WEBVTT - From the Vault: The Dad Joke

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<v Speaker 1>Hey are you welcome to Stuff to Blow Your Mind?

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>it's Saturday. Time to Revolt. Episode. This one originally aired

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<v Speaker 1>on March and it is called the Dad Joke. It's

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<v Speaker 1>about dad jokes. Uh. I almost tried to see if

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<v Speaker 1>I could improvise a dad joke. But they can't be improvised,

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<v Speaker 1>can they? They were? They require meticulous planning. That's that's right.

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<v Speaker 1>There's a certain certain art to them. So without further ado,

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<v Speaker 1>let's dive right in Welcome to Stuff to Blow Your

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<v Speaker 1>Mind production of My Heart Radio. Hey are you welcome

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<v Speaker 1>to Stuff to Blow your Mind? My name is Robert

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<v Speaker 1>Lamb and I'm Joe McCormick, and today we're gonna be

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<v Speaker 1>talking dad jokes. Now, Robert, how did we end up here? So?

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<v Speaker 1>I was just thinking about it over the weekend. Basically,

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<v Speaker 1>I is, um, I you know, dad jokes are, I

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<v Speaker 1>think a familiar concept for most of us. Um. I

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<v Speaker 1>don't remember being a named thing when I was growing up,

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<v Speaker 1>but at some point in my pre parenthood life it

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<v Speaker 1>became a thing, and even non dad's would get called

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<v Speaker 1>out for dad jokes at times. And uh. Now as

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<v Speaker 1>a as a parent, it's it's like a frequent call out,

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<v Speaker 1>you know, not only in this house, but but I

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<v Speaker 1>I hear it with with my friends who are who

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<v Speaker 1>are parents, uh, and also among again friends who are

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<v Speaker 1>not parents. It's often a critique of someone else's joke,

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<v Speaker 1>often from a child or from a spouse, but sometimes

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<v Speaker 1>it's a self commentary on one's own joke. And I

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<v Speaker 1>guess I hadn't thought too much about it. I didn't like,

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<v Speaker 1>I wasn't too self reflective on the concept until until

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<v Speaker 1>very recently. My my son is is eight going on nine,

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<v Speaker 1>and he's definitely at the point where he is capable

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<v Speaker 1>of sarcastic laughter for particularly punny jokes, particularly you know,

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<v Speaker 1>any kind of like uh perhaps too lame of an

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<v Speaker 1>attempted humor. He is liable to respond with sarcasm. And

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<v Speaker 1>while he won't say, oh, that's a dad joke, like,

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<v Speaker 1>clearly we are in dad joke territory. And so I

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<v Speaker 1>just started pondering, like, what does this mean? What is

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<v Speaker 1>the dad joke? Is the dad joke a thing? Uh?

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<v Speaker 1>And if it is, like, how might we um quantify it?

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<v Speaker 1>And what does it reveal about things like childhood development

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<v Speaker 1>or humor itself. So in your experience, what is the

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<v Speaker 1>age where where the child stops rewarding you for criminally

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<v Speaker 1>weak puns and and starts punishing you for them. Um,

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<v Speaker 1>I guess we're kind of in that territory right now. Like,

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<v Speaker 1>it's not I still get get lots of laughs. I'm

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<v Speaker 1>still pretty good. I know my audience pretty well. But

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<v Speaker 1>I'm I'm rolling out more and more jokes that that

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<v Speaker 1>he is liable to either half laugh at or enjoy

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<v Speaker 1>the awfulness of the pun. Uh. And part of that,

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<v Speaker 1>I guess is him picking up on my delivery as well. Like,

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<v Speaker 1>if I know that it's a particularly lame joke, I'm

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<v Speaker 1>probably going to lean into that delivery, you know. Yeah, well,

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<v Speaker 1>I mean it was definitely a thing you'd see with

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<v Speaker 1>like Dad's on TV the when you were a kid

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<v Speaker 1>that like that. Yes, they embarrassed their teenage or adolescent

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<v Speaker 1>kids by telling grown worthy jokes and then get punished

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<v Speaker 1>with the dead Yeah. You know, this actually came up

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<v Speaker 1>in one of the sources I ended up looking at

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<v Speaker 1>for this because because after I was thinking about it,

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<v Speaker 1>I was like, surely I'm not the only one contemplating this,

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<v Speaker 1>and I'm certainly not. But I looked at this one article, UM,

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<v Speaker 1>this one post title please stop calling My humor dad

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<v Speaker 1>Jokes by Andrew Bourgeon. Uh. This was from twenty nineteen

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<v Speaker 1>published in The Washington I In and um, they basically

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<v Speaker 1>made two two points. And I have to stress that

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<v Speaker 1>this wasn't like a super serious article like he was.

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<v Speaker 1>The authors very much engaging and you know, the humorous

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<v Speaker 1>nature and the low stakes aspect of the topic. But

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<v Speaker 1>they did bring up the idea of ages um and

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<v Speaker 1>dad jokes, but also the idea that they tend to

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<v Speaker 1>depend Uh, some interpretations of them tend to depend on

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<v Speaker 1>outdated gender roles in the household, in which the mom

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<v Speaker 1>handles all the whole hard work around the house and

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<v Speaker 1>dad just kind of wanders into the room from time

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<v Speaker 1>to time to score an easy laugh with the kids.

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<v Speaker 1>And I feel like that's the kind of thing reflected

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<v Speaker 1>in this sitcom model that you you're discussing here, With

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<v Speaker 1>a lot of American sitcoms like it, it fell upon

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<v Speaker 1>the mom character to be the responsible one in the family,

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<v Speaker 1>and the dad got to be the goofball, you know,

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<v Speaker 1>the Homer Simpson right, right, Uh. So I mean not

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<v Speaker 1>to say there wasn't truth to the trope, but it's

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<v Speaker 1>probably a situation too where having this trope so readily

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<v Speaker 1>occur in our sitcom culture, it kind of, you know,

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<v Speaker 1>echoes back on us. You know, it reverberates back on

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<v Speaker 1>the culture itself, and we lean into it even more,

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<v Speaker 1>you know. Okay, So I assume at this point most

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<v Speaker 1>people are familiar with what a dad joke is, But

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<v Speaker 1>then again, I don't know. I often feel disconnected from

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<v Speaker 1>terms that people use in this internet age, especially since

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<v Speaker 1>I'm like trying not to look at the social media's

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<v Speaker 1>and all that. Uh. So, like for people who are

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<v Speaker 1>not so familiar, what makes a dad joke a dad

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<v Speaker 1>joke in the parlance of our times? All right, in

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<v Speaker 1>the parlance of our times, Dude, they are they're they're

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<v Speaker 1>jokes that are a bit on the lane side in

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<v Speaker 1>some estimates. They're often punny, and that they use puns,

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<v Speaker 1>and they're generally family friendly. Uh And the punch line,

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<v Speaker 1>I was trying to figure out how to the best phrase.

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<v Speaker 1>I feel like the punch line hits like a crashing

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<v Speaker 1>clown car, and your intended audience, like the ideal audience

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<v Speaker 1>that is actually going to laugh at this joke. Is

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<v Speaker 1>five to seven year olds. You know they're abouts um,

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<v Speaker 1>but that is in this is key regardless of the

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<v Speaker 1>current age ages of those presents. So you might be

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<v Speaker 1>in the you might be in the room with say

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<v Speaker 1>a forty something and a teenager, but you're still firing

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<v Speaker 1>out jokes like you have a whole room full of

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<v Speaker 1>five to seven year olds. Now, you mentioned that these

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<v Speaker 1>jokes are often puns and that they're often family friendly.

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<v Speaker 1>Of course, dad jokes do tend towards very much like uh,

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<v Speaker 1>simple word play and what might be called clean comedy.

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<v Speaker 1>But another tendency I've noticed in dad jokes is, I

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<v Speaker 1>don't even know what you'd call this, the tendency to

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<v Speaker 1>make a joke that is uh, that is edgy to

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<v Speaker 1>a really tame extent. And so this might involve, say,

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<v Speaker 1>references to people's butts or extremely minor crude language. So

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<v Speaker 1>one example cited in a New York Times article that

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<v Speaker 1>we're about to talk about, uh, the author mentions the

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<v Speaker 1>joke what has two butts and kills people an assassin?

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<v Speaker 1>H Okay, yeah, that it added a little edgy for

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<v Speaker 1>the for the young crowd. But but I mean not

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<v Speaker 1>to me, that's very much in the in what is

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<v Speaker 1>understood to be the dad joke zone, because it is

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<v Speaker 1>a joke that simultaneously violate some kind of taboo with

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<v Speaker 1>the use of the word ass, but it is an

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<v Speaker 1>extremely minor taboo. Yeah, I mean, for instance, Bart Simpson

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<v Speaker 1>would love that joke. Uh. So it's it is, it

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<v Speaker 1>is aimed appropriately. And yeah, there there is this tendency

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<v Speaker 1>oftentimes for the jokes to take on this this child's

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<v Speaker 1>uh scatological zone, you know that. So it's gonna involve butts,

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<v Speaker 1>and maybe it's gonna involve poop. There'll be more of

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<v Speaker 1>a tendency for poop jokes because this is something that

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<v Speaker 1>the young folks enjoy. We can we can again think

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<v Speaker 1>of it as kind of the rude Bart Simpson territory

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<v Speaker 1>of of of joke craft. Yeah, and and lots of

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<v Speaker 1>lots of dad jokes are completely clean, but they've got

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<v Speaker 1>a special purchase on this place that we might call

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<v Speaker 1>the edgy side of tame. Yeah. Yeah. Now, um, one

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<v Speaker 1>of one other thing I want to touch on here

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<v Speaker 1>is that, um, obviously the terminology we're using here is

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<v Speaker 1>is largely gendered. But I think I tend to reject

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<v Speaker 1>the idea that it's distinctly injured phenomenon we were talking about, Um,

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<v Speaker 1>you know, it doesn't seem to be especially tied to

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<v Speaker 1>masculine ideas. And I'm willing to bet anything that their

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<v Speaker 1>parents of all identities out there that make what can

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<v Speaker 1>be classified as dad jokes. Oh, of course, obviously this

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<v Speaker 1>is something that transcends dad dumb. I do think there

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<v Speaker 1>must be some kind of observation of at least a

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<v Speaker 1>slight trend toward these kinds of jokes among dad's in particular,

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<v Speaker 1>but yeah, all kinds of people tell dad jokes. In fact,

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<v Speaker 1>the first dad joke that came to my mind, um,

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<v Speaker 1>when when I was thinking about this, when you said

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<v Speaker 1>you wanted to do this topic, was it's it's now

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<v Speaker 1>a legend in my in law's family. But it wasn't

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<v Speaker 1>a joke told by a dad, but a joke told

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<v Speaker 1>to a dad, And it was in fact told to

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<v Speaker 1>a dad by a daughter. It was something Rachel said

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<v Speaker 1>to her dad when they were posing for a family

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<v Speaker 1>photo and they were trying to get everybody to smile,

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<v Speaker 1>and she told the joke. You've probably heard this one before,

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<v Speaker 1>but I'll see where did George Washington keep his armies?

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<v Speaker 1>I don't know. Wheed George Washington keep his armies in

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<v Speaker 1>his sleevies? Like, and the legend goes that that my

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<v Speaker 1>father in law like just laughed so hard at this

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<v Speaker 1>that his head nearly exploded. Yeah. I mean there's something

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<v Speaker 1>about a pun like that, um, which is hard. It's

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<v Speaker 1>hard to classify what was that a really good pun

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<v Speaker 1>or a really bad one? Uh, you know, because you

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<v Speaker 1>kind of you can kind of trip over it trying

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<v Speaker 1>to figure out what the connection is, Like you're trying

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<v Speaker 1>to like you're visualizing it. Um, You're you're thinking about history,

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<v Speaker 1>and it has nothing to do with any of those.

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<v Speaker 1>It's just you know, these association between various words. It

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<v Speaker 1>is just making a silly sound at the end of

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<v Speaker 1>a word. Yes, that's the connection. So you kind of

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<v Speaker 1>feel tricked by it. Uh, But you have to admire

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<v Speaker 1>the ingenuity of the trap as well. Like, you know,

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<v Speaker 1>it's I can laugh all day at this bear trap,

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<v Speaker 1>but my legs stuck in it, So I guess it's

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<v Speaker 1>pretty good. So I would not be surprised if research

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<v Speaker 1>were defined. I do not think such research exists. I

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<v Speaker 1>would not be surprised to find that dad are especially

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<v Speaker 1>prone to telling dad jokes. But it is undeniable that

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<v Speaker 1>dad jokes transcend the dad category. Everybody tells dad jokes. Yeah,

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<v Speaker 1>I would agree. Yeah, parents, nonparents, people of all ages,

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<v Speaker 1>people of all genders, um. But this seems to be

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<v Speaker 1>a way that we are as a culture classifying them today.

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<v Speaker 1>So again I was thinking about this over the weekend,

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<v Speaker 1>trying to figure out like what what it meant, and uh,

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<v Speaker 1>my main observation has to do with identity, importance, and

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<v Speaker 1>enthusiasm of the audience. So becoming a parent, in my opinion,

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<v Speaker 1>is is pretty much the best worst thing you can do.

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<v Speaker 1>It's it's not for everyone and for many great reasons,

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<v Speaker 1>but I can say from experience that it will at

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<v Speaker 1>the very least totally change the shape of whatever your

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<v Speaker 1>life was prior to the arrival of tiny humans or

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<v Speaker 1>a tiny human in your life. Nothing will be the

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<v Speaker 1>same again, including your humor. And a lot of this

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<v Speaker 1>just have to have has to do with like very

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<v Speaker 1>basic realities about there being a growing human in your house.

