WEBVTT - How did Nickelodeon Revolutionize Television?

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<v Speaker 1>I guess what will? What's that? So when I was

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<v Speaker 1>in third grade, cable came into our neighborhood and for

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<v Speaker 1>one glorious summer, my parents got us cable TV, and

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<v Speaker 1>of course we abused the heck out of it. So

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<v Speaker 1>I saw Spaceballs at least twenty times that summer. I

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<v Speaker 1>watched all these old Disney classics on the Disney Channel,

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<v Speaker 1>and best of all, we got Nickelodeon, which just transformed

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<v Speaker 1>our neighborhood. Oh man, I watched so much Nickelodeon during

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<v Speaker 1>the summers. But I'm curious for you, what what? Why

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<v Speaker 1>did you feel like it transformed your summer? I mean,

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<v Speaker 1>this is when you can't do that on television. Was

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<v Speaker 1>on and I just thought it was the funniest show

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<v Speaker 1>in the world. It almost felt like it was written

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<v Speaker 1>by kids, four kids. But Double Dare was really what

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<v Speaker 1>caught fire with the other kids in the neighborhood. And

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<v Speaker 1>we didn't know how TV worked, so we just assumed

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<v Speaker 1>one day like Double Dare would come to town and

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<v Speaker 1>they'd call us on the phone, and we just have

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<v Speaker 1>to be prepared for that moment. So every day, honestly,

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<v Speaker 1>every day, we'd like quiz each other on trivia questions

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<v Speaker 1>and then we'd like create these ridiculous physical challenges. We

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<v Speaker 1>had a creek behind our house, so we'd get all

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<v Speaker 1>money and like roam through it and we'd like climb

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<v Speaker 1>trees and whatever we could come up with. And uh,

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<v Speaker 1>you know, we practiced hard because we knew one day

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<v Speaker 1>that call was going to come and it had to

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<v Speaker 1>so so so did it finally come for you? I mean,

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<v Speaker 1>of course not. You know, that hasn't reduced my enthusiasm

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<v Speaker 1>for Nickelodeon. And today we're talking about everything from the

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<v Speaker 1>channel's early history to how it became synonymous with slime,

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<v Speaker 1>to why it really got into the cartoon business. So

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<v Speaker 1>let's dive in. Hey there, podcast listeners, Welcome to Part

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<v Speaker 1>Time Genius. I'm Will Pearson and as always I'm joined

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<v Speaker 1>by my good friend Manes Ticketer and on the other

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<v Speaker 1>side of the soundproof blasts wearing a spa on recreation

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<v Speaker 1>of quail Man. You know, the Quailman costume from from Doug.

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<v Speaker 1>Of course, that's our friend and producer Tristan McNeil. Now

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<v Speaker 1>you remember quail Man, right mano vaguely. He was the

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<v Speaker 1>kind of the imaginary superhero persona that Doug was always

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<v Speaker 1>doodling in his little journal. You remember this. So I

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<v Speaker 1>like Doug, but I was really more of a hey,

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<v Speaker 1>Arnold guy myself. I'll be honest, I'm with you on that.

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<v Speaker 1>But you know, it's tough to choose a favor from

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<v Speaker 1>so many of the iconic shows from Nickelodeon. The network's

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<v Speaker 1>golden age gave us so many memorable characters. In fact,

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<v Speaker 1>I'm not sure if you knew this, but Nickelodeon is

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<v Speaker 1>actually going through a bit of a resurgence right now,

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<v Speaker 1>and that's thanks largely to the nostalgia that people feel

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<v Speaker 1>for those early shows. Yeah, it's funny to me because

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<v Speaker 1>my son was at camp and while they were waiting

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<v Speaker 1>at pick up, like, they were all watching Rocco's Modern Life,

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<v Speaker 1>and I could believe it. It feels like a TV

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<v Speaker 1>show that was so many generations ago. Well, and actually,

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<v Speaker 1>if you you look at the Hollywood headlines from recent years,

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<v Speaker 1>I mean it's kind of crazy how many old Nick

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<v Speaker 1>shows are currently set for revivals and reboots. So I

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<v Speaker 1>was just making a list of these. You've got Hey Arnold,

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<v Speaker 1>Rocko's Modern Life, Doubled Air, which is awesome. Clarissa explains,

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<v Speaker 1>it all. Are you afraid of the Dark Invader, zim

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<v Speaker 1>Ren and Stimpy and the Wild Thornberries. I mean, the

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<v Speaker 1>list just goes on and on. Yeah, that's got everything

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<v Speaker 1>on there except Dog for some reason. Yeah, but you

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<v Speaker 1>know that that is, of course a notable emission. But

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<v Speaker 1>maybe today's show will drum up some interest and a

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<v Speaker 1>Doug come back. And you know, with Nickelodeon being back

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<v Speaker 1>in the limelight, now feels like a pretty good time

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<v Speaker 1>to take a closer look at the network's history and

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<v Speaker 1>trying to get a sense of what made those Nick

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<v Speaker 1>shows so special in the first place. And also I

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<v Speaker 1>think we both just want to know how they got

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<v Speaker 1>into the slime business to begin with. That's right, But

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<v Speaker 1>I do feel like we're getting a little ahead of

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<v Speaker 1>ourselves because Nickelodeon wasn't always the network that Slime built.

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<v Speaker 1>In fact, in its earliest days, it wasn't even called Nickelodeon.

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<v Speaker 1>Back in the network launched as Pinwheel, which was this

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<v Speaker 1>low budget channel aimed at preschoolers, and this was during

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<v Speaker 1>the earliest days of cable tv, and and then after

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<v Speaker 1>two years of modest success, the network decided to expand

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<v Speaker 1>its audience and in that process is when it was

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<v Speaker 1>rebranded as Nickelodeon, which is I guess that that word

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<v Speaker 1>means kind of like an old movie theater, right, Yeah,

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<v Speaker 1>so I didn't actually realize that like a Nickelodeon was

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<v Speaker 1>this pop up small theater. And and the name actually

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<v Speaker 1>comes from a combination of the admission price, which was

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<v Speaker 1>obviously just a nickel, and the Greek word for theater. Apparently,

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<v Speaker 1>the first of these Nickelodeon's opened in Pittsburgh, and this

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<v Speaker 1>was way back in and then they popped up all

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<v Speaker 1>over the country for the next five years or so,

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<v Speaker 1>at least until the larger movie palaces began to replace them.

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<v Speaker 1>And it wasn't something I thought about as a kid.

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<v Speaker 1>I just I didn't even know the word came from anything.

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<v Speaker 1>But it does feel like a little bit of a

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<v Speaker 1>weird name for kids network in hindsight. Yeah, that's true.

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<v Speaker 1>And and actually people in general tend to be a

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<v Speaker 1>little confused about the word really means, and that's partly

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<v Speaker 1>because of a popular song from the late forties includes

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<v Speaker 1>the line put another nickel in the nickelodeon, which was

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<v Speaker 1>I guess more of a coin operated jukebox or music

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<v Speaker 1>box or piano player. I don't know exactly what it was,

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<v Speaker 1>but there's actually a third meaning to Nickelodeon, which refers

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<v Speaker 1>to these old timey movie picture viewers where you turn

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<v Speaker 1>a crank and through like a viewfinder you'd watch a

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<v Speaker 1>short vaudeville act or something. And it's actually that last

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<v Speaker 1>one that the network had in mind when they chose

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<v Speaker 1>the name Nickelodeon. Nickelodeon's first logo was a cartoon I'm

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<v Speaker 1>looking into a viewer. I've never seen this before, but

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<v Speaker 1>apparently it was shown as an interstitial between shows, and

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<v Speaker 1>the mind would always turn the crank when the next

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<v Speaker 1>program was about to start. Yeah, and I can't imagine

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<v Speaker 1>the mime logos stuck around for all that long though,

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<v Speaker 1>right Like, it feels like a very outdated idea to

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<v Speaker 1>even be using a mime in the first place. Yeah,

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<v Speaker 1>it really was, And the network changed logos a few

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<v Speaker 1>times in those early years. Eventually they settled on this

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<v Speaker 1>big silver pinball with the name of the channel written

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<v Speaker 1>in rainbow letters, and they stuck with that until the

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<v Speaker 1>iconic orange splat logo hit the scene. And this was

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<v Speaker 1>in alright, so everybody can remember that one or everybody

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<v Speaker 1>that watched TV in this generation. So, so how did

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<v Speaker 1>that come about exactly? Because it is this strange transition

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<v Speaker 1>to go from mind a pinball to orange slime. I

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<v Speaker 1>wouldn't say it's a very clear cut progression. Yeah, The

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<v Speaker 1>slime actually debuted on the network's first hit show, You

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<v Speaker 1>Can't Do That on Television, which we talked about earlier.

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<v Speaker 1>The series had started abroad in ninety nine, but Nickelodeon

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<v Speaker 1>did begin airing it until I Guess one in the US,

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<v Speaker 1>and it featured both scripted and improvised skits with a

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<v Speaker 1>few adults and a rotating cast of teen actors or

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<v Speaker 1>preteen actors actually, and those were the first folks that

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<v Speaker 1>were slimed by Nickelodeon. So if at that point, so

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<v Speaker 1>it slime was a recurring part of the sketches, I mean,

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<v Speaker 1>I feel like that would be hard to write in

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<v Speaker 1>over and over again. So that's the thing. Apparently, the

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<v Speaker 1>green slime was Roger Price's idea. He was the show's creator,

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<v Speaker 1>and he came up with it as kind of a

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<v Speaker 1>punishment for whenever one of the kids would say I

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<v Speaker 1>don't know during a sketch. I'm sure you remember that

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<v Speaker 1>was a code word to get slimmed. And I always

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<v Speaker 1>thought it was just like a fun joke, but the

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<v Speaker 1>phrase really got on his nerve. And then Price also

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<v Speaker 1>took to dumping water on the actors whenever they said water.

