34:59,760 --> 00:35:01,799
Speaker 3: you can do it is is enough.

780
00:35:02,600 --> 00:35:04,480
Speaker 2: It's not just like I know what would happen.

781
00:35:04,280 --> 00:35:06,080
Speaker 3: If I ran into you, So I'm cool with just

782
00:35:06,640 --> 00:35:10,080
Speaker 3: that everybody knowing the truth there I can set on

783
00:35:10,200 --> 00:35:13,120
Speaker 3: be like, Okay, we both know what would happen. Yeah,

784
00:35:13,160 --> 00:35:14,120
Speaker 3: so let's just leave it at that.

785
00:35:15,239 --> 00:35:18,240
Speaker 1: Especially with something that is serious, because like as a boyfriend,

786
00:35:18,320 --> 00:35:21,440
Speaker 1: like I know, like his only stance should be YO,

787
00:35:21,600 --> 00:35:23,880
Speaker 1: you shut up, don't argue with him, don't argue with them,

788
00:35:23,880 --> 00:35:26,520
Speaker 1: to shut up, shut up, everybody shut up, get off

789
00:35:26,560 --> 00:35:27,879
Speaker 1: the internet like real shit.

790
00:35:27,960 --> 00:35:29,880
Speaker 2: Because but you know, it's hard for Meg. I think

791
00:35:29,960 --> 00:35:31,880
Speaker 2: because I think she's she I think, you know, like

792
00:35:32,000 --> 00:35:34,680
Speaker 2: most women, she sits back and she reads what people

793
00:35:34,719 --> 00:35:35,000
Speaker 2: are saying.

794
00:35:35,080 --> 00:35:37,400
Speaker 1: He's a lot of shit. Go, that's why she was

795
00:35:37,600 --> 00:35:39,400
Speaker 1: getting her shut off. I'm like I can't even be

796
00:35:39,480 --> 00:35:43,360
Speaker 1: mad at you because I can't imagine having millions and

797
00:35:43,560 --> 00:35:47,600
Speaker 1: millions of people giving their fucking opinion on some serious

798
00:35:47,680 --> 00:35:48,560
Speaker 1: ship that happened.

799
00:35:48,600 --> 00:35:49,239
Speaker 2: And that's what it is.

800
00:35:49,560 --> 00:35:50,719
Speaker 1: I can't imagine that.

801
00:35:50,920 --> 00:35:54,560
Speaker 2: Let's let's even for the record, let's say Tory didn't

802
00:35:54,560 --> 00:35:56,759
Speaker 2: shoot her. Let's say he didn't fire a gun. Right,

803
00:35:57,760 --> 00:36:03,400
Speaker 2: the fact remains is that she was shot in the foot. Right, Bullets, fragments,

804
00:36:03,440 --> 00:36:05,440
Speaker 2: whatever it is, shrapnel, whatever you want to call it,

805
00:36:06,400 --> 00:36:11,480
Speaker 2: hit her in the foot. That's the situation. Okay, So

806
00:36:11,840 --> 00:36:14,000
Speaker 2: who did it lead that up to the courts and

807
00:36:14,000 --> 00:36:17,040
Speaker 2: the lawyers to to do that? The bottom line is

808
00:36:17,400 --> 00:36:18,000
Speaker 2: she was shot.

809
00:36:19,040 --> 00:36:21,000
Speaker 1: May keep telling her she's lying, They calling her.

810
00:36:20,960 --> 00:36:24,680
Speaker 2: And that's that's like, and that's the problem. That's what

811
00:36:25,120 --> 00:36:25,360
Speaker 2: it is.

812
00:36:25,400 --> 00:36:27,600
Speaker 1: Funny, but it's it's not funny, Like.

813
00:36:28,400 --> 00:36:29,280
Speaker 2: Right, it's not funny.

814
00:36:29,360 --> 00:36:31,120
Speaker 1: But that's your little around.

815
00:36:32,480 --> 00:36:34,439
Speaker 2: You have to because you're here. It's like, okay, y'all

816
00:36:34,480 --> 00:36:36,600
Speaker 2: being yeah, this is where y'all taking this ship, y'all

817
00:36:36,600 --> 00:36:37,040
Speaker 2: being silly.

818
00:36:37,360 --> 00:36:39,440
Speaker 3: Well, I definitely laughed when I saw that people were

819
00:36:39,480 --> 00:36:43,160
Speaker 3: on clubhouse analyzing Meghan's bone structure in her foot.

820
00:36:44,480 --> 00:36:46,320
Speaker 2: Everyone's front people breaking.

821
00:36:46,160 --> 00:36:48,680
Speaker 3: Down, what's tatris?

822
00:36:48,719 --> 00:36:49,480
Speaker 2: What is the foot?

823
00:36:49,520 --> 00:36:49,800
Speaker 3: Doctor?

824
00:36:50,040 --> 00:36:51,600
Speaker 2: Diatriss p dietriss.

825
00:36:52,560 --> 00:36:55,719
Speaker 3: The internet goes from lawyers to now they just like that.

826
00:36:55,920 --> 00:37:01,160
Speaker 2: Nobody nobody went to school. They knowas watched niggas watch

827
00:37:01,200 --> 00:37:03,279
Speaker 2: the season. Niggas watch the season the first forty eight

828
00:37:03,320 --> 00:37:05,120
Speaker 2: and think that they could solve any crime.

829
00:37:05,160 --> 00:37:09,200
Speaker 3: Like the well, actually, Twitter and clubhouse is like, that'll button. Well,

830
00:37:09,239 --> 00:37:13,960
Speaker 3: actually there's seventy five bones in your foot. Somebody block him,

831
00:37:14,680 --> 00:37:19,160
Speaker 3: block him. Actually the big toe contains like, all right, fam,

832
00:37:19,719 --> 00:37:21,080
Speaker 3: it's just correct. What do you do for a living?

833
00:37:21,600 --> 00:37:22,560
Speaker 3: An Amazon truck driver?

834
00:37:22,760 --> 00:37:26,320
Speaker 2: That's what happens when everyone has social media. Everyone feels

835
00:37:26,360 --> 00:37:28,120
Speaker 2: like they could chime, and everyone feels like they have

836
00:37:28,200 --> 00:37:31,080
Speaker 2: a voice. So that's what you leave yourself open, especially

837
00:37:31,080 --> 00:37:32,960
Speaker 2: when you're a public figure. I mean, you know, it

838
00:37:33,120 --> 00:37:35,799
Speaker 2: is what it is. But either way, prayers to both

839
00:37:35,840 --> 00:37:39,759
Speaker 2: of them and let the court and court a little

840
00:37:39,800 --> 00:37:46,000
Speaker 2: handle it and decide what happens. That's it. It was.

841
00:37:46,520 --> 00:37:49,200
Speaker 3: This is bad news and maybe I'm late. They just

842
00:37:49,280 --> 00:37:51,359
Speaker 3: blew up the Ukraine International Airport.

843
00:37:51,480 --> 00:37:52,600
Speaker 1: Kio, are you serious?

844
00:37:52,800 --> 00:37:53,000
Speaker 2: Yeah?

845
00:37:54,080 --> 00:37:56,920
Speaker 3: And we keep rolling. Just this shit is serious and for.

846
00:37:57,000 --> 00:37:59,760
Speaker 1: Real and scary prayers.

847
00:38:00,719 --> 00:38:02,960
Speaker 3: As much as I want to use our platform responsibly

848
00:38:03,120 --> 00:38:05,839
Speaker 3: for this, I'll be the first to say I'm still

849
00:38:05,960 --> 00:38:09,759
Speaker 3: educating myself on everything going on, so mm hmm. I

850
00:38:09,800 --> 00:38:14,960
Speaker 3: can't give everyone a political science breakdown of this entire thing,

851
00:38:15,280 --> 00:38:18,919
Speaker 3: except for I hope for the best. That's crazy blowing

852
00:38:18,960 --> 00:38:19,880
Speaker 3: up a whole fucking airport.

853
00:38:20,800 --> 00:38:25,200
Speaker 2: Yes, it's sad, man, sad you don't.

854
00:38:25,040 --> 00:38:26,480
Speaker 1: Move the fuck out of New York because y'all know,

855
00:38:26,560 --> 00:38:27,600
Speaker 1: y'all always the first.

856
00:38:27,480 --> 00:38:32,560
Speaker 2: To go politics, and you know, control and money is

857
00:38:33,200 --> 00:38:37,360
Speaker 2: you know, it causes you to do things such as

858
00:38:37,440 --> 00:38:39,560
Speaker 2: go to war, you know, and so the bottom line

859
00:38:39,680 --> 00:38:43,560
Speaker 2: is control and money. And yes, that's a very sad thing.

860
00:38:43,640 --> 00:38:47,960
Speaker 2: But again, prayers to anyone affected, Prayers to anyone that

861
00:38:48,080 --> 00:38:51,720
Speaker 2: will be affected, which we all, I think are affected.

862
00:38:51,760 --> 00:38:54,480
Speaker 2: Anytime there's war, even if you're not from the country,

863
00:38:55,360 --> 00:38:56,960
Speaker 2: I think it affects you in some way. It's going

864
00:38:57,000 --> 00:39:03,280
Speaker 2: to affect people financially, it's gonna affect people spiritually, psychologically,

865
00:39:03,680 --> 00:39:07,200
Speaker 2: it will affect you. So impressed everybody, because this is

866
00:39:07,360 --> 00:39:10,440
Speaker 2: a war affects all people. Even if it's not on

867
00:39:10,520 --> 00:39:12,120
Speaker 2: your land, it affects you for sure.

868
00:39:14,360 --> 00:39:16,160
Speaker 3: I guess we can switch gears. You guys watch the

869
00:39:16,320 --> 00:39:18,920
Speaker 3: Donda Tube show Bingo Cards. I'm sorry, we have to

870
00:39:18,920 --> 00:39:22,279
Speaker 3: talk about Kanye West everyone. I apologize. There's a lot

871
00:39:22,320 --> 00:39:23,800
Speaker 3: going on with Kanye West. We have to talk about it.

872
00:39:23,880 --> 00:39:26,080
Speaker 2: There's a lot going on with Kanye. I did not

873
00:39:26,280 --> 00:39:31,880
Speaker 2: see episode two of Genius, but I will so we

874
00:39:31,920 --> 00:39:34,600
Speaker 2: can talk about it. And I'm pretty sure you know

875
00:39:35,520 --> 00:39:37,080
Speaker 2: most of our listeners have seen it already.

876
00:39:37,160 --> 00:39:39,279
Speaker 3: So yeah, I watched episode two.

877
00:39:40,080 --> 00:39:40,560
Speaker 2: What did you think?

878
00:39:41,560 --> 00:39:46,560
Speaker 3: It was great? It was better than one, Yes, only

879
00:39:46,640 --> 00:39:50,920
Speaker 3: because you got to see the recording sessions of almost

880
00:39:50,960 --> 00:39:53,520
Speaker 3: every record and that was really and that's what we

881
00:39:53,640 --> 00:39:57,719
Speaker 3: want and that was really really cool, like to go

882
00:39:57,880 --> 00:40:01,680
Speaker 3: in and it's like this shit that happens in one

883
00:40:01,760 --> 00:40:06,359
Speaker 3: day sometimes is insane. And I'm speaking from experience as well.

884
00:40:06,400 --> 00:40:08,560
Speaker 3: I know other people like just you just have days

885
00:40:08,560 --> 00:40:10,960
Speaker 3: where it's like, wait, how did this happen? How did

886
00:40:10,960 --> 00:40:13,560
Speaker 3: this happen? How did this happen? Kanye couldn't because your

887
00:40:13,560 --> 00:40:20,440
Speaker 3: brother wouldn't open the recording budget, So Biggs would not

888
00:40:20,560 --> 00:40:24,279
Speaker 3: open the recording budget. Kanye West drove into a light pole,

889
00:40:24,680 --> 00:40:27,120
Speaker 3: broke his jaw on Biggs was like, I'm not spending

890
00:40:27,160 --> 00:40:27,799
Speaker 3: money on that guy.

891
00:40:29,120 --> 00:40:31,400
Speaker 2: He's a liability definitely.

892
00:40:32,200 --> 00:40:33,960
Speaker 3: Is he just running a telephone poles and shiit, what

893
00:40:34,040 --> 00:40:38,160
Speaker 3: is Kanye doing? So yeah, it gets in a post

894
00:40:38,719 --> 00:40:41,120
Speaker 3: accident and you know some of the dental stuff and

895
00:40:41,960 --> 00:40:44,759
Speaker 3: him recovering in the w because the doctor wouldn't let

896
00:40:44,880 --> 00:40:47,239
Speaker 3: him fly and you know him still working through that

897
00:40:47,320 --> 00:40:51,400
Speaker 3: and recording through the wire with his mouth shut. But

898
00:40:51,520 --> 00:40:54,920
Speaker 3: one of the days was really interesting because Biggs wouldn't

899
00:40:54,920 --> 00:40:56,880
Speaker 3: open the recording budget. He had to keep getting favors

900
00:40:56,920 --> 00:40:59,920
Speaker 3: from people for studio time. So I guess for real,

901
00:41:00,000 --> 00:41:02,480
Speaker 3: I promised him that he could use his studio. So

902
00:41:02,640 --> 00:41:05,200
Speaker 3: he goes in to the lobby of Farrell's joint and

903
00:41:05,239 --> 00:41:07,000
Speaker 3: they're like, we've never heard of you. There's nothing on

904
00:41:07,080 --> 00:41:11,480
Speaker 3: the books, and Kyle's likegnaws me like fifteen minutes, fifteen minutes,

905
00:41:11,840 --> 00:41:16,520
Speaker 3: and somehow gets in and plays Farrell through the wire

906
00:41:16,640 --> 00:41:18,320
Speaker 3: and talks to him through that and I was like,

907
00:41:18,360 --> 00:41:20,520
Speaker 3: I had no idea that you wrapped like this is insane.

908
00:41:21,760 --> 00:41:23,880
Speaker 3: Then he walks out of the frail shit and someone's like, oh,

909
00:41:23,960 --> 00:41:26,560
Speaker 3: Luda's down the hall and he's like, oh, yeah, I

910
00:41:26,680 --> 00:41:28,279
Speaker 3: needed to go talk to Lula. Yeah, no, I'm here

911
00:41:28,280 --> 00:41:31,719
Speaker 3: to see Luda. Like I not scheming because that's the

912
00:41:31,760 --> 00:41:35,800
Speaker 3: wrong word, but I love watching Peah really not hurting nobody,

913
00:41:35,920 --> 00:41:39,239
Speaker 3: like hustling, finding your way into rooms like down the

914
00:41:39,320 --> 00:41:43,319
Speaker 3: Hole got the stand up for sure.

915
00:41:43,320 --> 00:41:46,920
Speaker 2: If that's not frowned upon once the artist or the

916
00:41:46,960 --> 00:41:49,799
Speaker 2: person that's doing it is really talented, Oh yeah, it's

917
00:41:50,040 --> 00:41:51,680
Speaker 2: frown upon. It's like you get out of here with

918
00:41:51,719 --> 00:41:54,040
Speaker 2: this shit. But when it's Kanye bringing that type of shit,

919
00:41:54,120 --> 00:41:57,279
Speaker 2: you like, oh shit, I'm glad this dude just did that. Yeah,

920
00:41:57,360 --> 00:41:58,360
Speaker 2: fucking amazing.

921
00:41:58,440 --> 00:42:01,560
Speaker 3: Well, and that's that's also back to the Twitter verse

922
00:42:02,080 --> 00:42:05,200
Speaker 3: of like, yeah, I had heard stories of Kanye going

923
00:42:05,200 --> 00:42:07,319
Speaker 3: into def jam officers, standing on desk and saying I'm

924
00:42:07,320 --> 00:42:10,120
Speaker 3: the next Michael Jackson when he hadn't put a song out,

925
00:42:11,320 --> 00:42:13,360
Speaker 3: But there's also been ten thousand other people that have

926
00:42:13,440 --> 00:42:16,480
Speaker 3: done that. He's just the one exception, and there has

927
00:42:16,560 --> 00:42:18,279
Speaker 3: been ten thousand people that have lied to get into

928
00:42:18,320 --> 00:42:21,520
Speaker 3: sessions and did some bullshit. So that's why everyone's like,

929
00:42:21,520 --> 00:42:23,640
Speaker 3: why couldn't they tell with YEA because there's been a

930
00:42:23,719 --> 00:42:27,840
Speaker 3: million people that have done that and weren't the actual

931
00:42:27,920 --> 00:42:30,480
Speaker 3: genius that Kanye became neither nor there.