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<v Speaker 1>So the larval human develops, it grows, it learns, it

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<v Speaker 1>develops language and thinking skills, and so of course it

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<v Speaker 1>picks up on humor, it begins experimenting with its own humor.

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<v Speaker 1>It's uh, this is a process that is at times delightful,

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<v Speaker 1>at times arduous, but there's a lot of laughter and

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<v Speaker 1>you help to cultivate it. And by the way, speaking

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<v Speaker 1>of when, the sort of loose time frame from this,

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<v Speaker 1>though it varies a bit, is babies typically start laughing

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<v Speaker 1>between two and four months. Now. I was thinking about

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<v Speaker 1>this because there are obviously several different ways that having

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<v Speaker 1>a child in the household will change the households humor profile.

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<v Speaker 1>Because on one hand, babies and young children are often humorous,

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<v Speaker 1>like they can be the thing that is funny. Then

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<v Speaker 1>at a certain point, you might say it like two

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<v Speaker 1>to four months, they start becoming the audience for humor.

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<v Speaker 1>They think things are funny. But then also they change

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<v Speaker 1>essentially what people are thinking about in the household, and

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<v Speaker 1>most humor is based on whatever is on your mind

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<v Speaker 1>at the time, so they will also become even if

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<v Speaker 1>it's not like referring to something they just did or

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<v Speaker 1>reacting to something they just did, baby and child humor

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<v Speaker 1>will sort of occupy the mind to become the subject

0:12:16.760 --> 0:12:19.400
<v Speaker 1>of a lot of humor. Yeah, yeah, there's there's there's

0:12:19.400 --> 0:12:21.000
<v Speaker 1>a lot that ends up going on there, you know,

0:12:21.120 --> 0:12:23.000
<v Speaker 1>and you know it's like they say, you know, a

0:12:23.040 --> 0:12:25.360
<v Speaker 1>little little pictures have big ears. They pick up on

0:12:25.440 --> 0:12:27.960
<v Speaker 1>so much and they end up, uh, you know, mimicking

0:12:28.040 --> 0:12:32.199
<v Speaker 1>and trying to understand the humor that you're using. For instance,

0:12:32.240 --> 0:12:35.480
<v Speaker 1>when you're you're talking to a non child. UM. So

0:12:35.559 --> 0:12:38.760
<v Speaker 1>it's it's really in half the time you're not even

0:12:38.920 --> 0:12:42.240
<v Speaker 1>really aware of what's going on, but you're kind of

0:12:42.800 --> 0:12:47.520
<v Speaker 1>all in this, uh, this this complex learning process together. Um.

0:12:47.559 --> 0:12:50.400
<v Speaker 1>But yeah, it does. I feel like it does definitely

0:12:50.440 --> 0:12:55.240
<v Speaker 1>change the way you you calibrate your jokes because for me, example,

0:12:55.480 --> 0:12:58.080
<v Speaker 1>an example, um and I'd like to think that I'm

0:12:58.080 --> 0:13:01.000
<v Speaker 1>a reasonably funny person and I enjoy it when I

0:13:01.040 --> 0:13:03.800
<v Speaker 1>can genuinely make a person laugh, though like all of us,

0:13:03.800 --> 0:13:08.120
<v Speaker 1>I'll also settle for some polite laughter from someone else.

0:13:08.840 --> 0:13:10.959
<v Speaker 1>I feel like I probably had a pretty good success

0:13:11.040 --> 0:13:14.360
<v Speaker 1>rate with my humor prior to my son coming into

0:13:14.400 --> 0:13:17.800
<v Speaker 1>my life, but with with him once he reached the

0:13:17.800 --> 0:13:20.080
<v Speaker 1>point where he was because obviously a three, you know,

0:13:20.960 --> 0:13:23.079
<v Speaker 1>super young child is not really going to be able

0:13:23.080 --> 0:13:25.240
<v Speaker 1>to understand jokes. You could go up to a baby

0:13:25.480 --> 0:13:27.360
<v Speaker 1>in a scroller on the street. You could tell it

0:13:27.400 --> 0:13:29.880
<v Speaker 1>a joke and maybe you'll get a laugh out of

0:13:29.960 --> 0:13:31.920
<v Speaker 1>him if you're making a goofy enough face. But they're

0:13:31.960 --> 0:13:33.600
<v Speaker 1>not really going to pick up on the nuances of

0:13:33.600 --> 0:13:35.960
<v Speaker 1>your punchline. Right, If you want to make that that

0:13:36.080 --> 0:13:38.679
<v Speaker 1>like two to four month old baby laugh, you're you're

0:13:38.679 --> 0:13:41.800
<v Speaker 1>more in the prop comedy realm at that point. Yeah, yeah,

0:13:41.840 --> 0:13:44.920
<v Speaker 1>you're in the peak a booth stage. So that's another

0:13:44.920 --> 0:13:46.120
<v Speaker 1>thing to get to keep in mind. It's like the

0:13:47.320 --> 0:13:51.120
<v Speaker 1>barrier to humor starts, uh, you know, in a weird place,

0:13:51.120 --> 0:13:53.160
<v Speaker 1>in a very low place. Then you work up from there.

0:13:53.600 --> 0:13:56.040
<v Speaker 1>But but I would say that from the point on

0:13:56.360 --> 0:13:59.439
<v Speaker 1>at which I could actually make my my son laugh,

0:13:59.840 --> 0:14:03.600
<v Speaker 1>I suddenly had just an insanely good success rate with

0:14:03.679 --> 0:14:07.600
<v Speaker 1>this audience of one um. Generating laughter with almost every

0:14:07.720 --> 0:14:12.200
<v Speaker 1>joke was just guaranteed. And the big kicker was it

0:14:12.280 --> 0:14:16.000
<v Speaker 1>was authentic laughter every time. Because he's for the longest

0:14:16.000 --> 0:14:19.800
<v Speaker 1>he simply wasn't capable of faking laughter like it was.

0:14:19.920 --> 0:14:21.600
<v Speaker 1>You knew that if he was laughing at a joke,

0:14:22.000 --> 0:14:25.320
<v Speaker 1>he genuinely found it funny or or certainly that is

0:14:25.320 --> 0:14:29.120
<v Speaker 1>that was the impression. Very young children are not. They

0:14:29.160 --> 0:14:33.240
<v Speaker 1>haven't learned politests yet, right. Um. But one of the

0:14:33.240 --> 0:14:35.040
<v Speaker 1>reasons I was reflecting on this is because I've now

0:14:35.080 --> 0:14:38.080
<v Speaker 1>reached the point where the boy is perfectly capable of

0:14:38.080 --> 0:14:41.880
<v Speaker 1>doing a sarcastic ha ha at my lambur jokes. Um.

0:14:42.520 --> 0:14:45.000
<v Speaker 1>But I would say that period from five to seven

0:14:45.040 --> 0:14:48.800
<v Speaker 1>years of age, uh, even on up into year eight here,

0:14:49.480 --> 0:14:52.400
<v Speaker 1>this was probably the most fruitful comedic period of my life.

0:14:52.760 --> 0:14:55.400
<v Speaker 1>And and here's the kicker, I'll never have this rate

0:14:55.400 --> 0:14:58.720
<v Speaker 1>of success again. I'll never make another human being laugh

0:14:58.920 --> 0:15:03.320
<v Speaker 1>this much and laugh this consistently at my humor. Well,

0:15:03.400 --> 0:15:06.320
<v Speaker 1>in a way, like having spent that long trying to

0:15:06.720 --> 0:15:08.960
<v Speaker 1>get laughs out of a young child, you've sort of

0:15:09.560 --> 0:15:11.520
<v Speaker 1>to some degree. I mean, I'm not saying you can

0:15:11.560 --> 0:15:14.240
<v Speaker 1>never change Robert, but a person at this point has

0:15:14.280 --> 0:15:17.840
<v Speaker 1>cemented a large part of their adult brain in that mindset,

0:15:18.320 --> 0:15:21.880
<v Speaker 1>right right, And yeah, and neurologically there are reasons you

0:15:21.920 --> 0:15:24.520
<v Speaker 1>can't go back. But also it's just like, if I've

0:15:24.560 --> 0:15:26.920
<v Speaker 1>been going for that low hanging fruit dad joke for

0:15:26.960 --> 0:15:29.400
<v Speaker 1>so long and I've had such a great success rate

0:15:29.440 --> 0:15:31.360
<v Speaker 1>with it, why would I ever give it up? You know?

0:15:31.400 --> 0:15:33.560
<v Speaker 1>It's like if you're a bear and you found an

0:15:33.600 --> 0:15:36.800
<v Speaker 1>incredible food cash in a prius once, and now you're

0:15:36.840 --> 0:15:40.000
<v Speaker 1>just gonna forever target prius is even though most prius

0:15:40.040 --> 0:15:41.800
<v Speaker 1>is that you break into are not going to be

0:15:41.880 --> 0:15:44.880
<v Speaker 1>filled with groceries. You you still broke into a prius

0:15:44.920 --> 0:15:47.280
<v Speaker 1>once that had plenty of groceries, and you're never going

0:15:47.320 --> 0:15:51.840
<v Speaker 1>to forget that. So even when the sarcastic ha has

0:15:51.880 --> 0:15:55.720
<v Speaker 1>come with more, um, you're gonna come more often. I'm

0:15:55.760 --> 0:15:58.520
<v Speaker 1>probably still going to make the same jokes. And this

0:15:58.560 --> 0:16:01.000
<v Speaker 1>seems to be a big part of what's going on

0:16:01.040 --> 0:16:03.840
<v Speaker 1>with Dad jokes. Like you go through that that period

0:16:03.840 --> 0:16:07.680
<v Speaker 1>of success and then you change, like you just got

0:16:07.720 --> 0:16:11.840
<v Speaker 1>such positive rewards from this style of humor, you don't

0:16:11.920 --> 0:16:14.680
<v Speaker 1>evolve beyond it. Yeah, the the Young Child is a

0:16:14.760 --> 0:16:17.480
<v Speaker 1>kind of a skinner box and you're the rat inside it,

0:16:17.560 --> 0:16:21.120
<v Speaker 1>and it's repeatedly rewarding you for years on end for

0:16:21.120 --> 0:16:24.040
<v Speaker 1>for doing the low hanging fruit joke. And then when

0:16:24.080 --> 0:16:27.040
<v Speaker 1>that doesn't work quite so well anymore, Like at that point,

0:16:27.080 --> 0:16:30.240
<v Speaker 1>can you really stop? I mean you are conditioned? Yeah,

0:16:31.600 --> 0:16:35.280
<v Speaker 1>so um. Thinking about the sarcasm aspect of this, I

0:16:35.280 --> 0:16:37.760
<v Speaker 1>I looked I looked into this a little bit, and

0:16:37.880 --> 0:16:40.800
<v Speaker 1>uh in the literature that the idea seems to be

0:16:40.880 --> 0:16:44.720
<v Speaker 1>that children begin to develop the ability to comprehend ironic

0:16:44.840 --> 0:16:47.840
<v Speaker 1>utterances around five to six years of age, so it's

0:16:47.880 --> 0:16:51.640
<v Speaker 1>a relatively late developing skill. Though this this varies a

0:16:51.680 --> 0:16:54.960
<v Speaker 1>fair amount as far as individual kids go. And I

0:16:55.000 --> 0:16:58.760
<v Speaker 1>was reading this paper from this from n by Capelli

0:16:58.880 --> 0:17:02.440
<v Speaker 1>at All titled how Children Understand Sarcasm, and this is

0:17:02.440 --> 0:17:05.240
<v Speaker 1>pretty interesting. They point out that for an adult to

0:17:05.320 --> 0:17:09.560
<v Speaker 1>catch sarcasm, they depend on two different cues. There's context

0:17:09.960 --> 0:17:13.480
<v Speaker 1>and then there's the speakers uh intonation. So you know,

0:17:13.520 --> 0:17:17.040
<v Speaker 1>I think we can all imagine like the context situation

0:17:17.080 --> 0:17:20.520
<v Speaker 1>where I could say something that is meant to be

0:17:20.960 --> 0:17:23.639
<v Speaker 1>picked up as ironic, but I could do so in

0:17:23.640 --> 0:17:27.800
<v Speaker 1>a very flat, believable tone, you know, um. And if

0:17:27.840 --> 0:17:30.000
<v Speaker 1>you you were able to compare what I'm saying with

0:17:30.040 --> 0:17:32.800
<v Speaker 1>the situation and and or you know me, you can

0:17:32.840 --> 0:17:35.600
<v Speaker 1>you know what I'm I'm getting at um. But the

0:17:35.600 --> 0:17:38.760
<v Speaker 1>study found that the children initially depend more heavily on

0:17:38.920 --> 0:17:43.560
<v Speaker 1>intonation uh than on context and recognizing sarcasm. So that

0:17:43.920 --> 0:17:49.439
<v Speaker 1>sarcastic uh voice that you use, uh, that's key for

0:17:49.520 --> 0:17:52.520
<v Speaker 1>these younger children to being able to pick up on it.

0:17:52.560 --> 0:17:54.640
<v Speaker 1>And I feel like I found this in my own life.

