WEBVTT - Harry Houdini: More than Magic

0:00:01.480 --> 0:00:04.280
<v Speaker 1>Welcome to stuff you should know, a production of I

0:00:04.360 --> 0:00:13.840
<v Speaker 1>Heart Radio because I am, and welcome to the podcast.

0:00:13.960 --> 0:00:17.479
<v Speaker 1>I'm Josh Clark, and there's Charles W. Chuck, Brian over there,

0:00:17.560 --> 0:00:22.720
<v Speaker 1>and Jerry's here. She's invisible but here. And this is

0:00:22.760 --> 0:00:26.880
<v Speaker 1>the Mystery Magic Podcast hour a k A. Stuff you

0:00:26.880 --> 0:00:30.840
<v Speaker 1>should know. I feel like we haven't covered much magic

0:00:31.000 --> 0:00:34.720
<v Speaker 1>related stuff, have we not nearly enough? Oh? Yeah, you

0:00:34.760 --> 0:00:38.559
<v Speaker 1>into it? Yeah? I find it interesting for sure. Um,

0:00:38.560 --> 0:00:43.320
<v Speaker 1>and I think magicians are pretty cool people typically. Um. Yeah,

0:00:43.360 --> 0:00:47.479
<v Speaker 1>you know Toby, our friend Toby he um he and

0:00:47.520 --> 0:00:52.480
<v Speaker 1>I were talking about um working on a magic podcast,

0:00:52.560 --> 0:00:56.200
<v Speaker 1>kind of like a magic skeptics podcast, a couple of

0:00:56.240 --> 0:00:59.280
<v Speaker 1>his good friends, and they're just they're just cool dudes,

0:00:59.360 --> 0:01:04.200
<v Speaker 1>chill people, interesting, very witty, sharp, not pink boys at all.

0:01:04.959 --> 0:01:07.520
<v Speaker 1>You guys should totally do that. This is years and

0:01:07.600 --> 0:01:11.399
<v Speaker 1>years ago, said that Chip. Well, he's a big movie producer. Now, yeah,

0:01:11.440 --> 0:01:16.600
<v Speaker 1>that's magic podcast. No, thank you. Well, I'm glad to

0:01:16.640 --> 0:01:19.560
<v Speaker 1>know that you found some cool magicians. Yeah, are you

0:01:19.640 --> 0:01:23.120
<v Speaker 1>not familiar with cool magicians? No? I mean the magicians

0:01:23.160 --> 0:01:26.920
<v Speaker 1>I know about are decidedly uncool. Oh, I see, like

0:01:27.000 --> 0:01:33.320
<v Speaker 1>Ben Stiller and arrested Development instiller and arrested Development. Yeah

0:01:33.319 --> 0:01:37.639
<v Speaker 1>he was Job's rival. Oh right, you know, I forgot

0:01:37.640 --> 0:01:39.800
<v Speaker 1>about that kind of a white snake thing going on.

0:01:40.800 --> 0:01:43.000
<v Speaker 1>I think I'm thinking mainly about the time I went

0:01:43.040 --> 0:01:46.760
<v Speaker 1>to the Magic Castle in Los Angeles and I felt

0:01:46.760 --> 0:01:49.760
<v Speaker 1>like one of the cooler people there, which is unusual. Okay,

0:01:49.880 --> 0:01:51.440
<v Speaker 1>full of a lot of people. I don't mean like

0:01:51.600 --> 0:01:54.639
<v Speaker 1>fonds cool. I mean cool in the in the fact

0:01:54.680 --> 0:02:00.680
<v Speaker 1>that they're like interesting, they are sharp, they're quitted. Uh. Um,

0:02:00.800 --> 0:02:04.000
<v Speaker 1>they will take your wallet from you if you're not careful.

0:02:04.040 --> 0:02:06.160
<v Speaker 1>That kind of cool, you know what I mean? Okay?

0:02:07.120 --> 0:02:10.120
<v Speaker 1>Was Judini cool? Uh? In a lot of ways? He

0:02:10.240 --> 0:02:13.560
<v Speaker 1>was very cool? Um, the band in a lot. No,

0:02:13.800 --> 0:02:17.560
<v Speaker 1>that's pretty they were very cool. Um in a lot

0:02:17.600 --> 0:02:19.600
<v Speaker 1>of ways. I think he was cool in some other ways.

0:02:19.639 --> 0:02:23.640
<v Speaker 1>He wasn't necessarily super cool. But I think overall you

0:02:23.680 --> 0:02:26.720
<v Speaker 1>could say, yes, Houdini was cool in the sense that

0:02:27.560 --> 0:02:30.680
<v Speaker 1>a good magician is cool. Yeah. This is one of

0:02:30.680 --> 0:02:32.639
<v Speaker 1>those guys where I did a little digging to see

0:02:32.639 --> 0:02:35.800
<v Speaker 1>if if we needed a like, see if he was

0:02:35.880 --> 0:02:39.680
<v Speaker 1>some monster in his personal life. I didn't see anything

0:02:39.680 --> 0:02:42.160
<v Speaker 1>like that. I think he was a pretty intense guy

0:02:42.320 --> 0:02:44.120
<v Speaker 1>and maybe and I'm sure a man of the time,

0:02:44.160 --> 0:02:48.440
<v Speaker 1>but I didn't see anything that jumped out at me. Uh.

0:02:48.480 --> 0:02:51.760
<v Speaker 1>And we should mention big thanks to boy a bunch

0:02:51.760 --> 0:02:55.000
<v Speaker 1>of things. History dot com, Smithsonian Magazine which is always great,

0:02:56.040 --> 0:02:59.960
<v Speaker 1>PBS New Yorker, and of course the great Harry Houdini

0:03:00.080 --> 0:03:03.200
<v Speaker 1>dot com. Yes, there's also a couple of other sites

0:03:03.240 --> 0:03:05.760
<v Speaker 1>that I got some stuff from, like, um, wild About

0:03:05.760 --> 0:03:09.680
<v Speaker 1>Harry is a good Houdini site, And there's this, Uh,

0:03:09.760 --> 0:03:13.359
<v Speaker 1>there's this some documentary series by a site called Timeline,

0:03:14.000 --> 0:03:16.440
<v Speaker 1>and the one I saw was hosted by Alan Davies.

0:03:16.520 --> 0:03:18.919
<v Speaker 1>It's called Life and Magic of the Real Harry Houdin

0:03:19.040 --> 0:03:21.840
<v Speaker 1>and Houdini and it was just like this, you know,

0:03:22.000 --> 0:03:25.480
<v Speaker 1>hour long, pretty cool little documentary. I thought it was

0:03:25.880 --> 0:03:28.040
<v Speaker 1>very neat. I got like good info from that too.

0:03:28.080 --> 0:03:31.800
<v Speaker 1>It's on YouTube too. Well. I was, Uh, I was

0:03:31.840 --> 0:03:34.000
<v Speaker 1>into Houdini when I was a kid for a short time,

0:03:34.200 --> 0:03:36.120
<v Speaker 1>and I think that it was probably just because it

0:03:36.200 --> 0:03:38.360
<v Speaker 1>was a short time where I was, And I think

0:03:38.360 --> 0:03:42.120
<v Speaker 1>a lot of kids go through a magic phase, uh,

0:03:42.360 --> 0:03:44.600
<v Speaker 1>whether it's going to a trick shop and getting a

0:03:44.640 --> 0:03:47.400
<v Speaker 1>fake deck or learning your first dumb little card trick

0:03:48.040 --> 0:03:51.119
<v Speaker 1>that's not very good, but you think it's awesome. It's

0:03:51.120 --> 0:03:53.680
<v Speaker 1>just something that I feel like almost every kid goes

0:03:53.680 --> 0:03:56.480
<v Speaker 1>through a brief little magic phase and sometimes it sticks

0:03:56.480 --> 0:04:00.600
<v Speaker 1>and you become super cool. Evidently that's right, exactly. So there,

0:04:00.640 --> 0:04:02.600
<v Speaker 1>I saw a couple of things that seemed to support

0:04:02.640 --> 0:04:05.360
<v Speaker 1>that he wasn't a monster by the way, chuck Um.

0:04:05.520 --> 0:04:08.400
<v Speaker 1>One of them was that he would go to like, um,

0:04:08.560 --> 0:04:11.440
<v Speaker 1>the children's ward in hospitals and perform magic for the

0:04:11.520 --> 0:04:15.960
<v Speaker 1>kids and beat them up take their money. Yeah. But

0:04:16.000 --> 0:04:17.440
<v Speaker 1>I mean, like, if you think about it, that's not

0:04:17.520 --> 0:04:21.440
<v Speaker 1>something that just anybody does, you know, Like that's that's

0:04:21.520 --> 0:04:24.320
<v Speaker 1>time he could be do spending doing something else. Um.

0:04:24.360 --> 0:04:30.520
<v Speaker 1>He was like almost almost pathologically devoted to his mother

0:04:31.120 --> 0:04:34.080
<v Speaker 1>m making sure that she was well taken care of.

0:04:34.120 --> 0:04:36.279
<v Speaker 1>I think also one of the I saw that that

0:04:36.360 --> 0:04:39.320
<v Speaker 1>was like a possibly a driver of his ambition as well,

0:04:39.320 --> 0:04:42.200
<v Speaker 1>that he wanted to be Mom's favorite, an impressor more

0:04:42.240 --> 0:04:45.719
<v Speaker 1>than any of his siblings because he was one of six. Yeah,

0:04:45.760 --> 0:04:50.200
<v Speaker 1>and also that his father was never much of his success,

0:04:50.200 --> 0:04:52.120
<v Speaker 1>which will get to and I think I think those

0:04:52.160 --> 0:04:55.080
<v Speaker 1>are definitely the big drivers. But he himself called himself

0:04:55.080 --> 0:04:58.360
<v Speaker 1>a mom's boy, like he used those two words together. Yeah. Yeah.

0:04:58.360 --> 0:05:00.960
<v Speaker 1>There's a famous picture of him with his his wife

0:05:00.960 --> 0:05:03.880
<v Speaker 1>Bess and his mother and he's got like his arms

0:05:03.920 --> 0:05:06.279
<v Speaker 1>around both of them and he calls them my two

0:05:06.320 --> 0:05:08.880
<v Speaker 1>girls or my two sweethearts or something like that. So

0:05:09.360 --> 0:05:11.719
<v Speaker 1>I mean, like, I know, hats off the best for

0:05:11.800 --> 0:05:14.239
<v Speaker 1>being like, all right, let's go with it. We're gonna

0:05:14.279 --> 0:05:16.280
<v Speaker 1>go with it. I'm definitely not gonna try to probably

0:05:16.360 --> 0:05:18.479
<v Speaker 1>that one LuSE it's not gonna work. So we're just

0:05:18.520 --> 0:05:20.440
<v Speaker 1>gonna go with it. And I say, good for her,

0:05:21.080 --> 0:05:23.560
<v Speaker 1>all right, Well should we get into it. Yeah, let's

0:05:23.560 --> 0:05:25.640
<v Speaker 1>because you said something about his father, and I think

0:05:25.640 --> 0:05:29.160
<v Speaker 1>that that's an important thing to understand about Houdini um

0:05:29.160 --> 0:05:32.520
<v Speaker 1>from the get go, is that he was essentially born

0:05:32.560 --> 0:05:35.159
<v Speaker 1>into poverty and it just got worse as he got

0:05:35.200 --> 0:05:38.120
<v Speaker 1>older because his father was a rabbi, and if there

0:05:38.200 --> 0:05:40.400
<v Speaker 1>is such a thing, his father was a failed rabbi.

0:05:40.839 --> 0:05:43.640
<v Speaker 1>He couldn't make it as a rabbi. I know that was.