932
00:42:30,640 --> 00:42:36,800
Speaker 2: Wait, Kanye produced Stand Up Really Stand Up? Yeah? Wow,

933
00:42:37,520 --> 00:42:38,720
Speaker 2: yeah because that was Timbolin.

934
00:42:39,760 --> 00:42:41,800
Speaker 3: No, that was Kanye, but that was That's what I

935
00:42:41,920 --> 00:42:45,520
Speaker 3: kind of thought was so ill of Kanye, like cashing

936
00:42:45,560 --> 00:42:48,279
Speaker 3: in his favors with people, like he had Scarface come

937
00:42:48,320 --> 00:42:50,320
Speaker 3: in because he had just done Guessing's Bad, Can't Be

938
00:42:50,440 --> 00:42:52,719
Speaker 3: Life a few other joints, and then was like, oh,

939
00:42:52,760 --> 00:42:54,160
Speaker 3: Loot is down. All he knows who I am because

940
00:42:54,160 --> 00:42:55,840
Speaker 3: I've done a beat for him, so it's not going

941
00:42:55,920 --> 00:42:58,280
Speaker 3: to look that crazy. And then he gets to Breathe

942
00:42:58,320 --> 00:43:01,080
Speaker 3: and Breathe out Verse and just walks out and then

943
00:43:01,200 --> 00:43:03,280
Speaker 3: plays Farrell more shit and then walks out the studio

944
00:43:03,280 --> 00:43:05,879
Speaker 3: and it's like, all right, I got my Pharrell co signed,

945
00:43:05,880 --> 00:43:07,520
Speaker 3: and I just got a Lucra's verse form my album.

946
00:43:08,000 --> 00:43:10,319
Speaker 3: But just in one one hallway, just by saying yo,

947
00:43:10,560 --> 00:43:11,719
Speaker 3: I was told I could be here.

948
00:43:12,600 --> 00:43:15,600
Speaker 2: I remember being up at Baseline around that time when

949
00:43:15,640 --> 00:43:21,200
Speaker 2: Kanye had first started coming around and he had produced,

950
00:43:23,120 --> 00:43:27,040
Speaker 2: he was making joints for pretty much everybody or he

951
00:43:27,160 --> 00:43:32,839
Speaker 2: did not Hard Knocked Life Blueprint and at that time

952
00:43:32,880 --> 00:43:35,400
Speaker 2: they were working on Beans album, and he did a

953
00:43:35,520 --> 00:43:38,440
Speaker 2: joint for Beans and then I think that he had.

954
00:43:39,280 --> 00:43:41,840
Speaker 2: I don't know if he gave played a beat with

955
00:43:42,840 --> 00:43:44,320
Speaker 2: because that's what he was doing. He would give you

956
00:43:44,440 --> 00:43:46,400
Speaker 2: a beat, but then he also it would come with

957
00:43:46,480 --> 00:43:49,600
Speaker 2: the hook already and he would be wrapping the hook

958
00:43:49,680 --> 00:43:52,600
Speaker 2: or whatever. And I remember saying, I remember I told

959
00:43:52,640 --> 00:43:54,000
Speaker 2: Biggs one day, I was like, Yo, that dude is

960
00:43:54,080 --> 00:43:56,799
Speaker 2: nice because at that time, I don't think we other

961
00:43:56,880 --> 00:43:59,600
Speaker 2: than like the Pharrells, a lot of beats didn't really

962
00:43:59,640 --> 00:44:01,719
Speaker 2: come with hooks. Yeah you know what I mean. So

963
00:44:01,880 --> 00:44:04,840
Speaker 2: I was doing it, yeah, sort of the ones and

964
00:44:05,040 --> 00:44:06,640
Speaker 2: the ones that have been doing it for a while

965
00:44:06,680 --> 00:44:10,720
Speaker 2: that were artists themselves. So I remember when when Kanye

966
00:44:10,800 --> 00:44:12,959
Speaker 2: and he had on it like the Durango boots. Remember

967
00:44:12,960 --> 00:44:15,440
Speaker 2: when Niggas used to wear Drango boots. He had the

968
00:44:15,520 --> 00:44:17,560
Speaker 2: Durrango boots with like the motorcycle jacket.

969
00:44:18,200 --> 00:44:20,080
Speaker 3: So it was kind of like one of the village people.

970
00:44:20,000 --> 00:44:22,080
Speaker 2: Right, And it was kind of like people like everybody

971
00:44:22,200 --> 00:44:25,279
Speaker 2: Baseline was air forced ones jerseys, you know what I'm saying,

972
00:44:25,400 --> 00:44:29,480
Speaker 2: Like looking the way we look, big jeans, rockaway shit on.

973
00:44:30,280 --> 00:44:33,520
Speaker 2: And I remember like watching Kanye like just walk through

974
00:44:33,560 --> 00:44:35,279
Speaker 2: Baseline and go from the A room to the b

975
00:44:35,480 --> 00:44:38,440
Speaker 2: room and kind of like maneuver and I'm like, Yo,

976
00:44:38,560 --> 00:44:40,879
Speaker 2: this dude is you know what I mean, like he hungry. Yeah,

977
00:44:41,080 --> 00:44:42,360
Speaker 2: and you could see it. I mean, you know, just

978
00:44:42,520 --> 00:44:44,120
Speaker 2: was to go to God at the time, just Blaze

979
00:44:44,239 --> 00:44:45,960
Speaker 2: was like the one that everybody was like, Yo, just

980
00:44:46,040 --> 00:44:47,840
Speaker 2: in a joint, even joint, I need to joint or

981
00:44:47,920 --> 00:44:51,520
Speaker 2: bank at the time, timbling of course, but I remember

982
00:44:51,560 --> 00:44:53,239
Speaker 2: hearing the joints Kanye was doing it and I was like, Yo,

983
00:44:53,280 --> 00:44:54,799
Speaker 2: this dude is nice. And I think I remember him

984
00:44:54,800 --> 00:44:58,479
Speaker 2: and Jay we had a talk and he said something

985
00:44:58,520 --> 00:45:03,359
Speaker 2: about Kanye was adamant or nine Chicago. You know we're

986
00:45:03,400 --> 00:45:04,920
Speaker 2: gonna you know, like we need that. We need to

987
00:45:04,960 --> 00:45:08,359
Speaker 2: eight awaight, we need that that knock. And I think

988
00:45:08,480 --> 00:45:10,160
Speaker 2: Jay told him something to the extent of, yeah, but

989
00:45:10,239 --> 00:45:12,680
Speaker 2: we're making music for the world now for Chicago. Yeah.

990
00:45:12,800 --> 00:45:16,640
Speaker 2: It was something like that around that time, and I

991
00:45:16,719 --> 00:45:18,680
Speaker 2: think the year after that it was like Kanye was

992
00:45:18,719 --> 00:45:20,680
Speaker 2: out of here, Like you know what I'm saying, It

993
00:45:20,800 --> 00:45:22,920
Speaker 2: was like all he's but you could see it earlyer,

994
00:45:22,960 --> 00:45:24,360
Speaker 2: like you could see the way he was moving and

995
00:45:24,719 --> 00:45:27,000
Speaker 2: the confidence he had in himself and how hungry he

996
00:45:27,200 --> 00:45:29,080
Speaker 2: was to work with artists that was at baseline at

997
00:45:29,120 --> 00:45:31,160
Speaker 2: the time, whether it was Beans, whether it was a

998
00:45:31,239 --> 00:45:34,360
Speaker 2: Young Guns, whether whoever. He just wanted to get joints

999
00:45:34,400 --> 00:45:36,480
Speaker 2: to whoever was was cutting the album at the time.

1000
00:45:36,640 --> 00:45:38,759
Speaker 3: He flew to LA to give p D crack beats.

1001
00:45:38,840 --> 00:45:40,759
Speaker 3: That's how he got in a car accident. He was

1002
00:45:40,800 --> 00:45:44,279
Speaker 3: there because he saw Pete at uh it's one time

1003
00:45:44,320 --> 00:45:46,920
Speaker 3: for PD video and people say, I need beats, but

1004
00:45:46,960 --> 00:45:47,600
Speaker 3: I have to go to LA.

1005
00:45:48,080 --> 00:45:48,719
Speaker 2: I'll go to LA.

1006
00:45:48,880 --> 00:45:50,759
Speaker 3: Yeah, and that's why he was there even with the

1007
00:45:50,840 --> 00:45:51,960
Speaker 3: accident to begin with.

1008
00:45:52,480 --> 00:45:55,360
Speaker 2: Yeah, Kanye definitely was. He definitely worked, and he definitely hustled.

1009
00:45:55,400 --> 00:45:58,600
Speaker 2: But the talent was always there. The talent was always

1010
00:45:58,880 --> 00:46:01,480
Speaker 2: obviously you knew this dude talented, and he believed in

1011
00:46:01,520 --> 00:46:03,200
Speaker 2: himself and he loved what he was doing and he

1012
00:46:03,320 --> 00:46:05,480
Speaker 2: this is what he wanted to do. But I mean,

1013
00:46:05,520 --> 00:46:08,799
Speaker 2: I don't think anybody at that time back then knew

1014
00:46:09,000 --> 00:46:11,960
Speaker 2: that maybe except for Kanye and you know, his mom

1015
00:46:12,080 --> 00:46:14,759
Speaker 2: rest in peace, believe that he would be who he

1016
00:46:14,920 --> 00:46:18,200
Speaker 2: is today. Like you could see the obviously the talent, Yeah,

1017
00:46:18,280 --> 00:46:19,719
Speaker 2: but you don't you know what I mean, It wasn't

1018
00:46:19,760 --> 00:46:21,680
Speaker 2: like anybody's like, oh, he's going to be the biggest.

1019
00:46:23,080 --> 00:46:26,280
Speaker 2: That wasn't the feeling. It was like, this dude is talented,

1020
00:46:26,360 --> 00:46:28,960
Speaker 2: this dude is dope, and he's gonna make a lot

1021
00:46:29,000 --> 00:46:33,520
Speaker 2: of noise. But to what he is today is like

1022
00:46:33,600 --> 00:46:35,640
Speaker 2: it's almost like two different people almost, you know what,

1023
00:46:35,680 --> 00:46:42,320
Speaker 2: I'm exact same person, it's but it's like amplified and

1024
00:46:42,400 --> 00:46:45,640
Speaker 2: magnified times a million at this point. But it's still

1025
00:46:46,280 --> 00:46:48,480
Speaker 2: moments and things. You know, you see interviews and things

1026
00:46:48,520 --> 00:46:50,879
Speaker 2: and you're like, Okay, it's he's still that person though

1027
00:46:50,920 --> 00:46:54,320
Speaker 2: it's still there. It's just that he realizes that, you know,

1028
00:46:54,520 --> 00:46:56,960
Speaker 2: I am who I am and I got a lot

1029
00:46:57,000 --> 00:46:59,680
Speaker 2: of this attention in these accolades because I always believed

1030
00:46:59,680 --> 00:47:03,160
Speaker 2: in myself and had the utmost confidence, and being around

1031
00:47:03,239 --> 00:47:05,719
Speaker 2: Dame helped that because Dame was the same way. You

1032
00:47:05,760 --> 00:47:07,680
Speaker 2: know what I mean. Dame just can't make beats or

1033
00:47:07,719 --> 00:47:10,279
Speaker 2: produce or rap as you know as Kanye can. But

1034
00:47:11,160 --> 00:47:14,479
Speaker 2: that confidence that yo, listen, we this shit, I'm dope.

1035
00:47:14,640 --> 00:47:17,080
Speaker 2: Can't nobody tell me I'm not and I'm not settling

1036
00:47:17,120 --> 00:47:19,600
Speaker 2: for nothing is with Kanye and bodies.

1037
00:47:19,840 --> 00:47:23,640
Speaker 3: Yeah, and you can definitely see in the dock the

1038
00:47:23,719 --> 00:47:26,600
Speaker 3: stuff that he what rubbed off from Jay and what

1039
00:47:26,719 --> 00:47:29,360
Speaker 3: rubbed off from Dane, And I feel like Dame rubbed

1040
00:47:29,400 --> 00:47:32,040
Speaker 3: off way more than Jay did, even though it would

1041
00:47:32,040 --> 00:47:36,000
Speaker 3: appear like Kanye was trying to be the backpacker Jay. Yeah,

1042
00:47:36,200 --> 00:47:37,640
Speaker 3: but it's he's Dang the entire time.

1043
00:47:37,719 --> 00:47:40,120
Speaker 2: Yeah, and now right now he's Dame absolutely, And I

1044
00:47:40,200 --> 00:47:42,360
Speaker 2: mean that in a good positive yeah, Like people like

1045
00:47:42,440 --> 00:47:45,839
Speaker 2: to knock Dame a lot, but like he always says,

1046
00:47:45,880 --> 00:47:48,680
Speaker 2: he just has the utmost confidence in his crew, his artist,

1047
00:47:49,120 --> 00:47:51,200
Speaker 2: and the people he works for. And he fights for

1048
00:47:51,239 --> 00:47:54,200
Speaker 2: the people he works for, and he wants to own everything.

1049
00:47:54,400 --> 00:47:58,160
Speaker 2: And this basically Kanye is is today. He wants to

1050
00:47:58,239 --> 00:48:01,160
Speaker 2: own everything, do everything on his terms, protect the culture,

1051
00:48:01,640 --> 00:48:03,200
Speaker 2: you know, like if we're going to sell the coach,

1052
00:48:03,280 --> 00:48:05,239
Speaker 2: let let us own it at least, like, let us

1053
00:48:06,000 --> 00:48:09,280
Speaker 2: have the ownership. So I can't wait to watch episode

1054
00:48:09,320 --> 00:48:10,520
Speaker 2: two though. Yeah, man, I like.

1055
00:48:10,520 --> 00:48:13,799
Speaker 3: Your brother's in a lot of the things. Doesn't say

1056
00:48:13,800 --> 00:48:14,680
Speaker 3: a word for usual, but.

1057
00:48:16,040 --> 00:48:17,920
Speaker 2: He's more talkative these days than he was back then.

1058
00:48:17,960 --> 00:48:18,319
Speaker 2: For sure.

1059
00:48:18,600 --> 00:48:21,160
Speaker 3: On quick on some quick nerd shit, because you brought

1060
00:48:21,200 --> 00:48:23,759
Speaker 3: up baseline and just blaze, don't cut this out.

1061
00:48:23,840 --> 00:48:26,200
Speaker 2: There's rap nerds in the world. Because I'm a rap nerd.

1062
00:48:26,239 --> 00:48:29,200
Speaker 3: I listened to this MF. Doom podcast that's about his life.

1063
00:48:29,280 --> 00:48:30,560
Speaker 3: It's actually really really interesting.

1064
00:48:30,560 --> 00:48:31,359
Speaker 2: I gotta check it out.

1065
00:48:31,800 --> 00:48:36,120
Speaker 3: And one of the episodes MC search does it. One

1066
00:48:36,160 --> 00:48:40,240
Speaker 3: of the episodes they had Guru on and he was saying,

1067
00:48:40,480 --> 00:48:41,680
Speaker 3: and tell me if this is true when you were

1068
00:48:41,680 --> 00:48:45,879
Speaker 3: in Baseline, your brother Hop and Guru would play Doom

1069
00:48:45,960 --> 00:48:48,640
Speaker 3: when Doom first came out, like in the front room

1070
00:48:48,719 --> 00:48:50,360
Speaker 3: or whatever would be. I forgot how he burded it

1071
00:48:50,480 --> 00:48:52,080
Speaker 3: like the front rooms for like real hip hop shit

1072
00:48:52,160 --> 00:48:57,480
Speaker 3: that was for you know, hits, And everyone at Baseline

1073
00:48:57,920 --> 00:49:01,120
Speaker 3: thought MF. Doom was really just black because they had

1074
00:49:01,239 --> 00:49:05,160
Speaker 3: similar tones. Everyone was like not just because just was

1075
00:49:05,200 --> 00:49:07,360
Speaker 3: making like outside of like the hits, hits that he

1076
00:49:07,400 --> 00:49:08,960
Speaker 3: would make for Jay. He was still a rap nerd

1077
00:49:08,960 --> 00:49:10,040
Speaker 3: at the end of the day too, so he would

1078
00:49:10,080 --> 00:49:12,239
Speaker 3: make weird shit that Jay wouldn't take.