0:17:54.640 --> 0:17:58.120
<v Speaker 1>If I'm going too dry with my humor, uh, it'll

0:17:58.160 --> 0:18:01.800
<v Speaker 1>often like steamroll right past boy. But if I'm making

0:18:01.800 --> 0:18:04.760
<v Speaker 1>the sarcastic voice, he's he he'll get it. And if

0:18:04.800 --> 0:18:08.080
<v Speaker 1>he's being sarcastic, oh boy, he will totally lean into

0:18:08.119 --> 0:18:10.320
<v Speaker 1>a sarcastic voice. And I feel like I've encountered that

0:18:10.359 --> 0:18:13.120
<v Speaker 1>with other kids as well, like they will really really

0:18:13.200 --> 0:18:15.800
<v Speaker 1>lay it on thick. Well, I think this ties into

0:18:15.800 --> 0:18:18.479
<v Speaker 1>the way that irony and sarcasm so often fail in

0:18:18.520 --> 0:18:22.119
<v Speaker 1>writing in written media. You know that, Well, I don't know.

0:18:22.320 --> 0:18:24.400
<v Speaker 1>I guess it depends on what you call fail. But

0:18:24.440 --> 0:18:29.040
<v Speaker 1>like they sometimes people fail to detect irony and sarcasm

0:18:29.200 --> 0:18:32.000
<v Speaker 1>in written media. Uh. And this is one of the

0:18:32.040 --> 0:18:34.040
<v Speaker 1>reasons that I was actually just reading about this a

0:18:34.040 --> 0:18:36.040
<v Speaker 1>while ago, thinking that it might be worth doing an

0:18:36.040 --> 0:18:40.159
<v Speaker 1>episode on the idea of ironic punctuation. You know, in

0:18:40.160 --> 0:18:43.359
<v Speaker 1>in some writing conventions, there's a way of marking a

0:18:43.440 --> 0:18:46.680
<v Speaker 1>sentence to say, like, I don't really mean what I'm

0:18:46.680 --> 0:18:49.560
<v Speaker 1>saying in this sentence, I'm saying it for humorous effect,

0:18:49.960 --> 0:18:52.280
<v Speaker 1>with like a special you know, a special like upside

0:18:52.320 --> 0:18:55.000
<v Speaker 1>down exclamation point or something like that, at the beginning

0:18:55.000 --> 0:18:57.600
<v Speaker 1>of the sentence. And it's weird because I was thinking

0:18:57.600 --> 0:18:59.359
<v Speaker 1>about that, and I was thinking, well, on one hand,

0:18:59.400 --> 0:19:03.120
<v Speaker 1>that would help clear up a lot of confusion, because

0:19:03.119 --> 0:19:05.679
<v Speaker 1>it just seems inevitable, especially if you're writing for an

0:19:05.720 --> 0:19:09.240
<v Speaker 1>audience of multiple people, that you will at some point

0:19:09.280 --> 0:19:12.639
<v Speaker 1>make a joke saying something that's the opposite of what

0:19:12.720 --> 0:19:15.800
<v Speaker 1>you really think in writing, and people, while they might

0:19:15.840 --> 0:19:18.000
<v Speaker 1>get it if you said it out loud, will will

0:19:18.040 --> 0:19:20.760
<v Speaker 1>not understand you in writing and they'll be like, how

0:19:20.760 --> 0:19:23.520
<v Speaker 1>could you say that? I don't understand you know why?

0:19:23.600 --> 0:19:26.600
<v Speaker 1>And so irony punctuation would help clear that up. But

0:19:26.640 --> 0:19:29.679
<v Speaker 1>I think it would also make those statements less funny,

0:19:29.800 --> 0:19:32.000
<v Speaker 1>Like if you mark them as a joke at the

0:19:32.040 --> 0:19:34.680
<v Speaker 1>beginning of the sentence, then is that is it actually

0:19:34.680 --> 0:19:37.359
<v Speaker 1>worth making the joke? Like will most of the audience

0:19:37.359 --> 0:19:40.080
<v Speaker 1>who would normally laugh at it actually find it funny?

0:19:40.080 --> 0:19:42.520
<v Speaker 1>I'm not sure. Yeah, it's kind of like announcing I

0:19:42.560 --> 0:19:46.840
<v Speaker 1>shall now make a pun before proceeding. Um. But then again,

0:19:46.880 --> 0:19:50.040
<v Speaker 1>I mean some languages use this, so it you know,

0:19:50.080 --> 0:19:52.399
<v Speaker 1>if it is used, it must work to some extent,

0:19:52.480 --> 0:19:55.800
<v Speaker 1>I can't judge it too much. Well, writers, remember what

0:19:55.840 --> 0:19:58.199
<v Speaker 1>you're supposed to do. If you have a character in

0:19:58.200 --> 0:20:00.880
<v Speaker 1>the third person in there being sarc plastic, you're supposed

0:20:00.880 --> 0:20:04.919
<v Speaker 1>to say, um, he said sarcastically, and then the reader

0:20:05.000 --> 0:20:08.040
<v Speaker 1>will know that this character is being sarcastic or she

0:20:08.119 --> 0:20:14.760
<v Speaker 1>said ironically. That's just good writing and being sarcastic. Um,

0:20:15.280 --> 0:20:18.439
<v Speaker 1>let's say um. Well, brings me back to this paper

0:20:18.480 --> 0:20:21.560
<v Speaker 1>you mentioned from. Was that the year I think it was.

0:20:22.080 --> 0:20:24.560
<v Speaker 1>If this is correct, that there are two major cues

0:20:24.600 --> 0:20:27.680
<v Speaker 1>that people use to detect irony or sarcasm in a statement.

0:20:28.160 --> 0:20:31.440
<v Speaker 1>One is context and the other is intonation. If you're

0:20:31.480 --> 0:20:34.720
<v Speaker 1>in a written context, you can't use intonation unless you

0:20:34.800 --> 0:20:37.440
<v Speaker 1>have some kind of special punctuation or something like that

0:20:37.440 --> 0:20:40.159
<v Speaker 1>to give a you know, a visual version of intonation.

0:20:40.400 --> 0:20:43.400
<v Speaker 1>So you're down to only context. Basically you're losing half

0:20:43.440 --> 0:20:46.400
<v Speaker 1>of your tool kit for detection. Yeah. And then, of course,

0:20:46.440 --> 0:20:51.639
<v Speaker 1>in the written form, context can vanish as well. Uh so, Uh,

0:20:51.680 --> 0:20:54.239
<v Speaker 1>I can see where one might lean on having some

0:20:54.320 --> 0:20:57.719
<v Speaker 1>sort of strange punctuation choice that would like forever brand

0:20:57.760 --> 0:21:00.720
<v Speaker 1>it as ironic or sarcastic. Yeah, it might be a

0:21:00.720 --> 0:21:04.280
<v Speaker 1>good idea. Yeah, whoever, whoever is in charge of English,

0:21:04.359 --> 0:21:07.399
<v Speaker 1>you know, get on that. Yes, present this to the

0:21:07.440 --> 0:21:16.080
<v Speaker 1>Board of of English. Than So, like I said, I

0:21:16.119 --> 0:21:18.280
<v Speaker 1>was thinking about this, and then I I looked around

0:21:18.280 --> 0:21:20.879
<v Speaker 1>to see who else had written about it, and I

0:21:20.920 --> 0:21:23.840
<v Speaker 1>found an excellent article from just back in twenty nineteen

0:21:24.240 --> 0:21:27.080
<v Speaker 1>in the New York Times titled A Dad Defends Dad

0:21:27.160 --> 0:21:32.399
<v Speaker 1>Jokes by author and critic Jason Zenoman. And this seemed

0:21:32.440 --> 0:21:34.240
<v Speaker 1>like a decent person to lean on because I looked.

0:21:34.280 --> 0:21:36.640
<v Speaker 1>I looked them up there about my age. Uh, they've

0:21:36.680 --> 0:21:39.320
<v Speaker 1>written a book on horror films called shock Value. So

0:21:39.520 --> 0:21:42.200
<v Speaker 1>I figured, you know, this might be my people, and

0:21:42.320 --> 0:21:45.000
<v Speaker 1>uh and yeah, Ultimately I found that a lot of

0:21:45.000 --> 0:21:46.520
<v Speaker 1>what he broke down was kind of like what I

0:21:46.560 --> 0:21:49.120
<v Speaker 1>was I was thinking about, you know, with some additional

0:21:49.200 --> 0:21:52.680
<v Speaker 1>layers as well. So I want to just roll through

0:21:52.720 --> 0:21:56.320
<v Speaker 1>some of of his key observations from this article. So

0:21:56.359 --> 0:22:00.480
<v Speaker 1>he observed that quote procreating turns men into miserable comics. Uh,

0:22:00.840 --> 0:22:03.760
<v Speaker 1>I think he's you know, he's he's joking a bit there. Um,

0:22:03.920 --> 0:22:06.040
<v Speaker 1>though I think we also have to stress that a

0:22:06.040 --> 0:22:08.400
<v Speaker 1>lot of parents were probably not particularly funny to begin

0:22:08.480 --> 0:22:12.280
<v Speaker 1>with uh. So it's it's not necessarily a situation where

0:22:12.320 --> 0:22:16.680
<v Speaker 1>something great is lost. Um. He points to a dad

0:22:16.760 --> 0:22:18.800
<v Speaker 1>joke only because this is this is interesting because I

0:22:18.800 --> 0:22:21.000
<v Speaker 1>didn't really have a good idea what the time frame was.

0:22:21.080 --> 0:22:22.920
<v Speaker 1>I figured I didn't hear about it when I was

0:22:22.960 --> 0:22:26.639
<v Speaker 1>growing up, but I didn't know exactly how old it was, uh,

0:22:26.680 --> 0:22:29.160
<v Speaker 1>he said. He points out that this term only really

0:22:29.160 --> 0:22:32.800
<v Speaker 1>comes into usage over the past decade, and then becomes

0:22:32.880 --> 0:22:36.680
<v Speaker 1>ubiquitous online in very recent years. He writes, quote, I'm

0:22:36.720 --> 0:22:39.280
<v Speaker 1>a comedy critic, so being a dad can seem like

0:22:39.320 --> 0:22:42.800
<v Speaker 1>an occupational hazard. It may be professional suicide to admit,

0:22:42.880 --> 0:22:45.720
<v Speaker 1>but since having children, I often find myself making lame

0:22:45.880 --> 0:22:48.760
<v Speaker 1>puns as well as poop jokes. So this is where

0:22:48.760 --> 0:22:52.000
<v Speaker 1>he brings up the poop jokes. And Um, I was

0:22:52.040 --> 0:22:54.640
<v Speaker 1>thinking about myself. I probably make more poop jokes now

0:22:54.800 --> 0:22:57.600
<v Speaker 1>than previously, because again, this is the material that really

0:22:57.680 --> 0:23:01.119
<v Speaker 1>zeems with kids. Now, what show me the anatomy of

0:23:01.160 --> 0:23:04.680
<v Speaker 1>a poop joke is is it just uh invoking the

0:23:04.760 --> 0:23:07.800
<v Speaker 1>concept of poop? But does it need to be poop

0:23:07.840 --> 0:23:11.639
<v Speaker 1>are referred to like out of its regular context? What

0:23:11.840 --> 0:23:15.440
<v Speaker 1>makes a good crackling poop joke. Well, most poop jokes

0:23:15.440 --> 0:23:18.160
<v Speaker 1>are not good. I find that it has to be

0:23:18.359 --> 0:23:21.480
<v Speaker 1>this perfect crossover, like a poop joke, that you are

0:23:21.520 --> 0:23:24.520
<v Speaker 1>not too ashamed of yourself, and that the child will

0:23:24.600 --> 0:23:27.439
<v Speaker 1>laugh out. The child will laugh at anything up to

0:23:27.480 --> 0:23:29.720
<v Speaker 1>a certain point, just because it has the word poop

0:23:29.760 --> 0:23:33.919
<v Speaker 1>in it, Like poop is inherently funny, um, probably in general,

0:23:33.960 --> 0:23:38.040
<v Speaker 1>but especially to the children. So for from my point,

0:23:38.080 --> 0:23:40.280
<v Speaker 1>it's like it can it isn't. It isn't an eloquent

0:23:40.440 --> 0:23:43.879
<v Speaker 1>enough poop joke that you feel okay telling it and

0:23:43.920 --> 0:23:45.879
<v Speaker 1>being the teller of this joke. You know. I was

0:23:45.920 --> 0:23:48.320
<v Speaker 1>asking because I was just thinking about a rather poopy

0:23:48.480 --> 0:23:51.320
<v Speaker 1>concept to perhaps cover on the show in the near future.

0:23:51.400 --> 0:23:54.479
<v Speaker 1>And it was it was the discovery of an ancient

0:23:54.600 --> 0:23:58.280
<v Speaker 1>manuscript of a commentary on Homer that had clearly been

0:23:58.359 --> 0:24:00.840
<v Speaker 1>used as toilet paper in the scient world. And it

0:24:00.920 --> 0:24:04.600
<v Speaker 1>was found that an ancient garbage dump in Egypt, but

0:24:04.680 --> 0:24:08.160
<v Speaker 1>it had poop on it. And I don't know, yeah,

0:24:08.280 --> 0:24:10.720
<v Speaker 1>I mean maybe so we did the episode on the Pardonomicon,

0:24:10.840 --> 0:24:13.879
<v Speaker 1>so I don't think anything it's sacred anymore. Um, but

0:24:13.960 --> 0:24:15.960
<v Speaker 1>maybe see that's not a joke, that's just like, well,

0:24:16.000 --> 0:24:18.280
<v Speaker 1>here's an ancient document that was pooped on. So I

0:24:18.320 --> 0:24:20.280
<v Speaker 1>don't know if that would fly with kids, or maybe

0:24:20.280 --> 0:24:22.399
<v Speaker 1>it would. Would you say, here's a here's an ancient

0:24:22.440 --> 0:24:24.520
<v Speaker 1>document and somebody wiped their butt with it. Would that

0:24:24.560 --> 0:24:28.400
<v Speaker 1>be funny enough? I mean at a certain age probably yeah.

