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Speaker 1: My microphone might get mad at me again and just

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Speaker 1: leave because it ghost mics.

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Speaker 2: Well, when you get animated like that, like I could

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Speaker 2: tell you I couldn't hear what you were saying, but

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Speaker 2: you were so animated. I'm like, I really want to

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Speaker 2: hear that.

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Speaker 1: I was taking my hands and it turned off. Those

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Speaker 1: of you who don't know, I have a what we

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Speaker 1: call the ghost mic.

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Speaker 3: Uh.

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Speaker 1: It is the second mic that I've had, uh, because

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Speaker 1: we had to get another one because it the other

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Speaker 1: one kept doing the same thing where it would just

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Speaker 1: randomly mute men taking it personally, Yeah, I really do.

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Speaker 2: God.

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Speaker 1: Uh, I haven't seen you since Turkey Day.

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Speaker 2: Oh, yes, since before we took We took a few days.

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Speaker 2: I'll eat there, so.

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Speaker 1: We took a few days off.

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Speaker 4: I need a full report.

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Speaker 1: How was the How was the turkey in a bucket?

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Speaker 2: Oh? Family? It was amazing? Yes, I oh my gosh,

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Speaker 2: I know it was. It takes like three days of

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Speaker 2: prep just to prepare for Thanksgiving.

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Speaker 1: Trust me, my mom, let me know. Yeah, all three days.

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Speaker 2: I thought of Janice the whole time. No, it was great.

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Speaker 2: The Brian. I showed Michael's mom how to Brian. Oh, Turkey,

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Speaker 2: it's just out perfect, like I didn't even have. Okay,

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Speaker 2: So my cousin Philip is a chef, like a professional chef.

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Speaker 2: Oh so I'm always feeling a little.

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Speaker 1: Interested in your gros because he's he's cooking. He cooks.

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Speaker 2: He works in a retirement home at the restaurant, so

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Speaker 2: he's cooking for all of the and so he comes

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Speaker 2: over at like four thirty and he's tired.

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Speaker 4: He just about it.

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Speaker 2: He doesn't want to host it.

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Speaker 1: But I thought it. I thought you had like some

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Speaker 1: executive chef in your family. I was like, wait a minute,

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Speaker 1: that person needs to be doing the cooking.

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Speaker 2: Okay, no, no, no, he doesn't. He doesn't even cook

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Speaker 2: at home, Like he's just like I'm done.

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Speaker 1: I get that.

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Speaker 2: Yeah, day, I don't want to cook.

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Speaker 1: I mean, neither do I.

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Speaker 2: So right, So he usually like I'll just ask, hey,

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Speaker 2: can you just check the turkey for me? Is it

47
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Speaker 2: done yet? So he sort of just reassures what I'm

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Speaker 2: already doing.

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Speaker 1: He's your human meat thermometer based my human meat.

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Speaker 4: I mean, you said I need.

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Speaker 1: Him to check if it's done. You could do that

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Speaker 1: with a meat thermometer, or you could ask your cousin

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Speaker 1: who is acting as your human meat thermometer to say yes,

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Speaker 1: this is count or not?

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Speaker 4: I mean, is it a visual?

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Speaker 1: Is that what it is? Are you getting a visual

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Speaker 1: of a human meat thermometer?

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Speaker 2: The words meat and thermometer and pro human. There's all

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Speaker 2: sorts of places we could go anyway, anyway, back to

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Speaker 2: the it wasn't there for any of that. So I

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Speaker 2: was able to do the entire thing. I had the

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Speaker 2: meat thermometer, the real one, like the real one, the

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Speaker 2: real one, and so I did it all on my own.

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Speaker 2: I didn't need his reassurance. And the bird came out

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Speaker 2: of the oven, and then he arrived and he's like, wow,

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Speaker 2: this is this looks really good, Like this is you

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Speaker 2: did it right? I was like, oh, just it's the validation.

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Speaker 2: I just needed the validation.

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Speaker 1: So amazing. It was great.

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Speaker 2: It was such a it was such a great Thanksgiving.

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Speaker 2: I loved it. I was so tired. I got a

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Speaker 2: massage the next day.

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Speaker 1: Exhausted.

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Speaker 2: Yeah, my legs were so sore just from standing. Yeah,

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Speaker 2: days and days and days.

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Speaker 1: Yeah.

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Speaker 2: So yeah, but it was It was so lovely. It

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Speaker 2: was a little sport Thanksgiving. She did great.

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Speaker 1: Family do with everybody being in the house.

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Speaker 2: She was more scared of like the hand mixer and

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Speaker 2: the blender, Like she was scared of the kitchen utense

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Speaker 2: kitchen appliances.

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Speaker 1: Yeah, the appliance loud and noisy.

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Speaker 2: And so she hid in my closet for like the

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Speaker 2: first half of the day.

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Speaker 4: She was like, I don't know what you're whipping, but

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Speaker 4: you need to stop it.

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Speaker 2: But by the time people started coming over, she was fine.

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Speaker 2: She just stayed on the couch. She's as I was

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Speaker 2: saying earlier, she's in heat.

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Speaker 1: So that creates the boy you know that was I

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Speaker 1: had one more hormonal the mix, you know what I mean?

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Speaker 2: Yeah, yeah, well, I mean we she just finished her

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Speaker 2: vaccines and so like we're find like, okay, now in

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Speaker 2: the clear to get her spade. But then now she's

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Speaker 2: in heat, so now we have to wait. But she's

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Speaker 2: she's fully vaccinated. Okay, good she is. So she's in

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Speaker 2: the humping phase, which is a little awkward front of

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Speaker 2: company that she only wants to hunt me and she

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Speaker 2: only wants to hunt my arm that I don't.

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Speaker 1: Is it, I guess, I don't know.

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Speaker 2: Is it a bond, like, is it a dominance thing

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Speaker 2: or is it a hormone thing? I don't. I didn't

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Speaker 2: know that female dogs do this. I thought it was

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Speaker 2: a male dog thing. But female dogs are.

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Speaker 1: Doing the look female dogs have needs to but.

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Speaker 2: The urges, it's it's okay, I don't. We don't need

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Speaker 2: to start off the day we're talking.

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Speaker 1: We don't need to start off.

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Speaker 2: Female dog is helping your arm.

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Speaker 1: But but we could? I mean, I think we kind

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Speaker 1: of have well, but it's a question that'll never be answered.

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Speaker 2: I'm warning you in case because she's in my office

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Speaker 2: with me today.

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Speaker 1: So have you said your arm and there's a dog

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Speaker 1: just humping away on it. I'll be like, do you

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Speaker 1: need a minute, I'll just keep my arm for the yeah. Right,

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Speaker 1: Why are your arms up? Why are you doing the

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Speaker 1: y of the y m z A. I'm just trying

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Speaker 1: to keep my dog from umping my arm.

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Speaker 4: Okay, cool?

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Speaker 1: Anyways, how was your Thanksgiving? How was Janice? You mean

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Speaker 1: Janice Sweeten and thanks Thanksgiving? Jana sweet and Thanksgiving was excellence.

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Speaker 1: She also prepared everything for like three days, even though

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Speaker 1: she had said she was gonna like farm stuff out

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Speaker 1: and have other people. No, no, no, no, no, I

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Speaker 1: knew I was. I said, what do you want other

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Speaker 1: people to bring? She said, oh, nothing and legible tray.

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Speaker 2: She wants the vegeta veg.

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Speaker 1: Right, and Celia brought the veggie tray. Yeah, no, it was.

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Speaker 1: It was lovely. It was the you know, it was

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Speaker 1: the normal amount of sweetened family stress, which is usually

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Speaker 1: just me like as the fulcrum, and then my parents

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Speaker 1: on either side driving each other bananas. Miscal found out

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Speaker 1: the difference between a saucer and a bread plate. Because no,

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Speaker 1: So after dinner, me and Celia and Emma, I'll go

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Speaker 1: in the kitchen because we're gonna clear the table, do

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Speaker 1: the dishes. We let everybody sit, and we'll serve pie

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Speaker 1: and do.

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Speaker 4: All that stuff.

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Speaker 1: Well, first of all, I'm like, I'm gonna make a

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Speaker 1: pot of coffee. So I go in there, turn the

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Speaker 1: coffee maker on. There's a switch on the side, and

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Speaker 1: you push a brew button. Right, I've simple, I'm forty

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Speaker 1: three years old. I can operate coffee machines. Of course,

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Speaker 1: said it before, and I've done it at my parents'

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Speaker 1: house with this coffee machine many times. Why does my

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Speaker 1: dad come over and push me out of the way

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Speaker 1: and say that I'm doing it wrong? I said, what's

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Speaker 1: one button?

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Speaker 2: Do you mean?

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Speaker 4: He said, Well, you got to turn it on first,

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Speaker 4: I said, you mean the.

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Speaker 1: Button on the side that I just put. Well, no, no, no,

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Speaker 1: and he hits it, turns it off, and then he goes, oh,

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Speaker 1: well actually yeah, that was the one.

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Speaker 2: Oh right, He.

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Speaker 1: Goes, well, then you got to do this, I said,

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Speaker 1: push the brew button.

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Speaker 4: He was like, well yeah, and I was like, I.

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Speaker 1: Thank you, thank you.

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Speaker 4: But I've got it.

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Speaker 2: Damn.

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Speaker 1: But that's my dad. He will come there.

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Speaker 4: Oh.

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Speaker 1: He wouldn't sit down. My Mom's yelling at me to

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Speaker 1: make him sit down. I'm like, do you think I

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Speaker 1: have control over that man?

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Speaker 2: Yeah? No, he needs to be fixing things. He's busy.

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Speaker 1: He was not using his cane, like his back was

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Speaker 1: so bad, not because he doesn't need it, because his

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Speaker 1: pride is so great that he won't use it when

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Speaker 1: me and the grandkids are around.

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Speaker 2: Oh Sam, And he.

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Speaker 1: Kept coming in the kitchen and I.

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Speaker 4: Was like, would you go away, sit down? I don't

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Speaker 4: need you.

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Speaker 1: And my mom was fretting over timers for various things

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Speaker 1: that I didn't have them going, even though I said

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Speaker 1: I could set multiple timers on my phone and manage

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Speaker 1: that pretty well. Okay, And anyway, the saucer business so

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Speaker 1: we're clearing the table. Coffee is made after I almost

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Speaker 1: screwed it up.

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Speaker 2: Yeah, screwed that up.

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Speaker 1: I pour it into a teacup, and Mescal takes said

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Speaker 1: teacup from mom's fancy schmancy china. Takes teacup and puts

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Speaker 1: it in and gives it to her on the table,

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Speaker 1: and she.

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Speaker 5: Says, where's the saucer? And that was like, it wasn't

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Speaker 5: like it. I don't know if it was kidding or not.

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Speaker 2: You know what, it's gonna come off judge whether she

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Speaker 2: meant well or not.

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Speaker 1: She meant it judgy, you know. And so she was like,

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Speaker 1: where's the saucer And so he goes in the kitchen

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Speaker 1: and grabs the first little small, tiny.

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Speaker 4: Plate he sees.

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Speaker 1: Oh right, he grabs that and hands it to him.

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Speaker 1: She goes, that's a bread plate. Oh, the saucer has

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Speaker 1: the thing. Oh gosh. He comes in the kitchen and

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Speaker 1: he's like, well, I just learned what a saucer is.

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Speaker 1: I was like, and don't you forget it.

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Speaker 2: Don't you forget it? That's so Janice.

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Speaker 1: Yeah, And then she brought up the dollop of whipped

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Speaker 1: cream joke last year that my friend Emma because my

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Speaker 1: mom said she just wanted a dollop of whipped cream. Okay,

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Speaker 1: So we were serving the pie and my friend Emma,

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Speaker 1: who's like a faue daughter at the house, put literally

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Speaker 1: like a comically tiny bit a bit of whip cream

209
00:09:05,280 --> 00:09:06,680
Speaker 1: on there and served it to my mom and she

210
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Speaker 1: was like, what is this? This is I wanted more

211
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Speaker 1: than that, Like it was a lying and so we

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Speaker 1: brought up the great dollup incident of twenty twenty four. Yeah,

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Speaker 1: and she yeah, and she was still like, well it

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Speaker 1: was ridiculous, like and I was like, oh my.

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Speaker 2: Gosh, choke.

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Speaker 1: Yeah.

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00:09:22,360 --> 00:09:23,640
Speaker 2: Is that a part of the sweeten lore.

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Speaker 1: It's part of the sweeten lore? It is.

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00:09:25,960 --> 00:09:26,240
Speaker 2: Yeah.

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Speaker 1: So Thanksgiving, No, it was. It was lovely. Family was there,

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Speaker 1: the kids were there. But you know, it's, uh, it's

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Speaker 1: an experience. It's an experience. It's an experience because it

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Speaker 1: has to be perfect. And I don't care if it's perfect,

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Speaker 1: but my mom very much does. So there is always

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Speaker 1: some tension there in the uh me going you should

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Speaker 1: really let this go, and her being like, don't tell me,

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Speaker 1: Why don't you don't say that to Janice? And I

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Speaker 1: don't say that directly but I know, not directly, but

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Speaker 1: I'm like, ma, come on, it's we're okay. You know,

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Speaker 1: it's gonna be all right.

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Speaker 2: Someday I'm going to ditch my family and just come

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Speaker 2: to the Sweetened House or the watch.

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Speaker 1: Just watch. It sounds fascinating. It is a fascinating at

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Speaker 1: it is it really is.

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Speaker 2: It is family dynamics, like a therapist would have a

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Speaker 2: field day.

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Speaker 1: Oh my god, if a therapist came and sat in

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Speaker 1: the corner and just wrote it and anyone's Thanksgiving really,

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Speaker 1: you know, just sat there and was like, oh, this

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Speaker 1: is a great field study.

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Speaker 4: Yeah no, but it was good.

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Speaker 2: Uh.

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Speaker 1: And then I got violently ill Thanksgiving night, and I

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Speaker 1: luckily it was not my mom's cooking, because I was.

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Speaker 1: My first thought was like, oh my god, my mom's

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Speaker 1: give everybody food poisoning.

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Speaker 4: She would she would die, right.

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Speaker 1: That was not the case.

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Speaker 2: No.

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Speaker 1: I went down to downtown to the mission to serve

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Speaker 1: food on Wednesday, and I think I probably picked up

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Speaker 1: something there, like those stomach viruses are you know, pick

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Speaker 1: it up on a door handle or whatever. And I

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Speaker 1: was right handling a lot of stuff and whatever. But

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Speaker 1: but that was a fun surprise. The whole next day

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Speaker 1: was kind of ruined. But I feel like I broke

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Speaker 1: even as far as the caloric intake.

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Speaker 2: Well yeah, but then you didn't get to enjoy the

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Speaker 2: leftovers or you're not allowed.

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Speaker 1: We didn't bring leftover. We didn't, We didn't. We had

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Speaker 1: not a leftover my parents. We left it at my parents.

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Speaker 1: We didn't take them. I don't want to that's I

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Speaker 1: want to do. We don't need them.

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Speaker 4: No one's gonna eat them. It's been a week.

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Speaker 2: I'm still eating off the ham like he's just delicious.

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Speaker 1: Yeah no, we no, you know. We left there and

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Speaker 1: I was like, the only thing I would have wanted

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Speaker 1: was maybe a piece of boys and berry pie. But again,

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Speaker 1: the later that evening really ruined that.

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Speaker 2: So yeah, am darn Did anybody else the house get

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Speaker 2: sick or just you?

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Speaker 1: No, just me me? Which was what made me think

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Speaker 1: I was the only one that went somewhere like and

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Speaker 1: was handling a bunch of stuff around a bunch of people. Yeah,

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Speaker 1: yeah darn it, but I hope I didn't. Don't give

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Speaker 1: it to anybody anyway. Thanksgiving was great. The Macy's Thanksgiving

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Speaker 1: Day parade.

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Speaker 2: Was just this is amazing, This is a journey was

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Speaker 2: emoting about earlier and I got broker mic.

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Speaker 1: I got so excited that my mic shut me off.

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Speaker 2: No this, So I didn't watch it because I was cooking,

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Speaker 2: so I had it on, but I didn't watch.

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Speaker 1: I please watch the Thanksgiving Day Parade and the Rose

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Speaker 1: Parade on New Year's I love the Rose Parade. I

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Speaker 1: am a little old lady and I like my two

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Speaker 1: parades even though they are basically just capitalistic commercials at

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Speaker 1: this point, which you're like, whatever, just show me the

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Speaker 1: dancing musical people and give me. But this year, this year,

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Speaker 1: and it's all over like the internet and you know,

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Speaker 1: memes and stuff. This year, whatever elder millennial was in

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Speaker 1: charge of talent hiring this year absolutely killed it.

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Speaker 2: Oh I love it.

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Speaker 1: It was okay. We had bust of Rhymes doing a medley.

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Speaker 1: I forget what. I forget what float he was on,

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Speaker 1: forget who's what? Little John was on the toys r

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Speaker 1: rust float nice, going hard but turned down for what

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Speaker 1: the whole thing Geoffrey the giraffe was spinning like was

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Speaker 1: add a little DJ thing and his giant head would

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Speaker 1: flop back and forth and a sunglasses would fly up

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Speaker 1: and down. Oh, Buster Rhymes was on the I think

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Speaker 1: he was on the Sesame street, Sesame streets and Buster rhymes.

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Speaker 2: This is like, I haven't seen you this excited since

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Speaker 2: I don't know since your muppets live.

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Speaker 1: What I'm saying, this is what I'm saying it. Finally,

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Speaker 1: I just want it to be known that I have.

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Speaker 4: I have stuck through it. Heay, year after year of.

