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Speaker 1: I am all in. Oh, I am all in with

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Speaker 1: Scott Patterson and I heart radio podcast. Everybody. Oh, hey,

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Speaker 1: that's so you're so casual there, who You're given us

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Speaker 1: a hey? Everybody usually like hey everybody, I'm just you know, Scott,

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Speaker 1: how are you feeling. I'm coming out of it. I

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Speaker 1: went to the gym yesterday for about twenty minutes. I

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Speaker 1: feel good. Yeah, you gave it to Tar and me

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Speaker 1: through the zoom. Yeah, it was my intention. You were

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Speaker 1: sick for like two weeks, though more than two weeks.

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Speaker 1: I was going into my third week with it. Yeah.

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Speaker 1: Last night wasn't first night I didn't take night. Will

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Speaker 1: oh shut up? And I and I woke up this

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Speaker 1: morning thinking it was Saturday and I had to get

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Speaker 1: Nick to karate. No, he literally did not know day.

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Speaker 1: That's a good feeling sometimes though, when it's like summer

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Speaker 1: and you're like, I don't know where I am. Yeah. Wait, okay,

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Speaker 1: I have a very fun question that Danielle and I

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Speaker 1: just thought of because Danielle and I are together again.

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Speaker 1: We have a question for you guys. Everyone has to

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Speaker 1: say the Gilmore girl's character that they are most similar

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Speaker 1: to m in real life? Are boy that's a good

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Speaker 1: question you Uh, Tara, that's a hard one. Not like

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Speaker 1: I can't think of anyone who I'm like exactly alike. Yeah, same,

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Speaker 1: Like my gut says to say, Rory, but I'm definitely

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Speaker 1: not like Rory. Then I'm like maybe Lane, but then

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Speaker 1: I'm not like Lane. I think a combo between Rory

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Speaker 1: and Lane is my answer. I was good. Yeah, I

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Speaker 1: was gonna say, like, I feel like I'm a little

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Speaker 1: bit of Rory, but not like, like, not fully like Rory.

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Speaker 1: I feel like mine is so braggy. If I say it,

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Speaker 1: it's gonna sound like I'm so literally love her. I

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Speaker 1: want to be her. I think I am her. You

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Speaker 1: guys dressed the same like Lor. I literally go on

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Speaker 1: I literally go on eBay and try and buy her clothes, everything,

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Speaker 1: everything in the house, everything, And I love her personality.

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Speaker 1: I think it's mine. And then I do feel like,

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Speaker 1: what's this saying? Art is imitating life? Yeah, Scott and Luke,

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Speaker 1: I kind of agree. No, I'm nothing like that guy.

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Speaker 1: What do you think? Who do you think you're like?

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Speaker 1: I've got to recuse myself from this because I'm too

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Speaker 1: close to it. I mean true, but I think you are.

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Speaker 1: I think you are too. I love babies, and he

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Speaker 1: walked in and he's hating on babies. I don't get it.

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Speaker 1: That part true, little pieces, that's garrouchy than him. But

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Speaker 1: you're sarcastic as heck, and you're very funny like him,

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Speaker 1: and you're also very caring, like, oh, it's true, Like

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Speaker 1: maybe not thirty thousand dollars, but if I was like Scott,

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Speaker 1: I need a thousand dollars to like put food on

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Speaker 1: the table, I think you would do that. I have

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Speaker 1: done that. Yeah, you see, I feel like you are

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Speaker 1: your character too. Yeah, I do that kind I know,

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Speaker 1: we know. That's why I think a lot of people do.

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Speaker 1: If Danielle goes into the slammer, I guess who she's

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Speaker 1: going to call, just like you, Just like Luke when

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Speaker 1: he had to go to the slammer, I'd bail you out.

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Speaker 1: I would to build everybody on this zoom out. We

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Speaker 1: would too, favorite favorite go to New York and commit

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Speaker 1: the crimes because they have no bail laws. Is that true?

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Speaker 1: You just get out? Yeah. Yeah, it's like crime is free.

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Speaker 1: You can just do crime. That's wonderful. Should we talk

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Speaker 1: about tick tick boom. There's one more tick in there,

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Speaker 1: tick tick tick boom. Why don't think it was only

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Speaker 1: two ticks? Yeah? I think it a name three tick

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Speaker 1: tick tick boom, because man, that was some fireworks. Just

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Speaker 1: thought like something wasn't gonna happen, like something else kept happening,

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Speaker 1: but you didn't you know it was coming. It was

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Speaker 1: like this is all too good, this is everybody's having

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Speaker 1: too good a time with each had me shook, especially

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Speaker 1: when there was no music with it. Yeah, did you

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Speaker 1: notice that? It was just like, yeah, I have to say,

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Speaker 1: this is one of the finer episodes. I agree, really terrific,

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Speaker 1: and it's just like it's so you take it out

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Speaker 1: of kid world, you put it in the adult world,

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Speaker 1: and it's still firing on alls wanders. It's it's such

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Speaker 1: a versatile show. The writing is so versatile. It's so good.

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Speaker 1: Season season four is extraordinary. Yeah, so I agree, and

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Speaker 1: I want to say that I fully agree with this

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Speaker 1: person who messaged us that the best is coming the

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Speaker 1: next like four episodes are in this It's just I'm

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Speaker 1: worried for Danielle. I know I'm stressed for you. How

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Speaker 1: many we're on episode eighteen? How many are this season?

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Speaker 1: Like twenty two. I think there's there's always twenty two.

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Speaker 1: I think the first season we did four, I think,

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Speaker 1: and then we did twenty two every year after that.

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Speaker 1: So I have another question, which Danielle and I am

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Speaker 1: not gonna lie, we did talk about yesterday. So you know,

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Speaker 1: on the previously on you see Digger without facial hair,

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Speaker 1: and he does not look as good at all without

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Speaker 1: facial hair as he does with agree, disagree, opinion, I agree,

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Speaker 1: I agree, we agree. So we did a little game

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Speaker 1: of other celebrities that look better with facial hair, and

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Speaker 1: I'm going Chris Evans hard, Chris Evans amazing, and then

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Speaker 1: I through this at her I'm like, I think every

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Speaker 1: person looks better with facially. I disagreed with that. I disagree.

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Speaker 1: I disagree with that too, Thank you, Scott. I think

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Speaker 1: Jake Jillenhall better without. I think it looks good with

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Speaker 1: facial hair, but it's not good. It's better with or without.

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Speaker 1: Have you noticed that facial hair is a a an

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Speaker 1: American phenomenon. It's a really well French don't do it well.

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Speaker 1: Look at European rockers and they don't have facial hair,

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Speaker 1: but neither does John bon Jovi. And then Okay, then

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Speaker 1: touche guys. Guys, we owe everybody a huge apology again.

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Speaker 1: Once again, I'll fall the sword because this was my fault.

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Speaker 1: We totally forgot to mention the shins last week and

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Speaker 1: I am so sorry. Everyone was like pissed and it

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Speaker 1: was in my notes. I got distracted, like I don't

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Speaker 1: know about the French toast or something, but yeah, my

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Speaker 1: apologies anyway, apologic accepted. Thank you. Okay, should we get

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Speaker 1: into this. I got so much to talk about. Let's

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Speaker 1: rock and roll? Should I sit upsize? Yeah? Oh no,

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Speaker 1: it sounds like you already have our coal. Everybody through this. Okay, guys.

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Speaker 1: This is season four, episode eighteen, tick Tick Tick Boom

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Speaker 1: air date April four. Richard and Jason's business is in

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Speaker 1: jeopardy after a threat by Jason's father, Floyd, plus a

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Speaker 1: major reveal for Lorelai and Jason's relationship. But after the threat,

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Speaker 1: another plan is set in motion to oust Jason. Meanwhile,

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Speaker 1: Kirk disappoints Taylor because the town smells like rotten eggs,

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Speaker 1: but Luke comes and saves the day. Seriously, that was

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Speaker 1: amazing of Luke. We'll get to that. We'll get to that.

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Speaker 1: So Scott, was that a new angle, a new camera

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Speaker 1: angle at the open? Yes, yes, I've never seen that.

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Speaker 1: That sweeping shot, that's a film shot. I've never seen

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Speaker 1: that before in Gilmore. That is not a Gilmore shot.

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Speaker 1: It was great. It really was unusual to see that. Yeah,

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Speaker 1: I noticed that too. It was really cool. I loved it.

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Speaker 1: And then it kind of brought us into that table

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Speaker 1: and guys, that was not a rubber baby. That was

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Speaker 1: a real baby. But you know, one thing, I noticed

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Speaker 1: a lot of the scenes that they like when I

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Speaker 1: saw that scene, I saw the edits because I and

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Speaker 1: I wanted to ask you, Scott, did they film some

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Speaker 1: scenes without a baby in the stroller and then cut

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Speaker 1: to probably Yeah, so there was a bunch of takes

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Speaker 1: without an actual baby in the show because you can't

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Speaker 1: afford that baby. Then we'll cut off the stroller a

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Speaker 1: lot of the time because the babies aren't allowed to work. Well,

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Speaker 1: I mean they've obviously cannot baby can were like no hour,

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Speaker 1: like they that are you making that? I that's like

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Speaker 1: the kid rule. It's a baby. I wonder if it's

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Speaker 1: like thirteen to eighteen, it might be different for babies.

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Speaker 1: They're not on set for if they're on set at all,

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Speaker 1: it's not a rubber baby. If it's a real baby,

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Speaker 1: then it's like they're not there very long. I always

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Speaker 1: thought eight hours was the rule rubber babies. You can

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Speaker 1: have a rubber baby for a week, two weeks about

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Speaker 1: the baby, I guess the answer. If this is correct,

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Speaker 1: it's four hours a day. Guys, do you think anyone's

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Speaker 1: listening right now? Going? What is wrong with all those

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Speaker 1: people's voices? They literally sound like the nasal least, but

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Speaker 1: it's going around. Everybody's got it, He's got it. Okay, Okay,

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Speaker 1: I'm sorry, did grass Because I'm listening to Scott and

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Speaker 1: then Daniel's got a little I think I have it

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Speaker 1: in the tower is coming in out with it. It's like,

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Speaker 1: darn nasal episode number one, actually number four. It's like,

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Speaker 1: can somebody get them a decongestion anyways? That is called

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Speaker 1: a decongestent. I don't. I don't do that. It makes

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Speaker 1: me stress. Okay, So so why so hate a raid

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Speaker 1: over the baby? I don't know. It's just made me

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Speaker 1: very uncomfortable. I did not enjoy that aspects. Yeah, it

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Speaker 1: doesn't also seem accurate, it doesn't. It really doesn't you

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Speaker 1: know what, You're right, it feels off totally. That's why

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Speaker 1: you hated it because it's like, no, he doesn't hate babies.

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Speaker 1: It's maybe he just wants one. It's too extreme, but

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Speaker 1: to hate and to hate on somebody's baby in front

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Speaker 1: of the mother and father, but he hates babies. True?

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Speaker 1: Who hates babies? Nobody? I mean, that's just weird and

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Speaker 1: like you're so mean to them, like order fast and

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Speaker 1: get out of here. No proprietor is doing this. Anybody

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Speaker 1: anybody that hates babies. It's just deranged, you know, and

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Speaker 1: he's not. He's not deranged so at all. He doesn't.

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Speaker 1: Here's the thing. He doesn't hate babies. So it's just

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Speaker 1: like what but I mean, you know he's skulking around

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Speaker 1: his diner like you got a minute or you're out

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Speaker 1: of here, get rid of the baby. I mean, what

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Speaker 1: kind of a person is that? It's like who says

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Speaker 1: that to anybody? What are the customers and their small

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Speaker 1: town and they're all friends and everybody knows each other.

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Speaker 1: You know, she has a baby, is not celebrating the

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Speaker 1: baby reluctantly made There's been like a million babies before

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Speaker 1: that baby. He doesn't hate babies like Suki's baby, like

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Speaker 1: shows some respect, like it's not a random person's baby,

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Speaker 1: it's Sukians and Jackson's right, all right, that was just

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Speaker 1: like them trying to be funny. But what else It

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Speaker 1: wasn't Taylor's tupe so bad? It was good? Why is

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Speaker 1: it a different color that when he turned around and

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Speaker 1: it was like black? And then like, although it make

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Speaker 1: him look a little more youthful, that bit was so

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Speaker 1: funny because it was that was funny because everyone talking

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Speaker 1: about it and he's just like I came back from

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Speaker 1: the Caribbean, just like not being able to answer his

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Speaker 1: question and just staring at it. Sorry again, so good?