0:24:28.440 --> 0:24:30.199
<v Speaker 1>But then again, are the kids going to pick up

0:24:30.200 --> 0:24:32.199
<v Speaker 1>on the weight of if you're talking about like the

0:24:32.240 --> 0:24:37.600
<v Speaker 1>works of Homer and stuff, So uh yeah, I'm not sure. Uh,

0:24:37.680 --> 0:24:41.200
<v Speaker 1>that's a whole probably a whole domain of humor theory,

0:24:41.400 --> 0:24:44.600
<v Speaker 1>just regarding poop jokes. Now, I did think that the

0:24:44.640 --> 0:24:46.880
<v Speaker 1>author here has him and really nailed it with this line.

0:24:47.080 --> 0:24:51.359
<v Speaker 1>He says, quote, like so many lazy comics, we parents pander.

0:24:51.480 --> 0:24:54.760
<v Speaker 1>If jokes work, then they stay set. Gradually we become

0:24:54.800 --> 0:24:57.400
<v Speaker 1>hooked on cheap laughs. Some of some of us even

0:24:57.400 --> 0:25:00.960
<v Speaker 1>delude ourselves into thinking we are actually funny. And he

0:25:01.000 --> 0:25:04.000
<v Speaker 1>points out that once this setting is obtained, it does

0:25:04.040 --> 0:25:07.960
<v Speaker 1>not evolve, but the children, of course do evolve. And

0:25:08.080 --> 0:25:10.560
<v Speaker 1>uh yeah, this totally rings true with what I'm beginning

0:25:10.600 --> 0:25:14.280
<v Speaker 1>to experience now, Like, uh, and it goes beyond joke

0:25:14.320 --> 0:25:16.760
<v Speaker 1>telling because I think of all the various references that

0:25:16.800 --> 0:25:19.880
<v Speaker 1>my wife and I make in you know, regarding things

0:25:19.880 --> 0:25:25.120
<v Speaker 1>that my son once said or once observed or once did. Um.

0:25:25.160 --> 0:25:27.760
<v Speaker 1>And they're almost all things that he does not say

0:25:27.800 --> 0:25:30.360
<v Speaker 1>anymore or does not do anymore, in many cases does

0:25:30.400 --> 0:25:33.480
<v Speaker 1>not remember, so he can't even pick up on the reference.

0:25:33.880 --> 0:25:36.040
<v Speaker 1>And you know, except he's heard us talk about it.

0:25:36.440 --> 0:25:38.320
<v Speaker 1>But they were like they were so near and dear

0:25:38.320 --> 0:25:41.159
<v Speaker 1>to our hearts um. And sometimes they sum up an

0:25:41.200 --> 0:25:44.719
<v Speaker 1>idea really well, at least for us. Uh. And I

0:25:44.720 --> 0:25:47.399
<v Speaker 1>imagine I'm gonna probably keep making these references for the

0:25:47.440 --> 0:25:50.280
<v Speaker 1>rest of my life, like uh. For example, he used

0:25:50.320 --> 0:25:53.240
<v Speaker 1>to say things like so is me instead of so

0:25:53.359 --> 0:25:55.720
<v Speaker 1>am I? You know which is it's kids. There's a

0:25:55.720 --> 0:25:57.920
<v Speaker 1>lot of stuff with kids like that, Right, they say

0:25:57.920 --> 0:26:00.840
<v Speaker 1>something wrong and it's adorable. It's anny is at least

0:26:00.840 --> 0:26:05.000
<v Speaker 1>as long as you're connected to them. Um. Or Another

0:26:05.040 --> 0:26:08.159
<v Speaker 1>example was he used to talk about uh if he

0:26:08.200 --> 0:26:10.320
<v Speaker 1>was describing the temperature, he might say it was super

0:26:10.359 --> 0:26:13.159
<v Speaker 1>a little bit hot, or if it was dark outside

0:26:13.160 --> 0:26:16.160
<v Speaker 1>of super a little bit dark. Or he would overuse

0:26:16.240 --> 0:26:19.159
<v Speaker 1>and misuse the word crazed. And so these are just

0:26:19.200 --> 0:26:21.080
<v Speaker 1>a few examples of things that I can't let go

0:26:21.480 --> 0:26:23.719
<v Speaker 1>and I'm probably gonna keep referencing them even though they

0:26:23.720 --> 0:26:26.120
<v Speaker 1>have no connection even to who he is right now,

0:26:26.200 --> 0:26:28.560
<v Speaker 1>much less who he will become. Oh, I love super

0:26:28.560 --> 0:26:31.199
<v Speaker 1>a little bit hot. That's like, uh when when a

0:26:31.320 --> 0:26:34.600
<v Speaker 1>kid at any point saying they're hungry, they're saying, I'm

0:26:34.640 --> 0:26:37.240
<v Speaker 1>a little bit starving. Yeah, yeah, that's sort of thing

0:26:37.320 --> 0:26:39.040
<v Speaker 1>like that's that's the very sort of thing that a

0:26:39.119 --> 0:26:42.520
<v Speaker 1>kid would say, and and you ended up lashing onto it.

0:26:42.720 --> 0:26:47.080
<v Speaker 1>Um so uh yeah, I feel like Zenoman totally totally

0:26:47.160 --> 0:26:50.280
<v Speaker 1>gets it right there. But it sounds like Zenomon is saying,

0:26:50.280 --> 0:26:53.000
<v Speaker 1>and to some extent, you're also saying, the issue is that,

0:26:53.119 --> 0:26:56.639
<v Speaker 1>like the child gets older in their sense of humor evolves,

0:26:56.760 --> 0:27:00.040
<v Speaker 1>but the parent is inherently kind of stuck in the

0:27:00.119 --> 0:27:03.400
<v Speaker 1>older mode of what has worked before. And and this

0:27:03.800 --> 0:27:06.280
<v Speaker 1>mirrors other things that happened of course in like parent

0:27:06.400 --> 0:27:08.560
<v Speaker 1>child relationships, Like you know, I know a lot of

0:27:08.600 --> 0:27:11.920
<v Speaker 1>tension as kids get into like adolescent and teenage years.

0:27:12.040 --> 0:27:16.520
<v Speaker 1>Is like parents exercising a level of sort of management

0:27:16.600 --> 0:27:19.480
<v Speaker 1>and protectiveness that would have been more appropriate to a

0:27:19.560 --> 0:27:22.040
<v Speaker 1>child at a younger age, or so the teenager thinks,

0:27:22.600 --> 0:27:25.000
<v Speaker 1>and you know, the teenager that thinks like that, you know,

0:27:25.320 --> 0:27:27.679
<v Speaker 1>you are still treating me as if I'm younger and

0:27:27.720 --> 0:27:30.880
<v Speaker 1>I don't, and I rebel against that. Yeah, yeah, yeah,

0:27:31.000 --> 0:27:35.160
<v Speaker 1>I think absolutely. Um there's also and there's anything gets

0:27:35.160 --> 0:27:37.960
<v Speaker 1>into this a bit too. There's you know, they're there's

0:27:37.960 --> 0:27:42.040
<v Speaker 1>certainly uh. He discusses the mockery, the mockery thing, um,

0:27:42.080 --> 0:27:46.240
<v Speaker 1>the idea that that we that dad's then continue to

0:27:46.320 --> 0:27:49.560
<v Speaker 1>use dad jokes as a way to kind of uh,

0:27:49.720 --> 0:27:51.679
<v Speaker 1>you know, get a rise out of the child, and

0:27:51.720 --> 0:27:54.320
<v Speaker 1>then the child kind of mocks them for using that humor.

0:27:54.960 --> 0:27:59.199
<v Speaker 1>But he also gets into this idea that um, that

0:27:59.359 --> 0:28:01.600
<v Speaker 1>it's a lot of it's tied up with with nostalgia.

0:28:01.920 --> 0:28:03.919
<v Speaker 1>So first of all, there's of course the nostalgia for

0:28:04.119 --> 0:28:06.879
<v Speaker 1>when your child was younger and they laughed at everything

0:28:06.920 --> 0:28:09.800
<v Speaker 1>you said. Uh, and you're the funniest person on earth.

0:28:10.080 --> 0:28:14.679
<v Speaker 1>But also, um, he says that that basically dad jokes

0:28:14.760 --> 0:28:18.800
<v Speaker 1>give us permission to joke like children again, uh, you know,

0:28:18.880 --> 0:28:21.200
<v Speaker 1>just to give us permission to make these kind of

0:28:21.760 --> 0:28:25.120
<v Speaker 1>you know, lame short, you know, not too not too

0:28:25.119 --> 0:28:29.639
<v Speaker 1>deep jokes that are that are you know, usually pretty tame. Um.

0:28:29.680 --> 0:28:31.440
<v Speaker 1>And it's I feel like it's part of that larger

0:28:31.480 --> 0:28:34.439
<v Speaker 1>trend in the way that parenthood gives one permission to

0:28:34.520 --> 0:28:37.320
<v Speaker 1>a point to think and dream like a child again

0:28:37.400 --> 0:28:39.800
<v Speaker 1>because you dream with them, you introduced them to the

0:28:39.800 --> 0:28:43.160
<v Speaker 1>stuff that filled your childhood engage, and and you yourself

0:28:43.160 --> 0:28:46.000
<v Speaker 1>get to engage with all of it again. Um. Like,

0:28:46.040 --> 0:28:48.280
<v Speaker 1>I mean example for that with with that for me

0:28:48.320 --> 0:28:50.320
<v Speaker 1>would be like Star Wars. I introduced my son to

0:28:50.360 --> 0:28:53.040
<v Speaker 1>Star Wars. He got super into it, and I would

0:28:53.040 --> 0:28:55.680
<v Speaker 1>say I probably got more into it than I had

0:28:55.720 --> 0:28:57.800
<v Speaker 1>ever been in my life, Like even more than I

0:28:57.840 --> 0:29:01.000
<v Speaker 1>was when I was a kid, because I am experiencing

0:29:01.000 --> 0:29:04.200
<v Speaker 1>it through him. Now I witnessed this just through you,

0:29:04.320 --> 0:29:07.000
<v Speaker 1>like you you went through a Star Wars renaissance in

0:29:07.040 --> 0:29:10.360
<v Speaker 1>the past four years. Yeah, yeah, And um and it's

0:29:10.920 --> 0:29:12.640
<v Speaker 1>I don't think it would have taken place without him.

0:29:12.680 --> 0:29:14.360
<v Speaker 1>I mean maybe it would have. You know, people still

0:29:14.360 --> 0:29:17.640
<v Speaker 1>go on these various nostalgia cycles and um, and I

0:29:17.720 --> 0:29:20.600
<v Speaker 1>certainly do that with things that have no connection to

0:29:20.680 --> 0:29:25.560
<v Speaker 1>my son. Um but uh, but but but I can

0:29:25.560 --> 0:29:28.320
<v Speaker 1>definitely see how how parents it plays into it. So

0:29:28.600 --> 0:29:31.880
<v Speaker 1>so yeah, nostalgis seems to be a big point. And

0:29:31.920 --> 0:29:34.960
<v Speaker 1>then he also points out the puns one thing about puns, though,

0:29:35.080 --> 0:29:38.320
<v Speaker 1>is that puns are in and of themselves pretty great.

0:29:38.800 --> 0:29:41.360
<v Speaker 1>You don't have to be a parent or a dad

0:29:41.440 --> 0:29:45.040
<v Speaker 1>or what have you to really enjoy puns. Uh. Shakespeare

0:29:45.080 --> 0:29:48.040
<v Speaker 1>made use of puns, and I can think of plenty

0:29:48.080 --> 0:29:52.080
<v Speaker 1>of of of adults, parents and non appearance alike who

0:29:52.120 --> 0:29:54.400
<v Speaker 1>go crazy for a good pun. I feel like the

0:29:54.480 --> 0:29:58.440
<v Speaker 1>adult pun market, though, tends to skew more towards uh,

0:29:58.680 --> 0:30:03.240
<v Speaker 1>rewarding puns that violate some taboo beyond just the standard

0:30:03.320 --> 0:30:06.440
<v Speaker 1>understood definition or use of a word. Like a lot

0:30:06.440 --> 0:30:09.400
<v Speaker 1>of adult puns are also sort of vulgar or edgy

0:30:09.480 --> 0:30:12.080
<v Speaker 1>in some way. Yeah, and certainly true of a lot

0:30:12.120 --> 0:30:15.320
<v Speaker 1>of Shakespeare puns. Yeah, yeah, in a way. Though. I

0:30:15.320 --> 0:30:17.560
<v Speaker 1>think that's one of the things that makes things like um,

0:30:17.640 --> 0:30:21.640
<v Speaker 1>where did Washington keep his h his his armies? Like?