0:05:44.400 --> 0:05:47.120
<v Speaker 1>I was surprised to see that because all like everywhere

0:05:47.160 --> 0:05:50.440
<v Speaker 1>I looked, it would continually say like, boy's dad just

0:05:50.440 --> 0:05:54.560
<v Speaker 1>couldn't make the rabbi. Racket work, and I kind of,

0:05:54.680 --> 0:05:56.760
<v Speaker 1>I don't know, I kind of naively assumed that if

0:05:56.800 --> 0:05:59.840
<v Speaker 1>you were sort of giving up a life of trying

0:05:59.880 --> 0:06:02.880
<v Speaker 1>to a make you know, money as a capitalist for

0:06:02.880 --> 0:06:06.159
<v Speaker 1>a living by going to the church and being a

0:06:06.160 --> 0:06:09.120
<v Speaker 1>steward of the church, then you would at least do Okay,

0:06:09.480 --> 0:06:11.320
<v Speaker 1>you'd think so. But I think that means that he

0:06:11.360 --> 0:06:14.880
<v Speaker 1>was so charmless he couldn't even muster up a congregation

0:06:15.240 --> 0:06:18.320
<v Speaker 1>to to to surround him. So he was a hard

0:06:18.400 --> 0:06:21.600
<v Speaker 1>luck kind of guy. And as a result, Harry uh

0:06:22.000 --> 0:06:24.560
<v Speaker 1>was was raised in poverty, had to go to work

0:06:24.600 --> 0:06:27.000
<v Speaker 1>from a very young age, and also like missed out

0:06:27.040 --> 0:06:29.920
<v Speaker 1>on a formal education as a result too, And so

0:06:30.000 --> 0:06:33.080
<v Speaker 1>those things kind of converge to also, I think kind

0:06:33.080 --> 0:06:36.480
<v Speaker 1>of drive him to prove himself that yeah, maybe he

0:06:36.520 --> 0:06:38.440
<v Speaker 1>didn't go to school and maybe he was born poor,

0:06:38.480 --> 0:06:40.800
<v Speaker 1>but he could still be a superstar, he could still

0:06:40.880 --> 0:06:46.279
<v Speaker 1>amaze people, he could still be um idolized. Basically. Yeah.

0:06:46.440 --> 0:06:50.240
<v Speaker 1>His his dad's name was Meyer Weiss, his mom was

0:06:50.240 --> 0:06:54.760
<v Speaker 1>Cecilia Steiner Wights, and he was born Eric E. H

0:06:55.040 --> 0:06:59.000
<v Speaker 1>R I C. H Viights in March of eighteen seventy

0:06:59.000 --> 0:07:03.000
<v Speaker 1>four in Hungary. Uh In Budapest, but he when he

0:07:03.040 --> 0:07:06.240
<v Speaker 1>was four, he came over and joined the family in Wisconsin,

0:07:07.200 --> 0:07:10.600
<v Speaker 1>and his dad did manage to have a small congregation

0:07:10.640 --> 0:07:15.000
<v Speaker 1>in Wisconsin, I think in Appleton and Uh they changed

0:07:15.440 --> 0:07:19.120
<v Speaker 1>immigration officers changed the name to Vice with two s

0:07:19.200 --> 0:07:22.800
<v Speaker 1>is instead of an s z, and Eric went by

0:07:22.960 --> 0:07:26.000
<v Speaker 1>Airy E h R I E. The only reason I

0:07:26.000 --> 0:07:28.520
<v Speaker 1>mentioned Airy is because that comes into play later when

0:07:28.520 --> 0:07:30.640
<v Speaker 1>he takes on the name Harry is sort of an

0:07:30.640 --> 0:07:34.040
<v Speaker 1>Americanized version of that name. So that's where the Harry

0:07:34.080 --> 0:07:38.320
<v Speaker 1>came from. Um. Yes, he uh, he was. He started

0:07:38.320 --> 0:07:42.120
<v Speaker 1>working I think uh and when he was still single digits,

0:07:42.760 --> 0:07:45.200
<v Speaker 1>but he started performing also around the same time too.

0:07:45.240 --> 0:07:47.160
<v Speaker 1>When he was nine, he made his debut as a

0:07:47.240 --> 0:07:51.559
<v Speaker 1>trap He's artist, Eric the Prince of the Air nice

0:07:52.160 --> 0:07:54.800
<v Speaker 1>and he was always a rather short stature. I think

0:07:54.800 --> 0:07:57.800
<v Speaker 1>he topped out at five point five ft five inches

0:07:59.160 --> 0:08:03.760
<v Speaker 1>five point five um, but he was extremely fit. He

0:08:03.800 --> 0:08:07.080
<v Speaker 1>decided early on that he wanted to be very athletic

0:08:07.120 --> 0:08:09.440
<v Speaker 1>as much as he could be, so he really like

0:08:09.560 --> 0:08:11.560
<v Speaker 1>he was doing things like you know, when he moved

0:08:11.560 --> 0:08:14.120
<v Speaker 1>to New York a few years later. Um, he was

0:08:14.160 --> 0:08:16.600
<v Speaker 1>doing things like running five miles around Central Park every day,

0:08:16.600 --> 0:08:19.360
<v Speaker 1>which is super commonplace today, but you know in the

0:08:19.480 --> 0:08:23.600
<v Speaker 1>eighteen late late nineteenth century, that was weird. Yeah. I mean,

0:08:23.880 --> 0:08:26.000
<v Speaker 1>like god knows what kind of shoes he was wearing

0:08:26.040 --> 0:08:27.400
<v Speaker 1>for that kind of thing, but he would do that

0:08:27.480 --> 0:08:29.880
<v Speaker 1>kind of stuff. So he was short of stature, but

0:08:29.960 --> 0:08:34.560
<v Speaker 1>also very athletic um self taught to Yeah. So, like

0:08:34.600 --> 0:08:38.640
<v Speaker 1>you said, they eventually landed in New York um after

0:08:38.880 --> 0:08:42.719
<v Speaker 1>you know, his again, Rabbi Weiss was not doing so well,

0:08:42.760 --> 0:08:44.760
<v Speaker 1>so he was kind of always on the move trying

0:08:44.760 --> 0:08:48.360
<v Speaker 1>to find somebody to listen to him, and they eventually

0:08:48.360 --> 0:08:51.920
<v Speaker 1>get to New York and in eighteen nine one, which

0:08:51.960 --> 0:08:56.520
<v Speaker 1>would have been uh, what's the math there? S sixteen

0:08:56.559 --> 0:08:59.840
<v Speaker 1>is seventeen ish. We were trying to figure out before Ghostbusters,

0:09:00.480 --> 0:09:02.280
<v Speaker 1>no no, I was trying to figure out how old

0:09:02.280 --> 0:09:05.600
<v Speaker 1>he was. Uh, he's like sixty or seventeen when he

0:09:05.880 --> 0:09:09.040
<v Speaker 1>teamed up with this buddy, Jacob Himan. I'm sorry him,

0:09:09.679 --> 0:09:13.600
<v Speaker 1>himman him, Why did that look weird on the paper?

0:09:14.400 --> 0:09:18.480
<v Speaker 1>You may be having a stroke. I hope not. The

0:09:18.520 --> 0:09:21.720
<v Speaker 1>brothers Houdini is what they called themselves, and Harry again

0:09:22.760 --> 0:09:25.240
<v Speaker 1>is what he went by because of Airy and then

0:09:25.400 --> 0:09:29.080
<v Speaker 1>as far as Judini goes, his favorite French magician's last

0:09:29.160 --> 0:09:32.520
<v Speaker 1>name was Robert Houdin, so he threw an eye on there,

0:09:33.600 --> 0:09:37.800
<v Speaker 1>and all of a sudden, he's Harry Hudini for evermore. Yeah,

0:09:38.000 --> 0:09:40.240
<v Speaker 1>I think so. I saw in that documentary that somebody

0:09:40.240 --> 0:09:42.280
<v Speaker 1>told him that adding an eye to a name in

0:09:42.320 --> 0:09:45.600
<v Speaker 1>French means that you're saying you're like that person. So

0:09:45.679 --> 0:09:49.000
<v Speaker 1>he was saying Hohodini, like he's like Hudin Houdin hudan

0:09:49.679 --> 0:09:52.760
<v Speaker 1>Um who was his idol for at least while he's

0:09:52.800 --> 0:09:54.720
<v Speaker 1>growing up. And then apparently later on he kind of

0:09:54.720 --> 0:09:56.960
<v Speaker 1>turned on him and exposed all of his secrets after

0:09:56.960 --> 0:09:59.800
<v Speaker 1>the guy had died, which was actually not cool. It

0:10:00.080 --> 0:10:02.080
<v Speaker 1>not cool. And there I think there was also a

0:10:02.120 --> 0:10:05.920
<v Speaker 1>tradition of the eye name on those kind of acts

0:10:05.960 --> 0:10:08.880
<v Speaker 1>like yes, but I think he may have started that.

0:10:09.360 --> 0:10:11.760
<v Speaker 1>Oh really, I'm not sure, but he was the blond

0:10:11.920 --> 0:10:14.880
<v Speaker 1>niece and right right, um, I think as far as

0:10:14.920 --> 0:10:18.440
<v Speaker 1>magic goes, he may have been the the originator of

0:10:18.480 --> 0:10:20.440
<v Speaker 1>that because I saw some of like one of his

0:10:20.480 --> 0:10:24.480
<v Speaker 1>other um uh contemporaries who who helped kind of train

0:10:24.600 --> 0:10:27.960
<v Speaker 1>him was last name Heller. There was a haller like

0:10:28.040 --> 0:10:32.080
<v Speaker 1>there was no other eyes that I saw interesting. Yeah, alright,

0:10:32.080 --> 0:10:35.040
<v Speaker 1>so he kicked off the big eye crazy that's still

0:10:35.080 --> 0:10:38.839
<v Speaker 1>going crazy today. It is the iPhone. Um. So he

0:10:39.320 --> 0:10:44.200
<v Speaker 1>I think his dad died in Uh. Harry is eighteen

0:10:44.280 --> 0:10:47.600
<v Speaker 1>at this point, and he does a very unusual thing

0:10:47.640 --> 0:10:51.000
<v Speaker 1>and that he actually leaves his mom behind along with

0:10:51.040 --> 0:10:52.800
<v Speaker 1>his brothers, which was a big deal for him, like

0:10:52.840 --> 0:10:55.520
<v Speaker 1>you said, because he was a self professed mama's boy.

0:10:55.640 --> 0:10:58.480
<v Speaker 1>And he took off on the road doing his act

0:10:58.640 --> 0:11:00.960
<v Speaker 1>kind of through New York, through the mid West. I

0:11:01.040 --> 0:11:03.080
<v Speaker 1>was doing okay, he was performing kind of all around.

0:11:03.160 --> 0:11:05.920
<v Speaker 1>It was a bit of a grind, uh with with

0:11:06.000 --> 0:11:10.560
<v Speaker 1>Hyman still sounds weird and not because of what you think. Uh.