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Speaker 1: And then yeah, eggs stink, guys, eggs do? I don't

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Speaker 1: think I ever realized that, Like I might have pulled

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Speaker 1: a kirk in that situation. Have you never been in

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Speaker 1: a kitchen when someone's making eggs salad? Yeah? Yeah, but

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Speaker 1: smell different. Rotten egg smelled different than hard boiled eggs.

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Speaker 1: But I'm thinking they were hard boiled. But they were

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Speaker 1: hard boiled then turned rotten. It's been three weeks for

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Speaker 1: two weeks, right, and they stink? Why would you make

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Speaker 1: an egg hunt with raw eggs. Nobody does that. They're

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Speaker 1: all hard boiled. I don't think that they did do

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Speaker 1: it with raw eggs. They did it with hard boiled eggs. Boiled, yeah,

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Speaker 1: it is, they go bad too. Hard boiled is the

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Speaker 1: stinkiest stink. But I think I would have thought like Kirk, like, oh,

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Speaker 1: they're just like an animal will eat it, you know

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Speaker 1: what I mean? Like like because Kirk's holding was, oh,

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Speaker 1: just decomposed. Like that's what I would ask question. Would

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Speaker 1: they decompose? Who wants a hard boiled egg and leave

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Speaker 1: it in their yard for like three weeks? Absolutely not, Scott,

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Speaker 1: do you want to do that? No? Absolutely, Sara, looks

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Speaker 1: like it's you girls, hard boiled eggs in the fridge

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Speaker 1: right now? Can you leave one in your yard? Do

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Speaker 1: you think your parents will care? Really confused? Do it? Dude?

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Speaker 1: Let's see and dangerous animals as well, like coyotes. I'm

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Speaker 1: going to attract the coyote memelal rotten eggs, you think? So?

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Speaker 1: I don't know raccoons. Are you going to try it

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Speaker 1: or not? I'm not in my neighborhood. No, that's not

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Speaker 1: you know, I'd get a letter from the if you

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Speaker 1: really chicken out. I might do it, but I think

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Speaker 1: an animal will eat it, and they're going to eat

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Speaker 1: it before it goes right, the rats would come out

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Speaker 1: and nibble. Yeah, I'm more afraid of like rodents than

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Speaker 1: like the smell. Same had be Groundhog Day, y'all did

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Speaker 1: we miss that? Is it good? Is it eight more?

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Speaker 1: Is it eight or six more weeks in winter? I

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Speaker 1: don't know, but six Deans moving that shelf around pe.

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Speaker 1: See now I'm rooting now, I'm rooting for the two

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Speaker 1: of them. Now it's not so inappropriate anymore because it's

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Speaker 1: like the damn has broken on that and Rory Scott,

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Speaker 1: you're so hilarious. I agree, it's before it was inappropriate.

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Speaker 1: Now it's like they're meant to be together. You kidding me?

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Speaker 1: I disagree. No, he loves her man, they love each other.

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Speaker 1: At the end of this episode, I was like, Dean,

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Speaker 1: I'm very upset with you right now, but he's realizing

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Speaker 1: that he's happy. It's wrong. But yeah, but but if

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Speaker 1: love and you was wrong, I don't want to be right.

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Speaker 1: That's right, Scott, thank you. No, I literally have a

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Speaker 1: really bad taste in my mouth after this episode with

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Speaker 1: Mr Dean. We'll get to that, but out in the

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Speaker 1: doocees with Lindsay so much to talk about. Okay, so

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Speaker 1: we'll get to that. So so Dean's moving the thing

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Speaker 1: around and now Lindsay bops in and they seemed real happy.

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Speaker 1: Why she kind of she kind of bugged me when

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Speaker 1: she walked and like, why is she always at his work?

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Speaker 1: Like always I'd be so peas and be liked because

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Speaker 1: because Rory's around. Well, no, Rory wasn't there. That was

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Speaker 1: at the end. That's right, gonna be around. She's picking

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Speaker 1: up on him, she's checking. Yeah's just like she's just always.

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Speaker 1: First of all, why are they married. They're nineteen years

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Speaker 1: old at most twenty they have no business to be married. Sorry,

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Speaker 1: if you got married at twenty anybody. It works for

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Speaker 1: some people, but this clearly is is not the right move. Also,

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Speaker 1: like she's I mean not to jump ahead of it

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Speaker 1: Rory at a point when it's like, what's what's Lindsay

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Speaker 1: doing If Sean has to pay for the townhouse? We'll

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Speaker 1: get there, we'll get to it now. Funny line when

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Speaker 1: when loril I said Annett and Frankie really found each other,

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Speaker 1: I have no idea what that's shut up, shut up.

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Speaker 1: You have Franklin Blanket bingo exactly, Scott, What is wrong

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Speaker 1: with these youngsters? You don't know a net and rank?

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Speaker 1: They didn't grow up with it, you know, my god,

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Speaker 1: you gotta grow up with it. You know. It always

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Speaker 1: makes me think of that. So did you ever see

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Speaker 1: the movie stand by Me? No? Oh my god? Scott

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Speaker 1: asked me about spy kids, asked me about any Mary

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Speaker 1: Kane Ashley movie. I got you there, Scott. What do

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Speaker 1: we do with them? I don't know? Alright, So we

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Speaker 1: got the whole thing going on. At the end we

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Speaker 1: were talking about the greatest Mouseketeer of all times. I

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Speaker 1: think I was just I literally had a whole Mouseketeer thing.

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Speaker 1: Was the greatest mouse you know there was there was

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Speaker 1: a mouse gteers before j C and Justin and I

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Speaker 1: knew that. Did you know that? Like the Mickey Mouse Club? Yeah,

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Speaker 1: that's a net get your way? And do you know

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Speaker 1: the movie Greece? Of course? Do you know Beauty School Dropout? Yes?

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Speaker 1: Beauty School? Yeah, it's a song that's Frankie Avalon. Oh god,

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Speaker 1: I got it. It's a song when uh what's her

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Speaker 1: name with the red hair is singing and She's like,

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Speaker 1: it's like beauty school drenching. Go back to Frenchy. There

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Speaker 1: we go. There were all these what were these movies

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Speaker 1: on the late fifties, early sixties, mid sixties, there were

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Speaker 1: all these beach movies with Frankie Avalon and means nothing

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Speaker 1: and they all shot him out at Sir Fryder Beach

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Speaker 1: out in Malibo. Yeah, Scott, it's fine. At least we

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Speaker 1: have each other. So then we go to Friday night

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Speaker 1: dinner and the whole anvil thing was hilarious. But what

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Speaker 1: isn't Annville? I have no idea what, Scott? Do you

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Speaker 1: know that? Of course I know what an ant villa that?

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Speaker 1: I don't know what was it? It's an anvil is

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Speaker 1: something that? Yeah, like she said, in the Old West,

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Speaker 1: all the all those uh dudes that made the horse

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Speaker 1: shoes banged him out on top of anvil's It's it's

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Speaker 1: a massive iron or uh kind of a table, but

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Speaker 1: it's got a sharp edge on a point on one end. Oh,

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Speaker 1: they're just bearing on top of it. It's just this

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Speaker 1: big iron ore platform. Easton's description of it is bugs

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Speaker 1: bunny drops it on people. Yeah, yeah, yeah, okay, I

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Speaker 1: got you now. I got you now, all right? All right?

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Speaker 1: And then I thought interesting, Okay, so they're having this

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Speaker 1: funny conversation at dinner and there was a mention of

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Speaker 1: metro sexual. I remember when that was like a real term. Yeah,

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Speaker 1: when guys actually cared about their hygiene, you'd be like,

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Speaker 1: you're so metro Yeah, that was the whole thing that's

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Speaker 1: gone now. Yeah, I think they cared a little bit

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Speaker 1: more about more than hygiene. No one says that word.

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Speaker 1: I think that word is done. Let me get my

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Speaker 1: notes out, peeps, look at my notes. Unbelievable. All right. Oh,

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Speaker 1: this is where we find out at the dinner that

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Speaker 1: Richard and Digger have acquired Bob, Yes, and that Bob

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Speaker 1: has a trophy wife, which I'm a little bitter about

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Speaker 1: that we never saw the trophy wife. I really wanted

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Speaker 1: to see who, Like, I agree with Barbie, we're going

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Speaker 1: to be at the dinner. I was really looking forward to.

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Speaker 1: Can we just talk about layalized complete inability to be

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Speaker 1: involved in a conversation for their parents in any real

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Speaker 1: way other than mocking everything they say. You're so right,

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Speaker 1: it's funny. It's not funny, but it's it does seem

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Speaker 1: a little out there. It's totally her coping mechanism. It's

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Speaker 1: just how she gets through the dinners. She must have

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Speaker 1: such anxiety. That was my favorite line when she's like

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Speaker 1: when Richard was like, the girls aren't about the big

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Speaker 1: news and loyalized like you're pregnant, and he's like and

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Speaker 1: then he's like, we're crying another company and she's like,

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Speaker 1: I was close. Like that was my favorite line. Oh god,

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Speaker 1: it's so good. But yes, Scott, if if, if I'm

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Speaker 1: going to take you serious for a minute here, You're right,

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Speaker 1: everything is Penny Penny, sarcasm, sarcasm, Penny Joe. But it

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Speaker 1: wouldn't be the show without it, right, I love it,

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Speaker 1: and it's and it's kind of neat that it's now.

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Speaker 1: She doesn't do that with you, and she doesn't do

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Speaker 1: that with or the time. She does correct, but she

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Speaker 1: can have very real correct correct but she really can

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Speaker 1: have real conversations with both of you and Suki for

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Speaker 1: that matter. Right, it's rare. She just never does with

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Speaker 1: her parents. How much longer is Richard's mustache lasting, probably

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Speaker 1: throughout the movie he's also working on during this season

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Speaker 1: of Gilmour Girls. That's my take on that he's got

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Speaker 1: a second project. Wait, do you like his? Do you

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Speaker 1: like his facial hair? I don't. Richard looks better without

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Speaker 1: facial hair. Yeah, I agree, There you go. I'm trying

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Speaker 1: to think of another one that looks better without Ryan Reynolds. Yeah, yeah,

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Speaker 1: I give that. Yeah, like Mamoa with Jason Mamoa Mamoa

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Speaker 1: just Eddie Manly. So then we go to the Candy Shoppy,

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Speaker 1: my favorite. Literally that place is looking good too. It's

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Speaker 1: I would definitely go in there, you would, Yeah, places

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Speaker 1: the jam I wonder if he has yogurt. I'm sure

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Speaker 1: he had ice cream? Right? Do you want it? Do

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Speaker 1: you love? When you guys were at um Stars Hollow,

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Speaker 1: did they open up the Candy Shoppy? No? They show

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Speaker 1: like each each store on that street was like a

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Speaker 1: different like I think they had the names, but it

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Speaker 1: was all stores to shopping. But they should have made

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Speaker 1: a candy store. They should have. No, that was where

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Speaker 1: the merch store was. That was the merch Yeah, they

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Speaker 1: made they made Dozies Martin. The merch store was Dozies

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Speaker 1: Market or not not Josie, but it was the candy shop.

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Speaker 1: That's what merchant. Did you get? Did you get merch

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Speaker 1: I'm oh, let's see. Warner Brothers is no joke with

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Speaker 1: the merch. They know what they're doing. Yeah, because it's

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Speaker 1: like top quality merch. Like if people are listening and

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Speaker 1: they want to spend a little money on a Gilmore

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Speaker 1: Girls merch, just get it from Warner Brothers rather than

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Speaker 1: like some of the knockoffs, because it's it's top not Yeah,

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Speaker 1: there's a million knockoffs. I know, I've bought it all

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Speaker 1: at Target in those places. But the Warner Brothers is better. Yeah.

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Speaker 1: Their legal department's going crazy every day. By the way,

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Speaker 1: did it seem weird to anybody that it's already past

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Speaker 1: Easter on the show? Yeah, I feel like, whoa. I mean,

369
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Speaker 1: I know it's spring break, but they just had spring break.

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Speaker 1: Springbreak can go between like March to April, Like we

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Speaker 1: have a Valentine's Day. I know we never got Valentine's Day.

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Speaker 1: Well there was like no one's well actually Bigger and

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Speaker 1: warlike could have celebrated. Yeah, I'm Richard and Emily. I

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Speaker 1: like that. You know. I think this was a tour

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Speaker 1: to force for for Kirk. This is my favorite, my

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Speaker 1: favorite Kirk episodes just hysterically funny and also just Luke

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Speaker 1: looking out for his boy. Yeah, we'll get to that.