1079
00:49:13,200 --> 00:49:14,160
Speaker 2: So because M F.

1080
00:49:14,239 --> 00:49:18,240
Speaker 3: Dooman just I can see their tones, someone getting that confused.

1081
00:49:18,280 --> 00:49:20,200
Speaker 3: So when they would be playing that, they'd be like, yo,

1082
00:49:20,520 --> 00:49:22,800
Speaker 3: hopping girl, just fucking with us. That's that's just just

1083
00:49:22,880 --> 00:49:23,560
Speaker 3: want to be a rapper.

1084
00:49:23,600 --> 00:49:27,000
Speaker 2: Now, I think I kind of sort of remember that

1085
00:49:28,480 --> 00:49:30,240
Speaker 2: I think I remember that being the thing. I remember

1086
00:49:30,440 --> 00:49:33,799
Speaker 2: just Blaze being a super like laid back, stand off

1087
00:49:33,920 --> 00:49:36,080
Speaker 2: as dude that just was like making fucking two way

1088
00:49:36,160 --> 00:49:39,160
Speaker 2: page alerts all day. Like he made like a lot

1089
00:49:39,200 --> 00:49:41,200
Speaker 2: of alerts that people had on their two ways back then,

1090
00:49:41,320 --> 00:49:43,279
Speaker 2: like just made a lot of them shits. And I

1091
00:49:43,320 --> 00:49:46,040
Speaker 2: remember he had the PlayStation chain. I think I remember

1092
00:49:46,400 --> 00:49:50,080
Speaker 2: I remember the controller. I think he had that. Yeah,

1093
00:49:50,200 --> 00:49:53,279
Speaker 2: just was like a gamer, like a for real gamer. Yeah.

1094
00:49:53,360 --> 00:49:55,840
Speaker 2: I don't think I knew Just Blaze was just Blaze

1095
00:49:56,760 --> 00:49:58,719
Speaker 2: until like he was pulling up some beats one day.

1096
00:49:59,680 --> 00:50:02,320
Speaker 2: Just I think that played like station at base I

1097
00:50:02,360 --> 00:50:04,320
Speaker 2: thought he was a dude that just was at Baseline

1098
00:50:04,360 --> 00:50:06,840
Speaker 2: working there and was, you know, into video games. I

1099
00:50:06,880 --> 00:50:08,680
Speaker 2: didn't know he was producing all this ship.

1100
00:50:09,360 --> 00:50:12,440
Speaker 3: I was laughing from the Fade to Black movie when

1101
00:50:12,680 --> 00:50:15,400
Speaker 3: Just hadn't had a record on the Black album yet,

1102
00:50:15,600 --> 00:50:17,840
Speaker 3: and Jay was like I turned on MTV and motherfuckers

1103
00:50:17,880 --> 00:50:21,120
Speaker 3: just buying Nintendo games. Like I called Carling said, get

1104
00:50:21,239 --> 00:50:23,160
Speaker 3: just here. He has no record and he's on MTV

1105
00:50:23,280 --> 00:50:24,319
Speaker 3: just playing video games all day.

1106
00:50:24,400 --> 00:50:26,359
Speaker 2: Not just was he was a gamer for real, for real,

1107
00:50:26,480 --> 00:50:29,719
Speaker 2: like Jess was a techie. You know gamer. He was

1108
00:50:29,800 --> 00:50:31,800
Speaker 2: that guy with the dreads just when he had the

1109
00:50:31,840 --> 00:50:34,320
Speaker 2: long dreads at the time. Yeah, just was a he

1110
00:50:34,400 --> 00:50:37,319
Speaker 2: was a gamer for sure. Baseline is legendary. Man.

1111
00:50:37,480 --> 00:50:39,560
Speaker 3: I can't wait for y'all to do the actual real

1112
00:50:39,640 --> 00:50:43,960
Speaker 3: baseline doc baseline even the Rockefeller doc. The just Baseline doc.

1113
00:50:44,280 --> 00:50:47,440
Speaker 2: Baseline was a legendary, legendary studio man. Shout out the baseline,

1114
00:50:47,480 --> 00:50:48,600
Speaker 2: rest in peace, the baseline.

1115
00:50:50,200 --> 00:50:52,279
Speaker 3: We can get off Kanye soon. But I did don

1116
00:50:52,400 --> 00:50:54,160
Speaker 3: the two show. Did any want to watch?

1117
00:50:55,280 --> 00:50:58,560
Speaker 2: No, I've seen clips of Kanye walking in a flood

1118
00:50:58,719 --> 00:51:00,399
Speaker 2: slamming a mic into the water.

1119
00:51:00,920 --> 00:51:03,840
Speaker 3: I mean it happens, but similar set to the original

1120
00:51:03,880 --> 00:51:05,680
Speaker 3: Donna show, but they just add a lot of water

1121
00:51:05,760 --> 00:51:09,520
Speaker 3: and they lit the house on fire. I know this

1122
00:51:09,600 --> 00:51:12,200
Speaker 3: has turned into Kanye Dick riding session. But the new

1123
00:51:12,280 --> 00:51:15,520
Speaker 3: music sounds really fucking good, Like the new shitt he played.

1124
00:51:15,680 --> 00:51:19,360
Speaker 3: I actually enjoyed. It sounded very good. It kind of

1125
00:51:19,400 --> 00:51:21,120
Speaker 3: reminded me get your BNGO cars ready, and we already

1126
00:51:21,120 --> 00:51:24,440
Speaker 3: said hope. The new content kind of sounds like if

1127
00:51:24,520 --> 00:51:30,640
Speaker 3: four forty four didn't work out, yeah, okay, if they

1128
00:51:30,719 --> 00:51:31,640
Speaker 3: didn't make amends.

1129
00:51:32,080 --> 00:51:35,520
Speaker 2: This is this is five fifty five, like this is

1130
00:51:35,520 --> 00:51:36,239
Speaker 2: four forty five.

1131
00:51:36,440 --> 00:51:40,400
Speaker 3: Yeah, four forty five. She wasn't as understanding as b

1132
00:51:40,920 --> 00:51:43,560
Speaker 3: Yeah yeah, yeah, got you, got you okay because it

1133
00:51:43,680 --> 00:51:50,640
Speaker 3: is very mature, adult marriage, family type of raps. But

1134
00:51:50,800 --> 00:51:54,480
Speaker 3: they're just not the Hey it worked out, mm hmm.

1135
00:51:54,880 --> 00:51:57,160
Speaker 3: It's that we're really going through it type of shit.

1136
00:51:57,880 --> 00:52:00,400
Speaker 3: But it sounded good. It really did sound good. The

1137
00:52:00,440 --> 00:52:04,120
Speaker 3: Migos record to sounded really cool. The Future records sounded.

1138
00:52:03,920 --> 00:52:06,879
Speaker 2: Great, well, he repeated, I hope his record sounds great.

1139
00:52:07,880 --> 00:52:10,760
Speaker 3: I'm I don't think Kanye West is letting Future actually

1140
00:52:10,800 --> 00:52:13,120
Speaker 3: EP album, and that's no not to Future. I don't

1141
00:52:13,120 --> 00:52:14,920
Speaker 3: think anyone on I mean, well, I don't even think

1142
00:52:14,920 --> 00:52:17,000
Speaker 3: he let Quincy Jones EP is well.

1143
00:52:17,080 --> 00:52:20,280
Speaker 2: If he's if he's laming him as an executive producer,

1144
00:52:20,360 --> 00:52:21,920
Speaker 2: that's huge on Kanye.

1145
00:52:22,360 --> 00:52:25,640
Speaker 3: I think that's more marketing than anything. I'm sure Future definitely.

1146
00:52:25,480 --> 00:52:28,520
Speaker 2: Kanye doesn't need any marketing. Let's be one his life,

1147
00:52:28,760 --> 00:52:32,040
Speaker 2: market his life. He is a market exactly my point.

1148
00:52:32,120 --> 00:52:34,840
Speaker 2: So he wouldn't do something. He wouldn't do something like

1149
00:52:35,040 --> 00:52:37,280
Speaker 2: grab Future and say your Future executive producer.

1150
00:52:37,400 --> 00:52:39,279
Speaker 3: That is the perfect person to stand next to when

1151
00:52:39,320 --> 00:52:41,359
Speaker 3: you get a divorce, the most toxic man on earth.

1152
00:52:41,680 --> 00:52:43,280
Speaker 1: If he just said he want to do an album

1153
00:52:43,360 --> 00:52:46,600
Speaker 1: with Little Dirt, He's running around with Antonio Brown and

1154
00:52:46,719 --> 00:52:49,040
Speaker 1: the nigga appen, but it's not your brother the other one.

1155
00:52:49,200 --> 00:52:52,400
Speaker 2: Yeah, but that nigga's not. That nigga's not. Kanye doesn't

1156
00:52:52,480 --> 00:52:54,759
Speaker 2: when I say he wouldn't do something like you know

1157
00:52:54,840 --> 00:52:58,239
Speaker 2: how you know what that does for Future's career to

1158
00:52:58,360 --> 00:53:00,319
Speaker 2: say that he executive produced Kanye West.

1159
00:53:00,600 --> 00:53:01,960
Speaker 3: He already tweeted, I'm the only one that can get

1160
00:53:02,000 --> 00:53:03,279
Speaker 3: Kanye West on the stage and not even Hope.

1161
00:53:03,280 --> 00:53:05,480
Speaker 2: I'm better than him. So this is what I'm saying, Like,

1162
00:53:05,640 --> 00:53:09,480
Speaker 2: so Kanye doesn't. That doesn't do nothing for Kanye. Saying

1163
00:53:09,520 --> 00:53:12,239
Speaker 2: that Future executive produced my it just adds more do

1164
00:53:12,600 --> 00:53:14,640
Speaker 2: nothing for Kanye. Let's be very clear about it. It does.

1165
00:53:15,320 --> 00:53:16,480
Speaker 2: What does that do for Kanye?

1166
00:53:16,600 --> 00:53:20,720
Speaker 3: Because there's a younger group of kids that still love Kanye,

1167
00:53:21,239 --> 00:53:24,319
Speaker 3: but go to his future before Ye.

1168
00:53:26,520 --> 00:53:30,320
Speaker 2: Don't need no Future, Kanye don't need none of that

1169
00:53:31,040 --> 00:53:36,000
Speaker 2: needs it ship, So who does that do more for

1170
00:53:36,200 --> 00:53:37,520
Speaker 2: Kanye or Future?

1171
00:53:37,880 --> 00:53:40,160
Speaker 1: Saying that it does more for Future obviously, but it

1172
00:53:40,200 --> 00:53:42,080
Speaker 1: doesn't mean that Kanye doesn't like doing that.

1173
00:53:42,239 --> 00:53:45,320
Speaker 3: That's how it's just is more fuel to add to

1174
00:53:45,440 --> 00:53:46,080
Speaker 3: the attention of it.

1175
00:53:46,560 --> 00:53:49,960
Speaker 2: Yeah, that Future has the kids. That's a big fucking

1176
00:53:50,040 --> 00:53:51,439
Speaker 2: look though for Future for sure.

1177
00:53:51,760 --> 00:53:54,399
Speaker 3: But Future is up there as far as of course

1178
00:53:54,440 --> 00:53:56,840
Speaker 3: he's not icon level like Kanye West, but Future is

1179
00:53:56,880 --> 00:53:58,440
Speaker 3: no slouch when it comes to that.

1180
00:53:58,680 --> 00:54:01,560
Speaker 2: What I'm saying, that's not what I'm saying for y'all period.

1181
00:54:01,680 --> 00:54:04,799
Speaker 2: Kanye is doing that, doing that for marketing, I don't

1182
00:54:04,840 --> 00:54:06,480
Speaker 2: agree with. He doesn't need that marketing.

1183
00:54:06,800 --> 00:54:08,320
Speaker 3: Well do you need any of this?

1184
00:54:08,480 --> 00:54:11,239
Speaker 2: Kanye could have just put the burning houses on billboards

1185
00:54:11,480 --> 00:54:13,239
Speaker 2: all over the country and that would have been it,

1186
00:54:13,920 --> 00:54:15,480
Speaker 2: Like this shit was gonna do what it's gonna do

1187
00:54:15,680 --> 00:54:18,080
Speaker 2: you understand what I'm saying. Like that, that's where Kanye is.

1188
00:54:18,120 --> 00:54:20,480
Speaker 2: He could just put an image of Donda two to

1189
00:54:20,640 --> 00:54:23,040
Speaker 2: to too too whatever that was all over the country

1190
00:54:23,160 --> 00:54:26,800
Speaker 2: and didn't have to drop a track list nothing.

1191
00:54:26,920 --> 00:54:29,839
Speaker 3: That's not Kanye West, though. He's gonna do every last

1192
00:54:29,880 --> 00:54:31,600
Speaker 3: little thing. That's why he's so great and why his

1193
00:54:31,760 --> 00:54:33,719
Speaker 3: rollouts are so amazing, why his albums are so amazing,

1194
00:54:33,719 --> 00:54:36,280
Speaker 3: because he's gonna focus on every last tiny, tiny detail

1195
00:54:36,280 --> 00:54:37,920
Speaker 3: and not go, well, it'll sell regardless if.

1196
00:54:37,880 --> 00:54:38,520
Speaker 2: I just do this or not.

1197
00:54:39,360 --> 00:54:42,560
Speaker 3: Future is just one loaded peg in the entire rollout

1198
00:54:42,600 --> 00:54:44,360
Speaker 3: brain of Kanye No I geld Listen, I fuck with

1199
00:54:44,400 --> 00:54:46,560
Speaker 3: Future and he sounds great on the album No Future.

1200
00:54:46,800 --> 00:54:49,320
Speaker 2: He's but he's he's Future for a reason. He's not.

1201
00:54:49,480 --> 00:54:52,200
Speaker 2: He ain't no slouts, this is Future. But I'm just saying,

1202
00:54:52,239 --> 00:54:55,279
Speaker 2: I just don't you know the executive producing shit, and

1203
00:54:55,320 --> 00:54:58,040
Speaker 2: you're saying that he may not have really executive reducing

1204
00:54:58,120 --> 00:55:00,920
Speaker 2: I'm just like, why would Kanye do that? But there

1205
00:55:00,960 --> 00:55:04,880
Speaker 2: are games that you know, little knob turners. I call it, like,

1206
00:55:05,000 --> 00:55:07,279
Speaker 2: just put his name there there, you know, I get

1207
00:55:07,360 --> 00:55:08,000
Speaker 2: I get that ship.

1208
00:55:08,120 --> 00:55:10,319
Speaker 3: I mean, he's no Lebron when it comes to putting

1209
00:55:10,360 --> 00:55:12,919
Speaker 3: out God, No Future, I don't want to put there. Yeah,

1210
00:55:13,800 --> 00:55:15,520
Speaker 3: he brought Game out to do the Easy record, which

1211
00:55:15,560 --> 00:55:17,520
Speaker 3: I love. I don't think it was game.

1212
00:55:18,400 --> 00:55:20,560
Speaker 1: Yeah, what's wrong with you?

1213
00:55:20,719 --> 00:55:21,279
Speaker 2: What do you mean?

1214
00:55:22,360 --> 00:55:23,799
Speaker 3: Pause? This is gonna sound crazy.

1215
00:55:23,840 --> 00:55:25,560
Speaker 2: It just didn't those game shoulders.

1216
00:55:25,640 --> 00:55:27,960
Speaker 3: It just didn't look like game. It just didn't look

1217
00:55:28,040 --> 00:55:30,160
Speaker 3: like them. You didn't move like a blood.

1218
00:55:31,640 --> 00:55:32,879
Speaker 1: Look at you? You are to dance.

1219
00:55:33,120 --> 00:55:36,919
Speaker 3: He wasn't doing like wrap blood rap, the rap hands

1220
00:55:36,960 --> 00:55:37,960
Speaker 3: weren't game hands.

1221
00:55:37,960 --> 00:55:39,719
Speaker 2: Yeah, yeah, yeah, I feel you. I was like, that's

1222
00:55:39,760 --> 00:55:41,799
Speaker 2: not game who is Sometimes yeah, you know, like, nah,

1223
00:55:41,880 --> 00:55:43,840
Speaker 2: that ain't even though you may not be sure, but

1224
00:55:43,920 --> 00:55:45,680
Speaker 2: you like, something ain't right with this. That's not who

1225
00:55:45,719 --> 00:55:46,160
Speaker 2: I think it is.