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<v Speaker 1>But that was just because he thought it was funny.

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<v Speaker 1>I mean, it was pretty funny. It was always exciting

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<v Speaker 1>as a kid to see this happening. And of course

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<v Speaker 1>would pretend to have these kinds of scenes at home

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<v Speaker 1>where you'd say I don't know and pretend to dump

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<v Speaker 1>slime on each other. But it is funny that he

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<v Speaker 1>came up with this idea just because the phrase got

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<v Speaker 1>on his nerves. I mean, it doesn't really sound like

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<v Speaker 1>the type of guy who should be working with kids. Yeah,

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<v Speaker 1>And I think the network was more or less aware

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<v Speaker 1>of that, because the show actually had this rule where

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<v Speaker 1>no parents were allowed on set and the kids weren't

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<v Speaker 1>allowed to take scripts home with them either. But to

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<v Speaker 1>be fair, when the cast started complaining about how frequently

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<v Speaker 1>they were getting slimed and soaked, Price did start paying

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<v Speaker 1>out bonuses of twenty five or fifty dollars for each sliming.

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<v Speaker 1>So these kids, every time they got slimed, they would

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<v Speaker 1>get an extra payment, and it feels like maybe they

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<v Speaker 1>would just start saying I don't know, on purpose, just

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<v Speaker 1>like an extra fifty buck. But it also feels like

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<v Speaker 1>a lot of effort just to keep the whole Slime

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<v Speaker 1>gag going. I mean, it was kind of out of necessity.

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<v Speaker 1>What's interesting is that you can't do that on televion,

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<v Speaker 1>and it was pretty much all the network had going

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<v Speaker 1>for it at this point, and even that wasn't enough

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<v Speaker 1>because the channel had lost four million dollars and they

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<v Speaker 1>routinely finished last in ratings among table channels. Wow. I mean,

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<v Speaker 1>it's kind of surprising to look back because that was

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<v Speaker 1>such a popular show that it's hard to remember that

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<v Speaker 1>there was a time where they weren't doing that well.

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<v Speaker 1>So so how did they manage to turn things around?

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<v Speaker 1>So this is so strange, But the thing that actually

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<v Speaker 1>turned it around was the Slime, or at least I

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<v Speaker 1>guess this like wild messy attitude, you know that Slime represents.

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<v Speaker 1>There was no other place on television where kids could

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<v Speaker 1>see themselves acting up right alongside grown ups or playing games,

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<v Speaker 1>joking around and of course making a huge mess as well.

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<v Speaker 1>And people at the network took notice of this appeal.

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<v Speaker 1>I mean, this sounds dumb, but that summer I was

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<v Speaker 1>talking about the reason we all love Nickelodeon so much

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<v Speaker 1>was that instead of being something dished out and given

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<v Speaker 1>to kids, it actually felt inclusive, like kids were part

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<v Speaker 1>of the process or something, and that it was created

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<v Speaker 1>for you. And honestly, it's it's part of that spirit

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<v Speaker 1>that we were trying to tap into. Like at Mental Plus,

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<v Speaker 1>it was super playful without ever talking down and everyone

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<v Speaker 1>was welcome. Except now I'm thinking we should have used

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<v Speaker 1>more Slime in the process, and we missed this opportunity.

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<v Speaker 1>But but speaking what you were talking about the logo,

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<v Speaker 1>so obviously Slime was the network surprise breakout star from

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<v Speaker 1>that show, and and I'm curious, is that where the

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<v Speaker 1>Splat logo comes in. Yeah, So, with the channel struggling overall,

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<v Speaker 1>the network president decided to hire a team to overhaul

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<v Speaker 1>the Nickelodeon brand and they decided to use Slime as

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<v Speaker 1>a jumping off point and the first thing to go

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<v Speaker 1>was the Pinball logo and to replace it, there was

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<v Speaker 1>this designer named Tom Corey. He came up with a

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<v Speaker 1>familiar splat logo. He actually saw this as something that

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<v Speaker 1>was expressive and flexible and Corey used two colors for

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<v Speaker 1>the logo. He used orange and lime green, which basically

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<v Speaker 1>became the networks go to palette from then on. But

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<v Speaker 1>the reason he chose those was because they're both international

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<v Speaker 1>distress colors, so of course he hoped they'd command the

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<v Speaker 1>same attention when were on screen. Okay, I mean it

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<v Speaker 1>makes a lot of sense, and I do like his

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<v Speaker 1>point about the flexibility of a logo like that. I mean,

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<v Speaker 1>you know, Nickelodeon was using that pretty literally. When you

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<v Speaker 1>remember watching the channel, you'd see all those I guess

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<v Speaker 1>those bumpers between shows where that splat logo would come

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<v Speaker 1>onto the screen like a sticker and then it would

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<v Speaker 1>reform into like a dog bone or a hat or

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<v Speaker 1>a blimp or whatever it was, and it was it

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<v Speaker 1>was just this fun way to communicate the kind of

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<v Speaker 1>energy and imagination that you expect from a network like this. Definitely,

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<v Speaker 1>And another thing that came out of this rebranding effort

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<v Speaker 1>was the networks association with do Walk Music. So I

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<v Speaker 1>didn't remember this, but prior to Nickelodeon didn't have many

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<v Speaker 1>original productions and the only way to communicate that attitude

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<v Speaker 1>and vibe of the network was through these thirty second

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<v Speaker 1>on air promotions. So they've got this flexible logo. Now

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<v Speaker 1>that's super fun, but they also need an audio hook,

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<v Speaker 1>and the folks there look and look, and then some

0:10:57.000 --> 0:10:59.840
<v Speaker 1>research shows up that kids actually respond really well to

0:11:00.040 --> 0:11:02.439
<v Speaker 1>do you Want music, So that's what they went with.

0:11:02.559 --> 0:11:04.760
<v Speaker 1>Then a couple of animators were brought in, and pretty

0:11:04.800 --> 0:11:08.160
<v Speaker 1>soon Nickelodeon commercial breaks were filled with these uh sneaker

0:11:08.200 --> 0:11:11.760
<v Speaker 1>wearing dinosaurs who just danced around to do wop. It's

0:11:11.800 --> 0:11:14.440
<v Speaker 1>weird because I know that's been so long, but I

0:11:14.480 --> 0:11:17.600
<v Speaker 1>can remember this so vividly. But I'm curious, though, did it?

0:11:17.640 --> 0:11:21.320
<v Speaker 1>Did it work? Yeah? It's really remarkable. Within six months

0:11:21.360 --> 0:11:24.360
<v Speaker 1>of rebranding, Nickelodeon had become the number one channel for

0:11:24.480 --> 0:11:27.400
<v Speaker 1>children's programming, which was the title that actually held onto

0:11:27.440 --> 0:11:29.679
<v Speaker 1>for decades, even the face of all the new competition

0:11:29.760 --> 0:11:32.760
<v Speaker 1>from Disney and Cartoon Network and wherever else. I mean

0:11:32.800 --> 0:11:35.439
<v Speaker 1>six months that is pretty remarkable, and especially when you

0:11:35.440 --> 0:11:38.440
<v Speaker 1>remember that none of the nicktoons existed at this point, right,

0:11:38.480 --> 0:11:40.920
<v Speaker 1>I mean, the network had picked up some I guess

0:11:40.920 --> 0:11:44.040
<v Speaker 1>some pre existing cartoons to rebroadcast. There was the days

0:11:44.040 --> 0:11:46.920
<v Speaker 1>where they even had Looney Tune shorts on there the

0:11:47.040 --> 0:11:49.439
<v Speaker 1>Danger Mouse Show from England. But you know, if you

0:11:49.440 --> 0:11:52.719
<v Speaker 1>think about original cartoons like rug Rats and Dog, I mean,

0:11:53.000 --> 0:11:54.800
<v Speaker 1>those are still a good ways off because we're still

0:11:54.800 --> 0:11:57.160
<v Speaker 1>talking about the mid eighties at this point, right, That's right,

0:11:57.280 --> 0:11:59.520
<v Speaker 1>And most of the success Nickelodeon had prior to the

0:11:59.600 --> 0:12:02.440
<v Speaker 1>nineties really was on the creativity of its ad bumpers

0:12:02.520 --> 0:12:05.520
<v Speaker 1>and the appeal of slime. Well, I do want to

0:12:05.520 --> 0:12:08.280
<v Speaker 1>get to those nicktoons of the nineties, but first, I

0:12:08.320 --> 0:12:10.360
<v Speaker 1>think we have to talk about Double There. I mean,

0:12:10.360 --> 0:12:12.320
<v Speaker 1>we just we just have to talk about Double There

0:12:12.400 --> 0:12:14.240
<v Speaker 1>is big of a part of our childhood as this was,

0:12:14.320 --> 0:12:17.600
<v Speaker 1>and it was the first hit the network produced in house.