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Speaker 1: But we'll get to that. But okay, so we got

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Speaker 1: a little golf first with Digger, who total whiffed it.

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Speaker 1: Are you Are you better at golf, Scott than Digger?

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Speaker 1: Everybody is. I'm just going to go ahead and mention

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Speaker 1: that Richard is not good either, well not at first. No.

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Speaker 1: The first swing that that we see Richard do was

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Speaker 1: it actually a really nice golf swing, but the ball

385
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Speaker 1: didn't go anywhere. No, No, that was on the last one.

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Speaker 1: On the last one, he duffed it. On the last one,

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Speaker 1: he duffed it, he topped it. But on the first,

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Speaker 1: first one, it looked like I didn't see where the

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Speaker 1: ball went. I'm surprised when I watched it, I was

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Speaker 1: like a surprised they showed where the ball went because

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Speaker 1: that was on the last one. On the last one. Yeah, yeah,

392
00:25:06,119 --> 00:25:08,960
Speaker 1: that it was a horrible shot. Yeah, And then they

393
00:25:09,359 --> 00:25:12,280
Speaker 1: tried to admire it, like I'm gonna have to You'll

394
00:25:12,280 --> 00:25:14,359
Speaker 1: have to hit four golf shots to get up to you, Richard.

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Speaker 1: The thing about a hundred yards, like I could have

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Speaker 1: done better. Missed that, And I saw a Digger just

397
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Speaker 1: with it. But yeah, and usually when when a guy

398
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Speaker 1: whips it like that, you don't stand there and laugh

399
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Speaker 1: at him openly. Oh my god, you don't. God no,

400
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Speaker 1: I mean if if if you're were your buddies and

401
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Speaker 1: you know you're having a couple of beers and somebody

402
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Speaker 1: whips then you crack up laughing. But yeah, I don't

403
00:25:38,320 --> 00:25:41,720
Speaker 1: know in that situation, I don't know. I've definitely, in

404
00:25:41,800 --> 00:25:44,159
Speaker 1: my like three times I played golf, have totally missed it.

405
00:25:44,240 --> 00:25:46,520
Speaker 1: I can't do golf. I hate to brag, but I'm

406
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Speaker 1: kind of good. Should we send you and Scott out

407
00:25:49,520 --> 00:25:51,840
Speaker 1: for a round? You know what, Danielle and I should

408
00:25:51,840 --> 00:25:54,680
Speaker 1: play next year's Pebble Beach program. Oh yeah, we'll get

409
00:25:54,680 --> 00:25:58,359
Speaker 1: you in because I saw some of those celebrities playing

410
00:25:58,400 --> 00:26:03,160
Speaker 1: and they were stinking up the yard. Man, Oh my god.

411
00:26:04,080 --> 00:26:08,159
Speaker 1: Make a good little top golf situation. Top I can

412
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Speaker 1: hit it, daniel you can do that. I can do that.

413
00:26:10,840 --> 00:26:12,439
Speaker 1: I can I can hit it. The four of us

414
00:26:12,480 --> 00:26:16,760
Speaker 1: can go to top golf. Is there a California top Golf? Yeah, Scott,

415
00:26:16,800 --> 00:26:19,879
Speaker 1: let's do it. Let's do it. So I didn't realize

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00:26:20,000 --> 00:26:26,760
Speaker 1: Carol and Emily were so biffles best friends for life?

417
00:26:26,880 --> 00:26:31,000
Speaker 1: What's Biffles again? Best friends for life? Tar? What's Biffles

418
00:26:32,000 --> 00:26:34,680
Speaker 1: best friends for life? But have we what? We haven't

419
00:26:34,720 --> 00:26:38,679
Speaker 1: seen them before? We haven't seen her before. But Floyd's

420
00:26:38,720 --> 00:26:41,440
Speaker 1: just Floyd and Richard are talking about how they miss

421
00:26:41,520 --> 00:26:46,440
Speaker 1: each other. So Floyd does all that just to be

422
00:26:46,480 --> 00:26:51,520
Speaker 1: an ass. So he's just pretending all that knowing he's

423
00:26:51,560 --> 00:26:55,399
Speaker 1: just going to drop the lawsuit bomb. Floyd's kind of

424
00:26:55,400 --> 00:26:59,159
Speaker 1: an ass. No, No, he had a he had a strategy.

425
00:27:00,080 --> 00:27:04,960
Speaker 1: He's playing chess, so you think he knew going in

426
00:27:05,880 --> 00:27:07,600
Speaker 1: that at the end he would get what he wanted,

427
00:27:07,640 --> 00:27:13,280
Speaker 1: which was Richard back out. And I really do think

428
00:27:13,359 --> 00:27:17,119
Speaker 1: the wife new too, because the second Carol heard, Carol

429
00:27:17,200 --> 00:27:22,720
Speaker 1: was like, oh okay, yeah, and Emily was caught off guard.

430
00:27:22,920 --> 00:27:25,320
Speaker 1: I felt so bad for her because I think she

431
00:27:25,680 --> 00:27:30,800
Speaker 1: genuinely like loved being like, oh, entertaining happy, and they

432
00:27:30,880 --> 00:27:33,600
Speaker 1: wanted Floyd and Carroll back and then oh god, we're

433
00:27:33,640 --> 00:27:35,240
Speaker 1: not there yet. But it's just the outing of the

434
00:27:35,520 --> 00:27:38,200
Speaker 1: whole thing was horrendous. We do have to talk about

435
00:27:38,200 --> 00:27:43,000
Speaker 1: how we got our first dinner outside on the patio. Yea, yeah,

436
00:27:43,400 --> 00:27:49,000
Speaker 1: that was but like really like that, I think they

437
00:27:49,040 --> 00:27:55,000
Speaker 1: had he lamps too, So okay, so Scott good, No,

438
00:27:55,200 --> 00:27:58,680
Speaker 1: it's just okay. So you think that Floyd was very

439
00:27:58,760 --> 00:28:01,520
Speaker 1: crafty and knew how this was all going to play. Oh, sure,

440
00:28:02,760 --> 00:28:06,680
Speaker 1: that's why he was so confident in every single scene.

441
00:28:06,800 --> 00:28:11,680
Speaker 1: He was in total control. He's not a sociopath. He's

442
00:28:11,720 --> 00:28:14,399
Speaker 1: just a guy who's a smart one of his business. Right.

443
00:28:14,560 --> 00:28:18,880
Speaker 1: He just wanted Richard back? Ye did sorry? I say?

444
00:28:18,880 --> 00:28:19,960
Speaker 1: At the end, I like, I was like, Oh, he

445
00:28:20,040 --> 00:28:23,080
Speaker 1: totally had this all planned out, like he knew Yeah, wow,

446
00:28:24,200 --> 00:28:26,879
Speaker 1: he played them both like that still really shook me.

447
00:28:27,240 --> 00:28:30,840
Speaker 1: But did you see Digger and Richard making sandwiches? They

448
00:28:30,840 --> 00:28:33,639
Speaker 1: didn't look there was like no mayo or mustard or

449
00:28:33,680 --> 00:28:37,639
Speaker 1: anything on those sandwiches. They were just dry. They were

450
00:28:37,680 --> 00:28:43,080
Speaker 1: so giddy with the possibilities of hap. That's when you

451
00:28:43,160 --> 00:28:45,640
Speaker 1: knew they were being because they didn't really know what

452
00:28:45,760 --> 00:28:50,280
Speaker 1: the shot was. And I think you know the couda

453
00:28:50,360 --> 00:28:54,160
Speaker 1: gras for what's his name? What's his Jason's dad's name,

454
00:28:54,640 --> 00:28:58,239
Speaker 1: Floyd was when he dropped the bombshell that they were

455
00:28:58,320 --> 00:29:01,240
Speaker 1: dating right in front of every Oh that was gnarly.

456
00:29:02,320 --> 00:29:06,000
Speaker 1: What is kuda gram mean? Like the pist to Resistance. Yeah.

457
00:29:06,480 --> 00:29:11,320
Speaker 1: I think the Kuda gras like the final bomb mic drop,

458
00:29:12,280 --> 00:29:14,760
Speaker 1: Yeah yeah, yeah, alright, So then Dean shows up at

459
00:29:14,800 --> 00:29:20,520
Speaker 1: the dorm. What yeah, how about that, guys? Was that

460
00:29:20,720 --> 00:29:23,080
Speaker 1: Rose's excuse? Laurela I said to come drop this off

461
00:29:23,160 --> 00:29:27,560
Speaker 1: or something, but it doesn't fit and Laurel I never

462
00:29:27,680 --> 00:29:29,160
Speaker 1: gave her the heads up, which I thought, I know,

463
00:29:29,680 --> 00:29:31,880
Speaker 1: I thought that was really weird too. I was I

464
00:29:32,000 --> 00:29:34,960
Speaker 1: thought Dean was maybe lying at first and using that

465
00:29:35,000 --> 00:29:37,000
Speaker 1: as an excuse, but I was like, why would he

466
00:29:38,000 --> 00:29:45,920
Speaker 1: lie because Rory will find out that he lied? And

467
00:29:46,200 --> 00:29:49,120
Speaker 1: was Rory right to be so pissy about him not

468
00:29:49,360 --> 00:29:53,400
Speaker 1: going to school right now? Involved I think it was

469
00:29:53,480 --> 00:29:57,320
Speaker 1: like a little I was in the middle because they've

470
00:29:57,360 --> 00:30:00,160
Speaker 1: always talked about like he wasn't going to go going

471
00:30:00,200 --> 00:30:02,120
Speaker 1: to go to school and like he wasn't gonna go

472
00:30:02,160 --> 00:30:04,960
Speaker 1: to college at first, and then he remember when he

473
00:30:05,040 --> 00:30:06,800
Speaker 1: told her like I'm going to school, and so she

474
00:30:06,880 --> 00:30:08,760
Speaker 1: was so proud of him and he's such a good,

475
00:30:09,760 --> 00:30:13,400
Speaker 1: you know, good student. And I think that it was

476
00:30:13,480 --> 00:30:17,280
Speaker 1: more of her past relationship. Yeah, it was her delivery,

477
00:30:17,320 --> 00:30:19,760
Speaker 1: but also like in her brain, like her past relationship

478
00:30:19,800 --> 00:30:23,360
Speaker 1: with Dean kicking in of like yeah, so like, yeah,

479
00:30:23,440 --> 00:30:26,240
Speaker 1: I think it was okay that she said you're making

480
00:30:26,280 --> 00:30:28,160
Speaker 1: a mistake, don't do that. But then she just like

481
00:30:28,320 --> 00:30:32,560
Speaker 1: she was literally like hammering him, like don't do this,

482
00:30:32,640 --> 00:30:34,920
Speaker 1: and it's like that's not your role anymore. She was

483
00:30:35,320 --> 00:30:39,560
Speaker 1: a step aside. What do you think I think she

484
00:30:39,720 --> 00:30:43,120
Speaker 1: cares about him and even as a friend, I think

485
00:30:43,200 --> 00:30:46,240
Speaker 1: she and she knows that statistics, she knows that people

486
00:30:46,280 --> 00:30:49,920
Speaker 1: to drop out a large percent of the percentage of

487
00:30:49,920 --> 00:30:53,840
Speaker 1: them don't go back, and his whole life, he's making

488
00:30:53,920 --> 00:30:58,240
Speaker 1: a decision based on on statistics that he's not aware

489
00:30:58,320 --> 00:31:02,160
Speaker 1: of and his fate. You know, he's like an overt

490
00:31:02,600 --> 00:31:06,360
Speaker 1: yeah in yeah, sure, but as a friend, you know,

491
00:31:06,560 --> 00:31:08,760
Speaker 1: why wouldn't you get into it with somebody that you

492
00:31:08,840 --> 00:31:11,880
Speaker 1: care about and say, listen, you know I care about you.

493
00:31:12,120 --> 00:31:14,880
Speaker 1: This is important. You may not realize how important, as

494
00:31:14,920 --> 00:31:17,760
Speaker 1: I understand you have some pressures with your wife and

495
00:31:18,960 --> 00:31:21,360
Speaker 1: all that. And yeah, but like Danielle said, I think

496
00:31:21,400 --> 00:31:23,760
Speaker 1: it really was the delivery, Like I think there was

497
00:31:23,840 --> 00:31:27,800
Speaker 1: a so nasty about it, and like once he said,

498
00:31:28,480 --> 00:31:31,120
Speaker 1: you know, Lindsay and I want to get a town house,

499
00:31:31,280 --> 00:31:33,840
Speaker 1: like we talked about it, like I need to work.