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Speaker 1: Mediocre performances and not great things.

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Speaker 2: But you're dedicated.

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Speaker 1: You're dedicated, and I love it, and it is a

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Speaker 1: moment for me. Yeah, this year it paid off. It

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Speaker 1: paid finally, finally paid off. Filt I felt vindicated. I

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Speaker 1: felt vindicated as to why I have continued to watch

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Speaker 1: as if I knew that at some point it would

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Speaker 1: be cool.

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Speaker 2: This raises the expectations for the Have you ever seen

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Speaker 2: the Rose Parade live? Have you gone out there? I

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Speaker 2: did it once as a now scout my troop. We

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Speaker 2: left it three in the morning. We went out there.

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Speaker 2: We were like, we knew somebody with an office building

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Speaker 2: access so we were able to sit on the roof

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Speaker 2: and watch from there. But yeah, it's an experience. That's Hey,

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Speaker 2: if we ever want to just go sleep on the

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Speaker 2: streets of Pasadena one night, and then commentary it's.

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Speaker 1: Not as you know what I mean, but not for

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Speaker 1: New Year's.

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Speaker 2: I had there done that, but yeah, it was on

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Speaker 2: a Tuesday.

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Speaker 1: It was weird. H No, I've always wanted to go

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Speaker 1: see them in person because I think they're like incredible. Yeah,

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Speaker 1: and and yet also I look at and I go,

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Speaker 1: oh my god about all those flowers, Like yeah, but

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Speaker 1: then I'm like, but what are you to do with them? Anyway?

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Speaker 1: You raise them and they die, so you got to

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Speaker 1: use them for something? At thirty, you can. No. I

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Speaker 1: don't think I will ever want to go anywhere on

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Speaker 1: New Year's Day, uh with a lot of people, or

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Speaker 1: New Year's Eve for that matter. Right, well, yeah, I'm

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Speaker 1: square nightmare.

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Speaker 2: Oh that used to be on my bucket list when

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Speaker 2: I was twenty Yeah. Well yeah, like then I turned

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Speaker 2: like twenty five and I was like, heck can I.

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Speaker 1: Like, I can stand out in the cold and get

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Speaker 1: drunk anywhere. I don't need to do it in a

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Speaker 1: place where I have to wear depends because I can't

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Speaker 1: pee for eight hours? Wait, how do you pee? Like?

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Speaker 1: This is this you wear?

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Speaker 2: Depends where all those people are wearing?

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Speaker 1: Depends out there? Yeah, I mean I don't know about

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Speaker 1: all of them, but those that have done it before,

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Speaker 1: that is, how are you gonna which you're out there, you.

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Speaker 2: Can't you can't get any It sounds like a nightmare.

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Speaker 2: It's too many people, it's too cold, like just no. Yeah.

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Speaker 2: My favorite part of the of the Rose Parade though,

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Speaker 2: is seeing the people who slept out on the street

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Speaker 2: the night before, went hard at midnight and they are

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Speaker 2: sleeping through the entire parade and they're streaking bags.

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Speaker 1: Right, You're like this was worth it, wasn't it?

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Speaker 4: Yeah?

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Speaker 1: I know my mom did it when she was young.

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Speaker 1: As she said, she went out one year and like

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Speaker 1: went friends and stayed out there and she was like

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Speaker 1: it was cold and not really worth it.

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Speaker 2: So it is cold, I mean for for California, California,

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Speaker 2: but yeah, but what an experience. That's Uh, I'm excited

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Speaker 2: for the Rose Parade. Like who knows who knows to

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Speaker 2: pop out of the Rose Parade this year?

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Speaker 1: Who knows what's going to happen.

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Speaker 2: Whoever was in charge of the Macy's parade needs to

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Speaker 2: talk to the Yeah, talk to.

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Speaker 1: The Rose Committee, Parade committee, give McCall Ombasadena and be like, yo,

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Speaker 1: I know there's kind of like a little but we

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Speaker 1: need to we need to like amput up a little up.

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Speaker 2: Yeah, the expectations are high now after the Macy's Thanksgiving.

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Speaker 1: Day Parade, So it's true. I just can't wait to

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Speaker 1: We're the old people, you know what I mean, Like

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Speaker 1: this is still going to be.

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Speaker 2: Our oldies, right, Yeah, it's like, yeah, we should. I

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Speaker 2: someday we should do live commentary on either the Thanksgiving

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00:17:10,000 --> 00:17:12,960
Speaker 2: Day Parade or the Rose Parade. We should just sit

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Speaker 2: there like like commentators, but we don't know what we're

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Speaker 2: talking about.

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Speaker 1: Mystery Science Theater. Yeah, oh, I'll make up stuff. Stephanie

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Speaker 1: Edwards and bog You Banks, God love them. Oh they

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Speaker 1: do it anymore. Duo the best duo I know anymore.

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Speaker 1: I know it's different without them. I will really is definitely, but.

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Speaker 2: We could do it and it could sure fill in

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Speaker 2: so much better. And yeah, three three Fanerritos listening would

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Speaker 2: love it. Yeah, absolutely, absolutely amazing.

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Speaker 1: Most importantly be fun for us, super fun. Speaking of fun,

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Speaker 1: should we get into the show and I know we're

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Speaker 1: just sitting here, I'm sorry, just it was the it

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Speaker 1: was the parade, it was we had to recap.

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Speaker 2: We haven't seen each other.

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Speaker 1: And Thanksgiving was a big thing to discuss. Yeah.

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Speaker 2: Sorry, okay, we are done with Thanksgiving. We're moving on

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Speaker 2: now to our recap. Welcome back to How Tan Ritos.

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Speaker 2: I'm Andrea Barber and I'm Jody Sweeten, and today we

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Speaker 2: are finally discussing season five, Episode twenty five, Captain Video,

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Speaker 2: Part one.

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Speaker 1: We're gonna end the season on a part tour.

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Speaker 2: Yes, this is a part tour. I did that this

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Speaker 2: morning anyway. So it's aired on May fifth, nineteen ninety two,

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Speaker 2: and it goes a little something like this. A record

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Speaker 2: company wants to shoot a music video for Jesse's cover

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Speaker 2: of the Beach Boys song Forever.

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Speaker 1: Oh this is the video.

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Speaker 2: Says well, not in this one. I think it's kind

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Speaker 2: of next week, right, the rap the Forever wrap. Yes, gosh,

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Speaker 2: I'm dreading that. I'm dreading seeing this.

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Speaker 1: I'm so excited.

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Speaker 2: I'm already cringing it. It is so good. My question,

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00:18:57,840 --> 00:19:01,359
Speaker 2: excuse me, my question is Okay, so this this aid May,

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Speaker 2: this aired.

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Speaker 1: Part this part tour was this sweeps week?

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Speaker 2: Like this is what probably put on for sweep sweep.

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Speaker 1: Yeah, because May is usually sweeps, right, So like, so

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Speaker 1: this is this and and and uh part two.

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Speaker 2: Yeah, it didn't feel like a sweeps week. It was

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Speaker 2: the Beach Boys caliber.

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Speaker 1: That was a you know what I mean, it was

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Speaker 1: a stunt cast moment.

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Speaker 2: Okay, well, okay, then I can see that. That's that's

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Speaker 2: what made it special. I guess. Okay, just yeah, Beach

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Speaker 2: Boys is randomly stopping by the Tanner House. Again, That's

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Speaker 2: what they do.

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Speaker 1: It's just what they do, and not even an acknowledgment

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Speaker 1: of like have we been here before?

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Speaker 4: Anyway, we'll get there, We'll get there, Okay.

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Speaker 2: This episode was directed by joel's Wick. It was written

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Speaker 2: by Mark Fink and Boyd Hale. And we have lovely

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00:19:47,560 --> 00:19:50,720
Speaker 2: guest stars, like we just mentioned Mike Love and Bruce Johnston.

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Speaker 2: They are playing themselves as the Beach Boys and we

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Speaker 2: love them. Molly or returns as Carrie she was in

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Speaker 2: last week's episode. Uh. And Brian Robbins is playing David

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00:20:04,560 --> 00:20:07,760
Speaker 2: Janna Laurie. You will know him as Eric on Head

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Speaker 2: of the Class. I was gonna say, I was like, yeah,

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00:20:10,280 --> 00:20:12,280
Speaker 2: I remember, he looked so familiar. He did a million

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00:20:12,640 --> 00:20:16,200
Speaker 2: guest spots, General Hospital, Threes Company, Facts of Life, Night Writer,

439
00:20:16,400 --> 00:20:19,800
Speaker 2: Different Strokes, Growing Pains, mister Belvedere like he was.

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Speaker 1: He did everything back in the nineties.

441
00:20:22,680 --> 00:20:25,000
Speaker 4: That's amazing and we love it.

442
00:20:25,040 --> 00:20:28,520
Speaker 2: He's he's gonna be back next week too. And then

443
00:20:28,560 --> 00:20:30,679
Speaker 2: we have this wasn't listed in the rundown, but this

444
00:20:30,840 --> 00:20:33,320
Speaker 2: ken Mary is playing the drummer. I don't know why

445
00:20:33,400 --> 00:20:36,840
Speaker 2: he got a special shout out and not Uh the

446
00:20:36,880 --> 00:20:39,560
Speaker 2: other rippers. I don't know whatever anyway, I have no idea.

447
00:20:39,600 --> 00:20:41,800
Speaker 2: I don't know either. Anyways, he's an excellent, a special ripper.

448
00:20:41,840 --> 00:20:44,440
Speaker 2: He's a special He's a special ripper. It's the drummers.

449
00:20:44,520 --> 00:20:47,360
Speaker 2: John's like, give the drummers. Give the drummers credit. Yeah,

450
00:20:47,400 --> 00:20:58,080
Speaker 2: he loves the drummers. We start in the living room.

451
00:20:58,080 --> 00:20:59,880
Speaker 2: There's no teaser. We go straight to the show.

452
00:21:00,400 --> 00:21:01,280
Speaker 1: Right to business.

453
00:21:01,520 --> 00:21:04,680
Speaker 2: Uh. Danny and Stephanie and Michelle are surrounded by a

454
00:21:04,720 --> 00:21:07,600
Speaker 2: group of honey bees as they sing along to the

455
00:21:07,680 --> 00:21:12,720
Speaker 2: Honeybee anthem. I've missed this. I have missed the honey bees.

456
00:21:12,800 --> 00:21:14,160
Speaker 2: It's been a lot of honey bees.

457
00:21:14,320 --> 00:21:16,119
Speaker 1: Yeah, I know they were adorable.

458
00:21:16,520 --> 00:21:20,480
Speaker 6: Buzz Yeah.

459
00:21:20,480 --> 00:21:22,880
Speaker 2: And I love that Bob is wearing matching colors. He's

460
00:21:22,880 --> 00:21:25,040
Speaker 2: got yellow yellow, a black card.

461
00:21:25,080 --> 00:21:25,320
Speaker 1: Again.

462
00:21:26,600 --> 00:21:28,080
Speaker 2: He's such a good dad. I love.

463
00:21:28,480 --> 00:21:29,920
Speaker 4: Yeah, he's a little honey Bee dad.

464
00:21:30,960 --> 00:21:34,040
Speaker 2: So for the first time, Michelle is wearing the uniform

465
00:21:34,280 --> 00:21:39,359
Speaker 2: and the black antennas. Oh boy, and Steph, who retired

466
00:21:39,400 --> 00:21:43,480
Speaker 2: her Honeybee status, brags about how old, how her old

467
00:21:43,560 --> 00:21:47,159
Speaker 2: hive voted her queen Bee, and Michelle rolls her eyes

468
00:21:47,200 --> 00:21:48,879
Speaker 2: at the obvious self praise.

469
00:21:50,000 --> 00:21:51,720
Speaker 1: And I also would like to point out that I

470
00:21:51,760 --> 00:21:56,159
Speaker 1: am dressed like a substitute teacher of some sort or

471
00:21:56,280 --> 00:22:00,159
Speaker 1: like I'm going to my uh temp office job. You

472
00:22:00,200 --> 00:22:00,560
Speaker 1: know what I mean.

473
00:22:00,600 --> 00:22:02,800
Speaker 2: It looked very I was gonna say news anchor, but yeah, you.

474
00:22:03,119 --> 00:22:06,040
Speaker 1: Looked very colorful.

475
00:22:06,080 --> 00:22:06,560
Speaker 2: News anchor.

476
00:22:06,920 --> 00:22:09,879
Speaker 1: Desk receptionist at a high end law firm was what

477
00:22:09,920 --> 00:22:10,560
Speaker 1: it was giving me.

478
00:22:10,960 --> 00:22:13,600
Speaker 2: It's it's like warg You got a note from Jeff

479
00:22:13,640 --> 00:22:16,280
Speaker 2: saying ate her up a little bit, make her older

480
00:22:16,280 --> 00:22:17,440
Speaker 2: than the honey Bees.

481
00:22:17,520 --> 00:22:17,880
Speaker 1: So good.

482
00:22:17,920 --> 00:22:19,240
Speaker 4: Yeah, and now she looks seventy.

483
00:22:19,320 --> 00:22:23,960
Speaker 2: Okay you did, but hey, you could pull it off.

484
00:22:23,960 --> 00:22:28,399
Speaker 2: You were adorable. Uh. So Danny is leading today's meeting

485
00:22:28,440 --> 00:22:32,240
Speaker 2: and he asks everyone to welcome their new bee Michelle,

486
00:22:32,680 --> 00:22:36,600
Speaker 2: and they all give her buzzes in response. Then Danny

487
00:22:36,600 --> 00:22:41,080
Speaker 2: and Steph present her with her official sash Danny starts

488
00:22:41,080 --> 00:22:44,240
Speaker 2: to reminisce about all three of his daughters being honeybees.

489
00:22:44,600 --> 00:22:47,399
Speaker 2: He tells the group of girls, I've put three bees

490
00:22:47,480 --> 00:22:50,280
Speaker 2: through the hive. I don't mean to drone on, but

491
00:22:50,480 --> 00:22:54,600
Speaker 2: who better to drone with than a bunch of bees? Huh.

492
00:22:54,640 --> 00:22:57,119
Speaker 2: He laughs at the clever joke, but the little girls

493
00:22:57,160 --> 00:22:58,800
Speaker 2: just stare at him with confusion.

494
00:23:00,119 --> 00:23:02,320
Speaker 1: I thought it was great. It's any great jokes.

495
00:23:02,400 --> 00:23:03,040
Speaker 4: I still wonder.

496
00:23:03,160 --> 00:23:04,840
Speaker 1: I feel like there's probably still a large amount of

497
00:23:04,840 --> 00:23:06,560
Speaker 1: people though, that are like that, don't get the joke.

498
00:23:07,040 --> 00:23:11,679
Speaker 1: Maybe to drone on the drone bees? Right, Yeah, I

499
00:23:11,680 --> 00:23:13,760
Speaker 1: don't know. I don't know if everybody knows what they're

500
00:23:14,160 --> 00:23:15,080
Speaker 1: that their reference is.

501
00:23:15,640 --> 00:23:16,080
Speaker 4: I don't know.

502
00:23:16,320 --> 00:23:18,320
Speaker 2: Well, I thought it was funny.

503
00:23:18,600 --> 00:23:20,160
Speaker 4: I thought it was a hilarious joke.

504
00:23:20,240 --> 00:23:21,720
Speaker 1: No, I thought it was great. It was such a

505
00:23:21,800 --> 00:23:22,359
Speaker 1: dad joke.

506
00:23:22,320 --> 00:23:26,959
Speaker 2: Such a dad joke. It was such a Danny Tanner joke. Yes, yeah. Uh.

507
00:23:27,080 --> 00:23:30,120
Speaker 2: So he places the sash on Michelle and she notices

508
00:23:30,200 --> 00:23:34,600
Speaker 2: that there are no badges on there. Stephanie explains, you

509
00:23:34,680 --> 00:23:37,840
Speaker 2: have to earn them by doing projects. You know, I

510
00:23:37,880 --> 00:23:40,960
Speaker 2: had so many badges I had to wear two sashes.

511
00:23:41,400 --> 00:23:44,480
Speaker 2: In fact, I earned a badge for earning the most badges.

512
00:23:45,000 --> 00:23:50,320
Speaker 4: Shut up stuff, not too much, doing too much.

513
00:23:50,960 --> 00:23:54,399
Speaker 2: I love it though. She's so proud. It's her pride

514
00:23:54,480 --> 00:23:57,680
Speaker 2: and joy. Are these accomplishments she worked for me. Shelle

515
00:23:57,760 --> 00:24:01,199
Speaker 2: rolls her eyes once more and says, somebody, he's bragging again.

516
00:24:02,080 --> 00:24:05,720
Speaker 2: So all right, Michelle's calling you out. But hey, you

517
00:24:06,080 --> 00:24:08,000
Speaker 2: worked hard on those badges. You deserved bragging.

518
00:24:08,000 --> 00:24:12,000
Speaker 1: You're damn right. Yeah, exactly how many you know how

519
00:24:12,000 --> 00:24:15,040
Speaker 1: many baskets I had to weave and and and and

520
00:24:15,440 --> 00:24:18,359
Speaker 1: uh cornbreads I had to cook with the power of

521
00:24:18,400 --> 00:24:20,200
Speaker 1: the sun for so many.

522
00:24:20,000 --> 00:24:21,560
Speaker 2: Yes, churning your own butter.

523
00:24:21,760 --> 00:24:21,960
Speaker 7: Yeah.