0:11:10.600 --> 0:11:14.400
<v Speaker 1>And then eighteen ninety four, his younger brother replaced him

0:11:14.520 --> 0:11:17.680
<v Speaker 1>in just for a short while, because later that year

0:11:18.080 --> 0:11:21.319
<v Speaker 1>he would meet eighteen year old Brooklyn Knight to name

0:11:21.360 --> 0:11:25.960
<v Speaker 1>the villamina Beatrice Ronner or Bess, and she became his

0:11:26.320 --> 0:11:29.920
<v Speaker 1>magic partner. And you know, they called him assistants. She

0:11:29.960 --> 0:11:33.600
<v Speaker 1>would have been the one on stage, you know, looking

0:11:33.600 --> 0:11:37.679
<v Speaker 1>pretty and doing all the flourishes. And it's a tradition

0:11:37.720 --> 0:11:41.040
<v Speaker 1>and magic that I know, I don't want to use

0:11:41.080 --> 0:11:45.240
<v Speaker 1>word problematic, but it has changed in more recent years. Yeah,

0:11:45.320 --> 0:11:47.880
<v Speaker 1>but this is at the time when a magician's assistant

0:11:48.000 --> 0:11:52.200
<v Speaker 1>was a lady in a bathing suit. Yeah, basically, and

0:11:52.200 --> 0:11:54.080
<v Speaker 1>and Best was no exception to that, although if you

0:11:54.160 --> 0:11:57.640
<v Speaker 1>read some of the descriptions of some of the illusions

0:11:57.640 --> 0:12:00.240
<v Speaker 1>and tricks that they did together, she was just as

0:12:00.320 --> 0:12:03.560
<v Speaker 1>much a magician in her own right as he was. Um,

0:12:03.600 --> 0:12:05.960
<v Speaker 1>she definitely got her training from him. I think he

0:12:06.040 --> 0:12:10.320
<v Speaker 1>discovered her in a singing troupe. Um. But like like

0:12:10.440 --> 0:12:13.280
<v Speaker 1>she grew to be just as adapt at magic and

0:12:13.320 --> 0:12:16.320
<v Speaker 1>sleight of hand as her husband, which is pretty cool. Yeah.

0:12:16.360 --> 0:12:19.640
<v Speaker 1>It's interesting the things that have become boys clubs over

0:12:19.679 --> 0:12:23.040
<v Speaker 1>the years, and like magic is definitely one of them.

0:12:23.200 --> 0:12:25.400
<v Speaker 1>It's I mean that's changed a lot over the years,

0:12:25.400 --> 0:12:27.680
<v Speaker 1>but it always I mean, going to the Magic Castle

0:12:27.720 --> 0:12:30.000
<v Speaker 1>and you're in, you're mainly going to see male performers

0:12:30.640 --> 0:12:34.520
<v Speaker 1>and a bunch of old man dressed in suits. Uh,

0:12:34.720 --> 0:12:37.360
<v Speaker 1>it's just a fund It odd that it's something that

0:12:37.559 --> 0:12:40.280
<v Speaker 1>maybe just appeals to young boys. I don't know. My

0:12:40.320 --> 0:12:42.240
<v Speaker 1>sister wasn't into magic, and my brother and I were so,

0:12:42.679 --> 0:12:44.679
<v Speaker 1>but there's something too much of that is just like

0:12:44.760 --> 0:12:49.120
<v Speaker 1>the gender norms and expectations of society where it wasn't

0:12:49.160 --> 0:12:51.960
<v Speaker 1>like presented to your sister in a way that it's like, hey,

0:12:52.040 --> 0:12:55.160
<v Speaker 1>isn't this interesting? Like everything else. Yeah, there was a

0:12:55.280 --> 0:12:58.240
<v Speaker 1>documentary I saw. I'm sure I mentioned it before, um

0:12:58.520 --> 0:13:02.920
<v Speaker 1>years ago, about these like up and coming teenage magicians

0:13:02.960 --> 0:13:05.599
<v Speaker 1>who are all trying to make their way through competitions

0:13:05.640 --> 0:13:09.440
<v Speaker 1>to the Magic Castle to like a grand showcase, and

0:13:09.480 --> 0:13:12.400
<v Speaker 1>they follow these ones. There were there was at least

0:13:12.440 --> 0:13:15.320
<v Speaker 1>one girl that I remember, and she was good. Um,

0:13:15.360 --> 0:13:17.760
<v Speaker 1>but I mean she must have been thirteen fourteen at

0:13:17.760 --> 0:13:19.520
<v Speaker 1>the time and have been into it for years. So

0:13:19.840 --> 0:13:23.480
<v Speaker 1>clearly there's something you know that appeals to some girls too,

0:13:23.720 --> 0:13:27.520
<v Speaker 1>even if it's not directed towards them. He has a

0:13:27.520 --> 0:13:29.600
<v Speaker 1>great documentary. You gotta see it. And by the way,

0:13:29.880 --> 0:13:32.960
<v Speaker 1>since we're speaking of documentaries, you have of course seen

0:13:33.320 --> 0:13:36.760
<v Speaker 1>Love on the Spectrum, have you not? No, you recommended

0:13:36.800 --> 0:13:40.800
<v Speaker 1>that a few weeks ago. Just we'll just stop. I'm

0:13:40.800 --> 0:13:43.880
<v Speaker 1>gonna I'll give you about six hours. Okay, you just

0:13:43.920 --> 0:13:46.559
<v Speaker 1>go watch and we'll come back and finish recording. Okay,

0:13:46.760 --> 0:13:48.719
<v Speaker 1>all right, Well, then another three weeks you can bring

0:13:48.720 --> 0:13:51.240
<v Speaker 1>it up again. You you just have to see it. Okay,

0:13:51.640 --> 0:13:53.640
<v Speaker 1>I'll see it. It's like again, I'm giving you a

0:13:53.679 --> 0:13:57.840
<v Speaker 1>gift here. Oh did you make it? No? No, just

0:13:57.920 --> 0:14:00.000
<v Speaker 1>telling you about it as a gift as what I'm

0:14:00.040 --> 0:14:03.199
<v Speaker 1>and say. It's that sweet. Alright, well everyone watch Love

0:14:03.200 --> 0:14:05.079
<v Speaker 1>on the Spectrum and we're going to take a break

0:14:05.679 --> 0:14:08.720
<v Speaker 1>and we're going to talk about Houdini's eventual success right

0:14:08.760 --> 0:14:31.800
<v Speaker 1>after this. Alright, so we got Houdini, we got best together,

0:14:32.040 --> 0:14:34.640
<v Speaker 1>and now things can begin in earnest and they kind

0:14:34.640 --> 0:14:38.360
<v Speaker 1>of pick up together where what Houdini had started, which

0:14:38.440 --> 0:14:44.760
<v Speaker 1>was very small little venues, sometimes a side show UM,

0:14:45.120 --> 0:14:48.000
<v Speaker 1>sometimes a museum like a P. T. Barnum type museum.

0:14:48.000 --> 0:14:51.120
<v Speaker 1>If they were lucky, um, they were just kind of

0:14:51.200 --> 0:14:54.600
<v Speaker 1>there almost part of the woodwork or the furniture um

0:14:54.640 --> 0:14:57.600
<v Speaker 1>with other stuff going on. They weren't doing actual shows.

0:14:57.840 --> 0:14:59.520
<v Speaker 1>And if they were doing a show, it was a

0:14:59.640 --> 0:15:03.400
<v Speaker 1>small act in a larger circus. And it was a

0:15:03.680 --> 0:15:07.680
<v Speaker 1>grind from what I understand. Yeah, I mean travel back

0:15:07.680 --> 0:15:11.040
<v Speaker 1>then was not as still a grind, but it definitely

0:15:11.080 --> 0:15:14.680
<v Speaker 1>wasn't fun and they were on the road all the time.

0:15:14.920 --> 0:15:19.000
<v Speaker 1>And then finally in they met a man named Martin

0:15:19.080 --> 0:15:22.920
<v Speaker 1>Beck who was a big name and a big up

0:15:22.960 --> 0:15:26.120
<v Speaker 1>and comer in the vaudeville scene, which at the time,

0:15:26.200 --> 0:15:28.080
<v Speaker 1>I mean you think of vaudeville now is like these

0:15:28.480 --> 0:15:30.920
<v Speaker 1>kind of little shows, But at the time that was

0:15:31.000 --> 0:15:33.760
<v Speaker 1>kind of the peak of the touring world and the

0:15:33.840 --> 0:15:35.920
<v Speaker 1>live theater world. If you were doing vaudeville, that was

0:15:36.320 --> 0:15:39.080
<v Speaker 1>that was sort of top of the pops. And he

0:15:39.120 --> 0:15:42.720
<v Speaker 1>saw them perform in St. Paul, Minnesota and was really

0:15:42.800 --> 0:15:45.080
<v Speaker 1>knocked out. He did this one of his handcuff escapes.

0:15:45.640 --> 0:15:48.880
<v Speaker 1>And he also took these challenges. He was very famous

0:15:48.920 --> 0:15:50.720
<v Speaker 1>for people saying, hey, can you do this? Can you

0:15:50.760 --> 0:15:53.800
<v Speaker 1>get out of the ease? And uh it really you know.

0:15:53.960 --> 0:15:55.520
<v Speaker 1>He would do this in public and it would help

0:15:55.560 --> 0:15:58.960
<v Speaker 1>like promote his brand basically and get a lot of press.

0:15:59.080 --> 0:16:01.840
<v Speaker 1>And he was challenged with a pair of handcuffs from

0:16:01.920 --> 0:16:05.120
<v Speaker 1>Beck and he got out of those and Beck said, kid,

0:16:05.880 --> 0:16:09.520
<v Speaker 1>you got it being Omaha in March, and I'll pay

0:16:09.600 --> 0:16:14.360
<v Speaker 1>sixty bucks, which is about eighteen hundred dollars today. So

0:16:14.480 --> 0:16:18.200
<v Speaker 1>it was good money. And all of a sudden they

0:16:18.240 --> 0:16:21.080
<v Speaker 1>are killing it on the vaudeville circuit. Yeah, his his

0:16:21.280 --> 0:16:25.920
<v Speaker 1>um his cable to them said, I might proposition you

0:16:25.960 --> 0:16:28.160
<v Speaker 1>for all next season as well. So it was like

0:16:28.360 --> 0:16:30.280
<v Speaker 1>it was a big, big deal. It wasn't just that

0:16:30.320 --> 0:16:32.520
<v Speaker 1>one show. Was like, Okay, you've just made it to

0:16:32.600 --> 0:16:35.000
<v Speaker 1>the big time. And so all of a sudden they're

0:16:35.000 --> 0:16:38.520
<v Speaker 1>in with with Martin Beck, who basically is the king

0:16:38.600 --> 0:16:42.960
<v Speaker 1>of the Western Circuit of the Vaudeville of vaudeville, and

0:16:43.000 --> 0:16:46.320
<v Speaker 1>they're playing all over the place, making a lot more

0:16:46.320 --> 0:16:50.520
<v Speaker 1>money than they were before, playing fewer shows, um, putting

0:16:50.560 --> 0:16:55.000
<v Speaker 1>in fewer hours on stage, and getting compensated better for it.

0:16:55.040 --> 0:16:57.200
<v Speaker 1>They're like, all right, this is this is pretty great.

0:16:57.240 --> 0:16:59.880
<v Speaker 1>I can I can go with this? Yeah, And he

0:17:00.360 --> 0:17:01.720
<v Speaker 1>you know, I mentioned that when he would go to

0:17:01.760 --> 0:17:05.439
<v Speaker 1>these towns, he would do these challenges and stunts for

0:17:05.480 --> 0:17:07.920
<v Speaker 1>the public and the press. And one of the things

0:17:07.920 --> 0:17:09.520
<v Speaker 1>he did that would later come back to buy him

0:17:09.520 --> 0:17:11.840
<v Speaker 1>a little bit was he would always like the cops

0:17:11.840 --> 0:17:14.400
<v Speaker 1>would come out and he would you know, he would

0:17:14.400 --> 0:17:16.000
<v Speaker 1>have the cops lock them up and put him in

0:17:16.040 --> 0:17:19.480
<v Speaker 1>handcuffs and do all this stuff, which was great press

0:17:19.520 --> 0:17:22.600
<v Speaker 1>of course, but um, as we'll see later on in Germany,

0:17:22.640 --> 0:17:24.320
<v Speaker 1>that didn't go over so well with the cops. But

0:17:24.800 --> 0:17:27.720
<v Speaker 1>he he was known because of this is uh, the

0:17:27.800 --> 0:17:32.680
<v Speaker 1>king of handcuffs and also the celebrated police battler. Yeah,

0:17:32.760 --> 0:17:34.560
<v Speaker 1>I mean, and and not only did it kind of

0:17:34.640 --> 0:17:37.480
<v Speaker 1>drum up like attention in a new town where they

0:17:37.480 --> 0:17:39.040
<v Speaker 1>may not have heard of him. This guy shows up

0:17:39.040 --> 0:17:41.399
<v Speaker 1>to a police station, says, put me in jail, and

0:17:41.400 --> 0:17:45.720
<v Speaker 1>then gets out like in five minutes or something like that. Um.