0:30:21.760 --> 0:30:23.880
<v Speaker 1>One of the reasons that works so well and it

0:30:23.960 --> 0:30:28.360
<v Speaker 1>sticks with me so well, is because most comedy aimed

0:30:28.400 --> 0:30:31.600
<v Speaker 1>at adults by adults, Uh, Isn't you know it's gonna

0:30:31.640 --> 0:30:34.240
<v Speaker 1>go for those those cheaper laughs and those edgy or laughs,

0:30:34.480 --> 0:30:37.400
<v Speaker 1>and so your your defenses are down for these sort

0:30:37.400 --> 0:30:39.520
<v Speaker 1>of weapons. It's kind of like in um in frank

0:30:39.560 --> 0:30:43.000
<v Speaker 1>Herbert's doone where they have the self protective shields and

0:30:43.040 --> 0:30:45.400
<v Speaker 1>you can't fire a bullet through it, and you can't

0:30:45.440 --> 0:30:47.640
<v Speaker 1>like quickly stabbed through it. You have to go slow.

0:30:48.160 --> 0:30:51.400
<v Speaker 1>It's like that's kind of how the the tame humor

0:30:51.480 --> 0:30:53.560
<v Speaker 1>can be. It's like, I had my defenses were not

0:30:53.680 --> 0:30:56.040
<v Speaker 1>designed for a blade this slow, and now you have

0:30:56.040 --> 0:30:58.240
<v Speaker 1>stabbed me in the heart. The dad joke is in

0:30:58.240 --> 0:31:01.680
<v Speaker 1>a way the weirding module. It trains you on the

0:31:01.680 --> 0:31:07.160
<v Speaker 1>slow knife combat of of pun humor. Yeah. Um. Now,

0:31:07.320 --> 0:31:09.400
<v Speaker 1>another thing that the Zoman got into that I thought

0:31:09.400 --> 0:31:11.160
<v Speaker 1>was interesting was touching on when you get into this

0:31:11.200 --> 0:31:13.360
<v Speaker 1>area where a dad or you know, a parent is

0:31:13.400 --> 0:31:16.200
<v Speaker 1>making this dad joke, this this kind of lame joke

0:31:16.320 --> 0:31:20.280
<v Speaker 1>that then it lects size and groans from everyone in

0:31:20.320 --> 0:31:24.240
<v Speaker 1>the room. You're also getting into the area of of

0:31:24.320 --> 0:31:27.680
<v Speaker 1>cringe comedy here, um, which which I think is a

0:31:27.760 --> 0:31:30.200
<v Speaker 1>is a good point, Like we don't necessarily think of,

0:31:31.160 --> 0:31:34.560
<v Speaker 1>say the Office as being dad jokes and dad humor,

0:31:34.920 --> 0:31:36.520
<v Speaker 1>but there was a lot of that there. I mean,

0:31:36.600 --> 0:31:39.400
<v Speaker 1>the character of Michael Scott, for example, engaged in a

0:31:39.440 --> 0:31:42.880
<v Speaker 1>lot of this making like really bad of jokes, really

0:31:42.960 --> 0:31:46.840
<v Speaker 1>lame attempts at humor and u and it was hilarious.

0:31:46.880 --> 0:31:49.240
<v Speaker 1>We loved it. Well, yeah, that kind of cringe comedy,

0:31:49.280 --> 0:31:52.400
<v Speaker 1>like the comedy that's based in witnessing something somebody do

0:31:52.600 --> 0:31:57.480
<v Speaker 1>something incredibly embarrassing and like just fail in front of

0:31:57.480 --> 0:32:01.120
<v Speaker 1>an audience. It's a weird kind of mixture of humor,

0:32:01.200 --> 0:32:05.680
<v Speaker 1>and it's something that feels like it's simultaneously relatively wholesome

0:32:05.720 --> 0:32:08.080
<v Speaker 1>and doesn't have to get into you know, like like

0:32:08.240 --> 0:32:12.800
<v Speaker 1>raunchy content, but at the same time feels absolutely as

0:32:12.920 --> 0:32:17.320
<v Speaker 1>dangerous as like the most raunchy blue comedy, just because

0:32:17.440 --> 0:32:21.560
<v Speaker 1>it's so like painful. It's like emotionally visceral to watch

0:32:21.640 --> 0:32:27.480
<v Speaker 1>embarrassment based humor. Yeah, yeah, um. Now, speaking of stand

0:32:27.560 --> 0:32:31.720
<v Speaker 1>up when when Zannaman got into this idea as well

0:32:31.720 --> 0:32:34.440
<v Speaker 1>that you know that the dad joke is generally not

0:32:34.480 --> 0:32:37.480
<v Speaker 1>only tame, it's also very lean, you know, it's it's

0:32:37.520 --> 0:32:40.200
<v Speaker 1>it doesn't take much time to tell, it's not complicated.

0:32:40.760 --> 0:32:44.000
<v Speaker 1>This reminded me a lot of the stand up comedy

0:32:44.120 --> 0:32:46.360
<v Speaker 1>of the late Mitch Hedberg, but also some of the

0:32:46.560 --> 0:32:48.280
<v Speaker 1>I guess a lot of the comedy of Stephen Wright.

0:32:48.920 --> 0:32:52.120
<v Speaker 1>Not to say that those uh, those two engaged in

0:32:52.680 --> 0:32:55.840
<v Speaker 1>and really straightforward dad jokes, but a lot of it

0:32:55.880 --> 0:32:59.200
<v Speaker 1>was very short, um, A lot of it was ultimately

0:32:59.360 --> 0:33:03.960
<v Speaker 1>very clean, uh, very silly, you know, in a in

0:33:04.000 --> 0:33:08.240
<v Speaker 1>their their own way, I mean, right, is certainly very dry. Uh.

0:33:08.280 --> 0:33:10.920
<v Speaker 1>But whereas like like Hedberg, I feel like he was

0:33:10.960 --> 0:33:13.080
<v Speaker 1>an interesting case because he kind of got away with

0:33:13.080 --> 0:33:16.320
<v Speaker 1>it because they have this cool, stoner persona, but he's

0:33:16.400 --> 0:33:19.080
<v Speaker 1>essentially in many cases just doing like kind of dad

0:33:19.160 --> 0:33:20.960
<v Speaker 1>jokes and I guess, you know, sometimes it's a little

0:33:21.040 --> 0:33:24.160
<v Speaker 1>lunear than that. And Stephen Wright has this very extremely

0:33:24.240 --> 0:33:27.440
<v Speaker 1>dry delivery and it's based uh uh you know, and

0:33:27.560 --> 0:33:31.120
<v Speaker 1>it's it's sort of a weirdness. Um. But you could

0:33:31.160 --> 0:33:33.440
<v Speaker 1>look at this dad jokes as being just kind of

0:33:33.440 --> 0:33:37.280
<v Speaker 1>like the latest most popular way to categorize a kind

0:33:37.280 --> 0:33:41.120
<v Speaker 1>of style of joke telling that maybe isn't um, you know,

0:33:41.160 --> 0:33:45.560
<v Speaker 1>the main fashion right now, but hasn't been more fashionable

0:33:45.600 --> 0:33:48.960
<v Speaker 1>in the in the past, and is still utilized well

0:33:49.080 --> 0:33:52.920
<v Speaker 1>by certain practitioners of comedy. Yeah, the self contained one

0:33:53.000 --> 0:33:57.080
<v Speaker 1>liner seems important here, though I wonder if some I mean,

0:33:57.360 --> 0:33:59.400
<v Speaker 1>I don't know, maybe I have the wrong sense about this.

0:33:59.800 --> 0:34:02.600
<v Speaker 1>Uh So, a lot of like Mitch Hedberg type jokes.

0:34:02.680 --> 0:34:04.720
<v Speaker 1>A lot of them seem to hinge on a kind

0:34:04.720 --> 0:34:08.120
<v Speaker 1>of absurdity, which I don't know how well it translates

0:34:08.120 --> 0:34:10.200
<v Speaker 1>to kids or not. I think about his joke where

0:34:10.200 --> 0:34:13.560
<v Speaker 1>he says, um, rice is a great food if you

0:34:13.600 --> 0:34:17.560
<v Speaker 1>ever want to eat a thousand of something. I find

0:34:17.600 --> 0:34:20.960
<v Speaker 1>that funny. Is that funny to kids? Maybe? Um, I mean,

0:34:21.000 --> 0:34:23.440
<v Speaker 1>I don't know about that particular joke, but maybe, like

0:34:23.560 --> 0:34:26.480
<v Speaker 1>kids have, kids are great at absurdity, Like kids are

0:34:26.480 --> 0:34:29.520
<v Speaker 1>a font of absurdity. Um. I mean that's one of

0:34:29.520 --> 0:34:31.800
<v Speaker 1>the reasons they can be They can be so amusing

0:34:31.800 --> 0:34:36.319
<v Speaker 1>to be around. Um, so so very possible. I mean

0:34:36.360 --> 0:34:38.400
<v Speaker 1>that one's I mean, I'm not even sure if I

0:34:38.400 --> 0:34:40.560
<v Speaker 1>could put my finger on what it is that's funny

0:34:40.600 --> 0:34:45.600
<v Speaker 1>about that one. I guess it's just imagining the possibility

0:34:45.600 --> 0:34:49.799
<v Speaker 1>of eating a thousand hamburgers or a thousand of anything else. Yeah, yeah,

0:34:50.080 --> 0:34:53.680
<v Speaker 1>I agree, It's just it's it's absurd. Um. It turns

0:34:54.040 --> 0:34:56.480
<v Speaker 1>something every day on its head and makes you and

0:34:56.760 --> 0:34:59.799
<v Speaker 1>like makes it weird. Uh. So that's I feel like

0:34:59.800 --> 0:35:02.200
<v Speaker 1>a I will have to try this one on my

0:35:02.280 --> 0:35:04.960
<v Speaker 1>son later and report back. I'm not gonna let him

0:35:04.960 --> 0:35:06.960
<v Speaker 1>watch a whole set of Mitch Hedberg. But maybe I'll

0:35:06.960 --> 0:35:08.960
<v Speaker 1>bust out a few Mitch Hedberg and a little Steven

0:35:09.040 --> 0:35:12.080
<v Speaker 1>Right and see see how he reacts, see which one

0:35:12.080 --> 0:35:20.680
<v Speaker 1>he likes. Bet Thank Okay, Well, I thought one way

0:35:20.760 --> 0:35:23.879
<v Speaker 1>to to try to bring some structure UH to this

0:35:23.960 --> 0:35:27.520
<v Speaker 1>idea would be to think about theories of humor. Now,

0:35:27.560 --> 0:35:29.719
<v Speaker 1>even this is is still going to be a little

0:35:29.719 --> 0:35:34.080
<v Speaker 1>bit loose, because there's clearly not one agreed upon um

0:35:34.400 --> 0:35:38.440
<v Speaker 1>theory that explains the role of humor in biological organisms.

0:35:38.600 --> 0:35:40.400
<v Speaker 1>We we've talked about this in the past, but so

0:35:40.440 --> 0:35:45.000
<v Speaker 1>there are different attempts that psychologists UH and cognitive scientists

0:35:45.040 --> 0:35:49.400
<v Speaker 1>have put forward in trying to explain why we laugh

0:35:49.480 --> 0:35:52.560
<v Speaker 1>at things like what's actually happening in the brain, what

0:35:52.719 --> 0:35:56.680
<v Speaker 1>is humor in a biological sense? And UH, I think

0:35:56.719 --> 0:35:59.880
<v Speaker 1>the place where most recently we went into depth on

0:36:00.080 --> 0:36:03.320
<v Speaker 1>this subject was in our two part series called Flat

0:36:03.360 --> 0:36:06.399
<v Speaker 1>a Sex Makina, which was about why it's funny when

0:36:06.440 --> 0:36:10.760
<v Speaker 1>machines fail, where we talked about neural net generated text,

0:36:10.840 --> 0:36:12.520
<v Speaker 1>which was a lot of fun. We talked about like

0:36:12.640 --> 0:36:16.040
<v Speaker 1>D and D characters and spells and stuff created by

0:36:16.800 --> 0:36:20.920
<v Speaker 1>neural networks. But that we also talked about about like

0:36:21.120 --> 0:36:23.759
<v Speaker 1>scenes where like robots fail in movies like ED two

0:36:23.800 --> 0:36:28.760
<v Speaker 1>O nine in RoboCop, which is down the stairs. Yeah. Um.

0:36:28.760 --> 0:36:31.719
<v Speaker 1>But so in that context we were trying to figure out, Okay, well, well,

0:36:31.760 --> 0:36:35.680
<v Speaker 1>how does this fit into these mainstream hypotheses about what

0:36:35.920 --> 0:36:38.520
<v Speaker 1>is going on in the body and the brain and

0:36:38.560 --> 0:36:42.319
<v Speaker 1>our evolutionary history to generate this concept of humor? Why

0:36:42.360 --> 0:36:44.799
<v Speaker 1>are things funny? Why does it feel funny? Why do

0:36:44.840 --> 0:36:46.840
<v Speaker 1>we laugh? And so forth? And so there are a

0:36:46.880 --> 0:36:48.759
<v Speaker 1>bunch of ideas on this. We're not going to get

0:36:48.800 --> 0:36:51.440
<v Speaker 1>into all of them, certainly, not in depth, but I

0:36:51.520 --> 0:36:53.520
<v Speaker 1>just wanted to mention a few one that came up,

0:36:53.560 --> 0:36:56.640
<v Speaker 1>I think from a biologist or zoologist that we were

0:36:56.680 --> 0:36:59.720
<v Speaker 1>reading that time, But it was the idea of laughter

0:37:00.200 --> 0:37:03.279
<v Speaker 1>as a form of play signaling, and I thought that

0:37:03.320 --> 0:37:05.920
<v Speaker 1>this idea had some purchase, so it was pretty interesting.