0:12:17.679 --> 0:12:22.240
<v Speaker 1>But even more importantly, Double There probably slimed more unsuspecting

0:12:22.320 --> 0:12:25.880
<v Speaker 1>kids and parents than any other show in NICK history. Well,

0:12:25.920 --> 0:12:27.839
<v Speaker 1>I mean, you know, I'm a huge Double R fan.

0:12:27.960 --> 0:12:30.760
<v Speaker 1>I'm still waiting for that call. But before we dive in,

0:12:30.840 --> 0:12:48.120
<v Speaker 1>let's take a quick break. You're listening to Part Time

0:12:48.160 --> 0:12:51.280
<v Speaker 1>Genius and we're talking all about Nickelodeon. Of course, this

0:12:51.480 --> 0:12:55.880
<v Speaker 1>children's media empire built on I guess a sticky foundation

0:12:55.960 --> 0:12:58.400
<v Speaker 1>of slime, you could say. And and speaking of slime,

0:12:58.600 --> 0:13:00.400
<v Speaker 1>I don't know about you, Mango, but one thing I've

0:13:00.440 --> 0:13:03.800
<v Speaker 1>always wondered while watching Doubledare was what that goopy green

0:13:03.920 --> 0:13:07.360
<v Speaker 1>stuff was actually made of and when If you look online,

0:13:07.400 --> 0:13:10.360
<v Speaker 1>there are a million different recipes for homemade slime, with

0:13:11.000 --> 0:13:14.440
<v Speaker 1>ingredients from like corn syrup to what my kids use of,

0:13:14.679 --> 0:13:17.400
<v Speaker 1>you know, school glue. But I've always wanted to get

0:13:17.400 --> 0:13:19.600
<v Speaker 1>my hands on the real deal, you know, like some

0:13:19.679 --> 0:13:23.079
<v Speaker 1>of that professional slime I guess you call it. I mean,

0:13:23.240 --> 0:13:24.960
<v Speaker 1>I can't speak for the slime on Double Dare, but

0:13:25.000 --> 0:13:27.240
<v Speaker 1>I can tell you that you definitely don't want to

0:13:27.240 --> 0:13:30.840
<v Speaker 1>recreate the first slime DApp here on Nickelodeon. And why

0:13:30.920 --> 0:13:33.920
<v Speaker 1>is that? Apparently the initial batch of slime for you

0:13:33.960 --> 0:13:36.080
<v Speaker 1>can't do that on television was just a mix of

0:13:36.160 --> 0:13:40.680
<v Speaker 1>green latex paint and leftover food scraps from the studio cafter,

0:13:41.679 --> 0:13:45.360
<v Speaker 1>so it was disgusting. It was refined later to be

0:13:45.400 --> 0:13:48.599
<v Speaker 1>this mix of cream wheat food coloring in baby shampoo,

0:13:48.679 --> 0:13:51.439
<v Speaker 1>which is also disgusting, but way better for all the

0:13:51.480 --> 0:13:55.440
<v Speaker 1>shows slime dumping needs. And while it's still gross, you know,

0:13:55.679 --> 0:13:59.319
<v Speaker 1>it's definitely better than straight up garbage, you know. All

0:13:59.360 --> 0:14:01.360
<v Speaker 1>I remember of cream of wheat when I used to

0:14:01.400 --> 0:14:04.000
<v Speaker 1>eat it as a kid. Where how tiny those boxes were.

0:14:04.080 --> 0:14:07.160
<v Speaker 1>So now I'm imagining them having to get like thousands

0:14:07.160 --> 0:14:09.640
<v Speaker 1>and thousands of tiny cream of wheat boxes just to

0:14:09.640 --> 0:14:11.960
<v Speaker 1>make this slime. You know, if you think about, if

0:14:12.040 --> 0:14:15.280
<v Speaker 1>nothing else, it's interesting to trace this evolution of slime

0:14:15.320 --> 0:14:18.240
<v Speaker 1>across the different shows. Like I was reading about some

0:14:18.320 --> 0:14:20.840
<v Speaker 1>of the ingredients that they'd used over the years. I

0:14:20.840 --> 0:14:23.720
<v Speaker 1>read cottage cheese and vegetable oil were also a key

0:14:23.840 --> 0:14:26.480
<v Speaker 1>ingredient at one point. And you know, to come back

0:14:26.520 --> 0:14:29.200
<v Speaker 1>to the idea of double dare the host Mark Summers.

0:14:29.320 --> 0:14:32.600
<v Speaker 1>He claims the show's slime was made from vanilla putting,

0:14:32.680 --> 0:14:35.840
<v Speaker 1>apple sauce, oatmeal, green food coloring, and by the third

0:14:35.960 --> 0:14:39.600
<v Speaker 1>day anything else that was on the obstacle course. So

0:14:39.800 --> 0:14:43.640
<v Speaker 1>do they really reuse the same bash across multiple days stuff? Yes,

0:14:43.720 --> 0:14:45.600
<v Speaker 1>And and bear in mind when the show was at

0:14:45.680 --> 0:14:49.360
<v Speaker 1>peak production, they were taping like six or seven episodes

0:14:49.400 --> 0:14:52.240
<v Speaker 1>a day, So you know, imagine these kids slepting through

0:14:52.280 --> 0:14:55.880
<v Speaker 1>these messy obstacle courses covered in that same week old

0:14:55.920 --> 0:14:58.800
<v Speaker 1>apple sauce, as you know, the last contestant had. And

0:14:59.080 --> 0:15:01.480
<v Speaker 1>actually I came across a pretty funny story about it

0:15:01.480 --> 0:15:04.200
<v Speaker 1>in this this interview with the show's announcer. His name

0:15:04.240 --> 0:15:07.200
<v Speaker 1>was John Harvey, and here's what he said. You know,

0:15:07.280 --> 0:15:10.360
<v Speaker 1>that tank we filled with styrofoam, peanuts or balloons or

0:15:10.400 --> 0:15:13.280
<v Speaker 1>sometimes water in the obstacle course. It was pretty long,

0:15:13.360 --> 0:15:17.040
<v Speaker 1>fifteen or twenty ft, and we'd fill it with various crap.

0:15:17.280 --> 0:15:19.240
<v Speaker 1>One time we filled it, like, I don't know, a

0:15:19.360 --> 0:15:22.000
<v Speaker 1>third of the way up with baked beans. When you

0:15:22.040 --> 0:15:24.720
<v Speaker 1>empty that many baked beans into a tank, you want

0:15:24.720 --> 0:15:26.960
<v Speaker 1>to get your money's worth. So we shot a week's

0:15:27.000 --> 0:15:29.560
<v Speaker 1>worth of shows with baked beans at the end of

0:15:29.560 --> 0:15:32.880
<v Speaker 1>the week, shooting day in and day out under hot lights.

0:15:32.960 --> 0:15:36.800
<v Speaker 1>It was pretty right. So, I mean, you can just

0:15:36.880 --> 0:15:39.320
<v Speaker 1>imagine how gross that view with all the studio lies

0:15:39.400 --> 0:15:43.680
<v Speaker 1>just baking all that squishy food beneath it, And you know,

0:15:43.760 --> 0:15:46.720
<v Speaker 1>I feel bad for the contestants, but also just think

0:15:46.760 --> 0:15:49.000
<v Speaker 1>about the poor stage hand whose job it was to

0:15:49.080 --> 0:15:50.960
<v Speaker 1>empty the tank at the end of the week. That

0:15:51.080 --> 0:15:54.400
<v Speaker 1>just feels so gross. Yeah, I feel way worse for

0:15:54.440 --> 0:15:56.280
<v Speaker 1>that person than I would any of the kids, because

0:15:56.280 --> 0:15:58.200
<v Speaker 1>you know, the kids love it. No matter how bad

0:15:58.240 --> 0:16:00.920
<v Speaker 1>it smelled. The worst it smelled, the more excited they were.

0:16:01.040 --> 0:16:03.960
<v Speaker 1>But I am glad that you mentioned this because Robin

0:16:04.080 --> 0:16:06.920
<v Speaker 1>Russo was actually the long suffering stage assistant who had

0:16:06.960 --> 0:16:09.400
<v Speaker 1>to deal with this kind of thing and come up

0:16:09.400 --> 0:16:12.520
<v Speaker 1>with ways to clean up after these huge messes. And

0:16:12.800 --> 0:16:14.800
<v Speaker 1>according to her, they actually called in one of those

0:16:14.840 --> 0:16:17.200
<v Speaker 1>big vacuum trucks. Those are the ones that are nicknamed

0:16:17.200 --> 0:16:20.440
<v Speaker 1>honey wagons, and it's what people used to empty things

0:16:20.440 --> 0:16:23.880
<v Speaker 1>like septic tanks and porta potties. And apparently when the

0:16:23.880 --> 0:16:26.880
<v Speaker 1>technician had finished sucking out all those baked beans that

0:16:26.880 --> 0:16:29.160
<v Speaker 1>we were talking about, you know, sucking those through a

0:16:29.240 --> 0:16:31.600
<v Speaker 1>giant hose, what he said that the crew was He

0:16:31.640 --> 0:16:34.200
<v Speaker 1>said it was by far the most disgusting thing he'd

0:16:34.240 --> 0:16:37.440
<v Speaker 1>ever had to do, which is probably the highest phrase

0:16:37.480 --> 0:16:40.400
<v Speaker 1>you can get on a supergross kids game show. Totally.