1226
00:55:46,239 --> 00:55:48,760
Speaker 3: Another quick fun fact I was listening to y Fstein's podcast,

1227
00:55:48,800 --> 00:55:51,319
Speaker 3: Syke said, when Kay used to bring out the bear,

1228
00:55:51,960 --> 00:55:53,960
Speaker 3: the college drop out Bear shows, that was Dave Chapplle

1229
00:55:53,960 --> 00:55:54,440
Speaker 3: in the costume.

1230
00:55:57,040 --> 00:55:58,160
Speaker 2: There was a there was a part of it in

1231
00:55:58,200 --> 00:56:00,359
Speaker 2: the clip in the in the documentary where he out

1232
00:56:00,600 --> 00:56:01,479
Speaker 2: and takes off the mask.

1233
00:56:01,719 --> 00:56:03,280
Speaker 3: Yeah, that was that was Chappelle.

1234
00:56:04,239 --> 00:56:06,640
Speaker 2: But okay, they may have not the whole tour, okay,

1235
00:56:06,719 --> 00:56:09,359
Speaker 2: but the major like the major joints, because they.

1236
00:56:09,320 --> 00:56:11,200
Speaker 3: Would go to a lot of Okay Philly with like

1237
00:56:11,280 --> 00:56:12,520
Speaker 3: bigger ship on the East coast.

1238
00:56:13,080 --> 00:56:13,680
Speaker 1: That was Dave.

1239
00:56:13,840 --> 00:56:17,120
Speaker 3: That's fine, that's hard, that's hilarious. That might have been

1240
00:56:17,160 --> 00:56:19,120
Speaker 3: Chappelle as game for all I know.

1241
00:56:20,640 --> 00:56:24,440
Speaker 2: Chappelle, they've been in the gym, but like he got

1242
00:56:24,560 --> 00:56:27,440
Speaker 2: game shoulders though he not doing that whack one do

1243
00:56:27,520 --> 00:56:29,319
Speaker 2: the knowledge did happen At.

1244
00:56:29,239 --> 00:56:31,680
Speaker 1: The time, I was tripping and like off drugs and

1245
00:56:31,800 --> 00:56:35,360
Speaker 1: I I was seeing everything in like that Kanye Graduation,

1246
00:56:35,640 --> 00:56:39,040
Speaker 1: like like my real world was like the Kanye Graduation cartoon,

1247
00:56:39,320 --> 00:56:43,160
Speaker 1: like the Bears, the colors like acid. No, it was

1248
00:56:43,880 --> 00:56:44,560
Speaker 1: a weed gummy.

1249
00:56:44,640 --> 00:56:46,760
Speaker 3: Actually that was not a weed gummy.

1250
00:56:48,320 --> 00:56:49,520
Speaker 1: It was I'm telling you that.

1251
00:56:52,320 --> 00:56:53,240
Speaker 3: I'd have been a roofie.

1252
00:56:54,520 --> 00:56:55,839
Speaker 1: Honestly, it might have been.

1253
00:56:56,560 --> 00:56:58,520
Speaker 2: You know what, you can be so high sometimes off

1254
00:56:58,560 --> 00:57:01,080
Speaker 2: of like th a seeing ship like that where you

1255
00:57:01,120 --> 00:57:06,640
Speaker 2: will start hallucinating nerve that high, especially edibles, because I've

1256
00:57:06,680 --> 00:57:11,040
Speaker 2: been crazy edibles before. And I definitely saw like penguins

1257
00:57:11,120 --> 00:57:14,120
Speaker 2: like flying outside the window, and I was like, yo, bro,

1258
00:57:14,239 --> 00:57:15,880
Speaker 2: what you se penguins?

1259
00:57:15,960 --> 00:57:16,040
Speaker 1: Right?

1260
00:57:16,360 --> 00:57:18,680
Speaker 2: It was snow, but it was snowing outside Kanye Bears,

1261
00:57:18,800 --> 00:57:26,080
Speaker 2: I don't Kanye mascot like come on, yeah, but you

1262
00:57:26,200 --> 00:57:29,120
Speaker 2: got to check out episode two of Genius and watch

1263
00:57:29,160 --> 00:57:31,240
Speaker 2: the show, The don show. Yeah, watch that too.

1264
00:57:31,280 --> 00:57:34,000
Speaker 3: They told it to five yo dirty. They didn't give

1265
00:57:34,080 --> 00:57:36,479
Speaker 3: him in ears so we couldn't hear ship and most

1266
00:57:36,520 --> 00:57:40,120
Speaker 3: of the entire sound system show people were rapping over

1267
00:57:40,160 --> 00:57:43,400
Speaker 3: the actual songs, so he can't hear ship and everyone's

1268
00:57:43,400 --> 00:57:45,240
Speaker 3: blaming on five. I'm like, he's in an arena. They

1269
00:57:45,280 --> 00:57:47,520
Speaker 3: gave him no in ears. He can't hear what he's doing.

1270
00:57:47,600 --> 00:57:51,160
Speaker 2: Yeah, so that was unfortunate, and they brought out releast

1271
00:57:51,160 --> 00:57:53,880
Speaker 2: your Keys sounded great, though, Is that what you heard?

1272
00:57:53,920 --> 00:57:56,360
Speaker 2: That's what I heard? Who told you that? My homeboy

1273
00:57:56,440 --> 00:57:58,720
Speaker 2: went to the theater to see that, to see the

1274
00:58:00,240 --> 00:58:02,200
Speaker 2: the show. He actually bought tickets to the movie. Did

1275
00:58:02,320 --> 00:58:04,000
Speaker 2: he didn't know? This was before they announced they would

1276
00:58:04,000 --> 00:58:08,520
Speaker 2: be streaming, so he just bought tickets. No, it was

1277
00:58:08,840 --> 00:58:09,560
Speaker 2: a few people in there.

1278
00:58:10,720 --> 00:58:11,880
Speaker 3: I mean, I'm glad they did the record.

1279
00:58:12,440 --> 00:58:15,440
Speaker 2: Okay, thank you so much.

1280
00:58:17,760 --> 00:58:19,640
Speaker 3: I did see you for you and Playboy Card. He

1281
00:58:19,760 --> 00:58:21,480
Speaker 3: was a member of Insane Cloud Posse. It was a

1282
00:58:21,520 --> 00:58:22,959
Speaker 3: lot was going on towards the end of that show,

1283
00:58:25,680 --> 00:58:26,400
Speaker 3: and I don't even.

1284
00:58:26,240 --> 00:58:29,240
Speaker 2: Know what the other dude was Listen. I love the

1285
00:58:29,320 --> 00:58:32,440
Speaker 2: fact that Kanye is able. I think his biggest strength

1286
00:58:32,520 --> 00:58:34,800
Speaker 2: is the fact of the people that he is able

1287
00:58:34,840 --> 00:58:37,200
Speaker 2: to pull into the same room. That's a strength, that's

1288
00:58:37,200 --> 00:58:40,400
Speaker 2: a superpower. Anytime you can have Elon Musk sitting standing

1289
00:58:40,440 --> 00:58:43,400
Speaker 2: next to French Montana, you're just a different type.

1290
00:58:43,160 --> 00:58:45,600
Speaker 3: Of Rory standing next to Consequence. Yeah, like he's just

1291
00:58:45,640 --> 00:58:47,479
Speaker 3: a different type of a person.

1292
00:58:47,560 --> 00:58:54,240
Speaker 2: Can do that on the Farmers, but musically, sometimes I'm

1293
00:58:54,400 --> 00:58:56,920
Speaker 2: just I'll be I'm stuck trying to figure out what

1294
00:58:57,160 --> 00:59:01,520
Speaker 2: exactly is going on. And I'm with, you know, taking

1295
00:59:01,640 --> 00:59:04,120
Speaker 2: artists from different cultures and genres and blending them with

1296
00:59:04,800 --> 00:59:08,880
Speaker 2: this culture, this genre. I'm with that, but sometimes it's

1297
00:59:08,920 --> 00:59:11,040
Speaker 2: a miss. Sometimes it's like I don't know if I

1298
00:59:11,040 --> 00:59:13,000
Speaker 2: would have did that a lot of times. Yes, though

1299
00:59:13,040 --> 00:59:15,120
Speaker 2: I feel like Donda he didn't miss in that regard.

1300
00:59:15,240 --> 00:59:16,840
Speaker 2: I was very nervous when I saw those names and like,

1301
00:59:16,920 --> 00:59:18,880
Speaker 2: this might suck. It's too many young kids. And Kanye

1302
00:59:19,080 --> 00:59:21,480
Speaker 2: he's I feel like he's forcing it. It sounded fond

1303
00:59:21,480 --> 00:59:24,960
Speaker 2: of me. Okay, and on this one as well, he did.

1304
00:59:25,080 --> 00:59:26,920
Speaker 2: Uh and we can close right after this, but this

1305
00:59:27,000 --> 00:59:28,920
Speaker 2: is just a separate conversation. He did have something that

1306
00:59:29,040 --> 00:59:30,280
Speaker 2: was like kind of like an interlude. I don't know,

1307
00:59:30,280 --> 00:59:33,080
Speaker 2: I was a full record saying that he's no longer

1308
00:59:33,480 --> 00:59:37,200
Speaker 2: or he will not buy Louis now that virgil is past.

1309
00:59:37,480 --> 00:59:40,760
Speaker 3: Yeah, okay, And if you buy Louis now that Virgual's past,

1310
00:59:41,800 --> 00:59:42,800
Speaker 3: you're a dirtback.

1311
00:59:43,120 --> 00:59:45,120
Speaker 2: Well, damn, I'm a dirtback because I definitely went to

1312
00:59:45,200 --> 00:59:48,040
Speaker 2: Louis when we were in Atlanta and bought a belt.

1313
00:59:48,240 --> 00:59:51,480
Speaker 3: I remember, I'm a piece of shit. Sorry, Kanye, it

1314
00:59:51,600 --> 00:59:56,080
Speaker 3: was Virgil Dad. Yet at that time I believe so, Yeah,

1315
00:59:56,080 --> 00:59:58,280
Speaker 3: I believe so. Right when we went to Atlanta, it

1316
00:59:58,400 --> 00:59:59,200
Speaker 3: might have just happened.

1317
00:59:59,560 --> 01:00:01,920
Speaker 1: It was in that area, but go ahead.

1318
01:00:01,920 --> 01:00:03,880
Speaker 2: Yeah, I think it was. I think it. I think

1319
01:00:03,920 --> 01:00:07,200
Speaker 2: he had passed already. Yes, he did. He did pass already,

1320
01:00:07,360 --> 01:00:07,600
Speaker 2: he did.

1321
01:00:08,840 --> 01:00:11,680
Speaker 3: Is that the first thing Kanye said about Virgil since

1322
01:00:11,720 --> 01:00:15,480
Speaker 3: he passed publicly? Well, yeah, of course publicly. I'm sure

1323
01:00:15,560 --> 01:00:17,200
Speaker 3: privately he's had plenty of conversations.

1324
01:00:18,120 --> 01:00:23,200
Speaker 1: I don't know. Did he do uh the the show

1325
01:00:23,240 --> 01:00:26,120
Speaker 1: he did with Drake, did he say something or where something? No?

1326
01:00:26,800 --> 01:00:27,720
Speaker 2: No, there was nothing.

1327
01:00:27,760 --> 01:00:30,720
Speaker 3: Nothing was mentioned in which it had just happened. Literally

1328
01:00:30,840 --> 01:00:33,080
Speaker 3: and Drake because he was virtual.

1329
01:00:33,240 --> 01:00:35,960
Speaker 2: Creative director for that show, if I'm not mistaken, that show. Yeah,

1330
01:00:35,960 --> 01:00:37,840
Speaker 2: I think he was supposed to be the creative director

1331
01:00:37,880 --> 01:00:41,280
Speaker 2: for that show. And because I'm thinking that the show

1332
01:00:41,360 --> 01:00:43,560
Speaker 2: wasn't gonna happen when Virgil passed, I'm like, I don't

1333
01:00:43,560 --> 01:00:45,640
Speaker 2: think Kanye is going to be able to do this.

1334
01:00:45,840 --> 01:00:48,560
Speaker 3: Yeah, assume because the timing was so quick that him

1335
01:00:48,600 --> 01:00:51,919
Speaker 3: and Drake both were like, let's do something proper. Let's

1336
01:00:52,000 --> 01:00:55,040
Speaker 3: not rush something just to do it for Virgil. Yeah,

1337
01:00:56,880 --> 01:00:59,600
Speaker 3: but yeah, I thought that was an interesting statement and

1338
01:00:59,600 --> 01:01:01,640
Speaker 3: he kept her beating it for about three minutes straight.

1339
01:01:02,680 --> 01:01:02,840
Speaker 1: Light.

1340
01:01:03,320 --> 01:01:15,680
Speaker 2: Yeah, sorry, thank you, Eddan. But Euphoria, Yes, Uh, Euphoria

1341
01:01:15,760 --> 01:01:18,280
Speaker 2: is a really really great show man. I think it's

1342
01:01:18,640 --> 01:01:21,960
Speaker 2: very well written. I think Zendia may be the next

1343
01:01:23,200 --> 01:01:25,280
Speaker 2: biggest actress in Hollywood.

1344
01:01:25,400 --> 01:01:28,400
Speaker 1: She is, oh in Hollywood, which is different.

1345
01:01:28,840 --> 01:01:32,840
Speaker 2: I think in Hollywood, I think she's, uh, she's, she's,

1346
01:01:32,960 --> 01:01:34,960
Speaker 2: she's the one I can kind of see when they're

1347
01:01:34,960 --> 01:01:39,200
Speaker 2: grooming the next one, and she's she's definitely the next one.

1348
01:01:39,280 --> 01:01:42,520
Speaker 3: I'll hot ticket. I think she's the best actor right

1349
01:01:42,600 --> 01:01:43,080
Speaker 3: now period.

1350
01:01:43,280 --> 01:01:47,600
Speaker 2: The movie Malcolm and Marie with Zendia and John David Washington.

1351
01:01:49,400 --> 01:01:52,120
Speaker 2: We saw that then because people people killed that movie,

1352
01:01:52,280 --> 01:01:55,439
Speaker 2: and uh, I liked it. I did too. That people.

1353
01:01:56,200 --> 01:01:58,920
Speaker 1: Yeah, people people don't like it because well a lot

1354
01:01:58,960 --> 01:02:00,800
Speaker 1: of people people don't know out film, so a lot

1355
01:02:00,800 --> 01:02:02,600
Speaker 1: of people are expecting it to be a movie, right,

1356
01:02:02,840 --> 01:02:04,160
Speaker 1: and it's not really a movie.

1357
01:02:04,280 --> 01:02:06,680
Speaker 2: It was more like a monologue type.

1358
01:02:07,080 --> 01:02:09,400
Speaker 1: Yeah, it was a film, and it was art.

1359
01:02:09,480 --> 01:02:14,520
Speaker 2: It was black and white. Yeah, you can definitely try

1360
01:02:14,800 --> 01:02:16,480
Speaker 2: to Greenwich and see that at one of the theaters

1361
01:02:16,480 --> 01:02:19,760
Speaker 2: in Greenwich. Sure, I killed it online when I was

1362
01:02:19,760 --> 01:02:21,400
Speaker 2: talking about the way she made the mac and cheese,

1363
01:02:22,200 --> 01:02:24,600
Speaker 2: I forgot about that. I killed that because I was like,

1364
01:02:25,440 --> 01:02:31,640
Speaker 2: no respectable black man is eating instinct craft and the

1365
01:02:31,720 --> 01:02:33,960
Speaker 2: way the way in to college, the way John Washington

1366
01:02:34,120 --> 01:02:37,520
Speaker 2: was scarfing that ship down. I was just like, give

1367
01:02:37,600 --> 01:02:39,040
Speaker 2: this man an oscar because I know he did not

1368
01:02:39,600 --> 01:02:42,160
Speaker 2: He did not away that craft mac and cheese at all.

1369
01:02:42,240 --> 01:02:43,200
Speaker 3: He had to train for months.