0:17:45.760 --> 0:17:48.800
<v Speaker 1>But also the cops end up talking to the press

0:17:48.800 --> 0:17:50.480
<v Speaker 1>and they say, we have no idea how he did it.

0:17:50.560 --> 0:17:54.159
<v Speaker 1>So now you have an official endorsement that you just

0:17:54.240 --> 0:17:57.359
<v Speaker 1>got for free out of like the cops and the

0:17:57.440 --> 0:18:00.280
<v Speaker 1>local police, you know. So it was like it was

0:18:00.320 --> 0:18:02.000
<v Speaker 1>a very smart thing to do. And he would do

0:18:02.040 --> 0:18:03.640
<v Speaker 1>that from town to town to like you said, drum

0:18:03.800 --> 0:18:07.120
<v Speaker 1>up publicity and also to sell tickets. Like this would

0:18:07.119 --> 0:18:09.439
<v Speaker 1>be a way that his shows would go from you know,

0:18:09.720 --> 0:18:12.880
<v Speaker 1>moving ho home and then to sell out with one

0:18:12.920 --> 0:18:15.159
<v Speaker 1>of his publicity stunts. So he was really good at

0:18:15.200 --> 0:18:18.400
<v Speaker 1>that kind of thing, alright. So he's making all this dough.

0:18:18.720 --> 0:18:21.639
<v Speaker 1>He tries to get a tour together with Beck to

0:18:21.680 --> 0:18:24.560
<v Speaker 1>go to Europe because if you know, if you really

0:18:24.920 --> 0:18:26.639
<v Speaker 1>back then it wasn't if you can make it in

0:18:26.640 --> 0:18:28.320
<v Speaker 1>New York, you can make it. Make it anywhere. It

0:18:28.359 --> 0:18:30.160
<v Speaker 1>was if you could make it in Europe, you could

0:18:30.200 --> 0:18:33.119
<v Speaker 1>make it anywhere. And Beck was sort of, um, not

0:18:33.240 --> 0:18:35.239
<v Speaker 1>too high on that idea. So I think they had

0:18:35.240 --> 0:18:39.280
<v Speaker 1>a falling out, and Houdini put him, uh, put a

0:18:39.320 --> 0:18:42.320
<v Speaker 1>tour together for he invests for themselves to go kind

0:18:42.320 --> 0:18:45.000
<v Speaker 1>of run their own show, and they did. They went

0:18:45.040 --> 0:18:48.680
<v Speaker 1>to Europe and were equally as successful all over Europe

0:18:48.800 --> 0:18:53.440
<v Speaker 1>and the UK performing this you know, these feats of escape. Yeah,

0:18:53.480 --> 0:18:56.840
<v Speaker 1>and Russia too. He basically did a world tour over

0:18:56.880 --> 0:19:00.040
<v Speaker 1>the course of five years. He invested they just like

0:19:00.520 --> 0:19:02.560
<v Speaker 1>they still listen to it. We're gonna we're gonna try

0:19:02.560 --> 0:19:05.520
<v Speaker 1>to really kind of make this to the next level.

0:19:05.960 --> 0:19:08.520
<v Speaker 1>And he he took the same kind of um like

0:19:08.600 --> 0:19:11.640
<v Speaker 1>publicity chasing stuff from town to town that he did

0:19:11.680 --> 0:19:13.920
<v Speaker 1>in the US that served him so well. He did

0:19:13.960 --> 0:19:17.879
<v Speaker 1>the same thing in Europe too, and um he uh

0:19:18.119 --> 0:19:21.600
<v Speaker 1>he in bests like really kind of up the act

0:19:22.160 --> 0:19:24.840
<v Speaker 1>around that time, like they started coming with more and

0:19:24.880 --> 0:19:30.800
<v Speaker 1>more like grander illusions and tricks and stagecraft, and um,

0:19:30.960 --> 0:19:33.359
<v Speaker 1>the the European thing was a huge success in it

0:19:33.480 --> 0:19:36.320
<v Speaker 1>That's what catapulted him into like superstar and he became

0:19:36.359 --> 0:19:40.520
<v Speaker 1>an international star thanks to that, that five year tour. Yeah,

0:19:40.560 --> 0:19:43.200
<v Speaker 1>and that was in Germany. How I mentioned earlier, the

0:19:43.200 --> 0:19:46.439
<v Speaker 1>police there, I don't think liked the fact. You know,

0:19:46.480 --> 0:19:48.880
<v Speaker 1>the German police aren't known for their senses of humor,

0:19:49.520 --> 0:19:51.480
<v Speaker 1>and I don't think they thought it was super cool

0:19:51.520 --> 0:19:53.880
<v Speaker 1>that he would go over there and sort of uh,

0:19:54.359 --> 0:19:55.919
<v Speaker 1>not making fool of them, but I think they may

0:19:55.960 --> 0:19:57.760
<v Speaker 1>have some of them may have taken it that way.

0:19:58.320 --> 0:20:03.119
<v Speaker 1>So they police officer in Cologne, Germany accused him of

0:20:03.119 --> 0:20:08.480
<v Speaker 1>fraud at one point Houdini fired back that that is slander. Uh.

0:20:08.520 --> 0:20:10.879
<v Speaker 1>And then I think he had to go to court

0:20:11.320 --> 0:20:14.080
<v Speaker 1>and expose some of his tricks, which he wasn't too

0:20:14.080 --> 0:20:16.520
<v Speaker 1>wild about, but he had in order to get out

0:20:16.560 --> 0:20:18.399
<v Speaker 1>of it. He had to kind of expose how he

0:20:18.480 --> 0:20:20.679
<v Speaker 1>did some of these tricks. But it did work and

0:20:20.720 --> 0:20:22.119
<v Speaker 1>he did get out of it. Yeah, and now he

0:20:22.119 --> 0:20:25.000
<v Speaker 1>had an official court endorsement that he was no fraud,

0:20:25.040 --> 0:20:28.960
<v Speaker 1>he was an actual true magician. So and it was

0:20:29.000 --> 0:20:30.919
<v Speaker 1>a big deal too because Germany at the time was

0:20:31.000 --> 0:20:34.520
<v Speaker 1>under the Kaiser who ruled it with an authoritarian state,

0:20:34.640 --> 0:20:38.240
<v Speaker 1>or ruled an authoritarian state, and um to take on

0:20:38.359 --> 0:20:41.679
<v Speaker 1>Germany and then prevail like it took. It took khutzpah,

0:20:42.200 --> 0:20:45.480
<v Speaker 1>as his dad might have said, you know so. Um.

0:20:45.560 --> 0:20:48.800
<v Speaker 1>After that, they kind of go back to America. I

0:20:48.800 --> 0:20:51.280
<v Speaker 1>think in nineteen o five, after five years of touring

0:20:51.280 --> 0:20:54.720
<v Speaker 1>Europe a lot of money, yeah, a lot of money,

0:20:54.760 --> 0:20:57.800
<v Speaker 1>a lot more stardom. Um. This could have been a

0:20:57.840 --> 0:21:00.960
<v Speaker 1>really like easy time for he Best to just settle

0:21:01.040 --> 0:21:03.560
<v Speaker 1>down and say, you know what, we we've made it.

0:21:03.600 --> 0:21:07.400
<v Speaker 1>We're rich, we're good, we can retire forever. Um, let's

0:21:07.440 --> 0:21:11.160
<v Speaker 1>just live the good life. And they made some attempts

0:21:11.160 --> 0:21:13.200
<v Speaker 1>to that. I think Best really was ready to settle down,

0:21:13.200 --> 0:21:17.479
<v Speaker 1>and I think Houdini was like saying he would. So

0:21:17.520 --> 0:21:19.879
<v Speaker 1>they bought a brownstone at Harlem. There was a farm

0:21:19.880 --> 0:21:23.440
<v Speaker 1>in Connecticut they bought. Mom moved in with them, and

0:21:23.720 --> 0:21:27.080
<v Speaker 1>he was making the gestures of settling down, and then

0:21:27.080 --> 0:21:28.960
<v Speaker 1>he said, you know what, I've gotta I've gotta get

0:21:28.960 --> 0:21:32.760
<v Speaker 1>back out there. I'm getting stale. Yeah. I mean, I

0:21:32.760 --> 0:21:34.960
<v Speaker 1>think one of my big takeaways from reading about his

0:21:35.000 --> 0:21:36.720
<v Speaker 1>life it was that. And we'll get into some of

0:21:36.800 --> 0:21:39.879
<v Speaker 1>his inventions later, but he was really an innovator and

0:21:39.920 --> 0:21:44.560
<v Speaker 1>he was never content to um to just sort of

0:21:44.600 --> 0:21:46.320
<v Speaker 1>sit back and do the same old tricks. I think

0:21:46.320 --> 0:21:49.600
<v Speaker 1>he always wanted to invent new stuff, new gadgets and

0:21:49.600 --> 0:21:52.320
<v Speaker 1>new tricks to do for people. And I think it

0:21:52.359 --> 0:21:55.760
<v Speaker 1>was in nineteen o eight, uh that he had his

0:21:56.240 --> 0:21:58.720
<v Speaker 1>he developed his milk can escape, one of his more

0:21:58.760 --> 0:22:02.119
<v Speaker 1>famous uh because this is you know, he did a

0:22:02.119 --> 0:22:03.880
<v Speaker 1>couple of things where basically he was like, I might

0:22:04.040 --> 0:22:06.240
<v Speaker 1>die if this doesn't work, And those were always the

0:22:06.240 --> 0:22:08.800
<v Speaker 1>biggest tricks. Yeah, And like in that one, it was

0:22:08.840 --> 0:22:11.359
<v Speaker 1>a milk canon overside milk can, which is like a

0:22:11.359 --> 0:22:14.040
<v Speaker 1>giant metal can that a human could conceivably fit into

0:22:14.040 --> 0:22:17.440
<v Speaker 1>if they were very small and five ft five um

0:22:17.480 --> 0:22:19.200
<v Speaker 1>and it was filled with water, and he would get

0:22:19.200 --> 0:22:21.760
<v Speaker 1>in there and they would padlock the top and put

0:22:21.760 --> 0:22:23.960
<v Speaker 1>a curtain behind, put it behind the curtain, and then

0:22:24.280 --> 0:22:26.600
<v Speaker 1>you know, two minutes later he would ask, he would

0:22:26.600 --> 0:22:28.960
<v Speaker 1>tell the audience like try to hold your breath along

0:22:29.000 --> 0:22:31.840
<v Speaker 1>with me, and which just really raised the tension of

0:22:31.880 --> 0:22:34.720
<v Speaker 1>the in the theater um. And then like two minutes

0:22:34.760 --> 0:22:36.760
<v Speaker 1>later he would like come up from around the curtain

0:22:36.840 --> 0:22:39.880
<v Speaker 1>like soaking wet and like out of breath, but triumphant,

0:22:39.960 --> 0:22:43.280
<v Speaker 1>and everybody would just go nuts. Um. And then that

0:22:43.359 --> 0:22:46.240
<v Speaker 1>milk can. I don't know if it was his originally

0:22:46.320 --> 0:22:49.640
<v Speaker 1>or if he like innovated it from somebody else, But

0:22:49.880 --> 0:22:52.199
<v Speaker 1>he found out later that there were imitators doing the

0:22:52.240 --> 0:22:54.919
<v Speaker 1>same thing, and he hated that kind of stuff. He

0:22:55.040 --> 0:22:58.400
<v Speaker 1>hated imitators, He hated people like using his work, whether

0:22:58.440 --> 0:23:00.359
<v Speaker 1>they credited him or not. He just did not like

0:23:00.440 --> 0:23:02.880
<v Speaker 1>that kind of thing. But then that would push him

0:23:02.920 --> 0:23:05.840
<v Speaker 1>to innovate further. So he just abandoned the milk can altogether,

0:23:05.880 --> 0:23:08.520
<v Speaker 1>which had brought him so much success, and moved on

0:23:08.680 --> 0:23:14.320
<v Speaker 1>to like increasingly more dangerous things. Um. His greatest invention

0:23:14.440 --> 0:23:17.720
<v Speaker 1>was the Chinese water torture cell, which is kind of

0:23:17.760 --> 0:23:20.280
<v Speaker 1>similar to the milk can, but just even more nuts

0:23:20.280 --> 0:23:24.840
<v Speaker 1>and even more dangerous. Yeah, that's easily his most famous trick.