0:16:40.680 --> 0:16:42.680
<v Speaker 1>I am curious, though, Like, did you get a sense

0:16:42.720 --> 0:16:44.880
<v Speaker 1>for how Double Dare happened in the first place? Like,

0:16:45.320 --> 0:16:47.160
<v Speaker 1>I know the network had a slew of game show

0:16:47.240 --> 0:16:50.600
<v Speaker 1>hits after in the nineties, but Double Dare really felt

0:16:50.680 --> 0:16:53.880
<v Speaker 1>so different from anything before it on TV. Yeah, it

0:16:54.000 --> 0:16:56.440
<v Speaker 1>was very different than anything you'd seen before. So game

0:16:56.480 --> 0:16:59.480
<v Speaker 1>shows were never really a staple of children's programming in

0:16:59.480 --> 0:17:02.720
<v Speaker 1>the same way that cartoons or variety shows were, And

0:17:02.720 --> 0:17:05.240
<v Speaker 1>in fact, the reason Nickelodeon decided to try one of

0:17:05.280 --> 0:17:07.720
<v Speaker 1>these out it actually had more to do with corporate

0:17:07.760 --> 0:17:10.760
<v Speaker 1>sponsorship than anything else. So in the mid eighties, the

0:17:10.760 --> 0:17:13.480
<v Speaker 1>network was approached by a production group that had already

0:17:13.520 --> 0:17:16.840
<v Speaker 1>signed nabisco On as a sponsor, and so apparently the

0:17:16.880 --> 0:17:20.719
<v Speaker 1>game show slant was really more Nabisco's idea. And so

0:17:20.760 --> 0:17:22.840
<v Speaker 1>as a cookie and snack company, you know, they didn't

0:17:22.880 --> 0:17:26.360
<v Speaker 1>have any characters or toys to promote through animated pieces,

0:17:26.359 --> 0:17:28.320
<v Speaker 1>so they figured that a game show might actually be

0:17:28.320 --> 0:17:30.600
<v Speaker 1>a better way to get their brands on kids TV.

0:17:31.080 --> 0:17:32.960
<v Speaker 1>So did a n Abiscoe come up with the whole

0:17:33.000 --> 0:17:36.119
<v Speaker 1>format to like this idea of mixing trivia questions with

0:17:36.240 --> 0:17:40.240
<v Speaker 1>crazy physical challenges and all those obstacle courses. Now, I

0:17:40.280 --> 0:17:42.879
<v Speaker 1>mean that that all really came from the show's producers.

0:17:42.920 --> 0:17:44.600
<v Speaker 1>They happen to be big fans of the board game

0:17:44.640 --> 0:17:48.439
<v Speaker 1>mouse Trap and also of Rube Goldberg machines, And actually

0:17:48.480 --> 0:17:51.879
<v Speaker 1>that was basically the premise that kicked the whole thing off.

0:17:51.960 --> 0:17:53.920
<v Speaker 1>You know, one of them said, wouldn't it be fun

0:17:53.920 --> 0:17:56.720
<v Speaker 1>if you made a Rube Goldberg machine, but instead of

0:17:56.720 --> 0:18:00.119
<v Speaker 1>a ball, it was a person. I mean, the the

0:18:00.160 --> 0:18:03.119
<v Speaker 1>thing that's so associated with Double Dare to me is

0:18:03.119 --> 0:18:05.760
<v Speaker 1>is Mark Summers. Definitely. I don't know. He just seems

0:18:05.800 --> 0:18:07.879
<v Speaker 1>like one of those guys who was born to be

0:18:07.960 --> 0:18:10.280
<v Speaker 1>a game show host. And obviously I mean that in

0:18:10.359 --> 0:18:13.280
<v Speaker 1>the best possible way. Oh absolutely, And I think he

0:18:13.320 --> 0:18:15.080
<v Speaker 1>would say the same thing. I mean, the guy had

0:18:15.119 --> 0:18:18.240
<v Speaker 1>been a huge game show fan his whole life. His

0:18:18.320 --> 0:18:20.520
<v Speaker 1>first job in l A was actually working on Bob

0:18:20.520 --> 0:18:24.120
<v Speaker 1>Barker's old show that was called Truth or Consequences. Plus

0:18:24.160 --> 0:18:26.919
<v Speaker 1>the guy is even a member of the Stage Magician's League,

0:18:26.920 --> 0:18:29.280
<v Speaker 1>so you know, he was definitely a performer who knew

0:18:29.320 --> 0:18:32.040
<v Speaker 1>how to build this connection with the audience and you know,

0:18:32.119 --> 0:18:34.840
<v Speaker 1>knew how to keep a show moving along. But you know,

0:18:34.880 --> 0:18:37.199
<v Speaker 1>when we're talking about him, there is one aspect of

0:18:37.200 --> 0:18:39.960
<v Speaker 1>Summer's background that didn't gel so much with Double Dare.

0:18:40.359 --> 0:18:42.679
<v Speaker 1>I'm guessing you're talking about his O C. D. That

0:18:42.840 --> 0:18:45.320
<v Speaker 1>is exactly what I'm referring to, and the irony of

0:18:45.359 --> 0:18:49.520
<v Speaker 1>someone with that condition hosting probably the messiest game show

0:18:49.520 --> 0:18:53.199
<v Speaker 1>in the world wasn't lost on the host. In fact

0:18:52.400 --> 0:18:55.639
<v Speaker 1>interview that he did with Oprah a summer set of

0:18:55.680 --> 0:18:58.960
<v Speaker 1>the experience. It was like a bad sitcom there. I

0:18:59.160 --> 0:19:01.160
<v Speaker 1>was hosting a tell of vision show where people were

0:19:01.160 --> 0:19:04.040
<v Speaker 1>throwing green buckets of goo on each other and I

0:19:04.080 --> 0:19:06.399
<v Speaker 1>was having a good time. But you take what was

0:19:06.440 --> 0:19:08.800
<v Speaker 1>going on in that show and multiply it. If you

0:19:08.800 --> 0:19:12.080
<v Speaker 1>watch the first sixty episodes, I never got a drop

0:19:12.080 --> 0:19:14.520
<v Speaker 1>on me. The kids would be over there just consumed

0:19:14.560 --> 0:19:17.680
<v Speaker 1>and whipped cream and chocolate, and I'd be over here.

0:19:18.080 --> 0:19:20.320
<v Speaker 1>And at some point the producers came to me and said,

0:19:20.480 --> 0:19:23.000
<v Speaker 1>you know, you really do have to participate as much

0:19:23.040 --> 0:19:26.560
<v Speaker 1>as possible, And to Mark Summer's credit, he totally did

0:19:26.680 --> 0:19:29.240
<v Speaker 1>after that. In fact, I don't think Mark Summers ever

0:19:29.400 --> 0:19:32.280
<v Speaker 1>let his aversion to messiness interfere with the fun of

0:19:32.320 --> 0:19:34.680
<v Speaker 1>the show, which is probably a big part of the

0:19:34.720 --> 0:19:37.000
<v Speaker 1>reason he was brought back to host later incarnations of

0:19:37.040 --> 0:19:40.040
<v Speaker 1>the show. And even though he seated his hosting duties

0:19:40.080 --> 0:19:42.920
<v Speaker 1>for the two thousand eighteen version of Doubledare, He'll still

0:19:42.920 --> 0:19:45.720
<v Speaker 1>be there for every episode as the new announcer. You know,

0:19:45.760 --> 0:19:48.040
<v Speaker 1>I do like that every time it gets brought back,

0:19:48.040 --> 0:19:51.600
<v Speaker 1>we can always depend on those two constant Slime and

0:19:51.640 --> 0:19:54.960
<v Speaker 1>Mark summers and a giant prop nos for kids to

0:19:55.000 --> 0:19:59.480
<v Speaker 1>dig flags out of that too, so I know where

0:19:59.520 --> 0:20:01.920
<v Speaker 1>both had to talk about the dawn of Nicktoons in

0:20:01.960 --> 0:20:04.560
<v Speaker 1>the early nineties. But before we do, I actually want

0:20:04.560 --> 0:20:06.719
<v Speaker 1>to take this on one more quick tangent about slime,

0:20:06.920 --> 0:20:11.120
<v Speaker 1>and in particular, toy slime. So of course, in the nineties,

0:20:11.200 --> 0:20:13.760
<v Speaker 1>Mattel and Nickelodeon teamed up for their own line of

0:20:13.880 --> 0:20:16.600
<v Speaker 1>nick branded slime, and they made a bundle off it

0:20:16.640 --> 0:20:19.280
<v Speaker 1>because the slime later spawned this whole line of sticky

0:20:19.280 --> 0:20:24.840
<v Speaker 1>goops with ridiculous sounding names. You've got ghack, Floam, smud zsand,

0:20:24.960 --> 0:20:26.880
<v Speaker 1>which I've never heard of, but it has two z's

0:20:26.920 --> 0:20:29.439
<v Speaker 1>at the start of it for maximum wackiness. I guess

0:20:29.960 --> 0:20:32.400
<v Speaker 1>I feel like you made up most of those things

0:20:32.480 --> 0:20:35.480
<v Speaker 1>that I do remember. Ghak, which was it was not

0:20:35.520 --> 0:20:38.280
<v Speaker 1>only gross looking, but it also made this this weird

0:20:38.320 --> 0:20:40.880
<v Speaker 1>like farting noise when you squeezed it into the container.

0:20:40.960 --> 0:20:43.879
<v Speaker 1>So of course this was a hit with all the kids.