500
00:31:34,000 --> 00:31:36,120
Speaker 1: I need to pay for things for my family. I

501
00:31:36,160 --> 00:31:39,120
Speaker 1: would have been support. That's the queue where you go, Okay,

502
00:31:39,240 --> 00:31:41,040
Speaker 1: he's in a different point in his life right now.

503
00:31:41,160 --> 00:31:43,600
Speaker 1: He's not just my boyfriend who I'm trying to make

504
00:31:43,600 --> 00:31:45,960
Speaker 1: sure it goes to school. Like at that point when

505
00:31:46,040 --> 00:31:49,560
Speaker 1: he throws the wife card and like real life, like

506
00:31:49,680 --> 00:31:51,840
Speaker 1: that's when you just stop, like you don't give your

507
00:31:51,880 --> 00:31:57,040
Speaker 1: two cents anymore. Exactly, I disagree. I think she. I

508
00:31:57,200 --> 00:32:01,600
Speaker 1: think in that moment, she she couldn't stop herself because

509
00:32:01,680 --> 00:32:05,200
Speaker 1: she still has feelings for him. I love that Scott's

510
00:32:05,240 --> 00:32:08,840
Speaker 1: done a full one E D No. I I believe.

511
00:32:08,920 --> 00:32:11,280
Speaker 1: I kind of believe in their relationship now. I believe

512
00:32:11,320 --> 00:32:14,360
Speaker 1: in their connection now. I think it's very strong on

513
00:32:14,520 --> 00:32:18,680
Speaker 1: both parts. And he basically he's having an emotional affair

514
00:32:19,320 --> 00:32:24,880
Speaker 1: with another woman. He's having an emotional affairs he's getting

515
00:32:24,920 --> 00:32:27,680
Speaker 1: from or what he can't. He doesn't have the depth

516
00:32:27,760 --> 00:32:32,200
Speaker 1: of feeling for Lindsay. He just doesn't. There's no there's

517
00:32:32,240 --> 00:32:36,000
Speaker 1: no reason for him to dislike or or stray on Lindsay.

518
00:32:36,080 --> 00:32:40,880
Speaker 1: She's wonderful in every way right and completely supportive, and

519
00:32:42,400 --> 00:32:45,760
Speaker 1: but I mean his heart is with Rory it's clear.

520
00:32:45,880 --> 00:32:48,760
Speaker 1: But that's why I'm not okay with it, because it's like, okay, right,

521
00:32:48,880 --> 00:32:52,440
Speaker 1: because it's just life, it's nature working itself out. These

522
00:32:52,480 --> 00:32:55,640
Speaker 1: two are drawn to one of the very powerful. Should

523
00:32:55,680 --> 00:33:04,480
Speaker 1: he divorced? Yes, he's young, he's having an emotional fairy.

524
00:33:04,560 --> 00:33:07,920
Speaker 1: They want to be together. They should be together. You know,

525
00:33:09,440 --> 00:33:12,440
Speaker 1: sucks for Lindsay, but that's the risk you take. You know,

526
00:33:12,640 --> 00:33:14,800
Speaker 1: all's fair in love and war, right. I just did,

527
00:33:14,960 --> 00:33:17,320
Speaker 1: like a little bit. It feels a little fast for me,

528
00:33:17,960 --> 00:33:21,280
Speaker 1: like all of a sudden, this happened so fast, and

529
00:33:21,440 --> 00:33:24,800
Speaker 1: Dean's just like all up in Rory's business and we're

530
00:33:24,840 --> 00:33:27,840
Speaker 1: ready to just ship Lindsay down the river. Feels like

531
00:33:28,280 --> 00:33:32,520
Speaker 1: they need a little more time to realize their marriage

532
00:33:32,640 --> 00:33:36,400
Speaker 1: is not great. I just wouldn't want to be Lindsay.

533
00:33:36,720 --> 00:33:39,560
Speaker 1: Let's just say that. I don't know where I stand

534
00:33:39,640 --> 00:33:43,000
Speaker 1: on it. I think I was with Scott last week

535
00:33:43,080 --> 00:33:47,040
Speaker 1: when Scott felt like the Dean's doing the wrong thing.

536
00:33:47,120 --> 00:33:49,960
Speaker 1: You said inappropriate, and you don't think it's still inappropriate.

537
00:33:51,200 --> 00:33:54,200
Speaker 1: I don't at this point. I don't think it's inappropriate anymore.

538
00:33:54,240 --> 00:33:59,880
Speaker 1: I think it's spilled over into inevitability. Oh, inevitability. Does

539
00:34:00,040 --> 00:34:04,200
Speaker 1: inevitability make it wrong or right? No, there's no there's

540
00:34:04,760 --> 00:34:07,920
Speaker 1: you can apply a moral standard to this. It's just

541
00:34:08,200 --> 00:34:14,160
Speaker 1: how things are. It's just inevitable. It's where people's hearts

542
00:34:14,640 --> 00:34:20,360
Speaker 1: are going. If there's no moral structure for that, you

543
00:34:20,480 --> 00:34:29,160
Speaker 1: can't apply morality to that, right, It's just so Am

544
00:34:29,200 --> 00:34:33,200
Speaker 1: I going to say that your team Dean? I think

545
00:34:33,320 --> 00:34:37,399
Speaker 1: right now? I am. Yeah. Well, we're spending a lot

546
00:34:37,440 --> 00:34:40,760
Speaker 1: of time with them, they're struggling, they're together, they obviously

547
00:34:40,880 --> 00:34:47,080
Speaker 1: both feel it. Um, you know, there's nothing particularly bad

548
00:34:47,160 --> 00:34:50,239
Speaker 1: about it. What's so bad about it? It's actually kind

549
00:34:50,239 --> 00:34:53,320
Speaker 1: of funny because I have been team Dean since the

550
00:34:54,080 --> 00:34:57,960
Speaker 1: day we met him, but not I like this episode.

551
00:34:58,040 --> 00:35:01,960
Speaker 1: I was like, I just and idea. It's like, this

552
00:35:02,120 --> 00:35:04,920
Speaker 1: really has me perplex Scott because I'm I like what

553
00:35:05,200 --> 00:35:11,680
Speaker 1: you're saying, but I'm surprised actually why it's inevitable? Now

554
00:35:11,760 --> 00:35:14,360
Speaker 1: they're both in love, they should be together. Okay, Okay,

555
00:35:14,440 --> 00:35:17,480
Speaker 1: So that's my question. If he look, if he's doing

556
00:35:17,600 --> 00:35:20,680
Speaker 1: this this often with Rory, he should chuck his marriage.

557
00:35:20,920 --> 00:35:23,719
Speaker 1: Do you think she is too? I think he is.

558
00:35:23,840 --> 00:35:25,960
Speaker 1: I think you're right, I think he is. Do you

559
00:35:26,040 --> 00:35:31,040
Speaker 1: think she is. She is in lindsay. Look, look, people

560
00:35:31,160 --> 00:35:35,560
Speaker 1: that if you respect your wife, you do not carry

561
00:35:35,600 --> 00:35:39,799
Speaker 1: on like this with an X. It doesn't happen. If

562
00:35:39,840 --> 00:35:43,960
Speaker 1: the X has any respect for your marriage and has truly,

563
00:35:45,360 --> 00:35:47,680
Speaker 1: you know, gotten over her feelings are you, she does

564
00:35:47,719 --> 00:35:50,840
Speaker 1: not get involved with you in this way and in

565
00:35:50,920 --> 00:35:54,360
Speaker 1: these intimate ways, with these kinds of conversations. It doesn't happen.

566
00:35:54,520 --> 00:35:56,399
Speaker 1: But the fact that they're both doing it, and they're

567
00:35:56,400 --> 00:35:58,920
Speaker 1: both going out of their way to have these conversations.

568
00:35:58,960 --> 00:36:01,440
Speaker 1: I mean, he took her down an alley and said,

569
00:36:01,600 --> 00:36:05,000
Speaker 1: I'm not gonna, you know, listen to my wife. I'm

570
00:36:05,040 --> 00:36:07,120
Speaker 1: going to continue to interact with you in this way.

571
00:36:08,080 --> 00:36:12,279
Speaker 1: Because he obviously he's very confused, she's confused. They both

572
00:36:12,560 --> 00:36:17,840
Speaker 1: ali sort of makes me more dean, what are you doing?

573
00:36:18,400 --> 00:36:21,839
Speaker 1: But there's something real happening there. There's real love happening there.

574
00:36:21,920 --> 00:36:26,760
Speaker 1: There's really Remember what Jess did. Jess said, I gotta

575
00:36:26,800 --> 00:36:29,759
Speaker 1: go do something. I'll be right back, and he goes

576
00:36:29,840 --> 00:36:34,480
Speaker 1: and breaks up with makeup girl makeup Shane Shane, beauty

577
00:36:34,520 --> 00:36:38,319
Speaker 1: supply store girl. Right, It's like Jess did the right thing.

578
00:36:38,440 --> 00:36:41,040
Speaker 1: That wasn't like he was getting out of a marriage

579
00:36:41,120 --> 00:36:45,919
Speaker 1: with somebody. That was being super sweet tone. But here's

580
00:36:46,160 --> 00:36:49,520
Speaker 1: here's the problem with with Dean at that in that alley,

581
00:36:50,120 --> 00:36:54,360
Speaker 1: he said, Lindsay essentially doesn't want me to talk to

582
00:36:54,440 --> 00:36:59,200
Speaker 1: you anymore, and and Rory said, like, I understand, and

583
00:36:59,360 --> 00:37:02,440
Speaker 1: he's going he literally said, that's not going to stop me.

584
00:37:03,120 --> 00:37:11,600
Speaker 1: That was no bueno. Very it's very bueno because he's

585
00:37:11,640 --> 00:37:18,520
Speaker 1: expressing how he feels. He's being him get divorced. He will,

586
00:37:18,600 --> 00:37:23,600
Speaker 1: I'm sure that he will. It's like I said, not

587
00:37:23,800 --> 00:37:29,120
Speaker 1: a not a good it is bueno. There's there's nothing,

588
00:37:30,520 --> 00:37:33,680
Speaker 1: there's nothing good. There's no good outcome for Lindsay. Here.

589
00:37:33,800 --> 00:37:36,759
Speaker 1: She's she's getting the short end all the way. But

590
00:37:38,440 --> 00:37:43,279
Speaker 1: that's you know, he's doing something wrong. Dean. Roy's not

591
00:37:43,400 --> 00:37:45,680
Speaker 1: doing anything. She's just trying to be friends with this guy.