0:37:05.960 --> 0:37:09.960
<v Speaker 1>So the idea here would be that laughing is actually

0:37:10.000 --> 0:37:15.520
<v Speaker 1>a kind of communicative mechanism to distinguish playful aggression from

0:37:15.600 --> 0:37:19.480
<v Speaker 1>genuine aggression. So if you ever watch dogs fighting, they

0:37:19.480 --> 0:37:23.640
<v Speaker 1>can be making all kinds of growling sounds and knocking

0:37:23.640 --> 0:37:26.040
<v Speaker 1>each other over and all that. But you can still

0:37:26.120 --> 0:37:30.440
<v Speaker 1>pretty easily tell fun fighting from real fighting by the

0:37:30.520 --> 0:37:34.279
<v Speaker 1>dog's posture. Like when a dog is having fun, it'll

0:37:34.360 --> 0:37:36.040
<v Speaker 1>like put its butt up in the air in the

0:37:36.040 --> 0:37:39.240
<v Speaker 1>front of its body down and wag its tail, and

0:37:39.320 --> 0:37:41.440
<v Speaker 1>so they can be fighting. But you know, we know

0:37:41.480 --> 0:37:44.200
<v Speaker 1>everybody's having a good time. Yeah, you can definitely tell

0:37:44.239 --> 0:37:47.080
<v Speaker 1>from their body language when they're they're dead serious and

0:37:47.120 --> 0:37:50.120
<v Speaker 1>when it's it's play. Yeah, And so the idea would be, well,

0:37:50.200 --> 0:37:55.279
<v Speaker 1>maybe in in primates like us, laughter play some kind

0:37:55.280 --> 0:37:58.040
<v Speaker 1>of similar role. It is a it's a mechanism like

0:37:58.160 --> 0:38:03.200
<v Speaker 1>the wagging tail to signal mutual communication between parties that

0:38:03.480 --> 0:38:06.640
<v Speaker 1>something that's going on that might be interpreted in one way,

0:38:06.920 --> 0:38:09.440
<v Speaker 1>maybe in a dangerous way, is actually just to be

0:38:09.480 --> 0:38:12.279
<v Speaker 1>interpreted in a humorous way, in a fun way, that

0:38:12.360 --> 0:38:17.080
<v Speaker 1>everything's okay. And so it discourages misinterpretation of mock aggression.

0:38:17.680 --> 0:38:20.840
<v Speaker 1>And I can certainly see something to this because it

0:38:20.960 --> 0:38:23.719
<v Speaker 1>is it is undeniable, like this this natural thing that

0:38:23.800 --> 0:38:27.600
<v Speaker 1>happens that when kids like wrestle for fun or they're

0:38:27.600 --> 0:38:30.520
<v Speaker 1>just playing around, it results in laughter. You know, this

0:38:30.640 --> 0:38:33.760
<v Speaker 1>makes me think about tone and contact with sarcasm again,

0:38:33.840 --> 0:38:38.480
<v Speaker 1>because there I've certainly had this experience where I've I've

0:38:38.520 --> 0:38:42.480
<v Speaker 1>told I've made a dry joke that that it is

0:38:42.480 --> 0:38:45.040
<v Speaker 1>supposed to be a joke, but I did it so

0:38:45.120 --> 0:38:48.200
<v Speaker 1>dryly that that my son doesn't catch it at first,

0:38:48.239 --> 0:38:49.719
<v Speaker 1>and then I have to explain to him, no, no, no,

0:38:49.760 --> 0:38:52.800
<v Speaker 1>I'm not serious. Um you know, not that he's upset,

0:38:52.840 --> 0:38:54.880
<v Speaker 1>but he's like, really, that's really gonna happen, Like he

0:38:55.000 --> 0:38:56.879
<v Speaker 1>completely falls for it. And then I feel a little

0:38:56.880 --> 0:38:59.719
<v Speaker 1>bit bad because my main job here is not to

0:38:59.760 --> 0:39:03.080
<v Speaker 1>make jokes. It's it's to raise a child that knows

0:39:03.080 --> 0:39:06.319
<v Speaker 1>how the world works, or has some reasonable knowledge of

0:39:06.360 --> 0:39:09.880
<v Speaker 1>how the world works. And so maybe I want, I

0:39:09.920 --> 0:39:11.680
<v Speaker 1>wonder this is I have nothing to back this up,

0:39:11.800 --> 0:39:16.040
<v Speaker 1>but maybe parents end up leaning more on tone. They

0:39:16.080 --> 0:39:18.480
<v Speaker 1>pick up on on the fact that they need that

0:39:18.560 --> 0:39:21.160
<v Speaker 1>tone to understand the joke, and so you just lean

0:39:21.239 --> 0:39:23.400
<v Speaker 1>into it more and more, and you keep leaning into

0:39:23.440 --> 0:39:28.000
<v Speaker 1>it until you're just a complete hack. Yeah that's interesting.

0:39:28.080 --> 0:39:30.640
<v Speaker 1>I didn't think about it like that, but yeah, because

0:39:30.719 --> 0:39:34.520
<v Speaker 1>tone would be so important in in establishing this kind

0:39:34.520 --> 0:39:37.279
<v Speaker 1>of relationship with a kid. Yeah, Like why does why

0:39:37.280 --> 0:39:39.840
<v Speaker 1>does dad basically put clown makeup on every time he

0:39:39.880 --> 0:39:42.120
<v Speaker 1>makes a joke. Well, because he feels like he needs

0:39:42.160 --> 0:39:44.200
<v Speaker 1>to signal that he is not telling you how the

0:39:44.239 --> 0:39:46.799
<v Speaker 1>world worked. He's just trying to make a joke about

0:39:46.840 --> 0:39:49.279
<v Speaker 1>the world. I have nothing to back that up, but

0:39:49.560 --> 0:39:54.000
<v Speaker 1>I'm just just just, uh, you know, um brainstorming here. No,

0:39:54.160 --> 0:39:56.200
<v Speaker 1>I think there's something really too that we we should

0:39:56.239 --> 0:39:59.640
<v Speaker 1>keep that in mind. Um. Now on on the other hand,

0:40:00.080 --> 0:40:02.400
<v Speaker 1>as we talked about the last time this came up

0:40:02.440 --> 0:40:06.880
<v Speaker 1>in that Machine Comedy episode, Uh, there are obviously ways

0:40:06.880 --> 0:40:09.840
<v Speaker 1>in which all of these major theories don't seem to

0:40:09.880 --> 0:40:13.000
<v Speaker 1>account for some types of laughter and some types of humor,

0:40:13.480 --> 0:40:15.919
<v Speaker 1>which makes me think, you know, it could very well

0:40:15.960 --> 0:40:20.360
<v Speaker 1>be that multiple theories of humor could simultaneously be partially

0:40:20.440 --> 0:40:23.839
<v Speaker 1>correct and explaining different types of laughter. I mean, we

0:40:23.880 --> 0:40:28.520
<v Speaker 1>can't rule out that laughter could have different biological causes

0:40:28.719 --> 0:40:32.359
<v Speaker 1>converging on the same external behavior, much in the same

0:40:32.400 --> 0:40:36.400
<v Speaker 1>way that like multiple extremely different, you know, biological causes

0:40:36.400 --> 0:40:39.880
<v Speaker 1>can result in an elevated heart rate. Maybe multiple totally

0:40:39.880 --> 0:40:43.959
<v Speaker 1>different biological causes, uh that you know, have different evolutionary

0:40:44.000 --> 0:40:47.640
<v Speaker 1>pathways of development could eventually converge on the same type

0:40:47.680 --> 0:40:50.480
<v Speaker 1>of body response, which is the pleasure of humor. In

0:40:50.480 --> 0:40:53.560
<v Speaker 1>the brain and the external behavior of laughing that that's possible.

0:40:53.600 --> 0:40:56.759
<v Speaker 1>So maybe each of these explanations has some part of

0:40:56.760 --> 0:40:58.960
<v Speaker 1>the truth. But the reason you would need to say

0:40:58.960 --> 0:41:00.680
<v Speaker 1>that is that, like some of these ex nations don't

0:41:00.680 --> 0:41:03.760
<v Speaker 1>really seem like they would cover certain types of humor,

0:41:03.880 --> 0:41:08.000
<v Speaker 1>like especially play signaling. I mean, does how would that

0:41:08.080 --> 0:41:11.040
<v Speaker 1>really affect something like puns? It seems kind of hard

0:41:11.080 --> 0:41:15.640
<v Speaker 1>to figure that out. Yeah. Now, another major explanation of

0:41:15.680 --> 0:41:18.960
<v Speaker 1>what's going on when when people experience the feeling of

0:41:19.080 --> 0:41:24.040
<v Speaker 1>humor is what's known as benign violation theory. One study

0:41:24.080 --> 0:41:25.640
<v Speaker 1>we talked about in the past having to do with

0:41:25.680 --> 0:41:28.880
<v Speaker 1>this was by Peter A. McGraw and Caleb Warren called

0:41:28.960 --> 0:41:34.120
<v Speaker 1>Benign Violations Making Immoral Behavior Funny, published in Psychological Science

0:41:34.160 --> 0:41:37.000
<v Speaker 1>in two thousand ten, and this study looked at the

0:41:37.080 --> 0:41:42.799
<v Speaker 1>idea of humor as some kind of violation of norms

0:41:42.840 --> 0:41:46.480
<v Speaker 1>that is recognized by the person who finds it funny

0:41:46.520 --> 0:41:50.120
<v Speaker 1>as not actually very harmful. Uh So, the example they

0:41:50.200 --> 0:41:54.000
<v Speaker 1>used in their study was they they confronted people with

0:41:54.040 --> 0:41:57.239
<v Speaker 1>a news story about a church that had raffled off

0:41:57.440 --> 0:42:00.879
<v Speaker 1>a hummer suv as part of a motion for its

0:42:00.920 --> 0:42:05.359
<v Speaker 1>members for the church goers. And so the thinking here

0:42:05.440 --> 0:42:07.800
<v Speaker 1>is that obviously to some people, that's going to be

0:42:07.880 --> 0:42:10.160
<v Speaker 1>kind of a funny idea, right, Like doing a sort

0:42:10.160 --> 0:42:13.560
<v Speaker 1>of secular like car giveaway at a church would seem

0:42:13.640 --> 0:42:16.320
<v Speaker 1>to in some way undermine the sanctity of the church.

0:42:17.040 --> 0:42:20.799
<v Speaker 1>And they they figured under their theory, well that maybe

0:42:20.960 --> 0:42:25.799
<v Speaker 1>church goers would find this story less funny because they

0:42:25.840 --> 0:42:29.200
<v Speaker 1>would see this violation of the sanctity of the church

0:42:29.360 --> 0:42:33.200
<v Speaker 1>as more actually harmful than non churchgoers would and they

0:42:33.200 --> 0:42:36.160
<v Speaker 1>wouldn't find it as funny if humor is indeed based

0:42:36.160 --> 0:42:39.040
<v Speaker 1>on the idea of a benign violation, and that is

0:42:39.080 --> 0:42:41.280
<v Speaker 1>what they claimed to find in this study. They found

0:42:41.280 --> 0:42:45.600
<v Speaker 1>that churchgoers and non churchgoers were both about equally disgusted

0:42:45.680 --> 0:42:47.760
<v Speaker 1>with the idea of a church giving away a car,

0:42:48.160 --> 0:42:51.040
<v Speaker 1>but they found that non churchgoers found the story more

0:42:51.120 --> 0:42:53.520
<v Speaker 1>humorous than churchgoers did, so I think it was like

0:42:53.640 --> 0:42:56.839
<v Speaker 1>nine percent to sixty two percent. So the idea would

0:42:56.880 --> 0:42:59.920
<v Speaker 1>be that non churchgoers saw this as a benign violation,

0:43:00.440 --> 0:43:04.600
<v Speaker 1>churchgoers saw it as a real harmful violation. And in

0:43:04.640 --> 0:43:06.759
<v Speaker 1>that other episode, we we talked about a bunch of

0:43:06.800 --> 0:43:10.360
<v Speaker 1>reasons why this might and might not work to explain

0:43:10.440 --> 0:43:13.560
<v Speaker 1>certain types of humor, Like, there are a lot of

0:43:13.560 --> 0:43:16.920
<v Speaker 1>things that are clearly benign types of violations that just

0:43:17.040 --> 0:43:19.400
<v Speaker 1>aren't funny. But then again, a lot of the things

0:43:19.400 --> 0:43:22.480
<v Speaker 1>that are funny are some type of benign violation. You

0:43:22.520 --> 0:43:25.760
<v Speaker 1>could see easily how you could make them not funny

0:43:25.880 --> 0:43:29.319
<v Speaker 1>by either making them not a violation at all, or

0:43:29.400 --> 0:43:35.120
<v Speaker 1>by making them such a violation that they actually hurt someone. Yeah. Yeah,

0:43:35.160 --> 0:43:39.400
<v Speaker 1>in the past, I've definitely seen the nine violation theory

0:43:39.440 --> 0:43:43.640
<v Speaker 1>being one that that feels feels accurate, like I can

0:43:43.719 --> 0:43:47.880
<v Speaker 1>I can feel it feels like that's what's going on

0:43:47.960 --> 0:43:51.280
<v Speaker 1>in various jokes. But again, I would be hesitant to

0:43:51.280 --> 0:43:53.840
<v Speaker 1>to assign all humor to this one theory. Yeah, this

0:43:53.920 --> 0:43:56.239
<v Speaker 1>seems to me like one that maybe sort of grasping

0:43:56.280 --> 0:43:59.080
<v Speaker 1>in the right direction, But but that might not have

0:43:59.120 --> 0:44:01.520
<v Speaker 1>the full con Who are is of exactly what makes