1370
01:02:43,320 --> 01:02:46,480
Speaker 2: And his dad is Denzel and his mom is you know,

1371
01:02:46,960 --> 01:02:49,439
Speaker 2: you can tell she can she can burn in the kitchen. Yeah,

1372
01:02:51,000 --> 01:02:53,880
Speaker 2: but Malcolm and Marie. When I saw that, I remember

1373
01:02:53,920 --> 01:02:57,000
Speaker 2: saying to myself like, yo, Zindaya is really dope, Like

1374
01:02:57,160 --> 01:03:00,640
Speaker 2: she can really really like make you Belie leave this

1375
01:03:00,880 --> 01:03:03,760
Speaker 2: character and the things that she's saying, like she really

1376
01:03:04,040 --> 01:03:07,640
Speaker 2: dives into that shit. And I remember saying that back then,

1377
01:03:07,720 --> 01:03:10,560
Speaker 2: but then with Euphoria because Euphoria was out around.

1378
01:03:10,360 --> 01:03:12,880
Speaker 3: That time to season one had happened. Yeah yeah, and

1379
01:03:12,920 --> 01:03:15,680
Speaker 3: I remember saying like, great, but she wasn't this.

1380
01:03:16,200 --> 01:03:18,240
Speaker 2: Yeah, so I remember seeing that shit, I'm like, yo,

1381
01:03:18,360 --> 01:03:21,080
Speaker 2: was Indya might be the one. But after this, you know,

1382
01:03:21,640 --> 01:03:26,760
Speaker 2: this season of Euphoria, it's a clear no brainer that

1383
01:03:26,920 --> 01:03:31,400
Speaker 2: Zendeya is the next biggest actress in Hollywood. I believe

1384
01:03:31,440 --> 01:03:34,160
Speaker 2: she has an oscar somewhere with her name on it.

1385
01:03:34,320 --> 01:03:38,000
Speaker 1: She won me for a while before I watched Euphoria

1386
01:03:38,200 --> 01:03:41,680
Speaker 1: season one, people were like, I just felt like people

1387
01:03:41,720 --> 01:03:44,240
Speaker 1: were hyping her up. And you know, like I'm used

1388
01:03:44,280 --> 01:03:47,160
Speaker 1: to the oh, she's the biracial girl in Hollywood. They're

1389
01:03:47,160 --> 01:03:48,880
Speaker 1: going to try to make her a thing and this,

1390
01:03:49,040 --> 01:03:51,400
Speaker 1: this and that, And then when I watched you for It,

1391
01:03:51,480 --> 01:03:53,040
Speaker 1: I was like, oh, no, wow, this girl can really

1392
01:03:53,280 --> 01:03:55,280
Speaker 1: act like she really like burns.

1393
01:03:55,440 --> 01:03:57,480
Speaker 2: The scene of the last one, not the last episode,

1394
01:03:57,480 --> 01:03:59,919
Speaker 2: the one before that opening scene which is the Jolly Rancher,

1395
01:04:00,760 --> 01:04:03,520
Speaker 2: she's struggling to open it and she has snot falling

1396
01:04:03,560 --> 01:04:04,680
Speaker 2: out of her that ship.

1397
01:04:04,600 --> 01:04:06,840
Speaker 1: Like that, you can't it was given with the snot.

1398
01:04:07,040 --> 01:04:09,960
Speaker 2: Yeah, like you can't fake that, Like that's y really

1399
01:04:10,000 --> 01:04:11,600
Speaker 2: had to go out and catch a cold, you know,

1400
01:04:13,000 --> 01:04:16,320
Speaker 2: she was h or she really like shout out some dope,

1401
01:04:16,360 --> 01:04:20,320
Speaker 2: which I'm praying she didn't. But seeing little things like that,

1402
01:04:20,480 --> 01:04:24,920
Speaker 2: to me, it shows like, Yo, she studied and like

1403
01:04:25,080 --> 01:04:28,800
Speaker 2: she's really into this role like, she's not. You don't

1404
01:04:28,800 --> 01:04:31,960
Speaker 2: think that this is like bullshit tears or snot. This

1405
01:04:32,120 --> 01:04:33,080
Speaker 2: is real ship happening.

1406
01:04:33,520 --> 01:04:36,440
Speaker 1: Her entire family in that show. Does her mom that

1407
01:04:36,560 --> 01:04:38,280
Speaker 1: the girl I place her mom? Does a really good

1408
01:04:38,560 --> 01:04:41,440
Speaker 1: girl place her sister? She shout out the storm rate

1409
01:04:41,880 --> 01:04:42,600
Speaker 1: really really.

1410
01:04:43,200 --> 01:04:46,200
Speaker 3: She only has to do one thing every sing just

1411
01:04:46,320 --> 01:04:50,480
Speaker 3: look upset and overwhelmed everything.

1412
01:04:52,360 --> 01:04:55,760
Speaker 1: Rory, that's all.

1413
01:04:56,200 --> 01:04:57,520
Speaker 2: That's a skill. That's a skill.

1414
01:04:57,600 --> 01:05:00,640
Speaker 3: We don't want to say she's great. I just want

1415
01:05:00,720 --> 01:05:04,360
Speaker 3: them to write something else for the season. Besides Lae

1416
01:05:05,240 --> 01:05:07,680
Speaker 3: from she's great at that every single scene.

1417
01:05:07,720 --> 01:05:10,840
Speaker 1: She's just in this last episode where she was eating

1418
01:05:10,880 --> 01:05:12,240
Speaker 1: ice cream and she looked at the r said you

1419
01:05:12,280 --> 01:05:13,680
Speaker 1: want to carry yourself, go ahead, I gotta worry my

1420
01:05:13,680 --> 01:05:16,280
Speaker 1: bother kid, And people were like, oh my god, that's

1421
01:05:16,280 --> 01:05:18,080
Speaker 1: so cruel to say to a drug addict. I'm like,

1422
01:05:18,560 --> 01:05:21,200
Speaker 1: you've never dealt with those real drug addicts. No, that's not.

1423
01:05:21,480 --> 01:05:22,480
Speaker 1: Sometimes you get to that.

1424
01:05:22,520 --> 01:05:24,720
Speaker 2: Point, yeah, sometimes you get to that point with drug addicts.

1425
01:05:24,720 --> 01:05:28,240
Speaker 2: You're like, yo, listen, we've done all week and I

1426
01:05:28,400 --> 01:05:31,080
Speaker 2: wassold to somebody about that about when people get locked

1427
01:05:31,160 --> 01:05:34,240
Speaker 2: up and you know, you start to feel if you're

1428
01:05:34,280 --> 01:05:35,800
Speaker 2: locked up with them, you feel bad because you weize

1429
01:05:35,840 --> 01:05:38,080
Speaker 2: they have nobody coming to visit them, no money on

1430
01:05:38,160 --> 01:05:41,280
Speaker 2: their commissary, like people they don't have nobody. And I said,

1431
01:05:41,320 --> 01:05:44,280
Speaker 2: but that happens because the family gets to a point

1432
01:05:44,320 --> 01:05:47,120
Speaker 2: where it's like, Yo, we've been down this road thirty

1433
01:05:47,280 --> 01:05:50,000
Speaker 2: times with him, Yeah, he's not gonna help himself doing

1434
01:05:50,040 --> 01:05:53,680
Speaker 2: the same shit, Like we're not gonna keep sending him money.

1435
01:05:53,800 --> 01:05:56,120
Speaker 2: And you know it's like, bro, you keep doing dumb shit,

1436
01:05:56,200 --> 01:05:57,880
Speaker 2: Like all right, go shit in there, go deal with

1437
01:05:57,960 --> 01:06:00,960
Speaker 2: that shit. And sometimes that's it. It comes to that

1438
01:06:01,360 --> 01:06:03,640
Speaker 2: when you're dealing with a drug addict in your home,

1439
01:06:04,320 --> 01:06:05,560
Speaker 2: you get to a point where you feel like, yo,

1440
01:06:05,720 --> 01:06:08,720
Speaker 2: I've done all I can do. I have other people

1441
01:06:08,760 --> 01:06:09,760
Speaker 2: in the family that need.

1442
01:06:09,880 --> 01:06:12,240
Speaker 1: And in your self preservation, you can get that at

1443
01:06:12,240 --> 01:06:14,160
Speaker 1: one point. And it's also like you kind of numb yourself,

1444
01:06:14,240 --> 01:06:16,080
Speaker 1: like you have to take yourself to the point where, oh,

1445
01:06:16,160 --> 01:06:18,160
Speaker 1: now this person that I love so much they might

1446
01:06:18,240 --> 01:06:20,200
Speaker 1: actually die and they're trying to kill themselves. Let me

1447
01:06:20,280 --> 01:06:23,840
Speaker 1: prepare myself for that eventuality. And it sounds cold, but

1448
01:06:24,000 --> 01:06:24,440
Speaker 1: like it's.

1449
01:06:24,400 --> 01:06:27,600
Speaker 3: Real to take you. If we keep focusing on this person.

1450
01:06:27,720 --> 01:06:29,920
Speaker 3: We're going to take out the whole family. Yeah, take

1451
01:06:29,960 --> 01:06:32,280
Speaker 3: myself out, overstretching.

1452
01:06:31,720 --> 01:06:33,080
Speaker 2: Trying to it's affected everybody.

1453
01:06:33,280 --> 01:06:35,520
Speaker 3: And then because I know, let's not even say drugs,

1454
01:06:35,600 --> 01:06:39,880
Speaker 3: I know siblings that have had I'm sorry, that have

1455
01:06:39,960 --> 01:06:42,920
Speaker 3: had siblings that are like manic, depressive, bipolar, everything, and

1456
01:06:43,000 --> 01:06:47,120
Speaker 3: the family just just focuses on that person and neglects

1457
01:06:47,200 --> 01:06:48,880
Speaker 3: all the other kids, and the other kids end up

1458
01:06:49,880 --> 01:06:51,960
Speaker 3: fucked up too, because it's like they literally had no

1459
01:06:52,120 --> 01:06:55,440
Speaker 3: parents because everyone was just focused on this child that

1460
01:06:55,600 --> 01:06:56,439
Speaker 3: was going through something.

1461
01:06:56,560 --> 01:06:59,320
Speaker 2: And sometimes you have to cut the cancer. Yeah, you

1462
01:06:59,360 --> 01:07:01,120
Speaker 2: know what I mean, time, that's what it comes down to.

1463
01:07:01,280 --> 01:07:04,200
Speaker 2: Got to cut the cancer and you know, move forward

1464
01:07:04,280 --> 01:07:07,120
Speaker 2: with what you have and with what is healthy. And

1465
01:07:07,200 --> 01:07:08,680
Speaker 2: that's just the bottom line. But yeah, shout out to

1466
01:07:08,960 --> 01:07:10,920
Speaker 2: Day and she's doing an amazing job.

1467
01:07:11,160 --> 01:07:14,680
Speaker 3: Her comedic timing in the serious moments, Like that's part

1468
01:07:14,720 --> 01:07:15,920
Speaker 3: of being a great action I know what I'm saying.

1469
01:07:16,000 --> 01:07:17,040
Speaker 3: She's she's.

1470
01:07:18,600 --> 01:07:19,520
Speaker 2: She's an amazing actress.

1471
01:07:19,520 --> 01:07:21,160
Speaker 1: Oh yeah, the last the last episode was good. I'm

1472
01:07:21,160 --> 01:07:24,520
Speaker 1: looking forward to the to the season finale. But they did,

1473
01:07:24,840 --> 01:07:27,080
Speaker 1: first of all, who gave the budget for that play?

1474
01:07:27,200 --> 01:07:31,800
Speaker 1: Who's fucking school, I know, right, like the budget was insane,

1475
01:07:33,440 --> 01:07:35,280
Speaker 1: that it was it was, it was good. I enjoyed it.

1476
01:07:36,720 --> 01:07:40,080
Speaker 3: And Sam Levinson, who's the writer and director, because it

1477
01:07:40,240 --> 01:07:42,240
Speaker 3: is one of the best shot shows I've seen in

1478
01:07:42,360 --> 01:07:44,360
Speaker 3: quite some time outside of the obvious with the writing

1479
01:07:44,840 --> 01:07:50,280
Speaker 3: he did Malcolm and Ye. Sorry, So I kind of

1480
01:07:50,320 --> 01:07:56,240
Speaker 3: see and hope that him and the dynasty together through

1481
01:07:56,320 --> 01:07:59,480
Speaker 3: their career, Like I hope they kind of become that

1482
01:07:59,600 --> 01:08:05,040
Speaker 3: type of fucking DeNiro and fucking Scorsese type of shit.

1483
01:08:05,320 --> 01:08:07,080
Speaker 3: H Like they just continue to work together.

1484
01:08:07,320 --> 01:08:11,080
Speaker 2: A lot of actors and directors and producers do that. Ye,

1485
01:08:11,240 --> 01:08:13,160
Speaker 2: Spike Lee is the most famous for that. He's had

1486
01:08:13,240 --> 01:08:15,880
Speaker 2: people in his first movie all the way until this

1487
01:08:16,000 --> 01:08:19,560
Speaker 2: last some of the same character actors, actresses.

1488
01:08:20,160 --> 01:08:22,880
Speaker 1: Because you start writing I feel like, as a writer

1489
01:08:23,040 --> 01:08:26,000
Speaker 1: and as a director, you start writing roles for this person,

1490
01:08:26,120 --> 01:08:28,360
Speaker 1: like I know this person will fuck this role up,

1491
01:08:28,400 --> 01:08:30,200
Speaker 1: like I know they would kill it, so let me

1492
01:08:30,439 --> 01:08:32,160
Speaker 1: create this with them in mind.

1493
01:08:32,439 --> 01:08:34,040
Speaker 2: And then and then it gets to a point where

1494
01:08:34,840 --> 01:08:38,679
Speaker 2: as a director and an actor, y'all developed this chemistry

1495
01:08:38,760 --> 01:08:41,479
Speaker 2: and this synergy where you already know how I want

1496
01:08:41,520 --> 01:08:43,479
Speaker 2: you to say this, You already know how I want

1497
01:08:43,520 --> 01:08:46,240
Speaker 2: you to do this, so it's like you don't waste

1498
01:08:46,320 --> 01:08:48,960
Speaker 2: time with trying to get somebody to understand the lines

1499
01:08:49,280 --> 01:08:51,439
Speaker 2: or how to how to bring the lines to life,

1500
01:08:51,800 --> 01:08:54,360
Speaker 2: which is why Spike Lee has been amazing at that. Like,

1501
01:08:54,400 --> 01:08:56,960
Speaker 2: Spike Lee doesn't get enough credit, I think honestly, I

1502
01:08:57,000 --> 01:08:59,000
Speaker 2: thought about that a couple of weeks ago when so, yeah,

1503
01:08:59,280 --> 01:09:04,400
Speaker 2: I don't think Spike gets the uh like in that

1504
01:09:04,560 --> 01:09:07,120
Speaker 2: world he does. I'm talking about from the fans and

1505
01:09:07,200 --> 01:09:10,120
Speaker 2: from people that the moviegoers and stuff like that. I

1506
01:09:10,160 --> 01:09:14,280
Speaker 2: don't think that people give Spike the uh. It's kind

1507
01:09:14,280 --> 01:09:17,960
Speaker 2: of like what with Quincy Jones to me, with music, I.

1508
01:09:18,000 --> 01:09:19,320
Speaker 3: Think a certain era does like that.

1509
01:09:19,560 --> 01:09:22,080
Speaker 2: The average person that listens to music and you know.

1510
01:09:22,200 --> 01:09:23,800
Speaker 1: Well, it's like he's a different era.

1511
01:09:24,479 --> 01:09:28,840
Speaker 2: Yeah, but even in eras, I think that because there's

1512
01:09:28,920 --> 01:09:31,240
Speaker 2: there's there's certain people in culture, right, and there's certain

1513
01:09:31,280 --> 01:09:34,880
Speaker 2: people in and entertainment and stuff that I feel like

1514
01:09:35,439 --> 01:09:38,840
Speaker 2: we should never lose sight of and their contributions and

1515
01:09:38,920 --> 01:09:41,559
Speaker 2: what they did. And I feel like, and again it's

1516
01:09:41,720 --> 01:09:44,599
Speaker 2: generational thing. I think that more and more people are

1517
01:09:46,000 --> 01:09:48,360
Speaker 2: forgetting about Spike and don't really like a lot of

1518
01:09:48,400 --> 01:09:50,439
Speaker 2: people just know Spike Lee as an avid New York

1519
01:09:50,520 --> 01:09:52,760
Speaker 2: Knicks fan, you know what I mean, Like, they.