524
00:24:22,080 --> 00:24:24,399
Speaker 2: Yeah, you have a lot to do, yea. It's a

525
00:24:24,400 --> 00:24:29,480
Speaker 2: busy honeybee, well earned badges. Next in the studio, Jesse

526
00:24:29,600 --> 00:24:32,280
Speaker 2: and Joey are dressed up in their Lumberjack Jess and

527
00:24:32,440 --> 00:24:33,960
Speaker 2: Ranger joe uniforms.

528
00:24:34,400 --> 00:24:41,560
Speaker 1: Why the first I was like, why what are you doing?

529
00:24:42,000 --> 00:24:43,000
Speaker 1: Why are you in your outfits?

530
00:24:43,040 --> 00:24:45,400
Speaker 2: You're at home right, Why aren't you in your sweats?

531
00:24:45,800 --> 00:24:46,080
Speaker 1: Well?

532
00:24:46,200 --> 00:24:49,959
Speaker 2: Maybe they needed I was gonna say they they had

533
00:24:49,960 --> 00:24:53,399
Speaker 2: to be in character. And so Jesse is performing a

534
00:24:53,440 --> 00:24:57,080
Speaker 2: new theme song for the show. When the song ends,

535
00:24:57,200 --> 00:25:00,280
Speaker 2: Jesse asks if Joey liked the new song, and Joey

536
00:25:00,320 --> 00:25:04,560
Speaker 2: Flatley responds, you're fired. Jesse assumes he's joking and says, oh,

537
00:25:04,560 --> 00:25:06,760
Speaker 2: I get it. You want your name first. You're such

538
00:25:06,760 --> 00:25:10,560
Speaker 2: a baby. He begins to reformat the song when Joey interrupts,

539
00:25:10,680 --> 00:25:15,360
Speaker 2: forget about the music, You're still fired. Jesse's in disbelief.

540
00:25:15,440 --> 00:25:18,600
Speaker 2: So Joey explains that there's been some budget cuts at the.

541
00:25:18,560 --> 00:25:22,199
Speaker 1: Station, damn, and they must have cut mister Strawbridge too,

542
00:25:22,200 --> 00:25:25,680
Speaker 1: because they got this guy hiring and firing people right.

543
00:25:26,600 --> 00:25:27,800
Speaker 4: They're like, why did he start?

544
00:25:28,080 --> 00:25:30,080
Speaker 2: Why did he wait until the song? Like, couldn't you

545
00:25:30,119 --> 00:25:32,479
Speaker 2: have mentioned this like when they woke up that morning,

546
00:25:32,640 --> 00:25:34,320
Speaker 2: or when they like why did Joey before.

547
00:25:34,080 --> 00:25:36,520
Speaker 1: He put his lumberjack out? For like, why did they

548
00:25:36,640 --> 00:25:39,560
Speaker 1: went to the trouble of lacing up those giant boots

549
00:25:40,160 --> 00:25:41,000
Speaker 1: that time?

550
00:25:41,760 --> 00:25:44,480
Speaker 2: That's at least six minutes per boots, right, But Joey's

551
00:25:44,520 --> 00:25:48,000
Speaker 2: just in the you know he's watching right right, Yeah,

552
00:25:48,200 --> 00:25:53,160
Speaker 2: it's just so funny. So Joey adds, I almost said

553
00:25:53,200 --> 00:25:56,080
Speaker 2: to them, hey, if he goes, I go. But I

554
00:25:56,119 --> 00:26:00,439
Speaker 2: really like it there, Jesse stammers, you're really fire me,

555
00:26:00,680 --> 00:26:04,480
Speaker 2: I'm fired. He points to mister Woodchuck and shouts fire him.

556
00:26:05,480 --> 00:26:08,040
Speaker 2: He picks up the dummy and continues, Look, I'll do

557
00:26:08,080 --> 00:26:10,280
Speaker 2: the dumb jokes and wear the stupid outfit. I'll do

558
00:26:10,359 --> 00:26:15,560
Speaker 2: anything but sit on your hand. Toy reminds him that

559
00:26:15,600 --> 00:26:20,960
Speaker 2: mister Woodchuck doesn't get paid a salary. Realization hits. Jesse

560
00:26:21,160 --> 00:26:23,800
Speaker 2: can't believe he's begging to be on a kiddie show

561
00:26:24,160 --> 00:26:28,439
Speaker 2: and he's jealous of a bucktoothed beaver. He shakes his

562
00:26:28,480 --> 00:26:30,879
Speaker 2: head and admits, this wasn't my dream to be on

563
00:26:30,920 --> 00:26:33,119
Speaker 2: a kiddie show. You know what, this is a sign

564
00:26:33,320 --> 00:26:35,520
Speaker 2: I'm going to put all my energy right back into

565
00:26:35,560 --> 00:26:36,000
Speaker 2: my music.

566
00:26:36,680 --> 00:26:38,240
Speaker 4: He walks over again again.

567
00:26:38,400 --> 00:26:40,920
Speaker 1: I can't when did he take his energy right back out?

568
00:26:41,000 --> 00:26:43,200
Speaker 2: I don't think he ever did he take his energy

569
00:26:43,200 --> 00:26:45,359
Speaker 2: out of the music? No? Why are we Why do

570
00:26:45,480 --> 00:26:49,160
Speaker 2: we keep revisiting this? Why is he always angsty about

571
00:26:49,160 --> 00:26:52,560
Speaker 2: his music career when he's never really stopped his I

572
00:26:52,600 --> 00:26:56,080
Speaker 2: don't know. You're not meant to watch the show in

573
00:26:56,119 --> 00:26:59,280
Speaker 2: successions every week for two years straight, so that's why.

574
00:26:59,480 --> 00:27:03,480
Speaker 1: Well, yeah, actually, yeah, you are well actually there's a break.

575
00:27:03,560 --> 00:27:05,000
Speaker 4: Literally the entire.

576
00:27:04,840 --> 00:27:06,600
Speaker 1: Way that you're supposed to watch this.

577
00:27:07,400 --> 00:27:10,080
Speaker 2: Trek in one season. We need like to take a

578
00:27:10,080 --> 00:27:13,200
Speaker 2: four month break in between season five and six. We're

579
00:27:13,200 --> 00:27:16,680
Speaker 2: not doing that. We're going right into into season Sixto's

580
00:27:16,720 --> 00:27:20,280
Speaker 2: do that though. You think they are also very forgiving. Oh,

581
00:27:20,320 --> 00:27:23,959
Speaker 2: they are very forgiving. That's true, that's true. Okay, So

582
00:27:24,200 --> 00:27:26,080
Speaker 2: to Jesse's dreams. Back to Jesse's dreams.

583
00:27:26,080 --> 00:27:30,240
Speaker 1: He walks over to his cassettes and declare the cassettes.

584
00:27:32,040 --> 00:27:33,640
Speaker 2: What a vision those cassettes.

585
00:27:33,800 --> 00:27:38,679
Speaker 1: He walks over to the y to the inscribed rocks

586
00:27:38,840 --> 00:27:41,760
Speaker 1: that hairy the musical tune.

587
00:27:42,480 --> 00:27:45,240
Speaker 2: He says, I just heard of this new label, fat

588
00:27:45,280 --> 00:27:48,280
Speaker 2: Fish Music. I'm going to put a great demo together

589
00:27:48,359 --> 00:27:50,159
Speaker 2: and get it to them right away.

590
00:27:51,160 --> 00:27:53,359
Speaker 1: He just used the last four demos.

591
00:27:53,720 --> 00:27:55,040
Speaker 2: Is he short on demo tapes?

592
00:27:55,119 --> 00:27:56,680
Speaker 1: Like? Yeah, it doesn't seem to me.

593
00:27:56,920 --> 00:27:59,800
Speaker 2: No, He tells Joey. Thanks, you actually did me a

594
00:27:59,800 --> 00:28:03,439
Speaker 2: face for Joey takes his thanks and responds, if I

595
00:28:03,480 --> 00:28:05,600
Speaker 2: had known you'd been so happy, I would have fired

596
00:28:05,640 --> 00:28:10,639
Speaker 2: you weeks ago. Okay, this this felt quick. This like

597
00:28:10,720 --> 00:28:14,920
Speaker 2: I like this Lumberjack duo. I'm sad that we only

598
00:28:14,920 --> 00:28:15,840
Speaker 2: got like one episode.

599
00:28:15,840 --> 00:28:18,560
Speaker 1: With the Lumberjack and I criminally got one episode with

600
00:28:18,640 --> 00:28:21,520
Speaker 1: mister Egghead and the Professor. We only got one.

601
00:28:21,400 --> 00:28:24,000
Speaker 6: Episode with the We got the Dance, a handful of

602
00:28:24,000 --> 00:28:27,720
Speaker 6: episodes with the with the jingle writers, you know what

603
00:28:27,720 --> 00:28:30,280
Speaker 6: I mean, Like, yeah, yeah, it can't get too attached

604
00:28:30,320 --> 00:28:32,359
Speaker 6: to anything Jesse does because his energy has got to

605
00:28:32,400 --> 00:28:33,879
Speaker 6: go back to his music, I guess.

606
00:28:33,920 --> 00:28:37,120
Speaker 2: But I enjoy it more when he's playing off of Joey,

607
00:28:37,160 --> 00:28:41,120
Speaker 2: like it's they make a great duo, and they they do.

608
00:28:41,280 --> 00:28:44,360
Speaker 2: I I'll talk with you, No, I'm with you with

609
00:28:44,400 --> 00:28:46,080
Speaker 2: me on this, but it felt fast. I feel like

610
00:28:46,080 --> 00:28:48,480
Speaker 2: they could have done They could have introduced Lumberjack Jess

611
00:28:48,480 --> 00:28:51,040
Speaker 2: earlier in the season and rode that wave for a

612
00:28:51,040 --> 00:28:54,680
Speaker 2: few episodes instead of just dropping it a few episodes later.

613
00:28:54,760 --> 00:28:59,040
Speaker 2: So anyways, in the kitchen, kitchen is decked out in

614
00:28:59,080 --> 00:29:02,320
Speaker 2: posters of space and the Spanish flag.

615
00:29:02,680 --> 00:29:04,880
Speaker 1: From the Tanner family storage unit.

616
00:29:05,080 --> 00:29:08,480
Speaker 2: They just happened to have a Spanish flag. Yeah, got me.

617
00:29:08,600 --> 00:29:10,760
Speaker 1: Do we have any Spain stuff down there?

618
00:29:10,800 --> 00:29:12,160
Speaker 4: Like do we have a.

619
00:29:11,840 --> 00:29:15,360
Speaker 1: Giant sized Spanish flag that I can borrow? Yeah? Yeah,

620
00:29:15,360 --> 00:29:18,200
Speaker 1: it's just right down in the attic and posters.

621
00:29:17,560 --> 00:29:19,840
Speaker 2: Like she's got a lot, She's gone to a lot

622
00:29:19,840 --> 00:29:24,200
Speaker 2: of work for this presentation. We see DJ, who is

623
00:29:24,280 --> 00:29:28,400
Speaker 2: dressed like a Spanish flamenco dancer. She even places a

624
00:29:28,440 --> 00:29:32,640
Speaker 2: flamenco hat on comet and admires, Oh, comet perro mui bueno,

625
00:29:32,840 --> 00:29:35,880
Speaker 2: which means good dog in Spanish. Kimmy walks over, and

626
00:29:35,920 --> 00:29:38,920
Speaker 2: she's also dressed as a Spanish flamenco dancer. And I

627
00:29:39,000 --> 00:29:43,360
Speaker 2: loved this outfit. It looks great, felt great too. She

628
00:29:43,400 --> 00:29:45,800
Speaker 2: looks around and admits, you sure are going to a

629
00:29:45,800 --> 00:29:50,160
Speaker 2: lot of mucho trouble. DJ explains that she has to

630
00:29:50,200 --> 00:29:52,360
Speaker 2: get her dad in the mood before telling him that

631
00:29:52,400 --> 00:29:55,120
Speaker 2: she's going to Spain. He worries when she goes to

632
00:29:55,160 --> 00:29:58,960
Speaker 2: the mailbox. Kimmy cannot relate to this. She tells DJ,

633
00:29:59,200 --> 00:30:01,760
Speaker 2: my parents were really excited when I told them about Spain.

634
00:30:02,000 --> 00:30:03,719
Speaker 2: They already bought me a one way ticket.

635
00:30:04,240 --> 00:30:07,400
Speaker 1: Oh we Kimmy, Poor Kimmy, I know she doesn't even

636
00:30:07,400 --> 00:30:09,960
Speaker 1: get that they don't like her. No, she's oblivious to

637
00:30:10,040 --> 00:30:11,360
Speaker 1: this child abuse.

638
00:30:13,080 --> 00:30:15,560
Speaker 2: DJ calls out to everyone to come down to the

639
00:30:15,640 --> 00:30:18,960
Speaker 2: kitchen and on cue Steph, Michelle, Becky, Joey, and Danny

640
00:30:19,000 --> 00:30:19,880
Speaker 2: come downstairs.

641
00:30:20,440 --> 00:30:22,640
Speaker 1: This is This family is the quickest people to enter

642
00:30:22,640 --> 00:30:24,720
Speaker 1: a room when called that I've ever seen in my life.

643
00:30:24,800 --> 00:30:26,520
Speaker 2: Right, It's almost like they've been just waiting at the

644
00:30:26,520 --> 00:30:30,160
Speaker 2: top of the stairs to call them most so, Kimmy's

645
00:30:30,200 --> 00:30:32,560
Speaker 2: got a one way ticket to Spain. All the whole

646
00:30:32,560 --> 00:30:36,200
Speaker 2: family comes downstairs and DJ greets them in Spanish. Ola

647
00:30:36,360 --> 00:30:40,360
Speaker 2: me familia, and Kimmy translates she said, hello, my family.

648
00:30:41,160 --> 00:30:45,000
Speaker 2: Danny responds, whoa kay passa, and Kimmy translates for him too,

649
00:30:45,160 --> 00:30:50,680
Speaker 2: he means what's happening. DJ responds, yo cosina una komita

650
00:30:50,840 --> 00:30:56,880
Speaker 2: espanol especial paranos, which means I cooked special Spanish food

651
00:30:56,960 --> 00:31:00,520
Speaker 2: for us. But Kimmy scrunches her face and confusion and

652
00:31:00,560 --> 00:31:03,840
Speaker 2: tries her best to translate. She either said dinner is

653
00:31:03,880 --> 00:31:07,600
Speaker 2: ready or it's time to clip your nose hairs. Danny's

654
00:31:07,600 --> 00:31:10,480
Speaker 2: curiosity gets the best of him when he sees Comet

655
00:31:10,520 --> 00:31:14,120
Speaker 2: wearing a hat. He asks DJ what she wants and

656
00:31:14,160 --> 00:31:17,400
Speaker 2: how much it's going to cost him. She responds, well,

657
00:31:17,480 --> 00:31:21,080
Speaker 2: there's this summer study program in Barcelona, and Danny immediately

658
00:31:21,080 --> 00:31:24,560
Speaker 2: responds no. DJ continues, I'll get to live with the

659
00:31:24,600 --> 00:31:28,240
Speaker 2: Spanish family, and again Danny says no. She tries again,

660
00:31:28,360 --> 00:31:31,640
Speaker 2: I'll study the language and expand my horizons. Doesn't that

661
00:31:31,680 --> 00:31:35,080
Speaker 2: sound exciting? Danny shuts her down with a final no.

662
00:31:36,520 --> 00:31:39,680
Speaker 2: She attempts to twist his words, so you're not saying

663
00:31:39,680 --> 00:31:42,920
Speaker 2: that I'm not allowed to not go right? And Danny

664
00:31:43,000 --> 00:31:45,360
Speaker 2: doesn't even begin to comprehend this sentence.

665
00:31:45,840 --> 00:31:48,160
Speaker 4: I didn't even too many. That's like a triple negative.

666
00:31:48,200 --> 00:31:51,360
Speaker 2: I han't even begin, and DJ admits she was just

667
00:31:51,400 --> 00:31:55,600
Speaker 2: trying to get him to stop saying no. Becky steps

668
00:31:55,640 --> 00:31:58,280
Speaker 2: in and asks Danny to at least think about it.

669
00:31:58,560 --> 00:32:01,720
Speaker 2: She points out this is D's chance to learn about

670
00:32:01,760 --> 00:32:05,479
Speaker 2: a new culture. Joey chimes in, come on, Danny, remember

671
00:32:05,480 --> 00:32:08,560
Speaker 2: the summer we took that trip together, and Danny scoffs.

672
00:32:08,720 --> 00:32:13,000
Speaker 2: We rode our bikes to Oakland. Stephanie asks her dad

673
00:32:13,080 --> 00:32:15,120
Speaker 2: when DJ's in Spain, can I have her room?

674
00:32:18,200 --> 00:32:19,120
Speaker 1: I'm priorities.

675
00:32:21,080 --> 00:32:23,480
Speaker 2: Danny reminds DJ that this is a big decision, so

676
00:32:23,560 --> 00:32:26,960
Speaker 2: he needs time to think about it. DJ starts to

677
00:32:26,960 --> 00:32:30,320
Speaker 2: beg calling it a once in a lifetime opportunity, and

678
00:32:30,360 --> 00:32:33,040
Speaker 2: then Kimmy speaks up, don't worry, mister t I'll be

679
00:32:33,200 --> 00:32:36,080
Speaker 2: with her every minute. As we sample the art, the music,

680
00:32:36,440 --> 00:32:39,880
Speaker 2: the tango. She presses play on a stereo and a

681
00:32:40,000 --> 00:32:43,920
Speaker 2: tango song starts. She grabs Danny and forces him to tango, saying,

682
00:32:43,960 --> 00:32:46,280
Speaker 2: come on, mister t we want to see the world.