0:23:24.920 --> 0:23:27.680
<v Speaker 1>That's the one that you always see if you look

0:23:27.720 --> 0:23:31.120
<v Speaker 1>up Houdini's greatest tricks. It's it's like you said, it's

0:23:31.119 --> 0:23:33.520
<v Speaker 1>the same thing, but it's a clear tank of water.

0:23:34.280 --> 0:23:38.080
<v Speaker 1>And he is lowered from his ankles, um, I think,

0:23:38.119 --> 0:23:42.840
<v Speaker 1>sometimes cuffed, sometimes in a straight jacket, and uh, you know,

0:23:42.920 --> 0:23:44.520
<v Speaker 1>you can see him, and of course then they raised

0:23:44.520 --> 0:23:47.000
<v Speaker 1>the curtains so you can't see what's going on. Are

0:23:47.000 --> 0:23:48.600
<v Speaker 1>we gonna tell people how they how he does some

0:23:48.680 --> 0:23:50.480
<v Speaker 1>of this stuff? I'll tell you what. Since there's so

0:23:50.560 --> 0:23:53.000
<v Speaker 1>much to say about him anyway, we probably don't have time.

0:23:53.040 --> 0:23:57.080
<v Speaker 1>But there's a really great Gizmoto article It says like, um,

0:23:57.160 --> 0:24:01.560
<v Speaker 1>the secrets behind Houdini's ten Greatest Tricks. That really does

0:24:01.600 --> 0:24:04.919
<v Speaker 1>a great job of explaining it. I am. Oh, yeah,

0:24:05.000 --> 0:24:07.840
<v Speaker 1>I mean, let's just say this. Judini was very good

0:24:07.920 --> 0:24:10.520
<v Speaker 1>at things like getting out of handcuffs. He was a

0:24:10.520 --> 0:24:13.480
<v Speaker 1>master of like locks and lock picking. So he did

0:24:13.560 --> 0:24:15.760
<v Speaker 1>learn like tons and tons of skills. It's not to

0:24:15.760 --> 0:24:18.240
<v Speaker 1>say that if a magician has a trick and you

0:24:18.320 --> 0:24:20.760
<v Speaker 1>learn how to do it that they're not skilled. But

0:24:21.320 --> 0:24:23.600
<v Speaker 1>when it comes to some you know, these contraptions, they're

0:24:23.640 --> 0:24:26.480
<v Speaker 1>they're rigged. Of course it's not real magic. He didn't

0:24:26.480 --> 0:24:29.879
<v Speaker 1>purport to be doing real magic. Uh. He just wanted

0:24:29.920 --> 0:24:31.840
<v Speaker 1>to be a performer in de light audiences and he

0:24:31.880 --> 0:24:34.920
<v Speaker 1>did that. Yeah, sometimes the answer is really simple, like oh,

0:24:34.960 --> 0:24:39.120
<v Speaker 1>there's hinges or it's not really yeah exactly, like there's

0:24:39.119 --> 0:24:41.640
<v Speaker 1>a there. Like when you find these explanations, you're like, oh,

0:24:41.720 --> 0:24:44.840
<v Speaker 1>that's that's still pretty interesting that he was able to

0:24:44.880 --> 0:24:46.720
<v Speaker 1>do this, and and a lot of times like he would,

0:24:47.240 --> 0:24:50.600
<v Speaker 1>he would take longer purposefully than he needed to. He

0:24:50.600 --> 0:24:52.680
<v Speaker 1>could get out of these things in a matter of seconds,

0:24:52.720 --> 0:24:56.040
<v Speaker 1>but he might say, like take two minutes to appear, um,

0:24:56.119 --> 0:24:58.879
<v Speaker 1>just to keep the tension ratcheted up, make it that

0:24:59.000 --> 0:25:02.679
<v Speaker 1>much more amazing. But he also like some of the

0:25:02.760 --> 0:25:05.240
<v Speaker 1>slight of hand that he and Best would do. Um.

0:25:05.280 --> 0:25:07.760
<v Speaker 1>I read that his handcuff tricks. He was the guy

0:25:07.760 --> 0:25:12.080
<v Speaker 1>who started handcuff tricks um, like escaping from handcuffs. Um.

0:25:12.200 --> 0:25:14.880
<v Speaker 1>And when somebody came up and said, like, I had

0:25:14.920 --> 0:25:17.840
<v Speaker 1>these cuffs specially made for you, and I want to

0:25:17.840 --> 0:25:20.280
<v Speaker 1>see if you can get out of them, like he would,

0:25:20.400 --> 0:25:23.520
<v Speaker 1>he would ask to examine them, asked to examine the key,

0:25:23.600 --> 0:25:25.959
<v Speaker 1>and Best would just kind of be standing there looking too,

0:25:26.040 --> 0:25:28.479
<v Speaker 1>and she'd she'd make note of what the key looked like,

0:25:28.720 --> 0:25:32.200
<v Speaker 1>and then she'd slip away without anybody noticing, backstage to

0:25:32.359 --> 0:25:36.479
<v Speaker 1>their huge giant ring oh keys, find a key that

0:25:36.520 --> 0:25:39.960
<v Speaker 1>looks similar, and then like give Harry a kiss or

0:25:40.000 --> 0:25:42.679
<v Speaker 1>like like something like that, and they would exchange keys,

0:25:42.960 --> 0:25:45.399
<v Speaker 1>and then he would hand their key back to the

0:25:45.480 --> 0:25:48.640
<v Speaker 1>person and palm the key that they had been letting

0:25:48.720 --> 0:25:51.040
<v Speaker 1>him inspect and then managed to swap it out again

0:25:51.119 --> 0:25:53.080
<v Speaker 1>later on. So like the sleight of hand, and like

0:25:53.119 --> 0:25:56.479
<v Speaker 1>the trickery that was involved in and of itself, is

0:25:56.480 --> 0:25:59.840
<v Speaker 1>is masterful. Like I don't like if you if you

0:26:00.040 --> 0:26:02.760
<v Speaker 1>take actual magic out of the equation, I don't see

0:26:02.800 --> 0:26:05.439
<v Speaker 1>how this could be any less impressive, you know what

0:26:05.440 --> 0:26:09.560
<v Speaker 1>I mean? Yeah, I mean every time I've seen and

0:26:09.600 --> 0:26:11.760
<v Speaker 1>I haven't been to many magic shows, but like at

0:26:11.760 --> 0:26:14.520
<v Speaker 1>the Magic Castle, you want to be entertained and you

0:26:14.560 --> 0:26:17.399
<v Speaker 1>want someone to perform a good trick, no one in

0:26:17.400 --> 0:26:20.080
<v Speaker 1>the audience, I mean, you want the audience leaving going, boy,

0:26:20.080 --> 0:26:23.160
<v Speaker 1>how did they do that? Not? Was it was that real?

0:26:23.440 --> 0:26:28.159
<v Speaker 1>Were they conjuring the dark magic? Right? I enjoyed the

0:26:28.720 --> 0:26:30.439
<v Speaker 1>you know, the Magic Castle. I know I told this

0:26:30.440 --> 0:26:31.760
<v Speaker 1>on movie Crush. I don't know if I ever talked

0:26:31.760 --> 0:26:34.919
<v Speaker 1>about it here, But they have all these small parlor rooms, uh,

0:26:34.960 --> 0:26:36.920
<v Speaker 1>in addition to the big main room where the big

0:26:36.920 --> 0:26:45.560
<v Speaker 1>show is exactly, But the little parlor rooms what is

0:26:45.720 --> 0:26:48.320
<v Speaker 1>really what I enjoyed. They were very small, like not

0:26:48.440 --> 0:26:50.400
<v Speaker 1>many people in there, and that was just like good

0:26:50.800 --> 0:26:53.280
<v Speaker 1>old fashioned card tricks and stuff like that, where you're

0:26:53.320 --> 0:26:56.639
<v Speaker 1>just so well practiced, and those were just always the

0:26:56.640 --> 0:26:58.840
<v Speaker 1>most fun for me. The big shows. I could take

0:26:58.840 --> 0:27:00.520
<v Speaker 1>it early bit. Well, you would have liked who Deni's

0:27:00.560 --> 0:27:02.639
<v Speaker 1>early work because that's pretty much what it consisted of,

0:27:02.800 --> 0:27:05.760
<v Speaker 1>close up magic and card tricks. Yeah, it's like David Blaine.

0:27:05.800 --> 0:27:08.479
<v Speaker 1>I love all those early specials. But then when he

0:27:08.520 --> 0:27:10.399
<v Speaker 1>was like, let me go stand on this thing for

0:27:10.640 --> 0:27:15.159
<v Speaker 1>three years, and I didn't really care as much. You know,

0:27:15.320 --> 0:27:19.720
<v Speaker 1>he didn't like his three year standing phase. So, um

0:27:19.760 --> 0:27:21.440
<v Speaker 1>so he stood on a thing, right, Yeah, he stood

0:27:21.440 --> 0:27:23.320
<v Speaker 1>on a big tall thing. He did. I think he

0:27:23.400 --> 0:27:25.600
<v Speaker 1>was also frozen in a block of ice too. Maybe

0:27:26.160 --> 0:27:30.920
<v Speaker 1>sure it was the thing. Um So, so who did?

0:27:30.960 --> 0:27:33.199
<v Speaker 1>He's got like this whole he just keeps innovating and

0:27:33.240 --> 0:27:36.320
<v Speaker 1>innovating and like just wowing the public more and more

0:27:36.320 --> 0:27:40.439
<v Speaker 1>and he keeps going. Um but there's there's also like

0:27:40.520 --> 0:27:42.679
<v Speaker 1>these other things happening at the same time. Like the

0:27:42.720 --> 0:27:45.600
<v Speaker 1>earliest early twentieth century was like a really innovative time

0:27:45.640 --> 0:27:47.119
<v Speaker 1>if you think about it. One of the things that

0:27:47.160 --> 0:27:49.879
<v Speaker 1>came out of it was the beginning of movies, and

0:27:49.920 --> 0:27:51.480
<v Speaker 1>so who didn't He was like the kind of person

0:27:51.520 --> 0:27:54.359
<v Speaker 1>who was like, yes, I can use that to do magic.

0:27:54.359 --> 0:27:57.080
<v Speaker 1>All I have to do is perform one trick. Once

0:27:57.359 --> 0:27:59.560
<v Speaker 1>capturing on film, we can just show everybody in the film.