1520
01:09:52,640 --> 01:09:55,479
Speaker 1: Don't really know those are those are young people, right, But.

1521
01:09:55,760 --> 01:09:59,800
Speaker 2: Even as a young person, you should know if you're

1522
01:09:59,800 --> 01:10:02,240
Speaker 2: wh certain films, Like if you're a fan of Snowfall,

1523
01:10:02,240 --> 01:10:05,840
Speaker 2: if you're a fan of Power, if you're any of

1524
01:10:05,920 --> 01:10:09,080
Speaker 2: these black shows in our culture that we love and

1525
01:10:09,240 --> 01:10:12,519
Speaker 2: we we watch every week. I think that you can't

1526
01:10:13,080 --> 01:10:15,800
Speaker 2: truly love those shows and have respect and appreciation for

1527
01:10:15,880 --> 01:10:19,360
Speaker 2: those shows without having love and appreciation for Spike Lee.

1528
01:10:19,479 --> 01:10:20,320
Speaker 2: John Singleton.

1529
01:10:21,080 --> 01:10:23,400
Speaker 1: Yeah, but who's gonna teach them that? That's the thing.

1530
01:10:23,520 --> 01:10:27,839
Speaker 3: Yeah, And it's the weird thing about entertainment is you're entertaining.

1531
01:10:28,400 --> 01:10:32,639
Speaker 3: It's not to be studied unless you're in that a nerd.

1532
01:10:32,760 --> 01:10:34,240
Speaker 1: You want to be a cinematagy, you want to be

1533
01:10:34,240 --> 01:10:35,920
Speaker 1: a cinematographer, director, things like that.

1534
01:10:36,160 --> 01:10:38,960
Speaker 3: So many people watch and listen to things so they

1535
01:10:39,040 --> 01:10:41,840
Speaker 3: can shut off the world in which they need to

1536
01:10:41,840 --> 01:10:46,160
Speaker 3: actually learn and like, yeah, actually operate and know everything

1537
01:10:46,280 --> 01:10:50,320
Speaker 3: and be productive. It's so the average consumer I can

1538
01:10:50,360 --> 01:10:52,120
Speaker 3: see just not giving a fuck as long as the

1539
01:10:52,160 --> 01:10:54,600
Speaker 3: show is good, and they're hit with so much. This

1540
01:10:54,720 --> 01:10:59,280
Speaker 3: is the most influx of TV and entertainment. Ever, so

1541
01:10:59,400 --> 01:11:01,479
Speaker 3: to even try to sit and appreciate something to the

1542
01:11:01,520 --> 01:11:03,320
Speaker 3: point where let me go figure out who directed this,

1543
01:11:04,080 --> 01:11:06,400
Speaker 3: I can't see an average person ever doing that. We'll

1544
01:11:06,479 --> 01:11:09,040
Speaker 3: do that. And like with Spike, when Spike was really

1545
01:11:09,120 --> 01:11:12,160
Speaker 3: at his peak, there wasn't ten thousand movies coming out

1546
01:11:12,200 --> 01:11:15,080
Speaker 3: every single day like you looked forward to. You knew

1547
01:11:15,800 --> 01:11:18,360
Speaker 3: Steven Spielberg was doing something every two years like you

1548
01:11:18,720 --> 01:11:21,599
Speaker 3: really anticipated and waited because there was time to appreciate

1549
01:11:21,760 --> 01:11:23,240
Speaker 3: and figure out, Oh, who did this?

1550
01:11:23,800 --> 01:11:23,920
Speaker 2: Oh?

1551
01:11:24,040 --> 01:11:27,360
Speaker 3: I recognize how that shot from the last movie I saw. Now,

1552
01:11:27,400 --> 01:11:29,760
Speaker 3: it's just you're hit with ten thous I can't even

1553
01:11:29,880 --> 01:11:31,840
Speaker 3: keep up, let alone know who directed it?

1554
01:11:32,720 --> 01:11:34,520
Speaker 2: Three of your favorite movie directors.

1555
01:11:35,680 --> 01:11:42,720
Speaker 3: Martin Scorsese. For sure, it's a good question. No Tarantino.

1556
01:11:45,200 --> 01:11:48,200
Speaker 3: I'm not the biggest Tarantino fan. I know that's kind

1557
01:11:48,240 --> 01:11:48,840
Speaker 3: of blasphemous.

1558
01:11:49,760 --> 01:11:50,240
Speaker 2: I'm just not.

1559
01:11:51,160 --> 01:11:54,200
Speaker 3: I don't know if it's a personal thing. I just

1560
01:11:54,240 --> 01:11:56,240
Speaker 3: don't like him movies and what you like his person? No, No,

1561
01:11:56,360 --> 01:12:00,920
Speaker 3: like him as a human being. No, I've never met

1562
01:12:00,920 --> 01:12:04,439
Speaker 3: a man. He just he just reminds me of someone that.

1563
01:12:05,360 --> 01:12:07,439
Speaker 2: Just because he says the N word, or has said

1564
01:12:07,439 --> 01:12:07,880
Speaker 2: the N word.

1565
01:12:08,840 --> 01:12:11,760
Speaker 3: Well, no, I've I've met Joe Rogan before and I

1566
01:12:11,920 --> 01:12:18,080
Speaker 3: didn't do anything, so that's that's not what's gonna stand right. No,

1567
01:12:18,200 --> 01:12:20,559
Speaker 3: he just looks like that person that like hides kids

1568
01:12:20,600 --> 01:12:23,200
Speaker 3: in his basement, Like he has a.

1569
01:12:24,360 --> 01:12:27,760
Speaker 2: I stand off in the window on jack off face. Yeah,

1570
01:12:27,920 --> 01:12:29,880
Speaker 2: while the kids are like like, I.

1571
01:12:29,960 --> 01:12:32,160
Speaker 3: Feel like when the Harvey Weinstein should happen, he was

1572
01:12:32,160 --> 01:12:33,800
Speaker 3: probably like, well, let's hear him out, Like I feel

1573
01:12:33,800 --> 01:12:38,040
Speaker 3: like he's one of those Yeah, and his movies are

1574
01:12:38,080 --> 01:12:39,960
Speaker 3: so sick in the head. And while I can appreciate

1575
01:12:40,000 --> 01:12:43,519
Speaker 3: sick in the head art, I'm scared that it's really

1576
01:12:43,600 --> 01:12:44,719
Speaker 3: what he'd be doing in his life.

1577
01:12:45,439 --> 01:12:48,240
Speaker 2: And I'm quentin. I apologize. I just called him a

1578
01:12:48,439 --> 01:12:51,120
Speaker 2: low key pedal. I didn't mean this, but he has

1579
01:12:51,200 --> 01:12:51,400
Speaker 2: like the.

1580
01:12:51,400 --> 01:12:52,639
Speaker 3: Pedal he has the pedal vibe.

1581
01:12:52,680 --> 01:12:55,280
Speaker 2: Does he doesn't He doesn't have a beard, right, oh

1582
01:12:55,360 --> 01:12:58,040
Speaker 2: mustash he doesn't have doesn't. I feel like that's what

1583
01:12:58,160 --> 01:12:59,160
Speaker 2: it is. I feel like if you don't have a

1584
01:12:59,240 --> 01:13:01,920
Speaker 2: mustache as a man, I feel like you've shaved it

1585
01:13:01,960 --> 01:13:03,200
Speaker 2: all off and you're hiding something.

1586
01:13:03,439 --> 01:13:06,439
Speaker 3: And he's a fucking thief like all his movies. He

1587
01:13:06,479 --> 01:13:09,000
Speaker 3: stole from someone else, So I don't know if I

1588
01:13:09,000 --> 01:13:10,880
Speaker 3: can put him there. And I know that's blasphemous to

1589
01:13:10,920 --> 01:13:12,479
Speaker 3: the movie world that I'm just not a big Quentin

1590
01:13:12,520 --> 01:13:13,120
Speaker 3: Tarantino fan.

1591
01:13:13,280 --> 01:13:15,960
Speaker 2: Are canceling Quinton right here, right now, because I'll do

1592
01:13:16,000 --> 01:13:16,600
Speaker 2: it if you're doing it.

1593
01:13:17,560 --> 01:13:19,639
Speaker 3: I mean, if you're canceling a white person for using

1594
01:13:19,680 --> 01:13:24,040
Speaker 3: the N words quintiness first first ballot, hall of.

1595
01:13:24,200 --> 01:13:27,320
Speaker 2: He leads it to that word. God damn it, Samuel,

1596
01:13:27,360 --> 01:13:32,479
Speaker 2: you're not saying it right. You gotta say it like this,

1597
01:13:33,280 --> 01:13:34,320
Speaker 2: put some more funk on it.

1598
01:13:34,960 --> 01:13:37,400
Speaker 3: He would have the KKK going, like though you are

1599
01:13:37,479 --> 01:13:40,280
Speaker 3: using this word like you're going we don't even talk like.

1600
01:13:43,160 --> 01:13:45,680
Speaker 2: Like you're going crazy, sir. We were not doing that

1601
01:13:45,800 --> 01:13:49,280
Speaker 2: back then. I'm a I'm a Scorsese guy.

1602
01:13:50,240 --> 01:13:52,200
Speaker 3: Just the obvious, but he's he is really want to

1603
01:13:52,479 --> 01:13:56,439
Speaker 3: Spike Lee uh and God Richie Okay, I'm a huge

1604
01:13:56,479 --> 01:13:57,120
Speaker 3: guy Richie fan.

1605
01:13:58,200 --> 01:14:00,080
Speaker 2: I love Guy Richie movies. I'm a huge guy with

1606
01:14:00,160 --> 01:14:00,439
Speaker 2: you fan.

1607
01:14:01,040 --> 01:14:02,599
Speaker 3: Yeah, that's a good question, I really have. I wish

1608
01:14:02,640 --> 01:14:04,639
Speaker 3: you would have asked me that earlier so I could

1609
01:14:04,640 --> 01:14:05,040
Speaker 3: think about it.

1610
01:14:05,120 --> 01:14:09,679
Speaker 2: And obviously John Singleton, of course, Minnesota obviously I'm gonna

1611
01:14:09,680 --> 01:14:11,880
Speaker 2: add vid Yates in there as well, because I'm a

1612
01:14:11,960 --> 01:14:14,599
Speaker 2: nerd good one and he directed all the Harry well

1613
01:14:14,600 --> 01:14:19,080
Speaker 2: almost all the Harry Potter movies. So yeah, all right,

1614
01:14:19,120 --> 01:14:21,840
Speaker 2: well can you see yourself, Tyler Perry.

1615
01:14:22,720 --> 01:14:23,920
Speaker 1: I hate Tyler Perry movies.

1616
01:14:24,040 --> 01:14:25,960
Speaker 2: I'm not gonna say I'm not a Tyler Perry fan.

1617
01:14:26,040 --> 01:14:30,080
Speaker 2: I respect Tyler Perry. I think his story is one

1618
01:14:30,160 --> 01:14:34,480
Speaker 2: of one. I think obviously his work ethic is incredible.

1619
01:14:35,080 --> 01:14:37,240
Speaker 2: I think his heart is amazing. I think his mind

1620
01:14:37,320 --> 01:14:38,600
Speaker 2: and right, we get it.

1621
01:14:38,800 --> 01:14:44,920
Speaker 1: Everything's good. Nice feed. You complimented every single thing on him,

1622
01:14:45,040 --> 01:14:47,840
Speaker 1: except for his directorial skills, which is what we're I'm

1623
01:14:47,920 --> 01:14:48,240
Speaker 1: just saying.

1624
01:14:48,680 --> 01:14:50,680
Speaker 2: I'm getting to that, Demarritus. I'm just saying I think

1625
01:14:50,720 --> 01:14:54,799
Speaker 2: he's uh, you know, he's done great films and great movies.

1626
01:14:54,880 --> 01:14:56,800
Speaker 2: I just think that some of it is a little

1627
01:14:56,920 --> 01:15:01,760
Speaker 2: too uh. It magnifies black trauma little too much. That's

1628
01:15:01,800 --> 01:15:04,200
Speaker 2: all like certain movies, just like I know, we got

1629
01:15:04,240 --> 01:15:07,800
Speaker 2: our issues in our families. But God damn, like all

1630
01:15:07,880 --> 01:15:11,200
Speaker 2: of this happened at the Thanksgiving dinner. You know what

1631
01:15:11,240 --> 01:15:13,800
Speaker 2: I'm saying. It's like Jesus Christ, like I get it,

1632
01:15:13,920 --> 01:15:16,519
Speaker 2: But come on, man, like some black families have their

1633
01:15:16,560 --> 01:15:18,519
Speaker 2: ship together, Tyler, like you know what I mean. It's

1634
01:15:18,560 --> 01:15:21,000
Speaker 2: not all black families are not dealing with all of

1635
01:15:21,040 --> 01:15:24,760
Speaker 2: this type of shit like Jesus. But anytime you open

1636
01:15:24,880 --> 01:15:27,639
Speaker 2: up a lot like that in black Hollywood, which is Atlanta,

1637
01:15:27,720 --> 01:15:31,320
Speaker 2: and open up your space to other black creatives, I

1638
01:15:31,360 --> 01:15:32,720
Speaker 2: gotta salute you and thank you for that.

1639
01:15:33,040 --> 01:15:35,799
Speaker 1: So, Roy, could you ever see yourself being a director?

1640
01:15:36,080 --> 01:15:38,080
Speaker 1: I know you're getting to like your writing bag and

1641
01:15:38,200 --> 01:15:39,200
Speaker 1: your acting bag.

1642
01:15:39,800 --> 01:15:42,000
Speaker 3: No, I would never put anything out.

1643
01:15:43,600 --> 01:15:47,400
Speaker 2: I'm a director as well. I don't know.

1644
01:15:47,439 --> 01:15:48,920
Speaker 3: I'm gonna wait for it.

1645
01:15:50,080 --> 01:15:54,800
Speaker 2: Mind y'all'll be like you know what I'm saying, like

1646
01:15:54,960 --> 01:15:56,639
Speaker 2: like fucking with my goals and my dreams.

1647
01:15:56,720 --> 01:15:58,519
Speaker 1: Like you one of them friends where you be like friend,

1648
01:15:58,600 --> 01:16:00,920
Speaker 1: congratulations on your promotion. I gotta raise too.

1649
01:16:01,720 --> 01:16:05,639
Speaker 2: No, I'm just saying I was trying to be funny

1650
01:16:05,680 --> 01:16:06,679
Speaker 2: with what I've directed.

1651
01:16:06,680 --> 01:16:08,560
Speaker 1: But we know we got it. We got it.

1652
01:16:09,000 --> 01:16:11,200
Speaker 3: Oliver Stone, I like nothing that is up there for me.

1653
01:16:11,600 --> 01:16:12,240
Speaker 2: Oliver Stone.

1654
01:16:12,320 --> 01:16:15,880
Speaker 3: Yeah, he's nice when it comes to directing films.

1655
01:16:15,960 --> 01:16:17,320
Speaker 2: Don't look at me in my eyes and tell me

1656
01:16:17,360 --> 01:16:18,720
Speaker 2: Oliver Stone is nice. He's nice.

1657
01:16:18,720 --> 01:16:20,960
Speaker 3: When he comes nice with it, he nice with it.

1658
01:16:21,320 --> 01:16:22,000
Speaker 3: Five that are alive?

1659
01:16:22,120 --> 01:16:24,000
Speaker 2: Just one lp? Oh my god.

1660
01:16:24,040 --> 01:16:25,479
Speaker 1: All right, when are y'all going to have y'all battle?

1661
01:16:25,560 --> 01:16:26,560
Speaker 1: So I can know so I can put it in

1662
01:16:26,640 --> 01:16:27,440
Speaker 1: the schedule.

1663
01:16:27,680 --> 01:16:32,040
Speaker 3: A rap battle. Yes, I mean, if you need time

1664
01:16:32,080 --> 01:16:38,000
Speaker 3: to prepare, listen, I'm right here with it.

1665
01:16:40,080 --> 01:16:41,599
Speaker 2: As I do not need time.

1666
01:16:41,720 --> 01:16:43,320
Speaker 3: What about Thursday, February twenty fourth.

1667
01:16:45,880 --> 01:16:48,200
Speaker 2: I do not need time to prepare for a rap battle.