0:20:43.880 --> 0:20:45.920
<v Speaker 1>But you know what's kind of messed up about this name.

0:20:46.000 --> 0:20:49.760
<v Speaker 1>The name gak actually comes from a slang term for heroin.

0:20:49.880 --> 0:20:52.480
<v Speaker 1>Did you know this? I mean, I didn't know that,

0:20:52.520 --> 0:20:55.800
<v Speaker 1>but I assume that's coincidental. Yeah, well, apparently the Rowdy

0:20:55.800 --> 0:20:58.920
<v Speaker 1>Double their crew gave it the nickname and somehow sneaked

0:20:58.920 --> 0:21:02.920
<v Speaker 1>it by the network. Since that's crazy. So obviously we're

0:21:03.000 --> 0:21:04.960
<v Speaker 1>familiar with some of the slime toys that came out

0:21:05.000 --> 0:21:07.200
<v Speaker 1>more recently, but I wanted to take a sec to

0:21:07.240 --> 0:21:09.760
<v Speaker 1>tell you about what's considered the first toy slime as

0:21:09.840 --> 0:21:14.920
<v Speaker 1>we know today, and that's Flubber or flying Rubber. Yes,

0:21:15.000 --> 0:21:17.080
<v Speaker 1>and of course we remember this from the absent Minded

0:21:17.119 --> 0:21:21.560
<v Speaker 1>Professor movies, and so they made a toy version of it, right. Yeah.

0:21:21.600 --> 0:21:25.320
<v Speaker 1>In in nine, Disney partnered with Hasbro to make something

0:21:25.320 --> 0:21:27.760
<v Speaker 1>that was supposed to be just as stretchy and bouncy

0:21:27.800 --> 0:21:31.040
<v Speaker 1>as the on screen counterpart. Obviously that's impossible, but the

0:21:31.080 --> 0:21:34.680
<v Speaker 1>whole thing was a disaster. It bounced and it stretched,

0:21:34.760 --> 0:21:38.159
<v Speaker 1>but it also caused filicky litis, which I guess is

0:21:38.200 --> 0:21:41.159
<v Speaker 1>this infection of the hair follicles. So right after the

0:21:41.160 --> 0:21:43.560
<v Speaker 1>toy hit shelves, there were all these cases of kids

0:21:43.560 --> 0:21:46.440
<v Speaker 1>getting sick with fevers and sore throats and these full

0:21:46.480 --> 0:21:50.840
<v Speaker 1>body rashes and it was horrible. But that's not even

0:21:50.840 --> 0:21:53.520
<v Speaker 1>the worst part. So the company pulls the product from shelves,

0:21:53.560 --> 0:21:56.399
<v Speaker 1>and it's at least a decade before another toy company

0:21:56.440 --> 0:21:59.159
<v Speaker 1>even attempts to sell another toy slime again. So I

0:21:59.160 --> 0:22:01.719
<v Speaker 1>guess you could say abbertaining the good name of slime

0:22:01.760 --> 0:22:04.879
<v Speaker 1>for an entire generation, and that is just so sad.

0:22:04.960 --> 0:22:06.919
<v Speaker 1>But I'm really curious, like, what do you do with

0:22:06.960 --> 0:22:09.119
<v Speaker 1>all that extra slime? They just send it off to

0:22:09.160 --> 0:22:12.160
<v Speaker 1>the landfill. So that's actually my favorite part of the story.

0:22:12.480 --> 0:22:16.439
<v Speaker 1>Hasbro tried to incinerate the stuff, but rather than burning up,

0:22:16.440 --> 0:22:20.320
<v Speaker 1>the slime just smoldered and let off this toxic black smoke.

0:22:20.880 --> 0:22:22.920
<v Speaker 1>So then they got the coast guard involved to help

0:22:22.960 --> 0:22:25.320
<v Speaker 1>them sink the stuff in the ocean, but then it

0:22:25.400 --> 0:22:27.560
<v Speaker 1>floated back up to the surface again and they had

0:22:27.600 --> 0:22:30.520
<v Speaker 1>to try something else, and in the end, the company

0:22:30.560 --> 0:22:33.439
<v Speaker 1>just buried all the remaining tons of unsould flavor and

0:22:33.480 --> 0:22:35.640
<v Speaker 1>then they paved over it to make a parking lot

0:22:35.680 --> 0:22:38.160
<v Speaker 1>for the new warehouse in Rhode Island, and it's still

0:22:38.200 --> 0:22:41.040
<v Speaker 1>in use today. Oh my gosh. All right, well that

0:22:41.200 --> 0:22:43.560
<v Speaker 1>was a pretty good tangent. But I think it's finally

0:22:43.600 --> 0:22:46.720
<v Speaker 1>time for us to talk nicktoons. Absolutely, But first let's

0:22:46.720 --> 0:23:04.320
<v Speaker 1>take a quick break. Okay. Well, so this is gonna

0:23:04.320 --> 0:23:06.240
<v Speaker 1>sound weird, but I have to tell you just one

0:23:06.320 --> 0:23:08.600
<v Speaker 1>more thing about Toys Line, and you've got to bear

0:23:08.640 --> 0:23:11.639
<v Speaker 1>with me, because I promise this part ties in perfectly

0:23:11.720 --> 0:23:14.520
<v Speaker 1>to the creation of those Nicktoons you wanted to talk about.

0:23:15.560 --> 0:23:17.680
<v Speaker 1>All right, well, I'm curious to see how you pull

0:23:17.760 --> 0:23:20.720
<v Speaker 1>this off, so so go ahead. Okay. So in the

0:23:20.800 --> 0:23:23.760
<v Speaker 1>nineteen eighties, the state of Toys Line was looking grim again,

0:23:24.240 --> 0:23:27.040
<v Speaker 1>and rather than being sold on its own merits like

0:23:27.080 --> 0:23:29.679
<v Speaker 1>in the glory days of the seventies, Toys Line was

0:23:29.720 --> 0:23:32.399
<v Speaker 1>now stuck playing second fiddle to other toys. So if

0:23:32.440 --> 0:23:34.520
<v Speaker 1>you think about it, instead of like buying a little

0:23:34.520 --> 0:23:37.719
<v Speaker 1>tub of generic slime and pretending it was toxic waste,

0:23:38.040 --> 0:23:40.280
<v Speaker 1>you'd buy he Man play set that you was slime

0:23:40.320 --> 0:23:43.320
<v Speaker 1>into a pit, or maybe you'd have like a Ghostbusters

0:23:43.320 --> 0:23:46.640
<v Speaker 1>figure that came with some ectoplasm. And obviously this slime

0:23:46.760 --> 0:23:48.919
<v Speaker 1>had to make sense for the toy. But it's interesting

0:23:48.960 --> 0:23:51.240
<v Speaker 1>that slime was no longer kind of a big enough

0:23:51.320 --> 0:23:53.119
<v Speaker 1>draw on its own, and it had to have some

0:23:53.200 --> 0:23:56.560
<v Speaker 1>kind of franchise pined to it. I mean, I guess

0:23:56.560 --> 0:23:58.639
<v Speaker 1>that's kind of set, but but I'm curious, what's the

0:23:58.680 --> 0:24:01.760
<v Speaker 1>connection with with nicktoons? Right, so I'm getting to that

0:24:02.320 --> 0:24:04.560
<v Speaker 1>you might remember this, but back in the eighties, Reagan

0:24:04.640 --> 0:24:08.040
<v Speaker 1>rolled back the regulations about marketing to children, and that

0:24:08.119 --> 0:24:11.240
<v Speaker 1>basically opened the floodgates for all kinds of programming based

0:24:11.280 --> 0:24:14.320
<v Speaker 1>directly on toys and games, and this had never been

0:24:14.359 --> 0:24:17.560
<v Speaker 1>allowed previously. In fact, the shift was so dramatic that

0:24:17.600 --> 0:24:24.000
<v Speaker 1>between cartoons that featured licensed characters increased on TV by

0:24:24.040 --> 0:24:28.239
<v Speaker 1>about three Oh wow. Alright, So so you're saying that,

0:24:28.359 --> 0:24:31.239
<v Speaker 1>just like with toy slime, you couldn't just have a

0:24:31.240 --> 0:24:34.199
<v Speaker 1>toy unless it was attached to some side of like

0:24:34.240 --> 0:24:36.879
<v Speaker 1>a cartoon character or something. Yeah, that definitely helped and

0:24:36.920 --> 0:24:39.560
<v Speaker 1>the market started going that way. But it was the

0:24:39.640 --> 0:24:41.919
<v Speaker 1>other way for cartoon companies to like, like, you wouldn't

0:24:41.920 --> 0:24:45.280
<v Speaker 1>commission a cartoon unless you could build a toy franchise

0:24:45.359 --> 0:24:48.840
<v Speaker 1>off of it. And that's exactly why Nickelodeon shied away

0:24:48.880 --> 0:24:51.479
<v Speaker 1>from making their own original cartoons during the eighties, Like

0:24:51.800 --> 0:24:54.280
<v Speaker 1>they just didn't have the cash to invest in animation

0:24:54.640 --> 0:24:56.679
<v Speaker 1>without the money to also produce a toy line to

0:24:56.720 --> 0:25:01.520
<v Speaker 1>help make it profitable. All right, Well, so then what change, Well, basically,

0:25:01.520 --> 0:25:04.040
<v Speaker 1>this woman named Vanessa Coffee showed up at the studio

0:25:04.080 --> 0:25:08.680
<v Speaker 1>and she started pushing the network to bring back original cartoons.