592
00:37:45,719 --> 00:37:50,839
Speaker 1: And she even said I understand if I understand if

593
00:37:50,920 --> 00:37:53,360
Speaker 1: it's like you can't talk to me, and then he's like, no,

594
00:37:53,600 --> 00:37:56,239
Speaker 1: I don't care about my wife, and it's like oh god, yeah,

595
00:37:58,680 --> 00:38:01,160
Speaker 1: Like she literally gave him the out like I understand,

596
00:38:01,320 --> 00:38:03,520
Speaker 1: Like you need to do what's right for you and

597
00:38:03,600 --> 00:38:07,080
Speaker 1: your wife. And it's really on Deane because even Rory. Like,

598
00:38:07,200 --> 00:38:10,879
Speaker 1: like you said, Danielle, She's like, I get it all good, right,

599
00:38:11,480 --> 00:38:16,239
Speaker 1: yeah's gonna make a move here. I don't know what's

600
00:38:16,280 --> 00:38:19,000
Speaker 1: going to happen, but I kind of feel like Lindsay

601
00:38:19,160 --> 00:38:21,719
Speaker 1: is not long for this, and they're definitely gonna have

602
00:38:21,800 --> 00:38:26,240
Speaker 1: some kind of Red's this is his first marriage. Now, Scott,

603
00:38:26,360 --> 00:38:28,640
Speaker 1: I have a sidebar question for you, because I know

604
00:38:28,800 --> 00:38:32,960
Speaker 1: you don't totally know what everyone's storylines are, but do

605
00:38:33,080 --> 00:38:37,560
Speaker 1: you remember like actors and actresses not being around, Like,

606
00:38:37,840 --> 00:38:42,360
Speaker 1: obviously you know that Ariel whatever name is, Cabell Cabell

607
00:38:43,320 --> 00:38:46,040
Speaker 1: wasn't there for the next five years or three years,

608
00:38:47,080 --> 00:38:50,759
Speaker 1: So it's like, does that play into your mind at

609
00:38:50,760 --> 00:38:55,040
Speaker 1: all when you're watching it? Well, obviously you know obviously, Look,

610
00:38:55,120 --> 00:38:58,279
Speaker 1: they wouldn't. I don't think that the writers would do

611
00:38:58,520 --> 00:39:04,040
Speaker 1: this to these characters and make them sort of morally

612
00:39:04,239 --> 00:39:08,960
Speaker 1: suspect or you know, walking that fine line unless they

613
00:39:09,000 --> 00:39:11,600
Speaker 1: were going to end up together, or at least he

614
00:39:11,800 --> 00:39:15,120
Speaker 1: was going to be liberated. He would liberate himself from

615
00:39:15,120 --> 00:39:18,000
Speaker 1: this marriage, give it a go with Rory, and maybe

616
00:39:18,040 --> 00:39:20,160
Speaker 1: it didn't work, and then they're just sort of both free,

617
00:39:20,320 --> 00:39:22,319
Speaker 1: but at least he's free of his marriage and free

618
00:39:22,360 --> 00:39:25,080
Speaker 1: to you know, seek a new relationship or something. But

619
00:39:25,200 --> 00:39:31,400
Speaker 1: if if you know she's the you know, he's spending

620
00:39:31,440 --> 00:39:33,320
Speaker 1: a lot of time with her and he wants to

621
00:39:33,400 --> 00:39:35,320
Speaker 1: be with her, she wants to be with him. This

622
00:39:35,520 --> 00:39:38,480
Speaker 1: is this is a sure sign that his marriage is

623
00:39:38,560 --> 00:39:41,680
Speaker 1: not what he thought it would be or what he

624
00:39:41,760 --> 00:39:45,160
Speaker 1: hoped it would be. It's you just don't know until

625
00:39:45,200 --> 00:39:48,520
Speaker 1: you get into the into the day to day living

626
00:39:48,600 --> 00:39:50,560
Speaker 1: with a person, and it's like, hey, I don't feel

627
00:39:50,600 --> 00:39:52,640
Speaker 1: this way about I love you and I care about you,

628
00:39:52,760 --> 00:39:54,719
Speaker 1: and we'll be friends for our whole lives, but I

629
00:39:54,840 --> 00:39:58,160
Speaker 1: really feel this way about Rory. And it's complicated, and

630
00:39:58,239 --> 00:40:00,040
Speaker 1: I am very curious what y'all are going to to

631
00:40:00,600 --> 00:40:02,799
Speaker 1: say as we go on. All Right, so we get

632
00:40:02,880 --> 00:40:06,200
Speaker 1: sort of a little reprieve and there's fifty nine missing

633
00:40:06,400 --> 00:40:10,600
Speaker 1: rotten eggs down to fifty eight, and then some really

634
00:40:10,760 --> 00:40:15,400
Speaker 1: serious serious you've got the heavy, you got the light.

635
00:40:16,160 --> 00:40:19,000
Speaker 1: Then we go into the apartment, Jason's apartment, and they're

636
00:40:19,040 --> 00:40:22,880
Speaker 1: like trying to find a place for that plant and

637
00:40:23,000 --> 00:40:26,000
Speaker 1: the fireplace with the fires going, and they're sort of

638
00:40:26,080 --> 00:40:29,160
Speaker 1: having this conversation and Loria Lae learns that his parents

639
00:40:29,200 --> 00:40:33,799
Speaker 1: always hate all the girl friends. Perfect thing to say

640
00:40:33,920 --> 00:40:39,680
Speaker 1: to your current girlfriends, right, are you, Scott? Are you

641
00:40:39,719 --> 00:40:41,719
Speaker 1: feeling like Digger and Loria Lee are going to be

642
00:40:41,840 --> 00:40:43,960
Speaker 1: going in the long haul here for a minute? How

643
00:40:43,960 --> 00:40:48,920
Speaker 1: are you feeling about them? Um? It seems that way,

644
00:40:49,440 --> 00:40:54,520
Speaker 1: But there are just too many um land mines that

645
00:40:54,680 --> 00:40:59,160
Speaker 1: have been planted, Yeah, within their relationship and when it

646
00:40:59,239 --> 00:41:02,400
Speaker 1: got started, like the very the very fact that they

647
00:41:02,520 --> 00:41:04,960
Speaker 1: hit it, I think it's going to be a landmine

648
00:41:05,000 --> 00:41:07,279
Speaker 1: that blows up beneath both of them, and I think

649
00:41:07,520 --> 00:41:14,239
Speaker 1: we saw that it did. Um And I really think

650
00:41:14,320 --> 00:41:18,000
Speaker 1: that's the main one. You know. Yeah, we'll talk about

651
00:41:18,120 --> 00:41:21,880
Speaker 1: the scene the dinner later. But I like them together.

652
00:41:22,239 --> 00:41:26,320
Speaker 1: I enjoy them together. I enjoy their banter together. I

653
00:41:26,719 --> 00:41:29,719
Speaker 1: enjoy him. I've come around a Digger for sure. There's

654
00:41:29,840 --> 00:41:33,320
Speaker 1: something good. I don't know. I still a little peeved

655
00:41:33,360 --> 00:41:36,919
Speaker 1: at how he dealt with tricks Is death. I feel

656
00:41:36,960 --> 00:41:39,080
Speaker 1: like he kind of I had a little turning point

657
00:41:39,120 --> 00:41:42,200
Speaker 1: for him. There also sidebar and Scott, you may know this.

658
00:41:43,360 --> 00:41:48,680
Speaker 1: The stairs and Digger's apartment do not look code. Did

659
00:41:48,680 --> 00:41:52,799
Speaker 1: you guys see that? Because there's no railing and they're

660
00:41:52,960 --> 00:41:58,440
Speaker 1: so narrow. I don't know not to code at all.

661
00:41:59,520 --> 00:42:02,000
Speaker 1: I didn't know does the no railing? Yeah, and it's

662
00:42:02,040 --> 00:42:04,480
Speaker 1: just not to code. They look so in the living room.

663
00:42:04,480 --> 00:42:06,120
Speaker 1: They can't seem to get out of their kitchen. So

664
00:42:07,400 --> 00:42:11,880
Speaker 1: it's like, although that fireplace is beautiful. Um, then oh,

665
00:42:12,000 --> 00:42:14,200
Speaker 1: we got a little Lane. We have a little moment

666
00:42:14,280 --> 00:42:17,560
Speaker 1: with Lane where Rory and Lane are talking about death

667
00:42:17,640 --> 00:42:22,279
Speaker 1: to Disco, which I thought was sort of rando but amusing.

668
00:42:23,160 --> 00:42:25,200
Speaker 1: Lane's in a puffer vest and they're kind of walking

669
00:42:25,239 --> 00:42:32,080
Speaker 1: through town too amidst the eggs. Taylor's getting his reports.

670
00:42:34,280 --> 00:42:37,480
Speaker 1: Oh pardon me. And then this is the moment where

671
00:42:37,560 --> 00:42:44,239
Speaker 1: Lane and going the doses. Oof. That was It's like, Rory,

672
00:42:44,320 --> 00:42:48,879
Speaker 1: you have to realize that town you're in pretty loud? Yeah,

673
00:42:49,760 --> 00:42:56,960
Speaker 1: and mean mean it would have taken me. You don't

674
00:42:57,000 --> 00:42:58,680
Speaker 1: call that a flood. And Ski I feel like she's

675
00:42:58,719 --> 00:43:01,320
Speaker 1: just stick in her head and where she was concerned

676
00:43:01,360 --> 00:43:03,480
Speaker 1: until she said and what is Lindsay doing? Like can

677
00:43:03,560 --> 00:43:06,080
Speaker 1: she get a job? That is when you go mean

678
00:43:06,920 --> 00:43:09,640
Speaker 1: she loves the guy. I love that Scott is, so

679
00:43:13,480 --> 00:43:17,600
Speaker 1: she actually thinks she's much better for him. Two, so

680
00:43:17,840 --> 00:43:21,000
Speaker 1: that he can realize his potential and that this you

681
00:43:21,080 --> 00:43:26,560
Speaker 1: know that this this Barbie doll is stifling him. Scott,

682
00:43:26,760 --> 00:43:28,680
Speaker 1: I really thought you would have been mad about this.

683
00:43:30,840 --> 00:43:33,839
Speaker 1: It's just interesting because when we met Dean season one,

684
00:43:34,000 --> 00:43:38,880
Speaker 1: like Lindsay, Lindsay is the perfect girl for who he

685
00:43:39,160 --> 00:43:41,160
Speaker 1: was then, you know what I mean, like all the

686
00:43:41,239 --> 00:43:43,640
Speaker 1: things he wanted, he didn't really care about college, like

687
00:43:44,880 --> 00:43:49,040
Speaker 1: she was perfect. But now that he got into relationship

688
00:43:49,120 --> 00:43:53,520
Speaker 1: with Rory, he realizes something different and he's no longer that.

689
00:43:56,040 --> 00:43:57,920
Speaker 1: Look a lot of a lot of the relationships that

690
00:43:58,000 --> 00:44:02,840
Speaker 1: you get into, uh, where you know your girlfriend or

691
00:44:02,840 --> 00:44:06,880
Speaker 1: your boyfriend or whatever whoever you are, or see some

692
00:44:07,160 --> 00:44:10,080
Speaker 1: real potential in trying to improve you. That those relationships

693
00:44:10,280 --> 00:44:13,360
Speaker 1: might not last, but those people influence you in a

694
00:44:13,520 --> 00:44:18,400
Speaker 1: positive way. Um, and I'm all for that. You know.

695
00:44:18,480 --> 00:44:21,759
Speaker 1: It doesn't necessarily have to work out between Rory and Dean,

696
00:44:22,560 --> 00:44:26,000
Speaker 1: but Rory is showing real care for his entire life

697
00:44:27,000 --> 00:44:32,200
Speaker 1: and stressing and stressing education as Look, you're smart, and

698
00:44:32,640 --> 00:44:35,520
Speaker 1: I love you, and I see this potential in you,

699
00:44:35,800 --> 00:44:38,839
Speaker 1: and you and you have to have more confidence academically,

700
00:44:39,200 --> 00:44:41,120
Speaker 1: and I see it in you, and you just need

701
00:44:41,200 --> 00:44:44,759
Speaker 1: to stay exposed to academia because you might find a

702
00:44:44,840 --> 00:44:47,560
Speaker 1: professor that really lights a fire, and a light bulb

703
00:44:47,640 --> 00:44:49,759
Speaker 1: goes off and you become and you go get your

704
00:44:49,840 --> 00:44:52,120
Speaker 1: pH d. And I could be responsible for that. And

705
00:44:52,400 --> 00:44:54,640
Speaker 1: I really believe in that, you know, And that's why

706
00:44:54,680 --> 00:44:57,120
Speaker 1: I love it. I like what you're saying and that

707
00:44:57,320 --> 00:45:00,440
Speaker 1: Rory really does have his best interest. She wants the

708
00:45:00,520 --> 00:45:03,759
Speaker 1: best for him. But here's my concern. So she wants

709
00:45:03,840 --> 00:45:05,800
Speaker 1: the best for him, which is also driving a wedge

710
00:45:05,800 --> 00:45:07,800
Speaker 1: between him and Lindsay. So him and Lindsay, he and

711
00:45:07,880 --> 00:45:11,960
Speaker 1: Lindsay forget my grammar break up. But then Rory doesn't

712
00:45:12,000 --> 00:45:16,120
Speaker 1: actually want him. Correct, she didn't want him before. Now

713
00:45:16,200 --> 00:45:19,640
Speaker 1: she's at Yale. She doesn't want Simpleton Dean. As much

714
00:45:19,680 --> 00:45:22,000
Speaker 1: as I love the guy, I don't even think he

715
00:45:22,040 --> 00:45:24,600
Speaker 1: needs to go to college. He can just work for Tom.