683
00:32:47,200 --> 00:32:49,280
Speaker 2: Danny goes along with it, giving her a dip, and

684
00:32:49,320 --> 00:32:51,360
Speaker 2: then he twirls her out the back door. As Joey

685
00:32:51,400 --> 00:32:54,320
Speaker 2: holds it open. He says, let's start with the back

686
00:32:54,320 --> 00:32:57,960
Speaker 2: door audios. Joey shuts the door and holds one arm

687
00:32:58,040 --> 00:33:01,640
Speaker 2: up and says, O, hey, that was a good bit,

688
00:33:01,760 --> 00:33:04,080
Speaker 2: Like that was a that was very funny. I forgot

689
00:33:04,120 --> 00:33:05,840
Speaker 2: about it and I was like, oh, that's really funny.

690
00:33:07,240 --> 00:33:09,560
Speaker 2: DJ asks if they can sit down for dinner because

691
00:33:09,600 --> 00:33:10,760
Speaker 2: she's serving paea.

692
00:33:12,440 --> 00:33:16,440
Speaker 1: Remember when Wan Pablo's mom h came and May and

693
00:33:16,520 --> 00:33:20,480
Speaker 1: we all had she made us homemade paiea for JP's birthday.

694
00:33:20,640 --> 00:33:22,920
Speaker 2: Oh that was the biggest delicious dish. That was the

695
00:33:22,960 --> 00:33:27,240
Speaker 2: biggest thing ever and it was the best paia I've

696
00:33:27,240 --> 00:33:32,479
Speaker 2: eversode delicious. So everyone responds in Spanish saying moui bueno

697
00:33:32,600 --> 00:33:37,280
Speaker 2: and gracias, and then Michelle announces prematurely who's ready for dessert.

698
00:33:38,040 --> 00:33:40,640
Speaker 2: Stephanie brings over a tray of small bowls with chocolate

699
00:33:40,720 --> 00:33:43,440
Speaker 2: pudding and explains that Michelle's trying to earn her first

700
00:33:43,480 --> 00:33:47,040
Speaker 2: Honeybee badge for cooking. Danny shrugs, I guess it wouldn't

701
00:33:47,080 --> 00:33:50,800
Speaker 2: hurt to have dessert as an appetizer. Michelle tells them

702
00:33:50,800 --> 00:33:55,320
Speaker 2: that she's calling it Michelle's pudding Surprise. Becky wonders what

703
00:33:55,360 --> 00:33:58,640
Speaker 2: the surprises, and Joey's face sours as soon as he

704
00:33:58,680 --> 00:34:03,280
Speaker 2: takes a bite. He thinks the surprise is cheese. Michelle

705
00:34:03,320 --> 00:34:07,440
Speaker 2: grins and says surprise. DJ cringes as she tries to

706
00:34:07,440 --> 00:34:10,279
Speaker 2: get through her bite. She asks Michelle why she put

707
00:34:10,400 --> 00:34:14,080
Speaker 2: cheese in the pudding. Michelle tells them it's velveta cheese.

708
00:34:14,320 --> 00:34:18,879
Speaker 7: Oh this is getting better and better, right, I mean, look,

709
00:34:18,920 --> 00:34:21,600
Speaker 7: I love some good velvita because it's not really cheese.

710
00:34:21,680 --> 00:34:24,040
Speaker 1: But but that's exactly the.

711
00:34:25,000 --> 00:34:30,200
Speaker 2: Yeah, it's too many, Yeah, yeah, I wouldn't think they

712
00:34:30,239 --> 00:34:31,200
Speaker 2: would mix well either.

713
00:34:31,239 --> 00:34:34,839
Speaker 4: Anyways, Well, it's little hunks of it, I'm sure, you know.

714
00:34:36,719 --> 00:34:39,520
Speaker 2: So Danny choose on his pudding and realizes there's also

715
00:34:40,040 --> 00:34:43,960
Speaker 2: olives in there. Michelle asks her family, don't you like it,

716
00:34:44,520 --> 00:34:46,960
Speaker 2: and no one is able to hide the disgust on

717
00:34:47,080 --> 00:34:50,160
Speaker 2: their faces, but they still try to nod with reassurance.

718
00:34:50,880 --> 00:34:55,040
Speaker 2: Then Michelle asks how come nobody's swallowing and they all

719
00:34:55,040 --> 00:35:00,640
Speaker 2: win says they swallow the chocolate e cheesy olivey concoction disgusting.

720
00:35:01,760 --> 00:35:04,400
Speaker 2: Then Jesse comes back from his meeting. Becky asks how

721
00:35:04,400 --> 00:35:07,239
Speaker 2: it went with the record company. Jesse tells her, so far,

722
00:35:07,400 --> 00:35:09,920
Speaker 2: so good. At least they've heard of me. They're going

723
00:35:09,960 --> 00:35:11,680
Speaker 2: to listen to my tape and get back to me.

724
00:35:12,520 --> 00:35:15,680
Speaker 2: Then he unknowingly grabs a spoonful of Becky's pudding and continues,

725
00:35:16,040 --> 00:35:18,000
Speaker 2: let me tell you guys, I have a feeling something

726
00:35:18,120 --> 00:35:21,920
Speaker 2: good's gonna happen. And once the pudding hits his taste buds,

727
00:35:21,920 --> 00:35:24,760
Speaker 2: he immediately regrets it and spits it into Becky's napkin.

728
00:35:25,400 --> 00:35:28,839
Speaker 2: He shouts, that's not it, that was awful. Danny tells

729
00:35:28,880 --> 00:35:31,880
Speaker 2: him Michelle cooked it, and she sadly admits I was

730
00:35:31,960 --> 00:35:33,640
Speaker 2: trying to get my honeybee badge.

731
00:35:34,440 --> 00:35:35,680
Speaker 1: Jesse, he didn't.

732
00:35:37,440 --> 00:35:41,920
Speaker 2: With that one. Well you didn't, yeah. Jesse tries to

733
00:35:41,960 --> 00:35:45,600
Speaker 2: recover and says, oh, it's awfully good. He eats another

734
00:35:45,640 --> 00:35:48,759
Speaker 2: spoonful to prove it and guesses bell Vita and olives

735
00:35:48,800 --> 00:35:51,759
Speaker 2: is it. Michelle tells him he can stop eating it.

736
00:35:52,120 --> 00:35:55,120
Speaker 2: She knows he doesn't like it. Jesse tries to make

737
00:35:55,120 --> 00:35:57,479
Speaker 2: her feel better by giving the pudding to Comet since

738
00:35:57,520 --> 00:36:00,640
Speaker 2: he likes everything, but Commet takes one sniff of the

739
00:36:00,640 --> 00:36:03,920
Speaker 2: pudding and puts a paw over his face. In disgust,

740
00:36:04,719 --> 00:36:05,520
Speaker 2: Michelle shrubs in.

741
00:36:05,480 --> 00:36:06,200
Speaker 1: His little hat.

742
00:36:06,600 --> 00:36:09,000
Speaker 2: I know, he's so cute in that little hat. It's

743
00:36:09,040 --> 00:36:15,040
Speaker 2: just so tolerant, like comments, I hate this. So do

744
00:36:15,120 --> 00:36:18,800
Speaker 2: we think? Okay, why is Danny so against uh DJ

745
00:36:18,880 --> 00:36:19,480
Speaker 2: going to Spain?

746
00:36:20,120 --> 00:36:21,800
Speaker 1: Because I think Danny's just uptight.

747
00:36:22,120 --> 00:36:23,880
Speaker 2: So it's not like a money thing. I thought, it's like,

748
00:36:23,920 --> 00:36:24,759
Speaker 2: oh well, I need to.

749
00:36:24,760 --> 00:36:28,880
Speaker 1: Look at this money. This family. This family bleeds money.

750
00:36:29,000 --> 00:36:32,080
Speaker 1: This money isn't there's no object in this.

751
00:36:32,600 --> 00:36:34,040
Speaker 2: Right they Yeah, they just.

752
00:36:34,080 --> 00:36:37,279
Speaker 1: Decked out a kitchen in Spanish flags, you know what

753
00:36:37,320 --> 00:36:37,640
Speaker 1: I mean.

754
00:36:37,920 --> 00:36:42,400
Speaker 2: They've got extra money later everywhere. Yeah yeah, okay, so

755
00:36:42,400 --> 00:36:44,160
Speaker 2: it's not money, so it's just him money.

756
00:36:44,200 --> 00:36:46,480
Speaker 1: It's just Danny being up tight and over protecting.

757
00:36:46,680 --> 00:36:49,560
Speaker 2: Okay. I was thinking, let your kid go abroad.

758
00:36:49,600 --> 00:36:51,840
Speaker 1: If there's not a financial let my kids go abroad.

759
00:36:52,000 --> 00:36:52,799
Speaker 4: I encouraged it.

760
00:36:52,960 --> 00:36:56,840
Speaker 2: Oh absolutely, I want to broad even but yeah, it's

761
00:36:56,880 --> 00:37:00,440
Speaker 2: the best. It's the best. They everybody said, your kids

762
00:37:00,440 --> 00:37:02,719
Speaker 2: abroad if you can. Because he went to.

763
00:37:02,719 --> 00:37:05,840
Speaker 1: Japan, She's going to Europe this summer. Zoe's gone to

764
00:37:05,880 --> 00:37:07,759
Speaker 1: Germany and Switzerland. She's going to Costa Rica.

765
00:37:07,840 --> 00:37:11,640
Speaker 2: Yeah, oh fantastic, explore. Don't be a Danny Tanner. Let

766
00:37:11,719 --> 00:37:15,680
Speaker 2: your kid go if you can. So next, we're in

767
00:37:15,680 --> 00:37:18,319
Speaker 2: the attic. Jesse and Becky are sitting on their bed

768
00:37:18,360 --> 00:37:21,120
Speaker 2: playing with the twins. Jesse gives one of them a

769
00:37:21,200 --> 00:37:24,200
Speaker 2: raspberry on his belly, and the baby tugs a piece

770
00:37:24,239 --> 00:37:25,920
Speaker 2: of hair out in response.

771
00:37:26,480 --> 00:37:31,000
Speaker 1: Nothing like the death grip of a baby. It's true. Hair.

772
00:37:31,160 --> 00:37:33,799
Speaker 1: You're like, just all of a sudden your panic because

773
00:37:33,800 --> 00:37:36,400
Speaker 1: you're like, if this kid pulls, I'm gonna have a

774
00:37:36,400 --> 00:37:37,680
Speaker 1: clump of hair pulled out of my head.

775
00:37:37,760 --> 00:37:40,960
Speaker 2: Yeah, because it's done. Yeah.

776
00:37:41,000 --> 00:37:42,480
Speaker 1: They they don't let go like that.

777
00:37:42,600 --> 00:37:46,040
Speaker 2: You have to physically force their hands open, because yeah,

778
00:37:46,120 --> 00:37:49,560
Speaker 2: nothing like a baby grip. H Jesse takes one look

779
00:37:49,600 --> 00:37:52,799
Speaker 2: at this hair and nervously asks Becky what color is that?

780
00:37:53,719 --> 00:37:57,360
Speaker 2: She coughs gray before telling him in a normal voice.

781
00:37:57,680 --> 00:38:00,680
Speaker 2: It's a light shade of black that resembles color gray.

782
00:38:01,480 --> 00:38:04,879
Speaker 2: Jesse's in complete shock, so Becky reassures him that there's

783
00:38:04,960 --> 00:38:07,960
Speaker 2: only a couple. He jumps off the bed runs over

784
00:38:07,960 --> 00:38:10,160
Speaker 2: to the mirror to see for himself. How can I

785
00:38:10,200 --> 00:38:13,480
Speaker 2: have gray hair? I'm only twenty nine? Oh my god,

786
00:38:13,840 --> 00:38:17,920
Speaker 2: I forgot he was twenty nine. He's literally I we

787
00:38:18,080 --> 00:38:19,640
Speaker 2: He said that, and I was like, no, you're not.

788
00:38:19,719 --> 00:38:23,640
Speaker 1: You're like because I have always thought of Bob, Dave,

789
00:38:23,760 --> 00:38:26,880
Speaker 1: Lorie and John as like in their thirties, I don't know,

790
00:38:26,960 --> 00:38:30,319
Speaker 1: like thirties, the adult that was adult age shaite, you

791
00:38:30,360 --> 00:38:30,799
Speaker 1: know what I mean?

792
00:38:30,880 --> 00:38:34,320
Speaker 2: Likes are parents? Like that's what I thought as a kid.

793
00:38:34,200 --> 00:38:37,759
Speaker 1: You know, well they yeah, exactly, I mean, yeah, I'm

794
00:38:37,800 --> 00:38:38,480
Speaker 1: just they're old.

795
00:38:38,760 --> 00:38:39,000
Speaker 6: Now.

796
00:38:39,480 --> 00:38:41,839
Speaker 1: I think, now that I know what twenty nine is,

797
00:38:42,000 --> 00:38:44,600
Speaker 1: I'm like, you were, Oh you were an infant, you

798
00:38:44,680 --> 00:38:46,360
Speaker 1: know what I mean? Like, I think that's what it is.

799
00:38:46,680 --> 00:38:48,680
Speaker 2: Yes, he did not. Yeah, I'd be pretty.

800
00:38:48,400 --> 00:38:50,040
Speaker 1: Bummed getting a gray hair at twenty nine.

801
00:38:50,239 --> 00:38:53,239
Speaker 2: Yeah. So yeah, and his hair is his identity. So

802
00:38:53,360 --> 00:38:56,000
Speaker 2: I get that he's you know, unhinged about this, but yeah,

803
00:38:56,040 --> 00:38:58,640
Speaker 2: twenty nine that bumped me too. I was like, no,

804
00:38:58,680 --> 00:38:58,920
Speaker 2: I know.

805
00:38:59,120 --> 00:39:01,480
Speaker 4: I was like wait, and then I was like, it's

806
00:39:01,520 --> 00:39:02,440
Speaker 4: been ten years.

807
00:39:02,440 --> 00:39:03,719
Speaker 1: No, actually it's only been for si.

808
00:39:04,080 --> 00:39:04,200
Speaker 2: Oh.

809
00:39:04,320 --> 00:39:06,440
Speaker 1: Yeah. Now that actually with track because he was twenty

810
00:39:06,440 --> 00:39:08,680
Speaker 1: five and he looks the same like he's sixty.

811
00:39:08,760 --> 00:39:11,879
Speaker 2: Now he looks exactly the same, so it's like, yeah,

812
00:39:11,920 --> 00:39:16,080
Speaker 2: he's forever twenty nine. So when Jesse sees that he

813
00:39:16,120 --> 00:39:19,000
Speaker 2: does have gray hairs, he panics and tells Becky to

814
00:39:19,120 --> 00:39:22,239
Speaker 2: yank them out. As she's about to, she reminds him

815
00:39:22,360 --> 00:39:25,280
Speaker 2: they say for every gray hair, you pluck to grow

816
00:39:25,320 --> 00:39:28,640
Speaker 2: in its place. He immediately tells her to drop that hair.

817
00:39:29,320 --> 00:39:32,239
Speaker 2: Becky tries to be optimistic. At least you have hair,

818
00:39:33,120 --> 00:39:35,800
Speaker 2: and then Jesse starts to panic about his receding hairline.

819
00:39:36,120 --> 00:39:39,160
Speaker 2: He claims he can feel it in his sleep. He

820
00:39:39,239 --> 00:39:42,080
Speaker 2: jumps over to a nearby drawer and grabs a measuring tape.

821
00:39:42,120 --> 00:39:44,359
Speaker 2: He measures his forehead in the mirror and gasps, oh,

822
00:39:44,360 --> 00:39:49,319
Speaker 2: my god, it's moved four millimeters north. He predicts that

823
00:39:49,360 --> 00:39:51,319
Speaker 2: he'll have one of those foreheads that goes all the

824
00:39:51,320 --> 00:39:55,320
Speaker 2: way to the back of his head, a five head. Yeah.

825
00:39:55,440 --> 00:39:57,920
Speaker 2: Then the phone rings and Jesse jokes, see the words

826
00:39:57,920 --> 00:40:00,839
Speaker 2: out it's probably the hair club for men, but to

827
00:40:00,880 --> 00:40:05,480
Speaker 2: his surprise, it's David Jenilari from Fat Fish Music. But

828
00:40:05,600 --> 00:40:09,080
Speaker 2: shortly into this phone call, Jesse responds with they disappointed.

829
00:40:09,680 --> 00:40:13,200
Speaker 2: Thanks for crushing my dreams so fast, and he hangs up.

830
00:40:13,880 --> 00:40:17,759
Speaker 2: Becky overhears and tells him that she's sorry. They sit

831
00:40:17,800 --> 00:40:20,000
Speaker 2: down with the Twins and Jesse tells her about the call.

832
00:40:20,520 --> 00:40:23,280
Speaker 2: They said, they like my music and they like the sounds,

833
00:40:23,360 --> 00:40:26,240
Speaker 2: they like the look. They just don't hear a hit single.

834
00:40:27,000 --> 00:40:29,759
Speaker 2: Becky tries to make him feel better. I know it's disappointing,

835
00:40:29,880 --> 00:40:32,719
Speaker 2: but you can't let it get you down. Then she

836
00:40:32,760 --> 00:40:35,279
Speaker 2: has an idea. How about tomorrow you me and the

837
00:40:35,280 --> 00:40:37,960
Speaker 2: boys spend the day together, come down to the studio.

838
00:40:38,360 --> 00:40:40,280
Speaker 2: The Beach Boys are going to be on the show.

839
00:40:41,560 --> 00:40:45,879
Speaker 4: Just what happens to be popping by.