0:25:08.720 --> 0:25:11.280
<v Speaker 1>She'd worked in development at Marvel for nearly a decade

0:25:11.280 --> 0:25:14.320
<v Speaker 1>at that point, and she was doing toy line tie

0:25:14.320 --> 0:25:17.320
<v Speaker 1>in shows that this was like Transformers or g I Joe.

0:25:17.880 --> 0:25:20.200
<v Speaker 1>And for a while she was feeling pretty burnt out

0:25:20.359 --> 0:25:23.359
<v Speaker 1>and worried that she might be over animation entirely. But

0:25:23.440 --> 0:25:26.199
<v Speaker 1>then it hit her like she still loved telling stories

0:25:26.200 --> 0:25:29.280
<v Speaker 1>through animation. She just hated feeling like all she was

0:25:29.280 --> 0:25:33.080
<v Speaker 1>doing was making toy commercials. And so what was Coffee's

0:25:33.160 --> 0:25:35.800
<v Speaker 1>roll on on the Nicktoons. She got her start with

0:25:35.880 --> 0:25:39.520
<v Speaker 1>Nickelodeon by producing their animated Thanksgiving special, and after that

0:25:39.560 --> 0:25:41.680
<v Speaker 1>they hired her as a consultant to hunt down original

0:25:41.720 --> 0:25:44.800
<v Speaker 1>ideas for potential shows. And the network still wasn't sold

0:25:44.840 --> 0:25:47.119
<v Speaker 1>on the idea of like making their own cartoons, but

0:25:47.480 --> 0:25:50.000
<v Speaker 1>they were curious to see what Coffee could come up with,

0:25:50.560 --> 0:25:52.199
<v Speaker 1>and she was eager to show them too, And and

0:25:52.280 --> 0:25:55.240
<v Speaker 1>she later said of the experience, quote, it's not even

0:25:55.280 --> 0:25:58.320
<v Speaker 1>what Nick needed. I felt like it's what kids needed.

0:25:58.520 --> 0:26:01.320
<v Speaker 1>I felt like kids were being sold toys on television,

0:26:01.480 --> 0:26:04.320
<v Speaker 1>and there was no emotional depth to anything. It felt

0:26:04.320 --> 0:26:07.320
<v Speaker 1>like there was no substance. I mean, I do kind

0:26:07.320 --> 0:26:10.040
<v Speaker 1>of like that this. It feels like this was actually

0:26:10.119 --> 0:26:12.720
<v Speaker 1>a labor of love for her. She was basically a

0:26:12.760 --> 0:26:16.720
<v Speaker 1>one woman animation department. She was meeting with creators, scouring

0:26:16.760 --> 0:26:20.000
<v Speaker 1>literary scene for like promising stories, and and then once

0:26:20.040 --> 0:26:22.600
<v Speaker 1>the execs actually saw the pilot she'd been testing, they

0:26:22.600 --> 0:26:25.600
<v Speaker 1>made her vice president of animation on the spot. It's

0:26:25.800 --> 0:26:29.080
<v Speaker 1>kind of amazing, And her very first task was to

0:26:29.080 --> 0:26:32.240
<v Speaker 1>fill a ninety minute time slot with three cartoons and

0:26:32.320 --> 0:26:36.840
<v Speaker 1>the series. We're all supposed to debut in August, and

0:26:36.960 --> 0:26:39.440
<v Speaker 1>it's pretty amazing when you see that. You know, those

0:26:39.560 --> 0:26:44.080
<v Speaker 1>nicktoons are all legendary, like rug Rats, Doug Ren, and Stimpy.

0:26:44.200 --> 0:26:46.359
<v Speaker 1>I mean, she was three for three right out of

0:26:46.359 --> 0:26:49.520
<v Speaker 1>the gate. What's also interesting is that the shows are

0:26:49.600 --> 0:26:52.880
<v Speaker 1>rooted in such totally different concepts, and it turns out

0:26:52.920 --> 0:26:55.800
<v Speaker 1>that was completely by design. Vanessa Coffee set out to

0:26:55.800 --> 0:26:58.240
<v Speaker 1>find shows that would form what she referred to as

0:26:58.240 --> 0:27:01.320
<v Speaker 1>a balanced meal. So us listening to her describe how

0:27:01.320 --> 0:27:05.120
<v Speaker 1>should put that initial block of programming together, quote, what's

0:27:05.160 --> 0:27:07.320
<v Speaker 1>really good for you? Would be Doug that's kind of

0:27:07.359 --> 0:27:11.359
<v Speaker 1>the broccoli that was going to be the emotional, psychological meal.

0:27:12.000 --> 0:27:13.359
<v Speaker 1>And then I wanted to have a show that was

0:27:13.400 --> 0:27:17.320
<v Speaker 1>spaghetti and meatballs. That's Rugrats. It's really fun to eat

0:27:17.440 --> 0:27:19.639
<v Speaker 1>and you get something out of it, but it's not

0:27:19.680 --> 0:27:23.640
<v Speaker 1>like vegetables. It's spaghetti and meatballs. And then I want

0:27:23.680 --> 0:27:27.480
<v Speaker 1>to dessert that's ren and stimpy, which has no actual

0:27:27.600 --> 0:27:30.840
<v Speaker 1>value and there's absolutely nothing good for you in it.

0:27:30.840 --> 0:27:35.399
<v Speaker 1>It's just sugar. I mean, I do kind of love that.

0:27:35.440 --> 0:27:38.720
<v Speaker 1>I'm not sure that most people would recognize this as broccoli, spaghetti,

0:27:38.760 --> 0:27:41.199
<v Speaker 1>meatballs and pure sugar. I don't know how much of

0:27:41.200 --> 0:27:43.879
<v Speaker 1>a balanced meal it actually is, but I mean it

0:27:43.920 --> 0:27:46.080
<v Speaker 1>does make a lot of sense, and it seems so

0:27:46.119 --> 0:27:49.000
<v Speaker 1>smart in retrospect. And you know, going back to how

0:27:49.080 --> 0:27:52.119
<v Speaker 1>distinct these shows were, it's not just that they were

0:27:52.160 --> 0:27:55.200
<v Speaker 1>different from each other. I mean they were unlike anything

0:27:55.280 --> 0:27:57.480
<v Speaker 1>else on TV at the time. I mean, you know,

0:27:57.520 --> 0:27:59.600
<v Speaker 1>not only did they lack that, you know, kind of

0:27:59.640 --> 0:28:03.240
<v Speaker 1>common book approach and a toy line or anything like that,

0:28:03.359 --> 0:28:06.600
<v Speaker 1>but the characters they focused on were completely different. I

0:28:06.640 --> 0:28:09.639
<v Speaker 1>mean there was no crime fighting or warring aliens or

0:28:09.720 --> 0:28:13.359
<v Speaker 1>robot invaders and instead you just had ordinary kids. I mean,

0:28:13.359 --> 0:28:16.520
<v Speaker 1>these were characters the viewers could actually, I don't kind

0:28:16.520 --> 0:28:19.400
<v Speaker 1>of kind of see themselves in. Yeah. I mean that's

0:28:19.400 --> 0:28:21.639
<v Speaker 1>a great point. And so many cartoons are just about

0:28:21.640 --> 0:28:24.560
<v Speaker 1>pure escapism, and don't get me wrong, I I think

0:28:24.600 --> 0:28:26.679
<v Speaker 1>that should always have a place at the table. But

0:28:26.760 --> 0:28:30.640
<v Speaker 1>those early nicktoons seemed to offer something so much more substantial.

0:28:31.119 --> 0:28:33.960
<v Speaker 1>Like Doug, for instance, it's about a quiet kid moving

0:28:33.960 --> 0:28:36.320
<v Speaker 1>to a new town and he's dealing with stuff like

0:28:36.359 --> 0:28:40.120
<v Speaker 1>bullies and school crushes and rug rats, like like, that's

0:28:40.120 --> 0:28:42.360
<v Speaker 1>just a group of toddlers learning to navigate a world

0:28:42.360 --> 0:28:45.440
<v Speaker 1>where everything is strange and confusing and so much bigger

0:28:45.440 --> 0:28:48.520
<v Speaker 1>than them. And I don't know, I mean, like everyone

0:28:48.560 --> 0:28:51.200
<v Speaker 1>should be able to relate to that. Yeah, And and

0:28:51.200 --> 0:28:54.120
<v Speaker 1>granted that's that's not exactly true of Running Stimpy, but

0:28:54.160 --> 0:28:56.480
<v Speaker 1>even there, the show's irreverence and and just kind of

0:28:56.480 --> 0:28:59.680
<v Speaker 1>that general anarchist attitude. It's certainly captured a lot of

0:28:59.720 --> 0:29:02.280
<v Speaker 1>what it feels like to be a kid. And the

0:29:02.320 --> 0:29:03.959
<v Speaker 1>other thing I liked about rend and Stimpy was when

0:29:04.000 --> 0:29:07.680
<v Speaker 1>they'd parody those TV commercials and other real world stuff

0:29:07.680 --> 0:29:11.120
<v Speaker 1>that kids were probably just starting to get familiar with Like,

0:29:11.240 --> 0:29:13.800
<v Speaker 1>remember they do those interstitial commercials in the middle of

0:29:13.800 --> 0:29:16.600
<v Speaker 1>an episode, and then this announcer would come on and

0:29:16.640 --> 0:29:19.160
<v Speaker 1>try to sell you a great new product called Log

0:29:19.320 --> 0:29:21.560
<v Speaker 1>and it was literally just a log, but it was

0:29:21.600 --> 0:29:24.280
<v Speaker 1>pitched as this kind of like this landmark new product

0:29:24.320 --> 0:29:27.920
<v Speaker 1>that everybody wanted. So I love LOG and I think

0:29:27.920 --> 0:29:29.360
<v Speaker 1>I was in seventh grade when I came out, and

0:29:29.360 --> 0:29:31.480
<v Speaker 1>I remember we'd always use Log as the name you

0:29:31.640 --> 0:29:34.320
<v Speaker 1>entered at the Buling Alley because it was three initials long,

0:29:34.440 --> 0:29:37.160
<v Speaker 1>you know, and you just felt clever for referencing it.