0:44:01.520 --> 0:44:03.480
<v Speaker 1>something funny or not? Because there are the I mean,

0:44:03.480 --> 0:44:06.880
<v Speaker 1>there are plenty of cases where things are clearly truly

0:44:07.000 --> 0:44:10.799
<v Speaker 1>harmful and people still find them funny. Like sometimes even

0:44:10.840 --> 0:44:14.400
<v Speaker 1>against your better judgment, like you might, something might happen

0:44:14.480 --> 0:44:16.799
<v Speaker 1>that is clearly harmful in one way or another, and

0:44:16.840 --> 0:44:18.920
<v Speaker 1>you find it funny, even though you feel like you

0:44:18.960 --> 0:44:22.320
<v Speaker 1>shouldn't and you feel bad for finding it funny. Yeah,

0:44:22.400 --> 0:44:26.200
<v Speaker 1>but but sometimes they are funnier, like knowing that everyone

0:44:26.280 --> 0:44:29.440
<v Speaker 1>is okay. Like I've seen that that disclaimer placed in

0:44:29.480 --> 0:44:33.200
<v Speaker 1>front of the sharing of various like amusing video clips

0:44:33.200 --> 0:44:35.799
<v Speaker 1>these days, where it will be stressed everybody was fine,

0:44:35.840 --> 0:44:38.880
<v Speaker 1>nobody was actually killed or seriously wounded in what you're

0:44:38.920 --> 0:44:41.520
<v Speaker 1>about to see. Therefore you have you have license to

0:44:41.560 --> 0:44:43.919
<v Speaker 1>actually laugh at it. Now, there's another one we talked

0:44:43.920 --> 0:44:46.560
<v Speaker 1>about just briefly in that other episode that was called

0:44:46.560 --> 0:44:51.640
<v Speaker 1>the incongruity resolution theory, and essentially that says, when there

0:44:51.719 --> 0:44:56.080
<v Speaker 1>is an a mismatch between expectation and reality, you expect

0:44:56.120 --> 0:44:58.640
<v Speaker 1>things to be one way, but then there's something different.

0:44:58.920 --> 0:45:03.120
<v Speaker 1>Laughter occurs when we realize that this incongruity can be resolved.

0:45:03.440 --> 0:45:06.160
<v Speaker 1>So that's another way of framing something that is in

0:45:06.200 --> 0:45:09.200
<v Speaker 1>some ways kind of similar. But there's one last one

0:45:09.239 --> 0:45:11.720
<v Speaker 1>I wanted to talk about that I've been thinking about

0:45:11.760 --> 0:45:14.719
<v Speaker 1>more and more since we discussed in since we talked

0:45:14.719 --> 0:45:17.040
<v Speaker 1>about it in in that Plato s X Market episode.

0:45:17.760 --> 0:45:21.400
<v Speaker 1>And this is thinking about laughter from an evolutionary perspective.

0:45:22.440 --> 0:45:24.600
<v Speaker 1>So one of the things that is really notable about

0:45:24.719 --> 0:45:29.879
<v Speaker 1>laughter is it's not just an external behavior. Laughter is pleasurable,

0:45:30.040 --> 0:45:34.640
<v Speaker 1>it feels good. You like specifically seek out stimuli to

0:45:34.800 --> 0:45:37.320
<v Speaker 1>make yourself laugh, just in the same way you would

0:45:37.600 --> 0:45:40.839
<v Speaker 1>seek out like delicious food. It feels good and you

0:45:40.880 --> 0:45:45.160
<v Speaker 1>want it to keep happening. Uh. Usually, pleasure is a

0:45:45.239 --> 0:45:50.600
<v Speaker 1>biological reward. The brain delivers itself pleasure in response to

0:45:50.640 --> 0:45:54.280
<v Speaker 1>an activity that provides some kind of direct or indirect

0:45:54.320 --> 0:45:57.600
<v Speaker 1>benefit to survival or reproduction. And these of course, you know,

0:45:57.680 --> 0:45:59.919
<v Speaker 1>in the case of direct benefits, you can think about

0:46:00.239 --> 0:46:02.719
<v Speaker 1>the obvious stuff, you know, food, food tastes good because

0:46:02.760 --> 0:46:05.880
<v Speaker 1>you need it to give yourself energy and survive. Or

0:46:05.920 --> 0:46:09.840
<v Speaker 1>it can be much more abstract, like socializing with others

0:46:09.880 --> 0:46:12.640
<v Speaker 1>can feel really good, and that's pretty clearly explicable, and

0:46:12.719 --> 0:46:16.719
<v Speaker 1>that it's the strengthening of social bonds and uh informing

0:46:16.960 --> 0:46:20.520
<v Speaker 1>you know, tighter relationships between yourselves and other people, which

0:46:20.520 --> 0:46:23.520
<v Speaker 1>which gives you more of a support structure, makes you

0:46:23.600 --> 0:46:26.080
<v Speaker 1>less vulnerable. Or you could think about the sense of

0:46:26.120 --> 0:46:30.320
<v Speaker 1>accomplishment you get from completing a task. So if laughter

0:46:30.560 --> 0:46:34.160
<v Speaker 1>is an adaptation that provides not just an external behavior

0:46:34.200 --> 0:46:38.759
<v Speaker 1>but an internal pleasure reward, what is it rewarding? And

0:46:39.120 --> 0:46:41.239
<v Speaker 1>one answer that I that I came across to this

0:46:41.440 --> 0:46:45.960
<v Speaker 1>is that what if it's the brain rewarding itself for

0:46:46.080 --> 0:46:50.520
<v Speaker 1>performing a debugging procedure? Basically, uh, And this was an

0:46:50.560 --> 0:46:53.360
<v Speaker 1>idea explored in a two thousand eleven book from M I. T.

0:46:53.560 --> 0:46:58.719
<v Speaker 1>Press called Inside Jokes by Matthew Hurley, Daniel Dinnett, and

0:46:58.800 --> 0:47:02.600
<v Speaker 1>Reginald Adams to year And I have not read this book,

0:47:02.600 --> 0:47:05.600
<v Speaker 1>but I've read some summaries of the argument they make,

0:47:05.640 --> 0:47:10.000
<v Speaker 1>and essentially it is that humor is a pleasurable reward.

0:47:10.120 --> 0:47:13.480
<v Speaker 1>It's the you know, the reward inside the brain that

0:47:13.520 --> 0:47:19.160
<v Speaker 1>we get when we recognize the inappropriateness of a mental representation.

0:47:19.840 --> 0:47:22.600
<v Speaker 1>So in this all jokes basically have some form of

0:47:22.640 --> 0:47:25.720
<v Speaker 1>set up and punchline. Uh. The setup sort of puts

0:47:25.719 --> 0:47:29.680
<v Speaker 1>you in a state of mind to establish an inappropriate

0:47:29.800 --> 0:47:34.200
<v Speaker 1>or unrealistic mental representation, and then the punchline kind of

0:47:34.280 --> 0:47:39.640
<v Speaker 1>suddenly creates that inappropriate or incongruous mental representation. And then

0:47:39.680 --> 0:47:43.080
<v Speaker 1>what happens immediately after is that you suddenly figure out

0:47:43.120 --> 0:47:45.839
<v Speaker 1>what's wrong with the representation that's in your brain. So

0:47:45.880 --> 0:47:49.399
<v Speaker 1>in the Armies and Sleevies example, uh, you know, it's

0:47:49.400 --> 0:47:53.040
<v Speaker 1>like you suddenly have that moment where you realize, oh, oh,

0:47:53.080 --> 0:47:57.560
<v Speaker 1>I see, yes, armies in this is just referring to arms,

0:47:58.000 --> 0:48:00.560
<v Speaker 1>and that is not how grammar works. You you don't

0:48:00.560 --> 0:48:04.680
<v Speaker 1>actually say ease at the end of every noun. But

0:48:04.800 --> 0:48:07.680
<v Speaker 1>then the brain rewards you for going through that process

0:48:07.719 --> 0:48:12.080
<v Speaker 1>of debugging the problematic representation in your brain by giving

0:48:12.120 --> 0:48:14.799
<v Speaker 1>you this pleasurable feeling of humor that is in some

0:48:14.840 --> 0:48:17.160
<v Speaker 1>ways analogous to the pleasure that you would get from

0:48:17.200 --> 0:48:21.040
<v Speaker 1>eating delicious food or sleeping or something like that. And

0:48:21.120 --> 0:48:24.560
<v Speaker 1>so this really gets my brain going because I wonder

0:48:24.600 --> 0:48:27.600
<v Speaker 1>about this debugging interpretation. Obviously, you know, I think this

0:48:27.640 --> 0:48:29.760
<v Speaker 1>would have its critics as well, like all of these

0:48:30.239 --> 0:48:33.320
<v Speaker 1>ideas do. But I wonder if you could see evidence

0:48:33.400 --> 0:48:37.200
<v Speaker 1>for this debugging interpretation in the special kinds of humor

0:48:37.280 --> 0:48:41.400
<v Speaker 1>that are especially effective with little kids but start getting

0:48:41.440 --> 0:48:45.680
<v Speaker 1>groans once the kids get older. Is a young brain

0:48:45.960 --> 0:48:49.239
<v Speaker 1>in a more frantic debugging phase? Is it? You know,

0:48:49.400 --> 0:48:53.239
<v Speaker 1>is the young brain more apt to make an inappropriate

0:48:53.239 --> 0:48:56.920
<v Speaker 1>mental representation and then get a lot of pleasure from

0:48:56.960 --> 0:49:00.520
<v Speaker 1>figuring out no, that's not how words work or something

0:49:00.560 --> 0:49:03.880
<v Speaker 1>like that? And uh, is it is it also is

0:49:03.880 --> 0:49:07.000
<v Speaker 1>the young brain more susceptible to bugs of this kind

0:49:07.040 --> 0:49:09.000
<v Speaker 1>in the first place? You know, will will you sort

0:49:09.040 --> 0:49:11.840
<v Speaker 1>of fall for the set up and punchline in a

0:49:11.880 --> 0:49:14.880
<v Speaker 1>way that makes the debugging possible? No, yeah, I can

0:49:14.960 --> 0:49:17.799
<v Speaker 1>I could see that, Uh, that playing a role here. Yeah,

0:49:18.040 --> 0:49:21.000
<v Speaker 1>you're you're When the sitcom dad wanders into the room

0:49:21.000 --> 0:49:23.000
<v Speaker 1>and tells a joke, he's not just trying to get

0:49:23.000 --> 0:49:26.319
<v Speaker 1>some cheap laughs. He is debugging the children's brains. He

0:49:26.520 --> 0:49:29.759
<v Speaker 1>is uh, he is helping them sort out, uh, some

0:49:29.840 --> 0:49:33.960
<v Speaker 1>possible errors in their cognition by basically presenting them with

0:49:34.239 --> 0:49:40.360
<v Speaker 1>with little um, little thought puzzles, little thought experiments that

0:49:40.440 --> 0:49:43.640
<v Speaker 1>they have to instantly deal with. I mean this does

0:49:43.760 --> 0:49:46.840
<v Speaker 1>kind of go along with another aspect of humor, which

0:49:46.880 --> 0:49:50.720
<v Speaker 1>is that humor often kind of gives you a little

0:49:50.719 --> 0:49:53.279
<v Speaker 1>bit of a feeling of being smart. Have you ever

0:49:53.320 --> 0:49:56.160
<v Speaker 1>noticed this, Like when when you laugh at something and

0:49:56.200 --> 0:49:59.920
<v Speaker 1>something you find something very funny. In the back of

0:50:00.040 --> 0:50:03.160
<v Speaker 1>your mind, there's almost kind of a little like, yeah,

0:50:03.280 --> 0:50:07.160
<v Speaker 1>you're pretty smart, you're a genius. Yeah. Yeah. To to

0:50:07.360 --> 0:50:09.160
<v Speaker 1>get a joke, to laugh at a joke is to

0:50:09.680 --> 0:50:12.879
<v Speaker 1>sync up with the mind of the comedian that it's

0:50:12.920 --> 0:50:16.520
<v Speaker 1>telling it or or has written the joke, and uh, yeah,

0:50:16.520 --> 0:50:19.600
<v Speaker 1>I could see that. Yeah, I can see that interpretation

0:50:20.200 --> 0:50:24.680
<v Speaker 1>for sure. I'm super a little bit smart. Yeah, pretty much.