0:27:59.560 --> 0:28:01.879
<v Speaker 1>It's gonna be great because I'm like forty three now

0:28:02.160 --> 0:28:04.840
<v Speaker 1>and I'm I'm really starting to feel it, you know,

0:28:04.960 --> 0:28:08.040
<v Speaker 1>hanging upside down in a straight jacket from a crane

0:28:08.480 --> 0:28:11.840
<v Speaker 1>six stories up or underwater in a tank like that,

0:28:12.000 --> 0:28:14.440
<v Speaker 1>that wears on a person having to do at night

0:28:14.520 --> 0:28:17.600
<v Speaker 1>after night after night after night. Right, So he has

0:28:18.520 --> 0:28:21.520
<v Speaker 1>people exactly, So he was really well sometimes thousands, Like

0:28:21.600 --> 0:28:23.760
<v Speaker 1>he could draw a crowd, you know, at the height

0:28:23.800 --> 0:28:27.320
<v Speaker 1>of his stardom for sure. Um, but he like he

0:28:27.359 --> 0:28:30.080
<v Speaker 1>was very much drawn to film for that reason. One

0:28:30.119 --> 0:28:32.080
<v Speaker 1>of the big problems was is he was like zero

0:28:32.160 --> 0:28:36.520
<v Speaker 1>good at acting from whatever by all accounts, Yeah, he

0:28:36.680 --> 0:28:40.080
<v Speaker 1>was like me, zero good at acting. I've seen you act.

0:28:40.160 --> 0:28:42.440
<v Speaker 1>You took that beasting. I thought you actually got stung

0:28:42.480 --> 0:28:45.800
<v Speaker 1>by a b I was that was one good. I

0:28:45.880 --> 0:28:49.240
<v Speaker 1>wasn't zero good, Okay, if we're on a scale of

0:28:49.240 --> 0:28:52.000
<v Speaker 1>one to I was one. But man, it was better

0:28:52.000 --> 0:28:54.960
<v Speaker 1>than Houdini. Uh. But it was the beginning of movies,

0:28:55.000 --> 0:28:56.640
<v Speaker 1>and people would go see anything that you put up

0:28:56.680 --> 0:28:59.640
<v Speaker 1>on the silver screen. So he was a big star.

0:28:59.760 --> 0:29:03.040
<v Speaker 1>He was like one of Hollywood's big first action heroes,

0:29:03.800 --> 0:29:06.480
<v Speaker 1>and he, like everything he did, went at at full

0:29:06.480 --> 0:29:08.200
<v Speaker 1>bore and said, all right, here's what i'm gonna do.

0:29:08.440 --> 0:29:11.360
<v Speaker 1>I'm gonna start a production company and all these other

0:29:11.960 --> 0:29:15.080
<v Speaker 1>movie ventures, and none of those were super successful, but

0:29:15.160 --> 0:29:18.000
<v Speaker 1>he did have a brief stint as kind of the

0:29:18.000 --> 0:29:21.400
<v Speaker 1>big action guy of the day. Um, and these are

0:29:21.440 --> 0:29:24.920
<v Speaker 1>things that like, I think most people Judini aficionados of

0:29:24.920 --> 0:29:27.160
<v Speaker 1>course know all this stuff, but if you just know

0:29:27.400 --> 0:29:29.920
<v Speaker 1>Judini is a magician, you may not know that he

0:29:29.960 --> 0:29:33.160
<v Speaker 1>was a movie star or that he was a pretty

0:29:33.800 --> 0:29:37.880
<v Speaker 1>um advanced inventor. Because he's coming up with all of

0:29:37.920 --> 0:29:41.800
<v Speaker 1>these contraptions and machines himself to do these tricks. And

0:29:41.840 --> 0:29:45.200
<v Speaker 1>so he realized early on part of the problem with

0:29:45.240 --> 0:29:49.280
<v Speaker 1>that was if you want to safeguard something, you would

0:29:49.280 --> 0:29:51.480
<v Speaker 1>file a patent, But in order to file a patent,

0:29:51.520 --> 0:29:54.400
<v Speaker 1>you have to explicitly show how the thing works. So

0:29:54.440 --> 0:29:57.040
<v Speaker 1>he was caught in a between a rock and a

0:29:57.040 --> 0:30:00.320
<v Speaker 1>hard place magician wise, because he hated being ripped off,

0:30:00.640 --> 0:30:02.280
<v Speaker 1>but he didn't want to reveal these tricks to get

0:30:02.280 --> 0:30:05.120
<v Speaker 1>a patent on these machines. A lot of them. If

0:30:05.120 --> 0:30:07.160
<v Speaker 1>you look through his list of patents that he got

0:30:07.560 --> 0:30:09.720
<v Speaker 1>a lot of them he never even ended up using

0:30:10.200 --> 0:30:13.840
<v Speaker 1>or were abandoned kind of midway through the process of

0:30:13.960 --> 0:30:17.920
<v Speaker 1>getting them patented. Um. But he found a loophole in

0:30:18.040 --> 0:30:22.160
<v Speaker 1>performing these things on stage and getting them a copy

0:30:22.200 --> 0:30:25.640
<v Speaker 1>written as a live act. Right, So with a patent

0:30:25.720 --> 0:30:28.600
<v Speaker 1>you had to explain technically how the whole thing worked,

0:30:29.040 --> 0:30:32.640
<v Speaker 1>not the case with the copyright. Now, you just you

0:30:32.720 --> 0:30:36.480
<v Speaker 1>do a play and you copyright it and you're you're

0:30:36.520 --> 0:30:38.360
<v Speaker 1>you're good to go. And that's essentially what he did

0:30:38.480 --> 0:30:41.880
<v Speaker 1>with the Chinese water torture cell. He did a performance

0:30:41.880 --> 0:30:44.320
<v Speaker 1>in front of legendarily, I don't know if it's true

0:30:44.360 --> 0:30:46.480
<v Speaker 1>or not, but it's a pretty good story in front

0:30:46.480 --> 0:30:49.760
<v Speaker 1>of one single person on live on stage as a

0:30:49.800 --> 0:30:52.760
<v Speaker 1>one act play, and that enabled him to copyright it

0:30:52.840 --> 0:30:58.160
<v Speaker 1>in England. Yeah. I think he also copyrighted maybe the Metamorphosis,

0:30:58.920 --> 0:31:03.600
<v Speaker 1>um yeah, which was yeah, which he would just write

0:31:03.640 --> 0:31:05.840
<v Speaker 1>a play and then in the play this trick would

0:31:05.880 --> 0:31:08.200
<v Speaker 1>happen to describe the trick, but he didn't describe how

0:31:08.200 --> 0:31:10.120
<v Speaker 1>the trick to work. He just described, say, from like

0:31:10.160 --> 0:31:13.800
<v Speaker 1>the audience's vantage point, and then bam. It was copy written,

0:31:13.800 --> 0:31:16.719
<v Speaker 1>and anybody who tried that same trick would be infringing

0:31:16.760 --> 0:31:20.320
<v Speaker 1>on his copyright. Pretty smart. I think we gotta say

0:31:20.320 --> 0:31:22.840
<v Speaker 1>talk about that metamorphosis for a second though. It's worth saying.

0:31:22.840 --> 0:31:25.800
<v Speaker 1>So it was it turned himself into a butterfly. It was,

0:31:26.040 --> 0:31:30.440
<v Speaker 1>you know, he turned himself into Franz Kafka. That's a

0:31:30.560 --> 0:31:34.680
<v Speaker 1>very literary joke. UM. So he Best would be standing there,

0:31:35.200 --> 0:31:38.400
<v Speaker 1>Um helping him get into a sack, would pull the

0:31:38.480 --> 0:31:40.720
<v Speaker 1>drawstring at the top of the sack. He would get

0:31:40.760 --> 0:31:46.120
<v Speaker 1>into a box. The box would be chain trust padlocked, um,

0:31:46.200 --> 0:31:50.320
<v Speaker 1>and then Best would put a screen up, clap three times,

0:31:50.800 --> 0:31:54.240
<v Speaker 1>and then on the third clap, the screen would come

0:31:54.280 --> 0:31:57.080
<v Speaker 1>down and it would be Houdini standing there. He would

0:31:57.160 --> 0:32:01.040
<v Speaker 1>unlock the box and open up the the giant mail

0:32:01.080 --> 0:32:03.680
<v Speaker 1>bag and there was Best popped out. And we're talking

0:32:03.720 --> 0:32:06.440
<v Speaker 1>in a matter of seconds, a matter of seconds, this

0:32:06.480 --> 0:32:09.040
<v Speaker 1>thing happened, and that was the metamorphosis. And that was

0:32:09.080 --> 0:32:12.080
<v Speaker 1>a really good example of how good bestcot because apparently

0:32:12.160 --> 0:32:14.960
<v Speaker 1>they could trade places in reality with this trick. And

0:32:15.000 --> 0:32:18.480
<v Speaker 1>you can find out how it worked at his Moto article. Um.

0:32:18.520 --> 0:32:20.520
<v Speaker 1>But they had it down to where she could change

0:32:20.520 --> 0:32:24.400
<v Speaker 1>places with him in three seconds. You're doing Gizmoto a

0:32:24.480 --> 0:32:27.440
<v Speaker 1>big service here. Well, Gizmoto did the world a big

0:32:27.480 --> 0:32:29.840
<v Speaker 1>service by writing that article. So I'm just I'm just

0:32:29.880 --> 0:32:34.680
<v Speaker 1>paying it forward backward. I guess let's before we break,

0:32:34.760 --> 0:32:37.320
<v Speaker 1>let's talk a little bit about his aviation career. Can

0:32:37.320 --> 0:32:42.280
<v Speaker 1>we do that, because if you're thinking aviator Harry Judini,

0:32:43.080 --> 0:32:46.560
<v Speaker 1>the answer is yes. Because he was such a driven man.

0:32:47.200 --> 0:32:50.760
<v Speaker 1>He would uh in performer. The Wright brothers had proved

0:32:50.760 --> 0:32:52.320
<v Speaker 1>that you could fly, so he was like, I need

0:32:52.360 --> 0:32:54.880
<v Speaker 1>to get in on that, because what's better to draw

0:32:54.880 --> 0:32:57.720
<v Speaker 1>a crowd out in public than to do something like flying.

0:32:58.560 --> 0:33:02.080
<v Speaker 1>So he bought a by plane for about five grand

0:33:02.120 --> 0:33:04.800
<v Speaker 1>in Europe, which is a lot of money back then,

0:33:05.400 --> 0:33:08.080
<v Speaker 1>still a lot of money, but you know it's even

0:33:08.080 --> 0:33:13.360
<v Speaker 1>more because it's modern times, because of inflation. Uh. And

0:33:13.440 --> 0:33:17.560
<v Speaker 1>he took it to Australia, supposedly took out the first

0:33:17.640 --> 0:33:20.960
<v Speaker 1>life insurance policy for an airplane accident in the history

0:33:21.000 --> 0:33:24.840
<v Speaker 1>of the world, and uh toward Australia and was the

0:33:24.920 --> 0:33:29.160
<v Speaker 1>very first person to fly an airplane on Australian soil. Yeah,

0:33:29.520 --> 0:33:32.200
<v Speaker 1>that's pretty historic if you think about it. And that

0:33:32.320 --> 0:33:34.400
<v Speaker 1>was like another good example of there was this new

0:33:34.480 --> 0:33:36.800
<v Speaker 1>innovative thing going on and he wanted in on it,

0:33:36.880 --> 0:33:39.080
<v Speaker 1>so he went and did it and then on until

0:33:39.120 --> 0:33:40.720
<v Speaker 1>he didn't want to do it right once it became

0:33:40.800 --> 0:33:42.880
<v Speaker 1>kind of common place, he's like, oh, I'm done flying.