0:29:37.680 --> 0:29:39.800
<v Speaker 1>But I I do know what you mean about introducing

0:29:39.800 --> 0:29:42.760
<v Speaker 1>the world of adults two kids, while also I guess

0:29:43.200 --> 0:29:45.400
<v Speaker 1>taking it down to peg you know, like like even

0:29:45.480 --> 0:29:47.840
<v Speaker 1>on Doug, which is kind of the most straight lace

0:29:47.920 --> 0:29:50.920
<v Speaker 1>of the Nicktoons, you had Doug's neighbor, Mr Dink, who

0:29:51.040 --> 0:29:54.440
<v Speaker 1>was just completely obsessed with keeping up appearances, and he

0:29:54.520 --> 0:29:58.040
<v Speaker 1>was always showing off latest like very expensive gadget he'd acquired.

0:29:58.600 --> 0:30:01.080
<v Speaker 1>I mean, that's a pretty of her lampooning of real

0:30:01.120 --> 0:30:04.600
<v Speaker 1>life dads everywhere. But what's sad to me is that

0:30:04.720 --> 0:30:07.600
<v Speaker 1>I've read that things are more committee driven at Nickelodeon now,

0:30:07.680 --> 0:30:09.920
<v Speaker 1>which is an approach that I guess is more in

0:30:10.040 --> 0:30:12.200
<v Speaker 1>line with what the other channels are doing, you know,

0:30:12.240 --> 0:30:14.600
<v Speaker 1>if you think about like Disney or Cartoon Network. And

0:30:15.080 --> 0:30:18.560
<v Speaker 1>while it's definitely a safer approach for shareholders from a

0:30:18.600 --> 0:30:21.440
<v Speaker 1>creative standpoint, it feels like a step backwards from when

0:30:21.520 --> 0:30:24.480
<v Speaker 1>Vanessa was at the Helm right, Like I think part

0:30:24.520 --> 0:30:26.920
<v Speaker 1>of what made her approach so special was that she

0:30:26.960 --> 0:30:30.440
<v Speaker 1>insisted on working directly with content creators. Like none of

0:30:30.480 --> 0:30:33.280
<v Speaker 1>those shows we talked about were fully formed ideas when

0:30:33.280 --> 0:30:36.880
<v Speaker 1>she first came across them. In every case, Coffee worked

0:30:36.920 --> 0:30:40.040
<v Speaker 1>closely with the creators to develop something original and original

0:30:40.120 --> 0:30:43.160
<v Speaker 1>characters and stories that we feel fresh to kids, and

0:30:43.200 --> 0:30:46.120
<v Speaker 1>also capture something that was true about their experience. And

0:30:46.120 --> 0:30:49.040
<v Speaker 1>and that's just so different from what networks are doing now.

0:30:49.160 --> 0:30:51.480
<v Speaker 1>Like I think Nickelodeon just bought the rights to Ninja

0:30:51.520 --> 0:30:54.280
<v Speaker 1>Turtles a few years back. Yeah, and you know, it's

0:30:54.320 --> 0:30:56.320
<v Speaker 1>kind of a bomber to see them embracing the toy

0:30:56.320 --> 0:30:59.520
<v Speaker 1>commercial mentality that they really helped buck just a couple

0:30:59.600 --> 0:31:03.120
<v Speaker 1>decades ago. I know, But if it's any consolation, hey,

0:31:03.240 --> 0:31:05.600
<v Speaker 1>Arnold already had its revival last year in the form

0:31:05.600 --> 0:31:08.080
<v Speaker 1>of a new TV movie, and it went over really

0:31:08.120 --> 0:31:11.200
<v Speaker 1>well with fans. The original creator and writers came back

0:31:11.240 --> 0:31:14.640
<v Speaker 1>and even if you cast members, So if they stick

0:31:14.720 --> 0:31:17.040
<v Speaker 1>to that approach, there's a good shot of more classic

0:31:17.080 --> 0:31:20.600
<v Speaker 1>shows stepping into the twenty one century unscathed. Well, we'll

0:31:20.680 --> 0:31:23.160
<v Speaker 1>keep our keep our fingers crossed on that. And and

0:31:23.200 --> 0:31:25.640
<v Speaker 1>just because I know the Doug revival is bound to

0:31:25.680 --> 0:31:28.520
<v Speaker 1>happen sooner or later, I I did want to read

0:31:28.520 --> 0:31:30.959
<v Speaker 1>this quote from an Atlantic article on the impact of

0:31:31.000 --> 0:31:34.800
<v Speaker 1>those early nicktoons. So if any Nickelodeon producers are listening,

0:31:34.840 --> 0:31:37.520
<v Speaker 1>here's something to keep in mind for that Doug reboot.

0:31:37.520 --> 0:31:40.200
<v Speaker 1>And this is compliments of a writer named Spencer Cornhaber,

0:31:40.560 --> 0:31:43.360
<v Speaker 1>So here's what he writes today. Doug stands as the

0:31:43.400 --> 0:31:47.440
<v Speaker 1>purest distillation of Nickelodeon's simple, soulful interest in the inner

0:31:47.480 --> 0:31:50.560
<v Speaker 1>lives of kids. Like the rest of his generation, Doug

0:31:50.600 --> 0:31:53.520
<v Speaker 1>Funny wanted to be different, but wasn't. He wished his

0:31:53.600 --> 0:31:56.640
<v Speaker 1>massive nose was smaller. He wished he could dance, He

0:31:56.680 --> 0:31:59.880
<v Speaker 1>wished he were smarter. The show constantly portrayed the false

0:32:00.000 --> 0:32:03.920
<v Speaker 1>relationship between becoming a better person and becoming a different person.

0:32:04.360 --> 0:32:07.480
<v Speaker 1>It grappled again and again with the devastating epiphany of

0:32:07.520 --> 0:32:10.479
<v Speaker 1>adolescence that there are things about you that you just

0:32:10.600 --> 0:32:13.680
<v Speaker 1>can't change. I mean, I feel like I'm still coming

0:32:13.680 --> 0:32:15.200
<v Speaker 1>to terms with all those things, Like I've got a

0:32:15.240 --> 0:32:17.160
<v Speaker 1>big nose. I wish I could dance. I wish I

0:32:17.240 --> 0:32:20.800
<v Speaker 1>was smarter. But kudos to Doug to figuring out all

0:32:20.800 --> 0:32:23.040
<v Speaker 1>that stuff so soon, and and also for helping so

0:32:23.120 --> 0:32:25.560
<v Speaker 1>many other kids figure it out. Yeah, but you dance

0:32:25.640 --> 0:32:29.080
<v Speaker 1>so well with your nose. It's just really impressive. All right. Well,

0:32:29.120 --> 0:32:31.680
<v Speaker 1>now I feel like we've had our broccoli, and I

0:32:31.720 --> 0:32:33.920
<v Speaker 1>think it's time that we skip straight to dessert and

0:32:33.960 --> 0:32:36.240
<v Speaker 1>have ourselves a little fact off. What do you think?

0:32:36.640 --> 0:32:38.320
<v Speaker 1>I mean? That sounds great to me. You know, Christan

0:32:38.360 --> 0:32:40.640
<v Speaker 1>has actually been collecting scraps from the staff kitchen all

0:32:40.680 --> 0:32:42.840
<v Speaker 1>week for a bucket of slime. And what do you

0:32:42.840 --> 0:32:45.280
<v Speaker 1>say the loser gets soaked. I don't know. I have

0:32:45.320 --> 0:32:47.400
<v Speaker 1>a couple of things in common with Mark Summers, but

0:32:47.960 --> 0:32:50.640
<v Speaker 1>but I'm feeling pretty confident, so let's give it a shot.

0:32:58.880 --> 0:33:01.000
<v Speaker 1>So did you know that Susanne Collins that the the

0:33:01.120 --> 0:33:03.840
<v Speaker 1>author of The Hunger Games. She actually started out writing

0:33:03.840 --> 0:33:07.080
<v Speaker 1>for a slightly less dark show. Clarissa explains at all.