840
00:40:46,360 --> 00:40:49,920
Speaker 2: And Jesse shakes his head, but Becky insists, come on,

841
00:40:50,040 --> 00:40:53,279
Speaker 2: they're your friends. Jesse says he doesn't want to.

842
00:40:53,239 --> 00:40:56,520
Speaker 1: Be Wait, have we determined that they're Jesse's friends now? Well,

843
00:40:56,640 --> 00:40:57,279
Speaker 1: I don't know.

844
00:40:57,520 --> 00:41:01,760
Speaker 2: They acquaintances maybe, but I don't know if i'd classify.

845
00:41:01,920 --> 00:41:04,600
Speaker 1: That's what I'm like, John is friends, but looking through

846
00:41:04,640 --> 00:41:07,880
Speaker 1: your friends I'm like, how much has Jesse had to

847
00:41:07,880 --> 00:41:10,720
Speaker 1: do with the Beach Boys other than than the playing

848
00:41:10,719 --> 00:41:12,880
Speaker 1: the drum on stage at the coliseum and going to

849
00:41:12,920 --> 00:41:13,400
Speaker 1: the concert.

850
00:41:13,560 --> 00:41:16,360
Speaker 2: That's kind of the last time we saw the Beach Boys, right, he's.

851
00:41:16,239 --> 00:41:20,120
Speaker 1: Got right, he's had Yeah, the first and last time

852
00:41:20,200 --> 00:41:22,680
Speaker 1: we've seen them was then, and this is their second appear.

853
00:41:23,000 --> 00:41:26,560
Speaker 2: Yeah, in three seasons later, they're friends, So I.

854
00:41:26,480 --> 00:41:29,799
Speaker 1: Mean, I yeah, I don't friends. Could maybe give you

855
00:41:29,840 --> 00:41:31,640
Speaker 1: a good word of mouth with the fatfish guy, but

856
00:41:31,640 --> 00:41:32,080
Speaker 1: what else?

857
00:41:32,239 --> 00:41:36,680
Speaker 2: Yeah, well it does pay off later, so U. But Jesse,

858
00:41:36,880 --> 00:41:39,120
Speaker 2: he's despondent. He says he doesn't want to be around

859
00:41:39,120 --> 00:41:42,360
Speaker 2: them because they had hit records at age eighteen and

860
00:41:42,400 --> 00:41:44,000
Speaker 2: he's almost thirty and he has nothing.

861
00:41:44,920 --> 00:41:47,960
Speaker 1: Wow, that's something to say to your wife and twins.

862
00:41:50,040 --> 00:41:54,320
Speaker 1: I'm thirty and I've got nothing, beautiful wife, healthy children,

863
00:41:55,280 --> 00:41:57,080
Speaker 1: place to stay up in the at it. Yeah, you

864
00:41:57,080 --> 00:42:00,720
Speaker 1: live in an attic, You've got amazing studio in your basement.

865
00:42:01,440 --> 00:42:02,280
Speaker 2: You've got nothing.

866
00:42:02,360 --> 00:42:04,719
Speaker 1: You've gotten four record deals.

867
00:42:05,360 --> 00:42:12,520
Speaker 2: Yeah, oh, Jesse. So Becky reminds him, Hey, life is

868
00:42:12,600 --> 00:42:16,640
Speaker 2: not a contest. Things happen when they're supposed to. Very true.

869
00:42:16,680 --> 00:42:20,279
Speaker 2: But Jesse thinks thinks his time and his hair are

870
00:42:20,320 --> 00:42:24,000
Speaker 2: both running out. The sad music takes us to a

871
00:42:24,040 --> 00:42:26,279
Speaker 2: commercial break, which tells us we're supposed to feel bad

872
00:42:26,320 --> 00:42:30,319
Speaker 2: for Jesse, but again, I'm like this just it feels repetitive,

873
00:42:30,560 --> 00:42:32,880
Speaker 2: you know, it just feels like we've done this.

874
00:42:33,080 --> 00:42:34,920
Speaker 1: Feel we've beat this dead horse.

875
00:42:35,160 --> 00:42:36,799
Speaker 4: Yeah a lot. We beat it.

876
00:42:37,040 --> 00:42:39,080
Speaker 1: We brought it back to life, gave it a little

877
00:42:39,160 --> 00:42:41,480
Speaker 1: like little shock paddles, you know, and then then it

878
00:42:41,640 --> 00:42:44,360
Speaker 1: like started going down again, and we brought it back right.

879
00:42:44,440 --> 00:42:45,480
Speaker 4: And I get going in and out.

880
00:42:45,560 --> 00:42:47,800
Speaker 2: This is the life of a musician, of an artist.

881
00:42:47,880 --> 00:42:51,359
Speaker 2: They're always chasing streams and getting rejected. That is very

882
00:42:51,440 --> 00:42:54,440
Speaker 2: much a normal part of this life. But for a

883
00:42:54,600 --> 00:42:57,640
Speaker 2: sitcom that's only twenty two minutes long, and it's it's

884
00:42:57,719 --> 00:42:59,000
Speaker 2: like it's too repetitive.

885
00:42:59,040 --> 00:43:00,799
Speaker 1: So I don't know, I just feel Jesse's done a

886
00:43:00,800 --> 00:43:07,399
Speaker 1: lot of like sidekick kids gigs into getting a record

887
00:43:07,440 --> 00:43:09,839
Speaker 1: deal and being or getting fired, then being excited because

888
00:43:09,880 --> 00:43:11,919
Speaker 1: he gets a music deal and then winds up being

889
00:43:12,080 --> 00:43:16,279
Speaker 1: back being a kid's sidekick again. Yeah, it's strange. It's

890
00:43:16,280 --> 00:43:20,160
Speaker 1: a strange, uh like cycle to get stuck in, but

891
00:43:20,880 --> 00:43:21,359
Speaker 1: it is.

892
00:43:21,440 --> 00:43:25,680
Speaker 2: But I actually prefer when Jesse uses his music through

893
00:43:25,719 --> 00:43:28,960
Speaker 2: these different avenues like kids shows or no I love it.

894
00:43:28,960 --> 00:43:32,080
Speaker 1: It's just it's great. But it's just such a like

895
00:43:32,880 --> 00:43:36,080
Speaker 1: the fact that that happened twice. Well, I forgot that

896
00:43:36,200 --> 00:43:38,120
Speaker 1: Joey was also auditioning for mister Egged.

897
00:43:38,760 --> 00:43:39,640
Speaker 2: Oh yeah, that's right.

898
00:43:39,760 --> 00:43:41,719
Speaker 4: People run again, these people run this town.

899
00:43:42,160 --> 00:43:44,680
Speaker 2: Well, my point is Jesse's always chasing the stream of

900
00:43:44,760 --> 00:43:47,600
Speaker 2: being a famous rock star, and it's like, there there's

901
00:43:47,640 --> 00:43:49,880
Speaker 2: a lot of fish in that sea, Jesse and I

902
00:43:49,960 --> 00:43:51,880
Speaker 2: got a fish. Oh, there's a lot of fat fish

903
00:43:51,960 --> 00:43:52,560
Speaker 2: in that sea.

904
00:43:53,280 --> 00:43:53,680
Speaker 1: So go.

905
00:43:54,040 --> 00:43:55,960
Speaker 2: You know, you don't have to be the most famous,

906
00:43:55,960 --> 00:43:59,280
Speaker 2: most adored rock star. Just you play the kids shows

907
00:43:59,320 --> 00:44:01,920
Speaker 2: and that's where you because you're relatable. You know, you're

908
00:44:01,960 --> 00:44:03,200
Speaker 2: a family guy. You're not.

909
00:44:03,440 --> 00:44:07,920
Speaker 1: You think that Jesse the character is looking to be

910
00:44:08,040 --> 00:44:11,640
Speaker 1: relatable or is looking to be a rock god.

911
00:44:11,840 --> 00:44:13,080
Speaker 2: He wants to be a rock god.

912
00:44:13,120 --> 00:44:15,880
Speaker 1: And I disagree, and tell that I disagree. I'm not

913
00:44:15,920 --> 00:44:19,960
Speaker 1: saying I don't think it's the choice he should be making.

914
00:44:20,200 --> 00:44:22,799
Speaker 4: You know what I'm saying, he's not going to make

915
00:44:22,800 --> 00:44:23,359
Speaker 4: another one.

916
00:44:24,040 --> 00:44:26,240
Speaker 2: How many times is he going to get rejected before

917
00:44:26,280 --> 00:44:29,040
Speaker 2: he realizes Hey, maybe that dream isn't for me. I'm

918
00:44:29,080 --> 00:44:31,240
Speaker 2: going to go where I do shine, and that's doing

919
00:44:31,760 --> 00:44:33,839
Speaker 2: kiddy shows or mister egghead or.

920
00:44:33,840 --> 00:44:36,920
Speaker 1: He hasn't held himself to that yet, he hasn't realized

921
00:44:36,960 --> 00:44:37,560
Speaker 1: that it's.

922
00:44:37,520 --> 00:44:40,840
Speaker 2: Yeah, yeah, he needs some therapy and more than Michelle.

923
00:44:40,920 --> 00:44:43,920
Speaker 2: He needs more than Michelle. He needs more than we'ven

924
00:44:44,000 --> 00:44:54,080
Speaker 2: Michelle is this point. Next in the kitchen, DJ is

925
00:44:54,080 --> 00:44:57,040
Speaker 2: attached to Danny's hip as she pleads, come on, the

926
00:44:57,080 --> 00:44:59,440
Speaker 2: suspense is killing me. Can I go to Spain with

927
00:44:59,480 --> 00:45:03,239
Speaker 2: Kimmy your Danny pours himself a cup of coffee, pretending

928
00:45:03,320 --> 00:45:06,640
Speaker 2: to be unbothered, but DJ persists, I know, when you're

929
00:45:06,680 --> 00:45:08,760
Speaker 2: trying to make a decision that could change the entire

930
00:45:08,800 --> 00:45:10,680
Speaker 2: course of my life, the last thing you want is

931
00:45:10,719 --> 00:45:13,719
Speaker 2: to be pushed. He gives her a knowing look, and

932
00:45:13,800 --> 00:45:17,279
Speaker 2: she continues to invade his personal space, and she realizes

933
00:45:17,400 --> 00:45:21,360
Speaker 2: I know I'm pushing, and she finally backs off. Danny

934
00:45:21,400 --> 00:45:24,080
Speaker 2: puts his hand on her shoulder. I told you, I

935
00:45:24,280 --> 00:45:26,440
Speaker 2: just have to think about this a little more, okay,

936
00:45:26,880 --> 00:45:29,960
Speaker 2: and he walks out of the kitchen, which.

937
00:45:29,840 --> 00:45:30,560
Speaker 1: I get, I get it.

938
00:45:30,560 --> 00:45:32,080
Speaker 2: It's a big decision.

939
00:45:32,120 --> 00:45:35,040
Speaker 1: It's a big decision. So he's the kids are always.

940
00:45:34,680 --> 00:45:35,600
Speaker 4: Like that, like what about now?

941
00:45:35,640 --> 00:45:38,799
Speaker 2: What about what about you? You're like, well, at least

942
00:45:38,840 --> 00:45:40,560
Speaker 2: let him sleep on it for a night or two,

943
00:45:40,640 --> 00:45:40,840
Speaker 2: you know.

944
00:45:41,280 --> 00:45:41,560
Speaker 1: Right.

945
00:45:42,000 --> 00:45:44,680
Speaker 2: Then Becky bursts through the door and asks DJ where

946
00:45:44,760 --> 00:45:48,040
Speaker 2: Jesse is. DJ says he's upstairs, So Becky calls out

947
00:45:48,040 --> 00:45:50,440
Speaker 2: for him to come down, but Jesse tells her I'm

948
00:45:50,520 --> 00:45:53,680
Speaker 2: kind of busy. She shouts back, this is really important,

949
00:45:53,880 --> 00:45:57,480
Speaker 2: come down now. Then Becky turns to DJ and says,

950
00:45:57,840 --> 00:46:01,160
Speaker 2: uncle Jesse is going to flip. Mike and Bruce from

951
00:46:01,160 --> 00:46:05,719
Speaker 2: the Beach Boys are here. Of course they are the

952
00:46:05,760 --> 00:46:08,560
Speaker 2: way this family just casually gets famous musicians to do

953
00:46:08,640 --> 00:46:13,040
Speaker 2: house nuts and fuller with new kids on the block.

954
00:46:13,400 --> 00:46:14,040
Speaker 2: Just stop and.

955
00:46:14,080 --> 00:46:17,000
Speaker 1: Buy Tommy had Tommy Page, We got new kids got yeah,

956
00:46:17,040 --> 00:46:17,359
Speaker 1: come on.

957
00:46:17,360 --> 00:46:23,840
Speaker 2: In, this is a trend, they both scream, before Becky continues,

958
00:46:24,120 --> 00:46:27,080
Speaker 2: I promised them some good old fashioned home cooking, so

959
00:46:27,160 --> 00:46:30,040
Speaker 2: she instructs DJ to call chicken on wheels for her.

960
00:46:31,280 --> 00:46:34,400
Speaker 1: Also, Becky looks fabulous. She looks studdying, but I was.

961
00:46:34,520 --> 00:46:36,719
Speaker 1: I was actually like, that's a pretty short skirt for

962
00:46:36,760 --> 00:46:39,640
Speaker 1: like a morning show though. Oh she looks great though,

963
00:46:39,920 --> 00:46:42,160
Speaker 1: But I thought she was coming from some like. She

964
00:46:42,239 --> 00:46:44,520
Speaker 1: looked like she was going somewhere fancier.

965
00:46:44,560 --> 00:46:44,920
Speaker 4: I don't know.

966
00:46:44,960 --> 00:46:46,240
Speaker 1: Then wake up San Francisco.

967
00:46:46,280 --> 00:46:48,759
Speaker 2: When she came back, she's a little risque. I don't know.

968
00:46:49,320 --> 00:46:50,479
Speaker 1: That's why they came to the house.

969
00:46:51,360 --> 00:46:52,560
Speaker 2: It's not just for chickens.

970
00:46:52,640 --> 00:46:55,279
Speaker 1: She's like, look, I'm gonna show a little leg whatever

971
00:46:55,320 --> 00:46:57,279
Speaker 1: I gotta do to get them here.

972
00:46:57,320 --> 00:46:59,360
Speaker 2: She's determined to raise Jesse's spirits.

973
00:46:59,440 --> 00:47:01,239
Speaker 1: She'll do yeah, anything she has to do so she

974
00:47:01,280 --> 00:47:02,560
Speaker 1: will raise the hemline.

975
00:47:02,800 --> 00:47:04,640
Speaker 4: Yeah.

976
00:47:04,840 --> 00:47:05,480
Speaker 1: So uh.

977
00:47:05,920 --> 00:47:08,480
Speaker 2: DJ runs to the phone. Becky opens the door to

978
00:47:08,600 --> 00:47:12,439
Speaker 2: welcome Mike and Bruce inside, and the audience cheers when

979
00:47:12,480 --> 00:47:16,839
Speaker 2: they see them. Mike immediately asks Becky when do we eat?

980
00:47:17,400 --> 00:47:20,600
Speaker 2: And DJ responds from the phone. In thirty minutes or less,

981
00:47:21,600 --> 00:47:24,520
Speaker 2: Becky calls for Jesse once again, so he comes running

982
00:47:24,600 --> 00:47:28,160
Speaker 2: down with hair dye in his hair, plastic wrap around

983
00:47:28,160 --> 00:47:32,040
Speaker 2: his head, and a towel around his shoulders. He asks

984
00:47:32,080 --> 00:47:35,200
Speaker 2: Becky what's so important? She points to Mike and Bruce.

985
00:47:35,920 --> 00:47:40,400
Speaker 2: Jesse's embarrassment instantly shows, and he says, oh, the beach boys,

986
00:47:40,880 --> 00:47:46,000
Speaker 2: and Mike responds, oh, miss Claire al Jesse shakes their

987
00:47:46,040 --> 00:47:48,360
Speaker 2: hands and lets out a nervous laugh, before turning to

988
00:47:48,360 --> 00:47:52,200
Speaker 2: Becky and thanking her for the warning. She defends herself, well,

989
00:47:52,200 --> 00:47:54,560
Speaker 2: how did I know you'd be dying your hair? And

990
00:47:54,640 --> 00:47:58,360
Speaker 2: why are you dyeing your hair? Jesse shrugs and responds

991
00:47:58,400 --> 00:48:01,000
Speaker 2: in a soft spoken tone, Because I'm worth it.

992
00:48:01,760 --> 00:48:04,839
Speaker 1: That was the claaral tagline. Yeah, that's what I thought.

993
00:48:04,880 --> 00:48:07,680
Speaker 2: I was like, yeah, because he's worth it. There was more,

994
00:48:07,800 --> 00:48:09,640
Speaker 2: there's a lead up to it. I can't remember, yeah,

995
00:48:09,680 --> 00:48:13,319
Speaker 2: but the ending was because I'm worth it. Becky goes

996
00:48:13,320 --> 00:48:15,400
Speaker 2: on to explain that Mike and Bruce came over to

997
00:48:15,560 --> 00:48:20,000
Speaker 2: jam in Jesse's new studio. Mike chimes in and eat

998
00:48:20,040 --> 00:48:23,960
Speaker 2: Becky's home cooking. Jesse wonders Becky can cook, and she

999
00:48:24,080 --> 00:48:26,920
Speaker 2: nudges him, and he quickly corrects himself, I mean boy

1000
00:48:27,280 --> 00:48:31,440
Speaker 2: when she cooks look out. Then Jesse tells them he

1001
00:48:31,480 --> 00:48:34,279
Speaker 2: can get his bandmates over in ten minutes so they

1002
00:48:34,280 --> 00:48:35,520
Speaker 2: can play again.