0:33:43.480 --> 0:33:47.720
<v Speaker 1>Yeah that was Houdini. Alright, So we'll take our last

0:33:47.760 --> 0:33:50.640
<v Speaker 1>break here and we'll come back and talk about his

0:33:50.760 --> 0:34:15.359
<v Speaker 1>battle with his spiritualists and his odd demise right after this. Okay, Chuck,

0:34:15.400 --> 0:34:18.640
<v Speaker 1>you promised a battle with the spiritualists, and I want

0:34:18.640 --> 0:34:20.319
<v Speaker 1>to hear about it. Even though I think we kind

0:34:20.320 --> 0:34:24.000
<v Speaker 1>of talked a little bit about Houdini and our Spiritualism episode,

0:34:24.760 --> 0:34:27.799
<v Speaker 1>and I know we definitely talked about yeah, there's just

0:34:27.880 --> 0:34:30.439
<v Speaker 1>no way. And I know we talked about his death

0:34:30.480 --> 0:34:33.840
<v Speaker 1>in our appendix episode. Not to give too much away, Yeah,

0:34:33.880 --> 0:34:36.600
<v Speaker 1>he's kind of appeared a couple of times. So he

0:34:36.680 --> 0:34:41.080
<v Speaker 1>hated the spiritualism movement. Uh. From the very beginning, it

0:34:41.080 --> 0:34:44.680
<v Speaker 1>seemed like, um again, he was a performer and a

0:34:44.760 --> 0:34:49.319
<v Speaker 1>magician who performed these really well thought out tricks, but

0:34:49.480 --> 0:34:54.040
<v Speaker 1>he m The idea from him was never I'm really

0:34:54.080 --> 0:34:56.239
<v Speaker 1>doing this stuff. It's I'm a I'm a master at

0:34:56.280 --> 0:34:59.920
<v Speaker 1>performing these escapes. He was really rubbed by the spiritual

0:35:00.040 --> 0:35:02.600
<v Speaker 1>us because he thought they were trying to con everybody

0:35:02.680 --> 0:35:06.280
<v Speaker 1>because they were by saying we're really doing this stuff,

0:35:06.680 --> 0:35:09.520
<v Speaker 1>and he's like, no, you're just performing like me. But

0:35:09.600 --> 0:35:12.640
<v Speaker 1>you're saying you're really doing it, and I don't like that. Yeah,

0:35:12.640 --> 0:35:16.959
<v Speaker 1>you're taking advantage of people's grief, probably fleecing money out

0:35:17.000 --> 0:35:19.480
<v Speaker 1>of them. Like there's a lot wrong with what you're doing.

0:35:20.239 --> 0:35:24.360
<v Speaker 1>And apparently so he was good friends for a brief

0:35:24.400 --> 0:35:28.120
<v Speaker 1>time with Sir Arthur Conan Doyle, the guy who wrote

0:35:28.120 --> 0:35:31.120
<v Speaker 1>the Sherlock Holmes Mysteries, who was at least as famous

0:35:31.160 --> 0:35:34.160
<v Speaker 1>as Houdini by this time we're talking the early nineteen twenties,

0:35:34.400 --> 0:35:38.319
<v Speaker 1>if not more famous because of Sherlock Holmes. Um and

0:35:38.400 --> 0:35:44.279
<v Speaker 1>Doyle was a huge adherent of spiritualism, enormous, one of

0:35:44.280 --> 0:35:50.040
<v Speaker 1>the most gullible, smart people who ever lived. Um and

0:35:50.080 --> 0:35:51.800
<v Speaker 1>Judini really wanted to be friends with him, so he

0:35:51.880 --> 0:35:56.200
<v Speaker 1>kind of kept his sentiments about about spiritualism to himself,

0:35:56.920 --> 0:36:01.000
<v Speaker 1>and the Doyle's invited Hudini you over for a seance

0:36:01.080 --> 0:36:04.400
<v Speaker 1>because by this time Houdini's mom had died, and apparently

0:36:04.400 --> 0:36:06.799
<v Speaker 1>he feigned dead away when he got the news, like

0:36:06.880 --> 0:36:09.719
<v Speaker 1>he was in Europe at the time, and when he

0:36:09.760 --> 0:36:13.600
<v Speaker 1>woke up, he's just sobbing uncontrollably. I'm sure he still

0:36:13.640 --> 0:36:16.279
<v Speaker 1>went on stage. That was just what Houdini did, but

0:36:16.719 --> 0:36:20.000
<v Speaker 1>he took it rather hard. So when the Doyles like

0:36:20.040 --> 0:36:22.520
<v Speaker 1>invited him over for a seance, he went into it

0:36:22.680 --> 0:36:25.640
<v Speaker 1>open minded, hoping, you know, beyond hope. He would have

0:36:25.640 --> 0:36:27.800
<v Speaker 1>loved to have spoken to his mom. But also I

0:36:27.880 --> 0:36:31.680
<v Speaker 1>think he was already had the kernels of skepticism, like

0:36:32.000 --> 0:36:35.799
<v Speaker 1>in the modern sense of the word, growing inside of him,

0:36:36.400 --> 0:36:40.560
<v Speaker 1>and he really it really rubbed him the wrong way.

0:36:40.760 --> 0:36:45.160
<v Speaker 1>Like the whole thing started when his mother inhabited the

0:36:45.160 --> 0:36:49.520
<v Speaker 1>body of Mrs Doyle, Lady Doyle um and and made

0:36:49.560 --> 0:36:53.279
<v Speaker 1>the sign of the Cross, which a lifelong Jewish mother

0:36:53.400 --> 0:36:56.919
<v Speaker 1>would never do. And apparently it went downhill from there

0:36:57.560 --> 0:36:59.560
<v Speaker 1>and it really rubbed him the wrong way and he

0:36:59.640 --> 0:37:03.279
<v Speaker 1>really resented it, and that led to the following out

0:37:03.280 --> 0:37:05.799
<v Speaker 1>of his friendship with Doyle. But also like his all

0:37:05.800 --> 0:37:10.920
<v Speaker 1>out just war on spiritualism and spiritualists. Yeah, I mean,

0:37:10.920 --> 0:37:13.920
<v Speaker 1>he ended up in court. He testified in front of

0:37:13.960 --> 0:37:17.400
<v Speaker 1>Congress in support of a bill that outlawed fortune telling

0:37:17.440 --> 0:37:20.920
<v Speaker 1>in d c. H. And he specifically took on we

0:37:20.960 --> 0:37:23.520
<v Speaker 1>took on a lot of people, but um, Marjorie the

0:37:23.560 --> 0:37:27.160
<v Speaker 1>spiritualist Marjorie Mina Crandon was the wife of a Boston

0:37:27.280 --> 0:37:31.080
<v Speaker 1>surgeon and and pretty big in that movement. And he

0:37:31.200 --> 0:37:35.319
<v Speaker 1>got together with Scientific American magazine on a committee that

0:37:35.400 --> 0:37:38.879
<v Speaker 1>they formed and exposed her basically and even put out

0:37:38.920 --> 0:37:43.640
<v Speaker 1>a pamphlet forty page pamphlet called Houdini Exposes the trick

0:37:44.040 --> 0:37:47.320
<v Speaker 1>used by the Boston medium Marjorie. Yeah, dude, it was

0:37:47.360 --> 0:37:49.879
<v Speaker 1>a very specific title. It was a very public war

0:37:49.960 --> 0:37:53.200
<v Speaker 1>between them. At one point they had dueling stage presentations

0:37:53.200 --> 0:37:57.000
<v Speaker 1>in Boston which within days of each other. And Um,

0:37:57.120 --> 0:38:02.160
<v Speaker 1>Houdini finally got um so that he was part of

0:38:02.160 --> 0:38:05.120
<v Speaker 1>a committee for Scientific American who was looking to award

0:38:06.000 --> 0:38:11.520
<v Speaker 1>Bucks for evidence of actual mediumship you know of I guess,

0:38:11.640 --> 0:38:16.880
<v Speaker 1>um like actual information from the other side or whatever.

0:38:16.920 --> 0:38:19.080
<v Speaker 1>And he he saw to it that she didn't get

0:38:19.120 --> 0:38:22.720
<v Speaker 1>that she lost. But it was apparently a Harvard student

0:38:23.000 --> 0:38:26.160
<v Speaker 1>who ended up unmasking or he just wrote that pamphlet

0:38:26.239 --> 0:38:28.640
<v Speaker 1>suggesting how she was probably doing it. And then also

0:38:29.040 --> 0:38:32.640
<v Speaker 1>he added he added an act to his larger act,

0:38:33.120 --> 0:38:35.439
<v Speaker 1>which was kind of like a seance, and he would

0:38:35.520 --> 0:38:38.359
<v Speaker 1>explain how this was all being done, which is pretty cool.

0:38:39.400 --> 0:38:43.040
<v Speaker 1>It was cool. What wasn't cool was how he died.

0:38:45.160 --> 0:38:48.000
<v Speaker 1>Yeah is that here to say? And I'm sure I've

0:38:48.000 --> 0:38:51.400
<v Speaker 1>made fun of Jay Gordon Whitehead before, but I'll do

0:38:51.480 --> 0:38:56.920
<v Speaker 1>it again. Yeah. So here's what happened. He um, he

0:38:57.160 --> 0:39:00.279
<v Speaker 1>fractured his ankle in a performance doing the in thes

0:39:00.280 --> 0:39:04.120
<v Speaker 1>water torture cell. And that kind of started this run

0:39:04.160 --> 0:39:06.600
<v Speaker 1>of bad luck. Um, if you believe in that kind

0:39:06.600 --> 0:39:08.520
<v Speaker 1>of thing. So he fractured his ankle, he's already a

0:39:08.520 --> 0:39:11.840
<v Speaker 1>little bit hobbled. Um. His doctor said, you probably shouldn't

0:39:11.880 --> 0:39:13.480
<v Speaker 1>be performing right now. He said, no, no, no, I'm

0:39:13.520 --> 0:39:16.480
<v Speaker 1>gonna do it anyway. I'm on tour and he went

0:39:16.520 --> 0:39:21.680
<v Speaker 1>to Montreal and gave a lecture at McGill University where, um,

0:39:21.719 --> 0:39:25.240
<v Speaker 1>he invited these students backstage and you know the story

0:39:25.280 --> 0:39:27.960
<v Speaker 1>you've heard is true, like the hey, can you take

0:39:28.000 --> 0:39:30.239
<v Speaker 1>a punch to the stomach? I've heard you can? And

0:39:30.280 --> 0:39:32.960
<v Speaker 1>Houdini is laid up on the couch because of this

0:39:33.040 --> 0:39:35.879
<v Speaker 1>ankle says, yeah, I'm pretty good at that. And this guy,

0:39:36.120 --> 0:39:39.479
<v Speaker 1>Jay Gordon whitehead. And this is a quote. It says

0:39:39.560 --> 0:39:44.239
<v Speaker 1>abruptly delivered four or five terrible, terribly forcible, deliberate, well

0:39:44.320 --> 0:39:49.759
<v Speaker 1>directed blows, like just started wailing on his stomach. Apparently, uh,

0:39:50.080 --> 0:39:52.160
<v Speaker 1>he wasn't ready for it. He wasn't tightened up or

0:39:52.440 --> 0:39:56.000
<v Speaker 1>you know, didn't have those abs rock solid. And it

0:39:56.760 --> 0:40:00.560
<v Speaker 1>was decidedly uncool. Yeah, yes, not not just in cool,

0:40:00.640 --> 0:40:05.319
<v Speaker 1>not funds cool, not cool by any definition. Apparently. Um,

0:40:05.400 --> 0:40:07.960
<v Speaker 1>that same witness said that hoodin he was like, that'll

0:40:08.000 --> 0:40:11.919
<v Speaker 1>do with his response to that, yeah, and he tried

0:40:11.960 --> 0:40:13.839
<v Speaker 1>to play it off, you know, but he was like

0:40:14.200 --> 0:40:17.279
<v Speaker 1>that really hurt. And it just kept getting worse too,

0:40:17.320 --> 0:40:19.600
<v Speaker 1>like just that that. You know. Later that night he

0:40:19.680 --> 0:40:22.680
<v Speaker 1>had stomach cramps. The next day he was racked with

0:40:22.760 --> 0:40:26.319
<v Speaker 1>abdominal pain um and it was finally bad enough that

0:40:26.400 --> 0:40:29.319
<v Speaker 1>he went to a doctor and his doctor was like,

0:40:29.440 --> 0:40:31.680
<v Speaker 1>I think you might have appendicitis. You should go to

0:40:31.760 --> 0:40:35.520
<v Speaker 1>a hospital, and whodin? He said, never, I have to

0:40:35.560 --> 0:40:38.360
<v Speaker 1>perform tonight and went on stage in Detroit and gave

0:40:38.800 --> 0:40:42.680
<v Speaker 1>what came ended up being his final final performance I think,

0:40:42.719 --> 0:40:48.279
<v Speaker 1>on October nine. Because that doctor was absolutely right. It

0:40:48.480 --> 0:40:53.920
<v Speaker 1>was appendicitis, and he was in big trouble. Yes, it

0:40:54.000 --> 0:40:57.440
<v Speaker 1>was too late for him. Um, it was a rupture dependix.