1668
01:16:48,280 --> 01:16:50,639
Speaker 2: But I will say that I need. I don't. I'm

1669
01:16:50,680 --> 01:16:54,479
Speaker 2: not in the I'm just not motivated right now. I'm not.

1670
01:16:55,160 --> 01:16:57,800
Speaker 2: I'm like busy, like really living life and ship like that. God,

1671
01:16:57,880 --> 01:16:59,720
Speaker 2: So I'm not like I'm not even thinking about music

1672
01:16:59,800 --> 01:17:01,639
Speaker 2: and like rhymes and ship like that right now.

1673
01:17:02,000 --> 01:17:04,400
Speaker 3: I mean I always thought you could battle on the

1674
01:17:04,439 --> 01:17:05,200
Speaker 3: spot when.

1675
01:17:05,080 --> 01:17:06,439
Speaker 2: You got it like that. No, I mean, you know,

1676
01:17:06,520 --> 01:17:08,920
Speaker 2: I'm just not motivated, man, like just right now. It's

1677
01:17:09,040 --> 01:17:11,360
Speaker 2: nothing that really is like motivating my pen right now.

1678
01:17:11,320 --> 01:17:13,719
Speaker 1: To really like so worry got dish you first?

1679
01:17:14,680 --> 01:17:18,439
Speaker 2: No, because you know, you know the monkey can't look

1680
01:17:18,479 --> 01:17:20,720
Speaker 2: the line in the face. You gotta remember that, you

1681
01:17:20,760 --> 01:17:22,840
Speaker 2: know what I'm saying. I never heard that, so like

1682
01:17:22,880 --> 01:17:24,320
Speaker 2: you can throw the stones, but I don't got it.

1683
01:17:24,400 --> 01:17:25,920
Speaker 2: Like it's like it's kind of like what we were

1684
01:17:25,960 --> 01:17:27,960
Speaker 2: just talking about. It's kind of like when you know, like, man,

1685
01:17:28,000 --> 01:17:28,640
Speaker 2: I'm not gonna do that.

1686
01:17:28,720 --> 01:17:30,519
Speaker 3: He said you were a pebble when he's kicking rocks.

1687
01:17:31,760 --> 01:17:34,240
Speaker 3: I'm not gonna say if that that's the bar, that's

1688
01:17:34,280 --> 01:17:34,519
Speaker 3: the bar.

1689
01:17:36,320 --> 01:17:38,439
Speaker 2: I don't know what the fuck is talking about. I

1690
01:17:38,720 --> 01:17:40,720
Speaker 2: never said that. I didn't say nothing about that.

1691
01:17:40,880 --> 01:17:43,240
Speaker 3: Your man, that's gonna behind you in the battle, finishing

1692
01:17:43,280 --> 01:17:43,599
Speaker 3: your line.

1693
01:17:43,640 --> 01:17:46,759
Speaker 2: No, no, no, no no. I went on stage by myselves.

1694
01:17:46,760 --> 01:17:48,639
Speaker 2: I don't like the crew. I don't do cruise ship.

1695
01:17:49,360 --> 01:17:52,160
Speaker 2: I got the mess. I just sent the mess two

1696
01:17:52,200 --> 01:17:54,880
Speaker 2: bars the other day, like going at her or just

1697
01:17:54,960 --> 01:17:55,160
Speaker 2: like to.

1698
01:17:56,800 --> 01:17:57,960
Speaker 1: Text my phone going at me.

1699
01:17:58,640 --> 01:18:00,479
Speaker 3: You just texted him already cleaned her up with the

1700
01:18:01,320 --> 01:18:05,439
Speaker 3: Orange Man bar, the Syracuse's she's been dead. She's on

1701
01:18:05,520 --> 01:18:06,040
Speaker 3: the team now.

1702
01:18:07,160 --> 01:18:08,720
Speaker 2: Oh so so you kill me.

1703
01:18:08,920 --> 01:18:10,280
Speaker 1: I'm not now I'm not on his team.

1704
01:18:10,360 --> 01:18:12,760
Speaker 2: So you her and then now you're like, yo, I'm

1705
01:18:12,920 --> 01:18:16,880
Speaker 2: I'm riding you got blooded in. Yeah, that's crazy.

1706
01:18:16,920 --> 01:18:19,800
Speaker 1: The moment I get some time, you got you're coming

1707
01:18:19,840 --> 01:18:23,240
Speaker 1: for both of you. But I, guys think I think

1708
01:18:23,320 --> 01:18:23,600
Speaker 1: that's it.

1709
01:18:23,840 --> 01:18:26,280
Speaker 3: Yeah, because that bar. I could flip that too.

1710
01:18:27,200 --> 01:18:28,120
Speaker 1: You keep going.

1711
01:18:30,040 --> 01:18:31,880
Speaker 3: Going, Noah's ark bar I sent her.

1712
01:18:33,720 --> 01:18:35,120
Speaker 2: You can tell when Rory get a bar that he

1713
01:18:35,240 --> 01:18:38,880
Speaker 2: really like he hold on to that motherfucker, Like, Yo,

1714
01:18:39,520 --> 01:18:41,760
Speaker 2: Noah's Syracuse Orange.

1715
01:18:41,479 --> 01:18:43,560
Speaker 3: Man, Like, come on, man, you don't even know the

1716
01:18:43,600 --> 01:18:44,559
Speaker 3: bar or the scheme.

1717
01:18:45,479 --> 01:18:50,280
Speaker 2: It was a it was a whole scheme. Listen around

1718
01:18:50,360 --> 01:18:51,360
Speaker 2: what he got.

1719
01:18:51,760 --> 01:18:54,479
Speaker 1: Really right, he's really coming for you. You're not even prepared.

1720
01:18:55,120 --> 01:18:56,120
Speaker 2: It's a bar director at me.

1721
01:18:56,360 --> 01:18:57,360
Speaker 3: No, but I can make it about you.

1722
01:18:57,880 --> 01:18:59,000
Speaker 2: Okay, Well let's hear it.

1723
01:18:59,520 --> 01:19:01,000
Speaker 3: I'm not gonna now. I can't go there.

1724
01:19:01,080 --> 01:19:04,320
Speaker 2: Okay, see because you're scared. I'm not scared. I'm just not.

1725
01:19:04,520 --> 01:19:07,160
Speaker 2: The culture it just hasn't been motivating. It's a lot

1726
01:19:07,240 --> 01:19:09,160
Speaker 2: going on, Like rushing Ukraine.

1727
01:19:09,200 --> 01:19:11,599
Speaker 1: You're got a white man dissing you in black history,

1728
01:19:11,720 --> 01:19:13,160
Speaker 1: run but popping ship.

1729
01:19:13,240 --> 01:19:16,800
Speaker 2: But it's like, you know, just flatty tripping right now.

1730
01:19:16,920 --> 01:19:19,720
Speaker 2: So my mind ain't even really that you know what

1731
01:19:19,760 --> 01:19:22,400
Speaker 2: I'm saying, Like Glady ain't tripped like that. I would

1732
01:19:22,439 --> 01:19:24,880
Speaker 2: have had balls ready, That's what it is, right, Yeah,

1733
01:19:25,000 --> 01:19:27,080
Speaker 2: like blatty bugging out right now. It's like, yo, come on,

1734
01:19:27,280 --> 01:19:28,000
Speaker 2: so what we're doing.

1735
01:19:28,040 --> 01:19:32,880
Speaker 3: So I'm always battling some Harlem, always ducking you Mook. Wow, damn,

1736
01:19:34,439 --> 01:19:35,559
Speaker 3: not everybody.

1737
01:19:36,080 --> 01:19:38,680
Speaker 2: Mook has never It's my favorite battle. I can't let

1738
01:19:38,680 --> 01:19:41,439
Speaker 2: you get that off. Mook has not ducked everybody. He's

1739
01:19:41,520 --> 01:19:42,320
Speaker 2: battled everybody.

1740
01:19:42,640 --> 01:19:43,559
Speaker 3: He's done some ducks.

1741
01:19:44,600 --> 01:19:46,519
Speaker 2: He's battled everybody he was supposed to battle.

1742
01:19:46,840 --> 01:19:48,360
Speaker 3: Yeah, man, when you're ready to battles, let me know,

1743
01:19:48,600 --> 01:19:49,200
Speaker 3: stop ducking.

1744
01:19:49,320 --> 01:19:52,120
Speaker 2: Yeah man, I'm you know, I'm gonna find some motivation.

1745
01:19:52,160 --> 01:19:54,920
Speaker 2: I'm gonna go, you know, look at a couple of movies,

1746
01:19:54,920 --> 01:19:56,760
Speaker 2: listening to a couple of albums, man, and find the

1747
01:19:56,840 --> 01:20:01,600
Speaker 2: motivation and gotta dig dig deep into my pop ancestry.

1748
01:20:02,160 --> 01:20:03,120
Speaker 3: I could battle anytime.

1749
01:20:03,240 --> 01:20:06,760
Speaker 2: So yeah, but that's why you're gonna lose it anytime too.

1750
01:20:09,640 --> 01:20:11,280
Speaker 3: If he knows the scheme, I could have just offer

1751
01:20:11,320 --> 01:20:12,720
Speaker 3: that one quick bar when I was writing. I was

1752
01:20:12,760 --> 01:20:14,720
Speaker 3: writing some R and B music and just a quick

1753
01:20:14,760 --> 01:20:15,480
Speaker 3: one popped.

1754
01:20:15,200 --> 01:20:19,320
Speaker 2: In my head. I'm gonna smoke you. You can't build

1755
01:20:19,600 --> 01:20:20,320
Speaker 2: your way out of this one.

1756
01:20:20,360 --> 01:20:23,880
Speaker 3: But listen, Yeah, damn, when when he when I get

1757
01:20:23,920 --> 01:20:26,880
Speaker 3: into this scheme, I don't even want to give it

1758
01:20:26,920 --> 01:20:29,639
Speaker 3: to him. You didn't know a thing and your character.

1759
01:20:30,479 --> 01:20:31,600
Speaker 3: I'm gonna destroy you.

1760
01:20:32,560 --> 01:20:37,479
Speaker 2: See, once I get into orange, you emotional or the

1761
01:20:37,560 --> 01:20:38,520
Speaker 2: orange is emotional.

1762
01:20:39,240 --> 01:20:42,520
Speaker 3: Like once I get it to all of that, who

1763
01:20:42,600 --> 01:20:45,200
Speaker 3: said I don't I'm gonna be rather with that one.

1764
01:20:45,280 --> 01:20:49,040
Speaker 3: I already have a scheme. I'm gonna be crazy.

1765
01:20:50,320 --> 01:20:54,879
Speaker 2: You're gonna bring oranges on the stage. That's too obvious.

1766
01:20:55,800 --> 01:20:56,960
Speaker 1: Orange. I love it.

1767
01:20:57,240 --> 01:20:59,280
Speaker 2: I love it. Man, Listen, man, don't you know? I mean,

1768
01:20:59,320 --> 01:21:01,360
Speaker 2: don't wake the line? Ain't man, Let the lions sleep.

1769
01:21:01,479 --> 01:21:02,519
Speaker 2: Man telling you.

1770
01:21:04,760 --> 01:21:07,040
Speaker 1: All right, people, we'll see you next week. Thank you

1771
01:21:07,160 --> 01:21:07,600
Speaker 1: for tuning in.

1772
01:21:07,800 --> 01:21:10,479
Speaker 2: That's it we've done. They're kicking us off. They wrapping

1773
01:21:10,520 --> 01:21:12,439
Speaker 2: us up. They got to wrap up light on Yeah, clearly,

1774
01:21:12,880 --> 01:21:15,720
Speaker 2: damn all right man, well ship, Uh what we got

1775
01:21:15,760 --> 01:21:17,559
Speaker 2: going on this weekend? I know we got the battle

1776
01:21:17,680 --> 01:21:19,439
Speaker 2: that happened already when you when they're hearing this, the

1777
01:21:19,479 --> 01:21:21,240
Speaker 2: battles tonight we're on caffeine TV.

1778
01:21:22,040 --> 01:21:24,920
Speaker 3: Uh, sneak of battle and not a rap battle. No,

1779
01:21:25,120 --> 01:21:28,960
Speaker 3: that'll be on caffeine as well, that's for sure.

1780
01:21:29,040 --> 01:21:32,120
Speaker 1: I do a lot of battling recently. Are we what

1781
01:21:32,320 --> 01:21:34,679
Speaker 1: the battle battling sneakers battling each other?

1782
01:21:35,120 --> 01:21:37,519
Speaker 2: No, that that battle didn't happy this sneak of battle.

1783
01:21:38,120 --> 01:21:41,120
Speaker 2: Smoke presented it to me, and I think Rory had

1784
01:21:41,160 --> 01:21:43,400
Speaker 2: told me about it too, But I think I thought

1785
01:21:43,439 --> 01:21:45,400
Speaker 2: it was something fun for Rory and myself. I thought

1786
01:21:45,600 --> 01:21:47,040
Speaker 2: I thought it would have been better if me and

1787
01:21:47,200 --> 01:21:48,639
Speaker 2: Rory battled somebody else.

1788
01:21:48,760 --> 01:21:51,840
Speaker 3: So that's what I originally thought it was. When we

1789
01:21:52,000 --> 01:21:54,519
Speaker 3: was battling like two days ago, you want to do this, sneakers,

1790
01:21:54,520 --> 01:21:56,000
Speaker 3: and I was like, yeah, of course, I got more

1791
01:21:56,080 --> 01:21:59,040
Speaker 3: on my team just sitting in the back and get

1792
01:21:59,200 --> 01:22:02,840
Speaker 3: your chilling moll coming to all the ship. Now that

1793
01:22:02,920 --> 01:22:05,639
Speaker 3: I found out I'm battling, I'm like, I'm going to lose.

1794
01:22:05,720 --> 01:22:09,000
Speaker 2: No, but but Rory has I like the angle that yeah,

1795
01:22:09,000 --> 01:22:10,479
Speaker 2: I like the angle that Rory is coming with. I

1796
01:22:10,600 --> 01:22:13,200
Speaker 2: like his angle, like it's him. It's like, and we

1797
01:22:13,280 --> 01:22:16,040
Speaker 2: got have fun with it. But yeah, it's gonna be fun.

1798
01:22:16,520 --> 01:22:18,000
Speaker 2: I think I think it would have been better if

1799
01:22:18,000 --> 01:22:20,920
Speaker 2: me and Rory battled, like I don't know, DCEs and Merrow.

1800
01:22:20,960 --> 01:22:22,679
Speaker 3: Maybe yeah, it'd be great.

1801
01:22:22,800 --> 01:22:24,600
Speaker 1: They got money, now they might have cleaned y'all up.

1802
01:22:25,320 --> 01:22:27,439
Speaker 2: Ain't nobody cleaning me up? You got me twisted d

1803
01:22:28,320 --> 01:22:30,439
Speaker 2: not a sneaker because I'm not even the thing about it.

1804
01:22:30,560 --> 01:22:32,640
Speaker 2: I'm I don't even consider myself a sneak ahead. Like

1805
01:22:32,880 --> 01:22:35,200
Speaker 2: I think sneakerheads are people that know when shit is dropping.

1806
01:22:35,800 --> 01:22:39,560
Speaker 2: Uh they you know, they go after certain things. Me

1807
01:22:39,840 --> 01:22:42,160
Speaker 2: if I see ship that I like, I just get it.

1808
01:22:42,200 --> 01:22:44,840
Speaker 2: I don't. I don't know how prestigious they are to

1809
01:22:44,920 --> 01:22:47,360
Speaker 2: the culture. Most of the time, I don't know when

1810
01:22:47,400 --> 01:22:49,840
Speaker 2: they dropped, Like the Jordans. I don't even know the

1811
01:22:49,960 --> 01:22:52,240
Speaker 2: numbers of the Jordans. Like I called Jordan's I'm like, yo,

1812
01:22:52,280 --> 01:22:54,320
Speaker 2: you know the ones that I refer to a movie,

1813
01:22:54,439 --> 01:22:55,800
Speaker 2: Like remember he had those on in the movie and

1814
01:22:55,800 --> 01:22:57,439
Speaker 2: they'd be like, Yo, those are the Sixers. I'm like, Okay,

1815
01:22:57,439 --> 01:22:59,720
Speaker 2: I don't know. So I'm not a sneakerhead, but I

1816
01:22:59,800 --> 01:23:01,640
Speaker 2: do have a lot of sneakers, so cleaning me up

1817
01:23:01,760 --> 01:23:02,519
Speaker 2: is not something that's going.