1003
00:48:36,160 --> 00:48:39,480
Speaker 1: Have you ever gotten across San Francisco in ten minutes

1004
00:48:40,000 --> 00:48:40,520
Speaker 1: and they're.

1005
00:48:40,360 --> 00:48:42,880
Speaker 2: Just waiting by the phone, waiting. You know, the Rippers

1006
00:48:42,880 --> 00:48:45,320
Speaker 2: are very available for well, they're.

1007
00:48:45,200 --> 00:48:48,600
Speaker 1: Right, they're under contract. They can't do anything else unless

1008
00:48:48,640 --> 00:48:50,000
Speaker 1: Jesse calls him.

1009
00:48:50,440 --> 00:48:52,399
Speaker 2: He's probably hiding them in the attic, you know.

1010
00:48:52,360 --> 00:48:54,759
Speaker 1: Like there's probably right there on the they're in the

1011
00:48:54,760 --> 00:48:57,560
Speaker 1: they're in the little the huts in the in the back.

1012
00:48:57,760 --> 00:48:59,800
Speaker 1: You're right right, they got there was a whole little

1013
00:49:00,200 --> 00:49:03,360
Speaker 1: like band yeah, like a band closet.

1014
00:49:03,480 --> 00:49:06,799
Speaker 2: Yeah yeah, Jesse adds, it'll give me time to comb out,

1015
00:49:06,920 --> 00:49:10,719
Speaker 2: rinse and otherwise I'll streak. He's still on this hair thing.

1016
00:49:10,960 --> 00:49:12,879
Speaker 2: So was that whole gray hair thing just to set

1017
00:49:12,920 --> 00:49:15,919
Speaker 2: up for this bit where the beach boy see him

1018
00:49:16,080 --> 00:49:20,120
Speaker 2: with his hair dye and plastic wrap? Is that the

1019
00:49:20,239 --> 00:49:20,680
Speaker 2: entire point?

1020
00:49:20,760 --> 00:49:24,719
Speaker 1: I don't know. I don't that's a I don't know

1021
00:49:24,760 --> 00:49:27,759
Speaker 1: what came first, you know what I mean, the bit

1022
00:49:27,920 --> 00:49:28,480
Speaker 1: or the beach boy.

1023
00:49:28,520 --> 00:49:29,600
Speaker 2: Yeah, I don't know what, or the bit.

1024
00:49:29,600 --> 00:49:31,879
Speaker 1: Or the gray hair. Yeah, I like, do we want

1025
00:49:31,880 --> 00:49:33,759
Speaker 1: this to be the bit or do or is Jesse

1026
00:49:33,840 --> 00:49:36,560
Speaker 1: freaking out because he's I think it's also maybe like

1027
00:49:37,520 --> 00:49:41,960
Speaker 1: that it adds to the his panic of being almost

1028
00:49:41,960 --> 00:49:44,600
Speaker 1: thirty and not having a hit record. I think that's

1029
00:49:44,680 --> 00:49:49,160
Speaker 1: kind of what it is. Is it's one more obvious

1030
00:49:50,719 --> 00:49:51,960
Speaker 1: change that he's aging.

1031
00:49:52,160 --> 00:49:54,759
Speaker 2: You know, it's almost like a pre midlife crisis where

1032
00:49:54,760 --> 00:49:57,680
Speaker 2: he's like, I'm getting older and I don't have anything

1033
00:49:57,680 --> 00:49:59,400
Speaker 2: to show for it, even though he's got a wife and.

1034
00:49:59,440 --> 00:50:00,560
Speaker 1: Yeah he's just children.

1035
00:50:01,040 --> 00:50:03,000
Speaker 4: He just has it's not even a midlife crazy. He

1036
00:50:03,080 --> 00:50:04,200
Speaker 4: just has crisis.

1037
00:50:04,320 --> 00:50:07,400
Speaker 2: Crisis, Yeah, just crisis. Okay, that then I approve. I

1038
00:50:07,440 --> 00:50:09,600
Speaker 2: approve of this. Then. If it's not just for a bit,

1039
00:50:09,680 --> 00:50:12,000
Speaker 2: if it's character development, I'm here for it.

1040
00:50:12,080 --> 00:50:14,440
Speaker 1: I think it's character development and the bit fit in nicely.

1041
00:50:14,560 --> 00:50:18,480
Speaker 2: Okay, I like that. Then I like that. So down

1042
00:50:18,480 --> 00:50:21,160
Speaker 2: in the studio, Jesse and the Rippers are singing Forever

1043
00:50:21,480 --> 00:50:25,080
Speaker 2: with the Beach Boys. Here we go again. The rest

1044
00:50:25,120 --> 00:50:27,640
Speaker 2: of the family is watching with their chicken on wheels,

1045
00:50:27,680 --> 00:50:30,520
Speaker 2: dinner set out before them picnic style. Which is this

1046
00:50:30,640 --> 00:50:32,080
Speaker 2: the most tannered thing ever?

1047
00:50:32,280 --> 00:50:37,920
Speaker 1: Why would we do that? You have a table table upstairs,

1048
00:50:39,239 --> 00:50:44,960
Speaker 1: they had loud in there. It would be so loud.

1049
00:50:46,320 --> 00:50:49,600
Speaker 2: It's such, it's so tanner. It's just of course they

1050
00:50:49,640 --> 00:50:54,320
Speaker 2: have a picnic downstairs set up with complete with with everything,

1051
00:50:54,440 --> 00:50:57,040
Speaker 2: the plaid little blanket and the dish chicken.

1052
00:50:57,440 --> 00:50:59,600
Speaker 4: Yeah, I laughed.

1053
00:51:00,920 --> 00:51:02,480
Speaker 1: So you know what I did notice though, it was

1054
00:51:02,520 --> 00:51:04,560
Speaker 1: a cute little moment, and I noticed it.

1055
00:51:04,600 --> 00:51:06,360
Speaker 4: I was sitting next like on the floor, next.

1056
00:51:06,160 --> 00:51:08,279
Speaker 1: To Bob, and at one point you cut over to

1057
00:51:08,320 --> 00:51:10,080
Speaker 1: the family more like singing, and I'm just sitting there

1058
00:51:10,080 --> 00:51:13,279
Speaker 1: holding his hand, ah and like the music's going and

1059
00:51:13,320 --> 00:51:15,239
Speaker 1: I'm like just hold We're just like I'm holding his

1060
00:51:15,320 --> 00:51:17,040
Speaker 1: hand while we're like singing or whatever.

1061
00:51:17,040 --> 00:51:18,600
Speaker 4: And I was like, oh, I love that.

1062
00:51:18,640 --> 00:51:21,120
Speaker 2: I didn't notice that. That's very organic too, you know

1063
00:51:21,160 --> 00:51:22,399
Speaker 2: that was not scripted. Yeah.

1064
00:51:23,160 --> 00:51:25,520
Speaker 1: Like I said, I always I look at pictures or

1065
00:51:25,520 --> 00:51:27,800
Speaker 1: things or whatever, and I just I kind of was

1066
00:51:27,840 --> 00:51:28,879
Speaker 1: always sitting next to Bob.

1067
00:51:29,120 --> 00:51:35,239
Speaker 2: Yeah, he was cute. Yeah, so sweet. Uh So they

1068
00:51:35,239 --> 00:51:38,799
Speaker 2: finished the song, everyone cheers and Joey compliments them in

1069
00:51:38,840 --> 00:51:42,480
Speaker 2: his surfer voice. You guys, that was totally excellent, and

1070
00:51:42,520 --> 00:51:47,080
Speaker 2: Michelle repeats, totally. Mike is excited to eat. Mike's got

1071
00:51:47,120 --> 00:51:47,879
Speaker 2: a one track mind.

1072
00:51:47,880 --> 00:51:51,880
Speaker 1: Here's Yeah, He's like, give me this food basement.

1073
00:51:52,000 --> 00:51:55,520
Speaker 2: Yeah. So uh they all go sit down with the

1074
00:51:55,560 --> 00:51:59,879
Speaker 2: family and Jesse is beaming. That is such a cool song.

1075
00:52:00,080 --> 00:52:02,360
Speaker 2: I sing that song to Becky at our wedding. I

1076
00:52:02,480 --> 00:52:04,880
Speaker 2: tell you, if I had a song like Forever, I

1077
00:52:04,920 --> 00:52:07,600
Speaker 2: bet your Fat Fish Records would sign us like that.

1078
00:52:08,080 --> 00:52:13,359
Speaker 2: And he snaps. Bruce just casually tells Jesse, you want it, you.

1079
00:52:13,360 --> 00:52:18,480
Speaker 1: Got it, because yeah, I give up, you know, publishing

1080
00:52:18,520 --> 00:52:23,359
Speaker 1: rights on a hit song. Who needs you? Who needs Yeah?

1081
00:52:23,400 --> 00:52:26,240
Speaker 4: Who needs money for work?

1082
00:52:28,719 --> 00:52:29,480
Speaker 2: Yeah?

1083
00:52:29,640 --> 00:52:34,040
Speaker 1: We need Coleslaw and and a basement picnic. That's it.

1084
00:52:34,160 --> 00:52:36,880
Speaker 2: He's so casual about that. And then yeah, he politely

1085
00:52:36,920 --> 00:52:40,359
Speaker 2: asked someone past the Coleslaw like it's just another.

1086
00:52:40,080 --> 00:52:45,880
Speaker 1: Tuesday, although didn't wasn't Forever a Dennis Wilson song?

1087
00:52:46,160 --> 00:52:47,719
Speaker 2: Yeah, I thought so, he wrote.

1088
00:52:47,760 --> 00:52:49,680
Speaker 1: Yeah, So maybe they were like, do what you want?

1089
00:52:49,760 --> 00:52:52,640
Speaker 1: You don't know, Yes, he's here, Yeah, exactly.

1090
00:52:53,440 --> 00:52:54,200
Speaker 4: Maybe that was it.

1091
00:52:54,239 --> 00:52:57,400
Speaker 2: I don't know. It was very funny though, how the

1092
00:52:57,400 --> 00:53:00,480
Speaker 2: way that these challenges just come they come to easily

1093
00:53:00,520 --> 00:53:02,200
Speaker 2: to this family, These solutions come.

1094
00:53:02,120 --> 00:53:05,160
Speaker 1: Up family, They're just insane.

1095
00:53:06,320 --> 00:53:11,160
Speaker 2: Luckily, Jesse is shocked. Appropriately he's shocked. He asks Mike

1096
00:53:11,200 --> 00:53:14,960
Speaker 2: if that would be okay, and Mike responds just as casually, sure,

1097
00:53:15,280 --> 00:53:17,600
Speaker 2: as long as Becky keeps cooking up food like this.

1098
00:53:18,960 --> 00:53:20,920
Speaker 2: Becky laughs, I'll give you the phone number, I mean,

1099
00:53:21,239 --> 00:53:26,320
Speaker 2: the recipe. Jesse tells them that normally they record something

1100
00:53:26,360 --> 00:53:28,960
Speaker 2: they write, but since no one is buying it, they

1101
00:53:29,040 --> 00:53:33,719
Speaker 2: might as well, record forever, might as well, Yeah, take

1102
00:53:33,719 --> 00:53:37,760
Speaker 2: a boy song. He makes himself feel better by pointing

1103
00:53:37,760 --> 00:53:41,680
Speaker 2: out that Elvis never recorded anything he wrote. Mike wonders

1104
00:53:41,719 --> 00:53:43,720
Speaker 2: what it would have been like if Elvis had done

1105
00:53:43,760 --> 00:53:48,840
Speaker 2: a Beach Boys song. Jesse doesn't Elvis impression of Surfing USA,

1106
00:53:49,160 --> 00:53:51,040
Speaker 2: and Mike admits, that's scary.

1107
00:53:51,560 --> 00:53:53,880
Speaker 1: Yeah, that was the combo that no one asks now

1108
00:53:54,080 --> 00:53:56,440
Speaker 1: but we got. But it was great. It was so weird.

1109
00:53:56,719 --> 00:53:59,920
Speaker 2: It was so awkward, like, yeah, that's a hybrid that

1110
00:54:00,120 --> 00:54:01,719
Speaker 2: nobody wants or asked for.

1111
00:54:02,760 --> 00:54:05,880
Speaker 1: Yep. But you know what I will say is this

1112
00:54:05,960 --> 00:54:09,760
Speaker 1: reminded me that randomly last week I got the song

1113
00:54:10,239 --> 00:54:13,640
Speaker 1: Surf in USA stuck in my head. You did, but

1114
00:54:14,000 --> 00:54:16,760
Speaker 1: just the part where it goes a bushy, bushy blonde

1115
00:54:16,760 --> 00:54:20,080
Speaker 1: hair do surf and USSA. And I'll tell you how

1116
00:54:20,120 --> 00:54:23,920
Speaker 1: that happened. I was leaning over to my print, to

1117
00:54:23,960 --> 00:54:28,280
Speaker 1: my paper shredder to plug it in, and I thought, oh,

1118
00:54:28,480 --> 00:54:32,680
Speaker 1: don't get your blonde do just like a stuck in

1119
00:54:32,719 --> 00:54:35,799
Speaker 1: the thing. And then it was like she was in mind.

1120
00:54:36,440 --> 00:54:41,799
Speaker 8: And then all day just that lyric, just that part,

1121
00:54:42,520 --> 00:54:45,680
Speaker 8: just that part, you get the weirdest earworms, like at

1122
00:54:45,760 --> 00:54:47,239
Speaker 8: least this has like a reason by it.

1123
00:54:47,280 --> 00:54:47,920
Speaker 2: There's a source.

1124
00:54:48,040 --> 00:54:48,640
Speaker 4: They all have it.

1125
00:54:48,640 --> 00:54:50,880
Speaker 1: There's they just have a reason.

1126
00:54:51,000 --> 00:54:52,960
Speaker 4: But the reason is weird, you.

1127
00:54:53,000 --> 00:54:55,399
Speaker 1: Know what I mean, Like like the how we.

1128
00:54:55,360 --> 00:54:57,160
Speaker 4: Get there is strange every time.

1129
00:54:57,280 --> 00:55:00,759
Speaker 1: But yea time, bushy blind hair, dude, don't get it

1130
00:55:00,760 --> 00:55:02,560
Speaker 1: stuck in this shudder. Yeah, I don't know.

1131
00:55:03,120 --> 00:55:03,960
Speaker 4: Just rewrite the lyric.

1132
00:55:04,239 --> 00:55:09,520
Speaker 1: You should re record this. You know I'm gonna say this. Yeah, Hey, Usa,

1133
00:55:09,680 --> 00:55:11,000
Speaker 1: sure why not pass the goals law?

1134
00:55:11,160 --> 00:55:17,080
Speaker 2: Class the goals law please? So everybody starts singing Surfing USA,

1135
00:55:17,360 --> 00:55:22,520
Speaker 2: and we wrap up this awkward scene. Next in the kitchen,

1136
00:55:22,960 --> 00:55:25,920
Speaker 2: Jesse walks upstairs from a studio and he's holding a

1137
00:55:26,080 --> 00:55:29,800
Speaker 2: cassette tape. Meanwhile, Michelle is at the table mixing something

1138
00:55:29,840 --> 00:55:32,319
Speaker 2: in a big bowl. He says hi to her and

1139
00:55:32,360 --> 00:55:35,279
Speaker 2: asks her to give him a good luck kiss. He explains,

1140
00:55:35,400 --> 00:55:37,600
Speaker 2: I've got this great version of Forever that I cut

1141
00:55:37,640 --> 00:55:39,640
Speaker 2: with the Beach Boys, and I'm taking it down to

1142
00:55:39,680 --> 00:55:42,960
Speaker 2: Fat Fish Records. I'll tell you something, they're gonna love

1143
00:55:43,000 --> 00:55:46,279
Speaker 2: this baby. As he starts to leave, Michelle asks if

1144
00:55:46,280 --> 00:55:49,600
Speaker 2: he'd like to taste her new recipe. He turns around

1145
00:55:49,640 --> 00:55:52,440
Speaker 2: and gives her a nervous smile, saying I'll take just

1146
00:55:52,480 --> 00:55:56,600
Speaker 2: a really tiny sample. Just give me a really tiny sample, okay,

1147
00:55:57,040 --> 00:56:00,400
Speaker 2: And instead, Michelle shoves a huge scoop of the stuff

1148
00:56:00,480 --> 00:56:04,520
Speaker 2: into his mouth. Jesse winces at the taste and asks

1149
00:56:04,520 --> 00:56:07,760
Speaker 2: her what it is, and she says it's tuna cream.

1150
00:56:08,760 --> 00:56:11,560
Speaker 2: Jesse asks, so that would be tuna shelter fish?

1151
00:56:12,280 --> 00:56:15,960
Speaker 1: What you had, gaffelta fish like sort of A it's

1152
00:56:16,000 --> 00:56:19,759
Speaker 1: like a like a creamy, gelatinous uh like fish. It's

1153
00:56:19,800 --> 00:56:22,520
Speaker 1: a it's a like a very typicalt Jewish deli thing.

1154
00:56:23,000 --> 00:56:25,840
Speaker 1: It's not the consistency of it is. No, it's not

1155
00:56:25,880 --> 00:56:27,759
Speaker 1: a thing. But yeah, that was what would remind me of.

1156
00:56:27,800 --> 00:56:32,080
Speaker 1: That was like, oh, tuna cream, tuna cream like it'lly.

1157
00:56:32,080 --> 00:56:34,480
Speaker 1: It's like a like in a like you can get

1158
00:56:34,520 --> 00:56:36,600
Speaker 1: it in like a jar, you know what I mean. Yeah,

1159
00:56:36,640 --> 00:56:37,359
Speaker 1: it's it's a thing.