716
00:45:24,719 --> 00:45:28,560
Speaker 1: It's all fine. Doesn't want him to settle and then not,

717
00:45:28,920 --> 00:45:31,880
Speaker 1: But that's not problem. She's not gonna She's gonna have

718
00:45:32,000 --> 00:45:33,919
Speaker 1: him make all these changes and then she's not gonna

719
00:45:33,960 --> 00:45:35,879
Speaker 1: want him, and then he's gonna be like, oh my god,

720
00:45:36,239 --> 00:45:39,120
Speaker 1: I dumped my wife for you at the college. I

721
00:45:39,160 --> 00:45:41,600
Speaker 1: don't want to be doesn't matter as long as he

722
00:45:41,760 --> 00:45:46,000
Speaker 1: gets on that other track and gets back to school

723
00:45:46,440 --> 00:45:49,160
Speaker 1: that it doesn't matter, and what do you mean it

724
00:45:49,200 --> 00:45:54,080
Speaker 1: doesn't matter? It doesn't matter if together college. What matters

725
00:45:54,320 --> 00:45:56,960
Speaker 1: is that he gets his ass back to school and

726
00:45:57,239 --> 00:46:01,279
Speaker 1: and and works on himself and and learns. But not

727
00:46:01,480 --> 00:46:06,000
Speaker 1: everyone's path is that either, But it could be, but

728
00:46:06,080 --> 00:46:10,040
Speaker 1: it doesn't have to be. Scott really wants Yeah, you

729
00:46:10,120 --> 00:46:12,160
Speaker 1: know what, Scott, You want Dean to be the best

730
00:46:12,280 --> 00:46:14,680
Speaker 1: Dean he can be. And I think you think Rory

731
00:46:14,760 --> 00:46:16,600
Speaker 1: can get him there. But what's going to happen is

732
00:46:17,239 --> 00:46:19,640
Speaker 1: Rory doesn't want him. Yeah, so he's gonna do all

733
00:46:19,680 --> 00:46:21,600
Speaker 1: these things to get Rory and then she's going to

734
00:46:21,680 --> 00:46:26,960
Speaker 1: be with Logan. We know Logan's coming. Sorry spoiler. Yeah,

735
00:46:27,280 --> 00:46:29,080
Speaker 1: but at least he got this gift of Rory and

736
00:46:29,160 --> 00:46:32,680
Speaker 1: the gift of education, and the gift of not settling

737
00:46:32,880 --> 00:46:39,719
Speaker 1: with the Barbie doll, which already has turned into which

738
00:46:39,800 --> 00:46:43,200
Speaker 1: is already turning into a nightmare for him because he's

739
00:46:43,239 --> 00:46:45,279
Speaker 1: not vibing with it the way he vibes with Rory.

740
00:46:45,360 --> 00:46:49,440
Speaker 1: He's already had this experience of really being sole mates

741
00:46:49,560 --> 00:46:53,520
Speaker 1: with somebody right that parts correct and and well and

742
00:46:53,680 --> 00:46:55,960
Speaker 1: and and he doesn't like the mothers around all the time,

743
00:46:56,040 --> 00:46:57,960
Speaker 1: so that's only gonna get worse when they have children

744
00:46:58,200 --> 00:47:00,239
Speaker 1: and he's gonna lose his mind. The part you are

745
00:47:00,280 --> 00:47:02,880
Speaker 1: correct on is it Rory showing him he doesn't actually

746
00:47:02,920 --> 00:47:04,960
Speaker 1: want to be with Lindsay, even if he doesn't end up.

747
00:47:11,600 --> 00:47:13,760
Speaker 1: So okay, we go back to the diner. Kirk hasn't

748
00:47:13,800 --> 00:47:16,160
Speaker 1: slept in a day and a half, and I did

749
00:47:16,239 --> 00:47:19,640
Speaker 1: think it was interesting Taylor's order with his turkey on

750
00:47:19,880 --> 00:47:22,440
Speaker 1: rye and the let us in, the tomato and the

751
00:47:22,560 --> 00:47:27,640
Speaker 1: cucumber and the cole slaw and the two pickles. I

752
00:47:27,840 --> 00:47:32,239
Speaker 1: felt for Kirk's, like so badly when he was like,

753
00:47:32,320 --> 00:47:35,160
Speaker 1: I'm gonna have to cancel the flower show. And Kirk

754
00:47:35,320 --> 00:47:41,360
Speaker 1: literally was like the men left, No men left, so

755
00:47:41,600 --> 00:47:46,720
Speaker 1: mean Taylor's mean. Okay, well get ready, everybody here it comes.

756
00:47:47,800 --> 00:47:49,759
Speaker 1: So now we got the dinner and we're on the

757
00:47:49,840 --> 00:47:52,160
Speaker 1: patio with the heaters and the drink carts moving back

758
00:47:52,200 --> 00:47:56,399
Speaker 1: and forth. The moon is bright. Lore Liz and her

759
00:47:57,160 --> 00:47:59,480
Speaker 1: very ten out of ten dress, which I love that

760
00:47:59,560 --> 00:48:06,000
Speaker 1: everybody everyone noticed. She's like, it's normal, there's nothing about anyway.

761
00:48:06,200 --> 00:48:08,399
Speaker 1: It's a hot mass. Did Scott, did you know going

762
00:48:08,480 --> 00:48:12,879
Speaker 1: in this is not going to go well. No, um,

763
00:48:13,920 --> 00:48:16,200
Speaker 1: when it was going so well, that's when I knew

764
00:48:16,760 --> 00:48:18,840
Speaker 1: it was so cold. That's when I knew it was

765
00:48:18,920 --> 00:48:21,479
Speaker 1: all going to blow up because it was just going

766
00:48:21,640 --> 00:48:27,800
Speaker 1: too well, and I thought, oh God, something. I didn't

767
00:48:27,800 --> 00:48:29,320
Speaker 1: know what it was gonna be, but I knew that

768
00:48:29,440 --> 00:48:30,880
Speaker 1: it was going to end up in a fight. I

769
00:48:30,960 --> 00:48:33,000
Speaker 1: knew it was going to end up in a shouting match.

770
00:48:34,400 --> 00:48:38,680
Speaker 1: So I didn't know how it would transpire. But it

771
00:48:38,840 --> 00:48:42,480
Speaker 1: all made sense, didn't it. Did it shock you when

772
00:48:42,560 --> 00:48:45,919
Speaker 1: Floyd said he was suing them a little bit? Yeah,

773
00:48:46,280 --> 00:48:50,160
Speaker 1: but perfectly understandable, you know, Yeah, I knew I was

774
00:48:50,280 --> 00:48:55,799
Speaker 1: nervous from the start. Yeah, yeah, yeah there, well, yeah,

775
00:48:55,840 --> 00:49:00,319
Speaker 1: there was always something about Floyd that's a little manipulative anyway, right, Well, yeah,

776
00:49:00,320 --> 00:49:02,840
Speaker 1: because he's such a jerky dad that you're like, this

777
00:49:02,920 --> 00:49:04,160
Speaker 1: guy is not just going to come in and be

778
00:49:04,280 --> 00:49:10,800
Speaker 1: all unicorns and rainbows and love and everybody. But I

779
00:49:10,920 --> 00:49:14,839
Speaker 1: can't believe he hired a p I against his own son.

780
00:49:15,000 --> 00:49:19,839
Speaker 1: Oh I can, like what a dweebo? Like, seriously, you're

781
00:49:19,840 --> 00:49:22,520
Speaker 1: going to do that to your son? But that's his son,

782
00:49:23,760 --> 00:49:27,000
Speaker 1: you know what? I thought, to go open a business

783
00:49:27,040 --> 00:49:31,520
Speaker 1: with a former executive. You know what there was. That's true,

784
00:49:31,880 --> 00:49:33,880
Speaker 1: It was true, true, true. You know it was a

785
00:49:33,920 --> 00:49:36,120
Speaker 1: screw up though when they say to lord la oh,

786
00:49:36,239 --> 00:49:39,359
Speaker 1: we haven't seen you since camp or something. They saw

787
00:49:39,440 --> 00:49:47,480
Speaker 1: him at that dinner, fancy dinner. You're right, yeah, that's true.

788
00:49:47,560 --> 00:49:50,840
Speaker 1: She was sitting right next to him. Good callback, thank you.

789
00:49:51,360 --> 00:49:53,160
Speaker 1: And where was Bob? I thought Bob was going to

790
00:49:53,200 --> 00:49:56,960
Speaker 1: be at that dinner. Bob didn't show up. M hmm,

791
00:49:57,600 --> 00:50:03,080
Speaker 1: interesting again Bob's wife. I really wanted to um the

792
00:50:03,239 --> 00:50:07,840
Speaker 1: mic the mic drop moment, which one which I was,

793
00:50:07,920 --> 00:50:13,520
Speaker 1: let's say which one that Lloyd was like, you know

794
00:50:14,640 --> 00:50:18,160
Speaker 1: his name is Floyd. It's Floyd. I wrote down Lloyd.

795
00:50:18,800 --> 00:50:22,640
Speaker 1: Floyd revealed that Lorela is dating Digger. Dude. I know.

796
00:50:23,280 --> 00:50:26,359
Speaker 1: That's like. Emily was just frozen the second he said

797
00:50:26,440 --> 00:50:28,919
Speaker 1: p I though I knew it was coming same same.

798
00:50:29,000 --> 00:50:30,880
Speaker 1: I was like, oh no, oh no, yeah yeah, I

799
00:50:30,960 --> 00:50:33,360
Speaker 1: was just waiting for its. He just dropped it. So

800
00:50:33,920 --> 00:50:38,880
Speaker 1: whoever played that guy like kudos, I gotta look it up.

801
00:50:39,120 --> 00:50:41,600
Speaker 1: It was quite a mortal, just just Emily and Laurel

802
00:50:41,680 --> 00:50:45,080
Speaker 1: I standing there and then ticked and Richard just was

803
00:50:45,200 --> 00:50:47,200
Speaker 1: shocked and the whole thing was right when you're so

804
00:50:47,320 --> 00:50:51,600
Speaker 1: shocked you can't even say anything. Laurence's friend. We need

805
00:50:51,640 --> 00:50:55,120
Speaker 1: to get Lawrence Pressman on. That was the baller. Here's

806
00:50:55,160 --> 00:50:57,960
Speaker 1: the thing. And then Richard and Digger have that sort

807
00:50:58,000 --> 00:51:01,400
Speaker 1: of heartfelt talk and He's says, you got my trust,

808
00:51:01,480 --> 00:51:06,800
Speaker 1: go get him. Trust was broken. Richard was just saying that,

809
00:51:08,280 --> 00:51:10,480
Speaker 1: which is oh my god. Like I literally was like

810
00:51:10,600 --> 00:51:13,879
Speaker 1: this is so sweet, Like they're gonna they're gonna beat

811
00:51:13,960 --> 00:51:18,239
Speaker 1: this guy, and you know, YadA YadA, I get as

812
00:51:18,320 --> 00:51:22,279
Speaker 1: successful and rich as Richard without being a little bit

813
00:51:22,400 --> 00:51:26,400
Speaker 1: of a screwy. Do you think it's because, um, what

814
00:51:26,560 --> 00:51:28,400
Speaker 1: was it like he gave away his shares or what

815
00:51:28,520 --> 00:51:34,280
Speaker 1: was it the Emily put his retirement of his close

816
00:51:34,560 --> 00:51:37,120
Speaker 1: Do you think it's like that? Do you think that's

817
00:51:37,200 --> 00:51:40,040
Speaker 1: why he went with Floyd because he's like, I'm not

818
00:51:40,080 --> 00:51:41,839
Speaker 1: going to mess this up. I'm not gonna lose that money.

819
00:51:42,760 --> 00:51:46,920
Speaker 1: Screw Digger. He had to. Yeah, it was it was

820
00:51:47,200 --> 00:51:49,600
Speaker 1: he was checkmated. He's not going to lose his life

821
00:51:51,040 --> 00:51:54,640
Speaker 1: by what's his name. He was outplayed by Floyd, but

822
00:51:54,719 --> 00:51:58,520
Speaker 1: in the end he Richard wins too. Because Richard's getting

823
00:51:58,560 --> 00:52:00,239
Speaker 1: all the money, bringing all the clients. He's back in

824
00:52:00,320 --> 00:52:02,480
Speaker 1: the business, he's got all his partners. He's going to

825
00:52:02,600 --> 00:52:05,560
Speaker 1: make tons of dough As of now, Diggers the one

826
00:52:05,640 --> 00:52:10,480
Speaker 1: that's screwed. So as to why Richard left in the

827
00:52:10,520 --> 00:52:12,359
Speaker 1: first place, because they didn't have skin in the game.