0:33:07.560 --> 0:33:11.280
<v Speaker 1>That's pretty amazing. Actually, I found a fact about Clarissa

0:33:11.440 --> 0:33:14.160
<v Speaker 1>that's great. There was a weird rule on the set

0:33:14.480 --> 0:33:18.080
<v Speaker 1>that no one could use purple. And this comes from Slimed,

0:33:18.120 --> 0:33:20.719
<v Speaker 1>which is a book about Nickelodeon history, and it was

0:33:20.880 --> 0:33:24.560
<v Speaker 1>really a big deal. So Mitchell Kriegman, who created and

0:33:24.600 --> 0:33:27.240
<v Speaker 1>produced the series, didn't want it on his set, or

0:33:27.280 --> 0:33:30.000
<v Speaker 1>in his office or anywhere. He didn't even want people

0:33:30.080 --> 0:33:32.280
<v Speaker 1>wearing it to set. But the funny thing is he

0:33:32.280 --> 0:33:35.239
<v Speaker 1>actually didn't have anything against the color purple. And this

0:33:35.280 --> 0:33:39.120
<v Speaker 1>is what he told Slimed. Quote. Clarissa is the first

0:33:39.120 --> 0:33:41.520
<v Speaker 1>big show I ever ran. And I had this advice

0:33:41.560 --> 0:33:43.760
<v Speaker 1>from an old pro in the business who said, the

0:33:43.800 --> 0:33:46.000
<v Speaker 1>first thing you do when you go down there, come

0:33:46.080 --> 0:33:48.760
<v Speaker 1>up with something arbitrary that everyone's got to do, and

0:33:48.840 --> 0:33:53.280
<v Speaker 1>stick to it and never explain it. But apparently people did,

0:33:53.560 --> 0:33:55.720
<v Speaker 1>you know, realize the human and they tried to sneak

0:33:55.760 --> 0:33:57.480
<v Speaker 1>it onto the show a few times just for fun.

0:33:57.920 --> 0:34:00.040
<v Speaker 1>That's a pretty great rule. All right, Well, here's a

0:34:00.040 --> 0:34:04.480
<v Speaker 1>anything about slime in the creators of Ghostbusters actually threatened

0:34:04.520 --> 0:34:06.440
<v Speaker 1>to sue Roger Price. You remember, he was the guy

0:34:06.440 --> 0:34:08.200
<v Speaker 1>we were talking about who started you Can't Do That

0:34:08.280 --> 0:34:11.440
<v Speaker 1>on television, So they wanted to sue him for stealing

0:34:11.440 --> 0:34:14.720
<v Speaker 1>their idea for green slime, but the suit was eventually

0:34:14.760 --> 0:34:17.080
<v Speaker 1>dropped once they found out that Price had been sliming

0:34:17.160 --> 0:34:19.719
<v Speaker 1>kids for a good five or six years by that point.

0:34:19.719 --> 0:34:21.759
<v Speaker 1>I don't know if he was just randomly sliming kids

0:34:21.800 --> 0:34:24.160
<v Speaker 1>or what this was, but if anything, they might have

0:34:24.200 --> 0:34:27.800
<v Speaker 1>actually taken the idea from him. So, speaking of slime,

0:34:27.840 --> 0:34:29.880
<v Speaker 1>did did you know there's a slime ketchup on the

0:34:29.880 --> 0:34:34.120
<v Speaker 1>market right now. It's this thicker, gross green stuff called

0:34:34.160 --> 0:34:38.160
<v Speaker 1>slime Sauce, and Nickelodeon and Walmart combined together to put

0:34:38.200 --> 0:34:41.520
<v Speaker 1>it out. It costs about two fifty a bottle. And

0:34:41.680 --> 0:34:44.360
<v Speaker 1>I think that's one one idea I'm going to pass on.

0:34:44.400 --> 0:34:46.840
<v Speaker 1>But that's pretty funny that it exists. All Well, it

0:34:46.840 --> 0:34:49.240
<v Speaker 1>turns out the rug Rats creators were actually the ones

0:34:49.320 --> 0:34:53.560
<v Speaker 1>behind the Simpson's yellow skin and Marge's blue hair. So

0:34:53.640 --> 0:34:57.120
<v Speaker 1>before Arlene Klasky and Gabor Supo worked on rug Rats,

0:34:57.360 --> 0:35:00.279
<v Speaker 1>they actually helped animate the Simpsons. And that's pretty esome.

0:35:00.640 --> 0:35:03.000
<v Speaker 1>So I actually have a Simpsons fact too, and Apparently

0:35:03.040 --> 0:35:06.279
<v Speaker 1>the creator of Hey Arnold is Matt Greinigg, who's the

0:35:06.280 --> 0:35:09.799
<v Speaker 1>Simpsons creator. He's his brother in law. And one bit

0:35:09.840 --> 0:35:12.440
<v Speaker 1>of advice he gave him was design characters so that

0:35:12.480 --> 0:35:15.120
<v Speaker 1>they can be recognized from a distance or in silhouettes.

0:35:15.640 --> 0:35:19.239
<v Speaker 1>And that's actually why Arnold has such a distinctive football head.

0:35:20.719 --> 0:35:23.359
<v Speaker 1>That's pretty good, all right. Well here's a fun one.

0:35:23.640 --> 0:35:27.000
<v Speaker 1>John k who designed Renan Stempy, got the idea after

0:35:27.080 --> 0:35:30.000
<v Speaker 1>seeing a picture of a Chihuahua in a sweater. Now

0:35:30.440 --> 0:35:33.480
<v Speaker 1>we're always inspired when we see pictures of chihuahua and sweaters. Well,

0:35:33.560 --> 0:35:35.960
<v Speaker 1>here's what he said about He said, it's a very

0:35:35.960 --> 0:35:39.080
<v Speaker 1>funny picture because here's a psychonic looking monster in a

0:35:39.120 --> 0:35:43.600
<v Speaker 1>cute sweater, which basically sums up in that's pretty funny.

0:35:43.920 --> 0:35:46.080
<v Speaker 1>So here's one about dog. Did you know he was

0:35:46.120 --> 0:35:50.920
<v Speaker 1>almost called Brian? Apparently I didn't friendly the creator. I

0:35:50.960 --> 0:35:54.160
<v Speaker 1>thought the name was too fancy, so he quote geared

0:35:54.200 --> 0:35:57.040
<v Speaker 1>it down and called him Doug because it sounded quote

0:35:57.080 --> 0:36:00.160
<v Speaker 1>incredibly average. And I like that The name Brian just

0:36:00.239 --> 0:36:05.240
<v Speaker 1>sounds to like sophisticated, fancy stuff. You have fancy pants, Brian.

0:36:05.880 --> 0:36:08.000
<v Speaker 1>That's uh, that's pretty good. I will say. I love

0:36:08.040 --> 0:36:10.080
<v Speaker 1>the idea of starting our show with Tristan's tribute to

0:36:10.200 --> 0:36:13.319
<v Speaker 1>Doug and ending with him too, so I feel like

0:36:13.360 --> 0:36:15.480
<v Speaker 1>we should leave it there, and I'm going to give

0:36:15.520 --> 0:36:18.040
<v Speaker 1>you this week's fact off trophy Mango. I can't wait.

0:36:18.160 --> 0:36:20.440
<v Speaker 1>Thank you so much, and I guess I'll have to

0:36:20.680 --> 0:36:23.000
<v Speaker 1>uh to get slim. This is a bummer. But before

0:36:23.040 --> 0:36:25.320
<v Speaker 1>I do, I do want to um let our listeners

0:36:25.320 --> 0:36:27.720
<v Speaker 1>know we always love hearing fun facts from you guys.

0:36:28.080 --> 0:36:30.640
<v Speaker 1>I know there's some great Nickelodeon stories and some great

0:36:30.680 --> 0:36:33.719
<v Speaker 1>facts that uh we didn't share today, so we'd love

0:36:33.760 --> 0:36:35.719
<v Speaker 1>to hear those from You can always email us part

0:36:35.719 --> 0:36:38.200
<v Speaker 1>Time Genius at how stuff Works dot com, or you

0:36:38.200 --> 0:36:40.560
<v Speaker 1>can hit us up on Facebook or Twitter. But as always,

0:36:40.600 --> 0:36:57.120
<v Speaker 1>thanks so much for listening. Thanks again for listening. Part

0:36:57.120 --> 0:36:59.160
<v Speaker 1>Time Genius is a production of How Stuff Works and

0:36:59.160 --> 0:37:01.799
<v Speaker 1>wouldn't be possible without several brilliant people who do the

0:37:01.840 --> 0:37:05.240
<v Speaker 1>important things we couldn't even begin to understand. Tristan McNeil

0:37:05.320 --> 0:37:07.640
<v Speaker 1>does the editing thing. Noel Brown made the theme song

0:37:07.680 --> 0:37:10.600
<v Speaker 1>and does the mixy mixy sound thing. Jerry Rowland does

0:37:10.640 --> 0:37:13.640
<v Speaker 1>the exact producer thing. Gay Bluesier is our lead researcher,

0:37:13.719 --> 0:37:16.680
<v Speaker 1>with support from the Research Army, including Austin Thompson, Nolan

0:37:16.719 --> 0:37:19.000
<v Speaker 1>Brown and Lucas Adams and Eve Jeff Cook gets the

0:37:19.000 --> 0:37:21.200
<v Speaker 1>show to your ears. Good job, Eves. If you like

0:37:21.280 --> 0:37:23.080
<v Speaker 1>what you heard, we hope you'll subscribe, And if you

0:37:23.160 --> 0:37:25.120
<v Speaker 1>really really like what you've heard, maybe you could leave

0:37:25.120 --> 0:37:27.560
<v Speaker 1>a good review for us. We did. We forget Jason

0:37:27.840 --> 0:37:28.480
<v Speaker 1>Jason who