1160
00:56:37,480 --> 00:56:39,560
Speaker 2: It's a that's the thing. That's that's the thing that

1161
00:56:39,600 --> 00:56:42,200
Speaker 2: won't be on my shopping list. But that's okay. I

1162
00:56:42,200 --> 00:56:43,920
Speaker 2: also don't like ice cream. I don't like milk. I

1163
00:56:43,960 --> 00:56:45,560
Speaker 2: don't like ice cream. I'm just I don't like.

1164
00:56:45,520 --> 00:56:47,719
Speaker 1: Ice cream rely either. Well, really it's not true. I

1165
00:56:47,800 --> 00:56:51,280
Speaker 1: like gelato, but I'm not. I'm not. I'm not an

1166
00:56:51,320 --> 00:56:53,640
Speaker 1: ice cream person. There is a life changing gelato spot

1167
00:56:53,680 --> 00:56:56,239
Speaker 1: by my house, and that is that I will Okay,

1168
00:56:56,400 --> 00:56:57,279
Speaker 1: I'll get into that later.

1169
00:56:57,320 --> 00:56:59,239
Speaker 2: But yeah, so that later, Okay, I'll come visit the

1170
00:56:59,320 --> 00:57:00,000
Speaker 2: gelato shop.

1171
00:57:00,040 --> 00:57:02,640
Speaker 4: But yeah, gelato's not as cold so it doesn't hurt

1172
00:57:02,640 --> 00:57:02,959
Speaker 4: my teeth.

1173
00:57:03,120 --> 00:57:05,200
Speaker 2: Oh is that why you don't like ice cream? Because

1174
00:57:05,200 --> 00:57:08,400
Speaker 2: its your teeth? Oh? Yeah, I just don't find it satisfying.

1175
00:57:08,440 --> 00:57:09,320
Speaker 2: I don't know if it's because.

1176
00:57:09,120 --> 00:57:10,640
Speaker 1: It's Yeah, I don't either. Yeah, I'm like it's I

1177
00:57:10,680 --> 00:57:12,680
Speaker 1: need a bready Carbi dessert.

1178
00:57:12,840 --> 00:57:14,360
Speaker 4: Yes, give me a patty.

1179
00:57:15,360 --> 00:57:17,320
Speaker 2: I'm a pastry person, not an ice cream Oh. I

1180
00:57:17,360 --> 00:57:20,360
Speaker 2: want to just cake like Michelle.

1181
00:57:20,360 --> 00:57:25,520
Speaker 7: You and Michelle, they just give me cake, so he.

1182
00:57:25,640 --> 00:57:29,120
Speaker 2: Jesse spits out the tuna cream and Michelle sighs at

1183
00:57:29,120 --> 00:57:33,200
Speaker 2: his response, I'll never get my cooking badge. But Jesse

1184
00:57:33,280 --> 00:57:35,480
Speaker 2: doesn't like that she's down on herself. He begins to

1185
00:57:35,520 --> 00:57:40,040
Speaker 2: tell her all about perseverance. She asks Pursa what He

1186
00:57:40,120 --> 00:57:42,920
Speaker 2: tells her that it means you never give up, and

1187
00:57:42,960 --> 00:57:45,880
Speaker 2: he uses himself as an example. I've been plugging away

1188
00:57:45,880 --> 00:57:48,000
Speaker 2: at this music business for ten years, and I've been

1189
00:57:48,040 --> 00:57:51,680
Speaker 2: writing songs and taking goofy gigs. You know why, because

1190
00:57:51,680 --> 00:57:56,000
Speaker 2: I will do anything to keep my dream alive. Cue

1191
00:57:56,040 --> 00:57:56,760
Speaker 2: the montage.

1192
00:57:57,200 --> 00:57:58,960
Speaker 1: Oh gotta love a good montage.

1193
00:58:00,160 --> 00:58:03,080
Speaker 2: See the montage of Jesse and his odd jobs as

1194
00:58:03,120 --> 00:58:07,000
Speaker 2: a musician, from his on stage Elvis impersonation to his

1195
00:58:07,160 --> 00:58:11,160
Speaker 2: Kitty Crispy's jingle, his time on Mister Egghead, the time

1196
00:58:11,200 --> 00:58:14,840
Speaker 2: he sang to the kindergarteners is jingle for Denture Cream,

1197
00:58:15,280 --> 00:58:18,280
Speaker 2: when he performed as Vulture, and his gig at the

1198
00:58:18,280 --> 00:58:20,280
Speaker 2: airport with the diplomats.

1199
00:58:20,720 --> 00:58:23,040
Speaker 1: I forgot about most of these. I was like, oh

1200
00:58:23,080 --> 00:58:25,400
Speaker 1: my god, this is this is insane.

1201
00:58:25,520 --> 00:58:26,600
Speaker 2: He has done a lot.

1202
00:58:26,680 --> 00:58:27,720
Speaker 1: You know, he has done a lot.

1203
00:58:28,080 --> 00:58:30,680
Speaker 2: He's done about him. You know he's making it well,

1204
00:58:30,760 --> 00:58:32,720
Speaker 2: just do what you gotta do when he can put

1205
00:58:32,720 --> 00:58:36,320
Speaker 2: his pride aside. This guy shines so good for him.

1206
00:58:36,640 --> 00:58:39,680
Speaker 2: I enjoyed this montage. Actually, I will give it credit

1207
00:58:39,800 --> 00:58:43,520
Speaker 2: where credit is due. We fade out of the montage

1208
00:58:43,640 --> 00:58:46,600
Speaker 2: and Jesse says, see what I mean, Michelle.

1209
00:58:46,600 --> 00:58:49,040
Speaker 1: Yes, in my in my mind's eye that we shared

1210
00:58:49,080 --> 00:58:51,600
Speaker 1: the screen I do. It's so weird.

1211
00:58:52,360 --> 00:58:55,720
Speaker 2: Because Michelle responds, you were desperate like, didn't she read

1212
00:58:55,800 --> 00:59:01,040
Speaker 2: his mind? Yes, Jesse nods, yeah, I never gave up,

1213
00:59:01,240 --> 00:59:04,880
Speaker 2: and you know why because I got and Michelle finishes

1214
00:59:04,920 --> 00:59:10,680
Speaker 2: his sentence per severance. Jesse gives her some cooking tips. Okay,

1215
00:59:10,720 --> 00:59:13,080
Speaker 2: you like pudding and you like cheese, so you put

1216
00:59:13,080 --> 00:59:15,560
Speaker 2: them together. You like ice cream and you like tuna,

1217
00:59:15,800 --> 00:59:19,000
Speaker 2: and again you put them together. Stop putting things together.

1218
00:59:19,680 --> 00:59:24,120
Speaker 2: Just try one thing, Try something simple. Michelle thanks him

1219
00:59:24,160 --> 00:59:26,720
Speaker 2: for this excellent advice, and they say I love you

1220
00:59:26,760 --> 00:59:30,439
Speaker 2: before giving each other a kiss. Jesse leaves. Michelle looks

1221
00:59:30,440 --> 00:59:32,840
Speaker 2: down at her tuna cream and smells it. Her face

1222
00:59:32,920 --> 00:59:36,480
Speaker 2: sours as she admits, what was I thinking? Then she

1223
00:59:36,480 --> 00:59:39,040
Speaker 2: scoops up some more and smells it again before deciding

1224
00:59:39,600 --> 00:59:44,160
Speaker 2: it needs olives. Do you remember the girls, like, did

1225
00:59:44,160 --> 00:59:46,680
Speaker 2: they the olives on their finners when they would put.

1226
00:59:48,080 --> 00:59:50,120
Speaker 4: Yea that do anything?

1227
00:59:50,200 --> 00:59:51,920
Speaker 2: Or did they actually eat them or.

1228
00:59:51,880 --> 00:59:53,520
Speaker 1: Was it just you actually ate them. No, you'd put

1229
00:59:53,520 --> 00:59:54,480
Speaker 1: them and you'd stick them on your.

1230
00:59:54,440 --> 00:59:56,560
Speaker 2: Finger n I just remember they were like olives on

1231
00:59:56,600 --> 00:59:57,120
Speaker 2: my finners.

1232
00:59:57,200 --> 01:00:00,760
Speaker 1: Is how they finners is my finers. I got alive

1233
01:00:00,840 --> 01:00:01,720
Speaker 1: on my fingers.

1234
01:00:02,720 --> 01:00:05,520
Speaker 2: It was a funny, funny little bit in the living

1235
01:00:05,600 --> 01:00:08,800
Speaker 2: room Kimmy and DJ are following Danny down the stairs,

1236
01:00:08,880 --> 01:00:12,200
Speaker 2: continuing to pester him about his Spain decision.

1237
01:00:12,920 --> 01:00:15,160
Speaker 1: Your outfit, by the way, and this is so cute.

1238
01:00:15,240 --> 01:00:17,680
Speaker 2: It's so tight. It's so dancd I use my tight era,

1239
01:00:17,840 --> 01:00:18,600
Speaker 2: which I didn't love.

1240
01:00:18,960 --> 01:00:21,520
Speaker 1: Well, you looked I thought you looked adorable. You looked

1241
01:00:21,520 --> 01:00:23,120
Speaker 1: really cute with the leggings and the little dress over

1242
01:00:23,120 --> 01:00:23,480
Speaker 1: it and the zip.

1243
01:00:23,520 --> 01:00:24,120
Speaker 4: Yeah, it was cute.

1244
01:00:24,120 --> 01:00:26,800
Speaker 2: It is very fashionable. It's cute and fashionable. I was

1245
01:00:26,840 --> 01:00:29,520
Speaker 2: just ann, just teenager. That was like, all right, put

1246
01:00:29,560 --> 01:00:32,560
Speaker 2: me in some sweats. So they sit down on the

1247
01:00:32,560 --> 01:00:36,080
Speaker 2: couch with Danny sandwiched between them, and he finally tells

1248
01:00:36,120 --> 01:00:39,240
Speaker 2: them this is a decision that I've been wrestling with

1249
01:00:39,280 --> 01:00:42,120
Speaker 2: all day. And if you know anything about wrestling, which

1250
01:00:42,160 --> 01:00:45,440
Speaker 2: I do, because I was dorm champ in the one

1251
01:00:45,520 --> 01:00:47,880
Speaker 2: hundred and forty five pound class, you know I was.

1252
01:00:48,000 --> 01:00:50,720
Speaker 1: How was he the dorm champ if he was nineteen

1253
01:00:50,840 --> 01:00:52,400
Speaker 1: when DJ was born.

1254
01:00:52,240 --> 01:00:52,880
Speaker 2: I don't know.

1255
01:00:52,960 --> 01:00:53,960
Speaker 4: I don't, I don't.

1256
01:00:53,960 --> 01:00:56,440
Speaker 1: He couldn't. Did he go to college and live on campus?

1257
01:00:57,200 --> 01:00:59,600
Speaker 1: I mean, that doesn't make sense. They had they had

1258
01:00:59,640 --> 01:00:59,959
Speaker 1: a baby.

1259
01:01:00,600 --> 01:01:06,120
Speaker 2: Wait, maybe it was his freshman year it's fall semester,

1260
01:01:06,160 --> 01:01:08,720
Speaker 2: freshman year eighteen. Got it, that's what it is.

1261
01:01:08,760 --> 01:01:11,080
Speaker 4: Maybe he graduated early seventeen, Okay, I got it.

1262
01:01:13,520 --> 01:01:15,800
Speaker 2: So he says, I was really wiry back then. They

1263
01:01:15,880 --> 01:01:19,560
Speaker 2: used to call me the human pipe cleaner, and kimm

1264
01:01:19,920 --> 01:01:21,360
Speaker 2: what wait, what are you laughing?

1265
01:01:22,920 --> 01:01:26,360
Speaker 1: You don't want me to explain it?

1266
01:01:26,400 --> 01:01:28,240
Speaker 2: Is it better or worse than meat thermometer?

1267
01:01:29,960 --> 01:01:36,080
Speaker 1: I'd say it's a lateral move. Yeah, a human pipe

1268
01:01:36,120 --> 01:01:38,600
Speaker 1: cleaner is I don't know. Yeah, there's I feel like

1269
01:01:38,640 --> 01:01:40,760
Speaker 1: I've seen that video. Okay, sorry.

1270
01:01:41,840 --> 01:01:45,400
Speaker 2: Jimmy interrupts to tell DJ forget it because she is

1271
01:01:45,440 --> 01:01:49,480
Speaker 2: not going DJ argues it sometimes his rambling means it's

1272
01:01:49,560 --> 01:01:53,080
Speaker 2: good news. Kimmy wonders aloud, right in front of Danny.

1273
01:01:53,360 --> 01:01:55,800
Speaker 2: How do you know he never gets to the news.

1274
01:01:56,560 --> 01:01:59,720
Speaker 2: DJ responds, through gritted teeth, Kimmy, don't be rude. He

1275
01:01:59,800 --> 01:02:03,040
Speaker 2: might change his mind. Jimmy reminds her, we don't know

1276
01:02:03,080 --> 01:02:05,680
Speaker 2: what he's gonna say. Maybe we want him to change

1277
01:02:05,720 --> 01:02:09,360
Speaker 2: his mind. DJ argues, maybe he hasn't made up his mind,

1278
01:02:09,760 --> 01:02:12,640
Speaker 2: and finally Danny interjects, maybe you want me to lose

1279
01:02:12,680 --> 01:02:13,120
Speaker 2: my mind.

1280
01:02:14,040 --> 01:02:15,560
Speaker 4: This was actually a funny bet it was cute.

1281
01:02:15,560 --> 01:02:18,920
Speaker 2: It was a good bit. Yeah, it's funny. DJ begs

1282
01:02:18,960 --> 01:02:22,080
Speaker 2: him to just tell her the answer. So Danny asks,

1283
01:02:22,440 --> 01:02:26,040
Speaker 2: you promise you'll write me every day. DJ responds, of course,

1284
01:02:26,120 --> 01:02:29,800
Speaker 2: I'll bring stationary and then it hits her and she squeals,

1285
01:02:29,920 --> 01:02:33,800
Speaker 2: I'm going you're letting me go. Thank you, and gives

1286
01:02:33,880 --> 01:02:37,880
Speaker 2: him a big hug. Kimmy grins. Good decision, mister t

1287
01:02:38,240 --> 01:02:39,360
Speaker 2: she already told the school.

1288
01:02:39,480 --> 01:02:39,680
Speaker 6: Yes.

1289
01:02:40,760 --> 01:02:44,400
Speaker 2: DJ's eyes widen and she insists, I said yes unless

1290
01:02:44,400 --> 01:02:48,240
Speaker 2: my dad says no. Then Stephanie walks into the room

1291
01:02:48,240 --> 01:02:51,600
Speaker 2: with a platter of popsickles. Becky and Joey, each carrying

1292
01:02:51,600 --> 01:02:55,320
Speaker 2: a twin, follow behind her. She presents the treats in

1293
01:02:55,320 --> 01:02:57,760
Speaker 2: front of Danny and the girls and says, oj on

1294
01:02:57,800 --> 01:03:01,160
Speaker 2: a stick, get them while they're cold. They all grab

1295
01:03:01,200 --> 01:03:04,760
Speaker 2: one to eat and they're pleasantly surprised. Becky even gives

1296
01:03:04,800 --> 01:03:09,520
Speaker 2: one to the babies as their very first popsicle. It's

1297
01:03:09,520 --> 01:03:13,600
Speaker 2: a cute little happy tongue there, right. Joey does a

1298
01:03:13,640 --> 01:03:18,959
Speaker 2: French accent to complement the treat. Fruity, sophisticated, yet mischievous,

1299
01:03:19,880 --> 01:03:22,960
Speaker 2: and best of all, it comes on a stick. Steph

1300
01:03:23,000 --> 01:03:26,400
Speaker 2: asks if they really like them, and everyone nods. So

1301
01:03:26,440 --> 01:03:30,560
Speaker 2: she announces the incredibly talented chef who made OJ's on

1302
01:03:30,600 --> 01:03:35,600
Speaker 2: a Stick is our very own Michelle Elizabeth Tanner. Sheel

1303
01:03:35,680 --> 01:03:38,360
Speaker 2: runs in and boasts, I did it. I can cook.

1304
01:03:39,120 --> 01:03:42,120
Speaker 2: They all congratulate her on earning her first Honeybee badge

1305
01:03:42,120 --> 01:03:46,320
Speaker 2: and she nods, thank you. I may open a restaurant.

1306
01:03:47,120 --> 01:03:49,920
Speaker 2: The confidence in this family just should be studied.

1307
01:03:50,120 --> 01:03:56,520
Speaker 1: It's nobody ever. They don't run into any like interference.

1308
01:03:56,680 --> 01:04:00,160
Speaker 4: Those are challenges in life, yeah.

1309
01:04:01,080 --> 01:04:03,960
Speaker 1: There is, but they're entirely self made, you know what

1310
01:04:04,000 --> 01:04:05,880
Speaker 1: I mean. There's a challenge, but it's usually just that

1311
01:04:05,920 --> 01:04:07,120
Speaker 1: you need to get over something.

1312
01:04:07,160 --> 01:04:09,480
Speaker 4: And yeah, it's great.

1313
01:04:09,640 --> 01:04:13,080
Speaker 1: I love it. This family can do anything and they.

1314
01:04:12,880 --> 01:04:14,280
Speaker 2: Will and they will.

1315
01:04:15,800 --> 01:04:15,880
Speaker 1: So.

1316
01:04:15,960 --> 01:04:20,000
Speaker 2: Then Jesse walks in with David Jenilari from Fat Fish Music.