1818
01:23:02,640 --> 01:23:04,599
Speaker 3: When I went through my closet, I realized I'm definitely

1819
01:23:04,600 --> 01:23:06,880
Speaker 3: not a sneakerhead because I wear them.

1820
01:23:07,439 --> 01:23:08,479
Speaker 2: I was like, oh, that's another thing.

1821
01:23:08,520 --> 01:23:12,160
Speaker 3: I can't bring these on the complex. No, Like, oh wait,

1822
01:23:12,240 --> 01:23:13,800
Speaker 3: I wear my sneakers. I'm one of those people.

1823
01:23:13,800 --> 01:23:15,439
Speaker 2: I wear my sneakers. I'm definitely one of those people.

1824
01:23:15,600 --> 01:23:17,439
Speaker 2: Especially when you start moving and you have to go

1825
01:23:17,560 --> 01:23:19,640
Speaker 2: through your sneakers and you start seeing sneakers that you

1826
01:23:19,760 --> 01:23:22,720
Speaker 2: haven't even looked at in six years. It's like, all right,

1827
01:23:22,760 --> 01:23:24,719
Speaker 2: this is getting a little excessive. Like I gotta realize

1828
01:23:24,720 --> 01:23:26,120
Speaker 2: who's battling the Clark Kent.

1829
01:23:29,200 --> 01:23:29,439
Speaker 1: Nike.

1830
01:23:30,240 --> 01:23:31,760
Speaker 2: Yeah, I'm about to stay and not me.

1831
01:23:32,479 --> 01:23:34,679
Speaker 3: The whole brand has to mm hmm.

1832
01:23:35,479 --> 01:23:38,120
Speaker 2: Maybe somebody like Wile.

1833
01:23:38,240 --> 01:23:39,679
Speaker 3: I was just about to say, lowkey. I think Wile

1834
01:23:39,840 --> 01:23:40,479
Speaker 3: might be the only one that.

1835
01:23:40,640 --> 01:23:43,000
Speaker 2: While a smoke, this has a nice collection as well.

1836
01:23:43,120 --> 01:23:43,519
Speaker 3: That's true.

1837
01:23:44,160 --> 01:23:48,920
Speaker 2: Uh, currency has a nice sneaker collection. Fat Fat Joe

1838
01:23:48,960 --> 01:23:50,280
Speaker 2: and Clark Camp That's what would be.

1839
01:23:50,400 --> 01:23:52,240
Speaker 3: I never is Fat Joe a sneaker collector.

1840
01:23:52,240 --> 01:23:55,840
Speaker 2: I never know, don't is he a sneaker Fat Cala

1841
01:23:55,880 --> 01:24:00,639
Speaker 2: has a nice but Fat Joe has a serious, serious

1842
01:24:00,800 --> 01:24:03,200
Speaker 2: sneaker collection, like he has pieces. I think that like

1843
01:24:03,320 --> 01:24:07,760
Speaker 2: one of one. Oh shit, yeah, Fat Joe, H. PJ.

1844
01:24:07,960 --> 01:24:11,600
Speaker 2: Tucker obviously is one of the one of the sneakerheads.

1845
01:24:12,240 --> 01:24:17,200
Speaker 2: These sneakerheads Fat Joe, PJ. Tucker, DJ Clark Kent, I

1846
01:24:17,280 --> 01:24:20,240
Speaker 2: think those are the guys. I'm missing somebody. They gonna

1847
01:24:20,280 --> 01:24:21,559
Speaker 2: kill us from somebody.

1848
01:24:21,960 --> 01:24:24,360
Speaker 3: But I'm not a sneaker head, so but.

1849
01:24:24,640 --> 01:24:25,840
Speaker 2: Those are the guys that I can think of all

1850
01:24:25,840 --> 01:24:30,799
Speaker 2: the top Fat Joe Clark, kent uh while A smoked

1851
01:24:30,840 --> 01:24:31,120
Speaker 2: as a.

1852
01:24:33,560 --> 01:24:38,040
Speaker 1: And yeah, roll you ever got a new balance like partnership?

1853
01:24:38,439 --> 01:24:41,240
Speaker 1: I tried with me and then I were going through

1854
01:24:41,280 --> 01:24:43,360
Speaker 1: your closet looking for the tequila like we found like

1855
01:24:43,400 --> 01:24:44,759
Speaker 1: the hall of new Balances.

1856
01:24:45,040 --> 01:24:48,240
Speaker 3: I hate to sound like that person. The only claim

1857
01:24:48,320 --> 01:24:51,200
Speaker 3: that I have with sneakership is I was wearing new

1858
01:24:51,240 --> 01:24:54,200
Speaker 3: balances and everyone from Baltimore and DC fucking relaxed.

1859
01:24:54,360 --> 01:24:57,559
Speaker 2: Iye, New York was wearing new balances for a long time.

1860
01:24:58,080 --> 01:25:00,160
Speaker 3: I was everyone used to clown because I always have

1861
01:25:00,360 --> 01:25:02,280
Speaker 3: a different pair of new balances. I always loved the

1862
01:25:02,320 --> 01:25:06,439
Speaker 3: new balances, and now now everyone is wearing fucking new balances, actually,

1863
01:25:06,439 --> 01:25:09,759
Speaker 3: which I'm fine with because it just makes more collabse

1864
01:25:09,840 --> 01:25:12,160
Speaker 3: and more ship new balances doing so. I'm not that

1865
01:25:12,360 --> 01:25:14,240
Speaker 3: guy that salty like, Oh now now y'all want to

1866
01:25:14,240 --> 01:25:16,160
Speaker 3: wear him nuk keep wearing it. But why do I

1867
01:25:16,240 --> 01:25:17,280
Speaker 3: have new balances doing dope?

1868
01:25:17,320 --> 01:25:17,479
Speaker 2: Ship?

1869
01:25:17,560 --> 01:25:19,360
Speaker 1: Now? I gotta go on stock x to find certain

1870
01:25:19,400 --> 01:25:21,439
Speaker 1: pairs of new balances. That's fucking annoying.

1871
01:25:21,720 --> 01:25:24,360
Speaker 3: Yeah, but no, I talked with a New Balance. It

1872
01:25:24,479 --> 01:25:27,160
Speaker 3: was the first time I've ever seeked out a branch

1873
01:25:27,560 --> 01:25:30,720
Speaker 3: mm hmm, because I think that's corny, Like, yo, we should.

1874
01:25:31,520 --> 01:25:34,439
Speaker 2: Yeah, you actually mocked up a dope ass sneaker for us. Yeah,

1875
01:25:34,920 --> 01:25:37,160
Speaker 2: a Rory Mall New Balance that was really dopey.

1876
01:25:37,320 --> 01:25:40,479
Speaker 3: They send me stuff, but they never wanted to do anything.

1877
01:25:40,600 --> 01:25:41,719
Speaker 2: Like for my album.

1878
01:25:41,760 --> 01:25:44,479
Speaker 3: I wanted to do slides, which I'm making, but I

1879
01:25:44,560 --> 01:25:46,920
Speaker 3: want to do them with New Balance, and they were like, yeah,

1880
01:25:46,920 --> 01:25:47,640
Speaker 3: it's not not for us.

1881
01:25:48,200 --> 01:25:51,960
Speaker 2: I'm like, all yet they will, they will.

1882
01:25:52,040 --> 01:25:53,640
Speaker 1: Hennessy made that same mistake.

1883
01:25:59,439 --> 01:25:59,640
Speaker 2: You are.

1884
01:25:59,760 --> 01:26:01,240
Speaker 3: You are currently on air, sir.

1885
01:26:01,640 --> 01:26:02,559
Speaker 1: I'm on air right now.

1886
01:26:02,600 --> 01:26:05,719
Speaker 3: You're on air right now. And it's perfect timing because

1887
01:26:06,040 --> 01:26:09,120
Speaker 3: Maul and I are doing a complex sneaker battle tonight

1888
01:26:09,800 --> 01:26:12,839
Speaker 3: and I brought seven pairs of just your sneakers.

1889
01:26:13,680 --> 01:26:17,479
Speaker 2: Oh damn, what you're gonna worry mom? I got a

1890
01:26:17,520 --> 01:26:20,479
Speaker 2: few pieces, I got I got a few, uh a

1891
01:26:20,520 --> 01:26:22,400
Speaker 2: few people. I didn't bring any of your pieces though,

1892
01:26:22,400 --> 01:26:24,479
Speaker 2: I'm sorry about that, but Rory Rory bought some of

1893
01:26:24,520 --> 01:26:26,960
Speaker 2: your pieces. Uh, but we're gonna have some fun though.

1894
01:26:27,439 --> 01:26:29,439
Speaker 2: I got I got, I got, I got some pieces.

1895
01:26:29,479 --> 01:26:31,519
Speaker 2: That's gonna shake, shake, shake the room up a little bit.

1896
01:26:32,760 --> 01:26:33,960
Speaker 3: I'm honored to be on the show.

1897
01:26:34,160 --> 01:26:37,120
Speaker 2: What's the topic? What we talk about? Just bullshit? If

1898
01:26:37,200 --> 01:26:39,439
Speaker 2: talk about how you how you how you are killing

1899
01:26:39,560 --> 01:26:42,160
Speaker 2: the sneaker game and how a new balance needs to

1900
01:26:42,320 --> 01:26:44,679
Speaker 2: uh take a meeting with us and create a sneaker.

1901
01:26:45,400 --> 01:26:47,280
Speaker 2: Actually you should, you should create our sneaker.

1902
01:26:47,840 --> 01:26:49,479
Speaker 3: Yeah, why can't we do a pod sneaker together?

1903
01:26:50,280 --> 01:26:51,200
Speaker 2: You should do a whole fit.

1904
01:26:51,320 --> 01:26:53,120
Speaker 3: You got you guys are sitting in the chairs and ship.

1905
01:26:53,160 --> 01:26:55,200
Speaker 2: You can do a whole like lazy boy fit. Well,

1906
01:26:55,240 --> 01:26:58,320
Speaker 2: we're in l A twice in March. If you're gonna

1907
01:26:58,320 --> 01:26:59,960
Speaker 2: be out there, yeah, I'm around.

1908
01:27:00,640 --> 01:27:03,120
Speaker 3: Yeah, let's let's set up the actual official sit down joint.

1909
01:27:03,320 --> 01:27:04,080
Speaker 2: I definitely want to do that.

1910
01:27:04,439 --> 01:27:06,519
Speaker 3: Let's do it in nature or something. Change it up

1911
01:27:06,600 --> 01:27:09,599
Speaker 3: for sure, we definitely want to do that. So yeah,

1912
01:27:09,680 --> 01:27:12,000
Speaker 3: I'll text you and and hit me tomorrow. Let's let's

1913
01:27:12,000 --> 01:27:12,880
Speaker 3: get up, all right.

1914
01:27:12,880 --> 01:27:13,960
Speaker 2: You guys won't give me a piece, so I can

1915
01:27:13,960 --> 01:27:15,240
Speaker 2: give him a quick sixteen before I go?

1916
01:27:15,360 --> 01:27:19,200
Speaker 3: Should we just leave me apoco? I already tore him

1917
01:27:19,200 --> 01:27:20,760
Speaker 3: all up, already tore the marits up.

1918
01:27:21,200 --> 01:27:23,559
Speaker 2: Yo. All right, I'll talk to you guys allright. Bro.

1919
01:27:24,760 --> 01:27:28,360
Speaker 2: Shout out to sile Man, super super super cool guy

1920
01:27:28,760 --> 01:27:30,960
Speaker 2: for sure, and he's fucking up the sneaky game right now.

1921
01:27:31,120 --> 01:27:32,280
Speaker 2: Absolutely is.

1922
01:27:33,800 --> 01:27:35,400
Speaker 1: What do I gotta do to get the cool stuff

1923
01:27:35,400 --> 01:27:37,120
Speaker 1: that y'all you guys do gotta be cool.

1924
01:27:38,080 --> 01:27:42,360
Speaker 2: I'll tell I'll make sure. I'll make sure sends you

1925
01:27:42,439 --> 01:27:43,120
Speaker 2: some new balances.

1926
01:27:43,280 --> 01:27:45,519
Speaker 1: And that's why I fuck with my now, my mal team.

1927
01:27:46,760 --> 01:27:48,720
Speaker 2: That's all I gotta nigga give you some sneakers. Looks

1928
01:27:48,720 --> 01:27:50,640
Speaker 2: you're right here now. I'm more malteam.

1929
01:27:50,800 --> 01:27:54,080
Speaker 3: That's fine. Just more schemes, more schemes to tear you

1930
01:27:54,200 --> 01:27:54,400
Speaker 3: up with.

1931
01:27:54,800 --> 01:27:58,040
Speaker 2: Yeah, oh man, shout out to Salle he though, man,

1932
01:27:58,040 --> 01:27:59,280
Speaker 2: that's my guy, super good guy.

1933
01:27:59,520 --> 01:28:02,360
Speaker 3: Yeah, I'm glad we just had a quick call because

1934
01:28:02,360 --> 01:28:04,640
Speaker 3: i'mant to do the proper sit down with him and

1935
01:28:04,720 --> 01:28:05,559
Speaker 3: really go through everything.

1936
01:28:05,720 --> 01:28:07,439
Speaker 2: Love it, man, let's do it. Let's go somewhere shant

1937
01:28:07,439 --> 01:28:08,040
Speaker 2: down and fucking.

1938
01:28:08,400 --> 01:28:10,160
Speaker 3: But he's gonna have us actually hiking, not like run

1939
01:28:10,240 --> 01:28:12,880
Speaker 3: your canyon Instagram picture. He's gonna have us like on it.

1940
01:28:13,439 --> 01:28:15,000
Speaker 2: This is this is just the ship we want to do,

1941
01:28:15,600 --> 01:28:17,240
Speaker 2: you know. I don't even think he understands like we

1942
01:28:17,320 --> 01:28:18,040
Speaker 2: want to do ship like this.

1943
01:28:18,240 --> 01:28:18,519
Speaker 1: I'm not.

1944
01:28:18,960 --> 01:28:20,960
Speaker 2: It's not out of our you know, we want to

1945
01:28:21,000 --> 01:28:23,000
Speaker 2: do this ship. So shout out to salehi man. And

1946
01:28:23,120 --> 01:28:25,840
Speaker 2: with that being said, uh where am I right here?

1947
01:28:26,360 --> 01:28:26,519
Speaker 1: Uh?

1948
01:28:27,240 --> 01:28:29,080
Speaker 2: Thank you for tuning in to New Rory and Maul.

1949
01:28:29,720 --> 01:28:33,559
Speaker 2: Be safe this weekend. H Prayers again to Russia, Ukraine

1950
01:28:33,600 --> 01:28:35,559
Speaker 2: and anybody that will be affected, which is all of us.

1951
01:28:35,880 --> 01:28:37,200
Speaker 2: Prayers for world peace.

1952
01:28:37,120 --> 01:28:39,479
Speaker 1: And everybody who didn't get their Kanye album on the

1953
01:28:39,560 --> 01:28:40,080
Speaker 1: stun player.

1954
01:28:40,280 --> 01:28:42,080
Speaker 2: Prayers to those people as well, because I'm pretty sure

1955
01:28:42,080 --> 01:28:42,920
Speaker 2: your weekend is fucked up.

1956
01:28:42,960 --> 01:28:43,360
Speaker 1: Behind that.

1957
01:28:45,280 --> 01:28:47,000
Speaker 3: Your weekend should not be fucked up because the Kany

1958
01:28:47,439 --> 01:28:47,800
Speaker 3: I mean.

1959
01:28:50,760 --> 01:28:51,599
Speaker 2: That, that's for sure.

1960
01:28:52,360 --> 01:28:52,479
Speaker 1: Uh.

1961
01:28:52,760 --> 01:28:55,840
Speaker 2: But yeah, we'll be back next week until we meet again,

1962
01:28:55,960 --> 01:28:58,759
Speaker 2: until you hear us again, until we meet again, Be safe,

1963
01:28:59,439 --> 01:29:02,719
Speaker 2: have fun, don't do nothing we wouldn't do without tweeting

1964
01:29:02,800 --> 01:29:05,840
Speaker 2: us about it. And I always remember you can't spell

1965
01:29:05,880 --> 01:29:06,800
Speaker 2: ginger without nigga.

1966
01:29:09,640 --> 01:29:10,920
Speaker 1: No wan no