828
00:52:12,400 --> 00:52:14,960
Speaker 1: Now he's coming back with skin in the game. And

829
00:52:15,080 --> 00:52:17,919
Speaker 1: I think there's a little bit of motivation to like, Okay, one,

830
00:52:18,239 --> 00:52:20,560
Speaker 1: he doesn't want to be completely broke, and you know,

831
00:52:20,880 --> 00:52:23,200
Speaker 1: he doesn't want to lose his pension and whatever all

832
00:52:23,239 --> 00:52:26,320
Speaker 1: those things. But I think he also was like you

833
00:52:26,560 --> 00:52:32,040
Speaker 1: dated my daughter, wow without telling me. Yeah, And I

834
00:52:32,120 --> 00:52:35,840
Speaker 1: think he's like, you know what we're done because breaking

835
00:52:35,920 --> 00:52:39,279
Speaker 1: yours now because he's not going to blame Laurela. He's

836
00:52:39,280 --> 00:52:42,839
Speaker 1: gonna blame Digger because like that's his business partner exactly right,

837
00:52:44,480 --> 00:52:46,000
Speaker 1: And I'm going to go back with your father in

838
00:52:46,080 --> 00:52:47,520
Speaker 1: business and dump you and I'm not going to tell

839
00:52:47,560 --> 00:52:50,560
Speaker 1: you make all the day. And that one scene where

840
00:52:50,640 --> 00:52:52,880
Speaker 1: Emily was like Richard, do we have to be worried?

841
00:52:53,000 --> 00:52:56,160
Speaker 1: And she's all and he literally and I was like

842
00:52:56,360 --> 00:52:59,200
Speaker 1: he knew at that point I'm gonna about to screw

843
00:52:59,320 --> 00:53:02,040
Speaker 1: over Digger. And I didn't realize in that scene. I

844
00:53:02,160 --> 00:53:03,560
Speaker 1: was like, oh, this is sweet, this is sweet, and

845
00:53:03,640 --> 00:53:10,960
Speaker 1: then no bom, Richards tech boom. All of Richard's fears

846
00:53:11,320 --> 00:53:15,520
Speaker 1: initially when Jason approached him, which he expressed, m hm,

847
00:53:15,640 --> 00:53:18,400
Speaker 1: came true, came true, came to the four Yeah, and

848
00:53:18,640 --> 00:53:20,799
Speaker 1: he's I think he's a little mad that Digger went

849
00:53:20,880 --> 00:53:24,080
Speaker 1: to lunch with that guy, even though they're just friends.

850
00:53:25,719 --> 00:53:28,040
Speaker 1: Has bad. Look. You could have put the company in jeopardy.

851
00:53:29,320 --> 00:53:33,200
Speaker 1: It displays a pattern of reckless behavior. Does anyone know

852
00:53:33,280 --> 00:53:35,920
Speaker 1: what kind of fancy car the Gilmore's have in that driveway?

853
00:53:36,680 --> 00:53:40,399
Speaker 1: Did you guys see that? Some eagle eyed person needs

854
00:53:40,440 --> 00:53:42,560
Speaker 1: to help me out? They showed it. I didn't see anything.

855
00:53:42,880 --> 00:53:46,200
Speaker 1: You can see it very blurally. I think through the

856
00:53:46,280 --> 00:53:48,560
Speaker 1: car window it looks like a model T. But I

857
00:53:48,600 --> 00:53:52,200
Speaker 1: don't that seems too old timeya. I know that seems

858
00:53:52,239 --> 00:53:56,560
Speaker 1: like is that like nies? I think that seems too

859
00:53:56,640 --> 00:53:59,719
Speaker 1: old timy. But there's a very fancy, old fashioned car

860
00:54:00,000 --> 00:54:04,840
Speaker 1: the driveway anyway. And then our dear Luke Danes saving

861
00:54:04,880 --> 00:54:08,200
Speaker 1: the day, handing Kirk the eggs twelve eggs. I knew

862
00:54:08,239 --> 00:54:09,920
Speaker 1: he would do it. That was actually one of my

863
00:54:10,120 --> 00:54:15,480
Speaker 1: favorite Luke scenes, you know, because you don't normally see

864
00:54:15,520 --> 00:54:18,320
Speaker 1: those camera angles on because they were shooting up and

865
00:54:18,480 --> 00:54:23,719
Speaker 1: it was just kind of a cool scene. Yeah. Dan

866
00:54:23,840 --> 00:54:27,360
Speaker 1: Palladino directed this, he also wrote it. Yeah, it was

867
00:54:27,480 --> 00:54:30,720
Speaker 1: just he was taking it was a little more filmic

868
00:54:30,800 --> 00:54:34,240
Speaker 1: than what we're used to. Yeah, it was really quite excellent.

869
00:54:34,719 --> 00:54:37,680
Speaker 1: And also, there's no way Luke hates babies because look

870
00:54:38,000 --> 00:54:39,799
Speaker 1: how what a good guy he is. I just don't

871
00:54:39,880 --> 00:54:43,560
Speaker 1: buy that, you know, It's such an inconsistency in his character.

872
00:54:44,120 --> 00:54:46,400
Speaker 1: So then so then we have the Rory sort of

873
00:54:46,480 --> 00:54:50,960
Speaker 1: pulls over the car Dean moment, and that we've we've

874
00:54:51,040 --> 00:54:53,560
Speaker 1: kind of talked it to We've talked it into the ground,

875
00:54:53,680 --> 00:54:57,440
Speaker 1: but I don't know, we don't totally agree on it.

876
00:54:58,480 --> 00:55:00,360
Speaker 1: Like I just stopped in the middle of road and

877
00:55:00,440 --> 00:55:03,279
Speaker 1: she just stopped. I know, there's no one in that town. Yeah,

878
00:55:03,360 --> 00:55:07,680
Speaker 1: it's just stop their creepy alley. It's like where that

879
00:55:07,800 --> 00:55:11,000
Speaker 1: out where that creepy alley come from? An alley when

880
00:55:11,040 --> 00:55:16,919
Speaker 1: you need one, you know, I don't know. I don't

881
00:55:16,920 --> 00:55:19,239
Speaker 1: know about this Dean Rory mess. I like it. I

882
00:55:21,760 --> 00:55:25,600
Speaker 1: like it. It adds tension and and it gives hope,

883
00:55:25,960 --> 00:55:29,399
Speaker 1: you know, and she has hope, he has hope. It's

884
00:55:29,480 --> 00:55:32,319
Speaker 1: it's it's the tension created, that struggle to get out

885
00:55:32,360 --> 00:55:37,120
Speaker 1: of something that isn't fully expressed or realized. And you know,

886
00:55:37,239 --> 00:55:39,680
Speaker 1: people do this all the time. They compromise their lives.

887
00:55:39,719 --> 00:55:43,000
Speaker 1: They get into these situations where they're not completely in

888
00:55:43,120 --> 00:55:44,960
Speaker 1: love with their partner, but they do it because they

889
00:55:45,080 --> 00:55:49,520
Speaker 1: love them and they respect them. Yeah, and you know

890
00:55:49,640 --> 00:55:55,040
Speaker 1: these two are living. It's we can people can live.

891
00:55:55,320 --> 00:55:59,520
Speaker 1: Um god, I can't even think anymore to pull across

892
00:55:59,560 --> 00:56:02,799
Speaker 1: there um vicariously through these two. You know, it's all

893
00:56:02,880 --> 00:56:06,200
Speaker 1: wish yeah, yeah, no, very true. All right. So then

894
00:56:06,200 --> 00:56:08,279
Speaker 1: another question I have, because I can't solve the Rory

895
00:56:08,320 --> 00:56:13,719
Speaker 1: Dean thing, is who's the biggest jerk, Richard, Floyd or Digger. Well,

896
00:56:13,760 --> 00:56:17,200
Speaker 1: it's got to be Digger. I think it's Floyd. And

897
00:56:17,360 --> 00:56:25,640
Speaker 1: I was gonna argue maybe Richard, How how's it Digger? Digger.

898
00:56:29,480 --> 00:56:31,680
Speaker 1: Digger was always out to just screw his dad and

899
00:56:31,760 --> 00:56:33,480
Speaker 1: that was like his whole m O. And then he

900
00:56:33,600 --> 00:56:35,880
Speaker 1: just got he got what was coming to him. The

901
00:56:36,000 --> 00:56:37,959
Speaker 1: Dad's like, I'm not going to take that. Wait minute,

902
00:56:37,960 --> 00:56:41,239
Speaker 1: So I don't understand what let's let's be clear about this.

903
00:56:41,920 --> 00:56:46,600
Speaker 1: So Floyd owns the insurance company that Richard used to

904
00:56:46,640 --> 00:56:49,600
Speaker 1: work on, and then he kind of pushed Richard's massive

905
00:56:49,800 --> 00:56:55,200
Speaker 1: this massive company. So Floyd is an extremely powerful guy, right,

906
00:56:55,880 --> 00:57:00,160
Speaker 1: extremely wealthy, powerful guy. Richard leaves because he's disgruntled. He

907
00:57:00,239 --> 00:57:03,480
Speaker 1: wasn't getting pushed out. No, they asked him to retire.

908
00:57:03,640 --> 00:57:06,040
Speaker 1: They're like, you're out. And then Jason came in. His

909
00:57:06,200 --> 00:57:09,239
Speaker 1: son came in and replaced him, or his father was

910
00:57:09,280 --> 00:57:13,640
Speaker 1: grooming him for it anyway, and then Jason left, came

911
00:57:13,680 --> 00:57:16,080
Speaker 1: to Richard. Okay, all right, so now I kind of

912
00:57:16,120 --> 00:57:21,040
Speaker 1: get the picture a little better. And then Floyd is

913
00:57:21,120 --> 00:57:23,080
Speaker 1: coming and saying, I'm suing you because you took my

914
00:57:23,160 --> 00:57:27,720
Speaker 1: clients or whatever they did wrong. And then Richard said,

915
00:57:27,960 --> 00:57:29,720
Speaker 1: you know, Richard was very by the book, but I

916
00:57:29,760 --> 00:57:33,919
Speaker 1: guess this incident where Digger went to lunch is problematic.

917
00:57:34,760 --> 00:57:37,680
Speaker 1: And look, I think that there is some chess game here,

918
00:57:37,720 --> 00:57:41,120
Speaker 1: like you're saying, Scott that like in this lawsuit, it's

919
00:57:41,280 --> 00:57:43,919
Speaker 1: it is posturing that he doesn't really want to spend

920
00:57:43,960 --> 00:57:46,560
Speaker 1: the money. He's he's banking on the fact that they're

921
00:57:46,560 --> 00:57:49,800
Speaker 1: going to cave. Digger is supposed to go figure it out,

922
00:57:49,920 --> 00:57:54,280
Speaker 1: and then instead Richard pulls the double double agent and

923
00:57:54,440 --> 00:57:57,280
Speaker 1: goes back to Floyd and says, screw your kid, I'm

924
00:57:57,320 --> 00:57:59,240
Speaker 1: coming back, but you can't sue me, and I get

925
00:57:59,280 --> 00:58:01,680
Speaker 1: all this money. I I think, out of the three

926
00:58:01,760 --> 00:58:06,200
Speaker 1: of them, Richard comes off the cleanest, the most honorable,

927
00:58:06,800 --> 00:58:09,240
Speaker 1: and he left for good. He left for a good reason.