0:40:58.080 --> 0:41:01.759
<v Speaker 1>He died on Halloween on October three, be first, with

0:41:01.880 --> 0:41:05.279
<v Speaker 1>Bess and a couple of his brothers at his bedside.

0:41:05.880 --> 0:41:10.279
<v Speaker 1>And what's really what's what the debate is. You know,

0:41:10.320 --> 0:41:12.319
<v Speaker 1>there was a lot of debate over the years about

0:41:12.440 --> 0:41:16.480
<v Speaker 1>whether or not he was murdered uh and had been

0:41:16.520 --> 0:41:20.000
<v Speaker 1>being poisoned by the Spiritualist, or whether the spiritual is

0:41:20.080 --> 0:41:23.359
<v Speaker 1>hired this kid to go beat him up uh and

0:41:23.360 --> 0:41:28.880
<v Speaker 1>wail on his stomach or whatever. Yeah, exactly, And I

0:41:28.920 --> 0:41:32.000
<v Speaker 1>think most people that really know have come out and said,

0:41:32.160 --> 0:41:35.040
<v Speaker 1>none of that stuff is really true. That's really probably

0:41:35.080 --> 0:41:38.520
<v Speaker 1>all speculation. But what the real question is is whether

0:41:38.640 --> 0:41:42.200
<v Speaker 1>or not it's possible and whether or not those punches

0:41:42.239 --> 0:41:45.480
<v Speaker 1>to the stomach actually ruptured his appendix, or did he

0:41:45.480 --> 0:41:48.600
<v Speaker 1>already have an appendicitis happening and this might have just

0:41:48.960 --> 0:41:51.880
<v Speaker 1>brought it to light or exacerbated it, or just maybe

0:41:52.360 --> 0:41:54.560
<v Speaker 1>maybe it was just ill timed all the way around. Yeah.

0:41:54.560 --> 0:41:57.000
<v Speaker 1>I think in our Appendix episode we landed on the

0:41:57.120 --> 0:42:00.719
<v Speaker 1>idea that no, it definitely didn't rupture his appendix. And

0:42:00.760 --> 0:42:03.680
<v Speaker 1>apparently there's a study UM that looked at twenty years

0:42:03.680 --> 0:42:06.560
<v Speaker 1>worth of pendicitis and could only find just a handful

0:42:07.200 --> 0:42:12.800
<v Speaker 1>of UM appendixes that were ruptured from like violence or trauma.

0:42:13.960 --> 0:42:16.200
<v Speaker 1>So it can't happen, but it's really rare. And even

0:42:16.320 --> 0:42:22.640
<v Speaker 1>Jay Gordon Whitehead Biff probably didn't rupture UM Houdini's appendix.

0:42:22.680 --> 0:42:25.680
<v Speaker 1>But what he did do was he gave Houdini a

0:42:25.760 --> 0:42:29.200
<v Speaker 1>good reason why his his abdomen would hurt right there,

0:42:30.000 --> 0:42:32.480
<v Speaker 1>and which would cause Hudini to just ignore it for

0:42:32.600 --> 0:42:35.200
<v Speaker 1>longer than he otherwise might have had it had it

0:42:35.280 --> 0:42:38.840
<v Speaker 1>been a mystery sensation that he couldn't attribute it to anything,

0:42:39.560 --> 0:42:42.960
<v Speaker 1>And so Jay Gordon might had probably did and at

0:42:43.000 --> 0:42:46.880
<v Speaker 1>least indirectly lead to Houdini's death. But it was a

0:42:46.960 --> 0:42:50.360
<v Speaker 1>neglected appendix or appendicitis that finally got him, and he

0:42:50.680 --> 0:42:55.120
<v Speaker 1>died of sebsis on Halloween in x in Detroit, of

0:42:55.160 --> 0:43:01.680
<v Speaker 1>all places. Yet uh so the kind of to put

0:43:01.680 --> 0:43:05.400
<v Speaker 1>a tag on the spiritualist thing UM. Before he died,

0:43:05.440 --> 0:43:07.960
<v Speaker 1>he told best, he was like, hey, listen, I've got

0:43:07.960 --> 0:43:10.840
<v Speaker 1>an opportunity here if I'm about to die, uh to

0:43:11.160 --> 0:43:14.560
<v Speaker 1>really prove this this spiritualism thing is really bunk, Because

0:43:14.640 --> 0:43:17.040
<v Speaker 1>I'm gonna try from the other side to get back

0:43:17.080 --> 0:43:19.360
<v Speaker 1>in touch with you. And you're gonna have to have

0:43:19.440 --> 0:43:21.160
<v Speaker 1>these seances and try and get in touch with me.

0:43:21.760 --> 0:43:24.040
<v Speaker 1>And and this is going to prove it once and

0:43:24.200 --> 0:43:28.719
<v Speaker 1>for all. And for about a decade after his death,

0:43:28.800 --> 0:43:32.200
<v Speaker 1>Best did hold a seance. It never worked, of course,

0:43:32.880 --> 0:43:36.800
<v Speaker 1>and she eventually quit. But the Magic Castle still has

0:43:37.200 --> 0:43:42.279
<v Speaker 1>Houdini seances, I think every year. Uh. I don't know

0:43:42.360 --> 0:43:45.759
<v Speaker 1>if you can just buy a special ticket or if

0:43:45.800 --> 0:43:48.000
<v Speaker 1>you have to be invited to that. I know you

0:43:48.040 --> 0:43:49.680
<v Speaker 1>have to be invited to get in period, but I

0:43:49.760 --> 0:43:51.920
<v Speaker 1>don't know. I don't know how you get into that seance.

0:43:52.120 --> 0:43:55.120
<v Speaker 1>You gotta know somebody who at least knows somebody who

0:43:55.160 --> 0:43:59.640
<v Speaker 1>knows somebody probably, um, I want to make fun of

0:43:59.680 --> 0:44:03.880
<v Speaker 1>the some that theory though one more time about spiritualism.

0:44:03.880 --> 0:44:06.279
<v Speaker 1>So there was a book called The Secret Life of

0:44:06.280 --> 0:44:11.399
<v Speaker 1>Houdini where the um the authors said that if one

0:44:11.440 --> 0:44:14.200
<v Speaker 1>were just suspect Hudini, a victim of foul play, the

0:44:14.280 --> 0:44:17.880
<v Speaker 1>section of organized crime that was composed of fraudulent spirit

0:44:17.920 --> 0:44:23.279
<v Speaker 1>mediums must be considered likely suspects. It's like something off

0:44:23.280 --> 0:44:26.879
<v Speaker 1>a history channel or something, you know. Yeah, and fun

0:44:26.920 --> 0:44:30.240
<v Speaker 1>to make fun of. Yeah, you got anything else about Houdini?

0:44:31.160 --> 0:44:34.080
<v Speaker 1>I got nothing else? All right? Well I don't have

0:44:34.120 --> 0:44:36.759
<v Speaker 1>anything else either, But there's plenty more to learn. There's

0:44:36.800 --> 0:44:39.640
<v Speaker 1>tons of websites dedicated to Houdini. There's like lots of

0:44:39.719 --> 0:44:42.640
<v Speaker 1>documentaries out there and there it's pretty cool to go

0:44:42.760 --> 0:44:45.080
<v Speaker 1>check them out. And also check out the gizmotor article.

0:44:45.520 --> 0:44:49.480
<v Speaker 1>And since I missaid, misspoke Gizmoto, it's time for a listener, mayo.

0:44:52.160 --> 0:44:55.279
<v Speaker 1>I'm gonna call this another correction. Okay, good they're rolling

0:44:55.320 --> 0:44:58.560
<v Speaker 1>in lately, Yeah, we're rolling in them. Hey, guys, just

0:44:58.560 --> 0:45:01.520
<v Speaker 1>listen to the latest episode on Mental Records. And we

0:45:01.560 --> 0:45:03.040
<v Speaker 1>heard from quite a few people on this one, by

0:45:03.040 --> 0:45:05.920
<v Speaker 1>the way. Uh, and as always it was great stuff. However,

0:45:05.960 --> 0:45:08.880
<v Speaker 1>I think Josh provided a bit of unfortunate misinformation and

0:45:08.880 --> 0:45:12.879
<v Speaker 1>claiming that sex offenders have the highest rate of recidivism.

0:45:13.239 --> 0:45:15.120
<v Speaker 1>While this is a common claim, the evidence does not

0:45:15.200 --> 0:45:17.560
<v Speaker 1>support it. Uh. There are as always a lot of

0:45:17.560 --> 0:45:20.520
<v Speaker 1>different variables in the research on the topic. Notes that

0:45:20.560 --> 0:45:23.279
<v Speaker 1>there are so many different factors here to consider, but

0:45:23.360 --> 0:45:26.400
<v Speaker 1>the straight statement that sex offenders have been shown to

0:45:26.400 --> 0:45:29.040
<v Speaker 1>have the highest recidivum rates of any criminal is not

0:45:29.160 --> 0:45:32.480
<v Speaker 1>supported by the data anyway. There's a lot more research

0:45:32.480 --> 0:45:34.640
<v Speaker 1>out there as well, but I think that the statement

0:45:34.640 --> 0:45:38.160
<v Speaker 1>about recidivim rates reinforces the false belief among many that

0:45:38.239 --> 0:45:41.279
<v Speaker 1>sex offenders are more likely to reoffend. Keep up the

0:45:41.320 --> 0:45:44.520
<v Speaker 1>good work, Mike. Uh. And Mike's in a bunch of

0:45:44.600 --> 0:45:48.600
<v Speaker 1>links uh that I went through and um it appears

0:45:48.600 --> 0:45:51.400
<v Speaker 1>that as correct. Yeah, we got that one wrong. Huh.

0:45:51.520 --> 0:45:54.040
<v Speaker 1>So thanks to Mike and everybody who wrote in to

0:45:54.120 --> 0:45:56.959
<v Speaker 1>say it's not true, because we don't want to paint

0:45:57.000 --> 0:46:04.480
<v Speaker 1>anybody in an unnecessarily bad light. Agreed. Okay, if you

0:46:04.480 --> 0:46:06.040
<v Speaker 1>want to be like Mike, can get in touch of

0:46:06.040 --> 0:46:08.879
<v Speaker 1>this with the correction, especially a vital correction. We love

0:46:08.920 --> 0:46:11.240
<v Speaker 1>to hear those, and you can shoot us an email

0:46:11.320 --> 0:46:17.840
<v Speaker 1>to stuff podcast at i heeart radio dot com. Stuff

0:46:17.880 --> 0:46:20.440
<v Speaker 1>you Should Know is a production of iHeart Radio. For

0:46:20.480 --> 0:46:23.520
<v Speaker 1>more podcasts my heart Radio, visit the iHeart Radio app,

0:46:23.719 --> 0:46:26.600
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:46:29.480 --> 0:46:29.520
<v Speaker 1>H