0:50:25.560 --> 0:50:29.600
<v Speaker 1>Um yeah, Okay, I like this this interpretation. Yeah, and

0:50:29.640 --> 0:50:31.160
<v Speaker 1>it makes me wonder if this is this is part

0:50:31.200 --> 0:50:33.759
<v Speaker 1>of it as well. But it also makes me wonder

0:50:33.800 --> 0:50:37.120
<v Speaker 1>about Um, I guess this came up a little bit earlier,

0:50:37.160 --> 0:50:40.040
<v Speaker 1>but you know, can we understand how dad jokes work

0:50:40.160 --> 0:50:43.520
<v Speaker 1>by looking at when they really do not work? You

0:50:43.520 --> 0:50:45.279
<v Speaker 1>know that period where I guess the kid gets to

0:50:45.280 --> 0:50:48.319
<v Speaker 1>adolescents or whatever, at age whatever age it is, where

0:50:48.360 --> 0:50:51.600
<v Speaker 1>they start to really groan at dad's dad jokes or

0:50:51.640 --> 0:50:56.319
<v Speaker 1>at anybody's dad jokes and and say, Dad, you know, like,

0:50:56.440 --> 0:50:59.520
<v Speaker 1>what exactly has changed that is failing there? And does

0:50:59.560 --> 0:51:02.960
<v Speaker 1>that tell us about what worked with the jokes originally? Well,

0:51:02.960 --> 0:51:05.040
<v Speaker 1>I mean, if we were to roughly compare it to say,

0:51:05.080 --> 0:51:09.239
<v Speaker 1>a child getting ready to leave the house at a

0:51:09.320 --> 0:51:13.920
<v Speaker 1>younger age, they need a lot of help and reminding

0:51:14.000 --> 0:51:15.759
<v Speaker 1>and uh, you know, a lot of nagging to get

0:51:15.840 --> 0:51:18.279
<v Speaker 1>to get it done. Are your pants on the are

0:51:18.280 --> 0:51:20.480
<v Speaker 1>you wearing the right shirt? Is it buttoned up? Properly,

0:51:20.560 --> 0:51:23.200
<v Speaker 1>let me see your hair. Um. And as they get

0:51:23.239 --> 0:51:25.840
<v Speaker 1>older there, you know, ideally they're they're doing more and

0:51:25.840 --> 0:51:27.960
<v Speaker 1>more of this themselves, and they might take a front

0:51:28.000 --> 0:51:31.600
<v Speaker 1>at you, uh, interjecting yourself and saying, I think you

0:51:31.640 --> 0:51:33.560
<v Speaker 1>need to rebutton that shirt, or I'm not sure that

0:51:33.560 --> 0:51:36.640
<v Speaker 1>that hair looks completely combed, etcetera. So maybe something somewhere

0:51:36.680 --> 0:51:39.480
<v Speaker 1>is going on with the debugging of their brain with

0:51:39.600 --> 0:51:42.879
<v Speaker 1>puns and bad jokes. Is that you're saying, uh, let

0:51:42.880 --> 0:51:44.520
<v Speaker 1>me see that brain of yours for a second, I'm

0:51:44.560 --> 0:51:46.360
<v Speaker 1>not sure I got all the bugs, And they're like, Dad,

0:51:46.640 --> 0:51:48.120
<v Speaker 1>I got you got all the bugs. There are no

0:51:48.160 --> 0:51:50.799
<v Speaker 1>bugs left, but maybe there are. You know, that's why

0:51:50.800 --> 0:51:52.720
<v Speaker 1>you keep at it. You know, I'm thinking about another

0:51:52.719 --> 0:51:56.680
<v Speaker 1>interpretation of uh. What could be a possible reason that

0:51:56.760 --> 0:51:59.960
<v Speaker 1>parents keep telling grown inducing jokes as their kids get

0:52:00.000 --> 0:52:04.120
<v Speaker 1>older and start being like the awful mom, dad don't talk?

0:52:04.239 --> 0:52:07.040
<v Speaker 1>You know that that's that's the worst. Is that a

0:52:07.040 --> 0:52:09.520
<v Speaker 1>lot of times what can be frustrating. I think about

0:52:09.560 --> 0:52:12.399
<v Speaker 1>interacting with somebody who's like a teenager is like sort

0:52:12.400 --> 0:52:15.839
<v Speaker 1>of low affect in in many different directions, you know,

0:52:15.960 --> 0:52:18.799
<v Speaker 1>just kind of like inability to give much of a

0:52:18.840 --> 0:52:23.040
<v Speaker 1>response in any direction, and so getting a very very clear,

0:52:23.360 --> 0:52:26.400
<v Speaker 1>gross kind of emotional response in the form of a

0:52:26.560 --> 0:52:30.759
<v Speaker 1>grown at a really really painful pun in a way

0:52:30.800 --> 0:52:33.640
<v Speaker 1>that is a big reaction, right, you know, at a

0:52:33.680 --> 0:52:35.520
<v Speaker 1>time when maybe a lot of kids are just like

0:52:35.640 --> 0:52:38.880
<v Speaker 1>not reacting enough. I don't know if that makes any sense,

0:52:39.080 --> 0:52:41.239
<v Speaker 1>you know it totally does? You know, Like there's this

0:52:41.880 --> 0:52:44.600
<v Speaker 1>uh you know, I don't. I only have limited experience

0:52:44.640 --> 0:52:48.360
<v Speaker 1>with with like the junior high end teenager set, but

0:52:48.360 --> 0:52:51.800
<v Speaker 1>but you know from from interacting with with niece and nephew,

0:52:52.320 --> 0:52:54.280
<v Speaker 1>Uh yeah, they're at times there can be that feeling

0:52:54.320 --> 0:52:56.400
<v Speaker 1>of like all right there in their own own little world,

0:52:56.480 --> 0:52:59.279
<v Speaker 1>you know either uh you know, completely absorbed by their

0:52:59.360 --> 0:53:01.960
<v Speaker 1>their phone and what have you. Uh. So maybe you're

0:53:01.960 --> 0:53:04.520
<v Speaker 1>not going to get a laughter laughter out of them,

0:53:04.560 --> 0:53:06.200
<v Speaker 1>but if you can get that grown, if you can

0:53:06.200 --> 0:53:08.960
<v Speaker 1>get their eyes to roll, at least they're listening to you,

0:53:08.960 --> 0:53:11.120
<v Speaker 1>you know, at least you've made some connection and it

0:53:11.120 --> 0:53:13.480
<v Speaker 1>probably ties back into you can make an easy analogy

0:53:13.760 --> 0:53:18.240
<v Speaker 1>to stand up comedy, right like you, I guess you ideally,

0:53:18.239 --> 0:53:21.600
<v Speaker 1>if you can't be the comedian who's just getting you know,

0:53:21.840 --> 0:53:24.920
<v Speaker 1>an uproar of laughter. At least if you could get

0:53:24.920 --> 0:53:27.000
<v Speaker 1>the the opposite, that would be something. If you could

0:53:27.000 --> 0:53:30.160
<v Speaker 1>get like the Andy Kaufman um kind of response right

0:53:30.160 --> 0:53:32.840
<v Speaker 1>where you're just enraging the audience and you know, and

0:53:33.440 --> 0:53:37.480
<v Speaker 1>you're making them feel something. You're still working the comedy,

0:53:37.520 --> 0:53:42.640
<v Speaker 1>but you're you're going after a different emotional response. It

0:53:42.680 --> 0:53:45.600
<v Speaker 1>comes back to the idea that that perhaps dad jokes

0:53:45.640 --> 0:53:47.960
<v Speaker 1>are just a one way of thinking about a particular

0:53:48.000 --> 0:53:52.480
<v Speaker 1>type of humor, that that is, um, is desirable in

0:53:52.480 --> 0:53:56.520
<v Speaker 1>and of itself, outside of any kind of uh parental context.

0:53:57.000 --> 0:53:59.279
<v Speaker 1>And you know, just as this this, you know, used

0:53:59.320 --> 0:54:02.880
<v Speaker 1>to be more popular here as a mainstream form of comedy. Um,

0:54:03.040 --> 0:54:04.920
<v Speaker 1>you know, it's it's still going to find an audience

0:54:04.960 --> 0:54:08.120
<v Speaker 1>today again in part perhaps because your your guard is

0:54:08.160 --> 0:54:12.719
<v Speaker 1>down to that that slow moving comedic knife. I was

0:54:12.760 --> 0:54:15.760
<v Speaker 1>just trying to look up the name of the martial

0:54:15.880 --> 0:54:17.320
<v Speaker 1>art that you do with the knives in Dune. I

0:54:17.360 --> 0:54:18.719
<v Speaker 1>don't think it has a name, but there are the

0:54:18.760 --> 0:54:22.920
<v Speaker 1>Chris knives in Dune. Yeah, to get past the Holtzman shields. Yeah,

0:54:23.000 --> 0:54:24.760
<v Speaker 1>this is just the way you try and stab somebody

0:54:24.760 --> 0:54:27.680
<v Speaker 1>with the Holtzman shield But I had forgotten about this

0:54:27.719 --> 0:54:31.160
<v Speaker 1>detail as well. Apparently you can't use lace guns or

0:54:31.400 --> 0:54:35.719
<v Speaker 1>Holtzman shields on Iracus because the energy field created by

0:54:35.719 --> 0:54:39.719
<v Speaker 1>them attracts sandworms. Oh yeah, yeah, yeah, yeah, that that's

0:54:39.800 --> 0:54:43.239
<v Speaker 1>that's right. I still need a part of me wants

0:54:43.280 --> 0:54:45.759
<v Speaker 1>to reread the first book again, and now I have

0:54:45.840 --> 0:54:49.439
<v Speaker 1>more time in anticipation of the of the movie when

0:54:49.440 --> 0:54:51.800
<v Speaker 1>it comes out this fall. Uh So, I don't know.

0:54:51.840 --> 0:54:53.359
<v Speaker 1>I'm trying to decide on that, or maybe I should

0:54:53.360 --> 0:54:55.680
<v Speaker 1>read it to the Boy. I can't decide when is

0:54:55.719 --> 0:54:58.520
<v Speaker 1>the boy old enough for Dune? I don't know, like

0:54:58.760 --> 0:55:00.520
<v Speaker 1>there because there's a lot of heady st up in there,

0:55:00.520 --> 0:55:03.560
<v Speaker 1>but there's also a basic adventure story, you know, about

0:55:03.719 --> 0:55:06.440
<v Speaker 1>a young person coming up in the world. Um, there

0:55:06.520 --> 0:55:09.879
<v Speaker 1>is a lot of brutal violence and treachery, true, but

0:55:10.160 --> 0:55:13.279
<v Speaker 1>you know, ultimately you find that in every everything. There's

0:55:13.280 --> 0:55:15.160
<v Speaker 1>a lot of a lot of kids literature that has

0:55:15.160 --> 0:55:17.960
<v Speaker 1>a lot of betrayal and violence in it. Okay, what

0:55:18.040 --> 0:55:20.840
<v Speaker 1>we need is like an age chart that maps response

0:55:20.960 --> 0:55:25.160
<v Speaker 1>to dad jokes with us with a receptivity to Dune

0:55:25.680 --> 0:55:29.640
<v Speaker 1>and like where that coincides. All right, But before we

0:55:29.680 --> 0:55:32.319
<v Speaker 1>close that, I do want to mention one cool dad joke,

0:55:32.680 --> 0:55:34.560
<v Speaker 1>if that is even a thing that sounds like an

0:55:34.600 --> 0:55:38.520
<v Speaker 1>actually moron perhaps, But this was provided by Andrew Bourgeon

0:55:38.640 --> 0:55:43.200
<v Speaker 1>in that nineteen article in the Washingtonian. Uh, this is

0:55:43.200 --> 0:55:46.080
<v Speaker 1>out it goes. When does a bad joke become a

0:55:46.160 --> 0:55:54.840
<v Speaker 1>dad joke? I give up when it's a parent very nice?

0:55:55.080 --> 0:55:57.879
<v Speaker 1>All right, We're gonna go ahead and close this one out.

0:55:57.920 --> 0:55:59.799
<v Speaker 1>But obviously we'd love to hear from everybody out there.

0:55:59.840 --> 0:56:04.280
<v Speaker 1>What is your experience with the so called dad joke? Um?

0:56:04.320 --> 0:56:06.560
<v Speaker 1>You know, what's what's your take on it, your experience

0:56:07.360 --> 0:56:11.000
<v Speaker 1>with it on the receiving end, on the giving end. Um.

0:56:11.120 --> 0:56:13.680
<v Speaker 1>We loved, we loved for everyone to chime in on this,

0:56:13.800 --> 0:56:16.680
<v Speaker 1>so uh do let us know. In the meantime, if

0:56:16.719 --> 0:56:18.200
<v Speaker 1>you want to check out other episodes of Stuff to

0:56:18.200 --> 0:56:20.719
<v Speaker 1>Blow your Mind, including those that we referenced earlier about

0:56:20.800 --> 0:56:23.719
<v Speaker 1>humor and teasing and so forth, you can find them

0:56:24.000 --> 0:56:26.440
<v Speaker 1>wherever you get your podcast, you know, the Stuff to

0:56:26.440 --> 0:56:29.680
<v Speaker 1>Blow your Mind podcast feed. We've got core episodes on

0:56:29.719 --> 0:56:32.880
<v Speaker 1>science and culture that come out on Tuesdays and Thursdays.

0:56:33.040 --> 0:56:35.960
<v Speaker 1>On Monday's, we have a listener mail. On Wednesday's we

0:56:36.040 --> 0:56:39.280
<v Speaker 1>usually have an artifact unless it's been preempted by something.

0:56:39.760 --> 0:56:42.840
<v Speaker 1>And on Friday's that's when we do Weird House Cinema,

0:56:43.400 --> 0:56:46.680
<v Speaker 1>where we leave most of the science on the shelf

0:56:46.960 --> 0:56:50.120
<v Speaker 1>instead focus on some sort of a weird picture. Uh.

0:56:50.120 --> 0:56:51.760
<v Speaker 1>And then we have a Vault episode on the weekend

0:56:51.840 --> 0:56:54.480
<v Speaker 1>that's a rerun. Huge thanks as always to our excellent

0:56:54.520 --> 0:56:57.560
<v Speaker 1>audio producer Seth Nicholas Johnson. If you would like to

0:56:57.560 --> 0:56:59.840
<v Speaker 1>get in touch with us with feedback on this episode

0:56:59.920 --> 0:57:02.239
<v Speaker 1>or any other, to suggest topic for the future, just

0:57:02.320 --> 0:57:05.200
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0:57:05.280 --> 0:57:15.399
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0:57:15.480 --> 0:57:18.040
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