1317
01:04:20,960 --> 01:04:24,160
Speaker 2: He introduces David to the whole family. Jesse gives the

1318
01:04:24,200 --> 01:04:27,000
Speaker 2: man praise, saying he has the best ear in the

1319
01:04:27,120 --> 01:04:31,680
Speaker 2: music business. Stephanie comments, that's strange. Yesterday you said he

1320
01:04:31,680 --> 01:04:33,880
Speaker 2: wouldn't know good music if it fit him on the

1321
01:04:34,600 --> 01:04:36,880
Speaker 2: and Jesse covers her mouth before she can finish that

1322
01:04:37,000 --> 01:04:40,439
Speaker 2: sentence and laughs it off. He explains that he brought

1323
01:04:40,520 --> 01:04:43,240
Speaker 2: David here to tell everyone the good news. So David

1324
01:04:43,320 --> 01:04:46,200
Speaker 2: takes it away. I heard the kid's tape of Forever

1325
01:04:46,360 --> 01:04:49,320
Speaker 2: and it blew me away. I'm not even here, so

1326
01:04:49,600 --> 01:04:53,360
Speaker 2: I had no choice. I had to sign him. Everyone

1327
01:04:53,480 --> 01:04:57,480
Speaker 2: jumps up in excitement and starts congratulating Jesse on getting signed.

1328
01:04:57,960 --> 01:05:02,640
Speaker 2: Jesse's pumped again and again again. He says, I'm finally

1329
01:05:02,680 --> 01:05:05,400
Speaker 2: gonna have a record out. Ten years of struggling has

1330
01:05:05,520 --> 01:05:10,840
Speaker 2: finally paid off. You toured Japan hasn't come yet, but

1331
01:05:10,880 --> 01:05:13,040
Speaker 2: he didn't Becky was pregnant.

1332
01:05:13,400 --> 01:05:14,320
Speaker 1: Where did he tour?

1333
01:05:14,480 --> 01:05:17,920
Speaker 2: And with what record label? I don't I don't understand.

1334
01:05:18,040 --> 01:05:22,800
Speaker 2: You don't understand. H So Michelle chimes in. She says,

1335
01:05:22,840 --> 01:05:26,760
Speaker 2: because you got perseverance, and David points to her and says,

1336
01:05:27,000 --> 01:05:30,880
Speaker 2: cool kid. Then he pulls Jesse aside to ask, when

1337
01:05:30,920 --> 01:05:34,400
Speaker 2: you think of major superstars like Michael Jackson or Hammer,

1338
01:05:34,800 --> 01:05:39,000
Speaker 2: what do you see and Jesse guesses funny pants. David

1339
01:05:39,040 --> 01:05:45,120
Speaker 2: shakes his head, No, you see dancing. Jesse's confused, So David.

1340
01:05:44,800 --> 01:05:47,240
Speaker 1: Is the second he was like, you see dancing? I

1341
01:05:47,320 --> 01:05:51,040
Speaker 1: was like, oh, do I know what's happening next?

1342
01:05:53,000 --> 01:05:57,959
Speaker 7: Yeah, I'm already cringing. I'm already cringing excited. I can't wait.

1343
01:05:58,440 --> 01:06:01,880
Speaker 7: I might just watch the episode night. Oh yeah, can't wait,

1344
01:06:01,960 --> 01:06:03,240
Speaker 7: and done again next week.

1345
01:06:03,320 --> 01:06:05,480
Speaker 1: Yeah.

1346
01:06:05,680 --> 01:06:09,520
Speaker 2: Jesse is confused, so David reveals that's why we're gonna

1347
01:06:09,520 --> 01:06:12,280
Speaker 2: take that sweet little song of yours, re record it,

1348
01:06:12,640 --> 01:06:15,000
Speaker 2: turn up the energy, pump up the beat, and make

1349
01:06:15,040 --> 01:06:19,920
Speaker 2: the hottest dance video ever to hit MTV. Jesse admits

1350
01:06:19,960 --> 01:06:24,440
Speaker 2: there's just one small problem. He doesn't dance. David brushes

1351
01:06:24,440 --> 01:06:26,560
Speaker 2: it off. Come on, a guy with your looks and

1352
01:06:26,640 --> 01:06:30,280
Speaker 2: talent can't dance. I don't believe it. The rest of

1353
01:06:30,280 --> 01:06:35,000
Speaker 2: the family chimes in, believe it. Comment's a better dancer regardless.

1354
01:06:35,120 --> 01:06:37,919
Speaker 2: David tells Jesse not to worry. He puts a hand

1355
01:06:38,000 --> 01:06:41,080
Speaker 2: on his shoulder and confidently states, when we get through

1356
01:06:41,120 --> 01:06:44,320
Speaker 2: with you, everyone in this country will be dancing the

1357
01:06:44,480 --> 01:06:48,360
Speaker 2: jess Man. Jesse looks out into the distance in horror

1358
01:06:48,600 --> 01:06:54,280
Speaker 2: the jess Man, and the episode ends with two be continued.

1359
01:06:55,040 --> 01:07:00,160
Speaker 1: Cliffhanger, jess Man, did this Do you remember that song? Okay,

1360
01:07:00,360 --> 01:07:02,040
Speaker 1: hold on, let me back up a little bit. Do

1361
01:07:02,080 --> 01:07:05,520
Speaker 1: you remember the Simpsons coming out with an album? No,

1362
01:07:07,040 --> 01:07:10,560
Speaker 1: they did okay, right around this time. Oh really, and

1363
01:07:10,680 --> 01:07:13,880
Speaker 1: there was a song called the Bartman. Oh yes, yes,

1364
01:07:13,920 --> 01:07:16,280
Speaker 1: I do.

1365
01:07:14,560 --> 01:07:21,160
Speaker 3: The Yeah, I I may have had that CD. Look

1366
01:07:21,240 --> 01:07:23,480
Speaker 3: at you, Jordan, I was like ten or eleven, but

1367
01:07:23,640 --> 01:07:26,840
Speaker 3: h and I loved the Simpsons, but that's what it

1368
01:07:26,880 --> 01:07:28,680
Speaker 3: reminded me, was to do the Bartman.

1369
01:07:28,960 --> 01:07:31,000
Speaker 2: I wonder if that's where they got the just man

1370
01:07:31,040 --> 01:07:32,360
Speaker 2: ideas from the Bartman.

1371
01:07:32,880 --> 01:07:34,840
Speaker 4: Right, I don't know a little.

1372
01:07:34,840 --> 01:07:36,720
Speaker 1: I don't know what. Yeah, I'm not sure which came first,

1373
01:07:36,760 --> 01:07:38,400
Speaker 1: but but it definitely.

1374
01:07:39,760 --> 01:07:42,040
Speaker 2: This is just I'm excited to see John dance because

1375
01:07:42,040 --> 01:07:42,880
Speaker 2: it's gonna be hysterical.

1376
01:07:42,880 --> 01:07:45,080
Speaker 1: I can't wait for you. At least it gives us

1377
01:07:45,080 --> 01:07:49,520
Speaker 1: an explanation as to why the hip hop version of

1378
01:07:49,520 --> 01:07:50,440
Speaker 1: Forever true.

1379
01:07:50,640 --> 01:07:52,120
Speaker 2: When we talked about this, you know what I mean,

1380
01:07:52,520 --> 01:07:55,040
Speaker 2: we were like, yeah, what are you thinking?

1381
01:07:55,280 --> 01:07:57,919
Speaker 1: Wait? Gary was like yeah, we did a rap version

1382
01:07:57,960 --> 01:07:59,120
Speaker 1: and we're like what.

1383
01:07:59,040 --> 01:07:59,640
Speaker 2: We were like, whoy?

1384
01:07:59,720 --> 01:08:00,760
Speaker 1: Now know why? Yeah?

1385
01:08:00,960 --> 01:08:03,480
Speaker 2: Okay, so this makes sense. It was David Jenilauri that

1386
01:08:03,560 --> 01:08:07,120
Speaker 2: insisted on this. It wasn't Jesse's just going along with it.

1387
01:08:08,440 --> 01:08:10,680
Speaker 2: I'm exciting. I don't know John in physical comedy. I'm

1388
01:08:10,720 --> 01:08:11,160
Speaker 2: ready for it.

1389
01:08:11,200 --> 01:08:14,080
Speaker 1: Always great. Yeah, Oh, him not being able to dance

1390
01:08:14,080 --> 01:08:14,760
Speaker 1: will be hilarious.

1391
01:08:14,840 --> 01:08:15,920
Speaker 2: It will be fantastic.

1392
01:08:16,120 --> 01:08:18,880
Speaker 1: Yeah, and I haven't I don't even remember what happens

1393
01:08:18,920 --> 01:08:19,880
Speaker 1: in this next video.

1394
01:08:20,080 --> 01:08:21,360
Speaker 4: I'm oh, I don't know.

1395
01:08:21,479 --> 01:08:24,000
Speaker 1: I'm very excited. It's going to be absolutely ridiculous and

1396
01:08:24,040 --> 01:08:24,479
Speaker 1: I can't wait.

1397
01:08:24,560 --> 01:08:26,800
Speaker 2: It's going to be a fever dream and I'm here

1398
01:08:26,880 --> 01:08:28,920
Speaker 2: for it and you're going to make fun of it.

1399
01:08:30,240 --> 01:08:33,519
Speaker 1: I'm just along for the ride. Did you have any

1400
01:08:33,600 --> 01:08:34,439
Speaker 1: everywhere he looks?

1401
01:08:34,640 --> 01:08:38,840
Speaker 2: I did not know, but I loved your holding Bob's hand.

1402
01:08:38,880 --> 01:08:40,840
Speaker 2: I think that's a great where you look because I

1403
01:08:40,840 --> 01:08:42,640
Speaker 2: didn't notice it. So I love that.

1404
01:08:42,800 --> 01:08:44,760
Speaker 1: Yeah, in the scene where we're all having our our

1405
01:08:45,160 --> 01:08:49,400
Speaker 1: band picnic very and it stuck out to me because

1406
01:08:49,479 --> 01:08:53,599
Speaker 1: I noticed, like it was like the music was going

1407
01:08:53,640 --> 01:08:55,840
Speaker 1: and we like it didn't I didn't have to be

1408
01:08:56,320 --> 01:08:57,680
Speaker 1: you know what I mean. It wasn't like it was

1409
01:08:57,760 --> 01:09:00,320
Speaker 1: part of the scene or anything. It just I was

1410
01:09:00,400 --> 01:09:02,280
Speaker 1: just sitting their own Bob's hand and just hold him.

1411
01:09:02,760 --> 01:09:06,400
Speaker 2: Yeah, that's yeah, it's so heartwarming. Yeah, I love that.

1412
01:09:06,760 --> 01:09:07,120
Speaker 2: I love it.

1413
01:09:07,520 --> 01:09:09,599
Speaker 1: But yeah, that was the only little moment that I

1414
01:09:09,640 --> 01:09:12,799
Speaker 1: had that was perfect. Yeah, we had some returning rippers.

1415
01:09:12,800 --> 01:09:15,000
Speaker 1: We had to uncle carry Geller. We had Harry, we

1416
01:09:15,040 --> 01:09:17,639
Speaker 1: had mullets, we had mullets, we had Lannie.

1417
01:09:18,040 --> 01:09:20,920
Speaker 2: Lannie was there. Yeah that's right. Uh and then the

1418
01:09:21,000 --> 01:09:23,600
Speaker 2: drummer that was named in the credits, but yeah, not

1419
01:09:23,680 --> 01:09:25,760
Speaker 2: really given a line. That's okay.

1420
01:09:25,920 --> 01:09:27,519
Speaker 4: Yeah, but it was good.

1421
01:09:27,560 --> 01:09:28,599
Speaker 2: I think it was a good episode.

1422
01:09:28,640 --> 01:09:29,080
Speaker 1: I don't know.

1423
01:09:30,200 --> 01:09:32,400
Speaker 2: I don't know if there's a whole lot at Steak

1424
01:09:32,600 --> 01:09:35,719
Speaker 2: really for a two part finale of season five. During

1425
01:09:35,720 --> 01:09:38,880
Speaker 2: Sweeps week, the stakes don't seem very high. It's like, Okay,

1426
01:09:38,880 --> 01:09:39,599
Speaker 2: he's either going to.

1427
01:09:39,520 --> 01:09:41,560
Speaker 1: Get a record deal or he's not. I feel like

1428
01:09:41,600 --> 01:09:43,439
Speaker 1: they are going to come back. Are the Beach Boys

1429
01:09:43,439 --> 01:09:43,920
Speaker 1: going to come back?

1430
01:09:43,920 --> 01:09:44,760
Speaker 2: Oh? Do they come back?

1431
01:09:45,080 --> 01:09:45,559
Speaker 1: I don't know?

1432
01:09:45,680 --> 01:09:46,679
Speaker 2: Are they in the video?

1433
01:09:47,280 --> 01:09:49,360
Speaker 1: That's what I'm saying is that does something go wrong

1434
01:09:49,400 --> 01:09:51,200
Speaker 1: and then they're like, wait, they we got to come

1435
01:09:51,240 --> 01:09:53,040
Speaker 1: in and then they do you know what I mean? Like,

1436
01:09:53,920 --> 01:09:55,560
Speaker 1: I don't remember what happened. So this is going to

1437
01:09:55,600 --> 01:09:57,519
Speaker 1: be interesting. But I'm wondering, like, did the Beach Boys

1438
01:09:57,560 --> 01:09:58,040
Speaker 1: come back?

1439
01:09:59,439 --> 01:10:01,679
Speaker 2: This is the so they're leading up to the Hip

1440
01:10:01,760 --> 01:10:04,640
Speaker 2: Hop Forever? Is this also when they do the I

1441
01:10:04,680 --> 01:10:07,040
Speaker 2: think then they release black and white, Yes, forever.

1442
01:10:07,479 --> 01:10:09,040
Speaker 1: Yes, that's the end of the.

1443
01:10:09,160 --> 01:10:12,080
Speaker 2: That's the end of the next episode. Okay, okay, so

1444
01:10:12,960 --> 01:10:14,599
Speaker 2: all right, it's a lot of Jesse, it's a lot

1445
01:10:14,600 --> 01:10:16,880
Speaker 2: of music. It's beach boys. I guess that's where we

1446
01:10:16,960 --> 01:10:18,360
Speaker 2: have a finale season finale.

1447
01:10:18,479 --> 01:10:20,320
Speaker 1: Yeah, oh no, it's the I have a feeling it's

1448
01:10:20,360 --> 01:10:25,000
Speaker 1: just going to be absolutely peak full house, peak full house. Yes,

1449
01:10:25,080 --> 01:10:32,559
Speaker 1: I'm and their ability to just pull focus it's just amazing.

1450
01:10:32,880 --> 01:10:34,280
Speaker 2: I love it. I love this show.

1451
01:10:34,360 --> 01:10:37,080
Speaker 1: It's crazy, this amphibian, it's Amphibian.

1452
01:10:38,240 --> 01:10:39,800
Speaker 4: Well, I think that's all we got for you, folks.

1453
01:10:40,040 --> 01:10:42,360
Speaker 1: So if you want more, make sure you're following us

1454
01:10:42,400 --> 01:10:45,120
Speaker 1: on Instagram at Howard tan Rito's or you can send

1455
01:10:45,200 --> 01:10:49,360
Speaker 1: us an email at how Red podcast at gmail dot com,

1456
01:10:50,000 --> 01:10:53,400
Speaker 1: or you know, send us notes, messages, questions, whatever you want,

1457
01:10:54,240 --> 01:10:57,240
Speaker 1: your own cassette tapes of Forever. I don't know, whatever

1458
01:10:57,280 --> 01:11:00,720
Speaker 1: you want, but send it in and and we will

1459
01:11:00,720 --> 01:11:01,720
Speaker 1: see you guys next time.

1460
01:11:01,800 --> 01:11:02,240
Speaker 2: We will.

1461
01:11:02,600 --> 01:11:06,479
Speaker 1: And remember the world is small, but the house is

1462
01:11:06,520 --> 01:11:12,280
Speaker 1: full of tuna cream, just full of it. I just

1463
01:11:12,320 --> 01:11:18,120
Speaker 1: tuna and I would not eat tuna cream this So no, yeah,

1464
01:11:18,160 --> 01:11:19,320
Speaker 1: did you ever have the did you ever have the

1465
01:11:19,360 --> 01:11:21,479
Speaker 1: mac and cheese ice cream from Van Luin.

1466
01:11:21,840 --> 01:11:24,320
Speaker 2: No was that Kraft mac and ge How was the thing.

1467
01:11:24,200 --> 01:11:25,920
Speaker 1: They sent it? It was an interesting flavor.

1468
01:11:26,160 --> 01:11:27,360
Speaker 4: It wasn't what you thought it would be.

1469
01:11:27,800 --> 01:11:31,200
Speaker 2: Really, was it good? Or I would expect it to.

1470
01:11:31,200 --> 01:11:33,519
Speaker 1: Be terrible, wouldn't do it again. But you know it

1471
01:11:33,560 --> 01:11:34,240
Speaker 1: wasn't terrible.

1472
01:11:34,360 --> 01:11:37,080
Speaker 2: It didn't give you a stomach virus, so that's good.

1473
01:11:37,479 --> 01:11:41,679
Speaker 1: No, okay, not that I remember. Anyway, Everyone have a

1474
01:11:41,760 --> 01:11:44,640
Speaker 1: lovely time, don't eat tuna mix with ice cream, and

1475
01:11:44,680 --> 01:11:46,400
Speaker 1: we will see you next time.

1476
01:11:46,720 --> 01:11:46,760
Speaker 2: A