928
00:58:09,360 --> 00:58:12,160
Speaker 1: He worked his whole life and didn't get what he

929
00:58:12,280 --> 00:58:15,800
Speaker 1: thought was his his due, and he left and that's

930
00:58:15,880 --> 00:58:20,000
Speaker 1: he's a principled, honorable guy. Um and now he's back

931
00:58:20,080 --> 00:58:22,960
Speaker 1: in the This is nasty. Maybe none of them are jerks,

932
00:58:23,040 --> 00:58:26,440
Speaker 1: that's just business is nasty. You mean the typebreaker, who's

933
00:58:26,480 --> 00:58:31,000
Speaker 1: the who's the jerk? Like it's it's it's it's Digger ultimately,

934
00:58:31,120 --> 00:58:34,640
Speaker 1: But it's Floyd as well, Floyd. It's Floyd. I think

935
00:58:34,840 --> 00:58:38,240
Speaker 1: both of them dad dad. Floyd's a mean dad. I mean,

936
00:58:38,280 --> 00:58:40,080
Speaker 1: like they don't even He even says he doesn't have

937
00:58:40,080 --> 00:58:43,600
Speaker 1: a relationship with Floyd. Yeah, you know, And I think

938
00:58:43,680 --> 00:58:48,800
Speaker 1: I think Floyd started the fire for sure. Well you know,

939
00:58:49,320 --> 00:58:54,080
Speaker 1: at the fire. Sometimes you spend you know, when you

940
00:58:54,240 --> 00:58:58,320
Speaker 1: have young children and you're building, trying to build an empire,

941
00:58:58,440 --> 00:59:01,160
Speaker 1: that the children get left behind, and that looks like

942
00:59:01,320 --> 00:59:05,640
Speaker 1: the case I left him. I don't know these are

943
00:59:05,720 --> 00:59:08,320
Speaker 1: all valid. Point, Yeah, I think I think Digger left

944
00:59:08,400 --> 00:59:10,720
Speaker 1: him because he felt his father abandoned him as a

945
00:59:10,800 --> 00:59:15,560
Speaker 1: kid to build his insurance. Very messy, everyone's everyone's hands

946
00:59:15,560 --> 00:59:19,320
Speaker 1: are are not clean. Messy is Rory and Dean. It's

947
00:59:19,320 --> 00:59:24,280
Speaker 1: a messy, messy tick tick to everyone. Yeah, lots of

948
00:59:24,360 --> 00:59:27,760
Speaker 1: great storylines going on in these episodes. Now, they're all

949
00:59:27,960 --> 00:59:32,240
Speaker 1: sort of intersecting and conflicting and enhancing each other. It's

950
00:59:32,280 --> 00:59:34,840
Speaker 1: all just great stuff. And when they shift gears on

951
00:59:34,960 --> 00:59:37,200
Speaker 1: this show and go to a Rory Dean or they

952
00:59:37,320 --> 00:59:40,400
Speaker 1: go to a you know, a Kirk tailor or Luke

953
00:59:40,600 --> 00:59:43,520
Speaker 1: Kirk or whatever, it's just it's just wonderful, you know,

954
00:59:43,680 --> 00:59:47,600
Speaker 1: it's it's just such a it all feels like, ah, yeah, okay,

955
00:59:47,680 --> 00:59:49,560
Speaker 1: now we get to enjoy this. Now we go back

956
00:59:49,600 --> 00:59:52,720
Speaker 1: to this. Oh it's you know, it's it's all great.

957
00:59:53,200 --> 00:59:57,120
Speaker 1: It's just it's I completely agree. How many rotten eggs

958
00:59:57,120 --> 00:59:59,640
Speaker 1: are you giving it? I think Daniel is a real

959
00:59:59,800 --> 01:00:03,920
Speaker 1: man master. I think he's a master at dramedy. He

960
01:00:04,080 --> 01:00:08,040
Speaker 1: really really Yeah, hack of a director, because that was

961
01:00:08,120 --> 01:00:13,120
Speaker 1: a beautifully directed episode. Yeah it really was. Um wow,

962
01:00:13,240 --> 01:00:18,560
Speaker 1: hats off to Dan Palladino. Um how many? How many?

963
01:00:20,440 --> 01:00:23,600
Speaker 1: How many? I don't know, Tara? How many? What are

964
01:00:23,640 --> 01:00:26,480
Speaker 1: you going to use? Are you gonna use? You're gonna

965
01:00:26,560 --> 01:00:31,000
Speaker 1: use eggs? Spoiled eggs? Yeah? I give it a seven

966
01:00:31,120 --> 01:00:37,760
Speaker 1: point five. Wow, Wow, you're tough. So why is seven

967
01:00:37,800 --> 01:00:43,560
Speaker 1: point five? She doesn't have to explain herself, she does,

968
01:00:43,800 --> 01:00:47,320
Speaker 1: I'm with Scott, she does. Oh yeah, you come up

969
01:00:47,360 --> 01:00:49,320
Speaker 1: with a seven point five on a quality episode. At

970
01:00:49,360 --> 01:00:55,120
Speaker 1: least you better? You better. I am definitely a hard

971
01:00:55,680 --> 01:00:59,960
Speaker 1: greater on this, but like, it wasn't a memorable episod

972
01:01:00,000 --> 01:01:02,400
Speaker 1: out for me. It had memorable moments, but as a whole,

973
01:01:03,120 --> 01:01:05,760
Speaker 1: Oh my god, how much Nike will are you on?

974
01:01:07,200 --> 01:01:10,360
Speaker 1: And then disagree all those episodes? When I watched back,

975
01:01:10,400 --> 01:01:13,160
Speaker 1: I was like, oh yeah, like I forgot about it.

976
01:01:13,760 --> 01:01:20,320
Speaker 1: M hm, okay eight and three quarters rotten eggs? Eight

977
01:01:20,360 --> 01:01:24,240
Speaker 1: point seven five? And why why do you give it

978
01:01:24,280 --> 01:01:28,280
Speaker 1: any point seven five? Not higher? Not lower? I think

979
01:01:28,320 --> 01:01:31,560
Speaker 1: the Dean and Rory stuff really just didn't make me happy.

980
01:01:33,200 --> 01:01:36,800
Speaker 1: Ye nine rotten eggs for me, nine rotten eggs because

981
01:01:36,840 --> 01:01:38,440
Speaker 1: I don't look I don't have to love it to

982
01:01:38,560 --> 01:01:42,280
Speaker 1: love it, you know what I mean, Like, I don't

983
01:01:42,280 --> 01:01:45,760
Speaker 1: have to love or and Dean to love the I

984
01:01:45,880 --> 01:01:49,200
Speaker 1: think the whole digger Richard, all that jazz is gnarly,

985
01:01:49,320 --> 01:01:52,600
Speaker 1: but but I love it. And a lower lized dress

986
01:01:52,680 --> 01:01:54,800
Speaker 1: is a was a ten out of ten out of ten,

987
01:01:55,080 --> 01:01:58,880
Speaker 1: so I'm going nine rotten eggs. So I'm experiencing this

988
01:01:59,080 --> 01:02:02,600
Speaker 1: sort of metamor purfaces here as I watched these episodes,

989
01:02:02,680 --> 01:02:05,840
Speaker 1: because I think I started off as a critic of

990
01:02:05,920 --> 01:02:08,880
Speaker 1: the show, and now I've become a true fan of

991
01:02:09,000 --> 01:02:12,840
Speaker 1: the show. So I so I feel like I can

992
01:02:12,960 --> 01:02:16,720
Speaker 1: see things more clearly now because I'm not so judge

993
01:02:17,000 --> 01:02:21,720
Speaker 1: of them are so critical. So I'm enjoying it a

994
01:02:21,840 --> 01:02:28,000
Speaker 1: lot more. Um and uh, I'm going to rate this

995
01:02:28,400 --> 01:02:35,760
Speaker 1: in uh the beautiful golf shots, oh three yards right

996
01:02:35,800 --> 01:02:39,479
Speaker 1: down the middle. Um And I don't mean to sound

997
01:02:39,560 --> 01:02:43,480
Speaker 1: redundant and and listen, I naturally, you know, I I

998
01:02:43,680 --> 01:02:47,240
Speaker 1: look for flaws. Okay, That's what I'm looking for here.

999
01:02:47,280 --> 01:02:51,320
Speaker 1: I just didn't see any. So this was a hole

1000
01:02:51,360 --> 01:02:53,959
Speaker 1: in one. It's it's it's it's a hole in one. Yeah,

1001
01:02:55,360 --> 01:02:58,640
Speaker 1: it's a ten. It's a ten. Beautiful golf shots out

1002
01:02:58,680 --> 01:03:01,600
Speaker 1: of ten. Where were the flaws? I didn't I didn't

1003
01:03:01,680 --> 01:03:05,160
Speaker 1: find a single flaw. This was a seamless episode, not

1004
01:03:05,400 --> 01:03:09,600
Speaker 1: to code stairs. Did the crack staff have anything? Um, gosh,

1005
01:03:09,720 --> 01:03:11,960
Speaker 1: you know what. I don't know that they had a lot.

1006
01:03:12,200 --> 01:03:15,920
Speaker 1: But talk amongst yourselves while I find I will. What

1007
01:03:16,320 --> 01:03:19,760
Speaker 1: what is next week's episode? Oh? I think it's after boom.

1008
01:03:23,800 --> 01:03:26,000
Speaker 1: Oh my gosh, Scott. We do have some exciting news

1009
01:03:26,080 --> 01:03:28,120
Speaker 1: for you that we will tell you off air that

1010
01:03:28,240 --> 01:03:29,880
Speaker 1: people are going to like. But we want to tell

1011
01:03:29,920 --> 01:03:32,760
Speaker 1: you off air first. Sorry. Yeah, I know that's a

1012
01:03:32,880 --> 01:03:39,360
Speaker 1: terrible tease, but that's tease me all day. Leave it,

1013
01:03:40,160 --> 01:03:46,560
Speaker 1: l girl. To talk amongst ourselves. There's nothing more frustrating

1014
01:03:46,640 --> 01:03:49,320
Speaker 1: than we can't tell you guys this, but we're going

1015
01:03:49,360 --> 01:03:53,320
Speaker 1: to talk about it. But then they wonder, you know.

1016
01:03:54,280 --> 01:03:58,280
Speaker 1: I also like to hear from everybody on where they

1017
01:03:58,400 --> 01:04:03,320
Speaker 1: stand on Floyd versus Richard versus Digger, where they stand

1018
01:04:03,400 --> 01:04:08,400
Speaker 1: on Dean versus versus Lindsay, where they stand on what

1019
01:04:08,640 --> 01:04:12,040
Speaker 1: weird old timey car was that in the Gilmour's driveway

1020
01:04:13,280 --> 01:04:17,000
Speaker 1: beard facial hair versus no facial hair. There's a lot

1021
01:04:17,160 --> 01:04:18,920
Speaker 1: of things I'd love to hear about. Yeah, we need

1022
01:04:18,960 --> 01:04:23,360
Speaker 1: everyone's like input for sure. I just listen. I'm good

1023
01:04:23,400 --> 01:04:27,440
Speaker 1: at finding flaws. I like picking things apart, I like detail.

1024
01:04:27,640 --> 01:04:31,320
Speaker 1: I I just you know. Dan Palladino to me, is

1025
01:04:31,440 --> 01:04:35,960
Speaker 1: so impressive. And he built and he wrote and he directed,

1026
01:04:36,080 --> 01:04:37,680
Speaker 1: and I'm sure he had a big hand in the

1027
01:04:37,880 --> 01:04:41,040
Speaker 1: editing as well. I just didn't find a flaw in it.

1028
01:04:41,960 --> 01:04:48,240
Speaker 1: It's a perfect episode. Um. Unfortunately, nothing's coming up for

1029
01:04:48,440 --> 01:04:50,720
Speaker 1: Crackston and the crack staff probably also has a cold.

1030
01:04:50,760 --> 01:04:52,800
Speaker 1: Will join them next week. I just got hang on

1031
01:04:52,880 --> 01:04:59,320
Speaker 1: text message from crack staff. We agree, Scott, this was flawless.

1032
01:04:59,400 --> 01:05:03,400
Speaker 1: There was nothing, okay, all right, all right, so after

1033
01:05:03,520 --> 01:05:06,240
Speaker 1: boom next week, after boom, all right, everybody, thank you

1034
01:05:06,520 --> 01:05:11,400
Speaker 1: so much for downloading. Uh Tara, good seeing you, Danielle Amy,

1035
01:05:11,520 --> 01:05:14,840
Speaker 1: nice seeing you again, and give our best to your

1036
01:05:14,880 --> 01:05:19,000
Speaker 1: support staff who was at Grand Central station over there.

1037
01:05:19,200 --> 01:05:20,920
Speaker 1: It was a little hectic here. Button. I also have

1038
01:05:21,040 --> 01:05:24,760
Speaker 1: next week. We all feel we'll check in. Yeah, we'll

1039
01:05:24,800 --> 01:05:27,160
Speaker 1: be better, all right, everybody, best fans on the planet.

1040
01:05:27,240 --> 01:05:30,640
Speaker 1: Thanks for downloading. We will see you next time and

1041
01:05:30,720 --> 01:06:03,040
Speaker 1: stay safe. M hey everybody, and don't forget follow us

1042
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Speaker 1: on Instagram at I Am all In podcast, and email

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Speaker 1: us at Gilmore at I heart radio dot com. Oh

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Speaker 1: you gil More fans. If you're looking for the best

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Speaker 1: cup of coffee in the world, go to my website

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Speaker 1: for my company, scott ep dot com. S C O

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Speaker 1: T T y P dot com, scott ep dot com

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Speaker 1: Grade one Specialty Coffee. Yeah.